[Illustration]

    _This Edition is
    limited to
    Two Hundred and
    Fifty Copies
    for the
    United Kingdom._
    No. 141




RIP VAN WINKLE.




[Illustration: ~Washington Irving.~]




    RIP
    VAN WINKLE

    By
    Washington Irving.

    [Illustration]

    Illustrated by FRANK T. MERRILL.

    Boston. U. S. A.
    S. E. Cassino.
    MDCCCLXXXVIII.




    _Copyright by_
    SAMUEL E. CASSINO,
    1887.

    TYPOGRAPHY BY J. S. CUSHING & CO., BOSTON. U. S. A.

    PRESSWORK BY BERWICK & SMITH, BOSTON. U. S. A.




LIST OF ILLUSTRATIONS.


                                                                    PAGE

    PORTRAIT                                                           4

    Illustrated Title-Page                                             5

    List of Illustrations                                              7

    Diedrich Knickerbocker                                             9

    Up the Hudson                                                     11

    “He was a descendant of the Van Winkles”                          12

    “He assisted at their sports”                              facing 12

    “A termagant wife”                                                13

    “Fish all day without a murmur”                                   14

    “Used to employ him to run their errands”                         15

    “He would carry a fowling-piece”                                  17

    “His cow among the cabbages”                                      18

    “Trooping like a colt at its mother’s heels”                      18

    “How solemnly they would listen”                           facing 18

    “He shrugged his shoulders, shook his head, and cast up his eyes” 19

    “Yelping precipitation”                                           20

    “He would share the contents of his wallet”                facing 20

    Nicholas Vedder                                                   21

    “The brow of a precipice”                                         23

    “He heard a voice”                                                26

    “A strange figure”                                                27

    “Rip and his companion labored on in silence”                     29

    “A company of odd-looking personages”                      facing 29

    “One who seemed to be the commander”                              30

    “They quaffed the liquor in profound silence”              facing 30

    “I have not slept here all night”                                 31

    “Wanting in his usual activity”                                   32

    “He called again and whistled after his dog”               facing 32

    “Stroked their chins”                                             33

    “A troop of strange children ran at his heels”             facing 34

    “He found the house gone to decay”                                35

    “He recognized on the sign”                                       37

    “They crowded round him”                                   facing 38

    “A lean, bilious-looking fellow”                                  39

    “He was killed at the storming of Stony Point”                    41

    “A great militia-general”                                         42

    “That is Rip Van Winkle, yonder”                                  43

    “A fresh, comely woman”                                           44

    “What is your name, my good woman?”                        facing 44

    Peter Vanderdonk                                                  45

    “Friends among the rising generation”                             46

    “Once more on the bench at the inn door”                   facing 46

    “He used to tell his story to every stranger”                     48




RIP VAN WINKLE.

A POSTHUMOUS WRITING OF DIEDRICH KNICKERBOCKER.


    By Woden, God of Saxons,
    From whence comes Wensday, that is Wodensday.
    Truth is a thing that ever I will keep
    Unto thylke day in which I creep into
    My sepulchre----                      CARTWRIGHT.

[Illustration: Diedrich Knickerbocker]

[The following Tale was found among the papers of the late Diedrich
Knickerbocker, an old gentleman of New York, who was very curious in the
Dutch history of the province, and the manners of the descendants from
its primitive settlers. His historical researches, however, did not lie
so much among books as among men; for the former are lamentably scanty
on his favorite topics; whereas he found the old burghers, and still
more their wives, rich in that legendary lore so invaluable to true
history. Whenever, therefore, he happened upon a genuine Dutch family,
snugly shut up in its low-roofed farmhouse, under a spreading sycamore,
he looked upon it as a little clasped volume of black-letter, and
studied it with the zeal of a book-worm.

The result of all these researches was a history of the province during
the reign of the Dutch governors, which he published some years since.
There have been various opinions as to the literary character of his
work, and, to tell the truth, it is not a whit better than it should be.
Its chief merit is its scrupulous accuracy, which indeed was a little
questioned on its first appearance, but has since been completely
established; and it is now admitted into all historical collections as a
book of unquestionable authority.

The old gentleman died shortly after the publication of his work; and
now that he is dead and gone, it cannot do much harm to his memory to
say that his time might have been much better employed in weightier
labors. He, however, was apt to ride his hobby his own way; and though
it did now and then kick up the dust a little in the eyes of his
neighbors, and grieve the spirit of some friends, for whom he felt the
truest deference and affection, yet his errors and follies are
remembered “more in sorrow than in anger,” and it begins to be suspected
that he never intended to injure or offend. But however his memory may
be appreciated by critics, it is still held dear by many folk whose good
opinion is well worth having; particularly by certain biscuit-bakers,
who have gone so far as to imprint his likeness on their New-Year cakes;
and have thus given him a chance for immortality, almost equal to the
being stamped on a Waterloo Medal, or a Queen Anne’s Farthing.]




