The Project Gutenberg eBook of The homosexual in literature This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The homosexual in literature a chronological bibliography, circa 700 B.C.-1958 Author: Edgar Leoni Release date: December 11, 2025 [eBook #77441] Language: English Original publication: New York: Village Press, 1959 Credits: Adam Buchbinder, Terry Jeffress, and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) *** START OF THE PROJECT GUTENBERG EBOOK THE HOMOSEXUAL IN LITERATURE *** The Homosexual In Literature [Illustration] A Chronological Bibliography Circa 700 B.C.-1958 By Noel I. Garde THE HOMOSEXUAL IN LITERATURE A Chronological Bibliography c.700 B.C.-1958 © COPYRIGHT, 1959. Village Press First Edition New York 14, NY This bibliography provides a chronological listing of all known books in the English language, in the general field of fiction, concerned with male homosexuality, or having homosexual characters. It includes novels, short stories, short novels, poems, drama and fictionalized biography, plus a few other minor categories. This bibliography does not include works not in the English language. It does not include works concerned with female homosexuals (except where incidentally also involved). It does not include medical or psychiatric works (e.g., Ellis, Kinsey et al.). It does not include philosophical studies (e.g., Plato’s, Gide’s Corydon et al.). It does not include magazine stories, unless subsequently published in “book” form, but the term “book” is taken to include various types of “paperbacks”. It does not include ordinary (unfictionalized) biography or autobiography except when in the “primary” category (see below). This bibliography is divided into two separate, parallel sections: _Primary_: Definition: Central character(s) clearly homosexual(s) and/or homosexuality is intrinsic part of central theme or network of plots. The order is chronological by years, alphabetical by author’s surname within the same year, numbered consecutively. Short stories are given separate numbers (even if in the same book) but poems only one for the whole book. The date is U.S. publication date unless the work has not yet been published in the U.S. or has been published elsewhere more than 5 years before U.S. publication, but in the latter case there is usually an additional reference to cover U.S. publication. All citations are novels unless otherwise indicated (SS Short Stories; P Poetry D Drama; SN Short Novels, etc.) _Other Than Primary._ (referred to hereafter as OTP) Definition: All other works not considered as “Primary”, and differentiated by the following letter-symbols: _a_: substantial, explicit dialogue or exposition involving major homosexual character(s). _b_: substantial dialogue or explicit exposition involving minor homosexual character(s). _c_: latent, veiled, repressed or implied homosexuality of a major character. _d_: brief, superficial references in dialogue or exposition, whether involving major or minor homosexual characters. _e_: third-person references (character not in book); latent, veiled homosexuality of minor character in work of a significant author. _f_: false suspicion or accusation, or self-suspicion. In some cases, where use of one letter alone would give an inadequate impression, several are used in combination, e.g. _c/d_ or _b&c_. All letter symbols are found on the OTP listings to the left of applicable work. The order follows that of the Primary, but without consecutive numbering. It does not by any means follow that all works which by definition are “Primary” are necessarily more significant, even with respect to substantial homosexual content, than all OTP works. To provide some further guidance, references (to the left) include the follow asterisk notations, uniform to both Primary and OTP listings: *** Very substantial ** Quite substantial, or something of especial interest * Not very substantial (no asterisk) Rather negligible It must be emphasized that literary merit, or interesting material of a non-homosexual nature, are _not_ prime considerations in determining the asterisk rating, which refers only to homosexual content. Reprints are cited wherever known, especially inexpensive paperbacks. In this connection, the following abbreviations are used: Pb: Paperback of the conventional size (approximately 4.5 × 7"). Most names are written out (Avon, Signet, Bantam, Popular etc.). However, where space is limited: Perm is “Permabook”; PB Pocket Book; PL Pocket Library Lpb/LPb refers to odd-size cheap paperbacks, popular in the early 1950s, roughly 5.5 × 7.5", with flexible cover (e.g. Universal, Croydon) PbO or LPbO indicates work originally published in this format, with no prior “regular” edition. This is further indicated by publication date following serial number (not usually given for paperback reprints). AFE/ASE refers to a third type cheap paperback, used by Armed Forces. PC (Paper Covers) indicates “quality paperback” or paperback original by regular-book publisher in U.S. or Europe. In this group, MLP stands for Modern Library Paper. Where the work has been revised or abridged in paperback reprint, this is indicated, the word “drastically” referring, when used, to expurgation or revision of the homosexual content. This bibliography does not include any unchecked “hearsay” works. Insofar as it may fall short of completeness (through the end of 1958) it is only by mischance, and it is to be hoped that any works missed are in the less significant categories. The Second Edition is tentatively scheduled for March, 1961 and in the meantime, the publisher will be pleased to receive any suggestions for changes or additions for the next edition. It will be noted that with respect to new titles in 1959 and 1960, a half-page remains blank in the Primary section (at the end) and there is a whole page for 1959 and for 1960 which can be filled in by pencil or pen as new titles come to the reader’s attention. While the intention has been to be as objective as possible, there is inevitably an element of personal opinion, both as regards the asterisk-rating and the distinction between Primary and OTP. As there are, frankly, a few dozen works which could be considered as falling into _either_ the Primary or the OTP section on the basis of the definition used, these will be found to have at the end of the citation the notation “OTP-x?” when placed in the Primary section, and the notation “Primary?” when placed in the OTP section. The chronological arrangement has been chosen in preference to one alphabetical for two reasons: 1) To provide a convenient picture of the increase of the number of works in historical perspective (which is, after all, a chronological one); 2) To make it simple to keep the bibliography up to date (an alphabetical listing would require revision as each new work is published). Readers wishing to find all the works of a well-known author included herein, will in most cases find the author listed in the Authors’ Index (p. 32); however, even when an author’s name is not found in this index, the reader will in most cases know at least the decade of publication, and from that point it will only require glancing at the appropriate alphabetical position on a few successive pages to locate the name and work. In addition to the Authors’ Index, there are four other indexes at the end of this bibliography, ranging over national locales, special locales, professions and special occupations, and special topics, roles etc. The reader will find these indexes very useful, whatever his special interests may be. The abbreviations applicable to the Indexes are explained in a note at the beginning of the index section (p. 29). The sources for this bibliography are of course many, but acknowledgments are due especially to the following: To Donald Webster Cory for his pioneer bibliography in _Homosexual in America_, continued for several years in his book service; to the Village Theater Center, which has been especially helpful for contemporary British works; to the Mattachine Society of New York which, in preparing the Mattachine bibliography (on a somewhat different basis), has acted as a clearing house for many contributors, especially P.M. Noel I. Garde, Editor February, 1959. _PRIMARY_ 1. ** “George Gordon, Lord Byron” (George Colman, Jr.?), _Don Leon_ (P) in “Don Leon & Don Leon to Annabella”. London, 1866. Reprint by Fortune Press, London, 1934. 2. ** Alan Dale (Alfred J. Cohen), _A Marriage Below Zero_. NY, Dillingham, 1889. (PC). 3. *** Camille des Grieux (Oscar Wilde? Lord Alfred Douglas?), _Teleny or The Reverse of the Medal; A Physiological Romance of Today_. “Cosmopoli” (Paris?), 1893. Reprint: Paris, Olympia, 1958. 4. ** Lord Alfred Douglas, _Two Loves_; _Hymn to Physical Beauty_; _Prince Charming_; _De Profundis_; _Sicilian Love-Song_; _St. Martin’s Summer_; _In Basildon Wood_ (P) in “Poems”. Paris, Mercure de France, 1896. Reprinted in “Lyrics”. London, Rich and Cowan, 1935. (See OTP). 5. ** John Francis Bloxham (Lord Alfred Douglas?), _The Priest and the Acolyte_. London, Lotus, 1907. (Reprinted in Cory, 1953 with attribution to Oscar Wilde). 6. * John Moray Stuart-Young, _Osrac, the Self-Sufficient, and other Poems_ in “An Urning’s Love; Being A Poetic Study of Morbidity”. London, Hermes, c. 1907 7. *** Xavier Mayne (Edward I. Prime-Stevenson), _Imre; A Memorandum_. Naples, English Book-Press, 1908. (PC) 8. *** Georges Eekhoud, _Escal-Vigor_. Brussels, Gutenberg Press, 1909. (PC) Reprinted as _A Strange Love_. NY, Panurge, 1930. 9. *** A. T. Fitzroy, _Despised and Rejected_. London, Daniel, c. 1917. 