The Project Gutenberg eBook of The shadow kingdom, by Robert E. Howard

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The shadow kingdom

Author: Robert E. Howard

Illustrator: Hugh Rankin

Release Date: May 22, 2023 [eBook #70830]

Language: English

Produced by: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE SHADOW KINGDOM ***

The Shadow Kingdom

BY ROBERT E HOWARD

[Transcriber's Note: This etext was produced from
Weird Tales August 1929.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


"Some chain had broken in his soul, flooding his mind with a red wave of slaughter-lust."


1. A King Comes Riding

The blare of the trumpets grew louder, like a deep golden tide surge, like the soft booming of the evening tides against the silver beaches of Valusia. The throng shouted, women flung roses from the roofs as the rhythmic chiming of silver hoofs came clearer and the first of the mighty array swung into view in the broad white street that curved round the golden-spired Tower of Splendor.

First came the trumpeters, slim youths, clad in scarlet, riding with a flourish of long, slender golden trumpets; next the bowmen, tall men from the mountains; and behind these the heavily armed footmen, their broad shields clashing in unison, their long spears swaying in perfect rhythm to their stride. Behind them came the mightiest soldiery in all the world, the Red Slayers, horsemen, splendidly mounted, armed in red from helmet to spur. Proudly they sat their steeds, looking neither to right nor to left, but aware of the shouting for all that. Like bronze statues they were, and there was never a waver in the forest of spears that reared above them.

Behind those proud and terrible ranks came the motley files of the mercenaries, fierce, wild-looking warriors, men of Mu and of Kaa-u and of the hills of the east and the isles of the west. They bore spears and heavy swords, and a compact group that marched somewhat apart were the bowmen of Lemuria. Then came the light foot of the nation, and more trumpeters brought up the rear.

A brave sight, and a sight which aroused a fierce thrill in the soul of Kull, king of Valusia. Not on the Topaz Throne at the front of the regal Tower of Splendor sat Kull, but in the saddle, mounted on a great stallion, a true warrior king. His mighty arm swung up in reply to the salutes as the hosts passed. His fierce eyes passed the gorgeous trumpeters with a casual glance, rested longer on the following soldiery; they blazed with a ferocious light as the Red Slayers halted in front of him with a clang of arms and a rearing of steeds, and tendered him the crown salute. They narrowed slightly as the mercenaries strode by. They saluted no one, the mercenaries. They walked with shoulders flung back, eyeing Kull boldly and straightly, albeit with a certain appreciation; fierce eyes, unblinking; savage eyes, staring from beneath shaggy manes and heavy brows.

And Kull gave back a like stare. He granted much to brave men, and there were no braver in all the world, not even among the wild tribesmen who now disowned him. But Kull was too much the savage to have any great love for these. There were too many feuds. Many were age-old enemies of Kull's nation, and though the name of Kull was now a word accursed among the mountains and valleys of his people, and though Kull had put them from his mind, yet the old hates, the ancient passions still lingered. For Kull was no Valusian but an Atlantean.

The armies swung out of sight around the gem-blazing shoulders of the Tower of Splendor and Kull reined his stallion about and started toward the palace at an easy gait, discussing the review with the commanders that rode with him, using not many words, but saying much.

"The army is like a sword," said Kull, "and must not be allowed to rust." So down the street they rode, and Kull gave no heed to any of the whispers that reached his hearing from the throngs that still swarmed the streets.

"That is Kull, see! Valka! But what a king! And what a man! Look at his arms! His shoulders!"

And an undertone of more sinister whisperings: "Kull! Ha, accursed usurper from the pagan isles"—"Aye, shame to Valusia that a barbarian sits on the Throne of Kings...."

Little did Kull heed. Heavy-handed had he seized the decaying throne of ancient Valusia and with a heavier hand did he hold it, a man against a nation.

After the council chamber, the social palace where Kull replied to the formal and laudatory phrases of the lords and ladies, with carefully hidden, grim amusement at such frivolities; then the lords and ladies took their formal departure and Kull leaned back upon the ermine throne and contemplated matters of state until an attendant requested permission from the great king to speak, and announced an emissary from the Pictish embassy.

Kull brought his mind back from the dim mazes of Valusian statecraft where it had been wandering, and gazed upon the Pict with little favor. The man gave back the gaze of the king without flinching. He was a lean-hipped, massive-chested warrior of middle height, dark, like all his race, and strongly built. From strong, immobile features gazed dauntless and inscrutable eyes.

"The chief of the Councilors, Ka-nu of the tribe, right hand of the king of Pictdom, sends greetings and says: 'There is a throne at the feast of the rising moon for Kull, king of kings, lord of lords, emperor of Valusia.'"

"Good," answered Kull. "Say to Ka-nu the Ancient, ambassador of the western isles, that the king of Valusia will quaff wine with him when the moon floats over the hills of Zalgara."

Still the Pict lingered. "I have a word for the king, not"—with a contemptuous flirt of his hand—"for these slaves."

Kull dismissed the attendants with a word, watching the Pict warily.

The man stepped nearer, and lowered his voice: "Come alone to feast tonight, lord king. Such was the word of my chief."

The king's eyes narrowed, gleaming like gray sword steel, coldly.

"Alone?"

"Aye."

They eyed each other silently, their mutual tribal enmity seething beneath their cloak of formality. Their mouths spoke the cultured speech, the conventional court phrases of a highly polished race, a race not their own, but from their eyes gleamed the primal traditions of the elemental savage. Kull might be the king of Valusia and the Pict might be an emissary to her courts, but there in the throne hall of kings, two tribesmen glowered at each other, fierce and wary, while ghosts of wild wars and world-ancient feuds whispered to each.

To the king was the advantage and he enjoyed it to its fullest extent. Jaw resting on hand, he eyed the Pict, who stood like an image of bronze, head flung back, eyes unflinching.

Across Kull's lips stole a smile that was more a sneer.

"And so I am to come—alone?" Civilization had taught him to speak by innuendo and the Pict's dark eyes glittered, though he made no reply. "How am I to know that you come from Ka-nu?"

"I have spoken," was the sullen response.

"And when did a Pict speak truth?" sneered Kull, fully aware that the Picts never lied, but using this means to enrage the man.

"I see your plan, king," the Pict answered imperturbably. "You wish to anger me. By Valka, you need go no further! I am angry enough. And I challenge you to meet me in single battle, spear, sword or dagger, mounted or afoot. Are you king or man?"

Kull's eyes glinted with the grudging admiration a warrior must needs give a bold foeman, but he did not fail to use the chance of further annoying his antagonist.

"A king does not accept the challenge of a nameless savage," he sneered, "nor does the emperor of Valusia break the Truce of Ambassadors. You have leave to go. Say to Ka-nu I will come alone."

The Pict's eyes flashed murderously. He fairly shook in the grasp of the primitive blood-lust; then, turning his back squarely upon the king of Valusia, he strode across the Hall of Society and vanished through the great door.

Again Kull leaned back upon the ermine throne and meditated.

