The Project Gutenberg eBook of Godey's Lady's Book, Vol. 48, June, 1854
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Godey's Lady's Book, Vol. 48, June, 1854

Author: Various

Editor: Sarah Josepha Buell Hale

Release date: March 30, 2023 [eBook #70411]

Language: English

Credits: Jane Robins and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)


*** START OF THE PROJECT GUTENBERG EBOOK GODEY'S LADY'S BOOK, VOL. 48, JUNE, 1854 ***


    +------------------------------------+
    |                  Note:             |
    |                                    |
    | Italics surrounding _text_.        |
    | The Table of Contents and          |
    |   EMBELLISHMENTS, &c. have been    |
    |   harvested from the January       |
    |   edition.                         |
    |                                    |
    +------------------------------------+





[Illustration: FASHIONABLE BONNETS AND CAPS.

FROM THE CELEBRATED ESTABLISHMENT OF THOMAS WHITE AND CO.,

_No. 41 South Second Street, Philadelphia._

    No. 1.--INFANT'S TURBAN.      No. 2.--BOY'S JOCKEY CAPS.

    No. 3.--SUMMER BONNET.        No. 4.--ITALIAN LEGHORN.

(Description on page 548.)]

[Illustration]


THE PYRAMID TALMA.

[From the establishment of G. BRODIE, No. 51 Canal Street, New York. Drawn
by L. T. VOIGT, from actual articles of costume.]

THE Talma we select for illustration is peculiarly becoming, especially
for the richest toilet. Its material is white _poult de soie_. It is
constructed of nine pieces cut in gores or pyramidal form, joined
together, the seams being hidden by a fancy braid trimming. Nine tabs,
widening at the bottom, and placed at distances equal to their width,
descending about one-third of the depth of the garment, constitute the
form of this novel garment. It is exquisitely adorned in needlework, and
beautified by an elegant netted fringe. By an oversight in the drawing,
fringe, which should also border the tabs that form the upper portion of
the dress, was omitted.

[Illustration: The Truant Detected.]

[Illustration]


THE SCARF VOLANT.

[From the establishment of G. BRODIE, No. 51 Canal Street, New York. Drawn
by L. T. VOIGT, from actual articles of costume.]

THIS is a novel and peculiarly dressy-looking garment, the distinctive
features being a closed square front (which is confined by a bow of a
rare fancy ribbon), and in the character of the flounce: this is gathered
or fulled in divisions, giving it the appearance somewhat of a series of
festoons. The separate compartments are strongly pronounced by transverse
bands of black velvet and narrow black lace; a similar trimming of which
outlines the whole scarf, and, with the piquant air of the garment,
renders it an exceedingly beautiful production. The color may be made to
taste. Those of lavender _glacé_ silks, the drabs, and of black taffeta,
especially are very beautiful.




THE PALACE WALTZ.

BY A YOUNG AMERICAN COMPOSER.

Published by T. C. ANDREWS, 66 Spring Garden St., Phila.

       *       *       *       *       *

    _Entered according to Act of Congress in the year 1853,
    by T. C. ANDREWS, in the Clerk's Office of the
    District Court of the Eastern District of Pennsylvania._

[Illustration: [Music]]

[Illustration: [Music]]

[Illustration:

    THE EMPRESS.        THE NOVADA.

A pattern of either of these will be sent on receipt of 62½ cents.
Post-office stamps received in payment. These patterns are exact
counterparts of the original, with trimmings, etc.

THE EMPRESS.--_A silk mantelet_, cut low in the neck. Two hollow plaits
forming a fichu are trimmed with a bow in the middle of the back. The
bottom is bordered by a wide ribbon plaited with bows at each side of the
arm. Two rows of lace complete it.

THE NOVADA.--_Pelisse_, cut low and square. A wide revers forms the
sleeve. All the edges are trimmed with ribbon, silk with gold fillets. Two
rows of lace fall on the back, one narrow between two plaited ribbons; the
other wider, which begins square in front and widens in the back: a deep
lace runs along the bottom. The back is plain, and falls in flutes from
the second row of ribbons.]

[Illustration: EAST PORT & PASSAMAQUODDY BAY.

_ENGRAVED BY ALFRED JONES FOR GODEY'S LADY'S BOOK._]





    GODEY'S

    LADY'S BOOK.

    PHILADELPHIA, JUNE, 1854.





TABLE OF CONTENTS


    A Consideration,                                               569

    A Lace Basque,                                                 550

    A Loving Heart, by _W. S. Gaffney_,                            543

    A Song, by _Charles Stewart_,                                  501

    A Strange Incident,                                            514


    Braid for Child's Dress,                                       549

    Bread-Cloth,                                                   553


    Caps and Headdress,                                            546

    Celestial Phenomena, by _D. W. Belisle_,                       504

    Centre-Table Gossip,                                           569

    Chemistry for Youth,                             81, 185, 279, 566

    Chinese Sayings,                                               548

    Costly China,                                                  569

    Cottage Furniture,                                             551


    Editors' Table,                                                555

    Enigmas,                                                       567

    Evening Thoughts, by _H. Merran Parke_,                        543

    Everyday Actualities.--No. XX                                  487

    Every Lady her own Dressmaker,                                 570


    Fashions,                                                      571


    Geraniums, _from Mrs. Hale's New Household Receipt-Book_,      565

    Godey's Arm-Chair,                                             561

    Godey's Course of Lessons in Drawing,                          502


    History of Pearls, Natural and Artificial,                     533


    Illuminated, or Vellum-Painting,                               538


    Juvenile Fashions,                                             547


    Lady's Riding Boots,                                           551

    Lady's Slipper,                                                552

    Legend of Long-Pond; or, Lake of the Golden
      Cross, by _Fanny Fales_,                                     506

    Let me Die! by _S. M. Montgomery_,                             544

    Letters Left at the Pastry Cook's, _Edited by Horace Mayhew_,  499

    Lines to a Bronchitis Birdie, by _N. W. Bridge_,               545

    L'Isolement, _Translated from the French of Alphonse
      de Lamartine, by Wm. A. Kenyon_,                             545

    Literary Notices,                                              558


    Mantillas, from the celebrated Establishment of G. Brodie,
      New York,                                               482, 483

    Mrs. Clark's Experience as a Servant, by _Bell_,               508

    My Tulips, by _H. S. D._,                                      544


    Niagara,                                                       521


    Ornaments,                                                     570


    Patterns for Embroidery,                                       554

    Philadelphia Agency.                                           565

    Physical Training,                                             525

    Preservation of Food,                                          487


    Receipts, &c.,                                                 567


    Secret Love, by _Kate Harrington_,                             542

    Slander,                                                       557

    Smyrna Embroidery.--Lady's Slipper on Cloth,                   552

    Sonnets, by _Wm. Alexander_,                                   543


    The Borrower's Department,                                     566

    The Dead Tree,                                                 544

    The Last Kiss, by _Jenny A. M'Ewan_,                           541

    The Needle in the Haymow.--A Story for Housekeepers,
    by _H. D. R._,                                                 515

    The Nursery Basket,                                            570

    The Pedestrian Tour, by _Pauline Forsyth_,                     494

    The Schottisch Partner, by _Motte Hall_,                       542

    The Toilet,                                                    568

    The Trials of a Needle-Woman, by _T. S. Arthur_,               527

    The Wild Flowers of the Month, by _H. Coultas_,                523

    Time's Changes; or, Fashions in the Olden Times,               512

    To a Friend on the Day of his Marriage,                        545

    To Correspondents.                                             571

    Truth, by _D. Hardy, Jr._,                                     550

    Two Mothers? by _Mrs. S. F. Jennings_,                         543


    What shall be done for the Insane?                             555

    Why don't Ladies learn to Cook?                                549




EMBELLISHMENTS, &c.


_June._

    Eastport and Passamaquoddy Bay.

    Colored Fashions.

    Embroidered Dress Collar.

    The Truant Detected.

    Fashionable Bonnets and Caps.

    The Pyramid Talma.

    The Scarf Volant.

    Music.--The Palace Waltz.

    The Empress and the Novada.

    Preservation of Food.

    Godey's Course of Lessons in Drawing.

    The Wild Flowers of the Month.

    Artificial Pearls in the Mussel.

    Illuminated, or Vellum-Painting.

    Caps and Headdress.

    Juvenile Fashions.

    Braid for Child's Dress.

    Lace Basque.

    Lady's Riding Boots.

    Cottage Furniture.

    Lady's Slipper on Cloth.--Smyrna Embroidery.

    Design for a Bread-Cloth.

    Patterns for Embroidery.




EVERYDAY ACTUALITIES.--NO. XX.

ILLUSTRATED WITH PEN AND GRAVER.

BY C. T. HINCKLEY.


PRESERVATION OF FOOD.

THE various organic substances furnished by the animal and vegetable
kingdoms, which constitute the food of man, are, from the nature of
their chemical structure, liable to change and decay; they are also
irregular in their supply; hence arises the necessity of storing up the
abundance of one season to meet the deficiencies of another. The art of
preserving food as much as possible in its original state is therefore of
great importance; it has been improved by gradual steps, depending, in
great measure, as in so many other cases, on chemical discovery and the
diffusion of chemical knowledge among persons engaged in the useful arts;
so that, at the present time, the deprivations suffered by our forefathers
may be prevented; the commonest articles of food may be enjoyed at all
seasons; and even the delicious fruits of our gardens may be made to
contribute to our health and refreshment at a season when the trees
which produced them are covered with snow. The mariner, too, is not now
necessarily confined to salt meats; he may, on the longest voyage, and in
the severest clime, as easily enjoy fresh meat and vegetables as when he
is in port.

The necessity for adopting means for the preservation of articles of
food arises from the complicated structure of organic compounds, and
their tendency to resolve themselves into simpler or inorganic compounds.
Although the comprehensive history of the animal and vegetable kingdoms
is written with a very brief alphabet; although the elements which enter
into the composition of organic bodies are only carbon, hydrogen, and
oxygen--often, but not always, nitrogen--and occasionally minute portions
of sulphur and phosphorus; yet their extraordinary powers of combination
are such that there appears to be no limit to the number of definite
substances which they are capable of producing, each substance having a
character peculiar to itself, and often a crystalline form. It is very
different with the fifty-eight other members of the list of elements; the
compounds which they assist in forming are inorganic, and they are formed
by the union of _pairs_ of elements, or _pairs_ of _binary_ compounds.

It is a consequence of this complicated structure that organic compounds
are unstable in their character, and liable to decomposition, or, in
other words, to resolve themselves into simpler compounds. An inorganic
substance, on the contrary, however complex its formula may appear, is
actually built up of binary compounds, the simplest that can be formed.
But in the organic substance the carbon and hydrogen have a strong
tendency to form carbonic acid; the hydrogen and oxygen to form water;
the hydrogen and nitrogen to form ammonia; or, the hydrogen and the
sulphur to form sulphuretted hydrogen, &c. In popular language, these
changes are expressed by such terms as _decay_ and _putrefaction_. Liebig,
however, has given precision to them by limiting the term _decay_ to
the decomposition of moist organic matter freely exposed to the air,
the oxygen of which gradually burns and destroys it without sensible
elevation of temperature.[1] The term _putrefaction_ is limited to
changes which occur in and beneath the surface of water, the effect
being a mere transposition of elements or metamorphosis of the organic
body.[2] The conversion of sugar into alcohol and carbonic acid is a
simple illustration of the term. The contact of oxygen is, however, first
necessary to the change, which, when once begun, is continued without
the aid of any other external substance, except perhaps water, or its
elements. Every instance of putrefaction begins with decay; and if the
decay, or its cause, viz., the absorption of oxygen, be prevented, no
putrefaction occurs. In short, if the access of oxygen be prevented,
there is no decay; if the access of water be prevented, there is no
putrefaction. The exclusion of air and moisture forms the basis of some of
the best methods of preserving food.

There are certain substances named _Antiseptics_ (from ἀντὶ, against,
and σήπομας, to putrefy), from their property (exerted, however, very
unequally) of preventing the putrefaction of organic substances. Thus,
alcohol, and common salt in certain proportions, check all putrefaction
and all the processes of fermentation by depriving the putrefying body
of water. Nitre, vinegar, spices, and sugar are also antiseptics.
The antiseptic effect of a very low temperature is caused by the
solidification of the water and other juices, which, in their usual fluid
state, allow the molecules to move freely on one another.

We will first notice the various methods of preserving animal food. These
are: 1, by drying; 2, by cold; 3, by salting and by sugar; 4, by smoking;
5, by vinegar; 6, by parboiling and excluding air; 7, by potting; 8, by
alcohol.

1. A familiar example of the first method is afforded in common glue,
which in its hard and dry state may be kept for any length of time. So
also may white of egg, if prepared by pouring the white of a number of
eggs into a large flat dish, and exposing this for twelve or fourteen
hours to heat in front of the fire. As the water evaporates, the albumen
forms into a yellow, transparent, hard, shining, brittle mass, which
scales off at the least touch--a test that it is properly done. These two
substances, _gelatine_ and _albumen_, are two of the constituents of
flesh; _fibrin_ or _fleshy fibre_, which is the third, dries equally well,
and is not liable to putrefaction in that state. Gelatine, after being
dried, may be softened by the action of hot water. Albumen _coagulated_
by heat cannot be softened again by water; but if dried at about 140°
without being coagulated, it may be dissolved in cold water, retaining
all its valuable properties. Hence, in preserving meat by drying, too
high a temperature must be carefully avoided, or the albumen will become
coagulated, and the meat be made insoluble.

The dried flesh of the bison, of the buffalo, and of the deer, forms
_pemmican_, the preparation of which is thus described in Captain Back's
Journal:--

"While meat remains in a thick piece, it is impossible to get the middle
dried before putrefaction commences; but if the meat be cut into slices,
its desiccation may be easily effected. The fleshy parts of the hind
quarters are cut into very thin slices, dried in the sun, or before the
fire, and pounded. Two parts of the pounded meat are then mixed with one
of melted fat, and packed into a bag formed of the hide of the animal.
A bag weighing ninety pounds is called a _taureau_ by the Canadian
voyageurs; and, in fact, only one bag of pemmican is generally made from
each bison cow. Two pounds of this kind of food are sufficient for the
daily support of a laboring man; though, when the voyageurs first commence
upon pemmican, they each consume three pounds or more. In the spring, they
generally boil the young shoots of _Epilobium angustifolium_ with it,
and some Scotchmen in the service of the Hudson's Bay Company add flour
or oatmeal, thus rendering it more palatable. The best pemmican is made
of finely-pounded meat mixed with marrow, and further improved by the
addition of dried berries or currants. If kept from the air, it may be
preserved sound for several years, and being very portable, it might be
used with great advantage in provisioning troops that have to make forced
marches. It may be eaten raw, or mixed with a little water and boiled; and
although not much relished by those who taste it for the first time, the
voyageur, with the single addition of the luxury of tea, requires nothing
else for breakfast, dinner, and supper."

In the West Indies, and in South America, jerked beef is prepared by
cutting the meat into slices, dipping them into sea-water or brine, and
then drying them in the sun. The flesh of wild cattle is thus preserved at
Buenos Ayres. Sometimes this dried meat is pounded in a mortar, into a
uniform paste, which is pressed into jars, and if intended to supply the
wants of the traveller, it is beaten up with maize meal and packed closely
in leather bags. It is eaten in this state without further cooking. Drying
meat in the air is said, however, to injure its flavor, and to dissipate a
great portion of the nutritious juices.

Some kinds of fish are preserved by slitting them down the middle, and
drying them in the air to evaporate the moisture. Small cod, haddock, and
stock fish, prepared in this way, will, if kept dry, remain good for a
great length of time.

Portable soup is prepared by processes similar to those used in the
manufacture of glue. The gelatine of meat is dissolved by boiling water,
and the water being evaporated, the gelatine is left in a solid state. Any
fresh lean meat, with the fat cut away, will answer the purpose. Bones
are also used for the purpose, the gelatine being extracted by means of a
digester. In the French manufacture of _gelatine brut fin_, one hundred
pounds of bones yield about twenty-five of gelatine, which is dried, cut
up into dice, and used for making soup.

2. The effect of cold in the preservation of animal substances received a
remarkable illustration in the discovery made by Pallas, in the year 1779,
on the shores of the Frozen Ocean, near the mouth of the river Lena, of an
animal of immense size, imbedded in ice, which, as it melted gradually,
exposed it to the air and furnished food for the hungry wolves and other
animals of those regions. It was the opinion of Cuvier that this animal
differed from every known species of elephant, and was antediluvian,
preserved from the remote period of the deluge in the mass of ice which
enveloped it. Some of the hair of this animal may be seen in the museum of
the Royal College of Surgeons, in Lincoln's Inn Fields, England.

In Russia, Canada, Hudson's Bay, and other countries where the frost
is sufficiently steady, meat preserved in this way is a common article
of commerce. Travellers speak with admiration of the frozen markets
of Russia, supplied as they are from distant places with provisions
solidified by the cold. Thus, in the market at Petersburg, Mr. Kohl
noticed partridges from Saratoff, swans from Finland, heathcocks and
grouse from Livonia and Esthuria, while the wide Steppes furnished the
trapp-geese which flutter over their endless plains, where the Cossack
hunts them on horseback, and kills them with his formidable whip.
All these birds, as soon as the life-blood has flown, are apparently
converted into stone by the frost, and, packed in huge chests, are
sent for sale to the capital. So rapid are the effects of frost in that
country, that the snow-white hares, which are brought in sledge-loads to
the market, are usually frozen in the attitude of flight, with their ears
pointed and their legs stretched out, just as they were at the moment
of death. Another curious sight in these markets is a frozen reindeer,
its knees doubled under its body, its hairy snout stretched forth upon
the ground, and its antlers rising majestically in the air; or a mighty
elk, disappearing piece by piece, as the action of the saw and the axe
separates it for distribution among the several customers.

When provisions have been frozen, great care is required in thawing them;
for, if this be done suddenly, putrefaction soon sets in, and although
cooked immediately, they are hard and deficient in flavor. They must be
thawed by immersion in cold water.

The London markets are supplied with salmon packed in ice from many of the
northern rivers that flow to the eastern coasts of Britain. Every salmon
fishery is now provided with an ice-house, and a stock of ice collected
during the winter. The salmon is packed in large oblong wooden boxes,
with pounded ice between, and the fish is received in London as fresh
as when it was taken out of the water. It is not, however, frozen. Most
fishmongers are furnished with ice-houses or cellars for the preservation
of their fish in tubs of ice; and we do not see why English butchers
should not be provided with larders cooled by the same means. In many
parts of the United States every housekeeper has a small ice-safe, in
which, through the warm season, all kinds of perishable provisions are
kept. Public ice-houses are also maintained by the butchers, so that,
under the burning climate of South Carolina, there is less loss in the way
of butcher's meat, fish, game, &c., than in the comparatively temperate
summer of London. The meat is sent to the ice-house, near the market,
every evening, and is cooled down to near the freezing-point during the
night; when exposed on the stalls next day, it retains its low temperature
for a long time. Such a plan, adopted in London, would prevent the immense
waste of meat during every summer, which is said to amount to at least
two thousand tons in London alone. It is true that, when meat has been
once frozen, its flavor is injured, but the reduction of meat to 32° or
thereabouts, and the solidification of its juices, are very different
things; and it would be easy to regulate the temperature within a range of
several degrees.

3. Various kinds of salt are used in the preservation of food.
Saltpetre and sal prunella (which is saltpetre deprived of its water
of crystallization by heat) are also used for the purpose. The action
of these alkaline salts upon animal substances is, as already noticed,
to abstract the water in the juices of the meat, and, being dissolved
therein, the salts enter the pores of the animal substance; the albumen
of the meat, which is more liable to putrefaction than the gelatine and
fibrine, is thus rendered less so. There are two methods of salting, _dry
salting_ and _pickling_. In dry salting, the meat is packed in dry salt,
or in some cases the surface is rubbed all over with salt. In pickling,
the meat is kept immersed in a solution (sometimes saturated) of common
salt dissolved in water. This method does not render the meat so salt as
dry rubbing, and is probably less injurious to its nutritious qualities,
but it will not keep the meat so well. Bacon is _cured_ by salting and
drying, for which latter purpose it is often hung up in the wide chimneys
of farm-house kitchens; cod is also salted and dried for the large demand
of the Peninsula; in England, it is used in a _green_ state; that is,
instead of being split quite open, it is only opened down to the navel,
then salted, and laid in brine or strong pickle, and put into casks
without drying. Haddock, cod, or ling, are cured by splitting the fish and
removing the backbone; they are then salted for two or three days, with
equal parts of salt and sugar, or with salt alone; they are next stretched
on sticks, and laid on the beach to dry in the sun, or they are arranged
on stages, or hung up in an inclosed space warmed by a stove. Herrings are
salted, or pickled, and smoked.

Sugar, like salt, takes away the water from animal substances, and
thus prevents putrefaction. By immersing meat in molasses, it has been
preserved fresh for months. Fish is sometimes preserved by cutting it
open, rubbing in sugar, and leaving it for a few days; it is then dried
in the air, taking care to turn it frequently. For a salmon of six pounds
weight, a table-spoonful of brown sugar is sufficient; but, if hardness be
required, a teaspoonful of saltpetre is to be added.

4. The efficacy of _smoking_, or _smoke-drying_, arises not only from the
heat of the smoke, but from certain chemical products disengaged during
the combustion of the wood fuel used for the purpose. Pyroligneous acid
vapor and creasote are both produced, and the latter substance possesses
the remarkable property of coagulating albumen. Hence, those chimneys only
are fit for the purpose where the fire below is wood or peat, not coal.
The kind of wood burnt is also of importance, the smoke from beech and
oak being preferable to that from fir or larch. Smoke from the twigs of
juniper, rosemary, peppermint, &c., impart to the meat a portion of their
aromatic flavor. Westphalia hams owe some of their excellence to being
smoked by juniper. Slow smoking is preferable to rapid, as it penetrates
completely into the interior of the meat. In some parts of the country,
the drying and smoking of hams are a separate trade. In such cases, a
smoking-house or hut is erected, about twelve feet square, and the walls
seven feet high, with a hole in the roof; joists are laid across inside,
to hang the flitches on, and the floor is covered five or six inches deep
with sawdust, which, being kindled, produces much smoke and little flame.

5. Vinegar and some other acids preserve both animal and vegetable
substances by coagulating their albumen, which, as already stated, is
peculiarly liable to putrefactive fermentation.

6. In the year 1810, M. Appert received a reward of 12,000 francs from the
French Government for his method of parboiling provisions, and inclosing
them in earthenware vessels in such a manner as to exclude the air. Many
vegetables, fruits, &c., can be kept fresh for a great length of time,
by shutting them up closely in a vessel, having previously filled up the
interstices with sand or other loose substance that will exclude nearly
all the air. Fresh walnuts may be preserved in this way in a jar, packed
with sand and closely covered over; grapes packed in sawdust are imported
into this country. Meat cannot be preserved in this way, but by exposing
it to the heat of boiling water, the albumen, in which putrefaction
first commences, coagulates; and as coagulated albumen is somewhat slow
in decomposing, we thus have a reason for the common observation that
cooked meat will keep longer than raw. It will not, however, keep many
days, unless the air be perfectly excluded, not only from the external,
but from the internal parts. The air in the interior may be expelled by
boiling, and the exterior air may be kept away by inclosing the substance
in an air-tight vessel. If these conditions be carefully observed, food
may be preserved for any length of time. Appert's method consists in
applying heat to the substances to be preserved, so as to coagulate their
fermentable juices, and then to place them in such a situation as to
deprive them of contact with air. The vessel in which the meat is prepared
is plunged for some time into boiling water before it is finally sealed,
in order to drive out the last portions of the air; for, if a small
portion of oxygen gas were present, this would be sufficient to commence
the process of fermentation, and when once begun it would be continued.

M. Appert's process may be described as follows:--

The meat to be preserved is first parboiled, or somewhat more, and freed
from the bones. It is then put, together with vegetables, if required,
into tin cases or canisters, which are filled quite up with a rich gravy;
a tin cover, with a small aperture in it, is then carefully fixed on to
each canister by solder, and while the vessel is perfectly full, it is
placed in boiling water, or in a saline bath, heated above the boiling
point of water, and kept therein until the air has been expelled as
completely as possible by the steam generated within the canister. The
small hole in the cover is completely closed up with a little solder
while the contents are yet hot, the issue of the steam being stopped for
a moment by means of a damp sponge. The canister, with its ingredients,
is now allowed to cool, in consequence of which these contract, and the
sides of the vessel are forced slightly inwards by the pressure of the
atmosphere, and become a little concave. As a precautionary measure,
however, the tins are placed in the testing-room, which is heated to above
100° Fahr. Should putrefaction take place in consequence of a minute
portion of oxygen left in the case, and not combined with the animal or
vegetable matter, the generated gases will burst the canisters; those,
however, which withstand this test will preserve the provisions for many
years; for as each vessel is hermetically sealed, and all access of air
prevented, it may be sent into any climate without fear of putrefaction,
and the most delicate food of one country be thus eaten in its original
perfection in a distant region, many months, or even years after its
preparation. In this manner may all kinds of alimentary substances be
preserved; beef, mutton, veal, and poultry; fish and game; soups, broths,
and vegetables; creams and custards. Of a quantity taken by Captain Nash
to India, not one canister was spoiled; and one which he brought back
contained, after two years, beef in the highest state of perfection and
preservation, and after having been carried upwards of 35,000 miles, in
the warmest climates. This method has been adopted by the commissioners
for victualling the English Navy, who, having examined some meat so
preserved for four years, during voyages in the Mediterranean, found it
as sound, sweet, and fresh, as if it had been boiled only the day before.
Captain Basil Hall bears similar testimony. It was stated, however, by
the officers in the Antarctic voyage, that they gradually got very tired
of preserved meats, but not of preserved vegetables, and that there was
an insipidity in them which they did not find in fresh food. There is,
however, no doubt that, if the articles be selected with care, and the
process be properly conducted, M. Appert's method of preserving food is a
valuable invention. If the contractor be careless or dishonest, the most
fearful consequences might ensue to the crews of ships victualled with
preserved meats. It appears, from a recent examination of several thousand
canisters of the preserved meat of the Navy at Portsmouth, England, that
their contents were masses of putrefaction, consisting of meat, &c.,
which, even in a fresh state, ought never to be used as food. It is stated
that this preserved meat was supplied from Galatz, in Moldavia.

[Illustration]

In 1842, M. Appert's method was made the subject of a further patent,
granted to Mr. Bevan, whose process consisted in expelling air from the
cases containing the food, by placing such cases in connection with a
vacuum chamber, or other exhausting apparatus, and also with a vessel
containing gelatine or other suitable fluid material, in such a manner
that, by opening the communications, the air escapes into the exhausting
apparatus and the gelatine takes its place. By this method the high
temperature previously used in preserving food was not required; it could,
on the contrary, be cooked at very low temperatures, and in a space almost
void of air. The apparatus used is shown in section, in the following
figure: A is a vessel open at the top, and filled to the line _i_ with
fluid gelatine, having a pipe _j_, and a stopcock _e_ firmly attached
to it. B is a sphere of metal in which a vacuum is produced by blowing
steam through it by the pipe _l_ out through _k_; _l_ and _k_ are then
closed, and a jet of water at _m_, applied to the outside of the sphere,
condenses the steam and leaves a vacuum within it. The substance to be
preserved is inclosed within a cylindrical tin vessel C, the top of which
is then soldered on, and two small metal pipes _d_ and _c_ passed into it
air-tight, as far as _a b_; the other ends being secure to the pipes _j j_
at _h h_. The case is next immersed in a water-bath N, at a temperature of
about 120°, and by turning the cock _f_, the greater portion of the air
in the case C rushes into B; the article of food, animal or vegetable, in
the case, being thus relieved of atmospheric pressure, the heat of 120° is
sufficient to cook it, and to expel the air from it. A fowl is cooked in
this way in about fifteen minutes. The cock _e_ is then opened, and the
gelatine, kept fluid by the warm bath P, enters by the pipes _j_ and _c_,
into the case C, and drives the small portion of air left therein into the
vacuum chamber B. The case C is then hermetically sealed by nipping the
tubes _d_ and _c_ at the points _g g_. The case is then submitted for a
few minutes to the action of boiling water (thirty minutes for a fowl),
and when cool, the process is complete.

A concentrated form of food, called _meat biscuit_, excited a considerable
degree of attention in the Great Exhibition. It is formed by boiling down
the fresh beef of Texas, and mixing into the strong beef-tea thus formed
a certain proportion of the finest flour. The biscuit formed from these
materials is so nutritive, that less than four ounces a day (mixed with
warm water or not, according to circumstances) is sufficient food for a
man in active service. It is very light and portable, and keeps perfectly
well without change; hence it is admirably adapted to the provisioning of
troops, ships, and overland expeditions. The manufacture is also of great
importance to those countries in which cattle are superabundant, and are
killed merely for the sake of their skins for the tanner, or their bones
for the farmer, the flesh being actually thrown away. In some places,
animals which we are accustomed to regard as valuable are so numerous that
they are drowned by hundreds, merely to get rid of them, neither their
skin, bones, nor flesh serving as a pretext for the wholesale slaughter.

Milk has been preserved in the following manner: Fresh milk is reduced by
boiling to one-half, and beaten up with yolk of eggs, in the proportion
of eight eggs to every ten and a half quarts of milk. The whole is then
placed on the fire for half an hour, and skimmed frequently; it is next
strained and heated in a water-bath for two hours. It is stated that this
milk will keep good for two years, and, if churned, would afford good
butter. Cream may be preserved by boiling five measures down to four;
then, after cooling and skimming, it is put into a bottle, corked down,
luted, and kept in the boiling heat of a water-bath for half an hour.
This, it is said, will keep two years.

A much better method of preserving milk is that first pointed out by M.
Dirchoff, the Russian chemist; namely, to solidify it by driving off
the aqueous portion by a gentle heat. Specimens of consolidated milk
were shown in the Great Exhibition; and it was stated that, after being
dissolved in boiling water, and reproduced in the form of milk, the
solution will keep pure for four or five days. As milk contains 873 parts
of water in every 1000, it follows that 1000 parts of milk will yield by
evaporation only 127 parts.

7. _Potting_ is only another contrivance for excluding animal substances
from contact with air. Lean meat should be selected, cooked, and then
reduced to a pulp by being beaten in a mortar, salt and spices being
incorporated. The pulp is then rammed into jars, and preserved from the
air by a thick coating of melted butter or lard poured over it.

In the preservation of fruits and vegetables, some are dried, as in the
case of nuts, raisins, sweet herbs, &c.; others are preserved by sugar,
such as many of the fruits, whose delicate juices would be dissipated in
the process of drying. Some are preserved in vinegar, as in the case of
pickles; a few by salting, as French beans; and others are preserved in
spirits.

Appert's method applies to vegetables and fruits of all kinds; they need
not, however, be parboiled. The dry and fresh-gathered fruits are put into
strong, wide-mouthed glass bottles, carefully corked, and luted with a
cement of lime and soft cheese, and bound down with wire. The bottles are
then inclosed separately in canvas bags, and put into a kettle of water,
which is gradually heated until it boils; the bottles are kept in this
condition until the fruits are boiled in their own juice. The whole is
then left to cool; after which the bottles are examined separately, and
put away for store.

Many kinds of vegetables may be preserved by being spread out on the floor
of a kiln, and dried by a gentle heat: the thicker kinds of roots, such
as carrots, turnips, potatoes, &c., are to be sliced, and thoroughly well
dried; after which they must be packed up in paper or very dry boxes, and
put into casks.[3]

A method of preserving vegetables by drying and pressure, recently
invented by M. Masson, was brought into prominent notice at the Great
Exhibition. Cabbage, sliced turnips, apples, or whatever vegetable be
selected, are dried in an oven at a certain temperature, so as to drive
off from seven to eight per cent. of water: the drying must not be
conducted too slowly nor too rapidly, but at a medium rate. After the
drying, the vegetables are packed into a very small compass by the intense
pressure of an hydraulic press; then squared and trimmed with a knife,
packed up in tinfoil, and lastly, stored in boxes. A short time ago, we
examined some red cabbage preserved in this way, which had been exposed
in the Great Exhibition all the time it was open, and had been slowly
absorbing moisture, and yet it appeared to be perfectly good. By this
method, from 15,000 to 18,000 rations, of a quarter pound each, can be
stowed into a cubic yard. We also saw some dried plantains from Mexico (a
vegetable of very considerable nutritious value), which had been lying in
a warehouse at Woolwich ever since the year 1835, and had undergone no
change. It was stated that the method of preparing them is cheap and easy,
and that the dried plant can be sent in any quantities to Europe, at six
cents per pound, with a considerable profit to the importer.

Some kinds of vegetables, such as French beans, artichokes, olives,
samphire, and barberries, are preserved by salt, a strong brine being
made by the addition of four pounds of salt to a gallon of water; the
vegetables are put into this, and quite covered with it. In Holland
and Germany, kidney beans are sliced by a machine something like a
turnip-cutter, and put into a cask in layers with salt between; a weight
is then put on, and pressure is kept up until a slight fermentation takes
place; the salt liquor is then poured off; the cask is covered up, and put
into the cellar as store. Before being cooked, the beans are steeped in
fresh water.

_Sauer Kraut_ is prepared somewhat in the same manner. The following
recipe for making it is given by Parmentier:--

The heads of white winter-cabbages, after removing the outer leaves, are
to be cut into fine shreds, and spread out upon a cloth in the shade. A
cask which has had vinegar in it is to be selected, or, if that cannot be
had, the inside should be rubbed over with vinegar or sauerkraut liquor.
A layer of salt is to be put in the bottom of the cask, caraway-seeds are
to be mixed with shreds of cabbage, and they are to be packed in the cask
to the depth of four or six inches; and layers of this kind, with salt
between each layer, are added till the cask is full, stamping them down
with a wooden stamper as they are put in, to half their original bulk;
some mix a little pepper and salad oil with the salt. Some salt is to be
put on the top, and some of the outside leaves of the cabbages. About two
pounds of salt suffice for twenty middle-sized cabbages. The head of the
barrel is to be placed upon the cabbage-leaves, and must be loaded with
heavy stones. A common method is for a man, with clean wooden shoes on, to
tread the cabbage down in the cask. Fermentation will take place, and some
juice will be given out, which is green, muddy, and fetid; this rises to
the surface, and is to be replaced with fresh brine. When the fermentation
is over, the casks are closed up. Cabbages are preferred, but any other
vegetables may be treated in the same manner.

When vegetables are preserved in vinegar, they form _pickles_. When sugar
is the preserving medium, they are variously named according to the mode
of preparation. Fruits, flowers, herbs, roots, and juices, boiled with
sugar or syrup, and employed in pharmacy, as well as for sweetmeats, are
called _confections_ (Latin, _conficere_, to make up). _Liquid confects_
consist of fruits, either whole or in pieces, preserved by immersion
in fluid transparent syrup: apricots, green citrons, and some foreign
fruits, are treated in this way. _Dry confects_ are prepared by boiling
in syrup those parts of vegetables adapted to this method, such as citron
and orange-peel, &c.; they are then taken out and dried in an oven.
_Marmalades_, _jams_, and _pastes_ are soft compounds made of the pulp
of fruits, or other vegetable substances, beaten up with sugar or honey;
oranges, apricots, pears, &c., are treated in this way. _Jellies_ are
the juices of fruits--currants, gooseberries, apples, &c.--boiled with
sugar to such a consistence as, on cooling, to form a trembling jelly.
_Conserves_ are dry confects, made by beating up flowers, fruits, &c. with
sugar not dissolved. _Candies_ are fruits candied over with sugar, after
having been boiled in the syrup.

The best syrup for preserving fruits is made by dissolving two parts of
double-refined sugar in one part of water, boiling a little, skimming, and
filtering through a cloth. This gives a good smooth syrup, which does not
readily ferment nor crystallize.

The specimens of preserved food in the Great Exhibition were exceedingly
numerous; they included animal and vegetable productions, fruits, &c. One
interesting specimen was a canister containing boiled mutton, prepared
by the exhibitor, Mr. Gamble, for the Arctic Expedition in 1824. A large
number of these canisters were landed from the ship _Fury_, on the beach
where the ship was wrecked in Prince Regent's Inlet, and were found by
Captain Sir John Ross in August, 1833, in a state of perfect preservation,
although annually exposed to a temperature of 92° below, and 80° above
zero. Had it not been for the large store of provisions left by Parry
near the spot where the _Fury_ was wrecked, Ross's expedition must have
perished.

[Illustration]


FOOTNOTES:

[Footnote 1: Hence the term employed by Liebig and his followers,
_eremacausis_, or _slow-burning_.]

[Footnote 2: "The colorless, fresh-cut surfaces of a potato, of a turnip,
or of an apple, when exposed to the air, soon become brown. In all such
substances, the presence of a certain quantity of water, by which the
molecules are enabled to move freely on one another, is a condition
necessary to the production, by temporary contact with air, of a change
in form and composition, a resolving of the original body into new
products, which continues uninterrupted till no part of the original
compound is left. This process has been distinguished by the name of
_putrefaction_."--_Liebig._]

[Footnote 3: The flour and biscuit which are taken out to sea in the
British navy are packed in casks of wrought-iron. These were formerly
painted, to prevent rust, and also to make them water-tight; but the paint
was found to give a bad taste to the flour, &c., and they are now coated
outside with a waterproof composition of caoutchouc, black resin, and
Venice turpentine.]




THE PEDESTRIAN TOUR.

BY PAULINE FORSYTH.


BETWEEN the projecting a scheme in the mind and its actual accomplishing,
the difference is as great as that between the appearance of some Eastern
city seen from a distance in the moonlight, with its picturesque domes and
minarets silvered by the rays that throw over the darkest spots an unreal
glamour of purity and brightness, and the same place viewed in the broad
daylight, while standing in the midst of its narrow and dirty streets. It
is as if we had devised some airy palace, beautiful and complete in its
smallest details, and found ourselves, when going about to build it, with
no materials ready but a little clay and a few stones and sticks, and
those of the most crooked and unpliable materials. Few persons realize,
before they are twenty-five, the resolutely prosaic actualities of the
world as it is. Almost every one in his early youth is fully persuaded
that he is about to perform an important part in some deeply interesting
drama, and it is a hard lesson that disenchants him, and shows that he has
been acting the part of Don Quixote with the world for Sancho Panzo.

Frederic Lanier was a young man of nineteen. His early life had been
passed in the country; but when he was fifteen he had been sent to New
York to complete his education, and to reside in the mean time with his
uncle, Mr. Lawrence. The very day after his arrival in the city had been
marked by an important event. He had seen Adelaide Marshall, and had
fallen in love with her. This love had accompanied him during the one
year he had spent at the High School, and his three succeeding ones at
the college. The lady was six years older than himself, but that was an
additional attraction. Her stately and graceful movements, her majestic
presence, and the calm and regular beauty of her face, never lost their
charm to him. He was too much in love to observe that in the light of her
blue eyes there was no warmth, but a cold and critical scrutiny, and that
her mouth closed with a severe and slightly satirical expression. She was
to him a perfect Helen.

About soon to be elevated to the rank of a Senior, he had begun to think
himself in a position to show his passion more openly than he had hitherto
ventured to do. He little suspected that the lofty Adelaide had divined
his feelings from the first, and had received his timid attentions with
sensations of gratified pride and amusement that, unmingled with any
softer feeling, promised little for the success of his suit. The lady,
accustomed to admiration, considered all homage as her due; and, looking
on Frederick Lanier as a mere boy, she talked to him familiarly when she
so inclined, and made use of him in a gracious and royal manner without
the slightest tender consideration for his feelings, or fear of the
consequences. She had known many men and boys to fall in love with her,
and, when they had found out that she did not and would not reciprocate
their affection, the worst that had ever happened was that they had
married somebody else; and this she calmly contemplated as the probable
termination of Frederick Lanier's passion, while he was internally vowing
a lifelong devotion to the lady of his heart.

He had discovered that she was to pass two or three weeks at the White
Mountains during the month of July. He decided to arrange his summer
wanderings so as to be there at the same time. Meantime, a vague desire
to be alone, to feed on his own thoughts free from the importunate
interruptions of even the members of his own family, induced him to
follow the example of several of his college companions, and undertake a
pedestrian tour.

This proposal was not received with any approbation by his uncle's family.

"Now, Fred," said his cousin Emily, "this is too bad. We were going to
have such a pleasant time at Lake George this summer, and had relied upon
you to go with us. Father will have to be away a great deal, and I am
sure I don't know what we shall do without you to go about with us. I have
asked Bessie Graham to accompany us, too, and I particularly wanted you to
become better acquainted with her."

"Bessie Graham! Why, she is a little girl."

"She is nearly seventeen," replied Emily.

"Well, she is a very small specimen of womankind, and I have no particular
admiration for little women; besides, she is somewhat of a chatter-box, is
she not?"

"She talks a little, but not too much," was the reply.

"And laughs a great deal. I like dignified manners better."

"For instance, Miss Adelaide Marshall's," said Emily, with a little
irritation in her tone. "You are going to the White Mountains, you say?"

"Yes."

"And I heard Miss Marshall say, the other day, that she intended to pass
two or three weeks there; so that accounts for your plan. It is a most
absurd fancy of yours to fall in love with that iceberg. I have as much
expectation of seeing you return with Mount Washington in your pocket, as
with Miss Marshall on your arm."

Frederick Lanier grew red even to the tips of his ears with embarrassed
indignation at thus having the most cherished secret of his heart rudely
laid bare to the light of common day. He became only the more determined
to escape, where he could dwell in peace on the one idea that engrossed
all his thoughts.

"When do you think of leaving?" asked Emily.

"To-morrow," he replied.

"And Bessie comes the day after. And when will you return?"

"Perhaps by the last week in August."

"And Bessie will be gone by that time. It is too bad!"

"I do not understand what Bessie Graham has to do with my movements. I
might change my plans to suit you, Emily, but not a little chattering
thing like your friend."

Emily said nothing; she had had schemes of her own, and Frederick had
completely destroyed them, but she deigned no explanation.

"I think of going along the Hudson River until I reach the northern
extremity of the State, when I shall cross over to the Green Mountains
in Vermont, and go through that State into New Hampshire. I hope to find
myself at the foot of the White Mountains by the middle of July."

"The very time Miss Marshall expects to arrive there. She is going on
horseback with her brother. Her mother and sister are to accompany them in
the carriage."

"Ah!" said Frederick, endeavoring, in a most transparently artful manner,
to appear ignorant and indifferent.

"If you are going so soon," said his aunt, "we had better see if your
wardrobe is in a fit state for so long an absence."

"I shall need very little," replied Frederick; "the less the better, as I
intend to carry it myself."

"I have a little light valise I can lend you," said a cousin of his, John
Williams, who happened to be passing the evening there.

The offer was accepted, and the rest of the time was passed in discussing
the many delightful and romantic adventures that pedestrian tourists have
met with both in Europe and America.

With a heart full of hope and joyous expectation, Frederick took his
valise and a stout stick, with which all prudent pedestrians provide
themselves, and saw with delight the dusty pavements merging into the
dustier road, and the houses becoming more and more widely separated.

He had intended to choose the byways rather than the main road, and to
make it convenient to stop at farm-houses instead of the country taverns
along his route, thinking by this means to be able to see more of the
people, and to gain a little insight into habits and customs with which he
felt as though he ought to be somewhat more familiar. He had anticipated
a great deal of pleasure from the variety of character and mode of life
which would thus be brought under his notice; but his first attempt proved
so unsatisfactory, that he gave up all farther idea of intruding on the
privacy of those who were unprepared for receiving strangers.

