Produced by Al Haines.




[Illustration: Cover]




                                 POEMS

                               1916-1918


                                   BY

                          FRANCIS BRETT YOUNG




                          LONDON: 48 PALL MALL
                       W. COLLINS SONS & CO. LTD.
                       GLASGOW MELBOURNE AUCKLAND




                             Copyright 1919



                           BY THE SAME AUTHOR

_Novels:_

  THE YOUNG PHYSICIAN
  THE CRESCENT MOON
  THE IRON AGE
  THE DARK TOWER
  DEEP SEA
  UNDERGROWTH (with E. Brett Young)


_Poems:_

  FIVE DEGREES SOUTH


_Belles Lettres:_

  ROBERT BRIDGES: A Critical Study
  MARCHING ON TANGA




                                   TO
                             EDYTH GOODALL


_Remember thus our sweet conspiracy:
That I, having dreamed a lovely thing, with dull
Words marred it--and you gave it back to me
A thousand, thousand times more beautiful._




                                 ERRATA

Page 26, line 17, _for_ "Lybian" _read_ "Libyan."
Page 46, line  9, _for_ "lythe" _read_ "lithe."
Page 70, line 13, _for_ "tyrranous" _read_ "tyrannous."


[Transcriber’s note: the above errata have been applied to this etext.
The word "Lybia" was also on page 32, and was corrected as above.
Similarly, "tyrranous" was also on page 86, and was corrected.]




                                CONTENTS


PROTHALAMION
TESTAMENT
LOCHANILAUN
LETTERMORE
LAMENT
THE LEMON-TREE
PHTHONOS
EASTER
THE LEANING ELM
THE JOYOUS LOVER
DEAD POETS
PORTON WATER
AN OLD HOUSE
THE DHOWS
THE GIFT
FIVE DEGREES SOUTH
104° FAHRENHEIT
FEVER-TREES
THE RAIN-BIRD
MOTHS
BÊTE HUMAINE
DOVES
SONG (i)
BEFORE ACTION
ON A SUBALTERN KILLED IN ACTION
AFTER ACTION
SONNET
A FAREWELL TO AFRICA
SONG (ii)
THE HAWTHORN SPRAY
THE PAVEMENT
TO LYDIA LOPOKOVA (i)
TO LYDIA LOPOKOVA (ii)
TO LYDIA LOPOKOVA (iii)
GHOSTLY LOVES
FEBRUARY
SONG OF THE DARK AGES
WINTER SUNSET
SONG (iii)
ENGLAND, APRIL 1918
SLENDER THEMES
INVOCATION
THAMAR
ENVOI




PROTHALAMION


    When the evening came my love said to me:
      Let us go into the garden now that the sky is cool,
    The garden of black hellebore and rosemary,
      Where wild woodruff spills in a milky pool.

    Low we passed in the twilight, for the wavering heat
      Of day had waned, and round that shaded plot
    Of secret beauty the thickets clustered sweet:
      Here is heaven, our hearts whispered, but our lips spake not.

    Between that old garden and seas of lazy foam
      Gloomy and beautiful alleys of trees arise
    With spire of cypress and dreamy beechen dome,
      So dark that our enchanted sight knew nothing but the skies

    Veiled with soft air, drench’d in the roses’ musk
      Or the dusky, dark carnation’s breath of clove;
    No stars burned in their deeps, but through the dusk
      I saw my love’s eyes, and they were brimmed with love.

    No star their secret ravished, no wasting moon
      Mocked the sad transience of those eternal hours:
    Only the soft, unseeing heaven of June,
      The ghosts of great trees, and the sleeping flowers.

    For doves that crooned in the leafy noonday now
      Were silent; the night-jar sought his secret covers,
    Nor even a mild sea-whisper moved a creaking bough--
      Was ever a silence deeper made for lovers?

    Was ever a moment meeter made for love?
      Beautiful are your closed lips beneath my kiss;
    And all your yielding sweetness beautiful--
      Oh, never in all the world was such a night as this!




TESTAMENT


    If I had died, and never seen the dawn
    For which I hardly hoped, lighting this lawn
    Of silvery grasses; if there had been no light,
    And last night merged into perpetual night;
    I doubt if I should ever have been content
    To have closed my eyes without some testament
    To the great benefits that marked my faring
    Through the sweet world; for all my joy was sharing
    And lonely pleasures were few.  Unto which end
    Three legacies I’ll send,
    Three legacies, already half possess’d:
    One to a friend, of all good friends the best,
    Better than which is nothing; yet another
    Unto thy twin, dissimilar spirit, Brother;
    The third to you,
    Most beautiful, most true,
    Most perfect one, to whom they all are due.

    Quick, quick ... while there is time....
    O best of friends, I leave you one sublime
    Summer, one fadeless summer.  ’Twas begun
    Ere Cotswold hawthorn tarnished in the sun,
    When hedges were fledged with green, and early swallows
    Swift-darting, on curved wings, pillaged the fallows;
    When all our vale was dappled blossom and light,
    And oh, the scent of beanfields in the night!
    You shall remember that rich dust at even
    Which made old Evesham like a street in heaven,
    Gold-paved, and washed within a wave of golden
    Air all her dreamy towers and gables olden.
    You shall remember
    How arms sun-blistered, hot palms crack’d with rowing,
    Clove the cool water of Avon, sweetly flowing;
    And how our bodies, beautifully white,
    Stretch’d to a long stroke lengthened in green light,
    And we, emerging, laughed in childish wise,
    And pressed the kissing water from our eyes.
    Ah, was our laughter childish, or were we wise?
    And then, crown of the day, a tired returning
    With happy sunsets over Bredon burning,
    With music and with moonlight, and good ale,
    And no thought for the morrow....  Heavy phlox
    Our garden pathways bordered, and evening stocks,
    Those humble weeds, in sunlight withered and pale,
    With a night scent to match the nightingale,
    Gladdened with spicèd sweetness sweet night’s shadows,
    Meeting the breath of hay from mowing meadows:
    As humble was our joy, and as intense
    Our rapture.  So, before I hurry hence,
    Yours be the memory.
      One night again,
    When we were men, and had striven, and known pain,
    By a dark canal debating, unresigned,
    On the blind fate that shadows humankind,
    On the blind sword that severs human love...
    Then did the hidden belfry from above
    On troubled minds in benediction shed
    The patience of the great anonymous dead
    Who reared those towers, those high cathedrals builded
    In solemn stone, and with clear fancy gilded
    A beauty beyond ours, trusting in God.
    Then dared we follow the dark way they trod,
    And bowing to the universal plan
    Trust in the true and fiery spirit of Man.

    And you, my Brother,
    You know, as knows one other,
    How my spirit revisiteth a room
    In a high wing, beneath pine-trees, where gloom
    Dwelleth, dispelled by resinous wood embers,
    Where, in half-darkness ... How the heart remembers...
    We talked of beauty, and those fiery things
    To which the divine desirous spirit clings,
    In a wing’d rapture to that heaven flinging,
    Where beauty is an easy thing, and singing
    The natural speech of man.  Like kissing swords
    Our wits clashed there; the brittle beauty of words
    Breaking, seemed to discover its secret heart
    And all the rapt elusiveness of Art.
    Now I have known sorrow, and now I sing
    That a lovely word is not an idle thing;
    For as with stars the cloth of night is spangled,
    With star-like words, most lovelily entangled,
    The woof of sombre thought is deckt....  Ah, bright
    And cold they glitter in the spirit’s night!
    But neither distant nor dispassionate;
    For beauty is an armour against fate....
    I tell you, who have stood in the dark alone.
    Seeing the face that turneth all to stone,
    Medusa, blind with hate,
    While I was dying, Beauty sate with me
    Nor tortured any longer; gracious was she;
    To her soft words I listened, and was content
    To die, nor sorry that my light was spent.
    So, Brother, if I come not home,
    Go to that little room
    That my spirit revisiteth, and there,
    Somewhere in the blue air, you shall discover
    If that you be a lover
    Nor haughtily minded, all that once half-shaped
    Then fled us, and escaped:
    All that I found that day,
    Far, so far away.

