The Project Gutenberg eBook of Chambers's Journal of Popular Literature, Science, and Art, No. 739, February 23, 1878
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Chambers's Journal of Popular Literature, Science, and Art, No. 739, February 23, 1878

Author: Various

Editor: Robert Chambers
        William Chambers

Release date: May 25, 2020 [eBook #62226]

Language: English

Credits: Produced by Susan Skinner and the Online Distributed
        Proofreading Team at https://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL OF POPULAR LITERATURE, SCIENCE, AND ART, NO. 739, FEBRUARY 23, 1878 ***




Produced by Susan Skinner and the Online Distributed
Proofreading Team at https://www.pgdp.net









[Illustration: CHAMBERS’S JOURNAL

OF

POPULAR

LITERATURE, SCIENCE, AND ART.

Fourth Series

CONDUCTED BY WILLIAM AND ROBERT CHAMBERS.

NO. 739.      SATURDAY, FEBRUARY 23, 1878.      PRICE 1½_d._]




A WORD ABOUT BIRD-KEEPING.


We have never looked with perfect complacency on the keeping of birds
in cages; for it looks very much like an unnatural imprisonment. They
have not space to fly about, and there is something painful in seeing
them flitting up and down on two or three spars within very narrow
bounds, or looking through the wires of their cage as if wishful to get
out. It would, however, be of no use to remonstrate against a practice
that is common not only over all England but over the whole civilised
world. Besides, the keepers of pet birds are not without arguments in
their favour. Most of the birds to be seen in cages, such as canaries,
goldfinches, or siskins, have been bred in confinement. They never knew
what it was to be at liberty, and in their helpless inexperience, if
let loose, they would inevitably perish. There is much truth in this
species of excuse for bird-keeping. Some weight is also to be attached
to the plea that the little creatures are, generally speaking, so happy
in their captivity that many of them live to an old age—say twelve
or thirteen years, and keep on piping their ‘wood-notes wild’ to the
last. There may be the further apology, that the maintenance of birds
in cages communicates happiness to invalids, or to persons who do not
go much from home. There is cheerfulness in their song, and a degree
of amusement in witnessing their movements, as well as in attending
to their simple wants. Altogether, therefore, there is a good deal to
say for bird-keeping. It is not quite so inhumane a practice as it at
first appears. In short, birds, like dogs, may be viewed in the light
of domestic solacements kindly sent by Providence. Their society and
grateful attachment help to fill up many a melancholy gap.

These ideas have been suggested to us by an accidental interview with
a Dealer in Birds, who in his own way was apt in the philosophy of the
subject. If people would have birds, it was his business to supply
them with what they wanted, and he did so with as great tenderness
of feeling as the fragile nature of the article dealt in demanded. He
had much to explain respecting the importation of song-birds, and the
breeding of them in cages. But on neither of these points shall we say
anything. What especially interested us were this intelligent dealer’s
observations on the proper method of keeping birds. Some folks, he
said, have a notion that all you have to do is to buy a bird, put it
into a cage, and give it food and water as directed. That is far from
being enough. The habits of the animal must be studied. The climate of
the room in which it lives, the amount of daylight it should enjoy, the
atmosphere it breathes, its freedom from sudden alarms—all have to be
thought of, if you wish the bird to be happy; and without that it has
little chance of being a pleasant companion.

When the dealer began business many years ago, he was very unfortunate
as concerns his stock. He occupied as good a shop as any one in the
trade. The birds arranged all around in their respective cages, ready
for the inspection of customers, were as merry as birds could be. They
sung in full pipe, as if rivalling each other in their gaiety. Provided
with appropriate food, with pure water, and fresh air, they had not a
want unsupplied. Without any apparent reason, they began to droop and
to moult. This did not alone occur at the season when such might be
expected. Their moulting was often fatal. Vexed at cases of mortality
notwithstanding all his care, the dealer bethought himself that the use
of gas in his shop might be injurious, so for gas he substituted an
oil-lamp light. Still they drooped and died. He next in various ways
and at some expense improved the ventilation of his shop. Still they
drooped and died.

What could be the matter? Puzzled to the last extent, the bird-dealer
at length conjectured what might be the cause of these numerous deaths.
Could it be that the birds wore themselves out singing? If so, the only
way to stop them was to shorten the time they were exposed to the
light, for if kept in the dark they are not inclined to sing.

The supposition proved to be correct. He shut up his shop at an
early hour, and from that time the mortality of the birds ceased.
During the day they had just that amount of singing that suited their
constitutions, and in the evening they were left to their repose. This
bird-dealer’s ingenious discovery seems exceedingly rational. In a
state of nature, small birds flit about and sing only during daylight.
They retire to rest at sundown. This procedure requires to be imitated
in keeping birds artificially. If you let them sing all day and several
hours additional by lamp-light, you over-fatigue them. The labour is
too much. Of course the birds do not understand that they had better
be silent when the lamp or candles are lit. They instinctively keep
singing on, as if it were still daylight. The immediate effect of
this over-fatigue is that the poor birds are apt to moult, and become
attenuated; and suffering from premature exhaustion, they speedily
perish.

The dealer mentions that few birds subject to the exhaustion of
singing beyond ordinary daylight survive more than two years. This
does not surprise us. How could any of our public vocalists, male or
female, and of even a robust constitution, endure the tear and wear of
singing under a mental strain for any great length of time, as much as
eighteen hours a day? If human beings would thus sink under the effort
of over-work, we need not wonder that the fragile creatures we are
speaking of should succumb and drop from their perch.

As a means, therefore, of protecting the lives of pet birds, the
recommendation is, to remove the cages to a darkened apartment at
nightfall, or if they are not removed, to cover up every cage with a
dark cloth before lighting the gas or oil-lamps. In shifting birds from
one room to another, it is important to see that there be no change
in the temperature. If removed to a different temperature, there is a
chance of their moulting, which may be preliminary to something more
serious. Let it be always kept in mind that Nature supplies a coat to
suit the heat or cold in which the creatures are placed. By changing
a bird from a warm to a cold climate, birds change their coat and get
one that is heavier, and _vice versâ_, so, by repeated changes they are
kept continually moulting, instead of once a year, as they ought to do.

