GRAHAM’S MAGAZINE.
                 Vol. XX.      March, 1842      No. 3.


                                Contents

                   Fiction, Literature and Articles

          The Crowning of Powhatan
          German Writers, Heinrich Heine
          The Two Dukes
          May Evelyn
          The Doom of the Traitress
          The First Step
          Dreams of the Land and Sea
          The Lady and the Page
          Imagination
          Harry Cavendish continued
          Review of New Books

                       Poetry, Music and Fashion

          To One Departed
          The Young Widow
          The Freshet
          Marches for the Dead
          To Isa in Heaven
          An Epistle to Fanny
          The Stranger’s Funeral
          Agathè.—A Necromaunt
          Western hospitality
          Fancies About a Rosebud
          A Lady Heard a Minstrel Sing
          Spring Fashions

       Transcriber’s Notes can be found at the end of this eBook.

                 *        *        *        *        *

[Illustration: J. G. Chapman, R. Hinshelwood. _The Crowning of
Powhatan._ _Engraved for Graham’s Magazine from an Original Picture_]




                           GRAHAM’S MAGAZINE.

            Vol. XX.    PHILADELPHIA: MARCH, 1842.    No. 3.

                 *        *        *        *        *




                       THE CROWNING OF POWHATAN.


The settlement at Jamestown was begun in 1606. Among the earliest of the
adventurers was the chivalrous Captain Smith, whose life was a romance
even in those romantic days. He soon came to be the leader of the
colonists, and it was through his exertions that the settlement was kept
up, amid privations and dangers almost incredible. The story of his
capture by the Indians, and his preservation from death by Pocahontas,
has become a national tradition, and poets have sung, orators declaimed,
and novelists penned volumes to record the bravery of the Captain, and
the love of the Indian maid. But, perhaps, nowhere is the story told
with such effect as in the “Generall Historie” of the gallant Smith
himself, a work published in 1624, and still to be met with in the
libraries of the curious. The book is a rarity. It is adorned with
maps,—not the most correct, to be sure—and with engravings setting
forth the various perilous situations of the author, over which a
book-worm would gloat for a month. The narrative is written in a plain,
frank, unassuming style, and the author is always spoken of in the third
person. To this book we are indebted for an account of the crowning of
Powhatan, and our only regret is that our limits will not suffer us to
give the quaint language of Smith.

This singular ceremony took place in 1608, and was performed at the
instigation of the council at home, who sent over the necessary insignia
by Capt. Newport from London. The object of the ceremony was to
propitiate Powhatan, and induce him to guide the colonists to the
country of the _Monacons_, whom the dreamy adventurers, exaggerating the
casual hints of the Indians, had pictured to themselves as a people of
boundless wealth. It is evident, from the “Generall Historie,” that
Smith did not approve of the measure, for he says appositely—“As for
the coronation of Powhatan, and his presents of Basin and Ewer, Bed,
Bedstead, Clothes, &c., and such costly novelties, they had been much
better spared than so ill spent, for we had his favor much better only
for a plain piece of copper.” The measure had been resolved on at home,
however, and Captain Smith had no alternative but to obey. Accordingly,
he sent a messenger to Powhatan to come and receive his presents; but
the Indian monarch, with the spirit of an Alexander, replied, “If your
King have sent me presents, I also am a King, and this is my land: eight
days I will stay to receive them. Your father is to come to me, not I to
him.” The Captain now sent the presents “a hundred miles by river,” as
he tells us, to Powhatan. Here a masked ball and other festivities came
off, in which the Captain seems to have been quite a favorite with the
Indian belles. At length the ceremony of the coronation was performed,
but, if the bold Captain speaks aright, it must have been a sorry
crowning. He says, “But a sore trouble there was to make him kneel to
receive his crown, he neither knowing the majesty nor meaning of a
crown, nor bending of the knee, endured as many persuasions, examples
and instructions as enraged them all. At last, _by bearing hard on his
shoulders_, he a little stooped, and those having the crown in their
hands put it on his head, when by the warning of a pistol, the boats
were prepared with such a volley of shot, that the King started up with
a horrible fear, till he saw all was well.” A graphic picture. A sturdy
old republican was Powhatan, having no notion of their crown! We imagine
we can see the perturbation of the good Captain and his followers when
they found that the old warrior would not kneel, and the glee with which
they regarded their success, when, by pressing hard on the royal
shoulders, they surprised him into being duly crowned.

The honor, however, failed of its object. Powhatan would give no aid to
the colonists in their designs on the Monacons, although that people was
a sworn enemy to his race. He proudly said that he needed no ally—that
he could conquer his foes alone. The only return he made for the gifts
of the council was a present of an old pair of slippers and a mantle to
Capt. Newport. The picture, by Chapman, graphically pourtrays the
ceremony.

                 *        *        *        *        *




                            GERMAN WRITERS.


                            HEINRICH HEINE.


                        BY HENRY W. LONGFELLOW.


Ludwig Börne, the well-known author of _Letters from Paris_, once said,
that Voltaire was only the John the Baptist of Antichrist, but that
Heine was Antichrist himself. Perhaps he paid Heine too great a
compliment yet the remark is true so far as this, that it points him out
as the leader of that new school in Germany which is seeking to
establish a religion of sensuality, and to build a palace of Pleasure on
the ruins of the church.

This school is known under the name of Young Germany. It is skeptical,
and sensual; and seems desirous of trying again the experiment so often
tried before, but never with any success, of living without a God. Heine
expresses this in phrases too blasphemous or too voluptuous to repeat;
and Gutzkow, his follower exclaims: “Let the only Priest, that weds our
hearts, be a moment of rapture, not the church, with her ceremonies, and
her servants with parted hair;” and again with a sigh: “Alas! had the
world known nothing of God, it would have been happier!”

Thus the old and oft-repeated follies of mankind come up and are lived
over again by young men, who despise the wisdom of the Past, and imagine
themselves wiser than their own generation. Nor are these young men
without their admirers and advocates. Madame Dacier, of classic memory,
defended Sappho’s morals, and in reply to the hereditary scandal against
her, coldly said: “Sappho had her enemies.” Nearly in the same way is
Young Germany defended; and even theologians have not been wanting, to
palliate, excuse and justify.

In this country, there are certain persons, who seem disposed to enact
this same tragic farce; for we too, have our Young America, which mocks
the elder prophets, and cries “Go up, bald-head!”—Young ladies read
with delight such books as _Festus_, and think the _Elective Affinities_
“religious almost to piety.” Young men, who profess to be Christians,
like the Pagan of Lafontaine, believe in God by a kind of
patent-right,—_par bénéfice d’inventaire_. Nature, we are told, must
not be interfered with in any way, at any time; and so much is said
about this, that many respectable people begin to say with old Voss,
“Dear Nature! thou seemest to me quite too natural!”

I do not, however, propose to discuss these points in the following
sketch; nor to consider Heine’s plans for regenerating society, which,
at best, are but vague opinions thrown out recklessly and at random,
like fire-brands, that set in a flame whatever light matter they fall
upon. It is the Author only, that I shall attempt to sketch.

Henry Heine was born in 1797 at Düsseldorf on the Rhine; and studied at
the Universities of Bonn, Berlin, and Göttingen. He afterwards resided
in Hamburg, Berlin and Munich; and since 1830 has lived in Paris. His
principal writings are _Buch der Lieder_, a collection of lyrical poems;
two tragedies, _Almansor_ and _Radcliff_; the four volumes of
_Reisebilder_; the _Beiträge zur Geschichte der neuern schönen Literatur
in Deutschland_; the _Frangësische Zustände_; and _Der Salon_,—the last
two being collections of his various contributions to the German
newspapers. The most popular of his writings is the _Reisebilder_,
(Pictures of Travel.) The _Beiträge_ has been translated into English,
by Geo. W. Haven, under the title of _Letters auxiliary to the History
of modern Polite Literature in Germany, Boston, 1836_. The same work,
with many additions, has been published in Paris, under the title of _De
l’Allemagne_.

The style of Heine is remarkable for vigor, wit and brilliancy; but is
wanting in taste and refinement. To the recklessness of Byron he adds
the sentimentality of Sterne. The _Reisebilder_ is a kind of _Don Juan_
in prose, with passages from the _Sentimental Journey_. He is always in
extremes, either of praise or censure; setting at nought the decencies
of life, and treating the most sacred things with frivolity. Throughout
his writings you see traces of a morbid, ill-regulated mind; of deep
feeling, disappointment and suffering. His sympathies seem to have died
within him, like Ugolino’s children in the tower of Famine. With all his
various powers, he wants the one great power—the power of truth! He
wants, too, that ennobling principle of all human endeavors, the
aspiration “after an ideal standard, that is higher than himself.” In a
word, he wants sincerity and spirituality.

In the highest degree reprehensible, too, is the fierce, implacable
hatred with which Heine pursues his foes. No man should write of another
as he permits himself to do at times. In speaking of Schlegel, as he
does in his _German Literature_, he is utterly without apology. And yet
to such remorseless invectives, to such witty sarcasms, he is indebted
in a great degree for his popularity. It was not till after he had
bitten the heel of Hercules, that the Crab was placed among the
constellations.

The following passages from the _Reisebilder_, will give the reader a
general idea of Heine’s style; exhibiting at once his beauties and
defects—his poetic feeling—his spirit—his wit—his want of taste. The
first is from his description of a _Tour to the Harz Mountains_; the
second from his _Journey from Munich to Genoa_.


                         SCENE ON THE BROCKEN.

In the dining-room of the inn I found all life and motion; students from
various Universities; some just arrived, are refreshing themselves,
others are preparing for their departure, buckling their knapsacks,
writing their names in the Album, receiving _Brocken-bouquets_ from the
servant girl; there is pinching of cheeks, singing, dancing, shouting;
questions are asked, answers given,—fine weather,—footpath,—God bless
you—good bye. Some of the departing are a little jolly, and take double
delight in the beautiful view, because a man when he is drunk sees all
things double.

When I had somewhat refreshed myself, I ascended the observatory, and
found there a little gentleman with two ladies, one of them young, the
other oldish. The young lady was very beautiful. A glorious
figure,—upon her curling tresses a helm-like hat of black satin, with
whose white feathers the wind sported;—her delicate limbs so closely
wrapped in a black silk mantle, that the noble outlines were distinctly
seen;—and her free, large eye quietly gazing forth into the free, large
world.

I sought without more ado to engage the beautiful lady in conversation;
for one does not truly enjoy the beauties of Nature, unless he can
express his feelings at the moment. She was not intellectual, but
attentive, sensible. Of a truth, most aristocratic features. I do not
mean that common, stiff, negative aristocratic bearing, that knows
exactly what must be let alone; but that rare, free, positive
aristocratic bearing, which tells us clearly what we may do, and gives
us with the greatest freedom of manners, the greatest social security.
To my own astonishment, I displayed considerable geographical knowledge;
told the curious fair one all the names of the towns that lay before us;
found and showed her the same on my map, which I unfolded with true
professional dignity, upon the stone table in the middle of the
platform. Many of the towns I could not find, perhaps because I looked
for them rather with my fingers, than with my eyes, which meanwhile were
investigating the face of the gentle lady, and found more beautiful
excursions there than _Schierke_ and _Elend_. It was one of those faces
that never excite, seldom fascinate, and always please. I love such
faces, because they smile to sleep my turbulent heart.

In what relation the little gentleman, who accompanied the ladies, stood
to them I could not guess. He was a thin, curious-looking figure; a
little head, sparingly covered with little grey hairs, that came down
over his narrow forehead as far as his green dragon-fly eyes, his
crooked nose projecting to a great length, and his mouth and chin
retreating anxiously towards the ears. This funny little face seemed to
be made of a soft, yellowish clay, such as sculptors use in forming
their first models, and when the thin lips were pressed together, a
thousand fine, semi-circular wrinkles covered his cheeks. Not one word
did the little gentleman say; and only now and then, when the elderly
lady whispered something pleasant in his ear, he smiled like a
poodle-dog with a cold in his head.

The elderly lady was the mother of the younger, and likewise possessed
the most aristocratic form and feature. Her eye betrayed a morbid,
sentimental melancholy; about her mouth was an expression of rigid
piety; and yet it seemed to me, as if once it had been very beautiful,
had laughed much, and taken and given many a kiss. Her face resembled a
_Codex palympsestus_, where, beneath the recent, black, monkish copy of
a homily of one of the Fathers of the Church, peeped forth the half
effaced verses of some ancient Greek love-poet. Both of the ladies, with
their companion, had been that year in Italy, and told me all kinds of
pretty things about Rome, Florence and Venice. The mother had a great
deal to say of Raphael’s paintings at St. Peter’s; the daughter talked
more about the opera and the _Teatro Fenice_.

While we were speaking it began to grow dark; the air grew colder, the
sun sank lower, and the platform was filled with students, mechanics,
and some respectable cockneys, with their wives and daughters, all of
whom had come to see the sun set. It is a sublime spectacle, which
attunes the soul to prayer. A full quarter of an hour stood we all
solemnly silent, and saw how that beauteous ball of fire by slow degrees
sank in the west; our faces were lighted by the ruddy glow of
evening,—our hands folded themselves involuntarily;—it was as if we
stood there, a silent congregation in the nave of a vast cathedral, and
the Priest were elevating the Body of the Lord, and the eternal choral
of Palestrina flowing down from the organ!

As I stood thus absorbed in devotion, I heard some one say close beside
me,

“Generally speaking, how very beautiful nature is!”

These words came from the tender heart of my fellow lodger, the young
shop-keeper. They brought me back again to my work-day mood, and I was
just in the humor to say several very polite things to the ladies about
the sunset, and quietly conduct them back to their room, as if nothing
had happened. They permitted me to sit and talk with them another hour.
As the earth itself, so revolved our conversation round the sun. The
mother remarked, that the sun, sinking in vapors, had looked like a red,
blushing rose, which the Heaven in its gallantry had thrown down upon
the broad-spreading, white bridal veil of his beloved Earth! The
daughter smiled, and expressed herself of the opinion, that too great
familiarity with the appearances of nature weakened their effect. The
mother corrected this erroneous view by a passage from Göthe’s
_Reisebriefen_, and asked me if I had read the _Sorrows of Werther_. I
believe we talked also about Angola cats, Etruscan vases, Cashmire
shawls, macaroni and Lord Byron, from whose poems the elderly lady,
prettily lisping and sighing, recited some passages on sunsets. To the
younger lady, who did not understand English, but wanted to read Byron,
I recommended the translations of my fair and gifted country-woman, the
Baronese Elise von Hohenhausen; and availed myself of the opportunity,
as I always do with young ladies, to express myself with warmth upon
Byron’s ungodliness, unloveliness and unhappiness.

                                                _Reisebilder, Vol. 1._


                           STREET MUSICIANS.

When I returned to the _Locanda della Grande Europa_, when I had ordered
a good _Pranzo_, I was so sad at heart that I could not eat,—and that
means a great deal. I seated myself before the door of the neighboring
_Botega_, refreshed myself with an ice, and said within myself:

“Capricious Heart! thou art now forsooth in Italy—why singest thou not
like the lark? Perhaps the old German Sorrows, the little serpents, that
hid themselves deep within thee have come with us into Italy, and are
making merry now, and their common jubilee awakens in my breast that
picturesque sorrow, which so strangely stings and dances and whistles?
And why should not the old sorrows make merry for once? Here in Italy it
is indeed so beautiful, suffering itself is here so beautiful,—in these
ruinous marble palaces sighs sound far more romantically, than in our
neat brick houses,—beneath yon laurel trees one can weep far more
voluptuously, than under our surly, jagged pines,—and gaze with looks
of far sweeter longing at the ideal cloud-landscapes of celestial Italy,
than at the ash-gray, German work-day heaven, where the very clouds wear
the looks of decent burghers, and yawn so tediously down upon us! Stay
then in my heart, ye sorrows! Nowhere will you find a better lodging.
You are dear and precious to me; and no man knows better how to father
and cherish you, than I; and I confess to you, you give me pleasure. And
after all, what is pleasure? Pleasure is nothing else than a highly
agreeable Pain.”

I believe that the music, which, without my taking note of it, sounded
before the _Botega_, and had already drawn round itself a circle of
spectators, had melo-dramatically accompanied this monologue. It was a
strange trio, consisting of two men, and a young girl, who played the
harp. One of the men, warmly clad in a white shaggy coat, was a robust
fellow, with a dark-red bandit-face, that gleamed from his black hair
and beard, like a portentous comet; and between his legs he held a
monstrous bass-viol, upon which he sawed as furiously, as if he had
thrown down a poor traveller in the Abruzzi, and was in haste to fiddle
his windpipe in two. The other was a tall, meagre graybeard, whose
mouldering bones shook in their thread-bare, black garments, and whose
snow-white hair formed a lamentable contrast with his _buffo_ song and
his foolish capers. It is sad enough, when an old man must barter for
bread the respect we owe to his years, and give himself up to
buffoonery; but more melancholy still, when he does this before or with
his own child! For that girl was the daughter of the old _Buffo_, and
accompanied with the harp the lowest jests of her gray-headed father;
or, laying her harp aside sang with him a comic duet, in which he
represented an amorous old dotard and she the young coquettish
_inamorata_. Moreover the girl seemed hardly to have passed the
threshold of childhood; as if the child, before it had grown to
maidenhood, had been made a woman, and not an honest woman. Hence that
pallid, faded look, and the expression of nervous discontent in her
beautiful face, whose proudly rounded features as it were disdained all
show of compassion;—hence the secret sorrowfulness of the eyes, that
from beneath their black, triumphal arches flashed forth such
challenges;—hence the deep mournful voice, that so strangely contrasted
with the laughing, beautiful lips, from which it fell;—hence the
debility of those too delicate limbs, around which a short,
anxious-looking robe of violet-colored silk, fluttered as low as it
possibly could. In addition to this, gay, variegated satin ribbands
flaunted from her faded straw hat, and emblematic of herself, her breast
was adorned with an open rose-bud, which seemed rather to have been
rudely torn open, than to have bloomed forth from its green sheath by
its own natural growth. Still in this unhappy girl, in this Spring which
Death had already breathed upon and blasted,—lay an indescribable
charm, a grace, which revealed itself in every look, in every motion, in
every tone. The bolder her gestures became, the deeper grew my
compassion; and when her voice rose from her breast so weak and
wondrous, and as it were implored forgiveness; then triumphed in my
breast the little serpents, and bit their tails for joy. The Rose
likewise seemed to look at me imploringly; once I saw it tremble and
grow pale,—but at the same moment rose the trills of the girl so much
the more laughingly aloft, the old man wooed still more amorously, and
the red comet-face murdered his viol so grimly, that it uttered the most
terrifically droll sounds, and the spectators shouted more madly than
ever.

                         *      *      *      *

The little harper must have remarked, that while she was singing and
playing, I looked often at the rose upon her breast; and as I afterwards
threw upon the tin plate, with which she collected her honorarium, a
piece of gold, and not of the smallest, she smiled slily, and asked me
secretly, if I wanted her rose.

                         *      *      *      *

Think no evil, dear reader. It had grown dark, and the stars looked so
pure and pious down into my heart. In that heart itself, however,
trembled the memory of the dead Maria. I thought again of that night,
when I stood beside the bed, where lay her beautiful, pale form, with
soft, still lips—I thought again of the strange look the old woman cast
at me, who was to watch by the dead body, and surrendered her charge to
me for a few hours—I thought again of the night-violet, that stood in a
glass upon the table, and smelt so strangely. Again I shuddered with the
doubt, whether it were really a draft of wind, that blew the lamp
out?—or whether there were a third person in the chamber!

                                                _Reisebilder, Vol. 3._

The minor poems of Heine, like most of his prose writings, are but a
portrait of himself. The same melancholy tone,—the same endless
sigh,—pervades them. Though they possess the highest lyric merit they
are for the most part fragmentary;—expressions of some momentary state
of feeling,—sudden ejaculations of pain or pleasure, of restlessness,
impatience, regret, longing, love. They profess to be songs, and as
songs must they be judged, and as German Songs. Then these imperfect
expressions of feeling,—these mere suggestions of thought,—this
“luminous mist,” that half reveals, half hides the sense,—this
selection of topics from scenes of every day life, and in fine this
prevailing tone of sentimental sadness, will not seem affected,
misplaced nor exaggerated. At the same time it must be confessed that
the trivial and common-place recur too frequently in these songs. Here,
likewise, as in the prose of Heine, the lofty aim is wanting; we listen
in vain for the spirit-stirring note—for the word of power—for those
ancestral melodies, which, amid the uproar of the world, breathe in our
ears forever-more the voices of consolation, encouragement and warning.
Heine is not sufficiently in earnest to be a great poet.

                 *        *        *        *        *




                            TO ONE DEPARTED.


                            BY EDGAR A. POE.


    Seraph! thy memory is to me
      Like some enchanted far-off isle
    In some tumultuous sea—
    Some ocean vexed as it may be
      With storms; but where, meanwhile,
    Serenest skies continually
      Just o’er that one bright island smile.
    For ’mid the earnest cares and woes
      That crowd around my earthly path,
    (Sad path, alas, where grows
    Not even one lonely rose!)
      My soul at least a solace hath
    In dreams of _thee_; and therein knows
      An Eden of bland repose.

                 *        *        *        *        *

[Illustration: _DRAWN BY T. HAYTER_, _ENGRAVED BY H. S. SADD, N.Y._ _THE
YOUNG WIDOW._ _Engraved Expressly for Graham’s Magazine_]

                 *        *        *        *        *




                            THE YOUNG WIDOW.


                   LINES WRITTEN BENEATH A MINIATURE.


    By the splendor of thine eyes,
      Flashing in their ebon light
    As a star across the skies
      On the sable noon of night!
    By the glory of that brow,
      In its calm sublimity,—
    With thee, or away, as now,
                        I worship thee!

    Sorrow has been thine, alas!
      Once thou wert a happy bride;
    Joy is like a brittle glass:
      It was shivered at thy side.
    Shall I love thee less for this?
      Only be as true to me,
    And I’ll glory in the bliss,
                        The bliss of thee!

    Are thy lashes wet with tears?
      Canst thou never more be gay?
    Chase afar these foolish fears—
      I will kiss thy dread away!
    We are parted—’till we meet,
      Time shall pass how wearily!
    Yet I’ll make each hour more fleet
                        By thoughts of thee!

    In the solitude of night,
      In the tumult of the day,
    By the gloamin’ fire’s light,
      In the mazy dance and gay,
    By the silver-sounding streams,
      Underneath the rustling tree,
    In my waking, or in dreams,
                        I’ll think of thee!

    When in ev’ry flower cup
      Fairies dance the night away,
    When the queenly moon is up,
      Moving on her stately way,
    When the stars upon the shore
      Silence e’en the sounding sea—
    Ever till we part no more,
                        I’ll think of thee!
                                  A. A. I.

                 *        *        *        *        *




                              THE FRESHET.


                       A LEGEND OF THE DELAWARE.


                          BY ALFRED B. STREET.


    March hath unlocked stern Winter’s chain,
      Nature is wrapp’d in misty shrouds,
    And ceaselessly the drenching rain
      Drips from the gray sky-mantling clouds;
    The deep snows melt, and swelling rills
    Pour through each hollow of the hills;
    The river from its rest hath risen,
    And bounded from its shattered prison;
    The huge ice-fragments onward dash
    With grinding roar and splintering crash;
    Swift leap the floods upon their way,
      Like war-steeds thundering on their path,
    With hoofs of waves and manes of spray
      Restrainless in their mighty wrath.

    Wild mountains stretch in towering pride
    Along the river’s either side;
    Leaving between it and their walls
    Narrow and level intervals.
    When Summer glows, how sweet and bright
    The landscape smiles upon the sight!
    Here, the deep golden wheat-fields vie
    With the rich carpets of the rye,
    The buckwheat’s snowy mantles, there,
    Shed honied fragrance on the air;
    In long straight ranks, the maize uprears
    Its silken plumes and pennon’d spears,
    The yellow melon, underneath,
    Plump, ripening, in its viny wreath:
    Here, the thick rows of new-mown grass,
    There, the potato-plant’s green mass;
    All framed by woods—each limit shown
    By zigzag rail, or wall of stone;
    Contrasting here, within the shade,
    The axe a space hath open laid
    Cumber’d with trees hurl’d blended down,
    Their verdure chang’d to wither’d brown;
    There, the soil ashes-strew’d, and black,
    Shows the red flame’s devouring track;
    The fire-weed shooting thick where stood
    The leafy monarchs of the wood:
    A scene peculiar to one land
    Which Freedom with her magic wand
    Hath touch’d, to clothe with bloom, and bless
    With peace, and joy, and plenteousness.

    The rains have ceas’d—the struggling glare
    Of sunset lights the misty air,
    The fierce wind sweeps the myriad throng
    Of broken ragged clouds along,
    From the rough saw-mill, where hath rung
    Through all the hours, its grating tongue,
    The raftsman sallies, as the gray
    Of evening tells the flight of day:
    And slowly seeks with loitering stride,
    His cabin by the river-side.
    As twilight darkens into night,
    Still dash the waters in their flight,
    Still the ice-fragments, thick and fast,
    Shoot like the clouds before the blast.

    Beyond—the sinuous channel wends
    Through a deep narrow gorge, and bends
    With curve so sharp, the drilling ice,
      Hurl’d by the flood’s tremendous might,
    Piles the opposing precipice,
      And every fragment swells the height;
    Hour after hour uprears the wall,
    Until a barrier huge and tall
    Breasts the wild waves that vain upswell
    To overwhelm the obstacle:
    They bathe the alder on the verge,
    The leaning hemlock now they merge,
    The stately elm is dwindling low
    Within the deep engulfing flow,
    Till curb’d thus in its headlong flight,
    With its accumulated might,
    The river turning on its track,
    Rolls its wide-spreading volumes back.

    Slumbers the raftsman—through his dream
    Distorted visions wildly stream,
    Now in the wood his axe he swings,
    And now his sawmill’s jarring rings;
    Now his huge raft is shooting swift
    Cochecton’s white tumultuous rift,
    Now floats it on the ebon lap
    Of the grim shadow’d Water Gap,
    And now it’s tossing on the swells
    Fierce dashing down the slope of Wells,
    The rapids crash upon his ear,
    The deep sounds roll more loud and near,
    They fill his dream—he starts—he wakes!
      The moonlight through the casement falls,
    Ha! the wild sight that on him breaks,
      The floods sweep round his cabin-walls,
    Beneath their bounding thundering shocks,
    The frail log fabric groans and rocks;
    Crash, crash! the ice-bolts round it shiver,
    The walls like blast-swept branches quiver,
    His wife is clinging to his breast,
    The child within his arms is prest,
    He staggers through the chilly flood
    That numbs his limbs, and checks his blood,
    On, on, he strives—the waters lave
    Higher his form with every wave,
    They steep his breast, on each side dash
    The splinter’d ice with thundering crash
    A fragment strikes him—ha! he reels,
    That shock in every nerve he feels,
    Faster, bold raftsman, speed thy way,
    The waves roar round thee for their prey,
    Thy cabin totters—sinks—the flood
    Rolls its mad surges where it stood:
    Before thy straining sight, the hill
    Sleeps in the moonlight, bright and still,
    Falter not, falter not, struggle on,
    That goal of safety may be won,
    Heavily droops thy wife with fear,
    Thy boy’s shrill shriekings fill thine ear;
    Urge, urge thy strength to where out-fling
    Yon cedar branches for thy cling.
    Joy, raftsman joy! thy need is past,
    The wish’d for goal is won at last,
    Joy, raftsman joy! thy quick foot now
    Is resting on the hill’s steep brow:
    Praise to high heaven, each knee is bending,
    Each heart’s warm incense is ascending,
    Praise to high heaven, each humble prayer
    Oh, finds it not acceptance there?

                 *        *        *        *        *




                         MARCHES FOR THE DEAD.


        BY WM. WALLACE, AUTHOR OF “JERUSALEM,” “STAR LYRA,” ETC.


    A march for the Dead—the _dreamless_ Dead
      Of the tomb and the chancel aisle,
    Where the cypress bends or the banner-spread
      Waves round in the holy pile:—
    Let the chimes be low as the awful breath
      Of the midnight winds that creep,
    With a pulse as faint as the step of Death,
      O’er the chambers of the deep,
    When the stars are in a solemn noon
      Like o’er-wearied watchers there,
    And a seraph-glory from the moon
      Floats down through the sleeping air.

    A march for the Dead—the _lovely_ Dead
      Whose voices still we hear,
    Like a spirit-anthem, mournfully
      Around a brother’s bier:
    Their eyes still beam, as of old, on ours—
      And their words still cheer the soul—
    And their smiles still shine, like star-lit bow’rs,
      Where the tides of Being roll.
    Then, oh! minstrel strike your sweetest lyre,
      Let its notes to feeling true,
    Be warm as the sacred Eastern fire,
      But, still, as chastened too:
    And Sorrow there will incline her head,
      While Hope sits fondly by—
    With _one_ hand pointing to the Dead,
    The _other_ to the sky.

    A march for the Dead—the _holy_ Dead—
      They hallowed every sod
    Like the rainbows _resting on our earth_—
      _But soaring towards God_.
    But, oh! what a diapason there
      From the thrilling chords should start!
    Like the lightning leaping from its lair
      To wither Nature’s heart?
    Like the Thunder when the Tempest’s hand
      Unveils his giant form,
    And strikes, with all his cloudy band,
      The organs of the storm?
    Ah, no! Let the march be soft, but glad
      As a Sabbath evening’s breeze,—
    For why should the heart of man be sad
      When he thinks of these? _Of these?_

    A march for the Dead—the _awful_ Dead—
      Like mountain peaks, sublime,
    Which show, as they rise, some River’s length,
      They mark the stream of Time.
    How dread they appear as each lies in his tomb,
      With the earthy worm revelling there—
    While the grim, hairless skulls from the terrible gloom
      Are gleaming so ghastly and bare.

    Solemn and slow, with many a wail between,
      Harp give thy song the deepest, grandest flow,
    While yonder moon, so dim, so cold, serene,
      Lights up the burial march of those below:
    And from afar the billows of the Main
      Send forth their long-drawn, melancholy moan—
    Most fitting chorus, for this fearful strain
      Breathed in the Temples of the Night alone.

    A march for the Dead—the _mighty_ Dead,
      Whose mind like oceans hurl’d
    Along the trembling Alps, have shook
      A myriad-peopled world.
    They were the links of that mighty chain,
      Which the heaven unites to man,
    Since first from its realm the morning strain
      Of the minstrel-stars began:
    And along them have flashed for six thousand years
      A flame to this lowly sod,
    (Oh! holier far than the light of the spheres,)
      From the mighty heart of God!
    Yet once more, oh! Bard—yet once more re-illume
      The song-god’s olden fire,
    And shed o’er the depths of the terrible tomb
      The beauty of the lyre.
    Give its full notes abroad—let its anthem ring out
      Through the aisles of the blue-beaming air—
    Wild, joyous and loud as the rapturous shout
      When a great host of angels are there,
    And the Heavens are all glad and wide-arching above.
    Kiss the far-distant hills, like the warm lips of Love,
    When she cradles the stars and the earth on her breast,
      While the waters lie still in their sleep,
    And the banners of Evening, unfurl’d in the west,
      Pavilion her Deity’s sleep.

                  It is well!—
                  Lo, the spell!
                It shakes every shroud!
                  How they rise!—How they rise!—
                The Great and the Proud—
    Each a God, as you see by their glorious eyes!
                  ’Tis a terrible throng!—
    And Thought from her Pyramid splendidly bows
    And sits like a glory-wreathed crown on their brows,—
                    As they thunder along.
    Hurry on! Hurry on!—ye have not lived in vain
      As we see by each radiant head!—
    Oh, minstrel still utter that sonorous strain—
      ’Tis the march of _the mighty_—the Dead!

                 *        *        *        *        *




                             THE TWO DUKES.


                          BY ANN S. STEPHENS.


                       (Continued from page 82.)

The princely pile, known as Somerset House, remains even to this day
unfinished, and at the time of our story was, with the exception of one
block, scarcely raised above its foundations. The large square court and
every empty space, for many rods around its site, were cumbered with
building materials. Piles of rude stone—beds of newly made
mortar—window-sashes, with the lead and rich glass that composed them,
crushed together from the carelessness with which they had been flung
down—cornices with the gilding yet fresh upon them—great fragments of
carved oak—beams of timber with flags of marble, and even images of
saints, broken as they were torn from their niches, lay heaped together
promiscuously and with a kind of sacrilegious carelessness. That block
of the building, which runs parallel with the river, alone was
completed, while that portion of the square, which forms its angle on
the strand, was built to the second story so far as the great arched
entrance. But all the rest was only massed out by a line of rough stones
sunk into the earth, and in places almost concealed by the heaps of
rubbish which we have described.

Notwithstanding the unfinished state of his palace the Lord Protector
had taken possession of that portion already completed, and from the
sumptuous—nay, almost regal magnificence of its adornments, seemed
determined to rival his royal nephew and king, in state, as he had
already done in power.

We have been particular in describing the Lord Protector’s residence,
for, at the time our story resumes its thread, it contained the leading
personages who rendered themselves conspicuous in the St. Margaret’s
riot.

Once more the gray of morning hung over the city of London, a faint hum
of voices and the sound of busy feet rose gradually within its bosom.
With the earliest glimmer a host of workmen came to their daily toil
upon the palace, and were seen in the yet dim light swarming upon the
heaps of material gathered in the court, and creeping, like ants drawn
from their mound, along the damp walls and the scaffolding that bristled
over them.

Though the hum and bustle of busy life swelled and deepened in the
streets the light was not yet strong enough to penetrate the masses of
heavy velvet which muffled three tall windows of a chamber overlooking
the Thames, and a slope of rich, but trampled sward that rolled greenly
down to its brink. So thick and deeply folded were the curtains that it
was broad day in the streets, though the sun had not yet risen, before
sufficient light penetrated the chamber to draw out the objects which it
contained from the deep tranquil gloom that surrounded them. By degrees
a soft, warm light came stealing through a fold or two of the crimson
drapery as if a shower of wine were dashed against them, very faint and
rich it was, but sufficient to reveal a mantelpiece of clouded marble
surmounting an immense fire-place at one end of the room—tall chairs of
dark wood, heavily covered with cushions of crimson leather enveloped
with gold, standing in solemn magnificence around, and a massive bed
supported by immense posts of ebony, each carved like the stems of a
great vine twisted together and coiling upward to the ceiling, where
they branched off and twined together, a superb cornice of foliage cut
from the polished wood, and intermingled with clusters of fruit so
roundly carved that they seemed ready to break loose from the rich
workmanship of tendrils and leaves which bedded them. The broad
footboard was carved to a perfect net-work; its glittering black only
relieved by the Somerset crest exquisitely emblazoned in the centre. The
head was surmounted by a slab of broad ebony even more elaborately
wrought than the other, more nicely touched and interworked like a
specimen of Chinese ivory. In the centre, just over the pillows, a
basket of golden apples gleamed through the delicate dark tracery, which
seemed to prison it, and caught the first faint light that struggled
through the windows. As this light deepened and grew stronger within the
room, a counterpane of purple velvet sweeping over the bed began to
glow, as if the grapes above were red, and had been shaken during the
night over the lovely girl who lay in an unquiet slumber beneath it. The
counterpane was disturbed and lay in purple waves over the bed—for the
Lady Jane Seymour had started up more than once during the morning, and
after gazing wildly about in the dim light, sunk to her pillow again, in
that state of unquiet drowsiness, which is neither wakefulness nor
repose. Now and then, as she seemed most soundly asleep, her lips moved
with restless murmurs, and her fair brow was knitted as if in pain
beneath the crushed lace of her night-coif. She was lying thus with
closed eyes, and yet scarcely asleep, when a door opened, and the old
woman who had escaped from the riot on the previous day, stole softly
into the chamber, bearing in her arms a bundle of green rushes and a
basket of flowers—humble things, but fresh and with the night dew yet
upon them. She laid her burthen on the floor, and approaching the bed on
tipt-toe, bent down and kissed the small hand which crept out from a
fold of the counterpane, as if the beautiful sleeper had been half aware
of her approach. More than once did the kind nurse bend over and caress
her charge, but timidly and as if fearful of arousing her. At length she
went to her basket, took a bunch of wild violets from the blossoms it
contained and laid them upon the pillow. A faint smile beamed over that
fair face as the perfume stole over it, and Lady Jane murmured softly as
one who received pleasure in a dream.