[Illustration: Up the Hudson]

Whoever has made a voyage up the Hudson must remember the Kaatskill
mountains. They are a dismembered branch of the great Appalachian
family, and are seen away to the west of the river, swelling up to a
noble height, and lording it over the surrounding country. Every change
of season, every change of weather, indeed, every hour of the day,
produces some change in the magical hues and shapes of these mountains,
and they are regarded by all the good wives, far and near, as perfect
barometers. When the weather is fair and settled, they are clothed in
blue and purple, and print their bold outlines on the clear evening sky;
but sometimes, when the rest of the landscape is cloudless, they will
gather a hood of gray vapors about their summits, which, in the last
rays of the setting sun, will glow and light up like a crown of glory.

At the foot of these fairy mountains, the voyager may have descried the
light smoke curling up from a village, whose shingle roofs gleam among
the trees, just where the blue tints of the upland melt away into the
fresh green of the nearer landscape. It is a little village of great
antiquity, having been founded by some of the Dutch colonists in the
early times of the province, just about the beginning of the government
of the good Peter Stuyvesant (may he rest in peace!) and there were some
of the houses of the original settlers standing within a few years,
built of small yellow bricks brought from Holland, having latticed
windows and gable fronts, surmounted with weathercocks.

[Illustration: “He was a descendant of the Van Winkles”]

In that same village, and in one of these very houses (which, to tell
the precise truth, was sadly time-worn and weather-beaten), there lived
many years since, while the country was yet a province of Great Britain,
a simple, good-natured fellow, of the name of Rip Van Winkle. He was a
descendant of the Van Winkles who figured so gallantly in the chivalrous
days of Peter Stuyvesant, and accompanied him to the siege of Fort
Christina. He inherited, however, but little of the martial character of
his ancestors. I have observed that he was a simple, good-natured man;
he was, moreover, a kind neighbor, and an obedient, hen-pecked husband.
Indeed, to the latter circumstance might be owing that meekness of
spirit which gained him such universal popularity; for those men are
most apt to be obsequious and conciliating abroad who are under the
discipline of shrews at home. Their tempers, doubtless, are rendered
pliant and malleable in the fiery furnace of domestic tribulation, and a
curtain-lecture is worth all the sermons in the world for teaching the
virtues of patience and long-suffering. A termagant wife may, therefore,
in some respects, be considered a tolerable blessing; and if so, Rip Van
Winkle was thrice blessed.

[Illustration: “He assisted at their sports”]

[Illustration: “A termagant wife”]

Certain it is, that he was a great favorite among all the good wives of
the village, who, as usual with the amiable sex, took his part in all
family squabbles, and never failed, whenever they talked those matters
over in their evening gossipings, to lay all the blame on Dame Van
Winkle. The children of the village, too, would shout with joy whenever
he approached. He assisted at their sports, made their playthings,
taught them to fly kites and shoot marbles, and told them long stories
of ghosts, witches, and Indians. Whenever he went dodging about the
village, he was surrounded by a troop of them, hanging on his skirts,
clambering on his back, and playing a thousand tricks on him with
impunity; and not a dog would bark at him throughout the neighborhood.

[Illustration: “Fish all day without a murmur”]

The great error in Rip’s composition was an insuperable aversion to
all kinds of profitable labor. It could not be from the want of
assiduity or perseverance; for he would sit on a wet rock, with a rod as
long and heavy as a Tartar’s lance, and fish all day without a murmur,
even though he should not be encouraged by a single nibble. He would
carry a fowling-piece on his shoulder for hours together, trudging
through woods and swamps, and up hill and down dale, to shoot a few
squirrels or wild pigeons. He would never refuse to assist a neighbor
even in the roughest toil, and was a foremost man at all country frolics
for husking Indian corn, or building stone fences; the women of the
village, too, used to employ him to run their errands, and to do such
little odd jobs as their less obliging husbands would not do for them.
In a word, Rip was ready to attend to anybody’s business but his own;
but as to doing family duty, and keeping his farm in order, he found it
impossible.

[Illustration: “Used to employ him to run their errands”]

In fact, he declared it was of no use to work on his farm; it was the
most pestilent little piece of ground in the whole country; everything
about it went wrong, and would go wrong in spite of him. His fences were
continually falling to pieces; his cow would either go astray, or get
among the cabbages; weeds were sure to grow quicker in his fields than
anywhere else; the rain always made a point of setting in just as he had
some out-door work to do; so that though his patrimonial estate had
dwindled away under his management, acre by acre, until there was little
more left than a mere patch of Indian corn and potatoes, yet it was the
worst conditioned farm in the neighborhood.

