Produced by Michael McDermott, from scans obtained at the
Internet Archive










Trench Ballads and Other Verses





[Portrait of Erwin Clarkson Garrett]

Trench Ballads
and Other Verses

By
Erwin Clarkson Garrett
Author of “Army Ballads and Other Verses”

PHILADELPHIA
THE JOHN C. WINSTON COMPANY
1919

Copyright, 1919,
by The John C. Winston Co.

THIS BOOK IS DEDICATED TO THE MEMORY OF
MY FATHER,
the late Captain George L. Garrett, of the Union
Army, during the Civil War
AND TO
MY MOTHER,
whose lifelong devotion, unselfishness, tenderness
and loyalty to me, as to all her family and
friends, make this dedication a pleasure
and a joy only commensurate
with my thought of her.





PREFACE




I have divided this book into three distinct parts. Part I, Trench
Ballads, consists of forty American soldier poems of America’s
participation in the World War, 1917-19, based entirely on actual facts
and incidents, and almost exclusively on my own personal experiences and
observations, when a private in Company G, 16th Infantry, First
Division, of the American Expeditionary Forces in France. Part II,
Pre-war Poems, consists of three sets of verses written just before the
active entry of America in the war, and appertaining to, but not an
integral part of, it, and therefore grouped separately. Part III, Other
Poems, contains those of a general and non-military character.

It is highly desirable the “Notes” at the end of this volume should be
consulted, and that it be realized that with few exceptions, all these
Trench Ballads were written in France, many scribbled on odd pieces of
paper or on old envelopes in the trenches themselves, and consequently,
when present locality is intimated, it is always France, that is to say,
from the standpoint that I am speaking in and from the seat of
operations. For example, when I use the term “over here,” it really
means what the people at home in America would call “over there.”
Hyperbole or little characteristic anecdotes that really never occurred,
except in the brain of an author, I have absolutely shunned, and have
endeavored to adhere strictly to “the truth, the whole truth and nothing
but the truth,” and to set forth the vicissitudes; the dangers, joys and
tribulations of the army man, and especially the man in the ranks, and
more especially the man in the ranks of the Infantry, as these latter
formed the actual front-line or combat troops that bore the brunt in
this greatest of all wars.

Absolute continuity or sequence would seem superfluous, but it will be
observed that I have endeavored to maintain it to a certain extent,
i.e., by gradually leading from a number of military verses, without any
strict inter-relation, to the day of being wounded, then on to several
poems concerning the military hospital, and finally bringing the Trench
Ballads to a close with those having to do with the returning home of
the soldier.

My previous book, “Army Ballads and Other Verses,” is the result of my
experiences when serving as a private in Companies “L” and “G,” 23rd
Infantry and Troop “I,” 5th Cavalry (Regulars), during the Philippine
Insurrection of 1899-1902, and if “Army Ballads and Other Verses” is
taken in conjunction with this volume, it is my hope together they may
prove a fairly comprehensive anthology of the American soldier of recent
times.

E. C. G.
Philadelphia,
November 1st, 1919.





CONTENTS







PART I—TRENCH BALLADS



_Trenches_
_Barb-Wire Posts_
_Feet_
_Your Gas-Mask_
_Slum and Beef Stew_
_Shell-Fire_
_Mr. Fly_
_The Salvation Army with the A. E. F._
_Shell-Holes_
_Food_
_Over the Top_
_The Battle Mother_
_Song of the Volunteers of 1917_
_O. D._
_Artillery Registering_
_Reciprocity_
_Trucks_
_Mademoiselle_
_The First Division_
_Little Gold Chevrons on My Cuffs_
_A Trip-Wire_
_The Favorite Song_
_Captain Blankburg_
_Little War Mothers_
_Interrupted Chow_
_S. O. S._
_The Gas-Proof Mule_
_Infantry of the World War_
_The Flowers of France_
_A First-Class Private_
_Birds of Battle_
_Only for You_
_Cooties_
_Old Fusee_
_The Colors of Blighty_
_When Nurse Comes in_
_Charlie Chaplin in Blighty_
_Two Worlds_
_Embarkation Home_
_The Statue of Liberty_




PART II—PRE-WAR POEMS



_To France—1917_
_The Pacifist_
_Battle Hymn of ’17_




PART III—OTHER VERSES



_My Sapphire_
_The Twins_
_On Sending My Book to an English Friend_
_Immortal Keats_
_To a Little Girl_
_God_
_The Golden Day_
    _Notes_




MY COMRADES IN THE RANKS.



_You chose no easy Service,
    No safe job, friends of mine,
But the mud of the shell-torn, trenches
    And the foremost battle-line.
No camouflage patriotism—
    Though you had from a wealth to choose
But the wicked work of No Man’s Land,
    Filling a man’s-size shoes._

_You didn’t say you wouldn’t play
    If you got no shoulder bars—
You even placed your Country
    Above a general’s stars:
For shocking, very shocking,
    You didn’t give a damn
About your "social status,"
    When you fought for Uncle Sam._

_Friends of mine, friends of mine,
    I’ve shared your toil and tears—
Your dangers and your little woes,
    When days were turned to years.
I may not make them understand
    The things that you have done,
But God bless you and God keep you—
    Every blessed mother’s son._





PART I. TRENCH BALLADS.







TRENCHES.



Trenches dripping, wet and cold—
    Trenches hot and dry—
Long, drab, endless trenches
    Stretching far and nigh.

Zigzag, fretted, running sere
    From the cold North Sea,
’Cross the muddy Flanders plain
    And vales of Picardy.

Through the fields of new, green wheat
    Filled with poppies red,
While abandoned plow-shares show
    Whence the peasants fled.

Past the great cathedral towns,
    Where each gorgeous spire
Torn and tottering, slowly wilts
    ‘Neath the Vandals’ ire.

Hiding in the shadows
    Of the hills of French Lorraine,
And bending south through rugged heights
    To the land of sun again.

Trenches, endless trenches,
    Shod with high desire—
All that man holds more than life,
    And touched with patriot fire.

Trenches, endless trenches,
    Where tightening draws the cord
’Round the throat of brutal Kultur,
    And its red and dripping sword.

Trenches, endless trenches,
    Bleached and choked with rain,
Could ye speak what tales ye’d tell
    Of honor, death and pain.

Could ye speak, what tales ye’d tell
    Of shame and golden worth,
To the glory and damnation
    Of the spawn of all the Earth.




BARB-WIRE POSTS.



Five o ’clock; the shadows fall
    In mist and gloom and cloud;
And No Man’s Land is a sullen waste,
    Wrapped in a sodden shroud;
And the click of Big Mac’s moving foot
    Is a dangerous noise and loud.

Ten o’clock; the wind moans low—
    Each tree is a phantom gray:
And the wired posts are silent ghosts
    That move with a drunken sway;
(But never a gleam in No Man’s Land
    Till the dawn of another day).

Twelve o ‘clock; the heavens yawn
    Like the mouth of a chasm deep;
And see—that isn’t the fence out there—
    It’s a Boche—and he stoops to creep—
I’ll take a shot—oh hell, a post—
    (Oh God, for a wink o’ sleep).

Two o ’clock; the cold wet fog
    Bears down in dripping banks:
Ah, here they come—the dirty hounds—
    In swinging, serried ranks!
Why don’t the automatics start? . . .
    Or do my eyes play pranks?

It doesn’t seem a column now,
    But just two sneaking there:
And one is climbing over,
    While the other of the pair
Is clipping at the wires
    With exasperating care.

(I’m sober as a gray-beard judge
    I’m calm as the morning dew—
I’m wide awake and I’ll stake
    My eyes with the best of you;
But I can’t explain just how or why
    Posts do the things they do.)

Three o’clock; they’re on the move—
    Well, let the beggars come. . . .
A crash — a hush — a spiral shriek—
    And a noise like a big bass drum—
(I hope that Hun shot hasn’t found
    Our kitchen and the slum).

.    .    .    .    .    .    .    .    .    .

Five o’clock; the first faint streak
    Of a leaden dawn lifts gray;
And the barb-wire posts are sightless ghosts
    That swagger, click and sway,
And seem to grin, in their blood-stained sin,
    In a most unpleasant way.




FEET.



Some say this war was fought and won
    With gleaming bayonets,
That lift and laugh with Death’s own chaff
    And leave no fond regrets:
Some, by the long lean foul-lipped guns
    Where the first barrages meet,
But I, by the poor old weary limping
    Tired broken feet.

Some say this war was fought and won
    By the crawling, reeking gas;
Some, by the flitting birdmen,
    That dip and pause and pass:
Some, by the splitting hand-grenades—
    But I, I hear the beat
Of the poor old faithful worn limping
    Tired broken feet.

Some say the war was fought and won
    By This or That or Those—
But I, by heel and sunken arch
    And blistered, bleeding toes.
Drag on, drag on, oh weary miles,
    Through mire, slush and sleet,
To the glory of the rhythm
    Of the poor old broken feet.




YOUR GAS-MASK.



When over your shoulders your “full-field” you fling,
And you curse the whole load for a horrible thing,
What is it you reach for, as outward you swing?
        Your gas-mask.

If you head for a bath by the small river’s flow—
Though only a distance of fifty or so—
What is it you carefully grab ere you go?
       Your gas-mask.

When in full marching-order, where mules _might_ suffice,
And you count your equipment, each having its price,
What is it you feel for and count over twice?
       Your gas-mask.

In morning and afternoon, evening and night—
In first or support lines, in sleep or in fight,
What is it you cherish and cling to so tight?
       Your gas-mask.

What is it you never leave thoughtless behind?
What is it you clutch for with fingers that bind
As you sniff that first odor that comes on the wind?
       Your gas-mask.




SLUM AND BEEF STEW.



It’s a lot of dirty water
    And some little dabs of spuds,
And dubious hunks of gristly meat
    And divers other duds.

Served up to us in trenches,
    Our hunger made it good,
But elsewhere—when we got it—
    "We ate it, if we could.

And now about the time Josephus
    Tells his gobs to call
Port and Starboard, left and right,
    We’re ordered, one and all,

To most respectfully address
    Our slum as “beef stew”—Gosh,
Methinks the Brains of the Army
    Has dished-up awful bosh.

For slum is slum, and your Tummy-tum
    Has called it so for aye;
As ‘twas when Thotmes III marched north
    To check the Hittites’ sway.

As ‘twas when Cyrus’ doughboys swept
    Through the Cilician Gates—
And as ’twill ever be so long
    As a weary mess-line waits.

So long as Nations fight and eat—
    Though all don’t feed as well—
For the Colonel is Sitting on the World—
    While we are S. O. L.

Perhaps, kind friend, our logic may
    Strike you as on the bum—
But as we’re Pershing’s slum-hounds,
    We’ll call the damn thing “slum”.




SHELL-FIRE.