The nurse hurried away, and untying her rushes, began to scatter them
over the oaken floor. After casting down a few of the flowers upon the
fragrant carpet, she selected others to fill an antique little vase
which stood on a table richly wrought, like everything in the chamber,
and surmounted by a mirror which hung against the wall, in a frame of
ebony and gold, twined and drawn heavily together. The light was yet
very dim, so the good nurse cautiously drew back a fold of the
window-curtain. A sun-beam shot through and broke over the steel mirror
plate, as if a golden arrow had been shivered there. A flood of light,
more than she had intended to admit, filled the chamber and completely
aroused the Lady Jane. She started up in her couch, gazed wildly upon
her nurse, who stood almost terrified by what she had done, with the
half filled vase suspended over the table, and then bending her head
down upon her hand, seemed lost in thought, which ended in a fit of
weeping.

“Nurse,” she said at last, but without lifting her face.

The old woman set down her vase, and moving to the bed drew the young
girl to her bosom, and putting back her night-cap, affectionately
smoothed the bright hair gathered beneath it, with her hand.

“Tell me all that happened, good nurse,” said the Lady at length, “I
know that something is wrong, that I have been in strange places, and
amid a host of people, but it all seems very long since, and strange,
like the dreams that haunt one in sickness.” She paused awhile, very
thoughtfully, and resumed what she was saying.

“You were with me, and I remember now! they whirled you away in the
crowd. There was a little evil looking man came to me after that. He
rode by them. The church! the altar! that window! and Lord Dudley in the
grasp of rude soldiers! Nurse—tell me, where is the Duke? where is my
father? I must see my father! Go to him, and say that his daughter has
been ill, very ill, and would speak with him before he rides forth for
the morning. Go quickly, I am very well, and can robe myself.”

As she uttered these hasty directions, the Lady Jane flung back the
bed-drapery, and springing to the floor, snatched a robe from the chair
to which it had been flung on the previous night, and thrusting her arms
into the loose sleeves, began eagerly and with trembling fingers, to
knot the silken cord which bound it to her waist. All at once her hands
dropped from the task, and her exalted features contracted with a sudden
and most painful thought.

“Do not go,” she said in a stifled voice, but without lifting her face,
“It was my father who bade them tear the church down upon me. It was he
who flung Lord Dudley back among those bad men. Do not go.”

The nurse, who had seemed reluctant to perform the mission desired of
her, returned, and taking up her young lady’s slippers, knelt down to
place them on her feet, which were heedlessly pressing the chill floor,
but putting the good woman gently aside, Lady Jane began to pace slowly
up and down the apartment, sweeping the rushes with her loose robe, and
crushing beneath her small white feet, the wild blossoms that had been
scattered among them. At length she stopped suddenly and clasping her
hands, turned a look full of wild anguish upon the good woman, who stood
meekly by the bed, with the rejected slippers in her hand.

“Did you think that my father would ever have cursed _me_?” she said.
“That he would revile the bravest and most noble being in all England,
before a mob of riotous men; that he would let them seize him and
trample me to the earth; _me_, his youngest child—who loved him so.”

“Nay, sweet Lady—you have been ill, and all this is a feverish fancy.
You should have seen with what tenderness my Lord The Duke, bore you up
from the barge, in his own arms, and would not rest till we brought him
word that you were safe in bed here, and asleep,” replied the nurse.

Lady Jane shook her head and smiled sadly. “It was no dream,” she said,
“dreams are of the fancy, but such things as happened yesterday, sink
into the soul, and will not pass away.”

“And yet,” replied the dame, “it was but now the Lord Duke took such
care of your repose, my gentle Lady, that he forbade the workmen
wielding a hammer or crowbar in the court, lest your rest might be
disturbed too early. I met him scarcely ten minutes since, on the way to
his closet, where he is about to examine my Lord Dudley, and that
strange looking man who was brought here on his lordship’s horse, while
the brave young gentleman came by water with a pack of soldiers at his
heels. The Duke, your father, was in haste, but he took occasion to
inquire after your welfare, and bade me observe that no one entered this
chamber, or disturbed you in the least, till you were quite restored.”

Lady Jane took the slippers from her attendant’s hand, and hastily
thrusting her feet into them, began to arrange her dress once more.

“Said you that Lord Dudley was with my father now?” she enquired,
turning from the steel mirror, before which she was hurriedly twisting
up her hair.

“He may not have left his prisoner in the new rooms near the arch yet,”
replied the dame, “but I heard the Duke give orders that he should be
brought out directly with that fellow in the sheep-skin cap. If we were
but on the other side, nothing would be easier than to see them with the
guard, filing through the court.”

“And has my father gone so far? Lord Dudley imprisoned in our own
dwelling with a felon knave like that?” murmured Lady Jane, folding her
arms and looking almost sternly upon the floor, “alas, what is his
offence, what is mine, that a parent, once so good and kind should deal
thus cruelly with us!” Tears gathered in her eyes as she spoke, and
advancing to the nurse she took her arm, and moved resolutely toward the
door.

“Whither are you going my lady?” said the nurse, turning pale with
apprehension.

“To my father,” replied Lady Jane calmly, “I would learn the nature of
my offence, and if accusation is brought against my affianced husband I
would stand by his side. Do not turn pale and tremble, nurse, I am not
the child which I went forth yesterday, though but a day older; intense
suffering is more powerful than time, and I almost think that my youth
has departed forever. Let us go!”

“I dare not,” replied the old woman, “the duke has forbidden it.”

“Am I also a prisoner, and in my father’s house?” demanded the lady,
“well, be it so! When the falcon is caged the poor dove should but peck
idly against her wires,” and sitting down the unhappy girl folded her
arms on the dressing-table, where she wept in bitterness of heart. The
noise of heavy feet passing along the corridor to which her chamber
opened aroused her.

“It is the soldiers with Lord Dudley in charge,” said the nurse in reply
to her questioning look, “I will go and see.” The good woman arose and
softly opening the door looked out. Lady Jane gazed after her with
intense earnestness. When she stepped into the passage and the sound of
low voices came into the room the anxious young creature could restrain
herself no longer, for the tones were familiar and made her heart
thrill, burthened as it was with sorrow. She moved eagerly toward the
door, and, as it was swung open by the returning nurse, caught one
glance of Lord Dudley’s face. It was stern and pale as death. He saw her
and tried to smile, but the rude voice of a soldier bade him move on; he
was hereby excited and the effort was lost in a proud curve of the lips,
which chilled the unhappy young creature who gazed so breathlessly upon
him. It was the first time that she had ever seen a shadow of bitterness
on those lips, for her presence had always a power to bring sunshine to
them in his sternest mood.

“Oh, what changes has one day brought,” she murmured, burying her face
once more upon the table, “my father’s curse upon me—Dudley, my Dudley,
estranged. My mother—alas! when has the morning dawned that her kiss
failed to greet me. Now, on this wretched day,” she broke off, locked
the small hands which covered her face more firmly together, and again
murmured, “Heaven help me, for I am alone!”

“No, not alone—is your old nurse of no account? If they have made her
your jailor is she not a kind one?” said the good-hearted attendant,
bending over her weeping charge. “Come, take heart, lady-bird, dark days
cannot last forever; the stars, so beautiful and bright, are sometimes
lost in black clouds, but they always find a time to shine out again.
The duke cannot intend to deal harshly with you or he would never have
appointed your own fond old nurse keeper to your prison. Besides, Lord
Dudley will be set free directly; he bade me tell you that a messenger
had been sent to the staunch old earl, his father, and that another
night would not find him submitting to insult and confinement like the
last.”

Lady Jane ceased to weep, but still remained sad and thoughtful; she was
troubled and grieved by the absence of her mother. It seemed as if every
thing she loved had deserted her, save the good old nurse. But she was
naturally a cheerful light-hearted creature, and storms must sweep over
such hearts again and again before hope is entirely driven forth. She
was even smiling with some degree of her old mischievous playfulness at
the pompous way in which the good nurse flourished her badge of office,
a huge key which had not yet been put in requisition, when the door was
pushed gently open and a lady of mature but delicate loveliness entered
the room. She was very pale. Her eyes, naturally dark and mild, were
full of troubled light, and flushed a little, as if she had just been
weeping. Her morning robe was slightly disordered, and the head dress of
jewels and velvet, which ornamented, without concealing her beautiful
hair, was placed a little too much on one side, a sure sign of agitation
in one usually so fastidious regarding her toilet.

Lady Jane was still listening with a languid smile to the well-intended
prattle of her nurse, and the door opened, so quietly that she was not
apprised of her approach, till the duchess stood close by her side.

With a glad exclamation, and like an infant pining for its mother’s
presence, she started up with an affectionate impulse, and flung her
arms around the lady, then bending her head back, and looking fondly in
her face, murmured—

“Dear mother, have you come at last?”

The duchess bent her face to that of the affectionate creature clinging
to her neck, but there was constraint in the action, and no kiss
followed it. Her daughter felt this as a repulse, and gently unclasping
her hands, stood without support, looking with a kind of regretful
fondness in the face which had never dwelt frowningly on her before.

“Oh! mother, how can you look upon me thus—how have I deserved it!” she
said at last, striving to check the tears which would spring to her
eyes; “How is it that every one turns coldly from me. You, my kind and
gentle mother,—you, that have never sent me to rest without a blessing,
who scarce would let the light kiss my forehead till your lips had
pressed it in the morning. You are growing distrustful like the rest. I
did not think a mother’s love would chill so easily—that _my_ mother
could even find it in her heart to look harshly on her child. Nay,
mother,—dear, dear, mother, do not weep so—I did not think to grieve
you thus deeply. Why do your lips tremble? Why do you wring my hand so?
What wrong have I done? I entreat you tell me all—my heart will break
unless you love me as of old.”

The duchess was much affected, but still maintained the severity of
manner which she had brought into the room, though it evidently cost her
a strong effort to resist the appeal of her child. She sat down upon the
bed, and, drawing Lady Jane before her, took the small hands, clasped
together, in both hers, and looked searchingly into the soft brown eyes
that met her gaze, not without anxiety, but still with a trustful
fondness that would have disarmed a firmer heart than that which beat so
full of generous and affectionate impulses in the bosom of that noble
lady.

“Jane,” she said at last, glancing at the slender fingers locked in her
own, “where is the ring which I gave you on the duke’s last birth-day?”

Lady Jane started at the question, and withdrawing her hand, cast a
quick glance upon it, and then turned anxiously to the old woman.

“My careful nurse here, must have taken it from my finger as I slept,”
she said, doubtingly.

The old woman shook her head, and Lady Jane turned earnestly to her
mother, perplexed alike by the loss of her ring, and the strange effect
which it produced on the duchess.

“When did you wear it last?” enquired the lady.

The young lady mused for a few moments, and then mentioned the previous
day as that when she remembered to have seen it on her finger.

“Ay, I remember well,” said the nurse. “It was on my lady’s hand when
she lifted it to chide Richard for his outcry in the crowd. Just then I
was carried off by the mob, and jostled about till it seemed a miracle
that I ever reached the barge again. I mind now that Richard saw the
ring also, for when we all met at the landing, and sat waiting, hour
after hour, in hopes that some blessed chance would direct the poor lady
how to find us, I would have gone back in search of her, but he forbade
me, saying, that no harm would befall a lady of her high condition while
she carried on her fingers the power to purchase protection; so, when
the night closed in, we rowed down the river, just in time to see the
sweet child borne to her chamber, more dead than alive, with the
ill-treatment she had received.”

The duchess turned her eyes earnestly on the nurse as she spoke, but if
she thought to detect anything but an honest spirit of truth in those
withered features, her scrutiny was unrewarded.

“How chanced it,” she said, turning again to her daughter, “how chanced
it that you were entangled in the mob near St. Margaret’s, when you went
forth to enjoy the morning breeze upon the river?”

Lady Jane looked surprised at the question, but answered it without
hesitation.

“It was very early,” she said, “and the air blew chill on the water, so
I bade the men pull up at Westminster Bridge, intending to take a walk
in the Park, and return home, but as we were crossing up from the river,
the crowd came upon us, and in my terror I was separated from my
attendants and sought shelter as I best could.” Lady Jane then proceeded
to inform her mother of the events which we have already described in
two previous chapters; but she had been so dreadfully terrified that her
narrative was confused, and though it possessed all the simplicity and
force of truth, the disappearance of the ring still appeared a mystery,
for she could in no way account for the manner in which it had left her
possession, but stood pale and utterly overwhelmed with astonishment
when informed of the charge brought against her by the artisan.

“And did my father believe this of me?” she said, turning to the duchess
in the anguish of an upright spirit unjustly accused. “I could not
suspect any one I loved of a base thing! Yet has my father, whom I
honored and worshipped so, not only condemned but reviled me in the
presence of my affianced husband, and all on the word of a base man,
more despicable far, than the rudest workman who breaks stone in his
court yonder.”

There was a newly aroused pride in the young girl’s bosom that gave
dignity to the words she uttered. A rich color broke over her cheek,
and, for the first time, those soft eyes kindled with indignation as
they fell upon her mother.

“Let me go,” she continued, “let me stand face to face with my accuser.
It is not well that the daughter of a noble house—the cousin of an
English Monarch, should be tried and condemned, without hearing, on the
word of a base varlet picked up amid the dregs of a mob.”

The Duchess gazed upon the excited young creature before her with
mingled feelings of surprise, regret, and, perhaps, some little share of
anger, that she could so easily depart from the humility of her usual
deportment, for though a fond parent, she had even been rigid in her
exactions of deference and respect from her children. The love of a
mother is very powerful, but the pride of a high born English-woman,
educated for her station, is, perhaps, the strongest feeling of her
nature. The duchess felt the truth of all that her daughter had said,
but she felt its boldness also, and her nice feelings were shocked by
it.

“Your father had other reasons for doubting the integrity of Lord
Dudley—for it would seem that this strange outbreak is occasioned as
much by his imprisonment as your own,” said the lady in a tone of grave
reproof, dropping her daughter’s hand. “We have good cause to fear that
the earl, his father, has been tampering with the young king, and that
he is using all secret means to supplant my noble lord in the power and
station which he now fills. He has left no means untried to gain
popularity in the city. That Lord Dudley has dared to appear against the
Lord Protector, heading a mob almost in open rebellion, is proof that
evil exists, and is spreading through the court. My lord has taken
prompt measures, and in this should not be arraigned by his own child.
If the Lord of Warwick and his son are still loyal to the Protector let
them prove it before the king. But from this hour it is the duke’s
pleasure that the contract existing between the two houses be at an end
forever.”

Lady Jane stood perfectly motionless and pale as marble when her mother
finished speaking, but after a moment she moved across the room and
glided through the door without speaking a word, and, as if unconscious
of the presence she had left.

“Poor young lady,” muttered the nurse, wiping her eyes and casting a
look, which would have been reproachful but for awe, upon the
duchess—“her heart was almost broken before, but this will be the death
of her.”

“Peace, good dame, peace,” said the Duchess of Somerset, in her usual
calm and dignified manner. “My daughter must learn to make sacrifices
when the honor of her house is concerned. From the first I acquitted her
of all wrong intention regarding the diamond, and I deeply grieve at the
annoyance it has produced both to her and us. But regarding Lord Dudley
and his alliance with your young mistress—it can never be thought of
again. Let it be your duty, good dame, as the most cherished attendant
of my child, to reconcile her to the change.”

With these words the Duchess of Somerset left the chamber just in time
to see the Lady Jane disappear from the extreme end of the corridor
which led to the duke’s closet.

                           (To be continued.)

                 *        *        *        *        *




                           TO ISA IN HEAVEN.


                    BY THOMAS HOLLEY CHIVERS, M. D.


            Early, bright, transient, chaste as morning dew,
            She sparkled, was exhaled, and went to heaven!
                                                   —_Young._

                Where is she now?
        Oh! Isa! tell me where thou art?
      If death has laid his hand upon thy brow,
        Has he not touched my heart?
    Has he not laid it in the grave with thine,
    And buried all my joys?—Speak! thou art mine!

                If thou wert dead,
        I would not ask thee to reply;
      But thou art living—thy dear soul has fled
        To heaven, where it can never die!
    Then why not come to me? Return—return,
    And comfort me, for I have much to mourn!

                I sigh all day!
        I mourn for thee the livelong night!
      And when the next night comes, thou art away,
        And so is absent my delight!
    Oh! as the lone dove for his absent mate,
    So is my soul for thee disconsolate!

                I long for death—
        For any thing—to be with thee!
      I did inhale, alas! thy dying breath,
        That it might have some power on me
    To make me what thou art!—but, thou art dead!
    And I am here!—it strengthened me instead!

                Joy there is none—
        It went into the grave with thee!
      And grief, because my spirit is alone,
        Is all that comes to comfort me!
    The very air I breathe is turned to sighs,
    And all mine soul is melting from mine eyes!

                I hear, at even,
        The liquid carol of the birds;
      Their music makes me think of thee in heaven,
        It is so much like thy sweet words.
    The brooklet whispers, as it runs along,
    Our first love-story with its liquid tongue.

                Wake, Isa! wake!
        And come back in this world again!
      Oh! come down to me, for my soul’s dear sake,
        And cure me of this trying pain!
    I would give all that earth to man can be,
    If thou wert only in this world with me!

                Day after day
        I seek thee, but thou art not near!
      I sit down on thy grave in the cold clay,
        And listen for thy soul!—oh! dear!
    And when some withered leaf falls from the tree,
    I start as if thy soul had spoke to me!

                And so it is,
        And so it ever more must be
      To him, who has been robbed of all the bliss
        He ever knew, by loving thee!
    For misery, in thine absence, is my wife!
    What joy had been, hadst thou remained in life!

                It is now even;
        The birds have sung themselves to sleep;
      And all the stars seem coming out of heaven,
        As if to look upon me weep!—
    Oh! let me not look up to thee in vain,
    But come back to me in this world again!

                 *        *        *        *        *




                              MAY EVELYN.


                           BY FRANCES OSGOOD.


Beautiful, bewitching May! How shall I describe her? As the fanciful
village-poet, her devoted adorer, declared;—“The pencil that would
paint her charms should be made of sunbeams and dipped in the dewy heart
of a fresh moss-rose.” Whether this same bundle of beams and fragrant
rose-dew would have done full justice to her eloquent loveliness, I
cannot pretend to say—having never attempted the use of any brush less
earthly than are made of hog’s bristles, nor any color more refined than
a preparation from cochineal. Her eyes were “blue as Heaven,” the heaven
of midsummer—when its warm, intense and glorious hue seems deepening as
you gaze, and laughing in the joyous light of day. Her hair, I could
never guess its true color; it was always floating in such exquisite
disorder over her happy face and round white shoulders—now glistening,
glowing in the sunshine, like wreaths of glossy gold, and now, in
shadow, bathing her graceful neck with soft brown waves, that looked
like silken floss, changing forever and lovely in each change. Blushes
and dimples played hide and seek on her face. Her lip—her rich sweet
lip was slightly curved—just enough to show that there was pride as
well as love in her heart. She was, indeed, a spirited creature. Her
form was of fairy moulding, but perfect though “petite!” and her motions
graceful as those of the Alpine chamois.

Reader, if I have failed in my attempt to convey to you an image of
youthful grace, beauty and sweetness, I pray you repair my deficiency
from the stores of your own lively imagination, and fancy our dear May
Evelyn the loveliest girl in the universe.

And now for her history. Her father, of an ancient and noble family, had
married, in early life, a beautiful but extravagant woman, who died a
few years after their union, leaving him with two lovely children and an
all but exhausted fortune. On her death he retired from the gay world,
and settled with his infant treasures in Wales, and there, husbanding
his scanty means, he contrived to live in comfort if not in luxury.
There, too, brooding over the changes of human life—the fallacy of
human foresight, and the fickleness of human friendship, he became “a
sadder and a wiser man.” His two beautiful children, Lionel and May,
were the idols of his heart, and well did they repay his love.

May’s first serious trouble arose from hearing her father express one
day his desire to purchase for Lionel a commission in the army. The boy
was high-spirited and intelligent, and had cherished from childhood an
ardent desire for military life; but there was no possibility of raising
sufficient money for the purpose, without sacrificing many of their
daily comforts.

At this time May was just sixteen; but there was in her face a childlike
purity and innocence, which, combined with her playful simplicity of
manner, made her appear even younger than she was. She hated study,
except in the volume of nature; there indeed she was an apt and willing
pupil. Birds and streams and flowers were her favorite books; but though
little versed in the lore of her father’s well-stored library—she had
undoubted genius, and whenever she did apply herself, could learn with
wonderful rapidity.

The only science, however, in which she was a proficient, was
music:—for this she had an excellent ear and, when a mere child, ere
her father’s removal to Wales, had been under the tuition of a
celebrated master. Her voice was rich, sweet and powerful, and her
execution on the guitar, piano and harp, was at once brilliant and
expressive. She had, also, a pretty talent for versifying, and often
composed music for words, which, if not remarkable for power or polish,
were certainly bewitching when sung by their youthful authoress.

During most of the day, on the morning of which Mr. Evelyn first
mentioned his wishes with regard to Lionel, the sunny face of our
heroine was clouded with sorrowful thought; but towards evening, as her
father sat alone in his library, the door suddenly opened, and May,
bounding in, her eyes beaming with enthusiasm, exclaimed—“Papa! papa! I
have just thought—I know what I’ll do!—I’ll be a governess.” Her
father gazed at her in astonishment.

“A governess, May! What can have put such an idea into your head? Why
should you be a governess?”

“Oh! for Lionel, you know. I can soon earn enough to buy his
commission.”

“And it is this then, my child,” said Mr. Evelyn, tenderly, “that has so
repressed your usual spirits!” But while he spoke seriously, he could
scarcely repress a smile at the thought of the wild, childlike being
before him, transformed into a staid, dignified teacher.

During the six weeks following, the devoted girl deprived herself of all
her usual outdoor amusements, and, with wonderful energy applied, under
her father’s guidance, to study. At the end of that time, she laughingly
declared that she knew a little of everything; but still her passion for
birds and flowers was far greater than for books.

Ere the six weeks had well expired, she heard from some young friends,
who were on a visit to Wales, from London, that the earl of —— was in
want of a governess for his four children. She begged them, on their
return, to mention her. This they did, and with youthful exaggeration
extolled her talents to the skies.

The Earl understanding that she was the accomplished and amiable
daughter of an aged naval officer, saw, in his mind’s eye, a learned
lady of a certain age, who would, perhaps, prove a mother in kindness
and usefulness to his orphan children, and gladly acceded to the desire
of his young friends, that he should make trial of her.

The poor things were not aware what a little ignoramus they were
recommending; for the youthful Lionel, who, sometimes took a peep into
the library, and stared in surprise at the various apparatus for study,
had boasted all over the village in which they resided, that his sister
knew everything under the sun, and had mentioned, in corroboration of
this sweeping declaration, that she was always poring over French,
Spanish, Greek or Latin books. This, her enthusiastic young friends,
who, by the way, had only known her a fortnight, took care to make the
most of—and the result was, that May was considered, by the Earl, as a
most fitting instructress for his children, and dreaded by them as a
prim and severe restraint upon their hitherto unchecked amusements.


                              CHAPTER II.

It was the morning of the day on which the dreaded governess was
expected, Julia, Elizabeth, Georgiana and William—the first 15, the
second 10, the third 8, and the fourth 7 years of age, were at play in
the garden of the Earl’s country seat. They had heard awful things of
governesses from some of their young companions, and the younger
children had been whispering to each other their dread of the expected
tyrant. They had, however, resumed their gambols, and forgotten the
matter, with that charming versatility which makes them so interesting,
when their nurse appeared with the news that the governess had arrived,
and was waiting to be introduced to her young charge in the school-room.
A sudden change was observable on the countenances of all. It was
amusing to watch the expression on each of those young faces. Julia—the
pensive and graceful Julia sighed, and bent her soft eyes sadly on the
ground, as she instantly turned her steps towards the house. The little
wilful and spirited Willie began to strut manfully backward and forward,
declaring that the others might do as they liked, but that _he_ would
not go near the ugly old woman. Georgy pouted—and Lizzie burst into
tears. At the sound of weeping, Julia turned back—soothed and cheered
them all by turns—kissed away the tears of one sister—smoothed the
other’s frowning brow with her soft and loving hand, and laughed at
Willie till he was fain to join in the laugh in spite of himself. She
then desired them to follow her to the school-room—which they
did—clinging to her dress, however, as if they expected to see a
monster in the shape of a governess; but as they reached the flight of
steps which led from the lawn to the house, their courage failed, and,
leaving Julia to ascend alone, they suddenly and simultaneously turned
to escape, and hurrying away, concealed themselves in the garden, where
they soon resumed their sports.

In the meantime Julia had ascended the steps and stood gazing in silent
astonishment through the glass door opening into the school-room. The
object of her dread was there—but not as she had pictured her—a prim,
severe old-maid. A girl apparently younger than herself, with a sweet
glowing face, shaded by a profusion of lovely hair,—her straw bonnet
flung on the floor, and her simple white dress looking anything but
old-maidish—was stooping to caress their favorite dog, Carlo, while the
pet-parrot sat perched on her shoulder, mingling his gorgeous plumage
with her light brown curls, and crying with all his might, “old-maid
governess! old-maid governess!” As our heroine raised her head,
wondering at the strange salutation, (which, by the way, master Willie
had been maliciously teaching him for some time previous,) her eyes
encountered those of the smiling Julia, who, equally surprised and
delighted at the scene, already saw, in Miss Evelyn, a friend after her
own heart, such an one as she had long ardently desired.

At this critical moment, the good old nurse entered from the lawn, and
seeing the mutual embarrassment of the parties, said simply to
May—“This is your oldest pupil, madam.” At the words “madam” and
“pupil,” both May and Julia tried hard to repress the smiles which would
peep through their eyes and lips—in vain. The dimples on the cheek of
the youthful governess grew deeper and deeper—Julia’s dark eyes flashed
through their drooping fringes more and more brightly, and, at length,
the smothered merriment burst irresistibly forth. No sooner had the
latter’s eye caught the arch glance and her ear the musical laugh of
May, than she sprang forward to clasp her readily extended hand,
exclaiming, “I am sure you will be my friend!”

“That I will,” said May, “if you won’t call me ‘old-maid governess’
again.”

“Old-maid governess, old-maid governess,” screamed the parrot from his
cage.

May began to look grave, and Julia, blushing with vexation, led her
gently to the cage, outside of the door, and pointed to the bird in
silence. “How stupid I was!” exclaimed May; “I quite forgot the parrot
when I saw that beautiful dog. I do so love dogs—don’t you?”

“Yes! but I love you better,” said Julia, affectionately, throwing her
arm around her new friend’s neck, and sealing her avowal with a kiss.

At this moment, Willie was seen peeping and stealing slyly round the
shrubbery—his roguish face subdued to as demure a look as it could
possibly assume. For a moment he stared at the pair in amazement, and
then clapping his hands, he shouted,

“Georgy! Lizzie! Georgy! come and see Julia kissing the governess!”

“Oh! you lovely boy!” exclaimed May—bounding down the steps, “I must
have a kiss!” and away she flew after the little rosy rogue—he laughing
so heartily as to impede his progress, till at last helpless, from very
glee, he fell into her arms, and allowed her to kiss him half a dozen
times before he remembered that she was the teacher so dreaded by them
all. When he did recollect, he looked up half incredulously in her face.

“You are not old!” said he,—“no, nor yet prim, nor cross. I don’t think
you are so very ugly either, and maybe you don’t know much after all. I
say, governess, if you please, ma’am, can you spin a top?”

“No!” said May.

“Hurrah! I thought so—hurrah, Georgy! she don’t know so much as I do
now—hurrah! hurrah! I’ll stand by her for one!” and, tossing his hat in
the air, he sprang into the lap of May, who had sank into a low rustic
seat, quite exhausted from her exercise—her cheeks glowing—her hair in
disorder, and her lips parted with smiling delight.

By this time the two little girls, who had been peeping a long while,
ventured, followed by Julia, to approach;—Georgiana leading, or rather
dragging the shy but lovely little Lizzie in one hand, and holding in
the other a freshly gathered rose-bud, which she timidly presented to
our heroine, as if to bribe her not to be harsh with them. May stooped
to kiss the intelligent face whose dark and eloquent eyes looked so
pleadingly into hers; while Julia, who stood behind her, stole the rose
from her hand. “Let me wreathe it in your hair,” she said. At that
moment, while she was yet engaged in her graceful task, the Earl
suddenly appeared before them. It must be remembered that he had seen,
from his library window, the before-mentioned chase, and rather curious
to know who the beautiful visiter could be, (not having been apprised of
Miss Evelyn’s arrival,) he had followed them to the spot on which they
were now assembled—May on the seat, parting the dark curls from
Lizzie’s bashful and downcast brow; Willie on her knee; Georgy gazing up
in her face, and Julia placing the rose-bud in her hair. All started at
the sudden appearance of the Earl. Willie sprang to his arms, and little
Lizzie, afraid of every new comer, laid her curly head on the knee of
her newly-found friend, and turned up her bright eyes inquiringly to her
father’s face.

“Do not let me disturb your play, my children,” said the Earl. “I only
come to remind you, that your governess will soon be here, and that you
must welcome her with respect and attention. But, Julia, you must
introduce me to this merry young friend of yours, who runs as if her
heart were in her feet;” and so saying, he playfully patted the drooping
head of the blushing and embarrassed girl, who, all this while, had been
striving to hide her fears and her confusion by pretending to be deeply
occupied in twisting Lizzie’s silken ringlets round her little taper
finger. The moment she had heard Willie exclaim, “papa!” all her former
dread of that awful personage returned, and, with it, for the first
time, a full sense of her own inefficiency to perform the task she had
undertaken. His voice so deep and yet so sweet and playful, banished
half her dread, but only increased her confusion.

Julia, however, came instantly to her relief, with a tact and delicacy
uncommon in one so young—saying simply and seriously, “This is our
governess, papa. Miss Evelyn, this is our dear papa.”

The Earl started back,—tried to repress his smiles, bowed low to
conceal them, and then taking her hand respectfully in his, bade her
welcome to the castle.

The word “governess” had acted like a spell upon May’s faculties; it
restored her to a sense of the dignity of her situation, and rising
instantly and drawing her beautiful form to its full height, she
received and returned the compliments of the Earl with a graceful
dignity and self-possession, that astonished him, as much as it awed the
poor children. And when, in his courteous reply, he begged her pardon
for his mistake, in a tone at once gentle and deferential, she found
courage, for the first time, to raise her eyes. It was no stern, old,
pompous nobleman, such as her fears had portrayed, who stood before her,
but an elegant man, in the prime of life, with a noble figure and
singularly handsome face, full of genius and feeling.

His dark eyes were bent upon her with a gaze of mingled curiosity and
admiration; but, as they met hers, he recollected himself, and wishing
her and his children good morning, and resigning Willie, as if it were a
thing of course, to her arms, (a circumstance, by the way, which he
could not help smiling at half an hour afterwards,) he passed on and
left them.

And now came innumerable questions from all but the silent Georgy, who
contented herself with nestling close to the side of our heroine as they
wandered through the grounds—and gazing with her large soft eyes into
her face, now dimpled with the light of mirth, now softening into
tenderness, and now shadowed by a passing thought of “papa, and Lionel,
and home.”

“And oh!” said Lizzie, “you won’t take away my doll and make me study
all the time, will you?”

“No, indeed, darling! I would much rather help you dress your doll.”

“And I may spin my top all day if I like—may I not?” asked Willie.

“Yes, if papa is willing.”

“Oh! but papa told us to obey all your commands.”

“Commands,” thought May, “oh, dear, I shall never do for a governess!”

The day passed on in sport. Our heroine’s duties were to commence on the
next; but she would not allow her fears for the morrow to interfere with
her present delight. In the meantime, the Earl, amid his important
duties, was haunted all day by one bewitching image;—a fair sweet face
glanced brightly up from every book he opened, from every paper to which
he referred; and, in his dreams that night, he led to the altar a second
bride, more lovely, more beloved than the first.


                              CHAPTER III.

Early the next morning, as May sat teaching Willie to read, with a
demure face, through which the rebel dimples would peep in spite of her
assumed dignity; while Julia, with a look equally demure, was bending
over an Italian book; Georgy drawing, and Lizzie hemming a wee bit
’kerchief for her doll—the Earl entered the school-room from the lawn.

Unseen, he paused at the open door to contemplate the lovely tableau
within;—the governess in her pretty girlish morning dress, with her
long ringlets shadowing half her face and neck, as she bent over the
boy, pointing out to him the word;—Willie by her side—one hand holding
the book, the other his top, kicking the chair impatiently—first with
one foot, then with the other, and looking round every minute to see
what his sisters were doing;—Georgy smiling as she drew; Lizzie sitting
upright in her little chair, with a doll almost as large as herself on
her lap, ever and anon trying the ’kerchief round its neck to see the
effect; and the simple, modest Julia, looking even older than May, with
her dark hair smoothly parted—raising at times her eyes with looks of
loving sympathy to those of the youthful teacher.

It was indeed a sunny scene; but the silence was broken by the voice of
Georgy requesting assistance in her drawing. The young governess rose,
and taking her offered pencil, retouched the sketch in a few places, at
the same time giving the child directions how to finish it. Suddenly the
pencil trembled in her hand,—the sweet low voice stopped—went
on—faltered—ceased again, and May burst into tears! The Earl had
stolen behind them to watch the progress of the drawing. May had felt,
rather than heard, his approach,—and confused by his presence, half
suspecting her own deficiency in the art, yet afraid to discontinue her
directions at once, her face suffused with blushes, she tried in vain to
proceed. Little Lizzie saw her tears, and springing from her seat,
climbed a chair to caress her, exclaiming, “Don’t cry! papa won’t hurt
you! Papa loves you dearly—don’t you, papa?”

Here was a situation! It was now the Earl’s turn to color; but the
artless and innocent May, who had as yet known only a father’s and a
brother’s love, did not dream of any other in the present case; on the
contrary, she was soothed by the affectionate assurances of the child,
and, smiling through her tears, looked up confidingly in the Earl’s
face. Charmed with the childlike sweetness of her expression he could
not resist taking her hand, with almost paternal tenderness, in his,
while May, reassured by the gentleness of his manner, ventured to
acknowledge her own ignorance, and to request his assistance in the
sketch before them. This, to the delight of all, he willingly consented
to give, and when, at two o’clock, the nurse came to take the children
to dinner, she found May seated alone at the table, intent on a newly
commenced drawing—the Earl leaning over her chair and instructing her
in its progress—Julia singing “Love’s Young Dream,” and the three
children gone no one knew where.

