The Project Gutenberg EBook of End as a World, by F. L. Wallace

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license


Title: End as a World

Author: F. L. Wallace

Release Date: January 18, 2016 [EBook #50959]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK END AS A WORLD ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net







End as a World

By F. L. WALLACE

Illustrated by DIEHL

[Transcriber's Note: This etext was produced from
Galaxy Science Fiction September 1955.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


Prophets aplenty foretold the end—but not one
ever guessed just how it would come about!


Every paper said so in all the languages there were, I guess. I kept reading them, but didn't know what to believe. I know what I wanted to think, but that's different from actually knowing.

There was the usual news just after Labor Day. The Dodgers were winning or losing, I forget which, and UCLA was strong and was going to beat everybody they met that fall. An H-bomb had been tested in the Pacific, blowing another island off the map, just as if we had islands to spare. Ordinarily this was important, but now it wasn't. They put stuff like this in the back pages and hardly anybody reads it. There was only one thing on the front pages and it was all people talked about. All I talked about, anyway.

It began long before. I don't know how long because they didn't print that. But it began and there it was, right upon us that day. It was Saturday. Big things always seem to happen on Saturdays. I ate breakfast and got out early. I had the usual things to do, mowing the lawn, for instance. I didn't do it nor anything else and nobody said anything. There wasn't any use in mowing the lawn on a day like that.

I went out, remembering not to slam the door. It wasn't much, but it showed thoughtfulness. I went past the church and looked at the sign that was set diagonally at the corner so that it could be read from both streets. There it was in big letters, quoting from the papers: THIS IS THE DAY THE WORLD ENDS! Some smart reporter had thought it up and it seemed so true that that was the only way it was ever said. Me? I didn't know.


It was a bright day. People were out walking or just standing and looking at the sky. It was too early to look up. I went on. Paul Eberhard was sitting on the lawn when I came along. He tossed me the football and I caught it and tried to spin it on my finger. It didn't spin. It fell and flopped out with crazy bounces into the street. The milk truck stopped, while I got it out of the way. I tossed the football back to Paul. He put his hand on it and sat there.

"What'll we do?" he said.

I made a motion with my hands. "We can throw the ball around," I said.

"Naw," he said. "Maybe you've got some comic books."

"You've seen them all," I said. "You got some?"

"I gave them to Howie," he said, thoughtfully screwing the point of the ball into the center of a dandelion. "He said he was going to get some new ones though. Let's go see." He got up and tossed the ball toward the porch. It hit the railing and bounced back into the bushes. That's where he usually kept it.

"Paul," called his mother as we started out.

"Yeah?"

"Don't go far. I've got some things I want you to do."

"What?" he said patiently.

"Hauling trash out of the basement. Helping me move some of the potted plants around in front."

"Sure," he said. "I'll be back."

We went past another church on the way to Howie's. The sign was the same there. THIS IS THE DAY THE WORLD ENDS! They never said more than that. They wanted it to hang in our minds, something we couldn't quite touch, but we knew was there.



Paul jerked his head at the sign. "What do you think of it?"

"I don't know." I broke off a twig as we passed a tree. "What about you?"

"We got it coming." He looked at the sky.

"Yeah, but will we get it?"

He didn't answer that. "I wonder if it will be bright?"

"It is now."

"It might cloud over."

"It won't matter. It'll split the sky." That was one thing sure. Clouds or anything weren't going to stand in the way.

We went on and found Howie. Howie is a Negro, smaller than we are and twice as fast. He can throw a football farther and straighter than anyone else on the team. We pal around quite a bit, especially in the football season.

He came out of the house like he was walking on whipped cream. I didn't let that fool me. More than once I've tried to tackle him during a practice game. Howie was carrying a model of a rocket ship, CO2 powered. It didn't work. We said hi all around and then he suggested a game of keep-away. We'd left the football at Paul's and we couldn't so we walked over to the park.


We sat down and began talking about it. "I'm wondering if it will really come," said Paul. We all squinted up.

"Where'll the President watch it from?" I said. "He should have a good view from the White House."

"No better than us right here," said Howie.

"What about Australia? Will they see it there?" I said.

"They'll see it all over."

"Africa, too? And what about the Eskimos?"

"It doesn't matter whether they actually see it or not. It will come to everyone at the same time."

I didn't see how it could, but I didn't feel like an argument. That's what they were saying on TV and you can't talk back to that.

"Everybody," said Howie. "Not just in this town, but all over. Wherever there are people. Even where they're not."

"You read that," said Paul.

"Sure," said Howie. "You lent me the comic books. It's even in them."

We didn't say much after that. I kept thinking of the man who made the H-bomb. I bet he felt silly and spiteful, blowing up an island. Somebody might have wanted to live on it, if he'd just left it there. He must have felt mean and low when something really big like this came along.

We talked on for a while, but we'd talked it out long ago. There was really nothing new we could say. Every so often we'd look up at the sky, but it wasn't going to come until it got here.

Finally we drifted apart. There wasn't anything left to do. We walked home with Howie and then I went with Paul, leaving him to come back to my house. I looked at the lawn and without thinking about it got busy and mowed it. I surprised myself.

It was hot, or it seemed to me it was. I went in to eat. Ma came by and shut off the sound of TV. I could still see the picture in the other room. The announcer was making faces, but, of course, I didn't hear what he said. He looked pretty funny, I thought. I thought we were all probably pretty funny, moving our mouths and blinking our eyes and waving our hands. Only nothing real was coming out. Not yet, anyway.