So the chief of the Council of Picts wished him to come alone? But for what reason? Treachery? Grimly Kull touched the hilt of his great sword. But scarcely. The Picts valued too greatly the alliance with Valusia to break it for any feudal reason. Kull might be a warrior of Atlantis and hereditary enemy of all Picts, but too, he was king of Valusia, the most potent ally of the Men of the West.

Kull reflected long upon the strange state of affairs that made him ally of ancient foes and foe of ancient friends. He rose and paced restlessly across the hall, with the quick, noiseless tread of a lion. Chains of friendship, tribe and tradition had he broken to satisfy his ambition. And, by Valka, god of the sea and the land, he had realized that ambition! He was king of Valusia—a fading, degenerate Valusia, a Valusia living mostly in dreams of bygone glory, but still a mighty land and the greatest of the Seven Empires. Valusia—Land of Dreams, the tribesmen named it, and sometimes it seemed to Kull that he moved in a dream. Strange to him were the intrigues of court and palace, army and people. All was like a masquerade, where men and women hid their real thoughts with a smooth mask. Yet the seizing of the throne had been easy—a bold snatching of opportunity, the swift whirl of swords, the slaying of a tyrant of whom men had wearied unto death, short, crafty plotting with ambitious statesmen out of favor at court—and Kull, wandering adventurer, Atlantean exile, had swept up to the dizzy heights of his dreams: he was lord of Valusia, king of kings. Yet now it seemed that the seizing was far easier than the keeping. The sight of the Pict had brought back youthful associations to his mind, the free, wild savagery of his boyhood. And now a strange feeling of dim unrest, of unreality, stole over him as of late it had been doing. Who was he, a straightforward man of the seas and the mountain, to rule a race strangely and terribly wise with the mysticisms of antiquity? An ancient race——

"I am Kull!" said he, flinging back his head as a lion flings back his mane. "I am Kull!"

His falcon gaze swept the ancient hall. His self-confidence flowed back.... And in a dim nook of the hall a tapestry moved—slightly.


2. Thus Spake the Silent Halls of Valusia

The moon had not risen, and the garden was lighted with torches aglow in silver cressets when Kull sat down in the throne before the table of Ka-nu, ambassador of the western isles. At his right hand sat the ancient Pict, as much unlike an emissary of that fierce race as a man could be. Ancient was Ka-nu and wise in statecraft, grown old in the game. There was no elemental hatred in the eyes that looked at Kull appraisingly; no tribal traditions hindered his judgments. Long associations with the statesmen of the civilized nations had swept away such cobwebs. Not: who and what is this man? was the question ever foremost in Ka-nu's mind, but: can I use this man, and how? Tribal prejudices he used only to further his own schemes.

And Kull watched Ka-nu, answering his conversation briefly, wondering if civilization would make of him a thing like the Pict. For Ka-nu was soft and paunchy. Many years had stridden across the sky-rim since Ka-nu had wielded a sword. True, he was old, but Kull had seen men older than he in the forefront of battle. The Picts were a long-lived race. A beautiful girl stood at Ka-nu's elbow, refilling his goblet, and she was kept busy. Meanwhile Ka-nu kept up a running fire of jests and comments, and Kull, secretly contemptuous of his garrulity, nevertheless missed none of his shrewd humor.

At the banquet were Pictish chiefs and statesmen, the latter jovial and easy in their manner, the warriors formally courteous, but plainly hampered by their tribal affinities. Yet Kull, with a tinge of envy, was cognizant of the freedom and ease of the affair as contrasted with like affairs of the Valusian court. Such freedom prevailed in the rude camps of Atlantis—Kull shrugged his shoulders. After all, doubtless Ka-nu, who had seemed to have forgotten he was a Pict as far as time-hoary custom and prejudice went, was right and he, Kull, would better become a Valusian in mind as in name.

At last when the moon had reached her zenith, Ka-nu, having eaten and drunk as much as any three men there, leaned back upon his divan with a comfortable sigh and said, "Now, get you gone, friends, for the king and I would converse on such matters as concerns not children. Yes, you too, my pretty; yet first let me kiss those ruby lips—so; now dance away, my rose-bloom."

Ka-nu's eyes twinkled above his white beard as he surveyed Kull, who sat erect, grim and uncompromising.

"You are thinking, Kull," said the old statesman, suddenly, "that Ka-nu is a useless old reprobate, fit for nothing except to guzzle wine and kiss wenches!"

In fact, this remark was so much in line with his actual thoughts, and so plainly put, that Kull was rather startled, though he gave no sign.

Ka-nu gurgled and his paunch shook with his mirth. "Wine is red and women are soft," he remarked tolerantly. "But—ha! ha!—think not old Ka-nu allows either to interfere with business."

Again he laughed, and Kull moved restlessly. This seemed much like being made sport of, and the king's scintillant eyes began to glow with a feline light.

Ka-nu reached for the wine-pitcher, filled his beaker and glanced questioningly at Kull, who shook his head irritably.

"Aye," said Ka-nu equably, "it takes an old head to stand strong drink. I am growing old, Kull, so why should you young men begrudge me such pleasures as we oldsters must find? Ah me, I grow ancient and withered, friendless and cheerless."

But his looks and expressions failed far of bearing out his words. His rubicund countenance fairly glowed, and his eyes sparkled, so that his white beard seemed incongruous. Indeed, he looked remarkably elfin, reflected Kull, who felt vaguely resentful. The old scoundrel had lost all of the primitive virtues of his race and of Kull's race, yet he seemed more pleased in his aged days than otherwise.

"Hark ye, Kull," said Ka-nu, raising an admonitory finger, "'tis a chancy thing to laud a young man, yet I must speak my true thoughts to gain your confidence."

"If you think to gain it by flattery——"

"Tush. Who spake of flattery? I flatter only to disguard."

There was a keen sparkle in Ka-nu's eyes, a cold glimmer that did not match his lazy smile. He knew men, and he knew that to gain his end he must smite straight with this tigerish barbarian, who, like a wolf scenting a snare, would scent out unerringly any falseness in the skein of his word-web.

"You have power, Kull," said he, choosing his words with more care than he did in the council rooms of the nation, "to make yourself mightiest of all kings, and restore some of the lost glories of Valusia. So, I care little for Valusia—though the women and wine be excellent—save for the fact that the stronger Valusia is, the stronger is the Pict nation. More, with an Atlantean on the throne, eventually Atlantis will become united——"

Kull laughed in harsh mockery. Ka-nu had touched an old wound.

"Atlantis made my name accursed when I went to seek fame and fortune among the cities of the world. We—they—are age-old foes of the Seven Empires, greater foes of the allies of the Empires, as you should know."

Ka-nu tugged his beard and smiled enigmatically.

"Nay, nay. Let it pass. But I know whereof I speak. And then warfare will cease, wherein there is no gain; I see a world of peace and prosperity—man loving his fellow man—the good supreme. All this can you accomplish—if you live!"

