Alice Meynell
Date: 2026-09-18T00:00:00+00:00

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Title: Alice Meynell

Author: Alice Meynell

Release date: September 18, 2026 [eBook #79607]

Language: English

Original publication: London: E. Benn Ltd., 1926

Other information and formats: www.gutenberg.org/ebooks/79607

Credits: Richard Tonsing and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

*** START OF THE PROJECT GUTENBERG EBOOK ALICE MEYNELL ***

Transcriber’s Note:

New original cover art included with this eBook is granted to the public domain.

THE AUGUSTAN BOOKS OF

MODERN POETRY

ALICE MEYNELL

LONDON: ERNEST BENN LTD.

BOUVERIE HOUSE, FLEET STREET

The Augustan Books of English Poetry
(Second Series)
Edited by Humbert Wolfe

1 JOHN DONNE
2 GEORGE HERBERT
3 FRANCIS THOMPSON
4 W. B. YEATS
5 HAROLD MONRO
6 ROSE MACAULAY
7 ARTHUR WALEY, POEMS FROM THE CHINESE
8 POEMS FROM THE GREEK
9 POEMS FROM THE LATIN
10 EDWARD G. BROWNE, POEMS FROM THE PERSIAN
11 POEMS FROM THE IRISH
12 JOHN SKELTON, MODERNIZED BY ROBERT GRAVES
13 POEMS FROM BOOKS, 1927 (THOMAS MOULT)

14 THE LESS FAMILIAR NURSERY RHYMES (ROBERT GRAVES)

16 CHARLES AND MARY LAMB (MARK PERUGINI)
17 EPITAPHS (HON. ELEANOR BROUGHAM)
18 CHRISTMAS CAROLS (D. L. KELLEHER)
19 WILLIAM WORDSWORTH (H. W. GARROD)
20 GERALD GOULD
21 SYLVIA LYND
22 D. H. LAWRENCE
23 S. T. COLERIDGE (HAROLD MONRO)

24 POEMS FROM THE FRENCH (translated by H. W. GARROD)

25 EDMUND SPENSER (JAMES STEPHENS)
26 BYRON (JAMES STEPHENS)
27 DANTE GABRIEL ROSSETTI (CHARLES DAVIES)
28 GORDON BOTTOMLEY
29 SACHEVERELL SITWELL
30 TRANSLATIONS FROM DANTE (LAURENCE BINYON)

Compilers’ names are indicated in brackets after the title.

ALICE MEYNELL, 1850–1922.

For permission to publish these selections, the publishers desire to express their thanks to Mr. Wilfrid Meynell and to Messrs. Burns Oates and Washbourne.

CONTENTS

1. Early Poems.
2. PAGE
3. A POET’S SONG OF DERIVATIONS 5
4. SINGERS TO COME 6
5. THE POET TO HIS CHILDHOOD 7
6. UNLINKED 8
7. TO THE BELOVED 9
8. AN UNMARKED FESTIVAL 10
9. YOUR OWN FAIR YOUTH 11
10. THE GARDEN 11
11. THOUGHTS IN SEPARATION 12
12. REGRETS 13
13. PARTED 14
14. RENOUNCEMENT 15
15. AFTER A PARTING 15

16. A LETTER FROM A GIRL TO HER OWN OLD AGE 16

17. SAN LORENZO’S MOTHER 18
18. A MOTHER’S MONODY 19
19. Later Poems
20. THE SHEPHERDESS 23
21. VIA, ET VERITAS, ET VITA 23
22. THE LADY POVERTY 24
23. NOVEMBER BLUE 24
24. A DEAD HARVEST 25
25. VENI CREATOR 26
26. BEYOND KNOWLEDGE 26
27. CHRIST IN THE UNIVERSE 27
28. SUMMER IN ENGLAND, 1914 28
29. AT NIGHT 29

A Poet’s Song of Derivations

I come from nothing; but from where
Come the undying thoughts I bear?
Down, through long links of death and birth,
From the past poets of the earth;
My immortality is there.

I am like the blossom of an hour.
But long, long vanished sun and shower
Awoke my breath i’ the young world’s air;
I track the past back everywhere
Through seed and flower, and seed and flower.

Or I am like a stream that flows
Full of the cold springs that arose
In morning lands, in distant hills;
And down the plain my channel fills
With melting of forgotten snows.