10. *** Strato, Meleager et al., _Musa Puerilis_ (The Boyish Muse--258 ephebophilio poems and epigrams) in Greek Anthology v. IV, Loeb Library #85. NY, Putnam’s, 1918, 1926 & 1939 and Cambridge, Harvard University Press, 1948. 11. *** Earl Lind/Ralph Werther, _Autobiography of an Androgyne_ (autobio). NY, Medico-Legal Journal Press, 1919. 12. *** Earl Lind/Ralph Werther, _The Female Impersonators_. (Autobio). NY, Medico-Legal Journal Press, 1922. 13. * Count August von Platen, _Sonnets to Cardenio_; _Sonnets to Karl T. German_ in “The Sonnets of ... von Platen”. Boston, Badger, 1923. 14. ** Aelius Lampridius, _Antoninus Elagabalus_ (Bio) in “Scriptores Historiae Augustae” v. II, Loeb Library #140. NY, Putnam’s, 1924. 15. ** Thomas Mann, _Death in Venice_ (SN). NY, Knopf, 1925 in “Stories of Three Decades”. Many reprints incl. Pocket Library #32. 16. ** André Gide, _The Counterfeiters_. NY, Knopf, 1927 & 1951. Also in Modern Library (OP) #51. (OTP-a?) 17. *** Marcel Proust, _Cities of the Plain_. NY, Boni, 1927. Various reprints incl. Modern Library #220. (See also OTP 1932). 18. ** Robert McAlmon, _Distinguished Air_ (SS) in “Americana Esoterica”. NY, Macy-Masius, 1927. 19. * Louis Richard Thoma, _Elagabalus_ (D:1 Act) in “Americana Esoterica”. NY, Macy-Masius, 1927. 20. * Stefan Zweig, _Episode in the Early Life of Privy Counsellor D_ (SN) in “Conflicts: Three Tales”. NY, Viking, 1927 (See Cory, 1953). Stories of Saikaku, Ibara (SS) 21a _The Love For His Dead Friend’s Sake._ b * _Love Vowed to The Dead._ 22a _The Final Reward For His Long Cherished Love._ b *** _At Last Rewarded For His Constancy._ 23a ** _A True Friendship After A Feud._ 24a _A Buddhist Priest’s Letter To His Friend in Kyoto About His Coming Love Affair._ 24b * _Letter From A Buddhist Priest Telling His Friend That His Lover Comes To Him._ 25a ** _All The Friends Died By Hara-kiri._ b _All Comrade-Lovers Die By Harakiri._ 26a _He Followed After His Lover, After He Has Killed Him In Tortures._ b ** _He Followed His Friend Into The Other World, After Torturing Him To Death._ 27a _He Died To Save His Lover._ b ** _He Died To Save His Lover._ 28a _A Young Lad’s Soul Follows His Lover In Travel._ b *** _The Soul Of A Young Man Smitten With Love Follows His Lover On A Journey._ 29a _A Sad Love Affair Between Two Enemies._ b ** _The Tragic Love Of Two Enemies._ 30b * _They Loved Each Other Even To Extreme Old Age._ 31b *** _A Samurai Becomes A Beggar Through His Love For A Page._ 32b * _An Actor Loved His Patron, Even As A Flint Seller._ 33b *** _He Rids Himself Of His Foes With The Help Of His Lover._ 34b ** _Love Long Concealed._ (PC) The nine “a” stories as “Quaint Stories of Samurais” selected, translated and privately published (500 copies) by Ken Sato, Paris, 1928. The thirteen “b” stories translated from Sato’s larger French edition into much better English as “Comrade Loves of the Samurai” in E. Powys Mathers’ anthology “Eastern Love” v. II (3 vol. edition) NY, Liveright, 1930 or v. VII (12 vol. edition), London, Rodker, 1930. Pb. “Eastern Love”, Crest D199 contains 26b, 28b & 30b (Condensation) 35. * Jacques Leclercq, _The Case of Aristide de Saint-Hemme_ (SS) in “Show Cases”. NY, Macy-Masius, 1928. 36. ** Naomi Mitchison, _Take Back Your Bay Wreath_ (SS). 37. ** Naomi Mitchison, _O Lucky Thessaly_ (SS) in “Black Sparta: Greek Stories”. NY, Harcourt Brace, 1928. (TBYBW reprinted in Cory, see 1953; see also OTP, 1928). 38. ** André Birabeau, _Revelation_. NY, Viking, 1930. Eekhoud, _A Strange Love_. 1930 (see 1909) 39. ** André Gide, _The Immoralist_. NY, Knopf, 1930 & 1948. Vintage K8. 40. * Abel Hermant, _The Last and The First Love_. NY, Macaulay, 1930. 41. ** Tiffany Thayer, _Peter Androphilos_ (quasi-SS) in “Thirteen Men”. NY, Kendall, 1930. Reprints by Grosset & Dunlap, Old Wine et al. 42. ** Blair Niles, _Strange Brother_. NY, Liveright, 1931; Harris, 1949. Pb reprint: Avon #493. 43. *** André Tellier, _Twilight Men_. NY, Greenberg, 1931 & 1948. Pb reprints: Lion #24; Pyramid #262. 44. ** William Carlos Williams, _A Sailor’s Son_ (SS) in “The Knife of the Times”. Ithaca, N.Y., Dragon Press, 1932. Reprinted in “Make Light Of It”. NY, Random, 1950. 45. * Kay Boyle, _Gentlemen I Address You Privately_. NY, Smith & Haas, ’33. 46. *** Richard Meeker, _The Better Angel_. NY, Greenberg, 1933. LPb reprint: as “Torment”. Universal #13, c. 195- 47. *** Robert Scully, _A Scarlet Pansy_. NY, Faro, 1933; Nesor, 1937. Reprinted (and completely rewritten with improved vocabulary and style) by “Royal”, n.p., n.d (Baltimore, Ottenheimer), c. 1940s/50s 48. ** Parker Tyler & Charles Henry Ford, _The Young and Evil_. Paris, Obelisk Press, 1933. PC. 49. * Rex Stout, _Forest Fire_. NY, Farrar & Rinehart, 1933. Reprint by Grosset & Dunlap. (OTP-c?) 50. * Kathleen Coyle, _Undue Fulfillment_. NY, Morrow, 1934. 51. *** James T. Farrell, _Just Boys_ (SS) 52. * James T. Farrell, _A Casual Incident_ (SS) in “Calico Shoes”, NY, Vanguard, 1934. Reprinted in Farrell Short Story Omnibus editions by Sun Dial & by Halcyon. (_A Casual Incident_ reprinted in Cory ’53) 53. *** Lew Levenson, _Butterfly Man_. NY, Macaulay, 1934. 54. *** Reginald Underwood, _Bachelor’s Hall_. London, Fortune, 1934 (& 195-?) 55. *** Jerry Cole, _Secrets of a Society Doctor_. (NY, Greenberg, 1935?) LPb reprint Intimate Novels #5, c. 195-. (OTP-a?) Lord Alfred Douglas, _Lyrics_. 1935. See 1896. 56. * André Gide, _If It Die_ (autobio). NY, Random, 1935. MLP #34, 1957. 57. * Stephen Spender, _The Burning Cactus_ (SS) in “The Burning Cactus”. NY, Random, 1936. (Reprint by Cory, 1953). (See also OTP, 1936). 58. *** Reginald Underwood, _Flame of Freedom_. London, Fortune, 1936 (& ’5-?). 59. * Ernest Hemingway, _A Simple Enquiry_ (SS) 60. * Ernest Hemingway, _Mother of a Queen_ (SS) in “The Fifth Column & the First Forty-Nine Stories”. NY, Scribner’s, 1938. Reprinted in Modern Library Giant (OP) G59, 1942. 61. *** James Stern, _Travellers’ Tears_ (SS) in “Something Wrong”. London, Secker & Warburg, 1938. Reprinted in “The Man Who Was Loved”. NY, Harcourt Brace, 1951. 62. ** Leslie and Sewell Stokes, _Oscar Wilde_ (D). NY, Random, 1938. 63. * Noël Coward, _Nature Study_ (SS) in “To Step Aside”. NY, Doubleday, 1939. Reprint by Sun Dial. Pb reprint: Dell D80. (See OTP, 1939) 64. ** Georges Portal, _The Tunic of Nessus_. Paris, Astra, 1939. PC. 65. * Federico Garcia-Lorca, _Ode to Walt Whitman_ (P) in “The Poet in New York”. NY, Norton, 1940. New translation: NY, Grove, 1955. 66. *** Harlan McIntosh, _This Finer Shadow_. NY, Dial, 1941; “Lorac” ’40s/50s 67. ** Charles Jackson, _The Fall of Valor_. NY, Rinehart, 1946. Signet #715 68. * Janet Schane, _The Dazzling Crystal_. NY, Reynal & Hitchcock, 1946. 69. *** John Horne Burns, _Momma_ (SS) in “The Gallery”. NY, Harper, 1947. Pb reprint: Bantam A807. (Reprinted by Cory, 1953). 70. ** Stuart Engstrand, _The Sling and the Arrow_. NY, Creative Age, 1947. Reprint by Sun Dial. Pb reprint: Signet #786 (revised & abridged). 71. ** Henry Thomas Hopkinson, _Mist in the Tagus_. Boston, Little, 1947. 72. ** Mark Schorer, _Long in Populous City Pent_ (SS) in “The State of Mind”. Boston, Houghton Mifflin, 1947. (Reprint by Cory, 1953) 73. ** Hubert Creekmore, _The Welcome_. NY, Appleton-Century-Crofts, 1948. 74. *** Gore Vidal, _The City and the Pillar_. NY, Dutton, 1948. Reprint by Grosset & Dunlap. Pb: Signet #713 & 1218 (2 varying revisions). 75. ** Tennessee Williams, _One Arm_ (SS) 76. ** Tennessee Williams, _The Angel in the Alcove_ (SS) 77. ** Tennessee Williams, _The Night of the Iguana_ (SS) in “One Arm”. Norfolk, Conn., New Directions, 1948 (1500 copies) & 1955. 78. ** Isabel Bolton, _The Christmas Tree_. NY, Scribner’s, 1949. 79. *** Michael De Forrest, _The Gay Year_. NY, Woodford Press, 1949. 80. *** Jean Genet, _Our Lady of the Flowers_. Paris, Morihien, 1949 and (PC) Olympia, 1955. Bowdlerized reprint as “Gutter in the Sky”, Philadelphia, Levy, 1955. 81. ** Stanley Kauffmann, _Fulvous Yellow_ (SS) in “Story: The Fiction of The Forties” ed. by Whit & Hallie Burnett. NY, Dutton, 1949. (Reprinted by Cory, 1953.) 82. *** Nial Kent, _The Divided Path_. NY, Greenberg, 1949. Pyramid #AT32. (Revised) 83. ** Ward Thomas, _Stranger in the Land_. Boston, Houghton Mifflin, 1949. 84. *** James Barr, _Quatrefoil_. NY, Greenberg, 1950. Reprint by Vision Press, London, 1953 & 1957. 85. ** Paul Bowles, _Pages from Cold Point_ (SS) in “The Delicate Prey”. NY, Random, 1950. Signet #919 & 1296. (Reprint by Cory, 1953). (See also OTP, 1950). 86. ** Harrison Dowd, _Night Air_. NY, Dial, 1950. Avon AT52. 87. ** Richard Himmel, _Soul of Passion_. NY, Star #?, 1950 (LPb). As _Strange Desires_: NY, Croydon #4 (’52) & 22 (’54). 88. ** Charles Jackson, _Palm Sunday_ (SS) in “The Sunnier Side”. NY, Farrar, Straus & Young, 1950. Dell #504. (Reprint by Cory, 1953) 89. *** Roger Peyrefitte, _Special Friendships_. NY, Vanguard, 1950. 90. ** Thomas Hal Phillips, _The Bitterweed Path_. NY, Rinehart, 1950. Pb reprints: Avon T83 & 273. (OTP-c?) 91. *** Loren Wahl, _The Invisible Glass_. NY, Greenberg, 1950. Pb reprints: As “If This Be Sin” Avon #380 (revised & abridged); As “Take Me As I Am” Berkley #G57 (very minor revisions) William Carlos Williams, _A Sailor’s Son_ (SS), 1950. See 1932. 92. *** James Barr, _The Bottom of the Cloud_ (SS) 93. ** James Barr, _The Good Kid_. (SS) 94. *** James Barr, _First You Take A Live Goat_ (SS) 95. ** James Barr, _Hanging Fire_ (SS) 96. ** James Barr, _Success Story_ (SS) 97. ** James Barr, _Spur Piece_ (SS) 98. ** James Barr, _Tryout_ (SS) in “Derricks”. NY, Greenberg, 1951. Reprinted: NY, Pan, 1957. 99. ** Paul Goodman, _Parents’ Day_. Saugatuck, Conn., 5 x 8 Press, 1951. 