The homosexual in literature

This bibliography provides a chronological listing of all known books in the English language, in the general field of fiction, concerned with male homosexuality, or having homosexual characters. It includes novels, short stories, short novels, poems, drama and fictionalized biography, plus a few other minor categories.

This bibliography does not include works not in the English language. It does not include works concerned with female homosexuals (except where incidentally also involved). It does not include medical or psychiatric works (e.g., Ellis, Kinsey et al.). It does not include philosophical studies (e.g., Plato’s, Gide’s Corydon et al.). It does not include magazine stories, unless subsequently published in “book” form, but the term “book” is taken to include various types of “paperbacks”. It does not include ordinary (unfictionalized) biography or autobiography except when in the “primary” category (see below).

Primary: Definition: Central character(s) clearly homosexual(s) and/or homosexuality is intrinsic part of central theme or network of plots.

The order is chronological by years, alphabetical by author’s surname within the same year, numbered consecutively. Short stories are given separate numbers (even if in the same book) but poems only one for the whole book. The date is U.S. publication date unless the work has not yet been published in the U.S. or has been published elsewhere more than 5 years before U.S. publication, but in the latter case there is usually an additional reference to cover U.S. publication. All citations are novels unless otherwise indicated (SS Short Stories; P Poetry D Drama; SN Short Novels, etc.)

In some cases, where use of one letter alone would give an inadequate impression, several are used in combination, e.g. c/d or b&c. All letter symbols are found on the OTP listings to the left of applicable work. The order follows that of the Primary, but without consecutive numbering.

It does not by any means follow that all works which by definition are “Primary” are necessarily more significant, even with respect to substantial homosexual content, than all OTP works. To provide some further guidance, references (to the left) include the follow asterisk notations, uniform to both Primary and OTP listings:

It must be emphasized that literary merit, or interesting material of [2]a non-homosexual nature, are not prime considerations in determining the asterisk rating, which refers only to homosexual content.

Reprints are cited wherever known, especially inexpensive paperbacks. In this connection, the following abbreviations are used:

Where the work has been revised or abridged in paperback reprint, this is indicated, the word “drastically” referring, when used, to expurgation or revision of the homosexual content.

This bibliography does not include any unchecked “hearsay” works. Insofar as it may fall short of completeness (through the end of 1958) it is only by mischance, and it is to be hoped that any works missed are in the less significant categories. The Second Edition is tentatively scheduled for March, 1961 and in the meantime, the publisher will be pleased to receive any suggestions for changes or additions for the next edition. It will be noted that with respect to new titles in 1959 and 1960, a half-page remains blank in the Primary section (at the end) and there is a whole page for 1959 and for 1960 which can be filled in by pencil or pen as new titles come to the reader’s attention.

While the intention has been to be as objective as possible, there is inevitably an element of personal opinion, both as regards the asterisk-rating and the distinction between Primary and OTP. As there are, frankly, a few dozen works which could be considered as falling into either the Primary or the OTP section on the basis of the definition used, these will be found to have at the end of the citation the notation “OTP-x?” when placed in the Primary section, and the notation “Primary?” when placed in the OTP section.

The chronological arrangement has been chosen in preference to one alphabetical for two reasons: 1) To provide a convenient picture of the increase of the number of works in historical perspective (which is, after all, a chronological one); 2) To make it simple to keep the bibliography up to date (an alphabetical listing would require revision as each new work is published). Readers wishing to find all the works of a well-known author included herein, will in most cases find the author listed in the Authors’ Index (p. 32); however, even when an author’s name is not found in this index, the reader will in most cases know at least the decade of publication, and from that point it will only require glancing at the appropriate alphabetical position on a few successive pages to locate the name and work.

In addition to the Authors’ Index, there are four other indexes at the end of this bibliography, ranging over national locales, special locales, professions and special occupations, and special topics, roles etc. The reader will find these indexes very useful, whatever his special interests may be. The abbreviations applicable to the Indexes are explained in a note at the beginning of the index section (p. 29).

The sources for this bibliography are of course many, but acknowledgments are due especially to the following: To Donald Webster Cory for his pioneer bibliography in Homosexual in America, continued for several years in his book service; to the Village Theater Center, which has been especially helpful for contemporary British works; to the Mattachine Society of New York which, in preparing the Mattachine bibliography (on a somewhat different basis), has acted as a clearing house for many contributors, especially P.M.

18th/19th Centuries

1901-1924

1925-1931

1932-1936

1937-1941

1942-1946

1947-1948

1949-1950

1951

1952

1953

1954

1955

1956

1957

1958

1959

1960

Note: Unless preceded by P, all references are OTP—20th Century years except CL (to 1700) and 18/19 (18th/19th Centuries). Where such a reference would point to any of several works, as with short stories, the work intended is denoted by a further number:

I. By National Locale (other than contemporary U.S. and Britain).

II. Special Locales

III. Professions & Special Occupations

IV. Special Roles, Types, Situations and Relationships of Interest

V. Index of Well-known or otherwise Noteworthy Authors

A bibliographical listing of over 600 novels, poems, short stories, plays and biographies in the English language. Full publishing information is given on all titles, including reprints and paperbacks.

Transcriber’s Notes

Obvious typographic errors silently corrected. Terminal punctuation standardized with a period.
Index punctuation standardized to a consistent style. Obvious typos in the cross references silently corrected.
To avoid any ambiguity, repeated authors and ditto marks in the index replaced with the full text of what’s being repeated.
Standardized the punctuation and indentation in the Index for uniformity.
The index entries for "Goodwin, P53" don't correspond to an existing entry in the Primary bibliography but likely refer to John Goodwin, The Idols and the Prey, New York: Harper & Brothers, 1953.
The index entry for "Home, 47" does not correspond to any listing in the OTP bibliography.

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a:	substantial, explicit dialogue or exposition involving major homosexual character(s).
b:	substantial dialogue or explicit exposition involving minor homosexual character(s).
c:	latent, veiled, repressed or implied homosexuality of a major character.
d:	brief, superficial references in dialogue or exposition, whether involving major or minor homosexual characters.
e:	third-person references (character not in book); latent, veiled homosexuality of minor character in work of a significant author.
f:	false suspicion or accusation, or self-suspicion.

***	Very substantial
**	Quite substantial, or something of especial interest
*	Not very substantial
(no asterisk)	Rather negligible

Pb:	Paperback of the conventional size (approximately 4.5 × 7"). Most names are written out (Avon, Signet, Bantam, Popular etc.). However, where space is limited: Perm is “Permabook”; PB Pocket Book; PL Pocket Library
Lpb/LPb	refers to odd-size cheap paperbacks, popular in the early 1950s, roughly 5.5 × 7.5", with flexible cover (e.g. Universal, Croydon)
PbO or LPbO	indicates work originally published in this format, with no prior “regular” edition. This is further indicated by publication date following serial number (not usually given for paperback reprints).
AFE/ASE	refers to a third type cheap paperback, used by Armed Forces.
PC (Paper Covers)	indicates “quality paperback” or paperback original by regular-book publisher in U.S. or Europe. In this group, MLP stands for Modern Library Paper.

