The Project Gutenberg EBook of There is a Reaper ..., by Charles V. De Vet

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at

Title: There is a Reaper ...

Author: Charles V. De Vet

Illustrator: W. E. Terry

Release Date: September 10, 2009 [EBook #29954]

Language: English

Character set encoding: ISO-8859-1


Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at

There Is A Reaper ...

Charles V. De Vet

Doctors had given him just one month to live. A month to wonder, what comes afterward? There was one way to find out—ask a dead man!

The amber brown of the liquor disguised the poison it held, and I watched with a smile on my lips as he drank it. There was no pity in my heart for him. He was a jackal in the jungle of life, and I ... I was one of the carnivores. It is the lot of the jackals of life to be devoured by the carnivore.

Suddenly the contented look on his face froze into a startled stillness. I knew he was feeling the first savage twinge of the agony that was to come. He turned his head and looked at me, and I saw suddenly that he knew what I had done.

"You murderer!" he cursed me, and then his body arched in the middle and his voice choked off deep in his throat.

For a short minute he sat, tense, his body stiffened by the agony that rode it—unable to move a muscle. I watched the torment in his eyes build up to a crescendo of pain, until the suffering became so great that it filmed his eyes, and I knew that, though he still stared directly at me, he no longer saw me.

Then, as suddenly as the spasm had come, the starch went out of his body and his back slid slowly down the chair edge. He landed heavily with his head resting limply against the seat of the chair. His right leg doubled up in a kind of jerk, before he was still.

I knew the time had come. "Where are you?" I asked.

This moment had cost me sixty thousand dollars.

Three weeks ago the best doctors in the state had given me a month to live. And with seven million dollars in the bank I couldn't buy a minute more.

I accepted the doctors' decision philosophically, like the gambler that I am. But I had a plan: One which necessity had never forced me to use until now. Several years before I had read an article about the medicine men of a certain tribe of aborigines living in the jungles at the source of the Amazon River. They had discovered a process in which the juice of a certain bush—known only to them—could be used to poison a man. Anyone subjected to this poison died, but for a few minutes after the life left his body the medicine men could still converse with him. The subject, though ostensibly and actually dead, answered the medicine men's every question. This was their primitive, though reportedly effective method of catching glimpses of what lay in the world of death.

I had conceived my idea at the time I read the article, but I had never had the need to use it—until the doctors gave me a month to live. Then I spent my sixty thousand dollars, and three weeks later I held in my hands a small bottle of the witch doctors' fluid.

The next step was to secure my victim—my collaborator, I preferred to call him.

The man I chose was a nobody. A homeless, friendless non-entity, picked up off the street. He had once been an educated man. But now he was only a bum, and when he died he'd never be missed. A perfect man for my experiment.

I'm a rich man because I have a system. The system is simple: I never make a move until I know exactly where that move will lead me. My field of operations is the stock market. I spend money unstintingly to secure the information I need before I take each step. I hire the best investigators, bribe employees and persons in position to give me the information I want, and only when I am as certain as humanly possible that I cannot be wrong do I move. And the system never fails. Seven million dollars in the bank is proof of that.

Now, knowing that I could not live, I intended to make the system work for me one last time before I died. I'm a firm believer in the adage that any situation can be whipped, given prior knowledge of its coming—and, of course, its attendant circumstances.

For a moment he did not answer and I began to fear that my experiment had failed. "Where are you?" I repeated, louder and sharper this time.

The small muscles about his eyes puckered with an unnormal tension while the rest of his face held its death frost. Slowly, slowly, unnaturally—as though energized by some hyper-rational power—his lips and tongue moved. The words he spoke were clear. "I am in a ... a ... tunnel," he said. "It is lighted, dimly, but there is nothing for me to see." Blue veins showed through the flesh of his cheeks like watermarks on translucent paper.

He paused and I urged, "Go on."