We have referred principally to the treatment of small song-birds, the
delicacy of which calls for particular attention. But our observations
in the main apply to all birds whatsoever. If it be wrong to keep a
little bird singing beyond its constitutional capacity, so it would be
wrong to over-work a parrot by causing it to speak eighteen hours on a
stretch. It would seem that by this degree of loquacity, the parrot has
a tendency to take some kind of bronchial affection, analogous to the
ailment of preachers, usually known as ‘the minister’s sore throat,’
and which, if not checked in time, may prove equally disastrous.

We have thrown these interesting facts together not only in the
interest of bird-keepers, but for the sake of inculcating kindness to
animals.

        W. C.




MY KITMITGHAR ‘_SAM_.’


For nearly three years my Kitmitghar, as that functionary is called,
was cook, butler, and factotum of my then small bachelor establishment
in India. A cunning concocter of mulligatawnies, curries, and
chutnies—as cunning a hand too in ‘cooking’ his daily bazaar accounts,
adding annas and pice, for his own particular benefit, to the prime
cost of as many articles as possible. Mildly remonstrated with, and
petty larceny hinted at, his honest indignation would be aroused.
‘Master tink I cheat,’ he would say; ‘master can inquire bazaar-mans;’
well knowing, the rogue, the moral and almost physical impossibility of
‘master’—a swell in his way—going to the distant market in a broiling
sun, and finding out the ruling prices of flesh and fowl.

This worthy, whose original cognomen of _Mootoosammy_ was shortened
into ‘_Sam_’ for convenience and euphony sakes, was a Tamil from
the Malabar Coast. _Au reste_, a dark, handsome, stoutly-built,
clean-looking native, on whose polished skin water and coarse country
soap were evidently no strangers. In his early youth, fated to earn his
own living, he had been ejected from the paternal hut and placed as a
_chokerah_ or dressing-boy to a fiery and impecunious lieutenant of
infantry; and under the fostering care of that impetuous and coinless
officer, his indoctrination into the art and mystery of a valet had
been advanced and improved by sundry ‘lickings,’ and by frequent
applications to his ebon person of boot-heels, backs of brushes, and
heavy lexicons of the English and Hindustani languages. This education
completed, and when he had learned to appreciate the difference between
uniform and mufti, mess-dress and parade-dress, and indeed to master
the intricacies of his employer’s scanty wardrobe—_non sine lacrymis_,
not without ‘howls’—then he emerged from dressing-boyhood, was promoted
_matie_ or under-butler, and got translated into more pretentious
bungalows than those of indigent subalterns. By-and-by further
preferment awaited him; he became _kitmitghar_ (major-domo) in the
households of unmarried civilian or military swells, and thenceforward
led a life free from kicks and cuffs, canes and whips, and impromptu
missiles snatched from toilet or study tables. I have said advisedly
‘unmarried,’ for except under financial difficulties, Sam would not
take service with the Benedicts of Indian society, and the actual
presence or possible advent of a wife was the signal for his departure.
‘Plenty too much bodder wid lady; too much want ebery day, ebery day
measure curry stuff, oil, ghee [butter]; too much make say always dis
ting too dear, dat ting too dear; too much trouble take count. Now,
Colonel Sahib he good man; he call, he say: “Sam! how much this week
you eespend? [spend].” He just look book; he give rupee; no one single
word _bobberee_ [fuss] make.’ And so, for a palpable reason, my worthy
cook-butler eschewed those households where a better-half took the
reckoning.

English, after the rickety fashion of a Madrassee, Sam spoke fairly
enough; he also read and wrote the language, the latter accomplishment
phonetically, but yet sufficiently near to the rules of orthography to
make you fully understand and pay for ‘tirty seers wrice’ as thirty
seers (measures) of rice. What if he did elect to spell rice with a
_w_? Is it not recorded that an eminent member of a large mercantile
firm, in days long gone by, invariably included an _h_ in the word
sugar? And is it not also chronicled how he chastised almost to the
death his son and heir for omitting that letter when invoicing a cargo
of best Jamaica moist? If then Blank Blank, Esq. of the city of London
opined that sugar required an _h_, why not the same liberty as regards
the _w_ to Mootoosammy of the city of Madras?

A sad waverer in religious opinions Master Sam, I fear. A very Pharisee
of a Hindu, a rigid stickler for the worship of Vishnu or Siva on the
high-days and holidays of those deities, when his forehead and arms
would be spotted and streaked with coloured ashes, his garments would
smell of saffron and sandal-wood, his English diminutive name would be
put aside for its more lengthy and sonorous native patronymic, and he
would be off to the temple to make _poojah_ (prayer) to his _swamis_
(gods). But yet, somehow or other, all these symptoms and signs of
Hinduism would disappear at Christmas, Easter, or Whitsuntide. At those
seasons of the Christian year, Sam was no longer Mootoosammy, but Sam
pure and simple. No more the believer he in the Vedahs and Shastras,
but a pinner of faith on Aves and Credos; no _poojah_ for him now in
the temple, but crossings and genuflections in the little chapel of
the station. Not a trace in these days of idolatrous scents clinging
to cloths and turban, or of ‘caste’ marks disfiguring brow or limb.
Dole in hand—obtained either from pickings at master’s ’counts or from
bazaar-man’s _dustoor_ (custom)—he is off to join Father Chasuble’s
small flock, and to bow down and formalise with the best or worst of
that good priest’s congregation. I really think and believe, that to
secure a holiday and an ‘outing,’ Sam would have professed himself a
Mohammedan during the Ramadan, a Hebrew during the Passover, a Heathen
Chinee during the feast of Lanterns, and a Buddhist during the Perihara
or other high-jinks of the yellow-robed priests of Gautama Buddha.

I never before or since met any man into whose household death was so
constantly making inroads, and strange to say, carrying away the same
individual. I suppose that, on a rough estimate, all Sam’s kith and kin
died at least twice during the thirty months or so that he was in my
service.

