﻿Project Gutenberg's The Story of Live Dolls, by Josephine Scribner Gates

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license


Title: The Story of Live Dolls

Author: Josephine Scribner Gates

Illustrator: Virginia Keep

Release Date: April 2, 2017 [EBook #54477]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK THE STORY OF LIVE DOLLS ***




Produced by Juliet Sutherland and the Online Distributed
Proofreading Team at http://www.pgdp.net










[Illustration: The doll’s awakening]




                              THE STORY OF
                               LIVE DOLLS

                           BEING AN ACCOUNT BY

                        JOSEPHINE SCRIBNER GATES

              OF HOW, ON A CERTAIN JUNE MORNING, ALL OF THE
                   DOLLS IN THE VILLAGE OF CLOVERDALE
                               CAME ALIVE

                 WITH MANY PICTURES MADE AT THE TIME BY
                              VIRGINIA KEEP

                           M.A. Donohue & Co.
                           Publishers Chicago

                             COPYRIGHT 1901
                      BY THE BOWEN-MERRILL COMPANY




                          TO MY LITTLE DAUGHTER
                                CHARLOTTE
                        WHOSE TENDER DEVOTION TO
                           HER DOLLS INSPIRED
                                THE STORY




ILLUSTRATIONS


                                                 PAGE

    The doll’s awakening--_Frontispiece_

    Janie gave a little scream of delight          17

    She poured the coffee into the tiny cups       25

    Janie saw a most piteous sight                 37

    The dolls playing “ring-around-a-rosy”         55

    Have you ever had a dolls’ tea-party           73

    The dolls ate a hearty dinner                  95




[Illustration]




THE STORY OF LIVE DOLLS


“Look, what’s coming!” and with a shout of delight the children of
Cloverdale village left their play and rushed into the street.

What do you think they saw?

A tiny gilded coach drawn by two beautiful white kittens, with reins of
blue ribbons covered with silver bells, and through the coach window the
face of a wonderful doll. On her head was a jaunty sailor hat, from under
which yellow curls danced in the wind as she nodded and smiled at the
children on either side.

[Illustration]

From time to time she tossed out a handful of bills, which flew about
like little white birds and then fluttered to the ground, where they were
eagerly caught up by the fast gathering crowd of children, filled with
wonder at the amazing sight. They made a brave effort to keep up with
the coach; but the driver cracked his whip, the kittens started at a mad
pace down the hill, and with one last nod and smile from the doll in the
window, the coach disappeared in a cloud of dust. The children watched it
out of sight, then turned to go back.

But what were these bills which, in the excitement, they had forgotten
and were still clutching in their hot and dirty hands? Again and again
they read these startling words, which stared them in the face:

                                 NOTICE!

                            ON THE MORNING OF
                           JUNE THE FOURTH ALL
                        THE DOLLS IN THE VILLAGE
                              OF CLOVERDALE
                             WILL BE ALIVE!

That was all; and it was to happen to-morrow, for this was the third day.

[Illustration]

They looked at one another with eyes growing larger and rounder, and
cheeks growing redder than the roses blossoming in the gardens. Then such
a chatter began that even the birds had to stop singing to listen.

“I never heard of such a thing!” “How could they?” “Wouldn’t it be
perfectly lovely?” And suddenly realizing what a blissful thing was in
store for them, if it were really true, the children began to hug each
other and dance about and squeal with joy, until their various mothers
came to the windows to learn the cause of the commotion. When the little
ones caught sight of them, remembering that they had not heard the
wonderful news, they shouted:

“Let’s tell our mammas!” and quickly disappeared.

[Illustration]

Janie Bell’s home was the nearest. She fairly flew up the steps and
tumbled into the door as she said:

“O mamma, it’s going to begin to-morrow! Won’t it be lovely! A doll
came in a gold carriage and she threw this bill, and a boy doll drove
the white kittens all covered with ribbons and bells, and it was too
pretty.… _Do_ you think my dolls could come alive?”

Mamma wiped the little hot face and read the bill.

“It does seem strange, but I don’t know of a lovelier thing that could
happen to a little girl than to have her doll come to life. What a fine
time there would be in the doll house!” she said, glancing out of the
window at a beautiful little house under the trees. It was just like a
real house, with a porch across the front, a real door bell, tiny shades
and Swiss curtains at the windows, and a little brick chimney upon the
roof.

Janie clapped her hands.

“O mamma, won’t it be fine? I can hardly wait.” She flew out of the door
and into the doll house.

Each room was in good order, for Janie was a fine housekeeper. Papa had
given the dolls’ home to her, thinking that if the little girl learned
to keep this one in order she would some day be able to take care of a
larger one.

She looked at the parlor with its mimic furniture, a sofa, chairs, piano,
and a grate where she could build a fire if mamma were watching. Then she
went into the dining-room, where the table was set all ready for dinner.
How lovely it would be to see the dolls sitting there and actually
eating!

[Illustration]

In the kitchen was a little range with an oven, and there Dinah, the
black cook, was propped against the wall, looking as if she were only
waiting for the magic word to set her marching off getting dinner. Her
wig would probably fall off, as it was loose, and her leg was broken.
Janie resolved to mend her at once, as it would not do to have her come
alive in that condition. She peeped into the dear little pantry at the
kettles, skillets and shining pans on the shelves, and at the tiny box
marked “Cake.” In one corner was an ice box, in another a flour barrel.