The next day, and the next, the Earl was still to be found in the
school-room, sometimes spinning Willie’s top, sometimes reading an
Italian author aloud to his daughter and her governess—often sharing
the book with the latter, and oftener still, blending his rich and manly
voice with hers as she sang to the harp or piano. One day a visiter
asked Willie how he liked his new governess? “Oh!” said the boy, “_papa_
is governess now. May is only our sister, and we are all _so_ happy!”

Thus passed a year—Julia and May daily improving under their indulgent
and unwearied teacher—and imparting in their turn instruction to the
younger branches of the family. May had confided to Julia all her little
history. She had written often to her father, and had received many
letters in return. From one of them she learned, to her great joy and
surprise, that Lionel had received his commission from some unknown
friend. At the same time, her father advised her, as she had engaged for
a year, to be contented until the expiration of it. “Contented!”

The last day of the year had arrived—May had lately been so happy that
she had forgotten to think of being separated from the family she loved
so much.

On the morning of the day, the Earl was in his library, Julia making
tea, and May on a low ottoman at his feet, reading aloud the morning
paper. Suddenly she paused, dropped the paper, and covered her face with
her hands. The Earl, alarmed, bent tenderly over her, and Julia was by
her side in a moment.

“What is it, dear May?” she said.

“Oh, the paper—look at the paper, Julia!”

The Earl caught it up—“Where—tell me where to look, May?”

“At the date—the date!”

“The date—it is the first of June—and what then?”

“Oh! did I not _come_ the first of June and must I not go to-morrow? I
am sure I shall never do for a governess!” and she hid her face on
Julia’s shoulder, and wept afresh.

The Earl raised her gently—“Perhaps not; but you will do for something
else, sweet May!”

“For what?” she asked earnestly—half wondering whether he could mean
_housekeeper_!

“Come into the garden with me, dear, dear May, and I will tell you,” he
whispered in her ear.

At once the whole truth flashed upon her heart. “She loved—she was
beloved!” She was no longer a child—that moment transformed her; and
shrinking instantly from his embrace and blushing till her very temples
glowed again—she said in a low and timid voice, “I think I had better
go home to-morrow—perhaps to-day: my father will expect me.”

“Julia,” said the Earl, “run into the garden, love, and see to
Willie—he is in mischief, I dare say.” His daughter was out of sight in
a moment. May stood shrinking and trembling, but unable to move. The
Earl gazed, with a feeling bordering upon reverence, at the young girl,
as she stood alone in her innocence. He drew slowly towards
her—hesitated—again approached, and taking her hand with respectful
tenderness, he said—“You know that I love you, May—how fondly—how
fervently—time must show for language cannot:—will you—_say_ you will
be mine—with your father’s consent, dear May—or say that I may hope!”

Her whole soul was in her eyes as she raised them slowly to his and
dropped them instantly again beneath his ardent gaze. “But—papa!” she
murmured.

“We will all go together, and ask ‘papa,’ dearest; and now for a turn in
the garden. You will not refuse now, love?” And May Evelyn, blushing and
smiling, took his offered arm, wondering what “dear papa and Lionel”
would say to all this.

It was a lovely evening in the early part of June, that, while Mr.
Evelyn sat dozing in his arm chair and dreaming of his absent children,
a light form stole over the threshold, and when he awoke, his gray hair
was mingled with the glistening locks of his own beautiful and beloved
May—his head resting on her shoulder, and her kiss warm upon his cheek!

“My Lord,” said May, demurely, as she entered, with her father, the
drawing-room in which the Earl awaited them—“papa is very glad that I
have _given satisfaction_;—he thinks your visit a proof of it—although
he could hardly have expected so much from his little ignoramus, as he
will persist in calling me.”

“My dear sir,” said the Earl, cordially pressing the offered hand of his
host, “she has given _so much satisfaction_, that I wish, with your
consent, to retain her as _governess_ for life, not for my children, but
myself.”

The reader has already foreseen the conclusion. Mr. Evelyn’s consent was
obtained;—Lionel was sent for to be present at the wedding;—the
ceremony was quietly performed in the little church of the village;—and
for many succeeding seasons in London, the graceful and elegant wife of
the Earl of —— was “the observed of all observers,” “the cynosure of
neighboring eyes.”

                 *        *        *        *        *




                          AN EPISTLE TO FANNY.


                           BY PARK BENJAMIN.


    Sweet Fanny, though I know you not,
      And I have never seen the splendor
    That flashes from your hazel eyes
      To make the souls of men surrender;
    Though, when they ask me how you look,
      I’m forced to say “I never met her,”
    I hope you will not deem it wrong
      If I address to you a letter.

    Here in mine own secluded room,
      Forgetful of life’s sober duty,
    Lapped in the stillness of repose,
      I sit and muse and dream of beauty;
    I picture all that’s fair and bright
      Which poets sometimes call Elysian,
    And, ’mid the shapes that round me throng,
      Behold one soft, enchanting vision.

    A lady—lovely as the morn
      When Night her starry mansion closes,
    And gentle winds with fairy feet
      Toss the sweet dew from blushing roses—
    A lady—to whose lip and cheek
      Some twenty summer suns have given
    Colors as rich as those that melt
      Along the evening clouds of Heaven.

    Her stature tall, her tresses dark,
      Her brow like light in ambush lying,
    Her hand—the very hand I’d give
      The world to clasp if I were dying!
    Her eyes, the glowing types of love,
      Upon the heart they print their meaning—
    How mild they shine as o’er them fall
      Those lashes long their lustre screening!

    Sweet Fanny, can you not divine
      The form that floats before my dreaming,
    And whose the pictured smiles I see
      This moment on my canvass beaming?
    You cannot! then I’ve failed indeed,
      To paint a single look I cherish—
    So, you may cast my lines aside,
      And bid them like my memory perish.

    My memory! what am I to thee,
      Oh purest, gentlest, fairest, dearest!
    Yes, _dearest_, though thy glance be cold
      When first my humble name thou hearest.
    Though I am nothing, thou to me
      Art Fancy’s best beloved ideal;
    And well I know the form she paints
      Is far less charming than the real.

                 *        *        *        *        *




                     THE DOOM OF THE TRAITRESS.[1]


           BY THE AUTHOR OF “CROMWELL,” “THE BROTHERS,” ETC.


A cold and dark northeaster had swept together a host of straggling
vapors and thin lowering clouds over the French metropolis—the course
of the Seine might be traced easily among the grotesque roofs and gothic
towers which at that day adorned its banks, by the gray ghostly mist
which seethed up from its sluggish waters—a small fine rain was falling
noiselessly and almost imperceptibly, by its own weight as it were, from
the surcharged and watery atmosphere—the air was keenly cold and
piercing, although the seasons had not crept far as yet beyond the
confines of the summer. The trees, for there were many in the streets of
Paris and still more in the fauxbourgs and gardens of the haute
noblesse, were thickly covered with white rime, as were the manes and
frontlets of the horses, the clothes, and hair, and eyebrows of the
human beings who ventured forth in spite of the inclement weather. A
sadder and more gloomy scene can scarcely be conceived than is presented
by the streets of a large city in such a time as that I have attempted
to describe. But this peculiar sadness was, on the day of which I write,
augmented and exaggerated by the continual tolling of the great bell of
St. Germain Auxerrois, replying to the iron din which arose from the
gray towers of Notre Dâme. From an early hour of the day the people had
been congregating in the streets and about the bridges leading to the
precincts of the royal palace, the Chateau des Tournelles, which then
stood—long since obliterated almost from the memory of men—upon the
Isle de Paris, the greater part of which was covered then with the
courts, and terraces, and gardens of that princely pile.

Strong bodies of the household troops were posted here and there about
the avenues and gates of the royal demesne, and several large
detachments of the archers of the prevôt’s guard—still called so from
the arms which they had long since ceased to carry—might be seen every
where on duty. Yet there were no symptoms of an émeute among the
populace, nor any signs of angry feeling or excitement in the features
of the loitering crowd, which was increasing every moment as the day
waxed toward noon. Some feeling certainly there was—some dark and
earnest interest, as might be judged from the knit brows, clinched
hands, and anxious whispers which every where attended the exchange of
thought throughout the concourse—but it was by no means of an alarming
or an angry character. Grief, wonder, expectation, and a sort of half
doubtful pity, as far as might be gathered from the words of the passing
speakers, were the more prominent ingredients of the common feeling,
which had called out so large a portion of the city’s population on a
day so unsuited to any spectacle of interest. For several hours this
mob, increasing as it has been described from hour to hour, varied but
little in its character, save that as the day wore it became more and
more respectable in the appearance of its members. At first it had been
composed almost without exception of artisans and shop boys, and
mechanics of the lowest order, with not a few of the cheats, bravoes,
pickpockets, and similar ruffians, who then as now formed a fraternity
of no mean size in the Parisian world. As the morning advanced, however,
many of the burghers of the city, and respectable craftsmen, might be
seen among the crowd; and a little later many of the secondary gentry
and petite noblesse, with well-dressed women and even children, all
showing the same symptoms of sad yet eager expectation. Now, when it
lacked but a few minutes of noon, long trains of courtiers with their
retinues and armed attendants, many a head of a renowned and ancient
house, many a warrior famous for valor and for conduct might be seen
threading the mazes of the crowded thoroughfares toward the royal
palace.

A double ceremony of singular and solemn nature was soon to be enacted
there—the interment of a noble soldier, slain lately in an unjust
quarrel, and the investiture of an unwilling woman with the robes of a
holy sisterhood preparatory to her lifelong interment in that sepulchre
of the living body—sepulchre of the pining soul—the convent cloisters.
Armand de Laguy!—Marguerite de Vaudreuil!

Many circumstances had united in this matter to call forth much
excitement, much grave interest in the minds of all who had heard tell
of it!—the singular and wild romance of the story, the furious and
cruel combat which had resulted from it—and last not least, the
violent, and, as it was generally considered, unnatural resentment of
the King toward the guilty victim who survived the ruin she had wrought.

The story was in truth, then, but little understood—a thousand rumors
were abroad, and of course no one accurately true—yet in each there was
a share of truth, and the amount of the whole was, perhaps, less wide of
the mark than is usual in matters of the kind. And thus they ran.
Marguerite de Vaudreuil had been betrothed to the youngest of France’s
famous warriors, Charles de La-Hirè, who after a time fell—as it was
related by his young friend and kinsman, Armand de Laguy—covered with
wounds and honor. The body had been found outstretched beneath the
surviver, who, himself desperately hurt, had alone witnessed, and in
vain endeavored to prevent, his cousin’s slaughter. The face of Charles
de La-Hirè, as all men deemed the corpse to be, was mangled and defaced
so frightfully as to render recognition by the features utterly
hopeless—yet from the emblazoned surcoat which it bore, the well-known
armor on the limbs, the signet ring upon the finger, and the accustomed
sword clenched in the dead right hand, none doubted the identity of the
body, or questioned the truth of Armand’s story.

Armand de Laguy, succeeding by his cousin’s death to all his lands and
lordships, returned to the metropolis, mixed in the gayeties of that gay
period, when all the court of France was revelling in the celebration of
the union of the Dauphin with the lovely Mary Stuart, in after days the
hapless queen of Scotland.

He wore no decent and accustomed garb of mourning—he suffered no
interval, however brief, due to decorum at least if not to kindly
feeling, to elapse before it was announced that Marguerite de Vaudreuil,
the dead man’s late betrothed, was instantly to wed his living cousin.
Her wondrous beauty, her all-seductive manners, her extreme youth had in
vain pleaded against the general censure of the court—the world! Men
had frowned on her for awhile, and women sneered and slandered!—but
after a little while, as the novelty of the story wore away, the
indignation against her inconstancy ceased, and she was once again
installed the leader of the court’s unwedded beauties.

Suddenly, on the very eve of her intended nuptials, Charles de La-Hirè
returned—ransomed, as it turned out, by Brissac, from the Italian
dungeons of the Prince of Parma, and making fearful charges of treason
and intended murder against Armand de Laguy. The King had commanded that
the truth should be proved by a solemn combat, had sworn to execute upon
the felon’s block whichever of the two should yield or confess
falsehood, had sworn that the inconstant Marguerite, who, on the return
of De La-Hirè, had returned instantly to her former feelings, asserting
her perfect confidence in the truth of Charles, the treachery of Armand,
should either wed the victor, or live and die the inmate of the most
rigorous convent in his realm.

The battle had been fought yesterday!—Armand de Laguy fell, mortally
wounded by his wronged cousin’s hand, and with his latest breath
declared his treasons, and implored pardon from his King, his kinsman,
and his God—happy to perish by a brave man’s sword not by a headsman’s
axe. And Marguerite—the victor’s prize—rejected by the man she had
betrayed—herself refusing, even if he were willing, to wed with him
whom she could but dishonor—had now no option save death or the
detested cloister.

And now men pitied—women wept—all frowned and wondered and kept
silence. That a young, vain, capricious beauty—the pet and spoiled
child from her very cradle of a gay and luxurious court—worshipped for
her charms like a second Aphrodite—intoxicated with the love of
admiration—that such an one should be inconstant, fickle!—should
swerve from her fealty to the dead!—a questionable fealty always!—and
be won to a rash second love by the falsehood and treasons of a man,
young and brave and handsome—falsehood which had deceived wise
men—that such should be the course of events, men said, was neither
strange nor monstrous! It was a fault, a lapse of which she had been
guilty, which might indeed make her future faith suspected, which would
surely justify Charles de La-Hirè in casting back her proffered hand,
but which at the worst was venial, and deserving no such doom as the
soul-chilling cloister.

She had, they said, in no respect participated in the guilt, or shared
the treacheries of Armand—on the contrary—she, the victim of his
fraud, had been the first to denounce, to spit at, to defy him.

Moreover it was understood that although de La-Hirè had refused her
hand, several of equal and even higher birth than he had offered to
redeem her from the cloister by taking her to wife of their free
choice—Jarnac had claimed the beauty—and it was whispered that the
Duke de Nevers had sued to Henry vainly for the fair hand of the
unwilling novice.

But the King was relentless. “Either the wife of De La-Hirè!—or the
bride of God in the cloister!” was his unvarying reply. No farther
answer would he give—no disclosure of his motives would he make even to
his wisest councillors. Some indeed augured that the good monarch’s
anger was but feigned, and that deeming her sufficiently punished
already he was desirous still of forcing her to be the bride of him to
whom she had been destined, and whom she still, despite her brief
inconstancy, unquestionably worshipped in her heart. For all men still
supposed that at the last Charles would forgive the hapless girl, and so
relieve her from the living tomb that even now seemed yawning to enclose
her. But others—and they were those who understood the best mood of
France’s second Henry—vowed that the wrath was real; and felt, that,
though no man could fathom the cause of his stern ire, he never would
forgive the guilty girl, whose frailty, as he swore, had caused such
strife and bloodshed.

But now it was high noon, and forth filed from the palace gates a long
and glittering train—Henry and all his court, with all the rank and
beauty of the realm, knights, nobles, peers and princes, damsels and
dames—the pride of France and Europe. But at the monarch’s right walked
one, clad in no gay attire—pale, languid, wounded and warworn—Charles
de La-Hirè, the victor. A sad deep gloom o’ercast his large dark eye,
and threw a shadow over his massy forehead—his lip had forgot to smile!
his glance to lighten! yet was there no remorse, no doubt, no wavering
in his calm, noble features—only fixed, settled sorrow. His long and
waving hair of the darkest chesnut, evenly parted on his crown, fell
down on either cheek, and flowed over the broad plain collar of his
shirt which, decked with no embroidery lace, was folded back over the
cape of a plain black pourpoint, made of fine cloth indeed, but neither
laced nor passemented, nor even slashed with velvet—a broad scarf of
black taffeta supported his weapon—a heavy double-edged straight
broadsword, and served at the same time to support his left arm, the
sleeve of which hung open, tied in with points of ribbon. His trunk-hose
and his nether stocks of plain black silk, black velvet shoes and a
slouched hat, with neither feather nor cockade, completed the suit of
melancholy mourning which he wore. In the midst of the train was a yet
sadder sight, Marguerite de Vaudreuil, robed in the snow-white vestments
of a novice, with all her glorious ringlets flowing in loose redundance
over her shoulders and her bosom, soon to be cut close by the fatal
scissors—pale as the monumental stone and only not as rigid. A
hard-featured gray-headed monk, supported her on either hand—and a long
train of priests swept after with crucifix and rosary and censer.

Scarce had this strange procession issued from the great gates of les
Tournelles, the death-bells tolling still from every tower and steeple,
before another train, gloomier yet and sadder, filed out from the gate
of the royal tilt-yard, at the farther end of which stood a superb
pavilion. Sixteen black Benedictine monks led the array chanting the
mournful _miserere_—next behind these, strange contrast!—strode on the
grim gaunt form, clad in his blood-stained tabard, and bearing full
displayed his broad two-handed axe—fell emblem of his odious
calling!—the public executioner of Paris. Immediately in the rear of
this dark functionary, not borne by his bold captains, nor followed by
his gallant vassals with arms reversed and signs of martial sorrow, but
ignominiously supported by the grim-visaged ministers of the law, came
on the bier of Armand, the last Count de Laguy.

Stretched in a coffin of the rudest material and construction, with his
pale visage bare, displaying still in its distorted lines and sharpened
features the agonies of mind and body which had preceded his untimely
dissolution, the bad but haughty noble was borne to his long home in the
grave-yard of Notre Dâme. His sword, broken in twain, was laid across
his breast, his spurs had been hacked from his heels by the base cleaver
of the scullion, and his reversed escutcheon was hung above his head.

Narrowly saved by his wronged kinsman’s intercession from dying by the
headsman’s weapon ere yet his mortal wounds should have let out his
spirit—he was yet destined to the shame of a dishonored sepulchre—such
was the King’s decree, alas! inexorable.

The funeral train proceeded—the King and his court followed. They
reached the grave-yard, hard beneath those superb gray towers!—they
reached the grave, in a remote and gloomy corner, where, in
unconsecrated earth, reposed the executed felon—the priests attended
not the corpse beyond the precincts of that unholy spot—their solemn
chant died mournfully away—no rites were done, no prayers were said
above the senseless clay—but in silence was it lowered into the ready
pit—silence disturbed only by the deep hollow sound of the clods that
fell fast and heavy on the breast of the guilty noble! For many a day a
headstone might be seen—not raised by the kind hands of sorrowing
friends nor watered by the tears of kinsmen—but planted there, to tell
of his disgraceful doom—amid the nameless graves of the self-slain—and
the recorded resting-places of well-known thieves and felons. It was of
dark gray free-stone, and it bore these brief words—brief words, but in
that situation speaking the voice of volumes.

          Ci git Armand
        Le Dernier Comte de Laguy.

Three forms stood by the grave—stood till the last clod had been heaped
upon its kindred clay, and the dark headstone planted. Henry, the King!
and Charles, the Baron De La-Hirè; and Marguerite de Vaudreuil.

And as the last clod was flattened down upon the dead, after the stone
was fixed, De La-Hirè crossed the grave to the despairing girl, where
she had stood gazing with a fixed rayless eye on the sad ceremony and
took her by the hand, and spoke so loud that all might hear his words,
while Henry looked on calmly but not without an air of wondering
excitement.

“Not that I did not love thee,” he said, “Marguerite! Not that I did not
pardon thee thy brief inconstancy, caused as it was by evil arts of
which we will say nothing now—since he who plotted them hath suffered
even above his merits, and is—we trust—now pardoned! Not for these
causes, nor for any of them—have I declined thine hand thus far—but
that the King commanded, judging it in his wisdom best for both of us.
Now Armand is gone hence—and let all doubt and sorrow go hence with
him! Let all your tears, all my suspicions be buried in his grave
forever. I take your hand, dear Marguerite—I take you as mine honored
and loved bride—I claim you mine forever!”

Thus far the girl had listened to him, not blushingly, nor with a
melting eye; nor with any sign of renewed hope or rekindled happiness in
her pale features—but with cold resolute attention—but now she put
away his hand very steadily, and spoke with a firm unfaltering voice.

“Be not so weak!” she said. “Be not so weak, Charles de La-Hirè!—nor
fancy me so vain! The weight and wisdom of years have passed above my
head since yester morning—then was I a vain, thoughtless girl—now am I
a stern wise woman. That I have sinned is very true—that I have
betrayed thee—wronged thee! It may be, had you spoke pardon
yesterday—it might have been all well! It may be it _had been_ dishonor
in you to take me to your arms—but if to do so had been dishonor
yesterday, by what is it made honor now? No! no! Charles de La-Hirè—no!
no!—I had refused thee yesterday, hadst thou been willing to redeem me,
by self-sacrifice, _then_ from the convent walls!—I had refused thee
_then_, with love warming my heart toward thee—in all honor! Force me
not to reject thee _now_ with scorn and hatred. Nor dare to think that
Marguerite de Vaudreuil will owe to man’s compassion, what she owes not
to love! Peace! Charles de La-Hirè—I say, peace! my last words to thee
have been spoken, and never will I hear more from thee! And now, Sir
King, hear thou—may God judge between thee and me, as thou hast judged.
If I _was_ frail and fickle, nature and God made woman weak and
credulous—but made man _not_ wise, to deceive and ruin her. If I sinned
deeply against this Baron De La-Hirè—I sinned not knowingly, nor of
premeditation! If I sinned deeply, more deeply was I sinned
against—more deeply was I left to suffer!—even hadst thou heaped no
more brands upon the burning. If to bear hopeless love—to pine with
unavailing sorrow—to repent with continual remorse—to writhe with
trampled pride!—if these things be to suffer, then, Sir King, had I
enough suffered without thy _just_ interposition!” As she spoke, a
bitter sneer curled her lip for a moment; but as she saw Henry again
about to speak, a wilder and higher expression flashed over all her
features—her form appeared to distend—her bosom heaved—her eye
glared—her ringlets seemed to stiffen, as if instinct with life “Nay!”
she cried, in a voice clear as the strain of a silver trumpet—“nay!
thou _shalt_ hear me out—and thou didst swear yesterday I should live
in a cloister cell forever!—and I replied to thy words _then_, ‘not
long!’—I have thought better _now_—and _now_ I answer ‘_never_!’ Lo
here!—lo here! ye who have marked the doom of Armand—mark now the doom
of Marguerite! Ye who have judged the treason, mark the doom of the
traitress!” And with the words, before any one could interfere, even had
they suspected her intentions, she raised her right hand on high, and
all then saw the quick twinkle of a weapon, and struck herself, as it
seemed, a quick slight blow immediately under the left bosom! It seemed
a quick slight blow! but it had been so accurately studied—so steadily
aimed and fatally—that the keen blade, scarcely three inches long and
very slender, of the best of Milan steel, with nearly a third of the
hilt, was driven home into her very heart—she spoke no syllable
again!—nor uttered any cry!—nor did a single spasm contract her pallid
features, a single convulsion distort her shapely limbs! but she leaped
forward, and fell upon her face, quite dead, at the King’s feet!

Henry smiled not again for many a day thereafter—Charles De La Hirè
died very old, a Carthusian monk of the strictest order, having mourned
sixty years and prayed in silence for the sorrows and the sins of that
most hapless being.

-----

[1] See the Duello, page 85.

                 *        *        *        *        *




                        THE STRANGER’S FUNERAL.


                            BY N. C. BROOKS.


    A solitary hearse without mourner or friend wheeled by me with
    unceremonious speed. It filled my heart with feelings of the
    most chilling desolation, which were augmented perhaps by the
    peculiar gloom of the evening. I reached the rude grave in which
    the corpse was deposited, and learned from the menial who was
    performing the last rites that it was a young German of fine
    talents, with whom I had travelled a few months before, who, far
    from his home and friends, had fallen a victim to the prevailing
    epidemic.—Letter of a Friend.

    No solemn bell pealed on the air,
      No train in sable gloom
    Moved slow with the holy man of prayer
      To stand around his tomb;
    The hearse rolled on without sign of love
      To the church, in lonely woe,
    Where bent the solemn heavens above
      The opened grave below:
    But he recked not of the heavens o’ercast,
      Or the yawning gulf of death;
    For with him Earth’s bitterness had passed,
      Ere passed his fleeting breath.

    The stranger pressed a lonely bed,
      No smiles dispelled the gloom
    Of the dark and funeral shades that spread
      Around his dying room;
    And his heart with grief did melt,
      And he wandered in fevered dreams
    To the home where the loved of his youth still dwelt,
      By the side of his own blue streams:
    His heart for their voices yearned,
      And the warm tears fell like rain,
    As his dying eyes to the home were turned
      That he ne’er should see again.

    The stranger’s griefs are o’er,
      And his body lies alone,
    From his friends afar on a foreign shore
      Without a funeral stone;
    And long shall voices call,
      And midnight tapers burn
    For him that is bound in death’s cold thrall,
      But he shall no more return:
    He shall return no more
      From his lowly sleep in dust,
    ’Till the trump announce death’s bondage o’er,
      And the “rising of the just.”

                 *        *        *        *        *




                            THE FIRST STEP.


                        BY MRS. EMMA C. EMBURY.


“Well met, Harry,” exclaimed Edward Morton, as he encountered his friend
Wilford in Broadway, “I have two questions to ask you. In the first
place, what do you call that odd-looking vehicle in which I saw you
riding yesterday? and in the second, who was that pretty little sister
Ruth seated so demurely beside you?”

“My new carriage,” said Harry, laughing, “having been invented by
myself, has the honor to bear my name; it is called a Wilford; I will
sell it to you cheap, if you like it, for that booby Danforth has
ordered one of the same pattern, and I will never sport mine after he
comes out with his.”

“And so because a fool follows your lead you throw up your cards; you
will have enough to do if you carry out that rule in all your actions.
Thank you for your kind offer; but really I am neither rich nor
fashionable enough to drive about town in such a Welsh butter-tub. Now,
answer my second question; who is the lady;—has she been named in honor
of the vehicle?”

“No, but she will probably bear the name of its inventor in due time.”

“Can it be possible, Harry? have you really determined to turn Benedict
before the pleasures of freedom have palled upon your taste? Have you
seriously reflected upon all you are about to relinquish? Have you
thought upon the pleasant _tête-à-têtes_, the agreeable flirtations, the
many delicious ‘love-passages’ which the admired Harry Wilford is
privileged to enjoy while he roves at large, but which will hereafter be
denied to him who wears the clanking fetters of matrimony?”

“I have thought of every thing, Ned; and, to tell you the truth, I am
beginning to get tired of the aimless, profitless life I now lead.”

“And, therefore, you are going to turn merchant and marry; you will have
a considerable amount to add to profit and loss by these experiments.
Pray who is the enchantress that has woven so wondrous a spell of
transformation?”

“She bears the primitive name of Rachel, and was both born and bred in
the little village of Westbury, where, as I am told, a fashionably cut
coat or one of Leary’s hats would be regarded as a foreign curiosity.
She has never stirred beyond the precincts of her native place until
this spring, when she accompanied a newly married relative to our gay
city. Indeed she has been kept so strictly within the pale of her
society, that if her cousin had not fortunately married out of it, the
lovely Rachel would probably have walked quietly to meeting with some
grave young broad-brim, and contented herself with a drab bonnet all her
life.”

“So your inamorata is country bred. By Jupiter I shall begin to believe
in the revival of witchcraft. Is she rich, Harry?”

“I see the drift of your question, Ned; but you are mistaken if you
think I have looked on her through golden spectacles. She is an orphan
with sufficient property to render her independent of relatives, but not
enough to entice a fortune-hunter.”

“Well, if any one but yourself had told me that Harry Wilford, with all
his advantages of _purse_ and _person_, had made choice of a little
rusticated Quakeress to be his bride, I could not have believed it,”
said Morton; “pray do you expect this pretty Lady Gravely to preside at
the exquisite dinners for which your bachelor’s establishment has long
been famous? or do you intend to forego such vulgar enjoyments for the
superior pleasures of playing Darby to Mrs. Wilford’s Joan in your
chimney corner?”

“No quizzing, Ned,” said Wilford, smiling, “Rachel has been well
educated, and the staid decorum of the sect has not destroyed her native
elegance of manner.”

“But the _drab bonnet_, Harry:—can _you_, the pride of your tailor and
the envy of your less tasteful friends,—_you_, the very prince of
Broadway exquisites,—you, the American Brummel, who would as willingly
have been caught picking a pocket, as wearing a glove two days, a hat
two weeks, or a coat two months,—can you venture to destroy the
reputation which you have acquired at such cost, by introducing a drab
bonnet to the acquaintance of your be-plumed and be-flowered female
friends?”

“Wait awhile, Edward; Rachel has not yet learned to admire the gayeties
of our city; her eyes have been too long accustomed to the ‘sober
twilight gray,’ and she is rather dazzled than pleased with the splendor
of fashionable society, but she has too much of womanly feelings to
continue long insensible to womanly vanity.”

“Well, success to you, Harry, but let me beg you to lay an interdict on
that ugly bonnet as soon as you have a right to exercise your marital
authority.”

Wilford laughed, and the two gentlemen parted; the one to fulfil an
engagement with the pretty Quakeress, and the other to smoke a cigar,
drink a mint julep, and laugh at his friend’s folly.

Harry Wilford had been so unlucky as to come into possession of a large
fortune as soon as he attained his majority. I am not in error, gentle
reader, when I say he was _unlucky_, for daily experience bears witness
to the fact, that in this country, at least in nine cases out of ten, a
large inheritance is a great misfortune. The records of gay life in
every large city prove that the most useless, most ignorant, most
vicious, and often the most degraded among the youth, are usually the
sons of plodding and hoarding parents, who have pawned health and
happiness, aye, and sometimes _integrity_—the very life of the soul—to
procure the gold which brings the destruction of their children. Wilford
had passed through college with the reputation of being one of the most
gifted and most indolent of scholars, while his eccentric fits of study,
which served to give him the highest rank in his class, only showed how
much more he might have done, if industry and perseverance had been
allowed to direct his pursuits. Like his career in the university had
been his course through life. With much latent energy of character he
was too infirm of purpose to become distinguished either for virtue or
talent. The curse of Ephraim seemed to have fallen upon the child of
prosperity, and the impressive words of the ancient Patriarch: “Unstable
as water, thou shalt not excel,” might have shadowed forth his destiny.
His fine talents were wasted in empty witticisms; his classical taste
only served to direct his lavish expenditure, and his really noble
feelings were frittered away in hollow friendship, or in transitory
attachments. Handsome, brilliant, and, above all, rich, he became the
idol of a coterie, and intoxicated by the incense which smoked before
him, he did not perceive that its subtle influence enervated all his
nobler faculties. Yet Wilford had escaped the contagion of vice. The
dark stain of criminal excess, which too often sullies the cloth of gold
more deeply than it does the coat of frieze, had never fallen upon his
garments. He could not forget the trembling hand which had been laid
upon his infant head when he offered up his innocent prayers at a
mother’s knee. He remembered her dying supplication that her child might
be kept “unspotted from the world,” and her gentle face, beaming with
unutterable purity and love, often interposed itself between his and his
tempter, when his heart would have failed from very weakness.

Harry Wilford had completed his thirtieth summer and yet he was a
bachelor. The artillery of bright eyes and brighter smiles had been
levelled at him in vain; the gentler weapons of sweet words and soft
glances had been equally ineffectual. His heart had been captured again
and again, but it was a far easier task to _gain_ than to _keep_ it.
Indeed it was like an ill-garrisoned border fortress, and generally
surrendered at discretion to the first enemy that sat down before it,
who was sure to be soon driven out in turn by another victorious
assailant. He was too universal a lover, and until, like Apelles, he
could unite in one woman the charms which he admired in twenty, there
seemed little probability of his ever being won to wear the chain. The
truth was, that of the many who courted the attentions of the handsome
Mr. Wilford, there was none that seemed to have discovered the fine gold
which lay beneath the surface of his character. The very exuberance of
flowers and fruit which the soil produced, prevented one from expecting
any hidden treasure, for it is not often that the precious things of
earth are found beneath its gay adornments. We look for the diamond, not
under the bank of violets but in the rugged bosom of the mountain, and
thus Wilford’s friends, content with the beautiful blossoms of fancy and
wit which he lavishly flung around, suspected not the noble gifts of
intellect which he possessed.

Wilford had frequently imagined himself in love, but something had
always occurred to undeceive him and to resolve his pleasant fancies
with very disagreeable facts. He had learned that the demon of
selfishness often lurks under the form of an angel of light, and he
began to distrust many of the fair beings who bestowed upon him their
gentle smiles. He had received more than one severe lesson in human
nature, and it was very soon after officiating as groomsman at the
bridal of a lovely girl whose faith had once been pledged to him, that
he first met the young and guileless Quakeress. There was something so
pure and vestal-like in the delicate complexion, soft blue eye, and
simply braided hair of the gentle Rachel, that Wilford was instantly
charmed. His eye, so long dazzled with the gorgeous draperies,
glittering jewels, and well-displayed beauties of fashionable belles,
rested with a sense of relief on the sober French gray silk, and
transparent lawn neckerchief which so carefully shaded the charms of the
fair rustic. He saw the prettiest of tiny feet peeping from beneath a
robe of far more decorous length than the laws of fashion then
allowed—the whitest of white hands were unadorned by a single
jewel—and the most snowy of necks was only discovered by the swan-like
grace which rendered it visible above its envious screen of muslin. Even
in the society of Friends, where a beautiful complexion is almost as
common to the females as a pair of eyes to each face, Rachel was
remarkable for the peculiar delicacy of hers. It was not of that waxy,
creamy tint, so often considered the true fashionable and aristocratic
complexion, because supposed to be an evidence that the “winds of
heaven” have never visited the face except through the blinds of a
carriage; nor was it the flake-white and carmine-red which often claims
for its possessor the reputation of a brilliant tincture of the skin.
Even the old and worn-out similes of the lily and the rose, would have
failed to give an idea of the delicate hues which added such a charm to
Rachel’s countenance, for the changing glow of her soft cheek, and the
tracery of blue veins which adorned her snowy brow could never be imaged
by a flower of the field. Harry Wilford thought he had never seen
anything so exquisitely lovely, so purely fair, as that sweet face when
in perfect repose, or so vividly bright as it seemed when lighted by the
blush of modesty. There are some faces which require shadows to perfect
their beauty; the eye, though bright, must flash beneath jetty lashes;
the brow, though white, must gleam amid raven tresses or half the effect
is lost. But Rachel’s face, like that of joyous childhood, was all
light. Her hair was silky and soft as an infant’s, her eyes blue as the
summer heaven, her lips like an opening rose-bud—it was a face like
spring sunshine, all brightness and all beauty.

Rachel had been left an orphan in her infancy, and the relatives to whom
she was indebted for her early nurture were among the straitest of a
strait sect, consequently she had imbibed their rigid ideas of dress and
manners. Indeed she had never wasted a thought upon the pomps and
vanities of the ‘world’s people,’ until she visited the gay metropolis.
The sneers which her plain dress occasioned in the circle where she now
moved, and the merry jibes which young and thoughtless companions cast
upon her peculiar tenets of faith, aroused all the latent pride of her
nature, until she actually felt a degree of triumph in exhibiting her
quaint costume in society.

If Wilford had been charmed with her beauty, he was in raptures with her
unsophisticated character. After ringing the changes on _sentiment_
until his feelings were ‘like sweet bells jangled out of tune,’ it was
absolutely refreshing to find a damsel who had never hung enraptured
over the passionate pages of Byron, nor breathed the voluptuous songs of
Moore, but who, in the simplicity of her heart, admired and quoted the
gentle Cowper, as the prince of poets. “She has much to learn in the
heart’s lore,” said Wilford to himself, “and what pleasure it will be to
develop her innocent affections.” So he offered his hand to the pretty
Quakeress, and she, little versed in the arts of coquetry, modestly
accepted the gift.