100. *** Ralph Leveridge, _Walk on the Water_. NY, Farrar Straus, 1951. Pb reprints: Signet #940. As “The Last Combat,” Pyramid #G349. 101. ** Fritz Peters, _Finistère_. NY, Farrar Straus, 1951. Signet #930. James Stern, _Travellers’ Tears_ (SS), 1951. See 1938. 102. ** Grace Z. Stone (Ethel Vance), _The Grotto_. NY, Harper, 1951. 103. ** Walter Baxter, _Look Down in Mercy_. NY, Putnam’s, 1952. Pb Reprint: Popular G121. (In contrast to “happy” ending of American edition, earlier British edition has “tragic” ending; Br. Pb Reprint in Viking WS502). 104. *** Constantine P. Cavafy, _At The Cafe Entrance_; _Representation_; _One Night In The Street_; _Grey_; _The Tobacco Shop Window_; _To Pleasure_; _The Next Table_; _To Remain_; _Their Beginning_; _He Came To Read_; _Silversmith_; _In The Dreary Village_; _The 25th Year of His Life_ and other Poems in “The Poetry of C. P. Cavafy”. NY, Grove, 1952. 105. * Robert Liddell, _The Unreal City_. London, Cape, 1952. (OTP-a?) 106. *** Jay Little, _Maybe Tomorrow_. NY, Pageant, 1952. 107. ** Arch Alfred McKillen, _Foxhole_; _Fragment_; _When He and I Met_ and other poems in “Death of the Scharnhorst and other poems”. NY, Vantage, 1952. 108. ** Douglas Sanderson, _Dark Passions Subdue_. NY, Dodd Mead, 1952. Pb reprint: Avon AT67. 109. * Dyson Taylor, _Bitter Love_. NY, Pyramid G60, 1952; G278, 1957. 110. * _Denton Welch Journals_, ed. by Jocelyn Brooke (Autobio). London, Hamish Hamilton, 1952. 111. ** Angus Wilson, _Hemlock and After_. NY, Viking, 1952. (OTP-a?) Br. Pb Reprint: Penguin #1086. 112. *** Donald Webster Cory (ed.), _21 Variations on a Theme_ including *** Wilson Lehr, _No Competition_ (SS). NY, Greenberg, 1953. (The other 20 stories cited separately or not relevant). 113. *** John Cromwell, _A Grain of Sand_. London, Owen, 1953. 114. * Mary Heathcott, _Neil’s Girl_ (SS) in “Story No. 4” ed. by Whit & Hallie Burnett. NY, Wyn, 1953. (OTP-c/e?) 115. ** Mary McLaren, _The Twisted Heart_. NY, Exposition Press, 1953. 116. ** Wilma M. Prezzi, _Dark Desires_. NY, Padell, 1953. 117. *** Mary Renault, _The Charioteer_. London, Longmans Green, 1953. 118. * Andrew Rosenthal, _Third Person_ (D) in “Plays of the Year v. 7”. London, Elek, 1953. (OTP-a?) 119. * Theodore Sturgeon, _World Well Lost_ (SS) in “E Pluribus Unicorn”. NY, Abelard-Schumann, 1953. Pb reprint: Ballantine #179. 120. * Robert Anderson, _Tea and Sympathy_ (D). NY, Random, 1954. Pb reprint: Signet #1343. (OTP-c/f?) 121. ** Edith de Born, _The Imperfect Marriage_. London, Chapman & Hall, ’54. 122. * Dean Douglas, _Man Divided_. NY, Fawcett Gold Medal #407, 1954. (? OTP-c/f) 123. ** Jean Evans, _Martin Beardson_ (quasi-SN) in “Three Men”. NY, Knopf, 1954. 124. *** Rodney Garland (Adam de Hegedus), _The Heart in Exile_. NY, Coward-McCann, 1954. Pb reprint: Lion #76. 125. ** Jean Genet, _Thief’s Journal_. Paris, Olympia, 1954. 126. ** Ruth and Augustus Goetz, _The Immoralist_ (D). NY, Dramatists’ Play Service, 1954. (See also original Gide, 1930). 127. * Harold Levitt, _One Foot To The Sea_ (D). NY, Burdge, 1954. (OTP-c?) 128. ** Robert Lowry, _The Victim_ (SS) in “Happy New Year, Kamerades”. Garden City, Doubleday, 1954. Pb reprint: As “This Is My Night” (book title), Popular #676. 129. *** Gordon Merrick, _Demon of Noon_. NY, Messner, 1954. Pb reprint: As “Lovers in Torment”, Popular #703. (OTP-a?) 130. ** Vin Packer, _Whisper His Sin_. NY, Fawcett Gold Medal #426, 1954. 131. *** Tennessee Williams, _Two On A Party_ (SS) 132. ** Tennessee Williams, _Hard Candy_ (SS) 133. ** Tennessee Williams, _The Mysteries of the Joy Rio_ (SS) in “Hard Candy”. Norfolk Conn., New Directions, 1954. (See OTP, 1954). 134. ** Margaret Yourcenar, _Hadrian’s Memoirs_. NY, Farrar Straus, 1954. (OTP-a?) Reprint (PC): Anchor #108. 135. *** James Barr, _Game of Fools_ (D). Los Angeles, One Inc., 1955. 136. *** Lonnie Coleman, _The Theban Warriors_ (SS) in “Ship’s Company”. Boston, Little, Brown, 1955. Dell D185. 137. * Rupert Croft-Cooke, _The Verdict of You All_ (Autobio). London, Secker & Warburg, 1955. 138. ** John Furnell, _The Stringed Lute, An Evocation in Dialogue of Oscar Wilde_ (D), London, Rider, 1955. 139. *** Audrey Erskine Lindop, _The Outer Ring_. NY, Appleton-Century-Crofts, 1955. (Original British title: _Details of Jeremy Stretton_.) Pb reprint: As “The Tormented”, Popular G160. 140. *** Peter Wildeblood, _Against the Law_ (Autobio). London, Weidenfeld and Nicolson, 1955. Br. Pb Reprint: British Penguin #1188. 141. *** James Baldwin, _Giovanni’s Room_. NY, Dial, 1956. Signet #1559. 142. * Frank Cauldwell, _The Firewalkers_. London, Murray, 1956. (OTP-a?) 143. *** Israel Gerber, _Man on a Pendulum_ (Autobio). NY, American, 1956. 144. *** Jay Little, _Somewhere Between The Two_. NY, Pageant Press, 1956. 145. * Joseph de Pelissero, _Road of No Regrets_. NY, Greenwich, 1956. 146. ** Mary Renault, _The Last of the Wine_. NY, Pantheon, 1956. (OTP-a?) 147. ** Gerald Tesch, _Never the Same Again_. NY, Putnam’s, 1956. Pb reprint: Pyramid G342 (Revised). 148. *** Gore Vidal, _Three Stratagems_ (SS) 149. *** Gore Vidal, _The Zenner Trophy_ (SS) 150. *** Gore Vidal, _Pages from an Abandoned Journal_ (SS) in “A Thirsty Evil”. NY, Zero Press, 1956. Pb reprint: Signet S1535. 151. *** Peter Wildeblood, _A Way of Life_ (Autobiography). London, Weidenfeld & Nicolson, ’56. 152. ** Margaret Campbell Barnes, _Isabel the Fair_. Philadelphia, Smith, 1957. (OTP-a?) 153. *** Helen P. Branson, _Gay Bar_ (Memoirs). San Francisco, Pan Graphic, 1957. 154. *** Martyn Goff, _The Plaster Fabric_. London, Putnam’s, 1957. 155. * Julien Green, _The Transgressor_. NY, Pantheon, 1957. 156. ** Saikaku Ibara, _Gengobei the Mountain of Love_ (SS) in “Five Women Who Loved Love”. Tokyo, Tuttle, 1957. (see also 1928). 157. ** Sir Compton Mackenzie, _Thin Ice_. NY, Putnam’s, 1957. 158. *** Milton Rebow, _Oh Dear_. NY, Key, 1957. 159. * David Stacton, _Remember Me_. London, Faber & Faber, 1957 (OTP-c?). 160. *** Anonymous (=Michael Nelson=), _A Room in Chelsea Square_. London, Cape, 1958. 161. *** Jean Cocteau, _The White Paper_. Paris, Olympia. NY, Macaulay, ’58. 162. ** Lennox Cook, _No Language But A Cry_. London, Hamish Hamilton, 1958. 163. ** Roger Gellert, _Quaint Honor_ (D). London, Secker & Warburg, 1958. 164. ** Eve Linkletter, _The Gay Ones_. PbO: Fresno Calif., Fabian Z124, 1958. 165. ** Kenneth Martin, _Aubade_. NY, Citadel, 1958. 166. *** Yukio Mishima, _Confessions of a Mask_. NY, New Directions, 1958. 167. ** Iris Murdoch, _The Bell_. NY, Viking, 1958. (OTP-a?) 168. * Dennis Murphy, _The Sergeant_. NY, Viking, 1958. (OTP-c/f?) 169. ** James Ramsey Ullman, _The Day On Fire_. Cleveland, World, 1958. (OTP-a?) Oscar Wilde?, _Teleny_. 1958. See 1893. _CLASSICS_ (c. 700 B.C.-1700) Note: All classics below are listed in their original historical order. c Homer, _The Iliad_. (P). Vs. translations & editions. c Pindar, _Odes_ (esp. _Ode to Theoxenos_). Vs. translations & editions. c Theognis, _Elegies to Kurnos_ (P) in “Elegy and Iambus”, Loeb Library #258 and other translations/editions. b Aristophanes, _Thesmophoriazusae_ (D) * d/e Aristophanes, _The Birds_; _The Clouds_; _The Frogs_; _The Knights_; _Lysistrata_; _Ecclesiazusae_. (all D). Vs. translations & editions including “Eleven Comedies of Aristophanes”, NY, Liveright, 1930 et seq. (Black and Gold Library). c Theocritus, _Idylls_ (P) (esp. 5, 7, 12, 13, 23, 29, 30). Loeb Lib. #28 et al. b) Caius V. Catullus, _Carmina_ (P) (esp. 15, 16, 21, 24, 25, 29, 33, c) 48, 56, 57, 80, 81, 99, 100, 106, 112). Vs. translations & d) editions with variant degrees of expurgation & bowdlerization. e) Translation by Sir Richard Burton & Leonard C. Smithers, ** published in several subscribers’editions London and New York, offers most complete edition. a Albius Tibullus, _Elegies_ (P) (esp. 4, 8, 9). Loeb Library #6 * et al. c Publius Vergil(ius), _Eclogues_ (esp. 2: Corydon). (P). Vs. editions. a Caius Petronius, _Satyricon_. Vs. translations, best by Oscar *** Wilde or Firebaugh in various editions. c Publius P. Statius, _The Tresses of Flavius Earinus_ in “Silvae”. (P) Loeb Library #206, et al. a/e Marcus V. Martial(is), _Epigrams_. Various translations & ** editions, complete only in Loeb Library #94 & 95 (with Latin & Italian fluency or dictionary required for some incompletely translated epigrams). d/e Lucian, _Dialogues_ (esp. Dialogues of the Gods; Dialogues of the Courtesans). Vs. translations and editions. d Lucian, _True History_. (SN). Vs. translations including Loeb Library #14. d Lucius Apuleius, _The Golden Ass_. Vs. translations & editions. d _Greek Anthology_ (P). Vs. translations & editions. (see also P, 1918; the _Musa Puerilis_ does not contain quite all relevant verses). d Longus, _Daphnis and Chloe_. (SN). Vs. editions including Anchor A21 (PC) b Xenophon of Ephesus, _An Ephesian Tale_. (SN). Anchor A21 (PC) ** et al. c Christopher Marlowe, _Edward II_ (D). London, c. 1592. d Christopher Marlowe, _Dido_ (D) a/c Richard Barnfield, _The Affectionate Shepherd_ (P). London, 1594. a/c Richard Barnfield, _Sonnets_ (esp. 4, 8, 19). London, 1595. ** Vs. scarce reprints including Grossart (ed.), London, 1876; English Scholar’s Library, London, 1882; Fortune Press, London, 1936. Also, small portion in _Ioläus_ (see OTP, 1902). c William Shakespeare, _Sonnets_ (esp. 18, 20, 104, 108). London, * 1609. c William Shakespeare, _Troilus and Cressida_ (d). a John Wilmot, Earl of Rochester, _Sodom_ (D). “Antwerp”, 1684. *** Reprinted in Kryptadia v. IX, Paris, 1905 & Heilbronn, 1912; Paris, Olympia, ’57 (PC) a John Wilmot, Earl of Rochester, _Poems on Several Occasions_. “Antwerp”, 