Upstairs there were dolls of all ages and sizes; papa, mamma and
children. A little baby in long dresses lay in a cradle, and other dolls
were sitting and standing about, some dressed and some, I am sorry
to say, stark naked. Janie dressed and arranged them all in various
attitudes; then, seized with a sudden inspiration, she exclaimed:

“Well, if it is true, we’ll have the best time in this little house we
ever had, and I’m going to get ready for it.”

So she swept it from top to bottom, washed the little windows, tied back
the pretty curtains with fresh ribbons, dusted the furniture, made the
beds, washed the dolls’ faces, mended Dinah’s leg and fastened her wig,
flitted about from room to room, giving each one a last fond look, and
then she locked the front door and hung the key on the branch of a tree,
where it was safely hidden by the leaves.

The sun was setting and papas were coming home to their suppers. All
seemed as usual, but it was a new and very exciting world to this little
mother, for the morning was to bring strange doings. Janie hurried in to
eat her supper and to get to bed early.

[Illustration]

[Illustration]

“It seems almost like Christmas, mamma; I can hardly wait for to-morrow,”
she said as she kissed her mother good-night. Mamma laughed merrily.

“Well, close your bright eyes, and the birdies will be singing their
morning song before you know it,” she said. Janie leaned out of bed to
kiss her big dollie, who was sleeping peacefully in a cradle by her side.

No dollie ever had better care, for Janie was a kind little mother. She
took her to the table for each meal, gave her a lovely ride every day,
and at night carefully undressed her and tucked her into bed.

“Won’t it be beautiful?” Janie whispered, as she gave the cradle a
little jog. But Dollie slept on, quite unconscious of the fact that in
the morning she was to be as full of life and dancing gaiety as Janie
herself. As for Janie, she hardly dared think about it; for if she once
began to imagine what bliss was in store for her, she would never get to
sleep.

[Illustration]

During the night she dreamed all sorts of things. Toward morning it
seemed that she and Dollie were riding in an egg-shell coach, drawn by
two downy, yellow chickens; Dollie suddenly stood up and began to sing,
frightening the chickens, so that they ran away and tipped over the
carriage.

[Illustration]

Of course, at this catastrophe, Janie wakened; but her dream seemed to go
on, and she still heard a voice singing. Could it be her doll?

She hardly dared move, as she remembered what was to happen to-day. She
listened a moment and then peeped out. At sight of her, Dollie held up
both arms and said--yes, actually said:

“O you dear little mamma, I am so glad you are awake. I want to come
into your bed,” and up she popped and climbed in under the covers, and
snuggled up exactly as Janie often snuggled up to her mamma. Janie
hugged her, but for a moment was too frightened and astonished to speak.

Miss Dollie began to laugh and giggle so loud that papa and mamma came
running in.

“It’s true, mamma, it’s true! Look at her!”

“Of course it’s true,” said Dollie; “didn’t the Queen of the Dolls decide
that it should be? It had to be true when she said it. But let’s get up
and dress; you’ll be s’prised to see what’s happening in the doll house.”

Janie gave a little scream of delight, hopped out of bed and scrambled
into her clothes. Dollie was quicker than she, and was soon dressed and
standing on a chair by the side of the bed; for Janie had to watch and
laugh over the funny spectacle of Dollie dressing herself.

“Now brush my hair, please,” pealed out Miss Dollie as Janie finished.
Janie gave her another hug, as she brushed the brown curls around her
finger; then they ran pell-mell down the stairway and raced out of the
house.

[Illustration: Janie gave a little scream of delight]

The family all laughed heartily, for it was a funny sight to see a doll
run. They could hardly believe their eyes, and hurried into their
clothes; for they too were eager to see these wonderful doings in the
doll house. As Janie ran across the lawn, she noticed smoke coming from
the chimney. She flew up the steps, unlocked the front door and, as she
stepped into the hall, beheld the astonishing sight of black Dinah at the
toy telephone. She was just saying, “One steak, please,” and then she
called up the grocery store and ordered a bill of goods that would empty
almost any housekeeper’s pocket-book.

[Illustration]

Dinah paid no attention to the visitors, but swept the front steps,
glanced into the dining-room to see if all was ready for breakfast, and
then went into the kitchen.

The fire was crackling in the range, and while Dinah waited for the
groceries Janie ran upstairs. The dolls were dressing in the different
rooms, and mamma doll was trying to make the baby comfortable. Its cries
soon brought Dinah up with a cunning milk bottle, all filled; baby took
it and nestled down into her pillow with it, just as any baby would who
had to be fed in that horrid way. Janie longed to pick her up, but as she
wished very much to see Dinah get breakfast, she thought she would wait
until another time.

[Illustration]

A knock downstairs announced the grocery boy, and Janie went down to find
the table covered with little packages containing flour, sugar, coffee,
eggs, and everything needed in a real kitchen. She longed to help put the
articles in place, but Dinah looked queer and cross, so she didn’t dare
touch anything. It was no wonder Dinah was cross, for what do you think
Janie had done in her haste the day before? She had put the poor thing’s
leg on backward, and had pasted her wig on crooked, way down over one
ear. So, of course, she wasn’t very comfortable.

After putting everything away, Dinah got a dish, broke an egg into it
(such a tiny egg, about as large as a bird’s), and with a dear little
egg-beater whisked it as light as a feather. Then she poured in some milk
and added flour, with a little salt and baking-powder. Janie wondered
what she was going to make and glanced at the range. “O joy! pancakes!”
she cried, as she spied the smoking hot griddle, the size of a small
saucer.

