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                               CLORINDA
                                 WALKS
                               IN HEAVEN

                        TALES BY A. E. COPPARD


                            [Illustration]


                       THE GOLDEN COCKEREL PRESS
                        WALTHAM SAINT LAWRENCE
                         BERKSHIRE ... MCMXXII




_I record my acknowledgments to the Editors of the following journals
in which some of these tales first appeared_: The Cornhill, London
Mercury, Westminster Gazette, Manchester Guardian, English Review;
_and_ The Dial, _of America._

                                                                 A.E.C.




CONTENTS


                                 PAGE

  THE HURLY-BURLY                   9

  CLORINDA WALKS IN HEAVEN         21

  THE CHERRY TREE                  29

  THE ELIXIR OF YOUTH              37

  FELIX TINCLER                    49

  CRAVEN ARMS                      61

  A BROADSHEET BALLAD              93

  COTTON                          103

  POMONA'S BABE                   115




TO MRS. FLYNN




THE HURLY-BURLY




THE HURLY BURLY


The Weetmans--mother, son, and daughter--lived on a thriving farm. It
was small enough, God knows; but it had always been a turbulent place
of abode. For the servant it was "Phemy, do this," or "Phemy, have you
done that?" from dawn to dark, and even from dark to dawn there was
a hovering of unrest. The widow Weetman, a partial invalid, was the
only figure that manifested any semblance of tranquility; and it was a
misleading one, for she sat day after day on her large hams, knitting
and nodding, and lifting her grey face only to grumble, her spectacled
eyes transfixing the culprit with a basilisk glare. And her daughter
Alice, the housekeeper, who had a large face, a dominating face, in
some respects she was all face, was like a blast in a corridor with her
"Maize for the hens, Phemy!--More firewood, Phemy!--Who has set the
trap in the harness room?--Come along!--Have you scoured the skimming
pans?--Why not?--Where are you idling?--Come along, Phemy, I have no
time to waste this morning; you really must help me!" It was not only
in the house that this cataract of industry flowed; outside there was
activity enough for a regiment. A master-farmer's work consists largely
of a series of conversations with other master-farmers, a long-winded
way of doing long-headed things; but Glastonbury Weetman, the son, was
not like that at all; he was the incarnation of energy, always doing
and doing, chock-full of orders, adjurations, objurgatives, blame,
and blasphemy. That was the kind of place Phemy Madigan worked at.
No one could rest on laurels there. The farm and the home possessed
everybody, lock, stock, and barrel; work was like a tiger, it ate you
up implacably. The Weetmans did not mind--they liked being eaten by
such a tiger.

After six or seven years of this Alice went back to marry an old
sweetheart in Canada, where the Weetmans had originally come from;
but Phemy's burden was in no way lessened thereby. There were as many
things to wash and sew and darn; there was always a cart of churns
about to dash for a train it could not possibly catch, or a horse to
shoe that could not possibly be spared. Weetman hated to see his people
merely walking. "Run over to the barn for that hayfork!" or "Slip
across to the ricks, quick, now!" he would cry; and if ever an unwary
hen hampered his path it only did so once--and no more. His labourers
were mere things of flesh and blood, but they occasionally resented his
ceaseless flagellations. Glas Weetman did not like to be impeded or
controverted; one day in a rage he had smashed that lumbering loon of a
carter called Gathercole. For this he was sent to gaol for a month.

The day after he had been sentenced Phemy Madigan, alone in the house
with Mrs. Weetman, had waked at the usual early hour. It was a foggy
September morning; Sampson and his boy Daniel were clattering pails in
the dairy shed. The girl felt sick and gloomy as she dressed; it was
a wretched house to work in, crickets in the kitchen, cockroaches in
the garret, spiders and mice everywhere. It was an old long low house;
she knew that when she descended the stairs the walls would be stained
with autumnal dampness, the banisters and rails oozing with moisture.
She wished she was a lady and married, and living in a palace fifteen
stories high.

It was fortunate that she was big and strong, though she had only been
a charity girl taken from the workhouse by the Weetmans when she was
fourteen years old. That was seven years ago. It was fortunate that she
was fed well at the farm, very well indeed; it was the one virtue of
the place. But her meals did not counterbalance things; that farm ate
up the body and blood of people. And at times the pressure was charged
with a special excitation, as if a taut elastic thong had been plucked
and released with a reverberating ping.

It was so on this morning. Mrs. Weetman was dead in her bed.

At that crisis a new sense descended upon the girl, a sense of
responsibility. She was not in fear, she felt no grief or surprise. It
concerned her in some way, but she herself was unconcerned, and she
slid without effort into the position of mistress of the farm. She
opened a window and looked out of doors. A little way off a boy with a
red scarf stood by an open gate.

"Oi--oi, kup, kup, kup!" he cried to the cows in that field. Some of
the cows, having got up, stared amiably at him, others sat on ignoring
his hail, while one or two plodded deliberately towards him. "Oi--oi,
kup, kup, kup!"

"Lazy rascal, that boy," remarked Phemy; "we shall have to get rid of
him. Dan'l! Come here, Dan'l!" she screamed, waving her arm wildly.
"Quick!"

She sent him away for police and doctor. At the inquest there were no
relatives in England who could be called upon, no other witnesses than
Phemy. After the funeral she wrote a letter to Glastonbury Weetman in
gaol, informing him of his bereavement, but to this he made no reply.
Meanwhile the work of the farm was pressed forward under her control;
for though she was revelling in her personal release from the torment
she would not permit others to share her intermission. She had got Mrs.
Weetman's keys and her box of money. She paid the two men and the boy
their wages week by week. The last of the barley was reaped, the oats
stacked, the roots hoed, the churns sent daily under her supervision.
And always she was bustling the men.

"O dear me, these lazy rogues!" she would complain to the empty rooms.
"They waste time, so it's robbery--it _is_ robbery. You may wear
yourself to the bone, and what does it signify to such as them? All the
responsibility too! They would take your skin if they could get it off
you--and they can't!"

She kept such a sharp eye on the corn and meal and eggs that Sampson
grew surly. She placated him by handing him Mr. Weetman's gun and a
few cartridges, saying: "Just shoot me a couple of rabbits over in the
warren when you get time." At the end of the day Mr. Sampson had not
succeeded in killing a rabbit, so he kept the gun and the cartridges
many more days. Phemy was really happy. The gloom of the farm had
disappeared. The farm and everything about it looked beautiful,
beautiful indeed with its yard full of ricks, the pond full of ducks,
the fields full of sheep and cattle, and the trees still full of leaves
and birds. She flung maize about the yard; the hens scampered towards
it and the young pigs galloped, quarrelling over the grains which they
groped and snuffled for, grinding each one separately in their iron
jaws, while the white pullets stalked delicately among them, picked
up the maize seeds--one, two, three--and swallowed them like ladies.
Sometimes on cold mornings she would go outside and give an apple to
the fat bay pony when he galloped back from the station. He would stand
puffing with a kind of rapture, the wind from his nostrils discharging
in the frosty air vague shapes like smoky trumpets. Presently, upon
his hide, a little ball of liquid mysteriously suspired, grew, slid,
dropped from his flanks into the road. And then drops would begin to
come from all parts of him until the road beneath was dabbled by a
shower from his dew-distilling outline. Phemy would say:

"The wretches! They were so late they drove him near distracted, poor
thing. Lazy rogues, but wait till master comes back, they'd better be
careful!"

And if any friendly person in the village asked her, "How are you
getting on up there, Phemy?" she would reply, "Oh, as well as you
can expect with so much to be done--and such men!" The interlocutor
might hint that there was no occasion in the circumstances to distress
oneself, but then Phemy would be vexed. To her, honesty was as holy
as the Sabbath to a little child. Behind her back they jested about
her foolishness; but, after all, wisdom isn't a process, it's a
result, it's the fruit of the tree. One can't be wise, one can only be
fortunate.

On the last day of her elysium the workhouse master and the chaplain
had stalked over the farm, shooting partridges. In the afternoon she
met them and asked for a couple of birds for Weetman's return on
the morrow. The workhouse was not far away, it was on a hill facing
west, and at sunset-time its windows would often catch the glare
so powerfully that the whole building seemed to burn like a box of
contained and smokeless fire. Very beautiful it looked to Phemy.


2

The men had come to work punctually, and Phemy herself found so much
to do that she had no time to give the pony an apple. She cleared the
kitchen once and for all of the pails, guns, harness, and implements
that so hampered its domestic intention, and there were abundant signs
elsewhere of a new impulse at work in the establishment. She did not
know at what hour to expect the prisoner, so she often went to the
garden-gate and glanced up the road. The night had been wild with
windy rain, but morn was sparklingly clear though breezy still. Crisp
leaves rustled along the road where the polished chestnuts beside the
parted husks lay in numbers, mixed with coral buds of the yews. The
sycamore leaves were black rags, but the delicate elm foliage fluttered
down like yellow stars. There was a brown field neatly adorned with
white coned heaps of turnips, behind it a small upland of deeply green
lucerne, behind that nothing but blue sky and rolling cloud. The
turnips, washed by the rain, were creamy polished globes.

When at last he appeared she scarcely knew him. Glas Weetman was a big,
though not fleshy, man of thirty, with a large boyish face and a flat
bald head. Now he had a thick dark beard. He was hungry, but his first
desire was to be shaved. He stood before the kitchen mirror, first
clipping the beard away with scissors, and as he lathered the remainder
he said:

"Well, it's a bad state of things, this--my sister dead and my mother
gone to America. What shall us do?"

He perceived in the glass that she was smiling.

"There's nought funny in it, my comic gal!" he bawled indignantly.
"What are you laughing at?"

"I wer'n't laughing. It's your mother that's dead."

"My mother that's dead, I know."

"And Miss Alice that's gone to America."

"To America, I know, I know, so you can stop making your bullock's eyes
and get me something to eat. What's been going on here?"

She gave him an outline of affairs. He looked at her sternly when he
asked her about his sweetheart.

"Has Rosa Beauchamp been along here?"

"No," said Phemy, and he was silent. She was surprised at the question.
The Beauchamps were such respectable high-up people that to Phemy's
simple mind they could not possibly favour an alliance now with a man
that had been in prison; it was absurd, but she did not say so to him.
And she was bewildered to find that her conviction was wrong, for Rosa
came along later in the day and everything between her master and his
sweetheart was just as before; Phemy had not divined so much love and
forgiveness in high-up people.

It was the same with everything else. The old harsh rushing life was
resumed, Weetman turned to his farm with an accelerated vigour to make
up for lost time, and the girl's golden week or two of ease became an
unforgotten dream. The pails, the guns, the harness crept back into
the kitchen. Spiders, cockroaches, and mice were more noticeable than
ever before, and Weetman himself seemed embittered, harsher. Time alone
could never still him, there was a force in his frame, a buzzing in his
blood. But there was a difference between them now; Phemy no longer
feared him. She obeyed him, it is true, with eagerness, she worked in
the house like a woman and in the fields like a man. They ate their
meals together, and from this dissonant comradeship the girl, in a dumb
kind of way, began to love him.

One April evening, on coming in from the fields, he found her lying
on the couch beneath the window, dead plumb fast asleep, with no meal
ready at all. He flung his bundle of harness to the flags and bawled
angrily to her. To his surprise she did not stir. He was somewhat
abashed; he stepped over to look at her. She was lying on her side.
There was a large rent in her bodice between sleeve and shoulder; her
flesh looked soft and agreeable to him. Her shoes had slipped off to
the floor; her lips were folded in a pout.

"Why, she's quite a pretty cob," he murmured. "She's all right, she's
just tired, the Lord above knows what for."

But he could not rouse the sluggard. Then a fancy moved him to lift her
in his arms; he carried her from the kitchen and, staggering up the
stairs, laid the sleeping girl on her own bed. He then went downstairs
and ate pie and drank beer in the candlelight, guffawing once or twice:
"A pretty cob, rather." As he stretched himself after the meal a new
notion amused him: he put a plateful of food upon a tray, together with
a mug of beer and the candle. Doffing his heavy boots and leggings, he
carried the tray into Phemy's room. And he stopped there.


3

The new circumstance that thus slipped into her life did not effect any
noticeable alteration of its general contour and progress. Weetman did
not change towards her. Phemy accepted his mastership not alone because
she loved him, but because her powerful sense of loyalty covered
all the possible opprobrium. She did not seem to mind his continued
relations with Rosa.

Towards midsummer one evening Glastonbury came in in the late dusk.
Phemy was there in the darkened kitchen. "Master!" she said immediately
he entered. He stopped before her. She continued: "Something's
happened."

"Huh, while the world goes popping round something shall always happen!"

"It's me--I'm took--a baby, master," she said. He stood chock-still.
His back was to the light, she could not see the expression on his
face, perhaps he wanted to embrace her.

"Let's have a light, sharp," he said in his brusque way. "The supper
smells good, but I can't see what I'm smelling, and I can only fancy
what I be looking at."

She lit the candles and they ate supper in silence. Afterwards he sat
away from the table with his legs outstretched and crossed, hands sunk
into pockets, pondering while the girl cleared the table. Soon he put
his powerful arm around her waist and drew her to sit on his knees.

"Are ye sure o' that?" he demanded.

She was sure.

"Quite?"

She was quite sure.

"Ah, well, then," he sighed conclusively, "we'll be married!"

The girl sprang to her feet. "No, no, no! How can you be married? You
don't mean that--not married--there's Miss Beauchamp!" She paused and
added a little unsteadily, "She's your true love, master."

"Ay, but I'll not wed her!" he cried sternly. "If there's no gainsaying
this that's come on you I'll stand to my guns. It's right and proper
for we to have a marriage."

His great thick-fingered hands rested upon his knees; the candles threw
a wash of light upon his polished leggings; he stared into the fireless
grate.

"But we do not want to do that," said the girl dully and doubtfully.
"You have given your ring to her, you've given her your word. I don't
want you to do this for me. It's all right, master, it's all right."

"Are ye daft?" he cried. "I tell you we'll wed. Don't keep clacking
about Rosa--I'll stand to my guns." He paused before adding, "She'd
gimme the rightabout, fine now--don't you see, stupid--but I'll not
give her the chance."

Her eyes were lowered. "She's your true love, master."

"What would become of you and your child? Ye couldn't bide here!"

"No," said the trembling girl.

"I'm telling you what we must do, modest and proper; there's naught
else to be done, and I'm middling glad of it, I am. Life's a see-saw
affair. I'm middling glad of this."

So, soon, without a warning to anyone, least of all to Rosa Beauchamp,
they were married by the registrar. The change in her domestic status
produced no other change; in marrying Weetman she but married all
his ardour, she was swept into its current. She helped to milk cows,
she boiled nauseating messes for pigs, chopped mangolds, mixed meal,
and sometimes drove a harrow in his windy fields. Though they slept
together, she was still his servant. Sometimes he called her his
"pretty little cob," and then she knew he was fond of her. But in
general his custom was disillusioning. His way with her was his way
with his beasts; he knew what he wanted, it was easy to get. If for a
brief space a little romantic flower began to bud in her breast it was
frozen as a bud, and the vague longing disappeared at length from her
eyes. And she became aware that Rosa Beauchamp was not yet done with;
somewhere in the darkness of the fields Glastonbury still met her.
Phemy did not mind.

In the new year she bore him a son that died as it came to life. Glas
was angry at that, as angry as if he had lost a horse. He felt that he
had been duped, that the marriage had been a stupid sacrifice, and in
this he was savagely supported by Rosa. And yet Phemy did not mind; the
farm had got its grip upon her, it was consuming her body and blood.

Weetman was just going to drive into town; he sat fuming in the trap
behind the fat bay pony.

"Bring me that whip from the passage!" he shouted. "There's never a dam
thing handy!"

Phemy appeared with the whip. "Take me with you," she said.

"God-a-mighty! What for? I becomen back in an hour. They ducks want
looking over, and you've all the taties to grade."

She stared at him irresolutely.

"And whose to look after the house? You know it won't lock up--the
key's lost. Get up there!"

He cracked his whip in the air as the pony dashed away.

In the summer Phemy fell sick, her arm swelled enormously. The doctor
came again and again. It was blood-poisoning, caught from a diseased
cow that she had milked with a cut finger. A nurse arrived, but Phemy
knew she was doomed, and though tortured with pain she was for once
vexed and protestant. For it was a June night, soft and nubile, with
a marvellous moon; a nightingale threw its impetuous garland into the
air. She lay listening to it and thinking with sad pleasure of the time
when Glastonbury was in prison, how grand she was in her solitude,
ordering everything for the best and working superbly. She wanted to go
on and on for evermore, though she knew she had never known peace in
maidenhood or marriage. The troubled waters of the world never ceased
to flow; in the night there was no rest--only darkness. Nothing could
emerge now. She was leaving it all to Rosa Beauchamp. Glastonbury was
gone out somewhere--perhaps to meet Rosa in the fields. There was the
nightingale, and it was very bright outside.

"Nurse," moaned the dying girl, "what was I born into the world at all
for?"




CLORINDA WALKS IN HEAVEN




CLORINDA WALKS IN HEAVEN


Miss Smith, Clorinda Smith, desired not to die on a wet day. Her
speculations on the possibilities of one's demise were quite ingenuous
and had their mirth, but she shrunk from that figure of her dim
little soul--and it was only dimly that she could figure it at
all--approaching the pathways of the Boundless in a damp, bedraggled
condition.

"But the rain couldn't harm your spirit," declared her comforting
friends.

"Why not?" asked Clorinda, "if there is a ghost of me, why not a ghost
of the rain?"

There were other aspects, delectable and illusive, of this imagined
apotheosis, but Clorinda always hoped--against hope be it said--that it
wouldn't be wet. On three evenings there had been a bow in the sky, and
on the day she died rain poured in fury. With a golden key she unlocked
the life out of her bosom and moved away without fear, as if a great
light had sprung suddenly under her feet in a little dark place, into a
region where things became starkly real and one seemed to live like the
beams rolling on the tasselled corn in windy acres. There was calmness
in those translucent leagues and the undulation amid a vast implacable
light until she drifted, like a feather fallen from an unguessed star,
into a place which was extraordinarily like the noon-day world, so
green and warm was its valley.

A little combe lay between some low hills of turf, and on a green bank
beside a few large rocks was a man mending a ladder of white new-shaven
willow studded with large brass nails, mending it with hard knocks that
sounded clearly. The horizon was terraced only just beyond and above
him, for the hills rolled steeply up. Thin pads of wool hung in the
arch of the ultimate heavens, but towards the end of the valley the
horizon was crowded with clouds torn and disbattled. Two cows, a cow
of white and a cow of tan, squatted where one low hill held up, as it
were, the sunken limits of the sky. There were larks--in such places
the lark sings for ever--and thrushes--the wind vaguely active--seven
white ducks--a farm. Each nook was a flounce of blooms and a bower for
birds. Passing close to the man--he was sad and preoccupied, dressed in
a little blue tunic--she touched his arm as if to enquire a direction,
saying "Jacob!"

She did not know what she would have asked of him, but he gave her no
heed and she again called to him "Jacob!" He did not seem even to see
her, so she went to the large white gates at the end of the valley
and approached a railway crossing. She had to wait a long time, for
trains of a vastness and grandeur were passing without sound. Strange
advertisements on the hoardings and curious direction posts gathered
some of her attention. She observed that in every possible situation,
on any available post or stone, people had carved initials, sometimes a
whole name, often with a date, and Clorinda experienced a doubt of the
genuineness of some of these, so remote was the antiquity implied. At
last the trains were all gone by, and as the barriers swung back she
crossed the permanent way.

There was neither ambiguity in her movements nor surprise in her
apprehensions. She just crossed over to a group of twenty or thirty men
who moved to welcome her. They were barelegged, sandal-footed, lightly
clad in beautiful loose tunics of peacock and cinnamon, which bore not
so much the significance of colour as the quality of light. One of
them rushed eagerly forward, crying "Clorinda!" offering to her a long
coloured scarf. Strangely, as he came closer, he grew less perceivable;
Clorinda was aware in a flash that she was viewing him by some other
mechanism than that of her two eyes. In a moment he utterly disappeared
and she felt herself rapt into his being, caressed with faint caresses,
and troubled with dim faded ecstacies and recognitions not wholly
agreeable. The other men stood grouped around them, glancing with
half-closed cynical eyes. Those who stood farthest away were more
clearly seen: in contiguity a presence could only be divined, resting
only--but how admirably!--in the nurture of one's mind.

"What is it?" Clorinda asked: and all the voices replied, "Yes, we know
you!"

She felt herself released, and the figure of the man rejoined the
waiting group. "I was your husband Reuben," said the first man
slowly, and Clorinda, who had been a virgin throughout her short
life, exclaimed "Yes, yes, dear Reuben!" with momentary tremors
and a queer fugitive drift of doubt. She stood there, a spook of
comprehending being, and all the uncharted reefs in the map of her mind
were anxiously engaging her. For a time she was absorbed by this new
knowledge.

Then another voice spoke:

"I was your husband Raphael!"

"I know, I know," said Clorinda, turning to the speaker, "we lived in
Judæa."