He had stopped at a farm-house, and asked if he could be lodged for the
night just at eight o'clock. He found the occupants preparing to retire,
and, though they made him welcome, and entertained him hospitably, yet
he could not help perceiving that he gave them additional trouble; and,
when he found that they would not receive payment for it, he decided that
it was a false position in which he had placed himself, and that nothing
but necessity should induce him to adopt the same course again. He lacked
the cheerful assurance with which some men can make themselves at home
anywhere, without a suspicion that others are not equally pleased with
their society.

The next morning, feeling rather footsore and unrefreshed, after his
unusual exertions of the day before, Frederick took advantage of a stage
that was going in the same direction with himself, and rode to the village
in which he had decided to pass the night. Here he amused himself by
wandering about the beautiful and romantic country around, and returning
when he was weary to the country inn. This he found so much easier and
pleasanter a mode of travelling than the fatiguing one of walking, that
he went almost to the foot of the Green Mountains before he thought
of resuming it. Then, ashamed of his faint-heartedness, he left the
stage, and, shouldering his valise again, he walked for some hours quite
vigorously.

He entered the little village of Hillsdale just as the moon was rising,
and, after a supper such as none but a pedestrian could eat, he strolled
out to enjoy the loveliness of the summer evening and his own meditations,
by the banks of a clear and rapid stream, the beauty of which had
attracted his notice as he was entering the village. He walked for some
distance up its banks, and then, throwing himself down on a grassy mound,
he lay in a sort of musing trance, watching the moonlight shimmering on
the flashing waters, and listening to the tinkling music of their flow,
while his imagination was busily engaged in inventing deeds of heroism and
chivalric daring, by which he fancied himself proving to the lady of his
love that he was worthy of one so noble and high-souled.

Midnight stole unawares upon him while thus engaged, and, with reluctant
steps, he sought the Eagle Hotel, where he had decided to pass the night.
A decision not difficult to arrive at, as there was no other public house
in the place. The next morning he discovered, to his great annoyance, that
he had lost his purse in his evening ramble. He sought for it in vain; and
when the landlord, conjecturing from his movements that he was about to
depart, asked him if he would like his bill, he could not help a guilty
conscious feeling stealing over him as he tried to answer, in an off-hand
way, that he intended to pass a few days in Hillsdale.

If Frederick Lanier had not been so unaccustomed to the ways of the world,
he would have stated his situation frankly to the landlord, and then have
made himself easy until he could receive remittances from home. But, as it
was, he kept his affairs to himself; and, while waiting for an answer to
the letter he had written home, he went in and out, took his meals, read
the paper, and did his best to pass the time away without addressing a
remark to any one.

It struck him that he had never been among people quite so rural and
primitive, and he was right. But, as the arrival of a stranger was a rare
event among them, so he was of proportionate importance. And they were
also gifted with the usual sociability of the New Englanders; and a young
man that did not seem inclined to tell who he was, and where he came from,
and where he was going to, and seemed to have nothing to do but to go
regularly to the post-office, and then with his fishing-rod to the river,
from which he always returned empty-handed, was an object of wonder and
suspicion.

Frederick Lanier, unconscious of the speculations of which he was the
object, began to be greatly worried and perplexed by not receiving the
letter for which he was anxiously waiting. He grew daily more restless and
uneasy.

"He's got a bad conscience, depend upon it," said the landlord,
oracularly, as he sat in the midst of his satellites and customers
listening to the hasty strides with which Frederick Lanier was pacing up
and down the room over their heads.

At length a paragraph in a newspaper brought their suspicions to an open
expression.

"That's him, depend upon it," said the landlord. "James Wilson. J. W.;
them's the very letters on his portmantle. Five hundred dollars reward.
That will be doin' a pretty good business for one day."

"Are you going to take him up, Squire?" asked one of the men in the
bar-room.

"Certingly. Think I am going to let such a chance slip through my fingers?
It's him--it's as like him as two peas. Read that, friend," continued the
landlord, addressing himself to Frederick as he was going hastily through
the room, and planting himself so that the young man could not pass him.

Frederick took the paper, and read an advertisement offering a reward
of five hundred dollars for the apprehension of a clerk in a bank of a
neighboring town, who had absconded with two or three thousand dollars.
As Frederick glanced over the description of the runaway, it struck
him that James Wilson must have been rather an ill-looking fellow. A
broad-shouldered, down-looking, dark-haired, swarthy-complexioned man
would be rather an unpleasant person to meet in a lonely place, he
thought. He returned the paper to the landlord, saying, carelessly--

"Do you think there is any probability that the thief will be taken?"

"Well, I guess so, if we look sharp."

Something in the landlord's tone struck Frederick disagreeably. He glanced
around, and the distrustful, watchful expression on the countenances of
those about him revealed at once the nature of the suspicions against him.

"You surely do not suspect me of being this James Wilson?" asked he, in
surprise.

"I guess you'll have hard work to prove that you are anything else. What
is your name?"

"Frederick Lanier."

"And what business do you follow?"

"I am a student in New York city. My uncle, with whom I reside there, is
Mr. Oliver Lawrence. You may have heard of him?"

But no. Well known as Mr. Lawrence was in Wall Street, his reputation did
not extend to Hillsdale. Frederick saw that the mention of his uncle's
name produced no effect. He glanced again over the description of the
defaulter.

"I surely am neither swarthy nor down-looking," said he, catching at a
straw.

"Wall, I don't think you be 'ither," said a young man, who seemed to look
with some compassion on Frederick in his painful position.

"Asa Cutting, who asked your opinion?" said the landlord, magisterially.
"Young man," continued he to Frederick, "I hain't once seen the color of
your eyes sence you've ben in my house."

He must have seen them at that moment, for they were bent on him full of
flashing indignation. But he went on.

"If you are a college-larnt young man, you can read Greek most likely?"

"Yes."

"Wall, I've got a Greek book here that I would like to have you read out
of."

And, after some searching, a small book bound in paper was handed to
Frederick. He took it readily, hoping to prove by his scholarship the
truth of his assertions. To his disappointment, it was a little Chinese or
Japanese pamphlet that had found its way to this remote place.

"This is not Greek; it is Chinese," said he.

"Hum!" said the landlord, in a tone of contempt; "that jest shows how much
you know about it. If that ain't Greek, I would like to know what is. Do
you ever see paper like that nowadays? That's Greek paper; it was invented
ages before Chiny was ever heard of."

"Wall," said Asa Cutting, "I always have thought that them scratches
in that book that pass for letters were jest like the scratches on the
tea-chists in my store."

"Asa Cutting, what you think is nothin' to nobody, and what you say had
better be the same. Young man, sence Greek is unbeknown to you, may be
you'll have better luck with Latin."

"I can read Latin," said Frederick, modestly.

"Do you see them letters on my sign? You can read them out of the window
here."

"You mean the motto, '_E pluribus unum_,' I suppose?" said Frederick.

"Yes," said the landlord. "What do they stand for now?"

"'One of many,'" said Frederick.

"I thought how it would be," exclaimed the landlord, triumphantly. "'One
of many!' What, in the name of common sense, does that mean? No, young
man; don't you see they are put under the eagle, and they mean, 'The
eagle's flight is out of sight?'"

"I think you are mistaken, Square," said the pertinacious Asa; "I am sure
the stranger is right."

"Capen Cutting, you are like a sheep's head, all jaw," said the landlord,
with some irritation. "You think you've got more sense than any one about
here; but I guess you'll find yourself mistaken. Leftenant Davis, of the
United States Army, told me what them words stood for, not more than a
year ago, and it's likely he'd know. Young man, I'm afraid you are in a
bad way."

Frederick began to think so himself.

"I assure you," he said, "that I am not James Wilson."

"Young man, you be," said the landlord, sternly. "What have you got J. W.
on your portmantle for, I'd like to know?"

"That is a valise that was lent to me by my cousin, John Williams," said
Frederick. "If you will wait till I can write to New York and receive an
answer, I can satisfy you that you are mistaken in the person."

"I think, Square, you might allow the young man that chance," said Asa
Cutting.

"Wall, I'd be willin' to do it," said the landlord, "if I only knew where
to keep him; but the jail hasn't been mended sence that nigger took the
roof off with his head and got out, two months ago; and there ain't a room
in my house but the cellar that ain't about as onsafe as out doors."

Meantime, as people were dropping into the bar-room, the landlord,
for greater privacy and safety, took his captive, with a small train
of advisers and lookers-on, into the parlor, and there continued the
discussion as to the proper course to be pursued. Frederick offered to
give his word not to attempt an escape; but that proposal the landlord put
aside with great contempt, and, disdaining any farther parley, Frederick
listened in angry silence to the different plans suggested by the landlord
to insure the safe keeping of the prisoner, and the consequent obtaining
of the reward.

There was a slight bustle in front of the tavern, but the debate was so
interesting that it passed almost unnoticed. Soon after, the parlor door
was thrown open, and Adelaide Marshall entered, followed by her brother.
Frederick thought he had never seen her look so magnificently beautiful.
Her long riding-habit showed her figure to great advantage; her cheeks
were flushed, and her eyes sparkling with the light and color of vigorous
health and animation, and the mountain breeze had arranged her blonde hair
with a most picturesque negligence around her fair open forehead.

"Why, Mr. Lanier," said she, with gracious cordiality, "this is an
unexpected pleasure."

"Fred, I am delighted to meet you," exclaimed Henry Marshall.

An expression of disappointment passed over the landlord's face.

"Do you know this young man?" asked he.

"Certainly," replied Mr. Marshall, with some surprise; "he is an old
friend of mine."

"Wall, Square," said Asa Cutting, "I told you you'd better take care what
you was about. I kinder thought all along the young man didn't look like a
thief."

"That's complimentary," said Miss Marshall. "You seem to have been in some
trouble. I am glad we came in time to relieve you from such suspicions."

Frederick could not echo her expressions of pleasure. A week or two in
jail, or even a temporary confinement in the landlord's cellar, would
have been a light trouble compared with the mortification of being seen
by Miss Marshall in such a position. He explained, with an attempt
at indifference, the circumstances which had conspired against him,
and Adelaide found them highly amusing. She laughed heartily over the
advertisement, dwelling with malicious pleasure over each unflattering
epithet. She listened to Asa Cutting's circumstantial account of the whole
affair with an interest that led him insensibly to make it as long as
possible; and, when he came to the landlord's suggestion of confining the
suspected man in the cellar, she seemed so very much amused that Frederick
could hardly endure it with becoming patience. Even after they were alone,
she recurred again and again to the same theme, and always contrived to
hit upon the very points that jarred most on Frederick's sensitive nature.
When her mother and sister arrived, Miss Marshall repeated the story to
them, dwelling and expatiating upon it until Frederick could no longer
conceal his annoyance.

He declined coldly the invitation urged upon him by the whole family to
join them in their tour--an invitation he would gladly have accepted a
few days before; and it was with real pleasure that he saw the cavalcade
set out the next morning to continue their journey, Miss Marshall looking
back, after she had said "Good-by," to "hope that Mr. James Wilson would
enjoy the solitary fishing excursions he seemed to like so well."

The long-looked-for letter came that day; some accident had delayed it
on the road. With the remittance it contained he paid his bill, and left
the village of Hillsdale with no very pleasant feelings. He was somewhat
puzzled what course to take. His liking for travelling on foot had not
stood the test of experience, and just then he would have directed his
course to any other part of the Union more willingly than to the White
Mountains. He wisely decided to return to New York, and, by taking the
speediest conveyances, he managed to reach his uncle's house just two
weeks after he had left it.

He was warmly welcomed by his aunt and cousins, and Bessie Graham's bright
face looked brighter as she greeted him.

"You have come just in time, Fred," said Emily; "we are going to Lake
George to-morrow. But how did you happen to get back so soon? I am afraid
your 'predestinarian tower,' as that old lady out West called it, has not
been so delightful as you expected."

Frederick acknowledged that it had not; and, after tea, he told the whole
story to an audience more sympathizing than the former one had been.

"I thought you had a very crestfallen look as you came in," said Emily.

"I hope," said Mrs. Lawrence, "that you made the people understand who you
were before you left."

Bessie said nothing; but Frederick was struck by the spirit in which she
had listened to his misadventures, so different from the one that Miss
Marshall had displayed. The one he had always thought a grave and serious
character, and the other a light and childish one. But Miss Marshall
seemed to find an endless source of amusement in the mortification of
other people's vanity, while Bessie was so occupied with the painful
position in which he had been placed that she could hardly smile, easily
as her smiles generally came, at Frederick's imitation of the pompous and
ignorant landlord.

"Bessie is a sweet little girl," said he to Emily, at the close of the
evening.

"I knew you would like her," was Emily's pleased reply.

The pleasant weeks the party spent at Lake George served to confirm
Frederick's opinion, and the liking that commenced that first evening
after his return went on increasing, until in a few years it ended, as
most stories and novels do, in a wedding.

[Illustration]




LETTERS LEFT AT THE PASTRY-COOK'S:

BEING THE CLANDESTINE CORRESPONDENCE BETWEEN KITTY CLOVER AT SCHOOL, AND
HER "DEAR, DEAR FRIEND" IN TOWN.

EDITED BY HORACE MAYHEW.


THE SIXTH LETTER LEFT.

    (_Dated April the 9th._)

    SHOWING WHAT HAPPENED ON A VERY IMPORTANT DAY, AND WHAT KITTY
    THOUGHT OF SOME OF HER MASTERS.

TO-DAY, dearest Nelly, is the 14th of February. Not a girl, I believe,
in the whole school, slept a wink last night; ever since sunrise, there
has been such a humming and buzzing, exactly as you hear at church when
the service is just over. I believe all the girls are mad. No one seems
to care for fines or forfeits. What is twopence or sixpence, or a hundred
lines of the "History of England," so long as a dear sweet valentine is
smuggled into the college? and it requires all the art which a woman
has of smuggling, to pass a letter through the examination of this
place. I declare it's worse than the custom-house, when you land from
Boulogne. Every one who comes in has his pockets searched, and the Lady
Principal stands on the staircase all day, watching for the postman.
She little knows, however, that he has been bribed (_with half a dozen_
SILVER THIMBLES) to slip all the letters under the door without that
tell-tale "tat-tat;" or that Susan has earned in one day more ribbons and
handkerchiefs than a year's wages would buy her, simply by having a little
human feeling. Snapp and the Lady Principal were never fluttered with such
hopes, I'll be bound, when they were young, although it is so long ago
they may well be excused for forgetting it.

But it does not matter, Nelly, their locking us up in a state of siege.
Rosy May has got a beauty sent round her bottle of strengthening mixture
by the doctor's handsome young man; and Lucy Wilde found such a duck
tucked in her stockings from the wash. And those impudent fellows next
door have pelted us over the garden wall with half a dozen all tied on to
a piece of string precisely as if it were the tail of a kite that had got
entangled in the trees.

And then, Nelly (mind, this is a secret), there came a new Sunday dress
for me (a beautiful shot silk, with all kinds of colors, just like
mother-o'-pearl); and what do you think? There, inside it, hid up the
sleeve, was such a love of a valentine for your dear, happy, happy Kitty!
Oh gracious! when I opened it, I saw two sweet little doves, as white as
bride-cake, caged in a net of beautiful silver paper, hovering over a
large heart, smothered, dear, in the sweetest roses! It was so pretty,
you can't tell; and I was _so_ happy I could have gone to bed and have
cried the rest of the afternoon. How kind of _him_ to think of me on such
a day! Bless him! How foolishly I love him to be sure, and I should be
very wicked if I didn't; for it was only yesterday I flung the paring of
an apple three times round my head, and when it had fallen on the ground,
there it was in the form of the dear letter "S!" You understand, dearest;
but not a word.

Snapp had one. It was inside an orange that was thrown at her from over
the wall. Those impudent boys again! She tore it up most indignantly, and
flung the bits away with a burst of eloquence about "the vulgar ribaldry
of such ignorant, witless insults." We picked up the bits afterwards, and,
putting them together, found they formed the ugliest picture that ever was
seen, of an old witch riding on a birch-broom, with a big bottle in her
hand. It was too bad, but we have pasted the pieces on a sheet of paper,
and intend to keep it by us to spite her with some day, if she is unkind
to us.

The fact is, the whole house is crazy. If it was breaking-up day, there
couldn't be more fun and less discipline. Even that long piece of dryness,
Miss Twigg, has been caught laughing several times, and the servants have
been giggling up and down stairs, and all over the house, and running
every minute to the door, until at last Mrs. Rodwell has put the chain up,
and says she'll answer the door herself. She's in such a passion that I
shouldn't like to be one of those poor girls who hav'n't paid for their
last half year, and to be taken up before her!

Even that curious old Mr. Penn has become touched with the infection. He
has been setting us the drollest copies, about "Faint Heart ne'er won
Fair Lady," and "Though Lost to Sight, to Memory Dear," and such like;
exceeding even his usual eccentricities.

He is the funniest little specimen you ever saw, Nelly, and ought to sit
to have his portrait taken in China. He would make a capital Dresden
ornament, for he is a very great curiosity; but in his present shape he
is much more curious than ornamental. He is our writing-master; but his
accomplishments go far beyond pot-hooks and hangers; for he teaches us,
also, arithmetic, mathematics (much we understand about them!), and Latin
(we all like "_Amo_, I love"--I think of Sidney as I conjugate it), and
elocution; besides drawing to the juniors. Poor Penn! His is a sad life,
Nell. He was brought up with expectations of having a large fortune. Those
expectations are all gone now; for you cannot read the slightest hope
in his care-worn face. His whole appearance implies a struggle to live.
Every article of his dress speaks of a long fight with poverty. His coat
looks so thin that you imagine, if it were brushed, it would be swept
clean away like so much dust. It is buttoned close up to his throat, and
what you see of his linen is clean, though rough and jagged at the edges,
like the leaves of a book that's been badly cut. His boots are patched
to that extent that, when it has been raining very hard, he doesn't like
drying them at the fire, for fear of our laughing at the numerous patches
about them. His hat--but never mind about his dress, Nelly; for I feel a
sort of shame in counting the darns and stitches about this poor fellow's
appearance. Suffice it to say, he always looks the gentleman in the midst
of his shabbiness, and that he wins the respect of us giddy little girls,
even in spite of his bad clothes. The latter, I can tell you, is no small
recommendation in a girl's school.

He is clever, and I would sooner learn of him than of that ponderous
Professor Drudge, whose explanations are so high-flown that we never can
see what they mean, _even by standing on tip-toe_. At first, all manner of
tricks were played upon old Penn. He never could find his spectacles--his
knife was always mislaid--his quills were always stolen--but he never
grumbled or made the slightest complaint. Last winter he used repeatedly
to leave the room. We could not fancy why or where he went, until one
day he dropped his pocket-handkerchief. It was nothing but holes and
rags--almost as bad as the handkerchief I have seen the clown in a
pantomime wipe his eyes with when he has pretended to be crying. He had
been ashamed to withdraw it in our presence; and well he might, for on my
word, without meaning any harm, we should all have burst out laughing, if
he had. We could not have helped it, Nelly. You never saw such a thing,
dear! "It was not a pocket-handkerchief," said that great stupid Meggy
Sharpe, "so much as a Penn-wiper!"

Well! as we were all laughing at its poverty and comical appearance--you
must have laughed yourself, Nelly--who should come in but Blight? In a
few strong words she made us ashamed of our unfeeling mirth, and brought
the color still more to our tingling cheeks by running up stairs and
bringing down one of her own pocket-handkerchiefs, which she bade us
slip unperceived into poor old Penn's coat pocket. We watched him from
the window. The old gentleman pulled out his handkerchief as soon as he
left the house, but, perceiving the substitution, his head dropped, poor
fellow, and we saw him with the handkerchief held up to his eyes until he
turned the corner.

Ever since then, no more tricks have been played with our writing-master.
His poverty, unlike with most men, has been his friend--and a very good
friend, too. Contributions have been dropped in the same poor-box for his
relief, until the old gentleman has grown comparatively quite a dandy;
one of Noble's black satin aprons has found him in stocks for months,
and Blight is always knitting comfortable muffetees, slippers, and
chest-protectors for him in the winter. We picture to ourselves the old
man emptying his pockets when he gets home, and his surprise at finding
the little gifts (and cake sometimes) they contain. We are happy in the
pleasure we know we give him. He never says a word, but merely looks his
thanks. We feel his gratitude in the increased kindness we receive from
him. He calls us his "angels," and we know directly what he means; if he
said more, O Lord! how we should all cry, and he, perhaps, more than any
of us.

He is here, Nelly, mostly all day long; but doesn't dine with us. The
Lady Principal sends him out a plateful, heaped up with almost insulting
profusion, as if she were sending it out to a beggar. Perhaps she isn't
wrong, however, for it is all eaten. He carries down the tray himself,
that none may see how clean his plate has been polished.

I need not tell you, Nell, dear, that we all are fond of poor Penn. He
is so kind, so gentlemanly, so patient, acting to us more like a parent
than a teacher. Besides, he sets us the strangest copies, the oddest
problems--things never heard of in a school before--but reconciling us to
our tasks by making us laugh, and interesting the dullest pupil. You won't
credit it; but that conceited thing Twigg fancies him in love with her.
She dresses out her ringlets as long as spaniel's ears, and puts on cherry
neck-ribbons when he comes. All day long is she pestering him to mend her
pen, and to explain away difficulties about _x_ in algebra; just as if a
man could be bothered into love! Penn takes it all very good-temperedly;
but I imagine it would bring his wig prematurely to the grave, if he was
told that he was going to marry Twigg.

None of us can tell what pittance the Princesses' College gives for
the life-service of such a man. Not a tenth, I dare say, of what they
give to Herr Hullabullützer. Such fuss, dear, as is made for the Herr's
reception! The room is heated to a certain degree of nicety, the light
is subdued, sherry and biscuits are ready for his refreshment, tea and
cake (_our cake_) brought in afterwards, and the young ladies kept
waiting in succession every quarter of an hour, so as not to lose a
moment of his valuable time. And you should only see him lounging in the
arm-chair; his little fourpenny-piece of a watch placed before him, as
if the object of his visit was to follow its hands, and not our fingers.
Why, he looks, dear, the handsomest personification of contentment,
hair-oil, and conceit, that a foreigner ever _bamboozled_ people with in
this country. His shirt is light pink, and perforated like an open-work
jam tart. His wristbands are turned back nearly as much as the sheet on
the pillow of a bed. His head would make a beautiful block for a French
hair-dresser's window; and he has sufficient chains and miniature pistols,
donkeys, cannons, and dogs dangling round his neck to start in business
a Jew peddler. He dozes one-half the time; but then it is a reverie--the
meditation of genius. The other half he plays with his glossy curls or
his whitey-brown moustache, so he may well be excused if he doesn't know
exactly to a minute what air his pupil is playing. It's true, he scarcely
gives himself the trouble to correct us when we are wrong; but then he
teaches the young princesses! and so we should not expect him to be over
patient with little chits of school-girls. _He_ is an artist: poor Penn
is only a man of intellect. _He_ goes to the palace three times a week;
poor Penn has only been to college; so the two are not to be compared.

Once, however, when your dearest Kitty was making more noise over the
"Battle of Prague" than has ever been made over the battle of Waterloo,
the ringleted Herr caught up her hand, and said, in a voice that melted
with the sweetness of barley sugar, "I can-not perr-mit such soft litt-tle
fin-gerrs to murr-derr har-mo-nie;" and--and, dearest, I think Kitty's
hand felt the smallest possible baby's-touch of a squeeze.

I had on your pretty turquoise ring at the time, and since then every girl
has wished me to lend it her for her music lesson. Just as if it was the
ring that!!!----

Fraulein Pinchinhertz is quite sentimental over the handsome Herr. She
sits in the room during the lessons, looking and listening with all her
soul in her eyes, and talking German in the _softest_ manner. But the Herr
admires his boots infinitely more than he does her.

But, bother take it, there's the bell for tea. Good-bye, my darling Nelly,
and do not forget the toffee you promised to send to--

    Your fondest       KITTY CLOVER.

P. S. I will show you the valentine when I come home. Tell me, have you
had any? Pray, how many?

P. S. It is very strange--some one sang under our windows last night,
"Wilt thou love me then as now?" I wonder if it was _him_?

P. S. I have had this more than three weeks in my pocket, waiting for an
opportunity to post it.

[Illustration]




A SONG.

BY CHARLES STEWART.


    As fancy breathes her gentlest gale
      O'er memory's shallop, bright with flowers,
    And up the stream of Time you sail
      To visit childhood's fairy bowers--
    As early scenes bring to your mind
      The day gone by of youthful greeting--
    The joys and pleasures left behind,
      As bright, as transient, and as fleeting
      As sunshine on a summer's day--
    One moment bright, but ere the hour
      Hath passed, the landscape wears a frown,
    And then 'tis darkened by a shower:
      Oh, cherish, as in other days,
    One passing thought, one precious tear,
      When o'er the past thy vision strays,
    For him who writes this tribute here!
    And may thy dreams, so glad in youth,
      As Time with tireless pinions fly,
    Unfold in happiness and truth,
      And sit amid a cloudless sky!




GODEY'S COURSE OF LESSONS IN DRAWING.


LESSON VI.

    FIGURE AND OBJECT DRAWING.

[Illustration: Fig. 1.]

[Illustration: Fig. 2.]

[Illustration: Fig. 3.]

[Illustration: Fig. 4.]

[Illustration: Fig. 5.]

IN executing the copies here given, and, indeed, in all other drawings
which are to be shaded, the outlines must first be put in before any
attempt to shade is made. The pupil should endeavor to produce the proper
degree of shade at one operation, without having occasion to go over or
darken it afterwards. This retouching spoils the effect of clearness
and spirit which shading at one operation is calculated to give, and
which all drawings should have. The drawings in Figs. 1 and 2 will be
very easily put in. The outline of Fig. 3 should be drawn in the manner
heretofore explained, the shading put in by bold strokes from top to
bottom, because if done at two operations a shadow would result, by
which the effect would be spoiled; a few cross-strokes may be next put
in, which will give a little roundness to the sketch. In Fig. 4, the
nearest part of the oval is to be drawn considerably stronger, so as
to bring it forward. Figs. 5 and 6 are examples in which the ellipse is
distinguishable. In copying Fig. 7, a nice broken outline should first
be obtained; the shading being simple needs no explanation. The outline
of Fig. 8 is to be drawn as formerly; the indented parts of the leaf to
be put in slightly, and afterwards the stronger shadow, which throws
forward the curled edge of the leaf. In copying the annexed sketch of a
grindstone, to get the outline correctly the framework should be drawn
first, carefully observing the relative proportions of the parts, in order
to give an idea of perspective.[4] Having done this, an ellipse may be
drawn to represent the stone, part of this to be rubbed out afterwards;
in shading the drawing, the nearer parts should be made darker than those
distant; this causes the latter to recede, having the appearance of
distance. In Fig. 10, we give the representation of an old gate; it is so
simple that it needs no explanation. Fig. 11, which is the representation
of a familiar object, is treated under a very simple effect of light and
shade, the shaded parts bringing forward the light ones; this effect is
called _relief_. It is of the utmost importance that the pupil should
have a clear knowledge of the mode of producing this effect. We would
recommend her to try the experiment of placing simple objects so as to
relieve each other, and to sketch them in this manner; this will enable
her very speedily to understand the method of attaining the effect. In
Fig. 12, the same effect is displayed, only reversed; a mixture of light
and shade throwing back the other end, which is in half tint. In Fig. 13,
which is the representation of a fuchsia-leaf, the outline must be put
in in the manner heretofore explained; the shading is similar to that in
Fig. 8. After copying this, we would recommend the pupil to get a similar
leaf, and place it in various positions, so that the light and shade will
be variously disposed. This will afford excellent practice, and will
accustom the pupil to draw or sketch from nature. In Fig. 14, which is
the representation of a rural stile, the pupil will find the principle of
relief shown in Figs. 11 and 12 again displayed; the shading behind the
stumps throwing the light parts forward, and the shaded sides of these
causing the back part to recede.

[Illustration: Fig. 6.]

[Illustration: Fig. 7.]

[Illustration: Fig. 8.]

[Illustration: Fig. 9.]

[Illustration: Fig. 10.]

[Illustration: Fig. 11.]

[Illustration: Fig. 12.]

[Illustration: Fig. 13.]

[Illustration: Fig. 14.]


FOOTNOTES:

[Footnote 4: Hereafter the subject of Perspective will be fully treated
of; before Perspective can be mastered, it is absolutely necessary that
the pupil should be able to sketch by the assistance of the eye.]




CELESTIAL PHENOMENA.--JUNE.

BY D. W. BELISLE.


BOOTES.--This constellation is situated west of Asterion Et Chara, and
contains fifty-four stars. It comes to the meridian the 9th of June.
Bootes may be readily distinguished by the position and splendor of
its principal star Arcturus, which shines with a reddish lustre, much
resembling the planet Mars. This star is supposed to be nearer the earth
than any other star in the northern hemisphere. Arcturus is referred to in
Young's "Paraphrase," where the Almighty answers Job out of the whirlwind--

    "Canst thou the skies' benevolence restrain,
    And cause the Pleiades to shine in vain?
    Or, when Orion sparkles from his sphere,
    Thaw the cold season, and unbind the year?
    Bid Mazzaroth his destined station know,
    And teach the bright ARCTURUS where to glow?"

Arcturus is a star of the first magnitude, situated in the left knee, and
is twenty-six degrees south-east of Cor-Coroli. Three small bright stars
curve down to the left foot, while three of the same size, about nine
degrees east, curve in the same manner, and form the right leg. Three
stars curve upwards, forming the left arm, which he holds aloft, while
three still more minute ones mark the neud of the leash which he holds in
his left hand, while his right one is marked by four stars; three very
minute ones mark the club with which he urges on the hounds.

The ancient Greeks called this group Lycaon, which signifies a wolf,
asserting that it is Calisto who was changed into a wolf by Juno.

    "But now her son had fifteen summers told,
    Fierce at the chase, and in the forest bold,
    When, as he beat the woods in quest of prey,
    He chanced to rouse his mother where she lay.
    She knew her son, and kept him in her sight,
    And fondly gazed; the boy was in a fright,
    And aimed a pointed arrow at her breast,
    And would have slain his mother in the beast;
    But Jove forbade, and snatched her through the air
    In whirlwinds up to heaven, and fixed her there."

The Egyptians claimed the origin of it likewise, as also did the Hebrews.
Its origin is probably too ancient to be traced.

       *       *       *       *       *

CENTAURUS.--This fabulous monster is represented as having the head and
shoulders of a man, terminating in the body of a horse. It occupies a
considerable space in the southern hemisphere, yet it is so low down that
but little of it can be traced in our latitude. It is situated south
of Spica Virginis, and contains thirty-five stars, two of which are of
the first magnitude. Agena and Bengula are stars of rare brilliancy,
and mark the fore-feet of the monster. These stars are never visible in
our latitude, but shine with greater lustre than any that gild our own
hemisphere.

It is supposed this constellation took its rise from the simplicity of
the shepherds of the earlier ages, who, on seeing men on horses, supposed
them part of the animals they rode; so the Spanish cavalry seemed to the
Mexicans as late as the year 1500.

The Centaurs were, in reality, a tribe of Lapithæ, who resided near Mount
Pelion, and first invented the art of breaking horses. Virgil says--

    "The Lapithæ to chariots add the state
    Of bits and bridles; taught the steed to bound,
    To turn the ring, and trace the mazy ground,
    To stop, to fly, the rules of war to know,
    To obey the rider, and to dare the foe."

       *       *       *       *       *

LUPUS.--This constellation is situated south of Libra and east of the
Centaur, and is so low down that it cannot be traced in our latitude. It
contains twenty-four stars of a small magnitude.

This constellation, according to mythology, is Lycaon, King of Arcadia,
who lived 3,600 years ago, and was changed into a wolf by Jupiter for
sacrificing human victims at the altar of Pan.

       *       *       *       *       *

LIBRA.--When the sun enters the sign Libra, the days and nights are of
equal duration, and seem to observe an equilibrium like a balance. Libra
contains fifty-one stars, and comes to the meridian the 22d of June. It
may be known by its four principal stars forming a quadrilateral figure,
lying north-east and south-west, and having its upper and lower indices
nearly in a straight line running north and south. The two stars which
form the south-west side of the square are situated about six degrees
apart, and distinguish the southern scale. The two which form the
north-east side are seven degrees apart, and mark the northern scale.

The Libra of the Zodiac is found upon all the hieroglyphics of Egypt,
which is proof of its great antiquity. In the Zodiacs of Estne and
Dendera, Virgo is represented as holding the balance in her hand as an
emblem of equal justice to all.

The Greeks assert that the balance was placed among the stars to
perpetuate the memory of Mochus, the inventor of weights and measures.
It is known, however, to have existed prior to the Greek nation, and
therefore the assumption must be erroneous.

       *       *       *       *       *

SERPENS.--This constellation is situated chiefly between Libra and Corona
Borealis. Those stars that lie scattered along for about twenty-five
degrees, in a serpentine direction between Libra and the Crown, mark the
body and head of the serpent; five of these, standing in a cluster, form
the head. They are about ten degrees south of the crown.

    "Vast as the starry serpent that, on high,
    Tracks the clear ether and divides the sky,
    And southward winding from the northern Wain,
    Shoots to remoter spheres its glittering train."

Many nations have worshipped the Serpent, among which are the Hivites and
aborigines of South America. Job says: "By his spirit He hath garnished
the heaven; his hand hath formed the crooked Serpent."

       *       *       *       *       *

CORONA BOREALIS.--Among the starry hosts that deck the summer sky, there
is no group more beautiful than the northern Crown. It is situated north
of the Serpent, and may be readily distinguished by its six principal
stars curving round into a wreath or crown. Alphacca, its brightest star,
is eleven degrees east of Mirac in Bootes, and comes to the meridian
the 30th of June. This group contains twenty-one stars, of which those
that compose the wreath are alone conspicuous. This beautiful cluster of
stars is said to have been placed in the heavens to commemorate the crown
presented to Ariadne, Princess of Crete, by Bacchus.

We cannot discard the history connected with the traditionary gods of the
ancients as entirely fabulous, for undoubtedly, in the fables of heathen
mythology, are transmitted to us records of early times so far enveloped
in the impenetrable darkness that separates us from the earliest records
of the human species, that they alone are all that remain to us of the
habits and pursuits of the patriarchs of the world. It remains with us to
sift these relics of the past from the mystic web that a barbarous age
threw around them, and thus be enabled to transmit to future ages glimpses
of the habits and pursuits of patriarchs of our race in all the purity of
unadorned truth.

[Illustration]




LEGEND OF LONG-POND; OR, LAKE OF THE GOLDEN CROSS.

BY FANNY FALES.


    THE summer moon hung in the sky,
      And sleeping in its sheen;
    Long-Pond, watched by the angel stars,
      Lay in its cradle green.

    The little zephyrs gliding by,
      Rocked it upon their way;
    And saw the dimples come and go,
      As of a child at play.

    The beautiful white lilies bowed,
      With folded hands, at rest;
    As if they stole away to pray
      Beneath the water's crest.

    From the dim woods beyond, the doe
      Came down her thirst to slake;
    Her wild brown eyes, and graceful form,
      Reflected from the lake.

    What! does she list the huntsman's horn,
      That thus she bounds away?
    Turns she, with head erect and proud,
      The noisy hounds to bay?

    Nay, nay! 'tis but a swift canoe
      Shoots from the coppice near;
    Its light oars leave a silvery track
      Upon the waters clear.

    A pale, fair youth, one arm flung round
      A maiden's form, is there;
    The Saxon in his deep blue eyes,
      And light-brown waving hair.

    The full-orbed moon floods in its wanes,
      The Indian maiden's face;
    The rich blood tints her olive cheek,
      Her form is full of grace.

    Her black eyes, softer than the night,
      Are turned to meet his own;
    Her heart drinks in each loving word,
      And deep impassioned tone.

    "Listen, Lueka--little fawn,"
      (His voice is sad and low;)
    "Chide not with that imploring gaze;
      To-morrow I must go!"

    Her head drops slowly on her breast,
      Veiled with her long black hair;
    Love in that simple act confest,
      Love, and almost--despair.

    "Anoonk,[5] Lueka's heart will bleed,
      The arrow 'neath its wing;
    'Twill sit and mourn, 'twill droop and die,
      It never more will sing.

    "To-morrow is a little word,
      But, oh, how big with woe!
    Did poor Lueka hear or dream,
      'To-morrow I must go?'

    "Lueka, list, my bird, my fawn,
      I will return again
    Before the harvest moon looks down
      Upon the golden grain.

    "I swear, Lueka, by the stars,
      And by this cross of gold,
    'Ere red the berries of the thorn
      My Indian bride I'll fold.

    "In token, chain and cross of gold
      I hang upon thy breast;
    And let it whisper, 'He will come
      When summer's in the west.'"

    'Twere vain Lueka's fears to paint,
      'Twere vain her woe to tell;
    When came the morrow's long embrace,
      And quivering, low farewell.

           *       *       *       *       *

    Popmonet's daughter was the maid,
      A princess' rank she bore;
    And many a rival chieftain laid
      His offering at her door.

    But all in vain--for she had seen
      The stranger as he lay
    With fever in his throbbing veins--
      And nursed him day by day.

    Health came, and love--but woe if he
      Who sought her for his own,
    The Marshpee chief, her secret know,
      By word, or look, or tone.

           *       *       *       *       *

    The night is dark, the storm is fierce,
      But darker, fiercer still
    The whirlwind passions in the soul
      Of scorned Auketauquil.

    For sad, apart, Lueka sits,
      Her heart's-eyes gaze afar;
    The young chief's words, his very smiles
      Upon her spirits jar.

    The golden cross, but half concealed,
      To him her secret told;
    The while she murmurs, "he will come
      Before this moon is old.

    "The corn is golden in the sheaf,
      With silken tassels drest;
    I've seen the shining summer rise,
      And now 'tis in the west."

    But summer set, and winter came,
      And spring, with blossoms gay;
    Then hope died in Lueka's heart,
      For he was still away.

    She drooped and faded day by day,
      And when the autumn hours
    Came round again with yellow leaves,
      She'd perished with the flowers.

    Popmonet bowed his aged head
      In sorrow--with a moan;
    "The leaves from the lone tree are swept,
      I stand alone--alone!"

    Auketauquil approaches near,
      With brow and footstep grave;
    The hated cross gleams on her breast,
      He hurls it in the wave.

    "Curses," he cried, "upon the lips
      That lured away my bird!
    Curse him! would of his hated race
      Lueka'd never heard!

    "Great Spirit, curse him! for he stole
      The ring-dove from my breast;
    Poor wounded thing--how cold it lies;
      I would have been its nest!"

    A lovely island in the lake
      Popmonet's child received;
    Her people bore her gently there,
      And e'en the sternest grieved.

    Anear her placed they food and drink,
      And trinkets that she wore,
    To cheer her on the lonely voyage
      Unto the spirit shore.

    They laid her where the sweet-fern grew,
      With lilies in her hand;
    Then loosed a bird above her grave,[6]
      And sang thus by the strand.--

    Speed on to the beautiful land afar,
    Where the soul of our sister's a new made star;
    With kisses, embraces, thy wings are laden,
    Soar high to the home of the absent maiden,
                                        Away! away!

    Tell her, winged blossom, that over her grave,
    The kindred who mourn her, thy freedom gave;
    We ope thy cage, captive; we bid thee farewell;
    Soar away to the clime where the blessed dwell,
                                        Away! away!

    Tell her we'll look when the north is aglow,[7]
    With the souls of our people, moving slow;
    For the beams of her spirit 'mid those we see,
    For we know in glory she brightest will be,
                                        Away! away!

    She will come no more when the morn is fair,
    To look in the wave while she braids her hair;
    But her face like a star on Auketauquil's soul,
    Dawns bright from the gloom where its deep waters roll,
                                        Away! away!

    Soar on--soar away to the spirit-land,
    Thy wings with the breath of affection fanned;
    The soul of our sister's a new made star,
    Bear our blessing, O bird, to her home afar;
                                        Away! away!

           *       *       *       *       *

    Years fled--the council fires went out;
      The red men, one by one,
    Died, or were driven from their haunts,
      Toward the setting sun.

    No more a moccasin is seen
      On Succannesset[8] lands;
    Where once arose the wigwam's smoke,
      The white man's dwelling stands.

    Save one old brave with locks of snow,
      No tree stands where it grew;
    No longer on the wave is launched
      The graceful bark canoe.

           *       *       *       *       *

    A poor lone woman, gathering
      Fuel Long-Pond around,
    Drew forth a dead branch from the wave,
      And lo! a cross was found!

    'Twas asked the aged brave, if he
      Its history could tell;
    'Twas the same cross Lueka wore,
      Ah, yes! he knew it well.

    I gathered from his lips ere long
      The tale here given thee;
    'Tis common love, and woe, and death,
      From man's inconstancy.

    And evermore that woodland pond,
      Where oaks their shadows toss,
    We'll call for poor Lueka's sake,
      Lake of the Golden Cross.


FOOTNOTES:

[Footnote 5: _Anoonk_, a star.]

[Footnote 6: The Indians of some tribes loose a bird over the grave of
a friend, laden with caresses, which they believe will be borne to the
departed one.]

[Footnote 7: The moving rays of the northern lights are supposed by them
to be the souls of their people in glory.]

[Footnote 8: _Succannesset_, Indian name of Falmouth.]




MRS. CLARK'S EXPERIENCE AS A SERVANT.

BY BELL.


"WHY is it, Mrs. Clark, that you always take the part of servants? You
speak as if you thought them possessed of sensibilities as refined as
ours."

"Why should they not have such feelings?" inquired Mrs. Clark.

"Their education is so different."

"Does education always give sensibility? Do you not think it possible for
those that must work for a living to be possessed of it?"

"I should suppose they might do something that would not expose them to
the contempt that is shown to such as are 'girls in the kitchen.' Why,
even the higher servants despise them."

"Would it not be better if all were considerate enough not to contemn any
one? Then there would be no danger of wounding sensibilities that are none
the less acute because they are found in the breast of a servant." Mrs.
Clark said this softly, and with a slight quiver, perceptible only when
you looked at her.

I was sitting by the window for the sake of the light. Sarah Marshall,
who was spending a week with Isabel Clark, was chatting as usual when
Mrs. Clark came in with a neighbor, who was telling of the impudence of a
servant who, when she was accused of falsehood, replied, "There is none of
my father's family that can lie."

"Did she lie?" innocently inquired Sarah.

"No, it was found she told the truth; but then, it was her independent
manner that was so offensive."

"Do you not think servants ought to have independence enough to defend
themselves from an unjust accusation?" asked Mrs. Clark.

"Her saying so proved nothing; we found out the truth ourselves. If she
had waited, she would not have lost her place. I am sorry for her, I am
sure. If you do not want her, I do not know what will become of her. Her
family are quite destitute."

"Do you not need her help?"

"Oh, yes; but, then"----

"You are satisfied of her innocence, you say; why not have her come back
to you?"

"That would be too humiliating. I never give my servants a chance to
triumph over me in that way."

The visitor departed, and the conversation was continued, as at the
commencement of the story.

Mrs. Clark was a lady. It was not necessary to inquire who her ancestors
were, to be sure of that; yet it was not her dress, or manner, or voice,
or sentiments, either of them, alone, but harmony and appropriateness in
everything she said or did, that left with you that impression. In her
presence you never thought whether she was handsome or well-dressed, but,
on leaving her, you would be more than ever in love with moral beauty.