[Illustration: “He would carry a fowling-piece”]

His children, too, were as ragged and wild as if they belonged to
nobody. His son Rip, an urchin begotten in his own likeness, promised to
inherit the habits, with the old clothes of his father. He was generally
seen trooping like a colt at his mother’s heels, equipped in a pair of
his father’s cast-off galligaskins, which he had much ado to hold up
with one hand, as a fine lady does her train in bad weather.

[Illustration: “Trooping like a colt at its mother’s heels”]

Rip Van Winkle, however, was one of those happy mortals, of foolish,
well-oiled dispositions, who take the world easy, eat white bread or
brown, whichever can be got with least thought or trouble, and would
rather starve on a penny than work for a pound. If left to himself, he
would have whistled life away, in perfect contentment; but his wife kept
continually dinning in his ears about his idleness, his carelessness,
and the ruin he was bringing on his family.

[Illustration: “Trooping like a colt at its mother’s heels”]

Morning, noon, and night, her tongue was incessantly going, and
everything he said or did was sure to produce a torrent of household
eloquence. Rip had but one way of replying to all lectures of the kind,
and that, by frequent use, had grown into a habit. He shrugged his
shoulders, shook his head, cast up his eyes, but said nothing. This,
however, always provoked a fresh volley from his wife, so that he was
fain to draw off his forces, and take to the outside of the house--the
only side which, in truth, belongs to a hen-pecked husband.

[Illustration: “How solemnly they would listen”]

Rip’s sole domestic adherent was his dog Wolf, who was as much henpecked
as his master; for Dame Van Winkle regarded them as companions in
idleness, and even looked upon Wolf with an evil eye, as the cause of
his master’s going so often astray. True it is, in all points of spirit
befitting an honorable dog, he was as courageous an animal as ever
scoured the woods--but what courage can withstand the ever-during and
all-besetting terrors of a woman’s tongue? The moment Wolf entered the
house, his crest fell, his tail drooped to the ground, or curled between
his legs, he sneaked about with a gallows air, casting many a sidelong
glance at Dame Van Winkle, and at the least flourish of a broomstick or
ladle, he would fly to the door with yelping precipitation.

[Illustration: “He shrugged his shoulders, shook his head, and cast up
his eyes”]

Times grew worse and worse with Rip Van Winkle as years of matrimony
rolled on: a tart temper never mellows with age, and a sharp tongue is
the only edge tool that grows keener with constant use. For a long while
he used to console himself, when driven from home, by frequenting a kind
of perpetual club of the sages, philosophers, and other idle personages
of the village, which held its sessions on a bench before a small inn,
designated by a rubicund portrait of his majesty George the Third. Here
they used to sit in the shade of a long lazy summer’s day, talking
listlessly over village gossip, or telling endless sleepy stories about
nothing. But it would have been worth any statesman’s money to have
heard the profound discussions which sometimes took place, when by
chance an old newspaper fell into their hands, from some passing
traveller. How solemnly they would listen to the contents, as drawled
out by Derrick Van Bummel, the schoolmaster, a dapper learned little
man, who was not to be daunted by the most gigantic word in the
dictionary; and how sagely they would deliberate upon public events some
months after they had taken place.

[Illustration: “Yelping precipitation”]

The opinions of this junto were completely controlled by Nicholas
Vedder, a patriarch of the village, and landlord of the inn, at the door
of which he took his seat from morning till night, just moving
sufficiently to avoid the sun, and keep in the shade of a large tree; so
that the neighbors could tell the hour by his movements, as accurately
as by a sun-dial. It is true, he was rarely heard to speak, but smoked
his pipe incessantly. His adherents, however (for every great man has
his adherents), perfectly understood him, and knew how to gather his
opinions. When anything that was read or related displeased him, he was
observed to smoke his pipe vehemently, and to send forth short,
frequent, and angry puffs; but when pleased, he would inhale the smoke
slowly and tranquilly, and emit it in light and placid clouds, and
sometimes taking the pipe from his mouth, and letting the fragrant vapor
curl about his nose, would gravely nod his head in token of perfect
approbation.

[Illustration: “He would share the contents of his wallet”]

[Illustration: Nicholas Vedder]

From even this stronghold the unlucky Rip was at length routed by his
termagant wife, who would suddenly break in upon the tranquillity of the
assemblage, and call the members all to nought; nor was that august
personage, Nicholas Vedder himself, sacred from the daring tongue of
this terrible virago, who charged him outright with encouraging her
husband in habits of idleness.