_The Hun he taught us Gas and things—
    But the high explosive shell
Was born of the Devil’s mirth
    And the reddest forge in Hell._

Now one hits the village church,
    And the ancient, wavering wall
And the little pointed tower swing
    And stagger and sway and fall.

Now one hits a red-slag roof,
    And eighty feet on high
Towers a monstrous, salmon cloud
    Against an azure sky.

Now one hits in a field of wheat,
    Fresh planted, fair and green,
And a mighty, thundering crater bursts
    Where abandoned plows careen.

Now one nears with spiral shriek
    And strikes in the long white road,
And the Lord ha’ mercy on the Red Cross truck,
    And its helpless, weary load.

Now one comes where you crouching wait
    In the trench’s far-flung line,
And you know there is never shelter against
    The voice of that deadly whine.

Now one pierces the dugout’s roof,
    And when the foul smokes pass,
What once was there a dozen men
    Is a crimson, clotted mass.

In the pale moonlight or the black of night—
    When the sunset fires flare—
In the noontime’s calm, without alarm,
    The Great Arch Fiend is there,
With his frightful cry as he rushes nigh
    On his errand of despair.




MR. FLY.



There’s a nice stiff breeze ablowing,
        Mr. Fly;
That keeps from out my trench.
The decomposing stench
Of a soldier, Boche or French,
        Mr. Fly.

So please run off and play,
        Mr. Fly.
So please run off and play
Like a good fly, right away,
For I want to sleep today,
        Mr. Fly.

I’m dozing like a bull-finch,
        Mr. Fly,
When you hop me, unaware,
And I wake and swat and swear,
And you return with thoughtful care,
        Mr. Fly.

Can’t you see I’m _very_ tired,
        Mr. Fly?
That the G. I. Cans don’t bust,
And I’ve nibbled on a crust,
And deserve a snooze, I trust,
        Mr. Fly.

Do you think it’s square and decent,
        Mr. Fly,
When the Cooties cease to bite,
(And there is no sleep at night)
That you give me no respite,
        Mr. Fly?

An hour’s calm is with us,
        Mr. Fly;
And the endless battle strain,
And the shelling and the rain,
Ought to make it very plain,
        Mr. Fly—

That I need a little nap,
        Mr. Fly.
That I do need mighty well
Just to sun and rest a spell,
And to sleep here where I fell,
        Mr. Fly.

So have a heart, oh have a heart!
        Mr. Fly.
If you’re looking for a fight
And you _must_ come ’round and bite,
Make your visit in the night,
        Mr. Fly.




THE SALVATION ARMY WITH THE A. E. F.



You kept no roped-off rows of chairs
    Or clubs “For Officers Only,”
But you toiled for John Doe when he was
    Cold, tired, wet and lonely.

You didn’t squander millions
    On soldiers warming benches,
But you worked like blazes for the ones
    That frequented the trenches.

You didn’t stick to cast-iron rules
    Of business most punctilious,
And you never treated Private Doe
    With manner supercilious.

You had no boundless backing—
    But just inside your doors
It seemed like, “Feel to home, Bill—
    Sit down, the place is yours.”

Some things we fain remember—
    Some things we fain forget—
But you, oh kindly people,
    Live in our memory yet.




SHELL-HOLES.



They’re ugly, jagged, cone-shaped holes
    That litter up the ground,
That ruin all the landscape
    For miles and miles around.

That pock-mark fertile fields of green—
    That rip the hard French roads,
And catch the lumbering trucks at night
    Agroan beneath their loads.

And some of them are little uns
    The shrill one-pounders plow—
About a meter—edge to edge—
    But large enough, I trow.

And some of them nigh twice as broad,
    And rather more straight down,
The “77” Boches’ gift,
    Of dubious renown.

And some of them a dozen feet
    From rim to ragged rim,
And deep enough to hide a horse—
    A crater, gaunt and grim.

And some of them are yellow-black,
    Where clings the reek of gas,
(But here we do not pause to gaze,
    Nor linger as we pass).

And some of them are water-fouled—
    Or dried and parched and dun;
And some of them are newly turned—
    Fresh blotches ’neath the sun.

But all spell red destruction,
    Blind rage and blinding hate,
To them who charge the shell-swept zone
    Or in the trenches wait.

Should we say “all,” or modify
    Our statement? Any fool
Knows that exceptions always rise
    To prove an iron-clad rule.

And so in this case we can name
    _Some_ shell-holes we have met,
The thought of whose engulfing sides
    Clings in our memory yet.

They were the holes we rolled into—
    When iron or bullet struck—
Cursing the cursed Prussian,
    And blessing our blesséd luck.

Oh lovely, beauteous shell-hole,
    Wherein we helpless lay,
A wondrous couch of velvet
    Ye seemed to us that day.

Our blood it stained your cushions
    A deep and richer red,
As shrieking messengers of death
    Sped harmless overhead.

Swept whining in their blood-lust,
    Hell’s music, bleak and grim,
Splitting in rage the edges
    Of your all-protecting rim.

Oh shell-holes, murderous shell-holes,
    In vales of grass and wheat—
On hillside and in forest,
    In road and village street—

Your toll of suffering and death
    Is flashed to East and West—
But tell they of the wounded
    Ye’ve sheltered in your breast?




FOOD.



We’ve eaten at the Plaza, at Sherry’s and the Ritz—
The Bellevue and the Willard and the Ponce de Leon
    too.
We’ve sampled all the cooking of the Savoy and
    Meurice,
Through a palate-tickling riot that Lucullus never
    knew.

From tables where the Northern Fires greet the
    coming night—
To Raffles out in Singapore and the Palace in Bombay;
From Shepheard’s (which means Cairo) to that little
    hostelry
Way down in Trinchinopoly where purring punkahs
    sway.

We’ve traveled north, we’ve traveled south by all
    routes known to man—
We’ve traveled east, we ’ve traveled west by some they
    scarcely came:
From canvasback and terrapin to Russian caviar,
From venison to bird-nest soup and curried things
    and game.

We’ve put them all beneath our belt with consummate
    address:
We’ve risen from the laden board and smacked our
    jowl in glee.
With organs sound and healthy we have murdered
    each menu
And left the wreck of good things with a gourmet’s
    ecstasy.

But do you wish to know the feasts that permeated
    deep—
That stirred the very bottom of my stomach to the
    core?
Quisine that brought such wondrous bliss, but satiated
    not, That saturating satisfied, but still left room for more?

The place—a little half deserted town in northern
    France:
The time—a time of carnage, of wanton strife and
    hate:
And I and my battalion on reserve a week or two
Till they call us to the Front again to force the hands
    of Fate.

Just from the Commissary, the Salvation or the Y,
I’ve got a bar of chocolate, some butter and some cake;
A canteen full of milk, and eggs, from the old
    farmhouse near by,
And with this _tout ensemble_ you can see I’m sitting
    jake.

I’ve entered now a peasant’s house—an ancient,
    kindly dame—
Who’s seen me several times before, and knows just
    what I wish:
So the frying-pan is gotten out—the pewter fork and
    knife— A big bowl and the skillet and a large, substantial
    dish.

And I’m breaking up the bar of chocolate in a mighty
    bowl
(The while the eggs are frying, “Sur le plat, oui, s’il
    vous plait”),
And pouring from my canteen’s gurgling mouth a
    draught of milk,
To expedite proceedings in a purely tactful way.

And now the spluttering eggs are done, the chocolate’s
    hot and rich;
I have my feet beneath the board, the pewter weapons
    near:
A hunger from a front-line trench—the stomach of a
    goat—
And a battle-line that’s very far, though still the guns
    ring clear.

And thus, too full for utterance, I gently draw the
    veil—
So leave me, kindly reader, in my joy—
And maybe you will understand why other dinners
    pale,
And in comparison with this, appear to clog and cloy.




OVER THE TOP.



We’ve soldiered many, many moons
    In this old plugging war,
And all the ills and all the thrills,
    We’ve had ’em o’er and o’er.

Shell-fire, G. I. Cans and Gas—
    Night work in No Man’s Land—
And everything that calls for nerve,
    Endurance, guts and sand.

We’ve argued which we liked the _worst_—
    Machine-guns, gas or shell.
We’ve ruminated carefully—
    And done it rather well.

And after all our resumé
    And cogitating bull,
We’ve reached a clear decision,
    Most amplified and full:—

The greatest time in all the life
    Of any living man—
The mightiest moment of the Game—
    The proudest, high élan;

The thing we came three thousand miles
    Across the seas to do—
“The Day,” the splendid hour
    That waits for me and you,

Arrives—We spring into the wastes
    Of land, ripped, roweled and barred—
The battle-lust in brain and eye—
    The weary jaw set hard;

The rifle gripped in hands of steel,
    Where, flashing in the sun,
Sweep on our blazing bayonets,
    The terror of the Hun.




THE BATTLE MOTHER.



Over the sodden trenches—
    Over the skirmish line—
High o’er the hole-torn fields and roads
    Cometh a face to mine.

Under the burning gas attack,
    And the stench of the bursting shell,
We hope we may live for her dear sake—
    She who would wish us well.

(She who has ever cherished us—
    But when the hour came
Choked back the tears of the faithful years,
    As we left to play the game.)

Between the blazing horizons
    That hammer the long night through,
Lapping their tongues of hatred—
    Fearless she comes to you.

And over the roar of battle
    Where the shrill-voiced shrapnel sings,
Shine forth the loving eyes we hold
    Above all earthly things.

_A World run mad with slaughter—
    A charnel-house of blood—
But the face of the Battle Mother
    Above the crimson flood._




SONG OF THE VOLUNTEERS OF 1917.



_The drafted men fought hard and well,
    The whole big army did,
But we prefer the spirit
    Of the Bayard and the Cid._

The drafted men fought hard and well,
    But when Jack sailed for France,
They didn’t have to drag us in
    By the back of our neck and the seat of our pants.

The drafted men fought hard and well,
    But when it first began,
From coast to coast, from Lakes to Gulf,
    We rose, a single man.

The drafted men fought hard and well,
    But when the days were black,
Glad we sprang to the call to front
    The snarling, charging pack.

The red-fanged, savage hounds of hate,
    In a victor’s drunken might:
The unleashed, howling gray hordes
    Sweeping plain and height.

The drafted men fought hard and well,
    But when the great floes pressed,
Came we to break the ice and clear
    A channel for the rest.

The drafted men fought hard and well,
    But now the thing is o’er,
We ’re glad we came the way we came
    When the Nation rose to war.

The drafted men fought hard and well,
    But now the thing is done,
We’re glad we came the time we came
    In the heyday of the Hun.

Shades of Patrick Henry—
    Of Washington and Hale,
God grant we’ve kept the trust—God grant
    The Old Guard shall not fail.

