credit



Transcribed from the 1873 James R. Osgood and Company edition by David
Price, email ccx074@pglaf.org





                                   THE
                                 AUTOCRAT
                                    OF
                           THE BREAKFAST-TABLE.


                                * * * * *

                       _EVERY MAN HIS OWN BOSWELL_.

                       [Picture: Decorative image]

                                 BOSTON:
                       JAMES R. OSGOOD AND COMPANY,
             LATE TICKNOR & FIELDS, AND FIELDS, OSGOOD, & CO.
                                  1873.

                                * * * * *

        Entered according to Act of Congress, in the year 1858, by
                          OLIVER WENDELL HOLMES,
      In the Clerk's Office of the District Court of the District of
                              Massachusetts.




THE AUTOCRAT'S AUTOBIOGRAPHY


The interruption referred to in the first sentence of the first of these
papers was just a quarter of a century in duration.

Two articles entitled "The Autocrat of the Breakfast-Table" will be found
in the "New England Magazine," formerly published in Boston by J. T. and
E. Buckingham.  The date of the first of these articles is November 1831,
and that of the second February 1832.  When "The Atlantic Monthly" was
begun, twenty-five years afterwards, and the author was asked to write
for it, the recollection of these crude products of his uncombed literary
boyhood suggested the thought that it would be a curious experiment to
shake the same bough again, and see if the ripe fruit were better or
worse than the early windfalls.

So began this series of papers, which naturally brings those earlier
attempts to my own notice and that of some few friends who were idle
enough to read them at the time of their publication.  The man is father
to the boy that was, and I am my own son, as it seems to me, in those
papers of the New England Magazine.  If I find it hard to pardon the
boy's faults, others would find it harder.  They will not, therefore, be
reprinted here, nor as I hope, anywhere.

But a sentence or two from them will perhaps bear reproducing, and with
these I trust the gentle reader, if that kind being still breathes, will
be contented.

    --"It is a capital plan to carry a tablet with you, and, when you
    find yourself felicitous, take notes of your own conversation."--

    --"When I feel inclined to read poetry I take down my Dictionary.
    The poetry of words is quite as beautiful as that of sentences.  The
    author may arrange the gems effectively, but their fhape and luftre
    have been given by the attrition of ages.  Bring me the fineft fimile
    from the whole range of imaginative writing, and I will fhow you a
    fingle word which conveys a more profound, a more accurate, and a
    more eloquent analogy."--

    --"Once on a time, a notion was ftarted, that if all the people in
    the world would fhout at once, it might be heard in the moon.  So the
    projectors agreed it fhould be done in juft ten years.  Some thousand
    fhip-loads of chronometers were diftributed to the selectmen and
    other great folks of all the different nations.  For a year
    beforehand, nothing else was talked about but the awful noise that
    was to be made on the great occafion.  When the time came, everybody
    had their ears so wide open, to hear the universal ejaculation of
    BOO,--the word agreed upon,--that nobody spoke except a deaf man in
    one of the Fejee Islands, and a woman in Pekin, so that the world was
    never so ftill fince the creation."--

There was nothing better than these things and there was not a little
that was much worse.  A young fellow of two or three and twenty has as
good a right to spoil a magazine-full of essays in learning how to write,
as an oculist like Wenzel had to spoil his hat-full of eyes in learning
how to operate for cataract, or an _elegant_ like Brummel to point to an
armful of failures in the attempt to achieve a perfect tie.  This son of
mine, whom I have not seen for these twenty-five years, generously
counted, was a self-willed youth, always too ready to utter his
unchastised fancies.  He, like too many American young people, got the
spur when he should have had the rein.  He therefore helped to fill the
market with that unripe fruit which his father says in one of these
papers abounds in the marts of his native country.  All these by-gone
shortcomings he would hope are forgiven, did he not feel sure that very
few of his readers know anything about them.  In taking the old name for
the new papers, he felt bound to say that he had uttered unwise things
under that title, and if it shall appear that his unwisdom has not
diminished by at least half while his years have doubled, he promises not
to repeat the experiment if he should live to double them again and
become his own grandfather.

                                                    OLIVER WENDELL HOLMES.

BOSTON _Nov._ 1_st_ 1858.




CHAPTER I


I was just going to say, when I was interrupted, that one of the many
ways of classifying minds is under the heads of arithmetical and
algebraical intellects.  All economical and practical wisdom is an
extension or variation of the following arithmetical formula: 2+2=4.
Every philosophical proposition has the more general character of the
expression _a+b=c_.  We are mere operatives, empirics, and egotists,
until we learn to think in letters instead of figures.

They all stared.  There is a divinity student lately come among us to
whom I commonly address remarks like the above, allowing him to take a
certain share in the conversation, so far as assent or pertinent
questions are involved.  He abused his liberty on this occasion by
presuming to say that Leibnitz had the same observation.--No, sir, I
replied, he has not.  But he said a mighty good thing about mathematics,
that sounds something like it, and you found it, _not in the original_,
but quoted by Dr. Thomas Reid.  I will tell the company what he did say,
one of these days.

--If I belong to a Society of Mutual Admiration?--I blush to say that I
do not at this present moment.  I once did, however.  It was the first
association to which I ever heard the term applied; a body of scientific
young men in a great foreign city who admired their teacher, and to some
extent each other.  Many of them deserved it; they have become famous
since.  It amuses me to hear the talk of one of those beings described by
Thackeray--

    "Letters four do form his name"--

about a social development which belongs to the very noblest stage of
civilization.  All generous companies of artists, authors,
philanthropists, men of science, are, or ought to be, Societies of Mutual
Admiration.  A man of genius, or any kind of superiority, is not debarred
from admiring the same quality in another, nor the other from returning
his admiration.  They may even associate together and continue to think
highly of each other.  And so of a dozen such men, if any one place is
fortunate enough to hold so many.  The being referred to above assumes
several false premises.  First, that men of talent necessarily hate each
other.  Secondly, that intimate knowledge or habitual association
destroys our admiration of persons whom we esteemed highly at a distance.
Thirdly, that a circle of clever fellows, who meet together to dine and
have a good time, have signed a constitutional compact to glorify
themselves and to put down him and the fraction of the human race not
belonging to their number.  Fourthly, that it is an outrage that he is
not asked to join them.

                  [Picture: The Old Gentleman Opposite]

Here the company laughed a good deal, and the old gentleman who sits
opposite said, "That's it! that's it!"

I continued, for I was in the talking vein.  As to clever people's hating
each other, I think a _little_ extra talent does sometimes make people
jealous.  They become irritated by perpetual attempts and failures, and
it hurts their tempers and dispositions.  Unpretending mediocrity is
good, and genius is glorious; but a weak flavor of genius in an
essentially common person is detestable.  It spoils the grand neutrality
of a commonplace character, as the rinsings of an unwashed wineglass
spoil a draught of fair water.  No wonder the poor fellow we spoke of,
who always belongs to this class of slightly flavored mediocrities, is
puzzled and vexed by the strange sight of a dozen men of capacity working
and playing together in harmony.  He and his fellows are always fighting.
With them familiarity naturally breeds contempt.  If they ever praise
each other's bad drawings, or broken-winded novels, or spavined verses,
nobody ever supposed it was from admiration; it was simply a contract
between themselves and a publisher or dealer.

If the Mutuals have really nothing among them worth admiring, that alters
the question.  But if they are men with noble powers and qualities, let
me tell you, that, next to youthful love and family affections, there is
no human sentiment better than that which unites the Societies of Mutual
Admiration.  And what would literature or art be without such
associations?  Who can tell what we owe to the Mutual Admiration Society
of which Shakspeare, and Ben Jonson, and Beaumont and Fletcher were
members?  Or to that of which Addison and Steele formed the centre, and
which gave us the Spectator?  Or to that where Johnson, and Goldsmith,
and Burke, and Reynolds, and Beauclerk, and Boswell, most admiring among
all admirers, met together?  Was there any great harm in the fact that
the Irvings and Paulding wrote in company? or any unpardonable cabal in
the literary union of Verplanck and Bryant and Sands, and as many more as
they chose to associate with them?

The poor creature does not know what he is talking about, when he abuses
this noblest of institutions.  Let him inspect its mysteries through the
knot-hole he has secured, but not use that orifice as a medium for his
popgun.  Such a society is the crown of a literary metropolis; if a town
has not material for it, and spirit and good feeling enough to organize
it, it is a mere caravansary, fit for a man of genius to lodge in, but
not to live in.  Foolish people hate and dread and envy such an
association of men of varied powers and influence, because it is lofty,
serene, impregnable, and, by the necessity of the case, exclusive.  Wise
ones are prouder of the title M. S. M. A. than of all their other honors
put together.

--All generous minds have a horror of what are commonly called "facts."
They are the brute beasts of the intellectual domain.  Who does not know
fellows that always have an ill-conditioned fact or two which they lead
after them into decent company like so many bull-dogs, ready to let them
slip at every ingenious suggestion, or convenient generalization, or
pleasant fancy?  I allow no "facts" at this table.  What!  Because bread
is good and wholesome and necessary and nourishing, shall you thrust a
crumb into my windpipe while I am talking?  Do not these muscles of mine
represent a hundred loaves of bread? and is not my thought the abstract
of ten thousand of these crumbs of truth with which you would choke off
my speech?

[The above remark must be conditioned and qualified for the vulgar mind.
The reader will of course understand the precise amount of seasoning
which must be added to it before he adopts it as one of the axioms of his
life.  The speaker disclaims all responsibility for its abuse in
incompetent hands.]

This business of conversation is a very serious matter.  There are men
that it weakens one to talk with an hour more than a day's fasting would
do.  Mark this that I am going to say, for it is as good as a working
professional man's advice, and costs you nothing: It is better to lose a
pint of blood from your veins than to have a nerve tapped.  Nobody
measures your nervous force as it runs away, nor bandages your brain and
marrow after the operation.

There are men of _esprit_ who are excessively exhausting to some people.
They are the talkers who have what may be called _jerky_ minds.  Their
thoughts do not run in the natural order of sequence.  They say bright
things on all possible subjects, but their zigzags rack you to death.
After a jolting half-hour with one of these jerky companions, talking
with a dull friend affords great relief.  It is like taking the cat in
your lap after holding a squirrel.

What a comfort a dull but kindly person is, to be sure, at times!  A
ground-glass shade over a gas-lamp does not bring more solace to our
dazzled eyes than such a one to our minds.

"Do not dull people bore you?" said one of the lady-boarders,--the same
that sent me her autograph-book last week with a request for a few
original stanzas, not remembering that "The Pactolian" pays me five
dollars a line for every thing I write in its columns.

"Madam," said I, (she and the century were in their teens together,) "all
men are bores, except when we want them.  There never was but one man
whom I would trust with my latch-key."

"Who might that favored person be?"

"Zimmermann."

--The men of genius that I fancy most have erectile heads like the
cobra-di-capello.  You remember what they tell of William Pinkney, the
great pleader; how in his eloquent paroxysms the veins of his neck would
swell and his face flush and his eyes glitter, until he seemed on the
verge of apoplexy.  The hydraulic arrangements for supplying the brain
with blood are only second in importance to its own organization.  The
bulbous-headed fellows that steam well when they are at work are the men
that draw big audiences and give us marrowy books and pictures.  It is a
good sign to have one's feet grow cold when he is writing.  A great
writer and speaker once told me that he often wrote with his feet in hot
water; but for this, _all_ his blood would have run into his head, as the
mercury sometimes withdraws into the ball of a thermometer.

--You don't suppose that my remarks made at this table are like so many
postage-stamps, do you,--each to be only once uttered?  If you do, you
are mistaken.  He must be a poor creature that does not often repeat
himself.  Imagine the author of the excellent piece of advice, "Know
thyself," never alluding to that sentiment again during the course of a
protracted existence!  Why, the truths a man carries about with him are
his tools; and do you think a carpenter is bound to use the same plane
but once to smooth a knotty board with, or to hang up his hammer after it
has driven its first nail?  I shall never repeat a conversation, but an
idea often.  I shall use the same types when I like, but not commonly the
same stereotypes.  A thought is often original, though you have uttered
it a hundred times.  It has come to you over a new route, by a new and
express train of associations.

Sometimes, but rarely, one may be caught making the same speech twice
over, and yet be held blameless.  Thus, a certain lecturer, after
performing in an inland city, where dwells a _Litteratrice_ of note, was
invited to meet her and others over the social teacup.  She pleasantly
referred to his many wanderings in his new occupation.  "Yes," he
replied, "I am like the Huma, the bird that never lights, being always in
the cars, as he is always on the wing."--Years elapsed.  The lecturer
visited the same place once more for the same purpose.  Another social
cup after the lecture, and a second meeting with the distinguished lady.
"You are constantly going from place to place," she said.--"Yes," he
answered, "I am like the Huma,"--and finished the sentence as before.

What horrors, when it flashed over him that he had made this fine speech,
word for word, twice over!  Yet it was not true, as the lady might
perhaps have fairly inferred, that he had embellished his conversation
with the Huma daily during that whole interval of years.  On the
contrary, he had never once thought of the odious fowl until the
recurrence of precisely the same circumstances brought up precisely the
same idea.  He ought to have been proud of the accuracy of his mental
adjustments.  Given certain factors, and a sound brain should always
evolve the same fixed product with the certainty of Babbage's calculating
machine.

--What a satire, by the way, is that machine on the mere mathematician!
A Frankenstein-monster, a thing without brains and without heart, too
stupid to make a blunder; that turns out results like a corn-sheller, and
never grows any wiser or better, though it grind a thousand bushels of
them!

I have an immense respect for a man of talents _plus_ "the mathematics."
But the calculating power alone should seem to be the least human of
qualities, and to have the smallest amount of reason in it; since a
machine can be made to do the work of three or four calculators, and
better than any one of them.  Sometimes I have been troubled that I had
not a deeper intuitive apprehension of the relations of numbers.  But the
triumph of the ciphering hand-organ has consoled me.  I always fancy I
can hear the wheels clicking in a calculator's brain.  The power of
dealing with numbers is a kind of "detached lever" arrangement, which may
be put into a mighty poor watch--I suppose it is about as common as the
power of moving the ears voluntarily, which is a moderately rare
endowment.

--Little localized powers, and little narrow streaks of specialized
knowledge, are things men are very apt to be conceited about.  Nature is
very wise; but for this encouraging principle how many small talents and
little accomplishments would be neglected!  Talk about conceit as much as
you like, it is to human character what salt is to the ocean; it keeps it
sweet, and renders it endurable.  Say rather it is like the natural
unguent of the sea-fowl's plumage, which enables him to shed the rain
that falls on him and the wave in which he dips.  When one has had _all_
his conceit taken out of him, when he has lost _all_ his illusions, his
feathers will soon soak through, and he will fly no more.

"So you admire conceited people, do you?" said the young lady who has
come to the city to be finished off for--the duties of life.

I am afraid you do not study logic at your school, my dear.  It does not
follow that I wish to be pickled in brine because I like a salt-water
plunge at Nahant.  I say that conceit is just as natural a thing to human
minds as a centre is to a circle.  But little-minded people's thoughts
move in such small circles that five minutes' conversation gives you an
arc long enough to determine their whole curve.  An arc in the movement
of a large intellect does not sensibly differ from a straight line.  Even
if it have the third vowel as its centre, it does not soon betray it.
The highest thought, that is, is the most seemingly impersonal; it does
not obviously imply any individual centre.

Audacious self-esteem, with good ground for it, is always imposing.  What
resplendent beauty that must have been which could have authorized Phryne
to "peel" in the way she did!  What fine speeches are those two: "_Non
omnis mortar_," and "I have taken all knowledge to be my province"!  Even
in common people, conceit has the virtue of making them cheerful; the man
who thinks his wife, his baby, his house, his horse, his dog, and himself
severally unequalled, is almost sure to be a good-humored person, though
liable to be tedious at times.

--What are the great faults of conversation?  Want of ideas, want of
words, want of manners, are the principal ones, I suppose you think.  I
don't doubt it, but I will tell you what I have found spoil more good
talks than anything else;--long arguments on special points between
people who differ on the fundamental principles upon which these points
depend.  No men can have satisfactory relations with each other until
they have agreed on certain _ultimata_ of belief not to be disturbed in
ordinary conversation, and unless they have sense enough to trace the
secondary questions depending upon these ultimate beliefs to their
source.  In short, just as a written constitution is essential to the
best social order, so a code of finalities is a necessary condition of
profitable talk between two persons.  Talking is like playing on the
harp; there is as much in laying the hand on the strings to stop their
vibrations as in twanging them to bring out their music.

--Do you mean to say the pun-question is not clearly settled in your
minds?  Let me lay down the law upon the subject.  Life and language are
alike sacred.  Homicide and _verbicide_--that is, violent treatment of a
word with fatal results to its legitimate meaning, which is its life--are
alike forbidden.  Manslaughter, which is the meaning of the one, is the
same as man's laughter, which is the end of the other.  A pun is _prima
facie_ an insult to the person you are talking with.  It implies utter
indifference to or sublime contempt for his remarks, no matter how
serious.  I speak of total depravity, and one says all that is written on
the subject is deep raving.  I have committed my self-respect by talking
with such a person.  I should like to commit him, but cannot, because he
is a nuisance.  Or I speak of geological convulsions, and he asks me what
was the cosine of Noah's ark; also, whether the Deluge was not a deal
huger than any modern inundation.

A pun does not commonly justify a blow in return.  But if a blow were
given for such cause, and death ensued, the jury would be judges both of
the facts and of the pun, and might, if the latter were of an aggravated
character, return a verdict of justifiable homicide.  Thus, in a case
lately decided before Miller, J., Doe presented Roe a subscription paper,
and urged the claims of suffering humanity.  Roe replied by asking, When
charity was like a top?  It was in evidence that Doe preserved a
dignified silence.  Roe then said, "When it begins to hum."  Doe
then--and not till then--struck Roe, and his head happening to hit a
bound volume of the Monthly Rag-bag and Stolen Miscellany, intense
mortification ensued, with a fatal result.  The chief laid down his
notions of the law to his brother justices, who unanimously replied,
"Jest so."  The chief rejoined, that no man should jest so without being
punished for it, and charged for the prisoner, who was acquitted, and the
pun ordered to be burned by the sheriff.  The bound volume was forfeited
as a deodand, but not claimed.

People that make puns are like wanton boys that put coppers on the
railroad tracks.  They amuse themselves and other children, but their
little trick may upset a freight train of conversation for the sake of a
battered witticism.

I will thank you, B. F., to bring down two books, of which I will mark
the places on this slip of paper.  (While he is gone, I may say that this
boy, our land-lady's youngest, is called BENJAMIN FRANKLIN, after the
celebrated philosopher of that name.  A highly merited compliment.)

I wished to refer to two eminent authorities.  Now be so good as to
listen.  The great moralist says: "To trifle with the vocabulary which is
the vehicle of social intercourse is to tamper with the currency of human
intelligence.  He who would violate the sanctities of his mother tongue
would invade the recesses of the paternal till without remorse, and
repeat the banquet of Saturn without an indigestion."

And, once more, listen to the historian.  "The Puritans hated puns.  The
Bishops were notoriously addicted to them.  The Lords Temporal carried
them to the verge of license.  Majesty itself must have its Royal
quibble.  'Ye be burly, my Lord of Burleigh,' said Queen Elizabeth, 'but
ye shall make less stir in our realm than my Lord of Leicester.'  The
gravest wisdom and the highest breeding lent their sanction to the
practice.  Lord Bacon playfully declared himself a descendant of 'Og, the
King of Bashan.  Sir Philip Sidney, with his last breath, reproached the
soldier who brought him water, for wasting a casque full upon a dying
man.  A courtier, who saw Othello performed at the Globe Theatre,
remarked, that the blackamoor was a brute, and not a man.  'Thou hast
reason,' replied a great Lord, 'according to Plato his saying; for this
be a two-legged animal _with_ feathers.'  The fatal habit became
universal.  The language was corrupted.  The infection spread to the
national conscience.  Political double-dealings naturally grew out of
verbal double meanings.  The teeth of the new dragon were sown by the
Cadmus who introduced the alphabet of equivocation.  What was levity in
the time of the Tudors grew to regicide and revolution in the age of the
Stuarts."

Who was that boarder that just whispered something about the
Macaulay-flowers of literature?--There was a dead silence.--I said
calmly, I shall henceforth consider any interruption by a pun as a hint
to change my boarding-house.  Do not plead my example.  If _I_ have used
any such, it has been only as a Spartan father would show up a drunken
helot.  We have done with them.

--If a logical mind ever found out anything with its logic?--I should say
that its most frequent work was to build a _pons asinorum_ over chasms
which shrewd people can bestride without such a structure.  You can hire
logic, in the shape of a lawyer, to prove anything that you want to
prove.  You can buy treatises to show that Napoleon never lived, and that
no battle of Bunker-hill was ever fought.  The great minds are those with
a wide span, which couple truths related to, but far removed from, each
other.  Logicians carry the surveyor's chain over the track of which
these are the true explorers.  I value a man mainly for his primary
relations with truth, as I understand truth,--not for any secondary
artifice in handling his ideas.  Some of the sharpest men in argument are
notoriously unsound in judgment.  I should not trust the counsel of a
smart debater, any more than that of a good chess-player.  Either may of
course advise wisely, but not necessarily because he wrangles or plays
well.

The old gentleman who sits opposite got his hand up, as a pointer lifts
his forefoot, at the expression, "his relations with truth, as I
understand truth," and when I had done, sniffed audibly, and said I
talked like a transcendentalist.  For his part, common sense was good
enough for him.

Precisely so, my dear sir, I replied; common sense, _as you understand
it_.  We all have to assume a standard of judgment in our own minds,
either of things or persons.  A man who is willing to take another's
opinion has to exercise his judgment in the choice of whom to follow,
which is often as nice a matter as to judge of things for one's self.  On
the whole, I had rather judge men's minds by comparing their thoughts
with my own, than judge of thoughts by knowing who utter them.  I must do
one or the other.  It does not follow, of course, that I may not
recognize another man's thoughts as broader and deeper than my own; but
that does not necessarily change my opinion, otherwise this would be at
the mercy of every superior mind that held a different one.  How many of
our most cherished beliefs are like those drinking-glasses of the ancient
pattern, that serve us well so long as we keep them in our hand, but
spill all if we attempt to set them down!  I have sometimes compared
conversation to the Italian game of _mora_, in which one player lifts his
hand with so many fingers extended, and the other gives the number if he
can.  I show my thought, another his; if they agree, well; if they
differ, we find the largest common factor, if we can, but at any rate
avoid disputing about remainders and fractions, which is to real talk
what tuning an instrument is to playing on it.

--What if, instead of talking this morning, I should read you a copy of
verses, with critical remarks by the author?  Any of the company can
retire that like.

                                ALBUM VERSES.

    When Eve had led her lord away,
       And Cain had killed his brother,
    The stars and flowers, the poets say,
       Agreed with one another

    To cheat the cunning tempter's art,
       And teach the race its duty,
    By keeping on its wicked heart
       Their eyes of light and beauty.

    A million sleepless lids, they say,
       Will be at least a warning;
    And so the flowers would watch by day,
       The stars from eve to morning.

    On hill and prairie, field and lawn,
       Their dewy eyes upturning,
    The flowers still watch from reddening dawn
       Till western skies are burning.

    Alas! each hour of daylight tells
       A tale of shame so crushing,
    That some turn white as sea-bleached shells,
       And some are always blushing.

    But when the patient stars look down
       On all their light discovers,
    The traitor's smile, the murderer's frown,
       The lips of lying lovers,

    They try to shut their saddening eyes,
       And in the vain endeavour
    We see them twinkling in the skies,
       And so they wink forever.

What do _you_ think of these verses my friends?--Is that piece an
impromptu? said my landlady's daughter.  (Aet. 19 +.  Tender-eyed blonde.
Long ringlets.  Cameo pin.  Gold pencil-case on a chain.  Locket.
Bracelet.  Album.  Autograph book.  Accordeon.  Reads Byron, Tupper, and
Sylvanus Cobb, junior, while her mother makes the puddings.  Says "Yes?"
when you tell her anything.)--_Oui et non_, _ma petite_,--Yes and no, my
child.  Five of the seven verses were written off-hand; the other two
took a week,--that is, were hanging round the desk in a ragged, forlorn,
unrhymed condition as long as that.  All poets will tell you just such
stories.  _C'est le_ DERNIER _pas qui coute_.  Don't you know how hard it
is for some people to get out of a room after their visit is really over?
They want to be off, and you want to have them off, but they don't know
how to manage it.  One would think they had been built in your parlour or
study, and were waiting to be launched.  I have contrived a sort of
ceremonial inclined plane for such visitors, which being lubricated with
certain smooth phrases, I back them down, metaphorically speaking,
stern-foremost, into their "native element," the great ocean of
out-doors.  Well, now, there are poems as hard to get rid of as these
rural visitors.  They come in glibly, use up all the serviceable rhymes,
_day_, _ray_, _beauty_, _duty_, _skies_, _eyes_, _other_, _brother_,
_mountain_, _fountain_, and the like; and so they go on until you think
it is time for the wind-up, and the wind-up won't come on any terms.  So
they lie about until you get sick of the sight of them, and end by
thrusting some cold scrap of a final couplet upon them, and turning them
out of doors.  I suspect a good many "impromptus" could tell just such a
story as the above.--Here turning to our landlady, I used an illustration
which pleased the company much at the time, and has since been highly
commanded.  "Madam," I said, "you can pour three gills and three quarters
of honey from that pint jug, if it is full, in less than one minute; but,
Madam, you could not empty that last quarter of a gill, though you were
turned into a marble Hebe, and held the vessel upside down for a thousand
years."

                    [Picture: The Landlady's Daughter]

One gets tired to death of the old, old rhymes, such as you see in that
copy of verses,--which I don't mean to abuse, or to praise either.  I
always feel as if I were a cobbler, putting new top-leathers to an old
pair of boot-soles and bodies, when I am fitting sentiments to these
venerable jingles.

     .    .    .    .    youth

.    .    .    .    .    morning

.    .    .    .    .    truth

.    .    .    .    .    warning

Nine tenths of the "Juvenile Poems" written spring out of the above
musical and suggestive coincidences.

"Yes?" said our landlady's daughter.

I did not address the following remark to her, and I trust, from her
limited range of reading, she will never see it; I said it softly to my
next neighbour.

When a young female wears a flat circular side--curl, gummed on each
temple,--when she walks with a male, not arm in arm, but his arm against
the back of hers,--and when she says "Yes?" with the note of
interrogation, you are generally safe in asking her what wages she gets,
and who the "feller" was you saw her with.

"What were you whispering?" said the daughter of the house, moistening
her lips, as she spoke, in a very engaging manner.

"I was only laying down a principle of social diagnosis."

"Yes?"

--It is curious to see how the same wants and tastes find the same
implements and modes of expression in all times and places.  The young
ladies of Otaheite, as you may see in Cook's Voyages, had a sort of
crinoline arrangement fully equal in radius to the largest spread of our
own lady-baskets.  When I fling a Bay-State shawl over my shoulders, I am
only taking a lesson from the climate that the Indian had learned before
me.  A _blanket_-shawl we call it, and not a plaid; and we wear it like
the aborigines, and not like the Highlanders.

--We are the Romans of the modern world,--the great assimilating people.
Conflicts and conquests are of course necessary accidents with us, as
with our prototypes.  And so we come to their style of weapon.  Our army
sword is the short, stiff, pointed _gladius_ of the Romans; and the
American bowie-knife is the same tool, modified to meet the daily wants
of civil society.  I announce at this table an axiom not to be found in
Montesquieu or the journals of Congress:--

The race that shortens its weapons lengthens its boundaries.

_Corollary_.  It was the Polish _lance_ that left Poland at last with
nothing of her own to bound.

    "Dropped from her nerveless grasp the _shattered spear_!"

What business had Sarmatia to be fighting for liberty with a fifteen-foot
pole between her and the breasts of her enemies?  If she had but clutched
the old Roman and young American weapon, and come to close quarters,
there might have been a chance for her; but it would have spoiled the
best passage in "The Pleasures of Hope."

--Self-made men?--Well, yes.  Of course everybody likes and respects
self-made men.  It is a great deal better to be made in that way than not
to be made at all.  Are any of you younger people old enough to remember
that Irishman's house on the marsh at Cambridgeport, which house he built
from drain to chimney-top with his own hands?  It took him a good many
years to build it, and one could see that it was a little out of plumb,
and a little wavy in outline, and a little queer and uncertain in general
aspect.  A regular hand could certainly have built a better house; but it
was a very good house for a "self-made" carpenter's house, and people
praised it, and said how remarkably well the Irishman had succeeded.
They never thought of praising the fine blocks of houses a little farther
on.

Your self-made man, whittled into shape with his own jack-knife, deserves
more credit, if that is all, than the regular engine-turned article,
shaped by the most approved pattern, and French-polished by society and
travel.  But as to saying that one is every way the equal of the other,
that is another matter.  The right of strict social discrimination of all
things and persons, according to their merits, native or acquired, is one
of the most precious republican privileges.  I take the liberty to
exercise it, when I say, that, _other things being equal_, in most
relations of life I prefer a man of family.

What do I mean by a man of family?--O, I'll give you a general idea of
what I mean.  Let us give him a first-rate fit out; it costs us nothing.

Four or five generations of gentlemen and gentlewomen; among them a
member of his Majesty's Council for the Province, a Governor or so, one
or two Doctors of Divinity, a member of Congress, not later than the time
of top-boots with tassels.

Family portraits.  The member of the Council, by Smibert.  The great
merchant-uncle, by Copley, full length, sitting in his arm-chair, in a
velvet cap and flowered robe, with a globe by him, to show the range of
his commercial transactions, and letters with large red seals lying
round, one directed conspicuously to The Honourable etc. etc.
Great-grandmother, by the same artist; brown satin, lace very fine, hands
superlative; grand old lady, stiffish, but imposing.  Her mother, artist
unknown; flat, angular, hanging sleeves; parrot on fist.  A pair of
Stuarts, viz., 1.  A superb full-blown, mediaeval gentleman, with a fiery
dash of Tory blood in his veins, tempered down with that of a fine old
rebel grandmother, and warmed up with the best of old India Madeira; his
face is one flame of ruddy sunshine; his ruffled shirt rushes out of his
bosom with an impetuous generosity, as if it would drag his heart after
it; and his smile is good for twenty thousand dollars to the Hospital,
besides ample bequests to all relatives and dependants.  2.  Lady of the
same; remarkable cap; high waist, as in time of Empire; bust _a la
Josephine_; wisps of curls, like celery-tips, at sides of forehead;
complexion clear and warm, like rose-cordial.  As for the miniatures by
Malbone, we don't count them in the gallery.

Books, too, with the names of old college-students in them,--family
names;--you will find them at the head of their respective classes in the
days when students took rank on the catalogue from their parents'
condition.  Elzevirs, with the Latinized appellations of youthful
progenitors, and _Hic liber est meus_ on the title-page.  A set of
Hogarth's original plates.  Pope, original edition, 15 volumes, London,
1717.  Barrow on the lower shelves, in folio.  Tillotson on the upper, in
a little dark platoon of octo-decimos.

Some family silver; a string of wedding and funeral rings; the arms of
the family curiously blazoned; the same in worsted, by a maiden aunt.

If the man of family has an old place to keep these things in, furnished
with claw-footed chairs and black mahogany tables, and tall bevel-edged
mirrors, and stately upright cabinets, his outfit is complete.

No, my friends, I go (always, other things being equal) for the man who
inherits family traditions and the cumulative humanities of at least four
or five generations.  Above all things, as a child, he should have
tumbled about in a library.  All men are afraid of books, who have not
handled them from infancy.  Do you suppose our dear _didascalos_ over
there ever read _Poli Synopsis_, or consulted _Castelli Lexicon_, while
he was growing up to their stature?  Not he; but virtue passed through
the hem of their parchment and leather garments whenever he touched them,
as the precious drugs sweated through the bat's handle in the Arabian
story.  I tell you he is at home wherever he smells the invigorating
fragrance of Russia leather.  No self-made man feels so.  One may, it is
true, have all the antecedents I have spoken of, and yet be a boor or a
shabby fellow.  One may have none of them, and yet be fit for councils
and courts.  Then let them change places.  Our social arrangement has
this great beauty, that its strata shift up and down as they change
specific gravity, without being clogged by layers of prescription.  But I
still insist on my democratic liberty of choice, and I go for the man
with the gallery of family portraits against the one with the
twenty-five-cent daguerreotype, unless I find out that the last is the
better of the two.

--I should have felt more nervous about the late comet, if I had thought
the world was ripe.  But it is very green yet, if I am not mistaken; and
besides, there is a great deal of coal to use up, which I cannot bring
myself to think was made for nothing.  If certain things, which seem to
me essential to a millennium, had come to pass, I should have been
frightened; but they haven't.  Perhaps you would like to hear my

                             LATTER-DAY WARNINGS.

    When legislators keep the law,
       When banks dispense with bolts and locks,
    When berries, whortle--rasp--and straw--
       Grow bigger _downwards_ through the box,--

    When he that selleth house or land
       Shows leak in roof or flaw in right,--
    When haberdashers choose the stand
       Whose window hath the broadest light,--

    When preachers tell us all they think,
       And party leaders all they mean,--
    When what we pay for, that we drink,
       From real grape and coffee-bean,--

    When lawyers take what they would give,
       And doctors give what they would take,--
    When city fathers eat to live,
       Save when they fast for conscience' sake,--

    When one that hath a horse on sale
       Shall bring his merit to the proof,
    Without a lie for every nail
       That holds the iron on the hoof,--

    When in the usual place for rips
       Our gloves are stitched with special care,
    And guarded well the whalebone tips
       Where first umbrellas need repair,--

    When Cuba's weeds have quite forgot
       The power of suction to resist,
    And claret-bottles harber not
       Such dimples as would hold your fist,--

    When publishers no longer steal,
       And pay for what they stole before,--
    When the first locomotive's wheel
       Rolls through the Hoosac tunnel's bore;--

    _Till_ then let Cumming a blaze away,
       And Miller's saints blow up the globe;
    But when you see that blessed day,
       _Then_ order your ascension robe!

The company seemed to like the verses, and I promised them to read others
occasionally, if they had a mind to hear them.  Of course they would not
expect it every morning.  Neither must the reader suppose that all these
things I have reported were said at any one breakfast-time.  I have not
taken the trouble to date them, as Raspail, _pere_, used to date every
proof he sent to the printer; but they were scattered over several
breakfasts; and I have said a good many more things since, which I shall
very possibly print some time or other, if I am urged to do it by
judicious friends.

I finished off with reading some verses of my friend the Professor, of
whom you may perhaps hear more by and by.  The Professor read them, he
told me, at a farewell meeting, where the youngest of our great
Historians met a few of his many friends at their invitation.

    Yes, we knew we must lose him,--though friendship may claim
    To blend her green leaves with the laurels of fame;
    Though fondly, at parting, we call him our own,
    'Tis the whisper of love when the bugle has blown.

    As the rider that rests with the spur on his heel,--
    As the guardsman that sleeps in his corselet of steel,--
    As the archer that stands with his shaft on the string,
    He stoops from his toil to the garland we bring.

    What pictures yet slumber unborn in his loom
    Till their warriors shall breathe and their beauties shall bloom,
    While the tapestry lengthens the life-glowing dyes
    That caught from our sunsets the stain of their skies!

    In the alcoves of death, in the charnels of time,
    Where flit the gaunt spectres of passion and crime,
    There are triumphs untold, there are martyrs unsung,
    There are heroes yet silent to speak with his tongue!

    Let us hear the proud story which time has bequeathed
    From lips that are warm with the freedom they breathed!
    Let him summon its tyrants, and tell us their doom,
    Though he sweep the black past like Van Tromp with his broom!

                                  * * * * *

    The dream flashes by, for the west-winds awake
    On pampas, on prairie, o'er mountain and lake,
    To bathe the swift bark, like a sea-girdled shrine,
    With incense they stole from the rose and the pine.

    So fill a bright cup with the sunlight that gushed
    When the dead summer's jewels were trampled and crushed:
    THE TRUE KNIGHT OF LEARNING,--the world holds him dear,--
    Love bless him, Joy crown him, God speed his career!




CHAPTER II


I really believe some people save their bright thoughts, as being too
precious for conversation.  What do you think an admiring friend said the
other day to one that was talking good things,--good enough to print?
"Why," said he, "you are wasting mechantable literature, a cash article,
at the rate, as nearly as I can tell, of fifty dollars an hour."  The
talker took him to the window and asked him to look out and tell what he
saw.

"Nothing but a very dusty street," he said, "and a man driving a
sprinkling-machine through it."

"Why don't you tell the man he is wasting that water?  What would be the
state of the highways of life, if we did not drive our
_thought-sprinklers_ through them with the valves open, sometimes?

"Besides, there is another thing about this talking, which you forget.
It shapes our thoughts for us;--the waves of conversation roll them as
the surf rolls the pebbles on the shore.  Let me modify the image a
little.  I rough out my thoughts in talk as an artist models in clay.
Spoken language is so plastic,--you can pat and coax, and spread and
shave, and rub out, and fill up, and stick on so easily when you work
that soft material, that there is nothing like it for modelling.  Out of
it come the shapes which you turn into marble or bronze in your immortal
books, if you happen to write such.  Or, to use another illustration,
writing or printing is like shooting with a rifle; you may hit your
reader's mind, or miss it;--but talking is like playing at a mark with
the pipe of an engine; if it is within reach, and you have time enough,
you can't help hitting it."

The company agreed that this last illustration was of superior
excellence, or, in the phrase used by them, "Fust-rate."  I acknowledged
the compliment, but gently rebuked the expression.  "Fust-rate," "prime,"
"a prime article," "a superior piece of goods," "a handsome garment," "a
gent in a flowered vest,"--all such expressions are final.  They blast
the lineage of him or her who utters them, for generations up and down.
There is one other phrase which will soon come to be decisive of a man's
social _status_, if it is not already:  "That tells the whole story."  It
is an expression which vulgar and conceited people particularly affect,
and which well-meaning ones, who know better, catch from them.  It is
intended to stop all debate, like the previous question in the General
Court.  Only it doesn't; simply because "that" does not usually tell the
whole, nor one half of the whole story.

--It is an odd idea, that almost all our people have had a professional
education.  To become a doctor a man must study some three years and hear
a thousand lectures, more or less.  Just how much study it takes to make
a lawyer I cannot say, but probably not more than this.  Now most decent
people hear one hundred lectures or sermons (discourses) on theology
every year,--and this, twenty, thirty, fifty years together.  They read a
great many religious books besides.  The clergy, however, rarely hear any
sermons except what they preach themselves.  A dull preacher might be
conceived, therefore, to lapse into a state of _quasi_ heathenism, simply
for want of religious instruction.  And on the other hand, an attentive
and intelligent hearer, listening to a succession of wise teachers, might
become actually better educated in theology than any one of them.  We are
all theological students, and more of us qualified as doctors of divinity
than have received degrees at any of the universities.

It is not strange, therefore, that very good people should often find it
difficult, if not impossible, to keep their attention fixed upon a sermon
treating feebly a subject which they have thought vigorously about for
years, and heard able men discuss scores of times.  I have often noticed,
however, that a hopelessly dull discourse acts _inductively_, as
electricians would say, in developing strong mental currents.  I am
ashamed to think with what accompaniments and variations and _fioriture_
I have sometimes followed the droning of a heavy speaker,--not
willingly,--for my habit is reverential,--but as a necessary result of a
slight continuous impression on the senses and the mind, which kept both
in action without furnishing the food they required to work upon.  If you
ever saw a crow with a king-bird after him, you will get an image of a
dull speaker and a lively listener.  The bird in sable plumage flaps
heavily along his straight-forward course, while the other sails round
him, over him, under him, leaves him, comes back again, tweaks out a
black feather, shoots away once more, never losing sight of him, and
finally reaches the crow's perch at the same time the crow does, having
cut a perfect labyrinth of loops and knots and spirals while the slow
fowl was painfully working from one end of his straight line to the
other.

[I think these remarks were received rather coolly.  A temporary boarder
from the country, consisting of a somewhat more than middle-aged female,
with a parchment forehead and a dry little "frisette" shingling it, a
sallow neck with a necklace of gold beads, a black dress too rusty for
recent grief and contours in basso-rilievo, left the table prematurely,
and was reported to have been very virulent about what I said.  So I went
to my good old minister, and repeated the remarks, as nearly as I could
remember them, to him.  He laughed good-naturedly, and said there was
considerable truth in them.  He thought he could tell when people's minds
were wandering, by their looks.  In the earlier years of his ministry he
had sometimes noticed this, when he was preaching;--very little of late
years.  Sometimes, when his colleague was preaching, he observed this
kind of inattention; but after all, it was not so very unnatural.  I will
say, by the way, that it is a rule I have long followed, to tell my worst
thoughts to my minister, and my best thoughts to the young people I talk
with.]

--I want to make a literary confession now, which I believe nobody has
made before me.  You know very well that I write verses sometimes,
because I have read some of them at this table.  (The company
assented,--two or three of them in a resigned sort of way, as I thought,
as if they supposed I had an epic in my pocket, and was going to read
half a dozen books or so for their benefit.)--I continued.  Of course I
write some lines or passages which are better than others; some which,
compared with the others, might be called relatively excellent.  It is in
the nature of things that I should consider these relatively excellent
lines or passages as absolutely good.  So much must be pardoned to
humanity.  Now I never wrote a "good" line in my life, but the moment
after it was written it seemed a hundred years old.  Very commonly I had
a sudden conviction that I had seen it somewhere.  Possibly I may have
sometimes unconsciously stolen it, but I do not remember that I ever once
detected any historical truth in these sudden convictions of the
antiquity of my new thought or phrase.  I have learned utterly to
distrust them, and never allow them to bully me out of a thought or line.

This is the philosophy of it.  (Here the number of the company was
diminished by a small secession.)  Any new formula which suddenly emerges
in our consciousness has its roots in long trains of thought; it is
virtually old when it first makes its appearance among the recognized
growths of our intellect.  Any crystalline group of musical words has had
a long and still period to form in.  Here is one theory.

                      [Picture: The schoolmistress]

But there is a larger law which perhaps comprehends these facts.  It is
this.  The rapidity with which ideas grow old in our memories is in a
direct ratio to the squares of their importance.  Their apparent age runs
up miraculously, like the value of diamonds, as they increase in
magnitude.  A great calamity, for instance, is as old as the trilobites
an hour after it has happened.  It stains backward through all the leaves
we have turned over in the book of life, before its blot of tears or of
blood is dry on the page we are turning.  For this we seem to have lived;
it was foreshadowed in dreams that we leaped out of in the cold sweat of
terror; in the "dissolving views" of dark day-visions; all omens pointed
to it; all paths led to it.  After the tossing half-forgetfulness of the
first sleep that follows such an event, it comes upon us afresh, as a
surprise, at waking; in a few moments it is old again,--old as eternity.

[I wish I had not said all this then and there.  I might have known
better.  The pale schoolmistress, in her mourning dress, was looking at
me, as I noticed, with a wild sort of expression.  All at once the blood
dropped out of her cheeks as the mercury drops from a broken
barometer-tube, and she melted away from her seat like an image of snow;
a slung-shot could not have brought her down better.  God forgive me!

After this little episode, I continued, to some few that remained
balancing teaspoons on the edges of cups, twirling knives, or tilting
upon the hind legs of their chairs until their heads reached the wall,
where they left gratuitous advertisements of various popular cosmetics.]

When a person is suddenly thrust into any strange, new position of trial,
he finds the place fits him as if he had been measured for it.  He has
committed a great crime, for instance, and is sent to the State Prison.
The traditions, prescriptions, limitations, privileges, all the sharp
conditions of his new life, stamp themselves upon his consciousness as
the signet on soft wax;--a single pressure is enough.  Let me strengthen
the image a little.  Did you ever happen to see that most soft-spoken and
velvet-handed steam-engine at the Mint?  The smooth piston slides
backward and forward as a lady might slip her delicate finger in and out
of a ring.  The engine lays one of _its_ fingers calmly, but firmly, upon
a bit of metal; it is a coin now, and will remember that touch, and tell
a new race about it, when the date upon it is crusted over with twenty
centuries.  So it is that a great silent-moving misery puts a new stamp
on us in an hour or a moment,--as sharp an impression as if it had taken
half a lifetime to engrave it.

It is awful to be in the hands of the wholesale professional dealers in
misfortune; undertakers and jailers magnetize you in a moment, and you
pass out of the individual life you were living into the rhythmical
movements of their horrible machinery.  Do the worst thing you can, or
suffer the worst that can be thought of, you find yourself in a category
of humanity that stretches back as far as Cain, and with an expert at
your elbow who has studied your case all out beforehand, and is waiting
for you with his implements of hemp or mahogany.  I believe, if a man
were to be burned in any of our cities tomorrow for heresy, there would
be found a master of ceremonies that knew just how many fagots were
necessary, and the best way of arranging the whole matter.

--So we have not won the Goodwood cup; _au contraire_, we were a "bad
fifth," if not worse than that; and trying it again, and the third time,
has not yet bettered the matter.  Now I am as patriotic as any of my
fellow-citizens,--too patriotic in fact, for I have got into hot water by
loving too much of my country; in short, if any man, whose fighting
weight is not more than eight stone four pounds, disputes it, I am ready
to discuss the point with him.  I should have gloried to see the stars
and stripes in front at the finish.  I love my country, and I love
horses.  Stubbs's old mezzotint of Eclipse hangs over my desk, and
Herring's portrait of Plenipotentiary,--whom I saw run at Epsom,--over my
fireplace.  Did I not elope from school to see Revenge, and Prospect, and
Little John, and Peacemaker run over the race-course where now yon
suburban village flourishes, in the year eighteen hundred and
ever-so-few?  Though I never owned a horse, have I not been the
proprietor of six equine females, of which one was the prettiest little
"Morgin" that ever stepped?  Listen, then, to an opinion I have often
expressed long before this venture of ours in England.  Horse-_racing_ is
not a republican institution; horse-_trotting_ is.  Only very rich
persons can keep race-horses, and everybody knows they are kept mainly as
gambling implements.  All that matter about blood and speed we won't
discuss; we understand all that; useful, very,--_of_ course,--great
obligations to the Godolphin "Arabian," and the rest.  I say racing
horses are essentially gambling implements, as much as roulette tables.
Now I am not preaching at this moment; I may read you one of my sermons
some other morning; but I maintain that gambling, on the great scale, is
not republican.  It belongs to two phases of society,--a cankered
over-civilization, such as exists in rich aristocracies, and the reckless
life of borderers and adventurers, or the semi-barbarism of a
civilization resolved into its primitive elements.  Real Republicanism is
stern and severe; its essence is not in forms of government, but in the
omnipotence of public opinion which grows out of it.  This public opinion
cannot prevent gambling with dice or stocks, but it can and does compel
it to keep comparatively quiet.  But horse-racing is the most public way
of gambling, and with all its immense attractions to the sense and the
feelings,--to which I plead very susceptible,--the disguise is too thin
that covers it, and everybody knows what it means.  Its supporters are
the Southern gentry,--fine fellows, no doubt, but not republicans
exactly, as we understand the term,--a few Northern millionnaires more or
less thoroughly millioned, who do not represent the real people, and the
mob of sporting men, the best of whom are commonly idlers, and the worst
very bad neighbors to have near one in a crowd, or to meet in a dark
alley.  In England, on the other hand, with its aristocratic
institutions, racing is a natural growth enough; the passion for it
spreads downwards through all classes, from the Queen to the
costermonger.  London is like a shelled corn-cob on the Derby day, and
there is not a clerk who could raise the money to hire a saddle with an
old hack under it that can sit down on his office-stool the next day
without wincing.

Now just compare the racer with the trotter for a moment.  The racer is
incidentally useful, but essentially something to bet upon, as much as
the thimble-rigger's "little joker."  The trotter is essentially and
daily useful, and only incidentally a tool for sporting men.

What better reason do you want for the fact that the racer is most
cultivated and reaches his greatest perfection in England, and that the
trotting horses of America beat the world?  And why should we have
expected that the pick--if it was the pick--of our few and far-between
racing stables should beat the pick of England and France?  Throw over
the fallacious time-test, and there was nothing to show for it but a
natural kind of patriotic feeling, which we all have, with a thoroughly
provincial conceit, which some of us must plead guilty to.

We may beat yet.  As an American, I hope we shall.  As a moralist and
occasional sermonizer, I am not so anxious about it.  Wherever the
trotting horse goes, he carries in his train brisk omnibuses, lively
bakers' carts, and therefore hot rolls, the jolly butcher's wagon, the
cheerful gig, the wholesome afternoon drive with wife and child,--all the
forms of moral excellence, except truth, which does not agree with any
kind of horse-flesh.  The racer brings with him gambling, cursing,
swearing, drinking, the eating of oysters, and a distaste for mob-caps
and the middle-aged virtues.

And by the way, let me beg you not to call a _trotting match_ a _race_,
and not to speak of a "thoroughbred" as a "_blooded_" horse, unless he
has been recently phlebotomized.  I consent to your saying "blood horse,"
if you like.  Also, if, next year, we send out Posterior and
Posterioress, the winners of the great national four-mile race in 7 18.5,
and they happen to get beaten, pay your bets, and behave like men and
gentlemen about it, if you know how.

[I felt a great deal better after blowing off the ill-temper condensed in
the above paragraph.  To brag little,--to show well,--to crow gently, if
in luck,--to pay up, to own up, and to shut up, if beaten, are the
virtues of a sporting man, and I can't say that I think we have shown
them in any great perfection of late.]

--Apropos of horses.  Do you know how important good jockeying is to
authors?  Judicious management; letting the public see your animal just
enough, and not too much; holding him up hard when the market is too full
of him; letting him out at just the right buying intervals; always gently
feeling his mouth; never slacking and never jerking the rein;--this is
what I mean by jockeying.

--When an author has a number of books out a cunning hand will keep them
all spinning, as Signor Blitz does his dinner-plates; fetching each one
up, as it begins to "wabble," by an advertisement, a puff, or a
quotation.

--Whenever the extracts from a living writer begin to multiply fast in
the papers, without obvious reason, there is a new book or a new edition
coming.  The extracts are _ground-bait_.

--Literary life is fun of curious phenomena.  I don't know that there is
anything more noticeable than what we may call _conventional
reputations_.  There is a tacit understanding in every community of men
of letters that they will not disturb the popular fallacy respecting this
or that electro-gilded celebrity.  There are various reasons for this
forbearance: one is old; one is rich; one is good-natured; one is such a
favorite with the pit that it would not be safe to hiss him from the
manager's box.  The venerable augurs of the literary or scientific temple
may smile faintly when one of the tribe is mentioned; but the farce is in
general kept up as well as the Chinese comic scene of entreating and
imploring a man to stay with you with the implied compact between you
that he shall by no means think of doing it.  A poor wretch he must be
who would wantonly sit down on one of these bandbox reputations.  A
Prince-Rupert's-drop, which is a tear of unannealed glass, lasts
indefinitely, if you keep it from meddling hands; but break its tail off,
and it explodes and resolves itself into powder.  These celebrities I
speak of are the Prince-Rupert's-drops of the learned and polite world.
See how the papers treat them!  What an array of pleasant kaleidoscopic
phrases, which can be arranged in ever so many charming patterns, is at
their service!  How kind the "Critical Notices"--where small authorship
comes to pick up chips of praise, fragrant, sugary, and sappy--always are
to them!  Well, life would be nothing without paper-credit and other
fictions; so let them pass current.  Don't steal their chips; don't
puncture their swimming-bladders; don't come down on their pasteboard
boxes; don't break the ends of their brittle and unstable reputations,
you fellows who all feel sure that your names will be household words a
thousand years from now.

"A thousand years is a good while," said the old gentleman who sits
opposite, thoughtfully.

--Where have I been for the last three or four days?  Down at the Island,
deer-shooting.--How many did I bag?  I brought home one buck shot.--The
Island is where?  No matter.  It is the most splendid domain that any man
looks upon in these latitudes.  Blue sea around it, and running up into
its heart, so that the little boat slumbers like a baby in lap, while the
tall ships are stripping naked to fight the hurricane outside, and
storm-stay-sails banging and flying in ribbons.  Trees, in stretches of
miles; beeches, oaks, most numerous;--many of them hung with moss,
looking like bearded Druids; some coiled in the clasp of huge,
dark-stemmed grape-vines.  Open patches where the sun gets in and goes to
sleep, and the winds come so finely sifted that they are as soft as
swan's down.  Rocks scattered about,--Stonehenge-like monoliths.
Fresh-water lakes; one of them, Mary's lake, crystal-clear, full of
flashing pickerel lying under the lily-pads like tigers in the jungle.
Six pounds of ditto killed one morning for breakfast.  EGO _fecit._

The divinity-student looked as if he would like to question my Latin.
No, sir, I said,--you need not trouble yourself.  There is a higher law
in grammar, not to be put down by Andrews and Stoddard.  Then I went on.

Such hospitality as that island has seen there has not been the like of
in these our New England sovereignties.  There is nothing in the shape of
kindness and courtesy that can make life beautiful, which has not found
its home in that ocean-principality.  It has welcomed all who were worthy
of welcome, from the pale clergyman who came to breathe the sea-air with
its medicinal salt and iodine, to the great statesman who turned his back
on the affairs of empire, and smoothed his Olympian forehead, and flashed
his white teeth in merriment over the long table, where his wit was the
keenest and his story the best.

