The Project Gutenberg eBook of It walks by night This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: It walks by night Author: Henry Kuttner Release date: September 23, 2026 [eBook #79641] Language: English Original publication: Indianapolis, IN: Popular Fiction Publishing Company, 1936 Other information and formats: www.gutenberg.org/ebooks/79641 Credits: Greg Weeks, Mary Meehan, Alex White & the online Distributed Proofreaders Canada team at https://www.pgdpcanada.net. This file was produced from images generously made available by Internet Archive/American Libraries. *** START OF THE PROJECT GUTENBERG EBOOK IT WALKS BY NIGHT *** It Walks by Night By HENRY KUTTNER _A blood-chilling narrative of a ghastly horror that stalked through the crypts beneath the old graveyard._ [Transcriber's Note: This etext was produced from Weird Tales, December 1936. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Johann leaned heavily against a tall obelisk of discolored marble, his fever-weakened body trembling with exhaustion. The graveyard was a dim black sea, with pale slabs and monoliths standing in irregular ranks all about him. He fumbled with the slide of his lantern and a white beam sprang out vividly, etching the man’s gaunt figure in sharp detail. Deep shadows lay in the hollows of his cheeks and beneath his dilated, smoldering eyes. His face had an angry flush which betrayed the fever blazing in his brain—fever that had burned away lifelong barriers of fear and driven him to this ancient burying-ground where few would have ventured after sundown. For, as all men knew, a horror dwelt among these tombs, an ancient horror that had come down through the generations. There were tales of a thing that walked by night among the graves; so that sometimes when men came searching in broad daylight they found new graves opened, coffins ruthlessly torn apart, and the bodies gone. Occasionally one of the villagers would bury his kin in the cemetery at Kruschen, twenty miles to the north. But this was seldom done, since the horror had dwelt in the graveyard longer than the oldest graybeard, and a kind of hopeless apathy hung, like a somber pall, over the village. Moreover, there was a tale that, long ago, in the year of the great plague when all bodies were burned for fear of spreading the pestilence, something had come forth from among the tombs and had burst nightly into the houses on the outskirts of the village. A dozen people had vanished without a trace, and at last in desperation the plague-infected corpses had been interred in the old burying-ground. Thereafter the village slept in peace, although now and then a lone traveler or itinerant peddler would disappear, never to be seen again. Still, as the older men whispered among themselves, it was lucky that worse things did not befall. But now Johann was driven by a fierce urge that made him disregard the ancient menace that lurked among the tombs. He had come for his wife. Elsa, his bride for scarcely a year, had been buried while Johann lay delirious, raving with the same fever that had proved fatal to his wife. Believing him asleep, his cousin’s wife had talked too freely, and Johann had learned that Elsa had been interred in the devil-haunted graveyard beyond the outskirts of the village. His beloved Elsa, daughter of the ancient Auber clan that could trace their fathers back through Thurn and Taxis—the prey of the ghoul! Horror had lent Johann strength to leave his bed and slip unnoticed from his cousin’s house, pausing only to snatch his pistol and a lantern. Now he drew the weapon from his shirt as footsteps sounded suddenly near by. A man came into view in the starlight, gingerly picking his way among the graves. As Johann recognized Karl, his cousin, he thrust the pistol back into his shirt and let the light from his lantern flare out. The newcomer gave a startled cry, quickly muffled. * * * * * Karl stepped into the wan splotch of light, relief plain in his pale face. “Johann! I thought—what are you doing here? You can’t help Elsa now.” Johann looked away abruptly, his mouth working. Karl put a hand on his cousin’s shoulder, but Johann shook it off impatiently. “It’s your fault, Karl,” he accused, his eyes dark with anger. “You let them bury Elsa here—in this devil-ridden place.” Karl made a placating gesture. “What could I do? I told them you would not——” “I know.” The resentment was gone from Johann’s voice. It was very bitter now. “Our heads have been bowed beneath the yoke for a long time. Too long, Karl. Elsa shall not——” “She has been buried a week now. You—you have no shovel.” It was true. Johann had had no time to procure one during his flight. He said slowly, “I can guard her grave, at any rate. You can go back to the village and get shovels.” Karl was silent. After a moment Johann laughed mirthlessly. “Bring the shovels tomorrow, then,” he jeered. “You won’t be afraid to come here in daylight.” Stung, Karl responded, “It’s not daylight now. Come home, Johann. We can get Elsa tomorrow. One more night won’t—it’s dangerous, Johann! They say the—they say it’s been walking again.” Johann shrugged with a nonchalance he did not feel. He was shivering in the chill wind that blew over the neglected graves. His fears, forgotten in his delirium, were slowly creeping back to torment him; but he pushed them resolutely aside. “I’m not afraid,” he growled, and moved forward among the graves, his lantern sending out a beam of yellow light that rested on lichen-stained stone and the worm-eaten and weathered surface of wooden slabs and crosses. Once he tripped over a fallen tombstone, half buried in the ground, and would have fallen had not Karl caught