"And we dwelt in the valley of the Nile," said another, "in the years
that are gone."

"And I too ... and I too ... and I too," they all clamoured, turning
angrily upon themselves.

Clorinda pulled the strange scarf from her shoulders where Reuben had
left it, and, handling it so, she became aware of her many fugitive
sojournings upon the earth. It seemed that all of her past had become
knit in the scarf into a compact pattern of beauty and ugliness of
which she was entirely aware, all its multiplexity being immediately
resolved ... the habitations with cave men, and the lesser human unit
of the lesser later day, Patagonian, Indian, Cossack, Polynesian, Jew
... of such stuff the pattern was intimately woven, and there were
little plangent perfect moments of the past that fell into order in
the web. Clorinda watching the great seabird with pink feet louting
above the billows that roared upon Iceland, or Clorinda hanging her
girdle upon the ebony hooks of the image of Tanteelee. She had taken
voyaging drafts upon the whole world, cataract, jungle and desert,
ingle and pool and strand, ringing the changes upon a whole gamut of
masculine endeavour ... from a prophet to a haberdasher. She could feel
each little life hung now as in a sarsnet of cameos upon her visible
breasts: thereby for these ... these _men_ ... she was draped in an
eternal wonder. But she could not recall any image of her past life in
_these_ realms, save only that her scarf was given back to her on every
return by a man of these men.

She could remember with humility her transient passions for them all.
None, not one, had ever given her the measure of her own desire, a
strong harsh flame that fashioned and tempered its own body; nothing
but a nebulous glow that was riven into embers before its beam had
sweetened into pride. She had gone from them childless always and much
as a little child.

From the crowd of quarrelling ghosts a new figure detached itself,
and in its approach it subdued that vague vanishing which had been
so perplexing to Clorinda. Out of the crowd it slipped, and loomed
lovingly beside her, took up her thought and the interrogation that
came into her mind.

"No," it said gravely, "there is none greater than these. The ultimate
reaches of man's mind produce nothing but images of men."

"But," said Clorinda, "do you mean that our ideals, previsions of a
vita-nuova...."

"Just so," it continued, "a mere intoxication. Even here you cannot
escape the singular dower of dreams ... you can be drunk with dreams
more easily and more permanently than with drugs."

The group of husbands had ceased their quarrelling to listen; Clorinda
swept them with her glances thoughtfully and doubtfully.

"Could mankind be so poor," the angel resumed, "as poor as these, if it
housed something greater than itself?"

With a groan the group of outworn husbands drew away. Clorinda turned
to her companion with disappointment and some dismay ... "I hardly
understand yet ... is this all then just...."

"Yes," it replied, "just the ghost of the world."

She turned unhappily and looked back across the gateway into the fair
combe with its cattle, its fine grass, and the man working diligently
therein. A sense of bleak loneliness began to possess her; here,
then, was no difference save that there were no correlations, no
consequences; nothing had any effect except to produce the ghost of a
ghost. There was already in the hinterland of her apprehensions a ghost
of her new ghostship: she was to be followed by herself, pursued by
figures of her own ceaseless being!

She looked at the one by her side: "Who are you?" she asked, and at the
question the group of men drew again very close to them.

"I am your unrealised desires," it said: "Did you think that the
dignity of virginhood, rarely and deliberately chosen, could be so
brief and barren? Why, that pure idea was my own immaculate birth, and
I was born, the living mate of you."

The hungry-eyed men shouted with laughter.

"Go away!" screamed Clorinda to them; "I do not want you."

Although they went she could hear the echoes of their sneering as she
took the arm of her new lover. "Let us go" she said, pointing to the
man in the combe, "and speak to him." As they approached the man he
lifted his ladder hugely in the air and dashed it to the ground so
passionately that it broke.

"Angry man! angry man!" mocked Clorinda. He turned towards her
fiercely. Clorinda began to fear him; the muscles and knots of his
limbs were uncouth like the gnarl of old trees; she made a little
pretence of no more observing him.

"Now what is it like," said she jocularly to the angel at her side, and
speaking of her old home, "what is it like now at Weston-super-Mare?"

At that foolish question the man with the ladder reached forth an ugly
hand and twitched the scarf from her shoulders.

It cannot now be told to what remoteness she had come, or on what roads
her undirected feet had travelled there, but certain it is that in
that moment she was gone.... Why, where or how cannot be established:
whether she was swung in a blast of annihilation into the uttermost
gulfs, or withdrawn for her beauty into that mysterious Nox; into some
passionate communion with the eternal husbands, or into some eternal
combat with their passionate other wives ... from our scrutiny at least
she passed for ever.

It is true there was a beautiful woman of this name who lay for a
month in a deep trance in the West of England. On her recovery she
was balladed about in the newspapers and upon the halls for quite a
time, and indeed her notoriety brought requests for her autograph from
all parts of the world, and an offer of marriage from a Quaker potato
merchant. But she tenderly refused him and became one of those faded
grey old maids who wear their virginity like antiquated armour.




THE CHERRY TREE




THE CHERRY TREE


There was uproar somewhere among the backyards of Australia Street. It
was so alarming that people at their midday meal sat still and stared
at one another. A fortnight before murder had been done in the street,
in broad daylight, with a chopper; people were nervous. An upper window
was thrown open and a startled and startling head exposed.

"It's that young devil, Johnny Flynn, again! Killing rats!" shouted
Mrs. Knatchbole, shaking her fist towards the Flynn's backyard. Mrs.
Knatchbole was ugly; she had a goitred neck and a sharp skinny nose
with an orb shining at its end, constant as grief.

"You wait, my boy, till your mother comes home, you just wait!" invited
this apparition, but Johnny was gazing sickly at the body of a big rat
slaughtered by the dogs of his friend George. The uproar was caused by
the quarrelling of the dogs, possibly for honours, but more probably,
as is the custom of victors, for loot.

"Bob down!" warned George, but Johnny bobbed up to catch the full anger
of those baleful Knatchbole eyes. The urchin put his fingers promptly
to his nose.

"Look at that for eight years old!" screamed the lady. "Eight years old
'e is! As true as God's my maker I'll...."

The impending vow was stayed and blasted for ever, Mrs. Knatchbole
being taken with a fit of sneezing, whereupon the boys uttered some
derisive "Haw haws!"

So Mrs. Knatchbole met Mrs. Flynn that night as she came from work,
Mrs. Flynn being a widow who toiled daily and dreadfully at a laundry
and perforce left her children, except for their school hours, to their
own devices. The encounter was an emphatic one and the tired widow
promised to admonish her boy.

"But it's alright, Mrs. Knatchbole, he's going from me in a week, to
his uncle in London he is going, a person of wealth, and he'll be no
annoyance to ye then. I'm ashamed that he misbehaves but he's no bad
boy really."

At home his mother's remonstrances reduced Johnny to repentance and
silence; he felt base indeed; he wanted to do something great and
worthy at once to offset it all; he wished he had got some money, he'd
have gone and bought her a bottle of stout--he knew she liked stout.

"Why do ye vex people so, Johnny?" asked Mrs. Flynn wearily. "I work my
fingers to the bone for ye, week in and week out. Why can't ye behave
like Pomony?"

His sister was a year younger than him; her name was Mona, which
Johnny's elegant mind had disliked. One day he re-baptised her; Pomona
she became and Pomona she remained. The Flynns sat down to supper.
"Never mind about all that, mum," said the boy, kissing her as he
passed her chair, "talk to us about the cherry tree!" The cherry tree,
luxuriantly blooming, was the crown of the mother's memories of her
youth and her father's farm; around the myth of its wonderful blossoms
and fruit she could weave garlands of romance, and to her own mind, as
well as to the minds of her children, it became a heavenly symbol of
her old lost home, grand with acres and delightful with orchard and
full pantry. What wonder that in her humorous narration the joys were
multiplied and magnified until even Johnny was obliged to intervene.
"Look here, how many horses _did_ your father have, mum ... really,
though?" Mrs. Flynn became vague, cast a furtive glance at this son of
hers and then gulped with laughter until she recovered her ground with;
"Ah, but there _was_ a cherry tree!" It was a grand supper--actually
a polony and some potatoes. Johnny knew this was because he was going
away. Ever since it was known that he was to go to London they had been
having something special like this, or sheep's trotters, or a pig's
tail. Mother seemed to grow kinder and kinder to him. He wished he had
some money, he would like to buy her a bottle of stout--he knew she
liked stout.

Well, Johnny went away to live with his uncle, but alas he was only two
months in London before he was returned to his mother and Pomony. Uncle
was an engine-driver who disclosed to his astounded nephew a passion
for gardening. This was incomprehensible to Johnny Flynn. A great
roaring boiling locomotive was the grandest thing in the world. Johnny
had rides on it, so he knew. And it was easy for him to imagine that
every gardener cherished in the darkness of his disappointed soul an
unavailing passion for a steam engine, but how an engine-driver could
immerse himself in the mushiness of gardening was a baffling problem.
However, before he returned home he discovered one important thing from
his uncle's hobby, and he sent the information to his sister:

  Dear Pomona,

  Uncle Harry has got a alotment and grow veggutables. He says what
  makes the mold is worms. You know we puled all the worms out off
  our garden and chukked them over Miss Natchbols wall. Well you
  better get some more quick a lot ask George to help you and I bring
  som seeds home when I comes next week by the xcursion on Moms
  birthday

                                          Your sincerely brother
                                               John Flynn

On mother's birthday Pomona met him at the station. She kissed him
shyly and explained that mother was going to have a half holiday to
celebrate the double occasion and would be home with them at dinner
time.

"Pomona, did you get them worms?"

Pomona was inclined to evade the topic of worms for the garden, but
fortunately her brother's enthusiasm for another gardening project
tempered the wind of his indignation. When they reached home he
unwrapped two parcels he had brought with him; he explained his scheme
to his sister; he led her into the garden. The Flynns' backyard, mostly
paved with bricks, was small, and so the enclosing walls, truculently
capped by chips of glass, although too low for privacy were yet too
high for the growth of any cherishable plant. Johnny had certainly
once reared a magnificent exhibit of two cowslips, but these had been
mysteriously destroyed by the Knatchbole cat. The dank little enclosure
was charged with sterility; nothing flourished there except a lot of
beetles and a dauntless evergreen bush, as tall as Johnny, displaying
a profusion of thick shiny leaves that you could split on your tongue
and make squeakers with. Pomona showed him how to do this and they then
busied themselves in the garden until the dinner siren warned them that
mother would be coming home. They hurried into the kitchen and Pomona
quickly spread the cloth and the plates of food upon the table, while
Johnny placed conspiciously in the centre, after laboriously extracting
the stopper with a fork and a hair-pin, a bottle of stout brought from
London. He had been much impressed by numberless advertisements upon
the hoardings respecting this attractive beverage. The children then
ran off to meet their mother and they all came home together with great
hilarity. Mrs. Flynn's attention having been immediately drawn to the
sinister decoration of her dining table, Pomona was requested to pour
out a glass of the nectar. Johnny handed this gravely to his parent,
saying:--

"Many happy returns of the day, Mrs. Flynn!"

"O, dear, dear!" gasped his mother merrily, "you drink first!"

"Excuse me, no, Mrs. Flynn," rejoined her son, "many happy returns of
the day!"

When the toast had been honoured Pomona and Johnny looked tremendously
at each other.

"Shall we?" exclaimed Pomona. "O yes," decided Johnny; "come on mum, in
the garden, something marvellous!"

She followed her children into that dull little den, and by happy
chance the sun shone grandly for the occasion. Behold the dauntless
evergreen bush had been stripped of its leaves and upon its blossomless
twigs the children had hung numerous couples of ripe cherries, white
and red and black.

"What do you think of it, mum?" they cried, snatching some of the
fruit and pressing it into her hands, "what do you think of it?"

"Beautiful!" replied Mrs. Flynn in a tremulous voice. The children
stared silently at their mother until she could bear it no longer. She
turned and went sobbing into the kitchen.




THE ELIXIR OF YOUTH




THE ELIXIR OF YOUTH


Since the earth began its twisting, or since very soon after it began,
there have been persons on it who perceived more or less early in
life that it was seldom possible to get something in return for quite
nothing, and that even if you did the delicate situation then arising
was attended often with at least as much personal danger as delight,
and generally with much more. Tom Toole knew all about it, so he was
not going to sell his own little white soul to the devil, though he was
sixty years of age and his soul, he expected, was shrivelled a bit now
like a dried fig. He had no faith in wishing Hats, or Magic Carpets,
or Herbs of Longevity, and he had not heard of the Philosopher's
Stone, but he had a belief in an Elixir, somewhere in the world, that
would make you young again. He had heard, too, of the Transmutation of
Metals; indeed, he had associated himself a great many years ago with
a Belfast brassfounder in the production of certain sovereigns. The
brassfounder perished under the rigours of his subsequent incarceration
in gaol, but Tom Toole had been not at all uncomfortable in the lunatic
asylum to which a compassionate retribution had assigned him. It was
in the asylum that he met the man from Kilsheelan who, if you could
believe him, really had got a 'touch' from the fairies and could turn
things he had no wish for into the things he would be wanting. The man
from Kilsheelan first discovered his gift, so he told Tom Toole, when
he caught a turtle dove one day and changed it into a sheep. Then he
turned the sheep into a latherpot just to make sure and it _was_ sure.
So he thought he would like to go to the land of the Ever Young which
is in the western country, but he did not know how he could get there
unless he went in a balloon. Sure, he sat down in his cabin and turned
the shaving-pot into a fine balloon, but the balloon was so large it
burst down his house and he was brought to the asylum. Well that was
clear enough to Tom Toole, and after he had got good advice from the
man from Kilsheelan it came into his mind one day to slip out of the
big gates of the asylum, and, believe me, since then he had walked
the roads of Munster singing his ballads, and searching for something
which was difficult to find, and that was his youth. For Tom Toole was
growing old, a little old creature he was growing, gay enough and a bit
of a philanderer still, but age is certain and puts the black teeth in
your mouth and the whiteness of water on your hair.

One time he met a strange little old quick-talking man who came to him;
he seemed just to bob up in front of him from the road itself.

"Ah, good day t'ye, and phwat part are ye fram?"

"I'm from beyant," said Tom Toole, nodding back to the Knockmealdown
Mountains where the good monks had lodged him for a night.

"Ah, God deliver ye, and indeed I don't want to know your business at
all but----but----where are ye going?"

Between his words he kept spitting, in six or seven little words there
would be at least one spit. There was yellow dust in the flaps of his
ears and neat bushes of hair in the holes. Cranks and wrinkles covered
his nose, and the skull of him was bare, but there was a good tuft on
his chin. Tom Toole looked at him straight and queer for he did not
admire the fierce expression of him, and there were smells of brimstone
on him like a farmer who had been dipping his ewes, and he almost
expected to see a couple of horns growing out of his brow.

"It's not meself does be knowing at all, good little man," said Tom
Toole to him, "and I might go to the fair of Cappoquin, or I might walk
on to Dungarvan, in the harbour now, to see will I buy a couple of
lobsters for me nice supper."

And he turned away to go off upon his road, but the little old man
followed and kept by his side, telling him of a misfortune he had
endured; a chaise of his, a little pony chaise, had been almost
destroyed, but the ruin was not so great, for a kind lady of his
acquaintance, a lady of his own denomination, had given him four pounds
one shilling and ninepence. "'Ah, not that I'm needing your money,
ma'am,' says I, 'but damage is damage,' I says, 'and it's not right,'
I says, 'that I should be at the harm of your coachman;" and there he
was spitting and going on like a clock spilling over its machinery when
he unexpectedly grasped Tom Toole by the hand, wished him Good day, and
Good luck, and that he might meet him again----

Tom Toole walked on for an hour and came to a cross roads, and there
was the same old man sitting in a neat little pony chaise smoking his
pipe.

"Where are ye going?" says he.

"Dungarvan," said Tom Toole.

"Jump in then," said the little old man, and they jogged along the road
conversing together; he was as sharp as an old goat.

"What is your aspiration?" he said, and Tom Toole told him.

"That's a good aspiration, indeed. I know what you're seeking Tom
Toole; let's get on now and there'll be tidings in it."

When Tom Toole and the little old man entered the public at Dungarvan
they met a gang of strong young fellows, mechanics and people to drive
the traction engines, for there was a circus in the town. Getting their
fill of porter, they were, and nice little white loaves; very decent
boys, but one of them a Scotchman with a large unrejoicing face, and
he had a hooky nose with tussocks of hair in the nostrils and the two
tails of hair to his moustache like an old Chinese man. Peter Mullane
was telling a tale, and there was a sad bit of a man from Bristol with
a sickness in his breast and a cough that would heave out the side of a
mountain. Peter Mullane waited while Tom Toole and his friend sat down
and then he proceeded with his tale.

"Away with ye! said the devil to Neal Carlin, and away he went to the
four corners of the world. And when he came to the first corner he saw
a place where the rivers do be rushing----"

"----the only dam thing that does rush then in this country,"
interrupted the Scotchman with a sneer.

"Shut your----" began the man from Bristol, but he was taken with the
cough, until his cheeks were scarlet and his eyes, fixed angrily upon
the Highland man, were strained to tear-drops. "Shut your----" he began
it again, but he was rent by a large and vexing spasm that rocked him,
while his friends looked at him and wondered would he be long for this
world. He recovered quite suddenly and exclaimed, "----dam face" to
that Highland man. And then Peter Mullane went on:

"I am not given to thinking," said he, "that the Lord would put a
country the like of Ireland in a wee corner of the world, and he
wanting the nook of it for thistles and the poor savages that devour
them. Well, Neal Carlin came to a place where the rivers do be
rushing----" he paused invitingly, "and he saw a little fairy creature
with fine tresses of hair sitting under a rowan tree."

"A rowan?" exclaimed the Highland man.

Peter nodded.

"A Scottish tree!" declared the other.

"O shut your----" began the little coughing man, but again his
conversation was broken, and by the time he had recovered from his
spasms the company was mute.

"If," said Peter Mullane, "you'd wish to observe the rowan in its pride
and beauty just clap your eye upon it in the Galtee Mountains. "How
would it thrive," I ask you, "in a place which was stiff with granite
and sloppy with haggis? And what would ye do, my clever man, what would
ye do, if ye met a sweet fairy woman----?"

"I'd kiss the Judy," said the Highland man spitting a great splash.

Peter Mullane gazed at him for a minute or two as if he did not love
him much.

"Neal Carlin was attracted by her, she was a sweet creature. 'Warm!'
says she to him with a friendly tone. 'Begod, ma'am, it is a hot
day,' he said, and thinks he, she is a likely person to give me my
aspiration. And sure enough when he sat down beside her she asked him,
'What is your aspiration, Neal Carlin?' and he said, 'Saving your
grace, ma'am, it is but to enjoy the world and to be easy in it.' 'That
is a good aspiration,' she said, and she gave him some secret advice.
He went home to his farm, Neal Carlin did, and he followed the advice,
and in a month or two he had grown very wealthy, and things were easy
with him. But still he was not satisfied, he had a greedy mind, and
his farm looked a drifty little place that was holding him down from
big things. So he was not satisfied though things were easy with him,
and one night before he went sleeping he made up his mind, 'It's too
small it is. I'll go away from it now and a farm twice as big I will
have, three times as big, yes, I will have it ten times as big.' He
went sleeping on the wildness of his avarice, and when he rolled off
the settle in the morning and stood up to stretch his limbs he hit
his head a wallop against the rafter. He cursed it and had a kind of
thought that the place had got smaller. As he went from the door he
struck his brow against the lintel hard enough to beat down the house.
What is come to me, he roared in his pains; and looking into his field
there were his five cows and his bullock no bigger than sheep--will
ye believe that, then--and his score of ewes no bigger than rabbits,
mind it now, and it was not all, for the very jackdaws were no bigger
than chafers and the neat little wood was no more account than a grove
of raspberry bushes. Away he goes to the surgeon's to have drops put
in his eyes for he feared the blindness was coming on him, but on his
return there was his bullock no bigger than an old boot, and his cabin
had wasted to the size of a bird-cage."

Peter leaned forward, for the boys were quiet, and consumed a deal of
porter. And the Highland man asked him, "Well, what happened!"

"Oh, he just went up to his cabin and kicked it over the hedge as you
might an old can, and then he strolled off to another corner of the
world, Neal Carlin did, whistling 'The Lanty Girl.'"

Tom Toole's friend spoke to Peter Mullane. "Did ye say it was in the
Galtee Mountains that the young fellow met the lady?"

"In the Galtee Mountains," said Peter.

"To the Galtee Mountains let us be going, Tom Toole," cried the little
old man, "Come on now, there'll be tidings in it!"

So off they drove, and when they had driven a day and slept a couple of
nights they were there, and they came to a place where the rivers do be
rushing, and there was a rowan tree, but no lady on it.

"What will we do now, Tom Toole," says the old man.

"We'll not stint it," says he, and they searched by night and by day
looking for a person who would give them their youth again. They sold
the chaise for some guineas and the pony for a few more, and they
were walking among the hills for a thousand days, but never a dust of
fortune did they discover. Whenever they asked a person to guide them
they would be swearing at them or they would jeer.

