Produced by Jonathan Ingram, Leonard Johnson and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)










                         The English Dramatists

                           CHRISTOPHER MARLOWE

                            VOLUME THE THIRD




[Greek:
                                    Hadymelei
  thama men phormingi pamphÙnoisi t' en entesin aulÙn.]

                           PINDAR, _Olymp._ vii.




                               THE WORKS

                                   OF

                           CHRISTOPHER MARLOWE



                               EDITED BY
                            A. H. BULLEN, B.A.


                            IN THREE VOLUMES
                            VOLUME THE THIRD



                                 LONDON
                              JOHN C. NIMMO
                   14. KING WILLIAM STREET, STRAND, W.C.
                               MDCCCLXXXV


_One hundred and twenty copies of this Edition on Laid paper, medium
8vo, have been printed, and are numbered consecutively as issued._

_No._ ____

CONTENTS OF VOL. III.


                                                                    PAGE

HERO AND LEANDER                                                       1

OVID'S ELEGIES                                                       103

EPIGRAMS BY J. D.                                                    211

THE FIRST BOOK OF LUCAN                                              249

THE PASSIONATE SHEPHERD TO HIS LOVE                                  281

FRAGMENT                                                             293

DIALOGUE IN VERSE                                                    295

APPENDICES                                                           301

INDEX TO THE NOTES                                                   355




                            HERO AND LEANDER.


Two editions of _Hero and Leander_ appeared in 1598. The first edition,
containing only Marlowe's portion of the poem, is entitled _Hero and
Leander. By Christopher Marloe. London, Printed by Adam Islip, for
Edward Blunt._ 1598. 4to. The title-page of the second edition, which
contains the complete poem, is _Hero and Leander: Begun by Christopher
Marloe; and finished by George Chapman. Ut Nectar, Ingenium. At London,
Printed by Felix Kingston, for Paule Linley, and are to be solde in
Paules Churche-yard, at the signe of the Blacke-beare._ 1598. 4to.

Two copies of the second edition were discovered a few years ago at
Lamport Hall (the seat of Sir Charles Isham, Bart.) by Mr. Charles
Edmonds. The existence of this edition was previously unknown. Later
editions are:--

_Hero and Leander: Begunne by Christopher Marloe: Whereunto is added the
first booke of Lucan translated line for line by the same Author. Ut
Nectar, Ingenium. At London Printed for John Flasket, and are to be
solde in Paules Church-yard, at the signe of the Blacke-beare. 1600.
4to._

_Hero and Leander: Begunne by Christopher Marloe, and finished by George
Chapman. Ut Nectar, Ingenium. At London. Imprinted for John Flasket, and
are to be sold in Paules Church-yard, at the signe of the blacke Beare.
1606. 4to._

_Hero and Leander: Begunne by Christopher Marloe, and finished by George
Chapman. Ut Nectar, Ingenium. At London. Imprinted for Ed. Blunt and W.
Barret, and are to be sold in Pauls Church-yard, at the signe of the
blacke Beare. 1609. 4to._

_Hero and Leander: Begunne by Christopher Marloe, and finished by George
Chapman. Ut Nectar, Ingenium. London. Printed by W. Stansby for Ed.
Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the
signe of the Blacke Beare. 1613. 4to._

_Hero and Leander: Begun by Christoper Marloe, and finished by George
Chapman. Ut Nectar, Ingenium. London, Printed by A. M. for Richard
Hawkins: and are to bee sold at his Shop in Chancerie-Lane, neere
Serieants Inne. 1629. 4to._

_Hero and Leander: Begun by Christopher Marloe, and finished by George
Chapman. Ut Nectar, Ingenium. London: Printed by N. Okes for William
Leake, and are to be sold at his shop in Chancery-lane neere the Roules.
1637. 4to._

I have not had an opportunity of seeing the 4tos. of 1598 or the 4to. of
1600. For the text of the Isham copy, I am indebted to the _Works of
George Chapman: Poems and Minor Translations_, 1875. I have examined the
texts of eds. 1606, 1613, 1629, 1637; and my friend Mr. C. H. Firth has
examined for me the Bodleian copy of ed. 1600, in the margin of which
Malone has noted the readings of the first edition.




TO THE

RIGHT-WORSHIPFUL SIR THOMAS WALSINGHAM,

KNIGHT.


Sir, we think not ourselves discharged of the duty we owe to our friend
when we have brought the breathless body to the earth; for albeit the
eye there taketh his ever-farewell of that beloved object, yet the
impression of the man that hath been dear unto us, living an after-life
in our memory, there putteth us in mind of farther obsequies due unto
the deceased; and namely of the performance of whatsoever we may judge
shall make to his living credit and to the effecting of his
determinations prevented by the stroke of death. By these meditations
(as by an intellectual will) I suppose myself executor to the unhappily
deceased author of this poem; upon whom knowing that in his lifetime you
bestowed many kind favours, entertaining parts of reckoning and worth
which you found in him with good countenance and liberal affection, I
cannot but see so far into the will of him dead, that whatsoever issue
of his brain should chance to come abroad, that the first breath it
should take might be the gentle air of your liking; for, since his self
had been accustomed thereunto, it would prove more agreeable and
thriving to his right children than any other foster countenance
whatsoever. At this time seeing that this unfinished tragedy happens
under my hands to be imprinted; of a double duty, the one to yourself,
the other to the deceased, I present the same to your most favourable
allowance, offering my utmost self now and ever to be ready at your
worship's disposing:

                                                         EDWARD BLUNT.




HERO AND LEANDER.




THE FIRST SESTIAD.

_The Argument_[1] _of the First Sestiad._


        Hero's description and her love's;
        The fane of Venus, where he moves
        His worthy love-suit, and attains;
        Whose bliss the wrath of Fates restrains
        For Cupid's grace to Mercury:
        Which tale the author doth imply.

    On Hellespont, guilty of true love's blood,
    In view and opposite two cities stood,
    Sea-borderers,[2] disjoin'd by Neptune's might;
    The one Abydos, the other Sestos hight.
    At Sestos Hero dwelt; Hero the fair,
    Whom young Apollo courted for her hair,
    And offer'd as a dower his burning throne,
    Where she should sit, for men to gaze upon.
    The outside of her garments were of lawn,
    The lining purple silk, with gilt stars drawn;                    10
    Her wide sleeves green, and border'd with a grove,
    Where Venus in her naked glory strove
    To please the careless and disdainful eyes
    Of proud Adonis, that before her lies;
    Her kirtle blue, whereon was many a stain,
    Made with the blood of wretched lovers slain.
    Upon her head she ware[3] a myrtle wreath,
    From whence her veil reach'd to the ground beneath:
    Her veil was artificial flowers and leaves,
    Whose workmanship both man and beast deceives:                    20
    Many would praise the sweet smell as she past,
    When 'twas the odour which her breath forth cast;
    And there for honey bees have sought in vain,
    And, beat from thence, have lighted there again.
    About her neck hung chains of pebble-stone,
    Which, lighten'd by her neck, like diamonds shone.
    She ware no gloves; for neither sun nor wind
    Would burn or parch her hands, but, to her mind.
    Or warm or cool them, for they took delight
    To play upon those hands, they were so white.                     30
    Buskins of shells, all silver'd, usËd she,
    And branch'd with blushing coral to the knee;
    Where sparrows perch'd of hollow pearl and gold,
    Such as the world would wonder to behold:
    Those with sweet water oft her handmaid fills,
    Which as she went, would cherup through the bills.
    Some say, for her the fairest Cupid pin'd,
    And, looking in her face, was strooken blind.
    But this is true; so like was one the other,
    As he imagin'd Hero was his mother;                               40
    And oftentimes into her bosom flew,
    About her naked neck his bare arms threw,
    And laid his childish head upon her breast,
    And, with still panting rock,[4] there took his rest.
    So lovely-fair was Hero, Venus' nun,
    As Nature wept, thinking she was undone,
    Because she took more from her than she left,
    And of such wondrous beauty her bereft:
    Therefore, in sign her treasure suffer'd wrack,
    Since Hero's time hath half the world been black.                 50
      Amorous Leander, beautiful and young
    (Whose tragedy divine MusÊus sung),
    Dwelt at Abydos; since him dwelt there none
    For whom succeeding times make[5] greater moan.
    His dangling tresses, that were never shorn,
    Had they been cut, and unto Colchos borne,
    Would have allur'd the venturous youth of Greece
    To hazard more than for the golden fleece.
    Fair Cynthia wished his arms might be her Sphere;
    Grief makes her pale, because she moves not there.                60
    His body was as straight as Circe's wand;
    Jove might have sipt out nectar from his hand.
    Even as delicious meat is to the tast,
    So was his neck in touching, and surpast
    The white of Pelops' shoulder: I could tell ye,
    How smooth his breast was, and how white his belly;
    And whose immortal fingers did imprint
    That heavenly path with many a curious dint
    That runs along his back; but my rude pen
    Can hardly blazon forth the loves of men,                         70
    Much less of powerful gods: let it suffice
    That my slack Muse sings of Leander's eyes;
    Those orient cheeks and lips, exceeding his
    That leapt into the water for a kiss
    Of his own shadow, and, despising many,
    Died ere he could enjoy the love of any.
    Had wild Hippolytus Leander seen,
    Enamour'd of his beauty had he been:
    His presence made the rudest peasant melt,
    That in the vast uplandish country dwelt;                         80
    The barbarous Thracian soldier, mov'd with nought,
    Was mov'd with him, and for his favour sought.
    Some swore he was a maid in man's attire,
    For in his looks were all that men desire,--
    A pleasant-smiling cheek, a speaking eye,
    A brow for love to banquet royally;
    And such as knew he was a man, would say,
    "Leander, thou art made for amorous play:
    Why art thou not in love, and loved of all?
    Though thou be fair, yet be not thine own thrall."                90
      The men of wealthy Sestos every year,
    For his sake whom their goddess held so dear,
    Rose-cheek'd[6] Adonis, kept a solemn feast:
    Thither resorted many a wandering guest
    To meet their loves: such as had none at all
    Came lovers home from this great festival;
    For every street, like to a firmament,
    Glister'd with breathing stars, who, where they went,
    Frighted the melancholy earth, which deem'd
    Eternal heaven to burn, for so it seem'd,                        100
    As if another PhaÎton had got
    The guidance of the sun's rich chariot.
    But, far above the loveliest, Hero shin'd,
    And stole away th' enchanted gazer's mind;
    For like sea-nymphs' inveigling harmony,
    So was her beauty to the standers by;
    Nor that night-wandering, pale, and watery[7] star
    (When yawning dragons draw her thirling[8] car
    From Latmus' mount up to the gloomy sky,
    Where, crown'd with blazing light and majesty,                   110
    She proudly sits) more over-rules the flood
    Than she the hearts of those that near her stood.
    Even as when gaudy nymphs pursue the chase,
    Wretched Ixion's shaggy-footed race,
    Incens'd with savage heat, gallop amain
    From steep pine-bearing mountains to the plain,
    So ran the people forth to gaze upon her,
    And all that view'd her were enamour'd on her:
    And as in fury of a dreadful fight,
    Their fellows being slain or put to flight,                      120
    Poor soldiers stand with fear of death dead-strooken,
    So at her presence all surpris'd and tooken,
    Await the sentence of her scornful eyes;
    He whom she favours lives; the other dies:
    There might you see one sigh; another rage;
    And some, their violent passions to assuage,
    Compile sharp satires; but, alas, too late!
    For faithful love will never turn to hate;
    And many, seeing great princes were denied,
    Pin'd as they went, and thinking on her died.                    130
    On this feast-day--O cursËd day and hour!--
    Went Hero thorough Sestos, from her tower
    To Venus' temple, where unhappily,
    As after chanc'd, they did each other spy.
    So fair a church as this had Venus none:
    The walls were of discolour'd[9] jasper-stone,
    Wherein was Proteus carved; and over-head
    A lively vine of green sea-agate spread,
    Where by one hand light-headed Bacchus hung,
    And with the other wine from grapes out-wrung.                   140
    Of crystal shining fair the pavement was;
    The town of Sestos call'd it Venus' glass:
    There might you see the gods, in sundry shapes,
    Committing heady riots, incests, rapes;
    For know, that underneath this radiant flour[10]
    Was Dan‰e's statue in a brazen tower:
    Jove slily stealing from his sister's bed,
    To dally with Idalian Ganymed,
    And for his love Europa bellowing loud,
    And tumbling with the Rainbow in a cloud;                        150
    Blood-quaffing Mars heaving the iron net
    Which limping Vulcan and his Cyclops set;
    Love kindling fire, to burn such towns as Troy;
    Silvanus weeping for the lovely boy
    That now is turned into a cypress-tree,
    Under whose shade the wood-gods love to be.
    And in the midst a silver altar stood:
    There Hero, sacrificing turtles' blood,
    Vailed[11] to the ground, veiling her eyelids close;
    And modestly they opened as she rose:                            160
    Thence flew Love's arrow with the golden head;
    And thus Leander was enamourËd.
    Stone-still he stood, and evermore he gaz'd,
    Till with the fire, that from his countenance blaz'd,
    Relenting Hero's gentle heart was strook:
    Such force and virtue hath an amorous look.
      It lies not in our power to love or hate,
    For will in us is over-rul'd by fate.
    When two are stript long ere the course begin,
    We wish that one should lose, the other win;                     170
    And one especially do we affect
    Of two gold ingots, like in each respect:
    The reason no man knows, let it suffice,
    What we behold is censur'd by our eyes.
    Where both deliberate, the love is slight:
    Who ever lov'd, that lov'd not at first sight?[12]
      He kneel'd; but unto her devoutly prayed:
    Chaste Hero to herself thus softly said,
    "Were I the saint he worships, I would hear him;"
    And, as she spake those words, came somewhat near him.           180
    He started up; she blushed as one asham'd;
    Wherewith Leander much more was inflam'd.
    He touch'd her hand; in touching it she trembled:
    Love deeply grounded hardly is dissembled.
    These lovers parled by the touch of hands:
    True love is mute, and oft amazËd stands.
    Thus while dumb signs their yielding hearts entangled,
    The air with sparks of living fire was spangled;
    And night,[13] deep-drenched in misty Acheron,
    Heav'd up her head, and half the world upon                      190
    Breath'd darkness forth (dark night is Cupid's day):
    And now begins Leander to display
    Love's holy fire, with words, with sighs, and tears;
    Which, like sweet music, enter'd Hero's ears;
    And yet at every word she turn'd aside
    And always cut him off, as he replied.
    At last, like to a bold sharp sophister,
    With cheerful hope thus he accosted her.
    "Fair creature,[14] let me speak without offence:
    I would my rude words had the influence                          200
    To lead thy thoughts as thy fair looks do mine!
    Then shouldst thou be his prisoner, who is thine.
    Be not unkind and fair; mis-shapen stuff
    Are of behaviour boisterous and rough.
    O, shun me not, but hear me ere you go!
    God knows, I cannot force love as you do:
    My words shall be as spotless as my youth,
    Full of simplicity and naked truth.
    This sacrifice, whose sweet perfume descending
    From Venus' altar, to your footsteps bending,                    210
    Doth testify that you exceed her far,
    To whom you offer, and whose nun you are.
    Why should you worship her? her you surpass
    As much as sparkling diamonds flaring glass.
    A diamond set in lead his worth retains;
    A heavenly nymph, belov'd of human swains,
    Receives no blemish, but ofttimes more grace;
    Which makes me hope, although I am but base,
    Base in respect of thee divine and pure,
    Dutiful service may thy love procure;                            220
    And I in duty will excel all other,
    As thou in beauty dost exceed Love's mother.
    Nor heaven nor thou were made to gaze upon:
    As heaven preserves all things, so save thou one.
    A stately-builded ship, well rigg'd and tall,
    The ocean maketh more majestical;
    Why vow'st thou, then, to live in Sestos here,
    Who on Love's seas more glorious wouldst appear?
    Like untun'd golden strings all women are,
    Which long time lie untouch'd, will harshly jar.                 230
    Vessels of brass, oft handled, brightly shine:
    What diffËrence betwixt[15] the richest mine
    And basest mould, but use? for both, not us'd,
    Are of like worth. Then treasure is abus'd,
    When misers keep it: being put to loan,
    In time it will return us two for one.
    Rich robes themselves and others do adorn;
    Neither themselves nor others, if not worn.
    Who builds a palace, and rams up the gate,
    Shall see it ruinous and desolate:                               240
    Ah, simple Hero, learn thyself to cherish!
    Lone women, like to empty houses, perish.
    Less sins the poor rich man, that starves himself
    In heaping up a mass of drossy pelf,
    Than such as you: his golden earth remains,
    Which, after his decease some other gains;
    But this fair gem, sweet in the loss alone,
    When you fleet hence, can be bequeath'd to none;
    Or, if it could, down from th' enamell'd sky
    All heaven would come to claim this legacy,                      250
    And with intestine broils the world destroy,
    And quite confound Nature's sweet harmony.
    Well therefore by the gods decreed it is,
    We human creatures should enjoy that bliss.
    One is no number;[16] maids are nothing, then,
    Without the sweet society of men.
    Wilt thou live single still? one shalt thou be,
    Though never-singling Hymen couple thee.
    Wild savages, that drink of running springs
    Think water far excels all earthly things;                       260
    But they, that daily taste neat[17] wine, despise it:
    Virginity, albeit some highly prize it,
    Compar'd with marriage, had you tried them both,
    Differs as much as wine and water doth.
    Base bullion for the stamp's sake we allow:
    Even so for men's impression do we you;
    By which alone, our reverend fathers say,
    Women receive perfection every way.
    This idol, which you term virginity,
    Is neither essence subject to the eye,                           270
    No, nor to any one exterior sense,
    Nor hath it any place of residence,
    Nor is't of earth or mould celestial,
    Or capable of any form at all.
    Of that which hath no being, do not boast;
    Things that are not at all, are never lost.
    Men foolishly do call it virtuous:
    What virtue is it, that is born with us?
    Much less can honour be ascrib'd thereto:
    Honour is purchas'd by the deeds we do;                          280
    Believe me, Hero, honour is not won,
    Until some honourable deed be done.
    Seek you, for chastity, immortal fame,
    And know that some have wrong'd Diana's name?
    Whose name is it, if she be false or not,
    So she be fair, but some vile tongues will blot?
    But you are fair, ay me! so wondrous fair,
    So young, so gentle, and so debonair.
    As Greece will think, if thus you live alone,
    Some one or other keeps you as his own.                          290
    Then, Hero, hate me not, nor from me fly,
    To follow swiftly-blasting infamy.
    Perhaps thy sacred priesthood makes thee loath:
    Tell me to whom mad'st thou that heedless oath?"
    "To Venus," answer'd she; and, as she spake,
    Forth from those two tralucent cisterns brake
    A stream of liquid pearl, which down her face
    Made milk-white paths, whereon the gods might trace
    To Jove's high court. He thus replied: "The rites
    In which Love's beauteous empress most delights,                 300
    Are banquets, Doric music, midnight revel,
    Plays, masks, and all that stern age counteth evil.
    Thee as a holy idiot doth she scorn;
    For thou, in vowing chastity, hast sworn
    To rob her name and honour, and thereby
    Committ'st a sin far worse than perjury,
    Even sacrilege against her deity,
    Through regular and formal purity.
    To expiate which sin, kiss and shake hands:
    Such sacrifice as this Venus demands."                           310
    Thereat she smil'd, and did deny him so,
    As put[18] thereby, yet might he hope for mo;
    Which makes him quickly reinforce his speech,
    And her in humble manner thus beseech:
    "Though neither gods nor men may thee deserve,
    Yet for her sake, whom you have vow'd to serve,
    Abandon fruitless cold virginity,
    The gentle queen of Love's sole enemy.
    Then shall you most resemble Venus' nun,
    When Venus' sweet rites are performed and done.                  320
    Flint-breasted Pallas joys in single life;
    But Pallas and your mistress are at strife.
    Love, Hero, then, and be not tyrannous;
    But heal the heart that thou hast wounded thus;
    Nor stain thy youthful years with avarice:
    Fair fools delight to be accounted nice.
    The richest[19] corn dies, if it be not reapt;
    Beauty alone is lost, too warily kept."
    These arguments he us'd, and many more;
    Wherewith she yielded, that was won before.                      330
    Hero's looks yielded, but her words made war:
    Women are won when they begin to jar.
    Thus, having swallow'd Cupid's golden hook,
    The more she striv'd, the deeper was she strook:
    Yet, evilly feigning anger, strove she still,
    And would be thought to grant against her will.
    So having paus'd a while, at last she said,
    "Who taught thee rhetoric to deceive a maid?
    Ay me! such words as these should I abhor,
    And yet I like them for the orator."                             340
    With that, Leander stooped to have embrac'd her,
    But from his spreading arms away she cast her,
    And thus bespake him: "Gentle youth, forbear
    To touch the sacred garments which I wear.
    Upon a rock, and underneath a hill,
    Far from the town (where all is whist[20] and still,
    Save that the sea, playing on yellow sand,
    Sends forth a rattling murmur to the land,
    Whose sound allures the golden Morpheus
    In silence of the night to visit us),                            350
    My turret stands; and there, God knows, I play
    With Venus' swans and sparrows all the day.
    A[21] dwarfish beldam bears me company,
    That hops about the chamber where I lie,
    And spends the night, that might be better spent,
    In vain discourse and apish merriment:--
    Come thither." As she spake this, her tongue tripp'd,
    For unawares "Come thither" from her slipp'd;
    And suddenly her former colour chang'd,
    And here and there her eyes through anger rang'd;                360
    And, like a planet moving several ways
    At one self instant, she, poor soul, assays,
    Loving, not to love at all, and every part
    Strove to resist the motions of her heart:
    And hands so pure, so innocent, nay, such
    As might have made Heaven stoop to have a touch,
    Did she uphold to Venus, and again
    Vow'd spotless chastity; but all in vain;
    Cupid beats down her prayers with his wings;
    Her vows above[22] the empty air he flings:                      370
    All deep enrag'd, his sinewy bow he bent,
    And shot a shaft that burning from him went;
    Wherewith she strooken, look'd so dolefully,
    As made Love sigh to see his tyranny;
    And, as she wept, her tears to pearl he turn'd,
    And wound them on his arm, and for her mourn'd.
    Then towards the palace of the Destinies,
    Laden with languishment and grief, he flies,
    And to those stern nymphs humbly made request,
    Both might enjoy each other, and be blest.                       380
    But with a ghastly dreadful countenance,
    Threatening a thousand deaths at every glance,
    They answer'd Love, nor would vouchsafe so much
    As one poor word, their hate to him was such:
    Hearken awhile, and I will tell you why.
    Heaven's wingËd herald, Jove-born Mercury,
    The self-same day that he asleep had laid
    Enchanted Argus, spied a country maid,
    Whose careless hair, instead of pearl t'adorn it,
    Glister'd with dew, as one that seemed to scorn it;              390
    Her breath as fragrant as the morning rose;
    Her mind pure, and her tongue untaught to glose:
    Yet proud she was (for lofty Pride that dwells
    In tower'd courts, is oft in shepherds' cells),
    And too-too well the fair vermillion knew
    And silver tincture of her cheeks that drew
    The love of every swain. On her this god
    Enamour'd was, and with his snaky rod
    Did charm her nimble feet, and made her stay,
    The while upon a hillock down he lay,                            400
    And sweetly on his pipe began to play,
    And with smooth speech her fancy to assay,
    Till in his twining arms he lock'd her fast,
    And then he woo'd with kisses; and at last,
    As shepherds do, her on the ground he laid,
    And, tumbling in the grass, he often stray'd
    Beyond the bounds of shame, in being bold
    To eye those parts which no eye should behold;
    And, like an insolent commanding lover,
    Boasting his parentage, would needs discover                     410
    The way to new Elysium. But she,
    Whose only dower was her chastity,
    Having striven in vain, was now about to cry,
    And crave the help of shepherds that were nigh.
    Herewith he stay'd his fury, and began
    To give her leave to rise: away she ran;
    After went Mercury, who used such cunning,
    As she, to hear his tale, let off her running
    (Maids are not won by brutish force and might,
    But speeches full of pleasures and delight);                     420
    And, knowing Hermes courted her, was glad
    That she such loveliness and beauty had
    As could provoke his liking; yet was mute,
    And neither would deny nor grant his suit.
    Still vow'd he love: she, wanting no excuse
    To feed him with delays, as women use,
    Or thirsting after immortality,
    (All women are ambitious naturally),
    Impos'd upon her lover such a task,
    As he ought not perform, nor yet she ask;                        430
    A draught of flowing nectar she requested,
    Wherewith the king of gods and men is feasted.
    He, ready to accomplish what she will'd,
    Stole some from Hebe (Hebe Jove's cup fill'd),
    And gave it to his simple rustic love:
    Which being known,--as what is hid from Jove?--
    He inly storm'd, and wax'd more furious
    Than for the fire filch'd by Prometheus;
    And thrusts him down from heaven. He, wandering here,
    In mournful terms, with sad and heavy cheer,                     440
    Complain'd to Cupid: Cupid, for his sake,
    To be reveng'd on Jove did undertake;
    And those on whom heaven, earth, and hell relies,
    I mean the adamantine Destinies,
    He wounds with love, and forc'd them equally
    To dote upon deceitful Mercury.
    They offer'd him the deadly fatal knife
    That shears the slender threads[23] of human life;
    At his fair-feather'd feet the engines laid,
    Which th' earth from ugly Chaos' den upweigh'd.                  450
    These he regarded not; but did entreat
    That Jove, usurper of his father's seat,
    Might presently be banish'd into hell,
    And agËd Saturn in Olympus dwell.
    They granted what he crav'd; and once again
    Saturn and Ops began their golden reign:
    Murder, rape, war, and[24] lust, and treachery,
    Were with Jove clos'd in Stygian empery.
    But long this blessËd time continu'd not:
    As soon as he his wishËd purpose got,                            460
    He, reckless of his promise, did despise
    The love of th' everlasting Destinies.
    They, seeing it, both Love and him abhorr'd,
    And Jupiter unto his place restor'd:
    And, but that Learning, in despite of Fate,
    Will mount aloft, and enter heaven-gate,
    And to the seat of Jove itself advance,
    Hermes had slept in hell with Ignorance.
    Yet, as a punishment, they added this,
    That he and Poverty should always kiss;                          470
    And to this day is every scholar poor:
    Gross gold from them runs headlong to the boor.
    Likewise the angry Sisters, thus deluded,
    To venge themselves on Hermes, have concluded
    That Midas' brood shall sit in Honour's chair,
    To which the Muses' sons are only heir;
    And fruitful wits, that inaspiring[25] are,
    Shall, discontent, run into regions far;
    And few great lords in virtuous deeds shall joy
    But be surpris'd with every garish toy,                          480
    And still enrich the lofty servile clown,
    Who with encroaching guile keeps learning down.
    Then muse not Cupid's suit no better sped,
    Seeing in their loves the Fates were injurËd.

FOOTNOTES:

[1] The Arguments are by Chapman, who also divided Marlowe's portion of
the form into the First and Second Sestiad.

[2] Eds. 1600, 1606, 1613, "Sea-borders."--Ed. 1598, according to
Malone, has "sea-borderers;" and so eds. 1629, 1637.

[3] Some editions give "wore."

[4] Some eds. have "rockt," which may be the right reading.

[5] So ed. 1637.--The earlier editions that I have seen read "may."

[6] Cf. _Venus and Adonis_ (l. 3)--

    "_Rose-cheek'd Adonis_ hied him to the chace."

[7] So _Hamlet_ i. 1--

    "The _moist star_,
    Upon whose influence Neptune's empire stands."

[8] "_Thrilling_--tremulously moving."--_Dyce._ Perhaps the meaning
rather is _penetrating_--drilling its way through--"the gloomy sky."

[9] Variegated (Lat. _discolor_).

[10] Dyce quotes a passage of Harington's _Orlando Furioso_ where
"flowre" (floor) rhymes with "towre."

[11] Ed. 1600 and later 4tos. "Tail'd." For the coupling of "Vailed"
with "veiling," cf. 2. _Tamb._ v. iii. 6. "pitch their pitchy tents."

[12] This line is quoted in _As you like it_, iii. 5:--

    "Dead shepherd, now I find thy saw of might,--
    _Who ever lov'd, that lov'd not at first sight._"

[13] "A periphrasis of Night." Marginal note in ed. 1598.

[14] Lines 199-204, 221-222, are quoted, not quite accurately, by
Matthew in _Every Man in his Humour_, iv. 1.

[15] Some eds. give "between."

[16] Cf. Shakespeare, _Sonnet_ cxxxvi.--

    "Among a number one is reckoned none."

[17] Some eds. read "sweet."

[18] Cf. Second Sestiad, l. 73--

    "She with a kind of granting _put_ him _by_ it."

[19] This line is quoted in _England's Parnassus_ with the reading
"ripest."

[20] Hushed.

[21] "To the 'beldam nurse' there occurs the following allusion in
Drayton's _Heroical Epistle from Queen Mary to Charles Brandon_:--

    'There is no beldam nurse to powt nor lower
    When wantoning we revell in my tower,
    Nor need I top my turret with a light,
    To guide thee to me as thou swim'st by night.'"--_Broughton._

[22] So the old eds.--Dyce reads "about."

[23] We are reminded of _Lycidas_:--

    "Comes the blind Fury with the abhorrËd shears
    And slits the thin-spun life."

[24] Omitted in ed. 1600 and later 4tos.

[25] This word cannot be right. Query, "high-aspiring?"




THE SECOND SESTIAD.

_The Argument of the Second Sestiad._


        Hero of love takes deeper sense,
        And doth her love more recompense:
        Their first night's meeting, where sweet kisses
        Are th' only crowns of both their blisses
        He swims t' Abydos, and returns:
        Cold Neptune with his beauty burns;
        Whose suit he shuns, and doth aspire
        Hero's fair tower and his desire.

    By this, sad Hero, with love unacquainted,
    Viewing Leander's face, fell down and fainted.
    He kiss'd her, and breath'd life[26] into her lips;
    Wherewith, as one displeas'd, away she trips;
    Yet, as she went, full often look'd behind,
    And many poor excuses did she find
    To linger by the way, and once she stay'd,
    And would have turn'd again, but was afraid,
    In offering parley, to be counted light:
    So on she goes, and, in her idle flight,                          10
    Her painted fan of curled plumes let fall,
    Thinking to train Leander therewithal.
    He, being a novice, knew not what she meant,
    But stay'd, and after her a letter sent;
    Which joyful Hero answer'd in such sort,
    As he had hope to scale the beauteous fort
    Wherein the liberal Graces locked their wealth;
    And therefore to her tower he got by stealth.
    Wide open stood the door; he need not climb;
    And she herself, before the pointed time,                         20
    Had spread the board, with roses strew'd the room,
    And oft looked out, and mused he did not come.
    At last he came: O, who can tell the greeting
    These greedy lovers had at their first meeting?
    He asked; she gave; and nothing was denied;
    Both to each other quickly were affied:
    Look how their hands, so were their hearts united,
    And what he did, she willingly requited.
    (Sweet are the kisses, the embracements sweet,
    When like desires and like[27] affections meet;                   30
    For from the earth to heaven is Cupid raised,
    Where fancy is in equal balance paised.[28])
    Yet she this rashness suddenly repented,
    And turn'd aside, and to herself lamented,
    As if her name and honour had been wronged
    By being possessed of him for whom she longed;
    I, and she wished, albeit not from her heart,
    That he would leave her turret and depart.
    The mirthful god of amorous pleasure smiled
    To see how he this captive nymph beguiled;                        40
    For hitherto he did but fan the fire,
    And kept it down, that it might mount the higher.
    Now wax'd she jealous lest his love abated,
    Fearing her own thoughts made her to be hated.
    Therefore unto him hastily she goes,
    And, like light Salmacis, her body throws
    Upon his bosom, where with yielding eyes
    She offers up herself a sacrifice
    To slake her anger, if he were displeased:
    O, what god would not therewith be appeased?                      50
    Like ∆sop's cock, this jewel he enjoyed,
    And as a brother with his sister toyed,
    Supposing nothing else was to be done,
    Now he her favour and goodwill had won.
    But know you not that creatures wanting sense,
    By nature have a mutual appetence,
    And, wanting organs to advance a step,
    Mov'd by love's force, unto each other lep?
    Much more in subjects having intellect
    Some hidden influence breeds like effect.                         60
    Albeit Leander, rude in love and raw,
    Long dallying with Hero, nothing saw
    That might delight him more, yet he suspected
    Some amorous rites or other were neglected.
    Therefore unto his body hers he clung:
    She, fearing on the rushes[29] to be flung,
    Strived with redoubled strength; the more she strived,
    The more a gentle pleasing heat revived,
    Which taught him all that elder lovers know;
    And now the same gan so to scorch and glow,                       70
    As in plain terms, yet cunningly, he'd crave[30] it:
    Love always makes those eloquent that have it.
    She, with a kind of granting, put him by it,
    And ever, as he thought himself most nigh it,
    Like to the tree of Tantalus, she fled,
    And, seeming lavish, saved her maidenhead.
    Ne'er king more sought to keep his diadem,
    Than Hero this inestimable gem:
    Above our life we love a steadfast friend;
    Yet when a token of great worth we send,                          80
    We often kiss it, often look thereon,
    And stay the messenger that would be gone;
    No marvel, then, though Hero would not yield
    So soon to part from that she dearly held:
    Jewels being lost are found again; this never;
    'Tis lost but once, and once lost, lost for ever.

    Now had the Morn espied her lover's steeds;
    Whereat she starts, puts on her purple weeds,
    And, red for anger that he stayed so long,
    All headlong throws herself the clouds among.                     90
    And now Leander, fearing to be missed,
    Embraced her suddenly, took leave, and kissed:
    Long was he taking leave, and loath to go,
    And kissed again, as lovers use to do.
    Sad Hero wrung him by the hand, and wept,
    Saying, "Let your vows and promises be kept:"
    Then standing at the door, she turned about,
    As loath to see Leander going out.
    And now the sun, that through th' horizon peeps,
    As pitying these lovers, downward creeps;                        100
    So that in silence of the cloudy night,
    Though it was morning, did he take his flight.
    But what the secret trusty night concealed,
    Leander's amorous habit soon revealed:
    With Cupid's myrtle was his bonnet crowned,
    About his arms the purple riband wound,
    Wherewith she wreath'd her largely-spreading hair;
    Nor could the youth abstain, but he must wear
    The sacred ring wherewith she was endowed,
    When first religious chastity she vowed;                         110
    Which made his love through Sestos to be known,
    And thence unto Abydos sooner blown
    Than he could sail; for incorporeal Fame,
    Whose weight consists in nothing but her name,
    Is swifter than the wind, whose tardy plumes
    Are reeking water and dull earthly fumes.

    Home when he came, he seemed not to be there,
    But, like exilËd air thrust from his sphere,
    Set in a foreign place; and straight from thence,
    Alcides-like, by mighty violence,                                120
    He would have chas'd away the swelling main,
    That him from her unjustly did detain.
    Like as the sun in a diameter
    Fires and inflames objects removËd far,
    And heateth kindly, shining laterally;
    So beauty sweetly quickens when 'tis nigh,
    But being separated and removed,
    Burns where it cherished, murders where it loved.
    Therefore even as an index to a book,
    So to his mind was young Leander's look.                         130
    O, none but gods have power[31] their love to hide!
    Affection by the countenance is descried;
    The light of hidden fire itself discovers,
    And love that is concealed betrays poor lovers.
    His secret flame apparently was seen:
    Leander's father knew where he had been,
    And for the same mildly rebuk'd his son,
    Thinking to quench the sparkles new-begun.
    But love, resisted once, grows passionate,
    And nothing more than counsel lovers hate;                       140
    For as a hot proud horse highly disdains
    To have his head controlled, but breaks the reins,
    Spits forth the ringled[32] bit, and with his hoves
    Checks the submissive ground; so he that loves,
    The more he is restrain'd, the worse he fares:
    What is it now but mad Leander dares?
    "O Hero, Hero!" thus he cried full oft;
    And then he got him to a rock aloft,
    Where having spied her tower, long star'd he on't,
    And pray'd the narrow toiling Hellespont                         150
    To part in twain, that he might come and go;
    But still the rising billows answer'd, "No."
    With that, he stripp'd him to the ivory skin,
    And, crying, "Love, I come," leap'd lively in:
    Whereat the sapphire-visaged god grew proud,
    And made his capering Triton sound aloud,
    Imagining that Ganymede, displeas'd,
    Had left the heavens; therefore on him he seiz'd.
    Leander strived; the waves about him wound,
    And pull'd him to the bottom, where the ground                   160
    Was strewed with pearl, and in low coral groves
    Sweet-singing mermaids sported with their loves
    On heaps of heavy gold, and took great pleasure
    To spurn in careless sort the shipwreck treasure;
    For here the stately azure palace stood,
    Where kingly Neptune and his train abode.
    The lusty god embrac'd him, called him "Love,"
    And swore he never should return to Jove:
    But when he knew it was not Ganymed,
    For under water he was almost dead,                              170
    He heav'd him up, and, looking on his face,
    Beat down the bold waves with his triple mace,
    Which mounted up, intending to have kiss'd him,
    And fell in drops like tears because they miss'd him.
    Leander, being up, began to swim,
    And, looking back, saw Neptune follow him:
    Whereat aghast, the poor soul gan to cry,
    "O, let me visit Hero ere I die!"
    The god put Helle's bracelet on his arm,
    And swore the sea should never do him harm.                      180
    He clapped his plump cheeks, with his tresses played,
    And, smiling wantonly, his love bewrayed;
    He watched his arms, and, as they open'd wide
    At every stroke, betwixt them would he slide,
    And steal a kiss, and then run out and dance,
    And, as he turn'd, cast many a lustful glance,
    And throw him gaudy toys to please his eye,
    And dive into the water, and there pry
    Upon his breast, his thighs, and every limb,
    And up again, and close beside him swim,                         190
    And talk of love. Leander made reply,
    "You are deceiv'd; I am no woman, I."
    Thereat smil'd Neptune, and then told a tale,
    How that a shepherd, sitting in a vale,
    Play'd with a boy so lovely-fair[33] and kind,
    As for his love both earth and heaven pin'd;
    That of the cooling river durst not drink,
    Lest water-nymphs should pull him from the brink;
    And when he sported in the fragrant lawns,
    Goat-footed Satyrs and up-staring[34] Fauns                      200
    Would steal him thence. Ere half this tale was done,
    "Ay me," Leander cried, "th' enamoured sun,
    That now should shine on Thetis' glassy bower,
    Descends upon my radiant Hero's tower:
    O, that these tardy arms of mine were wings!"
    And, as he spake, upon the waves he springs.
    Neptune was angry that he gave no ear,
    And in his heart revenging malice bare:
    He flung at him his mace; but, as it went,
    He call'd it in, for love made him repent:                       210
    The mace, returning back, his own hand hit,
    As meaning to be venged for darting it.
    When this fresh-bleeding wound Leander viewed,
    His colour went and came, as if he rued
    The grief which Neptune felt: in gentle breasts
    Relenting thoughts, remorse, and pity rests;
    And who have hard hearts and obdurate minds,
    But vicious, hare-brained, and illiterate hinds?
    The god, seeing him with pity to be moved,
    Thereon concluded that he was beloved.                           220
    (Love is too full of faith, too credulous,
    With folly and false hope deluding us);
    Wherefore, Leander's fancy to surprise,
    To the rich ocean for gifts he flies:
    Tis wisdom to give much; a gift prevails
    When deep persuading oratory fails,
      By this, Leander, being near the land,
    Cast down his weary feet, and felt the sand.
    Breathless albeit he were, he rested not
    Till to the solitary tower he got;                               230
    And knocked and called: at which celestial noise
    The longing heart of Hero much more joys,
    Than nymphs and shepherds when the timbrel rings,
    Or crookËd dolphin when the sailor sings.
    She stayed not for her robes, but straight arose,
    And, drunk with gladness, to the door she goes;
    Where seeing a naked man, she screeched for fear
    (Such sights as this to tender maids are rare),
    And ran into the dark herself to hide
    (Rich jewels in the dark are soonest spied).                     240
    Unto her was he led, or rather drawn,
    By those white limbs which sparkled through the lawn.
    The nearer that he came, the more she fled,
    And, seeking refuge, slipt into her bed;
    Whereon Leander sitting, thus began,
    Through numbing cold, all feeble, faint, and wan.
    "If not for love, yet, love, for pity-sake,
    Me in thy bed and maiden bosom take;
    At least vouchsafe these arms some little room,
    Who, hoping to embrace thee, cheerly swoom:                      250
    This head was beat with many a churlish billow,
    And therefore let it rest upon thy pillow."
    Herewith affrighted, Hero shrunk away,
    And in her lukewarm place Leander lay;
    Whose lively heat, like fire from heaven fet,[35]
    Would animate gross clay, and higher set
    The drooping thoughts of base-declining souls,
    Than dreary-Mars-carousing nectar bowls.
    His hands he cast upon her like a snare:
    She, overcome with shame and sallow[36] fear,                    260
    Like chaste Diana when ActÊon spied her,
    Being suddenly betray'd, div'd down to hide her;
    And, as her silver body downward went,
    With both her hands she made the bed a tent,
    And in her own mind thought herself secure,
    O'ercast with dim and darksome coverture.
    And now she lets him whisper in her ear,
    Flatter, entreat, promise, protest, and swear:
    Yet ever, as he greedily assay'd
    To touch those dainties, she the harpy play'd,                   270
    And every limb did, as a soldier stout,
    Defend the fort, and keep the foeman out;
    For though the rising ivory mount he scal'd,
    Which is with azure circling lines empal'd,
    Much like a globe (a globe may I term this,
    By which Love sails to regions full of bliss),
    Yet there with Sisyphus he toil'd in vain,
    Till gentle parley did the truce obtain
    Even[37] as a bird, which in our hands we wring,
    Forth plungeth, and oft flutters with her wing,                  280
    She trembling strove: this strife of hers, like that
    Which made the world, another world begat
    Of unknown joy. Treason was in her thought,
    And cunningly to yield herself she sought.
    Seeming not won, yet won she was at length:
    In such wars women use but half their strength.
    Leander now, like Theban Hercules,
    Enter'd the orchard of th' Hesperides;
    Whose fruit none rightly can describe, but he
    That pulls or shakes it from the golden tree.                    290
    Wherein Leander, on her quivering breast,
    Breathless spoke something, and sigh'd out the rest;
    Which so prevail'd, as he with small ado,
    Enclos'd her in his arms, and kiss'd her too:
    And every kiss to her was as a charm,
    And to Leander as a fresh alarm:
    So that the truce was broke, and she, alas,
    Poor silly maiden, at his mercy was.
    Love is not full of pity, as men say,
    But deaf and cruel where he means to prey.                       300
      And now she wish'd this night were never done,
    And sigh'd to think upon th' approaching sun;
    For much it griev'd her that the bright day-light
    Should know the pleasure of this blessËd night,
    And them, like Mars and Erycine, display[38]
    Both in each other's arms chain'd as they lay.
    Again, she knew not how to frame her look,
    Or speak to him, who in a moment took
    That which so long, so charily she kept;
    And fain by stealth away she would have crept,                   310
    And to some corner secretly have gone,
    Leaving Leander in the bed alone.
    But as her naked feet were whipping out,
    He on the sudden cling'd her so about,
    That, mermaid-like, unto the floor she slid;
    One half appear'd, the other half was hid.
    Thus near the bed she blushing stood upright,
    And from her countenance behold ye might
    A kind of twilight break, which through the air,[39]
    As from an orient cloud, glimps'd[40] here and there;            320
    And round about the chamber this false morn
    Brought forth the day before the day was born.
    So Hero's ruddy cheek Hero betray'd,
    And her all naked to his sight display'd:
    Whence his admiring eyes more pleasure took
    Than Dis,[41] on heaps of gold fixing his look.
    By this, Apollo's golden harp began
    To sound forth music to the ocean;
    Which watchful Hesperus no sooner heard,
    But he the bright Day-bearing car[42] prepar'd,                  330
    And ran before, as harbinger of light,
    And with his flaring beams mock'd ugly Night,
    Till she, o'ercome with anguish, shame, and rage,
    Dang'd[43] down to hell her loathsome carriage.

FOOTNOTES:

[26] Cf. _Rom. and Jul._ v. 1--

    "I dreamed my lady came and found me dead,
    Strange dream that gives a dead man leave to think!--
    And _breathed such life with kisses in my lips_,
    That I revived and was an emperor."

[27] Omitted in eds. 1600, 1606, 1613, and 1637.

[28] Peised, weighed.

[29] Rooms were strewed with rushes before the introduction of carpets.
Shakespeare, like Marlowe, attributed the customs of his own day to
ancient times. Cf. _Cymb._ ii. 2--

                "Our Tarquin thus
    Did softly press the _rushes_ ere he wakened
    The chastity he wounded."

[30] Old eds. "crau'd."

[31] Some eds. give "O, none have power but gods."

[32] "In ages and countries where mechanical ingenuity has but few
outlets it exhausts itself in the constructions of bits, each more
peculiar in form or more torturing in effect than that which has
preceded it. I have seen collections of these instruments of torments,
and among them some of which Marlowe's curious adjective would have been
highly descriptive. It may be, however, that the word is 'ring-led,' in
which shape it would mean guided by the ring on each side like a
snaffle."--_Cunningham._

[33] Some eds. give "so faire and kind." Cf. _Othello_, iv. 2--

                                  "O thou wind
    Who art so _lovely-fair_ and smell'st so sweet."

[34] Ed. 1613 and later eds. "upstarting."

[35] Fetched

[36] Some eds. give "shallow."

[37] In the old eds. this line and the next stood after l. 300. The
transposition was made by Singer in the edition of 1821.

[38] Old eds.--"then ... displaid," and in the next line "laid."

[39] Old eds. "heare" and "haire."

[40] Old eds. "glympse."

[41] Pluto was frequently identified by the Greeks with Plutus.

[42] Old eds. "day bright-bearing car."

[43] Dinged, dashed. Some eds. give "hurled."--Here Marlowe's share
ends.




THE EPISTLE[44] DEDICATORY

TO MY

BEST ESTEEMED AND WORTHILY HONOURED LADY THE

LADY WALSINGHAM,

ONE OF THE LADIES OF HER MAJESTY'S BED-CHAMBER.


I present your ladyship with the last affections of the first two Lovers
that ever Muse shrined in the Temple of Memory; being drawn by strange
instigation to employ some of my serious time in so trifling a subject,
which yet made the first Author, divine Musaeus, eternal. And were it
not that we must subject our accounts of these common received conceits
to servile custom, it goes much against my hand to sign that for a
trifling subject on which more worthiness of soul hath been shewed, and
weight of divine wit, than can vouchsafe residence in the leaden gravity
of any money-monger; in whose profession all serious subjects are
concluded. But he that shuns trifles must shun the world; out of whose
reverend heaps of substance and austerity I can and will ere long single
or tumble out as brainless and passionate fooleries as ever panted in
the bosom of the most ridiculous lover. Accept it, therefore, good
Madam, though as a trifle, yet as a serious argument of my affection;
for to be thought thankful for all free and honourable favours is a
great sum of that riches my whole thrift intendeth.

Such uncourtly and silly dispositions as mine, whose contentment hath
other objects than profit or glory, are as glad, simply for the naked
merit of virtue, to honour such as advance her, as others that are hard
to commend with deepliest politique bounty.

It hath therefore adjoined much contentment to my desire of your true
honour to hear men of desert in court add to mine own knowledge of your
noble disposition how gladly you do your best to prefer their desires,
and have as absolute respect to their mere good parts as if they came
perfumed and charmed with golden incitements. And this most sweet
inclination, that flows from the truth and eternity of Nobles[se],
assure your Ladyship doth more suit your other ornaments, and makes more
to the advancement of your name and happiness of your proceedings, than
if like others you displayed ensigns of state and sourness in your
forehead, made smooth with nothing but sensuality and presents.

This poor Dedication (in figure of the other unity betwixt Sir Thomas
and yourself) hath rejoined you with him, my honoured best friend; whose
continuance of ancient kindness to my still-obscured estate, though it
cannot increase my love to him which hath been entirely circular; yet
shall it encourage my deserts to their utmost requital, and make my
hearty gratitude speak; to which the unhappiness of my life hath
hitherto been uncomfortable and painful dumbness.

By your Ladyship's vowed in

            most wished service,

                     GEORGE CHAPMAN.

FOOTNOTES:

[44] This Epistle is only found in the Isham copy, 1598.




THE THIRD SESTIAD.

_The Argument of the Third Sestiad._


        Leander to the envious light
        Resigns his night-sports with the night,
        And swims the Hellespont again.
        Thesme, the deity sovereign
        Of customs and religious rites,
        Appears, reproving[45] his delights,
        Since nuptial honours he neglected;
        Which straight he vows shall be effected.
        Fair Hero, left devirginate,
        Weighs, and with fury wails her state;                        10
        But with her love and woman's wit
        She argues and approveth it.