[I don't believe any man ever talked like that in this world.  I don't
believe _I_ talked just so; but the fact is, in reporting one's
conversation, one cannot help _Blair_-ing it up more or less, ironing out
crumpled paragraphs, starching limp ones, and crimping and plaiting a
little sometimes; it is as natural as prinking at the looking-glass.]

--How can a man help writing poetry in such a place?  Everybody does
write poetry that goes there.  In the state archives, kept in the library
of the Lord of the Isle, are whole volumes of unpublished verse,--some by
well-known hands, and others quite as good, by the last people you would
think of as versifiers,--men who could pension off all the genuine poets
in the country, and buy ten acres of Boston common, if it was for sale,
with what they had left.  Of course I had to write my little copy of
verses with the rest; here it is, if you will hear me read it.  When the
sun is in the west, vessels sailing in an easterly direction look bright
or dark to one who observes them from the north or south, according to
the tack they are sailing upon.  Watching them from one of the windows of
the great mansion, I saw these perpetual changes, and moralized thus:--

                               SUN AND SHADOW.

    As I look from the isle, o'er its billows of green,
       To the billows of foam-crested blue,
    Yon bark, that afar in the distance is seen,
       Half dreaming, my eyes will pursue:
    Now dark in the shadow, she scatters the spray
       As the chaff in the stroke of the flail;
    Now white as the sea-gull, she flies on her way,
       The sun gleaming bright on her sail.

    Yet her pilot is thinking of dangers to shun,--
       Of breakers that whiten and roar;
    How little he cares, if in shadow or sun
       They see him that gaze from the shore!
    He looks to the beacon that looms from the reef,
       To the rock that is under his lee,
    As he drifts on the blast, like a wind-wafted leaf,
       O'er the gulfs of the desolate sea.

    Thus drifting afar to the dim-vaulted caves
       Where life and its ventures are laid,
    The dreamers who gaze while we battle the waves
       May see us in sunshine or shade;
    Yet true to our course, though our shadow grow dark,
       We'll trim our broad sail as before,
    And stand by the rudder that governs the bark,
       Nor ask how we look from the shore!

--Insanity is often the logic of an accurate mind overtasked.  Good
mental machinery ought to break its own wheels and levers, if anything is
thrust among them suddenly which tends to stop them or reverse their
motion.  A weak mind does not accumulate force enough to hurt itself;
stupidity often saves a man from going mad.  We frequently see persons in
insane hospitals, sent there in consequence of what are called
_religious_ mental disturbances.  I confess that I think better of them
than of many who hold the same notions, and keep their wits and appear to
enjoy life very well, outside of the asylums.  Any decent person ought to
go mad, if he really holds such or such opinions.  It is very much to his
discredit in every point of view, if he does not.  What is the use of my
saying what some of these opinions are?  Perhaps more than one of you
hold such as I should think ought to send you straight over to
Somerville, if you have any logic in your heads or any human feeling in
your hearts.  Anything that is brutal, cruel, heathenish, that makes life
hopeless for the most of mankind and perhaps for entire races,--anything
that assumes the necessity of the extermination of instincts which were
given to be regulated,--no matter by what name you call it,--no matter
whether a fakir, or a monk, or a deacon believes it,--if received, ought
to produce insanity in every well-regulated mind.  That condition becomes
a normal one, under the circumstances.  I am very much ashamed of some
people for retaining their reason, when they know perfectly well that if
they were not the most stupid or the most selfish of human beings, they
would become _non-compotes_ at once.

[Nobody understood this but the theological student and the
schoolmistress.  They looked intelligently at each other; but whether
they were thinking about my paradox or not, I am not clear.--It would be
natural enough.  Stranger things have happened.  Love and Death enter
boarding-houses without asking the price of board, or whether there is
room for them.  Alas, these young people are poor and pallid!  Love
_should_ be both rich and rosy, but _must_ be either rich or rosy.  Talk
about military duty!  What is that to the warfare of a married
maid-of-all-work, with the title of mistress, and an American female
constitution, which collapses just in the middle third of life, and comes
out vulcanized India-rubber, if it happen to live through the period when
health and strength are most wanted?]

--Have I ever acted in private theatricals?  Often.  I have played the
part of the "Poor Gentleman," before a great many audiences,--more, I
trust, than I shall ever face again.  I did not wear a stage-costume, nor
a wig, nor moustaches of burnt cork; but I was placarded and announced as
a public performer, and at the proper hour I came forward with the
ballet-dancer's smile upon my countenance, and made my bow and acted my
part.  I have seen my name stuck up in letters so big that I was ashamed
to show myself in the place by daylight.  I have gone to a town with a
sober literary essay in my pocket, and seen myself everywhere announced
as the most desperate of _buffos_,--one who was obliged to restrain
himself in the full exercise of his powers, from prudential
considerations.  I have been through as many hardships as Ulysses, in the
pursuit of my histrionic vocation.  I have travelled in cars until the
conductors all knew me like a brother.  I have run off the rails, and
stuck all night in snow-drifts, and sat behind females that would have
the window open when one could not wink without his eyelids freezing
together.  Perhaps I shall give you some of my experiences one of these
days;--I will not now, for I have something else for you.

Private theatricals, as I have figured in them in country lyceum-halls,
are one thing,--and private theatricals, as they may be seen in certain
gilded and frescoed saloons of our metropolis, are another.  Yes, it is
pleasant to see real gentlemen and ladies, who do not think it necessary
to mouth, and rant, and stride, like most of our stage heroes and
heroines, in the characters which show off their graces and talents; most
of all to see a fresh, unrouged, unspoiled, high bred young maiden, with
a lithe figure, and a pleasant voice, acting in those love-dramas which
make us young again to look upon, when real youth and beauty will play
them for us.

--Of course I wrote the prologue I was asked to write.  I did not see the
play, though.  I knew there was a young lady in it, and that somebody was
in love with her, and she was in love with him, and somebody (an old
tutor, I believe) wanted to interfere, and, very naturally, the young
lady was too sharp for him.  The play of course ends charmingly; there is
a general reconciliation, and all concerned form a line and take each
others' hands, as people always do after they have made up their
quarrels,--and then the curtain falls,--if it does not stick, as it
commonly does at private theatrical exhibitions, in which case a boy is
detailed to pull it down, which he does, blushing violently.

Now, then, for my prologue.  I am not going to change my caesuras and
cadences for anybody; so if you do not like the heroic, or iambic
trimeter brachy-catalectic, you had better not wait to hear it

                                 THIS IS IT.

    A Prologue?  Well, of course the ladies know;--
    I have my doubts.  No matter,--here we go!
    What is a Prologue?  Let our Tutor teach:
    _Pro_ means beforehand; _logos_ stands for speech.
    'Tis like the harper's prelude on the strings,
    The prima donna's courtesy ere she sings;--
    Prologues in metre are to other _pros_
    As worsted stockings are to engine-hose.

    "The world's a stage," as Shakspeare said, one day;
    The stage a world--was what he meant to say.
    The outside world's a blunder, that is clear;
    The real world that Nature meant is here.
    Here every foundling finds its lost mamma;
    Each rogue, repentant, melts his stern papa;
    Misers relent, the spendthrift's debts are paid,
    The cheats are taken in the traps they laid;
    One after one the troubles all are past
    Till the fifth act comes right side up at last,
    When the young couple, old folks, rogues, and all,
    Join hands, _so_ happy at the curtain's fall.
    --Here suffering virtue ever finds relief,
    And black-browed ruffians always come to grief,
    --When the lorn damsel, with a frantic screech,
    And cheeks as hueless as a brandy-peach,
    Cries, "Help, kyind Heaven!" and drops upon her knees
    On the green--baize,--beneath the (canvas) trees,--
    See to her side avenging Valor fly:--
    "Ha! Villain!  Draw!  Now, Terraitorr, yield or die!"
    --When the poor hero flounders in despair,
    Some dear lost uncle turns up millionnaire,--
    Clasps the young scapegrace with paternal joy,
    Sobs on his neck, "_My boy_!  MY BOY!!  MY BOY!!!"

    Ours, then, sweet friends, the real world to-night.
    Of love that conquers in disaster's spite.
    Ladies, attend!  While woful cares and doubt
    Wrong the soft passion in the world without,
    Though fortune scowl, though prudence interfere,
    One thing is certain: Love will triumph here!

    Lords of creation, whom your ladies rule,--
    The world's great masters, when you're out of school,--
    Learn the brief moral of our evening's play:
    Man has his will,--but woman has her way!
    While man's dull spirit toils in smoke and fire,
    Woman's swift instinct threads the electric wire,--
    The magic bracelet stretched beneath the waves
    Beats the black giant with his score of slaves.
    All earthly powers confess your sovereign art
    But that one rebel,--woman's wilful heart.
    All foes you master; but a woman's wit
    Lets daylight through you ere you know you're hit.
    So, just to picture what her art can do,
    Hear an old story made as good as new.

    Rudolph, professor of the headsman's trade,
    Alike was famous for his arm and blade.
    One day a prisoner Justice had to kill
    Knelt at the block to test the artist's skill.
    Bare-armed, swart-visaged, gaunt, and shaggy-browed,
    Rudolph the headsman rose above the crowd.
    His falchion lightened with a sudden gleam,
    As the pike's armor flashes in the stream.
    He sheathed his blade; he turned as if to go;
    The victim knelt, still waiting for the blow.
    "Why strikest not?  Perform thy murderous act,"
    The prisoner said.  (Hs voice was slightly cracked.)
    "Friend I _have_ struck," the artist straight replied;
    "Wait but one moment, and yourself decide."

    He held his snuff-box,--"Now then, if you please!"
    The prisoner sniffed, and, with a crashing sneeze,
    Off his head tumbled,--bowled along the floor,--
    Bounced down the steps;--the prisoner said no more!

    Woman! thy falchion is a glittering eye;
    If death lurks in it, oh, how sweet to die!
    Thou takest hearts as Rudolph took the head;
    We die with love, and never dream we're dead!

The prologue went off very well, as I hear.  No alterations were
suggested by the lady to whom it was sent, so far as I know.  Sometimes
people criticize the poems one sends them, and suggest all sorts of
improvements.  Who was that silly body that wanted Burns to alter "Scots
wha hae," so as to lengthen the last line, thus

    "_Edward_!" Chains and slavery!

Here is a little poem I sent a short time since to a committee for a
certain celebration.  I understood that it was to be a festive and
convivial occasion, and ordered myself accordingly.  It seems the
president of the day was what is called a "teetotaller."  I received a
note from him in the following words, containing the copy subjoined, with
the emendations annexed to it.

"Dear Sir,--your poem gives good satisfaction to the committee.  The
sentiments expressed with reference to liquor are not, however, those
generally entertained by this community.  I have therefore consulted the
clergyman of this place, who has made come slight changes, which he
thinks will remove all objections, and keep the valuable portions of the
poem.  Please to inform me of your charge for said poem.  Our means are
limited, etc., etc., etc.

                                                      Yours with respect."

                  HERE IT IS--WITH THE _SLIGHT ALTERATIONS_!

    Come! fill a fresh bumper,--for why should we go
    While the [nectar --> logwood] still reddens our cups as they flow?
    Pour out the [rich juices --> decoction] still bright with the sun,
    Till o'er the brimmed crystal the [rubies --> dye-stuff] shall run.

    The [purple glebed clusters --> half-ripened apples] their life-dews
    have bled;
    How sweet is the [breath --> taste] of the [fragrance they shed -->
    sugar of lead]!
    For summer's [last roses --> rank poisons] lie hid in the [wines -->
    _wines_!!!]
    That were garnered by [maidens who laughed through the vines. -->
    stable-boys smoking long-nines.]

    Then a [smile --> scowl], and a [glass --> howl], and a [toast -->
    scoff], and a [cheer --> sneer],
    For all [the good wine, and we've some of it here --> strychnine and
    whiskey, and ratsbane and beer]
    In cellar, in pantry, in attic, in hall,
    [Long live the gay servant that laughs for us all! --> Down, down,
    with the tyrant that masters us all!]

The company said I had been shabbily treated, and advised me to charge
the committee double,--which I did.  But as I never got my pay, I don't
know that it made much difference.  I am a very particular person about
having all I write printed as I write it.  I require to see a proof, a
revise, a re-revise, and a double re-revise, or fourth-proof rectified
impression of all my productions, especially verse.  A misprint kills a
sensitive author.  An intentional change of his text murders him.  No
wonder so many poets die young!

I have nothing more to report at this time, except two pieces of advice I
gave to the young women at table.  One relates to a vulgarism of
language, which I grieve to say is sometimes heard even from female lips.
The other is of more serious purport, and applies to such as contemplate
a change of condition,--matrimony, in fact.

--The woman who "calculates" is lost.

--Put not your trust in money, but put your money in trust.




CHAPTER III


[The "Atlantic" obeys the moon, and its LUNIVERSARY has come round again.
I have gathered up some hasty notes of my remarks made since the last
high tides, which I respectfully submit.  Please to remember this is
_talk_; just as easy and just as formal as I choose to make it.]

--I never saw an author in my life--saving, perhaps, one--that did not
purr as audibly as a full-grown domestic cat, (_Felis Catus_, LINN.,) on
having his fur smoothed in the right way by a skilful hand.

But let me give you a caution.  Be very careful how you tell an author he
is _droll_.  Ten to one he will hate you; and if he does, be sure he can
do you a mischief, and very probably will.  Say you _cried_ over his
romance or his verses, and he will love you and send you a copy.  You can
laugh over that as much as you like--in private.

--Wonder why authors and actors are ashamed of being funny?--Why, there
are obvious reasons, and deep philosophical ones.  The clown knows very
well that the women are not in love with him, but with Hamlet, the fellow
in the black cloak and plumed hat.  Passion never laughs.  The wit knows
that his place is at the tail of a procession.

If you want the deep underlying reason, I must take more time to tell it.
There is a perfect consciousness in every form of wit--using that term in
its general sense--that its essence consists in a partial and incomplete
view of whatever it touches.  It throws a single ray, separated from the
rest,--red, yellow, blue, or any intermediate shade,--upon an object;
never white light; that is the province of wisdom.  We get beautiful
effects from wit,--all the prismatic colors,--but never the object as it
is in fair daylight.  A pun, which is a kind if wit, is a different and
much shallower trick in mental optics throwing the _shadows_ of two
objects so that one overlies the other.  Poetry uses the rainbow tints
for special effects, but always keeps its essential object in the purest
white light of truth.--Will you allow me to pursue this subject a little
further?

[They didn't allow me at that time, for somebody happened to scrape the
floor with his chair just then; which accidental sound, as all must have
noticed, has the instantaneous effect that the cutting of the yellow hair
by Iris had upon infelix Dido.  It broke the charm, and that breakfast
was over.]

--Don't flatter yourselves that friendship authorizes you to say
disagreeable things to your intimates.  On the contrary, the nearer you
come into relation with a person, the more necessary do tact and courtesy
become.  Except in cases of necessity, which are rare, leave your friend
to learn unpleasant truths from his enemies; they are ready enough to
tell them.  Good-breeding _never_ forgets that _amour-propre_ is
universal.  When you read the story of the Archbishop and Gil Blas, you
may laugh, if you will, at the poor old man's delusion; but don't forget
that the youth was the greater fool of the two, and that his master
served such a booby rightly in turning him out of doors.

--You need not get up a rebellion against what I say, if you find
everything in my sayings is not exactly new.  You can't possibly mistake
a man who means to be honest for a literary pickpocket.  I once read an
introductory lecture that looked to me too learned for its latitude.  On
examination, I found all its erudition was taken ready-made from
D'Israeli.  If I had been ill-natured, I should have shown up the little
great man, who had once belabored me in his feeble way.  But one can
generally tell these wholesale thieves easily enough, and they are not
worth the trouble of putting them in the pillory.  I doubt the entire
novelty of my remarks just made on telling unpleasant truths, yet I am
not conscious of any larceny.

Neither make too much of flaws and occasional overstatements.  Some
persons seem to think that absolute truth, in the form of rigidly stated
propositions, is all that conversation admits.  This is precisely as if a
musician should insist on having nothing but perfect chords and simple
melodies,--no diminished fifths, no flat sevenths, no flourishes, on any
account.  Now it is fair to say, that, just as music must have all these,
so conversation must have its partial truths, its embellished truths, its
exaggerated truths.  It is in its higher forms an artistic product, and
admits the ideal element as much as pictures or statues.  One man who is
a little too literal can spoil the talk of a whole tableful of men of
_esprit_.--"Yes," you say, "but who wants to hear fanciful people's
nonsense?  Put the facts to it, and then see where it is!"--Certainly, if
a man is too fond of paradox,--if he is flighty and empty,--if, instead
of striking those fifths and sevenths, those harmonious discords, often
so much better than the twinned octaves, in the music of thought,--if,
instead of striking these, he jangles the chords, stick a fact into him
like a stiletto.  But remember that talking is one of the fine arts,--the
noblest, the most important, and the most difficult,--and that its fluent
harmonies may be spoiled by the intrusion of a single harsh note.
Therefore conversation which is suggestive rather than argumentative,
which lets out the most of each talker's results of thought, is commonly
the pleasantest and the most profitable.  It is not easy, at the best,
for two persons talking together to make the most of each other's
thoughts, there are so many of them.

[The company looked as if they wanted an explanation.]

When John and Thomas, for instance, are talking together, it is natural
enough that among the six there should be more or less confusion and
misapprehension.

[Our landlady turned pale;--no doubt she thought there was a screw loose
in my intellects,--and that involved the probable loss of a boarder.  A
severe-looking person, who wears a Spanish cloak and a sad cheek, fluted
by the passions of the melodrama, whom I understand to be the
professional ruffian of the neighboring theatre, alluded, with a certain
lifting of the brow, drawing down of the corners of the mouth, and
somewhat rasping _voce di petto_, to Falstaff's nine men in buckram.
Everybody looked up.  I believe the old gentleman opposite was afraid I
should seize the carving-knife; at any rate, he slid it to one side, as
it were carelessly.]

I think, I said, I can make it plain to Benjamin Franklin here, that
there are at least six personalities distinctly to be recognized as
taking part in that dialogue between John and Thomas.

                               Three Johns.

1.  The real John; known only to his Maker.

2.  John's ideal John; never the real one, and often very unlike him.

3.  Thomas's ideal John; never the real John, nor John's John, but often
very unlike either.

                              Three Thomas.

1.  The real Thomas.

2.  Thomas's ideal Thomas.

3.  John's ideal Thomas.

                                * * * * *

Only one of the three Johns is taxed; only one can be weighed on a
platform-balance; but the other two are just as important in the
conversation.  Let us suppose the real John to be old, dull, and
ill-looking.  But as the Higher Powers have not conferred on men the gift
of seeing themselves in the true light, John very possibly conceives
himself to be youthful, witty, and fascinating, and talks from the point
of view of this ideal.  Thomas, again, believes him to be an artful
rogue, we will say; therefore he is, so far as Thomas's attitude in the
conversation is concerned, an artful rogue, though really simple and
stupid.  The same conditions apply to the three Thomases.  It follows,
that, until a man can be found who knows himself as his Maker knows him,
or who sees himself as others see him, there must be at least six persons
engaged in every dialogue between two.  Of these, the least important,
philosophically speaking, is the one that we have called the real person.
No wonder two disputants often get angry, when there are six of them
talking and listening all at the same time.

[A very unphilosophical application of the above remarks was made by a
young fellow, answering to the name of John, who sits near me at table.
A certain basket of peaches, a rare vegetable, little known to
boarding-houses, was on its way to me _via_ this unlettered Johannes.  He
appropriated the three that remained in the basket, remarking that there
was just one apiece for him.  I convinced him that his practical
inference was hasty and illogical, but in the mean time he had eaten the
peaches.]

                 [Picture: The Young Fellow called John]

--The opinions of relatives as to a man's powers are very commonly of
little value; not merely because they sometimes overrate their own flesh
and blood, as some may suppose; on the contrary, they are quite as likely
to underrate those whom they have grown into the habit of considering
like themselves.  The advent of genius is like what florists style the
_breaking_ of a seedling tulip into what we may call high-caste
colors,--ten thousand dingy flowers, then one with the divine streak; or,
if you prefer it, like the coming up in old Jacob's garden of that most
gentlemanly little fruit, the seckel pear, which I have sometimes seen in
shop-windows.  It is a surprise,--there is nothing to account for it.
All at once we find that twice two make _five_.  Nature is fond of what
are called "gift-enterprises."  This little book of life which she has
given into the hands of its joint possessors is commonly one of the old
story-books bound over again.  Only once in a great while there is a
stately poem in it, or its leaves are illuminated with the glories of
art, or they enfold a draft for untold values signed by the million-fold
millionnaire old mother herself.  But strangers are commonly the first to
find the "gift" that came with the little book.

It may be questioned whether anything can be conscious of its own flavor.
Whether the musk-deer, or the civet-cat, or even a still more eloquently
silent animal that might be mentioned, is aware of any personal
peculiarity, may well be doubted.  No man knows his own voice; many men
do not know their own profiles.  Every one remembers Carlyle's famous
"Characteristics" article; allow for exaggerations, and there is a great
deal in his doctrine of the self-unconsciousness of genius.  It comes
under the great law just stated.  This incapacity of knowing its own
traits is often found in the family as well as in the individual.  So
never mind what your cousins, brothers, sisters, uncles, aunts, and the
rest, say about that fine poem you have written, but send it
(postage-paid) to the editors, if there are any, of the
"Atlantic,"--which, by the way, is not so called because it is _a
notion_, as some dull wits wish they had said, but are too late.

--Scientific knowledge, even in the most modest persons, has mingled with
it a something which partakes of insolence.  Absolute, peremptory facts
are bullies, and those who keep company with them are apt to get a
bullying habit of mind;--not of manners, perhaps; they may be soft and
smooth, but the smile they carry has a quiet assertion in it, such as the
Champion of the Heavy Weights, commonly the best-natured, but not the
most diffident of men, wears upon what he very inelegantly calls his
"mug."  Take the man, for instance, who deals in the mathematical
sciences.  There is no elasticity in a mathematical fact; if you bring up
against it, it never yields a hair's breadth; everything must go to
pieces that comes in collision with it.  What the mathematician knows
being absolute, unconditional, incapable of suffering question, it should
tend, in the nature of things, to breed a despotic way of thinking.  So
of those who deal with the palpable and often unmistakable facts of
external nature; only in a less degree.  Every probability--and most of
our common, working beliefs are probabilities--is provided with _buffers_
at both ends, which break the force of opposite opinions clashing against
it; but scientific certainty has no spring in it, no courtesy, no
possibility of yielding.  All this must react on the minds which handle
these forms of truth.

--Oh, you need net tell me that Messrs. A. and B. are the most gracious,
unassuming people in the world, and yet preeminent in the ranges of
science I am referring to.  I know that as well as you.  But mark this
which I am going to say once for all: If I had not force enough to
project a principle full in the face of the half dozen most obvious facts
which seem to contradict it, I would think only in single file from this
day forward.  A rash man, once visiting a certain noted institution at
South Boston, ventured to express the sentiment, that man is a rational
being.  An old woman who was an attendant in the Idiot School
contradicted the statement, and appealed to the facts before the speaker
to disprove it.  The rash man stuck to his hasty generalization,
notwithstanding.

[--It is my desire to be useful to those with whom I am associated in my
daily relations.  I not unfrequently practise the divine art of music in
company with our landlady's daughter, who, as I mentioned before, is the
owner of an accordion.  Having myself a well-marked barytone voice of
more than half an octave in compass, I sometimes add my vocal powers to
her execution of

    "Thou, thou reign'st in this bosom."

not, however, unless her mother or some other discreet female is present,
to prevent misinterpretation or remark.  I have also taken a good deal of
interest in Benjamin Franklin, before referred to, sometimes called B.
F., or more frequently Frank, in imitation of that felicitous
abbreviation, combining dignity and convenience, adopted by some of his
betters.  My acquaintance with the French language is very imperfect, I
having never studied it anywhere but in Paris, which is awkward, as B. F.
devotes himself to it with the peculiar advantage of an Alsacian teacher.
The boy, I think, is doing well, between us, notwithstanding.  The
following is an _uncorrected_ French exercise, written by this young
gentleman.  His mother thinks it very creditable to his abilities;
though, being unacquainted with the French language, her judgment cannot
be considered final.

                         LE RAT DES SALONS A LECTURE.

    CE rat ci est un animal fort singulier.  Il a deux pattes de derriere
    sur lesquelles il marche, et deux pattes de devant dont il fait usage
    pour tenir les journaux.  Cet animal a la peau noire pour le plupart,
    et porte un cerele blanchatre autour de son cou.  On le trouve tous
    les jours aux dits salons, on il demeure, digere, s'il y a do quoi
    dans son interieur, respire, tousse, eternue, dort, et renfle
    quelquefois, ayant toujours le semblant de lire.  On ne sait pas s'il
    a une autre gite que cela.  Il a l'air d'une bete tres stupide, mais
    il est d'une sagacite et d'une vitesse extraordinaire quand il s'agit
    de saisir un journal nouveau.  On ne sait pas pourquoi il lit,
    parcequ'il ne parait pas avoir des idees.  Il vocalise rarement, mais
    en revanche, il fait des bruits nasaux divers.  Il porte un crayon
    dans une de ses poches pectorales, avec lequel il fait des marques
    sur les bords des journaux et des livres, semblable aux suivans:
    !!!--Bah!  Pooh!  Il ne faut pas cependant les prendre pour des
    signes d'intelligence.  Il ne vole pas, ordinairement; il fait
    rarement meme des echanges de parapluie, et jamais de chapeau,
    parceque son chapeau a toujours un caractere specifique.  On ne sait
    pas au juste ce dont il se nourrit.  Feu Cuvier etait d'avis que
    c'etait de l'odeur du cuir des reliures; ce qu'on dit d'etre une
    nourriture animale fort saine, et peu chere.  Il vit bien longtems.
    Enfin il meure, en laissant a ses heritiers une carte du Salon a
    Lecture on il avait existe pendant sa vie.  On pretend qu'il revient
    toutes les nuits, apres la mort, visiter le Salon.  On peut le voir,
    dit on, a minuit, dans sa place habituelle, tenant le journal du
    soir, et ayant a sa main un crayon de charbon.  Le lendemain on
    trouve des caracteres inconnus sur les bords du journal.  Ce qui
    prouve que le spiritualisme est vrai, et que Messieurs les
    Professeurs de Cambridge sont des imbeciles qui ne savent rien du
    tout, du tout.

I think this exercise, which I have not corrected, or allowed to be
touched in any way, is not discreditable to B. F.  You observe that he is
acquiring a knowledge of zoology at the same time that he is learning
French.  Fathers of families in moderate circumstances will find it
profitable to their children, and an economical mode of instruction, to
set them to revising and amending this boy's exercise.  The passage was
originally taken from the "Histoire Naturelle des Betes Ruminans et
Rongeurs, Bipedes et Autres," lately published in Paris.  This was
translated into English and published in London.  It was republished at
Great Pedlington, with notes and additions by the American editor.  The
notes consist of an interrogation-mark on page 53d, and a reference (p.
127th) to another book "edited" by the same hand.  The additions consist
of the editor's name on the title-page and back, with a complete and
authentic list of said editor's honorary titles in the first of these
localities.  Our boy translated the translation back into French.  This
may be compared with the original, to be found on Shelf 13, Division X,
of the Public Library of this metropolis.]

--Some of you boarders ask me from time to time why I don't write a
story, or a novel, or something of that kind.  Instead of answering each
one of you separately, I will thank you to step up into the wholesale
department for a few moments, where I deal in answers by the piece and by
the bale.

That every articulately-speaking human being has in him stuff for _one_
novel in three volumes duodecimo has long been with me a cherished
belief.  It has been maintained, on the other hand, that many persons
cannot write more than one novel,--that all after that are likely to be
failures.--Life is so much more tremendous a thing in its heights and
depths than any transcript of it can be, that all records of human
experience are as so many bound _herbaria_ to the innumerable glowing,
glistening, rustling, breathing, fragrance-laden, poison-sucking,
life-giving, death-distilling leaves and flowers of the forest and the
prairies.  All we can do with books of human experience is to make them
alive again with something borrowed from our own lives.  We can make a
book alive for us just in proportion to its resemblance in essence or in
form to our own experience.  Now an author's first novel is naturally
drawn, to a great extent, from his personal experiences; that is, is a
literal copy of nature under various slight disguises.  But the moment
the author gets out of his personality, he must have the creative power,
as well as the narrative art and the sentiment, in order to tell a living
story; and this is rare.

Besides, there is great danger that a man's first life-story shall clean
him out, so to speak, of his best thoughts.  Most lives, though their
stream is loaded with sand and turbid with alluvial waste, drop a few
golden grains of wisdom as they flow along.  Oftentimes a single
_cradling_ gets them all, and after that the poor man's labor is only
rewarded by mud and worn pebbles.  All which proves that I, as an
individual of the human family, could write one novel or story at any
rate, if I would.

--Why don't I, then?--Well, there are several reasons against it.  In the
first place, I should tell all my secrets, and I maintain that verse is
the proper medium for such revelations.  Rhythm and rhyme and the
harmonies of musical language, the play of fancy, the fire of
imagination, the flashes of passion, so hide the nakedness of a heart
laid open, that hardly any confession, transfigured in the luminous halo
of poetry, is reproached as self-exposure.  A beauty shows herself under
the chandeliers, protected by the glitter of her diamonds, with such a
broad snowdrift of white arms and shoulders laid bare, that, were she
unadorned and in plain calico, she would be unendurable--in the opinion
of the ladies.

Again, I am terribly afraid I should show up all my friends.  I should
like to know if all story-tellers do not do this?  Now I am afraid all my
friends would not bear showing up very well; for they have an average
share of the common weakness of humanity, which I am pretty certain would
come out.  Of all that have told stories among us there is hardly one I
can recall who has not drawn too faithfully some living portrait that
might better have been spared.

Once more, I have sometimes thought it possible I might be too dull to
write such a story as I should wish to write.

And finally, I think it very likely I _shall_ write a story one of these
days.  Don't be surprised at any time, if you see me coming out with "The
Schoolmistress," or "The Old Gentleman Opposite."  [_Our_ schoolmistress
and _our_ old gentleman that sits opposite had left the table before I
said this.]  I want my glory for writing the same discounted now, on the
spot, if you please.  I will write when I get ready.  How many people
live on the reputation of the reputation they might have made!

--I saw you smiled when I spoke about the possibility of my being too
dull to write a good story.  I don't pretend to know what you meant by
it, but I take occasion to make a remark which may hereafter prove of
value to some among you.--When one of us who has been led by native
vanity or senseless flattery to think himself or herself possessed of
talent arrives at the full and final conclusion that he or she is really
dull, it is one of the most tranquillizing and blessed convictions that
can enter a mortal's mind.  All our failures, our shortcomings, our
strange disappointments in the effect of our efforts are lifted from our
bruised shoulders, and fall, like Christian's pack, at the feet of that
Omnipotence which has seen fit to deny us the pleasant gift of high
intelligence,--with which one look may overflow us in some wider sphere
of being.

--How sweetly and honestly one said to me the other day, "I hate books!"
A gentleman,--singularly free from affectations,--not learned, of course,
but of perfect breeding, which is often so much better than learning,--by
no means dull, in the sense of knowledge of the world and society, but
certainly not clever either in the arts or sciences,--his company is
pleasing to all who know him.  I did not recognize in him inferiority of
literary taste half so distinctly as I did simplicity of character and
fearless acknowledgment of his inaptitude for scholarship.  In fact, I
think there are a great many gentlemen and others, who read with a mark
to keep their place, that really "hate books," but never had the wit to
find it out, or the manliness to own it.  [_Entre nous_, I always read
with a mark.]

We get into a way of thinking as if what we call an "intellectual man"
was, as a matter of course, made up of nine-tenths, or thereabouts, of
book-learning, and one-tenth himself.  But even if he is actually so
compounded, he need not read much.  Society is a strong solution of
books.  It draws the virtue out of what is best worth reading, as hot
water draws the strength of tea-leaves.  If _I_ were a prince, I would
hire or buy a private literary tea-pot, in which I would steep all the
leaves of new books that promised well.  The infusion would do for me
without the vegetable fibre.  You understand me; I would have a person
whose sole business should be to read day and night, and talk to me
whenever I wanted him to.  I know the man I would have: a quick-witted,
out-spoken, incisive fellow; knows history, or at any rate has a shelf
full of books about it, which he can use handily, and the same of all
useful arts and sciences; knows all the common plots of plays and novels,
and the stock company of characters that are continually coming on in new
costume; can give you a criticism of an octavo in an epithet and a wink,
and you can depend on it; cares for nobody except for the virtue there is
in what he says; delights in taking off big wigs and professional gowns,
and in the disembalming and unbandaging of all literary mummies.  Yet he
is as tender and reverential to all that bears the mark of genius,--that
is, of a new influx of truth or beauty,--as a nun over her missal.  In
short, he is one of those men that know everything except how to make a
living.  Him would I keep on the square next my own royal compartment on
life's chessboard.  To him I would push up another pawn, in the shape of
a comely and wise young woman, whom he would of course take--to wife.
For all contingencies I would liberally provide.  In a word, I would, in
the plebeian, but expressive phrase, "put him through" all the material
part of life; see him sheltered, warmed, fed, button-mended, and all
that, just to be able to lay on his talk when I liked,--with the
privilege of shutting it off at will.

A Club is the next best thing to this, strung like a harp, with about a
dozen ringing intelligences, each answering to some chord of the
macrocosm.  They do well to dine together once in a while.  A
dinner-party made up of such elements is the last triumph of civilization
over barbarism.  Nature and art combine to charm the senses; the
equatorial zone of the system is soothed by well-studied artifices; the
faculties are off duty, and fall into their natural attitudes; you see
wisdom in slippers and science in a short jacket.

The whole force of conversation depends on how much you can take for
granted.  Vulgar chess-players have to play their game out; nothing short
of the brutality of an actual checkmate satisfies their dull
apprehensions.  But look at two masters of that noble game!  White stands
well enough, so far as you can see; but Red says, Mate in six
moves;--White looks,--nods;--the game is over.  Just so in talking with
first-rate men; especially when they are good-natured and expansive, as
they are apt to be at table.  That blessed clairvoyance which sees into
things without opening them,--that glorious license, which, having shut
the door and driven the reporter from its key-hole, calls upon Truth,
majestic virgin! to get off from her pedestal and drop her academic
poses, and take a festive garland and the vacant place on the _medius
lectus_,--that carnival-shower of questions and replies and comments,
large axioms bowled over the mahogany like bomb-shells from professional
mortars, and explosive wit dropping its trains of many-colored fire, and
the mischief-making rain of _bon-bons_ pelting everybody that shows
himself,--the picture of a truly intellectual banquet is one which the
old Divinities might well have attempted to reproduce in their--

--"Oh, oh, oh!" cried the young fellow whom they call John,--"that is
from one of your lectures!"

I know it, I replied,--I concede it, I confess it, I proclaim it.

    "The trail of the serpent is over them all!"

All lecturers, all professors, all schoolmasters, have ruts and grooves
in their minds into which their conversation is perpetually sliding.  Did
you never, in riding through the woods of a still June evening, suddenly
feel that you had passed into a warm stratum of air, and in a minute or
two strike the chill layer of atmosphere beyond?  Did you never, in
cleaving the green waters of the Back Bay,--where the Provincial
blue-noses are in the habit of beating the "Metropolitan"
boat-clubs,--find yourself in a tepid streak, a narrow, local
gulf-stream, a gratuitous warm-bath a little underdone, through which
your glistening shoulders soon flashed, to bring you back to the cold
realities of full-sea temperature?  Just so, in talking with any of the
characters above referred to, one not unfrequently finds a sudden change
in the style of the conversation.  The lack-lustre eye rayless as a
Beacon-Street door-plate in August, all at once fills with light; the
face flings itself wide open like the church-portals when the bride and
bridegroom enter; the little man grows in stature before your eyes, like
the small prisoner with hair on end, beloved yet dreaded of early
childhood; you were talking with a dwarf and an imbecile,--you have a
giant and a trumpet-tongued angel before you!--Nothing but a streak out
of a fifty-dollar lecture.--As when, at some unlooked-for moment, the
mighty fountain-column springs into the air before the astonished
passer-by,--silver-footed, diamond-crowned, rainbow-scarfed,--from the
bosom of that fair sheet, sacred to the hymns of quiet batrachians at
home, and the epigrams of a less amiable and less elevated order of
_reptilia_ in other latitudes.

--Who was that person that was so abused some time since for saying that
in the conflict of two races our sympathies naturally go with the higher?
No matter who he was.  Now look at what is going on in India,--a white,
superior "Caucasian" race, against a dark-skinned, inferior, but still
"Caucasian" race,--and where are English and American sympathies?  We
can't stop to settle all the doubtful questions; all we know is, that the
brute nature is sure to come out most strongly in the lower race, and it
is the general law that the human side of humanity should treat the
brutal side as it does the same nature in the inferior animals,--tame it
or crush it.  The India mail brings stories of women and children
outraged and murdered; the royal stronghold is in the hands of the
babe-killers.  England takes down the Map of the World, which she has
girdled with empire, and makes a correction thus: [DELPHI] _Dele_.  The
civilized world says, Amen.

--Do not think, because I talk to you of many subjects briefly, that I
should not find it much lazier work to take each one of them and dilute
it down to an essay.  Borrow some of my old college themes and water my
remarks to suit yourselves, as the Homeric heroes did with their _melas
oinos_,--that black sweet, syrupy wine (?) which they used to alloy with
three parts or more of the flowing stream.  [Could it have been
_melasses_, as Webster and his provincials spell it,--or _Molossa's_, as
dear old smattering, chattering, would-be-College-President, Cotton
Mather, has it in the "Magnalia"?  Ponder thereon, ye small antiquaries
who make barn-door-fowl flights of learning in "Notes and Queries!"--ye
Historical Societies, in one of whose venerable triremes I, too, ascend
the stream of time, while other hands tug at the oars!--ye Amines of
parasitical literature, who pick up your grains of native-grown food with
a bodkin, having gorged upon less honest fare, until, like the great
minds Goethe speaks of, you have "made a Golgotha" of your pages!--ponder
thereon!]

--Before you go, this morning, I want to read you a copy of verses.  You
will understand by the title that they are written in an imaginary
character.  I don't doubt they will fit some family-man well enough.  I
send it forth as "Oak Hall" projects a coat, on _a priori_ grounds of
conviction that it will suit somebody.  There is no loftier illustration
of faith than this.  It believes that a soul has been clad in flesh; that
tender parents have fed and nurtured it; that its mysterious _compages_
or frame-work has survived its myriad exposures and reached the stature
of maturity; that the Man, now self-determining, has given in his
adhesion to the traditions and habits of the race in favor of artificial
clothing; that he will, having all the world to choose from, select the
very locality where this audacious generalization has been acted upon.
It builds a garment cut to the pattern of an Idea, and trusts that Nature
will model a material shape to fit it.  There is a prophecy in every
seam, and its pockets are full of inspiration.--Now hear the verses.

                             THE OLD MAN DREAMS.

    O for one hour of youthful joy!
       Give back my twentieth spring!
    I'd rather laugh a bright-haired boy
       Than reign a gray-beard king!

    Off with the wrinkled spoils of age!
       Away with learning's crown!
    Tear out life's wisdom-written page,
       And dash its trophies down!

    One moment let my life-blood stream
       From boyhood's fount of flame!
    Give me one giddy, reeling dream
       Of life all love and fame!

    --My listening angel heard the prayer,
       And calmly smiling, said,
    "If I but touch thy silvered hair,
       Thy hasty wish hath sped.

    "But is there nothing in thy track
       To bid thee fondly stay,
    While the swift seasons hurry back
       To find the wished-for day?"

    --Ah, truest soul of womankind!
       Without thee, what were life?
    One bliss I cannot leave behind:
       I'll take--my--precious wife!

    --The angel took a sapphire pen
       And wrote in rainbow dew,
    "The man would be a boy again,
       And be a husband too!"

    --"And is there nothing yet unsaid
       Before the change appears?
    Remember, all their gifts have fled
       With those dissolving years!"

    Why, yes; for memory would recall
       My fond paternal joys;
    I could not bear to leave them all;
       I'll take--my--girl--and--boys!

    The smiling angel dropped his pen,--
       "Why this will never do;
    The man would be a boy again,
       And be a father too!"

    And so I laughed,--my laughter woke
       The household with its noise,--
    And wrote my dream, when morning broke,
       To please the gray-haired boys.




CHAPTER IV


[I am so well pleased with my boarding-house that I intend to remain
there, perhaps for years.  Of course I shall have a great many
conversations to report, and they will necessarily be of different tone
and on different subjects.  The talks are like the breakfasts,--sometimes
dipped toast, and sometimes dry.  You must take them as they come.  How
can I do what all these letters ask me to?  No. 1. want serious and
earnest thought.  No. 2. (letter smells of bad cigars) must have more
jokes; wants me to tell a "good storey" which he has copied out for me.
(I suppose two letters before the word "good" refer to some Doctor of
Divinity who told the story.)  No. 3. (in female hand)--more poetry.  No.
4. wants something that would be of use to a practical man.  (_Prahctical
mahn_ he probably pronounces it.)  No. 5. (gilt-edged,
sweet-scented)--"more sentiment,"--"heart's outpourings."--

My dear friends, one and all, I can do nothing but report such remarks as
I happen to have made at our breakfast-table.  Their character will
depend on many accidents,--a good deal on the particular persons in the
company to whom they were addressed.  It so happens that those which
follow were mainly intended for the divinity-student and the
school-mistress; though others, whom I need not mention, saw to
interfere, with more or less propriety, in the conversation.  This is one
of my privileges as a talker; and of course, if I was not talking for our
whole company, I don't expect all the readers of this periodical to be
interested in my notes of what was said.  Still, I think there may be a
few that will rather like this vein,--possibly prefer it to a livelier
one,--serious young men, and young women generally, in life's roseate
parenthesis from--years of age to--inclusive.

Another privilege of talking is to misquote.--Of course it wasn't
Proserpina that actually cut the yellow hair,--but _Iris_.  (As I have
since told you) it was the former lady's regular business, but Dido had
used herself ungenteelly, and Madame d'Enfer stood firm on the point of
etiquette.  So the bathycolpian Here--Juno, in Latin--sent down Iris
instead.  But I was mightily pleased to see that one of the gentlemen
that do the heavy articles for the celebrated "Oceanic Miscellany"
misquoted Campbell's line without any excuse.  "Waft us _home_ the
_message_" of course it ought to be.  Will he be duly grateful for the
correction?]

--The more we study the body and the mind, the more we find both to be
governed, not by, but _according to_ laws, such as we observe in the
larger universe.--You think you know all about _walking_,--don't you,
now?  Well, how do you suppose your lower limbs are held to your body?
They are sucked up by two cupping vessels,
("cotyloid"--cup-like--cavities,) and held there as long as you live, and
longer.  At any rate, you think you move them backward and forward at
such a rate as your will determines, don't you?--On the contrary, they
swing just as any other pendulums swing, at a fixed rate, determined by
their length.  You can alter this by muscular power, as you can take hold
of the pendulum of a clock and make it move faster or slower; but your
ordinary gait is timed by the same mechanism as the movements of the
solar system.

[My friend, the Professor, told me all this, referring me to certain
German physiologists by the name of Weber for proof of the facts, which,
however, he said he had often verified.  I appropriated it to my own use;
what can one do better than this, when one has a friend that tells him
anything worth remembering?

The Professor seems to think that man and the general powers of the
universe are in partnership.  Some one was saying that it had cost nearly
half a million to move the Leviathan only so far as they had got it
already.--Why,--said the Professor,--they might have hired an EARTHQUAKE
for less money!]

Just as we find a mathematical rule at the bottom of many of the bodily
movements, just so thought may be supposed to have its regular cycles.
Such or such a thought comes round periodically, in its turn.  Accidental
suggestions, however, so far interfere with the regular cycles, that we
may find them practically beyond our power of recognition.  Take all this
for what it is worth, but at any rate you will agree that there are
certain particular thoughts that do not come up once a day, nor once a
week, but that a year would hardly go round without your having them pass
through your mind.  Here is one which comes up at intervals in this way.
Some one speaks of it, and there is an instant and eager smile of assent
in the listener or listeners.  Yes, indeed; they have often been struck
by it.

_All at once a conviction flashes through us that we have been in the
same precise circumstances as at the present instant_, _once or many
times before_.

O, dear, yes!--said one of the company,--everybody has had that feeling.

The landlady didn't know anything about such notions; it was an idee in
folks' heads, she expected.

The schoolmistress said, in a hesitating sort of way, that she knew the
feeling well, and didn't like to experience it; it made her think she was
a ghost, sometimes.

The young fellow whom they call John said he knew all about it; he had
just lighted a cheroot the other day, when a tremendous conviction all at
once came over him that he had done just that same thing ever so many
times before.  I looked severely at him, and his countenance immediately
fell--_on the side toward me_; I cannot answer for the other, for he can
wink and laugh with either half of his face without the other half's
knowing it.

--I have noticed--I went on to say--the following circumstances connected
with these sudden impressions.  First, that the condition which seems to
be the duplicate of a former one is often very trivial,--one that might
have presented itself a hundred times.  Secondly, that the impression is
very evanescent, and that it is rarely, if ever, recalled by any
voluntary effort, at least after any time has elapsed.  Thirdly, that
there is a disinclination to record the circumstances, and a sense of
incapacity to reproduce the state of mind in words.  Fourthly, I have
often felt that the duplicate condition had not only occurred once
before, but that it was familiar and, as it seemed, habitual.  Lastly, I
have had the same convictions in my dreams.

How do I account for it?--Why, there are several ways that I can mention,
and you may take your choice.  The first is that which the young lady
hinted at;--that these flashes are sudden recollections of a previous
existence.  I don't believe that; for I remember a poor student I used to
know told me he had such a conviction one day when he was blacking his
boots, and I can't think he had ever lived in another world where they
use Day and Martin.

Some think that Dr. Wigan's doctrine of the brain's being a double organ,
its hemispheres working together like the two eyes, accounts for it.  One
of the hemispheres hangs fire, they suppose, and the small interval
between the perceptions of the nimble and the sluggish half seems an
indefinitely long period, and therefore the second perception appears to
be the copy of another, ever so old.  But even allowing the centre of
perception to be double, I can see no good reason for supposing this
indefinite lengthening of the time, nor any analogy that bears it out.
It seems to me most likely that the coincidence of circumstances is very
partial, but that we take this partial resemblance for identity, as we
occasionally do resemblances of persons.  A momentary posture of
circumstances is so far like some preceding one that we accept it as
exactly the same, just as we accost a stranger occasionally, mistaking
him for a friend.  The apparent similarity may be owing perhaps, quite as
much to the mental state at the time, as to the outward circumstances.

--Here is another of these curiously recurring remarks.  I have said it,
and heard it many times, and occasionally met with something like it in
books,--somewhere in Bulwer's novels, I think, and in one of the works of
Mr. Olmsted, I know.

_Memory_, _imagination_, _old sentiments and associations_, _are more
readily reached through the sense of_ SMELL _than by almost any other
channel_.

Of course the particular odors which act upon each person's
susceptibilities differ.--O, yes!  I will tell you some of mine.  The
smell of _phosphorus_ is one of them.  During a year or two of
adolescence I used to be dabbling in chemistry a good deal, and as about
that time I had my little aspirations and passions like another, some of
these things got mixed up with each other: orange-colored fumes of
nitrous acid, and visions as bright and transient; reddening
litmus-paper, and blushing cheeks;--_eheu_!

    "Soles occidere et redire possunt,"

but there is no reagent that will redden the faded roses of eighteen
hundred and--spare them!  But, as I was saying, phosphorus fires this
train of associations in an instant; its luminous vapors with their
penetrating odor throw me into a trance; it comes to me in a double sense
"trailing clouds of glory."  Only the confounded Vienna matches, _ohne
phosphor-geruch_, have worn my sensibilities a little.

Then there is the _marigold_.  When I was of smallest dimensions, and
wont to ride impacted between the knees of fond parental pair, we would
sometimes cross the bridge to the next village-town and stop opposite a
low, brown, "gambrel-roofed" cottage.  Out of it would come one Sally,
sister of its swarthy tenant, swarthy herself, shady-lipped, sad-voiced,
and, bending over her flower-bed, would gather a "posy," as she called
it, for the little boy.  Sally lies in the churchyard with a slab of blue
slate at her head, lichen-crusted, and leaning a little within the last
few years.  Cottage, garden-beds, posies, grenadier-like rows of seedling
onions,--stateliest of vegetables,--all are gone, but the breath of a
marigold brings them all back to me.

Perhaps the herb _everlasting_, the fragrant _immortelle_ of our autumn
fields, has the most suggestive odor to me of all those that set me
dreaming.  I can hardly describe the strange thoughts and emotions that
come to me as I inhale the aroma of its pale, dry, rustling flowers.  A
something it has of sepulchral spicery, as if it had been brought from
the core of some great pyramid, where it had lain on the breast of a
mummied Pharaoh.  Something, too, of immortality in the sad, faint
sweetness lingering so long in its lifeless petals.  Yet this does not
tell why it fills my eyes with tears and carries me in blissful thought
to the banks of asphodel that border the River of Life.

--I should not have talked so much about these personal susceptibilities,
if I had not a remark to make about them which I believe is a new one.
It is this.  There may be a physical reason for the strange connection
between the sense of smell and the mind.  The olfactory nerve--so my
friend, the Professor, tells me--is the only one directly connected with
the hemispheres of the brain, the parts in which, as we have every reason
to believe, the intellectual processes are performed.  To speak more
truly the olfactory "nerve" is not a nerve at all, he says, but a part of
the brain, in intimate connection with its anterior lobes.  Whether this
anatomical arrangement is at the bottom of the facts I have mentioned, I
will not decide, but it is curious enough to be worth remembering.
Contrast the sense of taste, as a source of suggestive impressions, with
that of smell.  Now the Professor assures me that you will find the nerve
of taste has no immediate connection with the brain proper, but only with
the prolongation of the spinal cord.

[The old gentleman opposite did not pay much attention, I think, to this
hypothesis of mine.  But while I was speaking about the sense of smell he
nestled about in his seat, and presently succeeded in getting out a large
red bandanna handkerchief.  Then he lurched a little to the other side,
and after much tribulation at last extricated an ample round snuff-box.
I looked as he opened it and felt for the wonted pugil.  Moist rappee,
and a Tonka-bean lying therein.  I made the manual sign understood of all
mankind that use the precious dust, and presently my brain, too,
responded to the long unused stimulus--O boys,--that were,--actual papas
and possible grandpapas,--some of you with crowns like
billiard-balls,--some in locks of sable silvered, and some of silver
sabled,--do you remember, as you doze over this, those after-dinners at
the Trois Freres when the Scotch-plaided snuff-box went round, and the
dry Lundy-Foot tickled its way along into our happy sensoria?  Then it
was that the Chambertin or the Clos Vougeot came in, slumbering in its
straw cradle.  And one among you,--do you remember how he would have a
bit of ice always in his Burgundy, and sit tinkling it against the sides
of the bubble-like glass, saying that he was hearing the cow-bells as he
used to hear them, when the deep-breathing kine came home at twilight
from the huckleberry pasture, in the old home a thousand leagues towards
the sunset?]

Ah me! what strains and strophes of unwritten verse pulsate through my
soul when I open a certain closet in the ancient house where I was born!
On its shelves used to lie bundles of sweet-marjoram and pennyroyal and
lavender and mint and catnip; there apples were stored until their seeds
should grow black, which happy period there were sharp little milk-teeth
always ready to anticipate; there peaches lay in the dark, thinking of
the sunshine they had lost, until, like the hearts of saints that dream
of heaven in their sorrow, they grew fragrant as the breath of angels.
The odorous echo of a score of dead summers lingers yet in those dim
recesses.

--Do I remember Byron's line about "striking the electric chain"?--To be
sure I do.  I sometimes think the less the hint that stirs the automatic
machinery of association, the more easily this moves us.  What can be
more trivial than that old story of opening the folio Shakspeare that
used to lie in some ancient English hall and finding the flakes of
Christmas pastry between its leaves, shut up in them perhaps a hundred
years ago?  And, lo! as one looks on these poor relics of a bygone
generation, the universe changes in the twinkling of an eye; old George
the Second is back again, and the elder Pitt is coming into power, and
General Wolfe is a fine, promising young man, and over the Channel they
are pulling the Sieur Damiens to pieces with wild horses, and across the
Atlantic the Indians are tomahawking Hirams and Jonathans and Jonases at
Fort William Henry; all the dead people who have been in the dust so
long--even to the stout-armed cook that made the pastry--are alive again;
the planet unwinds a hundred of its luminous coils, and the precession of
the equinoxes is retraced on the dial of heaven!  And all this for a bit
of pie-crust!

--I will thank you for that pie,--said the provoking young fellow whom I
have named repeatedly.  He looked at it for a moment, and put his hands
to his eyes as if moved.--I was thinking,--he said indistinctly--

--How?  What is't?--said our landlady.

