The Project Gutenberg eBook of Audubon The Naturalist, by Francis Hobart Herrick.

CHAPTER I
INTRODUCTION

Audubon's growing fame—Experience in Paris in 1828—Cuvier's patronage—Audubon's publications—His critics—His talents and accomplishments—His Americanism and honesty of purpose—His foibles and faults—Appreciations and monuments—The Audubon Societies—Biographies and autobiography—Robert Buchanan and the true history of his Life of Audubon.

It is more than three-quarters of a century since Audubon's masterpiece, The Birds of America, was completed, and two generations have occupied the stage since the "American Woodsman" quietly passed away at his home on the Hudson River. These generations have seen greater changes in the development and application of natural science and in the spread of scientific knowledge among men than all those which preceded them. Theories of nature come and go but the truth abides, and Audubon's "book of Nature," represented by his four massive volumes of hand-engraved and hand-colored plates, still remains "the most magnificent monument which has yet been raised to ornithology," as Cuvier said of the parts which met his astonished gaze in 1828; while his graphic sketches of American life and scenery and his vivid portraits of birds, 2 drawn with the pen, can be read with as much pleasure as when the last volume of his Ornithological Biography left the press in 1839. This appears the more remarkable when we reflect that Audubon's greatest working period, from 1820 to 1840, belonged essentially to the eighteenth century, for the real transition to the nineteenth century did not begin in England before 1837; then came the dawn of the newer day that was to witness those momentous changes in communication and travel, in education, democracy and ideas, which characterize life in the modern world.

When Audubon left London for Paris on September 1, 1828, it took him four days by coach, boat and diligence to reach the French capital, a journey which in normal times is now made in less than eight hours. Mail then left the Continent for England on but four days in the week, and to post a single letter cost twenty-four sous. Writing at Edinburgh a little earlier (December 21, 1826), Audubon recorded that on that day he had received from De Witt Clinton and Thomas Sully, in America, letters in answer to his own, in forty-two days, and added that it seemed absolutely impossible that the distance could be covered so rapidly. This was indeed remarkable, since the first vessel to cross the Atlantic wholly under its own steam, in 1838, required seventeen days to make the passage from New York to Queenstown.

"Walking in Paris," said Audubon in 1828, "is disagreeable in the extreme; the streets are paved, but with scarcely a sidewalk, and a large gutter filled with dirty black water runs through the middle of each, and people go about without any kind of order, in the center, or near the houses." The Paris of that day contained but one-fourth the number of its present population. 3 Having reaped the fruits of the Revolution, it was enjoying peace under the Restoration; moreover, it was taking a leading part in the advancement of natural science, of which Cuvier was the acknowledged dean. It was but a year before the death of blind and aged Lamarck, neglected and forgotten then, but destined after the lapse of three-quarters of a century to have a monument raised to his memory by contributions from every part of Europe and America, and to be recognized as the first great evolutionist of the modern school.

Audubon had not seen his ancestral capital for upwards of thirty years, not since as a young man he was sent from his father's home near Nantes to study drawing in the studio of David, at the Louvre. Though in the land of his fathers and speaking his native tongue, his visit was tinged with disappointment. At the age of forty-three he was engaged in an enterprise which stands unique in the annals of science and literature. But fifty plates, or ten numbers, of his incomparable series had been engraved, and this work had then but thirty subscribers. That he was bound to sink or swim he knew full well. On August 30 he wrote: "My subscribers are yet far from enough to pay my expenses, and my purse suffers severely from want of greater patronage." This want he had hoped to satisfy in France, but after an experience of eight weeks, and an expenditure, as he records, of forty pounds, he was obliged to leave Paris with only thirteen additional names on his list. Yet among the latter, it should be noticed, were those of George Cuvier, the Duke of Orleans and King Charles X, while six copies had been ordered by the Minister of the Interior for distribution among the more important libraries of Paris. Moreover, he had won the friendship and encomiums of 4 Cuvier, which later proved of the greatest value. The savants who gathered about him at the meeting of the Royal Academy of Sciences, over which Cuvier presided, exclaimed, "Beautiful! Very beautiful! What a work!", but "What a price!", and acknowledged that only in England could he find the necessary support. Audubon concluded that he was fortunate in having taken his drawings to London to be engraved, for the smaller cost of copper on that side of the Channel was an item which could not be overlooked. Little did he dream that commercial greed for the baser metal would send most of his great plates to the melting pot half a century later. No doubt he was right also in concluding that had he followed certain advisers in first taking his publication to France, it would have perished "like a flower in October." It should be added that King Charles' subscription expired with his fall two years later, while that of Cuvier ended with his death in 1832.

Audubon was one of those rare spirits whose posthumous fame has grown with the years. He did one thing in particular, that of making known to the world the birds of his adopted land, and did it so well that his name will be held in everlasting remembrance. His great folios are now the property of the rich or of those fortunate institutions which have either received them by gift or were enrolled among his original subscribers, and wherever found they are treasured as the greatest of show books. The sale of a perfect copy of the Birds at the present day is something of an event, for it commands from $3,000 to $5,000, or from three to five times its original cost. All of Audubon's publications have not only become rare but have increased greatly in price; they are what dealers call a good investment, an experience 5 which probably no other large, illustrated, scientific or semi-scientific works have enjoyed to a like degree.

As has been said of Prince Henry the Navigator, though in different words, John James Audubon was one of those who by a simple-hearted life of talent, devotion and enthusiasm have freed themselves from the law of death. Audubon was a man of many sides, and his fame is due to a rare combination of those talents and powers which were needed to accomplish the work that he finally set out to do. His personality was most winning, his individuality strong, and his long life, bent for the most part to attain definite ends, was checkered, adventurous and romantic beyond the common lot of men.

Few men outside of public life have been praised more lavishly than Audubon during his active career. Though he had but few open enemies, those few, as if conscious of the fact, seemed to assail him the more harshly and persistently. In reading all that has been said about this strenuous worker both before and since his death, one is continually struck by the perverse or contrary opinions that are often expressed. He was not this and he was not that, but he was simply Audubon, and there has been no one else who has at all closely resembled him or with whom he can be profitably compared. One charges that he did not write the books which bear his name. Another complains that he was no philosopher, and was not a man of science at heart; that he was vain, elegant, inclined to be selfish, inconsequential, and that he reverenced the great; that he shot birds for sport; that he was a plagiarist; that he was the king of nature fakirs and a charlatan; that he never propounded or answered a scientific question; and, 6 finally, that though at times he wrote a graphic and charming style and showed occasional glimpses of prophetic insight, he cannot be trusted; besides, he might have been greatly indebted to unacknowledged aid received from others.

These or similar charges were brought against Audubon during his lifetime, as they have been made against many another who has emerged quickly from obscurity into world-wide renown. Many attacks upon his character were assiduously repelled by his friends, though seldom noticed publicly by himself; as if conscious of his own integrity, he was content to await the verdict of time, and time in America has not been recreant to his trust. Some of these charges it may be necessary to examine at length, if found to be justified in any degree, while others may be brushed aside as unworthy of even passing consideration. Evidence of every sort is now ample, as it seems, to enable us to do justice to all concerned, to penetrate the veil that has hidden much of the real Audubon from the world, and to place the worker and the man in the fuller light of day.

The reader who follows this history may expect to find certain blemishes in Audubon's character, for the most admirable of men have possessed faults, whether conscious of them or not. The lights in any picture would lose all value were the shadows wholly withdrawn. If we blinded ourselves to every fault and foible of such a man, we might produce a sketch more pleasing to certain readers, but it would lack the vitality which truth alone can supply. The more carefully his character is studied, however, as Macaulay said of Addison, the more it will appear, in the language of the old anatomists, "sound in the noble parts, free from all 7 taint of perfidy, of cowardice, of cruelty, of ingratitude, of envy."

In this attempt to present a true and unbiased estimate of Audubon in relation to his time, we have the advantage of dealing with a well rounded and completed life, not with a broken or truncated one. He impressed many of his contemporaries in both Europe and America with the force of his contagious enthusiasm and prolific genius, and their opinions have been recorded with remarkable generosity. On the other hand, "if a life be delayed till interest and envy are at an end," said an excellent authority,[1] "we may hope for impartiality, but must expect little intelligence," because the minute details of daily life are commonly so volatile and evanescent as to "soon escape the memory, and are rarely transmitted by tradition." Such details, which often reveal character while they add color and life to the narrative, have been amply supplied, as the reader will find, by Audubon himself, not only in his journals and private letters already published but in the numerous documents of every sort that are now brought to light.

If "the true man is to be revealed, if we are to know him as he was, and especially if we are to know the influences that molded him and so profoundly affected him for good or evil, we must begin at the beginning and follow him through his struggles, his temptations, his triumphs." It might be better to start "in the cradle," or even forty years before he was born, for, as modern biology teaches us, nature is stronger than nurture and race counts for much. Certainly this man can never be understood if removed from the environment which time and circumstance gave him; he needs 8 the historical background, furnished in part by his contemporaries, some of whom were rivals with whom he had often to struggle to make his way. In recounting this history, in many cases hitherto unwritten, we must recognize the proverbial difficulty of tracing human motives to their proper source, and endeavor to form no harsh judgments without ample basis in documentary or other evidence.

No more ardent and loyal American than John James Audubon ever lived. His adopted country, which he would fain have believed to have been that of his actual birth, was ever his chief passion and pride, and for him the only abode of sweet content. Few have seen more of it, of its diversified races, climates and coasts, its grand mountains, its noble lakes and rivers, its virgin forests and interminable prairies, with all the marvelous stores of animal and plant life which were first truly revealed to the pioneer woodsman, artist and naturalist. None has been more eager to hand down to posterity, ere it be too late, a true transcript of its wild and untameable nature while, as he would say, still fresh from the Creator's own hand. Audubon's beneficent influence during his long enforced residence abroad, as a representative of American energy and capacity, can hardly be measured, while in his own land few were more potent in bringing the nation to a consciousness of its unique individuality and power.

Audubon, as has been said, saw nature vividly colored by his own enthusiasm, and he never looked at her "through the spectacles of books." His writings, however unpolished or written with whatever degree of speed, have the peculiar quality of awakening enthusiasm in the reader, who, like the youth poring over 9 Robinson Crusoe, feels within him a new ardor, in this instance, for hunting and studying birds and for leading a life of adventure in the wilderness. It would be as unjust to judge of Audubon's rare abilities as a descriptive writer from the letters, journal jottings and miscellaneous extracts given in this work, as to weigh his accomplishments as an artist from his itinerary portraits or his early sketches of animals in crayon point and pastel. Those cruder products of his pen and brush, however, as the reader will find, possess a high degree of interest from the light which they throw on the development of his character and art, as well as from their personal and historical associations. His best and only finished literary work, the Ornithological Biography, in five large volumes, with the revisions and additions which later appeared, abound in animated pictures of primitive nature and pioneer life in America as well as vivid portraits of the birds and other characteristic animals.

A good illustration of Audubon's habit of blending his own experiences with his biographies of birds is found in the introduction to his account of the Common Gannet:

On the morning of the 14th of June 1833, the white sails of the Ripley were spread before a propitious breeze, and onward she might be seen gaily wending her way towards the shores of Labrador. We had well explored the Magdalene Islands, and were anxious to visit the Great Gannet Rock, where, according to our pilot, the birds from which it derives its name bred. For several days I had observed numerous files proceeding northward, and marked their mode of flight while thus travelling. As our bark dashed through the heaving billows, my anxiety to reach the desired spot increased. At length, about ten o'clock, we discerned at a distance a white 10 speck, which our pilot assured us was the celebrated rock of our wishes. After a while I could distinctly see its top from the deck, and thought that it was still covered with snow several feet deep. As we approached it, I imagined that the atmosphere around was filled with flakes, but on my turning to the pilot, who smiled at my simplicity, I was assured that nothing was in sight but the Gannets and their island home. I rubbed my eyes, took up my glass, and saw that the strange dimness of the air before us was caused by the innumerable birds, whose white bodies and black-tipped pinions produced a blended tint of light-grey. When we had advanced to within half a mile, this magnificent veil of floating Gannets was easily seen, now shooting upwards, as if intent on reaching the sky, then descending as if to join the feathered masses below, and again diverging toward either side and sweeping over the surface of the ocean. The Ripley now partially furled her sails, and lay to, when all on board were eager to scale the abrupt side of the mountain isle, and satisfy their curiosity.[2]

Audubon's accounts of the birds are copious, interesting and generally accurate, considering the time and circumstances in which they were produced. When at his best, his pictures were marvels of fidelity and close observation, and in some of his studies of mammals, like that of the raccoon (see p. 182), in which seemingly every hair is carefully rendered, we are reminded of the work of the old Dutch masters and of Albrecht Dürer; notwithstanding such attention to microscopic detail, there is no flatness, but the values of light and shade are perfectly rendered. In his historical survey of American ornithology, Elliott Coues was fully justified in designating the years 1824-1853 as representing the "Audubonian Epoch," and the time from 1834 to its close as the "Audubonian Period." "The splendid 11 genius of the man, surmounting every difficulty and discouragement of the author, had found and claimed its own.... Audubon and his work were one; he lived in his work, and in his work will live forever."[3]

There is no doubt that Audubon regarded an honest man as the quintessence of God's works, and though he sometimes set down statements which do not square with known facts, this was often the result of lax habits, or of saying what was uppermost in his mind without retrospection or analysis. When memory failed or when more piquancy and color were needed, he may have been too apt to resort to varnish, but for everything written on the spot his mind was as truth-telling as his pictures. In considering the good intent of the man, his extraordinary capacity for taking pains, and his vast accomplishments, criticism on this score seems rather captious. On the other hand, when it came to dealing with his own early life, that was a subject upon which he reserved the right to speak according to his judgment, and in a way which will be considered later.

Audubon left England to settle his family finally in America in the autumn of 1839, when he was fifty-four years old, and since he lived but twelve years longer, probably few are now living who retain more than a childish memory of his appearance in advanced age. Many Londoners will recall an odd character, an aged print dealer who used to sit alone, like a hoary spider in its web, in his little shop in Great Russell Street, close to the British Museum, and another of similar type, who may still haunt a better known landmark, the old "naturalist's shop" in Oxford Street, not far from Tottenham Court Road and but a minute's 12 walk from the spot where most of Audubon's Birds were engraved. Both had seen the naturalist walk the streets of London and had known him in business relations. He occasionally strolled into the old naturalist's shop, which has been occupied by father and son for nearly a century. The son, then a young clerk, is now (1913) the crabbed veteran who still waits on customers but never waits long; should you hazard a question before making a purchase, he will roar like the captain of a ship and leave you to your own devices; but show him money and the change in his demeanor is wonderful; his hearing improves, his tone softens, and he may recount for you what he remembers of times long past, which is not much. Audubon in the thirties seemed to him like an aged man, an impression quite natural to a youth. He also remembered seeing Charles Waterton, Audubon's declared enemy and supercilious critic, William Swainson, his one-time friend, and William MacGillivray, his eminent assistant; that they were great rivals expressed the sum of his reflections. He recalled the time when Oxford Street was filled, as he expressed it, with horses and donkeys, and of course knew well the old Zoölogical Gallery, No. 79 Newman Street, in which for a time Robert Havell & Son conducted a shop in connection with their printing and engraving establishment. The latter, when moved by Robert Havell, Jr., to No. 77 Oxford Street, was nearly opposite the old Pantheon, which still lingers, and not far from the corner of Wrisley Street, the present site of Messrs. Waring & Gillow's large store.

We already possess several biographies of Audubon, and many of his letters of a personal or scientific interest and most of his extant journals, though but a 13 fraction of those which originally existed, have been published. "America, my Country," has not forgotten him. Mount Audubon rises on the northerly bound of Colorado as an everlasting reminder of the last and grandest of all his journeys, that to the Missouri River in 1843. American counties and towns,[4] as well as parks and streets in American cities, bear his name. At least four of his beloved birds have been dedicated to him. In 1885, thirty-four years after his death, the New York Academy of Sciences began a popular movement through which a beautiful cross in marble was raised in 1893 above his grave in Trinity Cemetery.[5] The "one hundred and twenty-fifth anniversary"[6] of the naturalist's birth was celebrated in New York in 1905, and at 14 the American Museum of Natural History an admirable marble bust of Audubon was unveiled on a notable occasion, December 29, 1906, when similar honors were paid to Louis Agassiz, Spencer Fullerton Baird, Edward Drinker Cope, James Dwight Dana, Benjamin Franklin, Joseph Henry, Joseph Leidy, John Torrey, and Alexander von Humboldt. On November 26, 1910, a statue of Audubon, after an admirable design by the veteran sculptor, Edward Virginius Valentine, of Richmond, Virginia, was unveiled in Audubon Park, New Orleans, where the naturalist, with pencil in hand, is represented in the act of transferring to paper the likeness of a favorite subject. He also occupies a niche in the Hall of Fame at New York University.

STATUE OF AUDUBON BY EDWARD VIRGINIUS VALENTINE IN AUDUBON PARK, NEW ORLEANS.

Published by courtesy of Mr. Stanley Clisby Arthur.

THE AUDUBON MONUMENT IN TRINITY CEMETERY, NEW YORK, ON CHILDREN'S DAY, JUNE, 1915.

Published by courtesy of the Corporation of Trinity Parish, New York City.

In recent times Audubon's name has become a household word through the medium of the most effective instrument which has yet been devised for the conservation of animal life in this or any country, the National Association of Audubon Societies for the Protection of Wild Birds and Animals. This has become the coördinating center for the spread and control of a great national movement that received its first impulse in 1886.[7] Launched anew ten years later, it has advanced 15 with ever increasing momentum, until now it is the governing head of twenty-nine distinct State societies, as well as eighty-five affiliated clubs and similar organizations. In 1916 it counted a life membership of 356, with 3,024 sustaining members, and realized a total income of over $100,000. It should be added that during the past six years over 2,900 Junior Audubon Clubs have been formed in the schools, through which nearly 600,000 children have been instructed in the principles of the Audubon Society. Well may it be that this admirable organization, with its successful efforts for remedial legislation in state and nation; its initiative, with the aid of the National Government, in establishing Federal reservations or sanctuaries for the perpetuation of wild life; its educational activities through the extension of its influence to the pupils of the public schools; and its watch and ward over all the varied interests of its cause, will keep the name of Audubon greener to all future time than the most cherished of his works.

Of Audubon's works the public now sees but little and knows even less, all without exception having been long out of print. His admirable plates of birds and mammals have been widely copied and still serve for the illustration of popular books, but most of his publications were projected on too large and expensive a scale for general circulation, having been first sold to subscribers only and often at great cost. No complete reprint, revision or abridgment of his principal volumes has been made for half a century (see Bibliography, Appendix V). No complete bibliography of Audubon has ever been prepared, and none will remain completed long, for it is hard to imagine a time when comment on his life, his drawings, and his adventures will altogether cease. 16

In May, 1834, William MacGillivray, who was assisting him in the technical parts of the Ornithological Biography, suggested that Audubon write a biography of himself, and predicted a wide popularity for such a work. Audubon entertained the idea but was then too deeply immersed in The Birds of America to give it much attention; yet in 1835 he wrote out a short sketch, entitled Myself, addressing it in the fashion of that day to his two sons, and then laid it aside. Mrs. Audubon evidently had access to this manuscript when the life of her husband, to be referred to later, was in course of preparation, and thus it has furnished, directly or indirectly, nearly all that has been published concerning the naturalist's early life. This fragment, which extends to about thirty printed pages, was characterized by Audubon as a "very imperfect (but perfectly correct) account of my early life," and though written with an eye to its possible publication, which was clearly sanctioned, it was evidently never revised. The manuscript was long lost but eventually was "found in an old book which had been in a barn on Staten Island for years"; it was first published by the naturalist's granddaughter, Miss Maria R. Audubon, in 1893, and again in 1898. As will later appear, this account is inaccurate in many important particulars.

Audubon expressed the intention of extending his personal history, which he promised to delineate with a faithfulness equal to that bestowed on the birds, but the task was never resumed. Yet more than most writers have done, he wove the incidents of his own career into the pages of his principal works, and this strong personal flavor added much to their charm. Unfortunately, in giving such personal or historical details he is most vulnerable to a critic, who insists first upon 17 accuracy, for errors of various sorts and confused and conflicting statements are far too common.

Of the more formal biographies of Audubon, the first to appear was a slender volume entitled Audubon: the Naturalist of the New World, by Mrs. Horace Stebbing Roscoe St. John, published in England in 1856.[8] In the same year this work was expanded and reissued by the publishers who at that time had charge of the sale of Audubon's works in America.[9] The American publishers explained in their edition that inasmuch as "the fair authoress in preparing her interesting sketch of Audubon ... appears not to have been aware of the publication of his second great work, the Quadrupeds of North America (which had not been advertised, we believe, in Europe) they have taken the liberty of giving some account of it and making numerous extracts from its pages."[10] Perhaps the most interesting or valuable things in this little volume at the present day are the woodcut on the title page showing Audubon's house on the Hudson as it then appeared, surrounded by tall trees, and, inserted on a flyleaf, a list of all of Audubon's published works and the prices at which they could be procured in New York just prior to the Civil War (see Note, Vol. II, p. 204). 18

In 1868 there appeared in England a work of combined and confused authorship, commonly referred to as "Buchanan's Life of Audubon," the "sub-editor," as he called himself, having since become better known as an original, skilled and prolific writer of verse, drama, fiction and literary criticism. At that time Robert Buchanan was twenty-six years old, and had published five volumes of poems in rapid succession, some of which had been received with favor by the public. A second and third edition of this Life followed in 1869. Finally the work was resurrected and again sent to press, unrevised, in 1912, when it appeared in "Everyman's Library," at a shilling a copy, with an introduction which had served as a review of the work in 1869.

A recent biographer of Alexander Wilson speaks of Buchanan as "commissioned by Mrs. Audubon to write her husband's life," but the lady herself, as well as Buchanan, has told a different story. It seems that in about the year 1866, Mrs. Audubon prepared, "with the aid of a friend," an extended memoir of her husband, which was offered to an American publisher but without success. The "friend," at whose home Mrs. Audubon was then living, was the Rev. Charles Coffin Adams,[11] rector of St. Mary's Church, Manhattanville, now 135th, Street, New York. The Adams manuscript, which consisted chiefly of a transcript from the naturalist's journals, then in possession of his wife, was completed presumably in 1867. In the summer of that year it was placed in the hands of the London publishers, 19 Messrs. Sampson Low, Son, & Marston, who without any authority turned it over to one of their hard-pressed, pot-boiling retainers, Robert Buchanan, poet and young man of genius. Buchanan boiled down the original manuscript, as he said, to one-fifth of its original compass, cutting out what he regarded as prolix or unnecessary and connecting "the whole with some sort of a running narrative."[12] Mrs. Audubon was unable to recover her property from either publishers or editor or to obtain any satisfaction for its unwarranted use. Whatever defects the Adams memoir may have possessed, this is much to be regretted, since, as her granddaughter has said, Mrs. Audubon had at her command many valuable documents, the originals of which have since been destroyed.

Buchanan, like Audubon, had been reared in comparative luxury, "the spoiled darling of a loving mother." After the failure of his father in various newspaper enterprises about four years before this time, he had gone up to London with but few shillings in his pocket and had begun life there literally in a garret. The reflection that Audubon had fought a similar but much harder battle in that same London thirty years before, and won, should possibly have awakened in him a somewhat friendlier spirit than was then displayed. It must be admitted, however, that Buchanan produced a very readable story, although there was not a word in his whole book which showed any real sympathy with 20 Audubon's lifelong pursuits, any knowledge of ornithology, or any interest in natural science. Though expressing unbounded admiration for the naturalist, his foibles and faults seem to have hidden from this biographer the true value of his distinguished services. In respect to a knowledge of natural history it should be added that Buchanan laid no claims, and of Audubon's accomplishments in this field comparatively little was said, the book, like the Adams' manuscript from which it was drawn, being mainly composed of extracts from the naturalist's private journals and "Episodes," as he called his descriptive papers. It was here that Audubon made the strongest appeal to this literary editor, who concluded his preface with the following words of praise: "Some of his reminiscences of adventure ... seem to me to be quite as good, in vividness of presentment and careful colouring, as anything I have ever read."

Buchanan dilated on Audubon's pride, vanity and self-conceit, faults which may have belonged to his youth but which were never mentioned by his intimate friends and contemporaries except under conditions which reflected rather unfavorably upon themselves. Complaints on this score were spread broadcast by reviewers of this work, seventeen years after the naturalist's death and with the suddenness of a new discovery. They were undoubtedly based on the unconscious and allowable egotisms of such personal records as Audubon habitually made for the members of his family when time and distance kept them asunder. Vanity and selfishness could have formed no essential parts of a character that merited the eulogy which follows:

Audubon was a man of genius, with the courage of a lion and the simplicity of a child. One scarcely knows which to 21 admire most—the mighty determination which enabled him to carry out his great work in the face of difficulties so huge, or the gentle and guileless sweetness with which he throughout shared his thoughts and aspirations with his wife and children. He was more like a child at the mother's knee, than a husband at the hearth—so free was the prattle, so thorough the confidence. Mrs. Audubon appears to have been a wife in every respect worthy of such a man; willing to sacrifice her personal comfort at any moment for the furtherance of his great schemes; ever ready to kiss and counsel when such were most needed; never failing for a moment in her faith that Audubon was destined to be one of the great workers of the earth.[13]

No one will deny, however, that Buchanan was right in saying that in order to get a man like Audubon understood, all domestic partiality, the bane of much biography, must be put aside; but it is equally important to make such allowances as the manifold circumstances of time and place demand, and to be a reasoner rather than a fancier. This work abounds in errors, but it is not clear to what extent they were due to carelessness on Buchanan's part.

It was certainly a mistake to attribute Buchanan's attitude to partiality for Alexander Wilson, who, like himself, was a Scotchman. It was a case of temperament only, for gloom and poverty had embittered his life. As his sister-in-law and biographer[14] said of him, "he was doomed to much ignoble pot-boiling.... He had few friends and many enemies," and "had received from the world many cruel blows," while "no man needed kindness so much and received so little." Perhaps 22 the best key to the sad history of this able writer was given by himself when he said: "It is my vice that I must love a thing wholly, or dislike it wholly." His wife, we are told, was much like himself, and "like a couple of babies they muddled through life, tasting of some of its joys, but oftener of its sorrows." Undoubtedly Robert Buchanan was a genuine lover of truth and beauty; he has written numerous sketches of birds and outdoor scenes, but with no suggestion of nature as serving any other purpose than that of supplying a poet with bright and pleasing images.

It was with the purpose of correcting the false impressions created by animadversions in Buchanan's Life that Mrs. Audubon, with the aid of her friend, James Grant Wilson, revised this work and published it in America under her name as editor, in 1869. The changes then made in Buchanan's text, however, were of a minor character and most of its errors remained uncorrected. The naturalist's granddaughter, Miss Maria R. Audubon, was inspired in part by similar feelings in preparing, with the aid of Dr. Elliott Coues, her larger and excellent work in two volumes, entitled Audubon and His Journals, which appeared in 1898. To her all admirers of Audubon owe a debt of gratitude for giving to the world for the first time a large part of his extant journals, as well as many new facts bearing upon his life and character. Other briefer biographies of Audubon which have appeared have been taken so completely from the preceding works, and have repeated and extended their errors to such an extent, as to call for little or no comment either here or in the pages which follow.

Through the discovery in France of new documentary evidence in surprising abundance we are obliged to 23 draw conclusions contrary to those which have hitherto been accepted, and the new light thus obtained enables us to form a more accurate and just judgment of Audubon the man, and of his work. 24

CHAPTER IV
AUDUBON'S BIRTH, NATIONALITY, AND PARENTAGE

Les Cayes—Audubon's French Creole mother—His early names—Discovery of the Sanson bill with the only record of his birth—Medical practice of an early day—Birth of Muguet, Audubon's sister—Fougère and Muguet taken to France—Audubon's adoption and baptism—His assumed name—Dual personality in legal documents—Source of published errors—Autobiographic records—Rise of enigma and tradition—The Marigny myth.

Santo Domingo, though repeatedly ravaged by the indiscriminate hand of man, is a noble and productive land, which, for the diversity and grandeur of its scenery and the rare beauty of its tropical vegetation, was justly regarded as one of the garden spots of the West Indies and worthy to be in truth a "Paradise of the New World." For every lover of birds and nature this semi-tropical island, and especially Les Cayes, upon its south-westerly verge in what is now Haiti, will have a peculiar interest when it is known, that there, amid the splendor of sea and sun and the ever-glorious flowers and birds, the eyes of America's great woodsman and pioneer ornithologist first saw the light of day.

Jean Audubon met somewhere in America, and probably at Les Cayes, a woman whom he has described only as a "creole of Santo Domingo," that is, one born on the island and of French parentage, and who is now known only by the name of Mlle. Rabin.[35] To them was 53 born, at Les Cayes, a son, on the twenty-sixth of April, 1785. This boy, who was sometimes referred to in early documents as "Jean Rabin, créole de Saint-Domingue," and who again was called "Fougère" (in English, "Fern"), received the baptismal name of Jean Jacques Fougère six months before his sixteenth birthday.

The bill of the physician, Doctor Sanson of Les Cayes, who assisted at young Audubon's birth still exists, and as the reader will perceive, it is a highly unique and interesting historical document.[36] Written in the doctor's own hand, it is receipted by him, as well as approved and signed by Jean Audubon himself. This tardy discovery, along with other pertinent records in the commune of Couëron, in France, finally resolves the mystery which has ever hedged the Melchizedek of American natural history. The child's name, of course, is not given in the bill, but authentic records of Audubon's subsequent adoption and baptism agree so completely in names and dates as to establish his identity beyond a shadow of doubt. Much other documentary evidence which also has recently come to light is all in harmony with these facts, and further shows that the natal spot and time as given in the Sanson bill can refer only to this talented boy. But before turning to these legal documents we must examine the personal record of Jean Audubon's physician.

Dr. Sanson's carefully itemized account, to the amount of 1,339 francs, extends over a period of nearly two years, from December 29, 1783, to October 19, 1785; it was accepted and signed by Captain Audubon on October 12, 1786, and receipted by the doctor when 54 paid on June 7, 1787. The bill is interesting as a commentary on the medical practice of an early day, as well as for the light which it throws on Jean Audubon's Santo Domingan career, his establishment at Les Cayes, and his treatment of black slaves and dependents. This quaint document, moreover, tends to confirm a remark of Baron de Wimpffen to the effect that every doctor in Santo Domingo grew rich at his profession, and also recalls what he said in regard to the household remedies of the period. "Every colonist," to quote this observer again, "is commonly provided with a small chest of medicines, of which the principal are manna, salts, and rhubarb; the country itself produces tamarinds, and the leaves of the cassia tree, a slight infusion of which, with a little orange juice, makes as good a purge as a mixture more scientifically composed."

FIRST PAGE OF THE BILL, RENDERED BY DR. SANSON, OF LES CAYES, SANTO DOMINGO, TO JEAN AUDUBON FOR MEDICAL SERVICES FROM DECEMBER 29, 1783, TO OCTOBER 19, 1785.

After the original document in possession of M. L. Lavigne, at Couëron. The note in upper left-hand corner, "très curieux Mlle. Rabin & son enfant," has been added by a later hand.

SECOND PAGE OF THE SANSON BILL, BEARING, IN THE ENTRY FOR APRIL 26, 1785, THE ONLY RECORD KNOWN TO EXIST OF THE DATE OF AUDUBON'S BIRTH.

THIRD PAGE OF THE SANSON BILL, SIGNED AS ACCEPTED BY JEAN AUDUBON, OCTOBER 12, 1786, AND RECEIPTED BY THE DOCTOR, WHEN PAID, JUNE 7, 1787.

This physician's chief resources are seen to have been ipecacuanha, purgative decoctions, including such as the tamarind tree provided, manna, mineral waters, lotions, plasters, and kino, an astringent juice derived from different leguminous plants, which gave a red color to the saliva, not to speak of "other medicines," the nature of which is not revealed, which were liberally supplied to whites and blacks, both old and young, alike. It will be noticed further that the slaves of African birth when not named are referred to as "bossals" though many young blacks and mulattoes are called "Joue";[37] that a cooper, attached presumably to the 55 Audubon sugar refinery, was dosed thrice daily with kino on four days in succession; and that this favorite treatment was repeated a month later. A clerk in the establishment, Monsieur Aubinais, is mentioned as requiring frequent attention, as well as Jean Audubon himself, who was once bled at the arm.

In the entry for March 27, 1784, there is this interesting reference: "Inoculated Cæsar, Jupiter, and Rose, at thirty francs each, ninety francs"; and if there were any doubt why Cæsar had been inoculated, a hint is immediately given under May 11: "For attention, visits, and remedies, during the smallpox (la petite vérole) of the mulatto Joue, sixty francs"; again we read: "June 30, inoculated a little negro bossal, named Joue, thirty francs." Every fresh batch of negroes landed in the colonies led to a new outbreak of this terrible scourge, and but one other disease, la grosse vérole,[38] was more common or more fatal among the blacks. For a long period it had been a common practice to inoculate both whites and blacks directly with the smallpox in order to secure some degree of protection against its most virulent form, but this method of fighting the devil with fire had its disadvantages. By the end of the eighteenth century opinion was about equally divided upon the advisability of continuing the measure, since induced variola or smallpox was apt to be virulent, and was often quite as infectious as when manifested in the usual and natural way. Then came Edward Jenner's grand discovery, made twelve years before this date but not announced until 1798, that vaccinia would prevent variola. Almost immediately vaccination 56 spread like wild fire over Europe, and it has never been appreciated more fully or more highly lauded by the best representatives of the medical profession everywhere than at the present day.

The most interesting references in this historic document are to "Mlle. Rabin," whose name occurs no less than seventeen times, beginning May 21, 1784, and closing with the entry for the seventeenth of August, 1785. We learn that the physician spent the nights of April 24 and 25, 1785, at the woman's bedside, and that her child was born on the twenty-sixth day of that month, probably in the morning. It will be noticed further that she had been bled previously at the arm, that she had suffered also from the erysipelas, and that later she was treated for abscesses. These frequent attentions of the physician, extending over several months, the last record being for August 17, show only too clearly that at this time Audubon's mother was in feeble health. All that is further known about her is that she died either at the close of 1785 or in 1786, when her infant son was probably less than a year old.[39]

A daughter of Jean Audubon, Rosa, who was first called Muguet (in English, "Lily of the Valley"), was also born in Santo Domingo, and probably at Les Cayes, on April 29, 1787. Her mother, Catharine Bouffard, "créole de Saint-Domingue," who subsequently went to France, had another daughter, born also at Les Cayes, named Louise, who was living at La Rochelle in 1819.[40] 57

When Captain Audubon finally left the West Indies in the autumn of 1789, he took with him, in the care of trustworthy slaves, these two children, Fougère or Jean Rabin, aged four and a half years, and Muguet or Rosa, an infant of less than two. We know that he visited Richmond, Virginia, to collect a long outstanding claim against David Ross, then engaged in an iron industry near that city (see Chapter VIII, p. 121), and it is possible that he traveled by way of New Orleans and the Mississippi and Ohio rivers. After spending some time at the close of this year in the United States, he went to France and made a home for his children at Nantes. This city became essentially their permanent abode until their father's retirement from the navy on January 1, 1801, when he finally settled in the little commune of Couëron, on the north bank of the Loire. The storm that burst over Nantes soon after their arrival revealed the true colors of Jean Audubon's patriotism, and the man was seen at his best, as will be related in the following chapter.

Madame Audubon, who had no children of her own, tenderly received the little ones, thus wafted from over the sea to her door in the Rue de Crébillon.[41] As the 58 story proceeds we shall see that she was a most kind, if over-indulgent, foster mother, and became excessively proud of her handsome boy. "The first of my recollective powers," said the naturalist when writing of himself in 1835,[42] "placed me in the central portion of the city of Nantes ... where I still recollect particularly that I was much cherished by my dear stepmother ... and that I was constantly attended by one or two black servants, who had followed my father to New Orleans and afterwards to Nantes."

Jean Audubon, who spent a good part of his life at sea and in a country almost totally devoid of morals, must be considered as the product of his time. He was better, no doubt, than many who made greater professions, better certainly than a Rousseau, who gave excellent advice to parents upon the proper methods of rearing their children but sent his own offspring to orphan asylums. As most men have their faults, said the son, the father "had one that was common to many individuals, and that never left him until sobered by a long life"; but, he added, "as a father, I never complained of him; his generosity was often too great, and his good qualities won him many desirable friends." Whatever his faults, Jean Audubon was just, generous and possessed of a kind heart. He was in reality a truer father than many who give their children their name but deny them sympathy and a wise oversight. Jean 59 Audubon not only cherished the two children but made them his heirs. On March 7, 1793, Fougère at the age of eight and Muguet at six were legalized by a regular act of adoption in the presence of witnesses at Nantes as the children of Jean and Anne Moynet Audubon.

This step was taken at the very moment when the storm had burst over La Vendée, when the fate of Nantes was trembling in the balance and the life of her citizens was most insecure. The act of adoption reads:[43]

Extract from the registers of births of the sections of La Halle and Jean Jacques of the commune of Nantes, department of the Loire inférieure, on the seventh of March, 1749, the second year of the Republic, one and indivisible, at ten o'clock in the morning.

Before us, Joseph Theulier, public officer, elected to determine the public status of citizens, have appeared in the town hall, Jean Audubon, commanding the war sloop Cerberus, vessel of the Republic, aged forty-nine years, native of Les Sables d'Olonne, department of La Vendée, and Anne Moinet his wife, aged fifty-eight years, native of the former parish of Saint-Leonard, of this commune, who, assisted by René Toussaint Julien Beuscher, manufacturer, aged twenty-five years, living in the section of La Halle, Rubens Street, and by Julien Pierre Beuscher, marine surgeon, aged twenty-four years, living in the section of La Fraternité, Marchix Street, and employed steadily in the said war sloop Cerberus, have declared before me that they do adopt and recognize from this moment as their lawful children, to wit:

A male child named Fougère, born since their marriage, which took place on the twenty-fourth of August, 1772, in the commune of Paimbœuf, in this department, to him, Jean Audubon, and a woman living in America, who has been dead about eight years, and a female child, named Muguet, born also since the 60 marriage aforesaid, to him and another woman living in America, named Catharine Bouffard, of whose fate he is ignorant.

The two children being present, the first aged nine years, that will expire on the 22d of next April, the second aged seven years, that will also expire on the 26th of April next, and both having been born in America, according to this declaration that the witnesses above mentioned have signified as true, I have drawn up the present act, which the natural father and the mother by adoption, as well as their witnesses have signed, together with myself in this said day and year.

It will be noticed that in this legally attested document, Bouffard, the true name of Muguet's mother, is given, while the name of the mother of Audubon is suppressed. It might therefore be inferred that the name Rabin, which appears later, was assumed, but as already remarked, such evidence is not conclusive.

Fougère, who was also called Jean Rabin, was baptized on October 23, 1800, by a priest of the church of Saint-Similien at Nantes. The archives of this church for the period in question have disappeared, but Jean Audubon's copy of the record has survived, and reads as follows:[44]

The Act of Baptism of Jean Audubon-Rabin

October 23, 1800

We, the undersigned, certify to have baptized on this day Jean Jacques Fougère Audubon, adoptive son of Jean Audubon, 61 lieutenant of a frigate of the Republic, and of Anne Moinet, his legitimate wife, who being present bear witness that the adoption of the said Fougère, made by them, is in accordance with the present act.

[Signed] Tardiveau, priest of Saint-Similien,
of the town of Nantes.

The act of adoption was drawn at a time when Captain Audubon could have had little leisure to consult records had he been disposed to do so, but the dates of birth which he then gave for these two children were correct both as to the year and month. Fougère, however, was born on the twenty-sixth, instead of the twenty-second of April, and Muguet, on the twenty-ninth, instead of the twenty-sixth, of that month. Audubon's mother's name is indicated in numerous legal documents of later date, and, as will appear, in every instance her son's identity is clearly established.

Young Audubon, who disliked the names of Fougère and Rabin, and naturally wished to be rid of their early associations, adopted the fanciful name of "La Forest,"[45] but used it only sporadically and for a short time. Some of his drawings of birds made at Nantes or Couëron as early as 1805, and in New York in 1806 and 1807, and possibly others of slightly later date, are signed "J. L. F. A.," or "J. J. L. Audubon."[46]

Jean Audubon and his wife are said to have settled 62 some property upon "Jean Rabin, créole de Saint Domingue," which he refused to accept, saying, "my own name I have never been permitted even to speak; accord me that of Audubon, which I revere, as I have cause to do."[47] The reference in this instance was, I believe, to the final will of Lieutenant Audubon,[48] according to which his property, after being held in usufruct by his wife during her lifetime, was to be equally divided between their two adopted children. In his first will the son was referred to as "Jean Audubon," but in the second and last document, executed in 1816, two years before the testator's death, he appears as "Jean Rabin." Madame Audubon drew four wills; in the first, dated December 4, 1814, her adopted son is called "Jean Audubon"; in the next, of 1816, he is "Jean Rabin, créole de Saint-Domingue," while in a draft written December 26, 1819, he is styled simply "Jean Rabin"; finally, in her fourth and last testament of July 16, 1821, the wording is "Jean Audubon, called 'Jean Rabin.'" It is thus very plain that Audubon's foster parents considered it advisable to have his identity clearly set forth in legal documents. In one of his autobiographical sketches Audubon remarked that his own mother was said to have been as wealthy as she was beautiful, and if this were true, such caution might be explained and a key found to certain other enigmatical conditions which seemed to hedge his early life. But to such possibilities it will be necessary to revert at a later point of our story.[49]

AUDUBON'S SIGNATURE AT VARIOUS PERIODS FROM 1805 TO 1847.

The first, fourth and sixth are from early drawings; the second from Audubon and Rozier's "Articles of Association"; the fifth from a release given to Rozier; and the remainder from letters.

This dual personality was set forth by the naturalist himself, but in a more curious form, in a power of attorney[50] 64 executed at Henderson, Kentucky, on July 26, 1817, in favor of his brother-in-law, Gabriel Loyen du Puigaudeau. This measure was taken more than a year after Audubon's father had drawn up his last will, in which the son was referred to as "Jean Rabin," and was evidently designed to facilitate any settlement of this will which events in France might render necessary. The naturalist was then engaged in his famous but disastrous financial enterprises on the Ohio River,[51] but whether any intimation had come to him of possible legal troubles, which later actually ensued in France, cannot be stated. 65

In reading the published accounts of Audubon's early life many have been puzzled by the absence of definite dates, as well as by the numerous contradictions in which they abound. It is needless to burden this narrative with a tedious reference to all these errors or to attempt to trace their origin, which no doubt had many sources, but since we have given the first true account of the naturalist's birth, we cannot pass these matters without a word of comment. The situation is somewhat involved, since we should possibly differentiate between what Audubon at different times believed to be true, and what he wished to make known to his family or to the public; possibly also we should discriminate between what he actually published over his own signature during his lifetime and the material which has appeared since his death, even though originally written by his own hand.

The first definite date which Audubon ever gave concerning his own life was that of his marriage in 1808, when he was twenty-three years of age, and all that he ever published of a biographical nature is to be found in his Ornithological Biography.[52] In the introduction to this work he simply said that he had "received light and life in the New World," and further that he returned to America from France, whither he had gone to receive the rudiments of his education, at the age of seventeen. Since Audubon's first return to America was in the autumn of 1803, when he was actually about eighteen and one-half years old, this statement is not so wide of the mark as to imply that the date of his birth was not then well understood. Moreover, the record of his adoption, which was certified to at the time of his baptism in 1800, was carefully preserved among the family documents, 66 and there is no reason to suppose that knowledge of his age was ever withheld from him. Nevertheless, Audubon was inclined to overestimate his years, a characteristic rare in these days; when at Oxford in 1828 he was asked for his autograph, and was begged to inscribe also the date of his birth; "that," he said in recording the incident, "I could not do, except approximately," and his hostess was greatly amused that he should not know.

While going down the Ohio River in 1820, bound for New Orleans, Audubon took advantage of a rainy day to write in his journal something about himself that he thought his children at some future time might desire to know. This brief record may or may not have been at hand when in 1835 he wrote the more extended version that finally saw the light in 1893.[53] Since the manuscript of the later sketch was presumably in possession of Mrs. Audubon when the biography of her husband was prepared in New York about the year 1866, that account in its various versions has furnished biographers with practically all of the available material, not purely conjectural, concerning the naturalist's early life. Such additions as were made subsequently have proved to be very inaccurate.

In the first of these sketches, which, so far as it goes, is more in strict accord with facts, Audubon said nothing of his birth, and of his mother remarked only that he had been told that she was "an extraordinary beautiful woman," who died shortly after he was born. His father, he added, saw his wealth torn from him, until there was left barely enough to educate his two children, all that remained of the five, his three elder brothers[54] 67 having been "killed in the wars." He then believed, as he said, that his first journey to France was made when he was two years old.

The later and fuller biography, referred to above as written in 1835 and published in 1893, begins with these words:[55]

The precise period of my birth is yet an enigma to me, and I can only say what I have often heard my father repeat to me on this subject, which is as follows: It seems that my father had large properties in Santo Domingo, and was in the habit of visiting frequently that portion of our Southern States called, and known by the name of, Louisiana, then owned by the French Government.

During one of these excursions he married a lady of Spanish extraction, whom I have been led to understand was as beautiful as she was wealthy, and otherwise attractive, and who bore my father three sons and a daughter,—I being the youngest of the sons and the only one who survived extreme youth. My mother, soon after my birth, accompanied my father to the estate [sic] of Aux Cayes,[56] on the island of Santo Domingo, and she was one of the victims during the ever-to-be-lamented period of the negro insurrection of that island.

My father, through the intervention of some faithful servants, escaped from Aux Cayes with a good portion of his plate and money, and with me and these humble friends reached New Orleans in safety. From this place he took me to France, where having married the only mother I have ever known, he left me under her charge and returned to the United States in the employ of the French Government, acting as an officer under Admiral Rochambeau. Shortly afterward, however, he 68 landed in the United States and became attached to the army under La Fayette.

The true history of Jean Audubon's commercial, naval, and civic career is given in the preceding and following chapters.

The naturalist, in his letters and journals, made frequent allusions to his age, but, as his granddaughter remarked, with one exception, no two agree; hence, his granddaughter concluded that he might "have been born anywhere from 1772 to 1783." In the face of such uncertainty she adopted the traditional date of May 5, 1780, adding that the true one was no doubt earlier. Audubon was thus five years younger than his biographers supposed, and twenty-one years were added to the age of his father, who actually lived to be only seventy-four years old, while his son died in his sixty-seventh year.

Wherever there is mystery there tradition is certain to raise its head, and though the naturalist carried his "enigma" to the grave, others, building upon his story, have fixed upon the very house in Louisiana in which he is said to have been born. Indeed, advocates of more than one house in that state as the probable scene of Audubon's nativity have arisen in recent times. We are obliged, therefore, to examine somewhat farther the now universally received but thoroughly erroneous idea that John James Audubon was a native of Louisiana at a time when that Commonwealth was part of a province of France.

Upholding a tradition of rather recent growth, Audubon's granddaughter has expressed the belief that the naturalist was born in a house belonging to the famous Philippe de Marigny and known as "Fontainebleau." 69 This was a sugar plantation on the north side of Lake Ponchartrain, three miles east of what is now the village of Mandeville and twenty-five miles due north of New Orleans.

Pierre Enguerrand Philippe de Mandeville, Ecuyer Sieur de Marigny,[57] at one time owner of vast estates in and about New Orleans, was born in that city in 1750, and served as its alcade or mayor for two years. A lavish dispenser of hospitality, in 1798 he entertained in great state the Duke of Orleans, later known as Louis Philippe of France, together with his two brothers who accompanied him. He died at New Orleans, leaving five sons, of whom the third, Bernard Marigny, later became the owner of "Fontainebleau," which it has been mistakenly assumed was inherited from his father. At the time of the Duke of Orleans' visit just mentioned Jean Audubon had been out of the country nine years; there is no evidence of his ever having owned property at New Orleans, or ever having sustained any relations with the Marigny family.

Before following the Marigny myth further, it will be interesting to notice a late echo of the "Fontainebleau" story. In 1910 the Reverend Gordon Bakewell, then in his eighty-ninth year, gave some interesting reminiscences of Audubon, and spoke very definitely concerning both the time and place of his birth. Dr. Bakewell was a nephew of Mrs. Audubon, and as a youth, in 1834, had passed some time at her home in London. John W. Audubon, with his father's assistance, painted at that time a portrait of young Bakewell, who at a 70 later day was welcomed in their home on the Hudson. Dr. Bakewell's contribution was as follows:[58]

The uncertainty as to the place of Audubon's birth has been put to rest by the testimony of an eye witness in the person of old Mandeville Marigny now dead some years. His repeated statement to me was, that on his plantation at Mandeville, Louisiana, on Lake Ponchartrain, Audubon's mother was his guest; and while there gave birth to John James Audubon. Marigny was present at the time, and from his own lips, I have, as already said, repeatedly heard him assert the above fact. He was ever proud to bear this testimony of his protection given to Audubon's mother, and his ability to bear witness as to the place of Audubon's birth, thus establishing the fact that he was a Louisianian by birth.

We do not doubt the candor and sincerity of the excellent Dr. Bakewell, but are bound to say that the incidents as related above betray a striking lapse of memory and an even greater misunderstanding of recorded facts. Singularly a footnote to the paragraph quoted shows that the Marigny to whom he refers was, as must have been the case, Bernard Mandeville de Marigny, who was born in 1785, the same year as the naturalist. Since both were in the cradle at the same time, he is hardly available as a witness. Moreover, the official records of the United States Government prove that the estate called "Fontainebleau" was not in possession of the Marigny family at the time of Audubon's birth. The land in question was granted to a creole named Antonio Bonnabel, on January 25, 1799, by Manuel Goyon de Lemore, Governor-General of the Province of Louisiana and West Florida. Bonnabel sold his tract 71 to Bernard Marigny in 1800, and Congress confirmed his title to it by a special act in 1836.[59]

Bernard Marigny served in the French army towards the close of the Napoleonic period, and his return to the United States from France, about 1818, is said to have been hastened by a duel which he fought with one of his superior officers. On his return he named Bonnabel's old tract on Lake Ponchartrain "Fontainebleau," in remembrance of the place where his regiment had been assigned for duty in France, and eventually built upon the estate a sawmill and a sugar-house, and planted sugar cane, living meanwhile on another plantation two and one-half miles away. The latter estate was allotted by him in 1832, when he gave it the name of Mandeville; the settlement thus started has since grown to a village of some 1,500 people. Here a summer house which belonged to Bernard's father still exists, although in altered form; it has been raised to accommodate a lower story, and is now known as the "Casino." According to those who have most carefully investigated existing records, this is the only house in Mandeville which belonged to the elder Marigny at the time of which we speak. 72

Bernard Marigny was one of those who befriended Audubon when he was in desperate straits at New Orleans in 1821, by advancing him money in return for portraits or drawings of birds. He died in that city in 1868, when in his eighty-third year, a poor and honest man. 73

CHAPTER XI
FIRST VENTURES IN BUSINESS AT NEW YORK, AND SEQUEL TO THE "MILL GROVE" MINE

Audubon and Rozier at "Mill Grove"—Their partnership rules—Attempts to form a mining company lead to disappointment—Decision to sell their remaining interests in "Mill Grove" to Dacosta—Division of the property and legal entanglements—Audubon as a clerk in New York—Business correspondence and letters to his father—Later history of the lead mine and Dacosta—Audubon continues his drawings in New York and works for Dr. Mitchell's Museum—Forsakes the counting room for the fields—Personal sketch.

When Audubon and Rozier reached "Mill Grove" at the beginning of the summer of 1806, they found the troublesome Dacosta installed as its master by virtue of his interest in the property and his former position as agent, to which they were now to succeed. No doubt they found difficulties in carrying out all the articles of agreement[123] in their business constitution, for they were to take possession and call Dacosta to account. They were also in duty bound to investigate the lead mine on the farm, and ascertain whether it promised any success, and if the expenses already incurred were warranted, 147 before committing themselves to further development. One-half the product of the mine and farm was to be equally divided between them, and in order to visualize clearly their profit and loss, they agreed to keep a "special book for the purpose." "On one side," their third "Article" read, "will be entered the items of expense, day by day, and at the moment this is done, on the other side [shall also be entered] the sales and products of the farms, and of all that can result from this business, in such a way that the profit shall be always apparent by the addition of the items which compose the debit and the credit."

BEGINNING OF THE "ARTICLES OF ASSOCIATION" OF JOHN JAMES AUDUBON AND FERDINAND ROZIER, SIGNED AT NANTES, MARCH 23, 1806.

After the original manuscript of Rozier's copy, in possession of Mr. Charles A. Rozier.

The house at "Mill Grove" was to be treated as an object separate from all business, "in order," so the "Articles" read, "that we may settle matters as completely as we desire." It was also agreed, in the fourth "Article," that they should "add to the expenses of this exploitation those necessary for life, and others of a mutual character, so long as it should suit them to live and dwell together." It was further stipulated that even if the mine proved a failure, they should remain six months on the farm, in order to gather useful information from the country, before embarking in any form of commerce, whether inland or maritime. The cost of their journey to America was to be entered as the first item of their "social expenses," and any expenditure for travel in their mutual interests was to be considered under the same head. In case they should persuade any merchants in America to send goods to M. Rozier, Senior, at Nantes, he should be entitled to one-half the profits, while the partners should divide the other half between them. All other profits and losses resulting from their commercial transactions were to be shared equally. The partners resolved to maintain friendship 148 and a mutual understanding, but "upon the least difficulty" each should choose one arbitrator, and the two thus chosen were authorized to select a third; the partners were bound to accept the decision thus reached without appealing to any court. In the case of the death of one of the associates, read the tenth "Article," the survivor should have sole charge of making a settlement of the business and should report to the proper heirs. The survivor, in such an event, would be entitled to a commission of ten per cent [in addition to his one-half interest], but in no case should the partnership be dissolved "until after nine years, counting from the day of the date of the present [instrument]." As will be seen, Audubon and Rozier were unable to fulfill all the conditions thus carefully laid down.