1684. Reprinted by Princeton University Press, Princeton, 1950. b Sir John Vanbrugh, _The Relapse_ (D). London, 1696. Many editions. * _OTP_ _18th/19th Centuries_ b Tobias G. Smollett, _The Adventures of Roderick Random_. London, * 1748. Vs. reprints including Everyman #790. b John Cleland, _Memoirs of Fanny Hill_. London, 1749. Vs. European * reprints including Paris, Obelisk, 1950 & Olympia, 1955. c Johann C. F. von Schiller, _Don Carlos_ (D). London, 1795. Vs. reprints. f Théophile Gautier, _Mlle. de Maupin_. Vs. translations and editions. Pb reprint: Pyramid G161. c Alfred Lord Tennyson, _In Memoriam_ (P) (esp. 13, 18, 19, 127, 128). London, 1850. Many reprints (many incomplete). c Walt. Whitman, _The Leaves of Grass_ (P) (esp. _Calamus_ section). * NY, 1856. Innumerable reprints incl. Pb reprint: Mentor MS117. c Michaelangelo Buonarotti, _Sonnets_. Translated by John Addington Symonds. London, 1878. Vs. reprints. c George Taylor (Adolf Hausrath), _Antinous: A Romance of Ancient Rome_. NY, Gottsberger, 1882. (Reprinted 1884 under author’s real name). c Adolf von Willbrandt, _Fridolin’s Mystical Marriage_. NY, Gottsberger, 1884. (Primary?) c Christopher Carr (Arthur C. Benson), _Memoirs of Arthur Hamilton_. London, 1886. Subsequently reprinted under author’s real name in London and NY, Kennerly, 1907. c Edward Irenaeus Stevenson, _White Cockades_. NY, Scribner’s, 1887. c John Addington Symonds, _The Key of Blue_ (P). London, c.1887. Sir Richard Burton, _The Book of the Thousand Nights and a Night_. London, 1885-1888, 17 vols. Various reprints. Esp. relevant: d 1) Noureddin Ali of Cairo and his son Bedreddin Hassan. I, 195 (N20/4) d 2) Kemerezzeman and Budour. v. III, 300-6 (N216) d 3) Ali Shar and Zummurud. IV, 226 (N326) b 4) Abu Nowas and the Three Boys. V, 64 (N382). (Reprint Cory, 1953 P) d 5) Man’s Dispute with the Learned Woman. V, 154-6 c Hall Caine, _The Deemster_. London, 1888, Many reprints. a Count Donatien A. F. de Sade, _Justine_ (translation of 2-vol, ** 1791 edition). Paris, Lisieux, 1889. New edition: Paris, Olympia, 1954 (PC). Abridged & expurgated edition by Julian Press, Newark, 1931 (& n.p., c. 1935) with PC reprint c.1955, NY? (labelled “Paris, Collection Ballet des Muses”). (The 4-volume 1796 edition has apparently never been translated). c Edward Irenaeus Stevenson, _Left To Themselves_. NY, Hunt and Eaton; Cincinnatti, Cranston & Stowe, 1891. c Howard O. Sturgis, _Tim_. London & NY, Macmillan, 1891. c Robert S. Hichens, _The Green Carnation_. NY, Kennerly, 1894. Reprints by Appleton, NY, 1895 and by Argus, Chicago, 1929. c Lord Alfred Douglas, _When The King Comes He Is Welcome_ (Poetic D)., in “Poems”. Paris, Mercure de France, 1896. Reprinted in “Lyrics”, London, Rich and Cowan, 1935. (See also Primary, 1896) c Henry B. Fuller, _At St. Judas’_ (1-Act Poetic Drama) in “Puppet * Show” NY, Century, 1896. c Ashley W. Clarke, _Jaspar Tristram_. London, Heinemann, 1899. _1901-1924_ c Frederick Baron Corvo (Frederick Rolfe), _In His Own Image_. London and NY, Lane, 1901. Reprinted London, Lane, 1924; NY, Knopf, 1925. NB: Of the 30 Toto stories (SS) herein complete, 7 were previously published (1898) by Lane in “Stories Toto Told Me” and 6 in The Yellow Book. c Oscar Wilde, _Portrait of Mr. W. H._ (SS). Portland, Maine, Mosher, * 1901. Reprinted in several Collected Works editions. c Edward Carpenter, _Towards Democracy_ (P). London, Swan Sonnenschein, 1883-1902. Vs. reprints including Kennerly, NY, 1922. (“Who Shall Command the Heart” section corresponds to Whitman’s “Calamus” part.) c Edward Carpenter, _Ioläus: An Anthology of Friendship_ (P et al.). ** London, Allen & Unwin, 1902. Vs. reprints including Boston, Goodspeed, 1902 and NY, Boni, 1935. c Frederick Rolfe, _Hadrian VIIth_. London, Chatto & Windus, 1902 & 1925. NY, Knopf 1928 et seq. c Paul Bourget, _A Love Crime_. NY, Société des Beaux-Arts, 1905. Pb Reprint: Ace D16 c Frederick Rolfe, _Don Tarquinio_. London, Chatto & Windus, 1905, 1929 and 1957. NY, Knopf, 1924. c Forrest Reid, _The Garden God_. London, Nutt, 1906. c H. A. Vachell, _The Hill--A Romance of Friendship_. NY, Dodd Mead, 1906. c Romain Rolland, _Jean-Christophe in Paris_. NY, Holt, 1911. Reprint in Modern Library G38. Pb condensation (complete Christophe): PB631. c Edward I. Stevenson, _Weed and Flowers_ (SS) and _Aquae Multae Non_ (SS) in “Her Enemy, Some Friends and Other Personages: Stories and Studies Mostly of Human Hearts”. Florence, Obsner, 1913 (Ltd.; 250 copies). c D. H. Lawrence, _The Rainbow_. NY, Huebsch, 1916. Vs. reprints incl. Pb reprints: Avon 1028 & G2028. c D. H. Lawrence, _The Prussian Officer_ (SS). NY, Huebsch, 1917. Vs. reprints incl. Cory, P1953. f Sherwood Anderson, _Hands_ (SS) in “Winesburg, Ohio”. NY, Huebsch, 1919. Reprint by Cory (P, 1953) and Pb: Signet 585 & 1304. d Henry B. Fuller, _Bertram Cope’s Year_. Chicago, Alderbrink, 1919. d Alec Waugh, _The Loom of Youth_. NY, Doran, 1920. * d Joris Karl Huysmans, _Against the Grain_. NY, Lieber & Lewis, 1922; * Boni, 1924. Modern Library (OP) #30; MLP #23 (PC). c D. H. Lawrence, _Women in Love_. NY, Seltzer, 1922. Pb: Avon #1021. d D. H. Lawrence, _Aaron’s Rod_. NY, Seltzer, 1922. Pb: Avon #1025. f Sherwood Anderson, _The Man Who Became A Woman_ (SS) in “Horses and Men”. NY, Huebsch, 1923. In “Portable Anderson”. NY, Viking, 1949. c Hermann Hesse, _Demian_. NY, Boni & Liveright, 1923. NY, Holt, 1948. d Arnold Lunn, _Scrap of Paper_ (SS) in “Georgian Stories”, 1922. * NY, Putnam’s, 1923. d Carl van Vechten, _Blind Bow Boy_. NY, Knopf, 1923. d Joris K. Huysmans, _La Bas_. NY, Boni, 1924 and University, 1958. Pb reprint: “Paris” (NY?), “Le Ballet des Muses” (PC). _1925-1931_ b Cyril Hume, _Cruel Fellowship_. NY, Doran, 1925. * d Panait Istrati, _Kyra Kyralina_. NY, Knopf, 1926. b E. E. Cummings, _Him_ (P). NY, Liveright, 1927. * d Charlotte Haldane, _Man’s World_. NY, Doran, 1927. c Rosamund Lehmann, _Dusty Answer_. NY, Holt, 1927; Reynal & Hitchcock, n.d. a Compton Mackenzie, _Vestal Fire_. NY, Doran, 1927. ** d Lord Stites (Donald Fairchild), _Intimate Acrobatics_. NY, * MacBride, ’27. e Glenway Westcott, _The Grandmothers_. NY, Harper’s, 1927. Bantam #69. a Mary Butts, _Armed with Madness_. NY, Boni, 1928. * c Lester Cohen, _Oscar Wilde_ (D). NY, Boni, 1928. * d Compton Mackenzie, _Extraordinary Women_. NY, Macy-Masius, 1928. * b/c Ernest Milton, _To Kiss the Crocodile_. NY, Harper’s, 1928. ** a Naomi Mitchison, _Krypteia_ (SS) in “Black Sparta: Greek Stories”. * NY, Harcourt Brace, 1928. (See also Primary, 1928). a Charles Brackett, _American Colony_. NY, Boni & Liveright, 1929. * d Hermann Hesse, _Steppenwolf_. NY, Holt, 1929 & 1947. NY, Ungar, 1957. c Jean Cocteau, _Les Enfantes Terribles_. Tr. by Samuel Putnam, NY, * Brewer & Warren, 1930. New translation by Rosamund Lehmann: NY, New Directions, 1957. a James Hanley, _Prisoner Before Death_ (SS). London, privately * printed, ’30. c/d Carl Van Vechten, _Parties_. NY, Knopf, 1930. c/d Keith Winter, _Other Man’s Saucer_. NY, Doubleday, 1930. d Arnold Zweig, _Claudia_. NY, Viking, 1930. c E. F. Benson, _The Inheritor_. NY, Doubleday, 1931. d Clemence Dane, _Broome Stages_. NY, Doubleday, 1931. * c George Davis, _The Opening of a Door_. NY, Harper’s, 1931. * a Robert Graves, _And Still It Goes On_ (D) in “And Still It Goes On” ** (Miscellany of Graves’ works). NY, Cape and Smith, 1931. a Naomi Mitchison, _The Corn King and the Spring Queen_. NY, ** Harcourt Brace, 1931. (London, Cape, 1930s, 1940s, 1950s, continuous reprints). c Forrest Reid, _Uncle Stephen_, London, Faber, 1931. Reprinted as part of trilogy “Tom Barber” by Pantheon, NY, 1955. Count D. A. F. de Sade, _Justine_. 1931. See 1889. _1932-1936_ a Mary Butts, _The Death of Felicity Taverner_. London, Wighart, * 1932. a Myron Brinig, _This Man is my Brother_. NY, Farrar & Rinehart, * 1932. e Carroll & Garrett Graham, _Kings Back to Back_. NY, Vanguard, 1932. d James Hanley, _Boy_. NY, Knopf, 1932. c Hermann Hesse, _Death and the Lover_. NY, Dodd, 1932. Reprinted * as “Goldmund” by Owen and by Vision (jointly), London, 1959. a Wyndham Lewis, _The Apes of God_. NY, McBride, 1932. Reprinted in * de luxe, signed, limited (1000 copies) edition by Arco, London, 1955. d J. B. Priestley, _Dangerous Corner_ (D). NY, French, 1932. Mod. * Lib. G16. a Marcel Proust, _Remembrance of Things Past_. NY, Boni, 1922-32. ** Vs. reprints incl. Modern Library. See also Primary, 1927. c Patrick Carleton, _Desirable Young Men_. NY, Dutton, 1933. d William March, _Company K_. NY, Smith & Haas, 1933. Pb reprint: Lion #111. c Mordaunt Shairp, _Green Bay Tree_ (D). London, Allen & Unwin, * 1933. Reprinted in Modern Library G16. b E. F. Benson, _Raven’s Brood_. NY, Doubleday, 1934. * a Edgar Calmer, _Beyond the Street_. NY, Harcourt Brace, 1934. ** d L. E. Celine, _Journey to the End of Night_. Boston, Little Brown, ’34. Pb reprint: Avon G1014. b F. Scott Fitzgerald, _Tender is the Night_. NY, Scribner’s, 1934. * Pb reprint: Bantam A867. d Carroll Graham, _Border Town_. NY, Vanguard, 1934. Pb reprint: Dell 625. c Frederick Rolfe Baron Corvo, _The Desire and Pursuit of the * Whole_. London, Cassell, 1934. Reprinted by New Directions, NY, 1953. e John Peale Bishop, _Act of Darkness_. NY, Scribner’s, 1935. b Robert Briffault, _Europa_. NY, Scribner’s, 1935. Abrgd. Pb: Avon * 272. (see 1937OTP for sequel). Lord Alfred Douglas, _When the King Comes He Is Welcome_ (Poetic D) in “Lyrics”. 