Dinah put on the broiler and laid the steak carefully on it, cut a potato
into dice and put it into a pan with a little cream; then, with a dash of
salt and pepper on the steak (which was soon done to a turn), she placed
it on a platter and generously buttered it. When all was ready she rang a
toy bell, and the family of dolls filed down into the dining-room.

They seated themselves, and papa served the food. When he carved the
steak the knife bent double, for it was really never meant for use.

[Illustration]

“Why, I must go and buy another. I didn’t know it was so poor,” said
mamma doll, as she poured the coffee into the tiny cups and added cream
and sugar.

How funny they all looked, sitting there and really eating! Janie tried
to smother a hysterical laugh, and made such a queer sound that they all
looked up. She felt almost disgraced when her big doll, who had followed
her about, whispered:

“Come away, or you’ll hurt their feelings.”

[Illustration: She poured the coffee into the tiny cups]

And now came Dinah with a plate of cakes about the size of a penny. Each
doll clamored for one. How good they looked! Janie ran to the kitchen;
she _must_ bake those cakes.

[Illustration]

“O Dinah, please let me. I will be very careful.”

“Well, Miss Janie, you may; but I am cross to-day. My hair is so crooked,
and look at my leg! How could you put it on backwards? I have so much
work to do, and it is so hard to walk.”

“Why, Dinah, you poor thing, did I do that? I will take it right off and
turn it around. It won’t take me more than a minute, and it will soon
dry.”

Dinah screamed.

“What! Don’t you think I have any feelings? How would you like to have
your papa break your leg and turn it round, and you sit waiting for the
glue to dry?” and with a scornful sniff she hobbled in with another plate
of cakes.

When the family had finally finished eating, there was still considerable
batter left; Janie begged for some cakes for herself. Dinah consented,
and so Janie and Miss Dollie sat down to eat, taking care to save some
cakes for Dinah.

It certainly was bliss to watch the butter melt on those beautiful brown
cakes, and to pour the golden syrup from the syrup cup, which had come
all the way from Boston only last Christmas.

“Aren’t they delicious?” said a piping voice.

Janie jumped up and almost dropped the syrup cup. She had been so busy
over those darling cakes, that she had almost forgotten about her doll
sitting opposite her at table.

[Illustration]

“O you precious thing! I never can get used to hearing you talk. How
many times I have played tea-party here with you, and had to do all the
talking myself!” and she ran round and gave her another hug. “Let’s go
and tell papa and mamma about the breakfast,” she added; but as they
stepped outside they found the family peeping in at the window.

[Illustration]

“Isn’t it fun, mamma? And did you see the cunning pancakes? The mamma
doll is actually going shopping because my knives won’t cut meat. The
baby was really crying, and I must go up and see her,” she rattled on,
without giving them time to reply, and then ran up the stairway with the
big doll tripping after her.

Stopping at the door of the bed-room, she clasped her hands in rapture,
for mamma doll was giving baby a bath. It was kicking up its weenty
heels, and gurgling and cooing just like a real baby. While mamma was
scrubbing, suddenly baby grabbed the end of the wash-cloth. Of course, it
cried when she took it away, and then it stopped to listen, for mamma had
wound up the little music box.

So the bath went on till baby was all clean down to its little toes,
which mamma kissed and folded tenderly in the blanket. Then she dressed
it and laid it in its cradle.

[Illustration]

Janie made a motion to take it, but mamma shook her head, and whispering
that it was asleep, she quietly put the room in order and drew down the
shades. The doll children were making a great racket, and mamma called
to them to run out and play, so baby could sleep. Janie and Miss Dollie
followed.

As they passed through the kitchen, Dinah was just finishing a marvelous
pie, as large as a silver dollar, and singing “Der’s a good time comin’
by and by.” As she opened the oven door Janie caught a glimpse of a dear
little bird roasting, and oh! how good it smelled! A dish of cranberries
was cooling in the window, and as Dinah left the room for a moment,
Janie couldn’t resist peeping into the ice box. There was a block of real
ice, and a pan of milk with cream on the top of it. How she longed to
skim it with the little skimmer!

[Illustration]

Then she espied a dish of something that looked like custard, which she
was about to taste when Dinah’s voice startled her.

“What you a-doin’ in my ice box?”

“I only wanted to know what that was,” said Janie respectfully, for she
was a little afraid of Dinah since the leg affair.

“It’s for ice cream, an’ I’se a notion ter let you freeze it. I’se got a
heap of work dis mornin’.”

“O Dinah, may I?” and Janie danced a hornpipe then and there and threw
her arms around Dinah’s neck.

“You are a dear, and I am sorry I put your leg on wrong. I do wish I
could fix it.”

“Nebber mind, honey; I couldn’t go through wid dat operation nohow,” said
Dinah, as she got the freezer and chopped the ice into bits, then poured
in the custard and left it for Janie to finish.

With her dear companion by her side she worked until the handle began to
turn hard, when she knew it was frozen.

[Illustration]

“Dinah, can’t we lick the ladder? Mamma always lets me.”

Dinah said she might, and she dutifully gave Dollie half. She was sorely
tempted to get a spoon and taste that in the freezer, as Dinah had left
the room, but she knew that would not be honest, so she covered it up and
ran into the yard to see the doll children at play.