Poor Rip was at last reduced almost to despair, and his only
alternative to escape from the labor of the farm and the clamor of his
wife, was to take gun in hand, and stroll away into the woods. Here he
would sometimes seat himself at the foot of a tree, and share the
contents of his wallet with Wolf, with whom he sympathized as a
fellow-sufferer in persecution. “Poor Wolf,” he would say, “thy mistress
leads thee a dog’s life of it; but never mind, my lad, whilst I live
thou shalt never want a friend to stand by thee!” Wolf would wag his
tail, look wistfully in his master’s face, and if dogs can feel pity, I
verily believe he reciprocated the sentiment with all his heart.

In a long ramble of the kind, on a fine autumnal day, Rip had
unconsciously scrambled to one of the highest parts of the Kaatskill
mountains. He was after his favorite sport of squirrel-shooting, and the
still solitudes had echoed and re-echoed with the reports of his gun.
Panting and fatigued, he threw himself, late in the afternoon, on a
green knoll covered with mountain herbage, that crowned the brow of a
precipice. From an opening between the trees, he could overlook all the
lower country for many a mile of rich woodland. He saw at a distance the
lordly Hudson, far, far below him, moving on its silent but majestic
course, with the reflection of a purple cloud, or the sail of a lagging
bark, here and there sleeping on its glassy bosom, and at last losing
itself in the blue highlands.

On the other side he looked down into a deep mountain glen, wild,
lonely, and shagged, the bottom filled with fragments from the impending
cliffs, and scarcely lighted by the reflected rays of the setting sun.
For some time Rip lay musing on this scene; evening was gradually
advancing; the mountains began to throw their long blue shadows over the
valleys; he saw that it would be dark long before he could reach the
village; and he heaved a heavy sigh when he thought of encountering the
terrors of Dame Van Winkle.

As he was about to descend he heard a voice from a distance
hallooing, “Rip Van Winkle! Rip Van Winkle!” He looked around, but could
see nothing but a crow winging its solitary flight across the mountain.
He thought his fancy must have deceived him, and turned again to
descend, when he heard the same cry ring through the still evening air,
“Rip Van Winkle! Rip Van Winkle!”--at the same time Wolf bristled up his
back, and giving a low growl, skulked to his master’s side, looking
fearfully down into the glen. Rip now felt a vague apprehension stealing
over him; he looked anxiously in the same direction, and perceived a
strange figure slowly toiling up the rocks, and bending under the weight
of something he carried on his back. He was surprised to see any human
being in this lonely and unfrequented place, but supposing it to be some
one of the neighborhood in need of his assistance, he hastened down to
yield it.

[Illustration: “The brow of a precipice”]

On nearer approach, he was still more surprised at the singularity of
the stranger’s appearance. He was a short, square-built old fellow, with
thick bushy hair, and a grizzled beard. His dress was of the antique
Dutch fashion--a cloth jerkin strapped round the waist--several pair of
breeches, the outer one of ample volume, decorated with rows of buttons
down the sides, and bunches at the knees. He bore on his shoulders a
stout keg, that seemed full of liquor, and made signs for Rip to
approach and assist him with the load. Though rather shy and distrustful
of this new acquaintance, Rip complied with his usual alacrity, and
mutually relieving each other, they clambered up a narrow gully,
apparently the dry bed of a mountain torrent. As they ascended, Rip
every now and then heard long rolling peals, like distant thunder, that
seemed to issue out of a deep ravine, or rather cleft between lofty
rocks, toward which their rugged path conducted. He paused for an
instant, but supposing it to be the muttering of one of those transient
thunder-showers which often take place in the mountain heights, he
proceeded. Passing through the ravine, they came to a hollow, like a
small amphitheatre, surrounded by perpendicular precipices, over the
brinks of which, impending trees shot their branches, so that you only
caught glimpses of the azure sky and the bright evening cloud. During
the whole time, Rip and his companion had labored on in silence; for
though the former marvelled greatly what could be the object of carrying
a keg of liquor up this wild mountain, yet there was something strange
and incomprehensible about the unknown, that inspired awe, and checked
familiarity.

[Illustration: “He heard a voice”]

On entering the amphitheatre, new objects of wonder presented
themselves. On a level spot in the centre was a company of odd-looking
personages playing at nine-pins. They were dressed in a quaint
outlandish fashion: some wore short doublets, others jerkins, with long
knives in their belts, and most of them had enormous breeches, of
similar style with that of the guide’s. Their visages too, were
peculiar: one had a large head, broad face, and small piggish eyes; the
face of another seemed to consist entirely of nose, and was surmounted
by a white sugar-loaf hat, set off with a little red cock’s tail. They
all had beards, of various shapes and colors. There was one who seemed
to be the commander. He was a stout old gentleman, with a weather-beaten
countenance; he wore a laced doublet, broad belt and hanger,
high-crowned hat and feather, red stockings, and high-heeled shoes, with
roses in them. The whole group reminded Rip of the figures in an old
Flemish painting, in the parlor of Domine Van Schaick, the village
parson, and which had been brought over from Holland at the time of the
settlement.