--I was thinking--said he--who was king of England when this old pie was
baked,--and it made me feel bad to think how long he must have been dead.

[Our landlady is a decent body, poor, and a widow, of course; _cela va
sans dire_.  She told me her story once; it was as if a grain of corn
that had been ground and bolted had tried to individualize itself by a
special narrative.  There was the wooing and the wedding,--the start in
life,--the disappointments,--the children she had buried,--the struggle
against fate,--the dismantling of life, first of its small luxuries, and
then of its comforts,--the broken spirits,--the altered character of the
one on whom she leaned,--and at last the death that came and drew the
black curtain between her and all her earthly hopes.

I never laughed at my landlady after she had told me her story, but I
often cried,--not those pattering tears that run off the eaves upon our
neighbors' grounds, the _stillicidium_ of self-conscious sentiment, but
those which steal noiselessly through their conduits until they reach the
cisterns lying round about the heart; those tears that we weep inwardly
with unchanging features;--such I did shed for her often when the imps of
the boarding-house Inferno tugged at her soul with their red-hot
pincers.]

Young man,--I said,--the pasty you speak lightly of is not old, but
courtesy to those who labor to serve us, especially if they are of the
weaker sex, is very old, and yet well worth retaining.  May I recommend
to you the following caution, as a guide, whenever you are dealing with a
woman, or an artist, or a poet--if you are handling an editor or
politician, it is superfluous advice.  I take it from the back of one of
those little French toys which contain pasteboard figures moved by a
small running stream of fine sand; Benjamin Franklin will translate it
for you: "_Quoiqu'elle soit tres solidement montee_, _il faut ne pas_
BRUTALISER _la machine_."--I will thank you for the pie, if you please.

[I took more of it than was good for me--as much as 85, I should
think,--and had an indigestion in consequence.  While I was suffering
from it, I wrote some sadly desponding poems, and a theological essay
which took a very melancholy view of creation.  When I got better I
labelled them all "Pie-crust," and laid them by as scarecrows and solemn
warnings.  I have a number of books on my shelves that I should like to
label with some such title; but, as they have great names on their
title-pages,--Doctors of Divinity, some of them,--it wouldn't do.]

--My friend, the Professor, whom I have mentioned to you once or twice,
told me yesterday that somebody had been abusing him in some of the
journals of his calling.  I told him that I didn't doubt he deserved it;
that I hoped he did deserve a little abuse occasionally, and would for a
number of years to come; that nobody could do anything to make his
neighbors wiser or better without being liable to abuse for it;
especially that people hated to have their little mistakes made fun of,
and perhaps he had been doing something of the kind.--The Professor
smiled.--Now, said I, hear what I am going to say.  It will not take many
years to bring you to the period of life when men, at least the majority
of writing and talking men, do nothing but praise.  Men, like peaches and
pears, grow sweet a little while before they begin to decay.  I don't
know what it is,--whether a spontaneous change, mental or bodily, or
whether it is thorough experience of the thanklessness of critical
honesty,--but it is a fact, that most writers, except sour and
unsuccessful ones, get tired of finding fault at about the time when they
are beginning to grow old.  As a general thing, I would not give a great
deal for the fair words of a critic, if he is himself an author, over
fifty years of age.  At thirty we are all trying to cut our names in big
letters upon the walls of this tenement of life; twenty years later we
have carved it, or shut up our jack-knives.  Then we are ready to help
others, and care less to hinder any, because nobody's elbows are in our
way.  So I am glad you have a little life left; you will be saccharine
enough in a few years.

--Some of the softening effects of advancing age have struck me very much
in what I have heard or seen here and elsewhere.  I just now spoke of the
sweetening process that authors undergo.  Do you know that in the gradual
passage from maturity to helplessness the harshest characters sometimes
have a period in which they are gentle and placid as young children?  I
have heard it said, but I cannot be sponsor for its truth, that the
famous chieftain, Lochiel, was rocked in a cradle like a baby, in his old
age.  An old man, whose studies had been of the severest scholastic kind,
used to love to hear little nursery-stories read over and over to him.
One who saw the Duke of Wellington in his last years describes him as
very gentle in his aspect and demeanor.  I remember a person of
singularly stern and lofty bearing who became remarkably gracious and
easy in all his ways in the later period of his life.

And that leads me to say that men often remind me of pears in their way
of coming to maturity.  Some are ripe at twenty, like human Jargonelles,
and must be made the most of, for their day is soon over.  Some come into
their perfect condition late, like the autumn kinds, and they last better
than the summer fruit.  And some, that, like the Winter-Nelis, have been
hard and uninviting until all the rest have had their season, get their
glow and perfume long after the frost and snow have done their worst with
the orchards.  Beware of rash criticisms; the rough and stringent fruit
you condemn may be an autumn or a winter pear, and that which you picked
up beneath the same bough in August may have been only its worm-eaten
windfalls.  Milton was a Saint-Germain with a graft of the roseate
Early-Catherine.  Rich, juicy, lively, fragrant, russet skinned old
Chaucer was an Easter-Beurre; the buds of a new summer were swelling when
he ripened.

--There is no power I envy so much--said the divinity-student--as that of
seeing analogies and making comparisons.  I don't understand how it is
that some minds are continually coupling thoughts or objects that seem
not in the least related to each other, until all at once they are put in
a certain light, and you wonder that you did not always see that they
were as like as a pair of twins.  It appears to me a sort of miraculous
gift.

[He is rather a nice young man, and I think has an appreciation of the
higher mental qualities remarkable for one of his years and training.  I
try his head occasionally as housewives try eggs,--give it an
intellectual shake and hold it up to the light, so to speak, to see if it
has life in it, actual or potential, or only contains lifeless albumen.]

You call it _miraculous_,--I replied,--tossing the expression with my
facial eminence, a little smartly, I fear.--Two men are walking by the
polyphloesboean ocean, one of them having a small tin cup with which he
can scoop up a gill of sea-water when he will, and the other nothing but
his hands, which will hardly hold water at all,--and you call the tin cup
a miraculous possession!  It is the ocean that is the miracle, my infant
apostle!  Nothing is clearer than that all things are in all things, and
that just according to the intensity and extension of our mental being we
shall see the many in the one and the one in the many.  Did Sir Isaac
think what he was saying when he made _his_ speech about the ocean,--the
child and the pebbles, you know?  Did he mean to speak slightingly of a
pebble?  Of a spherical solid which stood sentinel over its compartment
of space before the stone that became the pyramids had grown solid, and
has watched it until now!  A body which knows all the currents of force
that traverse the globe; which holds by invisible threads to the ring of
Saturn and the belt of Orion!  A body from the contemplation of which an
archangel could infer the entire inorganic universe as the simplest of
corollaries!  A throne of the all-pervading Deity, who has guided its
every atom since the rosary of heaven was strung with beaded stars!

So,--to return to _our_ walk by the ocean,--if all that poetry has
dreamed, all that insanity has raved, all that maddening narcotics have
driven through the brains of men, or smothered passion nursed in the
fancies of women,--if the dreams of colleges and convents and
boarding-schools,--if every human feeling that sighs, or smiles, or
curses, or shrieks, or groans, should bring all their innumerable images,
such as come with every hurried heart-beat,--the epic which held them
all, though its letters filled the zodiac, would be but a cupful from the
infinite ocean of similitudes and analogies that rolls through the
universe.

[The divinity-student honored himself by the way in which he received
this.  He did not swallow it at once, neither did he reject it; but he
took it as a pickerel takes the bait, and carried it off with him to his
hole (in the fourth story) to deal with at his leisure.]

--Here is another remark made for his especial benefit.--There is a
natural tendency in many persons to run their adjectives together in
_triads_, as I have heard them called,--thus: He was honorable,
courteous, and brave; she was graceful, pleasing, and virtuous.  Dr.
Johnson is famous for this; I think it was Bulwer who said you could
separate a paper in the "Rambler" into three distinct essays.  Many of
our writers show the same tendency,--my friend, the Professor,
especially.  Some think it is in humble imitation of Johnson,--some that
it is for the sake of the stately sound only.  I don't think they get to
the bottom of it.  It is, I suspect, an instinctive and involuntary
effort of the mind to present a thought or image with the _three
dimensions_ that belong to every solid,--an unconscious handling of an
idea as if it had length, breadth, and thickness.  It is a great deal
easier to say this than to prove it, and a great deal easier to dispute
it than to disprove it.  But mind this: the more we observe and study,
the wider we find the range of the automatic and instinctive principles
in body, mind, and morals, and the narrower the limits of the
self-determining conscious movement.

--I have often seen piano-forte players and singers make such strange
motions over their instruments or song-books that I wanted to laugh at
them.  "Where did our friends pick up all these fine ecstatic airs?" I
would say to myself.  Then I would remember My Lady in "Marriage a la
Mode," and amuse myself with thinking how affectation was the same thing
in Hogarth's time and in our own.  But one day I bought me a Canary-bird
and hung him up in a cage at my window.  By-and-by he found himself at
home, and began to pipe his little tunes; and there he was, sure enough,
swimming and waving about, with all the droopings and liftings and
languishing side-turnings of the head that I had laughed at.  And now I
should like to ask, WHO taught him all this?--and me, through him, that
the foolish head was not the one swinging itself from side to side and
bowing and nodding over the music, but that other which was passing its
shallow and self-satisfied judgment on a creature made of finer clay than
the frame which carried that same head upon its shoulders?

--Do you want an image of the human will, or the self-determining
principle, as compared with its prearranged and impassable restrictions?
A drop of water, imprisoned in a crystal; you may see such a one in any
mineralogical collection.  One little fluid particle in the crystalline
prism of the solid universe!

--Weaken moral obligations?--No, not weaken, but define them.  When I
preach that sermon I spoke of the other day, I shall have to lay down
some principles not fully recognized in some of your text-books.

                       [Picture: The Poor Relation]

I should have to begin with one most formidable preliminary.  You saw an
article the other day in one of the journals, perhaps, in which some old
Doctor or other said quietly that patients were very apt to be fools and
cowards.  But a great many of the clergyman's patients are not only fools
and cowards, but also liars.

[Immense sensation at the table.--Sudden retirement of the angular female
in oxydated bombazine.  Movement of adhesion--as they say in the Chamber
of Deputies--on the part of the young fellow they call John.  Falling of
the old-gentleman-opposite's lower jaw--(gravitation is beginning to get
the better of him.)  Our landlady to Benjamin Franklin, briskly,--Go to
school right off, there's a good boy!  Schoolmistress curious,--takes a
quick glance at divinity-student.  Divinity-student slightly flushed
draws his shoulders back a little, as if a big falsehood--or truth--had
hit him in the forehead.  Myself calm.]

--I should not make such a speech as that, you know, without having
pretty substantial indorsers to fall back upon, in case my credit should
be disputed.  Will you run up stairs, Benjamin Franklin, (for B. F. had
_not_ gone right off, of course,) and bring down a small volume from the
left upper corner of the right-hand shelves?

[Look at the precious little black, ribbed backed, clean-typed,
vellum-papered 32mo.  "DESIDERII ERASMI COLLOQUIA.  Amstelodami.  Typis
Ludovici Elzevirii.  1650."  Various names written on title-page.  Most
conspicuous this: Gul. Cookeson E. Coll. Omn. Anim.  1725.  Oxon.

--O William Cookeson, of All-Souls College, Oxford,--then writing as I
now write,--now in the dust, where I shall lie,--is this line all that
remains to thee of earthly remembrance?  Thy name is at least once more
spoken by living men;--is it a pleasure to thee?  Thou shalt share with
me my little draught of immortality,--its week, its month, its
year,--whatever it may be,--and then we will go together into the solemn
archives of Oblivion's Uncatalogued Library!]

--If you think I have used rather strong language, I shall have to read
something to you out of the book of this keen and witty scholar,--the
great Erasmus,--who "laid the egg of the Reformation which Luther
hatched."  Oh, you never read his _Naufragium_, or "Shipwreck," did you?
Of course not; for, if you had, I don't think you would have given me
credit--or discredit--for entire originality in that speech of mine.
That men are cowards in the contemplation of futurity he illustrates by
the extraordinary antics of many on board the sinking vessel; that they
are fools, by their praying to the sea, and making promises to bits of
wood from the true cross, and all manner of similar nonsense; that they
are fools, cowards, and liars all at once, by this story: I will put it
into rough English for you.--"I couldn't help laughing to hear one fellow
bawling out, so that he might be sure to be heard, a promise to Saint
Christopher of Paris--the monstrous statue in the great church
there--that he would give him a wax taper as big as himself.  'Mind what
you promise!' said an acquaintance that stood near him, poking him with
his elbow; 'you couldn't pay for it, if you sold all your things at
auction.'  'Hold your tongue, you donkey!' said the fellow,--but softly,
so that Saint Christopher should not hear him,--'do you think I'm in
earnest?  If I once get my foot on dry ground, catch me giving him so
much as a tallow candle!'"

Now, therefore, remembering that those who have been loudest in their
talk about the great subject of which we were speaking have not
necessarily been wise, brave, and true men, but, on the contrary, have
very often been wanting in one or two or all of the qualities these words
imply, I should expect to find a good many doctrines current in the
schools which I should be obliged to call foolish, cowardly, and false.

--So you would abuse other people's beliefs, Sir, and yet not tell us
your own creed!--said the divinity-student, coloring up with a spirit for
which I liked him all the better.

--I have a creed,--I replied;--none better, and none shorter.  It is told
in two words,--the two first of the Paternoster.  And when I say these
words I mean them.  And when I compared the human will to a drop in a
crystal, and said I meant to _define_ moral obligations, and not weaken
them, this was what I intended to express: that the fluent,
self-determining power of human beings is a very strictly limited agency
in the universe.  The chief planes of its enclosing solid are, of course,
organization, education, condition.  Organization may reduce the power of
the will to nothing, as in some idiots; and from this zero the scale
mounts upwards by slight gradations.  Education is only second to nature.
Imagine all the infants born this year in Boston and Timbuctoo to change
places!  Condition does less, but "Give me neither poverty nor riches"
was the prayer of Agur, and with good reason.  If there is any
improvement in modern theology, it is in getting out of the region of
pure abstractions and taking these every-day working forces into account.
The great theological question now heaving and throbbing in the minds of
Christian men is this:--

No, I wont talk about these things now.  My remarks might be repeated,
and it would give my friends pain to see with what personal incivilities
I should be visited.  Besides, what business has a mere boarder to be
talking about such things at a breakfast-table?  Let him make puns.  To
be sure, he was brought up among the Christian fathers, and learned his
alphabet out of a quarto "Concilium Tridentinum."  He has also heard many
thousand theological lectures by men of various denominations; and it is
not at all to the credit of these teachers, if he is not fit by this time
to express an opinion on theological matters.

I know well enough that there are some of you who had a great deal rather
see me stand on my head than use it for any purpose of thought.  Does not
my friend, the Professor, receive at least two letters a week, requesting
him to. . . . ,--on the strength of some youthful antic of his, which, no
doubt, authorizes the intelligent constituency of autograph-hunters to
address him as a harlequin?

--Well, I can't be savage with you for wanting to laugh, and I like to
make you laugh, well enough, when I can.  But then observe this: if the
sense of the ridiculous is one side of an impressible nature, it is very
well; but if that is all there is in a man, he had better have been an
ape at once, and so have stood at the head of his profession.  Laughter
and tears are meant to turn the wheels of the same machinery of
sensibility; one is wind-power, and the other water-power; that is all.
I have often heard the Professor talk about hysterics as being Nature's
cleverest illustration of the reciprocal convertibility of the two states
of which these acts are the manifestations; But you may see it every day
in children; and if you want to choke with stifled tears at sight of the
transition, as it shows itself in older years, go and see Mr. Blake play
_Jesse Rural_.

It is a very dangerous thing for a literary man to indulge his love for
the ridiculous.  People laugh _with_ him just so long as he amuses them;
but if he attempts to be serious, they must still have their laugh, and
so they laugh _at_ him.  There is in addition, however, a deeper reason
for this than would at first appear.  Do you know that you feel a little
superior to every man who makes you laugh, whether by making faces or
verses?  Are you aware that you have a pleasant sense of patronizing him,
when you condescend so far as to let him turn somersets, literal or
literary, for your royal delight?  Now if a man can only be allowed to
stand on a dais, or raised platform, and look down on his neighbor who is
exerting his talent for him, oh, it is all right!--first-rate
performance!--and all the rest of the fine phrases.  But if all at once
the performer asks the gentleman to come upon the floor, and, stepping
upon the platform, begins to talk down at him,--ah, that wasn't in the
programme!

I have never forgotten what happened when Sydney Smith--who, as everybody
knows, was an exceedingly sensible man, and a gentleman, every inch of
him--ventured to preach a sermon on the Duties of Royalty.  The
"Quarterly," "so savage and tartarly," came down upon him in the most
contemptuous style, as "a joker of jokes," a "diner-out of the first
water," in one of his own phrases; sneering at him, insulting him, as
nothing but a toady of a court, sneaking behind the anonymous, would ever
have been mean enough to do to a man of his position and genius, or to
any decent person even.--If I were giving advice to a young fellow of
talent, with two or three facets to his mind, I would tell him by all
means to keep his wit in the background until after he had made a
reputation by his more solid qualities.  And so to an actor: _Hamlet_
first, and _Bob Logic_ afterwards, if you like; but don't think, as they
say poor Liston used to, that people will be ready to allow that you can
do anything great with _Macbeth's_ dagger after flourishing about with
_Paul Pry's_ umbrella.  Do you know, too, that the majority of men look
upon all who challenge their attention,--for a while, at least,--as
beggars, and nuisances?  They always try to get off as cheaply as they
can; and the cheapest of all things they can give a literary man--pardon
the forlorn pleasantry!--is the _funny_-bone.  That is all very well so
far as it goes, but satisfies no man, and makes a good many angry, as I
told you on a former occasion.

--Oh, indeed, no!--I am not ashamed to make you laugh, occasionally.  I
think I could read you something I have in my desk which would probably
make you smile.  Perhaps I will read it one of these days, if you are
patient with me when I am sentimental and reflective; not just now.  The
ludicrous has its place in the universe; it is not a human invention, but
one of the Divine ideas, illustrated in the practical jokes of kittens
and monkeys long before Aristophanes or Shakspeare.  How curious it is
that we always consider solemnity and the absence of all gay surprises
and encounter of wits as essential to the idea of the future life of
those whom we thus deprive of half their faculties and then call
_blessed_!  There are not a few who, even in this life, seem to be
preparing themselves for that smileless eternity to which they look
forward, by banishing all gayety from their hearts and all joyousness
from their countenances.  I meet one such in the street not unfrequently,
a person of intelligence and education, but who gives me (and all that he
passes) such a rayless and chilling look of recognition,--something as if
he were one of Heaven's assessors, come down to "doom" every acquaintance
he met,--that I have sometimes begun to sneeze on the spot, and gone home
with a violent cold, dating from that instant.  I don't doubt he would
cut his kitten's tail off, if he caught her playing with it.  Please tell
me, who taught her to play with it?

No, no!--give me a chance to talk to you, my fellow-boarders, and you
need not be afraid that I shall have any scruples about entertaining you,
if I can do it, as well as giving you some of my serious thoughts, and
perhaps my sadder fancies.  I know nothing in English or any other
literature more admirable than that sentiment of Sir Thomas Browne "EVERY
MAN TRULY LIVES, SO LONG AS HE ACTS HIS NATURE, OR SOME WAY MAKES GOOD
THE FACULTIES OF HIMSELF."

I find the great thing in this world is not so much where we stand, as in
what direction we are moving: To reach the port of heaven, we must sail
sometimes with the wind and sometimes against it,--but we must sail, and
not drift, nor lie at anchor.  There is one very sad thing in old
friendships, to every mind that is really moving onward.  It is this:
that one cannot help using his early friends as the seaman uses the log,
to mark his progress.  Every now and then we throw an old schoolmate over
the stern with a string of thought tied to him, and look--I am afraid
with a kind of luxurious and sanctimonious compassion--to see the rate at
which the string reels off, while he lies there bobbing up and down, poor
fellow! and we are dashing along with the white foam and bright sparkle
at our bows;--the ruffled bosom of prosperity and progress, with a sprig
of diamonds stuck in it!  But this is only the sentimental side of the
matter; for grow we must, if we outgrow all that we love.

Don't misunderstand that metaphor of heaving the log, I beg you.  It is
merely a smart way of saying that we cannot avoid measuring our rate of
movement by those with whom we have long been in the habit of comparing
ourselves; and when they once become stationary, we can get our reckoning
from them with painful accuracy.  We see just what we were when they were
our peers, and can strike the balance between that and whatever we may
feel ourselves to be now.  No doubt we may sometimes be mistaken.  If we
change our last simile to that very old and familiar one of a fleet
leaving the harbor and sailing in company for some distant region, we can
get what we want out of it.  There is one of our companions;--her
streamers were torn into rags before she had got into the open sea, then
by and by her sails blew out of the ropes one after another, the waves
swept her deck, and as night came on we left her a seeming wreck, as we
flew under our pyramid of canvas.  But lo! at dawn she is still in
sight,--it may be in advance of us.  Some deep ocean-current has been
moving her on, strong, but silent,--yes, stronger than these noisy winds
that puff our sails until they are swollen as the cheeks of jubilant
cherubim.  And when at last the black steam-tug with the skeleton arms,
which comes out of the mist sooner or later and takes us all in tow,
grapples her and goes off panting and groaning with her, it is to that
harbor where all wrecks are refitted, and where, alas! we, towering in
our pride, may never come.

So you will not think I mean to speak lightly of old friendships, because
we cannot help instituting comparisons between our present and former
selves by the aid of those who were what we were, but are not what we
are.  Nothing strikes one more, in the race of life, than to see how many
give out in the first half of the course.  "Commencement day" always
reminds me of the start for the "Derby," when the beautiful high-bred
three-year olds of the season are brought up for trial.  That day is the
start, and life is the race.  Here we are at Cambridge, and a class is
just "graduating."  Poor Harry! he was to have been there too, but he has
paid forfeit; step out here into the grass back of the church; ah! there
it is:--

    "HUNC LAPIDEM POSUERUNT
          SOCII MOERENTES."

But this is the start, and here they are,--coats bright as silk, and
manes as smooth as _eau lustrale_ can make them.  Some of the best of the
colts are pranced round, a few minutes each, to show their paces.  What
is that old gentleman crying about? and the old lady by him, and the
three girls, what are they all covering their eyes for?  Oh, that is
_their_ colt which has just been trotted up on the stage.  Do they really
think those little thin legs can do anything in such a slashing
sweepstakes as is coming off in these next forty years?  Oh, this
terrible gift of second-sight that comes to some of us when we begin to
look through the silvered rings of the _arcus senilis_!

_Ten years gone_.  First turn in the race.  A few broken down; two or
three bolted.  Several show in advance of the ruck.  _Cassock_, a black
colt, seems to be ahead of the rest; those black colts commonly get the
start, I have noticed, of the others, in the first quarter.  _Meteor_ has
pulled up.

_Twenty years_.  Second corner turned.  _Cassock_ has dropped from the
front, and _Judex_, an iron-gray, has the lead.  But look! how they have
thinned out!  Down flat,--five,--six,--how many?  They lie still enough!
they will not get up again in this race, be very sure!  And the rest of
them, what a "tailing off"!  Anybody can see who is going to
win,--perhaps.

_Thirty years_.  Third corner turned.  _Dives_, bright sorrel, ridden by
the fellow in a yellow jacket, begins to make play fast; is getting to be
the favourite with many.  But who is that other one that has been
lengthening his stride from the first, and now shows close up to the
front?  Don't you remember the quiet brown colt _Asteroid_, with the star
in his forehead?  That is he; he is one of the sort that lasts; look out
for him!  The black "colt," as we used to call him, is in the background,
taking it easily in a gentle trot.  There is one they used to call _the
Filly_, on account of a certain feminine air he had; well up, you see;
the Filly is not to be despised my boy!

_Forty years_.  More dropping off,--but places much as before.

_Fifty years_.  Race over.  All that are on the course are coming in at a
walk; no more running.  Who is ahead?  Ahead?  What! and the winning-post
a slab of white or gray stone standing out from that turf where there is
no more jockeying or straining for victory!  Well, the world marks their
places in its betting-book; but be sure that these matter very little, if
they have run as well as they knew how!

--Did I not say to you a little while ago that the universe swam in an
ocean of similitudes and analogies?  I will not quote Cowley, or Burns,
or Wordsworth, just now, to show you what thoughts were suggested to them
by the simplest natural objects, such as a flower or a leaf; but I will
read you a few lines, if you do not object, suggested by looking at a
section of one of those chambered shells to which is given the name of
Pearly Nautilus.  We need not trouble ourselves about the distinction
between this and the Paper Nautilus, the _Argonauta_ of the ancients.
The name applied to both shows that each has long been compared to a
ship, as you may see more fully in Webster's Dictionary, or the
"Encyclopedia," to which he refers.  If you will look into Roget's
Bridgewater Treatise, you will find a figure of one of these shells, and
a section of it.  The last will show you the series of enlarging
compartments successively dwelt in by the animal that inhabits the shell,
which is built in a widening spiral.  Can you find no lesson in this?

                           THE CHAMBERED NAUTILUS.

    This is the ship of pearl, which, poets feign,
          Sails the unshadowed main,--
          The venturous bark that flings
    On the sweet summer wind its purpled wings
    In gulfs enchanted, where the siren sings,
          And coral reefs lie bare,
    Where the cold sea-maids rise to sun their streaming hair

    Its webs of living gauze no more unfurl;
          Wrecked is the ship of pearl!
          And every clambered cell,
    Where its dim dreaming life was wont to dwell,
    As the frail tenant shaped his growing shell,
          Before thee lies revealed,--
    Its irised ceiling rent, its sunless crypt unsealed!

    Year after year beheld the silent toil
          That spread his lustrous coil;
          Still, as the spiral grew,
    He left the past year's dwelling for the new,
    Stole with soft step its shining archway through,
          Built up its idle door,
    Stretched in his last-found home, and knew the old no more.

    Thanks for the heavenly message brought by thee,
          Child of the wandering sea,
          Cast from her lap forlorn!
    From thy dead lips a clearer note is born
    Than ever Triton blew from wreathed horn!
          While on mine ear it rings,
    Through the deep caves of thought I hear a voice that sings:--

    Build thee more stately mansions, O my soul,
          As the swift seasons roll!
          Leave thy low-vaulted past!
    Let each new temple, nobler than the last,
    Shut thee from heaven with a dome more vast,
          Till thou at length art free,
    Leaving thine outgrown shell by life's unresting sea!




CHAPTER V


A lyric conception--my friend, the Poet, said--hits me like a bullet in
the forehead.  I have often had the blood drop from my cheeks when it
struck, and felt that I turned as white as death.  Then comes a creeping
as of centipedes running down the spine,--then a gasp and a great jump of
the heart,--then a sudden flush and a beating in the vessels of the
head,--then a long sigh,--and the poem is written.

It is an impromptu, I suppose, then, if you write it so suddenly,--I
replied.

No,--said he,--far from it.  I said written, but I did not say _copied_.
Every such poem has a soul and a body, and it is the body of it, or the
copy, that men read and publishers pay for.  The soul of it is born in an
instant in the poet's soul.  It comes to him a thought, tangled in the
meshes of a few sweet words,--words that have loved each other from the
cradle of the language, but have never been wedded until now.  Whether it
will ever fully embody itself in a bridal train of a dozen stanzas or not
is uncertain; but it exists potentially from the instant that the poet
turns pale with it.  It is enough to stun and scare anybody, to have a
hot thought come crashing into his brain, and ploughing up those parallel
ruts where the wagon trains of common ideas were jogging along in their
regular sequences of association.  No wonder the ancients made the
poetical impulse wholly external.  Goddess,--Muse,--divine
afflatus,--something outside always.  _I_ never wrote any verses worth
reading.  I can't.  I am too stupid.  If I ever copied any that were
worth reading, I was only a medium.

[I was talking all this time to our boarders, you understand,--telling
them what this poet told me.  The company listened rather attentively, I
thought, considering the literary character of the remarks.]

The old gentleman opposite all at once asked me if I ever read anything
better than Pope's "Essay on Man"?  Had I ever perused McFingal?  He was
fond of poetry when he was a boy,--his mother taught him to say many
little pieces,--he remembered one beautiful hymn;--and the old gentleman
began, in a clear, loud voice, for his years,--

    "The spacious firmament on high,
    With all the blue ethereal sky,
    And spangled heavens,"--

He stopped, as if startled by our silence, and a faint flush ran up
beneath the thin white hairs that fell upon his cheek.  As I looked
round, I was reminded of a show I once saw at the Museum,--the Sleeping
Beauty, I think they called it.  The old man's sudden breaking out in
this way turned every face towards him, and each kept his posture as if
changed to stone.  Our Celtic Bridget, or Biddy, is not a foolish fat
scullion to burst out crying for a sentiment.  She is of the serviceable,
red-handed, broad-and-high-shouldered type; one of those imported female
servants who are known in public by their amorphous style of person,
their stoop forwards, and a headlong and as it were precipitous
walk,--the waist plunging downwards into the rocking pelvis at every
heavy footfall.  Bridget, constituted for action, not for emotion, was
about to deposit a plate heaped with something upon the table, when I saw
the coarse arm stretched by my shoulder arrested,--motionless as the arm
of a terra-cotta caryatid; she couldn't set the plate down while the old
gentleman was speaking!

He was quite silent after this, still wearing the slight flush on his
cheek.  Don't ever think the poetry is dead in an old man because his
forehead is wrinkled, or that his manhood has left him when his hand
trembles!  If they ever _were_ there, they _are_ there still!

By and by we got talking again.--Does a poet love the verses written
through him, do you think, Sir?--said the divinity-student.

So long as they are warm from his mind, carry any of his animal heat
about them, _I know_ he loves them,--I answered.  When they have had time
to cool, he is more indifferent.

A good deal as it is with buckwheat cakes,--said the young fellow whom
they call John.

The last words, only, reached the ear of the economically organized
female in black bombazine.--Buckwheat is skerce and high,--she remarked.
[Must be a poor relation sponging on our landlady,--pays nothing,--so she
must stand by the guns and be ready to repel boarders.]

I liked the turn the conversation had taken, for I had some things I
wanted to say, and so, after waiting a minute, I began again.--I don't
think the poems I read you sometimes can be fairly appreciated, given to
you as they are in the green state.

--You don't know what I mean by the _green state_?  Well, then, I will
tell you.  Certain things are good for nothing until they have been kept
a long while; and some are good for nothing until they have been long
kept and _used_.  Of the first, wine is the illustrious and immortal
example.  Of those which must be kept and used I will name
three,--meerschaum pipes, violins, and poems.  The meerschaum is but a
poor affair until it has burned a thousand offerings to the
cloud-compelling deities.  It comes to us without complexion or
flavor,--born of the sea-foam, like Aphrodite, but colorless as _pallida
Mors_ herself.  The fire is lighted in its central shrine, and gradually
the juices which the broad leaves of the Great Vegetable had sucked up
from an acre and curdled into a drachm are diffused through its thirsting
pores.  First a discoloration, then a stain, and at last a rich, glowing,
umber tint spreading over the whole surface.  Nature true to her old
brown autumnal hue, you see,--as true in the fire of the meerschaum as in
the sunshine of October!  And then the cumulative wealth of its fragrant
reminiscences! he who inhales its vapors takes a thousand whiffs in a
single breath; and one cannot touch it without awakening the old joys
that hang around it as the smell of flowers clings to the dresses of the
daughters of the house of Farina!

[Don't think I use a meerschaum myself, for _I do not_, though I have
owned a calumet since my childhood, which from a naked Pict (of the
Mohawk species) my grandsire won, together with a tomahawk and beaded
knife-sheath; paying for the lot with a bullet-mark on his right check.
On the maternal side I inherit the loveliest silver-mounted
tobacco-stopper you ever saw.  It is a little box-wood Triton, carved
with charming liveliness and truth; I have often compared it to a figure
in Raphael's "Triumph of Galatea."  It came to me in an ancient shagreen
case,--how old it is I do not know,--but it must have been made since Sir
Walter Raleigh's time.  If you are curious, you shall see it any day.
Neither will I pretend that I am so unused to the more perishable smoking
contrivance that a few whiffs would make me feel as if I lay in a
ground-swell on the Bay of Biscay.  I am not unacquainted with that
fusiform, spiral-wound bundle of chopped stems and miscellaneous
incombustibles, the _cigar_, so called, of the shops,--which to "draw"
asks the suction-power of a nursling infant Hercules, and to relish, the
leathery palate of an old Silenus.  I do not advise you, young man, even
if my illustration strike your fancy, to consecrate the flower of your
life to painting the bowl of a pipe, for, let me assure you, the stain of
a reverie-breeding narcotic may strike deeper than you think for.  I have
seen the green leaf of early promise grow brown before its time under
such Nicotian regimen, and thought the umbered meerschaum was dearly
bought at the cost of a brain enfeebled and a will enslaved.]

Violins, too,--the sweet old Amati!--the divine Stradivarius!  Played on
by ancient _maestros_ until the bow-hand lost its power and the flying
fingers stiffened.  Bequeathed to the passionate, young enthusiast, who
made it whisper his hidden love, and cry his inarticulate longings, and
scream his untold agonies, and wail his monotonous despair.  Passed from
his dying hand to the cold _virtuoso_, who let it slumber in its case for
a generation, till, when his hoard was broken up, it came forth once more
and rode the stormy symphonies of royal orchestras, beneath the rushing
bow of their lord and leader.  Into lonely prisons with improvident
artists; into convents from which arose, day and night, the holy hymns
with which its tones were blended; and back again to orgies in which it
learned to howl and laugh as if a legion of devils were shut up in it;
then again to the gentle _dilettante_ who calmed it down with easy
melodies until it answered him softly as in the days of the old
_maestros_.  And so given into our hands, its pores all full of music;
stained, like the meerschaum, through and through, with the concentrated
hue and sweetness of all the harmonies which have kindled and faded on
its strings.

Now I tell you a poem must be kept _and used_, like a meerschaum, or a
violin.  A poem is just as porous as the meerschaum;--the more porous it
is, the better.  I mean to say that a genuine poem is capable of
absorbing an indefinite amount of the essence of our own humanity,--its
tenderness, its heroism, its regrets, its aspirations, so as to be
gradually stained through with a divine secondary color derived from
ourselves.  So you see it must take time to bring the sentiment of a poem
into harmony with our nature, by staining ourselves through every thought
and image our being can penetrate.

Then again as to the mere music of a new poem; why, who can expect
anything more from that than from the music of a violin fresh from the
maker's hands?  Now you know very well that there are no less than
fifty-eight different pieces in a violin.  These pieces are strangers to
each other, and it takes a century, more or less, to make them thoroughly
acquainted.  At last they learn to vibrate in harmony, and the instrument
becomes an organic whole, as if it were a great seed-capsule which had
grown from a garden-bed in Cremona, or elsewhere.  Besides, the wood is
juicy and full of sap for fifty years or so, but at the end of fifty or a
hundred more gets tolerably dry and comparatively resonant.

Don't you see that all this is just as true of a poem?  Counting each
word as a piece, there are more pieces in an average copy of verses than
in a violin.  The poet has forced all these words together, and fastened
them, and they don't understand it at first.  But let the poem be
repeated aloud and murmured over in the mind's muffled whisper often
enough, and at length the parts become knit together in such absolute
solidarity that you could not change a syllable without the whole world's
crying out against you for meddling with the harmonious fabric.  Observe,
too, how the drying process takes place in the stuff of a poem just as in
that of a violin.  Here is a Tyrolese fiddle that is just coming to its
hundredth birthday,--(Pedro Klauss, Tyroli, fecit, 1760,)--the sap is
pretty well out of it.  And here is the song of an old poet whom Neaera
cheated.--

    "Nox erat, et coelo fulgebat Luna sereno
          Inter minora sidera,
    Cum tu magnorum numen laesura deorum
          In verba jurabas mea."

Don't you perceive the sonorousness of these old dead Latin phrases?  Now
I tell you that, every word fresh from the dictionary brings with it a
certain succulence; and though I cannot expect the sheets of the
"Pactolian," in which, as I told you, I sometimes print my verses, to get
so dry as the crisp papyrus that held those words of Horatius Flaccus,
yet you may be sure, that, while the sheets are damp, and while the lines
hold their sap, you can't fairly judge of my performances, and that, if
made of the true stuff, they will ring better after a while.

[There was silence for a brief space, after my somewhat elaborate
exposition of these self-evident analogies.  Presently _a person_ turned
towards me--I do not choose to designate the individual--and said that he
rather expected my pieces had given pretty good "sahtisfahction."--I had,
up to this moment, considered this complimentary phrase as sacred to the
use of secretaries of lyceums, and, as it has been usually accompanied by
a small pecuniary testimonial, have acquired a certain relish for this
moderately tepid and unstimulating expression of enthusiasm.  But as a
reward for gratuitous services, I confess I thought it a little below
that blood-heat standard which a man's breath ought to have, whether
silent, or vocal and articulate.  I waited for a favorable opportunity,
however, before making the remarks which follow.]

--There are single expressions, as I have told you already, that fix a
man's position for you before you have done shaking hands with him.
Allow me to expand a little.  There are several things, very slight in
themselves, yet implying other things not so unimportant.  Thus, your
French servant has _devalise_ your premises and got caught.  _Excusez_,
says the _sergent-de-ville_, as he politely relieves him of his upper
garments and displays his bust in the full daylight.  Good shoulders
enough,--a little marked,--traces of smallpox, perhaps,--but white. . . .
. _Crac_! from the _sergent-de-ville's_ broad palm on the white shoulder!
Now look!  _Vogue la galere_!  Out comes the big red V--mark of the hot
iron;--he had blistered it out pretty nearly,--hadn't he?--the old rascal
VOLEUR, branded in the galleys at Marseilles!  [Don't!  What if he has
got something like this?--nobody supposes I _invented_ such a story.]

My man John, who used to drive two of those six equine females which I
told you I had owned,--for, look you, my friends, simple though I stand
here, I am one that has been driven in his "kerridge,"--not using that
term, as liberal shepherds do, for any battered old shabby-genteel
go-cart which has more than one wheel, but meaning thereby a four-wheeled
vehicle _with a pole_,--my man John, I say, was a retired soldier.  He
retired unostentatiously, as many of Her Majesty's modest servants have
done before and since.  John told me, that when an officer thinks he
recognizes one of these retiring heroes, and would know if he has really
been in the service, that he may restore him, if possible, to a grateful
country, he comes suddenly upon him, and says, sharply, "Strap!"  If he
has ever worn the shoulder-strap, he has learned the reprimand for its
ill adjustment.  The old word of command flashes through his muscles, and
his hand goes up in an instant to the place where the strap used to be.

[I was all the time preparing for my grand _coup_, you understand; but I
saw they were not quite ready for it, and so continued,--always in
illustration of the general principle I had laid down.]

Yes, odd things come out in ways that nobody thinks of.  There was a
legend, that, when the Danish pirates made descents upon the English
coast, they caught a few Tartars occasionally, in the shape of Saxons,
who would not let them go,--on the contrary, insisted on their staying,
and, to make sure of it, treated them as Apollo treated Marsyas, or an
Bartholinus has treated a fellow-creature in his title-page, and, having
divested them of the one essential and perfectly fitting garment,
indispensable in the mildest climates, nailed the same on the church-door
as we do the banns of marriage, _in terrorem_.

[There was a laugh at this among some of the young folks; but as I looked
at our landlady, I saw that "the water stood in her eyes," as it did in
Christiana's when the interpreter asked her about the spider, and I
fancied, but wasn't quite sure that the schoolmistress blushed, as Mercy
did in the same conversation, as you remember.]

That sounds like a cock-and-bull-story,--said the young fellow whom they
call John.  I abstained from making Hamlet's remark to Horatio, and
continued.

Not long since, the church-wardens were repairing and beautifying an old
Saxon church in a certain English village, and among other things thought
the doors should be attended to.  One of them particularly, the
front-door, looked very badly, crusted, as it were, and as if it would be
all the better for scraping.  There happened to be a microscopist in the
village who had heard the old pirate story, and he took it into his head
to examine the crust on this door.  There was no mistake about it; it was
a genuine historical document, of the Ziska drum-head pattern,--a real
_cutis humana_, stripped from some old Scandinavian filibuster, and the
legend was true.

My friend, the Professor, settled an important historical and financial
question once by the aid of an exceedingly minute fragment of a similar
document.  Behind the pane of plate-glass which bore his name and title
burned a modest lamp, signifying to the passers-by that at all hours of
the night the slightest favors (or fevers) were welcome.  A youth who had
freely partaken of the cup which cheers and likewise inebriates,
following a moth-like impulse very natural under the circumstances,
dashed his fist at the light and quenched the meek luminary,--breaking
through the plate-glass, of course, to reach it.  Now I don't want to go
into _minutiae_ at table, you know, but a naked hand can no more go
through a pane of thick glass without leaving some of its cuticle, to say
the least, behind it, than a butterfly can go through a sausage-machine
without looking the worse for it.  The Professor gathered up the
fragments of glass, and with them certain very minute but entirely
satisfactory documents which would have identified and hanged any rogue
in Christendom who had parted with them.--The historical question, _Who
did it_? and the financial question, _Who paid for it_? were both settled
before the new lamp was lighted the next evening.

You see, my friends, what immense conclusions, touching our lives, our
fortunes, and our sacred honor, may be reached by means of very
insignificant premises.  This is eminently true of manners and forms of
speech; a movement or a phrase often tells you all you want to know about
a person.  Thus, "How's your health?" (commonly pronounced
_haalth_)--instead of, How do you do? or, How are you?  Or calling your
little dark entry a "hall," and your old rickety one-horse wagon a
"kerridge."  Or telling a person who has been trying to please you that
he has given you pretty good "sahtisfahction."  Or saying that you
"remember of" such a thing, or that you have been "stoppin"' at Deacon
Somebody's,--and other such expressions.  One of my friends had a little
marble statuette of Cupid in the parlor of his country-house,--bow,
arrows, wings, and all complete.  A visitor, indigenous to the region,
looking pensively at the figure, asked the lady of the house "if that was
a statoo of her deceased infant?"  What a delicious, though somewhat
voluminous biography, social, educational, and aesthetic in that brief
question!

[Please observe with what Machiavellian astuteness I smuggled in the
particular offence which it was my object to hold up to my
fellow-boarders, without too personal an attack on the individual at
whose door it lay.]

That was an exceedingly dull person who made the remark, _Ex pede
Herculem_.  He might as well have said, "From a peck of apples you may
judge of the barrel."  _Ex_ PEDE, to be sure!  Read, instead, _Ex ungue
minimi digiti pedis_, _Herculem_, _ejusque patrem_, _matrem_, _avos et
proavos_, _filios_, _nepotes et pronepotes_!  Talk to me about your!
Tell me about Cuvier's getting up a megatherium from a tooth, or
Agassiz's drawing a portrait of an undiscovered fish from a single scale!
As the "O" revealed Giotto,--as the one word "moi" betrayed the Stratford
atte-Bowe-taught Anglais,--so all a man's antecedents and possibilities
are summed up in a single utterance which gives at once the gauge of his
education and his mental organization.

Possibilities, Sir?--said the divinity-student; can't a man who says
_Haow_? arrive at distinction?

Sir,--I replied,--in a republic all things are possible.  But the man
_with a future_ has almost of necessity sense enough to see that any
odious trick of speech or manners must be got rid of.  Doesn't Sydney
Smith say that a public man in England never gets over a false quantity
uttered in early life?  _Our_ public men are in little danger of this
fatal misstep, as few of them are in the habit of introducing Latin into
their speeches,--for good and sufficient reasons.  But they are bound to
speak decent English,--unless, indeed, they are rough old campaigners,
like General Jackson or General Taylor; in which case, a few scars on
Priscian's head are pardoned to old fellows who have quite as many on
their own, and a constituency of thirty empires is not at all particular,
provided they do not swear in their Presidential Messages.

However, it is not for me to talk.  I have made mistakes enough in
conversation and print.  I never find them out until they are
stereotyped, and then I think they rarely escape me.  I have no doubt I
shall make half a dozen slips before this breakfast is over, and remember
them all before another.  How one does tremble with rage at his own
intense momentary stupidity about things he knows perfectly well, and to
think how he lays himself open to the impertinences of the _captatores
verborum_, those useful but humble scavengers of the language, whose
business it is to pick up what might offend or injure, and remove it,
hugging and feeding on it as they go!  I don't want to speak too
slightingly of these verbal critics;--how can I, who am so fond of
talking about errors and vulgarisms of speech?  Only there is a
difference between those clerical blunders which almost every man
commits, knowing better, and that habitual grossness or meanness of
speech which is unendurable to educated persons, from anybody that wears
silk or broadcloth.

[I write down the above remarks this morning, January 26th, making this
record of the date that nobody may think it was written in wrath, on
account of any particular grievance suffered from the invasion of any
individual _scarabaeus grammaticus_.]

--I wonder if anybody ever finds fault with anything I say at this table
when it is repeated?  I hope they do, I am sure.  I should be very
certain that I had said nothing of much significance, if they did not.

Did you never, in walking in the fields, come across a large flat stone,
which had lain, nobody knows how long, just where you found it, with the
grass forming a little hedge, as it were, all round it, close to its
edges,--and have you not, in obedience to a kind of feeling that told you
it had been lying there long enough, insinuated your stick or your foot
or your fingers under its edge and turned it over as a housewife turns a
cake, when she says to herself, "It's done brown enough by this time"?
What an odd revelation, and what an unforeseen and unpleasant surprise to
a small community, the very existence of which you had not suspected,
until the sudden dismay and scattering among its members produced by your
turning the old stone over!  Blades of grass flattened down, colorless,
matted together, as if they had been bleached and ironed; hideous
crawling creatures, some of them coleopterous or
horny-shelled,--turtle-bugs one wants to call them; some of them softer,
but cunningly spread out and compressed like Lepine watches; (Nature
never loses a crack or a crevice, mind you, or a joint in a tavern
bedstead, but she always has one of her flat-pattern five timekeepers to
slide into it;) black, glossy crickets, with their long filaments
sticking out like the whips of four-horse stage-coaches; motionless,
slug-like creatures, young larvae, perhaps more horrible in their pulpy
stillness than even in the infernal wriggle of maturity!  But no sooner
is the stone turned and the wholesome light of day let upon this
compressed and blinded community of creeping things, than all of them
which enjoy the luxury of legs--and some of them have a good many--rush
round wildly, butting each other and everything in their way, and end in
a general stampede for underground retreats from the region poisoned by
sunshine.  _Next year_ you will find the grass growing tall and green
where the stone lay; the ground-bird builds her nest where the beetle had
his hole; the dandelion and the buttercup are growing there, and the
broad fans of insect-angels open and shut over their golden disks, as the
rhythmic waves of blissful consciousness pulsate through their glorified
being.

--The young fellow whom they call John saw fit to say, in his very
familiar way,--at which I do not choose to take offence, but which I
sometimes think it necessary to repress,--that I was coming it rather
strong on the butterflies.

No, I replied; there is meaning in each of those images,--the butterfly
as well as the others.  The stone is ancient error.  The grass is human
nature borne down and bleached of all its colour by it.  The shapes which
are found beneath are the crafty beings that thrive in darkness, and the
weaker organisms kept helpless by it.  He who turns the stone over is
whosoever puts the staff of truth to the old lying incubus, no matter
whether he do it with a serious face or a laughing one.  The next year
stands for the coming time.  Then shall the nature which had lain
blanched and broken rise in its full stature and native hues in the
sunshine.  Then shall God's minstrels build their nests in the hearts of
a new-born humanity.  Then shall beauty--Divinity taking outlines and
color--light upon the souls of men as the butterfly, image of the
beatified spirit rising from the dust, soars from the shell that held a
poor grub, which would never have found wings, had not the stone been
lifted.

You never need think you can turn over any old falsehood without a
terrible squirming and scattering of the horrid little population that
dwells under it.

--Every real thought on every real subject knocks the wind out of
somebody or other.  As soon as his breath comes back, he very probably
begins to expend it in hard words.  These are the best evidence a man can
have that he has said something it was time to say.  Dr. Johnson was
disappointed in the effect of one of his pamphlets.  "I think I have not
been attacked enough for it," he said;--"attack is the reaction; I never
think I have hit hard unless it rebounds."

--If a fellow attacked my opinions in print would I reply?  Not I.  Do
you think I don't understand what my friend, the Professor, long ago
called _the hydrostatic paradox of controversy_?

Don't know what that means?--Well, I will tell you.  You know, that, if
you had a bent tube, one arm of which was of the size of a pipe-stem, and
the other big enough to hold the ocean, water would stand at the same
height in one as in the other.  Controversy equalizes fools and wise men
in the same way,--_and the fools know it_.

--No, but I often read what they say about other people.  There are about
a dozen phrases which all come tumbling along together, like the tongs,
and the shovel, and the poker, and the brush, and the bellows, in one of
those domestic avalanches that everybody knows.  If you get one, you get
the whole lot.

What are they?--Oh, that depends a good deal on latitude and longitude.
Epithets follow the isothermal lines pretty accurately.  Grouping them in
two families, one finds himself a clever, genial, witty, wise, brilliant,
sparkling, thoughtful, distinguished, celebrated, illustrious scholar and
perfect gentleman, and first writer of the age; or a dull, foolish,
wicked, pert, shallow, ignorant, insolent, traitorous, black-hearted
outcast, and disgrace to civilization.

What do I think determines the set of phrases a man gets?--Well, I should
say a set of influences something like these:--1st.  Relationships,
political, religious, social, domestic.  2d.  Oyster, in the form of
suppers given to gentlemen connected with criticism.  I believe in the
school, the college, and the clergy; but my sovereign logic, for
regulating public opinion--which means commonly the opinion of half a
dozen of the critical gentry--is the following _Major proposition_.
Oysters _au naturel_.  _Minor proposition_.  The same "scalloped."
_Conclusion_.  That--(here insert entertainer's name) is clever, witty,
wise, brilliant,--and the rest.

--No, it isn't exactly bribery.  One man has oysters, and another
epithets.  It is an exchange of hospitalities; one gives a "spread" on
linen, and the other on paper,--that is all.  Don't you think you and I
should be apt to do just so, if we were in the critical line?  I am sure
I couldn't resist the softening influences of hospitality.  I don't like
to dine out, you know,--I dine so well at our own table, [our landlady
looked radiant,] and the company is so pleasant [a rustling movement of
satisfaction among the boarders]; but if I did partake of a man's salt,
with such additions as that article of food requires to make it
palatable, I could never abuse him, and if I had to speak of him, I
suppose I should hang my set of jingling epithets round him like a string
of sleigh-bells.  Good feeling helps society to make liars of most of
us,--not absolute liars, but such careless handlers of truth that its
sharp corners get terribly rounded.  I love truth as chiefest among the
virtues; I trust it runs in my blood; but I would never be a critic,
because I know I could not always tell it.  I might write a criticism of
a book that happened to please me; that is another matter.

--Listen, Benjamin Franklin!  This is for you, and such others of tender
age as you may tell it to.

When we are as yet small children, long before the time when those two
grown ladies offer us the choice of Hercules, there comes up to us a
youthful angel, holding in his right hand cubes like dice, and in his
left spheres like marbles.  The cubes are of stainless ivory, and on each
is written in letters of gold--TRUTH.  The spheres are veined and
streaked and spotted beneath, with a dark crimson flush above, where the
light falls on them, and in a certain aspect you can make out upon every
one of them the three letters L, I, E.  The child to whom they are
offered very probably clutches at both.  The spheres are the most
convenient things in the world; they roll with the least possible impulse
just where the child would have them.  The cubes will not roll at all;
they have a great talent for standing still, and always keep right side
up.  But very soon the young philosopher finds that things which roll so
easily are very apt to roll into the wrong corner, and to get out of his
way when he most wants them, while he always knows where to find the
others, which stay where they are left.  Thus he learns--thus we
learn--to drop the streaked and speckled globes of falsehood and to hold
fast the white angular blocks of truth.  But then comes Timidity, and
after her Good-nature, and last of all Polite-behavior, all insisting
that truth must _roll_, or nobody can do anything with it; and so the
first with her coarse rasp, and the second with her broad file, and the
third with her silken sleeve, do so round off and smooth and polish the
snow-white cubes of truth, that, when they have got a little dingy by
use, it becomes hard to tell them from the rolling spheres of falsehood.

The schoolmistress was polite enough to say that she was pleased with
this, and that she would read it to her little flock the next day.  But
she should tell the children, she said, that there were better reasons
for truth than could be found in mere experience of its convenience and
the inconvenience of lying.

Yes,--I said,--but education always begins through the senses, and works
up to the idea of absolute right and wrong.  The first thing the child
has to learn about this matter is, that lying is
unprofitable,--afterwards, that it is against the peace and dignity of
the universe.

--Do I think that the particular form of lying often seen in newspapers,
under the title, "From our Foreign Correspondent," does any harm?--Why,
no,--I don't know that it does.  I suppose it doesn't really deceive
people any more than the "Arabian Nights" or "Gulliver's Travels" do.
Sometimes the writers compile _too_ carelessly, though, and mix up facts
out of geographies, and stories out of the penny papers, so as to mislead
those who are desirous of information.  I cut a piece out of one of the
papers, the other day, which contains a number of improbabilities, and, I
suspect, misstatements.  I will send up and get it for you, if you would
like to hear it.--Ah, this is it; it is headed

                       "OUR SUMATRA CORRESPONDENCE.