One morning Rachel sat by the window, looking out upon the gay throng in
Broadway, when her cousin entered with a small packet in her hand.

“Here is something for you, Rachel, a love token I suppose,” said Mrs.
Hadley. Rachel blushed as she opened the envelope, but her color
deepened to an almost angry hue when she unclosed a morocco box, and
beheld an exquisite set of pearls.

“Beautiful!” exclaimed Mrs. Hadley.

“I shall not keep them,” said Rachel quietly.

“Not keep them! pray why?” asked her cousin.

“Because I should never wear them, and because Mr. Wilford has not kept
his word with me. He promised never to interfere with what he called my
style of dress, and I told him I would never lay aside my plain costume,
though I was willing to modify it a little for his sake.”

“Here he comes to answer for himself,” said Mrs. Hadley as Wilford
entered. “You are just in time,” she continued, “for Rachel is very
angry with you.”

Rachel could not repress a feeling of pride and pleasure as she looked
on the graceful form of her lover, who, taking a seat beside her,
whispered, “Are you indeed displeased with me, dearest? Pray what is my
offence?”

She replied by placing in his hand the box of pearls.

“Do you then reject so simple an offering of affection, Rachel?” said
Harry, “you should regard these gems not as the vain ornaments of
fashion, but as the most delicate and beautiful productions of the
wonderful world of ocean. Look, can any thing be more emblematical of
purity?” and as he spoke he placed a pearl rose upon the soft golden
hair which was folded above her white forehead.

Rachel did look, and, as the large mirror reflected her beautiful face,
she was conscious of an impulse, (almost her very first) of womanly
vanity.

“I cannot wear them, Harry,” said she, “necklace and bracelets would be
very useless to one who never unveils either neck or arms, and such
costly head-gear would be ill suited to my plain silk dress, and lawn
cape.”

Wilford had too much tact to press the subject. The box was consigned to
his pocket, and the offence was forgiven.

“_Ce n’est que le premier pas qui coute_,” said he, as he walked home,
“my fifteen hundred dollars has been thrown away for the present; I must
proceed more cautiously in my work of reform.”

The morning fixed for the marriage at length arrived. Rachel was in her
apartment, surrounded by her friends, and had just commenced her toilet,
when a small parcel, accompanied by a delicate rose-colored note, was
placed in her hands. She, of course, opened the note first; it was as
follows:

“Forgive me, my sweet Rachel, if on this morning I venture to suggest a
single addition to your simple dress. There are always idle persons
standing about the church door on such an occasion as a wedding, and I
am foolish enough to be unwilling that the careless eye of every
indifferent spectator should scan the exquisite beauty of your face
to-day. There is something extremely painful to me in the thought that
the blushing cheek of my fair bride should be the subject of cold
remark. Will you not, for my sake, dearest, veil the rich treasure of
your loveliness for one brief hour? I know I am selfish in making the
request, but for once forgive my jealousy, and shade your brightness
from the stranger’s gaze.”

The parcel contained a Brussels lace veil of surpassing richness, so
delicate in its texture, so magnificent in its pattern that Rachel could
not repress an exclamation of pleasure at the sight.

Her toilet was at length completed. A dress of plain white satin,
finished at the neck by a chemisette of simple lace, her hair folded
plainly around her small head and plaited in a single braid
behind:—such was the bridal attire of the rigid little Quakeress.

“And the veil, Rachel,” whispered her cousin.

“Why, rather than shock Harry’s delicacy,” said she, half smiling, “I
believe I will wear it, but I shall look very ridiculous in it.”

The veil fell in rich folds nearly to her feet, and nothing could be
imagined more beautiful than her whole appearance in this plain but
magnificent costume.

“You want a pearl comb, or something of the kind, to fasten this veil
properly,” said one of the bridesmaids.

“What a pity you had not kept the box,” whispered her cousin. Rachel
smiled as she replied, “if I had ever dreamed of wearing such an unusual
appendage as this perhaps I might have retained the rose at least.”

Rachel had taken the _first_ step when she consented to adopt the veil,
the second would have cost her less trouble.

Immediately after the ceremony, Mr. and Mrs. Wilford set off for the
Springs. A servant had preceded them with their baggage, and Rachel soon
found herself in the midst of a more brilliant circle than she had yet
seen. The day after their arrival she was preparing for a ride, and a
crowd had collected on the piazza to admire Wilford’s elegant equipage
and fine blood-horses. But an unforeseen annoyance had occurred to
disturb the bride’s feelings. Attired in a dress of dark
lavender-colored silk, she folded her white cashmere around her
shoulders, and opened the band-box which contained her bridal hat. This
had only been sent home on the morning of her marriage, and having been
instantly forwarded with the other baggage, she had not yet seen it. How
was she startled therefore to find, instead of the close cottage hat
which she had ordered, as the nearest possible approach to her Quaker
bonnet, a gay-looking French affair, trimmed with a wreath of lilies of
the valley. What was to be done? it was impossible to procure another,
and to despoil the bonnet of its flowers gave it an unfinished and
slovenly appearance. Harry affected to condole with her, and finally
persuaded her to wear it rather than expose herself to the charge of
affectation by assuming her travelling calash.

“_Ce n’est que le premier pas qui coute_,” said he, to himself, as he
saw the blush mantle her lovely cheek when she contemplated her
reflection in the mirror.

“What shall I do?” exclaimed Rachel, “it does not half cover my head; I
never wore such a flaunting, flaring thing in my life: I wish I had my
veil, for I am actually ashamed of myself: ah, here it is, coz must have
put it into the box, and I dare say it is she who has played me this
trick about my bonnet.”

So, throwing on her splendid veil to hide her unwonted finery, Rachel
took her husband’s arm and entered the carriage, leaving the gentlemen
to admire her beauty and the ladies to talk about her magnificent
Brussels.

Six months after her marriage Mrs. Wilford was dressing for a party;
Monsieur Frisette had arranged her beautiful hair in superb ringlets and
braids, and was just completing his task when the maid accidentally
removing her embroidered handkerchief from the dressing-table discovered
beneath it the box of pearls.

“Ah voilà Madame, de very ting—dat leetle rose vill just do for fix
dese curl,” said Monsieur.

As she continued her toilet she found that Madame M*** had trimmed the
corsage of her dress in such a manner as to preclude the possibility of
wearing either cape or scarf according to her usual habit. She could not
appear with her neck quite bare, and nothing remained but to cover it
with the massy medallions of her pearl necklace. In short, when fully
dressed for the party, some good reason had been found for adopting
every ornament which the box contained.

“Just as I expected,” said Wilford, mentally, as he conducted her to the
carriage, “Rachel has taken the _first step_, she will never put on the
drab bonnet again.”

                         *    *    *    *    *

Three years after the events just recorded, the fatal red flag of the
auctioneer was seen projecting from one of the upper windows of a
stately house, and crowds of the idle, the curious, and the speculating
were entering the open door. It was the residence of Harry Wilford.

“Well, how things will turn out,” said a fat, frowsy dame, as she seated
herself on a velvet sofa and drew a chair in front of her to keep off
the throng, “sit down Charlotte,” continued she, addressing a newly
married niece, “sit down and let us make ourselves comfortable until the
auctioneer has done selling the kitchen furniture. Only think—the last
time I was here before Mrs. Wilford had a great party, and the young
folks all came in fancy dresses, and I sat on this very sofa. That is
only three months ago, and now everything has gone to rack and ruin.”

“How did it all happen?” asked a pleasant-looking woman who stood near.

“Oh, Mrs. Wilford was awfully extravagant, and her husband thought there
was no bounds to his riches, so they lived too fast; ‘burnt their candle
at both ends,’ as the saying is. They say Mrs. Wilford hurried on her
husband’s ruin, for he had been speculating too deeply, and was in debt,
but his creditors would have waited if she had not given that last
dashing party.”

“How do you know that fact!” asked the other.

“Oh, from the best authority, my husband is one of the principal
creditors,” replied the dame with a look of dignity, “he told me the
whole story as we were going to the party, and declared that he would
not stand such dishonest dealings, so the very next morning he was down
upon Mr. Wilford, and before twelve o’clock he had compelled him to make
an assignment.”

And it was among such people—men and women who would sit at the
hospitable board with murder in their hearts—who would share in the
festivities of a household even while meditating the destruction of that
pleasant home—it was among such as these that Wilford had lived—it was
for such as these that he had striven to change the simple habits and
artless manners of his true-hearted Rachel. It was the dread laugh of
such as these which had led him to waste her energies as well as his own
in the pursuit of fashion and folly.

Wilford had succeeded even beyond his intentions in imbuing his gentle
bride with a love for worldly vanities. His wishes delicately but
earnestly expressed, together with the new-born vanity which her
unwonted adornments engendered in the bosom of Rachel, gradually
overcame her early habits. One by one the insignia of her simple faith
were thrown aside. Her beautiful neck was unveiled to the admiring
eye—her ungraceful sleeve receded until the rounded arm was visible in
its full proportions—the skirt, following the laws of fashion, lost
several degrees of longitude, until the beauty of Mrs. Wilford’s foot
was no longer a disputable fact. In short, in little more than two years
after her marriage, her wealth, her beauty, her elegance of manners, and
her costly dress made her decidedly a leader of ton. Wilford could not
but regret the change. She was ever affectionate and devoted to him with
all the earnestness of womanly tenderness, but he was ashamed to tell
her that in obeying his wishes she had actually gone beyond them. He
hoped that it was only the novelty of her position which had thus
fascinated her, and yet he often found himself regretting that he had
ever exposed her to such temptations.

But new and unlooked-for trials were in store for both. The estate of
Mr. Wilford had always been managed by his uncle, a careful merchant,
who, through the course of his whole life, had seemed to possess the
Midas-like faculty of converting every thing he touched into gold; and
satisfied that, as he was the old man’s only heir, the property would be
carefully husbanded, Wilford gave himself no trouble about the matter.
But the mania for real estate speculation had now infected the whole
nation. The old gentleman found himself the ridiculed of many a bold
spirit who had dashed into the stream and gathered the gold dust which
it bore along; he had long withstood the sneers of those who considered
themselves wise in their generation, because they were pursuing a
gambling scheme of wealth; but at length he could no longer resist the
influence! He obtained the concurrence of his nephew, and thus furnished
with double means struck boldly out from the safe haven where he had
been ensconced. Every thing went on swimmingly for a time; his gains
were immense—_upon paper_, but the tide turned, and the result was
total wreck.

It was long ere Wilford became aware of his misfortunes. Accustomed to
rely implicitly on his uncle’s judgment, he reposed in indolent security
until the tidings of the old man’s bankruptcy and his own consequent
ruin came upon him like a thunderbolt. He had been too long the child of
prosperity to bear reverses with fortitude. He had no profession, no
knowledge of business, nothing by which he could obtain a future
livelihood; and now, when habits of luxury had enervated both mind and
body, he found himself utterly beggared. He brooded over his losses in
moody bitterness of spirit long before the world became acquainted with
his situation. He even concealed them from his wife, from that mistaken
and cruel kindness which thinks to lighten the blow by keeping it long
suspended. “How can I overwhelm her with sorrow and mortification by
telling her we are beggars?” he cried, in anguish. “How can I bid her
descend from the lofty eminence of wealth and fashion and retire to
obscurity and seclusion? How can I be sure that she will bear the
tidings with a patient spirit? I have sown within her young heart the
seeds of vanity, and how can I hope to eradicate now the evils which
have sprang from them? Her own little fortune is all that is now left,
and how we are to live on that I cannot tell. Rachel cannot bear it—I
know she cannot!”

His thoughts added new anguish to his regrets, and months of harrowing
dread and anxiety passed away before Wilford could summon courage to
face manfully his increasing misfortunes.

Mrs. Wilford had long intended to celebrate her husband’s birth-day by a
brilliant party, and, quite unconscious of the storm which impended over
her, she issued her cards nearly a month previous to the appointed
evening. Harry Wilford knew that the party ought not to be given; he
knew that it would bring discredit upon him, and perhaps censure upon
his wife, for he was conscious that his affairs were rapidly approaching
a fatal crisis; but he had not courage to own the truth. He watched the
preparations for the party with a boding spirit; he looked sadly and
fondly upon the brilliant attire of his young wife as she glided about
the gorgeous apartments, and he felt that he was taking his last glance
at happiness and comfort. The very next day his principal creditor, a
fat, oily-faced, well-fed individual, remarkable for the regularity of
his attendance, and the loudness of his responses at church—a man whose
piety was carried to such lengths that in the fear lest his left hand
should know the good which his right hand did, he was particularly
careful never to do _any_—a man who would sit first at a feast and
store up the careless sayings of convivial frankness to serve his own
interest in the mart and the market-place—this man, after pledging him
in the wine-cup and parting from him with the cordial grasp of
friendship, met him with a legal demand for that which he knew would
ruin him.

The fatal tidings could no longer be withheld from Mrs. Wilford, and she
was roused from the languor which the fatigue of the preceding evening
had left both on mind and body, by the tidings of her husband’s
misfortunes.

“It is as I feared,” thought Wilford, as he observed her overwhelming
emotion, “she cannot bear the degradation.”

But he was mistaken. There is a hidden strength of character which can
only be developed by the stroke of calamity, and such was possessed by
Rachel Wilford. A moment, and but a moment, she faltered; then she was
prepared to brave the worst evils of her altered fortunes. Wilford soon
found that she had both mind to comprehend and judgment to counsel. Ere
the morrow had passed half his sorrow was assuaged, for he had found
comfort and even hope in the bosom of his young and devoted wife. There
was only one thing over which she still deeply grieved, and this was her
fatal party.

“Had you only confided in me, Harry,” said she, “worlds would not have
tempted me to place you and myself in so dishonorable a light. How could
you see me so unconscious of danger and treading so heedlessly on the
verge of ruin without withdrawing me from it? Your own good name, Harry,
aye, and _mine_ too, have suffered. Our integrity has been doubted.”

“I did it for the best, Rachel; I would have spared you as long as
possible.”

“It was most ill-judged kindness, Harry; it has ruined you and deeply
injured me. Believe me, a wife is infinitely happier in the
consciousness that she possesses her husband’s confidence, than in the
discovery that she has been treated like a petted child; a being of
powers too limited to understand his affairs or to be admitted to his
councils.”

Mrs. Wilford did not merely meet her reverses with fortitude. She was
resolved to act as became a high-minded woman. Her jewels were
immediately disposed of, not stealthily, and as if she dreaded exposure,
but by going openly to the persons from whom they were purchased; and
thus realizing at least two-thirds of their original cost. This sum she
immediately appropriated to the payment of household debts; and with it
she satisfied the claims of all those who had supplied them with daily
comforts. “I could not rest,” she said, “if I felt there was one person
living who might say I wronged him out of the very bread I have eaten.”
The furniture was next given up—nothing was reserved—not even the
plate presented by her own friends, nor the work-box, the gift of Harry.
Lodgings quiet and respectable but plain and cheap were taken in a
private boarding-house. Every vestige of their former splendor was gone,
and when all was over, it was with a feeling of relief that the husband
and wife sat down together to form plans for the future. The past seemed
like a troubled dream. Scarcely six months had elapsed since their
stately mansion had been the scene of joyous festivity, and the very
suddenness with which distress had come seemed to have paralysed their
sense of suffering.

“I received a proposal to-day, Rachel, which I would not accept without
consulting you,” said Harry, as they sat together in their neatly
furnished apartment. “Edward Morton offers me the situation of
book-keeper, with a salary of a thousand dollars per annum.”

“Take it, by all means, dear Harry,” said his wife, “constant employment
will make you forget your troubles, and a thousand dollars,” added she,
with a bright smile, “will be a fortune to us.”

“I suppose I had better accept his offer,” said Wilford, gloomily, “but
it cuts down a man’s pride to be reduced to the condition of a
hireling.”

“Do not make me ashamed of my husband, dear Harry,” was the earnest
reply, “do not suffer me to blush for the weakness and false pride which
can think only of external show. We can live very comfortably on your
salary, especially when we have the consciousness of integrity to
sweeten our privations.”

“You forget that you are not quite so much a beggar as your husband,
Rachel. The interest of your twenty thousand dollars, added to my
salary, will give us something more than the mere comforts of life.”

“What do you mean, Harry?” asked his wife, turning very pale.

“Why you do not suppose I was scoundrel enough to risk your little
property, Rachel; that was secured you by a marriage settlement, and no
creditor can touch it unless you should assign it.”

Rachel made no reply but fell into a long fit of musing.

It was but a few days after this conversation that Wilford, conquering
his false pride, entered upon his duties in the counting-room of his old
friend Morton. He returned early in the evening, wearied, sad, and
dispirited, but his wife met him with a face so bright that he almost
forgot the annoyances of the day.

“How happy you look, Rachel,” said he, as she drew her chair beside his
and laid her hand upon his arm.

“I am indeed happy, dear Harry, for I am now no richer than yourself.”

“I don’t understand you,” replied Wilford with a puzzled look.

“You gave me a most unpleasant piece of news yesterday, Harry, when you
told me that my paltry little fortune had been preserved from your
creditors, and now I am happy in the consciousness that no such reproach
can attach to us. I have been closeted with your lawyer this morning; he
told me about twenty thousand dollars would clear off all claims against
you, and by this time I suppose you are free.”

“What have you done?”

“Handed over my marriage settlement to your assignees, Harry”—

“And reduced yourself to a bare subsistence, Rachel, to satisfy a group
of gaping creditors who would swallow my last morsel if they knew I was
left to starve.”

“The debts were justly due, Harry, and I would rather that the charge of
illiberality should attach to them than of dishonesty to us.”

“You have never known the evils of poverty, my poor child,” said
Wilford, despondingly.

“Nor do I mean to experience them now, dear husband; you will not let me
want for comforts, and you seem to forget that, though you have tried to
spoil me, my early habits were those of economy and frugality.”

“So you mean to adopt your simple Quaker habits again, Rachel,” said
Wilford, more cheerfully; “will they include the drab bonnet also?”

“No,” returned the young wife, her face dimpled with joyous smiles, “I
believe now that as much vanity lurked under my plain bonnet as ever
sported on the wave of a jewelled plume; and yet,” said she, after a
moment’s pause, “when I threw off my Quaker garb I took my first step in
error, for I can trace all my folly, and extravagance, and waste of time
to the moment when I first looked with pleasure in that little mirror at
Saratoga.”

“Well, well, dearest, your first step has not led you so far astray but
that you have been able most nobly to retrace your path. I am poorer
than I ever expected to be, yet richer than I could ever have hoped, for
had I never experienced a reverse of fortune, I should never have
learned the worth of my own sweet wife.”

Harry Wilford was right, and the felicity which he now enjoys in his own
quiet and cheerful home—a home won by his own industry and
diligence—is well worth all the price at which it was purchased, even
though it cost him his whole estate.

                 *        *        *        *        *




                         AGATHÈ.—A NECROMAUNT.


                           IN THREE CHIMERAS.


                     BY LOUIS FITZGERALD TASISTRO.


           CHIMERA II. (Continued.)

    The ship! that self-same ship, that Julio knew
    Had passed him, with her panic-stricken crew,
    She gleams amid the storm, a shatter’d thing
    Of pride and lordly beauty; her fair wing
    Of sail is wounded—the proud pennon gone!
    Dark, dark she sweepeth like an eagle, on
    Through waters that are battling to and fro,
    And tossing their great giant shrouds of snow
    Over her deck.—Ahead, and there is seen
    A black, strange line of breakers, down between
    The awful surges, lifting up their manes
    Like great sea-lions. Quick and high she strains
    Her foaming keel—that solitary ship!
    As if, in all her frenzy, she would leap
    The cursed barrier: forward, fast and fast—
    Back, back she reels; her timbers and her mast
    Split in a thousand shivers! A white spring
    Of the exulting sea rose bantering
    Over her ruin; and the mighty crew
    That mann’d her deck, were seen, a straggling few,
    Far scatter’d on the surges. Julio felt
    The impulse of that hour, and low he knelt,
    Within his own light bark—a pray’rful man!
    And clasp’d his lifeless bride; and to her wan,
    Cold cheek did lay his melancholy brow.—
    “Save thou a mariner!” he starteth now
    To hear that dying cry; and there is one,
    All worn and wave-wet, by his bark anon,
    Clinging, in terror of the ireful sea,
    A fair-hair’d mariner! But suddenly
    He saw the pale dead ladye by a flame
    Of blue and livid lightning, and there came
    Over his features blindness, and the power
    Of his strong hands grew weak,—a giant shower
    Of foam rose up, and swept him far along;
    And Julio saw him buffetting the throng
    Of the great eddying waters, till they went
    Over him—a wind-shaken cerement!

    Then terribly he laugh’d, and rose above
    His soulless bride—the ladye of his love!
    Lifting him up in all his wizard glee;
    And he did wave, before the frantic sea,
    His wasted arm.—“Adieu! adieu! adieu!
    Thou sawest how we were; thou sawest, too,
    Thou wert not so; for in the inmost shrine
    Of my deep heart are thoughts that are not thine.
    And thou art gone, fair mariner! in foam
    And music-murmurs to thy blessed home—
    Adieu! adieu! Thou sawest how that she
    Sleeps in her holy beauty tranquilly:
    And when the fair and floating vision breaks
    From her pure brow, and Agathè awakes—
    Till then, we meet not; so, adieu, adieu!”
    Still on before the sullen tempest flew,
    Fast as a meteor star, the lonely bark;
    And Julio bent over to the dark,
    The solitary sea, for close beside
    Floated the stringed harp of one that died,
    In that wild shipwreck, and he drew it home
    With madness to his bosom; the white foam
    Was o’er its strings; and on the streaming sail
    He wiped them, running with his fingers pale,
    Along the tuneless notes, that only gave
    Seldom responses to his wandering stave!

             O THE HARP.

    Jewel! that lay before the heart
      Of some romantic boy,
    And startled music in her home,
      Of mystery and joy!

    The image of his love was there;
      And, with her golden wings,
    She swept their tone of sorrow from
      Thy melancholy strings!

    We drew thee, as an orphan one,
      From waters that had cast
    No music round thee, as they went
      In their pale beauty past.

    No music but the changeless sigh—
      That murmur of their own,
    That loves not blending in the thrill
      Of thine aerial tone.

    The girl that slumbers at our side
      Will dream how they are bent,
    That love her even as they love
      Thy blessed instrument.

    And music, like a flood, will break
      Upon the fairy throne
    Of her pure heart, all glowing, like
      A morning star, alone!

    Alone, but for the song of him
      That waketh by her side,
    And strikes thy chords of silver to
      His fair and sea-borne bride.

    Jewel! that hung before the heart
      Of some romantic boy:
    Like him, I sweep thee with a storm
      Of music and of joy!

    And Julio placed the trembling harp before
    The ladye; till the minstrel winds came o’er
    Its moisten’d strings, and tuned them with a sigh.
    “I hear thee, how thy spirit goeth by,
    In music and in love. Oh, Agathè!
    Thou sleepest long, long, long; and they will say
    That seek thee,—‘she is dead—she is no more!’
    But thou art cold, and I will throw before
    Thy chilly brow the pale and snowy sheet.”
    And he did lift it from her marble feet,
    The sea-wet shroud! and flung it silently
    Over her brow—the brow of Agathè!

    But, as a passion from the mooded mind,
    The storm had died, and wearily the wind
    Fell fast asleep at evening, like one
    That hath been toiling in the fiery sun.
    And the white sail dropt downward, as the wing
    Of wounded sea-bird, feebly murmuring
    Unto the mast—it was a deathly calm,
    And holy stillness, like a shadow, swam
    All over the wide sea, and the boat stood,
    Like her of Sodom, in the solitude,
    A snowy pillow, looking on the waste.
    And there was nothing but the azure breast
    Of ocean and the sky—the sea and sky.
    And the lone bark; no clouds were floating by
    Where the sun set, but his great seraph light,
    Went down alone, in majesty and might;
    And the stars came again, a silver troop,
    Until, in shame, the coward shadows droop
    Before the radiance of these holy gems,
    That bear the images of diadems!

    And Julio fancied of a form that rose
    Before him from the desolate repose
    Of the deep waters—a huge ghastly form,
    As of one lightning-stricken in a storm;
    And leprosy cadaverous was hung
    Before his brow, and awful terror flung
    Around him like a pall—a solemn shroud!—
    A drapery of darkness and of cloud!
    And agony was writhing on his lip,
    Heart-rooted, awful agony and deep,
    Of fevers, and of plagues, and burning blain,
    And ague, and the palsy of the brain—
    A weird and yellow spectre! and his eyes
    Were orbless and unpupil’d, as the skies
    Without the sun, or moon, or any star:
    And he was like the wreck of what men are,—
    A wasted skeleton, that held the crest
    Of time, and bore his motto on his breast!

    There came a group before of maladies,
    And griefs, and Famine empty as a breeze,—
    A double monster, with a gloating leer
    Fix’d on his other half. They drew them near,
    One after one, led onward by Despair,
    That like the last of winter glimmer’d there,—
    A dismal prologue to his brother Death,
    Which was behind; and, with the horrid breath
    Of his wide baneful nostrils, plied them on.
    And often as they saw the skeleton
    Grisly beside them, the wild phantasies
    Grew mad and howl’d; the fever of disease
    Became wild frenzy—very terrible!
    And, for a hell of agony—a hell
    Of rage, was there, that fed on misty things,
    On dreams, ideas, and imaginings.

    And some were raving on philosophy,
    And some on love, and some on jealousy,
    And some upon the moon, and these were they
    That were the wildest; and anon alway
    Julio knew them by a something dim
    About their wasted features like to him!

    But Death was by, like shell of pyramid
    Among old obelisks, and his eyeless head
    Shook o’er the wry ribs, where darkness lay
    The image of a heart—she is away!
    And Julio is watching, like Remorse,
    Over the pale and solitary corse.

    Shower soft light, ye stars, that shake the dew
    From your eternal blossoms! and thou, too,
    Moon! minded of thy power, tide-bearing queen!
    That hast a slave and votary within
    The great rock-fetter’d deep, and hearest cry
    To thee the hungry surges, rushing by
    Like a vast herd of wolves,—fall full and fair
    On Julio as he sleepeth, even there,
    Amid the suppliant bosom of the sea!—
    Sleep! dost thou come, and on thy blessed knee
    With hush and whisper lull the troubled brain
    Of this death-lover?—still the eyes do strain
    Their orbs on Agathè—those raven eyes!
    All earnest on the ladye as she lies
    In her white shroud. They see not, though they are
    As if they saw; no splendour like a star
    Is under their dark lashes: they are full
    Of dream and slumber—melancholy, dull!

            *    *    *    *    *    *

    A wide, wide sea! and on it rear and van
    Amid the stars, the silent meteors ran
    All that still night, and Julio with a cry
    Woke up, and saw them flashing fiercely by.

            *    *    *    *    *    *

    Full three times three, its awful veil of night
    Hath Heaven hung before the blessed light;
    And a fair breeze falls o’er the sleeping sea,
    When Julio is watching Agathè!
    By sun and darkness hath he bent him over—
    A mad, moon-stricken, melancholy lover!
    And hardly hath he tasted, night or day,
    Of drink or food, because of Agathè!
    He sitteth in a dull and dreary mood,
    Like statue in a ruin’d solitude,
    Bearing the brent of sunlight and of shade,
    Over the marble of some colonnade.

    The ladye, she hath lost the pearly hue
    Upon her gorgeous brow, where tresses grew
    Luxuriantly as thoughts of tenderness,
    That once were floating in the pure recess
    Of her bright soul. These are not as they were;
    But are as weeds above a sepulchre,
    Wild waving in the breeze: her eyes are now
    Sunk deeply under the discolor’d brow,
    That is of sickly yellow, and pale blue
    Unnaturally blending. The same hue
    Is on her cheek. It is the early breath
    Of cold corruption, the ban-dog of death,
    Falling upon her features. Let it be,
    And gaze awhile on Julio, as he
    Is gazing on the corse of Agathè!

    In truth, he seemeth like no living one,
    But is the image of a skeleton:
    A fearful portrait from the artist tool
    Of madness—terrible and wonderful!

    There was no passion there—no feeling traced
    Under those eyelids, where had run to waste
    All that was wild, or beautiful, or bright;
    A very cloud was cast upon their light,
    That gave to them the heavy hue of lead;
    And they were lorn, lustreless, and dead!

    He sate like vulture from the mountains gray,
    Unsated, that had flown full many a day
    O’er distant land and sea, and was in pride
    Alighted by the lonely ladye’s side.

    He sat like winter o’er the wasted year—
    Like melancholy winter, drawing near
    To its own death. “Oh me! the worm at last
    Will gorge upon me, and the autumn blast
    Howl by!—Where?—where?—there is no worm to creep
    Amid the waters of the lonely deep;
    But I will take me Agathè upon
    This sorrowful, sore bosom, and anon,
    Down, down, through azure silence, we shall go,
    Unepitaph’d, to cities far below;
    Where the sea Triton, with his winding shell,
    Shall sound our blessed welcome. We shall dwell
    With many a mariner in his pearly home,
    In bowers of amber weed and silver foam,
    Amid the crimson corals; we shall be
    Together, Agathè! fair Agathè!—
    But thou art sickly, ladye—thou art sad;
    And I am weary, ladye—I am mad!
    They bring no food to feed us, and I feel
    A frost upon my vitals, very chill,
    Like winter breaking on the golden year
    Of life. This bark shall be our floating bier,
    And the dark waves our mourners; and the white,
    Pure swarm of sunny sea birds, basking bright
    On some fair isle, shall sorrowfully pour
    Their wail of melancholy o’er and o’er,
    At evening, on the waters of the sea,—
    While, with its solemn burden, silently,
    Floats forward our lone bark.—Oh, Agathè!
    Methinks that I shall meet thee far away,
    Within the awful centre of the earth,
    Where, earliest, we had our holy birth,
    In some huge cavern, arching wide below,
    Upon whose airy pivot, years ago,
    The world went round: ’tis infinitely deep,
    But never dismal; for above it sleep,
    And under it, blue waters, hung aloof,
    And held below,—an amethystine roof,
    A sapphire pavement; and the golden sun,
    Afar, looks through alternately, like one
    That watches round some treasure: often, too,
    Through many a mile of ocean, sparkling through,
    Are seen the stars and moon, all gloriously,
    Bathing their angel brilliance in the sea!

    “And there are shafted pillars, that beyond,
    Are ranged before a rook of diamond,
    Awfully heaving its eternal heights,
    From base of silver strewn with chrysolites;
    And over it are chasms of glory seen,
    With crimson rubies clustering between,
    On sward of emerald, with leaves of pearl,
    And topazes hung brilliantly on beryl,
    So Agathè!—but thou art sickly sad,
    And tellest me, poor Julio is mad,—
    Ay, mad!—was he not madder when he swore
    A vow to Heaven? Was there no madness then,
    That he should do—for why?—a holy string
    Of penances? No penances will bring
    The stricken conscience to the blessed light
    Of peace.—Oh! I am lost, and there is night,
    Despair, and darkness, darkness and despair,
    And want, that hunts me to the lion-lair
    Of wild perdition: and I hear them all—
    All cursing me! The very sun-rays fall
    In curses, and the shadow of the moon,
    And the pale star-light, and the winds that tune
    Their voices to the music of the sea,
    And thou,—yes, thou! my gentle Agathè!—
    All curse me!—oh! that I were never, never!
    Or but a breathless fancy, that was ever
    Adrift upon the wilderness of Time,
    That knew no impulse, but was left sublime
    To play at its own will!—that I were hush’d
    At night by silver cataracts, that gush’d
    Through flowers of fairy hue, and then to die
    Away, with all before me passing by.
    Like a fair vision I had lived to see,
    And died to see no more!—it cannot be!
    By this right hand! I feel it is not so,
    And by the beating of a heart below,
    That strangely feareth for eternity!”

    He said, and gazing on the lonely sea,
    Far off he saw, like an ascending cloud,
    To westward, a bright island, lifted proud
    Amid the struggling waters, and the light
    Of the great sun was on its clifted height,
    Scattering golden shadow, like a mirror;
    But the gigantic billows sprung in terror
    Upon its rock-built and eternal shore,
    With silver foams, that fell in fury o’er
    A thousand sunny breakers. Far above,
    There stood a wild and solitary grove
    Of aged pines, all leafless but their brows,
    Where a green group of tempest-stricken boughs
    Was waving now and then, and to and fro,
    And the pale moss was clustering below.

    Then Julio saw, and bent his head away
    To the cold wasted corse of Agathè,
    And sigh’d; but ever he would turn again
    A gaze to that green island on the main.

    The bark is drifting through the surf, beside
    Its rocks of gray upon the coming tide;
    And lightly is it stranded on the shore
    Of purest silver shells, that lie before,
    Glittering in the glory of the sun;
    And Julio hath landed him, like one
    That aileth of some wild and weary pest;
    And Agathè is folded on his breast,
    A faded flower! with all the vernal dews
    From its bright blossom shaken, and the hues
    Become as colorless as twilight air—
    I marvel much, that she was ever fair!

       (End of the second Chimera.)

                 *        *        *        *        *




                      DREAMS OF THE LAND AND SEA.


                             TAKE ME HOME.


                         BY DR. REYNELD COATES.


                 “And all for thee! vile yellow fiend!”


I was wandering in the streets of a populous city—thousands crowded the
thronged thoroughfares—jarring and jostling along,—each intent on his
own petty schemes. Here, a merchant rushed onward with a rapid step—for
it wanted but five minutes of three o’clock! If clouds had overspread
his countenance an hour before, they had given place to a determined
expression, that seemed to say, “safe till to-morrow, anyhow!” There, a
belle flaunted in costly attire, with a curl on her lip and pride in her
tread that spoke, more plainly than words, “conquest is my right! for my
beauty and wealth are alike undisputed, I have but to smile and win!”

At one moment, my eye was attracted by a young couple in the spring-tide
of their promise, associated by that magic feeling which comes over us
but once in a life-time. At the next, it rested on a pair of
unfortunates with locked arms but gloomy brows and half averted faces,
convinced, by twenty years of bitter experience, that _it is wise to
preserve appearances_, even when doing penance for that most common, but
most fatal indiscretion of youth—an ill-assorted marriage!

A little girl, upon the door-step of an elegant mansion, stood gazing
upon the passing crowd and the unbroken line of splendid equipages
hurrying by, glancing her eye occasionally upward at the tall trees that
shielded her from the sunshine, or the bright blue sky and fleecy vapor
which seemed to rest upon their summits. The breezes of May waved the
translucent ringlets athwart her snowy shoulders, while the leaves
danced and rustled mirthfully in the wind, and a little bird, upon a
neighboring bough, poured out its joyous song! The child threw back her
head and laughed long and merrily: yet there was nothing in view to
awaken laughter!

Guarded, and clad,—and nourished,—and incognisant of care,—the
bounding pulse of youth felt keenly in every fibre,—existence itself,
with her, became delight! and she laughed in the fulness of
irrepressible joy—_that the skies were bright and the leaves were
green!_—On the pavement beside her, a barefoot and ragged boy leaned
for support against a post. Famine and fatigue were legibly stampt upon
his sunken cheek and attenuated limbs. The sound of merriment awakened
him, and he turned his dull eye in wonder upon the beautiful object
before him!—But he comprehended it not!—joy was to him a stranger!

These, and a hundred other episodes in the selfish history of common
life claimed, in turn, my attention;—and each might have furnished
subject matter for a month of thought or a volume of moral deduction.
But there was one group so peculiarly striking that it still dwells upon
my memory with more than usual vividness of coloring.