"Ha!" Kull's lean hand closed on his hilt and he half rose, with a sudden movement of such dynamic speed that Ka-nu, who fancied men as some men fancy blooded horses, felt his old blood leap with a sudden thrill. Valka, what a warrior! Nerves and sinews of steel and fire, bound together with the perfect co-ordination, the fighting instinct, that makes the terrible warrior.

But none of Ka-nu's enthusiasm showed in his mildly sarcastic tone.

"Tush. Be seated. Look about you. The gardens are deserted, the seats empty, save for ourselves. You fear not me?"

Kull sank back, gazing about him warily.

"There speaks the savage," mused Ka-nu. "Think you if I planned treachery I would enact it here where suspicion would be sure to fall upon me? Tut. You young tribesmen have much to learn. There were my chiefs who were not at ease because you were born among the hills of Atlantis, and you despise me in your secret mind because I am a Pict. Tush. I see you as Kull, king of Valusia, not as Kull, the reckless Atlantean, leader of the raiders who harried the western isles. So you should see in me, not a Pict but an international man, a figure of the world. Now to that figure, hark! If you were slain tomorrow who would be king?"

"Kaanuub, baron of Blaal."

"Even so. I object to Kaanuub for many reasons, yet most of all for the fact that he is but a figurehead."

"How so? He was my greatest opponent, but I did not know that he championed any cause but his own."

"The night can hear," answered Ka-nu obliquely. "There are worlds within worlds. But you may trust me and you may trust Brule, the Spear-slayer. Look!" He drew from his robes a bracelet of gold representing a winged dragon coiled thrice, with three horns of ruby on the head.

"Examine it closely. Brule will wear it on his arm when he comes to you tomorrow night so that you may know him. Trust Brule as you trust yourself, and do what he tells you to. And in proof of trust, look ye!"

And with the speed of a striking hawk, the ancient snatched something from his robes, something that flung a weird green light over them, and which he replaced in an instant.

"The stolen gem!" exclaimed Kull recoiling. "The green jewel from the Temple of the Serpent! Valka! You! And why do you show it to me?"

"To save your life. To prove my trust. If I betray your trust, deal with me likewise. You hold my life in your hand. Now I could not be false to you if I would, for a word from you would be my doom."

Yet for all his words the old scoundrel beamed merrily and seemed vastly pleased with himself.

"But why do you give me this hold over you?" asked Kull, becoming more bewildered each second.

"As I told you. Now, you see that I do not intend to deal you false, and tomorrow night when Brule comes to you, you will follow his advice without fear of treachery. Enough. An escort waits outside to ride to the palace with you, lord."

Kull rose. "But you have told me nothing."

"Tush. How impatient are youths!" Ka-nu looked more like a mischievous elf than ever. "Go you and dream of thrones and power and kingdoms, while I dream of wine and soft women and roses. And fortune ride with you, King Kull."

As he left the garden, Kull glanced back to see Ka-nu still reclining lazily in his seat, a merry ancient, beaming on all the world with jovial fellowship.


A mounted warrior waited for the king just without the garden and Kull was slightly surprized to see that it was the same that had brought Ka-nu's invitation. No word was spoken as Kull swung into the saddle nor as they clattered along the empty streets.

The color and the gayety of the day had given away to the eery stillness of night. The city's antiquity was more than ever apparent beneath the bent, silver moon. The huge pillars of the mansions and palaces towered up into the stars. The broad stairways, silent and deserted, seemed to climb endlessly until they vanished in the shadowy darkness of the upper realms. Stairs to the stars, thought Kull, his imaginative mind inspired by the weird grandeur of the scene.

Clang! clang! clang! sounded the silver hoofs on the broad, moon-flooded streets, but otherwise there was no sound. The age of the city, its incredible antiquity, was almost oppressive to the king; it was as if the great silent buildings laughed at him, noiselessly, with unguessable mockery. And what secrets did they hold?

"You are young," said the palaces and the temples and the shrines, "but we are old. The world was wild with youth when we were reared. You and your tribe shall pass, but we are invincible, indestructible. We towered above a strange world, ere Atlantis and Lemuria rose from the sea; we still shall reign when the green waters sigh for many a restless fathom above the spires of Lemuria and the hills of Atlantis and when the isles of the Western Men are the mountains of a strange land.

"How many kings have we watched ride down these streets before Kull of Atlantis was even a dream in the mind of Ka, bird of Creation? Ride on, Kull of Atlantis; greater shall follow you; greater came before you. They are dust; they are forgotten; we stand; we know; we are. Ride, ride on, Kull of Atlantis; Kull the king, Kull the fool!"

And it seemed to Kull that the clashing hoofs took up the silent refrain to beat it into the night with hollow re-echoing mockery:

"Kull—the—king! Kull—the—fool!"

Glow, moon; you light a king's way! Gleam, stars; you are torches in the train of an emperor! And clang, silver-shod hoofs; you herald that Kull rides through Valusia.

Ho! Awake, Valusia! It is Kull that rides, Kull the king!

"We have known many kings," said the silent halls of Valusia.

And so in a brooding mood Kull came to the palace, where his bodyguard, men of the Red Slayers, came to take the rein of the great stallion and escort Kull to his rest. There the Pict, still sullenly speechless, wheeled his steed with a savage wrench of the rein and fled away in the dark like a phantom; Kull's heightened imagination pictured him speeding through the silent streets like a goblin out of the Elder World.

There was no sleep for Kull that night, for it was nearly dawn and he spent the rest of the night hours pacing the throneroom, and pondering over what had passed. Ka-nu had told him nothing, yet he had put himself in Kull's complete power. At what had he hinted when he had said the baron of Blaal was naught but a figurehead? And who was this Brule who was to come to him by night, wearing the mystic armlet of the dragon? And why? Above all, why had Ka-nu shown him the green gem of terror, stolen long ago from the temple of the Serpent, for which the world would rock in wars were it known to the weird and terrible keepers of that temple, and from whose vengeance not even Ka-nu's ferocious tribesmen might be able to save him? But Ka-nu knew he was safe, reflected Kull, for the statesman was too shrewd to expose himself to risk without profit. But was it to throw the king off his guard and pave the way to treachery? Would Ka-nu dare let him live now? Kull shrugged his shoulders.


3. They That Walk the Night

The moon had not risen when Kull, hand to hilt, stepped to a window. The windows opened upon the great inner gardens of the royal palace, and the breezes of the night, bearing the scents of spice trees, blew the filmy curtains about. The king looked out. The walks and groves were deserted; carefully trimmed trees were bulky shadows; fountains near by flung their slender sheen of silver in the starlight and distant fountains rippled steadily. No guards walked those gardens, for so closely were the outer walls guarded that it seemed impossible for any invader to gain access to them.

Vines curled up the walls of the palace, and even as Kull mused upon the ease with which they might be climbed, a segment of shadow detached itself from the darkness below the window and a bare, brown arm curved up over the sill. Kull's great sword hissed half-way from the sheath; then the king halted. Upon the muscular forearm gleamed the dragon armlet shown him by Ka-nu the night before.

The possessor of the arm pulled himself up over the sill and into the room with the swift, easy motion of a climbing leopard.