"This island is now the property of the Stamford family,--having been
won, it is said, in a raffle, by Sir -- Stamford, during the
stock-gambling mania of the South-Sea Scheme.  The history of this
gentleman may be found in an interesting series of questions
(unfortunately not yet answered) contained in the 'Notes and Queries.'
This island is entirely surrounded by the ocean, which here contains a
large amount of saline substance, crystallizing in cubes remarkable for
their symmetry, and frequently displays on its surface, during calm
weather, the rainbow tints of the celebrated South-Sea bubbles.  The
summers are oppressively hot, and the winters very probably cold; but
this fact cannot be ascertained precisely, as, for some peculiar reason,
the mercury in these latitudes never shrinks, as in more northern
regions, and thus the thermometer is rendered useless in winter.

"The principal vegetable productions of the island are the pepper tree
and the bread-fruit tree.  Pepper being very abundantly produced, a
benevolent society was organized in London during the last century for
supplying the natives with vinegar and oysters, as an addition to that
delightful condiment.  [Note received from Dr. D. P.]  It is said,
however, that, as the oysters were of the kind called _natives_ in
England, the natives of Sumatra, in obedience to a natural instinct,
refused to touch them, and confined themselves entirely to the crew of
the vessel in which they were brought over.  This information was
received from one of the oldest inhabitants, a native himself, and
exceedingly fond of missionaries.  He is said also to be very skilful in
the _cuisine_ peculiar to the island.

"During the season of gathering the pepper, the persons employed are
subject to various incommodities, the chief of which is violent and
long-continued sternutation, or sneezing.  Such is the vehemence of these
attacks, that the unfortunate subjects of them are often driven backwards
for great distances at immense speed, on the well-known principle of the
aeolipile.  Not being able to see where they are going, these poor
creatures dash themselves to pieces against the rocks or are precipitated
over the cliffs and thus many valuable lives are lost annually.  As,
during the whole pepper-harvest, they feed exclusively on this stimulant,
they become exceedingly irritable.  The smallest injury is resented with
ungovernable rage.  A young man suffering from the _pepper-fever_ as it
is called, cudgelled another most severely for appropriating a
superannuated relative of trifling value, and was only pacified by having
a present made him of a pig of that peculiar species of swine called the
_Peccavi_ by the Catholic Jews, who, it is well known, abstain from
swine's flesh in imitation of the Mahometan Buddhists.

"The bread-tree grows abundantly.  Its branches are well known to Europe
and America under the familiar name of _maccaroni_.  The smaller twigs
are called _vermicelli_.  They have a decided animal flavor, as may be
observed in the soups containing them.  Maccaroni, being tubular, is the
favorite habitat of a very dangerous insect, which is rendered peculiarly
ferocious by being boiled.  The government of the island, therefore,
never allows a stick of it to be exported without being accompanied by a
piston with which its cavity may at any time be thoroughly swept out.
These are commonly lost or stolen before the maccaroni arrives among us.
It therefore always contains many of these insects, which, however,
generally die of old age in the shops, so that accidents from this source
are comparatively rare.

"The fruit of the bread-tree consists principally of hot rolls.  The
buttered-muffin variety is supposed to be a hybrid with the cocoa-nut
palm, the cream found on the milk of the cocoa-nut exuding from the
hybrid in the shape of butter, just as the ripe fruit is splitting, so as
to fit it for the tea-table, where it is commonly served up with cold"--

--There,--I don't want to read any more of it.  You see that many of
these statements are highly improbable.--No, I shall not mention the
paper.--No, neither of them wrote it, though it reminds me of the style
of these popular writers.  I think the fellow who wrote it must have been
reading some of their stories, and got them mixed up with his history and
geography.  I don't suppose _he_ lies;--he sells it to the editor, who
knows how many squares off "Sumatra" is.  The editor, who sells it to the
public--By the way, the papers have been very civil haven't they?--to
the--the what d'ye call it?--"Northern Magazine,"--isn't it?--got up by
some of those Come-outers, down East, as an organ for their local
peculiarities.

--The Professor has been to see me.  Came in, glorious, at about twelve
o'clock, last night.  Said he had been with "the boys."  On inquiry,
found that "the boys," were certain baldish and grayish old gentlemen
that one sees or hears of in various important stations of society.  The
Professor is one of the same set, but he always talks as if he had been
out of college about ten years, whereas. . .  [Each of these dots was a
little nod, which the company understood, as the reader will, no doubt.]
He calls them sometimes "the boys," and sometimes "the old fellows."
Call him by the latter title, and see how he likes it.--Well, he came in
last night glorious, as I was saying.  Of course I don't mean vinously
exalted; he drinks little wine on such occasions, and is well known to
all the Peters and Patricks as the gentleman who always has indefinite
quantities of black tea to kill any extra glass of red claret he may have
swallowed.  But the Professor says he always gets tipsy on old memories
at these gatherings.  He was, I forget how many years old when he went to
the meeting; just turned of twenty now,--he said.  He made various
youthful proposals to me, including a duet under the landlady's
daughter's window.  He had just learned a trick, he said, of one of "the
boys," of getting a splendid bass out of a door-panel by rubbing it with
the palm of his hand.  Offered to sing "The sky is bright," accompanying
himself on the front-door, if I would go down and help in the chorus.
Said there never was such a set of fellows as the old boys of the set he
has been with.  Judges, mayors, Congress-men, Mr. Speakers, leaders in
science, clergymen better than famous, and famous too, poets by the
half-dozen, singers with voices like angels, financiers, wits, three of
the best laughers in the Commonwealth, engineers, agriculturists,--all
forms of talent and knowledge he pretended were represented in that
meeting.  Then he began to quote Byron about Santa Croce, and maintained
that he could "furnish out creation" in all its details from that set of
his.  He would like to have the whole boodle of them, (I remonstrated
against this word, but the Professor said it was a diabolish good word,
and he would have no other,) with their wives and children, shipwrecked
on a remote island, just to see how splendidly they would reorganize
society.  They could build a city,--they have done it; make constitutions
and laws; establish churches and lyceums; teach and practise the healing
art; instruct in every department; found observatories; create commerce
and manufactures; write songs and hymns, and sing 'em, and make
instruments to accompany the songs with; lastly, publish a journal almost
as good as the "Northern Magazine," edited by the Come-outers.  There was
nothing they were not up to, from a christening to a hanging; the last,
to be sure, could never be called for, unless some stranger got in among
them.

--I let the Professor talk as long as he liked; it didn't make much
difference to me whether it was all truth, or partly made up of pale
Sherry and similar elements.  All at once he jumped up and said,--

Don't you want to hear what I just read to the boys?

I have had questions of a similar character asked me before,
occasionally.  A man of iron mould might perhaps say, No!  I am not a man
of iron mould, and said that I should be delighted.

The Professor then read--with that slightly sing-song cadence which is
observed to be common in poets reading their own verses--the following
stanzas; holding them at a focal distance of about two feet and a half,
with an occasional movement back or forward for better adjustment, the
appearance of which has been likened by some impertinent young folks to
that of the act of playing on the trombone.  His eyesight was never
better; I have his word for it.

                                 MARE RUBRUM.

    FLASH out a stream of blood-red wine!--
       For I would drink to other days;
    And brighter shall their memory shine,
       Seen flaming through its crimson blaze.
    The roses die, the summers fade;
       But every ghost of boyhood's dream
    By Nature's magic power is laid
       To sleep beneath this blood-red stream.

    It filled the purple grapes that lay
       And drank the splendors of the sun
    Where the long summer's cloudless day
       Is mirrored in the broad Garonne;
    It pictures still the bacchant shapes
       That saw their hoarded sunlight shed,--
    The maidens dancing on the grapes,--
       Their milk-white ankles splashed with red.

    Beneath these waves of crimson lie,
       In rosy fetters prisoned fast,
    Those flitting shapes that never die,
       The swift-winged visions of the past.
    Kiss but the crystal's mystic rim,
       Each shadow rends its flowery chain,
    Springs in a bubble from its brim
       And walks the chambers of the brain.

    Poor Beauty! time and fortune's wrong
       No form nor feature may withstand,--
    Thy wrecks are scattered all along,
       Like emptied sea-shells on the sand;--
    Yet, sprinkled with this blushing rain,
       The dust restores each blooming girl,
    As if the sea-shells moved again
       Their glistening lips of pink and pearl.

    Here lies the home of school-boy life,
       With creaking stair and wind-swept hall,
    And, scarred by many a truant knife,
       Our old initials on the wall;
    Here rest--their keen vibrations mute--
       The shout of voices known so well,
    The ringing laugh, the wailing flute,
       The chiding of the sharp-tongued bell.

    Here, clad in burning robes, are laid
       Life's blossomed joys, untimely shed;
    And here those cherished forms have strayed
       We miss awhile, and call them dead.
    What wizard fills the maddening glass
       What soil the enchanted clusters grew?
    That buried passions wake and pass
       In beaded drops of fiery dew?

    Nay, take the cup of blood-red wine,--
       Our hearts can boast a warmer grow,
    Filled from a vantage more divine,--
       Calmed, but not chilled by winter's snow!
    To-night the palest wave we sip
       Rich as the priceless draught shall be
    That wet the bride of Cana's lip,--
       The wedding wine of Galilee!




CHAPTER VI


Sin has many tools, but a lie is the handle which fits them all.

--I think, Sir,--said the divinity-student,--you must intend that for one
of the sayings of the Seven Wise Men of Boston you were speaking of the
other day.

I thank you, my young friend,--was my reply,--but I must say something
better than that, before I could pretend to fill out the number.

--The schoolmistress wanted to know how many of these sayings there were
on record, and what, and by whom said.

--Why, let us see,--there is that one of Benjamin Franklin, "the great
Bostonian," after whom this lad was named.  To be sure, he said a great
many wise things,--and I don't feel sure he didn't borrow this,--he
speaks as if it were old.  But then he applied it so neatly!--

"He that has once done you a kindness will be more ready to do you
another than he whom you yourself have obliged."

Then there is that glorious Epicurean paradox, uttered by my friend, the
Historian, in one of his flashing moments:--

"Give us the luxuries of life, and we will dispense with its
necessaries."

To these must certainly be added that other saying of one of the wittiest
of men:--

"Good Americans, when they die, go to Paris."--

The divinity-student looked grave at this, but said nothing.

The schoolmistress spoke out, and said she didn't think the wit meant any
irreverence.  It was only another way of saying, Paris is a heavenly
place after New York or Boston.

A jaunty-looking person, who had come in with the young fellow they call
John,--evidently a stranger,--said there was one more wise man's saying
that he had heard; it was about our place, but he didn't know who said
it.--A civil curiosity was manifested by the company to hear the fourth
wise saying.  I heard him distinctly whispering to the young fellow who
brought him to dinner, _Shall I tell it_?  To which the answer was, _Go
ahead_!--Well,--he said,--this was what I heard:--

"Boston State-House is the hub of the solar system.  You couldn't pry
that out of a Boston man if you had the tire of all creation straightened
out for a crowbar."

Sir,--said I,--I am gratified with your remark.  It expresses with
pleasing vivacity that which I have sometimes heard uttered with
malignant dulness.  The satire of the remark is essentially true of
Boston,--and of all other considerable--and inconsiderable--places with
which I have had the privilege of being acquainted.  Cockneys think
London is the only place in the world.  Frenchmen--you remember the line
about Paris, the Court, the World, etc.--I recollect well, by the way, a
sign in that city which ran thus: "Hotel l'Univers et des Etats Unis";
and as Paris _is_ the universe to a Frenchman, of course the United
States are outside of it.--"See Naples and then die."--It is quite as bad
with smaller places.  I have been about, lecturing, you know, and have
found the following propositions to hold true of all of them.

1.  The axis of the earth sticks out visibly through the centre of each
and every town or city.

2.  If more than fifty years have passed since its foundation, it is
affectionately styled by the inhabitants the "_good old_ town
of"--(whatever its name may happen to be.)

3.  Every collection of its inhabitants that comes together to listen to
a stranger is invariably declared to be a "remarkably intelligent
audience."

4.  The climate of the place is particularly favorable to longevity.

5.  It contains several persons of vast talent little known to the world.
(One or two of them, you may perhaps chance to remember, sent short
pieces to the "Pactolian" some time since, which were "respectfully
declined.")

Boston is just like other places of its size;--only perhaps, considering
its excellent fish-market, paid fire-department, superior monthly
publications, and correct habit of spelling the English language, it has
some right to look down on the mob of cities.  I'll tell you, though, if
you want to know it, what is the real offence of Boston.  It drains a
large water-shed of its intellect, and will not itself be drained.  If it
would only send away its first-rate men, instead of its second-rate ones,
(no offence to the well-known exceptions, of which we are always proud,)
we should be spared such epigrammatic remarks as that which the gentleman
has quoted.  There can never be a real metropolis in this country, until
the biggest centre can drain the lesser ones of their talent and
wealth.--I have observed, by the way, that the people who really live in
two great cities are by no means so jealous of each other, as are those
of smaller cities situated within the intellectual basin, or
_suction-range_, of one large one, of the pretensions of any other.
Don't you see why?  Because their promising young author and rising
lawyer and large capitalist have been drained off to the neighboring big
city,--their prettiest girl has been exported to the same market; all
their ambition points there, and all their thin gilding of glory comes
from there.  I hate little toad-eating cities.

--Would I be so good as to specify any particular example?--Oh,--an
example?  Did you ever see a bear-trap?  Never?  Well, shouldn't you like
to see me put my foot into one?  With sentiments of the highest
consideration I must beg leave to be excused.

Besides, some of the smaller cities are charming.  If they have an old
church or two, a few stately mansions of former grandees, here and there
an old dwelling with the second story projecting, (for the convenience of
shooting the Indians knocking at the front-door with their
tomahawks,)--if they have, scattered about, those mighty square houses
built something more than half a century ago, and standing like
architectural boulders dropped by the former diluvium of wealth, whose
refluent wave has left them as its monument,--if they have gardens with
elbowed apple-trees that push their branches over the high board-fence
and drop their fruit on the side-walk,--if they have a little grass in
the side-streets, enough to betoken quiet without proclaiming decay,--I
think I could go to pieces, after my life's work were done, in one of
those tranquil places, as sweetly as in any cradle that an old man may be
rocked to sleep in.  I visit such spots always with infinite delight.  My
friend, the Poet, says, that rapidly growing towns are most unfavorable
to the imaginative and reflective faculties.  Let a man live in one of
these old quiet places, he says, and the wine of his soul, which is kept
thick and turbid by the rattle of busy streets, settles, and, as you hold
it up, you may see the sun through it by day and the stars by night.

--Do I think that the little villages have the conceit of the great
towns?--I don't believe there is much difference.  You know how they read
Pope's line in the smallest town in our State of Massachusetts?--Well,
they read it

    "All are but parts of one stupendous HULL!"

--Every person's feelings have a front-door and a side-door by which they
may be entered.  The front-door is on the street.  Some keep it always
open; some keep it latched; some, locked; some, bolted,--with a chain
that will let you peep in, but not get in; and some nail it up, so that
nothing can pass its threshold.  This front-door leads into a passage
which opens into an ante-room, and this into the inferior apartments.
The side-door opens at once into the sacred chambers.

There is almost always at least one key to this side-door.  This is
carried for years hidden in a mother's bosom.  Fathers, brothers,
sisters, and friends, often, but by no means so universally, have
duplicates of it.  The wedding-ring conveys a right to one; alas, if none
is given with it!

If nature or accident has put one of these keys into the hands of a
person who has the torturing instinct, I can only solemnly pronounce the
words that Justice utters over its doomed victim,--_The Lord have mercy
on your soul_!  You will probably go mad within a reasonable time,--or,
if you are a man, run off and die with your head on a curb-stone, in
Melbourne or San Francisco,--or, if you are a woman, quarrel and break
your heart, or turn into a pale, jointed petrifaction that moves about as
if it were alive, or play some real life-tragedy or other.

Be very careful to whom you trust one of these keys of the side-door.
The fact of possessing one renders those even who are dear to you very
terrible at times.  You can keep the world out from your front-door, or
receive visitors only when you are ready for them; but those of your own
flesh and blood, or of certain grades of intimacy, can come in at the
side-door, if they will, at any hour and in any mood.  Some of them have
a scale of your whole nervous system, and can play all the gamut of your
sensibilities in semitones,--touching the naked nerve-pulps as a pianist
strikes the keys of his instrument.  I am satisfied that there are as
great masters of this nerve-playing as Vieuxtemps or Thalberg in their
lines of performance.  Married life is the school in which the most
accomplished artists in this department are found.  A delicate woman is
the best instrument; she has such a magnificent compass of sensibilities!
From the deep inward moan which follows pressure on the great nerves of
right, to the sharp cry as the filaments of taste are struck with a
crashing sweep, is a range which no other instrument possesses.  A few
exercises on it daily at home fit a man wonderfully for his habitual
labors, and refresh him immensely as he returns from them.  No stranger
can get a great many notes of torture out of a human soul; it takes one
that knows it well,--parent, child, brother, sister, intimate.  Be very
careful to whom you give a side-door key; too many have them already.

--You remember the old story of the tender-hearted man, who placed a
frozen viper in his bosom, and was stung by it when it became thawed?  If
we take a cold-blooded creature into our bosom, better that it should
sting us and we should die than that its chill should slowly steal into
our hearts; warm it we never can!  I have seen faces of women that were
fair to look upon, yet one could see that the icicles were forming round
these women's hearts.  I knew what freezing image lay on the white
breasts beneath the laces!

A very simple _intellectual_ mechanism answers the necessities of
friendship, and even of the most intimate relations of life.  If a watch
tells us the hour and the minute, we can be content to carry it about
with us for a life-time, though it has no second-hand and is not a
repeater, nor a musical watch,--though it is not enamelled nor
jewelled,--in short, though it has little beyond the wheels required for
a trustworthy instrument, added to a good face and a pair of useful
hands.  The more wheels there are in a watch or a brain, the more trouble
they are to take care of.  The movements of exaltation which belong to
genius are egotistic by their very nature.  A calm, clear mind, not
subject to the spasms and crises which are so often met with in creative
or intensely perceptive natures, is the best basis for love or
friendship.--Observe, I am talking about _minds_.  I won't say, the more
intellect, the less capacity for loving; for that would do wrong to the
understanding and reason;--but, on the other hand, that the brain often
runs away with the heart's best blood, which gives the world a few pages
of wisdom or sentiment or poetry, instead of making one other heart
happy, I have no question.

If one's intimate in love or friendship cannot or does not share all
one's intellectual tastes or pursuits, that is a small matter.
Intellectual companions can be found easily in men and books.  After all,
if we think of it, most of the world's loves and friendships have been
between people that could not read nor spell.

But to radiate the heat of the affections into a clod which absorbs all
that is poured into it, but never warms beneath the sunshine of smiles or
the pressure of hand or lip,--this is the great martyrdom of sensitive
beings,--most of all in that perpetual _auto da fe_ where young womanhood
is the sacrifice.

--You noticed, perhaps, what I just said about the loves and friendships
of illiterate persons,--that is, of the human race, with a few exceptions
here and there.  I like books,--I was born and bred among them, and have
the easy feeling, when I get into their presence, that a stable-boy has
among horses.  I don't think I undervalue them either as companions or as
instructors.  But I can't help remembering that the world's great men
have not commonly been great scholars, nor its great scholars great men.
The Hebrew patriarchs had small libraries, I think, if any; yet they
represent to our imaginations a very complete idea of manhood, and, I
think, if we could ask in Abraham to dine with us men of letters next
Saturday, we should feel honored by his company.

What I wanted to say about books is this: that there are times in which
every active mind feels itself above any and all human books.

--I think a man must have a good opinion of himself, Sir,--said the
divinity-student,--who should feel himself above Shakspeare at any time.

My young friend,--I replied,--the man who is never conscious of a state
of feeling or of intellectual effort entirely beyond expression by any
form of words whatsoever is a mere creature of language.  I can hardly
believe there are any such men.  Why, think for a moment of the power of
music.  The nerves that make us alive to it spread out (so the Professor
tells me) in the most sensitive region of the marrow just where it is
widening to run upwards into the hemispheres.  It has its seat in the
region of sense rather than of thought.  Yet it produces a continuous
and, as it were, logical sequence of emotional and intellectual changes;
but how different from trains of thought proper! how entirely beyond the
reach of symbols!--Think of human passions as compared with all phrases!
Did you ever hear of a man's growing lean by the reading of "Romeo and
Juliet," or blowing his brains out because Desdemona was maligned?  There
are a good many symbols, even, that are more expressive than words.  I
remember a young wife who had to part with her husband for a time.  She
did not write a mournful poem; indeed, she was a silent person, and
perhaps hardly said a word about it; but she quietly turned of a deep
orange color with jaundice.  A great many people in this world have but
one form of rhetoric for their profoundest experiences,--namely, to waste
away and die.  When a man can _read_, his paroxysm of feeling is passing.
When he can _read_, his thought has slackened its hold.--You talk about
reading Shakspeare, using him as an expression for the highest intellect,
and you wonder that any common person should be so presumptuous as to
suppose his thought can rise above the text which lies before him.  But
think a moment.  A child's reading of Shakspeare is one thing, and
Coleridge's or Schlegel's reading of him is another.  The
saturation-point of each mind differs from that of every other.  But I
think it is as true for the small mind which can only take up a little as
for the great one which takes up much, that the suggested trains of
thought and feeling ought always to rise above--not the author, but the
reader's mental version of the author, whoever he may be.

I think most readers of Shakspeare sometimes find themselves thrown into
exalted mental conditions like those produced by music.  Then they may
drop the book, to pass at once into the region of thought without words.
We may happen to be very dull folks, you and I, and probably are, unless
there is some particular reason to suppose the contrary.  But we get
glimpses now and then of a sphere of spiritual possibilities, where we,
dull as we are now, may sail in vast circles round the largest compass of
earthly intelligences.

--I confess there are times when I feel like the friend I mentioned to
you some time ago,--I hate the very sight of a book.  Sometimes it
becomes almost a physical necessity to talk out what is in the mind,
before putting anything else into it.  It is very bad to have thoughts
and feelings, which were meant to come out in talk, _strike in_, as they
say of some complaints that ought to show outwardly.

I always believed in life rather than in books.  I suppose every day of
earth, with its hundred thousand deaths and something more of
births,--with its loves and hates, its triumphs and defeats, its pangs
and blisses, has more of humanity in it than all the books that were ever
written, put together.  I believe the flowers growing at this moment send
up more fragrance to heaven than was ever exhaled from all the essences
ever distilled.

--Don't I read up various matters to talk about at this table or
elsewhere?--No, that is the last thing I would do.  I will tell you my
rule.  Talk about those subjects you have had long in your mind, and
listen to what others say about subjects you have studied but recently.
Knowledge and timber shouldn't be much used, till they are seasoned.

--Physiologists and metaphysicians have had their attention turned a good
deal of late to the automatic and involuntary actions of the mind.  Put
an idea into your intelligence and leave it there an hour, a day, a year,
without ever having occasion to refer to it.  When, at last, you return
to it, you do not find it as it was when acquired.  It has domiciliated
itself, so to speak,--become at home,--entered into relations with your
other thoughts, and integrated itself with the whole fabric of the
mind.--Or take a simple and familiar example; Dr. Carpenter has adduced
it.  You forget a name, in conversation,--go on talking, without making
any effort to recall it,--and presently the mind evolves it by its own
involuntary and unconscious action, while you were pursuing another train
of thought, and the name rises of itself to your lips.

                      [Picture: Our Benj. Franklin]

There are some curious observations I should like to make about the
mental machinery, but I think we are getting rather didactic.

--I should be gratified, if Benjamin Franklin would let me know something
of his progress in the French language.  I rather liked that exercise he
read us the other day, though I must confess I should hardly dare to
translate it, for fear some people in a remote city where I once lived
might think I was drawing their portraits.

--Yes, Paris is a famous place for societies.  I don't know whether the
piece I mentioned from the French author was intended simply as Natural
History, or whether there was not a little malice in his description.  At
any rate, when I gave my translation to B. F. to turn back again into
French, one reason was that I thought it would sound a little bald in
English, and some people might think it was meant to have some local
bearing or other,--which the author, of course, didn't mean, inasmuch as
he could not be acquainted with anything on this side of the water.

[The above remarks were addressed to the school-mistress, to whom I
handed the paper after looking it over.  The divinity-student came and
read over her shoulder,--very curious, apparently, but his eyes wandered,
I thought.  Fancying that her breathing was somewhat hurried and high, or
_thoracic_, as my friend, the Professor, calls it, I watched her a little
more closely.--It is none of my business.--After all, it is the
imponderables that move the world,--heat, electricity, love.  _Habet_?]

This is the piece that Benjamin Franklin made into boarding-school
French, such as you see here; don't expect too much;--the mistakes give a
relish to it, I think.

                    LES SOCIETES POLYPHYSIOPHILOSOPHIQUES.

    Ces Societes la sont une Institution pour suppleer aux besoins
    d'esprit et de coeur de ces individus qui ont survecu a leurs
    emotions a l'egard du beau sexe, et qui n'ont pas la distraction de
    l'habitude de boire.

    Pour devenir membre d'une de ces Societes, on doit avoir le moins de
    cheveux possible.  S'il y en reste plusieurs qui resistent aux
    depilatoires naturelles et autres, on doit avoir quelques
    connaissances, n'importe dans quel genre.  Des le moment qu'on ouvre
    la porte de la Societe, on a un grand interet dans toutes les choses
    dont on ne sait rien.  Ainsi, un microscopiste demontre un nouveau
    _flexor_ du _tarse_ d'un _melolontha vulgaris_.  Douze savans
    improvises, portans des besicles, et qui ne connaissent rien des
    insectes, si ce n'est les morsures du _culex_, se precipitent sur
    l'instrument, et voient--une grande bulle d'air, dont ils
    s'emerveillent avec effusion.  Ce qui est un spectacle plein
    d'instruction--pour ceux qui ne sont pas de ladite Societe.  Tous les
    membres regardent les chimistes en particulier avec un air
    d'intelligence parfaite pendant qu'ils prouvent dans un discours
    d'une demiheure que O6 N3 H5 C6 etc. font quelque chose qui n'est
    bonne a rien, mais qui probablement a une odeur tres desagreable,
    selon l'habitude des produits chimiques.  Apres cela vient un
    mathematicien qui vous bourre avec des a+b et vous rapporte enfin un
    x+y, dont vous n'avex pas besoin et qui ne change nullement vos
    relations avec la vie.  Un naturaliste vous parle des formations
    speciales des animaux excessivement inconnus, dont vous n'avez jamais
    soupconne l'existence.  Ainsi il vous decrit les _follicules_ de
    _l'appendix vermiformis_ d'un _dzigguetai_.  Vous ne savez pas ce que
    c'est qu'un _follicule_.  Vous ne savez pas ce que c'est qu'un
    _appendix uermiformis_.  Vous n'avez jamais entendu parler du
    _dzigguetai_.  Ainsi vous gagnez toutes ces connaisances a la fois,
    qui s'attachent a votre esprit comme l'eau adhere aux plumes d'un
    canard.  On connait toutes les langues _ex officio_ en devenant
    membre d'une de ces Societes.  Ainsi quand on entend lire un Essai
    sur les dialectes Tchutchiens, on comprend tout cela de suite, et
    s'instruit enormement.

    Il y a deux especes d'individus qu'on trouve toujours a ces Societes:
    1 Le membre a questions; 2 Le membre a "Bylaws."

    La _question_ est une specialite.  Celui qui en fait metier ne fait
    jamais des reponses.  La question est une maniere tres commode de
    dire les choses suivantes: "Me voila!  Je ne suis pas fossil,
    moi,--je respire encore!  J'ai des idees,--voyez mon intelligence!
    Vous ne croyiez pas, vous autres, que je savais quelque chose de
    cela!  Ah, nous avons un peu de sagacite, voyez vous!  Nous ne sommes
    nullement la bete qu'on pense!"--_Le faiseur de questions donne peu
    d'attention aux reponses qu'on fait_; _ce n'est pas la dans sa
    specialite_.

    Le membre a "Bylaws" est le bouchon de toutes les emotions mousseuses
    et genereuses qui se montrent dans la Societe.  C'est un empereur
    manque,--un tyran a la troiseme trituration.  C'est un esprit dur,
    borne, exact, grand dans les petitesses, petit dans les grandeurs,
    selon le mot du grand Jefferson.  On ne l'aime pas dans la Societe,
    mais on le respecte et on le craint.  Il n'y a qu'un mot pour ce
    membre audessus de "Bylaws."  Ce mot est pour lui ce que l'Om est aux
    Hundous.  C'est sa religion; il n'y a rien audela.  Ce mot la c'est
    la CONSTITUTION!

    Lesdites Societes publient des feuilletons de tems en tems.  On les
    trouve abandonnes a sa porte, nus comme des enfans nouveaunes, faute
    de membrane cutanee, ou meme papyracee.  Si on aime la botanique, on
    y trouve une memoire sur les coquilles; si on fait des etudes
    zoologiques, on square trouve un grand tas de q' -1, ce qui doit etre
    infiniment plus commode que les encyclopedies.  Ainsi il est clair
    comme la metaphysique qu'on doit devenir membre d'une Societe telle
    que nous decrivons.

              _Recette pour le Depilatoire Physiophilosophique_

                    Chaux vive lb. ss.  Eau bouillante Oj.

                       Depilez avec.  Polissez ensuite.

I told the boy that his translation into French was creditable to him;
and some of the company wishing to hear what there was in the piece that
made me smile, I turned it into English for them, as well as I could, on
the spot.

The landlady's daughter seemed to be much amused by the idea that a
depilatory could take the place of literary and scientific
accomplishments; she wanted me to print the piece, so that she might send
a copy of it to her cousin in Mizzourah; she didn't think he'd have to do
anything to the outside of his head to get into any of the societies; he
had to wear a wig once, when he played a part in a tabullo.

No,--said I,--I shouldn't think of printing that in English.  I'll tell
you why.  As soon as you get a few thousand people together in a town,
there is somebody that every sharp thing you say is sure to hit.  What if
a thing was written in Paris or in Pekin?--that makes no difference.
Everybody in those cities, or almost everybody, has his counterpart here,
and in all large places.--You never studied _averages_ as I have had
occasion to.

I'll tell you how I came to know so much about averages.  There was one
season when I was lecturing, commonly, five evenings in the week, through
most of the lecturing period.  I soon found, as most speakers do, that it
was pleasanter to work one lecture than to keep several in hand.

--Don't you get sick to death of one lecture?--said the landlady's
daughter,--who had a new dress on that day, and was in spirits for
conversation.

I was going to talk about averages,--I said,--but I have no objection to
telling you about lectures, to begin with.

A new lecture always has a certain excitement connected with its
delivery.  One thinks well of it, as of most things fresh from his mind.
After a few deliveries of it, one gets tired and then disgusted with its
repetition.  Go on delivering it, and the disgust passes off, until,
after one has repeated it a hundred or a hundred and fifty times, he
rather enjoys the hundred and first or hundred and fifty-first time,
before a new audience.  But this is on one condition,--that he never lays
the lecture down and lets it cool.  If he does, there comes on a loathing
for it which is intense, so that the sight of the old battered manuscript
is as bad as sea-sickness.

A new lecture is just like any other new tool.  We use it for a while
with pleasure.  Then it blisters our hands, and we hate to touch it.
By-and-by our hands get callous, and then we have no longer any
sensitiveness about it.  But if we give it up, the calluses disappear;
and if we meddle with it again, we miss the novelty and get the
blisters.--The story is often quoted of Whitefield, that he said a sermon
was good for nothing until it had been preached forty times.  A lecture
doesn't begin to be old until it has passed its hundredth delivery; and
some, I think, have doubled, if not quadrupled, that number.  These old
lectures are a man's best, commonly; they improve by age, also,--like the
pipes, fiddles, and poems I told you of the other day.  One learns to
make the most of their strong points and to carry off their weak
ones,--to take out the really good things which don't tell on the
audience, and put in cheaper things that do.  All this degrades him, of
course, but it improves the lecture for general delivery.  A thoroughly
popular lecture ought to have nothing in it which five hundred people
cannot all take in a flash, just as it is uttered.

--No, indeed,--I should be very sorry to say anything disrespectful of
audiences.  I have been kindly treated by a great many, and may
occasionally face one hereafter.  But I tell you the _average_ intellect
of five hundred persons, taken as they come, is not very high.  It may be
sound and safe, so far as it goes, but it is not very rapid or profound.
A lecture ought to be something which all can understand, about something
which interests everybody.  I think, that, if any experienced lecturer
gives you a different account from this, it will probably be one of those
eloquent or forcible speakers who hold an audience by the charm of their
manner, whatever they talk about,--even when they don't talk very well.

But an _average_, which was what I meant to speak about, is one of the
most extraordinary subjects of observation and study.  It is awful in its
uniformity, in its automatic necessity of action.  Two communities of
ants or bees are exactly alike in all their actions, so far as we can
see.  Two lyceum assemblies, of five hundred each, are so nearly alike,
that they are absolutely undistinguishable in many cases by any definite
mark, and there is nothing but the place and time by which one can tell
the "remarkably intelligent audience" of a town in New York or Ohio from
one in any New England town of similar size.  Of course, if any principle
of selection has come in, as in those special associations of young men
which are common in cities, it deranges the uniformity of the assemblage.
But let there be no such interfering circumstances, and one knows pretty
well even the look the audience will have, before he goes in.  Front
seats: a few old folk,--shiny-headed,--slant up best ear towards the
speaker,--drop off asleep after a while, when the air begins to get a
little narcotic with carbonic acid.  Bright women's faces, young and
middle-aged, a little behind these, but toward the front--(pick out the
best, and lecture mainly to that.)  Here and there a countenance, sharp
and scholarlike, and a dozen pretty female ones sprinkled about.  An
indefinite number of pairs of young people,--happy, but not always very
attentive.  Boys, in the background, more or less quiet.  Dull faces
here, there,--in how many places!  I don't say dull _people_, but faces
without a ray of sympathy or a movement of expression.  They are what
kill the lecturer.  These negative faces with their vacuous eyes and
stony lineaments pump and suck the warm soul out of him;--that is the
chief reason why lecturers grow so pale before the season is over.  They
render _latent_ any amount of vital caloric; they act on our minds as
those cold-blooded creatures I was talking about act on our hearts.

Out of all these inevitable elements the audience is generated,--a great
compound vertebrate, as much like fifty others you have seen as any two
mammals of the same species are like each other.  Each audience laughs,
and each cries, in just the same places of your lecture; that is, if you
make one laugh or cry, you make all.  Even those little indescribable
movements which a lecturer takes cognizance of, just as a driver notices
his horse's cocking his ears, are sure to come in exactly the same place
of your lecture always.  I declare to you, that as the monk said about
the picture in the convent,--that he sometimes thought the living tenants
were the shadows, and the painted figures the realities,--I have
sometimes felt as if I were a wandering spirit, and this great unchanging
multivertebrate which I faced night after night was one ever-listening
animal, which writhed along after me wherever I fled, and coiled at my
feet every evening, turning up to me the same sleepless eyes which I
thought I had closed with my last drowsy incantation!

--Oh, yes!  A thousand kindly and courteous acts,--a thousand faces that
melted individually out of my recollection as the April snow melts, but
only to steal away and find the beds of flowers whose roots are memory,
but which blossom in poetry and dreams.  I am not ungrateful, nor
unconscious of all the good feeling and intelligence everywhere to be met
with through the vast parish to which the lecturer ministers.  But when I
set forth, leading a string of my mind's daughters to market, as the
country-folk fetch in their strings of horses--Pardon me, that was a
coarse fellow who sneered at the sympathy wasted on an unhappy lecturer,
as if, because he was decently paid for his services, he had therefore
sold his sensibilities.--Family men get dreadfully homesick.  In the
remote and bleak village the heart returns to the red blaze of the logs
in one's fireplace at home.

    "There are his young barbarians all at play,"--

if he owns any youthful savages.--No, the world has a million roosts for
a man, but only one nest.

--It is a fine thing to be an oracle to which an appeal is always made in
all discussions.  The men of facts wait their turn in grim silence, with
that slight tension about the nostrils which the consciousness of
carrying a "settler" in the form of a fact or a revolver gives the
individual thus armed.  When a person is really full of information, and
does not abuse it to crush conversation, his part is to that of the real
talkers what the instrumental accompaniment is in a trio or quartette of
vocalists.

--What do I mean by the real talkers?--Why, the people with fresh ideas,
of course, and plenty of good warm words to dress them in.  Facts always
yield the place of honor, in conversation, to thoughts about facts; but
if a false note is uttered, down comes the finger on the key and the man
of facts asserts his true dignity.  I have known three of these men of
facts, at least, who were always formidable,--and one of them was
tyrannical.

--Yes, a man sometimes makes a grand appearance on a particular occasion;
but these men knew something about almost everything, and never made
mistakes.--He?  _Veneers_ in first-rate style.  The mahogany scales off
now and then in spots, and then you see the cheap light stuff--I
found--very fine in conversational information, the other day when we
were in company.  The talk ran upon mountains.  He was wonderfully well
acquainted with the leading facts about the Andes, the Apennines, and the
Appalachians; he had nothing in particular to say about Ararat, Ben
Nevis, and various other mountains that were mentioned.  By and by some
Revolutionary anecdote came up, and he showed singular familiarity with
the lives of the Adamses, and gave many details relating to Major Andre.
A point of Natural History being suggested, he gave an excellent account
of the air-bladder of fishes.  He was very full upon the subject of
agriculture, but retired from the conversation when horticulture was
introduced in the discussion.  So he seemed well acquainted with the
geology of anthracite, but did not pretend to know anything of other
kinds of coal.  There was something so odd about the extent and
limitations of his knowledge, that I suspected all at once what might be
the meaning of it, and waited till I got an opportunity.--Have you seen
the "New American Cyclopaedia?" said I.--I have, he replied; I received
an early copy.--How far does it go?--He turned red, and answered,--To
Araguay.--Oh, said I to myself,--not quite so far as Ararat;--that is the
reason he knew nothing about it; but he must have read all the rest
straight through, and, if he can remember what is in this volume until he
has read all those that are to come, he will know more than I ever
thought he would.

Since I had this experience, I hear that somebody else has related a
similar story.  I didn't borrow it, for all that.--I made a comparison at
table some time since, which has often been quoted and received many
compliments.  It was that of the mind of a bigot to the pupil of the eye;
the more light you pour on it, the more it contracts.  The simile is a
very obvious, and, I suppose I may now say, a happy one; for it has just
been shown me that it occurs in a Preface to certain Political Poems of
Thomas Moore's published long before my remark was repeated.  When a
person of fair character for literary honesty uses an image, such as
another has employed before him, the presumption is, that he has struck
upon it independently, or unconsciously recalled it, supposing it his
own.

It is impossible to tell, in a great many cases, whether a comparison
which suddenly suggests itself is a new conception or a recollection.  I
told you the other day that I never wrote a line of verse that seemed to
me comparatively good, but it appeared old at once, and often as if it
had been borrowed.  But I confess I never suspected the above comparison
of being old, except from the fact of its obviousness.  It is proper,
however, that I proceed by a formal instrument to relinquish all claim to
any property in an idea given to the world at about the time when I had
just joined the class in which Master Thomas Moore was then a somewhat
advanced scholar.

I, therefore, in full possession of my native honesty, but knowing the
liability of all men to be elected to public office, and for that reason
feeling uncertain how soon I may be in danger of losing it, do hereby
renounce all claim to being considered the _first_ person who gave
utterance to a certain simile or comparison referred to in the
accompanying documents, and relating to the pupil of the eye on the one
part and the mind of the bigot on the other.  I hereby relinquish all
glory and profit, and especially all claims to letters from autograph
collectors, founded upon my supposed property in the above
comparison,--knowing well, that, according to the laws of literature,
they who speak first hold the fee of the thing said.  I do also agree
that all Editors of Cyclopedias and Biographical Dictionaries, all
Publishers of Reviews and Papers, and all Critics writing therein, shall
be at liberty to retract or qualify any opinion predicated on the
supposition that I was the sole and undisputed author of the above
comparison.  But, inasmuch as I do affirm that the comparison aforesaid
was uttered by me in the firm belief that it was new and wholly my own,
and as I have good reason to think that I had never seen or heard it when
first expressed by me, and as it is well known that different persons may
independently utter the same idea,--as is evinced by that familiar line
from Donatus,--

    "Pereant illi qui ante nos nostra dixerunt,"--

now, therefore, I do request by this instrument that all well-disposed
persons will abstain from asserting or implying that I am open to any
accusation whatsoever touching the said comparison, and, if they have so
asserted or implied, that they will have the manliness forthwith to
retract the same assertion or insinuation.

                                * * * * *

I think few persons have a greater disgust for plagiarism than myself.
If I had even suspected that the idea in question was borrowed, I should
have disclaimed originality, or mentioned the coincidence, as I once did
in a case where I had happened to hit on an idea of Swift's.--But what
shall I do about these verses I was going to read you?  I am afraid that
half mankind would accuse me of stealing their thoughts, if I printed
them.  I am convinced that several of you, especially if you are getting
a little on in life, will recognize some of these sentiments as having
passed through your consciousness at some time.  I can't help it,--it is
too late now.  The verses are written, and you must have them.  Listen,
then, and you shall hear

                              WHAT WE ALL THINK.

    THAT age was older once than now,
       In spite of locks untimely shed,
    Or silvered on the youthful brow;
       That babes make love and children wed.

    That sunshine had a heavenly glow,
       Which faded with those "good old days,"
    When winters came with deeper snow,
       And autumns with a softer haze.

    That--mother, sister, wife, or child--
       The "best of women" each has known.
    Were schoolboys ever half so wild?
       How young the grandpapas have grown,

    That _but for this_ our souls were free,
       And _but for that_ our lives were blest;
    That in some season yet to be
       Our cares will leave us time to rest.

    Whene'er we groan with ache or pain,
       Some common ailment of the race,--
    Though doctors think the matter plain,--
       That ours is "a peculiar case."

    That when like babes with fingers burned
       We count one bitter maxim more,
    Our lesson all the world has learned,
       And men are wiser than before.

    That when we sob o'er fancied woes,
       The angels hovering overhead
    Count every pitying drop that flows
       And love us for the tears we shed.

    That when we stand with tearless eye
       And turn the beggar from our door,
    They still approve us when we sigh,
       "Ah, had I but _one thousand more_!"

    That weakness smoothed the path of sin,
       In half the slips our youth has known;
    And whatsoe'er its blame has been,
       That Mercy flowers on faults outgrown.

    Though temples crowd the crumbled brink
       O'erhanging truth's eternal flow,
    Their tablets bold with _what we think_,
       Their echoes dumb to _what we know_;

    That one unquestioned text we read,
       All doubt beyond, all fear above,
    Nor crackling pile nor cursing creed
       Can burn or blot it: GOD IS LOVE!




CHAPTER VII


[This particular record is noteworthy principally for containing a paper
by my friend, the Professor, with a poem or two annexed or intercalated.
I would suggest to young persons that they should pass over it for the
present, and read, instead of it, that story about the young man who was
in love with the young lady, and in great trouble for something like nine
pages, but happily married on the tenth page or thereabouts, which, I
take it for granted, will be contained in the periodical where this is
found, unless it differ from all other publications of the kind.
Perhaps, if such young people will lay the number aside, and take it up
ten years, or a little more, from the present time, they may find
something in it for their advantage.  They can't possibly understand it
all now.]

My friend, the Professor, began talking with me one day in a dreary sort
of way.  I couldn't get at the difficulty for a good while, but at last
it turned out that somebody had been calling him an old man.--He didn't
mind his students calling him _the_ old man, he said.  That was a
technical expression, and he thought that he remembered hearing it
applied to himself when he was about twenty-five.  It may be considered
as a familiar and sometimes endearing appellation.  An Irishwoman calls
her husband "the old man," and he returns the caressing expression by
speaking of her as "the old woman."  But now, said he, just suppose a
case like one of these.  A young stranger is overheard talking of you as
a very nice old gentleman.  A friendly and genial critic speaks of your
green old age as illustrating the truth of some axiom you had uttered
with reference to that period of life.  What _I_ call an old man is a
person with a smooth, shining crown and a fringe of scattered white
hairs, seen in the streets on sunshiny days, stooping as he walks,
bearing a cane, moving cautiously and slowly; telling old stories,
smiling at present follies, living in a narrow world of dry habits; one
that remains waking when others have dropped asleep, and keeps a little
night-lamp-flame of life burning year after year, if the lamp is not
upset, and there is only a careful hand held round it to prevent the
puffs of wind from blowing the flame out.  That's what I call an old man.

Now, said the Professor, you don't mean to tell me that I have got to
that yet?  Why, bless you, I am several years short of the time when--[I
knew what was coming, and could hardly keep from laughing; twenty years
ago he used to quote it as one of those absurd speeches men of genius
will make, and now he is going to argue from it]--several years short of
the time when Balzac says that men are--most--you know--dangerous to--the
hearts of--in short, most to be dreaded by duennas that have charge of
susceptible females.--What age is that? said I, statistically.--Fifty-two
years, answered the Professor.--Balzac ought to know, said I, if it is
true that Goethe said of him that each of his stories must have been dug
out of a woman's heart.  But fifty-two is a high figure.

Stand in the light of the window, Professor, said I.--The Professor took
up the desired position.--You have white hairs, I said.--Had 'em any time
these twenty years, said the Professor.--And the crow's-foot,--_pes
anserinus_, rather.--The Professor smiled, as I wanted him to, and the
folds radiated like the ridges of a half-opened fan, from the outer
corner of the eyes to the temples.--And the calipers said I.--What are
the _calipers_? he asked, curiously.--Why, the parenthesis, said
I.--_Parenthesis_? said the Professor; what's that?--Why, look in the
glass when you are disposed to laugh, and see if your mouth isn't framed
in a couple of crescent lines,--so, my boy ( ).--It's all nonsense, said
the Professor; just look at my _biceps_;--and he began pulling off his
coat to show me his arm.  Be careful, said I; you can't bear exposure to
the air, at your time of life, as you could once.--I will box with you,
said the Professor, row with you, walk with you, ride with you, swim with
you, or sit at table with you, for fifty dollars a side.--Pluck survives
stamina, I answered.

The Professor went off a little out of humor.  A few weeks afterwards he
came in, looking very good-natured, and brought me a paper, which I have
here, and from which I shall read you some portions, if you don't object.
He had been thinking the matter over, he said,--had read Cicero "De
Senectute," and made up his mind to meet old age half way.  These were
some of his reflections that he had written down; so here you have.

                          THE PROFESSOR'S PAPER.

There is no doubt when old age begins.  The human body is a furnace which
keeps in blast three-score years and ten, more or less.  It burns about
three hundred pounds of carbon a year, (besides other fuel,) when in fair
working order, according to a great chemist's estimate.  When the fire
slackens, life declines; when it goes out, we are dead.

It has been shown by some noted French experimenters, that the amount of
combustion increases up to about the thirtieth year, remains stationary
to about forty-five, and then diminishes.  This last is the point where
old age starts from.  The great fact of physical life is the perpetual
commerce with the elements, and the fire is the measure of it.

About this time of life, if food is plenty where you live,--for that, you
know, regulates matrimony,--you may be expecting to find yourself a
grandfather some fine morning; a kind of domestic felicity that gives one
a cool shiver of delight to think of, as among the not remotely possible
events.

I don't mind much those slipshod lines Dr. Johnson wrote to Thrale,
telling her about life's declining from _thirty-five_; the furnace is in
full blast for ten years longer, as I have said.  The Romans came very
near the mark; their age of enlistment reached from seventeen to
forty-six years.

What is the use of fighting against the seasons, or the tides, or the
movements of the planetary bodies, or this ebb in the wave of life that
flows through us?  We are old fellows from the moment the fire begins to
go out.  Let us always behave like gentlemen when we are introduced to
new acquaintance.

                     _Incipit Allegoria Senectutis_.

Old Age, this is Mr. Professor; Mr. Professor, this is Old Age.

_Old Age_.--Mr. Professor, I hope to see you well.  I have known you for
some time, though I think you did not know me.  Shall we walk down the
street together?

_Professor_ (drawing back a little).--We can talk more quietly, perhaps,
in my study.  Will you tell me how it is you seem to be acquainted with
everybody you are introduced to, though he evidently considers you an
entire stranger?

_Old Age_.--I make it a rule never to force myself upon a person's
recognition until I have known him at least _five years_.

_Professor_.--Do you mean to say that you have known me so long as that?

_Old Age_.  I do.  I left my card on you longer ago than that, but I am
afraid you never read it; yet I see you have it with you.

_Professor_.--Where?

_Old Age_.--There, between your eyebrows,--three straight lines running
up and down; all the probate courts know that token,--"Old Age, his
mark."  Put your forefinger on the inner end of one eyebrow, and your
middle finger on the inner end of the other eyebrow; now separate the
fingers, and you will smooth out my sign-manual; that's the way you used
to look before I left my card on you.

_Professor_.--What message do people generally send back when you first
call on them?

_Old Age_.--Not at home.  Then I leave a card and go.  Next year I call;
get the same answer; leave another card.  So for five or six,--sometimes
ten years or more.  At last, if they don't let me in, I break in through
the front door or the windows.

We talked together in this way some time.  Then Old Age said
again,--Come, let us walk down the street together,--and offered me a
cane, an eyeglass, a tippet, and a pair of over-shoes.--No, much obliged
to you, said I.  I don't want those things, and I had a little rather
talk with you here, privately, in my study.  So I dressed myself up in a
jaunty way and walked out alone;--got a fall, caught a cold, was laid up
with a lumbago, and had time to think over this whole matter.

                     _Explicit Allegoria Senectutis_.

We have settled when old age begins.  Like all Nature's processes, it is
gentle and gradual in its approaches, strewed with illusions, and all its
little griefs soothed by natural sedatives.  But the iron hand is not
less irresistible because it wears the velvet glove.  The button-wood
throws off its bark in large flakes, which one may find lying at its
foot, pushed out, and at last pushed off, by that tranquil movement from
beneath, which is too slow to be seen, but too powerful to be arrested.
One finds them always, but one rarely sees them fall.  So it is our youth
drops from us,--scales off, sapless and lifeless, and lays bare the
tender and immature fresh growth of old age.  Looked at collectively, the
changes of old age appear as a series of personal insults and
indignities, terminating at last in death, which Sir Thomas Browne has
called "the very disgrace and ignominy of our nature."

    My lady's cheek can boast no more
    The cranberry white and pink it wore;
    And where her shining locks divide,
    The parting line is all too wide--

No, no,--this will never do.  Talk about men, if you will, but spare the
poor women.

We have a brief description of seven stages of life by a remarkably good
observer.  It is very presumptuous to attempt to add to it, yet I have
been struck with the fact that life admits of a natural analysis into no
less than fifteen distinct periods.  Taking the five primary divisions,
infancy, childhood, youth, manhood, old age, each of these has its own
three periods of immaturity, complete development, and decline.  I
recognize on _old_ baby at once,--with its "pipe and mug," (a stick of
candy and a porringer,)--so does everybody; and an old child shedding its
milk-teeth is only a little prototype of the old man shedding his
permanent ones.  Fifty or thereabouts is only the childhood, as it were,
of old age; the graybeard youngster must be weaned from his late suppers
now.  So you will see that you have to make fifteen stages at any rate,
and that it would not be hard to make twenty-five; five primary, each
with five secondary divisions.

The infancy and childhood of commencing old age have the same ingenuous
simplicity and delightful unconsciousness about them as the first stage
of the earlier periods of life shows.  The great delusion of mankind is
in supposing that to be individual and exceptional which is universal and
according to law.  A person is always startled when he hears himself
seriously called an old man for the first time.

Nature gets us out of youth into manhood, as sailors are hurried on board
of vessels,--in a state of intoxication.  We are hustled into maturity
reeling with our passions and imaginations, and we have drifted far away
from port before we awake out of our illusions.  But to carry us out of
maturity into old age, without our knowing where we are going, she drugs
us with strong opiates, and so we stagger along with wide open eyes that
see nothing until snow enough has fallen on our heads to rouse our
comatose brains out of their stupid trances.

There is one mark of age that strikes me more than any of the physical
ones;--I mean the formation of _Habits_.  An old man who shrinks into
himself falls into ways that become as positive and as much beyond the
reach of outside influences as if they were governed by clock-work.  The
_animal_ functions, as the physiologists call them, in distinction from
the _organic_, tend, in the process of deterioration to which age and
neglect united gradually lead them, to assume the periodical or
rhythmical type of movement.  Every man's _heart_ (this organ belongs,
you know, to the organic system) has a regular mode of action; but I know
a great many men whose _brains_, and all their voluntary existence
flowing from their brains, have a _systole_ and _diastole_ as regular as
that of the heart itself.  Habit is the approximation of the animal
system to the organic.  It is a confession of failure in the highest
function of being, which involves a perpetual self-determination, in full
view of all existing circumstances.  But habit, you see, is an action in
present circumstances from past motives.  It is substituting a _vis a
tergo_ for the evolution of living force.