Voices I have not heard possessed
My own fresh songs; my thoughts are blessed
With relics of the far unknown.
And, mixed with memories not my own,
The sweet streams throng into my breast.

Before this life began to be,
The happy songs that wake in me
Woke long ago and far apart.
Heavily on this little heart
Presses this immortality.

Singers to Come

No new delights to our desire
The singers of the past can yield.
I lift mine eyes to hill and field,
And see in them your yet dumb lyre,
Poets unborn and unrevealed.

Singers to come, what thoughts will start
To song? What words of yours be sent
Through man’s soul, and with earth be blent?
These worlds of nature and the heart
Await you like an instrument.

Who knows what musical flocks of words
Upon these pine-tree tops will light,
And crown these towers in circling flight,
And cross these seas like summer birds,
And give a voice to the day and night?

Something of you already is ours;
Some mystic part of you belongs
To us, whose dreams your future throngs;
Who look on hills, and trees, and flowers,
Which will mean so much in your songs.

I wonder, like the maid who found,
And knelt to lift, the lyre supreme
Of Orpheus from the Thracian stream.
She dreams on its sealed past profound;
On a deep future sealed I dream.

She bears it in her wanderings
Within her arms, and has not pressed
Her unskilled fingers but her breast
Upon those silent sacred strings;
I, too, clasp mystic strings at rest.

For I, i’ the world of lands and seas,
The sky of wind and rain and fire,
And in man’s world of long desire—
In all that is yet dumb in these—
Have found a more mysterious lyre.

The Poet to His Childhood[1]

In my thought I see you stand with a path on either hand,—

Hills that look into the sun, and there a river’d meadow land.

And your lost voice, with the things that it decreed, across me thrills,

When you thought—and chose the hills:

“If it prove a life of pain, greater have I judged the gain.

With a singing soul, for music’s sake I climb and meet the rain;

And I choose, while I am calm, my thought and labouring to be

Unconsoled by sympathy.”

Do you know, who are so bold, how in sooth the rule will hold,

Settled by a wayward child’s ideal at some ten years old?—

How the human arms you slip from, thoughts and love you stay not for,

Will not open to you more?

You were rash then, little child, for the skies with storms are wild,

And you faced the dim horizon with its whirl of mists, and smiled;

Climbing a little higher, lonelier, in the solitary sun,

To feel how the winds came on.

And if e’er you should come down to the village or the town,

With the cold rain for your garland, and the wind for your renown,

You will stand upon the thresholds with a face of dumb desire,

Nor be known by any fire.

·       ·       ·       ·       ·

I rebel not, child gone by, but obey you wonderingly:

For you knew not, rash young speaker, all you spoke; and now will I,

With the life and all the loneliness revealed that you saw fit,

Sing the Amen, knowing it.

1. From an early poem, not included in the author’s Collected Edition.

Unlinked

If I should quit thee, sacrifice, forswear,

To what, my art, shall I give thee in keeping?

To the long winds of heaven? Shall these come sweeping

My songs forgone against my face and hair?

Or shall the mountain streams my lost joys bear,

My past poetic pain in rain be weeping?

No, I shall live a poet waking, sleeping,

And I shall die a poet unaware.

From me, my art, thou canst not pass away;
And I, a singer though I cease to sing,
Shall own thee without joy in thee or woe.

Through my indifferent words of every day,

Scattered and all unlinked the rhymes shall ring,

And make my poem; and I shall not know.

To the Beloved

Oh, not more subtly silence strays
Amongst the winds, between the voices,
Mingling alike with pensive lays,
And with the music that rejoices,
Than thou art present in my days.

Thou art like silence all unvexed,
Though wild words part my soul from thee.
Thou art like silence unperplexed,
A secret and a mystery
Between one footfall and the next.

Most dear pause in a mellow lay!

Thou art inwoven with every air.

With thee the wildest tempests play,

And snatches of thee everywhere

Make little heavens throughout a day.

Darkness and solitude shine, for me.

For life’s fair outward part are rife

The silver noises; let them be.

It is the very soul of life

Listens for thee, listens for thee.

O pause between the sobs of cares;
O thought within all thought that is;
Trance between laughters unawares:
Thou art the shape of melodies,
And thou the ecstasy of prayers!