"You are Brule?" asked Kull, and then stopped in surprize not unmingled with annoyance and suspicion; for the man was he whom Kull had taunted in the hall of Society; the same who had escorted him from the Pictish embassy.

"I am Brule, the Spear-slayer," answered the Pict in a guarded voice; then swiftly, gazing closely in Kull's face, he said, barely above a whisper:

"Ka nama kaa lajerama!"

Kull started. "Ha! What mean you?"

"Know you not?"

"Nay, the words are unfamiliar; they are of no language I ever heard—and yet, by Valka!—somewhere—I have heard——"

"Aye," was the Pict's only comment. His eyes swept the room, the study room of the palace. Except for a few tables, a divan or two and great shelves of books of parchment, the room was barren compared to the grandeur of the rest of the palace.

"Tell me, king, who guards the door?"

"Eighteen of the Red Slayers. But how come you, stealing through the gardens by night and scaling the walls of the palace?"

Brule sneered. "The guards of Valusia are blind buffaloes. I could steal their girls from under their noses. I stole amid them and they saw me not nor heard me. And the walls—I could scale them without the aid of vines. I have hunted tigers on the foggy beaches when the sharp east breezes blew the mist in from seaward and I have climbed the steeps of the western sea mountain. But come—nay, touch this armlet."

He held out his arm and, as Kull complied wonderingly, gave an apparent sigh of relief.

"So. Now throw off those kingly robes; for there are ahead of you this night such deeds as no Atlantean ever dreamed of."

Brule himself was clad only in a scanty loin-cloth through which was thrust a short, curved sword.

"And who are you to give me orders?" asked Kull, slightly resentful.

"Did not Ka-nu bid you follow me in all things?" asked the Pict irritably, his eyes flashing momentarily. "I have no love for you, lord, but for the moment I have put the thought of feuds from my mind. Do you likewise. But come."

Walking noiselessly, he led the way across the room to the door. A slide in the door allowed a view of the outer corridor, unseen from without, and the Pict bade Kull look.

"What see you?"

"Naught but the eighteen guardsmen."

The Pict nodded, motioned Kull to follow him across the room. At a panel in the opposite wall Brule stopped and fumbled there a moment. Then with a light movement he stepped back, drawing his sword as he did so. Kull gave an exclamation as the panel swung silently open, revealing a dimly lighted passageway.

"A secret passage!" swore Kull softly. "And I knew nothing of it! By Valka, someone shall dance for this!"

"Silence!" hissed the Pict.

Brule was standing like a bronze statue as if straining every nerve for the slightest sound; something about his attitude made Kull's hair prickle slightly, not from fear but from some eery anticipation. Then beckoning, Brule stepped through the secret doorway which stood open behind them. The passage was bare, but not dust-covered as should have been the case with an unused secret corridor. A vague, gray light filtered through somewhere, but the source of it was not apparent. Every few feet Kull saw doors, invisible, as he knew, from the outside, but easily apparent from within.

"The palace is a very honeycomb," he muttered.

"Aye. Night and day you are watched, king, by many eyes."

The king was impressed by Brule's manner. The Pict went forward slowly, warily, half crouching, blade held low and thrust forward. When he spoke it was in a whisper and he continually flung glances from side to side.

The corridor turned sharply and Brule warily gazed past the turn.

"Look!" he whispered. "But remember! No word! No sound—on your life!"

Kull cautiously gazed past him. The corridor changed just at the bend to a flight of steps. And then Kull recoiled. At the foot of those stairs lay the eighteen Red Slayers who were that night stationed to watch the king's study room. Brule's grip upon his mighty arm and Brule's fierce whisper at his shoulder alone kept Kull from leaping down those stairs.

"Silent, Kull! Silent, in Valka's name!" hissed the Pict. "These corridors are empty now, but I risked much in showing you, that you might then believe what I had to say. Back now to the room of study." And he retraced his steps, Kull following; his mind in a turmoil of bewilderment.

"This is treachery," muttered the king, his steel-gray eyes a-smolder, "foul and swift! Mere minutes have passed since those men stood at guard."

Again in the room of study Brule carefully closed the secret panel and motioned Kull to look again through the slit of the outer door. Kull gasped audibly. For without stood the eighteen guardsmen!

"This is sorcery!" he whispered, half-drawing his sword. "Do dead men guard the king?"

"Aye!" came Brule's scarcely audible reply; there was a strange expression in the Pict's scintillant eyes. They looked squarely into each other's eyes for an instant, Kull's brow wrinkled in a puzzled scowl as he strove to read the Pict's inscrutable face. Then Brule's lips, barely moving, formed the words:

"The—snake—that—speaks!"

"Silent!" whispered Kull, laying his hand over Brule's mouth. "That is death to speak! That is a name accursed!"

The Pict's fearless eyes regarded him steadily.

"Look again, King Kull. Perchance the guard was changed."

"Nay, those are the same men. In Valka's name, this is sorcery—this is insanity! I saw with my own eyes the bodies of those men, not eight minutes agone. Yet there they stand."

Brule stepped back, away from the door, Kull mechanically following.

"Kull, what know ye of the traditions of this race ye rule?"

"Much—and yet, little. Valusia is so old——"

"Aye," Brule's eyes lighted strangely, "we are but barbarians—infants compared to the Seven Empires. Not even they themselves know how old they are. Neither the memory of man nor the annals of the historians reach back far enough to tell us when the first men came up from the sea and built cities on the shore. But Kull, men were not always ruled by men!"

The king started. Their eyes met.

"Aye, there is a legend of my people——"

"And mine!" broke in Brule. "That was before we of the isles were allied with Valusia. Aye, in the reign of Lion-fang, seventh war chief of the Picts, so many years ago no man remembers how many. Across the sea we came, from the isles of the sunset, skirting the shores of Atlantis, and falling upon the beaches of Valusia with fire and sword. Aye, the long white beaches resounded with the clash of spears, and the night was like day from the flame of the burning castles. And the king, the king of Valusia, who died on the red sea sands that dim day——" His voice trailed off; the two stared at each other, neither speaking; then each nodded.

"Ancient is Valusia!" whispered Kull. "The hills of Atlantis and Mu were isles of the sea when Valusia was young."

The night breeze whispered through the open window. Not the free, crisp sea air such as Brule and Kull knew and reveled in, in their land, but a breath like a whisper from the past, laden with musk, scents of forgotten things, breathing secrets that were hoary when the world was young.

The tapestries rustled, and suddenly Kull felt like a naked child before the inscrutable wisdom of the mystic past. Again the sense of unreality swept upon him. At the back of his soul stole dim, gigantic phantoms, whispering monstrous things. He sensed that Brule experienced similar thoughts. The Pict's eyes were fixed upon his face with a fierce intensity. Their glances met. Kull felt warmly a sense of comradeship with this member of an enemy tribe. Like rival leopards turning at bay against hunters, these two savages made common cause against the inhuman powers of antiquity.