"Well, may a good saint stretch your silly old skins for ye!" said one.

"Thinking of your graves and travelling to the priest ye should be!"
said one.

"The nails of your boots will be rusty and rotten searching for the
like of that," said one.

"It's two quarts of black milk from a Kerry cow ye want," said one;
"take a sup of that and you'll be young again!"

"Of black milk," said Tom Toole's friend, "where would you get that?"

The person said he would get a pull of it in the Comeragh Mountains,
fifty miles away.

"Tom Toole," said the little old man, "It's what I'll do. I'll walk
on to the Comeragh Mountains to see what I will see, and do you go on
searching here, for to find that young girl would be better than forty
guineas worth of blather. And when I find the cow I'll take my fill of
a cup and bring you to it."

So they agreed upon it and the old man went away saying, "I'll be a
score of days, no more. Good day, Tom Toole, good day!" much as an old
crow might shout it to a sweep.

When he was gone Tom Toole journeyed about the world, and the day after
he went walking to a fair. Along the road the little ass carts were
dribbling into town from Fews and Carrigleena, when he saw a young girl
in a field trying to secure an ass.

"Oi----, Oi----!" the girl was calling out to him, and he went in the
field and helped her with the ass, which was a devil to capture, and it
not wanting. She thanked him; she was a sweet slip of a colleen with a
long fall of hair that the wind was easy with.

"'Tis warm!" she said to Tom Toole. "Begod, ma'am," says he to her
quickly, taking his cue, "it is a hot day."

"Where are ye going, Tom Toole," she asked him, and he said:

"I am seeking a little contrivance, ma'am, that will let me enjoy the
world and live easy in it. That is my aspiration."

"I'll give you what you are seeking," and she gave him a wee bottle
with red juices in it.

"Indeed, ma'am, I'm obliged to ye," and he took her by the hand and
wished her Good day and Good luck, and that he might meet her again.

When he got the elixir of youth he gave over his searching. He hid the
bottle in his breast and went up into the mountains as high as he could
go to bide the coming of the little old man. It is a queer thing but
Tom Toole had never heard the name of him--it would be some place in
the foreign corners of the world like Portugal that he had come from
no doubt. Up he went; first there was rough pasture for bullocks, then
fern and burnt furze, and then little but heather, and great rocks
strewn about like shells, and sour brown streams coming from the bog.
He wandered about for twenty days and the old man did not return, and
for forty days he was still alone.

"The divil receive him, but I'll die against his return!" And Tom Toole
pulled the wee bottle from his breast. He was often minded to lift the
cork and take a sup of the elixir of youth. "But," says he, "it would
be an unfriendly deed. Sure if I got me youth sudden I'd be off to
the wonders of the land and leave that old fool roaming till the day
of Judgment." And he would put the bottle away and wait for scores of
days until he was sick and sorry with grieving. A thousand days he was
on his lonely wanderings, soft days as mellow as cream, and hard days
when it is ribs of iron itself you would want to stiffen you against
the crack of the blast. His skimpy hair grew down to the lappet of his
coat, very ugly he was, but the little stranger sheep of the mountain
were not daunted when he moved by, and even the flibeens had the soft
call for him. A thousand days was in it, and then he said:

"Good evening to my good luck. I've had my enough of this. Sure I'll
despise myself for evermore if I wait the tide of another drifting day.
It's to-night I'll sleep in a neat bed with a quilt of down over me
heart, for I'm going to be young again."

He crept down the mountain to a neat little town and went in a room
in the public to have a cup of porter. A little forlorn old man also
came in from the road and sat down beside, and when they looked at each
other they each let out a groan. "Glory be!" says he. "Glory be," cried
Tom Toole, "its the good little man in the heel of it. Where are ye
from?"

"From the mountains."

"And what fortune is in it, did ye find the farm?"

"Divil a clod."

"Nor the Kerry cow?"

"Divil a horn."

"Nor the good milk?"

"Divil a quart, and I that dry I could be drunk with the smell of it.
Tom Toole, I have traipsed the high and the deep of this realm and
believe you me it is not in it; the long and the wide of this realm
---- not in it." He kept muttering sadly, "Not in it."

"Me good little man," cried Tom Toole, "don't be havering like an old
goat. Here it is! the fortune of the world!"

He took the wee bottle from his breast and shook it before his eyes.
"The drops that 'ull give ye your youth as easy as shifting a shirt.
Come, now, I've waited the long days to share wid ye, for I couldn't
bring myself to desart a comrade who was ranging the wild regions for
the likes of me. Many's the time I've lifted that cork, and thinks I:
he's gone and soon I'll be going, so here goes. Divil a go was in it. I
could not do it, not for silver and not for gold, and not for all the
mad raging mackerel that sleep in the sea."

The little old stranger took the wee bottle in his two hands. He was
but a quavering stick of a man now; half dead he was, and his name it
is Martin O'Moore.

"Is it the rale stuff, Tom Toole?"

"From herself I got it," he said, and he let on to him about that sweet
spoken young girl.

"Did she give you the directions on the head of it?"

"What directions is it?"

"The many drops is a man to drink!"

"No, but a good sup of it will do the little job."

"A good sup of it Tom Toole, a good sup of it, ay?" says he,
unsqueezing the cork. "The elixir of youth, a good sup of it, says you,
a good sup of it, a great good good sup of it!"

And sticking it into his mouth he drained the wee bottle of its every
red drop. He stood there looking like a man in a fit, holding the empty
bottle in his hand until Tom Toole took it from him with reproaches in
his poor old eyes. But in a moment it was his very eyes he thought were
deceiving him; not an inch of his skin but had the dew of fear on it,
for the little old man began to change his appearance quick like the
sand running through a glass or as fast as the country changes down
under a flying swan.

"Mother o' God!" screamed Martin O'Moore, "its too fast backward I'm
growing; dizzy, dizzy I am."

And indeed his bald head suddenly got the fine black hair grown upon
it, the whiskers flew away from him and his face was young. He began to
wear a strange old suit that suddenly got new, and he had grown down
through a handsome pair of trousers and into the little knickerbockers
of a boy before you could count a score. And he had a bit of a cold
just then, though he was out of it in a twink, and he let a sneeze that
burst a button off his breeches, a little tin button, which was all
that ever was found of him. Smaller and smaller he fell away, like the
dust in an hour glass, till he was no bigger than an acorn, and then
devil a bit of him was left there at all.

Tom Toole was frightened at the quiet and the emptiness and he made to
go away, but he turned in the doorway and stretching out his arms to
the empty room he whispered, "The greed, the avarice, may hell pour all
its buckets on your bad little heart! May----" But just then he caught
sight of the cup of porter that Martin O'Moore had forgotten to drink,
so he went back to drink his enough and then went out into the great
roaring world where he walked from here to there until one day he came
right back to his old asylum. He had been away for twenty years, he
was an old man, very old indeed. And there was the man from Kilsheelan
digging potatoes just inside the gates of the sunny garden.

"Tis warm!" said the traveller staring at him through the railings, but
the man from Kilsheelan only said, "Come in, Tom Toole, is it staying
or going ye are?"




FELIX TINCLER




FELIX TINCLER


The child was to have a birthday tomorrow and was therefore not uneasy
about being late home from school this afternoon. He had lost his
pencil case, a hollow long round thing it was, like a rolling-pin, only
it had green and yellow rings painted upon it. He kept his marbles
in it and so he was often in a trouble about his pencils. He had not
tried very much to find the pencil case because the boys 'deludered'
him--that's what his father always said. He had asked Heber Gleed if
he had seen it--he had strange suspicions of that boy--but Heber Gleed
had sworn so earnestly that the greengrocer opposite the school had
picked it up, he had even "saw him do it," that Felix Tincler went into
Mr. Gobbit's shop, and when the greengrocer lady appeared in answer to
the ring of the door bell he enquired politely for his pencil case.
She was tall and terrible with a squint and, what was worse, a large
velvety mole with hairs sprouting from it. She immediately and with
inexplicable fury desired him to flee from her greengrocer shop, with
a threat of alternative castigation in which a flat iron and a red-hot
pick-axe were to figure with unusual and unpleasant prominence. Well,
he had run out of Mr. Gobbit's shop and there was Heber Gleed standing
in the road giggling derisively at him. Felix walked on alone looking
in the gutters and areas for his pencil case until he encountered
another friendly boy who took him to dig in a garden where they grew
castor-oil plants. When he went home it was late; as he ran along under
the high wall of the orphanage that occupied one end of his street its
harsh peevish bell clanged out six notes. He scampered past the great
gateway under the dismal arch that always filled him with uneasiness,
he never passed it without feeling the sad trouble that a prison
might give. He stepped into his own pleasant home, a little mute, and
a little dirty in appearance; but at six years of age in a home so
comfortable and kind the eve of the day that is to turn you into seven
is an occasion great enough to yield an amnesty for peccadilloes. His
father was already in from work, he could hear him singing. He gave
his mother the sprigs he had picked from the castor-oil plant and told
her about the pencil case. The meal was laid upon the table, and while
mother was gone into the kitchen to boil the water for tea he sat down
and tried to smooth out the stiff creases in the white table cloth. His
father was singing gaily in the scullery as he washed and shaved:--

    High cockalorum,
    Charlie ate the spinach...,

He ceased for a moment to give the razor a vigorous stropping and then
continued:--

    High cockalorum,
    High cockalee....

Felix knew that was not the conclusion of the song. He listened, but
for some moments all that followed was the loud crepitation of a razor
searching a stubborn beard and the sigh of the kettle. Then a new
vigour seized the singer:--

    But mother brought the pandy down
    And bate the gree....

Again that rasping of chin briefly intervened, but the conclusion of
the cropping was soon denoted by the strong rallentando of the singer

              ... dy image,
    High cock--alorum,
    High cock--a--lee.

Mrs. Tincler brought in the teapot and her husband followed her with
his chin tightly shaven but blue, crying with mock horror:

"Faylix, my son! that is seven years old tomorrow! look at him, Mary,
the face of him and the hands of him! I didn't know there was a bog in
this parish; is it creeping in a bog you have been?"

The boy did not blench at his father's spurious austerity, he knew he
was the soul of kindness and fun.

"Go wash yourself at the sink," interposed his mother. Kevin Tincler,
taking his son by the hand, continued with mocking admonishment: "All
the fine copybooks of the world that you've filled up with that blather
about cleanliness and holiness, the up strokes very thin and the down
strokes very thick! What was it, Mary, he has let it all out of his
mind?"

"Go and wash, Felix, and come quickly and have your tea," laughed Mary
Tincler.

"Ah, but what was it--in that grand book of yours?"

The boy stood, in his short buff tunic, regarding his father with shy
amusement. The small round clear-skinned face was lovely with its
blushes of faint rose; his eyes were big and blue, and his head was
covered with thick curling locks of rich brown hair.

"Cleanliness comes next to godliness," he replied.

"Does it so, indeed?" exclaimed his father. "Then you're putting your
godliness in a pretty low category!"

"What a nonsense," said Mary Tincler as the boy left them.

The Irishman and his dark-eyed Saxon wife sat down at the table waiting
for their son.

"There's a bit of a randy in the Town Gardens tonight, Mary, dancing on
the green, fireworks! When the boy is put to bed we'll walk that way."

Mary expressed her pleasure, but then declared she could not leave the
boy alone in his bed.

"He'll not hurt, Mary, he has no fear in him. Give him the birthday
gift before we go. Whisht, he's coming!"

The child, now clean and handsome, came to his chair and looked up at
his father sitting opposite to him.

"Holy Mother!" exclaimed the admiring parent, "it's the neck of a swan
he has. Faylix Tincler, may you live to be the father of a bishop!"

After tea his father took him up on the downs for an hour. As they left
their doorway a group of the tidy but wretched orphans was marching
back into their seminary, little girls moving in double columns behind
a stiff-faced woman. They were all dressed alike in garments of charity
exact as pilchards. Gray capes, worsted stockings, straw hats with
blue bands round them, and hard boots. The boys were coming in from
a different direction, but all of them, even the minutest, were clad
in corduroy trousers and short jackets high throated like a gaoler's.
This identity of garment was contrary to the will of God, for he had
certainly made their pinched bodies diverse enough. Some were short,
some tall, dark, fair, some ugly, others handsome. The sight of them
made Felix unhappy, he shrank into himself, until he and his father
had slipped through a gap in a hedge and were going up the hill that
stretched smoothly and easily almost from their very door. The top
of the down hereabouts was quiet and lovely, but a great flank of it
two miles away was scattered over with tiny white figures playing
very deliberately at cricket. Pleasant it was up there in the calm
evening, and still bright, but the intervening valley was full of grey
ungracious houses, allotments, railway arches, churches, graveyards,
and schools. Worst of all was the dull forbidding aspect of the
Orphanage down beyond the roof of their own house.

They played with a ball and had some wrestling matches until the
declining day began to grow dim even on the hill and the fat jumbo
clouds over the town were turning pink. If those elephants fell on
him--what would they do? Why they'd mix him up like ice-cream! So said
his father.

"Do things ever fall out of the sky?"

"Rain," said Mr. Tincler.

"Yes, I know."

"Stars--maybe."

"Where do they go?"

"Oh they drop on the hills but ye can never find 'em."

"Don't Heaven ever?"

"What drop down! No," said Mr. Tincler, "it don't. I have not heard of
it doing that, but maybe it all just stoops down sometimes, Faylix,
until it's no higher than the crown of your hat. Let us be going home
now and ye'll see something this night."

"What is it?"

"Wait, Faylix, wait!"

As they crossed from the hill Mary, drawing down the blinds, signalled
to them from the window.

"Come along, Felix," she cried, and the child ran into the darkened
room. Upon the table was set a little church of purest whiteness. Kevin
had bought it from an Italian hawker. It had a wonderful tall steeple
and a cord that came through a hole and pulled a bell inside. And
that was not all; the church was filled with light that was shining
through a number of tiny arched windows, blue, purple, green, violet,
the wonderful windows were everywhere. Felix was silent with wonder;
how could you get a light in a church that hadn't a door! then Mary
lifted the hollow building from the table; it had no floor, and there
was a night-light glowing in one of her patty-pans filled with water.
The church was taken up to bed with him in the small chamber next his
parents' room and set upon a bureau. Kevin and Mary then went off to
the 'bit of devilment' in the town gardens.

Felix kept skipping from his bed, first to gaze at the church, and
then to lean out of the window in his night-shift, looking for the
lamplighter who would come to the street lamp outside. The house
was the very last and the lamp was the very last lamp on one of the
roads that led from the town and went poking out into the steady
furze-covered downs. And as the lamp was the very last to be lit
darkness was always half-fallen by the time the old man arrived at his
journey's end. He carried a pole with a brass tube on its top. There
were holes in the brass tube showing gleams of light. The pole rested
upon his shoulders as he trudged along humming huskily.

"Here he is," cried Felix, leaning from the window and waving a white
arm. The dull road, empty of traffic, dim as his mother's pantry by
day, curved slightly, and away at the other end of the curve a jet
of light had sprung into the gloom like a bright flower bursting its
sheath; a black figure moved along towards him under the Orphanage
wall. Other lamps blossomed with light and the lamplighter, approaching
the Tinclers' lamp, thrust the end of his pole into the lantern, his
head meanwhile craning back like the head of a horse that has been
pulled violently backwards. He deftly turned the tap; with a tiny dull
explosion that sounded like a doormat being beaten against the wall in
the next street the lamp was lit and the face of the old man sprang
into vague brilliance, for it was not yet utterly dark. Vague as the
light was the neighbouring hills at once faded out of recognition and
became black bulks of oblivion.

"Oi ... Oi ..." cried the child, clapping his hands. The old man's
features relaxed, he grunted in relief, the pole slid down in his palm.
As the end of it struck the pavement a sharp knock he drew an old pipe
from his pocket and lit it quite easily, although one of his hands was
deficient of a thumb and some fingers. He was about to travel back into
the sparkling town when Felix called to him:

"Soloman! Soloman!"

"Goo an to yer bed, my little billycock, or you'll ketch a fever."

"No, but what's this?" Felix was pointing to the ground below him. The
old man peered over the iron railings into the front garden that had
just sufficient earth to cherish four deciduous bushes, two plants of
marigold, and some indeterminate herbs. In the dimness of their shadows
a glowworm beamed clearly.

"That?" exclaimed he; "O s'dripped off the moon, yas, right off, moon's
wasting away, you'll see later on if you'm watch out for it, s'dripped
off the moon, right off." Chuckling, he blew out the light at the end
of his pole, and went away, but turned at intervals to wave his hand
towards the sky, crying "Later on, right off!" and cackling genially
until he came to a tavern.

The child stared at the glowworm and then surveyed the sky, but the
tardy moon was deep behind the hills. He left the open window and
climbed into bed again. The house was empty, but he did not mind,
father and mother had gone to buy him another birthday gift. He did
not mind, the church glowed in its corner on the bureau, the street
lamp shined all over the ceiling and a little bit upon the wall where
the splendid picture of Wexford Harbour was hanging. It was not gloomy
at all, although the Orphanage bell once sounded very piercingly.
Sometimes people would stroll by, but not often, and he would hear them
mumbling to each other. He would rather have a Chinese lantern first,
and next to that a little bagpipe, and next to that a cockatoo with
a yellow head, and then a Chinese lantern, and then.... He awoke; he
thought he heard a heavy bang on the door as if somebody had thrown a
big stone. But when he looked out of the window there was nobody to be
seen. The little moon drip was still lying in the dirt, the sky was
softly black, the stars were vivid, only the lamp dazzled his eyes and
he could not see any moon. But as he yawned he saw just over the downs
a rich globe of light moving very gradually towards him, swaying and
falling, falling in the still air. To the child's dazzled eyes the
great globe, dropping towards him as if it would crush the house, was
shaped like an elephant, a fat squat jumbo with a green trunk. Then to
his relief it fell suddenly from the sky right on to the down where he
and father had played. The light was extinguished and black night hid
the fire-balloon.

He scrambled back into bed again, but how he wished it was morning so
that he could go out and capture the old elephant--he knew he would
find it! When at last he slept he sank into a world of white churches
that waved their steeples like vast trunks, and danced with elephants
that had bellies full of fire and hidden bells that clanged impetuously
to a courageous pull of each tail. He did not wake again until morning
was bright and birds were singing. It was early, but it was his
birthday. There were no noises in the street yet, and he could not
hear his father or mother moving about. He crawled silently from his
bed and dressed himself. The coloured windows in the little white fane
gleamed still but it looked a little dull now. He took the cake that
mother always left at his bedside and crept down the stairs. There he
put on his shoes and, munching the cake, tiptoed to the front door. It
was not bolted, but it was difficult for him to slip back the latch
quietly, and when at last it was done and he stood upon the step he was
doubly startled to hear a loud rapping on the knocker of a house a few
doors away. He sidled quickly but warily to the corner of the street,
crushing the cake into his pocket, and then peeped back. It was more
terrible than he had anticipated! A tall policeman stood outside that
house, bawling to a woman with her hair in curl papers who was lifting
the sash of an upper window. Felix turned and ran through the gap in
the hedge and onwards up the hill. He did not wait; he thought he heard
the policeman calling out "Tincler!" and he ran faster and faster, then
slower and more slow as the down steepened, until he was able to sink
down breathless behind a clump of the furze, out of sight and out of
hearing. The policeman did not appear to be following him; he moved on
up the hill and through the soft smooth alleys of the furze until he
reached the top of the down, searching always for the white elephant
which he knew must be hidden close there and nowhere else, although
he had no clear idea in his mind of the appearance of his mysterious
quarry. Vain search, the elephant was shy or cunning and eluded him.
Hungry at last and tired he sat down and leaned against a large ant
hill close beside the thick and perfumed furze. Here he ate his cake
and then lolled, a little drowsy, looking at the few clouds in the
sky and listening to birds. A flock of rooks was moving in straggling
flight towards him, a wide flat changing skein, like a curtain of crape
that was being pulled and stretched delicately by invisible fingers.
One of the rooks flapped just over him; it had a small round hole
right through the feathers of one wing--what was that for? Felix was
just falling to sleep, it was so soft and comfortable there, when a
tiny noise, very tiny but sharp and mysterious, went "Ping!" just by
his ear, and something stung him lightly in the neck. He knelt up, a
little startled, but he peered steadily under the furze. "Ping!" went
something again and stung him in the ball of the eye. It made him
blink. He drew back; after staring silently at the furze he said very
softly, "Come out!" Nothing came; he beckoned with his forefinger and
called aloud with friendliness, "come on, come out!" At that moment
his nose was almost touching a brown dry sheath of the furze bloom,
and right before his eyes the dried flower burst with the faint noise
of "Ping!" and he felt the shower of tiny black seeds shooting against
his cheek. At once he comprehended the charming mystery of the furze's
dispersal of its seeds, and he submitted himself to the fairylike
bombardment with great glee, forgetting even the elephant until in one
of the furze alleys he came in sight of a heap of paper that fluttered
a little heavily. He went towards it; it was so large that he could
not make out its shape or meaning. It was a great white bag made of
paper, all crumpled and damp, with an arrangement of wire where the
hole was, and some burned tow fixed in it. But at last he was able to
perceive the green trunk, and it also had pink eyes! He had found it
and he was triumphant! There were words in large black letters painted
upon it which he could not read, except one word which was CURE. It
was an advertisement fire-balloon relating to a specific for catarrh.
He rolled the elephant together carefully, and carrying the mass of
it clasped in his two arms he ran back along the hill chuckling to
himself, "I'm carrying the ole elephant." Advancing down the hill to
his home he was precariously swathed in a drapery of balloon paper. The
door stood open; he walked into the kitchen. No one was in the kitchen,
but there were sharp straight voices speaking in the room above. He
thought he must have come into the wrong house, but the strange noises
frightened him into silence; he stood quite still listening to them.
He had dropped the balloon and it unfolded upon the floor, partly
revealing the astounding advertisement of

                       PEASEGOOD'S PODOPHYLLIN.