1.	**	“George Gordon, Lord Byron” (George Colman, Jr.?), Don Leon (P) in “Don Leon & Don Leon to Annabella”. London, 1866. Reprint by Fortune Press, London, 1934.
2.	**	Alan Dale (Alfred J. Cohen), A Marriage Below Zero. NY, Dillingham, 1889. (PC).
3.	***	Camille des Grieux (Oscar Wilde? Lord Alfred Douglas?), Teleny or The Reverse of the Medal; A Physiological Romance of Today. “Cosmopoli” (Paris?), 1893. Reprint: Paris, Olympia, 1958.
4.	**	Lord Alfred Douglas, Two Loves; Hymn to Physical Beauty; Prince Charming; De Profundis; Sicilian Love-Song; St. Martin’s Summer; In Basildon Wood (P) in “Poems”. Paris, Mercure de France, 1896. Reprinted in “Lyrics”. London, Rich and Cowan, 1935. (See OTP).
5.	**	John Francis Bloxham (Lord Alfred Douglas?), The Priest and the Acolyte. London, Lotus, 1907. (Reprinted in Cory, 1953 with attribution to Oscar Wilde).
6.	*	John Moray Stuart-Young, Osrac, the Self-Sufficient, and other Poems in “An Urning’s Love; Being A Poetic Study of Morbidity”. London, Hermes, c. 1907
7.	***	Xavier Mayne (Edward I. Prime-Stevenson), Imre; A Memorandum. Naples, English Book-Press, 1908. (PC)
8.	***	Georges Eekhoud, Escal-Vigor. Brussels, Gutenberg Press, 1909. (PC) Reprinted as A Strange Love. NY, Panurge, 1930.
9.	***	A. T. Fitzroy, Despised and Rejected. London, Daniel, c. 1917.
10.	***	Strato, Meleager et al., Musa Puerilis (The Boyish Muse—258 ephebophilio poems and epigrams) in Greek Anthology v. IV, Loeb Library #85. NY, Putnam’s, 1918, 1926 & 1939 and Cambridge, Harvard University Press, 1948.
11.	***	Earl Lind/Ralph Werther, Autobiography of an Androgyne (autobio). NY, Medico-Legal Journal Press, 1919.
12.	***	Earl Lind/Ralph Werther, The Female Impersonators. (Autobio). NY, Medico-Legal Journal Press, 1922.
13.	*	Count August von Platen, Sonnets to Cardenio; Sonnets to Karl T. German in “The Sonnets of ... von Platen”. Boston, Badger, 1923.
14.	**	Aelius Lampridius, Antoninus Elagabalus (Bio) in “Scriptores Historiae Augustae” v. II, Loeb Library #140. NY, Putnam’s, 1924.
15.	**	Thomas Mann, Death in Venice (SN). NY, Knopf, 1925 in “Stories of Three Decades”. Many reprints incl. Pocket Library #32.
16.	**	André Gide, The Counterfeiters. NY, Knopf, 1927 & 1951. Also in Modern Library (OP) #51. (OTP-a?)
17.	***	Marcel Proust, Cities of the Plain. NY, Boni, 1927. Various reprints incl. Modern Library #220. (See also OTP 1932).
18.	**	Robert McAlmon, Distinguished Air (SS) in “Americana Esoterica”. NY, Macy-Masius, 1927.
19.	*	Louis Richard Thoma, Elagabalus (D:1 Act) in “Americana Esoterica”. NY, Macy-Masius, 1927.
20.	*	Stefan Zweig, Episode in the Early Life of Privy Counsellor D (SN) in “Conflicts: Three Tales”. NY, Viking, 1927 (See Cory, 1953).
		[4] Stories of Saikaku, Ibara (SS)
21a		The Love For His Dead Friend’s Sake.
b	*	Love Vowed to The Dead.
22a		The Final Reward For His Long Cherished Love.
b	***	At Last Rewarded For His Constancy.
23a	**	A True Friendship After A Feud.
24a		A Buddhist Priest’s Letter To His Friend in Kyoto About His Coming Love Affair.
24b	*	Letter From A Buddhist Priest Telling His Friend That His Lover Comes To Him.
25a	**	All The Friends Died By Hara-kiri.
b		All Comrade-Lovers Die By Harakiri.
26a		He Followed After His Lover, After He Has Killed Him In Tortures.
b	**	He Followed His Friend Into The Other World, After Torturing Him To Death.
27a		He Died To Save His Lover.
b	**	He Died To Save His Lover.
28a		A Young Lad’s Soul Follows His Lover In Travel.
b	***	The Soul Of A Young Man Smitten With Love Follows His Lover On A Journey.
29a		A Sad Love Affair Between Two Enemies.
b	**	The Tragic Love Of Two Enemies.
30b	*	They Loved Each Other Even To Extreme Old Age.
31b	***	A Samurai Becomes A Beggar Through His Love For A Page.
32b	*	An Actor Loved His Patron, Even As A Flint Seller.
33b	***	He Rids Himself Of His Foes With The Help Of His Lover.
34b	**	Love Long Concealed. (PC) The nine “a” stories as “Quaint Stories of Samurais” selected, translated and privately published (500 copies) by Ken Sato, Paris, 1928. The thirteen “b” stories translated from Sato’s larger French edition into much better English as “Comrade Loves of the Samurai” in E. Powys Mathers’ anthology “Eastern Love” v. II (3 vol. edition) NY, Liveright, 1930 or v. VII (12 vol. edition), London, Rodker, 1930. Pb. “Eastern Love”, Crest D199 contains 26b, 28b & 30b (Condensation)
35.	*	Jacques Leclercq, The Case of Aristide de Saint-Hemme (SS) in “Show Cases”. NY, Macy-Masius, 1928.
36.	**	Naomi Mitchison, Take Back Your Bay Wreath (SS).
37.	**	Naomi Mitchison, O Lucky Thessaly (SS) in “Black Sparta: Greek Stories”. NY, Harcourt Brace, 1928. (TBYBW reprinted in Cory, see 1953; see also OTP, 1928).
38.	**	André Birabeau, Revelation. NY, Viking, 1930.
		Eekhoud, A Strange Love. 1930 (see 1909)
39.	**	André Gide, The Immoralist. NY, Knopf, 1930 & 1948. Vintage K8.
40.	*	Abel Hermant, The Last and The First Love. NY, Macaulay, 1930.
41.	**	Tiffany Thayer, Peter Androphilos (quasi-SS) in “Thirteen Men”. NY, Kendall, 1930. Reprints by Grosset & Dunlap, Old Wine et al.
42.	**	Blair Niles, Strange Brother. NY, Liveright, 1931; Harris, 1949. Pb reprint: Avon #493.
43.	***	André Tellier, Twilight Men. NY, Greenberg, 1931 & 1948. Pb reprints: Lion #24; Pyramid #262.
44.	**	William Carlos Williams, A Sailor’s Son (SS) in “The Knife of the Times”. Ithaca, N.Y., Dragon Press, 1932. Reprinted in “Make Light Of It”. NY, Random, 1950.
45.	*	Kay Boyle, Gentlemen I Address You Privately. NY, Smith & Haas, ’33.
46.	***	[5] Richard Meeker, The Better Angel. NY, Greenberg, 1933. LPb reprint: as “Torment”. Universal #13, c. 195-
47.	***	Robert Scully, A Scarlet Pansy. NY, Faro, 1933; Nesor, 1937. Reprinted (and completely rewritten with improved vocabulary and style) by “Royal”, n.p., n.d (Baltimore, Ottenheimer), c. 1940s/50s
48.	**	Parker Tyler & Charles Henry Ford, The Young and Evil. Paris, Obelisk Press, 1933. PC.
49.	*	Rex Stout, Forest Fire. NY, Farrar & Rinehart, 1933. Reprint by Grosset & Dunlap. (OTP-c?)
50.	*	Kathleen Coyle, Undue Fulfillment. NY, Morrow, 1934.
51.	***	James T. Farrell, Just Boys (SS)
52.	*	James T. Farrell, A Casual Incident (SS) in “Calico Shoes”, NY, Vanguard, 1934. Reprinted in Farrell Short Story Omnibus editions by Sun Dial & by Halcyon. (A Casual Incident reprinted in Cory ’53)
53.	***	Lew Levenson, Butterfly Man. NY, Macaulay, 1934.
54.	***	Reginald Underwood, Bachelor’s Hall. London, Fortune, 1934 (& 195-?)
55.	***	Jerry Cole, Secrets of a Society Doctor. (NY, Greenberg, 1935?) LPb reprint Intimate Novels #5, c. 195-. (OTP-a?)
		Lord Alfred Douglas, Lyrics. 1935. See 1896.
56.	*	André Gide, If It Die (autobio). NY, Random, 1935. MLP #34, 1957.
57.	*	Stephen Spender, The Burning Cactus (SS) in “The Burning Cactus”. NY, Random, 1936. (Reprint by Cory, 1953). (See also OTP, 1936).
58.	***	Reginald Underwood, Flame of Freedom. London, Fortune, 1936 (& ’5-?).
59.	*	Ernest Hemingway, A Simple Enquiry (SS)
60.	*	Ernest Hemingway, Mother of a Queen (SS) in “The Fifth Column & the First Forty-Nine Stories”. NY, Scribner’s, 1938. Reprinted in Modern Library Giant (OP) G59, 1942.
61.	***	James Stern, Travellers’ Tears (SS) in “Something Wrong”. London, Secker & Warburg, 1938. Reprinted in “The Man Who Was Loved”. NY, Harcourt Brace, 1951.
62.	**	Leslie and Sewell Stokes, Oscar Wilde (D). NY, Random, 1938.
63.	*	Noël Coward, Nature Study (SS) in “To Step Aside”. NY, Doubleday, 1939. Reprint by Sun Dial. Pb reprint: Dell D80. (See OTP, 1939)
64.	**	Georges Portal, The Tunic of Nessus. Paris, Astra, 1939. PC.
65.	*	Federico Garcia-Lorca, Ode to Walt Whitman (P) in “The Poet in New York”. NY, Norton, 1940. New translation: NY, Grove, 1955.
66.	***	Harlan McIntosh, This Finer Shadow. NY, Dial, 1941; “Lorac” ’40s/50s
67.	**	Charles Jackson, The Fall of Valor. NY, Rinehart, 1946. Signet #715
68.	*	Janet Schane, The Dazzling Crystal. NY, Reynal & Hitchcock, 1946.
69.	***	John Horne Burns, Momma (SS) in “The Gallery”. NY, Harper, 1947. Pb reprint: Bantam A807. (Reprinted by Cory, 1953).
70.	**	Stuart Engstrand, The Sling and the Arrow. NY, Creative Age, 1947. Reprint by Sun Dial. Pb reprint: Signet #786 (revised & abridged).
71.	**	[6] Henry Thomas Hopkinson, Mist in the Tagus. Boston, Little, 1947.
72.	**	Mark Schorer, Long in Populous City Pent (SS) in “The State of Mind”. Boston, Houghton Mifflin, 1947. (Reprint by Cory, 1953)
73.	**	Hubert Creekmore, The Welcome. NY, Appleton-Century-Crofts, 1948.
74.	***	Gore Vidal, The City and the Pillar. NY, Dutton, 1948. Reprint by Grosset & Dunlap. Pb: Signet #713 & 1218 (2 varying revisions).
75.	**	Tennessee Williams, One Arm (SS)
76.	**	Tennessee Williams, The Angel in the Alcove (SS)
77.	**	Tennessee Williams, The Night of the Iguana (SS) in “One Arm”. Norfolk, Conn., New Directions, 1948 (1500 copies) & 1955.
78.	**	Isabel Bolton, The Christmas Tree. NY, Scribner’s, 1949.
79.	***	Michael De Forrest, The Gay Year. NY, Woodford Press, 1949.
80.	***	Jean Genet, Our Lady of the Flowers. Paris, Morihien, 1949 and (PC) Olympia, 1955. Bowdlerized reprint as “Gutter in the Sky”, Philadelphia, Levy, 1955.
81.	**	Stanley Kauffmann, Fulvous Yellow (SS) in “Story: The Fiction of The Forties” ed. by Whit & Hallie Burnett. NY, Dutton, 1949. (Reprinted by Cory, 1953.)
82.	***	Nial Kent, The Divided Path. NY, Greenberg, 1949. Pyramid #AT32. (Revised)
83.	**	Ward Thomas, Stranger in the Land. Boston, Houghton Mifflin, 1949.
84.	***	James Barr, Quatrefoil. NY, Greenberg, 1950. Reprint by Vision Press, London, 1953 & 1957.
85.	**	Paul Bowles, Pages from Cold Point (SS) in “The Delicate Prey”. NY, Random, 1950. Signet #919 & 1296. (Reprint by Cory, 1953). (See also OTP, 1950).
86.	**	Harrison Dowd, Night Air. NY, Dial, 1950. Avon AT52.
87.	**	Richard Himmel, Soul of Passion. NY, Star #?, 1950 (LPb). As Strange Desires: NY, Croydon #4 (’52) & 22 (’54).
88.	**	Charles Jackson, Palm Sunday (SS) in “The Sunnier Side”. NY, Farrar, Straus & Young, 1950. Dell #504. (Reprint by Cory, 1953)
89.	***	Roger Peyrefitte, Special Friendships. NY, Vanguard, 1950.
90.	**	Thomas Hal Phillips, The Bitterweed Path. NY, Rinehart, 1950. Pb reprints: Avon T83 & 273. (OTP-c?)
91.	***	Loren Wahl, The Invisible Glass. NY, Greenberg, 1950. Pb reprints: As “If This Be Sin” Avon #380 (revised & abridged); As “Take Me As I Am” Berkley #G57 (very minor revisions)
		William Carlos Williams, A Sailor’s Son (SS), 1950. See 1932.
92.	***	James Barr, The Bottom of the Cloud (SS)
93.	**	James Barr, The Good Kid. (SS)
94.	***	James Barr, First You Take A Live Goat (SS)
95.	**	James Barr, Hanging Fire (SS)
96.	**	James Barr, Success Story (SS)
97.	**	James Barr, Spur Piece (SS)
98.	**	James Barr, Tryout (SS) in “Derricks”. NY, Greenberg, 1951. Reprinted: NY, Pan, 1957.
99.	**	Paul Goodman, Parents’ Day. Saugatuck, Conn., 5 x 8 Press, 1951.
100.	***	Ralph Leveridge, Walk on the Water. NY, Farrar Straus, 1951. Pb reprints: Signet #940. As “The Last Combat,” Pyramid #G349.
101.	**	Fritz Peters, Finistère. NY, Farrar Straus, 1951. Signet #930.
		James Stern, Travellers’ Tears (SS), 1951. See 1938.
102.	**	Grace Z. Stone (Ethel Vance), The Grotto. NY, Harper, 1951.
103.	**	Walter Baxter, Look Down in Mercy. NY, Putnam’s, 1952. Pb Reprint: Popular G121. (In contrast to “happy” ending of American edition, earlier British edition has “tragic” ending; Br. Pb Reprint in Viking WS502).
104.	***	Constantine P. Cavafy, At The Cafe Entrance; Representation; One Night In The Street; Grey; The Tobacco Shop Window; To Pleasure; The Next Table; To Remain; Their Beginning; He Came To Read; Silversmith; In The Dreary Village; The 25th Year of His Life and other Poems in “The Poetry of C. P. Cavafy”. NY, Grove, 1952.
105.	*	Robert Liddell, The Unreal City. London, Cape, 1952. (OTP-a?)
106.	***	Jay Little, Maybe Tomorrow. NY, Pageant, 1952.
107.	**	Arch Alfred McKillen, Foxhole; Fragment; When He and I Met and other poems in “Death of the Scharnhorst and other poems”. NY, Vantage, 1952.
108.	**	Douglas Sanderson, Dark Passions Subdue. NY, Dodd Mead, 1952. Pb reprint: Avon AT67.
109.	*	Dyson Taylor, Bitter Love. NY, Pyramid G60, 1952; G278, 1957.
110.	*	Denton Welch Journals, ed. by Jocelyn Brooke (Autobio). London, Hamish Hamilton, 1952.
111.	**	Angus Wilson, Hemlock and After. NY, Viking, 1952. (OTP-a?) Br. Pb Reprint: Penguin #1086.
112.	***	Donald Webster Cory (ed.), 21 Variations on a Theme including
	***	Wilson Lehr, No Competition (SS). NY, Greenberg, 1953. (The other 20 stories cited separately or not relevant).
113.	***	John Cromwell, A Grain of Sand. London, Owen, 1953.
114.	*	Mary Heathcott, Neil’s Girl (SS) in “Story No. 4” ed. by Whit & Hallie Burnett. NY, Wyn, 1953. (OTP-c/e?)
115.	**	Mary McLaren, The Twisted Heart. NY, Exposition Press, 1953.
116.	**	Wilma M. Prezzi, Dark Desires. NY, Padell, 1953.
117.	***	Mary Renault, The Charioteer. London, Longmans Green, 1953.
118.	*	Andrew Rosenthal, Third Person (D) in “Plays of the Year v. 7”. London, Elek, 1953. (OTP-a?)
119.	*	Theodore Sturgeon, World Well Lost (SS) in “E Pluribus Unicorn”. NY, Abelard-Schumann, 1953. Pb reprint: Ballantine #179.
120.	*	Robert Anderson, Tea and Sympathy (D). NY, Random, 1954. Pb reprint: Signet #1343. (OTP-c/f?)
121.	**	Edith de Born, The Imperfect Marriage. London, Chapman & Hall, ’54.
122.	*	Dean Douglas, Man Divided. NY, Fawcett Gold Medal #407, 1954. (? OTP-c/f)
123.	**	[8] Jean Evans, Martin Beardson (quasi-SN) in “Three Men”. NY, Knopf, 1954.
124.	***	Rodney Garland (Adam de Hegedus), The Heart in Exile. NY, Coward-McCann, 1954. Pb reprint: Lion #76.
125.	**	Jean Genet, Thief’s Journal. Paris, Olympia, 1954.
126.	**	Ruth and Augustus Goetz, The Immoralist (D). NY, Dramatists’ Play Service, 1954. (See also original Gide, 1930).
127.	*	Harold Levitt, One Foot To The Sea (D). NY, Burdge, 1954. (OTP-c?)
128.	**	Robert Lowry, The Victim (SS) in “Happy New Year, Kamerades”. Garden City, Doubleday, 1954. Pb reprint: As “This Is My Night” (book title), Popular #676.
129.	***	Gordon Merrick, Demon of Noon. NY, Messner, 1954. Pb reprint: As “Lovers in Torment”, Popular #703. (OTP-a?)
130.	**	Vin Packer, Whisper His Sin. NY, Fawcett Gold Medal #426, 1954.
131.	***	Tennessee Williams, Two On A Party (SS)
132.	**	Tennessee Williams, Hard Candy (SS)
133.	**	Tennessee Williams, The Mysteries of the Joy Rio (SS) in “Hard Candy”. Norfolk Conn., New Directions, 1954. (See OTP, 1954).
134.	**	Margaret Yourcenar, Hadrian’s Memoirs. NY, Farrar Straus, 1954. (OTP-a?) Reprint (PC): Anchor #108.
135.	***	James Barr, Game of Fools (D). Los Angeles, One Inc., 1955.
136.	***	Lonnie Coleman, The Theban Warriors (SS) in “Ship’s Company”. Boston, Little, Brown, 1955. Dell D185.
137.	*	Rupert Croft-Cooke, The Verdict of You All (Autobio). London, Secker & Warburg, 1955.
138.	**	John Furnell, The Stringed Lute, An Evocation in Dialogue of Oscar Wilde (D), London, Rider, 1955.
139.	***	Audrey Erskine Lindop, The Outer Ring. NY, Appleton-Century-Crofts, 1955. (Original British title: Details of Jeremy Stretton.) Pb reprint: As “The Tormented”, Popular G160.
140.	***	Peter Wildeblood, Against the Law (Autobio). London, Weidenfeld and Nicolson, 1955. Br. Pb Reprint: British Penguin #1188.
141.	***	James Baldwin, Giovanni’s Room. NY, Dial, 1956. Signet #1559.
142.	*	Frank Cauldwell, The Firewalkers. London, Murray, 1956. (OTP-a?)
143.	***	Israel Gerber, Man on a Pendulum (Autobio). NY, American, 1956.
144.	***	Jay Little, Somewhere Between The Two. NY, Pageant Press, 1956.
145.	*	Joseph de Pelissero, Road of No Regrets. NY, Greenwich, 1956.
146.	**	Mary Renault, The Last of the Wine. NY, Pantheon, 1956. (OTP-a?)
147.	**	Gerald Tesch, Never the Same Again. NY, Putnam’s, 1956. Pb reprint: Pyramid G342 (Revised).
148.	***	Gore Vidal, Three Stratagems (SS)
149.	***	Gore Vidal, The Zenner Trophy (SS)
150.	***	Gore Vidal, Pages from an Abandoned Journal (SS) in “A Thirsty Evil”. NY, Zero Press, 1956. Pb reprint: Signet S1535.
151.	***	Peter Wildeblood, A Way of Life (Autobiography). London, Weidenfeld & Nicolson, ’56.
152.	**	[9] Margaret Campbell Barnes, Isabel the Fair. Philadelphia, Smith, 1957. (OTP-a?)
153.	***	Helen P. Branson, Gay Bar (Memoirs). San Francisco, Pan Graphic, 1957.
154.	***	Martyn Goff, The Plaster Fabric. London, Putnam’s, 1957.
155.	*	Julien Green, The Transgressor. NY, Pantheon, 1957.
156.	**	Saikaku Ibara, Gengobei the Mountain of Love (SS) in “Five Women Who Loved Love”. Tokyo, Tuttle, 1957. (see also 1928).
157.	**	Sir Compton Mackenzie, Thin Ice. NY, Putnam’s, 1957.
158.	***	Milton Rebow, Oh Dear. NY, Key, 1957.
159.	*	David Stacton, Remember Me. London, Faber & Faber, 1957 (OTP-c?).
160.	***	Anonymous (Michael Nelson), A Room in Chelsea Square. London, Cape, 1958.
161.	***	Jean Cocteau, The White Paper. Paris, Olympia. NY, Macaulay, ’58.
162.	**	Lennox Cook, No Language But A Cry. London, Hamish Hamilton, 1958.
163.	**	Roger Gellert, Quaint Honor (D). London, Secker & Warburg, 1958.
164.	**	Eve Linkletter, The Gay Ones. PbO: Fresno Calif., Fabian Z124, 1958.
165.	**	Kenneth Martin, Aubade. NY, Citadel, 1958.
166.	***	Yukio Mishima, Confessions of a Mask. NY, New Directions, 1958.
167.	**	Iris Murdoch, The Bell. NY, Viking, 1958. (OTP-a?)
168.	*	Dennis Murphy, The Sergeant. NY, Viking, 1958. (OTP-c/f?)
169.	**	James Ramsey Ullman, The Day On Fire. Cleveland, World, 1958. (OTP-a?)
		Oscar Wilde?, Teleny. 1958. See 1893.