In the most luxurious portion of the city, where palaces of marble and
granite rose on every hand, and the very air was redolent of the incense
of exotic flowers, a coach, dusty with travel, suddenly drew up before
one of the most conspicuous residences. The liveried footman instantly
threw open the door, and a delicate young girl, with a highly
intellectual, but care-worn and sorrowful expression of countenance,
began to descend the steps. But, before she could reach the pavement a
masculine arm was projected from the vehicle to arrest her progress, and
a voice, tremulous with age and grief, exclaimed, “No! no! not here! not
here!—Why will you not take me home!—I must go home!—I am old and
sick!—Do take me home at once!”

The attempt to draw the young lady back within the coach endangered her
foot-hold, and courtesy obliged me to spring to her assistance, lest she
should fall beneath the wheels. Adroitly lifting her from the carriage
while the footman hastened to ring the bell, I obtained a view of all
the parties interested in this little incident.

The half fainting girl, still leaning upon my arm, might have numbered
about fourteen summers, and within the coach were two other individuals,
in both of whom the same family traits were visible. One of these, a
woman about thirty-five years of age, was evidently the mother. She was
still beautiful, though strong traces of habitual thought and mental
suffering were perceptible upon her brow. The other was a man of noble
figure, probably advanced to seventy years, with locks of snowy
whiteness, but dressed with a degree of richness and precision, not
usually observed among the old. It was evident that he had been familiar
with the world—that wealth and luxury were no novelties to him. The
forms of society had been his study, if not the business of his life.
Yet, what a satire upon the vulgar misconceptions of the means of
happiness was the aspect of that face! The broad brow was furrowed with
deep lines of mental distress. The boldly chiselled nose was thinned,
rather by muscular contraction than by age. The model of the lip still
presented the curve of pride and habitual authority, contrasting most
painfully with the tremor of helpless suspicion and childish anxiety.

“Why will you not take me home?” he exclaimed again—and his eye
wandered restlessly from side to side, peering through the door and
windows of the coach, as if in search of some object once familiar—with
an expression of hopeless distress that it was difficult even to witness
with fortitude.

To one familiar with large hospitals, the scene was clearly
intelligible. Insanity from disappointed hope was mingled with the
fatuity of premature old age.

Propriety would have dictated my immediate retreat, after the necessary
care of the ladies in alighting; but perceiving that the united
persuasions of mother and daughter were likely to fail in inducing the
grandfather to quit the coach without too strongly inviting public
attention towards a private misfortune, I felt bound to inquire, “May I
not save you, madam! from some embarrassment by begging you to enter the
house? I will engage myself to place your father under the protection of
your roof, in a very few minutes, and without annoyance.” Nothing
insures such instantaneous confidence with the gentler sex as
self-dependence in a man, and grave, though courteous authority of
manner. The offer was accepted with a glance of mute thankfulness, and
handing the ladies to the door, I returned to the carriage.

“Come, my dear sir,” I said to the elderly gentleman, “allow me the
pleasure of assisting you to alight! your horses are a little restive.”

“No, sir!” he replied; “you are in league with them!—You lead me from
place to place, and every where you tell me I am at home!—Oh! I shall
never find it!—I wish to repose in my own house, and my own
garden!—_my mother’s house!_—and you bring me here and tell me _this_
is my house!—Do you think I have grown so weak and imbecile as not to
know the chamber where I was born?—the garden where I played when a
child?—No!—I will not go in!—They are kind to me here, but I am not
at home!—Do, take me home!—You seem to think that I cannot tell the
difference between this great palace, with its rich carpets and its
marble columns, and our own little cottage, with its arbor of
grape-vines and wild-creepers, where my mother used to nurse me to sleep
in the old carved rocking-chair!—Oh! take me home!”

Long habituated to the management of lunatics, I had learned to guide
the tangled reins of a disordered mind, and found but little difficulty
in persuading the old man to rest awhile in the parlor on the plea of
examining whether his granddaughter, to whom he was much attached, had
not received some injury by stumbling in her descent from the coach.
Seating him upon an ottoman, it was easy, by the same innocent deception
to withdraw to another apartment in company with the ladies: and there,
after tendering any further services which their affliction might render
desirable, I heard, with deep attention, the history of their woes.

Mr. A——, the old gentleman, was, as I had inferred, the father of the
elder and the grandsire of the younger lady. At an early age he came
into hereditary possession of a handsome capital, and a range of ample
stores near the centre of the commercial mart of ——.

His mother, who was esteemed rich in those early times (soon after the
revolutionary war) retained the family homestead in addition to her
dower; and, in this venerable mansion, distant about a mile from the
borders of the _then_ small, but flourishing city, her son continued to
reside; for he preferred the society of his remaining parent, and the
quietude of rural life in the intervals of business, to the gayer scenes
and more luxurious habits of the town. Thither, he soon conveyed a young
and beautiful wife; and there his happiest years were spent in the midst
of a family circle bound together by ties of the warmest
affection.—Even their dead were gathered around them:—for the white
monuments of their departed friends peered over the stone wall of the
family grave-yard, from the grove of funereal pines behind the garden.

But this peaceful life of domestic enjoyment was not destined to
continue. Within a few years subsequent to his marriage, there occurred
one of those sudden revolutions in trade which periodically sweep, with
the force of a deluge, over the commercial interests of our
country.—Mr. A—— was ruined!—He became dependent upon the resources
of his parent for the support of his wife; but pride would not permit
him to grant the urgent request of his mother that he would share that
support himself; and he fled his native country for a time, to woo the
breeze of Fortune beneath other stars.

After two long years of toil and danger among the furs of the
North-West, the hides of California, the _biche-le-mer_ and birds-nests
of the Eastern Archipelagoes, he arrived at the great entrepot of the
Celestial Empire with a cargo insuring him an ample competence, just in
time to receive intelligence of the death of his wife, leaving to his
charge an only child! She had been the star of his destiny!—That star
was set, and darkness enshrouded his soul!

Recovering from this terrible shock, he shunned the very idea of
returning to the scene of his former happiness. She for whom he had
braved the deep!—had toiled—had grappled with the sun of the
tropics,—the ice of the pole—had left him desolate!—the infant, whom
no parent welcomed to this world of trial, was a stranger to him!—one
whom he had never beheld! and the only remaining link which bound him to
his country was his affection for an aged mother.

But who is not aware that the noon of manhood—its mid-day strife and
bustle—are unfavorable to the glow of filial affection? Maternal
love,—the deepest—the purest—the least selfish of human
emotions!—knows no ebb—no diminution on this side the grave! Time,
which may sap or shatter every other sympathy, adds strength to this at
every revolution of its fatal glass!

Not so the attachment of the offspring!—Like a delicate flower which
sheds its fragrance freely on the morning or the evening air, but denies
all sweetness to the bold glance of noon, this feeling flourishes only
at the commencement and the close of our career. When, at length, in the
decline of our energies, both mind and body verge once more towards the
feebleness of infancy, how painfully the affections of earlier years
flow back upon us!—Then would we gladly repose our aching
temples—aching with the memory of many an unkind word or action—upon
the bosom from which we first drew sustenance! and we yearn after a
mother’s love with a longing that will not be repressed!

It is not surprising that Mr. A——, thus suddenly cut off by death from
her whose welfare had been the chief purpose of his life, should have
buried his gloom in the cares of business. Such is the usual resource of
those who bound their vision, as, alas! too many are prone to do! within
the narrow limits of this sublunary theatre of action! For thirty years
he pursued the search of wealth beneath the burning skies of India, with
singleness of purpose and untiring zeal.

He remitted large sums, from time to time, for the convenience of a
mother to whom he was ever dutiful, and a daughter that he had never
seen; but his letters were cold and formal. His child was married,—he
congratulated her. A grand-child was born to him;—he sent her his
blessing. His daughter became a widow;—he condoled with her upon her
loss. But nothing could arouse him from his bootless labor for
superfluous gold!

At length, as age approached, he felt wearied with his monotonous
existence. With the decline of his bodily powers came the desire for
rest:—with the weakening of his mental energies, the longing for
sympathy grew stronger and stronger. _He did not wish to die alone!_
Dreams of his juvenile days came over him, and he sighed for the
quietude of the old family mansion, and the warm welcome of his mother
on his return from the cares of business. When the sudden twilight of
the tropics sunk abruptly into night, he dreamed of the lingering
glories of an American evening. When he heard the cry of the bramin
kite, the harsh call of the adjutant crane, and the chattering of a
thousand obscene birds retiring to their roosts, gorged with their
horrible repast on the corpses that pollute the Ganges, he longed for
the wild notes of the whip-poor-will, the rushing sound of the
night-hawk, and the melancholy hooting of the owl, that render night
musical in the bright green woods of his native land.

He knew that the growing city had swept far beyond the retreat of his
earlier days—that many magnificent residences had risen over the site
of his boyish play-grounds, and that even the relics of his dead had
been removed from their original resting-place, to make room for the
house of the stranger. He had permitted—_he had even advised these
changes_, but, he could not realize them! The old mansion with its broad
elms, the garden, and the pine-grove with the monuments beneath its
shade, were ever present to his mind, and his letters were painfully
charged with allusions to scenes and persons whose existence was blotted
from the page of history.

With every year, these feelings became more and more intense, until
incipient childishness made its appearance, and he became affected with
a confirmed nostalogia. At length he closed his concerns, remitted the
unappropriated balance of his earnings, and launched himself once more
upon the ocean, on his homeward route.

As he drew near his native shore, memory retraced more and more vividly,
the scenes of other days, until his failing intellect began to confuse
the present with the past, and, at times, he dreamed of once more
welcoming the little circle of the loved and cherished, in the same old
wainscotted parlor,—around the same wide, hospitable, antique
fire-place, where he slept with head reclined upon his mother’s knee
when the presence of company obtained him the privilege of sitting up an
hour beyond his usual bed time.

The vessel neared the port. The pilot, ever the first to welcome the
wanderer home, ascended the deck and distributed the “papers” of the
previous day. With one of these, Mr. A—— hastily retired to the cabin.
Not even the blue hills of his native land, now full in sight, could
wean him from the fatal record. His eye glanced rapidly over the leading
article, but the struggle of contending candidates had no charm for him.
He furtively regarded the items of foreign news;—was shocked at the
long record of crimes and casualties made piquant and racy with details
and comments which the purer manners of his early years would not have
tolerated; and, for the first time in his life, he turned from the
_price current_ in disgust, but why did he start, turn pale, and tremble
when his eye rested upon the ominous black lines that cross the final
column of the second page? The identical paper is still preserved, and I
extract the notice!—Read!

                 *        *        *        *        *

Died, suddenly, of apoplexy, on the 29th inst., in the 96th year of her
age, Mrs. C—— A——, the venerable relict of the late Hon. W——
A——, and mother of Mr. H—— A——, the distinguished American
merchant at ——.

                 *        *        *        *        *

The cup was full! There breathed not in the land of his birth one
kindred being to unite him with the past!—His daughter!—she was a
stranger! How should he recognise her in the stranger crowd!—The mind,
already weakened, was crushed!—The cracked vase was shivered!

The moment the anchor dropped, he leaped into a boat, and hurried on
shore. Calling the nearest coach he ordered it in haste and sternly, “To
——’s lane, half a mile from the turnpike gate of the —— road!”

The astonished driver stared as he replied, “There’s no such lane now,
sir! I heard of it when I was a boy, but it’s all built up long ago, and
I never knew even where it was!”

“Then drive me to my mother’s,” cried Mr. A——, in a voice almost of
fury; and holding forth the paper, which had never left his hand, he
pointed to the notice. An old man, standing by, struck by the haggard
and maniacal look, perused the article and simply said, “Drive to the
marble building, No. 20 —— Place.”

The grieving survivers of the family of Mrs. A—— were sitting silently
in the darkened parlor, on the morning after the funeral, when a loud
appeal at the bell startled the whole household—so ill did it accord
with the silence of grief brooding over all who had lived under the mild
influence of the departed! A female attendant hurried to the door, and
was instantly thrust to the wall by one who rushed furiously past her,
crying aloud and wildly, “Where is my wife!—my mother!” Mr. A——
actually sprang into the presence of the ladies; for he was endowed for
the moment with unnatural strength by the intensity of feeling. The
figure of the elder lady, as she started to her feet in terror on the
sudden intrusion, appeared to awaken some long dormant recollection, for
he checked, on the instant, his precipitate advance, regarded her
intently for a moment, and approaching gently, but before her alarm
permitted her to move, he laid his hands upon her shoulders, and read
her features with a steady and protracted gaze that seemed to search her
very soul! “No! no!” he cried, “You are not my Jane!” and fainted at her
feet.

                 *        *        *        *        *

In the cemetery of ——, where the eye stretches wide and far over
beautiful wooded slopes and a broad expanse of water—rock, ravine,
spire, hamlet, and the distant city—where all is peace, and the weary
soul is tempted to covet the repose of those who wait beneath,—now rest
the remains of Mr. A——.

    “After life’s fitful fever, he sleeps well!”

Standing beside his grave, as the moon-beams flickered on the marble,
contending with the shadows of o’erhanging leaves that rustled in the
night-breeze, I thought how rapidly every haunt of my own bright,
holiday youth was yielding to the inroads of another populous capital.
The pond on which we used to ply the armed heel when winter ruled the
year, has disappeared.—Its site is occupied with civic palaces. The
shady glen where the winged hours of starry summer nights flew all
unheeded by in converse with the loved who are no more, lies bare and
sered beneath the August sun!—The very stream that wound so gracefully
among the trees is dry!—The dews of heaven that fed its crystal sources
fall now in vain upon a mountain mass of marble—column,—plynth and
dome—rising in mockery of _posthumous benevolence_,—a long enduring
witness of perverted trust! Where are the few and fondly cherished who
shared the converse of those happy hours?—One lies deep in the coral
groves of the Hesperides!—One fell a victim to a philanthropic spirit
when the plague of Indoostan ravaged the vallies of the
West!—Another!—Strangers tread lightly round his narrow house in the
gardens of Père-la-Chaise!—The last—

    “Peace to thy broken heart and early grave!”

But why repeat these woes that are the lot of all?—Who is there that
has learned the value of the baubles that entice us _here_—Wealth!
Fame! Power! or sublunary Love!—but will join in the secret aspiration
with which I left the silent resting-place of a perturbed spirit—“Take!
oh! Take me home!”

                 *        *        *        *        *




                          WESTERN HOSPITALITY.


                          BY GEORGE P. MORRIS.


    Hard by I’ve a cottage that stands near a wood,
      A stream glides in peace at the door,
    Where all who are weary, ’tis well understood,
      Receive hospitality’s store.
    To cheer that the brook and the thicket afford,
      The stranger we freely invite:
    You’re welcome to come and partake at the board,
      And afterwards rest for the night.

    The birds in the morning will sing from the trees,
      And herald the young god of day;
    Then with him uprising, depart if you please,
      We’ll set you refresh’d on your way.
    Your coin for this service we sternly reject,
      No traffic for gain we pursue,
    And all the reward that we wish or expect,
      We take in the good that we do.

    Mankind are all travellers on life’s rugged road,
      And myriads would wander astray
    In seeking eternity’s silent abode
      Did mercy not point out the way.
    If all would their duty discharge as they should,
      To those that are helpless and poor,
    The world would resemble my cot near the wood,
      And life the sweet stream at my door.

                 *        *        *        *        *




                         THE LADY AND THE PAGE.


                       A STORY OF MOORISH SPAIN.


                           BY MARY S. PEASE.


Many years ago there dwelt, not far from Seville, in a castle so old it
was a wonder what kept it from tumbling down, a Spanish hidalgo,
remarkable for but two things—a very beautiful daughter, and the very
strict manner in which he secluded her from the world. In every other
respect this hidalgo was like other hidalgos, full of pride, sporting a
pair of Spanish mustachios, and wearing a stiletto by his side.

The wonderful beauty of his daughter, the Doña Ysabel, had somehow—in
spite of the seclusion in which she was kept—become proverbial, and the
fame thereof had spread from Gibraltar to the Pyrenees. Not a caballero
of that chivalric country but would have given his best steed for one
glance from the eyes of the hidalgo’s daughter—eyes which shrouded
under their long lashes, were like diamonds winning across the midnight.
Her hair was silky and soft, darker and more glossy than the raven’s
wing—and in such luxuriance did it grow that she might almost have hid
herself in it, as did “the lady of the golden locks” in the fairy tale.
Her face was fitful as an April day. It was the clear and faithful
mirror to the warmest, purest heart in all Spain. And never did a young
heart beat within a lighter and more graceful form than that of the Doña
Ysabel.

The castle where the hidalgo resided with his daughter was built on a
rocky eminence, in one of the wildest parts of the country. Tradition
said it had been erected by a powerful and wealthy Moor, from whom it
had been conquered by the strong arm of one of the present occupant’s
ancestors. The father of Ysabel had resided there but rarely until the
death of his wife; but, after that event, he had retired almost
broken-hearted to this wild retreat. Here, from early childhood, the
Lady Ysabel had been brought up. Wanting the care of a mother, she had
always been left to have her own way, and a more self-willed, impetuous
sylph never dashed the dew from the wild flowers that grew so
luxuriantly around the Moorish castle.

One day, when the Doña Ysabel had nearly attained her sevententh year,
the Count de Llenaro, her father, stood within the deep embrasure of the
richly carved corridor, absorbed in thought. His eyes were fixed on the
shadows that played so fancifully on the rocks below. A light step was
heard and a fairy form entered the apartment.

“_Bella mi cara nina_, I was thinking of thee, I would speak with thee.”
And the gentle girl stood beside the proud lord. “What wouldst thou my
father?” The maiden’s voice was low and silvery soft. Her dark eye
looked up into her father’s with an expression soft and confiding as
childhood. One little snow-white hand rested upon his shoulder, while
the other nestled within his own.

“How old are you, Ysy?”

“I shall be seventeen come next Michaelmas.”

“’Tis even as I thought. Thou art getting to be a great girl, Belle,—I
have something to say to thee; wilt thou listen?”

“Dear papa, thy word is my law.”

“Is it so?” and the father fixed his eyes upon the girl with a look so
penetrating that her own eye fell, and the rich warm blood rushed from
her young heart and burnt upon her brow.

Llenaro seated himself upon a low _turco_, and drawing his child towards
him, he fondly kissed her glowing cheek.

“I fear, Belle,” said he, putting back the world of curls that had
fallen over her brow, “thy will hath never yet been broken. Thou art but
a wild one.” Count Alcaros fell into a long fit of musing. The silver
breathing tones of the Doña’s soft voice broke the stillness.

“What wouldst thou with thy child, papa? my birds, and young flowers,
even now mourn my absence.”

“And canst thou not give one hour unto thy father, Ysy? What will thy
birds and flowers do when I bring thee a right noble bird, an eagle
among birds, for thine own? Wilt thou then give up all others and love
but only that?”

“What does my papa mean?” tremblingly replied the maiden.

“I mean that thou art to be a child no longer.”

“But, papa, all my pretty birds and—”

“Thou shalt have a bird worth the whole, a right proud gallant bird.
Ysy, dost thou remember the Marquis of Talavera?”

“What of him, dearest papa?”

“Dost thou remember him?”

“Yes, papa.”

“This Marquis hath sought thee, Belle, in marriage, and I have said thou
shalt be his bride.”

The girl started to the ground in unfeigned surprise.

“Why, papa! he is old enough to be my grandfather, and besides, he is
ugly enough to—”

“He is just the age of thy father, Ysabel. His years will serve to guide
thy wayward ones. He is all that is brave and noble, besides being one
of the richest, and most powerful lords in Spain. You may know, Belle,
how well I think of him—he is almost the only one of my many _friends_,
that I admit into this our wild retreat.”

“But, papa—”

“Nay, Belle, I will have no buts. It must be as I say.”

“But, papa.” The Count’s brow darkened. “But, papa, I do not love him.”

“Love—pah!”

“Papa, I _cannot_ love him.”

“Pah!”

“Papa, I _will not_ love him!” and the Doña’s eyes grew bright and
large.

“Ysabel!”

“Dear papa,—I mean I cannot—” and the little lady burst into tears.

“Ysabel,—hear me—I have said thou shalt become the bride of the
Marquis of Talavera. What I say I never unsay—that thou knowest. Two
weeks from this. The day thou art seventeen—is the day decided upon. It
_must, it shall be so_! Wilt thou do thy father’s bidding, Belle?”

The girl answered not a word but her eye lit up and her little mouth was
tightly compressed. Every line of her statue-like form expressed
firmness and resolution.

“Wilt thou do thy father’s bidding, Ysabel?” again demanded the Count.

“Thou hast ever been an indulgent father to me, never hast thou crossed
my slightest wish, and now, father, I must say firmly _no_! I never can
become the bride of him thou namest.”

“Girl! thou shalt not even be consulted. Thou hast had thine own way
seventeen years, _now_ I will have mine. Thou shalt wed the Talavera if
I have to drag thee to the altar. Nay, no fawning.” The girl had twined
her soft round arms about her father’s neck—her eyes looked
beseechingly into his. But he pushed her from him, saying—“Go to thy
room, Ysabel, and there remain until thy reason comes to thee. Dost thou
hear me?”

The Spaniard strode from the room, and the weeping lady sought, with a
heavy heart, her own turret.

It was the first time her father had been unkind to her, and she threw
herself down, on a low couch, in all that utter hopelessness of grief
youth alone can feel. It was her first sorrow.

There came a soft rap at the door,—but she heeded it not;—and not
until a hand, soft as woman’s, held her own,—and a voice, whose deep,
low tones were breathing music, whispered in her ear, did she know her
father’s handsome page was kneeling by her.

“Weep not, mi cara Ysabel,” soothingly said he, “or rather let me share
thy grief. I know it all—thy father hath told me, and sent me here to
bring thee to reason, as he said. Can I do it sweet lady?” and the
handsome page smiled.

It was wicked in him to smile when her heart was so full of grief—and
so the lady thought. But she had learned to love, and when love is warm
and new, all the loved one says or does is more than right.

        “Love flings a halo round the dear one’s head,
           Faultless, immortal”——

The Doña Ysabel loved her father’s page,—loved him as an ardent-souled
daughter of sunny Spain knows how to love. The father!——he did not
even dream of such wickedness. (If he had he could not have slept for at
least six months)—the unpardonable wickedness of a daughter of his—his
bright, beautiful Ysabel—the high born lady of Llenaro,—loving her
father’s page!—a nameless page!—and so he slept secure. The thought
was too preposterous. And the Doña Ysabel loved. Love is all
trustfulness, all watchfulness, all hopefulness. The page was handsome;
the page was graceful, witty, accomplished. He was indeed an uncommon
page;—and so thought the Doña’s father,—and _so_ thought her father’s
daughter. He could sing to the music of Ysabel’s guitar, most divinely;
he could dance, fence, was perfectly skilled in all horsemanship,
moreover he was acquainted with all the then lore of bright Spain. He
wrote poetry too; and sang the words of his own composing. In sooth he
was a most marvellous page—a perfect paragon of a page; and then his
eye—why it was wilder than lightning shot from a midnight sky. The
servants all feared and hated him. To Ysabel alone was he all that was
gentle,—and to her father, for her sake. He was her teacher; her
patient, faithful, untiring teacher. They drank together at the pure
well of learning—a well too often untasted in those days of fair Spain.

“Weep not, sweetest; thy noble father would see thee wed with the
Marquis of Talavera, and thou canst not love him. And it is for that
thou weepest. Is it not so sweet lady?”

“I was happy,” replied the sorrowing girl. “I did not dream of love, or
that I had a heart. I only felt that I was happy. And now—”

“And now, my gentle Ysabel?”

“And now,” said the Señorita, deeply blushing, “now I feel I have no
heart to give.”

“Bless thee, dearest, for those words. Ysabel hear me for I must speak.
I love thee Ysabel—I am other than I seem. I am no hireling—I am the
heir to a noble house. One year ago, having heard so much of thy
wondrous beauty, and full of curiosity and daring, I contrived to get
admitted into the castle as thy father’s page. To see, is to love
thee—but to be near thee day after day—to read thy gentle thoughts—to
gaze in thy liquid, truthful, soul-beaming eyes—to feel thy soft hand
within my own. Ysabel, a being cut from granite to see thee thus could
not help loving thee. I love _a soul_—a soul thou hast sweet Ysabel—a
reflecting, gentle, trustful, ardent, heart-ful soul. Ysabel I love
thee, wilt thou love me?”

“Jose, I will, I do love thee”—and the girl’s eyes were soft as she
rested them in his.

He took her hand—her little, warm, white hand, and covered it with
kisses. Then drawing her gently towards him, he clasped her silently to
his heart. She nestled like a bird in his bosom—and rested her head
there. At intervals a low sob swelled her little heart, like that of a
wearied infant, worn out with much crying. At length her sighs came less
and less frequent; and when the page bent over to gaze upon her face,
she had sunk into a calm, gentle sleep. A bright tear still glistened on
her silky lash—that long black fringe that reposed so quietly on her
pale, fair cheek.

There is something inexpressibly touching in the quiet and calm repose
of a beautiful girl. And when we feel that that youth and beauty is all
we love on earth—that it is near us—nestling in sweet trust within our
arms—our all—our own—life of our life—heart of our heart—soul of
our soul—what other happiness can earth give more pure, more holy, more
unalloyed?

The page Jose almost wished the Doña might never awake—but she did
awake. And when she did, she looked up in his eyes and smiled. There was
everything in that smile, love, hope, faith, gentleness, truth, trust,
joy. It was a droll smile too; there was archness in it—Jose never
forgot that smile!—Strange, that an outward symbol of the inner world
can express so much.

The page attempted to kiss the bright smile into his own heart—but the
lady’s mood had changed. Half ashamed, half in sport, she broke from him
with a laugh—her own peculiar laugh—bird-like in its silvery
clearness; and like a bird, as wild, and sweet.

“Sit down, dear Ysabel—I would talk with thee calmly—wilt thou be
mine? Ysabel, I love thee. Oh! how I love thee. Naught on earth is half
so dear as thou—life—ten thousand lives, were they mine, would I give
for thy love. Wilt thou be mine? my own?”

The girl put both her little hands in his—that was her only answer. And
then the page drew her again to his heart and kissed her brow and lips.
And then—and then—and then—why then, and there, right up before
them—with curled lip and cloudy brow—stood the castle’s lord!—the
proud hidalgo!—the Count Alcaros de Llenaro!—the Doña Ysabel’s
father!—the handsome page’s master!

“Ha!” exclaimed he, “is this the way ye obey my commands? Ah, I see!
Thou’rt doing my bidding, sir page. Hast thou won the self-willed lady
to think as I do? Away, girl!—Back, I say! Away with thee, page!”

Pale, drooping, quailing beneath her father’s angry glance, the gentle
girl silently twined her arms around his frame, and strove to kiss away
the angry spot upon his brow.

“Back! Judas!” exclaimed he, pushing her rudely from him. “When thou
hast learned to do thy father’s wishes, _then_ will he accept thy
caresses.”

Frightened—crushed—she shrunk within herself, like the sensitive plant
at some rude touch, nor dared to raise her gentle eye to the
fire-darting ones of her angry sire.

And the page?

The father glanced from the drooping form of his daughter to the
unbending one of the presumptuous lover.

“And so, sir menial, thou art aspiring—we like ambition. Thou thinkest
to love my daughter—the daughter of the noble house of Llenaro—good!”

“Count of Llenaro—hear me. I ask of thee thy daughter. My house, proud
lord, is full as noble as thine own—perhaps more ancient. I am no
page—I am the only son of——”

“I will not even hear who thou art—wert thou the monarch of the
universe, thou shouldst not wed my daughter. I have sworn she shall
become the bride of the Talavera—I never recall an oath.”

The group as they stood there would have made a picture for the pencil
of a Salvator. The proud, determined figure of Llenaro, standing with
his arms folded, looking lightning on the no less proud form of the
handsome page, as he stood in the glow of his young manhood’s strength
and beauty. Then the shrinking form of the Doña Ysabel—slightly leaning
forward, with clasped hands—her head partly raised—the speechless,
imploring agony of her lovely face.

The room contributed not a little to the scene—all around was purely,
beautifully feminine. The low damask ottomans—the bright-eyed birds in
their glittering gold cages—the rich, mellow paintings hanging around
the room. Among them was her own soft eyed mother. The sweet, dreamy
eyes of the Italian seemed to look down on the father of her daughter
reproachfully for his harshness to that daughter. The parting beams of
the sun, as he bade adieu to his love the fair earth, streamed in the
room, gilding with their warm glow the expressive faces of the three. A
ray more softened fell on the calm, angel face of the wife,—the mother.

“Alcaros de Llenaro, I entreat thee to listen to me. On my knees I
supplicate thee to give me thy daughter. Doom her not to misery. She
loves me. Think upon thy child’s mother—on the love vows given and
taken before thy child was born. When she—the mother, the wife, was all
in all to thee. Thou _didst_ love once, and she thou didst love, was the
mother of the child thou’rt dooming to wretchedness—and now that mother
looks down upon thee, imploring happiness on her child.”

Alcaros glanced at the image of his wife. He fancied, as the warm, red
sunlight fell upon it, the gentle eyes looked a reproachful gaze on him.
He was not a hard-hearted man. Pride was his ruling passion. False pride
it might have been; whether false or true, it fastened on him then,
driving back the kindlier feelings the memory of his wife had roused
within him. He checked the tear before it came to his eyes, and putting
on a heavy frown—

“Rise, sir minion,” said he, “I have told thee my daughter shall wed the
Talavera—_and she shall!_”

“_Never!_ as I live, never!” said the girl. “Never shall a Llenaro
become the bride of the man she cannot love!—never!”

The lady looked her father’s child—as though she had been born to be
obeyed. The softness of the mother had gone. Her slight, round figure,
straight as a young Indian’s, had risen to its full height. Her eyes
dilated—those eyes, where shone her soul—those warm, black eyes, whose
every glance kept time to the throbbings of her impulsive heart.

“Ysabel,” said Llenaro, sadly, after a pause, “thou forgetest I am thy
father.”

“My father! dearest papa!—my own father, forgive me. Thou _art_ my
father! but do not,” her tones were low and earnest, “oh! do not force
this hated match on thy child. She will do anything—_all_ thou
wishest—but oh! do not seal her misery forever.”

The count permitted the ardent caresses of the maiden, then putting her
gently from him, he told her to remain in her turret. He had much to say
to her. He would seek her when he was ready to tell her what he had to
say. Then turning to Jose, he added, “Follow me, sir page, I have
somewhat to say to thee also.”

The maiden watched the receding forms of the two until they had
disappeared, and then she murmured, “He spoke kindly to me,” and _Hope_
warmed her heart. A bright Hope! Hope the deceiver! What would the world
be without thee, fairy Hope? Thou comest like a dream, whispering in our
soul’s ear thy witching fancies, until they seem realities—and the _is
to be_, stands before us a living _now_! Great is thy power, fair
Hope—and thou knowest it,—and so thou goest on deluding
mortals,—making the dim shadowy perspective a glorious foreground. So,
when our hearts feel sad and weary, and long to burst the chain that
binds them to this dark earth, thou comest with the dews of heaven fresh
glistening on thy lips—and tellest us fairy tales, and singest us fairy
songs—and kissest our hearts with thy cool, dewy lips. And we believe
thee, syren, and let thee deceive us again and again.

The Lady Ysabel rested her wild, black eyes—beaming with a thousand
thoughts—upon her mother’s picture, and kneeling before it, she clasped
her little hands and implored her gentle mother to look down kindly on
her daughter. “And, mother,” continued she—her lute-like voice scarce
audible—“ask _Him_, the mighty one—whose throne is in high heaven—to
forgive thy erring child, if she forgets, in her love for the creature,
the Creator. God forgive me if I love _him_ more than I ought, for I
cannot love him less.”

The Lady Ysabel watched all that evening for her father, and the next
day—and the next—and the next—and then her cheek began to pale, and
her eye grew dim with weeping. For Hope had grown weary and fled. She
could not dream either why the page came not—a little indignation
mingled with her sorrow.

The duenna did all she could to restore her young lady to her right
mind, as she said. At length she brought her a letter—saying—

“Take it, _mi_ señorita, a holy friar gave it me for thee. Learn from
it, Señorita Ysabel, to control thy too great grief. It is sinful and
wrong to indulge in sorrow as thou dost.”

The Lady Ysabel knew the writing—tremblingly she broke the seal, and
read,

    “_My gentle Ysabel_—Thy father hath forbidden me the castle, or
    ever to see thee again—but fear not, dearest, thy father cannot
    withstand thy gentleness—thy goodness. Thou wert not made to be
    unhappy—thou art too good—too kind—too true. God will not see
    thee made wretched. He watches over thee. He will not desert
    thee—and, dearest, remember there is one heart that beats for
    thee—and thee alone—whose every pulse is thine. Sunshine is
    midnight without the light of thine eyes to tell where shineth
    the sun, and when, gentlest, I would see thee, I would press thy
    hands upon my heart—that its wild throbbings might be stilled.
    I would look into the clear depths of thy truthful eyes, and
    learn there a lesson of calmness—of faith to bear, and hope to
    look beyond. Thy duenna, sweetest, more than mistrusts my
    disguise—but a golden bait has lured stronger minds than hers
    from the clear waters of truth. I cannot quit the castle
    grounds, for in it is all that is dear to me on earth. Write,
    dearest, if thou canst, to thine own

                                                            Jose.”

The lady sat before her scrutoire to write to him she loved, when she
heard her father’s step. She had only time to crumple his letter in her
bosom as the father entered. Ever obedient to her heart’s impulse, she
sprang towards him, and throwing her white arms about his neck, she
called him her dear, _dear_ papa, and burst into tears.

“Calm thyself, my Ysabel. I would tell thee frankly why I ask thee to
sacrifice thyself—to seal thy misery, as thou sayest.” He led her
gently to an ottoman, and seated himself beside her.

“Ysabel, wouldst thou see thy father penniless, homeless, a beggar?”

“Papa!” looked the wondering eyes of Ysabel.

“I repeat it, Ysy, wouldst thou see thy father resign all these fair
acres, and starve a houseless beggar? Wouldst thou, Ysy?”

“What meanest thou, papa? in mercy tell me.”

“If by one act of thine, it were in thy power to make thy father’s
happiness, wouldst thou not do that act?”

“Dear papa, thou knowest I would—but oh! tell me all. What am I to do?
And yet I know—but _why_? tell me why”—

“Ysabel, by becoming his bride, thou canst save thy father from becoming
a beggar.”

The girl shuddered but said in a low calm voice,

“Father, tell me why—tell me _all_. Make a confidant of thy child. I
can bear anything. See! I am calm.”

“Ysabel, I will! in as few words as possible. A year ago, you may
remember, Talavera was here. He has not been here since. A short time
after that, his last visit, the page came—though it is not of him I
would speak. We played—Talavera and I. At first I won—in the success
of the moment I staked high—and lost. I still played on—every throw
swept off acre after acre of the lands my fathers owned. Midnight saw me
without a farthing—and without a foot of earth to call my own. Then
came a bond. I signed it. It gave me back my broad lands—my wealth—but
it deprived me of the only thing I had on earth to love—of you, my
Ysabel! See! here is the bond.”

The lady’s heart was still—very still—so still it almost frightened
her. Her cheek, lips, hands, were cold and bloodless. It seemed as
though her blood had all gone to her heart—and frozen there! Her eye
was passionless, it was so calm. She held the open paper before her, and
without reading or seeing, she read and saw enough to know that the fair
grounds and castle of Ysolo-Rosse—where she had lived from her
infancy—where her father had loved her mother—were to go into the
hands of the Talavera, unless she became his bride.

