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Title: Shakspeare's Mental Photographs

Author: Anonymous

Release Date: March 27, 2018 [EBook #56851]

Language: English

Character set encoding: UTF-8

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Produced by Turgut Dincer, Barry Abrahamsen, and the Online
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on
1

SHAKSPEARE’S MENTAL PHOTOGRAPHS.

3SHAKSPEARE’S
MENTAL PHOTOGRAPHS.
—whose end, both at the first, and now, was, and is, to hold, as
’t were, the mirour up to nature.—Hamlet
He cannot flatter, he!—
An honest mind and plain,—he must speak truth;
An they will take it, so.
King Lear.
NEW YORK:
PUBLISHED BY HURD AND HOUGHTON.
BOSTON: E. P. DUTTON AND COMPANY.
1866.
4Entered according to Act of Congress, in the year 1865, by
Hurd and Houghton,
In the Clerk’s Office of the District Court for the Southern District
of New York.
RIVERSIDE, CAMBRIDGE:
STEREOTYPED AND PRINTED BY
H. O. HOUGHTON AND COMPANY.
5

CONTENTS.

The Game consists of ten Questions, to each of which there are twenty Answers. The Questions are:

    PAGE
1. What are you? 9
2. What Quality or Qualities in others among you? 12
3. What is your favorite Occupation or Pursuit? 14
4. What is your Pet Aversion? 17
5. What Style of Beauty do you admire? 19
6. Describe your Ideal? 22
7. Where was, or will be, your First Meeting? 26
8. What was, or will be, your First Greeting? 28
9. What do you most wish for? 31
10. What will be your Future? 33

7To obtain a photograph, one of the party must keep the book and ask the questions in order; the person asked, being at liberty to choose any number from one to twenty.

9SHAKSPEARE’S MENTAL PHOTOGRAPHS.

QUESTION I.
 
WHAT ARE YOU?

1.  I am Sir Oracle,
And, when I ope my lips, let no dog bark!
Merchant of Venice. Act i. Scene 1.
2.  A woman: and for secrecy,
No lady closer.
Henry IV. Part I. Act ii. Scene 3.
3.  I am so full of business, I cannot answer thee acutely.
All’s Well That Ends Well. Act i. Scene 1.
4.  A braver soldier never couched lance,
A gentler heart did never sway in court.
Henry VI. Part I. Act iii. Scene 2.
105.  Above my fortunes, yet my state is well:
I am a gentleman.
Twelfth Night. Act i. Scene 5.
6.  Infirm of purpose!
Macbeth. Act ii. Scene 2.
7.  Being a woman, I will not be slack
To play my part in fortune’s pageant.
Henry VI. Part II. Act i. Scene 2.
8.  But man, proud man!
Drest in a little brief authority.
Measure for Measure. Act ii. Scene 2.
9.  To answer every man directly, and briefly,
Wisely, and truly. Wisely I say, I am a bachelor.
Julius Cæsar. Act iii. Scene 3.
10.  Perfect.
Henry IV. Part I. Act ii. Scene 4.
11.  A man, who is the abstract of all faults
That all men follow.
Antony and Cleopatra. Act i. Scene 4.
12.  A woman of an invincible spirit.
Henry VI. Part II. Act i. Scene 4.
1113.  A very superficial, ignorant, unweighing fellow.
Measure for Measure. Act iii. Scene 2.
14.  A promise-breaker.
Coriolanus. Act i. Scene 8.
15.  A man, worth any woman.
Cymbeline. Act i. Scene 2.
16.  A railing wife.
Henry IV. Part I. Act iii. Scene 1.
17.  I am an ass, I am a woman’s man, and
besides myself.
Comedy of Errors. Act iii. Scene 2.
18.  I am the very pink of courtesy.
Romeo and Juliet. Act ii. Scene 4.
19.  An angel! or, if not,
An earthly paragon!
Cymbeline. Act iii. Scene 6.
20.  As opposite to every good,
As the antipodes.
Henry VI. Part III. Act i. Scene 4.
12

QUESTION II.
 
WHAT QUALITY OR QUALITIES IN OTHERS AMONG YOU?