    And you, my lovely one,
    What can I leave to you, who, you having left,
    Am utterly bereft?
    What in my store of visionary dowers
    Is not already yours?
    What silences, what hours
    Of peace passing all understanding; days
    Made lyric by your beauty and its praise;
    Years neither time can tarnish, nor death mar,
    Wherein you shined as steadfast as a star
    In my bleak night, heedless of the cloud-wrack
    Scudding in torn fleeces black
    Of my dark moods, as those who rule the far
    Star-haunted pleasaunces of heaven are?
    So think but lightly of that afternoon
    With white clouds climbing a blue sky in June
    When a boy worshipped under dreaming trees,
    Who touched your hand, and sought your eyes.
      ... Ah, cease,
    Not these, not these...
    Nor yet those nights when icy Brathay thundered
    Under his bridges, and ghostly mountains wondered
    At the white blossoming of a Christmas rose
    More stainless than their snows;
    Nor even of those placid days together
    Mellow as early autumn’s amber weather
    When beech is ankleted with fire, and old
    Elms wear their livery of yellow gold,
    When orchards all are laden with increase,
    And the quiet earth hath fruited, and knows peace
    Oh, think not overmuch on those sweet years
    Lest their last fruit be tears,--
    Your tears, beloved, that were my utmost pain,--
    But rather, dream again
    How that a lover, half poet and half child,
    An eager spirit of fragile fancies wild
    Compact, adored the beauty and truth in you:
    To your own truth be true;
    And when, not mournfully, you turn this page
    Consider still your starry heritage,
    Continue in your loveliness, a star
    To gladden me from afar
    Even where there is no light
    In my last night.




LOCHANILAUN


    This is the image of my last content:
    My soul shall be a little lonely lake,
    So hidden that no shadow of man may break
    The folding of its mountain battlement;
    Only the beautiful and innocent
    Whiteness of sea-born cloud drooping to shake
    Cool rain upon the reed-beds, or the wake
    Of churn’d cloud in a howling wind’s descent.
    For there shall be no terror in the night
    When stars that I have loved are born in me,
    And cloudy darkness I will hold most fair;
    But this shall be the end of my delight:
    That you, my lovely one, may stoop and see
    Your image in the mirrored beauty there.




LETTERMORE


    These winter days on Lettermore
    The brown west wind it sweeps the bay,
    And icy rain beats on the bare
    Unhomely fields that perish there:
    The stony fields of Lettermore
    That drink the white Atlantic spray.

    And men who starve on Lettermore,
    Cursing the haggard, hungry surf,
    Will souse the autumn’s bruisèd grains
    To light dark fires within their brains
    And fight with stones on Lettermore
    Or sprawl beside the smoky turf.

    When spring blows over Lettermore
    To bloom the ragged furze with gold,
    The lovely south wind’s living breath
    Is laden with the smell of death:
    For fever breeds on Lettermore
    To waste the eyes of young and old.

    A black van comes to Lettermore;
    The horses stumble on the stones,
    The drivers curse,--for it is hard
    To cross the hills from Oughterard
    And cart the sick from Lettermore:
    A stinking load of rags and bones.

    But you will go to Lettermore
    When white sea-trout are on the run,
    When purple glows between the rocks
    About Lord Dudley’s fishing-box
    Adown the road to Lettermore,
    And wide seas tarnish in the sun.

    And so you’ll think of Lettermore
    As a lost island of the blest:
    With peasant lovers in a blue
    Dim dusk, with heather drench’d in dew,
    And the sweet peace of Lettermore
    Remote and dreaming in the West.




LAMENT


    Once, I think, a finer fire
    Touched my lips, and then I sang
    Half the songs of my desire:
    With their splendour the world rang.

    And their sweetness made me free
    Of those starry ways whereby
    Planets make their minstrelsy
    In echoing, unending sky.

    So, before that spell was broken,
    Song of the wind, surge of the sea,--
    Beautiful passionate things unspoken
    Rose like a breaking wave in me:

    Rose like a wave with curled crest
    That green sunlight splinters through...
    But the wave broke within my breast:
    And now I am a man like you.




THE LEMON-TREE


    Last night, last night, a vision of you
    Sweetly troubled my waking dream:
    Beneath the clear Algerian blue
    You stood with lifted eyes: the beam
    Of a winter sun beat on the crown
    Of a lemon-tree, whose delicate fruit
    Like pale lamps hung airily down;
    And in your gazing eyes a mute
    And lovely wonder....  Have I sung
    Of slender things and naught beside?
    You were so beautifully young
    I must have kissed you or have died.




PHTHONOS

If, in high jealousy, God made me blind
And laughed to see me stumble in the night,
Driving his many-splintered arrows of light
Into that lost dominion of my mind;
Then, knowing me still unvext and unresigned,
Stole from my ears all homely sounds that might
Temper the darkness, saying, in heaven’s despite,
I had not wholly left the world behind;
So, sunless, soundless, if, to make an end,
He smote the nerves that move, the nerves that feel:
Even then, O jealous one, I would not complain
If I were spared the wealth I cannot spend,
If I were left the treasure none can steal:
The lovely words that wander through my brain.




EASTER


    Adown our lane at Eastertide
    Hosts of dancing bluebells lay
    In pools of light: and ’Oh,’ you cried,
    ’Look, look at them: I think that they
    Are bluer than the laughing sea,’
    And ’Look!’ you cried, ’a piece of the sky
    Has fallen down for you and me
    To gaze upon and love.’ ... And I,
    Seeing in your eyes the dancing blue
    And in your heart the innocent birth
    Of a pure delight, I knew, I knew
    That heaven had fallen upon earth.




THE LEANING ELM


    Before my window, in days of winter hoar
    Huddled a mournful wood:
    Smooth pillars of beech, domed chestnut, sycamore,
    In stony sleep they stood:
    But you, unhappy elm, the angry west
    Had chosen from the rest,
    Flung broken on your brothers’ branches bare,
    And left you leaning there
    So dead that when the breath of winter cast
    Wild snow upon the blast,
    The other living branches, downward bowed,
    Shook free their crystal shroud
    And shed upon your blackened trunk beneath,
    Their livery of death....

    On windless nights between the beechen bars
    I watched cold stars
    Throb whitely in the sky, and dreamily
    Wondered if any life lay locked in thee:
    If still the hidden sap secretly moved,
    As water in the icy winterbourne
    Floweth unheard;
    And half I pitied you your trance forlorn:
    You could not hear, I thought, the voice of any bird,
    The shadowy cries of bats in dim twilight
    Or cool voices of owls crying by night....
    Hunting by night under the hornèd moon:
    Yet half I envied you your wintry swoon,
    Till, on this morning mild, the sun, new-risen
    Steals from his misty prison;

    The frozen fallows glow, the black trees shaken
    In a clear flood of sunlight vibrating awaken:
    And lo, your ravaged bole, beyond belief
    Slenderly fledged anew with tender leaf
    As pale as those twin vanes that break at last
    In a tiny fan above the black beech-mast
    Where no blade springeth green
    But pallid bells of the shy helleborine.
    What is this ecstasy that overwhelms
    The dreaming earth?  See, the embrownèd elms
    Crowding purple distances warm the depths of the wood;
    A new-born wind tosses their tassels brown,
    His white clouds dapple the down;
    Into a green flame bursting the hedgerows stand;
    Soon, with banners flying, Spring will walk the land....

    There is no day for thee, my soul, like this,
    No spring of lovely words.  Nay, even the kiss
    Of mortal love that maketh man divine
    This light cannot outshine:
    Nay, even poets, they whose frail hands catch
    The shadow of vanishing beauty, may not match
    This leafy ecstasy.  Sweet words may cull
    Such magical beauty as time may not destroy;
    But we, alas, are not more beautiful:
    We cannot flower in beauty as in joy.
    We sing, our musèd words are sped, and then
    Poets are only men
    Who age, and toil, and sicken....  This maim’d tree
    May stand in leaf when I have ceased to be.




THE JOYOUS LOVER


    O, now that I am free as the air
    And fleet as clouds above,
    I will wander everywhere
    Over the ways I love.

    Lightly, lightly will I pass
    Nor scatter as I go
    A shadow on the blowing grass
    Or a footprint in the snow.

    All the wild things of the wood
    That once were timid and shy
    They shall not flee their solitude
    For fear, when I pass by;

    And beauty, beauty, the wide world over,
    Shall blush when I draw near:
    She knows her lover, the joyous lover,
    And greets him without fear.

    But if I come to the dark room
    From which our love hath fled
    And bend above you in the gloom
    Or kneel beside your bed,

    Smile soft in your sleep, my beautiful one,
    For if you should say ’Nay’
    To the dream which visiteth you alone,
    My joy would wither away.




