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THE THAMES




     VOLUMES IN THIS SERIES BY MORTIMER MENPES
     EACH 20S. NET WITH ILLUSTRATIONS IN COLOUR

     THE DURBAR
     JAPAN · WORLD'S CHILDREN
     WORLD PICTURES · VENICE
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     INDIA · BRITTANY


     _Published by_
     A. & C. BLACK. SOHO SQUARE. LONDON. W.


     _AGENTS_

     AMERICA    THE MACMILLAN COMPANY
                  64 & 66 FIFTH AVENUE, NEW YORK

     CANADA     THE MACMILLAN COMPANY OF CANADA, LTD.
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  [Illustration: PUNTING]




     THE THAMES

     BY MORTIMER MENPES, R.I.
     TEXT BY G. E. MITTON
     PUBLISHED BY A.&C. BLACK
     SOHO SQUARE, LONDON, W.




     _Published July 1906_




  [Illustration]




CONTENTS

  CHAPTER I                                        PAGE
  The Beauty of the River                             1

  CHAPTER II
  The Oxford Meadows                                 25

  CHAPTER III
  The Old Town of Abingdon                           37

  CHAPTER IV
  Dorchester and Sinodun Hill                        47

  CHAPTER V
  Castle and Stronghold                              53

  CHAPTER VI
  Twin Villages                                      57

  CHAPTER VII
  A Mitred Abbot                                     67

  CHAPTER VIII
  Sonning and its Roses                              72

  CHAPTER IX
  Wargrave and Neighbourhood                         80

  CHAPTER X
  Henley                                             97

  CHAPTER XI
  The Romance of Bisham and Hurley                  105

  CHAPTER XII
  Boulter's Lock and Maidenhead                     128

  CHAPTER XIII
  Windsor and Eton                                  140

  CHAPTER XIV
  Magna Charta                                      155

  CHAPTER XV
  Penton Hook                                       161

  CHAPTER XVI
  Weybridge and Chertsey                            167

  CHAPTER XVII
  The Londoner's Zone                               177

  CHAPTER XVIII
  The River at London                               205

  CHAPTER XIX
  Our National Possession                           231

  Index                                             243




LIST OF ILLUSTRATIONS


  1. Punting                                           _Frontispiece_
                                                                 PAGE
  2. Thames Ditton                                                  v
  3. Sutton Courtney, Culham Bridge                                 1
  4. Pangbourne                                _Facing_             4
  5. Dorchester Abbey                          "                    8
  6. Day's Lock                                "                   12
  7. Near the Bridge, Sutton Courtney          "                   14
  8. Streatley Inn                             "                   18
  9. Sandford Lock                                                 25
  10. Iffley                                   _Facing_            28
  11. Radley College Boat-house                "                   34
  12. Almshouses of Abingdon                                       37
  13. Abingdon                                 _Facing_            38
  14. The Mill at Abingdon                     "                   40
  15. Sutton Courtney Backwater                "                   42
  16. Clifden Hampden from the Bridge          "                   44
  17. Clifden Hampden                          "                   46
  18. Hurley                                                       47
  19. Cottages, Dorchester                     _Facing_            48
  20. White Hart Hotel, Dorchester             "                   50
  21. Dorchester Backwater                     "                   52
  22. Danesfield                                                   53
  23. Wallingford                              _Facing_            54
  24. Streatley Mill                           "                   56
  25. Goring Bridge                                                57
  26. Streatley                                _Facing_            58
  27. Goring Church                            "                   60
  28. Goring                                   "                   62
  29. Pangbourne, from the Swan Hotel          "                   64
  30. Whitchurch Lock                          "                   64
  31. Mapledurham Mill                         "                   66
  32. Evening                                                      67
  33. Caversham                                _Facing_            70
  34. Paddling                                                     72
  35. The Rose Garden at Sonning               _Facing_            72
  36. Sonning                                  "                   76
  37. St. George and the Dragon, Wargrave                          80
  38. The Church at Wargrave                   _Facing_            80
  39. Barges at Oxford                                             97
  40. Red Lion Hotel, Henley                   _Facing_            98
  41. Henley Regatta                           "                  100
  42. Hambleden                                "                  102
  43. Medmenham Abbey                                             105
  44. General View of Marlow                   _Facing_           106
  45. Quarry Woods                             "                  108
  46. Bisham Church                            "                  110
  47. Hurley Backwater                         "                  112
  48. Bisham Abbey                             "                  114
  49. Cookham, from above                                         128
  50. Boulter's Lock, Ascot Sunday             _Facing_           128
  51. Below Boulter's Lock                     "                  130
  52. Maidenhead                               "                  132
  53. Eton, from the Brocas                                       140
  54. Windsor Castle                           _Facing_           140
  55. Windsor                                  "                  144
  56. Eton Chapel, from the Fields             "                  148
  57. Magna Charta Island                                         155
  58. Hedsor Fishery                                              161
  59. Temple Lock                                                 167
  60. Walton Bridge                            _Facing_           172
  61. Sunbury                                  "                  174
  62. Hampton Court                                               177
  63. Hampton Court, from the River            _Facing_           178
  64. Marlow Church                                               205
  65. Beyond Hammersmith Bridge                _Facing_           206
  66. The Custom House                         "                  208
  67. Dutch Barges near the Tower              "                  210
  68. The Tower of St. Magnus                  "                  212
  69. St. Paul's                               _Facing_           214
  70. The Houses of Parliament                 "                  216
  71. Westminster by Night                     "                  218
  72. Hay Barges near Westminster Bridge       "                  222
  73. Chelsea Reach, with the Old Church       "                  226
  74. View from Richmond Hill                                     231
  75. From Battersea Bridge                    _Facing_           232
  _Sketch Map at end of Volume_


_The Illustrations in this volume were engraved and printed at the
Menpes Press, Watford._




  [Illustration]




CHAPTER I

THE BEAUTY OF THE RIVER


Close your eyes and conjure up a vision of the river Thames; what
is the picture that you see? If you are a prosaic and commercial
person, whose business lies by the river side, the vision will be one
of wharves and docks, of busy cranes loading and unloading; a row of
bonded warehouses rising from the water's edge; lighters filled with
tea lying in their shadow, tarpaulined and padlocked; ships of all
sizes and shapes, worn by water and weather. And up and down, in and
out, among it all you see river police on their launch, inquisitive
and determined, watching everything, hearing everything, and turning
up when least expected. The glories of the high Tower Bridge, and the
smoky gold of the setting sun will not affect you, for your thoughts
are fixed on prosaic detail. As for green fields and quiet backwaters,
such things do not enter into the vision at all.

Yet for one who sees the Thames thus prosaically, a hundred see it in
a gayer aspect. To many a man it is always summer there, for the river
knows him not when the chill grey days draw in. He sees gay houseboats
in new coats of paint, decorated with scarlet geraniums and other
gaudy plants. He associates the river with "a jolly good time" with a
carefully chosen house-party, with amateur tea-making and an absence of
care. Nowhere else is one so free to "laze" without the rebuke even of
one's own occasionally too zealous conscience.

To another the Thames simply means the Boat Race, nothing more and
nothing less. Year by year he journeys up to London from his tiny
vicarage in the heart of the country for that event. If the high
tide necessitates it, he stands shivering on the brink in the chill
whiteness of early morning. He sits on the edge of a hard wooden cart
for an immense time, and, by way of keeping up his strength, eats an
indigestible penny bun, a thing that it would never enter his head to
do at any other time. He sees here and there one or the other of those
school-fellows or university chums who have dropped out of his life for
all the rest of the year. Then, after a moment's shouting, a moment's
tense anxiety or bitter disappointment, according to the position of
the boats, the flutter of a flag, and a thrill of something of the old
enthusiasm that the unsparing poverty of his life has slowly ground out
of him, he retires to his vicarage again for another year, elated or
depressed according to the result of the race.

To others Henley is the embodiment of all that is joyous; the one week
in the year that is worth counting. But to others, and these a vast
majority of those who know the river at all, the Thames means fresh
and life-giving air after a week spent within four walls. It means
congenial exercise and light, and the refreshment that beauty gives,
even if but half realised. It means a quiet dream with a favourite pipe
in a deep backwater so overhung with trees that it resembles a green
tunnel. The gentle drone of the bees sounds from the banks, there is a
flash of blue sheen as a kingfisher darts by; a gentle dip and slight
crackling tell of another favoured individual making his way cautiously
along to the same sheltered alley; the radiant sunlight falls white
upon the water through the leaves and sends shimmering reflections of
dancing ripples on the sides of the punt. Such a position is as near
Paradise as it is given to mortal to attain.

These are only a few of an inexhaustible variety of aspects of this
glorious river, and each reader is welcome to add his own favourite to
the list.

  [Illustration: PANGBOURNE]

For the purposes of this book we are dealing with the Thames between
Oxford and London, though as a matter of fact, tradition has it that
the Thames proper does not begin until below Oxford, where it is formed
by the junction of the Thame and the Isis. Tamese (Thames) means
"smooth spreading water." Tam is the same root as occurs in Tamar,
etc., and the "es" is the perpetually recurring word for water, _e.g._,
Ouse, ooze, usquebagh. Isis is probably a back formation, from Tamesis.
In Drayton's _Polyolbion_, we have the pretty allegory of the wedding
of Thame and Isis, from which union is born the sturdy Thames.

     Now Fame had through this Isle divulged in every ear
     The long expected day of marriage to be near,
     That Isis, Cotswold's heir, long woo'd was lastly won,
     And instantly should wed with Thame, old Chiltern's son.

In Spenser's _Faërie Queene_ the notion is carried one step further,
and Thames, the son of Thame and Isis, is to wed with Medway, a
far-fetched conceit, for the rivers do not run into each other in any
part of their course.

It is strange that a river such as the Thames, which, though by no
means great as regards size, has played an important part in the
life of the nation, should not have inspired more writers. There is
no striking poem on the Thames. The older poets, Denham, Drayton,
Spenser, Cowley, Milton, and Pope, all refer to the river more or less
frequently, but they have not taken it as a main theme. It is even more
neglected by later poets. There are poems to special parts or scenes,
such as Gray's well-known "Ode on a Distant Prospect of Eton College";
the river colours one or two of Matthew Arnold's poems; but the great
poem, which shall take it as a sole theme, is yet to come. Neither
is there a good book on this river, though it is among rivers what
London is among the cities of men. Yet the material is abundant, and
associations are scattered thickly along the banks. No fewer than seven
royal palaces have stood by the river. And of these one is still the
principal home of our sovereign. Of the others, Hampton Court, chiefly
reminiscent of William III., is standing. The neighbouring palace of
Richmond remains but in a fragment. At London, Westminster, the home of
our early and mediæval kings, has vanished, except for the great hall
and a crypt. Whitehall--the old palace--is wholly gone, though one part
of the new palace projected by James I. remains. As for the old palace
of Greenwich, so full of memories of the Tudors, that has been replaced
by a later structure. I hesitate to name Kew in this list, so entirely
unworthy is it of the name of palace, yet, as the residence of a king
it should, perhaps, find a place.

From the annals of these palaces English history could be completely
reconstructed from the time of Edward the Confessor to the present day.

But it is not in historical memories alone that the Thames is so rich.
Poets, authors, politicians, and artists have crowded thickly on its
banks from generation to generation. The lower reaches are haunted by
the names of Hogarth, Cowley, Thomson; further up we come to the homes
of Walpole, Pope, and Fielding. At Laleham lived Matthew Arnold. Not
far from Magna Charta Island is Horton, where Milton lived. Though his
home was not actually on the river, Milton must have often strolled
along the banks of the Thames, and many of his poems show the impress
of associations gathered from such scenery as is to be found about
Ankerwyke and Runneymead:

     Straight mine eye hath caught new pleasures,
     While the landscape round it measures:
     Russet lawns and fallows gray,
     Where the nibbling flocks do stray.
     Meadows trim with daisies pied;
     Shallow brooks and rivers wide.

From the records of Eton alone many a book might be compiled of the
lives of men in the public eye, whose impressions were formed there by
the Thames side. Indeed, had the river no other claim to notice than
its connection with Eton and Oxford, through which more men who have
controlled the destiny of their country and made empire have passed,
than through any similar foundations in England, this alone would be
cause enough to make it a worthy subject for any book.

Beside palaces and the homes of great men, castles and religious
houses once stood thickly along the banks of the river. The notable
monasteries of Reading, Dorchester, Chertsey, and Abingdon, etc., were
widely celebrated as seats of learning in their day, and the castles of
Reading, Wallingford, and Oxford were no less well known.

It is a curious law in rivers that, as a whole, the windings usually
cover double the length of the direct axis, and the Thames is no
exception to the rule. It sweeps in and out with a fair amount of
regularity, the great bend to the south at Thames Ditton and Weybridge
being reversed higher up in the great bend to the north at Bourne End
and Hambleden. Naturally the sides of these indentations run north and
south instead of in the usual course of east and west. From Wargrave
to Henley the current is almost due north, and likewise from Surbiton
to Brentford. A more apparent curve, because much smaller in radius, is
that at Abingdon; here the course by the stream is about nine miles, in
contrast to the two overland. The Great Western Railway is the chief
river railway, but as it runs a comparatively straight course between
London and Didcot, some places on the great curves are considerably
off the main line, and are served by branches. After Reading it keeps
very close to the river as far as Moulsford, and is not distant from
it the rest of the way to Oxford, as it turns almost direct north from
Didcot Junction. The Great Western Railway is ably supplemented by the
London and South Western Railway, from which the lesser stations on the
south of the river near to London can be reached, also the districts
of Twickenham, Hampton, etc., included in the chapter called "The
Londoners' Zone." Further up, Weybridge, Chertsey, Egham, and Windsor
can also be reached by this railway, which cuts a curve and touches the
river again at Reading.

  [Illustration: DORCHESTER ABBEY]

There are many zones on the river, and each has its devotees. It is
curious to notice how one crowd differs from another crowd on its
"people-pestered shores." It is difficult to draw hard and fast lines,
but taking the boundaries of the London County Council as the end of
London, we can count above it many zones, rich in beauty, divided from
each other by stretches of dulness; for, beautiful as the river is,
it must be admitted parts of it are dull, though, like the patches
on a fair skin, these serve but to emphasise the characteristics
of the remainder. A rather dreary bit succeeds Hammersmith, though
this is not without its own attractiveness, and the first real zone
that we can touch upon is that from Richmond to Hampton, which runs
Maidenhead hard for first place in popularity; but the Richmond and
Hampton river people are largely recruited from the inhabitants, while
those at Maidenhead are mostly visitors. Passing over the waterworks
and embankments above Hampton, we begin another zone, much less known
because less accessible, but in its own way more attractive than that
of Richmond. It is pure country, with green fields, willow trees, cows
grazing on the banks, many curves and doublings in the channel of the
main stream, and ever varying vistas, and this continues to beyond
Weybridge. About Chertsey the scenery is flat, but Laleham and Penton
Hook are two places that annually delight hundreds of persons.

Between Staines and Windsor there is a fairly attractive stretch, with
the park and woods of Ankerwyke on one side, and the meadows on the
other. High on the south rises Cooper's Hill, and beyond Albert Bridge
we see the smoothly kept turf of the Home Park.

Windsor and Eton, of course, will require a chapter to themselves. In
this general description it is sufficient to say that the influence
of Eton is apparent all the way to Bray. Then we start a new zone, the
most popular one on the river, that from Maidenhead to Bourne End. Of
the delights of this beautiful and varied section it is unnecessary
here to speak. But the Maidenhead reach is spoilt for fastidious people
by its too great popularity. To those who love the river for itself,
the endless passing and repassing, the impossibility of finding quiet,
undisturbed corners, the noise and merrymaking, even the sight of too
many fellow creatures, is a burden. From this the part above Marlow is
protected by being less accessible. It is too far to be reached easily
from Maidenhead, and those who come by train have an awkward change at
a junction; therefore the crowd finds it not. Yet the beauties are no
less admirable than those of the adored Maidenhead.

At Hambleden the influence of Henley begins to be felt, and above
Henley we enter on another zone. Nowhere else on the river are to
be found so many fascinating spots lying in the stream; certainly,
no other part offers so many tempting backwaters. This is the zone
for those who love the country pure and simple, and who can put up
cheerfully with the inconveniences attendant on the procuring of
supplies, for the sake of the quiet, marshy meadows.

The reach includes Sonning with its two bridges, its islands, and its
rose-garden; but beyond Sonning dulness is apparent once more, and
with the neighbourhood of the great and smoky town of Reading, charm
withers. It is not until Mapledurham that the prettiness of the river
becomes again apparent, and Mapledurham is rather an oasis, for in
the reach beyond it, though the great rounded chalk hills grow opal
in the sunlight, and the larks sing heavenwards, the attractiveness
cannot be called beauty. From Pangbourne and Whitchurch to Goring and
Streatley, the river lies beneath the chalk heights, which seem to dip
underground, reappearing on the other side by Streatley; and the whole
of the stretch, with its rich and varied woods, its delightful islands
and weirs, its pretty cottages and churches, is full of charm.

  [Illustration: DAY'S LOCK]

Beyond Cleeve Lock, with the single exception of Mongewell, there is
again dulness, though for boating pure and simple the reach is very
good. Wallingford has a trim prettiness of its own, with its clean-cut
stone bridge and its drooping willow. Park-like grounds and pleasant
trees succeed, Sinodun Hill looms up ahead, and one may penetrate up
the Thame to Dorchester, where the willows nearly meet overhead. Day's
Lock still belongs to the clean prettiness of the Wallingford stretch,
which, in fact, continues all the way to Culham, notwithstanding that
we pass the much admired Clifton Hampden, where the church stands high
on the cliff. Culham itself is dull, but with the pretty backwater of
Sutton Courtney we begin a new kind of scenery. Abingdon has something
of its richness and profusion, and Nuneham Courtney woods, though not
rising so abruptly as those at Clieveden, are glorious. After this
we begin the famous meadows that continue more or less all the way to
Oxford, and have a fascination of their own.

The best way to see the river as a whole, for those who can spare the
time, is to go on Salter's steamers, which run daily, Sundays excepted,
during the summer. The fare one way is 14s., exclusive of food, and the
night spent _en route_. The trip takes two days, the steamer leaving
Kingston at 9 in the morning, and reaching Henley at 7.15 in the
evening. The reverse way, it leaves Oxford at 9.30, and reaches Henley,
which is about half-way, at 7 in the evening.

In this rough sketch it has been shown that there is no lack of choice
for those who seek their pleasure on the river, and the opportunity
meets with full response. Seen in sunshine on a summer morning,
especially if it be the end of the week, the river is brilliant. The
dainty coloured muslins and laces, the Japanese parasols, the painted
boats, the large shady hats, the sparkle where the oars meet the
water, and the white sails of the sailing boats bellying in the wind,
are only a few items in a sparkling picture. Fragile, yellow-white
butterflies and the richer coloured red admirals hover about the banks;
purple loose-strife, meadow-sweet, and snapdragon grow on the banks
with many a tall gaudily coloured weed. Here and there great cedars
rise among the lighter foliage, showing black against a turquoise sky;
while on the water, where the wind has ruffled it, there is the "many
twinkling smile" ascribed by Æschylus to the ocean. But, to those
who know the Thames, this smiling aspect is not the only lovable one:
they know it also after rain, when the water comes thundering over the
weirs in translucent hoops of vivid green, and the boiling foam below
dances like whipped cream. To walk along the sedgy banks is to leave
a trail of "squish-squash" with every step. All the yellow and brown
flat-leaved green things that grow thickly near the edges are barely
able to keep their heads above the stream, and the long reeds bend with
the current like curved swords. Every little tributary gushes gurgling
to join in the mad race, and the sounds that tell of water are in our
ears like the instruments in an orchestra. There are the rush, the
dip, and the tinkle, as well as the deep-throated roar. Watching and
listening, we feel a strange sympathy with the new life brought by
the increased current; we feel as if it were flooding through our own
veins, and as if we, like the squirming, wriggling things that live
in the slime below the flood-curtain, were waking up anew after a long
torpor.

  [Illustration: NEAR THE BRIDGE, SUTTON COURTNEY]

Even in late autumn, when the slow, white mist rises from the marshy
ground, and most of the birds are gone; when the eddies are full of
dead leaves floating away from the wood where all their sheltered
lives have been spent; when the sparkle and the gaiety and the
light-heartedness are gone, and the water looks indigo and dun, with
patches of quicksilver floating on it; when the great webs of the
spiders that haunt the banks hang like filmy curtains of lace heavy
with the moisture of the air, and the sun sinks wanly behind a bank of
cloud--even then the river may be loved.

Assuredly, those who go on the river for the day only, and know it but
under one aspect--that of lazy heat--lose much. In the evening time, as
one steps from the long French window into the scented dusk, soft white
moths flap suddenly across the strip of light, and one's feet fall
silently on the velvet turf, cool with the freshness that ever is on
a river margin. Down by the edge the black water hurries swiftly past
with a continuous soothing gurgle. A sleepy bird moves in a startled
way in a bush, and all the small things that awake in the night are
stirring. One can reach down and touch the onyx water slipping between
one's fingers like dream jewels; and far overhead in the rent and torn
caverns of the clouds, the stars, bigger and brighter than ever they
look in London, sail swiftly and silently from shelter to shelter. The
plaintive cry of an owl sounds softly from the meadow across the water,
and there is an indescribable sense of motion and poetry, and a thrill
of expectation that would be wholly lacking in a landscape ever so
beautiful, without the river.

Then there are the grey days, when sudden sheens of silver drop upon
the ruffled water as it eddies round a corner, and in a moment the
surface is peopled with dancing fairies, spangled and brilliant,
flitting in and out in bewildering movement. Or the same cold, silver
light catches the side of a ploughed field, a moment before brown,
but now shot with green as all the long delicate blades are revealed.
These, and a thousand other delights, cannot be known to the visitor
of a day only. Under all its aspects, in all its vagaries, the river
may be loved; and in the swift gliding motion there is an irresistible
fascination. It gives meaning to idleness, and fills up vacancy. By the
banks of the river one never can be dull.

The river is one of the greatest of our national possessions. Other
rivers there are in England where one may boat on a small part, where
here and there are beauty spots; but the Thames alone gives miles of
bewildering choice, and can take hundreds and hundreds at once upon
its flood. Now embanked and weired and locked, its waters are ideal for
boating, and its fishing, with little exception, is free to all.

Shooting on the banks of the Thames is forbidden, and the birds have
quickly learned to know their sanctuary. Lie still for a while in the
lee of an osier-covered ait, or beneath the shelter of an overhanging
willow, and that cheeky little reed-bunting will hop about so near,
that, were you endowed by nature with the quickness of movement granted
to a cat, you could seize it in one hand. White-throats, robins,
thrushes, blackbirds, all haunt the stream, and reed warblers and sedge
warblers have their haunts by the banks. The kingfisher is rapidly
increasing, and makes his home quite close to the locks and weirs; the
russet brown of his breast, as he sits motionless on a twig waiting his
time for a dart, may now be seen by a noiseless and sharp-eyed watcher.
The soft coo of the wood pigeons sounds from tall trees, and the cawing
of the rooks, softened by distance into a melodious conversation, is
wafted from many a rookery. The chatter of an impudent magpie may worry
you, or the hoarse squawk of a jay break your rest, but they are only
the discords that the great musician, Nature, knows how to introduce
into her river symphony.

  [Illustration: STREATLEY INN]

Hotels on the river have, in the last few years, awakened to the cry
of the middle classes for air and light, and yet more air. Some of
the hotels are pretty with verandahs and creeper covered walls, but
others are old-fashioned--with low rooms. Yet every proprietor who can
by hook or crook manage it, now runs a lawn of exquisite turf down to
the water's edge, decorates it with flowers far more vivid than can
be seen elsewhere, and knocks up a bungalow-like building, terribly
desolate in the winter when the green mould creeps insidiously over
the wooden posts, and the sail-cloth rots in the damp; but airy and
commodious in the summer, when relays of fifty people or more may be
seated at a time, and yet there is no satiating smell of cooked food.
The boat owners have also seen fit to accommodate their convenience to
the demand, and at any large builder's landing-stage, boats may now be
hired to be left almost anywhere on the river, to be fetched back by
the owner.

Pessimists say that the river is losing its charm, that the advent of
motor cars, stirring in people a hitherto dormant love of speed, makes
the slow progress of punting a weariness instead of a relaxation. But
this is not greatly to be feared. The charm of a motor is one thing,
the charm of the river another; and we cannot spare either. Crowds may
slightly diminish, but this is no loss, rather a gain to the real river
lover.

Thames gardens are peculiar. By the nature of the case they must be far
more public than ordinary gardens, for the owner's reason for buying
the house was that he wanted to sit on his own green turf and see the
river flow endlessly past. Therefore, though he may hedge around the
three land sides with high walls and impenetrable thorns, he leaves
the fourth side open so that all the world may look. No one has yet
been clever enough to invent a screen that shall be transparent on
one side and opaque on the other, and until they do, the owners of
these beautiful river lawns must sit in the full light that beats upon
the river banks, and allow every passing stranger who has raked up a
shilling to hire a boat, to enjoy the beauties of a garden he has not
paid for. Thames lawns are celebrated, and rightly so. Not even the
turf of college quads, grown for hundreds of years, can beat their
turf. Thick, smooth, closely woven they are, and above all, of a pure
rich green that is a delight to see, and, by way of enhancing this
marvellous green, the colour which is most often to be seen with it is
its complementary colour, red. Whether the effect is obtained merely
by contrast I do not know, but certainly it seems as if nowhere else
could be found geraniums of so rich a vermilion, roses of so glorious
a crimson. In many of these river gardens, too, especially where a
little stream trickles down, a light trellis arch is thrown up and
covered with Rambler roses, old rose in colour, and only second to the
vermilion as a complement to the green lawn.

Two of these gloriously green lawns I have particularly in mind, one at
Shepperton, and one near Thames Ditton, but where they are to be seen
so frequently it is invidious to particularise.

These are the private gardens of a grand sort, and no whit less
beautiful, though without the same expanse of lawn, are the gardens of
the lock-keepers, in which the owners take a particular pride.

     Soon will the musk carnations break and swell,
     Soon shall we have gold-dusted snapdragon,
     Sweet-william with his homely cottage smell,
     And stocks in fragrant blow;
     Roses, that down the alleys shine afar,
     And open, jasmine-muffled lattices.
                                   --_M. Arnold._

But in taking count of Thames's decorations we are not confined to
gardens. Among the flowers growing wild on the river banks we have
no lack of choice. It is a pretty conceit of Drayton's, to make his
bridal pair, Thame and Isis, travel to meet one another along paths
flower-decked by willing nymphs. Old Thame, as the man, was to have
only wild flowers, not those "to gardens that belong":

     The primrose placing first because that in the spring
     It is the first appears, then only flourishing,
     The azured harebell next, with them they neatly mix'd,
     T'allay whose luscious smell, they woodbind plac'd betwixt.
     Amongst those things of scent, there prick they in the lily;
     And near to that again her sister daffodilly.
     To sort these flowers of show with th' other that were sweet
     The cowslip then they couch, and th' oxlip, for her meet,
     The columbine amongst they sparingly do set,
     The yellow king-cup wrought in many a curious fret,
     And now and then among, of eglantine a spray,
     By which again a course of lady smocks they lay
     The crow flower, and thereby the clover-flower they stick.
     The daisie over all those sundry sweets so thick;

       *       *       *       *       *

     The crimson darnel flowers, the blue-bottle and gold
     Which, though esteemed but weeds, yet for their dainty hues
     And for their scent not ill, they for this purpose choose.

The "luscious smell" cannot refer to the harebell, which has a very
faint perfume; besides, it is difficult to think of the harebell in
this connection, for it is a full summer flower, while all the rest
belong to spring: Drayton must, therefore, mean the wild hyacinth,
which is still often called the bluebell by people in England, though
in Scotland this name is correctly reserved for the harebell. The
"luscious smell" exactly describes the rich, rather cloying scent of
the hyacinth. There has been some discussion as to what is meant by the
eglantine, which the old poets are so fond of mentioning. In Milton it
means the honeysuckle, but in the others probably the sweetbriar; while
woodbine is either the twining clematis, the "traveller's joy"--rather
a misnomer, by-the-way, as it is an insignificant and disappointing
flower--or the honeysuckle.

Isis was gay with garden flowers:

                 ... The brave carnation then,
     With th' other of his kind, the speckled and the pale,
     Then th' odoriferous pink, that sends forth such a gale
     Of sweetness, yet in scents as various as in sorts.
     The purple violet then, the pansy there supports
     The marygold above t' adorn the arched bar;
     The double daisie, thrift, the button bachelor,
     Sweet-william, sops-in-wine, the campion, and to these
     Some lavender they put with rosemary and bays.

To make a catalogue of the flowers which may be found on the Thames
banks at the present day would be out of place here, yet there are
one or two plants so frequently seen that they may be mentioned.
Among these are the purple loose-strife, with its tapering, richly
coloured spikes, standing sometimes as high as four feet, and
occasionally mistaken for a foxglove; the pink-flowered willow-herb;
the wild mustard or cherlock, with its sulphur yellow blossoms, and
creeping-jenny. The bog-bean, or buck-bean, with white lace-like
flowers may be seen occasionally in stagnant swamps. The water-violet,
which, however, is not in the least like a violet, is also to be
found in the tributary ditches, as well as the tall yellow iris;
the flowering rush and the bur-reeds often form details in a river
picture. In the lock gardens herbaceous borders, full of phlox,
sweet-william, stocks, valerian, big white lilies, and, later, red hot
pokers, sunflowers, and hollyhocks, are ordinary sights. In the meadows
near Oxford fritillaries, otherwise called snakes'-heads, are seen
abundantly in spring, but these and other flowers shall be mentioned
more particularly in connection with the places where they grow.

It remains but to end with the aspiration of Denham:

     O could I flow like thee, and make thy stream
     My great example as it is my theme!
     Though deep, yet clear; though gentle, yet not dull;
     Strong, without rage; without o'erflowing full.




CHAPTER II

THE OXFORD MEADOWS


  [Illustration]

This account of the river may well begin at Folly Bridge, seeing it
is folly in any case to attempt to cut off a section of a river, and,
as before explained, our course from Oxford to London is peculiarly
arbitrary, for the Thames proper does not begin till below Dorchester,
and at Oxford the river is the Isis. Having thus disarmed criticism,
without further explanation or apology, we stand upon Folly Bridge,
which is a little way above the end of the course for both Torpids and
Eights.

To the left are the college barges, resplendent in many colours, with
their slender flagstaffs rising against a background of the shady trees
that border Christchurch meadows. The reach of water beside them is
alive with boats, and the oars rise and dip with the regularity of the
legs of a monster centipede. The barges should be seen in Eights week,
when they are in their glory, occupied by the mothers, sisters, and
aunts of the undergraduates, dressed in costumes that in mass look like
brilliant flower-beds.

To see the bridge properly, however, it is necessary to go down to
the tow-path and look back at it, when its quaint, foreign appearance
can be better estimated. It stands across an island on which is the
renowned Salter's boat-house, and its solidity and the tall houses near
it, which throw black shadows in the yellow sunlight, make it look not
unlike a corner in Venice.