1.  A quietness of spirit.
Merchant of Venice. Act iv. Scene 1.
2.  Good, your highness, patience.
Antony and Cleopatra. Act ii. Scene 5.
3.  Faint deeds, hollow welcomes,
Recanting goodness, sorry ere ’t is shown.
Timon of Athens. Act i. Scene 2.
4.  Liberal thanks.
Antony and Cleopatra. Act ii. Scene 6.
5.  Shallow spirit of judgment.
Henry VI. Part I. Act ii. Scene 4.
6.  That glib and oily art,
To speak and purpose not.
King Lear. Act i. Scene 1.
7.  The slanderous tongue.
Measure for Measure. Act iii. Scene 2.
8.  A patient sufferance.
Much Ado About Nothing. Act i. Scene 3.
139.  Sweet words,
Low crooked curt’sies, and base spaniel fawning.
Julius Cæsar. Act iii. Scene 1.
10.  Defect of manners, want of government,
Pride, haughtiness, opinion, and disdain.
Henry IV. Part I. Act iii. Scene 1.
11.  Ingratitude!
King Lear. Act i. Scene 4.
12.  Back-wounding calumny.
Measure for Measure. Act iii. Scene 2.
13.  Modest stillness and humility.
Henry V. Act iii. Scene 1.
14.  Self-harming jealousy!
Comedy of Errors. Act ii. Scene 1.
15.  Fear and doting.
Antony and Cleopatra. Act iii. Scene 9.
16.  Vaulting ambition.
Macbeth. Act i. Scene 7.
17.  Scorn, and defiance; slight regard, contempt.
Henry V. Act ii. Scene 4.
1418.  Vainness, and self-glorious pride.
Henry V. Act v. Chorus.
19.  A base, ignoble mind.
Henry VI. Part II. Act ii. Scene 1.
20.  A mind impatient,
An understanding simple and unschool’d.
Hamlet. Act i. Scene 2.

QUESTION III.
 
WHAT IS YOUR FAVORITE OCCUPATION OR PURSUIT?

1.  To discover islands far away.
Two Gentlemen of Verona. Act i. Scene 3.
2.  I wash, wring, brew, bake, scour, dress meat
and drink, make the beds, and do all myself.
Merry Wives of Windsor. Act i. Scene 4.
3.  My brain, more busy than the laboring spider,
Weaves tedious snares to trap mine enemies.
Henry VI. Part II. Act iii. Scene 1.
4.  The disposing of new dignities.
Julius Cæsar. Act iii. Scene 1.
155.  Billiards.
Antony and Cleopatra. Act ii. Scene 5.
6.  Methinks, it were a happy life,
To be no better than a homely swain.
Henry VI. Part III. Act ii. Scene 5.
7.  Steal hearts.
Antony and Cleopatra. Act ii. Scene 6.
8.  To outlook conquest, and to win renown,
Even in the jaws of danger and of death.
King John. Act v. Scene 2.
9.  Quaint lies,
How honorable ladies sought my love,
Which I denying, they fell sick and died.
Merchant of Venice. Act iii. Scene 4.
10.  A ghostly confessor,
A sin-absolver.
Romeo and Juliet. Act iii. Scene 3.
11.  A mender of bad soles.
Julius Cæsar. Act i. Scene 1.
12.  No women’s matters.
Henry VI. Part II. Act i. Scene 3.
13.  Eating and drinking.
Twelfth Night. Act ii. Scene 3.
1614.  Why, sir, a carpenter.
Julius Cæsar. Act i. Scene 1.
15.  To be in love.
Two Gentlemen of Verona. Act i. Scene 1.
16.  To number Ave-Maries.
Henry VI. Part I. Act i. Scene 3.
17.  Chanting faint hymns to the cold fruitless moon.
Midsummer Night’s Dream. Act i. Scene 1.
18.  Give me mine angle,—We’ll to the river; there,
My music playing far off, I will betray
Tawny-finn’d fishes; my bended hook shall pierce
Their slimy jaws.
Antony and Cleopatra. Act ii. Scene 5.
19.  A piece of work that will make sick men whole.
Julius Cæsar. Act ii. Scene 1.
20.  To carve out dials quaintly, point by point.
Henry VI. Part III. Act ii. Scene 5.
17

QUESTION IV.
 
WHAT IS YOUR PET AVERSION?