DEAD POETS



ODE WRITTEN AT WILTON HOUSE


    Last night, amazed, I trod on holy ground
    Breathing an air that ancient poets knew,
    Where, in a valley compassed with sweet sound,
    Beneath a garden’s alley’d shades of yew,
    With eager feet passèd that singer sweet
    Who Stella loved, whom bloody Zutphen slew
    In the starred zenith of his knightly fame.
    There too a dark-stoled figure I did meet:
    Herbert, whose faith burned true
    And steadfast as the altar candle’s flame.

    Under the Wilton cedars, pondering
    Upon the pains of Beauty and the wrong
    That sealeth lovely lips, fated to sing,
    Before they reach the cadence of their song,
    I mused upon dead poets: mighty ones
    Who sang and suffered: briefly heard were they
    As Libyan nightingales weary of wing
    Fleeing the temper of Saharan suns
    To gladden our moon’d May,
    And with the broken blossom vanishing.

    So to my eyes a sorrowful vision came
    Of one whose name was writ in water: bright
    His cheeks and eyes burned with a hectic flame;
    And one, alas!  I saw whose passionate might
    Was spent upon a fevered fen in Greece;
    One shade there was who, starving, choked with bread;
    One, a drown’d corpse, through stormy water slips;
    One in the numbing poppy-juice found peace;
    And one, a youth, lay dead
    With powdered arsenic upon his lips.

    O bitter were the sorrow that could dull
    The sombre music of slow evening
    Here, where the old world is so beautiful
    That even lesser lips are moved to sing
    How the wide heron sails into the light
    Black as the cedarn shadows on the lawns
    Or stricken woodlands patient in decay,
    And river water murmurs through the night
    Until autumnal dawns
    Burn in the glass of Nadder’s watery way.

    Nay, these were they by whom the world was lost,
    To whom the world most richly gave: forlorn
    Beauty they worshipp’d, counting not the cost
    If of their torment beauty might be born;
    And life, the splendid flower of their delight,
    Loving too eagerly, they broke, and spill’d
    The perfume that the folded petals close
    Before its prime; yet their frail fingers white
    From that bruised bloom distill’d
    Uttermost attar of the living rose.

    Wherefore, O shining ones, I will not mourn
    You, who have ravish’d beauty’s secret ways
    Beneath death’s impotent shadow, suffering scorn,
    Hatred, and desolation in her praise....
    Thus as I spoke their phantom faces smiled,
    As brooding night with heavy downward wing
    Fell upon Wilton’s elegiac stone,
    On the dark woodlands and the waters wild
    And every living thing--
    Leaving me there amazèd and alone.




PORTON WATER


    Through Porton village, under the bridge,
      A clear bourne floweth, with grasses trailing,
      Wherein are shadows of white clouds sailing,
    And elms that shelter under the ridge.

    Through Porton village we passed one day,
      Marching the plain for mile on mile,
      And crossed the bridge in single file,
    Happily singing, and marched away

    Over the bridge where the shallow races,
      Under a clear and frosty sky:
      And the winterbourne, as we marched by,
    Mirrored a thousand laughing faces.

    O, do we trouble you, Porton river,
      We who laughing passed, and after
      Found a resting-place for laughter?
    Over here, where the poplars shiver

    By stagnant waters, we lie rotten.
      On windless nights, in the lonely places,
      There, where the winter water races,
    O, Porton river, are we forgotten?

    Through Porton village, under the bridge,
      The clear bourne floweth with grasses trailing,
      Wherein are shadows of light cloud sailing,
    And elms that shelter under the ridge.

    The pale moon she comes and looks;
      Over the lonely spire she climbs;
      For there she is lovelier many times
    Than in the little broken brooks.




AN OLD HOUSE


    No one lives in the old house; long ago
      The voices of men and women left it lonely.
    They shuttered the sightless windows in a row,
      Imprisoning empty darkness--darkness only.

    Beyond the garden-closes, with sudden thunder
      The lumbering troop-train passing clanks and jangles;
    And I, a stranger, peer with careless wonder
      Into the thickets of the garden tangles.

    Yet, as I pass, a transient vision dawns
      Ghostly upon my pondering spirit’s gloom,
    Of grey lavender bushes and weedy lawns
      And a solitary cherry-tree in bloom....

    No one lives in the old house: year by year
      The plaster crumbles on the lonely walls:
    The apple falls in the lush grass; the pear,
      Pulpy with ripeness, on the pathway falls.

    Yet this the garden was, where, on spring nights
      Under the cherry-blossom, lovers plighted
    Have wondered at the moony billows white,
      Dreaming uncountable springs by love delighted;

    Whose ears have heard the blackbird’s jolly whistle,
      The shadowy cries of bats in twilight flitting
    Zigzag beneath the eaves; or, on the thistle,
      The twitter of autumn birds swinging and sitting;

    Whose eyes, on winter evenings, slow returning
      Saw on the frosted paths pale lamplight fall
    Streaming, or, on the hearth, red embers burning,
      And shadows of children playing in the hall.

    Where have they gone, lovers of another day?
      (No one lives in the old house; long ago
    They shuttered the sightless windows....)  Where are they,
      Whose eyes delighted in this moony snow?

    I cannot tell ... and little enough they care,
      Though April spray the cherry-boughs with light,
    And autumn pile her harvest unaware
      Under the walls that echoed their delight.

    I cannot tell ... yet I am as those lovers;
      For me, who pass on my predestinate way,
    The prodigal blossom billows and recovers
      In ghostly gardens a hundred miles away.

    Yet, in my heart, a melancholy rapture
      Tells me that eyes, which now an iron haste
    Hurries to iron days, may here recapture
      A vision of ancient loveliness gone to waste.




THE DHOWS


    South of Guardafui with a dark tide flowing
    We hailed two ships with tattered canvas bent to the monsoon,
    Hung betwixt the outer sea and pale surf showing
    Where dead cities of Libya lay bleaching in the moon.

    ’Oh whither be ye sailing with torn sails broken?’
    ’We sail, we sail for Sheba, at Suliman’s behest,
    With carven silver phalli for the ebony maids of Ophir
    From brown-skinned baharias of Arabia the Blest.’

    ’Oh whither be ye sailing, with your dark flag flying?’
    ’We sail, with creaking cedar, towards the Northern Star.
    The helmsman singeth wearily, and in our hold are lying
    A hundred slaves in shackles from the marts of Zanzibar.’

    ’Oh whither be ye sailing...?’
      ’Alas, we sail no longer:
    Our hulls are wrack, our sails are dust, as any man might know.
    And why should you torment us? ... Your iron keels are stronger
    Than ghostly ships that sailed from Tyre a thousand years ago.’




THE GIFT


    Marching on Tanga, marching the parch’d plain
    Of wavering spear-grass past Pangani River,
    England came to me--me who had always ta’en
    But never given before--England, the giver,
    In a vision of three poplar-trees that shiver
    On still evenings of summer, after rain,
    By Slapton Ley, where reed-beds start and quiver
    When scarce a ripple moves the upland grain.
    Then I thanked God that now I had suffered pain,
    And, as the parch’d plain, thirst, and lain awake
    Shivering all night through till cold daybreak:
    In that I count these sufferings my gain
    And her acknowledgment.  Nay, more, would fain
    Suffer as many more for her sweet sake.




FIVE DEGREES SOUTH


    I love all waves and lovely water in motion,
    That wavering iris in comb of the blown spray:
    Iris of tumbled nautilus in the wake’s commotion,
    Their spread sails dipped in a marmoreal way
    Unquarried, wherein are greeny bubbles blowing
    Plumes of faint spray, cool in the deep
    And lucent seas, that pause not in their flowing
    To lap the southern starlight while they sleep.
    These I have seen, these I have loved and known:
    I have seen Jupiter, that great star, swinging
    Like a ship’s lantern, silent and alone
    Within his sea of sky, and heard the singing
    Of the south trade, that siren of the air,
    Who shivers the taut shrouds, and singeth there.




104° FAHRENHEIT


    To-night I lay with fever in my veins
    Consumed, tormented creature of fire and ice,
    And, weaving the enhavock’d brain’s device,
    Dreamed that for evermore I must walk these plains
    Where sunlight slayeth life, and where no rains
    Abated the fierce air, nor slaked its fire:
    So that death seemed the end of all desire,
    To ease the distracted body of its pains.
    And so I died, and from my eyes the glare
    Faded, nor had I further need of breath;
    But when I reached my hand to find you there
    Beside me, I found nothing....  Lonely was death.
    And with a cry I wakened, but to hear
    Thin wings of fever singing in my ear.