“Ysabel, I have sworn thou shalt be his bride, but I will recall my oath
if thou sayest so. What is thy decision?”

“I will wed him,” replied the girl.

Llenaro clasped her to his heart, and kissing her cold brow, he added,

“The day thou art seventeen was the day decided upon—it will be here in
a week. But if ’twill be too soon, no doubt the Marquis will”—

“’Twill not be too soon.”

“Ysabel, thou frightenest me, thou art so pale—I will not force thee
into what would be thy unhappiness.”

“Nay, papa, I had much rather be unhappy myself than to see thee so. But
I will not be. To-morrow thou shalt see me more cheerful.”

The wily lord had learned the way to make his daughter’s will his own.
He loved that daughter, and felt a father’s pity for her. But he thought
although she suffered then—and it pained him to the soul to see it—she
would soon forget her youthful passion, and, as the wife of the
Talavera, she would gradually learn to be happy. Her future husband was
all that was noble and good—all this thought the father—and then he
thought “the Castle of Ysolo-Rosse will still be mine.” The father’s
conscience was _almost_ quieted.

“I have foresworn playing, Belle,” said he, sadly, “never, should I live
forever, will another card pass through my hands. Ysabel, my darling
child! do not look so sad,—seek the cool air, it will revive thee. Go
and gather thy favorite wild flowers: they will divert thy mind from its
sorrow. My noble, generous girl.” He fondly kissed his child and then
withdrew.

Ysabel left to herself mechanically sought the garden. She wandered over
her favorite haunts, scarce knowing what she did. Her heart, her
thoughts were still as the grave. She reached her bower—the little
vine-clad bower, where the page and she had so often sat listening to
the music of each other’s voices. And there, on the very seat where they
were wont to sit—was Jose! the page!

“Ysabel! beloved!” exclaimed he in unfeigned delight—and the girl was
in his arms.

“Dearest, best, my gentle Ysabel! am I once more permitted to see
thee?—to clasp thee to my heart? But, sweetest, how thou hast changed.
How pale thou art. Go with me dearest, I will be thy father, brother,
husband, friend. Leave this hated castle—now—speak, dear one, wilt
thou go with me? Dear, _dear_ Ysabel, tell me.”

“Jose, I cannot—I have promised to become his bride!”

“But, dearest, they shall not force thee to do what thou dost not wish.”

“Jose, I had my own free choice.”

“And thou didst choose—”

“To become his bride.”

“Will nothing induce thee to alter thy determination?”

“_Nothing!_”

“Good bye, Ysabel.”

“Jose! Dear Jose—” but the page was gone.

The next morning found the lady Ysabel in the spot where the page had
left her. Then followed many days of sickness. Her life was despaired
of. Day after day she lay, pale, cold, insensible. Reason had forsaken
her throne. Her sweet smiles were gone; and the speaking glances of her
dewy eyes had fled. Her voice too—for she had not spoken since that
night. Even the pulsations of her heart were silent. Life alone
remained—life without its light. And how her father watched over
her—and how bitterly he lamented, and cursed himself for having brought
her thus. At length light shone in her eyes—the light of life. Morning
dawned in upon the darkness of her soul.

“_Good bye, Ysabel_,” said she.

“My own child, what dost thou say?” asked the father, bending anxiously
over her.

“Good bye, Ysabel—” and she looked up in her father’s face and
smiled.—_That smile!_ it haunted him to his grave!

“Are you better, my own Ysabel? my dearest child?”

“Yes papa,—I am well. What a strange dream I have had. Ah! now I
recollect—” and she sunk into a gentle sleep.

Day by day she gained health and strength. The father never left her
side.

“Papa,” said she one day, “will you let me see that paper again? you
know the one I mean.”

“No, my child, you never need see or think of it.”

“Do let me take it, papa—you do not know how well and strong I am—do,
dearest papa?” And the father was prevailed upon. She saw she could save
her father from ruin, and her mind was made.

“How old am I, papa?”

“Three weeks ago saw you seventeen.”

“Does the—does my future husband know of my illness?”

“He has sent repeatedly to inquire after your health. His courier was
here this morning.”

“Will you send him word I am well—and am ready in two weeks from now to
become his wife?”

“Are you in earnest, Ysabel?”

“Perfectly so.”

“Is it of your own free will you speak?”

“It is, papa.” And the father was deceived—perhaps too willingly so.

The Lady Ysabel was able now to revisit her favorite haunts. Every thing
she saw brought the page vividly before her eyes. Sometimes an
inscription on a tree—the walks, the flowers, the bower where last they
met—all, all brought with them the memory of _him_. She strove to
banish, as high treason to her happiness, all thoughts of him—and the
firmness of her nature conquered. She familiarised herself to all the
old spots where she had loved to be with him—and she thought she was
happy—almost—happy.

The day at length came—clear—cloudless—sun-bright. And then the
lady’s heart misgave her—she said not a word, however, but let them
deck her in her bridal gear, scarce knowing or caring what they did.

Evening came. The chapel was brilliantly lighted. The bright red wine
flowed freely—and joy danced in all hearts, save one.

Ysabel was pale, very, very pale when she entered the chapel. The orange
buds that wreathed her hair were not more pale.

The Talavera had not yet come. All was ready. The priest in his long
flowing robes—the father—the bridesmaid—the guests; for the father
had invited many a noble house to witness his daughter’s nuptials. All
were ready, and still the bridegroom came not. At length was heard a
confused movement, and, in the midst of that joyous mass of life, the
Marquis of Talavera had been thrown from his carriage, and the servants,
in their fright and dismay, scarce knowing what they did, had borne him
in his litter to the chapel.

The Lady Ysabel grew even more pale, as she looked upon the bier. There
lay the lord who was to have been her husband! She gazed on him in a
sort of nightmare fascination—a weight seemed taken from her heart—a
feeling of relief mingled with the horror of the hour.

The Doña Ysabel enjoyed one short month of tranquillity—and then came
news from the castle of Talavera. The will of the marquis had been read.
He had bequeathed to his son and heir all his vast estates together with
the Lady Ysabel, should he himself die before the marriage took place.
The _bond_ still held good!

A letter came from the young marquis to the count, demanding his
daughter’s hand in marriage. The letter was gracefully written, and told
how he had long heard of the wondrous beauty of the Doña Ysabel, and how
ardently he desired to become the possessor of it.

Again the lady yielded to her father’s persuasion. The present marquis
was young and handsome—so the objection of age was removed. All Spain
knew he was noble, and brave—and all the bright-eyed daughters of Spain
might well look envy on the favored Ysabel, that the young Talavera had
chosen her.

He was then travelling in the interior of Europe. His letter was dated,
Vienna. One year from the day of the elder Talavera’s death was the day
fixed upon to celebrate the bridals of the bravest cavalier and
loveliest flower in all Spain.

Ysabel yielded, and tried to seem cheerful, but her step grew slower and
slower, and her fair face paler and more pale. As her days went on did
she each day lose some part of this earth, earthy. So very gradual was
the change that neither her father nor those around her seemed to
observe it. So passed seven months. Four months more were to find her a
new home in the heart of the Talavera.

She daily visited the spot where she had last seen _him_, in the hope
of——she knew not what.

The Doña Ysabel was in her bower—neither reading, nor sewing, nor
watching her flowers—but in a state of listlessness, half reclining on
the cushioned seat, when suddenly her name was spoken! It was not her
father’s voice. The next instant saw the Doña close to the heart of the
page, Jose! Neither spoke—the heart of each was too full for
words—dull words cannot express our strongest emotions, when the heart
is too big for utterance, speech is but a mockery. Words came at length,
and the page told her how much anguish he had suffered, and how he could
no longer stay away from her he loved. That he came, hardly expecting to
see her, and if he did see her, he feared he should find her changed.

“And, dearest Ysabel, thou art changed—not in thy love—but thou art
but the shadow of the Ysabel that in days syne, bounded so joyfully over
these hills.” He held up her hand—

        “It was so thin and transparent of hue,
         You might have seen the moon shine through!”

The Lady Ysabel told the page _all_. How that she had consented to
become the bride of the young Talavera. The page learned the reason from
her too, why she had consented to become the wife of one she could not
love. He smiled when he heard that the Talavera must become master,
either of the castle and property of Ysolo-Rosse, or of the lovely Lady
Ysabel.

When Ysabel retired to rest that night, it was with a light heart. Day
after day witnessed the meetings of the lady and the page—and day after
day witnessed her returning bloom of face and buoyancy of heart. She was
once more that glad, bright Ysabel as when the page first came to her
father’s castle.

The father, without inquiring the cause, saw his child happy and
smiling, and he was satisfied. And she _was_ happy and smiling—the
smiles never left her little dimpled mouth—soon as one went another
came. Even in her sleep, her joyous heart beamed from her face.

The morning came bright and sunshiny as it had done just one year
before. The chapel was again illuminated—again were the guests
assembled—and again, surrounded by her bridesmaids, came the Lady
Ysabel into the chapel. But oh! what a different Lady Ysabel from the
one of the year ago. The bridal wreath encircled her brow—and below
that fair brow beamed out the _happiest_ pair of eyes imaginable! What
could it mean?

There was heard among the guests a universal murmur of admiration as she
made her appearance. So beautiful, so bright, so radiant a being they
had never seen. Her face appeared actually to _emit light_—so truly did
the bright sunshine of her glad young heart shine through.

A slight movement at the great double door of the chapel—and the
bridegroom, the Marquis of Talavera was announced!

Quite as great a sensation did the noble, manly figure of the young
marquis create, as had the softer and more gentle one of the Lady
Ysabel.

The father seemed struck dumb in sudden surprise!—at length, burst from
his lips—“The page!”

Any of the old gossips of Spain will tell you the rest of the story—and
what a joyous wedding there was—and how every one said there never was
so well matched—so noble a pair, as Don Jose, Marquis of Talavera, and
his gentle bride, Ysabel! They will tell you, too, that the honey-moon,
instead of lasting but thirty-one days, did outlast thirty-one
years!—and the love that was true to the sire could not but bless the
son.

                 *        *        *        *        *

So endeth the story of “The Lady and the Page.”

                 *        *        *        *        *




                        FANCIES ABOUT A ROSEBUD,


                   PRESSED IN AN OLD COPY OF SPENSER.


                        BY JAMES RUSSELL LOWELL.


    Who prest you here? The Past can tell,
      When summer skies were bright above,
    And some full heart did leap and swell
      Beneath the white new moon of love.

    Some Poet, haply, when the world
      Showed like a calm sea, grand and blue,
    Ere its cold, inky waves had curled
      O’er the numb heart once warm and true;

    When, with his soul brimful of morn,
      He looked beyond the vale of Time,
    Nor saw therein the dullard scorn
      That made his heavenliness a crime;

    When, musing o’er the Poets olden,
      His soul did like a sun upstart
    To shoot its arrows, clear and golden,
      Through slavery’s cold and darksome heart.

    Alas! too soon the veil is lifted
      That hangs between the soul and pain,
    Too soon the morning-red hath drifted
      Into dull cloud, or fallen in rain!

    Or were you prest by one who nurst
      Bleak memories of love gone by,
    Whose heart, like a star fallen, burst
      In dark and erring vacancy?

    To him you still were fresh and green
      As when you grew upon the stalk,
    And many a breezy summer scene
      Came back—and many a moonlit walk;

    And there would be a hum of bees,
      A smell of childhood in the air,
    And old, fresh feelings cooled the breeze
      That, like loved fingers, stirred his hair!

    Then would you suddenly be blasted
      By the keen wind of one dark thought,
    One nameless woe, that had outlasted
      The sudden blow whereby ’twas brought.

    Or were you pressed here by two lovers
      Who seemed to read these verses rare,
    But found between the antique covers
      What Spenser could not prison there:

    Songs which his glorious soul had heard,
      But his dull pen could never write,
    Which flew, like some gold-winged bird,
      Through the blue heaven out of sight?

    My heart is with them as they sit,
      I see the rose-bud in her breast,
    I see her small hand taking it
      From out its odorous, snowy nest;

    I hear him swear that he will keep it,
      In memory of that blessed day,
    To smile on it or over-weep it
      When she and spring are far away.

    Ah me! I needs must droop my head,
      And brush away a happy tear,
    For they are gone, and, dry and dead,
      The rose-bud lies before me here.

    Yet is it in no stranger’s hand,
      For I will guard it tenderly,
    And it shall be a magic wand
      To bring mine own true love to me.

    My heart runs o’er with sweet surmises,
      The while my fancy weaves her rhyme,
    Kind hopes and musical surprises
      Throng round me from the olden time.

    I do not care to know who prest you:
      Enough for me to feel and know
    That some heart’s love and longing blest you,
      Knitting to-day with long-ago.

                 *        *        *        *        *




                            IMAGINATION.[2]


It is so long a time since a poem of any serious pretensions has made
its appearance before the British or American public, that we have
almost ceased to look for new metrical productions, divided into books
or cantos. We have been contented with the light, fugitive strains of
the periodicals, and have not asked for grand overtures—such as used to
absorb the whole interest of the reading public, twenty, thirty, fifty
and more years ago. In the middle of the last century, a man, to be
recognised as a poet, was required to issue some single work of a
thousand lines. Quantity was more considered than quality; intellectual
labor was judged of rather by the amount of its achievements than by
their kind.

Poetry has at times been criticised by a different rule than Painting.
That age never was, when an artist acquired a reputation in consequence
of the number of his pictures: one gem of art has always been more
highly esteemed than a million crystals. In all days past, as in the day
present, it might be said of a single head by a master, small, faded,
stained, yet beautiful through the rust of age,—“that little bit of
canvass is worth more than a whole gallery of fresh portraits, though
after living models, as beautiful as Aspasia, or as stately as
Alcibiades.” But a solitary brief poem was never so valued in comparison
with a voluminous production. Even now, formed and polished as the
public taste pretends itself to be, there lurks with us that prejudice
which more highly ranks the author of a book of verses than the author
of a sonnet. Though the book may be as negative in merit as the correct
hand of gentle dullness could make it, and the sonnet as perfect as the
best that Petrarch wrote, in the intensest glow of his love and his
genius—except by the few, the former would be regarded as the more
arduous, the more commendable performance.

The philosophy of this prejudice, is a sort of respect mankind
entertains for a constant fulfilment of the original curse. We love to
see hard work done or indicated. We look at a mass of printed leaves and
exclaim, “Goodness! what an industrious individual the writer must have
been! How much he has accomplished!” It may be that, upon examination,
his work may have added nothing to the available stock of literature; it
may be that it will prove useless lumber, destined to dust and obscurity
in men’s garrets, and not worth the corners it will encumber. “What of
that? the author had to work hard to do it—didn’t he?” Yes! such is the
question put by people who seem to love labor for its own sake. They
look upon men of talent very much in the same light that old Girard of
Philadelphia considered poor people who existed by the employment of
their arms and legs.

At a season of distress, some day-laborers applied to Girard for
assistance. There was a huge pile of bricks lying in the vicinity of the
house of Dives. “Take up those bricks,” said he, “and place them yonder,
and then I will pay you for the task.” The men obeyed; the bricks—to
use a verb for which we are indebted to Dr. Noah Webster and the Georgia
negroes—were _toted_ from one position to another, and the stipulated
price demanded. Girard paid it cheerfully. “But,” said the laborers,
“what are we to do now? Must we be idle while we spend this money, and
starve by and by? We shall come to you again in a week. Keep us
employed—bid us perform another task.” “Yes,” said Girard. “Take up
those bricks from the place where you have put them, and carry them back
to the place whence you removed them.” Pretty much as Girard used the
poor _operatives_ does the public treat the man of genius. Let him write
the immortal sonnet, bright and beautiful, to be fixed hereafter, a star
in the firmament of fame, and his contemporaries, in reply to his demand
for praise, will say, “What has he done? What book has he written? What
is he the author of?”—They want to see work—honest labor, and plenty
of it, though that labor be as useless as the _toting_ of the bricks.

Not without some qualifications must these remarks be considered
strictly true, with regard to the present age, or to our own country.
There are facts to the contrary, though not sufficient to disprove the
general truth of what we say. We have no poet, who is more generally, or
more highly esteemed, than Halleck; and yet his truly great reputation
has been built up on some four or six short pieces of verse. On the
other hand, Mr. Sumner Lincoln Fairfield, has lumbered the bookseller’s
lofts with ream after ream of printed paper, and nobody but an
occasional crazy reviewer, calls such a dunce, a poet. Nevertheless, we
maintain the verity of the general observation, that those poets have
heretofore been most esteemed, who have done the most work. It is
downright astonishing, how much some of them did _do_. We look over
their long poems, with a sentiment of wonder, and reverence, and we are
awfully perplexed to determine, how vast a length of time it must have
taken these modern Cheopses, to build their pyramids. Hamlet’s account
to Polonius, of the graybeard’s book he was reading, appears to us a
pretty comprehensive description of many of these vast metrical
diffusions—“words, words, words.” It exceeds our powers of conjecture,
how the writers could have completed their whole task, so labors the
line and so slow runs the verse. We have seen a sturdy blacksmith pound
a piece of iron, for hours and hours, till it became as malleable as
lead; we have seen a woodsawyer saw, and saw, and saw, up and down, down
and up, till the very sight of him made us ready to drop with imaginary
fatigue; thy still-beginning, never ending whirl, oh weary
knife-grinder, have we also contemplated with feverish melancholy—still
for the endurance of all these, have we been able satisfactorily to
account; drilled by habit, ruled by habit, habit is to them a second
nature. But for the perpetration of a long, tedious poem for the
manufacture of verse after verse, the last drier and duller than the
preceding, there is no possible manner of accounting. It is an
infliction, which can be borne by neither gods, men nor columns. Your
_médiocre_ man may be forgiven for talking one into a paralysis, or
writing prose, till every word acts like a mesmerist and puts you to
sleep; but for his writing verses, there can be, there ought to be no
forgiveness; he should be consigned to the cave of perpetual oblivion,
and over its entrance should be inscribed, “Hope never enters here.”

Were we to follow in the track of reviewers in the Quarterlies, who
always seem to think it necessary to make a considerable preliminary
flourish to the solemn common-places they are about to utter, we should
observe that the foregoing remarks had been elicited by a work on our
table, entitled “Imagination, a poem in two parts, with other poems, by
Louisa Frances Poulter.” But as the work did not call forth the remarks,
we shall observe nothing of the kind. The moment we wrote the title of
the poem, and saw that it consisted of nearly eleven hundred lines, we
began to reflect that very few long poems had been written lately, and
our pen scampered over the paper at a rail-road rate, till we reached
the _dépôt_ at the end of this paragraph.

Pausing here, we first look back over what we have said; it pleases
us—let it stand, therefore, and let us now employ ourselves with
reading Miss Poulter’s poem in two cantos. We have not the slightest
dread of it—no! it seems a pleasant land, of which we have had
delightful glimpses in a transient survey. With these glimpses we mean
to entertain the reader, besides giving him an idea of the face of the
country.

_In limine_, we ought to confess ourselves amiable critics, when we are
called upon to pronounce on the works of a female writer, and more
particularly of one who is a new claimant for distinction. It is our
desire to encourage the intellectual efforts of the gentle sex, if for
no better purpose, at least for that of inciting women to assert their
claims to the honors and the rewards of authorship. These pages are
scrutinized by many a brilliant pair of eyes, ready to flash indignation
upon the slightest disparagement of female genius. Far be it from us to
evoke from those mortal stars any other beams than those of softness and
serenity. Lovely readers! smile therefore upon this article as kindly as
upon the prettiest story in the Magazine, and think well of him who
seeks to win no better guerdon than your approbation.

Miss Poulter has put upon her title-page a striking passage in French
from some essay of _Bernardin de St. Pierre_, which may be thus
literally translated. “Tasso, while travelling with a friend, one day
ascended a very high mountain. When he had reached the summit, he
exclaimed: ‘Seest thou these rugged rocks, these wild forests, this
brook bordered with flowers, which winds through the valley, this
majestic river, which rolls onward and onward till it bathes the walls
of a hundred cities? Well, these rocks, these mountains, these walls,
these cities, gods, men—lo! these are my poem!’” On the page
immediately preceding the principal poem in the volume, “Imagination,”
there appears the following from _Stewart’s Outlines of Moral
Philosophy_, “One of the principal effects of a liberal education is to
accustom us to withdraw our attention from the objects of our present
perceptions, and to dwell at pleasure on the past, the absent and the
future. How much it must enlarge in this way the sphere of our enjoyment
or suffering is obvious: for (not to mention the recollection of the
past) all that part of our happiness or misery, which arises from our
hopes or our fears, derives its existence entirely from the power of our
imagination.”

We are pleased with these quotations. They augur well for the original
words that are to follow. They prepare the mind of the reader for
something almost as good as they are. The talent, or rather tact of
quoting well is no mean one; it is not possessed by many, scarcely
possessed at all by those who say that a quotation should be as strictly
appropriate as a title. It is enough that a quotation be one naturally
appertaining to or suggestive _per se_ of the subject matter. Mottoes,
it should be remembered, are not texts, but simply prefixes, intended
rather as ornaments than things of use. They are to books, chapters, and
cantos, what jewels are to the clasps of a fair lady’s girdle, not
indispensable to the clasps, but decorating them. In the choice of the
jewels and the style of their setting the taste of the wearer is
manifested.

The reflection which first suggests itself to us after a consideration
of this poem, is that the author preferred rather to indulge her
inclination for roving from topic to topic, than to confine herself to
any exact method. She does not so much consider the power of imagination
or its effect upon life as she does the places and persons upon which
this faculty of the mind would choose to expand itself. The single word,
therefore, which constitutes the title, might be regarded as too
pretensive, as demanding too much, more than it is within the capacity
or education of the writer to give. Her modes of thought seem to be too
independent of the influence of “Association,” and it would confuse a
philosophical thinker to follow the diversities of her fancy. Perhaps,
however, the person who reads only to be amused, would derive more
gratification from Miss Poulter’s disregard of rules than were she more
correct and less fervid.

The poem opens with a picture of sunset after a storm, and this affords
an apt and natural illustration for the Power of the Imagination. The
first topic pursued is the fact that childhood is but little under the
influence of Imagination, being led away by the pleasures of the present
moment and apt to resign itself wholly to the object by which it is
temporarily attracted. Illustrative of this is the following admirably
drawn scene—

        See, from his sheltering roof, the infant boy
        Rush with delight, to snatch the promised joy;
        Allowed for once to stray where’er he please,
        And live one day of liberty and ease.
        His frugal basket to his girdle hung,
        His little rod across his shoulder flung,
        With eager haste he starts at dawn of day,
        Yet every trifle lures him from his way;
        An opening rose, a gaudy butterfly,
        Turn his light steps and fix his wandering eye;
        He plucks ripe berries blushing in the hedge,
        And pungent cresses from the watery sedge.
        At length he gains the bank, and seeks to fill
        His little scrip, and prove his infant skill;
        He marks the fish approach in long array—
        Then, stamps the ground, to see them glide away.
        But lo! one speckled wanderer lurks behind,
        ’Mid the tall reeds that skirt the stream confined:
        It comes—it bites—he finds himself possest
        Of one small trout, less wary than the rest:
        With trembling hands he grasps his finny spoil,
        The rich reward of one long day of toil.
        For some short moments yet he keeps his seat
        Close to the brook, and laves his weary feet;
        Wide from his face his auburn locks he throws,
        That playful airs may fan his little brows;
        Then upward springs, and hums a blithesome lay,
        To cheat fatigue, and charm his lengthened way.
        Hark! while across the verdant lawn he skips,
        The half-told tale is muttered from his lips;
        With bounding heart he shows his spotted prize,
        And marks, exulting, the well-feigned surprise.
        A second moment sees him locked in sleep,
        And placid slumbers o’er his senses creep;
        In dreams he rests along some river’s side,
        Where giant trout beneath clear waters glide.

The following figure illustrates the toilsome ascent of youth to
Greatness:

        So up yon cliffs that frown in stern array,
        The hardy pilgrim climbs his painful way;
        His form bends forward—see! how he expands
        O’er each frail mountain-shrub his fearful hands;
        Will it resist?—or, from the rocky steep,
        Whirl him below unnumbered fathoms deep?
        He grasps it firm—he keeps his dizzy ground—
        Though blasts and foaming torrents roar around;
        Soon from the summit, views, with raptured eye,
        The lovely scenes that far extended lie;
        The smiling hamlet; the deep-tangled grove;
        The lake whose breast reflects the hills above;
        The lowing herds that through green pastures stray,
        Where limpid streams pursue their pebbled way.

After showing that imagination is most powerful in youth, and the
different manner in which it operates upon men, leading some to public
life, and some to retirement; after drawing a picture of domestic
felicity, and dwelling upon the question whether the happiness derived
from the indulgence of an ardent fancy is not ill exchanged for a
reasonable view of human life,—the poet speaks of the moral influence
of a fine imagination; and here occur these lines—

        Shall the pale Autumn shed his leaves in vain,
        Sear the green woods, and all their glories stain?
        Shall Winter clouds and bitter frosts impart,
        Yet force no saddening moral on the heart?
        Oh! let the warning past one thought employ!
        Have not our projects, marked by grief or joy,
        And all that we call beauty, talent, worth,
        Mimicked the transient fashion of the Earth?
        The fragile bloom has withered in the storm—
        The pride of better years now feeds the worm!

The next subject of contemplation is the death of a beloved and
distinguished friend; afterwards the poet goes on to describe the
influence of sublime scenery in awakening corresponding sensations in
the mind. An address to the Deity is attempted: next it is shown that
external beauties alone cannot soothe a wounded heart; a fact happily
illustrated by the disappointment of Tasso on his return to his native
Sorrento—

        Tasso, the pride, the victim of the Great,
        Who learned the value of their smile too late.
        Had shone in courts resplendent, and beneath
        A prison’s wall had drawn his painful breath,
        Sought his beloved Sorrento; for he fed
        A wild delirious hope that bade him tread,
        In search of peace, her groves, her spicy hills,
        And woo the balsam her soft air distils.
        Impetuous passion in his mind had wrought,
        And trenched it deep with many a bitter thought;
        Perchance the breeze that fans her rocky shore,
        The mournful measure of the plashing oar,
        Her blooming gardens that expanded lie,
        Breathing their citron fragrance to the sky,
        Her clustered almond trees, her sighing pines,
        Her founts of crystal, and her palmy wines,
        May lull its throb, its languid tone restore,
        And charm it back to all it was before.

The poetess then describes the anguish he endured.

This is all that we can extract for the reader’s recreation from the
first Part or Canto of this meritorious poem, with the exception of a
very touching ballad. The verses are supposed to be repeated by an
Indian mother, over the grave of her departed child. Let us call them

            THE INDIAN MOTHER’S LAMENT.

        Twice falling snows have clad the earth;
          Twice hath the fly-bird weaved his nest;
        Since first I smiled upon thy birth,
          And felt thee breathing on my breast.

        Now snowy wreaths will melt away,
          And buds of red will shine around;
        But, heedless of the sunny ray,
          Thy form shall wither in the ground.

        Oft hath thy father dared the foe,
          And, while their arrows drank his blood,
        And round him lay his brothers low,
          Careless ’mid thousand darts he stood.

        But when he saw thee droop thy head,
          Thy little limbs grow stiff and cold,
        And from thy lip the scarlet fled,
          Fast down his cheek the tear-drops rolled.

        The land of souls lies distant far,
          And dark and lonely is the road;
        No ghost of night, no shining star,
          Shall guide me to thy new abode.

        Will some good Spirit to thee bring
          The milky fruits of cocoa-tree?
        To shield thee stretch his pitying wing?
          Or spread the beaver’s skin for thee?

        Oh! in the blue-bird’s shape descend,
          When broad magnolias shut their leaves!
        With evening airs thy lisping blend,
          And watch the tomb thy mother weaves!

        I’ve marked the lily’s silken vest,
          When winds blew fresh and sunbeams shine
        On Mississippi’s furrowed breast,
          By many a watery wreath entwined.

        But soon they rippled down the stream,
          To lave the stranger’s distant shore;
        One moment sparkled in the beam—
          Then saw their native banks no more.

Of the second Part or Canto, the following is a brief analysis. The poet
first addresses the Spirit of Ruin; then displays various forms of
destruction—a shipwreck: the descent of an avalanche. The topics next
treated are intellectual decay; the fatal effects of an ill-regulated
and warm Imagination; the power of Love in youth; the influence of
Imagination in our choice of life; the love of Fame; an active life
necessary to a person of vivid Imagination; the thirst of some
overcoming the love of life. Next occurs an apostrophe to the noble and
patriotic and sainted spirits of the heroes of Switzerland and
America—Arnold de Winkelried and George Washington. It is then shown
that Imagination represents them as still living; the power of
Imagination in old age is portrayed, and the poem concludes.

From this part, we regret that we have room but for two extracts; for
these are of so excellent a character that the reader, like Oliver
Twist, will be certain to ask for more.

Our first extract is a description of the life of an Alpine shepherd.
The lines are eminently good.

        Track thou my path where Alpine winters shed
        Their lingering snows o’er bare St. Gothard’s head,
        Ghastly his savage aspect; there recline
        Rocks piled on rocks, and shagg’d with stunted pine;
        Yet touched with beauty, when the purple haze
        Its softening shadows o’er their summit lays;
        Then melts in air, while wandering sunbeams streak,
        With tints of rose, each ridge and frozen peak.
        From cliff to cliff hoarse cataracts pursue
        Their shattered course; now stained with lovely hue,
        Lovely, and yet more transient, while a ray
        Athwart the shivered waters cuts its way;
        Now whirling in black eddies, as they lash
        The darkened precipice with hideous crash.
        But see! with trees and freshest verdure bright,
        A lonely valley starts upon the sight,
        Whose peaceful hamlet clinging to their side,
        And sweet retirements, beetling mountains hide.
        Their fury spent, o’er dell and grassy knoll
        The lucid streams in crystal bubbles roll,
        Whose gentle gushings break the deep repose,
        As down steep, pebbled banks, the current flows.
        Here, free from Passion’s storm and splendid Care,
        A hardy race Life’s simple blessings share.
        Breathes there on Earth who boasts a happier lot,
        Than the rude owner of yon smiling cot?
        Sighs he for joys by Nature’s hand denied?
        Feels he a want by labor unsupplied?
        The flock which oft his children’s pranks disturb,
        The goats delighting in the sprouted herb,
        The sleepy cows aroused by sauntering flies,
        His verdant paddock with sweet food supplies.
        Vigorous from rest, not weak with slothful ease,
        At dawn he scents the sharp reviving breeze;
        With eager industry and rustic skill
        First prunes his purple vine, then hastes to till
        His garden, freshened by the chills of night,
        Where many a grateful tribute cheers his sight;
        The jasmine bent beneath his clustering bees,
        The green retiring herb, the lofty trees,
        That, gemmed with blooms and dew drops, on the air
        Waft their sweet incense to the God of pray’r.
        But noon advances, and he drives his flocks
        Where spots of verdure brighten ’mid the rocks;
        There spends the day; and, far above, inhales
        The love of Freedom with his mountain gales.
        Hark! to those sounds, which now the herds invite,
        Slow pacing homeward from the dizzy height;
        The shepherd’s evening call—and in each dell
        Tinkles the music of the pastoral bell.
        His labor done, a frugal meal prepared
        By her he loves, recruits his strength impaired;
        Breathing a pious prayer he sinks to rest,
        And rural visions charm his peaceful breast.

Our second, and last, extract is one the spirit and force of which every
devotee of Freedom, every true American heart cannot fail to
acknowledge.

        Spirits of noble beings, who, arrayed
        In mortal clothing, once a proud part played
        Upon this nether orb! If ye retain
        No human sense of honor, joy, or pain;
        If, fixed in seats of blessedness, ye deem
        Earth’s goodliest pageantries an idiot’s dream;
        Yet in your bosoms not in vain was sown
        Deep as Life’s pulse the love of fair Renown;
        For still as Age to fleeting Age succeeds,
        Your track of Glory, your remembered deeds,
        A spark of fire ethereal shall impart,
        To rouse each godlike passion in the heart.
        Still, gallant Arnold! while the Switzer fights
        E’en to his blood’s last drop, to guard his rights;
        The right to tread his hills begirt with storm,
        Free as the winds that brace his nervous form;
        Your dying words, invincible he hears;
        When with gored bosom, grasping Austria’s spears,
        To glorious death you singly forced the way,
        And bade forever live red Sempach’s day;
        “The ranks are broken! charge! the cowards yield!
        My little orphans, Oh my Country! shield.”
        And You! in whose unconquerable mind
        The wide-expanded wish to serve Mankind
        Ruled as a master-passion; whether laid
        At ease, you wooed Mount Vernon’s pleasant shade,
        And the pure luxury of rural life;
        Or plunged, reluctant, into desperate strife,
        To breast the weight of tyrannous command.
        And stamp the badge of Freedom on your Land;
        Shall You, the meteor of a fickle day,
        Blaze for one moment, strike, and pass away?
        No—to her sons unborn shall cling your name,
        Linked to their country’s proudest hour of Fame;
        Till private, public worth, to Ruin hurled,
        Shall leave not e’en their shadow in the World;
        _Then_ must the Slave, the Patriot, share one lot—
        And He, and Washington, shall be forgot.

From the remarks, with which this article began, it is clearly enough to
be inferred that we are no admirers of long poems, unless they be of
extraordinary and sustained merit. This praise cannot be awarded to Miss
Poulter’s production: We believe that we have taken pretty much all that
is excellent, though a fine passage or two may be left in the exquisite
volume which we have just now cut to pieces—not metaphorically, but
literally. It was sad to destroy so charming a library book; but what
were the exquisite typography and clear white paper of one of Saunders &
Otley’s editions, when compared with the amusement of the friends of
Graham’s Magazine? Nothing. Moreover, we should not have quoted so
largely as we have, had we not felt assured of the fact that the volume
to which we refer was the only copy of Miss Poulter’s poem in America.
Such works are not in the least likely to be reprinted here; and our
readers would therefore know nothing about them, were it not for the
pains we are happy to take in their behalf.

-----

[2] Imagination: a Poem in two parts, with other poems, by Louisa
Frances Poulter, London: Saunders and Otley, Conduit Street.

                 *        *        *        *        *




                            HARRY CAVENDISH.


 BY THE AUTHOR OF “CRUIZING IN THE LAST WAR,” “THE REEFER OF ’76,” ETC.
                                  ETC.


                          A DASH AT A CONVOY.

It was the second night after our brush with the corvette, when a party,
composed of Mr. St. Clair, his niece and daughter, together with several
of the officers, stood at the side of the ship. It was a lovely evening.
The moon was high in heaven, sailing on in cloudless splendor; her
silvery light tipping the tops of the billows, and stretching in a long
line of effulgence across the waters. A gentle breeze was singing, with
a clear musical intonation, among the thousand tiny threads of the
rigging. The water rippled pleasantly against the sides of the ship. Not
far off lay a small rakish schooner, from which the sound of a bugle,
borne gently on the night air, floated in delicious melody to our ears.
The decks were noiseless. The quiet moon seemed as if, by some magic
spell, she had hushed the deep into silence, for scarcely a sound rose
up from the heaving waves, which, glittering now in the wake of the
moon, and now sinking into sudden shadow, stretched away in the distance
until they faded into the dim mystic haze of the distant seaboard. The
whole scene was like a vision of romance.