Brule again led the way back to the secret door. Silently they entered and silently they proceeded down the dim corridor, taking the opposite direction from that in which they had previously traversed it. After a while the Pict stopped and pressed close to one of the secret doors, bidding Kull look with him through the hidden slot.

"This opens upon a little-used stair which leads to a corridor running past the study-room door."

They gazed, and presently, mounting the stair silently, came a silent shape.

"Tu! Chief councilor!" exclaimed Kull. "By night and with bared dagger! How, what means this, Brule?"

"Murder! And foulest treachery!" hissed Brule. "Nay"—as Kull would have flung the door aside and leaped forth—"we are lost if you meet him here, for more lurk at the foot of those stairs. Come!"

Half running, they darted back along the passage. Back through the secret door Brule led, shutting it carefully behind them, then across the chamber to an opening into a room seldom used. There he swept aside some tapestries in a dim corner nook and, drawing Kull with him, stepped behind them. Minutes dragged. Kull could hear the breeze in the other room blowing the window curtains about, and it seemed to him like the murmur of ghosts. Then through the door, stealthily, came Tu, chief councilor of the king. Evidently he had come through the study room and, finding it empty, sought his victim where he was most likely to be.

He came with upraised dagger, walking silently. A moment he halted, gazing about the apparently empty room, which was lighted dimly by a single candle. Then he advanced cautiously, apparently at a loss to understand the absence of the king. He stood before the hiding place—and—

"Slay!" hissed the Pict.

Kull with a single mighty leap hurled himself into the room. Tu spun, but the blinding, tigerish speed of the attack gave him no chance for defense or counter-attack. Sword steel flashed in the dim light and grated on bone as Tu toppled backward, Kull's sword standing out between his shoulders.

Kull leaned above him, teeth bared in the killer's snarl, heavy brows a-scowl above eyes that were like the gray ice of the cold sea. Then he released the hilt and recoiled, shaken, dizzy, the hand of death at his spine.

For as he watched, Tu's face became strangely dim and unreal; the features mingled and merged in a seemingly impossible manner. Then, like a fading mask of fog, the face suddenly vanished and in its stead gaped and leered a monstrous serpent's head!

"Valka!" gasped Kull, sweat beading his forehead, and again: "Valka!"

Brule leaned forward, face immobile. Yet his glittering eyes mirrored something of Kull's horror.

"Regain your sword, lord king," said he. "There are yet deeds to be done."

Hesitantly Kull set his hand to the hilt. His flesh crawled as he set his foot upon the terror which lay at their feet, and as some jerk of muscular reaction caused the frightful mouth to gape suddenly, he recoiled, weak with nausea. Then, wrathful at himself, he plucked forth his sword and gazed more closely at the nameless thing that had been known as Tu, chief councilor. Save for the reptilian head, the thing was the exact counterpart of a man.

"A man with the head of a snake!" Kull murmured. "This, then, is a priest of the serpent god?"

"Aye. Tu sleeps unknowing. These fiends can take any form they will. That is, they can, by a magic charm or the like, fling a web of sorcery about their faces, as an actor dons a mask, so that they resemble anyone they wish to."

"Then the old legends were true," mused the king; "the grim old tales few dare even whisper, lest they die as blasphemers, are no fantasies. By Valka, I had thought—I had guessed—but it seems beyond the bounds of reality. Ha! The guardsmen outside the door——"

"They too are snake-men. Hold! What would you do?"

"Slay them!" said Kull between his teeth.

"Strike at the skull if at all," said Brule. "Eighteen wait without the door and perhaps a score more in the corridors. Hark ye, king, Ka-nu learned of this plot. His spies have pierced the inmost fastnesses of the snake priests and they brought hints of a plot. Long ago he discovered the secret passageways of the palace, and at his command I studied the map thereof and came here by night to aid you, lest you die as other kings of Valusia have died. I came alone for the reason that to send more would have roused suspicion. Many could not steal into the palace as I did. Some of the foul conspiracy you have seen. Snake-men guard your door, and that one, as Tu, could pass anywhere else in the palace; in the morning, if the priests failed, the real guards would be holding their places again, nothing knowing, nothing remembering; there to take the blame if the priests succeeded. But stay you here while I dispose of this carrion."

So saying, the Pict shouldered the frightful thing stolidly and vanished with it through another secret panel. Kull stood alone, his mind a-whirl. Neophytes of the mighty serpent, how many lurked among his cities? How might he tell the false from the true? Aye, how many of his trusted councilors, his generals, were men? He could be certain—of whom?


The secret panel swung inward and Brule entered.

"You were swift."

"Aye!" The warrior stepped forward, eyeing the floor. "There is gore upon the rug. See?"

Kull bent forward; from the corner of his eye he saw a blur of movement, a glint of steel. Like a loosened bow he whipped erect, thrusting upward. The warrior sagged upon the sword, his own clattering to the floor. Even at that instant Kull reflected grimly that it was appropriate that the traitor should meet his death upon the sliding, upward thrust used so much by his race. Then, as Brule slid from the sword to sprawl motionless on the floor, the face began to merge and fade, and as Kull caught his breath, his hair a-prickle, the human features vanished and there the jaws of a great snake gaped hideously, the terrible beady eyes venomous even in death.

"He was a snake priest all the time!" gasped the king. "Valka! what an elaborate plan to throw me off my guard! Ka-nu there, is he a man? Was it Ka-nu to whom I talked in the gardens? Almighty Valka!" as his flesh crawled with a horrid thought; "are the people of Valusia men or are they all serpents?"

Undecided he stood, idly seeing that the thing named Brule no longer wore the dragon armlet. A sound made him wheel.

Brule was coming through the secret door.

"Hold!" upon the arm upthrown to halt the king's hovering sword gleamed the dragon armlet. "Valka!" The Pict stopped short. Then a grim smile curled his lips.

"By the gods of the seas! These demons are crafty past reckoning. For it must be that that one lurked in the corridors, and seeing me go carrying the carcass of that other, took my appearance. So. I have another to do away with."

"Hold!" there was the menace of death in Kull's voice; "I have seen two men turn to serpents before my eyes. How may I know if you are a true man?"

Brule laughed. "For two reasons, King Kull. No snake-man wears this"—he indicated the dragon armlet—"nor can any say these words," and again Kull heard the strange phrase: "Ka nama kaa lajerama."

"Ka nama kaa lajerama," Kull repeated mechanically. "Now where, in Valka's name, have I heard that? I have not! And yet—and yet——"

"Aye, you remember, Kull," said Brule. "Through the dim corridors of memory those words lurk; though you never heard them in this life, yet in the bygone ages they were so terribly impressed upon the soul mind that never dies, that they will always strike dim chords in your memory, though you be reincarnated for a million years to come. For that phrase has come secretly down the grim and bloody eons, since when, uncounted centuries ago, those words were watch-words for the race of men who battled with the grisly beings of the Elder Universe. For none but a real man of men may speak them, whose jaws and mouth are shaped different from any other creature. Their meaning has been forgotten but not the words themselves."