When a man, instead of burning up three hundred pounds of carbon a year,
has got down to two hundred and fifty, it is plain enough he must
economize force somewhere.  Now habit is a labor-saving invention which
enables a man to get along with less fuel,--that is all; for fuel is
force, you know, just as much in the page I am writing for you as in the
locomotive or the legs that carry it to you.  Carbon is the same thing,
whether you call it wood, or coal, or bread and cheese.  A reverend
gentleman demurred to this statement,--as if, because combustion is
asserted to be the _sine qua non_ of thought, therefore thought is
alleged to be a purely chemical process.  Facts of chemistry are one
thing, I told him, and facts of consciousness another.  It can be proved
to him, by a very simple analysis of some of his spare elements, that
every Sunday, when he does his duty faithfully, he uses up more
phosphorus out of his brain and nerves than on ordinary days.  But then
he had his choice whether to do his duty, or to neglect it, and save his
phosphorus and other combustibles.

It follows from all this that _the formation of habits_ ought naturally
to be, as it is, the special characteristic of age.  As for the muscular
powers, they pass their maximum long before the time when the true
decline of life begins, if we may judge by the experience of the ring.  A
man is "stale," I think, in their language, soon after thirty,--often, no
doubt, much earlier, as gentlemen of the pugilistic profession are
exceedingly apt to keep their vital fire burning _with the blower up_.

--So far without Tully.  But in the mean time I have been reading the
treatise, "De Senectute."  It is not long, but a leisurely performance.
The old gentleman was sixty-three years of age when he addressed it to
his friend T. Pomponius Atticus, Eq., a person of distinction, some two
or three years older.  We read it when we are schoolboys, forget all
about it for thirty years, and then take it up again by a natural
instinct,--provided always that we read Latin as we drink water, without
stopping to taste it, as all of us who ever learned it at school or
college ought to do.

Cato is the chief speaker in the dialogue.  A good deal of it is what
would be called in vulgar phrase "slow."  It unpacks and unfolds
incidental illustrations which a modern writer would look at the back of,
and toss each to its pigeon-hole.  I think ancient classics and ancient
people are alike in the tendency to this kind of expansion.

An old doctor came to me once (this is literal fact) with some
contrivance or other for people with broken kneepans.  As the patient
would be confined for a good while, he might find it dull work to sit
with his hands in his lap.  Reading, the ingenious inventor suggested,
would be an agreeable mode of passing the time.  He mentioned, in his
written account of his contrivance, various works that might amuse the
weary hour.  I remember only three,--Don Quixote, Tom Jones, and _Watts
on the Mind_.

It is not generally understood that Cicero's essay was delivered as a
lyceum lecture, (_concio popularis_,) at the Temple of Mercury.  The
journals (_papyri_) of the day ("Tempora Quotidiana,"--"Tribuinus
Quirinalis,"--"Praeco Romanus," and the rest) gave abstracts of it, one
of which I have translated and modernized, as being a substitute for the
analysis I intended to make.

IV.  Kal.  Mart. . . . .

The lecture at the Temple of Mercury, last evening, was well attended by
the _elite_ of our great city.  Two hundred thousand sestertia were
thought to have been represented in the house.  The doors were besieged
by a mob of shabby fellows, (_illotum vulgus_,) who were at length
quieted after two or three had been somewhat roughly handled (_gladio
jugulati_).  The speaker was the well-known Mark Tully, Eq.,--the subject
Old Age.  Mr. T. has a lean and scraggy person, with a very unpleasant
excrescence upon his nasal feature, from which his nickname of
_chick-pea_ (Cicero) is said by some to be derived.  As a lecturer is
public property, we may remark, that his outer garment (_toga_) was of
cheap stuff and somewhat worn, and that his general style and appearance
of dress and manner (_habitus_, _vestitusque_) were somewhat provincial.

The lecture consisted of an imaginary dialogue between Cato and Laelius.
We found the first portion rather heavy, and retired a few moments for
refreshment (_pocula quaedam vini_).--All want to reach old age, says
Cato, and grumble when they get it; therefore they are donkeys.--The
lecturer will allow us to say that he is the donkey; we know we shall
grumble at old age, but we want to live through youth and manhood, _in
spite_ of the troubles we shall groan over.--There was considerable
prosing as to what old age can do and can't.--True, but not new.
Certainly, old folks can't jump,--break the necks of their thigh-bones,
(_femorum cervices_,) if they do; can't crack nuts with their teeth;
can't climb a greased pole (_malum inunctum scandere non possunt_); but
they can tell old stories and give you good advice; if they know what you
have made up your mind to do when you ask them.--All this is well enough,
but won't set the Tiber on fire (_Tiberim accendere nequaquam potest_.)

There were some clever things enough, (_dicta hand inepta_,) a few of
which are worth reporting.--Old people are accused of being forgetful;
but they never forget where they have put their money.--Nobody is so old
he doesn't think he can live a year.--The lecturer quoted an ancient
maxim,--Grow old early, if you would be old long,--but disputed
it.--Authority, he thought, was the chief privilege of age.--It is not
great to have money, but fine to govern those that have it.--Old age
begins at _forty-six_ years, according to the common opinion.--It is not
every kind of old age or of wine that grows sour with time.--Some
excellent remarks were made on immortality, but mainly borrowed from and
credited to Plato.--Several pleasing anecdotes were told.--Old Milo,
champion of the heavy weights in his day, looked at his arms and
whimpered, "They are dead."  Not so dead as you, you old fool,--says
Cato;--you never were good for anything but for your shoulders and
flanks.--Pisistratus asked Solon what made him dare to be so obstinate.
Old age, said Solon.

The lecture was on the whole acceptable, and a credit to our culture and
civilization.--The reporter goes on to state that there will be no
lecture next week, on account of the expected combat between the bear and
the barbarian.  Betting (_sponsio_) two to one (_duo ad unum_) on the
bear.

                                * * * * *

--After all, the most encouraging things I find in the treatise, "De
Senectute," are the stories of men who have found new occupations when
growing old, or kept up their common pursuits in the extreme period of
life.  Cato learned Greek when he was old, and speaks of wishing to learn
the fiddle, or some such instrument, (_fidibus_,) after the example of
Socrates.  Solon learned something new, every day, in his old age, as he
gloried to proclaim.  Cyrus pointed out with pride and pleasure the trees
he had planted with his own hand.  [I remember a pillar on the Duke of
Northumberland's estate at Alnwick, with an inscription in similar words,
if not the same.  That, like other country pleasures, never wears out.
None is too rich, none too poor, none too young, none too old to enjoy
it.]  There is a New England story I have heard more to the point,
however, than any of Cicero's.  A young farmer was urged to set out some
apple-trees.--No, said he, they are too long growing, and I don't want to
plant for other people.  The young farmer's father was spoken to about
it, but he, with better reason, alleged that apple-trees were slow and
life was fleeting.  At last some one mentioned it to the old grandfather
of the young farmer.  He had nothing else to do,--so he stuck in some
trees.  He lived long enough to drink barrels of cider made from the
apples that grew on those trees.

As for myself, after visiting a friend lately,--[Do remember all the time
that this is the Professor's paper.]--I satisfied myself that I had
better concede the fact that--my contemporaries are not so young as they
have been,--and that,--awkward as it is,--science and history agree in
telling me that I can claim the immunities and must own the humiliations
of the early stage of senility.  Ah! but we have all gone down the hill
together.  The dandies of my time have split their waistbands and taken
to high-low shoes.  The beauties of my recollections--where are they?
They have run the gantlet of the years as well as I.  First the years
pelted them with red roses till their cheeks were all on fire.  By and by
they began throwing white roses, and that morning flush passed away.  At
last one of the years threw a snow-ball, and after that no year let the
poor girls pass without throwing snow-balls.  And then came rougher
missiles,--ice and stones; and from time to time an arrow whistled, and
down went one of the poor girls.  So there are but few left; and we don't
call those few _girls_, but--

Ah, me!  Here am I groaning just as the old Greek sighed _Ai_, _ai_! and
the old Roman, _Eheu_!  I have no doubt we should die of shame and grief
at the indignities offered us by age, if it were not that we see so many
others as badly or worse off than ourselves.  We always compare ourselves
with our contemporaries.

[I was interrupted in my reading just here.  Before I began at the next
breakfast, I read them these verses;--I hope you will like them, and get
a useful lesson from them.]

                              THE LAST BLOSSOM.

    Though young no more, we still would dream
       Of beauty's dear deluding wiles;
    The leagues of life to graybeards seem
       Shorter than boyhood's lingering miles.

    Who knows a woman's wild caprice?
       It played with Goethe's silvered hair,
    And many a Holy Father's "niece"
       Has softly smoothed the papal chair.

    When sixty bids us sigh in vain
       To melt the heart of sweet sixteen,
    We think upon those ladies twain
       Who loved so well the tough old Dean.

    We see the Patriarch's wintry face,
       The maid of Egypt's dusky glow,
    And dream that Youth and Age embrace,
       As April violets fill with snow.

    Tranced in her Lord's Olympian smile
       His lotus-loving Memphian lies,--
    The musky daughter of the Nile
       With plaited hair and almond eyes.

    Might we but share one wild caress
       Ere life's autumnal blossoms fall,
    And Earth's brown, clinging lips impress
       The long cold kiss that waits us all!

    My bosom heaves, remembering yet
       The morning of that blissful day
    When Rose, the flower of spring, I met,
       And gave my raptured soul away.

    Flung from her eyes of purest blue,
       A lasso, with its leaping chain
    Light as a loop of larkspurs, flew
       O'er sense and spirit, heart and brain.

    Thou com'st to cheer my waning age,
       Sweet vision, waited for so long!
    Dove that would seek the poet's cage
       Lured by the magic breath of song!

    She blushes!  Ah, reluctant maid,
       Love's _drapeau rouge_ the truth has told!
    O'er girlhood's yielding barricade
       Floats the great Leveller's crimson fold!

    Come to my arms!--love heeds not years
       No frost the bud of passion knows.--
    Ha! what is this my frenzy hears?
       A voice behind me uttered,--Rose!

    Sweet was her smile,--but not for me;
       Alas, when woman looks _too_ kind,
    Just turn your foolish head and see,--
       Some youth is walking close behind!

As to _giving up_ because the almanac or the Family-Bible says that it is
about time to do it, I have no intention of doing any such thing.  I
grant you that I burn less carbon than some years ago.  I see people of
my standing really good for nothing, decrepit, effete, _la levre
inferieure deja pendante_, with what little life they have left mainly
concentrated in their epigastrium.  But as the disease of old age is
epidemic, endemic, and sporadic, and everybody that lives long enough is
sure to catch it, I am going to say, for the encouragement of such as
need it, how I treat the malady in my own case.

First.  As I feel, that, when I have anything to do, there is less time
for it than when I was younger, I find that I give my attention more
thoroughly, and use my time more economically than ever before; so that I
can learn anything twice as easily as in my earlier days.  I am not,
therefore, afraid to attack a new study.  I took up a difficult language
a very few years ago with good success, and think of mathematics and
metaphysics by-and-by.

Secondly.  I have opened my eyes to a good many neglected privileges and
pleasures within my reach, and requiring only a little courage to enjoy
them.  You may well suppose it pleased me to find that old Cato was
thinking of learning to play the fiddle, when I had deliberately taken it
up in my old age, and satisfied myself that I could get much comfort, if
not much music, out of it.

Thirdly.  I have found that some of those active exercises, which are
commonly thought to belong to young folks only, may be enjoyed at a much
later period.

A young friend has lately written an admirable article in one of the
journals, entitled, "Saints and their Bodies."  Approving of his general
doctrines, and grateful for his records of personal experience, I cannot
refuse to add my own experimental confirmation of his eulogy of one
particular form of active exercise and amusement, namely, _boating_.  For
the past nine years, I have rowed about, during a good part of the
summer, on fresh or salt water.  My present fleet on the river Charles
consists of three row-boats.  1. A small flat-bottomed skiff of the shape
of a flat-iron, kept mainly to lend to boys.  2. A fancy "dory" for two
pairs of sculls, in which I sometimes go out with my young folks.  3. My
own particular water-sulky, a "skeleton" or "shell" race-boat, twenty-two
feet long, with huge outriggers, which boat I pull with ten-foot
sculls,--alone, of course, as it holds but one, and tips him out, if he
doesn't mind what he is about.  In this I glide around the Back Bay, down
the stream, up the Charles to Cambridge and Watertown, up the Mystic,
round the wharves, in the wake of steamboats which leave a swell after
them delightful to rock upon; I linger under the bridges,--those
"caterpillar bridges," as my brother professor so happily called them;
rub against the black sides of old wood-schooners; cool down under the
overhanging stern of some tall Indiaman; stretch across to the Navy-Yard,
where the sentinel warns me off from the Ohio,--just as if I should hurt
her by lying in her shadow; then strike out into the harbor, where the
water gets clear and the air smells of the ocean,--till all at once I
remember, that, if a west wind blows up of a sudden, I shall drift along
past the islands, out of sight of the dear old State-house,--plate,
tumbler, knife and fork all waiting at home, but no chair drawn up at the
table,--all the dear people waiting, waiting, waiting, while the boat is
sliding, sliding, sliding into the great desert, where there is no tree
and no fountain.  As I don't want my wreck to be washed up on one of the
beaches in company with devil's-aprons, bladder-weeds, dead horse-shoes,
and bleached crab-shells, I turn about and flap my long narrow wings for
home.  When the tide is running out swiftly, I have a splendid fight to
get through the bridges, but always make it a rule to beat,--though I
have been jammed up into pretty tight places at times, and was caught
once between a vessel swinging round and the pier, until our bones (the
boat's, that is) cracked as if we had been in the jaws of Behemoth.  Then
back to my moorings at the foot of the Common, off with the rowing-dress,
dash under the green translucent wave, return to the garb of
civilization, walk through my Garden, take a look at my elms on the
Common, and, reaching my habitat, in consideration of my advanced period
of life, indulge in the Elysian abandonment of a huge recumbent chair.

When I have established a pair of well-pronounced feathering-calluses on
my thumbs, when I am in training so that I can do my fifteen miles at a
stretch without coming to grief in any way, when I can perform my mile in
eight minutes or a little less, then I feel as if I had old Time's head
in chancery, and could give it to him at my leisure.

I do not deny the attraction of walking.  I have bored this ancient city
through and through in my daily travels, until I know it as an old
inhabitant of a Cheshire knows his cheese.  Why, it was I who, in the
course of these rambles, discovered that remarkable avenue called _Myrtle
Street_, stretching in one long line from east of the Reservoir to a
precipitous and rudely paved cliff which looks down on the grim abode of
Science, and beyond it to the far hills; a promenade so delicious in its
repose, so cheerfully varied with glimpses down the northern slope into
busy Cambridge Street with its iron river of the horse-railroad, and
wheeled barges gliding back and forward over it,--so delightfully closing
at its western extremity in sunny courts and passages where I know peace,
and beauty, and virtue, and serene old age must be perpetual tenants,--so
alluring to all who desire to take their daily stroll, in the words of
Dr. Watts,--

    "Alike unknowing and unknown,"--

that nothing but a sense of duty would have prompted me to reveal the
secret of its existence.  I concede, therefore, that walking is an
immeasurably fine invention, of which old age ought constantly to avail
itself.

Saddle-leather is in some respects even preferable to sole-leather.  The
principal objection to it is of a financial character.  But you may be
sure that Bacon and Sydenham did not recommend it for nothing.  One's
_hepar_, or, in vulgar language, liver,--a ponderous organ, weighing some
three or four pounds,--goes up and down like the dasher of a churn in the
midst of the other vital arrangements, at every step of a trotting horse.
The brains also are shaken up like coppers in a money-box.  Riding is
good, for those that are born with a silver-mounted bridle in their hand,
and can ride as much and as often as they like, without thinking all the
time they hear that steady grinding sound as the horse's jaws triturate
with calm lateral movement the bank-bills and promises to pay upon which
it is notorious that the profligate animal in question feeds day and
night.

Instead, however, of considering these kinds of exercise in this
empirical way, I will devote a brief space to an examination of them in a
more scientific form.

The pleasure of exercise is due first to a purely physical impression,
and secondly to a sense of power in action.  The first source of pleasure
varies of course with our condition and the state of the surrounding
circumstances; the second with the amount and kind of power, and the
extent and kind of action.  In all forms of active exercise there are
three powers simultaneously in action,--the will, the muscles, and the
intellect.  Each of these predominates in different kinds of exercise.
In walking, the will and muscles are so accustomed to work together and
perform their task with so little expenditure of force, that the
intellect is left comparatively free.  The mental pleasure in walking, as
such, is in the sense of power over all our moving machinery.  But in
riding, I have the additional pleasure of governing another will, and my
muscles extend to the tips of the animal's ears and to his four hoofs,
instead of stopping at my hands and feet.  Now in this extension of my
volition and my physical frame into another animal, my tyrannical
instincts and my desire for heroic strength are at once gratified.  When
the horse ceases to have a will of his own and his muscles require no
special attention on your part, then you may live on horseback as Wesley
did, and write sermons or take naps, as you like.  But you will observe,
that, in riding on horseback, you always have a feeling, that, after all,
it is not you that do the work, but the animal, and this prevents the
satisfaction from being complete.

Now let us look at the conditions of rowing.  I won't suppose you to be
disgracing yourself in one of those miserable tubs, tugging in which is
to rowing the true boat what riding a cow is to bestriding an Arab.  You
know the Esquimaux _kayak_, (if that is the name of it,) don't you?  Look
at that model of one over my door.  Sharp, rather?--On the contrary, it
is a lubber to the one you and I must have; a Dutch fish-wife to Psyche,
contrasted with what I will tell you about.--Our boat, then, is something
of the shape of a pickerel, as you look down upon his back, he lying in
the sunshine just where the sharp edge of the water cuts in among the
lily-pads.  It is a kind of a giant _pod_, as one may say,--tight
everywhere, except in a little place in the middle, where you sit.  Its
length is from seven to ten yards, and as it is only from sixteen to
thirty inches wide in its widest part, you understand why you want those
"outriggers," or projecting iron frames with the rowlocks in which the
oars play.  My rowlocks are five feet apart; double the greatest width of
the boat.

Here you are, then, afloat with a body a rod and a half long, with arms,
or wings, as you may choose to call them, stretching more than twenty
feet from tip to tip; every volition of yours extending as perfectly into
them as if your spinal cord ran down the centre strip of your boat, and
the nerves of your arms tingled as far as the broad blades of your
oars,--oars of spruce, balanced, leathered, and ringed under your own
special direction.  This, in sober earnest, is the nearest approach to
flying that man has ever made or perhaps ever will make.  As the hawk
sails without flapping his pinions, so you drift with the tide when you
will, in the most luxurious form of locomotion indulged to an embodied
spirit.  But if your blood wants rousing, turn round that stake in the
river, which you see a mile from here; and when you come in in sixteen
minutes, (if you do, for we are old boys, and not champion scullers, you
remember,) then say if you begin to feel a little warmed up or not!  You
can row easily and gently all day, and you can row yourself blind and
black in the face in ten minutes, just as you like.  It has been long
agreed that there is no way in which a man can accomplish so much labor
with his muscles as in rowing.  It is in the boat, then, that man finds
the largest extension of his volitional and muscular existence; and yet
he may tax both of them so slightly, in that most delicious of exercises,
that he shall mentally write his sermon, or his poem, or recall the
remarks he has made in company and put them in form for the public, as
well as in his easy-chair.

I dare not publicly name the rare joys, the infinite delights, that
intoxicate me on some sweet June morning, when the river and bay are
smooth as a sheet of beryl-green silk, and I run along ripping it up with
my knife-edged shell of a boat, the rent closing after me like those
wounds of angels which Milton tells of, but the seam still shining for
many a long rood behind me.  To lie still over the Flats, where the
waters are shallow, and see the crabs crawling and the sculpins gliding
busily and silently beneath the boat,--to rustle in through the long
harsh grass that leads up some tranquil creek,--to take shelter from the
sunbeams under one of the thousand-footed bridges, and look down its
interminable colonnades, crusted with green and oozy growths, studded
with minute barnacles, and belted with rings of dark muscles, while
overhead streams and thunders that other river whose every wave is a
human soul flowing to eternity as the river below flows to the
ocean,--lying there moored unseen, in loneliness so profound that the
columns of Tadmor in the Desert could not seem more remote from
life,--the cool breeze on one's forehead, the stream whispering against
the half-sunken pillars,--why should I tell of these things, that I
should live to see my beloved haunts invaded and the waves blackened with
boats as with a swarm of water-beetles?  What a city of idiots we must be
not to have covered this glorious bay with gondolas and wherries, as we
have just learned to cover the ice in winter with skaters!

I am satisfied that such a set of black-coated, stiff-jointed,
soft-muscled, paste-complexioned youth as we can boast in our Atlantic
cities never before sprang from loins of Anglo-Saxon lineage.  Of the
females that are the mates of these males I do not here speak.  I
preached my sermon from the lay-pulpit on this matter a good while ago.
Of course, if you heard it, you know my belief is that the total climatic
influences here are getting up a number of new patterns of humanity, some
of which are not an improvement on the old model.  Clipper-built, sharp
in the bows, long in the spars, slender to look at, and fast to go, the
ship, which is the great organ of our national life of relation, is but a
reproduction of the typical form which the elements impress upon its
builder.  All this we cannot help; but we can make the best of these
influences, such as they are.  We have a few good boatmen,--no good
horsemen that I hear of,--I cannot speak for cricketing,--but as for any
great athletic feat performed by a gentleman in these latitudes, society
would drop a man who should run round the Common in five minutes.  Some
of our amateur fencers, single-stick players, and boxers, we have no
reason to be ashamed of.  Boxing is rough play, but not too rough for a
hearty young fellow.  Anything is better than this white-blooded
degeneration to which we all tend.

I dropped into a gentlemen's sparring exhibition only last evening.  It
did my heart good to see that there were a few young and youngish youths
left who could take care of their own heads in case of emergency.  It is
a fine sight, that of a gentleman resolving himself into the primitive
constituents of his humanity.  Here is a delicate young man now, with an
intellectual countenance, a slight figure, a sub-pallid complexion, a
most unassuming deportment, a mild adolescent in fact, that any Hiram or
Jonathan from between the ploughtails would of course expect to handle
with perfect ease.  Oh, he is taking off his gold-bowed spectacles!  Ah,
he is divesting himself of his cravat!  Why, he is stripping off his
coat!  Well, here he is, sure enough, in a tight silk shirt, and with two
things that look like batter puddings in the place of his fists.  Now see
that other fellow with another pair of batter puddings,--the big one with
the broad shoulders; he will certainly knock the little man's head off,
if he strikes him.  Feinting, dodging, stopping, hitting,
countering,--little man's head not off yet.  You might as well try to
jump upon your own shadow as to hit the little man's intellectual
features.  He needn't have taken off the gold-bowed spectacles at all.
Quick, cautious, shifty, nimble, cool, he catches all the fierce lunges
or gets out of their reach, till his turn comes, and then, whack goes one
of the batter puddings against the big one's ribs, and bang goes the
other into the big one's face, and, staggering, shuffling, slipping,
tripping, collapsing, sprawling, down goes the big one in a miscellaneous
bundle.--If my young friend, whose excellent article I have referred to,
could only introduce the manly art of self-defence among the clergy, I am
satisfied that we should have better sermons and an infinitely less
quarrelsome church-militant.  A bout with the gloves would let off the
ill-nature, and cure the indigestion, which, united, have embroiled their
subject in a bitter controversy.  We should then often hear that a point
of difference between an infallible and a heretic, instead of being
vehemently discussed in a series of newspaper articles, had been settled
by a friendly contest in several rounds, at the close of which the
parties shook hands and appeared cordially reconciled,

But boxing you and I are too old for, I am afraid.  I was for a moment
tempted, by the contagion of muscular electricity last evening, to try
the gloves with the Benicia Boy, who looked in as a friend to the noble
art; but remembering that he had twice my weight and half my age, besides
the advantage of his training, I sat still and said nothing.

There is one other delicate point I wish to speak of with reference to
old age.  I refer to the use of dioptric media which correct the
diminished refracting power of the humors of the eye,--in other words,
spectacles.  I don't use them.  All I ask is a large, fair type, a strong
daylight or gas-light, and one yard of focal distance, and my eyes are as
good as ever.  But if _your_ eyes fail, I can tell you something
encouraging.  There is now living in New York State an old gentleman who,
perceiving his sight to fail, immediately took to exercising it on the
finest print, and in this way fairly bullied Nature out of her foolish
habit of taking liberties at five-and-forty, or thereabout.  And now this
old gentleman performs the most extraordinary feats with his pen, showing
that his eyes must be a pair of microscopes.  I should be afraid to say
to you how much he writes in the compass of a half-dime,--whether the
Psalms or the Gospels, or the Psalms _and_ the Gospels, I won't be
positive.

But now let rue tell you this.  If the time comes when you must lay down
the fiddle and the bow, because your fingers are too stiff, and drop the
ten-foot sculls, because your arms are too weak, and, after dallying
awhile with eye-glasses, come at last to the undisguised reality of
spectacles,--if the time comes when that fire of life we spoke of has
burned so low that where its flames reverberated there is only the sombre
stain of regret, and where its coals glowed, only the white ashes that
cover the embers of memory,--don't let your heart grow cold, and you may
carry cheerfulness and love with you into the teens of your second
century, if you can last so long.  As our friend, the Poet, once said, in
some of those old-fashioned heroics of his which he keeps for his private
reading,--

    Call him not old, whose visionary brain
    Holds o'er the past its undivided reign.
    For him in vain the envious seasons roll
    Who bears eternal summer in his soul.
    If yet the minstrel's song, the poet's lay,
    Spring with her birds, or children with their play,
    Or maiden's smile, or heavenly dream of art
    Stir the few life-drops creeping round his heart,--
    Turn to the record where his years are told,--
    Count his gray hairs,--they cannot make him old!

                     _End of the Professor's paper_.

[The above essay was not read at one time, but in several instalments,
and accompanied by various comments from different persons at the table.
The company were in the main attentive, with the exception of a little
somnolence on the part of the old gentleman opposite at times, and a few
sly, malicious questions about the "old boys" on the part of that forward
young fellow who has figured occasionally, not always to his advantage,
in these reports.

On Sunday mornings, in obedience to a feeling I am not ashamed of, I have
always tried to give a more appropriate character to our conversation.  I
have never read them my sermon yet, and I don't know that I shall, as
some of them might take my convictions as a personal indignity to
themselves.  But having read our company so much of the Professor's talk
about age and other subjects connected with physical life, I took the
next Sunday morning to repeat to them the following poem of his, which I
have had by me some time.  He calls it--I suppose, for his professional
friends--THE ANATOMIST'S HYMN, but I shall name it--]

                              THE LIVING TEMPLE.

    Not in the world of light alone,
    Where God has built his blazing throne,
    Nor yet alone in earth below,
    With belted seas that come and go,
    And endless isles of sunlit green,
    Is all thy Maker's glory seen:
    Look in upon thy wondrous frame,--
    Eternal wisdom still the same!

    The smooth, soft air with pulse-like waves
    Flows murmuring through its hidden caves
    Whose streams of brightening purple rush
    Fired with a new and livelier blush,
    While all their burden of decay
    The ebbing current steals away,
    And red with Nature's flame they start
    From the warm fountains of the heart.

    No rest that throbbing slave may ask,
    Forever quivering o'er his task,
    While far and wide a crimson jet
    Leaps forth to fill the woven net
    Which in unnumbered crossing tides
    The flood of burning life divides,
    Then kindling each decaying part
    Creeps back to find the throbbing heart.

    But warmed with that uchanging flame
    Behold the outward moving frame,
    Its living marbles jointed strong
    With glistening band and silvery thong,
    And linked to reason's guiding reins
    By myriad rings in trembling chains,
    Each graven with the threaded zone
    Which claims it as the master's own.

    See how yon beam of seeming white
    Is braided out of seven-hued light,
    Yet in those lucid globes no ray
    By any chance shall break astray.
    Hark how the rolling surge of sound,
    Arches and spirals circling round,
    Wakes the hushed spirit through thine ear
    With music it is heaven to hear.

    Then mark the cloven sphere that holds
    All thought in its mysterious folds,
    That feels sensation's faintest thrill
    And flashes forth the sovereign will;
    Think on the stormy world that dwells
    Locked in its dim and clustering cells!
    The lightning gleams of power it sheds
    Along its hollow glassy threads!

    O Father! grant thy love divine
    To make these mystic temples thine!
    When wasting age and wearying strife
    Have sapped the leaning walls of life,
    When darkness gathers over all,
    And the last tottering pillars fall,
    Take the poor dust thy mercy warms
    And mould it into heavenly forms!




CHAPTER VIII


[Spring has come.  You will find some verses to that effect at the end of
these notes.  If you are an impatient reader, skip to them at once.  In
reading aloud, omit, if you please, the sixth and seventh verses.  These
are parenthetical and digressive, and, unless your audience is of
superior intelligence, will confuse them.  Many people can ride on
horseback who find it hard to get on and to get off without assistance.
One has to dismount from an idea, and get into the saddle again, at every
parenthesis.]

--The old gentleman who sits opposite, finding that spring had fairly
come, mounted a white hat one day, and walked into the street.  It seems
to have been a premature or otherwise exceptionable exhibition, not
unlike that commemorated by the late Mr. Bayly.  When the old gentleman
came home, he looked very red in the face, and complained that he had
been "made sport of."  By sympathizing questions, I learned from him that
a boy had called him "old daddy," and asked him when he had his hat
whitewashed.

This incident led me to make some observations at table the next morning,
which I here repeat for the benefit of the readers of this record.

--The hat is the vulnerable point of the artificial integument.  I
learned this in early boyhood.  I was once equipped in a hat of Leghorn
straw, having a brim of much wider dimensions than were usual at that
time, and sent to school in that portion of my native town which lies
nearest to this metropolis.  On my way I was met by a "Port-chuck," as we
used to call the young gentlemen of that locality, and the following
dialogue ensued.

                        [Picture: The Port-chuck]

_The Port-chuck_.  Hullo, You-sir, joo know th' wuz gon-to be a race
to-morrah?

_Myself_.  No.  Who's gon-to run, 'n' wher's't gon-to be?

_The Port-chuck_.  Squire Mico 'n' Doctor Wiliams, round the brim o' your
hat.

These two much-respected gentlemen being the oldest inhabitants at that
time, and the alleged race-course being out of the question, the
Port-chuck also winking and thrusting his tongue into his cheek, I
perceived that I had been trifled with, and the effect has been to make
me sensitive and observant respecting this article of dress ever since.
Here is an axiom or two relating to it.

A hat which has been _popped_, or exploded by being sat down upon, is
never itself again afterwards.

It is a favorite illusion of sanguine natures to believe the contrary.

Shabby gentility has nothing so characteristic as its hat.  There is
always an unnatural calmness about its nap, and an unwholesome gloss,
suggestive of a wet brush.

The last effort of decayed fortune is expended in smoothing its
dilapidated castor.  The hat is the _ultimum moriens_ of
"respectability."

--The old gentleman took all these remarks and maxims very pleasantly,
saying, however, that he had forgotten most of his French except the word
for potatoes,--_pummies de tare_.--_Ultimum moriens_, I told him, is old
Italian, and signifies _last thing to die_.  With this explanation he was
well contented, and looked quite calm when I saw him afterwards in the
entry with a black hat on his head and the white one in his hand.

                                * * * * *

--I think myself fortunate in having the Poet and the Professor for my
intimates.  We are so much together, that we no doubt think and talk a
good deal alike; yet our points of view are in many respects individual
and peculiar.  You know me well enough by this time.  I have not talked
with you so long for nothing and therefore I don't think it necessary to
draw my own portrait.  But let me say a word or two about my friends.

The Professor considers himself, and I consider him, a very useful and
worthy kind of drudge.  I think he has a pride in his small
technicalities.  I know that he has a great idea of fidelity; and though
I suspect he laughs a little inwardly at times at the grand airs
"Science" puts on, as she stands marking time, but not getting on, while
the trumpets are blowing and the big drums beating,--yet I am sure he has
a liking for his specially, and a respect for its cultivators.

But I'll tell you what the Professor said to the Poet the other day.--My
boy, said he, I can work a great deal cheaper than you, because I keep
all my goods in the lower story.  You have to hoist yours into the upper
chambers of the brain, and let them down again to your customers.  I take
mine in at the level of the ground, and send them off from my doorstep
almost without lifting.  I tell you, the higher a man has to carry the
raw material of thought before he works it up, the more it costs him in
blood, nerve, and muscle.  Coleridge knew all this very well when he
advised every literary man to have a profession.

--Sometimes I like to talk with one of them, and sometimes with the
other.  After a while I get tired of both.  When a fit of intellectual
disgust comes over me, I will tell you what I have found admirable as a
diversion, in addition to boating and other amusements which I have
spoken of,--that is, working at my carpenter's-bench.  Some mechanical
employment is the greatest possible relief, after the purely intellectual
faculties begin to tire.  When I was quarantined once at Marseilles, I
got to work immediately at carving a wooden wonder of loose rings on a
stick, and got so interested in it, that when we were set loose, I
"regained my freedom with a sigh," because my toy was unfinished.

There are long seasons when I talk only with the Professor, and others
when I give myself wholly up to the Poet.  Now that my winter's work is
over and spring is with us, I feel naturally drawn to the Poet's company.
I don't know anybody more alive to life than he is.  The passion of
poetry seizes on him every spring, he says,--yet oftentimes he complains,
that, when he feels most, he can sing least.

Then a fit of despondency comes over him.--I feel ashamed,
sometimes,--said he, the other day,--to think how far my worst songs fall
below my best.  It sometimes seems to me, as I know it does to others who
have told me so, that they ought to be _all best_,--if not in actual
execution, at least in plan and motive.  I am grateful--he continued--for
all such criticisms.  A man is always pleased to have his most serious
efforts praised, and the highest aspect of his nature get the most
sunshine.

Yet I am sure, that, in the nature of things, many minds must change
their key now and then, on penalty of getting out of tune or losing their
voices.  You know, I suppose,--he said,--what is meant by complementary
colors?  You know the effect, too, which the prolonged impression of any
one color has on the retina.  If you close your eyes after looking
steadily at a _red_ object, you see a _green_ image.

It is so with many minds,--I will not say with all.  After looking at one
aspect of external nature, or of any form of beauty or truth, when they
turn away, the _complementary_ aspect of the same object stamps itself
irresistibly and automatically upon the mind.  Shall they give expression
to this secondary mental state, or not?

When I contemplate--said my friend, the Poet--the infinite largeness of
comprehension belonging to the Central Intelligence, how remote the
creative conception is from all scholastic and ethical formulae, I am led
to think that a healthy mind ought to change its mood from time to time,
and come down from its noblest condition,--never, of course, to degrade
itself by dwelling upon what is itself debasing, but to let its lower
faculties have a chance to air and exercise themselves.  After the first
and second floor have been out in the bright street dressed in all their
splendors, shall not our humble friends in the basement have their
holiday, and the cotton velvet and the thin-skinned jewelry--simple
adornments, but befitting the station of those who wear them--show
themselves to the crowd, who think them beautiful, as they ought to,
though the people up stairs know that they are cheap and perishable?

--I don't know that I may not bring the Poet here, some day or other, and
let him speak for himself.  Still I think I can tell you what he says
quite as well as he could do it.--Oh,--he said to me, one day,--I am but
a hand-organ man,--say rather, a hand-organ.  Life turns the winch, and
fancy or accident pulls out the stops.  I come under your windows, some
fine spring morning, and play you one of my _adagio_ movements, and some
of you say,--This is good,--play us so always.  But, dear friends, if I
did not change the stop sometimes, the machine would wear out in one part
and rust in another.  How easily this or that tune flows!--you
say,--there must be no end of just such melodies in him.--I will open the
poor machine for you one moment, and you shall look.--Ah!  Every note
marks where a spur of steel has been driven in.  It is easy to grind out
the song, but to plant these bristling points which make it was the
painful task of time.

I don't like to say it,--he continued,--but poets commonly have no larger
stock of tunes than hand-organs; and when you hear them piping up under
your window, you know pretty well what to expect.  The more stops, the
better.  Do let them all be pulled out in their turn!

So spoke my friend, the Poet, and read me one of his stateliest songs,
and after it a gay _chanson_, and then a string of epigrams.  All
true,--he said,--all flowers of his soul; only one with the corolla
spread, and another with its disk half opened, and the third with the
heart-leaves covered up and only a petal or two showing its tip through
the calyx.  The water-lily is the type of the poet's soul,--he told me.

--What do you think, Sir,--said the divinity-student,--opens the souls of
poets most fully?

Why, there must be the internal force and the external stimulus.  Neither
is enough by itself.  A rose will not flower in the dark, and a fern will
not flower anywhere.

What do I think is the true sunshine that opens the poet's corolla?--I
don't like to say.  They spoil a good many, I am afraid; or at least they
shine on a good many that never come to anything.

Who are _they_?--said the schoolmistress.

Women.  Their love first inspires the poet, and their praise is his best
reward.

The schoolmistress reddened a little, but looked pleased.--Did I really
think so?--I do think so; I never feel safe until I have pleased them; I
don't think they are the first to see one's defects, but they are the
first to catch the color and fragrance of a true poem.  Fit the same
intellect to a man and it is a bow-string,--to a woman and it is a
harp-string.  She is vibratile and resonant all over, so she stirs with
slighter musical tremblings of the air about her.--Ah, me!--said my
friend, the Poet, to me, the other day,--what color would it not have
given to my thoughts, and what thrice-washed whiteness to my words, had I
been fed on women's praises!  I should have grown like Marvell's fawn,--

    "Lilies without; roses within!"

But then,--he added,--we all think, _if_ so and so, we should have been
this or that, as you were saying the other day, in those rhymes of yours.

--I don't think there are many poets in the sense of creators; but of
those sensitive natures which reflect themselves naturally in soft and
melodious words, pleading for sympathy with their joys and sorrows, every
literature is full.  Nature carves with her own hands the brain which
holds the creative imagination, but she casts the over-sensitive
creatures in scores from the same mould.

There are two kinds of poets, just as there are two kinds of blondes.
[Movement of curiosity among our ladies at table.--Please to tell us
about those blondes, said the schoolmistress.]  Why, there are blondes
who are such simply by deficiency of coloring matter,--_negative_ or
_washed_ blondes, arrested by Nature on the way to become albinesses.
There are others that are shot through with golden light, with tawny or
fulvous tinges in various degree,--_positive_ or _stained_ blondes,
dipped in yellow sunbeams, and as unlike in their mode of being to the
others as an orange is unlike a snowball.  The albino-style carries with
it a wide pupil and a sensitive retina.  The other, or the leonine
blonde, has an opaline fire in her clear eye, which the brunette can
hardly match with her quick glittering glances.

Just so we have the great sun-kindled, constructive imaginations, and a
far more numerous class of poets who have a certain kind of
moonlight-genius given them to compensate for their imperfection of
nature.  Their want of mental coloring-matter makes them sensitive to
those impressions which stronger minds neglect or never feel at all.
Many of them die young, and all of them are tinged with melancholy.
There is no more beautiful illustration of the principle of compensation
which marks the Divine benevolence than the fact that some of the holiest
lives and some of the sweetest songs are the growth of the infirmity
which unfits its subject for the rougher duties of life.  When one reads
the life of Cowper, or of Keats, or of Lucretia and Margaret
Davidson,--of so many gentle, sweet natures, born to weakness, and mostly
dying before their time,--one cannot help thinking that the human race
dies out singing, like the swan in the old story.  The French poet,
Gilbert, who died at the Hotel Dieu, at the age of twenty-nine,--(killed
by a key in his throat, which he had swallowed when delirious in
consequence of a fall,)--this poor fellow was a very good example of the
poet by excess of sensibility.  I found, the other day, that some of my
literary friends had never heard of him, though I suppose few educated
Frenchmen do not know the lines which he wrote, a week before his death,
upon a mean bed in the great hospital of Paris.

    "Au banquet de la vie, infortune convive,
       J'apparus un jour, et je meurs;
    Je meurs, et sur ma tombe, ou lentement j'arrive,
       Nul ne viendra verser des pleurs."

    At life's gay banquet placed, a poor unhappy guest,
       One day I pass, then disappear;
    I die, and on the tomb where I at length shall rest
       No friend shall come to shed a tear.

You remember the same thing in other words some where in Kirke White's
poems.  It is the burden of the plaintive songs of all these sweet
albino-poets.  "I shall die and be forgotten, and the world will go on
just as if I had never been;--and yet how I have loved! how I have
longed! how I have aspired!"  And so singing, their eyes grow brighter
and brighter, and their features thinner and thinner, until at last the
veil of flesh is threadbare, and, still singing, they drop it and pass
onward.

                                * * * * *

--Our brains are seventy-year clocks.  The Angel of Life winds them up
once for all, then closes the case, and gives the key into the hand of
the Angel of the Resurrection.

Tic-tac! tic-tac! go the wheels of thought; our will cannot stop them;
they cannot stop themselves, sleep cannot still them; madness only makes
them go faster; death alone can break into the case, and, seizing the
ever-swinging pendulum, which we call the heart, silence at last the
clicking of the terrible escapement we have carried so long beneath our
wrinkled foreheads.

If we could only get at them, as we lie on our pillows and count the dead
beats of thought after thought and image after image jarring through the
overtired organ!  Will nobody block those wheels, uncouple that pinion,
cut the string that holds those weights, blow up the infernal machine
with gunpowder?  What a passion comes over us sometimes for silence and
rest!--that this dreadful mechanism, unwinding the endless tapestry of
time, embroidered with spectral figures of life and death, could have but
one brief holiday!  Who can wonder that men swing themselves off from
beams in hempen lassos?--that they jump off from parapets into the swift
and gurgling waters beneath?--that they take counsel of the grim friend
who has but to utter his one peremptory monosyllable and the restless
machine is shivered as a vase that is dashed upon a marble floor?  Under
that building which we pass every day there are strong dungeons, where
neither hook, nor bar, nor bed-cord, nor drinking-vessel from which a
sharp fragment may be shattered, shall by any chance be seen.  There is
nothing for it, when the brain is on fire with the whirling of its
wheels, but to spring against the stone wall and silence them with one
crash.  Ah, they remembered that,--the kind city fathers,--and the walls
are nicely padded, so that one can take such exercise as he likes without
damaging himself on the very plain and serviceable upholstery.  If
anybody would only contrive some kind of a lever that one could thrust in
among the works of this horrid automaton and check them, or alter their
rate of going, what would the world give for the discovery?

--From half a dime to a dime, according to the style of the place and the
quality of the liquor,--said the young fellow whom they call John.

You speak trivially, but not unwisely,--I said.  Unless the will maintain
a certain control over these movements, which it cannot stop, but can to
some extent regulate, men are very apt to try to get at the machine by
some indirect system of leverage or other.  They clap on the brakes by
means of opium; they change the maddening monotony of the rhythm by means
of fermented liquors.  It is because the brain is locked up and we cannot
touch its movement directly, that we thrust these coarse tools in through
any crevice, by which they may reach the interior, and so alter its rate
of going for a while, and at last spoil the machine.

Men who exercise chiefly those faculties of the mind which work
independently of the will,--poets and artists, for instance, who follow
their imagination in their creative moments, instead of keeping it in
hand as your logicians and practical men do with their reasoning
faculty,--such men are too apt to call in the mechanical appliances to
help them govern their intellects.

--He means they get drunk,--said the young fellow already alluded to by
name.

Do you think men of true genius are apt to indulge in the use of
inebriating fluids? said the divinity-student.

If you think you are strong enough to bear what I am going to say,--I
replied,--I will talk to you about this.  But mind, now, these are the
things that some foolish people call _dangerous_ subjects,--as if these
vices which burrow into people's souls, as the Guinea-worm burrows into
the naked feet of West-Indian slaves, would be more mischievous when seen
than out of sight.  Now the true way to deal with those obstinate
animals, which are a dozen feet long, some of them, and no bigger than a
horse hair, is to get a piece of silk round their _heads_, and pull them
out very cautiously.  If you only break them off, they grow worse than
ever, and sometimes kill the person who has the misfortune to harbor one
of them.  Whence it is plain that the first thing to do is to find out
where the head lies.

Just so of all the vices, and particularly of this vice of intemperance.
What is the head of it, and where does it lie?  For you may depend upon
it, there is not one of these vices that has not a head of its own,--an
intelligence,--a meaning,--a certain virtue, I was going to say,--but
that might, perhaps, sound paradoxical.  I have heard an immense number
of moral physicians lay down the treatment of moral Guinea-worms, and the
vast majority of them would always insist that the creature had no head
at all, but was all body and tail.  So I have found a very common result
of their method to be that the string slipped, or that a piece only of
the creature was broken off, and the worm soon grew again, as bad as
ever.  The truth is, if the Devil could only appear in church by
attorney, and make the best statement that the facts would bear him out
in doing on behalf of his special virtues, (what we commonly call vices,)
the influence of good teachers would be much greater than it is.  For the
arguments by which the Devil prevails are precisely the ones that the
Devil-queller most rarely answers.  The way to argue down a vice is not
to tell lies about it,--to say that it has no attractions, when everybody
knows that it has,--but rather to let it make out its case just as it
certainly will in the moment of temptation, and then meet it with the
weapons furnished by the Divine armory.  Ithuriel did not spit the toad
on his spear, you remember, but touched him with it, and the blasted
angel took the sad glories of his true shape.  If he had shown fight
then, the fair spirits would have known how to deal with him.

That all spasmodic cerebral action is an evil is not perfectly clear.
Men get fairly intoxicated with music, with poetry, with religious
excitement, oftenest with love.  Ninon de l'Enclos said she was so easily
excited that her soup intoxicated her, and convalescents have been made
tipsy by a beef-steak.

There are forms and stages of alcoholic exaltation which, in themselves,
and without regard to their consequences, might be considered as positive
improvements of the persons affected.  When the sluggish intellect is
roused, the slow speech quickened, the cold nature warmed, the latent
sympathy developed, the flagging spirit kindled,--before the trains of
thought become confused or the will perverted, or the muscles
relaxed,--just at the moment when the whole human zoophyte flowers out
like a full-blown rose, and is ripe for the subscription-paper or the
contribution-box,--it would be hard to say that a man was, at that very
time, worse, or less to be loved, than when driving a hard bargain with
all his meaner wits about him.  The difficulty is, that the alcoholic
virtues don't wash; but until the water takes their colors out, the tints
are very much like those of the true celestial stuff.

[Here I was interrupted by a question which I am very unwilling to
report, but have confidence enough in those friends who examine these
records to commit to their candor.

_A person_ at table asked me whether I "went in for rum as a steady
drink?"--His manner made the question highly offensive, but I restrained
myself, and answered thus:--]

Rum I take to be the name which unwashed moralists apply alike to the
product distilled from molasses and the noblest juices of the vineyard.
Burgundy "in all its sunset glow" is rum.  Champagne, "the foaming wine
of Eastern France," in rum.  Hock, which our friend, the Poet, speaks of
as

    "The Rhine's breastmilk, gushing cold and bright,
    Pale as the moon, and maddening as her light,"

is rum.  Sir, I repudiate the loathsome vulgarism as an insult to the
first miracle wrought by the Founder of our religion!  I address myself
to the company.--I believe in temperance, nay, almost in abstinence, as a
rule for healthy people.  I trust that I practice both.  But let me tell
you, there are companies of men of genius into which I sometimes go,
where the atmosphere of intellect and sentiment is so much more
stimulating than alcohol, that, if I thought fit to take wine, it would
be to keep me sober.

Among the gentlemen that I have known, few, if any, were ruined by
drinking.  My few drunken acquaintances were generally ruined before they
became drunkards.  The habit of drinking is often a vice, no
doubt,--sometimes a misfortune,--as when an almost irresistible
hereditary propensity exists to indulge in it,--but oftenest of all a
_punishment_.

Empty heads,--heads without ideas in wholesome variety and sufficient
number to furnish food for the mental clockwork,--ill-regulated heads,
where the faculties are not under the control of the will,--these are the
ones that hold the brains which their owners are so apt to tamper with,
by introducing the appliances we have been talking about.  Now, when a
gentleman's brain is empty or ill-regulated, it is, to a great extent,
his own fault; and so it is simple retribution, that, while he lies
slothfully sleeping or aimlessly dreaming, the fatal habit settles on him
like a vampyre, and sucks his blood, fanning him all the while with its
hot wings into deeper slumber or idler dreams!  I am not such a
hard-souled being as to apply this to the neglected poor, who have had no
chance to fill their heads with wholesome ideas, and to be taught the
lesson of self-government.  I trust the tariff of Heaven has an _ad
valorem_ scale for them--and all of us.

But to come back to poets and artists;--if they really are more prone to
the abuse of stimulants,--and I fear that this is true,--the reason of it
is only too clear.  A man abandons himself to a fine frenzy, and the
power which flows through him, as I once explained to you, makes him the
medium of a great poem or a great picture.  The creative action is not
voluntary at all, but automatic; we can only put the mind into the proper
attitude, and wait for the wind, that blows where it listeth, to breathe
over it.  Thus the true state of creative genius is allied to _reverie_,
or dreaming.  If mind and body were both healthy and had food enough and
fair play, I doubt whether any men would be more temperate than the
imaginative classes.  But body and mind often flag,--perhaps they are
ill-made to begin with, underfed with bread or ideas, overworked, or
abused in some way.  The automatic action, by which genius wrought its
wonders, fails.  There is only one thing which can rouse the machine; not
will,--that cannot reach it; nothing but a ruinous agent, which hurries
the wheels awhile and soon eats out the heart of the mechanism.  The
dreaming faculties are always the dangerous ones, because their mode of
action can be imitated by artificial excitement; the reasoning ones are
safe, because they imply continued voluntary effort.

I think you will find it true, that, before any vice can fasten on a man,
body, mind, or moral nature must be debilitated.  The mosses and fungi
gather on sickly trees, not thriving ones; and the odious parasites which
fasten on the human frame choose that which is already enfeebled.  Mr.
Walker, the hygeian humorist, declared that he had such a healthy skin it
was impossible for any impurity to stick to it, and maintained that it
was an absurdity to wash a face which was of necessity always clean.  I
don't know how much fancy there was in this; but there is no fancy in
saying that the lassitude of tired-out operatives, and the languor of
imaginative natures in their periods of collapse, and the vacuity of
minds untrained to labor and discipline, fit the soul and body for the
germination of the seeds of intemperance.

Whenever the wandering demon of Drunkenness finds a ship adrift,--no
steady wind in its sails, no thoughtful pilot directing its course,--he
steps on board, takes the helm, and steers straight for the maelstrom.

                                * * * * *

--I wonder if you know the _terrible smile_?  [The young fellow whom they
call John winked very hard, and made a jocular remark, the sense of which
seemed to depend on some double meaning of the word _smile_.  The company
was curious to know what I meant.]

There are persons--I said--who no sooner come within sight of you than
they begin to smile, with an uncertain movement of the mouth, which
conveys the idea that they are thinking about themselves, and thinking,
too, that you are thinking they are thinking about themselves,--and so
look at you with a wretched mixture of self-consciousness, awkwardness,
and attempts to carry off both, which are betrayed by the cowardly
behaviour of the eye and the tell-tale weakness of the lips that
characterize these unfortunate beings.

--Why do you call them unfortunate, Sir?--asked the divinity-student.

Because it is evident that the consciousness of some imbecility or other
is at the bottom of this extraordinary expression.  I don't think,
however, that these persons are commonly fools.  I have known a number,
and all of them were intelligent.  I think nothing conveys the idea of
_underbreeding_ more than this self-betraying smile.  Yet I think this
peculiar habit as well as that of _meaningless blushing_ may be fallen
into by very good people who met often, or sit opposite each other at
table.  A true gentleman's face is infinitely removed from all such
paltriness,--calm-eyed, firm-mouthed.  I think Titian understood the look
of a gentleman as well as anybody that ever lived.  The portrait of a
young man holding a glove in his hand, in the Gallery of the Louvre, if
any of you have seen that collection, will remind you of what I mean.

--Do I think these people know the peculiar look they have?--I cannot
say; I hope not; I am afraid they would never forgive me, if they did.
The worst of it is, the trick is catching; when one meets one of these
fellows, he feels a tendency to the same manifestation.  The Professor
tells me there is a muscular slip, a dependence of the _platysma
myoides_, which is called the _risorius Santorini_.

--Say that once more,--exclaimed the young fellow mentioned above.

The Professor says there is a little fleshy slip called Santorini's
laughing muscle.  I would have it cut out of my face, if I were born with
one of those constitutional grins upon it.  Perhaps I am uncharitable in
my judgment of those sour-looking people I told you of the other day, and
of these smiling folks.  It may be that they are born with these looks,
as other people are with more generally recognized deformities.  Both are
bad enough, but I had rather meet three of the scowlers than one of the
smilers.