Young Audubon's dislike of Dacosta, the uncertainty of the mining project, and other difficulties of the situation soon decided the partners to cut short their stay at "Mill Grove." Both were equally interested in the lead mine, but after working several months without success in an attempt to form a mining company, they wisely decided to leave such experiments to the enthusiastic Dacosta and to seek an opening in trade, where the hazard would be no greater and their ignorance less profound. Following the advice of their Quaker friend, Miers Fisher, they decided to sell to Dacosta their remaining rights in "Mill Grove." As a preliminary it was necessary to divide the property which had been held in common by him and Lieutenant Audubon since 1804, and this division was effected by an agreement drawn up at Philadelphia on the fifth day of September, 1806.[124] Ten days later the remainder 149 of "Mill Grove" was conveyed to Francis Dacosta, representing a number of capitalists whom he had managed to interest in the mine, of whom the astute Stephen Girard is said to have been one. The sale was subject to conditions,[125] dependent upon their success in mining lead, which, as will appear eventually, could not have been fulfilled. These various transactions are so clearly set forth by Ferdinand Rozier in writing to his father at Nantes that we shall reproduce his letter in full:[126]

Ferdinand Rozier to Claude François Rozier

Philadelphia, 12 Sept., 1806

Duplicate.
My very dear and venerable father:

Still in hope of cherished news from you, and replies to my letters of 31 May, 22 June, and 4 July, I have to tell you that we have since succeeded in closing all our business relations with Mr. Francis Dacosta, in the following manner: We are anxious that our method of procedure may be satisfactory to you; we have followed the advice of Mr. Miers Fisher, and have had his approval in all that we have done. What should set you at rest is that as regards your investment, you will find 150 that I have made quite a neat profit. Here is a copy of the agreement.

"It is agreed between Mr. Dacosta and Mr. J. Audubon that the farm of "Mill Grove," which they now hold in common, shall be divided between them as follows:

"1. Mr. Dacosta shall have the lot of 113 and a half acres, situated on the N.E. side of Perkioming creek, with all the buildings, mines, et cet., and in general all that it contains.

"2. Mr. Audubon shall have the lot of 171 acres, situated on the other side of the creek.

"3. Mr. Dacosta shall pay to Mr. Audubon for the difference [in value] of the lot of 113½ acres, and of that which it contains:

"1. The sum of eight hundred dollars, payable with interest, in three years from this day;

"2. The sum of four thousand dollars, upon the first products of the lead mine.

"4. The contract made with Mr. Thomas shall remain to the charge of the two parties.

"Note. Mr. Duponceau is begged to draw up the necessary deeds to put this agreement into execution, which [deeds] we undertake mutually to exchange at the first requisition."

"[Executed] at Philadelphia, this 5th of Sept, 1806."
[Signed] "Fcis Dacosta"
"Ferdinand Rozier"
"J. Audubon"

The futile attempt that we have made to form a company [to work this mine], which is a condition [of success], the slight resources at our command, as well as our lack of knowledge in work of this kind, all have determined us to abandon our rights for the offer of four thousand dollars[127] upon the first products that shall come from the mine. The expense that must 151 be incurred in [working] it will be very heavy; to this must be added the uncertainty of success. The mine may promise much at the beginning, and after that yield nothing. In short an enterprise of this kind can be properly conducted only by a capitalist or by a company. We have regarded this mine as a lottery which can make the fortune of the promoter, or lead him into great losses. As to the agreement with Mr. Wm. Thomas, we do not consider it as very serious; since it is quite uncertain whether he will be paid in whole or in part, as he has not kept his agreements. This is Mr. Dacosta's opinion. As to our half we are decided not to let it go under eight thousand dollars, which is its value as estimated by several farmers. So you see, my dear papa, that our half [as worth] 8,000 dollars, at least, the sum of eight hundred dollars by mortgage, with interest, and that of four thousand dollars upon the first products from the mine, will cover easily the interest on the purchase of sixteen thousand francs.

Since expenses are at least double what they would be in France, owing to the cost of products of every sort, we are determined to go into trade, to cover our expenses, and to choose for ourselves some kind of serious work that can lead us to an honorable establishment. You should be at ease about the manner we shall adopt for our operations, as we wish only to go slowly, and especially [to be] guided by the advice of the respectable persons whose acquaintance we are so fortunate as to enjoy, and who beyond a doubt will aid us along this thorny path.

"By our letter of the 4th July we have sent the account current of Mr. Dacosta, by which Mr. Audubon is charged with 315 dollars and 5 cents; we have begged you to send the documentary evidence which may put us in a position to prove that Mr. Audubon ought not to pay Mr. Dacosta's private expenses, as the matter is to be decided here by arbitrators. We beg Mr. Audubon to use the utmost speed in sending his documents. It is our ardent [hope] also that you have received our first [letter] of May 31, with that of Mr. Bakewell, the merchant in New York, with a remittance of 3,000 and a few francs for 152 the purchase of divers objects. I assure you that we are in the greatest anxiety [as to] what is the state of your health,[128] as well as that of the family, and to learn if you have received our letters. The nephew of Mr. Bakewell writes us that his uncle in New York has despatched several vessels consigned to you, for which I congratulate you sincerely. We have also received your letter of the 30th of June, but I cannot reply to it, since the boat is leaving this evening for Amsterdam, but you can count upon my conforming to its contents. Your personal letter grieved me particularly by your last expressions, and I should wish that you would have done me more justice; I can have made mistakes, but for ... the idea alone has made me shudder. I am delighted that all the family is enjoying perfect health. Embrace dear Mama for me; my kind regards to my brother and sisters; do not forget to remember me to all the family, and to our friend, Mr. Audubon, the father, and his family. Finally, my dear Papa, be assured that I shall forget nothing to increase our intimacy. You give me the means of supporting it with labor. Believe in my sincere and enduring attachment.

Your respectful son,
Ferdinand Rozier.

We are eager to hear of the receipt of our letters, and we beg you to address them to Mr. Bakewell of New York.

The inbred caution, sound sense, and sterling integrity which this letter displays would be a good foundation for any career, and we are not surprised to find that in after life Ferdinand Rozier became a keen and successful trader on the western frontier.

FIRST PAGE OF THE POWER OF ATTORNEY GRANTED BY JEAN AUDUBON, ANNE MOYNET AUDUBON AND CLAUDE FRANÇOIS ROZIER TO JOHN JAMES AUDUBON AND FERDINAND ROZIER, NANTES, APRIL 4, 1806.

After the original manuscript of Ferdinand Rozier's copy, in possession of Mr. Tom J. Rozier.

SIGNATURES OF JEAN AUDUBON AND ANNE MOYNET AUDUBON, AND DR. CHAPELAIN AND DR. CHARLES D'ORBIGNY, AS WITNESSES, TO THE POWER OF ATTORNEY GRANTED TO JOHN JAMES AUDUBON AND FERDINAND ROZIER, COUËRON, NOVEMBER 20, 1806.

After the original manuscript in possession of Miss Maria R. Audubon.

The division and sale of "Mill Grove" probably 153 ended the joint interests of the elder Audubon and Rozier, for in November, 1806, a new power of attorney[129] was given to the young men by Lieutenant Audubon and his wife; as later events will prove, however, their rights in the property were not completely surrendered with its transfer to Dacosta and his mining company in the autumn of this year. The partners were now free to "choose some kind of serious work," and Ferdinand, who was then twenty-nine, was anxious to make a beginning at once. Since he was not as yet proficient in the English tongue, Rozier engaged as a clerk in the French importing house of Laurence Huron, of Philadelphia, while Audubon, following the advice of his future father-in-law, entered the office of the latter's brother, Benjamin Bakewell, in New York.

In the autumn of 1806 Benjamin Bakewell was conducting a successful wholesale importing business at 175 Pearl Street. He then owned several vessels, and his correspondents were scattered over England, France, the West Indies and the Southern States. With him were associated at this time a number of young men, including his nephew, Thomas W. Bakewell, 154 Thomas Pears, a nephew of his wife, Thomas Bakewell, his son, as well as John James Audubon. The hospitable family to which young Audubon was now admitted on terms of intimacy, in accordance with the custom of the day, lived in the rear of the counting-house during the winter months but in summer migrated to the country, the Bakewells going five miles out on the Bloomingdale Road. Benjamin Bakewell had come to this country in 1794, in the same year as the famous chemist, Joseph Priestley, whose friendship he enjoyed and whose religious teachings had drawn both him and his brother, William, from rigid Calvinism to the greater tolerance of the Unitarian belief. At twenty-four he was an independent mercer in Cornhill, London, and was well acquainted in France, where he had spent considerable time during the Revolution, which had destroyed his trade. One of his patrons at this time was Claude François Rozier of Nantes, and inasmuch as the correspondence with him had to be conducted in French, and may possibly in this instance have been due to young Audubon's initiative, it was naturally intrusted to him.

Seven letters of the naturalist, dating from January 10, 1807, to July 19 of that year, by good fortune have been preserved, and they throw into full light another shaded corner of his interesting life. From the contents of these letters,[130] as well as from other facts, we 155 know that Audubon remained in Bakewell's office for nearly a year, from the autumn of 1806 to the summer of 1807. Bakewell's house imported linens, lace, gloves, wines, firearms and any kind of merchandise that promised a ready and remunerative sale in New York; in return they forwarded coffees, sugars and other commodities to Rozier, receiving from him also prices current and introductions to other merchants in France. Another correspondent was the Huron firm in Philadelphia, so it is probable that Ferdinand owed his employment there to Benjamin Bakewell.

While Audubon expressed himself at this time as freely in English as in French, in the former language the tendencies of his French tongue and the influence of his Quaker friends were strangely blended. He never bothered with accents, and took as many liberties with the spelling of French as of English. Some of these lapses are purely phonetic, while others are more original, as "schacket" for "packet," "fither" for "Fisher"; two variations of Rozier's name and of Nantes occur in the same letter. It should be remembered, however, that at the beginning of the nineteenth century bad or random spelling was a very venial offense, which gentlemen of quality, or even scholars, could commit with impunity. In this respect Audubon's early essays in English would probably compare favorably with Gibbon's youthful French. 156

John James Audubon to Claude François Rosier

[Letter No. 1, addressed]
M. Fr. Rozier,
Merchant-Nantes.

New York, 10 January, 1807.

Dear Sir:

We have had the pleasure of receiving by the Penelope your consignment of 20 pieces of linen cloth, for which we send our thanks. As soon as we have sold them, we shall take great pleasure in making our return.

I am truly sorry that you had not received any letters from us when you wrote, and I am also very disconsolate at having no news from my good father. You did us a most acceptable service in making us acquainted with your friends in different parts of France, and in offering to send us such goods as you shall deem suitable. Upon the same proposals I sent you orders several months ago, and did I dare, I should tell you that all articles having much show and little value are the very things that are à la mode, and these in one hundred per cent, [and] I assure you that we should be very happy to receive some small consignments. As soon as we shall have realized our funds, we will make our orders, in accordance with our means. Mr. Bakewell has made a great profit on the consignment that you made him shortly after our arrival. We should be flattered by another like it. Have the kindness to write us often, and to send us prices current as far as possible. I hope that you will have had our letters concerning a plan of business with Mr. Huron. If you will have the kindness to see him,[131] he can communicate to you his ideas on the subject. His plan, I believe, will be advantageous both to you and to us.

Your son is just about to come from Philadelphia, to live in New York until there is some news; but we will write you more at length by Capt. Sammis, who brought us to this country. I even venture to hope that you will send back some merchandise for us. Have the kindness to forward us invoices, 157 with the goods consigned to us, in order to avoid the penalty and the expense of having them taken to a public warehouse, [a proceeding] which is often a great disadvantage on account of the fees. Consign always to Mr. Benjamin Bakewell, who treats us, so far as possible, as good friends.

Present my respects to your family, and believe me ever

your faithful servant,
J. J. Audubon.

John James Audubon to Claude François Rozier

[Letter No. 2, addressed]
Monsieur Fr. Rozier,
Negociant,
Nantes.
Loire Inferieure.

New York, April 24, 1807.

My dear Sir:

I am profiting by a good opportunity for Bordeaux to apprise you of the receipt of a duplicate of the orders that you gave us several months ago. You will also know that the wines, consigned to Mr. L. Huron, have arrived in this city and the insurance has been saved. Your son has gone to the spot [the dock in Philadelphia], and by one of his letters advised me that the 60 cases of wine are sold. He tells me that you can count on a net profit of nearly 20 p. c. If it turns out very good, the remainder will not fail to find a purchaser. Mr. Le Ray has arrived and has brought with him a small box of lace for Mr. Benjamin Bakewell here; it ought to arrive in a few days from Philadelphia. Mr. B. B. appeared satisfied with the sale of his squared timber; he is anxious only to see the returns; he is unhappy that the commerce of your town with this country cannot be regularly conducted except by Bordeaux, whence we have vessels every month. As our friend, Ferdinand, will write you from Philadelphia concerning Mr. Huron, I shall not enlarge about him. In several of your letters you intimate that if we decide upon establishing a retail 158 shop, you can keep us constantly employed; our ideas upon this subject are in perfect accord, and it would be indeed a pleasure if we could start under the auspices and good advice of Mr. Bakewell here; objects well chosen, favorably bought, and shipped with care, are always sure of meeting a good sale. I venture to hope that the ship La Jeanne, Capt. Sammis, will have arrived in your port, and that the Indigoes shipped by Mr. Bakewell will reach there in time for the sale of this merchandise, of which I have some fears, in view of the sum they have cost him.

We thank you for the prices current that you have sent us. In one of my last, directed by way of Bordeaux, I begged you to call on Mr. Fleury Emery for a box of seeds, from Martinique and from this country, for you and for my father. This was aboard the ship, the Virginia, Capt. Roberts, from this section. We hope shortly to send you some merchandise, and possibly Mr. Bakewell will profit by an opportunity that we shall have in a few days for your port. A little more than three weeks ago I was at Mill Grove, and I rented it for a year, being unable to do better for the present. Your son, now in Philadelphia, is trying to settle the accounts of my father with Mr. Dacotta [Dacosta], who does not easily forget the rôle of chicaner. Present, I pray you, my respects and compliments to your good family and wife, and believe in me as your devoted and constant

servant,
J. J. Audubon.

Have the kindness to deliver the enclosed to my good father.

The following quaint and charming letter, which young Audubon enclosed with the preceding and under separate seal, but which his "good father" may not have received, will be transcribed in full, without the change of a letter or mark. Lieutenant Audubon, who was then in his sixty-third year, was living, as we have seen, at Couëron, the small river town nine miles west of 159 Nantes, the center of the mails for the Loire Inférieure, and came frequently to that city to conduct his business correspondence.

John James Audubon to Jean Audubon

[Letter No. 3, enclosed with No. 2, addressed]
John Audubon, Esq.,
Nantes.
pr Bourdeaux

New York April 24th 1807

My dear Father

I send thee by a good opportunity, but going to Bordeaux I deed send about a month ago a small Box containing some very curious seeds & some useful ones the whole was directed to Mr. Fleury Emery it was given here to the Care of Capt.. Roberts of the Virginia I do hope they are now in thy possession thou have been so often disappointed that it always pains me to think that they have been Miscarried: thou shalt found some of the Best Whatter Missions and Girmonds Called here St. Domingo Schachet[132] as in a few days I shall have again a good opportunity for Nantz I will send thee a Duplicate of the same Seeds, I have seen in the News Paper that a ship called the Betzey had been in Nantz do make some Enquiries for it there are on board of her Many Birds and a collection of seeds from America for thee The Caps.. McDougal; pray when thou answer to this be kind enough to mantion these little things. I hope that the Jane Cap.. Sammis as reached your Port and given thee some Turtle fit to be eaten in soupe. Mr. L. Huron deed few days ago. Received some Wines on a/c of M. Rozier and hits they prove goods[133] and will bring a good profit. Mr. F. Rozier the son speaks of going to France some time this summer he is now near Mr. Huron at Philadelphia and will try while he is there to settle the Business between M.. Dacotta and thee M.. Rozier had 160 shosen M.. Huron for arbitrator but I would not agree to it until M.. Miers fither[134] was to have part in it. I am now waiting for an answer. I am allways in Mr. Benjamin Bakewell's store where I work as much as I can and passes my days happy; about thee weeks ago I went to Mill Grove for a/c of the latter and had the pleasure of seeing there my Biloved Lucy who constantly loves me and makes me perfectly happy. I shall wait for thy Consent and the one of my good Mamma to Marry her. could thou but see her and thou wouldst I am sure be pleased of the prudency of my choice; M..B. Bakewell is allways willing to oblige me and will do many things for me: do not participate the Ideas of M. Rozier Going to France to his father it would perhaps Injure us for a while. I wish thou would wrights to me ofnor and longuely think by thy self how pleasing it is to read a friend's letter. Give my love to all my friends and thine and kiss mamma, Rosa and Brother Pigaudeau[135] for me I hope they continue to be all happy, do remember to send me thy portrait in miniature dressed as an officer[136] it will cost thee little and will please me much. Some of thy hair and ask my sister for the Music she does not want. I wish to receive some letter from M.. Dorbigny[137] whom I have often wrighten and send some curiosities. he is yet to answer to my first.

When thou seeist Mr Rozier pray him and try to engage him to send us some-goods then we feel very inclined to set up in a retail store which would do, us a great deal of good. 161 I will send him a letter by this opportunity—Good by farwell good father believe me for life thy most sincere friend be well be happy

thy son
J.. J.. Audubon

J'espere que tu poura lire—adieu—adieu.

John James Audubon to Claude François Rozier

[Letter No. 4, addressed]
Mr. Fccis Rozier,
Merct, Nantes—Ocean.

New York, May 6th, 1807.

Dear Sir:

I wrote you recently by a ship going to Bordeaux; the letters were carefully intrusted, and I hope that they were received. I notified you of the arrival of the wines to the address of Mr. Huron of Philadelphia, and told you that part of the cases were sold. Your son informed me this morning that wine of so good quality ought never to be exported in cask, and that the profit would have been greater if the whole had been in case. Mr. Benjamin Bakewell has received the bill of lading of Mess Gereche brothers, and the gloves and the lace are at present on the road from Philadelphia to this place; perhaps we shall have them tomorrow; I am afraid that they may be dear. In several of your letters to Ferdinand you speak of a retail store, and my friend begs me tell you that nothing could suit us better than that you should have the kindness to send us enough [goods] to set up a shop at once on a good footing. As soon as advised, we shall order you to stock it with merchandise of your choice. You should have already received the bill of sale of a bale of linen cloth. You can judge that I have learned to shave Messrs the Americans, since I have been with Mr. B. B. In conscience, however, [the goods] have been sold at one third above their value. Should you decide upon sending another [shipment], do not count upon so good a sale. You must know, however, that I am always 162 disposed to do everything for your interests, and that I shall always seek to merit your approbation. Should you decide to make [us] a consignment for a retail shop, have the kindness to follow, point by point, the following bill:

60	doz. morocco leather powder flasks—green or gray, copper mounted, like those that you sell at the shop for 25 sols [soldos].
60	doz. d. d. of leather, mahogany color, at the same price.
100	boxes d.
100	music boxes,[138] in prices from 10 to 18 francs, good pieces and gay music.
100	boxes of seal-wafers, containing 1 gross each, assorted in color [but] more of the red than any other.
10	gross of small boxes of seal-wafers.
3	boxes of pastels, good, well assorted, and chosen by the sons of M. Belloc; more would not return us anything.

If you could procure us good books in English at Paris, M. Bakewell assures me [that we would realize] a great profit on them, and upon the other articles as given above, if well chosen. We hope to sell Mill Grove, and we will credit you with a great part of the profit in colonial merchandise. It is with impatience that I await some news of the indigo of Mr. B. Bakewell. Have the kindness, I pray you, to forward the enclosed letter to my father as soon as possible, and will you take from the ship Ocean, the carrier of this letter, a little box [sent] to your address for him, and will you send this to him also? Present my respects to your ladies; accept mine and those of the Bakewell family. Ferdinand is well. I salute you, and I am

your devoted friend,
Audubon.

Herewith the bill of lading of the box. The captain did not wish to make any charge, and has been perfectly polite.

163

John James Audubon to Jean Audubon

[Letter No. 5, inclosed with No. 4, in French, and addressed]
Mr. Fccis Rozier
Mercht
Nantes
pour Mr. Audubon père
aussitôt que possible

My dear Friend:

Thou wilt find herewith a bill of lading of a small box containing nineteen species of seeds, a bottle of reptiles for Mr. Derbigny [D'Orbigny], and some dried plants also for the latter. I will write thee of Mr. Kauman, by the ship Mentor, which is to leave a little while after this one. Adieu, my good friend! The box will be addressed to Mr. Audubon, Md,[139] Nantes, with "American seeds" written above; besides two Bs, like this which follows[140]

The Capn. promises me to take care of it, and of my letters also. If thou findest in my letter anything which displeases thee, remember that I am thy son. Adieu! Farewell, my good friend! Thine for life.

J. J. Audubon.
New York, May 6, 1807.

Do not forget, I pray thee, to send me for the good Mrs. Bakewell the complete works of Mr. Genlis[141] by the first opportunity, and for me an exact copy of the departments of France like that which I made, and which is in thy cabinet. I wish thee to copy them for my brother-in-law.[142]

164

John James Audubon to Claude Francois Rosier

[Letter No. 6, addressed]
Monsieur Fccis Rozier,
Merchant
Nantes
p. Brig Mentor

New York, May 30th, 1807.

Mr. Francis Rozier,
Merchant, Nantes.
Dear Sir:

By my last, sent on board the ship Ocean, Capt. Bunken, I apprised you of the arrival of the gloves and lace, shipped by your order at Rochelle for the account of my good friend, Benj. Bakewell. I can now inform you of their sale, which is also advantageous, although the principal part was fine and of very great price. The gloves in prices of 23# 28# D, are what is needed for this market here, and especially if they are of any other color than yellow or bottle green they are less apt to soil; further they conceal defects more, and find in consequence more purchasers. The laces were better, although there was a heavy duty. You should know that here the extravagance of the women equals or rather quite balances the circumspection of the men, so that all articles for women should be beautiful, that is to say, conspicuous. I await with a kind of pleasure the arrival of Cap. Sammis, for although I am convinced that the indigoes will meet with no success at Nantes, their return here will compensate us. I am sorry that I did not order from you some little pistols and the guns which would serve perfectly. Believe nothing as to Mr. Bakewell, and be well assured that he is our friend. Have then less fear: I hope shortly to consign, that is to say, Mr. B. B. will consign for us, coffee and sugar from Martinique to your address. Your son is still at Philadelphia with Mr. Huron. They have sold the wines quite well.

But in truth I have been astonished that Mr. Huron did not make you an immediate return. I thank you sincerely for 165 the little package that you said had been prepared for us. Be sure that Mr. B. B. will aid us to a sufficient degree, and always in a way that anything which you send us will be promptly returned in merchandise assigned to you. The land, which we cannot sell without a great disadvantage, keeps us very short of cash, and prevents us for the moment from dealing on as large a scale as we should desire; but with your kindness in sending us the materials for starting a grand retail shop with different articles, it will aid us very much. As you well say, it is a little unfortunate that there is no longer a boat from your port here.

I write to my father by the same opportunity. Will you, I pray, get it to him as soon as possible, and I beg you to go aboard for the live birds for him and for you.

Present my respects to your good family, and believe me for ever

Your faithful friend and
servant
Audubon.

I should be very happy if you would send me a good box of pastels, chosen by Mr. Belloc, the younger, at 2 c 3 Louis.[143]

John James Audubon to Claude François Rozier

[Letter No. 7, addressed]
Monsieur Fr. Rozier,
Negociant,
Nantes.
Loire Inférieure.

New York, July 19, 1807.

Dear Sir:

Mr. Benjamin Bakewell as well as myself have received your letters by the Comet, which had a passage of 42 days. We have at present in the warehouse a great part of the merchandise of the latter [vessel], and in good condition; Mr. B. B. 166 appears to be satisfied; he is about to send some teas that you have ordered from him. It has grieved me much to see him send a boat to Nantes, and not consigned to you, but his reasons were, I believe, so sound that I did not dare remonstrate. The agents of the house of Rossel and Boudet paid him the ⅔ of the invoice, or a draft upon London for an equivalent sum, that neither Ferdinand nor I were authorized to do; the latter is at Philadelphia. In a short time we are leaving for a voyage upon the Ohio, the details of which you will learn [from him], or from my father, and which I believe will be very advantageous to us. We hope to sell Mill Grove this autumn, which we shall do, however, only at a profit. We received this morning a letter from Mr. Fleury Emery, who urges Mr. B. B. to give him some shipments, but regarding this I do not know his intentions. I have also received a letter to-day from our friend, Fd, who is quite well, and longs to be doing something.

Mr. Emery advises me of the receipt of a little box of seeds for my father and you. I think that your gardens are now embellished with foreign trees.

Mr. B. B. is loading tea for you, a thing that gives me much pleasure. I am sending you a letter from Ferdinand that I received yesterday. Presenting you as well as your whole amiable family with humble respects,

I continue to be
your faithful servant,
Audubon.

My regards, I pray to you, to my cousin, the younger.

Audubon's loyalty to his kind-hearted employer is evident in every one of these amiable letters, yet it is plain that they were written upon his own initiative, and a merchant of today might seriously object to such a candid exposition of his dealings as young Audubon's friendly epistles occasionally revealed. 167

The numerous references which these letters contain regarding the disposition of the "Mill Grove" farm may well puzzle the reader who has followed the story to this point; we must therefore attempt to unravel the tangled threads of this intricate affair. In the spring of 1807 Audubon, who was then anxious to start a "retail shop," complained that the land, which could not be sold to advantage, kept them short of capital and prevented them from dealing on so large a scale as they could wish. On the 24th of April he wrote that three weeks before he had gone to "Mill Grove" and closed an agreement for renting the property (evidently referring to the farm as distinct from the mine) for a year, being unable to do better, and that Ferdinand was then in Philadelphia trying to settle his father's accounts with Dacosta, who did not readily forget his trickster's rôle. In Audubon's letter of the same day, inclosed in the same packet with the request that it be delivered to his father, there is a similar reference, with the note that Ferdinand, who had charge of the settlement, had chosen Mr. Huron as arbitrator, but that he would not agree unless honest Miers Fisher had a part in it. Finally, as late as the 19th of July of that year he wrote to Rozier, the elder, that they were hoping to sell "Mill Grove" in the autumn, but would do so only at a good profit; yet at this time the property had been out of their possession, technically at least, for nearly a year.

Still more curious is this statement in Audubon's autobiography,[144] relating to the year 1813; "I bought a wild horse, and on its back travelled over Tennessee and a portion of Georgia, and so round till I finally reached 168 Philadelphia, and then to your grandfather's at Fatland Ford. He had sold my plantation of Mill Grove to Samuel Wetherill, of Philadelphia, for a good round sum, and with this I returned through Kentucky and at last reached Henderson once more."

When "Mill Grove" was conditionally sold to Dacosta and his mining company in September, 1806, he gave a mortgage and bond to Miers Fisher, who again became Lieutenant Audubon's agent. Many months elapsed before the necessary legal papers could arrive from France, and meanwhile Dacosta's yearly accounts were contested, and gave no end of trouble.[145]

After operating the lead mine for five years, Dacosta's company failed, and "Mill Grove" again passed into other hands; it was finally sold to Samuel Wetherill 169 in 1813.[146] If our inferences are correct, the mortgages by which the Audubon and Rozier interests were protected were repeatedly transferred, and the first considerable amount of ready money that had appeared in the entire series of transactions was furnished by Mr. Wetherill. It is doubtful if Jean Audubon ever received any returns from his American farm after the advent of Dacosta in 1803. The ultimate failure of the lead mine was assuredly not the fault of this exploiter, but his dubious methods of accounting and probable failure to keep his contracts no doubt led the naturalist to denounce him as a swindler.

It may be recalled that in their "Articles of Association" Audubon and Rozier had agreed that the house at "Mill Grove" should be "an object separate from all business, in order that we may control this property as long as we desire," but the conditional sale to Dacosta apparently included the farmhouse as well as the land.

Many of Audubon's references to "Mill Grove" were apparently wide of the mark, but viewed in the light which we have endeavored to shed upon this involved affair, they would be in harmony with the essential truth; in writing to the elder Rozier, who became a partner in the enterprise, there was no motive which could have led him to depart from it.[147] 170

We will now return to the story of Audubon's life in New York. While he was supposed to be learning the exporting business with Benjamin Bakewell, his heart was in the woods and fields, and every hour that could be snatched from the counting-room found him in the pursuit of birds or drawing their portraits. He used the pencil and black crayon point combined with pastels, and while much of his artistic work at this time was hastily done, he was capable of producing excellent likenesses. A very delicate drawing of the Wood Thrush, signed with his initials, and dated at "Mill Grove, Pennsylvania, 14 aout, 1806," is numbered 209, showing that his collection of American birds was already extensive, even if it did not include many that were well known. In the winter of 1806-7, while in New York, Audubon paid most attention to the waterfowl, frequently visiting the shore and the markets for his subjects. The sketches which he then made were all in full size, and, as an evidence of the rapidity with which he worked, it may be noticed that he would often 171 complete two or more large drawings of ducks on the same day. New York at this time was a city of about 75,000 people; Audubon said that by walking briskly he could pass from one end to the other in a few minutes.

In the foregoing letters we have seen young Audubon sending seeds and live birds to his father and to Francois Rozier, and reptiles and dried plants to Charles d'Orbigny, and ordering for his own use the best drawing materials from France. While at New York he had the good fortune to become a friend and protégé of the most distinguished naturalist of the metropolis, Dr. Samuel L. Mitchell,[148] eminent in many walks of life, and at that time a member of the United States Senate. Audubon prepared many birds and mammals for Dr. Mitchell's collections, and the friendship thus early formed proved of much service to him later. He was probably working for Dr. Mitchell when, as the story goes, some of his neighbors lodged a complaint with the municipal authorities on account of the strong odors that habitually issued from his workroom, and a constable was sent to investigate. 172

Audubon remained in New York as late as August 22, 1807, for on that day he made a drawing of the "Sprig-tail Duck," but without doubt he had come to feel the incongruity of his position in a business to which his heart was a stranger. As an instance of his preoccupation at this time, he confesses to have once forwarded but forgot to seal a letter containing $8,000. If Benjamin Bakewell failed to make a business man out of Audubon, it was not from lack of kindness, and probably no one else would have been more successful. As it happened, Audubon did not leave his employer any too soon, for at the close of 1807 Benjamin Bakewell's exporting business was ruined by the Embargo Act, through which President Jefferson had hoped to bring Great Britain and France to terms by cutting off their American trade, and for a year or more his estate was in the hands of creditors for settlement.

The naturalist has left a characteristic sketch of himself at this time: "I measured," said he, "five feet, ten and one half inches, was of fair mien, and quite a handsome figure; large, dark, and rather sunken eyes, light-colored eyebrows, aquiline nose and a fine set of teeth; hair, fine texture and luxuriant, divided and passing down behind each ear in luxuriant ringlets as far as the shoulders." The habit of wearing his hair long, thus early acquired and later favored by his wandering mode of life, appears to have lasted more than twenty years. 173

CHAPTER XIV
A MEETING OF RIVALS, AND A SKETCH OF ANOTHER PIONEER

Alexander Wilson and his American Ornithology—His canvassing tour of 1810—His retort to a Solomon of the Bench—Descriptions of Pittsburgh, Cincinnati and Louisville—Meeting with Audubon—Journey to New Orleans—Youth in Scotland—Weaver, itinerant peddler, poet and socialist—Sent to jail for libel—Emigrates to the United States—Finally settles as a school teacher near Philadelphia—His friendships with Bartram and Lawson—Disappointments in love—Early studies of American birds—His drawings, thrift, talents and genius—Publication of his Ornithology—His travels, discouragements and success—His premature death—Conflicting accounts of the visit to Audubon given by the two naturalists—Rivalry between the friends of Wilson, dead, and those of Audubon, living—The controversy which followed—An evasive "Flycatcher"—Singular history of the Mississippi Kite plate.

On January 30, 1810, a man of rather coarse features, with a head of sandy hair, and possessed of manners that could be winning or aggressive according to his mood, might have been seen leaving Philadelphia afoot, for he had planned to keep his expenses down to a dollar a day and traveling by coach or on horseback suited neither his purse nor the objects of his mission. His clothing was coarse; his luggage, with the exception of a fowling-piece and two red-backed volumes of quarto size, was of the lightest description. But, could we have peered between the covers of those books, our curiosity would have been whetted, for they were filled with colored plates of American birds, the first-fruits of their bearer's untrained eye and hand; the text, moreover, was printed in a style which would have done honor to any country. 203

This man was Alexander Wilson, who, like Audubon, was a pioneer in the study of the birds of his adopted land, but who was twenty years his predecessor in point of publication. The books which he then carried were part of the first edition of his now famous American Ornithology, the second volume of which had appeared in Philadelphia at the beginning of that year. Though not destined to be completed until after his death, this work was to become one of the scientific and literary treasures of the nation, but it is not likely that one in ten thousand had then ever heard of him, whether as poet or as ornithologist, or cared anything about his work or his mission.

Wilson at that moment was starting on his last long journey through the West and South, in search of new birds. He also carried in his pocket a subscription list, and therefore belonged to that class of visitor which is seldom welcomed with rapture. At Lancaster, Pennsylvania, Wilson's first important stopping-place, and at that time the capital of the State, Governor Snyder put down his name for $120, the price of the completed work. This seemed a good omen, but, at Hanover, in the same state, an incident occurred which might have discouraged a less determined man; the interview has become historical, and we shall give Wilson's own relation of it:[178]

Having a letter from Dr. Muhlenburgh to a Clergyman in Hanover, I passed on through a well cultivated country, chiefly inhabited by Germans, to that place, where a certain Judge Hustetter took upon himself to say, that such a book as mine ought not to be encouraged; as it was not within the reach of 204 the commonalty; and therefore inconsistent with our Republican institutions! By the same mode of reasoning, which I did not dispute, I undertook to prove him a greater culprit than myself, in erecting a large elegant three story Brick house, so much more beyond the reach of the Commonalty as he called them, and therefore grossly contrary to our Republican institutions. I harangued this Solomon of the Bench more seriously afterwards, pointing out to him the great influence of Science on a young rising Nation like ours, till he began to show such symptoms of intellect, as to seem ashamed of what he had said.

At Pittsburgh Wilson met Audubon's old employer and relative by marriage, Benjamin Bakewell. The picture which he then drew[179] of that growing hive of industry will be read with interest:

On arriving at the town, which stands on a low flat, and looks like a collection of Blacksmith shops, Glass houses, Breweries, Forges, and Furnaces, the Monongahela opened to the view on the left running along the bottom of a range of hills so high that the sun at this season sets to the town of Pittsburgh at a little past four. This range continues along the Ohio as far as the view reaches. The ice had just begun to give way in Monongahela, and came down in vast bodies for the three following days. It has now begun in the Alleghany, and at the moment I write it is one white Mass of rushing ice. The country beyond the Ohio to the west appears a mountainous and hilly region. The Monongahela is lined with Arks, usually called Kentucky Boats, waiting for the rising of the river, & the absence of ice, to descend. A perspective view of the town of Pittsburgh at this season, with the numerous arks and covered keel boats preparing to descend the Ohio, the grandeur of its hills, and the interesting circumstance of its three great rivers—the pillars of smoke rising from its Furnaces Glass 205 works &c. would make a noble picture. I began a very diligent search, in the place the day after my arrival for subscribers and continued it for four days. I succeeded beyond expectation having got 19 names of the most wealthy and respectable part of the inhabitants. The industry of the town is remarkable; every body you see is busy; & as a proof of the prosperity of the place an eminent lawyer told me that there has not been one suit instituted against a mercht. of the town these three years! The Glass Houses, of which there are 3, have more demands for Glass than they are able to answer. Mr. Bakewell the proprietor of the best, shewed ... yesterday a Chandelier of his manufacture highly ornamented, ... for which he received 300 dollars. It would ornament the ... in Philada. and is perfectly transparent.

Eight days after he had reached Pittsburgh, Wilson bravely launched a little skiff, which he christened the Ornithologist, and began an arduous and perilous journey to Cincinnati, Louisville and New Orleans, a distance of two thousand miles. "In this lonesome manner," he wrote, "with full leisure for observation and reflection, exposed to hardships all day, and hard berths all night, I persevered from the 24th of February to Sunday evening, March 17th, when I moored my skiff safely in Bear Grass Creek, at the rapids of the Ohio, after a voyage of seven hundred and twenty miles."

Cincinnati, then a town of five hundred houses, was reached on the ninth of March; while there Wilson made the acquaintance of Dr. Daniel Drake, who was later Audubon's friend, and examined a collection of Indian relics which had been taken from a freshly opened mound. He left Cincinnati convinced that its well-to-do class must be a very thoughtful people, so many of them, when approached for a subscription to his work, having replied that they would "think about it." Upon 206 nearing Louisville at nightfall he became alarmed lest he should be drawn into the suction of the Falls, as no lights could be seen on the banks: cautiously coasting along the shore, where he encountered many logs and sawyers, at last he entered the Creek and secured his skiff to a Kentucky boat; then, "loading myself with my baggage," he wrote, "I groped my way through a swamp up to the town."[180] When Wilson had seen the Falls by daylight, he felt that his fears of the night before had been groundless, and declared that he should have no hesitation in navigating them single-handed.

It will be interesting to follow Wilson's journey a little further, before returning to the Louisville visit. After passing a few days in Audubon's town, he struck out into the heart of Kentucky, calling at Shelbyville, Frankfort and Lexington, and eventually reaching Nashville, Tennessee. Not far from the latter place he met a landlord of admirable discrimination, Isaac Walton by name, who showed himself worthy of his illustrious ancestor by declaring that Wilson was evidently traveling for the good of the world, and added: "I cannot, and will not charge you anything. Whenever you come this way, call and stay with me; you shall be welcome."

At Nashville Wilson wrote to Miss Sarah Miller, the lady to whom he was engaged but whom he did not live to marry: "Nine hundred miles distant from you sits Wilson, the hunter of birds' nests and sparrows, just preparing to enter on a wilderness of 780 miles—most of it in the territory of Indians—alone but in good spirits, and expecting to have every pocket crammed with skins of new and extraordinary birds before he reach 207 the City of New Orleans." Continuing on his course in search of new birds and subscribers, Wilson arrived at Natchez on May 18, and, passing through Louisiana, on the sixth day of June he entered New Orleans, where his spirits were immediately raised by the accession of sixty new names to his list. After six months of continuous effort, traveling now in a small boat, now on the back of a horse, but frequently on foot, drenched by torrents of rain or scorched by the unaccustomed heat, often compelled to drink the poisonous water of cane brakes in Mississippi (to which must be attributed an attack of malarial fever, which he was able with difficulty to throw off, but from which, in all probability, he never fully recovered), he returned to New York by sea, and on September 2, 1810, was again in Philadelphia.

On this journey Wilson was a pioneer in much of the territory which Audubon had hardly begun to explore, but which later became the scene of his wanderings and adventures for many a year. At Louisville the two naturalists met, but they did not become good friends; though devoted to the same objects, differences in temperament might in any event have kept them apart. Unfortunately, the feelings of jealousy which were then aroused, or which were stirred up at a later day, were fostered by some of Wilson's injudicious friends to such an extent that from the moment Audubon's work became known, and long before he had published a line, they became as thorns in his path, and they continued to vex him for thirty years. It is not easy to reach a fair judgment in this matter now, and it would be impossible to do so without a better understanding of the man who suddenly appeared upon Audubon's horizon at Louisville in 1810 and then vanished. 208 Because of the peculiar relations which existed between these two pioneers, we must follow the history of the elder man a little more closely.

Alexander Wilson was the son of a weaver at Paisley, Scotland, where he was born in 1766; he was thus Audubon's senior by nineteen years. His father, who was esteemed for his honesty and intelligence, had tasted prosperity, but irremediable poverty fell to his lot in later life. Alexander, the younger son, was motherless at ten, and the stepmother that soon appeared seems to have shown him scant sympathy, or, at all events, never won his affection. Alexander Wilson's youth unhappily coincided with an era of bad feeling in his native land; the times were hard in bonny Scotland, education was stagnant, and the public morals were debased. Wilson was a child of his times; like thousands of other youths, he was bound to suffer from the conditions of his early environment, but unlike many thousands of his day, he was possessed of talents and ambition which bitter adversity tended to sharpen and could never repress.

At thirteen young Wilson was taken from school and apprenticed to a weaver, William Duncan, his brother-in-law, and for three years he was no stranger to hard work and the birchen rod. For nearly three years more, as master weaver, he knew little beyond the grind and grime of the factory and the society of factory hands. At eighteen, however, his rebellious spirit struck, and for ten years he appeared in the rôle of itinerant peddler, poet and orator, and as socialist to the extent of championing the oppressed weaver class. At one time Wilson came into correspondence with Robert Burns and later made his acquaintance. His best dialect poem, "Watty and Meg, or The Taming of a Shrew," published 209 anonymously as a penny chap-book in 1782, was his one popular success in the character of poet; according to report it was attributed to Burns, who admitted that he would have been glad to have written the verses, which sold so freely that a hundred thousand copies were disposed of in a few weeks.[181] In the disputes between capital and labor which arose at Paisley, Wilson took an active part. In connection with them he published a number of lampoons in verse, for which he was convicted of libel and was compelled to burn his satires at the town cross. In one instance, which occurred in February, 1793, a petty tyrant whom he had riddled exacted the fine,[182] and because of his inability to pay Wilson was sent to jail, where he languished for over three months.

Under the pressure of such persecutions, hard times, and possibly from disappointment in an affair of the heart, Wilson decided to emigrate. Practically driven out in rags from the country which one day was to raise a monument to his memory, at the age of twenty-eight he sailed from Belfast with his nephew, William Duncan, for the Eldorado of the New World. Wilson slept on deck throughout the entire voyage of fifty-three days, and landed at New Castle, Delaware, with the clothes on his back and an old fowling-piece as his only possessions. This was on July 14, 1794, nine years before John James Audubon left Nantes. Taking train "number 11," in the parlance of knights of the road, the two immigrants first walked to Wilmington in search of employment, and finding none there, went on twenty-nine miles farther to Philadelphia. 210

The story is told that while they made their way through the woods of Delaware, Wilson shot a Red-headed Woodpecker and met with the Cardinal Grosbeak; as he often referred to the pleasure which the sight of these beautiful birds had given him, the incident, if it really occurred, may have played a part in the inspiration, which later came to Wilson, of becoming the historian of American bird life.

After eight hard years of shifting about, during which Wilson tried day-labor, weaving, peddling and school teaching, working long hours at miserable pay, he finally settled as a country school teacher near New York. On the twelfth of July, 1801, he wrote to a fellow teacher and friend, Charles Orr, who was then living at Philadelphia: "I live six miles from Newark and twelve miles from New York, in a settlement of canting, preaching, praying, and snivelling ignorant Presbyterians. They pay their minister 250 pounds for preaching twice a week, and their teacher 40 dollars a quarter for the most spirit-sinking, laborious work—6, I may say 12 times weekly." To the same friend, in 1802, he confided: "My disposition is to love those who love me with all the warmth of enthusiasm, but to feel with the keenest sensibility the smallest appearance of neglect or contempt from those I regard."

In 1802, at the age of thirty-six, Wilson decided to take up a school at Gray's Ferry, on the Schuylkill River, in Kingsessing Township, then a small settlement four miles from Philadelphia. A year later, in 1803, John James Audubon was sent to America to learn English and enter trade, and, as chance would have it, settled on the banks of the same river, not many miles from Wilson's old schoolhouse. In one respect the 211 older man was the more fortunate, for, as will be seen, he found close by his door an excellent naturalist who played the part of mentor.

On February 14, 1802, while at Philadelphia, Wilson wrote to Orr:

On the 25th. of this month I remove to the schoolhouse beyond Gray's Ferry to succeed the present teacher there. I shall recommence that painful profession once more with the same gloomy, sullen resignation that a prisoner re-enters his dungeon or a malefactor mounts the scaffold; fate urges him, necessity me. The agreement between us is to make the school equal to 100 dollars per quarter, but not more than 50 are to be admitted. The present pedagogue is a noisy, outrageous fat old captain of a ship, who has taught these ten years in different places. You may hear him bawling 300 yards off. The boys seem to pay as little regard to him as ducks to the rumbling of a stream under them. I shall have many difficulties to overcome in establishing my own rules and authority.

At Gray's Ferry, where he was then settled, Wilson again wrote in July: "Leave that cursed town at least one day. It is the most striking emblem of purgatory, at least to me, that exists. No poor soul is happier to escape from Bridewell than I am to smell the fresh air and gaze over the green fields after a day or two's residence in Philadelphia...."

George Ord, Wilson's staunch friend, literary executor, biographer, and editor of the last two volumes of the American Ornithology, thus characterized him: "He was of the genus irritabile, and was obstinate in opinion." He would acknowledge error when discovered by himself, "but he could not endure to be told of his mistakes. Hence his associates had to be sparing of criticism, through fear of forfeiting his friendship. With 212 almost all his friends he had occasionally, arising from a collision of opinion, some slight misunderstanding, which was soon passed over, leaving no disagreeable impression. But an act of disrespect he could ill brook, and a wilful injury he would seldom forgive."

In 1801, while teaching and studying German at Milestown, Pennsylvania, Wilson had another unfortunate love affair, in this instance with a woman already married. To this he alluded in letters written in the summer of that year to his friend Orr, with whom he later quarreled. On August 7, 1801, he wrote: "The world is lost forever to me and I to the world. No time nor distance can ever banish her image from my mind. It is forever present with me, and my heart is broken with the most melancholy reflections."

At Gray's Ferry, however, Wilson soon found in the estimable William Bartram, then in his sixty-first year, the sympathetic adviser, kind teacher, and judicious friend that he most needed, for though Wilson took the initiative in his ornithological plans, it was the kindly Bartram who eventually extended a helping hand. Both Bartram and Lawson, the engraver, urged him to devote his leisure to drawing, as a foil to his melancholic tendencies. Wilson did not hesitate long, for on June 1, 1803, he confided to a friend in Scotland that he had begun to make a "collection of our finest birds." Early in 1804 his purpose was clearly fixed, and on March 12 of that year he wrote to Alexander Lawson: "I am most earnestly bent on pursuing my plan of making a collection of all the birds in this part of North America.... I have been so long accustomed to the building of airy castles and brain windmills, that it has become one of my earthly comforts, a sort of rough bone, that amuses me when sated with the dull drudgery of life." A 213 little later in the same month we find him appealing to Bartram for exact names, when he writes:

I send for your amusement a few attempts at some of our indigenous birds, hoping that your good nature will excuse their deficiencies, while you point them out to me.... They were chiefly coloured by candle-light. I have now got my collection of native birds considerably enlarged, and shall endeavor, if possible, to obtain all the smaller ones this summer. Be pleased to mark on the drawings, with a pencil, the names of each bird, as, except three or four, I do not know them.

Alex Wilson

AFTER AN ENGRAVING BY W H. LIZARS, FROM A PAINTING BY JAMES CRAW.

Will. Bartram

REPRODUCED FROM "CASSINIA" FOR 1906.

Wilson, practically self-taught in everything, with no experience or training in drawing from nature, thus began at the age of thirty-eight to make his drawings of birds, before he knew the names of his subjects, and twenty years before Audubon's talents were known to any but members of his own family and a few intimate friends. The only aid in drawing which Wilson ever received appears to have come from the hints which Lawson supplied. Nevertheless, the best of Alexander Wilson's original drawings represent a degree of excellence and honest workmanship of which he had no need to be ashamed, and in many instances he owed far less to his engraver, Alexander Lawson, than did his great rival to Robert Havell.

In 1880 Dr. Elliott Coues examined a large collection of original Wilson and Audubon drawings and manuscripts, "owned and kept with the greed of a genuine bibliomaniac" by Joseph M. Wade, then editor of Familiar Science and Fancier's Journal. If not Wilson's portfolio itself, its contents, at least, said Dr. Coues, were then in Mr. Wade's possession, and this series of Wilson's drawings included, he thought, more than half 214 of the originals of his famous plates. To quote Dr. Coues:[183]

In handling these drawings and paintings, of all degrees of completeness, one of sensibility could but experience some emotions he would not care to formulate in words.... I was fairly oppressed with the sad story of poverty, even destitution, which these wan sheets of coarse paper told. Some of Wilson's originals are on the fly-leaves of old books, showing binder's marks along one edge. One of the best portraits, that of the Duck Hawk, is on two pieces of paper pasted together. The man was actually too poor to buy paper! Some of the drawings are on both sides of the paper; some show a full picture on one side, and part of a mutilated finished painting on the other. Some show the rubbing process by which they were transferred. They are in all stages of completeness, from the rudest outlines to the finished painting.

I know full well that in 1804, when Wilson had fairly begun his work on birds, he was poor enough, but I hesitate to believe upon such evidence that he was too poor to buy decent drawing materials. Wilson doubtless practiced economy in these matters as in everything else, through his ingrained habit of Scotch thrift, and he was probably quite as well-to-do then as five years before, when out of his slender earnings he was able to lay money aside.[184] Later, to be sure, his modest savings were quite consumed by his Ornithology, and then William Bartram came to his aid, even giving him a home in his own house. It is also wide of the mark to conclude 215 from his fugitive letters or from his drawings, as this critic has done, that Wilson was possessed of genius only, and "had nothing else, not even talent and ability." Wilson certainly had a talent for writing and cultivated it with marked success; even his verse was not all of a "despicable mediocrity." In the art of drawing, however, his natural gifts were of a very modest sort, and what he achieved was the result of the most painstaking effort. Of course he was not a finished scholar, as graduates from the school of adversity seldom are, but he had a passion for knowledge and the determination to excel. His genius was not fully displayed until a powerful motive, the ambition to make known the birds of his adopted land, had possessed his spirit and taxed his powers to their utmost capacity.

Shortly after he had settled at Gray's Ferry, Wilson's susceptible nature was touched by another romance, which was again unfortunate for the poet and dreamer, but was probably the making of the ornithologist. Bartram's Botanic Gardens, on the outskirts of Philadelphia, had long been famous for their large and choice collection of native plants, gathered by the indefatigable zeal of their worthy founder, John Bartram, Quaker philosopher, traveler, botanist, agriculturalist and nurseryman; but the fairest flower in the whole collection at that time is said to have been Miss Anne Bartram, daughter of John the younger, niece of William, who then superintended the "Kingsess Gardens," granddaughter of the founder, and heiress to the estate. To this Quaker maid Wilson addressed a number of his poems, and he interested her in the drawing of birds; on March 29, 1804, he wrote to her uncle: "I send a small scroll of drawing papers for Miss Nancy. She will oblige me by accepting it." This little incident 216 would show that Wilson was no stranger to the use of good drawing materials, however frugal his habits in this respect may have been. The young lady is said to have been not indifferent to her poet lover, and some of her family were friendly; the father, however, had no notion of bestowing his daughter's hand upon a poor schoolmaster, and for the third time Wilson's dreams of domestic bliss were shattered.

Such experiences no doubt tended to chasten the sensitive spirit of this real genius, whose whole life seemed to have been a continuous and losing struggle, while he felt within him an inspiration and a power that had failed to find adequate expression in labor at the loom, in verse, or in the hated vocation of teaching rough country schools at starvation wages. Though depressed by his misadventures in love, Wilson does not seem to have been embittered, and by way of diversion, he set out in the autumn of 1804, on a long walking tour from Philadelphia to Niagara Falls and back; in the following winter the experiences of this journey were embodied in a descriptive poem of 2,018 lines which he called "The Foresters," an effort which would have been less prosaic if frankly expressed in prose. Wilson's friendship for the Bartrams continued under the changed conditions, and he was invited to make his home under their hospitable roof. He was now free to devote himself heart and soul to birds and to birds alone.

Wilson etched the first two plates of his American Ornithology before he had obtained an engraver or a publisher. In April, 1806, he resigned his school at Gray's Ferry to accept an editorial position on a New American Cyclopædia,[185] then in course of preparation, 217 at a salary of $900 a year. Samuel F. Bradford, the publisher of this work, soon became interested in Wilson's projected American Ornithology and agreed to publish it. It became the ambition of both author and publisher to produce the work in a superior style, and to make it as perfect and complete an American product as possible. Only the pigments used in coloring some of the plates were imported from Europe.[186]

Wilson issued in April, 1807, an elaborate prospectus of his proposed Ornithology, in which he stated that the completed work would comprise ten volumes, to cost $120, and that it would be illustrated by plates, engraved and colored by hand, after the manner of a carefully prepared sample which was issued with the printed announcement. In September, 1808, as already intimated, the first volume of the American Ornithology[187] appeared 218 in an edition of 200 copies. Wilson immediately started on a canvassing tour of New England, in the course of which he visited the principal towns and colleges, going east to Portland, Maine, and as far north as Dartmouth College, in New Hampshire, where President John Wheelock and the professors received him with marked attention. On this journey Wilson did not average one subscriber a day, and he was forced to conclude that he had "been mistaken in publishing a work too good for the country"; "it is a fault," he said, "not likely to be repeated, and will pretty severely correct itself." Daniel D. Tompkins, Governor of New York, coolly said to him: "I would not give one hundred dollars for all the birds you intend to describe," not even if "I had them alive"; but a future Governor of that State, De Witt Clinton, the friend of science and scientific men, gave him the substantial encouragement he craved. When his second volume was ready for issue, Wilson wrote to Bartram: "This undertaking has involved me in difficulties and expenses which I never dreamt of, and I have never yet received one cent from it. I am, therefore, a volunteer in the cause of Natural History impelled by nobler views than those of money."