c	Homer, The Iliad. (P). Vs. translations & editions.
c	Pindar, Odes (esp. Ode to Theoxenos). Vs. translations & editions.
c	Theognis, Elegies to Kurnos (P) in “Elegy and Iambus”, Loeb Library #258 and other translations/editions.
b *	Aristophanes, Thesmophoriazusae (D)
d/e	Aristophanes, The Birds; The Clouds; The Frogs; The Knights; Lysistrata; Ecclesiazusae. (all D). Vs. translations & editions including “Eleven Comedies of Aristophanes”, NY, Liveright, 1930 et seq. (Black and Gold Library).
c	Theocritus, Idylls (P) (esp. 5, 7, 12, 13, 23, 29, 30). Loeb Lib. #28 et al.
b c d e **	Caius V. Catullus, Carmina (P) (esp. 15, 16, 21, 24, 25, 29, 33, 48, 56, 57, 80, 81, 99, 100, 106, 112). Vs. translations & editions with variant degrees of expurgation & bowdlerization. Translation by Sir Richard Burton & Leonard C. Smithers, published in several subscribers’ editions London and New York, offers most complete edition.
a *	Albius Tibullus, Elegies (P) (esp. 4, 8, 9). Loeb Library #6 et al.
c	Publius Vergil(ius), Eclogues (esp. 2: Corydon). (P). Vs. editions.
a ***	Caius Petronius, Satyricon. Vs. translations, best by Oscar Wilde or Firebaugh in various editions.
c	Publius P. Statius, The Tresses of Flavius Earinus in “Silvae”. (P) Loeb Library #206, et al.
a/e **	Marcus V. Martial(is), Epigrams. Various translations & editions, complete only in Loeb Library #94 & 95 (with Latin & Italian fluency or dictionary required for some incompletely translated epigrams).
d/e	Lucian, Dialogues (esp. Dialogues of the Gods; Dialogues of the Courtesans). Vs. translations and editions.
d	Lucian, True History. (SN). Vs. translations including Loeb Library #14.
d	Lucius Apuleius, The Golden Ass. Vs. translations & editions.
d	Greek Anthology (P). Vs. translations & editions. (see also P, 1918; the Musa Puerilis does not contain quite all relevant verses).
d	Longus, Daphnis and Chloe. (SN). Vs. editions including Anchor A21 (PC)
b **	Xenophon of Ephesus, An Ephesian Tale. (SN). Anchor A21 (PC) et al.
c	Christopher Marlowe, Edward II (D). London, c. 1592.
d	Christopher Marlowe, Dido (D)
a/c	Richard Barnfield, The Affectionate Shepherd (P). London, 1594.
a/c **	Richard Barnfield, Sonnets (esp. 4, 8, 19). London, 1595. Vs. scarce reprints including Grossart (ed.), London, 1876; English Scholar’s Library, London, 1882; Fortune Press, London, 1936. Also, small portion in Ioläus (see OTP, 1902).
c *	William Shakespeare, Sonnets (esp. 18, 20, 104, 108). London, 1609.
c	William Shakespeare, Troilus and Cressida (d).
a ***	John Wilmot, Earl of Rochester, Sodom (D). “Antwerp”, 1684. Reprinted in Kryptadia v. IX, Paris, 1905 & Heilbronn, 1912; Paris, Olympia, ’57 (PC)
a	John Wilmot, Earl of Rochester, Poems on Several Occasions. “Antwerp”, 1684. Reprinted by Princeton University Press, Princeton, 1950.
b *	Sir John Vanbrugh, The Relapse (D). London, 1696. Many editions.