The voices above were unravelling horror upon horror. He knew by some
divining instinct that tragedy was happening to him, had indeed
already enveloped and crushed him. A mortar had exploded at the
fireworks display, killing and wounding people that he knew.

"She had a great hole of a wound in the soft part of her thigh as you
could put a cokernut in...."

"God a'mighty...."

"Died in five minutes, poor thing."

"And the husband ... they couldn't....?"

"No, couldn't identify ... they could not identify him only by some
papers in his pocket."

"And he'd got a little bagpipe done up in a package ... for their
little boy...."

"Never spoke a word...."

"Never a word, poor creature."

"May Christ be good to 'em."

"Yes, yes," they all said softly.

The child walked quietly up the stairs to his mother's bedroom. Two
policemen were there making notes in their pocket books, their helmets
lying on the unused bed. There were also three or four friendly women
neighbours. As he entered the room the gossip ceased abruptly. One of
the women gasped "O Jesus!" and they seemed to huddle together eyeing
him as if he had stricken them with terror. With his fingers still upon
the handle of the door he looked up at the tallest policeman and said:

"What's the matter?"

The policeman did not reply immediately; he folded up his notebook, but
the woman who had gasped came to him with a yearning cry and wrapped
him in her protesting arms with a thousand kisses.

"Ye poor lamb, ye poor little orphan, whatever 'ull become of ye!"

At that moment the bell of the Orphanage burst into a peal of harsh
impetuous clangour and the policemen picked up their helmets from the
bed.




CRAVEN ARMS




CRAVEN ARMS


All schools since the beginning of time have been modern at some period
of their existence, but this one was modern, so the vicar declared,
because it was so blessedly hygienic; the townspeople were perhaps
proudest of its evening classes, very advanced they were--languages,
sciences, arts--and very popular. The school was built upon a high
tree-arboured slope overlooking the snug small town and on its western
side stared ambiguously at a free upland country that was neither
small nor snug. The seventeen young women and the nine young men
who comprised the evening sketching class were definitely, indeed
articulately, inartistic; they were as unæsthetic as pork pies, all
except Julia Tern, a golden-haired pure-complexioned fawn of a girl
whose talent was already beyond the reach of any instruction the
teacher could give. He could not understand why she continued to attend
his classes.

One evening she brought for his criticism a portrait sketch of himself.

"This is extraordinarily beautiful," he murmured.

"Yes," said Julia.

"I mean the execution, the presentation and so on."

Julia did not reply. He stared at her picture of him, a delicately
modelled face with a suggestion of nobility, an air that was kind as it
was grave. The gravity and nobility which so pleased him were perhaps
the effect of a high brow from which the long brown hair flowed thinly
back to curve in a tidy cluster at his neck. Kindness beamed in the
eyes and played around the thin mouth, sharp nose and positive chin.
What could have inspired her to make this idealisation of himself,
for it was idealisation in spite of its fidelity and likeness? He
knew he had little enough nobility of character--too little to show
so finely--and as for that calm gravity of aspect, why gravity simply
was not in him. But there it was on paper, deliberate and authentic,
inscribed with his name--_David Masterman_ 1912.

"When, how did you come to do it?"

"I just wanted it, you were a nice piece, I watched you a good deal,
and there you are!" She said it jauntily, but there was a pink flush in
her cheeks.

"It's delicious," he mused, "I envy you. I can't touch a decent
head--not even yours. But why have you idealised me so?" He twitted her
lightly about the gravity and nobility.

"But you are like that, you are. That's how I see you at this moment."

She did not give him the drawing as he hoped she would. He did not care
to ask her for it--there was delicious flattery in the thought that she
treasured it so much.

Masterman was a rather solitary man of about thirty. He lived alone
in a bungalow away out of the town and painted numbers of landscapes,
rather lifeless imitations, as he knew, of other men's masterpieces.
They were frequently sold.

Sometimes on summer afternoons he would go into woods or fields with
a few of his pupils to sketch or paint farmhouses, trees, clouds,
stacks, and other rural furniture. He was always hoping to sit alone
with Julia Tern; but there were other loyal pupils who never missed
these occasions, among them the two Forrest girls, Ianthe, the younger,
and Katherine, daughters of a thriving contractor. Julia remained
inscrutable, she gave him no opportunities at all: he could never
divine her feelings or gather any response to his own, but there could
be no doubt of the feelings of the Forrest girls--they quite certainly
liked him, liked him enormously, and indeed could have had no other
reason for continuing in his classes, both being as devoid of artistic
grace as an inkstand. They brought fruit or chocolate to the classes
and shared them with him. Their attentions, their mutual attentions,
were manifested in many ways, small but significant and kind. On such
occasions Julia's eyes seemed to rest upon him with an ironical gaze.
It was absurd. He liked them well enough, and sometimes from his shy
wooing of the adorable but enigmatic Julia he would turn for solace to
Ianthe. Yet strangely enough it was Kate, the least alluring to him of
the three girls, who took him to her melancholy heart.

Ianthe was a little bud of womanhood, dark-haired but light-headed,
dressed in cream-coloured clothes. She was small and right and tight,
without angularities or rhythms, just one dumpy solid roundness. But
she had an extraordinary vulgarity of speech, if not of mind, that
exacerbated him, and in the dim corridors of his imagination she did
not linger; she scurried as it were into doorways or upon twisting
staircases or stood briefly where a loop of light fell upon her hair,
her dusky face, her creamy clothes and her delightful rotundities. She
had eyes of indiscretion and a mind like a hive of bees, it had such a
tiny opening and was so full of a cloying content.

One day he suddenly found himself alone with Ianthe in a glade of larch
trees which they had all been sketching. They had loitered. He had been
naming wild flowers which Ianthe had picked for the purpose and then
thrown wantonly away. She spied a single plant of helleborine growing
in the dimness under the closely planted saplings.

"Don't! don't!" he cried. He kept her from plucking it and they knelt
down together to admire the white virginal flower. His arm fell
around Ianthe's waist in a light casual way. He scarcely realised its
presumption. He had not intended to do it; as far as that went he did
not particularly want to do it, but there his arm was. Ianthe took no
notice of the embrace and he felt foolish, he could not retreat until
they rose to walk on; then Ianthe pressed close to his side until his
arm once more stole round her.

"Heavens above," she said, "you do get away with it quick!"

"Life's short, there's no time to lose, I do as I'd be done by."

"And there are so many of us! But glory," said the jolly girl, taking
him to her bosom, "in for a penny, in for a pound."

She did not pick any more flowers, and soon they were out of the wood
decorously joining the others. He imagined that Julia's gaze was full
of irony, the timid wonder in Kate's eyes moved him uncomfortably,
there was something idiotic in the whole affair.

Until the end of the summer he met Ianthe often enough in the little
town or in the city three miles further off. Her uncouthness still
repelled him and sometimes he disliked her completely, but she was
always happy to be with him, fond and gay with all the endearing
alertness of a pert bird.

Her sister Kate was not just the mere female that Ianthe was; at once
sterner and softer her passions were more strong but their defences
stood solid as a rock. In spite of her reserve she was always on the
brink of her emotions, and they, unhappily for her, were often not
transient, but enduring. She was nearly thirty, still unwed. Her dark
beauty, for she, too, was fine, seemed to brood in melancholy over his
attentions to the other two women. She was quiet, she had little to
say, she seemed to stand and wait.

One autumn night after the pupils had gone home from school he walked
into the dim lobby for his hat and coat. Kate Forrest was there. She
stood with her back to him adjusting her hat. She did not say a word
nor did he address her. They were almost touching each other, there was
a pleasant scent about her. In the class-room behind the caretaker was
walking about the hollow sounding floor, humming loudly as he clapped
down windows and mounted the six chairs to turn out the six gas lamps.

When the last light through the glazed door was gone and the lobby was
completely dark Kate all at once turned to him, folded him in her arms,
and held him to her breast for one startling moment, then let him go,
murmuring "O ... O." It made him strangely happy. He pulled her back in
the gloom, whispering tender words. They walked out of the hall into
the dark road and stopped to confront each other. The road was empty
and dark except for a line of gas lamps that gleamed piercingly bright
in the sharp air and in the polished surface of the road that led
back from the hill down past her father's villa. There were no lamps
in the opposite direction and the road groped its way out into the
dark country where he lived, a mile beyond the town. It was windy and
some unseen trees behind a wall near them swung and tossed with many
pleasant sounds.

"I will come a little way with you," Kate said.

"Yes, come a little way," he whispered, pressing her arm, "I'll come
back with you."

She took his arm and they turned towards the country. He could think of
nothing to say, he was utterly subdued by his surprise: Kate was sad,
even moody; but at last she said slowly: "I am unlucky. I always fall
in love with men who can't love me."

"O but I can and do, dear Kate," he cried lightly, "love me, Kate, go
on loving me, I'm not, well, I'm not very wicked."

"No, no, you do not." She shook her head mournfully; after a few
moments she added: "It's Julia Tern."

That astonished him too. How could she have known it! How could anyone
have known--even Julia herself. It was queer that she did not refer to
his friendship with Ianthe; he thought that was much more obvious than
his love for Julia. In a mood that he only half understood he began
to deny her reproachful charge. "Why, you must think me very fickle
indeed. I really love you, dear Kate, really you."

His arm was around her neck, he smoothed her cheek fondly against his
own. She returned his caresses, but he could glimpse the melancholy
doubt in her averted eyes.

"We often talk of you, we often talk of you at night in bed, often."

"What do you say about me--in bed? Who?"

"Ianthe and me. She likes you."

"She likes me! What do you say about me--in bed?"

He hoped Ianthe had not been indiscreet, but Kate only said: "She
doesn't like you as I do--not like this."

Soon they began to walk back towards the town. He smiled once when, as
their footsteps clattered irregularly upon the hard clean road, she
skipped to adjust the fall of her steps to his.

"Do not come any further," she begged, as they neared the street lamps.
"It doesn't matter, not at all, what I've said to you. It will be all
right. I shall see you again."

Once more she put her arms around his neck, murmuring "Good-night,
good-night, good-night."

He watched her go quietly away. When he turned homeward his mind was
full of thoughts that were only dubiously pleasant. It was all right,
surprisingly sweet, but it left him uneasy. He managed to light a
cigarette, but the wind blew smoke into his eyes, tore the charred end
into fiery rags, and tossed the sparkles across his shoulder. If it
had only been Julia Tern!--or even Ianthe!--he would have been wholly
happy. Kate was good-looking, but these quietly passionate advances
disturbed him. Why had he been so responsive to her? He excused
himself, it was quite simple; you could not let a woman down, a loving
woman like that, not at once, a man should be kind. But what did she
mean when she spoke of always falling in love with men who did not like
her?

He tossed the cigarette away and turned up the collar of his coat,
for the faintest fall of warm rain blew against his face like a soft
beautiful net. He thrust his hands into his pockets and walked sharply
and forgettingly home.


2

Three miles away from the little town was the big city with tramways,
electric light, factories, canals, and tens of thousands of people,
and there a few nights later he met Ianthe. Walking around and away
from the happy lighted streets they came out upon the bank of a canal
where darkness and loneliness were intensified by the silent passage
of black water whose current they could define but not see. As they
stepped warily along the unguarded bank he embraced her. Even as he did
so he cursed himself for a fool to be so fond of this wretched imp of a
girl. In his heart he believed he disliked her, but he was not sure.
She was childish, artful, luscious, stupid--this was no gesture for a
man with any standards. Silently clutching each other they approached
an iron bridge with lamps upon it and a lighted factory beyond it. The
softly-moving water could now be seen; the lamps on the bridge let down
thick rods of light into its quiet depths, and beyond the arch the
windows of the factory, inverted in the stream, bloomed like baskets of
fire with flaming fringes. A boy shuffled across the bridge whistling a
tune; there was the distant rumble and trot of a cab. Then all sounds
melted into quiet without one wave of air. Ianthe was replying to him:

"No, no, I like it, I like you." She put her brow against his breast:
"I like you, I like you."

His embracing hand could feel the emotion streaming within the girl.

"Do you like me better than her?"

"Than whom," he asked.

Ianthe was coy. "You know, you know."

Masterman's feelings were a mixture of perturbation and delight,
delight at this manifestation of jealousy of her sister which was an
agreeable thing, anyway, for it implied a real depth of regard for
him; but he was perturbed, for he did not know what Kate had told this
sister of their last strange meeting.

He saluted her again, exclaiming:

"Never mind her. This our outing, isn't it?"

"I don't like her," Ianthe added naively, "she is so awfully fond of
you."

"O confound her," he cried; and then: "You mustn't mind me saying that
so, so sharply; you don't mind, do you?"

Ianthe's lips were soft and sweet. Sisters were quite unscrupulous,
Masterman had heard of such cases before, but he had tenderness and a
reluctance to wound anybody's susceptibility, let alone the feelings of
a woman who loved. He was an artist not only in paint but in sentiment,
and it is possible that he excelled in the less tangible medium.

"It's a little awkward," he ventured. Ianthe didn't understand, she
didn't understand that at all.

"The difficulty, you see," he said, with the air of one handling
whimsically a question of perplexity that yet yielded its amusement,
"is ... is Kate."

"Kate?" said Ianthe.

"She is so--so gone, so absolutely gone."

"Gone?"

"Well, she's really, really in love, deeply, deeply," looking away
anywhere but at her sister's eyes.

"With Chris Halton, do you mean?"

"Ho, ho!" he laughed. "Chris who? Lord, no! With me, with me, isn't
she?"

"With you!"

But Ianthe was quite positive, even a little ironical, about that. "She
is not. She rather dislikes you, Mr. Prince Charming, so there! We
speak of you sometimes at night, in bed--we sleep together. She knows
what I think of you. But she's quite, well, she doesn't like you at
all--she acts the heavy sister."

"O!" said Masterman, groping as it were for some light in his darkness.

"She--what do you think?--she warns me against you," Ianthe continued.

"Against me?"

"As if I care. Do you?"

"No, no! I don't care."

They left the dark bank where they had been standing and walked along
to the bridge. Halfway up its steps to the road he paused, and asked:
"Then who is it that is so fond of me?"

"O, you know, you know." Ianthe nestled blissfully in his arm again.

"No, but who is it; I may be making another howler, I thought you meant
Kate; what did she warn you of, I mean against me?"

They were now in the streets again, walking towards the tram centre.
The shops were darkened and closed, but the cinemas lavished their
unwanted illuminations on the street. There were no hurrying people,
there was just strolling ease; the policemen at corners were chatting
to other policemen now in private clothes. The brilliant trams rumbled
and clanged and stopped, the saloons were full and musical.

"What did she warn you against?" he repeated.

"You," chuckled Ianthe.

"But what about? What has she got against me?"

"Everything. You know. You know you do." The archness of Ianthe was
objectively baffling, but under it all he read the significance, its
invitation.

He waited beside her for a tram, but when it came he pleaded a further
engagement in the city and left her rather crest-fallen to her journey.
He had no other engagement, he only wanted to be alone to sort out the
things she had dangled before his mind, so he boarded the next car and
walked from the Tutsan terminus to his cottage. Both girls were fond
of him, then--Ianthe's candour left him no room for doubt--and they
were both lying to each other about him. Well, he didn't mind that, he
lied himself whenever it was necessary or suited him. Not often, but
when truth was inappropriate to a sensitive-minded man, this was his
protective colouring. Why after all should sympathetic mendacity be a
monopoly of polite society?

"But it's also the trick of thieves and seducers," he muttered to
himself. "I'm not a thief, no, I'm not a thief. As for the other thing,
well, what is there against me--nothing, nothing at all." But a strange
voiceless sigh seemed to echo from the trees along the dark road; he
walked on more rapidly.

Three women! There was no doubt either about the third, Ianthe had
thought of Julia, too, just as Kate had. What a fate for a misogamist!
He felt like a mouse being taken for a ride in a bath chair. He had
an invincible prejudice against marriage, not as an institution but
because he was perfectly aware of his incapacity for faithfulness. His
emotions were deep but unprolonged, they were fickle. Love was love,
but marriage turned love into the stone of Sisyphus. At the sound of
the marriage bell--a passing bell--earth at his feet would burst into
flame and the sky above would pour upon him an unquenching profusion
of tears. Love was a fine ennobling thing, but though he had the will
to love he knew beyond the possibility of doubt that his capacity for
love was a meandering strengthless thing. Even his loyalty to Julia
Tern--and that had the strongest flavour of any such emotion that had
ever beset him, no matter how brief its term--even that was a deviating
zig-zag loyalty. For he wanted to go on being jolly and friendly with
Ianthe if only Julia did not get to know. With Kate, too, that tender
melancholy woman. She would be vastly unhappy. Who was this Christopher
whom Ianthe fondly imagined her sister to favour? Whoever he was, poor
devil, he would not thank D. M. for his intervention. But he would drop
all this; however had he, of all men, come to be plumped so suddenly
into a state of things for which he had shown so little fancy in the
past? Julia would despise him, she would be sure to despise him, sure
to; and yet if he could only believe she would not it would be pleasant
to go on being friendly with Ianthe pending ... pending what?

Masterman was a very pliant man; but as things shaped themselves for
him he did not go a step further with Ianthe, and it was not to Julia
at all that he made love.


3

The amour, if it may be described as such, of David Masterman and
Kate Forrest took a course that was devoid of ecstasy, whatever other
qualities may have illuminated their desires. It was an affair in which
the human intentions, which are intellectual, were on both sides strong
enough to subdue the efforts of passion, which are instinctive, to rid
itself of the customary curbs, and to turn the clash of inhibitions
wherein the man proposes and the woman rejects into a conflict not
of ideal but of mere propriety. They were like two negative atoms
swinging in a medium from which the positive flux was withdrawn; for
them the nebulæ did not 'cohere into an orb.'

Kate's fine figure was not so fine as Julia Tern's; her dusky charms
were excelled by those of Ianthe; but her melancholy immobility,
superficial as it was, had a suggestive emotional appeal that won
Masterman away from her rivals. Those sad eyes had but to rest on
his and their depths submerged him. Her black hair had no special
luxuriance, her stature no unusual grace; the eyes were almost blue and
the thin oval face had always the flush of fine weather in it; but her
strong hands, though not as white as snow, were paler than milk, their
pallor was unnatural. Almost without an effort she drew him away from
the entangling Ianthe, and even the image of Julia became but a fair
cloud seen in moonlight, delicate and desirable but very far away; it
would never return. Julia had observed the relations between them--no
discerning eye could misread Kate's passion--and she gave up her class,
a secession that had a deep significance for him, and a grief that he
could not conceal from Kate though she was too wise to speak of it.

But in spite of her poignant aspect--for it was in that appearance
she made such a powerful appeal to Masterman; the way she would wait
silently for him on the outside of a crowd of the laughing chattering
students was touching--she was an egotist of extraordinary type. She
believed in herself and in her virtue more strongly than she believed
in him or their mutual love. By midsummer, after months of wooing, she
knew that the man who so passionately moved her and whose own love she
no less powerfully engaged was a man who would never marry, who had a
morbid preposterous horror of the domesticity and devotion that was her
conception of living bliss. "The hand that rocks the cradle rocks the
world," he said. He, too, knew that the adored woman, for her part,
could not dream of a concession beyond the limits her virginal modesty
prescribed. He had argued and stormed, sworn that baffled love turns
irrevocably to hatred. She did not believe him, she even smiled, but
he had behaved grossly towards her, terrified her, and they parted in
anger.

He did not see her for many weeks. He was surprised and dismayed, his
misery was so profound. He knew he had loved her; he had not doubted
its sincerity, but he had doubted its depth. Then one September evening
she had come back to the class and afterwards she had walked along the
road with him towards his home.

"Come to my house," he said, "you have never been to see it."

She shook her head. It was getting dark and they walked on past his
home further into the country. The eve was late, but it had come
suddenly without the deliberation of sunset or the tenuity of dusk.
Each tree was a hatful of the arriving blackness. They stood by a white
gate under an elm, but they had little to say to each other.

"Come to my house," he urged again and again. She shook her head. He
was indignant at her distrust of him. Perhaps she was right, but he
would never forgive her. The sky was now darker than the road; the
sighing air was warm, with drifting spots of rain.

"Tell me," she suddenly said, taking his arm, "has anybody else ever
loved you like that."