FEVER-TREES


    The beautiful Acacia
    She sighs in desert lands:
    Over the burning waterways
    Of Africa she sways and sways,
    Even where no air glideth
    In cooling green she stands.

    The beautiful Acacia
    She hath a yellow dress:
    A slender trunk of lemon sheen
    Gleameth through the tender green
    (Where the thorn hideth)
    Shielding her loveliness.

    The beautiful Acacia
    Dwelleth in deadly lands:
    Over the brooding waterways
    Where death breedeth, she sways and sways,
    And no man long abideth
    In valleys where she stands.




THE RAIN-BIRD


    High on the tufted baobab-tree
    To-night a rain-bird sang to me
    A simple song, of three notes only,
    That made the wilderness more lonely;

    For in my brain it echoed nearly,
    Old village church bells chiming clearly:
    The sweet cracked bells, just out of tune,
    Over the mowing grass in June--

    Over the mowing grass, and meadows
    Where the low sun casts long shadows.
    And cuckoos call in the twilight
    From elm to elm, in level flight.

    Now through the evening meadows move
    Slow couples of young folk in love,
    Who pause at every crooked stile
    And kiss in the hawthorn’s shade the while:

    Like pale moths the summer frocks
    Hover between the beds of phlox,
    And old men, feeling it is late,
    Cease their gossip at the gate,

    Till deeper still the twilight grows,
    And night blossometh, like a rose
    Full of love and sweet perfume,
    Whose heart most tender stars illume.

    Here the red sun sank like lead,
    And the sky blackened overhead;
    Only the locust chirped at me
    From the shadowy baobab-tree.




MOTHS


    When I lay wakeful yesternight
    My fever’s flame was a clear light,
    A taper, flaring in the wind,
    Whither, fluttering out of the dim
    Night, many dreams glimmered by.
    Like moths, out of the darkness, blind,
    Hurling at that taper’s flame,
    From drinking honey of the night’s flowers
    Into my circled light they came:
    So near I could see their soft colours,
    Grey of the dove, most soothely grey;
    But my heat singed their wings, and away
    Darting into the dark again,
    They escaped me....
      Others floated down
    Like those vaned seeds that fall
    In autumn from the sycamore’s crown
    When no leaf trembleth nor branch is stirred,
    More silent in flight than any bird,
    Or bat’s wings flitting in darkness, soft
    As lizards moving on a white wall
    They came quietly from aloft
    Down through my circle of light, and so
    Into unlighted gloom below.
    But one dream, strong-winged, daring
    Flew beating at the heart of the flame
    Till I feared it would have put out my light,
    My thin taper, fitfully flaring,
    And that I should be left alone in the night
    With no more dreams for my delight.

    Can it be that from the dead
    Even their dreams, their dreams are fled?




BÊTE HUMAINE


    Riding through Ruwu swamp, about sunrise,
    I saw the world awake; and as the ray
    Touched the tall grasses where they dream till day,
    Lo, the bright air alive with dragonflies,
    With brittle wings aquiver, and great eyes
    Piloting crimson bodies, slender and gay.
    I aimed at one, and struck it, and it lay
    Broken and lifeless, with fast-fading dyes...
    Then my soul sickened with a sudden pain
    And horror, at my own careless cruelty,
    That where all things are cruel I had slain
    A creature whose sweet life it is to fly:
    Like beasts that prey with bloody claw...
      Nay, they
    Must slay to live, but what excuse had I?




DOVES


    On the edge of the wild-wood
    Grey doves fluttering:
    Grey doves of Astarte
    To the woods at daybreak
    Lazily uttering
    Their murmured enchantment,
    Old as man’s childhood;

    While she, pale divinity
    Of hidden evil,
    Silvers the regions chaste
    Of cold sky, and broodeth
    Over forests primeval
    And all that thorny waste’s
    Wooded infinity.

    ’Lovely goddess of groves,’
    Cried I, ’what enchanted
    Sinister recesses
    Of these lone shades
    May still be haunted
    By thy demon caresses,
    Thy unholy loves?’

    But clear day quelleth
    Her dominion lonely,
    And the soft ring-dove,
    Murmuring, telleth
    That dark sin only
    From man’s lust springeth,
    In man’s heart dwelleth.




SONG


    I made a song in my love’s likeness
      From colours of my quietude,
    From trees whose blossoms shine no less
      Than butterflies in the wild-wood.

    I laid claim on all beauty
      Under the sun to praise her wonder,
    Till the noise of war swept over me,
      Stopp’d my singing mouth with thunder.

    The angel of death hath swift wings,
      I heard him strip the huddled trees
    Overhead, as a hornet sings,
      And whip the grass about my knees.

    Down we crouched in the parchèd dust,
      Down beneath that deadly rain:
    Dead still I lay, as lie one must
      Who hath a bullet in his brain.

    Dead they left me: but my soul, waking,
      Quietly laughed at their distress
    Who guessed not that I still was making
      That new song in my love’s likeness.




BEFORE ACTION


    Now the wind of the dawn sighs,
      Now red embers have burned white,
    Under the darkness faints and dies
      The slow-beating heart of night.

    Into the darkness my eyes peer
      Seeing only faces steel’d,
    And level eyes that know not fear;
      Yet each heart is a battlefield

    Where phantom armies foin and feint
      And bloody victories are won
    From the time when stars are faint
      To the rising of the sun.

    With banners broken, and the roll
      Of drums, at dawn the phantoms fly:
    A man must commune with his soul
      When he marches out to die.

    O day of wrath and of desire!
      For each may know upon this day
    Whether he be a thing of fire
      Or fettered to the traitor clay.

    Such is the hazard that is thrown:
      We know not how the dice may fall:
    All the secrets shall be known
      Or else we shall not know at all.




ON A SUBALTERN KILLED IN ACTION


    Into that dry and most desolate place
    With heavy gait they dragged the stretcher in
    And laid him on the bloody ground: the din
    Of Maxim fire ceased not.  I raised his head,
    And looked into his face,
    And saw that he was dead.
    Saw beneath matted curls the broken skin
    That let the bullet in;
    And saw the limp, lithe limbs, the smiling mouth...
    (Ah, may we smile at death
    As bravely....) the curv’d lips that no more drouth
    Should blacken, and no sweetly stirring breath
    Mildly displace.
    So I covered the calm face
    And stripped the shirt from his firm breast, and there,
    A zinc identity disc, a bracelet of elephant hair
    I found....  Ah, God, how deep it stings
    This unendurable pity of small things!

    But more than this I saw,
    That dead stranger welcoming, more than the raw
    And brutal havoc of war.
    England I saw, the mother from whose side
    He came hither and died, she at whose hems he had play’d,
    In whose quiet womb his body and soul were made.
    That pale, estrangèd flesh that we bowed over
    Had breathed the scent in summer of white clover;
    Dreamed her cool fading nights, her twilights long,
    And days as careless as a blackbird’s song
    Heard in the hush of eve, when midges’ wings
    Make a thin music, and the night-jar spins.
    (For it is summer, I thought, in England now....)
    And once those forward gazing eyes had seen
    Her lovely living green: that blackened brow
    Cool airs, from those blue hills moving, had fann’d--
    Breath of that holy land
    Whither my soul aspireth without despair:
    In the broken brain had many a lovely word
    Awakened magical echoes of things heard,
    Telling of love and laughter and low voices,
    And tales in which the English heart rejoices
    In vanishing visions of childhood and its glories:
    Old-fashioned nursery rhymes and fairy stories:
    Words that only an English tongue could tell.

    And the firing died away; and the night fell
    On our battle.  Only in the sullen sky
    A prairie fire, with huge fantastic flame
    Leapt, lighting dark clouds charged with thunder.
    And my heart was sick with shame
    That there, in death, he should lie,
    Crying: ’Oh, why am I alive, I wonder?’