‘Master please’—thus Sam howling and weeping after his kind—‘scuse
[excuse] me. Gib tree day leave go Madras; too much trouble my house.
My poor old mudder—booh! ooh!—plenty long time sick; master know well;
too much old got; die last night. Booh! ooh! o-o-g-h!’

‘Why, what tomfoolery is this?’ I reply. ‘Your mother dead! Dead
_again_! Why, man, how can that be? Four months ago you came and told
me your mother was dead; you got four rupees advance; you went off,
leaving the boy to do your work, and put me to no end of inconvenience.
How can the old woman be dead again?’

But the fellow is not the least put out, and is quite equal to the
‘fix.’ ‘Master Sahib,’ he says, ‘I beg you scuse me. Sahib quite wrong.
That time you speak I get leave, not _my_ mudder—my _wife’s_ mudder
die. Master can look book!’

This random shot anent the ‘book’ alludes to my diary, in which the
disbursement of the money has been entered, but not of course the
casualty in his family. But I don’t lose the hint nevertheless, and I
jot down a memorandum for future reference, should occasion require.

Then Sam goes on: ‘I no tell lie, sar. Plenty true; too much bobberee
my house make. My fader gone Mysore’——

‘Why, bless my heart!’ I put in, ‘you told me ages ago your father died
of cholera in Masulipatam.’

‘No, sar,’ says Sam; ‘never, sar! My grand-fader, scuse me. My wife she
catch bad fever. No one single person my home got, make funeral-feast.
Please, my master, advance half-month’s pay; gib four days’ leave. I
too much hurry come back.’ Then he falls down, clasps my feet, calls me
his father, brother; gets my consent to be absent, handles the rupees,
and is off like a shot; not of course to his mother’s obsequies, for
the old harridan has either been buried or burned years ago, or even
now is all alive and kicking; but to some spun-out native theatricals,
nautch, or _tamasha_ (entertainment) in Black Town, where he feasts,
drinks, and sleeps, and for a week at least I see his face no more.

History repeats itself; so does Sam. Months and months have passed;
I am away from the neighbourhood of the Presidency town, and on the
cool Neilgherry Hills. Enters one morning my man into my sitting-room,
a letter in his hand, written in Tamil, and which he asks me to
read, well knowing that I can’t, that except a very few of the
commonest words of the language, which I speak with an uncertain not
to say incorrect idea of their meaning, the tongue of his forebears,
scriptural and oral, is to me Chaldee or Arabic.

‘Well! what’s up now?’ I say ‘_Ennah?_’ airing one of the expressions I
know.

‘Master can see self. My uncle he send chit [note]; just now tappal-man
[postman] bring. He write, say: “Sam! you plenty quick come Madras.”
He put inside letter one five-rupee government note. Sahib can see. He
tell me no one minute lose; take fire-road [railway]; too soon come;
plenty, plenty trouble. _My mudder dead._’

‘You awful blackguard!’ I exclaim. ‘Your mother dead—dead again! Look
here—look here!’ And I turn up my diary and shew him, under date August
9, 186-, nearly two years past and gone: ‘Sam’s mother reported dead
for the second time by Sam, &c.’

Then he slinks away discomfited; and I hear him in his smoky kitchen
growling and grumbling, and no doubt anathematising me and mine past,
present, and future.

My first introduction to Sam was after this wise. I had come down from
Bombay to Beypore with troops in a small steamer, and Mr Sam, who had
either deserted or been sent away from the Abyssinian Expedition, in
which he had been a camp-follower, was also a passenger in the same
ship. Of this craft a word _en passant_, for I have to this day a
lively and by no means pleasant olfactory recollection of her. She
was the dirtiest vessel in which I ever put foot; guiltless of paint
from keel to truck; all grime, coal-soot, and tar from stem to stern.
She had but recently taken a cargo of mules to Annesley Bay; and but
scant if any application of water and deodorants had followed the
disembarkation of the animals. The ‘muley’ flavour still therefore
clung closely to bulkhead and planking; it hung about cordage and
canvas; it penetrated saloon and sleeping-berth; it even overpowered
the smell of the rancid grease with which pistons and wheels were
lubricated. Worthy Captain B—— the skipper assured us that deck and
hold, sides and bulwarks, had been well scoured in Bombay; but as the
old salt’s views of scrubbing, judging from his personal appearance,
were infinitesimally limited, we opined that the ship’s ablution had
been as little as was that of its commander’s diurnal tub.

But to return to Sam. The poor fellow was wandering about the streets
of Beypore coinless and curry-and-rice-less, when he stumbled upon
me. He was seeking, he told me, from some good Samaritan of an
officer, a free convoy to Madras as his servant; and as I happened
to be in a position entitled to passes for some three or four
followers at government expense, I was enabled to pour oil and wine
into Sam’s wounds, and without even the disbursement to mine host
the assistant-quartermaster-general, of the traditional ‘tuppence,’
to get him across from terminus to terminus—some four hundred long
miles—and without once casting eyes on him. But at Lucifer’s hotel in
Madras where I stayed—— What a memory of mosquitoes, fleas, and other
nimble insects doth it bring! What a night-band of croaking frogs
and howling jackals it kept! What packs of prowling pariah dogs and
daringly thieving crows congregated about its yards and outhouses!
What repulsive nude mendicants and fakeers strolled almost into its
very verandahs! What a staff of lazy sweepers, slow-footed ‘boys,’ and
sleepy punkah-pullers crawled about it generally! And last, though not
least, what a wretched ‘coolie-cook’ superintended its flesh-pots, from
which not even the every-day stereotyped prawn curry, boiled seer-fish,
and grilled _morghee_ (fowl) could creditably and palatably issue. At
this Stygian caravanserai then, Sam, whom I thought I had bid adieu
to for ever and a day on the railway platform, turns up again clean
and smirk, salaams, asks for permanent employment, produces a thick
packet of highly laudatory characters (mostly, I had no doubt, either
fabricated by a native scribe in the Thieves’ Bazaar at Black Town,
or borrowed for the occasion from some other brother-butler), gets
engaged; and from that moment, both figuratively and literally, begins
to eat my salt. Nor did the saline feasting fail to give him a taste
for liquor—for alcoholic, decidedly alcoholic were Sam’s proclivities.
He drank at all times and in all places; but his favourite day and
locality was Tuesday, at the weekly market of the cantonment. Then and
there he imbibed right royally, and staggering home—the coolies with
the supplies following him as tipsy as himself—went straight to his
mat-spread _charpoy_ (bedstead).