--There is another unfortunate way of looking, which is peculiar to that
amiable sex we do not like to find fault with.  There are some very
pretty, but, unhappily, very ill-bred women, who don't understand the law
of the road with regard to handsome faces.  Nature and custom would, no
doubt, agree in conceding to all males the right of at least two distinct
looks at every comely female countenance, without any infraction of the
rules of courtesy or the sentiment of respect.  The first look is
necessary to define the person of the individual one meets so as to avoid
it in passing.  Any unusual attraction detected in a first glance is a
sufficient apology for a second,--not a prolonged and impertinent stare,
but an appreciating homage of the eyes, such as a stranger may
inoffensively yield to a passing image.  It is astonishing how morbidly
sensitive some vulgar beauties are to the slightest demonstration of this
kind.  When a lady walks the streets, she leaves her virtuous-indignation
countenance at home; she knows well enough that the street is a
picture-gallery, where pretty faces framed in pretty bonnets are meant to
be seen, and everybody has a right to see them.

--When we observe how the same features and style of person and character
descend from generation to generation, we can believe that some inherited
weakness may account for these peculiarities.  Little snapping-turtles
snap--so the great naturalist tells us--before they are out of the
egg-shell.  I am satisfied, that, much higher up in the scale of life,
character is distinctly shown at the age of -2 or -3 months.

--My friend, the Professor, has been full of eggs lately.  [This remark
excited a burst of hilarity which I did not allow to interrupt the course
of my observations.]  He has been reading the great book where he found
the fact about the little snapping-turtles mentioned above.  Some of the
things he has told me have suggested several odd analogies enough.

There are half a dozen men, or so, who carry in their brains the _ovarian
eggs_ of the next generation's or century's civilization.  These eggs are
not ready to be laid in the form of books as yet; some of them are hardly
ready to be put into the form of talk.  But as rudimentary ideas or
inchoate tendencies, there they are; and these are what must form the
future.  A man's general notions are not good for much, unless he has a
crop of these intellectual ovarian eggs in his own brain, or knows them
as they exist in the minds of others.  One must be in the _habit_ of
talking with such persons to get at these rudimentary germs of thought;
for their development is necessarily imperfect, and they are moulded on
new patterns, which must be long and closely studied.  But these are the
men to talk with.  No fresh truth ever gets into a book.

--A good many fresh lies get in, anyhow,--said one of the company.

I proceeded in spite of the interruption.--All uttered thought, my
friend, the Professor, says, is of the nature of an excretion.  Its
materials have been taken in, and have acted upon the system, and been
reacted on by it; it has circulated and done its office in one mind
before it is given out for the benefit of others.  It may be milk or
venom to other minds; but, in either case, it is something which the
producer has had the use of and can part with.  A man instinctively tries
to get rid of his thought in conversation or in print so soon as it is
matured; but it is hard to get at it as it lies imbedded, a mere
potentiality, the germ of a germ, in his intellect.

--Where are the brains that are fullest of these ovarian eggs of
thought?--I decline mentioning individuals.  The producers of thought,
who are few, the "jobbers" of thought, who are many, and the retailers of
thought, who are numberless, are so mixed up in the popular apprehension,
that it would be hopeless to try to separate them before opinion has had
time to settle.  Follow the course of opinion on the great subjects of
human interest for a few generations or centuries, get its parallax, map
out a small arc of its movement, see where it tends, and then see who is
in advance of it or even with it; the world calls him hard names,
probably; but if you would find the _ova_ of the future, you must look
into the folds of his cerebral convolutions.

[The divinity-student looked a little puzzled at this suggestion, as if
he did not see exactly where he was to come out, if he computed his arc
too nicely.  I think it possible it might cut off a few corners of his
present belief, as it has cut off martyr-burning and witch-hanging;--but
time will show,--time will show, as the old gentleman opposite says.]

--Oh,--here is that copy of verses I told you about.

                               SPRING HAS COME.

                                _Intra Muros_.

    The sunbeams, lost for half a year,
       Slant through my pane their morning rays
    For dry Northwesters cold and clear,
       The East blows in its thin blue haze.

    And first the snowdrop's bells are seen,
       Then close against the sheltering wall
    The tulip's horn of dusky green,
       The peony's dark unfolding ball.

    The golden-chaliced crocus burns;
       The long narcissus-blades appear;
    The cone-beaked hyacinth returns,
       And lights her blue-flamed chandelier.

    The willow's whistling lashes, wrung
       By the wild winds of gusty March,
    With sallow leaflets lightly strung,
       Are swaying by the tufted larch.

    The elms have robed their slender spray
       With full-blown flower and embryo leaf;
    Wide o'er the clasping arch of day
       Soars like a cloud their hoary chief.

    --[See the proud tulip's flaunting cup,
       That flames in glory for an hour,--
    Behold it withering,--then look up,--
       How meek the forest-monarch's flower!--

    When wake the violets, Winter dies;
       When sprout the elm-buds, Spring is near;
    When lilacs blossom, Summer cries,
       "Bud, little roses!  Spring is here!"]

    The windows blush with fresh bouquets,
       Cut with the May-dew on their lips;
    The radish all its bloom displays,
       Pink as Aurora's finger-tips.

    Nor less the flood of light that showers
       On beauty's changed corolla-shades,--
    The walks are gay as bridal bowers
       With rows of many-petalled maids.

    The scarlet shell-fish click and clash
       In the blue barrow where they slide;
    The horseman, proud of streak and splash,
       Creeps homeward from his morning ride.

    Here comes the dealer's awkward string,
       With neck in rope and tail in knot,--
    Rough colts, with careless country-swing,
       In lazy walk or slouching trot.

    --Wild filly from the mountain-side,
       Doomed to the close and chafing thills,
    Lend me thy long, untiring stride
       To seek with thee thy western hills!

    I hear the whispering voice of Spring,
       The thrush's trill, the cat-bird's cry,
    Like some poor bird with prisoned wing
       That sits and sings, but longs to fly.

    Oh for one spot of living green,--
       One little spot where leaves can grow,--
    To love unblamed, to walk unseen,
       To dream above, to sleep below!




CHAPTER IX


[_Aqui esta encerrada el alma del licenciado Pedro Garcias_.

If I should ever make a little book out of these papers, which I hope you
are not getting tired of, I suppose I ought to save the above sentence
for a motto on the title-page.  But I want it now, and must use it.  I
need not say to you that the words are Spanish, nor that they are to be
found in the short Introduction to "Gil Blas," nor that they mean, "Here
lies buried the soul of the licentiate Pedro Garcias."

I warned all young people off the premises when I began my notes
referring to old age.  I must be equally fair with old people now.  They
are earnestly requested to leave this paper to young persons from the age
of twelve to that of fourscore years and ten, at which latter period of
life I am sure that I shall have at least one youthful reader.  You know
well enough what I mean by youth and age;--something in the soul, which
has no more to do with the color of the hair than the vein of gold in a
rock has to do with the grass a thousand feet above it.

I am growing bolder as I write.  I think it requires not only youth, but
genius, to read this paper.  I don't mean to imply that it required any
whatsoever to talk what I have here written down.  It did demand a
certain amount of memory, and such command of the English tongue as is
given by a common school education.  So much I do claim.  But here I have
related, at length, a string of trivialities.  You must have the
imagination of a poet to transfigure them.  These little colored patches
are stains upon the windows of a human soul; stand on the outside, they
are but dull and meaningless spots of color; seen from within, they are
glorified shapes with empurpled wings and sunbright aureoles.

My hand trembles when I offer you this.  Many times I have come bearing
flowers such as my garden grew; but now I offer you this poor, brown,
homely growth, you may cast it away as worthless.  And yet--and yet--it
is something better than flowers; it is a _seed-capsule_.  Many a
gardener will cut you a bouquet of his choicest blossoms for small fee,
but he does not love to let the seeds of his rarest varieties go out of
his own hands.

It is by little things that we know ourselves; a soul would very probably
mistake itself for another, when once disembodied, were it not for
individual experiences which differ from those of others only in details
seemingly trifling.  All of us have been thirsty thousands of times, and
felt, with Pindar, that water was the best of things.  I alone, as I
think, of all mankind, remember one particular pailful of water, flavored
with the white-pine of which the pail was made, and the brown mug out of
which one Edmund, a red-faced and curly-haired boy, was averred to have
bitten a fragment in his haste to drink; it being then high summer, and
little full-blooded boys feeling very warm and porous in the
low-"studded" school-room where Dame Prentiss, dead and gone, ruled over
young children, many of whom are old ghosts now, and have known Abraham
for twenty or thirty years of our mortal time.

Thirst belongs to humanity, everywhere, in all ages; but that white-pine
pail, and that brown mug belong to me in particular; and just so of my
special relationships with other things and with my rice.  One could
never remember himself in eternity by the mere fact of having loved or
hated any more than by that of having thirsted; love and hate have no
more individuality in them than single waves in the ocean;--but the
accidents or trivial marks which distinguished those whom we loved or
hated make their memory our own forever, and with it that of our own
personality also.

Therefore, my aged friend of five-and-twenty, or thereabouts, pause at
the threshold of this particular record, and ask yourself seriously
whether you are fit to read such revelations as are to follow.  For
observe, you have here no splendid array of petals such as poets offer
you,--nothing but a dry shell, containing, if you will get out what is in
it, a few small seeds of poems.  You may laugh at them, if you like.  I
shall never tell you what I think of you for so doing.  But if you can
read into the heart of these things, in the light of other memories as
slight, yet as dear to your soul, then you are neither more nor less than
a POET, and can afford to write no more verses during the rest of your
natural life,--which abstinence I take to be one of the surest marks of
your meriting the divine name I have just bestowed upon you.

May I beg of you who have begun this paper nobly trusting to your own
imagination and sensibilities to give it the significance which it does
not lay claim to without your kind assistance,--may I beg of you, I say,
to pay particular attention to the _brackets_ which enclose certain
paragraphs?  I want my "asides," you see, to whisper loud to you who read
my notes, and sometimes I talk a page or two to you without pretending
that I said a word of it to our boarders.  You will find a very long
"aside" to you almost as soon as you begin to read.  And so, dear young
friend, fall to at once, taking such things as I have provided for you;
and if you turn them, by the aid of your powerful imagination, into a
fair banquet, why, then, peace be with you, and a summer by the still
waters of some quiet river, or by some yellow beach, where, as my friend
the Professor, says, you can sit with Nature's wrist in your hand and
count her ocean-pulses.]

I should like to make a few intimate revelations relating especially to
my early life, if I thought you would like to hear them.

[The schoolmistress turned a little in her chair, and sat with her face
directed partly towards me.--Half-mourning now;--purple ribbon.  That
breastpin she wears has _gray_ hair in it; her mother's, no doubt;--I
remember our landlady's daughter telling me, soon after the
schoolmistress came to board with us, that she had lately "buried a
payrent."  That's what made her look so pale,--kept the poor dying thing
alive with her own blood.  Ah! long illness is the real vampyrism; think
of living a year or two after one is dead, by sucking the life-blood out
of a frail young creature at one's bedside!  Well, souls grow white, as
well as cheeks, in these holy duties one that goes in a nurse may come
out an angel.--God bless all good women!--to their soft hands and pitying
hearts we must all come at last!--The schoolmistress has a better color
than when she came.--Too late!  "It might have been."--Amen!--How many
thoughts go to a dozen heart-beats, sometimes!  There was no long pause
after my remark addressed to the company, but in that time I had the
train of ideas and feelings I have just given flash through my
consciousness sudden and sharp as the crooked red streak that springs out
of its black sheath like the creese of a Malay in his death-race, and
stabs the earth right and left in its blind rage.

I don't deny that there was a pang in it,--yes, a stab; but there was a
prayer, too,--the "Amen" belonged to that.--Also, a vision of a
four-story brick house, nicely furnished,--I actually saw many specific
articles,--curtains, sofas, tables, and others, and could draw the
patterns of them at this moment,--a brick house, I say, looking out on
the water, with a fair parlor, and books and busts and pots of flowers
and bird-cages, all complete; and at the window, looking on the water,
two of us.--"Male and female created He them."--These two were standing
at the window, when a smaller shape that was playing near them looked up
at me with such a look that I -- -- poured out a glass of water, drank it
all down, and then continued.]

I said I should like to tell you some things, such as people commonly
never tell, about my early recollections.  Should you like to hear them?

Should we _like_ to hear them?--said the schoolmistress;--no, but we
should love to.

[The voice was a sweet one, naturally, and had something very pleasant in
its tone, just then.--The four-story brick house, which had gone out like
a transparency when the light behind it is quenched, glimmered again for
a moment; parlor, books, busts, flower-pots, bird-cages, all
complete,--and the figures as before.]

We are waiting with eagerness, Sir,--said the divinity-student.

[The transparency went out as if a flash of black lightning had struck
it.]

If you want to hear my confessions, the next thing--I said--is to know
whether I can trust you with them.  It is only fair to say that there are
a great many people in the world that laugh at such things.  _I_ think
they are fools, but perhaps you don't all agree with me.

Here are children of tender age talked to as if they were capable of
understanding Calvin's "Institutes," and nobody has honesty or sense
enough to tell the plain truth about the little wretches: that they are
as superstitious as naked savages, and such miserable spiritual
cowards--that is, if they have any imagination--that they will believe
anything which is taught them, and a great deal more which they teach
themselves.

I was born and bred, as I have told you twenty times, among books and
those who knew what was in books.  I was carefully instructed in things
temporal and spiritual.  But up to a considerable maturity of childhood I
believed Raphael and Michael Angelo to have been superhuman beings.  The
central doctrine of the prevalent religious faith of Christendom was
utterly confused and neutralized in my mind for years by one of those too
common stories of actual life, which I overheard repeated in a
whisper.--Why did I not ask? you will say.--You don't remember the rosy
pudency of sensitive children.  The first instinctive movement of the
little creatures is to make a cache, and bury in it beliefs, doubts,
dreams, hopes, and terrors.  I am uncovering one of these _caches_.  Do
you think I was necessarily a greater fool and coward than another?

I was afraid of ships.  Why, I could never tell.  The masts looked
frightfully tall,--but they were not so tall as the steeple of our old
yellow meeting-house.  At any rate I used to hide my eyes from the sloops
and schooners that were wont to lie at the end of the bridge, and I
confess that traces of this undefined terror lasted very long.--One other
source of alarm had a still more fearful significance.  There was a great
wooden HAND,--a glove-maker's sign, which used to swing and creak in the
blast, as it hung from a pillar before a certain shop a mile or two
outside of the city.  Oh, the dreadful hand!  Always hanging there ready
to catch up a little boy, who would come home to supper no more, nor yet
to bed,--whose porringer would be laid away empty thenceforth, and his
half-worn shoes wait until his small brother grew to fit them.

As for all manner of superstitious observances, I used once to think I
must have been peculiar in having such a list of them, but I now believe
that half the children of the same age go through the same experiences.
No Roman soothsayer ever had such a catalogue of _omens_ as I found in
the Sibylline leaves of my childhood.  That trick of throwing a stone at
a tree and attaching some mighty issue to hitting or missing, which you
will find mentioned in one or more biographies, I well remember.
Stepping on or over certain particular things or spots--Dr. Johnson's
especial weakness I got the habit of at a very early age.--I won't swear
that I have not some tendency to these not wise practices even at this
present date.  [How many of you that read these notes can say the same
thing!]

With these follies mingled sweet delusions, which I loved so well I would
not outgrow them, even when it required a voluntary effort to put a
momentary trust in them.  Here is one which I cannot help telling you.

The firing of the great guns at the Navy-yard is easily heard at the
place where I was born and lived.  "There is a ship of war come in," they
used to say, when they heard them.  Of course, I supposed that such
vessels came in unexpectedly, after indefinite years of
absence,--suddenly as falling stones; and that the great guns roared in
their astonishment and delight at the sight of the old war-ship splitting
the bay with her cutwater.  Now, the sloop-of-war the Wasp, Captain
Blakely, after gloriously capturing the Reindeer and the Avon, had
disappeared from the face of the ocean, and was supposed to be lost.  But
there was no proof of it, and, of course, for a time, hopes were
entertained that she might be heard from.  Long after the last real
chance had utterly vanished, I pleased myself with the fond illusion that
somewhere on the waste of waters she was still floating, and there were
_years_ during which I never heard the sound of the great guns booming
inland from the Navy-yard without saying to myself, "The Wasp has come!"
and almost thinking I could see her, as she rolled in, crumpling the
water before her, weather-beaten, barnacled, with shattered spars and
threadbare canvas, welcomed by the shouts and tears of thousands.  This
was one of those dreams that I nursed and never told.  Let me make a
clean breast of it now, and say, that, so late as to have outgrown
childhood, perhaps to have got far on towards manhood, when the roar of
the cannon has struck suddenly on my ear, I have started with a thrill of
vague expectation and tremulous delight, and the long-unspoken words have
articulated themselves in the mind's dumb whisper, _The Wasp has come_!

--Yes, children believe plenty of queer things.  I suppose all of you
have had the pocket-book fever when you were little?--What do I mean?
Why, ripping up old pocket-books in the firm belief that bank-bills to an
immense amount were hidden in them.--So, too, you must all remember some
splendid unfulfilled promise of somebody or other, which fed you with
hopes perhaps for years, and which left a blank in your life which
nothing has ever filled up.--O. T. quitted our household carrying with
him the passionate regrets of the more youthful members.  He was an
ingenious youngster; wrote wonderful copies, and carved the two initials
given above with great skill on all available surfaces.  I thought, by
the way, they were all gone; but the other day I found them on a certain
door which I will show you some time.  How it surprised me to find them
so near the ground!  I had thought the boy of no trivial dimensions.
Well, O. T., when he went, made a solemn promise to two of us.  I was to
have a ship, and the other a mar_tin_-house (last syllable pronounced as
in the word _tin_).  Neither ever came; but, oh, how many and many a time
I have stolen to the corner,--the cars pass close by it at this
time,--and looked up that long avenue, thinking that he must be coming
now, almost sure, as I turned to look northward, that there he would be,
trudging toward me, the ship in one hand and the mar_tin_-house in the
other!

[You must not suppose that all I am going to say, as well as all I have
said, was told to the whole company.  The young fellow whom they call
John was in the yard, sitting on a barrel and smoking a cheroot, the
fumes of which came in, not ungrateful, through the open window.  The
divinity-student disappeared in the midst of our talk.  The poor relation
in black bombazine, who looked and moved as if all her articulations were
elbow-joints, had gone off to her chamber, after waiting with a look of
soul-subduing decorum at the foot of the stairs until one of the male
sort had passed her and ascended into the upper regions.  This is a
famous point of etiquette in our boarding-house; in fact, between
ourselves, they make such an awful fuss about it, that I, for one, had a
great deal rather have them simple enough not to think of such matters at
all.  Our landlady's daughter said, the other evening, that she was going
to "retire"; whereupon the young fellow called John took up a lamp and
insisted on lighting her to the foot of the staircase.  Nothing would
induce her to pass by him, until the schoolmistress, saying in good plain
English that it was her bed-time, walked straight by them both, not
seeming to trouble herself about either of them.

I have been led away from what I meant the portion included in these
brackets to inform my readers about.  I say, then, most of the boarders
had left the table about the time when I began telling some of these
secrets of mine,--all of them, in fact, but the old gentleman opposite
and the schoolmistress.  I understand why a young woman should like to
hear these simple but genuine experiences of early life, which are, as I
have said, the little brown seeds of what may yet grow to be poems with
leaves of azure and gold; but when the old gentleman pushed up his chair
nearer to me, and slanted round his best ear, and once, when I was
speaking of some trifling, tender reminiscence, drew a long breath, with
such a tremor in it that a little more and it would have been a sob, why,
then I felt there must be something of nature in them which redeemed
their seeming insignificance.  Tell me, man or woman with whom I am
whispering, have you not a small store of recollections, such as these I
am uncovering, buried beneath the dead leaves of many summers, perhaps
under the unmelting snows of fast-returning winters,--a few such
recollections, which, if you should write them all out, would be swept
into some careless editor's drawer, and might cost a scanty half-hour's
lazy reading to his subscribers,--and yet, if Death should cheat you of
them, you would not know yourself in eternity?]

--I made three acquaintances at a very early period of life, my
introduction to whom was never forgotten.  The first unequivocal act of
wrong that has left its trace in my memory was this: refusing a small
favor asked of me,--nothing more than telling what had happened at school
one morning.  No matter who asked it; but there were circumstances which
saddened and awed me.  I had no heart to speak;--I faltered some
miserable, perhaps petulant excuse, stole away, and the first battle of
life was lost.  What remorse followed I need not tell.  Then and there,
to the best of my knowledge, I first consciously took Sin by the hand and
turned my back on Duty.  Time has led me to look upon my offence more
leniently; I do not believe it or any other childish wrong is infinite,
as some have pretended, but infinitely finite.  Yet, oh if I had but won
that battle!

The great Destroyer, whose awful shadow it was that had silenced me, came
near me,--but never, so as to be distinctly seen and remembered, during
my tender years.  There flits dimly before me the image of a little girl,
whose name even I have forgotten, a schoolmate, whom we missed one day,
and were told that she had died.  But what death was I never had any very
distinct idea, until one day I climbed the low stone wall of the old
burial-ground and mingled with a group that were looking into a very
deep, long, narrow hole, dug down through the green sod, down through the
brown loam, down through the yellow gravel, and there at the bottom was
an oblong red box, and a still, sharp, white face of a young man seen
through an opening at one end of it.  When the lid was closed, and the
gravel and stones rattled down pell-mell, and the woman in black, who was
crying and wringing her hands, went off with the other mourners, and left
him, then I felt that I had seen Death, and should never forget him.

One other acquaintance I made at an earlier period of life than the habit
of romancers authorizes.--Love, of course.--She was a famous beauty
afterwards.--I am satisfied that many children rehearse their parts in
the drama of life before they have shed all their milk-teeth.--I think I
won't tell the story of the golden blonde.--I suppose everybody has had
his childish fancies; but sometimes they are passionate impulses, which
anticipate all the tremulous emotions belonging to a later period.  Most
children remember seeing and adoring an angel before they were a dozen
years old.

[The old gentleman had left his chair opposite and taken a seat by the
schoolmistress and myself, a little way from the table.--It's true, it's
true,--said the old gentleman.--He took hold of a steel watch-chain,
which carried a large, square gold key at one end and was supposed to
have some kind of time-keeper at the other.  With some trouble he dragged
up an ancient-looking, thick, silver, bull's-eye watch.  He looked at it
for a moment,--hesitated,--touched the inner corner of his right eye with
the pulp of his middle finger,--looked at the face of the watch,--said it
was getting into the forenoon,--then opened the watch and handed me the
loose outside case without a word.--The watch-paper had been pink once,
and had a faint tinge still, as if all its tender life had not yet quite
faded out.  Two little birds, a flower, and, in small school-girl
letters, a date,--17 . .--no matter.--Before I was thirteen years
old,--said the old gentleman.--I don't know what was in that young
schoolmistress's head, nor why she should have done it; but she took out
the watch-paper and put it softly to her lips, as if she were kissing the
poor thing that made it so long ago.  The old gentleman took the
watch-paper carefully from her, replaced it, turned away and walked out,
holding the watch in his hand.  I saw him pass the window a moment after
with that foolish white hat on his head; he couldn't have been thinking
what he was about when he put it on.  So the schoolmistress and I were
left alone.  I drew my chair a shade nearer to her, and continued.]

And since I am talking of early recollections, I don't know why I
shouldn't mention some others that still cling to me,--not that you will
attach any very particular meaning to these same images so full of
significance to me, but that you will find something parallel to them in
your own memory.  You remember, perhaps, what I said one day about
smells.  There were certain _sounds_ also which had a mysterious
suggestiveness to me,--not so intense, perhaps, as that connected with
the other sense, but yet peculiar, and never to be forgotten.

The first was the creaking of the wood-sleds, bringing their loads of oak
and walnut from the country, as the slow-swinging oxen trailed them along
over the complaining snow, in the cold, brown light of early morning.
Lying in bed and listening to their dreary music had a pleasure in it
akin to the Lucretian luxury, or that which Byron speaks of as to be
enjoyed in looking on at a battle by one "who hath no friend, no brother
there."

There was another sound, in itself so sweet, and so connected with one of
those simple and curious superstitions of childhood of which I have
spoken, that I can never cease to cherish a sad sort of love for it.--Let
me tell the superstitious fancy first.  The Puritan "Sabbath," as
everybody knows, began at "sundown" on Saturday evening.  To such
observance of it I was born and bred.  As the large, round disk of day
declined, a stillness, a solemnity, a somewhat melancholy hush came over
us all.  It was time for work to cease, and for playthings to be put
away.  The world of active life passed into the shadow of an eclipse, not
to emerge until the sun should sink again beneath the horizon.

It was in this stillness of the world without and of the soul within that
the pulsating lullaby of the evening crickets used to make itself most
distinctly heard,--so that I well remember I used to think that the
purring of these little creatures, which mingled with the batrachian
hymns from the neighboring swamp, _was peculiar to Saturday evenings_.  I
don't know that anything could give a clearer idea of the quieting and
subduing effect of the old habit of observance of what was considered
holy time, than this strange, childish fancy.

Yes, and there was still another sound which mingled its solemn cadences
with the waking and sleeping dreams of my boyhood.  It was heard only at
times,--a deep, muffled roar, which rose and fell, not loud, but vast,--a
whistling boy would have drowned it for his next neighbor, but it must
have been heard over the space of a hundred square miles.  I used to
wonder what this might be.  Could it be the roar of the thousand wheels
and the ten thousand footsteps jarring and trampling along the stones of
the neighboring city?  That would be continuous; but this, as I have
said, rose and fell in regular rhythm.  I remember being told, and I
suppose this to have been the true solution, that it was the sound of the
waves, after a high wind, breaking on the long beaches many miles
distant.  I should really like to know whether any observing people
living ten miles, more or less, inland from long beaches,--in such a
town, for instance, as Cantabridge, in the eastern part of the Territory
of the Massachusetts,--have ever observed any such sound, and whether it
was rightly accounted for as above.

Mingling with these inarticulate sounds in the low murmur of memory, are
the echoes of certain voices I have heard at rare intervals.  I grieve to
say it, but our people, I think, have not generally agreeable voices.
The marrowy organisms, with skins that shed water like the backs of
ducks, with smooth surfaces neatly padded beneath, and velvet linings to
their singing-pipes, are not so common among us as that other pattern of
humanity with angular outlines and plane surfaces, and integuments, hair
like the fibrous covering of a cocoa-nut in gloss and suppleness as well
as color, and voices at once thin and strenuous,--acidulous enough to
produce effervescence with alkalis, and stridulous enough to sing duets
with the katydids.  I think our conversational soprano, as sometimes
overheard in the cars, arising from a group of young persons, who may
have taken the train at one of our great industrial centres, for
instance,--young persons of the female sex, we will say, who have bustled
in full-dressed, engaged in loud strident speech, and who, after free
discussion, have fixed on two or more double seats, which having secured,
they proceed to eat apples and hand round daguerreotypes,--I say, I think
the conversational soprano, heard under these circumstances, would not be
among the allurements the old Enemy would put in requisition, were he
getting up a new temptation of St. Anthony.

There are sweet voices among us, we all know, and voices not musical, it
may be, to those who hear them for the first time, yet sweeter to us than
any we shall hear until we listen to some warbling angel in the overture
to that eternity of blissful harmonies we hope to enjoy.--But why should
I tell lies?  If my friends love me, it is because I try to tell the
truth.  I never heard but two voices in my life that frightened me by
their sweetness.

--Frightened you?--said the schoolmistress.--Yes, frightened me.  They
made me feel as if there might be constituted a creature with such a
chord in her voice to some string in another's soul, that, if she but
spoke, he would leave all and follow her, though it were into the jaws of
Erebus.  Our only chance to keep our wits is, that there are so few
natural chords between others' voices and this string in our souls, and
that those which at first may have jarred a little by and by come into
harmony with it.--But I tell you this is no fiction.  You may call the
story of Ulysses and the Sirens a fable, but what will you say to Mario
and the poor lady who followed him?

--Whose were those two voices that bewitches me so?--They both belonged
to German women.  One was a chambermaid, not otherwise fascinating.  The
key of my room at a certain great hotel was missing, and this Teutonic
maiden was summoned to give information respecting it.  The simple soul
was evidently not long from her mother-land, and spoke with sweet
uncertainty of dialect.  But to hear her wonder and lament and suggest,
with soft, liquid inflexions, and low, sad murmurs, in tones as full of
serious tenderness for the fate of the lost key as if it had been a child
that had strayed from its mother, was so winning, that, had her features
and figure been as delicious as her accents,--if she had looked like the
marble Clytie, for instance,--why, all can say is--

[The schoolmistress opened her eyes so wide, that I stopped short.]

I was only going to say that I should have drowned myself.  For Lake Erie
was close by, and it is so much better to accept asphyxia, which takes
only three minutes by the watch, than a _mesalliance_, that lasts fifty
years to begin with, and then passes along down the line of descent,
(breaking out in all manner of boorish manifestations of feature and
manner, which, if men were only as short-lived as horses, could be
readily traced back through the square-roots and the cube-roots of the
family stem on which you have hung the armorial bearings of the De
Champignons or the De la Morues, until one came to beings that ate with
knives and said "Haow?") that no person of right feeling could have
hesitated for a single moment.

The second of the ravishing voices I have heard was, as I have said, that
of another German woman.--I suppose I shall ruin myself by saying that
such a voice could not have come from any Americanized human being.

--What was there in it?--said the schoolmistress,--and, upon my word, her
tones were so very musical, that I almost wished I had said three voices
instead of two, and not made the unpatriotic remark above reported.--Oh,
I said, it had so much _woman_ in it,--_muliebrity_, as well as
_femineity_;--no self-assertion, such as free suffrage introduces into
every word and movement; large, vigorous nature, running back to those
huge-limbed Germans of Tacitus, but subdued by the reverential training
and tuned by the kindly culture of fifty generations.  Sharp business
habits, a lean soil, independence, enterprise, and east winds, are not
the best things for the larynx.  Still, you hear noble voices among
us,--I have known families famous for them,--but ask the first person you
meet a question, and ten to one there is a hard, sharp, metallic,
matter-of-business clink in the accents of the answer, that produces the
effect of one of those bells which small trades-people connect with their
shop-doors, and which spring upon your ear with such vivacity, as you
enter, that your first impulse is to retire at once from the precincts.

--Ah, but I must not forget that dear little child I saw and heard in a
French hospital.  Between two and three years old.  Fell out of her chair
and snapped both thigh-bones.  Lying in bed, patient, gentle.  Rough
students round her, some in white aprons, looking fearfully
business-like; but the child placid, perfectly still.  I spoke to her,
and the blessed little creature answered me in a voice of such heavenly
sweetness, with that reedy thrill in it which you have heard in the
thrush's even-song, that I hear it at this moment, while I am writing, so
many, many years afterwards.--_C'est tout comme un serin_, said the
French student at my side.

These are the voices which struck the key-note of my conceptions as to
what the sounds we are to hear in heaven will be, if we shall enter
through one of the twelve gates of pearl.  There must be other things
besides aerolites that wander from their own spheres to ours; and when we
speak of celestial sweetness or beauty, we may be nearer the literal
truth than we dream.  If mankind generally are the shipwrecked survivors
of some pre-Adamitic cataclysm, set adrift in these little open boats of
humanity to make one more trial to reach the shore,--as some grave
theologians have maintained,--if, in plain English, men are the ghosts of
dead devils who have "died into life," (to borrow an expression from
Keats,) and walk the earth in a suit of living rags which lasts three or
four score summers,--why, there must have been a few good spirits sent to
keep them company, and these sweet voices I speak of must belong to them.

--I wish you could once hear my sister's voice,--said the schoolmistress.

If it is like yours, it must be a pleasant one,--said I.

I never thought mine was anything,--said the schoolmistress.

How should you know?--said I.--People never hear their own voices,--any
more than they see their own faces.  There is not even a looking-glass
for the voice.  Of course, there is something audible to us when we
speak; but that something is not our own voice as it is known to all our
acquaintances.  I think, if an image spoke to us in our own tones, we
should not know them in the least.--How pleasant it would be, if in
another state of being we could have shapes like our former selves for
playthings,--we standing outside or inside of them, as we liked, and they
being to us just what we used to be to others!

--I wonder if there will be nothing like what we call "play," after our
earthly toys are broken,--said the schoolmistress.

Hush,--said I,--what will the divinity-student say?

[I thought she was hit, that time;--but the shot must have gone over her,
or on one side of her; she did not flinch.]

Oh,--said the schoolmistress,--he must look out for my sister's heresies;
I am afraid he will be too busy with them to take care of mine.

Do you mean to say,--said I,--that it is _your sister_ whom that
student--

[The young fellow commonly known as John, who had been sitting on the
barrel, smoking, jumped off just then, kicked over the barrel, gave it a
push with his foot that set it rolling, and stuck his saucy-looking face
in at the window so as to cut my question off in the middle; and the
schoolmistress leaving the room a few minutes afterwards, I did not have
a chance to finish it.

The young fellow came in and sat down in a chair, putting his heels on
the top of another.

Pooty girl,--said he.

A fine young lady,--I replied.

Keeps a first-rate school, according to accounts,--said he,--teaches all
sorts of things,--Latin and Italian and music.  Folks rich once,--smashed
up.  She went right ahead as smart as if she'd been born to work.  That's
the kind o' girl I go for.  I'd marry her, only two or three other girls
would drown themselves, if I did.

I think the above is the longest speech of this young fellow's which I
have put on record.  I do not like to change his peculiar expressions,
for this is one of those cases in which the style is the man, as M. de
Buffon says.  The fact is, the young fellow is a good-hearted creature
enough, only too fond of his jokes,--and if it were not for those
heat-lightning winks on one side of his face, I should not mind his fun
much.]

                                * * * * *

[Some days after this, when the company were together again, I talked a
little.]

--I don't think I have a genuine hatred for anybody.  I am well aware
that I differ herein from the sturdy English moralist and the stout
American tragedian.  I don't deny that I hate _the sight_ of certain
people; but the qualities which make me tend to hate the man himself are
such as I am so much disposed to pity, that, except under immediate
aggravation, I feel kindly enough to the worst of them.  It is such a sad
thing to be born a sneaking fellow, so much worse than to inherit a
hump-back or a couple of club-feet, that I sometimes feel as if we ought
to love the crippled souls, if I may use this expression, with a certain
tenderness which we need not waste on noble natures.  One who is born
with such congenital incapacity that nothing can make a gentleman of him
is entitled, not to our wrath, but to our profoundest sympathy.  But as
we cannot help hating the sight of these people, just as we do that of
physical deformities, we gradually eliminate them from our society,--we
love them, but open the window and let them go.  By the time decent
people reach middle age they have weeded their circle pretty well of
these unfortunates, unless they have a taste for such animals; in which
case, no matter what their position may be, there is something, you may
be sure, in their natures akin to that of their wretched parasites.

--The divinity-student wished to know what I thought of affinities, as
well as of antipathies; did I believe in love at first sight?

Sir,--said I,--all men love all women.  That is the _prima-facie_ aspect
of the case.  The Court of Nature assumes the law to be, that all men do
so; and the individual man is bound to show cause why he does not love
any particular woman.  A man, says one of my old black-letter law-books,
may show divers good reasons, as thus: He hath not seen the person named
in the indictment; she is of tender age, or the reverse of that; she hath
certain personal disqualifications,--as, for instance, she is a
blackamoor, or hath an ill-favored countenance; or, his capacity of
loving being limited, his affections are engrossed by a previous comer;
and so of other conditions.  Not the less is it true that he is bound by
duty and inclined by nature to love each and every woman.  Therefore it
is that each woman virtually summons every man to show cause why he doth
not love her.  This is not by written document, or direct speech, for the
most part, but by certain signs of silk, gold, and other materials, which
say to all men,--Look on me and love, as in duty bound.  Then the man
pleadeth his special incapacity, whatsoever that may be,--as, for
instance, impecuniosity, or that he hath one or many wives in his
household, or that he is of mean figure, or small capacity; of which
reasons it may be noted, that the first is, according to late decisions,
of chiefest authority.--So far the old law-book.  But there is a note
from an older authority, saying that every woman doth also love each and
every man, except there be some good reason to the contrary; and a very
observing friend of mine, a young unmarried clergyman, tells me, that, so
far as his experience goes, he has reason to think the ancient author had
fact to justify his statement.

I'll tell you how it is with the pictures of women we fall in love with
at first sight.

--We a'n't talking about pictures,--said the landlady's daughter,--we're
talking about women.

I understood that we were speaking of love at sight,--I remarked,
mildly.--Now, as all a man knows about a woman whom he looks at is just
what a picture as big as a copper, or a "nickel," rather, at the bottom
of his eye can teach him, I think I am right in saying we are talking
about the pictures of women.--Well, now, the reason why a man is not
desperately in love with ten thousand women at once is just that which
prevents all our portraits being distinctly seen upon that wall.  They
all _are_ painted there by reflection from our faces, but because _all_
of them are painted on each spot, and each on the same surface, and many
other objects at the same time, no one is seen as a picture.  But darken
a chamber and let a single pencil of rays in through a key-hole, then you
have a picture on the wall.  We never fall in love with a woman in
distinction from women, until we can get an image of her through a
pin-hole; and then we can see nothing else, and nobody but ourselves can
see the image in our mental camera-obscura.

--My friend, the Poet, tells me he has to leave town whenever the
anniversaries come round.

What's the difficulty?--Why, they all want him to get up and make
speeches, or songs, or toasts; which is just the very thing he doesn't
want to do.  He is an old story, he says, and hates to show on these
occasions.  But they tease him, and coax him, and can't do without him,
and feel all over his poor weak head until they get their fingers on the
_fontanelle_, (the Professor will tell you what this means,--he says the
one at the top of the head always remains open in poets,) until, by
gentle pressure on that soft pulsating spot, they stupefy him to the
point of acquiescence.

There are times, though, he says, when it is a pleasure, before going to
some agreeable meeting, to rush out into one's garden and clutch up a
handful of what grows there,--weeds and violets together,--not cutting
them off, but pulling them up by the roots with the brown earth they grow
in sticking to them.  That's his idea of a post-prandial performance.
Look here, now.  These verses I am going to read you, he tells me, were
pulled up by the roots just in that way, the other day.--Beautiful
entertainment,--names there on the plates that flow from all
English-speaking tongues as familiarly as _and_ or _the_; entertainers
known wherever good poetry and fair title-pages are held in esteem; guest
a kind-hearted, modest, genial, hopeful poet, who sings to the hearts of
his countrymen, the British people, the songs of good cheer which the
better days to come, as all honest souls trust and believe, will turn
into the prose of common life.  My friend, the Poet, says you must not
read such a string of verses too literally.  If he trimmed it nicely
below, you wouldn't see the roots, he says, and he likes to keep them,
and a little of the soil clinging to them.

This is the farewell my friend, the Poet, read to his and our friend, the
Poet:--

                              A GOOD TIME GOING!

    BRAVE singer of the coming time,
       Sweet minstrel of the joyous present,
    Crowned with the noblest wreath of rhyme,
       The holly-leaf of Ayrshire's peasant,
    Good-bye!  Good-bye!--Our hearts and hands,
       Our lips in honest Saxon phrases,
    Cry, God be with him, till he stands
       His feet among the English daisies!

    'Tis here we part;--for other eyes
       The busy deck, the flattering streamer,
    The dripping arms that plunge and rise,
       The waves in foam, the ship in tremor,
    The kerchiefs waving from the pier,
       The cloudy pillar gliding o'er him,
    The deep blue desert, lone and drear,
       With heaven above and home before him!

    His home!--the Western giant smiles,
       And twirls the spotty globe to find it;--
    This little speck the British Isles?
       'Tis but a freckle,--never mind it!--
    He laughs, and all his prairies roll,
       Each gurgling cataract roars and chuckles,
    And ridges stretched from pole to pole
       Heave till they crack their iron knuckles!

    But memory blushes at the sneer,
       And Honor turns with frown defiant,
    And Freedom, leaning on her spear,
       Laughs louder than the laughing giant:--
    "An islet is a world," she said,
       "When glory with its dust has blended,
    And Britain kept her noble dead
       Till earth and seas and skies are rended!"

    Beneath each swinging forest-bough
       Some arm as stout in death reposes,--
    From wave-washed foot to heaven-kissed brow
       Her valor's life-blood runs in roses;
    Nay, let our brothers of the West
       Write smiling in their florid pages,
    One-half her soil has walked the rest
       In poets, heroes, martyrs, sages!

    Hugged in the clinging billow's clasp,
       From sea-weed fringe to mountain heather,
    The British oak with rooted grasp
       Her slender handful holds together;--
    With cliffs of white and bowers of green,
       And Ocean narrowing to caress her,
    And hills and threaded streams between,--
       Our little mother isle, God bless her!

    In earth's broad temple where we stand,
       Fanned by the eastern gales that brought us,
    We hold the missal in our hand,
       Bright with the lines our Mother taught us;
    Where'er its blazoned page betrays
       The glistening links of gilded fetters,
    Behold, the half-turned leaf displays
       Her rubric stained in crimson letters!

    Enough!  To speed a parting friend
       'Tis vain alike to speak and listen;--
    Yet stay,--these feeble accents blend
       With rays of light from eyes that glisten.
    Good-bye! once more,--and kindly tell
       In words of peace the young world's story,--
    And say, besides,--we love too well
       Our mother's soil, our father's glory!

When my friend, the Professor, found that my friend, the Poet, had been
coming out in this full-blown style, he got a little excited, as you may
have seen a canary, sometimes, when another strikes up.  The Professor
says he knows he can lecture, and thinks he can write verses.  At any
rate, he has often tried, and now he was determined to try again.  So
when some professional friends of his called him up, one day, after a
feast of reason and a regular "freshet" of soul which had lasted two or
three hours, he read them these verses.  He introduced them with a few
remarks, he told me, of which the only one he remembered was this: that
he had rather write a single line which one among them should think worth
remembering than set them all laughing with a string of epigrams.  It was
all right, I don't doubt; at any rate, that was his fancy then, and
perhaps another time he may be obstinately hilarious; however, it may be
that he is growing graver, for time is a fact so long as clocks and
watches continue to go, and a cat can't be a kitten always, as the old
gentleman opposite said the other day.

You must listen to this seriously, for I think the Professor was very
much in earnest when he wrote it.

                               THE TWO ARMIES.

    As Life's unending column pours,
       Two marshalled hosts are seen,--
    Two armies on the trampled shores
       That Death flows black between.

    One marches to the drum-beat's roll,
       The wide-mouthed clarion's bray,
    And bears upon a crimson scroll,
       "Our glory is to slay."

    One moves in silence by the stream,
       With sad, yet watchful eyes,
    Calm as the patient planet's gleam
       That walks the clouded skies.

    Along its front no sabres shine,
       No blood-red pennons wave;
    Its banner bears the single line,
       "Our duty is to save."

    For those no death-bed's lingering shade;
       At Honor's trumpet-call,
    With knitted brow and lifted blade
       In Glory's arms they fall.

    For these no clashing falchions bright,
       No stirring battle-cry;
    The bloodless stabber calls by night,--
       Each answers, "Here am I!"

    For those the sculptor's laurelled bust,
       The builder's marble piles,
    The anthems pealing o'er their dust
       Through long cathedral aisles.

    For these the blossom-sprinkled turf
       That floods the lonely graves,
    When Spring rolls in her sea-green surf
       In flowery-foaming waves.

    Two paths lead upward from below,
       And angels wait above,
    Who count each burning life-drop's flow,
       Each falling tear of Love.

    Though from the Hero's bleeding breast
       Her pulses Freedom drew,
    Though the white lilies in her crest
       Sprang from that scarlet dew,--

    While Valor's haughty champions wait
       Till all their scars are shown,
    Love walks unchallenged through the gate,
       To sit beside the Throne!




CHAPTER X


[The schoolmistress came down with a rose in her hair,--a fresh June
rose.  She has been walking early; she has brought back two others,--one
on each cheek.

I told her so, in some such pretty phrase as I could muster for the
occasion.  Those two blush-roses I just spoke of turned into a couple of
damasks.  I suppose all this went through my mind, for this was what I
went on to say:--]

I love the damask rose best of all.  The flowers our mothers and sisters
used to love and cherish, those which grow beneath our eaves and by our
doorstep, are the ones we always love best.  If the Houyhnhnms should
ever catch me, and, finding me particularly vicious and unmanageable,
send a man-tamer to Rareyfy me, I'll tell you what drugs he would have to
take and how he would have to use them.  Imagine yourself reading a
number of the Houyhnhnm Gazette, giving an account of such an experiment.

                          "MAN-TAMING EXTRAORDINARY.

    "THE soft-hoofed semi-quadruped recently captured was subjected to
    the art of our distinguished man-tamer in presence of a numerous
    assembly.  The animal was led in by two stout ponies, closely
    confined by straps to prevent his sudden and dangerous tricks of
    shoulder-hitting and foot-striking.  His countenance expressed the
    utmost degree of ferocity and cunning.

    "The operator took a handful of _budding lilac-leaves_, and crushing
    them slightly between his hoofs, so as to bring out their peculiar
    fragrance, fastened them to the end of a long pole and held them
    towards the creature.  Its expression changed in an instant,--it drew
    in their fragrance eagerly, and attempted to seize them with its soft
    split hoofs.  Having thus quieted his suspicious subject, the
    operator proceeded to tie a _blue hyacinth_ to the end of the pole
    and held it out towards the wild animal.  The effect was magical.
    Its eyes filled as if with raindrops, and its lips trembled as it
    pressed them to the flower.  After this it was perfectly quiet, and
    brought a measure of corn to the man-tamer, without showing the least
    disposition to strike with the feet or hit from the shoulder."

That will do for the Houyhnhnm Gazette.--Do you ever wonder why poets
talk so much about flowers?  Did you ever hear of a poet who did not talk
about them?  Don't you think a poem, which, for the sake of being
original, should leave them out, would be like those verses where the
letter _a_ or _e_ or some other is omitted?  No,--they will bloom over
and over again in poems as in the summer fields, to the end of time,
always old and always new.  Why should we be more shy of repeating
ourselves than the spring be tired of blossoms or the night of stars?
Look at Nature.  She never wearies of saying over her floral
pater-noster.  In the crevices of Cyclopean walls,--in the dust where men
lie, dust also,--on the mounds that bury huge cities, the wreck of
Nineveh and the Babel-heap,--still that same sweet prayer and
benediction.  The Amen! of Nature is always a flower.

Are you tired of my trivial personalities,--those splashes and streaks of
sentiment, sometimes perhaps of sentimentality, which you may see when I
show you my heart's corolla as if it were a tulip?  Pray, do not give
yourself the trouble to fancy me an idiot whose conceit it is to treat
himself as an exceptional being.  It is because you are just like me that
I talk and know that you will listen.  We are all splashed and streaked
with sentiments,--not with precisely the same tints, or in exactly the
same patterns, but by the same hand and from the same palette.

I don't believe any of you happen to have just the same passion for the
blue hyacinth which I have,--very certainly not for the crushed
lilac-leaf-buds; many of you do not know how sweet they are.  You love
the smell of the sweet-fern and the bayberry-leaves, I don't doubt; but I
hardly think that the last bewitches you with young memories as it does
me.  For the same reason I come back to damask roses, after having raised
a good many of the rarer varieties.  I like to go to operas and concerts,
but there are queer little old homely sounds that are better than music
to me.  However, I suppose it's foolish to tell such things.

--It is pleasant to be foolish at the right time,--said the
divinity-student;--saying it, however, in one of the dead languages,
which I think are unpopular for summer-reading, and therefore do not bear
quotation as such.

Well, now,--said I,--suppose a good, clean, wholesome-looking
countryman's cart stops opposite my door.--Do I want any
huckleberries?--If I do not, there are those that do.  Thereupon my
soft-voiced handmaid bears out a large tin pan, and then the wholesome
countryman, heaping the peck-measure, spreads his broad hands around its
lower arc to confine the wild and frisky berries, and so they run nimbly
along the narrowing channel until they tumble rustling down in a black
cascade and tinkle on the resounding metal beneath.--I won't say that
this rushing huckleberry hail-storm has not more music for me than the
"Anvil Chorus."

--I wonder how my great trees are coming on this summer.

--Where are your great trees, Sir?--said the divinity-student.

Oh, all round about New England.  I call all trees mine that I have put
my wedding-ring on, and I have as many tree-wives as Brigham Young has
human ones.

--One set's as green as the other,--exclaimed a boarder, who has never
been identified.

They're all Bloomers,--said the young fellow called John.

[I should have rebuked this trifling with language, if our landlady's
daughter had not asked me just then what I meant by putting my
wedding-ring on a tree.]

Why, measuring it with my thirty-foot tape, my dear,--said I,--I have
worn a tape almost out on the rough barks of our old New England elms and
other big trees.--Don't you want to hear me talk trees a little now?
That is one of my specialities.

[So they all agreed that they should like to hear me talk about trees.]

I want you to understand, in the first place, that I have a most intense,
passionate fondness for trees in general, and have had several romantic
attachments to certain trees in particular.  Now, if you expect me to
hold forth in a "scientific" way about my tree-loves,--to talk, for
instance, of the Ulmus Americana, and describe the ciliated edges of its
samara, and all that,--you are an anserine individual, and I must refer
you to a dull friend who will discourse to you of such matters.  What
should you think of a lover who should describe the idol of his heart in
the language of science, thus: Class, Mammalia; Order, Primates; Genus,
Homo; Species, Europeus; Variety, Brown; Individual, Ann Eliza; Dental
Formula

        i(2--2 / 2--2) c(1--1 / 1--1) p(2--2 / 2--2) m(3--3/3--3')

and so on?

No, my friends, I shall speak of trees as we see them, love them, adore
them in the fields, where they are alive, holding their green sun-shades
over our heads, talking to us with their hundred thousand whispering
tongues, looking down on us with that sweet meekness which belongs to
huge, but limited organisms,--which one sees in the brown eyes of oxen,
but most in the patient posture, the outstretched arms, and the
heavy-drooping robes of these vast beings endowed with life, but not with
soul,--which outgrow us and outlive us, but stand helpless,--poor
things!--while Nature dresses and undresses them, like so many
full-sized, but under-witted children.

Did you ever read old Daddy Gilpin?  Slowest of men, even of English men;
yet delicious in his slowness, as is the light of a sleepy eye in woman.
I always supposed "Dr. Syntax" was written to make fun of him.  I have a
whole set of his works, and am very proud of it, with its gray paper, and
open type, and long ff, and orange-juice landscapes.  The _Pere_ Gilpin
had the kind of science I like in the study of Nature,--a little less
observation than White of Selborne, but a little more poetry.--Just think
of applying the Linnaean system to an elm!  Who cares how many stamens or
pistils that little brown flower, which comes out before the leaf, may
have to classify it by?  What we want is the meaning, the character, the
expression of a tree, as a kind and as an individual.

There is a mother-idea in each particular kind of tree, which, if well
marked, is probably embodied in the poetry of every language.  Take the
oak, for instance, and we find it always standing as a type of strength
and endurance.  I wonder if you ever thought of the single mark of
supremacy which distinguishes this tree from all our other forest-trees?
All the rest of them shirk the work of resisting gravity; the oak alone
defies it.  It chooses the horizontal direction for its limbs, so that
their whole weight may tell,--and then stretches them out fifty or sixty
feet, so that the strain may be mighty enough to be worth resisting.  You
will find, that, in passing from the extreme downward droop of the
branches of the weeping-willow to the extreme upward inclination of those
of the poplar, they sweep nearly half a circle.  At 90 the oak stops
short; to slant upward another degree would mark infirmity of purpose; to
bend downwards, weakness of organization.  The American elm betrays
something of both; yet sometimes, as we shall see, puts on a certain
resemblance to its sturdier neighbor.

It won't do to be exclusive in our taste about trees.  There is hardly
one of them which has not peculiar beauties in some fitting place for it.
I remember a tall poplar of monumental proportions and aspect, a vast
pillar of glossy green, placed on the summit of a lofty hill, and a
beacon to all the country round.  A native of that region saw fit to
build his house very near it, and, having a fancy that it might blow down
some time or other, and exterminate himself and any incidental relatives
who might be "stopping" or "tarrying" with him,--also laboring under the
delusion that human life is under all circumstances to be preferred to
vegetable existence,--had the great poplar cut down.  It is so easy to
say, "It is only a poplar!" and so much harder to replace its living cone
than to build a granite obelisk!

I must tell you about some of my tree-wives.  I was at one period of my
life much devoted to the young lady-population of Rhode Island, a small,
but delightful State in the neighborhood of Pawtucket.  The number of
inhabitants being not very large, I had leisure, during my visits to the
Providence Plantations, to inspect the face of the country in the
intervals of more fascinating studies of physiognomy.  I heard some talk
of a great elm a short distance from the locality just mentioned.  "Let
us see the great elm,"--I said, and proceeded to find it,--knowing that
it was on a certain farm in a place called Johnston, if I remember
rightly.  I shall never forget my ride and my introduction to the great
Johnston elm.

I always tremble for a celebrated tree when I approach it for the first
time.  Provincialism has no _scale_ of excellence in man or vegetable; it
never knows a first-rate article of either kind when it has it, and is
constantly taking second and third rate ones for Nature's best.  I have
often fancied the tree was afraid of me, and that a sort of shiver came
over it as over a betrothed maiden when she first stands before the
unknown to whom she has been plighted.  Before the measuring-tape the
proudest tree of them all quails and shrinks into itself.  All those
stories of four or five men stretching their arms around it and not
touching each other's fingers, if one's pacing the shadow at noon and
making it so many hundred feet, die upon its leafy lips in the presence
of the awful ribbon which has strangled so many false pretensions.