The Project Gutenberg eBook of The homosexual in literature

The Homosexual
In Literature

PRIMARY

CLASSICS (c. 700 B.C.-1700)

OTP

18th/19th Centuries

1901-1924

1925-1931

1932-1936

1937-1941

1942-1946

1947-1948

1949-1950

1951

1952

1953

1954

1955

1956

1957

1958

1959

1960

SPECIAL INDEXES

I. By National Locale (other than contemporary U.S. and Britain).

II. Special Locales

III. Professions & Special Occupations

IV. Special Roles, Types, Situations and Relationships of Interest

V. Index of Well-known or otherwise Noteworthy Authors

Transcriber’s Notes

THE FULL PROJECT GUTENBERG LICENSE

b *	Tobias G. Smollett, The Adventures of Roderick Random. London, 1748. Vs. reprints including Everyman #790.
b *	John Cleland, Memoirs of Fanny Hill. London, 1749. Vs. European reprints including Paris, Obelisk, 1950 & Olympia, 1955.
c	Johann C. F. von Schiller, Don Carlos (D). London, 1795. Vs. reprints.
f	Théophile Gautier, Mlle. de Maupin. Vs. translations and editions. Pb reprint: Pyramid G161.
c	Alfred Lord Tennyson, In Memoriam (P) (esp. 13, 18, 19, 127, 128). London, 1850. Many reprints (many incomplete).
c *	Walt. Whitman, The Leaves of Grass (P) (esp. Calamus section). NY, 1856. Innumerable reprints incl. Pb reprint: Mentor MS117.
c	Michaelangelo Buonarotti, Sonnets. Translated by John Addington Symonds. London, 1878. Vs. reprints.
c	George Taylor (Adolf Hausrath), Antinous: A Romance of Ancient Rome. NY, Gottsberger, 1882. (Reprinted 1884 under author’s real name).
c	Adolf von Willbrandt, Fridolin’s Mystical Marriage. NY, Gottsberger, 1884. (Primary?)
c	Christopher Carr (Arthur C. Benson), Memoirs of Arthur Hamilton. London, 1886. Subsequently reprinted under author’s real name in London and NY, Kennerly, 1907.
c	Edward Irenaeus Stevenson, White Cockades. NY, Scribner’s, 1887.
c	John Addington Symonds, The Key of Blue (P). London, c.1887.
	Sir Richard Burton, The Book of the Thousand Nights and a Night. London, 1885-1888, 17 vols. Various reprints. Esp. relevant:
d	1) Noureddin Ali of Cairo and his son Bedreddin Hassan. I, 195 (N20/4)
d	2) Kemerezzeman and Budour. v. III, 300-6 (N216)
d	3) Ali Shar and Zummurud. IV, 226 (N326)
b	4) Abu Nowas and the Three Boys. V, 64 (N382). (Reprint Cory, 1953 P)
d	5) Man’s Dispute with the Learned Woman. V, 154-6
c	Hall Caine, The Deemster. London, 1888, Many reprints.
a **	Count Donatien A. F. de Sade, Justine (translation of 2-vol, 1791 edition). Paris, Lisieux, 1889. New edition: Paris, Olympia, 1954 (PC). Abridged & expurgated edition by Julian Press, Newark, 1931 (& n.p., c. 1935) with PC reprint c.1955, NY? (labelled “Paris, Collection Ballet des Muses”). (The 4-volume 1796 edition has apparently never been translated).
c	Edward Irenaeus Stevenson, Left To Themselves. NY, Hunt and Eaton; Cincinnatti, Cranston & Stowe, 1891.
c	Howard O. Sturgis, Tim. London & NY, Macmillan, 1891.
c	Robert S. Hichens, The Green Carnation. NY, Kennerly, 1894. Reprints by Appleton, NY, 1895 and by Argus, Chicago, 1929.
c	Lord Alfred Douglas, When The King Comes He Is Welcome (Poetic D)., in “Poems”. Paris, Mercure de France, 1896. Reprinted in “Lyrics”, London, Rich and Cowan, 1935. (See also Primary, 1896)
c *	Henry B. Fuller, At St. Judas’ (1-Act Poetic Drama) in “Puppet Show” NY, Century, 1896.
c	Ashley W. Clarke, Jaspar Tristram. London, Heinemann, 1899.

c	Frederick Baron Corvo (Frederick Rolfe), In His Own Image. London and NY, Lane, 1901. Reprinted London, Lane, 1924; NY, Knopf, 1925. NB: Of the 30 Toto stories (SS) herein complete, 7 were previously published (1898) by Lane in “Stories Toto Told Me” and 6 in The Yellow Book.
c *	Oscar Wilde, Portrait of Mr. W. H. (SS). Portland, Maine, Mosher, 1901. Reprinted in several Collected Works editions.
c	Edward Carpenter, Towards Democracy (P). London, Swan Sonnenschein, 1883-1902. Vs. reprints including Kennerly, NY, 1922. (“Who Shall Command the Heart” section corresponds to Whitman’s “Calamus” part.)
c **	Edward Carpenter, Ioläus: An Anthology of Friendship (P et al.). London, Allen & Unwin, 1902. Vs. reprints including Boston, Goodspeed, 1902 and NY, Boni, 1935.
c	Frederick Rolfe, Hadrian VIIth. London, Chatto & Windus, 1902 & 1925. NY, Knopf 1928 et seq.
c	Paul Bourget, A Love Crime. NY, Société des Beaux-Arts, 1905. Pb Reprint: Ace D16
c	Frederick Rolfe, Don Tarquinio. London, Chatto & Windus, 1905, 1929 and 1957. NY, Knopf, 1924.
c	Forrest Reid, The Garden God. London, Nutt, 1906.
c	H. A. Vachell, The Hill—A Romance of Friendship. NY, Dodd Mead, 1906.
c	Romain Rolland, Jean-Christophe in Paris. NY, Holt, 1911. Reprint in Modern Library G38. Pb condensation (complete Christophe): PB631.
c	Edward I. Stevenson, Weed and Flowers (SS) and Aquae Multae Non (SS) in “Her Enemy, Some Friends and Other Personages: Stories and Studies Mostly of Human Hearts”. Florence, Obsner, 1913 (Ltd.; 250 copies).
c	D. H. Lawrence, The Rainbow. NY, Huebsch, 1916. Vs. reprints incl. Pb reprints: Avon 1028 & G2028.
c	D. H. Lawrence, The Prussian Officer (SS). NY, Huebsch, 1917. Vs. reprints incl. Cory, P1953.
f	Sherwood Anderson, Hands (SS) in “Winesburg, Ohio”. NY, Huebsch, 1919. Reprint by Cory (P, 1953) and Pb: Signet 585 & 1304.
d	Henry B. Fuller, Bertram Cope’s Year. Chicago, Alderbrink, 1919.
d *	Alec Waugh, The Loom of Youth. NY, Doran, 1920.
d *	Joris Karl Huysmans, Against the Grain. NY, Lieber & Lewis, 1922; Boni, 1924. Modern Library (OP) #30; MLP #23 (PC).
c	D. H. Lawrence, Women in Love. NY, Seltzer, 1922. Pb: Avon #1021.
d	D. H. Lawrence, Aaron’s Rod. NY, Seltzer, 1922. Pb: Avon #1025.
f	Sherwood Anderson, The Man Who Became A Woman (SS) in “Horses and Men”. NY, Huebsch, 1923. In “Portable Anderson”. NY, Viking, 1949.
c	Hermann Hesse, Demian. NY, Boni & Liveright, 1923. NY, Holt, 1948.
d *	Arnold Lunn, Scrap of Paper (SS) in “Georgian Stories”, 1922. NY, Putnam’s, 1923.
d	Carl van Vechten, Blind Bow Boy. NY, Knopf, 1923.
d	Joris K. Huysmans, La Bas. NY, Boni, 1924 and University, 1958. Pb reprint: “Paris” (NY?), “Le Ballet des Muses” (PC).