_The drafted men fought hard and well,
    The whole vast army did,
But we prefer the spirit
    Of the Bayard and the Cid._




O. D.



_O. D., it_ ought _to mean Oh Damn,_
    _When in the pay of Uncle Sam:_
_But when you hear the soldier blab_
    _"O. D.," it just means Olive Drab._

The leggings, breeches and the boots
    Of Uncle Samuel’s war galoots—
The overcoats and jackets too,
    Confess the selfsame mournful hue.

It may be excellent camouflage
    To try to fool a young barrage;
It may not show the bally dirt
    So much upon your knees and shirt.

It may be serviceable and such
    When you are beating-up the “Dutch;”
But from a calm esthetic point,
    The color’s sadly out-of-joint.

A little mud on red or blue
    May seem quite prominent to you;
But put the same upon O. D.,
    And the whole blame thing looks mud to me.

But then, it matches trenches well,
    And things that make you say, Oh Hell
For instance, hikes, inspections, drills,
    And busted arms with C. C. pills.

It makes you heave a sigh or two
    For the good old days of brass and blue;
But if it’s fit to beat the “Dutch”
    I guess it doesn’t matter much.




ARTILLERY REGISTERING.



They’re shooting shrapnel o’er the trench—
        My boy.
They’re shooting shrapnel o’er the trench,
Which means tonight they’ll surely drench
These works with shells that burst and stench
        (And cloy).

They’re shooting shrapnel o’er the trench—
        My lad.
It breaks with shrill and tinny sound,
And quite promiscuously around
It showers metal on the ground
        (It’s bad).

They’re shooting shrapnel o’er the trench—
        Recruit.
So do not stand and stupid stare
Till some comes down and parts your hair,
But hunt your dugout and beware
        (To boot).

They’re shooting shrapnel o’er the trench—
        Young man.
Which means tonight the gas shells’ thud
Will muffled fall like chunks of mud;
And th’ blinding, crashing Prince of Blood—
        The G. I. Can.

They’re shooting shrapnel o’er the trench—
        My child.
And ere the dawn is turning gray—
You mark the very words I say—
There’s going to be hell to pay
        (High piled).




RECIPROCITY.



We haven’t been in this large strife
    So very long to date,
But we have learned our answer to
    The Prussian “Hymn of Hate.”
And we are feeding him for pap,
    As plain as A. B. C,
A pretty little ditty known
    As “Reciprocity.”

The Hun he planned for War, red War,
    By ocean, air and land;
And he is getting oodles of
    The same, to date, in hand.
He suddenly sprang poison gas
    Upon a valiant foe,
And now he’s getting gas and gas,
    And more gas, as you know.

He found new tricks and wrinkles for
    This gory battle game,
And now we stoop, no more his dupe,
    And beat him at the same.
He drowned our women in the sea—
    He ravished where he won—
But these were little things we couldn’t
    Copy from the Hun.

His crimson heel lie bade us feel,
    His lust and pride and scorn—
Till, echoing in our weary breasts
    A righteous hate was born. . . . .
Beware the patient man in wrath,
    The olden proverb saith;
And, Spawn of a Kultur nursed in blood—
    In blood meet ye your death.




TRUCKS.



_Lunging-wild, careening trucks_
    _Plunging through the rain,_
_Sweeping down the rainbow road_
    _To the sunlit plain._
_And echoing back with ponderous roar_
    _Their cargo’s wild refrain._

We’re bowling over the roads of France—
                White roads.
We’re twenty gray tracks in a long, long line,
Twisting and rumbling and feeling fine.
And some day we’ll roll to the Watch on the Rhine—
                Joyous loads.

But now we’re returning to billets for rest—
                Earned repose.
We’ve been in the trenches for many a week.
In rain and in wind and in dugouts that leak.
Till we all are so hoarse we scarcely can speak.
                Goodness knows.

Our clothes they are worn and tattered and torn,
                And mud?
My heavens! we have it in our leggings and hair—
On breeches and jackets and all that we wear—
But we are so happy, we really don’t care—
                ’Tisn’t blood.

It isn’t those long, endless vigils at night,
                On the rack.
It isn’t the fighting and hunger and heat—
It isn’t the slush and rheumatics and sleet—
It isn’t the once-a-day cold meal we eat
                In the black.

It isn’t the shelling from sun unto sun—
                Curséd shells:
It isn’t the camouflage that you must use
If you have to lie down in your trench for a snooze,
It isn’t the stenches the Hun corpses choose
                For their smells.

But it’s clean clothes and gasoline-bath and a shave—
                What a treat!
It’s sleeping on elegant straw, and undressed,
With never a Toto disturbing your rest;
It’s regaining your “pep” and a wonderful zest
                When you eat.

We’re all of us willing, we’re all of us game
                For the fray:
But now we have finished a good hitch, and more,
In conducting this large and salubrious war,
Do you think we should feel very tearful or sore
                On this day?

So some we are singing and some shoot the bull,
                And some sleep.
(Don’t wake the poor devil, just leave him alone,
Though he’s jammed on your foot till it’s dead as a
    stone),
And we rumble through towns on the way to our own,
                Packed like sheep.

And your hand is afingering bills large and small—
                Francs galore.
And you’ve visions of things that your poor stomach begs,
Including nuts, candy and chocolate and eggs;
And you find you’ve forgotten the crick in your legs—
                Cramped and sore.

We’re a light-hearted, dirty-faced, rollicking crew—
                Grimy pawed:
Though a few cogitate on the living and dead,
And some look behindward, and some look ahead,
And some think of bunkies that shrapnel has sped
                To their God.

_Lunging-wild, careening trucks_
    _Plunging through the rain,_
_Sweeping down the rainbow road_
    _To the sunlit plain,_
_And echoing back with ponderous roar_
    _Their cargo’s wild refrain._




MADEMOISELLE.



Oh Mademoiselle behind the Lines,
    When we’re weary and covered with dirt,
And you make a promenade with us,
    Or perhaps you mend our shirt.

You know our lives from your brothers,
    Or your sweethearts who can’t come back,
But only your laughter greets us
    When we shed that awful “pack.”

And some of you sell eggs to us
    In a town whence most have fled:
And some of your names have “de” and your blood
    Runs blue as well as red.

Oh Mademoiselle you sure are “chic”
    From your head to the tip o’ your toes,
And if you like us, you just plain _like_ us,
    And you don’t give a damn who knows.

And Mademoiselle those eyes, Oo la la!
    So sparkling, dark and rare,
With the love of all the ages lying
    Deep and dormant there.

(Please, please don’t think us fickle—
    That we didn’t play the game—
But you seemed so human and made to be loved,
    And we murmured, “Je vous aime.”)

We hear you’re going back with us
    To the tune of ten thousand wives,
And we wish you ten thousand blessings,
    And ten thousand happy lives.

So here’s a health to you, Mademoiselle,
    Who helped us see it through,
And the load that your laughter lightened
    Is the debt that we owe to you.




THE FIRST DIVISION.



American Expeditionary Forces, 1917-1919.

When the clarion call of Country
    Bade strong men rise and go,
Came they the first of the willing first,
    In the pride that leal men know.

When the Eagle soared and its broad wings spread
    ’Bove the shores of an angered land,
Sailed they the first of the Viking first
    Where the treacherous waters spanned.

When the Eagle’s Brood awoke to the shriek
    Of the great shells day and night,
First of the flock bled they beneath
    The star-flare’s blinding light.

When the lunging, torn front lines locked
    And the strife raged man and man,
Swept they the first of the fighting first—
    And the van of the battle van.

.    .    .    .    .    .    .    .    .    .

From the training days of Gondrecourt—
    Demange—cold, wet and gray—
To the trenches north of Lunéville—
    To Bouconville—Xivray—

To the crater-pitted, wasted tracts
    Of war-torn Picardy,
And the ghastly rubble hilltop
    Where Cantigny used to be:

To the splendid days of Soissons—
    The crisis of the strife:
To where giant pincers severed
    St. Mihiel as a knife:

To the glorious, stubborn struggle
    Up the rugged Argonne slopes,
Till the gates of Sedan crumbled
    With the Vandals’ crumbling hopes.

.    .    .    .    .    .    .    .    .    .

Sweeping in conquering columns
    To the banks of the vaunted Rhine—
Ever the first of the fighting first,
    And the Lords of the Battle Line.




LITTLE GOLD CHEVRONS ON MY CUFFS.



Little gold chevrons on my cuffs,
    What do you mean to me?
“We to the left mean hike and drill,
Trenches and mud and heat and chill—
And I to the right for the blood ye spill
    Where the Marne runs to the sea.”

Little gold chevrons on my cuffs,
    What is the tale ye tell?
“We to the left, of the long months spent
Where the somber seasons slowly blent—
And I to the right, of the ragged rent
    That took so long to get well.”

Little gold chevrons on my cuffs,
    What do you say to me?
“That ye would not trade us, master mine,
For ribbon or cross or rank, in fine,
That you are ours and we are thine
    Through all the years to be.”




A TRIP-WIRE.



If you’re sneaking around on a night patrol,
Trying to miss each cock-eyed hole,
And you choke back a curse from the depths of your soul—
                It’s a trip-wire.

If you think there isn’t a thing around
Except the desolate, shell-torn ground,
And you stumble and roll like a spool unwound—
                It’s a trip-wire.

If you know a murmur would give the alarm,
And you’ve smothered a cough in the crotch of your arm,
And then you go falling all over the farm—
                It’s a trip-wire.

If it’s cold and it’s rainy and everything’s mud,
And you’re groping your way through a nice little flood,
And you stand on your head with an elegant thud—
                It’s a trip-wire.

When silence is golden (for “news” is the quest),
And you’re returning and stepping your best,
And your rifle goes part way and you go the rest—
                It’s a trip-wire.




THE FAVORITE SONG.



(“There’s a long, long Trail.”)

They sing a song that the pines of Maine
    Hear in the winter’s blast—
They sing a song that the riders hum,
    Where the cattle plains spread vast;
But there is one they love the most—
    And they keep it for the last.

They sing the lays of Puget Sound
    Aglimmering in the sun—
Of the cotton fields of Alabam’,
    Where the Gulf-bound rivers run,
But one they sing with a wistful look,
    When all the rest are done.

They chant of the land of Dixie,
    And their “Little Gray Home in the West”—
Of how they’ll “can the Kaiser”—
    And they roar with bellowing zest;
But one they sing as it were a prayer—
    The song they love the best.

From Xivray to Cantigny—
    From Soissons to the Meuse —
From the Argonne wilds to the white-clad Vosges
    Agleam in the dawn’s first hues—
They sing a sacred song, for it
    Is red with battle-dews.

For it is sanctified by space—
    And the cruel wheel of Time;
And sacrifice has hallowed it,
    And mellowed every rhyme,
Until it wells from weary throats
    A thing men call sublime.