Following the river down, we see on the Oxford side the narrow mouth
of the meandering Cherwell under a white arched bridge. The most
delightful place for "lazing" in a boat is the Cherwell, shady and not
too wide; deliciously cool in the height of the summer, so rich is the
foliage of the over-arching trees. Lower down is the New Cut, destined
to relieve the Cherwell of its superfluous water in flood time and so
prevent the flooding of the Christchurch meadows. Opposite the mouth
of the New Cut is the University Boat-house, and further down, where
a branch of the river runs off to the right, are the bathing places.
This branch is crossed by a bridge, and it makes the next strip of land
an island. The place is known as the Long Bridges. The river narrows
at the point, and the narrowed part is called The Gut; just below a
tributary from the Cherwell, known as the Freshman's river, dribbles
into the Thames. It is at The Gut that the most exciting scenes in the
races generally happen. As everyone knows, Torpids are in the fourth
and fifth weeks after the beginning of the Lent term, and as they
are not of so much importance as the Eights, and as the weather does
not lend itself to open-air festivities, they are generally watched
only by a shivering handful of spectators who have a more or less
personal interest in them. The Eights, which take place in the middle
of the summer term, are the event of the year to Oxford, and intensely
exciting they may be. The lowest boat starts from the lasher above
Iffley, and the course ends at Salter's Barge. But the crux of the
whole matter often lies in The Gut, and much depends on the ability of
the cox to steer a clean course, as to whether his boat is bumped or
bumps. As the boats in cutting the curve below this crucial point come
diagonally at it, disaster here often overtakes a crew which has before
been doing well. The aforesaid narrow channel from the Cherwell is
navigable only in a canoe and by good luck; but the tale is told that
one cox, in his first year, being excited beyond reason, mistook it for
the main channel, and, steering right ahead, landed his crew high and
dry on the shoals. Hence the name, the Freshman's river.

  [Illustration: IFFLEY]

Here are two pictures, taken from life, which express the difference
between the two occasions:

     The Eights: Brilliant blue sky above, glinting blue water
     beneath. Down across Christchurch meadow troops a butterfly
     crowd, flaunting brilliant parasols and chattering gaily
     to the "flannelled fools" who form the escort. Despite
     the laughter it is a solemn occasion, for the college boat
     that is head of the river may be going to be bumped this
     afternoon, and, if so, the bump will surely take place in
     front of the barges. The only question is, before which
     barge will it happen? When the exciting moment draws near,
     chatter ceases, a tense stillness holds the crowd in thrall;
     the relentless pursuers creep on steadily, narrowing the
     gap between themselves and the first boat, and finally bump
     it exactly opposite its own barge! A moment's pause. The
     completeness of the triumph is too impressive to be grasped
     at once; then--pandemonium! Pistol-shots, rattles, hoots,
     yells, shrieks of joy, wildly waving parasols, and groans.

       *       *       *       *       *

     The Torpids: A raw cold February day; a leaden sky heavy with
     snow; dimly seen figures scudding over the frozen meadows
     of Iffley; the river itself is almost frost-bound, and the
     men waiting in the boats for the starting gun look blue
     and pinched. They must find these last ten seconds hard to
     endure. Nine, eight, seven, six--ugh! will it never go? At
     last! And, as the signal sounds, the oars strike the water
     with a splash, and the boats shoot off and begin the long
     tussle against a head wind and that strong stream which
     always makes the Torpids a harder matter than the Eights
     rowed in summer water. It is too late to follow them, so
     heigh-ho for the King's Arms Hotel at Sandford, and a cup of
     the good hot tea that the landlady knows so well how to make!

The channel running past the bathing places is equally unsuited
for navigation, and is moreover guarded by two mills, but it may be
negotiated with the aforesaid element of good luck. Hinksey Stream
flows into this backwater, and there are several places, after shoals
have been avoided or surmounted, where it is extremely pleasant to
while away an idle hour. By means of the Long Bridges and the lock
at Iffley it is possible to get across the river from side to side
diagonally. Passing on down stream we soon come to Iffley. In the
meantime we can see many of the pinnacles and spires and domes for
which Oxford is famous, and marvellous is the way in which they appear
to swing round as we change our position. The part of new Oxford which
lines the Iffley road behind the meadows is not attractive, but when
we come in sight of Iffley itself we may well exclaim that it would be
hard to find a sweeter spot. There are stone walls, thatched cottages
and farmyards, hay and orchards, elms, alders, and silver-stemmed
birches; in consequence a quiet, rural atmosphere broods over all.
The cows feed down to the edge of the river, and swallows dart about
overhead, while perhaps a man paddling a canoe shoots up and away
again, his white flannels and the strength and grace of his movement
irresistibly recalling a swan. The mill, half stone, half wooden cased,
is very ancient; the massive foundations have become like rock from
their long immersion in the running water. There is a great quiet pool
behind the lock island, and here and there a glimpse may be caught of
the square tower of the famous church, which is not far off, but is
well hidden by trees.

Iffley Church takes rank with Stewkley as the most beautiful example
of a Norman church remaining to us out of London. It is, like so
many Norman churches, very small and very solid. And it must yield
to Stewkley in the fact that its architecture is not pure. Yet its
massive central tower and its fine windows place it very high indeed.
Its date is not certainly known, but is supposed to be between 1160 and
1170. "The interior seems at first sight curious. There are, in fact,
two chancels, one behind the other. The further one is early English
work, and is much lighter in style than the rest of the building, and
the east end is disappointing. This may have been added to lengthen
the church. In the bay next to it, where the choir now sit, there are
fourteenth century windows inserted under Norman arches, showing that
the walls were of the earlier date. These windows were added by John de
la Pole, Duke of Suffolk, in the latter half of the sixteenth century.
There is a groined roof, and the piers are beautifully decorated. The
arches supporting the tower are richly moulded, almost incongruously
so in regard to the massive type of the masonry, which points to early
Norman. The Perpendicular windows inserted in the north and south walls
are good. It is only at the extreme west end that the Norman windows
remain untouched. The font is of black marble, and is very curious.
The triple west-end window, a splendid specimen, is best seen from
the churchyard. Its moulding is very rich, and this alone would be
sufficient to make Iffley rank high among ancient churches. Below it is
a circular window inserted about 1858 on the supposed plan of a former
one of which traces were found. The impossibility of approaching the
style of the old work in modern times was never more strikingly shown.
Below is a fine doorway with beak-head and billet moulding, worthy to
be classed with the triple window. A very ancient yew stands on the
south side of the church, and near it is the slender shaft of an old
cross. The rectory house, dating from Tudor times, is a fine addition
to the picturesque group."--_Guide to the Thames._

Between Iffley and Sandford the famous Oxford meadows are seen at their
best. In the summer they are gemmed with countless flowers, so that
they rival the celebrated Swiss pastures. Prominent among these is the
fritillary:

     I know what white, what purple fritillaries
     The grassy harvest of the river-fields,
     Above by Ensham, down by Sandford yields,
     And what sedged brooks are Thames's tributaries.
                                       --_M. Arnold._

Mr. G. Claridge Druce, the well-known botanist, who has made a special
study of the Thames Valley and Oxfordshire, says:--"The Thames from
Oxford to Sandford flows through meadows rich with fritillaries,
its banks are bordered with the sweet-scented Acorus, and its waters
are inhabited by Potamogeton prœlongus, flabellatus, and compressus,
Zannichellia macrostemon, Œnanthe fluviatilis, &c., and near Sandford
appears, for the first time in the river's course, the lovely Leucojum
æstivum." This is the flower better known as the summer snowflake,
which we shall meet again. The above are only a tithe of the flowers
which Mr. Druce mentions. Among others which may be recognised are the
yellow iris, the cuckoo flower, the water villarsia, the purple orchis,
and the willow weed. In the spring the marsh mallow is the first to
appear with a vivid glory as of sunshine. The banks are flat and low,
and, except for the flowers, uninteresting; nevertheless this is a
useful part of the river, especially for sailing. Some college fours
are rowed here. Passing under the railway line we see the pink-washed
walls of the Swan Hotel, which stands on Kennington Island, connected
with the mainland by a bridge; and then we come to Sandford itself,
with charms almost as great as, though entirely different from, those
of Iffley. The approach is disappointing. The tall mill chimney and
the new brick houses are bare and ugly. The mill is a paper mill, and
supplies the Clarendon Press. It stands close to the old-fashioned
and pretty hotel, so completely ivy-covered that even one of the tall
chimneys is quite overgrown. When close to the lock the mill is not
noticeable and has the advantage of affording some shelter. As at
Iffley, one can get right across from bank to bank by means of bridges,
a most charming method that might well be adopted in other parts of
the river. Indeed, near Oxford one great delight is the freedom from
interference. Everyone is allowed full liberty; you may ride your
bicycle along the tow-path, take it across locks, or even walk it by
the side of the meadows, without any rebuke. Having put up a notice
that they are not responsible for the condition of the tow-path and
that people use it at their own risk, the Conservancy leave the matter
alone. The islands at Sandford are rather complicated, and there are a
couple of weirs, beneath which the water frills out over mossy stones
into deep, shady pools. The fishing here is as good as any on the
river. The Radley College boat-house and bathing place are near the
lower pool, the college itself being rather more than a mile away. In
spring these pools, with their broken banks of brown earth and their
masses of scented white hawthorn, are most beautiful. The shy white
violets hide in the grass near the weirs, and are found by only a few
who know where to seek them.

  [Illustration: RADLEY COLLEGE BOAT-HOUSE]

In the Oxford zone we must include the woods at Nuneham Courtney,
which, by the courtesy of the owner (Aubrey Harcourt), are open to
undergraduates all Commemoration week and twice a week in the summer
term; while the general public, after writing in advance, are allowed
to picnic at the lock cottages two days a week from May to September.
The Nuneham woods are on a ridge of greensand, and though they are
not so high or at such a striking angle as those of Clieveden, they
certainly have quite as great a charm. Anyone is allowed to walk
through the park if it be approached from the road, but bicycles are
not permitted. The lock cottages, which are a popular resort in the
summer, stand beside a pretty wooden bridge which connects the islands
with the mainland. Masses of wild roses and flowering clematis add
their delicate touch to the beauty of the overhanging trees. Close
by the water is the Carfax monument, a conduit or fountain erected
by Otho Nicholson, who set it up at the place still called Carfax in
Oxford, whence it was removed to its present position in 1787. The
woods contain nothing very striking in the way of trees, though all
the commoner sorts, the beeches, oaks, horse-chestnuts, and so on, are
well represented. There are about 400 acres of wood, which surround the
park, where the oaks show well, standing apart from each other.




  [Illustration]




CHAPTER III

THE OLD TOWN OF ABINGDON


As a headquarters for boating, for those who want to dawdle and
explore odd corners and have no desire to rush through as many locks
as possible in a day, Abingdon makes a good centre. It is within
easy reach of the part lying below the woods at Nuneham, and in the
other direction is the Sutton Courtney backwater, which, Wargrave
notwithstanding, is not to be beaten on the Thames. Further down
again is Clifton Hampden, which attracts many people, and the river
at Abingdon itself is by no means to be despised. The bridge, called
Burford Bridge, is a real delight. It is old and irregular, with
straggling arches, some rounded, some pointed; and all, even the
highest, comparatively low down over the water, framing cool, dark
shadows within the embrace of the mighty piers. The bridge cannot be
seen in the glance of an eye. It is very long, and rests partly on an
island. Standing on this, the Nag's Head Inn projects from one side
of the bridge, and from it stretches out a small garden with several
orchard trees. The red tiles and creamy tint of the hotel walls show
well in contrast with the grey stone of the bridge, and when the hotel
is seen from the river above the bridge, with the tall spire of St.
Helen's Church rising behind it, it is worth noticing.

  [Illustration: ABINGDON]

There are bits of old wall lining the bank on the town side, and ivy
grows freely over them. Many of the houses stand back from the water;
a part of the ruined abbey and the long range of the abbot's residence
can be seen between masses of blossom. The great exterior chimney
of the abbey buildings should particularly be noticed. The blossom
at Abingdon is a great feature, and one not to be found everywhere.
Horse-chestnuts and holm oaks dip their boughs in the water, and
from the branches arises a perfect chorus of birds. Abingdon has its
chimneys, of course, as well as hideous buildings suited to modern
requirements of business, but in the general view these things are lost
sight of.

Burford is a corruption of Borough-ford, and before the building of the
bridge in the fifteenth century, the ferry at Culham was the main means
of communication with the other side of the river.

The range of Nuneham, below which runs the backwater called the Old
River, can be seen to the south-east. If this ever was the main stream
it must have been very long ago, for the memory of it is not recorded
in any document now extant. The Old River is crossed by another bridge,
and the two are linked by a straight road, made by Geoffrey Barbour
at the same time as the building of the bridges. There is a picture of
Barbour in the almshouses, and this shows the bridge being built in the
background; while an illuminated copy of verses tells us:

     King Herry the Fyft, in his fourthe yere,
     He hath i-founde for his folke a brige in Berkschire,
     For cartis with cariage may go and come clere,
     That many wynters afore were mareed in the myre.
     Culham hithe [_wharf or landing_] hath caused many a curse,
     I-blessed be our helpers we have a better waye,
     Without any peny for cart and for horse.

Below Burford Bridge, the great bur-reeds grow near the islands.
There is one delightful old house, formerly a malt house, with all
sorts of odd angles and corners. It encloses a small terraced court,
from which steps lead down to the water. It stands on the site of St.
Helen's nunnery, founded about 690. Further on are some of the newer
almshouses--a blot on the scene; and then a glimpse may be had of the
wooden cloister of the old almshouses, which, in their way, are as
pretty as those at Bray.

Christ's Hospital, as the almshouses are called, was founded in the
reign of Edward VI. out of lands belonging to a dissolved Guild of
the Holy Cross. The central hall dates, however, from 1400. It has a
stone mullioned window and panelled walls; in the ceiling is a dome or
cupola. Once a week eighty loaves of bread are here distributed among
the poor people of the town, and when the loaves, with their crisp,
flaky, yellow crust, stand in piles on the polished oak table, and the
poor old people gather for their share, there is an old-world touch
in the picture such as one does not often see nowadays. The cloister
or arcade of dark wood outside is decorated with texts and proverbs
on its inner wall. The newer almshouses, built in 1797, lack all the
homeliness and interest of the older ones. The church of St. Helen's,
which has a very tall spire, is close to the almshouses and the river,
and is well worthy of its position. It has been much restored, but is
mainly of sixteenth century work.

  [Illustration: THE MILL AT ABINGDON]

Of course there was an abbey at Abingdon, though whether the name
of the town arose from that fact or from a proper name Aben or Æbba
is doubtful. The earliest name of the town was the unpronounceable
one of Seovechesham, and it was then a royal residence. The abbey
was founded by Cissa about 675. It was destroyed by the Danes and
reconstructed long before most places on the river had begun to have
any history at all. The abbey rose to great importance and wealth. It
held manors innumerable, and its abbot was a person to reckon with.
Even at the date of Domesday Book the abbey held no less than thirty
manors. But its power did not save it, and it suffered the common fate
at the Dissolution. A gateway of about the fourteenth century and some
ruins, which show where the dwellings of the monks stood, are all that
remain, beside the guest-chamber--a large, barn-like building--and
the almoner's residence. The latter has a magnificent fireplace and
chimney. The ceiling of the room below is groined, and looks like
that of a crypt, but this is said to have been the kitchen. The chief
feature of interest is the huge chimney, which is like a room, and
has little windows on each side; its size is best appreciated from the
exterior view. The church has quite disappeared, for the little ancient
church near the gateway was not the abbey church, but is supposed to
have been at first a chapel of ease. In this there is some Norman work,
including the west doorway, and it is probably of quite as ancient
lineage as anything now remaining of the abbey.

Henry I. was sent by his father, as a lad of twelve, to be educated
at Abingdon Abbey, and the learning by which he gained the name of
Beauclerc shows that there must have been some able men here. The town
hall in the market place at Abingdon is really a fine bit of work. It
has been attributed to Inigo Jones, and stands over an open arcade,
according to the style of town halls of the seventeenth century. The
lock is a good way above Abingdon, and from it the millstream, as usual
a pleasant backwater, flows right back to the town, enclosing a large
island.

  [Illustration: SUTTON COURTNEY BACKWATER]

The lock at Culham is one of the least interesting on the river, and of
the hundreds who pass through it only a few know that they are close
to the very prettiest backwater on the Thames, namely Sutton Pool.
There is one backwater at Sutton Courtney which can be reached from
above Culham Lock. This leads to the mill, now disused, and runs along
the top of the numerous weirs that pour into Sutton Pool itself. It
is pretty also, and it is pleasant to see the meadows where the cows
stand knee-deep in flowering plants, and the little square tower of
the church peeping through the trees. This backwater is the best for
landing to go to the village. Along the top of the weirs runs a path--a
public right-of-way--which leads across the fields to Culham Lock, and
anyone may land here and look down upon the pool; but to get right into
it the lock must be passed, and some way further, after going under
the bridge, we can turn the corner of a large island and retrace our
way upstream until we come into the great pool, with its miniature
bays and tumbling water. The weirs are high, and the streams come down
with force, making a restless heave and swell when the river is full.
The little tongues of land that divide one bay from another are shaded
by willows, and the lush green grass grows here and there around tiny
beaches of white sand. In spring, masses of hawthorn, "all frosted"
with flowers, bend down from above, and the wild hyacinths break up
between the blades of grass. Tall reeds form tiny islets, and perhaps a
little moorhen flaps out. It is in secluded places like this that the
dainty nest of the reed-warbler may be seen, swinging so lightly upon
its supports that it is extraordinary to think that so large a bird as
the cuckoo should dare to deposit its egg there. Yet reed-warblers and
sedge-warblers are both among the cuckoo's victims. Unfortunately, in
this little paradise landing is everywhere strictly forbidden, but no
one can forbid enjoyment of the beauties which appeal to sight.

  [Illustration: CLIFTON HAMPDEN FROM THE BRIDGE]

The village of Sutton Courtney is certainly worth visiting. The village
green, with its tall chestnuts, limes, and elms, is the very picture of
what a green should be. The church is particularly interesting, for it
is that rarity an unrestored building, with the old red-tiled floor and
the rudeness of the original--so often smoothed away behind stencilling
and paint--still left untouched. There is a shelf of chained books,
a fine carved screen, and an altar-tomb of some interest. The manor
house, which is not far off, is in a medley of styles, ranging from
Norman to Jacobean. Malefactors are said to have been hanged from the
stout oak beam which is still in good preservation. One wing is of
perfect Jacobean work, with an overhanging storey decorated with carved
pendants. A fine old building, half-way up the village, is called the
Hall of Justice; this, however, may have a meaning less obvious than
supposed at first sight, as the family of Justice held the manor for
some generations.

In it there is a fine old Norman doorway. The owner has furnished the
interior with tapestry hangings, etc., somewhat in accordance with what
it may have looked like originally when in use. It certainly gives one
an idea of the old Saxon or Norman style of dwelling before even the
upper chamber or _solar_ came into fashion.

The river at Clifton Hampden is not a couple of miles from the river
at Nuneham Courtney, so great is the loop by Abingdon. It may be noted
that the name Courtney, though spelt differently, is derived from the
ownership of the Courtenays, Earls of Exeter, in both the instances
above. Clifton Hampden is a great favourite with artists, for the
church, with its little, pointed spire, stands on a cliff which has
in parts broken away, showing the rich yellow ochre of the soil. This
makes up well in a "composition." The river sweeps round beneath it
in a sort of little bay, and when white ducks dabble in the water and
blue-pinafored children play beneath the yellow-ochre cliff, there is
much to be said for it. The houses, too, are not without points. They
are mostly thatched, and have their share of plants and creepers. The
bridge is of red brick, and, with a little toning by weather, will
make a capital accessory. But to my mind Clifton Hampden lacks that
indefinable quality of charm found in such abundance elsewhere.

  [Illustration: CLIFTON HAMPDEN]




  [Illustration]




CHAPTER IV

SINODUN HILL AND DORCHESTER


The island near Day's Lock, lying beneath the Wittenham Woods and
Sinodun Hill, is particularly well kept and neat, and, in summer,
bright with flowers. Standing on the end of the lock-keeper's island
you can look straight up the weir, below which the river drifts away on
each side of the island.

On the right bank, raised slightly above the river, is the church of
Little Wittenham, with a long, narrow bastion turret adhering to its
tower. Inside there is a handsome monument, one of those legacies from
the ages that prove long descent. A warm belt of Scotch firs grows
near.

Wittenham Woods lie under the shelter of the hill and close to the
life-giving water. The trees grow well and form a home for countless
birds of all kinds. "The hobby breeds there yearly. The wild
pheasant, crow, sparrowhawk, kestrel, magpie, jay, ring-dove, brown
owl, water-hen (on the river-bounded side); in summer the cuckoo and
turtle-dove are all found there, and, with the exception of the pigeons
and kestrels, which seek their food at a distance during the day, they
seldom leave the shelter of its trees."--_C. J. Cornish._

  [Illustration: COTTAGES, DORCHESTER]

Sinodun Hill, and its companion, Harp Hill, which is as like it as
one twin to another, are sometimes called Wittenham Clumps. They are
remarkable and conspicuous objects, rising abruptly and evenly from a
very flat district, and they can be seen from many miles around, and,
what is more curious, can be recognised. The smooth, rounded cone is so
symmetrical that, whichever way you look at it, it seems the same, not
changing its shape in the bewildering way of most hills; and the clump
of trees placed so exactly on its crown is an unfailing river-mark.
Sinodun is about 250 feet in height, and on it is a British earthwork,
a triple line of entrenchment, with vallum and foss all round. The
circumference of this on the outside is about a mile. Harp Hill has
on it a tumulus called Brightwell Barrow. Then down below, close to
Dorchester, is a double line of earthworks, much mutilated, but quite
noticeable. No one knows the origin of these defences, which date far
back into unhistorical days. Those on Sinodun are called British, while
the others are supposed to be Roman. Roman camps were nearly always
square, while British followed the windings of the hill.

Dorchester, with its cornfields and trees, its vegetable gardens,
and its old houses bowed this way and that, is a very unsophisticated
little place. The deep quiet of its village street, where the cottages
glow all hues in the sunlight, from deep red ochre to egg-colour,
brooded over by the long-backed abbey church, is a rest-cure in itself.
The great yew trees, the pretty lych-gate, the old wooden porch,
are all just what one would expect to find. Dorchester is not on the
Thames, yet belongs to it certainly, for the Thame, which combines
with the Isis to form the Thames, flows past it. As its name proclaims,
Dorchester was once a Roman camp. Numerous Roman coins have been found
in the neighbourhood, and a Roman altar. It was also the seat of one of
the first and largest bishoprics in England.

In 634 a monk of the order of St. Benedict, named Birinus, crossed
to Britain to follow in the steps of St. Augustine and work as a
missionary among the men of Wessex. He landed safely, and came to this
part of the country, then in Wessex, which at that time stretched north
of the Thames, though afterwards, when Mercia's power became great
under King Offa, Dorchester fell within that kingdom. Birinus preached
with so much effect that the King conferred upon him the office of
bishop and gave him Dorchester for his residence. He died in 650 and
was buried in his own church, though it is said his body was afterwards
moved to Winchester.

  [Illustration: WHITE HART HOTEL, DORCHESTER]

The early bishopric was vast. It included what in our own day are
the Sees of Bath and Wells, Exeter, Hereford, Lichfield, Lincoln,
Salisbury, Worcester, and Winchester. There must have been a church in
some degree adequate to the importance of such a charge, but it was
probably of wood; in any case, nothing remains of it, though certain
indications seem to show that it stood on the same site as the present
one.

Dorchester was an important city, but its glory did not long remain,
and the bishopric was ultimately split up into many Sees. In 1085 the
seat of the See of Mercia was transferred to Lincoln. The abbey was
founded here in 1140 for Augustinian monks, and it is the monks' church
which still in great part exists. The long nave, with its red roof,
is seen easily from the river, but the tower appears rather inadequate
in height. On approaching, however, it is found to be of massive work.
The interior of the church is wide and high, and gives that impression
of bareness which is consistent with Norman work. In the east window
is a great pier or transom which is supposed to have been originally
intended as the support for a groined roof. The north chancel window
is the famous Jesse window, with carved tracery, carrying figures all
the way up the numerous branches. The lowest is that of Jesse, from
whom spring all the subsequent ones. Very few figures are missing,
considering the age of the window, and the carving is remarkably
interesting. It is supposed that the figures of the Virgin and Child
were at one time above that of the patriarch, but were removed at the
Reformation. The rich green glass in the sedilia on the other side of
the chancel should be noted. It is unusual to see sedilia pierced.
Two of the nave arches are plain Norman work. A rood door remains,
and there are one or two handsome altar tombs; also a leaden font,
well moulded, and, on the east wall of the south aisle, there are some
remains of frescoes. Close to the porch outside is a graceful shaft
with a "restored" head.

The Thame we have already spoken of. Its arching trees and corners,
and deep shady alleys, make it a delightful place for an idler. It runs
close by the abbey church.

  [Illustration: DORCHESTER BACKWATER]

In the river near Dorchester grow the sweet sedge and the amphibious
yellow cress, and on the banks may be found the blue pimpernel.




  [Illustration]




CHAPTER V

CASTLE AND STRONGHOLD


Wallingford boasts of having the oldest corporation in England,
preceding that of London by a hundred years, and its record certainly
reaches very far back. In 1006 it was destroyed by the Danes. William
the Conqueror rested here on his way to London after the battle of
Hastings. The town was then held by Wigod, a noble Saxon, who lived in
his great fortress-castle. His son-in-law was Robert D'Oyley, who built
the castle at Oxford, and rebuilt and greatly strengthened that at
Wallingford. From the part of the river above the bridge a tree-grown
mound can be seen, and, further back, a comparatively modern house.
On the mound once stood the strong castle, and the modern house is its
present-day representative. The grounds are famous for their trees, and
particularly for their evergreens, which grow thickly on the slopes
of what was once the inner castle moat, for there were no less than
three. No wonder Queen Maud felt that in reaching Wallingford in safety
after her terrible escape over the frozen meadows of Oxford, she once
more held the lead in the game she and Stephen played for the crown.
Stephen, however, was not daunted. He settled down at Crowmarsh across
the river, and made strenuous attempts to take the fortress. After a
long time, when the garrison were beginning to despair, the Queen's
son Henry came to the rescue with a force sufficient to afford relief.
It was at Wallingford the treaty was made which eventually secured
Henry's succession. The castle was given to Piers Gaveston by Edward
II., but after the fall of Gaveston it reverted to the Crown. Joan,
the Fair Maid of Kent, wife of the Black Prince, died here in 1385, and
later, in the Civil Wars between King and Parliament, Wallingford held
stoutly to the Stuarts. The town was the last place in Berkshire which
remained to the King, and it was taken in July, 1646, after a siege of
sixty-five days. Cromwell, therefore, cherished a grudge against it,
and when he came into power he ordered the castle to be destroyed, an
order which was unfortunately carried out. Not far away in the same
grounds is a fragment of a ruined and ivy-grown tower. This is part of
an ancient college of St. Nicholas founded by Edmund, second Earl of
Cornwall, who died in 1300.

  [Illustration: WALLINGFORD]

In some ways Wallingford reminds one of Abingdon. They are both homely,
pleasant, brick-built market-towns, rather sleepy, but self-respecting.
There are several islands beside the bridge; but Wallingford has
not made the most of its islands. They are bare, and disfigured by
boat-building works. The bridge is fair, and, seen from below, where
a weeping willow falls softly over one bank, the view is pretty. A
conspicuous feature is the steeple of the church near, looking as if
it had been joined on to the body without any thought of continuity
of style. There are three churches in Wallingford, which once owned
fourteen! There is rather a good seventeenth century Town Hall in
the market-place and a Corn Exchange. Friday is the market-day.
Both above and below the town the river is pleasant, though without
original features; there are well-kept parks and fine-grown trees to
be seen frequently. The only interesting place in the stretch below is
Mongewell, where a large piece of artificial water joins the river,
and near it is a small church quaintly built. Shute Barrington, the
well-known Bishop of Durham, married for his second wife the heiress
of Mongewell, and lived here before his death. Below Mongewell is a
long, dull stretch, good for boating, but too unshaded and open to be
pleasant for loiterers. The Trial Eights take place here in December.

  [Illustration: STREATLEY MILL]




CHAPTER VI

TWIN VILLAGES


  [Illustration]

When two villages stand facing one another across a bridge, it is
inevitable that comparisons, however impertinent, will be made. And it
may be said at once that Streatley, for all its old church, its pretty
hotel, and its mill, cannot dispute the palm with Goring, which has
an older church and a more charming mill, and many other advantages.
Streatley church is singularly vivid in colouring. Rarely is there
to be seen a deeper green-gold than that made by the lichen on the
red roof, and when the sunshine flashes out upon it the effect is
positively startling.

Not less attractive in its way is the red-roofed hotel with its backing
of thick, green foliage, its tiny grass plots on the river's edge, and
its gay flowers. The flour mill would be a valuable asset in the beauty
items of any place not eclipsed by so near a neighbour.

There are islands in the stream, and the bridge which runs across them
is singularly picturesque. This is one of the few old wooden bridges
remaining, and it is doubtless destined soon to be replaced by one of
iron, as has been done at Pangbourne. At this one can hardly cavil,
for delightful as are the long slender wooden piles to look at, they do
seem as if they might give way unexpectedly at any minute.

  [Illustration: STREATLEY]

If we stand down by the lock there are numberless views in all
directions, each good in itself. It is a hot day in summer, and the
vivid scarlet and the deep carmine of the lock-keeper's geraniums
literally strike one's eyeballs with their colour. We do not, alas!
hear the wash of the water tumbling over the weir, for weirs in summer
often run dry, or give only a small trickle, though it is just the
time when their gay music would most appeal to the heart of man. The
lock-keeper has stories to tell of the days before the "pound" locks,
as they used to be called, were made. What we call the weirs were then
the "locks." The great barges had to be towed up the weirs by means
of rope and capstan; and sometimes, when the water ran low, they had
to wait for weeks for a freshet that would enable them to get up. The
lock here is only five-eighths of a mile below that at Cleeve, and
these two are the nearest together on the river, except those of Temple
and Hurley. Beyond Cleeve there is a long stretch of six and a-half
miles before the next, Benson Lock. It almost seems as if the powers
that deal with locks had in their justice tried to make things even by
multiplying them in the beauty spots, so that those who want only the
best have to pay for it by the worry of passing locks; while those who
are content with something less can have it without bother. Some locks,
however, have been done away with as unnecessary. There used to be
one between those of Cleeve and Benson, and another at Hartslock Wood,
below Goring; but these have disappeared.

The ancient road known as the Icknield Street crosses the river at
Streatley; it was used by the Romans, but made long before their time.

High beyond the bridge, and, rising above it, as we stand at the lock,
is the grand sweep of hill locally known as Greenhill, in distinction
from Whitehill on the Goring side.