b *	Cyril Hume, Cruel Fellowship. NY, Doran, 1925.
d	Panait Istrati, Kyra Kyralina. NY, Knopf, 1926.
b *	E. E. Cummings, Him (P). NY, Liveright, 1927.
d	Charlotte Haldane, Man’s World. NY, Doran, 1927.
c	Rosamund Lehmann, Dusty Answer. NY, Holt, 1927; Reynal & Hitchcock, n.d.
a **	Compton Mackenzie, Vestal Fire. NY, Doran, 1927.
d *	Lord Stites (Donald Fairchild), Intimate Acrobatics. NY, MacBride, ’27.
e	Glenway Westcott, The Grandmothers. NY, Harper’s, 1927. Bantam #69.
a *	Mary Butts, Armed with Madness. NY, Boni, 1928.
c *	Lester Cohen, Oscar Wilde (D). NY, Boni, 1928.
d *	Compton Mackenzie, Extraordinary Women. NY, Macy-Masius, 1928.
b/c **	Ernest Milton, To Kiss the Crocodile. NY, Harper’s, 1928.
a *	Naomi Mitchison, Krypteia (SS) in “Black Sparta: Greek Stories”. NY, Harcourt Brace, 1928. (See also Primary, 1928).
a *	Charles Brackett, American Colony. NY, Boni & Liveright, 1929.
d	Hermann Hesse, Steppenwolf. NY, Holt, 1929 & 1947. NY, Ungar, 1957.
c *	Jean Cocteau, Les Enfantes Terribles. Tr. by Samuel Putnam, NY, Brewer & Warren, 1930. New translation by Rosamund Lehmann: NY, New Directions, 1957.
a *	James Hanley, Prisoner Before Death (SS). London, privately printed, ’30.
c/d	Carl Van Vechten, Parties. NY, Knopf, 1930.
c/d	Keith Winter, Other Man’s Saucer. NY, Doubleday, 1930.
d	Arnold Zweig, Claudia. NY, Viking, 1930.
c	E. F. Benson, The Inheritor. NY, Doubleday, 1931.
d *	Clemence Dane, Broome Stages. NY, Doubleday, 1931.
c *	George Davis, The Opening of a Door. NY, Harper’s, 1931.
a **	Robert Graves, And Still It Goes On (D) in “And Still It Goes On” (Miscellany of Graves’ works). NY, Cape and Smith, 1931.
a **	Naomi Mitchison, The Corn King and the Spring Queen. NY, Harcourt Brace, 1931. (London, Cape, 1930s, 1940s, 1950s, continuous reprints).
c	Forrest Reid, Uncle Stephen, London, Faber, 1931. Reprinted as part of trilogy “Tom Barber” by Pantheon, NY, 1955.
	Count D. A. F. de Sade, Justine. 1931. See 1889.

a *	Mary Butts, The Death of Felicity Taverner. London, Wighart, 1932.
a *	Myron Brinig, This Man is my Brother. NY, Farrar & Rinehart, 1932.
e	Carroll & Garrett Graham, Kings Back to Back. NY, Vanguard, 1932.
d	James Hanley, Boy. NY, Knopf, 1932.
c *	Hermann Hesse, Death and the Lover. NY, Dodd, 1932. Reprinted as “Goldmund” by Owen and by Vision (jointly), London, 1959.
a *	Wyndham Lewis, The Apes of God. NY, McBride, 1932. Reprinted in de luxe, signed, limited (1000 copies) edition by Arco, London, 1955.
d *	J. B. Priestley, Dangerous Corner (D). NY, French, 1932. Mod. Lib. G16.
a **	Marcel Proust, Remembrance of Things Past. NY, Boni, 1922-32. Vs. reprints incl. Modern Library. See also Primary, 1927.
c	Patrick Carleton, Desirable Young Men. NY, Dutton, 1933.
d	William March, Company K. NY, Smith & Haas, 1933. Pb reprint: Lion #111.
c *	Mordaunt Shairp, Green Bay Tree (D). London, Allen & Unwin, 1933. Reprinted in Modern Library G16.
b *	E. F. Benson, Raven’s Brood. NY, Doubleday, 1934.
a **	Edgar Calmer, Beyond the Street. NY, Harcourt Brace, 1934.
d	L. E. Celine, Journey to the End of Night. Boston, Little Brown, ’34. Pb reprint: Avon G1014.
b *	F. Scott Fitzgerald, Tender is the Night. NY, Scribner’s, 1934. Pb reprint: Bantam A867.
d	Carroll Graham, Border Town. NY, Vanguard, 1934. Pb reprint: Dell 625.
c *	Frederick Rolfe Baron Corvo, The Desire and Pursuit of the Whole. London, Cassell, 1934. Reprinted by New Directions, NY, 1953.
e	John Peale Bishop, Act of Darkness. NY, Scribner’s, 1935.
b *	Robert Briffault, Europa. NY, Scribner’s, 1935. Abrgd. Pb: Avon 272. (see 1937OTP for sequel).
	Lord Alfred Douglas, When the King Comes He Is Welcome (Poetic D) in “Lyrics”. 1935. See OTP 1896.
d	Frederic Prokosch, The Asiatics. NY, Harper, 1935. Pb: ASE 764.
d *	Cyril Connolly, Rock Pool. NY, Scribner’s, 1936. Reprint in “New Directions Classics” by New Directions, NY, 1949.
c *	John Evans, Shadows Flying. NY, Knopf, 1936. (Primary?) Pb reprint as “Love in the Shadows”, Avon T104.
a *	Aldous Huxley, Eyeless in Gaza. NY, Harper, 1936. Bantam F1233 & F1622.
c	Stephen Spender, By the Lake (SS) in “The Burning Cactus”. NY, Random, 1936. See also Primary, 1936.
d	Olaf Stapledon, Odd John. NY, Dutton, 1936. Viking Science Fiction Portable, c. 1954.
c/d *	Keith Winter, Impassioned Pygmies. NY, Doubleday, 1936.

b	Djuna Barnes, Nightwood. NY, Harcourt Brace, 1937. Reprinted by New Directions in “New Classics” series, NY, c. 1950.
d	Robert Briffault, Europa in Limbo. NY, Scribner’s, 1937. (See 1935).
a/f **	James M. Cain, Serenade. NY, Scribner’s, 1937. (Primary?) Pb reprints: Signet 621; Signet 1153; Penguin 1153.
a **	Noel Langley, So Unlike the English. NY, Morrow, 1937. (Previous, original British title: “There’s a Porpoise Close Behind Us”).
b **	Eugene O’Brien, He Swung and He Missed. NY, Reynal & Hitchcock, 1937. Pb reprint: Avon 508.
d	Frederic Prokosch, Seven Who Fled. NY, Harper, 1937.
d **	Esmond Quinterley, Ismay Somer. “Paris” (London), Fortune, 1937.
c	Reginald Underwood, Hidden Lights (Fictionalized Autobio). London, Fortune, ’37.
a **	Elliot Paul, Concert Pitch. NY, Random, 1938. (Primary?)
d	Philip Barry, Here Come the Clowns (D). NY, Coward-McCann, 1939.
d *	Raymond Chandler, The Big Sleep. NY, Knopf, 1939. Pb: PB 696 & 2696.
d	Noël Coward, What Mad Pursuit (SS) in “To Step Aside”. NY, Doubleday 1939. Reprint by Sun Dial. Pb reprint: Dell D80. (See Primary, 1939).
d	Arthur Koestler, The Gladiators. NY, MacMillan, 1939. Pb: Graphic G213.
d	Roger Martin du Gard, The Thibaults. NY, Viking, 1939.
d	Frederic Prokosch, Night of the Poor. NY, Harper, 1939.
c *	Mary Renault, Promise of Love. NY, Morrow, 1939. Pb: Dell 298. (original British title: Purposes of Love. Br. Pb: Ace H180)
b *	Henry Bellaman, Kings Row. NY, Simon & Schuster, 1940. Pb: PB C2.
d	Robert Henriques, No Arms No Armour. NY, Farrar-Rinehart, 1940.
e	Rayner Heppenstall, The Blaze of Noon. Chicago, Alliance, 1940. Pb reprint: Berkley G27.
f	Eugene O’Brien, One-Way Ticket. NY, Doubleday, 1940. Pb: Pennant P50.
c&f *	Benjamin Subercaseaux, The Salt Sea (SS) in “From West to East”. NY, Putnam’s, 1940. Pb reprint in “Spanish Stories”, Pocket Library 40.
c&d	Gerald Brown, Murder on Beacon Hill. NY, Phoenix, 1941.
c *	Marcus Goodrich, Delilah. NY, Rinehart, 1941. Pb: AFE T3; Bantam A1088.
c *	Carson McCullers, Reflections in a Golden Eye. Boston, Houghton Mifflin, 1941. Reprinted in McCullers Omnibus “The Ballad of the Sad Cafe” by Houghton Mifflin, Boston, 1951. Pb reprint: Bantam A1156.
d	Frederic Prokosch, The Skies of Europe. NY, Harper, 1941.