[Illustration: “A strange figure”]

[Illustration: “Rip and his companion labored on in silence”]

[Illustration: “A company of odd-looking personages”]

What seemed particularly odd to Rip was, that though these folks were
evidently amusing themselves, yet they maintained the gravest faces, the
most mysterious silence, and were, withal, the most melancholy party of
pleasure he had ever witnessed. Nothing interrupted the stillness of the
scene but the noise of the balls, which, whenever they were rolled,
echoed along the mountains like rumbling peals of thunder.

As Rip and his companion approached them, they suddenly desisted from
their play, and stared at him with such a fixed statue-like gaze, and
such strange, uncouth, lack-lustre countenances, that his heart turned
within him, and his knees smote together. His companion now emptied the
contents of the keg into large flagons, and made signs to him to wait
upon the company. He obeyed with fear and trembling; they quaffed the
liquor in profound silence, and then returned to their game.

By degrees, Rip’s awe and apprehension subsided. He even ventured, when
no eye was fixed upon him, to taste the beverage, which he found had
much of the flavor of excellent Hollands. He was naturally a thirsty
soul, and was soon tempted to repeat the draught. One taste provoked
another, and he reiterated his visits to the flagon so often, that at
length his senses were overpowered, his eyes swam in his head, his head
gradually declined, and he fell into a deep sleep.

[Illustration: “One who seemed to be the commander”]

On waking, he found himself on the green knoll from whence he had
first seen the old man of the glen. He rubbed his eyes--it was a bright
sunny morning. The birds were hopping and twittering among the bushes,
and the eagle was wheeling aloft, and breasting the pure mountain
breeze. “Surely,” thought Rip, “I have not slept here all night.” He
recalled the occurrences before he fell asleep. The strange man with the
keg of liquor--the mountain ravine--the wild retreat among the
rocks--the woe-begone party at nine-pins--the flagon--“Oh! that wicked
flagon!” thought Rip--“what excuse shall I make to Dame Van Winkle?”

[Illustration: “They quaffed the liquor in profound silence”]

[Illustration: “I have not slept here all night”]

He looked round for his gun, but in place of the clean well-oiled
fowling-piece, he found an old firelock lying by him, the barrel
encrusted with rust, the lock falling off, and the stock worm-eaten. He
now suspected that the grave roysters of the mountain had put a trick
upon him, and having dosed him with liquor, had robbed him of his gun.
Wolf, too, had disappeared, but he might have strayed away after a
squirrel or partridge. He whistled after him and shouted his name, but
all in vain; the echoes repeated his whistle and shout, but no dog was
to be seen.

He determined to revisit the scene of the last evening’s gambol, and if
he met with any of the party, to demand his dog and gun. As he rose to
walk, he found himself stiff in the joints, and wanting in his usual
activity. “These mountain beds do not agree with me,” thought Rip, “and
if this frolic should lay me up with a fit of the rheumatism, I shall
have a blessed time with Dame Van Winkle.” With some difficulty he got
down into the glen; he found the gully up which he and his companion had
ascended the preceding evening; but to his astonishment a mountain
stream was now foaming down it, leaping from rock to rock, and filling
the glen with babbling murmurs. He, however, made shift to scramble up
its sides, working his toilsome way through thickets of birch,
sassafras, and witch-hazel; and sometimes tripped up or entangled by the
wild grape vines that twisted their coils and tendrils from tree to
tree, and spread a kind of network in his path.

[Illustration: “Wanting in his usual activity”]

At length he reached to where the ravine had opened through the
cliffs to the amphitheatre; but no traces of such opening remained. The
rocks presented a high impenetrable wall, over which the torrent came
tumbling in a sheet of feathery foam, and fell into a broad deep basin,
black from the shadows of the surrounding forest. Here, then, poor Rip
was brought to a stand. He again called and whistled after his dog; he
was only answered by the cawing of a flock of idle crows, sporting high
in the air about a dry tree that overhung a sunny precipice; and who,
secure in their elevation, seemed to look down and scoff at the poor
man’s perplexities. What was to be done? The morning was passing away,
and Rip felt famished for want of his breakfast. He grieved to give up
his dog and gun; he dreaded to meet his wife; but it would not do to
starve among the mountains. He shook his head, shouldered the rusty
firelock, and, with a heart full of trouble and anxiety, turned his
steps homeward.

[Illustration: “He called again and whistled after his dog”]

[Illustration: “Stroked their chins”]

As he approached the village, he met a number of people, but none whom
he knew, which somewhat surprised him, for he had thought himself
acquainted with every one in the country round. Their dress, too, was of
a different fashion from that to which he was accustomed. They all
stared at him with equal marks of surprise, and whenever they cast eyes
upon him, invariably stroked their chins. The constant recurrence of
this gesture induced Rip, involuntarily, to do the same, when, to his
astonishment, he found his beard had grown a foot long!