In the autumn of 1808 Wilson made a long and arduous tour of the South, in the course of which he visited every important town along the southern Atlantic seaboard, and though it cost him dear, he obtained 219 250 subscribers; it was then that his publishers decided to extend the original edition of his work to 500 copies. His longer and more perilous journey of 1810, when his meeting with Audubon occurred, has already been described. In 1812, after the sixth volume of the Ornithology had appeared, he again resumed his travels in the East and went as far north as Burlington, on Lake Champlain; at Haverhill, New Hampshire, he was summarily arrested and thrown into jail, the people of the town, utterly unable to comprehend the nature of his pursuits, suspecting that in his real capacity he was acting as a spy in the employ of the Canadian Government. The seventh and last volume of the Ornithology which Wilson lived to complete made its appearance in the spring of 1813. He had then been obliged to relinquish his work on the Cyclopædia, and was reduced to the pittance derived from the coloring of his own plates.

Alexander Wilson died at Philadelphia, after a brief illness, on August 23, 1813. A story was current that his end was saddened, if not hastened, by the dishonesty of his publishers, but I cannot vouch for it. Audubon may have had this report in mind when he wrote his name in the hotel register at Niagara Falls[188] on August 24, 1824; and added that he would never die, like Wilson, "under the lash of a bookseller." Even as late as 1879 Miss Malvina Lawson, daughter of Wilson's friend and engraver, left no doubt as to her belief when she wrote: "and to his other trials was added the fact that killed him,—the dishonesty of his publisher."[189]

When we consider that Wilson's entire working period on the Ornithology was not over ten years, and that 220 at the age of forty-seven he was called to lay down his pen and brush forever; that he produced in this brief space a work of great originality and charm, which did inestimable service in promoting the cause of natural history in both America and England, and which is likely to be read and prized for centuries to come, the achievement of this man is little short of marvelous. Knowing also the disabilities under which he labored, we are more than ready to temper our judgment with sympathy, and to overlook any faults which his character may have displayed. These indeed, we believe, were for the most part of a very trifling nature; those who knew Wilson best have all testified to his kindness of heart, his liberality, and his high sense of honor.

We must now return to the meeting of our two pioneers, which has been the bone of so much acrimonious contention. On his long journey to the Middle West and South, Wilson reached Louisville on a Saturday evening, the seventh of March, 1810, and put up at the tavern of the "Indian Queen," where, as it happened, Audubon was then living with his family; after spending five days in and about the town, he again set out on foot for Frankfort, on the morning of Friday, the twenty-third. Audubon has given the following account in the "Episode" of "Louisville in Kentucky":[190]

One fair morning, I was surprised by the sudden entrance into our counting-room [at Louisville] of Mr. Alexander Wilson, the celebrated author of the "American Ornithology," of whose existence I had never until that moment been apprised. This happened in March, 1810. How well do I remember him, as he then walked up to me! His long, rather hooked nose, the keenness of his eyes, and his prominent cheek-bones, stamped his countenance with a peculiar character. His dress, too, was 221 of a kind not usually seen in that part of the country; a short coat, trousers, and a waistcoat of grey cloth. His stature was not above the middle size. He had two volumes under his arm, and as he approached the table at which I was working, I thought I discovered something like astonishment in his countenance. He, however, immediately proceeded to disclose the object of his visit, which was to procure subscriptions for his work. He opened his books, explained the nature of his occupations, and requested my patronage.

I felt surprised and gratified at the sight of the volumes, turned over a few of the plates, and had already taken a pen to write my name in his favour when my partner rather abruptly said to me in French, "My dear Audubon, what induces you to subscribe to this work? Your drawings are certainly far better, and again you must know as much of the habits of American birds as this gentleman." Whether Mr. Wilson understood French or not, or if the suddenness with which I paused, disappointed him, I cannot tell; but I clearly perceived that he was not pleased. Vanity and the encomiums of my friend prevented me from subscribing. Mr. Wilson asked me if I had many drawings of birds. I rose, took down a large portfolio, laid it on the table, and shewed him, as I would show you, kind reader, or any other person fond of such subjects, the whole of the contents, with the same patience with which he had shewn me his own engravings.

His surprise appeared great, as he told me he never had the most distant idea that any other individual than himself had been engaged in forming such a collection. He asked me if it was my intention to publish, and when I answered in the negative, his surprise seemed to increase. And, truly, such was not my intention; for, until long after, when I met the Prince of Musignano in Philadelphia, I had not the least idea of presenting the fruits of my labours to the world. Mr. Wilson now examined my drawings with care, asked if I should have any objections to lending him a few during his stay, to which I replied that I had none: he then bade me good morning, not, however, until I had made an arrangement to explore 222 the woods in the vicinity along with him, and had promised to procure for him some birds, of which I had drawings in my collection, but which he had never seen.

It happened that he lodged in the same house with us, but his retired habits, I thought, exhibited either a strong feeling of discontent, or a decided melancholy. The Scotch airs which he played sweetly on his flute made me melancholy too, and I felt for him. I presented him to my wife and friends, and seeing that he was all enthusiasm, exerted myself as much as was in my power, to procure for him the specimens which he wanted. We hunted together, and obtained birds which he had never before seen; but, reader, I did not subscribe to his work, for, even at that time, my collection was greater than his. Thinking that perhaps he might be pleased to publish the results of my researches, I offered them to him, merely on condition that what I had drawn, or might afterwards draw and send to him, should be mentioned in his work, as coming from my pencil. I at the same time offered to open a correspondence with him, which I thought might prove beneficial to us both. He made no reply to either proposal, and before many days had elapsed left Louisville, on his way to New Orleans, little knowing how much his talents were appreciated in our little town, at least by myself and my friends.

Some time elapsed, during which I never heard of him, or of his work. At length, having occasion to go to Philadelphia, I, immediately after my arrival there, inquired for him and paid him a visit. He was then drawing a White-headed Eagle. He received me with civility, and took me to the Exhibition Rooms of Rembrandt Peale, the artist, who had then portrayed Napoleon crossing the Alps. Mr. Wilson spoke not of birds or drawings. Feeling, as I was forced to do, that my company was not agreeable, I parted from him; and after that I never saw him again. But judge of my astonishment some time after, when on reading the thirty-ninth page of the ninth volume of American Ornithology, I found in it the following paragraph:— 223

"March 23, 1810.—I bade adieu to Louisville, to which place I had four letters of recommendation, and was taught to expect much of everything there; but neither received one act of civility from those to whom I was recommended, one subscriber, nor one new bird; though I delivered my letters, ransacked the woods repeatedly, and visited all the characters likely to subscribe. Science or literature has not one friend in this place."

What actually happened at this meeting of the two naturalists will never be certainly known, beyond what can be gathered from their rather widely divergent accounts. It should be noticed, however, that the paragraph which Audubon quoted was extracted from Wilson's private diary; it was no doubt written on the spur of the moment, possibly to humor his own mood, and certainly with no thought of its later publication. It was inserted by George Ord in the biographical sketch of his friend appended to the ninth volume of the American Ornithology, which appeared in 1814, the year after Wilson's death. Audubon was not concerned, either directly or by implication, except in the last sentence, for it is evident that he was not one of those to whom Wilson had carried letters of introduction. Thus the matter stood until 1828, when Audubon's Birds of America were being engraved in England. In all probability the incident would never have been noticed by Audubon, had not Ord seen fit to revive it when his life of Wilson[191] was issued as a separate volume in that year. In this edition of the biography Ord inserted fuller extracts from Wilson's journal, with the evident 224 purpose of placing the rival of his friend in an unenviable light.

Wilson's diary, which apparently was never seen by any of Audubon's friends, is now known to us only through such extracts as Ord and Waterton, his bitter enemies, have seen fit to make public; the original has probably been destroyed, for it cannot be traced later than 1840, when it was still in the hands of George Ord.[192] Charles Waterton gave similar extracts from this famous journal in one of his philippics against Audubon in 1834, when he said that it was the testimony of this record that defeated Audubon's friends in their initial attempt to bring him into the Academy of Natural Sciences at Philadelphia. Wilson's narrative of his adventures at Louisville in 1810, as given by Ord and Waterton, is as follows:[193]

March 17. Take my baggage and grope my way to Louisville—put up at the Indian Queen tavern, and gladly sit down to rest myself.

March 18. Rise quite refreshed. Find a number of land-speculators here.[194]

March 19. Rambling round the town with my gun. Examined Mr.——'s drawings in crayons—very good. Saw two new birds he had, both Motacillæ.

March 20. Set out this afternoon with the gun—killed nothing new. [People in taverns here devour their meals. Many 225 shopkeepers board in taverns—also boatmen, land-speculaters, merchants &c.] No naturalist to keep me company.

March 21. Went out shooting this afternoon with Mr. A. Saw a number of Sandhill Cranes. Pigeons numerous.

March 22.

March 23. Packed up my things which I left in the care of a merchant here, to be sent on to Lexington; and having parted with great regret, with my paroquet, to the gentleman of the tavern, I bade adieu to Louisville, to which place I had four letters of recommendation, and was taught to expect much of everything there, but neither received one act of civility from those to whom I was recommended, one subscriber, nor one new bird; though I delivered my letters, ransacked the woods repeatedly, and visited all the characters likely to subscribe. Science or literature has not one friend in this place. [Everyone is so intent on making money, that they can talk of nothing else; and they absolutely devour their meals, that they may return sooner to their business. Their manners correspond with their features.]

In this fuller record we learn that Wilson spent five days in Louisville; he examined Audubon's drawings on Monday, March 19, hunted alone on the 20th, went out shooting with Audubon on the 21st, and finally left Louisville on the morning of the 23d; no record was admitted by Ord for Sunday, the 18th, or for the 22d, a Thursday. Wilson noticed the drawings of two new Motacillæ, or Warblers, in Audubon's collection, and it would have been only natural that he should have felt a strong desire to copy them, yet not a word was said about the loan of drawings to which Audubon refers; Wilson merely stated that from those to whom he was recommended he had received not "one act of civility,—one subscriber, nor one new bird." Audubon was evidently 226 regarded as one of the "many shopkeepers" who boarded "in taverns," and not as a "naturalist," for Wilson said that he had none to keep him company, and it is rather significant that Audubon's name is not once mentioned in his Ornithology.

Twenty-nine years after Wilson's visit to Louisville, when Audubon came to publish the fifth and last volume of his Ornithological Biography, he maintained that Wilson had copied his drawing of a certain bird, called the Small-headed Flycatcher,[195] without any acknowledgment. To quote Audubon's words:

When Alexander Wilson visited me at Louisville, he found in my already large collection of drawings, a figure of the present species, which being at that time unknown to him he copied and afterwards published in his great work, but without acknowledging the privilege that had thus been granted to him. I have more than once regretted this, not by any means so much on my own account as for the sake of one to whom we are so deeply indebted for the elucidation of our ornithology.

This troublesome bird was first described by Wilson in 1812, when he rightly pronounced it "very rare," and said that the specimen from which his drawing was made had been shot in an orchard, presumably near Philadelphia, on the twenty-fourth day of April, and that several had been obtained also in New Jersey. His friend Ord, who came to his defense in 1840, confirmed this statement by declaring to the American Philosophical Society of Philadelphia that he had been with Wilson on the day in question and had examined 227 the specimen. Lawson also affirmed that in engraving the plate he had worked directly from the bird which Wilson had given him.

What has become of this mysterious phantom that has been a wandering and disturbing voice among ornithologists for over a century? It has given rise to no end of conflicting and sharp discussions between the partisans of the two naturalists chiefly concerned, the only thing certain being that if this supposititious species ever existed, it has forsaken its old haunts, if not the earth itself, and has never returned. No doubt it was simply a case of mistaken identity, and both Wilson and Audubon were wrong, each having had in hand and mind an immature representative of one of our numerous Warblers, which are now so much better known.[196] If Wilson copied Audubon's drawing of the bird, he must have replaced it with one of his own, for the figures of the two naturalists are very unlike. Certainly Audubon should not have made so serious a charge without offering more substantial evidence in proof; perhaps what he had intended to convey was that Wilson had obtained from him his first knowledge of the bird, and he was nettled to find that he had been studiously ignored.[197] 228

Among the originals of Audubon's Birds of America in possession of the Historical Society of New York, there is an early drawing of a Warbler which bears in pencil, in the naturalist's hand, the following note: "This bird was copied by Mr. Willson at Louisville."[198] The misspelling of Wilson's name, which was common with Audubon as late as 1820, would indicate that the note was not added after that time, but if Wilson copied this drawing, there is no evidence that he ever used it.

Ord made another charge in which Audubon does not appear to such good advantage; though it refers to a later day, it is best to consider it now. This critic thought that a complaint of misappropriation came with ill grace from one who had been guilty of it himself, and maintained that Audubon had copied Wilson's figures of the female Red-wing Blackbird (The Birds of America, Plate LXVII), and had also stolen his drawing of the Mississippi Kite (Plate CXVII). Ord was probably mistaken in regard to the blackbird, but without a doubt the lower bird in the Kite plate was taken from Wilson (American Ornithology, Plate 25), though the copyist has reversed the outlines, left out one of the toes, added minor details, and misnamed the sex, which in the Wilson original represents a male. Without a doubt also the odium in this case must fall upon Audubon, but we are not at all certain that he was directly responsible for the theft. Audubon's plate of this species, which is finished in elaborate detail, was probably published towards the close of 1831, when he was in America. He furnished his engraver, we believe, with 229 the drawing of the upper bird only, which he designated as a male, and the original still exists, with clearly written notes showing that it was executed in Louisiana in 1821.[199]

THE "TWIN" MISSISSIPPI KITES OF WILSON (LEFT) AND AUDUBON (RIGHT), THE SIMILARITY OF WHICH INSPIRED ORD'S CHARGES OF MISAPPROPRIATION AGAINST AUDUBON.

Audubon usually made up his drawings for the engraver with great care, but when pressed for time, Havell's skill was such that he often depended upon him to complete or change his figures, to fill in backgrounds, or even to combine several distinct figures into one plate, specific directions for all such changes being usually written on the drawing itself.[200] Inasmuch as no penciled directions whatever occur on this particular drawing, is it possible that Havell, in piecing it out to improve the composition, followed his own initiative, not fully appreciating the stigma that is rightly attached to such methods? The bird in the lower half of the plate, which was appropriated from Wilson, is misrepresented as a female, so that the composite, as it stands, is a remarkable product, supposedly depicting a pair but in reality showing two males. Although the apparent difference in sex in this bird was admittedly slight, it is improbable that so gross an error could have escaped the naturalist's eye had he been directly concerned with the result.

When Audubon was descending the Mississippi in December, 1820, he saw the kites busily engaged "in catching small lizards off the bark of dead cypress trees," but "having at that time no crayons or paper," he "did 230 not draw one, and determined," as he then wrote in his journal, "never to draw from a stuffed bird." "I first saw the Mississippi Kite," he added, when "ascending in the steamboat Paragon, in June, 1819." Wilson, on the other hand, in his knowledge of this interesting bird was far in advance of his later rival, for his first observations were made in 1810, "in the Mississippi territory, a few miles below Natchez, on the plantation of William Dunbar, esquire, when the bird represented in the plate was obtained, after being slightly wounded; and the drawing made with great care from the living bird." "For several miles, as I passed near Bayo Manchak," Wilson continues, "the trees were swarming with a kind of cicada, or locust, that made a deafening noise; and here I observed numbers of the Hawk now before us sweeping about among the trees like Swallows, evidently in pursuit of these locusts; so that insects, it would appear, are the principal food of this species."[201] Wilson never succeeded in procuring the female of this graceful hawk, and his editor, George Ord, evidently continued the quest, for we find his correspondent, John Abbot, writing him from "Scriven County Georgia Mar. 1814": "Are you acquainted with the female yet of the Louisiana Kite?"[202]

We have entered into the detailed history of this plate because of the unfavorable comment which it has provoked, but it is easier to be critical than to be either just or correct, and without more definite knowledge than we possess, it would be unfair to censure Audubon too much or to shift the blame too completely upon the shoulders of another. 231

To return again to the story of Wilson's diary, it is evident that Wilson would never have published his sentiments in the form in which they later appeared. They were perfectly characterized by a just critic of an early day,[203] who said that Wilson's words were without doubt written in a moment of keen depression and disappointment and were an exact description of his feelings, though, as we should also add, not of the facts. "A man who has given his heart to the accomplishment of an object, believing that he has no rival, must be somewhat more than human, if he be delighted to find that another is engaged in the same purpose, with equal energy and advantages far greater than his own." Barring his usual inaccuracies, it must be admitted that Audubon's account bears the thumbmarks of truth. He could not have known the bitter struggles of the proud spirit whose history we have briefly told; he saw only a stranger, an ardent devotee of nature, it is true, but a man of unbending disposition, who with a little more suavity of address could probably have won his friendship, if not his subscription. Of the literary quality of Wilson's work, now so well appreciated, he could have known nothing at all; after turning its pages in his Louisville store for the first time in 1810, he probably did not see it again for over ten years.

That Wilson was jealous of Audubon as a future rival is probable, but the real "rivalry" between these two pioneers was of later growth. It was fostered in this country chiefly by George Ord and some of his friends, together with others who were interested in the sale of Wilson's work. Ord, who seems to have felt that the mantle of this naturalist had fallen on his own shoulders, 232 strove continually, and after 1826 with the aid of Charles Waterton in England, to hamper Audubon's progress, to discredit him as a man of integrity, and to break down his growing reputation as a naturalist. Though Ord was justified to some extent in his attacks upon Audubon which were made over Wilson's shoulders long after that estimable man was laid in the grave, the matter was carried too far. Neither of the rivals was wholly without fault, and a century is far too long to continue any quarrel, especially when one of those whose reputation was concerned was never a party to it.

Audubon, as we have seen, frankly attributed to personal vanity his failure to patronize Wilson's work, and added that "even at that time my collections were greater than his." But it should be noticed that money was far from plentiful with him at that moment. He was, in short, at the point of failure in the Louisville enterprise, and with Rozier was obliged to move down the river not long after the date of Wilson's visit. Audubon has been represented as at this time a well-to-do man of leisure, of fastidious tastes. Nothing could have been wider of the mark. He was still more of a sportsman than a naturalist, and when not occupied with drawing, he spent most of his time in the forest, to the neglect of his trade. We may be sure that he was quite as used to roughing it as any man on the frontier. 233

CHAPTER XX
AUDUBON'S ÆNEID, 1819-1824: WANDERINGS THROUGH THE WEST AND SOUTH

Pivotal period in Audubon's career—His spur and balance-wheel—Resort to portraiture—Taxidermist in the Western Museum—Settles in Cincinnati—History of his relations with Dr. Drake—Decides to make his avocation his business—Journey down the Ohio and Mississippi with Mason and Cummings—Experiences of travel without a cent of capital—Life in New Orleans—Vanderlyn's recommendations—Original drawings—Chance meeting with Mrs. Pirrie, and engagement as tutor at "Oakley"—Enchantments of West Feliciana—"My lovely Miss Pirrie"—The jealous doctor—Famous drawing of the rattlesnake—Leaves St. Francisville and is adrift again in New Orleans—Obtains pupils in drawing and is joined by his family—Impoverished, moves to Natchez, and Mrs. Audubon becomes a governess—Injuries to his drawings—The labors of years destroyed by rats—Teaching in Tennessee—Parting with Mason—First lessons in oils—Mrs. Audubon's school at "Beechwoods"—Painting tour fails—Stricken at Natchez—At the Percys' plantation—Walk to Louisville—Settles at Shippingport.

Audubon's failure at Henderson was the crucial turning point in his career. For the five years that immediately followed he led a peripatetic existence in the southern and western states, seldom tarrying long at one point, often leaving his family for months at a time, living from hand to mouth, but ever bent on perfecting those products of his hand and brain, his life studies of American birds and plants.

At this crisis Audubon could have accomplished nothing but for the intelligent devotion of his capable wife. Generous, emotional, inclined to be self-indulgent, Audubon needed both the example and the spur of a strong character such as his wife possessed, and at this time Lucy Audubon furnished both the motive 302 power and the balance-wheel that were requisite for the development of her husband's genius. Without her zeal and self-sacrificing devotion the world would never have heard of Audubon. His budding talents eventually would have been smothered in some backwoods town of the Middle West or South. For the space of nearly twelve years, Mrs. Audubon, now as the head of a small private school, now as a governess in some friendly family who appreciated her worth, practically assumed the responsibility for the support and education of their children in order that her husband's hands might be free, and with her hard-earned savings was able to aid him materially in the prosecution of his labors. When relatives or friends upbraided him for not entering upon some form of lucrative trade, she recognized his genius and always came to his support, being fully persuaded that he was destined to become one of the great workers of the world. Whatever others may have said or done at that time, both Audubon and his wife were confident of the ultimate success of his mission. In short, the work in which the naturalist was engaged became a family interest, in which every member was destined sooner or later to bear a part.

Audubon recalled a somber incident of this time which he thought might furnish a lesson to mankind, and he shall relate it in his own words:

After our dismal removal from Henderson to Louisville, one morning when all of us were sadly desponding, I took you both, Victor and John, from Shippingport to Louisville. I had purchased a loaf of bread and some apples; before you reached Louisville you were hungry, and by the river side we sat down and ate our scanty meal. On that day the world was with me as a blank, and my heart was sorely heavy, for scarcely had I enough to keep my dear ones alive; and yet through those dark 303 days I was being led to the development of the talents I loved, and which have brought so much enjoyment to us all....

At Shippingport Audubon was welcomed by his brother-in-law, Nicholas A. Berthoud. Wasting no time in vain regrets, he began doing portraits in crayon, and with such success that he was able to rent a modest apartment and have his family about him again. From no charges for his tentative efforts the price was gradually raised until he received five dollars or more a head; with the spread of his fame orders filled his hands, and he was called long distances to take likenesses of the dying or even of the dead. Audubon's facility in portraiture was a valuable resource, and it kept him from the starving line at many a pinch in later years.

Through the influence of friends the naturalist was offered a position as taxidermist at a museum which had just been started at Cincinnati; here his family joined him in the winter of 1819-20, and here he remained for nearly a year. The published accounts of this Cincinnati experience are strangely confused and have led to aspersions of bad faith which were, we believe, quite undeserved. "I was presented," said Audubon, "to the president of the Cincinnati College, Dr. Drake, and immediately formed an engagement to stuff birds for the museum there, in concert with Mr. Robert Best, an Englishman of great talent," adding that his salary was large; so industrious were they, to continue his account, "that in about six months we had augmented, arranged, and finished all that we could do," but they found to their sorrow "that the members of the College museum were splendid promisers and very bad paymasters."[275] 304 It has been stated that Audubon got nothing from Dr. Drake, but that "Mrs. Audubon afterwards received four hundred dollars, of the twelve hundred due," and that the remainder was never paid.[276] This matter can now be fully cleared up, and it will appear that the Cincinnati College was in no way involved; Dr. Drake was not its president, although he drew its charter and was one of its trustees; the Museum in which the naturalist worked was an independent foundation; and Mrs. Audubon was probably paid in full for the service which her husband had rendered.

Audubon wrote in his journal in 1820, when this experience was fresh in his mind, that owing to his talent for stuffing fishes he entered the service of the Western Museum at a salary of $125 a month; he made no complaint at that time of any lack of pay. Moreover, on the day before he started on his cruise down the Ohio River on the 11th of October of that year, the Rev. Elijah Slack gave him a letter of introduction in which he said that Audubon had "been engaged in our museum for 3 to 4 months, and that his performances do honor to his pencil." Since Mr. Slack, like Dr. Drake, was one of the managers of the Western Museum, he must have known of Audubon's term of service. We are convinced that Dr. Daniel Drake,[277] 305 whose character was above reproach and who was a keen naturalist himself, was Audubon's good friend, and that no misunderstanding ever rose between them. In writing offhand from memory, years after the events, Audubon misstated the facts but evidently without design.

In 1818 Dr. Drake organized the Western Museum Society, of which he said: "I have drawn up the constitution in such a manner as to make the institution a complete school for natural history, and hope to see concentrated in this place, the choicest natural and artificial curiosities in the Western Country." The first meeting of the Society was held in the summer of 1819, not long before Audubon was engaged to work for it. The membership fee was $50, a considerable sum for that period, but the enterprise was well patronized. It was in charge of a board of whom Dr. Drake was the moving spirit; another member, as we have seen, was Rev. Mr. Slack, who became the first president of the Cincinnati College, which was organized in 1818-19. The collections of the Museum were placed in one of the buildings of the College in order better to serve the students and public, which would account for some of the confusion noted above.

Dr. Drake's hands at this time were more than full; in October, 1819, he wrote to a friend: "The ties which bind me to the world at large seem every day to increase in strength and numbers. The crowd of mankind with 306 whom I have some direct or indirect concern, thickens around me, and I see little prospect of more leisure, nor any of retirement and seclusion." At this juncture also, when Audubon and Best were working for his Museum, Dr. Drake was experiencing the first disastrous check in his energetic career. In January, 1820, in spite of the opposition and intrigue of professional rivals, he succeeded in organizing the Medical College of Ohio, and Robert Best became the assistant in chemistry and the curator of the Western Museum. Opposition did not abate, but instead of strangling the College which he had founded, the marplots succeeded in expelling the Doctor from its staff. At last, feeling obliged to leave the city, Dr. Drake accepted in 1823 a position in the rival medical school of Transylvania University, and thus became a colleague of Constantine Rafinesque. It will be seen that Audubon's engagement at Cincinnati fell in a troubled era, and the annoyance which he may have felt at lack of pay was probably no fault of the harassed doctor.

While at Cincinnati Audubon was obliged to resort to his crayon portraits; and he also started a drawing school, but it required all of Mrs. Audubon's skill in management to keep the family out of debt. In 1820 he began for the first time seriously to consider the possibility of publishing his drawings, and under the spur of this incentive began to exert himself as never before. He planned a long journey through the Middle West and South, his intention being to descend the Ohio and Mississippi Rivers, explore the country about New Orleans, and then proceed as far east as the Florida Keys; he wished also to ascend the Red River, cross Arkansas, and visit the Hot Springs, before returning again by river to Cincinnati. Lack of ready money was no drawback, 307 for he was now confident of being able to live by his talents alone.

Accordingly, he left his wife to care for their two boys, and on October 12, 1820, started down river in a flatboat, bound for New Orleans. His companions on this journey were Captain Cummings,[278] an engineer who had been in the government service, to whom Audubon became much attached; Joseph R. Mason, a promising artist of eighteen, in the rôle of pupil-assistant, and his dog "Dash." Although Audubon had no funds, he was careful to provide himself with letters to or from men of mark who could be of assistance to him and this custom was followed to good effect at a much later day. On this occasion he bore recommendations from William H. Harrison, who afterwards became President, to Governor Miller of Arkansas, and from Henry Clay, as well as his letter from Rev. Elijah Slack, in which it was stated that the naturalist was traveling to complete his collection of the birds of the United States which he intended to publish at some future time. Audubon also wrote a personal letter to Governor Miller, fully outlining his plans, and asking for information; he told the Governor that he had been working fifteen years, and that his drawings of birds and plants were all from nature and life-size, showing that the idea of publication which was afterwards realized was then fixed in his mind. Audubon kept a careful journal on this journey, which extended over a year, the last entry being for the close of 1821.[279] 308

As their flatboat stopped at many towns and plantations on the rivers, Audubon could hunt game and birds to his heart's content. Having resolved, as he said, never to draw from a stuffed specimen, he worked at every new bird with the greatest diligence. It seems almost incredible that he should never have met with the Hermit Thrush before this journey, yet under date of "Oct. 14, 1820," there is this entry: "We returned to our boat with a Wild Turkey, a Telltale Godwit and a Hermit Thrush, which was too much torn to make a drawing of it; this was the first time I had met with this bird, and I felt particularly mortified at its condition."[280]

Their visit to Natchez furnished Audubon with materials for at least two of his "Episodes."[281] This incident of his generosity may be taken as characteristic; finding that one of his companions was down at the heel and as short of ready money as himself, he sought out a shoemaker and offered to do a portrait of the man and his wife for two pairs of boots; the proposal was accepted forthwith, and he set to work; the sketches were finished in the course of two hours, and Audubon 309 and his companion, having selected their boots, went on their way rejoicing.

Audubon left Natchez on December 31, 1820, on a keel boat belonging to his brother-in-law, Nicholas A. Berthoud, who accompanied him, and at one o'clock the steamer Columbus hauled off from the landing and took them in tow. Towards evening, when they were looking up their personal belongings, the naturalist found to his dismay that a portfolio containing all of the drawings that he had made on the voyage down the river was missing. Letters were despatched to Natchez friends, but it was not until the 16th of March that his anxiety was relieved; the missing portfolio had been found and left at the office of The Mississippi Republican, whence it was forwarded on his order, and reached his hand on the 5th of April. "So very generous had been the finder of it," he said, "that when I carefully examined the drawings in succession, I found them all present and uninjured, save one, which had probably been kept by way of commission."

On New Year's Day, 1821, they came to at Bayou Sara, at the mouth of the inlet of that name, which later saw much of Audubon and his family. On the following day he made a likeness of the master of their craft, Mr. Dickenson, for which he was paid in gold; he also outlined two warblers by candle-light in order to have time to finish them on the morrow. The captain of their steamer in his anxiety to make haste had set them adrift at this point, and they were obliged to make their way as best they could, by aid of the current and oars, to the port of New Orleans, which was finally entered on Sunday, January 7, 1821.

Audubon landed at New Orleans without enough money to pay for a night's lodging, for someone had 310 relieved him of the little he possessed, and he was obliged to pass several nights on the boat while looking for work. Undismayed by his financial straits, his first visit at daybreak on Monday was to the famous markets of the southern city, where he found dead birds exposed for sale in great numbers—mallard, teal, American widgeon, Canada and snow geese, mergansers, tell-tale god-wits, and even robins, bluebirds and red-wing blackbirds; he added that the prices were very dear.

Upon leaving Cincinnati Audubon had resolved upon making one hundred drawings of birds; this was actually accomplished, but only after repeatedly modifying his plans and working in more humble capacities than he was at first inclined to consider. On the 12th of January he wrote in his diary of meeting an Italian painter at the theater, and of showing him his drawing of the White-headed Eagle[282] at the rooms of Mr. Berthoud; "he was much pleased," and took him "to his painting apartment at the theater, then to the directors, who very roughly offered me one hundred dollars per month to paint with Monsieur l'Italien. I believe really now that my talents must be poor," said Audubon. His refusal of this offer in view of his straitened circumstances, and the entry which followed, were characteristic: "Jan. 13th, 1821. I rose up early, tormented by many disagreeable thoughts, again nearly without a cent, in a bustling city where no one cares a fig for a man in my situation." The following day Audubon applied to a self-taught portrait painter, John W. 311 Jarvis, and after showing his drawings, was engaged to assist him in finishing the "clothing and ground"; but this artist's manners were declared to be so uncouth and the pay so poor that he left him in disgust.

When he had made a hit, as he said, with the likeness of a well known citizen, orders came to him, and he was able to resume his drawing of birds. On February 22 he recorded that he had spent his time in "running after orders for portraits, and also in vain endeavors to obtain a sight of Alexander Wilson's 'Ornithology,' but was unsuccessful in seeing the book, which is very high priced." Later, however, he appears to have succeeded in this quest, for on the 17th of that month he was able to send his wife twenty drawings of birds, eight of which were marked as "not described by Willson." Among them were the originals of some of the most famous of his plates, such as the Great-footed Hawk, the White-headed Eagle, and the Hen Turkey.[283] Having seen in a newspaper a notice of an expedition which the Government was about to send to the 312 Pacific Coast, to survey the boundary of the territory that had been recently ceded by Spain, Audubon became much excited over a possible appointment as draughtsman and naturalist. He sat down at once and wrote a personal letter to President Monroe, while hundreds of imaginary birds of new and interesting kinds seemed to come within the range of his gun; on the 31st of March he was still pondering on the project, and although it is not likely that his letter ever reached the eye of the President, he did receive a recommendation from Governor Robertson of Louisiana. It was with this expedition in view that he sought an interview with John Vanderlyn,[284] an eminent painter of historical subjects, then working in New Orleans; according to one version Vanderlyn treated him as a mendicant, and ordered him to lay down his portfolio in the lobby, but ended by giving him a very complimentary note, in which he praised his drawings without stint, particularly his studies of birds.

During the five months spent at New Orleans in 1821, Audubon attempted to support himself and his companion by means of their artistic talents, while he was pushing forward his ambitious design of figuring all of America's birds and most characteristic plants. That he received scant encouragement but many rebuffs is not surprising. They did succeed in obtaining a few pupils in drawing, and Audubon made a number of rapid portraits, but after living for a time on Ursuline Street, near the old Convent, and later shifting from 313 one quarter to another, their finances had reached so low an ebb by the beginning of June that a move was imperative. Audubon then decided to go to Shippingport, Kentucky, and on the 16th of June, with young Mason, he again boarded the steamer Columbus, John D'Hart, captain, and started up river. An incident now occurred which affected the naturalist's whole after life by introducing him to one of the most favored spots in Louisiana, if not in the whole country, for the study of bird life, not to speak of the impressions which the charm of new scenery, a rich flora, and natural products of the most varied description must have then made on his mind. Mrs. James Pirrie, wife of a prosperous cotton planter of West Feliciana Parish, happened to be their fellow-passenger. Doubtless her curiosity was piqued by the winning manners and flowing locks of the artistic traveler, whose Gallic accent at once betrayed his nationality. Whether Audubon had made her acquaintance previous to this journey or not is not known, but before it was ended his fine enthusiasm and ambitious plans had found a sympathizer, and he was engaged as tutor to Mrs. Pirrie's daughter at $60 a month. To further his ornithological pursuits it was understood that he and his companion should live at "Oakley," her husband's plantation, five miles from St. Francisville, on Bayou Sara, and that one-half of his time should be absolutely free for hunting and drawing. Thus, on June 18, 1821, was forged the link that bound the heart of Audubon to the State which was first in his affections, and which he would fain believe might have been the scene of his nativity. Well may the Louisianians of today adopt him as their son, for from that early time he cherished their State as in a peculiar sense his own. 314

It was a hot and sultry day when our wanderers landed at Bayou Sara,[285] a small settlement at the junction of the sluggish stream which bears that name and the Mississippi, and proceeded to climb to St. Francisville, the village a mile away on the hill. Mrs. Pirrie, who seems to have preceded the travelers by carriage, sent some of her servants to relieve them of their luggage, which Audubon said they found light. They rested in the village at the house of Mr. Benjamin Swift, where they were invited to stay to dinner, then at the point of being served, but feeling somewhat ill at ease, they thanked their host and again took to the road. Following their leisurely guides, they now traversed a country so new, so strange, and so enchanting, that the five miles to the Pirrie house seemed short indeed. "The rich magnolias, covered with fragrant blossoms, the holly, the beech, the tall yellow poplar, the hilly ground, and even the red clay," to quote Audubon's record made at the time, "all excited my admiration. Such an entire change in the face of nature, in so short a time, seems almost supernatural, and surrounded once more by numerous warblers and thrushes, I enjoyed the scene."

BAYOU SARA LANDING, WEST FELICIANA PARISH, LOUISIANA, AT THE JUNCTION OF BAYOU SARA AND THE MISSISSIPPI RIVER.

SCENE ON BAYOU SARA CREEK, AUDUBON'S HUNTING GROUND IN 1821.

This and the above after photographs by Mr. Stanley Clisby Arthur, 1916.

In passing up the Mississippi from New Orleans, the topography of the country suddenly changes at 315 about this point; in the parish of West Feliciana the alluvial lowlands of the river valley give place to beautiful highlands, which still harbor as rich and distinctive a flora and fauna as in Audubon's day. Following Audubon's course in June, 1916, or ninety-five years later, Mr. Arthur found the region about St. Francisville wonderfully rich in birds, and there noted seventy-eight resident kinds which were seen on the same day, from shortly before noon to seven o'clock in the evening.

Upon reaching the plantation house, Audubon and his companion were kindly received by the Scotchman, James Pirrie, who introduced to them his daughter, Eliza, then a beautiful and talented girl of seventeen—"my lovely Miss Pirrie, of Oakley," as Audubon once characterized her in his journal—who was to become his pupil in drawing, and who, as after events proved, was destined to a romantic and checkered career.

The "Oakley" house, which by a strange turn of fortune's wheel thus became the naturalist's home in the summer of 1821, has changed but little since that time, but the century that has nearly sped its course has added strength and beauty to the moss-hung oaks which now encompass it and temper the heat of the southern sun in the double-decked galleries which adorn its whole front. Built of the enduring cypress, as my correspondent remarks, the house stands as firm and sound as the gaunt but living sentinels of that order which tower from the brake not far away.

Audubon spent nearly five months at the Pirrie estate. He worked with great ardor at his Ornithology and produced the originals of many of his plates that were afterwards published, while his assistant, Joseph Mason, who had followed him from Cincinnati, labored with equal diligence at the plants that were chosen as a 316 setting for the birds.[286] An early drawing of the Chuck Will's Widow is dated "Red River, June, 1821," and it is probable that he followed this stream into Arkansas, for on leaving Cincinnati in the autumn of the previous year, he had planned to enter that State, and later references in his journals clearly imply that this object was attained. Another favorite hunting ground was Thompson's Creek, and he often recalled its heated banks, where, on a Fourth of July, he once satisfied his hunger by "swallowing the roasted eggs of a large soft shelled turtle."

On August 11, 1821, while Audubon was living at "Oakley," he made this entry in his journal:

Watched all night by the dead body of a friend of Mrs. P——; he was not known to me, and he had literally drunk himself to an everlasting sleep. Peace to his soul! I made a good sketch of his head, as a present for his poor wife. On such occasions time flies very slow indeed, so much so that it looked as if it stood still, like the hawk that poises over its prey.

In the same journal also, for August 25, occurs a record which throws light on one of Audubon's most discussed and questionable pictures, that of the mocking-birds defending their jessamine-embowered nest from the sinister designs of a rattlesnake;[287] little did he 317 think at the time how much discord this venomous reptile, when coiled in the branches of a tree, could later breed.[288] The entry was:

Finished drawing a very fine specimen of a rattlesnake, which measured five feet and seven inches, weighed six and a quarter pounds, and had ten rattles. Anxious to give it a position most interesting to a naturalist, I put it in that which the reptile commonly takes when on the point of striking madly with its fangs. I had examined many before, and especially the position of the fangs along the superior jaw-bones, but had never seen one showing the whole [of the fangs] exposed at the same time.

He then described the generous provision which nature has made to keep the rattlesnake in fighting trim, by giving it a dental arsenal on which it can draw in case of loss; he added that the heat of the day was such that he could devote only sixteen hours to the drawing.

At this time Audubon was a handsome and attractive man; his pupil, who did not enjoy the best of health, was attended by a young physician who was also her lover. It is not surprising therefore to learn that jealousy on the part of the doctor led to a misunderstanding, and that the naturalist suddenly made his departure and returned to New Orleans. In recording this incident Audubon could not repress his amusement at the prescription of the physician, who ordered the young lady to abstain from all writing and drawing for a period of four months, but meanwhile permitted her to eat anything which pleased her fancy, in spite of the relapses of fever that occasionally occurred. Audubon was allowed to see her only at appointed hours, as if, he said, he were an extraordinary ambassador to some distant 318 court, and was obliged to preserve the utmost decorum of manner; he expressed the belief that he had not once laughed in the presence of the young lady during the entire term of his tutorial engagement, which lasted from the 18th of June to the 21st of October. Later, in December of the same year, when his former pupil passed him without recognition in the streets of New Orleans, he indulged in the reflection that she had apparently quite forgotten the great pains with which at her own request he had done her portrait in pastels, but, thanks to his talents, he thought that he could run the gauntlet of the world without her help.[289]

At New Orleans Audubon soon found new pupils, particularly through the aid of Mr. R. Pamar and Mr. William Braud,[290] who came to his assistance, Mrs. Braud and her son paying him at the rate of three dollars for a lesson of one hour. On November 10, 1821, he wrote:

Continued my close application to my ornithology, writing every day, from morning until night, omitting no observations, correcting, re-arranging from my notes and measurements, and posting up; particularly all my land birds. The great many errors I found in the work of Wilson astonished me. I try to speak of them with care, and as seldom as possible, knowing the good will of that man, and the vast many hearsay accounts he depended on.

319

ROAD LEADING FROM BAYOU SARA LANDING TO THE VILLAGE OF ST. FRANCISVILLE, WEST FELICIANA PARISH, LOUISIANA.

"OAKLEY," JAMES PIRRIE'S PLANTATION HOUSE NEAR ST. FRANCISVILLE.

This and the above after photographs by Mr. Stanley Clisby Arthur, 1916.

Again, on the 25th of that month is this entry:

Since I left Cincinnati I have finished 62 drawings of birds and plants, 3 quadrupeds, 2 snakes, fifty portraits of all sorts, and the large one of Father Antonio,[291] besides giving many lessons, and I have made out to send money to my wife sufficient for her and my Kentucky lads, and to live in humble comfort with only my talents and industry, without one cent to begin on. I sent a draft to my wife, and began to live in New Orleans with forty-two dollars, health, and much anxiety to pursue my plan of collecting all the birds of America.

The close of the year 1821 found Audubon teaching a few pupils at New Orleans, where, he said, his style of work and the large prices he received caused him the ill will of every artist in the city. The figure which he cut in the streets, with his loose dress of nankeen and long, flowing locks, made him wish to appear like other people, and he was soon able to rejoice in a new suit of clothes. Though still in need of work, when he was asked to aid in painting a panorama of New Orleans, he refused, begrudging the time, saying that he did not wish to see any other perspective than that of the last of his drawings.

Having been from home for over a year, Audubon now wished to have his family about him again.[292] His 320 plan did not appeal to his practical wife, who had many friends at Cincinnati, where she was assured of a good income through her teaching; Mrs. Audubon also felt that to be constantly shifting about was anything but favorable to the education of their children. Her reluctance, however, gave way, and in December she joined her husband in New Orleans, but only to find that the city could afford them no settled means of support. The situation of the Audubon family during the winter of 1821-22 became precarious in the extreme, and for two months Audubon gave up his habit of journalizing, one reason being that he could not afford the paltry sum necessary to buy a blank book for this purpose.

Compelled at last to make a new move, Audubon started for Natchez, on the 16th of March, 1822, paying for his passage on the steamer Eclat by doing a crayon portrait of the captain and his wife. It was while going up the river at this time that he opened a chest containing two hundred of his drawings to find them sadly damaged by the breaking of a bottle of gunpowder, but the loss then sustained was apparently slight in comparison with that which he had experienced in an earlier disaster. To follow his account of this earlier and better known incident, when leaving Henderson for Philadelphia, he carefully placed all of his drawings in a wooden box and entrusted them to the care of a friend, with injunction that no harm should befall them; upon returning several months later, his treasure chest was opened, but only to reveal that "a pair of Norway rats had taken possession of the whole, and had reared a young family amongst the gnawed bits of paper, which but a few months before represented nearly a thousand inhabitants of the air." The heat that was immediately felt 321 in his head, said the naturalist, was too great to be endured, and the days that followed were days of oblivion to him; but upon recuperation he took up his gun, his notebook and his pencils, "and went forth to the woods as gaily as if nothing had happened"; after a lapse of three years his portfolio was again filled, and the earlier work replaced by better. Audubon's drawings and plates were also repeatedly ravaged by fires, but this was at a much later day.

While Audubon was engaged in teaching French, music, or drawing, now to private pupils at Natchez, now in a school at Washington, Mississippi, nine miles away, the summer of 1822 passed with the outlook as ominous as ever. On August 23 he wrote: "My friend, Joseph Mason, left me today, and we experienced great pain at parting. I gave him paper and chalks to work his way with, and the double barrelled-gun ... which I had purchased in Philadelphia in 1805." Mason, who, for a year and nine months, was Audubon's aid and constant companion, seems to have settled eventually as an artist in Philadelphia, where we hear of him in 1824 and again in 1827.[293]

In the following December Audubon received a fresh impetus towards the goal of his ambition by the arrival at Natchez of a traveling portrait painter, named John Stein, who gave him his first lessons in the use of oils; his initial attempt was the copy of an otter from one of his own drawings. Audubon and Stein together later painted a full-length portrait of Father Antonio which was sent to Havana. Artists who have worked long in one medium are not always successful in another, but those who have seen some of Audubon's later and better works in oil, such as his large canvas of the Wild 322 Turkeys,[294] must admit that he attained a high degree of skill. As will be seen, this acquisition was a strong string to his bow; when in England his brush helped largely to pay for the issue of his early plates.

Mrs. Audubon, who joined her husband in New Orleans on December 8, 1821, soon felt obliged to seek employment. She engaged as nurse or governess in the family of Mr. Braud, presumably the same whose wife and son had received instruction in drawing from the naturalist the previous autumn, and remained with that family until September, 1822, when the death of the child that was placed in her charge left her free to follow her husband to Natchez. After attempting a similar position in the home of a clergyman there and finding it impossible to obtain her salary, in January, 1823, she was invited by the Percys to West Feliciana,[295] then a prosperous cotton district, at the apex of the salient made by the neighboring state of Mississippi and bordered on two sides by the great river. Her worth was evidently appreciated, for she was encouraged to establish a private school on the Percys' plantation, which she conducted successfully for five years. 325

Captain Robert Percy, who before coming to America in 1796 had been an officer in the British Navy, was living at this time with his wife and five children at their plantation of "Weyanoke," on Big Sara Creek, fifteen miles from St. Francisville; this town, owing to its large shipments of cotton, was then at the height of prosperity, and its population no doubt exceeded that of the present day; it now stands at about one thousand souls. Letters and journals of the period constantly refer to "Beechwoods," which was not the mansion house, though it undoubtedly belonged to the Robert Percy estate. There it was that the wife of the naturalist lived, and there she started her school, for the benefit not only of the Percy boys and girls, but also of a limited number of children of their wealthy neighbors; her own son, John Woodhouse Audubon, then eleven years of age, at this time received instruction at her hands. The parish of West Feliciana, at this early period, was one of the richest cotton-producing sections of the entire State; its care-free planters led an easy life until the "king" was unceremoniously dethroned by a small, but not insignificant insect which has proved mightier than either fire or sword, namely, the boll-weevil; now many a fine old estate which has languished under the influence of the pest could probably be bought for a song. "Beechwoods," thus devoted to educational purposes, later came into the hands of Thomas Percy, but the house, like that of "Weyanoke," was long since burned to the ground.

While Mrs. Audubon was establishing her rules and authority at the Percy school, the naturalist was painting with Stein at Natchez, and he remained there with his elder son until the spring of 1823. At this period he wrote in his journal: "I had finally determined to break through all bonds, and follow my ornithological pursuits. My best friends solemnly regarded me as a madman, and my wife and family alone gave me encouragement. My wife determined that my genius should prevail, and that my final success as an ornithologist should be triumphant."

In March, 1823, Audubon and friend Stein bought a horse and wagon, and in the hope of raising money through their joint efforts as itinerant portrait painters, set out with Victor on a tour of the Southern States. This venture, however, did not succeed, and after visiting Jackson and a number of other towns, they disbanded at New Orleans. Audubon then started north with his son for Louisville, but upon paying a visit to his wife at the "Beechwoods" school, he was invited by the Percys to remain there for the summer and "teach the young ladies music and drawing." According to a tradition which has survived among the Percy descendants, Audubon spent most of his time in roaming through the woods, but he also taught his wife's pupils to swim in the large spring house at "Weyanoke," where the water could be deepened at pleasure. It was also said that he painted the Wild Turkeys in the woods of Sleepy Hollow near by, but I have already given Audubon's own record in regard to one of these pictures, and, as Mr. Arthur remarks, the places in Louisiana where he drew these famous subjects are as numerous as the beds in which Lafayette slept when at New Orleans.

Audubon remained with the Percys during the greater part of the summer, or until some misunderstanding arose, when he was again adrift and upon a sea of difficulties. While visiting a plantation near Natchez, both he and Victor were stricken with fever; his faithful wife hastened to them, and after nursing both back to health, she returned with them to the Percy plantation, where they remained from the 8th to the 30th of September.

In the autumn of 1823 Audubon was determined to visit Philadelphia, in the hope of finding a sponsor for his "Ornithology." Although the work was then far from ready for publication, he felt that at least he might better his condition, and with this end in view he sent his drawings from Natchez to that city; a hasty visit was made also to New Orleans, for the purpose, no doubt, of obtaining credentials to possible patrons in the East. At last, on October 3, he started with Victor on the steamer Magnet[296] for Louisville. Low water quickly held them up after entering the mouth of the Ohio, and they were obliged to disembark at the little village of Trinity, at the mouth of Cash Creek, the scene of Audubon's misadventures with Rozier thirteen years before. The remoteness of the situation and the state of their funds, which corresponded with that of the river, left no alternative but to walk, and they undertook to reach Louisville, several hundred miles distant, afoot. Two other travelers joined them, and with Victor, then a lad of nearly fourteen, the party left the creek at noon on October 15 and struck across country through the forests and canebrakes. At Green River, which was reached on the 21st, Victor gave out from sheer exhaustion,[297]and the remainder of the journey was finished in a Jersey wagon. At length, said Audubon, "I entered Louisville with thirteen dollars in my pocket." At Shippingport, then an independent town at the Falls of the Ohio, he was obliged to settle down for the winter. A place for Victor was found in the counting-house of Nicholas A. Berthoud, while the father undertook anything that came to hand, painting portraits, landscapes, panels for river boats, and even street signs, 326 so hard pressed was he at times to eke out a subsistence for them both. Yet Audubon was as sanguine as ever, and on November 9 he recorded the resolution "to paint one hundred views of American scenery," and added: "I shall not be surprised to find myself seated at the foot of Niagara," a prediction which was fulfilled in the following year.

During the winter spent at Shippingport, Audubon lost a gentle friend in Madame Berthoud,[298] the mother of Nicholas. In his journal for January 20, 1824, we read his emotional words:

I arose this morning by the transparent light which is the effect of the moon before dawn, and saw Dr. Middleton passing at full gallop towards the white house; I followed—alas! my old friend was dead!... many tears fell from my eyes, accustomed to sorrow. It was impossible for me to work; my heart, restless, moved from point to point all round the compass of my life. Ah Lucy! what have I felt to-day! ... I have spent it thinking, thinking, learning, weighing my thoughts, and quite sick of life. I wished I had been as quiet as my venerable friend, as she lay for the last time in her room.

327

CHAPTER XXII
TO EUROPE AND SUCCESS

Audubon sails from New Orleans—Life at Sea—Liverpool—The Rathbones—Exhibition of drawings an immediate success—Personal appearance—Painting habits resumed—His pictures and methods—Manchester visited—Plans for publication—The Birds of America—Welcome at Edinburgh—Lizars engraves the Turkey Cock—In the rôle of society's lion—His exhibition described by a French critic—Honors of science and the arts—Contributions to journals excite criticism—Aristocratic patrons—Visit to Scott—The Wild Pigeon and the rattlesnake—Letter to his wife—Prospectus—Journey to London.

When Audubon had reached the age of forty-one, his fortunes were destined to undergo still further kaleidoscopic changes, but the patterns and hue were now of a more agreeable character. He had failed repeatedly in business ventures of various kinds; he had failed also to find either encouragement or support for his ambitious schemes of publishing his drawings in the United States. But there was still a chance for success in the Old World, and thither he was determined to go to try the hazard of fortune in either England or France. Accordingly, he left his family at St. Francisville and went to New Orleans, where he engaged passage on a cotton schooner bound for Liverpool, named the Delos, Captain Joseph E. Hatch. With his drawings, a few books, and a purse, if not ample, at least sufficient for his immediate needs, and fortified with numerous letters, he finally set sail on the 17th of May, 1826.

EARLY UNPUBLISHED DRAWING OF THE "FROG-EATER," COOPER'S HAWK; "RED BANKS, KY. NOVEMBER 29, 1810. LONGEUR TOTAL 19 POUCES POIDS 1lb. 6oz. QUEUE 12 PENNES."

Published by courtesy of Mr. Joseph Y. Jeanes.

PENCIL SKETCH FROM AUDUBON'S JOURNAL OF HIS VOYAGE TO ENGLAND IN 1826: "SHARK 7 FEET LONG, OFF CUBA, JUNE 18TH, 1826."

Published by courtesy of Miss Maria R. Audubon.

FIRST PAGE OF AUDUBON'S JOURNAL OF HIS VOYAGE FROM NEW ORLEANS TO LIVERPOOL.

Reproduced by courtesy of the Misses Florence and Maria R. Audubon.

This voyage, like every other which the naturalist ever made, was turned to good account; the log book 348 or journal kept on this occasion abounds in interesting observations upon the life of the sea, particularly on the fishes and birds which were encountered in the Gulf. The first page of this journal,[320] reproduced with orthographic exactness, reads as follows:

26 April 1826—

I Left My Beloved Wife Lucy Audubon and My Son John Woodhouse on Tuesday afternoon the 26th April, bound to England, remained at Doctr Pope at St Francisville untill Wednesday 4 o'clock P. M.: in the Steam Boat Red River Cape Kimble—having for Compagnons Messrs D. Hall & John Haliday—reached New Orleans Thursday 27th at 12—Visited Many Vessels for My Passage and concluded to go in the Ship Delos of Kennebunk Cape Joseph Hatch bound to Liverpool, Loaded with Cotton entirely—

The Red River Steam Boat left on her return on Sunday and I Wrote by her to Thee My Dearest Friend and forwardd Thee 2 Small Boxes of Flowering Plants—

saw, spoke to & walked with Charles Briggs, much altered young man—

Lived at New Orleans at G. L. Sapinot in Company with Costé—

During My Stay at New Orleans, I saw my old and friendly acquaintances the familly Pamar; but the whole time spent 350 in that City was heavy & dull—a few Gentlemen Calld to see My Drawings—I Generally Walked from Morning untill Dusk My hands behind me, paying but very partial attention, to all I saw—New Orleans to a Man who does not trade in Dollars or any other Such Stuffs is a miserable Spot ==

fatigued and discovering that the Ship could not be ready for Sea for several days, I ascended the Mississipy again in the Red River and once more found Myself with my Wife and Child. I arrived at Mrs Percy at 3 o'clock in the morning, having had a Dark ride through the Magnolia Woods but the Moments spent afterwards full repaid me—I remained 2 days and 3 Nights, was a Wedding—of Miss Virginia Chisholm with Mr. D. Hall &c. I Left in Company With Lucy Mrs Percy house at Sun rise and went to Breakfast at My good [friend's, Augustin Bourgeat].