In frozen trench and billet—
    In mire, muck and rain—
Where the roar of unleashed batteries
    Hurl forth their fires again;
At rest, or back in Blighty,
    Torn with shell and pain—

There’s a song they dub the fairest—
    There’s a lilt they love the best—
“There’s a long, long trail awinding”
    To the haven of their quest,
Where the tip of the rainbow reaches
    A land in the golden west.




CAPTAIN BLANKBURG.



“When Greek meets Greek.”



I


They knew he was a German—
    They thought he was a spy—
_Toujours_ they “covered” him and said,
    “We’ll catch him by-and-by.”

They tried to find, by word or act,
    In front-line trench or rear,
Some circumstance that would betray
    His treacherous dealings clear.

They scanned his face when hostile flares
    Set No Man’s Land alight—
They watched him when the Hun barrage
    Tore craters left and right.

They noted every move he made,
    With ever wakeful eye,
Reiterating o’er and o’er,
    “We’ll catch him by-and-by.”



II


At last the opportunity
    Loomed large in fact and view,
And every near-sleuth in the bunch
    Saw that his hunch was true.

Because, upon an inky night,
    When mist hung o’er the nation,
The captain took a picked patrol
    To gather information.

And as they crept on hands and knees,
    In Land No Man may own,
Their stomachs struck the dew-wet grass
    With never sound or moan.

(The reason being that the Boche,
    On selfsame errand set,
Were creeping hitherward unseen—
    And likewise mad and wet.)

’Twas then the detail turned their heads
    To where their captain lay,
And every rifle in that squad
    Was pointed straight his way.

And he? He running true to form,
    Two inches raised his chin,
And spouted German volubly
    In accents clear and thin.

Click, click, click, click, click, down the line
    Each safety-catch turned o’er,
But the captain did not hesitate,
    And merely talked the more.

In conversation friendly
    He rambled gently on
Unto the Boches’ leader,
    Till it was nearly dawn.

The while his men they “covered” him—
    The while their hearts grew black—
And you could feel the trigger fingers
    Squeezing up the slack.

Just what the purport of his last
    Remark was, no one knew,
But in a burst of confidence
    A Boche head rose in view. . . .

Across the four-fold stillness
    That covers No Man’s Land,
An automatic pistol shot
    Rang clear and piercing and

The next day German papers told
    How Captain Skunk von Skee
Was killed by a Yankee captain,
    And Yankee treachery.




LITTLE WAR MOTHERS.



When you look at his picture and your eyes
    Are dimmed and mighty wet,
And it seems as though your trembling hands
    Could reach and touch him yet:
When you faintly call and he answers not
    Your supplicating prayer,
Remember his last thought was You:
    I know—for I was there.

When the day is done and the hearth-fire glows,
    And you slowly knit and knit;
And your furtive eyes from the embers rise
    To where he used to sit:
And you feel he never can slip up
    And kiss you unaware,
Remember his last word was You:
    I know—for I was there.

When your dear brave heart is breaking—
    And life is ’reft of joy;
And only the spark of memory—
    The face of a boy—your boy:
May the good God hover over you,
    And touch your silvered hair,
And tell you what I’ve tried to tell:
    He knows — for He was there.




INTERRUPTED CHOW.



I’ve had some mighty narrow calls—
    Some close shaves not a few,
But one of the fairly closest
    I’ll now narrate to you.

’Twas midnight—hush! the plot grows thick—
    Crowd close, and hold your breath—
’Twas midnight—and the slum-cart came
    Upon its round of death.

(It isn’t really that the slum
    Was quite as bad as that,
But the playful Boche so often dropped
    A shell where it was at.)

’Twas midnight—and our appetites
    Were whetted large and keen,
As trench feed, once a day, must leave
    An interval between.

And so we sought the buzzy-cart,
    “Mess-kits alert” and found
It standing in a quiet spot
    Where never came a sound—

Excepting that of bursting shells
    Across the field a way,
(But as I said before, the Boche
    Is very given to play).

All innocent and hungry-like
    And empty to the core,
I came upon that buzzy-cart,
    With never thought of war.

More calm, beneficent and mild—
    More free from things of strife—
I promise you I never was
    In all my mortal life.

The air was fair, the stars were out,
    The mocking-bird sang clear;
The poppies bloomed, the sergeants fumed,
    And food was very near.

When suddenly the ground gave way—
    It seemed a mile or more—
And the whole adjacent landscape leapt
    To heaven with a soar.

Earth, rocks and stars commingling
    In a swirling mass arose,
Where I, recumbent in the hole,
    Assumed an easy pose.

And when I found that I was there—
    Both arms, both legs, and head,
I picked me up and cogitated
    _Why_ I wasn’t dead.

For information looked I ’round
    North, south and east and west—
But the good platoon had up and cleared
    Some several feet with zest.

(And the strangest phase of the whole strange thing,
    For me to understand,
Was that when I got up I had
    My mess-kit in my hand.)

And there I stood and gazed me down
    Upon the hole and mud,
And found I was alive because
    That blamed shell was a “dud.”

A dud’s a shell that fails to burst—
    Whose crater’s microscopic—
And as I’d just sunk down in it,
    My Fates were philanthropic—

For had the bally thing gone off—
    Instead of sitting jake—
You’d ne’er have found my scattered parts
    With a hair-comb or a rake.

You’d ne’er have found your humble slave—
    For, sprinkled east and west,
My sad remains would scarce have bulged
    The pocket of your vest.

A finger in Benares—
    A toe in Timbuctoo—
And on the Mountains of the Moon
    A portion of my shoe.

An eye on Kinchinjanga—
    To greet the snow-peaked morn;
An ear at Cape Lopatka,
    And my dog-tag at the Horn.




S. O. S.



(Service of Supply.)

There’s an S. O. S. behind the Lines
    That feeds us shells and hardtack,
And guns and clothes and beans and things,
    And heals our wounds and pain.
There’s an S. O. S. across the seas
    That knits for us and writes to us,
Buys bonds and whoops it up for us,
    And cheers us on again.

There’s an S. O. S. behind the Lines,
    We could not do without it:
Just go and ask the Army,
    If you’d know the reasons why.
There’s an S. O. S. across the seas,
    And if you ever doubt it,
Just go and ask a soldier,
    Who will promptly black your eye.




THE GAS-PROOF MULE.



I’ve heard the cat hath nine lives,
    The hen and worm I’ve seen,
But a genuine, long eared, gas-proof mule
    Is the toughest thing they wean.

Each night he hauled the water-cart—
    (And to know what Water means,
You have to see a trench-bound bunch
    When filling their canteens).

However, no digression now,
    But straightway to my story,
And I’ll paint that black mule white
    And crowned with a crown of glory.

We crowded ’round the faucets—
    On each, six waited turns—
The thirstiest crew I ever knew—
    With the ingrowing thirst that burns.

And all was peace and quiet—
    The pause before the storm—
When the distant, whirling, demon shriek
    Of the G. I. Cans took form.

And when the third one got our range,
    With haste, but dignity,
We sought the dugouts ’cross the road,
    Calm, though precipitously.

But the fastest thing I’ve seen on legs,
    And I’ve seen the best, at that.
Was the water-mule when he took the road
    At a hundred in nothing flat.

Whether he headed for gay Paree—
    For Brussels or Berlin—
We didn’t stop to figure out—
    But he sure was headed in.

We only thought of our thirst next day,
    And a song we’d heard afar,
Of the farm recruit who bade good-bye
    To his “mule with the old hee-haw.”

Well, all that night they threw us gas
    And high explosive shells,
And four long hours we wore our masks,
    To ward the murderous smells.

And when the first white streak of dawn
    Told “Stand-to” was begun,
We stumbled back and took our posts
    To wait our friend the Hun.

The Hun did not appear, but gas
    Thick clothed both hill and dale
In clouds and sheets of dead-man’s drab,
    And down in the deepest vale—

With perfect poise and nonchalance,
    Sang-froid and savoir-faire,
Browsed that fool mule, capaciously,
    With never thought or care.




INFANTRY OF THE WORLD WAR.



They shall tell of the Arms resplendent—
    The men who dared the air;
They shall tell of the work of the mighty guns
    Where the far horizons flare:
They shall tell the tale of the Centaurs—
    Each rear and flanking drive—
And the song of the Service of Supply,
    That kept them all alive.

And when they seem to have finished,
    And ye think that the chant is done,
They will tell the tale of the tramping men
    In the sweat of a torrid sun.
They will tell the tale of the marching men
    Who plod the live-long night,
To reach the crest at the break o’ dawn
    When the Nations go to fight.

They will tell the tale of the tired men
    Beneath a straining load;
Mile by mile with lunging step
    And glassy stare on the road.
They will tell the tale of the front-line trench,
    And the one cold meal at night,
And the terrible song of the bursting shells,
    And the flares’ uncanny light.

They will tell the tale of the moving ranks
    When the zero hour lifts,
And the khaki lines leap forward
    In the face of the steel-shod drifts.
Where the great shots split asunder,
    And clutter hill and plain
With the weary bodies of the men
    Who may not march again.

And so for a wide World’s wonder,
    And the ages yet to be,
They will sing in deathless numbers
    The song of the Infantry.
They will slowly close the volume—
    The story fully told, And a tear shall fall on the cover,
    Whose letters are flaming gold.




THE FLOWERS OF FRANCE.



The flowers of France are blooming
    Upon this bright June day,
The flowers of France are fragrant
    And smiling swing and sway,
(For what is death and carnage
    A dozen miles away?)

The flowers of France are blooming
    Among the wheat and grass—
The scarlet headed poppies
    That nod you as you pass,
And the blue cornflowers’ brilliant hue,
    And the daisies in a mass.

The flowers of France are blooming
    And beckoning in the breeze,
And laughing in the sunshine,
    And bending to the bees,
(But the wooden crosses in a row—
    Oh what know they of these?)

The flowers of France are blooming
    In every rainbow shade,
And as a rainbow is an arch
    By tears of heaven made,
I wonder if the flowers of France
    Are the tears that France has paid?




A FIRST-CLASS PRIVATE.



_I haven’t a worry or a care—_
    _My mind’s "at ease" and furled:_
_For I’m a First-class Private,_
    _And I’m Sitting on the World._

The Loot, before the whole platoon,
    He up and called me forth
To drill my squad, “Squads east” and “west,”
    Not mentioning south and north.
To drill my squad, “Squads ’round-about,”
    For all the World to see—
But I’m a First-class Private and
    That’s good enough for me.

The Loot he is a dandy man
    And all that kind of thing,
And I know he wants to see how I
    A corporal’s job could swing:
But back here in a “rest town”
    It just means dirty work,
And _I_ must take the bawling-out
    For what the squad may shirk.

’Tis I they’d turn and eye with scorn
    If some gun wasn’t clean;
’Tis I would play the wet nurse
    For a rookie _none_ could wean:
And if a pair of frozen shoes
    Makes Smith miss reveille,
It isn’t Smith or “Sunny France,”
    It’s me, yes dammit, me.