    In a dream I saw war riding the land:
    Stark rode she, with bowed eyes, against the glare
    Of sack’d cities smouldering in the dark,
    A tired horse, lean, with outreaching head,
    And hid her face of dread....
    Yet, in my passion would I look on her,
    Crying, O hark,
    Thou pale one, whom now men say bearest the scythe
    Of God, that iron scythe forged by his thunder
    For reaping of nations overripened, fashioned
    Upon the clanging anvil whose sparks, flying
    In a starry night, dying, fall hereunder....
    But she, she heeded not my cry impassioned
    Nor turned her face of dread,
    Urging the tired horse, with outreaching head,
    O thou, cried I, who choosest for thy going
    These bloomy meadows of youth, these flowery ways
    Whereby no influence strays
    Ruder than a cold wind blowing,
    Or beating needles of rain,
    Why must thou ride again
    Ruthless among the pastures yet unripened,
    Crushing their beauty in thine iron track
    Downtrodden, ravish’d in thy following flame,
    Parched and black?
    But she, she stayed not in her weary haste
    Nor turned her face; but fled:
    And where she passed the lands lay waste....

    And now I cannot tell whither she rideth:
    But tired, tired rides she.
    Yet know I well why her dread face she hideth:
    She is pale and faint to death.  Yea, her day faileth,
    Nor all her blood, nor all her frenzy burning,
    Nor all her hate availeth:
    For she passeth out of sight
    Into that night
    From which none, none returneth
    To waste the meadows of youth,
    Nor vex thine eyelids, Routhe,
    O sorrowful sister, soother of our sorrow.
    And a hope within me springs
    That fair will be the morrow,
    And that charred plain,
    Those flowery meadows, shall rejoice at last
    In a sweet, clean
    Freshness, as when the green
    Grass springeth, where the prairie fire hath passed.




AFTER ACTION


    All through that day of battle the broken sound
    Of shattering Maxim fire made mad the wood;
    So that the low trees shuddered where they stood,
    And echoes bellowed in the bush around:
    But when, at last the light of day was drowned,
    That madness ceased....  Ah, God, but it was good!
    There, in the reek of iodine and blood,
    I flung me down upon the thorny ground.
    So quiet was it, I might well have been lying
    In a room I love, where the ivy cluster shakes
    Its dew upon the lattice panes at even:
    Where rusty ivory scatters from the dying
    Jessamine blossom, and the musk-rose breaks
    Her dusky bloom beneath a summer heaven.




SONNET


    Not only for remembered loveliness,
    England, my mother, my own, we hold thee rare
    Who toil, and fight, and sicken beneath the glare
    Of brazen skies that smile on our duress,
    Making us crave thy cloudy state no less
    Than the sweet clarity of thy rain-wash’d air,
    Meadows in moonlight cool, and every fair
    Slow-fading flower of thy summer dress:
    Not for thy flowers, but for the unfading crown
    Of sacrifice our happy brothers wove thee:
    The joyous ones who laid thy beauty down
    Nor stayed to see it shamed.  For these we love thee,
    For this (O love, O dread!) we hold thee more
    Divinely fair to-day than heretofore.




A FAREWELL TO AFRICA

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    Now once again, upon the pole-star’s bearing,
    We plough these furrowed fields where no blade springeth;
    Again the busy trade in the halyards singeth
    Sun-whitened spindrift from the blown wave shearing;
    The uncomplaining sea suffers our faring;
    In a brazen glitter our little wake is lost,
    And the starry south rolls over until no ghost
    Remaineth of us and all our pitiful daring;
    For the sea beareth no trace of man’s endeavour,
    His might enarmoured, his prosperous argosies,
    Soundless, within her unsounded caves, forever
    She broodeth, knowing neither war nor peace,
    And our grey cruisers holds in mind no more
    Than the cedarn fleets that Sheba’s treasure bore.




SONG


    What is the worth of war
    In a world that turneth, turneth
    About a tired star
    Whose flaming centre burneth
    No longer than the space
    Of the spent atom’s race:
    Where conquered lands, soon, soon
    Lie waste as the pale moon?

    What is the worth of art
    In a world that fast forgetteth
    Those who have wrung its heart
    With beauty that love begetteth,
    Whose faint flames vanish quite
    In that star-powdered night
    Where even the mighty ones
    Shine only as far suns?

    And what is beauty worth,
    Sweet beauty, that persuadeth
    Of her immortal birth,
    Then, as a flower, fadeth:
    Or love, whose tender years
    End with the mourner’s tears,
    Die, when the mourner’s breath
    Is quiet, at last, in death?

    Beauty and love are one,
    Even when fierce war clashes:
    Even when our fiery sun
    Hath burnt itself to ashes,
    And the dead planets race
    Unlighted through blind space,
    Beauty will still shine there:
    Wherefore, I worship her.




THE HAWTHORN SPRAY


    I saw a thrush light on a hawthorn spray,
    One moment only, spilling creamy blossom,
    While the bough bent beneath her speckled bosom,
    Bent, and recovered, and she fluttered away.

    The branch was still; but, in my heart, a pain
    Than the thorn’d spray more cruel, stabbed me, only
    Remembering days in a far land and lonely
    When I had never hoped for summer again.




THE PAVEMENT


    In bitter London’s heart of stone,
      Under the lamplight’s shielded glare.
    I saw a soldier’s body thrown
      Unto the drabs that traffic there

    Pacing the pavements with slow feet:
      Those old pavements whose blown dust
    Throttles the hot air of the street,
      And the darkness smells of lust.

    The chaste moon, with equal glance,
      Looked down on the mad world, astare
    At those who conquered in sad France
      And those who perished in Leicester Square.

    And in her light his lips were pale:
      Lips that love had moulded well:
    Out of the jaws of Passchendaele
      They had sent him to this nether hell.

    I had no stone of scorn to fling,
      For I know not how the wrong began--
    But I had seen a hateful thing
      Masked in the dignity of man:

    And hate and sorrow and hopeless anger
      Swept my heart, as the winds that sweep
    Angrily through the leafless hanger
      When winter rises from the deep....

    *    *    *    *    *

    I would that war were what men dream:
      A crackling fire, a cleansing flame,
    That it might leap the space between
      And lap up London and its shame.




To LYDIA LOPOKOVA


HER GARLAND


    O thou who comest to our wintry shade
    Gay and light-footed as the virgin Spring,
    Before whose shining feet the cherries fling
    Their moony tribute, when the sloe is sprayed
    With light, and all things musical are made:
    O thou who art Spring’s daughter, who can bring
    Blossom, or song of bird, or anything
    To match the youth in which you stand arrayed?
    Not that rich garland Meleager twined
    In his sun-guarded glade above the blue
    That flashes from the burning Tyrian seas:
    No, you are cooler, sweeter than the wind
    That wakes our woodlands; so I bring to you
    These wind-blown blossoms of anemones.



HER VARIETY


    Soft as a pale moth flitting in moonshine
    I saw thee flutter to the shadowy call
    That beckons from the strings of Carneval,
    O frail and fragrant image of Columbine:
    So, when the spectre of the rose was thine,
    A flower wert thou, and last I saw thee fall
    In Cleopatra’s stormy bacchanal
    Flown with the red insurgence of the vine.
    O moth, O flower, O mænad, which art thou?
    Shadowy, beautiful, or leaping wild
    As stormlight over savage Tartar skies?
    Such were my ancient questionings; but now
    I know that you are nothing but a child
    With a red flower’s mouth and hazel eyes.



HER SWIFTNESS


    You are too swift for poetry, too fleet
    For any musèd numbers to ensnare:
    Swifter than music dying on the air
    Or bloom upon rose-petals, fades the sweet
    Vanishing magic of your flying feet,
    Your poisèd finger, and your shining hair:
    Words cannot tell how wonderful you were,
    Or how one gesture made a joy complete.
    And since you know my pen may never capture
    The transient swift loveliness of you,
    Come, let us salve our sense of the world’s loss
    Remembering, with a melancholy rapture,
    How many dancing-girls ... and poets too...
    Dream in the dust of Hecatompylos.




GHOSTLY LOVES


    ’Oh why,’ my darling prayeth me, ’must you sing
    For ever of ghostly loves, phantasmal passion?
    Seeing that you never loved me after that fashion
    And the love I gave was not a phantom thing,
    But delight of eager lips and strong arms folding
    The beauty of yielding arms and of smooth shoulder,
    All fluent grace of which you were the moulder:
    And I....  Oh, I was happy for your holding.’
    ’Ah, do you not know, my dearest, have you not seen
    The shadow that broodeth over things that perish:
    How age may mock sweet moments that have been
    And death defile the beauty that we cherish?
    Wherefore, sweet spirit, I thank thee for thy giving:
    ’Tis my spirit that embraceth thee dead or living.’