To the right, on the top of the heights, are the golf links, and
the small white road winds steeply up, carrying with it a touch of
melancholy, which the sight of a far-away and steep road always gives,
a suggestion of a journey that winds "uphill all the way."

Reading has now established a regatta to keep its own folk in its
own neighbourhood on the August Bank-Holiday; and a great boon this
has been to the quiet up-river places, for they are not now invaded
by launches full of rollicking, bottle-shying crowds, such as are
characteristic of the neighbourhood of all great towns, and on these
occasions apt to become remarkably prominent.

  [Illustration: GORING CHURCH]

Goring stands high among Thames villages, literally and figuratively.
Its main street runs winding up-hill to the station, and though there
are few of the genuine old cottages left, the small houses which have
replaced them have been mostly built in the best modern river style,
with exterior beams, porches, projecting windows and ornamental gables.
Creepers flourish abundantly. From the river the church is easily seen.
A small and narrow backwater leads under a bridge to within fifty yards
of the tower.

The building is very old, and was originally the church of the
Augustinian priory. It is partly covered with rough stucco, which
is peeling off untidily in patches. The tower is Norman, and has a
bastion turret, which greatly adds to its appearance, and, what is more
uncommon, the east end is an apse, though we are bound in honesty to
say an apse rebuilt.

Close by the church is the mill, which eclipses that at Streatley in
appearance, and shows adaptability in applying its power as an electric
generating station, while Streatley remains conservative, and still
grinds the sweet-scented white flour. But the electric charging has
not spoilt the mossy roof, gleaming green and russet alternately, or
the pretty pigeon-house from which flocks of white pigeons often sweep
round over the glistening water and the low islands. A very large and
neat boat-house lies below the bridge on the Goring side.

Between this and Pangbourne we have at first rich well-covered heights
on the one side, and high, open chalky hills on the other, dotted with
the neat circular clumps usually associated with chalk uplands. But
after a while these are replaced by the famous Hartslock Woods.

Speaking of the valley of the Thames between Goring and Henley, in his
introduction to the _Flora of Oxfordshire_, Mr. G. Claridge Druce says:

"We may wander for miles through verdant alleys whose groundwork begins
in early spring with the glossy gold of the smaller celandine, followed
by the pale stars of the wood anemones and myriads of primroses, these
giving place to sheets of hyacinths, 'that seem the heavens upbreaking
through the earth,' the blue being here and there relieved by the
yellow archangel or brightened with stitchwort; still later on the
bluebells are replaced by masses of the fragrant woodruff, and these
by the more sombre colouring of the bugle. Then come the creamy-white
flowers of the helleborine, the dull, livid spikes of the bird's nest
orchis and the blue forget-me-nots, giving place to a galaxy of summer
flowers, brightening in later months into the brilliant yellow of the
ragworts and the purple of the foxgloves. The grassy downs, too, in
spring are resplendent with the milkwort in all its purity of colour,
whether of that typical blue which rivals the Swiss gentian in beauty,
or fading into white or blushing to pink; while mixed with it are
brilliant patches of rich orange yellow hippocrepis. Later on appear
the rosy crimson spikes of the pyramidal orchis and the pale lemon
flowers of lady's fingers, and the drooping blue-flowered campanula. If
perchance the land have remained fallow, the bright flowers of iberis,
sometimes suffused with rich purple, the glaucous foliage of rare
fumarias, the deep crimson petals of the hybrid poppy, the bright rosy
pink spikes of sainfoin and yellow toad flax, combine to form a varied
show."

  [Illustration: GORING]

Before reaching Pangbourne we pass acres of osier beds on the right.
Pangbourne and Whitchurch stand to each other in the same relation as
do Goring and Streatley, but in this case it is the southern side to
which the palm must be awarded. At Pangbourne the old wooden bridge
has given place to an iron one, but the deed has been carried out in a
manner that reflects credit on the doer, for the new bridge runs in a
graceful curve, and its sides of latticed ironwork are painted white.
Seen in glimpses between the islands, the new bridge does not detract
from the charms of Pangbourne, but rather adds to them.

There are numbers of islands at Pangbourne, and they lie in a great
basin between and beneath the weirs, which are small and frequent. The
pool is full of beauty. The trees grow freshly and well, and throw
a veil of tender green over the water, which is, on a summer day,
brilliant in hues of blue and green, cobalt, sea-green, pale apple,
indigo; these can all be traced lying in strips and sections where
the riotous torrent from the weirs frays out its inquietude and loses
itself. In one corner by a pretty cottage is a splash of vivid crimson,
an arcade of roses. Near the bridge great launch works are a blot
and an eyesore, but it is so seldom we find our ointment without the
proverbial fly.

  [Illustration: PANGBOURNE FROM THE SWAN HOTEL]

Pangbourne village is quaint and pleasing enough, but it is not so
beautiful as some of the villages along the Thames side. No village
built haphazard, with a little river bridged over in its main street,
with a brick-towered church, with dark evergreens, and a fair amount
of creepers, could fail to be attractive in some sense. But there is
too much new brick in Pangbourne. The river Pang is a tiny streamlet,
and the winding ways do not hold that charm which can be felt even as
one races by in a motor. Further up the river a row of neatly-built,
red-brick and white-balconied houses stands up against a high chalk
bank overlooking the river; behind this, in a deep cutting, runs the
railway line. Above the bridge there is a landing on the Whitchurch
side close to the church, which is a well-kept flint building. In the
chancel there is a monument to the Lybbe family, dated 1599. Whitchurch
is mostly built of red brick, and is neat and clean, but without any
very great attractions. Before reaching Mapledurham a fine old house,
Hardwicke, is passed. Charles I. stayed here and played bowls. The
house itself is well protected by trees, but it stands in rather open
country, amid bare chalk uplands, where sometimes may be seen a curious
opaline glow in pale sunshine.

  [Illustration: WHITCHURCH LOCK]

Mapledurham is greatly spoilt by the churlishness of its main landlord.
The lock-keeper is strictly forbidden to ferry anyone across the
river, and though the crossing would be but short, and would involve
only a walk of a few seconds along the bank to the mill, it is not
permitted. As the nearest bridges on each side are those of Pangbourne
and Caversham, it is necessary for anyone going by road to keep to
the north side of the river between these points if he wants to see
Mapledurham. The place certainly is worth some trouble, but it is
small, and the restrictions are tiresome. The fine old Elizabethan
house is a real mansion of the good old sort; one could imagine endless
stories of romance connected with it. It was fortified during the civil
wars by Sir Arthur Blount, governor of Reading, and is still held by
the same family. The principal entrance is by an avenue of elms nearly
a mile long, but the house is perhaps best seen through the gates from
the churchyard. The church is small, and Perpendicular in style, with
the exception of the tower, a modern addition in flint and brick. There
is within a Blount chapel with many family memorials, including an
altar-tomb.

  [Illustration: MAPLEDURHAM MILL]

The mill at Mapledurham is also a great delight to look upon, and
numbers of artists sketch it from every point of view. The islands
lying in the swirl of the weir-pool afford many a quiet nook in which
to anchor, though landing is forbidden. From this it may be judged that
if Mapledurham is a Paradise, it is sternly guarded with notices, which
meet one on every side with the persistence of the flaming sword.




  [Illustration]




CHAPTER VII

A MITRED ABBOT


The Abbot of Reading was, like the Abbot of Abingdon, mitred, and bore
powerful rule. Reading ranked third among the abbeys of England, and
held the great privilege of coining. It was founded in 1121 by King
Henry I. himself, who was afterwards buried here. It was for long
supposed that Adeliza his queen lay here also, but the evidence goes to
show she was buried in Flanders. The Empress Maud lies at Reading. The
great church was dedicated by Thomas à Becket, and in it took place the
marriage of John of Gaunt.

Fuller, who is always worth quoting, says that though Ely "bare away
the bell for bountefull feast making," Reading "spurred up close" to
it, and continues: "The mention of Reading minds me of a pleasant and
true story, which, to refresh my wearied self and reader, after long
pains, I here intend to relate":

"King Henry VIII. as he was hunting in Windsor forest lost himself,
and struck down about dinner-time to the Abbey of Reading, where,
disguising himself, he was invited to the abbot's table and passed for
one of the king's guard. A sirloin of beef was set before him on which
the king laid on lustily, not disgracing one of that place for whom he
was mistaken. 'Well fare thy heart,' quoth the abbot, 'and here in a
cup of sack, I remember the health of his Grace your master. I would
give a hundred pounds on the condition I could feed so heartily on beef
as you do. Alas, my weak and squeasy stomach will hardly digest the
wing of a small rabbit or chicken.' The king pleasantly pledged him,
and heartily thanking him for his good cheer, after dinner departed as
undiscovered as he came thither. Some weeks after the abbot was sent
for by a pursuivant, brought up to London, clapped in the Tower, kept
close prisoner, fed for a short time with bread and water. Yet not so
empty his body of food as his mind was filled with fears, creating
many suspicions to himself, when and how he had incurred the king's
displeasure. At last a sirloin of beef was set before him, on which the
abbot fed as the farmer of his grange, and verified the proverb that
'Two hungry meals make the third a glutton.' In springs King Henry out
of a private lobby where he had placed himself, the invisible spectator
of the abbot's behaviour. 'My lord,' quoth the king, 'presently deposit
your hundred pounds in gold, or else no going hence all the days of
your life. I have been your physician to cure you of your squeasy
stomach, and here, as I deserve, I demand my fee for the same.' The
abbot down with his dust, and glad he had escaped so, returned to
Reading, as somewhat lighter in purse, so much more merrier in heart
than when he came thence."

When the Dissolution came, the abbot, full of belief in his own
strength, defied the king, though he saw the whirlwind around him
which had devastated other monasteries no less powerful than his own.
There was no over-tenderness in Henry's methods, and Hugh Faringford,
thirty-first was abbot, hanged, drawn and quartered in front of his own
gateway in 1539.

There is very little left of this famous abbey now, and the gateway has
been so carefully "restored" that there is more restoration about it
than anything else; in fact, it is simply a reconstruction. Nearly all
the remains lie within a very few acres, and the Forbury public garden
is on the site of one of the courts of the abbey. The ruins at the east
end are heavily covered with masses of ivy, but preserve the outlines
of the chapter house and church, which was over five hundred feet in
length.

Reading possessed a castle as well as an abbey, and the castle has
vanished still more completely, leaving even its exact site unknown,
though it is supposed to have been at the west end of the present
Castle Street, or at the place where the prison now stands.

  [Illustration: CAVERSHAM]

In 871 the Danes got as far up the river as Reading, and seized both
town and castle. Many times has parliament been held in the ancient
town, and many sovereigns have visited Reading, including Queen
Elizabeth, who stayed there no less than six times. In the civil wars
Reading was a stronghold for the king until, after a severe siege, in
1653 the garrison capitulated on condition of being allowed to walk out
free with arms and baggage, a boon which was granted. After this the
place was held by the Parliamentarians, but was again occupied for the
king, only to become once again the headquarters of the Parliamentary
army, and so it had many changes of fortune. St. Giles's church still
bears the marks of the artillery from which it suffered during those
uncertain times. There are other churches in Reading, but this is not
a guide book, so there is no need to enumerate them. Archbishop Laud
was born in Reading, and educated at the Free School. Reading is not
actually on the river, and Caversham may be called its river-suburb.
It is not a place which much attracts boating men. From its size,
its manufactories, its chimneys, it is necessarily in many aspects
unpleasant to those who have come to seek their rest and pleasure far
from smoke and toil. The most important industries are Messrs. Sutton's
seed emporium, and Messrs. Huntley and Palmer's biscuit factory, which
employs more than five thousand persons; there are also breweries
and many lesser works. Did it not lie between two such pre-eminently
charming places as Sonning and Mapledurham, boating people would avoid
it altogether.




CHAPTER VIII

Sonning and its Roses


  [Illustration]

There are certain notable details of the river-side which stand out in
the mind after the rest have been merged in mere general remembrance
of lazy happiness. In these we may include the backwater at Sutton
Courtney, the woods at Clieveden, the Mill at Mapledurham, and the Rose
Garden at Sonning. Roses grow well all along by the river, but nowhere
so well as they do at Sonning, and the rose garden forms an attraction
which draws hundreds to the place. Yet Sonning has other attractions
too; it is very varied and very pretty. When one arrives at it first,
perhaps coming upstream, one is rather perplexed to discover the exact
topography. We round a great curve which encloses an osier bed; here,
in early spring, the osiers may be seen lying in great bundles, shaded
from olive-green to brown madder. Then we see some green lawns and
landing places beneath the shadow of a fine clump of elms, and catch
sight of the lovable old red-brick bridge, with its high centre arch,
spanning the stream. But there is another bridge, a wooden foot-bridge,
which also spans the stream, at right angles to the other, and peering
through beneath this, we can see the continuation of the red brick one
in a new iron structure, which stretches on right up to the neat flower
beds of the French Horn Hotel. The truth is, the river suddenly widens
out here into a great bulge, and in the bulge are several islands, on
one of which are a mill and a house and several other things, not to
forget a charming garden. It is the river channel between this island
and the bank that the first bridge, the old one, spans. And what a
view it is! Above the bridge can be seen rising the little grey church
tower. On one side is the White Hart Hotel, with its warm tone of
yellow wash, its red tiles and its creepers, and above all its famous
rose garden. In the foreground is a willow-covered ait placed in
exactly the right position. It is a perfect picture. But yet this is
not the best side of the bridge. The other side is better; for here,
to resist the flow of the current, the builders placed the buttresses
which emphasise the height of that centre arch; buttresses now capped
with tufty grass and emerald moss, and from the crevices of which
spring clumps of yellow daisies, candytuft, wallflower, hart's-tongue
fern, and other things. In the bricks all colours may be seen, after
the manner of worn bricks, not even excluding blue. The mill is, as
it should be, wooden, and with Sandford Mill, is mentioned in Domesday
Book. From the dark shadow beneath its wheel, the largest on the river,
gurgles away the water in cool green streams, passing beneath the
overhanging boughs of planes and horse-chestnuts. From the mighty sweep
of the wheel, as it may be seen in its house, the drops rise glittering
in cascades to varying heights like the sprays of diamonds on a tiara.
The mill-house, called Aberlash, stands not far off on the same island,
with a delightful garden.

  [Illustration: THE ROSE GARDEN AT SONNING]

This island spreads onward with green lawns in a sweeping semicircle to
the lock and cottage, and from two small weirs the water dances down,
adding variety to a beautiful pool where stand many irregular pollard
willows on tiny aits. Over the smaller weir, framed in a setting of
evergreens, is a bit of far distant blue landscape. There is a bank
here too, an embankment, which might be covered with flowers according
to its owner's design, but that the water nymphs, intolerant of
flowers, except those of their own choosing, take a wicked delight in
sweeping down over the weir, and sending the water flowing like a lace
shawl all over the embankment to carry back all the roots and bulbs
and other things that may have been planted there to use as playthings;
their gurgle of delight at their own unending joke may be heard all day
long.

The shy kingfishers love the big pool below the weir, but it is not
often they are seen unless the watcher has the faculty for making
himself invisible against his background and is able to remain
motionless.

The woods of the Holme Park, rising high close by, throw a deep-toned
shadow on the picture, particularly refreshing on a baking summer's
day. Many birds find their refuge in these woods, and at night the
weird cries of the owls sound hauntingly over the flats. A ghost is
supposed to inhabit the park, and the owl's cry might very well serve
for a ghost's moan on occasion.

Having thus explored the puzzling bit of river, we may land and walk up
through the Rose Garden, or, according to Mr. Ashby Sterry in his _Lays
of a Lazy Minstrel_:

     Let's land at the lawn of the cheery White Hart,
     Now gay with the glamour of June!
     For here we can lunch to the music of trees,
       In sight of the swift river running,
     Off cuts of cold beef and a prime Cheddar cheese,
       And a tankard of bitter at Sonning.

For the sake of those who have gardens of their own, we give a list of
the principal roses grown at Sonning:

     Monsieur E. Y. Teas, Madame Marie les Dier, Marie Baumann,
     Viscountess Folkestone, Duchess of Bedford, Aimée Vibert,
     Prince Camille de Rohan, W. A. Richardson, Edouard Morren,
     Queen of Queens, Sultan of Zanzibar, Suzanne M. Rodocanachi,
     Madame de Watteville, Souvenir d'un Ami, Homer, Duke of Teck,
     Duke of Edinburgh, Cristal, Jules Margottin, Mavourneen, Rêve
     d'Or, Clio, Countess of Rosebery, The Bourbon, Souvenir de la
     Malmaison, Maréchal Niel, Alfred Colombo, Mrs. W. J. Grant,
     Magna Charta, La France, Prince Arthur, Charles Lefebvre,
     Dean Hole, Mrs. F. Laing, Maman Cochet, Madame Willinoz,
     Horace Vernet, Caroline Testout, Gloire de Dijon, Auguste
     Rigstard, Abel Carrière, Abel Grand, Eclair, Rubens, Bessie
     Brown, Beauty of Waltham, Boule de Neige, Jeremiah Dickson,
     Catherine Mermet, Gruss an Teplitz, Lady Battersea.

  [Illustration: SONNING]

With this brilliant mass of colour, the rich dark reds, the glorious
pinks, the pale yellows, dead whites and the flaming apricot of William
Allen Richardson, the effect may be imagined; and the entry to all this
beauty is beneath a trellised arch covered with masses of the Crimson
Rambler!

Sonning village itself is very irregular, uphill and downhill, with
roads all ways. There are rights of way through the quiet churchyard,
where there is a row of magnificent elms, and the villagers are real
flower lovers. Almost at any season of the year at which flowers will
flourish out of doors, flowers there are to be seen. Earliest of all,
the quince, the yellow jasmine, and the dainty almond blossom; then the
golden bunches of laburnum and the fresh mauve lilac; later on roses
of all kinds, not always climbing, but in bushes and clumps. Window
boxes are seen everywhere, and Virginia creeper and ampelopsis cover
up all bare corners. The houses themselves are charming. There are many
more cottages in the older style than can be found at Wargrave. Many a
tiny diamond-paned window is seen high up, almost lost in a straggling
creeper. The projecting storeys, the brown lathes imbedded deep in the
brick, making rectangles of broken colour, the yellow wash of a deep
umber, the high external chimneys, all make up many nooks to be looked
at again and again with appreciation. Sydney Smith was staying at
Sonning in 1807, and we can but admire his taste.

There is a tradition, very hazy, that Sonning was once the seat of a
bishopric. There is no evidence at all as to this, but the fact that
the See of Salisbury has held the manor since the time when Domesday
Book was made may have led to the error.

The bishops had a house here, and it was at the bishops' house that
King John stayed for six days a month before his death. Leland says:
"And yet remaineth a faire olde House there of stone, even by the
Tamise Ripe longging to the Bishop of Saresbyri, and thereby is a fine
Park."

The oldest parts of the church probably date from 1180, but there
is very little of this date left. The principal bits are the south
doorway and a small window above it. The south aisle was built about
1350, the piers of the nave about 1400, at which date the chancel was
added. The north chancel aisle and the north aisle came about 100 years
later. The whole church was restored in 1852. There are one or two
interesting monuments to be seen in it, and it is a good model of what
a well-preserved, dignified parish church should be.




  [Illustration]




CHAPTER IX

WARGRAVE AND NEIGHBOURHOOD


Wargrave is one of the most delightful of Thames-side villages. There
is not much that is old among the houses that line the village street;
thatch has almost gone. Wooden beams are not noticeable, except when
used in the modern architecture that imitates the old; the material
seen everywhere is red brick. Wind and weather, however, soon tone
down the asperities of red brick, and from the rich soil creepers
spring up quickly to cover it with loving tendrils; so the street
becomes a delightful medley of casement windows, gable ends, and bushy
foliage. Not the least of the charm is that each small house has its
own ideas about frontage, and entirely refuses to stand in line with
the rest. There are houses with their doorsteps in the roadway, and
houses modestly retiring behind bushes in their strip of garden. Here
is a wistaria with a stem as thick as a man's arm, and there roses
and sweetbriar, purple clematis and starry jasmine, succeeding and
intermingling. Wargrave has learnt to choose the good and refuse the
evil of the modern spirit; she is clean and self-respecting as some
villages will never learn to be. Her small shops are good of their
kind, but self-conscious she is not, or garish, or any other of the
horrible things associated with modernity.

  [Illustration: THE CHURCH AT WARGRAVE]

The place centres about cross roads, but straggles in many directions,
and on the high ground surrounding it many a new house has been built
lately, and stands amid delightful grounds.

The church, which is near the open green, where grow fine trees, is
of flint, with a red-brick pinnacled tower, half ivy-covered. In the
church is buried Thomas Day, author of _Sandford and Merton_, who was
killed by a fall from his horse in 1789. A Norman doorway, a carved oak
pulpit black with age, and a huge family pew, tell of long survival,
and give the church the same touch of self-respecting dignity that the
village has. It can be seen from the water, peeping over greenery near
a backwater, with its tower overtopped by trees.

The whole of Wargrave is seen to advantage from the water or from the
meadows opposite. Many green lawns slope down to the brink, and the
height of the bushy elms is a thing to note. A few Lombardy poplars
break the fulness of the bosky foliage with their elongated ovals, and
that most graceful of all trees, the wych elm, curves his beautiful
lines in soft arches over the velvety lawns or smoothly-flowing water.

     Witch elms that counterchange the floor
       Of this flat lawn with dusk and bright;
       And thou, with all thy breadth and height
     Of foliage, towering sycamore.
                                   --_Tennyson._

The river turns almost a right angle at Wargrave, and, from running
eastward, goes due north. The little village, being situated at the
bend, gets the benefit of both vistas. The George Hotel, indeed, stands
exactly at the angle, and the sweep of the water catches its wharf
with full force. It boasts a signboard painted by two R.A.s; this is
preserved indoors, while another swings as its proxy in the village
street. Placed as it is in regard to the river channel, and with the
wide flats of Shiplake meadows opposite, the hotel is exposed, and
the very openness of its garden, an attraction which draws hundreds of
summer visitors, makes it a butt for the racing winds of early spring.
It is a pretty hotel built of brick, with a white painted verandah,
after the usual river pattern; and a gigantic wistaria embowers all the
front in its delicate mauve in summer, while roses trained over trellis
work flash answering colour signals.

The view over the river includes the glowing sunsets, which leave a
slowly dying splendour behind a distant bank of trees.

     And there was still, where day had set,
       A flush that spoke him loth to die;
     A last link of his glory yet
       Binding together earth and sky.
                                  --_Moore._

Looking up to the left is the railway bridge, which is not so ugly as
it might be; below, every hundred yards shows fresh beauties.

Wargrave backwater is one of the most noted on the river, and in
summer, or early spring, is a fairyland of greenery. The entrance is
behind the large willow-covered island that lies below the hotel. The
tiny arched bridge, not far in, is so low that one has to lie full
length in a boat in order to pass under it. This is called Fiddler's
bridge, though no local tradition keeps alive the origin of the name.
The gentle light shimmers down between the spear-leaved willows in a
veil of glory, and the stream is so narrow, one can almost touch the
banks with both hands at once. In the main stream meantime, there are
several islands decorated with the new rough stuccoed houses now so
popular in river architecture, and, at the end where the backwater
emerges again, there is a brightly-coloured boat-house. Beyond this,
again, is a long stretch where there are generally house-boats. In
winter, a little creek on the left bank is a kind of storehouse for
them. This is a fine wide reach, and above it rises Wargrave Hill with
its large white house conspicuously placed.

Further down, the river makes a succession of curves; and facing up
stream is Bolney Court, in a solid, old-fashioned style, of a dull
yellow colour, while, behind and around it, the deep blue-green of
Scotch firs is seen among the lighter foliage, and on the curving
heights which block the vista to the north, the heights above Henley,
these trees are conspicuous everywhere. Indeed, evergreens of all kinds
flourish well in the chalky soil about Wargrave.

The late C. J. Cornish said somewhere that Thames eyots always seem to
have been put in place by a landscape gardener, and those about Bolney
recall the words. They are thickly grown over by sedge and osiers, and
overshadowed by taller trees; between them, the channels of shining
water, half hidden half revealed, gain all the charm of elusiveness.
Has anyone ever reflected what a kindly thought it was of Nature's, to
arrange that trees growing on the water's edge should invariably take
an outward angle, so as to lean over the water? How much less effective
the result would have been had they grown inward, may be pictured by
imagining a river without reflections. In the stillness of a backwater,
or in the narrowed channel beside a large island, the beautiful effect
of this outward angle is best seen. If the channel be very narrow, the
trunks fold one behind the other in perspective, so as to form an arch
over a shining aisle. In the water, all the many-coloured gnarled stems
are smoothed by the gentle movement into something softer than the
rigid reality, with its hard knots of shadow. The different colouring
on the stems of the same species of tree is a thing to marvel at. From
the deep mahogany of a joint where the damp has made an open wound, to
the faint biscuit-colour of the place where a strip of bark has been
newly peeled off, the stems of pollarded willows furnish every brown
and yellow on a painter's palette. Many of them are richly crowned by
a head of ivy, whose satin-smooth leaves fall in garlands like locks,
and sway with every touch of air. These are reflected in the water as
a shaded mass of green with no detail.

There are so many varieties of willow that it is difficult for the
lay mind to remember them all, and numbers of them are to be seen
about Wargrave. It is the Crack willow and the White willow, with long
slender leaves, that are commonly pollarded as osiers, though they will
grow tall enough if they are allowed to. There is a legend that the
mournful droop of the leaves of the weeping willow is a reminiscence of
the sad time of the Captivity:

     By the waters of Babylon we sat down and wept, when we
     remembered thee, O Sion;
     As for our harps, we hanged them up upon the willow trees
     that grow therein.

Besides the willows, there are their cousins, the poplars, chief among
which, is the fine Populus tremula, whose leaves whisper perpetual
secrets, even on the stillest days. This is caused by the broad leaves
being attached to a slender flattened stalk. They are silky on the
wrong side, and when the wind blows through the foliage it turns a
soft greyish white, like a cottony mass. There is a legend that the
wood of this tree was used for the Cross, and that in consequence it
has trembled ever since, and so its leaves are in a perpetual state of
quivering.

The poplar, like the ash, is not kind to neighbouring trees, its
numerous suckers taking more than their share of nourishment and
moisture from the ground, and the leaves, when they fall, seem to be as
destructive as those of the beech, for grass will not grow where they
lie.

In spring, these trees shed their long catkins, like hairy
caterpillars, all over the water, and they are swept up in heaps into
every eddy.

In spite of the delights of summer, there is a time which well bears
comparison with it; I mean the first fine days of early spring, before
the rest of the world has awakened to the fact that winter is over.
And about Wargrave at such times there is to be found great charm by
those whose senses are alert. It is true that the splendid hedge that
lines the tow-path shows only the long withes of the creepers and no
starry flowers; that the graceful sprays of the wild rose now appear
barbed and polished and ferocious, instead of sweet and enticing. A
bush of barberry or berberis is not often seen in hedges, for the old
folk-lore taught that wheat never throve when the barberry was in the
hedge; therefore the farmers grubbed it up whenever they found it. But
science has confirmed the empirical wisdom of our fathers, for it was
discovered that the barberry furnishes the intermediate host for rust
in wheat. On the green river bank there are quivering blades of tender
green, but no flowers with their umbrella heads of white, or bunchy
yellow, or pale mauve. Yet still there are compensations. To begin
with, the river itself talks in spring as it never does in summer,
and what is better, one can hear it without the interruption of human
chatter or noise. One has the whole stretch to one's self, and attuning
one's ear to the key of that conversation, one can listen to it sucking
at the bank, flop-flopping under the prow of one's punt, chuckling
as it races past the pole, and, laughing a little silvery laugh of
merriment, that we call rippling--a word we have learnt to adapt to our
poor human attempts in the same direction. The river sprites are with
us, and very busy they are--ceaselessly busy about nothing at all, and
so happy in their activity that to hear them is to laugh for right good
fellowship. The wind is in the water, urging them on faster and faster;
each wavelet has its crest of foam, and, in the heights and hollows
ahead there is every shade of green, from emerald to olive. One must be
very still in order to imbibe the real spirit of the scene, for they
are shy, these river nymphs, as shy as the birds and beasts that live
around them, and have learned the fear of tempestuous man. A shy-bold
wren, with a sudden glint of sunlight on his rich brown back, flies
to the edge of the water where the punt lies drifting, and then darts
back in haste to the shelter of that commanding hedge he never likes to
leave. His pertness is all in his appearance; never did looks so belie
a timid character! A water-hen, startled by the sudden dip of the pole,
flies out of the reeds close by, and skims in a swift low line to the
islet opposite; her smooth dark body, with the elongated neck and scant
tail, resembles an Eastern water skin.

There is a gentle continuous whispering among the reeds, as if they
questioned themselves, with quiet disapprobation, why the river was
always in such a hurry. From the field behind the hedge comes the
sweet scream of a wheeling peewit, and two large wood-pigeons flap
noisily from the tall trees on the island, a very picture of contented
domesticity.

We slide on gently, close by the tow-path, until the tall hedge comes
to an end, and the green meadows stretch right away from the lip of the
river, and around them rise the tree-crowned heights in a semicircle,
like the tiers of a giant amphitheatre.

Flop! A water rat dives furtively. Though called a rat, he is in
reality a vole, and is almost exclusively graminivorous; in this
differing from his namesake, the real rat, which also haunts river
banks, especially near mills. With hoarse squawk, a wild duck rises
heavily from cover, and after the first difficult spiral, wings off
like an arrow, his long neck extended. It is a day of cloud and shadow,
and suddenly the light breaks out on the trees ahead with a wild
freshness that makes one catch one's breath. It races up stream, and
the dun is turned to gold at the touch of its breath. The sweetness of
early spring is in the air and in our blood; the larks feel it as they
rise:

                   Sounds of vernal showers
                     On the twinkling grass,
                   Rain-awaken'd flowers,
                     All that ever was
     Joyous, and clear, and fresh, thy music doth surpass.
                                              --_Shelley._

And there is a stirring of sap and juice in things--small things deep
down in dark holes and corners, and in all green and growing things.

After this, how cloying the richness of summer, with its still days,
its glaring reflections, the luscious foliage, and the overpowering
scents--the thought of it strikes one's senses as the thought of a
hothouse would strike a child of the moor and the mountain. And when
we remember Wargrave regatta, with its crowded banks, its lined shores,
its flags a-flutter, and its noise, we are thankful that August is afar
off.

Though we have wandered down stream, the bit above Wargrave is equally
attractive. Just beyond the railway bridge the river Loddon flows into
the Thames. To pass up it and its tributary, St. Patrick's stream,
is no easy feat; yet by using this loop the lock may be evaded, and
it is the only place on the river where such a trick is possible. It
is, however, far the best to explore this by-way from the other end
and to come down stream by its means. To reach it, one must go high
up above the lock, beyond the last of the chain of islands which here
breaks the channel, and there turn in under a small bridge, into this
curious tributary, which starts from the river and returns to it again.
It flows at first through wide flat meadows, and then bifurcates, one
branch, blocked by a weir, communicating again with the Thames, and the
other falling into the Loddon, and with it rejoining the main river.

