MOODS
Prose Poems
by
Mercedes de Acosta
NEW YORK
MOFFAT, YARD AND COMPANY
1919
Copyright, 1919, by
MOFFAT, YARD & COMPANY
| PAGE | |
| Memory | 3 |
| Faith | 5 |
| Love | 7 |
| Disgust | 10 |
| Joy | 13 |
| Despair | 16 |
| Tenderness | 18 |
| Hurt Feelings | 22 |
| Weariness | 24 |
| Opportunity | 26 |
| Time | 28 |
| Revelation | 31 |
| Finding God | 34 |
| Brainstorm | 38 |
| Peace | 41 |
| Twilight Dreams | 44 |
[Pg 1]
There is a happy gift revealed in these little pastels, vignettes, or whatever one wishes to name such fragments that Miss de Acosta has written and which refuse to be catalogued and classified. They stand out in one’s reading in refreshing contrast to many opaque books of verse. They are not poetry; but they are the most singable prose, and they have a haunting quality, a breath of mystery, as though a ghost walked in a garden. They are strange, but they are human too; for if Miss de Acosta has anything it is a belief in, and an understanding of, her fellow human beings. In the little picture of the tired woman in the subway she shows with what feeling her heart is charged; and in the fragment of the studio, the climax is deftly approached. Brief as these glimpses of human experience are, they leave one with a sense of finality. It is as though a door were suddenly opened, or a window quickly raised—and then as suddenly closed again. But one has seen the room in its entirety, and the interior has been photographed on the brain.
[Pg 2]
Miss de Acosta, who comes forward here with her first volume, bears promise of even finer achievement. I like the perfume of these flowers. And I like her directness, her obvious sincerity, her passion for the truth as Life reveals it to her, and her endeavor to give the reader a swift, vivid picture. She may go very far.
Charles Hanson Towne.
[Pg 3]
[Pg 5]
[Pg 7]
[Pg 10]
[Pg 13]
[Pg 16]
[Pg 18]
[Pg 22]
[Pg 24]
[Pg 26]
[Pg 28]
[Pg 31]
[Pg 34]
[Pg 38]
[Pg 41]
[Pg 44]
Inconsistencies in hyphenation have been standardized.
Spelling was retained as in the original except for the following changes:
| Page 11: “by the same upsparing” | to | “by the same unsparing” |
| Page 16: “my heart with ice boned” | to | “my heart with ice-boned” |
| Page 36: “to live so scentifically” | to | “to live so scientifically” |