FEBRUARY


    The robin on my lawn,
    He was the first to tell
    How, in the frozen dawn,
    This miracle befell,
    Waking the meadows white
    With hoar, the iron road
    Agleam with splintered light,
    And ice where water flowed:
    Till, when the low sun drank
    Those milky mists that cloak
    Hanger and hollied bank,
    The winter world awoke
    To hear the feeble bleat
    Of lambs on downland farms:
    A blackbird whistled sweet;
    Old beeches moved their arms
    Into a mellow haze
    Aerial, newly-born:
    And I, alone, agaze,
    Stood waiting for the thorn
    To break in blossom white
    Or burst in a green flame...
    So, in a single night,
    Fair February came,
    Bidding my lips to sing
    Or whisper their surprise,
    With all the joy of spring
    And morning in her eyes.




SONG OF THE DARK AGES


    We digged our trenches on the down
      Beside old barrows, and the wet
    White chalk we shovelled from below;
    It lay like drifts of thawing snow
      On parados and parapet:

    Until a pick neither struck flint
      Nor split the yielding chalky soil,
    But only calcined human bone:
    Poor relic of that Age of Stone
      Whose ossuary was our spoil.

    Home we marched singing in the rain,
      And all the while, beneath our song,
    I mused how many springs should wane
    And still our trenches scar the plain:
      The monument of an old wrong.

    But then, I thought, the fair green sod
      Will wholly cover that white stain,
    And soften, as it clothes the face
    Of those old barrows, every trace
      Of violence to the patient plain.

    And careless people, passing by,
      Will speak of both in casual tone:
    Saying: ’You see the toil they made:
    The age of iron, pick, and spade,
      Here jostles with the Age of Stone.’

    Yet either from that happier race
      Will merit but a passing glance;
    And they will leave us both alone:
    Poor savages who wrought in stone--
      Poor savages who fought in France.




WINTER SUNSET


    Athwart the blackening bars of pines benighted,
    The sun, descending to the zones of denser
    Cloud that o’erhung the long horizon, lighted
    Upon the crown of earth a flaming censer
    From which white clouds of incense, overflowing,
    Filled the chill clarity from whence the swallows
    Had lately fled with wreathèd vapours, showing
    Like a fine bloom over the lonely fallows:
    Where, with the pungent breath of mist was blended
    A faint aroma of pine-needles sodden
    By autumn rains, and fainter still, ascended
    Beneath high woods the scent of leaves downtrodden.
    It was a moment when the earth, that sickened
    For Spring, as lover when the beloved lingers,
    Lay breathless, while the distant goddess quickened
    Some southern hill-side with her glowing fingers:
    And so, it seemed, the drowsy lands were shaken,
    Stirred in their sleep, and sighed, as though the pain
    Of a strange dream had bidden them awaken
    To frozen days and bitter nights again.




SONG


    Why have you stolen my delight
      In all the golden shows of Spring
    When every cherry-tree is white
      And in the limes the thrushes sing,

    O fickler than the April day,
      O brighter than the golden broom,
    O blyther than the thrushes’ lay,
      O whiter than the cherry-bloom,

    O sweeter than all things that blow ...
      Why have you only left for me
    The broom, the cherry’s crown of snow,
      And thrushes in the linden-tree?




ENGLAND--APRIL, 1918


    Last night the North flew at the throat of Spring
    With spite to tear her greening banners down,
    Tossing the elm-tree’s tender tassels brown,
    The virgin blossom of sloe burdening
    With colder snow; beneath his frosty sting
    Patient, the newly-wakened woods were bowed
    By drownèd fields where stormy waters flowed:
    Yet, on the thorn, I heard a blackbird sing....
    ’Too late, too late,’ he sang, ’this wintry spite;
    For molten snow will feed the springing grass:
    The tide of life, it floweth with the year.’
    O England, England, thou that standest upright
    Against the tide of death, the bad days pass:
    Know, by this miracle, that summer is near.




SLENDER THEMES


    When, by a happier race, these leaves are turned,
    They’ll wonder that such quiet themes engaged
    A soldier’s mind when noisy wars were waged,
    And half the world in one red bonfire burned.
    ’When that fierce age,’ they’ll say, ’went up in flame
    He lived ... or died, seeing those bright deeds done
    Whereby our sweet and settled peace was won,
    Yet offereth slender dreams, not deeds, to Fame.’
    Then say: ’Out of the heart the mouth speaketh,
    And mine was as the hearts of other men
    Whom those dark days impassioned; yet it seeketh
    To paint the sombre woes that held us then,
    No more than the cloud-rending levin’s light
    Seeks to illumine the sad skies of night.’




INVOCATION


    Whither, O, my sweet mistress, must I follow thee?
      For when I hear thy distant footfall nearing,
      And wait on thy appearing,
    Lo! my lips are silent: no words come to me.

    Once I waylaid thee in green forest covers,
      Hoping that spring might free my lips with gentle fingers;
      Alas! her presence lingers
    No longer than on the plain the shadow of brown kestrel hovers.

    Through windless ways of the night my spirit followed after;--
      Cold and remote were they, and there, possessed
      By a strange unworldly rest,
    Awaiting thy still voice heard only starry laughter.

    The pillared halls of sleep echoed my ghostly tread.
      Yet when their secret chambers I essayed
      My spirit sank, dismayed,
    Waking in fear to find the new-born vision fled.

    Once indeed--but then my spirit bloomed in leafy rapture--
      I loved; and once I looked death in the eyes:
      So, suddenly made wise,
    Spoke of such beauty as I may never recapture....

    Whither, O, divine mistress, must I then follow thee?
      Is it only in love ... say, is it only in death
      That the spirit blossometh,
    And words that may match my vision shall come to me?




THAMAR


(_To Thamar Karsavina_)