Part of St. Patrick's stream is fringed by well-grown uniform pollard
willows that hedge it like a wall. In summer, when the meadows are
rich in buttercups, and the wind hums softly over the clover, bringing
wafts of scent, and many a quaint weed adds its note of colour to the
general harmony, it is very charming. But the most delightful feature
is the growth of the Leucojum æstivum, or summer snowflake, which is so
numerous that it is popularly known as the Loddon lily. This is like
a large snowdrop in which several blooms spring from one head. It is
also to be found on several of the islands in the main river near, but
is not abundant there. The Loddon itself rises far inland: Twyford gets
its name from lying near two branches, a twy-ford. The stream is slow,
and it is only the swift current of St. Patrick that enlivens it lower
down.

Above the mouth of the Loddon there lies an interesting bit of the
river. On a large island, owned by the Corporation of London, stands
the lock-keeper's cottage, and opposite to it, on the mainland, a
delightful old mill-house with tiled roof, and that weather-worn,
rather battered appearance, which all self-respecting mill-houses aim
at as the perfection of ripeness. The long tongue of the lock island
projects down stream like the nose of a pike. In winter, the little
moorhens, partly tamed by hunger, and reassured by the absence of those
noisy humans who come in such numbers in warmer weather, run about
all over it. Other things run too, all the year round; the lock-keeper
has a fine stock of hens, but accepts philosophically the fact that he
can never rear any chickens "because of the rats." The rats, which are
attracted by the ample stores at the mill-house, and find such variety
of lodgings along the banks of the stream and in the crevices of the
much worn woodwork, are the pest of these places.

The island is a popular camping ground, and the pitches are generally
secured early in the season, having been well prepared beforehand
by being laid in sand and flints to ensure a dry foundation. There
are also a tiny bungalow, to be had for two guineas the week, and a
bathing place available. Altogether a very attractive island. The main
stream races over the weir, forming a wide tumbling pool below, and on
the other side of the island there is a pleasant stretch down to the
lock. These lock channels are among some of the most charming places
on the river. They are generally very still, with the mass of water
hardly moving. On some days every twig is reflected, and the view in
this particular one is well worth looking at, as, with the group of
the mill buildings rising high on one side, and the cottage with its
accompaniment of standard roses on the other, there are the elements
of a most satisfactory composition. The meadows slope down at just
that angle that shows them off to the best advantage; they are dotted
with fine trees and are crowned by clumps of wood, from which sounds
the homely cawing of rooks. The red cows stand knee-deep in the placid
water, lashing at the flies with their tails; and on the other side is
a mass of greenery:

             I ...
     Walked forth to ease my pain
     Along the shore of silver streaming Thames;
     Whose rutty bank, the which his river hems,
     Was painted all with variable flowers,
     And all the meads adorned with dainty gems
     Fit to deck maidens' bowers.

       *       *       *       *       *

     Sweet Thames! run softly till I end my song.
                                     --_Spenser._

Shiplake stands high above the flat meadows by the river bank. The
little flint church, in which Tennyson was married, has a prettily
buttressed tower, and around it grow many tall evergreens and waving
trees. There are also some interesting old frescoes on the walls, two
representing St. Christopher, who seems particularly appropriate in a
river church. From the porch, down between two rows of shrubs, one can
look on to the top of a mass of trees, which shuts out a bend of the
silver river, and beyond them see the blue distance, miles and miles
away. Mrs. Climenson, whose book on Shiplake was privately printed,
suggests that the name originated in schiff-laacken, for the story goes
that when the Danes got so far, their boats stuck on the shoals, and
their commander ordered them to be burnt, to prevent a possibility of
retreat.




CHAPTER X

HENLEY REGATTA


  [Illustration]

Who can ever think of Henley without its regatta? And yet Henley
is very well worth thinking of at all times of the year. It is a
pleasantly-built, middle-aged, red-brick town. Its history does not
reach back so far as that of Abingdon or Reading. It boasts neither
abbey nor cathedral. Near the esplanade above the bridge, there are
one or two of the tumble-down, out-of-perpendicular style of cottages,
which invariably add so much to a river scene; but the main part of
the town, which is, of course, of red brick, has a homely air of the
seventeenth century about it. The solid and stately Red Lion Hotel,
close to the bridge, is one of the most historic houses in the place.
Charles I. stayed here in 1632, when, after severe dissensions, he
was trying the method of ruling England without a Parliament, and
when the terrible fate that was to befall him had not yet "cast its
shadow before." It is doubtful if he paid his bills, for he was in
chronic want of money; but he left a memento behind him which has more
than repaid the hotel, for it forms a perennial source of interest.
This is a large fresco painting of the royal monogram and coat of
arms over one of the mantelpieces, and from the date it is evident it
was done at the time of this visit. It was not discovered till 1889,
having probably been hastily concealed during the troublous days of
Cromwell's ascendency. Being on one of the principal coaching roads,
Henley received more than its share of celebrated visitors. On July the
12th, 1788, George III., with the Queen and three of his daughters,
had breakfast at the Red Lion; George IV. once dined here; and the
celebrated Duke of Marlborough regularly kept a room here that he might
use it in his journeys from Blenheim; his bed is still preserved. After
these associations, that of Shenstone, who wrote a poem with a diamond
on a window-pane, comes as an anticlimax. The poem begins:

     To thee, fair Freedom, I retire,
       From flattery, cards, and dice, and din;
     Nor art thou found in mansions higher
       Than the low cott or humble inn.

And the last verse, which is often quoted, runs:

     Whoe'er has travell'd life's dull round,
       Whate'er his stages may have been,
     May sigh to think he still has found
       The warmest welcome at an inn.

In summer the red brick of the hotel is almost hidden by the creepers
which embrace it; especially noticeable is the glorious wistaria, most
lovely of all the climbing plants.

  [Illustration: RED LION HOTEL, HENLEY]

The bridge was built in 1786, and is of stone. The keystones of the
central arch are adorned with sculptured masks of Thame and Isis.
They were the work of Mrs. Damer, a cousin of Horace Walpole's, and as
such falling within the limits of the great man's kindly appreciation.
Behind the hotel and well seen from the bridge, is the church, with its
four corner pinnacles.

At the time of the regatta, and for some weeks before, it is impossible
to get accommodation in the town anywhere. Of all the river regattas
Henley is by far the greatest, and comes even before the Boat Race in
the estimation of some people. The races used to end at the bridge,
and so the lawn of the Red Lion was in the position of a favoured
grand-stand, but now the winning post is a quarter of a mile short of
this, opposite the last villa on the left bank. The starting point is
near Temple or Regatta Island, and the reach certainly makes a fine
one for the purpose. The course is railed off by piles and booms,
and all the hundreds of craft which gather to the scene have to cram
themselves in somehow, so as not to cause obstruction. It is well not
to select an outrigged boat for such an occasion. The best and most
commonly seen craft are punts, worked by means of canoe paddles; for
the punts are too solid to collapse easily in the pressure that may be
put upon them, and the paddles, requiring little room to work, are less
dangerous to one's neighbours than poles. But all kinds of skiffs and
canoes appear, and some are even bold enough to tempt fate in Canadian
canoes. On a brilliant day, when the light sparkles on the water,
and there is enough wind to set the pennons and streamers flying, the
scene is undeniably gay and pretty. All the luncheon tents on the green
lawns near form a bright adjunct. Salter and Talboys, from Oxford, and
other boat-builders, have landing-stages for the week, and the various
clubs entertain largely. Chief among these is the Leander, whose fine
club-house is on the right bank not far from the bridge; it also has
a lawn further down. Not far off are the grand-stand, the Grosvenor,
and the New Oxford and Cambridge Clubs, and one large lawn is taken as
a clubland _pied-à-terre_ for the use of any members of London clubs
in general. But beside these there are the Isthmian, Sports, and Bath
Clubs on the left bank, and Phyllis Court, with smooth lawns; and
then a long line of house-boats begins, continuing past Fawley Court
on to Temple Island, with just one break for the lawns of the Court.
Bands play, luncheons are consumed, flags flutter; everyone is gay and
lively, and the scene is one that can hardly be described justly in
mere word painting. At noon the first race is rowed. A bell is rung
to clear the course. All sorts of boats and canoes have slipped out
between the openings left for them, and they must hurry back and crush
into the already tightly wedged mass; in a moment everything else is
forgotten in the excitement of the special event. On the last evening
of the regatta there is a grand firework display and a procession of
illuminated boats; and, as may very well be guessed, the real success
of Henley depends greatly upon the weather, which, even in the first
week of July, when it takes place, is not always kind.

  [Illustration: HENLEY REGATTA]

As we have said, the surroundings of Henley are of a sort to attract
attention, even without the additional glories of the regatta. Above
the bridge is a long ait, and high on the right bank rise the woods of
Park Place. Here the brilliant green of the beeches is diversified by
the dark blue-greens of fir and cedar. The Place was once the residence
of Frederick, Prince of Wales, and the grounds were greatly improved by
Field-Marshal Conway, a cousin of Horace Walpole. A long glade is cut
through the wood. It runs under a bridge made of blocks of stone taken
from Reading Abbey, and over this passes the road. From the river a
peep of the striking vista can be had. Higher up again is Marsh Lock.

  [Illustration: HAMBLEDEN]

But the influence of Henley extends down as well as up the river.
Phyllis and Fawley Courts both at one time belonged to Bulstrode
Whitelocke. Fawley was wrecked very early in the civil wars; but
Phyllis was strongly fortified, and some of the earthworks may still be
seen. Henley was a Parliamentarian stronghold, and was annoyed by the
neighbourhood of plucky little Greenlands at Hambleden, which, "for a
little fort, was made very strong for the King."

It belonged in the time of the Stuarts to Sir Cope d'Oyley, who was a
staunch Royalist. When he died his eldest son held Greenlands for the
King, and his house was battered by the cannon of the Parliamentarians
from across the water. In the nineteenth century the Rt. Hon. W. H.
Smith lived here, and his widow took from the village the title he
himself never lived to enjoy. In Hambleden also there is a fine old
manor house, and some of the clipped yews in the gardens of private
houses are very remarkable. High above the place rise the woods
near Fingest and Stokenchurch. The weirs at Hambleden are the most
attractive on the river. Long curved bridges run across them from shore
to shore, and are open to the public as a right-of-way. The curves
strike off at different angles, and every moment the point of view
changes. Whether we are passing over tumbling weirs, where the water
glides across long mossy planes, or over sluice-gates where it bursts
through, the enchantment is the same. Flags and tall yellow irises and
the greenest of green tufts grow in the water and about the foundations
of the bridges. Looking back at the mill, we see it reflected in the
calm, deep water above the weirs as in a polished looking-glass. There
are old cedars and red-roofed cottages, and plenty of Scotch firs and
yew hedges in the background. Away up the river is the white mass of
Greenlands with its pierced look-out tower.




  [Illustration]




CHAPTER XI

THE ROMANCE OF BISHAM AND HURLEY


One of the greatest calumnies I ever heard expressed was the remark,
"What, writing a book about the river! Why, the river is all alike,
isn't it?" It is true that many reaches of the river are so exceedingly
attractive that there is a danger of applying the adjectives "pretty"
and "beautiful" and "charming" to many of them, but the sameness is
not in the reaches, it is in the poverty of one's own language. What
can be more different, for instance, than the river about Maidenhead
and the river above Marlow? Yet both are delightful. The patrons of
the Maidenhead part no doubt outnumber those of Bisham and Hurley,
but that is because Maidenhead is one of the most accessible places on
the river. The station at Marlow is on a branch, and many a weary hour
must be spent waiting, if one is dependent on trains. This is the only
station for Hurley and Bisham, unless we go on equally far in the other
direction to Henley. However, this is one of the reasons why the Marlow
section is preferable to the Maidenhead one--when you do get there.

Great Marlow itself is a fairly important place for a riverside
village. It is like a little country town, and though many new
red-brick villas are springing up, it could not be called "residential"
in the way that the word could be applied to Richmond, for instance.
The ground plan is very simple. One wide street runs straight down to
the bridge, and another street crosses it at the top. In the latter is
to be found Marlow's chief literary association, for here still stands
the cottage where Shelley lived. It is marked by a tablet, and is a
low, long building, creeper-covered, and is now divided into several
cottages. Here he wrote _The Revolt of Islam_ and _Alastor, or the
Spirit of Solitude_.

  [Illustration: GENERAL VIEW OF MARLOW]

Down by the water side the whole aspect of Marlow is bright and open.
It must be entirely different from the older Marlow, when the wooden
bridge--which crossed the river lower down than the present one--and
the old church were still in existence. At present, in the summer all
is gay and clean looking. The suspension bridge, which is the best of
the modern sort of bridges from an artist's point of view, is rather
low over the water; standing on it one can look right down on to the
green lawn of the Compleat Angler Hotel, and see the many-coloured
muslins, the white flannels, the gay cushions, the awnings, and the
sunshades, as if they were all a gigantic flower bed. The red hotel
itself is from this point caught against the background of the Quarry
Woods. Opposite to it is the very green strip of the churchyard
coming right down to the edge of the river, and only separated from
it by a low stone parapet: weeping willows fling their green spray
out over the water, and behind is the church. It is undeniable that
the materials used in the church are distinctly ugly, but the steeple
goes some way towards redeeming it, and if it can be seen silhouetted,
so that the materials are lost in dimness, and only the outlines are
apparent, it becomes at once more than passable. Spires are not common
in Thames-side churches, which are far more often capped by rather low
battlemented towers.

One of the glories of Marlow is its weir. It runs in a great
semicircular sweep below the hotel; and, from a terrace there, one can
look right down into the swirling water; or by coming up the backwater
below in a boat, one can land at the hotel without facing the lock at
all, a great advantage. The weir is in several planes, and the extended
flood makes a perpetual wash, rising to a roar in winter, and dwindling
to the merest tinkle in summer. Marlow is distinctly a summer place:
its openness, its many trees, its wide reach of water, and the splash
of the weir are all summer accompaniments; and in winter, when the wind
sweeps down from the south, the unprotected side, and the water hisses
and bubbles in its struggle to get down to lower levels, it is weird
and melancholy.

  [Illustration: QUARRY WOODS]

The lock channel is fringed by several islets, and there is the usual
mill, and a pretty wooden foot-bridge. Several of the most graceful of
our trees, the dainty silver birch, stand near the mill. On some of the
lower islands osiers grow, and there are one or two neat boat-houses.
Wide meadows fringe the river below; and eastward--the bridge lies
due north and south--are the famous Quarry Woods, held by many to be
superior even to the Clieveden Woods. In some points they are, and
not the least of these is that they are traversed by several roads,
while those at Clieveden are kept strictly private. The woods are
composed almost wholly of beech, the tree that loves the chalk, here
so abundant, and only a few patches of larch may be seen in clumps
among them. Beginning at the water's edge, rising above the curious
white castle with harled walls called Quarry Hill, now to let, the
woods continue in a straight line inland, getting further and further
from the river as they go. It is difficult to say at what season of
the year they are the most beautiful. In early spring, before the buds
burst, if looked at in the mass, there is to be seen a kind of purple
bloom made by the myriad buds, which is not found in any mixed woods.
In spring the buds burst out into that tender indescribable green,
like nothing else in the world, and the new-born leaves, suspended
from their dark and almost invisible twigs, are for all the world like
fronds of giant maidenhair. In the autumn the whole ground is one blaze
of rich burnt-sienna, a carpet of leaves laid so industriously that not
a speck of the bare brown earth appears; and from this rise the stems
smooth and straight, lichen-covered every one, and thus transformed to
brilliant emerald. Where the light strikes through the rapidly thinning
branches, they have the very glow of the stones themselves. It is an
enchanted wood, and at any moment a wizard might peep out from behind
one of those magic trunks.

  [Illustration: BISHAM CHURCH]

The woods alone would be sufficient to give Marlow a high rank among
river places. But all this is below the bridge, and above there is
much to see. Not far off, on the right bank of the river, is Bisham,
a tiny village with its church and abbey, now a dwelling house. The
whole of Bisham is well worth lingering over. The cottages stand
along the road in straggling fashion, old and new, and some of the
gardens are bright with homely, sweet-scented flowers, among which,
stocks and sweet-williams seem to be the favourites in the summer.
One tumble-down row, rather off the road, is a mass of honeysuckle,
and roses and ivy. The little church stands so near to the margin of
the river that not a dozen yards separate its tower from the flood.
A low moss-grown stone parapet edges the churchyard; over this elms
dip their crooked boughs in a vain endeavour to touch the ripples as
they spring playfully upward, driven by the wind. The little church
has a square stone tower, wonderfully softened, so that it looks as if
it must fray to powder at a touch. The brick battlements are a later
addition, but the gentle river air has breathed on them so that they
tone in harmoniously. Some of the windows are transition Norman. For
ages the little church has stood there looking out across the water
to the green flat meadows, and though it has been rebuilt and altered,
there is much of it that is fairly ancient. The Hoby chapel was built
about 1600, by the disconsolate widow of Sir Thomas Hoby, Ambassador
to France; in it are several fine tombs, and on that of Sir Thomas, his
lady, who was learned, as it was the fashion for great ladies to be in
her time, wrote long inscriptions in Latin and Greek and English; the
last of which ends up with:

     "Give me, O God, a husband like unto Thomas,
     Or else restore me to my husband Thomas!"

Eight years later she married again, so that she had presumably found
a husband "like unto Thomas." The Hoby window in this chapel, with
its coat of arms, is especially interesting, and when the morning sun
streams through in tones of purple and gold upon the worn stones, the
effect is striking.

There are one or two good brasses in the church, and a small monument
to two children who are traditionally said to have owned Queen
Elizabeth as mother!

  [Illustration: HURLEY BACKWATER]

From the reign of Edward VI. to 1780 the Hoby family held the abbey,
and then it was bought by the ancestors of the present owner. It is
a splendid group of masonry, and stands very effectively near the
river. The tall tower, the oriel windows, and the red tints against
the fine mass of greenery, make a very unusual picture. Bisham at one
time belonged to the Knights Templars, who founded here a preceptory.
But their Order was dissolved in the reign of Edward II. In 1338 the
Earl of Salisbury established here a priory for Augustinian monks.
This was twice surrendered, having been re-established after the first
time. It is rather curious that the last prior, being permitted by
the tenets of the Reformed Church to marry, became the father of five
daughters, each of whom married a bishop; while he himself was Bishop
of St. Davids. Poor Anne of Cleves was presented with the abbey by
her sometime husband the King, who, however, died before the gift was
confirmed. She was allowed to retain it, and from her it passed to
the Hobys as aforesaid. The house has therefore a long history, and
much of the fabric is very old. One of the oldest parts is the fine
entrance gateway, dating from the reign of King Stephen. The great
hall is supposed to have been at one time the church of the abbey. As
three Earls of Salisbury, the great "King Maker" Warwick, and Edward
Plantagenet, unhappy son of an unhappy father, were all buried in the
abbey church, there is every reason to suppose that their bones lie
beneath the pavement in the hall.

During Queen Mary's reign Princess Elizabeth was a prisoner at
Bisham under the charge of Sir Thomas Hoby. No doubt she "took water"
frequently, and glided gently down with the stream; for people were
accustomed to use their river when there were no roads to speak of.
She must often have gazed upon the Quarry Woods in all their flaming
splendour of autumn, but the Marlow she knew is so different from our
Marlow we can hardly otherwise picture it. Several alterations were
made at the abbey while Elizabeth was there, such as the construction
of a dais, and a large window; small points, which show, however, that
she was treated with all due respect. And she herself has left it on
record that she received kindness and courtesy from her enforced hosts.
These alterations were followed subsequently, in her own reign, by the
rebuilding of much of the abbey, which was then made as we now see it.

  [Illustration: BISHAM ABBEY]

It is inevitable that such a historic house should have a tradition or
two attached to it; and traditions are not lacking. It is said that
the ghost of someone drowned in the river rises at times in the form
of a mist, and spreads all across the channel, and woe be to anyone who
attempts to penetrate it. Another tale is that the house is haunted by
a certain Lady Hoby, who beat her little boy to death because he could
not write without blots. She goes about wringing her hands and trying
to cleanse them from indelible inkstains. The story has probably some
foundation, for a number of copybooks of the age of Elizabeth were
discovered behind one of the shutters during some later alterations,
and one of these was deluged in every line with blots. We all know that
great severity was exercised by parents with their children at that
time; even Lady Jane Grey had to undergo "pinches, nips, and bobs,"
until she thought herself "in hell," while with her parents, and the
story, if not the ghost, may safely be accepted.

Another tradition tells of an elopement. One of the Earls of Salisbury,
about to set out for the Holy Land, sent for his daughter, who was a
nun at the convent of Little Marlow, to bid him farewell. She came to
him at Bisham, and while there was persuaded by one of the squires to
elope with him. The pair crossed the water, but were almost immediately
captured. The girl was presumably returned to her nunnery, where her
escapade would give her something to think of during all the monotonous
days that followed, and the man was imprisoned at Bisham. In attempting
to make his escape he fell from a high window and was badly injured. It
is said that he afterwards took the vows and became a monk.

Temple Mill and House and Lock, which come next to Bisham up the river,
recall the possession of the Knights Templars. This and Hurley Lock are
the two nearest together of all on the river, and experienced oarsmen
frequently catch the second one by making a dash on high days and
holidays when there is likely to be a crowd and consequent delay.

Interesting as Bisham is, it is rivalled by Hurley, with its remains of
the fine old mansion Lady Place.

In order to reach the lock one passes under a high wooden foot-bridge,
"the marrow" to one further up. On the lock island is a large red-brick
mill-house, near which stand one or two evergreens; while on an apple
tree in the lock-keeper's garden is a fine growth of mistletoe, of
which he is justly proud. Mistletoe grows a good deal in the valley
of the Thames. It is not as a rule easily seen, owing to the foliage
of the trees on which it grows; but in the winter, across the frozen
meadows, against the cold white sky, it may be seen in great tufts that
look like giant nests.

It is supposed that the seeds of the mistletoe in order to become
fruitful must pass through the body of the missel thrush, which is
extremely partial to them, and seems to be almost the only bird that
will touch them, hence its name; and if, as is conjectured, the seeds
cannot germinate without this process, we have the phenomenon of an
animal forming the "host" for a vegetable parasite.

Beyond the lock there is a sheltered channel with the quaintest
old-world flavour about it, a flavour which grows yearly more and
more difficult to find as it melts away before the onward sweep of
the advertising age. A strip of green turf is lined by an old brick
wall with lichen and moss growing on its coping, so that when the sun
catches it, it is like a ribbon of gold. Tall gate piers, crowned by
stone balls, frame a bit of the excellently kept velvet lawns of Lady
Place. There are many of these old piers and balls, and nearly all are
overgrown with roses.

     Look to the blowing rose about us--'Lo,
     Laughing,' she says, 'into the world I blow,
     At once the silken tassel of my purse
     Tear, and its treasures on the garden throw.'
                    --_Fitzgerald's Omar Khayyam._

The splendid cedars, themselves a guarantee of age that no modern Midas
can summon to deck the grounds of his new mansion; the tinkle of a
cowbell from the meadow near; and the Decorated windows of Lady Place
peering over the wall; all add to the impression made by the whole.
The abbey was founded in 1086 for Benedictine monks. It is interesting
to note what a very great attraction water always held for monks;
doubtless the necessity for Friday fish was one reason for this; but
one likes to think that they also loved the river for its own sake,
and that they found in the current the same sort of fascination which
it holds for us now. It may be also that it was the constant gliding
of the water, an emblem of their own smoothly running lives, that drew
them so strongly:

     Glide gently, thus for ever glide,
       O Thames! that other bards may see
     As lovely visions by thy side
       As now, fair river! come to me.
     O glide, fair stream, for ever so,
       Thy quiet soul on all bestowing,
     Till all our minds for ever flow
       As thy deep waters now are flowing.

       *       *       *       *       *

     How calm! how still! the only sound,
       The dripping of the oar suspended!
     The evening darkness gathers round
       By virtue's holiest powers attended.
                            --_Wordsworth._

Of this abbey not much remains. The crypt is isolated, standing away
from the remainder of the buildings, and anyone may penetrate into
it. The old moat is excellently well preserved, and its circuit shows
that the abbey premises must have extended over at least five acres of
ground. The church, which is now the parish church, is an odd little
building. It has a single aisle, and the original work is Norman,
though it has been much modernised. It forms part of a courtyard or
quadrangle, and faces a large, barn-like structure, which was the
refectory; in parts this is also Norman, and in it are the Decorated
windows. The materials used in the construction of this refectory
are most curious--brick, chalk, flint, any sort of rubble, all mixed
together, and very solid. The stable is built in the same way, and it
is amazing that such heterogeneous stuff should have stood the test of
time. Not far off also is a dove-house of a very ancient pattern. The
interior, with its cavernous gloom and the numerous holes in the chalk
for the birds to nest in, is well worth looking into. Indeed, the whole
of this side of the buildings--away from the river--is worth landing to
see. It is all within a very few yards, and once past the modern house
we find the little church with its old-fashioned wooden tower, the
green with its well-grown elms, and the dove-house and stable, which
combine to form a very unusual scene altogether.

Sir Richard Lovelace, created Baron Lovelace by Charles I., built
Lady Place on the site of the abbey in 1600. He was a relative of the
Cavalier poet of the same name.

In Macaulay's history there is an account of Lady Place, given
graphically as he well knew how. He is speaking of a descendant of the
founder, and he says:

"His mansion, built by his ancestors out of the spoils of the Spanish
galleons from the Indies, rose on the ruins of a house of Our Lady in
that beautiful valley, through which the Thames, not yet defiled by the
precincts of a great capital, nor rising and falling with the flow and
ebb of the sea, rolls under woods of beech round the gentle hills of
Berkshire. Beneath the stately saloon, adorned by Italian pencils, was
a subterraneous vault in which the bones of ancient monks had sometimes
been found."

The third Lord Lovelace plotted for the coming of William of Orange,
and in the crypt many a secret meeting was held to arrange the details.
It is said that the actual invitation which brought the Dutchman over
was signed in this low, dark vault.

Lady Place later belonged to a brother of Admiral Kempenfelt, who went
down with the _Royal George_.

Certain places are frequently associated with certain seasons of the
year, and to my mind at Hurley it is always summer. The smell of the
new mown hay on the long island between the lock channel and part of
the main stream, the faint, delicate scent of dog-roses, and all the
other scents that load the summer air, seem to linger for ever in this
sheltered place. The backwater running up on the other side of this
island to the weir is a very enticing one. Thirsty plants dip their
pretty heads to drink of the water that comes swirling from the weir
like frosted glass, and trees of all sorts--ash, elm, horse-chestnut,
and the ubiquitous willows and poplars--lean over the water in crooked
elbows, giving a sweet shade and a delicious coolness. The weir is a
long one, broken by islands into three parts. Another long island is
parallel to the first one. Indeed, Hurley is a complicated place, and
one that is ever new. The swans certainly appreciate it. Drayton says
"Our flood's queen, Thames, with ships and swans is crowned." I don't
know about the ships; nothing very large can get above Molesey Lock;
but as for the swans they abound, and especially about here.

The swans on the river belong to the Crown, the Vintners' and the
Dyers' Companies. The grant of this privilege to the companies goes
back so far that it is lost in the mists of antiquity. The Crown is
far the largest holder, but as the numbers of swans, of course, vary
from year to year, it is difficult to form an estimate of the total.
The Vintners, who come next, own perhaps 150. They preserve only those
that live below Marsh Lock, with the exception of a few black ones,
which, contrary to expectation, have thriven very well, and find a
happy hunting ground about Goring and Moulsford. The system of marking,
called swan-upping, has been modified of late years, as a protest was
made against it on the ground of cruelty. Before that time the Vintners
marked their swans with a large V right across the upper mandible,
but now they give only two little nicks, one on each side. From this
comes the well-known sign of old yards and public-houses, the Swan
with Two Necks, a corruption of nicks! The Dyers have a nick on one
side only. The origin and variety of swan marks is a curious subject.
The process of swan-upping, or as it is often incorrectly called,
swan-hopping, gives an occasion for a pleasant excursion, as it occurs
about a fortnight before the August Bank-Holiday, in the very height
of the summer. Only the birds of the current year are done, as the
marks generally last for life, and though they are accustomed to see
too many people to fear mankind, the handling naturally frightens them.
The swans, as a rule, find their own living, grubbing about in the
banks and on the river bottom, and they are also occasionally fed from
house-boats and pleasure boats, but in winter sometimes they are hard
put to it, and provision has to be made by their owners.

A swan exercises on me something of the same fascination that a camel
does; though far be it from me to compare the two in grace. They are
both full of character, and both preserve a strictly critical attitude
toward the human race. In the case of the swan, nature has perhaps
dealt unfairly with him, for the curious little black cap, at the
junction of bill and head, technically known as the "berry," gives
him a fixed expression which he has no power to alter, even if he
felt beaming with good humour. As it is, he is condemned to go through
life as if he momentarily expected an attack upon his dignity and was
prepared to repel it. When the sun is shining and the swan dips his
long neck in the water and flings it upon his shoulders, the large,
glistening drops, running together on the oily surface, lie like a
necklet of diamonds in the hollow of his back.

The irises and bur-reeds line the low banks above the weir, and a line
of short black poplars give some shade.

     And on by many a level mead,
     And shadowing bluffs that made the banks,
     We glided, winding under ranks
     Of iris and the golden reed.
                                --_Tennyson._

I have said that Hurley is a summer place, and so it is; but there is
one spring beauty which those who know it only in summer must for ever
miss. On the slopes where the heights on the northern side fold into
one another there is a little pillared temple, and about and around it
some lavish and generous person has planted crocuses in big battalions,
and they lie there in the sun, royal in purple and gold, and quite as
rich in tint as those lights shining through the stained glass window
at Bisham we saw a while ago.

Above the next stretch of the river stands the great modern palace of
Danesfield, which is built of chalk, one would imagine a singularly
unlasting material. Though hidden by trees from directly beneath,
from a distance it is very noticeable, and the white walls gleam out
beneath the red tiles in a way that cannot be overlooked. It is well
thus to have used local material, for local it is, as can be seen by
the great chalk cliffs that line the river side; and the idea is daring
and original. The interior fittings are worthy of any palace, and no
pains and cost has been spared. It is a worthy object to build a house
which shall rank with those bygone mansions on which their owners
so lovingly lavished their thought and time, and which have also so
frequently disappeared. The name arises from the fact of there having
been a Danish camp in the neighbourhood, and the place is still pointed
out. After this there is rather a flat bit of meadow land, fringed
with sedge and many a gay plant, growing gallantly in blue and mauve.
We pass two reedy islands opposite a line of little houses called
Frogmill, and then we see Medmenham Abbey, which looks more imposing
than it is, being at the best a carefully composed ruin. However,
sometimes these compositions, if artistically done, are worth having,
and Medmenham has memories behind it. It was once a real abbey, founded
for Cistercian monks in 1200. But after the Dissolution the buildings
fell into ruin. Later they became the headquarters of the daring and
impious club known as the "Hell Fire" Club, of which one of the leading
spirits was Sir Francis Dashwood, afterwards Lord Le Despencer, the
same who built the church at West Wycombe, only a few miles away as
the crow flies. This is a church where the pulpit and reading desk
are armchairs; the latter stands on a chest of drawers, which, being
pulled out, serve as steps. On the tower of the church an immense ball
like a gigantic football is tethered by chains. This can contain twelve
people, and the mad lord held meetings here with his friends. The motto
of his club was _Fay ce que voudras_, and the members went as near to
devil worship as they dared. Once while they were at Medmenham someone
let a huge ape down the chimney, when the revellers, worked up to a
frantic pitch of excitement and more than half drunk, thought that his
Satanic majesty had paid them a visit in good earnest. From such orgies
Medmenham has long been free, and it is now a respectable dwelling
house with a nice bit of cloister over which ivy hangs in folds, and to
which the word "picturesque" may quite fitly be applied.