He prevaricated: "Like what?" He waited a long time for her answer. She
gave it steadily. "Like you want me to love you."

He, too, hesitated. He kissed her. He wanted to tell her it was not
wise to pry.

"Tell me," she urged, "tell me."

"Yes," he replied. He could not see her plainly in the darkness, but he
knew of the tears that fell from her eyes.

"How unreasonable!" he thought, "how stupid!" He began to tell the
truth to her, about his feelings towards her, and towards those others,
and about themselves--the truth as he conceived it.

She was almost alarmed, certainly shocked.

"But you don't believe such things," she almost shivered, "I'm sure you
don't, it isn't right, it is not true."

"It may not be true," he declared implacably, "but I believe it. The
real warrant for holding a belief is not that it is true but that it
satisfies you."

She did not seem to understand that; she only answered irrelevantly,
"I'll make it up to you some day. I shall not change, David, towards
you. We have got all our lives before us. I shan't alter, will you?"

"Not alter!" he began angrily, but then subduedly added, with a grim
irony that she did not gather in; "No, I shall not alter." She leaned
upon his breast murmuring: "I'll make it all up to you, some day."

He felt like a sick-minded man and was glad when they parted. He went
back to his cottage grumbling audibly to himself. Why could he not
take this woman with the loving and constant heart and wed her? He
did not know why, but he knew he never would do that. She was fine
to look upon, but she had ideas (if you could call them ideas) which
he disliked. Her instincts and propensities were all wrong, they
were antagonistic to him, just as, he felt, his were antagonistic to
her. What was true, though, was her sorrow at what she called their
misunderstandings; and what was profound, what was almost convincing,
was her assumption (which but measured her own love for him) that he
could not cease to love _her_. How vain that was. He had not loved
any woman in the form she thought all love must take. These were not
misunderstandings, they were just simply at opposite ends of a tilted
beam; he the sophisticated, and she the innocent beyond the reach
of his sophistries. But Good Lord! what did it all matter? what did
anything matter? He would not see her again. He undressed, and got into
bed. He thought of Julia, of Ianthe, of Kate.... He had a dream in
which he lay in a shroud upon a white board and was interrogated by a
saint who carried a reporter's notebook and a fountain pen.

"What is your desire, sick-minded man?" the saint interrogated him,
"what consummation would exalt your languid eyes?"

"I want the present not to be. It is neither grave nor noble."

"Then that _is_ your sickness. That mere negation is at once your hope
and end."

"I do not know."

"If the present so derides the dignified past surely your desire lies
in a future incarnating beautiful old historic dreams?"

"I do not know."

"Ideals are not in the past. They do not exist in any future. They rush
on, and away, beyond your immediate activities, beyond the horizons
that are for ever fixed, forever charging down upon us."

"I do not know."

"What is it you do know?" asked the exasperated Saint, jerking his
fountain pen to loosen its flow, and Masterman replied like a lunatic:

"I know that sealing wax is a pure and beautiful material, and you get
such a lot of it for a penny."

He woke and could not sleep again. He cursed Kate, he jeered at Julia,
he anathematised Ianthe, until the bright eye of morning began to gild
once more their broken images.


4

For a time the breach between them could not be healed, and during
its interregnum he began to meet Ianthe again. But her eager devotion
had lost its savour now, and he was conscious of his own mere amorous
predacity, of treason to the dumb but benignant Kate, the sad-visaged
woman whose chilly regard had riveted him, whose reproach unspoken and
indeed unseen hovered almost annoyingly in his imagination.

Ianthe behaved evilly to Kate when she discovered that mutual
infatuation for their one lover. Echoes of the sisters' feud, at first
dim, but soon crashingly clear, reached him, touched him and moved
him on Kate's behalf; all his loyalty belonged to her. What did it
matter that he could not fathom his desire for her, or that Ianthe
was his for a word, or that Kate's implacable virtue still offered its
deprecatory hand, when Kate herself came back to him?

Kate was devout in the perfunctory way that denotes no apprehension
of the mystery of sublime recognitions but is yet an effectual moral
breakwater, she could be neither saint nor sinner. But her mind held
fast to its promise: she would make it up, she would make it all up
some day: and she did not feel or know that this was as much a promise
to herself as to the man she loved.

They were to spend a picnic day together and she went to him for
breakfast. Her tremours of propriety were fully exercised as she cycled
along to his home; she was too fond of him and he was more than fond of
her. But all her qualms were lulled, he did not appear in any of the
half-anticipated _negligé_, he was beautifully and amusingly at home.

"My dear!" he exclaimed in the enjoyment of her presence; she stood
staring at him as she removed her wrap, the morn though bright being
fresh and cool: "Why do I never do you justice! Why do I half forget!
You are marvellously irresistibly lovely. How do you do it--or how do I
fail so?"

She could only answer him with blushes. His bungalow had but two rooms,
both on the ground floor, one a studio and the other his living and
sleeping room. It was new, built of bricks and unpainted boards. The
interior walls were unplastered and undecorated except for three small
saucepans hung on hooks, a shelf of dusty volumes, and nails, large
rusty nails projecting everywhere, one holding a discarded collar
and a clothes brush. A tall flat cupboard contained a narrow bed to
be lowered for sleeping; huge portmanteaus and holdalls reposed in a
corner beside a bureau; there was a big brass candle-pan on a chair
beside the round stove. While he prepared breakfast the girl walked
about the room, making shy replies to his hilarious questions. It
was warm in there, but to her tidy comfort-loving heart the room was
disordered and bare. She stood looking out of the window; the April air
was bright but chilly, the grass in thin tufts fluttered and shivered.

"It is very nice," she said to him once, "but it's strange, and I feel
that I ought not to be here."

"O, never mind where you ought to be," he cried, pouring out the
coffee, "that's where you are, you suit the place, you brighten and
adorn it, it's your native setting, Kate. No--I know exactly what is
running in your mind, you are going to ask if I suffer loneliness here.
Well, I don't. A great art in life is the capacity to extract a flavour
from something not obviously flavoured, but here it is all flavour.
Come and look at things."

He rose and led her from egg and toast to the world outside. Long
fields of pasture and thicket followed a stream that followed other
meadows, soon hidden by the ambulating many-folding valleys, and so
on to the sea, a hundred miles away. Into his open door were blown,
in their season, balls of thistledown, crisp leaves, twigs and dried
grass, the reminder, the faint brush, of decay. Airs of wandering winds
came in, odours of herbs, the fragrance of viewless flowers. The land
in some directions was now being furrowed where corn was greenly to
thrive, to wave in glimmering gold, to lie in the stook, to pile on
giant stack. Horses were trailing a harrow across an upland below the
park, the wind was flapping the coats of the drivers, the tails and
manes of the horses, and heaving gladly in trees. A boy was firing
some heaps of scutch grass and the smoke wore across the land in dense
deliberate wreaths. Sportsmen's guns were sounding from the hollow park.

Kate followed Masterman around his cottage; he seemed to be fascinated
by the smoke, the wind, the horses and men.

"Breakfast will be cold."

How queerly he looked at her before he said: "Yes, of course, breakfast
will be getting cold," and then added, inconsequently: "Flowers are
like men and women, they either stare brazenly at the sun or they bend
humbly before it: but even the most modest desire the sun."

When he spoke like that she always felt that the words held a
half-hidden, perhaps libidinous, meaning, which she could not
understand but only guess at; and she was afraid of her guesses. Full
of curious, not to say absurd, superstitions about herself and about
him, his strange oblique emotions startled her virginal understanding;
her desire was to be good, very very good, but to be that she could not
but suspect the impulses of most other people, especially the impulses
of men. Well, perhaps she was right: the woman who hasn't any doubts
must have many illusions.

He carried a bag of lunch and they walked out into the day. Soon the
wind ceased, the brightness grew warm, the warmth was coloured; clouds
lolled in the air like tufts of lilac. At the edge of a spinney they
sat down under a tree. Boughs of wood blown down by the winter gales
were now being hidden by the spring grass. A rabbit twenty yards away
sat up and watched the couple, a fat grey creature. "Hoi!" cried Kate,
and the rabbit hopped away. It could not run very fast, it did not seem
much afraid.

"Is it wounded?" she asked.

"No, I think it is a tame one, escaped from a farm or a cottage near
us, I expect."

Kate crept after it on hands and knees and it let her approach. She
offered it the core of an apple she had just eaten. The rabbit took
it and bit her finger. Then Kate caught it by the ears. It squealed
but Kate held it to her bosom with delight, and the rabbit soon rested
there, if not with delight at least with ease. It was warm against her
breast. It was delicious to feel it there, to pull its ears and caress
its fat flank, but as she was doing this she suddenly saw that its
coat was infested with fleas. She dropped the rabbit with a scream of
disgust and it rushed into the thicket.

"Come here," said Masterman to her, "let me search you, this is
distressing."

She knelt down before him and in spite of her wriggling he reassured
her. "It's rather a nice blouse," he said.

"I don't care for it. I shall not wear it again. I shall sell it to
some one or give it to them."

"I would love to take it from you...."

"You! Take it from me?"

"Yes, stitch by stitch."

With an awkward movement of her arm she thrust at his face, crying
loudly "No, how dare you speak to me like that!"

"Is it very daring?" For a moment he saw her clenched hands, detestably
bloodless, a symbol of roused virtue; but at once her anger was gone,
Kate was contrite and tender. She touched his face with her white
fingers softly as the settling of a moth. "O, why did we come here?"

He did not respond to her caresses, he was sullen, they left the
spinney; but as they walked she took his arm murmuring:

"Forgive me, I'll make it all up to you, some day."

Coyness and cunning, passion and pride, were so much at odds that later
on they quarrelled again. Kate knew that he would neither marry her nor
let her go; she could neither let him go nor keep him. This figure of
her distress amused him, he was callously provoking, and her resentment
flared out at the touch of his scorn. With Kate there seemed to be no
intermediate stages between docility and fury, or even between love and
hatred.

"Why are you like this?" she cried, beating her pallid hands together,
"I have known you for so long."

"Ah, we have known each other for so long, but as for really knowing
you--no! I'm not a tame rabbit to be fondled any more."

She stared for a moment, as if in recollection; then burst into
ironical laughter. He caught her roughly in his arms but she beat him
away.

"O, go to ... go to...."

"Hell?" he suggested.

"Yes," she burst out tempestuously, "and stop there."

He was stunned by her unexpected violence. She was coarse, like Ianthe,
after all. But he said steadily:

"I'm willing to go there, if you will only keep out of my way when I
arrive."

Then he left her standing in a lane: he hurried and ran, clambering
over stiles and brushing through hedges, anything to get away from the
detestable creature. She did not follow him and they were soon out
of sight of each other. Anger and commination swarmed to his lips, he
branded her with frenzied opprobrium and all the beastliness that was
in him. Nothing under heaven should ever persuade him to approach the
filthy beast again, the damned intolerable drab, never, never again,
never.

But he came to a bridge. On it he rested. And in that bright air, that
sylvan peace, his rancour fell away from him, like sand from a glass,
leaving him dumb and blank at the meanness of his deed. He went back
to the lane as fast as he could go. She was not there. "Kate, Kate, my
dove!" But he could not find her.

He was lost in the fields until he came at last upon a road and a
lonely tavern thereby. It had a painted sign; a very smudgy fox,
in an inexplicable attitude, destroying a fowl that looked like
a plum-pudding but was intended to depict a snipe. At the stable
door the tiniest black kitten in the world was shaping with timid
belligerency at a young and fluffy goose who, ignoring it, went on
sipping ecstatically from a pan of water. On the door were nailed, in
two semi-circles of decoration, sixteen foxpads in various stages of
decay, an entire spiral shaving from the hoof of a horse, and some
chalk jottings:

    _2 pads._
    _3 cruppers._
    _1 bellyband._
    _2 set britchin._

The tavern was long and low and clean, its garden was bare but trim.
There was comfort; he rested, had tea, and then in the bar his musings
were broken upon by a ragged importunate old pedlar from Huddersfield.

"Born and bred in Slatterwick, it's no lie ah'm speaking, ah were born
and bred Slatterwick, close to Arthur Brinkley's farm, his sister's in
Canady, John Orkroyd took farm, Arthur's dead."

"Humph!"

"And buried. That iron bridge at Jackamon's belong to Daniel Cranmer.
He's dead."

"Humph!"

"And buried. From the iron bridge it's two miles and a quarter to
Herbert Oddy's, that's the _Bay Horse_, am ah right, at Shelmersdyke.
Three miles and three-quarters from Dyke to the _Cock & Goat_ at
Shapley Fell, am ah right?"

Masterman, never having been within a hundred miles of Yorkshire,
puffed at his cigarette, and nodded moodily, "I suppose so" or "Yes,
yes."

"From Arthur Brinkley's to th' iron bridge is one mile and a half and a
bit, and from Arthur Brinkley's to Jury Cartright's is just four mile.
He's dead, sir."

"Yes."

"And buried. Is that wrong? Am ah speaking wrong? No. It's a long step
from yon, rough tramp for an old man."

Masterman--after giving sixpence to the pedlar who, uttering a
benediction, pressed upon him a card of shirt buttons--said "Good
evening," and walked out to be alone upon the road with his once angry
but now penitent mind. "Kate, poor dear Kate!"

The sun was low down lolling near the horizon but there was an
astonishing light upon the land. Cottage windows were blocks of solid
gold in this lateral brilliance, shafts of shapely shade lay across
leagues of fields, he could have counted every leaf among the rumpled
boskage of the sycamores. A vast fan of indurated cloud, shell-like and
pearly, was wavering over the western sky, but in the east were snowy
rounded masses like fabulous balloons. At a cross road he stood by an
old sign post, its pillar plastered with the faded bill of a long ago
circus. He could read every word of it but when he turned away he found
everything had become dimmer. The wind arose, the forest began to roar
like a heaving beast. All verdurous things leaned one way. A flock of
starlings flew over him with one movement and settled on a rolling
elm. How lonely it was. He took off his hat. His skull was fearfully
tender--he had dabbed it too hard with his hairbrush that morning. His
hair was growing thin, like his youth and his desires.

What had become of Kate, where had she hidden? What _would_ be the
end of it all? He would never see her again. He disliked everything
about her, except herself. Her clothes, her speech, her walk, the
way she carried her umbrella, her reticence that was nothing if
not conspicuous, her melancholy, her angular concrete piety, her
hands--in particular he disliked her pale hands. She had a mind that
was cultivated as perfunctorily as a kitchen garden, with ideas like
roots or beans, hostilities like briars, and a fence of prudery as
tough as hoops of galvanised iron. And yet he loved her--or almost.
He was ready to love her, he wanted to, he wanted her; her deep but
guarded devotion--it was limited but it was devotion--compelled that
return from him. It was a passionate return. He had tried to mould that
devotion into a form that could delight him--he had failed. He knew
her now, he could peer into her craven soul as one peers into an empty
bottle, with one eye. For her the opportunities afforded by freedom
were but the preludes to misadventure. What a fool she was!

When he reached home Kate stood in darkness at the doorway of his
house. He exclaimed with delight, her surprising presence was the very
centre of his desire; he wanted to embrace her, loving her deeply
inexplicably again, just in a moment.

"I want my bike," the girl said sulkily. "I left it inside this
morning."

"Ah, your bicycle! Yes, you did." He unlocked the door, "Wait, there
should be a candle, there should be."

She stood in the doorway until he had lit it.

"Come in, Kate," he said, "let me give you something. I think there is
some milk, certainly I have some cake, come in, Kate, or do you drink
beer, I have beer, come in, I'll make you something hot."

But Kate only took her bicycle. "I ought to have been home hours ago,"
she said darkly, wheeling it outside and lighting the lantern. He
watched her silently as she dabbed the wick; the pallor of her hands
had never appeared so marked.

"Let's be kind to each other," he said, detaining her, "don't go, dear
Kate."

She pushed her bicycle out into the road.

"Won't you see me again?" he asked as she mounted it.

"I am always seeing you," she called back, but her meaning was dark to
him.

"Faugh! The devil! The fool!" He gurgled anathemas as he returned to
his cottage. "And me, too! What am I?"

But no mortal man could ever love a woman of that kind. She did not
love him at all, had never loved him. Then what was it she did love?
Not her virtue--you might as well be proud of the sole of your foot;
it was some sort of pride, perhaps the test of her virtue that the
conflict between them provoked, the contest itself alone alluring her,
not its aim and end. She was never happier than when, having led him
on, she thwarted him. But she would find that his metal was as tough as
her own.

Before going to bed he spent an hour in writing very slowly a letter to
Kate, telling her that he felt they would not meet again, that their
notions of love were so unrelated, their standards so different. "My
morals are at least as high as yours, though likely you regard me as a
rip. Let us recognise then," he wrote concludingly, "that we have come
to the end of the tether without once having put an ounce of strain
upon its delightful but very tense cord. But the effort to keep the
affair down to the level at which you seem satisfied has wearied me.
The task of living down to that assures me that for you the effort of
living up to mine would be consuming. I congratulate you, my dear, on
coming through scatheless, and that the only appropriate condolences
are my own--for myself."

It was rather pompous, he thought, but then she wouldn't notice that,
let alone understand it. She suffered not so much from an impediment of
speech--how could she when she spoke so little?--as from an impediment
of intellect, which was worse, much worse, but not so noticeable, being
so common a failing. She was, when all was said and done, just a fool.
It was a pity, for bodily she must indeed be a treasure. What a pity!
But she had never had any love for him at all, only compassion and
pity for his bad thoughts about her; he had neither pity for her nor
compunction--only love. Dear, dear, dear. Blow out the candle. Lock the
door. Good-night!


5

He did not see her again for a long time. He would have liked to have
seen her, yes, just once more, but of course he was glad, quite glad,
that she did not risk it and drag from dim depths the old passion
to break again in those idiotic bubbles of propriety. She did not
answer his letter--he was amused. Then her long silence vexed him,
until vexation was merged in alarm. She had gone away from Tutsan--of
course--gone away on family affairs--oh, naturally!--she might be gone
away for ever. But a real grief came upon him. He had long mocked the
girl, not only the girl but his own vision of her; now she was gone his
mind elaborated her melancholy immobile figure into an image of beauty.
Her absence, her silence, left him wretched. He heard of her from
Ianthe, who renewed her blandishments; he was not unwilling to receive
them now--he hoped their intercourse might be reported to Kate.

After many months he did receive a letter from her. It was a tender
letter though ill-expressed, not very wise or informative, but he could
feel that the old affection for him was still there, and he wrote her a
long reply in which penitence and passion and appeal were mingled.

"I know now, yes, I see it all now; solutions are so easy when the
proof of them is passed. We were cold to each other, it was stupid, I
should have _made_ you love me and it would have been well. I see it
now. How stupid, how unlucky; it turned me to anger and you to sorrow.
Now I can think only of you."

She made no further sign, not immediately, and he grew dull again.
His old disbelief in her returned. Bah! She loved him no more than a
suicide loved the pond it dies in; she had used him for her senseless
egoism, tempting him and fooling him, wantonly yes, wantonly, he had
not begun it, and she took a chaste pride in saving herself from him.
What was it the old writer had said? "Chastity, by nature the gentlest
of all affections--give it but its head--'tis like a ramping and
roaring lion." Saving herself! Yes, she would save herself for marriage.

He even began to contemplate that outcome.

Her delayed letter, when it came, announced that she was coming home at
once; he was to meet her train on the morning after the morrow.

It was a dull autumnal morning when he met her. Her appearance was not
less charming than he had imagined it, though the charm was almost
inarticulate and there were one or two crude touches that momentarily
distressed him. But he met with a flush of emotion all her glances of
gaiety and love that were somehow, vaguely, different--perhaps there
was a shade less reserve. They went to lunch in the city and at the end
of the meal he asked her:

"Well, why have you come back again?"

She looked at him intently: "Guess!"

"I--well, no--perhaps--tell me, Kate, yourself."

"You are different, now, you look different, David."

"Am I changed! Better or worse?"

She did not reply and he continued:

"You, too, are changed, I can't tell how it is, or where, but you are."

"O, I am changed, much changed," murmured Kate.

"Have you been well?"

"Yes."

"And happy?"

"Yes."

"Then how unwise of you to come back."

"I have come back," said Kate, "to be happier. But somehow you are
different."

"You are different, too. Shall we ever be happy again?"

"Why--why not?" said Kate.

"Come on!" he cried hilariously, "let us make a day of it, come along!"