Once in the sombre light of the throng’d courts of night,
In a dream-haunted land only inhabited
By the unhappy dead, came one who, anxious eyed,
Clung to my idle hand with clenched fingers weak
And gazed into my eyes as he had wrongs to speak.
Silent he stood and wan, more pallid than the leaves
Of an aspen blown under a wind that grieves.
Then I: ’O haggard one, say from what ghostly zone
Of thwarted destinies or torment hast thou come?
Tell me thy race and name!’  And he, with veiled face:
’I have neither name nor race, but I have travelled far,
A timeless avatar of never-ending dooms,
Out of those tyrannous glooms where, like a tired star
In stormy darkness, looms the castle of Thamar...
Once in a lonely dawn my eager spirit fared
By ways that no men dared unto a desert land,
Where, on a sullen strand, a mouldering city, vast
As towered Babylon, stood in the dreamy sand--
Older a million years: Babel was builded on
That broken city’s tears; dust of her crumbled past
Rose from the rapid wheels of Babel’s charioteers
In whorled clouds above those shining thoroughfares
Where Babel’s millions tread on her unheeding dead.
Forth from an eastern gate where the lips of Asia wait
Parch’d with an ancient thirst that no æons can abate,
Passed I, predestinate, to a thorn’d desert’s drought,
Where the rivers of the south, flowing in a cloudy spate,
Spend at last their splendid strength in a sea of molten glass
Seething with the brazen might of a white sun dipped at length
Like a baked stone, burning hot, plunged in a hissing pot.
Out of that solemn portal over the tawny waste,
Without stay, without haste, nor the joy of any mortal
Glance of eye or clasp of hand, desolate, in a burning land,
Lonely days and nights I travelled and the changing seasons squandered
Friendless, endlessly, I wandered nor my woven fate unravelled;
Drawn to a hidden goal, sore, forlorn with waiting,
Seeking I knew not what, yet unhesitating
Struggled my hapless soul...
    There, in a thousand springs,
Slow, beneath frozen snow, where the blind earth lay cringing,
Have I seen the steppe unfold uncounted blossomings,
Where salty pools shone fair in a quivering blue air
That shivered every fringing reed-bed with cool delight,
And fanned the mazy flight of slow-wing’d egrets white
Beating and wheeling bright against the sun astare;
But I could not hear their wings for they were ghostly things
Sent by the powers of night to mock my sufferings
And rain upon the bitter waterpools their drops aglitter.
Yet, when these lakes accursed tortured my aching thirst,
The green reeds fell to dust, the cool pools to a crust
Of frozen salt crystallised to taunt my broken lips,
To cheat my staring eyes, as a vision of great ships
With moving towers of sail, poops throng’d with grinning crowds
And a wind in their shrouds, bears down upon the pale
Wasted castaway afloat with the salt in his throat
And a feeble wild desire to be quenched of his fire
In the green gloom beneath.
    So, again and again,
Hath a phantom city thrust to the visionary vault
Of inviolate cobalt, dome and dreaming minaret
Mosque and gleaming water-tower hazy in a fountain’s jet
Or a market’s rising dust; and my lips have cried aloud
To see them tremble there, though I knew within my heart
They were chiselled out of cloud or carven of thin air;
And my fingers clenched my hand, for I wondered if this land
Of my stony pilgrimage were a glimmering mirage,
And I myself no more than a phantom of the sand.
  ’But beyond these fading slender cities, many leagues away,
Strange brooding mountains lay heaped, crowding range on range
In a changing cloudy splendour; and beyond, in lakes of light,
As eastward still I staggered, there swam into my sight,
More vast and hoar and haggard, shoulders of ice and snow
Bounding the heavens low of burnished brass, whereunder
The hot plains of Cathay perpetually slumber:
Where tawny millions breed in cities without number,
Whither, a hill-born thunder, rolling on Tartary
With torrents and barb’d lightning, swelleth the yellow river
To a tumult of whitening foam and confusèd might
That drowns in a single night many a mud-made city;
And cities of boats, and frail cities of lath and reed,
Are whirled away without pity or set afloat in a pale,
Swirling, shallow sea ... and their names seem lost for ever
Till a stranger nomad race drive their herds to the sad place
Where old sorrows lie forgotten, and raise upon the rotten
Level waste another brood to await another flood.
  ’But I never might attain to this melancholy plain
For the mountains rose between; stark in my path they lay
Between me and Cathay, through moving mist half-seen.
And I knew that they were real, for their drooping folds of cloud
Enwrapped me in a shroud, and the air that fell at night
From their frozen summits white slid like an ice-blue steel
Into my living breast and stilled the heart within
As the chill of an old sin that robs a man of rest,
Killing all delight in the silence of the night
And brooding black above till the heart dare not move
But lieth cold and numb ... and the dawn will not come.
  ’Yet to me a dawn came, new-kindled in cold flame,
Flinging the imminence of those inviolate snows
On the forest lawns below in a shadow more immense
Than their eternal vastness; and a new hope beyond reason,
Flamed in my heart’s dark season, dazzled my pallid eyes,
Till, when the hot sun soared above the uttermost height,
A draught of keen delight into my body was poured,
For all that frozen fastness lay flowered with the spring:
Her starry blossoms broke beneath my bruisèd feet,
And their beauty was so sweet to me I kissed them where they lay;
Yea, I bent my weary hips and kissed them with dry lips,
Tenderly, only dreading lest their petals delicate
Should be broken by my treading, for I lived, I lived again,
And my heart would have been broken by a living creature’s pain,
So I kissed them for a token of my joy in their new birth,
And I kissed the gentle earth.  Slowly the shadows crept
To the bases of the crags, and I slept....
  ’Once, in another life, had I remembered sleep,
When tired children creep on to their mother’s knees,
And there a dreamless peace more quietly descendeth
Than gentle evening endeth or ring-doves fold their wings,
Before the nightjar spins or the nightingale begins;
When the brooding hedgerow trees where they nest lie awake
And breathe so soft they shake not a single shuddering leaf
Lest the silence should break.
    ’Other sleep have I known,
Deeper, beyond belief, when straining limbs relax
After hot human toil in yellow harvest fields
Where the panting earth yields a smell of baked soil,
And the dust of dry stubbles blows over the whitening
Shocks of lank grain and bundles of flax,
And men fling themselves down forgetting their troubles,
Unheedful of the song that the landrail weaves along
Misty woodlands, or lightning that the pale sky laves
Like phosphorescent waves washing summer seas:
And, more beautiful than these, that sleep of dazèd wonder
When love has torn asunder the veils of the sky
And raptured lovers lie faint in each other’s arms
Beneath a heaven strewn with myriad starry swarms,
Where planets float like lonely gold-flowered nenuphars
In pools of the sky; yet, when they wake, they turn
From those burning galaxies seeking heaven only
In each other’s eyes, and sigh, and sleep again;
For while they sleep they seem to forget the world’s pain,
And when they wake, they dream....
    ’But other sleep was mine
As I had drunk of wine with bitter hemlock steep’d,
Or sousèd with the heapèd milky poppyheads
A drowsy Tartar treads where slow waters sweep
Over red river beds, and the air is heavy with sleep.
So, when I woke at last, the labouring earth had rolled
Eastward under the vast dominion of night,
Funereal, forlorn as that unlighted chamber
Wherein she first was born, bereft of all starlight,
Pale silver of the moon, or the low sun’s amber.
  ’Then to my queen I prayed, grave Ashtoreth, whose shade
Hallows the dim abyss of Heliopolis,
Where many an olive maid clashed kissing Syrian cymbals,
And silver-sounding timbrels shivered through the vale.
O lovely, and O white, under the holy night
Is their gleaming wonder, and their brows are pale
As the new risen moon, dancing till they swoon
In far forests under desolate Lebanon,
While the flame of Moloch’s pyre reddens the sea-born cloud
That overshadows Tyre; so, when I cried aloud,
Behold, a torch of fire leapt on the mountain-side!
  ’O bright, O beautiful! for never kindlier light
Fell on the darkened sight of mortal eyes and dull
Since that devoted one, whom gloomy Caucasus
In icy silence lonely bound to his cruel shoulders,
Brought to benighted men in a hollow fennel-stem
Sparks of the torrid vapour that burned behind the bars
Of evening, broke dawn’s rose, or smouldered in the stars,
Or lit the glowworm’s taper, or wavered over the fen,
Or tipped the javelin of the far-ravening levin,
Lash of the Lord of Heaven and bitter scourge of sin.
O beautiful, O bright! my tired sinews strained
To this torch that flared and waned as a watery planet gloweth
And waneth in the night when a calm sea floweth
Under a misty sky spread with the tattered veils
Of rapid cloud driven over the deeps of heaven
By winds that range too high to sweep the languid sails.
On through the frozen night, like a blind moth flying
With battered wing and bruisèd bloom into a light,
I dragged my ragged limbs, cared not if I were dying,
Knew not if I were dead, where cavernous crevasses,
And stony desperate passes snared, waylaid my tread:
In the roar of broken boulders split from rocky shoulders,
In the thunder of snow sliding, or under the appalling
Rending of glacier ice or hoarse cataracts falling:
And I knew not what could save me but the unholy guiding
That some demon gave me.  Thrice I fell, and thrice
In torrents of blue ice-water slipp’d and was toss’d
Like a dead leaf, or a ghost
Harried by thin bufferings of wind
Downward to Tartarus at daybreak,
Downward to the regions of the lost....
But the rushing waters ceased, and the bitter wind fell:
How I cannot tell, unless that I had come
To the hollow heart of the storm where the wind is dumb;
And there my gelid blood thawed, glowed, and grew warm,
While a black-hooded form caught at my arm, and stayed
And held me as I swayed, until, at last, I saw
In a strange unworldly awe, at the gate of light I stood:
And I entered, alone....
  ’Behold a cavern of stone carven, and in the midst
A brazier that hissed with tongued flames, leaping
Over whitened embers of gummy frankincense,
Into a fume of dense and fragrant vapour, creeping
Over the roof to spread a milky coverlet
Softer than the woof of webby spider’s net.
But never spider yet spun a more delicate wonder
Than that which hung thereunder, drooping fold on fold,
Silks that glowed with fire of tawny Oxus gold,
Richer than ever flowed from the eager fancy of man
In his vain desire for beauty that endures:
And on the floor were spread by many a heaped daiwan
Carpets of Kurdistan, cured skins, and water-ewers
Encrusted with such gems as emperors of Hind
(Swart conquerors, long dead) sought for their diadems.