In the evening, we girls--I call myself one of them, though so much
older--were sitting round the fireplace in the pleasant room; it was just
fit for dreaming or story-telling, at twilight, when Sarah referred to
the conversation of the morning, wondering if Mrs. Hart had conquered her
pride, or poor Anna had found a place.

"I have always pitied servants," said she; "it seems that they ought to
know their place; yet, if they are unjustly accused, it is hard if they
must lose a home when they defend themselves."

"For my part," said Isabel, "I like to see ladies know their places, as
well as servants. What right has any one to charge another with falsehood,
and expect them to be silent under the false charge, merely because they
have agreed to give them the labor of their hands for a paltry sum counted
out to them on Saturday night? Anna was educated to thoughts and habits of
strict integrity, and I do not wonder at her proud retort."

Isabel had been indignant all day, but had controlled her lips till now;
her eyes flashed as she spoke, and, when she was done, she went to the
piano and played several spirited airs with even more spirit than was
necessary; then, turning to us, said--

"Did mother ever tell you her history?"

"No," said Sarah.

"Nor you, Miss Bell?"

"Never."

"She wrote it out for me a year ago. I will read it to you, if you wish."

Now, I had often wished to know her earlier life, but did not think
it right for Isabel to read to us what was probably written for her
alone; so I ran up stairs, where Mrs. Clark was engaged with the younger
children, and told her what Isabel proposed doing, inquiring if it met her
approbation.

"I wrote it," said she, pleasantly, "as a lesson for my daughter; but I am
willing others should be benefited with her."

Feeling that I had wronged Isabel by supposing she would do anything
improper, I returned to the parlor just as she was ready to read the
following:--

       *       *       *       *       *

The first dream of my life was to be a school-teacher. The first
morning of my going to school, the sweet lady who was teaching in our
district took me on her lap, and asked me if I did not wish to become a
school-teacher. I felt that to be like her would be pleasant; and so, from
that time, it was the acme of my ambition to become what Polly Frazier
was--pleasant name it is, even now--and I was careful about _this_, and
I learned _that_, because it was necessary for a teacher to know such
things. My parents and instructors encouraged the idea, and it was with me
a settled purpose. I hardly know how young I was when I learned that, to
teach successfully, I must govern well. I desired not to rule merely, but
to instruct; and, when my teacher would let me hear the little ones read,
how tearfully happy I was if I succeeded in giving them a new sound, or
right pronunciation!

Thus time passed with me until I was twelve, when my father came from an
eastern State to Pennsylvania. Soon after, by one of those great wrongs,
where no one is to blame, my father lost the little property he brought
with him to this part of the country, and a family of eight was dependent
on what he could earn at his trade. Money was scarce and provisions dear,
and you may judge of my feelings when my father came home every day more
and more tired, and our resources became day by day more and more reduced;
for, though my mother was a good manager, yet there are limits beyond
which it is impossible to manage at all.

If I could only do something! I thought it over at night, but said
nothing. I knew I was not prepared to teach even children, or, at least,
no one would think I was, and that was all the same, for all the good
it would do me, and I must give up the thought of it, at least for the
present.

I could not tell you all the day-dreams I had about the one thing, how I
could help my father. At last I found a way to help myself, and thus help
him, by reducing the number of mouths at home, and also adding something
to a wardrobe that was becoming quite scanty.

I became acquainted with a girl some years older than myself, who was
"working out." She earned seventy-five cents a week. I had done nearly all
of the kinds of work at home that were expected of her; why, then, could
I not obtain as much? I saw no reason why I should not. True, girls of my
own age had but fifty cents, but then they never washed or ironed, except
coarse clothing, while I could do all, except the finest.

"Where there is a will, there is a way;" so I soon was from home trying
my best. I need not tell you how much I was disappointed in some things;
but, as yet, I saw no reason why my main object could not be accomplished.
I was the more encouraged to hope this, as it was evident the people were
satisfied with my endeavors, and said I "was as much help as those who
were four or five years older."

I had been there six weeks before anything was said about my pay. The
family sewing was done for the winter, and they did not keep help only at
times, so I was not needed; and, as a matter of _ceremony_, I was asked
"what I expected a week." I had all along thought they would not hesitate
to give me as much as older girls received, inasmuch as they had often
said I was as much help. I even thought they would have the delicacy to
give me that amount without the ceremony of asking how much I expected.
The manner of asking me, however, made me think that perhaps I had
over-estimated my services, and I rather hesitatingly said five shillings
would do.

How they stared at me! I then found that, for all I had done more than was
expected of my age, I had my pay in praise; something I did not value,
only as it helped me to forward my main design. Still, fifty cents a week
and my board was better than doing nothing at home, so I submitted to
what was inevitable. Thus passed the years until I was sixteen. In the
interval, I had managed to attend school three months. I helped about
house mornings and evenings, and stayed at home Mondays to wash. At some
places I was permitted to read or study, if I could get the usual work
out of the way; besides, I kept a book or paper by me, and thus picked up
and pondered over many thoughts that would have escaped me, if I had had
the opportunity of reading as much as I wished; for, during this time, I
used to get as hungry for mental food as ever woodcutter did for physical
aliment. The kind of reading I had made me earnestly desire to attend
school. Philosophical, chemical, or botanical allusions were often made,
and I could only half understand what I read, even with the help of the
dictionary.

A change of employment offered, which I eagerly accepted, as it brought
back my old dreams of the pleasure I should enjoy as a school-teacher. An
assistant was required in the village school. I was too eager to get the
place to inquire about the remuneration, and I enjoyed myself too well to
think about it much; but I took for granted that I should have a dollar
a week, and consequently should be able to attend the academy the next
winter. I was disappointed when, at the close of the term, I found I was
to be allowed only seventy-five cents, or what I was able to get as a
"hired girl," though I boarded at father's. I had some time to study, or
the disappointment would have been even greater. By working for my board,
I found I could attend the district school.

The reputation I acquired as a teacher of the lady I assisted, was the
means of my being employed in an adjoining district; but, as much as I
desired the situation, and as much as I loved teaching, and wished to
do my duty, I always considered that school a failure. Not that any one
complained of me, for the pupils improved; but everything became too
mechanical, and, while they learned their lessons well, their minds seemed
to rest, not expand, and I did not know how to remedy the evil. Still, I
loved my school, and set myself to learn why I had failed.

As I studied _myself_, I was more than ever conscious of my deficiencies
in mental cultivation, and of a hungering after mental food. Every chance
I had for study I improved. I was too conscious of a want of preparation
for teaching to offer myself as a teacher, so I must do what I could.

Just then an incident occurred that roused more pride than I had supposed
I possessed. One Sabbath, in the interval between the morning and
afternoon service, a lady came to me, and, in a manner intended to be very
kind, said--

"Are you going to attend the examination of teachers on Saturday?"

"I have not decided. I am not engaged as a teacher."

"Well, never mind, go. If you cannot pass examination so well as Samantha
and the rest, go; it will do you good."

Samantha was her daughter, and had always been at school, and consequently
ought to have known more than she did; but opportunity does not always
make scholars any more than want of opportunity prevents others from
becoming such. Now, I had been at school with Samantha, and knew that,
if _she_ could bear examination as fitted for a teacher, _I_ could; and
I resolved to attend, and, if opportunity was given, I also would be
examined with the rest. And I did, and have _that_ certificate now.

No opportunity offered for teaching, however; in fact, I hardly
desired one, until I had more chance for improvement myself. I made my
arrangements, as I thought, for attending school the next winter; but
winter came, and the next summer passed, and still I was as far from
what I so earnestly desired as ever. I could not pay my board, and I
could not always get a place where I could work mornings and evenings for
it; my clothes would be worn; so, with one thing and another, it seemed
impossible that I should ever be anything but a drudge. Not that my pride
rebelled against doing the _kind_ of work I did, but so constant and
ceaseless and unsympathizing a round of duties left no time for thinking
except of what was just about me.

The elasticity of spirits that had sustained me heretofore was failing me;
for, worn with labor, I felt my mind, as it were, contracting upon itself,
and felt, if I could not break from the bondage, I should be miserable
enough. For that I could see no way. Now I had a dollar a week, and I must
earn it. My employers seemed to consider it treason against them if I so
much as looked into a book. From early in the morning until ten, eleven,
and often until the "small hours," I must labor; and, if I so much as made
myself a garment, I was charged for it, as if it had been hired for me.
I submitted to many impositions rather than contend about them, though I
questioned with myself if it was to last always. It did not last always. I
will relate one incident that occurred, and pass on to pleasanter days.

A glass dish that was cracked about half way across, I accidentally
finished breaking. I went immediately to the sitting-room, and explained
how it was done. Mrs. ---- did not appear displeased at what I had done;
told me not to mind; it was an old dish; she had expected for some time it
would come apart; there was enough more; told me what one to use in place
of it. There was also considerable conversation on the impropriety of
fretting if anything was accidentally broken; and she ended by saying, "I
make it a point _never_ to reproach my girls if an accident occurs."

I left the room, feeling grateful that such was her practice, and thinking
how pleasant it would be if all could think so, not only about accidents,
but other things, and be careful not to "break the bruised reed." I
thought, too, that though many persons did not seem to sympathize with
those who labor for them, it was more in seeming than real. This incident
showed me that our feelings were regarded.

A few days after this, Mrs. ---- came into the kitchen to make some
preparation for company, and when she wanted a dish inquired about that
one. I thought it strange if she had forgotten it, and reminded her of its
being broken.

"Yes, and I think very carelessly broken, too."

A very expressive remark, I thought, after her boasted forbearance, and it
stung none the less that the dart was unexpected.

       *       *       *       *       *

My long-desired wish was gratified, and I was spending the winter at
the academy, and among friends who took an interest in my welfare, and
assisted me whenever they could. The prospect was fair before me of my
being able to prepare for what I had wished from childhood. Still, envy
and contempt had a shaft or two, but they generally flew too high or too
low, for I knew a _man_ would "_be a man for a' that_."

A little boy said to me one day, tauntingly: "Mother says you can't be a
schoolma'am anyhow; anybody as has allus been a servant don't know 'nough.
I sha'n't go to school to you."

"Ah, you think you would not like to come then?" said I, pleasantly.

"If mother would let me."

Then, looking up to me in a confiding way, he asked: "Is it bad to be a
servant?"

Heaven bless the child! thought I, as I kissed his face, sweet now
with gentle thoughts; why must such hearts be poisoned with bitter and
contemptuous thoughts?

It was nearly spring when a party was made by one of the principal
families of the village. Some of the pupils of the academy were to leave
before the term expired, and it was intended as a compliment to them.
Some of the villagers had begun to think the habits of our village too
primitive, and that "hired girls," farmers' sons, and apprentices, should
no longer be invited to the village gatherings. To this party I was among
the uninvited. I was too proud, too independent, too much intent on my
studies to resent it, and intended not to notice it. One does not like to
be the subject of deliberate neglect; but all I meant to do about it was
to prepare myself for the future, and I resolved _my_ future should be
such that they and their descendants would be proud to associate with me.

A young gentleman, a favorite in the village, boarding at the same place,
asked permission to attend me to the party. His favorite girl was a
particular friend of mine, and he had been escort to both on a previous
occasion, but now she was out of the village. Without telling him I could
not go, and for what reason, I endeavored to put him off to go alone, or
find another lady, saying, "I must learn my lessons; I did not like to be
out late."

He knew that, but had resolved I should go this time, as I had
successfully excused myself before. He protested I was studying too much;
a social evening would do me good; said he would come home as soon as I
said, after nine o'clock. Thus he endeavored to overrule all my objections
and excuses.

There was no _real_ reason why I should not go with him, only the one why
I should not go at all. I did not intend to tell him I had such an one,
but he gave me no peace until I told him I could not go, and why.

"No invitation!" repeated he, in astonishment; "how is that?"

"Excuse me; I must keep my suspicions to myself."

He sat thoughtfully a few moments, then, starting up as if a new thought
occurred to him, said--

"I understood they were not intending to invite 'hired girls;' but why
should they slight you? You are as much a pupil at the academy as any one
there."

"Yes, but I work for my board, and next summer I shall probably be 'hired
girl' again."

"Well," said he, pleasantly, "we can have a party here."

I protested against his staying on my account.

"Yes, yes, they made me promise to come, but I insisted on qualifying it
with 'providential,' and I consider this I have learned quite in that
light. Nay, speak not, I command you. I _shall not_ go. I only wish Mary
was at home. However, we can have a pleasant evening here, and no thanks
to the 'codfish aristocracy.'"

The next day, inquiry was made after Mr. ----, and why he did not attend
the party; but he gave them no more satisfaction than they were entitled
to. Afterward I was invited whenever there was a party; I did not care
about going always, though I was glad to have my right to an invitation
unquestioned, as, according to my definition of respectable, a man or
woman either was so who could _conscientiously_ respect himself.

The next summer, and for years, until my marriage, I had the satisfaction
of knowing that my schools were not failures. Though I had anticipated so
long, the enjoyment was equal to the anticipation.

Here Mrs. Clark's history of her days of trial ceased.

       *       *       *       *       *

"Why did she not write more of her school-teaching life?" I asked. "I
should like to hear her account of it; I am sure it would be interesting."

"It is," said Isabel; "she has related many incidents to me that are very
amusing, and some pathetic. I will ask her to tell you about them some
time. This she wrote for me to correct some very foolish notions I had
acquired at Mrs. W.'s school. Who would think, after seeing mother, that
work must necessarily degrade any one? You know Burritt says: 'If a man
thinks at his work, his thoughts are strong,' and mother exemplifies it;
her thoughts are also gentle."

Again Isabel resorted to the piano, but this time it was accompanied by a
gentle evening hymn.

[Illustration]




TIME'S CHANGES; OR, FASHIONS IN THE OLDEN TIMES.


JULY, 1730.

    _Extracts from the Diary of my Greatgrand-mother._

_Five o'clock._--Got up an hour before my usual time to distil
surfeit-water. Said my prayers. Finished one of my father's new shirts.
Mem. To send to town for some currants, raisins, and ratafia water.

_Six._--Some poor women came for medicine to my mother; gave out of the
store-room several doses, and a pint of sack. Mem. To carry two shillings
to Tom, the carpenter's wife, who is ill.

_Seven._--Breakfasted. A card has come from Mr. Jenkins, to let us know he
will do himself the pleasure of dining with us. The match debated during
breakfast. My father says, if he finds him a man of good morals, he'll not
differ as to the settlements. I am ordered never to be alone with Mr. J.
until all the writings are drawn.

_Eight._--Read the Psalms and chapters for the day. Taught little Jemmy
his catechism. Mem. Betsey has marked J. in her sampler to-day: that
stands for _Jenkins_.

_Nine._--Darn some old point-lace tuckers. Do some clear-starching and
ironing for next week.

_Ten._--Go see the carpenter's wife. Her family in very great want. Give
them a shilling from my own pocket-money.

_Eleven._--Sit down to my cross-stitch. A shepherdess the subject, for an
urn-rug.

_Twelve._--My mother orders me to make a custard-pudding, to show Mr.
Jenkins what I can do. Orders me to wear my best gown at dinner, and only
two patches. Mem. I mean to appear in my new hoop and laced stomacher. Mr.
J. is a man of figure, so will look to my appearance.

_One._--Too much ratafia water in the pudding. Mr. J. praised some hare
of my potting. I begin to like him vastly well, but must not let him
perceive it. Mem. Our currant wine just out. Mislaid the key of the
corner-cupboard. Thinking of Mr. J.

_Two._--Miss T. and her lover stepped in to tea. Promise her receipt for
pickling mushrooms. Mem. Mrs. Hart's receipt for burns very good. Must
have it in the house. Garlick syrup excellent for coughs.

_Eight._--Supper. My brother tells me Mr. Jenkins is very wild. Mem. Never
to see his face again!


SATURDAY, MARCH, 1778.

    _Notes from my Grandmother's Pocket Diary._

_Two o'clock._--Arrived this moment in town. We have been three days
coming from S---- in our own coach. Just put off my riding-dress, and
huddled on my green gown, to get to the milliner's, mercer's, &c.
Overjoyed to be in town; so have no appetite for my dinner.

_Four._--Going out with Miss Tendrill. She tells me _coque de perle_
necklace and ear-rings are much in vogue. Mem. To teaze my mother until
she gets them for me. Arrive at Truefit's. N. B. Truefit the first
_modeste_ in the world. Ordered a cane hat, lined with cerulean blue
Persian, trimmed with blonde lace and ribbons, for walking in the Park,
and making morning calls. Mem. Must bespeak two pairs of white leather
shoes, with red heels, and bindings to correspond. Advised to have a Saint
Teresa of sarsnet and blonde lace, as 'tis the latest mode. Ordered it at
once. Mem. Blonde lace ruffles, with a large slope, vastly genteel. Uneasy
till I get them.

_Eight._--Go home, fearing I may miss Mr. Cleveland. He advises, as my
shoulders are rather round, that my stays be made high behind. He says
'tis quite the thing to have them so. I have desired they should be cut
low before, as it shows the chest off to advantage.

_Sunday. Eleven o'clock._--Had no rest last night, anticipating the
pleasure of the week to come. Too late for church. I shall dress time
enough for a ride in the Park.

_One._--Miss Wyndham has called for me. Go to Mrs. Emerson, to engage
her to matronize us to an assembly to-morrow night. Mr. ---- walked up
to speak to us. An acquaintance of Miss Wyndham. A fine well-made man;
improves on better acquaintance. He took great notice of me, and told Miss
W. I was a prodigious fine girl. Miss W. jealous, and anxious to return
home; he offered to escort us. Miss W. complained of headache, and would
not speak. I improved the opportunity, by chatting away merrily to Mr.
---- all the way home. Mem. To get a green Persian calash, same as Miss
Wyndham's. Mr. ---- praised it, so I won't be outdone.

_Seven._--Mr. ---- invited to dinner by my mother. I engrossed all his
attention. He is very rich.

_Eleven._--Desired Mary to waken me at two in the morning, to have my hair
dressed. It will be done in about four hours.

_Monday. Two in the morning._--Crumpe just arrived. Read _Damon and Ella_,
whilst my head is being operated on. A sweet book!

_Seven._--My hair finished. Mem. Crumpe the first hair-dresser in Europe.
Only 463 black pins in it. No other could have accomplished it with less
than 470.

_Eleven._--Out shopping with Mrs. Emerson. Take the round of the
fashionable milliners. Bespeak a grenadier cap of blonde lace, with a Mary
Stuart peak. Saw a lovely clouded lute-string at Ball and Campbell's.
Resolved to have it. 'Tis very much genteeler than Miss Wyndham's.

_Twelve._--Had a glance at Mr. ----. They say half the reigning belles are
dying for love of him. Charming creature! Mem. To dance the first minuet
with him to-night, if possible.

_One._--Much fatigued from tumbling over silks, &c. Tried on my new
_negligée_. Mem. Must not go to the assembly until ten. Country hours will
not do here.

_Tuesday. One._--Paid so many visits yesterday before the assembly,
that I was tired and out of sorts. Mr. ---- danced with Miss Wyndham
half the night. Well, to be sure, what taste _some_ people have! She
looked downright frightful. Her fortune is a large one; _that_ covers all
defects, I suppose. I am mortified, have a bad headache, and wish our stay
in town was at an end. I have just heard that Mr. ---- proposed for Miss
Wyndham last night. I shall cut her acquaintance most certainly.


DECEMBER, 1820.

    _Leaves from my Mother's Journal._

_Tuesday, Dec. 2._--The boxes containing my _trousseau_ have just arrived.
My cousin Annie and I busy unpacking them. Annie to be my bridesmaid. How
brilliant her color is to-day: she looks very lovely, and will grace our
wedding. Of course, dear Edward is charmed with her, for _my sake_. My
wedding-dress is of white lace, gored on the hips, and quite tight down
to the knee, where small flowers, headed with thick wadded rolls of white
satin, commence. The body is just one finger deep in front, and a little
deeper behind. The dress is made low, for the ball on the evening of the
wedding; and with it has come a white flowered satin spencer, covered
with small white tassels on the front, and with a stiff standing collar,
which looks very stylish. My hat is composed of blonde and satin, and has
_six_ full ostrich feathers in it, three at each side, the two end ones
being very long, so as to fall gracefully on the shoulders. Madame Lion
has sent, amongst other things, a blue cloth pelisse, trimmed with sable;
the price of it is thirty-five guineas. Edward made Annie try on some of
my things to see how he liked them. Strange that it was not _me_ he wished
to see them upon! Dear Edward, how thoughtful he is--he made me retire
to my room very early, saying I looked fatigued. Annie did not follow me
until twelve o'clock, and seemed flushed and slightly agitated on entering
the room. She says I look so pale I should wear a little _rouge_. 'Tis a
fashion I never yet adopted.

_Wednesday, Dec. 3._--Papa and dear Edward all day in the study, closeted
with Mr. Grabb, our attorney, arranging about settlements. To-morrow I
shall be the happy bride of him whom I adore. Guests arriving all day.
I saw Annie coming out of the shrubbery with dear Edward, before the
dinner-bell rang. What could they have gone there for? The hour late, too,
for walking, and the evening cold and damp.

_Twelve o'clock._--Just retired to my room for the night. Take one more
peep at my wedding-dress, laid on the sofa, and now retire to dream of the
happy morn fast approaching.

       *       *       *       *       *

Here the manuscript ceases; for, when morn came--that morn so longed
for--Edward was missing; and, stranger far, Annie was nowhere to be found,
and was sought for in vain. The faithless pair had eloped together, and
the following day were united at Gretna Green. Long did my poor mother
pine and mourn her sad fate. But at length brighter days arose for her;
and in my dear and honored father she found what she had long searched
for--a congenial, loving, and honest heart.

    M. E. H.

[Illustration]




A STRANGE INCIDENT.


I HEARD the other day an anecdote which justifies the remark that "truth
is often stranger than fiction." An old woman, a short time ago, on
her death-bed, called her nephew, who was also her heir, and revealed
to him that, eight years before, she had gone to Paris to receive some
money which was due to her--a sum of fourteen thousand francs received
in bank-notes; she wrapped them up in an old newspaper, and placed them,
with different other things, on the mantle-piece of the room of the inn
where she was staying, while she sat down to write to her husband, to
tell him she had received the money. The letter written, she determined
that, instead of trusting it to any one, she would put it herself in the
post; and accordingly left the hotel for the purpose. On going out, she
left her key with her porter, with directions to light a fire in her room
at eight o'clock. Towards half-past seven, whilst at the house of one
of her acquaintances, it suddenly occurred to her that she had left her
bank-notes on the mantle-piece at the hotel. She immediately returned in
search of them, went up to her room, where the fire was lighted according
to her directions; but the packet of bank-notes had disappeared. She rang.
A young girl answered the bell; of whom she demanded who had lighted the
fire. It was the girl herself. The owner of the bank-notes asked if she
had seen them. She answered in the negative. At last the master of the
hotel was called, and the affair related to him. It then was proved that
the only person who entered the room was the girl who lighted the fire.
The master of the house had confidence in the girl's honesty; but, as
appearances were certainly against her, the whole affair was placed in
the hands of the police, and the girl arrested. She was condemned, on her
trial, to three years' imprisonment; but the money was not found after the
expiration of the three years. The girl came to the house of the owner
of the unlucky bank-notes, reproached her as the cause of her ruin and
dishonor. The old lady was touched: it occurred to her, suppose, after
all, the woman was innocent! Her guilt had never been satisfactorily
proved; nor had the strictest searches been able to discover what she had
done with the money she was accused of taking. At the time of her arrest
she had been on the point of marrying an honest workman; and now she
would have the greatest difficulty in placing herself in service again.
Instigated by the desire to repair, as far as in her lay, the injury she
might have caused this young woman, the old lady determined to take her
into her service, and try her; and never had she cause to regret having
done so. She now revealed all to the nephew, and expressed her full belief
in the innocence of her servant, and desired them always to retain her in
the family, and not to reveal her secret. The next day the old lady died,
leaving about two hundred thousand francs to her nephew.

The nephew came a short time ago to Paris, to pass a few months of
the winter season; he went to an hotel in the Rue du Helder, where he
established himself very comfortably. One evening, after returning home,
he heard, in the room adjoining that in which he was, the sound of voices
and laughter; evidently his neighbors were in high glee. Overhearing some
words, his curiosity was piqued, and he approached the partition, in
order to hear more distinctly; (and yet there are some men who pretend
to say that it is only women who are curious!) In this laudable attempt,
our hero discovered that there had formerly been a door of communication
between the room he occupied and that in which his gay neighbors were
enjoying themselves. The hole where the lock had been was filled up with
sealing-wax, so that there was no chance of seeing through that: but his
curiosity was excited, and in looking about he saw that there had been
a space at the top of the door, which was stuffed up with old paper.
He pulled it out, and his curiosity was gratified with a view of his
next-door neighbors. His efforts being thus crowned with success, he went
to bed, and fell asleep.

The next morning, wishing to remove the proofs of his curiosity, he took
the packet of old newspapers, with the intention of replacing them, when,
in so doing, out fell the fourteen _billet de mille_ francs, evidently
those of his aunt. The master of the house was called. He remembered
perfectly the circumstance. The servant was sent for; she recognized the
room. The young man offered to make public reparation, and establish her
innocence; but the poor woman preferred letting all the affair rest in
oblivion. The story was forgotten, she said: why revive it? The young man
handed her over the _billets_, which had been the cause of so much sorrow
to her. After all, they were hardly earned.

[Illustration]




THE NEEDLE IN THE HAYMOW.

A STORY FOR HOUSEKEEPERS.

BY H. D. R.


"YOU must have help, that is certain," said Mr. Harding, as he laid a
letter which he had been reading upon the breakfast-table, and began to
sip his coffee. "With all this company upon your hands, and warm weather
coming on, it would be madness for you to try to get along alone."

"That is true," sighed Mrs. Harding; "but the question is, where to get
it. The whole vicinity has been searched over and over, and there is not a
girl to be had."

"One must be had," replied her husband, in a determined tone. "Eight or
ten visitors, more or less, for the summer, will kill you outright." And
he cast a troubled glance at the pale face and slender form of his wife.

"Well, how shall we get help, then?" asked Mrs. Harding, half laughing
in the midst of her vexation. "The days are gone by when girls apply for
places."

"Yes, there is no way but to go after them. If my troublesome rheumatism
would just leave me for a few days, you should have two girls. But as it
is, wife, I see no way but for you to go yourself with Walter for driver."

Mrs. Harding laughed to think how she would look driving about the country
for "help," and would almost have preferred to try her hand alone; but her
husband's troubled countenance and the necessities of the case decided
her, and she said--

"I have almost no faith in the undertaking, but am willing to try, and if
I fail I shall be no worse off than now. But where shall I go?"

Mr. Harding thought a moment, and then said--

"I have heard that there are girls enough on Seccombe Plains."

"How far is that?"

"Only twelve or fifteen miles. It is only four or five miles from Cousin
Harriman's."

"Oh, that will be nice!" exclaimed Mrs. Harding, well pleased with the
suggestion. "I will spend the night with Cousin Clarissa, and start from
there in the morning."

After dinner, the same day, Walter brought the carriage round to the door,
and Mrs. Harding started off, infinitely amused with her errand, though
with no very sanguine hopes of success.

The next morning, Mrs. Harriman gave her guests an early breakfast, and
by seven o'clock they were ready to commence their search. It was a
lovely morning in early June. The sun had not been up long enough to kiss
the glistening dew from the grass, and the thousand songsters of grove
and forest had not quite finished their matin song. Everything looked
bright with hope; and hope beat higher, a great deal higher in Mrs.
Harding's breast than it had done the day before. The whole world looked
so beautiful that it seemed almost wicked to doubt, and they rode on over
the retired hills towards Seccombe Plains, feeling almost as sure of the
"bird" as though they had her "in hand."

After riding two or three miles, they approached a small unpainted cottage
which stood upon a very high bank upon the right. A single glance showed
them that two or three men were at the back door, evidently just starting
for the fields.

"Stop when you get against the house, Walter; I mean to inquire here,"
said Mrs. Harding, as they drew near. But the next moment two of the
men disappeared round the corner of the shed, while the third, a very
oily-looking man, with an enormous width of collar, came leisurely along
in front of the house.

"Do you know where I could find a girl to do housework, sir?" asked Mrs.
Harding, leaning forward in her carriage, and addressing the man.

"Wal, yes," said he of the broad collar; "I've got a darter'd be glad to
go; but she ain't to home. She went to work to the Falls last week, but
she ain't a gwine to stay but three or four weeks. If she was to home,
she'd be glad to go."

"Do you know of any others who go out?" said Mrs. Harding, who thought
there was but little prospect of getting his daughter Sally.

"Not as I knows on," said Mr. of the broad collar. "You couldn't wait
three or four weeks, I s'pose."

"No," was the reply; and she laid her hand upon Walter's arm, as a signal
to drive on.

"We came pretty near getting a girl that time," said Walter, laughing.

"Quite as near as was best for us. It is well that Sally is gone, I dare
say," replied his mother, with a smile.

Patient toiling brought them at last up a long, rugged hill, upon the
other side of which spread out Seccombe Plains.

"Here is a house; shall we inquire here?" said Walter, pointing to a rude
little house or hovel which stood upon the hill-top, upon a level spot
which was covered with large granite boulders and unsightly brush.

"Yes," said his mother, as she espied a man coming round the corner of the
house. "It can do no harm to inquire."

"Can you tell me of any girls in the vicinity who go out to work?" sang
out Mrs. Harding to the slovenly-looking man, who had no idea of drawing
nearer.

"What? I didn't hear."

The question was repeated, and the sound of a stranger's voice brought
three or four barefooted, uncombed juveniles to the door, and the mother's
head to the window.

"Can you tell this woman where she can find a gal to do housework?" said
the man, addressing his better half.

"Why, yes; there's gals enough, but I can't seem to think on 'em," said
the woman, with a perplexed look. "P'raps she could get one of Smithson's
gals. He has got two that go out to work."

"Would they make good help?" asked Mrs. Harding.

"Fust rate. One on 'em worked for me a spell last winter, and she did
well."

Mrs. Harding thought that was no great recommendation; but she simply
thanked her, and asked if she could tell of any others.

"Wal, I don't think of any; but there's enough on 'em a leetle farther on,
at Mapleton."

"How far is that?"

"Six miles beyond the Plains."

Mrs. Harding thanked her informer, and they drove on down the long steep
hill, at the foot of which lay the insignificant village of Seccombe
Plains.

"We have heard of one girl, mother," said Walter, looking very bright.
"Perhaps she will be just the one for us."

"Perhaps so," said Mrs. Harding, doubtfully.

"We shall feel pretty grand if we can carry back a good girl."

Mrs. Harding laughed, and said something about "counting chickens before
they were hatched;" but just then they found themselves at the foot of the
long hill, and directly opposite a low farm-house, the mistress of which
was out, broom in hand, sweeping the little footpath which led to the road.

Mrs. Harding inquired if she knew of any girls for housework.

"Where do you want 'em to go?" asked the woman, whose curiosity was at
once awakened.

"Only about fifteen miles," was the evasive reply.

"Well, I don't know of any," replied the woman, looking a little
disappointed. "I don't think there's such a thing to be had anywhere round
here."

"I was told that Mr. Smithson has daughters who go out to work."

"Well, you couldn't git 'em, I know. They go a little right round here,
but they wouldn't go off so far. Their folks wouldn't hear a word to 't,"
said the woman, with a flourish of her broom.

"Will you have the kindness to tell me where they live? I think I will try
them."

"Oh, yes, I'll do that! You must go back to the saddler's shop, and then
turn square round to your left, and it is the _first_ house on the right."

"How far is it?"

"I should say about a mile and a half, or such a matter. It's the _third_
house on the right."

Mrs. Harding expressed her thanks, and old Dobbin was whirled round the
corner instanter, and they were in full pursuit of the Smithsons.

"Here's the house, mother; this is the third," said Walter, as they came
in sight of a comfortable-looking farm-house, which stood upon quite a
bluff upon the right. Everything about the premises looked very neat. The
bright green grass grew clear up to the front door of the cottage, which,
with the closed curtains in the "foreroom," gave a particularly staid,
go-to-meeting-like aspect to the front. A narrow footpath wound round to
the back door, which was evidently the only approved mode of entrance.
Mrs. Harding alighted and took the well-worn path to the back door, and
knocked. "Come in," called out a shrill voice within. Obeying the summons,
she saw before her a very tidy-looking matron, with a very white bleached
cotton cap upon her head, holding in her hand a lace or muslin article
of the same sort, which she was spatting and pulling, evidently with the
intention of "doing it up." The aspect of the kitchen was very inviting.
The morning work was all out of the way, and the polished stove and very
white unpainted floor were really charming.

"I have called to see if one of your daughters would go out to work," said
Mrs. Harding, with hope fast rising in her breast, for she felt that she
had at last come to the right place.

"Well, I don't know; they go out sometimes. Where do you want them to go?"
asked the woman, with a glance of curiosity at the stranger.

Mrs. Harding mentioned the name of the town and the distance, adding that
she should have a large family through the season, and wished some one to
cook and do general work.

"I don't know what they'd say to it. They can do as they've a mind to. But
they ain't good for much, nohow," said the mother, who continued to spat
and pull her muslin vigorously.

"How old are they?"

"The oldest is seventeen this month, and t'other is two years younger."

At this moment the door opened, and in walked a coarse overgrown girl,
munching a piece of pie, and staring boldly at the stranger.

"Do you want to go out to work, Emmeline? Here's a woman that wants you,"
said the mother, the moment she made her appearance.

"Yes," said the girl, in coarse tones, without relaxing her stare.

Mrs. Harding's heart sank within her. She saw, at a glance, that the
great, coarse, unmannered girl would be more care than help. She hardly
knew how to make an honorable retreat in the case; but after a slight
cross-examination of the capabilities of the girl, she expressed her
belief that she was too young for her hard work, and bowed herself out,
leaving both mother and daughter looking quite disconcerted.

"Is she going?" whispered Walter, as his mother approached the carriage.

A shake of the head answered him.

"Oh, dear, where shall we go now?"

"Straight before us, Walter; you must not give up for trifles," said his
mother, laughing good-humoredly, notwithstanding the uneasiness that was
creeping upon her own heart.

"Where?" said Walter, still desponding.

"I don't know; we'll see. Don't you know that we are out seeking our
fortunes, Wally?"

They drove on, and soon met an elderly-looking man in a rickety old wagon,
drawn by a limping gray horse.

"Can you tell me, sir," said Mrs. Harding, laying her hand upon Walter's
arm as a sign to stop, "can you tell me where I can find a girl to do
housework?"

"That is a pretty difficult thing to find, ma'am," replied the old man,
in a respectful tone. "Let me see," and he looked down for a moment,
thoughtfully. "Yes, there's Susan Lovejoy you might get, and she would
make good help. She is a first rate girl."

"How old is she?" inquired Mrs. Harding, as the vision of the coarse girl
munching her pie flitted before her.

"Oh, she's old enough," replied the man, with a smile, "she's old enough.
I should think she might be thirty or thereabouts. They call her one of
the best."

Away they went over the hills, some three or four miles, and at
length old Dobbin was reined up before Mr. Lovejoy's door. It was a
substantial-looking farm-house set in the midst of a green field,
surrounded by a stone wall, its only opening being a formidable farm-yard
gate, fastened to a post by a piece of rope. The premises were guarded by
a noisy dog, who rushed out the moment he heard the sound of wheels, and
ran barking towards the carriage. Mrs. Harding, however, pushed open the
gate, and quickly made her way to the house. A pale, fresh-looking matron
was bustling about the kitchen; and standing at a spinning-wheel, near
the door, was a girl in a tidy-looking dark calico, whom she knew, at a
glance, was the object of her search.

She at once made known her errand.

"Oh, no," was the response of the girl; "I couldn't possibly go. I don't
see who ever thought I would."

"I was recommended to come here," replied Mrs. Harding, who liked the
looks of the girl, and was determined to plead her cause with all her
might. "I was told that you went out, and very likely would go now."

"Who told you so?"

"An old gentleman whom I met three or four miles back."

"With a gray limping horse?"

"Yes, I should think so."

"It must have been old Mr. Cartwright, mother; I don't see what made him
think so."

"Could I not induce you to go?" asked Mrs. Harding, bringing her back
to the main point, and entering very fully into the circumstances of the
family. "I will give you good wages. Two dollars a week, if you say so."

"Well, I couldn't go nohow. They can't spare me."

"Could not you go for a few weeks?" asked Mrs. Harding, anxiously. "Six or
eight weeks would do me a great deal of good. You shall be well paid, if
you will go. You may set your own price."

"No, I couldn't possibly go," said the girl, with a tantalizing smile. "I
ain't obliged to work out, and I can't go."

Mrs. Harding looked and felt disappointed, but she made her way out, not
knowing where to go. She felt that she was on a hopeless errand, and was
half disposed to turn her face homeward. But, on second thought, she
concluded to try a little longer, and they rode on, making fruitless
inquiries here and there. At length she recollected that some one had told
her that there were plenty of girls in Mapleton. In an instant, old Dobbin
was headed that way, despite Walter's sinking spirits, and they rode along
drinking in the perfume of a thousand flowers, and charmed into something
like hope by the harmonies which float upon the breezes of early summer.

"I will inquire here," said Mrs. Harding, as they neared an old-fashioned
house some two or three miles beyond the Plains; and, suiting the action
to the word, she sprang lightly from the carriage and ran up to the door
and knocked. After knocking till her fingers were sore, for neither
bell nor knocker graced the panel, she heard steps of some one who came
stubbing leisurely along to the door. The face which presented itself was
coarse and greasy, and the untidy dress of the owner strongly suggestive
of yellow snuff.

"Do you know of any girls for housework?" said Mrs. Harding, hardly
expecting any available information.

"Don't b'l'eve there's such a thing to be found in ten mile. Folks can't
git gals when they're sick, and _dun no_ where well folks can find 'em.
S'pect they'll have to do their own work; at any rate, they orto."

"But well people sometimes have more work than they can do, and then they
need help," returned Mrs. Harding, in a tone of remonstrance.

"Wal, gals round here won't go where they're looked down on. They'd rather
do sunthin' else than work for folks that's too grand to eat with them,"
said the woman, with a look which indicated that she thought the stranger
one of the _aristocracy_.

"Then you cannot tell me of any one?" interrupted Mrs. Harding, intending
to cut short the uncivil harangue.

"No; not unless Betty Symonds would go; but, then, she wouldn't, I know,"
replied the woman, who seemed a little softened, now that she had given
vent to her spleen against the "grand folks."

"And where does she live?" asked Mrs. Harding, who, like a "drowning man,
caught at every straw."

"Up't the next housen; but she won't go; I know as well as I want to,
eanamost."

Mrs. Harding was soon ushered into Betty Symonds's best parlor. It was a
long narrow room, with two small windows, and partially carpeted with bits
of rag carpeting and large braided mats of domestic manufacture. A white
homespun towel covered the stand between the windows, upon which stood a
cracked tea-pot, over which straggled long branches of petunia, which were
under the necessity of lying down, because there was nothing to hold them
up.

Betty was soon heard approaching, and she came in dressed in quite a
striking manner. Her gay, large-figured calico was decorated with three
deep flounces. Large gold ear-rings were in her ears, and rings, which
glowed with great yellow and red stones, adorned the hands which were damp
with dish-water. To Mrs. Harding's inquiry she replied, in loud tones--

"I don't kalkilate to work out. I ain't obleeged teu. And I mean to go to
Boston a visiting soon as haying is over."

Great as were Mrs. Harding's necessities, she felt little inclined to urge
Betty Symonds to live with her, and on they were soon jogging towards
Mapleton.

"Where are you going now, mother?" asked Walter, looking quite blue.

"Oh, I don't know, Wally. I am almost discouraged."

"Do let us go home, mother; we shall not find a good girl."

"We may; we will try a little longer," said Mrs. Harding, trying to be
cheerful.

As they rode into Mapleton village, they met a man of whom Mrs. Harding
ventured to inquire.

"Oh, there is girls enough," he replied, cheerfully. "You've just come by
a house where there are three."

"How far back is it?" asked Mrs. Harding, eagerly.

"Oh, a mile or so. You can see it from here, just beyond that hemlock
grove," said the man, pointing back.

Dobbin was again turned, and put in rapid motion towards the house. There
she found a great corpulent woman knitting quietly by the window; but the
girls were nowhere to be seen. Mrs. Harding stated her errand briefly, but
earnestly.

"My gals are gone," said the woman, coldly. "One's gone to Lowell, and
t'other went yesterday to work at the Meadows."

"Have you not another that would go?"

"No," was the gruff reply of the woman, who did not even deign to look up.

"It's just so everywhere," said Walter, as he caught the hopeless
expression of his mother's face when she came out. "They are all just gone
or going, or else 'ain't obleeged to work out.' I wish some of them _had_
to."

"Oh no, that is wrong, Wally. I would not have a domestic unless it would
be for her interest to serve me as well as for mine. But I do believe
these uncultivated girls sometimes stand very much in their own light in
refusing to go where they might be learning something valuable, and be
really improving themselves, as well as helping those who need."

"Well, I am sick of this," said Walter, half laughing, and almost half
crying. "I am tired and hungry. Cannot we have some dinner?"

His mother assured him that they would stop for dinner soon. In the mean
time, they continued their inquiries. One girl who, they were assured,
was at home spinning, and who intended to engage out for the season,
they found had started the day before for Boston in search of a place.
At another house, a sweet-looking girl, blue-eyed and fair, with her
white arms bare almost to the shoulders, had her trunk already packed for
Lowell. She "could not go." One pale mother had three daughters, one of
whom was at the academy, a second in the paper-mill, and the third she
must keep to assist herself. One stout, healthy girl, whom Mrs. Harding
urged to the very verge of decency, preferred to stay at home to knit for
the merchants at one dollar per pound. And one woman, with very yellow
skin and snapping black eyes, wouldn't "have her girls go where folks
were so grand. They were as good as anybody, and better than some who sot
themselves up to be so smart."

It was two hours past noon when our tired, worn-out travellers drove up to
a small tavern to dine. As they sat at table, a new thought struck Mrs.
Harding. She would inquire of the table-girl.

"No, ma'am," replied the girl to her question, with a smile and a shake
of the head. "We can't get girls enough here to do our work. Most all the
girls here go to the factory. There was a man along last week, who had
been up country to get a lot of girls, and he had engaged sixteen hundred
to go to a new factory in Lowell. He pays them so much a head, and takes
them down by the lot, just like cattle to the market."

"Shall you go home now, mother?" asked Walter, when the girl had left the
room.

"Certainly I shall; and I can see no other way but to do my own work at
present."

It was a late hour in the evening when Mrs. Harding and her son drove up
to their own door. Mr. Harding, notwithstanding his rheumatism, laughed
heartily as they rehearsed the incidents of the day. He still insisted,
however, that it was because they had taken an unfortunate direction, and
that, if they should take a different route, they would surely be more
successful.

"No," said Mrs. Harding, laughing; "I can assure you I have had enough
of it. All I get for my day's labor is the privilege of getting my own
supper. I can get along alone, and _must_."

"Ah, you will think differently, wife, when the Wallaces and Pinkertons
get here. It will be no trifling affair to play the parts of lady and
housemaid, hostess and table-girl, with so many visitors on your hands."