a ***	Fitzroy Davis, Quicksilver. NY, Harcourt Brace, 1942.
d	Paul Goodman, The Grand Piano. San Francisco, Colt, 1942.
a **	Evelyn Waugh, Put Out More Flags. Boston, Little Brown, 1942. British Pb reprint: Br. Penguin 423.
d	Matthew Head (John E. Canaday), The Smell of Money. NY, Simon & Schuster, 1943. Pb reprint: Dell 219.
e	Frederic Prokosch, The Conspirators. NY, Harper, 1943.
d	Carlton Brown, Brainstorm. NY, Farrar & Rinehart, 1944.
a *	Rose Franken, Outrageous Fortune (D). NY, French, 1944.
c **	Charles Jackson, The Lost Weekend. NY, Farrar & Rinehart, 1944. Pb reprint: Signet 683; Berkley G1.
a **	Kenneth Millar, The Dark Tunnel. NY, Dodd Mead, 1944. Pb: Lion 48. Pb reprint as “I Die Slowly”, Lion LL52.
b *	Richard Brooks, The Brick Foxhole. NY, Harper, 1945. Reprint by Sun Dial.
c	Christopher Isherwood, Prater Violet. NY, Random, 1945. MLP19 (PC).
c **	William Maxwell, The Folded Leaf. NY, Harper, 1945. (Primary?) Reprints: Cleveland, World Forum books; NY, Book-Find Club together with “The Dark Legend” by Dr. Frederick Wertham; Vintage R78 (PC).
b	Frederic Prokosch, Age of Thunder. NY, Harper, 1945.
a **	Evelyn Waugh, Brideshead Revisited. Boston, Little Brown, 1945. Pb reprints: Dell D151; Dell 163.
c&d	Helen Eustis, The Horizontal Man. NY, Harper, 1946. Pb: PB 557.
e	Paul Goodman, The State of Nature. NY, Vanguard, 1946.
a *	Alfred Hayes, All Thy Conquests. NY, Crown, 1946; Howell Soskin ’46. Pb reprints: Lion 40; Lion LL68; Pyramid G365.
a **	Adam de Hegedus (later “Rodney Garland”), Rehearsal under the Moon. London, Nicolson and Watson, 1946.
c&d	Christopher Isherwood, The Memorial. NY, New Directions, 1946.
a **	Christopher Isherwood, The Berlin Stories. NY, New Directions, 1946. Pb reprints: “Goodbye to Berlin” portion in Signet 937 & Signet S1252; “The Last of Mr. Norris” portion: Avon 448; Berkley G153. See Cory (Primary, 1953) for “On Ruegen Island” (chapter as SS).
d	Hansford Martin, Send Them Summer. NY, Harcourt Brace, 1946. Pb: Avon 88. AT
e	Carson McCullers, The Member of the Wedding. Boston, Houghton Mifflin, 1946. Reprinted in “Ballad of the Sade Cafe” Omnibus, 1951.
b **	Frederic Prokosch, The Idols of the Cave. NY, Doubleday, 1946.
c **	Gladys Schmitt, David the King. NY, Dial, 1946.
c	Denton Welch, In Youth is Pleasure. NY, Fischer, 1946.
c *	Denton Welch, When I was Thirteen (SS) in “Horizon Stories” ed. by Cyril Connolly. NY, Vanguard, 1946. Reprinted by Cory (Primary, ’53).

d *	Vance Bourjaily, The End of my Life. NY, Scribner’s, 1947. Pb reprint: Bantam 1047.
a **	Richard Erickson, Confessional (SS) in “Cross-Section 1947”. NY, Simon and Schuster, 1947. (Primary?)
a *	William Douglas Now Barrabas (D). London, Longmans Green, 1947.
c&d	John Kelly, All Souls’ Night. NY, Harcourt Brace, 1947.
d *	Willard Motley, Knock on Any Door. NY, Appleton-Century, 1947. Pb reprints: Signet D802; Signet S1576.
a *	Jean-Paul Sartre, The Age of Reason. NY, Knopf, 1947.
a *	Jean-Paul Sartre, The Reprieve. NY, Knopf, 1947. (See OTP, 1951 for third of this trilogy).
b *	Gore Vidal, In A Yellow Wood. NY, Dutton, 1947.
e *	Tennessee Williams, A Streetcar Named Desire (D). NY, New Directions 1947. Pb reprint: Signet: 917.
a **	Calder Willingham, End as a Man. NY, Vanguard, 1947. Pb reprints: Avon AT445 and Signet D1386. Abridged in Avon 240.
c&d *	Truman Capote, Other Voices, Other Rooms. NY, Random, 1948. (Primary?) Pb reprint: Signet 700. PC reprint: MLP14.
a **	Charles Gorham, The Future Mr. Dolan. NY, Dial, 1948. Pb reprints: Signet 752 (abridged); Pyramid G197 (abridged)
a *	Charles Gorham, The Gilded Hearse. NY, Creative Age, 1948. Pb reprints: Signet 714; as “Make Me an Offer”, Berkley G199.
c	Norman Mailer, The Naked and the Dead. NY, Rinehart, 1948. Pb reprints: Signet D837; Signet T1549.
d	Frederic Prokosch, Storm and Echo. NY, Doubleday, 1948.
a **	Jean-Paul Sartre, The Childhood of a Leader (SS) in “The Wall”. NY, New Directions, 1948 (Limited Edition) and reprinted by New Directions as “Intimacy” c. 1955. Pb reprints (as “Intimacy”): Avon AT69; Berkley G30; Berkley G105.
c&d *	Betty Smith, Tomorrow Will Be Better. NY, Rinehart, 1948. Pb reprint: Dell D104.
ac&d *	A. M. P. Stratton, Lord Love Us. NY, Scribner’s, 1948.
d *	Jon Edgar Webb, Four Steps to the Wall. NY, Dial, 1948. Pb reprint: Bantam 1179.
c *	Denton Welch, The Barn (SS) in “Brave and Cruel”. London, Hamish Hamilton, 1948.

f	Marie Baumer, The Seeker and the Sought. NY, Scribner’s, 1949.
a **	Stuart Benton (George Sylvester Viereck), All Things Human. NY, Sheridan, 1949. Reprinted by Sheridan under Viereck’s own name ’55.
a **	Marc Brandel, The Barriers Between. NY, Dial, 1949.
b **	John Horne Burns, Lucifer with a Book. NY, Harper, 1949.
e	André Gide, Theseus. NY, New Directions, 1949 (Limited Edition). Reprinted in “Two Legends”, NY, Knopf, 1955.
c	John Kelly, Alexander’s Feast. NY, Harcourt Brace, 1949.
c/d *	Robin Maugham, Line on Ginger. NY, Harcourt Brace, 1949. Pb: Avon 333.
a **	Nancy Mitford, Love in a Cold Climate. NY, Random, 1949. Br. Pb. reprint: Br. Penguin 984.
a ***	Fritz Peters, The World Next Door. NY, Farrar, Straus, 1949. (Primary?) Pb reprint: Signet 813 (drastically revised and abridged).
d *	Gore Vidal, The Season of Comfort. NY, Dutton, 1949.
e	John F. Bardin, The Burning Glass. NY, Dutton, 1950.
d *	Paul Bowles, The Delicate Prey (SS) in “The Delicate Prey”. NY, Random, 1950. Pb: Signet 919 & 1296. See also Primary, 1950.
c&f	Frederick Buechner, A Long Day’s Dying. NY, Knopf, 1950.
c&f *	A. J. Cronin, The Spanish Gardener. Boston, Little Brown, 1950. Pb reprint: Bantam A1719.
d	Diana Gaines, Tasker Martin. NY, Random, 1950. Pb: Bantam 880.
b *	Paul Goodman, The Dead of Spring. Glen Gardner, NJ, Libertarian, ’50.
b **	William Goyen, The House of Breath. NY, Random House, 1950.
d *	Theodora Keogh, The Double Door. NY, Creative Age, 1950. Pb reprint: Signet 958.
b **	Speed Lamkin, Tiger in the Garden. Boston, Houghton Mifflin, 1950. Pb reprint: Signet 845.
a ***	Eugene McCown, The Siege of Innocence. NY, Doubleday, 1950. (Primary?)
b&f *	Alberto Moravia, Agostino (SN) in “Two Adolescents”. NY, Farrar Straus, 1950. Pb reprint: Signet 960; Signet 1372.
a **	Edward Ronns, The State Department Murders. PbO: Fawcett Gold Medal #?, 1950; reprinted 1957 as #634.
a *	Angus Wilson, Et Dona Ferentes (SS) in “The Wrong Set”. NY, Morrow, 1950.

c	Chandler Brossard, Who Walk in Darkness. NY, New Directions, 1951. Pb reprint: Signet 974.
b **	John Cornish, The Provincials. NY, Sloane, 1951.
b *	Julien Green, Moira. NY, MacMillan, 1951. Pb reprint: Signet 998.
b *	James Jones, From Here to Eternity. NY, Scribner’s, 1951. Pb reprint: Signet T1075.
a ***	Norah Lofts, The Lute Player. NY, Doubleday, 1951. (Primary?) Pb reprint: Bantam A1137.
b *	J. D. Salinger, The Catcher in the Rye. Boston, Little, Brown, 1951. Pb reprint: Signet 1001.
a **	Jean-Paul Sartre, The Troubled Sleep. NY, Knopf, 1951. (see OTP, 1947 for previous two works of this trilogy).
d	Thurston Scott, Cure It With Honey. NY, Harper, 1951. Pb reprint: as “I’ll Get Mine”, Popular 452 and Popular G287.
b	John Sherwood, Mr. Blessington’s Imperialist Plot. NY, Doubleday, ’51.
a **	George Sklar, Promising Young Men. NY, Crown, 1951. Pb reprint: Signet 924.
a **	Russell Thacher, The Captain. NY, MacMillan, 1951. Pb reprint: Pocket Book 883.
c	Denton Welch, A Fragment of a Life Story (SS)
c	Denton Welch, A Party (SS)
c	Denton Welch, A Picture in the Snow (SS)
c	Denton Welch, A Novel Fragment (SS)
	(all) in “A Last Sheaf”. London, Lehmann, 1951.
a *	Calder Willingham, Reach to the Stars. NY, Vanguard, 1951. Pb reprint: Signet 987 (abridged).
d	Angus Wilson, Such Darling Dodos (SS) in “Such Darling Dodos”. NY, Morrow, 1951.