There is a ferry over the river at Medmenham, and, not far off, the old
Abbey Hotel, in which numbers of artists stay. Up the green lane is a
curious old house, once the residence of Sir John Borlase, whom Charles
II. used to visit, riding here on horseback, accompanied frequently, so
it is said, by Nell Gwynne. Standing by the high road, which here is
not half a mile from the river, is a quaint little church with wooden
porch and shady evergreens, a very model of what a tiny village church
should be.




CHAPTER XII

BOULTER'S LOCK AND MAIDENHEAD


  [Illustration]

Human beings are by nature sociable; and to state that a crowd of
well-dressed people will be at a certain point of the river at a
particular date, is to ensure that everyone else who possibly can
will be there too--only better dressed. It would seem to the ordinary
ungregarious bachelor that Boulter's Lock, the Sunday after Ascot,
would be a place to avoid, for there will be the necessity of waiting
for hours on a river--grilling in the sun if the day be fine, or
shivering if the day be cloudy; for the English climate never lacks
the spice of uncertainty, and at this season of the year it is more
capricious than usual. The middle of June is proverbially a time of
roses, but it is just as likely to be a time for chills, at least so
says the pessimist. To the optimist and he who "loves his fellow-men,"
Boulter's Lock, on this one day of the year, reveals itself to memory
as a day of delight and flashing colour; he has only to shut his
eyes to recall a scene as brilliant as a flower garden. Here, close
to him, lies a long, flat-bottomed punt, with gay cushions on which
lean two fair girls, their faces toned to a pink glow by the sun's
rays penetrating gently through their rose-pink sunshades. Their
large flapping hats are tied under their chins with huge bows of
ribbon as pink as their cheeks; their soft, white muslin dresses lie
in folds and frills and heaps bewildering to contemplate; they are
exactly, exasperatingly, absurdly alike. "How can a woman be such an
idiot as to duplicate her charms?" the onlooker exclaims to himself;
but he looks again. Dark eyes dancing as merrily as the ripples on
the breeze-stirred water; chatter and laugh; and babble as soft and
meaningless as the gurgle of the little tributary stream; textures of
fabric as delicate as the flowers peeping over the grey stone walls
from the lock-keeper's garden above; dainty arms bare to the elbow;
Japanese umbrellas jewelled in the sunlight; striped awnings, as gay
as Joseph's coat, flapping softly; the long low outlines of craft
of every kind, skiff and dingey and canoe, from the smoothly gliding
little electric launch to the heavy clinker-built boat on hire for its
tenth season; these items make up a scene quite unlike anything else.
For half a mile below the lock you could step across a solid bridge of
boats over half the river. Some years ago, the homely serge and sailor
straw-hat were considered the proper river costume; now, the straw is
worn only by men, whose severe flannels show little alteration from
year to year, for men are much more conservative in sartorial matters
than women. And every tantalising muslin, lace, and flower-decked hat
is considered suitable for a woman on the river. The more fantastic
and enormous, the more gauzy and lace-trimmed, the better. And, as her
grandmother did, the young girl dresses in the thinnest of muslins and
lawns, wears an open neck in the day time, and elbow sleeves.

  [Illustration: BOULTER'S LOCK, ASCOT SUNDAY]

In pushing forward between the open lock-gates into the lock, a slender
canoe fits into an almost impossible space between the electric launch
and the punt. A heavily weighted boatload, where four elderly women
are rowed by one heated man, falls foul of its neighbour and has to be
righted. The chatter is silenced for a moment, but rises again when
the craft are fitted, like the pieces in an old fashioned puzzle,
inside the green and slimy walls, which throw a deep shadow on one
side. Then the gates are shut, and a wash and gurgle of water begins,
delightfully cool to hear. A nervous girl gives a little shriek and
jumps so that every boat is set a-rocking, as all are touching. Others
laugh. It is impossible to upset, for there is no room. The whole
gently swaying mass rises on the breast of the rising water up out of
the shadow into the sunlight; into the view of the waiting crowds on
the tow-path. Colours flash out once more; an excited little dog rushes
yapping from stem to stern of his boat, and finally, with a vigorous
jump, lands on the lock-keeper's garden, where there is a profusion of
sweet old-fashioned flowers, and such roses as grow nowhere but by the
river-side. Then, to the accompaniment of the dog's frantic barks, the
massive gates creak backward on their hinges, and we ride forward into
the wide expanse of the sparkling river. Only a few boats await the
opening of the lock here, for, at this time of day, more are going up
than coming down. But behind, away below the lock, a chaotic flotilla
has once more collected, and may have to wait for hours, for it is
rather like the process of ladling the river up in a tablespoon.

  [Illustration: BELOW BOULTER'S LOCK]

This reach at Maidenhead, is one of the most popular on the river. On
each side of the wide stone bridge half a mile below the lock, Taplow
and Maidenhead face one another. But though popular and easy of access,
being on the Great Western Railway, which runs quick trains at frequent
intervals, both stations are a little distance from the river. The
name Maidenhead is derived from Maiden-hithe, or wharf, as a large
wharf for wood at one time stood near the bridge. The bridge itself,
though a modern fabric, is of ancient lineage, for we know that in
1352 a guild was formed for the purpose of keeping it in repair. It
may be remembered that bridges at that time were considered works of
charity, and competed with masses and alms as a means of doing good
posthumously.

     Another blissed besines is brigges to make,
       That there the pepul may not passe [_die_] after great
     showres,
     Dole it is to drawe a deed body oute of a lake,
       That was fulled in a fount-stoon, and a felow of ours.

And in _Piers Plowman_:

     Therewith to build hospitals, helping the sick,
     Or roads that are rotten full rightly repair,
     Or bridges, when broken, to build up anew.

  [Illustration: MAIDENHEAD]

The main road between London and Bath, a well-known coaching road,
runs this way, and a very good road it is. The railway bridge crosses
below the road, but it is of brick with wide arches, and is by no
means unsightly. Between the two is the River-side club, where a band
plays on the smooth green lawn in the season, and the smartest of
smart costumes are the rule. Near here also is Bond's boat-house and a
willow-grown islet. There are numbers of steps and railings and landing
stages, all painted white, and these give a certain lightness to the
scene. Close by the bridge are several hotels, of which the oldest
established is Skindle's, low-lying and creeper-covered, on the Taplow
side. Boats for hire line the banks everywhere, for many cater for the
wants of the butterfly visitor, out of whom enough must be taken in the
season to carry the establishments on through the winter; and the river
visitor is essentially a butterfly. Few know the charms of the Thames
in the winter, when, in an east and west stretch, the glowing red ball
of the sun sinks behind dun banks of mist; when the trees are leafless,
and the skeleton branches are outlined against a pale clear sky; when
a touch of frost is in the air, and the river glides so stilly that it
almost seems asleep.

     A bitter day, that early sank
     Behind a purple frosty bank
     Of vapour, leaving night forlorn.
                         --_Tennyson._

The visitor goes to the river in the summer because of its coolness,
and though the coolness is ofttimes delusive, being in appearance
rather than reality, lying in the sight of the sparkles and the sound
of the ripples, yet it is a fine make-believe. Such river-side hotels
as cater for the season are content to lie dormant all the chill
long winter, until, with the breath of early spring, the celandines
raise their polished golden faces and the lords and ladies stud the
hedgerows. Then a few adventurous beings come down on the first fine
days, like the early swallows, a portent that summer is at hand; and
these lucky people have the river largely to themselves, and do not
find lovers in every attractive backwater; and if they have to row to
keep themselves warm, they gain an increase of vigour that no burning
summer sun can give.

The view from Maidenhead Bridge northwards--for here the river runs due
south--is spoilt by the gasometers which rise over the willow-covered
islets. But once past Boulter's Lock, the scenery improves with every
hundred yards. Close by the lock itself is Ray Mead Hotel, where the
deep carmine-tinted geraniums grow in quantities. Sometimes as many
as three hundred people are supplied with tea at the hotel on a fine
summer afternoon, while over a thousand pass through the lock. Above
Boulter's is a secluded backwater formed by the stream of a mill, and
this is one of the pleasantest retreats in the neighbourhood.

     ... In my boat I lie
     Moor'd to the cool bank in the summer heats.
                              --_Matthew Arnold._

Above the river, on the east, rise the cliff-like heights of Clieveden,
wooded to their summits, and seen magnificently by reason of the curve
at the end of the reach, which gives their full sweep at one glance.
The cliff rises to a height of 140 feet, but the thickness of the
trees, and their own height towering above, make it look much higher.
The trees are of all kinds, oak and beech, chestnut and ash, and many a
dark evergreen; while here and there a Lombardy poplar shoots up like a
straight line, and the wild clematis throws its shawls of greenery from
tree to tree, giving the whole the appearance of a tropical forest.
Seen in early spring, when the tender green of the beeches and the
bursting gummy buds of the horse-chestnut are shedding a veil over the
fretwork of twig and bough, they are glorious enough; but in autumn,
when orange and russet break out in all directions, they are, perhaps,
more imposing. River people do not, as a rule, see them at their
best, for before that touch of frost has come which sends a flame of
crimson over the maples, and heightens the orange of the beeches, the
fairweather boatsman has fled to his fireside.

At one point we catch a glimpse of Clieveden itself, standing high and
facing downstream. Evelyn says in his diary:

     I went to Clifden, that stupendous natural rock, wood,
     and prospect, of the Duke of Buckingham's, buildings of
     extraordinary expense.... The stande, somewhat like Frascati
     as to its front, and on the platform is a circular view to
     the utmost verge of the horizon, which, with the serpenting
     of the Thames, is admirable.... But the land all about
     wretchedly barren, and producing nothing but fern.

The taste of those days differed from ours; now we should prefer to see
an expanse of ferns to a field of potatoes.

The first great mansion here was built by "Steenie," the Duke of
Buckingham, King Charles's favourite. He was a villain, even for a time
of slack morals, and the chief association connected with his house
is that he brought here a comrade in every way suited to him, in the
person of the Countess of Shrewsbury, who stood by, dressed as a page,
holding his horse, while he killed her husband in a duel. The house was
twice burnt down; the present one was built about the middle of the
nineteenth century, and belongs to Mr. Astor. A pleasanter memory is
that of the poet Thomson, whose masque _Alfred_ was acted here in 1740,
on the birthday of Princess Augusta. This contained, as a kernel, the
song "Rule Britannia," destined to survive long after its husk had been
forgotten.

Opposite Clieveden the ground is low lying, and, to use Evelyn's word,
the river "serpents" a good deal. There are several islands, on one of
which, called Formosa, there is a house. There are several side-streams
crossed by footbridges, and in one of these is the lock. The main
stream continues in a great sweep, and is guarded by two weirs. The
fishing here is very popular, and though it belongs to Lord Boston,
permission to fish may be obtained by writing beforehand. Hedsor Church
stands well on high ground near; and with its bosky foliage and many
islets, the river here is not a bad place in which to idle away many an
hour.

The hotel at Cookham is right down on the water's edge, and from its
lawn a charming view is gained of the main stream breaking into its
many channels, with the wooded island of Formosa in the middle. All
about here is a favourite place for anglers, and many a punt is moored
across stream with its ridiculous chairs on which sit two or three
solemn elderly men, content to sit, and sit, and watch the dull brown
water rush beneath for hour after hour, without once raising their eyes
to see the green of the witching trees, or listening to the hum of the
joyous life around them. To an onlooker they appear to be quaffing the
flattest part of the sport, having missed all its head and froth. How
different the punt fisher's day from that of the man who starts off
up-stream, through many a low-lying willow-fringed meadow, who reaches
over to land his fly in the deep brown pool into which the stream
falls. Punt fishing, like loch fishing, must have its fascinations, or
few would do it, but it lacks all the sparkle expressed in such a song
as that of Walton's, for instance:

     In a morning, up we rise,
         Ere Aurora's peeping,
     Drink a cup to wash our eyes,
     Leave the sluggard sleeping.
         Then we go
         To and fro,
         With our knacks
         At our backs,
         To such streams
         As the Thames,
       If we have the leisure.

The less said about the rhyme the better, but this has the swing and
lilt of the true feeling!

From Cookham Bridge we can see the gaily covered lawn of the hotel,
where a perfect flotilla of craft is anchored, while the owners have
tea or more cooling drinks; and turning we can view the wide expanse
of Bourne End, where the races of the Upper Thames Sailing Club are
held all the summer, and where, about the end of June, when the great
regatta is held, the surface of the water is dotted with swan-like
boats.




  [Illustration]




CHAPTER XIII

WINDSOR AND ETON


However disappointed a foreign monarch, on his first visit to England,
may be with the drab hideousness of Buckingham Palace, he cannot but
confess that in Windsor Castle we have a dwelling meet even for the
King of England. Both architecturally and by reason of its age, Windsor
is a truly royal palace. Its history is linked with that of our kings
until its very stones proclaim the annals of our country. Ages ago,
Edward the Confessor took a fancy to this quiet place by the Thames,
and he gave it to his beloved monks of Westminster. William I. saw what
a splendid shooting lodge might be built in the midst of the wild and
open country abounding in game, and after having first one shooting
lodge and then another in the neighbourhood, he acquired the high
outstanding boss or knob of chalk on which the castle stands, and built
thereon a residence for himself. His son, Henry I., altered it greatly;
and succeeding kings and queens have rarely been content to leave it
without an alteration or addition as their mark. Windsor has ever been
a favourite with royalty. It has held its own while Westminster and
Whitehall and Greenwich utterly vanished; while the Tower and Hampton
have ceased to be royal dwellings; and it is still pre-eminently the
royal castle. Certain kings, such as William III., have sometimes
preferred other places for a while, but Windsor has satisfied alike the
dignity of Edward III. and the homeliness of George III.

  [Illustration: WINDSOR CASTLE]

The situation is superb. The castle stands high above the river, which
here curves, so as to show off its irregular outlines to the greatest
advantage. They rise in a series of rough levels to the mighty Round
Tower, the crown of the whole, which is massive enough to dominate,
but not sufficiently high to dwarf the rest. Turrets, battlements,
and smaller towers serve only to emphasize the dignity of this central
keep. It was built in the time of Edward III., and strangely enough,
though altered and heightened in that worst period of architectural
taste, the reign of George IV., it was not spoiled; and even to a child
proclaims something of the grandeur one naturally associates with it.

As seen from the bridge the whole of the north range can be followed
by the eye, from the Prince of Wales's Tower, facing the east terrace,
to the Curfew Tower on the west. Intermediately there are the State
apartments, and the Norman gateway, over which is the Library. These
overlook the north terrace--open to the public at all hours from
sunrise to sunset.

The view from this terrace is very fine, stretching away to Maidenhead,
and at times, on days of cloud and shadow, the light-coloured walls of
Clieveden stand out suddenly, caught by a passing gleam, amid a forest
of green trees. We can look down on the whole of Eton--the church with
its tall spire; the buttresses and pinnacles of the chapel standing up
white against an indigo background; the red and blue roofs piled this
way and that; and the green playing fields girdled by the swift river.
It was on the castle terrace that George III. used to walk with all his
family, except the erring eldest, when he took those tiresome parades
which Miss Burney describes with so much life-like detail.

The Chapel cannot be seen from the river, as it is in the lower ward
behind the canons' houses, and is not sufficiently high to rise well
above them.

It would be of little use to attempt to tell stories of Windsor, for
its history belongs to the history of England and not to the river
Thames; yet there is one memory which may be noted. Young James Stuart
of Scotland had been sent by his father, Robert III., to France after
the death of his elder brother, the wild Duke of Rothesay, nominally
for education, but in reality for safe keeping. The boy was captured by
the English while on the sea and brought as a prisoner to England. He
was then only about ten or twelve years old. He was treated with every
consideration, and educated so worthily that he became afterwards one
of the best of all the Scottish kings. He was at first in the Tower
and elsewhere, but when he reached young manhood he was brought to
Windsor, where he had apartments allotted to him. Though he was allowed
to follow the chase and pursue the amusements of his time, he was yet
a prisoner, and the sad opening stanzas of his great poem, the _Kingis
Quair_, speak the melancholy he often felt. This poem was composed at
Windsor, and its pensiveness changes after the day when, looking down
from his window in the castle, the youth saw walking in the garden Joan
Beaufort, whom he afterwards made his wife:

     And therewith cast I down mine eye again,
     Where as I saw, walking under the tower,
     The fairest or the freshest young flower
     That ever I saw methought before that hour.

His visions further on in the poem must have been coloured more or less
by what he daily saw before him, and we may credit to the Thames the
flowing lines:

     Where in a lusty plain took I my way,
     Along a river pleasant to behold,
     Embroidered all with fresh flowers gay,
     Where, through the gravel, bright as any gold,
     The crystal water ran so clear and cold.

  [Illustration: WINDSOR]

Windsor should be seen in sunshine and heat, when black shadows set off
the towering walls, and all the uneven houses and crooked streets are
pieced in light and shade. Then it is exceedingly like a foreign town
in its details; and many people who travel miles to admire Chinon, and
others of its class, would do well to visit Windsor first.

The town has always been subordinate to the castle, for it was the
castle that caused the town to spring up, as there were always numbers
of artificers, attendants, grooms, workmen and others needed for the
service of the Court. In the fourteenth century it was reckoned that
the Court employed an army of 20,000 of such people. These would all
have to be housed somehow, and the nearer the protection of the castle
the better; hence the town on the slopes.

The Home Park, in which is the mausoleum, borders the river. It is
separated by a road from the Great Park, made for hunting. Pope's poem
on "Windsor Forest" is not particularly beautiful; perhaps the best
descriptive lines are those that follow:

     There, interspersed in lawns and opening glades,
     Thin trees arise that shun each others shades:
     Here in full light the russet plains extend;
     There, wrapt in clouds, the bluish hills ascend.

Windsor Park is introduced by Shakspeare as the scene of some of
Falstaff's escapades, an honour shared by the neat, bright village of
Datchet, opposite. Datchet is a model village grouped about a green,
and the houses are softened by all the usual creepers and bushes: we
see roses, jasmine, laurustinus, magnolia, and ampelopsis at every
turn. Above and below Datchet this clean neatness continues.

The Victoria and Albert bridges are severe, and the weir and the great
bow of the channel, which is cut by the lock-stream, have no particular
characteristics. The whole neighbourhood has rather the air of holding
itself on its best behaviour, as though royalty might any moment appear
upon the scene. As might be expected, the scenery is rather like the
poetry it inspired. Here is Sir John Denham's effusion about Coopers
Hill:

     My eye, descending from the hill, surveys
     Where Thames, among the wanton valleys strays:
     Thames, the most loved of all the Ocean's sons
     By his old sire, to his embraces runs:
       Hasting to pay his tribute to the sea,
       Like mortal life to meet eternity.

There is a pretty reach below Old Windsor, where willows and poplars
are massed effectively. It is in places like this, where they grow
abundantly, that the beautiful tawny colour which willows assume in the
spring, just before bursting into leaf, can be best seen.

The Bells of Ouseley stands at a bend, and with its tinted walls
and the old elm tree growing close to the entrance, is a typical
old-English Inn. The road to Staines passes by the water's edge, and
the guide-post is less reticent than guide-posts are wont to be, for it
tells us this is the "Way to Staines, except at high-water."

As we pass softly back up the current to Eton, we think how often
in this reach the incomparable Izaak and his friend Sir Henry Wotton
fished together.

     I sat down under a willow tree by the water side ... for
     I could there sit quietly, and, looking on the water, see
     some fishes sport themselves in the silver streams, others
     leaping at flies of several shapes and colours; ... looking
     down the meadows, could see here a boy gathering lilies
     and ladysmocks, and there a girl cropping culverkeys and
     cowslips.

Wotton built a fishing box a mile below the college, from which he and
Walton often sallied forth during the fifteen years he was provost of
Eton, and to his rod many a "jealous trout that low did lie, rose at a
well dissembled fly," as he himself has left on record.

     Ye distant spires, ye antique towers
       That crown the wat'ry glade,
     Where grateful Science still adores
       Her Henry's holy shade;
     And ye, that from the stately brow
     Of Windsor's heights th' expanse below
     Of grove, of lawn, of mead survey,
     Whose turf, whose shade, whose flowers among
     Wanders the hoary Thames along
       His silver-winding way.
                                        --_Gray._

In rounding the great sweep of the river below the London and South
Western railway bridge, we catch at once the pinnacles of Eton
chapel--most glorious of chapels--and see the green playing fields.

The long tree-covered island of Romney, on one side of which lies the
lock, ends in a terrible "snout," strengthened by "camp-shedding." This
point is locally known as the "Cobbler," and is a source of peril to
many an inexperienced boatman.

  [Illustration: ETON CHAPEL FROM THE FIELDS]

The bridge over the river can, unfortunately, hardly be called a good
feature in the landscape--it is as ugly as a railway bridge! Just above
it is a row of boat-houses, and then follows the Brocas, the famous
meadow. Above the bridge is a tiny islet which serves as an objective
in the Fourth of June procession of boats. The boats come down and
round the island, and once more returning, pass under the bridge to the
lock, having made a sort of spiral. Nearly all the Eton races are rowed
in this strip of the river, though, of course, Henley Regatta is the
greatest event in the boating calendar. A small string of islands faces
some little public gardens, and away northward winds the Great Western
Railway on a series of small arches which carry it over the marshy
ground, no doubt at one time under water.

Beyond the line is a small backwater known as Cuckoo weir, the bathing
place of the lower boys. Here the swimming trials take place, when
a set of trembling pink youngsters stand in a punt ready to take a
graceful header, or, from sheer nervousness, to fall with an ugly flop
smack upon the water and be disqualified for the time being!

The bathing place of the upper boys, called by the dignified title of
Athens, is further up in the main river, near the curious island on
which is Windsor racecourse. The river winds giddily in and out between
the end of this island and Upper and Lower Hope, which lie between it
and Cuckoo weir. A mill stands at the end of the long narrow stream
that separates the racecourse from the mainland, and on the other side
of the island is Boveney Lock. The quaint old chapel stands amid trees
further up.

Above the island was once Surley Hall, a favourite resort of the
Etonians, but it is now pulled down, and Monkey Island is the place
to go to on half-holidays. Monkey Island is a good way up, and is the
third of a row of islands. The little one below it, called Queen's
ait, now belongs to the Eton boys, who have built a small cottage on
it. Monkey Island itself is a curious and attractive place, except
when the launches come up from Windsor on Saturdays, bringing hundreds
of people, who sit about at little tables on the green sward under
the famous walnut trees, and call for refreshments. There is a large
pavilion, part boat-house, which belongs to the Eton boys, where they
can get tea served without mingling with the townspeople. Near it is
a quaint little temple. This, as well as the house, now the hotel,
was built by the third Duke of Marlborough, a man of curious taste.
The hall in the hotel is painted all round with the figures of monkeys
engaged in various sports and pastimes. There is a broad frieze which
appears to have been executed in water colours on plaster; the ceiling
is likewise painted, but in rather a different style. The monkeys
are a good size, and attract a vast crowd of visitors. The pretty
verandah round the hotel redeems its appearance externally. Inside it
has at once all the attractions and disadvantages of an old house--low
ceilings, very small rooms; but on the other hand there are windings
and twistings, crooked passages and odd corners, that delight the heart
of those to whom machine-made houses are an abomination. The duke's
bedroom is shown, and is as queerly shaped a room as ever mortal man
conceived. Monkey Island is being embanked with the precious gravel
dredged from the bed of the Thames, and, though no doubt a necessary
precaution, as the river insidiously breaks off what it can, the
operation is not a beautiful one. The island is very proud of its
walnut trees, and well it may be, for they are a great change after
the ubiquitous willows, and their gnarled stems and fine shady leaves
are just the right element in such a scene as a gay lawn covered with
summer folk in summer dresses.

From Monkey Island the little church tower of Bray can be seen, but
before reaching it Bray Lock has to be negotiated, and here are a long
sinuous osier-covered ait and a mill, making, as usual, a convenient
backwater.

Bray is truly a charming place, and one could find it in one's heart
to forgive the vicar who turned his coat to keep his vicarage. The
real man lived in the reign of Henry VIII. and his successors, and
changed his religious practices in conformity with those of the
sovereign for the time being, turning from Roman Catholic to Reformed
Church, Reformed to Roman Catholic, and back once more with ease
and pliability. In the ballad he is represented as living in the
seventeenth century, and his gymnastics refer to the varying fortunes
of the house of Stuart, and the Romish tendencies of the later kings of
that house. Fuller, with his usual quaintness, remarks of him that he
had seen some martyrs burnt at Windsor and "found this fire too hot for
his tender temper." But one would fain believe it was not altogether
cowardice, but also a love of his delightful village, that made him
so amenable. The little flint and stone tower of the church peeps
at the river over a splendid assortment of evergreens--laurels, holm
oaks, yews, and spruce firs being particularly noticeable--and the old
vicarage with this growth of sheltering trees and its smooth lawn right
down to the water's edge, is certainly a place that one would think
twice about before leaving. The village itself is so irregular that,
tiny as it is, one may get lost in it. There are endless vistas of
gable ends, of bowed timbers, of pretty porches, and worn brick softly
embraced by vine or wistaria; yet even in Bray, new red brick is making
its way. One of the most interesting features is the almshouses, and
if one lands by the hotel, they are reached after only a few minutes'
walk. The exterior is very quaint; large cylindrical yews and hollies,
like roly-poly puddings on end, stand up in stubborn rank before the
worn red brick. The statue of the founder, of an immaculate whiteness,
with the glitter of gilt in the coat-of-arms below, just lightens the
effect. Through an ancient arch one passes to the quadrangle, which
is filled with tiny flower-beds, and surrounded by a low range of red
brick with dormer windows. At the other side is the chapel covered with
ivy, and this, with the little diamond panes and the brightness of the
variegated flower-beds, is home-like and cosy. Yet it must be confessed
that in his well-known picture, "The Harbour of Refuge," admittedly
taken from Bray, Frederick Walker, the artist, has greatly improved
the scene with artistic licence. The raised terrace at the side, the
greater width of the quadrangle, the smooth green lawn and sheltering
central tree in his picture, are far more harmonious and beautiful than
the reality.

Bray is a very popular haunt with artists and boating people. In
summer the George Hotel cannot take in all its visitors, and beds are
hired all over the village, consequently, anyone wishing to spend some
weeks in Bray must make arrangements well beforehand. This is not to
be wondered at, because, as well as its own attractions, it is within
easy reach of Maidenhead and the delights beyond, and its unspoilt
quaintness makes it ideal to stay in. Long may Bray remain as it is,
unaltered and a tiny village.




CHAPTER XIV

MAGNA CHARTA


  [Illustration]

Magna Charta Island is something of a shock at first sight; it is so
exceptionally well cared for and so pretty. One pictures a tangle of
wild trees, a mass of rushes, osiers perhaps, and general grimness.
The osiers are confined to a fraction of the island; on the remainder
is a prettily-built house of a fair size, with the very best sort of
river-lawn, on which grow various fine and regular trees. Many are the
evergreens; and the bosky holm oak, the dignified stone pine, and the
flourishing walnut, seen in conjunction with the beautifully kept turf
and bright flower-beds, are altogether unlike one's conception of the
place.

It is true that, though the island has the name of it, it is now
generally supposed that the actual signing of our great charter of
liberties took place on the mainland. John had delayed, and played
false, and postponed the issue for long, but he knew now that all was
up, and he was cornered. A truce was declared, and from Windsor he
agreed to meet his barons and "concede to them the laws and liberties
which they asked." The fifteenth of June was fixed for the day, and
Runney Mead, or Runnymede, for the place. With the barons were almost
the whole of the English nobility; with John, certain ecclesiastical
powers, namely, the Archbishops of Canterbury and Dublin, and seven
bishops, as well as some earls and barons. It is quite obvious that the
barons could have had no idea of the vast consequences of their act.
They would have been astonished could they have foreseen that it would
become the basis of the English constitution. They merely wanted to
bind down a particular king who had outraged their liberties.

One can hardly imagine a better place for the assembling of a great
body of armed men than these meadows by the river. The land is as flat
as a platform, and sheltered to the south by the heights of Cooper's
Hill, which rise like the tiers in an amphitheatre. The Long Mead, with
the exception of the road now running across it, must have looked very
much then as it does now. Runney Mead is more altered, because it is
shut in by hedges. We know not if the day were fine or overcast when
the great charter was signed; but when the deed was done John, in a
rage, retired to Windsor. The barons remained on the meads for about
ten days, during which the place must have been like a fair.

It is very hot on this part of the river on a sunny day. The trees
growing on the banks are all on the north side, and consequently give
little shade. They border Ankerwyke Park, and grow so close to the
water that many of their roots are in it. The swallows dart to and
fro, and clouds of gnats dance like thistledown in the air. Near the
banks grow many flowers. The spotted knotweed or persicaria, with its
bright flesh-coloured flowers, is sometimes in water, sometimes on
the land; the common forget-me-not can be seen peeping up with its
bright blue eyes; the pink willow herb flourishes; and the yellow iris
and the purple loosestrife are also to be seen. And when there is no
wind the scent of the meadow-sweet and the dog-roses becomes almost
overpowering.

Ankerwyke was once a priory. It was appropriated by Henry VIII., who is
said to have carried on the courtship of Anne Boleyn under the mighty
chestnuts for which it was even then famous:

     The tyrant Harry felt love's softening flame,
     And sighing breathed his Anna Boleyn's name.

A bit of doggerel just about worthy of the occasion!

A more interesting association, though one that leads us rather far
from the river, is Milton's residence at Horton. He lived here with
his parents for five years after leaving Cambridge, and no doubt his
rambles over country which would not then be hedged in and cut up as
it is now, often led him in the direction of the river. It was this
scenery, noted at those deeply impressionable years, that he could
still see when earthly sight was gone.