No other light was there but one torch, flaring
Against a square of sky possess’d by the wind,
And never another sound but the tongued flames creeping.
  ’At last, my eyes staring into the clouded gloom,
Saw that the caverned room with shadowy forms was strewn
In heavy sleep or swoon fallen, who did not move
But lay as mortals lie in the sweet release of love.
And stark between them stood huge eunuchs of ebony,
Mute, motionless, as they had been carven of black wood.
But these I scarcely saw, for, through the flame was seen
Another, a queen, with heavy closèd eyes
White against the skies of that empurpled night
In her loveliness she lay, and leaned upon her hand:
And my blood leapt at the sight, so that I could not stand
But fell upon my knees, pleading, and cried aloud
For her white loveliness as Ixion for his cloud:
And my cry the silence broke, and the sleepers awoke
From their slumber, stirred, and rose every one,--save those
Mute eunuchs of ebony, those frowning caryatides.
Slowly she looked at me, and when I cried again
In yearning and in pain, she beckoned with her hand.
Then from my knees rose I, and greatly daring,
Through the hazy air, past the brazier flaring
And the hissing flame, crept, until I came
Unto the carven seat, and kissed her white feet;
And she smiled, but spake not.
When she smiled the sleepers wavered as the grass
Of a cornfield wavers when the ears are swept
By the breath of brown reapers singing as they pass,
Or grass of woody glades when a wind that has slept
Wakens, and invades their moonlit solitude,
When the hazels shiver and the birch is blown
To a billow of silver, but oaks in the wood
Stand firm nor quiver, stand firm as stone:
So, amid the sleepers, the black eunuchs stood.
When the sleepers stirred faintly in the heat
Of that painted room a silken sound I heard,
And a thin music, sweet as the brown nightingale
Sings in the jealous shade of a lonely spinney,
Stranger far than any music mortal made
Fell softer than the dew falleth when stars are pale.
Sweet it was, and clear as light, or as the tears
That sad Narcissus wears in the spring of the year
On barren mountain ranges where rain falls cool
And every lonely pool is sprayed with broken light:
So cool, so beautiful, and so divinely strange
I doubted if it came from any marshy reed
Or hollow fluting stem pluck’d by the hands of men,
Unless it were indeed that airy fugitive
Syrinx, who cried and ran before the laughing eyes
Of goat-footed Pan, and must for ever live
A shadowy green reed by an Arcadian river--
But never music made of Ladon’s reedy daughter
Or singing river-water more sweet than that which stole,
Slow as amber honey wells from the honeycomb,
Into my weary soul with solace and strange peace.
So, trembling as I lay in a dream more desolate
Than is the darkened day of the mid-winter north,
I heard the voice of one who sang in a strange tongue,
And I know not what he sang save that he sang of love,
The while they led me forth unheeding, till we came
Unto a chamber lit with one slow-burning flame
That yellow horn bedims, and laid me down, and there
They soothed my bruised limbs, and combed my tangled hair,
And salved my limbs with rarely-mingled unguents pressed
By hands of holy ones who dream beneath the suns
Of Araby the Blest, and so, when they had bathed
My burning eyes with milk of dreamy anodyne
And cool’d my throat with wine,
In robings of cool silk my broken body they swathed,
Sandals of gold they placed upon my feet, and round
My sad sun-blistered brows a silver fillet bound--
Decking me with the pride of a bridegroom that goes
To the joy of his bride and is lovely in her eyes--
And led me to her side.  Then, as a conquering prince,
I, who long since had been battered and tost
Like a dead leaf or ghost buffeted by wild storms,
Came to her white arms, conquering, and was lost,
Yet dared not gaze upon the beauty that I dreamed.
So, in my trance, it seemed that a shadowy soft dance
Coiled slowly and unwound, swayed, beckoned, and recovered
As hooded cobra bound by hollow spells of sound
Unto the piper sways; so silently they hovered
I only heard the beat of their naked feet,
And then, another sound....
A dull throb thrumming, a noise of faint drumming,
Threatening, coming nearer, piercing deeper
Than a dream lost in the heart of a sleeper
Into those deeps where the dark fire gloweth,
The secret flame that every man knoweth,
Embers that smoulder, fires that none can fan,
Terrible, older than the mind of man....
Before he crawled from his swamp and spurned
The life of the beast that dark fire burned
In the hidden deeps where no dream can come:
Only the throbbing of a drum
Can wake it from its smouldering--
Sightless, soundless, senseless, dumb--
Dumb as those blind seeds that lie
Drown’d in mud, and shuddering,
I knew that I was man no more,
But a throbbing core of flesh, that knew
Nor beauty, nor truth, nor anything
But the black sky and the slimy earth:
Roots of trees, and fear, and pain,
The blank of death, the pangs of birth,
An inhuman thing possess’d
By the throbbing of a drum:
And my lips were strange and numb,
But they kissed her white breast....
Then, being drunk with pride and splendour of love, I cried:
’"O spring of all delight, O moonèd mystery,
O living marvel, white as the dead queen of night,
O flower, and O flame ... tell me at least thy name
That, from this desolate height, I may proclaim its wonder
To the lost lands hereunder before thy beauty dies
As fades the fire of dawn upon a peak of snow!"’
Then: "Look," she sighed, "into my eyes, and thou shalt know."
So, with her fingers frail, she pressed my brows, and so,
Slowly, at last, she raised my drooping eyelids pale,
And in her eyes I gazed.
    ’Then fear, than love more blind,
Caught at my heart and fast in chains of horror bound--
As one who in profound and midnight forest ways
Sees in the dark the burning eyes of a tiger barred
Or stealthy footed pard blaze in a solemn hate
And lust of human blood, yet cannot cry, nor turning
Flee from the huddled wood, but stands and sees his fate,
Or one who in a black night, groping for his track,
Clings to the dizzy verge of a cragged precipice,
Shrinks from the dim abyss, yet dare not venture back,
And no sound hears but the hiss of empty air
Swirling past his ears....  So, in a hideous
Abandonment of hope, I waited for her kiss.
Then the restless beat of the muttering drum
Rose to a frenzied heat; the naked dancers leapt
Insolent through the flame, laughing as they came
With parted lips; their cries deadened my ears, my eyes
Throbbed with the pattering of their rapid feet,
And the whirling dust of their dancing swept
Into my throat unslaked, dry-parchèd with love’s drought,
Until my mouth was pressed upon her burning mouth
In a kiss most terrible....  Oh, was it pride, or shame
Unending, without name, or ecstasy, or pain
Or desperate desire?  Alas!  I cannot tell,
Save that it pierced my trembling soul and body with fire.
For, while her soft lips clove to mine in love, she drove
A flaming blade of steel into my breast, and I,
Rent with a bitter cry, slid from her side and fell
Clutching in dumb despair the dark unbraided hair
My passion had despoiled; while she, like serpent coiled,
Poised for another stroke, terribly, slowly, smiled,
Saying: "O stranger, red, red are my lips, and sweet
Unto those lips so red are the kisses of the dead:
Far hast thou wandered, far, for the kisses of Thamar."
Then a deep silence fell on the frenzy and the laughter;
The leaping dancers crept to the shadows where they had slept,
And the mute eunuchs stood forth, and hugely bent
Above my body, spent in its pool of blood,
And hove me with black arms, while the queen followed after
With stealthy steps, and eyes that burned into the night
Of my dying brain, till, with her hand, she bade
Them falter, and they stayed, while, eagerly, she propped
My listless head that dropped downward from my shoulders,
And slowly raised it up, raised it like a cup
Unto her lips again,
Then shuddered, trembled, shrunk, as though her mouth had drunk
A potion where the fell fire of poison smoulders.
And a darkness came, and I could see no more,
But in my ears the roar of lonely torrents swelled
And stilled my breath for ever, as though a wave appalling
Had broken in my brain, and deep to deep were calling:
And I felt my body falling down and down and down
Into a blank of death, where dumb waters roll
Endlessly, only knowing, that her dagger had stabbed my breast,
But her kiss had killed my soul.
And now I know no rest until again I stand
Where that lost city’s towers rise from the dreamy sand,
Until I reach the gate where the lips of Asia wait,
Till I cross the desert’s drought, and the rivers of the south,
And shiver through the night under those summits white
That soar above Cathay; until I see the light
Flame from those tyrannous glooms where, like a tired star
In stormy darkness, looms the castle of Thamar.’




ENVOI


    Now that the hour has come, and under the lonely
      Darkness I stumble at the doors of death,
      It is not hope, nor faith
    That here my spirit sustaineth, but love only.

    In visions, in love: only there have I clutched at divinity:
      But the vision fadeth; yet love fades not: and for this
      I would have you know that your kiss
    Was more to me than all my hopes of infinity.

    Therein you made me divine ... you, who were moon and sun for
            me,
      You, for whose beauty I would have forsaken the splendour of
              the stars
      And my shadowy avatars
    Renounced: for there is nothing in the world you have not done
            for me.

    So that when at length all sentient skill hath forsaken me,
      And the bright world beats vainly on my consciousness,
      Your beauty shineth no less:
    And even if I were dead I think your shadow would awaken me.