An Unmarked Festival

There’s a feast, undated, yet
Both our true lives hold it fast,—
Even the day when first we met.
What a great day came and passed,
—Unknown then, but known at last.

And we met: You knew not me,
Mistress of your joys and fears;
Held my hand that held the key
Of the treasure of your years,
Of the fountain of your tears.

For you knew not it was I,

And I knew not it was you.

We have learnt, as days went by.

But a flower struck root and grew

Underground, and no one knew.

Day of days! Unmarked it rose,
In whose hours we were to meet;
And forgotten passed. Who knows,
Was earth cold or sunny, Sweet,
At the coming of your feet?

One mere day, we thought; the measure
Of such days the year fulfils.
Now, how dearly would we treasure
Something from its fields, its rills,
And its memorable hills.

Your Own Fair Youth

Your own fair youth, you care so little for it—

Smiling towards Heaven, you would not stay the advances

Of time and change upon your happiest fancies.

I keep your golden hour, and will restore it.

If ever, in time to come, you would explore it—

Your old self, whose thoughts went like last year’s pansies,

Look unto me; no mirror keeps its glances;

In my unfailing praises now I store it.

To guard all joys of yours from Time’s estranging,

I shall be then a treasury where your gay,

Happy, and pensive past unaltered is.

I shall be then a garden charmed from changing,

In which your June has never passed away.

Walk there awhile among my memories.

The Garden

My heart shall be thy garden. Come, my own,

Into thy garden; thine be happy hours

Among my fairest thoughts, my tallest flowers,

From root to crowning petal thine alone.

Thine is the place from where the seeds are sown

Up to the sky enclosed, with all its showers.

But ah, the birds, the birds! Who shall build bowers

To keep these thine? O friend, the birds have flown.

For as these come and go, and quit our pine
To follow the sweet season, or, new-comers,
Sing one song only from our alder-trees,

My heart has thoughts, which, though thine eyes hold mine,

Flit to the silent world and other summers,

With wings that dip beyond the silver seas.

Thoughts in Separation

We never meet; yet we meet day by day
Upon those hills of life, dim and immense—
The good we love, and sleep, our innocence.

O hills of life, high hills! And, higher than they,

Our guardian spirits meet at prayer and play.

Beyond pain, joy, and hope, and long suspense,

Above the summits of our souls, far hence,

An angel meets an angel on the way.

Beyond all good I ever believed of thee
Or thou of me, these always love and live.
And though I fail of thy ideal of me,

My angel falls not short. They greet each other.

Who knows, they may exchange the kiss we give,

Thou to thy crucifix, I to my mother.

Regrets

As, when the seaward ebbing tide doth pour

Out by the low sand spaces,

The parting waves slip back to clasp the shore

With lingering embraces,—

So, in the tide of life that carries me

From where thy true heart dwells,

Waves of my thoughts and memories turn to thee

With lessening farewells;

Waving of hands; dreams, when the day forgets;

A care half lost in cares;
The saddest of my verses; dim regrets;
Thy name among my prayers.

I would the day might come, so waited for,
So patiently besought,
When I, returning, should fill up once more
Thy desolated thought;

And fill thy loneliness that lies apart
In still, persistent pain.
Shall I content thee, O thou broken heart,
As the tide comes again,

And brims the little sea-shore lakes, and sets

Seaweeds afloat, and fills
The silent pools, rivers and rivulets
Among the inland hills?

Parted

Farewell to one now silenced quite,
Sent out of hearing, out of sight,—
My friend of friends, whom I shall miss.
He is not banished, though, for this,—
Nor he, nor sadness, nor delight.

Though I shall talk with him no more,
A low voice sounds upon the shore.
He must not watch my resting-place,
But who shall drive a mournful face
From the sad winds about my door?

I shall not hear his voice complain,
But who shall stop the patient rain?
His tears must not disturb my heart,
But who shall change the years, and part
The world from every thought of pain?

Although my life is left so dim,
The morning crowns the mountain-rim;
Joy is not gone from summer skies,
Nor innocence from children’s eyes,
And all these things are part of him.

He is not banished, for the showers
Yet wake this green warm earth of ours
How can the summer but be sweet?
I shall not have him at my feet,
And yet my feet are on the flowers.

Renouncement

I must not think of thee; and, tired yet strong,

I shun the thought that lurks in all delight—

The thought of thee—and in the blue Heaven’s height,

And in the sweetest passage of a song.