She was just in time to see, coming slowly down the street, a white,
covered wagon, marked in red letters, “Dolls’ Ambulance.” It was drawn
by six white kittens, who moved along so carefully that Janie decided
they must have some very sick patients aboard. It halted in front of the
doll house, and the little Queen dismounted, saying she was going to
telephone. Meantime Janie, curious to see what was within, walked around
to the back and peeped in at the little open door.

[Illustration: Janie saw a most piteous sight]

There she saw a most piteous sight. It was filled with dolls of all
sizes, and in such a condition! Arms and legs were off, wigs were
missing, and some dolls lay with their poor sightless eyes staring up at
her, in such a pathetic manner, that Janie could hardly keep back the
tears. One poor little thing lay apart from the others and was dripping
wet. Her companions sobbed aloud as they told in low tones of how she was
fished out of a water barrel, stone dead. Not even the Queen could bring
her to life.

Each had some trouble. Some told of how their mammas had lost their arms
and legs, and how their wigs had been off for weeks. Some were sadly
neglected, many being wrapped in small bed-quilts and soiled blankets,
as they hadn’t a stitch to put on. They told Janie that the Queen had
appeared that morning, had gathered them up from their different homes,
and was going to take them to a dolls’ hospital. She was telephoning now
to make preparations for their arrival.

The Queen soon appeared, and their piteous wailing ceased as she hovered
over them, soothing this one and that, placing some in more comfortable
positions, wiping away tears which were rolling down the cheeks of little
handless dolls, and telling them all to cheer up, that they would soon be
made as good as new, except the poor dead one, which they would lay away
tenderly in some quiet spot and cover with pretty flowers. The Queen
invited Janie’s doll to go with them, and as they slowly departed, Janie
looked so wistfully after them that she called to her to jump onto her
wheel and follow. Janie ran in to ask mamma, and was soon spinning along
after them.

By and by they turned into a country road and down a long lane, at the
end of which she saw a high wall. The Queen told them that it enclosed a
number of acres of land, and that the place was called the “Doll Farm.”

[Illustration]

They all alighted before a great gate and the Queen blew a wee silver
bugle that hung by a silver chain from her belt. The gate swung open,
and when they had all entered it closed immediately after them. The
Queen led them up a path towards a building bearing the sign “The Dolls’
Hospital.” Janie was too much astonished at the sight that met her eyes
to follow. All she could see was an orchard of low trees, whose branches
hung full of doll clothes, swaying in the cool morning air. There were
tiny under-garments, and dresses of all colors. She reached out to
examine a particularly pretty one, and to see just how it was made, when
a voice startled her.

“Don’t touch that. It isn’t ripe yet.”

“Ripe!” said Janie. “Is it growing?”

“Why, of course. Now see. The button holes aren’t begun yet, and the
buttons aren’t near tight enough. It will be about two weeks before
that frock can be picked. Now here is one I can pick to-morrow,” and
he explained to Janie just how he could tell when it was ready to be
removed from the tree.

Then the gardener, for it was he, showed her the trees full of
under-garments and dear little petticoats, the bushes of different
colored stockings, with shoes and slippers to match, and last of all, a
tree of hats. They were the sweetest things, of many different shapes,
and from the end of each branch hung bright ribbons of all colors. Near
by grew all sorts of flowers.

The gardener told Janie she might trim a few of the hats, if she cared
to, as they were all ready to pick. Now, if there was one thing Janie
liked more than another, it was to trim hats. So the gardener picked a
number and allowed her to choose the ribbons and flowers.

She chose red, blue, pink and white ribbons, and roses, forget-me-nots,
pansies and morning-glories. You must remember these were all dwarf
flowers, much smaller than ours, and the gardener told her they were
everlasting, and so would not wither.

[Illustration]

Janie seated herself under a tree, from whose branches dainty parasols
of all colors were dancing and nodding in the breeze. She would have
been eager to pick them at any other time, but now with her lap full of
such visions of beauty, she was blind to everything else about her. She
arranged the bows and flowers, and soon had this lot of hats trimmed, and
begged for more. Finishing a number she placed them in long rows on the
shelves built for that purpose.

She then threw herself on the ground to rest, and, glancing up, saw the
parasols.

She clapped her hands and bounded to her feet.

“O Mr. Gardener, can’t I have one?”

He said she might, and asked her which one she wanted.

[Illustration]

“That beautiful blue one. No, the pink one. O no, wait a moment, that
white one, I think. O, Mr. Gardener, please let me look a moment. They
are all so sweet!” She finally decided on the blue--a beauty with lace
and forget-me-nots around the top.

The pink one had a wreath of wild roses, and it was hard to give that
up; but the blue matched her doll’s new dress, and so that decided it.
Then the gardener told her that after awhile she could help him pick the
various garments for the army of dolls that had just arrived, but that
now she’d better go into the hospital and see what they were doing there.
And so he led her into the house.

Here Janie found the poor crippled dolls being put in fine shape by
little doll nurses, wearing soft gray dresses with white aprons and caps.
Legs and arms were being replaced; the blind were made to see with blue
eyes and brown; bald heads were covered, and such a wealth of hair did
those dolls have--some curly, some braided and tied with a ribbon, and
some hanging straight, for the dolls’ mammas to braid or curl, as they
chose. When their bodies had finally reached perfection, they went into a
bath-room for a sorely-needed bath, and Janie went to help the gardener.

[Illustration]

Together they wandered about, plucking an outfit for each doll. It was
great fun to match the dresses in slippers and stockings, and then to
complete the costumes with the proper hats. When they carried the frocks
in, what a hubbub arose! Each doll wanted every dress.