‘Hollo, Sam!’ I exclaim; ‘at it again; drunk as usual from _shandy_
[market].’

‘No, shar! Dis time no shrunk! Shun too mush hot! Splenshy head pain
gib! Too mush make shake, sthagger, shar! No, mash-err, no! Sham not
shrunk! Plenty shick! Shmall glass brandy—all right, shar!’

But I decline to add ‘the sum of more to that which hath too much,’ and
I leave Sam to sober himself as he best can, and which, truth to say,
he quickly does.

In the way of intoxicants nothing came amiss to my man’s unfastidious
palate. He had no particular ‘wanity,’ like Old Weller’s friend the
red-nosed Shepherd: Henneysey’s brandy, Kinahan’s whisky, Boord’s gin,
Bass’s ale, Guinness’s stout, champagne, sherry, claret—all and each
were equally acceptable; and failing these European liquors, then the
vile palm-toddy and killing mango-spirit of the neighbouring native
stills supplied their place. Bar the toddy and mango stuff, which
were cheap and easily obtained, Sam did not disburse much for his
wine-cellar; master’s sideboard and stores, guard them as he would,
came cheaper and handier. Every bottle, somehow or other, got ‘other
lips’ than mine and my friends’ applied to it, and its contents went
into and warmed other ‘hollow hearts’ than ours. Sam laid an embargo
on and helped himself from all. He it is, I fancy, to whom Aliph Cheem
alludes in his Lay of Ind entitled _The Faithful Abboo_, that trusty
servant who, habitually stealing his master’s liquor, and accusing his
brother-domestics, got caught and half-poisoned by mistaking in his
prowls Kerosine for Old Tom. A misadventure not unlike befell Sam;
but in that instance he did not ‘strike oil,’ but came upon a very
nauseating dose of tartar emetic, and was ‘plenty sick’ and ‘plenty
shame’ for some hours after.

Another predilection of my factotum’s was tobacco, which he smoked
without ceasing, and without the least regard to quality or fabric.
‘Long-cut or short-cut’ to him ‘were all the same.’ But as I did not
happen to be addicted to the ‘nicotian weed’ Sam could not draw on any
resources of mine, but had to depend on his own means, supplemented by
the surreptitious abstraction of Trichys and Manillas, of Latakia and
Bird’s-eye, from the boxes and pouches of my chum and visitors.

Every native gambles; so it could hardly be expected that Sam should
differ from his brethren in this respect. In the words of the old ditty
anent Ally Croker:

    He’d game till he lost the coat from his shoulder.

I don’t think he cared much for cards or dice; but the game that he
delighted in was played with a red and white checkered square of cloth,
and with round pieces like draughtsmen. Whenever the advent of a friend
and opportunity served, down the two squatted with this board between
their legs, and a pile of copper pieces of money by their sides; and
so intent would they be on their play, that nothing short of a gentle
kick, or tap on the head, would arouse them to master’s wants and
needings.

My readers will naturally inquire why, with all these delinquencies,
Sam so long remained my henchman. Well, first, had I discharged him,
another and probably greater robber would have stepped into his
shoes, and bazaar accounts and inroads on alcohol and tobacco would
have remained undiminished. ‘They all do it;’ so better the de’il I
knew, than the de’il whose acquaintance I would have to make. Again,
Sam had his redeeming points; he was, as I have said before, clean,
handy, and deft at the creature comforts, which, having appetisingly
compounded, he could serve up with taste and elegance. Then he was
a good nurse; and during a serious illness that befell me at one of
the vilest stations in Madras, he tended me closely and carefully,
keeping a watchful eye and a ready stick on punkah-pullers and wetters
of kus-kus tatties (scented grass mats), without the cooling aid of
which the heat of that grilling July would have been my death on that
fever-bed. Once more, on those military inspections which fell to
my lot, and which had to be undertaken partly over the Nizam’s very
sandy and rough highways, and in those close comfortless bone-breaking
vehicles called _byle-nibbs_ (bullock-carts), my man became invaluable.
Seated on the narrow perch alongside the almost garmentless and highly
odoriferous native driver, he urged him on by promises of ‘backsheesh’
and cheroots; he helped to whip and tail-twist the slow-footed oxen; he
roused up lazy _byle-wallahs_ (bullock-men) sleeping in their hovels,
and assisted them in driving from the fields and in yoking to the cart
refractory and kicking cattle. He stirred up with the long pole the
_peons_ (keepers) in charge of the road-side travellers’ bungalows at
which we halted, aiding these officials in chasing, slaughtering, and
‘spatch-cocking’ the ever-waiting-to-be-killed-and-cooked gaunt and
fleshless _morghee_ (fowl); he saw that the chatties for the bath were
not filled with the very dirtiest of tank water; that the numerous
and hard-biting insects, out and taking the air from their thickly
populated homes in the crevices of cane-bottomed chair and bedstead,
met with sudden and violent death; and lastly, that no man’s hand but
his own should be put into master’s money-bag and stores.

But as all things come to an end more or less, so did Sam’s career with
me actually terminate. My wife and family came ‘out’ from England.
The ‘Mem Saab,’ sometimes even the ‘Missee Saab,’ took bazaar ’count;
the current bachelor rates for chillies, cocoa-nuts, first and second
sorts _wrice_, gram, and such-like necessaries underwent a fall. Sam’s
occupation and gain were gone. He quitted my homestead under this new
and unprofitable régime. ‘I discharge you, sar!’ said he; and away he
went, I know not where.




HELENA, LADY HARROGATE.


CHAPTER XI.—AN UNEXPECTED MEETING.

The _De Vere Arms_ at Pebworth, fourth-rate hotel though it necessarily
was in a place where any hotel of the first or even of the second
magnitude would have been as an oak in a flower-pot, was well and
neatly kept. There was the commercial connection, and there was the
county connection, both dear to the landlord, but on grounds wholly
dissimilar. Biggles had been butler to the present, under-butler and
knife-boy to the late Earl of Wolverhampton; and had he but had his own
way, the _De Vere Arms_ would have been strictly the family hotel which
its address-cards proclaimed it, and the obnoxious word ‘commercial’
would have found no place there.