d	Paul Bowles, Let It Come Down. NY, Random, 1952. Pb reprint: Signet 1002.
a **	John Horne Burns, A Cry of Children. NY, Harper, 1952. Pb reprints: Bantam 1147; Popular G194.
b *	Albert Cossery, The Lazy Ones. NY, New Directions, 1952.
a **	Lester Dent, Cry at Dusk. PbO: Fawcett Gold Medal #247, 1952.
c	Jack Dunphy, Friends and Vague Lovers. NY, Farrar Straus, 1952.
c&d	Ernest Frost, The Lighted Cities. NY, Harcourt Brace, 1952.
c *	André Gide, Saul (D) in “My Theater”. NY, Knopf, 1952.
b *	Harry Grey, The Hoods. NY, Crown, 1952. Pb: Signet 999; Signet D1575.
c *	James N. Hall, The Forgotten One (SS) in “The Forgotten One and other stories”, Boston, Little, Brown, 1952.
e	Hermann Hesse, Magister Ludi. NY, Holt, 1952.
a ***	Chester Himes, Cast the First Stone. NY, Coward-McCann, 1952.
bdf **	David Karp, The Brotherhood of Velvet. PbO: Lion 105, 1952.
a **	Helen A. Mahler, Empress of Byzantium. NY, Coward-McCann, 1952. Pb reprint: Bantam 1157.
b **	Curzio Malaparte, The Skin. Boston, Houghton Mifflin, 1952. Pb reprint: Signet 1098.
b *	Alberto Moravia, The Conformist. NY, Farrar, Straus, 1952. Pb reprint: Signet 1071.
d *	Vasco Pratolini, The Naked Streets. NY, Wyn, 1952. Pb reprint: Signet 1061.
d	Gladys Schmitt, Confessors of the Name. NY, Dial, 1952. Pb reprint: Signet D1068.
b	John Sherwood, Ambush for Anatol. NY, Doubleday, 1952.
a **	Desmond Stewart, Leopard in the Grass. NY, Farrar Straus, 1952. Pb reprint: Signet 997.
a ***	Gore Vidal (as “Edgar Box”), Death in the Fifth Position. NY, Dutton, 1952. Pb reprints: Signet 1036; Signet 1475.
a ***	George Sylvester Viereck, Men into Beasts. PbO: Fawcett Gold Medal #260, 1952. Reprint as #552, 1956.
b *	Hugh Wheeler, The Crippled Muse. NY, Rinehart, 1952.

c	Louis Auchincloss, Gemlike Flame (SS) in PbO: Mentor New World Writing No, 3, MS85, 1953. Reprinted in “The Romantic Egoists” by Houghton Mifflin, Boston, 1954.
a **	Vicki Baum, The Mustard Seed. NY, Dial, 1953. Pb reprint: Pyramid G328 (drastically abridged).
d	Saul Bellow, The Adventures of Augie March. NY, Viking, 1953. Pb reprint: Popular SP2.
b **	Robert O. Bowen, Bamboo. NY, Knopf, 1953. Pb reprint: Signet 1201.
b *	Chandler Brossard, The Bold Saboteurs. NY, Farrar, Straus, 1953. Pb reprint: Dell D137.
c	Bryher, The Players’ Boy. NY, Pantheon, 1953.
d	José Suarez Carreno, The Final Hours. NY, Knopf, 1953. Pb reprint: Signet 1191.
b *	Camilo José Cela, The Hive. NY, Farrar Straus, 1953. Pb reprint: Signet 1157.
a *	Martin Dibner, The Deep Six. NY, Doubleday, 1953. Pb reprint: Permabook M4028.
a **	Oakley M. Hall, Corpus of Joe Bailey. NY, Viking, 1953. Pb reprint: Permabook M4006.
d *	Maude Hutchins, My Hero. NY, New Directions, 1953.
a *	Marcel Jouhandeau, Marcel and Elise. NY, Pantheon, 1953.
a *	Raffaele La Capria, A Day of Impatience. NY, Farrar, Straus, 1953. Pb reprint: as “First Affair”, Signet 1223.
b *	Noel Langley, The Rift in the Lute. NY, Coward-McCann, 1953. Pb reprint: as “Innocent at Large”, Popular 565.
b *	Richard McKaye, Portrait of the Damned. NY, Twayne, 1953. Pb reprint: Signet 1110.
d	Ugo Moretti, Rogue Wind. NY, Prentice-Hall, 1953. Pb: Popular 585.
d	Roger Nimier, The Blue Hussar. NY, Messner, 1953. Pb: Signet 1273.
a *	Goffredo Parise, The Dead Boy and the Comets. NY, Farrar, Straus, ’53.
b&c	Jordan Park, Half. PbO: NY, Lion 135, 1953.
b *	Frederic Prokosch, Nine Days to Mukalla. NY, Viking, 1953. Pb reprint: Avon T90.
	Frederick Rolfe, The Desire and Pursuit of the Whole. 1953. (See 1934).
b&f **	Gerald Sykes, The Children of Light. NY, Farrar, Straus, 1953.
b ***	Gore Vidal, The Judgement of Paris. NY, Dutton, 1953.
a **	Paul Warren, Next Time Is For Life. PbO; NY, Dell FE6, 1953.
b *	John Lee Weldon, The Naked Heart. NY, Farrar, Straus, ’53. Pb: Signet 1126.
d	Tennessee Williams, Camino Real (D). NY, New Directions, 1953.

b *	Walter Baxter, The Image and the Search. NY, Putnam’s, 1954.
b *	Leonard Bishop, Creep into thy Narrow Bed. NY, Dial, 1954. Pb reprint: Pyramid G206 (abridged)
b *	Taylor Caldwell, Never Victorious Never Defeated. NY, McGraw-Hill ’54. Pb reprint: Cardinal C202 (drastically abridged).
a *	John Flagg, Dear, Deadly Beloved. PbO: NY, Fawcett Gold Medal #391, 1954.
c	Jean Genet, Deathwatch (D) in “The Maids and Deathwatch”, NY, Grove, 1954. Vs. Grove reprints including 1958(PC): Grove E44.
b **	Christopher Isherwood, The World in the Evening. NY, Random, 1954. Pb reprint: Popular 710.
d *	Nikos Kazantzakis, The Greek Passion. NY, Simon & Schuster, 1954.
d	Speed Lamkin, The Easter Egg Hunt. Boston, Houghton Mifflin, 1954. Pb reprint: as “Fast and Loose”, Popular 663.
d	Ross MacRoss, The Beautiful and Dead. PbO: NY, Fawcett Gold Medal 386, 1954.
b&c ***	Roger Peyrefitte, Diplomatic Diversions. NY, Vanguard, 1954.
c **	Alexander Randolph, The Mail Boat. NY, Holt, 1954. (Primary?)
a **	Mordecai Richler, The Acrobats. NY, Putnam’s, 1954. Pb reprint: as “Wicked We Love”, Popular 677.
c *	Anya Seton, Katherine. Boston, Houghton Mifflin, 1954. Pb reprint: Cardinal GC752.
e	John Steinbeck, Sweet Thursday. NY, Viking, 1954. Pb reprint: Bantam A1412.
c&d *	Desmond Stewart, The Unsuitable Englishman. NY, Farrar Straus, ’54. Pb reprint: as “A Stranger in Eden”, Signet 1357.
b *	Benjamin Subercaseaux, Jemmy Button. NY, MacMillan, 1954.
d *	Eugene Walter, The Untidy Pilgrim. Philadelphia, Lippincott, 1954.
c	Tennessee Williams, Three Players of a Summer Game (SS) and The Resemblance between a Violin Case and a Coffin (SS) in “Hard Candy”. NY, New Directions, 1954. (See also Primary, 1954).

c *	Steve Allen, Houston Incident (SS) in “Fourteen for Tonight”. NY, Holt, 1955. Pb reprint: Dell D172.
d *	Alfred Bester, Who He? NY, Doubleday, 1955. Pb reprint: as “The Rat Race”, Berkley G19.
d	Vance Bourjaily, The Hound of Earth. NY, Scribner’s, 1955. Perm 4052.
c&d *	John Breon, The Sorrows of Travel. NY, Putnam’s, 1955.
d	Clemence Dane, The Flower Girls. NY, Norton, 1955.
b *	Angna Enters, Among the Daughters. NY, Coward-McCann, 1955.
b *	John Foster, Dark Heritage. PbO: Fawcett Gold Medal 486, 1955.
d&f *	William Gaddis, The Recognitions. NY, Harcourt Brace, 1955.
a *	Rodney Garland (Adam de Hegedus), The Troubled Midnight. NY, Coward-McCann, 1955. Pb reprint: Lion 128.
d *	Julien Green, South (D) in “Plays of the Year v.12”. London, Elek, ’55.
a *	Mel Heimer, The Girl in Murder Flat. PbO: NY, Fawcett GM458, 1955.
c *	Patricia Highsmith, The Talented Mr. Ripley. NY, Coward-McCann, 1955.
a *	Margaret Mackay, Four Fates. NY, Day, 1955.
a **	Norman Mailer, The Deer Park. NY, Putnam’s, 1955. Pb: Signet D1375.
a **	Robin Maugham, Behind the Mirror. NY, Harcourt Brace, 1955. Pb reprint: as “The Jungle of Love”, Avon 695.
a **	Margaret Millar, The Beast in View. NY, Random, 1955. Pb: Bantam 1542.
f	Arthur Miller, A View from the Bridge (D). NY, Viking, 1955.
d *	Robert Musil, The Confusions of Young Törless. NY, Pantheon, 1995. (PC) Noonday, 1958.
a ***	Malcolm Nesbit, Chariot of Flesh. Paris, Olympia, 1955.
c	Robert Payne, The Roaring Boys. NY, Doubleday, 1955.
d&f	Roger Peyrefitte, Diplomatic Conclusions. NY, Vanguard, 1955.
d *	Frederic Prokosch, A Tale for Midnight. Boston, Little Brown, 1955. Pb reprint: Popular G171.
	Forrest Reid, Uncle Stephen. 1955. See OTP, 1931.
d	Robert Ruark, Something of Value. NY, Doubleday, 1955. Pb: Cardinal 753.
a **	Count D. A. F. de Sade, 120 Days of Sodom. Paris, Olympia, 1955.
a **	Michael Scarrott, Ambassador of Loss. London, Fortune, 1955.
e	Anthony West, Heritage. NY, Random, 1955. Pb reprint: PB C235.
e&f	Tennessee Williams, Cat on a Hot Tin Roof (D). NY, New Directions, ’55. Pb reprint: Signet S1590.