He had now entered the skirts of the village. A troop of strange
children ran at his heels, hooting after him, and pointing at his gray
beard. The dogs, too, not one of which he recognized for an old
acquaintance, barked at him as he passed. The very village was altered:
it was larger and more populous. There were rows of houses which he had
never seen before, and those which had been his familiar haunts had
disappeared. Strange names were over the doors--strange faces at the
windows--everything was strange. His mind now misgave him; he began to
doubt whether both he and the world around him were not bewitched.
Surely this was his native village, which he had left but a day before.
There stood the Kaatskill mountains--there ran the silver Hudson at a
distance--there was every hill and dale precisely as it had always
been--Rip was sorely perplexed--“That flagon last night,” thought he,
“has addled my poor head sadly!”

It was with some difficulty that he found the way to his own house,
which he approached with silent awe, expecting every moment to hear the
shrill voice of Dame Van Winkle. He found the house gone to decay--the
roof fallen in, the windows shattered, and the doors off the hinges. A
half-starved dog, that looked like Wolf, was skulking about it. Rip
called him by name, but the cur snarled, showed his teeth, and passed
on. This was an unkind cut indeed.--“My very dog,” sighed poor Rip, “has
forgotten me!”

He entered the house, which, to tell the truth, Dame Van Winkle had
always kept in neat order. It was empty, forlorn, and apparently
abandoned. This desolateness overcame all his connubial fears--he called
loudly for his wife and children--the lonely chambers rang for a moment
with his voice, and then all again was silence.

[Illustration: “A troop of strange children ran at his heels”]

[Illustration: “He found the house gone to decay”]

[Illustration: “He recognized on the sign”]

He now hurried forth, and hastened to his old resort, the village
inn--but it too was gone. A large rickety wooden building stood in its
place, with great gaping windows, some of them broken, and mended with
old hats and petticoats, and over the door was painted, “The Union
Hotel, by Jonathan Doolittle.” Instead of the great tree that used to
shelter the quiet little Dutch inn of yore, there now was reared a tall
naked pole, with something on the top that looked like a red night-cap,
and from it was fluttering a flag, on which was a singular assemblage of
stars and stripes--all this was strange and incomprehensible. He
recognized on the sign, however, the ruby face of King George, under
which he had smoked so many a peaceful pipe, but even this was
singularly metamorphosed. The red coat was changed for one of blue and
buff, a sword was held in the hand instead of a sceptre, the head was
decorated with a cocked hat, and underneath was painted in large
characters, GENERAL WASHINGTON.

[Illustration: “They crowded round him”]

There was, as usual, a crowd of folk about the door, but none that Rip
recollected. The very character of the people seemed changed. There was
a busy, bustling, disputatious tone about it, instead of the accustomed
phlegm and drowsy tranquillity. He looked in vain for the sage Nicholas
Vedder, with his broad face, double chin, and fair long pipe, uttering
clouds of tobacco smoke, instead of idle speeches; or Van Bummel, the
schoolmaster, doling forth the contents of an ancient newspaper.
In place of these, a lean bilious-looking fellow, with his pockets
full of handbills, was haranguing vehemently about rights of
citizens--election--members of Congress--liberty--Bunker’s hill--heroes
of seventy-six--and other words, that were a perfect Babylonish jargon
to the bewildered Van Winkle.

[Illustration: “A lean, bilious-looking fellow”]

The appearance of Rip, with his long, grizzled beard, his rusty
fowling-piece, his uncouth dress, and the army of women and children
that had gathered at his heels, soon attracted the attention of the
tavern politicians. They crowded round him, eyeing him from head to
foot, with great curiosity. The orator bustled up to him, and drawing
him partly aside, inquired, “on which side he voted?” Rip stared in
vacant stupidity. Another short but busy little fellow pulled him by the
arm, and rising on tiptoe, inquired in his ear, “whether he was Federal
or Democrat.” Rip was equally at a loss to comprehend the question; when
a knowing, self-important old gentleman, in a sharp cocked hat, made his
way through the crowd, putting them to the right and left with his
elbows as he passed, and planting himself before Van Winkle, with one
arm a-kimbo, the other resting on his cane, his keen eyes and sharp hat
penetrating, as it were, into his very soul, demanded in an austere
tone, “what brought him to the election with a gun on his shoulder, and
a mob at his heels, and whether he meant to breed a riot in the
village?”

[Illustration: “He was killed at the storming of Stony Point”]

“Alas! gentlemen,” cried Rip, somewhat dismayed, “I am a poor, quiet
man, a native of the place, and a loyal subject of the King, God bless
him!”