_Lycidas_ and _Comus_ were both written in the next four or five years,
and in

     The willows and the hazel copses green

we have a touch of real nature breaking through the conventional
allusions to vines and wild thyme; also:

     Ye valleys low, where the mild whispers use
     Of shades, and wanton winds, and gushing brooks,
     On whose fresh lap the swart star sparely looks;
     Throw hither all your quaint, enamell'd eyes
     That on the green turf suck the honied showers,
     And purple all the ground with vernal flowers.
     Bring the rathe primrose that forsaken dies,
     The tufted crow-toe, and pale jessamine,
     The white pink, and the pansy freak'd with jet,
     The glowing violet,
     The musk-rose, and the well-attir'd woodbine,
     With cowslips wan that hang the pensive head,
     And every flower that sad embroidery wears.
     Bid amaranthus all his beauty shed,
     And daffadillies fill their cups with tears.
                                     --_Lycidas._

     By the rushy-fringed bank
     Where grows the willow and the osier dank.

       *       *       *       *       *

     Thus I set my printless feet
     O'er the cowslip's velvet head
     That bends not as I tread.
                         --_Comus._

Not very far below Ankerwyke, the river Coln runs into the Thames
near Bell Weir Lock, and a little bit above Staines is London
Stone, standing in a meadow close by the water. It marked the former
jurisdiction of the Lord Mayor of London over the river, but these
rights are now vested in the Thames Conservators. Staines does not
make the most of itself, or sufficiently endeavour to veil those
unsightlinesses incidental to a town. The large gasometers opposite
London Stone are not the only blemishes. Standing on the bridge and
looking up-stream there are many ugly, yellow-brick, manufacturing
buildings to be seen; while the screen of willows does not hide piles
of untidy stones, rusty old iron and other uglinesses. Even the very
passable island in the centre does not atone. Down stream things are
a little better, though the want of architectural beauty in the new
church by the river and the "plastered-on" pinnacles of the parish
church are both eyesores.

From Staines, however, one may pass rapidly to a fascinating corner at
Penton Hook.




CHAPTER XV

PENTON HOOK


  [Illustration]

Penton Hook is quite peculiar. To a select little coterie of people it
is _the_ place on the river, but to hundreds of others it is not known
at all. To its own manifest advantage it is off the "hard high road,"
and the scorchers and the bounders, and the multitude generally, fly by
within a comparatively short distance, little knowing what they have
missed. But one or two of the favoured few turn down to quiet little
Laleham, and wheeling round a corner come right on to the tow-path by
the river's brink; in a hundred yards they are at Penton Hook. But
though the Hook is very select and highly favoured, that is not to
say it lacks population, only--it is a population of the right sort.
Little camps of charming bungalows dot the banks both above and below
the lock. Some are built on ground leased from the Conservancy, some on
that of private owners. To each man is allotted a strip of ground, with
so much river frontage, whereon he builds to his own taste and fancy a
little one-storeyed white-painted house, and lays out the tiny garden
from which his own white steps reach down to the water. Think of the
joy of it! The leader in an important case has been in a stuffy court
all day, burdened with his wig and gown, seeing all the dust and stains
of unswept corners of human nature; accusing, with upraised finger,
the brazen witness who has just perjured himself; dragging from that
yellow-faced man the secret he thought buried. Faugh! But the court
rises; he is away. The motor takes him down in less than an hour. Gone
are the stifling garments; the worn and wicked faces. The dull roar of
Strand traffic is replaced by the splashing of the water as it bounds
over the weir. The freed man tumbles into flannels and lies full length
on the green grass, smoking, with the water flowing at his feet, or he
dawdles in a boat round the Hook, tempting the fish with all the decoys
he knows. Happy man!

The trees near the bungalows, and those that fringe the meadows near,
are not pollarded; there is space between their tall stems. The short
grass, gemmed with pink-tipped daisies, can be seen everywhere, and
there is air, and freshness, and openness for everyone. The white
paint of the bungalows and their neat green or pink roofs, the rows
of geraniums, roses, and other flowers carefully kept and tended, add
touches of gaiety and brightness.

There are three weirs, for the river here makes the neatest horse-shoe
in its whole length, and the authorities have cut through the neck
of land, so that the greater part of the stream goes rioting and
tumbling in joyous confusion beneath the great new weir, provided with
a pent-house roof, under which it is always cool on the hottest summer
day, with transparent reflections dancing on the wall and a ripple
and splash below. The second weir, a mere tumbling-weir, is only a
few yards away. The water does not often leap over it unless it is at
flood time, when it affords a safety outlet. The third and widest is a
mixture, half sluice gates and half of the tumbling kind. At one time
there was no weir here, and boats could avoid the lock by navigating
the Hook, but that is now no longer possible. There is one advantage in
it; it keeps the Hook more secluded. The little red water-gauge house
is connected by wires with Staines, and so to all the rest of England.
By an automatic arrangement, the register shows simultaneously here and
at the offices of the water company what depth of water there is, so
that they may know how much they can take.

At Penton it should be always summer, with dog-roses and sweetbriar,
with placid red cows grazing on the tender grass, with boats tethered
in the lazy current round the bend of the Hook.

An uncommonly good place for fishing it is, this Hook, as the
kingfishers have found out, for they are yearly increasing, and
apparently do not mind the gay tide of summer company that invades
their haunts. Right down on the banks near the lock one pair nested
this year. No steamers churn up the waters and frighten the fish; only
a slow-moving house-boat or two towed to position and there left, or
those drifting boats belonging to young men and maidens who are content
to drift metaphorically as well as actually.

The Abbey river starts away on its own account on the far side of the
Hook, and begins its short course of about a couple of miles, to fall
into the Thames again at Chertsey. It used to be possible to get up
it in a boat, but now it is barred. However, visitors have nothing to
complain of, for the meadows around are singularly open to them, and
the place is not hedged about with restrictions as are so many river
resorts. Numbers of people come down to picnic, and it is no uncommon
sight to see quite a row of motors outside the lock-keeper's house,
while footman or chauffeur carries across the luncheon hampers to what
was once a peninsula but is now an island. Tradesmen's carts come round
too, finding in the swallow-colony quite enough demand to make it worth
their while; and year by year the bungalows grow. A whole new piece of
meadow, hitherto osier bed, is even now going to be devoted to them.
"Why, I get as many as twenty to thirty applications for land every
week," says the lock-keeper. It is to be hoped Penton Hook will not
become over-populated, or the delightful freedom from conventionality
which now characterises it might die away. "Ladies who come down
here--why, some of them, they never put a hat on their heads the whole
time, and I was going to say not shoes or stockings either!" The place
is particularly sought after by theatrical people. Miss Ellen Terry
still holds the bungalow she has had for many years. It is surprising
how early the season begins; even at the end of chilly March a few of
the first of the swallows appear.




CHAPTER XVI

ABOUT CHERTSEY AND WEYBRIDGE


  [Illustration]

Between Chertsey and Penton Hook is Laleham, where the tiny ivy-covered
church is too much hidden away to be seen easily. An old red brick
moss-grown wall is the chief object near the river, and with the
bending trees and quiet fields there is a sense of brooding peace which
only remains in places off the main roads. Matthew Arnold was born at
Laleham and is buried in the churchyard. His father, Dr. Arnold of
Rugby, came here in 1819, but he left when Matthew was only six, to
take the head-mastership of Rugby.

Between Laleham and Chertsey there is some open, rather untidy ground
on which gypsies are wont to camp. It cannot be said that the river
looks its best above Chertsey. The country is too flat and open, and on
a summer day one is too often scorched. Yet there is always some beauty
to be found, and it is certainly in open spaces like these that we see
best reflected "heaven's own blue." Away to the west the tiny Abbey
river flows in past a mill. By Chertsey bridge a triumphant victory in
regard to right-of-way over the Thames Conservancy in 1902, is recorded
on two newly built villas. Opposite is the Bridge Hotel, which, with
its little bay, its Lombardy poplars and green lawn, is a pleasant
oasis.

Chertsey Abbey, which was of great fame, lay between the town and the
river. It was founded in 666, and some Saxon tiles from the flooring
may be seen in the British Museum. The buildings were destroyed by the
Danes, but it was re-established in 964 as a Benedictine Monastery.

Nothing shows more the immense power of the monks in England than
these mighty abbeys which studded the country. We have come across so
many, even in our short journey between Oxford and London, that the
fact cannot escape notice; though they probably were more thickly set
beside the river than elsewhere, because, as I have said, flowing water
attracted these old monks for more than one reason. There is hardly
anything left of Chertsey Abbey now, yet in its prime it was like a
small town, giving employment to hundreds of people. There are a few
ivy-covered steps near the back of the church and an old bit of wall
doubtfully supposed to have been part of the boundary; this is near
the Abbey river. Henry VI. was buried at Chertsey, and his funeral is
referred to in Shakespeare's play of _Richard III._:

     ... after I have solemnly interr'd
     At Chertsey monast'ry this noble king,
     And wet his grave with my repentant tears.

So he makes the hypocritical Duke of Gloucester speak. Cowley, the
poet, lived in Chertsey for two years before his death. The house
still stands; it has an overhanging storey and is covered with rough
stucco. Charles James Fox was born in a house near, and this probably
decided him in making choice of a residence many years later, for he
chose St. Anne's Hill, only two miles away, which can be seen far and
wide around. There he settled to indulge in the delightful hobby of
improving his grounds.

Below Chertsey Bridge is an excellent punting reach, where the
championship punting competition is held every year in the beginning
of August. This is, doubtless, the reason why Chertsey is crowded
with visitors in the summer, when out of all the innumerable lodgings
scarcely a room is to be had.

The river about Weybridge and Shepperton is much more varied than
at Chertsey, and to my mind variety is a direct element of beauty in
river scenery. We have passed through flat meadows lined with straight
ranks of Lombardy poplars that might belong to northern France, and
then suddenly, at Weybridge, we begin once more curves and twists and
unexpected islands and snug corners. There is a ferry across the river,
and the place seems to get along wonderfully well without a bridge.
In the middle of the stream is a well-kept island which belonged to
the late Mr. D'Oyly Carte; it is hedged about with an exclusive wall,
enclosing a pretty garden. In the centre is a neat white house with
projecting tiles.

In every direction there are numerous boat-building establishments.
The lock island is large and has other buildings on it besides the
lock-keeper's cottage. It is a favourite camping ground in summer, and
has rather an untidy appearance. The wide-mouthed Wey flows in beside
a couple of other islands, and is itself a very attractive place to
explore, winding away through meadows and beneath overhanging trees.
It is, however, not free from locks, though of a somewhat simpler kind
than those on the Thames. Weybridge is a fresh and pleasant place,
rapidly growing in all directions, and in its gorsy common land and
masses of pine woods it reminds one of the parts of Surrey about
Camberley. On the green stands the column which once presented seven
faces to the seven streets in London, called after it Seven Dials.
Since then it has risen in life, having been bought and surmounted with
a coronet instead of the dial stone; this was in honour of the Duchess
of York, who died in 1820. She lived at Oatlands Park and was very
popular.

Oatlands Park is the great place of the neighbourhood. It was once
a hunting ground of King Henry VIII., but now belongs to a large
residential hotel. Nothing remains of the building, which was used
by many of our English monarchs. George IV. entertained here the
Emperor of Russia, the King of Prussia, and all the princes and
generals who visited England after Waterloo. In 1790 the Duke of
York, who is commemorated by the column in Waterloo Place, bought and
rebuilt the house, and still later it was in the possession of the
Earl of Ellesmere. Remodelled, the house still stands as the hotel. A
large piece of ornamental water in the grounds is almost as great an
attraction as Virginia Water. Just where the park touches the river is
the place known as Cowey Stakes. It is said that here Cæsar crossed the
river when in pursuit of Cassivelaunus, in 54 B.C. The stakes, which
are no longer to be seen, are supposed to have been placed there to
obstruct his use of the ford. They had been so long under water, that
when found they were like ebony; they were about six feet long and
shod with iron. They appear to have been too imposing and carefully
formed to have been put in for the mere purpose of a river weir or for
fishing; but, on the other hand, instead of running with the axis of
the river, as would appear reasonable if they were meant to obstruct
the passage of men, they were planted across it like a weir. They have
afforded matter for endless discussion among antiquaries.

  [Illustration: WALTON BRIDGE]

What we know is that Cæsar, having landed at Pevensey, marched inland
and came to the Thames at about eighty miles from the sea. The river
was fordable only at one place, and here natives were drawn up to
oppose him, and the ford fortified with sharp stakes. So the evidence
certainly seems in favour of this place.

Near Cowey Stakes is Walton Bridge, on the far side of which is a large
pool connected with the river by a channel; here are constantly to be
found punt fishers. Turner painted Walton Bridge, and certainly, in
some aspects, the place is worthy of being painted. The present bridge
is of brick and iron, but the old one was of oak. Walton, like every
other place on the Thames, depends greatly on the weather. On days
when the cedars are seen against a vivid blue sky and the songs of a
thousand birds are heard, when the meadows are lined with flowers, it
is beautiful.

     Now rings the woodland loud and long,
       The distance takes a lovelier hue,
       And drown'd in yonder living blue
     The lark becomes a sightless song.

There are other days when the whole is curiously like a platinotype
photograph; when the steel-grey water reflects a white sun, and all the
countless twigs of the trees are seen in one feathery mass. All colours
seem drawn out of the picture, even the green of the grass is turned
to dun. Light is everything in estimating beauty, but it is sometimes
difficult to realise quite how much one owes to it. We might quote from
Cowley's _Hymn to the Light_:

     Thou in the moon's bright chariot proud and gay
       Dost thy bright wood of stars survey,
       And all the year dost with thee bring
     Of thousand flow'ry lights thine own nocturnal spring.

     When, goddess, thou lift'st up thy waken'd head
       Out of the morning's purple bed,
       Thy quire of birds about thee play,
     And all the joyful world salutes the rising day.

In Walton Church is a small brass with, _inter alia_, a man riding
on a stag's back. The story goes that this man, John Selwyn, was an
under-keeper in Oatlands Park in Queen Elizabeth's time, and that when
she was present at the "chace," he leapt from his own horse's back
straight on to that of the driven stag, when "he not only kept his
seat gracefully in spite of every effort of the affrighted beast, but,
drawing his sword, with it guided him toward the Queen, and coming near
her presence plunged it into his throat, so that the animal fell dead
at her feet."

  [Illustration: SUNBURY]

In the vestry is a Scolds' or Gossips' bridle, designed in the old days
of witch-hunting and other atrocities to torture poor women.

Admiral Rodney was a native of Walton, and an old and quaintly built
house which belonged to the regicide Bradshaw is still in existence.

Below Walton is Sunbury with its long, long weirs, and its little
houses spread beside the edge of the water. But with Hampton we reach
the Londoner's zone, which is for another chapter. At present Halliford
and Shepperton, two little places opposite Oatlands, are far too pretty
to be passed by without remark. The Manor House at Shepperton has one
of the finest lawns on the river, which is no small thing. Shepperton
is a scattered place and lies low; the meadows all around are often
flooded for miles and miles, looking like an inland sea. A tiny river
called the Exe finds its way into the Thames near Halliford. A glimpse
of the quaint church of Shepperton should not be missed. The tower is
very lean and narrow; it looks rather as if bricks had run short. It
was added later than the rest, which was built in 1614. Tradition says
that the previous church was destroyed by a Thames flood, though it
stood on piles to raise it from the marshy ground. The old rectory,
with its dormer windows and projecting wings, is really built of oak,
though it has been faced with tiles which look like brick. It is about
four hundred years old, and is one of the most delightful rectory
houses imaginable. The list of rectors goes back to before 1330.




CHAPTER XVII

THE LONDONER'S ZONE


  [Illustration]

As far as Hampton the river may be said to lie within the zone of the
Londoner. By means of the District Railway and the London and South
Western Railway he can get at any part of it, and trams are yearly
stretching out further and further, so that he can go above ground, if
he wishes, all the way to Hampton. At Hampton itself, at Richmond and
Kew, there are large open spaces once the gardens or parks belonging
to kings, but now open as public pleasure grounds, ideal places for
the man who has a small family to take with him, and whose holiday is
limited to a day. For those who are free from encumbrances, there are
always boats to be had in abundance, at a much cheaper rate than one
would have to pay for them at, say, Maidenhead; and the scenery itself,
though not so fine as some higher up, is pleasant and attractive. If
the day be wet or uncertain there is the palace at Hampton to explore;
and accommodation for eating and drinking is amply supplied by numerous
inns and hotels clustering round its gates.

The gateway to the Palace is imposing, with its brick piers and stone
heraldic animals, and the long low range of buildings on the left side
makes a strip of bright colour.

  [Illustration: HAMPTON COURT FROM THE RIVER]

The older part of the palace was built by Wolsey, but by far the
greater part of it, as it now stands, is due to William III. Some
parts of the entrance gateway and the great hall are all that remain
to speak of Wolsey's inconceivable boldness in attempting to build a
palace which should outshine that of a jealous monarch like Henry VIII.
Skelton's satire, beginning:

     Why come ye not to courte?
     To which courte?
     To the kinge's courte,
     Or to Hampton Courte?

showed what everyone thought, and doubtless served to concentrate
attention upon Wolsey's temerity. The irony of the matter lay in the
fact that the palace was not seized, but that the unfortunate owner was
forced to make a present of it to the King:

     With turrettes and with toures,
     With halls and with boures
     Stretching to the starres,
     With glass windows and barres;
     Hanginge about their walles
     Clothes of gold and palles
     Fresh as floures in Maye.

Whether he gave the palace as it stood, with its "two hundred and four
score beds, the furniture of most being of silk," is not recorded; but
it is probable that when he had been wrought up to the pitch of terror
necessary for overcoming his reluctance to part with his beautiful new
possession, he would give all--everything--feeling that so long as his
life was safe it was all he cared about. As a mark of royal favour,
Henry allowed him to occupy apartments at Richmond, where he was not
too far off to observe the doings of the monarch in his palace. The
king was so pleased with his new establishment that he formed a mighty
park, embracing all the land for miles around, including East and West
Molesey, Cobham, Esher, Byfleet, and Thames Ditton, and was sorely
aggrieved because his loving subjects, whose land and rights had thus
been confiscated, dared to make an outcry.

Edward VI. was born at Hampton. After his death Queen Mary came here
with her husband Philip, and the unhappy couple, one full of sullen
hate, the other sore and bitter in her loneliness, must have strolled
in the grounds many a time.

For three months King Charles I. was held prisoner here while his fate
was undecided, and when he was removed it was to go up the river to
Maidenhead, where he said his last farewell to his children. Oliver
Cromwell, who, though he dared not take the name of king, had no
dislike to the royal privileges, lived at Hampton, and one of his
daughters was married from the palace. But by the time of William
III., much of the building had fallen into decay. The situation was
pleasant, and though Henry's park had in great part reverted to its
rightful owners, there was still much open ground around which made
the place desirable. William had a passion for building, and loved the
prim Dutch style, as was natural. The maze and the canal, and the long
avenues of trees in Bushey, are all evidences of his taste. But in the
palace he attempted to copy Versailles, as he had already copied it
at Kensington. Poor Wren must have been as much perplexed as ever he
was in his life when told to remodel a Tudor building into the copy of
one of the Renaissance, and that he succeeded at all is greatly to his
credit. Two out of the five courts which remained of the old palace
were pulled down, and the state rooms, as we now see them, are the
work of Wren under William's directions. Since then the interest and
beauty of the interior has been much added to by the famous collection
of pictures, which attracts at least as many visitors as the building
does.

Bushey Park adjoins Hampton, and lies so close to the river that it
forms part of the river scenery. Its glory is in its great double line
of chestnuts, with the broad sweep of green grass lining the avenues
formed by them. Chestnut Sunday, when the trees are in bloom, is a
well-known date in the Londoner's calendar, and every description of
conveyance is hired, chartered, or borrowed, to see the great sight.
Hundreds of people, to whom it is one of the great days in the year,
walk about or eat refreshments beneath the sombre green masses which
are lightened by a thousand pyramidal candles. The central avenue is
one mile and forty yards in length, and the width of it is fifty-six
yards. A noble conception, worthy of the little man with the wise head.
On Hampton Green, outside the gates of the palace, Sir Christopher
Wren passed the last five years of his life, in sight of his greatest
architectural problem.

Molesey Lock, just above the bridge, is a popular place in summer. All
those who have come down to enjoy the fresh air, and who want an excuse
for doing nothing, stand and watch the boats passing through; there
is always as great a crowd on the tow-path as on the water. A number
of islands lie above the lock, the largest of which is Tagg's, as well
known as any island on the river, and much patronised by holiday-makers
at lunch and tea time. In summer a band plays on the lawn twice a week.
It is opposite the end of the Hurst Park Racecourse, patronised by
altogether a different type of people from those who come to Hampton
Court, and who can only be said to belong to the river accidentally,
by reason of the position of the course. A wonderful club boat-house
of polished wood has sprung up of recent years on the Hampton side,
and above it is Garrick's Villa with portico and columns. This the
great actor bought in 1754, and kept until his death, after which his
widow lived in it for another forty years. He was visited here by all
the celebrated men of his time, including Horace Walpole, Dr. Johnson
and Hogarth, and here he gave a splendid series of river fêtes. The
little temple on the bank was built by him as a shrine for a statue of
Shakespeare, which has now been removed. A small public garden on the
edge of the water makes this a favourite lounging place for the people
of the neighbourhood. The scenery is rather tame, but has that charm
always to be found in flowing water and green grass, in the absence of
chimneys and other horrors of man's making.

The church of Hampton village stands up fairly high above the water.
It is in a most unlovely style, but ivy has done something to smooth
down its defects, which are further toned by distance. There is a
ferry close by, and as this is the nearest point to the station, many
of those who arrive by train on race-days cross at this point, and the
ferrymen reap rich harvests.

Not far beyond this loom up the great earthworks and reservoirs of
the West Middlesex and Grand Junction Water Company, and with that the
influence of Hampton may be said to cease.

Returning again to the bridge at Hampton, we have the river Mole
flowing in on the right bank. Molesey Regatta takes place every year
in July. The trees and red brickwork of the palace are on the left,
and only a short way down is the pretty little oasis of Thames Ditton,
which somehow seems as if it ought to belong to the river much higher
up, and had fallen here by mistake. The Swan Inn is right on the edge
of the water. It is proud of the fact that Theodore Hook wrote a verse
on a pane of glass at a time when such things were quite legitimate,
because the tourist, as we know him, had not then come into existence
to vulgarise the practice. The pane has been broken, but the verse is
remembered, and the following lines are a sample:

     The Swan, snug inn, good fare affords
       As table e'er was put on,
     And worthier quite of loftier boards,
       Its poultry, fish and mutton.
     And while sound wine mine host supplies,
       With ale of Meux and Tritton,
     Mine hostess with her bright blue eyes
       Invites to stay at Ditton.

We wonder how many hostesses since have wished the lines had never been
written. An old inn near by, with overhanging gable end and clinging
wistaria, makes a pretty corner, and in the High Street itself there
are bits so different from the Kingston and Surbiton ideal, that one
cannot understand how they can be in the same zone with them at all.
The green lawns of Ditton House and Boyle Farm are quite close, and the
fine island with its willows hides the flatness of the further bank.

About the end of the eighteenth century this part of the river was
celebrated for its magnificent fêtes.

One of these, given at Boyle Farm, inspired Moore to write a poem which
was not published until long after:

     Lamps of all hues, from walks and bowers,
     Broke on the eye like kindling flowers
     Till budding into light each tree
     Bore its full fruit of brilliancy.

       *       *       *       *       *

     And now along the waters fly
     Swift gondoles of Venetian breed,
     With knights, and dames, who calm reclined,
     Lisp out love sonnets as they glide,
     Astonishing old Thames to find
     Such doings on his moral tide.

The reach is a favourite one for sailing boats. Below Long Ditton are
the large waterworks of the Lambeth Company. On fine Saturdays and
Sundays the Hampton tow-path on the other side is generally alive with
people. On Raven's Ait is the club-house of the Kingston Rowing Club,
and beside the water runs a well laid out strip of ground with bushes
and seats, and a good stout hedge to keep off the dust from the motor
cars which race by on the road--a section of the Ripley Road beloved of
scorchers. In summer this little public garden is bright with flowers,
and it is a great favourite with the inhabitants of Kingston and
Surbiton. Before arriving at the bridge there are the backs of untidy
houses, and generally a great medley of barges, laden with hay and
bricks and coal, lying about by the wharves.

Kingston, as we have said elsewhere, can boast of one of the oldest
bridges over the river. A bridge of wood stood here in 1225, when
there was no other in the whole sweep downward as far as London Bridge.
The present one is very narrow, and its convenience is not increased
since a double line of tramways has been laid across it. The general
similarity of position between it and Richmond Bridge may be remarked.
Both have large boat-building establishments near, and both are about
the same distance from the railway bridges which cross below them.

As this is not a guide-book, no attempt is made to describe other
than picturesque effects and ancient survivals such as are likely to
attract the notice of anyone actually on the river, but an exception
must be made in favour of Kingston Stone, which anyone ought to land
to see. It is in the market-place, not five minutes from the river,
and from it--the King's Stone--the name of the place is derived. It
is a shapeless block, mounted on a granite base, and round it are
inscribed the names of seven Saxon kings who were crowned here, and
a silver penny of each of their reigns has been inserted. There seems
to be no authentic history of this interesting relic, and no definite
explanation as to why these kings should have been here crowned; but
a suggestion there is that at the date of the first of the coronations
Mercia and Wessex were joined under one king, and while the boundaries
of Mercia reached to the Thames on the north side, those of Wessex
marched with them on the south. Kingston was equally accessible to
both, and as London was at that time in the hands of the Danes, and the
ford at Kingston the only one above London by which the river could be
safely crossed, the place was chosen accordingly.

Teddington Lock was for a long time the lowest on the river, but has
been supplanted by a Benjamin in the shape of a half-tide lock at
Richmond. The reach about Teddington is in the summer very pretty. The
banks are dotted with little bungalows, bright with blue and white
paint and gay with flowers. The long smooth lawns of the riverside
houses stretch down to the water, and the Crimson Rambler climbs over
many a rustic bridge and iron trellis. It is a well-cared for part, and
holds its own against rivals of greater grandeur. There are several
islands forming cover where one can ship oars and rest, and though
landing is in most places forbidden, there is no law against a boat's
drawing inshore beneath the shelter of the overhanging trees, amongst
which may be noted several weeping willows. This bit recalls Moore's:

           ... where Thames is seen
     Gliding between his banks of green,
     While rival villas on each side
     Peep from their bowers to win his tide.

Beyond Teddington we are in Twickenham Reach:

     Where silver Thames round Twit'nam meads
     His winding current sweetly leads.
                                 --_Walpole._

There is a great bend at Twickenham, and in it the chimneys of
Strawberry Hill may be seen overtopping the high evergreen hedge that
surrounds it. The house has been altered considerably since Walpole's
date, but in its essence it is the house he built. He himself describes
his view thus:

     Directly before it is an open grove through which you see a
     field, which is bounded by a serpentine wood of all kind of
     trees, and flowering shrubs, and flowers. The lawn before
     the house is situated on the top of a small hill from whence
     to the left you see the town and church of Twickenham,
     encircling a turn of the river, that looks exactly like a
     seaport in miniature. The opposite shore is a most delicious
     meadow, bounded by Richmond Hill, which loses itself in the
     noble woods of the park to the end of the prospect on the
     right, where is another turn of the river, and the suburbs
     of Kingston as luckily placed as Kingston is on the left....
     You must figure that all this is perpetually enlivened by a
     navigation of boats and barges.

His architecture was a medley of everything that could by any
possibility be included under the heading Gothic, and the result was
more curious than beautiful, though it became the fashion to visit
the house. Walpole bemoaned the crowds aloud, but secretly delighted
in them. He published a description of the house, in the beginning of
which he says he trusts it will be a lesson in taste to all who see
it! An example of the suave self-belief of an egotist. At Twickenham
there is another fantastic building called Pope's Villa. This can be
seen much better from the river than Strawberry Hill can, and it is an
affected piece of architecture. It has been described as "a combination
of an Elizabethan half-timber house and a Stuart Renaissance, with the
addition of Dutch and Swiss, Italian and Chinese features." This is not
the house occupied by Pope, nor is it even exactly on the same site
as his. In front of it is a group of weeping willows, a kind of tree
which shows to particular advantage by the water-side. Pope himself is
said to have been the first to introduce it into England, having found
some sticks of it in a bundle sent to him from Spain by the Countess of
Suffolk.

Pope lived at Twickenham from 1719 to 1744, and produced here most of
his important works, including the last books of his _Odyssey_, the
_Dunciad_ and the famous _Essay on Man_. He was here visited by Gay
and Swift, and many another contemporary whose name is still held in
estimation. He laid out his grounds in a decorative way, and made a
curious underground grotto, which lies away from the water, on the
other side of the road. Among the celebrated men who have, at one time
or another, lived at Twickenham are numbered Henry Fielding, Dr. Donne,
Sir Godfrey Kneller, Tennyson, and Turner. The last-named was very fond
of fishing, and used to fish a good deal in this part of the river.

There is a little esplanade at Twickenham, shaded by small
horse-chestnuts, and in front lies the famous Eel-pie Island, which
vies with Tagg's in summer popularity. The hotel has a pleasant garden,
but the rest of the island is, it must be confessed, rather untidy,
with several places for building motor launches and many boat-houses.
At the small wharf opposite the church there are nearly always barges
unloading bricks or sand and gravel. Yet the place has an air of
dignity, perhaps given to it by the old Perpendicular stone tower
of the church, so incongruously welded on to a red-brick pedimented
Georgian building. The architect was the same who built St. George's,
Hanover Square; but, as Sir Godfrey Kneller was churchwarden, one
might have expected something in better taste. Pope is buried inside,
and a flat slab with his initial letter on it now serves as a base for
several pews. Not far from the church is York House, and with Orleans
and Ham House on the other side of the river this is a notable group.
In the great gardens of Orleans House grow splendid cedars, stone
pines, and other evergreens. The little Duke of Gloucester, the only
child who survived babyhood out of Queen Anne's enormous family, was
brought here for his health in 1694. Six years later this quaint child,
with a rickety body and an enormous head, died of small-pox at the age
of eleven. The house was afterwards rebuilt. To it in 1800 came Louis
Philippe, then Duc d'Orleans, and his two brothers. After his brief
summer of prosperity in France, he returned to England as an exile in
1848; that he had a warm remembrance of the house is shown by his then
purchasing it. He did not, however, live here himself, but placed his
son, the Duc d'Aumale, in it, and a colony of royal refugees settled
round. At Mount Lebanon, not far off, was the Prince de Joinville; and
the Duc d'Aumale, having bought York House, gave it to his nephew the
Comte de Paris, who lived there for six or seven years. Queen Anne was
born in York House--it had been given to her mother's father, Lord
Clarendon--and with her elder sister she spent her earliest years
at Twickenham. All these notable houses and dignified memories are
enough to account for the air of sober gravity never wholly absent
from the river at Twickenham even on the brightest days; and the rows
of Lombardy poplars, the magnificent cedars, and the fine foliage of
the other trees enhance the impression. Ham House, on the other side,
was built in 1611, it is said for Prince Henry, James I.'s eldest son.
It is screened from the water by a row of tall trees. Around it grow
Scotch firs and holm oaks.