"True," said Kull. "I remember the legends—Valka!" He stopped short, staring, for suddenly, like the silent swinging wide of a mystic door, misty, unfathomed reaches opened in the recesses of his consciousness and for an instant he seemed to gaze back through the vastnesses that spanned life and life; seeing through the vague and ghostly fogs dim shapes reliving dead centuries—men in combat with hideous monsters, vanquishing a planet of frightful terrors. Against a gray, ever-shifting background moved strange nightmare forms, fantasies of lunacy and fear; and man, the jest of the gods, the blind, wisdomless striver from dust to dust, following the long bloody trail of his destiny, knowing not why, bestial, blundering, like a great murderous child, yet feeling somewhere a spark of divine fire.... Kull drew a hand across his brow, shaken; these sudden glimpses into the abysses of memory always startled him.

"They are gone," said Brule, as if scanning his secret mind; "the bird-women, the harpies, the bat-men, the flying fiends, the wolf-people, the demons, the goblins—all save such as this being that lies at our feet, and a few of the wolf-men. Long and terrible was the war, lasting through the bloody centuries, since first the first men, risen from the mire of apedom, turned upon those who then ruled the world. And at last mankind conquered, so long ago that naught but dim legends come to us through the ages. The snake-people were the last to go, yet at last men conquered even them and drove them forth into the waste lands of the world, there to mate with true snakes until some day, say the sages, the horrid breed shall vanish utterly. Yet the Things returned in crafty guise as men grew soft and degenerate, forgetting ancient wars. Ah, that was a grim and secret war! Among the men of the Younger Earth stole the frightful monsters of the Elder Planet, safeguarded by their horrid wisdom and mysticisms, taking all forms and shapes, doing deeds of horror secretly. No man knew who was true man and who false. No man could trust any man. Yet by means of their own craft they formed ways by which the false might be known from the true. Men took for a sign and a standard the figure of the flying dragon, the winged dinosaur, a monster of past ages, which was the greatest foe of the serpent. And men used those words which I spoke to you as a sign and symbol, for as I said, none but a true man can repeat them. So mankind triumphed. Yet again the fiends came after the years of forgetfulness had gone by—for man is still an ape in that he forgets what is not ever before his eyes. As priests they came; and for that men in their luxury and might had by then lost faith in the old religions and worships, the snake-men, in the guise of teachers of a new and truer cult, built a monstrous religion about the worship of the serpent god. Such is their power that it is now death to repeat the old legends of the snake-people, and people bow again to the serpent god in new form; and blind fools that they are, the great hosts of men see no connection between this power and the power men overthrew eons ago. As priests the snake-men are content to rule—and yet——" He stopped.

"Go on." Kull felt an unaccountable stirring of the short hair at the base of his scalp.

"Kings have reigned as true men in Valusia," the Pict whispered, "and yet, slain in battle, have died serpents—as died he who fell beneath the spear of Lion-fang on the red beaches when we of the isles harried the Seven Empires. And how can this be, Lord Kull? These kings were born of women and lived as men! This—the true kings died in secret—as you would have died tonight—and priests of the Serpent reigned in their stead, no man knowing."

Kull cursed between his teeth. "Aye, it must be. No one has ever seen a priest of the Serpent and lived, that is known. They live in utmost secrecy."

"The statecraft of the Seven Empires is a mazy, monstrous thing," said Brule. "There the true men know that among them glide the spies of the serpent, and the men who are the Serpent's allies—such as Kaanuub, baron of Blaal—yet no man dares seek to unmask a suspect lest vengeance befall him. No man trusts his fellow and the true statesmen dare not speak to each other what is in the minds of all. Could they be sure, could a snake-man or plot be unmasked before them all, then would the power of the Serpent be more than half broken; for all would then ally and make common cause, sifting out the traitors. Ka-nu alone is of sufficient shrewdness and courage to cope with them, and even Ka-nu learned only enough of their plot to tell me what would happen—what has happened up to this time. Thus far I was prepared; from now on we must trust to our luck and our craft. Here and now I think we are safe; those snake-men without the door dare not leave their post lest true men come here unexpectedly. But tomorrow they will try something else, you may be sure. Just what they will do, none can say, not even Ka-nu; but we must stay at each other's sides, King Kull, until we conquer or both be dead. Now come with me while I take this carcass to the hiding-place where I took the other being."


Kull followed the Pict with his grisly burden through the secret panel and down the dim corridor. Their feet, trained to the silence of the wilderness, made no noise. Like phantoms they glided through the ghostly light, Kull wondering that the corridors should be deserted; at every turn he expected to run full upon some frightful apparition. Suspicion surged back upon him; was this Pict leading him into ambush? He fell back a pace or two behind Brule, his ready sword hovering at the Pict's unheeding back. Brule should die first if he meant treachery. But if the Pict was aware of the king's suspicion, he showed no sign. Stolidly he tramped along, until they came to a room, dusty and long unused, where moldy tapestries hung heavy. Brule drew aside some of these and concealed the corpse behind them.

Then they turned to retrace their steps, when suddenly Brule halted with such abruptness that he was closer to death than he knew; for Kull's nerves were on edge.

"Something moving in the corridor," hissed the Pict. "Ka-nu said these ways would be empty, yet——"

He drew his sword and stole into the corridor, Kull following warily.

A short way down the corridor a strange, vague glow appeared that came toward them. Nerves a-leap, they waited, backs to the corridor wall; for what they knew not, but Kull heard Brule's breath hiss through his teeth and was reassured as to Brule's loyalty.

The glow merged into a shadowy form. A shape vaguely like a man it was, but misty and illusive, like a wisp of fog, that grew more tangible as it approached, but never fully material. A face looked at them, a pair of luminous great eyes, that seemed to hold all the tortures of a million centuries. There was no menace in that face, with its dim, worn features, but only a great pity—and that face—that face——

"Almighty gods!" breathed Kull, an icy hand at his soul; "Eallal, king of Valusia, who died a thousand years ago!"

Brule shrank back as far as he could, his narrow eyes widened in a blaze of pure horror, the sword shaking in his grip, unnerved for the first time that weird night. Erect and defiant stood Kull, instinctively holding his useless sword at the ready; flesh a-crawl, hair a-prickle, yet still a king of kings, as ready to challenge the powers of the unknown dead as the powers of the living.

The phantom came straight on, giving them no heed; Kull shrank back as it passed them, feeling an icy breath like a breeze from the arctic snow. Straight on went the shape with slow, silent footsteps, as if the chains of all the ages were upon those vague feet; vanishing about a bend of the corridor.

"Valka!" muttered the Pict, wiping the cold beads from his brow; "that was no man! That was a ghost!"

"Aye!" Kull shook his head wonderingly. "Did you not recognize the face? That was Eallal, who reigned in Valusia a thousand years ago and who was found hideously murdered in his throneroom—the room now known as the Accursed Room. Have you not seen his statue in the Fame Room of Kings?"