Here a general shout burst from the bystanders--“a tory! a tory! a spy!
a refugee! hustle him! away with him!”

It was with great difficulty that the self-important man in the cocked
hat restored order; and having assumed a tenfold austerity of brow,
demanded again of the unknown culprit, what he came there for, and whom
he was seeking. The poor man humbly assured him that he meant no harm,
but merely came there in search of some of his neighbors, who used to
keep about the tavern.

“Well--who are they?--name them.”

Rip bethought himself a moment, and inquired, “Where’s Nicholas Vedder?”

[Illustration: “A great militia-general”]

There was a silence for a little while, when an old man replied, in a
thin, piping voice, “Nicholas Vedder? why, he is dead and gone these
eighteen years! There was a wooden tomb-stone in the church-yard that
used to tell all about him, but that’s rotten and gone too.”

“Where’s Brom Dutcher?”

“Oh, he went off to the army in the beginning of the war; some say he
was killed at the storming of Stony-Point--others say he was drowned in
the squall, at the foot of Antony’s Nose. I don’t know--he never came
back again.”

“Where’s Van Bummel, the schoolmaster?”

“He went off to the wars, too; was a great militia general, and is now
in Congress.”

Rip’s heart died away, at hearing of these sad changes in his home and
friends, and finding himself thus alone in the world. Every answer
puzzled him, too, by treating of such enormous lapses of time, and of
matters which he could not understand: war--Congress--Stony-Point!--he
had no courage to ask after any more friends, but cried out in despair,
“Does nobody here know Rip Van Winkle?”

“Oh, Rip Van Winkle!” exclaimed two or three. “Oh, to be sure! that’s
Rip Van Winkle yonder, leaning against the tree.”

Rip looked, and beheld a precise counterpart of himself as he went up
the mountain; apparently as lazy, and certainly as ragged. The poor
fellow was now completely confounded. He doubted his own identity, and
whether he was himself or another man. In the midst of his bewilderment,
the man in the cocked hat demanded who he was, and what was his name?

[Illustration: “That is Rip Van Winkle, yonder”]

“God knows,” exclaimed he at his wit’s end; “I’m not myself--I’m
somebody else--that’s me yonder--no--that’s somebody else, got into my
shoes--I was myself last night, but I fell asleep on the mountain, and
they’ve changed my gun, and everything’s changed, and I’m changed, and I
can’t tell what’s my name, or who I am!”

The by-standers began now to look at each other, nod, wink
significantly, and tap their fingers against their foreheads. There was
a whisper, also, about securing the gun, and keeping the old fellow from
doing mischief; at the very suggestion of which, the self-important man
with the cocked hat retired with some precipitation. At this critical
moment a fresh comely woman passed through the throng to get a peep at
the gray-bearded man. She had a chubby child in her arms, which,
frightened at his looks, began to cry. “Hush, Rip,” cried she, “hush,
you little fool; the old man won’t hurt you.” The name of the child, the
air of the mother, the tone of her voice, all awakened a train of
recollections in his mind.

[Illustration: “A fresh, comely woman”]

“What is your name, my good woman?” asked he.

“Judith Gardenier.”

“And your father’s name?”

“Ah, poor man, his name was Rip Van Winkle; it’s twenty years since he
went away from home with his gun, and never has been heard of since--his
dog came home without him; but whether he shot himself, or was carried
away by the Indians, nobody can tell. I was then but a little girl.”

Rip had but one question more to ask; but he put it with a faltering
voice:

“Where’s your mother?”

[Illustration: “What is your name, my good woman?”]

Oh, she too had died but a short time since: she broke a blood-vessel in
a fit of passion at a New-England pedler.

There was a drop of comfort, at least, in this intelligence. The honest
man could contain himself no longer. He caught his daughter and her
child in his arms. “I am your father!” cried he--“Young Rip Van Winkle
once--old Rip Van Winkle now--Does nobody know poor Rip Van Winkle!”

All stood amazed, until an old woman, tottering out from among the
crowd, put her hand to her brow, and peering under it in his face for a
moment, exclaimed, “Sure enough! it is Rip Van Winkle--it is himself.
Welcome home again, old neighbor--Why, where have you been these twenty
long years?”

[Illustration: Peter Vanderdonk]

Rip’s story was soon told, for the whole twenty years had been to him
but as one night. The neighbors stared when they heard it; some were
seen to wink at each other, and put their tongues in their cheeks; and
the self-important man in the cocked hat, who, when the alarm was over,
had returned to the field, screwed down the corners of his mouth, and
shook his head--upon which there was a general shaking of the head
throughout the assemblage.