The group which I have mentioned stood at the gangway of the ship. A
boat was rocking gently below. The passengers, whom we had rescued from
the brig, were about transferring themselves to the schooner lying-to a
short distance off, which we had spoken about an hour before, and which
proved to be a small privateer bound in for Newport. As we were off
Block Island, and the run would consequently be a short one, Mr. St.
Clair had resolved to avail himself of this opportunity to place his
daughter and niece safely on shore. The party were now about to embark.

“I shall never forget your kindness,” said Mr. St. Clair, addressing the
captain, “and I am sure that my daughter and niece will give you their
especial prayers, as the best return they can make for the obligations
they owe you. And as for my friend, Mr. Cavendish—I hardly know how to
express my thanks. You will come and see us,” he continued, turning
frankly to me, and taking both my hands, “Pomfret Hall will always open
its doors gladly to welcome the preserver of its owner.”

I promised that I would not forget it, and turned away to hide the
emotion occasioned by the kind tone of Mr. St. Clair. As I moved away my
eyes fell on Annette. Her gaze was fixed on me with an expression I
shall never forget, but which I would have given the world to have been
able to interpret. There was an expression of the deepest interest in
that look, and the eyes, I fancied, were partially humid. As soon as she
caught my gaze, she blushed deeply, and looked down. What meant that
earnest gaze—this sudden embarrassment? Did she then really love me? My
heart beat fast, my brain fairly swam around, my emotion, for an
instant, almost overpowered me. I could, if no one had been present,
have rushed to her feet and told my suit. But a moment’s reflection
changed the current of my thoughts. Perhaps she had noticed my feelings
while her father had been speaking. If so, her subsequent emotion arose
from being detected in observing me. I ran over everything which had
happened since she had been on board, and could find nothing
corroborating, directly, the idea that she loved me. Her manner had
always been frank and kind; but what had she said or done to give me
hope? As these thoughts rushed through my mind my towering hopes fell.
The revulsion was extreme. I despaired now as much as I had exulted but
a moment before. I was about to turn gloomily away, when the voice of
Isabel called me. I looked up. She was beckoning me gayly toward her as
she leaned on Annette’s arm.

“Why, I declare, Mr. Cavendish,” she said laughingly, “you seem to be
determined to leave us depart without even saying ‘adieu’—a pretty
gallant you are, to be sure! Here is Annette really displeased at your
coldness.”

A look of silent reproach was the only reply of her cousin, who dared
not raise her eyes to mine. With the vacillation of a lover my
sentiments again underwent a change. Had Annette really been wondering
at my coldness? How unjust then had been my suspicions. I advanced
eagerly to her side. Yet when I had done so I knew not what to say.
Isabel seemed not only to see my embarrassment but to enjoy it. She
continued gayly—

“There, now, do your _devoir_ like a gallant knight and soldier—coz,
have you no glove or other favor for him to wear on his bosom in battle?
Ah! me, the days of courtesy and chivalry have gone forever. But there I
see uncle ordering down my package, I must see that he does not let it
drop clumsily over-board,” and she tripped laughingly away.

Left almost _tête-à-tête_ with Annette—for every eye was that moment
turned to the gangway where some of the passengers were already
embarking, I yet felt unable to avail myself of an opportunity for which
I had longed. A single word would decide my fate, and yet that word I
could not pronounce. My boldness had all disappeared, and I stood before
that fair girl equally agitated with herself. At length I looked up. She
stole a furtive glance at me as I did so, and blushed again to the very
brow. I took her hand, it was not withdrawn. Words of fire were already
on my lips when her father turned toward us, saying—

“Annie, my love, they wait for you—Mr. Cavendish, a last good-bye”—and
as he spoke every eye was turned toward us. The precious moment was
past. I could do nothing but lead Annette forward. Yet I ventured to
press her hand. My senses deceived me, or it was faintly, though very
faintly, returned. I would have given worlds, if I had them, for the
delay of a minute, that I might learn my fate from the lips of that fair
girl. But it was not to be. We were already in the centre of the group.
Mr. St. Clair took his daughter and lifted her into the chair, and in
another moment her white dress fluttered in its descent to the boat. My
heart died within me. The golden moment had passed, perhaps forever; for
when should we meet again? New scenes, new friends would in all
probability drive me from Annette’s remembrance before we should next
see each other. These thoughts filled my mind as I leaned over the
bulwark and waved my hand while the boat put off. Mr. St. Clair stood up
in the barge and bowed in return, while I thought I could see, through
the shadowy moonlight, the fair hand of Annette returning my parting
adieus.

I watched the receding figures until they reached the schooner, and even
after they had ascended the deck, and the two vessels had parted each on
its own way, I continued gazing on the white dress of Annette until I
could no longer detect the faintest shadow of it. When at length it
disappeared totally in the distance, I felt a loneliness of the heart,
such as no language can express. To a late hour I continued pensively
walking the deck, unable to shake off this feeling, and it was only a
gay remark of one of my messmates that finally aroused me from my
abstraction. I shook off my pensiveness by an effort, laughed gayly in
reply, and soon sought my hammock, as my spirits would not permit me
much longer to carry on this double game.

For a week we cruized in the track of the homeward bound fleet from the
West Indies, but without success. During this time Annette was
constantly in my thoughts. Her last look—that gentle pressure of her
hand thrilled through every vein, as often as they recurred to me. Never
could I forget her—would she continue to think of me?

More than a week had passed, as I have said, since we had parted from
the St. Clairs, yet still we had not spoken a sail. At length one day,
when I had the morning watch, the lookout hailed from the cross-trees,
that a sail was down on the seaboard to leeward. Chase was instantly
given to the stranger. The breeze was fresh, and we were in consequence
soon close enough to discern the character of our neighbor. She had not
from the first appeared to avoid us, and no sooner did we show our
colors, than she ran up the ensign of France. We were going on different
tacks, and, as we approached, both ships lay-to for a moment’s
conversation. The French merchantman was a noble ship, and as she came
up gallantly towards us, her long bowsprit sunk far down into the trough
of the wave, and then, with a slow swan-like motion she rose on the
ensuing swell until her bows were elevated almost clear of the water,
while the bright copper dripping with brine glistened gloriously in the
sunbeams.

The Frenchman backed his topsails as he drew near, and the two vessels
stood head on, while we sent a boat on board. The merchantman proved to
be upon her homeward passage, and had consequently no intelligence from
Europe to furnish us. But the French skipper told us what was far more
interesting to us. He mentioned that he had, but the day before, fallen
in with the homeward bound English fleet, from the West Indies,
amounting to some sixty sail. The fleet was convoyed by four men-of-war.
Our captain, however, resolved to have a dash at the convoy. He
conceived the daring project of cutting off a portion of the fleet,
under the very batteries of the men-of-war. The French skipper wished us
a “_bon voyage_,” and the two vessels parted company.

We cracked on all sail, during the whole of the day and night. The next
morning, at the dawn of day, our lookout descried the English fleet, on
our larboard-side. Luckily, we had the weather-gauge. We kept crowding
on our canvass, however, during the whole forenoon, and as we gained on
the convoy, we saw sail after sail rising in the seaboard, until the
whole horizon was dotted with them, and the lookout reported more than
fifty, in sight. By this the men-of-war had caught the alarm, and were
firing guns to keep their flock around them. The dull sailers, however,
fell rapidly behind. This forced one of the English frigates to leave
the advance, and run astern of the fleet. During the whole day we kept
coquetting to windward of the fleet, but no demonstrations against us
were made on the part of the men-of-war.

“A cowardly set, by the Lord Harry,” said our old boatswain, who often
beguiled a dull hour with a yarn, “here are we giving them a chance for
a fair stand-up fight, and the cowardly lubbers haven’t the pluck to
come up and take or give a thrashing. I can’t stand such sneaking
scoundrels—by St. George,” and the old fellow energetically squirted a
stream of tobacco-juice from his mouth, as if from a force-pump.

“We’ll have a brush with them, nevertheless, Hinton,” said I, “or I know
nothing of the captain. He has got his eye on more than one rich prize
in that fleet, and depend upon it, he’ll make a dash for it before
long.”

“Ay! ay! you’re right,” answered the boatswain “and he’ll do it, too,
before two bells have struck in the morning watch.”

The night shut in squally and dark. The fleet was some three miles to
leeward, for during the whole day we had carefully maintained the
weather gauge. As the darkness increased we lost sight of the enemy’s
ships, but their numerous lights glistening like stars along the
seaboard, still pointed out to us their position. The wind was
uncertain, now coming in fitful puffs, and then blowing steadily for a
quarter of an hour, when it would again die away and sweep in squalls
across the waste of waters. Scud clouds began to fly across the face of
the heavens, obscuring the few stars, and giving a wild and ominous
appearance to the firmament. Down to the west the seaboard was covered
by a dense bank of clouds, out of which occasionally a flash of
lightning would zig-zag, followed by a low hoarse growl of distant
thunder. It was evident that a tempest was raging, far down in that
quarter. On the opposite horizon, however, the sky was nearly free from
clouds, only a few fleecy vapors being discernible in that quarter,
through which the bright stars twinkled clear and lustrous. The English
fleet lay between these two opposite quarters of the horizon—the right
wing of the convoy stretching down almost into the utter darkness in
that direction, and the left wing skirting along the horizon to the
eastward. Along the whole expanse of seaboard, more than fifty lights
were now glittering, like so many fire-flies winging through the gloom
along the edge of a forest, on a summer eve. The scene was one of
surpassing novelty, and drew forth the admiration even of our veteran
tars. Now and then the vapors in the east would clear entirely away,
leaving the firmament in that direction, sparkling with thousands of
stars; and then again the murky shroud would enclose them in nearly
total darkness. Occasionally, as if in contrast to this, a brighter
flash of lightning would gleam, or a louder burst of thunder roll up
from the dark bank of clouds enclosing the tempest to the westward.

The night had scarcely settled down before the ship’s course was altered
and we bore down upon the fleet—taking the precaution, however, to put
out all the lights on board except the one at the binnacle. Meantime the
men were called to quarters, the tompions of the guns removed, the
ammunition served out, pikes, cutlasses and fire arms distributed among
the crew, and every preparation made for action. As we drew nearer to
the convoy the darkness of the night increased, until, at length, we
could see but a few fathoms ahead into the gloom. The eastern firmament
now became wholly obscured. Not a star shone on high to guide us on our
way. Had it not been for the long line of lights sparkling along the
seaboard, betraying the positions occupied by the various vessels in the
convoy, we should have possessed no guide to our prey,—and nothing but
the confidence felt by the enemy in his superior force could have
induced him to continue his lights aboard, when otherwise he might have
run a chance of dropping us in the darkness. But he never dreamed of the
bold swoop which we projected, into the very midst of his flock. He
would as soon have thought of our blockading the Thames, or burning the
English fleet at Portsmouth.

The plan of Captain Smythe was indeed a bold one. Bearing right onwards
into the very centre of the fleet, he intended to cut off one of the
wings from the main body, and then board and take possession of as many
of the merchantmen as he could carry in the obscurity. We judged that
the men-of-war were in the van, with the exception of a frigate which we
had seen before nightfall hovering in the rear of the fleet to cover the
lagging merchantmen. This frigate, however, we supposed to be on the
extreme right of the enemy. We therefore bore down for the opposite
extremity of the fleet.

For more than an hour, while, with every rag of canvass abroad, we were
hastening to overtake the enemy, scarcely a word was spoken by the
crew,—but each man remained at his station eagerly watching the gradual
diminution of the distance betwixt us and the convoy. Indeed silence
was, in some measure, necessary to the success of our plot. Even the
orders of the officers therefore were given and executed with as little
bustle as possible. As the darkness increased we noticed that the lights
ahead began to diminish in number, and it was not long before we became
satisfied that the foe had at length awoke to the probability of our
being in the vicinity. At length scarcely more than half a dozen lights
could be seen. These we judged to belong to the men-of-war, being kept
aloft for the convoy to steer by.

The difficulty of our enterprise was now redoubled, for, if the darkness
should increase, there would be great danger of a collision with one or
another of the fleet. This peril, however, we shared in common with the
merchantmen composing the convoy. Our only precaution consisted in
doubling our look-outs.

Another hour passed, during which we steered by the lights of the
men-of-war. By the end of that period we had run, according to our
calculation, into the very heart of the fleet, leaving a man-of-war
broad on our larboard beam, a mile or two distant. This latter vessel we
fancied to be the frigate which had been hovering towards nightfall in
the rear of the fleet. Our anxiety now increased. We were surrounded, on
every side, by the vessels of the convoy, and the obscurity was so
profound that we could not see a pistol shot on any hand. Our progress,
meantime, was continued in utter silence. The only sound we heard was
the singing of the wind through the rigging, the occasional cheeping of
a block, or the rushing of the water along our sides. Suddenly, however,
I thought I heard a sound as of the bracing of a yard right over our
starboard bow.

“Hist!” I said to the boatswain, who happened that moment to be passing,
“hist! do you hear that?”

The old fellow stopped, listened a moment, and then shaking his head,
said,

“I hear nothing. What did _you_ hear?”

“Hark! there it goes again,” I said, as the sound of a sail flapping
against a mast came distinctly out of the gloom.

“By St. George, you are right,” exclaimed the old water-rat, “ay! ay!
young ears are arter-all the sharpest!”

He had scarcely spoken before the tall masts of a ship, like a spectre
rising through the night, lifted themselves up out of the obscurity in
the direction whence the sound had proceeded, and instantaneously we
heard the tramping of many feet on the decks of the stranger, the rapid
orders of the officers, the running of ropes, the creaking of yards, and
the dull flapping of sails in the wind. At the same time a voice hailed,

“Luff up or you’ll be into us,” and then the same voice spoke as if
addressing the helmsman on board the stranger, “up with your
helm—around, around with her—my God! we’ll be afoul.”

The consternation of the British skipper was not without cause. No
sooner had Capt. Smythe discovered our proximity to the stranger, than
he formed the determination of running her aboard, taking her by a sally
of our brave fellows, and then, after throwing into her a party
sufficiently strong to maintain possession of her, keeping on his way.
During the minute therefore that elapsed betwixt the discovery of the
merchantman, and the hail of her affrighted skipper, the boarders had
been called away and the quartermaster ordered to run us bows on to the
quarter of the stranger. Instead of luffing, therefore, we kept straight
on in our course, and as a score of lanterns were instantly shown on
board both ships, sufficient light was thrown over the scene to guide us
in our manœuvre. As the English ship wore around, bringing the wind on
her starboard quarter, our helm was jammed to port, and swinging around
almost on our heel we shot upon the foe, striking her in the stern
galley, which we crushed as we would have crushed an egg-shell. The
English ship was heavily loaded, and in consequence our bowsprit ran
high above her decks, affording a bridge on which our brave tars might
easily pass on board. At the moment we struck, the captain dashed
forward, and summoning the boarders to follow him, had leaped, sword in
hand, into the centre of the enemy’s crew, before her skipper had ceased
giving orders to the perplexed seamen, who were running to and fro on
her decks, in the vain hope of preventing any damage resulting to them
from this collision, with, as they thought, a sister vessel. The
consternation of the master may well be conceived when he found his ship
in possession of an enemy. For some minutes he imagined it to be a jest,
for he could not conceive how any foe would have the audacity to cut him
out from the very heart of the fleet. His rueful countenance when he
discovered his error, I shall never forget, nor the bad grace with which
he consented to be transferred with a portion of his men to the Aurora.
In less than five minutes, however, this necessary precaution had been
carried into effect, and a prize-crew left in possession of the
merchantman. The officer in command was ordered to haul out of the
fleet, and gain a position as speedily as possible to windward. Then the
two ships were parted, and we stood away as before on the larboard tack,
while the prize braced sharp up, hauled her bowlines, and went off close
into the wind’s eye.

“By Jove,” said a reefer, elated with the part he had acted among the
boarders, for he had been one of the first to step on the decks of the
merchantman, “by Jupiter, but that was neatly done—eh! don’t you think
so, Hinton, my old boy?”

“Shut your dead-lights, you young jackanapes,” growled the old
boatswain, by no means pleased with such a salutation, “and keep your
tongue for cheering against the enemy: you’ll have enough of it to do
yet before you turn in. Avast! there! I say,” he continued, perceiving
that the youngster was about to interrupt him, “go to your post, or I’ll
report you, you young whelp. None of your blarney, as your thick-tongued
Irish messmate would say—away with you.”

When Hinton’s ire was up the safest plan was to retreat, for he would
brook no retort unless from the captain or lieutenant. Over the young
reefers, especially those who were in disfavor with him, he domineered
with a rod of iron. The youngster who had forgotten for a moment, in the
elation of his first victory, the awe in which he held the boatswain,
was recalled by these words to a sense of the authority of the old tar,
and he shrunk accordingly away, disdaining to reply.

“Ay! go, you varmint,” chuckled Hinton, as the reefer walked to his
post, “and give none of your long shore palaver to a man who had learned
before you were born to hold his tongue before an enemy as his first
duty. Isn’t it so, Mr. Cavendish?”

I was a great favorite of the old fellow, and always made a point of
humoring him, so I nodded an assent to his remark, although I was
tempted to ask him how long since he had forgotten this important duty
of silence. I restrained, however, my question, and the smile which
would fain have preceded it: and listened for several minutes in return
for this complaisance to a long philippic on the part of the old fellow,
against what he chose to call the almost universal presumption of
midshipmen. From this tirade, however, the boatswain condescended to
exempt me. How long he would have dilated upon this favorite subject, I
know not; but, at this moment, a hail came out of the gloom ahead, and
every eye was instantly attracted in the direction from which the voice
proceeded.

“Ship ahoy!” shouted a herculean voice, “what craft is that?”

The tone of the speaker betrayed a latent suspicion that all was not
right with us. Indeed he must have been so close to us in our late
encounter with the merchantman, that he necessarily heard many things to
awaken his doubts. As he spoke, too, the tall figure of a heavy craft
loomed out from the obscurity, and while we were yet speculating as to
the answer the captain would make, a dozen lanterns flashing through as
many open port-holes, revealed that our neighbor was a man-of-war.

“What ship is that?” thundered the voice again, “answer, or I’ll fire
into you!”

Our dauntless captain waved his hand for the batteries to be unmasked,
and springing into the mizzen rigging, while a neighboring
battle-lantern now disclosed to the night, flung its light full upon his
form, he shouted in an equally stentorian voice—

“This is the Aurora—commissioned by the good commonwealth of——”

“Give it to the canting rebel,” roared the British officer, breaking in
on this reply, “fire—for God and St. George—FIRE!”

“Ay! fire my brave boys,” thundered our leader, “one and all, for the
old thirteen—FIRE!”

From the moment when the enemy had disclosed his lighted ports, our
gallant tars had been waiting, like hounds in the leash, for the signal
which was to let them loose upon the foe. The silent gesture of the
captain, when he sprung into the mizzen rigging, had been intuitively
understood by the crew, and the orders of the proper officers were
scarcely waited for, before the ports were opened, the battle lanterns
unmasked, the guns run out, and the whole deck changed, as if by magic,
from a scene of almost Egyptian darkness to one of comparative light.
Nor were the men less ready to discover the moment when to open their
fire. The first word of the British officer’s haughty interruption had
scarcely been spoken, when the gunners began to pat their pieces and
squint knowingly along them, so that, when the command to fire was
given, our whole broadside went off at once, like a volcano, and with
deadly effect. Every gun had been accurately aimed, every shot was sent
crashing into the foe. Not so the enemy. Although the British captain
had certainly viewed us with suspicion, his crew had apparently thought
us deserving of little caution; and the reply of our leader, and the
order of their own to fire, took them, after all, with surprise. Nearly
a minute accordingly elapsed before they delivered their broadside, and
then it was done hurriedly and with little certainty of aim. The first
fire is always more effective than the ensuing six; and the advantage of
the surprise was decided; for while we could hear the crashing of
timbers, and the shrieks of the wounded, following our discharge, the
shot of the enemy passed mostly over our heads, and, in my vicinity, not
a man of our crew was killed. One poor fellow, however, fell wounded at
the gun next to mine.

“Huzza!” roared Hinton, leaping like a lion to fill the place of the
injured man, “they’ve got their grog already. Have at ’em, my brave
fellows, again, and revenge your messmate. Never mind, Jack,” he said,
turning to the bleeding man, “every one must have a kick sometime in his
life, and the sooner its over, my hearty, the better. Bouse her out,
shipmates! Huzza for old Nantucket—the varmints have it again on full
allowance!”

For ten minutes the fight was maintained on our side without cessation.
The enemy, at first, rallied and attempted to return our broadsides
promptly, but the injuries she had suffered from our first discharge had
disheartened her men, and, when they found the spirit with which we
maintained our fire, they soon gave up the contest and deserted their
arms. Still, however, the enemy did not strike. One or two of her
forward guns were occasionally and suddenly discharged at us, but all
systematic resistance had ceased in less than five minutes.

By this time, however, the whole fleet was in an uproar. Lights were
dashing in every quarter of the horizon, and, as the darkness had been
clearing away since our brush with the merchantman, our lookout aloft
could see through the faint, misty distance, more than one vessel
bearing down toward us. The majority, however, of the fleet, seemed to
be struck with a complete panic, and, like a flock of startled
partridges, were hurrying from us in every direction. It soon became
apparent that the ships, bearing down upon us, were armed; and before we
had been engaged ten minutes with our antagonist, no less than three
men-of-war, from as many quarters of the horizon, had opened a
concentric fire on us, regardless of the damage they would do their
consort. Still, however, unwilling to leave his antagonist without
compelling her to strike, our leader maintained his position and poured
in a series of rapid broadsides which cut the foe up fearfully. Yet she
would not strike. On the other hand, reanimated by the approach of her
consorts, her men rallied to her guns and began again to reply to our
broadsides. Meanwhile the hostile frigates were coming up to us, hand
over hand, increasing the rapidity of their cannonade as the distance
betwixt us lessened. Our situation was becoming momentarily more
critical. Yet even amid our peril my eye was attracted by the sublimity
of the scene.

The night, I have said, had partially cleared away, but the darkness was
still sufficiently intense to render the approaching frigates but dimly
visible, except when a gush of fire would stream from their ports,
lighting up, for the moment, with a ghastly glare, the smoke-encircled
hull, the tall masts, and the thousand mazes of the hamper. Often the
whole three vessels would discharge their broadsides at once, when it
would seem for an instant as if we were girdled by fire. Then, as the
smoke settled on their decks, they would disappear wholly from our
sight, and only become again distinguishable, when they belched forth
their sulphureous flame once more. In the west, the scene was even more
magnificent, for in that quarter, was unexpectedly the nearest of the
three men-of-war, and as she came up to us close-hauled, she yawed
whenever she fired, and then steadily discharged her pieces, doing more
damage than all her other consorts. The gallant manner in which she
delivered her fire—the measured, distinct booming of her long
twenty-fours—and more than all, the inky hue of the sky, in the
background, brought out into the boldest relief, by the light of her
guns, made up a picture of gloomy grandeur, which the imagination can
compare to nothing, except the fitful, ghastly gleams of light shooting
across the darkness of that infernal realm, which Dante has painted with
his pen of horror. While, however, I was gazing awe-struck, on this
scene, I noticed that the dark bank of clouds behind the frigate, was
visibly in motion, rolling up towards us. Our superior officer had,
perhaps, noticed the same phenomenon, and knowing what it portended, had
remained by his antagonist, when otherwise, our only chance of escape
would have been in an early flight. Some of the older tars now perceived
the approaching tempest, and paused instantaneously from the combat.
Indeed, not a moment was to be lost. I had scarcely time to look once
more in the direction of the other frigates, and then turn again to the
westward, before our antagonist in that quarter, was completely shut in
by the squall. The wind had, meantime, died away, leaving us rocking
unquietly in the swell. A pause of a minute ensued, a pause of the most
breathless suspense. The men had instinctively left their guns, and
stood awaiting the directions of their leaders to whom they looked in
this emergency. We were happily nearly before the wind, which could now
be seen lashing the foam from the billows, and driving down upon us with
the speed of a race-horse. Another instant and the squall would be upon
us. All this, however, had passed, in less time than is occupied in the
relation, for scarcely a minute had elapsed, since I first saw the
approaching squall, before Captain Smythe shouted,

“Stand by to clew down—quick there all!”

The command was not an instant too soon. His opening words were heard
distinctly in the boding calm that preceded the squall, but the
concluding sentence was lost in the hissing and roaring of the hurricane
that now swept across our decks. The captain saw that it was useless to
attempt to speak in the uproar, and waving his hand for the
quartermaster to keep her away, while the men instinctively clewed down
the topsail-yards, and hauled out the reef-tackles, he awaited the
subsidence of the squall. For five minutes we went skimming before the
tempest, like a snow-flake in a storm. On—on—on, we drove, the fine
spray hissing past us on the gale, and the shrill scream of the wind
through our hamper deafening our ears. Whither we were going, or what
perils might meet us in our mad career, we knew not. We were flying
helplessly onward, enclosed by the mist, at the mercy of the winds. Even
if the intensity of the squall would have allowed us to bring by the
wind and reef, prudence would dictate that we should run before the
hurricane, as the only chance of escaping from the clutches of our foes.
Yet, surrounded as we were by the merchantmen of the fleet, we knew not
but the next moment, we might run down some luckless craft, and perhaps
by the collision, sink both them and ourselves.

For nearly half an hour we drove thus before the hurricane. More than
once we fancied that we heard the shrieks of drowning men, rising high
over all the uproar of the tempest, but whether they were in reality the
cries of the dying or only the sounds created by an overheated
imagination and having no existence except in the brain of the hearer,
God only knows! A thousand ships might have sunk within a cable’s length
of us, and not a prayer of the sufferers, not a shriek of despair have
met our ears. There was a fearfulness in that palpable darkness, which
struck the most veteran heart with an awe akin to fear. When men can
look abroad and see the real extent of the peril which surrounds them
they can dare almost anything; but when surrounded by darkness their
imaginations conjure up dangers in every strange intonation of the
tempest, in every new outbreak of the surge. They tremble at what they
cannot behold; in the language of the scripture “their joints are loosed
with fear.”

At length the fury of the squall began to subside, and the dark bank of
clouds which had encircled us, undulated, rolled to and fro, and finally
flew in ragged vapors away, flitting wildly past the stars that once
more twinkled in the sky. As the prospect brightened, we looked eagerly
around to see what damage the squall had occasioned. The fleet was
scattered hither and thither over the horizon, torn, shattered,
dismantled, powerless. Far up in the quarter from whence the hurricane
had burst could be faintly seen the body of the convoy; but on every
hand around some of the less fortunate ships were discoverable. Whether,
however, most of the merchantmen had attempted to lie-to, or whether we
had scudded before the gale with a velocity which none could rival, it
was evident that we had passed away like a thunderbolt from the rest of
the fleet, leaving them at a hopeless distance astern.

Owing to the rapidity with which our canvass had been got in, we
suffered no material injury; and, when the gale subsided and the wind
came out again from the north, we lost no time in hauling up and getting
the weather-gauge of the convoy. The ship was put once more in trim—the
crew then turned in, and the watches were left in undisturbed possession
of the decks. As I stood at my post and watched the bright stars
overhead, shining placidly upon me, or listened to the cry of “All’s
well!” passed from lookout to lookout across the deck, I could not help
contrasting the peace and silence of the scene with the fearful uproar
of the preceding hour.

When morning dawned, not a vestige of the fleet remained on the southern
seaboard. Our anxiety was now turned to the fate of the merchantman we
had captured and that of the prize-crew we had thrown into her. But
toward the afternoon watch, a sail was discovered on the horizon to
windward, and when we had approached within a proper distance we
recognized our prize. Our joy at rejoining may well be imagined.

The prize proved to be laden with a valuable cargo, and, as this was the
first capture of any moment we had made, it raised the spirits of the
men in a commensurate degree. The skipper of the merchantman could never
comprehend the justice of his capture. Like the generals whom Napoleon
has been beating at a later day, he protested that he had been taken
against all the rules of war.

After keeping company with us for a few days, the prize hauled up for
the coast with the intention of going into Newport. We subsequently
learned that she accomplished her aim, but not until she had run the
gauntlet of an English fleet. As for ourselves, we stood towards the
south on the look out for a new prize.

                 *        *        *        *        *




                     A LADY HEARD A MINSTREL SING.


                                BALLAD.

                  THE POETRY BY T. HAYNES BAYLY, ESQ.

                       THE MUSIC BY J. P. KNIGHT.

          _Philadelphia_: John F. Nunns, _184 Chesnut Street_.


[Illustration: musical score]

[Illustration: musical score]

    A Lady heard a Minstrel sing,
      One night beneath her bower,
    In wrath she cried, “oh! what can bring
      A stranger at this hour?”
    She clos’d the casement,— veil’d the lamp,
      The Minstrel paus’d in sorrow,
    Yet said, “tho’ now I must decamp,
      I’ll try again to-morrow.”

    The minstrel came again next night,
      The lady was not sleeping!
    She slily (tho’ she veil’d the light)
      Was thro’ her casement peeping.
    She heard him fondly breathe her name,
      Then saw him go with sorrow;
    And cried, “I wonder whence he came?
      Perhaps he’ll come to-morrow.”

    Again she heard the sweet guitar,—
      But soon the song was broken:
    Tho’ songs are sweet, oh! sweeter far
      Are words in kindness spoken:
    She loves him for himself alone,
      Disguise no more he’ll borrow,
    The minstrel’s rank at length is known,—
      She’ll grace a court to-morrow.

                 *        *        *        *        *




                          REVIEW OF NEW BOOKS.


    _Charles O’Malley, The Irish Dragoon. By Harry Lorrequer. With
    Forty Illustrations by Phiz. Complete in One Volume. Carey &
    Hart: Philadelphia._

The first point to be observed in the consideration of “Charles
O’Malley” is the great _popularity_ of the work. We believe that in this
respect it has surpassed even the inimitable compositions of Mr.
Dickens. At all events it has met with a most extensive sale; and,
although the graver journals have avoided its discussion, the ephemeral
press has been nearly if not quite unanimous in its praise. To be sure,
the commendation, although unqualified, cannot be said to have abounded
in specification, or to have been, in any regard, of a satisfactory
character to one seeking precise ideas on the topic of the book’s
particular merit. It appears to us, in fact, that the cabalistical words
“fun,” “rollicking” and “devil-may-care,” if indeed words they be, have
been made to stand in good stead of all critical comment in the case of
the work now under review. We first saw these dexterous expressions in a
fly-leaf of “Opinions of the Press” appended to the renowned “Harry
Lorrequer” by his publisher in Dublin. Thence transmitted, with
complacent echo, from critic to critic, through daily, weekly and
monthly journals without number, they have come at length to form a
pendant and a portion of our author’s celebrity—have come to be
regarded as sufficient response to the few ignoramuses who, obstinate as
ignorant, and fool-hardy as obstinate, venture to propound a question or
two about the true claims of “Harry Lorrequer” or the justice of the
pretensions of “Charles O’Malley.”

We shall not insult our readers by supposing any one of them unaware of
the fact, that a book may be even exceedingly _popular_ without _any_
legitimate literary merit. This fact can be proven by numerous examples
which, now and here, it will be unnecessary and perhaps indecorous to
mention. The dogma, then, is absurdly false, that the popularity of a
work is _primâ facie_ evidence of its excellence in some respects; that
is to say, the dogma is false if we confine the meaning of excellence
(as here of course it must be confined) to excellence in a literary
sense. The truth is, that the popularity of a book is _primâ facie_
evidence of just the converse of the proposition—it is evidence of the
book’s _demerit_, inasmuch as it shows a “stooping to conquer”—inasmuch
as it shows that the author has dealt largely, if not altogether, in
matters which are susceptible of appreciation by the mass of mankind—by
uneducated thought, by uncultivated taste, by unrefined and unguided
passion. So long as the world retains its present point of civilization,
so long will it be almost an axiom that no extensively _popular_ book,
in the right application of the term, can be a work of high merit, _as
regards those particulars of the work which are popular_. A book may be
readily sold, may be universally read, for the sake of some half or
two-thirds of its matter, which half or two-thirds may be susceptible of
popular appreciation, while the one-half or one-third remaining may be
the delight of the highest intellect and genius, and absolute _caviare_
to the rabble. And just as

        _Omne tulit punctum qui miscuit utile dulci_,

so will the writer of fiction, who looks most sagaciously to his own
_interest_, combine all votes by intermingling with his loftier efforts
such amount of less ethereal matter as will give general currency to his
composition. And here we shall be pardoned for quoting some observations
of the English artist, H. Howard. Speaking of _imitation_, he says:

    The pleasure which results from it, even when employed upon the
    most ordinary materials, will always render that property of our
    art the most attractive with the majority, because it may be
    enjoyed with the least mental exertion. _All_ men are in some
    degree judges of it. The cobbler in his own line may criticize
    Apelles; and popular opinions are never to be wholly disregarded
    concerning that which is addressed to the public—who, to a
    certain extent, are generally right; although as the language of
    the refined can never be intelligible to the uneducated, so the
    higher styles of art can never be acceptable to the multitude.
    In proportion as a work rises in the scale of intellect, it must
    necessarily become limited in the number of its admirers. For
    this reason the judicious artist, even in his loftiest efforts,
    will endeavor to introduce some of those qualities which are
    interesting to all, as a passport for those of a more
    intellectual character.

And these remarks upon painting—remarks which are mere truisms in
themselves—embody nearly the whole _rationale_ of the topic now under
discussion. It may be added, however, that the _skill_ with which the
author addresses the lower taste of the populace, is often a source of
pleasure because of admiration, to a taste higher and more refined, and
may be made a point of comment and of commendation by the critic.

In our review, last month, of “Barnaby Rudge,” we were prevented,
through want of space, from showing how Mr. Dickens had so well
succeeded in uniting all suffrages. What we have just said, however,
will suffice upon this point. While he has appealed, in innumerable
regards, to the most exalted intellect, he has meanwhile invariably
touched a certain string whose vibrations are omni-prevalent. We allude
to his powers of _imitation_—that species of imitation to which Mr.
Howard has reference—the _faithful_ depicting of what is called
still-life, and particularly of _character_ in humble condition. It is
his close observation and imitation of nature here which have rendered
him popular, while his higher qualities, with the ingenuity evinced in
addressing the general taste, have secured him the good word of the
informed and intellectual.

But this is an important point upon which we desire to be distinctly
understood. We wish here to record our positive dissent (be that dissent
worth what it may) from a very usual opinion—the opinion that Mr.
Dickens has done justice to his own genius—that any man ever failed to
do grievous wrong to his own genius—in appealing to the popular
judgment _at all_. As a matter of pecuniary policy alone, is any such
appeal defensible. But we speak, of course, in relation to fame—in
regard to that

          ——spur which the true spirit doth raise
        To scorn delight and live laborious days.

That a perfume should be found by any “true spirit” in the incense of
mere popular applause, is, to our own apprehension at least, a thing
inconceivable, inappreciable,—a paradox which gives the lie unto
itself—a mystery more profound than the well of Democritus. Mr. Dickens
has no more business with the rabble than a seraph with a _chapeau de
bras_. What’s Hecuba to him or he to Hecuba? What is he to Jacques
Bonhomme[3] or Jacques Bonhomme to him? The higher genius is a rare gift
and divine. Ὡπόλλων ου παντι φαεινεται, ος μιν ιδη, μεγας ουτος—not to
all men Apollo shows himself; _he_ is _alone great_ who beholds him.[4]
And his greatness has its office God-assigned. But that office is not a
low communion with low, or even with ordinary intellect. The holy—the
electric spark of genius is the medium of intercourse between the noble
and more noble mind. For lesser purposes there are humbler agents. There
are puppets enough, able enough, willing enough, to perform in
literature the little things to which we have had reference. For one
Fouqué there are fifty Molières. For one Angelo there are five hundred
Jan Steens. For one Dickens there are five million Smolletts, Fieldings,
Marryatts, Arthurs, Cocktons, Bogtons and Frogtons.