him. Karl began a frantic protest which his cousin did not hear. Johann was staring intently into the gloom; he took a few hasty steps, and at his feet loomed the black gulf of an open grave. He sent the beam of the lantern darting down into it and saw that the coffin-lid was broken and shattered, and that the sarcophagus itself was empty. Even before the light searched out the inscription upon the wooden slab at the head of the violated grave he knew what would be painted there. Beside him Karl caught his breath in a gasp of fear. But Johann merely stood silent, swaying a little, the dank wind blowing coldly across his wet face, and his thoughts were a chaotic swirl in which horror and grief and anger were mingled. Out of his poignant grief and his horror, fierce anger racked his feverish brain with surges of red rage that shook him with their intensity. Under his shirt he felt the bulk of the pistol, and he gripped it fiercely. Elsa! Her slim white body the prey of the ghoul! Suddenly all Johann’s fear was forgotten in his blinding, overwhelming anger. Karl was tugging at his arm. He turned to meet his cousin’s frightened gaze. “Johann! What are you waiting for? We can’t stay here. It . . . it has walked again!” “No!” Johann barked out the word fiercely, his eyes blazing. “Elsa——” “It’s too late, Johann! Elsa is gone.” “Is it too late for vengeance?” Johann asked quietly, and at his words Karl shrank back, stark amazement in his face. “Vengeance?” He whispered the word fearfully, and a shudder racked him. He shot an apprehensive glance into the dimness about them. Then he said, still whispering, “You _are_ mad, Johann.” Deliberately Johann drew out his pistol. “Very well, I am mad. But . . . Karl, if it were your wife——” He broke off, his lips twitching, and when he resumed, his voice was chill with inflexible purpose. “Listen to me, Karl; I’m going to make someone—god, man or devil!—suffer for this crime!” He glanced at the black gulf of the violated grave. “So go home, Karl. You can’t help me now.” Karl opened his mouth, but the words died in his throat. His eyes flashed past Johann’s shoulder, and into them sprang a look of panic fear. With a strangled scream he spun about and went racing off, his footsteps disquietingly loud in the chill, empty silence. * * * * * Johann turned quickly. At first he saw nothing in the dim starlight. Then, far away, he saw a faint movement among the tombs. There was a flicker of motion in the distance where an ancient mausoleum stood all alone on the side of a little hillock. He waited, scarcely breathing, for a time, but there was no further movement at the distant tomb. Karl’s footsteps had died away, and there was not a sound to be heard. Johann fingered the pistol irresolutely. Then he thrust it back in his shirt and hurriedly made his way among the graves to where the mausoleum stood on the knoll pale and ominous in the starlight. The tomb was incredibly ancient and weathered, overgrown with a thick coating of lichen that draped it like gray spider-webs. There was an inscription above the door, but save for the single word _maranatha_ it was illegible. Johann did not pause to examine it after he saw that the great stone portal was open. With cold rage surging within him he stepped over the threshold and sent the light darting about the tomb. It was empty. Bare, granite walls met his gaze, but there was a door of rusted metal set in the further wall, and this was ajar. Johann squeezed through the gap and held the lantern high. He was in an empty passage, paved with great stone slabs, sloping down into the side of the little hill. A faint whispering sound, like the slithering of water over jagged rocks, was audible, and Johann cautiously advanced. The passage turned and twisted in the rock, but it continued to descend steeply, and twice Johann passed the black mouths of side tunnels. Now the faint whispering was louder. He recognized the sound of voices, but there was a curious squeaking and snarling that puzzled him—a sound such as might originate in a nest of rats. The cold tide of sanity was slowly rising in Johann’s brain, and misgivings were beginning to assail him; but the thought of Elsa’s looted grave enabled him to force them out of his mind. He replaced the slide on the lantern and moved forward in utter darkness, feeling his way and straining to distinguish an intelligible word from the babble of chatterings and whisperings that he heard. Slowly he advanced, sliding his hand along the wall. And suddenly a voice sounded distinct and clear above the sly mutterings. It was harsh and grating, possessing a curious quality of depth, as though it came from far underground. And it said distinctly, “. . . has been gone long.” A wave of fear came rushing up to overwhelm Johann, and he clung desperately to the thought of Elsa and his vengeance. Fighting back his horror, he edged forward. And as though at a signal a sudden silence fell. Johann caught a whisper. “. . . will be back. To bring us food.” Behind him there was a rustling, swiftly growing louder! In the blackness nothing was visible, but Johann flung himself flat against the wall. The rustling swept past him, and for a moment an overpowering stench filled his nostrils. He was conscious that something had passed close to him, something he could not see for the darkness, although he felt sick and giddy with its passing. He leaned against the wall, grateful for its support, and the whisperings and shrillings broke out afresh, this time with an eery note of disappointment. A new voice spoke, a quiet, emotionless voice with a dreadful feline purr in it. “No food could I find, my ancestors. No food or