The little Queen quieted them and gave a suit to each one, which they
soon put on, and they looked so sweet, clean and pretty that their own
mammas would hardly know them. The Queen called for the bill, paid it,
and departed with her family, looking like the “Old Woman Who Lived in a
Shoe.”

They made a very pretty picture as they walked out, appearing like a lot
of gorgeous butterflies. As before, the gate swung open at a peal from
the silver bugle; all climbed into the ambulance once more, and away
they went with Janie following.

When they reached home they found the yard full of little girls weeping
for their lost dolls. But as each dollie jumped down and ran to its own
mamma, what a chattering and babbling filled the air!

“Who mended you?” “What lovely hair!” “Where did you get those clothes?”
cried the little girls.

The strange tale which Janie told them of all she had seen, and
especially of the clothes growing on trees, seemed too wonderful to be
believed, and they envied her such delightful experiences.

[Illustration]

The little Queen then mounted the steps and gave them a short lecture.
She told them how kind they ought always to be to their dolls--just as
kind as they wished their mammas to be to them.

She said that when she went from house to house gathering up all the old
dollies to have them made like new, she was shocked to see the condition
of some of them. One had a hopeless crack in its head, because its mamma
got cross and threw it up to the ceiling. Some of them were naked, and
most of them were very dirty. Her eyes filled with tears as she spoke of
the poor little dead one; and she said she could always tell what kind
of heart a little girl had by the way she treated her doll. Those who
made the sweetest and tenderest mammas were those who had taken the most
loving care of their dollies when they were little girls. She wanted them
to begin over, and see who could be the best mother during the few weeks
that followed.

[Illustration]

Then they all sat on the grass, and Dinah appeared with cunning glasses
of lemonade and tiny sandwiches, and they enjoyed this almost more than
the lecture. When they had finished the Queen said good-by, telling them
to enjoy each other while they could, as this bliss was to last but a
month.

Only little girls with live dolls can know of the happiness
that followed. It was no uncommon thing to see dolls playing
“ring-around-a-rosy” and “hide-and-seek,” or jumping ropes and rolling
hoops. Janie never tired of watching them, and she and her precious doll
had many romps.

[Illustration: The dolls playing “ring-around-a-rosy”]

Early one morning there was left at the door a miniature invitation,
which announced that a picnic was to be held at the Doll Farm the next
day. Janie ran into the doll house to ask if they would go, and found
Dinah busy cooking for it. She had just finished the layer cakes, which
had been baked in the lids of baking-powder cans. They were all iced,
some with chocolate, others with plain white. A number of tiny square
loaves of angel food and sponge cake looked so good that Janie longed to
pocket one.

Dinah allowed her to cut out the fried cakes with a thimble, and when
they were a golden brown, she rolled them in pulverized sugar until
they looked like a heap of white marbles. Dinah then made a batch of
cookies, which Janie cut also. Next came a lot of jelly tarts and apple
turn-overs, so crisp they would undoubtedly melt in your mouth.

Last, but not least, she made dozens of the dearest little baking-powder
biscuits, and when they were baked Janie opened and buttered them and put
in pieces of dried beef, shaved very thin. They were delicious. Janie
received one from Dinah, and longed to swallow a dozen.

Then Dinah boiled a number of eggs, for which Janie tied up packages
of salt and pepper, as these are necessary for every picnic. She then
helped to place the food on the pantry shelf, ready to pack in a hamper
the next morning.

[Illustration]

How tempting it looked! When they had squeezed lemons for lemonade and
frozen the ice cream, they sat down to rest.

Dinah said it was to be a delightful picnic, given by the Queen to all
the dolls and their mammas. Every little girl in the village was invited,
and she did hope she had enough to eat!

Janie ran home to tell mamma about it, and to ask if she couldn’t make
something for the lunch. Mamma thought for a moment.

“I know the very thing,” she said. “Jump onto your wheel and go to each
little girl’s house, and tell her to be here at three this afternoon, and
to be sure to wear an old dress.”

“You are the darlingest mamma!” Janie cried, as she hugged her and ran
away with a delightful feeling of mystery. “It must be lovely if mamma
planned it, but what _can_ it be?”

Promptly at three all were on hand. Mamma took them to the kitchen.

“We will make some doll candy, and I will show you how,” she said.

They had to relieve their excited feelings by dancing a jig at this
delightful news, and then they settled down to work. They first made
some chocolate drops, the weentiest little things you ever saw; then some
marshmallows, which were about the size of parchesi dice.

[Illustration]

Next they made maple-creams and dear old-fashioned molasses candy, which
the children were allowed to pull, and the one who succeeded in getting
her piece the whitest was to have a dainty little box of the mixed
candies.

It was great fun! When it was finished it looked so good that mamma had
to divide a box among them. Then she brought out the popper, and the
children went gaily about shelling the corn. This is always a delight to
pop, and when they had a heaping dish of it, they made it into popcorn
balls about the size of marbles.

While they waited for the candy to harden they ran into the garden to
play and to talk over these strange happenings.

“O children, what lovely times we are having!” said Janie. “I wish they
could last always.” And each one piped in:

“Yes, but they can’t, and we must enjoy them while they do last.”

“I know one thing, I do take better care of my doll now. I never used to
keep her face clean, and she was nearly always naked.”