The captain and mates of the Delos were friendly, and whenever their vessel was becalmed, they would let down a boat so that Audubon could procure the stormy Petrel and numerous other birds which he was anxious to examine in the flesh or depict for his "Ornithology."

During his long voyage of sixty-five days our adventurous traveler was alternately elated or depressed by hopes or fears for the future, until land was at last reached on Friday, July 21, 1826. The appearance of Liverpool, said Audubon, "was agreeable, but no sooner had I entered it than the smoke became so oppressive to my lungs that I could hardly breathe." At the customs he was charged two pence on each of his drawings, "as they were water-colored," but on his American books he had to pay "four pence per pound," a circumstance in which he was possibly favored by the following letter which he had brought with him from a friend in New Orleans: 351

Edward Holden to George Ramsden

New Orleans, May 26th., 1826.

George Ramsden, Esq.
Dear Sir.

The present will be handed to you by Mr. J. J. Audubon of this city, whom most respectfully I beg to introduce to you.

The principal object of Mr. Audubon's visit to England is to make arrangements for the publication of an extensive and very valuable collection of his drawings in Natural History, chiefly if not wholly of American Birds, and he takes them with him for that purpose. Can you be of any assistance to him by letters to Manchester and London? If you can I have no doubt that my introduction of him will insure your best attention and services.—Mr. Audubon is afraid of having to pay heavy duties upon his drawings. He will describe them to you, and if in getting them entered Low at the Custom House, or if in any other respect you can further his views, I shall consider your aid as an obligation conferred upon myself. Pray introduce him particularly to Mr. Booth, who I am sure will feel great interest in being acquainted with him, were it only on account of the desire he has always expressed to be of service to the new Manchester Institution, to which Mr. Audubon's drawings would be an invaluable acquisition.

I am Dr. Sir

Yours truly,
Edward Holden.

Among the letters which Audubon carried on this occasion, but which apparently he did not deliver, was the following, addressed by a friend in New Orleans to General Lafayette:[321] 352

Louis P. Caire to General Lafayette

New Orleans, 15 May, 1826.

My dear General,

Monsieur Audubon, after having spent twenty-two years in the United States, is returning to Europe in order to publish a work to which he has devoted his entire life. This distinguished ornithologist, who bears letters from the most eminent citizens of the Union, will find, I trust, the encouragement to which his talents and his perseverance so fully entitle him, and however flattering may be the recommendations which his friends are eager to give him, these are yet, my dear General, beneath his merits. I have presumed to assure him of your patronage, and in introducing him to you I am convinced that it will be agreeable to you both.

Adieu my General: give my kind regards to all your family, and permit me to embrace you as I love you.

Louis P. Caire.

Before Audubon left New Orleans, an old acquaintance, Mr. Vincent Nolte[322] of that city, had also furnished him with credentials, in which it was stated that the naturalist was carrying with him four hundred original drawings, and that his object was "to find a purchaser or a publisher." "He has a crowd of letters," continued Nolte, "from Mr. Clay, De Witt Clinton, and others for England, which will do much for him; but your introduction to Mr. Roscoe and others will do more." This judgment was sound, but the most valuable letter which Audubon carried proved to be that of Nolte himself addressed to Richard Rathbone, Esq., of Liverpool, for it brought him into immediate friendly relations with an influential family of merchants which also included William Rathbone, a brother, as well as their father, William Rathbone, Senior, whose interest 353 in birds had made him in his younger days an amateur collector and student. Seldom has the rôle of Mæcenas been played more effectively and with less ostentation than by those intelligent men of affairs, to whom Audubon, with his fine enthusiasm and bold literary plans, seemed to embody all the romance of the New World. They stood sponsor for his work and worth, and did all in their power to make their new discovery known. At the home of the senior Rathbone, called "Greenbank," three miles out of Liverpool, the naturalist was warmly welcomed, and his excellent hostess, Mrs. William Rathbone, the "Queen bee," as he called her, received from him lessons in drawing and became his first subscriber.

At this period Audubon often complained of shyness felt in meeting strangers, but his "observatory nerves," as he said, never gave way. He studied his English friends as closely as he had the birds of America, and the results of his shrewd observations were often turned to practical account. That he was as diffident as he declared himself to be may be doubted, for he seems to have met nearly everyone of prominence wherever he went, and a list of his acquaintance at the end of his sojourn abroad would read much like a "Blue Book" of the British Isles.

At Liverpool Audubon received much assistance also from Edward Roscoe, botanist and writer, Dr. Thomas S. Traill[323] and Adam Hodgson, who introduced 354 him to Lord Stanley. When he came to write his Ornithological Biography, these early friends were all publicly called by name, and we thus had (though, as it afterwards appeared, in name only) the "Rathbone Warbler,"[324] "Stanley Hawk," "Children's Warbler," "Cuvier's Regulus," "Roscoe's Yellow-throat," "Selby's Flycatcher," and still possess "Bewick's Wren," "Traill's Flycatcher," "Henslow's Bunting,"[325] "MacGillivray's Finch," and "Harlan's Hawk," to cite a few instances of this form of acknowledgment.

Within barely a week after landing at Liverpool a total stranger, Audubon was invited to show his drawings at the Royal Institution. The exhibition, which lasted a month, was a surprising success; 413 persons, as he recorded, were admitted on the second day, and it netted him one hundred pounds although no charge for admission was made during the first week.

Everyone, said the naturalist, was surprised at his appearance, for he wore his hair long, dressed in unfashionable clothes, rose early, worked late, and was abstemious in food and drink. Shortly after his arrival, 355 his sister-in-law, Mrs. Alexander Gordon, urged him to have his hair cut and to buy a fashionable coat, but he could not then bear to sacrifice his ambrosial locks, which continued to wave over his shoulders until the following March. If we can accept Sir Walter Besant's characterization of the period, the "long-haired Achæan" was no stranger to the streets of London as late as 1837: "brave is the exhibition of flowing locks; they flow over the ears and over the coat-collars; you can smell the bear's grease across the street; and if these amaranthine locks were to be raised you would see the shiny coating of bear's grease upon the velvet collar below."

Audubon had not been in England three weeks before he resumed his drawing and painting habits, at first in order to repay his friends for their kindness, and later as a means of support; at times he would devote every spare moment to this work, and he was then able to paint fourteen hours at a stretch without fatigue. On October 2 he recorded that he had made in less than twenty minutes a diminutive sketch of the Turkey Cock from his large twenty-three hour picture. This was for Mrs. William Rathbone, Senior, who later presented it to him in the form of a handsome gold-mounted seal, inscribed with his favorite motto, "America, my country."[326] The facility which Audubon displayed in producing his pictures of animal life—American wild turkeys, trapped otters, fighting cats, English game pieces, and the like, in a style both novel and individual, added much to his immediate popularity in England, 356 as it later did to his purse. His painting devices are thus referred to in a journal entry for January, 1827:

No one, I think, paints in my method; I, who have never studied but by piece-meal, form my pictures according to my ways of study. For instance, I am now working on a Fox; I take one neatly killed, put him up with wires and when satisfied with the truth of the position, I take my palette and work as rapidly as possible; the same with my birds; if practicable I finish the bird at one sitting,—often, it is true, of fourteen hours,—so that I think they are correct, both in detail and composition.

When he was painting pheasants and needed a white one as "a keystone of light" to his picture, a nobleman sent word that he would be given "leave to see the pictures" in his hall, but this Audubon characteristically refused, being determined to pay no such visits without invitation.

On the 10th of September, 1826, Audubon left Liverpool, in a hopeful mood, for Manchester, with the intention of visiting the chief cities of England and Scotland. He was fortified with a bundle of letters to a long list of distinguished people, including Baron von Humboldt, General Lafayette, Sir Walter Scott, Sir Humphry Davy and Sir Thomas Lawrence. His first step proved a disappointment, and when he finally left the City of Spindles six weeks later, he found himself poorer than when he had entered it. At Manchester, however, he added to his list of interested friends and possible patrons, and acting upon their suggestion, opened a subscription book for the publication of his long meditated work, to be called The Birds of America. The Rathbones, as well as other friends whose advice 357 he esteemed, tried to dissuade him from the plan of publishing his drawings in their full size, which was that of life, on account of the great expense involved and the enormous bulk such a work would assume; but he could not bring himself to give up the idea, in which he received the support of the London bookseller, Mr. Bohn, who, after seeing Audubon's drawings reversed his opinion, saying that they must be brought out in their full size, and that they would certainly pay.

After coming to England Audubon often thought of the shifting scenes and strange contrasts his life had brought. One day he felt the pinch of poverty, but on the next fared sumptuously at the tables of the rich; now a rambler in the wilds of America, glad to accept the hospitality of the humblest prairie squatter, now the guest of some metropolitan aristocrat. "The squatter," he said, when writing in England, "is rough, true, and hospitable; my friends here polished, true, and generous. Both give freely, and he who during the tough storms of life can be in such spots may well say that he has tasted happiness."

While at Manchester Audubon was driven to the town of Bakewell, "the spot," he wrote in deference to his wife, "which has been honored with thy ancestor's name." Shortly after, on October 23, he started by stage for Edinburgh, and the distance of 212 miles was covered in three days; the fare was £5 5s. 5d., which he regarded as exorbitant, but he complained not so much of the charge as of the beggarly manner of the drivers, who never hesitated to open the door of their coach and ask for a shilling at the slightest provocation.

At Edinburgh Audubon was welcomed so warmly that he began to feel that ultimate success was at last within his reach. Professor Robert Jameson of the 358 University did much to make his work known, and invited him to coöperate in an enterprise upon which he was then engaged;[327] this was pronounced by Dr. Knox of the Medical School to be a "job book," but whatever its merits may have been, Audubon decided after due reflection to stand on his own feet.

Not long after reaching the Scottish capital, Audubon made the acquaintance of Mr. W. Home Lizars, styled "a Mr. Lizard" by a snapshot biographer of a later day, a well known, expert engraver and painter, who engaged in various publishing enterprises. When Audubon had held up a few of his drawings for his inspection, Lizars rose, exclaiming: "My God! I never saw anything like this before." The picture of the Mockingbirds attacked by a rattlesnake particularly struck his fancy, but when he came to the drawing of the Great-footed Hawks, "with bloody rags at their beaks' ends, and cruel delight in their daring eyes," Lizars declared that he would both engrave and publish it. "Mr. Audubon," said he, "the people here don't know who you are at all, but depend upon it, they shall know." Lizars eventually agreed to engrave and bring out the first specimen number of The Birds of America, and about the 10th of November made a beginning with the first plate. On November 28, 1826, he handed Audubon a first proof of the Wild Turkey Cock, a subject chosen to justify the great size of the work, which was to be in double elephant folio, and which in point of size is perhaps to this day the largest extended publication in existence.[328] This and the second plate, which represented the Yellow-billed Cuckoo[329] in the act of 359 seizing a tiger swallowtail butterfly on a branch of the paw-paw tree, were finished by December 10; the first number of five plates was ready some weeks later. Lizars engraved at Edinburgh the first ten of Audubon's plates, but most of these were subsequently retouched, colored and reissued by his successor in London, as will presently appear.

PLATE I

Wild Turkey MELEAGRIS GALLOPAVO. Linn. Male.

American Cane. Miegia macrosperma.

Drawn from nature by J. J. Audubon F.R.S.F.L.S. Engraved by W. H. Lizars Edinr.
Retouched by R. Havell Junr.

When Audubon's pictures were exhibited at the Royal Institution of Edinburgh, their success was immediate, and like the appearance of a new Waverley novel, they became the talk of the town; the American woodsman had provided a new thrill for the leaders of fashion, as well as for the literati and the scientific men. The "noblest Roman of them all," Sir Walter Scott, refused to attend, but after having met the naturalist he wrote this in his journal: "I wish I had gone to see his drawings; but I had heard so much about them that I resolved not to see them—'a crazy way of mine, your honor.'"

Philarète-Chasles, a well known French critic of the period, has left the following record[330] of the effect which this exhibition made on his impressionable mind:

We have admired in the rooms of the Royal Society of Edinburgh the public exhibition of [Audubon's] original watercolor drawings. A magic power transported us into the forests which for so many years this man of genius has trod. 360 Learned and ignorant alike were astonished at the spectacle, which we will not attempt to reproduce.

Imagine a landscape wholly American, trees, flowers, grass, even the tints of the sky and the waters, quickened with a life that is real, peculiar, trans-Atlantic. On twigs, branches, bits of shore, copied by the brush with the strictest fidelity, sport the feathered races of the New World, in the size of life, each in its particular attitude, its individuality and peculiarities. Their plumages sparkle with nature's own tints; you see them in motion or at rest, in their plays and their combats, in their anger fits and their caresses, singing, running, asleep, just awakened, beating the air, skimming the waves, or rending one another in their battles. It is a real and palpable vision of the New World, with its atmosphere, its imposing vegetation, and its tribes which know not the yoke of man. The sun shines athwart the clearing in the woods; the swan floats suspended between a cloudless sky and a glittering wave; strange and majestic figures keep pace with the sun, which gleams from the mica sown broadcast on the shores of the Atlantic; and this realization of an entire hemisphere, this picture of a nature so lusty and strong, is due to the brush of a single man; such an unheard of triumph of patience and genius!—the resultant rather of a thousand triumphs won in the face of innumerable obstacles!"

Another French writer[331] remarked that Audubon produced the same sensation among the savants of England that Franklin had made at the close of the eighteenth century among the politicians of the Old World; his works, he added, should be translated into his native tongue, and produced in a form which would enable them to reach the library of every naturalist in France.

One after another the scientific, literary, and arts societies 361 of the modern Athens elected Audubon to honorary membership; Combe, the phrenologist and author of The Constitution of Man, examined the naturalist's head and modeled it in plaster, for of course it proved to be a perfect exemplification of his system; Syme, the artist, did his portrait for Lizars to engrave. Meanwhile the press was giving such flattering accounts of the man and his work that Audubon confessed that he was quite ashamed to walk the street. At the annual banquet of the Royal Institution, held at the Waterloo Hotel and presided over by Lord Elgin, Audubon was toasted, and it required all his resolution to rise and, for the first time in his life, address a large assembly; this, however, he managed to do in the following words: "Gentlemen; my command of words in which to reply to your kindness is almost as limited as that of the birds hanging on the walls of your Institution. I am truly obliged for your favors. Permit me to say; may God bless you all, and may this society prosper." On the 10th of December he wrote: "My situation in Edinburgh borders on the miraculous," and he felt that his reception in that city was a good augury for the future. But the life that he was compelled to lead was extremely fatiguing, and he often longed to return to his family and to his favorite magnolia woods in Louisiana. "I go to dine," he wrote, "at six, seven, or even eight o'clock in the evening, and it is often one or two when the party breaks up; then painting all day, with my correspondence, which increases daily, makes my head feel like an immense hornet's nest, and my body wearied beyond all calculation; yet it has to be done; those who have my best interests at heart tell me I must not refuse a single invitation." But notwithstanding the tax which society always levies upon the lion's strength, he wrote almost 362 daily in his journal or diary,[332] and its pages, from which we have been quoting, became a mirror of all that he saw, heard, or did. Audubon was generous with his time, as with everything else, and would never hesitate to lay aside his own work for the sake of a friend who was eager to acquire his method of drawing. But when his entertainment commenced with an invitation to breakfast, he began to be alarmed at the large share of his working hours which had to be surrendered to his friends. "I seem, in a measure," he said, "to have gone back to my early days of society and fine dressing, silk stockings and pumps, and all the finery with which I made a popinjay of myself in my youth.... It is Mr. Audubon here, and Mr. Audubon there, and I can only hope they will not make a conceited fool of Mr. Audubon at last."

In response to urgent appeals he began at this time to contribute to the scientific journals of the Scottish capital, a step which only served to remind him that the rose was more prolific in thorns than flowers. Dr. Brewster, however, in his Journal of Science, and John Wilson in Blackwoods, sang pæans in his praise, and there is no doubt that "Christopher North," so like and yet so unlike the American woodsman, did much to smooth his path in his own country as well as in Europe. Though keenly feeling the need of literary advice in those early contributions, Audubon was quite shocked at the alterations which Dr. Brewster had made in one of these articles, for though the editor had "greatly improved the style," he had quite "destroyed the matter."

On December 21, 1826, Audubon wrote to Thomas Sully that he would send him a copy of the first number of his Birds, with the request that he forward it in his 363 name "to that Institution which thought me unworthy to be a member.... There is no malice in my heart," he continued, "and I wish no return or acknowledgment from them. I am now determined never to be a member of that Philadelphia Society." Let it be noted, however, that Audubon was elected to membership in the American Philosophical Society, when their recognition could no longer be withheld and when mutual animosities had died down. Three days later he recorded that all of his drawings had been taken from the walls of the Royal Institution, where they had been on exhibition a month, and that he was intending to present to the Society his large canvas of the Wild Turkeys, for which Galley, the picture dealer, had offered him a hundred guineas on the previous day.[333]

Among Audubon's early patrons were Lord and Lady Morton, and more than once he was invited to visit them in their beautiful country seat of "Dalmahoy," where a large, square, half-Gothic building, crowned with turrets and adorned with all the signs of heraldry, overlooked a beautiful landscape to Edinburgh, marked by its famous castle, seen in miniature on the horizon, eight miles away. Being somewhat apprehensive of meeting the former Chamberlain to the late Queen Charlotte, Audubon had imagined the Earl 364 to be "a man of great physical strength and size"; instead, however, he saw

a small, slender man, tottering on his feet, weaker than a newly hatched partridge; he welcomed me with tears in his eyes, held one of my hands, and attempted speaking, which was difficult to him, the Countess meanwhile rubbing his other hand. I saw at a glance the situation, and begged he would be seated ... and I took a seat on a sofa that I thought would swallow me up, so much down swelled around me. It was a vast room, at least sixty feet long, and wide in proportion, let me say thirty feet, all hung with immense paintings on a rich purple ground; all was purple about me. The large tables were covered with books, instruments, drawing apparatus, a telescope, with hundreds of ornaments.

After luncheon Audubon's "Book of Nature" was produced, and his drawings spread out and admired. Next day the Countess, who was "a woman of superior intellect and conversation," was given "a most unnecessary lesson" in drawing, for, said the naturalist, "she drew much better than I did; but I taught her to rub with cork, and prepare for water-color." Before he left the Countess wrote her name in his subscription book, and arranged that he should return and resume his instruction.

One of Audubon's early friends at Edinburgh was Captain Basil Hall,[334] traveler and writer, who was then about to start on a journey through the United States; he told the naturalist that he was a midshipman on board the Leander "when Pierce was killed off New York," at the time of Audubon's return with Rozier to America in 1806, when Captain Sammis, upon seeing the British 365 frigate, "wore around Long Island Sound, and reached New York by Hell Gate." It was at Captain Hall's home that Audubon met Francis Jeffrey. The indomitable critic and reviewer was described as "a small (not to say tiny) man," who entered the room "with a woman under one arm, and a hat under the other." "His looks were shrewd," said the naturalist, his eyes "almost cunning" and though he talked much, he appeared unsympathetic. Their meeting was productive of no friendly feelings on either side.

Three months after reaching Edinburgh, the long awaited opportunity of meeting the greatest literary figure of the day came to Audubon unexpectedly, for he did not wish to be introduced in a crowd. Under date of January 22, 1827, he wrote that Captain Hall came to his rooms and said: "Put on your coat, and come with me to Sir Walter Scott: he wishes to see you now." "In a moment," said Audubon, "I was ready.... My heart trembled; I longed for the meeting, yet wished it over." When they were ushered into Sir Walter's study, the great Scot came forward, and warmly pressing the hand of his visitor, said he was glad to have the honor of meeting him. Audubon's record of the meeting continues:

His long, loose, silvery locks struck me; he looked like Franklin at his best. He also reminded me of Benjamin West; he had the great benevolence of William Roscoe about him, and a kindness most prepossessing. I could not forbear looking at him; my eyes feasted on his countenance. I watched his movements as I would those of a celestial being; his long, heavy, white eyebrows struck me forcibly. His little room was tidy, though it partook a good deal of the character of a laboratory. He was wrapped in a quilted morning-gown of light purple silk; he had been at work writing on the "Life of Napoleon." 366 He writes close lines, rather curved as they go from left to right, and puts an immense deal on very little paper.... I talked little, but, believe me, I listened and observed.

Two days later Audubon paid Scott a second visit, this time with his portfolio, but little was recorded of this interview other than that it was more agreeable than the first, and that he greatly admired the accomplished Miss Scott, to whom he later sent as a gift the first number of his plates. Audubon's drawings were exhibited at a meeting of the Royal Society over which Sir Walter presided, and Scott was also in attendance at the Royal Institution when Audubon's large painting of the Black Cocks was shown. "We talked much" on this occasion, said the naturalist, "and I would have gladly joined him in a glass of wine, but my foolish habits prevented me." This restriction on wine was soon removed, as was that on whisky, whether of the Scotch or Kentucky brand, and during his later life in America Audubon was never a teetotaler by any means. While at the Exhibition Sir Walter pointed to Landseer's picture of the dying stag, saying, "many such scenes, Mr. Audubon, have I witnessed in my younger days." Audubon was doubtless too polite to express an opinion of that popular artist, though of that very picture he had written in his journal three days before that there was no nature in it, and that he considered it a farce; "the stag," he said, "had his tongue out, and his mouth shut! The principal dog, a greyhound, held the deer by one ear, just as if a loving friend; the young hunter had laced the deer by one horn very prettily, and in the attitude of a ballet-dancer was about to cast the noose over the head of the animal."

Scott and Audubon were kindred spirits in their love 367 of sport, of wild and untameable nature, as well as of man in his Homeric relation to it. Shortly after their first interview the great Scotsman wrote this handsome tribute in his journal:

January 22 [1827].—A visit from Basil Hall with Mr. Audubon, the ornithologist, who has followed that pursuit by many a long wandering in the American forests. He is an American by naturalization, a Frenchman by birth; but less of a Frenchman than I have ever seen—no dash, or glimmer, or shine about him, but great simplicity of manners and behaviour; slight in person, and plainly dressed; wears long hair, which time has not yet tinged; his countenance acute, handsome and interesting, but still simplicity is the predominant characteristic.

Of the later visit of which we just spoke we find this account:

January 24.—Visit from Mr. Audubon, who brings some of his birds. The drawings are of the first order—the attitudes of the birds of the most animated character, and the situations appropriate; one of a snake attacking a bird's nest, while the birds (the parents) peck at the reptile's eyes—they usually, in the long-run, destroy him, says the naturalist. The feathers of these gay little sylphs, most of them from the Southern States, are most brilliant, and are represented with what, were it [not] connected with so much spirit in the attitude, I would call a laborious degree of execution. This extreme correctness is of the utmost consequence to the naturalist, [but] as I think (having no knowledge of vertu), rather gives a stiffness to the drawings. This sojourner in the desert has been in the woods for months together. He preferred associating with the Indians to the company of the Back Settlers; very justly, I daresay, for a civilized man of the lower order—that is, the dregs of civilization—when thrust back on the savage state becomes worse than a savage.... 368

The Indians, he says, are dying fast; they seem to pine and die whenever the white population approaches them. The Shawanese, who amounted, Mr. Audubon says, to some thousands within his memory, are almost extinct, and so are various other tribes. Mr. Audubon could never hear any tradition about the mammoth, though he made anxious inquiries. He gives no countenance to the idea that the red Indians were ever a more civilized people than at this day, or that a more civilized people had preceded them in North America. He refers the bricks, etc., occasionally found, and appealed to in support of this opinion, to the earlier settlers,—or, where kettles and other utensils may have been found, to the early trade between the Indians and the Spaniards.

Audubon was anxious to receive a written recommendation from the great "Wizard of the North" touching the merits of his work, the publication of which had just begun, but Sir Walter Scott sensibly demurred, on the ground that his knowledge of natural history was insufficient to qualify him to pass expert judgment. "But," he added, "I can easily and truly say, that what I have had the pleasure of seeing, touching your talents and manners, corresponds with all I have heard in your favor; and I am a sincere believer in the extent of your scientific attainments."

While Audubon was playing the rôle of society's pet lion at Edinburgh in the winter of 1827, he was painting to meet the expense of engraving his first plates, and writing at odd times of the day or night. On February 20 he recorded that his paper on the "Habits of the Wild Pigeon of America" was begun on the previous Wednesday, and finished at half past three in the morning; so completely, said he, was he transported to the woods of America and to the pigeons, that his ears "were as if really filled with the noise of 369 their wings"; yet he added that were it not for the facts it contained, he would not give a cent for it, "nor anybody else, I dare say." Four days later, at the Wernerian Society, he read his paper on the rattlesnake, but the torrent of abuse which soon rewarded his efforts in this direction finally led him to reserve all literary efforts for a future and more propitious time.[335]

A large painting begun in January of this year, called "Pheasants attacked by a Fox," was probably a variant of the "Pheasants attacked by a Dog" (illustrated at page 394), the original of which is now in the American Museum of Natural History, New York City. This canvas, which was exhibited by the Scottish Society of Artists in February, 1827, measured nine by six feet, and was the largest piece he had ever attempted. "Sometimes I like the picture," he said, and "then a heat rises in my face and I think it a miserable daub." "As to the birds," he added, "so far as they are concerned I am quite satisfied, but the ground, the foliage, the sky, the distance, are dreadful."[336]

In the spring of 1827 Audubon enjoyed the novel sensation of going to church in a sedan chair, and of hearing Sidney Smith preach. "He pleased me at times," he said, "by painting my foibles with care, and again I felt the color come to my cheeks as he portrayed my sins." Later there was an opportunity to meet the famous preacher with his fair daughter, and to show them his drawings of American birds.

The following letter[337] was sent at this time to his wife in America: 370

Audubon to his Wife

Edinburgh March 12th, 1827.

My Dearest Friend

I am now proud that I can announce thee the result of the last meeting of the Royal Society of Edinburgh. I was unanimously elected a Foreign Member of that Institution on the 5t.h. Instant and am at last an F. R. S..—Wilt thou not think it wonderful; to me it is like a dream, and quite as much so when I see the particular attentions paid me by all ranks of the best Society. On the 6t.h. I received the official Letter from the Secretary with the seal of the Society and the arms of Scotland—this along with my other diplomas and Letters, I assure thee enable me to be respected and well received in any portion of the Civilized World. Sir Walter Scott has also been so kind as to give me a Letter that I may exhibit wherever I may go==I have Two Letters from him very kind==all this I think will afford thee great Pleasure.

I am now preparing to leave Edinburgh and will do so in a few days, I am now anxious to visit London as soon as I possibly can, and yet want to spend a few days at New Castle, York, Liverpool, Dublin, then back again to England, go by Cambridge and Oxford.—If I meet the success that I expect in that Tour it is very probable that soon after my reaching London, I will write for thee to Come, and when I do so, my Lucy may come without the least Hesitation for I will then be ready to receive her!

Since my last of the 22d of February, I have received thine of the 31t of December, 3d of January and 8th of Do. this last mostly John's, I am particularly glad that thou hast left the Beech Woods, yet thou might as well have given me at once thy good reasons for doing so. I hope that at this Instant that I am writing, thou art snug and comfortably settled afresh.

The Trees and Segments have not yet arrived, but I hope to hear soon that they have—I have not a word about the Seeds reaching yet. do my Love always say by what vessel any thing comes, as John as concluded to take Lessons of Music 371 I have no wish to sell my Gun but wish to give it him as his ow[n] in Fee Simple, as soon as he deserves it from thy own Hands. May God bless him!—if all continues well with me Victor and him may rise to eminence and therefore try Johny's Spunk. do beg or make him draw all kinds of Limbs of Trees or Flowers for me and whenever he kills a bird of any kind tell him to measure the Guts particularly and make a regular list of the names of the Birds, length and thickness of those Guts and their contents==[338]

I wrote a long letter to each Victor and N. Berthoud on the 27 February, but not a word from either of them as yet reached me. I was quite shocked to see thy last letter of the 8th of January without the print of thy new Seals, I am quite frightened at thy watch not having reachd thee, yet I hope every new Letter will bring me better tidings. I now collecting Letters from all my Friends here and will have God knows enough of them. I only hope I may soon be in a regular way of making a comfortable living for ourselves all:

All the papers and books I send thee mention my name. My work is lookd upon as unrivalled in any Country, I will soon know how it will pay.—I can only add that I will write to thee from all the places I visit==Let Victor have a copy of this==Collect all kinds of Curiosities whatever==try to send or bring with thee but send first if Possible Live Birds of hardy kinds such as Blue Jays by THEMSELVES. Red Birds Do. red wingd Starling Do, Partridges &c &c.—present my humble respects to Mr & Mrs Johnsons and remembrances to good Friend bourgeat—try to send me an account of the growing of Cotton from A to Z, written by an able Planter—I wish thee to make regular memorandums thyself respecting all about Habits & Localities &c &c.==thou wilst scarce believe that this day there [are] in many places 16 feet of snow. the weather has been tremendous—yet with all this no Invitation is ever laid aside 372 and the other evening I went to Diner in a Hackny Coach drawn by 4 Horses, and to church on Sunday last in a Sedan chair to hear the famous Sidney Smith, curious diferences of manners here I assure thee.

I have seen and know personally all the great men of Scotland and many of England.

What a curious interesting book a Biographer—well acquainted with my Life could write, it is still more wonderfull and extraordinary than that of my Father!

Fear not my connecting myself in any way with Charles M. he is a mere worm on the hearth, and since he has abandoned his Grand Flora is out of my books—it has perhaps been an error in our Lives that thou didst not come with me. So much indeed do I now think so that I have advised Capn Hall to take his Lady and child with him. be sure to pave the way for them to Judge Mathews and N. Berthoud to whom I have given him letters to.—I send thee his Travels, read his interview with Napoleon; I write my Journal every day, it seems that that portion of it forwardd thee long ago as never reachd thee as thou dost not mention it. I am sorry for all these little misfortunes and can hardly a/c for them. I have not heard from H. Clay but will refresh his memory, I hope at the same time to receive a Letter from the President==I hope this day the last beautiful broach I sent thee as a new Years gift is shining on thy bosom, as I have witnessed the brightness of thy own sweet Eyes, oh my Lucy what would I give now in my possession for a kiss on thy Lips and——God for ever bless thee thine Husband and Friend for ever—

John J. Audubon

F.R.S.E.	Fellow	Royal Society Edinburgh—
F.A.S.—	Fellow	Royal Society antiquarians—
M.W.S.N.H.—	Member	Wernerian Society of Natural History
M.S.A.—	Member	Society of Arts of Scotland—
M.P.L.S.—	Member	Philosophical & Literary Society Liverpool
M.L.N.Y.—	Member	Lyceum of New York.

373

My Dear John—

I am very thankfull to you for your Letters continue to write from time to time, draw, and study music closely, there is time for all things—I give you my Gun with all my Heart best wishes, but earn it at your Dear Mamma's will—God bless You—

Your Father and Friend—
John J. Audubon

At Edinburgh Audubon met a young landscape painter, Joseph B. Kidd, and the two worked together for some time, Kidd receiving instruction in animal painting and Audubon hints on the treatment of his landscapes, which had always been a source of trouble to him. Kidd was Audubon's Edinburgh agent for a time, and later entered upon the ambitious project of reproducing all of his birds in oils, as will be noticed later.[339]

On March 17, 1827, when the second number of his Birds was in preparation, Audubon boldly issued his "Prospectus," contrary to the advice of some of his friends, who could see only egregious folly in such an undertaking and regarded it as foredoomed to failure. As everybody knows, it is easier to say things than to do them, but all these friendly critics sang a different tune later on, when they had seen more of the indomitable will and self-reliance of the man, who was to carry steadily forward to a successful issue a work which was in press nearly twelve years and which cost over $100,000 to produce. In Audubon's original prospectus of The Birds of America the specifications as to the form, size, and cost of the work, which had been determined for some months, underwent little 374 change in subsequent editions of this printed statement.[340]

Audubon left Edinburgh for London on April 5, 1827, with locks shorn but energy unabated. He followed a roundabout course, visiting Belford, "Mitford Castle," Newcastle-upon-Tyne, York, Leeds, Liverpool, and Shrewsbury, at every point extending his acquaintance, showing his drawings to many, and adding appreciably to his growing list of subscribers. Several days were spent in hunting and drawing birds with the Selbys, at their beautiful country place called "Twizel House," at Belford, in Northumberland, where he was soon made to feel as much at home as with his older Liverpool friends, the Rathbones, at "Green Bank."

P. J. Selby, after whom Audubon named a Flycatcher which appeared in his second number, was an amateur artist and ornithologist, and at that time was engaged upon an extensive publication to which Audubon was 375 invited to contribute, a single volume of plates and text having then been published.[341]

At Newcastle, where Audubon spent a week, he saw much of its grand old man, Thomas Bewick, "the first wood cutter in the world," and conceived a deep regard for him, which he afterwards expressed in one of his "Episodes." As they parted, this great son of nature held him closely by the hand, and for the third time repeated, "God preserve you!" "I looked at him in such a manner," said Audubon, "that I am sure he understood I could not speak." 376

As he proceeded southward, his subscription list augmented apace, Manchester alone giving him eighteen new names, and he began to feel more sanguine of success, if, he added, "I continue to be honest, industrious, and consistent." 377

CHAPTER XXIII
AUDUBON IN LONDON

Impressions of the metropolis—A trunk full of letters—Friendship of Children—Sir Thomas Lawrence—Lizars stops work—A family of artists—Robert Havell, Junior—The Birds of America fly to London—The Zoölogical Gallery—Crisis in the naturalist's affairs—Royal patronage—Interview with Gallatin—Interesting the Queen—Desertion of patrons—Painting to independence—Personal habits and tastes—Enters the Linnæan Society—The White-headed Eagle—Visit to the great universities—Declines to write for magazines—Audubon-Swainson correspondence—"Highfield Hall" near Tyttenhanger—In Paris with Swainson—Glimpses of Cuvier—His report on The Birds of America—Patronage of the French Government and the Duke of Orleans—Bonaparte the naturalist.

Audubon reached London on May 21, 1827, and put up at the "Bull and Mouth" tavern, but soon moved into more permanent lodgings at number 55 Great Russell Street, near the British Museum. Though for a long time eager to see the capital, no sooner had he reached it than he was anxious to be away and more homesick than ever for his family and his beloved America. London then seemed to him "like the mouth of an immense monster, guarded by millions of sharp-edged teeth," from which he could escape only by miracle.

He had brought with him a formidable array of letters addressed to the élite of the capital,[342] and he bore 378 besides nearly a trunkful for the Continent, as well as general letters from Henry Clay, Andrew Jackson and others in America for our consular and diplomatic representatives in Europe. His epistolary basis for the acquisition of useful acquaintances could hardly have been better, and further testimonials were gathered at every stage of his progress to the city of his hopes, but Audubon's best letter of credit, which could be read by all the world, was an open, winning countenance. After he had wandered over London for the greater part of three days without finding a single individual at home, he was tempted to consign his valuable documents to the post, an error which he did not repeat, as it deprived him of the acquaintance of fully one-half of the people to whom they were addressed. One of these London letters which follows, written by Captain Basil Hall to John Murray, the noted publisher and founder of the Quarterly Review, is particularly interesting in showing that Audubon was far from pleased with the progress of his work in Edinburgh, and that he was then contemplating a change which was later effected.

Basil Hall to John Murray

Edinb 23rd Feby. 1827

My Dear Sir

This will be delivered to you by my friend Mr John Audubon, an American Gentleman who has been residing here this winter, & I beg in the most particular manner to introduce him to your acquaintance and to ask for him the advantage of your good offices.

Mr Audubon has spent [a] great part of his life in making a collection of drawings of the Birds of North America, & in studying their Habits, with the intention of publishing a Complete Ornithology of America. For such a work his materials, both in the shape of drawings and of written notes, are immense 379 and he is now going to London in order to set this gigantic work in motion.

Mr Audubon, however, is not very well versed in the details of such matters, & therefore I beg of you to have the goodness to aid him with your advice on the occasion—to introduce engravers printers & so forth to him, and generally speaking to put him in the way of bringing out his work in an advantageous manner to himself.

I trust all this will give you no more trouble than you will be willing to take at my earnest solicitation.

I remain Ever, My Dear Sir,
Most Sincerely Yrs
Basil Hall.

John Murray Esqr

Audubon carried also a long letter from "Mr. Hay,"[343] dated at "16 Athol Crescent, Edinburgh, 15 March, 1827," and addressed to the care of his brother, Robert William Hay, of Downing Street, West, in which this curious statement occurs: "Mr. A. is son of the late French Admiral Audubon, but has himself lived from the cradle in the United States, having been born in one of the French colonies."

The document which was to prove of greatest service to him, however, was addressed to John George Children,[344] then in charge of the Department of Zoölogy in 380 the British Museum and secretary of the Royal Society. Children assumed the management of Audubon's work when he returned to America in 1829 and again in 1831; to him and Lord Stanley, in 1830, the naturalist probably owed his nomination to membership in the Royal Society.

Soon after reaching London Audubon paid his respects to Sir Thomas Lawrence, for whom he had two letters, and made an appointment for showing his work to this famous artist. He was also gratified to receive the subscription of Lord Stanley and of Charles Lucien Bonaparte, who was then in London.

Audubon had not been in London a month before word was received from Lizars that all his colorers had struck work and that everything was at a stand. Accordingly, he began to search London for skilled workmen, and on June 18 wrote: "I went five times to see Mr. Havell, the colorer, but he was out of town. I am full of anxiety and greatly depressed. Oh! how sick I am of London!" Three days later another discouraging letter came from Lizars, who shortly after threw up his contract and left his patron in a sad predicament—with an enormously expensive work, still-born, on his hands, without adequate funds, and, in short, with all his cherished plans suspended in mid-air. Audubon no doubt realized that if his grand undertaking were to succeed at all, it must experience a new birth in London, where an expert engraver of the requisite enterprise and zeal must be found without delay. He closed his journal on the second day of July with the 382 remark that he was too dull and mournful to write a line, and it was not opened again for nearly three months.

TITLE PAGE OF THE ORIGINAL EDITION OF "THE BIRDS OF AMERICA," VOLUME II, 1831-1834.

This gap in Audubon's record can now be filled in reference to some important particulars, for in the interval he made his greatest discovery in England, in Robert Havell, Junior, then a young and unknown artist of thirty-four, who through eleven years of the closest association with his new patron was to become one of the greatest engravers in aquatint the world has ever seen. Until recently the intimate story of Audubon's relation to the Havells has been much obscured.[345] The reference in the journal record of June 19, just given, was undoubtedly to Robert Havell, Senior, who for many years was associated with his father, Daniel Havell, the first of five generations of artists of that name, in the engraving and publishing business, but who at this time was established independently at 79 Newman Street, London; he also conducted a shop called the "Zoölogical Gallery," at which were sold engravings, books, artists' materials, naturalists' supplies, and specimens of natural history of every sort. His three sons, Robert, George, and Henry Augustus, all became artists, but the eldest, who bore his father's name, was educated for a learned profession. Contrary to his father's injunctions and advice, Robert, who was bent on becoming an artist, abruptly left his home in 1825, determined to shift for himself. He began with an extensive sketching tour on the River Wye, in Monmouthshire, and produced numerous paintings which, 383 as his biographer remarks, display all the charm found in the work of his distinguished cousin, William Havell. These won immediate recognition in London, where he received commissions from various publishers, including the house of Messrs. Colnaghi & Company.

Robert Havell, Senior, then in his fifty-eighth year, though deeply interested in Audubon's adventurous plans, felt himself too old to embark on so extended a work, which it was then believed would require from fourteen to sixteen years for completion; he volunteered, however, to do his best to find a substitute. With this in view, he applied to Mr. Colnaghi, the publisher, and was immediately shown the unsigned proof of a beautiful landscape, exquisitely drawn and engraved by one of the youthful retainers of his establishment. The elder Havell, after scrutinizing it carefully, exclaimed, "That's just the man for me!" "Then," replied the publisher, "send for your own son!" Through this singular coincidence, father and son became reconciled and a partnership between them was soon announced.

As a test of young Havell's skill, to follow the story of his biographer, Audubon gave him his drawing of the Prothonotary Warbler, which had already been engraved and issued by Lizars as Plate iii of The Birds of America earlier in that year. Havell finished the engraving in two weeks, when a proof was struck and the naturalist summoned. Audubon examined the print with the utmost keenness and deliberation; then he seized the sheet, and holding it up, danced about the room, calling out in his French accent: "Ze jig is up, ze jig is up!" The Havells, who at first thought this might signify disapproval, were quickly disabused when Audubon approached young Robert and, throwing 384 his arms about his neck, assured him that his long-sought engraver had been found at last. Having given this story, I wish it were possible to confirm it, but a close examination of this plate proves either that the story is a fiction, or that some other drawing was used as a test of Havell's skill.[346]

The part which this interesting family played in Audubon's success will be unfolded later.[347] Suffice it now to say that Messrs. Robert Havell & Son, in London, undertook afresh the production of The Birds of America in the summer of 1827. The partnership was divided or dissolved in 1828, when Robert, junior, who from the first did all of the engraving, took entire charge of that part of the business, and moved his engraving establishment around the corner to 77 Oxford Street; there it remained until broken up in 1838. Robert Havell, Senior, continued in charge of the printing and coloring until 1830, when he seems to have permanently retired, two years before his death in 1832, events which, as will be seen, are indirectly registered in the legends of some of Audubon's plates.[348]

THE PROTHONOTARY WARBLER PLATES, "THE BIRDS OF AMERICA," PLATE XI, BEARING THE LEGENDS OF THE ENGRAVERS W. H. LIZARS (LEFT) AND ROBERT HAVELL, JR. (RIGHT), BUT IDENTICAL IN EVERY OTHER DETAIL OF ENGRAVING, ANY APPARENT DIFFERENCE BEING DUE TO THE COLORING, WHICH WAS ADDED BY HAND.

385

Under the younger Havell's guiding hand, Audubon found that his illustrations could be produced in better style, more expeditiously, and at far less cost than in Edinburgh. When Lizars was later shown the third number which the Havells had produced, he called his assistants and observed how completely the London workmen had beaten them; he even offered to resume work on the engraving and at Havell's price, but Audubon was averse to further experimenting. "If he can fall," said he, "twenty-seven pounds in the engraving of each number, and do them in a superior style to his previous work, how enormous must his profits have been; a good lesson to me in the time to come, though I must remember Havell is more reasonable owing to what has passed between us in our business arrangements, and the fact that he owes so much to me."

This characteristic note was sent from Liverpool, December 6, 1827, to his agent, Daniel Lizars, father to W. H. Lizars, at Edinburgh:

I will not ask if you have any new name for me, as I might be disappointed were I to expect an affirmative answer.

If you see Sir Wm. Jardine tell him that Charles Bonaparte has left the U. S. for ever, and has gone to reside in Florence, Italy.

I have wrote to Mr. Havell to send you a No. 5, which I wish you to send to Professor Wilson, or indeed a whole set, to enable him to write the notice he has promised for me the 1st. of next month.

REVERSE OF PANELS OF ROBERT HAVELL'S ADVERTISING FOLDER REPRODUCED ON FACING INSERT.

OUTSIDE ENGRAVED PANELS OF AN ADVERTISING FOLDER ISSUED BY ROBERT HAVELL, ABOUT 1834; THE PRINTING ON THE REVERSE IS REPRODUCED ON THE FACING PAGE.

From the only copy known to exist, in possession of Mr. Ruthven Deane. It is a strip of heavy paper, 18 by 3⅝ inches in size, printed on both sides, and folded twice, the folded size being 4½ by 3⅝ inches. One side bears the four panels, engraved by Robert Havell, reproduced on this and the following page; and the reverse, the printed matter reproduced on pages 386 and 387.

INSIDE ENGRAVED PANELS OF THE ADVERTISING FOLDER ISSUED BY ROBERT HAVELL, ABOUT 1834.

The lower panel shows the interior of the "Zoölogical Gallery," 77 Oxford Street. Audubon's plate of the Cock Turkey is being examined at one of the tables.

REVERSE OF PANELS OF ROBERT HAVELL'S ADVERTISING FOLDER REPRODUCED ON FACING INSERT.

Audubon sent another letter to this agent, from London, January 21, 1828, when he was still waiting for an answer to his last: "When I write to any one I expect an answer, but when I write to a man I esteem, and to whom I entrust a portion of my business, I feel 388 miserable until I hear from him.... I am extremely anxious to close my business for 1827, and cannot do so without receiving your a/c, and the money due by my subscribers."

The summer of 1827 was probably Audubon's most critical period in England. His work was then in the air and ruin of all his hopes seemed inevitable, but with palette and brush he again extricated himself from financial difficulties. At this time, he said, "I painted all day, and sold my work during the dusky hours of the evening as I walked through the Strand and other streets where the Jews reigned; popping in and out of Jew-shops or any others, and never refusing the offer made me for the pictures I carried fresh from the easel." He sold seven copies of the "Entrapped Otter" in London, Manchester, and Liverpool, and from seven to ten copies of some of his other favorite subjects; once when he inadvertently called at a shop where he had just disposed of a picture, the dealer promptly bought the duplicate and at the same price that he had paid for the first.

In the autumn of this year, when it was found that his agents were neglecting their business, Audubon determined to make a sortie to collect his dues and further augment his subscription list. He left London on September 16, and visited in succession Manchester, Leeds, York, Newcastle-on-Tyne, Alnwick Castle and Belford, to see the Selbys, finally reaching Edinburgh on the 22nd of October.

Audubon had set his mark at obtaining 200 subscribers by May, 1828, but he fell far short of realizing it. On August 9 he wrote: "This day seventy sets have been distributed; yet the number of my subscribers has not increased; on the contrary, I have lost some." 389 At York he found that a number of his Birds, which had been forwarded from Edinburgh before he had taken his departure, "was miserably poor, scarcely colored at all"; and a copy of his first number which was later examined at the Radcliffe Library in Oxford was so unsatisfactory that he rolled it up and took it away, with the reflection that Lizars, whom he had paid "so amply and so punctually," could have made him a better return. The colorists gave no end of trouble, but he never hesitated to reject their work when it did not meet his requirements, and the defective plates were invariably sent back to Havell's shop to be washed, hot-pressed, and done over again. To such watchful care must be ascribed, in large measure, the high degree of perfection which his big work eventually attained. When it is remembered that upwards of one hundred thousand of his large plates had to be colored laboriously by hand, and that at one time fifty persons were engaged at the Havell establishment, we can understand the difficulties involved in maintaining a uniform standard of excellence in a work that was issued piecemeal and spread over a long period of time.

In August, 1827, Audubon wrote to Mrs. Thomas Sully of Philadelphia to announce the removal of his business to London. By this change he expected to save "upwards of an hundred pounds per annum, a large sum," as he remarked, "for a man like me." His third number had then been issued, and he expressed the hope that all would go smoothly after "this first year of hard trials and times," and that he would be able to send for his wife and one of his sons in the coming autumn or winter. He was then painting "a flock of Wild Turkeys for the king, who had honored him with his particular patronage and protection." When writing 390 to his young son, John W. Audubon, on the 10th of the same month, he charged him to devote two hours daily to the preparation of bird skins, and to send him not only the skins but live birds and mussel shells, for which he would be duly paid. Said the father:

I would give you 500 dollars per annum, were you able to make for me such drawings as I will want. I wish you would draw one bird only, on a twig, and send it [to me] to look at, as soon as you can after receiving this letter.... I should like to have a large box filled with branches of the trees, covered with mosses &c., such as Mama knows I want; now recollect, all sorts of Birds, males and females, ugly or handsome.

Audubon had come to London with the idea of having his work published under the patronage of King George IV; in order to gain a personal interview with the Sovereign he had brought a letter to Robert Peel, who was then the Home Secretary, but a change in the Cabinet had upset his plans and the letter was returned. He then applied to the American Ambassador, Mr. Albert Gallatin, who upon their first meeting addressed him in French and showed "the ease and charm of manner of a perfect gentleman"; but when the question of an audience with the King was broached, Gallatin laughed at the idea as preposterous. "The king," he declared, "sees nobody; he has the gout, is peevish, and spends his time playing whist at a shilling a rubber. I had to wait six weeks before I was presented to him in my position of ambassador, and then I merely saw him six or seven minutes." When Audubon then suggested that the Duke of Northumberland might interest himself in his behalf, Gallatin, who disliked the English heartily, replied: "I have called hundreds of times on like men in England, and have been assured that his 392 grace, or lordship, or [her] ladyship was not at home, until I have grown wiser, and stay at home myself, and merely attend to my political business, and God knows when I will have done with that."

TITLE PAGE OF AUDUBON'S PROSPECTUS OF "THE BIRDS OF AMERICA" FOR 1831.

As the American Ambassador had predicted, King George evinced no ardent desire to meet the American woodsman, though he consented to take the work under his patronage and to become a subscriber on the usual terms; this plan, however, fell through, for the King, who was reported to have taken his copy, failed to pay for it. With Queen Adelaide, on the other hand, the naturalist was more successful, and in his "Prospectus" of 1831 she was announced as his special patron, with her name heading his list. Negotiations to interest the Queen were going on when the following note was sent to Audubon by Sir J. W. Waller, who occupied some position in the king's household and was spoken of as "oculist to his majesty":

Sir J. W. Waller to Audubon

Saturday 9 o clock [1830].

I have scarce an Instant as I am going to Town to breakfast with the Dk. of Gloucester, but yr. Letter is urgent & therefore I can only desire Mr. A. to send his Number immediately to the Stable Yard, directed to her Majesty, & the first moment I can see her, I will speak on the subject, but at this Moment I will not promise to mention it to the King for reasons I cannot put on paper.

Yrs. ever,
J. W. Waller

At Edinburgh Audubon was alarmed to find that subscribers were rapidly deserting him, six having cancelled their names without the formality of giving reasons. 393 He hoped to supply their places at Glasgow, then a rich city of one hundred and fifty thousand people, but after a visit there of four days in November, 1827, he was obliged to return to Edinburgh with but one new name on his list.

On October 22 he expressed the resolve for the coming year "to positively keep a cash account" with himself and others, "a thing" he had "never yet done." The wisdom of that decision was apparent upon settling his accounts for 1827 with both Lizars and Havell, as appears from this note, written in his journal on January 17, 1828: "It is difficult work for a man like me to see that he is neither cheating nor cheated. All is paid for 1827, and I am well ahead in funds. Had I made such regular settlements all my life I should never have been as poor a man as I have been; but on the other hand I should never have published the "Birds of America." Again, for February 7 we find this record: "Havell brought me the sets he owed me for 1827, and I paid him in full. Either through him or Mr. Lizars I have met with a loss of nearly £100, for I am charged with fifty numbers more than can be accounted for by my agents or myself. This seems strange always to me, that people cannot be honest, but I must bring myself to believe many are not, from my own experiences."

Shortly after reaching London, as we have seen, Audubon had made the acquaintance of Sir Thomas Lawrence, then at the head of the Royal Academy and favorite painter of the Court and fashionable society. The friendship of this influential artist at a critical moment proved most fortunate, for Sir Thomas called repeatedly at his lodgings, and at each visit brought patrons who went away with some of his pictures but not without leaving a handsome toll of sovereigns in 394 his lap; the "Entrapped Otter" again did duty by bringing him twenty-five pounds, while others returned from seven to thirty-five pounds. At a later time the artist visited the "Zoölogical Gallery," as the Havell establishment in Newman Street was then known, and saw Audubon's large paintings called "The Eagle and the Lamb," and "English Pheasants Surprised by a Spanish Dog" or "Sauve qui peut." Audubon, who on this occasion missed seeing his distinguished visitor, had written in his journal three days before (December 23, 1828) that the paintings were what he called "finished," but that, as usual, he could not bear to look at either. Sir Thomas praised the "Eagle," admired an "Otter," which was later exhibited in London, but gave no opinion on the "Pheasants." Afterwards, however, when Audubon proposed to present this canvas to King George, the artist assured him that this picture was worth 300 guineas and that it was too good to be given away; if offered to the King, no doubt, said he, "it would be accepted and placed in his collections, but you would receive no benefit from the gift." According to a later record, this canvas was sold to Mr. John Heppenstall of Sheffield; whether it was ever delivered, or not, I do not know, but either the original or a copy, here reproduced, now forms the central figure in the large Audubon collection in the American Museum of Natural History in New York, and is an excellent illustration of the elaborate and ambitious character of Audubon's larger compositions. These fortunate windfalls came none too soon, for to follow the journal:

Mr. Havell had already called to say that on Saturday I must pay him sixty pounds. I was then not only not worth a penny, but had actually borrowed five pounds a few days before to purchase materials for my pictures. But these pictures 395 which Sir Thomas sold for me enabled me to pay my borrowed money, and to appear full-handed when Mr. Havell called. Thus I passed the Rubicon.

"ENGLISH PHEASANTS SURPRISED BY A SPANISH DOG"

AFTER AUDUBON'S ORIGINAL PAINTING, ABOUT SIX BY NINE FEET IN SIZE, NOW IN POSSESSION OF THE AMERICAN MUSEUM OF NATURAL HISTORY, NEW YORK. PUBLISHED BY COURTESY OF THE AMERICAN MUSEUM OF NATURAL HISTORY.