"I am alone," he said. "The realities I knew no longer exist, and I am damp and cold. All about me is a sense of gloom and dejection. It is an apprehension—an emanation—so deep and real as to be almost a tangible thing. The walls to either side of me seem to be formed, not of substance, but rather of the soundless cries of melancholy of spirits I cannot see.

"I am waiting, waiting in the gloom for something which will come to me. That need to wait is an innate part of my being and I have no thought of questioning it." His voice died again.

"What are you waiting for?" I asked.

"I do not know," he said, his voice dreary with the despair of centuries of hopelessness. "I only know that I must wait—that compulsion is greater than my strength to combat."

The tone of his voice changed slightly. "The tunnel about me is widening and now the walls have receded into invisibility. The tunnel has become a plain, but the plain is as desolate, as forlorn and dreary as was the tunnel, and still I stand and wait. How long must this go on?"

He fell silent again, and I was about to prompt him with another question—I could not afford to let the time run out in long silences—but abruptly the muscles about his eyes tightened and subtly a new aspect replaced their hopeless dejection. Now they expressed a black, bottomless terror. For a moment I marveled that so small a portion of a facial anatomy could express such horror.

"There is something coming toward me," he said. "A—beast—of brutish foulness! Beast is too inadequate a term to describe it, but I know no words to tell its form. It is an intangible and evasive—thing—but very real. And it is coming closer! It has no organs of sight as I know them, but I feel that it can see me. Or rather that it is aware of me with a sense sharper than vision itself. It is very near now. Oh God, the malevolence, the hate—the potentiality of awful, fearsome destructiveness that is its very essence! And still I cannot move!"

The expression of terrified anticipation, centered in his eyes, lessened slightly, and was replaced, instantly, by its former deep, deep despair. "I am no longer afraid," he said.

"Why?" I interjected. "Why?" I was impatient to learn all that I could before the end came.

"Because ..." He paused. "Because it holds no threat for me. Somehow, someday, I understand—I know—that it too is seeking that for which I wait."

"What is it doing now?" I asked.

"It has stopped beside me and we stand together, gazing across the stark, empty plain. Now a second awful entity, with the same leashed virulence about it, moves up and stands at my other side. We all three wait, myself with a dark fear of this dismal universe, my unnatural companions with patient, malicious menace.

"Bits of ..." He faltered. "Of ... I can name it only aura, go out from the beasts like an acid stream, and touch me, and the hate, and the venom chill my body like a wave of intense cold.

"Now there are others of the awful breed behind me. We stand, waiting, waiting for that which will come. What it is I do not know."

I could see the pallor of death creeping steadily into the last corners of his lips, and I knew that the end was not far away. Suddenly a black frustration built up within me. "What are you waiting for?" I screamed, the tenseness, and the importance of this moment forcing me to lose the iron self-control upon which I have always prided myself. I knew that the answer held the secret of what I must know. If I could learn that, my experiment would not be in vain, and I could make whatever preparations were necessary for my own death. I had to know that answer.

"Think! Think!" I pleaded. "What are you waiting for?"

"I do not know!" The dreary despair in his eyes, sightless as they met mine, chilled me with a coldness that I felt in the marrow of my being. "I do not know," he repeated. "I ... Yes, I do know!"

Abruptly the plasmatic film cleared from his eyes and I knew that for the first time, since the poison struck, he was seeing me, clearly. I sensed that this was the last moment before he left—for good. It had to be now!

"Tell me. I command you," I cried. "What are you waiting for?"

His voice was quiet as he murmured, softly, implacably, before he was gone.

"We are waiting," he said, "for you."


Transcriber's Note:

This etext was produced from Imagination Stories of Science and Fantasy August 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

End of Project Gutenberg's There is a Reaper ..., by Charles V. De Vet


***** This file should be named 29954-h.htm or *****
This and all associated files of various formats will be found in:

Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial



To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at

Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (,
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.


1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal

defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.

Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at

Section 3.  Information about the Project Gutenberg Literary Archive

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:

Section 5.  General Information About Project Gutenberg-tm electronic

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.