1.  A woman’s tongue.
Taming of the Shrew. Act i. Scene 2.
2.  Marriage.
Henry VI. Part I. Act v. Scene 5.
3.  The lover,
Sighing like furnace.
As You Like It. Act ii. Scene 7.
4.  Women and fools.
King John. Act ii. Scene 1.
5.  The first bringer of unwelcome news.
Henry IV. Part II. Act i. Scene 1.
6.  Sleek-headed men.
Julius Cæsar. Act i. Scene 2.
7.  The livery of a nun.
Midsummer Night’s Dream. Act i. Scene 1.
8.  A lady’s tears.
King John. Act v. Scene 2.
9.  Unbidden guests.
Henry VI. Part I. Act ii. Scene 2.
1810.  A good rebuke.
Antony and Cleopatra. Act iii. Scene 7.
11.  Words, words, mere words, no matter from the heart.
Troilus and Cressida. Act v. Scene 3.
12.  A younker, prancing to his love.
Henry VI. Part III. Act ii. Scene 1.
13.  To climb steep hills.
Henry VIII. Act i. Scene 1.
14.  A fawning greyhound.
Coriolanus. Act i. Scene 6.
15.  A twice-told tale,
Vexing the dull ear of a drowsy man.
King John. Act iii. Scene 4.
16.  Coy looks,
With heart-sore sighs.
Two Gentlemen of Verona. Act i. Scene 1.
17.  To be suspected of more tenderness
Than doth become a man!
Cymbeline. Act i. Scene 2.
18.  To fight with you.
Antony and Cleopatra. Act ii. Scene 6.
1919.  My wife,
I would you had her spirit in such another;
The third o’ the world is yours; which with a snaffle
You may pace easy, but not such a wife.
Antony and Cleopatra. Act ii. Scene 2.
20.  A silly woman.
Henry VI. Part III. Act i. Scene 1.

QUESTION V.
 
WHAT STYLE OF BEAUTY DO YOU ADMIRE?

1.  Her hair is auburn.
Two Gentlemen of Verona. Act iv. Scene 4.
2.  A sweet-faced man.
Midsummer Night’s Dream. Act i. Scene 2.
3.  She has brown hair, and speaks small like a woman.
Merry Wives of Windsor. Act i. Scene 1.
4.  Her sunny locks
Hang on her temples like a golden fleece.
Merchant of Venice. Act i. Scene 1.
205.  Her hair, what color?
Brown, Madam: and her forehead is as low
As she would wish it.
Antony and Cleopatra. Act iii. Scene 3.
6.  As plays the sun upon the glassy streams,
Twinkling another counterfeited beam,
So seems this gorgeous beauty to mine eyes.
Henry VI. Part I. Act v. Scene 3.
7.  A lean cheek; which you have not: a blue
eye and sunken; which you have not: an
unquestionable spirit; which you have not.
As You Like It. Act iii. Scene 2.
8.  Her eyes are gray as glass.
Two Gentlemen of Verona. Act iv. Scene 4.
9.  There is never a fair woman has a true face.
Antony and Cleopatra. Act ii. Scene 6.
10.  Item, two lips indifferent red; item, two gray
eyes with lids to them; item, one neck, one
chin, and so forth.
Twelfth Night. Act i. Scene 5.
11.  She is fair, and fairer than that word,—
Of wondrous virtues.
Merchant of Venice. Act i. Scene 1.
2112.  Straight and slender; and as brown in hue as hazel-nuts.
Taming of the Shrew. Act ii. Scene 1.
13.  The April’s in her eyes; It is love’s spring,
And these the showers to bring it on.
Antony and Cleopatra. Act iii. Scene 2.
14.  Most radiant, exquisite, and unmatchable beauty.
Twelfth Night. Act i. Scene 5.
15.  Her sight did ravish; but her grace in speech,
Her words y-clad with wisdom’s majesty,
Makes me from wondering, fall to weeping joys,
Such is the fulness of my heart’s content.
Henry VI. Part II. Act i. Scene 1.
16.  A fellow of this temper, Kate, whose face
is not worth sun-burning, that never looks
in his glass for love of anything he sees
there.
Henry V. Act v. Scene 2.
17.  There’s nothing ill can dwell in such a temple;
If the ill spirit have so fair an house,
Good things will strive to dwell with ’t.
Tempest. Act i. Scene 2.
2218.  He’s as tall a man as any’s in Illyria.
Twelfth Night. Act i. Scene 3.
19.  Fam’d for mildness, peace, and prayer.
Henry VI. Part III. Act ii. Scene 1.
20.  A gray eye or so.
Romeo and Juliet. Act ii. Scene 4.