“It was mine that was ruined from my throwing her up to the wall. I was
so mad at her that day, just because I couldn’t make her dress fit. I
have a new one now, and I am very careful of her.”

[Illustration]

“And mine was drowned, but I really was sorry after I did it. She
wouldn’t stand up, and I grew cross and threw her into the water; but,
of course, I never knew she had any feelings. There goes my new one now,
riding the wheel which papa had made for her.”

[Illustration]

The girls clapped their hands with delight at the unusual spectacle. To
think of a doll on a wheel! What would happen next?

Just then mamma’s voice summoned them to the kitchen, where they found
a great basket of little candy boxes in the forms of hearts, diamonds,
half-moons, drums and cunning barrels. They packed the candy neatly and
tied each box with a pretty ribbon.

[Illustration]

Then the boxes were placed in the basket, ready for the morrow, and the
little girls departed for their homes. The next day proved to be fine,
and soon after breakfast the children and their dolls were assembled in
Janie’s yard. They were clad in pretty dresses, and looked as sweet and
fresh as a lot of daisies.

Then appeared two tallyhos, the one for the dolls being drawn by four
curly white dogs. The Queen’s own boy-doll driver snapped the whip, and
the air was at once filled with the noise of the barking of the dogs and
the music of the bells on the harness of the restless steeds.

The tallyho for the children was much larger, and was drawn by four
cream-white ponies.

They were all packed in like sardines in a box, the little Queen sitting
in the midst of the dolls. The silver bugle was blown, the chains and
bells jangled, and away they flew.

They were barely started when they heard Dinah calling. She was
frantically waving a red bandanna kerchief and beckoning them to come
back. So back they went.

“You done forgot me,” she shouted.

“You! Why, Dinah, are you going?” asked Janie.

“Co’se I is, and I don’t like to take no liberties nor nothin’, but
I feel like I must tell you dat you done forgot anodder t’ing dat I
consider mighty impo’tant to ebery picnic, and dat is de lunch what I’se
been workin’ at dis long time.”

[Illustration]

This speech caused a hearty shout of laughter. Mamma came to help put in
the hamper and baskets, and Dinah sat in state by the driver. With her
red kerchief on her head and her yellow dress, she looked like a great
bumble-bee hovering over the dainty doll flowers.

As they rode away, mamma heard her singing her favorite song, “Der’s a
good time comin’ by and by.” Perhaps she was thinking of the time when
her leg would be turned around, or, perhaps, of how much they would
enjoy the toothsome luncheon she had prepared. They had a fine ride, as
it was a beautiful day, and they were all so perfectly happy.

They sang and shouted, and were envied by all the boys in the village,
who were deprived of these pleasures because boys are so dreadful in
their treatment of dolls.

All too soon was the ride at an end. The girls were eager to see the
trees where the dolls’ clothes grew, and when they were actually inside
of those wonderful grounds, they ran here and there like ants. The Queen
first led them around to her own home, which Janie had not seen when she
was there before. It was the dearest little place, with climbing rose
vines twined about the doors and windows, and was beautifully furnished
with everything one could wish for.

The Queen’s own bed-room was like fairy land. The bed had Swiss curtains
draped about it, tied back with blue ribbons. There was a lovely desk
filled with tiny doll-paper and envelopes, and a little gold pen and a
cut-glass inkstand. Here she had written those gracious invitations.

The closet was filled with beautiful little dresses. A shoe box held
various colored shoes and slippers, also bed slippers and a dear little
pair of rubbers. On the dresser was everything any young lady could
desire. It was charmingly arranged with a lace cover over blue, and a
dainty pin cushion, silver comb, brush and manicure set.

[Illustration]

In one corner stood a book case, filled with books of the tiniest sort. A
long window led out into a balcony; here was stretched a doll’s hammock,
where one could swing and pick flowers without moving, for the roses
twined in and out.

After this they went to see the hospital, and then to have some games
with the dolls. They examined the trees carefully and found them most
mysterious. Lunch was called before they dreamed it could be time, and,
as that is always the best part of a picnic, and as little girls are
always hungry, they hurried to the spot where Dinah was serving.

[Illustration: Have you ever had a dolls’ tea-party?]

Every mamma sat by her own doll, and as the food was passed each doll
helped herself, but the poor mammas were like the little pig that had
none, as they were not allowed to take a morsel; and to make it worse,
what do you think those saucy dollies did? Have you ever had a dolls’ tea
party? Then you remember how you held the food to your doll’s mouth,
pretended to let her have some, and then gobbled it up yourself.

Well, that is just what happened here. Each doll held it to her mamma’s
mouth, and, as she tried to take it, it vanished in the doll’s mouth in
the most irritating manner. Every time Dinah passed the same performance
followed, and how the dolls laughed!

The children grew hungrier every moment when they found those tempting
viands were not for them. The ice cream looked so delicious! It was
strawberry, and served in small salt-cellars; and then came that lovely
angel food and jelly tarts. They coaxed and pleaded, but the dolls only
said:

“That’s the way you treat us at your parties.”

Finally, when they were on the verge of tears, the dolls relented
and Dinah brought in a fresh supply, which vanished very quickly, as
everything was unusually good and the children were nearly starved.

When they had finished, they presented the dolls with the boxes of candy,
and wound up with a merry game of hide-and-seek.

The old gardener called them and said that each little girl was to be
allowed to choose one entire suit for her doll. What a scramble they made
for the various trees, though it was very hard to decide, for everything
was so pretty.