    New light gives new directions, fortunes new,
    To fashion our endeavours that ensue.
    More harsh, at least more hard, more grave and high
    Our subject runs, and our stern Muse must fly.
    Love's edge is taken off, and that light flame,
    Those thoughts, joys, longings, that before became
    High unexperienc'd blood, and maids' sharp plights,
    Must now grow staid, and censure the delights,
    That, being enjoy'd, ask judgment; now we praise,
    As having parted: evenings crown the days.                        10
      And now, ye wanton Loves, and young Desires,
    Pied Vanity, the mint of strange attires,
    Ye lisping Flatteries, and obsequious Glances,
    Relentful Musics, and attractive Dances,
    And you detested Charms constraining love!
    Shun love's stoln sports by that these lovers prove.
      By this, the sovereign of heaven's golden fires,
    And young Leander, lord of his desires,
    Together from their lovers' arms arose:
    Leander into Hellespontus throws                                  20
    His Hero-handled body, whose delight
    Made him disdain each other epithite.
    And as amidst th' enamour'd waves he swims,
    The god of gold[46] of purpose gilt his limbs,
    That, this word _gilt_[47] including double sense,
    The double guilt of his incontinence
    Might be express'd, that had no stay t' employ
    The treasure which the love-god let him joy
    In his dear Hero, with such sacred thrift
    As had beseem'd so sanctified a gift;                             30
    But, like a greedy vulgar prodigal,
    Would on the stock dispend, and rudely fall,
    Before his time, to that unblessËd blessing
    Which, for lust's plague, doth perish with possessing:
    Joy graven in sense, like snow[48] in water, wasts:
    Without preserve of virtue, nothing lasts.
    What man is he, that with a wealthy eye
    Enjoys a beauty richer than the sky,
    Through whose white skin, softer than soundest sleep,
    With damask eyes the ruby blood doth peep,                        40
    And runs in branches through her azure veins,
    Whose mixture and first fire his love attains;
    Whose both hands limit both love's deities,
    And sweeten human thoughts like Paradise;
    Whose disposition silken is and kind,
    Directed with an earth-exempted mind;--
    Who thinks not heaven with such a love is given?
    And who, like earth, would spend that dower of heaven,
    With rank desire to joy it all at first?
    What simply kills our hunger, quencheth thirst,                   50
    Clothes but our nakedness, and makes us live,
    Praise doth not any of her favours give:
    But what doth plentifully minister
    Beauteous apparel and delicious cheer,
    So order'd that it still excites desire,
    And still gives pleasure freeness to aspire,
    The palm of Bounty ever moist preserving;
    To Love's sweet life this is the courtly carving.
    Thus Time and all-states-ordering Ceremony
    Had banish'd all offence: Time's golden thigh                     60
    Upholds the flowery body of the earth
    In sacred harmony, and every birth
    Of men and actions[49] makes legitimate;
    Being us'd aright, the use of time is fate.
      Yet did the gentle flood transfer once more
    This prize of love home to his father's shore;
    Where he unlades himself on that false wealth
    That makes few rich,--treasures compos'd by stealth;
    And to his sister, kind Hermione
    (Who on the shore kneel'd, praying to the sea                     70
    For his return), he all love's goods did show,
    In Hero seis'd for him, in him for Hero.
      His most kind sister all his secrets knew,
    And to her, singing, like a shower, he flew,
    Sprinkling the earth, that to their tombs took in
    Streams dead for love, to leave his ivory shin,
    Which yet a snowy foam did leave above,
    As soul to the dead water that did love;
    And from hence did the first white roses spring
    (For love is sweet and fair in everything),                       80
    And all the sweeten'd shore, as he did go,
    Was crown'd with odorous roses, white as snow.
    Love-blest Leander was with love so fill'd,
    That love to all that touch'd him he instill'd;
    And as the colours of all things we see,
    To our sight's powers communicated be,
    So to all objects that in compass came
    Of any sense he had, his senses' flame
    Flow'd from his parts with force so virtual,
    It fir'd with sense things mere[50] insensual.                    90
      Now, with warm baths and odours comforted,
    When he lay down, he kindly kiss'd his bed,
    As consecrating it to Hero's right,
    And vow'd thereafter, that whatever sight
    Put him in mind of Hero or her bliss,
    Should be her altar to prefer a kiss.
      Then laid he forth his late-enrichËd arms,
    In whose white circle Love writ all his charms,
    And made his characters sweet Hero's limbs,
    When on his breast's warm sea she sideling swims;                100
    And as those arms, held up in circle, met,
    He said, "See, sister, Hero's carquenet!
    Which she had rather wear about her neck,
    Than all the jewels that do Juno deck."
      But, as he shook with passionate desire
    To put in flame his other secret fire,
    A music so divine did pierce his ear,
    As never yet his ravish'd sense did hear;
    When suddenly a light of twenty hues
    Brake through the roof, and, like the rainbow, views,            110
    Amaz'd Leander: in whose beams came down
    The goddess Ceremony, with a crown
    Of all the stars; and Heaven with her descended:
    Her flaming hair to her bright feet extended,
    By which hung all the bench of deities;
    And in a chain, compact of ears and eyes,
    She led Religion: all her body was
    Clear and transparent as the purest glass,
    For she was all[51] presented to the sense:
    Devotion, Order, State, and Reverence,                           120
    Her shadows were; Society, Memory;
    All which her sight made live, her absence die.
    A rich disparent pentacle[52] she wears,
    Drawn full of circles and strange characters.
    Her face was changeable to every eye;
    One way look'd ill, another graciously;
    Which while men view'd, they cheerful were and holy,
    But looking off, vicious and melancholy.
    The snaky paths to each observËd law
    Did Policy in her broad bosom draw.                              130
    One hand a mathematic crystal sways,
    Which, gathering in one line a thousand rays
    From her bright eyes, Confusion burns to death,
    And all estates of men distinguisheth:
    By it Morality and Comeliness
    Themselves in all their sightly figures dress.
    Her other hand a laurel rod applies,
    To beat back Barbarism and Avarice,
    That follow'd, eating earth and excrement
    And human limbs; and would make proud ascent                     140
    To seats of gods, were Ceremony slain.
    The Hours and Graces bore her glorious train;
    And all the sweets of our society
    Were spher'd and treasur'd in her bounteous eye.
    Thus she appear'd, and sharply did reprove
    Leander's bluntness in his violent love;
    Told him how poor was substance without rites,
    Like bills unsign'd; desires without delights;
    Like meats unseason'd; like rank corn that grows
    On cottages, that none or reaps or sows;                         150
    Not being with civil forms confirm'd and bounded,
    For human dignities and comforts founded;
    But loose and secret all their glories hide;
    Fear fills the chamber, Darkness decks the bride.
      She vanish'd, leaving pierc'd Leander's heart
    With sense of his unceremonious part,
    In which, with plain neglect of nuptial rites,
    He close and flatly fell to his delights:
    And instantly he vow'd to celebrate
    All rites pertaining to his married state.                       160
    So up he gets, and to his father goes,
    To whose glad ears he doth his vows disclose.
    The nuptials are resolv'd with utmost power;
    And he at night would swim to Hero's tower,
    From whence he meant to Sestos' forkËd bay
    To bring her covertly, where ships must stay,
    Sent by his[53] father, throughly rigg'd and mann'd,
    To waft her safely to Abydos' strand.
    There leave we him; and with fresh wing pursue
    Astonish'd Hero, whose most wishËd view                          170
    I thus long have foreborne, because I left her
    So out of countenance, and her spirits bereft her:
    To look on one abash'd is impudence,
    When of slight faults he hath too deep a sense.
    Her blushing het[54] her chamber; she look'd out,
    And all the air she purpled round about;
    And after it a foul black day befell,
    Which ever since a red morn doth foretell,
    And still renews our woes for Hero's woe;
    And foul it prov'd because it figur'd so                         180
    The next night's horror; which prepare to hear;
    I fail, if it profane your daintiest ear.
      Then, ho,[55] most strangely-intellectual fire,
    That, proper to my soul, hast power t' inspire
    Her burning faculties, and with the wings
    Of thy unspherËd flame visit'st the springs
    Of spirits immortal! Now (as swift as Time
    Doth follow Motion) find th' eternal clime
    Of his free soul, whose living subject[56] stood
    Up to the chin in the Pierian flood,                             190
    And drunk to me half this MusÊan story,
    Inscribing it to deathless memory:
    Confer with it, and make my pledge as deep,
    That neither's draught be consecrate to sleep;
    Tell it how much his late desires I tender
    (If yet it know not), and to light surrender
    My soul's dark offspring, willing it should die
    To loves, to passions, and society.
      Sweet Hero, left upon her bed alone,
    Her maidenhead, her vows, Leander gone,                          200
    And nothing with her but a violent crew
    Of new-come thoughts, that yet she never knew,
    Even to herself a stranger, was much like
    Th' Iberian city[57] that War's hand did strike
    By English force in princely Essex' guide,
    When Peace assur'd her towers had fortified,
    And golden-finger'd India had bestow'd
    Such wealth on her, that strength and empire flow'd
    Into her turrets, and her virgin waist
    The wealthy girdle of the sea embraced;                          210
    Till our Leander, that made Mars his Cupid,
    For soft love-suits, with iron thunders chid;
    Swum to her towers,[58] dissolv'd her virgin zone;
    Led in his power, and made Confusion
    Run through her streets amaz'd, that she suppos'd
    She had not been in her own walls enclos'd,
    But rapt by wonder to some foreign state,
    Seeing all her issue so disconsolate,
    And all her peaceful mansions possess'd
    With war's just spoil, and many a foreign guest                  220
    From every corner driving an enjoyer,
    Supplying it with power of a destroyer.
    So far'd fair Hero in th' expugnËd fort
    Of her chaste bosom; and of every sort
    Strange thoughts possess'd her, ransacking her breast
    For that that was not there, her wonted rest.
    She was a mother straight, and bore with pain
    Thoughts that spake straight, and wish'd their mother slain;
    She hates their lives, and they their own and hers:
    Such strife still grows where sin the race prefers:              230
    Love is a golden bubble, full of dreams,
    That waking breaks, and fills us with extremes.
    She mus'd how she could look upon her sire,
    And not shew that without, that was intire;[59]
    For as a glass is an inanimate eye,
    And outward forms embraceth inwardly,
    So is the eye an animate glass, that shows
    In-forms without us; and as Phoebus throws
    His beams abroad, though he in clouds be clos'd,
    Still glancing by them till he find oppos'd                      240
    A loose and rorid vapour that is fit
    T' event[60] his searching beams, and useth it
    To form a tender twenty-colour'd eye,
    Cast in a circle round about the sky;
    So when our fiery soul, our body's star,
    (That ever is in motion circular,)
    Conceives a form, in seeking to display it
    Through all our cloudy parts, it doth convey it
    Forth at the eye, as the most pregnant place,
    And that reflects it round about the face.                       250
    And this event, uncourtly Hero thought,
    Her inward guilt would in her looks have wrought;
    For yet the world's stale cunning she resisted,
    To bear foul thoughts, yet forge what looks she listed,
    And held it for a very silly sleight,
    To make a perfect metal counterfeit,
    Glad to disclaim herself, proud of an art
    That makes the face a pandar to the heart.
    Those be the painted moons, whose lights profane
    Beauty's true Heaven, at full still in their wane;               260
    Those be the lapwing-faces that still cry,
    "Here 'tis!" when that they vow is nothing nigh:
    Base fools! when every moorish fool[61] can teach
    That which men think the height of human reach.
    But custom, that the apoplexy is
    Of bed-rid nature and lives led amiss,
    And takes away all feeling of offence,
    Yet braz'd not Hero's brow with impudence;
    And this she thought most hard to bring to pass,
    To seem in countenance other than she was,                       270
    As if she had two souls, one for the face,
    One for the heart, and that they shifted place
    As either list to utter or conceal
    What they conceiv'd, or as one soul did deal
    With both affairs at once, keeps and ejects
    Both at an instant contrary effects;
    Retention and ejection in her powers
    Being acts alike; for this one vice of ours,
    That forms the thought, and sways the countenance,
    Rules both our motion and our utterance.                         280
      These and more grave conceits toil'd Hero's spirits;
    For, though the light of her discoursive wits
    Perhaps might find some little hole to pass
    Through all these worldly cinctures, yet, alas!
    There was a heavenly flame encompass'd her,--
    Her goddess, in whose fane she did prefer
    Her virgin vows, from whose impulsive sight
    She knew the black shield of the darkest night
    Could not defend her, nor wit's subtlest art:
    This was the point pierc'd Hero to the heart;                    290
    Who, heavy to the death, with a deep sigh,
    And hand that languished, took a robe was nigh,
    Exceeding large, and of black cypres[62] made,
    In which she sate, hid from the day in shade,
    Even over head and face, down to her feet;
    Her left hand made it at her bosom meet,
    Her right hand lean'd on her heart-bowing knee,
    Wrapp'd in unshapeful folds, 'twas death to see;
    Her knee stay'd that, and that her falling face;
    Each limb help'd other to put on disgrace:                       300
    No form was seen, where form held all her sight;
    But like an embryon that saw never light,
    Or like a scorchËd statue made a coal
    With three-wing'd lightning, or a wretched soul
    Muffled with endless darkness, she did sit:
    The night had never such a heavy spirit.
    Yet might a penetrating[63] eye well see
    How fast her clear tears melted on her knee
    Through her black veil, and turn'd as black as it,
    Mourning to be her tears. Then wrought her wit                   310
    With her broke vow, her goddess' wrath, her fame,--
    All tools that enginous[64] despair could frame:
    Which made her strew the floor with her torn hair,
    And spread her mantle piece-meal in the air.
    Like Jove's son's club, strong passion struck her down,
    And with a piteous shriek enforc'd her swoun:
    Her shriek made with another shriek ascend
    The frighted matron that on her did tend;
    And as with her own cry her sense was slain,
    So with the other it was called again.                           320
    She rose, and to her bed made forcËd way,
    And laid her down even where Leander lay;
    And all this while the red sea of her blood
    Ebb'd with Leander: but now turn'd the flood,
    And all her fleet of spirits came swelling in,
    With child[65] of sail, and did hot fight begin
    With those severe conceits she too much marked:
    And here Leander's beauties were embarked.
    He came in swimming, painted all with joys,
    Such as might sweeten hell: his thought destroys                 330
    All her destroying thoughts; she thought she felt
    His heart in hers, with her contentions melt,
    And chide her soul that it could so much err,
    To check the true joys he deserved in her.
    Her fresh-heat blood cast figures in her eyes,
    And she suppos'd she saw in Neptune's skies
    How her star wander'd, wash'd in smarting brine,
    For her love's sake, that with immortal wine
    Should be embath'd, and swim in more heart's-ease
    Than there was water in the Sestian seas.                        340
    Then said her Cupid-prompted spirit, "Shall I
    Sing moans to such delightsome harmony?
    Shall slick-tongu'd Fame, patch'd up with voices rude,
    The drunken bastard of the multitude
    (Begot when father Judgment is away,
    And, gossip-like, says because others say,
    Takes news as if it were too hot to eat,
    And spits it slavering forth for dog-fees meat),
    Make me, for forging a fantastic vow,
    Presume to bear what makes grave matrons bow?                    350
    Good vows are never broken with good deeds,
    For then good deeds were bad: vows are but seeds,
    And good deeds fruits; even those good deeds that grow
    From other stocks than from th' observËd vow.
    That is a good deed that prevents a bad:
    Had I not yielded, slain myself I had.
    Hero Leander is, Leander Hero;
    Such virtue love hath to make one of two.
    If, then, Leander did my maidenhead git,
    Leander being myself, I still retain it:                         360
    We break chaste vows when we live loosely ever,
    But bound as we are, we live loosely never:
    Two constant lovers being join'd in one,
    Yielding to one another, yield to none.
    We know not how to vow till love unblind us,
    And vows made ignorantly never bind us.
    Too true it is, that, when 'tis gone, men hate
    The joy[66] as vain they took in love's estate:
    But that's since they have lost the heavenly light
    Should show them way to judge of all things right.               370
    When life is gone, death must implant his terror:
    As death is foe to life, so love to error.
    Before we love, how range we through this sphere,
    Searching the sundry fancies hunted here:
    Now with desire of wealth transported quite
    Beyond our free humanity's delight;
    Now with ambition climbing falling towers,
    Whose hope to scale, our fear to fall devours;
    Now rapt with pastimes, pomp, all joys impure:
    In things without us no delight is sure.                         380
    But love, with all joys crowned, within doth sit:
    O goddess, pity love, and pardon it!"
    Thus spake she[67] weeping: but her goddess' ear
    Burn'd with too stern a heat, and would not hear.
    Ay me! hath heaven's strait fingers no more graces
    For such as Hero[68] than for homeliest faces?
    Yet she hoped well, and in her sweet conceit
    Weighing her arguments, she thought them weight,
    And that the logic of Leander's beauty,
    And them together, would bring proofs of duty;                   390
    And if her soul, that was a skilful glance
    Of heaven's great essence, found such imperance[69]
    In her love's beauties, she had confidence
    Jove loved him too, and pardoned her offence:
    Beauty in heaven and earth this grace doth win,
    It supples rigour, and it lessens sin.
    Thus, her sharp wit, her love, her secrecy,
    Trooping together, made her wonder why
    She should not leave her bed, and to the temple;
    Her health said she must live; her sex, dissemble.               400
    She viewed Leander's place, and wished he were
    Turned to his place, so his place were Leander.
    "Ay me," said she, "that love's sweet life and sense
    Should do it harm! my love had not gone hence
    Had he been like his place: O blessËd place,
    Image of constancy! Thus my love's grace
    Parts nowhere, but it leaves something behind
    Worth observation: he renowns his kind:
    His motion is, like heaven's, orbicular,
    For where he once is, he is ever there.                          410
    This place was mine; Leander, now 'tis thine;
    Thou being myself, then it is double mine,
    Mine, and Leander's mine, Leander's mine.
    O, see what wealth it yields me, nay, yields him!
    For I am in it, he for me doth swim.
    Rich, fruitful love, that, doubling self estates,
    Elixir-like contracts, though separates!
    Dear place, I kiss thee, and do welcome thee,
    As from Leander ever sent to me."

FOOTNOTES:

[45] Old eds. "improving."

[46] "He calls Phoebus the god of gold, since the virtue of his beams
creates it."--Marginal note in the Isham copy.

[47] The reader will remember how grimly Lady Macbeth plays upon this
word:--

    "I'll _gild_ the faces of the grooms withal:
    For it must seem their _guilt_."--ii. 2.

[48] "It is not likely that Burns had ever read _Hero and Leander_, but
compare _Tam o' Shanter_--

    'But pleasures are like poppies spread,
    You seize the flower, its bloom is shed,
    Or like the snow falls in the river,
    A moment white--then melts for ever!'"

--_Cunningham._

[49] In _England's Parnassus_ the reading is "of men audacious."

[50] Wholly.

[51] Some eds. give "For as she was."

[52] A magical figure formed of intersected triangles. It was supposed
to preserve the wearer from the assaults of demons. "Disparent would
seem to mean that the five points of the ornaments radiated distinctly
one from the other."--_Cunningham._

[53] Old eds. "her."

[54] Heated.

[55] Old eds. "how."

[56] Substance, as opposed to spirit. Cf. note. Vol. i., 203.

[57] Cadiz, which was taken in June 21, 1596, by the force under the
joint command of Essex and Howard of Effingham.

[58] So the Isham copy.--The other old eds. read "townes," for which
Dyce gives "town."

[59] Within.

[60] Vent forth.

[61] "Fowl" and "fool" had the same pronunciation. Cf. _3 Henry VI._ v.
6:--

    "Why, what a peevish _fool_ was he of Crete,
    That taught his son the office of a _fowl_!
    And yet for all his wings the _fool_ was drowned."

The "moorish fool" is explained by the allusion to the lapwing, two
lines above. (The lapwing was supposed to draw the searcher from her
nest by crying in other places. "The lapwing cries most furthest from
her nest."--_Ray's Proverbs._)

[62] A kind of crape.

[63] So the modern editors for an "imitating."

[64] Ingenious. Chapman has the form "enginous" in his translation of
the Odyssey, i. 452,

    "By open force or prospects _enginous_."

[65] Some modern editors unnecessarily give "With _crowd_ of sail."

[66] Old eds. "joys."

[67] Old eds. "he."

[68] Some eds. give "For such a Hero."

[69] Command.




THE FOURTH SESTIAD.

_The Argument of the Fourth Sestiad._


        Hero, in sacred habit deckt,
        Doth private sacrifice effect.
        Her scarf's description, wrought by Fate;
        Ostents that threaten her estate;
        The strange, yet physical, events,
        Leander's counterfeit[70] presents.
        In thunder Cyprides descends,
        Presaging both the lovers' ends:
        Ecte, the goddess of remorse,
        With vocal and articulate force                               10
        Inspires Leucote, Venus' swan,
        T' excuse the Beauteous Sestian.
        Venus, to wreak her rites' abuses,
        Creates the monster Eronusis,
        Inflaming Hero's sacrifice
        With lightning darted from her eyes;
        And thereof springs the painted beast
        That ever since taints every breast.

    Now from Leander's place she rose, and found
    Her hair and rent robe scatter'd on the ground;
    Which taking up, she every piece did lay
    Upon an altar, where in youth of day
    She us'd t' exhibit private sacrifice:
    Those would she offer to the deities
    Of her fair goddess and her powerful son,
    As relics of her late-felt passion;
    And in that holy sort she vow'd to end them,
    In hope her violent fancies, that did rend them,                  10
    Would as quite fade in her love's holy fire,
    As they should in the flames she meant t' inspire.
    Then put she on all her religious weeds,
    That decked her in her secret sacred deeds;
    A crown of icicles, that sun nor fire
    Could ever melt, and figur'd chaste desire;
    A golden star shined in her naked breast,
    In honour of the queen-light of the east.
    In her right hand she held a silver wand,
    On whose bright top Peristera did stand.                          20
    Who was a nymph, but now transformed a dove,
    And in her life was dear in Venus' love;
    And for her sake she ever since that time
    Choosed doves to draw her coach through heaven's blue clime.
    Her plenteous hair in curlËd billows swims
    On her bright shoulder: her harmonious limbs
    Sustained no more but a most subtile veil,
    That hung on them, as it durst not assail
    Their different concord; for the weakest air
    Could raise it swelling from her beauties fair;                   30
    Nor did it cover, but adumbrate only
    Her most heart-piercing parts, that a blest eye
    Might see, as it did shadow, fearfully,
    All that all-love-deserving paradise:
    It was as blue as the most freezing skies;
    Near the sea's hue, for thence her goddess came:
    On it a scarf she wore of wondrous frame;
    In midst whereof she wrought a virgin's face,
    From whose each cheek a fiery blush did chase
    Two crimson flames, that did two ways extend,                     40
    Spreading the ample scarf to either end;
    Which figur'd the division of her mind,
    Whiles yet she rested bashfully inclin'd,
    And stood not resolute to wed Leander;
    This serv'd her white neck for a purple sphere,
    And cast itself at full breadth down her back:
    There, since the first breath that begun the wrack
    Of her free quiet from Leander's lips,
    She wrought a sea, in one flame, full of ships;
    But that one ship where all her wealth did pass,                  50
    Like simple merchants' goods, Leander was;
    For in that sea she naked figured him;
    Her diving needle taught him how to swim,
    And to each thread did such resemblance give,
    For joy to be so like him it did live:
    Things senseless live by art, and rational die
    By rude contempt of art and industry.
    Scarce could she work, but, in her strength of thought,
    She fear'd she prick'd Leander as she wrought,[71]
    And oft would shriek so, that her guardian, frighted,             60
    Would startling haste, as with some mischief cited:
    They double life that dead things' griefs sustain;
    They kill that feel not their friends' living pain.
    Sometimes she fear'd he sought her infamy;
    And then, as she was working of his eye,
    She thought to prick it out to quench her ill;
    But, as she prick'd, it grew more perfect still:
    Trifling attempts no serious acts advance;
    The fire of love is blown by dalliance.
    In working his fair neck she did so grace it,                     70
    She still was working her own arms t' embrace it:
    That, and his shoulders, and his hands were seen
    Above the stream; and with a pure sea-green
    She did so quaintly shadow every limb,
    All might be seen beneath the waves to swim.
      In this conceited scarf she wrought beside
    A moon in change, and shooting stars did glide
    In number after her with bloody beams;
    Which figur'd her affects[72] in their extremes,
    Pursuing nature in her Cynthian body,                             80
    And did her thoughts running on change imply;
    For maids take more delight, when they prepare,
    And think of wives' states, than when wives they are.
    Beneath all these she wrought a fisherman,[73]
    Drawing his nets from forth the ocean;
    Who drew so hard, ye might discover well
    The toughen'd sinews in his neck did swell:
    His inward strains drave out his blood-shot eyes,
    And springs of sweat did in his forehead rise;
    Yet was of naught but of a serpent sped,                          90
    That in his bosom flew and stung him dead:
    And this by Fate into her mind was sent,
    Not wrought by mere instinct of her intent.
    At the scarf's other end her hand did frame,
    Near the fork'd point of the divided flame,
    A country virgin keeping of a vine,
    Who did of hollow bulrushes combine
    Snares for the stubble-loving grasshopper,
    And by her lay her scrip that nourish'd her.
    Within a myrtle shade she sate and sung;                         100
    And tufts of waving reeds above her sprung,
    Where lurked two foxes, that, while she applied
    Her trifling snares, their thieveries did divide,
    One to the vine, another to her scrip,
    That she did negligently overslip;
    By which her fruitful vine and wholesome fare
    She suffered spoiled to make a childish snare.
    These ominous fancies did her soul express,
    And every finger made a prophetess,
    To show what death was hid in love's disguise,                   110
    And make her judgment conquer Destinies.
    O, what sweet forms fair ladies' souls do shroud,
    Were they made seen and forcËd through their blood;
    If through their beauties, like rich work through lawn,
    They would set forth their minds with virtues drawn,
    In letting graces from their fingers fly,
    To still their eyas[74] thoughts with industry;
    That their plied wits in numbered silks might sing
    Passion's huge conquest, and their needles[75] leading
    Affection prisoner through their own-built cities,               120
    Pinioned with stones and Arachnean ditties.
      Proceed we now with Hero's sacrifice:
    She odours burned, and from their smoke did rise
    Unsavoury fumes, that air with plagues inspired;
    And then the consecrated sticks she fired.
    On whose pale flames an angry spirit flew,
    And beat it down still as it upward grew;
    The virgin tapers that on th' altar stood,
    When she inflam'd them, burned as red as blood;[76]
    All sad ostents of that too near success,[77]                    130
    That made such moving beauties motionless.
    Then Hero wept; but her affrighted eyes
    She quickly wrested from the sacrifice,
    Shut them, and inwards for Leander looked,
    Search'd her soft bosom, and from thence she plucked
    His lovely picture; which when she had viewed,
    Her beauties were with all love's joys renewed;
    The odours sweeten'd, and the fires burned clear,
    Leander's form left no ill object there:
    Such was his beauty, that the force of light,                    140
    Whose knowledge teacheth wonders infinite,
    The strength of number and proportion,
    Nature had placed in it to make it known,
    Art was her daughter, and what human wits
    For study lost, entombed in drossy spirits.
    After this accident (which for her glory
    Hero could not but make a history),
    Th' inhabitants of Sestos and Abydos
    Did every year, with feasts propitious,
    To fair Leander's picture sacrifice:                             150
    And they were persons of especial price
    That were allowed it, as an ornament
    T' enrich their houses, for the continent
    Of the strange virtues all approved it held;
    For even the very look of it repelled
    All blastings, witchcrafts, and the strifes of nature
    In those diseases that no herbs could cure;
    The wolfy sting of avarice it would pull,
    And make the rankest miser bountiful;
    It kill'd the fear of thunder and of death;                      160
    The discords that conceit engendereth
    'Twixt man and wife, it for the time would cease;
    The flames of love it quench'd, and would increase;
    Held in a prince's hand, it would put out
    The dreadful'st comet; it would ease[78] all doubt
    Of threaten'd mischiefs; it would bring asleep
    Such as were mad; it would enforce to weep
    Most barbarous eyes; and many more effects
    This picture wrought, and sprung[79] Leandrian[80] sects;
    Of which was Hero first; for he whose form,                      170
    Held in her hand, clear'd such a fatal storm,
    From hell she thought his person would defend her,
    Which night and Hellespont would quickly send her.
    With this confirm'd, she vow'd to banish quite
    All thought of any check to her delight;
    And, in contempt of silly bashfulness,
    She would the faith of her desires profess,
    Where her religion should be policy,
    To follow love with zeal her piety;
    Her chamber her cathedral-church should be,                      180
    And her Leander her chief deity;
    For in her love these did the gods forego;
    And though her knowledge did not teach her so,
    Yet did it teach her this, that what her heart
    Did greatest hold in her self-greatest part,
    That she did make her god; and 'twas less naught
    To leave gods in profession and in thought,
    Than in her love and life; for therein lies
    Most of her duties and their dignities;
    And, rail the brain-bald world at what it will,                  190
    That's the grand atheism that reigns in it still.
    Yet singularity she would use no more,
    For she was singular too much before;
    But she would please the world with fair pretext:
    Love would not leave her conscience perplext:
    Great men that will have less do for them, still
    Must bear them out, though th' acts be ne'er so ill;
    Meanness must pander be to Excellence;
    Pleasure atones Falsehood and Conscience:
    Dissembling was the worst, thought Hero then,                    200
    And that was best, now she must live with men.
    O virtuous love, that taught her to do best
    When she did worst, and when she thought it least!
    Thus would she still proceed in works divine,
    And in her sacred state of priesthood shine,
    Handling the holy rites with hands as bold,
    As if therein she did Jove's thunder hold,
    And need not fear those menaces of error,
    Which she at others threw with greatest terror.
    O lovely Hero, nothing is thy sin,                               210
    Weigh'd with those foul faults other priests are in!
    That having neither faiths, nor works, nor beauties,
    T' engender any 'scuse for slubbered[81] duties,
    With as much countenance fill their holy chairs,
    And sweat denouncements 'gainst profane affairs,
    As if their lives were cut out by their places,
    And they the only fathers of the graces.
      Now, as with settled mind she did repair
    Her thoughts to sacrifice her ravished hair
    And her torn robe, which on the altar lay,                       220
    And only for religion's fire did stay,
    She heard a thunder by the Cyclops beaten,
    In such a volley as the world did threaten,
    Given Venus as she parted th' airy sphere,
    Descending now to chide with Hero here:
    When suddenly the goddess' waggoners,
    The swans and turtles that, in coupled pheres,[82]
    Through all worlds' bosoms draw her influence,
    Lighted in Hero's window, and from thence
    To her fair shoulders flew the gentle doves,--                   230
    Graceful _∆done_[83] that sweet pleasure loves,
    And ruff-foot Chreste[84] with the tufted crown;
    Both which did kiss her, though their goddess frown.
    The swans did in the solid flood, her glass,
    Proin[85] their fair plumes; of which the fairest was
    Jove-lov'd Leucote,[86] that pure brightness is;
    The other bounty-loving Dapsilis.[87]
    All were in heaven, now they with Hero were:
    But Venus' looks brought wrath, and urgËd fear.
    Her robe was scarlet; black her head's attire:                   240
    And through her naked breast shin'd streams of fire,
    As when the rarifiËd air is driven
    In flashing streams, and opes the darken'd heaven.
    In her white hand a wreath of yew she bore;
    And, breaking th' icy wreath sweet Hero wore,
    She forc'd about her brows her wreath of yew,
    And said, "Now, minion, to thy fate be true,
    Though not to me; endure what this portends:
    Begin where lightness will, in shame it ends.
    Love makes thee cunning; thou art current now,                   250
    By being counterfeit: thy broken vow
    Deceit with her pied garters must rejoin,
    And with her stamp thou countenances must coin;
    Coyness, and pure[88] deceits, for purities,
    And still a maid wilt seem in cozen'd eyes,
    And have an antic face to laugh within,
    While thy smooth looks make men digest thy sin.
    But since thy lips (least thought forsworn) forswore,
    Be never virgin's vow worth trusting more!"
      When Beauty's dearest did her goddess hear                     260
    Breathe such rebukes 'gainst that she could not clear,
    Dumb sorrow spake aloud in tears and blood,
    That from her grief-burst veins, in piteous flood,
    From the sweet conduits of her favour fell.
    The gentle turtles did with moans make swell
    Their shining gorges; the while black-ey'd swans
    Did sing as woful epicedians,
    As they would straightways die: when Pity's queen,
    The goddess Ecte,[89] that had ever been
    Hid in a watery cloud near Hero's cries,                         270
    Since the first instant of her broken eyes,
    Gave bright Leucote voice, and made her speak,
    To ease her anguish, whose swoln breast did break
    With anger at her goddess, that did touch
    Hero so near for that she us'd so much;
    And, thrusting her white neck at Venus, said:
    "Why may not amorous Hero seem a maid,
    Though she be none, as well as you suppress
    In modest cheeks your inward wantonness?
    How often have we drawn you from above,                          280
    T' exchange with mortals rites for rites in love!
    Why in your priest, then, call you that offence,
    That shines in you, and is[90] your influence?"
    With this, the Furies stopp'd Leucote's lips,
    Enjoin'd by Venus; who with rosy whips
    Beat the kind bird. Fierce lightning from her eyes
    Did set on fire fair Hero's sacrifice,
    Which was her torn robe and enforcËd hair;
    And the bright flame became a maid most fair
    For her aspËct: her tresses were of wire,                        290
    Knit like a net, where hearts set all on fire,
    Struggled in pants, and could not get releast;
    Her arms were all with golden pincers drest,
    And twenty-fashioned knots, pulleys, and brakes,
    And all her body girt with painted snakes;
    Her down-parts in a scorpion's tail combined,
    Freckled with twenty colours; pied wings shined
    Out of her shoulders; cloth had never dye,
    Nor sweeter colours never viewËd eye,
    In scorching Turkey, Cares, Tartary,                             300
    Than shined about this spirit notorious;
    Nor was Arachne's web so glorious.
    Of lightning and of shreds she was begot;
    More hold in base dissemblers is there not.
    Her name was Eronusis.[91] Venus flew
    From Hero's sight, and at her chariot drew
    This wondrous creature to so steep a height,
    That all the world she might command with sleight
    Of her gay wings; and then she bade her haste,--
    Since Hero had dissembled, and disgraced                         310
    Her rites so much,--and every breast infect
    With her deceits: she made her architect
    Of all dissimulation; and since then
    Never was any trust in maids or men.
                                        O, it spited
    Fair Venus' heart to see her most delighted,
    And one she choos'd, for temper of her mind
    To be the only ruler of her kind,
    So soon to let her virgin race be ended!
    Not simply for the fault a whit offended,                        320
    But that in strife for chasteness with the Moon,
    Spiteful Diana bade her show but one
    That was her servant vow'd, and liv'd a maid;
    And, now she thought to answer that upbraid,
    Hero had lost her answer: who knows not
    Venus would seem as far from any spot
    Of light demeanour, as the very skin
    'Twixt Cynthia's brows? sin is asham'd of sin.
    Up Venus flew, and scarce durst up for fear
    Of Phoebe's laughter, when she pass'd her sphere:                330
    And so most ugly-clouded was the light,
    That day was hid in day; night came ere night;
    And Venus could not through the thick air pierce,
    Till the day's king, god of undaunted verse,
    Because she was so plentiful a theme
    To such as wore his laurel anademe.
    Like to a fiery bullet made descent,
    And from her passage those fat vapours rent,
    That being not throughly rarified to rain,
    Melted like pitch, as blue as any vein;                          340
    And scalding tempests made the earth to shrink
    Under their fervour, and the world did think
    In every drop a torturing spirit flew,
    It pierc'd so deeply, and it burn'd so blue.
      Betwixt all this and Hero, Hero held
    Leander's picture, as a Persian shield;
    And she was free from fear of worst success:
    The more ill threats us, we suspect the less:
    As we grow hapless, violence subtle grows,
    Dumb, deaf, and blind, and comes when no man knows.              350

FOOTNOTES:

[70] Picture.

[71] "This conceit was suggested to Chapman by a passage in Skelton's
_Phyllyp Sparowe_:

    "But whan I was sowing his beke,
    Methought, my sparow did speke,
    And opened his prety byll,
    Saynge, Mayd, ye are in wyll
    Agayne me for to kyll,
    Ye prycke me in the head.'

--_Works_, I, 57, ed. Dyce."--_Dyce._

[72] Affections.

[73] "This description of the fisherman, as well as the picture which
follows it, are borrowed (with alterations) from the first _Idyl_ of
Theocritus."--_Dyce._

[74] "Eyas" is the name for an unfledged hawk. "Eyas thoughts" would
mean "thoughts not yet full-grown,--immature." Dyce thinks the meaning
of "eyas" here may be "restless." (Old eds. "yas.")

[75] A monosyllable.

[76] Some eds. give "them, then they burned as blood."

[77] Approaching catastrophe.

[78] Some eds. "and."

[79] Used transitively.

[80] Some eds. "Leanders."

[81] Shakespeare uses the verb "slubber" in the sense of "perform in a
slovenly manner" (_Merchant of Venice_, ii. 8, "Slubber not business for
my sake").

[82] Companions, yoke-mates.

[83] Gr. [Greek: hÍdonÍ].

[84] From Lat. _crista_?

[85] Prune.

[86] Gr. [Greek: leukotÍs].

[87] Gr. [Greek: dapsilÍs].

[88] Some eds. read "Coyne and impure."

[89] From Gr. [Greek: oiktos]?

[90] Some eds. "in."

[91] "A compound, probably, from [Greek: erÙs] and [Greek: nosos] or
[Greek: nousos] _Ionice_." Ed. 1821.




THE FIFTH SESTIAD.

_The Argument of the Fifth Sestiad._


        Day doubles his accustom'd date,
        As loath the Night, incens'd by Fate,
        Should wreck our lovers. Hero's plight;
        Longs for Leander and the night:
        Which ere her thirsty wish recovers,
        She sends for two betrothËd lovers,
        And marries them, that, with their crew,
        Their sports, and ceremonies due,
        She covertly might celebrate,
        With secret joy her own estate.                               10
        She makes a feast, at which appears
        The wild nymph Teras, that still bears
        An ivory lute, tells ominous tales,
        And sings at solemn festivals.

    Now was bright Hero weary of the day,
    Thought an Olympiad in Leander's stay.
    Sol and the soft-foot Hours hung on his arms,
    And would not let him swim, foreseeing his harms:
    That day Aurora double grace obtain'd
    Of her love Phoebus; she his horses reign'd,
    Set[92] on his golden knee, and, as she list,
    She pull'd him back; and as she pull'd she kiss'd,
    To have him turn to bed: he lov'd her more,
    To see the love Leander Hero bore:                                10
    Examples profit much; ten times in one,
    In persons full of note, good deeds are done.
      Day was so long, men walking fell asleep;
    The heavy humours that their eyes did steep
    Made them fear mischiefs. The hard streets were beds
    For covetous churls and for ambitious heads,
    That, spite of Nature, would their business ply:
    All thought they had the falling epilepsy,
    Men grovell'd so upon the smother'd ground;
    And pity did the heart of Heaven confound.                        20
    The Gods, the Graces, and the Muses came
    Down to the Destinies, to stay the frame
    Of the true lovers' deaths, and all world's tears:
    But Death before had stopp'd their cruel ears.
    All the celestials parted mourning then,
    Pierc'd with our human miseries more than men:
    Ah, nothing doth the world with mischief fill,
    But want of feeling one another's ill!
      With their descent the day grew something fair,
    And cast a brighter robe upon the air.                            30
    Hero, to shorten time with merriment,
    For young Alcmane[93] and bright Mya sent,
    Two lovers that had long crav'd marriage-dues
    At Hero's hands: but she did still refuse;
    For lovely Mya was her consort vow'd
    In her maid state, and therefore not allow'd
    To amorous nuptials: yet fair Hero now
    Intended to dispense with her cold vow,
    Since hers was broken, and to marry her:
    The rites would pleasing matter minister                          40
    To her conceits, and shorten tedious day.
    They came; sweet Music usher'd th' odorous way,
    And wanton Air in twenty sweet forms danced
    After her fingers; Beauty and Love advanced
    Their ensigns in the downless rosy faces
    Of youths and maids led after by the Graces.
    For all these Hero made a friendly feast,
    Welcom'd them kindly, did much love protest,
    Winning their hearts with all the means she might.
    That, when her fault should chance t' abide the light             50
    Their loves might cover or extenuate it,
    And high in her worst fate make pity sit.
      She married them; and in the banquet came,
    Borne by the virgins. Hero striv'd to frame
    Her thoughts to mirth: ay me! but hard it is
    To imitate a false and forcËd bliss;
    Ill may a sad mind forge a merry face,
    Nor hath constrainËd laughter any grace.
    Then laid she wine on cares to make them sink:
    Who fears the threats of Fortune, let him drink.[94]              60
      To these quick nuptials enter'd suddenly
    AdmirËd Teras with the ebon thigh;
    A nymph that haunted the green Sestian groves,
    And would consort soft virgins in their loves,
    At gaysome triumphs and on solemn days,
    Singing prophetic elegies and lays,
    And fingering of a silver lute she tied
    With black and purple scarfs by her left side.
    Apollo gave it, and her skill withal,
    And she was term'd his dwarf, she was so small:                   70
    Yet great in virtue, for his beams enclosed
    His virtues in her; never was proposed
    Riddle to her, or augury, strange or new,
    But she resolv'd it; never slight tale flew
    From her charm'd lips without important sense,
    Shown in some grave succeeding consequence.
      This little sylvan, with her songs and tales,
    Gave such estate to feasts and nuptials,
    That though ofttimes she forewent tragedies,
    Yet for her strangeness still she pleas'd their eyes;             80
    And for her smallness they admir'd her so,
    They thought her perfect born, and could not grow.
      All eyes were on her. Hero did command
    An altar decked with sacred state should stand
    At the feast's upper end, close by the bride,
    On which the pretty nymph might sit espied.
    Then all were silent; every one so hears,
    As all their senses climb'd into their ears:
    And first this amorous tale, that fitted well
    Fair Hero and the nuptials, she did tell.                         90


_The Tale of Teras._

    Hymen, that now is god of nuptial rites,
    And crowns with honour Love and his delights,
    Of Athens was a youth, so sweet of face,
    That many thought him of the female race;
    Such quickening brightness did his clear eyes dart,
    Warm went their beams to his beholder's heart,
    In such pure leagues his beauties were combin'd,
    That there your nuptial contracts first were signed;
    For as proportion, white and crimson, meet
    In beauty's mixture, all right clear and sweet,                  100
    The eye responsible, the golden hair,
    And none is held, without the other, fair;
    All spring together, all together fade;
    Such intermix'd affections should invade
    Two perfect lovers; which being yet unseen,
    Their virtues and their comforts copied been
    In beauty's concord, subject to the eye;
    And that, in Hymen, pleased so matchlessly,
    That lovers were esteemed in their full grace,
    Like form and colour mixed in Hymen's face;                      110
    And such sweet concord was thought worthy then
    Of torches, music, feasts, and greatest men:
    So Hymen look'd that even the chastest mind
    He mov'd to join in joys of sacred kind;
    For only now his chin's first down consorted
    His head's rich fleece in golden curls contorted;
    And as he was so loved, he loved so too:
    So should best beauties bound by nuptials, do.
      Bright Eucharis, who was by all men said
    The noblest, fairest, and the richest maid                       120
    Of all th' Athenian damsels, Hymen lov'd
    With such transmission, that his heart remov'd
    From his white breast to hers: but her estate,
    In passing his, was so interminate
    For wealth and honour, that his love durst feed
    On naught but sight and hearing, nor could breed
    Hope of requital, the grand prize of love;
    Nor could he hear or see, but he must prove
    How his rare beauty's music would agree
    With maids in consort; therefore robbËd he                       130
    His chin of those same few first fruits it bore,
    And, clad in such attire as virgins wore,
    He kept them company, and might right well,
    For he did all but Eucharis excel
    In all the fair of beauty! yet he wanted
    Virtue to make his own desires implanted
    In his dear Eucharis; for women never
    Love beauty in their sex, but envy ever.
    His judgment yet, that durst not suit address,
    Nor, past due means, presume of due success,                     140
    Reason gat Fortune in the end to speed
    To his best prayers[95]: but strange it seemed, indeed,
    That Fortune should a chaste affection bless:
    Preferment seldom graceth bashfulness.
    Nor grac'd it Hymen yet; but many a dart,
    And many an amorous thought, enthralled[96] his heart,
    Ere he obtained her; and he sick became,
    Forced to abstain her sight; and then the flame
    Raged in his bosom. O, what grief did fill him!
    Sight made him sick, and want of sight did kill him.             150
    The virgins wonder'd where DiÊtia stay'd,
    For so did Hymen term himself, a maid.
    At length with sickly looks he greeted them:
    Tis strange to see 'gainst what an extreme stream
    A lover strives; poor Hymen look'd so ill,
    That as in merit he increasËd still
    By suffering much, so he in grace decreas'd:
    Women are most won, when men merit least:
    If Merit look not well, Love bids stand by;
    Love's special lesson is to please the eye.                      160
    And Hymen soon recovering all he lost,
    Deceiving still these maids, but himself most,
    His love and he with many virgin dames,
    Noble by birth, noble by beauty's flames,
    Leaving the town with songs and hallow'd lights
    To do great Ceres Eleusina rites
    Of zealous sacrifice, were made a prey
    To barbarous rovers, that in ambush lay,
    And with rude hands enforc'd their shining spoil,
    Far from the darkened city, tired with toil:                     170
    And when the yellow issue of the sky
    Came trooping forth, jealous of cruelty
    To their bright fellows of this under-heaven,
    Into a double night they saw them driven,--
    A horrid cave, the thieves' black mansion;
    Where, weary of the journey they had gone,
    Their last night's watch, and drunk with their sweet gains,
    Dull Morpheus enter'd, laden with silken chains,
    Stronger than iron, and bound the swelling veins
    And tirËd senses of these lawless swains.                        180
    But when the virgin lights thus dimly burn'd,
    O, what a hell was heaven in! how they mourn'd
    And wrung their hands, and wound their gentle forms
    Into the shapes of sorrow! golden storms
    Fell from their eyes; as when the sun appears,
    And yet it rains, so show'd their eyes their tears:
    And, as when funeral dames watch a dead corse,
    Weeping about it, telling with remorse
    What pains he felt, how long in pain he lay,
    How little food he ate, what he would say;                       190
    And then mix mournful tales of other's deaths,
    Smothering themselves in clouds of their own breaths;
    At length, one cheering other, call for wine;
    The golden bowl drinks tears out of their eyne,
    As they drink wine from it; and round it goes,
    Each helping other to relieve their woes;
    So cast these virgins' beauties mutual rays,
    One lights another, face the face displays;
    Lips by reflection kissed, and hands hands shook,
    Even by the whiteness each of other took.                        200
      But Hymen now used friendly Morpheus' aid,
    Slew every thief, and rescued every maid:
    And now did his enamour'd passion take
    Heart from his hearty deed, whose worth did make
    His hope of bounteous Eucharis more strong;
    And now came Love with Proteus, who had long
    Juggled the little god with prayers and gifts,
    Ran through all shapes and varied all his shifts,
    To win Love's stay with him, and make him love him.
    And when he saw no strength of sleight could move him,
    To make him love or stay, he nimbly turned                       211
    Into Love's self, he so extremely burned.
    And thus came Love, with Proteus and his power,
    T' encounter Eucharis: first, like the flower
    That Juno's milk did spring,[97] the silver lily,
    He fell on Hymen's hand, who straight did spy
    The bounteous godhead, and with wondrous joy
    Offer'd it Eucharis. She, wonderous coy,
    Drew back her hand: the subtle flower did woo it,
    And, drawing it near, mixed so you could not know it:            220
    As two clear tapers mix in one their light,
    So did the lily and the hand their white.
    She viewed it; and her view the form bestows
    Amongst her spirits; for, as colour flows
    From superficies of each thing we see,
    Even so with colours forms emitted be;
    And where Love's form is, Love is; Love is form:
    He entered at the eye; his sacred storm
    Rose from the hand, Love's sweetest instrument:
    It stirred her blood's sea so, that high it went,                230
    And beat in bashful waves 'gainst the white shore
    Of her divided cheeks; it raged the more,
    Because the tide went 'gainst the haughty wind
    Of her estate and birth: and, as we find,
    In fainting ebbs, the flowery Zephyr hurls
    The green-haired Hellespont, broke in silver curls,
    'Gainst Hero's tower; but in his blast's retreat,
    The waves obeying him, they after beat,
    Leaving the chalky shore a great way pale,
    Then moist it freshly with another gale;                         240
    So ebbed and flowed the blood[98] in Eucharis' face,
    Coyness and Love strived which had greatest grace;
    Virginity did fight on Coyness' side,
    Fear of her parent's frowns and female pride
    Loathing the lower place, more than it loves
    The high contents desert and virtue moves.
    With Love fought Hymen's beauty and his valure,[99]
    Which scarce could so much favour yet allure
    To come to strike, but fameless idle stood:
    Action is fiery valour's sovereign good.                         250
    But Love, once entered, wished no greater aid
    Than he could find within; thought thought betray'd;
    The bribed, but incorrupted, garrison
    Sung "Io Hymen;" there those songs begun,
    And Love was grown so rich with such a gain,
    And wanton with the ease of his free reign,
    That he would turn into her roughest frowns
    To turn them out; and thus he Hymen crowns
    King of his thoughts, man's greatest empery:
    This was his first brave step to deity.                          260
      Home to the mourning city they repair,
    With news as wholesome as the morning air,
    To the sad parents of each savËd maid:
    But Hymen and his Eucharis had laid
    This plat[100] to make the flame of their delight
    Round as the moon at full, and full as bright.
      Because the parents of chaste Eucharis
    Exceeding Hymen's so, might cross their bliss;
    And as the world rewards deserts, that law
    Cannot assist with force; so when they saw                       270
    Their daughter safe, take vantage of their own,
    Praise Hymen's valour much, nothing bestown;
    Hymen must leave the virgins in a grove
    Far off from Athens, and go first to prove,
    If to restore them all with fame and life,
    He should enjoy his dearest as his wife.
    This told to all the maids, the most agree:
    The riper sort, knowing what 'tis to be
    The first mouth of a news so far derived,
    And that to hear and bear news brave folks lived.                280
    As being a carriage special hard to bear
    Occurrents, these occurrents being so dear,
    They did with grace protest, they were content
    T' accost their friends with all their compliment,
    For Hymen's good; but to incur their harm,
    There he must pardon them. This wit went warm
    To Adolesche's[101] brain, a nymph born high,
    Made all of voice and fire, that upwards fly:
    Her heart and all her forces' nether train
    Climb'd to her tongue, and thither fell her brain,               290
    Since it could go no higher; and it must go;
    All powers she had, even her tongue, did so:
    In spirit and quickness she much joy did take,
    And loved her tongue, only for quickness' sake;
    And she would haste and tell. The rest all stay:
    Hymen goes one, the nymph another way;
    And what became of her I'll tell at last:
    Yet take her visage now;--moist-lipped, long-faced,
    Thin like an iron wedge, so sharp and tart,
    As 'twere of purpose made to cleave Love's heart:                300
    Well were this lovely beauty rid of her.
    And Hymen did at Athens now prefer
    His welcome suit, which he with joy aspired:
    A hundred princely youths with him retired
    To fetch the nymphs; chariots and music went;
    And home they came: heaven with applauses rent.
    The nuptials straight proceed, whiles all the town,
    Fresh in their joys, might do them most renown.
    First, gold-locked Hymen did to church repair,
    Like a quick offering burned in flames of hair;                  310
    And after, with a virgin firmament
    The godhead-proving bride attended went
    Before them all: she looked in her command,
    As if form-giving Cypria's silver hand
    Gripped all their beauties, and crushed out one flame;
    She blushed to see how beauty overcame
    The thoughts of all men. Next, before her went
    Five lovely children, decked with ornament
    Of her sweet colours, bearing torches by;
    For light was held a happy augury                                320
    Of generation, whose efficient right
    Is nothing else but to produce to light.
    The odd disparent number they did choose,
    To show the union married loves should use,
    Since in two equal parts it will not sever,
    But the midst holds one to rejoin it ever,
    As common to both parts: men therefore deem
    That equal number gods do not esteem,
    Being authors of sweet peace and unity,
    But pleasing to th' infernal empery,                             330
    Under whose ensigns Wars and Discords fight,
    Since an even number you may disunite
    In two parts equal, naught in middle left
    To reunite each part from other reft;
    And five they hold in most especial prize,[102]
    Since 'tis the first odd number that doth rise
    From the two foremost numbers' unity,
    That odd and even are; which are two and three;
    For one no number is; but thence doth flow
    The powerful race of number. Next, did go                        340
    A noble matron, that did spinning bear
    A huswife's rock and spindle, and did wear
    A wether's skin, with all the snowy fleece,
    To intimate that even the daintiest piece
    And noblest-born dame should industrious be:
    That which does good disgraceth no degree.
      And now to Juno's temple they are come,
    Where her grave priest stood in the marriage-room:
    On his right arm did hang a scarlet veil,
    And from his shoulders to the ground did trail,                  350
    On either side, ribands of white and blue:
    With the red veil he hid the bashful hue
    Of the chaste bride, to show the modest shame,
    In coupling with a man, should grace a dame.
    Then took he the disparent silks, and tied
    The lovers by the waists, and side to side,
    In token that thereafter they must bind
    In one self-sacred knot each other's mind.
    Before them on an altar he presented
    Both fire and water, which was first invented,                   360
    Since to ingenerate every human creature
    And every other birth produc'd by Nature,
    Moisture and heat must mix; so man and wife
    For human race must join in nuptial life.
    Then one of Juno's birds, the painted jay,
    He sacrific'd and took the gall away;
    All which he did behind the altar throw,
    In sign no bitterness of hate should grow,
    'Twixt married loves, nor any least disdain.
    Nothing they spake, for 'twas esteem'd too plain                 370
    For the most silken mildness of a maid,
    To let a public audience hear it said,
    She boldly took the man; and so respected
    Was bashfulness in Athens, it erected
    To chaste Agneia,[103] which is Shamefacedness,
    A sacred temple, holding her a goddess.
    And now to feasts, masks, and triumphant shows,
    The shining troops returned, even till earth-throes
    Brought forth with joy the thickest part of night,
    When the sweet nuptial song, that used to cite                   380
    All to their rest, was by Phemonˆe[104] sung,
    First Delphian prophetess, whose graces sprung
    Out of the Muses' well: she sung before
    The bride into her chamber; at which door
    A matron and a torch-bearer did stand:
    A painted box of confits[105] in her hand
    The matron held, and so did other some[106]
    That compassed round the honour'd nuptial room.
    The custom was, that every maid did wear,
    During her maidenhead, a silken sphere                           390
    About her waist, above her inmost weed,
    Knit with Minerva's knot, and that was freed
    By the fair bridegroom on the marriage-night,
    With many ceremonies of delight:
    And yet eternized Hymen's tender bride,
    To suffer it dissolved so, sweetly cried.
    The maids that heard, so loved and did adore her,
    They wished with all their hearts to suffer for her.
    So had the matrons, that with confits stood
    About the chamber, such affectionate blood,                      400
    And so true feeling of her harmless pains,
    That every one a shower of confits rains;
    For which the bride-youths scrambling on the ground,
    In noise of that sweet hail her[107] cries were drown'd.
    And thus blest Hymen joyed his gracious bride,
    And for his joy was after deified.
    The saffron mirror by which Phoebus' love,
    Green Tellus, decks her, now he held above
    The cloudy mountains: and the noble maid,
    Sharp-visaged Adolesche, that was stray'd                        410
    Out of her way, in hasting with her news,
    Not till this[108] hour th' Athenian turrets views;
    And now brought home by guides, she heard by all,
    That her long kept occurrents would be stale,
    And how fair Hymen's honours did excel
    For those rare news which she came short to tell.
    To hear her dear tongue robbed of such a joy,
    Made the well-spoken nymph take such a toy,[109]
    That down she sunk: when lightning from above
    Shrunk her lean body, and, for mere free love,                   420
    Turn'd her into the pied-plum'd Psittacus,
    That now the Parrot is surnam'd by us,
    Who still with counterfeit confusion prates
    Naught but news common to the common'st mates.--
    This told, strange Teras touch'd her lute, and sung
    This ditty, that the torchy evening sprung.