This was before the reform of the penal laws in England, when it seems to have been hard for a man to escape hanging, not to speak of being sent to prison for debt, the chief terror of life in certain circles. There were 223 capital offenses, and in 1829 in the city of London alone 7,114 persons were sent to the debtors' prison.[349]

Without the sale of his pictures in the summer of 1827, Audubon felt that he must certainly have become a bankrupt, yet he was periodically displeased with the results of his efforts in oil colors, and resolved to "spoil no more canvas" but to draw "in my usual old untaught way, which is what God meant me to do"; "I can draw," he continues, "but I shall never paint well." In the fall of 1828, however, he was again working in oils, and produced four large pieces, one of which was called "The Eagle and the Lamb," and two others which were doubtless variations of his "Pheasant" and "Otter" pictures. "It is charity," said the artist, "to speak the truth to a man who knows the poverty of his talents, and wishes to improve; it is villainous to mislead him, by praising him to his face, and laughing at his work as they go down the stairs of his house." Sir Thomas Lawrence had praised some of these pictures and had promised to select one for exhibition at Somerset House. As regards "The Eagle and the Lamb," which Audubon hoped would go to Windsor Castle, William Swainson would give no opinion; the same canvas, or 396 else a replica, was in possession of the Audubon family in 1898.[350]

On December 14, 1827, Audubon wrote that, acting upon the advice of Mr. Maury, the American consul at London, he had presented a copy of his Birds to John Quincy Adams, the President of the United States, and another, through Henry Clay, to the American Congress; in order that the latter should be as perfect as possible, Havell was asked to do the coloring himself, but these proposed gifts do not appear to have been executed.[351]

New Year's, 1828, found the naturalist in Manchester, where but a few days before he had received the fifth and last number of his plates for 1827 and expressed himself well pleased with it. While returning to London by coach, he consented to take a hand at cards to accommodate his fellow passengers, but declined to play for money; "I never play," he confessed, "unless obliged to by circumstances; I feel no pleasure in the game, and long for other occupation." "I missed my snuff," he added, and whenever his hands went into his pockets in search of the box, he "discovered the strength of habit thus acting without thought"; but he remembered a resolution he had formed to give up the habit and stuck to it for a time at least; doubtless, like his later friend, John Bachman, he reformed more than once, for in a letter to Victor Audubon, of November 5, 1846, Bachman added this postscript: "To Audubon: The snuff—the snuff, it is here! I have just taken a pinch, and the ladies have blown you up—sky-high, for teaching me such a bad practice; I say, 397 however, that you beat me all to pieces in that art."

The first winter in London dragged heavily for the naturalist, who exclaimed in January, 1828: "How long am I to be confined in this immense jail"; when Daniel Lizars reported from Edinburgh the loss of four of his subscribers, he writes, "I am dull as a beetle. Why do I dislike London? Is it because the constant evidence of the contrast between the rich and the poor is a constant torment to me, or is it because of its size and crowd? I know not, but I long for sights and sounds of a different nature," such, we might add, as the flocks of wild duck which were occasionally seen from Regent's Park as they passed over the city and made him more homesick than ever. Audubon hated the city quite as cordially as Charles Lamb ever affected to detest the country, and when leaving it, afoot or by stage, it seemed as if he could never be rid of it. "What a place is London," he would say, but naïvely add: "many persons live there solely because they like it."

On February 4, 1828, Audubon was elected to membership in the Linnæan Society, and in November he presented it with a copy of his work, which was then well under way. This was noticed in a letter to Swainson, written on November 7, when no acknowledgment of the gift had then been received; and he mentioned also the sale of his picture of "Blue Jays" for ten guineas. At a meeting of the Linnæan Society not long after his election, copies of Selby's Illustrations of British Ornithology and of his own work were placed side by side for inspection, and "very unfair comparisons were drawn between the two"; had Selby, Audubon reflected, been given "the same opportunities that my curious life has granted me, his work would have 398 been far superior to mine"; "I supported him," he added, "to the best of my power."

Revision of his older drawings demanded much of Audubon's attention during these years. On February 10, 1828, he began the Whiteheaded Eagle (No. 7, Plate xxxi), the original of which had been procured on the Mississippi, where the bird was represented as dining on a wild goose; now, he said, "I shall make it breakfast on a catfish, the drawing of which is also with me, with the marks of the talons of another eagle, which I disturbed on the banks of the same river, driving him from his prey." On the 16th of that month he was engaged with this drawing from seven in the morning until half after four, stopping only to take the glass of milk which his landlady would bring to him. This plate was engraved in the following April, and on May 1, 1828, a first proof was sent to the Marquis of Landsdowne, president of the Zoölogical Society, as a mark of appreciation by its author, who had become a member of that body in the preceding winter.

A striking characteristic of Audubon's work was its diversity, produced not only by attractive embellishments of many kinds, but by the moving force and action with which he ever sought to vitalize his subjects. It is therefore not surprising that he was nettled by an incident like this:

February 28. To-day I called by appointment on the Earl of Kinnoul, a small man, with a face like the caricature of an owl; he said he had sent for me to tell me all my birds were alike, and he considered my work a swindle. He may really think this; his knowledge is probably small; but it is not the custom to send for a gentleman to abuse him in one's house. I heard his words, bowed, and without speaking, left the rudest man I have met in this land.

399

Audubon had not yet visited the great university towns of England, the support of which he knew would be a valuable asset, and on March 3, 1828, he set out by stage for Cambridge. His driver, he remarked, "held confidances with every grog-shop between London and Cambridge, and his purple face gave powerful evidences that malt liquor [was] more enticing to him than water." His reception at Cambridge was hearty; he was entertained by Professors Sedgwick, Whewell, and Henslow, dined repeatedly "in Hall" with the dons, and received the subscription of the librarian of the University. It is interesting to recall that young Charles Darwin, "the man who walks with Henslow," as some of the dons called him, was then an undergraduate at King's College, and that thirty-one years were to pass before modern biology was born in 1859, the year of the appearance of the epoch-making Origin of Species.

By the 15th of March Audubon was again in London, and on the 24th he started for Oxford. Dr. Williams, as he noted in his journal, subscribed for his Birds in favor of the Radcliffe Library, as did also Dr. Kidd for the Anatomical School; but, though hospitably treated by all, not one of the twenty-four colleges of that great University emulated their example, and the naturalist went away disappointed.

Upon his return to London in early April, Audubon received a call from John C. Loudon, editor of the Magazine of Natural History, and was invited to contribute to that journal. "I declined," he said, "for I will never write anything to call down upon me a second volley of abuse. I can only write facts, and when I write these, the Philadelphians call me a liar." He was then chafing under the criticism which his rattlesnake 400 stories had produced.[352] On April 6 the persistent Mr. Loudon called again and offered Audubon eight guineas for an article, only to be again refused. Still unwilling to admit defeat, the editor proposed to engage William Swainson to prepare an extended review of the naturalist's work, and in this he succeeded so well that Audubon immediately relented and sent him a paper.[353] Swainson offered to write the review for a copy of the work at its cost price, and Audubon replied in the following letter:[354]

Audubon to William Swainson

London, April 9th 1828.

My Dear Sir,

Mr. Loudon called on me yesterday and showed me a letter from you to him, in which many very flattering expressions respecting myself and my works you are so kind as to offer to 401 review the latter so as to have your opinion in writting in time for the first no. of the magazine that will appear next month.—you also desire that I should send you a sett of the works as far as publishing which you wish to keep provided I will let you have it at the price it costs me. I assure you my Dear Sir, that was I to take you at your word it would be a sore bargain for you as the a/m would be very nearly double that for which it is sold to my subscribers.—therefore you will permit me to alter your offer and to say that if it suits you to pay 35 shillings per number I will be contented; I would be still more so was I rich enough to present it to you.—

It is the only set on hand at present except one which I must have to exhibit.—

The answer respecting the Shrieke [Shrike] has I hope met with your wishes.—

Ever since I became acquainted with our mutual friend Dr. Fraill [Traill] I have had a great desire to see and speak to you & I regret that I never have had an opportunity. My time is so completely taken up that it is with difficulty that I can enjoy a day's rest—Should you come to town pray call on me when I may have the pleasure of shaking your hand and to assure you verbally that I am truly and sincerely

yours obe st
John J. Audubon

95 Great Russell St.
Bedford Sq.

LETTER OF WILLIAM SWAINSON TO AUDUBON, MAY, 1828.

From the Deane MSS.

Thus began an intimate friendship between William Swainson and John James Audubon which lasted until 1830, and their intercourse did not wholly cease before 402 1838. In his use of English at this time Audubon was not far behind Swainson, whose mother tongue it was. Swainson, according to Dr. Günther, was "extremely careless in orthography and loose in his style of writing: he persistently misspelt not only technical terms, but also the names of foreign authors, and even of some of his familiar friends and correspondents; he 403 knew no other language but his own, and the application of Latin and Greek for the purpose of systematic nomenclature was a constant source of error."

At this time Swainson was living in semi-retirement at a farmstead of considerable size, called "Highfield Hall,"[355] near Tyttenhanger Green, a small settlement, off the highroad, two miles southeast of the historic town of St. Albans, in Hertfordshire; though his letters were always dated from "The Green" at Tyttenhanger, his associations were with the more considerable village of London Colney, but a mile to the south, on the road to Barnet. Audubon had brought a letter of introduction from Dr. Traill, a valiant champion of Swainson at Edinburgh, but was unable to go to the country to deliver it. Swainson, however, attended promptly to the review, and on April 11, 1828, sent it to Mr. Loudon, who published it in the May number of his Magazine.[356]

Swainson's review was extremely laudatory, and Audubon reproduced extracts from it in later editions of his "Prospectus." To quote a characteristic paragraph, he said that the naturalist's ornithological papers 404 printed in one of the Scotch journals, are as valuable to the scientific world, as they are delightful to the general reader. They give us a rich foretaste of what we may hope and expect from such a man. There is a freshness and an originality about these essays, which can only be compared to the animated biographies of Wilson.... To represent the passions and the feelings of birds, might, until now, have been well deemed chimerical. Rarely, indeed, do we see their outward forms represented with any thing like nature. In my estimation, not more than three painters ever lived who could draw a bird. Of these the lamented Barrabaud [Barraband], of whom France may be justly proud, was the chief. He has long passed away; but his mantle has at length been recovered in the forests of America.

Audubon spent four days with Swainson and his family at Tyttenhanger, from May 28 to June 1, 1828, when they talked birds and made drawings; Audubon also showed Swainson "how to put up birds in his style, which delighted him." The friendship between these men, though very intimate while it lasted, received a sudden check two years later, when Audubon was about to publish the letterpress to his plates, as will be related farther on.[357]

Though his hands were already more than full at this time, Audubon seems to have played with the idea of publishing a work on the birds of Great Britain, but on May 1 he wrote to Swainson that the plan did not meet with favor, and later he relinquished all claims in such a project to his assistant, William MacGillivray.[358]

In the spring of 1828 Audubon began to think of returning to the United States, to renew or revise his drawings and extend his researches. "I am sure," he 405 said, "that now I could make better compositions, and select better plants than when I drew mainly for amusement." In order to raise the necessary funds, he resorted again to picture painting, his never failing resource, and worked in oil colors daily from morning light until dusk, unless called to Havell's to decide some question of necessary detail. The following letters to Swainson shed further light on this work and on the progress of The Birds of America, the eighth number of which was published early in July:

Audubon to William Swainson

London, July 1st 1828.

My dear Sir.—

I have been expecting to have the pleasure of seeing you for upwards of a week, having mentioned in your last note that you intended spending a couple of days in London before the end of June.—When are you coming?—the beautifull lamb came quite safe and is now on the canvas (in efigy) for ages to come—I bought a superb Golden Eagle from Mr. Cross that also has helped to fill it —— [Here apparently some words have been deleted, and it is impossible to read them.] I long to shew them to you.—I have finished the picture of the Turkeys, and painted a white headed eagle—in fact I have worked from 4 every morning untill dark—but the best news I have to tell is; that I have received 4 letters from my wife, one dated 2nd of May, all well—but not quite settled about coming before the end of summer. I have changed quarters and am now at 79 Newman Street Oxford Street, in Mr. Havell's house where I have taken 3 rooms and feel more comfortable although I have not the little piece of ground to walk on.—I imagine the country to be now quite beautifull and had I time to spare would walk out to see you Mrs S & the dear little folks at Tittenhanger Green.—I received a visit on Saturday last of the whole of Lord Milton's family who after complimenting the author of the "Birds of America" very kindly subscribed for 406 two copies of the work.—I have mended my pen—I should have sent the Blackwood magazine to you, but I so much expected to see you here that it is yet on my table, and will keep it untill you come.—All my exertions to procure live grouses have been abortive here—I have written to Scotland to a friend and perhaps will have some soon.—The 8th number is now printing and colouring and will be out this month—the 9th is began.—If you are hungry or thirsty when you come to town please make for my [here a word is omitted], and I will try to manage matters in this way.—May I ask what you are doing?—I saw Dr Fraill's [Traill's] son a few days ago—he inquired after your son and family.—I expect a copy of Loudon's magazine this evening. I feel anxious to see what sort of a cut the Doves make, as well as the birds of Washington.—

With sincerest regards & esteem to yourself and Lady—

I am yours most truly
John J. Audubon.

79 Newman Street,
Oxford Street.

Audubon to William Swainson

London Thursday July 1828.

My dear Mr Swainson,

Although your last note said that you knew not when I should have the pleasure of seeing you in town, I have hoped every morning to see you that day.—When will you come?—There is a talk of my picture of the Eagle and the Lamb going to her Majesty, Sir Walter Waller has been written to on the subject and every thing is in train to lead poor I like a lamb to Windsor Castle!—I am told the picture is a grand one but you, my dear Sir, have not said so! When you come I will show you 13 grouses pretty fairly grouped on one canvas, with seven pheasants with a Fox on another, etc. etc. I have worked hard this month from 4 p.m. untill 7 a.m. [sic] every day—I regretted that your brother did not come to see me—I have a great desire to see you but I cannot at present leave town.—My 407 8th No. is just out.—The 9th & 10th are engraving.—I have sent word to my son to land [?] & bring some skins for you & perhaps you may have a rare assortment bye and bye.—I hope your Lady and dear Children are all quite well Pray remember me kindly to them.——I wish to name a bird after you in the 1st No. of 1829 & wish you to choose a name.

Believe yours ever and truly obliged

J. J. Audubon

79 Newman Street,
Oxford Street.

By the 9th of August eight pictures had been begun, but none was finished, and the number of his subscribers had fallen to seventy. At about this time Captain Basil Hall[359] returned from his journey through the United States, and brought direct news from Victor Audubon, who was then at Louisville, from Dr. Richard Harlan and Thomas Sully, to all of whom the naturalist's letters had been delivered the previous year. Towards the end of the month Audubon received the following note from the secretary of the Zoölogical Society, N. A. Vigors, who was also anxious to obtain from him an article for his Journal:

N. A. Vigors to Audubon

Bruter Ct
Aug. 23, 1828.

My dear Sir:—

I hope you do not forget your promise of giving us a paper for the Zoölogical Journal. We should be much gratified by having your name with us: and, if possible, should wish to have whatever you may favour us with within the next ten days. I have been but a few hours in town, and shall leave town again tomorrow for a few days, or I should have called 408 upon you to speak personally upon the subject. I believe I have already mentioned, that we are in the habit of remunerating those of our correspondents who wish for payment for their labours, at a rate not exceeding £10.10.0 per sheet.

A letter from you in answer will reach me, if sent to Bruter Ct: before Wednesday on which day a parcel will be forwarded to me from thence.

Believe me my dear Sir,

Yours faithfully,
N: A: Vigors.

[Addressed]
J. J. Audubon Esq.,
69 Great Russell St.;
Bloomsbury.

[Readdressed]
Newman Street,
Oxford Street

Audubon refused this request, saying that "no money can pay for abuse," and this time he did not retract.

Without immediate prospect of seeing his family, for neither Mrs. Audubon nor her sons were enthusiastic over the proposal that they should go to England, the naturalist was momentarily depressed; he turned to Swainson for advice, at the same time suggesting that they visit Paris together. Audubon wrote in his journal for August 16, 1828, that he had invited Swainson to accompany him to France, whither his friend had expressed a desire to go when the subject had been broached at Tyttenhanger; on the 25th of that month he added: "I do not expect much benefit by this trip, but I shall be glad to see what may be done." The letter just referred to follows: 409

Audubon to William Swainson

London, Wednesday Augt. 13, 1828.

My dear Mr. Swainson,

I reached my lodging in great comfort by the side of your amiable Docr Davie two hours and a half after we shook hands—I wish I might say as much of my Journey through Life.—I have had sad news from my dear wife this morning, she has positively abandoned her coming to England for some indefinite time, indeed she says that she looks anxiously for the day when tired myself of this country I will return to mine and live although a humbler (Public) Life, a much happier one—her letter has not raised my already despondent spirits in somethings and at the very instant I am writing to you it may perhaps be well that no instrument is at hand with which a woeful sin might be committed—I have laid aside brushes, thoughts of painting and all except the ties of friendship—I am miserable just now and you must excuse so unpleasant a letter—Would you go to Paris with me? I could go with you any day that you would be please to mention, I will remain there as long and no longer than may suit your callings—I will go with you to Rome or anywhere, where something may be done for either of our advantage and to drive off my very great uncomfortableness of thoughts—My two sons are also very much against coming to England, a land they say where neither freedom or simplicity of habits exist and altogether uncongenial to their mode of life.—What am I to do? As a man of the World and a man possessed of strong unprejudiced understanding I wish that you would advise me.—But now on your account I will change the subject—I called on Newman two days ago & to the following enquiries he gave me yesterday the following answers

What the price of

½ doz best Pure Lake	dowards [?]	answer	12/—
½ doz best Carmin	"	"	20/—
½ doz best UltraMarine	"	"	84/—
½ doz best Vermillion	"	"	6/—
½ doz best Terra di Verona	"	"	4/—

410

As I thought the above prices enormous I have declined advising chalks for you & will await your advent.—

Should you not feel inclined to go to France at present which by the bye is the very best season on account of seeing the vintage etc. etc.—please write to me so or come to town which would be still more agreeable & talk the matter over as I think I would persuade you to absent yourself for a month or so—I hope your kind lady continues quite well & your Dear Little ones—

Believe me yours most sincerely

John J. Audubon.

Please write by return of Post—
79 Newman Street
Oxford Street.

On this journey to Paris Audubon was accompanied by Mr. and Mrs. Swainson and an American artist, named Parker, who had been at work on a portrait of the naturalist in oils. For Audubon it was mainly a canvassing tour; Parker hoped to obtain orders for portraits, and Swainson, new ornithological material at the great museum in the Jardin des Plantes, for a work upon which he was then engaged.[360]

The party set out on the 1st of September, traveling by way of Dover and Boulogne, and reached Paris on Thursday, September 4. They alighted at the Messagerie Royale, Rue des Victoires, and, after looking up lodgings, went at once to the Jardin des Plantes to pay their respects to Cuvier. The Museum of Natural History was closed, but they knocked and asked for the Baron. "He was in," said Audubon, in the journal of his Paris experience, 411

but, we were told, too busy to be seen. Being determined to look at the great man, we waited, knocked again, and with a certain degree of firmness sent in our names. The messenger returned, bowed, and led the way up stairs, where in a minute Monsieur the Baron, like an excellent good man, came to us; he had heard of my friend Swainson and greeted him as he deserves to be greeted; he was polite and kind to me, though my name had never made its way to his ears. I looked at him, and here follows the result: age about sixty-five; size corpulent, five feet five, English measure; head large; face wrinkled and brownish; eyes gray, brilliant and sparkling; nose aquiline, large and red; mouth large, with good lips; teeth few, blunted by age, excepting one on the lower jaw, measuring nearly three-quarters of an inch square.[361]

They were immediately invited to dine on the following Saturday at six o'clock, and later saw Cuvier at his home, at his Museum, and at the Academy of Sciences, over which he presided.

Geoffroy Saint-Hilaire pleased Audubon greatly and proved to him by his conversation that he understood perfectly the difference between the French and the English. The Duke of Orleans, who then occupied the Palais Royal, seemed to him the finest physical type of man he had ever met. "He had my book brought up," said the naturalist, "and helped me untie the strings and arrange the table, and began by saying that he felt great pleasure in subscribing to the work of an American, for he had been most kindly received in the United States and should never forget it." When the plate of the Baltimore Orioles was held up to view, the Duke exclaimed: "This surpasses all I have seen, and I am not astonished now at the eulogiums of M. Redouté." He conversed in both English and French, had much 412 to say of American cities and rivers, and added: "You are a great nation, a wonderful nation." The Duke wrote his name in Audubon's subscription book, promised to try to enlist a number of the crowned heads of Europe in his behalf, and gave him besides a number of orders for pictures of animals.

Audubon had already made friends with the veteran painter of flowers, Pierre Joseph Redouté, and when it was proposed that they should exchange works, the "Raphael of Flowers" consented, gave Audubon at once nine numbers of his Belles Fleurs, and promised to send "Les Roses."

During this visit of eight weeks Parker painted portraits of both Cuvier and Redouté; Swainson worked steadily at the Museum, where Isidore Geoffrey Saint-Hilaire gave him the use of his private study; while Audubon, for the most part, was driving from post to pillar in his not altogether successful efforts to extend his subscription list. As already intimated, his greatest success in Paris was in winning the friendship and endorsement of Cuvier, who reported upon his work at a meeting of the Royal Academy of Sciences held on September 22.[362] Audubon has related how on this occasion he had an appointment to meet the Baron in the library of the Institute at precisely half past one o'clock; he waited; the hall filled, and the clock ticked on, but the great savant did not appear. Finally, said Audubon, after an hour had passed, "all at once I heard his voice, and saw him advancing, very warm and apparently fatigued. He met me with many apologies, and said, 'Come with me'; and as we walked along, he explaining all the time why he had been late, while his hand drove a pencil with great rapidity, and he told me 413 that he was actually now writing the report on my work!"[363] Cuvier's published report, which was extremely laudatory, showed little signs of haste. After speaking of Audubon's talents and accomplishments he said:

The execution of these plates, so remarkable for their size, seems to us equally successful in the drawing, the engraving, and coloring, and though it may be difficult to represent relief in a colored print with as much effect as in painting proper, this is no disadvantage in works on natural history; naturalists prefer the true color of objects to those accidental shades which result from the diverse inflections of light; necessary though these be for completing the truth of a picture, they are foreign as well as prejudicial to scientific accuracy.[364]

AUDUBON

AFTER A PORTRAIT IN OILS, HITHERTO UNPUBLISHED, PAINTED ABOUT 1826 W. H. HOLMES FOR WALTER HORTON BENTLEY, OF MANCHESTER, AND IN 1913 IN POSSESSION OF HIS GRANDSON, JOHN CONWAY BENTLEY, FORMERLY OF GLASGOW. IN THE ORIGINAL AUDUBON IS REPRESENTED IN A GREEN COAT, A CRIMSON CLOAK WITH DEEP FUR EDGING THROWN OVER ONE SHOULDER, AND WITH PORTFOLIO IN HAND. FROM A PHOTOGRAPH IN POSSESSION OF MR. RUTHVEN DEANE.

By November Audubon was once more in London, busy at painting to fill his orders and his purse. On the 11th of the month, we find Swainson, whose own exchequer was empty, writing to Audubon for a loan; this letter, and one soon to follow, illustrate some of the characteristics to which we have referred:

William Swainson to Audubon

Tuesday 11 Nov. 1828.

I had written the enclosed, my dear Mr. Audubon, before your letter of Monday reached me. It has come this instant, Dreams, you know, must always be interpreted contrawise, we might have lifted up our arms, as you saw in your dream but, if you had not awoke, it was no doubt to have shaken hands! But that my regard for you may be evinced, I will bring myself to lay under an obligation, which I would only ask for one of my own family. I was that moment thinking to which I should 414 write, to ask the loan of 80 £ for a few months, and now I will ask it of you. If you was aware of the peculiar feelings which we Englishmen have on such occasions, perhaps you would smile, but so it is that we never ask any one, from whom we have the least idea of a refusal. Now, did I not believe you to be a sincere friend, do you imagine I should have told you I was in want of Money much less have asked you to lend me some. The fact is, I have suffered a severe loss during my being in Paris, what little I had on hand has been spent there and in making preparations for the publication of my Zool. Illustrations. Two or three months however, hard work will bring me round again & repay you.

Let me see your letter to the President of the Zool. Soc. before it goes, and you shall see mine.

I shall be most thankful for the Grouse. I send 2 drawings to Havell to be engraved spur him on for I want to have every thing ready before the new year.

Yours most sincerely,
W. Swainson.

John J. Audubon, Esq.
79 Newman St.

In December the Swainsons invited Audubon to dine with them at Christmas; in his letter Swainson said:

Why are you so sad? I would lay ten shillings that old Havell has been disappointing you as he has done me. He is in matters of business a complete daudle—an old woman, and I have done with him. His son I think better of he has a good idea of punctuality in business.... In one of your walks I hope you have thought about the French Wine that we talked so much about and have ascertained the particulars from your friend, so that we may order a cask. I hope you have not mistaken the price,—for if not, nothing that can be drank in this country is one half as cheap.

415

In the following letter Swainson refers to the second series of his Zoölogical Illustrations,[365] the sale of which was irritating him, and to N. A. Vigors, with whom he had entered upon a notorious controversy in 1828:

William Swainson to Audubon

18 January, 1829.

My Dear Mr. Audubon,

I write this in utter uncertainty whether it will find you in London. My first number has now been out three weeks—it has been seen and universally admired, and how many copies do you think the Publisher has sold? now pray guess as the Americans say. 100—no. twentyfive, no. fifteen, no. ten? yes. positively ten copies and no more, has been sold. I blush almost to confess this mortification to even, you, but so it is. Now, my dear Sir, what am I to think of the "generally diffused taste," as the phrase is, for Natural History.

This allthough vexing to me, may be a consolation to you, who are able to exhibit on what I call your Red Book the names of a good portion of 150 subscribers to a 200 guinea Book. Think yourself my friend exceedingly well off.

The amount of sale must be kept silent, it would be a nice nut to crack for V [igors]. & his friends.

I shall be able to do without the water birds, if you have not found any.

I have had a most extraordinary letter from Waterton, which will highly amuse you. The man is mad—stark, staring mad.

Yours very faith'ly
W. Swainson.

Can you tell me any safe expeditions made of sending and receiving letters and Parcels from Philadelphia.

J. J. Audubon Esq.
79 Newman St.
Oxford St.

416

Early in 1829 Bonaparte wrote from Rome, where he had then settled, and the following letter shows that he had then heard of Audubon's visit to France, and was keenly interested in his success:

Charles L. Bonaparte to Audubon

Rome January 10 th 1829.

Dear Sir,

I received in due time your favours of November 3d. & December 21 st. & now come to thank you for them, wishing you or rather expressing to you at the occasion of the renewal of the year, the warm wishes I constantly have for your health, happiness & especially for the success of your work. From the contents of your letter I clearly perceive that one at least of my letters to you must have miscarried. Nothing could be more interesting to me than the narrative of your journey to France, though I had heard from other quarters the good & well deserved reception you met with. Your letter of August 20 th. never came at hand, & it must have been the same with at least one of mine to you. What you mention about Temminck quite astonishes me! ... I thought he would have undertaken even a journey to see you & your drawings!!! Please let me know when you write whether the Ornithological Illustrations of Jardine, Vigors & Co are stopped or still going on.—The animals I spoke to you of were reported as delivered to you by Mr Gray of the British Museum who had received them for me from the U. States. Is it not so? ... Corvus Cornix with us is very fond of the sea shore & feeds occasionally on fish, but I never observed it had the singular habits of C. ossifragus at least as described by Wilson.

I am surprized at Messrs J B's conduct; I have always found them extremely kind and well disposed towards me; & although we have settled our accounts I had no reason to believe they would refuse our box. However we can do without their interference quite as well, & I hope you have already forwarded the box to Leghorn recommending it to the care of my 417 agent in that port. Messrs F. & A. Filuchs.(?) I shall keep a good lookout for it being extremely anxious to see your new number. I should never have done if I was [to] repeat [to] you all the praise given to your work by our Italian artists & men of science!... I shall merely state that on my part I prefer the plate of Goldfinches to any other, birds and plants, being life itself; & that I am most anxious to see Astur Stanleyi which I strongly suspect to be my Falco Cooperii.... By this time, however you may have been able to ascertain the fact ... please let me know how the thing stands. It is only 418 by your letter that I hear of my work (2 d) being in London: I have not yet seen a copy myself nor did I know positively that it had been published. You must surely have received one from myself at all events, for I directed Messrs Gay & Lea to let you have one of the very first out. Let me know whether you have it & your opinion about it.—I think you are right in going to Russia, especially as in giving them the American Birds you will probably give us the Russians, some of which are hardly known. Try to get for me Pyrrhula longicauda, P. rosea & Scalopax—thalina, the latter especially. I shall not loose sight of the portrait, but it will be still more difficult to get the signature. I will however endeavor from some of my relations. You were right in supposing me "dans les bras de la paix & le bonheur d'un heureux père de famille" but greatly mistaken to think I was taking "le plaisir des sciences". Settling and other cursed worldly affairs have so much taken up my time, that I have not looked a specimen or a book since I am in Rome ... my small library itself & my Cabinet have not even been arranged & I tremble to find all my birds destroyed when the happy day will come to look into them. In the mean time an addition has been made six weeks ago to my small family. I have another son who has received the names of Lucien Louis Joseph Napoleon & better than that who is the porthrait of health itself. I am sure you will divide my happiness & excuse my delay in answering you principally on that account. I am in debt with half the scientific world & this has been the first letter I scratched since I am in Rome!... I hope to be more regular & less in a hurry in future ... though God knows!... I will not however close this letter without mentionaing the pleasure I had the other day in getting you a new subscriber & that among the English themselves.! The Earl of Shrewsbury & his good Lady highly admired your work the other day at my house & were so pleased with it that they said they would write immediately to add their name to the list. The Earl of Shrewsbury is as you know the first Earl of Great Britain a catholic & what is more to you a man of great taste. His not having heard of your work shows that you have not 419 made enough noise about it: & I am sure his name will be followed by a great many others to which Mr. Chapittar (Lord Shrewsb. friend) has promised me to show the work & deliver the prospectuses. Did you hear of the death of poor Mr Barnes killed by a stag (?). It is a great loss for the Queen. I remain, Dear Sir, begging you the London news

your most obliged friend
Charles L. Bonaparte.

[Addressed] Mr. J. J. Audubon
79 Newman Street
Oxford St.
London
Inghilterra.
[Endorsed] Answered Feby. 8 th. 1829.
J. J. A.

Audubon continued to work on his paintings during the winter of 1828-9, hoping to put his affairs in such order that he might be able to start for America in the following year. 420

PART OF LETTER OF CHARLES LUCIEN BONAPARTE TO AUDUBON, JANUARY 10, 1829.

From the Howland MSS.

CHAPTER XXIV
FIRST VISIT TO AMERICA IN SEARCH OF NEW BIRDS

Audubon settles for a time in Camden—Paints in a fisherman's cottage by the sea—With the lumbermen in the Great Pine Woods—Work done—Visits his sons—Joins his wife at St. Francisville—Record of journey south—Life at "Beechgrove"—Mrs. Audubon retires from teaching—Their plans to return to England—Meeting with President Jackson and Edward Everett.

Audubon laid his plans to visit America in 1829 with unusual care, and was fortunate in being able to entrust his publication to the competent hands of John George Children, of the British Museum. This was to be actually his third voyage to the United States, but it was the first which he made from English soil, and after he had become known as an ornithologist and animal painter. He wished to renew at least fifty of his earlier drawings and to obtain new materials of every description. Although he was naturally anxious to see his wife, from whom he had been absent for nearly three years, and his boys, the elder of whom had been left at Shippingport five years before, he felt constrained to devote to his work every moment that could be spared.

When writing to his wife of his difficulties and prospects at this period, he assured her that he would act cautiously, with all due diligence and sobriety, and continued:

Thou art quite comfortable in Louisiana, I know; therefore wait there with a little patience. I hope the end of this year will see me under headway sufficient to have thee with 421 me in comfort here, and I need not tell thee I long for thee every hour I am absent from thee. If I fail, America will still be my country, and thou, I will still feel, my friend. I will return to both and forget forever the troubles and expenses I have had; when walking together, arm in arm, we can see our sons before us, and listen to the mellow sounding thrush, so plentiful in our woods of magnolia.[366]

A little later in 1829 he also wrote: "I have finished the two first years of publication, the two most difficult to be encountered." At that time he fully expected that fourteen years would be required for the completion of his task, owing to the many difficulties experienced, especially in securing competent workmen, as well as the necessity of distributing the expense for the benefit of his subscribers.

When Havell had been provided with all the drawings needed for the remainder of the year 1829 and the first issue of 1830, Audubon sailed from Portsmouth on the 1st of April, 1829, in the packet ship Columbia, which reached New York on the opening day of May. "I chose the ship," he said, "on account of her name, and paid thirty pounds for my passage."

He paused in New York to exhibit his drawings at the Lyceum of Natural History, of which he had become a member in 1824, but soon hurried to Philadelphia, and finally settled down for work at Camden, in New Jersey, later known to fame as the home of "the good gray poet." There, at a boarding house kept by a Mr. Armstrong, he remained three weeks, from about May 23 to June 13, hunting and painting every day. From Camden he went to Great Egg Harbor, then a famous resort of both land and water birds in great variety, and for three weeks more he lived and 422 worked in a fisherman's cabin by the sea. It is interesting to recall that Alexander Wilson, in company with George Ord, had spent a month at this point in the spring of 1813.

The following letter[367] from Swainson was probably the one to which Audubon replied from New Jersey on September 14:

William Swainson to Audubon

My dear Mr. Audubon

I welcomed the news of your arrival in America yesterday, and as I am making up a packet for Liverpool today, I seize the opportunity of wishing you joy and happiness in the new world. I am surprised and disappointed as not receiving one line from Ward it is at the best negligent, and somewhat ungrateful. Hope you have begun your studies among the birds on a better plan than formerly, that is, in preserving the skins of every one on which there is the least doubt whether the bird is young or old, particularly the former. If you are to give scientific descriptions and definitions of the species this precaution is absolutely necessary. What your Americans do with their money I know not, Mr. Lea tells me he cannot procure one purchaser for my new Illustrations: here it is now going on very well.

You asked me what you can do for me in America. I will tell you. Send me a cart load of shells from the Ohio, or from any of the Rivers near New Orleans. The very smallest, as well as the very largest—all sizes. I have been long expecting those which your son promised you for me near twelve months ago! but I have heard nothing of them! you may spend a few dollars for me and send people to fish the shells at the dry season, when the waters are low, that is the best time.

Things go on here much as usual, but I have not been in London since Xmas. The first volume, containing the Quadrupeds, 423 of Dr. Richardson's work, is out. I am now busy in preparing the second, which contains the Birds. Let me particularly direct your attention to the manners of the Cedar Bird, Ampelis Americana. I suspect it feeds much on Insects in default of fruit, but what is desirable, is to know the way in which it captures Insects, whether as a flycatcher i.e. by seizing them on the wing, or like the Gold crest—by picking them up among the branches or leaves. I am now in close correspondance with Charles Bonaparte, & a most valuble correspondant he is.

Mrs. Swainson is just recovering from her confinement after giving me another little son I am happy today they are both going on well.

Wilson I believe mentions two birds very like the Red eyed Flycatcher, this is a point deserving your attention, but the manners of these birds are much more important. I feel convinced there are several species of my Genus Ammodramus shore finch, in the So. States, they all have narrow pointed tails, like the seasidefinch of Wilson. I further suspect there is more than one species confounded with the Towee Buntling.

I hope soon again to hear more fully from you, and of your ornithological acquisitions. The dear little ones are quite well.

Yours very sincerely,
Wm. Swainson

The Green 26 June 1829.

Mr. John J. Audubon
care of
Mess. Thomas E. Walker & Co.
Merchants.
New York [Philadelphia]

On the 4th of July Audubon returned to Philadelphia and prepared for a longer sojourn in the Great Pine Forest, or Great Pine Swamp, as it was sometimes called, in Northumberland County, Pennsylvania. In 424 this letter to his son we shall find an account of his plans and accomplishments:

Audubon to his son, Victor

Philadelphia, July 5 th., 1829.

My dear Victor:—

I have been in America two months this day, and not a word from you have I had in answer to my several letters, dated New York, and at this place. I am also without answer from your Mama, but do not feel so surprised as I know that about 2 months is the time necessary to have a return from Louisiana.

I have come to take your Mama over to England, if her wish inclines her to do so, and have wrote fully to her, giving her all the particulars respecting my situation that I thought could possibly be trusted to a letter.

I have also come to America to redraw some of my earliest productions, and am now closely engaged at this. I remained near this city for 3 weeks, and since have spent 3 more at Great Egg Harbour, from which place I returned yesterday. I have already 13 drawings by me. I have letters from London, up to 30 th. April, when all my business was going on well with an increase of 4 subscribers. I have no news to transmit; on the contrary, I was in hopes that ere this I should have had at least one long letter from you. I beg you will write me when you last heard from your Mama. Direct your letter to the care of Messrs Thos. E. Walker, & Co, merchants here, who know all my movements, and will see anything forwarded to wherever I may choose to go to.

I hope your uncle Berthoud & family are all well; present them my best regards, and to all others who may feel interested in my welfare, and believe me

your affectionate father,
John J. Audubon.

I have bought a good gold time-keeper, intended for you, and a copy bound, of my work, and wish to know how it can be forwarded. God bless you.

425

After outfitting himself in Philadelphia, Audubon proceeded to Mauch Chunk; his provisions for this journey to the forest consisted of a "wooden box containing a small stock of linin, drawing-paper, my journal, colors and pencils, together with twenty pounds of shot, several flints, a due quantum of cash, my gun 'Tear Jacket,' and a heart as true to nature as ever." From Mauch Chunk he traveled fifteen miles into the heart of the wooded hills, and was received into the family of Jedediah Irish, lumberman and philosopher, whose praise was celebrated in a later "Episode."[368] "What pleasure," said the naturalist, "I had in listening to him, as he read his favourite poems of Burns, while my pencil was occupied in smoothing and softening the drawing of the bird before me. Was this not enough to recall to my mind the early impressions that had been made upon it by the description of the golden age, which I here found realized?"

During his stay in the forest Audubon paid particular attention to the smaller land birds, such as finches, warblers and flycatchers, and many of the original drawings which were made in the summer of 1829 still bear his penciled designations of time and place[369]. 426 About ten weeks[370] were spent in the woods, from late July until the 10th of October, when the naturalist returned to Philadelphia and settled again for a time in Camden. At this period he was enjoying the best of health and spirits, and he worked during the entire season under the highest pressure of which he was capable. At Camden, October 11, 1829, he wrote:

I am at work, and have done much, but I wish I had eight pairs of hands, and another body to shoot the specimens, still I am delighted at what I have accumulated in drawings this season. Forty-two drawings in four months, eleven large, eleven middle size, and twenty-two small, comprising ninety-five birds, from Eagles downwards, with plants, nests, flowers, and sixty kinds of eggs.[371] I live alone, see scarcely any one, besides those belonging to the house where I lodge. I rise long before day, and work till night-fall, when I take a walk, and to bed.

At about the middle of October Audubon set out to join his family in the South. Crossing the mountains by mail-coach to Pittsburgh, where he met his former partner in business, Thomas Pears (see p. 254), he descended once more his favorite river, the Ohio. It was no longer necessary to rough it on a flatboat or to sleep on a steamer's deck; it was to be "poor Audubon" no longer. To be sure, he was not rich, but he had made his way and his mark, and the attention which he now 427 began to receive when traveling in his adopted land must have gratified his heart. He paused at Louisville to visit his two boys, the elder of whom, Victor, was then a clerk in the office of his uncle, William G. Bakewell, while John was with another uncle, Nicholas A. Berthoud. Hastening on he reached Bayou Sara on November 17, where he finally joined his wife, who was living at the home of William Garrett Johnson, in West Feliciana Parish, near Wakefield. Some account of this journey is given in the following letter,[372] written on the eighteenth to Dr. Richard Harlan; in the postscript Audubon gives the first reference to a new hawk which he proposed to name after his friend, and which has given no little trouble to ornithologists ever since:[373]

Audubon to Dr. Richard Harlan

[Superscribed] Richd Harlan Esqr. M. D. &c &c &c
Philadelphia Pensa

St Francisville Louisiana Novembr 18th 1829—

My Dear Friend.—

You will see by the data of this the rapidity with which I have crossed two thirds of the United States. I had the happiness of pressing my beloved wife to my breast Yesterday morning; saw my two sons at Louisville and all is well.—from Philadelphia to Pittsburgh I found the Roads, the Coaches, horses Drivers and Inns all much improved and yet needing a great deal to make the traveller quite comfortable—The slownesse of the stages is yet a great bore to a man in a hurry—I remained part of a day at Pittsburgh where of course I paid my respects to the Museum! I was glad to see the germ of 428 one—it is conducted by a very young man named Lambdin—I made an arrangement with him [place of seal—paper gone] &c. &c. &c. at Cincinnati I also visited the Museum [paper gone] it scarsely improves since my last view of it, except indeed by wax figures and such other shows as are best suitable to make money and the least so to improve the mind.—I could not see D [illegible] my time was very limited.—The Ohio was in good order for Navigation and I reached Louisville distant from you about 1,000 Miles in one week.==as you spoke of travelling westwardly I give you here an a/c of the Fare.—to Pittsburgh all included 21$.—to Louisville 12$.—and 25$ more to Bayou Sarah where I Landed. 30$ is the price from Louisville to N. Orleans.==our Steam Boats are commodious and go well—but my Dear Friend the most extraordinary change has taken place in appearance as I have proceeded.—The foliage had nearly left the Trees in Pensylvania, the Swallows had long since disapeared severe frost indeed had rendered Nature gloomy and uninteresting—Judge of the contrast: I am now surrounded by Green Trees and Swallows gambole around the house as in Pensylvania during June & July==The mock bird is heard to sing and during a Walk with my Wife yesterday I collected some 20 or 30 Insects==that is not all, a friend of mine here says that he has discovered 2 or 3 New Birds!!!—new Birds are new birds our days, and I shall endeavour to shew you the Facts Simile when again I shall have the pleasure of shaking your hand—

although so lately arrived, I have established the fact that Mrs A. and myself will be on our way towards "Old England" by the 15th of Jan.y. we will ascend the Mississipi and after resting ourselves at Louisville with our sons and other relatives about one month and then proceed with the Rapidity on the Wild Pigeon should God grant our wishes!—

have you seen or heard any thing of Ward?—have you the little sketch of Dear?==we had a passenger on Board the Huntress named Potts from your City who knows you well as lively young Gentleman; has a Brother (a Clergyman) established and married at Natchez.— 429

I will begin Drawing next week having much scratching with the Pen to perform this one, and I am also desirous to make [paper gone] Large Shipment of aborigines both animal and vegetal as soon as possible.—Turkeys, Aligators, Oppossums, Paroekett, and plants, as Bignonias &c &c &c. will be removed to the Zoological Gardens of London, from the Natural ones of this Magnificent Louisiana!—meantimes I will not forget my Friends in Phila. no I would rather forgive all, to all my Ennemies there.—assure Dr. Hammersley that Ivory Billed and Peleated Woodpeckers will be skinned, and who knows but I may find something more for him.—I will give free leave to Dr. Pickering to chuse amongst the Insects and who knows but I may find something new for him. remember me most kindly to both, nay not in the common manner of saying "Mr Audubon begs to be remembered" no not [at] all. This way Mr A remembers you and you and I will remember you and you and I always!!—

May I also beg to be remembered in humble words to a fine pair of Eyes; divided, not by the Allegany Mountains; but by a nose evidently imported from far East, to a placid forehead, to a mouth speaking happiness to——[dash nearly across page.]

Should you see Friend Sully remember me to him also—and should you see George Ord Esqr. Fellow of all the Societies Imaginable present him my most humble——[dash line more than across the page.]

Should you see that good woman where I boarded at Camd'den tell her that I am well and thankful to her for her attentions to me.—

I cannot hope the pleasure of an answer from you here but you may do so, and I say pray do so, directed to the care of N. Berthoud Esqr Louisville Kentucky.—by the bye my sons are taller than me, the eldest one so much altered that I did not know him at first sight, and yet I have Eyes—

God bless You, Your Friend
John J. Audubon.

430

[The following is written across the first page:]

I reopened my letter to say that I have Just now killed a Large New Falcon yes positively a new Species of Hawk almost black about 25 Inches Long and 4 feet broad tail square Eye yellowish White, Legs and Feet bare short & strong.——I will skin it!!!—

remember me to Lehman——

What I have said about the Hawk to You must be Lawful to Academicians and you will please announce Falco Harlanii by

John J. Audubon
F. L. S. L.

The following extracts are from a letter[374] written by Swainson, January 30, 1830, and sent to Havell in London to be readdressed:

William Swainson to Audubon

I know not in what part of the Wilds of America you may now be wandering, but I hope you are fully intent upon your great object, and that you are not only making drawings, and taking notes, but preserving Skins, of all your little favorites. Don't forget the Shrikes, of which I have strong suspicions there are 2 or 3 species mixed up with the name of Loggerhead. Should you be in the land of the Scarlet Ibis, do pray procure a dozen or two of the best skins, they are the most magnificent birds of No. America, and are said to be common towards New Orleans.

You will learn frm the Newspapers how uncommonly severe is our winter the snow has now been upon the ground five weeks and it is still falling. I manage, however, to walk out every day, and thus have acquired better health than I have enjoyed for many years.

Previous to your embarking to England, which I hope you will do very early in the spring you must do me one favor. 431 Bring me two Grey Squirrels alive, and a cage full of little birds, either the painted or non-Pareil finch the Blue finch, or the Virginian Nightingale, as they are called, 3 or 4 of each to guard against casualties by death on the voyage. I do not care one farthing whether they sing or not, so that I presume they may be got for a mere trifle. The Squirrels would delight the little people beyond measure, and would prove a never-failing source of amusement to them. I believe you have other kinds than the grey, so that any will do. If you cannot get them pray supply their place by two Parrots of America.

We continue pretty well at the Green. Seldom go to town, but I find people begin to discover the true character of V [igors]. and many that were formerly his friends now speak very differently of him. His father having died the property has come to him. He has now taken a fine house in the Regents park, and holds conversaziones (in humble imitation of those of the President of the Royal Society) every Sunday evening during the season!! all this is very grand, and he appears to have abandoned writing any more papers on ornithology, since I have begun to point out his errors.

Ward wrote to me since my last, he is a poor weak fellow, with a good natural disposition, but so little to be depended upon, that he is turned round by every feather, after inserting that he could not go on "in my service" as he called it, under ten dollars a week, he now says he should be most happy to receive four. He says not a word of his marriage, which proves his wish to decive one. I have done with him.... I hope you have got me lots of River shells.

About the beginning of the year 1827 Mrs. Audubon gave up her "Beechwoods" school, and thereafter took a position as governess in the home of Mr. William Garrett Johnson, whose plantation, called "Beechgrove," was situated in the same parish. An anonymous writer thus referred to this house in 1851.[375]

432

In the hospitable mansion of W. G. J——, in the parish of West Feliciana, if one will look into the parlor, they will see over the piano a cabinet sized portrait, remarkable for a bright eye and intellectual look. The style of it is free, and there is an individuality about the whole that gives assurance of a strong likeness. Opposite hangs a proof impression of the bird of Washington, a tribute of a grateful heart to an old friend. The first is a portrait of Audubon painted by himself; the other is one of the first [of his] engravings that ever reached the United States.

There Audubon spent nearly two months at the close of 1829, and followed his usual occupations of hunting and drawing, while his wife prepared for their contemplated journey to Europe. He is said to have drawn at this time the "Black Vulture attacking a herd of Deer," several large hawks, squirrels, and heads of deer which were never finished.

Although Audubon's business affairs in England had been left in charge of his trustworthy friend, John G. Children, his engraver, Havell, had become alarmed at the loss of subscribers and the failure of certain of their agents, and particularly M. Pitois of Paris,[376] to render due returns. Havell, as it proved, was unduly disturbed, but his gloomy accounts tended to hasten the naturalist's departure, a circumstance that was later deplored. These matters are clearly reflected in the following letter written from the Johnson home in Louisiana when the Audubons were preparing to leave it; particularly interesting are the included statements 433 through which it was hoped that a competent successor might be secured for the duties of the position which Mrs. Audubon had so ably filled:

Audubon to Robert Havell

Beech Grove, Louisiana
Decr 16th 1829

My Dear Mr. Havell.—

I received yesterday from New York your letter of the 29th. Sept. which must have reached Philadelphia 3 days after my departure for home==

I am sorry that Bartley should have made you suffer a moment by sending you the intelligence of the failure of the several subscribers you mention in your favor—it cannot be helped—there is none of your fault and I must repair these matters when I reach England again==

I am considerably more sorry and much vexed that Sowler should have failed in his written promise to accept your Dfts.—even in a case of the diminution of subscribers he could certainly have sent you a progressional amount—I am now almost sure that Pitois has failed or acted the Rogue==

We are making all preparations in our power to leave Louisiana on the 5 or 10th. of Jan.y and we will proceed as fast as Steam Boats, Coaches and the weather will admit of and we will sail for England from New York with all possible dispatch. I have made a shipment of Forest trees to England that I hope will turn to good account as they are to be presents to Public Institutions &c and that I think it necessary to be remembered myself.—

We are both well—our sons are at Louisville, Kentucky where we will see them about the 20th. of next month.—I sent you in my letter a proposal for your sister and should you not have received it I send it you again here in Mrs A.'s. hand writing.—I would advise your sister to come if the money is an object.—I think that besides she will be comfortable with the familly Johnson—if she thinks fit to wait untill we see her, we can tell her all about it.== 434

I have received only one letter from friend Children during all this absence against my very many—I hope the insects I sent him by the Annibal have reached safely.—have no news to give you—Keep up a good heart—we will be in London as soon as possible.—I have not had a letter from Miss Hudson for a long time—I hope her mother & her are well—Remember me kindly to your Dear Wife and Little ones—Mrs Audubon joins me in all good wishes—If you see Parker my remembrances to him==I will carry with me some Drawings that I know will make the graver and the Acid Grin again.—

Believe me your friend— John J. Audubon.

When you present my sincere regards to friend Swanson [Swainson] tell him that I have had only one letter from him and that I am now quite unable to say where Mr Ward is==I had a letter from Henry Havell[377] the other day merely acknowledging the money I have paid him—he was in New York, I hope quite well—

[Enclosure]

A friend of ours here named Wm. Garrett Johnson (a cotton planter) a gentleman who resides in a perfectly healthy and agreeable part of the country, desires that I should write to England to procure for him a Governess, one who can teach music, drawing and the usual branches of education to young Ladies. Mr. Johnson will pay the sum of one thousand dollars per annum, board, lodging &c, also and considered in all respects as a member of the family, to any lady who will undertake occupation (the sum is about 230£) the governess will have to instruct ten or twelve young persons of various ages, and may make the arrangement for five years if desirous of it. I have thought this would suit your sister precisely, and for my part knowing the family Johnson as I do I should think it an excellent thing for her. if not I will look for some one when 435 I am in England, Sailing from England direct for New Orleans, steam Boats reach the place of Mr Johnson in two days.

Duplicate.

I, Wm. Garrett Johnson do authorize my friend J. J. Audubon to make the above proposition and do by these present obligate myself to comply with them punctually and particularly.

Wm. Garrett Johnson.

[Addressed]
Mr Robt Havell Jur
Engraver
79 Newman Street
Oxford Street
London
England

"On January 1, 1830," said the naturalist, "we started for New Orleans, taking with us the only three servants yet belonging to us, namely, Cecilia, and her two sons, Reuben and Lewis. We stayed a few days at our friend Mr. Braud's, with whom we left our servants, and on the seventh of January took passage on the splendid steamer Philadelphia for Louisville, paying sixty dollars fare."[378] After a long visit with their sons, on the seventh of March they ascended the Ohio to Cincinnati, and at Wheeling took the mail-coach to Washington. At the national capital Audubon met the President, Andrew Jackson, and was befriended by Edward Everett, at that time a leader in the House of Representatives. "Congress," said the naturalist, "was then in session, and I exhibited my drawings to the House of Representatives, and received their subscription 436 as a body." He also recorded that he obtained three subscribers in Baltimore, and left for Philadelphia, where they remained a week. The following note, which Edward Everett gave Audubon for New York, is particularly interesting, since it expressly states that at that time the ornithologist had not received a single subscriber in the United States:

Edward Everett to Dr. Wainwright

Washington 18 March 1830

My dear Sir,

Allow me to introduce to your acquaintance, the bearer of this letter, Mr. Audubon of Louisiana. His drawings of American Birds, of which he will show you some, will I am sure command your approbation, as they have the applause of Europe.—I am sorry to say, that he has not yet procured a single subscriber, in the United States of America. Will not one of your Institutions in New York—or your wealthy and liberal individuals—take a copy? I pray you endeavor to procure him at least one subscriber, in New York.—

Yours with great regard
E. Everett.

Rev Dr Wainwright

Audubon had evidently reconsidered his expressed intention of presenting a copy[379] to Congress, and to Edward Everett belongs the credit of subscribing to The Birds of America in behalf of the Congressional Library. At about this time also he obtained another subscriber at Washington, in the person of Baron Krudener, the Russian envoy, but later experienced difficulty in collecting his dues.[380] 437

CHAPTER XXV
AUDUBON'S LETTERPRESS AND ITS RIVALS

Settlement in London—Starts on canvassing tour with his wife—Change of plans—In Edinburgh—Discovery of MacGillivray—His hand in the Ornithological Biography—Rival editions of Wilson and Bonaparte—Brown's extraordinary atlas—Reception of the Biography—Joseph Bartholomew Kidd and the Ornithological Gallery—In London again.