Mr Biggles, however, was in the position of one of those unfortunate
managers of English country theatres who tell their friends, perhaps
truly, that they would play nothing, save the legitimate drama, if they
could help it. They cannot help it, and scared by the dismal spectre
of Insolvency, they shelve Shakspeare in favour of newer idols of the
public. So did Biggles and worthy Mrs B. to boot lay themselves out in
practice to secure the lucrative custom of the ready-money, constantly
moving, commercial gentlemen, while in theory devoting all their
loyalty to those of their patrons who came in their own carriages,
with armorial bearings on their panels and liveried servants on the
driving-seat.

To this hostelry was borne, in Sir Gruntley Pigbury’s carriage, the
insensible form of Jasper Denzil, supported by the sturdy arm of
Captain Prodgers, while little Dr Aulfus, on the opposite seat, kept
the patient’s nerveless wrist between his own thin fingers all the way
from the race-course to the inn. Then Jasper, amidst spasmodic gaspings
from the landlady and sympathetic exclamations from the chambermaids,
was carried into the _De Vere Arms_ and established in one of the best
rooms, whence were summarily dislodged the effects of some well-to-do
customer who had had a horse in the race, but who was unlikely under
the circumstances to resent the invasion of his apartment. Jack
Prodgers and the doctor seemed to have taken joint possession of the
invalid; the former as _prochain ami_ (and it is to the credit of such
ne’er-do-wells as Captain Prodgers that the very wildest of them never
do leave a friend untended in a scrape), and the other professionally.

Other friends came not. Lord Harrogate did indeed tap at the door, and
so did four or five officers of the Lancer regiment, but contented
themselves with an assurance that Jasper was in no immediate danger.
And when Blanche Denzil’s tearful entreaties induced the Earl to
solicit admittance to the sick-room for her at least, the surgeon went
out and politely deprecated her entrance. Anything which might excite
the patient should, he truly said, be as far as possible avoided. It
was not exactly possible just yet to ascertain the amount of damage
done; but he, the doctor, anticipated no serious consequences. And
with this assurance the poor sister was compelled to be content. They
say that every educated man of fifty is a fool or a physician. Jack
Prodgers had seen the light some half-century since, and his worst
enemies—the men whose cash he pouched at play—would not have taxed him
with folly.

‘Now, doctor,’ he said quietly, ‘don’t you think the best we can do
for the poor fellow is to get his left shoulder into the socket again
before the muscles stiffen?’

The surgeon winced. He knew by the cursory examination he had made
that no bones—unless it might be the collar-bone, an injury to which
is not always promptly ascertained—were broken; but here, annoying
circumstance! was a dislocation which he had left to be discovered by
an outsider to the profession.

‘Bless my soul!’ he exclaimed, adjusting his spectacles, ‘so it is. We
have no time to lose.’

As it was, time enough had been lost to bring about a contraction of
the muscles, that rendered it necessary to call in the aid of James the
waiter and Joe the boots, before the hurt shoulder could be reinstated
in its normal position.

The pain of the operation roused Jasper from his stupor. He moaned
several times and stirred feebly to and fro, and when the wrench was
over, opened his eyes and gazed with a bewildered stare about him. Very
pale and ghastly he looked, lying thus, with the blood slowly oozing
from a cut on his right temple, and his hair stained and matted. They
sprinkled water on his face and put brandy to his lips; but he merely
groaned again, and his eyes closed.

‘That’s a very ugly knock on the temple; I hope there’s no more
mischief,’ said the doctor in a whisper, but speaking more openly than
medicine-men, beside a patient’s bed, often speak to the laity.

Jack Prodgers shook his head. He was a man of experience, and had in
his time seen some prompt and easy recoveries, and other cases in which
there was no recovery at all. It was with some remorse that he looked
down at the bruised and helpless form lying on the bed. His heart had
been case-hardened by the rubs of a worldly career, but there was a
soft spot in it after all, and it was with sincere joy that he saw at
length the sick man’s eyes open with a glance of evident recognition,
while a wan smile played about his lips.

‘I say, Jack,’ said Jasper feebly, ‘we’re in a hole, old man, after
all’—— Then he fainted.

‘Nothing the matter with his reason, thank goodness! It was the shock
to the brain I feared the most for him,’ said the doctor, as again
brandy was administered.

The regular clock-work routine of social machinery must go on in
despite of accidents, and accordingly the down-train reached Pebworth
at 3.40 (or, to tell the truth, a few minutes behind time) with its
usual punctuality. There was no omnibus, whether from the _De Vere
Arms_ or from the opposition or _White Hart_ hotel, in waiting at the
station, wherefore the few arrivals had to consign their bales and bags
and boxes of samples to the wheelbarrows of porters, for conveyance
to whichever house of entertainment they designed to patronise.
Amongst these was a thickset middle-aged man, with trim whiskers, a
dust-coloured overcoat, a slim umbrella, and a plump black bag, which
he preferred to carry as he trudged from the station to the hotel.

There was nothing very noteworthy about the new-comer, who was neatly
dressed in black, and wore a hat that was just old enough to have lost
its first tell-tale gloss, except that he had evidently striven to
look some years younger than the parish register would have proclaimed
him. Thus the purplish tint of his thick whiskers and thinned hair,
heedfully brushed and parted so as to make the most of it, savoured of
art rather than nature. His cravat too, instead of being black, was
what haberdashers call a scarf of blue silk, of a dark shade certainly,
but still blue, and was secured by a massive golden horse-shoe.
Glittering trinkets rattled at his watch-chain, and his boots were
tighter and brighter than the boots of men of business usually are.
There is or ought to be a sort of fitness between clothes and their
wearer, but in the case of this traveller, obviously bound for the
_De Vere Arms_, no such fitness existed. That cold gray eye, those
deeply marked crow’s-feet, the coarse mouth, and mottled complexion,
consorted ill with the pretensions to dandyism indicated by a portion
of their owner’s attire. Altogether, the man might have been set down
as a corn-doctor, a quack, a projector of bubble companies, or possibly
an auctioneer whose hammer seldom fell to a purely legitimate bid in a
fair market.