So forth I take the Squad to drill,
    With ne’er a fault or slip;
But a smile is in my glance, forsooth,
    And a jest is on my lip,
Akidding with each friend o’mine—
    And the Loot was never fain
To try to make a non-com
    Of Private Me again.

_Oh nothing, oh no nothing_
    _May your resolution shake,_
_When you’re a First-class Private,_
    _And you know you’re Sitting Jake._




BIRDS OF BATTLE.



Keats sings in peerless stanzas
    To the lovely Nightingale—
And Shelley tells of the Skylark
    Above the summer gale—
But I to the Birds of Battle
    Needs lift my numbers frail.

For far by the out-flung wires,
    Where the shell-torn tree stumps stand,
And over the barren, hole-strewn tracks
    Of the wastes of No Man’s Land,
In the morning light and the black of night,
    The Birds of Battle stand.

No shrieking shots may quell them—
    Nor gloom nor storm nor rain,
As out of the crash or stillness
    A wondrous, shrill refrain
Cuts clear and glad and lithesome
    Above the death-strewn plain.

The weary heavens welcome,
    And echo back the song,
And weary soldiers linger,
    And pause to listen long
To the one glad cry in a war-torn sky,
    That holds so much of wrong.




ONLY FOR YOU.



The torturous hike up the hill road,
    Plowing through snow and mud;
The poor weary arches breaking—
    The socks that are wet with our blood:
The terrible, binding, burning strap
    That’s cutting our shoulder through—
And our parched lips stammer, “My Country,
    For you and only for you.”

The slight and the slur and the nagging
    We must take from a rowdy or cad;
And we simply salute and say “Yes sir,”
    And pretend that we never feel mad:
Though our heart is a forest of hatred—
    And justice seems hidden from view—
And we mutter, “For you, oh my Country—
    For you, yea, and only for you.”

When all evening long the guns’ reddened glares
    Turn night into hellish day,
Till in Berserker rage their silver bursts cut
    The drab of the dawn’s growing gray:
When over the top we are starting again—
    Full knowing the thing that we do—
We murmur, “For you, oh my Country—
    For you, aye and only for you.”




COOTIES.



Some people call ’em Totos—
    Some people call ’em Lice;
Some people call ’em several things
    That really aren’t nice;
But the Soldier calls ’em “Cooties,”
    So “Cooties” must suffice.

We’ve met the dear Mosquito—
    We’ve met the festive Fly—
It seems to me we’ve seen the Flea
    That jumpeth far and high;
Yea, we have known various bugs—
    Though not the reason why.

But when you’re in the trenches
    And cannot take a bath,
As one canteen of water
    Is all one day one hath,
You raise the comely Cooties—
    Who raise, in turn, your wrath.

You can’t escape the Cooties
    By day nor yet by night.
No G. I. Can alarms them,
    Nor other sound of fight.
Not even Gas affects them—
    Which doesn’t seem just right.

You may not eat, you may not sleep,
    You may not bat an eye:
You may not duck a six-inch shell
    That’s singing gaily by,
But that a Cootie, like the Poor,
    _Is with you—very nigh._

They bite you singly and in squads,
    They have a whole parade;
They form a skirmish line and sweep
    Across each hill and glade;
But seek their dugouts when you think
    Your grip is firmly laid.

It does no good to curse ’em—
    They cannot hear or talk.
It does no good to chase ’em—
    To still-hunt or to stalk.
The only thing is hand-grenades,
    At which, ’tis said, they balk.

Oh Cooties, little Cooties,
    You have no sense of shame;
You are not fair, you are not square,
    You do not play the game—
But east and west and south and north
    Is spread afar your fame.




OLD FUSEE.



(Rifle number 366915., Springfield model 1903.)

I really hate to leave you,
        Old Fusee—
Where the land is scarred and peeled,
And the broken battlefield
Bears its red and deadly yield—
        Wearily.

I really hate to leave you,
        Old Fusee—
To the wind and dew and rain
Of a shorn and shotted plain,
Till stranger hands again
        Discover thee.

I really hate to leave you,
        Old Fusee—
To the clinging, clogging dust—
To the all-destroying crust
Of a clawing, gnawing rust—
        Unmercifully.

I really hate to leave you,
        Old Fusee—
But they’ve plugged me good and hard,
So I quit you, trusty pard,
As I creep back rather marred,
        To old Blightee.

I really hate to leave you,
        Old Fusee—
With your bore a brilliant sheen,
And your metals black and clean,
Where your brown striped stock and lean
        Gleams tigerishly.

I really hate to leave you,
        Old Fusee—
For the wanton weather’s hate,
And careless hands to desecrate
Barrel, bolt and butt and plate,
        Unthinkingly.

I really hate to leave you,
        Old Fusee—
And I bear a double pain
As I pause to turn again
Where I left you on the plain,
        Unwillingly.




THE COLORS OF BLIGHTY.



_The shades of red an’ white an’ blue_
_Mean rather more to me an’ you,_
_Than just parades an’ bands an’ such_
_And hollerin’ loud an’ talking much._

The wounds are dark and red—
    All jagged-red in Blighty:
And untamed hearts are red
Where, stretching bed on bed,
Lies lax each weary head,
        In Blighty.

The walls are blank and white—
    All fresh and white in Blighty:
And cheeks are gaunt and white,
Where through the endless night
They fight the second fight,
        In Blighty.

Outside the skies are blue—
    Soft, cloud-flecked blue o’er Blighty
But clear, relentless blue
Of purpose steeled anew
Lies there revealed to you
        In every eye in Blighty.

_The shades of red an’ white an’ blue_
_Mean rather more to me an’ you,_
_Than just parades an’ bands an’ such_
_And hollerin’ loud an’ talking much._




WHEN NURSE COMES IN.



(Convalescent stage.)

The stories sure are rich and rare,
They’d strike you blind, they’d turn your hair,
They’re dark as coal down in the bin—
        Till Nurse comes in.

The language is an awful hue,
Astreak with crimson shades and blue;
’Twould scorch a mammoth’s leather skin—
        Till Nurse comes in.

Words run the gamut of the trench—
They beat old Mustard Gas for stench,
They rise with oscillating din—
        Till Nurse comes in.

The cussin’s quaint and loud and strong,
Imported stuff, that don’t belong
In dictionaries fat or thin—
        Till Nurse comes in.

And then you’d be surprised to hear
The change of pace, the shift o’ gear,
The dainty tales that just begin—
        When Nurse comes in.




CHARLIE CHAPLIN IN BLIGHTY.



The mess-hall windows blanketed
    To bar the western light—
The tables cleaned and cleared away,
And bench by bench in close array
Five hundred convalescents sway
    To catch the caption bright.

And there are men with helpless legs,
    And torn chest and back;
And men with arms in sling and splint,
And one poor eye that bears no glint,
And muscles limp or turned to flint—
    And souls upon the rack.

They came from Chateau Thierry—
    From Fere-en-Tardenois—
From Soissons, Oulchy-le-Chateau,
From Rheims and Fismes, where blow by blow,
’Cross Marne and Oureq and Vesle aflow
    They hammered them afar.

And now upon the screen is thrown
    An old familiar form:
’Tis Charlie of the strong appeal,
At skating-rink or riot meal,
And every mirth-producing reel
    Awakes the farthest dorm.

The aching head, the splintered arm,
    The weary, dragging feet;
The wound that took a month to drain—
The everlasting, gnawing pain—
Are all forgot and gone again
    When Charlie strikes the street.

Your esoteric shrug and sneer
    And call him crude and quaint;
But we who’ve seen him “over here”—
Who’ve heard the laugh that brings the tear—
Who’ve heard the bellowing roar and cheer—
    _We_ call him Charles the Saint.




TWO WORLDS.



Here in the Jardin des Plantes of Nantes
    I sit in the nickering shade,
Watching the scampering children play—
    And the way of a man and a maid—
And the noble women of France in the black
    Of a Nation unafraid.

The lace of the shadows across the paths
    Where the warm sun niters through,
And the open vista between the trees,
    With the swan pond half in view,
And the flowers and sloping lawns and the pines
    ’Neath an arch of Brittany’s blue.

The air is soft as a day in June,
    The blossoms manifold
Throw streaks and patches of rainbow hue
    Across the green and gold,
And earth and sky in witchery
    Entwine you in their hold.

And it comes to me, Can it really be
    But two full moons have fled,
Since I limped from a scarred and riven field
    Where lay the newly dead,
Bathed in the light of a splendid fight,
    And blotched with their blood’s own red.

A world of crimson slaughter
    Where the grim locked legions sway—
And the mad machine guns whistle
    Their endless roundelay—
And the sinister sound of the thundering pound
    Of the great guns night and day.

Night and day, night and day,
    With scarce a pause between,
As out of the empty dark a voice
    From the farthest hills unseen,
Comes whirling, swirling, shrieking down
    Where the helpless front lines lean.

.    .    .    .    .    .    .    .    .    .

The air is soft as a morn in June—
    The filmy shadows sway;
And only the joyous music
    Of the prattle of children at play,
And the gentle rustle of whispering leaves
    That tell of the closing day.




EMBARKATION HOME.



If you’re a homebound soldier
    Who’s done his little best,
And you are going ’board the boat
    At St. Nazaire or Brest,
Bordeaux or any other port,
    Steam-up and headed west:

If you are full o’ the joy o’ life
    And “pep” and all that stuff;
And the ozone permeates your soul
    And makes you gay and bluff,
Don’t turn and yell, “Who won the War?—
    The M Ps,”—Can that guff.

For the M Ps are a sacred caste
    That boss the city street
A hundred miles behind the Lines
    Where dangers never greet,
Nor roaming shells come swirling by,
    Nor surging first waves meet.

So if the long, tense session
    Of soul-engulfing war,
And “Prussian” discipline and rule,
    And heart-enslaving law
Say, “Open wide the throttle
    Of lung and throat and jaw”—

Repress that natural impulse,
    For you’re not human—yet:
Sedately up the gangplank walk,
    Eyes front and lips tight set,
Or you’ll come back and spend six weeks
    In a mud-dump, nice and wet.

The wind is blowing ’cross the bow,
    The first smoke lags alee—
The sun that’s broken through the clouds
    Is dancing on the sea,
So, homebound soldier, watch your step,
    And take advice from me.




THE STATUE OF LIBERTY.



Sing of the Venus de Milo,
    The lady without any arms;
Sing of the Venus of this and of that,
    And tell of their marvelous charms:
Rave of your wonderful statues,
    In divers lands here o’er the sea,
In bushels and reams, but the Girl of our Dreams
    Is our godmother, Miss Liberty.

Its contour may not be perfection—
    Its technique we really don’t know—
If you ever asked, “Who was the artist?”
    It would come as a _terrible_ blow.
But to us it is home, friends and Country,
    To us it means all that is best,
’Tis the first that lifts out of the waters
    Of “Our little Gray Home in the West.”