O just beyond the fairest thoughts that throng

This breast, the thought of thee waits hidden yet bright;

But it must never, never come in sight;

I must stop short of thee the whole day long.

But when sleep comes to close each difficult day,

When night gives pause to the long watch I keep,

And all my bonds I needs must loose apart,

Must doff my will as raiment laid away,—

With the first dream that comes with the first sleep

I run, I run, I am gathered to thy heart.

After a Parting

Farewell has long been said; I have forgone thee;

I never name thee even.

But how shall I learn virtues and yet shun thee?

For thou art so near Heaven

That Heavenward meditations pause upon thee.

Thou dost beset the path to every shrine;
My trembling thoughts discern
Thy goodness in the good for which I pine;
And if I turn from but one sin I turn
Unto a smile of thine.

How shall I thrust thee apart

Since all my growth tends to thee night and day—

To thee faith, hope, and art?

Swift are the currents setting all one way;

They draw my life, my life, out of my heart.

A Letter from a Girl to Her Own Old Age

Listen, and when thy hand this paper presses,

O time-worn woman, think of her who blesses

What thy thin fingers touch, with her caresses.

O mother, for the weight of years that break thee!

O daughter, for slow time must yet awake thee,

And from the changes of my heart must make thee!

O fainting traveller, morn is grey in heaven.

Dost thou remember how the clouds were driven?

And are they calm about the fall of even?

Pause near the ending of thy long migration;
For this one sudden hour of desolation
Appeals to one hour of thy meditation.

Suffer, O silent one, that I remind thee

Of the great hills that stormed the sky behind thee,

Of the wild winds of power that have resigned thee.

Know that the mournful plain where thou must wander

Is but a grey and silent world; but ponder

The misty mountains of the morning yonder.

Listen:—the mountain winds with rain were fretting,

And sudden gleams the mountain-tops besetting.

I cannot let thee fade to death, forgetting.

What part of this wild heart of mine I know not

Will follow with thee where the great winds blow not,

And where the young flowers of the mountain grow not.

Yet let my letter with thy lost thoughts in it

Tell what the way was when thou didst begin it,

And win with thee the goal when thou shalt win it.

I have not writ this letter of divining
To make a glory of thy silent pining,
A triumph of thy mute and strange declining.

Only one youth, and the bright life was shrouded;

Only one morning, and the day was clouded;

And one old age with all regrets is crowded.

O hush, O hush! Thy tears my words are steeping.

O hush, hush, hush! So full, the fount of weeping?

Poor eyes, so quickly moved, so near to sleeping?

Pardon the girl; such strange desires beset her.

Poor woman, lay aside the mournful letter

That breaks thy heart; the one who wrote, forget her:

The one who now thy faded features guesses,

With filial fingers thy grey hair caresses,

With morning tears thy mournful twilight blesses.

San Lorenzo’s Mother

I had not seen my son’s dear face
(He chose the cloister by God’s grace)
Since it had come to full flower-time.
I hardly guessed at its perfect prime,
That folded flower of his dear face.

Mine eyes were veiled by mists of tears
When on a day in many years
One of his Order came. I thrilled,
Facing, I thought, that face fulfilled.
I doubted, for my mists of tears.

His blessing be with me for ever!

My hope and doubt were hard to sever;

—That altered face, those holy weeds.

I filled his wallet and kissed his beads,

And lost his echoing feet for ever.

If to my son my alms were given
I know not, and I wait for Heaven.
He did not plead for child of mine,
But for another Child divine,
And unto Him it was surely given.

There is One alone who cannot change;
Dreams are we, shadows, visions strange;
And all I give is given to One.
I might mistake my dearest son,
But never the Son Who cannot change.

A Mother’s Monody[2]

Before Light.

Among the first to wake. What wakes with me?

A blind wind, and a few birds, and a star.

With tremor of darkened flowers and whisper of birds,

O, with a tremor, with a tremor of heart
Begins the day in the dark. Like other days
Among my flowers, the morning will awake;
And I shall leave the high noon in my garden
And go my journey, as I live, alone.

“Come to the Port to-morrow,” says the letter,

And little more. He never was too kind,

This man, the one in the world kin to my son,

Who knew my sin, who watched me with cold eyes,

And stayed me with calm hands, and hid the thing

From horror more than pity; and took my son;
And mercifully let me ebb away
In this grey town of undesigned grey lives,
Five years already. To-day he sends for me.
And now I will prevent the dawn with prayers.