It is, in brief, the duty of all whom circumstances have led into
criticism—it is, at least, a duty from which _we_ individually shall
never shrink—to uphold the true dignity of genius, to combat its
degradation, to plead for the exercise of its powers in those bright
fields which are its legitimate and peculiar province, and which for it
alone lie gloriously outspread.

But to return to “Charles O’Malley,” and its popularity. We have
endeavored to show that this latter must not be considered in any degree
as the measure of its merit, but should rather be understood as
indicating a deficiency in this respect, when we bear in mind, as we
should do, the highest aims of intellect in fiction. A slight
examination of the work, (for in truth it is worth no more,) will
sustain us in what we have said. The plot is exceedingly meagre. Charles
O’Malley, the hero, is a young orphan Irishman, living in Galway county,
Ireland, in the house of his uncle, Godfrey, to whose sadly encumbered
estates the youth is heir apparent and presumptive. He becomes
enamoured, while on a visit to a neighbor, of Miss Lucy Dashwood, and
finds a rival in a Captain Hammersley. Some words carelessly spoken by
Lucy, inspire him with a desire for military renown. After sojourning,
therefore, for a brief period, at Dublin University, he obtains a
commission and proceeds to the Peninsula, with the British army under
Wellington. Here he distinguishes himself; is promoted; and meets
frequently with Miss Dashwood, whom obstinately, and in spite of the
lady’s own acknowledgment of love for himself, he supposes in love with
Hammersley. Upon the storming of Ciudad Rodrigo he returns home; finds
his uncle, of course, _just_ dead; and sells his commission to
disencumber the estate. Presently Napoleon escapes from Elba, and our
hero, obtaining a staff appointment under Picton, returns to the
Peninsula, is present at Waterloo, (where Hammersley is killed) saves
the life of Lucy’s father, for the second time, as he has already twice
saved that of Lucy herself; is rewarded by the hand of the latter; and,
making his way back to O’Malley Castle, “lives happily all the rest of
his days.”

In and about this plot (if such it may be called) there are more
absurdities than we have patience to enumerate. The author, or narrator,
for example, is supposed to be Harry Lorrequer as far as the end of the
preface, which by the way, is one of the best portions of the book.
O’Malley then tells his own story. But the publishing office of the
“Dublin University Magazine” (in which the narrative originally
appeared) having been burned down, there ensues a sad confusion of
identity between O’Malley and Lorrequer, so that it is difficult, for
the nonce, to say which is which. In the want of copy consequent upon
the disaster, James, the novelist, comes in to the relief of Lorrequer,
or perhaps of O’Malley, with one of the flattest and most irrelevant of
love-tales. Meantime, in the story proper are repetitions without end.
We have already said that the hero _saves the life of his mistress
twice, and of her father twice_. But not content with this, he has _two_
mistresses, and _saves the life of both, at different periods, in
precisely the same manner_—that is to say, by causing his horse, in
each instance, to perform a Munchausen side-leap, at the moment when a
spring forward would have impelled him upon his beloved. And then we
have one unending, undeviating succession of junketings, in which
“devilled kidneys” are never by any accident found wanting. The unction
and pertinacity with which the author discusses what he chooses to
denominate “devilled kidneys” are indeed edifying, to say no more. The
truth is, that drinking wine, telling anecdotes, and devouring “devilled
kidneys” may be considered as the sum total, as the _thesis_ of the
book. Never in the whole course of his eventful life, does Mr. O’Malley
get “two or three assembled together” without seducing them forthwith to
a table, and placing before them a dozen of wine and a dish of “devilled
kidneys.” This accomplished, the parties begin what seems to be the
business of the author’s existence—the narration of unusually _broad
tales_—like those of the Southdown mutton. And here, in fact, we have
the _plan_ of that whole work of which the “United Service Gazette” has
been pleased to vow it “would rather be the author than of all the
‘Pickwicks’ and ‘Nicklebys’ in the world”—a sentiment which we really
blush to say has been echoed by many respectable members of our own
press. The general plot or narrative is a mere thread upon which
after-dinner anecdotes, some good, some bad, some utterly worthless, and
_not one truly original_, are strung with about as much method, and
about half as much dexterity, as we see ragged urchins employ in
stringing the kernels of nuts.

It would, indeed, be difficult to convey to one who has not examined
this production for himself, any idea of the exceedingly rough, clumsy,
and inartistical manner in which even this bald conception is carried
out. The stories are absolutely dragged in by the ears. So far from
finding them result naturally or plausibly from the conversation of the
interlocutors, even the blindest reader may perceive the author’s
struggling and blundering effort to introduce them. It is rendered quite
evident that they were originally “on hand,” and that “O’Malley” has
been concocted for their introduction. Among other _niaïseries_ we
observe the silly trick of whetting appetite by delay. The conversation
over the “kidneys” is brought, for example, to such a pass that one of
the speakers is called upon for a story, which he forthwith declines for
any reason, or for none. At a subsequent “broil” he is again pressed,
and again refuses, and it is not until the reader’s patience is fairly
exhausted, and he has consigned both the story and its author to Hades,
that the gentleman in question is prevailed upon to discourse. The only
conceivable result of this _fanfarronade_ is the ruin of the tale when
told, through exaggerating anticipation respecting it.

The anecdotes thus narrated being the staple of the book, and the
awkward manner of their interlocution having been pointed out, it but
remains to be seen what the anecdotes are, in themselves, and what is
the merit of their narration. And here, let it not be supposed that we
have any design to deprive the devil of his due. There are several very
excellent anecdotes in “Charles O’Malley” very cleverly and pungently
told. Many of the scenes in which Monsoon figures are rich—less,
however, from the scenes themselves than from the piquant, but by no
means original character of Monsoon—a drunken, maudlin, dishonest old
Major, given to communicativeness and mock morality over his cups, and
not over careful in detailing adventures which tell against himself. One
or two of the college pictures are unquestionably good—but might have
been better. In general, the reader is made to feel that fine subjects
have fallen into unskilful hands. By way of instancing this assertion,
and at the same time of conveying an idea of the tone and character of
the stories, we will quote one of the shortest, and assuredly one of the
best.

    “Ah, by-the-by, how’s the Major?”

    “Charmingly: only a little bit in a scrape just now. Sir
    Arthur—Lord Wellington, I mean—had him up for his fellows
    being caught pillaging, and gave him a devil of a rowing a few
    days ago.

    “‘Very disorderly corps yours, Major O’Shaughnessy,’ said the
    general; ‘more men up for punishment than any regiment in the
    service.’

    “Shaugh muttered something, but his voice was lost in a loud
    cock-a-doo-doo-doo, that some bold chanticleer set up at the
    moment.

    “‘If the officers do their duty Major O’Shaughnessy, these acts
    of insubordination do not occur.’

    “‘Cock-a-doo-doo-doo,’ was the reply. Some of the staff found it
    hard not to laugh; but the general went on—

    “‘If, therefore, the practice does not cease, I’ll draft the men
    into West India regiments.’

    “‘Cock-a-doo-doo-doo!’

    “‘And if any articles pillaged from the inhabitants are detected
    in the quarters, or about the persons of the troops—’

    “‘Cock-a-doo-doo-_doo_!’ screamed louder here than ever.

    “‘Damn that cock—where is it?’

    “There was a general look around on all sides, which seemed in
    vain; when a tremendous repetition of the cry resounded from
    O’Shaughnessy’s coat-pocket: thus detecting the valiant Major
    himself in the very practice of his corps. There was no standing
    this: every one burst out into a peal of laughter; and Lord
    Wellington himself could not resist, but turned away, muttering
    to himself as he went—‘Damned robbers every man of them,’ while
    a final war-note from the Major’s pocket closed the interview.”

Now this is an anecdote at which every one will laugh; but its effect
might have been vastly heightened by putting a few words of grave
morality and reprobation of the conduct of his troops, into the mouth of
O’Shaughnessy, upon whose character they would have told well. The cock,
in interrupting the thread of his discourse, would thus have afforded an
excellent context. We have scarcely a reader, moreover, who will fail to
perceive the want of _tact_ shown in dwelling upon the _mirth_ which the
anecdote occasioned. The error here is precisely like that of a man’s
laughing at his own spoken jokes. Our author is uniformly guilty of this
mistake. He has an absurd fashion, also, of informing the reader, at the
conclusion of each of his anecdotes, that, however good the anecdote
might be, he (the reader) cannot enjoy it to the full extent in default
of the _manner_ in which it was orally narrated. He has no business to
say anything of this kind. It is his duty to convey the manner not less
than the matter of his narratives.

But we may say of these latter that, in general, they have the air of
being _remembered_ rather than invented. No man who has seen much of the
rough life of the camp will fail to recognize among them many very old
acquaintances. Some of them are as ancient as the hills, and have been,
time out of mind, the common property of the bivouac. They have been
narrated orally all the world over. The chief merit of the writer is,
that he has been the first to collect and to print them. It is
observable, in fact, that the second volume of the work is very far
inferior to the first. The author seems to have exhausted his whole
hoarded store in the beginning. His conclusion is barren indeed, and but
for the historical details (for which he has no claim to merit) would be
especially prosy and dull. _Now the true invention never exhausts
itself._ It is mere cant and ignorance to talk of the possibility of the
really imaginative man’s “writing himself out.” His soul but derives
nourishment from the streams that flow therefrom. As well prate about
the aridity of the eternal ocean εξ ουπερ παντες ποταμοι. So long as the
universe of thought shall furnish matter for novel combinations, so long
will the spirit of true genius be original, be exhaustless—be itself.

A few cursory observations. The book is filled to over-flowing with
songs of very doubtful excellence, the most at which are put into the
mouth of one Micky Free, an amusing Irish servant of O’Malley’s, and are
given as his impromptu effusions. The subject of the improvisos is
always the matter in hand at the moment of composition. The author
evidently prides himself upon his poetical powers, about which the less
we say the better; but if anything were wanting to assure us of his
absurd ignorance and inappreciation of Art, we should find the fullest
assurance in the mode in which these doggrel verses are introduced.

The occasional sentiment with which the volumes are interspersed there
is an absolute necessity for skipping.

Can anybody tell us what is meant by the affectation of the word
_L’envoy_ which is made the heading of two prefaces?

That portion of the account of the battle of Waterloo which gives
O’Malley’s experiences while a prisoner, and in close juxta-position to
Napoleon, bears evident traces of having been translated, and very
literally too, from a French manuscript.

The English of the work is sometimes even amusing. We have continually,
for example, _eat_, the present, for _ate_, the perfect—see page 17. At
page 16, we have this delightful sentence—“Captain Hammersley, however,
_never_ took further notice of me, but continued to recount, for the
amusement of those _about_, several excellent stories of his military
career, which I confess were heard with every _test_ of delight by all
save me.” At page 357 we have some sage talk about “the entire of the
army;” and at page 368, the accomplished O’Malley speaks of “_drawing_ a
last look upon his sweetheart.” These things arrest our attention as we
open the book at random. It abounds in them, and in vulgarisms even much
worse than they.

But why speak of vulgarisms of language? There is a disgusting vulgarism
of thought which pervades and contaminates this whole production, and
from which a delicate or lofty mind will shrink as from a pestilence.
Not the least repulsive manifestation of this leprosy is to be found in
the author’s blind and grovelling worship of mere rank. Of the Prince
Regent, that filthy compound of all that is bestial—that lazar-house of
all moral corruption—he scruples not to speak in terms of the grossest
adulation—sneering at Edmund Burke in the same villainous breath in
which he extols the talents, the graces and _the virtues_ of George the
Fourth! That any man, to-day, can be found so degraded in heart as to
style this reprobate, “one who, in every feeling of his nature, and in
every feature of his deportment was every inch a prince”—is matter for
grave reflection and sorrowful debate. The American, at least, who shall
peruse the concluding pages of the book now under review, and not turn
in disgust from the base sycophancy which infects them, is unworthy of
his country and his name. But the truth is, that a gross and contracted
soul renders itself unquestionably manifest in almost every line of the
composition.

And this—_this_ is the _work_, in respect to which its author, aping
the airs of intellect, prates about his “haggard cheek,” his “sunken
eye,” his “aching and tired head,” his “nights of toil” and (Good
Heavens!) his “days of _thought_!” That the thing is popular we
grant—while that we cannot deny the fact, we grieve. But the career of
true taste is onward—and now more vigorously onward than ever—and the
period, perhaps, is not hopelessly distant, when, in decrying the mere
balderdash of such matters as “Charles O’Malley,” we shall do less
violence to the feelings and judgment even of the populace, than, we
much fear, has been done to-day.

-----

[3] Nickname for the populace in the middle ages

[4] Callimachus—_Hymn to Apollo_.

                 *        *        *        *        *

    _Ballads and other Poems. By Henry Wadsworth Longfellow, Author
    of “Voices of the Night,” “Hyperion,” etc.: Second Edition. John
    Owen: Cambridge._

“_Il y a à parier_,” says Chamfort, “_que toute idée publique, toute
convention reçue, est une sottise, car elle a convenue au plus grand
nombre_.”—One would be safe in wagering that any given public idea is
erroneous, for it has been yielded to the clamor of the majority;—and
this strictly philosophical, although somewhat French assertion has
especial bearing upon the whole race of what are termed maxims and
popular proverbs; nine-tenths of which are the quintessence of folly.
One of the most deplorably false of them is the antique adage, _De
gustibus non est disputandum_—there should be no disputing about taste.
Here the idea designed to be conveyed is that any one person has as just
right to consider his own taste _the true_, as has any one other—that
taste itself, in short, is an arbitrary something, amenable to no law,
and measurable by no definite rules. It must be confessed, however, that
the exceedingly vague and impotent treatises which are alone extant,
have much to answer for as regards confirming the general error. Not the
least important service which, hereafter, mankind will owe to
_Phrenology_, may perhaps, be recognised in an analysis of the real
principles, and a digest of the resulting laws of taste. These
principles, in fact, are as clearly traceable, and these laws as readily
susceptible of system as are any whatever.

In the meantime, the inane adage above mentioned is in no respect more
generally, more stupidly, and more pertinaciously quoted than by the
admirers of what is termed the “good old Pope,” or the “good old
Goldsmith school” of poetry, in reference to the bolder, more natural,
and _more ideal_ compositions of such authors as Coëtlogon and
Lamartine[5] in France; Herder, Körner, and Uhland in Germany; Brun and
Baggesen in Denmark; Bellman, Tegnér, and Nyberg[6] in Sweden; Keats,
Shelley, Coleridge, and Tennyson in England; Lowell and Longfellow in
America. “_De gustibus non_,” say these “good-old-school” fellows; and
we have no doubt that their mental translation of the phrase is—“We
pity your taste—we pity every body’s taste but our own.”

It is our purpose, hereafter, when occasion shall be afforded us, to
controvert in an article of some length, the popular idea that the poets
just mentioned owe to novelty, to trickeries of expression, and to other
meretricious effects, their appreciation by certain readers:—to
demonstrate (for the matter is susceptible of demonstration) that such
poetry and _such alone_ has fulfilled the legitimate office of the muse;
has thoroughly satisfied an earnest and unquenchable desire existing in
the heart of man. In the present number of our Magazine we have left
ourselves barely room to say a few random words of welcome to these
“Ballads,” by Longfellow, and to tender him, and all such as he, the
homage of our most earnest love and admiration.

The volume before us (in whose outward appearance the keen “taste” of
genius is evinced with nearly as much precision as in its internal soul)
includes, with several brief original pieces, a translation from the
Swedish of Tegnér. In attempting (what never should be attempted) a
literal version of both the words and the metre of this poem, Professor
Longfellow has failed to do justice either to his author or himself. He
has striven to do what no man ever did well and what, from the nature of
language itself, never _can_ be well done. Unless, for example, we shall
come to have an influx of _spondees_ in our English tongue, it will
always be impossible to construct an English hexameter. Our spondees,
or, we should say, our spondaic words, are rare. In the Swedish they are
nearly as abundant as in the Latin and Greek. We have only “_compound_,”
“_context_,” “_footfall_,” and a few other similar ones. This is the
difficulty; and that it _is_ so will become evident upon reading “The
Children of the Lord’s Supper,” where the sole _readable_ verses are
those in which we meet with the rare spondaic dissyllables. We mean to
say _readable as Hexameters_; for many of them will read very well as
mere English Dactylics with certain irregularities.

But within the narrow compass now left us we must not indulge in
anything like critical comment. Our readers will be better satisfied
perhaps with a few brief extracts from the original poems of the
volume—which we give for their rare excellence, without pausing now to
say in what particulars this excellence exists.

        And, like the water’s flow
        Under December’s snow
        Came a dull voice of woe,
          From the heart’s chamber.

        So the loud laugh of scorn,
        Out of those lips unshorn
        From the deep drinking-horn
          Blew the foam lightly.

        As with his wings aslant
        Sails the fierce cormorant
        Seeking some rocky haunt,
          With his prey laden,
        So toward the open main,
        Beating to sea again,
        Through the wild hurricane,
          Bore I the maiden.

        Down came the storm and smote amain
          The vessel in its strength;
        She shuddered and paused like a frighted steed
          Then leaped her cable’s length.

          She drifted a dreary wreck,
        And a whooping billow swept the crew
          Like icicles from her deck.

        He hears the parson pray and preach,
          He hears his daughter’s voice,
        Singing in the village choir,
          And it makes his heart rejoice.
        It sounds to him like her mother’s voice
          Singing in Paradise!
        He needs must think of her once more
          How in the grave she lies;
        And with his hard rough hand he wipes
          A tear out of his eyes.

        Thus at the flaming forge of life
          Our fortunes must be wrought;
        Thus on its sounding anvil shaped
          Each burning deed and thought.

        The rising moon has hid the stars
        Her level rays like golden bars
          Lie on the landscape green
          With shadows brown between.

        Love lifts the boughs whose shadows deep
        Are life’s oblivion, the soul’s sleep,
          And kisses the closed eyes
          Of him who slumbering lies.

        Friends my soul with joy remembers!
          How like quivering flames they start,
        When I fan the living embers
          On the hearth-stone of my heart.

        Hearest thou voices on the shore,
        That our ears perceive no more
        Deafened by the cataract’s roar?

        And from the sky, serene and far,
        A voice fell like a falling star.

Some of these passages cannot be fully appreciated apart from the
context—but we address these who have read the book. Of the
translations we have not spoken. It is but right to say, however, that
“The Luck of Edenhall” is a far finer poem, in every respect, than any
of the original pieces. Nor would we have our previous observations
misunderstood. Much as we admire the genius of Mr. Longfellow, we are
fully sensible of his many errors of affectation and imitation. His
artistical skill is great, and his ideality high. But his conception of
the _aims_ of poesy _is all wrong_; and this we shall prove at some
future day—to our own satisfaction, at least. His didactics are all
_out of place_. He has written brilliant poems—by accident; that is to
say when permitting his genius to get the better of his conventional
habit of thinking—a habit deduced from German study. We do not mean to
say that a didactic moral may not be well made the _under-current_ of a
poetical thesis; but that it can never be well put so obtrusively forth,
as in the majority of his compositions. There is a young American who,
with ideality not richer than that of Longfellow and with less
artistical knowledge, has yet composed far truer poems, merely through
the greater propriety of his themes. We allude to James Russel Lowell;
and in the number of this Magazine for last month, will be found a
ballad entitled “Rosaline,” affording excellent exemplification of our
meaning. This composition has unquestionably its defects, and the very
defects which are never perceptible in Mr. Longfellow—but we sincerely
think that _no American poem equals it_ in the higher elements of song.

-----

[5] We allude here chiefly to the “David” of Coëtlogon, and _only_ to
the “_Chûte d’un Ange_” of Lamartine.

[6] C. Julia Nyberg, author of the “Dikter von Euphrosyne.”

                 *        *        *        *        *

    _The Critical and Miscellaneous Writings of Henry Lord Brougham,
    to which is Prefixed a Sketch of his Character. Two volumes. Lea
    and Blanchard._

That Lord Brougham _was_ an extraordinary man no one in his senses will
deny. An intellect of unusual capacity, goaded into diseased action by
passions nearly ferocious, enabled him to astonish the world, and
especially the “hero-worshippers,” as the author of Sartor-Resartus has
it, by the combined extent and variety of his mental triumphs.
Attempting many things, it may at least be said that he egregiously
failed in none. But that he pre-eminently excelled in any cannot be
affirmed with truth, and might well be denied _à priori_. We have no
faith in admirable Crichtons, and this merely because we have implicit
faith in Nature and her laws. “He that is born to be a man,” says
Wieland, in his ‘Peregrinus Proteus,’ “neither should nor can be
anything nobler, greater, nor better than a man.” The Broughams of the
human intellect are never its Newtons or its Bayles. Yet the
contemporaneous reputation to be acquired by the former is naturally
greater than any which the latter may attain. The versatility of one
whom we see and hear is a more dazzling and more readily appreciable
merit than his profundity; which latter is best estimated in the silence
of the closet, and after the quiet lapse of years. What impression Lord
Brougham has stamped upon his age, cannot be accurately determined until
Time has fixed and rendered definite the lines of the medal; and fifty
years hence it will be difficult, perhaps, even to make out the deepest
indentations of the _exergue_. Like Coleridge he should be regarded as
one who might have done much, had he been satisfied with attempting but
little.

The title of the book before us is, we think, somewhat disingenuous.
These two volumes contain but a small portion of the “Critical and
Miscellaneous Writings” of Lord Brougham; and the preface itself assures
us that what is here published _forms only a part of his anonymous
contributions to the Edinburgh Review_. In fact three similar selections
from his “Miscellaneous Works” have been given to the world within a
year or two past, by Philadelphian publishers, and neither of these
selections embrace any of the matter now issued.

The present volumes, however, are not the less valuable on this account.
They contain many of the most noted and some of the best compositions of
the author. Among other articles of interest we have the celebrated
“Discourse on the Objects, Pleasures and Advantages of Science”—a
title, by the way, in which the word “pleasures” is one of the purest
supererogation. That this discourse is well written, we, of course,
admit, since we do not wish to be denounced as blockheads; but we beg
leave to disagree, most positively, with the Preface, which asserts that
“there was only one individual living by whom it could have been
produced.” This round asseveration will only excite a smile upon the
lips of every man of the slightest pretension to scientific acquirement.
We are personally acquainted with at least a dozen individuals who could
have written this treatise _as well_ as the Lord Chancellor has written
it. In fact, a discourse of this character is by no means difficult of
composition—a discourse such as Lord Brougham has given us. His whole
design consists in an unmethodical collection of the most _striking_ and
at the same time the most _popularly comprehensible facts_ in general
science. And it cannot be denied that this plan of demonstrating the
advantages of science as a whole _by detailing insulated specimens of
its interest_ is a most unphilosophical and inartistical mode of
procedure—a mode which even puts one in mind of the σκολαστικος
offering a brick as a sample of the house he wished to sell. Neither is
the essay free (as should be imperatively demanded in a case of this
nature) from very gross error and mis-statement. Its style, too, in its
minor points, is unusually bad. The strangest grammatical errors abound,
of which the initial pages are especially full, and the whole is
singularly deficient in that precision which should characterise a
scientific discourse. In short, it is an entertaining essay, but in some
degree superficial and quackish, and could have been _better_ written by
any one of a multitude of living _savans_.

There is a very amusing paper, in this collection, upon the authorship
of Junius. We allude to it, now especially, by way of corroborating what
we said, in our January number, touching the ordinary character of the
English review-system. The article was furnished the Edinburgh Quarterly
by its author, who, no doubt, received for it a very liberal
compensation. It is, nevertheless, one of the most barefaced impositions
we ever beheld; being nothing in the world more than a tame
_compendium_, fact by fact, of the book under discussion—“The Identity
of Junius with a Distinguished Living Character Established.” There is
no attempt at analysis—no new fact is adduced—no novel argument is
urged—and yet the thing is called a criticism and liberally paid for as
such. The secret of this style of Review-making is that of mystifying
the reader by an artful substitution of the interest appertaining to the
text for interest aroused by the commentator.

                 *        *        *        *        *

    _Pantology; or a systematic survey of Human Knowledge; Proposing
    a Classification of all its branches, and illustrating their
    History, Relations, Uses, and Objects; with a Synopsis of their
    leading Facts and Principles; and a Select Catalogue of Books on
    all Subjects, suitable for a Cabinet Library. The whole designed
    as a Guide to Study for advanced Students in Colleges,
    Academies, and Schools; and as a popular Directory in
    Literature, Science and the Arts. Second Edition. By Roswell
    Park, A. M., Professor of Natural Philosophy and Chemistry in
    the University of Pennsylvania, &c. Hogan and Thompson:
    Philadelphia._

The title of this work explains its nature with accuracy. To human
knowledge in general, it is what a map of the world is to geography. The
design is chiefly, _to classify_, and thus present a dependent and
clearly discernible whole. To those who have paid much attention to
Natural History and the endless, unstable, and consequently vexatious
classifications which there occur—to those, in especial, who have
labored over the “Conchologies” of De Blainville and Lamarck, some
faint—some very faint idea of the difficulties attending such a labor
as this, will occur. There have been numerous prior attempts of the same
kind, and although this is unquestionably _one_ of the best, we cannot
regard it as the best. Mr. Park has chosen a highly artificial scheme of
arrangement; and both reason and experience show us that _natural_
classifications, or those which proceed upon broad and immediately
recognisable distinctions, are alone practically or permanently
successful. We say this, however, with much deference to the opinions of
a gentleman, whose means of acquiring _knowledge_, have been equalled
only by his zeal in its pursuit, and whose general talents we have had
some personal opportunity of estimating.

We mean nothing like criticism in so brief a paragraph as we can here
afford, upon a work so voluminous and so important as the one before us.
Our design is merely to call the attention of our friends to the
publication—whose merits are obvious and great. Its defects are, of
course, numerous. We mean rather to say, that in every work of this
nature, it is in the power of almost every reader to suggest a thousand
emendations. We might object to many of the details. We _must_ object to
nearly all of the belles-lettres portion of the book. We cannot stand
being told, for example, that “Barlow’s ‘Columbiad’ is a poem of
considerable merit;” nor are we rendered more patient under the
infliction of this and similar opinions, by the information that Vander
Vondel and Vander Doos (the deuce!) wrote capital Dutch epics, while
“the poems of Cats are said to be spirited and _pious_!” We know nothing
about cats, nor cats about piety.

The volume is sadly disfigured by typographical errors. On the
title-page of the very first “province” is a blunder in Greek.

                 *        *        *        *        *

    _The Student-Life of Germany: By William Howitt, Author of the
    “Rural Life of England,” “Book of the Seasons,” etc. From the
    unpublished MS. of Dr. Cornelius. Containing nearly Forty of the
    most Famous Student Songs. Carey & Hart: Philadelphia._

Mr. Howitt has here given us the only complete and faithful account of
the Student-Life of Germany which has appeared in any quarter of the
world. The institutions and customs which his book describes, form, to
use his own language, “the most singular state of social existence to be
found in the bosom of civilized Europe,” and are doubly curious and
worthy of investigation—first, on account of the jealousy with which
the students have hitherto withheld all information on the subject, and
secondly, on account of the deep root which the customs themselves have
taken in the heart of the German life. The Burschendom, of which we have
all heard so much, yet so vaguely, is no modern or evanescent
eccentricity; but a matter of firm and reverent faith coeval with the
universities; and this faith is now depicted, _con amore_, and with
knowledge, by a German who has himself felt and confessed it. To the
philosopher, to the man of the world, and especially, to the man of
imagination, this beautiful volume will prove a rare treat. Its
_novelty_ will startle all.

                 *        *        *        *        *

    _Lectures on Modern History, from the Irruption of the Northern
    Nations to the Close of the American Revolution. By William
    Smyth, Professor of Modern History in the University of
    Cambridge. Two volumes. From the Second London Edition, with a
    Preface, List of Books on American History, etc. By Jared
    Sparks, L. L. D., Professor of Ancient and Modern History in
    Harvard University. John Owen: Cambridge._

Professor Smyth’s system of history is remarkable, if not peculiar. He
selects certain periods, and groups around them individually those
events to which they have closest affinity not only in time, but
character. The effect is surprising through its force and perspicuity.
The name of Professor Sparks would be alone sufficient to recommend
these volumes—but in themselves they are a treasure.

                 *        *        *        *        *

    _First Book of Natural History, Prepared for the Use of Schools
    and Colleges. By W. S. W. Ruschenberger, M. D., Surgeon in the
    U. S. Navy, &c. &c. From the Text of Milne Edwards & Achille
    Comte, Professors of Natural History in the Colleges of Henri
    IV. and Charlemagne. With Plates. Turner & Fisher:
    Philadelphia._

This little book forms, in the original, the first of a series of First
or Elementary works on Natural History, arranged by Messieurs Edwards
and Comte, two gentlemen distinguished for labors of the kind, and who
enjoy the patronage of the “Royal Council of Public Instruction of
France.” The translator is well known to the reading world, and there
can be no doubt of the value of the publication in its present form.

                 *        *        *        *        *

    _A System of Elocution, with Special Reference to Gesture, to
    the Treatment of Stammering, and Defective Articulation,
    Comprising Numerous Diagrams and Engraved Figures, Illustrative
    of the Subject. By Andrew Comstock, M. D. Published by the
    Author: Philadelphia._

This is, in many respects, an excellent book, although the principal
claim of Dr. Comstock is that of having cleverly compiled. His method of
representing, or notating, the modulations of the speaking voice, is
original, as he himself states, but there is little else which can be
called so. Originality, however, is not what we seek in a school-book,
and this has the merit of tasteful selection and precision of style.

                 *        *        *        *        *

    _Sturmer; A Tale of Mesmerism. To which are added other Sketches
    from Life. By Isabella F. Romer. Two Volumes. Lea & Blanchard:
    Philadelphia._

This work is republished, we presume, not so much on account of its
intrinsic merit, as on account of the present _émeute_ in our immediate
vicinity and elsewhere, on the subject of Animal Magnetism. “Sturmer,”
the principal story, is, nevertheless, well narrated and will do much in
the way of helping unbelief. The minor tales are even beautiful. “The
Mother and Daughter” is exceedingly pathetic.

                 *        *        *        *        *

    _Famous Old People. Being the Second Epoch of Grandfather’s
    Chair. By Nathaniel Hawthorne. Author of “Twice-Told Tales.”
    Boston: Tappan & Dennet._

Mr. Hawthorne has received high praise from men whose opinions we have
been accustomed to respect. Hereafter we shall endeavor to speak of his
tales with that deliberation which is their due. The one now before us
is a simple and pretty story.

                 *        *        *        *        *

    _History of the Life of Richard Cœur de Lion, King of England.
    By G. P. R. James, Esq., author of “Richelieu,” &c. Two volumes.
    New York: I. & H. G. Langley._

We like Mr. James far better as the historian or biographer than as the
novelist. The truth is, it is sheer waste of time to read second-rate
fictions by men of merely imitative talent, when at the same expense of
money and labor we can indulge in the never-failing stream of invention
now poured forth by true genius.

                 *        *        *        *        *

    _The Effinghams; or, Home as I Found it. Two volumes. By the
    author of the “Victim of Chancery,” &c. New York: Samuel
    Colman._

These volumes are satirical and have some fair hits at Mr. Cooper,
against whom they are especially levelled; but we like neither this
design of personal ridicule nor the manner in which it is effected.

                 *        *        *        *        *

    _Organic Chemistry in its Applications to Agriculture and
    Physiology. By Justus Leiby, M. D, &c. Edited from the MS. of
    the Author, by Lyon Playfair, Ph. D. Second American Edition,
    with an Introduction, Notes and Appendix, by John W. Webster, M.
    D., Professor of Chemistry in Harvard University. John Owen:
    Cambridge._

This book excited and still excites great attention in England. It is
needless to speak of its merits, which are well understood by all
students of Physics.

                 *        *        *        *        *

    _Arbitrary Power, Popery, Protestantism; as contained in Nos.
    XV. XVIII. XIX. of the Dublin Review. Philadelphia: M. Fithian._

A republication from the Dublin Review of three able articles in defence
of Catholicism.

                 *        *        *        *        *

    _Second Book of Natural History, Prepared for the Use of Schools
    and Colleges. By W. S. W. Ruschenberger, M. D., &c. From the
    text of Milne Edwards and Achille Comte. With Plates.
    Philadelphia: Turner & Fisher._

We need only say of this volume that it is a combination of the “First
Book” just noticed, although sufficiently distinct in itself.

                 *        *        *        *        *

    _The Amazonian Republic Recently Discovered in the Interior of
    Peru. By Ex-Midshipman Timothy Savage, B. C. New York: Samuel
    Colman._

This is a very passable satirical fiction, in the manner of Gulliver. We
should not be surprised if it were the composition of Dr. Beasely of
this city.

                 *        *        *        *        *

    _St. John Chrysostom, Archbishop of Constantinople: His Life,
    Eloquence and Piety. By W. Joseph Walter, late of St. Edmund’s
    College. Philadelphia: Godey & M^{c}Michael._

An eloquent tribute to the memory of an eloquent and in every respect a
remarkable man.

                 *        *        *        *        *

    _Life in China. The Porcelain Tower; or Nine Stories of China.
    Compiled from Original Sources. By T. T. T. Embellished by J.
    Leech. Lea & Blanchard: Philadelphia._

This is a very clever and amusing _jeu-d’esprit_, in which the oddities,
or what we regard as the oddities of “Life in China,” are divertingly
caricatured. The work is handsomely printed, and the designs by Leech
are well conceived and executed.

                 *        *        *        *        *

    _Select Poems. By Mrs. L. H. Sigourney. Fourth Edition, with
    Illustrations. Edward C. Biddle: Philadelphia._

The publisher, in his preface, states that three editions of this work,
comprising eight thousand copies, have been sold; and of this we are
pleased to hear; but we are not equally pleased with the information
(conveyed also in the preface) that a _new_ set of illustrations is
given. If these “illustrations” are _new_, then “new” has come to be
employed in the sense of “old.” The plates are not only antique but
trashy in other respects. Of the poems themselves we have no space to
speak fully this month. Some of them are excellent; and there are many
which merit no commendation. Mrs. Sigourney deserves much, but by no
means all of the applause which her compositions have elicited.

It would be easy to cite, from the volume now before us, numerous brief
passages of the truest beauty; but we fear that it would be more
difficult to point out an entire poem which would bear examination, _as
a whole_. In the piece entitled “Indian Names,” there are thoughts and
_expression_ which would do honor to any one. We note, also, an
unusually noble idea in the “Death of an Infant.”

                  ——forth from those blue eyes
        There spake a wishful tenderness—a doubt
        Whether to grieve or sleep, which innocence
        Alone may wear.

                 *        *        *        *        *

[Illustration: _Spring Fashions 1842 Latest Style_]

                 *        *        *        *        *

Transcriber’s Notes:

Table of Contents has been added for reader convenience. Archaic
spellings and hyphenation have been retained. Obvious punctuation and
typesetting errors have been corrected without note. Greek phrases in
this ebook contain characters which may not display in some devices
based on the fonts and character sets available.

A cover has been created for this ebook and is placed in the public
domain.

The Duello, mentioned in the story The Doom of the Traitress, can be
found in the February 1842 issue of Graham’s Magazine.

[End of _Graham’s Magazine, Vol. XX, No. 3, March 1842_, George R.
Graham, Editor]