"Yes, I remember the tale now. Gods, Kull! that is another sign of the frightful and foul power of the snake priests—that king was slain by snake-people and thus his soul became their slave, to do their bidding throughout eternity! For the sages have ever maintained that if a man is slain by a snake-man his ghost becomes their slave."

A shudder shook Kull's gigantic frame. "Valka! But what a fate! Hark ye"—his fingers closed upon Brule's sinewy arm like steel—"hark ye! If I am wounded unto death by these foul monsters, swear that ye will smite your sword through my breast lest my soul be enslaved."

"I swear," answered Brule, his fierce eyes lighting. "And do ye the same by me, Kull."

Their strong right hands met in a silent sealing of their bloody bargain.


4. Masks

Kull sat upon his throne and gazed broodingly out upon the sea of faces turned toward him. A courtier was speaking in evenly modulated tones, but the king scarcely heard him. Close by, Tu, chief councilor, stood ready at Kull's command, and each time the king looked at him, Kull shuddered inwardly. The surface of court life was as the unrippled surface of the sea between tide and tide. To the musing king the affairs of the night before seemed as a dream, until his eyes dropped to the arm of his throne. A brown, sinewy hand rested there, upon the wrist of which gleamed a dragon armlet; Brule stood beside his throne and ever the Pict's fierce secret whisper brought him back from the realm of unreality in which he moved.

No, that was no dream, that monstrous interlude. As he sat upon his throne in the Hall of Society and gazed upon the courtiers, the ladies, the lords, the statesmen, he seemed to see their faces as things of illusion, things unreal, existent only as shadows and mockeries of substance. Always he had seen their faces as masks but before he had looked on them with contemptuous tolerance, thinking to see beneath the masks shallow, puny souls, avaricious, lustful, deceitful; now there was a grim undertone, a sinister meaning, a vague horror that lurked beneath the smooth masks. While he exchanged courtesies with some nobleman or councilor he seemed to see the smiling face fade like smoke and the frightful jaws of a serpent gaping there. How many of those he looked upon were horrid, inhuman monsters, plotting his death, beneath the smooth mesmeric illusion of a human face?

Valusia—land of dreams and nightmares—a kingdom of the shadows, ruled by phantoms who glided back and forth behind the painted curtains, mocking the futile king who sat upon the throne—himself a shadow.

And like a comrade shadow Brule stood by his side, dark eyes glittering from immobile face. A real man, Brule! And Kull felt his friendship for the savage become a thing of reality and sensed that Brule felt a friendship for him beyond the mere necessity of statecraft.

And what, mused Kull, were the realities of life? Ambition, power, pride? The friendship of man, the love of women—which Kull had never known—battle, plunder, what? Was it the real Kull who sat upon the throne or was it the real Kull who had scaled the hills of Atlantis, harried the far isles of the sunset, and laughed upon the green roaring tides of the Atlantean sea? How could a man be so many different men in a lifetime? For Kull knew that there were many Kulls and he wondered which was the real Kull. After all, the priests of the Serpent merely went a step further in their magic, for all men wore masks, and many a different mask with each different man or woman; and Kull wondered if a serpent did not lurk under every mask.

So he sat and brooded in strange, mazy thought-ways, and the courtiers came and went and the minor affairs of the day were completed, until at last the king and Brule sat alone in the Hall of Society save for the drowsy attendants.

Kull felt a weariness. Neither he nor Brule had slept the night before, nor had Kull slept the night before that, when in the gardens of Ka-nu he had had his first hint of the weird things to be. Last night nothing further had occurred after they had returned to the study room from the secret corridors, but they had neither dared nor cared to sleep. Kull, with the incredible vitality of a wolf, had aforetime gone for days upon days without sleep, in his wild savage days, but now his mind was edged from constant thinking and from the nerve-breaking eeriness of the past night. He needed sleep, but sleep was furthest from his mind.

And he would not have dared sleep if he had thought of it. Another thing that had shaken him was the fact that though he and Brule had kept a close watch to see if, or when, the study-room guard was changed, yet it was changed without their knowledge; for the next morning those who stood on guard were able to repeat the magic words of Brule, but they remembered nothing out of the ordinary. They thought that they had stood at guard all night, as usual, and Kull said nothing to the contrary. He believed them true men, but Brule had advised absolute secrecy, and Kull also thought it best.

Now Brule leaned over the throne, lowering his voice so not even a lazy attendant could hear: "They will strike soon, I think, Kull. A while ago Ka-nu gave me a secret sign. The priests know that we know of their plot, of course, but they know not how much we know. We must be ready for any sort of action. Ka-nu and the Pictish chiefs will remain within hailing distance now until this is settled one way or another. Ha, Kull, if it comes to a pitched battle, the streets and the castles of Valusia will run red!"

Kull smiled grimly. He would greet any sort of action with a ferocious joy. This wandering in a labyrinth of illusion and magic was extremely irksome to his nature. He longed for the leap and clang of swords, for the joyous freedom of battle.

Then into the Hall of Society came Tu again, and the rest of the councilors.

"Lord king, the hour of the council is at hand and we stand ready to escort you to the council room."


Kull rose, and the councilors bent the knee as he passed through the way opened by them for his passage, rising behind him and following. Eyebrows were raised as the Pict strode defiantly behind the king, but no one dissented. Brule's challenging gaze swept the smooth faces of the councilors with the defiance of an intruding savage.

The group passed through the halls and came at last to the council chamber. The door was closed, as usual, and the councilors arranged themselves in the order of their rank before the dais upon which stood the king. Like a bronze statue Brule took up his stand behind Kull.

Kull swept the room with a swift stare. Surely no chance of treachery here. Seventeen councilors there were, all known to him; all of them had espoused his cause when he ascended the throne.

"Men of Valusia——" he began in the conventional manner, then halted, perplexed. The councilors had risen as a man and were moving toward him. There was no hostility in their looks, but their actions were strange for a council room. The foremost was close to him when Brule sprang forward, crouched like a leopard.

"Ka nama kaa lajerama!" his voice crackled through the sinister silence of the room and the foremost councilor recoiled, hand flashing to his robes; and like a spring released Brule moved and the man pitched headlong to the glint of his sword—headlong he pitched and lay still while his face faded and became the head of a mighty snake.

"Slay, Kull!" rasped the Pict's voice. "They be all serpent-men!"

The rest was a scarlet maze. Kull saw the familiar faces dim like fading fog and in their places gaped horrid reptilian visages as the whole band rushed forward. His mind was dazed but his giant body faltered not.

The singing of his sword filled the room, and the onrushing flood broke in a red wave. But they surged forward again, seemingly willing to fling their lives away in order to drag down the king. Hideous jaws gaped at him; terrible eyes blazed into his unblinkingly; a frightful fetid scent pervaded the atmosphere—the serpent scent that Kull had known in southern jungles. Swords and daggers leaped at him and he was dimly aware that they wounded him. But Kull was in his element; never before had he faced such grim foes but it mattered little; they lived, their veins held blood that could be spilt and they died when his great sword cleft their skulls or drove through their bodies. Slash, thrust, thrust and swing. Yet had Kull died there but for the man who crouched at his side, parrying and thrusting. For the king was clear berserk, fighting in the terrible Atlantean way, that seeks death to deal death; he made no effort to avoid thrusts and slashes, standing straight up and ever plunging forward, no thought in his frenzied mind but to slay. Not often did Kull forget his fighting craft in his primitive fury, but now some chain had broken in his soul, flooding his mind with a red wave of slaughter-lust. He slew a foe at each blow, but they surged about him, and time and again Brule turned a thrust that would have slain, as he crouched beside Kull, parrying and warding with cold skill, slaying not as Kull slew with long slashes and plunges, but with short overhand blows and upward thrusts.