On the 1st of April, 1830, Audubon and his wife sailed from New York in the packet ship Pacific, bound for Liverpool, where they landed after a voyage of twenty-five days. Upon returning to London the naturalist found that upon the 18th of the preceding March he had been elected to membership in the Royal Society, an honor for which he felt indebted to Lord Stanley and his friend Children, of the British Museum; after paying the entrance fee of £50, he took his seat in that body on the 6th of May. The painting of pictures was at once resumed to meet his heavy expenses, but towards the end of July he started with Mrs. Audubon on a canvassing tour, in the course of which his plans suddenly were changed so that London did not see him again for nearly a year.[381] On this journey they touched at Birmingham, Manchester, Leeds, York, Hull, Scarborough, Whitby, New Castle, and Belford, to visit the Selbys, and on the 13th of October reached Edinburgh, where they were soon comfortably settled in the naturalist's old lodging place, the house of Mrs. Dickey, Number 26, George Street. 438

Audubon was now ready to begin the text of his Birds of America, to be called Ornithological Biography, which is often referred to as his "Biography of Birds." This work, which was eventually extended to five large volumes of over three thousand pages, was published at Edinburgh from 1831 to 1839. He had made crude beginnings with this in view as early as 1821, and on October 16, 1830, he wrote: "I know that I am not a scholar ..." but, "with the assistance of my old journals and memorandum-books, which were written on the spot, I can at least put down plain truths, which may be useful, and perhaps interesting, so I shall set to at once. I cannot, however, give scientific descriptions, and here must have assistance." To supply this need, as we have seen already, he had earlier applied to William Swainson, but the negotiations with that naturalist were soon broken off, and led to a sharp and acrid discussion upon the authorship of the work itself.[382]

By a rare stroke of genius or good fortune, Audubon chose for his assistant a young Scotch naturalist, William MacGillivray, who had been introduced to him by another naturalist, James Wilson, soon after he reached the Scottish capital. MacGillivray agreed "to revise and correct" his manuscript at the rate of two guineas per sheet of sixteen pages, and in the latter part of October, 1830, they set to work. We shall soon have occasion to speak more fully of his debt to this estimable Scotchman,[383] and will only add here that a better trained or more competent helper than MacGillivray could hardly have been found in Great Britain or elsewhere.

MRS. DICKIE'S "BOARDING RESIDENCE," 26 GEORGE STREET, EDINBURGH, WHERE AUDUBON OCCUPIED APARTMENTS AND PAINTED AND WROTE IN 1826-27 AND 1830-31. A LARGE PUBLIC BUILDING NOW OCCUPIES THE SITE.

After a photograph in possession of Mr. Ruthven Deane.

THE ACADEMY OF NATURAL SCIENCES OF PHILADELPHIA.

After an old print; reproduced from Cassinia for 1910.

439

No sooner had Audubon begun to write than it was learned that "no less than three editions of 'Wilson's Ornithology' were about to be published, one by Jameson, one by Sir W. Jardine, and another by a Mr. Brown." The outlook could not be considered encouraging, but this intelligence only nerved him to greater effort, and he was determined to push his own publication with such unremitting vigor as to anticipate them all. "Since I have been in England," he wrote in his journal, "I have studied the character of Englishmen as carefully as I have studied the birds in America, and I know full well that in England novelty is always in demand, and that if a thing is well known it will not receive much support." Audubon worked continuously at his Biography, rising before the dawn and writing all day, while the able worker at his side carried his efforts far into the night, and in three months the first volume was ready for the printer; Mrs. Audubon meanwhile copied their entire manuscript to be sent to the United States in order to secure the American copyright. When this work was offered to the publishers at Edinburgh, however, not one of them, said the naturalist, would offer a shilling for it, but this did not deter him from publishing it at once and at his own expense.[384] On March 13, 1831, he wrote: "The printing will be completed in a few days, and I have sent copies of the sheets to Dr. Harlan, and Mr. McMurtie, at Philadelphia, and also one hundred pounds sterling to Messrs. T. Walker & Sons, to be paid to Dr. Harlan to secure the copyright, and have the book published there." 440

The following friendly letter from one of Wilson's editors belongs to this period:

Sir William Jardine to Audubon

Jardine Hall 3 d Decr. 1830—

My dear Sir,

I only learnt a few days since that you were to winter in Edinburgh, and perhaps since you are not Hurried for time in Trovelly [?] will come out to spend a day or two with me—If you can come out before the 10 th. when I shall have the pleasure of shewing you some Blackgame Shooting—The season expires on the Tenth of the Month partridges have bred so ill that there is scarsely any in the whole country, and pheasants have been so lately introduced that they are yet rather scarce—In a wet day you may have your easel & brushes I should wish much to hear your account of Wilson during the times you hunted with him—and also some account of the New Species you figure in the american Ornithology—

I am happy to learn you intend figuring the learned Men of America as accompanyment to your work particularly the ornithologists, do you know the painter of the portrait of Wilson—I have three portraits of him in the House, and also a profile taken by the machine I should like to have your opinion of them one of the portraits was painted from an original that went to America—

I shall expect to hear you are coming soon—Mr Lizars will tell you about coaches—&c

With best regards believe me
Sincerely yours
Wm Jardine

[Addressed] J. Audubon Esqr
Care of W. H. Lizars Esqr
3 James Square
Edinburgh.

TITLE PAGE OF VOLUME I OF THE "ORNITHOLOGICAL BIOGRAPHY."
From a copy presented by Audubon to William MacGillivray and bearing the latter's signature.

Audubon was not outstripped by his Edinburgh rivals, who to all appearances had planned to cover the 442 field of American ornithology so thoroughly as to render his work a drug on the market, if not to make it superfluous. Whether this were really true or not, there is no doubt that Audubon's activity furnished the stimulus to the sudden appreciation of the work of his predecessor that was manifested in Edinburgh at this very moment of time. It will be interesting to see just what these rival enterprises were. Professor Jameson, who had been of great service to Audubon at the beginning of his undertaking, prepared a pocket edition of Wilson's and Bonaparte's Ornithology, with miniature plates which were issued separately, and the two works, which were intended to go together, were published in 1831.[385] Sir William Jardine brought out an edition of Wilson's and Bonaparte's work, in three large volumes, with plates engraved by W. H. Lizars after the originals and carefully colored by hand.[386] This was thoroughly 443 legitimate enterprise, but the climax was reached when Captain Thomas Brown began to publish an "Audubonized edition" of Wilson's and Bonaparte's plates, or an attempt to present their plates of American birds in the Audubonian manner, to the extent at least of showing the characteristic flowers, trees, and insects of the American continent, a plan to which some of Audubon's earlier critics in Philadelphia had offered strenuous objection. Brown's large atlas of plates[387] was 444 issued in parts, from 1831 to 1835, and was intended as a further companion to Jameson's text for all who could afford that expensive form of illustration. By a curious coincidence Audubon's Ornithological Biography (vol. i), Jameson's edition of Wilson and Bonaparte (vol. i), and Brown's Illustrations (pt. i), were all noticed on the same page of the London Literary Gazette for April 9, 1831. "This day is published," so reads the 445 advertisement of Audubon's work, "price 25s. in royal octavo, cloth, Ornithological Biography...." If the desire of these various editors were to cripple the work of the American naturalist, their efforts were certainly vain, for he was able to make his way against all competitors. Brown's work was a failure, so few copies having been distributed that it is doubtful if more than one ever came to this country, and only one is known to be in possession of any large library in England.

Audubon's initial volume of the Biography was well received and drew forth immediate and unstinted praise from many sources. He was anxious that MacGillivray should contribute some account of it to the London Quarterly Review, then under the editorial management of John Gibson Lockhart, but his suggestion was coldly received and drew forth the following declaration of independence from his able, if as yet undistinguished, coadjutor:[388]

With respect to the review, I can only say that if Mr. Lockhart is so doubtful as to my powers, he may doubt as long as he lists. I shall not submit any essay of mine to his judgment. If you had informed me that he or the conductor of my other review would print a notice of your works, I should have agreed to write one with pleasure, but under existing circumstances I shall not, it being repugnant to my feelings and contrary to my practice and principles to sue for favor with any man. I have already written three reviews of your books which have been printed, and when I am applied to for a fourth I shall write it too, with "an elegance of style, a power of expression, and knowledge of the subject" equal to those usually displayed by the editor of the Quarterly.

446

Some of the criticism, whether friendly or hostile, which this work eventually evoked will be considered in a later chapter.

Shortly after his arrival in London, Audubon received a call from Joseph Bartholomew Kidd, a young artist whom he had met at Edinburgh the previous March, and was attracted so much by his "youth, simplicity and cleverness" that he again invited him to paint in his rooms. On the 31st of March, 1831, an agreement was made with Kidd[389] to copy some of his drawings in oils and put in appropriate backgrounds. "It was our intention," said Audubon, "to send them to the exhibition for sale, and to divide the amount between us. He painted eight, and then I proposed, if he would paint the one hundred engravings which comprise my first volume of the Birds of America, I would pay him one hundred pounds." In 1832 Captain Thomas Brown gave this notice of the undertaking in the Caledonian Mercury:

About a year ago Audubon conceived the grand idea of a Natural History Gallery of Paintings, and entered into an agreement with Mr. Kidd to copy all his drawings of the same size, and in oil, leaving to the taste of that excellent artist to add such backgrounds as might give them a more pictorial effect. In the execution of such of these as Mr. Kidd has finished, he has not only preserved all the vivacious character of the originals, but he has greatly heightened their beauty, by the general tone and appropriate feeling which he has preserved and carried throughout his pictures.

Kidd worked intermittently on some such scheme for about three years, and produced numerous pictures 447 on canvas or mill-board. He was thus engaged in 1833 when he wrote to ask for an advance of from twelve to fourteen pounds on account of an accident that had befallen him on the 16th of May of that year. Kidd said in his letter that while he was attending a sale of Lord Eldin's pictures, the floor of the building suddenly gave way with a crash and precipitated the whole company, together with the furniture, into a room below; that he had sustained many bruises himself, not to speak of a dislocated arm, but what with blisters, cupping, nurses and remedies of all sorts, he was then slowly mending. Another of their projects was to publish Kidd's copies of Audubon's drawings as individual pieces, and a notice of this appeared in Blackwood's Magazine for 1831. John Wilson, in reviewing Audubon's work in the magazine for that year said: "it is expected that there will be completed by Audubon, Kidd, and others,—Four Hundred Subjects. Audubon purposes opening, on his return [from America], an Ornithological Gallery, of which may the proceeds prove a moderate fortune!" All such plans, however, seem to have been delayed or frustrated, and a misunderstanding with Kidd brought them suddenly to a close in 1833. Audubon's explicit directions under this head were given in a letter to his son Victor, written at Charleston on Christmas Day of that year.[390]

When his letterpress was finished, Audubon left Edinburgh with Mrs. Audubon on April 15, 1831. Newcastle, York, Leeds, and Manchester were again visited, and a pause of several days was made at Liverpool before proceeding to London, when, as the naturalist recorded, they "traveled on that extraordinary road, called the railway, at the rate of 24 miles an hour." In 448 May[391] they visited Paris, Audubon no doubt wishing to collect the money due from his agent there, as well as to introduce his wife to the unrivaled attractions of the great city. Upon returning to London in July he had the pleasure of again meeting his fidus Achates, Edward Harris,[392] of Moorestown, New Jersey, and immediately began to put his affairs in order for a long period of absence.

While Audubon was in Paris, the following letter[393] was written by his staunch friend and supporter in Congress, Edward Everett, who, as has been seen, fully appreciated the national character of his great undertakings. The effort of this able advocate to give The Birds of America free passage to their native land, however, do not appear to have been successful until two years later, as a letter to be quoted in due course clearly indicates.

Edward Everett to Audubon

Charlestown, Mass., May 19th, 1831.

My dear Sir

I duly received your favor of the 1st. of Nov. accompanied with some copies of the Prospectus, and a few days since your letter of the 5th. March reached me. I owe you an apology for being so tardy in my reply to the former letter. It reached me at Washington, while I was confined with a severe illness, 449 with which, since Oct. last, I have till lately been much afflicted. I was, most of the session, in such a state of health, as to be kept at my lodgings, and when in my place, in the House of Representatives, little able to attend to business. As soon as I went abroad, after the receipt of your letter, I consulted some of the most influential members of Congress, as to the probability of being able to pass a bill for the free introduction of your work. Last winters session was the short session, terminating by the Constitution on the 3d. of March. At this session, it is always very difficult to pass any bills, originating during the session. The time is regularly taken up by bills, prepared the previous winter. In addition to this circumstance, more than half of the last session was taken up, by an impeachment before the Senate. A procedure, which suspended during its continuance, the legislative business of the two Houses, and left no time for scarce anything, beyond the annual appropriation bills for the support of the government. Under these circumstances, the gentlemen, whom I consulted, were of opinion with me that it was impossible, for want of time, to pass a bill in your favor, and that it was therefor better not to attempt it, at the late session, but to reserve it for next winter, when it can be brought up seasonably, and with good hope of success. I shall take great pleasure to seize the first moment, at the opening of the next session, to bring the subject before Congress.

The portions of your work, which arrived at Washington before I left it, were publicly exhibited in the library, and attracted great attention and unqualified admiration. The same is true of the copy received by the Boston Athenaeum. The plates were specially exhibited in the great hall of the Athenaeum, to the entire satisfaction and delight of those who saw them.

The copy-right law authorizes any citizen of the U. States to take out a copy-right of his work, on depositing a printed copy of the title page in the office of the District Court. I infer from your letter of the 5th. of March, that you had sent copies of the printed sheets of your work to Drs. Harlan and 450 M. Mertrie [McMurtie] of Philadelphia with a view of having the copy-right.

I have distributed a part of your prospectuses, and shall do the same with the rest, in the manner that may seem most likely to promote your interest. I regret to say, that I have not yet been able to add another, to the list of your subscribers.

You mention, in each of your letters, the little picture you were so kind, as to propose sending me. This alone leads me to say, that whenever it comes to hand, it will be most welcome: but that, engaged as you are in laboring in the cause of science and of America, you must not feel obliged to consume one hour of your precious time at the sacrifice of those higher objects.

I am happy to be able to say to you, that my health, though not wholly restored, is greatly improved, and that if you will continue to favor me with your commands, I will prove myself, hereafter, a more punctual correspondent.

I look forward with sincere pleasure, to the prospect of meeting you again, on this side of the Atlantic, and with my respectful compliments to Mrs. Audubon, I beg leave, dear sir, to tender you the assurance of my high respects, and with it my most friendly salutations.

Edward Everett.

P.S. Since the foregoing was written, I have received your favor of the 23d. of April. I beg leave particularly to thank you for your kindness in reference to the picture. I shall prize it, not merely on account of its scientific value and beauty as a work of art, (both of which I feel assured it will be found to possess) but as a token of your friendly regard. It will give me great pleasure to furnish you any letters in my power, for your adventurous south western tour. These I shall have the pleasure of handing you, when we meet this side the water.

You were elected in November last a fellow of the American Academy of Arts and Sciences, on the nomination which I had the honor to submit to that body. Owing to a change in the secretaryship a delay arose in preparing your diploma, which will however be forwarded in a few days.

451

Upon balancing his accounts with The Birds of America at about this time, Audubon thought it was truly remarkable that $40,000 should have passed through his hands for the completion of the first volume.

Who would believe that once in London I had only a sovereign left in my pocket, and did not know to whom to apply for another, when at the verge of failure; above all, that I extricated myself from all my difficulties, not by borrowing money, but by rising at four o'clock in the morning, working hard all day, and disposing of my works at a price which a common labourer would have thought little more than sufficient remuneration for his work? To give you an idea of my actual difficulties during the publication of my first volume, it will be sufficient to say, that in the four years required to bring that volume before the world, no less than fifty of my subscribers, representing the sum of fifty-six thousand dollars, abandoned me! And whenever a few withdrew I was forced to leave London, and go to the provinces, to obtain others to supply their places, in order to enable me to raise the money to meet the expenses of engraving, coloring, paper, printing ...; and that with all my constant exertions, fatigues, and vexations, I find myself now having but one hundred and thirty standing names on my list.

FOOTNOTES

[1] Samuel Johnson, The Rambler, No. 60.

[2] Ornithological Biography (Bibl. No. 2), vol. iv, p. 222.

[3] Elliott Coues, Key to North American Birds, 4th ed., p. xxi (Boston, 1890).

[4] Audubon, in Audubon County, Iowa, in Beeker County, Minnesota, and in Wise County, Texas, as well as Audubon, Montgomery County, Pennsylvania, in which his old farm, "Mill Grove," is situated. Audubon Avenue is the first of the subterranean passages which lead from the entrance of Mammoth Cave, and is noted for its swarms of bats. Audubon Park, New York City, between the Hudson River and Broadway and extending from 156th, to 160th Streets, embraces a part of "Minnie's Land," the naturalist's old Hudson River estate, but is a realty designation and is now almost entirely covered with buildings (see Chapter XXXVI).

[5] The Audubon Monument Committee of the New York Academy of Sciences was appointed October 3, 1887, and made its final report in 1893, when this beautiful memorial was formally dedicated. Subscriptions from all parts of the United States amounted to $10,525.21. The monument is a Runic cross in white marble, ornamented with American birds and mammals which Audubon has depicted, and surmounts a die bearing a portrait of the naturalist, modeled from Cruikshank's miniature, with suitable inscriptions, the whole being supported on a base of granite; the total height is nearly 26 feet, and the weight 2 tons. It was presented to the Corporation of Trinity Parish by Professor Thomas Eggleston, and received by Rev. Dr. Morgan Dix. The cemetery has since been cut in two by the extension of Broadway; the monument is in the northerly section, close to the parish house of the Chapel of the Intercession.

The monument at New Orleans, mentioned below, was erected under the auspices of the Audubon Association, at a cost of $10,000, most of which was secured through the efforts of Mrs. J. L. Bradford, $1,500 having been contributed by residents of the Crescent City. The figure is in bronze, and stands on a high pedestal of Georgia granite.

The beautiful bust of Audubon at the American Museum of Natural History is by William Couper, of Newark, N. J.

[6] As will later appear, this was in reality the 120th anniversary.

[7] The first Audubon Society, devoted to the interests of bird protection, was organized by Dr. George Bird Grinnell, editor of Forest and Stream, in 1886, and 16,000 members were enrolled during the first year; Dr. Grinnell was also the father of the Audubonian Magazine (see Bibliography, No. 190), which made its first appearance in January, 1887; by the middle of that year the membership in the new society had increased to 38,000, but with the disappearance of the Magazine in 1889 the movement languished and came to a speedy end. In 1896 a fresh start was taken by the inauguration of State societies in Massachusetts and Pennsylvania, and the movement gathered greater force through the inauguration in 1899 of the admirably conducted magazine, Bird-Lore, as its official organ. The State societies were federated in 1902, and the National Committee then created gave place in 1905 to the National Association. See Gilbert Trafton, Bird Friends, for an excellent summary of the work of the Audubon Societies, and the "Twelfth Annual Report of the National Association of Audubon Societies," Bird-Lore, vol. xviii (1916).

[8] In this year Charles Lanman, writer, and at a later time librarian of the Library of Congress, wrote to Victor Audubon as follows: "Are not you and your family willing now to let me write a book about your illustrious father? I feel confident that I could get up something very interesting and which would not only help the big work, but make money. I could have it brought out in handsome style, and should like to have well engraved a portrait and some half dozen views in Kentucky, Louisiana, and on the Hudson. Write me what you think about it." Lanman's letter is dated "Georgetown, D. C., Oct. 8, 1856"; on November 1 Victor Audubon replied, declining the proposal.

[9] Messrs. C. S. Francis & Company, of 554 Broadway, New York.

[10] The publishers in this instance do not appear to have been better informed, for the text of the Quadrupeds, from which they quote, was written by John Bachman, and the first volume of it was issued in London in 1847; see Bibliography, No. 6.

[11] Rev. Dr. Adams was rector of this parish for twenty-five years, from 1863 to his death in February, 1888; he was the author of three volumes on religious subjects and various smaller tracts; from 1855 to 1863 he had charge of a church in Baltimore, Maryland, and while there published an anonymous pamphlet entitled "Slavery by a Marylander; Its Institution and Origin; Its Status Under the Law and Under the Gospel" (8 pp. 8vo. Baltimore, 1860).

[12] Buchanan said that the manuscript submitted to him was inordinately long and needed careful revision; he added that "while he could not fail to express his admiration for the affectionate spirit and intelligent sympathy with which the friendly editor discharged his task, he was bound to say that his literary experience was limited." After copying a passage from one of Audubon's journals, this editor had the unfortunate habit of drawing his pen through the original; in this way hundreds of pages of Audubon's admirable "copper-plate" were irretrievably defaced.

[13] Robert Buchanan, The Life of Audubon (Bibl. No. 72), p. vi.

[14] See Harriet Jay, Robert Buchanan: Some Account of His Life, His Life's Work, and His Literary Friendships (London, 1903). Robert Williams Buchanan was born at Caverswell, Lancashire, August 18, 1841, and died in London, June 10, 1901.

[15] For similar spelling of the name by John James Audubon, see Appendix I, Document No. 12.

[16] For notice of these records of Jean Audubon and his family, see the Preface, and for the most important documents, Appendix I.

[17] Pierre Audubon's service in the merchant marine of France is undoubtedly recorded in the archives of the Department of Marine in Paris, but all researches in that direction were suddenly halted by the war.

[18] Jean Audubon had a brother Claude, and on February 27, 1791, he wrote to him, asking for 4,000 francs, which he needed for the purchase of a boat. It was probably this brother who lived at Bayonne, and left three daughters, Anne, Dominica, and Catherine Françoise, who married Jean Louis Lissabé, a pilot (see Vol. I, p. 263). If this inference be correct, and the sum referred to was demanded in payment of a debt, it may explain a statement of the naturalist that his father and his uncle were not on speaking terms.

Another brother is said to have been an active politician at Nantes, La Rochelle and Paris from 1771 to 1796, when he dropped out of sight for a number of years. When heard of again he was living at La Rochelle in affluence and piety. This was apparently the Audubon to whom the naturalist referred in certain of his journals and private letters as one who, possessing the secret of his birth and early life, had done both him and his father an irreparable injury (see Vol. I, p. 270).

A sister, Marie Rosa Audubon, was married in 1794 to Pierre de Vaugeon, a lawyer at Nantes; their only son, Louis Lejeune de Vaugeon, was living at Nantes as late as 1822, when he deeded his former home to Henri Boutard. (The substance of this and the preceding paragraph is based partly upon data furnished by Miss Maria R. Audubon.)

Jean Audubon gave his daughter, Rosa, the name of her aunt, but in later life seems to have broken off all relations with his brothers. Upon his death his will was immediately attacked by Mme. Lejeune de Vaugeon, of Nantes, and by the three nieces from Bayonne (see Chapter XVII). The naturalist does not give the name of the aunt who, as he said, was killed during the Revolution at Nantes, but I have found no reference to any other.

[19] This was recalled by the naturalist on March 5, 1827, when he wrote: "As a lad I had a great aversion to anything English or Scotch, and I remember when travelling with my father to Rochefort in January, 1800, I mentioned this to him.... How well I remember his reply.... 'Thy blood will cool in time, and thou wilt be surprised to see how gradually prejudices are obliterated, and friendships acquired, towards those that we at one time held in contempt. Thou hast not been in England; I have, and it is a fine country.'" (See Maria R. Audubon, Audubon and His Journals (Bibl. No. 86), vol. i, p. 216).

[20] In 1789 over 7,000,000 pounds of cotton and 758,628 pounds of indigo were exported from the French side of the island, while further products of that year, including smaller amounts of cocoa, molasses, rum, hides, dye-woods, and tortoise shell, swelled the grand total of exports to 205,000,000 livres or francs. Bryan Edwards, however, whose deductions were based on official returns, placed the average value of all exports from French Santo Domingo for the years 1787, 1788, and 1789, at 171,544,000 livres in Hispaniola currency, or £4,765,129 sterling; this would be equivalent to about $23,158,426, and imply a purchase value of the French livre or franc of about 13½ cents in American money.

The number of plantations of every kind in the French colony was estimated by Edwards in 1790, at the outbreak of the Revolution, at 8,536; there were over 800 sugar plantations, over 3,000 coffee estates, to mention two such resources. If to these items we add nearly half a million slaves, the total valuation of the movable and fixed property of the French planters and merchants of this period would reach 1,557,870,000 francs. In 1788, 98 slave ships entered the six principal ports on the French side, and landed 29,506 negroes; Les Cayes received 19 of these ships, which delivered at that port 4,590 blacks. These slaves were sold for 61,936,190 livres, or at the rate of 2,008.37 livres each; according to Edwards this was equivalent to £60 sterling, or to about $291.60 in American money, at the rate of 14½ cents to the livre or franc. See particularly Francis Alexander Stanilaus, Baron de Wimpffen, A Voyage to Santo Domingo in the Years 1788, 1789, and 1790, translated by J. Wright (London, 1817); and also Bryan Edwards, An Historical Survey of the French Colony in the Island of San Domingo (London, 1797).

[21] As signed by herself, but variously spelled "Moinet," or "Moynette" in family documents of the period. On August 28, four days after their marriage, they drew up and signed a mutual contract regarding the disposition of their property in case children should be born to them.

[22] The destruction of Le Comte d'Artois is noticed in a document bearing date of January 19, 1782; the name of the town only is given, but it is probable that it refers to the United States.

[23] For repeated reference to this unsettled claim, see his letter of 1805 to Francis Dacosta (Chapter VIII), where the name is written "Formont."

The bill of sale of Le Comte d'Artois was drawn on February 21, 1779, when Jean Audubon appeared "before the notaries of the king in the seneschal's court of Saint Louis," and was described as "resident at Les Cayes, opposite the Isle à Vaches." The document, which in my copy is incomplete, reads in part as follows:

"The present M. Jean Audubon, captain-commander of the ship Le Comte d'Artois, of Nantes, armed for war and now laden with merchandise, anchored in this roadstead of Les Cayes, dispatched, and at the point of departure for France; armed by the Messrs. Coirond Brothers, merchants at the said city of Nantes, acting in his own name as one interested in the armament and cargo of the vessel, as well as in his capacity as captain; [he] acting as much also for the said furnishers of arms as for the others interested in the said armaments, and the merchandise, which will be hereafter mentioned, in consideration of the rights of each, promises to have these presents accepted and approved in due time; which said person, appearing in said names, in the quality aforesaid, by these presents has sold, ceded, given up, transferred, and relinquished all his legal rights in the aforesaid ship, to the business-associates Lacroix, Formon de Boisclair & Jacques, three merchants in partnership, living in this town, purchasers conjointly and severally, for themselves and the assigns of each, to the extent of one third; To wit: the said ship Le Comte d'Artois, of the said port of Nantes, of about two hundred and fifty tons, at present anchored in this roadstead of Les Cayes, dispatched, and at the point of departure for France, with all its rigging, outfit, and dependences, which consist among other things of two sets of sail, complete, and newly fitted out, all the tools, and the reserve sets of these, with the munitions of war, consisting of ten cannon, four of them mounted on gun carriages, and all that goes with them...." (Translated from the French original in possession of Monsieur Lavigne.)

[24] The fact that Captain Audubon did not accompany Rochambeau's fleet which assembled at Brest in April, 1780, and reached Newport in mid-July, may account for the omission of his name from the lists that have been recently published. See Les Combattants François de la Guerre Américaine, 1778-1783 (Paris, 1903).

[25] Others interested in this vessel were Messrs. David Ross & Company, with whom Captain Audubon later had financial difficulties (see Chapter VIII).

[26] See letter to Dacosta, Vol. I, p. 121.

[27] The proper name of this seaport town, as given by all French cartographers and writers, is Les Cayes, meaning "the cays" or "keys" (small islands, Spanish cayos); omitting the article it is often simply written "Cayes." French residents on the island, however, when dating or addressing a letter or receipting a bill would naturally write "aux Cayes," meaning of course "at The Cays," where the document was signed or where the person to whom the letter was addressed resided (see the Sanson bill, and bills of sale of negroes, Appendix I, Documents Nos. 1, 4, 5, and 6). It was thus an easy step for Englishmen, in ignorance or disregard of the French usage, to call the town "Aux Cayes"; even as early as 1797, Bryan Edwards, though giving the name correctly on his map, which doubtless had a French source, wrote "Aux Cayes" in his text; the corruption has survived, and is occasionally found in standard works, but is too egregious to be tolerated.

[28] And sometime as marchand, more strictly a retailer.

[29] Since a colonist's wealth was estimated upon the number of slaves he could afford, and since a slave was regarded as equivalent to a return of 1,500 francs a year, Jean Audubon's income on this basis would have been 63,000 francs.

[30] See Sir Spencer St. John, Hayti, or the Black Republic, 2d ed. (New York, 1889).

[31] Bryan Edwards, Esq., M.P., F.R.S., &c., An Historical Survey of the French Colony in the Island of San Domingo (London, 1797).

[32] See Note, Vol. I, p. 31.

[33] The Superior Council, sitting at Port-au-Prince, in 1780 fixed the tax for the parish of Les Cayes at the rate of 2 francs, 10 centimes per head, which in this instance was certainly trifling. (Note furnished by M. L. Lavigne.)

[34] Baron de Wimpffen sailed from Port-au-Prince for Norfolk, Virginia, in July, 1790, about a year after Jean Audubon had left the island.

[35] This was one of the commonest names among the French Creoles of Santo Domingo, and was possibly assumed, though the evidence is inconclusive. See Vol. I, p. 61.

[36] For photographic reproduction see p. 54; and for transliteration and translation, Appendix I, Documents Nos. 1 and 1a; for "Fougère" see Appendix I, Documents Nos. 2 and 3; and for "Jean Rabin," Documents Nos. 14, 16, 17 and 18.

[37] The word "Joue," which occurs eleven times in this document—as "mulatto Joue," "Joue mulatto," "negro bossal named Joue," and "little negro Joue"—suggests the English equivalent "Cheek," but no such usage appears to be authorized. It is evidently a proper name, and is more likely to prove the French rendering of a word common to one of the negro dialects of the island. On the other hand it might represent a corrupted pet name, like "joujou" or "bijou," bestowed by the French Creoles of Santo Domingo upon their favorite négrillons or petits nègres, which played a more or less ornamental rôle in many households, whether as footmen or servants. In any case the use of this word is doubtless purely local.

[38] See Vol. I, p. 46.

[39] It was stated in the act of adoption, which was drawn up in March, 1794, that Audubon's mother had then been dead "about eight years," and the testimony of the Sanson bill shows that she was alive as late as October, 1785.

[40] The following letter of inquiry concerning Louise was written by Rosa's husband when Jean Audubon's will was being attacked in the courts at Nantes. It is dated at Couëron, June 26, 1819, and is addressed to "Monsieur Carpentier Chessé, engraver, place Royale, Nantes:"

"Following the friendly offer that you made me, I have the honor of asking you to undertake, at your next visit to La Rochelle, the following inquiries:

"1. There should be at La Rochelle (it is thought at the home of the widow Scipiot) a Miss Louise Bouffard, born at Les Cayes, Santo Domingo, in America.

"What is her position? What is she doing? What is her conduct? In short I should like to know absolutely all about her, being charged by the Madame, her mother, to make all inquiries."

(Translated from original in French, Lavigne MSS.)

[41] A principal street in the old quarters of Nantes, leading from the Place Royale to Place Graslin. Jean Audubon named this street as his place of residence in 1792, when he was living in a house belonging to Citizen Carricoule. He made his home also at No. 39, rue Rubens, a short street, with many of its houses still intact, in the same quarter; this was rented of Françoise Mocquard for five years, beginning June 24, 1799 (le 6 Messidor, an 7), at four hundred francs per annum. He also dwelt at various times at No. 5, rue de Gigant, and in the rue des Carmes, where his wife possessed a house, as well as in the rue des Fontenelles and the rue Saint-Leonard. Very likely "La Gerbetière" at Couëron was occupied intermittently, especially in summer, after the outbreak of the Revolution and his reverses in fortune; even after his retirement there in 1801, he still kept a lodging (pied-à-terre) at Nantes, where, as it chanced, he died, though it was not his usual stopping-place. See Note, Vol. I, p. 86.

[42] See Maria R. Audubon, Audubon and His Journals (Bibl. No. 86), vol. i, p. 8.

[43] For the original text of this act, here given in translation, see Appendix I, Document No. 2.

[44] Research at Nantes in 1915 revealed that the baptismal records of the parish of Saint-Similien were wanting for the period from 1792 to 1803, so it is probable that they were destroyed in the Revolution. The municipal archives of Nantes possess a book of baptismal records of the city without distinction of parishes, but this shows the names of neither "Fougère," "Rabin," nor "Audubon," for the year in question.

The Abbè Tardiveau was un prêtre assermenté, or one of those priests who had sworn in 1790 to recognize the civil constitution of the clergy.

For copy of the act of baptism in the French original, see Appendix I, Document No. 3. It is impossible to say whether the heading as given in my copy of this act was in the original or not.

[45] An English writer once gave the name of Audubon's mother as Mlle. La Forêt.

[46] Audubon's signature underwent frequent variations during the first twenty-five years of his life, but after 1820 he almost invariably signed himself "John J.," or "J. J. Audubon." In the record of the civil marriage of his sister, at Couëron in 1805, his name appears as "J. J. L. Audubon;" in the "Articles of Association" with Ferdinand Rozier, signed at Nantes in 1806, it is "Jean Audubon," and in the release given on the dissolution of this partnership, at Ste. Geneviève, in 1811, the English form, "John Audubon," appears.

[47] This statement was made to me by Miss Maria R. Audubon in 1914.

[48] For full text of the six wills drawn at different times by Jean Audubon and his wife see Appendix I, Documents Nos. 13-18.

[49] See Chapter XVII.

[50] This unique document reads as follows:

"To all to whom these presents may come: know ye that I, John Audubon, having special trust and confidence in my friend, G. Loyen Du Puigaudeau, of the Department of Loire and [sic] Inférieure, and Parish of Couëron, near Nantes, in the kingdom of France, [do constitute him] my true and lawful attorney, and the true and lawful attorney in fact of Jean Rabin, husband of Lucy Bakewell, of the County of Henderson and State of Kentucky, in the United States of America, for us [?], the said Jean Rabin, and in our name to our use and benefit, to ask, demand, sue for, recover, and receive all and every part of the Real and Personal Estate, that is to say Lands, Tenements, Grounds, Chattels, and credits, which I have, or either of us, in the Department of Loire and [sic] Inferieure in the kingdom of France, aforesaid, and to make sale of the same, either at auction, or by contract of the said Lands and Tenements, Goods, Chattells, and Credits, to receive the money arising from said sale, to give any Receipt, acquittance, or other discharge for the said money or any part thereof, if money or specie shall be received, or for any property he may receive in exchange or barter for said Real and personal Estate, and our said attorney, or the attorney of Jean Rabin aforesaid, is hereby authorized and empowered to make, give, execute, and deliver any Deed, Covenant, or transfer of said Real and Personal Estate to the purchaser of all or any part thereof for us, or for the said Jean Rabin, in as full and ample a manner as he, the said Jean, could do, was he personally present in said Department, in the Kingdom. In testimony whereof the said John Audubon has hereunto set his hand and affixed his seal the Twenty Sixth day of July, Anno Domini One thousand & Eight hundred and Seventeen.

John J. Audubon [Seal within]

On the back of the preceding is the notary's certificate that Jean Audubon appeared before him; seal affixed, and dated July 26, 1817.

Signed, "A[mbroze] Barband,
Notary of Henderson County, Kentucky."

[51] See Chapter XVI.

[52] Vol. i, p. v; see Bibliography, No. 2.

[53] Published by Maria R. Audubon (Bibl. No. 78) in Scribner's Magazine, vol. xiii (1893).

[54] Whether Jean Audubon had other sons born in Santo Domingo is not recorded, and this reference of the naturalist, which was repeated in his later sketch, cannot be verified.

[55] See Maria R. Audubon, Audubon and His Journals, (Bibl. No. 86), vol. i, p. 7.

[56] See Note, Vol. I, p. 38.

[57] See J. W. Crozart, "Bibliographical and Genealogical Notes Concerning the Family of Philippe de Mandeville, Ecuyer Sieur de Marigny, 1709-1800," Louisiana Historical Society Publications, vol. v (New Orleans, 1911). The portrait referred to below now hangs in the H. Sophie Newcomb Memorial College, New Orleans.

[58] Gordon Bakewell (Bibl. No. 90), ibid., p. 31.

[59] See Laws of the United States, Treaties, Regulations, and Other Documents Respecting the Public Lands, vol. i, p. 301 (Washington, 1836). In Number 756, entitled "An Act for the Relief of Bernard Marigny, of the State of Louisiana," Marigny is mentioned as assignee of Antonio Bonnabel, and his claim, which was confirmed, is described as follows: a tract of land of 4,020 superficial arpents, in the State of Louisiana, parish of St. Tammany, "bounded on the southwest by Lake Ponchartrain, and on the northwest by lands formerly owned by the heirs of Lewis Davis."

I am informed by Mr. Gaspar Cusachs, president of the Historical Society of Louisiana, who has carefully investigated the titles of this property and to whom I am indebted for much information concerning it and its owners, that the tract described above included the estate of "Fontainebleau." Marigny's claim included also a smaller tract of 774 arpents in the same parish. This land was bounded on the southwest by Lake Ponchartrain, on the north by Castin Bayou, and on the south by the tract acquired from Bonnabel; it was granted to the heirs of Lewis Davis in 1777, and certain of them filed a claim for it in 1812.

[60] One period of this service bears date of May 31.

[61] See Note, Vol. I, p. 27.

[62] The mayor, Saget, at the moment he was crossing the Place Egalité (the Place Royale of today) received point-blank a ball in his right thigh and another in his left leg, and lost both limbs.

[63] For the revolutionary history of Nantes I am chiefly indebted to M. A. Guépin's excellent Histoire de Nantes, 2d ed. (Nantes, 1839); Hipp. Etiennez, Guide du Voyageur à Nantes, et aux Environs (Nantes, 1861); A. Lescadien et Aug. Laurent, Histoire de la Ville de Nantes, t.2 (Nantes, 1836); F. J. Verger, Archives curieuses de la Ville de Nantes et des Départments de l'Ouest, t. 5 (Nantes, 1837-41); and to a scholarly monograph by Dugast-Matifeux, entitled Carrier à Nantes: Précis de la Conduite patriotique et révolutionnaire des citoyens de Nantes (Nantes, 1885).

[64] The unpublished documents of this Department are preserved in the archives of the Préfecture at Nantes, and through the courtesy of their custodians I was enabled to examine them freely. These documents deal with all the revolutionary changes in church and state consequent upon the breaking down of the old régime, and with the enrollment of volunteers and the dispatch of armed forces to centers of disturbance throughout that district. The present manuscripts are said to represent but a fraction of those which originally existed, the archives having been subjected to repeated raids, thefts, and wanton destruction by fire and other means. The most important have been listed and published by the Government in summary form under the title, Les Archives du Département de la Loire Inférieure, 1790-1799, Série L. (Nantes, 1909).

[65] During the Revolution Jean Audubon always added to his signature the cabalistic sign of three dots between parallel lines, which possibly stood for the three watchwords of the Republic—"Liberté, Egalité, Fraternité."

[66] In the published orders and correspondence of the royalist General Boulart the following letter, given here in translation, is addressed to Citizen Audubon: "I give you notice, Citizen, that my aide-de-camp will arrive immediately from Niort. I beg you to do all in your power to come this evening to confer with me, since I have something to ask you of the utmost importance. I also inform you that there has arrived at Les Sables Citizen Anguis, the people's representative. Perhaps it would be more advantageous that you should see him this evening, and that tomorrow early we attempt to bring all three together. You could depart in the morning for Nantes." [Signed] "The General Boulart." Jean Audubon filed this letter from the enemy with his Department, but his answer is not given. See Ch. L. Chassin, Etudes Documentaires sur La Révolution Française: La Vendée Patriote, 1793-1800, vol. ii, p. 306, t. 1-4 (Paris, 1894-1895).

[67] Délibérations-Arrêtés de Directoire du Département. In MSS. pp. 107-108.

[68] Jean was actually in command of this war vessel in March of that year, as shown by a document given in full in Chapter IV (p. 59).

[69] These records are on file in the archives of the Department of Marine at Paris, but access to them will doubtless be denied until peace is restored in Europe.

[70] M. L. Lavigne writes that he possesses a copy of a letter addressed by M. G. L. du Puigaudeau to a lawyer in Paris, in which it is stated that Lieutenant Audubon's losses amounted to 1,500,000 francs. After making due allowance for the psychological tendency to overestimate losses, especially when sustained in remote and romantic lands, the true amount was no doubt large.

[71] Or "lieutenant of a frigate," and corresponding to "mate" in the merchant marine.

[72]The certificate which Lieutenant Audubon received at the time of his discharge is preserved among the Lavigne manuscripts and documents at Couëron, and is headed:

Port de Rochefort.

ETAT des Services du Citoyen Jean Audubon natif des Sables d'Ollonne Département de La Vendée âgé de 58 ans.

It is signed by the Chief of Administration, Daniel, the Naval Commander-in-Chief of the District, Martin, and by the naval commissioner and clerk, February 26, 1801 (le sept Ventose, an 9 de la République).

[73] Jean Audubon was 11 years, 6 months and 25 days in the service of the merchant marine of France (service au commerce), in the course of which he rose to the rank of captain of the first grade in 1774. He served in the French navy (service à l'état) 8 years, 2 months and 17 days, ranking successively as sailor, ensign-commander, and lieutenant-commander (lieutenant de vaisseau); 8 months and 22 days of this period (1768-1769) were in intervals of peace, and 7 years, 5 months and 25 days (1793-1801), in times of war. Any conflict which may seem to occur in titles must be attributed to this double service.

[74] This property was evidently encumbered to a considerable extent, for he repeatedly filed with the Department letters for the removal of restrictions placed upon it (lettres pour obtenir la main levée). I cannot give the dates of these letters, but believe that they were drawn in 1801 or shortly after.

[75] This house was rented at the time to Françoise Mocquard (see Note, Vol. I, p. 57), but it is probable that Lieutenant Audubon had reserved rooms which were occupied during his visits to the city while his permanent home was at Couëron. In the power of attorney issued by Jean Audubon, his wife, and Claude François Rozier, at Nantes, April 4, 1806, the senior Audubon gave his residence as "rue Rubens, No. 39."

[76] Presumably a widow of one of the Coyrons (or Coironds), merchants at Nantes, whose business interests in Santo Domingo were entrusted to Jean Audubon's hands in 1783 (see Chapter III, p. 38).

[77] The following extract from the registry of deaths at Nantes, which is here given in translation, indicates that Lieutenant Audubon passed away suddenly, since his death did not occur in his own apartments (for original see Appendix I, Document No. 19):

"In the year 1818, on the 19th day of February, at eleven o'clock in the morning, in the presence of the undersigned, deputies and officers of the civil service, delegates of Monsieur the Mayor of Nantes, have appeared the Messrs. Gabriel Loyen du Puigaudeau, gentleman of leisure, son-in-law of the deceased, residing hereafter at Couëron, and Francis Guillet, grocer, living on the Quai de la Fosse, of legal age, who have certified in our presence that on this day, at six o'clock in the morning, Jean Audubon, retired ship-captain, pensioner of the State, born at Les Sables d'Olonne, department of La Vendée, husband of Anne Moinet, died in the house of Mlle. Berthier, in the Chaussée de le Madeleine, No. 24, 4th Canton.

"The witnesses have signed with us the present act, after it was read to them. The deceased was 74 years of age."

"Signed in the register:-	{ Gabriel Loyen du Puigaudeau,
	{ Guillet, and Joseph de la
	{ Tullaye, deputy

The Audubons and Du Puigaudeaus were probably buried in one of the large cemeteries at Nantes, since no trace of their graves has been found at Couëron by M. Lavigne.

[78] Audubon said that he was at the time fourteen years old, which could not have been the case, but when writing in 1835 he placed this experience at shortly before his return to America, which would have been in the winter of 1805-6; "I underwent," to quote this later account, "a mockery of an examination, and was received as a midshipman in the navy, went to Rochefort, was placed on board a man-of-war, and ran a short cruise. On my return, my father had in some way obtained passports for Rozier and me, and we sailed for New York."

[79] Audubon, writing in 1820, described himself at this time as "a young man of seventeen, sent to America to make money (for such was my father's wish), brought up in France in easy circumstances;" but in the same journal he said that he did not reach Philadelphia until three months after landing, and that "shortly after" his arrival at "Mill Grove" the Bakewell family moved to "Fatland Ford." Mr. G. W. Bakewell, the historian of his family, states that in the spring of 1804, William Bakewell, Audubon's future father-in-law, with his son, Thomas, traveled through Pennsylvania, Virginia and Maryland in search of a farm; they purchased "Fatland Ford," which was then the property of James Vaux. Audubon's account of the Pewee (Ornithological Biography, vol. ii, p. 124) shows that he was at "Mill Grove" before April 10, when "the ground was still partially covered with snow, and the air retained the piercing chill of winter." If these various statements are correct, they would indicate that Audubon left Nantes about the middle of November, 1803, and that he finally reached "Mill Grove" not far from the end of March, 1804. On the other hand, Mr. W. H. Wetherill, the present owner of "Mill Grove," informs me that his records indicate that the Bakewells occupied "Fatland Ford" in January, 1804. If this were the case, young Audubon could not have left France later than August, 1803. Too much weight, however, should not be attached to such references of a biographical character in Audubon's own writings; for in the account referred to above Audubon said that after his first visit to the United States he remained two years in France and returned to America "early in August;" while we know that his sojourn in France lasted but little more than a year and that he landed in New York on the 28th of May.

[80] A plague of genuine yellow fever had visited New York in 1795, but in 1804 and 1805 the city suffered from a malignant fever of another type, and to such an extent that 27,000 persons, or one-third of the entire population, are said to have fled to escape the pestilence. This was possibly the malady which seized young Audubon not far from the beginning of the former year.

[81] The rough draft of a letter in English, evidently written by Lieutenant Audubon to be delivered by his son to the ship's captain, and probably in duplicate to his agent, Miers Fisher, but bearing no name or date, (Lavigne MSS.)

[82] See Note, Vol. I, p. 98.

[83] The yearly rent of "Mill Grove" in 1804, according to the accounts of Francis Dacosta, who had then acquired a half interest in it, amounted to $353.34.

[84] "Mill Grove" farm is in Montgomery County, twenty-four miles northwest of Philadelphia, in the town known, after 1823, as Shannonville, but in 1899 rechristened "Audubon;" Norristown is five miles to the east.

[85] Mr. William H. Wetherill of Philadelphia, whose hospitality I have enjoyed and to whom I am indebted for many interesting facts and records pertaining to "Mill Grove." Samuel Wetherill, Mr. W. H. Wetherill's grandfather, was one of the first to bring "black rock," or coal, from Reading to Philadelphia. Samuel Wetherill, Junior, who is said to have started the first woolen mill in the country and to have produced the first white lead made in the United States, purchased "Mill Grove" for the sake of its minerals in 1813, the war having put a stop to all importations from England at that time. He actually succeeded in extracting several hundred tons of lead from the "Mill Grove" mines, doing better, it is thought, than any who preceded or followed him. Samuel Wetherill, Junior, died in 1829, and was succeeded in the lead and drugs industry by his four sons, of whom Samuel Price Wetherill became the owner of "Mill Grove" in 1833. The farm remained in the hands of the Wetherill family until 1876, and returned to them again, when the present owner came into possession, in 1892.

[86] In 1761 James Morgan, the first miller and builder, conveyed one-half of the mill site of five acres to Roland Evans, who came into possession of the other half, with the adjoining farm, in 1771; the property was sold to Governor John Penn in 1776; it passed to Samuel C. Morris in 1784, and to the Prevosts in 1786.

[87] The lease, which was drawn up in English, April 10, 1789, reads in part as follows: "This indenture, made on the tenth Day of April in the Year of our Lord, One thousand Seven hundred & Eighty nine, Between John Audubon, of the Island of St. Domingo, Gentleman, now being in the City of Philadelphia, of the one party, and Augustine Prevost...." The lease included the messuages, grist mills, saw mills, plantation and tract of land, which is described, tools, implements, stock, and furniture of the mills and farm, and was drawn for one year; it was signed in the presence of Miers Fisher, agent and attorney for Jean Audubon.

In the inventory were included one windmill, one pair of scales, with weights of 56, 28 and 7 pounds, "skreen," four bolting cloths, two hoisting tubs, and one large screw and circle for raising the millstones. This lease was renewed in October, 1790, when Jean Audubon, who was then living at Nantes, agreed to keep the house in good repair from that time onward. It was the Prevost mortgage that Miers Fisher paid but forgot to cancel (see Vol. I, p. 122); it was finally cleared up by Dacosta in October, 1806.

Miers Fisher's Philadelphia residence, called "Ury," which Audubon often visited, was near Fox Chase, now in the Twenty-third Ward. See Witmer Stone, Cassinia, No. xvii (Philadelphia, 1913).

[88] For a photograph of this portrait of Lieutenant Audubon here reproduced, I am indebted to Miss Maria R. Audubon; the originals of both portraits are now in possession of Audubon's granddaughter, Mrs. Morris F. Tyler.

[89] See Note, Vol. I, p. 99.

[90] For this and the preceding quotation, see Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, pp. 18 and 27.

[91] In Dacosta's final statement of his account, which was disputed, carried into court, and eventually settled by arbitration at Philadelphia, on August 1, 1807, these items occur: "Omitted, $300.00, paid by Francis Dacosta to Miers Fisher, on May 24, 1803;" and "Ditto $176.67, the proportion of Francis Dacosta in the rent of the first year, which has not been paid to him." (See Appendix I, Document 11a; MSS. in possession of Mr. Welton A. Rosier.)

It seems probable that Dacosta was sent to this country by Lieutenant Audubon to act as his agent for the disposition of "Mill Grove," and to succeed Miers Fisher in the conduct of his business affairs. Interest in the neglected and forgotten mine may have diverted them from their original plans.

[92] The following notice, copied from Relf's Gazette, appeared in the New York Herald for Saturday, November 17, 1804:

"The lead mine discovered on Perkiomen creek, in Montgomery county, Pennsylvania, the property of Francis Dacosta, has been lately opened, and attended with great success. The vein proves to be a regular one, and of long continuance. Its course is N.N.E.; its direction is nearly perpendicular, and its thickness from one foot to 15 inches. Two tons of that beautiful ore were raised in a few hours, and one ton more at least was left in the bottom on the pit, which is yet but nine feet deep. From the situation of this mine, its nearness to navigation and market, its very commanding height, its richness in metal, and the large scale it forms on; it is thought by judges to be one of the first discoveries yet made in the U. S.

"From the analysis made of 100 parts, it contains:

Oxyd of lead	85
Oxyd of iron	1
Sulphuric acid	13
Water	1
	100

"The lead being coupelled, has proved to contain 2½ oz. fine silver to 100, which is nearly 3 dollars worth of that metal."

[93] For the sum of 31,000 francs, or $6,200, a slight advance on the cost to Jean Audubon, when he had taken over the farm fifteen years before (see Vol. I, p. 105).

[94] The following item appears in Dacosta's final account: "To compensation claimed by Francis Dacosta for making up half of his expenses, in managing the mining works, the mill-repairs, and taking up the formation of a company during two years of constant cares, troubles, and loss of time, at 300 dollars a year—$600.00." (From statement of disputed claim; see Note, Vol. I, p. 168.)

[95] For copies of a part of the Audubon-Dacosta correspondence, which is perhaps half of what exists but all that it was possible to obtain, I am indebted to Monsieur Lavigne. The first letter, the present copy of which is incomplete, was evidently written in the winter of 1804-5. Lieutenant Audubon, who at this time was sixty-one years old, was living at Couëron, but came to Nantes to conduct his correspondence. All the letters were carefully transcribed in a separate copybook, and are here translated as literally as possible from the French.

[96] That is, after having become a part owner of the "Mill Grove" property.

[97] That is, at Couëron.

[98] This name appears as "Rost" in all the letters.

[99] Member of the firm of Audubon, Lacroix, Formon & Jacques, engaged in the Santo Domingo trade (see Chapter II, p. 33). In these letters the name usually appears as "Formont."

[100] Vessels in which Jean Audubon was personally interested, and upon which he endeavored in vain to collect the money and interest due him (see Vol. I, p. 34). In a document in English, dated [Les Cayes] April 9, 1782, concerning the Annette, of which Jean Audubon was captain and part owner, and signed by him and David Ross & Company, it is stated this vessel was bound for Nantes with a cargo of tobacco, in the purchase and sale of which Captain Audubon was under orders of Mr. Ezekiel Edwards of Nantes.

[101] This was probably the mortgage which Jean Audubon gave to Prevost when "Mill Grove" was purchased in 1789, for in Dacosta's final account for 1806-1807 this item occurs under October 15, 1806: "To the recorder in Norristown for entering satisfaction of John Audubon mortgage to John Augustin Prevost ... $2.83."

[102] The principal house at "Mill Grove," which Dacosta was preparing to occupy.

[103] Owing to the delay in receiving his legal papers from France, Dacosta had threatened to carry his case to the courts, and had stopped work at the mine.

[104] In the light of the preceding letters, Dacosta would appear in these respects to have been only attempting to carry out his instructions.

[105] Probably Sarah White Palmer, Benjamin Bakewell's sister-in-law, and widow of the Rev. John Palmer, who at one time was associated with Joseph Priestley in editing the Theological Repository, an organ of the Unitarians. Her son-in-law, Thomas W. Pears, was later a partner in Audubon's business ventures at Henderson, Kentucky. Her grave is in the Bakewell burying plot at "Fatland Ford."

[106] See Appendix I, Document No. 7.

[107] Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, p. 39.

[108] Dr. d'Orbigny had three sons, all of whom were born in Couëron: Alcide Charles Victor in 1802, Gaston Edouard in 1805, and Charles in 1806; the youngest and eldest became distinguished naturalists. So far as known, Audubon was godfather only to the second, Gaston Edouard, who according to the records of the Catholic church at Couëron, "was born on the 3d day of the present [month], the issue of the legitimate marriage of Mr. Charles Marie d'Orbigny, doctor of medicine, and of Anna Pepart," was christened on August 20, 1805, in the presence of the godfather, John James Audubon, the godmother, Rosa Audubon, the father and mother, together with the "undersigned" (Extracted by Monsieur Lavigne). D'Orbigny appears as a witness to the powers of attorney which Jean Audubon and his wife issued jointly to their son and to Ferdinand Rozier at Couëron in 1805 (see Appendix I, Document No. 8) and on November 20, 1806 (see Vol. I, p. 153).

[109] For copies of this and the following letters, which are here translated from the French, I am indebted to Monsieur Lavigne.

[110] A daughter of Catharine Bouffard, regarding whom see Vol. I, p. 56.