’Tis the first on that endless horizon
    Where the clouds meet the wind driven spume,
And the scavenger gulls wing to greet us
    From out of the gathering gloom—
’Tis the first that calls beckoning to us
    Through the mist of the swaggering sea—
“Oh lay down your guns my knight-errant sons,
    And come back to the bosom of me.”





PART II. PRE-WAR POEMS.







TO FRANCE—1917.



The sea that kisses France’s shore,
    It beats on yours and mine.
Her love and faith and chivalry,
    That sparkle as her wine,
With all our faith and all our love
    Commingling combine.

The colors of the flag of France
    Are ours by hue and hue:
The blazing red of courage—
    The white of purpose true,
And constancy and loyalty
    Awoven in the blue.

The spirit and the soul of France,
    That shatter fetters free,
They came to us in darkest days
    To weld our destiny;
And so with sword in hand we come
    To pay our debt to Thee.

To pay our debt a hundredfold—
    Friend of our new-born years.
To march with you and fight with you,
    Till rise the final cheers—
And hand in hand, o’er a grave-strewn land,
    We blend our mingled tears.

Where blends our blood as once it did
    In days of a long gone
When the Bourbon lilies leapt and gleamed
    Among the Stars on high—
And the white and crimson bands of dawn
    Rose in the eastern sky.

And the the white and crimson bands of dawn,
    And the Stars that glow and glance,
Shall girdle them their armor on,
    With buckler, sword, and lance,
And leap to the charge and sweep the field
    With the Trois Couleurs of France,

.    .    .    .    .    .    .    .    .    .

If right is might and Honor lives—
    Oh Sister? ’cross the seas—
And Liberty and Justice still
    Hold high commune with these;
A four-fold vengeans waits the Hun,
    And his iniquities.




THE PACIFIST.



Cowards and curs and traitors,
    Fatuous dreaming fools—
Binding us, stripped, for the madman
    Nurtured of dastard schools,
Where right of might and who springs first
    Are the only known rules.

Well fed, well housed and sleek and smug,
    Full pursed and full of pride—
Your fields are green, your lanes are fair
    Where peaceful homes abide,
And your children play by sunny streams
    That laughing seaward glide.

What Primal Power tells you eat
    To the ends of your belly-greed—
What holds your fields with harvests full,
    And answers every need—
And bids your bairns play laughingly
    With never care or heed?

The answer, Fool, is written large
    In words of blazing light—
They are rewards of dwelling in
    A Land of kingly might,
That grants you surety and wealth
    And guards you, day and night.

And whence, Fool, came its splendid strength—
    And why, and how and when?
In a World of strife and reddened knife
    Did it rise by tongue and pen?
No, Dolt, but by the strong right arms,
    The arms of its fighting men.

And Ye, Ye would sit with folded hands,
    Agaze into Heaven’s blue,
With sanctimonious murmurings
    Of what the Lord will do;
While your neighbor and your neighbor’s son
    Go forth and fight for you.

For you, you cur, and your belly-need—
    For your hearth and kith and kin:
For your harvest and your banking-house
    Where you shovel the shekels in,
Till the labor has hardened your hands and heart,
    And your soul is parchment skin.

Religion cannot cover
    A dog whose liver is white.
Your Christ, with righteous anger,
    Smote hard to left and right
The usurers. And never said
    He was too proud to fight.

When we are another Belgium
    And the land with blood is dyed,
And your homes are burned and your women raped,
    And ye know that ye have lied—
Mayhap ye will say with your final gasp
    That ye are satisfied.




BATTLE HYMN OF 17.



On the entry, in 1917, of the United States into the World War.

Not with vain boasts and mouthings—
    Not with jesting light—
But for Duty and Love of Country
    Come we in armor dight.

Not for our own advantage—
    Not for Adventure’s lust—
Not for the hope of honor—
    But a Cause that is high and just.

Not for the praise of our fellow-man,
    Or greed or gain or creed,
But for the sight of the suffering eyes
    That call us in their need.

(The withering, mad machine-guns
    Shall drop us one by one,
Where the red, red streams of No Man’s Land
    Gleam ’neath a blood-red sun.)

(The shriek of the spraying shrapnel—
    The roar and the blinding glare,
And the gaping crater’s dripping fangs
    Shall ope and find us there.)

Not in the strong man’s tyranny
    Or the pride of worldly things,
But guarding clean traditions,
    Unstained by the hands of kings.

Not with sudden yearning,
    But knowing the risks we dare,
We board the waiting galleons
    For a Nation brave and fair.

(For a Nation bearing the battle’s brunt—
    The strength of the Vandals’ blast—
With an even keel and a steady wheel,
    And her Colors nailed to the mast.)

Not with hectic fire,
    But weighing the thing we do,
We cross to the coasts of the fighting hosts—
    To the France our Fathers knew.

Brothers in blood of old—and now—
    Together to hunt and slay,
Till we drive the Beast to his bone-strewn lair—
An eye for an eye—a hair for a hair—
And we leave him broken and bleeding there
    Forever and a day.

.    .    .    .    .    .    .    .    .    .

Not with vain boasts and mouthings—
    But in silent, grim parade—
We come, Lord God of Battles,
    To the last and great Crusade.





PART III. OTHER VERSES.







MY SAPPHIRE.



I have a sapphire rich and fair
    And soft as a velvet sky,
When only the stars are shining low
And the heavens hold a mystic glow
And a hushed world stands agaze to know
    The wonderful Whence and Why.

I have a sapphire that I turn
    In the dark of somber days:
And the darting tongues of nickering blue
Flash deep and rare in wondrous hue,
Sharp as the lightning, pure as the dew,
    And true as m’lady’s gaze.

I have a sapphire that I hold
    Beneath the chandelier:
And the phosphor of its azure gleam
Sweeps clear as the depths of the mountain stream
Where the Sun-god hurls his molten beam
    In the morn of the golden year.

I have a sapphire I adore—
    Of varying whims and moods—
Blue-black it lies with never a mark
Across the dim unfathomed dark,
Till there lifts the glow of a tiny spark—
    And again it sullen broods.

I have a sapphire that I bend
    ’Neath the light of burning rays:
And the flames spread forth a fairy fire,
Seething and writhing and leaping higher
Till they come to the land of my heart’s desire,
    In a glittering, blinding blaze.

I have a sapphire that I hold.
    When the goal seems far away:
When the lee shore churns in saffron spume.
And the fluctuant ocean’s plume on plume
Bears down to a rock-ribbed hidden doom,
    And the sky is ashen gray.

I have a sapphire that I turn;
    And the clouds break, and the wine
Of a glorious sun spreads east and west
To where the Islands of the Blest
Raise verdant shores at my behest,
    And a golden world is mine.

_Oh Sapphire from a distant vale_
    _Where the white Himalayas tower:_
_Where the Kashmir lakes are royal blue,_
_And passions strong and hearts are true,_
_All these are met and blent in you,_
    _A princely heir and dower._




THE TWINS.



Out of the wonderful nowhere,
    Into the lowly here;
Laughing and loving and lithesome,
    And radiating cheer.

Twin rose-buds o’ Killarney hue—
    Fragrant and fresh and fair—
And eyes of blue, wide-gazed and true,
    And tawny yellow hair.

And smiles as sweet as any meet
    In pleasant paths above:
And golden laughter that echoes after,
    To finger the chords of love.

Two wee buds o’ Killarney hue
    That beckon and beguile—
And ’neath your spell we’re learning well
    There is something still worth while.

Though drab days break and drab thoughts wake
    O’er fields of sleet and snow,
There’s sunshine rare just _everywhere_—
    For you have taught us so.




ON SENDING MY BOOK TO AN ENGLISH FRIEND.



“It’s a long lane that knows no turnings”—
    And the seas are wide indeed,
But there are no barriers dividing
    The Anglo-Saxon creed.
Fair fighting when the skies are lowering—
    Fair peace when skies are clear—
And the faith of fair intentions, unfaltering,
    And the heart that holds no fear.

“It’s a long lane that knows no turnings”—
    And Browning never said a thing more true,
So I know you’ll know the spirit that impels me
    To send this little messenger to you.




IMMORTAL KEATS.



Matchless bard of all the ages—
    Lyric sounder of the lyre—
Wake among your golden echoes—
    Rise amid your latent fire—
Tell us, Master of the Muses—
    Sweetest singer ever sung—
By what law of Earth or Heaven
    Ye were called away so young?

By what law of God or Mammon—
    By what creed of land or sea—
Was a weary World forsaken
    Of the mind that harbored thee?
Ere that wondrous mind’s fruition
    Scarce had grown to the tree.

If the half-fledged sapling gave us
    Melodies past human praise—
If such virgin buddings crowded
    Those few sad and glorious days;
If such flowers, barely opened,
    Swept us in a wild amaze—

What, Oh Lord and Prince of Poesy,
    Would your soul have given to men—
What the marvelous meed and measure
    Of your pulsing, choral pen—
Had your numbered days been lengthened
    To a three score years and ten?

As through mystic lands ye led us
    O’er the paths your feet had gone:
Pipes of Pan—and fain we followed—
    Glad and willing slave and pawn,
Till we reached the fields Elysian—
    Till we faced the gorgeous dawn:

Till the lanes seemed filled with roses—
    Roses lipped with opal dew:
Till the vales seemed filled with incense—
    Incense slowly drifting through:
Till the seas seemed filled with grottoes—
    Grottoes amber, gold and blue:

Till the songs of birds rang clearer
    And the sunshine shone more rare,
And the moon above the meadows
    Gathered love, and left it there;
And the swaying stars rose whiter—
    And the World was very fair:

As your thoughts’ eternal fountains,
    Shot with iridescent gleams,
Floating down through glades enchanted,
    On the breast of faery streams,
To a pearl-strewn bay of beryl—
    Reached the haven of our dreams.




TO A LITTLE GIRL.



Flammarion and Kelvin and Herschel every one,
    Said Heaven was a hundred, million, billion miles away.
So I couldn’t contradict them—it wouldn’t do at all—
    But they had never heard your laughter innocent and gay.

Flammarion and Kelvin and Herschel every one,
    They said the Milky Way was fair beyond all human ken:
But they had never seen your face, upturned, aquestioning—
    A dainty bit of rapture in a leaden world o’ men.

Flammarion and Kelvin and Herschel every one,
    They told of gorgeous comets and their manes so bright and rare:
But comet glow could never show the living threads of light
    That dance and gleam in th’ rippling stream and fragrance of
        your hair.

Flammarion and Kelvin and Herschel every one,
    They said the azure ether stretched in miles of lapis hue;
But they had never known eyes that gaze into your soul
    In longing little wonder wells of limpid gray and blue.

Flammarion and Kelvin and Herschel every one,
    They said no melody could match the singing of the spheres:
But they had never heard your voice ring joyously at play—
    The music of a weary world of roil and toil and tears.