Kull laughed, a laugh of insanity. The frightful faces swirled about him in a scarlet blaze. He felt steel sink into his arm and dropped his sword in a flashing arc that cleft his foe to the breast-bone. Then the mists faded and the king saw that he and Brule stood alone above a sprawl of hideous crimson figures who lay still upon the floor.

"Valka! what a killing!" said Brule, shaking the blood from his eyes. "Kull, had these been warriors who knew how to use the steel, we had died here. These serpent priests know naught of swordcraft and die easier than any men I ever slew. Yet had there been a few more, I think the matter had ended otherwise."

Kull nodded. The wild berserker blaze had passed, leaving a mazed feeling of great weariness. Blood seeped from wounds on breast, shoulder, arm and leg. Brule, himself bleeding from a score of flesh wounds, glanced at him in some concern.

"Lord Kull, let us hasten to have your wounds dressed by the women."

Kull thrust him aside with a drunken sweep of his mighty arm.

"Nay, we'll see this through ere we cease. Go you, though, and have your wounds seen to—I command it."

The Pict laughed grimly. "Your wounds are more than mine, lord king——" he began, then stopped as a sudden thought struck him. "By Valka, Kull, this is not the council room!"

Kull looked about and suddenly other fogs seemed to fade. "Nay, this is the room where Eallal died a thousand years ago—since unused and named 'Accursed'."

"Then by the gods, they tricked us after all!" exclaimed Brule in a fury, kicking the corpses at their feet. "They caused us to walk like fools into their ambush! By their magic they changed the appearance of all——"

"Then there is further deviltry afoot," said Kull, "for if there be true men in the councils of Valusia they should be in the real council room now. Come swiftly."

And leaving the room with its ghastly keepers they hastened through halls that seemed deserted until they came to the real council room. Then Kull halted with a ghastly shudder. From the council room sounded a voice speaking, and the voice was his!


With a hand that shook he parted the tapestries and gazed into the room. There sat the councilors, counterparts of the men he and Brule had just slain, and upon the dais stood Kull, king of Valusia.

He stepped back, his mind reeling.

"This is insanity!" he whispered. "Am I Kull? Do I stand here or is that Kull yonder in very truth and am I but a shadow, a figment of thought?"

Brule's hand clutching his shoulder, shaking him fiercely, brought him to his senses.

"Valka's name, be not a fool! Can you yet be astounded after all we have seen? See you not that those are true men bewitched by a snake-man who has taken your form, as those others took their forms? By now you should have been slain and yon monster reigning in your stead, unknown by those who bowed to you. Leap and slay swiftly or else we are undone. The Red Slayers, true men, stand close on each hand and none but you can reach and slay him. Be swift!"

Kull shook off the onrushing dizziness, flung back his head in the old, defiant gesture. He took a long, deep breath as does a strong swimmer before diving into the sea; then, sweeping back the tapestries, made the dais in a single lionlike bound. Brule had spoken truly. There stood men of the Red Slayers, guardsmen trained to move quick as the striking leopard; any but Kull had died ere he could reach the usurper. But the sight of Kull, identical with the man upon the dais, held them in their tracks, their minds stunned for an instant, and that was long enough. He upon the dais snatched for his sword, but even as his fingers closed upon the hilt, Kull's sword stood out behind his shoulders and the thing that men had thought the king pitched forward from the dais to lie silent upon the floor.

"Hold!" Kull's lifted hand and kingly voice stopped the rush that had started, and while they stood astounded he pointed to the thing which lay before them—whose face was fading into that of a snake. They recoiled, and from one door came Brule and from another came Ka-nu.

These grasped the king's bloody hand and Ka-nu spoke: "Men of Valusia, you have seen with your own eyes. This is the true Kull, the mightiest king to whom Valusia has ever bowed. The power of the Serpent is broken and ye be all true men. King Kull, have you commands?"

"Lift that carrion," said Kull, and men of the guard took up the thing.

"Now follow me," said the king, and he made his way to the Accursed Room. Brule, with a look of concern, offered the support of his arm but Kull shook him off.

The distance seemed endless to the bleeding king, but at last he stood at the door and laughed fiercely and grimly when he heard the horrified ejaculations of the councilors.

At his orders the guardsmen flung the corpse they carried beside the others, and motioning all from the room Kull stepped out last and closed the door.

A wave of dizziness left him shaken. The faces turned to him, pallid and wonderingly, swirled and mingled in a ghostly fog. He felt the blood from his wound trickling down his limbs and he knew that what he was to do, he must do quickly or not at all.

His sword rasped from its sheath.

"Brule, are you there?"

"Aye!" Brule's face looked at him through the mist, close to his shoulder, but Brule's voice sounded leagues and eons away.

"Remember our vow, Brule. And now, bid them stand back."

His left arm cleared a space as he flung up his sword. Then with all his waning power he drove it through the door into the jamb, driving the great sword to the hilt and sealing the room forever.

Legs braced wide, he swayed drunkenly, facing the horrified councilors. "Let this room be doubly accursed. And let those rotting skeletons lie there forever as a sign of the dying might of the serpent. Here I swear that I shall hunt the serpent-men from land to land, from sea to sea, giving no rest until all be slain, that good triumph and the power of Hell be broken. This thing I swear—I—Kull—king—of—Valusia."

His knees buckled as the faces swayed and swirled. The councilors leaped forward, but ere they could reach him, Kull slumped to the floor, and lay still, face upward.

The councilors surged about the fallen king, chattering and shrieking. Ka-nu beat them back with his clenched fists, cursing savagely.

"Back, you fools! Would you stifle the little life that is yet in him? How, Brule, is he dead or will he live?"—to the warrior who bent above the prostrate Kull.

"Dead?" sneered Brule irritably. "Such a man as this is not so easily killed. Lack of sleep and loss of blood have weakened him—by Valka, he has a score of deep wounds, but none of them mortal. Yet have those gibbering fools bring the court women here at once."

Brule's eyes lighted with a fierce, proud light.

"Valka, Ka-nu, but here is such a man as I knew not existed in these degenerate days. He will be in the saddle in a few scant days and then may the serpent-men of the world beware of Kull of Valusia. Valka! but that will be a rare hunt! Ah, I see long years of prosperity for the world with such a king upon the throne of Valusia."

*** END OF THE PROJECT GUTENBERG EBOOK THE SHADOW KINGDOM ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.
Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.gutenberg.org.
This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.