[111] See Appendix I, Document No. 8.

[112] The civil ceremony of Rosa Audubon's marriage was performed at the mayor's office in Couëron, on December 16, 1805 (le 26 frimaire, an 14), when the bride was in her eighteenth year; the contract had been drawn on the 12th day of that month (le 22 frimaire, an 14) by notary Martin Daviais, who was mayor of Couëron in the following year, and the religious ceremony was conducted by the Bishop of Nantes. "The following have assisted," so reads in translation the Couëron record, "at the marriage, aforesaid, on the side of the groom, M. André Loyen du Puigaudeau, his brother, and M. Honoré François Guiraud, his brother-in-law; by the side of the bride, her father, and M. Jean Audubon, her brother, [and these have] undersigned, together with the bridegroom." Audubon's signature reads "J. L. J. Audubon."

[113] For the full text of these two documents, which are so interesting for our story, see Appendix I, Documents Nos. 9 and 10; and for translations, Documents Nos. 9a and 10a. For the privilege of examining and reproducing the first of these papers I am indebted to Mr. Charles A. Rozier, of St. Louis, and for the second, as well as the power of attorney of 1805 (see Document No. 8), referred to earlier, to Mr. Tom J. Rozier, of Sainte Geneviève, Missouri. In the case of this second warrant it will be noticed that the grantors signed only the minute which was filed with the notaries, who, with the judge of the Court of the First Instance, affixed their names to the document itself. No better illustration could be given of the dignity which the French attach to the office of notary, to the honored incumbents of which their private affairs are unreservedly entrusted, than this elaborate judicial document.

[114] In the register of the Central Committee of Nantes it is noted, under date of October 4, 1793, that "owing to the friendly relations then existing between France and the citizens of the United States, and to the good feeling evinced by them in sending to us for food, four American ships are accordingly permitted to leave the port of Nantes, with cargoes of wine, sugar, and coffee, and also to take enough biscuit for the voyage."

[115] The receipt which the captain handed the young men, and which the methodical Rozier preserved, remains as a souvenir of this voyage (in the Tom J. Rozier MSS); it reads as follows:

Recvd. from Mr. John Audubon & ferdinand Rozier the sum of five Hundred and twenty five Livers being in full for their passage from Nantes to New York in the Ship Polly........................... S. Sammis

[In Rozier's (?) handwriting] New York May 28, 1806

[Indorsed by Rozier on back] Payé le 11 avril 1806

[116] The total population of Couëron, as given in the official directory for 1913, was 2,035, but the total working population is probably three times as great.

[117] There is also the grand calvaire, which stands on an eminence in the village. This was erected in 1825 on the foundations of the chateau of the dukes of Brittany, the last of whom, Francis II, died at Couëron in 1488. His tomb is in the nave of the cathedral at Nantes; the grand calvaire was restored by two Couëron families in 1873, and is a very elaborate structure.

[118] Mr. William Beer, who paid a visit to "La Gerbetière" with Dr. Louis Bureau in 1910, writes me that the woodwork was poor in quality, and that all the rooms had been altered in size and appearance.

[119] But not related to M. L. Lavigne, to whom I am indebted for extracts from the deed, a translation of which is given below, as well as for many other references.

[120] That is, the landlord to receive one-half the produce.

[121] A "journal" of land being as much as a man could cultivate in a day's labor.

[122] See Chapter XVII.

[123] For the privilege of examining Ferdinand Rozier's copy of their "Articles of Association" I am indebted to the kindness of Mr. Charles A. Rozier, of Saint Louis. This is written on three sides of hand-made, hand-ruled Government linen, small letter size, with printed revenue stamp (50 centimes) of the French Republic at top, and stamped with the seal of the Department of Registration and Stamps ("ADM. DES DOM. DE L'ENREG. ET DU TIMBRE REP. FRA.—Administration des domaines de l'enregistrement et du timbre, République Française"). The signature of "Jean Audubon" bears a close resemblance to that of the father, Lieutenant Jean Audubon, who was undoubtedly the author of the document. For the "Articles" in full, in French and English, see Appendix I, Documents Nos. 9 and 9a.

[124] Among the elder Rozier's papers was part of an old letterbook belonging to his son; it is written in French, and labeled "Correspondence of Ferdinand Rozier." On one of the four sheets preserved this item occurs: "4 July, 1806, Philadelphia; record of an agreement with Mr. Dacosta proprietor of one half of the Mill Grove farm,—at least of the value of sale." The first entry is dated "19 février—1806, New York," which, if correct, would imply that Rozier spent two years instead of one in the United States when he visited this country in 1804 (or came a second time), and that he returned, with young Audubon, almost immediately after reaching France (see Vol. I, p. 245); the last record is "August, 1807, New York." (MS. in possession of Dr. Louis Bureau, Nantes.)

[125] According to the records of Montgomery County, as collated for Mr. W. H. Wetherill, the remaining half interest in "Mill Grove" was sold by J. J. Audubon (and Ferdinand Rozier) to Francis Dacosta & Company, for a consideration of $9,640.33. The business was conducted mainly by Rozier, acting under the advice of their friend, Miers Fisher.

[126] Translated from the French of Ferdinand's copy, in possession of Mr. Welton A. Rozier, to whom I am indebted for the privilege of reproducing it.

[127] "Gourdes," that is, piasters or Spanish dollars.

[128] Claude François Rozier, at this time an aged man, died at Nantes on September 7, 1807; he had two sons and six daughters, of whom Ferdinand was the second son and the fifth child; his wife, Renée Angelique Colas, died at Nantes, February 9, 1824.

[129] This was issued, so the letter reads, to "their son, John Audubon, and Ferdinand Rozier, both of the said city of Philadelphia, Gentlemen," by "John Audubon, late of the city of Philadelphia, in the commonwealth of Pennsylvania, now residing in the commune of Couëron, near the city of Nantes in France, Gentleman, and Anne Moynette, his wife," to apply to all lands and other property belonging to them in the United States, with the power to "raise or borrow money on the whole or any part or parts of the said lands, tenements, or hereditaments, to secure the repayment of said monies by bond, warrant of attorney, to contest judgment of the mortgage of the said lands, tenements, or hereditaments, or any part or parts thereof...." Written in French and English; signed by Jean Audubon, Anne Moynet, his wife, by Doctors Chapelain and C. d'Orbigny as witnesses, by the mayor of Couëron, the prefect of the arrondissement and the prefect of the department; countersigned on December 4, 1806, by W. D. Patterson, of the "Commercial Agency of the United States at Nantes." For the favor of examining this paper, I am indebted to the kindness of Miss Maria R. Audubon.

[130] For the privilege of examining these letters I am indebted to the courtesy of Dr. Louis Bureau, Director of the Museum of Natural History and Professor in the School of Medicine at Nantes, maternal great-grandson of François, and grandnephew of Ferdinand Rozier. The letters were found in an old trunk that once belonged to his grandfather, François Denis Rozier. Five were written in French (Nos. 1, 2, 4, 6 and 7), and addressed from New York to François Rozier at Nantes; one (No. 3) in English and another (No. 5) in French were sent in care of Rozier, to his father, John Audubon, Esq., Nantes, with the direction to be delivered as soon as possible; all are on unruled foolscap, wafer-sealed, and each also bears an outside seal in wax, stamped with Bakewell's initial (B). It is not possible to say whether Lieutenant Audubon ever received these letters of his son; if received, it is not very obvious why they should have been left in the old merchant's hands, unless his ill health at the time, and subsequent death were the cause (see Note, Vol. I, p. 152). I am further indebted to Mr. William Beer, for the perusal of his copies, which have been followed to a large extent.

Since all of these early letters throw an interesting light upon the times as well as upon Audubon's personal history, we shall give them in full, rendering the French into English as literally as practicable.

[131] This Philadelphia merchant was evidently in France and intending to visit Nantes at this time.

[132] "Of the St. Domingo packet."

[133] "Mr. L. Huron did, a few days ago, receive some wines on a/c of M. Rozier, and hopes they prove good," etc.

[134] Miers Fisher, for many years Jean Audubon's trusted agent and attorney in America. See Vol. I, p. 100.

[135] Gabriel Loyen du Puigaudeau, his brother-in-law.

[136] That is a miniature or an old portrait of his father in the uniform of a lieutenant-commander, which with its companion, representing Mme. Jean Audubon, his stepmother, then hung in the house of "La Gerbetière" at Couëron. The original portraits, which are reproduced facing page 78, measure 23½ by 18½ inches, and were painted probably between 1801 and 1806; they were inventoried in documents bearing date of November 14, 15 and 17, 1821, shortly after Mme. Jean Audubon's death. They were restored in Paris about ten years ago for Monsieur Lavigne, to whom I am indebted for the photographs and this information.

[137] Audubon's intimate friend, see Vol. I, p. 128.

[138] "Serinettes," the old time music boxes, or bird-organs, of Swiss origin, that were very popular in America down to the time of the Civil War, or even later. They were manufactured at St. Croix as late as 1880; instruments of similar type, with dancing figures, have been adapted to the penny-in-the-slot machines common in Switzerland to-day.

[139] Marchand, or retail merchant.

[140] Initials of the head of his firm, Benjamin Bakewell.

[141] The reference was to Mme. Stephanie-Felicité de Genlis (1746-1830), teacher of the children of the Duke of Orleans, Philippe-Egalité, and authoress of many works on education, once popular, but now known only to the antiquary and the ragman.

[142] Meaning possibly his prospective brother-in-law, Thomas W. Bakewell, a fellow clerk in the office.

[143] One Louis was equal to twenty francs, or four dollars.

[144] Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, p. 32.

[145] Especially his account current, from June 1, 1806, to July 25, 1807, with the "Mill Grove" farm, and "John Audubon of Nantz," drawn up and signed at Philadelphia on the latter date. Dacosta then claimed a balance due him of $950.64 above the returns from farm and mine, of which he was entitled to one-half; this sum included his salary and numerous minor expenditures. When his account was contested and taken out of court for settlement, it was cut by the arbitrators to $530. See Appendix I, Document 11a.

The following is a "copy of the Award given by John Laval & Laurence Huron appointed referees by Francis Dacosta and John Audubon the elder by a rule of reference in the Common Pleas of this county to have their differences in accounts settled:"

"We the within named referees, having heard the parties and examined their respective accounts & vouchers, do award that there is due by the defendant, John Audubon the elder, to the plaintiff, Francis Dacosta, the sum of five hundred and thirty dollars, which we find to be the full balance of all current accounts between them, and we award that the said ballance be paid by the said John Audubon the elder to the said Francis Dacosta by defalking the same from the account of the condition of the Bond of Eight Hundred Dollars—mentioned in the within rule of reference conformably to the agreement endorsed on the said Bond."

"Witness our hands Philadelphia 1st August, 1807."

"Signed—John Laval."
"Laurence Huron."

(Copy of original MS., in possession of Mr. Welton H. Rozier.)

[146] In 1811 "Mill Grove" was conveyed by Francis Dacosta & Company, to Frederick Beates, who in 1813 sold it to Samuel Wetherill, Jr., for $7,000, the property having shrunk to less than one-half the value placed upon it in 1806. For the enterprises of the Wetherills, see Note, Vol. I, p. 102.

[147] Since we have been obliged to enter rather minutely into the history of "Mill Grove," in order to trace the relations of the Audubons to it in an important period of the naturalist's career, the reader may be interested in the anticlimax which its famous mines reached at a later day. The Ecton Consolidated Mining Company had been in operation at "Mill Grove" for a considerable period, when, in 1848, the Perkioming Association was formed and ten thousand dollars was at once invested in machinery. In 1851 these two companies were combined under the name of the Perkioming Consolidated Mining Company, which issued 50,000 shares of stock, at six dollars each, thus representing a capital of $300,000. A mining settlement quickly sprang up on Audubon's old farm, where numerous buildings of stone, a general store, and miners' houses were to be seen. In the first annual statement issued by this company, the buildings were said to represent an outlay of $15,000, while $140,000 had been expended on machinery, both above and below ground. A Cornish expert, who was summoned from England, was paid $1,414 for a verbose report, the substance of which, it was said, was expressed in conveying the information, already known, that the "mineral mined is copper ore" (copper pyrite occurring in association with lead). This company closed its business in 1851, by assessing its stockholders one dollar a share, thus bringing the total loss in this final effort to $350,000, nearly one-third of which had been drawn from Philadelphia. After one, or two, further unsuccessful attempts had been made, all the substantial buildings of the mining works became a quarry, from which stone was sold by the perch, the ruins of the old engine house alone remaining to this day as a witness of the follies of the generations that are gone. (This account is based upon reports which have appeared in the press of Philadelphia or in other Pennsylvania newspapers.)

[148] Samuel Latham Mitchell (1764-1831), physician, naturalist, politician and voluminous writer on many subjects. In 1797 he founded, in association with Dr. Edward Miller and Dr. Elihu H. Smith, the New York Medical Repository, and was its chief editor. He began also, at the University of New York, one of the earliest collections in natural history, and in 1817 appealed to the Historical Society of his city for the foundation of a Zoölogical Museum; in the same year he organized the Lyceum of Natural History, and was its first president, Joseph Le Conte serving as corresponding secretary, and John Torrey as one of its curators. On April 9, the following subjects were assigned to different members for investigation, "Ichthyology or fishes, Plaxology or crustaceous animals, Apalology or mollusca, and Geology or the earth" being reserved for the president; Samuel Constantine Rafinesque (see Chapter XIX) took charge of "Helmintology or worms, Polypoligy or polyps, Atmology or Meteorology, Hydrology or waters, and Taxodomy or classification;" John Torrey, who became a distinguished botanist, was more modest, and assumed charge only of "Entomology or insects;" while to John Le Conte were given "Mastodology or mammalia, Erpetology or reptiles, and Glossology or nomenclature." See the American Monthly Magazine and Critical Review (New York) for August, 1817, p. 272.

[149] See Vol. I, p. 185.

[150] Cuvier stated in his report on Audubon's Birds, delivered at the Academy of Sciences, Paris, September 22, 1828, that the author had been twenty-five years before a pupil in the school of David. This would place the date in 1803, but earlier than the autumn of that year, when Audubon started for America. See Note, Vol. I, p. 99.

[151] Ornithological Biography (Bibl. No. 2), vol. i, p. viii.

[152] F. T. Verger, Archives curieuses de la ville de Nantes et des départements de l'ouest (Nantes, 1837-41); for further references to David in this chapter I am mainly indebted to Georges Cain, Le Long des Rues (Paris, 1812), and Charles Saunier, Louis David (Paris, no date).

[153] The implication as to time, which is repeated above, contradicts an earlier statement, which is probably more nearly correct, for when Audubon returned to America in 1806 he was twenty-one.

[154] See R. W. Shufeldt, in The Auk and the Audubonian Magazine (Bibliography, Nos. 184 and 190).

[155] Referring to the fire of 1835, in New York.

[156] See Chapter XXI.

[157] When it passed into the equally worthy hands of Mr. Joseph Y. Jeanes, of Philadelphia. Mr. Jeanes purchased from the estate of Mr. Edward Harris, 2d, directly or indirectly, and at different times, about 110 of these early originals; others were dispersed, four of early date being in the Museum of Harvard University. Mr. Jeanes also possesses a large section of the Audubon-Harris correspondence, which extended over nearly a quarter of a century, and of which little has been published; to his kindness I am indebted for the privilege of reproducing some of the drawings, as well as numerous extracts from the letters, in the present work.

[158] Audubon said that some of the originals of The Birds of America were "made as long ago as 1805," which may well have been the case, but the earliest date which has been preserved on the drawings is that of July 1, 1808, for "Rathbone's Warbler," later recognized as an immature form of the Summer Warbler. The Carbonated Warbler was drawn May 7, 1811. Seven bear the date of 1812, namely: Yellow-rumped Warbler, April 22; Le petit Caporal, April 23; Wood Pewee, April 28; Blackburnian and Bay-breasted Warblers, May 12; Chestnut-sided Warbler, May 17; and Cuvier's Wren, June 8.

[159] For a list of Audubon's early dated drawings see Appendix II. Through the courtesy of Mr. Jeanes, I am able to reproduce a fuller series of Audubon's early drawings of French and American birds than has hitherto been published, and have chosen the subjects to illustrate the development of his style.

[160] See Vol. I, p. 125.

[161] Ornithological Biography (Bibl. No. 2), vol. i, p. 354.

[162] See Appendix II.

[163] See Appendix I, Document No. 11.

[164] This diary was first brought to my attention by Mr. Ruthven Deane, and for permission to reproduce it I am indebted to the kindness of a great-grandson of Ferdinand, Mr. Welton A. Rozier, of Saint Louis. Mr. Rozier writes that the original French notes have been mislaid or lost, but that they were closely followed in this translation, whenever complete. Though numerous verbal changes have been made in the present draft, these have not altered the meaning in any respect. Ferdinand Rozier's narrative begins as follows:

"I left Nantes, France, in company with John James Audubon, on Saturday, the 12th day of April, 1806, bound for the city of New York, U. S. A., on an American ship named the Polly, commanded by Captain Sammis, and arrived at New York on Tuesday, the 27th day of May. While on the voyage across the ocean our vessel was stopped, overhauled, searched, and robbed by an English privateer, named the Rattlesnake, which detained us a day and a night.

"We remained in New York City for a few days, and then removed to Mill Grove, on Pickering [Perkioming] Creek, in Pennsylvania, a tract of land owned by our fathers, and at that time thought to contain valuable minerals."

[165] In the rich bottom-lands of the Ohio River basin the hackberry or sugarberry (Celtis occidentals) sometimes exceeds one hundred feet in height, and has a diameter of from four to five feet.

[166] The population of the second city of Pennsylvania in 1800 was 1,565; in 1840, 4,768; and in 1910, after the annexation of Allegheny, 533,905.

[167] Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, p. 28.

[168] See Appendix I, Document No. 11.

[169] See Chapter XI, page 158.

[170] When Audubon was returning with his wife and infant son from Pennsylvania to Kentucky in the autumn of 1810; see "The Ohio," Ornithological Biography (Bibl. No. 2), vol. i, p. 29.

[171] In 1800 the population of Louisville was 600, and in 1810 it had risen to 1,350; see Charles Cist, Cincinnati in 1841 (Cincinnati, 1841).

[172] For this and the letter of Thomas Bakewell's uncle, William Bakewell, which follows later, I am indebted to Mr. Tom J. Rozier; see Note, Vol. I, p. 133, and for accompanying "Account Current" of Audubon & Rozier, Appendix I, Document No. 11.

[173] See Note, Vol. I, p. 196.

[174] The lead mine at "Mill Grove," which with the remaining Audubon and Rozier interests in the farm had been taken over by Dacosta's company in September, 1806. The failure of Dacosta followed in about a year after the date of this letter.

[175] Victor Gifford Audubon, who was then nine months old.

[176] See Vol. I, p. 153.

[177] William Bakewell died at Philadelphia on March 6, of the same year, after suffering from the effects of a sunstroke, and was, eventually, buried at "Fatland Ford;" in 1822 his farm, originally of 800 acres, passed into the hands of Dr. William Wetherill. See Note, Vol. I, p. 99, and W. G. Bakewell, Bakewell-Page-Campbell (Bibl. No. 200).

[178] In a letter to Alexander Lawson, written from Pittsburgh, on February 22, 1810; see Elliott Coues, "Private Letters of Wilson, Ord, and Bonaparte," Penn Monthly, vol. x, pp. 443-455 (Philadelphia, 1879).

[179] See Elliott Coues, loc. cit.

[180] Letter to Alexander Lawson, dated at Lexington, April 4, 1810; see Grosart, Poems and Literary Prose of Alexander Wilson, vol. i, p. 189.

[181] See Grosart, Poems and Literary Prose of Alexander Wilson, vol. i, p. xxiv.

[182] For "The Shark, or Lang Mills Detected," a satire directed against William Sharp, a manufacturer of Paisley; Wilson was fined £12 13s. 6d.

[183] See Bibliography, No. 43.

[184] At Lancaster, Pennsylvania, on October 3, 1799, Alexander Wilson sent George Simpson, Esq., a State Treasurer's check in favor of Joseph Brown for $475, to be entered to the credit of Mr. Brown as one installment on 38 shares of scrip in the new loan at eight per cent, in the names of Thomas Eyes, 14 shares; Alexander Wilson, 14 shares; and Kenneth Sewell, 10 shares.

[185] This was the American edition of Abraham Rees' revision of Ephraim Chambers' Cyclopædia, which had appeared in London in 1728; it was published at Philadelphia, in forty-one quarto volumes of text and six volumes of plates, by Samuel F. Bradford and the Messrs. Murray, Fairman & Company, 1810-1824.

[186] "The types," said Charles Robert Leslie, "which were very beautiful, were cast in America, and though at that time paper was largely imported, he [Mr. Bradford] determined that the paper should be of American manufacture; and I remember that Ames, the paper maker, carried his patriotism so far that he declared that he would use only American rags in making it." (Autobiographical Recollections, Boston, 1860.)

[187] The American Ornithology: or, the Natural History of the Birds of the United States: Illustrated with Plates Engraved and Colored from Original Drawings taken from Nature, by Alexander Wilson, was published in nine imperial quarto volumes by Messrs. Bradford and Inskeep, at Philadelphia, 1808-1814. Each volume contained nine plates and from 100 to 167 pages of text, exclusive of prefatory and other matter. The eighth volume, which was nearly ready for press at the time of the author's death, was edited by George Ord, Wilson's friend and executor; the final volume, which was wholly by Ord, and which was issued in the same year, contained a life of Wilson. After the appearance of the initial volume, the edition was extended to 500 copies and the first volume was entirely reset. Ord's life of Wilson was expanded for a three-volume edition of the Ornithology, and from oversheets of this work was produced as a separate volume in 1828 (see Note, Vol. I, p. 223).

Wilson's published lists of subscribers show 449 names, calling for 458 copies, more than half of which were taken by residents of Pennsylvania, New York and Louisiana; 70 were subscribed for in Philadelphia, chiefly by business men, artists, and "those in the middle class of society;" New Orleans in seventeen days gave him 60 subscribers; Europe supplied 15, among whom were William Roscoe, later a patron of Audubon, and Benjamin West, the artist. Wilson figured and described 278 species of American birds (within the limits of the United States), of which 56 were supposed to be new, and the total number, given by Wilson and Ord, is said to be 320. Twenty-three species were erroneously supposed to be identical with their European counterparts, yet all of Wilson's birds except the "Small-headed Flycatcher," referred to at the end of this chapter, have been identified. Considering the time and the difficulties under which he labored, his mistakes were remarkably few.

[188] See Vol. I, p. 340.

[189] See a letter to Professor S. S. Haldeman, dated February 6, 1879, in Penn Monthly, vol. x (Philadelphia, 1879).

[190] Ornithological Biography (Bibl. No. 2), vol. i, p. 437.

[191] Sketch of the Life of Alexander Wilson, Author of the American Ornithology, by George Ord, F. L. S. &c. pp. i-cxcix, Philadelphia, 1828; taken from vol. i of an octavo edition of Wilson, edited by Ord, and issued by Harrison Hall, in three volumes, at Philadelphia in 1828-29, with folio atlas of plates reproduced from the original work; see Note 187, supra.

[192] See Ord's charge of plagiarism against Audubon (Bibl. No. 145) in the Proceedings of the American Philosophical Society, vol. i (1840). So far as could be ascertained in the summer of 1915, Wilson's diary of 1810 was not in the possession of any library or scientific society in Philadelphia, nor was it in the large collection of books which was given by Ord to the College of Physicians and Surgeons of that city at the time of his death in 1866.

[193] The bracketed lines are from Waterton, who once stated that he had examined the original.

[194] This sentence is quoted from Burns' biographical sketch of Wilson (Bibl., No. 161), but tenses are changed to correspond with other entries.

[195] Musicapa minuta, which appears in Figure 5, Plate 50, of volume vi of Wilson's American Ornithology (pp. 62-63 of the text), and in Figure 2, Plate ccccxxxiv, of Audubon's Birds of America (Ornithological Biography, vol. v, pp. 291-3).

[196] Nevertheless so careful and discerning a naturalist as Thomas Nuttall confidently asserted that his friend, Mr. M. C. Pickering, had "obtained a specimen several years ago near Salem (Massachusetts)"; see A Manual of the Ornithology of the United States and Canada (Cambridge, 1832). Dr. Elliott Coues at one time thought that it might have been the Pine-creeping Warbler, and Professor Baird identified it as the female or young of the Hooded Warbler.

[197] Compare Ornithological Biography, vol. iii, p. 203, where in Audubon's article on the Whooping Crane, there is this note: "Louisville, State of Kentucky, March, 1810. I had the gratification of taking Alexander Wilson to some ponds within a few miles of town, and of showing him many birds of this species, of which he had not previously seen any other than stuffed specimens. I told him that the white birds were the adults, and that the grey ones were the young. Wilson, in his article on the Whooping Crane, has alluded to this, but, as on other occasions, he has not informed his readers whence his information came."

[198] What appear to be the original legends, written on this drawing in ink, are as follows: "Chute de l'Ohio. July 1, 1808. No. 31. J. A. Que j'avais figuré [?] 12 pennes à la queue." Above were later added, also in ink, the names, "sylvia Trochilus delicata; Sylvia delicata, Aud."

[199] On this drawing, which with Audubon's other originals is in the collections of the Historical Society of New York, the legends are as follows: "Mississippi Kite, Male, Falco mississippiensis; Drawn from nature by John J. Audubon, Louisiana, parish of Feliciana, James Perrie's Esq., Plantation. June 28th, 1821. Length 14 inches; Breadth 3 feet, ½ inches; Weight 10¾ ounces; Tail feathers, 12." It is drawn in his usual style of that period, in pastel, water color and pencil, and has been dismounted.

[200] See Vol. I, p. 305.

[201] American Ornithology, vol. iii, p. 80.

[202] See Witmer Stone, "Some Letters of Alexander Wilson and John Abbot," The Auk, vol. xxiii, 1906.

[203] In 1840, by W. B. O. Peabody, naturalist; author of a Life of Wilson; see Bibliography, No. 105.

[204] Vincent Nolte, Fifty Years in Both Hemispheres (Bibl. No. 176).

[205] The first steamboat on the Ohio was the Orleans, a vessel of 200-400 tons, built at Pittsburgh in the summer and fall of 1811, by Robert Fulton and Robert M. Livingston; her first voyage, when she touched at Henderson, was signalized, as it seemed to many, by the great earthquakes of that year. The first Kentucky steamer was built at Henderson in 1817, the same year that a small vessel was constructed by Samuel Bowen and J. J. Audubon at the same place (see Chapter XVI). Compare Edmund L. Starling, History of Henderson County, Kentucky (Bibl. No. 186).

[206] Known first as Redbank or Redbanks, to distinguish it from Yellowbank, or Owensboro, on a similar bend farther upstream; called also Hendersonville, but this term had no official standing. The population of Henderson in 1810 is given as 159, and that of the entire county, then larger than at present, as 5,000. See Starling, op. cit.

[207] See Vol. I, p. 235.

[208] See translations from copies of the originals, in French, in possession of the Louisiana Historical Society, New Orleans, in Appendix I, Document No. 21.

[209] Boat for the exchange of prisoners of war.

[210] Compare Note, Vol. I, p. 152.

[211] See Note, Vol. I, p. 148.

[212] For this characterization of Ferdinand Rozier I am indebted mainly to an account by his son, Firman A. Rozier, at one time mayor of Ste. Geneviève and member of the State Legislature; see his History of the Early Settlement of the Mississippi Valley (Bibl. No. 202) (St. Louis, 1890).

[213] For a photograph of the old Rozier store at Ste. Geneviève, as well as for the likeness of Rozier, made in 1862, when he was in his eighty-fifth year, I am indebted to the kindness of Mr. Ruthven Deane, who received them from a son of Ferdinand, Felix Rozier, in November, 1905, when the latter had attained his eighty-third year.

[214] While living at Henderson the Audubons lost their two daughters, Rosa and Lucy, both of whom died when very young.

[215] "The Earthquake," Ornithological Biography (Bibl. No. 2) vol. i, p. 280.

[216] This journey was probably made in February, though the date is given as April (see Maria R. Audubon, Audubon and his Journals, vol. i, p. 44), if the legends of four drawings of this time are to be trusted; all are labeled Pennsylvania, and bear the following dates: Swamp Sparrow, March, 1812; Spotted Sandpiper, April 22, 1812; White-throated Sparrow, April 24, 1812; and Whippoorwill, May 7, 1812.

[217] Ornithological Biography (Bibl. No. 2), vol. i, p. 81. In his biographical sketch of 1835 Audubon said that this occurred on his first return from Ste. Geneviève to Henderson (in 1811), a contradiction characteristic of his manner of dealing with biographical and historical details. For an account of this "Episode," see Chapter XVIII.

[218] For early references to Henderson I am indebted mainly to Edmund L. Starling, History of Henderson County, Kentucky (Bibl. No. 186), who had access to all the town and county records.

[219] In 1819, the year of Audubon's departure, 129 town lots had been sold, while 29 had been given to privileged persons or to prospective settlers.

[220] According to the town records, as quoted by Starling, on December 22, 1813, Audubon purchased lots numbers 95 and 96, which were one-half of the square lying on the west side of Third Street and between Green and Elm Streets, from General Samuel Hopkins, agent of the Messrs. Richard Henderson & Company; on September 3, 1814, he bought lots numbers 91 and 92, or one-half of the square on the west side of Second Street, between Green and Elm. The mill site on the Ohio River was a part of the land given to Henderson by the Transylvania Company, the original owners of a large part of Kentucky; this site was leased for 99 years to J. J. Audubon, was sold and resold, but reverted to the city of Henderson in 1915. In the latter year the project was broached of obtaining the original mill site, together with adjoining property along the river, and converting the whole into a public park dedicated to Audubon.

[221] At a somewhat later time the naturalist occupied a one-story frame house, built in 1814, which stood at the corner of Fourth and Main Streets; see Starling, op. cit.

[222] See Note 15, Vol. I, p. 124.

[223] A Henderson correspondent of Joseph M. Wade, under the signature of "W. S. J.," August 8, 1883, gave the following account of the structure. The original mill covered forty-five by sixty-five feet, and consisted of four stories and basement; the basement walls of stone stood four feet thick, while at the third story the thickness was three feet; the three upper stories were in frame. The studding measured three by six, and the rafters four by eight, inches. Many of the large timbers that could then be seen were sound and apparently good for a century or more. Parts of the old machinery that had been used in the grist mill were lying about under the eaves; the building was then used as a tobacco stemmery. See Joseph M. Wade (Bibl. No. 182), Ornithologist and Oölogist, vol. viii, p. 79 (1883).

The old Audubon mill in more recent times was incorporated into a warehouse for the storage of leaf tobacco; it was burned to the ground on March 18, 1913.

[224] The mill is supposed to have cost about $15,000; of this sum Thomas Pears is said to have contributed from $3,000 to $4,000, and William Bakewell a similar amount in the interest of his son, while Audubon presumably furnished the balance.

[225] Maria R. Audubon, op. cit., vol. i, p. 47.

[226] In his journal of 1820 Audubon said that after the withdrawal of Bakewell, "men with whom I had long been associated offered me a partnership. I accepted, and a small ray of light appeared in my business, but a revolution occasioned by a numberless quantity of failures put all to an end."

[227] One of J. J. Audubon & Company's bills is here reproduced from Starling, op. cit.

"To the President and Directors of the Bank of Henderson to Henderson steam mill:

"To three pieces of scantling, 56 feet, 4½ c	$2.52
"To ten pieces of scantling, 34 feet	——
"To sixty rafters, 714 feet, at 4 c	28.56
"To five pieces scantling, 40 feet, at 3 c	1.20
"To fifteen joists [?], 278½ feet, at 6 c	16.71
"J. J. Audubon & Co."	$48.99

[228] According to W. G. Bakewell, Bakewell-Page-Campbell (Bibl. No. 200), Thomas Bakewell sold his interest in the store and mill to Audubon in 1817, but this is contradicted by other accounts. For the incident which follows, see Maria R. Audubon, op. cit., vol. i, p. 34.

[229] See Dixon L. Merritt (Bibl. No. 226a), "Audubon in Kentucky," The Taylor-Trotwood Magazine, vol. 10 (1909), p. 293.

[230] Thomas Bakewell later became a successful builder of steamboats, first at Pittsburgh, and after 1824 at Cincinnati, where he was an important factor in the rising commerce of the Ohio Valley, and where he left his mark on the history of that city. As a theoretical mechanic in iron and wood he is said to have had no superior; his business was nearly destroyed in the panic of 1837, and he never regained his financial position. To his credit also it must be added that in 1860, at the age of seventy-two, he began at the bottom of the ladder again by engaging as a clerk with a paper company at Cincinnati, and, refusing the proffered aid of his children, he did not give up work until his eightieth year, seven years before his death in 1874. See W. G. Bakewell, Bakewell-Page-Campbell (Bibl. No. 200).

[231] Audubon was not so accurate when in his biographical sketch of 1835 he said: "Finally I paid every bill, and at last left Henderson probably forever...," for when at Charleston with Bachman in 1834, one of his former creditors attempted to sue him for debt and apparently carried his case to court. When Bachman asked for an explanation, Audubon wrote from New York, April 5, 1834, as follows: "Respecting the suit let me tell you ... that I went to Gaol at Louisville after having given up all to my creditors, and that I took the benefit of the act of insolvency at the Louisville Court House, Kentucky, before Judge Fortunatus Crosby & many witnesses, and that a copy of the record of that step can easily be had from that court.... I wish friend Donkin to do all he can to put a Conclusion—stop to this matter, for it makes me sick at heart." The lawyer here referred to was probably Judge Dunkin, friend of Bachman and distinguished in his profession, who had a plantation at Waccamaw, near Charleston, South Carolina (see Chapter XXVII, Vol. II, p. 64.)

[232] See Chapter IX, p. 63.

[233] For complete text of these wills, in the original, See Appendix I, Documents 13-18.

[234] See Note 4, Vol. I, p 27. The suit brought by these plaintiffs was based upon a French law, which at that time debarred a natural child from inheriting property.

[235] Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol i, pp. iii and 130.

[236] Lucy B. Audubon, ed., The Life of John James Audubon (Bibl. No. 73), p. 55.

[237] See Chapter VIII, p. 121.

[238] See Chapter II, pp. 33 and 34.

[239] From G. L. du Puigaudeau's copy of his letter to John James Audubon (at Henderson), dated "Couëron, August 15, 1819," translated from the French. (Lavigne MSS.)

[240] See Vol. I, p. 64.

[241] This, and the letter to follow, translated from Gabriel du Puigaudeau's copies. (Lavigne MSS.)

[242] This reference is evidently to the litigation over Lieutenant Audubon's will and the final disposition of his estate.

[243] It was thought that Victor had come to settle the family's financial affairs, and his uncle and aunt asked if this were the case; he replied that it was not, that the children of Jean Audubon who were in America had taken their [share of the] property in that country, while those in France had theirs in France; he considered that all was settled, but if Rosa's children wished for any money, they had but to ask for it, and the heirs in America would send them what they desired; the subject was then dropped. A considerable correspondence followed this visit, but the letters were all destroyed about twenty-five years ago by Monsieur du Puigaudeau, when putting his effects in order. This account is given on the authority of Monsieur Lavigne.

[244] These passages, which were shown to me by his granddaughter, Miss Maria R. Audubon, in 1914, but not for publication, occur in his journals under the following dates; June 4, 1826, at sea; March 15, 1827, at Edinburgh, after describing a visit of Lady Selkirk and her daughter; again on the 18th of March of the same or the following year; and on October 8, 1828, when writing to his wife from Paris and reflecting on the advisability of visiting his old home at Nantes. While these extraordinary passages are not quoted, out of deference to the wishes of his granddaughters, it seems only just to Audubon, in view of the revelations that have already been made, to add this brief reference to the incidents in question.

[245] This statement was made to me in 1914 by Miss Maria R. Audubon.

[246] See Note, Vol. I, p. 27.

[247] In the first three volumes only of the Ornithological Biography (Bibl. No. 2), being omitted from the last two on account of the exigencies of space.

[248] Ornithological Biography, vol. iii, p. 270.

[249] While the object of this visit is not mentioned in the "Episode," it is stated in the second biographical sketch; the ambiguities connected with the sale of this farm, in which others besides Audubon were then interested, are discussed in Chapter XI.

[250] Vincent Nolte, Fifty Years in Both Hemispheres (Bibl. No. 176).

[251] See Chapter XXI, p. 352.

[252] Limestone or, as it was later called, Maysville, was on the left bank of the river, in Kentucky, and about a hundred miles east of Cincinnati.

[253] "The Earthquake," Ornithological Biography, vol. i, p. 239.

[254] These historic earthquakes, which were most destructive of life and property in the lower Mississippi Valley, began on December 16, 1811, and therefore before Audubon and Nolte had reached the western country. They were noted for their remarkable frequency and persistence, 221 shocks having been recorded in a single week at Henderson, Audubon's home at that time; though their force was mostly spent after the first three months, they did not wholly die away in the Ohio Valley until December 12, 1813, when the last feeble vibration was recorded by Dr. Daniel Drake at Cincinnati; the worst shocks at this point were experienced on December 16, 1811, on January 23 and February 7, 1812. See Daniel Drake, Natural and Statistical View of Cincinnati, and the Miami Valley; with an appendix, containing observations on the late Earthquakes, (Cincinnati, 1815); and Edmund L. Starling, History of Henderson County, Kentucky (Bibl. No. 186).

[255] "The Hurricane," Ornithological Biography, vol. i, p. 262.

[256] James Hall (Bibl. No. 123), Western Monthly Magazine, vol. ii (1834).

[257] "The Regulators," Ornithological Biography, vol. i, p. 105.

[258] "Colonel Boone," ibid., vol. i, p. 503.

[259] See Chapter V, p 88.

[260] "The Prairie," Ornithological Biography, vol. i, p. 81.

[261] John Burroughs, John James Audubon (Bibl. No. 87), p. 37.

[262] "See History of Sutton, New Hampshire, compiled by Augustus Harvey Worthen, pt. I (Concord, 1890).

[263] "The Eccentric Naturalist," Ornithological Biography (Bibl. No. 2), vol. i, p. 455.

[264] For the characterization of Rafinesque given in the present chapter I am chiefly indebted, aside from his own writings, to his two most sympathetic biographers, Richard Ellsworth Call and T. J. Fitzpatrick, as well as to David Starr Jordan; see Bibliography, Nos. 198, 228, and 183. Fitzpatrick gives photographic reproductions from Rafinesque's exceedingly diversiform and scattered works; his bibliographic titles extend to 939, and "Rafinesquiana" to 134.

[265] "At Palermo," said Swainson, "I had the pleasure of meeting ... Rafinesque Schmaltz, whose first name is familiar to most zoölogists. In the society of such congenial minds, I passed many happy hours, and made many delightful excursions ... by the inducement of the latter, I was led to investigate the ichthyology of the western coast." (See Bibliography, No. 170.)

[266] See Vol. I, pp. 171 and 336.

[267] See David Starr Jordon (Bibl. No. 183), Popular Science Monthly, vol. xxix (1886). "The true story of this practical joke was told me by the venerable Dr. Kirtland, who in turn received it from Dr. Bachman;" the latter, I might add, was the friend and correspondent of the "Sage of Rockport" after a visit at his home near Cleveland in the summer of 1852. In the private notebooks of Rafinesque copies of Audubon's drawings are still to be seen, and "a glance at these," said Dr. Jordon, "is sufficient to show the extent to which science through him has been victimized."

Audubon was also responsible for a number of extraordinary "new species" of birds, the most notorious of which was the Scarlet-headed Swallow, of which Rafinesque published the following account in 1820: "Hirundo phenicephala. Head scarlet, back gray, belly white, bill and feet black. A fine and rare swallow seen only once by Mr. Audubon near Henderson, Kentucky...." See Samuel N. Rhoads, "Constantine S. Rafinesque as an Ornithologist," Cassinia, No. XV (Philadelphia, 1911).

[268] The Western Review and Miscellaneous Magazine, Lexington, 1819-20.

[269] Ichthyologia Ohiensis, or Natural History of the Fishes inhabiting the River Ohio and its tributary Streams, preceded by a physical description of the Ohio and its branches. By C. S. Rafinesque, Professor of Botany and Natural History in Transylvania University, Author of the Analysis of Nature, &c. &c. Member of the Literary and Philosophical Society of New-York, the Historical Society of New-York, the Lyceum of Natural History of New-York, the Academy of Natural Sciences of Philadelphia, the American Antiquarian Society, the Royal Institute of Natural Sciences of Naples, the Italian Society of Arts and Sciences, the Medical Societies of Lexington and Cincinnati, &c. &c.

"The art of seeing well, or of noticing and distinguishing with accuracy the objects which we perceive, is a high faculty of the mind, unfolded in few individuals, and despised by those who can neither acquire it, nor appreciate its results."

Lexington, Kentucky: printed for the author by W. G. Hunt. (Price one dollar.) (Pp. 1-90. Lexington, 1820.)

Fitzpatrick (see Bibliography, No. 228) gives a list of 14 copies of this work, the whereabouts of which are known; we can add another from the library of Dr. Jared P. Kirtland, now in the collections of Western Reserve University; it is bound up with Dr. Kirtland's notebook on birds and fishes, and labeled "Scraps of Natural History. My Note Book;" a written notice on the inside of the cover, imploring the finder to return the volume to its owner if lost, is signed by Dr. Kirtland and dated "Cleveland, O., Oct. 16th, 1839." Probably fewer than 20 original copies of the work now exist. It was reproduced in a limited edition, with a sketch of Rafinesque's life and works by Richard Ellsworth Call, published by the Burrows Brothers' Company of Cleveland in 1899.

[270] Probably not before October of that year, when Audubon first met John Bachman, at Charleston, South Carolina.

[271] Reply to a criticism of G. W. Featherstonhaugh (The Monthly American Journal of Geological Science), in Rafinesque's Atlantic Journal and Friend of Knowledge, No. 3, p. 113 (Philadelphia, 1832). Rafinesque occasionally spoke of meeting "my friend Audubon," who, he declared, had invited him to join his expedition to Florida in 1831-32.

[272] Isaac Lea, in A Synopsis of the Family of Naiades, pp. 8-9 (Philadelphia, 1836).

[273] See Bibliography, No. 204.

[274] The landlord, to whom Rafinesque had been in arrears for rent, had locked his body in the room and refused permission for its burial, thinking to find a market for it in one of the medical schools of the city. Rafinesque was buried in a little churchyard, then outside of the limits of the city, known as Ronaldson's cemetery, now at Ninth and Catharine Streets. See Call and Fitzpatrick, Bibliography, Nos. 198 and 228.

[275] Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, p. 36.

[276] Ibid., vol. i, p. 49.

[277] Dr. Daniel Drake (1785-1852) was one of the most versatile and prolific writers on medicine which the West has ever produced, and Cincinnati owed to him much, for he was instrumental in organizing in that city a church, a literary society, a museum, a hospital, a college, and a school of medicine, while he enjoyed a large medical practice, lectured on botany, and was a partner in two mercantile establishments. We might also add that his "Notice concerning Cincinnati" (pp. 1-28, i-iv. Printed for the author at Cincinnati, 1810), of which only three copies are known to exist, is the earliest and rarest published record of that city. This little pamphlet included a "Flora" of the city for 1809, and from it we transcribe this interesting extract (p. 27):

"May 10. Black locust in full flower.

"It is highly probable that the flowering of this beautiful tree, the Robinia pseudocacia of Linnæus, indicates the proper time for planting the important vegetable the Indian corn. For several successive years I have observed our farmers generally to plant corn during some stage of its flowering. This from the 10th to the 20th of May."

For the privilege of examining one of the original copies of this paper, I am indebted to Mr. Wallace H. Cathcart of the Western Reserve Historical Society of Cleveland.

[278] See Audubon's letter to Thomas Sully, reproduced in Vol. II, p. 68. In his Ohio and Mississippi Rivers Journal Audubon wrote on April 5, 1821: "Cap. Cumming left us on the 10 for Phila; the poor man had not one cent with him."

[279] This early journal fills a large unruled book, measuring about 13 by 8 inches, of 201 pages, beginning with Oct. 12, 1820, and closing with December 31, 1821; it forms a part of the John E. Thayer collection of Audubon and Wilson manuscripts and drawings in possession of Harvard University, having been once included in the estate of Joseph M. Wade. The collection embraces four early drawings by Audubon, presumably at one time in the hands of Edward Harris (see Note, Vol. I, p. 180); 73 of Audubon's original letters, comprising largely his correspondence with Dr. John Bachman; 60 letters by Victor G. Audubon; and a few by other members of the naturalist's family. See the Annual Report of the Curator of the Museum of Comparative Zoology for 1910-1911.

Through the courtesy of Professor E. L. Mark, and the Director of the Museum, Dr. Samuel Henshaw, I have been permitted to examine these numerous documents. In any direct or casual reference to this valuable material, I have endeavored not to overstep the bounds of propriety, in view of the fact that the University contemplates publishing copious extracts from it at an early day. It should be noticed that excerpts from this journal have already appeared in print. See following Note.

[280] See Ruthven Deane (Bibl. No. 41), The Auk, vol. xxi, pp. 334-338.

[281] "Natchez in 1820" and "The Lost Portfolio," Ornithological Biography (Bibl. No. 2), vol. iii, pp. 529 and 564.

[282] The original of this admirable drawing had been shot at New Madrid, on the Ohio, on November 23, and Audubon, who immediately began to work on it, recorded his conviction that the White-headed or Bald Eagle and the "Brown Eagle," which he later called "The Bird of Washington," were two different species; he thought that the young of the former, which was also brown, was much smaller in size. See Vol. I, p. 241.

[283] These drawings were as follows:

"Common gallinule; Not described by Willson;
Common gull; Not described by Willson;
Marsh hawk;
Boat tailed grackle; Not described by Willson;
Common Crow;
Fish Crow;
Rail or Sora;
Marsh Tern;
Snipe; Not described by Willson;
Hermit Thrush;
Yellow Red poll Warbler;
Savannah Finch;
Bath Ground Warbler; Not described by Willson;
Brown Pelican; Not described by Willson;
Great Footed Hawk;
Turkey Hen; Not described by Willson;
Cormorant;
Carrion Crow or Black Vulture;
Imber Diver;
White Headed or Bald Eagle."

[284] Vanderlyn, like Audubon, had been a pupil of David at Paris; he produced historical paintings of merit, as well as panoramas, then coming into vogue; some of the latter were exhibited in the "Rotunda" which he erected for that purpose in City Hall Park, New York, but this enterprise failed, and his building was seized by the city for debt. Vanderlyn died in absolute want in 1852. See Samuel Isham, The History of American Painting (New York, 1915).

[285] "Bayou," in Louisiana, is a term commonly applied to any slow-running stream. According to the tradition gathered on the spot by Mr. Stanley C. Arthur, both stream and settlement were formerly called "New Valentia," while the present name was derived from an old woman called "Sara," who many years ago lived at the mouth of the Bayou, where she practiced some sort of spurious physic. St. Francisville, on the hill, received its name from the circumstance that the brothers of St. Francis, who had a mission at Pointe Coupée, on the opposite bank, were in the habit of ferrying their dead over the river, in order to bury them on the high ground; "Bayou Sara" and "St. Francisville" are used interchangeably by the inhabitants. See S. C. Arthur (Bibl. No. 230), Times-Picayune, New Orleans, August 6, 1916.

[286] On the original drawing of the Pine-creeping Warbler, The Birds of America (Plate cxl), the following legends appear in Audubon's autograph: "Drawn from Nature by John J. Audubon, James Pirrie's Plantation, Louisiana, July 10, 1821. Plant, J. R. Mason."

Sixteen of Audubon's originals, which still bear the designations of time and place, were produced during this interval, in the year 1821; they embrace the Mississippi Kite (Plate cxvii, see Vol. I, p. 228), June 28; Yellow-throated Vireo (Plate cxix), July 11; Red-cockaded Woodpecker (Plate ccclxxxix), July 29; American Redstart (Plate xl), August 13; Summer Red-bird (Plate xliv), August 27; Prairie Warbler (Plate xiv), Sept. 3; and the Tennessee Warbler (Plate cliv), Oct. 17.

[287] The Birds of America, Plate xxi.

[288] See Chapter XXVIII, p. 72.

[289] The vivacious Miss Pirrie did not marry the young doctor, but eloped to Natchez with the son of a neighboring planter, who died within a month in consequence of a cold, said to have been contracted when he waded a deep stream with his lady-love in his arms. Audubon's pupil was thrice married, and bore five children; she died April 20, 1851, and her ashes now rest by the side of her second husband, the Reverend William Robert Bowman, the parish minister at St. Francisville. See Arthur (Bibl. No. 230), loc. cit.

[290] Mistakenly written "Brand" by Audubon's biographers, according to Mr. Stanley C. Arthur, who writes that "Braud" is a very common name in New Orleans.

[291] Father Antonio de Sedella, popularly known as "Père Antoine," after 1791 pastor of St. Louis Cathedral; an idol of the people, but execrated by historians.

"This seditious priest is a Father Antoine; he is a great favorite of the Louisiana ladies; has married many of them, and christened all their children; he is by some citizens esteemed an accomplished hypocrite, has great influence with the people of color, and, report says, embraces every opportunity to render them discontented under the American Government." Executive Journal of Governor Claiborne. See Charles Gayarré, History of Louisiana, vol. iv, pp. 154-155 (New Orleans, 1903).

[292] This item occurs in Audubon's journal for October 25; "Rented a house in Dauphine street at seventeen dollars per month, and determined to bring my family to New Orleans."

[293] See Audubon's letter to Sully, Vol. II, p. 69.

[294] Now in the collection of Mr. John E. Thayer, Lancaster, Mass.

[295] Mr. Stanley C. Arthur, whose recent visit to this region has already been noticed, gathered there from the lips of old residents, some of whom were descendants of those who had known the Audubons, a store of reliable data by which the history of the naturalist at this important phase of his life is revealed in its true light; to him I am indebted for a series of excellent photographs of the region, its historic houses and people, as well as for much needed information. See Arthur (Bibl. No. 230), loc. cit.

[296] One of the early steamboats on the Ohio that had been built at Pittsburgh, in 1821, by Thomas W. Bakewell, his brother-in-law and former partner.

[297] See "A Tough Walk for a Youth," Ornithological Biography (Bibl. No. 2), vol. iii, p. 371; and "The Hospitality of the Woods," ibid., vol. i, p. 383.

[298] This lady had a remarkable history. She was the widow of the Marquis de Saint Pie, and was at one time a dame d'honneur of Queen Marie Antoinette; like many others of noble birth, she had fled from Paris during the Revolution, and emigrated to America, where with her husband she assumed the name of Berthoud. Her son, Nicholas Augustus, had married Mrs. Audubon's sister, Eliza Bakewell, in 1816.

[299] See Chapter XIV.

[300] This was the third edition of the American Ornithology, issued by Messrs. Collins & Company in New York and by Harrison Hall of Philadelphia, in three octavo volumes, with an atlas of 76 plates colored by hand, in 1828-9. Mr. Hall, who appears to have been the person most interested financially in this edition, was a brother of James Hall, author of a notorious review in which this work was praised at the expense of Audubon, who was viciously attacked (see Bibliography, No. 123). Friends of Audubon repeatedly asserted that as soon as his popularity and success began to check the sales of Wilson's work, Ord and a few others, aided by interested publishers, began a systematic series of attacks, some notice of which is taken in Chapter XXVIII.

[301] See Chapter XIV.

[302] Charles Lucien Jules Laurent Bonaparte, Prince of Canino and Musignano, the eldest son of Lucien, and nephew of Napoleon, Bonaparte, was born at Paris in 1803, and died there in 1857. At this time he was settled with his uncle and father-in-law, Joseph Bonaparte, former King of Spain, at Philadelphia, and there and at Bordentown, New Jersey, where Joseph had an estate, he undertook the study of American birds. His best known scientific works are: American Ornithology, or the Natural History of the Birds of the United States, not Given by Wilson, 4 volumes, quarto, with 27 colored plates, Philadelphia, 1825-1833; and Iconographica della Fauna Italica, Rome, 1833-1841. In 1828 he retired to Italy, where he was devoted to literary and scientific pursuits. He was an early subscriber to Audubon's Birds of America, but their relations were somewhat strained on the publication of the Ornithological Biography in 1831 (see Chapter XXIX). Bonaparte later entered politics in Italy, and was leader of the republican party at Rome in 1848 and 1849; after having been expelled from France by the order of Louis Napoleon, he was permitted to return in 1850, and became director of the Jardin des Plantes in Paris.

He was a closet naturalist rather than a field student, but did much for the reform of nomenclature. In his Ornithology the number of American birds was raised to 366, nearly one hundred having been added since the work of Wilson was revised by Ord, but he added only two that were new, Cooper's Hawk, (Accipiter cooperi), named after William Cooper of New York, and Say's Phœbe (Sayornis saya), dedicated to Thomas Say, and first procured by Titian R. Peale in the Rocky Mountain districts of the Far West. Perhaps his most important technical work, the Conspectus Generum Avium, begun in 1850, was incomplete at the time of his death.

[303] William Dunlap, History of the Rise and Progress of the Arts of Design in the United States (Bibl. No. 59), vol. ii, p. 402 (New York, 1834).

[304] The Boat-tailed Grackle, vol. i, plate iv.

[305] He seems, however, to have supplied Bonaparte liberally with notes, for after devoting fifteen pages to the biography of the Wild Turkey, Audubon said: "A long account of this remarkable bird has already been given in Bonaparte's American Ornithology, volume I. As that account was in a great measure derived from notes furnished by myself, you need not be surprised, good reader, to find it often in accordance with the above." Ornithological Biography (Bibl. No. 2), vol. i, p. 16.