As the stranger drew near to the hotel, having inquired his way once
or twice from such of the natives as the great attraction of the day
had not allured to the race-course, a carriage dashed past him at a
very fast pace indeed, and drew up with a jerk in front of the _De
Vere Arms_. The gentleman who alighted from it, tall, and of a goodly
presence, lingered for an instant in the doorway to give some order to
his servants. As he did so, his eyes encountered those of the traveller
freshly arrived by the train, and who by this time was beneath the
pillars of the porch. Sir Sykes Denzil, for it was he whose carriage
had just brought him in hot haste to the place where his son lay ill,
started perceptibly and hesitated, then turned abruptly on his heel
and disappeared within the hotel, greeted by the obsequious Mr and Mrs
Biggles.

Recognition, as we can all avouch, is in the immense majority of cases
simultaneous, one memory seeming as it were to take fire at the spark
of recollection kindled in the other. In this instance such was not
exactly what occurred. Yet the traveller with the bag was perfectly
certain that he had seen before the tall gentleman who had started at
the sight of him, and that a diligent searching of the mental archives
would elicit the answer to the riddle.

‘Have I written or telegraphed to order rooms here?’ repeated the new
arrival testily, after the flippant waiter who came, flourishing his
napkin, to see what the stranger wanted. ‘No, I have not. And to judge
by the size of your town, my friend, and the general look of affairs, I
should say that on any other day of the year but this such a precaution
would be wholly superfluous.’

The waiter, who had been slightly puffed up by the ephemeral vogue
of Pebworth and its chief hotel, took the rebuke meekly. ‘Would you
step into the coffee-room, sir?’ he said. ‘I’ll ask Mrs Biggles about
accommodation likely to be vacant. Any name I could mention, sir?’

‘Name—yes, Wilkins,’ returned the traveller, pushing open the door
of the coffee-room, in which, at various tables, some dozen of
sporting-men were making a scrambling meal. One or two of these
looking up from their plates, nodded a greeting, with a ‘How d’ ye do,
Wilkins?’ or ‘How goes it, old fellow?’ salutations which the recipient
of them returned in kind. Then the waiter bustled in to say, more
respectfully than before, that so soon as No. 28 should be vacated by
a gentleman leaving by the 6.25 train, it would be at the disposal
of Mr Wilkins. Further, here was a note for Mr Wilkins; into whose
hand he proceeded to thrust a half-sheet of letter-paper, roughly
folded in four, and containing but some two or three lines of blotted
handwriting. ‘If you will so far oblige me’—thus ran the words, shaky
and blurred as to their caligraphy, but tolerably legible—‘I shall be
glad of a few moments’ interview with you, at once if not inconvenient,
in No. 11. I will not detain you.’

There was no signature, but no reasonable doubt could exist in the mind
of Mr Wilkins as to the note having been penned by the owner of the
carriage that had so lately driven up to the door of the _De Vere Arms_.

‘Why, this is taking the bull by the horns,’ said Mr Wilkins, as he
rose to obey the summons.


CHAPTER XII.—IN NO. XI.

No. 11 was a sitting-room of a class peculiar to those old-fashioned
inns which are rapidly being improved off the length and breadth of
Britain, large, low-ceiled, with a sloping floor that attained its
highest elevation beside the broad bay-window. A dark room, it must be
confessed, and an airless, but snug and warm on winter-nights, when
the glow of the firelight combined with the lustre of many wax-candles
to defy the storm and blackness without. There had been jovial dinners
in that room, and drawing together of arm-chairs around the huge
fireplace, and tapping of dusty magnums of rare old port, and calling
for more punch as the night waned, in those hard-living days of which
so many of us innocent, pay the penalty in neuralgia and dyspepsia.

In No. 11 stood Sir Sykes, pale but resolute. The traveller with the
black bag came in, and for the second time their eyes met. ‘You wished
to see me, sir,’ began Mr Wilkins, with a slight bow. ‘Ah! I remember
you now, sir, as it happens,’ he added in a different tone; ‘remember
you very distinctly indeed, Mr’——

‘Hush!’ interrupted Sir Sykes, with uplifted fore-finger. ‘A place
like this is the very last in which to mention anything best left
unspoken—the very walls, I believe, have ears to hear and tongues to
tattle. I am Sir Sykes Denzil, of Carbery Chase, within a very few
miles of this, at your service, Mr Wilkins.’

‘Sir Sykes Denzil! Well, this _is_ a surprise,’ exclaimed the owner
of the name of Wilkins wonderingly, and yet with a sort of dry humour
mingling with his evidently genuine astonishment. ‘Dear me, dear me!
They say the world is very little, and people constantly meeting and
jostling in it; but I never so thoroughly realised the truth of the
saying as I do now. So I’ve the honour of talking to Sir Sykes Denzil,
when I thought I was addressing’——

‘Be cautious, sir,’ interposed the baronet, with an energy that
impressed the other in spite of himself. ‘Let us have no reference, if
you please, to a past that is dead and buried. I sent for you, certain
as I was that sooner or later your memory must recall me to your
remembrance, and well aware too how easily you could learn who I was
here.’

‘No great trouble about that, Mr—I mean Sir Sykes,’ rejoined the
traveller smirkingly. ‘The people seem to know you well enough, and any
fellow in the stable-yard would have told me whose was the carriage
with the brown liveries.’

‘And having met and recognised one another,’ said Sir Sykes, ‘on what
footing is our future intercourse to be conducted? We are not as we
once were, lawyer and client, and’——

‘No, Sir Sykes, I grant you that; but we might be,’ returned Mr
Wilkins, rubbing his fleshy hands together, as though they had been
two millstones between which the bones of suitors might be ground to
make his bread. ‘You can’t, a man of your landed property—I’ve heard
something as to your acreage, and could give a shrewd guess as to your
rent-roll—be without law business. Devonshire isn’t Arcadia, I suppose.
Are there not leases to draw, inclosure bills to promote, poachers to
prosecute, paths to stop up, bills to file, actions to bring, defend,
compromise? Ten to one, some of your best farms are let on leases of
lives, and—— But no matter! You’ve your own legal advisers; hey, Sir
Sykes?’