[Illustration]

Janie looked a long time before she could quite make up her mind, but
finally chose a pink dress with pink stockings and slippers, and a hat
with elegant pink plumes waving upon it; a fan and chatelaine completed
this costume. She chose also the dear pink parasol she had so much wanted
before. There were also stunning coats and opera capes with swan’s-down
trimming, and one tree full of dear little muffs.

The handkerchief tree looked too funny, with the tiny white things
fluttering about like a flock of birds with wings spread ready to fly.

It was a hard matter to leave this enchanting place, but as the sun was
getting low they gathered up their baskets, presented the gardener with
some of their candy, and with many thanks and good-bys departed.

When they reached home they told the Queen they never in all their lives
had had such a beautiful time, and, thanking her very heartily for giving
them so much pleasure, they went to their homes “to tell mamma all about
it.”

The days flew merrily by, and before they realized it the month was
almost gone. When Janie stopped to think of those happy times being no
more, she was ready to cry her eyes out, but she put away the thought,
determined to enjoy them while they lasted. One morning at breakfast papa
said:

“Mamma, I think we must wind up these remarkable doings with something
pretty fine. How would it do to hire several carriages and take the whole
caboodle of these chicks, with their wound-up dolls, for a lovely day at
the seashore? The various mothers, or rather grandmothers, of the dolls
can go to see that they don’t get drowned. It is only a drive of ten
or twelve miles to the beach. You can get dinner at the hotel. I will
telegraph and have that arranged for. You can all have a plunge in the
surf, and the babes can dig in the sand and paddle about, and have no end
of a good time. How does that strike you, Janie?”

[Illustration]

Janie replied by springing into his lap and giving him a hug that almost
choked him.

“Oh, that will be lovely,” she cried, “and I will write the invitations.”

They decided to have it the very last day of this eventful month. Janie
wrote the notes which were to make so many hearts happy, and papa went
to make the necessary arrangements. The day came, and Janie sprang out
of bed to raise the shade. Instead of seeing the sun streaming in, as
she hoped, she found the rain was pouring down in sheets. She made a
brave effort to keep back the tears, as she heard her dollie singing the
well-known song, “Can’t we Make Sunshine in the House when there is None
Without?”

“But, Dollie, we can’t go,” sobbed Janie.

“Why not?” came from mamma’s room.

“Because it’s raining, mamma,” and then the tears began to fall in
earnest.

“Rain before seven, clear before eleven,” sang papa. “Don’t borrow
trouble, Polly love, but get dressed and see what will happen.”

[Illustration]

Janie dried her eyes and obeyed, very much surprised, for she was seldom
allowed to go anywhere in a rain like that.

After breakfast mamma got out waterproof and rubbers, which Janie put on,
and then waited patiently for what would follow.

The door-bell rang and a package was left for Janie’s doll. On opening it
she found another tiny package marked on the outside, “Not to be opened
until you reach the beach.” There was also a little gossamer and a pair
of rubbers, which fitted Miss Dollie to perfection. How charming she
looked!

Janie hopped about like a young robin, as she heard the delightful blast
from the trumpet, which was always associated with their good times. She
rushed to the window and saw, drawing up in front, two omnibuses, one
filled with the various mothers, the other with the little girls and
their dollies. But what was this procession which followed?

“Oh, mamma! it’s all the dolls from the doll-house, and each has on a
tiny gossamer. How funny they look!” And so they did, each carrying an
umbrella and paddling through the water. Mamma, Janie and Dollie followed
them, and all jumped in the omnibuses, closed the doors with a bang, and
away they went.

[Illustration]

It was snug and cozy inside. The rain pattered on the roof and played a
steady accompaniment to the chatter of this jolly little crowd, which
looked so odd, hooded and cloaked in black, like so many nuns. The little
mammas cast many admiring glances at their dolls, for they had always
longed for them to have these wee rainy-day garments.

“Isn’t it the greatest fun?” they cried. “I’m so glad it rained; it’s
much nicer to be shut in here and listen to it,” and they hugged one
another in their delight.

[Illustration]

They had a merry ride. The Queen told some delightful stories, which were
so interesting that when the sun broke through the clouds they never
noticed it; till, the last story being finished, they all shouted in one
breath:

“Look at the sun!”

And now they found they were nearing the beach. They could hear the ocean
roaring, and could see the waves creeping up and rolling over with that
great swish, which once heard is never forgotten, and is sweetest music
to lovers of the sea.

The ’buses stopped, then all tumbled out and made a mad rush for the
water. Oh, the beauty of it all! How sweet the air was! Who can breathe
that delightful, salty odor and not love it? They played in the sand and
gathered shells until eleven o’clock, when the air was warmer, and mamma
said they might put on their bathing suits.

“But what will the dollies do?”

Janie’s doll waved her mysterious package, and every other doll waved one
also, crying:

“Wait and you will see.”

Then all disappeared in the bath-houses; the girls hurried into their
suits and awaited the dollies’ reappearance with the greatest impatience.
When they finally came they pranced around them and cried, “Oh, you
darlings, where did you get them?” And no wonder, for they were clad in
the gayest little bathing suits you ever saw, with all the colors of the
rainbow.

[Illustration]

How pretty they looked skipping about! They had a merry game of tag,
while waiting for the dolls’ grandmammas to disrobe, and made a beautiful
picture, dotting the sand with dainty bits of bright color. At last all
were ready, and they plunged into the surf. Such fun as they had!