We have not long left Twickenham before we see the little oblong island
about which there was so much contention because it formed an item in
the famous Marble Hill view, seen from the heights of Richmond Park.
The London County Council are now owners of the Marble Hill estate,
and have made it into a public park. It lies on the Twickenham side.
The house was built by George II. for the Countess of Suffolk. Gay,
Pope, and Swift all took an interest in the building, and voiced their
opinions as to the style and the laying out of the grounds. A suite of
rooms in the house was afterwards set aside for Gay, who was a great
favourite with the countess.

The other side of the river is open, and it must be admitted that on
a sunny day this bit is a stiff pull if one is unfortunate enough to
be going against the current. It is often to be described by the word
"glaring," yet the fine scimitar-like sweep of the tree-crowned heights
above, capped by the huge mass of the Star and Garter Hotel, toned to
unoffending mediocrity of colour, is worth seeing.

Richmond, like nearly all the other places on the river, has an
atmosphere of its own, difficult to put into words. It is less flippant
than Kingston, and has not a tinge of the gravity of Twickenham. The
houses rise high and are irregular; those in the main street recede
from the water as they leave the bridge, and between them and the
stream are innumerable others, some with gardens, some overshadowed by
trees. Weeping willows, Scotch firs, and ivy-covered trunks abound,
and the place is the perfection of a residential quarter. There is
enough oldness and irregularity to avoid stiffness, enough modernity
to ensure cleanliness. The bridge has a peculiarly individual curve--a
real humpback--and its stone balustrade is very fine. At the southern
end, far too many new red-brick flats are springing up, alas! but on
the north or east, where lies old Richmond, they are not visible to any
appreciable extent. The scene below the bridge is distinctly pretty.
Large boat-building yards, as at Kingston, occupy the foreground, and
the warm cinnamons and ochres of newly-varnished boats are generally
to be seen, as well as the more crude and garishly painted craft. The
islands are tree-covered, and are well placed in the stream. Yet one
may note that, popular as Richmond is, it is not flooded in the summer
time with such crowds of boating visitors as Hampton. There are more
large craft about, and boating people do not care for that.

What remains of Richmond Palace must be sought below the bridge, for it
will not be seen without a little effort. The old palace stood right
on the margin of the water, and an engraving of it is still extant,
showing a pinnacled and many chimneyed building. The angular towers
are capped by turrets like those of the old palace at Greenwich. Henry
I. was the first English king to live here, but until Edward III.'s
time it was hardly a recognised royal palace. It fell before the hand
of Richard II., who in a fit of frenzy at the death of his wife, which
occurred here, ordered its destruction. Henry V. restored it, but it
was burnt down in the end of the fifteenth century, and afterwards
rebuilt by Henry VII., who changed its name from Sheen to Richmond,
and who himself died there. The old Tudor gateway of his time remains
still. It is said, but with doubtful accuracy, that the Countess of
Nottingham died in the room over the gateway, after having confessed
to Elizabeth her duplicity about the Earl of Essex and the ring he had
confided to her charge. We have many records of Richmond from the time
of the miserable Katherine of Arragon--widow of one boy prince, but
not yet affianced to the other, a foreigner in a strange land, bitterly
hating her surroundings--to the time of Charles I., who made the great
park and hunted in it. A large Carthusian monastery stood near the
palace. Perkin Warbeck found an asylum in the monastery, and in 1550
Robert Dudley was here married to Amy Robsart.

There is a half-tide lock at Richmond, with a footbridge. This is
at present the lowest lock on the river, though there is some talk
of making a similar one at Wandsworth. It is quite different in
construction from the usual kind. It has three great sluices, each
weighing thirty-two tons, and when the tide brings up the water, so
that it is equal with that above--that is to say, at half-tide--the
sluices are raised by the addition of a small weight to the massive
pendules by which they are exactly balanced, and the water is allowed
free way.

All along this stretch of the river there is on one side a fine row
of shady trees growing to a great height. Beyond the raised footpath
is the old Deer Forest, on which stands Kew Observatory, and a minor
stream, which afterwards forms a moat to Kew Gardens, runs along
merrily. Isleworth is finely placed at a bend of the river, and though
it is a manufacturing place, it is not so bad as Brentford. The large
willow-covered ait in front affords occupation to the osier gatherers.
The church is ugly; it is placed very like that at Hampton, and, like
Hampton also, its ugliness is mitigated by a covering of ivy. The
tower, as so frequently happens, is much older than the rest. Was it
that church towers were built more solidly than the naves, or that the
naves would have stood equally well had they been allowed to remain?

Then we come to the great park surrounding Syon House (Duke of
Northumberland), a park fringed with marshy ground, where reeds and
rushes flourish, and which is overflowed at every flood. Crows consider
it a delightful place, if their perpetual presence may be taken to
indicate opinion. A great clump of cedars stands between the house
and the river, but we have to go considerably further on before the
severe line of frontage, with its ground floor arcade and battlemented
parapet, can be seen at full length. The astonished lion stands clear
up against the sky, as he did of old at Northumberland House, over the
site of which now flows a ceaseless stream of traffic. Long years ago
there stood here at Isleworth a convent for nuns. This was suppressed
at the Dissolution. Katherine Howard was imprisoned in Syon House
until three days before her execution, and only five years later the
corpse of her murderer, the tyrant Henry, stopped here on its way to
Windsor. Edward VI. granted the place to Lord-Protector Somerset, who,
with his usual mania for building, began to reconstruct it on a much
larger scale; but before he had got farther than the mere shell of
his design, he suffered disgrace, and Syon House passed to the Duke
of Northumberland. Here came Lady Jane Grey, timid and doubting, to
receive the offer of the crown, and from here she started on her last
sad journey to the Tower.

Queen Mary naturally tried to re-establish the nuns, but found it
difficult, as some had died and others had married! Fuller's comment is
worth quoting:

     It was some difficulty to stock it with such as had
     been veiled before, it being now thirty years since the
     Dissolution, in which time most of the elder nuns were in
     their graves, and the younger in the arms of their husbands,
     as afterwards embracing a married life.

In James I.'s reign Syon House was in the hands of the Earl of
Northumberland, who also fell under his sovereign's displeasure, but
was allowed to return here to die. Under his successor, the tenth earl,
Inigo Jones was employed to alter the house; but the architect of the
present building was Adam (1728-92).

The place is often very quiet, and the hovering crows, and perhaps
a few men in boats grubbing for sand and gravel from the river-bed
with long-handled scoops, have it all to themselves. It is not much
frequented because just below comes Brentford, with all its ugliness,
a sore blot on the river. Nevertheless, on the Surrey side, to
counterbalance it, we have the famous Kew Gardens. The very varied
trees that grow here can be well seen, for the parapet of the wall is
low, the Gardens being sufficiently protected by the moat. Further on,
when this comes to an end, the wall is heightened, and only the tops
of the elms and ashes and horse-chestnuts peep over. Presently a new
object comes into view--a "palace," in that it was the dwelling-place
of royalty; but anything less like a palace surely never was seen.
A stiff, square red-brick house, where Miss Burney served her "sweet
queen," and the old king cried "What, what, what?" a hundred times a
day, and the overflowing quiverful of their Royal Highnesses quarrelled
and played and grew up.

Very few people realise what a large basin there is on the river
Brent, and what an amount of business is carried on here. From the
river, one's chief reflection is thankfulness that the trees on the
large islands have grown so well that they form a screen for the soap
factories, the cement works, the breweries, etc., which constitute the
industries of Brentford.

     Brentford, tedious town,
     For dirty streets and white-legged chickens known,

says Gay. The dirty streets are still there, with the confusion in
their narrow limits worse confounded by the passing of tramcars, which,
over the mile along which Brentford spreads itself, take double the
time spent on any other bit of equal distance on their route. Most
people have a hazy notion about two kings at Brentford; this is one
of those curious examples of the persistence of an unimportant detail.
The allusion was first made in a play called _The Rehearsal_, written
by the Duke of Buckingham, and Thackeray's ballad on the same subject
carried it a step further. That there was a battle at Brentford one
learns in the history books. It was when the Parliamentarians, who had
rested in the town all night, were surprised by Prince Rupert, under
the cover of a thick mist, and completely routed.

All along the Kew side, up to the bridge, are tea-gardens sandwiched
between boat-houses; and the new bridge made of granite, with its
branching lamps and royal arms, is really an imposing object. Above and
below the bridge the character of the river is singularly different.
Above, as we have seen, are the mudflats, and wharves, and chimneys,
not to omit water towers and gasometers; and below is a bit of
Chiswick, built along by the waterside, a queer little irregular row of
red-brick houses and cottages, near which are fastened the boats of men
who live by fishing; it is a little riverside place of the old sort.
There are meadows, called Duke's Meadows, opposite Mortlake; these
afford a fine vantage-ground for spectators who come to see the great
Boat Race.

The hour of the Boat Race varies according to the tide, for the race
is rowed at the "top of the tide"--when it is at its fullest. If the
hour be an easy one--about mid-day--and the weather is promising, and
especially if the reports of the prowess of the crews give reason to
believe the race will be a close one, then the crowd is very large
indeed. Some prefer to watch the start; some enthusiasts keep up with
the boats on water the whole way; but a great majority there are who
want to see the last effort between Hammersmith and Barnes Bridges, for
it is almost a certainty that the crew leading at Barnes Bridge will be
the winner. Almost, but not quite; for there was an occasion when, by a
sudden spurt, the positions of the boats were reversed, and Cambridge,
which had been behind, won the race. The road along by Mortlake is
lined with crowds; every window is filled, and all available roofs.
On the railway bridge are closely-packed ranks of people, brought
there and deposited by trains, which afterwards decorously withdraw
and wait to pick them up again. The price of this first-rate position
is included in the fares. Chiswick meadows afford space for many more
persons, who usually pay a shilling a head to the land-holders. This
is a very favourite position, because the grassy slopes form such a
pleasant seat while the inevitable waiting is gone through.

In the river itself lie several steamers packed with passengers,
and also various small boats. Then down comes the launch of the
Thames Conservators to clear the course. The long strings of barges,
which have been taking advantage of the flowing tide to make their
way up-stream, are seen no more. A gun goes off, and then, an
extraordinarily short time after, a murmur begins among the crowds on
the Mortlake side. It grows and grows and swells along the Chiswick
shore, as first one boat creeps round the corner, and then the other.
"Cambridge wins; Cambridge, Cambridge!" "Row up, Oxford!"

Then, perhaps--usually--it is seen that one boat is leading by so many
lengths as to make it impossible for the other to catch up. The leading
boat goes ahead with a straight, splendid swing into clear water. The
losing one, getting into its opponent's wash, rocks as it labours on,
its crew lose heart, and the distance widens.

Close behind are the umpire's launch and a dozen others gliding along,
keeping just behind the backward crew. And when all have passed, the
river, so calm before, is churned up into miniature waves that wash and
beat on the banks. Presently the umpire's boat is seen coming swiftly
back, bearing the winning flag at the bows over the other.

The trains move slowly forward to pick up the passengers; bicycles,
motors, and carriages begin to move off; streams of people pour down
every road; and all is over for another year.

The chief memory of Chiswick is that of Hogarth, who is buried in the
churchyard close by the water. The house in which he lived is still
standing, and is a few minutes' walk from the church. Hogarth was
here for about three years, though when he left to go to Leicester
Square he did not sell the house, and his widow lived in it after
his death. For two years Pope also lived in Chiswick; and in Chiswick
House, which lies away from the river on the other side of the fields,
two great men, Charles James Fox and George Canning, died in the
same room, in 1806 and 1827 respectively. And in the Roman Catholic
Cemetery at Mortlake is the massive sarcophagus--in the form of an Arab
tent--beneath which lies the dust of the great traveller, Sir Richard
Burton, and his wife.




CHAPTER XVIII

THE RIVER AT LONDON


There is a subtle difference in the river above and below Hammersmith:
above, it is a stream of pleasure--below, it is something less
beautiful, but grander, more crowded with memories, more important.

  [Illustration]

Though pleasure boats are to be seen in quantities any summer evening
about Putney; though market gardens still border the banks at Fulham;
yet the river is for the greater part lined with wharves and piers and
embankments. It is no wild thing running loose, but a strong worker
full of earnest purpose. It is the great river without which there
would have been no London, the river which bears the largest trade the
world has ever known.

Unfortunately, the habit of using the river at London as a highway
was lost some time in the eighteenth century and has not yet been
recovered, notwithstanding the gallant attempt of the London County
Council to educate the people to it. At one time the river was used
for every sort of traffic: tilt boats, covered with an awning, ran up
and down like omnibuses and charged sixpence a passenger; and every man
of importance kept his private barge, for the smoothly gliding waters
made an infinitely preferable route to the vile roads. At every set
of stairs--and the stairs were frequent--numberless wherries awaited
hire. In the sixteenth century there were two thousand on the water,
and it was reckoned that nine thousand watermen earned their living
by transporting people up and down or from shore to shore. When it is
objected that these men were a pest and a nuisance, so that we are well
rid of them, that their language was unspeakable and their manners
filthy, it may be replied, _autres temps autres mœurs_, for there
are a few watermen still to be had at Westminster, at the Tower, and
at most of the river stairs, and they are civil and obliging, only,
alas, the public rarely patronises them. Occasionally, an uncommonly
adventurous person, probably a visitor staying in London, penetrates to
the haunt of the watermen, and, upon inquiry, he finds a respectable
man, duly licensed like a cabman, liable to be reported for rudeness
or misconduct, strictly limited by law as to the fees he may demand,
and ready to add greatly to the pleasure of the trip by his genial,
shrewd humour and his keen observation; qualities found frequently in
men whose business is upon great waters.

  [Illustration: BEYOND HAMMERSMITH BRIDGE]

Without counting the railways, fourteen bridges now span the Thames
from Hammersmith downward, and even fourteen we sometimes find
inadequate to our needs in this hurrying life. Not until the middle of
the eighteenth century was the historic London Bridge backed up by a
second. Before that time, all men crossed by boat, or by the ferry at
Westminster, or even by the ford there, a feat which the embanking of
the river has long rendered impossible.

We can see it, this great river of ours, as in a vision, gradually
emerging from its primeval wilderness. First it spread widely between
the rising ground on each side, a vast area of lagoons, flooded at
high tide, and at low tide a swampy place full of half-submerged
islets. Then one or two small settlements for trade were planted on
its banks, first at Westminster, and others about the site of Cannon
Street Station, where the Walbrook leapt to meet the larger current.
There was a gradual extension of houses along the brink. At last an
attempt was made to bridge the river over, probably by a wooden bridge.
This succeeded, and when the bridge had stood for some time it was
replaced by another in the twelfth century. This was built and rebuilt,
as the turbulent river, feeling the erection of earthworks to curtail
its flood, fretted to be free, and rushed seaward with force, tearing
down the obstruction offered by this quaint old London Bridge with its
double line of houses. Many a picture of this bridge still remains.
It was a fascinating, a wonderful structure. Numberless children have
yearned to have lived there, high above the flood. What delight to look
out from one's nursery window and see the grey-green water hastening
past. To see it mysteriously stop as if by some command from on High,
then slowly turn and race inward again. Marvellous feat! Miraculous
bridge! There was a beautiful chapel, a veritable gem of work, upon
this bridge. There was a house like a puzzle-house, put together with
pegs, without an iron nail in it. There were gateways at each end, and
on the gateways were the grisly remains of the heads of men and women
who had been executed. There were shops on each side of the road where
ribbons and laces and other haberdashery might be bought at will.

  [Illustration: THE CUSTOM HOUSE]

There were gaps between the houses, where one could escape for a moment
from the lumbering, creaking, groaning traffic pent up in the narrow,
mud-splashed roadway, and see the water itself, and see how the houses
were built out over it, resting on nothing. Another miracle! A mighty
tome might be written about Old London Bridge; of all the relics of
a past London, it is the one I should like most to have seen. Mills
there were on this bridge, to which the people could bring their corn
to be ground by the force of the water. Waterworks there were, too,
and the bridge itself contained a drawbridge to protect London against
invasion, for, as there was none other crossing, an enemy prevented
here might well be held in check altogether.

Next to London Bridge, the oldest bridge across the river was at
Kingston, and it is on record that in 1554, Sir Thomas Wyatt, finding
London Bridge closed against him, marched all the way to Kingston
in order to cross, but on arrival there, found that he had been
anticipated, and that the bridge was broken down.

The present London Bridge has been recently widened. At one end of
it rises the white tower of St. Magnus, a Danish saint, and behind
it is the pointing finger of the Monument, while down the river are
the market of Billingsgate, the quay of the Custom House, and beyond,
rising tall and ghostly, close to the Tower itself, the Tower Bridge,
the latest addition to the list.

On the south side of London Bridge, over the houses peep the pinnacles
of St. Saviour's tower, Southwark. Anciently, it was called St. Mary
Overies, and was once a priory, one of the most ancient houses in
London. From this there ran a ferry, which was in use long after the
bridge was built, for the narrowness of the street and the continual
blocks made a passage by the bridge a process of time. Gower, the poet,
was a benefactor to the priory, and is buried in the church.

  [Illustration: DUTCH BARGES NEAR THE TOWER]

As the Tower Bridge can swing open, ships of all sizes can get up as
far as London Bridge, when the tide allows them sufficient water-way,
and a busy scene, watched by a never-failing crowd of idlers, is always
to be witnessed in the reach below. Ships there are of all shapes and
sizes, but mostly hideous, made for merchandise and not for show. Many
of them are iron, and run between eight and twelve hundred tons. They
come from Hamburg, Hull, Newcastle, Holland, and many another port.
There, out in the river, is a dredger working with a hideous grinding
noise, and beyond it are two or three brilliantly painted green and red
boats with great wooden flaps, or lee boards, on their sides. They are
Dutch eel boats, and are allowed to lie in the river free from dues,
if they keep always in the same place. It is a survival of an ancient
custom.

As we pass through under London Bridge, and come out on the other side,
we can see the grey river with its bustling craft, framed like a series
of pictures in the wide arches.

Some of the oldest theatres in London stood on the part called
Bankside, about Southwark Bridge; at present the view is dingy
and uninteresting. The Bishop of Winchester's palace once adjoined
Bankside, as that of the Archbishop of Canterbury, at Lambeth, still
stands near Westminster Bridge; but it fell into ruins and the bishops
removed to Chelsea.

It is impossible to enumerate the palaces and fine houses that once
stood along Thames Street, which, in the fourteenth century, was
the most fashionable street in London. The part of the foreshore
now occupied by wharves and great warehouses--where cranes swing and
lighters await their loads all day long, and every working day--has
all been reclaimed from the river. Once it was covered at every
returning tide, but strong piles were driven into the mud, and on this
unpromising spot houses began to rise and débris accumulated, until
firm ground was made, and this became one side of a busy street.

On the up-side of Cannon Street, close to the cavernous jaws of the
station, is a wharf marked in white letters, "Walbrook Wharf." This
is as near as we can get to the first site of London, where the Briton
made his modest lake-fort, Llyn-din, and afterwards the Romans pitched
their strong citadel.

  [Illustration: THE TOWER OF ST. MAGNUS]

Queenhithe was given by King John to his mother, Queen Eleanor.
Hence arose the name. It was no trifling gift, for this was the most
important dock on the Thames at that time, and dues were collected from
all the ships unlading here. Now it is a small area in which the water
laps at rotting lichened posts as it slowly uncovers and re-covers the
slimy mud.

The whole of this district lying north of the Thames is the oldest part
of our ancient city, and it is thick with memories. Down the crooked
streets Spenser came as a boy from his home beyond the city ditch to
his school of the Merchant Taylors in Dowgate. Here a fair-haired
gentle lad, called Chaucer, loitered many a time, for his father's
house was in Thames Street.

Not far from Puddle dock stood Baynard's Castle with its high
buttressed walls. In it Edward IV. was proclaimed, and in it, also,
Richard III. made a feint of refusing the crown belonging to his
imprisoned nephew. Tower Royal, Montfichet, and many another glorious
building, have gone utterly, so that their sites can be fixed only
approximately. The river Fleet, up which large ships could ply once,
flowed into the Thames where is now Blackfriars Bridge. By its banks
the great religious houses of the Black and White Friars rose, and the
boundary cliff hewed by its current may still be traced in the steep
rise up Ludgate Hill, which tries the patient omnibus horses day by
day. Over all, as we draw further up the river, towers the great dome
of St. Paul's.

The Surrey side of the Thames continues unlovely--a medley of browns
and greys, tall chimneys and tumble-down sheds; it needs the veil which
the atmosphere of London mercifully throws over it.

The railway bridge and Blackfriars are so close together, they almost
touch. As we pass underneath there is a hollow reverberation, like
the beat of the surf in a cave on the shore. Just above the bridge is
anchored the _Buzzard_, the Naval Volunteer training ship.

  [Illustration: ST. PAUL'S]

Along the northern side now begins the Embankment, with its solid
granite walls and fringe of young planes. The green lawns and red
buildings of the Temple can be seen only when the river is very high.
Further on is Somerset House, followed by a line of hotels, the palaces
of modern days. Somerset House is the successor of the palace built
by the arrogant Protector Somerset, from the stones of churches and
religious buildings; between it and the Temple stood Arundel and Essex
Houses. The latter had earlier been called Leicester House, and Spenser
lived there for a time as secretary to the Earl of Leicester.

The tide has turned and is coming in. Little steam tugs, gallantly
towing six barges, two abreast and each twice as large as themselves,
pant up stream; while the bargees, with faces the colour of brickdust,
the colour they are so fond of reproducing in their paint and even in
their sails, stand by their huge rudders. Some barges are struggling
along without mechanical aid. The men in charge bend back horizontally
in their manipulation of the huge sweeps. There must be a knack in it.
No one could work so hard as they seem to be doing; spine and sinews
would give way altogether. Their whole strength results in but a slow
progress, and the barge, responding to the push of the water, makes
a kind of crab-like movement, sidling up the river broadside on. One,
laden with yellow straw till it appears like a huge barn, is stranded
right in mid-stream. The long ends of the straw sweep in the water, and
there is no moving until the current increases.

Here and there red-brown sails, patched and stained, spring up, and
others still furled, stand up along the wharves like crooked warning
fingers. Just before Waterloo Bridge there is, neatly tucked away below
the Embankment, so that few ever know of its existence, a station of
the river police, with trim muslin curtains over the windows.

Between Waterloo and Charing Cross Bridges the same sort of thing
continues. An enormous chimney on the Surrey side mocks the dignity
of Cleopatra's Needle, now safe in haven after many vicissitudes. The
sweep of the river makes these two bridges radiate out like the spokes
of a wheel, so that the southern ends are nearer than the northern. The
chimneys and wharves and the ubiquitous barges still continue, and as
we pass beneath the hideous red iron bridge of Charing Cross, we get a
vision of the many towers and pinnacles of Westminster ahead.

  [Illustration: THE HOUSES OF PARLIAMENT]

Besides the great houses of old times already mentioned, there were
others down this stretch of the river too--the Savoy, home of John
of Gaunt, and in its time prison and hospital; Durham, Worcester, and
Salisbury Houses. These were all either flush with the water or hemmed
in by high walls in which were stairs "to take water at." The only
relic of these mansions lies in the watergate of York House, now about
a hundred yards from the river, behind a strip of land which has all
been reclaimed by the making of the Embankment. But that the Embankment
does not always suffice to curb the current was proved not so long ago,
for in March, 1906, there was a combination of circumstances which
swelled the volume of water abnormally. Sudden floods of rain caused
every weir far up the river to be opened, and bounding, exulting to
be free, the huge mass of water, swelled by every brook and tributary
and swollen to twice its usual size, rushed seaward. But it was met by
a high spring tide, and the collision was increased by a strong wind,
so that the water rose higher and higher, and the curious spectacle
was witnessed of barges floating above the roadway, propelled by
sweeps braced against the granite walls. The water burst up through
the pavement and the manholes, and ran in a flood under Charing Cross
Bridge, but it just did not overtop the Embankment wall by an inch
or two, and as the tide subsided the tension relaxed. In the higher
reaches, about Barnes and Chiswick, "tide-boards" were used to fill up
the crevices below the doors, and by this means alone many a house was
saved from being swamped.

The scene is lively enough. Seagulls of all ages--big dingy drab ones
and neat ones in liveries of dove-grey and white--float merrily on the
ripples, or poise and wheel in the air. Here a County Council steamer
ploughs past, churning the river into wavelets, there a lad paddles
a boat from shore to shore with a single oar used rudderwise, a feat
possible only to a born waterman.

  [Illustration: WESTMINSTER BY NIGHT]

As we pass on we can see the high bastion towers of Scotland Yard.
Northumberland Avenue stretches over ground which was once the gardens
of Northumberland House--they came down to the water--and beyond this
were quadrangles and a medley of buildings, mostly low and mostly
of brick, which formed the palace of Whitehall, snatched by Henry
VIII. from Wolsey because the royal palace at Westminster had fallen
into decay. The Houses of Parliament, standing on the site of the
latter palace, are the finest work of Barry, who has been abused for
many things, but who seems to have been touched by a genuine spirit
of architecture in this instance, and to have realised the right
characteristics of majesty and delicacy in his work. But he had a
noble chance, for the position of the building, standing on the edge
of the water, with the bridge rising beside it, gave room for a fine
conception.

From Westminster to the Tower or Fleet prison, how many prisoners have
come and gone--come up against the current full of hope, and returned
of hope bereft! The ghosts are endless, because the river was the usual
mode of communication between the Tower and the Court at Westminster,
as the Strand was full of holes and seamed by watercourses. If this
reach of water were to tell its tale, much of the history of England
would be interwoven with it, and it would be tinged with the bitterest
sorrow human life can know--death with disgrace.

From the time of Edward the Confessor to the time of Henry VIII., our
kings were housed at Westminster as one of the chief of their royal
palaces. Luckily the Great Hall, which Rufus built, escaped the fire
of 1834, and still may be seen, but all else, with the exception of the
crypt of St. Stephen's, has vanished utterly.

The time to see the Houses of Parliament is undoubtedly at night,
when Big Ben's illuminated face sheds a sort of ethereal light on the
architectural fretwork near him.

Wordsworth admired the view most in the early morning, before the first
waking of the great world of bustle and business:

     The beauty of the morning; silent, bare,
     Ships, towers, domes, theatres and temples lie
     Open unto the fields and to the sky,
     All bright and glittering in the smokeless air.
     Never did sun more beautifully steep
     In his first splendour, valley rock or hill;
     Ne'er saw I, never felt, a calm so deep;
     The river glideth at his own sweet will.
     Dear God, the very houses seem asleep;
     And all that mighty heart is lying still.

Westminster Bridge is particularly wide, and has a low parapet. In the
sudden gusts of wind that come sweeping down the river it is a marvel
that no one has been caught up and tossed over into the rolling green
torrent. These peculiarities also are noticeable when the bridge is
seen from the Embankment, for the traffic looms up very high on it, and
the omnibuses and cabs look almost as if they were careering along on
the parapet itself.

From Westminster to Lambeth is but a short way, and what Westminster
Palace was, while it existed, to the lord temporal, so Lambeth has
been, and is, to the lord spiritual; from the very earliest times the
Archbishops of Canterbury have lodged here.

In our peaceful days the holder of the highest dignity of the Church
has not to fear the Tower and the "sharp medicine of the axe" as some
of his predecessors did. Laud and Juxon were executed, and for Cranmer
there was the worse horror of the torturing stake. Lambeth has seen
much cruelty mingled with the name of religion in the time that it has
stood above the flood. The Lollards, imprisoned within the tower which
still bears their name, made deep incisions on the walls to wile away
the weary hours of suspense, and the groans of prisoners have been
stifled by these walls as well as by those of the grim Tower.

On the same side as Lambeth, nearer Westminster Bridge, are the curious
detached buildings of St. Thomas's Hospital, looking like nothing in
the world less than a hospital.

Where Lambeth Bridge is now, was once the ferry by which King James II.
passed when he made a hurried exit from the kingdom that repudiated
him. It was a bitter night, and, attended by only one gentleman, the
king slipped secretly out of his palace at Whitehall, and crossing the
Privy Gardens, made his way to the ferry, where he entered a small
boat with a single pair of oars. In mid-stream he threw the Great
Seal into the water. A curious and dramatic incident this, that might
well be made the subject of a picture by some historical painter. The
Great Seal was afterwards accidentally drawn up in the net of some
fisherman. But there is another memory further back still, which gives
to this strip of river an importance which no other part can boast.
Here lay the first ford, to which all the traffic of the north, on
its way to the south coast, had to come. In the ages before even the
oldest London Bridge was built, a string of pack horses, of weary
men and of travellers, continually wandered down through the marshes
lying around Thorney Island, on which stands the present Abbey, and,
guided by stakes placed for the purpose, arrived at the river's bank,
there to await low tide, when they could cross over to the further
shore. Through the ages we see them continuing, and when England was
Christianised, to the procession were added monks and pilgrims bent on
holy missions. When London Bridge was built, a great majority of the
age-long procession was diverted that way, but many still continued to
prefer the ancient ford at Westminster. Of course, since the Embankment
was made, and the river no longer wanders uncurbed over the lowlands
and meadows of Westminster, the current runs deep and strong and no
fording is possible.

  [Illustration: HAY BARGES NEAR WESTMINSTER BRIDGE]

Above Lambeth we pass the Tate Gallery and the new bridge at Vauxhall,
and then traverse a dreary strip of river, dreary on both sides,
until we come near to Chelsea Bridge. This is a high-swinging and
imposing bridge of the same type as the Albert Bridge further up. How
different the Chelsea we see now from the ancient Chelsea. Ours is a
Chelsea mainly of red brick, with many tall flats and many beautifully
designed houses in pseudo-ancient style. A long line of planes runs
along the embankment, which is one of the prettiest embankments on
the river. The gardens and green lawns of the Royal Hospital reach to
the roadway, and away behind them at some distance can be seen the
comparatively low and long range of buildings dating from the time
of the Stuarts, and forming an asylum for old soldiers. On the strip
of ground to the east of them once stood Ranelagh, the gay rotunda
which played such a part in all London flirtations; where misses met
their beaux and walked round in stately steps to the sound of music.
The breakfasts at Ranelagh were at one time almost as popular as the
evening entertainments:

     A thousand feet rustled on mats,
       A carpet that had once been green;
     Men bowed with their outlandish hats,
       With corners so fearfully keen;
     Fair maids, who at home in their haste
       Had left all clothing else but a train,
     Swept the floor clean as slowly they paced,
       And then walked round and swept it again.

Thus Bloomfield satirically described the scene. Ranelagh plays a
large part in _Evelina_ and other romances of that date. The last
public entertainment was given in 1803, and of the gay rotunda with its
gorgeous fittings not a vestige now remains.

High red-brick flats which stand at the foot of the Royal Hospital
gardens by the river, are succeeded by smaller houses, and beyond
the Albert Bridge the district has not yet been transformed, as it
assuredly will be.