_Epithalamion Teratos._

    Come, come, dear Night! Love's mart of kisses,
      Sweet close to his ambitious line,
    The fruitful summer of his blisses!
      Love's glory doth in darkness shine.                           430
    O come, soft rest of cares! come, Night!
      Come, naked Virtue's only tire,
    The reapËd harvest of the light,
      Bound up in sheaves of sacred fire!
                Love calls to war;
                  Sighs his alarms,
                Lips his swords are,
                  The field his arms.

    Come, Night, and lay thy velvet hand
      On glorious Day's outfacing face;                              440
    And all thy crownËd flames command,
      For torches to our nuptial grace!
                Love calls to war;
                  Sighs his alarms,
                Lips his swords are,
                  The field his arms.

    No need have we of factious Day,
      To cast, in envy of thy peace,
    Her balls of discord in thy way:
      Here Beauty's day doth never cease;                            450
    Day is abstracted here,
    And varied in a triple sphere.
    Hero, Alcmane, Mya, so outshine thee,
    Ere thou come here, let Thetis thrice refine thee.
            Love calls to war;
              Sighs his alarms,
            Lips his swords are,
              The field his arms.

            The evening star I see:
              Rise, youths! the evening star                         460
              Helps Love to summon war;
            Both now embracing be.
    Rise, youths! Love's rite claims more than banquets; rise!
    Now the bright marigolds, that deck the skies,
    Phoebus' celestial flowers, that, contrary
    To his flowers here, ope when he shuts his eye,
    And shuts when he doth open, crown your sports:
    Now Love in Night, and Night in Love exhorts
    Courtship and dances: all your parts employ,
    And suit Night's rich expansure with your joy.                   470
    Love paints his longings in sweet virgins' eyes:
    Rise, youths! Love's rite claims more than banquets; rise!

      Rise, virgins! let fair nuptial loves enfold
    Your fruitless breasts: the maidenheads[110] ye hold
    Are not your own alone, but parted are;
    Part in disposing them your parents share,
    And that a third part is; so must ye save
    Your loves a third, and you your thirds must have.
    Love paints his longings in sweet virgins' eyes:
    Rise, youths! Love's rite claims more than banquets; rise!       480

      Herewith the amorous spirit, that was so kind
    To Teras' hair, and comb'd it down with wind,
    Still as it, comet-like, brake from her brain,
    Would needs have Teras gone, and did refrain
    To blow it down: which, staring[111] up, dismay'd
    The timorous feast; and she no longer stay'd;
    But, bowing to the bridegroom and the bride,
    Did, like a shooting exhalation, glide
    Out of their sights: the turning of her back
    Made them all shriek, it look'd so ghastly black.                490
    O hapless Hero! that most hapless cloud
    Thy soon-succeeding tragedy foreshow'd.
    Thus all the nuptial crew to joys depart;
    But much-wronged[112] Hero stood Hell's blackest dart:
    Whose wound because I grieve so to display,
    I use digressions thus t' increase the day.

FOOTNOTES:

[92] Some modern editors read "sat."

[93] Singer suggested "Alcmaeon."

[94] "Chapman has a passage very similar to this in his _Widow's Tears_,
Act iv.:--

    'Wine is ordained to raise such hearts as sink:
    Whom woful stars distemper let him drink.'"

--_Broughton._

[95] "Old eds. 'prayes,' 'praies,' 'preies,' and 'pryes.'"--_Dyce._

[96] Dyce reads "enthrill'd" (a word that I do not remember to have
seen).

[97] Did make to spring. Cf. Fourth Sestiad, l. 169.

[98] So the Isham copy. All other editions omit the words "the blood."

[99] "Valure" is frequently found as a form of "value;" but I suspect,
with Dyce, that it is here put (_metri causa_) for "valour."

[100] Plot.

[101] Gr. [Greek: adoleschÍs].

[102] Some eds. "price."

[103] Gr. [Greek: hagneia]

[104] Singer gives a reference to Pausan, x. 5.--Old eds. "Phemonor" and
"Phemoner."

[105] Comfits.

[106] "Other some" is a not uncommon form of expression. See Halliwell's
_Dict. of Archaic and Provincial Words_.

[107] Old eds. "their."

[108] Old eds. "his."

[109] A sudden pettishness or freak of fancy. Cf. _Two Noble Kinsmen_:--

        "The hot horse hot as fire
    _Took toy_ at this."

[110] Former editors have not noticed that Chapman is here closely
imitating Catullus' _Carmen Nuptiale_--

    "Virginitas non tota tua est: ex parte parentum est:
    Tertia pars patri data, pars data tertia matri,
    Tertia sola tua est: noli pugnare duobus,
    Qui genero sua jura simul cum dote dederunt."

[111] Some eds. "starting." Cf. _Julius CÊsar_, iv. 3, ll. 278-9--

    "Art thou some god, some angel, or some devil,
    That makest my blood cold and my hair to _stare_?"

[112] "Old eds. 'much-rong,' 'much rongd,' and 'much-wrong'd.'"--_Dyce_
(who reads "much-wrung").




THE SIXTH SESTIAD.

_The Argument of the Sixth Sestiad._


        Leucote flies to all the Winds,
        And from the Fates their outrage blinds,[113]
        That Hero and her love may meet.
        Leander, with Love's complete fleet
        Manned in himself, puts forth to seas;
        When straight the ruthless Destinies,
        With, AtÈ, stir the winds to war
        Upon the Hellespont: their jar
        Drowns poor Leander. Hero's eyes,
        Wet witnesses of his surprise,                                10
        Her torch blown out, grief casts her down
        Upon her love, and both doth drown:
        In whose just ruth the god of seas
        Transforms them to th' Acanthides.

    No longer could the Day nor Destinies
    Delay the Night, who now did frowning rise
    Into her throne; and at her humorous breasts
    Visions and Dreams lay sucking: all men's rests
    Fell like the mists of death upon their eyes,
    Day's too-long darts so kill'd their faculties.
    The Winds yet, like the flowers, to cease began;
    For bright Leucote, Venus' whitest swan,
    That held sweet Hero dear, spread her fair wings,
    Like to a field of snow, and message brings                       10
    From Venus to the Fates, t'entreat them lay
    Their charge upon the Winds their rage to stay,
    That the stern battle of the seas might cease,
    And guard Leander to his love in peace.
    The Fates consent;--ay me, dissembling Fates!
    They showed their favours to conceal their hates,
    And draw Leander on, lest seas too high
    Should stay his too obsequious destiny:
    Who[114] like a fleering slavish parasite,
    In warping profit or a traitorous sleight,                        20
    Hoops round his rotten body with devotes,
    And pricks his descant face full of false notes;
    Praising with open throat, and oaths as foul
    As his false heart, the beauty of an owl;
    Kissing his skipping hand with charmËd skips,
    That cannot leave, but leaps upon his lips
    Like a cock-sparrow, or a shameless quean
    Sharp at a red-lipp'd youth, and naught doth mean
    Of all his antic shows, but doth repair
    More tender fawns,[115] and takes a scatter'd hair                30
    From his tame subject's shoulder; whips and calls
    For everything he lacks; creeps 'gainst the walls
    With backward humbless, to give needless way:
    Thus his false fate did with Leander play.
      First to black Eurus flies the white Leucote
    (Born 'mongst the negroes in the Levant sea,
    On whose curl'd head[s] the glowing sun doth rise),
    And shows the sovereign will of Destinies,
    To have him cease his blasts; and down he lies.
    Next, to the fenny Notus course she holds,                        40
    And found him leaning, with his arms in folds,
    Upon a rock, his white hair full of showers;
    And him she chargeth by the fatal powers,
    To hold in his wet cheeks his cloudy voice.
    To Zephyr then that doth in flowers rejoice:
    To snake-foot Boreas next she did remove,
    And found him tossing of his ravished love,[116]
    To heat his frosty bosom hid in snow;
    Who with Leucote's sight did cease to blow.
    Thus all were still to Hero's heart's desire;                     50
    Who with all speed did consecrate a fire
    Of flaming gums and comfortable spice,
    To light her torch, which in such curious price
    She held, being object to Leander's sight,
    That naught but fires perfumed must give it light.
    She loved it so, she griev'd to see it burn,
    Since it would waste, and soon to ashes turn:
    Yet, if it burned not, 'twere not worth her eyes;
    What made it nothing, gave it all the prize.
    Sweet torch, true glass of our society!                           60
    What man does good, but he consumes thereby?
    But thou wert loved for good, held high, given show;
    Poor virtue loathed for good, obscured, held low:
    Do good, be pined,--be deedless good, disgraced;
    Unless we feed on men, we let them fast.
    Yet Hero with these thoughts her torch did spend:
    When bees make wax, Nature doth not intend
    It should be made a torch; but we, that know
    The proper virtue of it, make it so,
    And, when 'tis made, we light it: nor did Nature                  70
    Propose one life to maids; but each such creature
    Makes by her soul the best of her free[117] state,
    Which without love is rude, disconsolate,
    And wants love's fire to make it mild and bright,
    Till when, maids are but torches wanting light.
    Thus 'gainst our grief, not cause of grief, we fight:
    The right of naught is glean'd, but the delight.
    Up went she: but to tell how she descended,
    Would God she were dead, or my verse ended!
    She was the rule of wishes, sum, and end,                         80
    For all the parts that did on love depend:
    Yet cast the torch his brightness further forth;
    But what shines nearest best, holds truest worth.
    Leander did not through such tempests swim
    To kiss the torch, although it lighted him:
    But all his powers in her desires awakËd,
    Her love and virtues clothed him richly naked.
    Men kiss but fire that only shows pursue;
    Her torch and Hero, figure show and virtue.
      Now at opposed Abydos naught was heard                          90
    But bleating flocks, and many a bellowing herd,
    Slain for the nuptials; cracks of falling woods;
    Blows of broad axes; pourings out of floods.
    The guilty Hellespont was mix'd and stained
    With bloody torrents[118] that the shambles rained;
    Not arguments of feast, but shows that bled,
    Foretelling that red night that followËd.
    More blood was spilt, more honours were addrest,
    Than could have gracËd any happy feast;
    Rich banquets, triumphs, every pomp employs                      100
    His sumptuous hand; no miser's nuptial joys.
    Air felt continual thunder with the noise
    Made in the general marriage-violence;
    And no man knew the cause of this expense,
    But the two hapless lords, Leander's sire,
    And poor Leander, poorest where the fire
    Of credulous love made him most rich surmis'd:
    As short was he of that himself[119] he prized,
    As is an empty gallant full of form,
    That thinks each look an act, each drop a storm,                 110
    That falls from his brave breathings; most brought up
    In our metropolis, and hath his cup
    Brought after him to feasts; and much palm bears
    For his rare judgment in th' attire he wears;
    Hath seen the hot Low-Countries, not their heat,
    Observes their rampires and their buildings yet;
    And, for your sweet discourse with mouths, is heard
    Giving instructions with his very beard;
    Hath gone with an ambassador, and been
    A great man's mate in travelling, even to Rhene;                 120
    And then puts all his worth in such a face
    As he saw brave men make, and strives for grace
    To get his news forth: as when you descry
    A ship, with all her sail contends to fly
    Out of the narrow Thames with winds unapt,
    Now crosseth here, then there, then this way rapt,
    And then hath one point reach'd, then alters all,
    And to another crookËd reach doth fall
    Of half a bird-bolt's[120] shoot, keeping more coil
    Than if she danc'd upon the ocean's toil;                        130
    So serious is his trifling company,
    In all his swelling ship of vacantry
    And so short of himself in his high thought
    Was our Leander in his fortunes brought,
    And in his fort of love that he thought won;
    But otherwise he scorns comparison.
      O sweet Leander, thy large worth I hide
    In a short grave! ill-favour'd storms must chide
    Thy sacred favour;[121] I in floods of ink
    Must drown thy graces, which white papers drink,                 140
    Even as thy beauties did the foul black seas;
    I must describe the hell of thy decease,
    That heaven did merit: yet I needs must see
    Our painted fools and cockhorse peasantry
    Still, still usurp, with long lives, loves, and lust,
    The seats of Virtue, cutting short as dust
    Her dear-bought issue: ill to worse converts,
    And tramples in the blood of all deserts.
      Night close and silent now goes fast before
    The captains and the soldiers to the shore,                      150
    On whom attended the appointed fleet
    At Sestos' bay, that should Leander meet,
    Who feigned he in another ship would pass:
    Which must not be, for no one mean there was
    To get his love home, but the course he took.
    Forth did his beauty for his beauty look,
    And saw her through her torch, as you behold
    Sometimes within the sun a face of gold,
    Formed in strong thoughts, by that tradition's force
    That says a god sits there and guides his course.                160
    His sister was with him; to whom he show'd
    His guide by sea, and said, "Oft have you view'd
    In one heaven many stars, but never yet
    In one star many heavens till now were met.
    See, lovely sister! see, now Hero shines,
    No heaven but her appears; each star repines,
    And all are clad in clouds, as if they mourned
    To be by influence of earth out-burned.
    Yet doth she shine, and teacheth Virtue's train
    Still to be constant in hell's blackest reign,                   170
    Though even the gods themselves do so entreat them
    As they did hate, and earth as she would eat them."
      Off went his silken robe, and in he leapt,
    Whom the kind waves so licorously cleapt,[122]
    Thickening for haste, one in another, so,
    To kiss his skin, that he might almost go
    To Hero's tower, had that kind minute lasted.
    But now the cruel Fates with AtÈ hasted
    To all the winds, and made them battle fight
    Upon the Hellespont, for either's right                          180
    Pretended to the windy monarchy;
    And forth they brake, the seas mixed with the sky,
    And tossed distressed Leander, being in hell,
    As high as heaven: bliss not in height doth dwell.
    The Destinies sate dancing on the waves,
    To see the glorious Winds with mutual braves
    Consume each other: O, true glass, to see
    How ruinous ambitious statists be
    To their own glories! Poor Leander cried
    For help to sea-born Venus she denied;                           190
    To Boreas, that, for his AtthÊa's[123] sake
    He would some pity on his Hero take,
    And for his own love's sake, on his desires;
    But Glory never blows cold Pity's fires.
    Then call'd he Neptune, who, through all the noise,
    Knew with affright his wreck'd Leander's voice,
    And up he rose; for haste his forehead hit
    'Gainst heaven's hard crystal; his proud waves he smit
    With his forked sceptre, that could not obey;
    Much greater powers than Neptune's gave them sway.               200
    They loved Leander so, in groans they brake
    When they came near him; and such space did take
    'Twixt one another, loath to issue on,
    That in their shallow furrows earth was shown,
    And the poor lover took a little breath:
    But the curst Fates sate spinning of his death
    On every wave, and with the servile Winds
    Tumbled them on him. And now Hero finds,
    By that she felt, her dear Leander's state:
    She wept, and prayed for him to every Fate;                      210
    And every Wind that whipped her with her hair
    About the face, she kissed and spake it fair,
    Kneeled to it, gave it drink out of her eyes
    To quench his thirst: but still their cruelties
    Even her poor torch envied, and rudely beat
    The baiting[124] flame from that dear food it eat;
    Dear, for it nourish'd her Leander's life;
    Which with her robe she rescued from their strife;
    But silk too soft was such hard hearts to break;
    And she, dear soul, even as her silk, faint, weak,               220
    Could not preserve it; out, O, out it went!
    Leander still call'd Neptune, that now rent
    His brackish curls, and tore his wrinkled face,
    Where tears in billows did each other chase;
    And, burst with ruth, he hurl'd his marble mace
    At the stern Fates: it wounded Lachesis
    That drew Leander's thread, and could not miss
    The thread itself, as it her hand did hit,
    But smote it full, and quite did sunder it.
    The more kind Neptune raged, the more he razed                   230
    His love's life's fort, and kill'd as he embraced:
    Anger doth still his own mishap increase;
    If any comfort live, it is in peace.
    O thievish Fates, to let blood, flesh, and sense,
    Build two fair temples for their excellence,
    To robe it with a poisoned influence!
    Though souls' gifts starve, the bodies are held dear
    In ugliest things; sense-sport preserves a bear:
    But here naught serves our turns: O heaven and earth,
    How most-most wretched is our human birth!                       240
    And now did all the tyrannous crew depart,
    Knowing there was a storm in Hero's heart,
    Greater than they could make, and scorn'd their smart.
    She bow'd herself so low out of her tower,
    That wonder 'twas she fell not ere her hour,
    With searching the lamenting waves for him:
    Like a poor snail, her gentle supple limb
    Hung on her turret's top, so most downright,
    As she would dive beneath the darkness quite,
    To find her jewel;--jewel!--her Leander,                         250
    A name of all earth's jewels pleas'd not her
    Like his dear name: "Leander, still my choice,
    Come naught but my Leander! O my voice,
    Turn to Leander! henceforth be all sounds,
    Accents and phrases, that show all griefs' wounds,
    Analyzed in Leander! O black change!
    Trumpets, do you, with thunder of your clange,
    Drive out this change's horror! My voice faints:
    Where all joy was, now shriek out all complaints!"
    Thus cried she; for her mixËd soul could tell                    260
    Her love was dead: and when the Morning fell
    Prostrate upon the weeping earth for woe,
    Blushes, that bled out of her cheeks, did show
    Leander brought by Neptune, bruis'd and torn
    With cities' ruins he to rocks had worn,
    To filthy usuring rocks, that would have blood,
    Though they could get of him no other good.
    She saw him, and the sight was much-much more
    Than might have serv'd to kill her: should her store
    Of giant sorrows speak?--Burst,--die,--bleed,                    270
    And leave poor plaints to us that shall succeed.
    She fell on her love's bosom, hugged it fast,
    And with Leander's name she breathed her last.
      Neptune for pity in his arms did take them,
    Flung them into the air, and did awake them
    Like two sweet birds, surnam'd th' Acanthides,
    Which we call Thistle-warps, that near no seas
    Dare ever come, but still in couples fly,
    And feed on thistle-tops, to testify
    The hardness of their first life in their last;                  280
    The first, in thorns of love, that sorrows past:
    And so most beautiful their colours show,
    As none (so little) like them; her sad brow
    A sable velvet feather covers quite,
    Even like the forehead-cloth that, in the night,
    Or when they sorrow, ladies use[125] to wear:
    Their wings, blue, red, and yellow, mixed appear:
    Colours that, as we construe colours, paint
    Their states to life;--the yellow shows their saint,
    The dainty[126] Venus, left them; blue their truth;              290
    The red and black, ensigns of death and ruth.
    And this true honour from their love-death sprung,--
    They were the first that ever poet sung.[127]

FOOTNOTES:

[113] It should be _binds_: _i.e._, "Leucote flies to the several winds,
and, commissioned by the Fates, commands them to restrain their
violence." _Broughton._

[114] The next few lines are in Chapman's obscurest manner. "Devotes,"
in l. 21, means, I suppose, "tokens of devotion to his patron."

[115] Cunningham says, "I cannot perceive the meaning of 'doth repair
more tender fawns.'" "Fawns" is equivalent to "fawnings;" and the
meaning seems to be, "applies himself to softer blandishments."

[116] Orithyia.--The story of the rape of Orithyia is told in a
magnificent passage of Mr. Swinburne's _Erectheus_.

[117] So the Isham copy. Later eds. "true."

[118] So the Isham copy. Later eds. "torrent."

[119] Some eds. "himselfe surpris'd." Dyce gives "himself so priz'd."

[120] A short arrow blunted at the end; it killed birds without piercing
them.

[121] Countenance.

[122] Clipt, embraced.

[123] From Gr. [Greek: Atthis] (a woman of Attica, _i.e._, Orithyia).

[124] "The flame taking _bait_ (refreshment), feeding." Dyce. (Old eds.
"bating.")

[125] Old eds. "vsde."

[126] Isham copy "deuil."

[127] In Chapman's day the work of the grammarian Musaeus was supposed
to be the genuine production of the fabulous son of Eumolpus.




OVID'S ELEGIES.




All the old editions of Marlowe's translation of the _Amores_ are
undated, and bear the imprint Middleburgh (in various spellings). It is
probable that the copy which Mr. Charles Edmonds discovered at Lamport
Hall, Northamptonshire (the seat of Sir Charles Isham, Bart.), is the
earliest of extant editions. The title-page of this edition
is--_Epigrammes and Elegies By I. D. and C. M. At Middleborugh_ 12mo.
After the title-page come the _Epigrammata_, which are signed at the end
"I. D." (the initials of Sir John Davies). Following the _Epigrammata_
is a copy of verses headed _Ignoto_, and then comes a second
title-page--_Certaine of Ovid's Elegies. By C. Marlowe. At
Middleborough_. In his preface to a facsimile reprint of the little
volume, Mr. Edmonds states his conviction that this edition,
notwithstanding the imprint Middleborough, was issued at London from the
press of W. Jaggard, who in 1599 printed the _Passionate Pilgrime_. He
grounds his opinion not only on the character of the type and of the
misprints, but on the fact that there would be no need for the book to
be printed abroad in the first instance. It was not (he thinks) until
after June 1599--when (with other books) it was condemned by Archbishop
Whitgift to be burnt--that recourse was had to the expedient of
reprinting it at Middleburgh. In the notes I refer to this edition as
Isham copy.

The next edition, which has the same title-pages as the Isham
copy--_Epigrammes and Elegies by I. D. and C. M. at Middleborugh_,
12mo--was certainly, to judge from its general appearance, printed
abroad, and by foreigners. The text agrees in the main with that of the
Isham copy, but the corruptions are more numerous. I have followed Dyce
in referring to this edition as Ed. A.

The Isham copy and Ed. A contain only a portion of the Elegies. The
complete translation appeared in _All Ovid's Elegies: 3 Bookes. By C. M.
Epigrams by I. D. At Middleborugh_, 12mo. (Ed. B); and in another
edition with the same title-page (Ed. C). The readings of Ed. C. I have
occasionally borrowed from Dyce. It is supposed that the book "continued
to be printed with Middleburgh on the title, and without date, as late
as 1640" (Hazlitt).




OVID'S ELEGIES.

P. OVIDII NASONIS AMORUM.

LIBER PRIMUS.




ELEGIA I.

Quemadmodum a Cupidine, pro bellis amoris scribere coactus sit.


    _We which were Ovid's five books, now are three,
    For these before the rest preferreth he:
    If reading five thou plain'st of tediousness,
    Two ta'en away, thy[128] labour will be less;_

    With Muse prepared,[129] I meant to sing of arms,
    Choosing a subject fit for fierce alarms:
    Both verses were alike till Love (men say)
    Began to smile and took one foot away.
    Rash boy, who gave thee power to change a line?
    We are the Muses' prophets, none of thine.
    What, if thy mother take Diana's[130] bow,
    Shall Dian fan when love begins to glow?
    In woody groves is't meet that Ceres reign,
    And quiver-bearing Dian till the plain?                           10
    Who'll set the fair-tressed Sun in battle-ray
    While Mars doth take the Aonian harp to play?
    Great are thy kingdoms, over-strong and large,
    Ambitious imp, why seek'st thou further charge?
    Are all things thine? the Muses' Tempe thine?
    Then scarce can Phoebus say, "This harp is mine."
    When[131] in this work's first verse I trod aloft,
    Love slaked my muse, and made my numbers soft:
    I have no mistress nor no favourite,
    Being fittest matter for a wanton wit.                            20
    Thus I complained, but Love unlocked his quiver,
    Took out the shaft, ordained my heart to shiver,
    And bent his sinewy bow upon his knee,
    Saying, "Poet, here's a work beseeming thee."
    O, woe is me! he never shoots but hits,
    I burn, love in my idle bosom sits:
    Let my first verse be six, my last five feet:
    Farewell stern war, for blunter poets meet!
    Elegian muse, that warblest amorous lays,
    Girt my shine[132] brow with seabank myrtle sprays.[133]          30

FOOTNOTES:

[128] So the Isham copy. Ed. A. "the."

[129] Isham copy and ed. A. "vpreard, I meane."

[130] The original has--

    "Quid? si prÊripiat flavÊ Venus arma _MinervÊ_
      Ventilet accensas flavÊ _Minerva_ comas."

[131]

    "Cum bene surrexit versu nova pagina, primo!
          At tenuat nervos proximus ille meos."

[132] Sheen.

[133] Dyce's correction for "praise" of the old eds.




ELEGIA II.

Quod primo amore correptus, in triumphum duci se a Cupidine patiatur.


    What makes my bed seem hard seeing it is soft?
    Or why slips down the coverlet so oft?
    Although the nights be long I sleep not tho[134]
    My sides are sore with tumbling to and fro.
    Were love the cause it's like I should descry him,
    Or lies he close and shoots where none can spy him?
    'Twas so; he strook me with a slender dart;
    'Tis cruel Love turmoils my captive heart.
    Yielding or striving[135] do we give him might,
    Let's yield, a burden easily borne is light.                      10
    I saw a brandished fire increase in strength,
    Which being not shak'd, I saw it die at length.
    Young oxen newly yoked are beaten more,
    Than oxen which have drawn the plough before:
    And rough jades' mouths with stubborn bits are torn,
    But managed horses' heads are lightly borne.[136]
    Unwilling lovers, love doth more torment,
    Than such as in their bondage feel content.
    Lo! I confess, I am thy captive I,
    And hold my conquered hands for thee to tie.                      20
    What need'st thou war? I sue to thee for grace:
    With arms to conquer armless men is base.
    Yoke Venus' Doves, put myrtle on thy hair,
    Vulcan will give thee chariots rich and fair:
    The people thee applauding, thou shalt stand,
    Guiding the harmless pigeons with thy hand.
    Young men and women shalt thou lead as thrall,
    So will thy triumph seem magnifical;
    I, lately caught, will have a new-made wound,
    And captive-like be manacled and bound:                           30
    Good meaning, Shame, and such as seek Love's wrack
    Shall follow thee, their hands tied at their back.
    Thee all shall fear, and worship as a king
    Iˆ triumphing shall thy people sing.
    Smooth speeches, Fear and Rage shall by thee ride,
    Which troops have always been on Cupid's side;
    Thou with these soldiers conquer'st gods and men,
    Take these away, where is thine honour then?
    Thy mother shall from heaven applaud this show,
    And on their faces heaps of roses strow,                          40
    With beauty of thy wings, thy fair hair gilded,[137]
    Ride golden Love in chariots richly builded!
    Unless I err, full many shalt thou burn,
    And give wounds infinite at every turn.
    In spite of thee, forth will thine arrows fly,
    A scorching flame burns all the standers by.
    So, having conquered Inde, was Bacchus' hue;
    Thee pompous birds and him two tigers drew;
    Then seeing I grace thy show in following thee,
    Forbear to hurt thyself in spoiling me.                           50
    Behold thy kinsman[138] CÊsar's prosperous bands,
    Who guards the[139] conquered with his conquering hands.

FOOTNOTES:

[134] Then.

[135] So the Isham copy and ed. A. Other eds. "struggling."

[136] "_Frena minus sentit_ quisquis ad arma facit."--Marlowe's line
strongly supports the view that "bear hard" in _Julius CÊsar_ means
"curb, keep a tight rein over" (hence "eye with suspicion"). Cf.
Christopher Clifford's _School of Horsemanship_ (1585):--"But the most
part of horses takes it [a 'wil of his owne'] through the unskilfulnesse
of the rider by _bearing too hard a hand_ upon them," p. 35.

[137] "Our poet's copy of Ovid had 'Tu _penna pulchros gemina_ variante
capillos.'"--_Dyce._ (The true reading "Tu pennas gemma, gemma, variante
capillos.")

[138] Old eds. "kinsmans."

[139] Old eds. "thee."




ELEGIA III.

Ad amicam.


    I ask but right, let her that caught me late,
    Either love, or cause that I may never hate;
    I crave[140] too much--would she but let me love her;
    Jove knows with such-like prayers I daily move her.
    Accept him that shall serve thee all his youth,
    Accept him that shall love with spotless truth.
    If lofty titles cannot make[141] me thine,
    That am descended but of knightly line,
    (Soon may you plough the little land I have;
    I gladly grant my parents given to save;[142])                    10
    Apollo, Bacchus, and the Muses may;
    And Cupid who hath marked me for thy prey;
    My spotless life, which but to gods gives place,
    Naked simplicity, and modest grace.
    I love but one, and her I love change never,
    If men have faith, I'll live with thee for ever.
    The years that fatal Destiny shall give
    I'll live with thee, and die ere thou shalt grieve.
    Be thou the happy subject of my books
    That I may write things worthy thy fair looks.                    20
    By verses, horned Iˆ got her name;
    And she to whom in shape of swan[143] Jove came;
    And she that on a feigned Bull swam to land,
    Griping his false horns with her virgin hand,
    So likewise we will through the world be rung
    And with my name shall thine be always sung.

FOOTNOTES:

[140] Isham copy "aske."

[141] Ed. A. "cause me to be thine."

[142] "Temperat et sumptus parcus uterque parens."

[143] Isham copy and ed. A. "Bull."




ELEGIA IV.[144]

Amicam, qua arte quibusque nutibus in cÊna, presente viro, uti debeat,
admonet.


    Thy husband to a banquet goes with me,
    Pray God it may his latest supper be.
    Shall I sit gazing as a bashful guest,
    While others touch the damsel I love best?
    Wilt lying under him, his bosom clip?
    About thy neck shall he at pleasure skip?
    Marvel not, though the fair bride did incite
    The drunken Centaurs to a sudden fight.
    I am no half horse, nor in woods I dwell,
    Yet scarce my hands from thee contain I well.                     10
    But how thou should'st behave thyself now know,
    Nor let the winds away my warnings blow.
    Before thy husband come, though I not see
    What may be done, yet there before him be.
    Lie with him gently, when his limbs he spread
    Upon the bed; but on my foot first tread.
    View me, my becks, and speaking countenance;
    Take, and return[145] each secret amorous glance.
    Words without voice shall on my eyebrows sit,
    Lines thou shalt read in wine by my hand writ.                    20
    When our lascivious toys come to thy mind,
    Thy rosy cheeks be to thy thumb inclined.
    If aught of me thou speak'st in inward thought,
    Let thy soft finger to thy ear be brought.
    When I, my light, do or say aught that please thee,
    Turn round thy gold ring, as it were to ease thee.
    Strike on the board like them that pray for evil,
    When thou dost wish thy husband at the devil.[146]
    What wine he fills thee, wisely will[147] him drink;
    Ask thou the boy, what thou enough dost think.                    30
    When thou hast tasted, I will take the cup,
    And where thou drink'st, on that part I will sup.
    If he gives thee what first himself did taste,
    Even in his face his offered gobbets[148] cast.
    Let not thy neck by his vile arms be prest,
    Nor lean thy soft head on his boisterous breast.
    Thy bosom's roseate buds let him not finger,
    Chiefly on thy lips let not his lips linger
    If thou givest kisses, I shall all disclose,[149]
    Say they are mine, and hands on thee impose.                      40
    Yet this I'll see, but if thy gown aught cover,
    Suspicious fear in all my veins will hover.
    Mingle not thighs, nor to his leg join thine,
    Nor thy soft foot with his hard foot combine.
    I have been wanton, therefore am perplexed,
    And with mistrust of the like measure vexed.
    I and my wench oft under clothes did lurk,
    When pleasure moved us to our sweetest work.
    Do not thou so; but throw thy mantle hence,
    Lest I should think thee guilty of offence.                       50
    Entreat thy husband drink, but do not kiss,
    And while he drinks, to add more do not miss;
    If he lies down with wine and sleep opprest,
    The thing and place shall counsel us the rest.
    When to go homewards we rise all along
    Have care to walk in middle of the throng.
    There will I find thee or be found by thee,
    There touch whatever thou canst touch of me.
    Ay me! I warn what profits some few hours!
    But we must part, when heaven with black night lours.             60
    At night thy husband clips[150] thee: I will weep
    And to the doors sight of thyself [will] keep:
    Then will he kiss thee, and not only kiss,
    But force thee give him my stolen honey-bliss.
    Constrained against thy will give it the peasant,
    Forbear sweet words, and be your sport unpleasant.
    To him I pray it no delight may bring,
    Or if it do, to thee no joy thence spring.
    But, though this night thy fortune be to try it,
    To me to-morrow constantly deny[151] it.                          70

FOOTNOTES:

[144] Not in Isham copy or ed. A.

[145] So Dyce; old eds. "receive."

[146] "Optabis merito cum mala multa viro."

[147] "Bibat ipse _jubeto_."

[148] So Dyce for "goblets" of the old eds. ("Rejice libatos illius ore
_cibos_.")

[149] "Fiam manifestus adulter."

[150] The original has "Nocte vir _includet_."

[151] "Dedisse nega."




ELEGIA V.

CorinnÊ concubitus.


    In summer's heat, and mid-time of the day,
    To rest my limbs upon a bed I lay;
    One window shut, the other open stood,
    Which gave such light as twinkles in a wood,
    Like twilight glimpse at setting of the sun,
    Or night being past, and yet not day begun;
    Such light to shamefaced maidens must be shown
    Where they may sport, and seem to be unknown:
    Then came Corinna in a long loose gown,
    Her white neck hid with tresses hanging down,                     10
    Resembling fair Semiramis going to bed,
    Or Lais of a thousand wooers sped.[152]
    I snatched her gown: being thin, the harm was small,
    Yet strived she to be covered therewithal;
    And striving thus, as one that would be cast,
    Betrayed herself, and yielded at the last.
    Stark naked as she stood before mine eye,
    Not one wen in her body could I spy.
    What arms and shoulders did I touch and see!
    How apt her breasts were to be pressed by me!                     20
    How smooth a belly under her waist saw I,
    How large a leg, and what a lusty thigh!
    To leave the rest, all liked me passing well;
    I clinged her naked[153] body, down she fell:
    Judge you the rest; being tired she bade me kiss;
    Jove send me more such afternoons as this!

FOOTNOTES:

[152] Isham copy and ed. A. "spread."

[153] Ed. A. "her faire white body." ("Et _nudam_ pressi corpus ad usque
meum.")




ELEGIA VI.[154]

Ad Janitorem, ut fores sibi aperiat.


    Unworthy porter, bound in chains full sore,
    On movËd hooks set ope the churlish door.
    Little I ask, a little entrance make,
    The gate half-ope my bent side in will take.
    Long love my body to such use make[s] slender,
    And to get out doth like apt members render.
    He shows me how unheard to pass the watch,
    And guides my feet lest, stumbling, falls they catch:
    But in times past I feared vain shades, and night,
    Wondering if any walkËd without light.                            10
    Love, hearing it, laughed with his tender mother,
    And smiling said, "Be thou as bold as other."
    Forthwith love came; no dark night-flying sprite,
    Nor hands prepared to slaughter, me affright.
    Thee fear I too much: only thee I flatter:
    Thy lightning can my life in pieces batter.
    Why enviest me? this hostile den[155] unbar;
    See how the gates with my tears watered are!
    When thou stood'st naked ready to be beat,
    For thee I did thy mistress fair entreat.                         20
    But what entreats for thee sometimes[156] took place,
    (O mischief!) now for me obtain small grace.
    Gratis thou mayest be free; give like for like;
    Night goes away: the door's bar backward strike.
    Strike; so again hard chains shall bind thee never,
    Nor servile water shalt thou drink for ever.
    Hard-hearted Porter, dost and wilt not hear?
    With stiff oak propped the gate doth still appear.
    Such rampired gates besiegËd cities aid;
    In midst of peace why art of arms afraid?                         30
    Exclud'st a lover, how would'st use a foe?
    Strike back the bar, night fast away doth go.
    With arms or armËd men I come not guarded;
    I am alone, were furious love discarded.
    Although I would, I cannot him cashier,
    Before I be divided from my gear.[157]
    See Love with me, wine moderate in my brain,
    And on my hairs a crown of flowers remain.
    Who fears these arms? who will not go to meet them?
    Night runs away; with open entrance greet them.                   40
    Art careless? or is't sleep forbids thee hear,
    Giving the winds my words running in thine ear?
    Well I remember, when I first did hire thee,
    Watching till after midnight did not tire thee.
    But now perchance thy wench with thee doth rest,
    Ah, how thy lot is above my lot blest:
    Though it be so, shut me not out therefore;
    Night goes away: I pray thee ope the door.
    Err we? or do the turnËd hinges sound,
    And opening doors with creaking noise abound?[158]                50
    We err: a strong blast seemed the gates to ope:
    Ay me, how high that gale did lift my hope!
    If Boreas bears[159] Orithyia's rape in mind,
    Come break these deaf doors with thy boisterous wind.
    Silent the city is: night's dewy host[160]
    March fast away: the bar strike from the post.
    Or I more stern than fire or sword will turn,
    And with my brand these gorgeous houses burn.
    Night, love, and wine to all extremes persuade:
    Night, shameless wine, and love are fearless made.                60
    All have I spent: no threats or prayers move thee;
    O harder than the doors thou guard'st I prove thee,
    No pretty wench's keeper may'st thou be,
    The careful prison is more meet for thee.
    Now frosty night her flight begins to take,
    And crowing cocks poor souls to work awake.
    But thou, my crown, from sad hairs ta'en away,
    On this hard threshold till the morning lay.
    That when my mistress there beholds thee cast,
    She may perceive how we the time did waste.                       70
    Whate'er thou art, farewell, be like me pained!
    Careless farewell, with my fault not distained![161]
    And farewell cruel posts, rough threshold's block,
    And doors conjoined with an hard iron lock!

FOOTNOTES:

[154] Not in Isham copy or ed. A.

[155] Old eds. "dende."

[156] Sometime ("quondam").

[157] "Ante vel a membris dividar ipse meis."

[158] Qy. "rebound?"

[159] Dyce reads, "If, Boreas, bear'st" (_i.e._, "thou bear'st"). But
the change in the old eds. from the second to the third person is not
very harsh.

[160] A picturesque rendering of

              "Vitreoque madentia rore
    Tempora noctis eunt."

[161] "Lente nec admisso turpis amante ... vale." Of course "nec" should
be taken with "admisso."




ELEGIA VII.[162]

Ad pacandam amicam, quam verberaverat.


    Bind fast my hands, they have deservËd chains,
    While rage is absent, take some friend the pains.
    For rage against my wench moved my rash arm,
    My mistress weeps whom my mad hand did harm.
    I might have then my parents dear misused,
    Or holy gods with cruel strokes abused.
    Why, Ajax, master of the seven-fold shield,
    Butchered the flocks he found in spacious field.
    And he who on his mother venged his ire,
    Against the Destinies durst sharp[163] darts require.             10
    Could I therefore her comely tresses tear?
    Yet was she gracËd with her ruffled hair.
    So fair she was, Atalanta she resembled,
    Before whose bow th' Arcadian wild beasts trembled.
    Such Ariadne was, when she bewails,
    Her perjured Theseus' flying vows and sails.
    So, chaste Minerva, did Cassandra fall
    Deflowered[164] except within thy temple wall.
    That I was mad, and barbarous all men cried:
    She nothing said; pale fear her tongue had tied.                  20
    But secretly her looks with checks did trounce me,
    Her tears, she silent, guilty did pronounce me.
    Would of mine arms my shoulders had been scanted:
    Better I could part of myself have wanted.
    To mine own self have I had strength so furious,
    And to myself could I be so injurious?
    Slaughter and mischiefs instruments, no better,
    DeservËd chains these cursed hands shall fetter.
    Punished I am, if I a Roman beat:
    Over my mistress is my right more great?                          30
    Tydides left worst signs[165] of villainy;
    He first a goddess struck: another I.
    Yet he harmed less; whom I professed to love
    I harmed: a foe did Diomede's anger move.
    Go now, thou conqueror, glorious triumphs raise,
    Pay vows to Jove; engirt thy hairs with bays.
    And let the troops which shall thy chariot follow,
    "Iˆ, a strong man conquered this wench," hollow.
    Let the sad captive foremost, with locks spread
    On her white neck, but for hurt cheeks,[166] be led.              40
    Meeter it were her lips were blue with kissing,
    And on her neck a wanton's[167] mark not missing.
    But, though I like a swelling flood was driven,
    And as a prey unto blind anger given,
    Was't not enough the fearful wench to chide?
    Nor thunder, in rough threatenings, haughty pride?
    Nor shamefully her coat pull o'er her crown,
    Which to her waist her girdle still kept down?
    But cruelly her tresses having rent,
    My nails to scratch her lovely cheeks I bent.                     50
    Sighing she stood, her bloodless white looks shewed,
    Like marble from the Parian mountains hewed.
    Her half-dead joints, and trembling limbs I saw,
    Like poplar leaves blown with a stormy flaw.
    Or slender ears, with gentle zephyr shaken,
    Or waters' tops with the warm south-wind taken.
    And down her cheeks, the trickling tears did flow,
    Like water gushing from consuming snow.
    Then first I did perceive I had offended;
    My blood the tears were that from her descended.                  60
    Before her feet thrice prostrate down I fell,
    My fearËd hands thrice back she did repel.
    But doubt thou not (revenge doth grief appease),
    With thy sharp nails upon my face to seize;
    Bescratch mine eyes, spare not my locks to break
    (Anger will help thy hands though ne'er so weak);
    And lest the sad signs of my crime remain,
    Put in their place thy kembËd[168] hairs again.

FOOTNOTES:

[162] Not in Isham copy or ed. A.

[163] I should like to omit this word, to which there is nothing to
correspond in the original.

[164] Marlowe has misunderstood the original "Sic nisi vittatis quod
erat Cassandra capillis."

[165] "Pessima Tydides scelerum monumenta reliquit."

[166] An awkward translation of

    "Si sinerent lÊsÊ, candidia tota, genÊ."

[167] So ed. B.--Ed. C. "wanton."

[168] Old eds. "keembed." ("Pone recompositas in statione comas.")




ELEGIA VIII.[169]

Execratur lenam quÊ puellam suam meretricis arte instituebat.


    There is--whoe'er will know a bawd aright,
    Give ear--there is an old trot Dipsas hight.[170]
    Her name comes from the thing: she being wise,[171]
    Sees not the morn on rosy horses rise,
    She magic arts and Thessal charms doth know,
    And makes large streams back to their fountains flow;
    She knows with grass, with threads on wrung[172] wheels spun,
    And what with mares' rank humour[173] may be done.
    When she will, cloudes the darkened heaven obscure,
    When she will, day shines everywhere most pure.                   10
    If I have faith, I saw the stars drop blood,
    The purple moon with sanguine visage stood;
    Her I suspect among night's spirits to fly,
    And her old body in birds' plumes to lie.
    Fame saith as I suspect; and in her eyes,
    Two eyeballs shine, and double light thence flies.
    Great grandsires from their ancient graves she chides,
    And with long charms the solid earth divides.
    She draws chaste women to incontinence,
    Nor doth her tongue want harmful eloquence.                       20
    By chance I heard her talk; these words she said,
    While closely hid betwixt two doors I laid.
    "Mistress, thou knowest thou hast a blest youth pleased,
    He stayed and on thy looks his gazes seized.
    And why should'st not please; none thy face exceeds;
    Ay me, thy body hath no worthy weeds!
    As thou art fair, would thou wert fortunate!
    Wert thou rich, poor should not be my state.
    Th' opposËd star of Mars hath done thee harm;
    Now Mars is gone, Venus thy side doth warm,                       30
    And brings good fortune; a rich lover plants
    His love on thee, and can supply thy wants.
    Such is his form as may with thine compare,
    Would he not buy thee, thou for him should'st care."[174]
    She blushed: "Red shame becomes white cheeks; but this
    If feigned, doth well; if true, it doth amiss.
    When on thy lap thine eyes thou dost deject,
    Each one according to his gifts respect.
    Perhaps the Sabines rude, when Tatius reigned
    To yield their love to more than one disdained.                   40
    Now Mars doth rage abroad without all pity,
    And Venus rules in her ∆neas' city.
    Fair women play; she's chaste whom none will have
    Or, but for bashfulness, herself would crave.
    Shake off these wrinkles that thy front assault;
    Wrinkles in beauty is a grievous fault.
    Penelope in bows her youths' strength tried,
    Of horn the bow was that approved[175] their side.
    Time flying slides hence closely, and deceives us,
    And with swift horses the swift year[176] soon leaves us.         50
    Brass shines with use; good garments would[177] be worn;
    Houses not dwelt in, are with filth forlorn.
    Beauty, not exercised, with age is spent,
    Nor one or two men are sufficient.
    Many to rob is more sure, and less hateful,
    From dog-kept flocks come preys to wolves most grateful.
    Behold, what gives the poet but new verses?
    And therefore many thousand he rehearses.
    The poet's god arrayed in robes of gold,
    Of his gilt harp the well-tuned strings doth hold.                60
    Let Homer yield to such as presents bring,
    (Trust me) to give, it is a witty thing.
    Nor, so thou may'st obtain a wealthy prize,
    The vain name of inferior slaves despise.
    Nor let the arms of ancient lines[178] beguile thee;
    Poor lover, with thy grandsires I exile thee.
    Who seeks, for being fair, a night to have,
    What he will give, with greater instance crave.
    Make a small price, while thou thy nets dost lay;
    Lest they should fly; being ta'en, the tyrant play.               70
    Dissemble so, as loved he may be thought,
    And take heed lest he gets that love for naught.
    Deny him oft; feign now thy head doth ache:
    And Isis now will show what 'scuse to make.
    Receive him soon, lest patient use he gain,
    Or lest his love oft beaten back should wane.
    To beggars shut, to bringers ope thy gate;
    Let him within hear barred-out lovers prate.
    And, as first wronged, the wrongËd sometimes banish;
    Thy fault with his fault so repulsed will vanish.                 80
    But never give a spacious time to ire;
    Anger delayed doth oft to hate retire.
    And let thine eyes constrainËd learn to weep,
    That this or that man may thy cheeks moist keep.
    Nor, if thou cozenest one, dread to forswear,
    Venus to mocked men lends a senseless ear.
    Servants fit for thy purpose thou must hire,
    To teach thy lover what thy thoughts desire.
    Let them ask somewhat; many asking little,
    Within a while great heaps grow of a tittle.                      90
    And sister, nurse, and mother spare him not;
    By many hands great wealth is quickly got.
    When causes fail thee to require a gift
    By keeping of thy birth, make but a shift.
    Beware lest he, unrivalled, loves secure;
    Take strife away, love doth not well endure.
    On all the bed men's tumbling[179] let him view,
    And thy neck with lascivious marks made blue.
    Chiefly show him the gifts, which others send:
    If he gives nothing, let him from thee wend.                     100
    When thou hast so much as he gives no more,
    Pray him to lend what thou may'st ne'er restore.
    Let thy tongue flatter, while thy mind harm works;
    Under sweet honey deadly poison lurks.
    If this thou dost, to me by long use known,
    (Nor let my words be with the winds hence blown)
    Oft thou wilt say, 'live well;' thou wilt pray oft,
    That my dead bones may in their grave lie soft."
    As thus she spake, my shadow me betrayed;
    With much ado my hands I scarcely stayed;                        110
    But her blear eyes, bald scalp's thin hoary fleeces,
    And rivelled[180] cheeks I would have pulled a-pieces.
    The gods send thee no house, a poor old age,
    Perpetual thirst, and winter's lasting rage.

FOOTNOTES:

[169] Not in Isham copy or ed A.

[170] "Est quÊdam, nomine Dipsas, anus."

[171]

          "Nigri non illa parentem
    Memnonis in roseis sobria vidit equis."

Cunningham suggests that "wise" was "one of the thousand and one
euphemisms for 'inebriated.'"

[172] The spelling in old eds. is "wrong."

[173]

    "Virus amantis equÊ."

[174] "Si te non emptam vellet emendus erat." (Marlowe's copy must have
read "amandus.")

[175] Proved their strength. "Qui _latus argueret_ corneus arcus erat."

[176] The usual reading is "_Ut_ celer admissis labitur _amnis aquis_."

[177] "Vestis bona _quaerit haberi_."

[178] Old eds. "liues."

[179] "Ille viri toto videat _vestigia_ lecto."

[180] "_Rugosas_ genas."




ELEGIA IX.[181]

Ad Atticum, amantem non oportere desidiosum esse, sicuti nec militem.


    All lovers war, and Cupid hath his tent;
    Attic, all lovers are to war far sent,
    What age fits Mars, with Venus doth agree;
    'Tis shame for eld in war or love to be.
    What years in soldiers captains do require,
    Those in their lovers pretty maids desire.
    Both of them watch: each on the hard earth sleeps:
    His mistress' door this, that his captain's keeps.
    Soldiers must travel far: the wench forth send,[182]
    Her valiant lover follows without end.                            10
    Mounts, and rain-doubled floods he passeth over,
    And treads the desert snowy heaps do[183] cover.
    Going to sea, east winds he doth not chide,
    Nor to hoist sail attends fit time and tide.
    Who but a soldier or a lover's bold
    To suffer storm-mixed snows with night's sharp cold?
    One as a spy doth to his enemies go,
    The other eyes his rival as his foe.
    He cities great, this thresholds lies before:
    This breaks town gates, but he his mistress' door.                20
    Oft to invade the sleeping foe 'tis good,
    And armed to shed unarmËd people's blood.
    So the fierce troops of Thracian Rhesus fell,
    And captive horses bade their lord farewell.
    Sooth,[184] lovers watch till sleep the husband charms,
    Who slumbering, they rise up in swelling arms.
    The keepers' hands[185] and corps-du-gard to pass,
    The soldier's, and poor lover's work e'er was.
    Doubtful is war and love; the vanquished rise,
    And who thou never think'st should fall, down lies.               30
    Therefore whoe'er love slothfulness doth call,
    Let him surcease: love tries wit best of all.
    Achilles burned, Briseis being ta'en away;
    Trojans destroy the Greek wealth, while you may.
    Hector to arms went from his wife's embraces,
    And on Andromache[186] his helmet laces.
    Great Agamemnon was, men say, amazed,
    On Priam's loose-trest daughter when he gazed.
    Mars in the deed the blacksmith's net did stable;
    In heaven was never more notorious fable.                         40
    Myself was dull and faint, to sloth inclined;
    Pleasure and ease had mollified my mind.
    A fair maid's care expelled this sluggishness,
    And to her tents willed me myself address.
    Since may'st thou see me watch and night-wars move:
    He that will not grow slothful, let him love.

FOOTNOTES:

[181] Not in Isham copy or ed. A.

[182] "Mitte puellam."

[183] Old eds. "to."

[184] So ed. B.--Ed. C "such."

[185] "Custodum transire _manus_ vigilumque catervas." (For "hands" the
poet should have written "bands.")

[186] "Et galeam capiti quae daret uxor erat."




ELEGIA X.[187]

Ad puellam, ne pro amore prÊmia poscat.

    Such as the cause was of two husbands' war,
    Whom Trojan ships fetch'd from Europa far,
    Such as was Leda, whom the god deluded
    In snow-white plumes of a false swan included.
    Such as Amymone through the dry fields strayed,
    When on her head a water pitcher laid.
    Such wert thou, and I feared the bull and eagle,
    And whate'er Love made Jove, should thee inveigle.
    Now all fear with my mind's hot love abates:
    No more this beauty mine eyes captivates.                         10
    Ask'st why I change? because thou crav'st reward;
    This cause hath thee from pleasing me debarred.
    While thou wert plain[188] I loved thy mind and face:
    Now inward faults thy outward form disgrace.
    Love is a naked boy, his years saunce[189] stain,
    And hath no clothes, but open doth remain.
    Will you for gain have Cupid sell himself?
    He hath no bosom where to hide base pelf.
    Love[190] and Love's son are with fierce arms at[191] odds;
    To serve for pay beseems not wanton gods.                         20
    The whore stands to be bought for each man's money,
    And seeks vild wealth by selling of her coney.
    Yet greedy bawd's command she curseth still,
    And doth, constrained, what you do of goodwill.
    Take from irrational beasts a precedent;
    'Tis shame their wits should be more excellent.
    The mare asks not the horse, the cow the bull,
    Nor the mild ewe gifts from the ram doth pull.
    Only a woman gets spoils from a man,
    Farms out herself on nights for what she can;                     30
    And lets[192] what both delight, what both desire,
    Making her joy according to her hire.
    The sport being such, as both alike sweet try it,
    Why should one sell it and the other buy it?
    Why should I lose, and thou gain by the pleasure,
    Which man and woman reap in equal measure?
    Knights of the post[193] of perjuries make sale,
    The unjust judge for bribes becomes a stale.
    'Tis shame sold tongues the guilty should defend,
    Or great wealth from a judgment-seat ascend.                      40
    'Tis shame to grow rich by bed-merchandise,[194]
    Or prostitute thy beauty for bad price.
    Thanks worthily are due for things unbought;
    For beds ill-hired we are indebted nought.
    The hirer payeth all; his rent discharged,
    From further duty he rests then enlarged.
    Fair dames forbear rewards for nights to crave:
    Ill-gotten goods good end will never have.
    The Sabine gauntlets were too dearly won,
    That unto death did press the holy nun.                           50
    The son slew her, that forth to meet him went,
    And a rich necklace caused that punishment.
    Yet think no scorn to ask a wealthy churl;
    He wants no gifts into thy lap to hurl.
    Take clustered grapes from an o'er-laden vine,
    May[195] bounteous love[196] Alcinous' fruit resign.
    Let poor men show their service, faith and care;
    All for their mistress, what they have, prepare.
    In verse to praise kind wenches 'tis my part,
    And whom I like eternise by mine art.                             60
    Garments do wear, jewels and gold do waste,
    The fame that verse gives doth for ever last.
    To give I love, but to be asked disdain;
    Leave asking, and I'll give what I refrain.