Out in the streets they wandered until rain began to fall. "Come in
here for a while." They were passing a roomy dull building, the museum,
and they went in together. It was a vast hollow-sounding flagstone
place that had a central brightness fading into dim recesses and
galleries of gloom. They examined a monster skeleton of something
like an elephant, three stuffed apes and a picture of the dodo. Kate
stood before them without interest or amusement, she just contemplated
them. What did she want with an elephant, an ape, or a dodo! The glass
exhibit cases were leaned upon by them, the pieces of coal neatly
arranged and labelled were stared at, besides the pieces of granite or
coloured rock with long names ending in _orite_, _dorite_ and _sorite_
and so on to the precious gems including an imitation, as big as a
bun, of a noted diamond. They leaned over them, repeating the names
on the labels with the quintessence of vacuity. They hated it. There
were beetles and worms of horror, butterflies of beauty, and birds
that had been stuffed for so long that they seemed to be intoxicated;
their beaks fitted them as loosely as a drunkard's hat, their glassy
eyes were pathetically vague. After ascending a flight of stone steps
David and Kate stooped for a long time over a case of sea-anemones
that had been reproduced in gelatine by a German with a fancy for such
things. From the railed balcony they could peer down into the well of
the fusty-smelling museum. No one else was visiting it, they were alone
with all things dead, things that had died millions of years ago and
were yet simulating life. A footfall sounded so harsh in the corridors,
boomed with such clangour, that they took slow diffident steps,
almost tiptoeing, while Kate scarcely spoke at all and he conversed
in murmurs. Whenever he coughed the whole place seemed to shudder. In
the recess, hidden from prying eyes, David clasped her willing body in
his arms. For once she was unshrinking and returned his fervour. The
vastness, the emptiness, the deadness, worked upon their feelings with
intense magic.

"Love me, David," she murmured, and when they moved away from the
gelatinous sea-urchins she kept both her arms clasped around him as
they walked the length of the empty corridor. He could not perceive her
intimations, their meaning was dark to him. She was so altered, this
was another Kate.

"I have come home to make it all up to you," she repeated, and he
scarcely dared to understand her.

They approached a lecture room; the door was open, the room was empty,
they went in and stood near the platform. The place was arranged like
a tiny theatre, tiers of desks rising in half circles on three sides
high up towards the ceiling. A small platform with a lecturer's desk
confronted the rising tiers; on the wall behind it a large white sheet;
a magic lantern on a pedestal was near and a blackboard on an easel.
A pencil of white chalk lay broken on the floor. Behind the easel was
a piano, with a duster on its lid. The room smelled of spilled acids.
The lover's steps upon the wooden floor echoed louder than ever after
their peregrination upon the flagstones; they were timid of the sound
and stood still, close together, silent. He touched her bosom and
pressed her to his heart, but all her surrender seemed strange and
nerveless. She was almost violently different; he had liked her old
rejections, they were fiery and passionate. He scarce knew what to
do, he understood her less than ever now. Dressed as she was in thick
winter clothes it was like embracing a tree, it tired him. She lay in
his arms waiting, waiting, until he felt almost stifled. Something like
the smell of the acids came from her fur necklet. He was glad when she
stood up, but she was looking at him intently. To cover his uneasiness
he went to the blackboard and picking up a piece of chalk he wrote the
first inconsequent words that came into his mind. Kate stood where he
had left her, staring at the board as he traced the words upon it: _We
are but little children weak_.

Laughing softly she strolled towards him.

"What do you write that for? I know what it is."

"What it is!--well, what is it?"

She took the chalk from his fingers.

"It's a hymn," she went on "it goes...."

"A hymn!" he cried, "I did not know that."

Underneath the one he had written she was now writing another line on
the board: _Nor born to any high estate_.

"Of course," he whispered, "I remember it now, I sang it as a child--at
school--go on, go on."

But she had thereupon suddenly turned away, silent, dropping her hands
to her side. One of her old black moods had seized her. He let her go
and picking up another fragment of chalk completed the verse:

    _What can we do for Jesu's sake
    Who is so high and good and great?_

She turned when he had finished and without a word walked loudly to the
piano, fetched the duster and rubbed out the words they had written on
the blackboard. She was glaring at him.

"How absurd you are"--he was annoyed--"let us go out and get some tea."
He wandered off to the door, but she did not follow. He stood just
outside gazing vacantly at a stuffed jay that had an indigo eye. He
looked into the room again. She was there still just as he had left
her; her head bent, her hands hanging clasped before her, the dimness
covering and caressing her--a figure full of sad thoughts. He ran to
her and crushed her in his arms again:

"Kate, my lovely."

She was saying brokenly: "You know what I said. I've come to make it
all up to you. I promised, didn't I?"

Something shuddered in his very soul--too late, too late, this was no
love for him. The magic lantern looked a stupid childish toy, the smell
of the acid was repulsive. Of all they had written upon the blackboard
one word dimly remained: _Jesu_.

She stirred in his arms. "You are changed, David."

"Changed, yes, everything is changed."

"This is just like a theatre, like a play, as if we were acting."

"Yes, as if we were acting. But we are not acting. Let us go up and sit
in the gallery."

They ascended the steps to the top ring of desks and looked down to
the tiny platform and the white curtain. She sat fondling his hands,
leaning against him.

"Have you ever acted--you would do it so well?"

"Why do you say that? Am I at all histrionic?"

"Does that mean insincere? O no. But you are the person one expects to
be able to do anything."

"Nonsense! I've never acted. I suppose I could. It isn't difficult, you
haven't to be clever, only courageous. I should think it very easy to
be only an ordinary actor, but I'm wrong, no doubt. I thought it was
easy to write--to write a play--until I tried. I once engaged myself
to write a little play for some students to act. I had never done such
a thing before and like other idiots I thought I hadn't ever done it
simply because I hadn't ever wanted to. Heavens, how harassed I was
and how ashamed! I could not do it. I got no further than the author's
speech."

"Well that was something. Tell me it."

"It's nothing to do with the play. It's what the author says to the
audience when the play is finished."

She insisted on hearing it whatever it was. "O well," he said at last.
"Let's do that properly, at least. I'll go down there and deliver
it from the stage. You must pretend that you are the enthusiastic
audience. Come and sit in the stalls."

They went down together.

"Now imagine that this curtain goes up and I suddenly appear."

Kate faintly clapped her hands. He stood upon the platform facing her
and taking off his hat, began:

"Ladies and Gentlemen.

"I am so deeply touched by the warmth of this reception, this utterly
undeserved appreciation, that--forgive me--I have forgotten the
speech I had carefully prepared in anticipation of it. Let me meet
my obligation by telling you a story; I think it is true, I made it
up myself. Once upon a time there was a poor playwright--something
like me--who wrote a play--something like this--and at the end of the
performance the audience, a remarkably handsome well-fed intellectual
audience--something like this--called him before the curtain and
demanded a speech. He protested that he was unprepared and asked
them to allow him to tell them a story--something like this. Well,
that, too, was a remarkably handsome well-fed intellectual audience,
so they didn't mind and he began again, Once upon a time a poor
playwright,--and was just about to repeat the story I have already
twice told you when suddenly, without a word of warning, without a
sound, without a compunction, the curtain swooped down and chopped him
clean in half."

Masterman made an elaborate obeisance and stepped off the platform.

"Is that all?" asked Kate.

"That's all."

At that moment a loud bell clanged throughout the building signifying
that the museum was about to close.

"Come along!" he cried, but Kate did not move, she still sat in the
stalls.

"Don't leave me, David, I want to hear the play," she said archly.

"There _was_ no play and there _is_ no play. Come, or we shall be
locked in for the night."

Still she sat on. He went to her and seized her hands.

"What does it matter!" she whispered, embracing him. "I want to make it
all up to you."

He was astoundingly moved. She was marvellously changed. If she hadn't
the beauty of perfection she had some of the perfection of beauty. He
adored her.

"But no," he said, "it won't do, it really won't. Come, I have got to
buy you something at once, a ring with a diamond in it, as big as a
bun, an engagement ring, quickly, or the shops will be shut."

He dragged the stammering bewildered girl away, down the stairs and
into the street. The rain had ceased, the sunset sky was bright and
Masterman was intensely happy.




A BROADSHEET BALLAD




A BROADSHEET BALLAD


At noon the tiler and the mason stepped down from the roof of the
village church which they were repairing and crossed over the road
to the tavern to eat their dinner. It had been a nice little morning
but there were clouds massing in the south; Sam, the tiler, remarked
that it looked like thunder. The two men sat in the dim little taproom
eating, Bob, the mason, at the same time reading from a newspaper an
account of a trial for murder.

"I dunno what thunder looks like," Bob said, "but I reckon this chap is
going to be hung, though I can't rightly say for why. To my thinking he
didn't do it at all: but murder's a bloody thing and someone ought to
suffer for it."

"I don't think," spluttered Sam, as he impaled a flat piece of beetroot
on the point of a pocket-knife and prepared to contemplate it with
patience until his stuffed mouth was ready to receive it, "he ought to
be hung."

"There can be no other end for him though, with a mob of lawyers like
that, and a jury too ... why the rope's half round his neck this
minute; he'll be in glory within a month; they only have three Sundays,
you know, between the sentence and the execution. Well, hark at that
rain then!"

A shower that began as a playful sprinkle grew to a powerful steady
summer downpour. It splashed in the open window and the dim room grew
more dim, and cool.

"Hanging's a dreadful thing," continued Sam, "and 'tis often unjust
I've no doubt, I've no doubt at all."

"Unjust! I tell you ... at majority of trials those who give their
evidence mostly knows nothing at all about the matter; them as knows a
lot--they stays at home and don't budge, not likely!"

"No? But why?"

"Why? They has their reasons. I know that, I knows it for truth ...
hark at that rain, it's made the room feel cold."

They watched the downfall in complete silence for some moments.

"Hanging's a dreadful thing," Sam at length repeated, with almost a
sigh.

"I can tell you a tale about that, Sam, in a minute," said the other.
He began to fill his pipe from Sam's brass box, which was labelled
cough lozenges and smelled of paregoric.

"Just about ten years ago I was working over in Cotswold country. I
remember I'd been into Gloucester one Saturday afternoon and it rained.
I was jogging along home in a carrier's van; I never seen it rain like
that afore, no, nor never afterwards, not like that. Br..r..r..r! it
came down ... bashing! And we came to a cross-roads where there's a
public house called _The Wheel of Fortune_, very lonely and onsheltered
it is just there. I seed a young woman standing in the porch awaiting
us, but the carrier was wet and tired and angry or something and
wouldn't stop. 'No room'--he bawled out to her--'full up, can't take
you!' and he drove on. 'For the love o' God, mate,'--I says--pull up
and take that young creature! She's ... she's ... can't you see!' 'But
I'm all behind as 'tis', he shouts to me, 'you knows your gospel,
don't you: time and tide wait for no man?' 'Ah, but dammit all, they
always call for a feller,' I says. With that he turned round and we
drove back for the girl. She clumb in and sat on my knees; I squat on
a tub of vinegar, there was nowhere else and I was right and all, she
was going on for a birth. Well, the old van rattled away for six or
seven miles; whenever it stopped you could hear the rain clattering on
the tarpolin, or sounding outside on the grass as if it was breathing
hard, and the old horse steamed and shivered with it. I had knowed
the girl once in a friendly way, a pretty young creature, but now she
was white and sorrowful and wouldn't say much. By and bye we came to
another cross-roads near a village, and she got out there. 'Good day,
my gal,' I says, affable like, and; 'Thank you, sir,' says she, and
off she popped in the rain with her umbrella up. A rare pretty girl,
quite young, I'd met her before, a girl you could get uncommon fond of,
you know, but I didn't meet her afterwards: she was mixed up in a bad
business. It all happened in the next six months while I was working
round those parts. Everybody knew of it. This girl's name was Edith and
she had a younger sister Agnes. Their father was old Harry Mallerton,
kept _The British Oak_ at North Quainy; he stuttered. Well this Edith
had a love affair with a young chap William, and having a very loving
nature she behaved foolish. Then she couldn't bring the chap up to the
scratch nohow by herself, and of course she was afraid to tell her
mother or father: you know how girls are after being so pesky natural,
they fear, O they do fear! But soon it couldn't be hidden any longer
as she was living at home with them all, so she wrote a letter to her
mother. 'Dear Mother,' she wrote, and told her all about her trouble.

"By all accounts the mother was angry as an old lion, but Harry took it
calm like and sent for young William, who'd not come at first. He lived
close by in the village, so they went down at last and fetched him.

"'All right, yes,' he said, 'I'll do what's lawful to be done. There
you are, I can't say no fairer, that I can't.'

"'No,' they said, 'you can't.'

"So he kissed the girl and off he went, promising to call in and settle
affairs in a day or two. The next day Agnes, which was the younger
girl, she also wrote a note to her mother telling her some more strange
news.

"'God above!' the mother cried out, 'can it be true, both of you girls,
my own daughters, and by the same man! O, whatever were you thinking
on, both of ye! Whatever can be done now!'"

"What!" ejaculated Sam, "both on 'em, both on 'em!"

"As true as God's my mercy--both on 'em--same chap. Ah! Mrs. Mallerton
was afraid to tell her husband at first, for old Harry was the devil
born again when he were roused up, so she sent for young William
herself, who'd not come again, of course, not likely. But they made him
come, O yes, when they told the girls' father.

"'Well, may I go to my d..d..d..damnation at once!' roared old
Harry--he stuttered you know--'at once, if that ain't a good one!' So
he took off his coat, he took up a stick, he walked down street to
William and cut him off his legs. Then he beat him till he howled for
his mercy, but you couldn't stop old Harry once he were roused up--he
was the devil born again. They do say as he beat him for a solid hour;
I can't say as to that, but then old Harry picked him up and carried
him off to _The British Oak_ on his own back, and threw him down in
his own kitchen between his own two girls like a dead dog. They do say
that the little one Agnes flew at her father like a raging cat until he
knocked her senseless with a clout over head; rough man he was."

"Well, a' called for it sure," commented Sam.

"Her did;" agreed Bob, "but she was the quietest known girl for miles
round those parts, very shy and quiet."

"A shady lane breeds mud," said Sam.

"What do you say?--O ah!--mud, yes. But pretty girls both, girls you
could get very fond of, skin like apple bloom, and as like as two pinks
they were. They had to decide which of them William was to marry."

"Of course, ah!"

"'I'll marry Agnes,' says he."

"'You'll not,' says the old man, 'you'll marry Edie.'"

"'No I won't,' William says, 'it's Agnes I love and I'll be married
to her or I won't be married to e'er of 'em.' All the time Edith sat
quiet, dumb as a shovel, never a word, crying a bit; but they do say
the young one went on like a ... a young ... Jew."

"The Jezebel!" commented Sam.

"You may say it; but wait, my man, just wait. Another cup of beer? We
can't go back to church until this humbugging rain have stopped."

"No, that we can't."

"It's my belief the 'bugging rain won't stop this side of four o'clock."

"And if the roof don't hold it off it 'ull spoil they Lord's
Commandments that's just done up on the chancel front."

"O, they be dry by now." Bob spoke re-assuringly and then continued his
tale. "'I'll marry Agnes or I won't marry nobody,' William says, and
they couldn't budge him. No, old Harry cracked on but he wouldn't have
it, and at last Harry says: 'It's like this.' He pulls a half-crown out
of his pocket and, 'heads it's Agnes,' he says, 'or tails it's Edith,'
he says."

"Never! Ha! ha!" cried Sam.

"Heads it's Agnes, tails it's Edie, so help me God. And it come down
Agnes, yes, heads it was--Agnes--and so there they were."

"And they lived happy ever after?"

"Happy! You don't know your human nature, Sam; wherever was you brought
up? 'Heads it's Agnes,' said old Harry, and at that Agnes flung her
arms round William's neck and was for going off with him then and
there; ha! But this is how it happened about that. William hadn't any
kindred, he was a lodger in the village, and his landlady wouldn't have
him in her house one mortal hour when she heard all of it; give him
the rightabout there and then. He couldn't get lodgings anywhere else,
nobody would have anything to do with him. So of course, for safety's
sake, old Harry had to take him, and there they all lived together at
_The British Oak_--all in one happy family. But they girls couldn't
bide the sight of each other, so their father cleaned up an old
outhouse in his yard that was used for carts and hens and put William
and his Agnes out in it. And there they had to bide. They had a couple
of chairs, a sofa, and a bed and that kind of thing, and the young one
made it quite snug."

"'Twas a hard thing for that other, that Edie, Bob."

"It was hard, Sam, in a way, and all this was happening just afore
I met her in the carrier's van. She was very sad and solemn then;
a pretty girl, one you could like. Ah, you may choke me, but there
they lived together. Edie never opened her lips to either of them
again, and her father sided with her, too. What was worse, it came
out after the marriage that Agnes was quite free of trouble--it was
only a trumped-up game between her and this William because he fancied
her better than the other one. And they never had no child, them two,
though when poor Edie's mischance come along I be damned if Agnes
weren't fonder of it than its own mother, a jolly sight more fonder,
and William--he fair worshipped it."

"You don't say!"

"I do. 'Twas a rum go, that, and Agnes worshipped it, a fact, can prove
it by scores of people to this day, scores, in them parts. William and
Agnes worshipped it, and Edie--she just looked on, long of it all, in
the same house with them, though she never opened her lips again to her
young sister to the day of her death."

"Ah, she died? Well, it's the only way out of such a tangle, poor
woman."

"You're sympathising with the wrong party." Bob filled his pipe again
from the brass box; he ignited it with deliberation; going to the open
window he spat into a puddle in the road. "The wrong party, Sam; 'twas
Agnes that died. She was found on the sofa one morning stone dead, dead
as a adder."

"God bless me," murmured Sam.

"Poisoned," added Bob, puffing serenely.

"Poisoned!"

Bob repeated the word 'poisoned.' "This was the way of it," he
continued; "one morning the mother went out in the yard to collect her
eggs, and she began calling out; 'Edie, Edie, here a minute, come and
look where that hen have laid her egg; I would never have believed it,'
she says. And when Edie went out her mother led her round the back of
the outhouse, and there on the top of a wall this hen had laid an egg.
'I would never have believed it, Edie,' she says, 'scooped out a nest
there beautiful, ain't she; I wondered where her was laying. T'other
morning the dog brought an egg round in his mouth and laid it on the
doormat. There now, Aggie, Aggie, here a minute, come and look where
the hen have laid that egg.' And as Aggie didn't answer the mother went
in and found her on the sofa in the outhouse, stone dead."

"How'd they account for it?" asked Sam, after a brief interval.

"That's what brings me to the point about this young feller that's
going to be hung," said Bob, tapping the newspaper that lay upon the
bench. "I don't know what would lie between two young women in a
wrangle of that sort; some would get over it quick, but some would
never sleep soundly any more not for a minute of their mortal lives.
Edie must have been one of that sort. There's people living there now
as could tell a lot if they'd a mind to it. Some knowed all about it;
could tell you the very shop where Edith managed to get hold of the
poison, and could describe to me or to you just how she administrated
it in a glass of barley water. Old Harry knew all about it, he knew all
about everything, but he favoured Edith and he never budged a word.
Clever old chap was Harry, and nothing came out against Edie at the
inquest--nor the trial neither."

"Was there a trial then?"

"There was a kind of a trial. Naturally. A beautiful trial. The police
came and fetched poor William, they took him away and in due course he
was hanged."

"William! But what had he got to do with it?"

"Nothing. It was rough on him, but he hadn't played straight, and so
nobody struck up for him. They made out a case against him--there was
some unlucky bit of evidence which I'll take my oath old Harry knew
something about--and William was done for. Ah, when things take a turn
against you it's as certain as twelve o'clock, when they take a turn;
you get no more chance than a rabbit from a weasel. It's like dropping
your matches into a stream, you needn't waste the bending of your back
to pick them out--they're no good on, they'll never strike again. And
Edith, she sat in court through it all, very white and trembling and
sorrowful, but when the judge put his black cap on they do say she
blushed and looked across at William and gave a bit of a smile. Well,
she had to suffer for his doings, so why shouldn't he suffer for hers.
That's how I look at it...."

"But God-a-mighty...!"

"Yes, God-a-mighty knows. Pretty girls they were, both, and as like as
two pinks."

There was quiet for some moments while the tiler and the mason emptied
their cups of beer. "I think," said Sam then, "the rain's give over
now."

"Ah, that it has," cried Bob. "Let's go and do a bit more on this
'bugging church or she won't be done afore Christmas."




COTTON




COTTON


At the place where the road from Carnaby Down ends in the main western
highway that goes towards Bath there stands, or once stood, a strongly
built stone cottage confronting, on the opposite side of the high road,
a large barn and some cattle stalls. A man named Cotton lived with his
wife lonely in this place, their whole horizon bounded by the hedges
and fences of their farm. His Christian name, for some unchristian
reason, was Janifex; people called him Jan, possibly because it rhymed
with his wife's name, which was Ann. And Ann was a robust managing
woman of five and thirty, childless, full of desolating cleanliness
and kindly tyrannies, with no perceptions that were not determined by
her domestic ambition, and no sympathies that could interfere with her
diurnal energies whatever they might be. Jan was a mild husbandman,
prematurely aged, with large teeth and, since 'forty winters had
besieged his brow,' but little hair. Sometimes one of the large teeth
would drop out, leaving terrible gaps when he opened his mouth, and
turning his patient smile to a hideous leer. These evacuations, which
were never restored, began with the death of Queen Victoria; throughout
the reign of her successor great events were punctuated by similar
losses, until at last Jan could masticate, in his staid old manner,
only in one overworked corner of his mouth.