Mrs. Harding, however, kept up good courage. The expected guests, some
eight or ten, including the babies, arrived. By making extra preparations
before their arrival, she managed to get along comfortably for a few
days; but the cake and tarts could not always last where there were so
many mouths, the house would not keep in order, and the care and labor of
meeting the wants of her large family pressed every day, she thought, with
greater weight upon her.

"I can tell you, Ellen, I will not consent to this another day," said Mr.
Harding to his wife, as he met her burning face one day in the kitchen,
just as dinner was ready for the table. "Why, you look as if you had baked
yourself as well as the mutton," he added, laughing.

"Pray, how will you help it, my dear?" asked Mrs. Harding.

"I will go myself for help. I do believe I can find somebody who can tend
the roast and wash the dishes."

"Don't be too positive, Mr. Harding; remember your good wife's
experience," interposed Mrs. Pinkerton, with an arch shake of the finger
and a roguish twinkle of the eye.

"Well, one thing is certain," replied Mr. Harding, laughing, "I shall not
come back till I find one, extraordinaries excepted. So, when you see me
driving up, you will see some one else."

Old Dobbin was duly harnessed next morning, and Mr. Harding, full of hope,
started off "bright and early," while the whole family, guests and all,
ran down to the gate to wish him success and a pleasant ride.

One, two, three days passed, but he did not return, and Mrs. Harding began
to cast uneasy glances down the street, and to watch and listen every time
she heard carriage-wheels.

"He will be as good as his word, Ellen," said her sister, Mrs. Pinkerton.
"When he does come, you will have help; that is a comfort."

"Perhaps," cried little Anna Pinkerton, "he cannot find a girl, and then
he will never come back."

Just then, however, a step was heard in the hall, and the next moment the
parlor door was darkened by his tall form. There he stood, but alone.

"Where is your girl?" asked Mrs. Harding, anxiously.

"I left her to come in the cars. She will be here in three days."

"Oh, did you get one, then?" asked his wife and two or three others, in a
breath.

"To be sure I did; but I had hard enough work to find her. My experience
was almost as romantic as yours, wife."

"Do give us your history," said Mrs. Pinkerton, after Mr. Harding was
settled, and quietly sipping his tea.

"Well," said Mr. Harding, with a self-satisfied air, for he had actually
engaged a girl, "one experiences wonderful alternations of hope and fear
in this business, I can assure you. I have made as many as fifty calls,
and inquiries without number. I rode over frightful hills and almost
impassable roads, and met with many discouraging receptions; but I was
determined to succeed, and I did."

Mr. Harding's history of his "girl hunt" kept his family chatting,
laughing, and wondering till a late hour. But we spare the reader the
details of his ride.

The day that the new girl was expected was damp and cloudy. The sun
scarcely showed itself all the morning, and, now and then, a heavy mist
or slow drizzling rain added to the discomfort and gloom. Late in the
morning, a lumbering old stage-coach came rattling up to Mr. Harding's
door, and from it alighted a girl, evidently somewhat over twenty years
of age, with a very dark, sallow complexion and large coal-black eyes,
which seemed made on purpose to look everything through. Notwithstanding
the dull, uncomfortable morning, she was dressed in a flounced lawn with
a white ground. A gold pencil dangled at her side, and she flaunted the
largest of gold hoops in her ears, and an enormous piece of red glass in
her breast-pin.

"Can that be the new girl?" asked Mrs. Pinkerton, as the stranger whisked
up the gravel-walk and pulled the bell.

"The very one," answered Mr. Harding, who caught a glimpse of her figure
at the door.

Zilpah Ann Swain, for such was her euphonious appellative, was soon
ushered into the kitchen, where Mrs. Harding was busy with the dinner, and
quietly seating herself at the window, without offering her aid, she fixed
her staring black eyes upon Mrs. Harding's red, weary face, and followed
her through all the evolutions of getting up dinner.

"I am very glad you have come to-day," said Mrs. Harding, attempting to be
a little social. "I have friends with me, and need very much some one to
take care of the kitchen."

"Well, I thought I'd come a spell, jest to accommodate; but I told Mr.
Harding I wouldn't be boun' to stay. I ain't obleeged to work out, if
I ain't a mind teu," replied Zilpah Ann, her black eyes flashing with
independence.

It was soon evident that Zilpah Ann came simply as "help." She had not
the slightest idea of taking charge of the kitchen, or of relieving her
mistress by going on independently in any department of the work. The
morning after her arrival, Mrs. Harding gave her special directions about
sweeping the front stairs and hall, and the brick walk which led to the
gate. She was to go through a certain process every morning. But her work
was so badly done that Mrs. Harding determined to speak to her about it.

"Zilpah Ann," she said, as she passed through the hall one morning, about
one week after her arrival, "I wish you to be particular to sweep the
corners of the stairs clean. You will find the small brush better for that
purpose."

"I guess I know how to sweep, Miss Harding," exclaimed the surprised
Zilpah Ann, starting up from her work and throwing the full fire of her
eyes upon Mrs. Harding's calm face. "I don't want nobody to tell me how to
sweep out corners. I knows some things, if I hain't got so much l'arnin'
as some folks."

"Oh, yes, I presume you do know how. I only wished to remind you of the
corners; I am very particular about having them swept clean, and the walk,
too. You will remember that, Zilpah Ann."

"I didn't come here to be a nigger nor a sarvent, Miss Harding, I'll
let you know," exclaimed Zilpah Ann, dropping her broom in a passion
and bolting to her room. Half an hour afterwards, she appeared at the
parlor door with her bonnet on, and her bandbox in her hand, and demanded
to be carried to the depot. The Hardings let her go without a word of
remonstrance. They had had "help" enough for one week, and Mrs. Harding
went about her work alone again, with a feeling of positive relief.

"What do you think of girl-hunting now, brother Harding?" asked Mrs.
Pinkerton, as they sat round the tea-table, making themselves merry with
the trials and helps of the week.

"Oh, I call it an unprofitable business," exclaimed Mr. Harding, with a
hearty laugh. "I rode three days in a broiling sun after Zilpah Ann, paid
her fare fifty miles, bore with her help for a week, and received nothing
for my pains. It is just like chasing your own shadow, or '_hunting a
needle in a haymow_.'"

[Illustration]




NIAGARA.


A RECENT tour to Niagara, in affording welcome recreation, gave me
opportunity to look upon this stupendous curiosity. I had had years ago a
faint foresight in observing, at a favorable season, Passaic Falls. The
river at these falls is forty yards wide, and one entire sheet of water
descends seventy feet. The cascade presented a unique scene of beauty, and
has been regarded as the greatest curiosity in "the State of the Broad
Seal." But the Falls of Niagara far outreach all comparison. They are
really stupendous, and challenge the world to outvie them in grandeur. On
first witnessing them, your sensations are peculiar. Your nature becomes
suffused with a sublimity of feeling. A fulmination of "the great and
glorious" strikes one to silent amazement. With a "pleasing terror," akin
to grandeur, you approach the precipice, and gaze unweariedly upon the
wonderful cataract.

I proceeded without refreshing my memory with any account of the wonder.
Conversation touching the falls, with all fulsome descriptions, I had
avoided. I beheld them from many points of observation, at evening, in
the morning, and during the sunny day. I was sensible that the great
natural curiosity of the New World had presented itself to my view. The
sense of grandeur augmented with repeated observations. No description can
adequately convey an idea of their true sublimity.

Niagara has had many admirers. Some, in their descriptions, have been
borne very far by fancy; others have given occasional circumstances as
the general. The precipice which produces the cataract was said to be not
less than six hundred feet. This was an account of an early tourist. It
does not, in reality, exceed one hundred and sixty feet. "The noise is
such," says Father Hennepin, "that people distant from it several miles
cannot hear each other speak." At some seasons, and at particular times,
the roar of the cataract is very loud, and is heard for many miles; but it
would be exceeding strange if found so deafening as indicated by the above
account. "As the traveller advances," says _Howison_, "he is frightfully
stunned by the appalling noise, clouds of spray sometimes envelop him, and
suddenly check his faltering steps; rattlesnakes start from the cavities
of the rocks; and the scream of eagles soaring among the whirlwinds of the
cataract, at intervals, announce that the raging waters have hurled some
bewildered animal over the precipice." These intervals, at present, are
very long.

When the red man gazed exclusively upon the cataract, it is supposed it
was of greater height than now. Not only, indeed, of greater height, but
that it was differently located. The intelligent geologist maintains that
the falls were once at Lewiston, and that they must eventually recede
to Lake Erie. Thus, any poetical apostrophe to Niagara which sings, "As
creation's dawn beholdst," &c., loses its verity. As years wind on, the
falls must gradually become less grand as their height decreases; and,
"Lake Erie being drained, they will sink to the wild beauty and hoarse
roar of the rapids." Accurate observation proves that the falls wear
backward a trifle over a foot each year, having receded forty-two feet in
the last forty years. Many thousands of years have gone by since the falls
were on the borders of the Ontario, and over another hundred thousand
years must pass ere they retire to the sister lake.

At the efflux from Lake Erie, Niagara River is three-quarters of a mile
wide, and from forty to sixty feet deep. Its current flows at the rate of
seven miles an hour. As it proceeds, the river widens and imbosoms Grand
and Navy Islands, which terminate in points a mile and a half above the
falls.

Below these islands are rapids which extend a mile to the precipice, in
which space the river descends fifty-seven feet. Down these rapids the
stream rushes, foaming and dashing, giving to the beholder a wild scene
of novel interest. Goat Island divides the river into two courses. A
small island but a few yards from Goat Island divides the channel on the
American side. Between the two is a beautiful cascade; and, from the small
island to the American side, the sheet is broad, with a greater descent,
though less quantity of water, than at the other fall on the Canada side.
Much the greater body of water passes through the course between Goat
Island and the Canada shore. This fall, from its shape, has been named the
Horse-shoe Fall.

The waters, as they wend their way over the edge and downward, assume a
white appearance, save a streak eastward in the Horse-shoe Fall, which
streak is of a green color, like the water of the river where it is
deep and undisturbed. In one spot, near "the Cave of the Winds," on the
American side, I saw a narrow cascade with so thin a sheet that it assumed
a pearl color, and descended in congregated globules, or beads, sparkling
in their beauty, and altogether variable from the heavier masses rolling
over the more central parts. Farther centreward, the bounding waters
assume a snowy appearance; and, in gazing upon them, they seem large
volumes, or rather avalanches of foam, rolling down into the trembling
depths of the lower river. A gentleman skilled in science, who has
measured the water above, below, and on the brink of the falls, reports
that three millions of tons of water fall over the precipice every second.
The moving water below the falls creates one vast mass of "liquid foam,"
which, like pressed down, floats upon the surface of the river. Here, amid
the roar of the rumbling and rushing waters, the spray rolls up in clouds,
like ascending smoke. Rainbows dawn amid the dull-appearing mist, and we
have, as a whole, Niagara presented to us as she is, and as no language
can describe her. The grand view remains fixed upon the mind, and a halo
of happy fancies takes hold of the conceptions.

The scenery around the falls is not without its interest. Nature retains
her roughest aspect, and looks pleasingly rugged and wild. There is,
indeed, much that is romantic around Niagara. Along the river, below
the falls, there are trees of many kinds and an abundance of uncultured
shrubbery. The impending cliffs seem to vibrate with the rolling murmurs
and echoes of the cataract. Table Rock, a portion of which fell some years
since, and the remainder recently, was on a level with the edge of the
cataract on the Canada side. It projected beyond the cliffs that supported
it, resembling the leaf of a table, which circumstance caused its name.
Under this projecting rock I passed, after descending a flight of stairs,
and approached the sheet of rolling water. The spray here danced on the
eddying currents of the air, and ascended in clouds. The waters plash and
foam, the cataract sounds with a winnowing roar, echo resounds amid the
rocky hills, and the beholder is thrilled with emotions of awe.

A little way below the falls, where the river loses its excessive
agitation, and resumes an unexcited course, a small "row-boat" plies to
and fro. In going over this ferry, your boat is swayed with a turning
motion by the force of the current. While visited lightly by the fleeting
spray, the traveller looks towards the wonderful fall. The cliffs on each
side of the river are lofty. The tides glide down in a rapid current
towards the distant whirlpool. Passing the eye upward, and gazing upon
the falls, they are now presented in all their stupendous grandeur. The
waters roll over in huge bodies, never ceasing--rolling, rolling, rolling.
You see it, and linger to see it. Echoes reverberate, and the constant
murmur and rumble, like a hundred mill-races in a freshet, send a feeling
which you cannot forget. No one has inclination to speak while viewing
the falls. The luxury is to look in silence at the picture here presented
in lively colors by Nature. 'Tis a pleasure to stand and contemplate. You
must; your soul ponders upon the novelty and grandeur before the eye. The
memory has garnered a clear impression. It will hold it forever.

Surrounding rugged and fossil exhibitions lead the mind to the convulsions
and changes through which Nature has gone since the Creation. Fancy
retains Niagara long after it ceases to be visible. The falls appear
in both their pleasing terror and dancing beauty. Nature, ceasing to
be unanimated, has exhibited at once her heavy artillery and rainbow
beauties. The soul recognizes and does involuntary homage to the Grand
Master of the universe.




THE WILD FLOWERS OF THE MONTH.

BY HARLAND COULTAS, PROFESSOR OF BOTANY IN PENN MEDICAL UNIVERSITY,
PHILADELPHIA.


THE early spring flowers, whose lovely forms were nurtured amidst
the falling snows of February and the rude cold winds of March, have
disappeared from the wild parterre of nature. Flora's first offering,
how welcome to the botanist! The vernal sun now pours forth on the cold
damp earth floods of warm, life-giving radiance. Vegetation is in full
activity, and by the forces of nature the earth and atmosphere are being
woven into green leaves and beautiful flowers. Behold the rich feast which
is provided for the support of every living thing. There is not an insect
wantoning in the sunbeam, or a bird singing sweetly amongst the branches,
or a poor worm crawling at your feet, for which ample provision has not
been fully made.

To those who are interested in botanical pursuits, the country now
possesses an especial attraction. June is pre-eminently the month of
flowers. To describe them all would fill a volume. We will, however,
mention the following, which are both abundant and beautiful, and may be
very easily procured:--

[Illustration: Fig. 1.]

AQUILEGIA CANADENSIS (_Wild Columbine_).--This beautiful plant may now
be found growing out of the crevices of the rocks on the west bank of
the Schuylkill, between Manayunk and Columbia Bridge. It has biternate
leaves, or leaves which are twice three parted and deeply toothed at
their margin. Fig. 1 shows the foliage and flower of the Columbine. The
sepals of the calyx and petals of the corolla are of the same color, and
so intermingled as to be not easily distinguished from each other. The
corolla is composed of five horn-shaped petals, one of which is shown
detached at _a_. The petals are curved at the upper end and form a sort
of coronet, terminating below in spurs or horns which contain honey. The
five oval and colored sepals of the calyx alternate with them. The stamens
and styles are exerted, or hang below the mouth of the corolla. The
corolla and calyx are of a beautiful scarlet or rather coral color, and
the whole plant, together with its drooping, pendulous flowers, is really
an ornament to the barren rocks from which it springs. How wonderful
that so much beauty should thus flourish in so unpromising a situation!
_b_ Represents the appearance of the fruit after the flowers have faded
and fallen, which consists of five carpels or follicles, many seeded and
acuneinated by the persistent style. _c_, A separate follicle.

[Illustration: Fig. 2.]

HOUSTONIA CŒRULEA (or _Quaker Lady_).--The fresh green grass on every
hill-side is now adorned with the tufts of this beautiful wild plant. It
grows, however, most luxuriantly in moist, shady situations. This plant
is easily recognized by its profusion of handsome bright blue blossoms,
fading to white, with a yellow eye. Fig. 2 shows the form of its leaves
and flowers. Each little plant, when examined apart from the rest,
presents a few forked branches an inch or two in length. The radical
leaves are spatulate, the corolla monopetalous and salverform. It has four
stamens and one pistil. _a_, One of the anthers opening longitudinally.
_b_, Cross-section of that anther magnified. _c_, The capsule enveloped by
the persistent calyx. _d_, _e_, Views of the dehiscence of the capsule.

MITCHELLA REPENS (_Partridge-berry_).--This pretty little evergreen is
now in flower in moist, shady woods, about the roots of trees. Its stem
and branches trail along the ground, bearing opposite ovate leaves, and
pairs of white, monopetalous, four cleft, and singularly villous or
downy-looking flowers. After flowering, a bright scarlet berry is produced
by the coalescence or engraftment of the drupes or fruit of each pair of
flowers, which is crowned with the calyx teeth of each of them. This plant
commemorates Dr. John Mitchell, an early correspondent of Linnæus and an
excellent botanist. The berries remain over winter.

EPIGŒA REPENS (_Trailing Arbutus_).--This is a favorite spring flower,
especially with ladies. It is very abundant in the woods on the banks of
the Wissahicon. It may be readily distinguished by its prostrate stems,
which bear evergreen, reticulated, rounded, alternate leaves, and axillary
clusters of rose-colored flowers, which are most delightfully fragrant.
The stem and stalks of the leaves are bristly with rusty hairs. Name
derived from [Greek: epi], upon, and [Greek: gê], the earth. Ten stamens
and one pistil will be found within the floral envelops.

CLAYTONIA VIRGINICA (_Spring Beauty_).--This plant is common in moist
woods on the banks of the Schuylkill. It is named in honor of John
Clayton, one of the earliest botanists of this country. It sends up in
early spring from a small, deeply buried tuber, a simple stem bearing
two linear lanceolate, opposite leaves, and a simple raceme of pale,
rose-colored flowers. Fig. 3 is a representation of this ornament of
the vernal woods. Sepals of the calyx, two, ovate, free, green, and
persistent; that is, they remain after the corolla has faded as a
protecting envelop to the fruit. Stamens, five, adhering to the claws
of the petals. Style, three-lobed. Capsule, three-valved, three to
five-seeded. _a_ Shows the persistent two-leaved calyx enveloping the
capsule. _b_, A section of the dehiscing or opening capsule, with the
seeds in its interior.

[Illustration: Fig. 3.]

VIOLA PEDATA (_Bird's-Foot Violet_).--This is the largest and handsomest
of the wild violets, and is exceedingly abundant in the sandy soil of
the pine-barrens in the neighborhood of Camden, New Jersey. It is called
bird's-foot violet, from a fancied resemblance between its leaves and the
feet of birds. Its flowers are large, pale-blue, and exceedingly showy.
The beautiful Phlox subulata, or moss pink, grows in the same pine-barrens
in company with this violet, and cannot fail to be recognized.

The earth at this season is adorned with the utmost profusion of flowers.
Now is the time to secure good specimens. We shall introduce a few more of
these beautiful strangers to your notice in another article.




PHYSICAL TRAINING.

PART I.


To most persons, probably, the words "Physical Training" suggest ideas
of the drill-sergeant, or of gymnastic or other extraordinary exercises;
and, truly, such exercises may form a part of physical training, but only
a part, and that a small one, of this most important department of human
education. We must endeavor to give our readers wider and better views
than are usually entertained upon the subject.

Physical training in its proper sense involves: 1. The cultivation and
preservation of physical health. 2. The development of the physical
strength, powers, and mechanical capabilities of the body to such a pitch
as the individual requires to perform well the duties of life. 3. The
cultivation, within certain limits, of the graces and beauties of the
body. 4. The cultivation and development of the mind, through and by means
of the bodily powers and senses.

Thus, whatever the means employed, the chief end of all physical training
must be the perfect working of a healthy mind, by means of a healthy body,
in the performance of life's duties, the enjoyment of life's pleasures,
and the avoidance, as far as permitted, of life's pains.

In this life, God has linked together our bodies and our minds, and man
cannot with impunity disregard their union or divide their interests; act
and react they will, and do, upon one another. Their Creator has made the
one the instrument of the other; and as well might we look for harmony
from an unstrung harp, be the player ever so skilful, as for perfect
working from a mind, however good and powerful, through the means of a
sickly body. True, there have been many possessors of sickly bodies, many
sufferers from permanent "bad health," who have not only done much active
good, but who have worked well and successfully with their minds; yet may
we not justly suppose that, had the same minds dwelt in healthy frames,
had they not been clogged and clouded by the frequent "infirmities of the
flesh," their good deeds would have been still more widely spread, their
intellectual exertions still more powerfully manifested? Even in the more
ordinary business of life, in the counting-house or in the work-shop,
how often is work too slowly or imperfectly executed, because of minds
hampered by bodies in bad working order; because the physical training
of the body has been, and is, day by day neglected! Few there are whose
individual experience cannot revert to hours, days, lost to them, simply
from derangements of health which might have been avoided, and which,
though not amounting to illness, were yet sufficient to render either duty
or amusement a labor or a "bore." How few are there who do not know the
difference between the irritability, the nervous fears, the indolence and
despondency of illness, and that cheerful activity of good health which
laughs at trifles, looks forward with hope, and finds work a pleasure!
How strong the reasons, then, for training the health and powers of the
body to their highest pitch, seeing that upon their perfection depends the
more or less complete fulfilment of our duty to God, our neighbors, and
ourselves!

We return to the rule No. 1, of Physical Training.--The cultivation and
preservation of physical health.

Health is a comprehensive term, including the perfect and harmonious
working of the organs generally of which the body is composed; but this
perfect, this healthy working of many parts, chiefly depends upon the
integrity and health of the one all-pervading fluid, the blood--the
life. _In all physical training, the condition of the blood must be
the foundation--the centre point of our thoughts and endeavors._ This,
to an unlearned reader, may appear a somewhat startling proposition;
nevertheless, by means of it we shall gain the simplest, most
intelligible, and, at the same time, most comprehensive views of our
subject. The condition of the blood depends, first, on its nourishment;
secondly, on its purification. The effect of the blood upon the body
depends, thirdly, upon its circulation or distribution. The first involves
the nature, quantity, and digestion of the food which nourishes; the
second, the ventilation, cleanliness, &c., which purify; the third, the
various exercises which aid to distribute.

As the blood is continually being expended in the nourishment of the
body, so it must as constantly be renovated by supplies from without--by
food. Evidently, then, this food must supply to the blood every material
required by the body; otherwise there can be no proper nourishment.
Thus, if the diet be deficient in the bone-earths, the bones--as they do
in badly-nourished children--become soft and yielding; if the diet is
too exclusively composed of such farinaceous articles as rice, potatoes,
&c., or with too much fat, it is incapable of yielding the elements of
muscular flesh, and the strength declines; if vegetable food is wanting,
scurvy is the result. Here, then, we have the first element of Physical
Training: the real supply of nourishment calculated to afford every
material required by the body. This of course takes in a wider range
of subject--no less than that of diet generally--than our space will
permit us to enter into here. Suffice it to remark that the diet of the
infant and growing child, of the youth and the adult man, must, under
a proper system of training, be varied according to the constitution
of the individual, and accommodated not only to the climate, but also
to the changes of the seasons. For instance, we will suppose two young
children; one is fair, light-haired, with delicate skin, through which
the blue veins show conspicuously, but fat and plump withal; the other is
a ruddy-faced rogue, whose rich red blood seems ready to start from his
cheeks. Give these two nurslings equal treatment in every way, the same
air, the same everything, and the same food, consisting chiefly of milk
and grain materials, puddings, and the like, with perhaps a little meat;
the rosy face will lose none of its healthy hue; the fair, fat child will
become no thinner, perhaps fatter, but, at the same time, pale and puffy,
or pasty-looking, and if the diet be unchanged, finally unhealthy. Reverse
matters; let each have fresh animal food every day, and what is the
consequence? Our little pale friend brightens up amazingly; there comes
a tinge of red in the cheek, the puffiness is gone, and the flesh has
become more solid--he is more active and sprightly; but our other little
fellow is evidently not benefited; the healthy rose hue looks more like a
feverish flush, and suspicious spots, that will soon break out into little
pimples or small boils, are perhaps showing themselves. This will never
do, so we keep the little fair one to his beef and mutton, and reduce his
companion, who soon shows the benefit of the change, to his milk-puddings
and vegetables, and give him his treat of meat only twice or thrice a
week. This one example--we might give many more--will serve to show how
many considerations are involved in this first department of physical
training--the management of the food: how that which gives health and
strength to one will be too little for another, and _vice versâ_. Then,
again, we might show how the variation of climate, even such as takes
place between winter and summer in our land, requires variation in the
amount and kind of food; how also this should be influenced by exercise.
These minutiæ cannot be separately discussed in the compass of a short
paper; but the information is such that no intelligent man, either for
his own sake or that of others, should be entirely unfurnished with. As a
general rule, let it be kept in mind, especially in the case of the young
and growing, that the habitual food ought to be calculated to yield the
requisite nourishment for every portion of the frame; that it ought, while
adapted to the constitution, to be sufficient in quantity and quality.
Rarely, indeed, if food be wholesome, and at the same time not calculated
to tempt the appetite artificially, can it be necessary, or even right,
to stint its allowance to young people? Lastly, as far as possible, the
application of a well-directed cookery, by which the digestibility of food
is improved, ought not to be lost sight of, as an important element in the
physical training of the young, or of the physical preservation of the
adult.

Thus, the first essential for the healthy condition of the blood, and
thence of the body, is its nourishment. The second, is its purification.
Now, the blood is not only the nourishing, but it is also the warming
medium of the body. Each moment of our lives, chemical changes and
interchanges are going on between the atoms, throughout every portion of
our frames: those which have become unfit for the purposes of the living,
healthy body, are replaced by fresh ones, by fresh nourishment, brought by
the blood in its never-ceasing current of circulation. At the moment the
change takes place, heat is given out--the natural warmth of the living
being. But the fresh atoms of nourishment having displaced the old ones,
the latter necessarily pass into the blood, and as necessarily render it
impure, altering its qualities, and converting it from a bright red, life
and vigor-supporting agent, into a dark purple fluid, not only unfit to
sustain life, but unfit also either to impart energy or proper nourishment
to the frame, unless it be perfectly purified by the agencies provided
for this purpose. These agencies are principally four, viz., the lungs,
the skin, the liver, the kidneys. The first is directly connected with
the subject of pure air; the second, with pure air, light, and personal
cleanliness; the two last, with food; and all with the last condition of
physical health, the blood circulation or distribution.




THE TRIALS OF A NEEDLEWOMAN.[9]

BY T. S. ARTHUR.

(Continued from page 440.)


CHAPTER X.

WITHOUT venturing the remotest allusion to her parting with her lover,
Miss Ballantine commenced her narrative by saying--

"When I left New York with my father, for New Orleans, no voyage could
have promised fairer. Mild, sunny weather, with good breezes and a noble
ship, that scarcely seemed to feel the deep swell of the ocean, bore us
pleasantly on towards the desired port. But, when only five days out, an
awful calamity befel us. One night I was awakened from sleep by a terrific
crash; and in a little while the startling cry of 'the ship's on fire!'
thrilled upon my ear, and sent an icy shudder to my heart. I arose from
my berth, and put on my clothes hastily. By this time my father had come,
dreadfully agitated, into the cabin; and while his own lips quivered, and
his own voice trembled, he endeavored to quiet my fears, by telling me
that there was no danger; that the ship had been struck with lightning;
but that the fire occasioned thereby would readily be put out.

"When I ascended to the deck, however, I saw that we had little to hope
for. While the masts and rigging were all enveloped in flame, a dense
smoke was rising from the hold, indicating that the electric fluid, in its
descent through the ship, had come in contact with something in the cargo
that was highly combustible. Passengers and crew stood looking on with
pale, horror-stricken faces. But the captain, a man of self-possession,
aroused all from their lethargy by ordering, in a loud, clear voice,
the masts and rigging to be cut away instantly. This order was obeyed.
Over went, crashing and hissing, three noble masts, with their wealth of
canvas, all enveloped in flames, quenching the heaven-enkindled fires
in the ocean. Then all was breathless and silent as the grave for some
moments, when a broad flash lit up the air, and revealed, for an instant,
the dismantled deck upon which we stood, followed by a pealing crash that
made the ship tremble. The deep silence that succeeded was broken by the
voice of the captain. His tones were cheerful and confident.

"'All will now be well!' he cried. 'We are saved from fire, and our good
hull will bear us safely up until we meet a passing ship.'

"'But there is fire below, captain,' said one.

"'It cannot burn without air,' he replied, in the same tone of confidence.
'We will keep the hatches closed and sealed; and it must go out.'

"This took a load from my bosom. I saw that what he said was reasonable.
But when daylight came, it showed the smoke oozing out through every
crevice in the deck. The floors, too, were hot to the feet, and indicated
an advanced state of the fire within. All was again terror and confusion,
but our captain still remained self-possessed. He saw that every hope of
saving the ship was gone; and at once ordered all the boats made ready,
and well stored with provisions. To the first and second mates, with a
portion of the crew, he assigned two of the boats, and in the third and
largest he embarked himself with four stout men and the passengers, twelve
in all. The sky was still overcast with clouds, and the sea rolled heavily
from the effects of the brief but severe storm that had raged in the
night. Pushing off from the doomed vessel, we lingered near for a couple
of hours to see what her fate would be. At the end of that time, the dense
smoke which had nearly hidden her from our view, suddenly became one
enveloping mass of flame. It was a beautiful, yet appalling sight, to see
that noble vessel thus burning upon the breast of the sea! For nearly an
hour her form, sheeted in fire, stood out distinctly against the face of
the sky, and then she went down, and left only a few charred and mutilated
fragments afloat upon the surface to tell of her doom.

"During the night that followed, it stormed terribly, and in it our boat
was separated from the other two. We never met again, and for all I have
ever learned to the contrary, those that were saved in them from the
burning ship perished from hunger, or were overwhelmed by some eager wave
of the ocean.

"The four men of the ship's crew, with the captain and the male
passengers, labored alternately at the oars, but with little effect.
Heavy seas, and continued stormy weather, rendered of little avail all
efforts to make much headway towards any port. Our main hope was that of
meeting with some vessel. But this hope mocked us day after day. No ship
showed her white sails upon the broad expanse of waters that stretched,
far as the eye could reach, in all directions. Thus ten days passed, and
our provisions and water were nearly exhausted. Three of the passengers
had become already very ill, and all of us were more or less sick from
exposure to the rain and sea. On the twelfth day, two of our number died
and were cast overboard. Others became sick, and by the time we had been
floating about thus for the space of twenty days, only four of the twelve
remained. Most of them died with a raging fever. The captain was among the
number, and there was now no one to whom we could look with confidence.
My father still lived, though exceedingly ill. Our companions were now
reduced to a young man and his sister.

"A bag of biscuit still remained, and a small portion of water. Of this,
none but myself could eat. The rest were too sick. Three days more passed,
and I was alone with my father! The brother and his sister died, and with
my own hands I had to consign them to their grave in the sea. I need not
attempt to give any true idea of my feelings when I found myself thus
alone, with my father just on the brink of death, afar in the midst of
the ocean. He was unconscious; and I felt that I was on the verge of
delirium. A strong fever made the blood rush wildly through my veins,
causing my temples to throb as if they would burst. From about this time
consciousness forsook me. I can recollect little more until I found myself
lying in a berth, on board of a strange vessel. I was feeble as an infant.
A man, with the aspect of a foreigner, sat near me. He spoke to me, but
in a foreign tongue. I understood, and could speak French, Spanish, and
Italian; but I had never studied German, and this man was a Hollander. Of
course, I understood but a word here and there, and not sufficient to gain
any intelligence from what he said, or to make him comprehend me, except
when I asked for my father. Then he understood me, and pointing across the
cabin, gave me to know that my father was with me in the ship, though very
sick.

"Small portions of nourishing food were now offered at frequent intervals,
and, as my appetite came back keenly, and I took the scanty supply that
was allowed me, I gradually gained strength. In a week I was able to leave
my berth, and to walk, with the assistance of the captain of the vessel,
for he it was whom I had first seen on the restoration of consciousness,
to the state room in which my father lay. Oh! how he had changed! I hardly
recognized him. His face had grown long and thin, his eyes were sunken
far back in his head, and his hair, that had been scarcely touched with
the frosts of age when we left New York, was white! He did not know me,
although he looked me feebly in the face. The sound of my voice seemed to
rouse him a little, but he only looked at me with a more earnest gaze,
and then closed his eyes. From this time I was his constant nurse, and
was soon blessed with finding him gradually recovering. But as health
came back to his body, it was too appallingly visible that his reason
had been shattered. He soon came to know me, to speak to me, and to
caress me, with more than his usual fondness; but his mind was--alas! too
evidently--imbecile. As this state of mental alienation showed itself more
and more distinctly, on his gradually acquiring physical strength, it
seemed as if the painful fact would kill me. But we are formed to endure
great extremes of bodily and mental anguish. The bow will bend far before
it breaks.

"After I had recovered so as to leave my berth entirely, and when, I
suppose, the captain thought it would be safe to question me, he brought
a map, and indicated plainly enough that he wished me to point out the
country I was from. I laid my hand upon the United States. He looked
surprised. I glanced around at the ship, and then pointed to the map with
a look of inquiry. He placed his finger near the Island of St. Helena.
It was now my turn to look surprised. By signs I wished him to tell me
how we should get back; and he indicated, plainly enough, that he would
put us on board of the first vessel he met that was returning either to
Europe or the United States, or else would leave us at the Cape of Good
Hope. But day after day passed, and we met no returning vessel. Before
we reached the Cape, a most terrific storm came on, which continued
many days, in which the ship lost two of her masts, and was driven far
south. It seemed to me as if my father and I had been doomed to perish
in the ocean, and the sea would not, therefore, relinquish its prey. It
was ten or twelve days before the storm had sufficiently abated to leave
the vessel manageable in the hands of the captain and crew, and then the
captain's reckoning was gone. He could get his latitude correctly, but not
his longitude, except by a remote approximation. His first observation,
when the sky gave an opportunity, showed us to be in latitude forty-five
degrees south. This he explained to me, and also the impracticability of
now making the Cape, pointing out upon the map the Swan River Settlement
in Australia as the point he should endeavor first to make. A heavy ship,
with but one mast, made but slow progress. On the third day another storm
overtook us, and we were driven before the gale at a furious rate. That
night our vessel struck and went to pieces. Six of us escaped, my father
among the rest, and the captain, in a boat, and were thrown upon the
shore of an uninhabited island. In the morning there lay floating in a
little protected cove of the island barrels of provisions, as pork, fish,
bread, and flour, with chests, and numerous fragments of the ship, and
portions of the cargo. The captain and sailors at once set about securing
all that could possibly be rescued from the water, and succeeded in
getting provisions and clothing enough to last all of us for many months,
if, unfortunately, we should not earlier be relieved from our dreadful
situation. My father had become strong enough to go about and take care of
himself, but his mind was feebler, and he seemed more like an old man in
his second childhood than one in the prime of life as he was. He was not
troublesome to any one, nor was there any fear of trusting him by himself.
He was only like an imbecile old man--and such even the captain thought
him.

"A thing which I failed to mention in its place, I might as well allude
to here. On recovery from that state of physical exhaustion in which the
humane captain of the Dutch East Indiaman had found me, my hand rested
accidentally upon the pocket of my father's coat, which hung up in the
state room that had been assigned to him. His pocket-book was there.
It instantly occurred to me to examine it, and see how much money it
contained, for I knew that, unless we had money, before getting back,
we would be subjected to inconvenience, annoyance, and great privation;
and as my father seemed to be so weak in mind, all the care of providing
for our comfort, I saw, would devolve upon me. I instantly removed the
pocket-book, which was large. I found a purse in the same pocket, and took
that also. With these I retired into my own state-room, and fastening
the door inside, commenced an examination of their contents. The purse
contained twenty eagles; and in the apartments of the pocket-book were ten
eagles more, making three hundred dollars in gold. In bank bills there
were five of one thousand dollars each, ten of one hundred dollars, and
about two hundred dollars in smaller amounts, all of New York city banks.
These I took and carefully sewed up in one of my under garments, and also
did the same with the gold. I mention this, as it bears with importance
upon our subsequent history.

"A temporary shelter was erected; a large pole with a white flag fastened
to it, as a signal to any passing vessel, was set up; and the captain,
with two of his men, set out to explore the island. They were gone for
two days. On returning, they reported no inhabitants, but plenty of good
game, if any way could be devised to take it. No vessel appearing, after
the lapse of some twelve or fifteen days, the men set about building for
us a more comfortable place of shelter. One of these had been a carpenter,
and as an axe and saw, and some few tools, had come ashore on pieces of
the wreck, and in chests, he was enabled to put up a very comfortable
tenement, with an apartment for me partitioned off from the main room.

"Here we remained for I can scarcely tell how long. It was, I believe,
for about a year and a half: during which time two of the men died, and
our party was reduced to four. About this period, when all of us began
to feel sick from hope deferred, and almost to wish that we might die,
a heavy storm came up, with wind from the north-west, and blew heavily
for three or four days. On the morning of the fourth day, when the wind
had subsided, a vessel, driven out of her course, was seen within a few
leagues of the land. Signals were instantly made, and our eyes gladdened
by the sight of a boat which was put off from the ship. In this we soon
embarked, and, with a sensation of wild delight, found ourselves once more
treading the deck of a good vessel. She was an English merchantman, bound
for Canton. We made a quick passage to that port, where we found a vessel
just ready to sail for Liverpool. In this I embarked, with my father, who
still remained in the same sad state of mental derangement. No incident,
worthy of referring to now, occurred on our passage to Liverpool, whence
we embarked direct for New Orleans, at which place we arrived, after
having been absent from our native land for the long space of nearly three
years! How different were my feelings, my hopes, my heart, on the day I
returned to that city eight years from the time I left it as a gay child,
with the world all new and bright and beautiful before me! I need not draw
the contrast. Your own thoughts can do that vividly enough.

"You can scarcely imagine the eagerness with which I looked forward to an
arrival in my native city. We had friends there, and a fortune, and I
fed my heart with the pleasing hope that skilful physicians would awaken
my father's slumbering reason into renewed and healthy activity. Arrived
there at last, we took lodgings at a hotel, where I wrote a brief note
to my father's partner, in whose hands all the business had been, of
course, during our absence, stating a few facts as to our long absence and
asking him to attend upon us immediately. After dispatching this note,
I waited in almost breathless expectation, looking every moment to see
Mr. Paralette enter. But hour after hour passed, and no one came. Then I
sent notes to two or three of my father's friends, whom I recollected,
but met with no response during the day. All this strange indifference
was incomprehensible to me. It was, in part, explained to my mind on the
next morning, when one of the persons to whom I had written called, and
was shown up into our parlor by request. There was a coldness and reserve
about him, combined with a too evident suspicion that it was not all as I
had said. That my father was not Mr. Ballantine, nor I his daughter--but
both, in fact, impostors! And certain it is that the white-headed imbecile
old man bore but little resemblance to the fine, manly, robust form,
which my father presented three years before. The visitor questioned
and cross-questioned me; and failed not to hint at what seemed to him
discrepancies, and even impossibilities in my story. I felt indignant
at this, at the same time that my heart sank at the suddenly flashing
conviction that, after all our sufferings and long weary exile from our
home, we should find ourselves but strangers in the land of our birth--be
even repulsed from our own homestead.

"Our visitor retired after an interview of about half an hour, giving me
to understand pretty plainly that he thought both my father and myself
impostors. His departure left me faint and sick at heart. But from this
state I aroused myself, after a while, and determined to go and see Mr.
Paralette at once. A servant called a carriage, and I ordered the driver
to take me to the store of Ballantine & Paralette.

"'There is no such a firm now, madam,' he said; 'Mr. Ballantine was lost
at sea some years ago. It is Paralette & Co. now.'

"'Drive me there, then,' I said, in a choking voice.

"In a few minutes the carriage stopped at the place I had designated, and
I entered the store formerly kept by my father. Though I had been absent
for eight years, yet everything looked familiar, and nothing more familiar
than the face of Mr. Paralette, my father's partner. I advanced to meet
him with a quick step, but his look of unrecognition, and the instant
remembrance that he had not attended to my note, and moreover that it had
been plainly hinted to me that I was an impostor, made me hesitate, and my
whole manner to become confused.

"'Eugenia Ballantine is my name,' said I, in a quivering voice. 'I dropped
you a note yesterday, informing you that my father and I had returned to
the city.'

"He looked at me a moment with a calm, severe, scrutinizing gaze, and then
said--

"'Yes, I received your note, and have this moment seen Mr. ----, who
called upon you. And he corroborates the instant suspicion I had that
your story could not be correct. He tells me that the man whom you call
your father resembles Moses a great deal more than he does the late Mr.
Ballantine. So, you see, madam, that your story won't go for anything
here.'

"There was something cold and sneering in the tone, manner, and expression
of Mr. Paralette that completely broke me down. I saw, in an instant, that
my case was hopeless, at least for the time. I was a lone, weak woman, and
during an absence of eight years from my native city, I had grown up from
a slender girl into a tall woman, and had, from suffering and privation,
been greatly changed, and my countenance marred even since I had attained
the age of womanhood. Under these circumstances, with my father changed
so that no one could recognize him, I felt that to make my strange story
believed would be impossible. From the presence of Mr. Paralette I
retired, and went back to the hotel, feeling as if my heart would break.
Oh, it was dreadful to be thus repulsed, and at home, too! I tried only
twice more to make my story believed; failing in these efforts, I turned
all my thoughts toward the restoration of my father to mental health,
believing that, when this was done, he, as a man, could reassume his own
place and his true position. I had over six thousand dollars of the money
I had taken from my father's pocket-book, and which I had always kept so
completely concealed about my person, that no one had the least suspicion
of it. Five thousand of this I deposited on interest, and with the residue
took a small house in the suburbs of the city, which I furnished plainly,
and removed into it with my father. I then employed two of the most
skilful physicians in the city, and placed him in their hands, studiously
concealing from them our real names and history. For eighteen months he
was under medical treatment, and for at least six months of that time
in a private insane hospital. But all to no effect. Severe or lenient
treatment all ended in the same result. He continued a simple, harmless
old man, fond of me as a child is of his mother, and looking up to and
confiding in me for everything.

"At the end of the period I have indicated, I found my means had become
reduced to about three thousand dollars. This awoke in my bosom a new
cause of anxiety. If my father should not recover his reason in two or
three years, I would have nothing upon which to support him, and be
compelled to see him taken to some public institution for the insane,
there to be treated without that tenderness and regard which a daughter
can exercise toward her parent. This fear haunted me terribly.

"It was near the end of the period I have named, that I met with an
account of the Massachusetts Insane Hospital, situated in Charlestown
in this State. I was pleased with the manner in which patients were
represented to be treated, and found that, by investing in Boston the
balance of my little property, the income would be sufficient to pay for
my father's maintenance there. As for myself, I had no fear but that with
my needle, or in some other way, I could easily earn enough to supply my
own limited wants. A long conference with one of the physicians who had
attended my father raised my hopes greatly as to the benefits which might
result from his being placed in an institution so well conducted.