"Sit still," said Ma. "It will happen without your help. It's going to be all right."

"Think so?" I said. She would have told me anything to keep me quiet. She gets nervous when I fidget.

"I think so," she said, giving me my allowance. It was early for that. Usually I didn't get it until after supper. "Why don't you run uptown and watch it from there?"

"Maybe I will," I said, dabbling my hands in the water at the sink. "Are you going to go?"

"Of course I'm not. Why should I get into that mob? I can watch it just as well from here."

Sure she could. But it was not the same. Everybody I knew was going to be there. I changed shirts before I left. I took a rag and wiped the dust from my shoes. I wasn't trying to be fussy or dressed up or anything. I just thought I should do it.


There was shade and sun on the streets and a few big clouds in the sky.

A car slowed up and stopped beside me. The window rolled down and Jack Goodwin leaned toward me. "Going uptown?"

"Yeah."

"Want a lift?"

"Sure." Actually I didn't. I'd rather have walked, looking around as I went.

Jack Goodwin grinned as I got in. He's got gray hair, where he has hair. The rest is bald. He looked me over. "I don't see any comets on your shoulders," he said gravely.

"I never had any," I said. Some people seem to think everyone under seventeen is a kid.

"You'll be needing them," he said.

"Maybe," I said. I ought to have walked.

I never knew how slow a day could pass. I suppose I should have slept late and kept busy doing something. This was worse than putting on a uniform and waiting until gametime. At least there was a coach on the field to tell you what to do as you ran through the drill.

Jack Goodwin stopped at a light. I had a notion to get out. But I didn't. Goodwin grinned again as the light changed and we started up. "I don't blame you for being edgy," he said. "It's the suspense. If we only had some way of knowing for sure, radio maybe."

"There's no radio," I said. "The calculations have been checked."

"Sure, but maybe there's something we forgot. Or don't know. All sorts of things can go wrong."

He must have talked on and on, but I didn't listen. Howie and me and Paul had gone over everything he was saying.

"Thanks," I said as he stopped and I got out.

"Don't mention it," he said. He nearly scraped the rear fender of the car as he drove off. It was a new car, too. He wasn't so bad. Maybe he was just worried.

I wandered to the newsstand and looked at magazines and pocketbooks. Old lady Simpson didn't ask me if I was going to buy and didn't chase me away. She was busy arguing with some customers. Even so it was the first time she didn't pay attention to me when I came in. I had a good chance to look at things I never buy. There was nothing in them I wanted to see. I was thirsty. I had a coke and was still thirsty. I asked for a glass of water, drank half of it and went out.


Down the street there was a TV set in a store window. I watched it. They were showing a street in India, people looking up. They flashed all around, to Italy, China, Brazil. Except for their clothes, it wasn't much different from here. They were all looking up.

I did the same. For the first time I noticed there was a slight overcast. Big billowing clouds had passed, but this was worse. I hoped it would clear away in time. Not that it really mattered.

It was more crowded than usual for Saturday, but at the same time it was quiet. People were shopping, but they weren't really buying much or else they bought it faster. Nobody wanted to miss it. They all seemed to have one eye on their lists and another on the clock.

Howie and Paul came up the street and we nodded and said something. A few other boys from the school passed by and we stopped. We gathered together. It was getting closer—and the space between the minutes was growing longer and longer.

I looked at Paul's watch. He said it was on the minute. I decided there was time to go in and get a candy bar. All of a sudden I was hungry. I didn't know where it came from. I'd had to stuff down lunch not long ago. And now I was hungry.

I went to a store and had to fight my way in. People were coming out. Not just customers, but the clerks and owner, too. There was a big television screen inside, but nobody wanted to see it on that. They wanted to be outside where it would happen to them. Not just see it, have it happen. The store was empty. Not closed—empty.

I turned and rushed out to join the others. I couldn't miss it. There were still minutes to go, but suppose there had been a miscalculation. I knew what that would mean, but even so I had to be there. I would almost die, too.

Now we were all looking up—all over the world people were, I suppose. It was quiet. You could hear them breathing.

And then it came, a flash across the sky, a silver streak, the biggest vapor trail there ever was. It went from this side to that side in no time. It split the sky and was gone before the shock blast hit us. Nobody said anything. We stood there and shivered and straightened up after the rumbling sound passed.

But there was the vapor trail that stretched farther than anyone could see. It would go around the world at least once before it came to an end somewhere in the desert. I saw my science teacher—he was trying to smile, but couldn't. And then there was the pharmacist who had wanted to be a research chemist, but wasn't good enough.

In front of me, old Fred Butler who drives the bus to Orange Point and King City cracked his knuckles. "He did it," he whispered. "All the way to Mars and back. Safe and right on schedule." He jumped up in the air and kept jumping up. He hadn't been that high off the ground in several years. He never would be again unless he took an elevator. And I knew he hated elevators.

Factory whistles started blowing. They sounded louder than Gabriel. I wonder if he heard them. I grabbed hold of the nearest person and started hugging. I didn't know it was the snooty girl from the next block until she hugged back and began kissing me. We yelled louder than the factory whistles. We had a right.

It was just like the papers said: This was the day the world ended—

And the Universe began.






End of the Project Gutenberg EBook of End as a World, by F. L. Wallace

*** END OF THIS PROJECT GUTENBERG EBOOK END AS A WORLD ***

***** This file should be named 50959-h.htm or 50959-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/0/9/5/50959/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.