As I rode along the pleasant way, watching eagerly for the object of my
journey, the rounded tops of the elms rose from time to time at the
road-side.  Wherever one looked taller and fuller than the rest, I asked
myself,--"Is this it?"  But as I drew nearer, they grew smaller,--or it
proved, perhaps, that two standing in a line had looked like one, and so
deceived me.  At last, all at once, when I was not thinking of it,--I
declare to you it makes my flesh creep when I think of it now,--all at
once I saw a great, green cloud swelling in the horizon, so vast, so
symmetrical, of such Olympian majesty and imperial supremacy among the
lesser forest-growths, that my heart stopped short, then jumped at my
ribs as a hunter springs at a five-barred gate, and I felt all through
me, without need of uttering the words,--"This is it!"

You will find this tree described, with many others, in the excellent
Report upon the Trees and Shrubs of Massachusetts.  The author has given
my friend the Professor credit for some of his measurements, but measured
this tree himself, carefully.  It is a grand elm for size of trunk,
spread of limbs, and muscular development,--one of the first, perhaps the
first, of the first class of New England elms.

The largest actual girth I have ever found at five feet from the ground
is in the great elm lying a stone's throw or two north of the main road
(if my points of compass are right) in Springfield.  But this has much
the appearance of having been formed by the union of two trunks growing
side by side.

The West-Springfield elm and one upon Northampton meadows, belong also to
the first class of trees.

There is a noble old wreck of an elm at Hatfield, which used to spread
its claws out over a circumference of thirty-five feet or more before
they covered the foot of its bole up with earth.  This is the American
elm most like an oak of any I have ever seen.

The Sheffield elm is equally remarkable for size and perfection of form.
I have seen nothing that comes near it in Berkshire County, and few to
compare with it anywhere.  I am not sure that I remember any other
first-class elms in New England, but there may be many.

--What makes a first-class elm?--Why, size, in the first place, and
chiefly.  Anything over twenty feet of clear girth, five feet above the
ground, and with a spread of branches a hundred feet across, may claim
that title, according to my scale.  All of them, with the questionable
exception of the Springfield tree above referred to, stop, so far as my
experience goes, at about twenty-two or twenty-three feet of girth and a
hundred and twenty of spread.

Elms of the second class, generally ranging from fourteen to eighteen
feet, are comparatively common.  The queen of them all is that glorious
tree near one of the churches in Springfield.  Beautiful and stately she
is beyond all praise.  The "great tree" on Boston Common comes in the
second rank, as does the one at Cohasset, which used to have, and
probably has still, a head as round as an apple-tree, and that at
Newburyport, with scores of others which might be mentioned.  These last
two have perhaps been over-celebrated.  Both, however, are pleasing
vegetables.  The poor old Pittsfield elm lives on its past reputation.  A
wig of false leaves is indispensable to make it presentable.

[I don't doubt there may be some monster-elm or other, vegetating green,
but inglorious, in some remote New England village, which only wants a
sacred singer to make it celebrated.  Send us your
measurements,--(certified by the postmaster, to avoid possible
imposition,)--circumference five feet from soil, length of line from
bough-end to bough-end, and we will see what can be done for you.]

--I wish somebody would get us up the following work:--

                              SYLVA NOVANGLICA.

    Photographs of New England Elms and other Trees, taken upon the Same
    Scale of Magnitude.  With Letter-Press Descriptions, by a
    Distinguished Literary Gentleman.  Boston -- -- & Co. 185..

The same camera should be used,--so far as possible,--at a fixed
distance.  Our friend, who has given us so many interesting figures in
his "Trees of America," must not think this Prospectus invades his
province; a dozen portraits, with lively descriptions, would be a pretty
complement to his large work, which, so far as published, I find
excellent.  If my plan were carried out, and another series of a dozen
English trees photographed on the same scale the comparison would be
charming.

It has always been a favorite idea of mine to bring the life of the Old
and the New World face to face, by an accurate comparison of their
various types of organization.  We should begin with man, of course;
institute a large and exact comparison between the development of _la
pianta umana_, as Alfieri called it, in different sections of each
country, in the different callings, at different ages, estimating height,
weigh, force by the dynamometer and the spirometer, and finishing off
with a series of typical photographs, giving the principal national
physiognomies.  Mr. Hutchinson has given us some excellent English data
to begin with.

Then I would follow this up by contrasting the various parallel forms of
life in the two continents.  Our naturalists have often referred to this
incidentally or expressly; but the _animus_ of Nature in the two half
globes of the planet is so momentous a point of interest to our race,
that it should be made a subject of express and elaborate study.  Go out
with me into that walk which we call _the Mall_, and look at the English
and American elms.  The American elm is tall, graceful, slender-sprayed,
and drooping as if from languor.  The English elm is compact, robust,
holds its branches up, and carries its leaves for weeks longer than our
own native tree.

Is this typical of the creative force on the two sides of the ocean, or
not?  Nothing but a careful comparison through the whole realm of life
can answer this question.

There is a parallelism without identity in the animal and vegetable life
of the two continents, which favors the task of comparison in an
extraordinary manner.  Just as we have two trees alike in many ways, yet
not the same, both elms, yet easily distinguishable, just so we have a
complete flora and a fauna, which, parting from the same ideal, embody it
with various modifications.  Inventive power is the only quality of which
the Creative Intelligence seems to be economical; just as with our
largest human minds, that is the divinest of faculties, and the one that
most exhausts the mind which exercises it.  As the same patterns have
very commonly been followed, we can see which is worked out in the
largest spirit, and determine the exact limitations under which the
Creator places the movement of life in all its manifestations in either
locality.  We should find ourselves in a very false position, if it
should prove that Anglo-Saxons can't live here, but die out, if not kept
up by fresh supplies, as Dr. Knox and other more or less wise persons
have maintained.  It may turn out the other way, as I have heard one of
our literary celebrities argue,--and though I took the other side, I
liked his best,--that the American is the Englishman reinforced.

--Will you walk out and look at those elms with me after breakfast?--I
said to the schoolmistress.

[I am not going to tell lies about it, and say that she blushed,--as I
suppose she ought to have done, at such a tremendous piece of gallantry
as that was for our boarding-house.  On the contrary, she turned a little
pale,--but smiled brightly and said,--Yes, with pleasure, but she must
walk towards her school.--She went for her bonnet.--The old gentleman
opposite followed her with his eyes, and said he wished he was a young
fellow.  Presently she came down, looking very pretty in her
half-mourning bonnet, and carrying a school-book in her hand.]



MY FIRST WALK WITH THE SCHOOLMISTRESS.


This is the shortest way,--she said, as we came to a corner.--Then we
won't take it,--said I.--The schoolmistress laughed a little, and said
she was ten minutes early, so she could go round.

We walked under Mr. Paddock's row of English elms.  The gray squirrels
were out looking for their breakfasts, and one of them came toward us in
light, soft, intermittent leaps, until he was close to the rail of the
burial-ground.  He was on a grave with a broad blue-slate-stone at its
head, and a shrub growing on it.  The stone said this was the grave of a
young man who was the son of an Honorable gentleman, and who died a
hundred years ago and more.--Oh, yes, _died_,--with a small triangular
mark in one breast, and another smaller opposite, in his back, where
another young man's rapier had slid through his body; and so he lay down
out there on the Common, and was found cold the next morning, with the
night-dews and the death-dews mingled on his forehead.

Let us have one look at poor Benjamin's grave,--said I.--His bones lie
where his body was laid so long ago, and where the stone says they
lie,--which is more than can be said of most of the tenants of this and
several other burial-grounds.

[The most accursed act of Vandalism ever committed within my knowledge
was the uprooting of the ancient gravestones in three at least of our
city burialgrounds, and one at least just outside the city, and planting
them in rows to suit the taste for symmetry of the perpetrators.  Many
years ago, when this disgraceful process was going on under my eyes, I
addressed an indignant remonstrance to a leading journal.  I suppose it
was deficient in literary elegance, or too warm in its language; for no
notice was taken of it, and the hyena-horror was allowed to complete
itself in the face of daylight.  I have never got over it.  The bones of
my own ancestors, being entombed, lie beneath their own tablet; but the
upright stones have been shuffled about like chessmen, and nothing short
of the Day of Judgment will tell whose dust lies beneath any of those
records, meant by affection to mark one small spot as sacred to some
cherished memory.  Shame! shame! shame!--that is all I can say.  It was
on public thoroughfares, under the eye of authority, that this infamy was
enacted.  The red Indians would have known better; the selectmen of an
African kraal-village would have had more respect for their ancestors.  I
should like to see the gravestones which have been disturbed all removed,
and the ground levelled, leaving the flat tombstones; epitaphs were never
famous for truth, but the old reproach of "Here _lies_" never had such a
wholesale illustration as in these outraged burial-places, where the
stone does lie above, and the bones do not lie beneath.]

Stop before we turn away, and breathe a woman's sigh over poor Benjamin's
dust.  Love killed him, I think.  Twenty years old, and out there
fighting another young fellow on the Common, in the cool of that old July
evening;--yes, there must have been love at the bottom of it.

The schoolmistress dropped a rosebud she had in her hand, through the
rails, upon the grave of Benjamin Woodbridge.  That was all her comment
upon what I told her.--How women love Love! said I;--but she did not
speak.

We came opposite the head of a place or court running eastward from the
main street.--Look down there,--I said,--My friend the Professor lived in
that house at the left hand, next the further corner, for years and
years.  He died out of it, the other day.--Died?--said the
schoolmistress.--Certainly,--said I.--We die out of houses, just as we
die out of our bodies.  A commercial smash kills a hundred men's houses
for them, as a railroad crash kills their mortal frames and drives out
the immortal tenants.  Men sicken of houses until at last they quit them,
as the soul leaves its body when it is tired of its infirmities.  The
body has been called "the house we live in"; the house is quite as much
the body we live in.  Shall I tell you some things the Professor said the
other day?--Do!--said the schoolmistress.

A man's body,--said the Professor,--is whatever is occupied by his will
and his sensibility.  The small room down there, where I wrote those
papers you remember reading, was much more a portion of my body than a
paralytic's senseless and motionless arm or leg is of his.

The soul of a man has a series of concentric envelopes round it, like the
core of an onion, or the innermost of a nest of boxes.  First, he has his
natural garment of flesh and blood.  Then, his artificial integuments,
with their true skin of solid stuffs, their cuticle of lighter tissues,
and their variously-tinted pigments.  Thirdly, his domicile, be it a
single chamber or a stately mansion.  And then, the whole visible world,
in which Time buttons him up as in a loose outside wrapper.

You shall observe,--the Professor said,--for, like Mr. John Hunter and
other great men, he brings in that _shall_ with great effect
sometimes,--you shall observe that a man's clothing or series of
envelopes does after a certain time mould itself upon his individual
nature.  We know this of our hats, and are always reminded of it when we
happen to put them on wrong side foremost.  We soon find that the beaver
is a hollow cast of the skull, with all its irregular bumps and
depressions.  Just so all that clothes a man, even to the blue sky which
caps his head,--a little loosely,--shapes itself to fit each particular
being beneath it.  Farmers, sailors, astronomers, poets, lovers,
condemned criminals, all find it different, according to the eyes with
which they severally look.

But our houses shape themselves palpably on our inner and outer natures.
See a householder breaking up and you will be sure of it.  There is a
shell-fish which builds all manner of smaller shells into the walls of
its own.  A house is never a home until we have crusted it with the
spoils of a hundred lives besides those of our own past.  See what these
are and you can tell what the occupant is.

I had no idea,--said the Professor,--until I pulled up my domestic
establishment the other day, what an enormous quantity of roots I had
been making during the years I was planted there.  Why, there wasn't a
nook or a corner that some fibre had not worked its way into; and when I
gave the last wrench, each of them seemed to shriek like a mandrake, as
it broke its hold and came away.

There is nothing that happens, you know, which must not inevitably, and
which does not actually, photograph itself in every conceivable aspect
and in all dimensions.  The infinite galleries of the Past await but one
brief process and all their pictures will be called out and fixed
forever.  We had a curious illustration of the great fact on a very
humble scale.  When a certain bookcase, long standing in one place, for
which it was built, was removed, there was the exact image on the wall of
the whole, and of many of its portions.  But in the midst of this picture
was another,--the precise outline of a map which had hung on the wall
before the bookcase was built.  We had all forgotten everything about the
map until we saw its photograph on the wall.  Then we remembered it, as
some day or other we may remember a sin which has been built over and
covered up, when this lower universe is pulled away from before the wall
of Infinity, where the wrong-doing stands self-recorded.

The Professor lived in that house a long time,--not twenty years, but
pretty near it.  When he entered that door, two shadows glided over the
threshold; five lingered in the doorway when he passed through it for the
last time,--and one of the shadows was claimed by its owner to be longer
than his own.  What changes he saw in that quiet place!  Death rained
through every roof but his; children came into life, grew to maturity,
wedded, faded away, threw themselves away; the whole drama of life was
played in that stock-company's theatre of a dozen houses, one of which
was his, and no deep sorrow or severe calamity ever entered his dwelling.
Peace be to those walls, forever,--the Professor said,--for the many
pleasant years he has passed within them!

The Professor has a friend, now living at a distance, who has been with
him in many of his changes of place, and who follows him in imagination
with tender interest wherever he goes.--In that little court, where he
lived in gay loneliness so long,--

--in his autumnal sojourn by the Connecticut, where it comes loitering
down from its mountain fastnesses like a great lord, swallowing up the
small proprietary rivulets very quietly as it goes, until it gets proud
and swollen and wantons in huge luxurious oxbows about the fair
Northampton meadows, and at last overflows the oldest inhabitant's memory
in profligate freshets at Hartford and all along its lower shores,--up in
that caravansary on the banks of the stream where Ledyard launched his
log canoe, and the jovial old Colonel used to lead the Commencement
processions,--where blue Ascutney looked down from the far distance, and
the hills of Beulah, as the Professor always called them, rolled up the
opposite horizon in soft climbing masses, so suggestive of the Pilgrim's
Heavenward Path that he used to look through his old "Dollond" to see if
the Shining Ones were not within range of sight,--sweet visions, sweetest
in those Sunday walks which carried them by the peaceful common, through
the solemn village lying in cataleptic stillness under the shadow of the
rod of Moses, to the terminus of their harmless stroll,--the patulous
fage, in the Professor's classic dialect,--the spreading beech, in more
familiar phrase,--[stop and breathe here a moment, for the sentence is
not done yet, and we have another long journey before us,]--

--and again once more up among those other hills that shut in the
amber-flowing Housatonic,--dark stream, but clear, like the lucid orbs
that shine beneath the lids of auburn-haired, sherry-wine-eyed
demi-blondes,--in the home overlooking the winding stream and the smooth,
flat meadow; looked down upon by wild hills, where the tracks of bears
and catamounts may yet sometimes be seen upon the winter snow; facing the
twin summits which rise in the far North, the highest waves of the great
land-storm in all this billowy region,--suggestive to mad fancies of the
breasts of a half-buried Titaness, stretched out by a stray thunderbolt,
and hastily hidden away beneath the leaves of the forest,--in that home
where seven blessed summers were passed, which stand in memory like the
seven golden candlesticks in the beatific vision of the holy dreamer,--

--in that modest dwelling we were just looking at, not glorious, yet not
unlovely in the youth of its drab and mahogany,--full of great and little
boys' playthings from top to bottom,--in all these summer or winter nests
he was always at home and always welcome.

This long articulated sigh of reminiscences,--this calenture which shows
me the maple-shadowed plains of Berkshire and the mountain-circled green
of Grafton beneath the salt waves which come feeling their way along the
wall at my feet, restless and soft-touching as blind men's busy
fingers,--is for that friend of mine who looks into the waters of the
Patapsco and sees beneath them the same visions which paint themselves
for me in the green depths of the Charles.

--Did I talk all this off to the schoolmistress?--Why, no,--of course
not.  I have been talking with you, the reader, for the last ten minutes.
You don't think I should expect any woman to listen to such a sentence as
that long one, without giving her a chance to put in a word?

--What did I say to the schoolmistress?--Permit me one moment.  I don't
doubt your delicacy and good-breeding; but in this particular case, as I
was allowed the privilege of walking alone with a very interesting young
woman, you must allow me to remark, in the classic version of a familiar
phrase, used by our Master Benjamin Franklin, it is _nullum tui negotii_.

When the schoolmistress and I reached the school-room door, the damask
roses I spoke of were so much heightened in color by exercise that I felt
sure it would be useful to her to take a stroll like this every morning,
and made up my mind I would ask her to let me join her again.



EXTRACT FROM MY PRIVATE JOURNAL.


                         (_To be burned unread_.)

I am afraid I have been a fool; for I have told as much of myself to this
young person as if she were of that ripe and discreet age which invites
confidence and expansive utterance.  I have been low-spirited and
listless, lately,--it is coffee, I think,--(I observe that which is
bought _ready-ground_ never affects the head,)--and I notice that I tell
my secrets too easily when I am downhearted.

There are inscriptions on our hearts, which, like that on Dighton Rock,
are never to be seen except at dead-low tide.

There is a woman's footstep on the sand at the side of my deepest
ocean-buried inscription!

--Oh, no, no, no! a thousand times, no!--Yet what is this which has been
shaping itself in my soul?--Is it a thought?--is it a dream?--is it a
_passion_?--Then I know what comes next.

--The Asylum stands on a bright and breezy hill; those glazed corridors
are pleasant to walk in, in bad weather.  But there are iron bars to all
the windows.  When it is fair, some of us can stroll outside that very
high fence.  But I never see much life in those groups I sometimes
meet;--and then the careful man watches them so closely!  How I remember
that sad company I used to pass on fine mornings, when I was a
schoolboy!--B., with his arms full of yellow weeds,--ore from the gold
mines which he discovered long before we heard of California,--Y., born
to millions, crazed by too much plum-cake, (the boys said,) dogged,
explosive,--made a Polyphemus of my weak-eyed schoolmaster, by a vicious
flirt with a stick,--(the multi-millonnaires sent him a trifle, it was
said, to buy another eye with; but boys are jealous of rich folks, and I
don't doubt the good people made him easy for life,)--how I remember them
all!

I recollect, as all do, the story of the Hall of Eblis, in "Vathek," and
how each shape, as it lifted its hand from its breast, showed its
heart,--a burning coal.  The real Hall of Eblis stands on yonder summit.
Go there on the next visiting-day, and ask that figure crouched in the
corner, huddled up like those Indian mummies and skeletons found buried
in the sitting posture, to lift its hand,--look upon its heart, and
behold, not fire, but ashes.--No, I must not think of such an ending!
Dying would be a much more gentlemanly way of meeting the difficulty.
Make a will and leave her a house or two and some stocks, and other
little financial conveniences, to take away her necessity for keeping
school.--I wonder what nice young man's feet would be in my French
slippers before six months were over!  Well, what then?  If a man really
loves a woman, of course he wouldn't marry her for the world, if he were
not quite sure that he was the best person she could by any possibility
marry.

--It is odd enough to read over what I have just been writing.--It is the
merest fancy that ever was in the world.  I shall never be married.  She
will; and if she is as pleasant as she has been so far, I will give her a
silver tea-set, and go and take tea with her and her husband, sometimes.
No coffee, I hope, though,--it depresses me sadly.  I feel very
miserably;--they must have been grinding it at home.--Another morning
walk will be good for me, and I don't doubt the schoolmistress will be
glad of a little fresh air before school.

                                * * * * *

--The throbbing flushes of the poetical intermittent have been coming
over me from time to time of late.  Did you ever see that electrical
experiment which consists in passing a flash through letters of gold-leaf
in a darkened room, whereupon some name or legend springs out of the
darkness in characters of fire?

There are songs all written out in my soul, which I could read, if the
flash might pass through them,--but the fire must come down from heaven.
Ah! but what if the stormy _nimbus_ of youthful passion has blown by, and
one asks for lightning from the ragged _cirrus_ of dissolving
aspirations, or the silvered _cumulus_ of sluggish satiety?  I will call
on her whom the dead poets believed in, whom living ones no longer
worship,--the immortal maid, who, name her what you will,--Goddess, Muse,
Spirit of Beauty,--sits by the pillow of every youthful poet, and bends
over his pale forehead until her tresses lie upon his cheek and rain
their gold into his dreams.

                                    MUSA.

    O my lost Beauty!--hast thou folded quite
          Thy wings of morning light
          Beyond those iron gates
    Where Life crowds hurrying to the haggard Fates,
    And Age upon his mound of ashes waits
          To chill our fiery dreams,
    Hot from the heart of youth plunged in his icy streams?

    Leave me not fading in these weeds of care,
          Whose flowers are silvered hair!--
          Have I not loved thee long,
    Though my young lips have often done thee wrong
    And vexed thy heaven-tuned ear with careless song?
          Ah, wilt thou yet return,
    Bearing thy rose-hued torch, and bid thine altar burn?

    Come to me!--I will flood thy silent shine
          With my soul's sacred wine,
          And heap thy marble floors
    As the wild spice-trees waste their fragrant stores
    In leafy islands walled with madrepores
          And lapped in Orient seas,
    When all their feathery palm toss, plume-like, in the breeze.

    Come to me!--thou shalt feed on honied words,
          Sweeter than song of birds;--
          No wailing bulbul's throat,
    No melting dulcimer's melodious note,
    When o'er the midnight wave its murmurs float,
          Thy ravished sense might soothe
    With flow so liquid-soft, with strain so velvet-smooth.

    Thou shalt be decked with jewels, like a queen,
          Sought in those bowers of green
          Where loop the clustered vines
    And the close-clinging dulcamara twines,--
    Pure pearls of Maydew where the moonlight shines,
          And Summer's fruited gems,
    And coral pendants shorn from Autumn's berried stems.

    Sit by me drifting on the sleepy waves,--
          Or stretched by grass-grown graves,
          Whose gray, high-shouldered stones,
    Carved with old names Life's time-worn roll disowns,
    Lean, lichen-spotted, o'er the crumbled bones
          Still slumbering where they lay
    While the sad Pilgrim watched to scare the wolf away.

    Spread o'er my couch thy visionary wing!
          Still let me dream and sing,--
          Dream of that winding shore
    Where scarlet cardinals bloom,--for me no more,--
    The stream with heaven beneath its liquid floor,
          And clustering nenuphars
    Sprinkling its mirrored blue like golden-chaliced stars!

    Come while their balms the linden-blossoms shed!--
          Come while the rose is red,--
          While blue-eyed Summer smiles
    On the green ripples round you sunken piles
    Washed by the moon-wave warm from Indian isles,
          And on the sultry air
    The chestnuts spread their palms like holy men in prayer!

    Oh, for thy burning lips to fire my brain
          With thrills of wild sweet pain!--
          On life's autumnal blast,
    Like shrivelled leaves, youth's, passion-flowers are cast,--
    Once loving thee, we love thee to the last!--
          Behold thy new-decked shrine,
    And hear once more the voice that breathed "Forever thine!"




CHAPTER XI


[The company looked a little flustered one morning when I came in,--so
much so, that I inquired of my neighbor, the divinity-student,) what had
been going on.  It appears that the young fellow whom they call John had
taken advantage of my being a little late (I having been rather longer
than usual dressing that morning) to circulate several questions
involving a quibble or play upon words,--in short, containing that
indignity to the human understanding, condemned in the passages from the
distinguished moralist of the last century and the illustrious historian
of the present, which I cited on a former occasion, and known as a _pun_.
After breakfast, one of the boarders handed me a small roll of paper
containing some of the questions and their answers.  I subjoin two or
three of them, to show what a tendency there is to frivolity and
meaningless talk in young persons of a certain sort, when not restrained
by the presence of more reflective natures.--It was asked, "Why tertian
and quartan fevers were like certain short-lived insects."  Some
interesting physiological relation would be naturally suggested.  The
inquirer blushes to find that the answer is in the paltry equivocation,
that they _skip_ a day or two.--"Why an Englishman must go to the
Continent to weaken his grog or punch."  The answer proves to have no
relation whatever to the temperance-movement, as no better reason is
given than that island--(or, as it is absurdly written, _ile and_) water
won't mix.--But when I came to the next question and its answer, I felt
that patience ceased to be a virtue.  "Why an onion is like a piano" is a
query that a person of sensibility would be slow to propose; but that in
an educated community an individual could be found to answer it in these
words,--"Because it smell odious," _quasi_, it's melodious,--is not
credible, but too true.  I can show you the paper.

Dear reader, I beg your pardon for repeating such things.  I know most
conversations reported in books are altogether above such trivial
details, but folly will come up at every table as surely as purslain and
chickweed and sorrel will come up in gardens.  This young fellow ought to
have talked philosophy, I know perfectly well; but he didn't,--he made
jokes.]

I am willing,--I said,--to exercise your ingenuity in a rational and
contemplative manner.--No, I do not proscribe certain forms of
philosophical speculation which involve an approach to the absurd or the
ludicrous, such as you may find, for example, in the folio of the
Reverend Father Thomas Sanchez, in his famous Disputations, "De Sancto
Matrimonio."  I will therefore turn this levity of yours to profit by
reading you a rhymed problem, wrought out by my friend the Professor.

                          [Picture: The Deacon]



THE DEACON'S MASTERPIECE:
OR THE WONDERFUL "ONE-HOSS-SHAY."


                               A LOGICAL STORY.

    HAVE you heard of the wonderful one-shay,
    That was built in such a logical way
    It ran a hundred years to a day,
    And then, of a sudden, it--ah, but stay,
    I'll tell you what happened without delay,
    Scaring the parson into fits,
    Frightening people out of their wits,--
    Have you ever heard of that, I say?

    Seventeen hundred and fifty-five.
    _Georgius Secundus_ was then alive,--
    Snuffy old drone from the German hive.
    That was the year when Lisbon-town
    Saw the earth open and gulp her down,
    And Braddock's army was done so brown,
    Left without a scalp to its crown.
    It was on the terrible Earthquake-day
    That the Deacon finished the one-hoss-shay.

    Now in building of chaises, I tell you what,
    There is always _somewhere_ a weakest spot,--
    In hub, tire, felloe, in spring or thill,
    In panel, or crossbar, or floor, or sill,
    In screw, bolt, thoroughbrace,--lurking still
    Find it somewhere you must and will,--
    Above or below, or within or without,--
    And that's the reason, beyond a doubt,
    A chaise _breasts down_, but doesn't _wear out_.

    But the Deacon swore (as Deacons do,
    With an "I dew vum," or an "I tell _yeou_,")
    He would build one shay to beat the taown
    'n' the keounty 'n' all the kentry raoun';
    It should be so built that it _couldn'_ break daown--
    --"Fur," said the Deacon, "'t's mighty plain
    Thut the weakes' place mus' stan the strain;
    'n' the way t' fix it, uz I maintain,
          Is only jest
    T' make that place uz strong uz the rest."

    So the Deacon inquired of the village folk
    Where he could find the strongest oak,
    That couldn't be split nor bent nor broke,--
    That was for spokes and floor and sills;
    He sent for lancewood to make the thills;
    The crossbars were ash, from the straightest trees;
    The panels of white-wood, that cuts like cheese,
    But lasts like iron for things like these;
    The hubs of logs from the "Settler's ellum,"--
    Last of its timber,--they couldn't sell 'em,
    Never an axe had seen their chips,
    And the wedges flew from between their lips,
    Their blunt ends frizzled like celery-tips;
    Step and prop-iron, bolt and screw,
    Spring, tire, axle, and linchpin too,
    Steel of the finest, bright and blue;
    Thoroughbrace bison-skin, thick and wide;
    Boot, top, dasher, from tough old hide
    Found in the pit when the tanner died.
    That was the way he "put her through."--
    "There!" said the Deacon, "naow she'll dew."

    Do!  I tell you, I father guess
    She was a wonder, and nothing less!
    Colts grew horses, beards turned gray,
    Deacon and deaconess dropped away,
    Children and grand-children--where were they?
    But there stood the stout old one-hoss-shay
    As fresh as on Lisbon-earthquake-day!

    EIGHTEEN HUNDRED;--it came and found
    The Deacon's Masterpiece strong and sound.
    Eighteen hundred increased by ten;--
    "Hahnsum kerridge" they called it then.
    Eighteen hundred and twenty came;--
    Running as usual; much the same.
    Thirty and forty at last arrive,
    And then come fifty, and FIFTY-FIVE.

    Little of all we value here
    Wakes on the morn of its hundredth year
    Without both feeling and looking queer.
    In fact, there's nothing that keeps its youth,
    So far as I know, but a tree and truth.
    (This is a moral that runs at large;
    Take it.--You're welcome.--No extra charge.)

    FIRST OF NOVEMBER,--the Earthquake-day.--
    There are traces of age in the one-hoss-shay.
    A general flavor of mild decay,
    But nothing local, as one may say.
    There couldn't be,--for the Deacon's art
    Had made it so like in every part
    That there wasn't a chance for one to start.
    For the wheels were just as strong as the thills,
    And the floor was just as strong as the sills,
    And the panels just as strong as the floor,
    And the whippletree neither less nor more,
    And the back-crossbar as strong as the fore,
    And spring and axle and hub _encore_.
    And yet, _as a whole_, it is past a doubt
    In another hour it will be _worn out_!

    First of November, 'Fifty-five!
    This morning the parson takes a drive.
    Now, small boys, get out of the way!
    Here comes the wonderful one-horse-shay,
    Drawn by a rat-tailed, ewe-necked bay.
    "Huddup!" said the parson.--Off went they.

    The parson was working his Sunday's text,--
    Had got to _fifthly_, and stopped perplexed
    At what the--Moses--was coming next.
    All at once the horse stood still,
    Close by the meet'n-house on the hill.
    --First a shiver, and then a thrill,
    Then something decidedly like a spill,--
    And the parson was sitting upon a rock,
    At half-past nine by the meet'n-house clock,--
    Just the hour of the Earthquake shock!
    --What do you think the parson found,
    When he got up and stared around?
    The poor old chaise in a heap or mound,
    As if it had been to the mill and ground!
    You see, of course, if you're not a dunce,
    How it went to pieces all at once,--
    All at once, and nothing first,--
    Just as bubbles do when they burst.

    End of the wonderful one-hoss-shay.
    Logic is logic.  That's all I say.

--I think there is one habit,--I said to our company a day or two
afterwards--worse than that of punning.  It is the gradual substitution
of cant or flash terms for words which truly characterize their objects.
I have known several very genteel idiots whose whole vocabulary had
deliquesced into some half dozen expressions.  All things fell into one
of two great categories,--_fast_ or _slow_.  Man's chief end was to be a
_brick_.  When the great calamities of life overtook their friends, these
last were spoken of as being a _good deal cut up_.  Nine-tenths of human
existence were summed up in the single word, _bore_.  These expressions
come to be the algebraic symbols of minds which have grown too weak or
indolent to discriminate.  They are the blank checks of intellectual
bankruptcy;--you may fill them up with what idea you like; it makes no
difference, for there are no funds in the treasury upon which they are
drawn.  Colleges and good-for-nothing smoking-clubs are the places where
these conversational fungi spring up most luxuriantly.  Don't think I
undervalue the proper use and application of a cant word or phrase.  It
adds piquancy to conversation, as a mushroom does to a sauce.  But it is
no better than a toadstool, odious to the sense and poisonous to the
intellect, when it spawns itself all over the talk of men and youths
capable of talking, as it sometimes does.  As we hear flash phraseology,
it is commonly the dishwater from the washings of English dandyism,
school-boy or full-grown, wrung out of a three-volume novel which had
sopped it up, or decanted from the pictured urn of Mr. Verdant Green, and
diluted to suit the provincial climate.

--The young fellow called John spoke up sharply and said, it was "rum" to
hear me "pitchin' into fellers" for "goin' it in the slang line," when I
used all the flash words myself just when I pleased.

--I replied with my usual forbearance.--Certainly, to give up the
algebraic symbol, because _a_ or _b_ is often a cover for ideal nihility,
would be unwise.  I have heard a child laboring to express a certain
condition, involving a hitherto undescribed sensation (as it supposed,)
all of which could have been sufficiently explained by the
participle--_bored_.  I have seen a country-clergyman, with a one-story
intellect and a one-horse vocabulary, who has consumed his valuable time
(and mine) freely, in developing an opinion of a brother-minister's
discourse which would have been abundantly characterized by a
peach-down-lipped sophomore in the one word--_slow_.  Let us
discriminate, and be shy of absolute proscription.  I am omniverbivorous
by nature and training.  Passing by such words as are poisonous, I can
swallow most others, and chew such as I cannot swallow.

Dandies are not good for much, but they are good for something.  They
invent or keep in circulation those conversational blank checks or
counters just spoken of, which intellectual capitalists may sometimes
find it worth their while to borrow of them.  They are useful, too, in
keeping up the standard of dress, which, but for them, would deteriorate,
and become, what some old fools would have it, a matter of convenience,
and not of taste and art.  Yes, I like dandies well enough,--on one
condition.

--What is that, Sir?--said the divinity-student.

--That they have pluck.  I find that lies at the bottom of all true
dandyism.  A little boy dressed up very fine, who puts his finger in his
mouth and takes to crying, if other boys make fun of him, looks very
silly.  But if he turns red in the face and knotty in the fists, and
makes an example of the biggest of his assailants, throwing off his fine
Leghorn and his thickly-buttoned jacket, if necessary, to consummate the
act of justice, his small toggery takes on the splendors of the crested
helmet that frightened Astyanax.  You remember that the Duke said his
dandy officers were his best officers.  The "Sunday blood," the
super-superb sartorial equestrian of our annual Fast-day, is not imposing
or dangerous.  But such fellows as Brummel and D'Orsay and Byron are not
to be snubbed quite so easily.  Look out for "la main de fer sous le gant
de velours," (which I printed in English the other day without
quotation-marks, thinking whether any _scarabaeus criticus_ would add
this to his globe and roll in glory with it into the newspapers,--which
he didn't do it, in the charming pleonasm of the London language, and
therefore I claim the sole merit of exposing the same.)  A good many
powerful and dangerous people have had a decided dash of dandyism about
them.  There was Alcibiades, the "curled son of Clinias," an accomplished
young man, but what would be called a "swell" in these days.  There was
Aristoteles, a very distinguished writer, of whom you have heard,--a
philosopher, in short, whom it took centuries to learn, centuries to
unlearn, and is now going to take a generation or more to learn over
again.  Regular dandy, he was.  So was Marcus Antonius; and though he
lost his game, he played for big stakes, and it wasn't his dandyism that
spoiled his chance.  Petrarca was not to be despised as a scholar or a
poet, but he was one of the same sort.  So was Sir Humphrey Davy; so was
Lord Palmerston, formerly, if I am not forgetful.  Yes,--a dandy is good
for something as such; and dandies such as I was just speaking of have
rocked this planet like a cradle,--aye, and left it swinging to this
day.--Still, if I were you, I wouldn't go to the tailor's, on the
strength of these remarks, and run up a long bill which will render
pockets a superfluity in your next suit.  _Elegans_ "_nascitur_, _non
fit_."  A man is born a dandy, as he is born a poet.  There are heads
that can't wear hats; there are necks that can't fit cravats; there are
jaws that can't fill out collars--(Willis touched this last point in one
of his earlier ambrotypes, if I remember rightly); there are _tournures_
nothing can humanize, and movements nothing can subdue to the gracious
suavity or elegant languor or stately serenity which belong to different
styles of dandyism.

We are forming an aristocracy, as you may observe, in this country,--not
a _gratia-Dei_, nor a _juredivino_ one,--but a _de-facto_ upper stratum
of being, which floats over the turbid waves of common life like the
iridescent film you may have seen spreading over the water about our
wharves,--very splendid, though its origin may have been tar, tallow,
train-oil, or other such unctuous commodities.  I say, then, we are
forming an aristocracy; and, transitory as its individual life often is,
it maintains itself tolerably, as a whole.  Of course, money is its
corner-stone.  But now observe this.  Money kept for two or three
generations transforms a race,--I don't mean merely in manners and
hereditary culture, but in blood and bone.  Money buys air and sunshine,
in which children grow up more kindly, of course, than in close, back
streets; it buys country-places to give them happy and healthy summers,
good nursing, good doctoring, and the best cuts of beef and mutton.  When
the spring-chickens come to market--I beg your pardon,--that is not what
I was going to speak of.  As the young females of each successive season
come on, the finest specimens among them, other things being equal, are
apt to attract those who can afford the expensive luxury of beauty.  The
physical character of the next generation rises in consequence.  It is
plain that certain families have in this way acquired an elevated type of
face and figure, and that in a small circle of city-connections one may
sometimes find models of both sexes which one of the rural counties would
find it hard to match from all its townships put together.  Because there
is a good deal of running down, of degeneration and waste of life, among
the richer classes, you must not overlook the equally obvious fact I have
just spoken of,--which in one or two generations more will be, I think,
much more patent than just now.

The weak point in our chryso-aristocracy is the same I have alluded to in
connection with cheap dandyism.  Its thorough manhood, its high-caste
gallantry, are not so manifest as the plate-glass of its windows and the
more or less legitimate heraldry of its coach-panels.  It is very curious
to observe of how small account military folks are held among our
Northern people.  Our young men must gild their spurs, but they need not
win them.  The equal division of property keeps the younger sons of rich
people above the necessity of military service.  Thus the army loses an
element of refinement, and the moneyed upper class forgets what it is to
count heroism among its virtues.  Still I don't believe in any
aristocracy without pluck as its backbone.  Ours may show it when the
time comes, if it ever does come.

--These United States furnish the greatest market for intellectual _green
fruit_ of all the places in the world.  I think so, at any rate.  The
demand for intellectual labor is so enormous and the market so far from
nice, that young talent is apt to fare like unripe gooseberries,--get
plucked to make a fool of.  Think of a country which buys eighty thousand
copies of the "Proverbial Philosophy," while the author's admiring
countrymen have been buying twelve thousand!  How can one let his fruit
hang in the sun until it gets fully ripe, while there are eighty thousand
such hungry mouths ready to swallow it and proclaim its praises?
Consequently, there never was such a collection of crude pippins and
half-grown windfalls as our native literature displays among its fruits.
There are literary green-groceries at every corner, which will buy
anything, from a button-pear to a pine-apple.  It takes a long
apprenticeship to train a whole people to reading and writing.  The
temptation of money and fame is too great for young people.  Do I not
remember that glorious moment when the late Mr.--we won't say
who,--editor of the--we won't say what, offered me the sum of fifty cents
_per_ double-columned quarto page for shaking my young boughs over his
foolscap apron?  Was it not an intoxicating vision of gold and glory?  I
should doubtless have revelled in its wealth and splendor, but for
learning that the _fifty cents_ was to be considered a rhetorical
embellishment, and by no means a literal expression of past fact or
present intention.

--Beware of making your moral staple consist of the negative virtues.  It
is good to abstain, and teach others to abstain, from all that is sinful
or hurtful.  But making a business of it leads to emaciation of
character, unless one feeds largely also on the more nutritious diet of
active sympathetic benevolence.

--I don't believe one word of what you are saying,--spoke up the angular
female in black bombazine.

I am sorry you disbelieve it, Madam,--I said, and added softly to my next
neighbor,--but you prove it.

The young fellow sitting near me winked; and the divinity-student said,
in an undertone,--_Optime dictum_.

Your talking Latin,--said I,--reminds me of an odd trick of one of my old
tutors.  He read so much of that language, that his English half turned
into it.  He got caught in town, one hot summer, in pretty close
quarters, and wrote, or began to write, a series of city pastorals.
Eclogues he called them, and meant to have published them by
subscription.  I remember some of his verses, if you want to hear
them.--You, Sir, (addressing myself to the divinity-student,) and all
such as have been through college, or, what is the same thing, received
an honorary degree, will understand them without a dictionary.  The old
man had a great deal to say about "aestivation," as he called it, in
opposition, as one might say, to _hibernation_.  Intramural aestivation,
or town-life in summer, he would say, is a peculiar form of suspended
existence, or semi-asphyxia.  One wakes up from it about the beginning of
the last week in September.  This is what I remember of his poem:--

                                 AESTIVATION.

    _An Unpublished Poem_, _by my late Latin Tutor_

    IN candent ire the solar splendor flames;
    The foles, languescent, pend from arid rames;
    His humid front the cive, anheling, wipes,
    And dreams of erring on ventiferous ripes.

    How dulce to vive occult to mortal eyes,
    Dorm on the herb with none to supervise,
    Carp the suave berries from the crescent vine,
    And bibe the flow from longicaudate kine!

    To me, alas! no verdurous visions come,
    Save yon exiguous pool's conferva-scum,--
    No concave vast repeats the tender hue
    That laves my milk-jug with celestial blue!

    Me wretched!  Let me curr to quercine shades
    Effund your albid hausts, lactiferous maids!
    Oh, might I vole to some umbrageous clump,--
    Depart,--be off,--excede,--evade,--erump!

--I have lived by the sea-shore and by the mountains.--No, I am not going
to say which is best.  The one where your place is is the best for you.
But this difference there is: you can domesticate mountains, but the sea
is _ferae naturae_.  You may have a hut, or know the owner of one, on the
mountain-side; you see a light half-way up its ascent in the evening, and
you know there is a home, and you might share it.  You have noted certain
trees, perhaps; you know the particular zone where the hemlocks look so
black in October, when the maples and beeches have faded.  All its
reliefs and intaglios have electrotyped themselves in the medallions that
hang round the walls of your memory's chamber.--The sea remembers
nothing.  It is feline.  It licks your feet,--its huge flanks purr very
pleasantly for you; but it will crack your bones and eat you, for all
that, and wipe the crimsoned foam from its jaws as if nothing had
happened.  The mountains give their lost children berries and water; the
sea mocks their thirst and lets them die.  The mountains have a grand,
stupid, lovable tranquillity; the sea has a fascinating, treacherous
intelligence.  The mountains lie about like huge ruminants, their broad
backs awful to look upon, but safe to handle.  The sea smooths its silver
scales until you cannot see their joints,--but their shining is that of a
snake's belly, after all.--In deeper suggestiveness I find as great a
difference.  The mountains dwarf mankind and foreshorten the procession
of its long generations.  The sea drowns out humanity and time; it has no
sympathy with either; for it belongs to eternity, and of that it sings
its monotonous song forever and ever.

Yet I should love to have a little box by the seashore.  I should love to
gaze out on the wild feline element from a front window of my own, just
as I should love to look on a caged panther, and see it, stretch its
shining length, and then curl over and lap its smooth sides, and
by-and-by begin to lash itself into rage and show its white teeth and
spring at its bars, and howl the cry of its mad, but, to me, harmless
fury.--And then,--to look at it with that inward eye,--who does not love
to shuffle off time and its concerns, at intervals,--to forget who is
President and who is Governor, what race he belongs to, what language he
speaks, which golden-headed nail of the firmament his particular
planetary system is hung upon, and listen to the great liquid metronome
as it beats its solemn measure, steadily swinging when the solo or duet
of human life began, and to swing just as steadily after the human chorus
has died out and man is a fossil on its shores?

--What should decide one, in choosing a summer residence?--Constitution,
first of all.  How much snow could you melt in an hour, if you were
planted in a hogshead of it?  Comfort is essential to enjoyment.  All
sensitive people should remember that persons in easy circumstances
suffer much more cold in summer--that is, the warm half of the year--than
in winter, or the other half.  You must cut your climate to your
constitution, as much as your clothing to your shape.  After this,
consult your taste and convenient.  But if you would be happy in
Berkshire, you must carry mountains in your brain; and if you would enjoy
Nahant, you must have an ocean in your soul.  Nature plays at dominos
with you; you must match her piece, or she will never give it up to you.

--The schoolmistress said, in a rather mischievous way, that she was
afraid some minds or souls would be a little crowded, if they took in the
Rocky Mountains or the Atlantic.

Have you ever read the little book called "The Stars and the
Earth?"--said I.--Have you seen the Declaration of Independence
photographed in a surface that a fly's foot would cover?  The forms or
conditions of Time and Space, as Kant will tell you, are nothing in
themselves,--only our way of looking at things.  You are right, I think,
however, in recognizing the category of Space as being quite as
applicable to minds as to the outer world.  Every man of reflection is
vaguely conscious of an imperfectly-defined circle which is drawn about
his intellect.  He has a perfectly clear sense that the fragments of his
intellectual circle include the curves of many other minds of which he is
cognizant.  He often recognizes these as manifestly concentric with his
own, but of less radius.  On the other hand, when we find a portion of an
are on the outside of our own, we say it _intersects_ ours, but are very
slow to confess or to see that it _circumscribes_ it.  Every now and then
a man's mind is stretched by a new idea or sensation, and never shrinks
back to its former dimensions.  After looking at the Alps, I felt that my
mind had been stretched beyond the limits of its elasticity, and fitted
so loosely on my old ideas of space that I had to spread these to fit it.

--If I thought I should ever see the Alps!--said the schoolmistress.

Perhaps you will, some time or other,--I said.

It is not very likely,--she answered.--I have had one or two
opportunities, but I had rather be anything than governess in a rich
family.

[Proud, too, you little soft-voiced woman!  Well, I can't say I like you
any the worse for it.  How long will school-keeping take to kill you?  Is
it possible the poor thing works with her needle, too?  I don't like
those marks on the side of her forefinger.

_Tableau_.  Chamouni.  Mont Blanc in full view.  Figures in the
foreground; two of them standing apart; one of them a gentleman
of--oh,--ah,--yes! the other a lady in a white cashmere, leaning on his
shoulder.--The ingenuous reader will understand that this was an
internal, private, personal, subjective diorama, seen for one instant on
the background of my own consciousness, and abolished into black
nonentity by the first question which recalled me to actual life, as
suddenly as if one of those iron shop-blinds (which I always pass at dusk
with a shiver, expecting to stumble over some poor but honest shop-boy's
head, just taken off by its sudden and unexpected descent, and left
outside upon the sidewalk) had come down in front of it "by the run."]

--Should you like to hear what moderate wishes life brings one to at
last?  I used to be very ambitious,--wasteful, extravagant, and luxurious
in all my fancies.  Read too much in the "Arabian Nights."  Must have the
lamp,--couldn't do without the ring.  Exercise every morning on the
brazen horse.  Plump down into castles as full of little milk-white
princesses as a nest is of young sparrows.  All love me dearly at
once.--Charming idea of life, but too high-colored for the reality.  I
have outgrown all this; my tastes have become exceedingly
primitive,--almost, perhaps, ascetic.  We carry happiness into our
condition, but must not hope to find it there.  I think you will be
willing to hear some lines which embody the subdued and limited desires
of my maturity.

                                 CONTENTMENT.

                      "Man wants but little here below."

    LITTLE I ask, my wants are few;
       I only wish a hut of stone,
    (A _very plain_ brown stone will do,)
          That I may call my own;--
    And close at hand is such a one,
    In yonder street that fronts the sun.

    Plain food is quite enough for me;
       Three courses are as good as ten;--
    If Nature can subsist on three,
          Thank heaven for three.  Amen!
    I always thought cold victual nice;--
    My _choice_ would be vanilla-ice.

    I care not much for gold or land;--
       Give me a mortgage here and there,--
    Some good bank-stock,--some note of hand,
          Or trifling railroad share;--
    I only ask that Fortune send
    A _little_ more than I shall spend.

    Honors are silly toys, I know,
       And titles are but empty names;--
    I would, _perhaps_, be Plenipo,--
          But only near St. James;--
    I'm very sure I should not care
    To fill our Gubernator's chair.

    Jewels are baubles; 'tis a sin
       To care for such unfruitful things;--
    One good-sized diamond in a pin,--
          Some, _not so large_, in rings,--
    A ruby and a pearl, or so,
    Will do for me;--I laugh at show.

    My dame should dress in cheap attire;
       (Good, heavy silks are never dear;)--
    I own perhaps I _might_ desire
          Some shawls of true cashmere,--
    Some marrowy crapes of China silk,
    Like wrinkled skins on scalded milk.

    I would not have the horse I drive
       So fast that folks must stop and stare
    An easy gait--two, forty-five--
          Suits me; I do not care;--
    Perhaps, for just a _single spurt_,
    Some seconds less would do no hurt.

    Of pictures, I should like to own
       Titians and Raphaels three or four,--
    I love so much their style and tone,--
          One Turner, and no more,--
    (A landscape,--foreground golden dirt
    The sunshine painted with a squirt.)

    Of books but few,--some fifty score
       For daily use, and bound for wear;
    The rest upon an upper floor;--
          Some _little_ luxury _there_
    Of red morocco's gilded gleam,
    And vellum rich as country cream.

    Busts, cameos, gems,--such things as these,
       Which others often show for pride,
    _I_ value for their power to please,
          And selfish churls deride;--
    _One_ Stradivarius, I confess,
    _Two_ Meerschaums, I would fain possess.

    Wealth's wasteful tricks I will not learn,
       Nor ape the glittering upstart fool;--
    Shall not carved tables serve my turn,
          But _all_ must be of buhl?
    Give grasping pomp its double share,--
    I ask but _one_ recumbent chair.

    Thus humble let me live and die,
       Nor long for Midas' golden touch,
    If Heaven more generous gifts deny,
          I shall not miss them _much_,--
    Too grateful for the blessing lent
    Of simple tastes and mind content!



MY LAST WALK WITH THE SCHOOLMISTRESS.


                            (_A Parenthesis_.)

I can't say just how many walks she and I had taken together before this
one.  I found the effect of going out every morning was decidedly
favorable on her health.  Two pleasing dimples, the places for which were
just marked when she came, played, shadowy, in her freshening cheeks when
she smiled and nodded good-morning to me from the school-house-steps.

I am afraid I did the greater part of the talking.  At any rate, if I
should try to report all that I said during the first half-dozen walks we
took together, I fear that I might receive a gentle hint from my friends
the publishers, that a separate volume, at my own risk and expense, would
be the proper method of bringing them before the public.

--I would have a woman as true as Death.  At the first real lie which
works from the heart outward, she should be tenderly chloroformed into a
better world, where she can have an angel for a governess, and feed on
strange fruits which will make her all over again, even to her bones and
marrow.--Whether gifted with the accident of beauty or not, she should
have been moulded in the rose-red clay of Love, before the breath of life
made a moving mortal of her.  Love-capacity is a congenital endowment;
and I think, after a while, one gets to know the warm-hued natures it
belongs to from the pretty pipe-clay counterfeits of them.--Proud she may
be, in the sense of respecting herself; but pride in the sense of
contemning others less gifted than herself, deserves the two lowest
circles of a vulgar woman's Inferno, where the punishments are Smallpox
and Bankruptcy.--She who nips off the end of a brittle courtesy, as one
breaks the tip of an icicle, to bestow upon those whom she ought
cordially and kindly to recognize, proclaims the fact that she comes not
merely of low blood, but of bad blood.  Consciousness of unquestioned
position makes people gracious in proper measure to all; but if a woman
puts on airs with her real equals, she has something about herself or her
family she is ashamed of, or ought to be.  Middle, and more than
middle-aged people, who know family histories, generally see through it.
An official of standing was rude to me once.  Oh, that is the maternal
grandfather,--said a wise old friend to me,--he was a boor.--Better too
few words, from the woman we love, than too many: while she is silent,
Nature is working for her; while she talks, she is working for
herself.--Love is sparingly soluble in the words of men; therefore they
speak much of it; but one syllable of woman's speech can dissolve more of
it than a man's heart can hold.

--Whether I said any or all of these things to the schoolmistress, or
not,--whether I stole them out of Lord Bacon,--whether I cribbed them
from Balzac,--whether I dipped them from the ocean of Tupperian
wisdom,--or whether I have just found them in my head, laid there by that
solemn fowl, Experience, (who, according to my observation, cackles
oftener than she drops real live eggs,) I cannot say.  Wise men have said
more foolish things,--and foolish men, I don't doubt, have said as wise
things.  Anyhow, the schoolmistress and I had pleasant walks and long
talks, all of which I do not feel bound to report.

--You are a stranger to me, Ma'am.--I don't doubt you would like to know
all I said to the schoolmistress.--I sha'n't do it;--I had rather get the
publishers to return the money you have invested in this.  Besides, I
have forgotten a good deal of it.  I shall tell only what I like of what
I remember.

--My idea was, in the first place, to search out the picturesque spots
which the city affords a sight of, to those who have eyes.  I know a good
many, and it was a pleasure to look at them in company with my young
friend.  There were the shrubs and flowers in the Franklin-Place
front-yards or borders; Commerce is just putting his granite foot upon
them.  Then there are certain small seraglio-gardens, into which one can
get a peep through the crevices of high fences,--one in Myrtle Street, or
backing on it,--here and there one at the North and South Ends.  Then the
great elms in Essex Street.  Then the stately horse-chestnuts in that
vacant lot in Chambers Street, which hold their outspread hands over your
head, (as I said in my poem the other day,) and look as if they were
whispering, "May grace, mercy, and peace be with you!"--and the rest of
that benediction.  Nay, there are certain patches of ground, which,
having lain neglected for a time, Nature, who always has her pockets full
of seeds, and holes in all her pockets, has covered with hungry plebeian
growths, which fight for life with each other, until some of them get
broad-leaved and succulent, and you have a coarse vegetable tapestry
which Raphael would not have disdained to spread over the foreground of
his masterpiece.  The Professor pretends that he found such a one in
Charles Street, which, in its dare-devil impudence of rough-and-tumble
vegetation, beat the pretty-behaved flower-beds of the Public Garden as
ignominiously as a group of young tatterdemalions playing pitch-and-toss
beats a row of Sunday-school-boys with their teacher at their head.