1935. See OTP 1896. d Frederic Prokosch, _The Asiatics_. NY, Harper, 1935. Pb: ASE 764. d Cyril Connolly, _Rock Pool_. NY, Scribner’s, 1936. Reprint in * “New Directions Classics” by New Directions, NY, 1949. c John Evans, _Shadows Flying_. NY, Knopf, 1936. (Primary?) * Pb reprint as “Love in the Shadows”, Avon T104. a Aldous Huxley, _Eyeless in Gaza_. NY, Harper, 1936. Bantam F1233 & * F1622. c Stephen Spender, _By the Lake_ (SS) in “The Burning Cactus”. NY, Random, 1936. See also Primary, 1936. d Olaf Stapledon, _Odd John_. NY, Dutton, 1936. Viking Science Fiction Portable, c. 1954. c/d Keith Winter, _Impassioned Pygmies_. NY, Doubleday, 1936. * _1937-1941_ b Djuna Barnes, _Nightwood_. NY, Harcourt Brace, 1937. Reprinted by New Directions in “New Classics” series, NY, c. 1950. d Robert Briffault, _Europa in Limbo_. NY, Scribner’s, 1937. (See 1935). a/f James M. Cain, _Serenade_. NY, Scribner’s, 1937. (Primary?) ** Pb reprints: Signet 621; Signet 1153; Penguin 1153. a Noel Langley, _So Unlike the English_. NY, Morrow, 1937. ** (Previous, original British title: “There’s a Porpoise Close Behind Us”). b Eugene O’Brien, _He Swung and He Missed_. NY, Reynal & Hitchcock, ** 1937. Pb reprint: Avon 508. d Frederic Prokosch, _Seven Who Fled_. NY, Harper, 1937. d Esmond Quinterley, _Ismay Somer_. “Paris” (London), Fortune, 1937. ** c Reginald Underwood, _Hidden Lights_ (Fictionalized Autobio). London, Fortune, ’37. a Elliot Paul, _Concert Pitch_. NY, Random, 1938. (Primary?) ** d Philip Barry, _Here Come the Clowns_ (D). NY, Coward-McCann, 1939. d Raymond Chandler, _The Big Sleep_. NY, Knopf, 1939. Pb: PB 696 & * 2696. d Noël Coward, _What Mad Pursuit_ (SS) in “To Step Aside”. NY, Doubleday 1939. Reprint by Sun Dial. Pb reprint: Dell D80. (See Primary, 1939). d Arthur Koestler, _The Gladiators_. NY, MacMillan, 1939. Pb: Graphic G213. d Roger Martin du Gard, _The Thibaults_. NY, Viking, 1939. d Frederic Prokosch, _Night of the Poor_. NY, Harper, 1939. c Mary Renault, _Promise of Love_. NY, Morrow, 1939. Pb: Dell 298. * (original British title: _Purposes of Love_. Br. Pb: Ace H180) b Henry Bellaman, _Kings Row_. NY, Simon & Schuster, 1940. Pb: PB C2. * d Robert Henriques, _No Arms No Armour_. NY, Farrar-Rinehart, 1940. e Rayner Heppenstall, _The Blaze of Noon_. Chicago, Alliance, 1940. Pb reprint: Berkley G27. f Eugene O’Brien, _One-Way Ticket_. NY, Doubleday, 1940. Pb: Pennant P50. c&f Benjamin Subercaseaux, _The Salt Sea_ (SS) in “From West to East”. * NY, Putnam’s, 1940. Pb reprint in “Spanish Stories”, Pocket Library 40. c&d Gerald Brown, _Murder on Beacon Hill_. NY, Phoenix, 1941. c Marcus Goodrich, _Delilah_. NY, Rinehart, 1941. Pb: AFE T3; Bantam * A1088. c Carson McCullers, _Reflections in a Golden Eye_. Boston, Houghton * Mifflin, 1941. Reprinted in McCullers Omnibus “The Ballad of the Sad Cafe” by Houghton Mifflin, Boston, 1951. Pb reprint: Bantam A1156. d Frederic Prokosch, _The Skies of Europe_. NY, Harper, 1941. _1942-1946_ a Fitzroy Davis, _Quicksilver_. NY, Harcourt Brace, 1942. *** d Paul Goodman, _The Grand Piano_. San Francisco, Colt, 1942. a Evelyn Waugh, _Put Out More Flags_. Boston, Little Brown, 1942. ** British Pb reprint: Br. Penguin 423. d Matthew Head (John E. Canaday), _The Smell of Money_. NY, Simon & Schuster, 1943. Pb reprint: Dell 219. e Frederic Prokosch, _The Conspirators_. NY, Harper, 1943. d Carlton Brown, _Brainstorm_. NY, Farrar & Rinehart, 1944. a Rose Franken, _Outrageous Fortune_ (D). NY, French, 1944. * c Charles Jackson, _The Lost Weekend_. NY, Farrar & Rinehart, 1944. ** Pb reprint: Signet 683; Berkley G1. a Kenneth Millar, _The Dark Tunnel_. NY, Dodd Mead, 1944. Pb: Lion ** 48. Pb reprint as “I Die Slowly”, Lion LL52. b Richard Brooks, _The Brick Foxhole_. NY, Harper, 1945. Reprint by * Sun Dial. c Christopher Isherwood, _Prater Violet_. NY, Random, 1945. MLP19 (PC). c William Maxwell, _The Folded Leaf_. NY, Harper, 1945. (Primary?) ** Reprints: Cleveland, World Forum books; NY, Book-Find Club together with “The Dark Legend” by Dr. Frederick Wertham; Vintage R78 (PC). b Frederic Prokosch, _Age of Thunder_. NY, Harper, 1945. a Evelyn Waugh, _Brideshead Revisited_. Boston, Little Brown, 1945. ** Pb reprints: Dell D151; Dell 163. c&d Helen Eustis, _The Horizontal Man_. NY, Harper, 1946. Pb: PB 557. e Paul Goodman, _The State of Nature_. NY, Vanguard, 1946. a Alfred Hayes, _All Thy Conquests_. NY, Crown, 1946; Howell Soskin * ’46. Pb reprints: Lion 40; Lion LL68; Pyramid G365. a Adam de Hegedus (later “Rodney Garland”), _Rehearsal under the ** Moon_. London, Nicolson and Watson, 1946. c&d Christopher Isherwood, _The Memorial_. NY, New Directions, 1946. a Christopher Isherwood, _The Berlin Stories_. NY, New Directions, ** 1946. Pb reprints: “Goodbye to Berlin” portion in Signet 937 & Signet S1252; “The Last of Mr. Norris” portion: Avon 448; Berkley G153. See Cory (Primary, 1953) for “On Ruegen Island” (chapter as SS). d Hansford Martin, _Send Them Summer_. NY, Harcourt Brace, 1946. Pb: Avon 88. AT e Carson McCullers, _The Member of the Wedding_. Boston, Houghton Mifflin, 1946. Reprinted in “Ballad of the Sade Cafe” Omnibus, 1951. b Frederic Prokosch, _The Idols of the Cave_. NY, Doubleday, 1946. ** c Gladys Schmitt, _David the King_. NY, Dial, 1946. ** c Denton Welch, _In Youth is Pleasure_. NY, Fischer, 1946. c Denton Welch, _When I was Thirteen_ (SS) in “Horizon Stories” ed. * by Cyril Connolly. NY, Vanguard, 1946. Reprinted by Cory (Primary, ’53). _1947-1948_ d Vance Bourjaily, _The End of my Life_. NY, Scribner’s, 1947. * Pb reprint: Bantam 1047. a Richard Erickson, _Confessional_ (SS) in “Cross-Section 1947”. NY, ** Simon and Schuster, 1947. (Primary?) a William Douglas _Now Barrabas_ (D). London, Longmans Green, 1947. * c&d John Kelly, _All Souls’ Night_. NY, Harcourt Brace, 1947. d Willard Motley, _Knock on Any Door_. NY, Appleton-Century, 1947. * Pb reprints: Signet D802; Signet S1576. a Jean-Paul Sartre, _The Age of Reason_. NY, Knopf, 1947. * a Jean-Paul Sartre, _The Reprieve_. NY, Knopf, 1947. * (See OTP, 1951 for third of this trilogy). b Gore Vidal, _In A Yellow Wood_. NY, Dutton, 1947. * e Tennessee Williams, _A Streetcar Named Desire_ (D). NY, New * Directions 1947. Pb reprint: Signet: 917. a Calder Willingham, _End as a Man_. NY, Vanguard, 1947. ** Pb reprints: Avon AT445 and Signet D1386. Abridged in Avon 240. c&d Truman Capote, _Other Voices, Other Rooms_. NY, Random, 1948. * (Primary?) Pb reprint: Signet 700. PC reprint: MLP14. a Charles Gorham, _The Future Mr. Dolan_. NY, Dial, 1948. ** Pb reprints: Signet 752 (abridged); Pyramid G197 (abridged) a Charles Gorham, _The Gilded Hearse_. NY, Creative Age, 1948. * Pb reprints: Signet 714; as “Make Me an Offer”, Berkley G199. c Norman Mailer, _The Naked and the Dead_. NY, Rinehart, 1948. Pb reprints: Signet D837; Signet T1549. d Frederic Prokosch, _Storm and Echo_. NY, Doubleday, 1948. a Jean-Paul Sartre, _The Childhood of a Leader_ (SS) in “The Wall”. ** NY, New Directions, 1948 (Limited Edition) and reprinted by New Directions as “Intimacy” c. 1955. Pb reprints (as “Intimacy”): Avon AT69; Berkley G30; Berkley G105. c&d Betty Smith, _Tomorrow Will Be Better_. NY, Rinehart, 1948. * Pb reprint: Dell D104. ac&d A. M. P. Stratton, _Lord Love Us_. NY, Scribner’s, 1948. * d Jon Edgar Webb, _Four Steps to the Wall_. NY, Dial, 1948. * Pb reprint: Bantam 1179. c Denton Welch, _The Barn_ (SS) in “Brave and Cruel”. London, Hamish * Hamilton, 1948. _1949-1950_ f Marie Baumer, _The Seeker and the Sought_. NY, Scribner’s, 1949. a Stuart Benton (George Sylvester Viereck), _All Things Human_. NY, ** Sheridan, 1949. Reprinted by Sheridan under Viereck’s own name ’55. a Marc Brandel, _The Barriers Between_. NY, Dial, 1949. ** b John Horne Burns, _Lucifer with a Book_. NY, Harper, 1949. ** e André Gide, _Theseus_. NY, New Directions, 1949 (Limited Edition). Reprinted in “Two Legends”, NY, Knopf, 1955. c John Kelly, _Alexander’s Feast_. NY, Harcourt Brace, 1949. c/d Robin Maugham, _Line on Ginger_. NY, Harcourt Brace, 1949. Pb: * Avon 333. a Nancy Mitford, _Love in a Cold Climate_. NY, Random, 1949. ** Br. Pb. reprint: Br. Penguin 984. a Fritz Peters, _The World Next Door_. NY, Farrar, Straus, 1949. *** (Primary?) Pb reprint: Signet 813 (drastically revised and abridged). d Gore Vidal, _The Season of Comfort_. NY, Dutton, 1949. * e John F. Bardin, _The Burning Glass_. NY, Dutton, 1950. d Paul Bowles, _The Delicate Prey_ (SS) in “The Delicate Prey”. NY, * Random, 1950. Pb: Signet 919 & 1296. See also Primary, 1950. c&f Frederick Buechner, _A Long Day’s Dying_. NY, Knopf, 1950. c&f A. J. Cronin, _The Spanish Gardener_. Boston, Little Brown, 1950. * Pb reprint: Bantam A1719. d Diana Gaines, _Tasker Martin_. NY, Random, 1950. Pb: Bantam 880. b Paul Goodman, _The Dead of Spring_. Glen Gardner, NJ, Libertarian, * ’50. b William Goyen, _The House of Breath_. NY, Random House, 1950. ** d Theodora Keogh, _The Double Door_. NY, Creative Age, 1950. * Pb reprint: Signet 958. b Speed Lamkin, _Tiger in the Garden_. Boston, Houghton Mifflin, ** 1950. Pb reprint: Signet 845. a Eugene McCown, _The Siege of Innocence_. NY, Doubleday, 1950. *** (Primary?) b&f Alberto Moravia, _Agostino_ (SN) in “Two Adolescents”. NY, Farrar * Straus, 1950. Pb reprint: Signet 960; Signet 1372. a Edward Ronns, _The State Department Murders_. PbO: Fawcett Gold ** Medal #?, 1950; reprinted 1957 as #634. a Angus Wilson, _Et Dona Ferentes_ (SS) in “The Wrong Set”. NY, * Morrow, 1950. _1951_ c Chandler Brossard, _Who Walk in Darkness_. NY, New Directions, 1951. Pb reprint: Signet 974. b John Cornish, _The Provincials_. NY, Sloane, 1951. ** b Julien Green, _Moira_. NY, MacMillan, 1951. * Pb reprint: Signet 998. b James Jones, _From Here to Eternity_. NY, Scribner’s, 1951. * Pb reprint: Signet T1075. a Norah Lofts, _The Lute Player_. NY, Doubleday, 1951. (Primary?) *** Pb reprint: Bantam A1137. b J. D. Salinger, _The Catcher in the Rye_. Boston, Little, Brown, * 1951. Pb reprint: Signet 1001. a Jean-Paul Sartre, _The Troubled Sleep_. NY, Knopf, 1951. ** (see OTP, 1947 for previous two works of this trilogy). d Thurston Scott, _Cure It With Honey_. NY, Harper, 1951. Pb reprint: as “I’ll Get Mine”, Popular 452 and Popular G287. b John Sherwood, _Mr. Blessington’s Imperialist Plot_. NY, Doubleday, ’51. a George Sklar, _Promising Young Men_. NY, Crown, 1951. ** Pb reprint: Signet 924. a Russell Thacher, _The Captain_. NY, MacMillan, 1951. ** Pb reprint: Pocket Book 883. c Denton Welch, _A Fragment of a Life Story_ (SS) c Denton Welch, _A Party_ (SS) c Denton Welch, _A Picture in the Snow_ (SS) c Denton Welch, _A Novel Fragment_ (SS) (all) in “A Last Sheaf”. London, Lehmann, 1951. a Calder Willingham, _Reach to the Stars_. NY, Vanguard, 1951. * Pb reprint: Signet 987 (abridged). d Angus Wilson, _Such Darling Dodos_ (SS) in “Such Darling Dodos”. NY, Morrow, 1951. _1952_ d Paul Bowles, _Let It Come Down_. NY, Random, 1952. Pb reprint: Signet 1002. a John Horne Burns, _A Cry of Children_. NY, Harper, 1952. ** Pb reprints: Bantam 1147; Popular G194. b Albert Cossery, _The Lazy Ones_. NY, New Directions, 1952. * a Lester Dent, _Cry at Dusk_. PbO: Fawcett Gold Medal #247, 1952. ** c Jack Dunphy, _Friends and Vague Lovers_. NY, Farrar Straus, 1952. c&d Ernest Frost, _The Lighted Cities_. NY, Harcourt Brace, 1952. c André Gide, _Saul_ (D) in “My Theater”. NY, Knopf, 1952. * b Harry Grey, _The Hoods_. NY, Crown, 1952. Pb: Signet 999; Signet * D1575. c James N. Hall, _The Forgotten One_ (SS) in “The Forgotten One and * other stories”, Boston, Little, Brown, 1952. e Hermann Hesse, _Magister Ludi_. NY, Holt, 1952. a Chester Himes, _Cast the First Stone_. NY, Coward-McCann, 1952. *** bdf David Karp, _The Brotherhood of Velvet_. PbO: Lion 105, 1952. ** a Helen A. Mahler, _Empress of Byzantium_. NY, Coward-McCann, 1952. ** Pb reprint: Bantam 1157. b Curzio Malaparte, _The Skin_. Boston, Houghton Mifflin, 1952. ** Pb reprint: Signet 1098. b Alberto Moravia, _The Conformist_. NY, Farrar, Straus, 1952. * Pb reprint: Signet 1071. d Vasco Pratolini, _The Naked Streets_. NY, Wyn, 1952. * Pb reprint: Signet 1061. d Gladys Schmitt, _Confessors of the Name_. NY, Dial, 1952. Pb reprint: Signet D1068. b John Sherwood, _Ambush for Anatol_. NY, Doubleday, 1952. a Desmond Stewart, _Leopard in the Grass_. NY, Farrar Straus, 1952. ** Pb reprint: Signet 997. a Gore Vidal (as “Edgar Box”), _Death in the Fifth Position_. NY, *** Dutton, 1952. Pb reprints: Signet 1036; Signet 1475. a George Sylvester Viereck, _Men into Beasts_. PbO: Fawcett Gold *** Medal #260, 1952. Reprint as #552, 1956. b Hugh Wheeler, _The Crippled Muse_. NY, Rinehart, 1952. * _1953_ c Louis Auchincloss, _Gemlike Flame_ (SS) in PbO: Mentor New World Writing No, 3, MS85, 1953. Reprinted in “The Romantic Egoists” by Houghton Mifflin, Boston, 1954. a Vicki Baum, _The Mustard Seed_. NY, Dial, 1953. ** Pb reprint: Pyramid G328 (drastically abridged). d Saul Bellow, _The Adventures of Augie March_. NY, Viking, 1953. Pb reprint: Popular SP2. b Robert O. Bowen, _Bamboo_. NY, Knopf, 1953. ** Pb reprint: Signet 1201. b Chandler Brossard, _The Bold Saboteurs_. NY, Farrar, Straus, 1953. * Pb reprint: Dell D137. c Bryher, _The Players’ Boy_. NY, Pantheon, 1953. d José Suarez Carreno, _The Final Hours_. NY, Knopf, 1953. Pb reprint: Signet 1191. b Camilo José Cela, _The Hive_. NY, Farrar Straus, 1953. * Pb reprint: Signet 1157. a Martin Dibner, _The Deep Six_. NY, Doubleday, 1953. * Pb reprint: Permabook M4028. a Oakley M. Hall, _Corpus of Joe Bailey_. NY, Viking, 1953. ** Pb reprint: Permabook M4006. d Maude Hutchins, _My Hero_. NY, New Directions, 1953. * a Marcel Jouhandeau, _Marcel and Elise_. NY, Pantheon, 1953. * a Raffaele La Capria, _A Day of Impatience_. NY, Farrar, Straus, * 1953. Pb reprint: as “First Affair”, Signet 1223. b Noel Langley, _The Rift in the Lute_. NY, Coward-McCann, 1953. * Pb reprint: as “Innocent at Large”, Popular 565. b Richard McKaye, _Portrait of the Damned_. NY, Twayne, 1953. * Pb reprint: Signet 1110. d Ugo Moretti, _Rogue Wind_. NY, Prentice-Hall, 1953. Pb: Popular 585. d Roger Nimier, _The Blue Hussar_. NY, Messner, 1953. Pb: Signet 1273. a Goffredo Parise, _The Dead Boy and the Comets_. NY, Farrar, * Straus, ’53. b&c Jordan Park, _Half_. PbO: NY, Lion 135, 1953. b Frederic Prokosch, _Nine Days to Mukalla_. NY, Viking, 1953. * Pb reprint: Avon T90. Frederick Rolfe, _The Desire and Pursuit of the Whole_. 1953. (See 1934). b&f Gerald Sykes, _The Children of Light_. NY, Farrar, Straus, 1953. ** b Gore Vidal, _The Judgement of Paris_. NY, Dutton, 1953. *** a Paul Warren, _Next Time Is For Life_. PbO; NY, Dell FE6, 1953. ** b John Lee Weldon, _The Naked Heart_. NY, Farrar, Straus, ’53. Pb: * Signet 1126. d Tennessee Williams, _Camino Real_ (D). NY, New Directions, 1953. _1954_ b Walter Baxter, _The Image and the Search_. NY, Putnam’s, 1954. * b Leonard Bishop, _Creep into thy Narrow Bed_. NY, Dial, 1954. * Pb reprint: Pyramid G206 (abridged) b Taylor Caldwell, _Never Victorious Never Defeated_. NY, McGraw-Hill ’54. Pb reprint: Cardinal C202 (drastically abridged). a John Flagg, _Dear, Deadly Beloved_. PbO: NY, Fawcett Gold Medal * #391, 1954. c Jean Genet, _Deathwatch_ (D) in “The Maids and Deathwatch”, NY, Grove, 1954. Vs. Grove reprints including 1958(PC): Grove E44. b Christopher Isherwood, _The World in the Evening_. NY, Random, ** 1954. Pb reprint: Popular 710. d Nikos Kazantzakis, _The Greek Passion_. NY, Simon & Schuster, 1954. * d Speed Lamkin, _The Easter Egg Hunt_. Boston, Houghton Mifflin, 1954. Pb reprint: as “Fast and Loose”, Popular 663. d Ross MacRoss, _The Beautiful and Dead_. PbO: NY, Fawcett Gold Medal 386, 1954. b&c Roger Peyrefitte, _Diplomatic Diversions_. NY, Vanguard, 1954. *** c Alexander Randolph, _The Mail Boat_. NY, Holt, 1954. (Primary?) ** a Mordecai Richler, _The Acrobats_. NY, Putnam’s, 1954. ** Pb reprint: as “Wicked We Love”, Popular 677. c Anya Seton, _Katherine_. Boston, Houghton Mifflin, 1954. * Pb reprint: Cardinal GC752. e John Steinbeck, _Sweet Thursday_. NY, Viking, 1954. Pb reprint: Bantam A1412. c&d Desmond Stewart, _The Unsuitable Englishman_. NY, Farrar Straus, * ’54. Pb reprint: as “A Stranger in Eden”, Signet 1357. b Benjamin Subercaseaux, _Jemmy Button_. NY, MacMillan, 1954. * d Eugene Walter, _The Untidy Pilgrim_. Philadelphia, Lippincott, * 1954. c Tennessee Williams, _Three Players of a Summer Game_ (SS) and _The Resemblance between a Violin Case and a Coffin_ (SS) in “Hard Candy”. NY, New Directions, 1954. (See also Primary, 1954). _1955_ c Steve Allen, _Houston Incident_ (SS) in “Fourteen for Tonight”. NY, * Holt, 1955. Pb reprint: Dell D172. d Alfred Bester, _Who He?_ NY, Doubleday, 1955. * Pb reprint: as “The Rat Race”, Berkley G19. d Vance Bourjaily, _The Hound of Earth_. NY, Scribner’s, 1955. Perm 4052. c&d John Breon, _The Sorrows of Travel_. NY, Putnam’s, 1955. * d Clemence Dane, _The Flower Girls_. NY, Norton, 1955. b Angna Enters, _Among the Daughters_. NY, Coward-McCann, 1955. * b John Foster, _Dark Heritage_. PbO: Fawcett Gold Medal 486, 1955. * d&f William Gaddis, _The Recognitions_. NY, Harcourt Brace, 1955. * a Rodney Garland (Adam de Hegedus), _The Troubled Midnight_. NY, * Coward-McCann, 1955. Pb reprint: Lion 128. d Julien Green, _South_ (D) in “Plays of the Year v.12”. London, * Elek, ’55. a Mel Heimer, _The Girl in Murder Flat_. PbO: NY, Fawcett GM458, * 1955. c Patricia Highsmith, _The Talented Mr. Ripley_. NY, Coward-McCann, * 1955. a Margaret Mackay, _Four Fates_. NY, Day, 1955. * a Norman Mailer, _The Deer Park_. NY, Putnam’s, 1955. Pb: Signet ** D1375. a Robin Maugham, _Behind the Mirror_. NY, Harcourt Brace, 1955. ** Pb reprint: as “The Jungle of Love”, Avon 695. a Margaret Millar, _The Beast in View_. NY, Random, 1955. Pb: Bantam ** 1542. f Arthur Miller, _A View from the Bridge_ (D). NY, Viking, 1955. d Robert Musil, _The Confusions of Young Törless_. NY, Pantheon, * 1995. (PC) Noonday, 1958. a Malcolm Nesbit, _Chariot of Flesh_. Paris, Olympia, 1955. *** c Robert Payne, _The Roaring Boys_. NY, Doubleday, 1955. d&f Roger Peyrefitte, _Diplomatic Conclusions_. NY, Vanguard, 1955. d Frederic Prokosch, _A Tale for Midnight_. Boston, Little Brown, * 1955. Pb reprint: Popular G171. Forrest Reid, _Uncle Stephen_. 