"As soon as this idea had become fully formed in my mind, I sold off all
our little stock of furniture, and with the meagre supply of clothing to
which I had limited myself, ventured once more to try the perils of the
sea. After a quick passage, we arrived in Boston. My father I at once had
placed in the asylum, after having invested nearly every dollar I had in
bank stock, the dividends from which were guaranteed to the institution
for his support, so long as he remained one of its inmates. This was early
in the last fall. I had then but a few dollars left, and no income. I was
in a strange city, dependent entirely upon my own resources. And what were
they? 'What am I to do? Where am I to go for employment?' were questions
I found hard indeed to answer. Twenty dollars were all I possessed in
the world, and this sum, at a hotel, would not last me, I knew, over two
or three weeks. I therefore sought out a private boarding-house, where,
under an assumed name, I got a room and my board for two dollars a week.
The woman who kept the boarding-house, and to whom I communicated my
wish to get sewing, gave me half a dozen plain shirts to make for her
husband, for which I received fifty cents each. This was all the work I
obtained during the first two weeks I was in the house, and it yielded
me only three dollars, when my boarding cost me four. I felt a good deal
discouraged after that. I knew no one to whom I could go for work--and the
woman with whom I boarded could not recommend me to any place, except to
the clothing-stores: but they, she said, paid so badly that she would not
advise me to go there, for I could not earn much over half what it would
cost me for my board. Still, she added, 'half a loaf is better than no
bread.' I felt that there was truth in this last remark, and, therefore,
after getting the direction of a clothing-store, I went there and got
a few pairs of coarse trowsers. This kind of work was new to me. In my
ignorance, I made some portion of them wrong, for which I received abuse
from the owner of the shop, and no money. He was not going, he said, to
pay for having his work spoiled.

"Dreadfully disheartened, I returned to my lodgings, and set myself to
ponder over some other means of support. I had been, while at school,
one of the best French and Spanish scholars in the seminary. I had also
given great attention to music, and could have taught it as skilfully
as our musical professor. But five years had passed since I touched the
keys of a piano or harp, and I had not, during that time, spoken a dozen
words in any language except my native tongue. And, even if I had retained
all my former skill and proficiency, my appearance was not such as to
guarantee me, as a perfect stranger, any favorable reception either from
private families or schools. So anxious had I been to make the remnant of
my father's property, which a kind Providence had spared to us, meet our
extreme need, that I denied myself everything that I could possibly do
without. Having no occasion to go into society, for no one would recognize
me as Eugenia Ballantine, I had paid little regard to my external
appearance, so far as elegant and fashionable apparel was concerned. I
bought sparingly, and chose only plain and cheap articles. My clothes
were, therefore, not of a kind, as you may yourself see, to give me, so
far as they were concerned, a passport to consideration.

"As two dollars a week would, I knew, in a very short time, exhaust my
little stock of money, I determined to try and rent a room somewhere, at
the lowest possible rate, and buy my own food. I eat but a little, and
felt sure that, by making this arrangement, I could subsist on one dollar
a week instead of two, and this much it seemed as if I must be able to
earn at something or other. On the day after I formed this resolution I
met, in my walks about the city for the purpose, with the room where you
found me, for which I paid seventy-five cents a week. There I removed, and
managed to live on about one dollar and a quarter a week, which sum, or,
at the worst, seventy-five cents or a dollar a week, I have since earned
at making fine shirts for Mr. Berlaps at twenty-five cents each. I could
have done better than that, but every day I visit my father, and this
occupies from two to three hours."

"And how is your father?" asked Mrs. Gaston, wiping her tearful eyes, as
Eugenia paused on ending her narrative.

"He seems calmer, and much more serious and apparently thoughtful since
he has been in this institution," Eugenia replied, with something of
cheerfulness in her tone. "He does not greet my coming, as he did
at first, with childish pleasure, but looks at me gravely, yet with
tenderness, when I enter; and, when I go away, he always asks if I will
'come again to-morrow.' He did not do this at first."

"But have you not written to Mr. Perkins since your return?" asked Mrs.
Gaston.

Eugenia became instantly pale and agitated. But, recovering herself with
an effort, she simply replied--

"How could I? To him I had, years before, been lost in the sea. I could
not exist in his mind, except as one in the world of spirits. And how did
I, when I came back, or how do I know now, that he has not found another
to fill that place in his heart which I once occupied? On this subject I
dared make no inquiry. And, even if this were not the case, I am not as I
was. I had fortune and social standing when he wooed and won me. Now I am
in comparative indigence, and branded as an impostor in my native city. If
none recognized and received us in our own home, how could I expect him
to do so? And to have been spurned as a mere pretender by him would have
broken my heart at once."

Eugenia was greatly moved by this allusion to her former lover and
affianced husband. The subject was one upon which she had never allowed
herself to think, except compulsorily, and but for a few moments at a
time. She could not bear it. After a silence of some moments, Mrs. Gaston
said--

"I have not met with or heard of Mr. Perkins for some years. He remained
in Troy about six months after you went away, and, during that period, I
saw him very frequently. Your loss seemed, for a time, as if it would
destroy his reason. I never saw any one suffer such keen mental distress
as he did. The fearful uncertainty that hung around your fate racked his
mind with the intensest anguish. At the end of the time I have mentioned,
he went to New York, and, I was told, left that city a year afterwards;
but, whether it is so or not, I never learned. Indeed, I am entirely
ignorant as to whether he is now alive or dead. For years I have neither
heard of him nor seen him."

Eugenia wept bitterly when Mrs. Gaston ceased speaking. She did not reply,
but sat for a long time with her hand partly concealing her face, her
whole body trembling nervously, and the tears falling fast from her eyes.
From this excitement and agitation, consequent upon a reference to the
past, she gradually recovered, and then Mrs. Gaston related, in turn, her
trials and afflictions since their separation so many years before. These
we will not now record for the reader, but hurry on to the conclusion of
our narrative.

By a union of their efforts, Mrs. Gaston and Eugenia were enabled, though
to do so required them to toil with unremitting diligence, to secure
more comforts--to say nothing of the mutual strength and consolation
they received from each other--than either could have possibly obtained
alone. The rent of a room, and the expense of an extra light, were saved,
and this was important where every cent had to be laid out with the most
thoughtful economy. Eugenia no longer went out, except to visit her
father. Mrs. Gaston brought home as much work from the shop as both of
them could do, and received the money for it when it was done, which all
went into a common fund. Thus the time wore on, Eugenia feeling happier
than she had felt for many weary years. Mrs. Gaston had been a mother
to her while she lived in Troy, and Eugenia entertained for her a deep
affection. Their changed lot, hard and painful though it was, drew them
closer together, and united them in a bond of mutual tenderness.

New Year's day at last came, and the mother, who had looked forward so
anxiously for its arrival, that she might see her boy once more, felt
happier in the prospect of meeting him than she had been for a long time.
Since his departure, she had not heard a single word from him, which
caused her to feel painfully anxious. But this day was to put an end to
her mind's prolonged and painful suspense in regard to him. From about
nine o'clock in the morning, she began to look momently for his arrival.
But the time slowly wore on, and yet he did not come. Ten, eleven,
twelve, one o'clock came and went, and the boy was still absent from his
mother, whose heart yearned to see his fair face, and to hear his voice,
so pleasant to her ear, with unutterable longings. But still the hours
went by--two, three, four, and then the dusky twilight began to fall,
bringing with it the heart-aching assurance that her boy would not come
home. The tears, which she had restrained all day, now flowed freely,
and her over-excited feelings gave way to a gush of bitter grief. The
next day came and went, and the next, and the next--but there was no word
from Henry. And thus the days followed each other, until the severe month
of January passed away. So anxious and excited did the poor mother now
become, that she could remain passive no longer. She must see or hear
from her child. Doctor R---- had obtained him his place, and to him she
repaired.

"But haven't you seen your little boy since he went to Lexington?" the
doctor asked, in some surprise.

"Indeed, I have not; and Mr. Sharp promised to bring him home on New
Year's day," replied the mother.

"Mr. Sharp! Mr. Sharp!" ejaculated the doctor, thoughtfully. "Is that the
name of the man who has your son?"

"Yes, sir. That is his name."

Doctor R---- arose and took two or three turns across the floor at this,
and, then resuming his seat, said--

"You shall see your son to-morrow, Mrs. Gaston. I will myself go to
Lexington and bring him home. I had no idea that the man had not kept
his promise with you. And, as I got Henry the place, I must see that his
master is as good as his word in regard to him."

With this assurance, Mrs. Gaston returned home, and with a lighter heart.

    (To be concluded next month.)


FOOTNOTES:

[Footnote 9: Entered according to Act of Congress, by T. B. PETERSON,
in the Clerk's Office of the District Court of the Eastern District of
Pennsylvania.]




HISTORY OF PEARLS, NATURAL AND ARTIFICIAL.


PEARLS are a shelly secretion of a spherical shape formed in a species
of oyster, or pearl mussel, and said to be produced by a malady in the
animal, which requires nearly seven years for its full development, after
which the oyster dies. Small pearls which have been immersed in acetous
acids, and thus reduced to their membranous constituents, have the
appearance of being formed of concentric coats of membrane and carbonate
of lime, thus resembling in composition the mother-of-pearl with which
oyster-shells are lined. The precise origin of pearls is unknown, but it
appears probable that some minute substance, such as a grain of sand,
may have found its way into the shell and produced irritation, and that
the animal, unable to expel it, renders it less injurious by covering
it with calcareous matter. It is sometimes affirmed that, to produce
pearls, the oyster must have received some external injury; and this is
corroborated by the fact that nearly all the shells in which pearls are
found are outwardly contorted, and that a smooth regular shell is a pretty
sure sign of the absence of the pearl. It was therefore suggested to the
Swedish government, by the celebrated Linnæus, to pierce small holes in
the shell of the freshly-caught pearl oyster, and then restore it to its
original bed. The experiment was tried, but without success. A somewhat
similar plan is said to be adopted by the Chinese, and with favorable
results. These ingenious people thread upon fine silk small beads of
mother-of-pearl, and fasten them within the shells of pearl oysters, when
they rise to the surface of the water at the beginning of summer. The
animals are then restored to their bed, where they soon cover the beads
with calcareous matter, and thus convert them into pearls.

In whatever way produced, pearls of considerable size, on account of their
beauty and rarity, have been valued at enormous prices in past ages, and
are still among the choicest objects of the jeweller's art. Their delicate
and silvery lustre has been as widely celebrated as the brilliancy of the
diamond. The Hindoos poetically describe them as drops of dew falling
into the shells when the fish rise to the surface of the sea in the month
of May, and becoming, by some unexplained action of the sun's rays,
transformed into pearls.

Pearl fisheries exist in Ceylon, on the Coromandel coast, and in the
Persian Gulf, the last-named being the most productive. Fisheries of less
importance also exist in Algiers, and in the Zooloo Islands. Two thousand
years ago, the Romans found pearls in Britain, and within modern times
the rivers of Scotland have afforded considerable quantities, though not
of the best quality. Several rivers of Saxony, Silesia, Bavaria, and
Bohemia afford pearls, and they are also found in two or three Russian
provinces. There are also pearl fisheries in the western hemisphere.
The coast of Columbia and the Bay of Panama have furnished considerable
quantities, but they are not considered equal to the pearls of the East
in shape or color. Detailed accounts of the pearl fishery of Ceylon have
been given by the Count de Noé and others, who have had ample means of
watching the operations of the pearl-divers during a residence in that
island. It appears that the pearl oysters occur in banks at greater or
less depth in the sea on the western side of the island of Ceylon, the
average depth, however, being about twelve fathoms, and the distance from
the shore about fifteen miles. The right to fish on these banks is sold by
the government every season, and a single auction sale is generally made
to one individual, who afterwards disposes of shares in the fishery to
other parties. The biddings at the auction are regulated by the produce of
some thousands of oysters taken from the beds at hazard. If the average
quality of pearls contained in them be good, the competition is strong in
proportion.

The pearl fishery commences in April, and lasts till towards the end of
May. It attracts a concourse of visitors not only from the interior of the
island, but from various parts of India, whose diversities of language,
dress, and manners produce a striking effect. The sea-shore, at other
times solitary, is, on the eve of the fishery, suddenly covered with
innumerable huts, composed of a few poles stuck in the ground, interwoven
with bamboo and covered with the leaves of the cocoa-nut palm. These
temporary dwellings often shelter as many as 150,000 persons. The signal
for commencing the fishery is given at daybreak by the firing of cannon,
and at that moment the several boats cast anchor in the fishing-ground,
for at midnight they had left the shore in an extensive fleet, so as to be
on the spot at the desired moment. Each boat has its own proper bounds,
beyond which it is not lawful to work, and government vessels are on the
spot to see that no infringement of contract takes place. The boats each
carry a captain, a pilot, and twenty men, of whom ten are experienced
divers. Five divers descend at once, the other five taking the plunge when
the first ascend. Thus a little time is allowed for regaining strength.
In order to descend as rapidly as possible through the water, the diver
places his feet on a large stone made fast to one end of a rope, the other
end being secured to the boat. He also takes another rope, to the end
of which is attached a net, or basket, to contain the oysters. The upper
extremity of this second rope is held by two men in the boat. The diver
is also provided with a strong knife for detaching the oysters, and as a
means of defence against sharks, which are very numerous in those seas,
but which do not often attack the divers, being perhaps scared by the
noise of the assemblage, and the continual plunging of so great a number
of persons. The diver no sooner reaches the ground than he gathers oysters
with all possible speed into his basket, and then letting go the rope to
which the stone is attached, he pulls that which is held by the sailors,
and rapidly ascends to the surface. Some divers make very dexterous use
of their feet, holding the net with one foot, clasping the stone with the
other, and thus leaving one hand free to close the nostrils, while the
other hand holds the rope in descending.

The time during which the divers can remain submerged is variously stated,
and no doubt it differs greatly according to the constitution of the
individual. Some observers declare that, in their experience, it never
exceeded fifty seconds; but Captain Percival, in his work on Ceylon,
gives two minutes as the usual time of remaining under water.[10] Serious
effects are produced by this employment, and the divers may frequently be
seen with blood issuing from their mouth and nostrils. Yet this does not
hinder them from going down in their turn. They will make from forty to
fifty plunges in one day, and bring up on each occasion about one hundred
oysters. Their day closes before noon; for, as soon as the sea-breeze sets
in, the signal is given for the return of the boats to the shore. Their
owners, and a large assemblage of persons of all classes, are eagerly
looking out for the arrival of the flotilla, and are soon busily employed
in examining and stowing away the cargoes.

Each owner has a shallow pit fenced round and secured for his own use,
in which his store of oysters is deposited, and left open to the air.
This pit, or _couttó_, as it is called, is in the midst of a group of
huts belonging to the same owner, so that it is under guard of his
party. Here the oysters are allowed to putrefy under a burning sun, and
a stench arises from them which would seem enough to depopulate the
shore of its thousands of inhabitants. Yet such is not the case. The
health of the people does not appear to be materially affected, and
the oysters are allowed to remain till dry, when they can be easily
opened and the pearls extracted. To open them when fresh would require
much greater force, and would be likely to injure the pearls. When the
putrefaction is sufficiently advanced, the oysters are taken from the
_couttó_, and placed in troughs made of the trunks of trees. Sea-water
is thrown over them: they are easily opened, and render their pearls to
the washing and shaking of a number of men who stand all on one side of
the trough, while inspectors at each end closely watch their proceedings,
and other inspectors examine the shells which are thrown away, lest they
should contain some of the precious substance. The workmen engaged in
washing pearls dare not lift their hands to their mouths under penalty
of a flogging, yet a man will sometimes contrive to swallow a pearl
of high price. After all the pearls are washed out, the largest are
carefully picked out from the sand at the bottom of the troughs and
washed repeatedly in clean water: the next in size are spread out on
white napkins to dry in the sun. The remainder are left to the care of
women, who pick them up and dry them. Pearls are assorted by means of
three sieves placed one above another, the meshes in which are smaller
as the pearls descend. Thus the pearls which will not pass through the
uppermost sieve are of the first class, and so on with the others. Another
assortment is made as to color, regularity of form, &c., and here the
tastes of different nations have to be consulted. The Europeans prefer
pure white pearls, the Indians yellow pearls, and the natives of Ceylon
those which are tinged with rose-color.

Besides the number of persons who arrive in Ceylon in the fishing season
for the purpose of speculating in pearls, there are also numerous Indian
artisans who are very expert in piercing and drilling pearls, and who
practise their trade on the spot on economical terms. A writer thus
describes their operations: "A machine made of wood, and of a shape
resembling an obtuse inverted cone, about six inches in length and four
in breadth, is supported upon three feet, each twelve inches long. In the
upper flat surface of this machine holes or pits are formed to receive the
larger pearls, the smaller ones being beat in with a little wooden hammer.
The drilling instruments are spindles of various sizes, according to that
of the pearls; they are turned round in a wooden head by means of a bow
handle, to which they are attached. The pearls being placed in the pits
which we have already mentioned, and the point of the spindle adjusted to
them, the workman presses on the wooden head of the machine with his left
hand, while his right is employed in turning round the bow handle. During
the process of drilling, he occasionally moistens the pearl by dipping
the little finger of his right hand in a cocoa-nut filled with water,
which is placed by him for that purpose; this he does with a dexterity and
quickness which scarcely impede the operation, and can only be acquired
by much practice. They have also a variety of other instruments both for
cutting and drilling the pearls. To clean, round, and polish them to that
state in which we see them, a powder, made of the pearls themselves, is
employed. These different operations in preparing the pearls occupy a
great number of the black men in various parts of the island. In the black
town, or pettah of Columbo, in particular, many of them may every day be
seen at this work, which is well worth the attention of any European who
is not already acquainted with it."

MOTHER-OF-PEARL, or NACRE, is the hard, silvery, internal layer of several
kinds of shells, especially oysters, the large varieties of which in the
Indian seas secrete this coat of sufficient thickness to render the shell
an object of manufacture. The genus of shell-fish, _Pentadinæ_, furnishes
the finest pearls as well as mother-of-pearl: it is found round the coasts
of Ceylon, near Ormus in the Persian Gulf, at Cape Comorin, and in some of
the Australian seas. The dealers in pearl-shells consider the Chinese from
Manilla to be the best: they are fine, large, and very brilliant, with
yellow edges. Fine large shells of a dead white are supplied by Singapore.
Common varieties come from Bombay and Valparaiso, from the latter place
with jet black edges. South Sea pearl-shells are common, with white edges.
The beautiful dark-green pearl-shells called _ear-shells_ or _sea-ears_
are more concave than the others, and have small holes round the margin:
they are the coverings of the _Haliotis_, which occurs in the Californian,
South African, and East Indian seas.

In the Indian collection of the Great Exhibition in London, specimens of
the finest pearl-shells were shown, known in commerce as _flat-shells_,
_ear-shells_, _green snail-shells_, _buffalo-shells_, _Bombay shells_. It
is stated that the shores of the Sooloo Islands afford the finest shells.

The beautiful tints of mother-of-pearl depend upon its structure;
the surface being covered with a multitude of minute grooves, which
decompose the reflected light. Sir David Brewster, who was the first to
explain these chromatic effects, discovered, on examining the surface
of mother-of-pearl with a microscope, "a grooved structure, like the
delicate texture of the skin at the top of an infant's finger, or like
the section of the annual growths of wood as seen upon a dressed plank
of fir. These may sometimes be seen by the naked eye; but they are often
so minute that 3,000 of them are contained in an inch." It is remarkable
that these iridescent hues can be communicated to other surfaces as a
seal imparts its impress to wax. The colors may be best seen by taking
an impression of the mother-of-pearl in black wax; but "a solution of
gum-arabic or of isinglass (white glue), when allowed to indurate upon
a surface of mother-of-pearl, takes a most perfect impression from it,
and exhibits all the communicable colors in the finest manner, when seen
either by reflection or transmission. By placing the isinglass between two
finely-polished surfaces of good specimens of mother-of-pearl, we obtain
a film of artificial mother-of-pearl, which, when seen by single lights,
such as that of a candle, or by an aperture in the window, will shine with
the brightest hues."

It is in consequence of this lamellar structure that pearl-shells admit
of being split into laminæ for the handles of knives, for counters, and
for inlaying. Splitting, however, is liable to spoil the shell, and is
therefore avoided as much as possible. The different parts of the shell
are selected as near as possible to suit the required purposes, and the
excess of thickness is got rid of at the grindstone. In preparing the
rough pearl-shell, the square and angular pieces are cut out with the
ordinary brass-back saw, and the circular pieces, such as those for
buttons, with the annular or crown-saw, fixed upon a lathe-mandrel. The
pieces are next ground flat upon a wet grindstone, the edge of which is
turned with a number of grooves, the ridges of which are less liable to
be clogged than the entire surface, and hence grind more quickly. If the
stone be wetted with soap and water, it is less liable to be clogged. The
pieces are finished on the flat side of the stone, and are then ready for
inlaying, engraving, polishing, &c. Cylindrical pieces are cut out of the
thick part of the shell, near the hinge, and are rounded on the grindstone
preparatory to being turned in the lathe. Counters, silk-winders, &c.,
are smoothed with Trent sand or pumice-stone and water on a buff-wheel
or hand-polisher, and are finished with rotten-stone moistened with
sulphuric acid, which develops finely the striated structure of the shell.
For inlaid works, the surface is made flat by filing and scraping; then
pumice-stone is used, and after this putty-powder, both on buff-sticks
with water; and the final polish is given with rotten-stone and
sulphuric acid, unless tortoise-shell, or some other substance liable to
be injuriously affected by the acid, be present in the inlay. In turned
works, fine emery-paper, rotten-stone and acid or oil are used. The
pearl handles for razors are slightly riveted together in pairs, then
_scraped_, _sand-buffed_ on the wheel with Trent sand and water; thirdly,
_gloss-buffed_ on the wheel with rotten-stone and oil, or sometimes with
dry chalk rubbed on the same wheel; and fourthly, they are _handed up_, or
polished with dry rotten-stone and the naked hand.

ARTIFICIAL PEARLS.--The art of making artificial pearls has been brought
to such perfection in Paris, that even jewellers and pawnbrokers have
occasionally had a difficulty in deciding between the artificial and
the real. The origin of this successful imitation is given as follows:
A French bead-maker named Jaquin, observing that when the small fish
called _ablette_, or bleak (_Cyprinus alburnus_), was washed, the water
was filled with fine silver-colored particles, collected some of these
for the purposes of his trade. He found that the soft shining powder thus
obtained had, to a remarkable degree, the lustre of pearls; hence, he
called it essence of pearl, or _essence d'orient_. He first made small
beads of gypsum and covered them with this substance; they were greatly
admired and eagerly sought after; but it was found that this pearly coat,
when exposed to heat, separated itself from the bead, and attached itself
to the skin of the wearer in a manner that was anything but pleasant. The
ladies themselves, it is said, suggested to Jaquin the making of hollow
glass beads, and covering the inside with essence of pearl. This he did,
and established a manufacture, of which some idea may be gained by the
following account. Slender tubes of glass are first prepared, called
_girasols_, a term applied to opal, and sometimes to the stone called
cat's-eye, and given to these tubes because the glass is of a peculiar
bluish tint. From these the artist blows minute globules, to the extent of
from two to six thousand per day, not caring to make them all perfectly
regular or free from blemish, because the natural pearls are not so. The
pearl essence is then mixed with a solution of isinglass, and is blown
while hot into each bead by means of a fine glass pipe. The solution is
spread equally over the whole internal surface, by shaking the pearls in
a vessel placed over the table where the workman sits, and to which he
gives motion by his foot. When the varnish is equally diffused and dry,
the beads are filled with white wax; this gives them the necessary weight
and solidity, and renders them less fragile. They are then bored with a
needle, and threaded on strings for sale. The holes in the finer sort are
lined with thin paper, that the thread may not adhere to the wax.

To produce one pound of scales no fewer than 4,000 fishes are required;
but this quantity of scales only yields four ounces of pearl essence. The
fish are about four inches long; they are sold at a cheap rate in the
markets after being deprived of their scales. The value of a pound of
washed scales in the Chalonnais is from fifteen to twenty-five livres. The
early manufacturers suffered great inconvenience from not knowing how to
preserve the scales from putrefaction, and consequently being obliged to
use the essence immediately it was obtained, lest it should acquire the
intolerable odor of decayed fish. Attempts were made to preserve them in
spirit of wine or brandy, but those liquors wholly destroyed their lustre.
At length it was discovered that these fishy particles can be kept for a
long time in solution of ammonia, and this enables the manufacturers of
artificial pearls to carry on a considerable traffic with distant places
where the fish is plentiful, the supply from the Seine, though abundant,
being insufficient for the purposes of the trade of Paris. Down to a
late period, the heirs of M. Jaquin continued to manufacture pearls to
a considerable extent, in the Rue de Petit Lion, at Paris. An elaborate
account of this art is given by De Beost, in a work entitled, "_L'Art
d'imiter les Perles fines_," from which most English descriptions of this
manufacture have been obtained.

[Illustration: ARTIFICIAL PEARLS IN THE MUSSEL (MYA MARGARITIFERA).]

In a recent number of the "Journal of the Society of Arts," it was stated
that an "oyster, or rather a mussel, of the species known to naturalists
as the _mya margaritifera_, in which the artificial pearls are formed by
the Chinese, had recently been sent to England. These pearls are only
obtained near Ning-po, and until lately very little was known of the
manner in which they were formed; and the account first published by Sir
Joseph Banks was generally questioned. The _Hermes_ steamer, however,
on a late visit to that place, was able to obtain several live ones, in
which, on being opened, several pearls, as many as eighteen or twenty,
were found in the course of formation. The one sent only contains simple
pearls adhering to the shell. It appears they are formed by introducing
some pieces of wood or baked earth into the animal while alive, which,
irritating it, causes it to cover the extraneous substance with a pearly
deposit. Little figures made of metal are frequently introduced, and,
when covered with the deposit, are valued by the Chinese as charms. These
figures generally represent Buddha in the sitting position, in which that
image is most frequently portrayed. Several specimens have, it is said,
been preserved alive in spirits, and others slightly opened, so as to show
the pearls."


FOOTNOTES:

[Footnote 10: Dr. Faraday found that, by first exhausting the lungs by
several deep exhalations, so as to expel the carbonic acid, and then
taking a deep inspiration of fresh air, he was able to hold his breath for
two minutes and a half.]




ILLUMINATED, OR VELLUM-PAINTING.


AS it is the duty of a faithful journalist not only to "hit the follies
of the day," but to study the tastes of the times, we have now ventured
to make a few remarks on an art which has of late been revived, and which
is now not only much practised as an accomplishment, but widely diffused
as a means of general ornamentation. A slight sketch of its history will
perhaps form a not unacceptable introduction to our subject.

It would appear that the metallic portions, and the general idea of
illuminated painting, have been familiar to Oriental nations for ages;
numberless traces of it, as applied to decorative purposes, having been
discovered among those memorials now existing of the early Persian,
Arabian, and Moorish races. The Egyptians, too, appear to have possessed
the art of adding burnished gold or silver to their paintings; but
whether they ever thus ornamented manuscripts is not known to us--in all
probability they did not. Neither do the more ancient inhabitants of Italy
appear to have applied it to manuscripts, for none of those discovered
amid the ruins of the buried cities of Herculaneum and Pompeii are
illuminated.

Many writers have surmised that manuscripts were not thus decorated
until they began to assume something of the folio form; certainly, we
are not aware of any traces of illuminating having been found in those
rolled manuscripts which have descended to us. "The Dioscorides" in the
Library of Vienna, and the celebrated copy of "Virgil" in the Vatican
at Rome--both of which are supposed to date back so far as the fourth
century--are believed to be the oldest examples of illuminated MSS.
extant; and these can scarcely claim to be termed illuminated, for they
only differ from ordinary manuscripts in having colored capitals. It is
not until the seventh century that we find this art practised in any part
of Great Britain; and then, in its earliest form, it simply consisted in
staining the vellum purple or rose color, or inscribing the characters
in gold. In the British Museum is a splendid MS., termed the "Golden
Gospels," supposed to date from about the eighth century; its text is
entirely of gold. There are some beautiful decorations in this valuable
and curious relic of the patience, industry, and artistic powers of our
Anglo-Saxon ancestors. There is another illuminated manuscript copy of the
Gospels in the Archiepiscopal Library at Lambeth Palace, supposed to be
nine hundred years old, and to have been painted by Moelbrigid Mac Durnan,
Abbot of Derry, for Athelstan, who presented it to the city of Canterbury.

In those early ages, illuminating was applied only to religious and
devotional MSS.; and it was chiefly done by members of the religious
orders, for a very good reason--that they appear to have been almost
the sole depositories of what learning and fine arts then existed. The
celebrated St. Dunstan is said to have been a skilful illuminator, and is
represented, in one of the pictures of an old manuscript, as busily at
work decorating a missal.

The earlier specimens of illuminating which have descended to us are
mostly crude and simple, consisting chiefly of colored capitals, stained
ground, and metallic letters. For several ages the art does not appear
to have made much progress, except that the capital letters increase in
size, in ornament and beauty; and about the twelfth century we find them
assuming a gigantic height, abounding in florid development, gorgeous
in hues, and often exquisite in execution. In the early part of the
fourteenth century an alteration is perceptible--the MS. pages assume
an illuminated border, which at first only passes down one side, but
gradually extends along the top and the bottom of the page; and, after a
lapse of years, constitutes a complete frame to the text.

These borders at first consist simply of foliage or scrolls; but, as the
art improves, and doubtless is more fostered and patronized, arabesques
are introduced, in which forms of marvellous grace and beauty, linked
in inextricable twinings, shine forth in all the gorgeous hues of a
brilliant sunset; and these are, at a later period, gemmed with medallions
or miniature paintings, illustrative of portfolios of the text. Indeed,
several of the most celebrated painters of those days did not disdain
to enrich MSS. for some high personage with specimens of their artistic
skill. This continued until the middle of the sixteenth century.

Subsequently, a progressive decline in the excellence and artistic beauty
of illuminated painting becomes very evident. It is true that, in the
middle of the seventeenth century, it was florid, gorgeous, and, to a
certain degree, admirable, but it was not the beauty of art; the rococo
taste was beginning to dawn--that strange exuberance of fancy which heaped
in one mass the most incongruous details, and was often more cumbrous and
grotesque than graceful and harmonious. Nor was it probably only to this
cause that the decline in the art may be attributed--the introduction of
printing, and its gradual diffusion, had made manuscripts less valuable.
The Reformation also, doubtless, had its share in depreciating illuminated
painting, which soon ceased to be practised to any extent--excepting in
Catholic countries--for the decoration of missals.

Then comes a period of some hundred or hundred and fifty years, during
which the art may almost be said to be extinct; nor is it until within
the last ten or twenty years that it has received much attention. Then,
when lithographic printing, and various similar improvements, facilitated
the reproduction of an indefinite number of copies of any given subject,
and the still further invention of color-printing and chromo-lithography
came into exercise, the value of a study of illuminated painting was
perceived, and its applicability to all purposes of literary ornamentation
developed. The title-pages of albums, of music, and of annuals; the covers
of magazines and books; the initial letters of articles in periodicals;
the decorations on circulars, cards, labels, and numberless other
similar productions, whether printed, colored, gilded, or stamped--all
will be found more or less derivable from the old style of illuminated
manuscripts; indeed, a person who has not studied it can form little idea
how largely its principles enter into all this kind of decorations.

It has been said that this branch of the art of painting is so mechanical
as to be easily taught in a few lessons to those who have no previous
knowledge of drawing. This we cannot fully admit. It is true such persons
may acquire a smattering of the art--a crude, inartistic style of working
it; but, unless they have a correct eye, good taste, and some judgment,
they cannot achieve anything that will not betray the amateur.

It is by no means an easy matter to give practical written instructions
for illuminated painting on vellum; for it is not merely directions as to
what materials shall be used, and the mode of employing them, that are
required, but principles for general guidance which have to be inculcated.
The desired effects cannot be produced by a heterogeneous assemblage of
forms and colors, but only by careful and artistic combinations of the
appropriate and the harmonious.

In the matter of letters, allegorical letters, suitable to the subject
they are to commence, may be obtained by arranging animals, fishes,
reptiles, &c. &c., into the requisite forms.

[Illustration: Fig. 1.]

Fig. 1 represents an L adapted for a paper on botany.

For those who may wish to paint from these cuts, we state that the leaves
are of sap-green, shaded with Prussian green, and just touched at the tips
with gold; the small ones are more delicately tinted than the others.

[Illustration: Fig. 2.]

Fig. 2 is a T adapted for a paper on woods or forest trees. It is painted
in Vandyke brown, and shaded with black, and the leaves and ground are
green.

In an old MS. at the British Museum, the human form is most oddly
contorted into grotesque semblances of capital letters. An initial for a
paper on war may be composed of armor, weapons, &c.

Fig. 3, an S, is suitable for a heroic poem, or romantic tale of
chivalry. For agriculture, we form our initial of corn, or the implements
of husbandry, and such like; for music, of musical instruments and
characteristic ornaments.

The S in the annexed cut is of silver, burnished and wrought (terms which
we shall presently explain); the flag is painted in ultramarine, and
striped and bordered with silver the spear-headed staff is shaded with
Vandyke brown, and its decorations put in with silver.

[Illustration: Fig. 3.]

[Illustration: Fig. 4.]

Fig. 4 is not an allegorical letter, but simply decorative, and adapted
for a title-page, rather than an initial. The darker and central parts of
the letter are of vermilion, shaded with carmine; and the ornamentation
of gold burnished and wrought. The letter in Fig. 5 belongs to the same
class, and is only a modification of style; the white ground is merely
shaded up with soft touches of carmine. The varieties of letters which
can be formed are endless, and may be as quaint and as ideal as fancy can
devise, provided they are also appropriate, and do not depart from the
gracefully-curved line of beauty.

[Illustration: Fig. 5.]

For illuminated painting we use water-colors; ultramarine, carmine,
burnt carmine, burnt sienna, gamboge, deep chrome, vermilion, red-lead,
emerald-green, sap-green, Vandyke-brown, lamp-black, and Chinese-white,
are those most necessary. Persons who are not already provided with
colors will do well to purchase those which are prepared expressly for
illuminating, as they are more brilliant. Pure gold, green gold, and
silver shells; fine sable hair-pencils, some gum-water, a lead-pencil, H.
H. H; some tracing and some transferring paper; and an agate burnisher,
which consists of a piece of polished agate, in the shape of a cut pencil,
set in a handle; a flat ruler and a tracing pen, are the materials
requisite; all of which should be obtained at one of the first-rate
artists' color repositories.

Illuminated paintings may be made either on vellum or fine Bristol-board;
the vellum is prepared expressly for the purpose, and not that commonly
sold; it must be mounted on, or affixed to, a drawing-board (which has
previously been covered with cartridge-paper) with artists' glue, before
it can be painted on. Great care is requisite in sketching or transferring
the outlines to its surface, for it is by no means easy to efface any
marks once made; bread is usually more efficacious for this purpose than
India-rubber; but, as it must be stale, it can only be used with caution,
being likely to scratch or roughen the surface.

[Illustration: Fig. 6.]

In all illuminated drawings the background is more or less ornamented;
and this may be done according to the fancy of the artist himself; the
leading characteristics of these fundamental ornamentations are delicacy,
simplicity, and grace. In the different compartments of Fig. 6, four of
the most common patterns are given. They are either put in with a darker
shade of the grounding tint, or wrought in gold or silver, or painted in
white or black. The straight lines must be firm and even, and equidistant;
the curved lines flowing and graceful; the dots or spots all equal in
size, and at even distances from the lines and from each other. The upper
and lower compartments of this cut are pure gold and green gold, on a
black and an ultramarine ground; the right-hand side is grounded with
a light tint of emerald-green, and worked over with ornamentation in
sap-green; the left-hand compartment is silver, on a delicate blue ground.

[Illustration: Fig. 7.]

This damask pattern (see Fig. 7), which may be enlarged or diminished, is
worked in carmine, on a ground of red-lead, or a light tint of vermilion.
It is as well to observe that these groundwork patterns are almost
always very minute and delicate; and, therefore, should never be traced
with a pencil, or the line will show; but must be worked in with a fine
sable-hair brush, and the requisite tint, or with a very fine pen, charged
with diluted color; but the brush is preferable.

[Illustration: Fig. 8.]

[Illustration: Fig. 9.]

Such ornamentations as those in Figs. 8 and 9 may be worked in on the
outer or metallic borders, which frequently surround the chief border.
Our readers must not suppose that we profess to give all, or half the
forms of decoration used for groundwork in illuminated drawings. We only
attempt to sketch those most frequently met with, and which may serve as
models of style. Various threefold ornaments—originating, doubtless, in
the spirit of that class of men who at first chiefly used this decoration
for MSS., and symbolical of the triune nature of the Deity—are frequently
observed. In Fig. 10 are two of the most common specimens; the third is a
spider-like ornament, also often introduced. Fig. 11 is another simple and
common decoration.

[Illustration: Fig. 10.]

[Illustration: Fig. 11.]

[Illustration]




THE LAST KISS.

BY JENNY A. M'EWAN.


    THE last, the last! it lingers still,
      Though weary days have fled,
        Though summer's bloom
        Is in the tomb,
      And autumn's glory dead.

    The last, the last! upon my brow
      Thy seal of truth is pressed,
        And in my heart
        Love's echoes start;
      Their music ne'er can rest.

    The bright, blue heaven is clouded now,
      And moans the wintry blast;
        Fond memory sighs,
        But hope replies,
      "That kiss was not the last."

    'Tis when I yield my wearied frame
      To slumber's magic powers,
        By thy dear side,
        Thine own loved bride,
      I rove through Dreamland's bowers.

    Oh, dim are all my earthly joys
      To those that greet me there,
        And in my dream
        It ne'er doth seem
      That Heaven can be more fair.

    Gray morning breaks o'er yonder hill;
      My visions bright are past,
        Yet ere they fly,
        The spirits sigh,
      "Thy dream-kiss was the last!"

    When twilight's magic hour draws nigh,
      And Thought is roaming free,
        When evening's breeze
        Sighs through the trees,
      Thy spirit comes to me.

    Oh, 'tis a holy presence then
      That's stealing o'er my breast;
        The magic power
        Of that sweet hour
      Lulls my sad heart to rest.

    And on my brow I feel a touch,
      A breathing touch of bliss;
        The spirit-sigh
        Is hovering nigh,
      That touch, the spirit-kiss.

    'Tis here, 'tis here! I feel it now—
      Yes, o'er my heart 'tis cast,
        And voices sweet
        Once more repeat
      "The spirit-kiss is last."




SECRET LOVE.

BY KATE HARRINGTON.


    RAISE me gently—gently, sister, that my brow may catch the breeze
    Softly gliding through the casement from yon grove of orange-trees;
    That mine ear may drink the music gushing forth in mellow lays,
    Made by song-birds sweetly warbling their evening hymns of praise;
    That mine eye again may wander to the bosom of yon stream,
    Where the ripples dance as lightly as young fairies in a dream.

    Now bend your ear, my sister, for my life is ebbing fast,
    And my heart must tell its secret before the dream is past;
    It is all the grief I've cherished that thou hast never known,
    For, save this, my thoughts have ever found an echo in thine own.
    It were better not to tell thee, but my spirit spurns control,
    And the words I would not utter seem escaping from my soul.

    Dost thou remember, sister, how in sunny youth we played
    On the margin of yon streamlet in the orange branches' shade?
    Or, when the evening twilight threw its veil o'er stream and wood,
    And we saw the stars grow dizzy and tremble where they stood,
    How we twined the pure white blossoms in the ringlets of our hair,
    And wondered if the dew-drops would come to nestle _there_?

    Hast thou forgotten, sister, life's bright, unclouded spring,
    When thy thoughts were just as joyous as wild birds on the wing,
    When young Clarence stood beside thee, and the words he dared to speak
    Made thy spirit leap for gladness and sent blushes to thy cheek?
    I had worshipped him in secret; he knew not my distress,
    And in secret I resigned him, but loved thee none the less.

    In vain I tried to banish from my crushed and bleeding heart
    The image it had cherished long as of itself a part;
    My will was weak, for when I came to breathe a sad good-by,
    I could not, could not smother on my lips the bursting sigh.
    None knew the wild, deep anguish, the torturing pangs of grief,
    That closed the fount of feeling and refused a tear's relief.

    Thou hast often wondered, sister, why mine eye has lost its light,
    Why I've spoken of existence as a gloomy, starless night;
    Thou hast sat for days together, and, in accents low, hast told
    How thy Clarence soon will hasten from the distant land of gold.
    Whene'er his name was mentioned, I have felt a strange, wild thrill;
    But I've learned long since, my sister, to suffer and be still.

    Nay, weep not; for, believe me, ere awakes yon setting sun
    Earth's struggles will be over, and life's conflicts will be done;
    My disembodied spirit upon wings of love will rise
    To roam with shining seraphs through the realms of Paradise.
    My soul is only waiting till the silken cord is riven,
    To burst its earthly fetters and soar away to Heaven.

    Draw nearer to me, sister, on my bosom bow thy head,
    And take my fervent blessing ere I'm numbered with the dead;
    And Clarence, he must never know the words I've breathed to thee,
    As a loving sister only let him learn to think of me.
    Tell him I longed to see him, but could not wait his time,
    For the angels came to waft me to a never-changing clime.

    Thou wilt not forget me, sister, though long the parting seems,
    Yet, oh, believe me, often will I come to thee in dreams;
    And, if I gain permission of the true, unchanging Friend,
    I will be thy guardian angel till He calls thee to ascend.
    Then, as here on earth we've wandered, through fields of light
      we'll rove,
    With our spirits joined together by the silken cord of love.




THE SCHOTTISCH PARTNER.

BY MOTTE HALL.


    OH, I danced with him the schottisch!
      'Twas the first time that we met;
    He was such a dashing creature,
      With orbs as black as jet.

    And he wore a lovely diamond;
      How it flashed into my eyes!
    As he drew me closely to him
      I saw its wondrous size.

    Oh, at ball, and rout, and party,
      I was his schottisch belle;
    He said I danced so charmingly,
      And knew the step so well.

    And we grew so very loving,
      As we stood upon the floor,
    That people said the schottisch step
      Would lead to Hymen's door.

    But, though I schottisched every night,
      I reached not Hymen's dwelling;
    The god must live a long way off,
      But where, there is no telling.

    And, only think, one festal night,
      The ungrateful, wicked Harry!
    I heard my schottisch partner say—
      "She'll do—but not to marry.

    "She'll do to twirl in mazy dance,
      She'll do for giddy pleasure;
    She'll do to meet out Folly's gauds
      With Fashion's line and measure;

    "But she'll _not_ do for sacred home,
      A meek and gentle woman,
    An angel in her purity,
      But in her love a human."




TWO MOTHERS?

BY MRS. S. F. JENNINGS.


A LITTLE dirty ragged boy, in the streets of New York, selling penny
songs, is asked by a gentleman if he has a mother. "Neow don't—where's
yourn? Does she know you're out?" he says, with that impudent
_nonchalance_ which is the more pitiful because so common among that
class. But the gentleman buys some of his songs, and that act is the
sesame to his heart. Upon a second putting of the question, he is ready,
though with the same reckless air, to answer, "No; folks don't have two
mothers, do they? and mine's dead's long ago's I can remember."

    Two mothers? Never, little one;
      No merit brings such meed;
    God gave thee _one_—if she be gone
      God help thee feel thy need!
    For a dangerous way, stormy and wild,
    Thou goest, without thy mother, child.

    The throbbing heart of this mighty town,
      How beats its pulse for thee?
    The tide of life swells up and down
      The paths of this restless sea.
    Will they dash thy bark on the surf away,
    Like a straw or leaf on the ocean spray?

    Poor boy! for thee how ruthless time
      All tender ties hath riven!
    Thy father's love—all seared with crime;
      Thy mother—gone to Heaven.
    No brother, sister, guards the shrine,
    When God hath set his seal divine.

    Thy mother _dead_? long, long ago?
      No soft eye beams on thee?
    No kindly voice says firmly "No,"
      To bid thy tempter flee?
    And snares are thick, and pitfalls deep,
    And the upward way is rough and steep.