c	Thomas Anderson, Your Own Beloved Sons. NY, Random, 1956. Pb: Bantam 1570.
d	Nigel Balchin, The Fall of the Sparrow. NY, Rinehart, 1956.
d	Heinrich Böll, The Train Was on Time. NY, Criterion, 1956.
a ***	Harriet Daimler & Henry Crannach, The Pleasure Thieves. Paris, Olympia, 1956. (PC)
a	Maurice Druon, The Iron King. NY, Scribner’s, 1956. Pb reprint: Ace D302.
d	Constantine FitzGibbon, The Fair Game. NY, Norton, 1956. (Also PC).
d *	Allen Ginsberg, Howl (P) in “Howl and Other Poems”. San Francisco, The City Lights Pocket Bookshop, Pocket Poet Series No. 4, 1956 (PC).
d	Caroline Gordon, The Malefactors. NY, Harcourt Brace, 1956.
b *	Willi Heinrich, The Cross of Iron. Indianapolis, Bobbs-Merrill, ’56. Pb reprint: Bantam 1599.
c	Lance Horner, The Street of the Sun. NY, Abelard, 1956.
c	Francis King, The Dark Glasses. NY, Pantheon, 1956.
d *	Wolfgang Koeppen, Death in Rome. London, Weidenfeld & Nicolson, 1956.
d	N. Martin Kramer, The Hearth and the Strangeness. NY, MacMillan, 1956. Pb reprint: Pyramid R236.
c/d *	Meyer Levin, Compulsion. NY, Simon and Schuster, 1956. Pb reprint: Cardinal GC756.
d *	Richard Llewellyn, Mr. Hamish Gleave. NY, Doubleday, 1956.
b *	Pamela Moore, Chocolates for Breakfast. NY, Rinehart, 1956. Pb reprint: Bantam A1630.
b&c **	Kyle Onstott, Mandingo. Richmond, Denlinger’s, 1956. Pb: Crest T202.
b **	Mary Orr, Diamond in the Sky. NY, Crown, 1956. Pb reprint: Permabook M4086.
d	Kenneth Roberts, Boon Island. NY, Doubleday, 1956.
d *	William Rohde, Give Me a Little Something. PbO: Pyramid G226, 1956.
b *	Virginia Rowans (Patrick Dennis), The Loving Couple. NY, Crowell, 1956. Pb reprint: Permabook M4077.
d	Carlo Scarfoglio, The True Cross. NY, Pantheon, 1956.
d	Maarten Schiemer, The Cry of the Kite. Indianapolis, Bobbs-Merrill, ’56.
a **	John Taylor, Shadows of Shame. PbO: NY, Pyramid G189, 1956.
c&d *	Frederic Wakeman, De Luxe Tour. NY, Rinehart, 1956. Pb reprint: Cardinal C254.
a **	Angus Wilson, Anglo-Saxon Attitudes. NY, Viking, 1956.
a ***	Maritta Wolff, The Big Nickelodeon. NY, Random, 1956. Pb reprint: Bantam AT721.

a **	Jim Barbee, Young John. NY, Pan, 1957.
b&c *	Brigid Brophy, The King of a Rainy Country. NY, Knopf (PC), 1957.
d	Hallie Burnett, The Brain Pickers. NY, Messner, 1957. Pb: Dell D237.
	Jean Cocteau, The Holy Terrors. 1957 (Lehmann translation). See 1930.
c	Lettice Cooper, Three Lives. London, Gollancz, 1957.
b **	Henry Crannach, Flesh and Bone. Paris, Olympia, 1957. (PC)
a *	Harriet Daimler, Innocence. Paris, Olympia, 1957. (PC)
a *	Patrick Dennis & Dorothy Erskine, The Pink Hotel. NY, Putnam’s, 1957. Pb reprint: Crest S227.
d	Lawrence Durrell, Justine. NY, Dutton, 1957.
b *	Gabriel Fielding, In the Time of Greenbloom. NY, Morrow, 1957.
d	Arthur Foff, North of Market. NY, Harcourt Brace, 1957.
a **	Anne Hocking, The Simple Way of Poison. NY, Washburn, 1957.
f	Storm Jameson, A Cup of Tea for Mr. Thorgill. NY, Harper, 1957.
a *	Pamela Hansford Johnson, The Sea and the Wedding. NY, Harcourt Brace, 1957. (Original British title: The Last Resort.)
c **	Francis King, The Man on the Rock. NY, Pantheon, 1957.
c *	C. H. B. Kitchin, Ten Pollitt Place. London, Secker & Warburg, 1957.
c *	David Stuart Leslie, The Man on the Beach. London, Hutchinson, 1957.
acf **	James Mitchell, Here’s a Villain. London, Davies, 1957.
d	Alexandra Orme, Natalie. NY, Simon & Schuster, 1957.
c	Bettina Postani, Before the Cock Crows. Boston, Little Brown, 1957.
a **	James Purdy, 63: Dream Palace. (SN)
c *	James Purdy, Man and Wife. (SS)
	in “Color of Darkness”. NY, New Directions, 1957.
a ***	Count D. A. F. de Sade, The Bedroom Philosophers. Paris, Olympia, 1957. (PC)
b&f	Gladys Schmitt, A Small Fire. NY, Dial, 1957.
a **	Jill Stern, Not in our Stars. NY, McKay, 1957. Pb reprint: as “Nine Miles to Reno”, Signet S1570.
a ***	Christopher Teale, Behind These Walls. NY, Fell, 1957.
d	Frank Tuohy, The Animal Game. NY, Scribner’s, 1957.
f	Evelyn Waugh, The Ordeal of Gilbert Pinfold. Boston, Little Brown, ’57.
d&f	Angus Wilson, A Bit Off the Map (SS) in “A Bit off the Map”. NY, Viking, 1957.
c/d *	Marguerite Yourcenar, Coup de Grace. NY, Farrar Straus, 1957.

d *	Vance Bourjaily, The Violated. NY, Dial, 1958.
b *	Tom Chetwynd, Rushing Nowhere. London, Blond, 1958.
a **	Jean-Paul Clebert, The Blockhouse. NY, Coward-McCann, 1958.
d	Bud Clifton, Muscle Boy. PbO: NY, Ace D330, 1958.
d *	Carlo Coccioli, Manuel the Mexican. NY, Simon and Schuster, 1958.
c *	Charles Criswell, Marty (SS) in “Nobody Knows What the Stork Will Bring”. NY, McDowell, 1958.
d	Lawrence Durrell, Balthazar. NY, Dutton, 1958.
d&f *	Pamela Frankau, Ask Me No More. NY, Harper, 1958.
d *	Robert Gutwillig, After Long Silence. Boston, Little Brown, 1958.
d *	Hans Habe, The Devil’s Agent. NY, Fell, 1958.
d *	Thomas Hinde, Happy as Larry. NY, Criterion, 1958.
a **	Herbert D. Kastle, Koptic Court. NY, Simon and Schuster, 1958.
d *	Jack Kerouac, The Subterraneans. NY, Grove, 1958 (also PC). Pb reprint: Avon T302.
d *	Robert Kyle, Blackmail Inc. PbO: NY, Dell A155, 1958.
d *	Richard Llewellyn, Chez Pavan. NY, Doubleday, 1958.
a *	Howard Manisch, By Their Fruits. NY, Crown, 1958.
a *	John O’Hara, From the Terrace. NY, Random, 1958.
d&f *	Vin Packer, 5:45 to Suburbia. PbO: Fawcett Gold Medal 371, NY, 1958.
b **	Jerry Pezzella, Gateway to Tomorrow. NY, Vantage, 1958.
d *	Bentz Plagemann, The Steel Cocoon. NY, Viking, 1958.
d *	John Rechy, Mardi Gras (SS) in PbO “Evergreen Review No. 5”, NY, 1958.
d *	Mary Renault, The King Must Die. NY, Pantheon, 1958.
c *	Fr. Rolfe, Nicholas Crabbe or The One and the Many. NY, New Directions, 1958.
d *	Irwin Rose, Serpent in the Sky. Westport, Associated Booksellers, 1958.
a ***	Walter Ross, The Immortal. NY, Simon and Schuster, 1958.
b *	Count D. A. F. de Sade, Juliette vol. I. Paris, Olympia, 1958.
d *	Mario Soldati, The Confession. NY, Knopf, 1958.
d *	Terry Southern, Flash and Filigree. NY, Putnam’s, 1958.
c	Bianca Van Orden, Water Music. NY, Harcourt Brace, 1958.
a **	R. H. Ward, The Wilderness. London, Cassell, 1958.
d **	John Wiles, The Asphalt Playground. London, Gollancz, 1958.
e	Tennessee Williams, Suddenly Last Summer (D). NY, New Directions, ’58.
b *	Herman Wouk, Nature’s Way (D). NY, Doubleday, 1958.

The Project Gutenberg eBook of The homosexual in literature

The Homosexual In Literature

PRIMARY

CLASSICS (c. 700 B.C.-1700)

OTP

18th/19th Centuries

1901-1924

1925-1931

1932-1936

1937-1941

1942-1946

1947-1948

1949-1950

1951

1952

1953

1954

1955

1956

1957

1958

1959

1960

SPECIAL INDEXES

I. By National Locale (other than contemporary U.S. and Britain).

II. Special Locales

III. Professions & Special Occupations

IV. Special Roles, Types, Situations and Relationships of Interest

V. Index of Well-known or otherwise Noteworthy Authors

Transcriber’s Notes

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The Homosexual
In Literature