QUESTION VI.
 
DESCRIBE YOUR IDEAL?

1.  Her voice was ever soft,
Gentle, and low; an excellent thing in woman.
King Lear. Act v. Scene 3.
2.  His words are bonds, his oaths are oracles;
His love sincere, his thoughts immaculate;
His tears, pure messengers sent from his heart;
His heart as far from fraud, as heaven from earth.
Two Gentlemen of Verona. Act ii. Scene 7.
3.  She is not yet so old
But she may learn; and happier than this,
She is not bred so dull but she can learn.
Merchant of Venice. Act iii. Scene 2.
234.  She’s not froward, but modest as the dove;
She is not hot, but temperate as the morn;
For patience she will prove a second Grissel.
Taming of the Shrew. Act ii. Scene 1.
5.  She is not so divine,
So full replete with choice of all delights,
But, with as humble lowliness of mind,
She is content to be at your command.
Henry VI. Part I. Act v. Scene 5.
6.  A rarer spirit never
Did steer humanity.
Antony and Cleopatra. Act v. Scene 1.
7.  He plays o’ the viol-de gambo, and speaks
three or four languages word for word
without book, and hath all the good gifts
of nature.
Twelfth Night. Act i. Scene 3.
8.  One fairer than my love! the all-seeing sun
Ne’er saw her match, since first the world begun.
Romeo and Juliet. Act i. Scene 2.
9.  O, when she’s angry, she is keen and shrewd;
She was a vixen when she went to school;
And, though she be but little, she is fierce.
Midsummer Night’s Dream. Act iii. Scene 2.
2410.  Whose beauty claims
No worse a husband than the best of men;
Whose virtue, and whose general graces, speak
That which none else can utter.
Antony and Cleopatra. Act ii. Scene 2.
11.  He is a very valiant trencher-man, he hath
an excellent stomach.
Much Ado About Nothing. Act i. Scene 1.
12.  Gentle and fair.
Measure for Measure. Act i. Scene 5.
13.  I suppose him virtuous, know him noble,
Of great estate, of fresh and stainless youth;
In voices well divulg’d, free, learn’d, and valiant,
And, in dimension, and the shape of nature,
A gracious person.
Twelfth Night. Act i. Scene 5.
14.  He hath a tear for pity, and a hand
Open as day for melting charity:
Yet notwithstanding, being incens’d, he’s flint.
Henry IV. Part II. Act iv. Scene 4.
15.  A pure unspotted heart,
Never yet taint with love.
Henry VI. Part I. Act v. Scene 3.
2516.  The kindest man,
The best condition’d and unwearied spirit
In doing courtesies; and one in whom
The ancient Roman honor more appears,
Than any that draws breath.
Merchant of Venice. Act iii. Scene 2.
17.  Free from gross passion, or of mirth, or anger,
Constant in spirit, not swerving with the blood.
Henry V. Act ii. Scene 2.
18.  The poor rude world
Hath not her fellow.
Merchant of Venice. Act iii. Scene 5.
19.  Of a holy, cold, and still conversation.
Antony and Cleopatra. Act ii. Scene 6.
20.  Not yet old enough for a man, nor young
enough for a boy; as a squash is before
’t is a peascod, or a codling when ’t is almost
an apple:——He is very well
favored, and he speaks very shrewishly.
Twelfth Night. Act i. Scene 5.
26

QUESTION VII.
 
WHERE WAS, OR WILL BE, YOUR FIRST MEETING?