But then the Professor has one of his burrows in that region, and puts
everything in high colors relating to it.  That is his way about
everything.  I hold any man cheap,--he said,--of whom nothing stronger
can be uttered than that all his geese are swans.--How is that,
Professor?--said I;--I should have set you down for one of that
sort.--Sir,--said he,--I am proud to say, that Nature has so far enriched
me, that I cannot own so much as a duck without seeing in it as pretty a
swan as ever swam the basin in the garden of the Luxembourg.  And the
Professor showed the whites of his eyes devoutly, like one returning
thanks after a dinner of many courses.

I don't know anything sweeter than this leaking in of Nature through all
the cracks in the walls and floors of cities.  You heap up a million tons
of hewn rocks on a square mile or two of earth which was green once.  The
trees look down from the hill-sides and ask each other, as they stand on
tiptoe,--"What are these people about?"  And the small herbs at their
feet look up and whisper back,--"We will go and see."  So the small herbs
pack themselves up in the least possible bundles, and wait until the wind
steals to them at night and whispers, "Come with me."  Then they go
softly with it into the great city,--one to a cleft in the pavement, one
to a spout on the roof, one to a seam in the marbles over a rich
gentleman's bones, and one to the grave without a stone where nothing but
a man is buried,--and there they grow, looking down on the generations of
men from mouldy roofs, looking up from between the less-trodden
pavements, looking out through iron cemetery-railings.  Listen to them,
when there is only a light breath stirring, and you will hear them saying
to each other,--"Wait awhile!"  The words run along the telegraph of
those narrow green lines that border the roads leading from the city,
until they reach the slope of the hills, and the trees repeat in low
murmurs to each other,--"Wait awhile!"  By-and-by the flow of life in the
streets ebbs, and the old leafy inhabitants--the smaller tribes always in
front--saunter in, one by one, very careless seemingly, but very
tenacious, until they swarm so that the great stones gape from each other
with the crowding of their roots, and the feldspar begins to be picked
out of the granite to find them food.  At last the trees take up their
solemn line of march, and never rest until they have encamped in the
market-place.  Wait long enough and you will find an old doting oak
hugging a huge worn block in its yellow underground arms; that was the
cornerstone of the State-House.  Oh, so patient she is, this
imperturbable Nature!

--Let us cry!--

But all this has nothing to do with my walks and talks with the
schoolmistress.  I did not say that I would not tell you something about
them.  Let me alone, and I shall talk to you more than I ought to,
probably.  We never tell our secrets to people that pump for them.

Books we talked about, and education.  It was her duty to know something
of these, and of course she did.  Perhaps I was somewhat more learned
than she, but I found that the difference between her reading and mine
was like that of a man's and a woman's dusting a library.  The man flaps
about with a bunch of feathers; the woman goes to work softly with a
cloth.  She does not raise half the dust, nor fill her own eyes and mouth
with it,--but she goes into all the corners, and attends to the leaves as
much as the covers.--Books are the _negative_ pictures of thought, and
the more sensitive the mind that receives their images, the more nicely
the finest lines are reproduced.  A woman, (of the right kind,) reading
after a man, follows him as Ruth followed the reapers of Boaz, and her
gleanings are often the finest of the wheat.

But it was in talking of Life that we came most clearly together.  I
thought I knew something about that,--that I could speak or write about
it somewhat to the purpose.

To take up this fluid earthly being of ours as a sponge sucks up
water,--to be steeped and soaked in its realities as a hide fills its
pores lying seven years in a tan-pit,--to have winnowed every wave of it
as a mill-wheel works up the stream that runs through the flume upon its
float-boards,--to have curled up in the keenest spasms and flattened out
in the laxest languors of this breathing-sickness, which keeps certain
parcels of matter uneasy for three or four score years,--to have fought
all the devils and clasped all the angels of its delirium,--and then,
just at the point when the white-hot passions have cooled down to
cherry-red, plunge our experience into the ice-cold stream of some human
language or other, one might think would end in a rhapsody with something
of spring and temper in it.  All this I thought my power and province.

The schoolmistress had tried life, too.  Once in a while one meets with a
single soul greater than all the living pageant which passes before it.
As the pale astronomer sits in his study with sunken eyes and thin
fingers, and weighs Uranus or Neptune as in a balance, so there are meek,
slight women who have weighed all which this planetary life can offer,
and hold it like a bauble in the palm of their slender hands.  This was
one of them.  Fortune had left her, sorrow had baptized her; the routine
of labor and the loneliness of almost friendless city-life were before
her.  Yet, as I looked upon her tranquil face, gradually regaining a
cheerfulness which was often sprightly, as she became interested in the
various matters we talked about and places we visited, I saw that eye and
lip and every shifting lineament were made for love,--unconscious of
their sweet office as yet, and meeting the cold aspect of Duty with the
natural graces which were meant for the reward of nothing less than the
Great Passion.

--I never addressed one word of love to the schoolmistress in the course
of these pleasant walks.  It seemed to me that we talked of everything
but love on that particular morning.  There was, perhaps, a little more
timidity and hesitancy on my part than I have commonly shown among our
people at the boarding-house.  In fact, I considered myself the master at
the breakfast-table; but, somehow, I could not command myself just then
so well as usual.  The truth is, I had secured a passage to Liverpool in
the steamer which was to leave at noon,--with the condition, however, of
being released in case circumstances occurred to detain me.  The
schoolmistress knew nothing about all this, of course, as yet.

It was on the Common that we were walking.  The _mall_, or boulevard of
our Common, you know, has various branches leading from it in different
directions.  One of these runs down from opposite Joy Street southward
across the whole length of the Common to Boylston Street.  We called it
the long path, and were fond of it.

I felt very weak indeed (though of a tolerably robust habit) as we came
opposite the head of this path on that morning.  I think I tried to speak
twice without making myself distinctly audible.  At last I got out the
question,--Will you take the long path with me?--Certainly,--said the
schoolmistress,--with much pleasure.--Think,--I said,--before you answer;
if you take the long path with me now, I shall interpret it that we are
to part no more!--The schoolmistress stepped back with a sudden movement,
as if an arrow had struck her.

One of the long granite blocks used as seats was hard by,--the one you
may still see close by the Gingko-tree.--Pray, sit down,--I said.--No,
no, she answered, softly,--I will walk the _long path_ with you!

--The old gentleman who sits opposite met us walking, arm in arm, about
the middle of the long path, and said, very charmingly,--"Good morning,
my dears!"




CHAPTER XII


[I did not think it probable that I should have a great many more talks
with our company, and therefore I was anxious to get as much as I could
into every conversation.  That is the reason why you will find some odd,
miscellaneous facts here, which I wished to tell at least once, as I
should not have a chance to tell them habitually at our
breakfast-table.--We're very free and easy, you know; we don't read what
we don't like.  Our parish is so large, one can't pretend to preach to
all the pews at once.  One can't be all the time trying to do the best of
one's best if a company works a steam fire-engine, the firemen needn't be
straining themselves all day to squirt over the top of the flagstaff.
Let them wash some of those lower-story windows a little.  Besides, there
is no use in our quarrelling now, as you will find out when you get
through this paper.]

--Travel, according to my experience, does not exactly correspond to the
idea one gets of it out of most books of travels.  I am thinking of
travel as it was when I made the Grand Tour, especially in Italy.  Memory
is a net; one finds it full of fish when he takes it from the brook; but
a dozen miles of water have run through it without sticking.  I can prove
some facts about travelling by a story or two.  There are certain
principles to be assumed,--such as these:--He who is carried by horses
must deal with rogues.--To-day's dinner subtends a larger visual angle
than yesterday's revolution.  A mote in my eye is bigger to me than the
biggest of Dr. Gould's private planets.--Every traveller is a self-taught
entomologist.--Old jokes are dynamometers of mental tension; an old joke
tells better among friends travelling than at home,--which shows that
their minds are in a state of diminished, rather than increased vitality.
There was a story about "strahps to your pahnts," which was vastly funny
to us fellows--on the road from Milan to Venice.--_Caelum_, _non
animum_,--travellers change their guineas, but not their characters.  The
bore is the same, eating dates under the cedars of Lebanon, as over a
plate of baked beans in Beacon Street.--Parties of travellers have a
morbid instinct for "establishing raws" upon each other.--A man shall sit
down with his friend at the foot of the Great Pyramid and they will take
up the question they had been talking about under "the great elm," and
forget all about Egypt.  When I was crossing the Po, we were all fighting
about the propriety of one fellow's telling another that his argument was
_absurd_; one maintaining it to be a perfectly admissible logical term,
as proved by the phrase "reductio ad absurdum;" the rest badgering him as
a conversational bully.  Mighty little we troubled ourselves for _Padus_,
the Po, "a river broader and more rapid than the Rhone," and the times
when Hannibal led his grim Africans to its banks, and his elephants
thrust their trunks into the yellow waters over which that pendulum
ferry-boat was swinging back and forward every ten minutes!

--Here are some of those reminiscences, with morals prefixed, or annexed,
or implied.

Lively emotions very commonly do not strike us full in front, but
obliquely from the side; a scene or incident in _undress_ often affects
us more than one in full costume.

    "Is this the mighty ocean?--is this all?"

says the Princess in Gebir.  The rush that should have flooded my soul in
the Coliseum did not come.  But walking one day in the fields about the
city, I stumbled over a fragment of broken masonry, and lo! the World's
Mistress in her stone girdle--_alta maenia Romae_--rose before me and
whitened my cheek with her pale shadow as never before or since.

I used very often, when coming home from my morning's work at one of the
public institutions of Paris, to stop in at the dear old church of St.
Etienne du Mont.  The tomb of St. Genevieve, surrounded by burning
candles and votive tablets, was there; the mural tablet of Jacobus
Benignus Winslow was there; there was a noble organ with carved figures;
the pulpit was borne on the oaken shoulders of a stooping Samson; and
there was a marvellous staircase like a coil of lace.  These things I
mention from memory, but not all of them together impressed me so much as
an inscription on a small slab of marble fixed in one of the walls.  It
told how this church of St. Stephen was repaired and beautified in the
year 16**, and how, during the celebration of its reopening, two girls of
the parish (_filles de la paroisse_) fell from the gallery, carrying a
part of the balustrade with them, to the pavement, but by a miracle
escaped uninjured.  Two young girls, nameless, but real presences to my
imagination, as much as when they came fluttering down on the tiles with
a cry that outscreamed the sharpest treble in the Te Deum.  (Look at
Carlyle's article on Boswell, and see how he speaks of the poor young
woman Johnson talked with in the streets one evening.)  All the crowd
gone but these two "filles de la paroisse,"--gone as utterly as the
dresses they wore, as the shoes that were on their feet, as the bread and
meat that were in the market on that day.

Not the great historical events, but the personal incidents that call up
single sharp pictures of some human being in its pang or struggle, reach
us most nearly.  I remember the platform at Berne, over the parapet of
which Theobald Weinzapfli's restive horse sprung with him and landed him
more than a hundred feet beneath in the lower town, not dead, but sorely
broken, and no longer a wild youth, but God's servant from that day
forward.  I have forgotten the famous bears, and all else.--I remember
the Percy lion on the bridge over the little river at Alnwick,--the
leaden lion with his tail stretched out straight like a pump-handle,--and
why?  Because of the story of the village boy who must fain bestride the
leaden tail, standing out over the water,--which breaking, he dropped
into the stream far below, and was taken out an idiot for the rest of his
life.

Arrow-heads must be brought to a sharp point, and the guillotine-axe must
have a slanting edge.  Something intensely human, narrow, and definate
pierces to the seat of our sensibilities more readily than huge
occurrences and catastrophes.  A nail will pick a lock that defies
hatchet and hammer.  "The Royal George" went down with all her crew, and
Cowper wrote an exquisitely simple poem about it; but the leaf which
holds it is smooth, while that which bears the lines on his mother's
portrait is blistered with tears.

My telling these recollections sets me thinking of others of the same
kind which strike the imagination, especially when one is still young.
You remember the monument in Devizes market to the woman struck dead with
a lie in her mouth.  I never saw that, but it is in the books.  Here is
one I never heard mentioned;--if any of the "Note and Query" tribe can
tell the story, I hope they will.  Where is this monument?  I was riding
on an English stage-coach when we passed a handsome marble column (as I
remember it) of considerable size and pretensions.--What is that?--I
said.--That,--answered the coachman,--is _the hangman's pillar_.  Then he
told me how a man went out one night, many years ago, to steal sheep.  He
caught one, tied its legs together, passed the rope over his head, and
started for home.  In climbing a fence, the rope slipped, caught him by
the neck, and strangled him.  Next morning he was found hanging dead on
one side of the fence and the sheep on the other; in memory whereof the
lord of the manor caused this monument to be erected as a warning to all
who love mutton better than virtue.  I will send a copy of this record to
him or her who shall first set me right about this column and its
locality.

And telling over these old stories reminds me that I have something which
may interest architects and perhaps some other persons.  I once ascended
the spire of Strasburg Cathedral, which is the highest, I think, in
Europe.  It is a shaft of stone filigree-work, frightfully open, so that
the guide puts his arms behind you to keep you from falling.  To climb it
is a noonday nightmare, and to think of having climbed it crisps all the
fifty-six joints of one's twenty digits.  While I was on it, "pinnacled
dim in the intense inane," a strong wind was blowing, and I felt sure
that the spire was rocking.  It swayed back and forward like a stalk of
rye or a cat-o'nine-tails (bulrush) with a bobolink on it.  I mentioned
it to the guide, and he said that the spire did really swing back and
forward,--I think he said some feet.

Keep any line of knowledge ten years and some other line will intersect
it.  Long afterwards I was hunting out a paper of Dumeril's in an old
journal,--the "Magazin Encyclopedique" for _l'an troisieme_, (1795,) when
I stumbled upon a brief article on the vibrations of the spire of
Strasburg Cathedral.  A man can shake it so that the movement shall be
shown in a vessel of water nearly seventy feet below the summit, and
higher up the vibration is like that of an earthquake.  I have seen one
of those wretched wooden spires with which we very shabbily finish some
of our stone churches (thinking that the lidless blue eye of heaven
cannot tell the counterfeit we try to pass on it,) swinging like a reed,
in a wind, but one would hardly think of such a thing's happening in a
stone spire.  Does the Bunker-Hill Monument bend in the blast like a
blade of grass?  I suppose so.

You see, of course, that I am talking in a cheap way;--perhaps we will
have some philosophy by and by;--let me work out this thin mechanical
vein.--I have something more to say about trees.  I have brought down
this slice of hemlock to show you.  Tree blew down in my woods (that
were) in 1852.  Twelve feet and a half round, fair girth;--nine feet,
where I got my section, higher up.  This is a wedge, going to the centre,
of the general shape of a slice of apple-pie in a large and not opulent
family.  Length, about eighteen inches.  I have studied the growth of
this tree by its rings, and it is curious.  Three hundred and forty-two
rings.  Started, therefore, about 1510.  The thickness of the rings tells
the rate at which it grew.  For five or six years the rate was
slow,--then rapid for twenty years.  A little before the year 1550 it
began to grow very slowly, and so continued for about seventy years.  In
1620 it took a new start and grew fast until 1714 then for the most part
slowly until 1786, when it started again and grew pretty well and
uniformly until within the last dozen years, when it seems to have got on
sluggishly.

Look here.  Here are some human lives laid down against the periods of
its growth, to which they corresponded.  This is Shakspeare's.  The tree
was seven inches in diameter when he was born; ten inches when he died.
A little less than ten inches when Milton was born; seventeen when he
died.  Then comes a long interval, and this thread marks out Johnson's
life, during which the tree increased from twenty-two to twenty-nine
inches in diameter.  Here is the span of Napoleon's career;--the tree
doesn't seem to have minded it.

I never saw the man yet who was not startled at looking on this section.
I have seen many wooden preachers,--never one like this.  How much more
striking would be the calendar counted on the rings of one of those awful
trees which were standing when Christ was on earth, and where that brief
mortal life is chronicled with the stolid apathy of vegetable being,
which remembers all human history as a thing of yesterday in its own
dateless existence!

I have something more to say about elms.  A relative tells me there is
one of great glory in Andover, near Bradford.  I have some recollections
of the former place, pleasant and other.  [I wonder if the old Seminary
clock strikes as slowly as it used to.  My room-mate thought, when he
first came, it was the bell tolling deaths, and people's ages, as they do
in the country.  He swore--(ministers' sons get so familiar with good
words that they are apt to handle them carelessly)--that the children
were dying by the dozen, of all ages, from one to twelve, and ran off
next day in recess, when it began to strike eleven, but was caught before
the clock got through striking.]  At the foot of "the hill," down in
town, is, or was, a tidy old elm, which was said to have been hooped with
iron to protect it from Indian tomahawks, (_Credat Hahnemannus_,) and to
have grown round its hoops and buried them in its wood.  Of course, this
is not the tree my relative means.

Also, I have a very pretty letter from Norwich, in Connecticut, telling
me of two noble elms which are to be seen in that town.  One hundred and
twenty-seven feet from bough-end to bough-end!  What do you say to that?
And gentle ladies beneath it, that love it and celebrate its praises!
And that in a town of such supreme, audacious, Alpine loveliness as
Norwich!--Only the dear people there must learn to call it Norridge, and
not be misled by the mere accident of spelling.

  Nor_wich_.

  Por_ch_mouth.

  Cincinnat_ah_.

What a sad picture of our civilization!

I did not speak to you of the great tree on what used to be the Colman
farm, in Deerfield, simply because I had not seen it for many years, and
did not like to trust my recollection.  But I had it in memory, and even
noted down, as one of the finest trees in symmetry and beauty I had ever
seen.  I have received a document, signed by two citizens of a
neighboring town, certified by the postmaster and a selectman, and these
again corroborated, reinforced, and sworn to by a member of that
extraordinary college-class to which it is the good fortune of my friend
the Professor to belong, who, though he has _formerly_ been a member of
Congress, is, I believe, fully worthy of confidence.  The tree "girts"
eighteen and a half feet, and spreads over a hundred, and is a real
beauty.  I hope to meet my friend under its branches yet; if we don't
have "youth at the prow," we will have "pleasure at the 'elm."

And just now, again, I have got a letter about some grand willows in
Maine, and another about an elm in Wayland, but too late for anything but
thanks.

[And this leads me to say, that I have received a great many
communications, in prose and verse since I began printing these notes.
The last came this very morning, in the shape of a neat and brief poem,
from New Orleans.  I could not make any of them public, though sometimes
requested to do so.  Some of them have given me great pleasure, and
encouraged me to believe I had friends whose faces I had never seen.  If
you are pleased with anything a writer says, and doubt whether to tell
him of it, do not hesitate; a pleasant word is a cordial to one, who
perhaps thinks he is tiring you, and so becomes tired himself.  I purr
very loud over a good, honest letter that says pretty things to me.]

--Sometimes very young persons send communications which they want
forwarded to editors; and these young persons do not always seem to have
right conceptions of these same editors, and of the public, and of
themselves.  Here is a letter I wrote to one of these young folks, but,
on the whole, thought it best not to send.  It is not fair to single out
one for such sharp advice, where there are hundreds that are in need of
it.

    DEAR SIR,--You seem to be somewhat, but not a great deal, wiser than
    I was at your age.  I don't wish to be understood as saying too much,
    for I think, without committing myself to any opinion on my present
    state, that I was not a Solomon at that stage of development.

    You long to "leap at a single bound into celebrity."  Nothing is so
    common-place as to wish to be remarkable.  Fame usually comes to
    those who are thinking about something else,--very rarely to those
    who say to themselves, "Go to, now, let us be a celebrated
    individual!"  The struggle for fame, as such, commonly ends in
    notoriety;--that ladder is easy to climb, but it leads to the pillory
    which is crowded with fools who could not hold their tongues and
    rogues who could not hide their tricks.

    If you have the consciousness of genius, do something to show it.
    The world is pretty quick, nowadays, to catch the flavor of true
    originality; if you write anything remarkable, the magazines and
    newspapers will find you out, as the school-boys find out where the
    ripe apples and pears are.  Produce anything really good, and an
    intelligent editor will jump at it.  Don't flatter yourself that any
    article of yours is rejected because you are unknown to fame.
    Nothing pleases an editor more than to get anything worth having from
    a new hand.  There is always a dearth of really fine articles for a
    first-rate journal; for, of a hundred pieces received, ninety are at
    or below the sea-level; some have water enough, but no head; some
    head enough, but no water; only two or three are from full
    reservoirs, high up that hill which is so hard to climb.

    You may have genius.  The contrary is of course probable, but it is
    not demonstrated.  If you have, the world wants you more than you
    want it.  It has not only a desire, but a passion, for every spark of
    genius that shows itself among us; there is not a bull-calf in our
    national pasture that can bleat a rhyme but it is ten to one, among
    his friends, and no takers, that he is the real, genuine, no-mistake
    Osiris.

    _Qu'est ce qu'il a fait_?  What has he done?  That was Napoleon's
    test.  What have you done?  Turn up the faces of your picture-cards,
    my boy!  You need not make mouths at the public because it has not
    accepted you at your own fancy-valuation.  Do the prettiest thing you
    can and wait your time.

    For the verses you send me, I will not say they are hopeless, and I
    dare not affirm that they show promise.  I am not an editor, but I
    know the standard of some editors.  You must not expect to "leap with
    a single bound" into the society of those whom it is not flattery to
    call your betters.  When "The Pactolian" has paid you for a copy of
    verses,--(I can furnish you a list of alliterative signatures,
    beginning with Annie Aureole and ending with Zoe Zenith,)--when "The
    Rag-bag" has stolen your piece, after carefully scratching your name
    out,--when "The Nut-cracker" has thought you worth shelling, and
    strung the kernel of your cleverest poem,--then, and not till then,
    you may consider the presumption against you, from the fact of your
    rhyming tendency, as called in question, and let our friends hear
    from you, if you think it worth while.  You may possibly think me too
    candid, and even accuse me of incivility; but let me assure you that
    I am not half so plain-spoken as Nature, nor half so rude as Time.
    If you prefer the long jolting of public opinion to the gentle touch
    of friendship, try it like a man.  Only remember this,--that, if a
    bushel of potatoes is shaken in a market-cart without springs to it,
    the small potatoes always get to the bottom.

                                                    Believe me, etc., etc.

I always think of verse-writers, when I am in this vein; for these are by
far the most exacting, eager, self-weighing, restless, querulous,
unreasonable literary persons one is like to meet with.  Is a young man
in the habit of writing verses?  Then the presumption is that he is an
inferior person.  For, look you, there are at least nine chances in ten
that he writes _poor_ verses.  Now the habit of chewing on rhymes without
sense and soul to match them is, like that of using any other narcotic,
at once a proof of feebleness and a debilitating agent.  A young man can
get rid of the presumption against him afforded by his writing verses
only by convincing us that they are verses worth writing.

All this sounds hard and rough, but, observe, it is not addressed to any
individual, and of course does not refer to any reader of these pages.  I
would always treat any given young person passing through the meteoric
showers which rain down on the brief period of adolescence with great
tenderness.  God forgive us if we ever speak harshly to young creatures
on the strength of these ugly truths, and so sooner or later, smite some
tender-souled poet or poetess on the lips who might have sung the world
into sweet trances, had we not silenced the matin-song in its first low
breathings!  Just as my heart yearns over the unloved, just so it sorrows
for the ungifted who are doomed to the pangs of an undeceived
self-estimate.  I have always tried to be gentle with the most hopeless
cases.  My experience, however, has not been encouraging.

--X. Y., aet. 18, a cheaply-got-up youth, with narrow jaws, and broad,
bony, cold, red hands, having been laughed at by the girls in his
village, and "got the mitten" (pronounced mitt_i_n) two or three times,
falls to souling and controlling, and youthing and truthing, in the
newspapers.  Sends me some strings of verses, candidates for the
Orthopedic Infirmary, all of them, in which I learn for the millionth
time one of the following facts: either that something about a chime is
sublime, or that something about time is sublime, or that something about
a chime is concerned with time, or that something about a rhyme is
sublime or concerned with time or with a chime.  Wishes my opinion of the
same, with advice as to his future course.

What shall I do about it?  Tell him the whole truth, and send him a
ticket of admission to the Institution for Idiots and Feeble-minded
Youth?  One doesn't like to be cruel,--and yet one hates to lie.
Therefore one softens down the ugly central fact of
donkeyism,--recommends study of good models,--that writing verse should
be an incidental occupation only, not interfering with the hoe, the
needle, the lapstone, or the ledger,--and, above all that there should be
no hurry in printing what is written.  Not the least use in all this.
The poetaster who has tasted type is done for.  He is like the man who
has once been a candidate for the Presidency.  He feeds on the madder of
his delusion all his days, and his very bones grow red with the glow of
his foolish fancy.  One of these young brains is like a bunch of India
crackers; once touch fire to it and it is best to keep hands off until it
has done popping,--if it ever stops.  I have two letters on file; one is
a pattern of adulation, the other of impertinence.  My reply to the
first, containing the best advice I could give, conveyed in courteous
language, had brought out the second.  There was some sport in this, but
Dulness is not commonly a game fish, and only sulks after he is struck.
You may set it down as a truth which admits of few exceptions, that those
who ask your _opinion_ really want your _praise_, and will be contented
with nothing less.

There is another kind of application to which editors, or those supposed
to have access to them, are liable, and which often proves trying and
painful.  One is appealed to in behalf of some person in needy
circumstances who wishes to make a living by the pen.  A manuscript
accompanying the letter is offered for publication.  It is not commonly
brilliant, too often lamentably deficient.  If Rachel's saying is true,
that "fortune is the measure of intelligence," then poverty is evidence
of limited capacity which it too frequently proves to be, notwithstanding
a noble exception here and there.  Now an editor is a person under a
contract with the public to furnish them with the best things he can
afford for his money.  Charity shown by the publication of an inferior
article would be like the generosity of Claude Duval and the other
gentlemen highwaymen, who pitied the poor so much they robbed the rich to
have the means of relieving them.

Though I am not and never was an editor, I know something of the trials
to which they are submitted.  They have nothing to do but to develope
enormous calluses at every point of contact with authorship.  Their
business is not a matter of sympathy, but of intellect.  They must reject
the unfit productions of those whom they long to befriend, because it
would be a profligate charity to accept them.  One cannot burn his house
down to warm the hands even of the fatherless and the widow.



THE PROFESSOR UNDER CHLOROFORM.


--You haven't heard about my friend the Professor's first experiment in
the use of anaesthetics, have you?

He was mightily pleased with the reception of that poem of his about the
chaise.  He spoke to me once or twice about another poem of similar
character he wanted to read me, which I told him I would listen to and
criticize.

One day, after dinner, he came in with his face tied up, looking very red
in the cheeks and heavy about the eyes.--Hy'r'ye?--he said, and made for
an arm-chair, in which he placed first his hat and then his person, going
smack through the crown of the former as neatly as they do the trick at
the circus.  The Professor jumped at the explosion as if he had sat down
on one of those small _calthrops_ our grandfathers used to sow round in
the grass when there were Indians about,--iron stars, each ray a rusty
thorn an inch and a half long,--stick through moccasins into
feet,--cripple 'em on the spot, and give 'em lockjaw in a day or two.

At the same time he let off one of those big words which lie at the
bottom of the best man's vocabulary, but perhaps never turn up in his
life,--just as every man's hair _may_ stand on end, but in most men it
never does.

After he had got calm, he pulled out a sheet or two of manuscript,
together with a smaller scrap, on which, as he said, he had just been
writing an introduction or prelude to the main performance.  A certain
suspicion had come into my mind that the Professor was not quite right,
which was confirmed by the way he talked; but I let him begin.  This is
the way he read it:--

                                  _Prelude_.

       I'M the fellah that tole one day
    The tale of the won'erful one-hoss-shay.
    Wan' to hear another?  Say.
    --Funny, wasn'it?  Made _me_ laugh,--
    I'm too modest, I am, by half,--
    Made me laugh '_s though I sh'd split_,--
    Cahn' a fellah like fellah's own wit?--
    --Fellahs keep sayin',--"Well, now that's nice;
    Did it once, but cahn' do it twice."--
    Don' you b'lieve the'z no more fat;
    Lots in the kitch'n 'z good 'z that.
    Fus'-rate throw, 'n' no mistake,--
    Han' us the props for another shake;--
    Know I'll try, 'n' guess I'll win;
    Here sh' goes for hit 'm ag'in!

Here I thought it necessary to interpose.--Professor,--I said,--you are
inebriated.  The style of what you call your "Prelude" shows that it was
written under cerebral excitement.  Your articulation is confused.  You
have told me three times in succession, in exactly the same words, that I
was the only true friend you had in the world that you would unbutton
your heart to.  You smell distinctly and decidedly of spirits.--I spoke,
and paused; tender, but firm.

Two large tears orbed themselves beneath the Professor's lids,--in
obedience to the principle of gravitation celebrated in that delicious
bit of bladdery bathos, "The very law that moulds a tear," with which the
"Edinburgh Review" attempted to put down Master George Gordon when that
young man was foolishly trying to make himself conspicuous.

One of these tears peeped over the edge of the lid until it lost its
balance,--slid an inch and waited for reinforcements,--swelled
again,--rolled down a little further,--stopped,--moved on,--and at last
fell on the back of the Professor's hand.  He held it up for me to look
at, and lifted his eyes, brimful, till they met mine.

I couldn't stand it,--I always break down when folks cry in my face,--so
I hugged him, and said he was a dear old boy, and asked him kindly what
was the matter with him, and what made him smell so dreadfully strong of
spirits.

Upset his alcohol lamp,--he said,--and spilt the alcohol on his legs.
That was it.--But what had he been doing to get his head into such a
state?--had he really committed an excess?  What was the matter?--Then it
came out that he had been taking chloroform to have a tooth out, which
had left him in a very queer state, in which he had written the "Prelude"
given above, and under the influence of which he evidently was still.

I took the manuscript from his hands and read the following continuation
of the lines he had begun to read me, while he made up for two or three
nights' lost sleep as he best might.



PARSON TURELL'S LEGACY:
OR THE PRESIDENT'S OLD ARM-CHAIR.


                          A MATHEMATICAL STORY.

       FACTS respecting an old arm-chair.
    At Cambridge.  Is kept in the College there.
    Seems but little the worse for wear.
    That's remarkable when I say
    It was old in President Holyoke's day.
    (One of his boys, perhaps you know,
    Died, _at one hundred_, years ago.)
    _He_ took lodging for rain or shine
    Under green bed-clothes in '69.

       Know old Cambridge?  Hope you do.--
    Born there?  Don't say so!  I was, too.
    (Born in a house with a gambrel-roof,--
    Standing still, if you must have proof.--
    "Gambrel?--Gambrel?"--Let me beg
    You'll look at a horse's hinder leg,--
    First great angle above the hoof,--
    That's the gambrel; hence gambrel-roof.)
    --Nicest place that ever was seen,--
    Colleges red and Common green,
    Sidewalks brownish with trees between.
    Sweetest spot beneath the skies
    When the canker-worms don't rise,--
    When the dust, that sometimes flies
    Into your mouth and ears and eyes.
    In a quiet slumber lies,
    _Not_ in the shape of unbaked pies
    Such as barefoot children prize.

       A kind of harber it seems to be,
    Facing the flow of a boundless sea.
    Rows of gray old Tutors stand
    Ranged like rocks above the sand;
    Rolling beneath them, soft and green,
    Breaks the tide of bright sixteen,--
    One wave, two waves, three waves, four,
    Sliding up the sparkling floor;
    Then it ebbs to flow no more,
    Wandering off from shore to shore
    With its freight of golden ore!
    --Pleasant place for boys to play;--
    Better keep your girls away;
    Hearts get rolled as pebbles do
    Which countless fingering waves pursue,
    And every classic beach is strown
    With heart-shaped pebbles of blood-red stone.

       But this is neither here nor there;--
    I'm talking about an old arm-chair.
    You've heard, no doubt, of PARSON TURELL?
    Over at Medford he used to dwell;
    Married one of the Mathers' folk;
    Got with his wife a chair of oak,--
    Funny old chair, with seat like wedge,
    Sharp behind and broad front edge,--
    One of the oddest of human things,
    Turned all over with knobs and rings,--
    But heavy, and wide, and deep, and grand,--
    Fit for the worthies of the land,--
    Chief-Justice Sewall a cause to try in,
    Or Cotton Mather to sit--and lie--in.
    --Parson Turell bequeathed the same
    To a certain student,--SMITH by name;
    These were the terms, as we are told:
    "Saide Smith saide Chaire to have and holde;
    When he doth graduate, then to passe
    To ye oldest Youth in ye Senior Classe.
    On Payment of"--(naming a certain sum)--
    "By him to whom ye Chaire shall come;
    He to ye oldest Senior next,
    And soe forever,"--(thus runs the text,)--
    "But one Crown lesse then he gave to claime,
    That being his Debte for use of same."

       _Smith_ transferred it to one of the BROWNS,
    And took his money,--five silver crowns.
    _Brown_ delivered it up to MOORE,
    Who paid, it is plain, not five, but four.
    _Moore_ made over the chair to LEE,
    Who gave him crowns of silver three.
    _Lee_ conveyed it unto DREW,
    And now the payment, of course, was two.
    _Drew_ gave up the chair to DUNN,--
    All he got, as you see, was one.
    _Dunn_ released the chair to HALL,
    And got by the bargain no crown at all.
    --And now it passed to a second BROWN,
    Who took it, and likewise _claimed a crown_.
    When _Brown_ conveyed it unto WARE,
    Having had one crown, to make it fair,
    He paid him two crowns to take the chair;
    And _Ware_, being honest, (as all Wares be,)
    He paid one POTTER, who took it, three.
    Four got ROBINSON; five got DIX;
    JOHNSON _primus_ demanded six;
    And so the sum kept gathering still
    Till after the battle of Bunker's Hill
    --When paper money became so cheap,
    Folks wouldn't count it, but said "a heap,"
    A certain RICHARDS, the books declare,
    (A. M. in '90?  I've looked with care
    Through the Triennial,--_name not there_.)
    This person, Richards, was offered then
    Eight score pounds, but would have ten;
    Nine, I think, was the sum he took,--
    Not quite certain,--but see the book.
    --By and by the wars were still,
    But nothing had altered the Parson's will.
    The old arm-chair was solid yet,
    But saddled with such a monstrous debt!
    Things grew quite too bad to bear,
    Paying such sums to get rid of the chair!
    But dead men's fingers hold awful tight,
    And there was the will in black and white,
    Plain enough for a child to spell.
    What should be done no man could tell,
    For the chair was a kind of nightmare curse,
    And every season but made it worse.

       As a last resort, to clear the doubt,
    They got old GOVERNOR HANCOCK out.
    The Governor came, with his Light-horse Troop
    And his mounted truckmen, all cock-a-hoop;
    Halberds glittered and colors flew,
    French horns whinnied and trumpets blew,
    The yellow fifes whistled between their teeth
    And the bumble-bee bass-drums boomed beneath;
    So he rode with all his band,
    Till the President met him, cap in hand.
    --The Governor "hefted" the crowns, and said,--
    "A will is a will, and the Parson's dead."
    The Governor hefted the crowns.  Said he,--
    "There is your p'int.  And here's my fee.
    These are the terms you must fulfil,--
    On such conditions I BREAK THE WILL!"
    The Governor mentioned what these should be.
    (Just wait a minute and then you'll see.)
    The President prayed.  Then all was still,
    And the Governor rose and BROKE THE WILL!
    --"About those conditions?"  Well, now you go
    And do as I tell you, and then you'll know.
    Once a year, on Commencement-day,
    If you'll only take the pains to stay,
    You'll see the President in the CHAIR,
    Likewise the Governor sitting there.
    The President rises; both old and young
    May hear his speech in a foreign tongue,
    The meaning whereof, as lawyers swear,
    Is this: Can I keep this old arm-chair?
    And then his Excellency bows,
    As much as to say that he allows.
    The Vice-Gub. next is called by name;
    He bows like t'other, which means the same.
    And all the officers round 'em bow,
    As much as to say that _they_ allow.
    And a lot of parchments about the chair
    Are handed to witnesses then and there,
    And then the lawyers hold it clear
    That the chair is safe for another year.

       God bless you, Gentlemen!  Learn to give
    Money to colleges while you live.
    Don't be silly and think you'll try
    To bother the colleges, when you die,
    With codicil this, and codicil that,
    That Knowledge may starve while Law grows fat;
    For there never was pitcher that wouldn't spill,
    And there's always a flaw in a donkey's will!

--Hospitality is a good deal a matter of latitude, I suspect.  The shade
of a palm-tree serves an African for a hut; his dwelling is all door and
no walls; everybody can come in.  To make a morning call on an Esquimaux
acquaintance, one must creep through a long tunnel; his house is all
walls and no door, except such a one as an apple with a worm-hole has.
One might, very probably, trace a regular gradation between these two
extremes.  In cities where the evenings are generally hot, the people
have porches at their doors, where they sit, and this is, of course, a
provocative to the interchange of civilities.  A good deal, which in
colder regions is ascribed to mean dispositions, belongs really to mean
temperature.

Once in a while, even in our Northern cities, at noon, in a very hot
summer's day, one may realize, by a sudden extension in his sphere of
consciousness, how closely he is shut up for the most part.--Do you not
remember something like this?  July, between 1 and 2, P. M., Fahrenheit
96, or thereabout.  Windows all gaping, like the mouths of panting dogs.
Long, stinging cry of a locust comes in from a tree, half a mile off; had
forgotten there was such a tree.  Baby's screams from a house several
blocks distant;--never knew there were any babies in the neighborhood
before.  Tinman pounding something that clatters dreadfully,--very
distinct, but don't remember any tinman's shop near by.  Horses stamping
on pavement to get off flies.  When you hear these four sounds, you may
set it down as a warm day.  Then it is that one would like to imitate the
mode of life of the native at Sierra Leone, as somebody has described it:
stroll into the market in natural costume,--buy a water-melon for a
halfpenny,--split it, and scoop out the middle,--sit down in one half of
the empty rind, clap the other on one's head, and feast upon the pulp.

--I see some of the London journals have been attacking some of their
literary people for lecturing, on the ground of its being a public
exhibition of themselves for money.  A popular author can print his
lecture; if he deliver it, it is a case of _quaestum corpore_, or making
profit of his person.  None but "snobs" do that.  _Ergo_, etc.  To this I
reply,--_Negatur minor_.  Her Most Gracious Majesty, the Queen, exhibits
herself to the public as a part of the service for which she is paid.  We
do not consider it low-bred in her to pronounce her own speech, and
should prefer it so to hearing it from any other person, or reading it.
His Grace and his Lordship exhibit themselves very often for popularity,
and their houses every day for money.--No, if a man shows himself other
than he is, if he belittles himself before an audience for hire, then he
acts unworthily.  But a true word, fresh from the lips of a true man, is
worth paying for, at the rate of eight dollars a day, or even of fifty
dollars a lecture.  The taunt must be an outbreak of jealousy against the
renowned authors who have the audacity to be also orators.  The
sub-lieutenants (of the press) stick a too popular writer and speaker
with an epithet in England, instead of with a rapier, as in France.--Poh!
All England is one great menagerie, and, all at once, the jackal, who
admires the gilded cage of the royal beast, must protest against the
vulgarity of the talking-bird's and the nightingale's being willing to
become a part of the exhibition!



THE LONG PATH.


                       (_Last of the Parentheses_.)

Yes, that was my last walk with the _schoolmistress_.  It happened to be
the end of a term; and before the next began, a very nice young woman,
who had been her assistant, was announced as her successor, and she was
provided for elsewhere.  So it was no longer the schoolmistress that I
walked with, but--Let us not be in unseemly haste.  I shall call her the
schoolmistress still; some of you love her under that name.

When it became known among the boarders that two of their number had
joined hands to walk down the long path of life side by side, there was,
as you may suppose, no small sensation.  I confess I pitied our landlady.
It took her all of a suddin,--she said.  Had not known that we was keepin
company, and never mistrusted anything particular.  Ma'am was right to
better herself.  Didn't look very rugged to take care of a femily, but
could get hired haalp, she calc'lated.--The great maternal instinct came
crowding up in her soul just then, and her eyes wandered until they
settled on her daughter.

--No, poor, dear woman,--that could not have been.  But I am dropping one
of my internal tears for you, with this pleasant smile on my face all the
time.

The great mystery of God's providence is the permitted crushing out of
flowering instincts.  Life is maintained by the respiration of oxygen and
of sentiments.  In the long catalogue of scientific cruelties there is
hardly anything quite so painful to think of as that experiment of
putting an animal under the bell of an air-pump and exhausting the air
from it.  [I never saw the accursed trick performed.  _Laus Deo_!]  There
comes a time when the souls of human beings, women, perhaps, more even
than men, begin to faint for the atmosphere of the affections they were
made to breathe.  Then it is that Society places its transparent
bell-glass over the young woman who is to be the subject of one of its
fatal experiments.  The element by which only the heart lives is sucked
out of her crystalline prison.  Watch her through its transparent
walls;--her bosom is heaving; but it is in a vacuum.  Death is no riddle,
compared to this.  I remember a poor girl's story in the "Book of
Martyrs."  The "dry-pan and the gradual fire" were the images that
frightened her most.  How many have withered and wasted under as slow a
torment in the walls of that larger Inquisition which we call
Civilization!

Yes, my surface-thought laughs at you, you foolish, plain, overdressed,
mincing, cheaply-organized, self-saturated young person, whoever you may
be, now reading this,--little thinking you are what I describe, and in
blissful unconsciousness that you are destined to the lingering asphyxia
of soul which is the lot of such multitudes worthier than yourself.  But
it is only my surface-thought which laughs.  For that great procession of
the UNLOVED, who not only wear the crown of thorns, but must hide it
under the locks of brown or gray,--under the snowy cap, under the
chilling turban,--hide it even from themselves,--perhaps never know they
wear it, though it kills them,--there is no depth of tenderness in my
nature that Pity has not sounded.  Somewhere,--somewhere,--love is in
store for them,--the universe must not be allowed to fool them so
cruelly.  What infinite pathos in the small, half-unconscious artifices
by which unattractive young persons seek to recommend themselves to the
favor of those towards whom our dear sisters, the unloved, like the rest,
are impelled by their God-given instincts!

Read what the singing-women--one to ten thousand of the suffering
women--tell us, and think of the griefs that die unspoken!  Nature is in
earnest when she makes a woman; and there are women enough lying in the
next churchyard with very commonplace blue slate-stones at their head and
feet, for whom it was just as true that "all sounds of life assumed one
tone of love," as for Letitia Landon, of whom Elizabeth Browning said it;
but she could give words to her grief, and they could not.--Will you hear
a few stanzas of mine?

                                THE VOICELESS.

    We count the broken lyres that rest
       Where the sweet wailing singers slumber,--
    But o'er their silent sister's breast
       The wild flowers who will stoop to number?
    A few can touch the magic string,
       And noisy Fame is proud to win them;--
    Alas for those that never sing,
       But die with all their music in them!

    Nay, grieve not for the dead alone
       Whose song has told their hearts' sad story,--
    Weep for the voiceless, who have known
       The cross without the crown of glory!
    Not where Leucadian breezes sweep
       O'er Sappho's memory-haunted billow,
    But where the glistening night-dews weep
       On nameless sorrow's churchyard pillow.

    O hearts that break and give no sign
       Save whitening lip and fading tresses,
    Till Death pours out his cordial wine
       Slow-dropped from Misery's crushing presses,--
    If singing breath or echoing chord
       To every hidden pang were given,
    What endless melodies were poured,
       As sad as earth, as sweet as heaven!

I hope that our landlady's daughter is not so badly off, after all.  That
young man from another city who made the remark which you remember about
Boston State-house and Boston folks, has appeared at our table repeatedly
of late, and has seemed to me rather attentive to this young lady.  Only
last evening I saw him leaning over her while she was playing the
accordion,--indeed, I undertook to join them in a song, and got as far as
"Come rest in this boo-oo," when, my voice getting tremulous, I turned
off, as one steps out of a procession, and left the basso and soprano to
finish it.  I see no reason why this young woman should not be a very
proper match for a man that laughs about Boston State-house.  He can't be
very particular.

The young fellow whom I have so often mentioned was a little free in his
remarks, but very good-natured.--Sorry to have you go,--he
said.--School-ma'am made a mistake not to wait for me.  Haven't taken
anything but mournin' fruit at breakfast since I heard of it.--_Mourning_
fruit,--said I,--what's that?--Huckleberries and blackberries,--said
he;--couldn't eat in colors, raspberries, currants, and such, after a
solemn thing like this happening.--The conceit seemed to please the young
fellow.  If you will believe it, when we came down to breakfast the next
morning, he had carried it out as follows.  You know those odious little
"saas-plates" that figure so largely at boarding-houses, and especially
at taverns, into which a strenuous attendant female trowels little dabs,
sombre of tint and heterogeneous of composition, which it makes you feel
homesick to look at, and into which you poke the elastic coppery
tea-spoon with the air of a cat dipping her foot into a wash-tub,--(not
that I mean to say anything against them, for, when they are of tinted
porcelain or starry many-faceted crystal, and hold clean bright berries,
or pale virgin honey, or "lucent syrups tinct with cinnamon," and the
teaspoon is of white silver, with the Tower-stamp, solid, but not
brutally heavy,--as people in the green stage of millionism will have
them,--I can dally with their amber semi-fluids or glossy spherules
without a shiver,)--you know these small, deep dishes, I say.  When we
came down the next morning, each of these (two only excepted) was covered
with a broad leaf.  On lifting this, each boarder found a small heap of
solemn black huckleberries.  But one of those plates held red currants,
and was covered with a red rose; the other held white currants, and was
covered with a white rose.  There was a laugh at this at first, and then
a short silence, and I noticed that her lip trembled, and the old
gentleman opposite was in trouble to get at his bandanna handkerchief

--"What was the use in waiting?  We should be too late for Switzerland,
that season, if we waited much longer."--The hand I held trembled in
mine, and the eyes fell meekly, as Esther bowed herself before the feet
of Ahasuerus.--She had been reading that chapter, for she looked up,--if
there was a film of moisture over her eyes there was also the faintest
shadow of a distant smile skirting her lips, but not enough to accent the
dimples,--and said, in her pretty, still way,--"If it please the king,
and if I have found favor in his sight, and the thing seem right before
the king, and I be pleasing in his eyes"--

I don't remember what King Ahasuerus did or said when Esther got just to
that point of her soft, humble words,--but I know what I did.  That
quotation from Scripture was cut short, anyhow.  We came to a compromise
on the great question, and the time was settled for the last day of
summer.

In the mean time, I talked on with our boarders, much as usual, as you
may see by what I have reported.  I must say, I was pleased with a
certain tenderness they all showed toward us, after the first excitement
of the news was over.  It came out in trivial matters,--but each one, in
his or her way, manifested kindness.  Our landlady, for instance, when we
had chickens, sent the _liver_ instead of the _gizzard_, with the wing,
for the schoolmistress.  This was not an accident; the two are never
mistaken, though some landladies _appear_ as if they did not know the
difference.  The whole of the company were even more respectfully
attentive to my remarks than usual.  There was no idle punning, and very
little winking on the part of that lively young gentleman who, as the
reader may remember, occasionally interposed some playful question or
remark, which could hardly be considered relevant,--except when the least
allusion was made to matrimony, when he would look at the landlady's
daughter, and wink with both sides of his face, until she would ask what
he was pokin' his fun at her for, and if he wasn't ashamed of himself.
In fact, they all behaved very handsomely, so that I really felt sorry at
the thought of leaving my boarding-house.

I suppose you think, that, because I lived at a plain widow-woman's plain
table, I was of course more or less infirm in point of worldly fortune.
You may not be sorry to learn, that, though not what _great merchants_
call very rich, I was comfortable,--comfortable,--so that most of those
moderate luxuries I described in my verses on _Contentment_--_most_ of
them, I say--were within our reach, if we chose to have them.  But I
found out that the schoolmistress had a vein of charity about her, which
had hitherto been worked on a small silver and copper basis, which made
her think less, perhaps, of luxuries than even I did,--modestly as I have
expressed my wishes.

It is a rather pleasant thing to tell a poor young woman, whom one has
contrived to win without showing his rent-roll, that she has found what
the world values so highly, in following the lead of her affections.
That was an enjoyment I was now ready for.

I began abruptly:--Do you know that you are a rich young person?

I know that I am very rich,--she said.--Heaven has given me more than I
ever asked; for I had not thought love was ever meant for me.

It was a woman's confession, and her voice fell to a whisper as it
threaded the last words.

I don't mean that,--I said,--you blessed little saint and seraph!--if
there's an angel missing in the New Jerusalem, inquire for her at this
boarding house!--I don't mean that!  I mean that I--that is,
you--am--are--confound it!--I mean that you'll be what most people call a
lady of fortune.  And I looked full in her eyes for the effect of the
announcement.

There wasn't any.  She said she was thankful that I had what would save
me from drudgery, and that some other time I should tell her about it.--I
never made a greater failure in an attempt to produce a sensation.

So the last day of summer came.  It was our choice to go to the church,
but we had a kind of reception at the boarding-house.  The presents were
all arranged, and among them none gave more pleasure than the modest
tributes of our fellow-boarders,--for there was not one, I believe, who
did not send something.  The landlady would insist on making an elegant
bride-cake, with her own hands; to which Master Benjamin Franklin wished
to add certain embellishments out of his private funds,--namely, a Cupid
in a mouse-trap, done in white sugar, and two miniature flags with the
stars and stripes, which had a very pleasing effect, I assure you.  The
landlady's daughter sent a richly bound copy of Tupper's Poems.  On a
blank leaf was the following, written in a very delicate and careful
hand:--

    Presented to . . . by . . .

    On the eve ere her union in holy matrimony.

    May sunshine ever beam o'er her!

Even the poor relative thought she must do something, and sent a copy of
"The Whole Duty of Man," bound in very attractive variegated sheepskin,
the edges nicely marbled.  From the divinity-student came the loveliest
English edition of "Keble's Christian Year."  I opened it, when it came,
to the _Fourth Sunday in Lent_, and read that angelic poem, sweeter than
anything I can remember since Xavier's "My God, I love thee."--I am not a
Churchman,--I don't believe in planting oaks in flower-pots,--but such a
poem as "The Rosebud" makes one's heart a proselyte to the culture it
grows from.  Talk about it as much as you like,--one's breeding shows
itself nowhere more than in his religion.  A man should be a gentleman in
his hymns and prayers; the fondness for "scenes," among vulgar saints,
contrasts so meanly with that--

    "God only and good angels look
    Behind the blissful scene,"--

and that other,--

    "He could not trust his melting soul
    But in his Maker's sight,"--

that I hope some of them will see this, and read the poem, and profit by
it.

My laughing and winking young friend undertook to procure and arrange the
flowers for the table, and did it with immense zeal.  I never saw him
look happier than when he came in, his hat saucily on one side, and a
cheroot in his mouth, with a huge bunch of tea-roses, which he said were
for "Madam."

One of the last things that came was an old square box, smelling of
camphor, tied and sealed.  It bore, in faded ink, the marks, "Calcutta,
1805."  On opening it, we found a white Cashmere shawl with a very brief
note from the dear old gentleman opposite, saying that he had kept this
some years, thinking he might want it, and many more, not knowing what to
do with it,--that he had never seen it unfolded since he was a young
supercargo,--and now, if she would spread it on her shoulders, it would
make him feel young to look at it.

Poor Bridget, or Biddy, our red-armed maid of all work!  What must she do
but buy a small copper breast-pin and put it under "Schoolma'am's" plate
that morning, at breakfast?  And Schoolma'am would wear it,--though I
made her cover it, as well as I could, with a tea-rose.

It was my last breakfast as a boarder, and I could not leave them in
utter silence.

Good-by,--I said,--my dear friends, one and all of you!  I have been long
with you, and I find it hard parting.  I have to thank you for a thousand
courtesies, and above all for the patience and indulgence with which you
have listened to me when I have tried to instruct or amuse you.  My
friend the Professor (who, as well as my friend the Poet, is unavoidably
absent on this interesting occasion) has given me reason to suppose that
he would occupy my empty chair about the first of January next.  If he
comes among you, be kind to him, as you have been to me.  May the Lord
bless you all!--And we shook hands all round the table.

Half an hour afterwards the breakfast things and the cloth were gone.  I
looked up and down the length of the bare boards over which I had so
often uttered my sentiments and experiences--and--Yes, I am a man, like
another.

All sadness vanished, as, in the midst of these old friends of mine, whom
you know, and others a little more up in the world, perhaps, to whom I
have not introduced you, I took the schoolmistress before the altar from
the hands of the old gentleman who used to sit opposite, and who would
insist on giving her away.

And now we two are walking the long path in peace together.  The
"schoolmistress" finds her skill in teaching called for again, without
going abroad to seek little scholars.  Those visions of mine have all
come true.

I hope you all love me none the less for anything I have told you.
Farewell!