    And thou heedest not, in thy soul's deep night,
      That God hath so bereft thee;
    And thou carest not for the trembling light
      Dim in thy memory left thee.
    God save thee from the world's sure blight!
    God save thee from an _endless_ night!




A LOVING HEART.

BY W. S. GAFFNEY.


    SWEETER than the sweetest flower,
      Brighter than the brightest gem,
    Richer far than Flora's bower,
      Art or nature's diadem—
                    Fairer, sweeter,
                    Purer, meeter,
      Is a kind and loving heart!

    Wealth may prove a toy caressing;
      Beauty's charms a world of light;
    But Affection is a blessing
      From a soul serene and bright;
                    Kindest, purest,
                    Best and surest,
      Is a faithful, loving heart!




EVENING THOUGHTS.

BY H. MERRAN PARKE.


    TWILIGHT deepens upon the lea,
    And shadows come dancing in play with me;
    Little brown birds have hurried away
    To their nests in the tree-tops old and gray,
    While here at my window I lean and gaze
    Earnestly into the misty haze,
    Watching the coming of one sweet star
    Which thou'rt now seeking from me afar.
    Absent and dearest, my spirit's life
    Dost ever forget, 'mid the din and strife,
    That one fond heart o'er the line of hills
    Sighs for thy presence, yet bounds and fills
    With measureless bliss when this sweet hour
    Gathers around with its magic power.

    Visions of brightness come and go
    Like the falling and melting of winter snow;
    But one, a presence like thine remains,
    And winds my heart in its golden chains.
    Then, sweet as the music in Assam's bowers,
    When winds go singing among the flowers,
    Or like the leaves of the lotus-tree
    That touch each other in melody,
    So sweetly a voice creeps into my soul
    To woo my senses from earth's control,
    And point to a world of rarer joy
    Where pleasures are found that never cloy,
    Where bliss supernal forever reigns,
    And rapture gushes in seraph strains.

    Oh, earth is darkly beautiful now,
    With her garland of flowers upon her brow;
    And the stars have come with their golden eyes
    To light up the portals of Paradise;
    The visions of sweetness have left my heart,
    But the voice of music will never depart;
    And when I look to the shining skies,
    Where the bright pavilions of glory rise,
    I'll think of the gardens of matchless flowers,
    Where angels walk 'mid the wingless hours;
    And, dearest, I'll think we'll sometimes go
    The peace and rapture of heaven to know.
    But, hark! the sound of ringing bells
    Comes on the wind, and softly tells
    Midnight—and earth doth sweetly rest,
    With her beautiful children on her breast.




SONNET.—FLOWERS.

BY WM. ALEXANDER.


    WINTER scarce o'er, as messenger of Spring,
      Walks forth bright Snowdrop, clad in green and white,
      Which simple beauties every eye delight,
    Till Violet scents the gale and Bluebirds sing;
    Come now the Windflower and the Tulip tall,
      And Naiad Lily of the lowly vale,
      The lover's flower, which is true passion pale;
    Up, next, Narcissus springs, more fair than all,
      Reflecting in the brook, that purls anigh,
      Her image, and, like Echo, hastes to die;
    Then the sweet lady Rose, at Zephyr's call,
      Like nymph, comes forth to show her glowing breast,
    While Flora holds her proudest carnival,
      And yields the palm to her, as queen of all the rest.




MY TULIPS.

BY H. S. D.


    STERN old Janus shook his sceptre
      Over a shivering land,
    Yet spring, one day, with a warning came
      And slipped it from his hand.
    She brought him torrents from the skies,
      And rivers down the street;
    Melted his crown about his eyes,
      And thawed his icy feet.

    My tulip bulbs in goodly rows,
      Scenting the loosened springs,
    Shot up in haste to look around;
      But ah, the silly things!
    They did not know that when spring comes
      In such a vapory way,
    She only thinks to try her power,
      And never means to stay.

    So when the reckless sprouts had seen
      Their fill of mist and mud,
    Spring went away and left them e'en
      To manage as they could.
    Then winter rose in fearful rage,
      And fumed and flurried round;
    He shut the waters in a cage,
      And closed the opening ground.

    Like true philosophers, my plants,
      Though sorely pinched and frayed,
    Braved the old tyrant in his rants,
      And stood there undismayed,
    Till spring, with airs and sunny smile,
      Came tripping o'er the ground,
    Leading her orchestra, the while,
      In many a tricksy sound.

    And buds above, below, burst forth,
      In tints of emerald dressed,
    To see the wild spring gain the north,
      My tulips with the rest.
    When she'd subdued the rigid earth,
      And conquered all the cold,
    My plants, to grace her victory, donned
      Their crimson and their gold.

    Out flashed their flames, their feathers tossed
      Upon the ambient air,
    And nicest choice was dazed between
      By bloemen and Bizarre.
    But when the gentle sway of spring
      Must yield to summer's pride,
    My tulips fainted with regret,
      And dropped their heads and died.




THE DEAD TREE.


    I SAW it with leafy honors crowned
      By a crystal streamlet's side,
    And its long, fair boughs in their graceful play
      Stooped down to the gentle tide.

    I lingered once beneath its shade
      At the noon of a summer day;
    When youth's high pulse through my temples beat
      In its swift and burning way.

    And many a thought of my questioning heart
      Went out on restless wing,
    To the unseen's far and shoreless waves,
      Some tidings thence to bring.

    Blest, blest and beautiful seemed all things,
      Green earth and the holy sky,
    And _soul_ with its wondrous, fearful gifts,
      And doom of mystery.

    Years passed; from distant and stranger homes
      I came with a colder brow;
    But at nature's altars wreathed and pure,
      My spirit still could bow.

    The crystal stream on its winding way
      My footsteps traced once more,
    And a dim sweet thought of other days
      Led softly on before,

    To where a circling emerald wall
      Caught the laughing waves to rest,
    For a moment charmed and placidly
      In its violet-scented breast.

    And there, far down in the stillness glossed,
      All riven, bleak, and gray,
    Was a giant form that frowned above,
      Though kissed by the summer ray.

    Then a mist came over the sunbeam's light,
      The breeze swept chillingly,
    And something mourned within my heart,
      But not for the blighted tree.

    For a vision came with a lordly bow,
      And stood beside me there,
    With pride-wreathed lips and a clear dark eye—
      Away—'twas a thing of air.

    Yet a being like it on earth once dwelt,
      With men thus high and cold;
    But the valley's clods press heavily
      And mute o'er the spoils they hold.

    A deep pall covered the wasted corse,
      A deeper the passing soul;
    A name that stands like yon gray, sad tree,
      Was the proud man's earthly goal.




LET ME DIE!

BY S. M. MONTGOMERY.


    OH! who would live on in this dreary world,
      When the light of Hope has fled,
    And the friends of old are changed and false,
      And faith and trust are dead;
    When the heart is crushed 'neath its weight of grief,
      And the smile of joy is gone,
    When "love's young dream" is past—all past,
      Say, who would linger on?

    Let me die! ay, lay me down to rest
      In the dreamless sleep of death,
    Where flowers send forth, at dewy eve,
      Their pure and perfumed breath;
    Where the bright sunshine will gently fall,
      And soft winds murmuring by,
    Will my requiem chant, in whispers low,
      Through the green grass waving high.




LINES TO A BRONCHITIS BIRDIE.

A FRAGMENT.

BY N. W. BRIDGE.


    NOW heed the counsel of a sage,
    And closely keep in thy warm cage
      This cold and dreary winter through;
    See that ye shun the winds of March,
    No April showers thy plumes unstarch,
      Nor skies of May thy crest bedew.
    And then, perchance, sweet airs of June
    Will find our Birdie's throat in tune,
      And ye through valleys green may rove,
    And o'er the sunlit emerald hills,
      Within the cool refreshing grove,
    Along the marge of winding rills;
      And gather flowers of varied hue,
    'Mid grassy beds and moss-grown banks,
      And on them smile, and kiss them, too,
    While they will sweetly blush their thanks,
      And drink thy health in drops of dew;
    Inhale the blossom-scented breeze
      Within thy oscillating zone,
    And never cough, nor even sneeze,
      So sound thy swan-like throat has grown.
    Then will thy happy voice be heard
      Amid sweet spring's melodious throng;
    No other heavenly warbling bird
      Will sing so joyous, oft, and long.




L'ISOLEMENT.

TRANSLATED FROM THE FRENCH OF ALPHONSE DE LAMARTINE,

BY WM. A. KENYON.


    OFTEN, at sunset, on the mountain side,
      Beneath an aged oak I take my seat,
    My vision roaming o'er the plain spread wide,
      Whose panorama opens at my feet.

    Here scolds the river, thus in foam to break,
      Then slow meanders down the dim afar,
    Toward the spread waters of the sleeping lake,
      Where smiles in azure the fair evening star.

    To these crowned summits—dim old colonnades—
      The gentle twilight still a last ray lends,
    E'en while the cloud-car of the queen of shades
      White o'er yon far horizon's verge ascends.

    Spreading through all the air, with gothic swell,
      Soft sounds of worship bid the ear attend;
    The trav'ler stops to hear the distant bell
      With day's last noises holy concerts blend.

    But these fair tableaux have no charm for me;
      My sight indifferent is o'er them led,
    Like the fleet shadows that at noon I see:
      Suns for the living cannot warm the dead.

    From hill to hill in vain I turn my glance,
      From south to north, from sunrise to his rest,
    I search at every point this vast expanse;
      Nowhere doth fortune wait on my behest.

    What make these valleys and these homes? I cry;
      Vain objects all; their charm for me has flown:
    Rocks, rivers, forests, loved retreats, I sigh,
      One being absent, every soul is gone.

    What signifies the sun to rise or set?
      And what a heaven sombre or serene?
    Returning days no joy for me beget,
      And still unmoved I gaze on every scene.

    Round could I follow the sun's vast career,
      My eyes would see but deserts wild and void;
    Nothing he shines on can my bosom cheer:
      I wish for nothing here below enjoyed.

    Perchance beyond the borders of this earth,
      Where the true sun looks down from other skies,
    Could I but cast the slough of this world's birth,
      What I so much have dreamed would meet my eyes.

    There, filled from fountains whither thought aspires,
      There might I find again, with hope and love,
    This fair ideal every soul desires—
      Find her who has no name save there above.

    Borne on Aurora's car, why can I not,
      Vague object of my vows, launch forth to thee?
    Why on this earth of exile is my lot,
      With nothing common between it and me?

    Leaves in the prairie fall, with passage brief,
      And evening breezes to some dale convey;
    And I—am I not like a withered leaf?
      Ye stormy north winds, bear me hence away!




TO A FRIEND ON THE DAY OF HIS MARRIAGE.


    A STORE of happiness to thee
      This day auspicious brings,
    And o'er the future fairy Hope
      Her robe of promise flings.

    Oh, fair is she whom thou hast won
      To be thy gentle bride,
    A fairer none could ever wish
      "To grace a lover's side."

    But well for thee thy chosen one
      Hath charms that brighter shine,
    And these by strong, though tiny cords,
      Shall make her doubly thine.

    Beneath the potent hand of Time
      That graceful form must bow,
    And age his furrowed lines shall trace
      Upon that lovely brow.

    And years of care shall dim those eyes
      Sparkling with love's own light,
    And 'mid those dark and glossy braids
      Shall mingle threads of white.

    But outward change shall only prove
      That heart more true to thee,
    And, though the eyes their lustre lose,
      _It_ will unaltered be.

    And oh, when sorrow's storm shall come,
      For come it surely will,
    'Twill only bind that loving heart
      To thee more closely still.

    And now, though many friends are near,
      Wishing thee perfect bliss,
    Not _one_, I know, is more _sincere_
      _Than she_ who sends you _this_.—V.




CAPS AND HEADDRESS.


[Illustration: Fig. 1.]

[Illustration: Fig. 2.]

[Illustration: Fig. 3.]

[Illustration: Fig. 4.]

AS it is impossible to describe the various shades of trimming that are
seen in the new styles of caps and headdresses, we resort to cuts to
illustrate them.

Fig. 1 is a breakfast-cap for a young married lady, of a very simple
style; the foundation is of a plain net; this is traversed by plaitings of
lace, through which is passed a flat plaid ribbon of bright hues. Loops
and bows in profusion at each ear. It will be found a very stylish model.

Fig. 2.—A more complicated and less youthful cap, composed of insertions
and edgings, trimmed with mantua ribbon of a good quality.

Fig. 3.—A graceful style of headdress for a young person, when simplicity
is to be preserved. It is merely of full _bandeaux_, slightly waved; the
flowers, a light drooping spray, are arranged in the _bandeaux_, instead
of the back of the hair, or across the brow. The back of the hair, as seen
in Fig. 4, is dressed in three puffs, and secured by a low ornamental
comb. We have still newer designs of headdresses in preparation to
illustrate the topic of the coming month—dress at watering-places.

[Illustration]




JUVENILE FASHIONS


[Illustration: Fig. 1.]

[Illustration: Fig. 2.]

WE are very much pleased—nor is it to be wondered at—with the
communications that frequently reach us with regard to this especial
department.

"Indeed," writes a correspondent, whose opinion is of value, "the good
ideas you have given me concerning children's dresses and many other
things, during the three months I have received the 'Lady's Book,' I
consider worth the whole year's subscription."

Once, at least, every season we devote our chitchat especially to the
young people; and to show they are not forgotten in the mean time, select
a design from Mrs. Suplee's large establishment—of children's clothing,
etc.—of a boy's summer suit.

The plaited linen shirt, or chemisette, Fig. 1, is sometimes worn by
itself, buttoning to the waistband of the trousers, Fig. 2, which are
full, and rather long. The over-jacket may be made of Cashmere or any
suitable material, and is intended for the street. The peculiar style of
the sleeves and the square opening of the front display the fine linen
bosom and sleeves.




FASHIONABLE BONNETS AND CAPS.

_From the celebrated Establishment of Thomas White & Co., No. 41 South
Second St., Philada._


[Illustration: No. 1.]

[Illustration: No. 2.]

[Illustration: No. 3.]

[Illustration: No. 4.]

No. 1. BOY'S HAT.—Material of Coburg straw.

No. 2. BONNET TIP.

No. 3. BONNET CROWN.

No. 4. WIRE BONNET FRAME.

       *       *       *       *       *


_Description of Cuts on page 481._


No. 1. INFANT'S TURBAN.

_Material._—Embroidered French blonde and gimp.

_Trimming._—Bunches of white ribbons at the sides, with quilling of
blonde around the face.


No. 2. BOY'S JOCKEY CAPS.

A. _Material._—Straw brilliant, edged and trimmed around the front with
Paris gimp.

B. _Material._—Brilliant straw, inserted with Paris gimp. Front edged
with gimp.


No. 3. SUMMER BONNET.

_Material._—Blonde lace, with quilling of ribbon. Crown of silk, with
lace fall to hang over the cape.

_Trimming._—Bouquets of wild flowers.


No. 4. ITALIAN LEGHORN.—Untrimmed.




CHINESE SAYINGS.


SOME of the ordinary expressions of the Chinese are sarcastic enough. A
blustering harmless fellow they call "a paper tiger." When a man values
himself overmuch, they compare him to a "rat falling into a scale, and
weighing itself." Overdoing a thing they call "a hunchback making a bow."
A spendthrift they compare to a rocket which goes off at once. Those who
expend their charity on remote objects, but neglect their family, are said
"to hang their lantern on a pole, which is seen afar, but gives no light
below."




BRAID FOR CHILD'S DRESS.

[Illustration]




WHY DON'T LADIES LEARN TO COOK?


AMONG the common things to the teaching of which public attention is now
so strongly directed, it is to be hoped that the art of cookery—one
of the commonest, and yet, apparently, one of the most difficult and
neglected of all—will not be forgotten. The instruction of the female
peasantry in this useful art would be as advantageous to themselves when
settled on their own hearths as to the families of the middle classes,
in which, before marriage, they officiate as domestic servants. On all
sides we hear complaints of the difficulty of finding, and of retaining
when found, a cook who can roast a leg of mutton, and make batter-pudding
or pea-soup. In point of fact, we have heard of ladies who have it in
serious contemplation to dispense with servants altogether, as the least
troublesome alternative. Without wishing matters carried quite so far, we
are convinced that many of our fair friends would lose nothing, either
in point of respectability or happiness, while they could add at least
one-third to the effective incomes of their husbands, if they were to
spend a little more time in their kitchens, superintending the preparation
of the family dinner, instead of contenting themselves with ordering
it—if, indeed, they condescend to do even that. Some forty years back,
ladies were driven to shoemaking as a fashionable way of killing time.
Why not try a little cooking? Thanks to the modern stoves, with their
nicely-arranged skillets and stewpans, which science and mechanical skill
have substituted for the blazing kitchen hearth of other days, young
ladies of the nineteenth century, just passing its prime, may cook without
soiling their fingers or injuring their complexions. Were it not so, we
would not recommend them to cook. We would rather live on bread and cheese
all the days of our lives.

It will be said, perhaps, that our notions with regard to female education
and employment are too antiquated—that in these matters, as in everything
else, a new era has dawned, and the solid course of instruction now given
in colleges for ladies will be triumphantly appealed to. Ladies, however,
who possess these solid acquirements—who, like Lady Jane Grey, prefer
Plato to a picnic—will be least likely to neglect the economy of the
kitchen. They will thoroughly understand the dignity of the employment,
and call to mind all the poetry of cooking. To say nothing of the dinner
which Milton describes Eve as preparing when "on hospitable thoughts
intent," there are the Homeric banquets at which kings literally "killed
their own meat," and at which queens and princesses turned the spit for
the roasting, or drew the water and chopped wood for the boiling. Cooking
is classical, and no lady will disdain to take part in it who has read
of these feasts in the original Greek. Let it be observed that it is the
middle and working classes on whom we wish to urge the importance of the
study. A gentleman's daughter can afford to be so ignorant of common
things as not to be able to recognize chickens in a poultry-yard, because
they do not run about with a liver under one wing and a gizzard under
the other, though our modern poultry shows, it must be confessed, will
tend much to dissipate this error. A knowledge, however, of the art of
cooking is of more importance to the wives of the laboring population
than to those of the middle classes, because it is the art, when properly
cultivated, of making a little go a great way.—_Mark-lane Express._




A LACE BASQUE.

  _Furnished from Madame Demorest's Emporium of Fashions, 375 Broadway,
  New York._


THIS novel and graceful design is adapted for black lace or any other
thin material that fancy may dictate, as will be seen by reference to the
engraving. It is gathered in a graceful fulness to a band of insertion
across the back, and also to a similar band fitting closely to the form at
the waist, and falls in a rich double flounce over the person. The corsage
is made high in the neck, gathered into a band same as the back. The style
of sleeve (which is so clearly illustrated by the artist as not to need
any further description) harmonizes most beautifully with the general
design.

[Illustration: VOIGT _Del_]




TRUTH.

BY D. HARDY, JR.


    AS stands the old oak when the tempest is raging,
      While others less firm are upturned by the blast,
    So Truth, though with Error a warfare is waging,
      Is firm and unyielding, triumphant at last.
    She stands as unmoved as the bold promontory,
      Tow'ring so proud by the waves of the sea;
    Her heart-gushing song and her soul-cheering story
      Should bless and make glad every land that may be

    Truth, mighty and noble, down came from the Maker,
      The Sovereign Ruler of earth and of sky;
    Then cling to her fondly and never forsake her,
      Till death shall have closed thy now beaming eye;
    Truth is so mighty, Superstition and Error,
      All powerless and weak, must fall by her side;
    Then, friends of the Right, do not falter in terror,
      But nobly press onward with Truth for your guide.




LADY'S RIDING BOOTS.

[Illustration]


WE are at pains to present our friends with every _recherché_ article that
can contribute to their welfare; for this purpose, we illustrate a pair of
riding boots for ladies, which, in addition to their ostensible purpose,
are admirable for damp or muddy walking, especially in locations where
vegetation renders protection desirable. These boots will effectually
prevent the moisture that is brushed off from proving detrimental. They
are made of patent leather, of a rich, lustrous black hue, the upper
portion of fancy colored morocco, purple, maroon, green, or bronze, and
bordered with silk galloon, finished with neat tassels. Excepting in
their elegant proportions and ornamental appearance, they are essentially
similar to the dress boots of the sterner sex; and we are gratified to
observe this move in the right direction. This fashion is in accordance
with sound sense and comfort.

For the original of these beautiful and commendable articles, we are
indebted to Mr. E. A. Brooks, Boot and Shoe Emporium, 575 Broadway, New
York, from whose large and varied collection we propose affording frequent
illustrations, that our fair readers may be fully _au fait_ in this
important department of their costume.




COTTAGE FURNITURE.


[Illustration: Fig. 1.]

Fig. 1 represents two tables formed to fasten together underneath.

[Illustration: Fig. 2.]

Fig. 2 is a Pembroke table with the leaves raised.




LADY'S SLIPPER ON CLOTH.—SMYRNA EMBROIDERY.


[Illustration: LADY'S SLIPPER ON CLOTH.—REDUCED DESIGN.]

    _Materials._—Any dark-colored cloth, black or dark claret is the
    best. Silk or terry velvet of a color contrasting well with that of
    the cloth. Purse twist, first size, either gold color or the color
    of the velvet, but one shade or two lighter.

Draw your pattern on the cloth first; then on the wrong side of the
velvet; cut out the velvet carefully, and gum well the wrong side of the
velvet. When cut out, apply on the cloth, press it down gently, and let it
dry; when perfectly dry, work the outlines in chain stitch with the purse
twist.

If you can manage the tambour needle, the chain stitch would be better
done in tambour work, also quicker and more easily.

This design, embroidered with black silk on scarlet or blue merino, will
also make an extremely pretty baby's shoe.

[Illustration: THE LEAF OF THE SLIPPER IN ITS PROPER SIZE.]

[Illustration: PART OF AN EMBROIDERED COLLAR.]




BREAD-CLOTH.


[Illustration]

    _Materials._—Five reels crochet cotton, No. 24, with crochet-hook,
    No. 18.

MAKE a chain of 160 stitches, and work on it one row in dc.

_2d row._—Begin with 1 chain, and work 2 dc in each of the first two dc
of last row. One dc in each of the others, except the last two, in both of
which work 2, and end with a chain stitch.

The remainder is to be worked from the design, in ordinary square crochet;
but, as there is first an increase of a square at each end, and afterwards
a decrease to the same extent in every row, the space in the centre only
being without either increase or diminution, we shall describe the way in
which the decrease is so effected as to leave a regular edge; the increase
being always done as we have described in the 2d row. There are two close
squares at each end.

FOR THE DECREASE.—Slip on the first stitch, sc on the next, sdc on the
next, dc on the fourth, do three more dc, 2 ch, which form the first open
square in the line. At the other extremity reverse the process, working on
the last four stitches, 1 dc, 1 sdc, 1 sc, 1 slip.

In all the succeeding rows that are decreased, make the slip stitch on the
first dc stitch of the previous row, at each end, thus shortening every
row by three stitches.

The edge being of two close squares, allows for all the ends being worked
in, which should invariably be done.

Work one row of open square crochet all round, with the dc stitches
sufficiently close at the corners to set flat, and in every square knot a
fringe of twelve or sixteen strands, and 2 inches deep.




EMBROIDERY.—DRESS COLLAR.

(_See Colored Plate in front of Book._)


    _Materials._—Embroidery cotton, No. 100.

Trace the pattern upon the muslin with a quill pen and blue mixed with
gum-water; make the leaves, stems, and flowers in raised satin-stitch; the
circles in buttonhole-stitch, either making them close or open, as may be
preferred; if close, a raised spot must be worked in the centre of each.
Work the edge in buttonhole-stitch.




PATTERNS FOR EMBROIDERY.

[Illustration]




EDITORS' TABLE.


        "Man to man so oft unjust,
    Is always so to woman."--BYRON.

SUCH is the testimony of a poet, and history, we are sorry to say, would
prove his assertion true. Yet a "better time" is coming, has already
begun, and, in our country, seems making progress quite as rapidly as
women are prepared to receive and adjust themselves to the new and
enlarged duties which are opening before them. Education is the grand
lever to elevate society. When both sexes are allowed equal privileges
of instruction, the advancement of the race will be accelerated in more
than twofold proportion, because the ignorance of one-half the species
serves to hinder greatly the influences of intelligence in the enlightened
portion. A small cloud can dim the sun.

Some important questions respecting female education are yet unsettled;
one of these concerns the prerogative of their colleges. Are these
institutions, when chartered by legislative authority, to hold equal rank
with male colleges? When _degrees_ are conferred on the female student,
shall she have an equal right to the honors these are supposed to confer,
as are claimed for her brother graduate? Not long since, a lady was
complimented by the Faculty of one of the most eminent Female Colleges
in our country with "the Honorary degree of Mistress of Arts." While
acknowledging the compliment, the lady wrote--

"Allow me to inquire if, in thus conferring degrees on women, you
contemplate the assumption of the style similar honors confer on men?
Would you be pleased to see that I added the M. A. to my name? Now, this
is an important question, and will, as I think, have much influence on
the future aspect of female education. If colleges for women are invested
with full power of conferring degrees, and do confer them, why should not
the same rules be applied to these as are considered proper in regard to
colleges for your sex?

"If to append the _sign_ of his degree to his name be for a man an
advantage, showing his acquirements have been acknowledged and guaranteed
by the competent authority, why is not a similar course beneficial, under
like circumstances, for a woman?" &c.

The faculty of the college made reply by the president to the effect
that they did confer the _degree_ in good faith, considering it "one and
the same held by the faculty," and that the lady had an equal right with
themselves to assume the A. M. We were intending to invite attention to
this subject, gathering thus the results of discussion, when the following
article reached us, and we give it here to invite others to write on this
question:--

"TO THE EDITOR OF THE 'LADY'S BOOK:' Knowing that you have very much at
heart the advancement of learning and the spread of useful knowledge, and
that you do not think woman's share an unproductive one, or her powers
below culture, I venture to ask why most of the stimulants to generous
ambition are neglected in her case? Is it because men consider her nature
too elevated to require the adventitious helps they throw out to each
other? It cannot be that they fear on equal ground some odious comparisons
might be obvious.

"Milton says--

    'Fame is the spur that the clear spirit does raise
    To scorn delights and live laborious days.'

So sensible have mankind ever been of this, that, in all ages, incentives
have been offered to the ingenious and distinguished, by titles, honors,
and decorations distributed to excellence. To excellence in _men_; for
_women_, however industrious their researches, however 'laborious'
their 'days,' have little to expect but a limited fame, and the inward
consciousness of high motives. Why should this be? Why might not woman
have the satisfaction of feeling that her deservings may entitle her to
the marks of approbation of the learned in her own sphere, and that her
name may acquire a general respectability from honors worthily borne?
In other words, why may not honorary degrees be granted by literary and
scientific institutions to _all_ persons who merit them? And why may not
women publicly bear such testimonials, by appending to their names the
same titles borne by men under similar circumstances? I know that there
is a large, worthy, and respectable class of men who, as some shrink in
undefinable horror from the sight of a cat, feel nervous shudderings and
morbid vexation at the word _strength of mind_ as applied to woman. To the
_word_; for I have, in _essentials_, found many of these nervous gentlemen
happy to avail themselves of the objectionable quality when it was taken
by them in a disguised way. These might, at the first blush of the thing,
begin to wince at a lady being styled A. M., F. R. S., _cum ceteris_.
But, if they will, if they _can_ consider the subject coolly, they will
see that there is nothing unfeminine, nothing the finest womanly delicacy
need fear in the matter. Would the names of Maria Edgeworth or Hannah
More have been published with less propriety, had they been supported
by initials signifying that certain judges of literature approved their
efforts and sanctioned their pretensions? For my part, I think it seems
altogether more befitting a woman's weakness to be ushered into public by
the stamp of masculine authority. I think even a _weak-minded_ woman could
not disparage her charms by seeking in a signature the protection of her
superiors.

"Far be it from me, speaking in modern cant, to draw woman out of her
sphere. I would have every one do her 'duty in that sphere of life in
which it has pleased God to call her.' Let man rule in the court, the
camp; let him make laws and enforce them; let him plough the main; let him
defend his country; while woman soothes the bed of sickness and instructs
her children. Let her studies and her efforts be to alleviate pain, to
increase mental development, and, above all, by precept and example, to
watch over morals and religion. These things she may do; these things she
daily does; but, though more patient, and more spiritual than her brother
_man_, she is not an angel. She needs encouragement, praise, and rewards
to cheer her course. Why, then, deny her the harmless gratifications that
are her due, that she has won and should wear?"

       *       *       *       *       *

WHAT SHALL BE DONE FOR THE INSANE?--The Report for 1853 of the Trustees
of the Hospital for the Insane, in the State of Maine, contains a remark
equal to a conclusive reason in favor of hereafter building every new
insane hospital for one sex only--a recommendation lately submitted to the
public by Medical Superintendents.

The Maine Trustees say, "It is very important the public should have every
possible assurance that patients of one sex should not know, except by
report, that there are those of the other sex in the hospital." This
testimony, so official and experienced, is full of meaning, and it will be
used by many voices in a wise way to effect a reform.

Pecuniary economy alone has led, in most places, to the present method of
combining insane men and women in the same building. One building of a
determined size, it has been argued, can be more cheaply supported than
two, having together a capacity to accommodate the same number of patients
as the larger one. But, whenever in any population a new hospital must
be erected for increasing numbers, it will not be attended with an extra
expense in supporting it, to appropriate it to one sex, and to remove into
it the patients of this sex from the prior institution.

New ones ordered by a Legislature with an intention to devote each to
one sex, can, from their foundations, be so arranged as to secure the
attaining of many special advantages relating to social parlors, amusement
saloons, reading-rooms, work-rooms, private rooms for interviews between
patients and their near relations, bath-rooms, &c.

The proper locations of the noisy, of the homicidal, and of the dreadfully
impulsive in various ways, so as to prevent them from injuriously
disturbing others, is a serious problem of difficult solution in most
hospitals now in operation. At present, all of the same sex are in the
same wing; and therefore the timid are sometimes much distressed or
excited by the furious we have alluded to. The difficulty of solving the
problem will be almost removed in a hospital for one sex, by placing the
furious at the far end of one wing, and those who would be hurtfully
disturbed by them in the other wing; thereby separating them through the
intervention of the centre building.

The proposed reform will enlarge the liberty and the privileges of
patients, both within the buildings, and outside of them in walks, courts,
or gardens. Females will be exempt from a risk, to which they are now
subject in the best-conducted institutions, of being observed by male
patients and their attendants through windows overlooking the grounds.
Now, excited patients must often be secluded in rooms, or limited to small
courts for air and exercise, to keep them from being seen by the other
sex; whereas these very patients may more than others need daily walks
with their attendants as the surest means of soothing their fury.

Whenever the whole of one wing of a hospital is constructed and organized
for convalescent and timid patients, they can and will be allowed, with
scarcely any inconvenience to the internal government, more frequent and
longer visits from sane and sensible conversers, than are now allowable.
They will then have the benefit of what is much needed, a greater variety
of sane companionship and its healthful influences, than the household,
together with the ordinary restricted visiting, can ever possibly supply.
When these influences are of a wise quality, they are mental medicines of
heavenly value to the many who need them and ought to have them.

       *       *       *       *       *

MORAL COURAGE.--In an address, entitled Human Happiness--see book
notices--we find the following very straightforward definition and
advice:--

"What do I mean by moral courage? I mean the energy and spirit to say and
do what is right and true, _in a respectful and proper manner_, though it
be unpalatable to some, or apparently against our own interest. I do not
intend you to suppose that I am advising you needlessly to tell all you
know concerning either yourselves or others, but that you should avoid, as
much as in you lies, doing or saying anything which you would be ashamed
to acknowledge, _if necessary to do so_; and then when you have committed
errors and faults towards others, should not hesitate to own and correct
them. Young ladies, this would be moral courage. Do not, I beseech you,
forget what it is, and do not hesitate to practise it, for it is a
beautiful quality; it will always promote your comfort, respectability,
and happiness, and very often your immediate and best interests."

       *       *       *       *       *

FLOWERS AND THEIR INFLUENCE.--The people of France pay much attention to
flowers, and thus one of their best writers on Education, M. Aimé Martin,
describes the effect of this taste:--

"In all countries women love flowers, in all countries they form nosegays
of them; but it is only in the bosom of plenty that they conceive the idea
of embellishing their dwellings with them. The cultivation of flowers
among the peasantry indicates a revolution in all their feelings. It is
a delicate pleasure, which makes its way through coarse organs; it is
a creature, whose eyes are opened; it is the sense of the beautiful,
a faculty of the soul which is awakened. Man, then, understands that
there is in the gifts of nature a something more than is necessary for
existence; color, forms, odors, are perceived for the first time, and
these charming objects have at last spectators. Those who have travelled
in the country can testify, that a rose-tree under the window, a
honeysuckle around the door of a cottage, are always a good omen to the
tired traveller. The hand which cultivates flowers is not closed against
the supplications of the poor, or the wants of the stranger."

       *       *       *       *       *

CHRISTIAN ASSOCIATIONS OF YOUNG MEN.--These are becoming the rule in our
cities. We have before us the "First Annual Report" of one formed in
Boston a year or two ago. Why might not similar associations be formed
among the young women? Many a girl from the country has been lost, who
might have lived virtuously, happily, and usefully, had she, when coming
to the city, known friends of her own sex to whom she might have gone for
counsel in her loneliness and sorrows. But these efforts to save young
men will gladden the hearts of mothers and sisters, whose brothers and
sons are gone from the domestic roof out into the dangers and temptations
of the world. We subjoin the opening remarks, or reasons for the
association:--

"The wise and good men of Boston have, in times past, mourned over
many a youth of promise who, fresh from his rural home, has yielded to
the temptations of the city life, whose dangers he knew not of, and
perished. Individual benevolence has done much to avert the evil; but no
adequate remedy was found till _Christian young men_ were banded together
to receive their young brethren from the country and guard them with
Christlike sympathy until they could securely walk amid the dangers of the
city. Such a band is our association."

       *       *       *       *       *

WOMAN'S RIGHTS--as we have always maintained--entitle her to equal
advantages of education with her brother man. Slowly, but surely, this
idea is gaining favor in the public mind, and men, noble-hearted and wise,
are carrying forward the work of founding institutions for the daughters
of our land. As yet, few of these schools are endowed, none made equal
in efficiency to the schools for the other sex; but still we rejoice to
record every attempt to extend the benefits of instruction to those who
are the heaven-appointed educators of infancy and childhood. Women must be
fitted to educate men; we shall then have goodness and wisdom united. In
the "Female College to be established at Petersburg, Virginia," we hope
these advantages will be provided for liberally. Every college should be
endowed.

       *       *       *       *       *

BLEAK WORLD.--These two stanzas are worth preserving from a poem which we
have not room for; the author may _hope_:--

    There's not so bleak a place on earth
      Where blossom not the wildwood flowers;
    There's not so desolate a hearth
      But hath its smiling, sunny hours.

    Though dark and drear life's voyage may seem,
      And man without a sun may grope,
    Yet in its darkest hours we dream
      There's smiling in the distance hope.

       *       *       *       *       *

SLANDER.--We seldom meet with a fearless, out-spoken rebuke of the sins
of the tongue. Those who deal with evil-speaking seem usually afraid of
committing themselves to the charge of an offence similar to that which
they are rebuking. Not so Rev. Henry Steel Clarke, whose "Discourse," of
which the following is a sample, goes straight to its mark as an arrow
from the bow of a strong hand. Our readers will find pleasure as well as
profit in these sentiments; they are accustomed to the language of truth
in our pages, and will not feel the arrow pointed at any who are innocent.
And the guilty, if such there be around our "Table," will read to profit
by the pictures presented, and thank the good clergyman who, from the
seclusion of his study, has breathed words that will reach and interest
the inmates of thousands of homes in every section of our country:--

"Who slanders his neighbor is a--what is he? The signification of the term
SLANDER, according to the best authority, is _to belie_; to _speak falsely
of_. Who, then, slanders another, belies him--lies concerning him. Do not
men forget this when they go about to blacken and vilify the character of
their neighbors? And can they be justified in resorting to it for revenge?
Is not the command, 'Thou shalt not bear false witness,' as binding as
any of the ten? The fact that they can have satisfaction in no other way,
offers no apology. To resort to it only increases their guilt. They thus,
to falsehood, add the indulgence of a wicked spirit of retaliation. This,
when God has said, 'Vengeance is mine.' They are bound, by all that is
sacred and good, to submit in silence, rather than make such attempts to
punish the injurious.

"It is to be remarked here that slanderous reports generally have an air
of truth about them, which make them more prejudicial and hurtful than
if they went in their own native garb. They seem ashamed of themselves.
If they can steal the livery of truth, they hold up their heads and are
sure of passing. Were every slanderous report branded with its own name,
and called, as it should be, a lie, the evil done would be less. But,
going forth with the semblance of probability, under a more specious garb
than that of the direct and downright falsehood, the injury done is often
greater even than that intended by the slanderer. Hence, only aggravated
guilt. Men cannot be too cautious how little they say, which is _true_
against others. Much less can they be too cautious how little they say
which is positively false. Who love to hear themselves speak in this way
will some time have abundant cause to regret their loquacity. Who love to
speak lies may expect to gather fruit accordingly.

       *       *       *       *       *

"There is another abuse of speech. It is not slander, but very like
it. It has much of its meanness, and partakes of its guilt. They who
indulge in it are the retailers of scandal. Their business argues a very
morbid and sickly state of moral feeling. They are the snatchers up of
inconsiderable trifles, who deal them out with infinite relish. They
are traders in the small ware of slander, who magnify the value of their
wares until they come to believe them real. The practice now referred to
is that of reporting whatever one hears, adding, perhaps, a gloss of one's
own; reporting it not perhaps upon the house-top--he might as well--but
in the ears of others, until it becomes a common topic of conversation.
What is peculiar to this is, that it is generally something prejudicial
to the reputation or interests of his neighbor. To pry into that which
is no concern of mine is mean. To report what I thus see and hear is
contemptible. If this become general, no one is safe. All men would turn
spies and scandal-mongers. No one will be safe, because no one's character
will bear all kinds of exposure.

"Every man has his faults. Add to this that every man more quickly
discovers his neighbor's than his own; then, that he is in a measure
blind to his own, when discovered a beam is in his eye! and that this
blindness is a magnifier to his neighbor's, and you have a sum total of
probabilities, which renders it extremely likely that he who desires
subjects for scandal will have realized his most sanguine expectations.
Says the Latin fabulist, as I have some time read, speaking of the faults
of men, 'Jupiter gives to every man two sacks: one with his own faults,
to be carried on his back; another, with his neighbor's, to hang upon his
breast'--

    'On this account, man never can behold
    His own, but can his neighbor's faults unfold.'

Phædrus knew men. His fable is not all a fable. If not a fact, it casts
the shadow of one. It is easier to unfold the faults of others than our
own. And, if all should delight to do it, none would be safe.

"Then, what a disposition does such practice indicate! How dark a spirit!
What moral obliquity and depravity! No good is intended, none secured.
Should good result, it would be a disappointment to the tale-bearer. No
doubt there is often the appearance of pity for the victim. Many a story
is told with rueful countenance, and protestations of sorrow for the
occurrence, when the teller is secretly exulting in the injury it will do.
'How often does the reputation of a helpless creature bleed by a report,
which the party, who is at pains to propagate it, beholds with much pity
and fellow-feeling, is heartily sorry for it, hopes in God it is not true;
however, as Archbishop Tillotson wittily remarks upon it, is resolved,
in the mean time, to give the report her pass, that, at least, it may
have fair play to take its fortune in the world, to be believed or not,
according to the charity of those into whose hands it may fall.'[11] What
can be more contemptible or base!

"Then the injury that is done. How many reputations are thus ruined--ruin
for which no one is responsible--by men and women, who deal their blows
in the dark, who let fly their Parthian arrows and retreat! How much
mischief is caused to families and neighborhoods by cowardly people, who
skulk behind 'I reckon,' or 'they say,' while they protrude their venomed
tongues covered with the poison of asps! Nay, how are whole communities
often kept in a state of constant and feverish excitement by those whose
tongues should blister with their utterances! And how soon would the fever
be allayed, and the excitement die, and the strife cease, if those 'who
whet their tongue like a sword, and bend their bows to shoot their arrows,
even bitter words,' would learn to use aright the power of speech! And
would this accomplish it? The Bible says it would. 'Where there is no
tale-bearer the strife ceaseth.'"

       *       *       *       *       *

TO CORRESPONDENTS.--The following articles are accepted: "The Match-Making
Mother," "Leaves from the Journal" (we shall use as we have room), "Going
in Search of Impressions," "Imagination and Fancy among the Arabs," and
"The Loss of the Hector."

"The Orphan Boy," a poem, that appeared in the February number, was from
the pen of Robert G. Allison, now residing at Warrenton, N. C. His name
was omitted by mistake.

We have not room for these articles, yet some are well worth publication:
"The Prophecy," "Dreams," "Phædra," "To A----," "A Venetian Elopement,"
"Child's Evening Prayer," "The Poet's Lament," "Sibylline," "All Earth
is Beautiful," "The Coquette," "Godey," "Lines," "Two Scenes in City
Life," "Remien" (will be returned, if the author requests), "Home," "Lost
at Sea," "Sonnet," "The Dying Girl," "Scene in the Garden," "Fancies,"
"Maria," "Musings," "Adieu to my Bower," "Old Forest Tree," "Ida Lofton,"
"Blossoms," "The dirge I hear," "The Bereaved," and "On the Death of two
Children."

The above is a long list. We regret we cannot oblige all our friends, but
the "Book" has its limits. We have heretofore alluded to the number of
elegies and laments of the bereaved sent us for publication, and given
our reasons for declining, generally, such poems. We think the newspaper
circulating most largely in the vicinity of the "loved and lost," is the
most suitable organ for these obituaries of the heart; the merits of the
poetry are of less consequence to the reader who loves the memory of the
dead. Elegiac poetry, when written to express individual grief, should
be addressed to those who can sympathize with the bereaved, not to the
general public, who read to criticize. A number of articles on hand are
not yet examined.


FOOTNOTES:

[Footnote 11: Sterne's Sermons.]




Literary Notices.


BOOKS BY MAIL.--Now that the postage on printed matter is so low, we offer
our services to procure for our subscribers or others any of the books
that we notice. Information touching books will be cheerfully given by
inclosing a stamp to pay return postage.

       *       *       *       *       *

From J. S. REDFIELD, 110 and 112 Nassau Street, New York, through W. B.
ZIEBER, Philadelphia:--

MELLICHAMPE. _A Legend of the Santee._ By W. Gilmore Simms, Esq., author
of the "Partisan," "Yemassee," "Katharine Walton," "The Scout," etc.
etc. This is another handsomely printed volume, uniform with the new and
complete edition of the author's works, now in the course of publication.
Judgment has already been passed upon the merits of this romance by
many of the best literary and historical critics of our country. Their
decisions have long since secured to the author, in connection with the
"Partisan," and other and similar productions, the highest reputation
among contemporary writers. It may be justly said of Mr. Simms that no
American author of the same class has ever been truer to the leading facts
of history, or more faithful in the delineation of the original characters
of the actors he has introduced. None has been more successful in blending
the witchery of romance with the patriotic, but often stern and cruel
realities of revolutionary warfare. We have had many romances founded
upon the events of the struggle which terminated in the independence of
the United States, too many of which, we are sorry to say, have been
characterized by inflation of style and exaggerated portraitures--by
improbable and often impossible incidents, and a total departure from the
historic record. Under such extravagances and perversions, we have not
unfrequently seen persons elevated to a heroic and virtuous distinction
in the romance of history, whom the truth of history had consigned to
execration and infamy. We have the comfortable assurance, however, in
perusing the pages of "Mellichampe," and similar works by the same author,
that we have before us the true characters of the persons intended to be
represented, and that the incidents have been faithfully delineated, yet
all admirably woven together in the web of a fascinating romance.