[Illustration]

The storm had made frothy, snowy waves, which came in faster and faster,
tumbling over each other, as if to see which would reach the shore first.
The children and dolls took hold of hands and rushed in among them, only
to be hurled back in one confused mass of legs, arms and heads. For a
moment it would have been hard for an onlooker to tell just what it was,
but the tangle soon unraveled, and the performance was repeated with
an accompaniment of wild shrieks of laughter, as the waves rushed over
the heads of dollies, children and mammas. The mammas were soon tired
out and sat on the beach to rest and watch this performance on nature’s
stage, and, as the waves tossed the children and dolls out on the sand,
they laughed till the tears ran down their cheeks.

[Illustration]

Some of the dolls were left standing on their heads, others walking about
on their hands, and one poor little doll was stuck in the sand, with one
leg and an arm sticking up in the air. They helped her out and she ran
into the water again, undaunted at such a slight mishap. At last they
came out breathless and lay down on the sand to rest before dressing.

[Illustration]

They looked so funny, that mamma told them she ought to do with them as
did an old lady that she once heard of, who allowed her children to play
near a little stream which ran by their home. When they fell in she hung
them on a line and fastened them with clothes-pins, stuck through their
toes. It was so odd to see them hanging in a row--ten of them! When they
were dry she took them in, sprinkled and ironed them, and let them loose
again. They were hung so low it really didn’t hurt them, and they thought
it great fun. One day she left them hanging while she went to the store,
and a thunder shower came up. She rushed home in a panic and, of course,
found them dripping. She took out the clothes-pins, shooed them into
the house like a brood of chickens, gave them each some ginger tea and
hustled them into bed, piling blankets upon them till they were nearly
smothered. They recovered, of course.

“And now,” said mamma, “we must get dressed and go to dinner.”

They all had a hearty laugh over this remarkable tale, and thought mamma
would have to have a great many clothes-pins and a very long line upon
which to hang them.

[Illustration: The dolls ate a hearty dinner]

When all were ready they walked up to the hotel, where the guests were
eagerly waiting for them. They had seen the telegram which ordered
dinner to be prepared for thirty mothers, thirty children and thirty
live dolls, and they watched with the greatest interest the little girls,
each with a doll by her side, march into the dining-room. How astonished
they were when they saw the dolls eat--actually put food into their
mouths and swallow it. That was the strangest thing! The dolls weren’t a
bit embarrassed, however, and ate a hearty dinner and enjoyed it, too,
for the long ride and the bathing had given them fine appetites.

After it was over they filed out, and the guests after them. The grown
people begged the mothers to tell them what it all meant, and their
children surrounded the little girls and their dolls. Of course, the
story that they heard was very strange and hard to believe, but they
could see this part of it with their own eyes, and so could not but
believe the rest.

All too soon came the omnibuses to carry them home. They were to have
a pleasant open-air ride this time, as the roofs had mysteriously
disappeared. With many good-bys they departed, leaving the guests with
much to talk about. This had been another beautiful time, and it seemed a
fitting end to the month’s jubilee; but Janie couldn’t be quite happy,
when she remembered it was the final act in this strange play.

“Dear little Queen,” she pleaded, “couldn’t you let it last just a little
longer? We can’t bear to give up these good times so soon.”

“My precious child, this must be the end for the present--I always keep
my word, and the month will be up in the morning; but,” she added, as the
tears sprang to all of those bright eyes, “if you take good care of your
dolls and try to be helpful to your mammas, I will let it happen again
some day, and you may then have even a better time; so do not grieve.
Remember, dear little ones, I love you with all my heart, and will plan
something even more beautiful than this has been.”

And now she bade the driver stop at the Doll Farm, where was waiting
the same wee coach which had so startled them at the beginning of this
remarkable month. A little trunk strapped on the back said plainer
than words that these times were truly at an end. Giving each a loving
good-by kiss, and begging them not to be unhappy, the Queen jumped into
the gay little coach and was whirled away. The children were driven to
their separate homes, each hugging her doll and loath to give it up to
its former existence. Janie tried to brighten up, as she bade them all
good-by, and said: “It will happen again. The Queen said it would, and
it will; so we ought to be extra good. We have had a delightful time and
must be thankful for it, and just think what we have to look forward to!”

[Illustration]

That night she tucked in her dollie as usual, and, after one last fond
kiss and a few extra caresses, was soon in the beautiful land of dreams,
where we will leave her till the “next time,” which, as the Queen always
tells the truth, must surely come some day. Perhaps it will be in the
winter, when they can have merry sleigh rides and snow-ball battles. And
perhaps, as we listen to the chimes of the Christmas bells, if we peep
through a window of the doll house, we shall see a tiny Christmas tree
and “stockings hung by the chimney with care,” and even hear dear old
Santa Claus’ sleigh-bells, the reindeer pawing on the snowy roof, and his
great voice crying, “Merry Christmas to all, and to all a good night!”

That would indeed be a perfect time, so we will not be sad at bidding
the dolls good-by, but, as the curtain falls on this act, sing with dear
old Dinah, “Der’s a good time comin’ by and by.”

[Illustration]





End of the Project Gutenberg EBook of The Story of Live Dolls, by 
Josephine Scribner Gates

*** END OF THIS PROJECT GUTENBERG EBOOK THE STORY OF LIVE DOLLS ***

***** This file should be named 54477-0.txt or 54477-0.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/4/4/7/54477/

Produced by Juliet Sutherland and the Online Distributed
Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