Flammarion and Kelvin and Herschel every one.
    They’ve told the tale of the double stars, and their faith the
        eons through—
But constant though they be, their hearts could never know the love,
    The yearning burning tender love, dear child, we bear for you.




GOD.





I


They would give hands to Thee, head to Thee, feet to Thee—
            They who are blind:
They would give form to Thee, fashion Thee manikin,
            After their kind.

They would give hate to Thee, spite to Thee, jealousy—
            Thou the adored:
Only have fear in Thee, only repel Thee,
            Master and Lord.

They would bring shame to Thee, even in worship—
            Each empty rite:
Bigotry, canting and sere superstition,
            Knowing no light.

Faiths esoteric, pedantic and recondite—
            Mystical creeds:
False and insipid and brutal and selfish—
            And wrought to their needs.

They whom Ye nurtured from primal conceiving,
            And ne’er a flaw—
They know Thee not, or in knowing, reject Thee,
            Thee and Thy law.

Saying, "We see Thee not, come to us, speak to us—
            Tangible stand.
Come in the purple, crowned, robed and resplendent—
            Sceptre in hand.

"Even as kings have done, through all the ages,
            Brave to behold—
Fanfare of trumpets, be jeweled and refulgent
            And girdled with gold:

"Or in a chariot welded of star-dust—
            Glittering white—
Pause at the cloud-line ’mid crashing of thunder
            And blazing of light.

"Rolling Thy voice till the Pleiades tremble—
            The spheres are amoan;
The Earth for a footstool—the outermost planets
            Grouped for a throne.

“Thus would we see Thee, acclaim Thee; and worship Thee,
            Thou in Thy might—
Concrete, conglomerate, human and splendid—
            Aflame in our sight.”



II


They who have drunk of the River of Knowledge
            Only a quaff,
Pity them, Father that know not Thy meaning,
            Children who laugh.

Atoms that reck not the wherefore of atoms—
            Dust of the dust:
Groping in darkness, recusant and doubting—
            And bearing no trust.

They would make mock of Thee, saying the life-spark,
            Came not of Thee:
Function by function in wonderful unison—
            Each mystery.

Sunshine and rain-fall and food to their needing,
            Air, sea and land:
Seed-time and fruit-time and harvest and gleaning—
            Made to their hand.

They would gainsay Thee by calling it Nature,
            Calling it Chance:
And by their impotent wonder, Thy glory,
            Only enhance.

But when in mercy the last word is spoken—
            When the gates yawn;
Father of Nations—take Thou Thy children
            Into the dawn.

Crowning Thy marvelous works with a crowning—
            Ultimate—vast—
Showing compassion and loving they knew not,
            E’en to the last.




THE GOLDEN DAY.



Have ye a day that bears the glare
    Of the flaming morning sun?
Have ye a day the mind may search,
    Weighing what ye have done?

Have ye a day ye are satisfied
    Will stand the acid test—
From the first gray strand of the eastern skies
    To the last red glow in the west?

Have ye a day ye grappled with
    And hurled in mortal throes,
When, ’bove the white horizon,
    The Great Occasion rose?

Mayhap the World bore witness
    To the things of your Golden Day:
Mayhap it is locked from the gaze of men,
    And ye’ve thrown the key away.





NOTES







NOTES.



*Trenches*

French Lorraine
    Lorraine is now French, but, of course, it was not so during the
    war.

Kultur
    The so-called German culture.

*Barb-Wire Posts*

Herein is described a common optical illusion or phenomenon seen by all
soldiers, old and young, experienced or green, during the long night
vigils looking through the wires, across No Man’s Land.

Boche
    A German.

Hun
    A German. The people of Germany take great exception to being called
    “Huns,” protesting that they are not of this stock. After the defeat
    of Attila and his Huns at Chalons, in 451 A. D., by the combined
    efforts of the Celts themselves, the indigenous people of France,
    the Romans, who were still masters of the country, the Franks, who
    had already become a power in the land, having advanced as far south
    as the Somme, and the Visigoths, who, early in the same century, had
    established their great empire in southern France and Spain; after
    this great battle the Huns retreated back into Germany, where many
    of their descendants must still be, but of course the majority of
    the German people are not, from an ethnological standpoint, Huns.
    The reason for this appelation being applied to them is simply that
    when a people have the attributes of a Hun, they must expect to be
    so designated. A man may very properly be called a pig without any
    misapprehension that he actually travels upon four hoofs. However,
    it is possible, though not probable, that the leopard may change his
    spots; and time, and contact with civilization, and a democratic
    form of government may eventually eradicate the present very marked
    idiosyncrasies of the German race.

*Your Gas-Mask*

“full-field”
    The full-field pack, consisting of blankets, shelter-half, clothing,
    extra shoes, etc., weighing over 50 pounds, on the back of an
    infantryman, and guaranteed to increase 50 pounds in weight every
    five kilometers after the first ten kilometer mark has been passed.

full marching-order
    The full-field pack as described above, plus rifle, cartridge-belt
    with a hundred rounds of ammunition, two bandoliers, each containing
    a hundred extra rounds, gas-mask, mess outfit and the steel helmet,
    commonly known as your tin hat.

*Slum and Beef Stew*

Josephus
    Josephus Daniels, Secretary of the Navy during the war.

gobs
    Nickname for sailors.

Brains of the Army
    Any order apparently wrong or ridiculous is generally provocative of
    the soldiers saying, “Brains of the Army.”

Thotmes III, (or Thutmose or Thutmosis)
    Of the Eighteenth Dynasty, who began his reign about 1500 B. C.,
    Egypt’s greatest conqueror, and under whom the Egyptian Empire
    attained its largest extent. Rameses II (the Great) of the following
    Dynasty, is, however, the more generally known.

Cyrus’ doughboys swept etc.
    Refers to the passage of Cyrus and his great army through the
    Cilician Gates, on his way from his conquest of Lydia in Asia Minor,
    to his descent of the Euphrates Valley to Babylon, whose easy
    capitulation in 539 B. C. finally brought to an end the old glory of
    the Babylonian Empire, which, after a long period under Assyrian
    rule, had blossomed forth in a glorious recrudescence, in the latter
    part of the Seventh Century B. C, under Nebopolassar and his famous
    son Nebuchadnezzar—and then known as the Neo-Babylonian Empire, or,
    more commonly, as Chaldea. The reader will doubtless remember that
    it was through the same passage in the Taurus Mountains that
    Ashurbanapal, le Grand Monarque of Assyria when at the apogee of her
    power in the Seventh Century B. C, and also Alexander the Great,
    sweeping to his eastern conquests, both passed.

    Doughboys is the popular present-day nickname for infantrymen.

Sitting on the World
    When the situation is thoroughly agreeable and everything is
    “breaking” just right.

S.O.L.
    Well known soldier expression which, elegantly translated, means
    being totally and entirely out of luck, but not to be adopted for
    “polite conversation.” Remember this admonition.

*Mr. Fly*

G.I. Cans
    Large high-explosive shells of about 6 inches diameter or over, and
    made of thick galvanized iron or what appeared to be such.

Cooties
    Are pleasant little neighbors in the trenches, due to the inadequacy
    of bathing facilities.

*The Salvation Army With the A. E. F.*

John Doe. Private Doe
    The designation of an American soldier, where no specific name is
    used, as, for example, to fill in the place for a name on a sample
    blank or application of any kind. Not used as a popular nickname for
    the American soldier as Tommy Atkins is used for the British
    soldier.

A. E. F.
    American Expeditionary Forces: the title of the American troops in
    France during the war.

*Shell-Holes*

The “77”
    The typical artillery piece of the German army, and having a caliber
    of approximately three inches, roughly corresponding with the famous
    French “75,” though not as effective, but quite effective enough.

*Food*

Salvation
    Salvation Army.

*Song of the Volunteers of 1917*

Bayard
    The great chivalric hero and warrior of France during the reign of
    Francis I. The Chevalier Bayard was killed in northern Italy in
    1524, during the advance of Bourbon at the head of the Imperial
    forces.

the Cid
    The chief heroic figure of Spain, who lived in the Eleventh Century,
    fighting ably against the Moorish power until exiled by his king in
    the year 1075, after which he became a free lance, sometimes
    engaging in battle the Infidel and sometimes the Christian. He died
    in 1099, and, while a very able commander, it is generally
    understood that most of his great deeds are a gorgeous fabric of
    tradition rather than actual history.

Artillery Registering
    The bursting of shrapnel over your trenches, by the enemy, in order
    to get the range for their shell-fire which is to follow.

*Trucks*

Toto
    A nickname for a Cootie, qv.

Including nuts, candy etc.
    The American soldier has a notoriously “sweet-tooth,” and big husky
    men positively gormandize on things saccharine, when obtainable.

Mademoiselle
    The army man pronounces the word “mademoiselle” at full length,
    using the most punctilious care to enunciate each and every one of
    the four syllables. Whether this is due to the word being foreign to
    many of them, or whether it is due to their all-saving subtle sense
    of American humor, so that it seems rather delicious to call the
    little French ladies by so long and ponderous a title, I really do
    not know, but I strongly suspect that it is the latter.

The First Division
    Caesar had his Tenth Legion, Napoleon had his Old Guard, and the
    American Army during the World War had its First Division. It might
    therefore not seem entirely malapropos to quote the words of the
    great French general Mangin, who was the corps commander of the
    First Division of the American Army, the famous First Moroccans of
    the French Army and the Second Division of the American Army, at the
    Second Battle of the Marne, that began on July 18th, 1918, and was
    the turning point of the whole war. In this great door movement the
    First Division was given practically the post of honor at the
    _hinge_ itself, i.e., directly at Soissons, only one division, the
    153rd French Infantry Division, being on the inside of the First
    Division, and as it was in this engagement that a gentleman of
    Teutonic origin, operating a machine-gun from our extreme left
    flank, and apparently very much irritated about something, put a
    bullet in my side and out my back, it is only natural that the
    message of Gen. Mangin was of interest to me, and saved, and here
    quoted verbatim:—

    Lauds Americans in Battle.
    General Mangin Thanks Pershing’s Men for Brilliant
    Part in Drive.
    (By Associated Press.)

    With the French. Army in France, Aug. 7.—General Mangin, who was in
    direct command of the Allied forces in the drive against the German
    right flank south of Soissons, has issued the following order of the
    day thanking the American troops for their brilliant participation
    in the battle which caused the German retreat between the Marne and
    the Aisne:

    "Officers, non-commissioned officers and soldiers of the Third
    American Army Corps:

    "Shoulder to shoulder with your French comrades, you threw
    yourselves into the counter-offensive begun on July 18th. You ran to
    it like going to a feast. Your magnificent dash upset and surprised
    the enemy and your indomitable tenacity stopped counter-attacks by
    his fresh divisions. You have shown yourselves to be worthy sons of
    your great country and have gained the admiration of your brothers
    in arms.