[Illustration: “Friends among the rising generation”]

It was determined, however, to take the opinion of old Peter
Vanderdonk, who was seen slowly advancing up the road. He was a
descendant of the historian of that name, who wrote one of the earliest
accounts of the province. Peter was the most ancient inhabitant of the
village, and well versed in all the wonderful events and traditions of
the neighborhood. He recollected Rip at once, and corroborated his story
in the most satisfactory manner. He assured the company that it was a
fact, handed down from his ancestor the historian, that the Kaatskill
mountains had always been haunted by strange beings. That it was
affirmed that the great Hendrick Hudson, the first discoverer of the
river and country, kept a kind of vigil there every twenty years, with
his crew of the Halfmoon, being permitted in this way to revisit the
scenes of his enterprise, and keep a guardian eye upon the river and the
great city called by his name. That his father had once seen them in
their old Dutch dresses playing at nine-pins in the hollow of the
mountain; and that he himself had heard, one summer afternoon, the sound
of their balls, like distant peals of thunder.

[Illustration: “Once more on the bench at the inn door”]

To make a long story short, the company broke up, and returned to the
more important concerns of the election. Rip’s daughter took him home to
live with her; she had a snug, well-furnished house, and a stout cheery
farmer for a husband, whom Rip recollected for one of the urchins that
used to climb upon his back. As to Rip’s son and heir, who was the ditto
of himself, seen leaning against the tree, he was employed to work on
the farm; but evinced a hereditary disposition to attend to anything
else but his business.

Rip now resumed his old walks and habits; he soon found many of his
former cronies, though all rather the worse for the wear and tear of
time; and preferred making friends among the rising generation, with
whom he soon grew into great favor.

Having nothing to do at home, and being arrived at that happy age when
a man can do nothing with impunity, he took his place once more on the
bench, at the inn door, and was reverenced as one of the patriarchs of
the village, and a chronicle of the old times “before the war.” It was
some time before he could get into the regular track of gossip, or could
be made to comprehend the strange events that had taken place during his
torpor. How that there had been a revolutionary war--that the country
had thrown off the yoke of old England--and that, instead of being a
subject of his majesty George the Third, he was now a free citizen of
the United States. Rip, in fact, was no politician; the changes of
states and empires made but little impression on him; but there was one
species of despotism under which he had long groaned, and that
was--petticoat government. Happily, that was at an end; he had got his
neck out of the yoke of matrimony, and could go in and out whenever he
pleased, without dreading the tyranny of Dame Van Winkle. Whenever her
name was mentioned, however, he shook his head, shrugged his shoulders,
and cast up his eyes; which might pass either for an expression of
resignation to his fate, or joy at his deliverance.

[Illustration: “He used to tell his story to every stranger”]

He used to tell his story to every stranger that arrived at Mr.
Doolittle’s hotel. He was observed, at first, to vary on some points
every time he told it, which was doubtless owing to his having so
recently awaked. It at last settled down precisely to the tale I have
related, and not a man, woman, or child in the neighborhood, but knew it
by heart. Some always pretended to doubt the reality of it, and insisted
that Rip had been out of his head, and that this was one point on which
he always remained flighty. The old Dutch inhabitants, however, almost
universally gave it full credit. Even to this day, they never hear a
thunder-storm of a summer afternoon about the Kaatskill, but they say
Hendrick Hudson and his crew are at their game of nine-pins; and it is a
common wish of all henpecked husbands in the neighborhood, when life
hangs heavy on their hands, that they might have a quieting draught out
of Rip Van Winkle’s flagon.

    NOTE.--The foregoing tale, one would suspect, had been suggested
    to Mr. Knickerbocker by a little German superstition about the
    Emperor Frederick _der Rothbart_ and the Kypphauser mountain;
    the subjoined note, however, which he had appended to the tale,
    shows that it is an absolute fact, narrated with his usual
    fidelity.

    “The story of Rip Van Winkle may seem incredible to many, but
    nevertheless I give it my full belief, for I know the vicinity
    of our old Dutch settlements to have been very subject to
    marvellous events and appearances. Indeed, I have heard many
    stranger stories than this, in the villages along the Hudson;
    all of which were too well authenticated to admit of a doubt. I
    have even talked with Rip Van Winkle myself, who, when last I
    saw him, was a very venerable old man, and so perfectly rational
    and consistent on every other point, that I think no
    conscientious person could refuse to take this into the bargain;
    nay, I have seen a certificate on the subject taken before a
    country justice, and signed with a cross, in the justice’s own
    handwriting. The story, therefore, is beyond the possibility of
    doubt.”




Transcriber’s Note:

The order of illustrations has been retained as published in the
original publication.

The following changes were made:

    On the title page
      S. E Cassino _changed to_ S. E. Cassino

    In the List of Illustrations
      personages” facing 26 _changed to_ facing 29

    Page 38
      intead of the _changed to_ instead of the