1955. See OTP, 1931. d Robert Ruark, _Something of Value_. NY, Doubleday, 1955. Pb: Cardinal 753. a Count D. A. F. de Sade, _120 Days of Sodom_. Paris, Olympia, 1955. *** a Michael Scarrott, _Ambassador of Loss_. London, Fortune, 1955. ** e Anthony West, _Heritage_. NY, Random, 1955. Pb reprint: PB C235. e&f Tennessee Williams, _Cat on a Hot Tin Roof_ (D). NY, New Directions, ’55. Pb reprint: Signet S1590. _1956_ c Thomas Anderson, _Your Own Beloved Sons_. NY, Random, 1956. Pb: Bantam 1570. d Nigel Balchin, _The Fall of the Sparrow_. NY, Rinehart, 1956. d Heinrich Böll, _The Train Was on Time_. NY, Criterion, 1956. a Harriet Daimler & Henry Crannach, _The Pleasure Thieves_. Paris, *** Olympia, 1956. (PC) a Maurice Druon, _The Iron King_. NY, Scribner’s, 1956. Pb reprint: Ace D302. d Constantine FitzGibbon, _The Fair Game_. NY, Norton, 1956. (Also PC). d Allen Ginsberg, _Howl_ (P) in “Howl and Other Poems”. San * Francisco, The City Lights Pocket Bookshop, Pocket Poet Series No. 4, 1956 (PC). d Caroline Gordon, _The Malefactors_. NY, Harcourt Brace, 1956. b Willi Heinrich, _The Cross of Iron_. Indianapolis, Bobbs-Merrill, * ’56. Pb reprint: Bantam 1599. c Lance Horner, _The Street of the Sun_. NY, Abelard, 1956. c Francis King, _The Dark Glasses_. NY, Pantheon, 1956. d Wolfgang Koeppen, _Death in Rome_. London, Weidenfeld & Nicolson, * 1956. d N. Martin Kramer, _The Hearth and the Strangeness_. NY, MacMillan, 1956. Pb reprint: Pyramid R236. c/d Meyer Levin, _Compulsion_. NY, Simon and Schuster, 1956. * Pb reprint: Cardinal GC756. d Richard Llewellyn, _Mr. Hamish Gleave_. NY, Doubleday, 1956. * b Pamela Moore, _Chocolates for Breakfast_. NY, Rinehart, 1956. * Pb reprint: Bantam A1630. b&c Kyle Onstott, _Mandingo_. Richmond, Denlinger’s, 1956. Pb: Crest ** T202. b Mary Orr, _Diamond in the Sky_. NY, Crown, 1956. ** Pb reprint: Permabook M4086. d Kenneth Roberts, _Boon Island_. NY, Doubleday, 1956. d William Rohde, _Give Me a Little Something_. PbO: Pyramid G226, * 1956. b Virginia Rowans (Patrick Dennis), _The Loving Couple_. NY, * Crowell, 1956. Pb reprint: Permabook M4077. d Carlo Scarfoglio, _The True Cross_. NY, Pantheon, 1956. d Maarten Schiemer, _The Cry of the Kite_. Indianapolis, Bobbs-Merrill, ’56. a John Taylor, _Shadows of Shame_. PbO: NY, Pyramid G189, 1956. ** c&d Frederic Wakeman, _De Luxe Tour_. NY, Rinehart, 1956. * Pb reprint: Cardinal C254. a Angus Wilson, _Anglo-Saxon Attitudes_. NY, Viking, 1956. ** a Maritta Wolff, _The Big Nickelodeon_. NY, Random, 1956. *** Pb reprint: Bantam AT721. _1957_ a Jim Barbee, _Young John_. NY, Pan, 1957. ** b&c Brigid Brophy, _The King of a Rainy Country_. NY, Knopf (PC), 1957. * d Hallie Burnett, _The Brain Pickers_. NY, Messner, 1957. Pb: Dell D237. Jean Cocteau, _The Holy Terrors_. 1957 (Lehmann translation). See 1930. c Lettice Cooper, _Three Lives_. London, Gollancz, 1957. b Henry Crannach, _Flesh and Bone_. Paris, Olympia, 1957. (PC) ** a Harriet Daimler, _Innocence_. Paris, Olympia, 1957. (PC) * a Patrick Dennis & Dorothy Erskine, _The Pink Hotel_. NY, Putnam’s, * 1957. Pb reprint: Crest S227. d Lawrence Durrell, _Justine_. NY, Dutton, 1957. b Gabriel Fielding, _In the Time of Greenbloom_. NY, Morrow, 1957. * d Arthur Foff, _North of Market_. NY, Harcourt Brace, 1957. a Anne Hocking, _The Simple Way of Poison_. NY, Washburn, 1957. ** f Storm Jameson, _A Cup of Tea for Mr. Thorgill_. NY, Harper, 1957. a Pamela Hansford Johnson, _The Sea and the Wedding_. NY, Harcourt * Brace, 1957. (Original British title: _The Last Resort_.) c Francis King, _The Man on the Rock_. NY, Pantheon, 1957. ** c C. H. B. Kitchin, _Ten Pollitt Place_. London, Secker & Warburg, * 1957. c David Stuart Leslie, _The Man on the Beach_. London, Hutchinson, * 1957. acf James Mitchell, _Here’s a Villain_. London, Davies, 1957. ** d Alexandra Orme, _Natalie_. NY, Simon & Schuster, 1957. c Bettina Postani, _Before the Cock Crows_. Boston, Little Brown, 1957. a James Purdy, _63: Dream Palace_. (SN) ** c James Purdy, _Man and Wife_. (SS) * in “Color of Darkness”. NY, New Directions, 1957. a Count D. A. F. de Sade, _The Bedroom Philosophers_. Paris, Olympia, *** 1957. (PC) b&f Gladys Schmitt, _A Small Fire_. NY, Dial, 1957. a Jill Stern, _Not in our Stars_. NY, McKay, 1957. ** Pb reprint: as “Nine Miles to Reno”, Signet S1570. a Christopher Teale, _Behind These Walls_. NY, Fell, 1957. *** d Frank Tuohy, _The Animal Game_. NY, Scribner’s, 1957. f Evelyn Waugh, _The Ordeal of Gilbert Pinfold_. Boston, Little Brown, ’57. d&f Angus Wilson, _A Bit Off the Map_ (SS) in “A Bit off the Map”. NY, Viking, 1957. c/d Marguerite Yourcenar, _Coup de Grace_. NY, Farrar Straus, 1957. * _1958_ d Vance Bourjaily, _The Violated_. NY, Dial, 1958. * b Tom Chetwynd, _Rushing Nowhere_. London, Blond, 1958. * a Jean-Paul Clebert, _The Blockhouse_. NY, Coward-McCann, 1958. ** d Bud Clifton, _Muscle Boy_. PbO: NY, Ace D330, 1958. d Carlo Coccioli, _Manuel the Mexican_. NY, Simon and Schuster, 1958. * c Charles Criswell, _Marty_ (SS) in “Nobody Knows What the Stork Will * Bring”. NY, McDowell, 1958. d Lawrence Durrell, _Balthazar_. NY, Dutton, 1958. d&f Pamela Frankau, _Ask Me No More_. NY, Harper, 1958. * d Robert Gutwillig, _After Long Silence_. Boston, Little Brown, 1958. * d Hans Habe, _The Devil’s Agent_. NY, Fell, 1958. * d Thomas Hinde, _Happy as Larry_. NY, Criterion, 1958. * a Herbert D. Kastle, _Koptic Court_. NY, Simon and Schuster, 1958. ** d Jack Kerouac, _The Subterraneans_. NY, Grove, 1958 (also PC). * Pb reprint: Avon T302. d Robert Kyle, _Blackmail Inc._ PbO: NY, Dell A155, 1958. * d Richard Llewellyn, _Chez Pavan_. NY, Doubleday, 1958. * a Howard Manisch, _By Their Fruits_. NY, Crown, 1958. * a John O’Hara, _From the Terrace_. NY, Random, 1958. * d&f Vin Packer, _5:45 to Suburbia_. PbO: Fawcett Gold Medal 371, NY, * 1958. b Jerry Pezzella, _Gateway to Tomorrow_. NY, Vantage, 1958. ** d Bentz Plagemann, _The Steel Cocoon_. NY, Viking, 1958. * d John Rechy, _Mardi Gras_ (SS) in PbO “Evergreen Review No. 5”, NY, * 1958. d Mary Renault, _The King Must Die_. NY, Pantheon, 1958. * c Fr. Rolfe, _Nicholas Crabbe or The One and the Many_. NY, New * Directions, 1958. d Irwin Rose, _Serpent in the Sky_. Westport, Associated Booksellers, * 1958. a Walter Ross, _The Immortal_. NY, Simon and Schuster, 1958. *** b Count D. A. F. de Sade, _Juliette_ vol. I. Paris, Olympia, 1958. * d Mario Soldati, _The Confession_. NY, Knopf, 1958. * d Terry Southern, _Flash and Filigree_. NY, Putnam’s, 1958. * c Bianca Van Orden, _Water Music_. NY, Harcourt Brace, 1958. a R. H. Ward, _The Wilderness_. London, Cassell, 1958. ** d John Wiles, _The Asphalt Playground_. London, Gollancz, 1958. ** e Tennessee Williams, _Suddenly Last Summer_ (D). NY, New Directions, ’58. b Herman Wouk, _Nature’s Way_ (D). NY, Doubleday, 1958. * _1959_ _1960_ SPECIAL INDEXES Note: Unless preceded by P, all references are OTP--20th Century years except _CL_ (to 1700) and _18/19_ (18th/19th Centuries). Where such a reference would point to any of several works, as with short stories, the work intended is denoted by a further number: Example: Barr P51-2 would indicate the second. “Derricks” SS. The word “homosexuality” or “homosexual” is implicit in each heading. I. _By National Locale (other than contemporary U.S. and Britain)._ Greece & environs Mycenæan: Homer, CL; Shakespeare, CL; Renault, 58. Classic: Aristophanes, CL (all); Apuleius, CL; Longus, CL; Lucian, CL; Mitchison, P28, 28, 31; Renault, P56; Strato, P18; Xenophon of Ephesus, CL. Byzantine: Mahler, 52. Turkish: Kazantzakis, 54. Modern: Cauldwell, P56; Cromwell, P53; King, 57; Peyrefitte, 54; Thayer, P30. Italy Classical: Catullus, CL; Cummings, 27; Martial, CL; Petronius, CL; Thoma, P27; Yourcenar, P54. Renaissance: Prokosch 55; Symonds (Michaelangelo), 18/19. Modern: Hayes, 46; Hemingway, P38-1; La Capria, 53; Malaparte, 52; Moravia, 50, 52; Moretti, 53; Parise, 53; Pratolini, 52. Capri: Flagg, 54; Mackenzie, 27, 28; Randolph, 54; Wheeler, 52. Moslem World Mediaeval: Burton, 18/19. Ottoman Turkish: Istrati, 26; Kazantzakis, 54. French-African: Bowles, 50, 52; Gide, P30, P35; Mackenzie, P57. Arabia: Prokosch, 53. Central Asia: Prokosch, 35. Iraq: Stewart, 52, 54. Egypt: Cossery, 52; Durrell, 57, 58; Schiemer, 56; Cavafy, P52. Lebanon: Liddell, P52. African Negros Ruark, 55; Prokosch, 48; Taylor, 56. Haiti Negros Goodwin, P53. Orient China: Langley, 53. Japan: Ibara, P28, P57; Mishima, P58. Siam: Cook, P58. Philippines: Bowen, 53. Europe Spain: Baxter, 54; Carreno, 53; Cela, 53; Richler, 54. Russia & Russians abroad: Briffault, 35, 37. Hungary & Hungarians abroad: Mayne, P08; Prezzi, P53. Germany & Austria: Isherwood, 46; McAlmon, P27; A Zweig, 30; S Zweig, P27. Germans abroad: Böll, 56; Coccioli, 58; Heinrich, 56; Hopkinson, P47; Koeppen, 56; Merrick, P54; Schiemer, 56; Richler, 54; Spender, P36. Belgium: Eekhoud, P09. France: 18th Cent.: Sade, 18/19, 55, 57, 58. 19th & Early 20th: Huysmans, 22, 24; Martin du Gard, 39; Proust, P27, 32; Ullman, P58. Modern (native): Birabeau, P30; Cocteau, P58; Genet, P49, P54; Gide, P27; Jouhandeau, 53; Leclercq, P28; Llewellyn, 58; McCown, 50; Nesbit, 55; Peters, P51; Portal, P39; Prokosch, 45; Sartre, 47, 48, 51. Modern (Anglo-Americans & other foreigners): Baldwin, P56; Boyle, P33; Brackett, 29; Connolly, 36; Garland, 55; McCown, 50; Merrick, P54; Stites, 27; Vidal, 53; Wakeman, 56. Britain (sp.) Mdvl: Barnes, P57; Druon, 56; Seton, 54. Elizabethan: Barnfield, CL; Shakespeare, CL. Restoration: Rochester, CL-1, 2; Vanbrugh, CL. 18th Century: Cleland, 18/19; Smollett, 18/19. 19th & early 20th C: Dale, P89; Fitzroy, P17; Furnell, P55; Hichens, 18/19; Stokes, P38; Subercaseaux, 54. Britons abroad: Durrell, 57, 58; Goff, P57; Mackenzie, P57; Maugham, 55; Lawrence, 22. America Brazil: Tuohy, 57. Mexico: Hemingway, P38-2; Coccioli, 58. Canada: Cornish, 51; Sanderson, P52. 