About Noon.

And towards the noon she lifted up her eyes,

Looked to the gentle hills; smiled, as she could,

A difficult smile that hurt half of her mouth,

Until she passed the streets and all sharp looks.

Sharp looks, and, since I was a child, sharp looks!

They knew not, certainly, who scan me so,
That not a girl of all their brightest girls
Has such an eager heart for smiles as I.
If they but knew what a poor child I am—

O, born of all the past, what a poor child!

I could waste golden days and showers of words,

And laugh for nothing, and read my poets again,—

I would not if I might. I would not cease,

No, if I might, the penance and the pain

For that lost soul down somewhere in the past,

That soul of mine; and yet I wish, I wish,
Such little wishes, and so longingly,—
Who would believe me, knowing what I am?
And I, being what I am, and having done
What I have done, look back upon my youth—
Before my sin I mean—and testify:
It was not happy, no, it was not white,
It was not innocent, no, the young fair time.
And now begins my one true white child-time,
This time of desolate altars and all ruins.
The world is full of endings for me, I find,

Emotions lost, and words and thoughts forgotten.

Yet, amid all these last things, there is one,

But one Beginning, a seed within my soul:

And I become a child with a world to learn,

Timorous, with another world to learn,

Timorous, younger, whiter towards my death.

Down the hills came she to the town and sea,

And met her child’s friend where he waited her.

“I sent for you, mind, for your sake alone,—

No, my dear ward is well. But he has learnt,

What I had faithfully kept, your life, your past,

Your secret. Well, we hope that you repent,

Your son, and I.” “God bless my son!

My little son hopes I repent at least.”

“When he had read the papers by mischance—

Beside himself at first, though the young heart

Recovered, and is calm now, he resolved
On the completest parting; he gives up
His hopes in England, his career, and sails
To-night to make a new life in the States.
As to the question of your seeing him—
He is in the town here—I persuaded him

To let you choose—this last time in the world.”

“Save me from the sick eyes of my one child,

But let me see my one child once, I pray.”

At Twilight.

Gone, O my child, forsaking me, my flower!—
Yet I, forsaken, pity you with tears.
Gone, gone into the West; not you alone,
My son who are leaving me, but he, the child

Of five years back. That is the worst farewell—

I had not thought him lost until to-day.
For he had kept with me until to-day;—
Never seen, never heard; but he was there,
Behind the door on which I laid my hand,
Out in the garden when I sat within.
As others greet a presence, I did greet
An absence, O my sweet, my sweet surprise!
How will it be now? For he is so changed
I hardly knew the face I saw pass by.
And yet it is the one that must of needs
Grow from that long ago face innocent,
Grave with the presage of a human life.
So, child, giving again in thought my kiss,

My last long since, I kiss you tall and changed

In that one kiss, and kiss you a man and old,
And so I kiss you dead. And yet, O child,
O child, a certain soul goes from my days;
They fall together like a rosary told,
Not Aves now, but beads,—you being gone.
I was not worthy to be comfortless,
I find; and feasts broke in upon my fasts;
And innocent distractions and desires
Surprised me in my penitential tears.

For my absent child, God gives me a child in Spring;

New seasons, and the fresh and innocent earth,

Ever new years, and children of the years
Kin to the young thoughts of my weary heart,
My kin in all the world. And He Himself
Is young in the quiet time of cold and snows:
Mary, who fled’st to Egypt with Him; Joseph;
And thou whose tomb I kissed in Padua,
Protect this perilous childhood in my heart!
It’s well I never guessed this thing before,—
I mean the weakness and the littleness
Of that which by God’s grace begins in me.
O earthly hopes and wishes, stay with me—
(He will be patient): linger, O my loves
And phases of myself, and play with this
New life of grace, as He Whose gift it is
With children played, a Child....
Less than I knew, less than I know, am I,
Returning childless, but, O Father, a child.

2. From a Study, in Three Monologues, with Interruptions, now first reprinted from the early Preludes.

The Shepherdess

She walks—the lady of my delight—

A shepherdess of sheep.

Her flocks are thoughts. She keeps them white;

She guards them from the steep;
She feeds them on the fragrant height,
And folds them in for sleep.