He would rise of a morning throughout the moving year at five of the
clock; having eaten his bread and drunk a mug of cocoa he would don
a long white jacket and cross the road diagonally to the gate at the
eastern corner of the sheds. These were capped by the bright figure of
a golden cockerel, voiceless but useful, flaunting always to meet the
challenge of the wind. Sometimes in his deliberate way Jan would lift
his forlorn eyes in the direction of the road coming from the east,
but he never turned to the other direction, as that would have cost him
a physical effort, and bodily flexion had ceased years and years ago.
Do roads ever run backward--leaps not forward the eye? As he unloosed
the gate of the yard his great dog would lift its chained head from
some sacks under a cart, and a peacock would stalk out from the belt of
pines that partly encircled the buildings. The man would greet them,
saying, "O, ah!" In the rickyard he would pause to release the fowls
from their hut and watch them run to the stubbles or spurn the chaff
with their claws as they ranged between the stacks. If the day were
windy the chaff would fall back in clouds upon their bustling feathers,
and that delighted his simple mind. It is difficult to account for his
joy in this thing, for though his heart was empty of cruelty it seemed
to be empty of everything else. Then he would pass into the stalls and
with a rattle of can and churn the labour of the day was begun.

Thus he lived, with no temptations, and few desires except perhaps for
milk puddings, which for some reason concealed in Ann's thrifty bosom
he was only occasionally permitted to enjoy. Whenever his wife thought
kindly of him she would give him a piece of silver and he would traipse
a mile in the evening, a mile along to the _Huntsman's Cup_, and take a
tankard of beer. On his return he would tell Ann of the things he had
seen, the people he had met, and other events of his journey.

Once, in the time of spring, when buds were bursting along the hedge
coverts and birds of harmony and swiftness had begun to roost in the
wood, a blue-chinned Spaniard came to lodge at the farm for a few
weeks. He was a labourer working at some particular contract upon the
estate adjoining the Cottons' holding, and he was accommodated with a
bed and an abundance of room in a clean loft behind the house. With
curious shoes upon his feet, blazing check trousers tightly fitting
upon his thighs, a wrapper of pink silk around his neck, he was an
astonishing figure in that withdrawn corner of the world. When the
season chilled him a long black cloak with a hood for his head added
a further strangeness. Juan da Costa was his name. He was slightly
round-shouldered with an uncongenial squint in his eyes; though he
used but few words of English his ways were beguiling. He sang very
blithely shrill Spanish songs, and had a pleasant courtesy of manner
that presented a deal of attraction to the couple, particularly Ann,
whose casual heart he reduced in a few hours to kindness, and in a few
days, inexplicably perhaps, to a still warmer emotion--yes, even in the
dull blankness of that mind some ghostly star could glimmer. From the
hour of his arrival she was an altered woman, although, with primitive
subtlety, the transition from passivity to passion was revealed only by
one curious sign, and that was the spirit of her kindness evoked for
the amiable Jan, who now fared mightily upon his favorite dishes.

Sometimes the Spaniard would follow Jan about the farm. "Grande!" he
would say, gesturing with his arm to indicate the wide-rolling hills.

"O ah!" Jan would reply, "there's a heap o' land in the open air."

The Spaniard does not understand! He asks: "What?"

"O ah!" Jan would echo.

But it was the cleanly buxom Ann to whom Da Costa devoted himself.
He brought home daily, though not ostensibly to her, a bunch of the
primroses, a stick of snowbudded sallow, or a sprig of hazel hung with
catkins, soft caressible things. He would hold the hazel up before
Ann's uncomprehending gaze and strike the lemon-coloured powder from
the catkins on to the expectant adjacent buds, minute things with stiff
female prongs, red like the eyes of the white rabbit which Ann kept in
the orchard hutch.

One day Juan came home unexpectedly in mid-afternoon. It was a cold dry
day and he wore his black cloak and hood.

"See," he cried, walking up to Ann, who greeted him with a smile; he
held out to her a posy of white violets tied up with some blades of
thick grass. She smelt them but said nothing. He pressed the violets to
his lips and again held them out, this time to her lips. She took them
from him and tucked them into the front of her bodice while he watched
her with delighted eyes.

"You ... give ... me ... somethin ... for ... los flores?"

"Piece a cake!" said Ann, moving towards the pantry door.

"Ah ... cake...!"

As she pulled open the door, still keeping a demure eye upon him, the
violets fell out and down upon the floor, unseen by her. He rushed
towards them with a cry of pain and a torrent of his strange language;
picking them up he followed her into the pantry, a narrow place almost
surrounded by shelves with pots of pickles and jam, plates, cups and
jugs, a scrap of meat upon a trencher, a white bowl with cob nuts and a
pair of iron crackers.

"See..., lost!" he cried shrilly as she turned to him. She was about to
take them again when he stayed her with a whimsical gesture.

"Me ... me," he said, and brushing her eyes with their soft perfume
he unfastened the top button of her bodice while the woman stood
motionless; then the second button, then the third. He turned
the corners inwards and tucked the flowers between her flesh and
underlinen. They stood eyeing one another, breathing uneasily, but with
a pretence at nonchalance. "Ah!" he said suddenly; before she could
stop him he had seized a few nuts from the white bowl and holding open
her bodice where the flowers rested he dropped the nuts into her warm
bosom. "One ... two ... three!"

"Oh...!" screamed Ann mirthfully, shrinking from their tickling, but
immediately she checked her laughter--she heard footsteps. Beating
down the grasping arms of the Spaniard she darted out of the doorway
and shut him in the pantry, just in time to meet Jan coming into the
kitchen bawling for a chain he required.

"What d'ye want?" said Ann.

"That chain for the well-head, gal, it's hanging in the pantry." He
moved to the door.

"'Taint," said Ann barring his way. "It's in the barn, I took it there
yesterday, on the oats it is, you'll find it, I took it over yesterday,
clear off with your dirty boots." She 'hooshed' him off much as she
'hooshed' the hens out of the garden. Immediately he was gone she
pulled open the pantry door and was confronted by the Spaniard holding
a long clasp knife in his raised hand. On seeing her he just smiled,
threw down the knife and took the bewildered woman into his arms.

"Wait, wait," she whispered, and breaking from him she seized a chain
from a hook and ran out after her husband with it, holding up a finger
of warning to the Spaniard as she brushed past him. She came back
panting, having made some sort of explanation to Jan; entering the
kitchen quietly she found the Spaniard's cloak lying upon the table;
the door of the pantry was shut and he had apparently gone back there
to await her. Ann moved on tiptoe round the table; picking up the
cloak she enveloped herself in it and pulled the hood over her head.
Having glanced with caution through the front window to the farmyard,
she coughed and shuffled her feet on the flags. The door of the pantry
moved slowly open; the piercing ardour of his glance did not abash her,
but her curious appearance in his cloak moved his shrill laughter. As
he approached her she seized his wrists and drew him to the door that
led into the orchard at the back of the house; she opened it and pushed
him out, saying "Go on, go on." She then locked the door against him.
He walked up and down outside the window making lewd signs to her. He
dared not call out for fear of attracting attention from the farmyard
in front of the house. He stood still, shivered, pretended in dumb show
that he was frozen. She stood at the window in front of him and nestled
provocatively in his cloak. But when he put his lips against the pane
he drew the gleam of her languishing eyes closer and closer to meet his
kiss through the glass. Then she stood up, took off the black cloak,
and putting her hand into her bosom brought out the three nuts, which
she held up to him. She stood there fronting the Spaniard enticingly,
dropped the nuts back into her bosom ... one ... two ... three ... and
then went and opened the door.

In a few weeks the contract was finished, and one bright morning the
Spaniard bade them each farewell. Neither of them knew, so much was
their intercourse restricted, that he was about to depart, and Ann
watched him with perplexity and unhappiness in her eyes.

"Ah, you Cotton, goodbye I say, and you _señora_, I say goodbye." With
a deep bow he kissed the rough hand of the blushing country-woman.
"_Bueno._" He turned with his kit bag on his shoulder, waved them an
airy hand and was gone.

On the following Sunday Jan returned from a visit in the evening and
found the house empty; Ann was out, an unusual thing, for their habits
were fixed and deliberate as the stars in the sky. The sunsetting light
was lying in meek patches on the kitchen wall, turning the polished
iron pans to the brightness of silver, reddening the string of onions,
and filling glass jars with solid crystal. He had just sat down to
remove his heavy boots when Ann came in, not at all the workaday Ann
but dressed in her best clothes smelling of scent and swishing her
stiff linen.

"Hullo," said Jan, surprised at his wife's pink face and sparkling
eyes, "bin church?"

"Yes, church," she replied, and sat down in her finery. Her husband
ambled about the room for various purposes and did not notice her
furtive dabbing of her eyes with her handkerchief. Tears from Ann were
inconceivable.

The year moved through its seasons, the lattermath hay was duly mown,
the corn stooked in rows; Ann was with child and the ridge of her stays
was no longer visible behind her plump shoulders. Fruit dropped from
the orchard boughs, the quince was gathered from the wall, the hunt
swept over the field. Christmas came and went, and then a child was
born to the Cottons, a dusky boy, who was shortly christened Juan.

"He was a kind chap, that man," said Ann, "and we've no relations to
please, and it's like your name--and your name _is_ outlandish!"

Jan's delight now was to sit and muse upon the child as he had ever
mused upon chicken, lambs and calves. "O ah!" he would say, popping a
great finger into the babe's mouth, "O ah!" But when, as occasionally
happened, the babe squinted at him, a singular fancy would stir in his
mind, only to slide away before it could congeal into the likeness of
suspicion.

Snow, when it falls near spring on those Cotswold hills, falls deeply,
and the lot of the husbandmen is hard. Sickness, when it comes, comes
with a flail and in its hobnailed boots. Contagious and baffling,
disease had stricken the district; in mid-March great numbers of the
country folk were sick abed, hospitals were full, and doctors were
harried from one dawn to another. Jan would come in of an evening
and recite the calendar of the day's dooms gathered from men of the
adjacent fields.

"Amos Green 'ave gone then, pore o' chap."

"Pore Amos," the pitying Ann would say, wrapping her babe more warmly.

"And Buttifant's coachman."

"Dear, dear, what 'ull us all come to?"

"Mrs. Jocelyn was worse 'en bad this morning."

"Never Jan! Us'll miss 'er."

"Ah, and they do say Parson Rudwent won't last out the night."

"And whom's to bury us then?" asked Ann.

The invincible sickness came to the farm. Ann one morning was weary,
sickly, and could not rise from her bed. Jan attended her in his clumsy
way and kept coming in from the snow to give her comforts and food,
but at eve she was in fever and lay helpless in the bed with the child
at her breast. Jan went off for the doctor, not to the nearest village
for he knew that quest to be hopeless, but to a tiny town high on the
wolds two miles away. The moon, large, sharp and round, blazed in the
sky, and its light sparkled upon the rolling fields of snow; his boots
were covered at every muffled step; the wind sighed in the hedges and
he shook himself for warmth. He came to the hill at last; half-way
up was a church, its windows glowing with warm-looking light and its
bells pealing cheerfully. He passed on and higher up met a priest
trotting downwards in black cassock and saintly hat, his hands tucked
into his wide sleeves, trotting to keep himself warm and humming as
he went. Jan asked a direction of the priest, who gave it with many
circumstances of detail, and after they had parted he could hear the
priest's voice call still further instructions after him as long as
he was in sight. "O ah!" said Jan each time, turning and waving his
hand. But after all his mission was a vain one; the doctor was out and
away, it was improbable that he would be able to come, and the simple
man turned home with a dull heart. When he reached the farm Ann was
delirious but still clung to her dusky child, sleeping snugly at her
bosom. The man sat up all night before the fire waiting vainly for the
doctor, and the next day he himself became ill. And strangely enough as
he worked among his beasts the crude suspicion in his mind about the
child took shape and worked without resistance until he came to suspect
and by easy degrees to apprehend fully the time and occasion of Ann's
duplicity.

"Nasty filthy dirty thing!" he murmured from his sick mind. He was
brushing the dried mud from the hocks of an old bay horse, but it was
not of his horse he was thinking. Later he stood in the rickyard and
stared across the road at the light in their bedroom. Throwing down the
fork with which he had been tossing beds of straw he shook his fist
at the window and cried out: "I hate 'er, I does, nasty filthy dirty
thing!"

When he went into the house he replenished the fire, but found he could
take no further care for himself or the sick woman; he just stupidly
doffed his clothes and in utter misery and recklessness stretched
himself in the bed with Ann. He lay for a long while with aching brows,
a snake-strangled feeling in every limb, an unquenchable drouth in his
throat, and his wife's body burning beside him. Outside the night was
bright, beautiful and still sparkling with frost; quiet, as if the
wind had been wedged tightly in some far corner of the sky, except for
a cracked insulator on the telegraph pole just near the window, that
rattled and hummed with monstrous uncare. That, and the ticking of the
clock! The lighted candle fell from its sconce on to the mantelpiece;
he let it remain and it flickered out. The glow from the coals was
thick upon the ceiling and whitened the brown ware of the teapot on
the untidy hearth. Falling asleep at last he began dreaming at once,
so it seemed, of the shrill cry of lambs hailing him out of wild
snow-covered valleys, so wild and prolonged were the cries that they
woke him, and he knew himself to be very ill, very ill indeed. The
child was wailing piteously, the room was in darkness, the fire out,
but the man did not stir, he could not care, what could he do with that
flame behind his eyes and the misery of death consuming him? But the
child's cries were unceasing and moved even his numbed mind to some
effort. "Ann!" he gasped. The poor wife did not reply. "Ann!" He put
his hand out to nudge her; in one instant the blood froze in his veins
and then boiled again. Ann was cold, her body hard as a wall, dead ...
dead. Stupor returned upon him; the child, unhelped, cried on, clasped
to that frozen breast until the man again roused himself to effort.
Putting his great hands across the dead wife he dragged the child from
her arms into the warmth beside him, gasping as he did so "Nasty ...
dirty ... thing." It exhausted him, but the child was still unpacified
and again he roused himself and felt for a biscuit on the table beside
the bed. He crushed a piece in his mouth and putting the soft pap upon
his finger fed thus the hungry child until it was stilled. By now the
white counterpane spread vast like a sea, heaving and rocking with a
million waves, the framework of the bedstead moving like the tackle of
tossed ships. He knew there was only one way to stem that sickening
movement. "I hate 'er, I does," rose again upon his lips, and drawing
up his legs that were at once chilly and streaming with sweat, full of
his new hatred he urged with all his might his wife's cold body to the
edge of the bed and withdrew the bedclothes. Dead Ann toppled and slid
from him and her body clumped upon the floor with a fall that shook the
room; the candle fell from the mantelpiece, bounced upon the teapot
and rolled stupidly along the bare boards under the bed. "Hate 'er!"
groaned the man; he hung swaying above the woman and tried to spit upon
her. He sank back again to the pillow and the child, murmuring "O ah!"
and gathering it clumsily to his breast. He became tranquil then, and
the hollow sounding clock beat a dull rhythm into his mind, until that
sound faded out with all light and sound, and Jan fell into sleep and
died, with the dusky child clasped in his hard dead arms.




POMONA'S BABE




POMONA'S BABE


Johnny Flynn was then seventeen years old. At that age you could
not call him 'boy' without vexing him, or 'man' without causing
him to blush--his teasing ruddy and uproarious mother delighted to
produce either or both of these manifestations, for her offspring
was a pale mild creature--but he had given a deal of thought to many
manly questions. Marriage, for instance, was one of these. That was
an institution he admired, but whose joys, whatever they were, he
was not anxious to experience; its difficulties and disasters as
ironically outlined by the widow Flynn were the subject of his grossest
scepticism--scepticism in general being not the least prominent
characteristic of Johnny Flynn.

Certainly his sister Pomona was not married; she was only sixteen,
an age too early for such bliss; but all the same she was going to
have a baby. He had quarrelled with his mother about most things; she
delighted in quarrels, they amused her very much; but on this occasion
she was really very angry, or she pretended to be so--which was worse,
much worse than the real thing.

The Flynns were poor people, quite poor, living in two top-floor rooms
at the house of a shoemaker, also moderately poor, whose pelting and
hammering of soles at evening were a durable grievance to Johnny. He
was fond of the shoemaker, a kind, bulky, tall man of fifty, though
he did not like the shoemaker's wife, as bulky as her husband, and as
tall, but not kind to him or to anything except Johnny himself; nor
did he like any of the other lodgers, of whom there were several, all
without exception beyond the reach of affluence. The Flynn apartments
afforded a bedroom in front for Mrs. Flynn and Pomona, a room where
Johnny seldom intruded, never without a strained sense of sanctity
similar to the feeling he experienced when entering an empty church,
as he sometimes did. He slept in the other room, the living room, an
arrangement that also annoyed him--he was easily annoyed--for he could
never go to bed until mother and sister had retired, and for the same
reason he had always to rise before they got up, an exasperating abuse
of domestic privilege.

One night he had just slipped happily into his bed, and begun to read
a book called _Rasselas_, which the odd-eyed man at the public library
had commended to him, when his mother returned to the room, first
tapping at the door, for Johnny was a prude, as she knew, not only from
instinct and observation but from protests which had occasionally been
addressed to her by the indignant boy. She came in now only half clad,
in petticoat and stockinged feet, her arms were quite bare. They were
powerful arms, as they had need to be, for she was an ironer of linen
at a laundry, but they were nice to look at, and sometimes Johnny liked
looking at them, though he did not care for her to run about like that
very often. Mrs. Flynn sat down at the foot of his couch and stared at
her son.

"Johnny," she began steadily, but paused to rub her forehead with her
thick white shiny fingers. "I don't know how to tell you I'm sure, or
what you'll say...." Johnny shook _Rasselas_ rather impatiently and
heaved a protesting sigh. "I can't think," continued his mother, "no,
I can't think that it's our Pomony, but there she is, and it's got to
be done--I must tell you; besides, you're the only man in our family
now, so it's only right for you, you see, and she's going to have a
baby--our Pomony!"

The boy turned his face to the wall, although his mother was not
looking at him--she was staring at that hole in the carpet near the
fender. At last he said "Humph! ... well?" And as his mother did not
say anything, he added, "What about it? I don't mind." Mrs. Flynn was
horrified at his unconcern, or she pretended to be so; Johnny was never
sure about the genuineness of her moods. It was most unfilial, but he
was like that--so was Mrs. Flynn. Now she cried out, "You'll _have_ to
mind, there, you must. I can't take everything on my own shoulders.
You're the only man left in our family now--you must, Johnny. What are
we to do?"

He glared at the wallpaper a foot from his eyes. It had an unbearable
pattern of blue but otherwise indescribable flowers; he had it in his
mind to have some other pattern there--some day.

"Eh?" asked his mother sharply, striking the foot of the bed with her
fist.

"Why ... there's nothing to be done ... now ... I suppose." He was
blushing furiously. "How did it happen--when will it be?"

"It's a man she knows. He got hold of her. His name is Stringer.
Another two months about. Stringer. Hadn't you noticed anything?
Everybody else has. You are a funny boy, can't make you out at all,
Johnny, I can't make you out. Stringer his name is, but he shall pay
dearly for it, and that's what I want you--to talk to you about. Of
course, he denies of everything, they always do."

Mrs. Flynn sighed at this disgusting perfidy, brightening however when
her son began to discuss the problem. But she talked so long, and he
got so sleepy at last, that he was very glad when she went to bed
again. Secretly she was both delighted and disappointed at his easy
acceptance of her dreadful revelation; fearing a terrible outburst
of anger, she had kept the knowledge from him for a long time. She
was glad to escape that, it is true, but she rather hungered for
some flashing reprobation of this unknown beast, this Stringer. She
swore she would bring him to book, but she felt old and lonely, and
Johnny was a strange son, not very virile. The mother had told Pomona
terrifying prophetic tales of what Johnny would do, what he would be
certain to do. He would, for instance, murder that Stringer and drive
Pomony into the street; of course, he would. Yet here he was, quite
calm about it, as if he almost liked it. Well, she had told him, she
could do no more, she would leave it to him.

In the morning Johnny greeted his sister with tender affection, and
at evening, having sent her to bed, he and his mother resumed their
discussion.

"Do you know, mother," he said, "she is quite handsome; I never noticed
it before."

Mrs. Flynn regarded him with desperation, and then informed him that
his sister was an ugly, disgusting little trollop who ought to be
birched.

"No, no, you are wrong, mother, it's bad, but it's all right."

"You think you know more about such things than your own mother, I
suppose." Mrs. Flynn sniffed and glared.

He said it to her gently: "Yes."

She produced a packet of notepaper and envelopes, _The Monster Packet
for a Penny_, all complete with a wisp of pink blotting paper and a
penholder without a nib, which she had bought at the chandler's on
her way home that evening, along with some sago and some hair oil for
Johnny, whose stiff unruly hair provoked such spasms of rage in her
bosom that she declared that she was "sick to death of it." On the
supper table lay also a platter, a loaf, a basin of mustard pickle, and
a plate with round lengths of cheese shaped like small candles.