In the small public gardens that face the river there is a bronze
statue of Carlyle, the Sage of Chelsea, and not far off rises the
curious little tower of dark brick that belongs to the old church,
a very mausoleum of tombs. Chelsea has, perhaps, been more altered
by the formation of the Embankment than any other part of the river.
Its very name implies a bank of shingly beach stretching down to the
water, and so it was in old times, and to this beach the gardens of
the stately palaces reached. Chelsea has been called a village of
palaces. A village it was in old times, quite detached from London, and
considered a country residence by many a famous nobleman and statesman.
On the site of the row of houses in Cheyne Walk stood the New Manor
House built by Henry VIII. as part of the jointure of Catherine Parr,
who afterwards lived here with her fourth husband, Thomas Seymour, Lord
High Admiral. Both Princess Elizabeth and Lady Jane Grey spent part
of their childhood in it. The palace of the Bishops of Winchester, at
Southwark, having become dilapidated, as we have seen, a new one was
built at Chelsea in 1663, and was occupied by eight successive bishops.
Shrewsbury House was another palace built in the reign of Henry VIII.
The wife of the Earl of Shrewsbury was the founder of Chatsworth,
Oldcotes and Hardwick. In Lawrence or Monmouth House, near the church,
lived Smollett the novelist, and further on, somewhere near the end
of Beaufort Street, was the house once occupied by Sir Thomas More,
whose memory is still cherished in Chelsea. No garden among all the
famous gardens of Chelsea was so carefully tended as his. When More had
been made Lord Chancellor, and had spent his days hearing cases in the
stuffy precincts of the court, how joyfully must he have stepped into
his barge in the cool of the evening, to be rowed back up-stream to his
roses and his children, where he could indulge his kindly humour and
his playfulness, and unbend without fear. Sometimes the royal barge
would sweep up after him, and the tyrant Harry himself spring ashore
and walk up and down the sweet-scented alleys, with his arm round the
Chancellor's neck, a dangerous fondness that in time resulted in More's
being cut off altogether from his garden and his peaceful evenings, and
in his going down that stream never to return. His monument is in the
church, with an inscription written by himself, but whether his body
lies here is a question that can never be definitely answered.

  [Illustration: CHELSEA REACH WITH THE OLD CHURCH]

Beyond Battersea Bridge is a little creek, and from a small house on
the other side of the road Turner used to look out upon the river.
He came here incognito from his real house in Queen Anne Street, and
studied the gorgeous sunset effects, which can be seen nowhere better
than at Chelsea.

     Now in his palace of the west,
       Sinking to slumber, the bright day,
     Like a tired monarch fanned to rest,
       Mid the cool airs of evening lay;
     While round his couch's golden rim
       The golden clouds like courtiers crept,
     Struggling each other's light to dim,
       And catch his last smile ere he slept.
                                   --_Moore._

Turner brings us to modern memories. Besides himself and Carlyle, there
lived in Chelsea, Rossetti and George Eliot, not to mention living men.

Opposite Chelsea is the long wall that bounds Battersea Park, and after
passing Battersea Bridge, we encounter a very unlovely strip of water,
with wharves and chimneys and tumble-down buildings. It is utilitarian
and not beautiful.

The green embankment which hems in the grounds of Hurlingham Club
gives a touch of relief, and the fine trees which existed long before
the club, since the time that the house was a private mansion, rise
towering above it. On the other side the river Wandle, from which
Wandsworth takes its name, a river known to few, empties itself into
the Thames. Then we reach Putney Bridge, with its wide, curved white
arches. On the east is another embankment which bounds Bishop's Park,
partly turned into pleasure gardens open to all the world. The palace
itself is not well seen from the river, for it is low and hidden by
trees.

The manor of Fulham has belonged to the See of London since the end
of the seventh century. The palace is built round two courtyards, the
older of which dates from Henry VII.'s reign, and the other from the
middle of the eighteenth century. The west or river side contains the
rooms used by Laud while he was bishop.

As we draw away from the bridge we see to advantage the two churches,
curiously alike, one belonging to Putney and the other to Fulham,
which stand at two corners of the bridge, diagonally, looking at one
another. Boat-houses and flats fill up the western shore until they are
succeeded by the trees of Barn Elms Park, otherwise known as Ranelagh.
The chief memories of Ranelagh centre about the Kit-Kat Club, which met
here, and included among the members such men as Walpole, Vanbrugh,
Congreve, Addison and Steele. Their portraits were all painted by
Sir Godfrey Kneller, and hung round the club room; consequently,
this particular size of portrait, 36 inches by 28, became known as a
kit-kat. The name of the club itself is said to have originated in a
pastrycook named Christopher Kat, who used to make excellent mutton
pies, called Kit-Kats, which were always included in the bill of fare
at club dinners.

Many a visit did Evelyn and Pepys and other notable Londoners make
to Barn Elms in summer evenings in the seventeenth century. Pepys was
particularly fond of idling under the well-grown trees. Hear him:

     After dinner, by water, the day being mighty pleasant, and
     the tide serving finely, I up as high as Barne Elmes and
     there took one turn alone.

This was in April; and another time:

     I walked the length of the Elmes, and with great pleasure saw
     some gallant ladies and people come with their bottles and
     baskets and chairs, to sup under the trees by the water-side,
     which was mighty pleasant.

On the opposite side of the river from Barn Elms stood Brandenburg
House, where lived Queen Caroline, unhappy consort of George IV.

Below Hammersmith Bridge there is a very untidy bit of foreshore, with
factories and chimneys and many dreary objects scattered about it,
and always a superfluity of clumsy barges. Beyond the fine suspension
bridge there is another bit of foreshore not quite so untidy, where
racing boats and other boats lie, and from which many a crew turns out
to practice. Along this stretch runs the Mall, Upper and Lower. In the
coffee house near the junction of the two, Thomson wrote "Winter," in
_The Seasons_.

The Mall is associated with the Kelmscott Press, founded by William
Morris, who named it after his country house. Turner lived in the Mall
for six years, and the novelist Marryat was a resident for a short time
in 1830. Here also was a large house occupied by Catherine of Braganza
after the death of Charles II. The river at Hammersmith is 750 feet
wide. The inhabitants make the bridge a favourite lounging place, for
seats line both sides; the total amount of fresh air thus imbibed no
man can calculate, for the tide races up bringing ozone straight from
the sea, and the wind blows freshly over the glittering water. On the
south bank are the reservoirs of a large water company.

With Hammersmith we must end this chapter, for we have joined the
account of the stream of pleasure which comes down to London.




  [Illustration]




CHAPTER XIX

OUR NATIONAL POSSESSION


The Thames is a great national possession, affording means of
recreation and delight to thousands yearly. It is difficult to compare
it with anything else in Great Britain. It stands by itself, and is
unique. Other rivers there are, which for a small part of their course
are excellent for boating; but there is nothing in England to equal the
Thames, where the water is now kept at a high level, and where, for
the 112 miles between London Bridge and Oxford, there is practically
continuous beauty and convenience for boating. The reproach has been
brought against us that we do not make full use of our river at London
as the Parisians do of the Seine at Paris. But the two things are not
on the same footing at all. There are many problems in connection with
the Thames as a tidal river that have not to be solved by the Parisians
in regard to the Seine. Perhaps if the great barrage at Gravesend,
which has been discussed, ever comes into existence, we shall be able
to remove the reproach, to run our steamboats to time, and to use the
river as a river of pleasure, even so far down as London Bridge. There
are, however, grave objections to the barrage scheme, which for the
present has been set aside. Though the tides interfere with pleasure
boats, they are a source of motive power for innumerable barges;
the river traffic would be seriously hindered by the elimination of
the element of tide, and many owners of wharves and quays would be
injured by the change. There are also other difficulties. At present
the sewage, after being dealt with by filtration in sewage-beds, is
returned to the river, and, having been rendered innocuous, floats
out to sea, and mingles with the pure water satisfactorily. It would,
however, be another thing to return thousands of gallons of water,
which, however innocuous, can hardly be called clean, to the great lake
of fresh water the river would become if dammed up by a barrage.

  [Illustration: FROM BATTERSEA BRIDGE]

Yet the continual increase in the size of ships, and the consequent
demand for a river ever deeper, is a source of perplexity to the
Thames Conservancy. This involves constant dredging, which would
not be necessary were a perpetual high tide to be maintained. It is
true that this dredging in some parts is a source of profit, not of
expense. Thames gravel is exceedingly valuable, and it is found to
be worth while for men not only to buy and maintain large dredgers
down near the river mouth, but to pay a rent of something like £1500
to the Conservancy for the privilege of doing so! The dredging,
however, is not all so profitable. Where the river-bed is slime and
mud, the channel has to be kept clear by dredgers at the expense of
the Conservancy, and no delightful rents accrue from the process. This
dredging is altogether rather an interesting matter. In some places it
is found remunerative enough for men to do it by hand for the sake of
what they bring up, and they obtain leave to go dredging.

It is a fact not realised by everyone that the whole river, and all
the craft upon it are under the strictest surveillance. Everything
that floats must be licensed and carry its number for purposes of
ready identification. The barges seen lying about in shoals near
Westminster or Waterloo Bridges are not lying haphazard, but in certain
specified places marked by buoys and allotted by the Conservancy,
much as cabstands are allotted by the police. It is true that quays,
wharves, landing stages, etc., being on land, are not subject to
the Conservancy, which is in the somewhat anomalous position of
dealing with the water, but not with the banks that hem it in. Yet
the Conservancy manages to have a finger in this too, for suppose
a man buys a bit of the river's bank, and erects a boat-building
establishment thereon, he is obviously at a loss without steps down
to the water or a landing place, and for this he has to pay rent to
the Conservancy. The amusing part of it is that a man's property is
sometimes in the air. In the case of a tree growing out of the water,
it would truly tax the judgment of a Solomon to say what the rights of
the Conservancy are toward that tree; but it is held that if the tree
constitutes any danger or obstruction to the river-way the Conservators
may insist on its being lopped. In connection with this a curious case
sometimes arises. Man is always cunning where his own interests are
concerned. It is not only to one man that the idea has occurred of
propping up his overhanging tree by a stake. And, if the stake remains
for any length of time, silt and rubbish collect between it and the
shore, and eventually the island or the land of the cunning man is
enlarged by a foot or two! More; sometimes stakes have been planted in
the river bed with the same object without even excuse of the tree. It
is the duty of the Conservancy officials to deal with all such stakes.

Whatever may be alleged as to our neglect of the river at London,
no such charge can be brought against us in our appreciation of it
higher up. Day by day, in the summer, hundreds enjoy the air and the
brilliance and the interest of the river reaches. House-boats are
moored, permission and licences having been obtained, and men and women
practically live in the open air for weeks together. The house-boats
are not allowed to anchor everywhere, but are allotted certain
stations, due regard being had to the width of the river. If they plant
themselves near private ground they must gain the permission of the
owner, as well as of the Conservancy, which is quite reasonable.

To preserve an unimpeded channel may be taken as one of the great
duties of the Conservancy. For this reason they have power to remove
snags; to prevent the egotistical punt-fisher from placing his punt
broadside in the midmost current; and to regulate the rules for the
passing of craft. It is rather amusing to see sometimes how the punt
man edges his craft as far from the bank as he dare before he sits
down on his cane-bottomed chair and sorts out his tackle; but if a
Conservancy official come along, and, eyeing him, decides, in spite of
his extreme innocency and unconsciousness, that he has encroached too
far, back he has to go. It is a perpetual game.

In regard to the fishing, most of the Thames is free; and the coarse
fishing--bream, dace, chub, and so on--is good of its kind. Here and
there, as at Hedsor, there is a bit preserved. For the commonsense
view is taken that, if both banks belong to the same owner, the river
bed belongs also to him, and likewise the fishing. He cannot, however,
prevent boats from passing up and down the stream flowing through his
property, or the highway would be a highway no more. The fishery in the
Thames has of late years greatly improved, owing to the disinterested
action of many clubs and associations in putting in stock which
they cannot hope subsequently to reclaim, but which, once gone into
the water, belongs to everyone alike. An instance of this occurred
recently, when 300 trout (_Salmo fario_), about fourteen inches long,
were put into the Thames at Shepperton Weir in March by the Weybridge,
Shepperton, and Halliford Thames Trout Stocking Association. These
trout cost 2s. 6d. each! There is good coarse fishing in nearly all
parts of the Thames; bream, dace, chub, perch, and pike can generally
be caught.

There are many curious and interesting points in regard to the
river, and none more interesting than those relating to the tow-path.
This venerable and ancient right-of-way still remains, crossing and
recrossing from side to side as occasion demands, but traversable from
end to end. As, however, it passes through private grounds by far the
greater part of the way, it _is_ private, and yet public. Bicycles
are frequently forbidden by stern notices put up by owners, who yet
cannot prevent the pedestrian. The Conservancy has no power over the
tow-path. What, then, happens when a part of the tow-path gives way and
requires making up again? In theory it is the owner's duty to do it;
but it would be expecting rather more than is warranted of human nature
to expect an owner, who must regard the right-of-way with dislike and
suspicion, to incur expense by mending it. As a matter of fact, if he
does not do it, the Conservancy does. It may be remarked here that a
very simple and effective way of embanking, known as "camp-shedding,"
is often employed about the river banks and the projecting points of
lock islands which are liable to be carried away by the current. This
consists in dropping large bags of dry cement into the water. The water
itself consolidates and hardens the stuff, which becomes a splendid
barrier.

There is another point in connection with the breaking away of the
tow-path which is still more perplexing. Supposing it breaks away
from a private owner's land in such a way that it cannot be built up
again, but must be carried inland, what right has the public to say,
"My right-of-way has fallen into the water, so I am going to take some
of your land to replace it"? Apparently none at all. Yet the tow-path
must be carried on. One wonders how, in the beginning, it was allotted
to one side or the other. How was it that one owner said, "My lawns
must slope right down to the water's edge; therefore I will not have
the tow-path on my side; let it go upon the other?" And why has it
never happened that two owners, equally strong and equally determined,
have both flatly refused it? Be that as it may, the tow-path runs its
tortuous but continuous course, and will continue to run as long as the
river flows.

Such things as locks and weirs are, of course, entirely in the power
of the Conservancy, who pay the keepers and regulate the fees. The
half-tide lock at Richmond has answered admirably so far (_see_ p.
196); but the question is, Where is this sort of thing going to stop?
There is an idea now of a similar lock at Wandsworth, and then we come
to the matter of the barrage. We are so greedy of our river, we want it
to be pent up, and not allowed to flow away to the sea. Weirs of some
sort, which were at first called locks, are very ancient. In the end of
the twelfth century we find orders respecting them.

Stow tells us that about the year 1578 or 1579 there were twenty-three
"locks," sixteen mills, sixteen floodgates and seven weirs on the
river between Maidenhead and Oxford. In the next six years thirty more
locks and weirs had been made in spite of complaints that many persons
had been drowned "by these stoppages of the water." He adds that "the
going up the locks was so steep that every year cables had been broken
that cost £400." Especial complaint was made about Marlow lock, where
one man had had his brains dashed out, and Stow remarks that all the
compensation the widow received was £5! The barges were not charged
for going up but only for coming down, and a barge passing from Oxford
to London in Stow's time paid £12 18_s._ This was in the summer, when
the water was low. In 1585 a petition was made to Queen Elizabeth
"in the name of the widows and fatherless children whose parents and
husbands were by these means slain, against the great mischief done
to her loving subjects by the great number of dangerous locks, weirs,
mills and floodgates unlawfully erected in many places on the river."
Queen Elizabeth must have known something of the subject from her early
acquaintance with Bisham. (_See_ Chap. XI.)

In an old book of 1770 we find this passage: "The locks were machines
of wood placed across the river, and so contrived to hold the water as
long as convenient, that is, till the water rises to such a height as
to allow of depth enough for the barge to pass over the shallows, which
being effected, the water is set at liberty, and the loaded vessel
proceeds on its voyage till another shoal requires the same convenience
to carry it forward. This arrangement was in the summer when the water
was low; in other seasons the locks were removed."

When the present locks were made they were called "pound" locks; a
great many of them were opened between 1770 and 1780.

The members of the Conservancy Board go up in their launch several
times a year to see that all is in order, and that their officials are
doing their duty. Once a year they penetrate beyond Oxford, where the
launch cannot go, and they have to take to rowing boats. They are not
supposed to preserve the amenities of the river, but only its highway
properties. They have no power to remove unsightlinesses, such as
hideous advertisement boards; but only obstructions. Yet, in keeping
the river free from sewage contamination; by forbidding the casting of
refuse into the current from house-boats or elsewhere; by exercising
a general jurisdiction, which makes people realise they are not free
to amuse themselves to the annoyance of their neighbours--no doubt the
amenities are very much more preserved than they would otherwise be.

Stow ends up his account of the river: "And thus, as this fine river is
of great use and profit to the city, so the many neat towns and seats
on the banks of it make it extraordinary pleasant and delightful. So
that the citizens and gentlemen, nay kings, have in the summer time
usually taken the air by water; being carried in boats and barges along
the Thames, both upward and downward according to their pleasures."




INDEX


  Abbey Hotel, Medmenham, 126

  Abbey River, 165, 168

  à Becket, Thomas, 67

  Aberlash, 74

  Abingdon, 37

  Abingdon Abbey, 41

  Adam, 199

  Addison, 228

  Albert Bridge, 223

  Ankerwyke Park, 157

  Archbishop Laud, 71

  Arnold, Dr., of Rugby, 167

  Arnold, Matthew, 5, 167

  Arragon, Katherine of, 196

  Arundel House, 215

  Athens, 149


  Bankside, 211

  Barbour, Geoffrey, 39

  Barges, 234

  Barn Elms Park, 228

  Barrage, 232

  Barrington Shute, 56

  Barry, 218

  Battersea Bridge, 226

  Baynard's Castle, 213

  Bell Weir Lock, 159

  Benson Lock, 59

  Billingsgate, 210

  Birds, 17

  Birinus, 50

  Bisham Abbey, 112

  Bisham Church, 111

  Bishop of Winchester's Palace, 212

  Bishop's Park, 227

  Blackfriars Bridge, 213, 214

  Bloomfield, 224

  Blount, Sir Arthur, 66

  Boat Race, 2, 201

  Boleyn, Anne, 158

  Bolney Court, 84

  Borlase, Sir John, 127

  Boulter's Lock, 128

  Bourne End, 139

  Boveney Lock, 150

  Boyle Farm, 185

  Bradshaw, 175

  Braganza, Catherine of, 230

  Brandenburg House, 229

  Bray, 152

  Bray Lock, 151

  Brent River, 200

  Brentford, 200

  Bridges:
    Battersea, 226
    Blackfriars, 213, 214
    Charing Cross, 216
    Chelsea, 223
    Folly, 25
    Hammersmith, 229
    Lambeth, 221
    London,210
    Old London, 208
    Putney, 227
    Tower, 210
    Walton, 173
    Waterloo, 216

  Brightwell Barrow, 49

  Buckingham, Duke of, 137

  Burford Bridge, 38

  Burney, Miss, 143, 199

  Burton, Sir Richard, 204

  Bushey Park, 181


  Cæsar, Julius, 172

  "Camp-shedding," 238

  Canning, George, 204

  Carfax Monument, 36

  Carlyle, 224

  Caversham, 71

  Charing Cross Bridge, 216

  Charles I., 65, 98, 180

  Charles II., 127

  Chaucer, 213

  Chelsea Bridge, 223

  Chelsea Embankment, 224, 225

  Chertsey, 168

  Chertsey Abbey, 168

  Cherwell, 26

  Chestnut Sunday, 181

  Chiswick, 201

  Chiswick House, 204

  Christ's Hospital, Abingdon, 40

  Cleeve Lock, 59

  Cleopatra's Needle, 216

  Clieveden, 136

  Clifton Hampden, 45

  Climenson, Mrs., 96

  Coln River, 159

  Compleat Angler Hotel, Marlow, 107

  Congreve, 228

  Conway, Field-Marshal, 102

  Cookham, 138

  Cooper's Hill, 146, 157

  Cornish, J. C., 85

  Countess of Nottingham, 195

  Countess of Suffolk, 193

  Cowley, 5, 6, 169, 174

  Cowley Stakes, 172

  Cranmer, 221

  Cromwell, 55, 180

  Crowmarsh, 54

  Cuckoo Weir, 149

  Culham, 42

  Custom House, 210


  Damer, Mrs., 99

  Danesfield, 124

  Datchet, 146

  Day, Thomas, 82

  Day's Lock, 47

  Denham, 5, 24

  Denham, Sir John, 146

  Despencer, Lord Le, 126

  Ditton House, 185

  Donne, Dr., 190

  Dorchester, 49

  Dorchester Abbey, 51

  Dowgate, 213

  D'Oyley, Robert, 53

  D'Oyley, Sir Cope, 103

  Drayton, 4, 5, 22

  Dredging, 233

  Druce, Claridge G., 32, 62

  Duc d'Aumale, 192

  Duchess of York, 171

  Dudley, Robert, 196

  Duke of Buckingham, 137

  Duke of Gloucester, 192

  Duke of Marlborough, 150

  Duke of York, 172

  Duke's Meadows, 201

  Durham House, 216

  Dyers' Company, 122


  Earl of Essex, 196

  Earl of Leicester, 215

  Edward IV., 213

  Edward VI., 180

  Edward Plantagenet, 113

  Edward the Confessor, 140

  Eel-pie Island, 191

  Eights, The, 28

  Eliot, George, 227

  Embankment, The, 214

  Empress Maud, 67

  Essex, Earl of, 196

  Essex House, 215

  Eton, 7, 148

  Evelyn, 229

  Exe River, 175


  Fair Maid of Kent, 54

  Faringford, Hugh, 69

  Fawley Court, 101, 102

  Ferry Hotel, Cookham, 138

  Fielding, Henry, 8, 190

  Fingest, 103

  Fishing, 236

  Fleet River, 213

  Floods, 217

  Flora of Oxfordshire, 62

  Folly Bridge, 25

  Forbury Public Garden, Reading, 70

  Fox, Charles James, 169, 204

  Frogmill, 125

  Fulham Palace, 228

  Fuller, 67, 152, 198


  Garrick's Villa, 183

  Gaunt, John of, 67, 216

  Gaveston, Piers, 54

  Gay, 190, 193

  General description, 9 ff

  George III., 98

  George IV., 98, 172

  George Hotel, Bray, 154

  George Hotel, Wargrave, 82

  Gloucester, Duke of, 192

  Goring, 57

  Goring Church, 61

  Gray, 5

  Great Hall, Westminster, 219

  Great Marlow, 106

  Great Western Railway, 8

  Greenhill, 60

  Greenlands, 103

  Greenwich Palace, 6

  Grey, Lady Jane, 198

  Gwynne, Nell, 127


  Halliford, 175

  Ham House, 191, 193

  Hambleden, 103

  Hammersmith Bridge, 229

  Hampton, 177

  Hampton Court, 6, 178

  Hampton Green, 182

  Hardwicke House, 65

  Harp Hill, 48

  Hartslock Woods, 62

  Hedsor Church, 138

  Henley, 97

  Henley Regatta, 3, 100

  Henry I., 42, 141, 195

  Henry V., 195

  Henry VI., 169

  Henry VII., 195

  Henry VIII., 68, 158, 178

  Hoby, Sir Thomas, 111

  Hogarth, 6, 183, 204

  Holme Park, 75

  Home Park, 145

  Hook, Theodore, 184

  Horton, 158

  Hotels, 18

  House-boats, 235

  Houses of Parliament, 218

  Howard, Katherine, 198

  Hurley, 116

  Hurlingham Club, 227

  Hurst Park Racecourse, 182


  Icknield Street, 59

  Iffley, 29

  Isleworth, 197


  James II., 221

  James Stuart, 143

  Joan, 54

  John, 78, 156, 213

  Johnson, Dr., 183

  Jones, Inigo, 199

  Juxon, 221


  Kelmscott Press, 230

  Kempenfelt, Admiral, 120

  Kew Gardens, 199

  Kew Observatory, 197

  Kew Palace, 6

  _Kingis Quair_, 144

  King's Stone, 187

  Kingston, 186

  Kingston Rowing Club, 186

  Kit-Kat Club, 228

  Kneller, Sir Godfrey, 190, 191, 228


  Lady Place, 116

  Laleham, 161, 167

  Lambeth Bridge, 221

  Lambeth Palace, 221

  Laud, Archbishop, 71, 221, 228

  Leicester, Earl of, 215

  Leicester House, 215

  Leland, 78

  Llyn-din, 212

  Locks, 239
    Bell Weir, 159
    Benson, 59
    Boulter's, 128
    Boveney, 150
    Bray, 157
    Cleeve, 59
    Marsh, 102
    Teddington, 187
    Temple, 115

  Loddon River, 92

  London and South Western Railway, 9

  London Bridge, 210

  London Stone, 159

  Long Ditton, 185

  Long Mead, 157

  Louis Philippe, 192

  Lower Hope, 149

  Lower Mall, 230


  Macaulay, 120

  Magna Charta Island, 155

  Maidenhead, 132

  Mapledurham House, 65, 66

  Marble Hill, 193

  Marlborough, Duke of, 98, 150

  Marryat, 230

  Marsh Lock, 102

  Medmenham Abbey, 125

  Merchant Taylors' School, 213

  Milton, 5, 7, 158

  Mole River, 184

  Molesey Lock, 182

  Molesey Regatta, 184

  Mongewell, 56

  Monkey Island, 150

  Monmouth House, 225

  Montfichet, 213

  Moore, Thomas, 185, 188

  More, Sir Thomas, 225

  Morris, William, 230

  Mortlake, 202

  Mount Lebanon, 192


  Naval Volunteer Training Ship, 214

  New Cut, 27

  Northumberland Avenue, 218

  Northumberland House, 218

  Nottingham, Countess of, 195

  Nuneham Courtney, 35


  Oatlands Park, 171, 174

  Obstructions, 234

  Old Deer Forest, 197

  Old London Bridge, 208

  Old Windsor, 146

  Orleans House, 191

  Oxford, 7

  Oxford Meadows, 32


  Pang River, 64

  Pangbourne, 63

  Park Place, 102

  Parr, Catherine, 225

  Penton Hook, 161

  Pepys, 229

  Phyllis Court, 101, 102

  Pope, 5, 6, 145, 190, 193, 204

  Pope's Villa, 189

  Prince de Joinville, 192

  Prince Henry, 193

  Princess Elizabeth, 225

  Puddle Dock, 213

  Punting competition, 170

  Putney Bridge, 227


  Quarry Woods, 109

  Queen Anne, 192

  Queen Caroline, 229

  Queen Eleanor, 213

  Queen Elizabeth, 70, 113, 240

  Queen Mary, 180

  Queen Maud, 54

  Queenhithe, 213


  Radley College Boat-house, 34

  Ranelagh, 223, 228

  Raven's Ait, 186

  Ray Mead Hotel, Maidenhead, 135

  Reading Abbey, 67

  Reading Castle, 70

  Red Lion Hotel, Henley, 98

  Richard II., 195

  Richard III., 213

  Richmond, 194

  Richmond Palace, 6, 195

  Rivers: Abbey, 165, 168
    Brent, 200
    Coln, 159
    Exe, 175
    Fleet, 213
    Loddon, 92
    Mole, 184
    Pang, 64
    Thame, 52
    Wandle, 227
    Wey, 173

  Robsart, Amy, 196

  Rodney, Admiral, 175

  Romney Island, 148

  Rose Garden, Sonning, 72

  Rossetti, 227

  Royal Hospital, Chelsea, 223

  Runney Mead, 156

  Rupert, Prince, 201


  St. Anne's Hill, 170

  St. Helen's Nunnery, Abingdon, 40

  St. Mary Overies, 210

  St. Patrick's Stream, 92

  St. Saviour's, 210

  St. Thomas's Hospital, 221

  Salisbury House, 216

  Sandford, 33

  Savoy, The, 216

  Scotland Yard, 218

  Seagulls, 218

  Seymour, Thomas, 225

  Shelley, 106

  Shenstone, 99

  Shepperton, 170, 175

  Shiplake, 95

  Shrewsbury House, 225

  Sinodun Hill, 48

  Skindle's Hotel, Maidenhead, 133

  Smith, Rt. Hon. W. H., 103

  Smith, Sydney, 78

  Smollett, 225

  Somerset, Lord-Protector, 198, 215

  Somerset House, 214

  Sonning, 72

  Spenser, 5, 213, 215

  Staines, 159

  Star and Garter Hotel, Richmond, 194

  Steele, 228

  Stephen, 54

  Stokenchurch, 103

  Stow, 239

  Strawberry Hill, 188

  Streatley, 57

  Sunbury, 175

  Surbiton, 186

  Surley Hill, 150

  Sutton Courtney, 43

  Sutton Pool, 43

  Swan Hotel, Thames Ditton, 184

  Swans, 121

  Swift, 190, 193

  Syon House, 197


  Tagg's Island, 182

  Taplow, 132

  Tate Gallery, 223

  Teddington Lock, 187

  Temple, 214

  Temple Island, 101

  Temple Lock, 115

  Temple Mill, 115

  Tennyson, 95, 191

  Terry, Ellen, 166

  Thame, The, 52

  Thames Conservancy, 233

  Thames, derivation of, 4

  Thames Ditton, 184

  Thames Gardens, 19

  Thomson, 6, 137, 230

  Thorney Island, 222

  Torpids, The, 29

  Tow-path, 237

  Tower, 210

  Tower Bridge, 210, 211

  Tower Royal, 213

  Turner, 173, 191, 226, 230

  Twickenham, 191

  Twickenham Reach, 188


  Upper Hope, 149

  Upper Mall, 230

  Upper Thames Sailing Club, 139


  Vanbrugh, 228

  Vauxhall Bridge, 223

  Vintners' Company, 122


  Walbrook, 208

  Walbrook Wharf, 212

  Walker, Frederick, 153

  Wallingford, 53

  Walpole, Horace, 6, 183, 189, 228

  Walton Bridge, 173

  Walton Church, 174

  Walton, Izaak, 147

  Wandle River, 227

  Wandsworth, 227

  Warbeck, Perkin, 196

  Wargrave, 80

  Warwick, "King Maker," 113

  Waterloo Bridge, 216

  Watermen, 206

  Weirs, 239

  Westminster Abbey, 222

  Westminster Bridge, 220

  Westminster Palace, 6

  Wey River, 171

  Weybridge, 170, 171

  Whitchurch, 63

  Whitehall, 218

  Whitehall Palace, 6

  White Hart Hotel, Sonning, 74

  Whitehill, 60

  Wigod, 53

  William the Conqueror, 53, 141

  William III., 141, 180

  Winchester House, 225

  Windsor Castle, 140

  Wittenham, Little, 47

  Wittenham Woods, 47

  Wolsey, 178

  Worcester House, 216

  Wordsworth, 220

  Wotton, Sir Henry, 147

  Wren, Sir Christopher, 181, 182

  Wyatt, Sir Thomas, 210


  York, Duchess of, 171

  York, Duke of, 172

  York House, 191, 217


_Printed by_ Geo. W. Jones, Limited, _Watford_.




  [Illustration: SKETCH MAP OF THE THAMES
   FROM OXFORD TO LONDON

   MAP ACCOMPANYING "THE THAMES" BY MORTIMER MENPES AND G. E. MITTON.
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