1.  On the Alps.
Antony and Cleopatra. Act i. Scene 4.
2.  In Russia.
Measure for Measure. Act ii. Scene 1.
3.  Hereafter, in a better world than this.
As You Like It. Act i. Scene 2.
4.  In the famous ancient city, Tours.
Henry VI. Part II. Act i. Scene 1.
5.  In a thick-pleached alley.
Much Ado About Nothing. Act i. Scene 2.
6.  At dinner.
Antony and Cleopatra. Act ii. Scene 1.
7.  Under an oak, whose antique root peeps out
Upon the brook that brawls along.
As You Like It. Act ii. Scene 1.
8.  At the moated grange.
Measure for Measure. Act iii. Scene 1.
9.  In Egypt.
Antony and Cleopatra. Act i. Scene 3.
2710.  The pleached bower,
Where honey-suckles, ripened by the sun,
Forbid the sun to enter.
Much Ado About Nothing. Act iii. Scene 1.
11.  In the wood, a league without the town.
Midsummer Night’s Dream. Act i. Scene 1.
12.  In England.
Henry VI. Part II. Act. i. Scene 3.
13.  Under the shade of melancholy boughs.
As You Like It. Act ii. Scene 7.
14.  At the consecrated fount,
A league below the city.
Measure for Measure. Act iv. Scene 3.
15.  On the beached margent of the sea.
Midsummer Night’s Dream. Act ii. Scene 2.
16.  In Italy.
Antony and Cleopatra. Act. i. Scene 4.
17.  Within seven leagues of Rome.
Julius Cæsar. Act iii. Scene 1.
18.  Behind the Abbey wall.
Romeo and Juliet. Act ii. Scene 4.
2819.  O, the Nile.
Antony and Cleopatra. Act ii. Scene 7.
20.  At Milford-Haven.
Cymbeline. Act iv. Scene 2.

QUESTION VIII.
 
WHAT WAS, OR WILL BE, YOUR FIRST GREETING?

1.  Wilt thou be gone?
Two Gentlemen of Verona. Act i. Scene 1.
2.  I love thee well;
And by my troth, I think, thou lov’st me well.
King John. Act iii. Scene 3.
3.  Away,
Away, you trifler!—Love?—I love thee not.
Henry IV. Part I. Act ii. Scene 3.
4.  Pray, get you out.
Coriolanus. Act iv. Scene 5.
5.  Love me, and leave me not.
Merchant of Venice. Act v. Scene 1.
6.  I can express no kinder sign of love,
Than this kind kiss.
Henry VI. Part II. Act i. Scene 1.
297.  Doubt thou, the stars are fire;
Doubt, that the sun doth move;
Doubt truth to be a liar;
But never doubt, I love.
Hamlet. Act ii. Scene 2.
8.  The door is open, sir, there lies your way.
Taming of the Shrew. Act iii. Scene 2.
9.  Learn now, for all,
That I, which know my heart, do here pronounce,
By the very truth of it, I care not for you;
And am so near the lack of charity,
(To accuse myself) I hate you.
Cymbeline. Act ii. Scene 3.
10.  Bless you, fair shrew.
Twelfth Night. Act i. Scene 3.
11.  Go, base intruder!
Two Gentlemen of Verona. Act iii. Scene 1.
12.  Look, here I have you; thus I let you go,
Antony and Cleopatra. Act iii. Scene 2.
13.  I had rather hear my dog bark at a crow,
than a man swear he loves me.
Much Ado About Nothing. Act i. Scene 1.
3014.  Madam, if your heart be so obdurate,
Vouchsafe me yet your picture for my love.
Two Gentlemen of Verona. Act iv. Scene 2.
15.  By the roses of the spring,
By maidhood, honor, truth, and everything,
I love thee so, that, maugre all my pride,
Nor wit, nor reason, can my passion hide.
Twelfth Night. Act iii. Scene 1.
16.  Down on your knees,
And thank Heaven, fasting, for a good man’s love.
As You Like It. Act iii. Scene 5.
17.  I am very loth to be your idol, sir.
Two Gentlemen of Verona. Act iv. Scene 2.
18.  Most excellent accomplished lady, the heavens
rain odors on you!
Twelfth Night. Act iii. Scene 1.
19.  I know no ways to mince it in love, but
directly to say––I love you.
Henry V. Act v. Scene 2.
20.  Upon thy cheek lay I this zealous kiss,
As seal to this indenture of my love.
King John. Act ii. Scene 1.
31

QUESTION IX.
 
WHAT DO YOU MOST WISH FOR?