FOOTNOTES:

[187] Not in Isham copy or ed. A.

[188] "Simplex."

[189] Sans.

[190] "Nec _Venus_ apta," &c.

[191] Old eds. "to."

[192] "Vendit."

[193] "Non bene conducti testes."

[194] So ed. B.--ed. C "bad merchandise."

[195] Old eds. "many."

[196] The original has "ager."




ELEGIA XI.[197]

Napen alloquitur, ut paratas tabellas ad Corinnam perferat.


    In skilful gathering ruffled hairs in order,
    NapË, free-born, whose cunning hath no border,[198]
    Thy service for night's scapes is known commodious,
    And to give signs dull wit to thee is odious.[199]
    Corinna clips me oft by thy persuasion:
    Never to harm me made thy faith evasion.
    Receive these lines; them to my mistress carry;
    Be sedulous; let no stay cause thee tarry,
    Nor flint nor iron are in thy soft breast,
    But pure simplicity in thee doth rest.                            10
    And 'tis supposed Love's bow hath wounded thee;
    Defend the ensigns of thy war in me.
    If what I do, she asks, say "hope for night;"
    The rest my hand doth in my letters write.
    Time passeth while I speak; give her my writ,
    But see that forthwith she peruseth it.
    I charge thee mark her eyes and front in reading:
    By speechless looks we guess at things succeeding.
    Straight being read, will her to write much back,
    I hate fair paper should writ matter lack.                        20
    Let her make verses and some blotted letter
    On the last edge to stay mine eyes the better.
    What needs she tire[200] her hand to hold the quill?
    Let this word "Come," alone the tables fill.
    Then with triumphant laurel will I grace them
    And in the midst of Venus' temple place them,
    Subscribing, that to her I consecrate
    My faithful tables, being vile maple late.

FOOTNOTES:

[197] Not in Isham copy or ed. A.

[198] Bound.

[199] "Et dandis ingeniosa notis."

[200] So Dyce for "try" of the old eds.




ELEGIA XII.[201]

Tabellas quas miserat execratur quod amica noctem negabat.


    Bewail my chance: the sad book is returned,
    This day denial hath my sport adjourned.
    Presages are not vain; when she departed,
    NapË by stumbling on the threshold, started.
    Going out again, pass forth the door more wisely,
    And somewhat higher bear thy foot precisely.
    Hence luckless tables! funeral wood, be flying!
    And thou, the wax, stuffed full with notes denying!
    Which I think gathered from cold hemlock's flower,
    Wherein bad honey Corsic bees did pour:                           10
    Yet as if mixed with red lead thou wert ruddy,
    That colour rightly did appear so bloody.
    As evil wood, thrown in the highways, lie,
    Be broke with wheels of chariots passing by!
    And him that hewed you out for needful uses,
    I'll prove had hands impure with all abuses.
    Poor wretches on the tree themselves did strangle:
    There sat the hangman for men's necks to angle.
    To hoarse scrich-owls foul shadows it allows;
    Vultures and Furies[202] nestled in the boughs.                   20
    To these my love I foolishly committed,
    And then with sweet words to my mistress fitted.
    More fitly had they[203] wrangling bonds contained
    From barbarous lips of some attorney strained.
    Among day-books and bills they had lain better,
    In which the merchant wails his bankrupt debtor.
    Your name approves you made for such like things,
    The number two no good divining brings.
    Angry, I pray that rotten age you racks,
    And sluttish white-mould overgrow the wax.                        30

FOOTNOTES:

[201] Not in Isham copy or ed. A.

[202] "Volturis in ramis et _strigis_ ova tulit."

[203] Old eds. "thy."




ELEGIA XIII.

Ad Auroram ne properet.


    Now o'er the sea from her old love comes she
    That draws the day from heaven's cold axletree.
    Aurora, whither slid'st thou? down again!
    And birds for[204] Memnon yearly shall be slain.
    Now in her tender arms I sweetly bide,
    If ever, now well lies she by my side.
    The air is cold, and sleep is sweetest now,
    And birds send forth shrill notes from every bough.
    Whither runn'st thou, that men and women love not?
    Hold in thy rosy horses that they move not.                       10
    Ere thou rise, stars teach seamen where to sail,
    But when thou com'st, they of their courses fail.
    Poor travellers though tired, rise at thy sight,
    And[205] soldiers make them ready to the fight.
    The painful hind by thee to field is sent;
    Slow oxen early in the yoke are pent.
    Thou coz'nest boys of sleep, and dost betray them
    To pedants that with cruel lashes pay them.
    Thou mak'st the surety to the lawyer run,
    That with one word hath nigh himself undone.                      20
    The lawyer and the client hate thy view,
    Both whom thou raisest up to toil anew.
    By thy means women of their rest are barred,
    Thou settst their labouring hands to spin and card.
    All[206] could I bear; but that the wench should rise,
    Who can endure, save him with whom none lies?
    How oft wished I night would not give thee place,
    Nor morning stars shun thy uprising face.
    How oft that either wind would break thy coach,
    Or steeds might fall, forced with thick clouds' approach.         30
    Whither go'st thou, hateful nymph? Memnon the elf
    Received his coal-black colour from thyself.
    Say that thy love with Cephalus were not known,
    Then thinkest thou thy loose life is not shown?
    Would Tithon might but talk of thee awhile!
    Not one in heaven should be more base and vile.
    Thou leav'st his bed, because he's faint through age,
    And early mount'st thy hateful carriage:
    But held'st[207] thou in thy arms some Cephalus,
    Then would'st thou cry, "Stay night, and run not thus."           40
    Dost punish[208] me because years make him wane?
    I did not bid thee wed an agËd swain.
    The moon sleeps with Endymion every day;
    Thou art as fair as she, then kiss and play.
    Jove, that thou should'st not haste but wait his leisure,
    Made two nights one to finish up his pleasure.
    I chid[209] no more; she blushed, and therefore heard me,
    Yet lingered not the day, but morning scared me.

FOOTNOTES:

[204] So Dyce for "from" of the old eds.

[205] This line is omitted in ed. A.

[206] Isham copy and ed. A "This."

[207] Isham copy and ed. A "had'st."

[208] Isham copy and ed. A "Punish ye me."

[209] So the Isham copy. The other old eds. "chide."




ELEGIA XIV.[210]

Puellam consolatur cui prÊ nimia cura comÊ deciderant.


    Leave colouring thy tresses, I did cry;
    Now hast thou left no hairs at all to dye.
    But what had been more fair had they been kept?
    Beyond thy robes thy dangling locks had swept.
    Fear'dst thou to dress them being fine and thin,
    Like to the silk the curious[211] Seres spin.
    Or threads which spider's slender foot draws out,
    Fastening her light web some old beam about?
    Not black nor golden were they to our view,
    Yet although [n]either, mixed of either's hue;                    10
    Such as in hilly Ida's watery plains,
    The cedar tall, spoiled of his bark, retains.
    Add[212] they were apt to curl a hundred ways,
    And did to thee no cause of dolour raise.
    Nor hath the needle, or the comb's teeth reft them,
    The maid that kembed them ever safely left them.
    Oft was she dressed before mine eyes, yet never,
    Snatching the comb to beat the wench, outdrive her.
    Oft in the morn, her hairs not yet digested,
    Half-sleeping on a purple bed she rested;                         20
    Yet seemly like a Thracian Bacchanal,
    That tired doth rashly[213] on the green grass fall.
    When they were slender and like downy moss,
    Thy[214] troubled hairs, alas, endured great loss.
    How patiently hot irons they did take,
    In crookËd trannels[215] crispy curls to make.
    I cried, "'Tis sin, 'tis sin, these hairs to burn,
    They well become thee, then to spare them turn.
    Far off be force, no fire to them may reach,
    Thy very hairs will the hot bodkin teach."                        30
    Lost are the goodly locks, which from their crown,
    Phoebus and Bacchus wished were hanging down.
    Such were they as Diana[216] painted stands,
    All naked holding in her wave-moist hands.
    Why dost thy ill-kembed tresses' loss lament?
    Why in thy glass dost look, being discontent?
    Be not to see with wonted eyes inclined;
    To please thyself, thyself put out of mind.
    No charmËd herbs of any harlot scathed thee,
    No faithless witch in Thessal waters bathed thee.                 40
    No sickness harmed thee (far be that away!),
    No envious tongue wrought thy thick locks' decay.
    By thine own hand and fault thy hurt doth grow,
    Thou mad'st thy head with compound poison flow.
    Now Germany shall captive hair-tires send thee,
    And vanquished people curious dressings lend thee.
    Which some admiring, O thou oft wilt blush!
    And say, "He likes me for my borrowed bush.
    Praising for me some unknown Guelder[217] dame,
    But I remember when it was my fame."                              50
    Alas she almost weeps, and her white cheeks,
    Dyed red with shame to hide from shame she seeks.
    She holds, and views her old locks in her lap;
    Ay me! rare gifts unworthy such a hap!
    Cheer up thyself, thy loss thou may'st repair,
    And be hereafter seen with native hair.

FOOTNOTES:

[210] Not in Isham copy or ed. A.

[211] The original has "colorati Seres."

[212] So ed. B.--Ed. C "And."

[213] "Temere."

[214] Old eds. "They."

[215] Cunningham and the editor of 1826 may be right in reading
"trammels" (_i.e._ ringlets). "Trannel" was the name for a bodkin. (The
original has "Ut fieret torto flexilis orbe sinus.")

[216] "Nuda _Dione_."

[217] "Nescio quam pro me laudat nunc iste _Sygambram_."




ELEGIA XV.

Ad invidos, quod fama poetarum sit perennis.


    Envy, why carp'st thou my time's spent so ill?
    And term'st[218] my works fruits of an idle quill?
    Or that unlike the line from whence I sprung[219]
    War's dusty honours are refused being young?
    Nor that I study not the brawling laws,
    Nor set my voice to sail in every cause?
    Thy scope is mortal; mine, eternal fame.
    That all the world may[220] ever chant my name.
    Homer shall live while Tenedos stands and Ide,
    Or to[221] the sea swift Simois shall[222] slide.                 10
    AscrÊus lives while grapes with new wine swell,
    Or men with crookËd sickles corn down fell.
    The[223] world shall of Callimachus ever speak;
    His art excelled, although his wit was weak.
    For ever lasts high Sophocles' proud vein,
    With sun and moon Aratus shall remain.
    While bondmen cheat, fathers [be] hard,[224] bawds whorish,
    And strumpets flatter, shall Menander flourish.
    Rude Ennius, and Plautus[225] full of wit,
    Are both in Fame's eternal legend writ.                           20
    What age of Varro's name shall not be told,
    And Jason's Argo,[226] and the fleece of gold?
    Lofty Lucretius shall live that hour,
    That nature shall dissolve this earthly bower.
    ∆neas' war and Tityrus shall be read,
    While Rome of all the conquered[227] world is head.
    Till Cupid's bow, and fiery shafts be broken,
    Thy verses, sweet Tibullus, shall be spoken.
    And Gallus shall be known from East to West,
    So shall Lycoris whom he lovËd best.                              30
    Therefore when flint and iron wear away,
    Verse is immortal and shall ne'er decay.
    To[228] verse let kings give place and kingly shows,
    And banks o'er which gold-bearing Tagus flows.
    Let base-conceited wits admire vild things;
    Fair Phoebus lead me to the Muses' springs.
    About my head be quivering myrtle wound,
    And in sad lovers' heads let me be found.
    The living, not the dead, can envy bite,
    For after death all men receive their right.                      40
    Then though death racks[229] my bones in funeral fire,
    I'll live, and as he pulls me down mount higher.


The same, by B. I.[230]

    Envy, why twitt'st thou me, my time's spent ill?
    And call'st my verse fruits of an idle quill?
    Or that (unlike the line from whence I sprung)
    War's dusty honours I pursue not young?
    Or that I study not the tedious laws;
    And prostitute my voice in every cause?
    Thy scope is mortal; mine eternal fame,
    Which through the world shall ever chant my name.
    Homer will live, whilst Tenedos stands, and Ide,
    Or to the sea, fleet Symois doth slide:                           10
    And so shall Hesiod too, while vines do bear,
    Or crookËd sickles crop the ripened ear.
    Callimachus, though in invention low,
    Shall still be sung, since he in art doth flow;
    No loss shall come to Sophocles' proud vein;
    With sun and moon Aratus shall remain.
    Whilst slaves be false, fathers hard, and bawds be whorish,
    Whilst harlots flatter, shall Meander flourish.
    Ennius, though rude, and Accius' high-reared strain,
    A fresh applause in every age shall gain.                         20
    Of Varro's name, what ear shall not be told?
    Of Jason's Argo and the fleece of gold?
    Then, shall Lucretius' lofty numbers die,
    When earth, and seas in fire and flames shall fry.
    Tityrus, Tillage, ∆ney shall be read,[231]
    Whilst Rome of all the conquered world is head.
    Till Cupid's fires be out, and his bow broken,
    Thy verses, neat Tibulus, shall be spoken.
    Our Gallus shall be known from East to West,
    So shall Lycoris, whom he now loves best.                         30
    The suffering ploughshare or the flint may wear,
    But heavenly poesy no death can fear.
    Kings shall give place to it, and kingly shows,
    The banks o'er which gold-bearing Tagus flows.
    Kneel hinds to trash: me let bright Phoebus swell,
    With cups full flowing from the Muses' well.
    The frost-drad[232] myrtle shall impale my head,
    And of sad lovers I'll be often read.
    Envy the living, not the dead doth bite,
    For after death all men receive their right.                      40
    Then when this body falls in funeral fire,
    My name shall live, and my best part aspire.

FOOTNOTES:

[218] Isham copy and ed. A "tearmes our."

[219] Dyce's correction for "come" of the old eds.

[220] Isham copy and ed. A "might."

[221] So Isham copy and ed. A.--Dyce follows ed. B, "Or into sea."

[222] So old eds.--Dyce "doth."

[223] Isham copy and ed. A omit this line and the next.

[224] So Dyce.--Old eds. "fathers hoord." ("_Durus_ pater.")

[225] The poet must have read "animosi _Maccius_ oris." The true reading
is "animosique _Accius_ oris."

[226] Old eds. "Argos."

[227] Isham copy and ed. A "conquering."

[228] Isham copy and ed. A "Let kings give place to verse."

[229] So the Isham copy.--Ed. A (followed by Dyce) gives "rocks."--Eds.
B and C "rakes" (and so Cunningham).

[230] _I.e._ Ben Jonson, who afterwards introduced it into the
_Poetaster_ (I. 1). This version is merely a revision of the preceding,
which must also have been written by Ben Jonson.

[231] "Tityrus et fruges ∆neÔaque arma legentur."

[232] "Metuentem frigora myrtum."




P. OVIDII NASONIS AMORUM.

LIBER SECUNDUS.




ELEGIA I.[233]

Quod pro gigantomachia amores scribere sit coactus.


    I, Ovid, poet, of my[234] wantonness,
    Born at Peligny, to write more address.
    So Cupid wills. Far hence be the severe!
    You are unapt my looser lines to hear.
    Let maids whom hot desire to husbands lead,[235]
    And rude boys, touched with unknown love, me read:
    That some youth hurt, as I am, with Love's bow,
    His own flame's best-acquainted signs may know.
    And long admiring say, "By what means learned,
    Hath this same poet my sad chance discern'd?"                     10
    I durst the great celestial battles tell,
    Hundred-hand Gyges, and had done it well;
    With Earth's revenge, and how Olympus top
    High Ossa bore, Mount Pelion up to prop;
    Jove and Jove's thunderbolts I had in hand,
    Which for[236] his heaven fell on the giants' band.
    My wench her door shut, Jove's affairs I left,
    Even Jove himself out of my wit was reft.
    Pardon me, Jove! thy weapons aid me nought,
    Her shut gates greater lightning than thine brought.              20
    Toys, and light elegies, my darts I took,
    Quickly soft words hard doors wide-open strook.
    Verses reduce the hornËd bloody moon,
    And call the sun's white horses back[237] at noon.
    Snakes leap by verse from caves of broken mountains,[238]
    And turnËd streams run backward to their fountains.
    Verses ope doors; and locks put in the post,
    Although of oak, to yield to verses boast.
    What helps it me of fierce Achill to sing?
    What good to me will either Ajax bring?                           30
    Or he who warred and wandered twenty year?
    Or woful Hector whom wild jades did tear?
    But when I praise a pretty wench's face,
    She in requital doth me oft embrace.
    A great reward! Heroes of[239] famous names
    Farewell! your favour nought my mind inflames.
    Wenches apply your fair looks to my verse,
    Which golden Love doth unto me rehearse.

FOOTNOTES:

[233] Not in Isham copy or ed. A.

[234] Old eds. "thy."

[235] A clear instance of a plural verb following a singular subject.

[236] "Quod bene pro coelo mitteret ille suo."

[237] Old eds. "blacke."

[238] "Carmine dissiliunt, _abruptis faucibus_, angues." ("Fauces" means
both "jaw" and "mountain-gorge." Marlowe has gone desperately wrong.)

[239] Old eds. "O."




ELEGIA II.[240]

Ad Bagoum, ut custodiam puellÊ sibi commissÊ laxiorem habeat.


    Bagous, whose care doth thy[241] mistress bridle,
    While I speak some few, yet fit words, be idle.
    I saw the damsel walking yesterday,
    There, where the porch doth Danaus' fact[242] display:
    She pleased me soon; I sent, and did her woo;
    Her trembling hand writ back she might not do.
    And asking why, this answer she redoubled,
    Because thy care too much thy mistress troubled.
    Keeper, if thou be wise, cease hate to cherish,
    Believe me, whom we fear, we wish to perish.                      10
    Nor is her husband wise: what needs defence,
    When unprotected[243] there is no expense?
    But furiously he follow[244] his love's fire,
    And thinks her chaste whom many do desire:
    Stolen liberty she may by thee obtain,
    Which giving her, she may give thee again:
    Wilt thou her fault learn? she may make thee tremble.
    Fear to be guilty, then thou may'st dissemble.
    Think when she reads, her mother letters sent her:
    Let him go forth known, that unknown did enter.                   20
    Let him go see her though she do not languish,
    And then report her sick and full of anguish.
    If long she stays, to think the time more short,
    Lay down thy forehead in thy lap to snort.
    Inquire not what with Isis may be done,
    Nor fear lest she to the the‡tres run.
    Knowing her scapes, thine honour shall increase;
    And what less labour than to hold thy peace?
    Let him please, haunt the house, be kindly used,
    Enjoy the wench; let all else be refused.                         30
    Vain causes feign of him, the true to hide,
    And what she likes, let both hold ratified.
    When most her husband bends the brows and frowns,
    His fawning wench with her desire he crowns.
    But yet sometimes to chide thee let her fall
    Counterfeit tears: and thee lewd hangman call.
    Object thou then, what she may well excuse,
    To stain all faith in truth, by false crimes' use.
    Of wealth and honour so shall grow thy heap:
    Do this, and soon thou shalt thy freedom reap.                    40
    On tell-tales' necks thou seest the link-knit chains,
    The filthy prison faithless breasts restrains.
    Water in waters, and fruit, flying touch,
    Tantalus seeks, his long tongue's gain is such.
    While Juno's watchman Iˆ too much eyed,
    Him timeless[245] death took, she was deified.
    I saw one's legs with fetters black and blue,
    By whom the husband his wife's incest[246] knew:
    More he deserved; to both great harm he framed,
    The man did grieve, the woman was defamed.                        50
    Trust me all husbands for such faults are sad,
    Nor make they any man that hears them glad.
    If he loves not, deaf ears thou dost importune,
    Or if he loves, thy tale breeds his misfortune.
    Nor is it easy proved though manifest;
    She safe by favour of her judge doth rest.
    Though himself see, he'll credit her denial,
    Condemn his eyes, and say there is no trial.
    Spying his mistress' tears he will lament
    And say "This blab shall suffer punishment."                      60
    Why fight'st 'gainst odds? to thee, being cast, do hap
    Sharp stripes; she sitteth in the judge's lap.
    To meet for poison or vild facts[247] we crave not;
    My hands an unsheathed shining weapon have not.
    We seek that, through thee, safely love we may;
    What can be easier than the thing we pray?

FOOTNOTES:

[240] Not in Isham copy or ed. "A."

[241] So ed. B.--Ed. C "my."

[242] The original has "agmen." Cunningham suggests "pack." If we retain
"fact" the meaning is "Danaus' guilt."

[243] Old eds. "vn-protested." ("Unde nihil, quamvis non tueare,
perit.")

[244] So ed. B.--Ed. C "follows." (The sense wanted is "Furiously let
him follow" &c.)

[245] "Ante suos annos occidit."

[246] "Unde vir incestum scire coactus erat." (Here "incestum" is
"adultery.")

[247] "Scelus."




ELEGIA III.[248]

Ad Eunuchum servantem dominam.


    Ay me, an eunuch keeps my mistress chaste,
    That cannot Venus' mutual pleasure taste.
    Who first deprived young boys of their best part,
    With self-same wounds he gave, he ought to smart.
    To kind requests thou would'st more gentle prove,
    If ever wench had made lukewarm thy love:
    Thou wert not born to ride, or arms to bear,
    Thy hands agree not with the warlike spear.
    Men handle those; all manly hopes resign,
    Thy mistress' ensigns must be likewise thine.                     10
    Please her--her hate makes others thee abhor;
    If she discards thee, what use serv'st thou for?
    Good form there is, years apt to play together:
    Unmeet is beauty without use to wither.
    She may deceive thee, though thou her protect;
    What two determine never wants effect.
    Our prayers move thee to assist our drift,
    While thou hast time yet to bestow that gift.

FOOTNOTES:

[248] Not in Isham copy or ed. A.




ELEGIA IV.

Quod amet mulieres, cujuscunque formÊ sint.


    I mean not to defend the scapes[249] of any,
    Or justify my vices being many;
    For I confess, if that might merit favour,
    Here I display my lewd and loose behaviour.
    I loathe, yet after that I loathe I run:
    Oh, how the burthen irks, that we should[250] shun.
    I cannot rule myself but where Love please;
    Am[251] driven like a ship upon rough seas.
    No one face likes me best, all faces move,
    A hundred reasons make me ever love.                              10
    If any eye me with a modest look,
    I burn,[252] and by that blushful glance am took;
    And she that's coy I like, for being no clown,
    Methinks she would be nimble when she's down.
    Though her sour looks a Sabine's brow resemble,
    I think she'll do, but deeply can dissemble.
    If she be learned, then for her skill I crave her;
    If not, because she's simple I would have her.
    Before Callimachus one prefers me far;
    Seeing she likes my books, why should we jar?                     20
    Another rails at me, and that I write,
    Yet would I lie with her, if that I might:
    Trips she, it likes me well; plods she, what than[253]?
    She would be nimbler lying with a man.
    And when one sweetly sings, then straight I long,
    To quaver on her lips even in her song;
    Or if one touch the lute with art and cunning,
    Who would not love those hands[254] for their swift running?
    And her I like that with a majesty,
    Folds up her arms, and makes low courtesy.                        30
    To[255] leave myself, that am in love with all,
    Some one of these might make the chastest fall.
    If she be tall, she's like an Amazon,
    And therefore fills the bed she lies upon:
    If short, she lies the rounder: to speak[256] troth,
    Both short and long please me, for I love both.
    I[257] think what one undecked would be, being drest;
    Is she attired? then show her graces best.
    A white wench thralls me, so doth golden yellow:
    And nut-brown girls in doing have no fellow.                      40
    If her white neck be shadowed with black hair,
    Why so was Leda's, yet was Leda fair.
    Amber-tress'd[258] is she? then on the morn think I:
    My love alludes to every history:
    A young wench pleaseth, and an old is good,
    This for her looks, that for her womanhood:
    Nay what is she, that any Roman loves,
    But my ambitious ranging mind approves?

FOOTNOTES:

[249] "Mendosos ... mores."

[250] "Heu quam, quae studeas ponere, ferre grave est."

[251] So eds. B, C.--Isham copy and ed. A "And."

[252] This is Dyce's certain correction for the old eds. "blush." (The
originals has "uror.")

[253] Then.

[254] Ed. A "those _nimble_ hands."

[255]

    "Ut taceam de me, qui causa tangor ab omni,
        Illic Hippolytum pone, Priapus erit."

[256] So Isham copy and ed. A.--Eds. B, C "say."

[257] This and the next three lines are omitted in Isham copy and ed. A.

[258] So eds. B, C.--Isham copy and ed. A "yellow trest."




ELEGIA V.[259]

Ad amicam corruptam.


    No love is so dear,--quivered Cupid, fly!--
    That my chief wish should be so oft to die.
    Minding thy fault, with death I wish to revel;
    Alas! a wench is a perpetual evil.
    No intercepted lines thy deeds display,
    No gifts given secretly thy crime bewray.
    O would my proofs as vain might be withstood!
    Ay me, poor soul, why is my cause so good?
    He's happy, that his love dares boldly credit;
    To whom his wench can say, "I never did it."                      10
    He's cruel, and too much his grief doth favour,
    That seeks the conquest by her loose behaviour.
    Poor wretch,[260] I saw when thou didst think I slumbered;
    Not drunk, your faults on the spilt wine I numbered.
    I saw your nodding eyebrows much to speak,
    Even from your cheeks, part of a voice did break.
    Not silent were thine eyes, the board with wine
    Was scribbled, and thy fingers writ a line.
    I knew your speech (what do not lovers see?)
    And words that seemed for certain marks to be.                    20
    Now many guests were gone, the feast being done,
    The youthful sort to divers pastimes run.
    I saw you then unlawful kisses join;
    (Such with my tongue it likes me to purloin);
    None such the sister gives her brother grave,
    But such kind wenches let their lovers have.
    Phoebus gave not Diana such, 'tis thought,
    But Venus often to her Mars such brought.
    "What dost?" I cried; "transport'st thou my delight?
    My lordly hands I'll throw upon my right.                         30
    Such bliss is only common to us two,
    In this sweet good why hath a third to do?"
    This, and what grief enforced me say, I said:
    A scarlet blush her guilty face arrayed;
    Even such as by Aurora hath the sky,
    Or maids that their betrothËd husbands spy;
    Such as a rose mixed with a lily breeds,
    Or when the moon travails with charmËd steeds.
    Or such as, lest long years should turn the dye,
    Arachne[261] stains Assyrian ivory.                               40
    To these, or some of these, like was her colour:
    By chance her beauty never shinËd fuller.
    She viewed the earth; the earth to view, beseemed her.
    She lookËd sad; sad, comely I esteemed her.
    Even kembËd as they were, her locks to rend,
    And scratch her fair soft cheeks I did intend.
    Seeing her face, mine upreared arms descended,
    With her own armour was my wench defended.
    I, that erewhile was fierce, now humbly sue,
    Lest with worse kisses she should me endue.                       50
    She laughed, and kissed so sweetly as might make
    Wrath-kindled Jove away his thunder shake.
    I grieve lest others should such good perceive,
    And wish hereby them all unknown[262] to leave.
    Also much better were they than I tell,
    And ever seemed as some new sweet befell.
    'Tis ill they pleased so much, for in my lips
    Lay her whole tongue hid, mine in hers she dips.
    This grieves me not; no joinËd kisses spent,
    Bewail I only, though I them lament.                              60
    Nowhere can they be taught but in the bed;
    I know no master of so great hire sped.[263]

FOOTNOTES:

[259] Not in Isham copy or ed. A.

[260] So Dyce for "Poor _wench_" of the old eds.--The original has "Ipse
miser vidi."

[261] "Maeonis Assyrium femina tinxit opus." Dyce remarks that Marlowe
"was induced to give this extraordinary version of the line by
recollecting that in the sixth book of Ovid's _Metamorphoses_ Arachne is
termed 'Maeonis,' while her father is mentioned as a dyer."

[262] A bad mistranslation of "Et volo non ex hac illa fuisse nota."

[263] Far from the original "Nescio quis pretium grande magister habet."




ELEGIA VI.[264]

In mortem psittaci.


    The parrot, from East India to me sent,[265]
    Is dead; all fowls her exequies frequent!
    Go godly[266] birds, striking your breasts, bewail,
    And with rough claws your tender cheeks assail.
    For woful hairs let piece-torn plumes abound,
    For long shrild[267] trumpets let your notes resound.
    Why Philomel dost Tereus' lewdness mourn?
    All wasting years have that complaint now[268] worn.
    Thy tunes let this rare bird's sad funeral borrow;
    Itys[269] a great, but ancient cause of sorrow.                   10
    All you whose pinions in the clear air soar,
    But most, thou friendly turtle-dove, deplore.
    Full concord all your lives was you betwixt,
    And to the end your constant faith stood fixt.
    What Pylades did to Orestes prove,
    Such to the parrot was the turtle-dove.
    But what availed this faith? her rarest hue?
    Or voice that how to change the wild notes knew?
    What helps it thou wert given to please my wench?
    Birds' hapless glory, death thy life doth quench.                 20
    Thou with thy quills might'st make green emeralds dark,
    And pass our scarlet of red saffron's mark.
    No such voice-feigning bird was on the ground,
    Thou spok'st thy words so well with stammering sound.
    Envy hath rapt thee, no fierce wars thou mov'dst;
    Vain-babbling speech, and pleasant peace thou lov'dst.
    Behold how quails among their battles live,
    Which do perchance old age unto them give.
    A little filled thee, and for love of talk,
    Thy mouth to taste of many meats did balk.                        30
    Nuts were thy food, and poppy caused thee sleep,
    Pure water's moisture thirst away did keep.
    The ravenous vulture lives, the puttock[270] hovers
    Around the air, the cadess[271] rain discovers.
    And crow[272] survives arms-bearing Pallas' hate,
    Whose life nine ages scarce bring out of date.
    Dead is that speaking image of man's voice,
    The parrot given me, the far world's[273] best choice.
    The greedy spirits[274] take the best things first,
    Supplying their void places with the worst.                       40
    Thersites did Protesilaus survive;
    And Hector died, his brothers yet alive.
    My wench's vows for thee what should I show,
    Which stormy south winds into sea did blow?
    The seventh day came, none following might'st thou see,
    And the Fate's distaff empty stood to thee:
    Yet words in thy benumbËd palate rung;
    "Farewell, Corinna," cried thy dying tongue.
    Elysium hath a wood of holm-trees black,
    Whose earth doth not perpetual green grass lack.                  50
    There good birds rest (if we believe things hidden),
    Whence unclean fowls are said to be forbidden.
    There harmless swans feed all abroad the river;
    There lives the phoenix, one alone bird ever;
    There Juno's bird displays his gorgeous feather,
    And loving doves kiss eagerly together.
    The parrot into wood received with these,
    Turns all the godly[275] birds to what she please.
    A grave her bones hides: on her corps' great grave,
    The little stones these little verses have.                       60
    _This tomb approves I pleased my mistress well
    My mouth in speaking did all birds excell._

FOOTNOTES:

[264] Not in Isham copy or ed. A.

[265] Dyce remarks that Marlowe's copy had "ales mihi missus" for
"imitatrix ales."

[266] So Dyce for "goodly" of the old eds. ("piÊ volucres").

[267] Shrill.

[268] So Dyce for "not" of the old eds.

[269] So Dyce for "It is as great."

[270] "Miluus."

[271] "Graculus."

[272] Old eds. "crowes."

[273] Old eds. "words."

[274] Marlowe was very weak in Latin prosedy. The original has "manibus
rapiuntur avaris."

[275] Old eds. "goodly" ("_pias_ volueres").




ELEGIA VII.[276]

AmicÊ se purgat, quod ancillam non amet.


    Dost me of new crimes always guilty frame?
    To overcome, so oft to fight I shame.
    If on the marble theatre I look,
    One among many is, to grieve thee, took.
    If some fair wench me secretly behold,
    Thou arguest she doth secret marks unfold.
    If I praise any, thy poor hairs thou tearest;
    If blame, dissembling of my fault thou fearest.
    If I look well, thou think'st thou dost not move,
    If ill, thou say'st I die for others' love.                       10
    Would I were culpable of some offence,
    They that deserve pain, bear't with patience.
    Now rash accusing, and thy vain belief,
    Forbid thine anger to procure my grief.
    Lo, how the miserable great-eared ass,
    Dulled with much beating, slowly forth doth pass!
    Behold Cypassis, wont to dress thy head,
    Is charged to violate her mistress' bed!
    The gods from this sin rid me of suspicion,
    To like a base wench of despised condition.                       20
    With Venus' game who will a servant grace?
    Or any back, made rough with stripes, embrace?
    Add she was diligent thy locks to braid,
    And, for her skill, to thee a grateful maid.
    Should I solicit her that is so just,--
    To take repulse, and cause her show my lust?
    I swear by Venus, and the winged boy's bow,
    Myself unguilty of this crime I know.

FOOTNOTES:

[276] Not in Isham copy or ed. A.




ELEGIA VIII.[277]

Ad Cypassim ancillam CorinnÊ.


    Cypassis, that a thousand ways trim'st hair,
    Worthy to kemb none but a goddess fair,
    Our pleasant scapes show thee no clown to be,
    Apt to thy mistress, but more apt to me.
    Who that our bodies were comprest bewrayed?
    Whence knows Corinna that with thee I played?
    Yet blushed I not, nor used I any saying,
    That might be urged to witness our false playing.
    What if a man with bondwomen offend,
    To prove him foolish did I e'er contend?                          10
    Achilles burnt with face of captive BrisËis,
    Great Agamemnon loved his servant ChrysËis.[278]
    Greater than these myself I not esteem:
    What gracËd kings, in me no shame I deem.
    But when on thee her angry eyes did rush,
    In both thy[279] cheeks she did perceive thee[280] blush.
    But being present,[281] might that work the best,
    By Venus deity how did I protest!
    Thou goddess dost command a warm south blast,
    My self oaths in Carpathian seas to cast.                         20
    For which good turn my sweet reward repay,
    Let me lie with thee, brown Cypass, to-day.
    Ungrate, why feign'st new fears, and dost refuse?
    Well may'st thou one thing for thy mistress use.[282]
    If thou deniest, fool, I'll our deeds express,
    And as a traitor mine own faults confess;
    Telling thy mistress where I was with thee,
    How oft, and by what means, we did agree.

FOOTNOTES:

[277] Not in Isham copy or ed. A.

[278] "Serva Phoebas" (_i.e._ Cassandra).

[279] Old eds. "my."

[280] So ed. B.--Ed. C "the."

[281]

    "At quanto, si forte refers, _prÊsentior_ ipse,
      Per Veneris feci numina magna fidem."

[282] The original has "Unum est e dominis emeruisse satis."




ELEGIA IX.[283]

Ad Cupidinem.


    O Cupid, that dost never cease my smart!
    O boy, that liest so slothful in my heart!
    Why me that always was the soldier found,
    Dost harm, and in thy[284] tents why dost me wound?
    Why burns thy brand, why strikes thy bow thy friends?
    More glory by thy vanquished foes ascends.
    Did not Pelides whom his spear did grieve,
    Being required, with speedy help relieve?
    Hunters leave taken beasts, pursue the chase,
    And than things found do ever further pace.                       10
    We people wholly given thee, feel thine-arms,
    Thy dull hand stays thy striving enemies' harms.
    Dost joy to have thy hookËd arrows shaked
    In naked bones? love hath my bones left naked.
    So many men and maidens without love,
    Hence with great laud thou may'st a triumph move.
    Rome, if her strength the huge world had not filled,
    With strawy cabins now her courts should build.
    The weary soldier hath the conquered fields,
    His sword, laid by, safe, tho' rude places yields;[285]           20
    The dock inharbours ships drawn from the floods,
    Horse freed from service range abroad the woods.
    And time it was for me to live in quiet,
    That have so oft served pretty wenches' diet.
    Yet should I curse a God, if he but said,
    "Live without love," so sweet ill is a maid.
    For when my loathing it of heat deprives me,
    I know not whither my mind's whirlwind drives me.
    Even as a headstrong courser bears away
    His rider, vainly striving him to stay;                           30
    Or as a sudden gale thrusts into sea
    The haven-touching bark, now near the lea;
    So wavering Cupid brings me back amain,
    And purple Love resumes his darts again.
    Strike, boy, I offer thee my naked breast,
    Here thou hast strength, here thy right hand doth rest.
    Here of themselves thy shafts come, as if shot;
    Better than I their quiver knows them not:
    Hapless is he that all the night lies quiet.
    And slumbering, thinks himself much blessËd by it.                40
    Fool, what is sleep but image of cold death,
    Long shalt thou rest when Fates expire thy breath.
    But me let crafty damsel's words deceive,
    Great joys by hope I inly shall conceive.
    Now let her flatter me, now chide me hard,
    Let me[286] enjoy her oft, oft be debarred.
    Cupid, by thee, Mars in great doubt doth trample,
    And thy stepfather fights by thy example.
    Light art thou, and more windy than thy wings;
    Joys with uncertain faith thou tak'st and brings:                 50
    Yet Love, if thou with thy fair mother hear,
    Within my breast no desert empire bear;
    Subdue the wandering wenches to thy reign,
    So of both people shalt thou homage gain.

FOOTNOTES:

[283] Not in Isham copy or ed. A.

[284] So ed. B.--Ed. C "my."

[285] In some strange fashion Marlowe has mistaken the substantive
"rudis" (the staff received by the gladiator on his discharge) with the
adjective "rudis" (rude). The original has "Tutaque deposito poscitur
ense rudis."

[286] Old eds. "Let her enjoy me;" but the original has "Saepe fruar
domina."




ELEGIA X.

Ad GrÊcinum quod eodem tempore duas amet.


    GrÊcinus (well I wot) thou told'st me once,
    I could not be in love with two at once;
    By thee deceived, by thee surprised am I,
    For now I love two women equally:
    Both are well favoured, both rich in array,
    Which is the loveliest[287] it is hard to say:
    This seems the fairest, so doth that to me;
    And[288] this doth please me most, and so doth she;
    Even as a boat tossed by contr‡ry wind,
    So with this love and that wavers my mind.                        10
    Venus, why doublest thou my endless smart?
    Was not one wench enough to grieve my heart?
    Why add'st thou stars to heaven, leaves to green woods,
    And to the deep[289] vast sea fresh water-floods?
    Yet this is better far than lie alone:
    Let such as be mine enemies have none;
    Yea, let my foes sleep in an empty bed,
    And in the midst their bodies largely spread:
    But may soft[290] love rouse up my drowsy eyes,
    And from my mistress' bosom let me rise!                          20
    Let one wench cloy me with sweet love's delight,
    If one can do't; if not, two every night.
    Though I am slender, I have store of pith,
    Nor want I strength, but weight, to press her with:
    Pleasure adds fuel to my lustful fire,
    I pay them home with that they most desire:
    Oft have I spent the night in wantonness,
    And in the morn been lively ne'ertheless,
    He's happy who Love's mutual skirmish slays;
    And to the gods for that death Ovid prays.                        30
    Let soldiers[291] chase their enemies amain,
    And with their blood eternal honour gain,
    Let merchants seek wealth and[292] with perjured lips,
    Being wrecked, carouse the sea tired by their ships;
    But when I die, would I might droop with doing,
    And in the midst thereof, set[293] my soul going,
    That at my funerals some may weeping cry,
    "Even as he led his life, so did he die."

FOOTNOTES:

[287] "Artibus in dubio est haec sit an illa prior." Dyce suggests that
Marlowe read "Artubus."

[288] Not in Isham copy or ed. A.

[289] Eds. B, C, "vast deep sea."

[290] The original has "saevus" (for which Marlowe seems to have read
"suavis").

[291] Isham copy and ed. A "souldiour ... his," and in the next line
"his blood."

[292] So Cunningham for--

    "Let merchants seek wealth with perjured lips
    _And_ being wrecked," &c.

[293] So Isham copy and eds. B, C--Ed. A "let."




ELEGIA XI.[294]

Ad amicam navigantem.


    The lofty pine, from high Mount Pelion raught,[295]
    Ill ways by rough seas wondering waves first taught;
    Which rashly 'twixt the sharp rocks in the deep,
    Carried the famous golden-fleecËd sheep.
    O would that no oars might in seas have sunk!
    The Argo[296] wrecked had deadly waters drunk.
    Lo, country gods and know[n] bed to forsake
    Corinna means, and dangerous ways to take.
    For thee the East and West winds make me pale,
    With icy Boreas, and the Southern gale.                           10
    Thou shalt admire no woods or cities there,
    The unjust seas all bluish do appear.
    The ocean hath no painted stones or shells,
    The sucking[297] shore with their abundance swells.
    Maids on the shore, with marble-white feet tread,
    So far 'tis safe; but to go farther, dread.
    Let others tell how winds fierce battles wage,
    How Scylla's and Charybdis' waters rage;
    And with what rock[s] the feared Ceraunia threat;
    In what gulf either Syrtes have their seat.                       20
    Let others tell this, and what each one speaks
    Believe; no tempest the believer wreaks.[298]
    Too late you look back, when with anchors weighed,
    The crookËd bark hath her swift sails displayed.
    The careful shipman now fears angry gusts,
    And with the waters sees death near him thrusts.
    But if that Triton toss the troubled flood,
    In all thy face will be no crimson blood.
    Then wilt thou Leda's noble twin-stars pray,
    And, he is happy whom the earth holds, say.                       30
    It is more safe to sleep, to read a book,
    The Thracian harp with cunning to have strook.
    But if my words with wingËd storm hence slip,
    Yet, Galatea, favour thou her ship.
    The loss of such a wench much blame will gather,
    Both to the sea-nymphs and the sea-nymphs' father.
    Go, minding to return with prosperous wind,
    Whose blast may hither strongly be inclined.
    Let Nereus bend the waves unto this shore,
    Hither the winds blow, here the spring-tide roar.                 40
    Request mild Zephyr's help for thy avail,
    And with thy hand assist thy swelling sail.
    I from the shore thy known ship first will see,
    And say it brings her that preserveth me.
    I'll clip[299] and kiss thee with all contentation;
    For thy return shall fall the vowed oblation;
    And in the form of beds we'll strew soft sand;
    Each little hill shall for a table stand:
    There, wine being filled, thou many things shalt tell,
    How, almost wrecked, thy ship in main seas fell.                  50
    And hasting to me, neither darksome night,
    Nor violent south-winds did thee aught affright,
    I'll think all true, though it be feignËd matter!
    Mine own desires why should myself not flatter?
    Let the bright day-star cause in heaven this day be,
    To bring that happy time so soon as may be.

FOOTNOTES:

[294] Not in Isham copy or ed. A.

[295] "CÊsa."

[296] Old eds. "Argos."

[297] "Bibuli litoris illa mora est."

[298] Dyce was doubtless right in supposing "wreaks" to be used _metri
causa_ for "wrecks." Cunningham wanted to give the meaning "recks;" but
that meaning does not suit the context. The original has "credenti nulla
procella nocet."

[299] "Excipiamque humeris."




ELEGIA XII.[300]

Exultat, quod amica potitus sit.


    About my temples go, triumphant bays!
    Conquered Corinna in my bosom lays.
    She whom her husband, guard, and gate, as foes,
    Lest art should win her, firmly did enclose:
    That victory doth chiefly triumph merit,
    Which without bloodshed doth the prey inherit.
    No little ditchËd towns, no lowly walls,
    But to my share a captive damsel falls.
    When Troy by ten years' battle tumbled down,
    With the Atrides many gained renown:                              10
    But I no partner of my glory brook,
    Nor can another say his help I took.
    I, guide and soldier, won the field and wear her,
    I was both horseman, footman, standard-bearer.
    Nor in my act hath fortune mingled chance:
    O care-got[301] triumph hitherwards advance!
    Nor is my war's cause new; but for a queen,
    Europe and Asia in firm peace had been;
    The Lapiths and the Centaurs, for a woman,
    To cruel arms their drunken selves did summon;                    20
    A woman forced the Trojans new to enter
    Wars, just Latinus, in thy kingdom's centre;
    A woman against late-built Rome did send
    The Sabine fathers, who sharp wars intend.
    I saw how bulls for a white heifer strive,
    She looking on them did more courage give.
    And me with many, but me[302] without murther,
    Cupid commands to move his ensigns further.

FOOTNOTES:

[300] Not in Isham copy or ed. A.

[301] "Cura parte triumphe mea."

[302] Ed. B "but yet me."--Ed. C "but yet without."




ELEGIA XIII.[303]

Ad Isidem, ut parientem Corinnam servet.


    While rashly her womb's burden she casts out,
    Weary Corinna hath her life in doubt.
    She, secretly from[304] me, such harm attempted,
    Angry I was, but fear my wrath exempted.
    But she conceived of me; or I am sure
    I oft have done what might as much procure.
    Thou that frequent'st Canopus' pleasant fields,
    Memphis, and Pharos that sweet date-trees yields,
    And where swift Nile in his large channel skipping,[305]
    By seven huge mouths into the sea is slipping.                    10
    By feared Anubis' visage I thee pray,--
    So in thy temples shall Osiris stay,
    And the dull snake about thy offerings creep,
    And in thy pomp horned Apis with thee keep,--
    Turn thy looks hither, and in one spare twain:
    Thou givest my mistress life, she mine again.
    She oft hath served thee upon certain days,
    Where the French[306] rout engirt themselves with bays.
    On labouring women thou dost pity take,
    Whose bodies with their heavy burdens ache;                       20
    My wench, Lucina, I entreat thee favour;
    Worthy she is, thou should'st in mercy save her.
    In white, with incense, I'll thine altars greet,
    Myself will bring vowed gifts before thy feet,
    Subscribing _Naso with Corinna saved_:
    Do but deserve gifts with this title graved.
    But, if in so great fear I may advise thee,
    To have this skirmish fought let it suffice thee.

FOOTNOTES:

[303] Not in Isham copy or ed. A.

[304] Old eds. "with," which must be a printer's error. (The original
has "clam me.")

[305] Old eds. "slipping."

[306] "Gallica turma" (_i.e._ the company of _Galli_, the priests of
Isis).




ELEGIA XIV.[307]

In amicam, quod abortivum ipsa fecerit.


    What helps it woman to be free from war,
    Nor, being armed, fierce troops to follow far,
    If without battle self-wrought wounds annoy them.
    And their own privy-weaponed hands destroy them
    Who unborn infants first to slay invented,
    Deserved thereby with death to be tormented.
    Because thy belly should rough wrinkles lack,
    Wilt thou thy womb-inclosËd offspring wrack?
    Had ancient mothers this vile custom cherished,
    All human kind by their default[308] had perished;                10
    Or[309] stones, our stock's original should be hurled,
    Again, by some, in this unpeopled world.
    Who should have Priam's wealthy substance won,
    If watery Thetis had her child fordone?
    In swelling womb her twins had Ilia killed,
    He had not been that conquering Rome bid build.
    Had Venus spoiled her belly's Trojan fruit,
    The earth of CÊsars had been destitute.
    Thou also that wert born fair, had'st decayed,
    If such a work thy mother had assayed.                            20
    Myself, that better die with loving may,
    Had seen, my mother killing me, no[310] day.
    Why tak'st increasing grapes from vinetrees full?
    With cruel hand why dost green apples pull?
    Fruits ripe will fall; let springing things increase;
    Life is no light price of a small surcease.[311]
    Why with hid irons are your bowels torn?
    And why dire poison give you babes unborn?
    At Colchis, stained with children's blood, men rail,
    And mother-murdered Itys they[312] bewail.                        30
    Both unkind parents; but, for causes sad,
    Their wedlocks' pledges[313] venged their husbands bad.
    What Tereus, what I‰son you provokes,
    To plague your bodies with such harmful strokes?
    Armenian tigers never did so ill,
    Nor dares the lioness her young whelps kill.
    But tender damsels do it, though with pain;
    Oft dies she that her paunch-wrapt[314] child hath slain:
    She dies, and with loose hairs to grave is sent,
    And whoe'er see her, worthily[315] lament.                        40
    But in the air let these words come to naught,
    And my presages of no weight be thought.
    Forgive her, gracious gods, this one delict,
    And on the next fault punishment inflict.

FOOTNOTES:

[307] Not in Isham copy or ed. A.

[308] "Vitio."

[309] Old eds. "On."

[310] Old eds. "to-day."

[311] "Est pretium parvÊ non leve vita morÊ."

[312] Dyce's suggestion for "thee" of the old eds. The original has
"Aque sua caesum matre queruntur Ityn."

[313]

        "Sed tristibus utraque causis
    Jactura socii sanguinis ulta virum."

[314] An inelegant translation of "Saepe suos uteros quae necat ipse
perit."

[315] Marlowe has given a meaning the very opposite of the original--"Et
clamant 'Merito' qui modo cumque vident."




ELEGIA XV.[316]

Ad annulum, quem dono amicÊ dedit.


    Thou ring that shalt my fair girl's finger bind,
    Wherein is seen the giver's loving mind:
    Be welcome to her, gladly let her take thee,
    And, her small joints encircling, round hoop make thee.
    Fit her so well, as she is fit for me,
    And of just compass for her knuckles be.
    Blest ring, thou in my mistress' hand shall lie,
    Myself, poor wretch, mine own gifts now envy.
    O would that suddenly into my gift,
    I could myself by secret magic shift!                             10
    Then would I wish thee touch my mistress' pap,
    And hide thy left hand underneath her lap,
    I would get off, though strait and sticking fast,
    And in her bosom strangely fall at last.
    Then I, that I may seal her privy leaves,
    Lest to the wax the hold-fast dry gem cleaves,
    Would first my beauteous wench's moist lips touch;
    Only I'll sign naught that may grieve me much.
    I would not out, might I in one place hit:
    But in less compass her small fingers knit.                       20
    My life! that I will shame thee never fear,
    Or be[317] a load thou should'st refuse to bear.
    Wear me, when warmest showers thy members wash,
    And through the gem let thy lost waters pash,
    But seeing thee, I think my thing will swell,
    And even the ring perform a man's part well.
    Vain things why wish I? go, small gift, from hand;
    Let her my faith, with thee given, understand.

FOOTNOTES:

[316] Not in Isham copy or ed. A.

[317] Old eds. "by."




ELEGIA XVI.[318]

Ad amicam, ut ad rura sua veniat.


    Sulmo, Peligny's third part, me contains,
    A small, but wholesome soil with watery veins,
    Although the sun to rive[319] the earth incline,
    And the Icarian froward dog-star shine;
    Pelignian fields with liquid rivers flow,
    And on the soft ground fertile green grass grow;
    With corn the earth abounds, with vines much more,
    And some few pastures Pallas' olives bore;
    And by the rising herbs, where clear springs slide,
    A grassy turf the moistened earth doth hide.                      10
    But absent is my fire; lies I'll tell none,
    My heat is here, what moves my heat is gone.
    Pollux and Castor, might I stand betwixt,
    In heaven without thee would I not be fixt.
    Upon the cold earth pensive let them lay,
    That mean to travel some long irksome way.
    Or else will maidens young men's mates to go,
    If they determine to persËver so.
    Then on the rough Alps should I tread aloft,
    My hard way with my mistress would seem soft.                     20
    With her I durst the Libyan Syrts break through,
    And raging seas in boisterous south-winds plough.
    No barking dogs, that Scylla's entrails bear,
    Nor thy gulfs, crook'd Malea, would I fear.
    No flowing waves with drownËd ships forth-poured
    By cloyed Charybdis, and again devoured.
    But if stern Neptune's windy power prevail,
    And waters' force force helping Gods to fail,
    With thy white arms upon my shoulders seize;
    So sweet a burden I will bear with ease.                          30
    The youth oft swimming to his Hero kind,
    Had then swum over, but the way was blind.
    But without thee, although vine-planted ground
    Contains me; though the streams the[320] fields surround;
    Though hinds in brooks the running waters bring,
    And cool gales shake the tall trees' leafy spring;
    Healthful Peligny, I esteem naught worth,
    Nor do I like the country of my birth.
    Scythia, Cilicia, Britain are as good,
    And rocks dyed crimson with Prometheus' blood.                    40
    Elms love the vines; the vines with elms abide,
    Why doth my mistress from me oft divide?
    Thou swear'dst,[321] division should not twixt us rise,
    By me, and by my stars, thy radiant eyes;
    Maids' words more vain and light than falling leaves,
    Which, as it seems, hence wind and sea bereaves.
    If any godly care of me thou hast,
    Add deeds unto thy promises at last.
    And with swift nags drawing thy little coach
    (Their reins let loose), right soon my house approach.            50
    But when she comes, you[322] swelling mounts, sink down,
    And falling valleys be the smooth ways' crown.[323]

FOOTNOTES:

[318] Not in Isham copy or ed. A.