THE DIVINE CHARACTER VINDICATED. A Review of some of the principal
features of Rev. Dr. E. Beecher's recent work, entitled, "The Conflict
of Ages; or, the Great Debate on the Moral Relations of God and Man." By
the Rev. Moses Ballou. Persons fond of religious controversy, and more
particularly those who have read Dr. Beecher's work, will no doubt take an
interest in the "Vindication." This work appears to have been written with
great candor, and equal explicitness, in regard to the religious views of
the author, which differ very materially from those of Dr. B. What will be
the amount of its influence in arresting the "conflict of ages," can only
be conjectured by the effects produced by the controversies of the past.
Theologians, though with the best intentions towards the establishment
and preservation of peace, have been the great combatants in the conflict
which, for ages, has distracted the human mind on speculative questions
of religion, to determine which there has been no appeal but to man's
fallible reason, to his prejudices, to his rashness, and to his spirit of
hatred and persecution--power and might, not charity and good-will, being
in most cases the arbiters. "A better day is coming," no doubt, when the
sad conflict will cease forever. But that better day will have its dawn in
"another and a better world," the beauties of which will be reserved for
those who have kept aloof from the uncharitable warfares of this; and, in
saying this much, we need not be brought into "conflict" with any one.

THE RUSSIAN SHORES OF THE BLACK SEA, IN THE AUTUMN OF 1852: _with a Voyage
down the Volga, and a Tour through the Country of the Don Cossacks_. By
Laurence Oliphant, author of "A Journey to Nepaul." From the third London
edition. This is a very pleasant narrative, containing a great deal that
is interesting in regard to the habits, customs, &c., of a portion of
the inhabitants of Russia, bordering on the Black Sea. The book will
elicit attention at this time, because it relates to a portion of the
empire which must become the theatre of great events, should the war be
prosecuted between it and the western powers of Europe. It is not exactly
the work, however, for the statesman and politician, presenting but few
statistics or practical observations from which reliable conclusions may
be drawn.

THE POETICAL WORKS OF WILLIAM H. C. HOSMER. The poems of Mr. Hosmer
are presented to us in two handsome volumes, respectively of 374 and
376 pages. The greater portion of the first volume is devoted to poems
relating to Indians, the principal among which is "Yonnondio; or, the
Warriors of the Genesee: a Tale of the Seventeenth Century." This poem
was first published in 1844. Most of the shorter poems have, from time to
time, appeared in the magazines and newspapers of the day, and evince not
only the poetic taste and talent of the author, but the soundness of his
moral sentiments, and his natural love of liberty and justice from his
youth up.

MERRIMACK; OR, LIFE AT THE LOOM. _A Tale._ By Day Kellogg Lee, author of
"Summerfield; or, Life on a Farm," and "Master Builder; or, Life at a
Trade." Like all the other works of this author, the volume now before
us, as a literary production, is quiet and unpretending; but it is not
the less true to nature, in its delineations of the hopes, joys, labors,
sufferings, and misfortunes of the class he represents. Their habits,
conversations, and reflections, their moral and religious feelings, their
friendships and their loves, are all drawn in characters true to the life,
and with an easy, fluent power of description that is not often excelled.
In the peculiar line of writing our author has chosen, there is a wide and
interesting field before him. No kind of knowledge will have a greater
tendency to cement the foundations of this republic than a familiar
acquaintance, and its consequent sympathy, with the true life, characters,
impulses, and labors of the various classes who contribute to its support
and defence. To know one another is the best guaranty of union, and in
"union there is strength."

       *       *       *       *       *

From LINDSAY & BLAKISTON, Philadelphia:--

THE SEPULCHRES OF OUR DEPARTED. By Rev. F. R. Anspach, A. M., Hagerstown,
Maryland. A pure and happy Christian spirit pervades the pages of this
volume, which cannot fail to infuse its genial glow into the hearts of
all who will peruse it with the right dispositions. We believe the work
is calculated to do a great deal of good wherever it may be read, and
will unquestionably awaken a proper attention to the burial-places of the
dead, which, as we know by experience, and by the complaints of newspaper
editors and their correspondents, are shamefully neglected in various
cities and towns of this Christian land.

       *       *       *       *       *

From C. M. SAXTON, Agricultural Book Publisher, New York, through E. C. &
J. BIDDLE, Philadelphia:--

ELLIOTT'S FRUIT-BOOK: _or, the American Fruit-Grower's Guide in Orchard
and Garden_. Being a compend of the history, modes of preparation,
culture, &c., of fruit-trees and shrubs, with descriptions of nearly
all the varieties of fruits cultivated in this country; notes of their
adaptation to localities and soils, and also a complete list of fruits
worthy of cultivation. By F. R. Elliott. The price of this valuable work,
a handsome volume of five hundred pages, is only $1.50. The author is a
practical man, who, for more than ten years, has been patiently, and, as
he says, pleasantly engaged in the nurturing of trees and noting their
products. Such a book as he has presented the public with will not fail
to secure a ready and extensive sale in every part of the country where
the least attention is paid to the cultivation of orchard fruits, or to
those of the garden; and we feel sure that, in no spot where an "opening"
or a "clearing" has been made, is the cultivation of fruit in some form
or other entirely neglected. But, as it is important in the start to know
the description of fruit adapted to the peculiarities of soil and climate
by which the cultivator may happen to be surrounded, we unhesitatingly
recommend the book to his examination and study.

       *       *       *       *       *

From LIPPINCOTT, GRAMBO, & CO. (successors to Grigg & Elliot), No. 14
North Fourth Street, Philadelphia:--

TRIALS AND CONFESSIONS OF AN AMERICAN HOUSEKEEPER. Portions of this
handsome volume have been presented to the public in a different form;
but, as a work of amusement, as well as of wisdom, it will not be the less
acceptable on that account in its present shape, and with its numerous
appropriate illustrations. The _trials_ will be found full of instruction
for the inexperienced, and the _confessions_ will probably induce others
to examine their consciences who now think themselves blameless. The last
two chapters contain admirable lessons in regard to the treatment of
servants, and the important duties of a mother to her children.

LIFE AND ADVENTURES OF A COUNTRY MERCHANT. _A Narrative of his Exploits
at Home, during his Travels, and in the Cities._ Designed to amuse and
instruct. By J. B. Jones, author of "Wild Western Scenes," "Adventures of
Colonel Vanderbomb," "The Monarchist," etc. The design of the author has
been admirably fulfilled. The contents of his volume are truly amusing;
and, with regard to the peculiarities of mercantile life, and steamboat
travelling in the West, it presents the reader with numerous instructive
lessons and graphic sketches.

THE WINTER LODGE; _or, a Vow Fulfilled. An Historical Novel._ By James
Weir. This volume is the sequel to "Simon Kenton." Its contents are highly
interesting, being animated descriptions of the early condition of the
western settlement, of the characters and habits of the people, and of
their bloody contests with the Indians.

       *       *       *       *       *

From BESSEY & CO., Springfield, Mass., for sale by LIPPINCOTT, GRAMBO, &
CO., and T. B. PETERSON, Philadelphia:--

CUT FLOWERS: _a Collection of Poems_. By Mrs. D. Ellen Goodman Shephard.
Edited by J. G. Holland. Many of the poetic effusions of the lamented
author have graced the pages of the "Lady's Book" and the columns of
"Arthur's Home Gazette." To the former work they were always most
acceptable, not so much on account of their fastidious conformity to
rhythmical rules, as for their happy and beautiful metaphors, and for
the instructive lessons they contained; the former drawn from simple
and natural objects, and the latter founded upon the truths of holy
Revelation. We venture nothing by the assertion, that there is not a poem
in this collection that will not meet with the kindest approval, and that
there is not a sentiment expressed that will not find a willing response
in the sympathies of the reader.

       *       *       *       *       *

From HARPER & BROTHERS, New York, through LINDSAY & BLAKISTON,
Philadelphia:--

A CHILD'S HISTORY OF ENGLAND. By Charles Dickens. Vol. 2. England from
the reign of Henry the Sixth to the Revolution of 1688. We have never
seen the first volume of this history; and, after a short examination of
the second, we think we may venture to say, with all deference to the
great literary reputation of Mr. Dickens, that the style of his child's
history is not very clear, and not always appropriate to the dignity,
the solemnity, or the importance of the events related. In the effort to
reach the comprehension of children, in our opinion, it was not necessary
to relate deeds of injustice, murder, and rapine, however frequent their
recurrence, in an off-hand and careless manner, in indifferent words,
or to refer to them by a sneer or a joke. Such writing may be called
sprightly and easy, but it is by no means calculated to leave a lasting
impression of the baseness and cruelty of the deeds recorded upon the mind
of the youthful reader, or a just detestation of the characters of those
by whom they were perpetrated.

       *       *       *       *       *

From MILLER, ORTON, & MULLIGAN, Auburn & Buffalo, through T. B. PETERSON,
Philadelphia:--

MINNIE HERMAN; _or, the Night and its Morning. A Tale for the Times._ By
Thurlow W. Brown, author of "Temperance Tales and Hearthstone Reveries."
The evils of intemperance, like the truths of Scripture and morality,
cannot be too frequently or too warmly insisted upon by judicious and
capable speakers and writers. They should be "kept before the people"
continually, as the politicians say, in order, if possible, to awaken
public opinion to a just sense of their enormity. The interest and
importance of the subjects incidentally connected with the discussion
are in no danger of being exhausted at present, and therefore not only
the attention and patience of readers and hearers may be relied on,
but very probably the footsteps of many will continue to be arrested,
as they are starting upon the downward path which leads to poverty,
crime, and dishonor. We are happy to recognize, in the author of the
excellent volume before us, the able editor of the "_Cayuga Chief_," a
popular newspaper published at Auburn, N. Y. Mr. Brown is an ardent and
consistent advocate of temperance, and of the principles of the Maine
Law, as his work will abundantly testify. In his zealous detestation of
intemperance, he draws pictures of distress, misery, and crime, which
sensitive hearts will naturally turn from with abhorrence, hoping, and
even deeming it impossible that such incidents could ever have occurred in
the midst of civilized society. But, alas! in those pictures, revolting
and painful as they are, those who are familiar with the facts and the sad
condition of its victims will recognize in this work the ever-present and
unquestionable results of intemperance.

       *       *       *       *       *

From D. APPLETON & CO., No. 200 Broadway, New York, through C. G.
HENDERSON & CO., corner of Fifth and Arch Streets, Philadelphia:--

RUSSIA AS IT IS. By Count A. De Gurowski. As everything connected with
the history, power, and resources of Russia will, most probably for some
time to come, form matters of deep interest and inquiry for the public
mind, we may reasonably anticipate a full supply of information, and much
speculation as to her rise, progress, and anticipated destiny. In forming
our own opinions, however, upon any important question, it is not always
safe to rely on the arguments or representations of enthusiasts, whose
imaginations can easily figure out plausible results, because it is the
honest desire of their hearts that just such results should happen. But,
at the same time, we by no means intend that this remark shall apply
to the work under consideration, for it is evidently from the pen of a
statesman and philosopher; and, although the author may be still more or
less of an enthusiast in regard to the destiny of races and empires, his
principles and views are evidently the results of experience, reflection,
and investigation. For nearly thirty years, as he tells us, his existence
has been agitated by the political tempests overwhelming his native land,
as well as other parts of Europe. He appears at one time to have been
an admirer of the power and destiny of Russia. But in his youth he took
an active part in the affairs of Poland, the land of his birth, and,
in 1830-31, was driven into exile because he had participated in the
insurrection of that period. His style is animated and attractive, much
more so than is common in similar works of political inquiry.

CAT AND DOG; _or, Memoirs of Puss and the Captain_. An amusing book for
children, filled with pretty engravings. A very interesting story, quite
philosophical, too, and as well calculated for the perusal of the elder
branches of the family as the younger.

       *       *       *       *       *

From BLANCHARD & LEA, Philadelphia:--

HISTORY OF OLIVER CROMWELL AND THE ENGLISH COMMONWEALTH, _from the
Execution of Charles the First to the Death of Cromwell_. By M. Guizot.
Translated by Andrew R. Scoble. In two volumes. This work embraces a
period of sixty-three years, the events of which are the most exciting and
remarkable in the history of England. The appendix to each volume contains
valuable historical documents, which, being derived principally from
the French Foreign Office, and now first published, add greatly to the
interest of the work. A new character is given to many of the actors in
that bloody civil war rendering the volumes more worthy and impartial than
many of the histories that have preceded them.

ORR'S CIRCLE OF THE SCIENCES. Nos. 1 and 2 of a series of treatises on
every branch of human knowledge. No. 1 treats of the nature, connections,
and uses of the great departments of human knowledge, by the editor.
No. 2, the physiology of animal and vegetable life. With numerous
illustrations.

       *       *       *       *       *

From WM. S. YOUNG, 173 Race Street, Philadelphia:--

ODD-FELLOWSHIP EXAMINED IN THE LIGHT OF SCRIPTURE AND REASON. By Joseph T.
Cooper, Pastor of the Second Associate Presbyterian Church, Philadelphia.
With an introduction by the Rev. J. B. Dales, D. D. Second edition. This
work has been strongly recommended by a number of clergymen belonging to
the Presbyterian church.

       *       *       *       *       *

From GOULD & LINCOLN, Boston:--

THE PRIEST AND THE HUGUENOT; _or, the Persecution in the Age of Louis XV_.
From the French of L. Bungener. In two volumes. The aim of the work is
well defined by its title. Monsieur Bungener, a minister of the "Reformed
Church of Geneva," and author of a very popular work, "The Preacher and
the King," has aimed to exhibit, in a series, the principal religious
aspects of France, from the age of Louis Fourteenth to the close of the
last century. This "Priest and the Huguenot" is the second work in the
series, the "Preacher and the King" being the first, and will be found
very interesting to all who wish to understand thoroughly the causes that
have made and keep France what she is--Roman Catholic and Imperial--when
her people seem made for civil and religious freedom. The translator, a
lady of New York, has accomplished her difficult task with much success.
The "characteristics of the French style of thought and expression" seem
well preserved.

THE RELIGIONS OF THE WORLD AND THEIR RELATIONS TO CHRISTIANITY. By
Frederick Dennison Maurice, M. A., Professor of Divinity in King's
College, London. From the third revised London edition. This work is a
brief analysis of the influential religions of the world, and of the
relations of Christianity with the rest. The author searches out the germ,
that principle in each belief which gives it vitality and power, and shows
the adaptation of that especial truth to the needs of the people who
embraced it, or of the time in which it prevailed. He then shows how far
Christianity can accomplish the same purposes for all in a higher degree.
This work is evidently the result of much study and reflection, and is
written in a most liberal and comprehensive spirit.

THE CHRISTIAN WORLD UNMASKED. By John Berridge, A. M., Vicar of Everton,
&c. With a life of the author, by the Rev. Thomas Guthrie, D. D. This
is a reprint of a work written long ago by a clergyman of the Church of
England, a worthy compeer of Whitfield and Wesley. Its object is to test
the sincerity of the followers of Christ, and it is written in a plain and
searching manner, that leaves the formalist but little room to escape. The
style is animated and familiar, and, though sometimes peculiar, is always
forcible and effective. The sincerity of the writer's belief and the
strength of his mind are evident in every page.

       *       *       *       *       *


NOVELS, SERIALS, PAMPHLETS, &c.

From T. B. Peterson, 102 Chestnut Street, Philadelphia: "The Fortune
Hunter: a Novel of New York Society." By Anna Cora Mowatt, author of the
"Autobiography of an Actress; or, Eight Years on the Stage," etc. This is
a cheap and very handsome reprint of a popular work, in which some of the
peculiarities of "good society" in New York are freely delineated, leaving
truthful and salutary impressions upon the mind of the reader.

From De Witt & Davenport, New York: "The Secretary; or, Circumstantial
Evidence." By the author of "Heads and Hearts." A very thrilling story,
intended to demonstrate the dangers of circumstantial evidence. Price 38
cents.

From D. Appleton & Co., 200 Broadway, New York, through C. G. Henderson &
Co., Philadelphia: "Memoirs, Journal, and Correspondence of Thomas Moore."
Edited by the Right Hon. Lord John Russell, M. P. Parts 7 and 8. Price 25
cents.

From T. Elwood Chapman, Philadelphia: "Human Happiness: an Address
delivered before the Pupils of Sharon Female Seminary." By John H. Bazley.
We have given an extract from this in our "Table," which shows our
appreciation of its merits.

From Beverly Tucker, Washington, D. C.: "Obituary Addresses on the
occasion of the Death of the Hon. William R. King, of Alabama,
Vice-President of the United States." These papers, selected from the
Message of the President of the United States, and the speeches of eminent
members of both Houses of Congress, form a worthy testimonial of the noble
character of the man whose memory they honor. There is a portrait, said to
be a striking likeness of Mr. King, beautifully engraved, adding to the
interest of the book.

[Illustration]




Godey's Arm-Chair.


OUR JUNE NUMBER.--END OF THE VOLUME.--No falling off yet. We continue, as
we commenced, the same number, or rather more engravings, and one hundred
pages; and so we shall continue throughout the year.

       *       *       *       *       *

BILL.--Webster devotes a column of his large dictionary in explaining what
this word means; but the only one that we find applicable, after reading
through the whole, is the following: "Bill, an account of goods sold or
delivered, services rendered or work done, with the price or value annexed
to each article." In fact, the bill which every owing subscriber will find
in this number is a clearer definition than even Webster can give. And now
we shall expect the ladies to stand our friends, as they always have done,
and give their husbands or parents no rest until the same be liquidated.

       *       *       *       *       *

GIFT LOTTERIES, or whatever they may call them. We observe that some of
these concerns are offering "Godey's Lady's Book" among their prizes.
(The rogues know that the "Book" is a great inducement.) We now wish it
understood that we have nothing to do with these concerns, and are adverse
to having the "Lady's Book" mentioned in their schemes; and we earnestly
advise all persons to have nothing to do with them. Don't purchase their
tickets.

       *       *       *       *       *

AN ARTIST AT FAULT.--The Philadelphia "Sun" says: "'Godey' for April is on
our table, filled with admirable reading, useful receipts, and information
for the ladies. The embellishments are profuse, and all good but the
'Arrival of the Lady's Book;' the women appear too insensible of the treat
the post-rider is bringing them. We must treat Godey to a daguerreotype
of our family when the 'Book' arrives; such a scrambling and nimble
cutting of leaves as take place on these occasions, would make a spirited
illustration for one of the numbers. Root shall do it up some day, and
then there will be a natural picture, with some point in it."

And depend upon it, friend Wallace, we will publish the picture.

       *       *       *       *       *

TWENTY-FOUR years and six months, friend "Reveille," have we published
the "Book." Six months more makes our quarter of a century, then for "the
silver wedding." Thank you for your compliment!

       *       *       *       *       *

WHITE'S BONNET ESTABLISHMENT.--We give in this number nine patterns of
bonnets and boys' caps from this extensive establishment, and we can
truly say that ladies and wholesale merchants will find there fifty other
different styles. Brodie has also again laid us under obligations to him
for the beautiful styles of dress that we publish in this number.

       *       *       *       *       *

LONG-A-COMING.--Who does not remember this delightful mosquito retreat
in Jersey, so properly named?--for it is so long after you leave the
last watering-place before you reach Long-a-coming. But this is not what
we intended to write about. We intended to say, Long a coming out; that
is, Harry Long and his brother have moved from that dreadful dingy Ann
Street store into a marble palace in Nassau Street. This is a building
worthy of this enterprising house, and, when they get up that new sign,
"Godey's Lady's Book," it will be perfect. We are glad thus to chronicle
the prosperity of H. Long & Brother, which has made it necessary for
them to enlarge their business accommodations, and to render their book
establishment, No. 121 Nassau, one of the most splendid and extensive
depots of books now in the United States.

       *       *       *       *       *

ANTI-MACASSAR.--The "Evansville Inquirer" says: "We have learned what an
Anti-Macassar is, and are therefore wiser than all other men in town."
That same term puzzled us for a time, and probably an explanation would
not be amiss. It is the tidy that is put on the back of a chair to prevent
any grease from the head soiling the chair. It is an English term, and no
doubt the name was suggested by Rowland, of London, the manufacturer of
Macassar hair oil, as a puff for his establishment.

       *       *       *       *       *

THE SCHUYLKILL BOATS.--These boats have commenced their delightful trips
on the Schuylkill. There is no pleasanter way of spending a couple of
hours on a hot day than to take a trip up this beautiful river as far
as Manayunk. Strangers should not neglect it; our citizens hardly need
urging. The boats are commodious, and the captains gentlemanly and
obliging.

       *       *       *       *       *

SUMMER BEVERAGES.--Now is the time for our subscribers to provide
themselves with these excellent and temperance receipts. See advertisement
on cover.

       *       *       *       *       *

"'ALONE.'--This is the title of a new book, a Virginia book, written by
a young Virginia lady, and treating chiefly of Virginia, which will be
brought out in the best style by Mr. Morris, of this city. Lest the fact
that it is a Virginia book, and the authoress a Virginian, may induce
the Virginia public to lay aside this notice without reading farther, we
will state at once that the literary merits of the fair young authoress
have been approved beyond the waters, and her productions, coming back
with English and French endorsement, will henceforth pass current, as a
matter of course, in American literary circles. _Godey's Lady's Book_,
speaking of a story which she had contributed to its pages, says: 'It may
be interesting to this lady to know that the story of "Marrying Through
Prudential Motives" has been copied from the _Lady's Book_ for March,
1853, into two of the English magazines--recopied into the New York
_Albion_, that professes to give nothing but the cream of the English
magazines, and now, being an English story, will no doubt be published by
half the papers in the United States.'"

We copy the above from the "Richmond Dispatch," and our readers will
remember that, in a late number, we published the _amende_ of the
"Germantown Telegraph," who also copied the story and credited it to an
English magazine. We have another story by the gifted authoress, the first
part of which will be published in our July number, that will convince the
most sceptical that she is one of the most powerful writers of the day.

We have been favored with some of the early sheets of "Alone," and we have
been delighted with their perusal. Our only regret was that we had not the
whole book. We predict a prominent place among the fair writers of America
to the authoress of "Alone." The paper and typographical execution of the
work are a credit to the publisher, Mr. Morris.

       *       *       *       *       *

OUR PATTERNS.--Ladies do not seem to be aware that these patterns are
_fac-similes_ of the originals in color, trimming, &c. At a distance, they
would be taken for the garment itself. They could be worn in a _tableau_
without being detected.

       *       *       *       *       *

"PIONEER."--A new magazine from San Francisco. An excellent work, well
printed, and favored with the effusions of Mr. Pipes, of Pipesville, a
most humorous and excellent writer. We exchange with pleasure.

       *       *       *       *       *

MRS. SHEPARD'S POEMS.--The many friends and admirers of the late Mrs.
Shepard, of Springfield, will be glad to learn that the collection of her
poems, that have been for some time in preparation, has been published by
Bessey & Co., under the attractive title of "CUT-FLOWERS," who now offer
it for sale at their counter, and through their agents. The editor has
presented a brief notice of her life, and an estimate of her literary
character, and, in his selections from her large mass of printed and
manuscript writings, has presented those poems which bear that general
character which is necessary in a volume prepared for the public. The
work is well printed, and well got up every way, and deserves an extended
patronage.--_Daily Republican, Springfield, Mass._

We will answer for it that, if Bessey & Co. have anything to do with it,
it is well done, for theirs is an enterprising firm.

       *       *       *       *       *

THE third edition of "How to Make a Dress," and the fifth edition of the
"Book of the Toilet," are now ready. We are also able to supply all orders
for our "Gallery of Engravings," at 50 cents each.

       *       *       *       *       *

THE WORD "SELAH."--The translators of the Bible have left the Hebrew
word Selah, which occurs so often in the Psalms, as they found it; and,
of course, the English reader often asks his minister, or some learned
friend, what it means. And the minister or learned friend has most often
been obliged to confess ignorance, because it is a matter in regard to
which the most learned have, by no means, been of one mind. The Targums,
and most of the Jewish commentators, give to the word the meaning of
_eternally forever_. Rabbi Kimchi regards it as a sign to elevate the
voice. The authors of the Septuagint translation appear to have regarded
it as a musical or rhythmical note. Herder regards it as indicating a
change of tone; Matheson as a musical note, equivalent, perhaps, to
the word _repeat_. According to Luther and others, it means _silence_.
Gesenius explains it to mean, "Let the instruments play and the singer
stop." Wocher regards it as equivalent to _sursum corda_--up, my soul.
Sommer, after examining all the seventy-four passages in which the word
occurs, recognizes in every case "an actual appeal or summons to Jehovah."
They are calls for aid and prayers to be heard, expressed either with
entire directness, or, if not in the imperative, "Hear, Jehovah!" or
"Awake, Jehovah!" and the like, still earnest addresses to God that he
would remember and hear, &c. The word itself he regards as indicating a
blast of trumpets by the priests. Selah, itself, he thinks an abridged
expression used for Higgaion Selah--Higgaion indicating the sound of the
stringed instruments, and Selah a vigorous blast of trumpets.

       *       *       *       *       *

WE never have "assisted" at one, as the French say; but, from the
description that follows, we should like very well to join a "sugar
party"--a sweet business:--

"MY DEAR GODEY: Did you ever attend an old-fashioned sugar party in the
woods? If you have not, you have missed a pleasant hour, and the enjoyment
of that open-hearted hospitality for which our Eastern farmers are
distinguished. Imagine yourself in a forest of sturdy maples, averaging
from seventy-five to one hundred and twenty-five feet in height, and from
three to five feet in diameter. Before you are two or three large kettles,
hung on a pole, and beneath them is a blazing fire. The kettles are half
full of the amber-colored syrup; and you, with dish and spoon, together
with some fifteen or twenty others, are testing its quality. You enjoy it
heartily, for the parties are all in high spirits, and the woods echo to
the songs that are sung, and the jokes that are perpetrated on all sides.
Around you the violets and arbutus are blooming, and you are induced to
wander away along the paths that wind through the woods in every direction
in search of the flowers that are springing up in their dim recesses. If
you have never attended one of those good old-fashioned sugar parties,
allow me to invite you to visit us another season; and, if you have, you
will be equally welcome.

    "H. L. S."

       *       *       *       *       *

LE CONTINENT EUROPEAN.--Mr. P. Beaugereau, aided by several of his
countrymen, has begun the publication in our city of a French weekly
newspaper. He looks for patronage not only to the French residents in this
section of the country, but to foreigners and Americans who speak or read
French. We wish him a large share of success!

       *       *       *       *       *

"MRS. HALE'S COOK-BOOK" we will furnish at $1.25, and pay the postage.
Mrs. Hale's "Household Book" on the same terms.

       *       *       *       *       *

BACK numbers of the "Lady's Book" can be supplied from January, as the
work is stereotyped.

       *       *       *       *       *

WE have lost a friend in Philip G. Collins, a member of the firm of T. K.
& P. G. Collins, who print the "Lady's Book." We have been acquainted with
him for many years, and had many opportunities of studying him closely.
Few men possessed a clearer mind, or could better express themselves than
Mr. Collins. His reading was very extensive, and his retention wonderful.
We copy the following notice from the "North American" of this city,
written by one who knew him well:--

"PHILIP G. COLLINS.--The demise of Philip G. Collins, of the well-known
firm of T. K. & P. G. Collins, of this city, has left a vacancy in the
ranks of practical printers among us, which few are competent to fill. His
knowledge of his art was equally intimate and exact. He was, we believe,
one of the founders of the Typographical Society, in the welfare of which
he manifested, to the day of his death, a warm interest. His qualities of
head and heart won the esteem of all who knew him; and his loss will be
deeply regretted, not only by his immediate family, but by a large circle
of admiring acquaintances who partook of his friendship."

       *       *       *       *       *

IN answer to our friend of the "West Philadelphia Reporter," we must say
that we do not wonder that the mistake is made. He will see that when our
name is set in capitals it does make LOUISA GODEY. But that portrait will
show them that we are not of the same gender as Lingos dulcinea.

    Amo amas, I love a lass,
      As cedar tall and slender;
    Sweet cowslip's grace is her nominative case,
      And she's of the feminine gender.

       *       *       *       *       *

"GODEY'S LADY'S BOOK.--We have received this beautiful periodical from its
polite and accomplished editor. It is filled with reading matter of the
highest order, and in engravings it surpasses anything we have seen. In
this department it is far ahead of any other American Magazine. Godey is
particularly fortunate in catering for the literary public, and especially
does he please the ladies. In fact, we believe that about three-fourths
(and a _little over_) of his _fair_ subscribers have fallen in love with
'THAT LIKENESS.' (We hope friend G. will not step out of his boots to be
told so.) No lady's table should be without the 'Book.'"--_Tenn. Christian
Universalist._

No! not a bit! For that would detract from our height, and we have
nothing to spare in that respect. We are only sorry that we published our
likeness at that time. It was taken at a season when few subscriptions are
received. Were it taken now, it would be quite a different-looking affair.
The great influx of subscribers for the last six months has made us look
at least ten years younger--and of course brighter.

       *       *       *       *       *

YES! that very thing has been bothering us, as our friend of the
"Salisbury Banner" says: "How any man that has a wife can live at peace at
home without subscribing for the 'Lady's Book,' passes our comprehension."
And it does ours. We wish they could not.

       *       *       *       *       *

WE did not think that our "Book" afforded so good a subject for an
alliteration. The "Genesee Flint Whig" says:--

"It is replete with attractions of every kind that a lady's book ought
to possess. Amusement and instruction, fine arts and fashion, music and
model cottages, nouvellettes and needlework, drawing and domestic recipes,
poetry and patterns--are all interspersed with good taste and judicious
arrangement."

       *       *       *       *       *

CASHMERE SHAWLS.--The great mart for the wool of which these shawls
are made is at Kilghet, which is said to be a dependency of Ladak, and
situated twenty days' journey from the northern boundaries of Cashmere.
There are two kinds of it--that which can be readily dyed is white; the
other sort is an ashy color, which, being with difficulty changed, or
at least improved by art, is generally woven of its natural hue. About
two pounds of either are obtained from a single goat once a year. After
the down has been carefully separated from the hairs, it is repeatedly
washed with rice starch. This process is reckoned important, and it is to
the quality of the water of their valley that the Cashmerians attribute
the peculiar and inimitable fineness of the fabrics produced there. At
Kilghet, the best raw wool is sold for about one rupee a pound. By the
preparation and washing referred to, it loses one-half, and the remainder
being spun, three rupees' weight of the thread is considered worth one
rupee. Shawls are made of various forms, size, and borders, which are
wrought separately, with the view of adapting them to the different
markets. Those sent to Turkey used to be of the softest and most delicate
texture. Carpets and counterpanes are fabricated of the hair or coarser
part of the wool.

       *       *       *       *       *

"GODEY'S GALLERY OF STEEL ENGRAVINGS.--We are indebted to the publisher of
'Godey's Lady's Book' for Nos. 1 and 2 of these Splendid Steel Engravings.
Over thirty of the finest are neatly done up in each number, and are
furnished for the low price of fifty cents per number--a very pretty
ornament for the parlor."--_Litchfield Inquirer._

       *       *       *       *       *

HOW TO MAKE DEAF PERSONS HEAR THE PIANO-FORTE.--The instrument should
be opened, and a rod of deal wood provided about half an inch thick,
three-quarters wide, and long enough to reach from the bridge of the
sounding-board to the mouth of the deaf person. If one end of this rod
be made to rest firmly on the bridge, and the other end be held between
the teeth, the softest sounds will be distinctly communicated.--_Musical
Transcript._

       *       *       *       *       *

A DEFENCE OF STORY WRITERS.--The "Marysville Advocate" says:--

"Godey's Lady's Book has been received; it contains some excellent
tales, that bear a moral on every page. We are at issue with those who
are opposed to this class of reading. Whenever scenes are portrayed that
resemble such as are of frequent occurrence in the world, even should the
narrative be drawn entirely from the fertile imagination of its author,
we approve of its perusal. The reader gleans a knowledge of events from
it, that might otherwise remain a sealed book. Who, for instance, would
ever dream (had they never witnessed them) of the sufferings of widows and
orphans in cities, so graphically and pathetically depicted by that prince
of writers, T. S. Arthur, in his 'Trials of a Needlewoman'?

"'Letters left at the Pastry-Cook's' are written with great _naïveté_, and
display considerable familiarity with human nature."

       *       *       *       *       *

NEWS FOR THE LADIES.--An extraordinary custom prevails among the Vizres,
a tribe occupying an extensive district in Cabul, among the mountains
between Persia and India. The women choose their husbands, not the
husbands their wives. If a woman be pleased with a man, she sends the
drummer of the camp to pin a handkerchief to his cap, with the pin she
uses to fasten her hair. The drummer watches his opportunity and does this
in public, naming the woman; and the man is obliged to marry if he can pay
her price to her father.

       *       *       *       *       *

THE "Covington Kentuckian" is responsible for the following:--

"Somebody says 'there ought to be in every well-regulated family at least
one baby, just for the fun of the thing;' so we say of the 'Lady's Book;'
every family ought to have at least one copy, 'just for the fun of the
thing.'"

       *       *       *       *       *

TO writers in general, and for those of the "Lady's Book" in particular.
We regret that we cannot reply to all the kind letters sending us articles
for insertion, as our time will not permit.

       *       *       *       *       *

MARRY.--Jeremy Taylor says: "If you are for pleasure, marry; if you prize
rosy health, marry. A good wife is Heaven's last best gift to man; his
angel and minister of graces innumerable; his gem of many virtues; his
casket of jewels; her voice is sweet music; her smiles, his brightest
day; her kiss, the guardian of his innocence; her arms, the pale of his
safety, the balm of his health, the balsam of his life; her industry, his
surest wealth; her economy, his safest steward; her lips, his faithful
counsellors; her bosom, the softest pillow of his cares; and her prayers,
the ablest of Heaven's blessings on his head."

       *       *       *       *       *

TWO charming women were discussing one day what it is which constitutes
beauty in the hand. They differed in opinion as much as in the shape of
the beautiful member whose merits they were discussing. A gentleman friend
presented himself, and by common consent the questions were referred
to him. It was a delicate matter. He thought of Paris and the three
goddesses. Glancing from one to the other of the beautiful white hands
presented to him, which, by the way, he had the cunning to hold for some
time in his own, for purposes of examination, he replied, at last: "I
give it up; the question is too hard for me; but ask the poor, and they
will tell you that the most beautiful hand in the world is the hand that
_gives_."

       *       *       *       *       *

CURIOUS EFFECT OF THE CENSUS.--_Punch_, most ungallantly, makes the
following remarks: "One of the most remarkable of the _Results of the
Census_ was its effect on the age of that beautiful production of nature,
familiarly known as the British female. The census had, in fact, the same
sort of operation on the ages of women as a declaration of war would have
on the public funds. Our own cook, who had been familiarly quoted in the
house as upwards of fifty, fell suddenly to thirty-eight, at which she
has nominally remained; but no settling day has been appointed, nor is it
likely that there will be any settling at such a clearly ideal figure."

       *       *       *       *       *

WE published some time since a statement that cranberries were an
excellent remedy for erysipelas. The "New Haven Palladium" says:--

"We are able to record another case of the complete cure of erysipelas by
the simple application of the raw cranberries pounded fine. The patient
was a young lady, one side of whose face had become so much swollen and
inflamed that the eye had become closed and the pain excessive. A poultice
of cranberries was applied, and after several changes, the pain ceased,
the inflammation subsided, and in the course of a couple of days every
vestige of the disease had disappeared. The case occurred in the family of
one of the editors of the 'Palladium,' and we can therefore vouch for its
truth."

       *       *       *       *       *

MISS LESLIE'S NEW RECEIPTS FOR COOKING.--T. B. Peterson of this city
is about to bring out a new edition of "Miss Leslie's New Receipts for
Cooking." A very excellent work.

       *       *       *       *       *

PEACH-STONES.--We acknowledge the receipt of several peach-stones from
that celebrated tree, the fruit of which we chronicled some time since.
They were sent us by our ever-attentive friend, Mr. Andrews, editor of
that popular paper, the "Macon Citizen."

       *       *       *       *       *

THE following remarks were endorsed on an Augusta, Ga., bank note received
a few days since, in payment for a subscription to the "Lady's Book":--

"I give you very freely, although it is in payment of an unjust debt. The
cheerfulness with which I part with you results from the fact that it will
save me from innumerable duns.

    H. I. P."

"I part with this bill as cheerfully as did Mr. H. I. P. I spend it for
supper, lodgings, and breakfast, at the poorest tavern on earth. I spend
it cheerfully, because it enables me to get away.

    L. C. K."

"And I for hitching my horse to a fence in Pulaski, Tenn.

    W. O. W."

"And I part with you for the best magazine in the world, 'Godey's Lady's
Book.'

    A. D. S."

The following was on a note, Bank of South Carolina, received from the
same person:--

"I part with you freely, as you go to pay for the best magazine in
America, 'Godey's Lady's Book.'

    A. D. S."

       *       *       *       *       *

YOUNG ladies had better try the following before they say "Yes!"--

If a man waits patiently while a woman is "putting her things on," or
"shopping," he will make a good husband.

       *       *       *       *       *

WE shall begin to make a stir by and by, about not crediting articles
taken from the "Lady's Book." We can't prevent the English Magazines
from copying without crediting, but we shall certainly take the liberty
of cutting from our exchange any paper that we find doing it in this
country. A Boston paper recently published a story without credit, and
when informed that it was our article, they made the _amende_; but in the
same paper that contained the apology was one of the very best articles we
ever published, "The Fountain very far Down," with the name of the author,
Mrs. Virginia F. Townsend, omitted, and no credit given to the "Book."
Look out, gentlemen, if ---- pay for stories and give you the privilege of
copying them, the least you can do is to give us credit for them.

       *       *       *       *       *

BIZARRE.--A new volume of this interesting work is now being published.
We do not know who is the editor, but he makes an excellent work. The
publisher is G. A. Correa, No. 232 Chestnut St. The price per annum is $2.

       *       *       *       *       *

ORDERS for the new fashions continue to pour in upon us. Every one is
attended to and forwarded within two days after its receipt. We have
lately had three orders for lady's wearing apparel, amounting to $275, and
have sent any number of White's bonnets and Mrs. Suplee's patterns.

       *       *       *       *       *

SCIENTIFIC AGREEMENT.--A California paper tells the story of a showman who
delighted an "appreciating public" with a view of the Mammoth Cave. It was
his custom, as each scene was exhibited, to explain it. When the great
cave came to view, he stepped forward and said: "Ladies and gentlemen,
this is a great phenomenon, indeed the greatest in the world. The learned
of all nations have visited it; but none could agree as to the cause which
had produced it; they all came to this grand conclusion, that it was one
of the most tremendous holes in the ground they had ever seen."




GERANIUMS.

(_From Mrs. Hale's New Household Receipt-Book._)


THE shrubby kinds are commonly increased by cuttings, which, if planted in
June or July, and placed in the shade, will take root in five weeks. They
are the most tender, and when placed out of doors, should be defended from
strong winds, and be so placed as to enjoy the sun until eleven o'clock in
the morning. As the shrubby kinds grow fast, so as to fill the pots with
their roots, and push them through the opening at the bottom, they should
be moved every two or three weeks in summer, and the fresh roots cut off.
They should also be newly potted twice in the summer: once about a month
after they are placed abroad, and again towards the end of August. When
this is done, all the roots outside the earth should be pared off, and as
much of the old earth removed as can be done without injuring the plants.
They should then be planted in a larger pot; some fresh earth should first
be laid at the bottom, and on that the plant should be placed, so that the
old earth adhering to it may be about an inch below the rim of the pot; it
should next be filled up, and the pot slightly shaken; the earth must then
be gently pressed down at the top, leaving a little space for water to be
given without running over the rim; finally, the plant should be liberally
watered, and the stem fastened to a stake, to prevent the wind displacing
the roots before they are newly fixed.

As the branches grow, and new leaves are formed at the top of them, the
lower ones may die, and should be plucked off every week.

Geranium slips should be planted in May, June, or July, taking only the
last year's shoots, from which the leaves must be stripped. When planted,
give them water, and place them in the shade: when they have taken root,
let them have the sun in the morning. The slips chosen for cutting should
not be such as bear flowers; and they should be inserted about half their
length in the earth.

Geraniums, except the shrubby kinds, require shelter from frost only,
and should have free air admitted to them, when the weather is not very
severe. In sultry weather, they should all be watered liberally every
morning, except some few of a succulent nature, which must be watered
sparingly; the latter may be known by plucking a leaf from them. Geraniums
may be watered three times a week, when not frosty, in winter.

       *       *       *       *       *

DR. R. MONTGOMERY BIRD.--We have been favored with a lithographic portrait
of our lamented friend, and it is the best likeness, we can safely say,
that we ever saw of any person. "It is his image as he lived." The drawing
is by Alfred Newsam; the printing by Duval.

       *       *       *       *       *

WE found the following beautiful article in the "Rochester Daily
Democrat":--

A GRAVE IN THE DESERT.--The grave of JAMES F. DEWEY, a brother of D. M.
D., of this city, was recently visited by a friend, who found it upon a
knoll, on the bank of a stream, near the village of Rag Town, the first
station west of the Great Desert. The resting-place of our young townsman
was inclosed with a novel description of paling. At this point--the desert
having been crossed, and El Dorado in full prospect--the emigrants abandon
and break up their wagons, and throw aside all heavy lumber, going through
the remainder of the journey light. The wagon-tires that are found there
cast away were set up around the grave, interlocked so as to form a fence,
and about them were twined trace chains, to render it more substantial and
slightly ornamental. In the silence of the plain, by the side of running
waters--the first that gladdens the eyes and soothes the lips of the
emigrant on the other side of the Great American Desert--he sleeps well.
His death was caused by the bite of a scorpion.




PHILADELPHIA AGENCY.


A WORD FROM THE FASHION EDITOR.--We are desired by this lady to mention
one or two things to her patrons; the first is, that sufficient time
must be given her when orders are received to have dresses made. A case
in point has just occurred. A gentleman brought an order to have several
dresses made up. He arrived on Wednesday; they must _positively_ be done
on Saturday following, to be packed with his goods here. Knowing the
impossibility of having the material and trimming purchased, and the
dresses made in that time, the articles and trimmings only were purchased,
and the patterns to make them by were sent. Besides, there were books,
mantle ornaments, &c., to procure. They were all ready and packed on the
day. The gentleman did not call until thirteen days had elapsed, and then
we were desired to send them by express. The dresses could have been made,
if our Fashion Editor had been allowed the thirteen days from the time the
order was received. There is one other matter she wishes us to express:
cheap as articles are in this city, she cannot procure ten dollars' worth
of any articles for five dollars.

Since writing the above, another case has occurred. A lady sent on for
materials for a dress, and the same to be made up. The order and money
were received on Monday. On Wednesday, early in the morning, an order was
received to deliver the dress to the bearer. The people of Philadelphia
are pretty smart; but dressmakers--good ones--are perfect autocrats. They
are like what the lover said of fathers: "they have flinty hearts; no
tears can move them." From one to two weeks is necessary to have a dress
made.

       *       *       *       *       *

LADIES all, do put the _State_ your town is in when you write.