[306] Edward Harris was born at Morristown, New Jersey, in 1799, where he died in 1863. Without the incentive to earn money or the ambition to acquire fame, he lived the life of a gentleman of leisure, devoted to natural history, to sport and to the cultivation of his paternal acres. He had the gift of friendship, was widely traveled, wrote charming letters, and kept careful records of his observations, but rarely published anything. The breeding of fine stock was one of his hobbies, and as a result of a journey to Europe in 1839, when he visited a horse fair in Normandy, he is credited with having first introduced the Norman breed into America. "The beneficent results of his quiet, unobtrusive life," says an appreciative biographer, "reach down to our time, and, after half a century, we are glad that Edward Harris lived." See biographical sketch by George Spencer Morris, in Cassinia, vol. vi (Philadelphia, 1902).

[307] See Chapter XII, p. 179.

[308] Written by Dr. Edmund Porter of Frenchtown, New Jersey, to Dr. Thomas Miner of Haddam, Connecticut, on October 25, 1825. See Witmer Stone, "Some Philadelphia Ornithological Collections and Collectors, 1784-1850," The Auk, vol. xvi (New York, 1899).

[309] Thomas Sully (1783-1872), Englishman by birth, who had come to America at an early age, and like Audubon had waged a bitter struggle before success was achieved, became one of the first portrait painters of the early American School.

In 1831 Sully wrote to Audubon that his success in England and France had charmed all of his friends in America, that it was like a personal triumph to them, and that it would soon silence his few remaining enemies; "Be true to yourself, Audubon," he added, "and never doubt of success." It has been said that when Audubon first came to Philadelphia in 1824 he applied to Sully for instruction, saying that he wished to become a portrait painter (see Dunlap, op. cit.); again that he was ready to sell his drawings to the highest bidder; but the records of his journals from 1820 onward are sufficiently consistent to show what his purpose really was.

[310] For the favor of examining a collection of interesting autograph letters written to Audubon in Europe and America, some of which are here reproduced, I am indebted to the kindness of Mr. Henry R. Howland, secretary of the Buffalo Society of Natural Sciences. This note was written on a narrow strip of manila-colored drawing paper.

[311] See Chapter XI.

[312] See Bibliography, Nos. 15 and 16.

[313] See Lucy Audubon, ed., Life of John James Audubon, the Naturalist (Bibl. No. 73), p. 107.

[314] See Vol. I, p. 219.

[315] Probably first published in a newspaper, and reprinted in pamphlet form, dated "April 9, 1846"; see Bibliography, No. 42.

[316] Miss Jennett Benedict in 1836 became Mrs. Butts; the crayon portrait which Audubon made at this time was carefully treasured by her daughter, the late Mrs. Frederick A. Sterling, of Cleveland, Ohio, to whose kindness I am indebted for the privilege of reproducing it. This original drawing, which is presumably a fair specimen of Audubon's itinerant portraiture, was made on a sheet of buff, water-marked paper, 14½ by 10½ inches in dimensions; it was outlined in pencil, and carefully finished in crayon-point; its legend "J. J. Audubon-1824," was inserted in pencil, in a very fine hand at the lower margin of the sketch. The Colson store was at the corner of Water Street and south of Cherry Alley. For an account of this incident I am indebted to Mrs. Sterling, and to an article in the Tribune Republican, of Meadville, for February 7, 1907.

[317] Ornithological Biography, vol. i, p. xi.

[318] The Jeanes MSS.; see Note, Vol. I, p. 180.

[319] "Shipping Port," as the village below the rapids or falls of the Ohio was then called, was joined to Louisville by the Louisville and Portland Canal, a channel two and one-half miles long, in 1830, two years after the city received its charter. The "Louisville" or "Portland" cement, a name now applied to the product of a considerable district, was first manufactured at Shipping Port, in 1829, for the construction of this canal.

[320] Audubon's 1826 manuscript journal, which I examined through the courtesy of Miss Maria R. Audubon in 1914, was written, mostly in pencil, in a ruled blank book, of similar size and quality to that used on the Ohio River in 1820-21 (see Note, p. 307), and was illustrated with a number of pencil sketches, chiefly of fishes. On page 2 was a rough outline sketch of first mate Sam L. Bragdon, of Wells, Maine, reading in the booby hatch; to his kindness Audubon paid a written tribute; there was also a drawing of a "Balacuda [Barracouta] Fish, June 17, 1826;" of a "Shark, 7 ft. long; off Cuba, Jn. 18" (see reproduction); and of a "Dolphin; Gulph of Florida, May 28;" other sketches were of a line or "thread-winder," a Flying Fish, and outlines of the Cuban coast.

Audubon presented a sketch of the "Dolphin" to Captain Hatch, whose vessel, the Delos, went down on the Grand Banks of Newfoundland in the summer of 1831, but not until her crew and valuables had been transferred to another boat that stood by. (For this note I am indebted to Miss Maria R. Audubon.)

[321] Addressed "General Lafayette,
Paris ou Lagrange."

Translated from the French original, kindly sent to me by Mr. Ruthven Deane.

[322] For an account of Audubon's meeting with Nolte see Chapter XVIII.

[323] Dr. Thomas Stuart Traill, after whom one of our common flycatchers was named, was a founder of the Royal Institution at Liverpool, and later a professor of medical jurisprudence at Edinburgh. When the keepership of the Department of Natural History in the British Museum became vacant through the resignation of Dr. Leech in 1822, Dr. Traill supported William Swainson for the position; when George J. Children received the appointment, he was disinclined to accept defeat, and entered upon a crusade against the Museum's trustees in a series of anonymous articles contributed to the Edinburgh and Westminster Reviews. Traill's exposure of the neglect which the natural-history collections had suffered in the custody of the British Museum paved the way to a separate Department of Zoology, which in the able hands of John E. Gray, and later in those of Sir Richard Owen, led to the present great Museum of Natural History at South Kensington.

[324] In dedicating the Sylvia rathbonia Audubon said: "Were I at liberty here to express the gratitude which swells my heart, when the remembrance of all the unmerited kindness and unlooked-for friendship which I have received from the Rathbones of Liverpool comes to my mind, I might produce a volume of thanks. But I must content myself with informing you, that the small tribute of gratitude which it is alone in my power to pay, I now joyfully accord, by naming after them one of those birds, to the study of which all my efforts have been directed. I trust that future naturalists, regardful of the feelings which have guided me in naming this species, will continue to it the name of the Rathbone Warbler."

[325] Named after John Stevens Henslow, Professor of Botany in the University of Cambridge, whom Audubon had met in 1828, when Charles Darwin was still his pupil.

[326] This seal, the design of which has since been adapted for a bookplate, was long in use, and though at one time lost, is still in possession of the family. A copy of the large original, which was to serve as his first plate, was presented to the Royal Institution of Liverpool as an acknowledgment of its hospitality, for it had refused remuneration in any other form.

[327] See Note, Vol. I, p. 375.

[328] The plates as issued, untrimmed, measured 39½ by 29½ inches; see Bibliography, No. 1.

[329] See Note, Vol. II, p. 197. Incidentally it may be noticed that the "tiger swallowtail" in this plate was possibly added for effect, for few of our birds, which habitually hunt moths, ever prey upon butterflies. I have seen the cabbage butterfly and a few of the smaller kinds brought to the nests of the Chebec and Wood Pewee but never a "monarch" or "papilio"; yet some affirm that the Kingbird will attack the "monarch."

[330] Translated from Études sur la Littérature et les Mœurs des Anglo-Americains au XIXe siècle, "Audubon," pp. 66-106 (Paris, 1851). Philarète-Chasles, who wrote chiefly on American, English and European authors and books, has seventy volumes credited to him in the National Library at Paris.

[331] P. A. Cap, in L'Illustration for 1851. Cap's hint was taken by Eugène Bazin, who translated copious selections from the Ornithological Biography, which were published in two volumes in Paris in 1857 (see Bibliography, No. 38).

[332] See Maria R. Audubon, Audubon and his Journals (Bibl. No. 86).

[333] Audubon's copy of this oil painting remained in the possession of his family until a few years ago, when it was sold for a much greater amount. It now adorns the beautiful ornithological museum of Mr. John E. Thayer, at South Lancaster, Massachusetts; it represents a cock and hen turkey in life size, adapted from the subjects of his two most famous plates, and is in an admirable state of preservation. Mr. Thayer's collection also embraces Audubon's large canvas of the Black Cocks, from the Edward Harris estate, a charming study of the Hen Turkey, with landscape setting, and, also in oils, several smaller panels of Flickers and Passenger Pigeons, which, if not the work of the naturalist, are copies after his originals, and possibly made by Joseph B. Kidd. (See Vol. I, p. 446; and for a notice of Mr. Thayer's other Audubonian drawings, Vol. II, p. 227, and Appendix II.)

[334] Basil Hall (1788-1844), noted for his travels in China, Korea, and on the coasts of Chili, Peru and Mexico, visited the United States in 1827-28; his Travels in North America appeared in 1829.

[335] See Chapter XXVIII.

[336] Maria R. Audubon, op. cit., vol. i, p. 204.

[337] Which I owe to the kindness of his granddaughter, Miss Maria R. Audubon; it is superscribed "Mrs. Audubon, St. Francisville, Bayou Sarah, Louisville, p Wm Penn;" it reached New Orleans on June 13, and is endorsed as answered on June 23.

[338] John Woodhouse Audubon at this time was in his fifteenth year, and this injunction regarding the internal anatomy of birds, to which ornithologists had hitherto paid but little attention, was given three years before his father made the acquaintance of MacGillivray. (See Chapter XXX.)

[339] See Chapter XXV.

[340] The work, as originally announced, was to appear in parts of 5 plates each, at 2 guineas a part, and in order to distribute the expense to purchasers it was expected to issue but 5 parts a year. The plates, to be engraved on copper, were of double elephant folio size, and printed on paper of the finest quality, all the birds and flowers to be life-size, and to be carefully colored by hand, after the originals; any subscriber was at liberty to take a part or the whole. It was stated in the prospectus of 1829, when 10 parts had been published: "There are 400 Drawings, and it is proposed that they shall comprise Three Volumes, each containing 133 Plates, to which an Index will be given at the end of each, to be bound up with the volume.... It would be advisable for the subscriber to procure a Portfolio, to keep the Numbers till a volume is completed." To avoid the expense entailed by copyright regulations in England, indices and all other letterpress were eventually omitted; the number of parts was extended to 87, or 435 plates, and the number of volumes to 4, a necessity imposed by the discovery of many new birds, even after the omission of the figures of the eggs, which Audubon had reserved for the close, and the undue crowding of many of his final plates. The "Prospectus" issued with the first volume of the text in 1831 contained a list of the first 100 plates, together with extracts of reviews by Cuvier and Swainson, and a list of subscribers to the number of 180. For further details, see Bibliography, No. 1, and Appendix III, No. 2.

[341] Illustrations of British Ornithology, by Prideaux John Selby. The British Museum copy of this work is in two large folio volumes (measuring about 25½ by 20½ inches), and was issued originally in numbers which appeared at irregular intervals. Vol. I, plates i-iv (of bills, heads, and feet), i-c (of land birds); most of the plates are by Selby, and many were etched by him and autographed, 1819-1821; plates xiv, xvi, and xx are by Captain R. Mitford, whose home, "Mitford Castle," near Morpeth, Northumberland, was visited by Audubon in April, 1827; published at Edinburgh by Archibald Constable & Co., and by Hurst, Robinson & Co., London, 1825(?)-1827. Volume II, plates i-ciii; printed for the Proprietor & published by W. H. Lizars, Longman, Rees, Orme, Brown, Green & Longman, London; and W. Curry, Junr. & Co., Dublin, MDCCCXXXIV. Quaritch, in offering a copy in 1887, at £55, stated that there were 383 figures, in 221 colored plates, and that the published price was £105. Newton (Dictionary of Birds, p. 27) says that the first series of these "Illustrations" was published in coöperation with Sir William Jardine, in 3 volumes of 150 plates, in 1827-1835, after which a second series was started by them, and completed in a single volume of 53 plates, issued in 1843. This was the "job book" mentioned earlier in this chapter (see p. 358), but neither Jardine's nor Jameson's name is mentioned in the volumes which I have examined.

In a letter to Audubon, dated "Sept. 13h 1830 Twizel [l?] House," and postmarked "Belford," Selby said: "I expect to bring my own work to a conclusion during the course of this winter having only the plates of another Number to finish. I am happy to add that the Work is doing well & is more than paying itself. The second Vol: of letter press will appear with the last No."

Two volumes of text were published in 1825 and 1833 respectively; the first, after readjustment to fit the "quinarian doctrine," to which Selby was a temporary convert (see Vol. II, p. 94), was issued in a second edition at London, in 1841; the second volume bore the imprint of Lizars, who soon after began to work for Audubon.

Selby's plates were for the most part rather crudely drawn, etched and colored, and could be commended only as the work of amateurs who strove for accuracy.

[342] Among the sixty or more persons to whom Audubon carried written credentials at this time were the following: the Duke of Northumberland, Robert Peel, Sir Humphry Davy, Sir J. D. Aukland, Albert Gallatin, the American Minister, Sir Thomas Lawrence, David Wilkie, Dr. Buckland, Dr. Holland, Dr. Roget, Dr. Wollaston, William Swainson, Sir William Herschel, and his son, afterwards Sir John Herschel, John George Children, R. W. Hay, N. A. Vigors, Captain Cook, John Murray and Robert Bakewell (see Vol. II, p. 134).

[343] Probably the same that is referred to in his journals as "Mr. Hays, the antiquarian."

[344] J. G. Children (1777-1852) was early interested in chemistry, and at Tunbridge built a good laboratory, in which Humphry Davy conducted many of his early experiments, and while there was seriously injured in October, 1812. In 1824 Children discovered a method of extracting silver without the use of mercury. When Mr. Children, Senior, became insolvent through the failure of his bank, his son obtained a position at the British Museum; in 1816 he was librarian in the Department of Antiquities, but in 1823 he was transferred to a post in zoölogy which was eagerly sought by William Swainson; he was secretary of the Royal Society in 1826-27, and again in 1835-37. He resigned his position at the Museum in 1840, when Swainson was again an unsuccessful candidate, and was succeeded by J. E. Gray (see Note, Vol. I, p. 353). Children was not a productive zoölogist, but has been described as a lovable soul, who was never soured by illness or other misfortunes, and who was as zealous in his friendships as in science. See "A. A." (Anna Atkins), Memoir of J. G. Children, Esq. (Bibl. No. 175).

[345] In the account which follows, as well as in numerous instances in Chapter XXXII, I am most indebted to George Alfred Williams, who in "Robert Havell, Junior, Engraver of Audubon's The Birds of America," (Bibl. No. 232) (Print-Collectors Quarterly, vol. vi, no. 3, pp. 225-259, Boston, 1916), has given the only satisfactory account of the Havell family and the best analysis of the work of the great engraver.

[346] Mr. Charles E. Goodspeed, who recently sent me two of the original plates of the Prothonotary Warbler, one bearing the legend "Engraved by W. H. Lizars Edinr," and the other, "Engraved, Printed & Coloured, by R. Havell Junr," called attention to the identity of the two engravings. That these two impressions are absolutely identical in aquatint and line is proved by applying a magnifying glass to any part of their surfaces, and by counting and comparing the lines or dots within any selected area whatsoever; in short, they differ only in their legends, and in the coloring which was applied by different hands. That such methods should have been adopted for excluding Lizars' name is certainly surprising. In the first or Edinburgh impression of Lizars' original plate, the artist's legend reads: "Drawn by J. J. Audubon M. W. S.," and names of bird and plant appear at the bottom of the plate in three lines: "PROTHONOTARY WARBLER. Dacnis protonotarius. Plant Vulgo Cane Vine." In the London edition the corresponding designations are: "Drawn from nature by J. J. Audubon F, R, S. F, L, S.," and PROTHONOTARY WARBLER. Sylvia Protonotarius. Lath, Male. 1. Female, 2. Cane Vine.," in four lines.

[347] See Chapter XXXII.

[348] See ibid.

[349] See Sir Walter Besant, London in the Nineteenth Century (London, 1909).

[350] See Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, p. 342, where the "Eagle and the Lamb" is reproduced.

[351] See Vol. I, p. 436.

[352] See Chapter XXVIII.

[353] The seventh which he had contributed to the scientific press of Europe, entitled "Notes on the Bird of Washington (Falco Washingtoniana), or Great Sea Eagle," now believed to have been mistaken by him for an immature stage of the true "bird of freedom," the White-headed Eagle. It was dated "London, April, 1828," and was published in Loudon's Magazine for July of that year. See Bibliography, No. 23.

[354] From the originals in possession of the Linnæan Society of London. Swainson's scientific correspondence was taken with him to New Zealand, where it remained fifty years, until returned by his daughter, who sent it to Sir Joseph Hooker; it was finally purchased by a number of Fellows of the Society, and presented to its historical collections. It consists of 934 letters written by 236 correspondents, from 1806 to 1840. Of the 24 letters written by Audubon, and dated 9 April, 1829, to 11 January, 1838, none has been previously published. Dr. Albert Günther, who has given a summary of their contents (Proceedings of the Linnæan Society, 112th Session, 1900; Bibliography, No. 204) found them rather disappointing, since they dealt mainly with personal and domestic matters, and were written in a style characterized as "fantastic and unnatural." Through the kindness of my esteemed friend, George E. Bullen, Esq., of the Hertfordshire County Museum, St. Albans, and through the courtesy of the Council of the Linnæan Society and its secretary, Dr. Daydon Jackson, I am able to reproduce transcripts of the most interesting of these letters, which readers in America will, I believe, find interesting because of their personal details. I am indebted also for their good offices to John Hopkinson, F.L.S., and to William Rowan, Esq.

From the context of the nine letters which are here reproduced without change, it is evident that Audubon paid little attention to grammar, syntax, or orthography, but if the reader will compare the letters written before and after 1830, or before and after his first serious discipline in English composition (see Chapters XXIII and XXIX), he will find marked improvement in all these respects.

[355] Swainson's house has been kindly identified by my friend, Mr. George E. Bullen, to whom I am indebted also for an interesting photograph, taken from an old print. Mrs. Swainson, who died February 12, 1835, was buried in the parish church, with which she was closely identified, at London Colney, and a tablet to her memory is still to be seen there. Swainson probably preferred the historic associations of Tyttenhanger, a name originally applied to the manor and manor house of the Abbot of St. Albans, a famous abbey property acquired before the Conquest, with a history extending over six hundred years, but he did not live there. The oldest resident now on the spot, a man over ninety, told Mr. Bullen that as a boy he often collected butterflies, moths and other specimens of natural history which he took to "Highfield Hall," and was always paid by one of the Swainson children. Since Swainson's time the original house, which was approached by a long walk, has become almost unrecognizable, having received an addition to one side; the grass land which then surrounded it has been converted into beautiful lawns.

[356] See Bibliography, No. 95.

[357] See Chapter XXIX.

[358] See Vol. II, p. 130.

[359] See Note, Vol. I, p. 364.

[360] Fauna Boreali-Americana; or the Zoology of the northern parts of British America; Part Second, "The Birds;" by William Swainson and John Richardson (London, 1831).

[361] Maria R. Audubon, op. cit., vol. i, p. 306.

[362] See Vol. I, p. 3.

[363] Maria R. Audubon, op. cit., vol. i, p. 323.

[364] See Bibliography, No. 93a.

[365] The three volumes of this series bear date of 1832-33, but the preface is inscribed "Tittenhanger Green St. Albans, 24th July, 1829."

[366] Mary F. Bradford, Audubon (Bibl. No. 85).

[367] Published originally by Ruthven Deane (Bibl. No. 218), The Auk, vol. xxii, 1905.

[368] See "The Great Pine Swamp," and "Great Egg Harbour," Ornithological Biography (Bibl. No. 2), vol. i, p. 52, and vol. iii, p. 606.

[369] Though the year is not usually indicated on the originals, the following drawings probably belong to this period:

Black Poll Warbler, New Jersey, May.
Wood Pewee Flycatcher, New Jersey, May.
Small Green-crested Flycatcher, New Jersey, May.
Golden-crowned Thrush, New Jersey, May.
Warbling Flycatcher, Vireo gilvus, New Jersey, May 23.
Yellow-breasted Chat, New Jersey, June 7.
Sea Side Finch, Great Egg Harbour, June 14.
Marsh Wren, New Jersey, June 22.
Bay-winged Bunting, Great Egg Harbour, June 26.
Canada Flycatcher, Great Pine Swamp, August 1.
Pine Swamp Warbler, Great Pine Swamp, August 11.
Black and Yellow Warbler, Great Pine Swamp, August 12.
Hemlock Warbler, Great Pine Swamp, August 12.
Autumnal Warbler, Great Pine Swamp, August 20.
Connecticut Warbler, New Jersey, September 22.
Mottled Owl, New Jersey, October.

[370] Though Audubon said that he spent only six weeks in the forest, the indications upon his drawings imply a longer period.

[371] At this time Audubon intended to figure, in full size and natural colors, the eggs of the "Birds of America," for which the concluding numbers of his plates had been reserved, but when the time came, these numbers had to be given over to new acquisitions, so the eggs were eventually crowded out.

[372] At one time in possession of Dr. R. W. Shufeldt, who received it from Mrs. Audubon; given verbatim by Elliott Coues (Bibl. No. 43), Bulletin of the Nuttall Ornithological Club, vol. v, 1880.

[373] Harlan's Hawk, or the Black Warrior, is now regarded as a southern variety of the Red-tailed Hawk, and is designated under the trinomen, Buteo borealis harlani.

[374] Published by Ruthven Deane (Bibl. No. 217), The Auk, vol. xxii, 1905.

[375] Thomas B. Thorpe (Bibl. No. 64), Godey's Lady's Book, vol. xlii, 1851.

[376] While in Paris in 1828, Audubon wrote on October 26 that he had received a call from "a M. Pitois, who came to look at my book, with a view to becoming my agent here; Baron Cuvier recommended him strongly, and I have concluded a bargain with him. He thinks he can procure a good number of subscribers. His manners are plain, and I hope he will prove an honest man." See Maria R. Audubon, Audubon and his Journals (Bibl. No. 86), vol. i, p. 339.

[377] Henry Augustus Havell, a younger brother of Robert Havell, Junior; see Vol. II, p. 191.

[378] See Lucy B. Audubon, ed., Life of John James Audubon, the Naturalist (Bibl. No. 73), p. 203. Since black slaves were the only domestics available in the South at that time, it is probable that the "servants" referred to were employed by Mrs. Audubon at her "Beechgrove" school.

[379] See Vol. I, p. 396.

[380] See Vol. II, p. 38.

[381] His correspondence with William Swainson from this point, and the history of his letterpress so far as that naturalist was concerned, will be unfolded later (see Chapter XXIX).

[382] See Chapter XXVIII, p. 87.

[383] See Chapter XXX.

[384] The first volume of the Ornithological Biography in the European edition bears the imprint of "Adam Black, 55 North Bridge, Edinburgh;" in the four subsequent volumes this was changed to "Adam and Charles Black," while the entire work was printed by "Neill & Co., Printers, Old Fish Market, Edinburgh." See Bibliography, No. 2.

[385] American Ornithology, or the Natural History of the Birds of the United States. By Alexander Wilson and Charles Lucien Bonaparte. Edited by Robert Jameson ... Regius Professor of Natural History in the University of Edinburgh. Appearing as vols. lxviii-lxxi of Constable's Miscellany, 4 vols., 18mo., Edinburgh and London, 1831. This was the fourth (?) edition of Wilson's work, and the first (?) to appear in Europe; with portrait of Wilson and vignettes on titles engraved by Lizars, memoir of Wilson by W. M. Hetherington, and extracts from Audubon, Richardson, and Swainson.

The plates of this edition were issued in numbers, under title of Illustrations of American Ornithology; reduced from the work of Wilson; 18mo., Edinburgh and London (1831). In a notice of the first number which appeared in the Caledonian Mercury (Edinburgh) for Oct. 29, 1831, it was stated that the plates were issued in small size to be bound up with Jameson's edition of the text, and that they were intended "for a different class of purchasers from those likely to take the folio edition, then being brought out by the publishers of Constable's Miscellany. The plates were engraved in line and executed in a very superior style, both plain and colored."

[386] American Ornithology; or Natural History of the Birds of the United States, by Alexander Wilson, with a Continuation by Charles Lucien Bonaparte, Prince of Musignano. The Illustrative Notes and Life of Wilson by Sir William Jardine, 3 vols., 8vo., London and Edinburgh, 1832.

The second (?) European edition of Wilson and Bonaparte, with 97 hand-colored plates engraved by Lizars. The Caledonian Mercury in noticing the work, October 29, 1831, said: "It must be highly gratifying to the friends and connections of poor Sandy Wilson to see such honor, at last, paid to his memory in his native land."

[387] Illustrations of the American Ornithology of Alexander Wilson and Charles Lucien Bonaparte, Prince of Musignano. With the addition of numerous Recently Discovered Species, and Representations of the Whole Sylva of North America. By Captain Thomas Brown [etc., etc.]. Folio, with engraved title, engraved dedication, index, and 124 engraved and hand-colored plates. Edinburgh, Frazer & Co., 54 North Bridge, William Curry, Jun'r & Co., Dublin & Smith, Elder & Co., 65 Cornhill, London, MDCCCXXXV.

It is stated by the editor of this extraordinary work that he had added 161 birds, and that 87 have been considerably enlarged. There are 167 representations of American trees and shrubs, said to have been copied for the most part from Michaux' Silva. The striking Hibiscus grandiflorus (plate xli) was taken without acknowledgment from Audubon's drawing of the Blue-winged Warbler (The Birds of America, plate xx). For the most part the figures of birds are redrawn from Wilson and Bonaparte and given new positions and backgrounds. A few of the plates, as that of the California Vulture (no. 1), bear the legend, "Drawn by Captn. Tho. Brown;" all are uneven, and many extremely poor in execution, the fourteen by W. H. Lizars being the best. J. B. Kidd, for a time associated with Audubon (see Vol. I, p. 446) is credited with four plates; other engravers employed on the work were James Turvey, who executed the elaborate title, Samuel Milne, James Mayson, R. Scott, J. & J. Johnstone, E. Mitchell, William Davie, S. A. Miller, John Miller, Audw. Kilgour, Wm. Warwick, and W. McGregor. Plate xiv, the Snowy Owl, Strix nyctea, engraved by the editor, has the interest of a caricature. Some plates show as many as fourteen birds in a medley of brilliant foliage, flowers and fruits. The violence of the coloring is often such as to destroy the effect of the best plates, and gaudy butterflies flit through the pages as if they were the common food of every species, not excluding the American grouse (see Note, Vol. I, p. 359).

Captain Brown's Illustrations were said by a writer in the Edinburgh Literary Journal for April 9, 1831, "to form a companion to the letterpress in Constable's Miscellany (see Note, Vol. I, p. 442); price, colored, 15 shillings; plain, 10s. 6d. A few in elephant folio (same size as Selby's British Ornithology); colored, 1 guinea. To be completed in 10 parts, each containing 5 colored plates; 22 inches long by 17 inches broad, being considered more than double the size of the original work." The first number of this work was reviewed in the London Literary Gazette for October 8, 1831, when it was said that in it were represented 25 birds, 13 forest trees, and 12 insects; the completed work would comprehend "all the forest trees of America, with their fruits, together with the principal insects of the country," as well as all the birds that had been discovered up to the time of issue.

Brown's piratical work must have had a very limited circulation, since it is now so rare that not even the British Museum possesses a copy, and, so far as known, it is not found in any public library of the United States. I was told at Wheldon's, the London shop devoted to works on natural history, that but two copies had ever been handled, and that they commanded a high price. The work was originally sold at £26. The only copy known to me is in the library of the Zoological Society in London, from which the present citation is made; on one of its fly-leaves is written this note: "I have seen the wrapper of No. 1 of this work. It is dated 1831. There is no information as to its contents. C. Davis Sanborn. 22.5.05." This copy was referred to by Dr. Theodore Gill; see The Osprey, vol. v, pp. 31 and 109 (Washington, 1900 and 1901). Dr. Walter Faxon has traced two other copies, one formerly in possession of Professor Alfred Newton, and another, but very imperfect set, in a private library at Tarrytown, New York. According to Faxon, a single brown paper wrapper preserved in the Tarrytown copy bears a full printed title, which differs, however, from that which was subsequently engraved for the completed work; for fuller citation, see "A Rare Work on American Ornithology," The Auk, vol. xx (1903), pp. 236-241.

Mr. Ruthven Deane has written me that several years ago he secured in New York a fragment of this work, consisting of the paper wrappers of four Parts, Nos. 1-4, the last three of which contained five plates each; there were in addition 10 scattered plates, making 25 plates in all; the price of "21 Shillings" is printed on each of the wrappers, which also bear the date "1831," but no titles.

Another pirated work, Illustrations of the Genera of Birds, by the same author, was begun in 1845, but met with even less success, and was never completed; this was taken from A List of the Genera of Birds, published in 1840 by George Robert Gray, and according to Alfred Newton (A Dictionary of Birds, London, 1896, p. 30, note) was "discreditable to all concerned with it."

[388] See Ruthven Deane (Bibl. No. 209), The Auk, vol. xviii (1901). The extract is from a letter dated "Edinburgh, 22 Warriston Crescent 7th May, 1831."

[389] Kidd, who was twenty-three at the time he began to work for Audubon, died in 1889, when he had attained his eighty-first year.

[390] See Chapter XXVII, p. 62.

[391] An indication of the time of this visit is given by the following inscription written in the copy of the first volume of the Ornithological Biography, which was presented to Cuvier at this time:

To
Baron G. Cuvier,
with the highest respect of the author.—
Paris—17 th. May, 1831.

[392] On Wednesday evening, July 27, 1831, Audubon sent the following note to Mr. Harris: "Come to meet me tomorrow, precisely at twelve o'clock, at our lodgings, 121 Great Portland street."

[393] For the perusal of this letter the reader is indebted, as in so many other instances, to Mr. Ruthven Deane.

	PAGE
Preface	vii
Chronology	xxv
CHAPTER I
Introduction
Audubon's growing fame—Experience in Paris in 1828—Cuvier's patronage—Audubon's publications—His critics—His talents and accomplishments—His Americanism and honesty of purpose—His foibles and faults—Appreciations and monuments—The Audubon Societies—Biographies and autobiography—Robert Buchanan and the true history of his Life of Audubon	1
CHAPTER II
Jean Audubon and His Family
Extraordinary career of the naturalist's father—Wounded at fourteen and prisoner of war for five years in England—Service in the French merchant marine and navy—Voyages to Newfoundland and Santo Domingo—His marriage in France—His sea fights, capture and imprisonment in New York—His command at the Battle of Yorktown—Service in America and encounters with British privateers	24
CHAPTER III
Jean Audubon as Santo Domingo Planter and Merchant
Captain Audubon at Les Cayes—As planter, sugar refiner, general merchant and slave dealer, amasses a fortune—His return to France with his children—History of the Santo Domingo revolt—Baron de Wimpffen's experience—Revolution of the whites—Opposition of the abolitionists—Effect of the Declaration of Rights on the mulattoes—The General Assembly drafts a new constitution—First blood drawn between revolutionists and loyalists at Port-au-Prince—Ogé's xiv futile attempt to liberate the mulattoes—Les Cayes first touched by revolution in 1790, four years after the death of Audubon's mother—Emancipation of the mulattoes—Resistance of the whites—General revolt of blacks against whites and the ruin of the colony	36
CHAPTER IV
Audubon's Birth, Nationality, and Parentage
Les Cayes—Audubon's French Creole mother—His early names—Discovery of the Sanson bill with the only record of his birth—Medical practice of an early day—Birth of Muguet, Audubon's sister—Fougère and Muguet taken to France—Audubon's adoption and baptism—His assumed name—Dual personality in legal documents—Source of published errors—Autobiographic records—Rise of enigma and tradition—The Marigny myth	52
CHAPTER V
Lieutenant Audubon as Revolutionist
Background of Audubon's youth—Nantes in Revolution—Revolt in La Vendée—Siege of Nantes—Reign of terror under Carrier—Plague robbing the guillotine—Flight of the population—Execution of Charette—The Chouan raid—Citizen Audubon's service—He reenters the navy and takes a prize from the English—His subsequent naval career—His losses in Santo Domingo—His service and rank—Retires on a pension—His death—His character and appearance	73
CHAPTER VI
School Days in France
Molding of Audubon's character—Factor of environment—Turning failure into success—An indulgent step-mother—The truant—His love of nature—Early drawings and discipline—Experience at Rochefort—Baptized in the Roman Catholic Church	90
CHAPTER VII
First Visit to the United States, and Life at "Mill Grove"
Audubon is sent to the United States to learn English and enter trade—Taken ill—Befriended by the Quakers—Settles at "Mill Grove" xv farm—Its history and attractions—Studies of American birds begun—Engagement to Lucy Bakewell—Sports and festivities	98
CHAPTER VIII
Dacosta and the "Mill Grove" Mine
Advent of a new agent at "Mill Grove"—Dacosta becomes guardian to young Audubon and exploits a neglected lead mine on the farm—Correspondence of Lieutenant Audubon and Dacosta—Quarrel with Dacosta—Audubon's return to France	113
CHAPTER IX
Audubon's Last Visit to his Home in France
Life at Couëron—Friendship of D'Orbigny—Drawings of French birds—D'Orbigny's troubles—Marriage of Rosa Audubon—The Du Puigaudeaus—Partnership with Ferdinand Rozier—Their Articles of Association—They sail from Nantes, are overhauled by British privateers, but land safely at New York—Settle at "Mill Grove"	127
CHAPTER X
"La Gerbetière" of Yesterday and Today
Home of Audubon's youth at Couëron—Its situation on the Loire—History of the villa and commune—Changes of a century	136
CHAPTER XI
First Ventures in Business at New York, and Sequel to the "Mill Grove" Mine
Audubon and Rosier at "Mill Grove"—Their partnership rules—Attempts to form a mining company lead to disappointment—Decision to sell their remaining interests in "Mill Grove" to Dacosta—Division of the property and legal entanglements—Audubon as a clerk in New York—Business correspondence and letters to his father—Later history of the lead mine and Dacosta—Audubon continues his drawings in New York and works for Dr. Mitchell's Museum—Forsakes the counting-room for the fields—Personal sketch	146 xvi
CHAPTER XII
Early Drawings in France and America
Child and man—His ideals, perseverance and progress—Study under David at Paris—David's pupils and studios—David at Nantes arouses the enthusiasm of its citizens—His part in the Revolution—His art and influence over Audubon—Audubon's drawings of French birds—Story of the Edward Harris collection—The Birds of America in the bud—Audubon's originality, style, methods, and mastery of materials and technique—His problem and how he solved it—His artistic defects	173
CHAPTER XIII
Audubon's Marriage and Settlement in the West
Audubon and Rozier decide to start a pioneer store at Louisville, Kentucky—Their purchase of goods in New York—"Westward Ho" with Rozier—Rozier's diary of the journey—An unfortunate investment in indigo—Effect of the Embargo Act—Marriage to Lucy Bakewell—Return to Louisville—Life on the Ohio—Depression of trade—William Bakewell's assistance—Audubon's eldest son born at the "Indian Queen"—The Bakewells—Life at Louisville	186
CHAPTER XIV
A Meeting of Rivals, and Sketch of Another Pioneer
Alexander Wilson and his American Ornithology—His canvassing tour of 1810—His retort to a Solomon of the bench—Descriptions of Pittsburgh, Cincinnati and Louisville—Meeting with Audubon—Journey to New Orleans—Youth in Scotland—Weaver, itinerant peddler, poet and socialist—Sent to jail for libel—Emigrates to the United States—Finally settles as a school teacher near Philadelphia—His friendships with Bartram and Lawson—Disappointments in love—Early studies of American birds—His drawings, thrift, talents and genius—Publication of his Ornithology—His travels, discouragements and success—His premature death—Conflicting accounts of the visit to Audubon given by the two naturalists—Rivalry between the friends of Wilson, dead, and those of Audubon, living—The controversy which followed—An evasive "Flycatcher"—Singular history of the Mississippi Kite plate	202 xvii
CHAPTER XV
Experiments in Trade on the Frontier
The Ohio a hundred years ago—Hardships of the pioneer trader—Audubon's long journeys by overland trail or river to buy goods—The "ark" and keelboat—Chief pleasures of the naturalist at Louisville—The partners move their goods by flatboat to Henderson, Kentucky, and then to Ste. Geneviève (Missouri)—Held up by the ice—Adventures with the Indians—Mississippi in flood—Camp at the Great Bend—Abundance of game—Breaking up of the ice—Settle at Ste. Geneviève—The partnership dissolved—Audubon's return to Henderson—Rozier's successful career—His old store at Ste. Geneviève	233
CHAPTER XVI
Audubon's Mill and Final Reverses in Business
Dr. Rankin's "Meadow Brook Farm"—Birth of John Woodhouse Audubon—The Audubon-Bakewell partnership—Meeting with Nolte—Failure of the commission business—Visit to Rozier—Storekeeping at Henderson—Purchases of land—Habits of frontier tradesmen—Steamboats on the Ohio—Popular pastimes—Audubon-Bakewell-Pears partnership—Their famous steam mill—Mechanical and financial troubles—Business reorganization—Bankruptcy general—Failure of the mill—Personal encounter—Audubon goes to jail for debt	247
CHAPTER XVII
The Enigma of Audubon's Life and the History of His Family in France
Death of Lieutenant Audubon—Contest over his will—Disposition of his estate—The fictitious $17,000—Unsettled claims of Formon and Ross—Illusions of biographers—Gabriel Loyen du Puigaudeau—Audubon's relations with the family in France broken—Death of the naturalist's stepmother—The Du Puigaudeaus—Sources of "enigma."	262
CHAPTER XVIII
Early Episodes of Western Life
Methods of composition—"A Wild Horse"—Henderson to Philadelphia in 1811—Records of Audubon and Nolte, fellow travelers, compared—The xviii great earthquakes—The hurricane—The outlaw—Characterization of Daniel Boone—Desperate plight on the prairie—Regulator law in action—Frontier necessities—The ax married to the grindstone	273
CHAPTER XIX
Audubon and Rafinesque
The "Eccentric Naturalist" at Henderson—Bats and new species—The demolished violin—"M. de T.": Constantine Samuel Rafinesque (Schmaltz)—His precocity, linguistic acquirements and peripatetic habits—First visit to America and botanical studies—Residence in Sicily, and fortune made in the drug trade—Association with Swainson—Marriage and embitterment—His second journey to America ends in shipwreck—Befriended—Descends Ohio in a flat-boat—Visit with Audubon, who gives him many strange "new species"—Cost to zoölogy—His unique work on Ohio fishes—Professorship in Transylvania University—Quarrel with its president and trustees—Return to Philadelphia—His ardent love of nature; his writings, and fatal versatility—His singular will—His sad end and the ruthless disposition of his estate	285
CHAPTER XX
Audubon's Æneid, 1819-1824: Wanderings Through the West and South
Pivotal period in Audubon's career—His spur and balance wheel—Resort to portraiture—Taxidermist in the Western Museum—Settles in Cincinnati—History of his relations with Dr. Drake—Decides to make his avocation his business—Journey down the Ohio and Mississippi with Mason and Cummings—Experiences of travel without a cent of capital—Life in New Orleans—Vanderlyn's recommendation—Original drawings—Chance meeting with Mrs. Pirrie and engagement as tutor at "Oakley"—Enchantments of West Feliciana—"My lovely Miss Pirrie"—The jealous doctor—Famous drawing of the rattlesnake—Leaves St. Francisville and is adrift again in New Orleans—Obtains pupils in drawing and is joined by his family—Impoverished, moves to Natchez, and Mrs. Audubon becomes a governess—Injuries to his drawings—The labors of years destroyed by rats—Teaching in Tennessee—Parting with Mason—First lessons in oils—Mrs. Audubon's school at "Beechwoods"—Painting tour fails—Stricken at Natchez—At the Percys' plantation—Walk to Louisville—Settles at Shippingport	301 xix
CHAPTER XXI
Début as a Naturalist
Makes his bow at Philadelphia—Is greeted with plaudits and cold water—Friendship of Harlan, Sully, Bonaparte and Harris—Hostility of Ord, Lawson and other friends of Alexander Wilson—A meeting of academicians—Visit to "Mill Grove"—Exhibits drawings in New York and becomes a member of the Lyceum—At the Falls of Niagara—In a gale on Lake Erie—Episode at Meadville—Walk to Pittsburgh—Tour of Lakes Ontario and Champlain—Decides to take his drawings to Europe—Descends the Ohio in a skiff—Stranded at Cincinnati—Teaching at St. Francisville	327
CHAPTER XXII
To Europe and Success
Audubon sails from New Orleans—Life at sea—Liverpool—The Rathbones—Exhibition of drawings an immediate success—Personal appearance—Painting habits resumed—His pictures and methods—Manchester visited—Plans for publication—The Birds of America—Welcome at Edinburgh—Lizars engraves the Turkey Cock—In the rôle of society's lion—His exhibition described by a French critic—Honors of science and the arts—Contributions to journals excite criticism—Aristocratic patrons—Visit to Scott—The Wild Pigeon and the rattlesnake—Letter to his wife—Prospectus—Journey to London	347
CHAPTER XXIII
Audubon in London
Impressions of the metropolis—A trunk full of letters—Friendship of Children—Sir Thomas Lawrence—Lizars stops work—A family of artists—Robert Havell, Junior—The Birds of America fly to London—The Zoölogical Gallery—Crisis in the naturalist's affairs—Royal patronage—Interview with Gallatin—Interesting the Queen—Desertion of patrons—Painting to independence—Personal habits and tastes—Enters the Linnæan Society—The white-headed Eagle—Visit to the great universities—Declines to write for magazines—Audubon-Swainson correspondence—"Highfield Hall" near Tyttenhanger—In Paris with Swainson—Glimpses of Cuvier—His report on The Birds of America—Patronage of the French Government and the Duke of Orleans—Bonaparte the naturalist	377 xx
CHAPTER XXIV
First Visit to America in Search of New Birds
Settles for a time in Camden—Paints in a fisherman's cottage by the sea—With the lumbermen in the Great Pine Woods—Work done—Visits his sons—Joins his wife at St. Francisville—Record of journey south—Life at "Beechgrove"—Mrs. Audubon retires from teaching—Their plans to return to England—Meeting with President Jackson and Edward Everett	420
CHAPTER XXV
Audubon's Letterpress and Its Rivals
Settlement in London—Starts on canvassing tour with his wife—Change of plans—In Edinburgh—Discovery of MacGillivray—His hand in the Ornithological Biography—Rival editions of Wilson and Bonaparte—Brown's extraordinary Atlas—Reception of the Biography—Joseph Bartholomew Kidd and the Ornithological Gallery—In London again	437

Audubon. After a photograph of a cast of the intaglio cut by John C. King in 1844. Embossed medallion	Cover
Audubon. After the engraving by C. Turner, A.R.A., of the miniature on ivory painted by Frederick Cruikshank about 1831; "London. Published Jan. 12, 1835, for the Proprietor [supposed to have been the engraver, but may have been Audubon or Havell], by Robert Havell, Printseller, 77, Oxford Street." Photogravure	Frontispiece
	PAGE
Statue of Audubon by Edward Virginius Valentine in Audubon Park, New Orleans	Facing 14
The Audubon Monument in Trinity Cemetery, New York, on Children's Day, June, 1915	Facing 14
Les Cayes, Haiti: the wharf and postoffice	Facing 40
Les Cayes, Haiti: the market and Church of Sacré Cœur	Facing 40
First page of the bill rendered by Dr. Sanson, of Les Cayes, Santo Domingo, to Jean Audubon for medical services from December 29, 1783, to October 19, 1785	Facing 54
Second page of the Sanson bill, bearing, in the entry for April 26, 1785, the only record known to exist of the date of Audubon's birth	Facing 55
Third page of the Sanson bill, signed as accepted by Jean Audubon, October 12, 1786, and receipted by the doctor, when paid, June 7, 1787	Facing 59
Audubon's signature at various periods. From early drawings, legal documents and letters	Facing 63
Lieutenant Jean Audubon and Anne Moynet Audubon. After portraits painted between 1801 and 1806, now at Couëron	Facing 78
Jean Audubon. After a portrait painted by the American artist Polk, at Philadelphia, about 1789	Facing 78
Jean Audubon's signature. From a report to the Directory of his Department, when acting as Civil Commissioner, January to September, 1793	79
Certificate of Service which Lieutenant Audubon received upon his discharge from the French Navy, February 26, 1801	84 xxii
"Mill Grove" in 1835 (about). After a water-color painting by Charles Wetherill	Facing 102
"Mill Grove," Audubon, Pennsylvania, as it appears to-day	Facing 102
"Mill Grove" farmhouse, west front, as it appears to-day	Facing 110
"Fatland Ford," Audubon, Pennsylvania, the girlhood home of Lucy Bakewell Audubon	Facing 110
Early drawings of French birds, 1805, hitherto unpublished: the male Reed Bunting ("Sedge Sparrow"), and the male Redstart	Facing 128
Receipt given by Captain Sammis of the Polly to Audubon and Ferdinand Rozier for their passage money from Nantes to New York, May 28, 1806	134
"La Gerbetière," Jean Audubon's country villa at Couëron, France, and the naturalist's boyhood home	Facing 136
"La Gerbetière" and Couëron, as seen from the highest point in the commune, windmill towers on the ridge overlooking Port Launay, on the Loire	Facing 142
"La Gerbetière," as seen when approached from Couëron village by the road to Port Launay	Facing 142
Port Launay on the Loire	Facing 142
Beginning of the "Articles of Association" of John James Audubon and Ferdinand Rozier, signed at Nantes, March 23, 1806	Facing 146
First page of a power of attorney granted by Jean Audubon, Anne Moynet Audubon and Claude François Rozier to John James Audubon and Ferdinand Rozier, Nantes, April 4, 1806	Facing 152
Signatures of Jean Audubon, Anne Moynet Audubon, Dr. Chapelain and Dr. Charles d'Orbigny to a power of attorney granted to John James Audubon and Ferdinand Rozier, Couëron, November 20, 1806	Facing 153
Early drawings of French birds, 1805, hitherto unpublished: the European Crow, with detail of head of the Rook, and the White Wagtail	Facing 174
Early drawing in crayon point of the groundhog, 1805, hitherto unpublished	Facing 182
Water-color drawing of a young raccoon, 1841	Facing 182
Alexander Wilson	Facing 212
William Bartram	Facing 212
The "twin" Mississippi Kites of Wilson and Audubon, the similarity of which inspired charges of misappropriation against Audubon	Facing 228 xxiii
Audubon's signature to the release given to Ferdinand Rozier on the dissolution of their partnership in 1811	242
Ferdinand Rozier in his eighty-fifth year (1862)	Facing 246
Rozier's old store at Ste. Geneviève, Kentucky	Facing 246
Letter of Audubon to Ferdinand Rozier, signed "Audubon & Bakewell," and dated October 19, 1813, during the first partnership under this style	Facing 246
Audubon's Mill at Henderson, Kentucky, since destroyed, as seen from the bank of the Ohio River	Facing 254
An old street in the Couëron of today	Facing 264
"Les Tourterelles," Couëron, final home of Anne Moynet Audubon, and the resting-place of exact records of the naturalist's birth and early life	Facing 264
Early drawings of American birds, 1808-9, hitherto unpublished: the Belted Kingfisher and the Wild Pigeon	Facing 292
Bayou Sara Landing, West Feliciana Parish, Louisiana, at the junction of Bayou Sara and the Mississippi River	Facing 314
Scene on Bayou Sara Creek, Audubon's hunting ground in 1821	Facing 314
Road leading from Bayou Sara Landing to the village of St. Francisville, West Feliciana Parish	Facing 318
"Oakley," the James Pirrie plantation house near St. Francisville, where Audubon made some of his famous drawings while acting as a tutor in 1821	Facing 318
An early letter of Audubon to Edward Harris, written at Philadelphia, July 14, 1824	332
Note of Dr. Samuel Latham Mitchell, written hurriedly in pencil, recommending Audubon to his friend, Dr. Barnes, August 4, 1824	337
Crayon portrait of Miss Jennett Benedict, an example of Audubon's itinerant portraiture. After the original drawn by Audubon at Meadville, Pennsylvania, in 1824	Facing 342
Miss Eliza Pirrie, Audubon's pupil at "Oakley" in 1821. After an oil portrait	Facing 342
Early drawing of the "Frog-eater," Cooper's Hawk, 1810, hitherto unpublished	Facing 348
Pencil sketch of a "Shark, 7 feet long, off Cuba," from Audubon's Journal of his voyage to England in 1826	Facing 348
First page of Audubon's Journal of his voyage from New Orleans to Liverpool in 1826	Facing 349 xxiv
Cock Turkey, The Birds of America, Plate I. After the original engraving by W. H. Lizars, retouched by Robert Havell. Color	Facing 358
Title page of the original edition of The Birds of America, Volume II, 1831-1834	381
The Prothonotary Warbler plates, The Birds of America, Plate XI, bearing the legends of the engravers, W. H. Lizars and Robert Havell, Jr., but identical in every other detail of engraving	Facing 384
Reverse of panels of Robert Havell's advertising folder reproduced on facing insert	386
Outside engraved panels of an advertising folder issued by Robert Havell about 1834. After the only original copy known to exist	386
Inside engraved panels of Robert Havell's advertising folder, showing the interior of the "Zoölogical Gallery," 77 Oxford Street	Facing 387
Reverse of panels of Robert Havell's advertising folder, reproduced on facing insert	387
Title page of Audubon's Prospectus of The Birds of America for 1831	391
English Pheasants surprised by a Spanish Dog. After a painting by Audubon in the American Museum of Natural History	Facing 394
Letter of William Swainson to Audubon, May, 1828	402
Audubon. After an oil portrait, hitherto unpublished, painted about 1826 by W. H. Holmes	Facing 412
Part of letter of Charles Lucien Bonaparte to Audubon, January 10, 1829	417
Mrs. Dickie's "Boarding Residence," 26 George Street, Edinburgh, where Audubon painted and wrote in 1826-27, and in 1830-31	Facing 438
The Academy of Natural Sciences, Philadelphia. After an old print	Facing 438
Title page of the Ornithological Biography, Volume I	441

AUDUBON THE NATURALIST

PREFACE

CONTENTS OF VOLUME I

ILLUSTRATIONS IN VOLUME I

CHRONOLOGY

1785

1789

1794

1800

1802-1803

1803

1804

1805

1806

1806-1807

1807

1808

1809

1810

1811

1812

1812-1813

1816

1817

1818

1819

1819-1820

1820

1821

1822

1823

1823-1824

1824

1825-1826

1826

1827

1828

1829

1830

1831-1839

1831-1834

1831

1832

1832-1833

1833

1834

1835

1836

1836-1837

1837

1838

1839

1840-1844

1840

1841

1842

1843

1845-1846

1845

1846-1847

1846-1854

1847

1848

1851

CHAPTER I INTRODUCTION

CHAPTER II JEAN AUDUBON AND HIS FAMILY

CHAPTER III JEAN AUDUBON AS SANTO DOMINGO PLANTER AND MERCHANT

CHAPTER IV AUDUBON'S BIRTH, NATIONALITY, AND PARENTAGE

CHAPTER V LIEUTENANT AUDUBON AS REVOLUTIONIST

CHAPTER VI School Days In France

CHAPTER VII FIRST VISIT TO THE UNITED STATES, AND LIFE AT "MILL GROVE"

CHAPTER VIII DACOSTA AND THE "MILL GROVE" MINE

Jean Audubon to Francis Dacosta

Jean Audubon to Francis Dacosta

Jean Audubon to Francis Dacosta

Jean Audubon to Francis Dacosta

CHAPTER IX AUDUBON'S LAST VISIT TO HIS HOME IN FRANCE

Gabriel du Puigaudeau to Charles M. d'Orbigny

Gabriel du Puigaudeau to J. Cornet

CHAPTER X "LA GERBETIÈRE" OF YESTERDAY AND TODAY

AUDUBON
THE
NATURALIST

CHAPTER I
INTRODUCTION

CHAPTER II
JEAN AUDUBON AND HIS FAMILY

CHAPTER III
JEAN AUDUBON AS SANTO DOMINGO PLANTER AND MERCHANT

CHAPTER IV
AUDUBON'S BIRTH, NATIONALITY, AND PARENTAGE

CHAPTER V
LIEUTENANT AUDUBON AS REVOLUTIONIST

CHAPTER VI
School Days In France

CHAPTER VII
FIRST VISIT TO THE UNITED STATES, AND LIFE AT "MILL GROVE"

CHAPTER VIII
DACOSTA AND THE "MILL GROVE" MINE

CHAPTER IX
AUDUBON'S LAST VISIT TO HIS HOME IN FRANCE

CHAPTER X
"LA GERBETIÈRE" OF YESTERDAY AND TODAY

CHAPTER XI
FIRST VENTURES IN BUSINESS AT NEW YORK, AND SEQUEL TO THE "MILL GROVE" MINE

CHAPTER XII
EARLY DRAWINGS IN FRANCE AND AMERICA

CHAPTER XIII
AUDUBON'S MARRIAGE AND SETTLEMENT IN THE WEST

CHAPTER XIV
A MEETING OF RIVALS, AND A SKETCH OF ANOTHER PIONEER

CHAPTER XV
EXPERIMENTS IN TRADE ON THE FRONTIER

CHAPTER XVI
AUDUBON'S MILL, AND FINAL REVERSES IN BUSINESS

CHAPTER XVII
THE ENIGMA OF AUDUBON'S LIFE AND THE HISTORY OF HIS FAMILY IN FRANCE

CHAPTER XVIII
EARLY "EPISODES" OF WESTERN LIFE

CHAPTER XIX
AUDUBON AND RAFINESQUE

CHAPTER XX
AUDUBON'S ÆNEID, 1819-1824: WANDERINGS THROUGH THE WEST AND SOUTH

CHAPTER XXI
DÉBUT AS A NATURALIST

CHAPTER XXII
TO EUROPE AND SUCCESS

CHAPTER XXIII
AUDUBON IN LONDON

CHAPTER XXIV
FIRST VISIT TO AMERICA IN SEARCH OF NEW BIRDS

CHAPTER XXV
AUDUBON'S LETTERPRESS AND ITS RIVALS