[319] "Findat."

[320] Ed. B "in fields."--Ed. C "in field."

[321] Old eds. "swearest."

[322] Old eds. "your."

[323] "Et faciles curvis vallibus este viÊ."




ELEGIA XVII.[324]

Quod CorinnÊ soli sit serviturus.


    To serve a wench if any think it shame,
    He being judge, I am convinced of blame.
    Let me be slandered, while my fire she hides,
    That Paphos, and[325] flood-beat Cythera guides.
    Would I had been my mistress' gentle prey,
    Since some fair one I should of force obey.
    Beauty gives heart; Corinna's looks excell;
    Ay me, why is it known to her so well?
    But by her glass disdainful pride she learns,
    Nor she herself, but first trimmed up, discerns.                  10
    Not though thy face in all things make thee reign,
    (O face, most cunning mine eyes to detain!)
    Thou ought'st therefore to scorn me for thy mate,
    Small things with greater may be copulate.
    Love-snared Calypso is supposed to pray
    A mortal nymph's[326] refusing lord to stay.
    Who doubts, with Peleus Thetis did consort,
    Egeria with just Numa had good sport.
    Venus with Vulcan, though, smith's tools laid by,
    With his stump foot he halts ill-favouredly.                      20
    This kind of verse is not alike; yet fit,
    With shorter numbers the heroic sit.
    And thou, my light, accept me howsoever;
    Lay in the mid bed, there be my lawgiver.
    My stay no crime, my flight no joy shall breed,
    Nor of our love, to be ashamed we need.
    For great revenues I good verses have,
    And many by me to get glory crave.
    I know a wench reports herself Corinne;
    What would not she give that fair name to win?                    30
    But sundry floods in one bank never go,
    Eurotas cold, and poplar-bearing Po;
    Nor in my books shall one but thou be writ,
    Thou dost alone give matter to my wit.

FOOTNOTES:

[324] Not in Isham copy or ed. A.

[325] Old eds. "and the."

[326] Marlowe reads "nymphÊ" for "nymphe."




ELEGIA XVIII.[327]

Ad Macrum, quod de amoribus scribat.


    To tragic verse while thou Achilles train'st,
    And new sworn soldiers' maiden arms retain'st,
    We, Macer, sit in Venus' slothful shade,
    And tender love hath great things hateful made.
    Often at length, my wench depart I bid,
    She in my lap sits still as erst she did.
    I said, "It irks me:" half to weeping framed,
    "Ay me!" she cries, "to love why art ashamed?"
    Then wreathes about my neck her winding arms,
    And thousand kisses gives, that work my harms:                    10
    I yield, and back my wit from battles bring,
    Domestic acts, and mine own wars to sing.
    Yet tragedies, and sceptres fill'd my lines,
    But though I apt were for such high designs,
    Love laughËd at my cloak, and buskins painted,
    And rule, so soon with private hands acquainted.
    My mistress' deity also drew me fro it,
    And love triumpheth o'er his buskined poet.
    What lawful is, or we profess love's art:
    (Alas, my precepts turn myself to smart!)                         20
    We write, or what Penelope sends Ulysses,
    Or Phillis' tears that her Demophoon misses.
    What thankless Jason, Macareus, and Paris,
    Phedra, and Hippolyte may read, my care is.
    And what poor Dido, with her drawn sword sharp,
    Doth say, with her that loved the Aonian harp.
    As[328] soon as from strange lands Sabinus came,
    And writings did from divers places frame,
    White-cheeked Penelope knew Ulysses' sign,
    The step-dame read Hippolytus' lustless line.                     30
    ∆neas to Elisa answer gives,
    And Phillis hath to read, if now she lives.
    Jason's sad letter doth Hypsipyle greet;
    Sappho her vowed harp lays at Phoebus' feet.
    Nor of thee, Macer, that resound'st forth arms,
    Is golden love hid in Mars' mid alarms.
    There Paris is, and Helen's crimes record,
    With Laodamia, mate to her dead lord,
    Unless I err to these thou more incline,
    Than wars, and from thy tents wilt come to mine.                  40

FOOTNOTES:

[327] Not in Isham copy or ed. A.

[328] The original has "Quam cito de toto rediit meus orbe Sabinus," &c.




ELEGIA XIX.[329]

Ad rivalem cui uxor curÊ non erat.


    Fool, if to keep thy wife thou hast no need,
    Keep her from me, my more desire to breed;
    We scorn things lawful; stolen sweets we affect;
    Cruel is he that loves whom none protect.
    Let us, both lovers, hope and fear alike,
    And may repulse place for our wishes strike.[330]
    What should I do with fortune that ne'er fails me?
    Nothing I love that at all times avails me.
    Wily Corinna saw this blemish in me,
    And craftily knows by what means to win me.                       10
    Ah, often, that her hale[331] head ached, she lying,
    Willed me, whose slow feet sought delay, be flying!
    Ah, oft, how much she might, she feigned offence;
    And, doing wrong, made show of innocence.
    So, having vexed, she nourished my warm fire,
    And was again most apt to my desire.
    To please me, what fair terms and sweet words has she!
    Great gods! what kisses, and how many ga'[332] she!
    Thou also that late took'st mine eyes away,
    Oft cozen[333] me, oft, being wooed, say nay;                     20
    And on thy threshold let me lie dispread,
    Suff'ring much cold by hoary night's frost bred.
    So shall my love continue many years;
    This doth delight me, this my courage cheers.
    Fat love, and too much fulsome, me annoys,
    Even as sweet meat a glutted stomach cloys.
    In brazen tower had not Dan‰e dwelt,
    A mother's joy by Jove she had not felt.
    While Juno Iˆ keeps, when horns she wore,
    Jove liked her better than he did before.                         30
    Who covets lawful things takes leaves from woods,
    And drinks stolen waters in surrounding floods.
    Her lover let her mock that long will reign:
    Ay me, let not my warnings cause my pain!
    Whatever haps, by sufferance harm is done,
    What flies I follow, what follows me I shun.
    But thou, of thy fair damsel too secure,
    Begin to shut thy house at evening sure.
    Search at the door who knocks oft in the dark,
    In night's deep silence why the ban-dogs[334] bark.               40
    Whither[335] the subtle maid lines[336] brings and carries,
    Why she alone in empty bed oft tarries.
    Let this care sometimes bite thee to the quick,
    That to deceits it may me forward prick.
    To steal sands from the shore he loves a-life[337]
    That can affect[338] a foolish wittol's wife.
    Now I forewarn, unless to keep her stronger
    Thou dost begin, she shall be mine no longer.
    Long have I borne much, hoping time would beat thee
    To guard her well, that well I might entreat thee.[339]           50
    Thou suffer'st what no husband can endure,
    But of my love it will an end procure.
    Shall I, poor soul, be never interdicted?
    Nor never with night's sharp revenge afflicted.
    In sleeping shall I fearless draw my breath?
    Wilt nothing do, why I should wish thy death?
    Can I but loathe a husband grown a bawd?
    By thy default thou dost our joys defraud.
    Some other seek that may in patience strive with thee,
    To pleasure me, forbid me to corrive with thee.[340]              60

FOOTNOTES:

[329] Not in Isham copy or ed. A.

[330] "Et faciat voto rara repulsa locum."

[331] Old eds, "haole"--The construction is not plain without a
reference to the original:--

    "Ah, quotiens sani capitis mentita dolores,
      Cunctantem tardo jussit abire pede."

[332] So Dyce for "gave" of the old eds.

[333] The reading of the original is "Saepe time insidias."

[334] Dogs tied up on account of their fierceness.

[335] Old eds. "Whether" (a common form of "whither").

[336] "Tabellas."

[337] As dearly as life.

[338] Old eds. "effect."

[339]

    "Multa diuque tuli; speravi saepe futurum
      Cum bene servasses ut bene verba darem."

[340] "Me tibi rivalem si juvat esse, veta."




P. OVIDII MASONIS AMORUM.

LIBER TERTIUS.




ELEGIA I.[341]

Deliberatio poetÊ, utrum elegos pergat scribere an potius tragoedias.


    An old wood stands, uncut of long years' space,
    'Tis credible some godhead[342] haunts the place.
    In midst thereof a stone-paved sacred spring,
    Where round about small birds most sweetly sing.
    Here while I walk, hid close in shady grove,
    To find what work my muse might move, I strove,
    Elegia came with hairs perfumËd sweet,
    And one, I think, was longer, of her feet:
    A decent form, thin robe, a lover's look,
    By her foot's blemish greater grace she took.                     10
    Then with huge steps came violent Tragedy,
    Stern was her front, her cloak[343] on ground did lie.
    Her left hand held abroad a regal sceptre,
    The Lydian buskin [in] fit paces kept her.
    And first she[344] said, "When will thy love be spent,
    O poet careless of thy argument?
    Wine-bibbing banquets tell thy naughtiness,
    Each cross-way's corner doth as much express.
    Oft some points at the prophet passing by,
    And, 'This is he whom fierce love burns,' they cry.               20
    A laughing-stock thou art to all the city;
    While without shame thou sing'st thy lewdness' ditty.
    'Tis time to move great things in lofty style,
    Long hast thou loitered; greater works compile.
    The subject hides thy wit; men's acts resound;
    This thou wilt say to be a worthy ground.
    Thy muse hath played what may mild girls content,
    And by those numbers is thy first youth spent.
    Now give the Roman Tragedy a name,
    To fill my laws thy wanton spirit frame."                         30
    This said, she moved her buskins gaily varnished,
    And seven times shook her head with thick locks garnished.
    The other smiled (I wot), with wanton eyes:
    Err I, or myrtle in her right hand lies?
    "With lofty words stout Tragedy," she said,
    "Why tread'st me down? art thou aye gravely play'd?
    Thou deign'st unequal lines should thee rehearse;
    Thou fight'st against me using mine own verse.
    Thy lofty style with mine I not compare,
    Small doors unfitting for large houses are.                       40
    Light am I, and with me, my care, light Love;
    Not stronger am I, than the thing I move.
    Venus without me should be rustical:
    This goddess' company doth to me befal.
    What gate thy stately words cannot unlock,
    My flattering speeches soon wide open knock.
    And I deserve more than thou canst in verity,
    By suffering much not borne by thy severity.
    By me Corinna learns, cozening her guard,
    To get the door with little noise unbarred;                       50
    And slipped from bed, clothed in a loose nightgown,
    To move her feet unheard in setting[345] down.
    Ah, how oft on hard doors hung I engraved,
    From no man's reading fearing to be saved!
    But, till the keeper[346] went forth, I forget not,
    The maid to hide me in her bosom let not.
    What gift with me was on her birthday sent,
    But cruelly by her was drowned and rent.
    First of thy mind the happy seeds I knew;[347]
    Thou hast my gift, which she would from thee sue."                60
    She left;[348] I said, "You both I must beseech,
    To empty air[349] may go my fearful speech.
    With sceptres and high buskins th' one would dress me,
    So through the world should bright renown express me.
    The other gives my love a conquering name;
    Come, therefore, and to long verse shorter frame.
    Grant, Tragedy, thy poet time's least tittle:
    Thy labour ever lasts; she asks but little."
    She gave me leave; soft loves, in time make haste;
    Some greater work will urge me on at last.                        70

FOOTNOTES:

[341] Not in Isham copy or ed. A.

[342] Old eds. "good head."

[343] So Dyce--Old eds. "looke." ("Palla jacebat humi.")

[344] Old eds. "he."

[345] Old eds. "sitting." ("Atque impercussos nocte movere pedes.")

[346] Ed. B "keepes;" ed. C "keepers." This line and the next are a
translation of:--

    "Quin ego me memini, dum custos saevus abiret,
        Ancillae missam delituisse sinu."

[347] The original has

    "Prima tuae _movi_ felicia semina mentis."

(Marlowe's copy read "novi.")

[348] "Desierat."

[349] "In vacuas _auras_." (The true reading is "aures.")




ELEGIA II.[350]

Ad amicam cursum equorum spectantem.

    I sit not here the noble horse to see;
    Yet whom thou favour'st, pray may conqueror be.
    To sit and talk with thee I hither came,
    That thou may'st know with love thou mak'st me flame.
    Thou view'st the course; I thee: let either heed
    What please them, and their eyes let either feed.
    What horse-driver thou favour'st most is best,
    Because on him thy care doth hap to rest.
    Such chance let me have: I would bravely run,
    On swift steeds mounted till the race were done.                  10
    Now would I slack the reins, now lash their hide,
    With wheels bent inward now the ring-turn ride,
    In running if I see thee, I shall stay,
    And from my hands the reins will slip away.
    Ah, Pelops from his coach was almost felled,
    Hippodamia's looks while he beheld!
    Yet he attained, by her support, to have her:
    Let us all conquer by our mistress' favour.
    In vain, why fly'st back? force conjoins us now:
    The place's laws this benefit allow.                              20
    But spare my wench, thou at her right hand seated;
    By thy sides touching ill she is entreated.[351]
    And sit thou rounder,[352] that behind us see;
    For shame press not her back with thy hard knee.
    But on the ground thy clothes too loosely lie:
    Gather them up, or lift them, lo, will I.
    Envious[353] garments, so good legs to hide!
    The more thou look'st, the more the gown's envÏed.
    Swift Atalanta's flying legs, like these,
    Wish in his hands grasped did Hippomenes.                         30
    Coat-tucked Diana's legs are painted like them,
    When strong wild beasts, she, stronger, hunts to strike them.
    Ere these were seen, I burnt: what will these do?
    Flames into flame, floods thou pour'st seas into,
    By these I judge; delight me may the rest,
    Which lie hid, under her thin veil supprest.
    Yet in the meantime wilt small winds bestow,
    That from thy fan, moved by my hand, may blow?
    Or is my heat of mind, not of the sky?
    Is't women's love my captive breast doth fry?                     40
    While thus I speak, black dust her white robes ray;[354]
    Foul dust, from her fair body go away!
    Now comes the pomp; themselves let all men cheer;[355]
    The shout is nigh; the golden pomp comes here.
    First, Victory is brought with large spread wing:
    Goddess, come here; make my love conquering.
    Applaud you Neptune, that dare trust his wave,
    The sea I use not: me my earth must have.
    Soldier applaud thy Mars, no wars we move,
    Peace pleaseth me, and in mid peace is love.                      50
    With augurs Phoebus, Phoebe with hunters stands.
    To thee Minerva turn the craftsmen's hands.
    Ceres and Bacchus countrymen adore,
    Champions please[356] Pollux, Castor loves horsemen more.
    Thee, gentle Venus, and the boy that flies,
    We praise: great goddess aid my enterprise.
    Let my new mistress grant to be beloved;
    She becked, and prosperous signs gave as she moved.
    What Venus promised, promise thou we pray
    Greater than her, by her leave, thou'rt, I'll say.                60
    The gods, and their rich pomp witness with me,
    For evermore thou shalt my mistress be.
    Thy legs hang down, thou may'st, if that be best,
    Awhile[357] thy tiptoes on the footstool[358] rest.
    Now greatest spectacles the PrÊtor sends,
    Four chariot-horses from the lists' even ends.
    I see whom thou affect'st: he shall subdue;
    The horses seem as thy[359] desire they knew.
    Alas, he runs too far about the ring;
    What dost? thy waggon in less compass bring.                      70
    What dost, unhappy? her good wishes fade:
    Let with strong hand the rein to bend be made.
    One slow we favour, Romans, him revoke:
    And each give signs by casting up his cloak.
    They call him back; lest their gowns toss thy hair,
    To hide thee in my bosom straight repair.
    But now again the barriers open lie,
    And forth the gay troops on swift horses fly.
    At least now conquer, and outrun the rest:
    My mistress' wish confirm with my request.                        80
    My mistress hath her wish; my wish remain:
    He holds the palm: my palm is yet to gain.
    She smiled, and with quick eyes behight[360] some grace:
    Pay it not here, but in another place.

FOOTNOTES:

[350] Not in Isham copy or ed. A.

[351] "Contactu lateris laeditur ista tui."

[352] "Tua contraha crura."

[353]

    "Invida vestis eras quod tam bona crura tegebas!
        Quoque magis spectes ... invida vestis eras."

[354] Defile.

[355] A strange rendering of "linguis animisque favete."

[356] Ed. B "pleace;" ed. C "place."

[357] Old eds. "Or while."

[358] "Cancellis" (_i.e._ the rails).

[359] Old eds. "they."

[360] "Promisit."




ELEGIA III.[361]

De amica quÊ perjuraverat.


    What, are there gods? herself she hath forswore,
    And yet remains the face she had before.
    How long her locks were ere her oath she took,
    So long they be since she her faith forsook.
    Fair white with rose-red was before commixt;
    Now shine her looks pure white and red betwixt.
    Her foot was small: her foot's form is most fit:
    Comely tall was she, comely tall she's yet.
    Sharp eyes she had: radiant like stars they be,
    By which she, perjured oft, hath lied to[362] me.                 10
    In sooth, th' eternal powers grant maids society
    Falsely to swear; their beauty hath some deity.
    By her eyes, I remember, late she swore,
    And by mine eyes, and mine were painËd sore.
    Say gods: if she unpunished you deceive,
    For other faults why do I loss receive.
    But did you not so envy[363] Cepheus' daughter,
    For her ill-beauteous mother judged to slaughter.
    'Tis not enough, she shakes your record off,
    And, unrevenged, mocked gods with me doth scoff.                  20
    But by my pain to purge her perjuries,
    Cozened, I am the cozener's sacrifice.
    God is a name, no substance, feared in vain,
    And doth the world in fond belief detain.
    Or if there be a God, he loves fine wenches,
    And all things too much in their sole power drenches.
    Mars girts his deadly sword on for my harm;
    Pallas' lance strikes me with unconquered arm;
    At me Apollo bends his pliant bow;
    At me Jove's right hand lightning hath to throw.                  30
    The wrongËd gods dread fair ones to offend,
    And fear those, that to fear them least intend.
    Who now will care the altars to perfume?
    Tut, men should not their courage so consume.
    Jove throws down woods and castles with his fire,
    But bids his darts from perjured girls retire.
    Poor Semele among so many burned,
    Her own request to her own torment turned.
    But when her lover came, had she drawn back,
    The father's thigh should unborn Bacchus lack.                    40
    Why grieve I? and of heaven reproaches pen?
    The gods have eyes, and breasts as well as men.
    Were I a god, I should give women leave,
    With lying lips my godhead to deceive.
    Myself would swear the wenches true did swear,
    And I would be none of the gods severe.
    But yet their gift more moderately use,
    Or in mine eyes, good wench, no pain transfuse.

FOOTNOTES:

[361] Not in Isham copy or ed. A.

[362] Old eds. "by."

[363]

    "At non invidiÊ vobis CephÎia virgo est,
            Pro male formosa jussa parente mori?"

("InvidiÊ" here means "discredit, odium.")




ELEGIA IV.[364]

Ad virum servantem conjugem.


    Rude man, 'tis vain thy damsel to commend
    To keeper's trust: their wits should them defend.
    Who, without fear, is chaste, is chaste in sooth:
    Who, because means want, doeth not, she doth.
    Though thou her body guard, her mind is stained;
    Nor, 'less[365] she will, can any be restrained.
    Nor can'st by watching keep her mind from sin,
    All being shut out, the adulterer is within.
    Who may offend, sins least; power to do ill
    The fainting seeds of naughtiness doth kill.                      10
    Forbear to kindle vice by prohibition;
    Sooner shall kindness gain thy will's fruition.
    I saw a horse against the bit stiff-necked,
    Like lightning go, his struggling mouth being checked:
    When he perceived the reins let slack, he stayed,
    And on his loose mane the loose bridle laid.
    How to attain what is denied we think,
    Even as the sick desire forbidden drink.
    Argus had either way an hundred eyes,
    Yet by deceit Love did them all surprise.                         20
    In stone and iron walls Dan‰e shut,
    Came forth a mother, though a maid there put.
    Penelope, though no watch looked unto her,
    Was not defiled by any gallant wooer.
    What's kept, we covet more: the care makes theft,
    Few love what others have unguarded left.
    Nor doth her face please, but her husband's love:
    I know not what men think should thee so move[366]
    She is not chaste that's kept, but a dear whore:[367]
    Thy fear is than her body valued more.                            30
    Although thou chafe, stolen pleasure is sweet play;
    She pleaseth best, "I fear," if any say.
    A free-born wench, no right 'tis up to lock,
    So use we women of strange nations' stock.
    Because the keeper may come say, "I did it,"
    She must be honest to thy servant's credit.
    He is too clownish whom a lewd wife grieves,
    And this town's well-known custom not believes;
    Where Mars his sons not without fault did breed,
    Remus and Romulus, Ilia's twin-born seed.                         40
    Cannot a fair one, if not chaste, please thee?
    Never can these by any means agree.
    Kindly thy mistress use, if thou be wise;
    Look gently, and rough husbands' laws despise.
    Honour what friends thy wife gives, she'll give many,
    Least labour so shall win great grace of any.
    So shalt thou go with youths to feasts together,
    And see at home much that thou ne'er brought'st thither.

FOOTNOTES:

[364] Not in Isham copy or ed. A.

[365] Old eds. "least." ("Nec custodiri, ni velit, ulla potest.")

[366] The original has "Nescio quid, quod te ceperit, esse putant."

[367] Dyce calls this line an "erroneous version of 'Non proba sit quam
vir servat, sed adultera; cara est.'" But Merkel's reading is "Non proba
fit quam vir servat, sed adultera cara"--which is accurately rendered by
Marlowe.




ELEGIA VI.[368]

Ad amnem dum iter faceret ad amicam.


    Flood with reed-grown[369] slime banks, till I be past
    Thy waters stay: I to my mistress haste.
    Thou hast no bridge, nor boat with ropes to throw,
    That may transport me, without oars to row.
    Thee I have passed, and knew thy stream none such,
    When thy wave's brim did scarce my ankles touch.
    With snow thawed from the next hill now thou gushest,[370]
    And in thy foul deep waters thick thou rushest.
    What helps my haste? what to have ta'en small rest?
    What day and night to travel in her quest?                        10
    If standing here I can by no means get
    My foot upon the further bank to set.
    Now wish I those wings noble Perseus had,
    Bearing the head with dreadful adders[371] clad;
    Now wish the chariot, whence corn fields were found,
    First to be thrown upon the untilled ground:
    I speak old poet's wonderful inventions,
    Ne'er was, nor [e'er] shall be, what my verse mentions.
    Rather, thou large bank-overflowing river,
    Slide in thy bounds; so shalt thou run for ever.                  20
    Trust me, land-stream, thou shalt no envy lack,
    If I a lover be by thee held back.
    Great floods ought to assist young men in love,
    Great floods the force of it do often prove.
    In mid Bithynia,[372] 'tis said, Inachus
    Grew pale, and, in cold fords, hot lecherous.
    Troy had not yet been ten years' siege out stander,
    When nymph NeÊra rapt thy looks, Scamander.
    What, not Alpheus in strange lands to run,
    The Arcadian virgin's constant love hath won?                     30
    And Creusa unto Xanthus first affied,
    They say Peneus near Phthia's town did hide.
    What should I name Asop,[373] that Thebe loved,
    Thebe who mother of five daughters proved,
    If, Achelˆus, I ask where thy horns stand,
    Thou say'st, broke with Alcides' angry hand.
    Not Calydon, nor ∆tolia did please;
    One Deianira was more worth than these.
    Rich Nile by seven mouths to the vast sea flowing,
    Who so well keeps his water's head from knowing,                  40
    Is by Evadne thought to take such flame,
    As his deep whirlpools could not quench the same.
    Dry Enipeus, Tyro to embrace,
    Fly back his stream[374] charged; the stream charged, gave place.
    Nor pass I thee, who hollow rocks down tumbling,
    In Tibur's field with watery foam art rumbling.
    Whom Ilia pleased, though in her looks grief revelled,
    Her cheeks were scratched, her goodly hairs dishevelled.
    She, wailing Mar's sin and her uncle's crime,
    Strayed barefoot through sole places[375] on a time.              50
    Her, from his swift waves, the bold flood perceived,
    And from the mid ford his hoarse voice upheaved,
    Saying, "Why sadly tread'st my banks upon,
    Ilia sprung from IdÊan Laomedon?
    Where's thy attire? why wanderest here alone?
    To stay thy tresses white veil hast thou none?
    Why weep'st and spoil'st with tears thy watery eyes?
    And fiercely knock'st thy breast that open lies?
    His heart consists of flint and hardest steel,
    That seeing thy tears can any joy then feel.                      60
    Fear not: to thee our court stands open wide,
    There shalt be loved: Ilia, lay fear aside.
    Thou o'er a hundred nymphs or more shalt reign,
    For five score nymphs or more our floods contain.
    Nor, Roman stock, scorn me so much I crave,
    Gifts than my promise greater thou shalt have."[376]
    This said he: she her modest eyes held down.
    Her woful bosom a warm shower did drown.
    Thrice she prepared to fly, thrice she did stay,
    By fear deprived of strength to run away.                         70
    Yet rending with enragËd thumb her tresses,
    Her trembling mouth these unmeet sounds expresses:
    "O would in my forefathers' tomb deep laid,
    My bones had been while yet I was a maid:
    Why being a vestal am I wooed to wed,
    Deflowered and stainËd in unlawful bed.
    Why stay I? men point at me for a whore,
    Shame, that should make me blush, I have no more."
    This said; her coat hoodwinked her fearful eyes,
    And into water desperately she flies.                             80
    'Tis said the slippery stream held up her breast,
    And kindly gave her what she likËd best.
    And I believe some wench thou hast affected,
    But woods and groves keep your faults undetected.
    While thus I speak the waters more abounded,
    And from the channel all abroad surrounded.
    Mad stream, why dost our mutual joys defer?
    Clown, from my journey why dost me deter?
    How would'st thou flow wert thou a noble flood?
    If thy great fame in every region stood?                          90
    Thou hast no name, but com'st from snowy mountains;
    No certain house thou hast, nor any fountains;
    Thy springs are nought but rain and melted snow,
    Which wealth cold winter doth on thee bestow.
    Either thou art muddy in mid-winter tide,
    Or full of dust dost on the dry earth slide.
    What thirsty traveller ever drunk of thee?
    Who said with grateful voice, "Perpetual be!"
    Harmful to beasts, and to the fields thou proves,
    Perchance these[377] others, me mine own loss moves.             100
    To this I fondly[378] loves of floods told plainly,
    I shame so great names to have used so vainly.
    I know not what expecting, I ere while,
    Named Achelˆus, Inachus, and Nile.[379]
    But for thy merits I wish thee, white stream,[380]
    Dry winters aye, and suns in heat extreme.

FOOTNOTES:

[368] Not in Isham copy or ed. A.--In the old copies this elegy is
marked "Elegia v." The fifth elegy (beginning "Nox erat et somnus," &c.)
was not contained in Marlowe's copy.

[369] Old eds. "redde-growne."

[370] So Dyce for "rushest" of the old eds.

[371] So Dyce for "arrowes" of the old eds.

[372] The original has "Inachus in Melie Bithynide pallidus isse."
&c.--Dyce suggests that Marlowe's copy had "in _media_ Bithynide."

[373] Old eds. "Aesope."

[374] Old eds. "shame."

[375] "Loca sola."

[376] The original has "Desit famosus qui notet ora pudor" (or "Desint
... quae," &c.)

[377] "Forsitan haec alios, me mea damna movent."

[378] "Demens."

[379] Old eds. "Ile."

[380] Marlowe read "nunc candide" for "non candide."




ELEGIA VII.

Quod ab amica receptus, cum ea coire non potuit, conqueritur.


    Either she was foul, or her attire was bad,
    Or she was not the wench I wished to have had.
    Idly I lay with her, as if I loved not,
    And like a burden grieved the bed that moved not.
    Though both of us performed our true intent,
    Yet could I not cast anchor where I meant.
    She on my neck her ivory arms did throw,
    Her[381] arms far whiter than the Scythian snow.
    And eagerly she kissed me with her tongue,
    And under mine her wanton thigh she flung,                        10
    Yea, and she soothed me up, and called me "Sir,"[382]
    And used all speech that might provoke and stir.
    Yet like as if cold hemlock I had drunk,
    It mockËd me, hung down the head and sunk.
    Like a dull cipher, or rude block I lay,
    Or shade, or body was I, who can say?
    What will my age do, age I cannot shun,
    Seeing[383] in my prime my force is spent and done?
    I blush, that being youthful, hot, and lusty,
    I prove neither youth nor man, but old and rusty.                 20
    Pure rose she, like a nun to sacrifice,
    Or one that with her tender brother lies.
    Yet boarded I the golden Chie[384] twice,
    And Libas, and the white-cheeked Pitho thrice.
    Corinna craved it in a summer's night,
    And nine sweet bouts had we[385] before daylight.
    What, waste my limbs through some Thessalian charms?
    May spells and drugs do silly souls such harms?
    With virgin wax hath some imbast[386] my joints?
    And pierced my liver with sharp needle-points?[387]               30
    Charms change corn to grass and make it die:
    By charms are running springs and fountains dry.
    By charms mast drops from oaks, from vines grapes fall,
    And fruit from trees when there's no wind at all.
    Why might not then my sinews be enchanted?
    And I grow faint as with some spirit haunted?
    To this, add shame: shame to perform it quailed me,
    And was the second cause why vigour failed me.
    My idle thoughts delighted her no more,
    Than did the robe or garment which she wore.                      40
    Yet might her touch make youthful Pylius fire,
    And Tithon livelier than his years require.
    Even her I had, and she had me in vain,
    What might I crave more, if I ask again?
    I think the great gods grieved they had bestowed,
    This[388] benefit: which lewdly[389] I foreslowed.[390]
    I wished to be received in, in[391] I get me.
    To kiss, I kiss;[392] to lie with her, she let me.
    Why was I blest? why made king to refuse[393] it?
    Chuff-like had I not gold and could not use it?                   50
    So in a spring thrives he that told so much,[394]
    And looks upon the fruits he cannot touch.
    Hath any rose so from a fresh young maid,
    As she might straight have gone to church and prayed?
    Well, I believe, she kissed not as she should,
    Nor used the sleight and[395] cunning which she could.
    Huge oaks, hard adamants might she have moved,
    And with sweet words caus[ed] deaf rocks to have loved.
    Worthy she was to move both gods and men,
    But neither was I man nor livËd then.                             60
    Can deaf ears[396] take delight when PhÊmius sings?
    Or Thamyris in curious painted things?
    What sweet thought is there but I had the same?
    And one gave place still as another came.
    Yet notwithstanding, like one dead it lay,
    Drooping more than a rose pulled yesterday.
    Now, when he should not jet, he bolts upright,
    And craves his task, and seeks to be at fight.
    Lie down with shame, and see thou stir no more.
    Seeing thou[397] would'st deceive me as before.                   70
    Thou cozenest me: by thee surprised am I,
    And bide sore loss[398] with endless infamy.
    Nay more, the wench did not disdain a whit
    To take it in her hand, and play with it.
    But when she saw it would by no means stand,
    But still drooped down, regarding not her hand,
    "Why mock'st thou me," she cried, "or being ill,
    Who bade thee lie down here against thy will?
    Either thou art witched with blood of frogs[399] new dead,
    Or jaded cam'st thou from some other's bed."                      80
    With that, her loose gown on, from me she cast her;
    In skipping out her naked feet much graced her.
    And lest her maid should know of this disgrace,
    To cover it, spilt water in the place.

FOOTNOTES:

[381] So eds. B, C.--Isham copy and ed. A:--

    "That were as white as is the Scithian snow."

[382] "Dominumque vocavit."

[383] So Isham copy and ed. A.--Eds. B, C "When."

[384] "Flava Chlide."

[385] So Isham copy and ed. A.--Eds. B, C "we had."

[386] The verb "embase" or "imbase" is frequently found in the sense of
"abase." Here the meaning seems to be "weakened, enfeebled." (Ovid's
words are "Sagave poenicea defixit nomina cera.")

[387] So Isham copy and ed. A ("needle points").--Eds. B, C "needles'
points."

[388] So Isham copy and ed. A.--Eds. B, C "The."

[389] "Turpiter."

[390] Neglected.

[391] So eds. B, C.--Isham copy "received in, _and_ in I _got_ me."

[392] So old eds.--Dyce reads "kiss'd."

[393] So eds. B, C.--Isham copy and ed. A "and refusde it."

[394] "Sic aret mediis taciti vulgator in undis."

[395] So eds. B, C.--Isham copy and ed. A "nor."

[396] Isham copy "yeares;" ed. A "yeres;" eds. B, C "eare."

[397] So eds. B, C.--Isham copy and ed. A "Seeing now thou."

[398] So eds. B, C.--Isham copy and ed. A "great hurt."

[399] The original has "Aut te trajectis Aeaea venefica _lanis_," &c.
(As Dyce remarks, Marlowe read "ranis.")




ELEGIA VIII.[400]

Quod ad amica non recipiatur, dolet.


    What man will now take liberal arts in hand,
    Or think soft verse in any stead to stand?
    Wit was sometimes more precious than gold;
    Now poverty great barbarism we hold.
    When our books did my mistress fair content,
    I might not go whither my papers went.
    She praised me, yet the gate shut fast upon her,
    I here and there go, witty with dishonour.
    See a rich chuff, whose wounds great wealth inferred,
    For bloodshed knighted, before me preferred.                      10
    Fool, can'st thou him in thy white arms embrace?
    Fool, can'st thou lie in his enfolding space?
    Know'st not this head[401] a helm was wont to bear?
    This side that serves thee, a sharp sword did wear.
    His left hand, whereon gold doth ill alight,
    A target bore: blood-sprinkled was his right.
    Can'st touch that hand wherewith some one lies dead?
    Ah, whither is thy breast's soft nature fled?
    Behold the signs of ancient fight, his scars!
    Whate'er he hath, his body gained in wars.                        20
    Perhaps he'll tell how oft he slew a man,
    Confessing this, why dost thou touch him than?[402]
    I, the pure priest of Phoebus and the Muses,
    At thy deaf doors in verse sing my abuses.
    Not what we slothful know,[403] let wise men learn,
    But follow trembling camps and battles stern.
    And for a good verse draw the first dart forth:[404]
    Homer without this shall be nothing worth.
    Jove, being admonished gold had sovereign power,
    To win the maid came in a golden shower.                          30
    Till then, rough was her father, she severe,
    The posts of brass, the walls of iron were.
    But when in gifts the wise adulterer came,
    She held her lap ope to receive the same.
    Yet when old Saturn heaven's rule possest,
    All gain in darkness the deep earth supprest.
    Gold, silver, iron's heavy weight, and brass,
    In hell were harboured; here was found no mass.
    But better things it gave, corn without ploughs,
    Apples, and honey in oaks' hollow boughs.                         40
    With strong ploughshares no man the earth did cleave,
    The ditcher no marks on the ground did leave.
    Nor hanging oars the troubled seas did sweep,
    Men kept the shore and sailed not into deep.
    Against thyself, man's nature, thou wert cunning,
    And to thine own loss was thy wit swift running.
    Why gird'st thy cities with a towerËd wall,
    Why let'st discordant hands to armour fall?
    What dost with seas? with th' earth thou wert content;
    Why seek'st not heaven, the third realm, to frequent?             50
    Heaven thou affects: with Romulus, temples brave,
    Bacchus, Alcides, and now CÊsar have.
    Gold from the earth instead of fruits we pluck;
    Soldiers by blood to be enriched have luck.
    Courts shut the poor out; wealth gives estimation.
    Thence grows the judge, and knight of reputation.
    All,[405] they possess: they govern fields and laws,
    They manage peace and raw war's bloody jaws.
    Only our loves let not such rich churls gain:
    'Tis well if some wench for the poor remain.                      60
    Now, Sabine-like, though chaste she seems to live,
    One her[406] commands, who many things can give.
    For me, she doth keeper[407] and husband fear,
    If I should give, both would the house forbear.
    If of scorned lovers god be venger just,
    O let him change goods so ill-got to dust.

FOOTNOTES:

[400] Not in Isham copy or ed. A.

[401] So ed. B.--Ed. C "his." ("Caput _hoc_ galeam portare solebat.")

[402] Then.

[403] Old eds. knew.

[404] Marlowe has quite mistaken the meaning of the original "Proque
bono versu primum deducite pilum."

[405] A very loose rendering of Ovid's couplet--

    "Omnia possideant; illis Campusque Forumque
      Serviat; hi pacem crudaque bella gerant."

[406] So Dyce for "she" of the old eds. ("Imperat ut captae qui dare
multa potest.")

[407] The original has "Me prohibet custos: in me timet illa maritum."




ELEGIA IX.[408]

Tibulli mortem deflet.


    If Thetis and the Morn their sons did wail,
    And envious Fates great goddesses assail;
    Sad Elegy,[409] thy woful hairs unbind:
    Ah, now a name too true thou hast I find.
    Tibullus, thy work's poet, and thy fame,
    Burns his dead body in the funeral flame.
    Lo, Cupid brings his quiver spoilËd quite,
    His broken bow, his firebrand without light!
    How piteously with drooping wings he stands,
    And knocks his bare breast with self-angry hands.                 10
    The locks spread on his neck receive his tears,
    And shaking sobs his mouth for speeches bears.
    So[410] at ∆neas' burial, men report,
    Fair-faced Ilus, he went forth thy court.
    And Venus grieves, Tibullus' life being spent,
    As when the wild boar Adon's groin had rent.
    The gods' care we are called, and men of piety,
    And some there be that think we have a deity.
    Outrageous death profanes all holy things,
    And on all creatures obscure darkness brings.                     20
    To Thracian Orpheus what did parents good?
    Or songs amazing wild beasts of the wood?
    Where[411] Linus by his father Phoebus laid,
    To sing with his unequalled harp is said.
    See Homer from whose fountain ever filled
    Pierian dew to poets is distilled:
    Him the last day in black Avern hath drowned:
    Verses alone are with continuance crowned.
    The work of poets lasts: Troy's labour's fame,
    And that slow web night's falsehood did unframe.                  30
    So Nemesis, so Delia famous are,
    The one his first love, th' other his new care.
    What profit to us hath our pure life bred?
    What to have lain alone in empty bed?
    When bad Fates take good men, I am forbod
    By secret thoughts to think there is a God.
    Live godly, thou shalt die; though honour heaven,
    Yet shall thy life be forcibly bereaven.
    Trust in good verse, Tibullus feels death's pains,
    Scarce rests of all what a small urn contains.                    40
    Thee, sacred poet, could sad flames destroy?
    Nor fearËd they thy body to annoy?
    The holy gods' gilt temples they might fire,
    That durst to so great wickedness aspire.
    Eryx' bright empress turned her looks aside,
    And some, that she refrained tears, have denied.
    Yet better is't, than if Corcyra's Isle,
    Had thee unknown interred in ground most vile.
    Thy dying eyes here did thy mother close,
    Nor did thy ashes her last offerings lose.                        50
    Part of her sorrow here thy sister bearing,
    Comes forth, her unkembed[412] locks asunder tearing.
    Nemesis and thy first wench join their kisses
    With thine, nor this last fire their presence misses.
    Delia departing, "Happier loved," she saith,
    "Was I: thou liv'dst, while thou esteem'dst my faith."
    Nemesis answers, "What's my loss to thee?
    His fainting hand in death engraspËd me."
    If aught remains of us but name and spirit,
    Tibullus doth Elysium's joy inherit.                              60
    Their youthful brows with ivy girt to meet him,
    With Calvus learned Catullus comes, and greet him;
    And thou, if falsely charged to wrong thy friend,
    Callus, that car'dst[413] not blood and life to spend,
    With these thy soul walks: souls if death release,
    The godly[414] sweet Tibullus doth increase.
    Thy bones, I pray, may in the urn safe rest,
    And may th' earth's weight thy ashes naught molest.

FOOTNOTES:

[408] Not in Isham copy or ed. A.

[409] Ed. B "Eeliga"--Ed. C "Elegia."

[410]

    "Fratris in Aeneae sic illum funere dicunt
      Egressum tectis, pulcher Iule, tuis."

[411] The original has--

    "Aelinon in silvis idem pater, aelinon, altis
      Dicitur invita concinuisse lyra."

In Marlowe's copy the couplet must have been very different.

[412] Old eds. "vnkeembe" and "unkeemb'd."

[413] Old eds. "carst."

[414] "Auxisti numeros, culte Tibulle, pios."




ELEGIA X.[415]

Ad Cererem, conquerens quod ejus sacris cum amica concumbere non
permittatur.


    Come were the times of Ceres' sacrifice;
    In empty bed alone my mistress lies.
    Golden-haired Ceres crowned with ears of corn,
    Why are our pleasures by thy means forborne?
    Thee, goddess, bountiful all nations judge,
    Nor less at man's prosperity any grudge.
    Rude husbandmen baked not their corn before,
    Nor on the earth was known the name of floor.[416]
    On mast of oaks, first oracles, men fed;
    This was their meat, the soft grass was their bed.                10
    First Ceres taught the seed in fields to swell,
    And ripe-eared corn with sharp-edged scythes to fell.
    She first constrained bulls' necks to bear the yoke,
    And untilled ground with crooked ploughshares broke.
    Who thinks her to be glad at lovers' smart,
    And worshipped by their pain and lying apart?
    Nor is she, though she loves the fertile fields,
    A clown, nor no love from her warm breast yields:
    Be witness Crete (nor Crete doth all things feign)
    Crete proud that Jove her nursery maintain.                       20
    There, he who rules the world's star-spangled towers,
    A little boy drunk teat-distilling showers.
    Faith to the witness Jove's praise doth apply;
    Ceres, I think, no known fault will deny.
    The goddess saw Iasion on Candian Ide,
    With strong hand striking wild beasts' bristled hide.
    She saw, and as her marrow took the flame,
    Was divers ways distract with love and shame.
    Love conquered shame, the furrows dry were burned,
    And corn with least part of itself returned.                      30
    When well-tossed mattocks did the ground prepare,
    Being fit-broken with the crooked share,
    And seeds were equally in large fields cast,
    The ploughman's hopes were frustrate at the last.
    The grain-rich goddess in high woods did stray,
    Her long hair's ear-wrought garland fell away.
    Only was Crete fruitful that plenteous year;
    Where Ceres went, each place was harvest there.
    Ida, the seat of groves, did sing[417] with corn,
    Which by the wild boar in the woods was shorn.                    40
    Law-giving Minos did such years desire,
    And wished the goddess long might feel love's fire.
    Ceres, what sports[418] to thee so grievous were,
    As in thy sacrifice we them forbear?
    Why am I sad, when Proserpine is found,
    And Juno-like with Dis reigns under ground?
    Festival days ask Venus, songs, and wine,
    These gifts are meet to please the powers divine.

FOOTNOTES:

[415] Not in Isham copy or ed. A.

[416] Threshing-floor ("area").

[417] Marlowe has made the school-boy's mistake of confusing "caneo" and
"cano."

[418] The original has

    "Quod tibi secubitus tristes, dea flava, fuissent,
      Hoc cogor sacris nunc ego ferre tuis."

Marlowe appears to have read "Qui tibi concubitus," &c.




ELEGIA XI.[419]

Ad amicam a cujus amore discedere non potest.


    Long have I borne much, mad thy faults me make;
    Dishonest love, my wearied breast forsake!
    Now have I freed myself, and fled the chain,
    And what I have borne, shame to bear again.
    We vanquish, and tread tamed love under feet,
    Victorious wreaths[420] at length my temples greet.
    Suffer, and harden: good grows by this grief,
    Oft bitter juice brings to the sick relief.
    I have sustained, so oft thrust from the door,
    To lay my body on the hard moist floor.                           10
    I know not whom thou lewdly didst embrace,
    When I to watch supplied a servant's place.
    I saw when forth a tirËd lover went.
    His side past service, and his courage spent,
    Yet this is less than if he had seen me;
    May that shame fall mine enemies' chance to be.
    When have not I, fixed to thy side, close laid?
    I have thy husband, guard, and fellow played.
    The people by my company she pleased;
    My love was cause that more men's love she seized.                20
    What, should I tell her vain tongue's filthy lies,
    And, to my loss, god-wronging perjuries?
    What secret becks in banquets with her youths,
    With privy signs, and talk dissembling truths?
    Hearing her to be sick, I thither ran,
    But with my rival sick she was not than.
    These hardened me, with what I keep obscure:[421]
    Some other seek, who will these things endure.
    Now my ship in the wishËd haven crowned,
    With joy hears Neptune's swelling waters sound.                   30
    Leave thy once-powerful words, and flatteries,
    I am not as I was before, unwise.
    Now love and hate my light breast each way move,
    But victory, I think, will hap to love.
    I'll hate, if I can; if not, love 'gainst my will,
    Bulls hate the yoke, yet what they hate have still.
    I fly her lust, but follow beauty's creature,
    I loathe her manners, love her body's feature.
    Nor with thee, nor without thee can I live,
    And doubt to which desire the palm to give.                       40
    Or less fair, or less lewd would thou might'st be:
    Beauty with lewdness doth right ill agree.
    Her deeds gain hate, her face entreateth love;
    Ah, she doth more worth than her vices prove!
    Spare me, oh, by our fellow bed, by all
    The gods, who by thee, to be perjured fall.[422]
    And by thy face to me a power divine,
    And by thine eyes, whose radiance burns out mine!
    Whate'er thou art, mine art thou: choose this course,
    Wilt have me willing, or to love by force.                        50
    Rather I'll hoist up sail, and use the wind,
    That I may love yet, though against my mind.

FOOTNOTES:

[419] Not in Isham copy or ed. A.

[420] The original has "Venerunt capiti cornua sera meo."

[421] "Et que taceo."

[422] "Qui dant fallendos se tibi saepe, deos."




ELEGIA XII.[423]

Dolet amicam suam ita suis carminibus innotuisse ut rivales multos sibi
pararit.


    What day was that, which all sad haps to bring,
    White birds to lovers did not[424] always sing?
    Or is I think my wish against the stars?
    Or shall I plain some god against me wars?
    Who mine was called, whom I loved more than any,
    I fear with me is common now to many.
    Err I? or by my books[425] is she so known?
    'Tis so: by my wit her abuse is grown.
    And justly: for her praise why did I tell?
    The wench by my fault is set forth to sell.                       10
    The bawd I play, lovers to her I guide:
    Her gate by my hands is set open wide.
    'Tis doubtful whether verse avail or harm,
    Against my good they were an envious charm.
    When Thebes, when Troy, when CÊsar should be writ,
    Alone Corinna moves my wanton wit.
    With Muse opposed, would I my lines had done,
    And Phoebus had forsook my work begun!
    Nor, as use will not poets' record hear,
    Would I my words would any credit bear.                           20
    Scylla by us her father's rich hair steals,
    And Scylla's womb mad raging dogs conceals.
    We cause feet fly, we mingle hares with snakes,
    Victorious Perseus a winged steed's back takes.
    Our verse great Tityus a huge space outspreads,
    And gives the viper-curlËd dog three heads.
    We make Enceladus use a thousand arms,
    And men enthralled by mermaid's[426] singing charms.
    The east winds in Ulysses' bags we shut,
    And blabbing Tantalus in mid-waters put.                          30
    Niobe flint, Callist we make a bear,
    Bird-changËd Progne doth her Itys tear.[427]
    Jove turns himself into a swan, or gold,
    Or his bull's horns Europa's hand doth hold.
    Proteus what should I name? teeth, Thebes' first seed?
    Oxen in whose mouths burning flames did breed?
    Heaven-star, Electra,[428] that bewailed her sisters?
    The ships, whose godhead in the sea now glisters?
    The sun turned back from Atreus' cursed table?                    39
    And sweet-touched harp that to move stones was able?
    Poets' large power is boundless and immense,
    Nor have their words true history's pretence.
    And my wench ought to have seemed falsely praised,
    Now your credulity harm to me hath raised.

FOOTNOTES:

[423] Not in Isham copy or ed. A.

[424] Marlowe has put his negative in the wrong place and made nonsense
of the couplet:--

    "Quis fuit ille dies quo tristia semper amanti
      Omina non albae concinuistis aves?"

[425] Old eds. "lookes."

[426] "Ambiguae captos virginis ore viros." ("Ambigua virgo" is the
sphinx.)

[427] The original has "_Concinit_ Odrysium Cecropis ales Ityn."

[428] Marlowe's copy must have been very corrupt here. The true reading
is

    "Flere genis electra tuas, auriga, sorores?"




ELEGIA XIII.[429]

De Junonis festo.


    When fruit-filled Tuscia should a wife give me,
    We touched the walls, Camillus, won by thee.
    The priests to Juno did prepare chaste feasts,
    With famous pageants, and their home-bred beasts.
    To know their rites well recompensed my stay,
    Though thither leads a rough steep hilly way.
    There stands an old wood with thick trees dark clouded:
    Who sees it grants some deity there is shrouded.
    An altar takes men's incense and oblation,
    An altar made after the ancient fashion.                          10
    Here, when the pipe with solemn tunes doth sound,
    The annual pomp goes on the covered[430] ground.
    White heifers by glad people forth are led,
    Which with the grass of Tuscan fields are fed,
    And calves from whose feared front no threatening flies,
    And little pigs, base hogsties' sacrifice,
    And rams with horns their hard heads wreathËd back;
    Only the goddess-hated goat did lack,
    By whom disclosed, she in the high woods took,
    Is said to have attempted flight forsook.                         20
    Now[431] is the goat brought through the boys with darts,
    And give[n] to him that the first wound imparts.
    Where Juno comes, each youth and pretty maid,
    Show[432] large ways, with their garments there displayed.
    Jewels and gold their virgin tresses crown,
    And stately robes to their gilt feet hang down.
    As is the use, the nuns in white veils clad,
    Upon their heads the holy mysteries had.
    When the chief pomp comes, loud[433] the people hollow;
    And she her vestal virgin priests doth follow.                    30
    Such was the Greek pomp, Agamemnon dead;
    Which fact[434] and country wealth, Halesus fled.
    And having wandered now through sea and land,
    Built walls high towered with a prosperous hand.
    He to th' Hetrurians Juno's feast commended:
    Let me and them by it be aye befriended.

FOOTNOTES:

[429] Not in Isham copy or ed. A.

[430] "It per velatas annua pompa vias."

[431]

    "Nunc quoque per pueros jaculis incessitur index
      Et pretium auctori vulneris ipsa datur."

[432] "Praeverrunt latas veste jacente vias."--Dyce remarks that Marlowe
read "Praebuerant."

[433] "Ore favent populi." (In Henry's monumental edition of Virgil's
∆neid, vol. iii. pp. 25-27, there is a very interesting note on the
meaning of the formula "ore favete." He denies the correctness of the
ordinary interpretation "be silent.")

[434] "Et _scelus_ et patrias fugit HalÊsus opes."




ELEGIA XIV.

Ad amicam, si peccatura est, ut occulte peccet.


    Seeing thou art fair, I bar not thy false playing,
    But let not me, poor soul, know[435] of thy straying.
    Nor do I give thee counsel to live chaste,
    But that thou would'st dissemble, when 'tis past.
    She hath not trod awry, that doth deny it.
    Such as confess have lost their good names by it.
    What madness is't to tell night-pranks[436] by day?
    And[437] hidden secrets openly to bewray?
    The strumpet with the stranger will not do,
    Before the room be clear and door put-to.                         10
    Will you make shipwreck of your honest name,
    And let the world be witness of the same?
    Be more advised, walk as a puritan,
    And I shall think you chaste, do what you can.
    Slip still, only deny it when 'tis done,
    And, before folk,[438] immodest speeches shun.
    The bed is for lascivious toyings meet,
    There use all tricks,[439] and tread shame under feet.
    When you are up and dressed, be sage and grave,
    And in the bed hide all the faults you have.                      20
    Be not ashamed to strip you, being there,
    And mingle thighs, yours ever mine to bear.[440]
    There in your rosy lips my tongue entomb,
    Practise a thousand sports when there you come.
    Forbear no wanton words you there would speak,
    And with your pastime let the bedstead creak;
    But with your robes put on an honest face,
    And blush, and seem as you were full of grace.
    Deceive all; let me err; and think I'm right,
    And like a wittol think thee void of slight.                      30
    Why see I lines so oft received and given?
    This bed and that by tumbling made uneven?
    Like one start up your hair tost and displaced,
    And with a wanton's tooth your neck new-rased.
    Grant this, that what you do I may not see;
    If you weigh not ill speeches, yet weigh me.
    My soul fleets[441] when I think what you have done,
    And thorough[442] every vein doth cold blood run.
    Then thee whom I must love, I hate in vain,
    And would be dead, but dead[443] with thee remain.                40
    I'll not sift much, but hold thee soon excused.
    Say but thou wert injuriously accused.
    Though while the deed be doing you be took,
    And I see when you ope the two-leaved book,[444]
    Swear I was blind; deny[445] if you be wise,
    And I will trust your words more than mine eyes.
    From him that yields, the palm[446] is quickly got,
    Teach but your tongue to say, "I did it not,"
    And being justified by two words, think
    The cause acquits you not, but I[447] that wink.                  50

FOOTNOTES:

[435] So Isham copy and eds. B, C.--Ed. A "wit."