drink.” “Must we go hungry?” another voice whined, and a plaintive series of cries burst from the grim darkness that pulsed with unseen, horrific life. “You must feed us!” “It is your duty!” “We are unable.” A deeper voice spoke. “You must fulfill your trust! Each of us fed our ancestors who could not feed themselves. And it is your duty to find us food. When in time you, too, become like us, unable to go forth to search out the new graves, you will expect the next heir to fulfill his duty.” “I found food for you two nights ago,” the other voice purred, and Johann caught his breath and shuddered in the shielding darkness. “It is your trust and your privilege!” the deep voice cut in, brittle and harsh. “This is the curse and the blessing of our blood, that knows no other life after—death.” “But there are so many!” cried the other, and a stifled gasp of fear came from Johann’s stiff lips. A taut silence fell, and the man turned to ice. Past him went a soft rustling, almost brushing his numb body, swiftly dying away. Then there was no sound, only the charnel darkness that pressed silently upon him. And behind him he heard a heavy thud. * * * * * Stung into life, Johann spun about and in an agony of fear went racing back through the twisted corridor, back to the open air and the clean starlight. He felt a heavy blow on his chest, and staggered back, almost falling, the lantern slipping from his grasp and thudding to the ground. As he tottered there in the blackness he heard the abominable rustling go past him again and fade into silence. Gasping, uttering little moans, he fell on his hands and knees and groped frantically for the lantern. For a moment it eluded his clutching fingers, and Johann felt the skin of his back crawling with the expectation of an attack. Then with a sob of relief he found the lantern and snatched off the slide, praying that it had not gone out. It had not. A yellow beam of light pitilessly illuminated the thing that had halted Johann’s flight—the great door in the tomb, the door by which he had entered this Cimmerian cave of night and horror. But now it was no longer ajar. He realized what had happened. The rustling that had passed him, the heavy thud! The creature—Johann dared not give it a name—had slipped past him and closed the door to prevent his escape. Breathing heavily, Johann put down the lantern and examined the door. There were no handles or knobs; it was a bare, rivet-studded plate of rusty metal. He braced his shoulder against it and strained until his head swam, but he could not move the door. Again swift anger mounted within him, and the thought of Elsa supplied the spark to the tinder-box of his fury. With rage and fear battling within him he drew out his pistol, examined it to see if the moisture of the vault had damped the charge, and slowly began to retrace his steps. He paused occasionally to flash the light behind him, but nothing lurked at his heels—nothing but the black tunnel-mouths that seemed to watch him ominously. And presently he saw that he was on the threshold of an archway that led into silent, unstirring darkness. Twice Johann went forward, and twice he retreated in fear. At last he raised the pistol and stepped over the threshold, swiftly flashing the light about the great vault in which he stood. For a moment he thought he was confronting an array of mummies, withered and dry. They were lying against the walls in grotesque postures, a dozen brown wrinkled bodies, some of them merely skeletons with wrinkled dark skin stretched over their bones. The floor was buried beneath a carpet of bones, ranging in color from crumbled black to shining white bones on which the marks of gnawing were dreadfully evident. At Johann’s feet a skull grinned up at him in a grim mockery of mirth. As the light gleamed through the tomb a frightful rustling and a stir went over the withered bodies. There was a monstrous shifting and squirming, and Johann saw moving what should never move, what should always lie silent and still and dead under the coffin-lid. The things crawled about like maggots blindly creeping away from the light, and Johann still stood there, the lantern in one hand and his pistol in the other, without moving a muscle or turning his eyes from the charnel horror before him. The light gleamed on cold, shiny eyes staring at him speculatively. Behind him came the rustling, and Johann swung about, his light stabbing out through the blackness. Far down the passage a vague figure was moving toward him, slowly, implacably. Behind him came an outburst of abominable squeakings and whistlings. Johann jerked up his pistol, the thought of Elsa steadying his hand. He would wait until the thing was almost upon him, and then . . . but his fear betrayed him. The crash of the explosion sent sharp echoes rolling through the vault. The dreadful form did not pause. It glided onward, silently save for the faint rustling of garments, and Johann took a step back. Something clutched at his ankle, and in a frenzy of fear he kicked free. For a second he had turned his back on the half-seen figure that was inexorably drawing nearer, and when he swung about, it was almost upon him. There was no time to reload the pistol; Johann flung up his arm as though the lantern had been a weapon. Two things happened almost simultaneously. A purring, gloating voice came from the dim form, and it said triumphantly, “We shall _not_ go hungry!” And the light revealed the face of the approaching horror, and Johann dropped the lantern and began to scream, over and over, “_Elsa! Elsa!_” *** END OF THE PROJECT GUTENBERG EBOOK IT WALKS BY NIGHT *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.