She roams maternal hills and bright,

Dark valleys safe and deep.

Into that tender breast at night

The chastest stars may peep.

She walks—the lady of my delight—

A shepherdess of sheep.

She holds her little thoughts in sight,

Though gay they run and leap.

She is so circumspect and right;

She has her soul to keep.

She walks—the lady of my delight—

A shepherdess of sheep.

Via, et Veritas, et Vita

“You never attained to Him?” “If to attain

Be to abide, then that may be.”

“Endless the way, followed with how much pain!”

“The way was He.”

The Lady Poverty

The Lady Poverty was fair:

But she has lost her looks of late,

With change of times and change of air.

Ah slattern! she neglects her hair,

Her gown, her shoes; she keeps no state

As once when her pure feet were bare.

Or—almost worse, if worse can be—
She scolds in parlours, dusts and trims,
Watches and counts. O is this she
Whom Francis met, whose step was free,
Who with Obedience carolled hymns,
In Umbria walked with Chastity?

Where is her ladyhood? Not here,
Not among modern kinds of men;
But in the stony fields, where clear
Through the thin trees the skies appear,
In delicate spare soil and fen,
And slender landscape and austere.

November Blue

The golden tint of the electric lights seems to give a complementary colour to the air in the early evening.—Essay on London.

O heavenly colour, London town
Has blurred it from her skies;
And, hooded in an earthly brown,
Unheaven’d the city lies.
No longer, standard-like, this hue
Above the broad road flies;
Nor does the narrow street the blue
Wear, slender pennon-wise.

But when the gold and silver lamps
Colour the London dew,
And, misted by the winter damps,
The shops shine bright anew—
Blue comes to earth, it walks the street,
It dyes the wide air through;
A mimic sky about their feet,
The throng go crowned with blue.

A Dead Harvest

(In Kensington Gardens)

Along the graceless grass of town
They rake the rows of red and brown,—
Dead leaves, unlike the rows of hay
Delicate, touched with gold and grey,
Raked long ago and far away.

A narrow silence in the park,
Between the lights a narrow dark.
One street rolls on the north; and one,
Muffled, upon the south doth run;
Amid the mist the work is done.

A futile crop!—for it the fire
Smoulders, and, for a stack, a pyre.
So go the town’s lives on the breeze,
Even as the sheddings of the trees;
Bosom nor barn is filled with these.

Veni Creator

So humble things Thou hast borne for us, O God,

Left’st Thou a path of lowliness untrod?

Yes, one, till now; another Olive-Garden.

For we endure the tender pain of pardon,—

One with another we forbear. Give heed,

Look at the mournful world Thou hast decreed.

The time has come. At last we hapless men

Know all our haplessness all through. Come, then,

Endure undreamed humility: Lord of Heaven,

Come to our ignorant hearts and be forgiven.

Beyond Knowledge

“Your sins ... shall be white as snow.”

Into the rescued world newcomer,
The newly-dead stepped up, and cried,
“O what is that, sweeter than summer
Was to my heart before I died?
Sir (to an angel), what is yonder
More bright than the remembered skies,
A lovelier sight, a softer splendour
Than when the moon was wont to rise?
Surely no sinner wears such seeming
Even the Rescued World within?”

“O the success of His redeeming!

O child, it is a rescued sin!”

Christ in the Universe

With this ambiguous earth

His dealings have been told us. These abide:

The signal to a maid, the human birth,

The lesson, and the young Man crucified.

But not a star of all
The innumerable host of stars has heard
How He administered this terrestrial ball.

Our race have kept their Lord’s entrusted Word.

Of His earth-visiting feet

None knows the secret, cherished, perilous,

The terrible, shamefast, frightened, whispered, sweet,

Heart-shattering secret of His way with us.

No planet knows that this
Our wayside planet, carrying land and wave,
Love and life multiplied, and pain and bliss,
Bears, as chief treasure, one forsaken grave.

Nor, in our little day,
May His devices with the heavens be guessed;
His pilgrimage to thread the Milky Way,
Or His bestowals there, be manifest.

But, in the eternities,
Doubtless we shall compare together, hear
A million alien Gospels, in what guise
He trod the Pleiades, the Lyre, the Bear.

O be prepared, my soul!