[436] So Isham copy.--Ed. A "night-sports."

[437] So eds. B, C.--Isham copy and ed. A "Or."

[438] So Isham copy.--Ed. A "people."

[439] So Isham copy.--Ed. A "toyes."

[440] So eds. B, C.--Isham copy and ed. A "mine ever yours."

[441] "Mens abit."

[442] So eds. B, C.--Isham copy and ed. A "through."

[443] So eds. B, C.--Isham copy and ed. A "dying."

[444] The original has

    "Et fuerint oculis probra videnda meis."

[445] So eds. B, C.--Isham copy and ed. A "yeeld not."

[446] So eds. B, C.--Isham copy and ed. A "garland."

[447] So Isham copy and eds. A, B.--Ed. C "that I."




ELEGIA XV.[448]

Ad Venerem, quod elegis finem imponat.


    Tender Loves' mother[449] a new poet get,
    This last end to my Elegies is set.[450]
    Which I, Peligny's foster-child, have framed,
    Nor am I by such wanton toys defamed.
    Heir of an ancient house, if help that can,
    Not only by war's rage[451] made gentleman.
    In Virgil Mantua joys: in Catull Verone;
    Of me Peligny's nation boasts alone;
    Whom liberty to honest arms compelled,
    When careful Rome in doubt their prowess held.[452]               10
    And some guest viewing watery Sulmo's walls,
    Where little ground to be enclosed befalls,
    "How such a poet could you bring forth?" says:
    "How small soe'er, I'll you for greatest praise."
    Both loves, to whom my heart long time did yield,[453]
    Your golden ensigns pluck[454] out of my field.
    Horned Bacchus graver fury doth distil,
    A greater ground with great horse is to till.
    Weak Elegies, delightful Muse, farewell;
    A work that, after my death, here shall dwell.                    20

FOOTNOTES:

[448] Not in Isham copy or ed. A.

[449] "Tenerorum mater amorum."

[450] "Marlowe's copy of Ovid had 'Traditur haec elegis ultima charta
meis.'"--Dyce. (The true reading is "Raditur hic ... meta meis.")

[451] "Non modo militiae turbine factus eques."

[452] "Cum timuit socias anxia turba manus."

[453] "Marlowe's copy of Ovid had 'Culte puer, puerique parens _mihi
tempore longo_.' (instead of what we now read 'Amathusia
culti.')"--Dyce.

[454] Old eds. "pluckt."




EPIGRAMS BY J[OHN] D[AVIES].




EPIGRAMS BY J[OHN] D[AVIES].[455]




AD MUSAM. I.


    Fly, merry Muse, unto that merry town,
    Where thou mayst plays, revels, and triumphs see;
    The house of fame, and theatre of renown,
    Where all good wits and spirits love to be.
    Fall in between their hands that praise and love thee,[456]
    And be to them a laughter and a jest:
    But as for them which scorning shall reprove[457] thee,
    Disdain their wits, and think thine own the best.
    But if thou find any so gross and dull,
    That thinks I do to private taxing[458] lean,                     10
    Bid him go hang, for he is but a gull,
    And knows not what an epigram doth[459] mean,
    Which taxeth,[460] under a particular name,
    A general vice which merits public blame.

FOOTNOTES:

[455] Dyce has carefully recorded the readings of a MS. copy (_Harl.
MS._ 1836) of the present epigrams. As in most cases the variations are
unimportant, I have not thought it necessary to reproduce Dyce's
elaborate collation. Where the MS. readings are distinctly preferable I
have adopted them; but in such cases I have been careful to record the
readings of the printed copies.

[456] So Dyce.--Old eds. "loue and praise thee;" MS. "Seeme to love
thee."

[457] So Isham copy and MS. Ed. A "approve."

[458] Censuring. Dyce compares the Induction to the _Knight of the
Burning Pestle_:--

          "Fly far from hence
    All _private taxes_."

[459] So MS.--Old eds. "does."

[460] MS. "Which carrieth under a peculiar name."




OF A GULL. II.


    Oft in my laughing rhymes I name a gull;
    But this new term will many questions breed;
    Therefore at first I will express at full,
    Who is a true and perfect gull indeed.
    A gull is he who fears a velvet gown,
    And, when a wench is brave, dares not speak to her;
    A gull is he which traverseth the town,
    And is for marriage known a common wooer;
    A gull is he which, while he proudly wears
    A silver-hilted rapier by his side,                               10
    Endures the lie[461] and knocks about the ears,
    Whilst in his sheath his sleeping sword doth bide;
    A gull is he which wears good handsome clothes,
    And stands in presence stroking up his hair,
    And fills up his unperfect speech with oaths,
    But speaks not one wise word throughout the year:
    But, to define a gull in terms precise,--
    A gull is he which seems and is not wise.[462]

FOOTNOTES:

[461] So MS.--Old eds. "lies."

[462] "To this epigram there is an evident allusion in the following one

                           'TO CANDIDUS.
    Friend Candidus, thou often doost demaund
    What humours men by gulling understand.
    Our English Martiall hath full pleasantly
    In his close nips describde a gull to thee:
    I'le follow him, and set downe my conceit
    What a gull is--oh, word of much receit!
    He is a gull whose indiscretion
    Cracks his purse-strings to be in fashion;
    He is a gull who is long in taking roote
    In barraine soyle where can be but small fruite;
    He is a gull who runnes himselfe in debt
    For twelue dayes' wonder, hoping so to get;
    He is a gull whose conscience is a block,
    Not to take interest, but wastes his stock;
    He is a gull who cannot haue a whore,
    But brags how much he spends upon her score;
    He is a gull that for commoditie
    Payes tenne times ten, and sells the same for three;
    He is a gull who, passing finicall,
    Peiseth each word to be rhetoricall;
    And, to conclude, who selfe-conceitedly
    Thinks al men guls, ther's none more gull then he.'

                Guilpin's _Skialetheia, &c._ 1598, _Epig._ 20."
                                                    --_Dyce._




IN REFUM. III.


    Rufus the courtier, at the theatre,
    Leaving the best and most conspicuous place,
    Doth either to the stage[463] himself transfer,
    Or through a grate[464] doth show his double face,
    For that the clamorous fry of Inns of Court
    Fill up the private rooms of greater price,
    And such a place where all may have resort
    He in his singularity doth despise.
    Yet doth not his particular humour shun
    The common stews and brothels of the town,                        10
    Though all the world in troops do thither run,
    Clean and unclean, the gentle and the clown:
      Then why should Rufus in his pride abhor
      A common seat, that loves a common whore?

FOOTNOTES:

[463] It was a common practice for gallants to sit upon hired stools in
the stage, especially at the private theatres. From the _Induction_ to
Marston's _Malcontent_ it appears that the custom was not tolerated at
some of the public theatres. The ordinary charge for the use of a stool
was sixpence.

[464] Malone was no doubt right in supposing that there is here an
allusion to the "private boxes" placed at each side of the balcony at
the back of the stage. They must have been very dark and uncomfortable.
In the _Gull's Horn-Book_ Dekker says that "much new Satin was there
dampned by being smothered to death in darkness."




IN QUINTUM. IV.


    Quintus the dancer useth evermore
    His feet in measure and in rule to move:
    Yet on a time he call'd his mistress _whore_,
    And thought with that sweet word to win her love.
      O, had his tongue like to his feet been taught,
      It never would have utter'd such a thought!




IN PLURIMOS. V.[465]


    Faustinus, Sextus, Cinna, Ponticus,
    With Gella, Lesbia, Thais, Rhodope,
    Rode all to Staines,[466] for no cause serious,
    But for their mirth and for their lechery.
    Scarce were they settled in their lodging, when
    Wenches with wenches, men with men fell out,
    Men with their wenches, wenches with their men;
    Which straight dissolves[467] this ill-assembled rout.
    But since the devil brought them thus together,
    To my discoursing thoughts it is a wonder,                        10
    Why presently as soon as they came thither,
    The self-same devil did them part asunder.
      Doubtless, it seems, it was a foolish devil,
      That thus did part them ere they did some evil.

FOOTNOTES:

[465] MS. "In meritriculas Londinensis."

[466] MS. "Ware."

[467] MS. "dissolv'd"




IN TITUM. VI.


    Titus, the brave and valorous young gallant,
    Three years together in his town hath been;
    Yet my Lord Chancellor's[468] tomb he hath not seen,
    Nor the new water-work,[469] nor the elephant.
      I cannot tell the cause without a smile,--
      He hath been in the Counter all this while.

FOOTNOTES:

[468] Sir Christopher Hatton's tomb. See Dugdale's _History of St.
Paul's Cathedral_, ed. 1658, p. 83.

[469] "The new water-work was at London Bridge. The elephant was an
object of great wonder and long remembered. A curious illustration of
this is found in the _Metamorphosis of the Walnut Tree of Borestall_,
written about 1645, when the poet [William Basse] brings trees of all
descriptions to the funeral, particularly a gigantic oak--

    "The youth of these our times that did behold
      This motion strange of this unwieldy plant
    Now boldly brag with us that are men old,
      That of our age they no advantage want,
      Though in our youth we saw an elephant."
                                        --_Cunningham_.




IN FAUSTUM. VII.


    Faustus, nor lord nor knight, nor wise nor old,
    To every place about the town doth ride;
    He rides into the fields[470] plays to behold,
    He rides to take boat at the water-side,
    He rides to Paul's, he rides to th' ordinary,
    He rides unto the house of bawdry too,--
    Thither his horse so often doth him carry,
    That shortly he will quite forget to go.

FOOTNOTES:

[470] See the admirable account of "The Theatre and Curtain" in Mr.
Halliwell-Phillipps' _Outlines of the Life of Shakespeare_, ed. 3, pp.
385-433. It is there shown that the access to the _Theatre_ play-house
was through Finsbury Fields to the west of the western boundary-wall of
the grounds of the dissolved Holywell Priory.




IN KATAM.[471] VIII.


    Kate, being pleas'd, wish'd that her pleasure could
    Endure as long as a buff-jerkin would.
    Content thee, Kate; although thy pleasure wasteth,
    Thy pleasure's place like a buff-jerkin lasteth,
      For no buff-jerkin hath been oftener worn,
      Nor hath more scrapings or more dressings borne.

FOOTNOTES:

[471] Not in MS.




IN LIBRUM. IX.


    Liber doth vaunt how chastely he hath liv'd
    Since he hath been in town, seven years[472] and more,
    For that he swears he hath four only swiv'd,
    A maid, a wife, a widow, and a whore:
      Then, Liber, thou hast swiv'd all womenkind,
      For a fifth sort, I know, thou canst not find.

FOOTNOTES:

[472] MS. "knowen this towne 7 yeares."




IN MEDONTEM. X.


    Great Captain Medon wears a chain of gold
    Which at five hundred crowns is valuËd,
    For that it was his grandsire's chain of old,
    When great King Henry Boulogne conquerËd.
    And wear it, Medon, for it may ensue,
    That thou, by virtue of this massy chain,
    A stronger town than Boulogne mayst subdue,
    If wise men's saws be not reputed vain;
    For what said Philip, king of Macedon?
    "There is no castle so well fortified,                            10
    But if an ass laden with gold comes on,
    The guard will stoop, and gates fly open wide."




IN GELAM. XI.


    Gella, if thou dost love thyself, take heed
    Lest thou my rhymes unto thy lover read;
    For straight thou grinn'st, and then thy lover seeth
    Thy canker-eaten gums and rotten teeth.




IN QUINTUM.[473] XII.


    Quintus his wit, infus'd into his brain,
    Mislikes the place, and fled into his feet;
    And there it wanders up and down the street,[474]
    Dabbled in the dirt, and soakËd in the rain.
      Doubtless his wit intends not to aspire,
      Which leaves his head, to travel in the mire.

FOOTNOTES:

[473] Not in MS.

[474] Old eds. "streets."




IN SEVERUM. XIII.


    The puritan Severus oft doth read
    This text, that doth pronounce vain speech a sin,--
    "That thing defiles a man, that doth proceed
    From out the mouth, not that which enters in."
    Hence is it that we seldom hear him swear;
    And therefore like a Pharisee, he vaunts:
    But he devours more capons in a year
    Than would suffice a hundred protestants.
    And, sooth, those sectaries are gluttons all,
    As well the thread-bare cobbler as the knight;                    10
    For those poor slaves which have not wherewithal,
    Feed on the rich, till they devour them quite;
      And so, like Pharaoh's kine, they eat up clean
      Those that be fat, yet still themselves be lean.




IN LEUCAM. XIV.[475]


    Leuca in presence once a fart did let:
    Some laugh'd a little; she forsook the place;
    And, mad with shame, did eke her glove forget,
    Which she return'd to fetch with bashful grace;
      And when she would have said "this is[476] my glove,"
      "My fart," quod she; which did more laughter move.

FOOTNOTES:

[475] Not in MS.

[476] So Isham copy.--Other eds. omit the words "this is."




IN MACRUM. XV.


    Thou canst not speak yet, Macer; for to speak,
    Is to distinguish sounds significant:
    Thou with harsh noise the air dost rudely break;
    But what thou utter'st common sense doth want,--
      Half-English words, with fustian terms among,
      Much like the burden of a northern song.




IN FAUSTUM. XVI.


    "That youth," said Faustus, "hath a lion seen,
    Who from a dicing-house comes moneyless."
    But when he lost his hair, where had he been?
    I doubt me, he[477] had seen a lioness.

FOOTNOTES:

[477] So MS. and eds. B, C. Not in Isham copy or ed. A.




IN COSMUM. XVII.


    Cosmus hath more discoursing in his head
    Than Jove when Pallas issu'd from his brain;
    And still he strives to be deliverËd
    Of all his thoughts at once; but all in vain;
    For, as we see at all the playhouse-doors,
    When ended is the play, the dance, and song,
    A thousand townsmen, gentlemen, and whores,
    Porters, and serving-men, together throng,--
    So thoughts of drinking, thriving, wenching, war,
    And borrowing money, ranging in his mind,                         10
    To issue all at once so forward are,
    As none at all can perfect passage find.




IN FLACCUM. XVIII.


    The false knave Flaccus once a bribe I gave;
    The more fool I to bribe so false a knave:
    But he gave back my bribe; the more fool he,
    That for my folly did not cozen me.




IN CINEAM. XIX.


    Thou, doggËd Cineas, hated like a dog,
    For still thou grumblest like a masty[478] dog,
    Compar'st thyself to nothing but a dog;
    Thou say'st thou art as weary as a dog,
    As angry, sick, and hungry as a dog,
    As dull and melancholy as a dog,
    As lazy, sleepy, idle[479] as a dog.
    But why dost thou compare thee to a dog
    In that for which all men despise a dog?
    I will compare thee better to a dog;                              10
    Thou art as fair and comely as a dog,
    Thou art as true and honest as a dog,
    Thou art as kind and liberal as a dog,
    Thou art as wise and valiant as a dog.
    But, Cineas, I have often[480] heard thee tell,
    Thou art as like thy father as may be:
    'Tis like enough; and, faith, I like it well;
    But I am glad thou art not like to me.

FOOTNOTES:

[478] Mastiff.

[479] So Isham copy and MS.--Eds. A, B, C "and as idle."

[480] So MS.--Isham copy and ed. A "oft."




IN GERONTEM.[481] XX.


    Geron, whose[482] mouldy memory corrects
    Old Holinshed our famous chronicler
    With moral rules, and policy collects
    Out of all actions done these fourscore year;
    Accounts the time of every odd[483] event,
    Not from Christ's birth, nor from the prince's reign,
    But from some other famous accident,
    Which in men's general notice doth remain,--
    The siege of Boulogne,[484] and the plaguy sweat,[485]
    The going to Saint Quintin's[486] and New-Haven,[487]             10
    The rising[488] in the north, the frost so great,
    That cart-wheel prints on Thamis' face were graven,[489]
    The fall of money,[490] and burning of Paul's steeple,[491]
    The blazing star,[492] and Spaniards' overthrow:[493]
    By these events, notorious to the people,
    He measures times, and things forepast doth show:
    But most of all, he chiefly reckons by
    A private chance,--the death of his curst[494] wife;
    This is to him the dearest memory,
    And th' happiest accident of all his life.                        20

FOOTNOTES:

[481] Not in MS.

[482] So Isham copy.--Omitted in ed. A.

[483] So Isham copy.--Eds. A, B, C "old."

[484] Boulogne was captured by Henry VIII. in 1544.

[485] The reference probably is to the visitation of 1551.

[486] In 1557 an English corps under the Earl of Pembroke took part in
the war against France. "The English did not share in the glory of the
battle, for they were not present; but they arrived two days after to
take part in the storming of St. Quentin, and to share, to their shame,
in the sack and spoiling of the town."--Froude, VI. 52.

[487] Havre.--The expedition was despatched in 1562.

[488] Led by the Earls of Northumberland and Westmoreland in 1569.

[489] The reference is to the frost of 1564.--"There was one great frost
in England in our memory, and that was in the 7th year of Queen
Elizabeth: which began upon the 21st of December and held in so
extremely that, upon New Year's eve following, people in multitudes went
upon the Thames from London Bridge to Westminster; some, as you tell me,
sir, they do now--playing at football, others shooting at pricks."--"The
Great Frost," 1608 (Arber's "English Garner," Vol. I.)

[490] "This yeare [1560] in the end of September the copper monies which
had been coyned under King Henry the Eight and once before abased by
King Edward the Sixth, were again brought to a lower
valuacion."--Hayward's _Annals of Queen Elizabeth_, p. 73.

[491] On the 4th June 1561, the steeple of St. Paul's was struck by
lightning.

[492] "On the 10th of October (some say on the 7th) appeared a blazing
star in the north, bushing towards the east, which was nightly seen
diminishing of his brightness until the 21st of the same month."--Stow's
_Annales_, under the year 1580 (ed. 1615, p. 687).

[493] The defeat of the Spanish Armada in 1588.

[494] Vixenish.




IN MARCUM. XXI.


    When Marcus comes from Mins',[495] he still doth swear,
    By "come[496] on seven," that all is lost and gone:
    But that's not true; for he hath lost his hair,
    Only for that he came too much on[497] one.

FOOTNOTES:

[495] Dyce conjectures that this was the name of some person who kept an
ordinary where gaming was practised. (MS. "for newes.")

[496] So eds. B, C.--Isham copy and ed. A "a seaven."

[497] So MS. with some eccentricities of spelling ("to much one
one").--Old eds. "at."




IN CYPRIUM. XXII.


    The fine youth Cyprius is more terse and neat
    Than the new garden of the Old Temple is;
    And still the newest fashion he doth get,
    And with the time doth change from that to this;
    He wears a hat now of the flat-crown block,[498]
    The treble ruff,[499] long coat, and doublet French:
    He takes tobacco, and doth wear a lock,[500]
    And wastes more time in dressing than a wench.
      Yet this new-fangled youth, made for these times,
      Doth, above all, praise old George[501] Gascoigne's rhymes.[502]  10

FOOTNOTES:

[498] Shape or fashion; properly the wooden mould on which the crown of
a hat is shaped.

[499] So MS.--Old eds. "ruffes."

[500] Love-lock; a lock of hair hanging down the shoulder in the left
side. It was usually plaited with ribands.

[501] So MS. and eds. B, C.--Not in Isham copy or ed. A.

[502] Gascoigne's "rhymes" have been edited in two thick volumes by Mr.
Carew Hazlitt. He died on 7th October 1577. In Gabriel Harvey's _Letter
Book_ (recently edited by Mr. Edward Scott for the Camden Society) there
are some elegies on him.




IN CINEAM. XXIII.


    When Cineas comes amongst his friends in morning,
    He slyly looks[503] who first his cap doth move:
    Him he salutes, the rest so grimly scorning,
    As if for ever they had lost his love.
    I, knowing how it doth the humour fit
    Of this fond gull to be saluted first,
    Catch at my cap, but move it not a whit:
    Which he perceiving,[504] seems for spite to burst.
    But, Cineas, why expect you more of me
    Than I of you? I am as good a man,                                10
    And better too by many a quality,
    For vault, and dance, and fence, and rhyme I can:
      You keep a whore at your own charge, men tell me;
      Indeed, friend Cineas, therein you excel me.[505]

FOOTNOTES:

[503] So Isham copy and ed. A.--Eds. B, C "spies."--MS. "notes."

[504] So the MS.--Isham copy and ed. A "Which perceiving he."--Eds. B, C
"Which to perceiving he."

[505] The MS. adds--

    "You keepe a whore att your [own] charge in towne;
    Indeede, frend Ceneas, there you put me downe."




IN GALLUM. XXIV.


    Gallus hath been this summer-time in Friesland,
    And now, return'd, he speaks such warlike words,
    As, if I could their English understand,
    I fear me they would cut my throat like swords;
    He talks of counter-scarfs,[506] and casamates,[507]
    Of parapets, curtains, and palisadoes;[508]
    Of flankers, ravelins, gabions he prates,
    And of false-brays,[509] and sallies, and scaladoes.[510]
    But, to requite such gulling terms as these,
    With words to my profession I reply;                              10
    I tell of fourching, vouchers, and counterpleas,
    Of withernams, essoins, and champarty.
      So, neither of us understanding either,
      We part as wise as when we came together.

FOOTNOTES:

[506] Counter-scarps.

[507] Old eds. "Casomates."

[508] Old eds. "Of parapets, of curteneys, and pallizadois."--MS. "Of
parapelets, curtens and passadoes."--Cunningham prints "Of curtains,
parapets," &c.

[509] "A term in fortification, exactly from the French _fausse-braie_,
which means, say the dictionaries, a counter-breast-work, or, in fact, a
mound thrown up to mask some part of the works.

    'And made those strange approaches by false-brays,
    Reduits, half-moons, horn-works, and such close ways.'

_B. Jons. Underwoods._"--Nares.

[510] Dyce points out that this passage is imitated in Fitzgeoffrey's
_Notes from Black-Fryers_, Sig. E. 7, ed. 1620.




IN DECIUM.[511] XXV.


    Audacious painters have Nine Worthies made;
    But poet Decius, more audacious far,
    Making his mistress march with men of war,
    With title of "Tenth Worthy" doth her lade.
      Methinks that gull did use his terms as fit,
      Which term'd his love "a giant for her wit."

FOOTNOTES:

[511] In this epigram, as Dyce showed, Davies is glancing at a sonnet of
Drayton's "To the Celestiall Numbers" in _Idea_. Jonson told Drummond
that "S. J. Davies played in ane Epigrame on Draton's, who in a sonnet
concluded his mistress might been the Ninth [sic] Worthy; and said he
used a phrase like Dametas in Arcadia, who said, For wit his Mistresse
might be a Gyant."--_Notes of Ben Jonson's Conversations with Drummond_,
p. 15. (ed. Shakesp. Soc.)




IN GELLAM. XXVI.


    If Gella's beauty be examinËd,
    She hath a dull dead eye, a saddle nose,
    An ill-shap'd face, with morphew overspread,
    And rotten teeth, which she in laughing shows;
    Briefly, she is the filthiest wench in town,
    Of all that do the art of whoring use:
    But when she hath put on her satin gown,
    Her cut[512] lawn apron, and her velvet shoes,
    Her green silk stockings, and her petticoat
    Of taffeta, with golden fringe around,                            10
    And is withal perfum'd with civet hot,
    Which doth her valiant stinking breath confound,--
      Yet she with these additions is no more
      Than a sweet, filthy, fine, ill-favour'd whore.

FOOTNOTES:

[512] So MS.--Old eds. "out."




IN SYLLAM. XXVII.


    Sylla is often challeng'd to the field,
    To answer, like a gentleman, his foes:
    But then doth he this[513] only answer yield,
    That he hath livings and fair lands to lose.
      Sylla, if none but beggars valiant were,
      The king of Spain would put us all in fear.

FOOTNOTES:

[513] So Isham copy.--Ed. A "when doth he his."




IN SYLLAM. XXVIII.


    Who dares affirm that Sylla dare not fight?
    When I dare swear he dares adventure more
    Than the most brave and most[514] all-daring wight
    That ever arms with resolution bore;
    He that dare touch the most unwholesome whore
    That ever was retir'd into the spittle,
    And dares court wenches standing at a door
    (The portion of his wit being passing little);
    He that dares give his dearest friends offences,
    Which other valiant fools do fear to do,                          10
    And, when a fever doth confound his senses,
    Dare eat raw beef, and drink strong wine thereto:
    He that dares take tobacco on the stage,[515]
    Dares man a whore at noon-day through the street,
    Dares dance in Paul's, and in this formal age
    Dares say and do whatever is unmeet;
      Whom fear of shame could never yet affright,
      Who dares affirm that Sylla dares not fight?

FOOTNOTES:

[514] So Isham copy.--Ed. A "most brave, most all daring."--Eds. B, C
"most brave and all daring."--MS. "most valiant and all-daring."

[515] There are frequent allusions to this practice. Cf. Induction to
_Cynthia's Revels_:--"I have my three sorts of tobacco in my pocket; my
light by me."




IN HEYWODUM. XXIX.


    Heywood,[516] that did in epigrams excel,
    Is now put down since my light Muse arose;[517]
    As buckets are put down into a well,
    Or as a schoolboy putteth down his hose.

FOOTNOTES:

[516] John Heywood, the well-known epigrammatist and interlude-writer.
His Proverbs were edited in 1874, with a pleasantly-written Introduction
and useful notes, by Mr. Julian Sharman.

[517] Dyce refers to a passage of Sir John Harington's _Metamorphosis of
Ajax_, 1596:--"This Haywood for his proverbs and epigrams is not yet put
down by any of our country, though one [marginal note, M. Davies] doth
indeed come near him, that graces him the more in saying he puts him
down." He quotes also from Bastard's _Chrestoleros_, 1598 (Lib. ii. Ep.
15); Lib. iii. Ep. 3, and Freeman's _Rubbe and a Great Cast_ ( Pt. ii.,
Ep. 100), allusions to the present epigram.




IN DACUM.[518] XXX.


    Amongst the poets Dacus number'd is,
    Yet could he never make an English rhyme:
    But some prose speeches I have heard of his,
    Which have been spoken many a hundred time;
    The man that keeps the elephant hath one,
    Wherein he tells the wonders of the beast;
    Another Banks pronouncËd long agone,
    When he his curtal's[519] qualities express'd:
    He first taught him that keeps the monuments
    At Westminster, his formal tale to say,                           10
    And also him which puppets represents,
    And also him which with the ape doth play.
      Though all his poetry be like to this,
      Amongst the poets Dacus number'd is.

FOOTNOTES:

[518] Samuel Daniel. See Ep. xlv.

[519] All the information about Banks' wonderful horse Moroccus ("the
little horse that ambled on the top of Paul's") is collected in Mr.
Halliwell-Phillips' _Memoranda on Love's Labour Lost_.




IN PRISCUM. XXXI.


    When Priscus, rais'd from low to high estate,
    Rode through the street in pompous jollity,
    Caius, his poor familiar friend of late,
    Bespake him thus, "Sir, now you know not me,"
      "'Tis likely, friend," quoth Priscus, "to be so,
      For at this time myself I do not know."




IN BRUNUM. XXXII.


    Brunus, which deems[520] himself a fair sweet youth,
    Is nine and thirty[521] year of age at least;
    Yet was he never, to confess the truth,
    But a dry starveling when he was at best.
    This gull was sick to show his nightcap fine,
    And his wrought pillow overspread with lawn;
    But hath been well since his grief's cause hath line[522]
    At Trollop's by Saint Clement's Church in pawn.

FOOTNOTES:

[520] So eds. B, C.--Isham copy and ed. A "thinks."

[521] Old eds. "thirtie nine." MS. "nine and thirtith."

[522] Lain.




IN FRANCUM. XXXIII.


    When Francus comes to solace with his whore,
    He sends for rods, and strips himself stark naked;
    For his lust sleeps, and will not rise before,
    By whipping of the wench, it be awakËd.
      I envy him not, but wish I[523] had the power
      To make myself his wench but one half-hour.

FOOTNOTES:

[523] So Isham copy.--Ed. A "he."




IN CASTOREM. XXXIV.


    Of speaking well why do we learn the skill,
    Hoping thereby honour and wealth to gain?
    Sith railing Castor doth, by speaking ill,
    Opinion of much wit, and gold obtain.




IN SEPTIMIUM. XXXV.


    Septimius[524] lives, and is like garlic seen,
    For though his head be white, his blade is green.
    This old mad colt deserves a martyr's praise,
    For he was burnËd[525] in Queen Mary's days.

FOOTNOTES:

[524] So ed. B.--Isham copy, ed. A, and MS. "Septimus."

[525] "Burn" is often used with an indelicate _double entendre_. Cf.
_Lear_ iii. 2, "No heretics _burned_ but wenchers' suitors;" _Troilus
and Cressida_, v. 2, "A _burning_ devil take them."




OF TOBACCO. XXXVI.


    Homer of Moly and Nepenthe sings;
    Moly, the gods' most sovereign herb divine,
    Nepenthe, Helen's[526] drink, which gladness brings,
    Heart's grief expels, and doth the wit refine.
    But this our age another world hath found,
    From whence an herb of heavenly power is brought;
    Moly is not so sovereign for a wound,
    Nor hath nepenthe so great wonders wrought.
    It is tobacco, whose sweet subtle[527] fume
    The hellish torment of the teeth doth ease,                       10
    By drawing down and drying up the rheum,
    The mother and the nurse of each disease;
    It is tobacco, which doth cold expel,
    And clears th' obstructions of the arteries,
    And surfeits threatening death digesteth well,
    Decocting all the stomach's crudities;[528]
    It is tobacco, which hath power to clarify
    The cloudy mists before dim eyes appearing;
    It is tobacco, which hath power to rarify
    The thick gross humour which doth stop the hearing;               20
    The wasting hectic, and the quartan fever,
    Which doth of physic make a mockery,
    The gout it cures, and helps ill breaths for ever,
    Whether the cause in teeth or stomach be;
    And though ill breaths were by it but confounded,
    Yet that vild[529] medicine it doth far excel,
    Which by Sir Thomas More[530] hath been propounded,
    For this is thought a gentleman-like smell.
    O, that I were one of these mountebanks
    Which praise their oils and powders which they sell!              30
    My customers would give me coin with thanks;
    I for this ware, forsooth,[531] a tale would tell:
    Yet would I use none of these terms before;
    I would but say, that it the pox will cure;
    This were enough, without discoursing more,
    All our brave gallants in the town t'allure.

FOOTNOTES:

[526] Isham copy, "Heuens;" and eds. B, C "Heauens."--MS.
"helevs."--Davies alludes to _Odyssey_ iv., 219, &c.

[527] So MS.--Old eds. "substantiall."

[528] We are reminded of Bobadil's encomium of tobacco:--"I could say
what I know of the virtue of it, for the expulsion of rheums, raw
humours, crudities, obstructions, with a thousand of this kind; but I
profess myself no quacksalver. Only this much: by Hercules I do hold it
and will affirm it before any prince in Europe to be the most sovereign
and precious weed that ever the earth tendered to the use of man."

[529] So MS.--Not in old eds.

[530] Dyce quotes from More's _Lucubrationes_ (ed. 1563, p. 261), an
epigram headed "MedicinÊ ad tollendos foetores anhelitus, provenientes
a cibis quibusdam."

[531] So eds. A, B, C.--Isham copy "so smooth."--MS. "so faire."




IN CRASSUM. XXXVII.


    Crassus his lies are no[532] pernicious lies,
    But pleasant fictions, hurtful unto none
    But to himself; for no man counts him wise
    To tell for truth that which for false is known.
    He swears that Gaunt[533] is three-score miles about,
    And that the bridge at Paris[534] on the Seine
    Is of such thickness, length, and breadth throughout,
    That six-score arches can it scarce sustain;
    He swears he saw so great a dead man's skull
    At Canterbury digg'd out of the ground,                           10
    As[535] would contain of wheat three bushels full;
    And that in Kent are twenty yeomen found,
    Of which the poorest every year[536] dispends
    Five thousand pound: these and five thousand mo
    So oft he hath recited to his friends,
    That now himself persuades himself 'tis so.
    But why doth Crassus tell his lies so rife,
    Of bridges, towns, and things that have no life?
      He is a lawyer, and doth well espy
      That for such lies an action will not lie.                      20

FOOTNOTES:

[532] So MS.--Eds. "not."

[533] Ghent.

[534] The reference probably is to the Pont Neuf, begun by Henry III.
and finished by Henry IV.

[535] So MS.--Old eds. "That."

[536] MS. "day!"




IN PHILONEM. XXXVIII.


    Philo, the lawyer,[537] and the fortune-teller,
    The school-master, the midwife,[538] and the bawd,
    The conjurer, the buyer and the seller
    Of painting which with breathing will be thaw'd,
    Doth practise physic; and his credit grows,
    As doth the ballad-singer's auditory,
    Which hath at Temple-Bar his standing chose,
    And to the vulgar sings an ale-house story:
    First stands a porter; then an oyster-wife
    Doth stint her cry and stay her steps to hear him;                10
    Then comes a cutpurse ready with his[539] knife,
    And then a country client presseth[540] near him;
    There stands the constable, there stands the whore,
    And, hearkening[541] to the song, mark[542] not each other;
    There by the serjeant stands the debitor,[543]
    And doth no more mistrust him than his brother:
    This[544] Orpheus to such hearers giveth music,
    And Philo to such patients giveth physic.

FOOTNOTES:

[537] Isham copy and MS. "gentleman."

[538] MS. "widdow."

[539] So Isham copy and MS.--Other eds. "a."

[540] So Isham copy.--Other eds. "passeth."--MS. "presses."

[541] So Isham copy, ed. A, and MS.--Eds. B, C "listening."

[542] So Isham copy, ed. A, and MS.--Eds. B, C "heed."

[543] So eds. B, C.--Isham copy, MS., and ed. A, "debtor poor."--With
the foregoing description of the "ballad-singer's auditory" compare
Wordsworth's lines _On the power of Music_, and Vincent Bourne's
charming Latin verses (entitled _Cantatrices_) on the Ballad Singers of
the Seven Dials.

[544] So MS.--Eds. "Thus."




IN FUSCUM. XXXIX.


    Fuscus is free, and hath the world at will;
    Yet, in the course of life that he doth lead,
    He's like a horse which, turning round a mill,
    Doth always in the self-same circle tread:
    First, he doth rise at ten;[545] and at eleven
    He goes to Gill's, where he doth eat till one;
    Then sees a play till six;[546] and sups at seven;
    And, after supper, straight to bed is gone;
    And there till ten next day he doth remain;
    And then he dines; then sees a comedy;                            10
    And then he sups, and goes to bed again:
    Thus round he runs without variety,
      Save that sometimes he comes not to the play,
      But falls into a whore-house by the way.

FOOTNOTES:

[545] Cf. a somewhat similar description in Guilpin's _Skialetheia_ (Ep.
25):--

    "My lord most court-like lies abed till noon,
    Then all high-stomacht riseth to his dinner;
    Falls straight to dice before his meat be down,
    Or to digest walks to some female sinner;
    Perhaps fore-tired he gets him to a play,
    Comes home to supper and then falls to dice;
    Then his devotion wakes till it be day,
    And so to bed where unto noon he lies."

[546] If the play ended at six, it could hardly have begun before three.
From numerous passages it appears that performances frequently began at
three, or even later. Probably the curtain rose at one in the winter and
three in the summer.




IN AFRUM. XL.


    The smell-feast[547] Afer travels to the Burse
    Twice every day, the flying news to hear;
    Which, when he hath no money in his purse,
    To rich men's tables he doth ever[548] bear.
    He tells how Groni[n]gen[549] is taken in[550]
    By the brave conduct of illustrious Vere,
    And how the Spanish forces Brest would win,
    But that they do victorious Norris[551] fear.
    No sooner is a ship at sea surpris'd,
    But straight he learns the news, and doth disclose it;
    No[552] sooner hath the Turk a plot devis'd
    To conquer Christendom, but straight he knows it.
    Fair-written in a scroll he hath the names
    Of all the widows which the plague hath made;
    And persons, times, and places, still he frames
    To every tale, the better to persuade.
    We call him Fame, for that the wide-mouth slave
    Will eat as fast as he will utter lies;                           20
    For fame is said an hundred mouths to have,
    And he eats more than would five-score suffice.

FOOTNOTES:

[547] This word is found in Chapman, Harrington, and others.

[548] So MS.--Old eds. "often."

[549] Groningen was taken by Maurice of Nassau. Vere was present at the
siege.

[550] The expression "take in" (in the sense of "conquer, capture") is
very common.

[551] An English expedition, under Sir John Norris, was sent to Brittany
in 1594.

[552] This line and the next are found only in Isham copy and MS.




IN PAULUM. XLI.


    By lawful mart, and by unlawful stealth,
    Paulus, in spite of envy, fortunate,
    Derives out of the ocean so much wealth,
    As he may well maintain a lord's estate:
      But on the land a little gulf there is,
      Wherein he drowneth all this[553] wealth of his.

FOOTNOTES:

[553] So Isham copy--Eds. A, B, C "the."--MS. "ye."




IN LYCUM. XLII.


    Lycus, which lately is to Venice gone,
    Shall, if he do return, gain three for one;[554]
    But, ten to one, his knowledge and his wit
    Will not be better'd or increas'd a whit.

FOOTNOTES:

[554] When a person started on a long or dangerous voyage it was
customary to deposit--or, as it was called, "put out"--a sum of money,
on condition of receiving at his return a high rate of interest. If he
failed to return the money was lost. There are frequent allusions in old
authors to this practice.




IN PUBLIUM. XLIII.


    Publius, a[555] student at the Common-Law,
    Oft leaves his books, and, for his recreation,
    To Paris-garden[556] doth himself withdraw;
    Where he is ravish'd with such delectation,
    As down amongst the bears and dogs he goes;
    Where, whilst he skipping cries, "To head, to head,"[557]
    His satin doublet and his velvet hose
    Are all with spittle from above be-spread;
    Then is he like his father's country hall,
    Stinking of dogs, and muted[558] all with hawks;                  10
    And rightly too on him this filth doth fall,
    Which for such filthy sports his books forsakes,
      Leaving old Ployden, Dyer, and Brooke alone,
      To see old Harry Hunkes and Sacarson.[559]

FOOTNOTES:

[555] So MS.--Not in old eds.

[556] The Bear-Garden in the Bankside, Southwark.

[557] In _Titus Andronicus_, v. 1, we have the expression "to fight at
head" ("As true a dog as ever fought _at head_"). "To fly at the head"
was equivalent to "attack;" and in Nares' _Glossary_ (ed. Halliwell) the
expression "run on head," in the sense of incite, is quoted from
Heywood's _Spider and Flie_, 1556.

[558] Covered with hawks' dung.

[559] "Harry Hunkes" and "Sacarson" were the names of two famous bears
(probably named after their keepers). Slender boasted to Anne Page, "I
have seen Sackarson loose twenty times and have taken him by the chain."




IN SYLLAM. XLIV.


    When I this proposition had defended,
    "A coward cannot be an honest man,"
    Thou, Sylla, seem'st forthwith to be offended,
    And hold'st[560] the contrary, and swear'st[561] he can.
    But when I tell thee that he will forsake
    His dearest friend in peril of his life,
    Thou then art chang'd, and say'st thou didst mistake;
    And so we end our argument and strife:
      Yet I think oft, and think I think aright,
      Thy argument argues thou wilt not fight.                        10

FOOTNOTES:

[560] So MS.--Old eds. "holds."

[561] So MS.--Old eds. "swears."




IN DACUM. XLV.


    Dacus,[562] with some good colour and pretence,
    Terms his love's beauty "silent eloquence;"
    For she doth lay more colours on her face
    Than ever Tully us'd his speech to grace.

FOOTNOTES:

[562] Dyce shows that Samuel Daniel is meant by Dacus (who has already
been ridiculed in _Ep._ xxx.). In Daniel's _Complaint of Rosamond_
(1592) are the lines:--

    "Ah, beauty, syren, faire enchanting good,
    Sweet _silent rhetorique_ of perswading eyes,
    _Dumb eloquence_, whose power doth move the blood
    More than the words or wisedome of the wise," &c.

Perhaps there is an allusion to this epigram in Marston's fourth
satire:--

    "What, shall not Rosamond or Gaveston
    Ope their sweet lips without detraction?
    But must our modern critticks envious eye
    Seeme thus to quote some grosse deformity,
    Where art not error shineth in their stile,
    But error and no art doth thee beguile?"




IN MARCUM. XLVI.


    Why dost thou, Marcus, in thy misery
    Rail and blaspheme, and call the heavens unkind?
    The heavens do owe[563] no kindness unto thee,
    Thou hast the heavens so little in thy mind;
      For in thy life thou never usest prayer
      But at primero, to encounter fair.

FOOTNOTES:

[563] So eds. B, C.--Ed. A "draw" (Epigram xlv.-xlviii. are not in the
MS.)




MEDITATIONS OF A GULL. XLVII.


    See, yonder melancholy gentleman,
    Which, hood-wink'd with his hat, alone doth sit!
    Think what he thinks, and tell me, if you can,
    What great affairs trouble his little wit.
    He thinks not of the war 'twixt France and Spain,[564]
    Whether it be for Europe's good or ill,
    Nor whether the Empire can itself maintain
    Against the Turkish power encroaching still;[565]
    Nor what great town in all the Netherlands
    The States determine to besiege this spring,                      10
    Nor how the Scottish policy now stands,
    Nor what becomes of the Irish mutining.[566]
    But he doth seriously bethink him whether
    Of the gull'd people he be more esteem'd
    For his long cloak or for[567] his great black feather
    By which each gull is now a gallant deem'd;
    Or of a journey he deliberates
    To Paris-garden, Cock-pit, or the play;
    Or how to steal a dog he meditates,
    Or what he shall unto his mistress say.
      Yet with these thoughts he thinks himself most fit
      To be of counsel with a king for wit.

FOOTNOTES:

[564] Ended in 1598 by the peace of Vervins.

[565] The war between Austria and Turkey was brought to a close in 1606.

[566] A reference to Tyrone's insurrection, 1595-1602.

[567] So Isham copy.--Not in other eds.




AD MUSAM. XLVIII.


    Peace, idle Muse, have done! for it is time,
    Since lousy Ponticus envies my fame,
    And swears the better sort are much to blame
    To make me so well known for my ill rhyme.
    Yet Banks his horse[568] is better known than he;
    So are the camels and the western hog,
    And so is Lepidus his printed dog[569]:
    Why doth not Ponticus their fames envy?
    Besides, this Muse of mine and the black feather
    Grew both together fresh in estimation;                           10
    And both, grown stale, were cast away together:
    What fame is this that scarce lasts out a fashion?
    Only this last in credit doth remain,
    That from henceforth each bastard cast-forth rhyme,
    Which doth but savour of a libel vein,
    Shall call me father, and be thought my crime;
      So dull, and with so little sense endued,
      Is my gross-headed judge the multitude.

J. D.

FOOTNOTES:

[568] See note, p. 232.

[569] Dyce points out that by Lepidus is meant Sir John Harington, whose
dog Bungey is represented in a compartment of the engraved title-page of
the translation of _Orlando Furioso_, 1591. In his epigrams (Book III.
Ep. 21) Harington refers to this epigram of Davies, and expresses
himself greatly pleased at the compliment paid to his dog.




IGNOTO.


    I[570] love thee not for sacred chastity,--
    Who loves for that?--nor for thy sprightly wit;
    I love thee not for thy sweet modesty,
    Which makes thee in perfection's throne to sit;
    I love thee not for thy enchanting eye,
    Thy beauty['s] ravishing perfection;
    I love thee not for unchaste luxury,
    Nor for thy body's fair proportion;
    I love thee not for that my soul doth dance
    And leap with pleasure, when those lips of thine
    Give musical and graceful utterance
    To some (by thee made happy) poet's line;
    I love thee not for voice or slender small:
    But wilt thou know wherefore? fair sweet, for all.

    Faith, wench, I cannot court thy sprightly eyes,
    With the base-viol plac'd between my thighs;
    I cannot lisp, nor to some fiddle sing,
    Nor run upon a high-stretch'd minikin;
    I cannot whine in puling elegies,
    Entombing Cupid with sad obsequies;
    I am not fashion'd for these amorous times,
    To court thy beauty with lascivious rhymes;
    I cannot dally, caper, dance, and sing,
    Oiling my saint with supple sonneting;
    I cannot cross my arms, or sigh "Ay me,
    Ay me, forlorn!" egregious foppery!
    I cannot buss thy fist,[571] play with thy hair,
    Swearing by Jove, "thou art most debonair!"
    Not I, by cock! but [I] shall tell thee roundly,--
    Hark in thine ear,--zounds, I can (----) thee soundly.

    Sweet wench, I love thee: yet I will not sue,
    Or show my love as musky courtiers do;
    I'll not carouse a health to honour thee,
    In this same bezzling[572] drunken courtesy,
    And, when all's quaff'd, eat up my bousing-glass[573]
    In glory that I am thy servile ass;
    Nor will I wear a rotten Bourbon lock,[574]
    As some sworn peasant to a female smock.
    Well-featur'd lass, thou know'st I love thee dear:
    Yet for thy sake I will not bore mine ear,
    To hang thy dirty silken shoe-tires there;
    Nor for thy love will I once gnash a brick,
    Or some pied colours in my bonnet stick:[575]
    But, by the chaps of hell, to do thee good,
    I'll freely spend my thrice-decocted blood.

FOOTNOTES:

[570] This sonnet and the two following pieces are only found in Isham
copy and ed. A.

[571] So Isham copy.--Ed. A "fill."

[572] Tippling.

[573] "Bouse" was a cant term for "drink."

[574] See note v. p. 226.

[575] It was a common practice for gallants to wear their mistresses'
garters in their hats.




THE FIRST BOOK OF LUCAN.


_Lucans First Booke Translated Line for Line, By Chr. Marlow. At London,
Printed by P. Short, and are to be sold by Walter Burre at the Signe of
the Flower de Luce in Paules Churchyard_, 1600, 4_to._

This is the only early edition. The title-page of the 1600 4to. of _Hero
and Leander_ has the words, "Whereunto is added the first booke of
Lucan;" but the two pieces are not found in conjunction.




TO HIS KIND AND TRUE FRIEND, EDWARD BLUNT.[576]


Blunt,[577] I propose to be blunt with you, and, out of my dulness, to
encounter you with a Dedication in memory of that pure elemental wit,
Chr. Marlowe, whose ghost or genius is to be seen walk the
Churchyard,[578] in, at the least, three or four sheets. Methinks you
should presently look wild now, and grow humorously frantic upon the
taste of it. Well, lest you should, let me tell you, this spirit was
sometime a familiar of your own, _Lucan's First Book translated_; which,
in regard of your old right in it, I have raised in the circle of your
patronage. But stay now, Edward: if I mistake not, you are to
accommodate yourself with some few instructions, touching the property
of a patron, that you are not yet possessed of; and to study them for
your better grace, as our gallants do fashions. First, you must be
proud, and think you have merit enough in you, though you are ne'er so
empty; then, when I bring you the book, take physic, and keep state;
assign me a time by your man to come again; and, afore the day, be sure
to have changed your lodging; in the meantime sleep little, and sweat
with the invention of some pitiful dry jest or two, which you may happen
to utter with some little, or not at all, marking of your friends, when
you have found a place for them to come in at; or, if by chance
something has dropped from you worth the taking up, weary all that come
to you with the often repetition of it; censure, scornfully enough, and
somewhat like a traveller; commend nothing, lest you discredit your
(that which you would seem to have) judgment. These things, if you can
mould yourself to them, Ned, I make no question that they will not
become you. One special virtue in our patrons of these days I have
promised myself you shall fit excellently, which is, to give nothing;
yes, thy love I will challenge as my peculiar object, both in this, and,
I hope, many more succeeding offices. Farewell: I affect not the world
should measure my thoughts to thee by a scale of this nature: leave to
think good of me when I fall from thee.

Thine in all rights of perfect friendship,

                                   THOMAS THORPE.

FOOTNOTES:

[576] A well-known bookseller.

[577] Old ed. "Blount."

[578] Paul's churchyard, the Elizabethan "Booksellers' Row."




THE FIRST BOOK OF LUCAN.