    "Ninety-one cannon, 7,200 prisoners, immense booty and ten
    kilometers (six and a quarter miles) of reconquered territory are
    your share of the trophies of this victory. Besides this, you have
    acquired a feeling of your superiority over the barbarian enemy
    against whom the children of liberty are fighting. To attack him is
    to vanquish him.

    “American comrades, I am grateful to you for the blood you
    generously spilled on the soil of my country. I am proud of having
    commanded you during such splendid days, and to have fought with you
    for the deliverance of the world.”

    “The Stars and Stripes,” the weekly paper of the A. E. F. in France,
    in giving a tabulated form of the record of the various divisions,
    and their insignia, which was worn on the shoulder of the left
    sleeve, said the following of the First Division:—

    Division Insignia: Crimson figure “1” on khaki background, chosen
    because the numeral “1” represents the number of the division and
    many of its subsidiary organizations. Also, as proudly claimed,
    because it was the “First Division in France; first in sector; first
    to fire a shot at the Germans; first to attack; first to conduct a
    raid; first to be raided; first to capture prisoners; first to
    inflict casualties; first to suffer casualties; first to be cited
    singly in General Orders; first in the number of Division, Corps and
    Army Commanders and General Staff Officers produced from its
    personnel.”

    To this might have been added that the First Division, which was a
    Regular Army division, and originally comprised about twenty or
    thirty per cent “old soldiers,” and the rest of us “war volunteers,”
    but proud of being “Regulars,” the First Division, which consisted
    of the 16th, 18th, 26th and 28th Infantry Regiments, the 5th, 6th
    and 7th Field Artillery Regiments, the 1st Engineer Regiment, and a
    complement of Cavalry, etc., was the division that General Pershing,
    the commander-in-chief, picked out to fill the most vital positions
    on important occasions, as, for example, when, from the whole army,
    he chose the First Division to go into the front line just west of
    Montdidier, at the Battle of Picardy, to help hold the very apex of
    the huge German bulge that had swept southwestward from St. Quentin
    to Montdidier, in the great series of Hun drives which started on
    March 21st. 1918. Again, it was the First Division that Pershing
    placed at Soissons at virtually the hinge of the great door movement
    in the turning point of the whole war, the Second Battle of the
    Marne, as heretofore described; and it was the First Division to
    which Pershing again gave the post of honor when the St. Mihiel
    salient was closed, as it was this Division that was placed on the
    inside position of the great southern jaw, just east of Xivray and
    dangerous Mont Sec.

    Casualties and kilometers make very interesting reading, but when a
    Commander-in-chief consistently and persistently picks out one
    certain division for the most difficult and all-important positions,
    there is not much room for argumentation.

    Mr. Page, in his article in _The World’s Work_, for May. 1919. in
    describing the Second Battle of the Marne, tells how the First
    Division went over the top with the 153rd French Infantry Division
    on its left, and the famous First Moroccan Division and the Second
    Division of the American Army on its right, and how, in this
    gruelling engagement, the First Division outlasted both the Second
    Division and the First Moroccans, and really also the 153rd French
    Division on its left, as this latter was obliged to get
    reinforcements, Mr. Page recapitulating the situation with the
    following paragraph:—

    “When the division (the First Division) finally came out of the line
    it had lost more than 7,200 men, mostly in the infantry. The full
    complement of infantry in a division is 12.000. Five days’ constant
    and successful attack after a long march: an advance of more than
    six and a quarter miles (ten kilometers); losses of at least 50 per
    cent, of the infantry engaged: keeping pace with the famous Moroccan
    Division and staving longer in the fight—all this had demonstrated
    that the 1st Division could stand in any company.” In mentioning
    these facts there is no desire on my part to pretend that this
    outfit single-handed won the war, because, if I said that, I would
    be talking sheer nonsense. The consensus of opinion both at home and
    abroad, seems to be that the whole American Army lived entirely up
    to expectations, so that any man who was in a combat division, has
    good reason to feel proud of his own division, irrespective of what
    one that may have been. With this little word of explanation I feel
    at liberty to quote the following which appeared in the Paris
    edition of The New York Herald:—

    Prowess of Yanks Compels Praise Even from Hun,
        (Special telegram to the Herald.)
            From Burr Price.
                With the American Armies.
                    _Friday_

    From a captured officer of the German army comes a remarkable
    tribute to the fighting prowess of the First Division of the
    American troops, whose work will go down in history as among the
    most remarkable of the present war.

    He declared the Germans did not believe the Americans could produce,
    within five years, a division such as they had found the First
    Division to be. The German, when taken, had seen four years of
    severe fighting. This is what he had to say yesterday:—

    "I received orders to hold the ground at all costs. The American
    barrage advanced toward my position and the work of your artillery
    was marvelous. The barrage was so dense that it was impossible for
    us to move out of our dugouts.

    "Following the barrage closely were the troops of the First
    Division. I saw them forge ahead and knew that all was lost. All
    night I remained in my dugout, hoping vainly that something would
    happen that would permit me to rejoin my army. This morning your
    troops found me and here I am, after four years of fighting, a
    prisoner.

    "Yesterday, I knew that the First Division was opposite us, and I
    knew we would have to put up the hardest fight of the war. The First
    Division is wonderful and the German army knows it.

    “We did not believe that within five years the Americans could
    develop a division such as this First Division. The work of its
    infantry and artillery is worthy of the best armies of the world.”

Little Gold Chevrons on My Cuffs
    The gold chevrons, called “stripes,” worn on the cuffs of “overseas”
    soldiers, during the World War, each one on the left cuff standing
    for six months’ “overseas” service, and each chevron on the right
    cuff standing for a wound. One wound chevron meant a wound or wounds
    severe enough to take a man back to the hospital, irrespective of
    whether he had one or a dozen bullets or pieces of shell in him on
    that occasion.

Captain Blankburg
    The patrol herein described was what was called a “reconnoitering
    patrol,” sent out solely for the purpose of gathering information,
    keeping itself unknown to the enemy, and not fighting unless
    actually attacked. “Combat patrols” were sent out for this latter
    purpose.

*Interrupted Chow*

Buzzy-cart
    The carts that were sent from the company kitchens, which were
    usually from six to ten kilometers back of the first line trenches,
    up to within about two to four kilometers of the front line, where
    they would stop at designated points until chow details from the
    second line came back to them, to carry the cans of slum, coffee,
    and the bread or hardtack, up to the men in the first and second
    line. All this, of course, was done under cover of darkness, but as
    the Germans had the range of all the roads, etc., and knew at about
    what time the food had to be gone after, it meant that almost every
    night at least one detail was shot to pieces.

Dog-tag
    Small, round metal disc, suspended from the neck by a cord, and with
    the soldier’s name, rank and organization stamped thereon, and
    forming an identification tag.

*The Gas-Proof Mule*

“Stand-to”
    In the first and second line trenches everyone was obliged to remain
    awake all night, but at dawn each man had to take his exact post,
    and be prepared to repel any enemy attack that might come over, as
    that was a favorite hour for doing so. This was called “stand-to.”

*Infantry of the World War*

Zero hour
    The exact time at which you start forward to attack.

*A First-Class Private*

Loot
    Abbreviation for lieutenant.

“Sunny France”
    Soldier sarcasm, because he scarcely ever saw any sun while in
    France, and, of course, the majority had never visited the Riviera,
    nor known Paris in summer raiment, during normal peace times.

Sitting Jake
    Means the same thing as “Sitting on the World,” i.e., everything
    salubrious and “breaking” just right.

_Note_

While realizing that my personal affairs are of no possible interest to
the reader, it would seem, however, almost obligatory for me to do
myself justice, and explain that I was quite willing to shoulder
responsibility, which this poem might make it appear I was not. Hence
the following little anecdote:—During a rest period back from the
trenches, which was the only occasion when you had time to bother your
head about smaller things, several men had applied for officers’
commissions, so I got some civilian letters of recommendation, and put
in an application to be permitted to go up for examination for a
commission. This application was forwarded “approved” by my company
commander, together with personal recommendations from my three previous
company commanders. As this officer is the one who sees you daily, his
recommendation is, from a military standpoint, of more value than that
of a major-general. But in spite of my application being forwarded with
the approval of all four of the company commanders that I had had up to
that time, it was disapproved higher up by someone who very seldom could
ever have even seen me. But having had no thought or intention of
getting a commission, when I entered the Army, and having crossed over
to Europe as a civilian, at my own expense, in August, 1917, to enlist
in the American Army in France, which I did on September 1st, 1917, in
Paris, so as to absolutely insure getting into the trenches, and as at
the time of my application I had already accomplished my purpose, it may
readily be discerned that the return of my application did not perturb
the habitual equanimity of my soul, nor cause me to lose any of my
natural sleep or youthful charm.

*Only for You*

rowdy or cad
    While very often some junior, or even senior, officer would fall
    under this category, and even worse, the majority of them really
    tried to give their men a square deal. If an officer were a
    rough-neck, snob, or as the men in the ranks would usually express
    it, a ribbon-counter clerk, it was only quite natural that he would
    take cowardly advantage of his shoulder straps to make it as
    miserable as possible for the men under him, but if an officer were
    a gentleman in civilian life, the man in the ranks was sure to be
    handled as a man and treated fairly, so long as he did his military
    duty and conducted himself as a soldier. Of this latter type, I can
    look back with pleasure on all my company commanders, remembering
    especially men like Lt. Victor Parks, Jr., and Capt. Allen F.
    Kingman, “officers and gentlemen” in the highest sense of the word.
    Upon the one or two officers of the other type it is quite
    unnecessary to dwell. When once free from contact with a skunk, one
    simply bathes, changes one’s clothes, and promptly allows the
    odoriferous memory to be wafted away and disseminated in the ambient
    atmosphere of oblivion.

Silver bursts cut
    Artillery flares at night show red, but in the early dawn they
    appear against the dark hillsides like bursts of silver.

*Old Fusee*

Fusee
    Soldier term for his rifle, the French word “fusil” meaning that
    weapon.

The Colors of Blighty
    Because of its brevity, succinctness and expressiveness, I have used
    the word Blighty to designate a military hospital, though it was
    never in really popular use by the American soldier for this
    purpose, and to the British soldier it simply meant going back to
    England, but as so often Tommy Atkins went back to his Tight Little
    Island because he was wounded, Blighty frequently meant “hospital.”

When Nurse Comes In
    The phraseology and repertoire of the army man must not be taken too
    seriously, as nine-tenths of the time it is simply a safety valve
    for ebullient spirits or dread monotony, and with little or no real
    harm back of it.

Charlie Chaplin in Blighty
    The famous “movie” comedian of the cinema.

*Embarkation Home*

M P
    Military Police; soldiers acting in that capacity.

*THE END*