To read the inconceivable, to scan

The million forms of God those stars unroll

When, in our turn, we show to them a Man.

Summer in England, 1914

On London fell a clearer light;
Caressing pencils of the sun
Defined the distances, the white
Houses transfigured one by one,
The “long, unlovely street” impearled.
O what a sky has walked the world!

Most happy year! And out of town
The hay was prosperous, and the wheat;
The silken harvest climbed the down:
Moon after moon was heavenly-sweet,
Stroking the bread within the sheaves,
Looking ’twixt apples and their leaves.

And while this rose made round her cup,
The armies died convulsed. And when
This chaste young silver sun went up
Softly, a thousand shattered men,
One wet corruption, heaped the plain,
After a league-long throb of pain.

Flower following tender flower; and birds,
And berries; and benignant skies
Made thrive the serried flocks and herds.—
Yonder are men shot through the eyes.
Love, hide thy face
From man’s unpardonable race.

At Night

(To W. M.)

Home, home from the horizon far and clear,
Hither the soft wings sweep;
Flocks of the memories of the day draw near
The dovecote doors of sleep.

O, which are they that come through sweetest light

Of all these homing birds?

Which with the straightest and the swiftest flight?

Your words to me, your words!

POEMS BY ALICE MEYNELL

Complete Edition, with Portrait by J. S. Sargent. 6s.

In its class, I know of no nobler or more beautiful sonnet than “Renouncement”; and I have so considered it ever since the day I first heard it, when Rossetti (who knew it by heart), repeating it to me, added that it was one of the three finest sonnets ever written by women.—William Sharp.

The last verse of that perfectly heavenly “Letter from a Girl to Her Own Old Age,” the whole of “San Lorenzo’s Mother,” and the end of the sonnet “To a Daisy” are the finest things I have yet seen or felt in modern verse.—John Ruskin.

It is poetry, the spiritual voice of which will become audible when the “high noises” of to-day have followed the feet that made them.—Francis Thompson.

With an exquisite singleness of genius she stands apart, and escapes the categories. The more you live with these pages, the more will you be persuaded that they contain in unusual proportion the stuff of immortality.—J. L. Garvin.

She was the saint of our poetry. She etherealized love and spiritualized passion and humanized theology.—James Douglas.

It is the peculiar characteristic of Mrs. Meynell’s poetry that it is itself creative. Her feelings spring from her mind, her thoughts from her heart. There is room in them for a wit that is the weapon of the rarest tenderness.—The Times.

ESSAYS BY ALICE MEYNELL

With a Frontispiece in Photogravure. Price 7s. 6d.

Mrs. Meynell’s papers are little sermons, ideal sermons. Let no one uninstructed by them take fright at the title, they are not preachments. They leave a sense of stilled singing in the mind they fill. The writing is limpid in its depths.—George Meredith.

She was among the six or seven best women writers in the records of English literature, and the only one of them to achieve greatness as an essayist.—J. C. Squire.

She never wrote a line or even a word without putting brains into it; or, in the most exact sense, meaning what she said. I will venture the prophecy that her fullest fame is yet to come. The whole modern world must immeasurably enlarge itself before it comes near the measure of her mind.—G. K. Chesterton.

Prose such as is not written by any other essayist of our time.—The Daily News.

BURNS OATES AND WASHBOURNE LTD.

TRANSCRIBER’S NOTES

- Fixed typos; non-standard spelling and dialect retained.

*** END OF THE PROJECT GUTENBERG EBOOK ALICE MEYNELL ***

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Table of Contents

- ALICE MEYNELL
- CONTENTS
- A Poet’s Song of Derivations
- Singers to Come
- The Poet to His Childhood[1]
- Unlinked
- To the Beloved
- An Unmarked Festival
- Your Own Fair Youth
- The Garden
- Thoughts in Separation
- Regrets
- Parted
- Renouncement
- After a Parting
- A Letter from a Girl to Her Own Old Age
- San Lorenzo’s Mother

- A Mother’s Monody[2]

- Before Light.

- About Noon.

- At Twilight.

- The Shepherdess
- Via, et Veritas, et Vita
- The Lady Poverty
- November Blue
- A Dead Harvest
- Veni Creator
- Beyond Knowledge
- Christ in the Universe
- Summer in England, 1914
- At Night
- THE FULL PROJECT GUTENBERG™ LICENSE