    Wars worse than civil on Thessalian plains,
    And outrage strangling law, and people strong,
    We sing, whose conquering swords their own breasts lancht,[579]
    Armies allied, the kingdom's league uprooted,
    Th' affrighted world's force bent on public spoil,
    Trumpets and drums, like[580] deadly, threatening other,
    Eagles alike display'd, darts answering darts,
      Romans, what madness, what huge lust of war,
    Hath made barbarians drunk with Latin blood?
    Now Babylon, proud through our spoil, should stoop,               10
    While slaughter'd Crassus' ghost walks unreveng'd,
    Will ye wage war, for which you shall not triumph?
    Ay me! O, what a world of land and sea
    Might they have won whom civil broils have slain!
    As far as Titan springs, where night dims heaven,
    I, to the torrid zone where mid-day burns,
    And where stiff winter, whom no spring resolves,
    Fetters the Euxine Sea with chains of ice;
    Scythia and wild Armenia had been yok'd,
    And they of Nilus' mouth, if there live any.                      20
    Rome, if thou take delight in impious war,
    First conquer all the earth, then turn thy force
    Against thyself: as yet thou wants not foes.
    That now the walls of houses half-reared totter,
    That, rampires fallen down, huge heaps of stone
    Lie in our towns, that houses are abandon'd,
    And few live that behold their ancient seats;
    Italy many years hath lien untill'd
    And chok'd with thorns; that greedy earth wants hinds;--
    Fierce Pyrrhus, neither thou nor Hannibal                         30
    Art cause; no foreign foe could so afflict us:
    These plagues arise from wreak of civil power.
    But if for Nero, then unborn, the Fates
    Would find no other means, and gods not slightly
    Purchase immortal thrones, nor Jove joy'd heaven
    Until the cruel giants' war was done;
    We plain not, heavens, but gladly bear these evils
    For Nero's sake: Pharsalia groan with slaughter,
    And Carthage souls be glutted with our bloods!
    At Munda let the dreadful battles join;                           40
    Add, CÊsar, to these ills, Perusian famine,
    The Mutin toils, the fleet at Luca[s] sunk,
    And cruel[581] field near burning ∆tna fought!
    Yet Rome is much bound to these civil arms,
    Which made thee emperor. Thee (seeing thou, being old,
    Must shine a star) shall heaven (whom thou lovest)
    Receive with shouts; where thou wilt reign as king,
    Or mount the Sun's flame-bearing chariot,
    And with bright restless fire compass the earth,
    Undaunted though her former guide be chang'd;                     50
    Nature and every power shall give thee place,
    What god it please thee be, or where to sway.
    But neither choose the north t'erect thy seat,
    Nor yet the adverse reeking[582] southern pole,
    Whence thou shouldst view thy Rome with squinting[583] beams.
    If any one part of vast heaven thou swayest,
    The burden'd axes[584] with thy force will bend:
    The midst is best; that place is pure and bright;
    There, CÊsar, mayst thou shine, and no cloud dim thee.
    Then men from war shall bide in league and ease,                  60
    Peace through the world from Janus' face shall fly,
    And bolt the brazen gates with bars of iron.
    Thou, CÊsar, at this instant art my god;
    Thee if I invocate, I shall not need
    To crave Apollo's aid or Bacchus' help;
    Thy power inspires the Muse that sings this war.
      The causes first I purpose to unfold
    Of these garboils,[585] whence springs a long discourse;
    And what made madding people shake off peace.
    The Fates are envious, high seats[586] quickly perish,            70
    Under great burdens falls are ever grievous;
    Rome was so great it could not bear itself.
    So when this world's compounded union breaks,
    Time ends, and to old Chaos all things turn,
    Confused stars shall meet, celestial fire
    Fleet on the floods, the earth shoulder the sea,
    Affording it no shore, and Phoebe's wain
    Chase Phoebus, and enrag'd affect his place,
    And strive to shine by day and full of strife
    Dissolve the engines of the broken world.                         80
    All great things crush themselves; such end the gods
    Allot the height of honour; men so strong
    By land and sea, no foreign force could ruin.
    O Rome, thyself art cause of all these evils,
    Thyself thus shiver'd out to three men's shares!
    Dire league of partners in a kingdom last not.
    O faintly-join'd friends, with ambition blind,
    Why join you force to share the world betwixt you?
    While th' earth the sea, and air the earth sustains,
    While Titan strives against the world's swift course,             90
    Or Cynthia, night's queen, waits upon the day,
    Shall never faith be found in fellow kings:
    Dominion cannot suffer partnership.
    This need[s] no foreign proof nor far-fet[587] story:
    Rome's infant walls were steep'd in brother's blood;
    Nor then was land or sea, to breed such hate;
    A town with one poor church set them at odds.[588]
      CÊsar's and Pompey's jarring love soon ended,
    'Twas peace against their wills; betwixt them both
    Stepp'd Crassus in. Even as the slender isthmos,                 100
    Betwixt the ∆gÊan,[589] and the Ionian sea,
    Keeps each from other, but being worn away,
    They both burst out, and each encounter other;
    So whenas Crassus' wretched death, who stay'd them,
    Had fill'd Assyrian Carra's[590] walls with blood,
    His loss made way for Roman outrages.
    Parthians, y'afflict us more than ye suppose;
    Being conquer'd, we are plagu'd with civil war.
    Swords share our empire: Fortune, that made Rome
    Govern the earth, the sea, the world itself,                     110
    Would not admit two lords; for Julia,
    Snatch'd hence by cruel Fates, with ominous howls
    Bare down to hell her son, the pledge of peace,
    And all bands of that death-presaging alli‡nce.
    Julia, had heaven given thee longer life,
    Thou hadst restrain'd thy headstrong husband's rage,
    Yea, and thy father too, and, swords thrown down,
    Made all shake hands, as once the Sabines did:
    Thy death broke amity, and train'd to war
    These captains emulous of each other's glory.                    120
    Thou fear'd'st, great Pompey, that late deeds would dim
    Old triumphs, and that CÊsar's conquering France
    Would dash the wreath thou war'st for pirates' wreck:
    Thee war's use stirr'd, and thoughts that always scorn'd
    A second place. Pompey could bide no equal,
    Nor CÊsar no superior: which of both
    Had justest cause, unlawful 'tis to judge:
    Each side had great partakers; CÊsar's cause
    The gods abetted, Cato lik'd the other.[591]
    Both differ'd much. Pompey was struck in years,                  130
    And by long rest forgot to manage arms,
    And, being popular, sought by liberal gifts
    To gain the light unstable commons' love,
    And joy'd to hear his theatre's applause:
    He lived secure, boasting his former deeds,
    And thought his name sufficient to uphold him:
    Like to a tall oak in a fruitful field,
    Bearing old spoils and conquerors' monuments,
    Who, though his root be weak, and his own weight
    Keep him within the ground, his arms all bare,                   140
    His body, not his boughs, send forth a shade;
    Though every blast it nod,[592] and seem to fall,
    When all the woods about stand bolt upright,
    Yet he alone is held in reverence.
    CÊsar's renown for war was loss; he restless,
    Shaming to strive but where he did subdue;
    When ire or hope provok'd, heady and bold;
    At all times charging home, and making havoc;
    Urging his fortune, trusting in the gods,
    Destroying what withstood his proud desires,                     150
    And glad when blood and ruin made him way:
    So thunder, which the wind tears from the clouds,
    With crack of riven air and hideous sound
    Filling the world, leaps out and throws forth fire,
    Affrights poor fearful men, and blasts their eyes
    With overthwarting flames, and raging shoots
    Alongst the air, and, not resisting it,
    Falls, and returns, and shivers where it lights.
    Such humours stirr'd them up; but this war's seed
    Was even the same that wrecks all great dominions.               160
    When Fortune made us lords of all, wealth flow'd,
    And then we grew licentious and rude;
    The soldiers' prey and rapine brought in riot;
    Men took delight in jewels, houses, plate,
    And scorn'd old sparing diet, and ware robes
    Too light for women; Poverty, who hatch'd
    Rome's greatest wits,[593] was loath'd, and all the world
    Ransack'd for gold, which breeds the world['s] decay;
    And then large limits had their butting lands;
    The ground, which Curius and Camillus till'd,                    170
    Was stretched unto the fields of hinds unknown.
    Again, this people could not brook calm peace;
    Them freedom without war might not suffice:
    Quarrels were rife; greedy desire, still poor,
    Did vild deeds; then 'twas worth the price of blood,
    And deem'd renown, to spoil their native town;
    Force mastered right, the strongest govern'd all;
    Hence came it that th' edicts were over-rul'd,
    That laws were broke, tribunes with consuls strove,
    Sale made of offices, and people's voices                        180
    Bought by themselves and sold, and every year
    Frauds and corruption in the Field of Mars;
    Hence interest and devouring usury sprang,
    Faith's breach, and hence came war, to most men welcome.
    Now CÊsar overpass'd the snowy Alps;
    His mind was troubled, and he aim'd at war:
    And coming to the ford of Rubicon,
    At night in dreadful vision fearful[594] Rome
    Mourning appear'd, whose hoary hairs were torn,
    And on her turret-bearing head dispers'd,                        190
    And arms all naked; who, with broken sighs,
    And staring, thus bespoke: "What mean'st thou, CÊsar?
    Whither goes my standard? Romans if ye be,
    And bear true hearts, stay here!" This spectacle
    Struck CÊsar's heart with fear; his hair stood up,
    And faintness numb'd his steps there on the brink.
    He thus cried out: "Thou thunderer that guard'st
    Rome's mighty walls, built on Tarpeian rock!
    Ye gods of Phrygia and Ilus' line,
    Quirinus' rites, and Latian Jove advanc'd                        200
    On Alba hill! O vestal flames! O Rome,
    My thoughts sole goddess, aid mine enterprise!
    I hate thee not, to thee my conquests stoop:
    CÊsar is thine, so please it thee, thy soldier.
    He, he afflicts Rome that made me Rome's foe."
    This said, he, laying aside all lets[595] of war,
    Approach'd the swelling stream with drum and ensign:
    Like to a lion of scorch'd desert Afric,
    Who, seeing hunters, pauseth till fell wrath
    And kingly rage increase, then, having whisk'd                   210
    His tail athwart his back, and crest heav'd up,
    With jaws wide-open ghastly roaring out,
    Albeit the Moor's light javelin or his spear
    Sticks in his side, yet runs upon the hunter.
      In summer-time the purple Rubicon,
    Which issues from a small spring, is but shallow,
    And creeps along the vales, dividing just
    The bounds of Italy from Cisalpine France.
    But now the winter's wrath, and watery moon
    Being three days old, enforc'd the flood to swell,               220
    And frozen Alps thaw'd with resolving winds.
    The thunder-hoof'd[596] horse, in a crookËd line,
    To scape the violence of the stream, first waded;
    Which being broke, the foot had easy passage.
    As soon as CÊsar got unto the bank
    And bounds of Italy, "Here, here," saith he,
    "An end of peace; here end polluted laws!
    Hence leagues and covenants! Fortune, thee I follow!
    War and the Destinies shall try my cause."
    This said, the restless general through the dark,                230
    Swifter than bullets thrown from Spanish slings,
    Or darts which Parthians backward shoot, march'd on;
    And then, when Lucifer did shine alone,
    And some dim stars, he Ariminum enter'd.
    Day rose, and view'd these tumults of the war:
    Whether the gods or blustering south were cause
    I know not, but the cloudy air did frown.
    The soldiers having won the market-place,
    There spread the colours with confusËd noise
    Of trumpets' clang, shrill cornets, whistling fifes.             240
    The people started; young men left their beds,
    And snatch'd arms near their household-gods hung up,
    Such as peace yields; worm-eaten leathern targets,
    Through which the wood peer'd,[597] headless darts, old swords
    With ugly teeth of black rust foully scarr'd.
    But seeing white eagles, and Rome's flags well known,
    And lofty CÊsar in the thickest throng,
    They shook for fear, and cold benumb'd their limbs,
    And muttering much, thus to themselves complain'd:
    "O walls unfortunate, too near to France!                        250
    Predestinate to ruin! all lands else
    Have stable peace: here war's rage first begins;
    We bide the first brunt. Safer might we dwell
    Under the frosty bear, or parching east,
    Waggons or tents, than in this frontier town.
    We first sustain'd the uproars of the Gauls
    And furious Cimbrians, and of Carthage Moors:
    As oft as Rome was sack'd, here gan the spoil."
    Thus sighing whisper'd they, and none durst speak,
    And show their fear or grief; but as the fields                  260
    When birds are silent thorough winter's rage,
    Or sea far from the land, so all were whist,[598]
    Now light had quite dissolv'd the misty night,
    And CÊsar's mind unsettled musing stood;
    But gods and fortune pricked him to this war,
    Infringing all excuse of modest shame,
    And labouring to approve[599] his quarrel good.
    The angry senate, urging Gracchus'[600] deeds,
    From doubtful Rome wrongly expell'd the tribunes
    That cross'd them: both which now approach'd the camp,           270
    And with them Curio, sometime tribune too,
    One that was fee'd for CÊsar, and whose tongue
    Could tune the people to the nobles' mind.[601]
    "CÊsar," said he, "while eloquence prevail'd,
    And I might plead and draw the commons' minds
    To favour thee, against the senate's will,
    Five years I lengthen'd thy command in France;
    But law being put to silence by the wars,
    We, from her houses driven, most willingly
    Suffer'd exile: let thy sword bring us home,                     280
    Now, while their part is weak and fears, march hence:
    Where men are ready lingering ever hurts.[602]
    In ten years wonn'st thou France: Rome may be won
    With far less toil, and yet the honour's more;
    Few battles fought with prosperous success
    May bring her down, and with her all the world.
    Nor shalt thou triumph when thou com'st to Rome,
    Nor Capitol be adorn'd with sacred bays;
    Envy denies all; with thy blood must thou
    Aby thy conquest past:[603] the son decrees                      290
    To expel the father: share the world thou canst not;
    Enjoy it all thou mayst." Thus Curio spake;
    And therewith CÊsar, prone enough to war,
    Was so incens'd as are Elean[604] steeds.
    With clamours, who, though lock'd and chain'd in stalls,[605]
    Souse[606] down the walls, and make a passage forth.
    Straight summon'd he his several companies
    Unto the standard: his grave look appeas'd
    The wrestling tumult, and right hand made silence;
    And thus he spake: "You that with me have borne                  300
    A thousand brunts, and tried me full ten years,
    See how they quit our bloodshed in the north,
    Our friends' death, and our wounds, our wintering
    Under the Alps! Rome rageth now in arms
    As if the Carthage Hannibal were near;
    Cornets of horse are muster'd for the field;
    Woods turn'd to ships; both land and sea against us.
    Had foreign wars ill-thriv'd, or wrathful France
    Pursu'd us hither, how were we bested,
    When, coming conqueror, Rome afflicts me thus?                   310
    Let come their leader[607] whom long peace hath quail'd,
    Raw soldiers lately press'd, and troops of gowns,
    Babbling[608] Marcellus, Cato whom fools reverence!
    Must Pompey's followers, with strangers' aid
    (Whom from his youth he brib'd), needs make him king?
    And shall he triumph long before his time,
    And, having once got head, still shall he reign?
    What should I talk of men's corn reap'd by force,
    And by him kept of purpose for a dearth?
    Who sees not war sit by the quivering judge,                     320
    And sentence given in rings of naked swords,
    And laws assail'd, and arm'd men in the senate?
    'Twas his troop hemm'd in Milo being accus'd;
    And now, lest age might wane his state, he casts
    For civil war, wherein through use he's known
    To exceed his master, that arch-traitor Sylla.
    A[s] brood of barbarous tigers, having lapp'd
    The blood of many a herd, whilst with their dams
    They kennell'd in Hyrcania, evermore
    Will rage and prey; so, Pompey, thou, having lick'd              330
    Warm gore from Sylla's sword, art yet athirst:
    Jaws flesh[ed] with blood continue murderous.
    Speak, when shall this thy long-usurped power end?
    What end of mischief? Sylla teaching thee,
    At last learn, wretch, to leave thy monarchy!
    What, now Sicilian[609] pirates are suppress'd,
    And jaded[610] king of Pontus poison'd slain,
    Must Pompey as his last foe plume on me,
    Because at his command I wound not up
    My conquering eagles? say I merit naught,[611]                   340
    Yet, for long service done, reward these men,
    And so they triumph, be't with whom ye will.
    Whither now shall these old bloodless souls repair?
    What seats for their deserts? what store of ground
    For servitors to till? what colonies
    To rest their bones? say, Pompey, are these worse
    Than pirates of Sicilia?[612] they had houses.
    Spread, spread these flags that ten years' space have conquer'd!
    Let's use our tried force: they that now thwart right,
    In wars will yield to wrong:[613] the gods are with us;          350
    Neither spoil nor kingdom seek we by these arms,
    But Rome, at thraldom's feet, to rid from tyrants."
    This spoke, none answer'd, but a murmuring buzz
    Th' unstable people made: their household-gods
    And love to Rome (though slaughter steel'd their hearts,
    And minds were prone) restrain'd them; but war's love
    And CÊsar's awe dash'd all. Then LÊlius,[614]
    The chief centurion, crown'd with oaken leaves
    For saving of a Roman citizen,
    Stepp'd forth, and cried: "Chief leader of Rome's force,
    So be I may be bold to speak a truth,                            361
    We grieve at this thy patience and delay.
    What, doubt'st thou us? even now when youthful blood
    Pricks forth our lively bodies, and strong arms
    Can mainly throw the dart, wilt thou endure
    These purple grooms, that senate's tyranny?
    Is conquest got by civil war so heinous?
    Well, lead us, then, to Syrtes' desert shore,
    Or Scythia, or hot Libya's thirsty sands.
    This band, that all behind us might be quail'd,                  370
    Hath with thee pass'd the swelling ocean,
    And swept the foaming breast of Arctic[615] Rhene.
    Love over-rules my will; I must obey thee,
    CÊsar: he whom I hear thy trumpets charge,
    I hold no Roman; by these ten blest ensigns
    And all thy several triumphs, shouldst thou bid me
    Entomb my sword within my brother's bowels,
    Or father's throat, or women's groaning[616] womb,
    This hand, albeit unwilling, should perform it?
    Or rob the gods, or sacred temples fire,                         380
    These troops should soon pull down the church of Jove;[617]
    If to encamp on Tuscan Tiber's streams,
    I'll boldly quarter out the fields of Rome;
    What walls thou wilt be levell'd with the ground,
    These hands shall thrust the ram, and make them fly,
    Albeit the city thou wouldst have so raz'd
    Be Rome itself." Here every band applauded,
    And, with their hands held up, all jointly cried
    They'll follow where he please. The shouts rent heaven,
    As when against pine-bearing Ossa's rocks                        390
    Beats Thracian Boreas, or when trees bow[618] down
    And rustling swing up as the wind fets[619] breath.
    When CÊsar saw his army prone to war,
    And Fates so bent, lest sloth and long delay
    Might cross him, he withdrew his troops from France,
    And in all quarters musters men for Rome.
    They by Lemannus' nook forsook their tents;
    They whom[620] the Lingones foil'd with painted spears,
    Under the rocks by crookËd Vogesus;
    And many came from shallow Isara,                                400
    Who, running long, falls in a greater flood,
    And, ere he sees the sea, loseth his name;
    The yellow Ruthens left their garrisons;
    Mild Atax glad it bears not Roman boats,[621]
    And frontier Varus that the camp is far,
    Sent aid; so did Alcides' port, whose seas
    Eat hollow rocks, and where the north-west wind
    Nor zephyr rules not, but the north alone
    Turmoils the coast, and enterance forbids;
    And others came from that uncertain shore                        410
    Which is nor sea nor land, but ofttimes both,
    And changeth as the ocean ebbs and flows;
    Whether the sea roll'd always from that point
    Whence the wind blows, still forcËd to and fro;
    Or that the wandering main follow the moon;
    Or flaming Titan, feeding on the deep,
    Pulls them aloft, and makes the surge kiss heaven;
    Philosophers, look you; for unto me,
    Thou cause, whate'er thou be, whom God assigns
    This great effect, art hid. They came that dwell                 420
    By Nemes' fields and banks of Satirus,[622]
    Where Tarbell's winding shores embrace the sea;
    The Santons that rejoice in CÊsar's love;[623]
    Those of Bituriges,[624] and light Axon[625] pikes;
    And they of Rhene and Leuca,[626] cunning darters,
    And Sequana that well could manage steeds;
    The Belgians apt to govern British cars;
    Th' A[r]verni, too, which boldly feign themselves
    The Roman's brethren, sprung of Ilian race;
    The stubborn Nervians stain'd with Cotta's blood;                430
    And Vangions who, like those of Sarmata,
    Wear open slops;[627] and fierce Batavians,
    Whom trumpet's clang incites; and those that dwell
    By Cinga's stream, and where swift Rhodanus
    Drives Araris to sea; they near the hills,
    Under whose hoary rocks Gebenna hangs;
    And, Trevier, thou being glad that wars are past thee;
    And you, late-shorn Ligurians, who were wont
    In large-spread hair to exceed the rest of France;
    And where to Hesus and fell Mercury[628]                         440
    They offer human flesh, and where Jove seems
    Bloody like Dian, whom the Scythians serve.
    And you, French Bardi, whose immortal pens
    Renown the valiant souls slain in your wars,
    Sit safe at home and chant sweet poesy.
    And, Druides, you now in peace renew
    Your barbarous customs and sinister rites:
    In unfell'd woods and sacred groves you dwell;
    And only gods and heavenly powers you know,
    Or only know you nothing; for you hold                           450
    That souls pass not to silent Erebus
    Or Pluto's bloodless kingdom, but elsewhere
    Resume a body; so (if truth you sing)
    Death brings long life. Doubtless these northern men,
    Whom death, the greatest of all fears, affright not,
    Are blest by such sweet error; this makes them
    Run on the sword's point, and desire to die,
    And shame to spare life which being lost is won.
    You likewise that repuls'd the Caˇc foe,
    March towards Rome; and you, fierce men of Rhene,                460
    Leaving your country open to the spoil.
    These being come, their huge power made him bold
    To manage greater deeds; the bordering towns
    He garrison'd; and Italy he fill'd with soldiers.
    Vain fame increased true fear, and did invade
    The people's minds, and laid before their eyes
    Slaughter to come, and, swiftly bringing news
    Of present war, made many lies and tales:
    One swears his troops of daring horsemen fought
    Upon Mevania's plain, where bulls are graz'd;                    470
    Other that CÊsar's barbarous bands were spread
    Along Nar flood that into Tiber falls,
    And that his own ten ensigns and the rest
    March'd not entirely, and yet hide the ground;
    And that he's much chang'd, looking wild and big,
    And far more barbarous than the French, his vassals;
    And that he lags[629] behind with them, of purpose,
    Borne 'twixt the Alps and Rhene, which he hath brought
    From out their northern parts,[630] and that Rome,
    He looking on, by these men should be sack'd.                    480
    Thus in his fright did each man strengthen fame,
    And, without ground, fear'd what themselves had feign'd.
    Nor were the commons only struck to heart
    With this vain terror; but the court, the senate,
    The fathers selves leap'd from their seats, and, flying,
    Left hateful war decreed to both the consuls.
    Then, with their fear and danger all-distract,
    Their sway of flight carries the heady rout,[631]
    That in chain'd[632] troops break forth at every port:
    You would have thought their houses had been fir'd,              490
    Or, dropping-ripe, ready to fall with ruin.
    So rush'd the inconsiderate multitude
    Thorough the city, hurried headlong on,
    As if the only hope that did remain
    To their afflictions were t' abandon Rome.
    Look how, when stormy Auster from the breach
    Of Libyan Syrtes rolls a monstrous wave,
    Which makes the main-sail fall with hideous sound,
    The pilot from the helm leaps in the sea,
    And mariners, albeit the keel be sound,                          500
    Shipwreck themselves; even so, the city left,
    All rise in arms; nor could the bed-rid parents
    Keep back their sons, or women's tears their husbands:
    They stayed not either to pray or sacrifice;
    Their household-gods restrain them not; none lingered,
    As loath to leave Rome whom they held so dear:
    Th' irrevocable people fly in troops.
    O gods, that easy grant men great estates,
    But hardly grace to keep them! Rome, that flows
    With citizens and captives,[633] and would hold                  510
    The world, were it together, is by cowards
    Left as a prey, now CÊsar doth approach.
    When Romans are besieged by foreign foes,
    With slender trench they escape night-stratagems,
    And sudden rampire rais'd of turf snatched up,
    Would make them sleep securely in their tents.
    Thou, Rome, at name of war runn'st from thyself,
    And wilt not trust thy city-walls one night:
    Well might these fear, when Pompey feared and fled.
    Now evermore, lest some one hope might ease                      520
    The commons' jangling minds, apparent signs arose,
    Strange sights appeared; the angry threatening gods
    Filled both the earth and seas with prodigies.
    Great store of strange and unknown stars were seen
    Wandering about the north, and rings of fire
    Fly in the air, and dreadful bearded stars,
    And comets that presage the fall of kingdoms;
    The flattering[634] sky glittered in often flames,
    And sundry fiery meteors blazed in heaven,
    Now spear-like long, now like a spreading torch;                 530
    Lightning in silence stole forth without clouds,
    And, from the northern climate snatching fire,
    Blasted the Capitol; the lesser stars,
    Which wont to run their course through empty night,
    At noon-day mustered; Phoebe, having filled
    Her meeting horns to match her brother's light,
    Struck with th' earth's sudden shadow, waxËd pale;
    Titan himself, throned in the midst of heaven,
    His burning chariot plunged in sable clouds,
    And whelmed the world in darkness, making men                    540
    Despair of day; as did Thyestes' town,
    MycenÊ, Phoebus flying through the east.
    Fierce Mulciber unbarrËd ∆tna's gate,
    Which flamËd not on high, but headlong pitched
    Her burning head on bending Hespery.
    Coal-black Charybdis whirled a sea of blood.
    Fierce mastives howled. The vestal fires went out;
    The flame in Alba, consecrate to Jove,
    Parted in twain, and with a double point
    Rose, like the Theban brothers' funeral fire.                    550
    The earth went off her hinges; and the Alps
    Shook the old snow from off their trembling laps.[635]
    The ocean swelled as high as Spanish Calpe
    Or Atlas' head. Their saints and household-gods
    Sweat tears, to show the travails of their city:
    Crowns fell from holy statues. Ominous birds
    Defiled the day; and wild beasts were seen,[636]
    Leaving the woods, lodge in the streets of Rome.
    Cattle were seen that muttered human speech;
    Prodigious births with more and ugly joints                      560
    Than nature gives, whose sight appals the mother;
    And dismal prophecies were spread abroad:
    And they, whom fierce Bellona's fury moves
    To wound their arms, sing vengeance; Cybel's[637] priests,
    Curling their bloody locks, howl dreadful things.
    Souls quiet and appeas'd sighed from their graves;
    Clashing of arms was heard; in untrod woods
    Shrill voices schright;[638] and ghosts encounter men.
    Those that inhabited the suburb-fields
    Fled: foul Erinnys stalked about the walls,                      570
    Shaking her snaky hair and crookËd pine
    With flaming top; much like that hellish fiend
    Which made the stern Lycurgus wound his thigh,
    Or fierce Agave mad; or like MegÊra
    That scar'd Alcides, when by Juno's task
    He had before look'd Pluto in the face.
    Trumpets were heard to sound; and with what noise
    An armËd battle joins, such and more strange
    Black night brought forth in secret. Sylla's ghost
    Was seen to walk, singing sad oracles;                           580
    And Marius' head above cold Tav'ron[639] peering,
    His grave broke open, did affright the boors.
    To these ostents, as their old custom was,
    They call th' Etrurian augurs: amongst whom
    The gravest, Arruns, dwelt in forsaken Leuca[640]
    Well-skill'd in pyromancy; one that knew
    The hearts of beasts, and flight of wandering fowls.
    First he commands such monsters Nature hatch'd
    Against her kind, the barren mule's loath'd issue,
    To be cut forth[641] and cast in dismal fires;                   590
    Then, that the trembling citizens should walk
    About the city; then, the sacred priests
    That with divine lustration purg'd the walls,
    And went the round, in and without the town;
    Next, an inferior troop, in tuck'd-up vestures,
    After the Gabine manner; then, the nuns
    And their veil'd matron, who alone might view
    Minerva's statue; then, they that kept and read
    Sibylla's secret works, and wash[642] their saint
    In Almo's flood; next learnËd augurs follow;                     600
    Apollo's soothsayers, and Jove's feasting priests;
    The skipping Salii with shields like wedges;
    And Flamens last, with net-work woollen veils.
    While these thus in and out had circled Rome,
    Look, what the lightning blasted, Arruns takes,
    And it inters with murmurs dolorous,
    And calls the place Bidental. On the altar
    He lays a ne'er-yok'd bull, and pours down wine,
    Then crams salt leaven on his crookËd knife:
    The beast long struggled, as being like to prove                 610
    An awkward sacrifice; but by the horns
    The quick priest pulled him on his knees, and slew him.
    No vein sprung out, but from the yawning gash,
    Instead of red blood, wallow'd venomous gore.
    These direful signs made Arruns stand amazed,
    And searching farther for the gods' displeasure,
    The very colour scared him; a dead blackness
    Ran through the blood, that turned it all to jelly,
    And stained the bowels with dark loathsome spots;
    The liver swelled with filth; and every vein                     620
    Did threaten horror from the host of CÊsar
    A small thin skin contained the vital parts;
    The heart stirred not; and from the gaping liver
    Squeezed matter through the caul; the entrails peered;
    And which (ay me!) ever pretendeth[643] ill,
    At that bunch where the liver is, appear'd
    A knob of flesh, whereof one half did look
    Dead and discolour'd, th' other lean and thin.[644]
    By these he seeing what mischiefs must ensue,
    Cried out, "O gods, I tremble to unfold                          630
    What you intend! great Jove is now displeas'd;
    And in the breast of this slain bull are crept
    Th' infernal powers. My fear transcends my words;
    Yet more will happen than I can unfold:
    Turn all to good, be augury vain, and Tages,
    Th' art's master, false!" Thus, in ambiguous terms
    Involving all, did Arruns darkly sing.
    But Figulus, more seen in heavenly mysteries,
    Whose like ∆gyptian Memphis never had
    For skill in stars and tuneful planeting,[645]                   640
    In this sort spake: "The world's swift course is lawless
    And casual; all the stars at random range;[646]
    Or if fate rule them, Rome, thy citizens
    Are near some plague. What mischief shall ensue?
    Shall towns be swallow'd? shall the thicken'd air
    Become intemperate? shall the earth be barren?
    Shall water be congeal'd and turn'd to ice?[647]
    O gods, what death prepare ye? with what plague
    Mean ye to rage? the death of many men
    Meets in one period. If cold noisome Saturn                      650
    Were now exalted, and with blue beams shin'd,
    Then Ganymede[648] would renew Deucalion's flood,
    And in the fleeting sea the earth be drench'd.
    O Phoebus, shouldst thou with thy rays now singe
    The fell NemÊan beast, th' earth would be fir'd,
    And heaven tormented with thy chafing heat:
    But thy fires hurt not. Mars, 'tis thou inflam'st
    The threatening Scorpion with the burning tail,
    And fir'st his cleys:[649] why art thou thus enrag'd?
    Kind Jupiter hath low declin'd himself;                          660
    Venus is faint; swift Hermes retrograde;
    Mars only rules the heaven. Why do the planets
    Alter their course, and vainly dim their virtue?
    Sword-girt Orion's side glisters too bright:
    War's rage draws near; and to the sword's strong hand
    Let all laws yield, sin bears the name of virtue:
    Many a year these furious broils let last:
    Why should we wish the gods should ever end them?
    War only gives us peace. O Rome, continue
    The course of mischief, and stretch out the date                 670
    Of slaughter! only civil broils make peace."
    These sad presages were enough to scare
    The quivering Romans; but worse things affright them.
    As MÊnas[650] full of wine on Pindus raves,
    So runs a matron through th' amazËd streets,
    Disclosing Phoebus' fury in this sort;
    "PÊan, whither am I haled? where shall I fall,
    Thus borne aloft? I seen PangÊus' hill
    With hoary top, and, under HÊmus' mount,
    Philippi plains. Phoebus, what rage is this?                     680
    Why grapples Rome, and makes war, having no foes?
    Whither turn I now? thou lead'st me toward th' east,
    Where Nile augmenteth the Pelusian sea:
    This headless trunk that lies on Nilus' sand
    I know. Now th[o]roughout the air I fly
    To doubtful Syrtes and dry Afric, where
    A Fury leads the Emathian bands. From thence
    To the pine-bearing[651] hills; thence[652] to the mounts
    Pyrene; and so back to Rome again.
    See, impious war defiles the senate-house!                       690
    New factions rise. Now through the world again
    I go. O Phoebus, show me Neptune's shore,
    And other regions! I have seen Philippi."
    This said, being tir'd with fury, she sunk down.

FOOTNOTES:

[579] Old ed. "launcht."--The forms "lanch" and "lance" are used
indifferently.

[580] Alike.

[581] "Et ardenti _servilia_ bella sub ∆tna."

[582] "Nec polus adversi _calidus_ qua vergitur Austri."

[583] "_Obliquo_ sidere."

[584] Axis.

[585] Tumults.

[586]

            "Summisque negatum,
    Stare diu."

[587] Far-fetched.

[588] "Exiguum dominos commisit asylum."

[589] "So old ed. in some copies which had been corrected at press;
other copies 'Aezean.'"--_Dyce_.

[590] CarrÊ's.

[591] A somewhat weak translation of Lucan's most famous line:--"Victrix
causa diis placuit, sed victa Catoni."

[592] As the line stands we must take "nod" and "fall" transitively
("though every blast make it nod and seem to make it fall"). The
original has "At quamvis primo nutet casura sub Euro."

[593] "Fecunda virorum / Paupertas."

[594] "Ingens visa duci patriae _trepidantis_ imago."

[595] "Inde _moras_ solvit belli."

[596] "Sonipes."

[597] "Nuda jam crate fluentes / Invadunt clypeos."

[598] Silent.

[599] Prove.

[600] "Jactatis ... _Gracchis_."

[601] Marlowe omits to translate the words that follow in the
original:--

    "Utque ducem varias volventem pectore curas
    Conspexit."

[602] A line (omitted by Marlowe) follows in the original:--"Par labor
atque metus pretio majore petuntur."

[603] An obscure rendering of

                  "Gentesque subactas
    Vix impune feres."

[604] Old ed. "Eleius." It is hardly possible to suppose (as Dyce
suggests) that Marlowe took the adjective "Eleus" for a substantive.

[605] A mistranslation of "carcere clauso." ("Carcer" is the barrier or
starting-place in the circus.)

[606] "Immineat foribus." "Souse" is a north-country word meaning to
bang or dash. It is also applied to the swooping-down of a hawk.

[607] Old ed. "leaders."

[608] So Dyce for the old ed's. "Brabbling." The original has
"Marcellusque _loquax_." ("Brabbling" means "wrangling.")

[609] A mistake (or perhaps merely a misprint) for "Cilician."

[610] Old ed. has "Jaded, king of Pontus!"

[611] "Unless we understand this in the sense of--say I receive no
reward (--and in Fletcher's _Woman-Hater_, 'merit' means--derive profit,
B. and F.'s _Works_, i. 91, ed. Dyce,--), it is a wrong translation of
'mihi si merces erepta laborum est.'"--_Dyce_.

[612] "Sicilia" should be "Cilicia."

[613] A free translation of the frigid original--

                      "Arma tenenti
    Omnia dat qui justa negat."

[614] Old ed. "Lalius."

[615] Old ed. "_Articks_ Rhene." ("Rhene" is the old form of "Rhine.")

[616] So old ed. Dyce's correction "or groaning woman's womb" seems
hardly necessary. (The original has "plenaeque in viscera partu
conjugis.")

[617] "Numina miscebit castrensis flamma _Monetae_."

[618] Old ed. "bowde."

[619] Fetches.

[620] The original has--

    "Castraque quae, Vogesi curvam super ardua rupem,
    Pugnaces pictis cohibebant _Lingonas_ armis."

Dyce conjectures that Marlowe's copy read _Lingones_.

[621] Old ed. "bloats."

[622]

                  "Tunc rura Nemossi
    Qui tenet et ripas Aturi."

[623] Marlowe seems to have read here very ridiculously, "gaudetque
amato [instead of amoto] Santonus hoste."--_Dyce_.

[624] Marlowe has converted the name of a tribe into that of a country.

[625] The approved reading is "longisque leves _Suessones_ in armis."

[626] "Optimus excusso _Leucus Rhemusque_ lacerto."

[627] "Et qui te _laxis_ imitantur, Sarmata, _bracchis_ Vangiones."

Marlowe has mistaken "Sarmata," a _Sarmatian_, for the country
_Sarmatia_.

[628] The old ed. gives "fell Mercury (Joue)," and in the next line
"where it seems." "Jove" written, as a correction, in the MS. above "it"
was supposed by the printer to belong to the previous line.

[629] The original has--

"Hunc inter Rhenum populos Alpesque jacentes, / Finibus Arctois
patriaque a sede revulsos, / Pone sequi."/ ("Populos" is the subject and
"Hunc" the object of "sequi." For "Hunc" the best editions give "Tunc.")

[630] "Parts" must be pronounced as a dissyllable.

[631] "Praecipitem populum."

[632] "Serieque haerentia longa / Agmina prorumpunt."

[633] "Urbem populis, _victisque_ frequentem Gentibus."--Old ed.
"captaines."

[634] "Fulgura _fallaci_ micuerunt crebra sereno."

[635] The original has, "_jugis_ nutantibus." Dyce reads "tops,"--an
emendation against which Cunningham loudly protests. "Laps" is certainly
more emphatic.

[636] The line is imperfect. We should have expected "_at night_ wild
beasts were seen" ("silvisque feras _sub nocte_ relictis").

[637] Old ed. "Sibils."

[638] Shrieked.

[639] "Gelidas _Anienis_ ad undas."

[640] "Or LunÊ"--marginal note in old ed.

[641] The original has "rapi."

[642] Old ed. "wash'd."

[643] Portendeth.

[644] Here Marlowe quite deserts the original--

                "pars Êgra et marcida pendet,
    _Pars micat, et celeri venas movet improba pulsu_."

[645] "Numerisque moventibus astra."--The word "planeting" was, I
suppose, coined by Marlowe. I have never met it elsewhere.

[646] So Dyce.--Old ed. "radge." (The original has "et incerto
_discurrunt_ sidera motu.")

[647] "Omnis an effusis miscebitur unda _venenis_."--Dyce suggests that
Marlowe's copy read "pruinis."

[648] The original has "Aquarius."--Ganymede was changed into the sign
Aquarius: see Hyginus' _Poeticon Astron._ II. 29.

[649] Claws.

[650] A MÊnad.--Old ed. "MÊnus."

[651] The original has "NubiferÊ."

[652] Old ed. "hence."




THE PASSIONATE SHEPHERD TO HIS LOVE.




THE PASSIONATE SHEPHERD TO HIS LOVE.[653]


    Come[654] live with me and be my love,
    And we will all the pleasures prove
    That hills and vallies, dales and fields,[655]
    Woods or steepy mountain yields.[656]

    And we will[657] sit upon the rocks,
    Seeing[658] the shepherds feed their[659] flocks
    By shallow rivers to whose falls
    Melodious birds sing[660] madrigals.

    And I will make thee beds of roses[661]
    And[662] a thousand fragrant posies,
    A cup of flowers and a kirtle
    Embroidered all with leaves of myrtle.

    A gown[663] made of the finest wooll
    Which from our pretty lambs we pull;
    Fair-linËd[664] slippers for the cold,
    With buckles of the purest gold.

    A belt of straw and ivy-buds,
    With coral clasps and amber studs;
    An if these pleasures may thee move,
    Come[665] live with me, and be my love.

    The shepherd-swains[666] shall dance and sing
    For thy delight each May-morning:
    If these delights thy mind may move,
    Then live with me, and be my love.

FOOTNOTES:

[653] This delightful pastoral song was first published, without the
fourth and sixth stanzas, in _The Passionate Pilgrim_, 1599. It appeared
complete in _England's Helicon_, 1600, with Marlowe's name subscribed.
By quoting it in the _Complete Angler_, 1653, Izaak Walton has made it
known to a world of readers.

[654] Omitted in P. P.

[655] So P. P.--E. H. "That vallies, groves, hills and fieldes."--Walton
"That vallies, groves, or hils or fields."

[656] So E. H.--P. P. "And the craggy mountain yields."--Walton "Or,
woods and steepie mountains yeelds."

[657] So E. H.--P. P. "There will we."--Walton "Where we will."

[658] So E. H.--P. P. and Walton "And see."

[659] So E. H. and P. P.--Walton "our."

[660] So P. P. and Walton.--E. H. "sings."

[661] So E. H. and Walton.--P. P. "There will I make thee a bed of
roses."

[662] So E. H.--P. P. "With."--Walton "And then."

[663] This stanza is omitted in P. P.

[664] So E. H.--Walton "Slippers lin'd choicely."

[665] So E. H. and Walton.--P. P. "Then."--After this stanza there
follows in the second edition of the _Complete Angler_, 1655, an
additional stanza:--

    "Thy silver dishes for thy meat
    As precious as the gods do eat,
    Shall on an ivory table be
    Prepar'd each day for thee and me."

[666] This stanza is omitted in P. P.--E. H. and Walton "The
sheep-heards swaines."




    [In _England's Helicon_ Marlowe's song is followed by the "Nymph's
    Reply to the Shepherd" and "Another of the same Nature made since."
    Both are signed _Ignoto_, but the first of these pieces has been
    usually ascribed to Sir Walter Raleigh[667]--on no very substantial
    grounds.]


THE NYMPH'S REPLY TO THE SHEPHERD.


    If all the world and love were young,
    And truth in every Shepherd's tongue,
    These pretty pleasures might me move
    To live with thee, and be thy love.

    Times drives the flocks from field to fold,
    When rivers rage and rocks grow cold,
    And Philomel becometh dumb,
    The rest complains of cares to come.

    The flowers do fade and wanton fields
    To wayward winter reckoning yields;
    A honey tongue, a heart of gall,
    Is fancy's spring, but sorrow's fall.

    Thy gowns, thy shoes, thy beds of roses,
    Thy cap, thy kirtle, and thy posies,
    Soon break, soon wither, soon forgotten;
    In folly ripe, in reason rotten.

    Thy belt of straw and ivy buds,
    Thy coral clasps and amber studs,
    All these to me no means can move
    To come to thee, and be thy love.

    But could youth last and love still breed,
    Had joys no date nor age no need,
    Then these delights my mind might move
    To live with thee, and be thy love.

FOOTNOTES:

[667] Oldys in his annotated copy (preserved in the British Museum) of
Langbaine's _Engl. Dram. Poets_, under the article _Marlowe_
remarks:--"Sir Walter Raleigh was an encourager of his [_i.e._
Marlowe's] Muse; and he wrote an answer to a Pastoral Sonnet of Sir
Walter's [_sic_], printed by Isaac Walton in his book of fishing." It
would be pleasant to think that Marlowe enjoyed Raleigh's patronage; but
Oldys gives no authority for his statement.




ANOTHER OF THE SAME NATURE MADE SINCE.


    Come live with me, and be my dear,
    And we will revel all the year,
    In plains and groves, on hills and dales,
    Where fragrant air breathes sweetest gales.

    There shall you have the beauteous pine,
    The cedar, and the spreading vine;
    And all the woods to be a screen,
    Lest Phoebus kiss my Summer's Queen.

    The seat for your disport shall be
    Over some river in a tree,
    Where silver sands and pebbles sing
    Eternal ditties to the spring.

    There shall you see the nymphs at play,
    And how the satyrs spend the day;
    The fishes gliding on the sands,
    Offering their bellies to your hands.

    The birds with heavenly tunËd throats
    Possess woods' echoes with sweet notes,
    Which to your senses will impart
    A music to enflame the heart.

    Upon the bare and leafless oak
    The ring-doves' wooings will provoke
    A colder blood than you possess
    To play with me and do no less.

    In bowers of laurel trimly dight
    We will out-wear the silent night,
    While Flora busy is to spread
    Her richest treasure on our bed.

    Ten thousand glow-worms shall attend,
    And all these sparkling lights shall spend
    All to adorn and beautify
    Your lodging with most majesty.

    Then in mine arms will I enclose
    Lilies' fair mixture with the rose,
    Whose nice perfection in love's play
    Shall tune me to the highest key.

    Thus as we pass the welcome night
    In sportful pleasures and delight,
    The nimble fairies on the grounds,
    Shall dance and sing melodious sounds.

    If these may serve for to entice
    Your presence to Love's Paradise,
    Then come with me, and be my dear,
    And we will then begin the year.




The following verses in imitation of Marlowe are by Donne:--


THE BAIT.

    Come live with me, and be my love,
    And we will some new pleasure prove
    Of golden sands and christal brooks
    With silken lines and silver hooks.

    There will the river whispering run,
    Warm'd by thine eyes more than the sun;
    And there th' enamoured fish will stay
    Begging themselves they may betray.

    When thou wilt swim in that live bath,
    Each fish which every channel hath
    Will amorously to thee swim,
    Gladder to catch thee than thou him.

    If thou to be so seen beest loath
    By sun or moon, thou darkenest both;
    And if my self have leave to see,
    I heed not their light, having thee.

    Let others freeze with angling reeds
    And cut their legs with shells and weeds,
    Or treacherously poor fish beset
    With strangling snare or winding net.

    Let coarse bold hands from slimy nest
    The bedded fish in banks outwrest,
    Or curious traitors, sleave-silk flies,
    Bewitch poor fishes' wandering eyes.

    For thee, thou need'st no such deceit,
    For thou thyself art thine own bait:
    That fish that is not catched thereby,
    Alas, is wiser far than I.




Herrick has a pastoral invitation

TO PHILLIS TO LOVE AND LIVE WITH HIM.


    Live, live with me, and thou shalt see
    The pleasures I'll prepare for thee;
    What sweets the country can afford
    Shall bless thy bed and bless thy board.

    The soft sweet moss shall be thy bed
    With crawling woodbine overspread:
    By which the silver-shedding streams
    Shall gently melt thee into dreams.

    Thy clothing next shall be a gown
    Made of the fleeces' purest down.
    The tongues of kids shall be thy meat;
    Their milk thy drink; and thou shall eat

    The paste of filberts for thy bread,
    With cream of cowslips buttered.
    Thy feasting-tables shall be hills
    With daisies spread and daffodils;

    Where thou shalt sit, and red-breast by
    For meat shall give thee melody.
    I'll give thee chains and carcanets
    Of primroses and violets.

    A bag and bottle thou shalt have,
    That richly wrought and this as brave,
    So that as either shall express
    The wearer's no mean shepherdess.

    At shearing-times and yearly wakes,
    When Themilis his pastime makes,
    There thou shalt be; and be the wit,
    Nay more, the feast and grace of it.

    On holidays when virgins meet
    To dance the hays with nimble feet,
    Thou shalt come forth and then appear
    The queen of roses for that year;

    And having danced ('bove all the best)
    Carry the garland from the rest.
    In wicker-baskets maids shall bring
    To thee, my dearest shepherdling,

    The blushing apple, bashful pear,
    And shame-faced plum all simp'ring there:
    Walk in the groves and thou shalt find
    The name of Phillis in the rind

    Of every straight and smooth-skin tree,
    Where kissing that I'll twice kiss thee.
    To thee a sheep-hook I will send
    Be-prankt with ribands to this end,

    This, this alluring hook might be
    Less for to catch a sheep than me.
    Thou shalt have possets, wassails fine,
    Not made of ale but spiced wine;

    To make thy maids and self free mirth,
    All sitting near the glittering hearth.
    Thou shalt have ribbands, roses, rings,
    Gloves, garters, stockings, shoes and strings,
    Of winning colours that shall move
    Others to lust but me to love.
    These, nay, and more, thine own shall be
    If thou wilt love and live with me.




FRAGMENT.[668]


    I walk'd along a stream, for pureness rare,
      Brighter than sun-shine; for it did acquaint
    The dullest sight with all the glorious prey
    That in the pebble-pavËd channel lay.

    No molten crystal, but a richer mine,
      Even Nature's rarest alchymy ran there,--
    Diamonds resolv'd, and substance more divine,
      Through whose bright-gliding current might appear
    A thousand naked nymphs, whose ivory shine,
      Enamelling the banks, made them more dear
    Than ever was that glorious palace' gate
    Where the day-shining Sun in triumph sate.

    Upon this brim the eglantine and rose,
      The tamarisk, olive, and the almond tree,
    As kind companions, in one union grows,
      Folding their twining[669] arms, as oft we see
    Turtle-taught lovers either other close,
      Lending to dulness feeling sympathy;
    And as a costly valance o'er a bed,
      So did their garland-tops the brook o'erspread.

    Their leaves, that differ'd both in shape and show,
      Though all were green, yet difference such in green,
    Like to the checker'd bent of Iris' bow,
      Prided the running main, as it had been--

FOOTNOTES:

[668] From _England's Parnassus_, 1600, p. 480, where it is subscribed
"Ch. Marlowe."

[669] The text of _England's Parnassus_ has "twindring," which is
corrected in the _Errata_, to "twining."




DIALOGUE IN VERSE.[670]


JACK.

    Seest thou not yon farmer's son?
      He hath stoln my love from me, alas!
    What shall I do? I am undone;
      My heart will ne'er be as it was.
    O, but he gives her gay gold rings,
      And tufted gloves [for] holiday,
    And many other goodly things,
      That hath stolen my love away.


FRIEND.

    Let him give her gay gold rings
      Or tufted gloves, were they ne'er so [gay];                     10
    [F]or were her lovers lords or kings,
      They should not carry the wench away.


[JACK.]

    But 'a dances wonders well,
      And with his dances stole her love from me:
    Yet she wont to say I bore the bell
      For dancing and for courtesy.


DICK.[671]

    Fie, lusty younker, what do you here,
      Not dancing on the green to-day?
    For Pierce, the farmer's son, I fear,
      Is like to carry your wench away.                               20


[JACK.]

    Good Dick, bid them all come hither,
      And tell Pierce from me beside,
    That, if he thinks to have the wench,
      Here he stands shall lie with the bride.


DICK.[672]

    Fie, Nan, why use thy old lover so,
      For any other new-come guest?
    Thou long time his love did know;
      Why shouldst thou not use him best?


[NAN.]

    Bonny Dick, I will not forsake
      My bonny Rowland for any gold:                                  30
    If he can dance as well as Pierce,
      He shall have my heart in hold.


PIERCE.

    Why, then, my hearts, let's to this gear;
      And by dancing I may won
    My Nan, whose love I hold so dear
      As any realm under the sun.


GENTLEMAN.[673]

    Then, gentles, ere I speed from hence
      I will be so bold to dance
    A turn or two without offence;
      For, as I was walking along by chance,                          40
      I was told you did agree.


[FRIEND.]

    'Tis true, good sir; and this is she
      Hopes your worship comes not to crave her;
    For she hath lovers two or three,
      And he that dances best must have her.


GENTLEMAN.

    How say you, sweet, will you dance with me?
      And you [shall] have both land and [hill];
    My love shall want nor gold nor fee.


[NAN.]

      I thank you, sir, for your good will;
    But one of these my love must be:                                 50
      I'm but a homely country maid,
    And far unfit for your degree;
      [To dance with you I am afraid.]


FRIEND.

    Take her, good sir, by the hand,
      As she is fairest; were she fairer,
    By this dance, you shall understand,
      He that can win her is like to wear her.


FOOL.

    And saw you not [my] Nan to-day,
      My mother's maid have you not seen?
    My pretty Nan is gone away                                        60
      To seek her love upon the green.
    [I cannot see her 'mong so many:]
    She shall have me, if she have any.


NAN.[674]

    Welcome, sweet-heart, and welcome here,
      Welcome, my [true] love, now to me.
    This is my love [and my darling dear],
      And that my husband [soon] must be.
    And, boy, when thou com'st home thou'lt see
    Thou art as welcome home as he.


GENTLEMAN.

    Why, how now, sweet Nan! I hope you jest.                         70


NAN.[675]

    No, by my troth, I love the fool the best:
    And, if you be jealous, God give you good-night!
    I fear you're a gelding, you caper so light.


GENTLEMAN.

    I thought she had jested and meant but a fable,
    But now do I see she hath play'[d] with his bable.[676]
    I wish all my friends by me to take heed,
    That a fool come not near you when you mean to speed.

FOOTNOTES:

[670] First printed in _The Alleyn Papers_ (for the Shakespeare
Society), p. 8, by Collier, who remarks:--"In the original MS. this
dramatic dialogue in verse is written as prose, on one side of a sheet
of paper, at the back of which, in a more modern hand, is the name 'Kitt
Marlowe.' What connection, if any, he may have had with it, it is
impossible to determine, but it was obviously worthy of preservation, as
a curious stage-relic of an early date, and unlike anything else of the
kind that has come down to us. In consequence of haste or ignorance on
the part of the writer of the manuscript, it has been necessary to
supply some portions, which are printed within brackets. There are also
some obvious errors in the distribution of the dialogue, which it was
not easy to correct. The probability is that, when performed, it was
accompanied with music."

[671] MS. "Jack."

[672] MS. "W. Fre."--which Dyce supposed to be an abbreviation for
_Wench's Friend_.

[673] MS. "Frend."

[674] MS. "Wen" (_i.e._ Wench).

[675] MS. "Wen."

[676] Bauble.




APPENDICES.




APPENDICES.




No. I.

THE ATHEIST'S TRAGEDIE.[677]


    All you that have got eares to heare,
      Now listen unto mee;
    Whilst I do tell a tale of feare;
      A true one it shall bee:

    A truer storie nere was told,
      As some alive can showe;
    'Tis of a man in crime grown olde,
      Though age he did not know.

    This man did his owne God denie
      And Christ his onelie son,
    And did all punishment defie,
      So he his course might run.

    Both day and night would he blaspheme,
      And day and night would sweare,
    As if his life was but a dreame,
      Not ending in dispaire.

    A poet was he of repute,
      And wrote full many a playe,
    Now strutting in a silken sute,
      Then begging by the way.

    He had alsoe a player beene
      Upon the Curtaine-stage,
    But brake his leg in one lewd scene,
      When in his early age.

    He was a fellow to all those
      That did God's laws reject,
    Consorting with the Christians' foes
      And men of ill aspect.

    Ruffians and cutpurses hee
      Had ever at his backe,
    And led a life most foule and free,
      To his eternall wracke.

    He now is gone to his account,
      And gone before his time,
    Did not his wicked deedes surmount
      All precedent of crime.

    But he no warning ever tooke
      From others' wofull fate,
    And never gave his life a looke
      Untill it was too late.

    He had a friend, once gay and greene.[678]
      Who died not long before,
    The wofull'st wretch was ever seen,
      The worst ere woman bore,

    Unlesse this Wormall[679] did exceede
      Even him in wickednesse,
    Who died in the extreemest neede
      And terror's bitternesse.

    Yet Wormall ever kept his course,
      Since nought could him dismay;
    He knew not what thing was remorse
      Unto his dying day.

    Then had he no time to repent
      The crimes he did commit,
    And no man ever did lament
      For him, to dye unfitt.

    Ah, how is knowledge wasted quite
      On such want wisedome true,
    And that which should be guiding light
      But leades to errors newe!

    Well might learnd Cambridge oft regret
      He ever there was bred:
    The tree she in his mind had set
      Brought poison forth instead.

    His lust was lawlesse as his life,
      And brought about his death;
    For, in a deadlie mortall strife,
      Striving to stop the breath

    Of one who was his rivall foe,
      With his owne dagger slaine,
    He groand, and word spoke never moe,
      Pierc'd through the eye and braine.

    Thus did he come to suddaine ende
      That was a foe to all,
    And least unto himselfe a friend,
      And raging passion's thrall.

    Had he been brought up to the trade
      His father follow'd still,
    This exit he had never made,
      Nor played a part soe ill.

    Take warning ye that playes doe make,
      And ye that doe them act;
    Desist in time for Wormall's sake,
      And thinke upon his fact.

    Blaspheming Tambolin must die,
      And Faustus meete his ende;
    Repent, repent, or presentlie
      To hell ye must discend.

    What is there, in this world, of worth,
      That we should prize it soe?
    Life is but trouble from our birth,
      The wise do say and know.

    Our lives, then, let us mend with speed,
      Or we shall suerly rue
    The end of everie hainous deede,
      In life that shall insue.

    _Finis. Ign._

FOOTNOTES:

[677] In the Introduction I have expressed my opinion that this ballad
is a forgery.

[678] We are to suppose an allusion to Robert Greene.

[679] The anagram of Marlowe.




No. II.