The baronet bowed coldly by way of assent.

‘Pounce and Pontifex, of Lincoln’s Inn—_I_ know,’ pursued the unabashed
lawyer. ‘A brace of respectable twaddling old stagers. There was a
saying, soon after I got my articles, as to that firm, to the effect
that Pounce and Pontifex were fit for a marriage settlement, a will,
and a Chancery suit, and that was about all. If you care about raising
your rents, crushing an enemy, or gratifying a whim—and most rich men
have a hankering after one or other of these fancies—why, you’ll need a
brisker counsellor at your elbow than the jog-trots of Lincoln’s Inn.’

Again the baronet bent his head, and his eyes moved towards the door.
Mr Wilkins noted their movement.

‘You hardly derived a fair judgment of my capabilities,’ he said, ‘by
the little I had to do in that Sandston business’——

‘Again I ask you, sir, to make no mention of that subject. It—it is
naturally painful to me—and—and’—— Sir Sykes here fairly broke down.

The lawyer’s eyes twinkled as he saw his advantage. ‘So long as _you_
remember it, Sir Sykes,’ he made haste to say, ‘I shall be only too
happy to forget the whole concern. What was that story about the
organ-blower and Handel? “Shan’t it be ‘we,’ then?” said the fellow,
when the great organist couldn’t get a note out of his instrument
for want of the necessary but humble bellows. And the musician was
compelled to acknowledge that there was a sort of partnership between
the man who fingered the stops and the man who raised the wind. I’m
in no hurry. Think it over. I have a client to see here to-day; but
perhaps you will let me have a word with you before you drive back to
Carbery Chase.’

A long deep line, which might have been mistaken for the furrow of some
old sword-cut, running from the angle of the mouth obliquely upwards,
became visible in the baronet’s comely face as he listened. He was one
of those men who can better endure misfortune than disrespect, and to
whom the bitterest sting of ruin is the withdrawal of the deference and
lip-service which environ them. But it was in an amicable tone that he
made answer: ‘I shall be happy to pursue our conversation, Mr Wilkins,
to-day or at any time which you may deem suitable. At present, however,
you will excuse me if I leave you. My son, Captain Denzil, has been
hurt—badly hurt, I fear, in the steeplechase to-day, and I have been
called here to see him, where he lies, in this very hotel.’ And the
baronet moved towards the door.

‘Hurt, is he?’ exclaimed Mr Wilkins, with inconsiderate roughness. ‘Ah,
then, I shall look to you, Sir Sykes, to indemnify me in case’——

Then came an awkward pause. The solicitor was a remarkably plain-spoken
man, but he did not quite like to say, ‘in case your son’s accident
prove fatal,’ and so stopped, and left his eloquent silence to complete
his words. Sir Sykes, with his hand on the door, turned, astonished,
upon the attorney.

‘What, pray, have you to do with the illness or the recovery of Captain
Denzil?’ he asked in evident ill-humour. He had borne up to this with
Mr Wilkins, but the lawyer’s interference with regard to his son
appeared to him in the light of a gratuitous piece of insolence.

‘Simply,’ returned Mr Wilkins, thrusting his hand into an inner pocket
of his coat, ‘because I am the holder of certain acceptances, renewed,
renewed afresh, and finally dishonoured; acceptances amounting, with
expenses, to a gross amount of—shall we say some eleven or twelve
thousand, Sir Sykes? Nearer the twelve than the eleven, I suspect.
A flea-bite of course to a gentleman of your fortune, but a very
important sum to a plain man like yours truly.’

‘I have been put to heavy expense, very heavy, for my son’s debts,’
said Sir Sykes, almost piteously. ‘I have paid every’——

‘Now, my very good sir,’ interrupted the attorney, ‘don’t, I beg you,
don’t fall into the common error of fathers, and imagine that your
own particular son is either a miracle of ingenuous candour or a
prodigal worse than his neighbours. You think that you’ve paid all his
liabilities, Sir Sykes, and no doubt you have paid all you knew of. But
as a man of the world, if not as a parent, you ought to be aware that
nobody ever did tell all that he owed—excess of modesty, perhaps! They
always leave a margin, these interesting penitents; and in this case,
as you will see by these documents’ (and Mr Wilkins produced several
pieces of stamped paper), ‘the margin is tolerably ample.’

The baronet was now thoroughly roused to wrath. He strode to and fro
with frowning brow and hands that were fast clenched together, then
walked to the window and stood still, idly tapping the panes with one
white finger, on which there glistened a great diamond that had been an
heirloom at Carbery Chase before ever a Denzil crossed its threshold.

‘I’ll not give him a shilling or leave him a shilling!’ he said in a
voice that quivered with anger. ‘Carbery Chase is my very own, and I
can deal with it as I please. My daughters at anyrate have deserved
better of me than that thankless graceless boy.’

Sir Sykes, under the influence of this new emotion, seemed to have
forgotten the lawyer’s presence, or merely to regard Mr Wilkins in the
light of the impartial Chorus in a Greek tragedy; but the attorney,
who was by no means pleased by the turn which the affair seemed to be
taking, intervened.

‘Come, come, Sir Sykes. It’s natural that you should be annoyed at
having such a heavy bill presented, when you thought it settled. But
between ourselves, boys will be boys. The captain has turned over a
new leaf, and rely on it he will be a credit to you yet. I’ve a pretty
wide acquaintance amongst wild young gentlemen of his kind, and I give
you my word I don’t know one who is more wide-awake. He had paid his
’prentice fees, and that smartly; but I expect before I die to hear of
him as an ornament to the bench of magistrates and perhaps a county
member. As for these bills and notes of hand’——

‘I’m not liable for a sixpence!’ exclaimed Sir Sykes petulantly. ‘My
son may go through the Court if he chooses, and perhaps will learn a
wholesome lesson from the exposure, which’——

‘Fie, fie, Sir Sykes!’ broke in the lawyer. ‘A coat of whitewash,
believe me, sticks to a youngster’s back to that extent that no amount
of scrubbing can get rid of it. Fume and fret as you please, you
know, and I know, that you mean Captain Jasper to have Carbery after
you, and to keep the place in the Denzil line. Better so, than to
have so fine an estate sold or cut in two for division between your
daughters’ husbands. And the captain won’t bear the ‘bloody hand’ in
his escutcheon the better because he has been made an insolvent in his
youth. As for these claims, I don’t press for an immediate settlement;
not I; I don’t exact my pound of flesh down on the nail, Sir Sykes.’