1.  Large sums of gold.
Henry VI. Part II. Act i. Scene 1.
2.  A slight unmeritable man,
Meet to be sent on errands.
Julius Cæsar. Act iv. Scene 1.
3.  Awhile to work, and, after, holiday.
Richard II. Act iii. Scene 1.
4.  A noble memory.
Coriolanus. Act v. Scene 5.
5.  Such wind as scatters young men through the world,
To seek their fortunes.
Taming of the Shrew. Act i. Scene 2.
6.  Sleep, gentle sleep,
Nature’s soft nurse.
Henry IV. Part II. Act iii. Scene 1.
7.  A lover, that kills himself most gallantly for love.
Midsummer Night’s Dream. Act i. Scene 2.
328.  The heart of woman.
Julius Cæsar. Act ii. Scene 4.
9.  A gentle answer.
Merchant of Venice. Act iv. Scene 1.
10.  A bachelor, sir.
Measure for Measure. Act iv. Scene 2.
11.  A hundred and fifty pounds.
Merry Wives of Windsor. Act iii. Scene 4.
12.  Costly apparel, tents, and canopies,
Fine linen, Turkey cushions boss’d with pearl,
Valance of Venice, gold in needle-work,
Pewter and brass, and all things that belong
To house or housekeeping.
Taming of the Shrew. Act ii. Scene 1.
13.  If I might but see you at my death.
Merchant of Venice. Act iii. Scene 2.
14.  A dower, my lords!
Henry VI. Part I. Act v. Scene 5.
15.  By Jove, I am not covetous for gold,
Nor care I, who doth feed upon my cost;
It yearns me not, if men my garments wear;
Such outward things dwell not in my desire:
33But, if it be a sin to covet honor,
I am the most offending soul alive.
Henry V. Act iv. Scene 3.
16.  A heart,
Dearer than Plutus’ mine, richer than gold.
Julius Cæsar. Act iv. Scene 3.
17.  Would I were dead! if God’s good will were so;
For what is in this world, but grief and woe?
Henry VI. Part III. Act ii. Scene 5.
18.  Love, and quiet life.
Taming of the Shrew. Act v. Scene 2.
19.  I would, I were at home.
As You Like It. Act iv. Scene 8.
20.  Music, moody food
Of us that trade in love.
Antony and Cleopatra. Act ii. Scene 5.

QUESTION X.
 
WHAT WILL BE YOUR FUTURE?

1.  A worky-day fortune.
Antony and Cleopatra. Act i. Scene 2.
342.  All days of glory, joy, and happiness.
King John. Act iii. Scene 4.
3.  To view with hollow eye, and wrinkled brow,
An age of poverty.
Merchant of Venice. Act iv. Scene 1.
4.  God’s vassals drop and die;
And sword and shield,
In bloody field,
Doth win immortal fame.
Henry V. Act iii. Scene 2.
5.  I will live a bachelor.
Much Ado About Nothing. Act i. Scene 1.
6.  I’ll see thee hang’d on Sunday.
Taming of the Shrew. Act ii. Scene 1.
7.  You shall paint when you are old.
Antony and Cleopatra. Act i. Scene 2.
8.  Lean famine, quartering steel, and climbing fire.
Henry VI. Part I. Act iv. Scene 2.
9.  Groaning for love.
Romeo and Juliet. Act ii. Scene 4.
3510.  Would you not suppose
Your bondage happy to be made a queen?
Henry VI. Part I. Act v. Scene 3.
11.  Hated by one he loves; brav’d by his brother;
Check’d like a bondman, all his faults observ’d,
Set in a note-book, learn’d and conn’d by rote
To cast into my teeth. O, I could weep
My spirit from mine eyes!
Julius Cæsar. Act iv. Scene 3.
12.  For aye to be in shady cloister mew’d.
Midsummer Night’s Dream. Act i. Scene 1.
13.  Made a toast for Neptune.
Troilus and Cressida. Act i. Scene 3.
14.  You shall be more beloving, than belov’d.
Antony and Cleopatra. Act i. Scene 2.
15.  Upon your sword
Sit laurel’d victory, and smooth success
Be strew’d before your feet!
Antony and Cleopatra. Act i. Scene 3.
16.  To live in prayer and contemplation.
Merchant of Venice. Act iii. Scene 4.
3617.  Within a loathsome dungeon, there to pine.
Henry VI. Part I. Act ii. Scene 5.
18.  You shall be yet far fairer than you are.
Antony and Cleopatra. Act i. Scene 2.
19.  All heart’s content.
Merchant of Venice. Act iii. Scene 4.
20.  When thou art old and rich,
Thou hast neither heat, affection, limb, nor beauty,
To make thy riches pleasant.
Measure for Measure. Act iii. Scene 1.

 






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