19th & early 20th C. US: Green, 55; Lind, P19, P22; Scully, P33. II. _Special Locales_ Bars & Restaurants U.S.: Baum, 53; Branson, P57; Brossard, 53; Burns, 52; Gorham, 48-1; Little, P52, P56; Vidal, P48, 47, 52. British: Garland, P54; Lindop, P55; Underwood, P36; Goff, P57. Occupied Italy: Burns, P47; Wahl, P50. Paris: Baldwin, P56; Stites, 27. “Drags” & Parties U.S.: Hume, 25; Levenson, P34; Little, P52, P56; McIntosh, P41; Scully, P33; Tellier, P31; Tyler & Ford, P33; Vidal, P48; Kent, P49. Britain: Lindop, P55; Milton, 28; Renault, P53. France: Vidal, 53. (19th C.: Wilde?, P93/P58.) Theaters Rose, 58; Williams, P54-2, 3. Baths (Ancient & Modern) Martial, CL; Petronius, CL; Dennis, 56; Gorham, 48-1; Grey, 52; Vidal, 52. Prisons U.S.: Barr, P55; Daimler & Crannach, 56; Himes, 52; Linkletter, P58; Scott, 51; Teale, 57; Webb, 48; Viereck, 49, 52. Britain: Croft-Cooke, P55; Hanley, 30; Home, 47; Wildeblood, P55. France: Genet, P49. Hospitals & Asylums Bishop, 54; Brown, 44; Peters, 49. Schools--Secondary U.S.: Burns, 49; Calmer, 34; Goodman, P51; Little, P52; Vidal, P56-2. British: Dane, 31; Fielding, 57; Gellert, P58; Lunn, 22; Mitchell, 57; Murdoch, P58; Scarrott, 55; Stewart, 52; Waugh, 20; Wiles, 58. French: Bourget, 05; Martin du Gard, 39; Peters, P51; Peyrefitte, P50. Austrian: Musil, 55. Collegiate U.S.: Fuller, 19; Gerber, P56; Green, 51; Gutwillig, 58; Packer, P54; Willingham, 47. British: Waugh, 45; Winter, 36. III. _Professions & Special Occupations_ Kings & Emperors Barnes, P57; Druon, 56; Eekhoud, P09; Gide, 52; Lofts, 51; Mahler, 52; Mitchison, 31; Renault, 58; Schmitt, 46; Seton, 54; Stacton, P57; Thoma, P27; Yourcenar, P54; Lampridius, P24. Soldiers Crusaders: Lofts, 51; Scarfoglio, 56. British Army: Baxter, P52; Burns, P47; Henriques, 40 U.S. Army: Bourjaily, 47, 58; Burns, P47; Gerber, P56; March, 33 Malaparte, 52; McKillen, P52; Murphy, P58; Peters, 49; Rosenthal, P53; Wahl, P50; Leveridge, P51. French Army: Nimier, 53. German Army: Böll, 56; Clebert, 58; Heinrich, 56; Merrick, P54. Hungarian Army: Mayne, P08. Spanish Loyalist Army: Prokosch, 41. Italian Army: Hemingway, P38-1. Sailors incl. officers Barbee, 57; Bowen, 53; Coleman, P55; Dibner, 53; Cromwell, P53; Levitt, P54; Stern, P38. Spies/Secret Agents Habe, 58 (U.S.); Millar, 47 (German). Gangsters Barr, P50-2; Grey, 52; Himes, 52; Levenson, P34; McCown, 50; Teale, 57; Warren, 53. Doctors/Psychiatrists Barnes, 37; Garland, P54; Isherwood, 54; O’Hara, 58. Teachers Calmer, 34; Eustis, 46; Fielding, 57; Goodman, P51; Jackson, P46; Lindop, P55; Mitchell, 57; Murdoch, P58; Salinger, 51; Thomas, P49; Wiles, 58; Zweig, P27. Clergymen & Monks Crannach, 57; Douglas?, P07; Ibara, P28-4; McCown, 50; Peyrefitte, P50, 54. Diplomats Garland, 55; Llewellyn, 56; Mackenzie, P57; Peyrefitte, 54; Ronns, 50. Industrialists Levenson, P34; de Born, P54. IV. _Special Roles, Types, Situations and Relationships of Interest_ As Husband or Lover (of woman) (includes bisexual, confused etc.) After problems, presumed success: Anderson, P54; Cain, 37; De Forrest, P49; Douglas, P54; Himmel, P50; Hutchins, 53; Linkletter, P58; Moore, 56; Murphy, P58; Pelissero, P56; Phillips, P50; Prezzi, P53; Renault, P56, 39; Schane, P46; Taylor, P52; Williams, 55. After some success, failure: Anderson, P54; Baldwin, P56; de Born, P54; Dowd, P50; Engstrand, P47; Gide, P30; Goetz, P54; Hopkinson, P47; Jackson, P46; McLaren, P53; Priestley, 32; Randolph, 54; Smith, 48. Restive & bisexually active: Barnes, P57; Baxter, P52; Hayes, 46; Jouhandeau, 53; Lindop, P55; Rosenthal, P53; Ross, 58; Wilson, P52. Presumed failure from start: Briffault, 35, 37; Coward, P39; Dale, P89; Hall, 53; Head, 43; Murphy, P58; Mackay, 55; Millar, 55; Stern, 57; Wakeman, 56; Williams, 47. For convenience with Lesbian: Graves, 31; Heppenstall, 40; Scully, P33; Vidal, P48. For convenience with understanding woman: Bourjaily, 58; Creekmore, P48; Johnson, 57; Seton, 54 Happy “marriages” (all-male) Barr, P51-1; Cornish, 51; Gaddis, 55; Ibara, P28-10; Isherwood, 54; Kent, P49; McCown, 50. As friend of boyhood pal who’s hetero Creekmore, P48; Vidal, P48; Hall, 53; Mahler, 52 As friend of young manhood pal who’s hetero Bester, 55; Burns, 52; Cole, P35; Sklar, 51; Underwood, P36; Mayne, P08. As pal of nymphomaniac McCown, 50; Williams, P54-2 As seen by troubled mother Birabeau, P30; Bolton, P49; Coyle, P34; Dane, 31; Cook, P58; Dunphy, 52; Goodman, P51; Miller, 55; Peters, P51; Vance, P51. As seen by troubled father Bowles, P50; Caldwell, 54; Merrick, P54; Tellier, P31 As seen by troubled daughter Keogh, 50 Kept young men Chandler, 39; Dennis, 56; Enters, 55; Genet, P49; Kazantzakis, 54; Kent, P49; King, 57; Johnson, 57: Prezzi, P53; Shairp, 33; Wolff, 56. Male prostitutes Aristophanes, CL-4; Carreno, 53; Cela, 53; Cocteau, P58; Bowen, 53; Garland, 55; Genet, P49; Goff, P57; Goodman, 50; Goodwin, P53; Gorham, 48-1; Green, P57; Isherwood, 46-2; Keogh, 50; Lewis, 32; Mackenzie, P57; McCown, 50; Parise, 53; Pratolini, 52; Prokosch, 39; Portal, P39; Renault, P56; Rohde, 56; Wilson, P52, 50, 56; Gerber, P56; Vidal, P56-1; Kent, P49. With transvestite inclinations Barnes, 37; Engstrand, P47; Eustis, 46; Hume, 25; Ibara, P28-12; Kent, P49; Linkletter, P58; Langley, 53; Levenson, P34; Lind, P19, P22; Little, P52, P56; McCown, 50; Millar, 44; McIntosh, P41; Parise, 53; Scully, P33; Southern, 58; Stites, 27; Underwood, 37. With “miscegenatory” (with negros) inclinations Bowles, P50; Gerber, P56; Goodwin, P53; Taylor, 56; Onstott, 56. As Victim Of murder: Brooks, 45; Cain, 37; Chandler, 39; Farrell, P34-1; McIntosh, P41; Roberts, 56; Lind, P19, P22. Of lynching: Eekhoud, P09; Williams, 58. Of suicide: Barr, P51-4; Baxter, P52-Br.; Brinig, 32; Ibara, P28-5, 6, 7, 9; Levenson, P34; Mitchell, 57; Niles, P31; Peters, P51; Peyrefitte, P50; Tellier, P31; Underwood, P34; Vidal, P48. Of self-sacrifice to save lover: Scully, P33. Of rape or attempted rape: Barr, P51-1; Leveridge, P51; Lind, P19, P22; Little, P52; Musil, 55; Peters, 49; Subercaseaux, 40. V. _Index of Well-known or otherwise Noteworthy Authors_ Allen, Steve: 55 Anderson, Sherwood: 19, 23 Aristophanes: CL Barnfield, Richard: CL Barr, James: P50, P51, P55 Barry, Philip: 39 Baum, Vicki: 53 Benson, A. C. (“Carr”): 18/19 Benson, E. F.: 31, 34 Bolton, Isabel: P49 Bourjaily, Vance: 47, 55, 58 Bowles, Paul: P50, 50, 52 Boyle, Kay: P33 Briffault, Robert: 35, 37 Brinig, Myron: 32 Brooks, Richard: 45 Burns, John Horne: P47, 49, 52 Burton, Sir Richard (tr.): 18/19 (see also Catullus: CL) Cain, James M.: 37 Caldwell, Taylor: 54 Capote, Truman: 48 Carpenter, Edward: 02 Catullus, Caius V.: CL Chandler, Raymond: 39 Cocteau, Jean: P58, 30/57 Connolly, Cyril: 36 Corvo, Baron: See Rolfe Cory, Donald Webster: P53 Coward, Noël: P39, 39 Coyle, Kathleen: P34 Cummings, E. E.: 27 Dane, Clemence; 31, 55 De Born, Edith: P54 Dennis, Patrick: 56, 57 Douglas, Lord Alfred: P96, P35, 18/19, 35 Durrell, Lawrence: 57, 58 Eekhoud, Georges: P09 Farrell, James: P34 Fitzgerald, F. Scott: 34 Franken, Rose: 34 Garcia-Lorca, Federico: P40/P55 Garland, Rodney: P54, 46, 55 Genet, Jean: P49, P54, 54 Gide, André: P27, P30, P35, 49, 52 Goodman, Paul: P51, 42, 46, 50 Graves, Robert: 31 Green, Julien: P57, 51, 55 Hall, James Norman: 52 Hanley, James: 30, 32 Hemingway, Ernest: P38 Hesse, Hermann: 23, 29, 32, 52 Hichens, Robert S.: 18/19 Homer: CL Huxley, Aldous: 36 Huysmans, Joris K.: 22, 24 Ibara, Saikaku: P28, P57 Isherwood, Christopher: 45, 46, 54 Jackson, Charles: P46, P50, 44 Johnson, Pamela Hansford: 57 Karp, David: 52 Kerouac, Jack: 58 King, Francis: 56, 57 Koestler, Arthur: 39 Langley, Noel: 37, 53 Lawrence, D. H.: 16, 17, 22 Lewis, Wyndham: 32 Lindop, Audrey Erskine: P55 Little, Jay: P52, P56 Llewellyn, Richard: 56, 58 McCullers, Carson: 41, 46 Mackenzie, Compton: P57, 27, 28 Mailer, Norman; 48, 55 Mann, Thomas: P25 Marlowe, Christopher: CL Martial, Marcus: CL Maugham, Robin: 49, 55 Mayne, Xavier: See Stevenson Michaelangelo: 18/19 (see Symonds) Mishima, Yukio: P58 Mitchison, Naomi: P28, 28, 31 Moravia, Albert: 50, 52 Murdoch, Iris: P58 O’Hara, John: 58 Paul, Elliot: 38 Peters, Fritz: P51, 49 Petronius, Caius: CL Peyrefitte, Roger: P50, 54, 55 Platen, Count August von: P23 Priestley, J. B.: 32 Prokosch, Frederic: 35, 37, 39, 41, 43, 45, 46, 48, 53, 55 Proust, Marcel: P27, 32 Renault, Mary: P53, P56, 39, 58 Roberts, Kenneth: 56 Rochester, Earl of: CL Rolfe, Frederick: 01, 02, 05, 34, 53, 58 Ruark, Robert: 55 Sade, Count D. A. F. de: 89, 55, 57, 58 Sartre, Jean-Paul: 47, 48, 51 Schiller, Friedrich von: 18/19 Schmitt, Gladys: 46, 52, 57 Shakespeare, William: CL Smollett, Tobias G.: 18/19 Smith, Betty: 48 Spender, Stephen: P36, 36 Stern, James: P38/51 Stevenson, Edward I. P.: P08, 18/19, 13 Stout, Rex: P33 Symonds, John Addington: 18/19; (as translator): 18/19 Thayer, Tiffany: P30 Theocritus: CL Ullman, James Ramsay: P58 Vanbrugh, Sir John: CL Van Vechten, Carl: 23, 30 Vance, Ethel: P51 Vergil(ius), Publius: CL Vidal, Gore: P48, P56, 47, 49, 52, 53 Viereck, George Sylvester: 49, 52 Waugh, Alec: 20 Waugh, Evelyn: 42, 45, 57 Welch, Denton: P52, 46, 48, 51 Whitman, Walt: 18/19 Wilde, Oscar: P93?/P58?, P07?, 01 (as translator): See Petronius CL Wildeblood, Peter: P55, P56 Williams, Tennessee: P48, P54, 47, 53, 54, 55, 58 Williams, William Carlos: P32 Willingham, Calder: 47, 51 Wilson, Angus: P52, 50, 51, 56, 57 Zweig, Stefan: P27. A bibliographical listing of over 600 novels, poems, short stories, plays and biographies in the English language. Full publishing information is given on all titles, including reprints and paperbacks. VILLAGE PRESS 116 Christopher Street New York 14, N. Y. Transcriber’s Notes ‣ Underscored text surrounded by _underscores_ in text. Converted to italics in HTML and eBook versions. ‣ Struck through text marked with surrounding =equal signs=. ‣ Obvious typographic errors silently corrected. Terminal punctuation standardized with a period. ‣ Index punctuation standardized to a consistent style. Obvious typos in the cross references silently corrected. ‣ To avoid any ambiguity, repeated authors and ditto marks in the index replaced with the full text of what’s being repeated. ‣ Standardized the punctuation and indentation in the Index for uniformity. ‣ The index entries for "Goodwin, P53" don't correspond to an existing entry in the Primary bibliography but likely refer to John Goodwin, _The Idols and the Prey_, New York: Harper & Brothers, 1953. ‣ The index entry for "Home, 47" does not correspond to any listing in the OTP bibliography. *** END OF THE PROJECT GUTENBERG EBOOK THE HOMOSEXUAL IN LITERATURE *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. 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