"Devil blast him!" muttered Mrs. Flynn as she fetched from a cupboard
shelf a sour-looking bottle labelled Writing Fluid, a dissolute pen,
and requested Johnny to compose a letter to Stringer--devil blast
him!--telling him of the plight of her daughter Pomona Flynn, about
whom she desired him to know that she had already consulted her lawyers
and the chief of police, and intimating that unless she heard from him
satisfactory by the day after to-morrow the matter would pass out of
her hands.

"That's no good, it's not the way," declared her son thoughtfully;
Mrs. Flynn therefore sat humbly confronting him and awaited the result
of his cogitations. Johnny was not a very robust youth, but he was
growing fast now, since he had taken up with running; he was very
fleet, so Mrs. Flynn understood, and had already won a silver-plated
hot-water jug, which they used for the milk. But still he was thin and
not tall, his dark hair was scattered; his white face was a nice face,
thought Mrs. Flynn, very nice, only there was always something strange
about his clothes. She couldn't help that now, but he had such queer
fancies; there was no other boy in the street whose trousers were so
baggy or of such a colour. His starched collars were all right, of
course, beautifully white and shiny--she got them up herself--and they
set his neck off nicely.

"All we need do," her son broke in, "is just tell him."

"Tell him?"

"Yes, just tell him about it--it's very unfortunate--and ask him to
come and see you. I hope though," he paused, "I hope they won't want to
go and get married."

"He ought to be made to, devil blast him!" cried Mrs. Flynn, "only
she's frightened, she is; afraid of her mortal life of him! We don't
want him here, neither; she says he's a nasty, horrible man."

Johnny sat dumb for some moments. Pomona was a day girl in service at
a restaurant. Stringer was a clerk to an auctioneer. The figure of his
pale little sister shrinking before a ruffian (whom he figured as a fat
man with a red beard) startled and stung him.

"Besides," continued Mrs. Flynn, "he's just going to be married to some
woman, some pretty judy, God help her ... in fact, as like as not he's
married to her already by now. No, I gave up that idea long ago, I did,
before I told you, long ago."

"We can only tell him about Pomony, then, and ask him what he would
like to do."

"What he would _like_ to do--well, certainly!" protested the widow.

"And if he's a decent chap," continued Johnny serenely, "it will be
all right, there won't be any difficulty. If he ain't, then we can do
something else."

His mother was reluctant to concur, but the boy had his way. He sat
with his elbows on the table, his head pressed in his hands, but he
could not think out the things he wanted to say to this man. He would
look up and stare around the room as if he were in a strange place,
though it was not strange to him at all, for he had lived in it many
years. There was not much furniture in the apartment, yet there was
but little space in it. The big table was covered with American cloth,
mottled and shiny. Two or three chairs full of age and discomfort
stood upon a carpet that was full of holes and stains. There were some
shelves in a recess, an engraving framed in maple of the player scene
from "Hamlet," and near by on the wall hung a gridiron, whose prongs
were woven round with coloured wools and decorated with satin bows.
Mrs. Flynn had a passion for vases, and two of these florid objects,
bought at a fair, companioned a clock whose once snowy face had long
since turned sallow because of the oil Mrs. Flynn had administered "to
make it go properly."

But he could by no means think out this letter; his mother sat so
patiently watching him that he asked her to go and sit in the other
room. Then he sat on, sniffing, as if thinking with his nose, while
the room began to smell of the smoking lamp. He was remembering how,
years ago, when they were little children, he had seen Pomony in her
nightgown and, angered with her for some petty reason, he had punched
her on the side. Pomony had turned white, she could not speak, she
could not breathe. He had been momentarily proud of that blow; it was
a good blow, he had never hit another boy like that. But Pomony had
fallen into a chair, her face tortured with pain, her eyes filled with
tears that somehow would not fall. Then a fear seized him, horrible,
piercing, frantic; she was dying, she would die, and there was nothing
he could do to stop her! In passionate remorse and pity, he had flung
himself before her, kissing her feet--they were small and beautiful,
though not very clean--until at last he had felt Pomony's arms droop
caressingly around him, and heard Pomony's voice speaking lovingly and
forgivingly to him.

After a decent interval his mother returned to him.

"What are we going to do about _her_?" she asked, "She'll have to go
away."

"Away! Do you mean go to a home? No, but why go away. I'm not ashamed;
what is there to be ashamed of?"

"Who the deuce is going to look after her? You talk like a
tom-fool--yes, you are," insisted Mrs. Flynn passionately. "I'm out all
day from one week's end to the other. She can't be left alone and the
people downstairs are none too civil about it, as it is. She'll have to
go to the workhouse, that's all."

Johnny was aghast, indignant, and really angry. He would never, never
consent to such a thing! Pomony! Into a workhouse! She should not, she
should stop at home, here, like always, and have a nurse.

"Fool!" muttered his mother, with castigating scorn. "Where's the money
for nurses and doctors to come from? I've got no money for such things."

"I'll get some!" declared Johnny hotly.

"Where?"

"I'll sell something."

"What?"

"I'll save up."

"How?"

"And I'll borrow some."

"You'd better shut up now, or I'll knock your head off!" cried his
mother. "Fidding and fadding about--you're daft!"

"She shan't go to any workhouse!"

"Fool!" repeated his mother, revealing her disgust at his hopeless
imbecility.

"I tell you she shall not go there!" shouted the boy, stung into angry
resentment by her contempt.

"She shall, she must."

"I say she shan't!"

"Oh, don't be such a blasted fool!" cried the distracted woman, rising
from her chair.

Johnny sprang to his feet almost screaming, "You are the blasted
fool--you, you!"

Mrs. Flynn seized a table knife and struck at her son's face with it.
He leaped away in terror, his startled appearance, glaring eyes, and
strained figure so affecting Mrs. Flynn that she dropped the knife,
and, sinking into her chair, burst into peals of hysterical laughter.
Recovering himself the boy hastened to the laughing woman. The
maddening peals continued and increased, shocking him, unnerving him
again; she was dying, she would die. His mother's laughter had always
been harsh but delicious to him, it was so infectious; but this was
demoniacal, it was horror.

"Oh, don't, don't, mother, don't!" he cried, fondling her and pressing
her yelling face to his breast. But she pushed him fiercely away, and
the terrifying laughter continued to sear his very soul until he could
bear it no longer. He struck at her shoulders with clenched fist, and
shook her frenziedly, frantically, crying:

"Stop it, stop, oh, stop it! She'll go mad! Stop it, stop!"

He was almost exhausted, when suddenly Pomona rushed into the room in
her nightgown. Her long black hair tumbled in lovely locks about her
pale face and her shoulders; her feet were bare.

"Oh, Johnny, what are you doing?" gasped his little pale sister Pomony,
who seemed so suddenly, so unbelievably, turned into a woman. "Let her
alone."

She pulled the boy away, fondling and soothing their distracted mother
until Mrs. Flynn partially recovered.

"Come to bed now," commanded Pomona, and Mrs. Flynn thereupon, still
giggling, followed her child. When he was alone tremblingly Johnny
turned down the lamp flame which had filled the room with smoky fumes.
His glance rested upon the table knife; the room was silent and
oppressive now. He glared at the picture of Hamlet, at the clock with
the oily face, at the notepaper lying white upon the table. They had
all turned into quivering semblances of the things they were; he was
crying.


2

A letter, indited in the way he desired, was posted by Johnny on his
way to work next morning. He was clerk in the warehouse of a wholesale
provision merchant, and he kept tally, in some underground cellars
carpeted with sawdust, of hundreds of sacks of sugar and cereals, tubs
of butter, of lard, of treacle, chests of tea, a regular promontory
of cheeses, cases of candles, jam, starch, and knife polish, many of
them stamped with the mysterious words FACTORY BULKED. He did not
like those words, they sounded ugly and their meaning was obscure.
Sometimes he took the cheese-tasting implement from the foreman's
bench, and, when no one was looking, pierced it into a fine Cheddar or
Stilton, withdrawing it with a little cylinder of cheese lying like a
small candle in the curved blade. Then he would bite off the piece of
rind, restore it neatly to the body of the cheese, and drop the other
candle-like piece into his pocket. Sometimes his pocket was so full of
cheese that he was reluctant to approach the foreman, fearing he would
smell it. He was very fond of cheese. All of them liked cheese.

The Flynns waited several days for a reply to the letter but none
came. Stringer did not seem to think it called for any reply. At the
end of a week Johnny wrote again to his sister's seducer. Pomona had
given up her situation at the restaurant; her brother was conspicuously
and unfailingly tender to her. He saved what money he could, spent
none upon himself, and brought home daily an orange or an egg for
the girl. He wrote a third letter to the odious Stringer, not at all
threateningly, but just invitingly, persuasively. And he waited, but
waited in vain. Then in that underground cheese tunnel where he worked
he began to plot an alternate course of action, and as time passed,
bringing no recognition from Stringer, his plot began to crystallise
and determine itself. It was nothing else than to murder the man; he
would kill him, he had thought it out, it could be done. He would wait
for him near Stringer's lodgings one dark night, and beat out his
brains with a club. All that was necessary then would be to establish
an _alibi_. For some days Johnny dwelt so gloatingly upon the details
of this retribution that he forgot about the _alibi_. By this time he
had accumulated from his mother--for he could never once bring himself
to interrogate Pomona personally about her misfortune--sufficient
description of Stringer to recognise him among a thousand, so he
thought. It appeared that he was not a large man with a red beard,
but a small man with glasses, spats, and a slight limp, who always
attended a certain club of which he was the secretary at a certain hour
on certain nights in each week. To Johnny's mind, the _alibi_ was not
merely important in itself, it was a romantic necessity. And it was so
easy; it would be quite sufficient for Johnny to present himself at the
public library, where he was fairly well-known. The library was quite
close to Stringer's lodgings and they, fortunately, were in a dark,
quiet little street. He would borrow a book from the odd-eyed man in
the reference department, retire to one of the inner study rooms, and
at half-past seven creep out unseen, creep out, creep out with his
thick stick, and wait by the house in that dark, quiet little street;
it was very quiet, and it would be very dark; wait there for him all
in the dark, just creep quietly out--and wait. But in order to get
that _alibi_ quite perfect he would have to take a friend with him to
the library room, so that the friend could swear that he had really
been there all the time, because it was just possible the odd-eyed man
wouldn't be prepared to swear to it; he did not seem able to see very
much, but it was hard to tell with people like that.

Johnny Flynn had not told any of his friends about his sister's
misfortune; in time, time enough, they were bound to hear of it. Of
all his friends he rejected the close ones, those of whom he was very
fond, and chose a stupid lump of a fellow, massive and nasal, named
Donald. Though awkward and fat, he had joined Johnny's running club;
Johnny had trained him for his first race. But he had subjected Donald
to such exhausting exercise, what with skipping, gymnastics, and tiring
jaunts, that though his bulk disappeared his strength went with it;
to Johnny's great chagrin he grew weak, and failed ignominiously in
the race. Donald thereafter wisely rejected all offers of assistance
and projected a training system of his own. For weeks he tramped miles
into hilly country, in the heaviest of boots to which he had nailed
some thick pads of lead. When he donned his light running shoes for
his second race he displayed an agility and suppleness, a god-like
ease, that won not only the race, but the admiration and envy of all
the competitors. It was this dull, lumpish Donald that Johnny fixed
upon to assist him. He was a great fool, and it would not matter if he
did get himself into trouble. Even if he did Johnny could get him out
again, by confessing to the police; so that was all right. He asked
Donald to go to the library with him on a certain evening to read a
book called _Rasselas_--it was a grand book, very exciting--and Donald
said he would go. He did not propose to tell Donald of his homicidal
intention; he would just sit him down in the library with _Rasselas_,
while he himself sat at another table behind Donald, yes, behind him;
even if Donald noticed him creeping out he would say he was only going
to the counter to get another book. It was all quite clear and safe.
He would be able to creep out, creep out, rush up to the dark little
street--yes, he would ask Donald for a piece of that lead and wrap it
round the head of the stick--he would creep out, and in ten minutes or
twenty he would be back in the library again asking for another book or
sitting down by Donald as if he had not been outside the place, as if
nothing had happened as far as he was concerned, nothing at all!

The few intervening days passed with vexing deliberation. Each night
seemed the best of all possible nights for the deed, each hour that
Stringer survived seemed a bad hour for the world. They were bad, slow
hours for Johnny, but at last the day dawned, passed, darkness came,
and the hour rushed upon him.

He took his stick and called for Donald.

"Can't come," said Donald, limping to the door in answer to Johnny's
knock; "I been and hurt my leg."

For a moment Johnny was full of an inward silent blasphemy that flashed
from a sudden tremendous hatred, but he said calmly:

"But still ... no, you haven't ... what have you hurt it for?"

Donald was not able to deal with such locution. He ignored it and said:

"My knee cap, my shin. Oo, come and have a look. We was mending a
flue... it was the old man's wheelbarrow.... Didn't I tell him of it
neither!"

"Oh, you told him of it?"

Johnny listened to his friend's narration very abstractedly, and at
last went off to the library by himself. As he walked away he was
conscious of a great feeling of relief welling up in him. He could not
get an _alibi_ without Donald, not a sure one, so he would not be able
to do anything to-night. He felt relieved, he whistled as he walked,
he was happy again, but he went on to the library. He was going to
rehearse the _alibi_ by himself--that was the wise thing to do, of
course--rehearse it, practise it; it would be perfect next week when
Donald was better. So he did this. He got out a book from the odd-eyed
man, who strangely enough was preoccupied and did not seem to recognise
him. It was disconcerting, that; he specially wanted the man to notice
him. He went into the study room rather uneasily. Ten minutes later he
crept out unseen, carrying his stick--he had forgotten to ask Donald
for the piece of lead--and was soon lurking in the shadow of the dark,
quiet little street.

It was a perfect spot, there could not be a better place, not in the
middle of a town. The house had an area entry through an iron gate; at
the end of a brick pathway, over a coalplate, five or six stone steps
led steeply up to a narrow front door with a brass letter box, a brass
knocker, and a glazed fanlight painted 29. The windows, too, were
narrow, and the whole house had a squeezed appearance. A church clock
chimed eight strokes. Johnny began to wonder what he would do, what
would happen, if Stringer were suddenly to come out of that gateway.
Should he--would he--could he...? And then the door at the top of the
steps did open wide, and framed there in the lighted space young Flynn
saw the figure of his own mother.

She came down the steps alone, and he followed her short, jerky
footsteps secretly until she reached the well-lit part of the town,
where he joined her. It was quite simple, she explained to him with an
air of superior understanding; she had just paid Mr. Stringer a visit,
waiting for letters from that humbug had made her "popped." Had he
thought she would creep on her stomach and beg for a fourpenny piece,
when she could put him in jail if all were known, as she would, too,
if it hadn't been for her children, poor little fatherless things? No,
middling boxer, not that! So she had left off work early, had gone and
caught him at his lodgings and taxed him with it. He denied of it, he
was that cocky, it so mortified her, that she had snatched up the clock
and thrown it at him. Yes, his own clock.

"But it was only a little one, though. He was frightened out of his
life and run upstairs. Then his landlady came rushing in. I told her
all about it, everything, and she was that 'popped' with him she give
me the name and address of his fionx--their banns is been put up. She
made him come downstairs and face me, and his face was as white as the
driven snow, Johnny, it was. He was obliged to own up. The lady said
to him, 'Whatever have you been at, Mr. Stringer?' she said to him,
'I can't believe it, knowing you for ten years; you must have forgot
yourself.' Oh, a proper understanding it was," declared Mrs. Flynn,
finally. "His lawyers are going to write to us and put everything in
order; Duckle & Hoole they are."

Again a great feeling of relief welled up in the boy's breast, as if,
having been dragged into a horrible vortex, he had been marvellously
cast free again.

The days that followed were blessedly tranquil, though Johnny was
often smitten with awe at the thought of what he had contemplated.
That fool, Donald, too, one evening insisted on accompanying him to
the library where he spent an hour of baffled understanding over the
pages of _Rasselas_. But the lawyers Duckle & Hoole aroused a tumult
of hatred in Mrs. Flynn. They pared down her fond anticipations to
the minimum; they put so much slight upon her family, and such a
gentlemanly decorum and generous forbearance upon the behaviour of
their client, Mr. Stringer, that she became inarticulate. When informed
that that gentleman desired no intercourse whatsoever with any Flynn,
or the offspring thereof, she became speechless. Shortly, Messrs.
Duckle & Hoole begged to submit for her approval a draft agreement
embodying their client's terms, one provision of which was that if the
said Flynns violated the agreement by taking any proceedings against
the said Stringer they should thereupon, _ipso facto_ willy nilly or
whatever, forfeit and pay unto him, the said Stringer, not by way of
penalty but as damages, the sum of £100. Whereupon Mrs. Flynn recovered
her speech and suffered a little tender irony to emerge.

The shoemaker, whose opinion upon this draft agreement was solicited,
confessed himself as much baffled by its phraseology as he was
indignant at its tenour and terms.

"That man," he declared solemnly to Johnny, "ought to have his brain
knocked out;" and he conveyed by subtle intimations to the boy that
that was the course he would favour were he himself standing in
Johnny's shoes. "One dark night," he had roared, with a dreadful glare
in his eyes, "with a neat heavy stick!"

The Flynns also consulted a cabman who lodged in the house. His legal
qualifications appeared to lie in the fact that he had driven the
private coach of a major-general whose son, now a fruit farmer in
British Columbia, had once been entered for the bar. The cabman was a
very positive and informative cabman. "List and learn," he would say,
"list and learn;" and he would regale Johnny, or anyone else, with an
oration to which you might listen as hard as you liked but from which
you could not learn. He was husky, with a thick red neck and the cheek
bones of a horse. Having perused the agreement with one eye judiciously
cocked, the other being screened by a drooping lid adorned with a
glowing nodule, he carefully refolded the folios and returned them to
the boy.

"Any judge--who was up to snuff--would impound that dockyment."

"What's that?"

"They would impound it," repeated the cabman, smiling wryly.

"But what's 'impound it'? What for?"

"I tell you it would be impounded, that dockyment would," asseverated
the cabman. Once more he took the papers from Johnny, opened them out,
reflected upon them and returned them again without a word. Catechism
notwithstanding, the oracle remained impregnable, mystifying.

The boy continued to save his pocket money. His mother went about
her work with a grim air, having returned the draft agreement to the
lawyers with an ungracious acceptance of terms.

One April evening Johnny went home to an empty room. Pomona was out. He
prepared his tea, and afterwards sat reading _Tales of a Grandfather_.
That was a book if anybody wanted a book! When darkness came he
descended the stairs to enquire of the shoemaker's wife about Pomony;
he was anxious. The shoemaker's wife was absent, too, and it was late
when she returned, accompanied by his mother.

Pomona's hour had come. They had taken her to the workhouse--only just
in time--a little boy--they were both all right--he was an uncle!

His mother's deceit stupefied him; he felt ashamed, deeply shamed; but
after a while that same recognisable feeling of relief welled up in
his breast and drenched him with satisfactions. After all, what could
it matter where a person was born, or where one died, as long as you
had your chance of growing up at all, and, if lucky, of growing up all
right. But this babe had got to bear the whole burden of its father's
misdeed, though; it had got to behave itself, or it would have to pay
its father a hundred pounds as damages. Perhaps that was what that
queer bit of poetry meant, 'The child is father of the man.'

His mother swore that they were very good and clean and kind at the
workhouse, everything of the best and most expensive; there was nothing
she would have liked better than to have gone there herself when Johnny
and Pomony were born.

"And if ever I have any more," Mrs. Flynn sighed, but with profound
conviction, "I will certainly go there."

Johnny gave her half the packet of peppermints he had bought for
Pomona. With some of his saved money he bought her a bottle of
stout--she looked tired and sad--she was very fond of stout. The rest
of the money he gave her for to buy Pomony something when she visited
her. He would not go himself to visit her, not there. He spent the long
intervening evenings at the library--the odd-eyed man had shown him a
lovely book about birds. He was studying it. On Sundays, in the spring,
he was going out to catch birds himself, out in the country, with a
catapult. The cuckoo was a marvellous bird. So was a titlark. Donald
Gower found a goatsucker's nest last year.

Then one day he ran from work all the way home, knowing Pomony would at
last be there. He walked slowly up the street to recover his breath. He
stepped up the stairs, humming quite casually, and tapped at the door
of their room--he did not know why he tapped. He heard Pomony's voice
calling him. A thinner paler Pomony stood by the hearth, nursing a
white-clothed bundle, the fat pink babe.

"Oh, my dear!" cried her ecstatic brother, "the beauty he is! What
larks we'll have with him!"

He took Pomona into his arms, crushing the infant against her breast
and his own. But she did not mind. She did not rebuke him, she even let
him dandle her precious babe.

"Look, what is his name to be, Pomony? Let's call him Rasselas."

Pomona looked at him very doubtfully.

"Or would you like William Wallace, then, or Robert Bruce?"

"I shall call him Johnny," said Pomona.

"Oh, that's silly!" protested her brother. But Pomona was quite
positive about this. He fancied there were tears in her eyes, she was
always tender-hearted.

"I shall call him Johnny--Johnny Flynn."




                 Printed at The Golden Cockerel Press





End of Project Gutenberg's Clorinda Walks in Heaven, by Alfred Edgar Coppard