       *       *       *       *       *

"Mrs. M. E. C."--Sent apron pattern and music on 21st.

"Miss M. S. G."--Sent all your goods in one large box by Adams's Express
on 22d, and sent you receipt by mail.

"Mrs. J. H."--Sent patterns on 22d.

"Mrs. A. P."--Sent patterns on 22d.

"Mrs. B."--Sent patterns on 22d.

"Mrs. E. C."--Sent patterns on 23d.

"S. E. A."--Sent shawl by Adams's Express 24th.

"Eustatia A."--We have more of your No. 1 inquiry than we can use in three
years. In answer to question 2, our own cotton has entirely superseded
Evans's. Can furnish you at 8 cents a spool. Remittance received and
"Book" sent.

"C. F. B."--Sent materials for dress by Adams & Co. on 25th.

"Mrs. S. J. F."--Sent patterns by mail on 25th.

"A. L. M."--Pronounced _Gódey_; accent on first syllable.

"N. W."--Sent bracelets by mail on 27th.

When information is asked, a stamp must be inclosed to pay return postage.

"A Subscriber," at Fredericksburg, O.--Answer by Fashion Editor: Only
plain colors. Send $1.50, and I will send you a pattern of a dress. The
watch-pocket should be on the left side; they are made plain, as they are
on the inside of the dress, and not seen.

"Miss R. W. T."--Sent patterns on the 27th.

"Miss A. L. O."--Sent brushes by Kinsley & Co. on the 28th.

"Miss A. P."--"Spectator," one volume $2.50, in six volumes $9. Have
nothing to do with eye-cups.

"Miss A. B. H."--Sent two parasols by Kinsley's Express on 28th.

"Mrs. M."--Black velvet.

"Mrs. N. M. T."--Sent jewelry by mail 29th.

"Miss A. H."--Can get at White & Co. any kind of bonnet you may want.

"J. W. L."--Sent patterns and Condor Pen by mail 28th.

"Mrs. J. C. T."--Sent patterns on the 28th.

"M. T."--Sent patterns on the 28th.

"S. E. D."--Sent patterns on the 28th.

"S. F."--Sent gold pen on the 28th.

"S. H. D."--Sent articles by mail on 30th.

"Mrs. J. B. B."--Sent patterns on the 1st.

"Miss S. F. L."--Sent patterns on the 1st.

"Mrs. L. L. G."--Sent box by Adams's Express on 1st.

"H. C. P."--Sent chart by mail on 4th.

"W. L. A."--The two bonnets delivered to Dr. A., April 4, '54.

"Mrs. S. H. A."--Sent bonnet by Adams & Co., April 4, '54.

"J. C. W."--Sent box by Adams & Co. on 5th.

"Miss C. V. J."--Sent box by Adams & Co. on 5th.

"Miss J. H."--Sent needles on the 7th.

"H. E. G."--Sent pattern on the 7th.

"New Bedford."--We were obliged to paste your name on the back of letter;
could not make it out. It is not pleasant, we know; but every lady should
write her name plain, and put before it Miss or Mrs., as the case may be.

"Mrs. C. B."--Sent patterns by Adams's Express on 8th.

"Mrs. T. S. S."--Sent patterns by mail on 11th.

"Mrs. J. C. C."--Sent patterns by mail on 11th.

"Mrs. S. W. B."--Sent patterns by mail on 12th.

"Mrs. D. E. H."--Sent blonde by mail on 12th.

"Mrs. M. T."--Sent patterns and cotton by mail on 13th.

"A. M. M."--Sent patterns by mail on 13th.

"Mrs. M. L. C."--Sent patterns by Adams & Co. on 13th.

"Mrs. J. B. H.," California.--Sent jewelry and patterns by mail on 15th.

"An Old Subscriber," Detroit.--Can you inform us in or about what number
the crochet alphabet was published? Perhaps we can supply you the numbers.
Many thanks for your good wishes.

"Ella H."--We will publish it in our July number.

"A. H. O."--Gold spectacles sent by mail 17th.

"Miss C. L. B."--To engrave and publish the diagram you request will cost
us $50, and we can send you a pattern that will only cost you $1.25.

"Mrs. General P."--Sent patterns by mail on 17th.

No orders attended to unless the cash accompanies them.

All persons requiring answers by mail must send a post-office stamp.




The Borrower's Department.

"_The wicked borroweth and payeth not again._"


THE "Southern Sentinel" says: "We do not see how the ladies can do without
this admirable work." They don't; those who are not subscribers borrow.
It is a fair calculation to suppose that there are at least five persons
who read each number of the "Lady's Book." Now, as we have only 80,000
subscribers, this would make 400,000 readers, 320,000 of whom borrow the
"Book."

       *       *       *       *       *

"GODEY AGAIN.--'Have you received the Lady's Book for April?' says a lady
friend to us. 'Really,' she continued. 'I _do_ think that GODEY is the
most enterprising and shrewd publisher in the Union. He is always "ahead
of time," and I can hardly wait even then! Will you _lend it to me as
soon as it comes_?' Of course, we wanted to accommodate a friend--and
especially awkward was it to say _no_ to a lady; but we told her that we
wanted to keep them neat and clean for binding, and gently hinted that for
$3 she could get it without being dependent upon the printer! After second
thought, however, we have concluded to lend _this_ incomparable number,
making the borrower promise to immediately subscribe."--_Palmyra Sentinel._

       *       *       *       *       *

THE "Lawrence Journal" says:--

"We want to raise a club of about one hundred in Newcastle; so please hand
in your names, with the cash, and hereafter don't ask us, or our better
half, to lend it when you can get it for two dollars per annum."

       *       *       *       *       *

THE "Manheim Sentinel" vows that he will not lend his number. "We have
been already asked by several to lend ours, but our answer is, 'Ladies, we
don't lend Godey.'"

       *       *       *       *       *

THE "Newark Democrat" is positive. It says:--

"Remember, we can't lend our 'Book.' Godey has interdicted it expressly."

       *       *       *       *       *

"GODEY FOR MARCH.--We came very near forgetting our old friend and
always welcome visitor, 'Godey's Lady's Book.' Our apology is that the
ladies--bless their precious souls!--took possession of it instanter,
and we have not seen it since. But in subsequent discussions of
matters of feminine delicacy and taste, we have been reminded that
GODEY is the _primum mobile_ of fashion, and the oracle of parlor
conversations. According to the ladies, he is a 'jewel'--with us, he is a
'trump.'"--_Geo. Am. Union._




Chemistry for Youth.


DECOMPOSITION OF WATER.--Take a grain of potassium, wrap it up in a small
piece of thin paper, and introduce it into a test tube, or small phial,
inverted under water, and full of the same fluid. It immediately rises to
the top, and, combining with the oxygen of the water, an equivalent of
hydrogen gas is given off, which expels the water from the tube or phial,
and occupies its place. A lighted match brought to the mouth of the tube
will prove the presence of the hydrogen.

       *       *       *       *       *

THE ILLUMINATOR AND EXTINGUISHER.--Take three glass jars, of equal
heights, the first containing common air, the second carbonic acid gas,
and the third oxygen gas; plunge, successively, a lighted candle into
these jars, first into that holding common air, then into the carbonic
acid, and, lastly, into the oxygen gas. In the jar containing atmospheric
air, the candle will burn with ordinary brightness; in that filled with
carbonic acid gas, the flame will be instantly extinguished, but the
glowing wick will be relighted in the oxygen, and burn with increased
brilliancy.

       *       *       *       *       *

MINERAL CHAMELEON.--If one part of the oxide of manganese, and three
parts of the nitrate of potass, be heated to redness in a crucible till
no more oxygen gas be given off (the heat must be very considerable), a
friable green powder is obtained, generally known by the name of mineral
chameleon, from its property of changing color during its solution in
water. If a small quantity of the powder be put into a glass of water,
it soon forms a green solution, when it passes into a violet hue; and
lastly it becomes of a beautiful red color. If put into warm water, the
changes take place more rapidly, and are much more diversified. Mineral
chameleon is a manganate of potass, and it rapidly absorbs oxygen from the
atmosphere. The changes of color that occur are owing to the different
degrees of oxidizement of the metal.




Enigmas.


ANSWERS TO ENIGMAS IN MAY NUMBER.

    16. Eternity. 17. Flea. 18. Prayer-book. 19. A bullet.

       *       *       *       *       *


ENIGMAS.

                   20.

    I COME from Nova Zembla's coast,
    Greenland's realms of ice and frost,
    Where the Arctic's waters white
    Glisten in the moon's chill light;
    Where the sunbeam's ardent ray
    Burns but for a single day.
    O'er the "living and the dead"
    I my restless course have sped,
    And many a work of woe, I ween,
    Showeth where my flight hath been.
    At a noble's dwelling, rich and high,
    A beggar waited, with downcast eye;
    His timeworn locks were silvery white,
    And he prayed for shelter a single night;
    But the haughty menials within the wall
    Heeded not his weary call.
    I breathed on him with my icy breath,
    And lo! his limbs were stiff in death!
    A pale young mother by want opprest
    Clasped her babe to her aching breast;
    I listened as in accents wild,
    She prayed that God would save her child.
    Then I swept along in the hurricane's play,
    While skylit torches illumed my way.
    With the shade of my measureless wing I embraced
    That mother and child, and they both are at rest.
    I hurried me on in the tempest's black car,
    With the thunder to herald my coming afar;
    I stayed not, nor stopped till I reached the broad main,
    Where I lashed the bright waves till they maddened with pain.
    I call to the clouds; at my voice they arise,
    And ope, at my bidding, the gates of the skies.
    No law have I but to work my will;
    And where is the power that can bid me "Be still?"

                               LUCIA C. PENDLETON.


                 21.

    OF brethren seven
      The youngest by birth,
    But, favored by heaven,
      I'm chiefest on earth.

    I'm regarded with love
      By my friends good and wise,
    And am honored above
      Every crown 'neath the skies

    There's a charm in my name,
      All so radiant and pure,
    That my canonized fame
      With the world must endure.

    Such a glory I shed
      Upon each mundane scene--
    On the dungeon of dread,
      Or the court of the queen.

    The fair landscape I gild
      For contemplative eyes,
    As all nature seems filled
      With a radiance they prize.

    My six brothers, in twin,
      May bring riches and pleasure,
    But in me you'll discern
      That unparalleled treasure--

    That alleviates care,
      That reanimates labor,
    And man's peace should repair
      With his God and his neighbor.


                   22.

    A WARRIOR and a man I am,
      And gallant fame have I;
    Yet my humanity's a sham,
      For I neither live nor die.




Receipts, &c.


DOMESTIC RECEIPTS.

    EGGS AND OMELETTES.

TO CHOOSE EGGS.--In choosing eggs, hold them to the light; if they are
clear, they are fresh; if they are thick, they are stale; if they have
a black spot attached to the shell, they are worthless. Eggs should be
new, or not more than twenty-four hours old, when they are stored, else
their flavor cannot be relied on. The safest mode of choosing them is by
holding them to the light of a candle. Unless an egg is perfectly fresh,
it is unfit for any purpose. Bought eggs ought always to be suspected;
therefore, let an earthen pan be kept with charcoal or lime-water to put
them in. The longer they are kept in it the better they will be, as these
waters destroy must, and even corruption. You may try the freshness of
eggs by putting them in a pan of cold water. Those that sink the soonest
are the freshest. Eggs may be preserved a short time by putting them in a
jar of salt or lime-water, with the small ends downwards. The salt should
not afterwards be used. They may be preserved several months by greasing
them all over with melted mutton suet, and wedging them close together in
a box of bran. The small ends always downwards.

       *       *       *       *       *

TO KEEP EGGS FOR WINTER USE.--Pour a full gallon of boiling water on two
quarts of quicklime and half a pound of salt; when cold, mix it into an
ounce of cream of tartar. The day following put in the eggs. After the
lime has been stirred well into the boiling water, a large part of it will
settle at the bottom of the vessel, on which the eggs will remain. Keep
them covered with the liquor, and they will keep for two years.

       *       *       *       *       *

TO BOIL EGGS TO EAT IN THE SHELLS, OR FOR SALADS.--The fresher laid the
better; put them into boiling water; if you like the white just set, about
two minutes' boiling is long enough; a new-laid egg will take a little
longer; if you wish the yolk to be set, it will take three, and to boil it
hard for a salad, ten minutes. A new-laid egg will require boiling longer
than a stale one, by half a minute.

       *       *       *       *       *

POACHED EGGS.--The beauty of a poached egg is for the yolk to be seen
blushing through the white, which should only be just sufficiently
hardened to form a transparent veil for the egg. Have some boiling water
in a teakettle; pass as much of it through a clean cloth as will half fill
a stewpan; break the egg into a cup, and when the water boils, remove the
stewpan from the stove, and gently slip the egg into it; it must stand
till the white is set; then put it over a very moderate fire, and as soon
as the water boils, the egg is ready; take it up with a slice, and neatly
round off the raged edges of the white; send it to table on bread toasted
on one side only, with or without butter.

       *       *       *       *       *

TO POACH EGGS IN THE FRYING-PAN.--Put very little butter, oil, or top-pot
into the frying-pan; break the eggs gently into a deep cup, of the size
the egg is to be of, sometimes smaller, sometimes larger; with a quick
slight turn of the hand, turn the cup over with the egg into the pan, and
leave the cup upon it, and continue to turn over the cups till all the
eggs are put in; the fire must be very slow. When the first egg has taken,
raise the cup a little to ascertain it. They must be done very slowly,
otherwise the under part will be overdone. Dress them over parsley,
spinach, or on toasted bread.

       *       *       *       *       *

CUPPED EGGS.--Put a spoonful of very nice high-seasoned brown gravy into
each cup; set the cups in a saucepan of boiling water, and, when the gravy
heats, drop a fresh egg into each cup; take off the saucepan, and cover it
close till the eggs are nicely and tenderly cooked; dredge them with very
fine mace, or nutmeg and salt. Serve them in a hot-water plate, covered
with a napkin.

       *       *       *       *       *

ŒUFS BROUILLES.--Break four or six eggs; beat them and put them into a
saucepan with a piece of butter, a little salt, and a spoonful of sauce
or gravy, which makes the eggs softer; stir them over the fire until
sufficiently thick; serve on a plate garnished with toasted bread. To
eggs dressed in this way, ham, mushrooms, &c., minced, may be added. The
difference between this and an omelette is, that an omelette is compact
and turns out smooth, whereas _œufs brouillés_ are less done, and are,
therefore, broken. In Ireland, where it is in general use, it is usually
served upon hot buttered toast, and is there called "buttered eggs." It is
also very common in France, where it is usually served for breakfast.

       *       *       *       *       *

_Or_: Butter a dish well, and sprinkle it with salt; then break the eggs
very carefully, so as not to disturb the yolk; add a little more salt, and
some white pepper; melt a small quantity of butter, and pour it gently
over, with one or two spoonfuls of cream. Put the dish over a slow fire,
and finish the eggs by covering them with a red-hot shovel.

       *       *       *       *       *

SOUFFLE FRANCAISE.--Put into a stewpan one ounce of butter; when melted,
add two table-spoonfuls of flour; stir them well over the fire, so
that the flour be thoroughly cooked, but not colored; add by degrees a
wineglass of boiling cream, and four times that quantity of boiling milk;
work it quite smooth, take it off the fire, add four yolks of eggs, sugar
to palate, a grain of salt, and a table-spoonful of orange-flower water;
whip up strongly the whites of eight eggs, mix them lightly in the batter,
put the whole into a soufflé-dish, and bake for an hour. The flavor of
this souffle may be varied according to fancy, omitting the orange-flower
water, and substituting either vanilla, curacoa, noyeau, maraschino,
chocolate, coffee, &c.

       *       *       *       *       *

A COMMON OMELETTE.--From four to eight very fresh eggs may be used for
this, according to the sized dish required. Half a dozen will generally be
sufficient. Break them singly and carefully; clear them, or, when they are
sufficiently whisked, pour them through a sieve, and resume the beating
until they are very light. Add to them from half to a whole teaspoonful of
salt, and a seasoning of pepper. Dissolve in a small frying-pan a couple
of ounces of butter; pour in the eggs, and as soon as the omelette is well
risen and firm throughout, slide it on to a hot dish, fold it together
like a turnover, and serve it immediately. From five to seven minutes will
fry it.

       *       *       *       *       *

A SWEET OMELETTE WITH PRESERVE.--Beat up four eggs with a little salt; add
sugar; fry the omelette in fresh butter, make a half pound of preserve
liquid by shaking it in a little water over the fire; spread half upon
the omelette, double it up, and pour the remainder over the top.

       *       *       *       *       *

FRENCH OMELETTE.--Beat up four eggs with a table-spoonful of milk, a
little salt and pepper; put two ounces of fresh butter in the pan, and let
it remain for five minutes; beat the eggs for the same time; pour them
into the pan, and let them remain quiet for a few minutes, taking care to
separate the omelette gently from the bottom of the pan with a fork; now
shake it to keep it from burning at the bottom. It will not take more than
five minutes in cooking. Chopped parsley, shallot, or grated ham may be
added.

       *       *       *       *       *


THE SICK ROOM AND NURSERY.

FAINTING.--In cases of fainting, apply to the nostrils and temples
some spirits of compound spirits of ammonia, and give a few drops in a
wineglass of water inwardly.

       *       *       *       *       *

LINSEED TEA.--Pour a quart of boiling water on one ounce of linseed,
bruised, and half an ounce of sliced liquorice-root; let it stand in a
covered vessel near the fire four or five hours; then strain.

       *       *       *       *       *

CHILBLAIN LOTION.--Mix two ounces of sal-ammoniac with a pint of water.

       *       *       *       *       *

TO MAKE BARLEY-WATER.--Well wash two ounces of pearl barley; boil it a
few minutes in half a pint of water, which is to be thrown away; then add
four pints of boiling water; keep it boiling till two only are left, and
strain. A small quantity of lemon-juice may be added.

       *       *       *       *       *

WORM POWDER.--Take of rhubarb and jalap, each fifteen grains, and mix with
them four grains of calomel; take in honey.

       *       *       *       *       *

THE NAUSEOUS TASTE OF MEDICINE PREVENTED.--By chewing aromatic substances,
such as orange or lemon-peel, cloves or other spice, before taking
medicine, little or no taste will be perceived. The mouth can also be thus
prepared beforehand by a peppermint lozenge, or even a lump of sugar.




The Toilet.


ALMOND PASTE.--Half a pound of bitter almonds; two ounces of raisins,
stoned and well pounded in a mortar till they become quite a paste. Add a
small wineglassful of French brandy, and rather less than half a glass of
fine sweet oil. Beat it well, and put it in a pot for use.

       *       *       *       *       *

LAVENDER WATER.--One pint of the best rectified spirits of wine, one ounce
of oil of lavender, one teaspoonful of ambergris, and half an ounce of
bergamot.

       *       *       *       *       *

FOR CHAPPED HANDS.--Mix a quarter of a pound of unsalted hog's lard, which
has been washed in common and then rose-water, with the yolks of two
new-laid eggs and a large spoonful of honey. Add as much fine oatmeal or
almond-paste as will work it into a proper consistence, and rub in well
before going to bed.

       *       *       *       *       *

A GOOD DENTIFRICE is equal parts of powdered myrrh, chalk, and orris-root.

       *       *       *       *       *

THE black spots on the face are occasioned by obstructions in the skin.
Rubbing well with soap and flannel is better than the application of
spirit. Pressing on the spots firmly with the spill of a watch-key will
sometimes cause the black marks to come out. Friction will prevent their
occurring, as they are occasioned by languid circulation and a want of
frequent scrubbing. In such a state of the skin, frequent warm bathing
would be beneficial.

       *       *       *       *       *

MANAGEMENT OF THE FINGER NAILS.--According to European fashion, they
should be of an oval figure, transparent, without specks or ridges of any
kind; the semilunar fold, or white half-circle, should be fully developed,
and the pellicle, or cuticle which forms the configuration around the
root of the nails, thin and well defined, and, when properly arranged,
should represent as nearly as possible the shape of a half-filbert.
The proper management of the nails is to cut them of an oval shape,
corresponding with the form of the fingers; they should not be allowed to
grow too long, as it is difficult to keep them clean; nor too short, as it
allows the ends of the fingers to become flattened and enlarged by being
pressed upwards against the nails, and gives them a clumsy appearance.
The epidermis, which forms the semicircle round the nail, and adheres to
it, requires particular attention, as it is frequently dragged on with
its growth, drawing the skin below the nail so tense as to cause it to
crack and separate into what are called agnails. This is easily remedied
by carefully separating the skin from the nail by a blunt, half-round
instrument. Many persons are in the habit of continually cutting this
pellicle, in consequence of which it becomes exceeding irregular, and
often injurious to the growth of the nail. They also frequently pick under
the nails with a pin, penknife, or the point of sharp scissors, with the
intention of keeping them clean, by doing which they often loosen them,
and occasion considerable injury. The nails should be cleansed with a
brush not too hard; and the semicircular skin should not be cut away, but
only loosened, without touching the quick, the fingers being afterwards
dipped in tepid water, and the skin pushed back with a towel. This method,
which should be practised daily, will keep the nails of a proper shape,
prevent agnails, and the pellicles from thickening or becoming rugged.
When the nails are naturally rugged or ill-formed, the longitudinal ridges
or fibres should be scraped and rubbed with lemon, afterwards rinsed in
water, and well dried with the towel; but if the nails are very thin, no
benefit will be derived by scraping; on the contrary, it might cause them
to split. If the nails grow more to one side than the other, they should
be cut in such a manner as to make the point come as nearly as possible in
the centre of the end of the finger.

[Illustration]




Centre-Table Gossip.


COSTLY CHINA.

HAVING seen much of primitive districts ourselves, where "china" is known
as crockery, and dinner sets are "dishes," we can tell how incredible it
will seem to some of our more remote readers, when we tell them there is a
single set in our city now on sale, at the price of two thousand dollars.
The cost of a small farm swallowed up in one set of dinner dishes, liable
to breakage, too--more liable than less precious ware. We quite agree with
a favorite handmaid, to whom the advertisement was read--

"La, ma'am, I shouldn't like to have the washin' and handlin' of 'em."

Imagine the ease with which the possessor of this treasure would preside
over his table, with his property at the mercy of careless or hurried
waiting-men; his most elegant courtesies cut short by the imminent danger
of a soup-tureen, valued at fifty dollars; the point of his choicest _bon
mot_ lost by the capsizing of a gravy-boat. Better a dinner of herbs, from
white stone ware, so far as equanimity is concerned.

As a work of art--for only a true artist could design these graceful
shapes and trace the exquisite designs--the set cannot be too highly
valued, and the owners of the palatial residences on Fifth Avenue, who
have their billiard-rooms and bowling-saloons, their picture-galleries,
and their stables grained in oak, might thank the good taste of the
importer, who has placed such a gem within their reach. Rare china, in
these luxurious days, is a fashion and a taste which our fashionable
circles are just beginning to cultivate. Collecting it has long been a
favorite pursuit abroad with those whose wealth would permit so expensive
a hobby. What will be thought of a sale like this, which we copy from an
English print?--

"The chief attraction of the sale at Bedford Lodge, the late residence of
the Duchess of Bedford, was a collection of rare old Sèvres, Dresden, and
other porcelain, and some magnificent specimens of the now almost obsolete
Chelsea ware, together with a number of very fine old marqueterie
cabinets. Among the more remarkable lots sold may be instanced a set of
three small toilet-cases of rare old Chelsea ware (measuring only four or
five inches square), mazarine blue ground, richly embellished in gold,
with birds and flowers, which realized, after an active competition, two
hundred guineas; a pair of fine old Chelsea china vase-shaped candelabras,
painted in figures and flowers, on a turquoise ground, sold for seventy
guineas; a pair of elegant small Sèvres vases, with handles, on white
fluted pedestals, forty-nine guineas; a cabinet of turquoise Sèvres,
consisting of plateau, a two-handled cup and saucer, and a sugar-bowl
and cover, delicately painted, with cupids, camaien pink, fifty-five
guineas; a superb Sèvres vase, with handles, lapis blue ground, richly
decorated with gold, and painted with medallion portraits, in grisaille,
and garlands of flowers. This beautiful vase, which stands about thirteen
inches high, realized one hundred and fifty-six guineas; two Dresden
vases, with handles of elegant form, and painted with flowers, forty
guineas; a Palissey ware candelabra, for four lights, and supported by
néreides and masks, sold for fourteen guineas; a sculptured hand, with a
bunch of grapes, in statuary marble, realized seventeen guineas; a jewel
casket, with ormolu enrichments and Sèvres plaques on each side, painted
with landscape and figures of a female at a fountain, forty-two guineas;
a fine jewel casket, composed of plaques of rare Oriental enamelled china
painted, with ormolu, fifty-eight guineas; a superb Sèvres écuelle, with
cupids and bouquets of flowers, delicately pencilled in camaien pink,
seventeen guineas; two fine old Dresden verrières, richly gilt borders,
and painted with birds, fifteen guineas; a large Dresden ink tray, of the
finest period, with scroll borderings, nineteen guineas."




A CONSIDERATION.


"SERVANTS are such a trial!" is now the general complaint. Mrs. A. has
five cooks in one winter; Mrs. B. changes her chambermaid every month;
Mrs. C.'s nurse neglects the baby; and Mrs. D.'s waiter is impertinent to
her mistress and cross to the children. To hear a knot of ladies discuss
their respective domestic grievances, one would suppose that there was
no honesty of purpose and little ability left among "those of our own
household." And yet in the old times which we now look upon as dark ages,
in the days of our youth, when we should have been learning better lessons
than idleness and extravagance, servants grew old and gray-haired in the
employment of one family.

It can not be all the fault of those in service. If those who complain the
most would spend half the time wasted in talking over their trials, in
gaining the interest, and enlightening the ignorance of their servants,
half their lamentations would be spared. Many an indifferent cook might be
made capable and grateful with a little instruction, and the impertinence
and idling often come from a spirit fretted by accumulated task-work, that
should have been arranged to a methodical routine.

There is a good lesson worth laying to heart in the memorable last
words of Justice Talfourd, the wise jurist and elegant poet. It will be
remembered that he died the past spring, in the discharge of his judicial
duties, in the midst of an appeal from the bench for sympathy with those
we employ:--

"I am afraid we all keep too much aloof from those beneath us, and whom
we encourage to look upon us with suspicion and dislike. Even to our
servants, we think perhaps that we fulfil our duty when we perform our
contract with them; when we pay them their wages and treat them with
the civility consistent with our habits and feelings; when we curb our
temper and use no violent expressions towards them. But how painful is the
thought that there are men and women growing up around us, ministering to
our comforts and necessities, continually inmates of our dwellings, with
whose affections and natures we are as much unacquainted as if they were
the inhabitants of some other sphere. This feeling, arising from that
kind of reserve peculiar to the English character, does, I think, greatly
tend to prevent that reciprocation of kind words and gentle affections,
gracious admonitions and kind inquiries, which often, more than any book
education, tend to the culture of the affections of the heart, refinement
and elevation of the character of those to whom they are addressed."




EVERY LADY HER OWN DRESSMAKER.


A NICE time we should have of it, in the spring and fall, if some
ingenious "Singer" would invent a machine that would cut and fit our own
and our children's dresses. With the aid of Godey's "How to Make a Dress,"
the agony of weeks would be over in a few days, and wardrobes and closets
have their full supply of dresses, jackets, and aprons. In the absence of
this useful domestic aid, several parties have done their best to simplify
the process of measuring and fitting that every one dreads to go through
with, whether they stand up to it themselves or exhaust entreaties and
commands to make the younger members of the flock "keep still" under the
trying ordeal of pins and scissors.

Among the best of these methods, the simplest and most expeditious that we
have seen are the dress charts of Madame Demorest, to whose establishment
we have made frequent allusion, for ladies and children. Three measures
only are taken, the pencil, chart, and paper put in requisition, and the
thing is done. Madame D. evidently "keeps a poet," from the verses which
we find on the back of her circular. Listen to "the consummation devoutly
to be wished for" by all who dread fall and spring dressmaking:--

    "Dressmakers made artists by this magical chart,
    All flee from the old tedious and wearisome art;
    A pleasure succeeds to what once was a task,
    As they fashion the jacket, the bodice, and basque.
    Each lady with skill now may cut her own dresses,
    When she once the Excelsior Dress Model possesses;
    Of good taste and model she only asks aid,
    And a beautiful garment is speedily made.

    "While sitting content in her snug sewing-chair,
    We see the fond mother the dresses prepare.
    She calls up her children and fits them so neatly
    By the children's dress chart that has charmed her completely."

Even the old lady "that lived in a shoe" would find her way out of the
difficulties in which she is historically enveloped, by the aid of this
magic chart, if it effects half that is promised for it.




ORNAMENTS.


AS many of our lady readers know, there is generally a rage for some one
stone, or style of setting, in jewelry. We do not speak of costly sets, as
pearl or diamonds, but of those accessible to ordinary purchasers.

The topaz had its day, and was succeeded by turquoise; for a time every
one, without regard to complexion, wore brooch and ear-rings of cerulean
blue. Then garnets; then enamel of blue or green; and now, with a proper
mixture of pearl, garnet and enamel, turquoise being entirely out of date,
coral ornaments seem to be the favorites.

We mentioned, in a late number, the costly sets found at Ball & Black's,
imitating flowers and fruit. When last coral was in vogue, the carvings
were more in the style of cameo cuttings, as figures, heads, etc., in
medallion, and of the dark red hue generally seen in the necklaces of
infants. White and rose color are now the favorite shades. There are many
new designs in setting; a branch highly polished, for instance, encircled
in coils of gold; a single blossom or fruit, as a pear or a fuchsia, set
in the same way, and forming the centre of the pin, or the drop of the
ear-ring. A very pretty brooch--we speak now of simple ornaments--in this
style costs from seven to twelve dollars.

Garnets are sometimes set on a glowing red or crimson ground, which gives
them a singular flashing, vivid color. One of the favorite designs is in
imitation of the section of a branch or stem of a tree, encrusted with
gold and garnets. These are, of course, large and showy brooches. We have
seen a few encrusted with turquoise in the same style. Enamelled ornaments
are still worn, but are not so much the rage as for a few years past. For
mourning brooches, see the fashion article of the present month.

Pearls are still in high favor with those whose purses and whose
complexions can afford them.




THE NURSERY-BASKET.


IT is as well to mention in our chat the reason of the unavoidable delay
of the promised volume on nursery matters, announced some three months
since. Its design and scope were altered when the illustrations and much
of the text were prepared, which has delayed its appearance. It is,
however, now nearly ready, and will be forwarded as early as possible
to the numerous subscribers who have sent us their orders. They will
scarcely regret the delay, when the volume in its present form reaches
them. If, however, there are any who are tired of waiting "for the play to
commence," they can have the price of tickets refunded at the office--or,
to speak plainly, we will willingly return any moneys received in advance,
if any desire it, by sending post-office stamps to the amount. However,
our readers need not fear that their claims will be forgotten as soon as
the book is ready. It will be found simple, practical, and reliable in
its various directions for the preparation of an infant's wardrobe, short
clothes, flannels, etc. etc.




TO CORRESPONDENTS.


WOOD-CUTTING is not so difficult as our correspondent, "L.," seems to
imagine, and seems to us especially adapted to be an employment for
females. It has been taught successfully in the Philadelphia School of
Design. She is right in thinking it the first established. A history of
its commencement and progress has been already given in the "Lady's Book."
The designs for wood-cutting are drawn on the block, usually of pear-tree
wood, made as smooth as satin letter-paper. The designer is not always, or
often the engraver.

"A BOARDER" will find it very convenient to make chintz covers to her
trunks, if she has no place to pack them. They are very simple, and
effectually disguise travelling boxes, transforming them to ottomans
and lounges. She has only to purchase furniture chintz at twelve and a
half cents a yard, fit a piece to the top of the trunk, and run a plain
flounce the height of the sides around it. This will leave one end seam
to be closed. A binding of worsted or cotton braid, some neat dark color,
gives a finish to the chintz, and is run on the top seam around the
trunk, and down the four corners. This gives it still more the appearance
of an ottoman or lounge, as their covers are made in the same way. Many
housekeepers have boxes made in this way, to contain silver or bed linen,
where closet room is needed.

"MRS. N.," of Rose Hill, Ga.--A lambrequin is the fall or top piece of
a curtain; see any of Carryl's advertisements in the "Lady's Book." It
is generally of a heavy material, as damask, satin laine, etc., finished
with gimp, or cords and tassels. In a summer country house, where heavy
curtains are not needed, a lambrequin depending from the cornice gives a
finish to lace or muslin draperies. We should advise her to order them.

"MRS. GEO. P."--The appearance of the gum probably was the result of
injury from a hard substance, an ivory or wooden plaything, possibly.
Some children do not get any teeth before they are a year old, though
six months is usually looked upon as the commencement of dentition. In
selecting a baby's toys, it is necessary to see that they are not hard
enough to hurt the mouth, or rough, so as to scratch and inflame it, as a
child naturally tries to bite everything it can lay hands on. Common cheap
toys are objectionable, as the paint comes off on the mouth and face. A
plain ring of bone or ivory, tied by a broad string of tape or ribbon to a
child's waist, will amuse it for hours, and is perfectly safe. Knit dolls
are excellent, and the old style "rag baby" is worth a dozen of wax or
composition. If a child has a plaything that will be likely to scratch its
mouth or put out its eyes, it should be held by the nurse or mother, and
never trusted to its powerless little hands.

"THE READING CIRCLE OF E., PA.," will find "Markland," by the author of
"Margaret Maitland," and the "Memoir of Mrs. Ware," added to their list.
We think the plan an excellent one; and, as the books are to be taken in
turn when read through, do not see how any ill feeling can grow out of it.
We should advise them to take "Household Words," if they can afford but
one English magazine.

"MRS. S."--Flannel will not answer the purpose. A half handkerchief of
oiled silk, bound with ribbon or flannel binding. Nursery aprons of
gingham or chintz, with an oil-silk lining, are much used.

"A. L. S."--For grafting, we have seen the following highly recommended in
a paper read before a State agricultural society: Two-thirds resin to one
of common beeswax. It will not melt or run.

"A YOUNG AUTHOR" has need of "good courage." In presenting his MSS. to a
publisher, send it by express or post, _prepaid_, with a plain, sensible
letter on the subject of the book, and leave it to him or his editor
to praise it. Never say "that a partial friend, or friends, advise its
publication." If you wish it done, you need offer no excuse; if not, keep
it to yourself. Do not expect to make a fortune on your first venture. If
you can have it printed free of expense, it is all you ought reasonably to
expect. Many are glad to do this. Remember that poems rarely pay for print
and binding at the present time, and no young writer can be a finished and
original essayist. The essay, above all other forms of composition, needs
purity of style, original thought, acute observation, and wide experience.

"MRS. K.," of White Plains.--We would recommend "Kane's Arctic
Expedition," and "St. Herndon's Valley of the Amazon;" they are the most
popular recent books of travel, and suitable for family reading.

"ALICE" will find we have attended to her request. Cambric sets are still
fashionable.




Fashions.


NOTICE TO LADY SUBSCRIBERS.

Having had frequent applications for the purchase of jewelry, millinery,
etc., by ladies living at a distance, _the Editress of the Fashion
Department_ will hereafter execute commissions for any who may desire it,
with the charge of a small percentage for the time and research required.
Bridal wardrobes, spring and autumn bonnets, dresses, jewelry, bridal
cards, cake-boxes, envelopes, etc. etc., will be chosen with a view to
economy, as well as taste; and boxes or packages forwarded by express to
any part of the country. For the last, distinct directions must be given.

_Orders, accompanied by checks for the proposed expenditure, to be
addressed to the care of L. A. Godey, Esq., who will be responsible for
the amount, and the early execution of commissions._

_No order will be attended to unless the money is first received._

Instructions to be as minute as is possible, accompanied by a note
of the height, complexion, and general style of the person, on which
_much depends_ in choice. Dress goods from Levy's or Stewart's; cloaks,
mantillas, or talmas, from Brodie's, 51 Canal Street, New York; bonnets
from Miss Wharton's; jewelry from Bailey's or Warden's, Philadelphia, or
Tiffany's, New York, if requested.


DESCRIPTION OF FASHIONS FOR JUNE.

_Fig. 1st._--Walking-dress of green taffeta, a skirt and basque. The
skirt is made on a band, very full, long, and plain. The basque is close,
and much sloped at the hip. It will be noticed that it is very long,
approaching the size of the velvet street basques worn last summer.
Sleeves demi-long, and flowing, finished with three ruffles, pinked. Large
collar of cambric embroidery. Bonnet of drawn taffeta, the same shade as
the dress, a light plume at the right. A simple full cap of blonde inside
the brim. Rich scarf, oriental style.

_Fig. 2d._--A graceful and serviceable riding-dress, one of the best
styles we have had for several seasons, being at once suited to the road
and becoming to the figure. The skirt is on a band, or under waist, the
ordinary fulness and length. The jacket, with its coat sleeves and rolling
collar, fits the figure easily, and rounds over the hips into a short
basque. A buff chemisette, in the fashion of a close vest, finished by
upright linen collar and small flat necktie. Beaver hat and plume, the
crown rather higher than has been worn of late. The material may be either
habit cloth, cashmere, or merino. Habit cloth, being heavier, seems more
serviceable for the road, and keeps in place better.


CHITCHAT UPON NEW YORK AND PHILADELPHIA FASHIONS FOR JUNE.

This is the favorite month in the year for the display of light and airy
styles in our Atlantic cities, the few who have gone to their country
houses in advance of the season being replaced by the arrival of Southern
and Western belles, refitting at Stewart's, Levy's, Lawson's, Miss
Wharton's, and every other fashionable establishment, for the summer
campaign at Saratoga and Newport. Every resident has her favorite spring
walking-dress, in which to pay her last round of calls, when she leaves
her P. P. C., and is "not at home," until autumn comes again, to her dear
five hundred friends.

These street dresses are mostly silks, varying from the rich dark poplins
and _moir antique_ to the lighter _glacé_ stripes and plaids, or the India
foulards, with their close glossy folds. The heavier silks are usually
entirely plain in the skirt; even _poult de soie_, the heavy plain-colored
silk that comes next to a poplin in richness of effect, has usually only
a deep hem at the bottom of the skirt. The basques and sleeves have all
the novelties of style and decoration. For these there are new galloons
and ribbons appearing daily, matching the silks in shade, or used as a
contrast, as taste may dictate. Velvet uncut, plain, and embossed; _moir
antique_, richly watered; brocaded and embroidered ribbons, varying from
one to three inches in width, are used for these heavier stuffs, which are
now nearly out of season.

The lighter silks are in stripes and plaids of infinite variety. Green
and violet seem to be the favorite shades. These are made with flounces,
usually three, nearly the same width, the top one measuring the same from
the top of the skirt. Fringe in alternate stripes, to correspond with
the silk, is used where much trimming is desired on the edge of these
flounces, or they may be simply bound or pinked. Pinking is used more
than of late, and, in every establishment where it is done, there are a
great variety of patterns, many of them elaborate. We have seen a very
tasteful walking-dress, of violet and white plaid--a "quadrilled" silk,
the manufacturer calls it--made with three flounces as above, the basque
trimmed with fringe (alternate white and violet, instead of being mixed,
as was the style) three inches deep. This was, in turn, headed by violet
satin ribbon an inch wide, box-plaited on, and continuing around the front
of the corsage. The sleeves were flowing, with three rows of fringe much
narrower, but exactly corresponding, also headed by the plaiting, and
fastened on the inside by a knot of rich brocaded ribbon with flowing
ends. This, of course, had an exceedingly elegant effect, and could only
be worn by a tall, full figure. We describe it to show how elaborate and
costly the trimming of dresses are made the present season, while the
materials, silks, tissues, _barèges_, etc., remain much the same as
the past year. Box-plaited ribbons, whether plain, pearl-edged satin,
brocaded, or plaided, are much used. It is usual to allow twice and a half
the desired length of the trimming in purchasing them. Bows of broader
and more expensive ribbon are still used for the sleeves and front of the
corsage.

For thin materials, as _barège_, tissues, etc., in all the fanciful names
by which they are called, most of which are manufactured by the importers'
clerks, there is every variety of trimming in the shape of gauze ribbons.
They have usually a coarse thread in the plain edge, by which they can be
drawn up into quillings, ruches, and even box-plaitings. So many yards are
used in a full trimming, and it is so expensive, never less, and usually
more than a quarter of a dollar a yard, that the trimming and making often
cost as much, and even more than the original material.

No city dressmaker, with any pretence to a good style, will undertake to
make a dress for less than three dollars. In the really fashionable shops,
$4 75 is the charge for making a basque waist, apart from the skirt--silk,
buttons, all trimmings charged separately in the bill; so that you have
from seven to nine, and even fifteen dollars, to add to the cost of your
two yards and a half of silk, the quantity usually purchased for a basque.

We have seen no more tasteful bonnets at any establishment than at Genin's
bazaar, which, as most of our readers know, has been elegantly fitted up,
and so arranged as to be nearly double the original size, thus leaving
plenty of room for a large millinery and dressmaking establishment,
carrying out more fully the first design of Mr. Genin. The workwomen have
two large and cheerful apartments assigned to them, and the show-room
adjoining is always thronged. The nursery department has been removed
to this more spacious suite, and the space below the dome is now filled
by rows of industrious workers, with the silks and muslins they are
manufacturing for the juveniles expressly.

Leghorn bonnets are still worn, though in July and August more dress hats
of silk, crape, and lace will be seen. The Leghorns are in unusually good
shapes, and trimmed very simply, either with straw, marabout plumes, or
plain white ribbons. We speak of the prevailing styles; of course, many
tastes are to be suited, and some people would flounce a _moir antique_
with the same, if they thought it would look more expensive, and for this
class of community ribbons and garlands cannot be too profuse even on a
Leghorn, which, if handsome, is generally considered, like a rich silk,
to "have no need of ornament." There is a profusion of plain straws of
every shape and cost. We notice that they come close, or nearly so, under
the chin, and the whole bonnet is a gradual slope from the brim to the
crown. They are trimmed in every variety of style, ruches of narrow ribbon
box-plaited on, numerous flat bows of ribbon an inch in width disposed as
a wreath, etc. etc. Ribbons, as a general thing, are much narrower than
the past season, and those long scarf-like strings are not considered in
good taste. We have before spoken of the profusion of trimming inside the
brim. Blonde caps--a narrow edge of blonde usually sewn upon a broad or
wash-blonde lace--are usually almost invariably used to soften the effect
of the flowers and ribbon bows that encircle the face. The flowers used
are of the most delicate description, made of crape, in strict imitation
of nature. Flag flowers, convolvulus, lilac sprays, field violets, and all
the more delicate blossoms, are exquisitely reproduced.

    FASHION.

[Illustration: Godey's Latest Fashions.]

       *       *       *       *       *

    +-------------------------------------------------+
    |         TRANSCRIBER NOTES:                      |
    |                                                 |
    | P. 486. 'Novado' changed to 'Novada'.           |
    | P. 501. 'toffe' changed to 'toffee'             |
    | P. 506. 'com' changed to 'come'.                |
    | P. 507. 'mocassin' changed to 'moccasin'.       |
    | P. 561. 'nna' changed to 'Anna'.                |
    | Fixed various punctuation.                      |
    +-------------------------------------------------+



*** END OF THE PROJECT GUTENBERG EBOOK GODEY'S LADY'S BOOK, VOL. 48, JUNE, 1854 ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.