In a copy of _Hero and Leander_ Collier found, together with other
questionable matter, the following MS. notes:--"Feb. 10, 1640. Mr. [two
words follow in cipher], that Marloe was an atheist, and wrot a booke
against [two words in cipher,] how that it was all one man's making, and
would have printed it, but it would not be suffred to be printed. Hee
was a rare scholar, and made excellent verses in Latine. He died aged
about 30."--"Marloe was an acquaintance of Mr. [a name follows in
cipher] of Douer, whom hee made become an atheist; so that he was faine
to make a recantation vppon this text, 'The foole hath said in his heart
there is no God.'"--"This [the name in cipher] learned all Marloe by
heart."--"Marloe was stabd with a dagger and dyed swearing."




No. III.

A NOTE[680]

CONTAYNINGE THE OPINION OF ONE CHRISTOFER MARYLE, CONCERNYNGE HIS
DAMNABLE OPINIONS AND JUDGMENT OF RELYGION AND SCORNE OF GODS WORDE.

FROM MS. HARL. 6853, FOL. 320.


That the Indians and many Authors of Antiquitei have assuredly written
of aboue 16 thowsande yeers agone, wher Adam is proved to have leyved
within 6 thowsande yeers.

_He affirmeth_[681] That Moyses was but a Juggler, and that one Heriots
can do more then hee.

That Moyses made the Jewes to travell fortie yeers in the wildernes
(which iorny might have ben don in lesse then one yeer) er they came to
the promised lande, to the intente that those whoe wer privei to most of
his subtileteis might perish, and so an everlastinge supersticion
remayne in the hartes of the people.

That the firste beginnynge of Religion was only to keep men in awe.

That it was an easye matter for Moyses, beinge brought up in all the
artes of the Egiptians, to abvse the Jewes, being a rvde and grosse
people.

*     *     *     *     *     *     *     *     *     *
*     *     *[682]

That he [Christ] was the sonne of a carpenter, and that, yf the Jewes
amonge whome he was born did crvcifye him, thei best knew him and whence
he came.

That Christ deserved better to dye than Barrabas, and that the Jewes
made a good choyce, though Barrabas were both a theife and a murtherer.

That yf ther be any God or good Religion, then it is in the Papistes,
becavse the service of God is performed with more ceremonyes, as
elevacion of the masse, organs, singinge men, _shaven crownes_, &c. That
all protestantes ar hipocriticall Asses.

That, yf he wer put to write a new religion, he wolde vndertake both a
more excellent and more admirable methode, and that all the new
testament is filthely written.

*     *     *     *     *     *     *     *     *     *
*     *     *     *     *

*     *     *     *     *     *     *     *     *     *
*     *     *     *     *     *     *     *     *     *
*     *     *     *     *     *

*     *     *     *     *     *     *     *     *     *
*     *

That all the Appostels wer fishermen and base fellowes, nether of witt
nor worth, that Pawle only had witt, that he was a timerous fellow in
biddinge men to be subiect to magistrates against his conscience.

_That he had as good right to coyne as the Queen of Englande, and that
he was acquainted with one Poole, a prisoner in newgate, whoe hath great
skill in mixture of mettalls, and havinge learned such thinges of him,
he ment, thorough help of a cvnnynge stampe-maker, to coyne french
crownes, pistolettes, and englishe shillinges._

That, yf Christ had instituted the Sacramentes with more cerymonyall
reverence, it would have ben had in more admiracion, that it wolde have
ben much better beinge administred in a Tobacco pype.

*     *     *     *     *     *     *     *     *     *
*     *     *     *     *     *     *     *     *     *

That one Richard Cholmelei[683] hath confessed that he was perswaded by
Marloes reason to become an Athieste.

_Theis thinges, with many other, shall by good and honest men be proved
to be his opinions and common speeches, and that this Marloe doth not
only holde them himself, but almost in every company he commeth,
perswadeth men to Athiesme, willinge them not to be afrayed of bugbeares
and hobgoblins, and vtterly scornynge both God and his ministers, as I
Richard Bome_ [sic] _will justify bothe by my othe and the testimony of
many honest men, and almost all men with whome he hath conversed any
tyme will testefy the same:_ _and, as I thincke, all men in
christianitei ought to endevor that the mouth of so dangerous a member
may be stopped._

_He sayeth moreover that he hath coated[684] a number of contrarieties
out of the scriptures, which he hath geeven to some great men, who in
convenient tyme shalbe named. When theis thinges shalbe called in
question, the witnesses shalbe produced._

                                          RYCHARD BAME.

         (Endorsed)

_Copye of Marloes blasphemyes
    as sent to her H[ighness]._

[Now-a-days inquiries as to the age of the earth are of interest only to
Geologists; and all may criticise with impunity the career of
Moses--provided that they do not employ the shafts of ridicule too
freely. Marlowe's strictures on the New Testament--grossly exaggerated
by the creature who penned the charges--were made from the literary
point of view. We should blame nobody to-day for saying that the
language of Revelations is poor and thin when compared with the language
of Isaiah. Again, as to the statement that Romanism alone is logical,
and that Protestantism has no _locus standi_,--has not the doctrine been
proclaimed again and again in our own day by writers whom we all
respect? The charge that Marlowe had announced his intention of coining
French crowns is so utterly absurd as to throw discredit upon all the
other statements. It must be remembered that the testimony was not upon
oath, and that the deponent was a ruffian.]

FOOTNOTES:

[680] This is the original title, which has been partly scored through
to make way for the following title:--_A Note delivered on Whitson eve
last of the most horrible blasphemes utteryd by Christofer Marly who
within iii dayes after came to a soden and fearfull end of his life._

[681] Words printed in italics are scored through in the MS.

[682] Where _lacunÊ_ occur the clauses are unfit for publication.

[683] In the margin are the words "he is layd for,"--_i.e._, steps are
being taken for his apprehension.

[684] Quoted.




No. IV.


An edition of Marlowe cannot be more fitly concluded than by a reprint
of Mr. R. H. Horne's noble and pathetic tragedy, _The Death of Marlowe_
(originally published in 1837), one of the few dramatic pieces of the
present century that will have any interest for posterity. For
permission to reprint this tragedy I am indebted to Mr. Horne's literary
executor, Mr. H. Buxton Forman.




THE DEATH OF MARLOWE.

    _DRAMATIS PERSON∆._

    CHRISTOPHER MARLOWE,     } _Dramatists and Actors._
    THOMAS HEYWOOD,          }

    THOMAS MIDDLETON,          _Dramatist._

    CECILIA                  } _Runaway Wife of the drunkard,
                             }    Bengough._

    JACCONOT, _alias_        } _A Tavern Pander and Swashbuckler._
      JACK-O'-NIGHT          }

           _Gentlemen, Officers, Servants, &c._


SCENE I.

       _Public Gardens--Liberty of the Clink, Southwark._

             _Enter_ MARLOWE _and_ HEYWOOD.

HEYWOOD.

  Be sure of it.

MARLOWE.

                I am; but not by your light.

HEYWOOD.

  I speak it not in malice, nor in envy
  Of your good fortune with so bright a beauty;
  But I have heard such things!

MARLOWE.

                                 Good Master Heywood,
  I prithee plague me not with what thou'st heard;
  I've seen, and I do love her--and, for hearing,
  The music of her voice is in my soul,
  And holds a rapturous jubilee 'midst dreams
  That melt the day and night into one bliss.

HEYWOOD.

  Beware the waking hour!

MARLOWE.

                           In lovely radiance,
  Like all that's fabled of Olympus' queen,
  She moves--as if the earth were undulant clouds,
  And all its flowers her subject stars.

HEYWOOD.

                                         Proceed.

MARLOWE.

  Smile not; for 'tis most true: the very air
  With her sweet presence is impregnate richly.
  As in a mead, that's fresh with youngest green,
  Some fragrant shrub, some secret herb, exhales
  Ambrosial odours; or in lonely bower,
  Where one may find the musk plant, heliotrope,
  Geranium, or grape hyacinth, confers
  A ruling influence, charming present sense
  And sure of memory; so, her person bears
  A natural balm, obedient to the rays
  Of heaven--or to her own, which glow within,
  Distilling incense by their own sweet power.
  The dew at sunrise on a ripened peach
  Was never more delicious than her neck.
  Such forms are Nature's favourites.

HEYWOOD.

                                    Come, come--
  Pygmalion and Prometheus dwell within you!
  You poetise her rarely, and exalt
  With goddess-attributes, and chastity
  Beyond most goddesses: be not thus serious!
  If for a passing paramour thou'dst love her,
  Why, so, so it may be well; but never place
  Thy full heart in her hand.

MARLOWE.

                                     I have--I do--
  And I will lay it bleeding at her feet.
  Reason no more, for I do love this woman:
  To me she's chaste, whatever thou hast heard.
  Whatever I may know, hear, find, or fancy,
  I must possess her constantly, or die.

HEYWOOD.

  Nay, if't be thus, I'll fret thine ear no more
  With raven voice; but aid thee all I can.

MARLOWE.

  Cecilia!--Go, dear friend--good Master Heywood,
  Leave me alone--I see her coming thither!

HEYWOOD.

  Bliss wait thy wooing; peace of mind its end!
  (_aside_) His knees shake, and his face and hands are wet,
  As with a sudden fall of dew--God speed him!
  This is a desperate fancy!                         _Exit._

_Enter_ CECILIA.

CECILIA.

                           Thoughtful sir,
  How fare you? Thou'st been reading much of late,
  By the moon's light, I fear me?

MARLOWE.

                              Why so, lady?

CECILIA.

  The reflex of the page is on thy face.

MARLOWE.

  But in my heart the spirit of a shrine
  Burns, with immortal radiation crown'd.

CECILIA.

  Nay, primrose gentleman, think'st me a saint?

MARLOWE.

  I feel thy power.

CECILIA.

                          I exercise no arts--
  Whence is my influence?

MARLOWE.

                         From heaven, I think.
  Madam, I love you--ere to-day you've seen it,
  Although my lips ne'er breathed the word before;
  And seldom as we've met and briefly spoken,
  There are such spiritual passings to and fro
  'Twixt thee and me--though I alone may suffer--
  As make me know this love blends with my life;
  Must branch with it, bud, blossom, put forth fruit,
  Nor end e'en when its last husks strew the grave,
  Whence we together shall ascend to bliss.

CECILIA.

  Continued from this world?

MARLOWE.

                              Thy hand, both hands;
  I kiss them from my soul!

CECILIA.

                             Nay, sir, you burn me--
  Let loose my hands!

MARLOWE.

  I loose them--half my life has thus gone from me!--
  That which is left can scarce contain my heart,
  Now grown too full with the high tide of joy,
  Whose ebb, retiring, fills the caves of sorrow,
  Where Syrens sing beneath their dripping hair,
  And raise the mirror'd fate.

CECILIA.

                             Then, gaze not in it,
  Lest thou should'st see thy passing funeral.
  I would not--I might chance to see far worse.

MARLOWE.

  Thou art too beautiful ever to die!
  I look upon thee, and can ne'er believe it.

CECILIA.

  O, sir--but passion, circumstance, and fate,
  Can do far worse than kill: they can dig graves,
  And make the future owners dance above them,
  Well knowing how 'twill end. Why look you sad?
  'Tis not your case; you are a man in love--
  At least, you say so--and should therefore feel
  A constant sunshine, wheresoe'er you tread,
  Nor think of what's beneath. But speak no more:
  I see a volume gathering in your eye
  Which you would fain have printed in my heart;
  But you were better cast it in the fire.
  Enough you've said, and I enough have listened.

MARLOWE.

  I have said naught.

CECILIA.

                           You have spoken very plain--
  So, Master Marlowe, please you, break we off;
  And, since your mind is now relieved--good day!

MARLOWE.

  Leave me not thus!--forgive me!

CECILIA.

                                   For what offence

MARLOWE.

  The expression of my love.

CECILIA.

                             Tut! that's a trifle.
  Think'st thou I ne'er saw men in love before?
  Unto the summer of beauty they are common
  As grasshoppers.

MARLOWE.

                    And to its winter, lady?

CECILIA.

  There is no winter in my thoughts--adieu!

                                                   _Exit._

MARLOWE.

  She's gone!--How leafless is my life!--My strength
  Seems melted--my breast vacant--and in my brain
  I hear the sound of a retiring sea.

                                                   _Exit._


SCENE II.

                       _Gravel Lane; Bankside._

                   _Enter_ HEYWOOD _and_ MIDDLETON.

MIDDLETON.

  And yet it may end well, after his fit is over.

HEYWOOD.

  But he is earnest in it.

MIDDLETON.

'Tis his habit; a little thunder clears the atmosphere. At present he is
spell-bound, and smouldereth in a hot cloud of passion; but when he once
makes his way, he will soon disperse his free spirit abroad over the
inspired heavens.

HEYWOOD.

I fear me she will sow quick seed of feverish fancies in his mind that
may go near to drive him mad.

MIDDLETON.

How so? He knoweth her for what she is, as well as for what she
was;--the high-spirited and once virtuous wife of the drunkard Bengough.
You remember him?

HEYWOOD.

I have seen him i' the mire. 'Twas his accustomed bed o' nights--and
morning, too--many a time. He preferred _that_ to the angel he left at
home. Some men do. 'Tis a sorrow to think upon.

MIDDLETON.

And one that tears cannot wash! Master Marlowe hath too deep a reading
i' the books of nature to nail his heart upon a gilded weathercock. He
is only desperate after the fashion of a pearl diver. When he hath
enough he will desist--breathe freely, polish the shells, and build
grottoes.

HEYWOOD.

Nay, he persisteth in _not_ knowing her for a courtesan--talks of her
purity in burning words, that seem to glow and enhance his love from his
convictions of her virtue; then suddenly falls into silent abstraction,
looking like a man whose eyes are filled with visions of Paradise. No
pains takes she to deceive him; for he supersedes the chance by
deceiving himself beyond measure. He either listens not at all to
intimation, or insists the contrary.

MIDDLETON.

This is his passionate aggravation or self will: he _must_ know it.

HEYWOOD.

'Tis my belief; but her beauty blinds him with its beams, and drives his
exiled reason into darkness.

MIDDLETON.

Here comes one that could enlighten his perception, methinks.

HEYWOOD.

Who's he? Jack-o'-night, the tavern pander and swashbuckler.

                      _Enter_ JACCONOT.

JACCONOT.

Save ye, my masters; lusty thoughts go with ye, and a jovial full cup
wait on your steps: so shall your blood rise, and honest women pledge ye
in their dreams!

MIDDLETON.

Your weighty-pursed knowledge of women, balanced against your squinting
knowledge of honesty, Master Jack-o'-night, would come down to earth,
methinks, as rapid as a fall from a gallows-tree.

JACCONOT.

Well said, Master Middleton--a merry devil and a long-lived one run
monkey-wise up your back-bone! May your days be as happy as they're
sober, and your nights full of applause! May no brawling mob pelt you,
or your friends, when throned, nor hoot down your plays when your soul's
pinned like a cockchafer on public opinion! May no learned or unlearned
calf write against your knowledge and wit, and no brother paper-stainer
pilfer your pages, and then call you a general thief! Am I the only
rogue and vagabond in the world?

MIDDLETON.

I' faith, not: nay, an' thou wert, there would be no lack of them i' the
next generation. Thou might'st be the father of the race, being now the
bodily type of it. The phases of thy villany are so numerous that, were
they embodied they would break down the fatal tree which is thine
inheritance, and cause a lack of cords for the Thames shipping!

JACCONOT.

  Don't choke me with compliments!

HEYWOOD (_to_ MIDDLETON).

He seems right proud of this multiplied idea of his latter end.

JACCONOT.

Ay; hanging's of high antiquity, and, thereto, of broad modern repute.
The flag, the sign, the fruit, the felon, and other high and mighty
game, all hang; though the sons of ink and sawdust try to stand apart,
smelling civet, as one should say,--faugh! Jewelled caps, ermined
cloaks, powdered wigs, church bells, _bona-roba_ bed-gowns, gilded
bridles, spurs, shields, swords, harness, holy relics, and salted hogs,
all hang in glory! Pictures, too, of rare value! Also music's
ministrants,--the lute, the horn, the fiddle, the pipe, the gong, the
viol, the salt-box, the tambourine and the triangle, make a dead-wall
dream of festive harmonies!

MIDDLETON.

  Infernal discords, thou would'st say!

JACCONOT  (_rapidly_).

These are but few things among many! for 'scutcheons, scarecrows,
proclamations, the bird in a cage, the target for fools' wit, _hic
jacet_ tablets (that is, lying ones), the King's Head and the Queen's
Arms, ropes of onions, dried herbs, smoked fish, holly boughs, hall
lanthorns, framed piety texts, and adored frights of family portraits,
all hang! Likewise corkscrews, cat-skins, glittering trophies, sausage
links, shining icicles, the crucifix, and the skeleton in chains. There,
we all swing, my masters! Tut! hanging's a high Act of Parliament
privilege!--a Star-Chamber Garter-right!

MIDDLETON   (_to_ Heywood _laughingly_).

The devil's seed germinates with reptile rapidity, and blossoms and
fructifies in the vinous fallows of this bully's brain!

JACCONOT.

  I tell thee what----(_looking off_) another time!

                                             _Exit_ JACCONOT _hastily._

HEYWOOD.

  I breathe fresh air!

MIDDLETON.

  Look!--said I not so? See whom 'tis he meets;
  And with a lounging, loose, familiar air,
  Cocking his cap and setting his hand on's hip,
  Salutes with such free language as his action
  And attitude explain!

HEYWOOD.

                           I grieve for Marlowe:
  The more, since 'tis as certain he must have
  Full course of passion, as that its object's full
  Of most unworthy elements.

MIDDLETON.

                             Unworthy,
  Indeed, of such a form, if all be base.
  But Nature, methinks, doth seldom so belie
  The inward by the outward; seldom frame
  A cheat so finish'd to ensnare the senses,
  And break our faith in all substantial truth.   _Exeunt._

            _Enter_ CECILIA, _followed by_ JACCONOT.

JACCONOT.

Well, well, Mistress St. Cecil; the money is all well enough--I object
nothing to the money.

CECILIA.

Then, go your ways.

JACCONOT.

My ways are your ways--a murrain on your beauties!--has your brain shot
forth skylarks as your eyes do sparks?

CECILIA.

Go!--here is my purse.

JACCONOT.

I'll no more of't!--I have a mind to fling back what thou'st already
given me for my services.

CECILIA.

Master Jacconot, I would have no further services from thee. If thou art
not yet satisfied, fetch the weight and scales, and I will cast my gold
into it, and my dross besides--so shall I be doubly relieved.

JACCONOT.

I say again--and the devil bear me fierce witness!--it is not gold I
want, but rightful favour; not silver, but sweet civility; not dross,
but the due respect to my non-pareil value! Bethink thee, Cecil--bethink
thee of many things! Ay! am not I the true gallant of my time? the great
Glow-worm and Will-o'-the-wisp--the life, the fortune, and the favourite
of the brightest among ye!

CECILIA.

Away!

JACCONOT.

Whither?

CECILIA.

Anywhere, so it be distant.

JACCONOT.

What mean'st by discarding me, and why is it? 'Slud! is this the right
sort of return for all my skilful activities, my adroit fascinations of
young lords in drink, my tricks at dice, cards, and dagger-play, not to
speak too loudly of bets on bear-baits, soap-bubbles, and Shrovetide
cocks; or my lies about your beauty and temper? Have I not brought dukes
and earls and reverend seniors, on tip-toe, and softly whispering for
fear of "the world," right under the balcony of your window?--O, don't
beat the dust with your fine foot! These be good services, I think!

CECILIA (_half aside_).

Alas! alas!--the world sees us only as bright, though baleful stars,
little knowing our painful punishments in the dark--our anguish in
secret.

JACCONOT.

Are you thinking of me?

CECILIA.

Go!

JACCONOT.

Go!--a death's-head crown your pillow! May you dream of love, and wake
and see that!

CECILIA.

I had rather see't than you.

JACCONOT.

What's i' the wind,--nobleman, or gentleman, or a brain fancy--am not I
at hand? Are you mad?

CECILIA (_overcome_).

I'd gladly believe I have been so.

JACCONOT.

Good. I'm content you see me aright once more, and acknowledge yourself
wrong.

CECILIA (_half aside, and tearfully_).

O, wrong indeed--very wrong--to my better nature--my better nature.

JACCONOT.

And to me, too! Bethink thee, I say, when last year, after the dance at
Hampton, thou wert enraged against the noble that slighted thee; and,
flushed with wine, thou took'st me by the ear, and mad'st me hand thee
into thy coach, and get in beside thee, with a drawn sword in my hand
and a dripping trencher on my head, singing such songs, until----

CECILIA.

Earthworms and stone walls!

JACCONOT.

Hey! what of them?

CECILIA.

  I would that as the corporal Past they cover,
  They would, at earnest bidding of the will,
  Entomb in walls of darkness and devour
  The hated retrospections of the mind.

JACCONOT (_aside_).

  Oho!--the lamps and saw-dust!--Here's foul play
  And mischief in the market. Preaching varlet!
  I'll find him out--I'll dog him!             _Exit_.

CECILIA.

                                Self disgust
  Gnaws at the root of being, and doth hang
  A heavy sickness on the beams of day,
  Making the atmosphere, which should exalt
  Our contemplations, press us down to earth,
  As though our breath had made it thick with plague.
  Cursed! accursed be the freaks of Nature,
  That mar us from ourselves, and make our acts
  The scorn and loathing of our afterthoughts--
  The finger mark of Conscience, who, most treacherous,
  Wakes to accuse, but slumber'd o'er the sin.

                                               _Exit._


SCENE III.

            _A Room in the Triple Tun, Blackfriars._

            MARLOWE, MIDDLETON, _and_ GENTLEMEN.

GENTLEMAN.

  I do rejoice to find myself among
  The choicest spirits of the age: health, sirs!
  I would commend your fame to future years,
  But that I know ere this ye must be old
  In the conviction, and that ye full oft
  With sure posterity have shaken hands
  Over the unstable bridge of present time.

MARLOWE.

  Not so: we write from the full heart within,
  And leave posterity to find her own.
  Health, sir!--your good deeds laurel you in heaven.

MIDDLETON.

  'Twere best men left their fame to chance and fashion,
  As birds bequeath their eggs to the sun's hatching,
  Since Genius can make no will.

MARLOWE.

                                   Troth, can it!
  But for the consequences of the deed,
  What fires of blind fatality may catch them!
  Say, you do love a woman--do adore her--
  You may embalm the memory of her worth
  And chronicle her beauty to all time,
  In words whereat great Jove himself might flush,
  And feel Olympus tremble at his thoughts;
  Yet where is your security? Some clerk
  Wanting a foolscap, or some boy a kite,
  Some housewife fuel, or some sportsman wadding
  To wrap a ball (which hits the poet's brain
  By merest accident) seizes your record,
  And to the wind thus scatters all your will,
  Or, rather, your will's object. Thus, our pride
  Swings like a planet by a single hair,
  Obedient to God's breath. More wine! more wine!
  I preach--and I grow melancholy--wine!

            _Enter_ DRAWER _with a tankard_.

            A GENTLEMAN (_rising_).

  We're wending homeward--gentlemen, good night!

MARLOWE.

  Not yet--not yet--the night has scarce begun--
  Nay, Master Heywood--Middleton, you'll stay!
  Bright skies to those who go--high thoughts go with ye,
  And constant youth!

GENTLEMEN.

  We thank you, sir--good night! _Exeunt_ GENTLEMEN.

HEYWOOD.

  Let's follow--'tis near morning.

MARLOWE.

                                   Do not go.
  I'm ill at ease, touching a certain matter
  I've taken to heart--don't speak of't--and besides
  I have a sort of horror of my bed.
  Last night a squadron charged me in a dream,
  With Isis and Osiris at the flanks,
  Towering and waving their colossal arms,
  While in the van a fiery chariot roll'd,
  Wherein a woman stood--I knew her well--
  Who seem'd but newly risen from the grave!

  She whirl'd a javelin at me, and methought
  I woke; when, slowly at the foot o' the bed
  The mist-like curtains parted, and upon me
  Did learned Faustus look! He shook his head
  With grave reproof, but more of sympathy,
  As though his past humanity came o'er him--
  Then went away with a low, gushing sigh,
  That startled his own death-cold breast, and seem'd
  As from a marble urn where passion's ashes
  Their sleepless vigil keep. Well--perhaps they do.
                      (_after a pause_)
  Lived he not greatly? Think what was his power!
  All knowledge at his beck--the very Devil
  His common slave. And, O, brought he not back,
  Through the thick-million'd catacombs of ages,
  Helen's unsullied loveliness to his arms?

MIDDLETON.

  So--let us have more wine, then!

HEYWOOD.

                                   Spirit enough
  Springs from thee, Master Marlowe--what need more.

MARLOWE.

  Drawer! lift up thy leaden poppy-head!
  Up man!--where art? The night seems wondrous hot!

            (MARLOWE _throws open a side window that reaches
            down to the floor, and stands there, looking out._)

HEYWOOD (_to_ MIDDLETON).

  The air flows in upon his heated face,
  And he grows pale with looking at the stars;
  Thinking the while of many things in heaven.

MIDDLETON.

  And some one on the earth--as fair to him--
  For, lo you!--is't not she?

                           (_Pointing towards the open window_.)

HEYWOOD.

                               The lady, folded
  In the long mantle, coming down the street?

MIDDLETON.

  Let be; we cannot help him.

                  (HEYWOOD _and_ MIDDLETON _retire apart_--CECILIA
                     _is passing by the open window_.)

MARLOWE.

                                 Stay awhile!--
  One moment stay!

CECILIA (_pausing_).

                    That is not much to ask.

                              (_She steps in through the window_.)

MARLOWE.

  Nor much for you to grant; but O, to me
  That moment is a circle without bounds,--
  Because I see no end to my delight!

CECILIA.

  O, sir, you make me very sad at heart;
  Let's speak no more of this. I am on my way
  To walk beside the river.

MARLOWE.

                             May I come?

CECILIA.

  Ah, no; I'll go alone.

MARLOWE.

                         'Tis dark and dismal;
Nor do I deem it safe!

CECILIA.

                       What can harm _me_?
  If not above, at least I am beyond
  All common dangers. No, you shall not come.
  I have some questions I would ask myself;
  And in the sullen, melancholy flow
  O' the unromantic Thames, that has been witness
  Of many tragical realities,
  Bare of adornment as its cold stone stairs,
  I may find sympathy, if not response.

MARLOWE.

  You find both here. I know thy real life;
  We do not see the truth--or, O, how little!
  Pure light sometimes through painted windows streams;
  And, when all's dark around thee, thou art fair!
  Thou bear'st within an ever-burning lamp,
  To me more sacred than a vestal's shrine;
  For she may be of heartless chastity,
  False in all else, and proud of her poor ice,
  As though 'twere fire suppress'd; but thou art good
  For goodness' sake;--true-hearted, lovable,
  For truth and honour's sake; and such a woman,
  That man who wins, the gods themselves may envy.

CECILIA (_going_).

  Considering all things, this is bitter sweet.

MARLOWE.

And I may come? (_following her_)

CECILIA (_firmly_).

               You shall not.

MARLOWE.

                              I obey you.

CECILIA (_tenderly_).

  Ah! Kit Marlowe,--
  You think too much of me--and of yourself
  Too little!

MARLOWE.

             Then I may----(_advancing_)

CECILIA (_firmly_).

                            No--no!

MARLOWE.

                                    Wilt promise
  To see me for one "good night" ere you sleep?

CECILIA.

  On my way home I will.

          (_She turns to look at him--then steps through the
              Window--Exit_.)

MARLOWE.

                        Be sure--be sure!

(HEYWOOD _and_ MIDDLETON _approach_.)

HEYWOOD.

Now, Marlowe!--you desert us!

MARLOWE.

                              Say not so;--
  Or, saying so, add--that I have lost myself!
  Nay, but I _have_; yonder I go in the dark!
                                (_pointing after_ CECILIA)

       _Street Music._--JACCONOT, _singing outside._

              Ram out the link, boys; ho, boys![685]
                There's daylight in the sky!
              While the trenchers strew the floor,
              And the worn-out grey beards snore,
                Jolly throats continue dry!
                        Ram out the link, boys, &c.

MIDDLETON.

What voice is that?

MARLOWE (_through his teeth_).

                     From one of the hells.

HEYWOOD.

The roystering singer approaches.

           _Enter_ JACCONOT, _with a full tankard._

JACCONOT.

Ever awake and shining, my masters! and here am I, your twin lustre,
always ready to herald and anoint your pleasures, like a true Master of
the Revels. I ha' just stepped over the drawer's body, laid nose and
heels together on the door-mat, asleep, and here's wherewith to continue
the glory!

MIDDLETON.

  We need not your help.

HEYWOOD.

  We thank you, Jack-o'-night: we would be alone.

JACCONOT.

What say _you_, Master Marlowe? you look as grim as a sign-painters'
first sketch on a tavern bill, after his ninth tankard.

MIDDLETON.

  Cease your death-rattle, night-hawk!

MARLOWE.

  That's well said.

JACCONOT.

Is it? So 'tis my gallants--a night-bird like yourselves, am I.

MARLOWE.

  Beast!--we know you.

JACCONOT.

Your merry health, Master Kit Marlowe! I'll bring a loud pair of palms
to cheer your soul the next time you strut in red paint with a wooden
weapon at your thigh.

MARLOWE.

  Who sent for _you_, dorr-hawk?--go!

JACCONOT.

Go! Aha!--I remember the word--same tone, same gesture--or as like as
the two profiles of a monkey, or as two squeaks for one pinch. Go!--not
I--here's to all your healths! One pull more! There, I've done--take it,
Master Marlowe; and pledge me as the true knight of London's rarest
beauties!

MARLOWE.

  I will!       (_Dashes the tankard at his head_.)

JACCONOT (_stooping quickly_).

A miss, 'fore-gad!--the wall has got it! See where it trickles down like
the long robe of some dainty fair one! And look you here--and there
again, look you!--what make you of the picture he hath presented?

MARLOWE (_staggers as he stares at the wall_).

  O subtle Nature! who hath so compounded
  Our senses, playing into each other's wheels,
  That feeling oft acts substitute for sight,
  As sight becomes obedient to the thought--
  How canst thou place such wonders at the mercy
  Of every wretch that crawls? I feel--I see!

           (_Street Music as before, but farther off._)

JACCONOT (_singing_).

          Ram out the link, boys; ho, boys!
            The blear-eyed morning's here;
          Let us wander through the streets,
          And kiss whoe'er one meets;
            St. Cecil is my dear!
                Ram out the link, boys, &c.

MARLOWE (_drawing_).

  Lightning come up from hell and strangle thee!

MIDDLETON _and_ HEYWOOD.

  Nay, Marlowe! Marlowe!   (_they hold him back_).

MIDDLETON (_to_ JACCONOT).

  Away, thou bestial villain!

JACCONOT (_singing at_ MARLOWE).

         St. Cecil is my dear!

MARLOWE (_furiously_).

                          Blast! blast and scatter
  Thy body to ashes! Off! I'll have his ghost!

  (_rushes at_ JACCONOT--_they fight--Marlowe disarms him; but_ JACCONOT
  _wrests_ MARLOWE'S _own sword from his hand, and stabs him_--MARLOWE
  _falls_)

MIDDLETON.

  See! see!

MARLOWE (_clasping his forehead_).

  Who's down?--answer me, friends--is't I?--
  Or in the maze of some delirious trance,
  Some realm unknown, or passion newly born--
  Ne'er felt before--am I transported thus?
  My fingers paddle, too, in blood--is't mine?

JACCONOT.

O, content you, Master Marplot--it's you that's down, drunk or sober;
and that's your own blood on your fingers, running from a three-inch
groove in your ribs for the devil's imps to slide into you. Ugh! cry
gramercy! for it's all over with your rhyming!

HEYWOOD.

  O, heartless mischief!

MIDDLETON.

                          Hence, thou rabid cur!

MARLOWE.

  What demon in the air with unseen arm
  Hath turn'd my unchain'd fury against myself?
  Recoiling dragon! thy resistless force
  Scatters thy mortal master in his pride,
  To teach him, with self-knowledge, to fear thee.
  Forgetful of all corporal conditions,
  My passion hath destroy'd me!

JACCONOT.

No such matter; it was _my_ doing. You shouldn't ha' ran at me in that
fashion with a real sword--I thought it had been one o' your sham ones.

MIDDLETON.

  Away!

HEYWOOD.

                   See! his face changes--lift him up!
                             (_they raise and support him_)
  Here--place your hand upon his side--here, here--
  Close over mine, and staunch the flowing wound!

MARLOWE (_delirious_.)

  Bright is the day--the air with glory teems--
  And eagles wanton in the smile of Jove:
  Can these things be, and Marlowe live no more!
  O Heywood! Heywood! I had a world of hopes
  About that woman--now in my heart they rise
  Confused, as flames from my life's coloured map,
  That burns until with wrinkling agony
  Its ashes flatten, separate, and drift
  Through gusty darkness. Hold me fast by the arm!
  A little aid will save me:--See! she's here!
  I clasp thy form--I feel thy breath, my love--
  And know thee for a sweet saint come to save me!
  Save!--is it death I feel--it cannot be death?

JACCONOT (_half aside_.)

Marry, but it can!--or else your sword's a foolish dog that dar'n't bite
his owner.

MARLOWE.

  O friends--dear friends--this is a sorry end--
  A most unworthy end! To think--O God!--
  To think that I should fall by the hand of one
  Whose office, like his nature, is all baseness,
  Gives Death ten thousand stings, and to the Grave
  A damning victory! Fame sinks with life!
  A galling--shameful--ignominious end! (_sinks down_).
  O mighty heart! O full and orbed heart,
  Flee to thy kindred sun, rolling on high!
  Or let the hoary and eternal sea
  Sweep me away, and swallow body and soul!

JACCONOT.

There'll be no "encore" to either, I wot; for thou'st led an ill life,
Master Marlowe; and so the sweet Saint thou spok'st of, will remain my
fair game--behind the scenes.

MARLOWE.

  Liar! slave! sla---- Kind Master Heywood,
  You will not see me die thus!--thus by the hand
  And maddening tongue of such a beast as that!
  Haste, if you love me--fetch a leech to help me--
  Here--Middleton--sweet friend--a bandage here--
  I cannot die by such a hand--I will not--
  I say I will not die by that vile hand!
  Go bring Cecilia to me--bring the leech--
  Close--close this wound--you know I did it myself--
  Bring sweet Cecilia--haste--haste--instantly--
  Bring life and time--bring heaven!--Oh, I am dying!--
  Some water--stay beside me--maddening death,
  By such a hand! O villain! from the grave
  I constantly will rise--to curse! curse! curse thee!
                                   (_Rises_--_and falls dead_.)

MIDDLETON.

  Terrible end!

HEYWOOD.

                 O God!--he is quite gone!

JACCONOT (_aghast_.)

'Twas dreadful--'twas! Christ help us! and lull him to sleep in's grave.
I stand up for mine own nature none the less. (_Voices without_) What
noise is that?

_Enter_ OFFICERS.

CHIEF OFFICER.

This is our man--ha! murder has been here! You are our prisoner--the
gallows waits you!

JACCONOT.

What have I done to be hung up like a miracle? The hemp's not sown nor
the ladder-wood grown, that shall help fools to finish me! He did it
himself! He said so with his last words!--there stands his friends and
brother players--put them to their Testament if he said not he did it
himself?

CHIEF OFFICER.

  Who is it lies here?--methinks that I should know him,
  But for the fierce distortion of his face!

MIDDLETON.

  He who erewhile wrote with a brand of fire,
  Now, in his passionate blood, floats tow'rds the grave!
  The present time is ever ignorant--
  We lack clear vision in our self-love's maze;
  But Marlowe in the future will stand great,
  Whom this--the lowest caitiff in the world--
  A nothing, save in grossness, hath destroy'd.

JACCONOT.

"Caitiff" back again in your throat! and "gross nothing" to boot--may
you have it to live upon for a month, and die mad and starving! Would'st
swear my life away so lightly? Tut! who was he? I could always find the
soundings of a quart tankard, or empty a pasty in half his time, and
swear as rare oaths between whiles--who was he? I too ha' write my odes
and Pindar jigs with the twinkling of a bedpost, to the sound of the
harp and hurdygurdy, while Capricornus wagged his fiery beard; I ha'
sung songs to the faint moon's echoes at daybreak and danced here away
and there away, like the lightning through a forest! As to your sword
and dagger play, I've got the trick o' the eye and wrist--who was he?
What's all his gods--his goddesses and lies?--the first a'nt worth a
word; and for the two last, I was always a prince of both! "Caitiff!"
and "beast!" and "nothing!"--who was he?

CHIEF OFFICER.

  You're ours, for sundry villanies committed,
  Sufficient each to bring your vice to an end;
  The law hath got you safely in its grasp!

JACCONOT (_after a pause_).

Then may Vice and I sit crown'd in heaven, while Law and Honesty stalk
damned through hell! Now do I see the thing very
plain!--treachery--treachery, my masters! I know the jade that hath
betrayed me--I know her. 'Slud! who cares? She was a fine woman, too--a
rare person--and a good spirit; but there's an end of all now--she's
turned foolish and virtuous, and a tell-tale, and I am to be turned to
dust through it--long, long before my time: and these princely limbs
must go make a dirt-pie--build up a mud hut--or fatten an alderman's
garden! There! calf-heads--there's a lemon for your mouths! Heard'st
ever such a last dying speech and confession! Write it in red ochre on a
sheet of Irish, and send it to Mistress Cecily for a death-winder. I
know what you've got against me--and I know you all deserve just the
same yourselves--but lead on, my masters!

                                     _Exeunt_ JACCONOT _and_ OFFICERS.

MIDDLETON.

  O Marlowe! canst thou rise with power no more?
  Can greatness die thus?

HEYWOOD (_bending over the body.)_

                           Miserable sight!

                (_A shriek outside the house_).

MIDDLETON.

   That cry!--what may that mean?

HEYWOOD (_as if awaking_).

                                  I hear no cry.

MIDDLETON.

  What is't comes hither, like a gust of wind?

                      CECILIA _rushes in_.

CECILIA.

  Where--where? O, then, 'tis true--and he is dead!
  All's over now--there's nothing in the world--
  For he who raised my heart up from the dust,
  And show'd me noble lights in mine own soul,
  Has fled my gratitude and growing love--
  I never knew how deep it was till now!
  Through me, too!--do not curse me!--I was the cause--
  Yet do not curse me--No! no! not the cause,
  But that it happen'd so. This is the reward
  Of Marlowe's love!--why, why did I delay?
  O, gentlemen, pray for me! I have been
  Lifted in heavenly air--and suddenly
  The arm that placed me, and with strength sustain'd me,
  Is snatch'd up, starward: I can neither follow,
  Nor can I touch the gross earth any more!
  Pray for me, gentlemen!--but breathe no blessings--
  Let not a blessing sweeten your dread prayers--
  I wish no blessings--nor could bear their weight;
  For I am left, I know not where or how:
  But, pray for me--my soul is buried here.

                                 (_Sinks down upon the body._)

MIDDLETON.

  "Cut is the branch that might have grown full straight,
  And burned is Apollo's laurel bough!"

                                             (_Solemn music._)


Dark Curtain.

FOOTNOTES:

[685] The inverted iron horns or tubes, a few of which still remain on
lamp-posts and gates, were formerly used as extinguishers to the torches
which were thrust into them.




INDEX TO THE NOTES.


  affects, iii. 60
  again, ii. 161
  a-good, ii. 49
  air of life, ii. 217
  Albertus, i. 220.
  Alcides' post, i. 105
  a-life, iii. 175
  Alleyn, Edward, ii. 6
  Almain rutters, i. 112
  amorous, i. 121
  Antwerp, blockade of, i. 217
  aphorisms, i. 213
  appointed, ii. 190
  approve, iii. 263
  Aquarius, iii. 279
  _Arden of Feversham_, quoted, ii. 89
  argins, i. 149
  Ariosto, incident taken from, i. 177
  artier, i. 45
  axes, iii. 255
  azur'd, i. 276

  bable, iii. 299
  Badgeth, i. 115
  baiting, iii. 99
  ballace, ii. 335
  bandy, ii. 125
  Banks' horse, iii. 232
  Barabas' nose, ii. 47
  basilisks, i. 67
  bassoes, i. 48
  bastones, i. 57
  bevers, i. 246
  bezzling, iii. 247
  bid a base, ii. 191
  bill, i. 213
  bird-bolt, iii. 96
  blazing star, iii. 225
  block, iii. 226
  blubbered, i. 85
  bombards, ii. 105
  border, iii. 129
  boss, i. 62
  Boulogne, taking of, iii. 224
  Bourne, Vincent, his _Cantatrices_, iii. 238
  bousing-glass, iii. 247
  brave, i. 21
  braves, ii. 175
  Brest, expedition against, iii. 239
  Britainy, ii. 10
  bugs, i. 164
  bullets wrapt in fire, ii. 40
  burn, iii. 234
  by, ii. 14

  Cadiz, expedition against, iii. 48
  carbonadoes, i. 79
  case, i. 246
  cast, ii. 165
  Catullus imitated, iii. 89
  catzery, ii. 89
  cavaliero, i. 141
  cazzo, ii. 75
  centronel, ii. 328
  champion, i. 32
  channel (collar-bone), i. 125
  channel (gutter), ii. 127
  cleapt, iii. 98
  cleys, iii. 279
  clift, i. 206
  clout, i. 37
  coated, iii. 314
  coll, ii. 354
  colts, i. 180
  competitor, i. 25
  confits, iii. 85
  convertite, ii. 22
  counterfeit, i. 51
  counterscarfs, iii. 228
  covent, ii. 78
  covered way, i. 149
  Creusa's crown, allusion to, ii. 207
  cross, ii. 52
  cross-biting, ii. 89
  cullions, ii. 148
  curst, iii. 225
  custom, ii. 13
  cypress, iii. 51

  Damasco, i. 84
  Damascus walls, i. 87
  damned, i. 204
  dang'd, iii. 37
  Daniel, Samuel, allusions to, iii. 232, 242
  debasement of coinage, iii. 225
  defend, ii. 272
  deserved, ii. 190
  Devil (he that eats with the Devil had need of a long spoon), ii. 67
  die, ii. 119
  Dis, iii. 36
  discoloured, iii. 10
  dittany, ii. 205
  double cannons, i. 252
  Drayton, Michael, allusion to, iii. 228

  earns, ii. 202
  ecues, ii. 244
  elephant, object of wonder, iii. 217
  Elze, Dr. Karl, emendation by, ii. 364
  enginous, iii. 52
  entrance, ii. 252
  erring, i. 223
  exercise, ii. 84
  exhibition, ii. 280
  exocoetus, ii. 154
  eyas, iii. 62
  eye, by the, ii. 68
  eyelids of the day, ii. 38

  falc'nets, i. 152
  false-brays, iii. 228
  fancy, ii. 339
  far-fet, ii. 344
  favour, iii. 97
  fawns, iii. 92
  fet, iii. 268
  few, in, ii. 68
  fleering, ii. 161
  fleet, i. 61
  flour, iii. 11
  flying-fish, ii. 154
  foil (check), i. 64
  foil (stain), i. 170
  foreslow, ii. 167
  frost of 1564, iii. 224

  gabions, i. 154
  garboils, iii. 255
  Gascoigne, George, iii. 226
  gaunt, iii. 236
  gear, i. 31
  give arms, i. 164
  glorious, i. 70
  gobbets, iii. 111
  grate, iii. 215
  guess, i. 313
  Guilpin's _Skialetheia_ quoted, iii. 214, 238
  Guise, the, ii. 9

  had I wist, ii. 172
  halcyon's bill, ii. 12
  Hammon, Master Thomas, ii. 4
  Harington, Sir John, his _Ajax_, iii. 231;
    his dog Bungey, iii. 245
  harness, ii. 324
  Hatton, Sir Christopher, his monument, iii. 217
  haught, ii. 176
  Havre, expedition against, iii. 224
  hay, ii. 122
  head (to head, to head!), iii. 241
  hebon, ii. 68
  held in hand, ii. 61
  Hermoso piarer, etc., ii. 38
  het, iii. 47
  hey-pass, i. 266
  Heywood, John, iii. 231
  hold a wolf by the ears, ii. 212
  horsebread, i. 257
  horse-courser, i. 264
  hugy, i. 59
  Hunkes, Harry, iii. 242

  I, old spelling for _ay_, i. 78. (The form _I_ has been retained,
    perhaps unnecessarily, throughout.)
  imbast, iii. 192
  impartial, ii. 60
  imperance, iii. 55
  imprecations, i. 85
  incontinent, i. 11
  incony, ii. 93
  injury (verb), i. 16
  intire, iii. 49
  investion, i. 16
  ippocras, i. 256
  Irish kerns, ii. 160

  jesses, ii. 155
  jig, ii. 161
  John the Great, i. 128
  Jubalter, i. 128
  Judas, ii. 95

  keend, ii. 372
  keep, ii. 245
  Knave's acre, i. 229
  knights of the post, iii. 128
  known of, i. 266

  lake, ii. 226
  lanch, i. 22
  Lantchidol, i. 114
  lawnds, ii. 312
  leaguer, i. 127
  leave, ii. 327
  Lepidus, his printed dog, iii. 245
  let, i. 80
  liefest, ii. 373
  lightly borne, iii. 107
  linstock, ii. 107
  Lopez, Doctor, i. 266
  love-lock, iii. 226
  lown, ii. 135

  mails, i. 22
  malgrado, ii. 169
  malice (verb), i. 15
  mandrake juice, ii. 99
  March beer, i. 247
  Martlemas beef, i. 247
  mate, i. 13, 211
  measures, i. 188
  merchants, i. 24
  mere, iii. 44
  merit, iii. 266
  Milton quoted, ii. 38; iii. 22
  minions, i. 152
  miss, i. 173
  Mithridate, i. 89
  moorish fool, iii. 50
  More, Sir Thomas, allusion to a Latin epigram by, iii. 235
  Moroccus, i. 58
  mottoes at the end of plays, i. 283
  Mount Falcon, ii. 253
  mounted his chariot, i. 183
  muschatoes, ii. 84
  Muse (masculine), i. 211
  muted, iii. 241

  neck-verse, ii. 83
  need, i. 119
  nepenthe, iii. 234
  nephew, ii. 329
  no way but one, i. 92
  nymph, ii. 360

  old Edward, ii. 218
  on cai me on, i. 213
  ostry, i. 267
  other some, iii. 85
  Ovid imitated, i. 25
  packed, ii. 359
  paised, iii. 25
  parbreak, i. 95
  Paris-Garden, iii. 241
  pash, i. 59
  pass, i. 13
  Paul's churchyard, iii. 251
  Paul's steeple struck by lightning, iii. 225
  pentacle, iii. 45
  Perkins, Richard, ii. 6.
  Petrarch's _Itinerarium Syriacum_ quoted, i. 250
  pheres, iii. 66
  pickadevaunts, i. 228
  pilling, i. 65
  pin, i. 37
  pioners, i. 50
  pitch, i. 28
  places, ii. 258
  plage, i. 83
  plat, iii. 81
  plates, ii. 44
  platform, ii. 363
  Plato's year, i. 74
  play the man, i. 159
  play-houses, hours of performance at, iii. 238.
  Pont Neuf, iii. 236
  porcupine darting her quills, ii. 121
  port, i. 30
  portagues, ii. 28
  prest, i. 116
  pretend (_i.e._ portend), ii. 64
  pretend (_i.e._ intend), ii. 104
  prevail, i. 141
  prize played, ii. 7
  proin, iii. 66
  prorex, i. 12
  purchase, i. 42
  put by, iii. 17

  quenchless, ii. 323
  qui mihi discipulus, i. 229
  quit, ii. 367
  quite, ii. 282
  quod tumeraris, i. 224

  racking, i. 179
  ray, iii. 180
  ream, ii. 88
  rebated, i. 177
  reflex, i. 50
  regiment, i. 13
  renied, Christians, i. 48
  renowned, i. 24
  resolve, i. 13
  respect, ii. 142
  retorqued, i. 94
  Rhamnus, i. 35
  Rhodes, i. 212
  ringled, iii. 29
  rising in the North, iii. 224
  rivelled, ii. 334; iii. 124
  Rivo-Castiliano, ii. 92
  road, ii. 160
  rod, i. 122
  rombelow, with a, ii. 161
  ruinate, ii. 244
  run division, ii. 88
  running banquet, ii. 86
  rushes, rooms strewed with, iii. 27

  Sabans, ii. 11
  Sackarson, iii. 242
  St. Quentin, storming of, iii. 224
  sakers, i. 152
  sarell, i. 58
  saunce, iii. 127
  saying, ii. 44
  scald, i. 31
  scambled, ii. 16
  scenes, i. 215
  scholarism, i. 212
  schright, iii. 275
  sciomancy, i. 218
  sect, ii. 28
  set, ii. 249
  Seven deadly Sins, i. 245
  shadow, ii. 175
  Shakespeare quoted, i. 16, 18, 25, 29, 31, 46, 92, 97, 167, 254, 266,
    275; ii. 12, 16, 36, 37, 40, 41, 44, 60, 68, 84, 86, 99, 128, 142,
    158, 193, 218, 228, 304, 326; iii. 9, 12, 15, 24, 27, 31, 41, 50, 65,
    89, 234
  shaver, ii. 45
  Shelley quoted, i. 155, 206
  shine, iii. 106
  silverlings, ii. 11
  Skelton imitated, iii. 59
  slick, i. 265
  slop, i. 230
  slubber, iii. 65
  smell-feast, iii. 239
  snicle, ii. 92
  soil, ii. 343
  sollars, ii. 76
  sometimes, ii. 31
  sonnet, i. 253
  sort, ii. 288
  souse, iii. 264
  Spenser quoted in _Tamburlaine_, i. 183. (I neglected to point out
  that in i. 173, "As when an herd of lusty Cymbrian bulls," &c., there
  is an imitation of a passage of the _Faerie Queene_, Book I. canto
  viii.--

    "As great a noyse, as when in Cymbrian plaine
    An heard of Bulles, whom kindly rage doth sting
    Do for the milkie mothers want complaine,
    And fill the fields with troublous bellowing,
    The neighbour woods around with hollow murmur ring.")

  spials, i. 32
  sprung, iii. 64
  staring up, hair, iii. 89
  stated, ii. 39
  states, i. 14
  statua, i. 142
  stature, i. 74
  staves acre, i. 229
  stems, i. 24
  stern, ii. 365
  stomach, ii. 129
  stools on the stage, iii. 215
  stoops, i. 169
  strain, i. 155
  subject, i. 203
  supprised, ii. 306
  sure, made, ii. 50
  sweating sickness, iii. 224

  taint, i. 122
  take in, iii. 239
  talents, i. 46
  tall, i. 167
  _tanti_, ii. 120
  taxing private, iii. 213
  Theatre and Curtain playhouses, iii. 218
  Theocritus imitated, iii. 61
  thirling, iii. 9
  tho, iii. 107
  three for one, iii. 240
  timeless, ii. 128
  tires, i. 47
  to, ii. 74
  tobacco, Bobadil's encomium of, iii. 235
  tobacco smoked on the stage, iii. 231
  topless, i. 275
  tottered, ii. 89
  toy, iii. 86
  train, ii. 183
  trannels, iii. 134
  Trier, i. 250
  true, true, ii. 127
  Turk of tenpence, ii. 84
  twigger, ii. 362
  Tyrone's insurrection, iii. 244

  unresisted, ii. 339
  unvalued, i. 18
  ure, ii. 48

  vail, ii. 39
  valure, iii. 80
  valurous, i. 20
  Vanity, Lady, ii. 45
  vaut, i. 23
  villainese, i. 95
  villainy, i. 52
  Vulcan's dancing, ii. 304

  wagers laid about actors, ii. 7
  wall'd in, ii. 304
  water-work at London Bridge, iii. 217
  watery star, iii. 9
  when? ii. 63
  when? can you tell? ii. 171
  while, i. 80
  whist, ii. 349
  Wigmore, ii. 162
  will, i. 136
  winter's tale, ii. 36

  Wordsworth, his _Power of Music_, iii. 238
  wreaks, iii. 160

  Zoacum, i. 135


PRINTED BY BALLANTYNE, HANSON AND CO.
       EDINBURGH AND LONDON.




Transcriber's Notes:


Page 164:
In amicam, quod abortivum ipsa fecrrit.
Typo for fecerit. Changed.

Footnote 350: Not in Islam.
Typo for 'Isham' as elsewhere. Changed.

Footnote 381: So eds. B, C.--Islam.
Typo for 'Isham'. Changed.

Footnote 462:    In his close nips describde a gull to thee:
Possible typo 'describde for described'. Unchanged.

Page 272:
Or, dropping-ripe, ready to fall with urin.
Probable typo for ruin. Changed.

Page 351:
a'nt for ain't. Unchanged.

Various:
u and v may be reversed.
i and j may be reversed.

The index applies to all three volumes.

Elegia V missing. See Footnote 368.