There was a hard struggle in the baronet’s breast. Time had been
given him for reflection, and he had used it. To hear of his son’s
extravagance, of his son’s deceit, and from such lips, was bad enough.
To be compelled to endure the familiarity of the lawyer’s manner was
to have to swallow a still more bitter pill. He could remember Mr
Wilkins of old, blunt and jocose certainly, but by no means so jaunty
in his bearing as he now was, although Sir Sykes had not then been
the rich county magnate he had blossomed. He felt, and writhed as he
felt, that it was the attorney’s sense of his hold upon him by reason
of his knowledge of his past life, which had emboldened Mr Wilkins to
deal with him as he had done. But the most provoking feature of the
affair was that Sir Sykes felt that this man’s advice, coarsely and
offensively administered as it was, yet contained a solid kernel of
truth. Jasper was by no means a model son. He had committed fearful
follies, and incurred debts which even the Master of Carbery had
thought twice before discharging. His profligacy was redeemed by no
brilliant talents, softened by no affectionate qualities. There are
spendthrifts who remain lovable to the last, as there are others who
dazzle the world by the glitter of their wit or valour. To neither
category did the graceless offspring of Sir Sykes belong. And yet, in
spite of his occasional menaces on the subject of his will, the baronet
felt that national manners and family pride combined to constitute a
sort of moral entail, of which Jasper was to reap the benefit.

‘I must see my son,’ said Sir Sykes smoothly, after a pause; ‘and when
I have time to think over the matter, Mr Wilkins, I will write to you
appointing as early an interview as possible. In the meantime I feel
assured that you will see the propriety of not urging personally your
claims on Captain Denzil in his present condition.’

Mr Wilkins was amenity itself. He would but eat a morsel in the
coffee-room, he said, and would then go back to London by the next
train, confident that he could not leave his interests in better hands
than those of Sir Sykes.

‘The old address, sir! You used to know it well enough!’ said the
lawyer with a leer, as he took the hand which the baronet did not dare
to refuse in sign of friendship; and so they parted.




COAL AND ITS PRODUCTS.


In an article which appeared in this _Journal_ in August 1876, entitled
_The Age of the World_, we endeavoured to explain how coal was
produced, and how it might be regarded simply as stored-up heat and
light, derived from the sun ages ago.

Apart from the varied uses of coal in its ordinary state, we owe an
immense deal to the products which by chemical means we obtain from it;
and it is our purpose in this paper to briefly review these products,
and to shew how we have adapted them to our several wants.

The manufacture of gas is undoubtedly the most important feature in
the modern history of coal. Natural reservoirs of inflammable air
exist in many parts of the world, and have in many cases been turned
to profitable account. In China, for instance, the evaporation of
salt has for many years been carried on by the heat obtained by the
combustion of gas which issues from the ground. Streets and buildings
there have also been lighted by the same means. In our own country
too, such eruptions of natural gas—which have generally manifested
themselves during the operation of well-boring—have not been uncommon.
But the gas so obtained is not the same as that which we get from the
distillation of coal, although it forms one of its chief constituents.
It is commonly called marsh-gas, from its constant presence in bogs
and places where decaying vegetable matter abounds. The treacherous
Will o’ the Wisp owes its origin to this gas. It also issues in large
quantities from coal-beds, and diluted with air forms the dreadful
compound called ‘fire-damp.’

The first recorded experiment relating to the production of true
coal-gas was as early as the year 1660, when a country clergyman
distilled some coal, collected the gas in bladders, and burnt it from
a jet, for the amusement of his friends. Although this very suggestive
experiment was communicated to the Royal Society, no action seems to
have been taken upon it until the beginning of the present century,
when the matter seems to have attained a more practical form. At this
time one or two factories in Manchester and Birmingham were for the
first time lighted with gas. The idea of illuminating an entire town
by means of a chemical vapour seems to have met with much ridicule,
and it was found necessary to employ lecturers to go about the country
to shew people how such an apparent impossibility could be carried
out. However, in spite of much opposition, part of London was lighted
by gas in 1812; and three years later, Paris adopted the same system.
The delay in the acceptance of gas-making among the industrial arts
was no doubt largely due to the expressed opinion of several eminent
chemists and others, who considered that such a mode of lighting our
towns could never be realised, because of the supposed danger which it
involved. Modern experience teaches us that it is at once the cheapest
as well as the safest mode of illumination that we can as yet command.
In the manufacture of gas, the coal is placed in iron retorts, which
are subjected to a high temperature for about six hours, when the
operation is finished, and the retorts are ready for a fresh charge.
A residue of nearly pure carbon, in the form of coke, remains in the
retort, whilst the varied products of the distillation are carried off
by pipes into suitable receptacles. For the sake of convenience, we
will at present name only three of these products—ammoniacal liquor,
tar, and the gas itself. The first is the principal source of ammonia,
one of the most useful substances known. It may be almost said of
ammonia, as it has been remarked of sulphuric acid, that the prosperity
of a country may be known by the quantity which it consumes. It is used
by colour-makers, calico-printers, and in the manufacture of most of
the textile fabrics; in cleansing and extracting grease from various
kinds of cloth, in the preparation of leather, in galvanising iron, and
in pewtering. The chemist would be almost helpless without its aid;
whilst in medicine it is used in about twenty different forms as a
most valuable stimulant. It is almost needless to say that ammonia was
in general use long before the era of gas-manufacture, for life could
hardly go on without it. In fact its very name is derived from its
manufacture hundreds of years ago from animal refuse in a district of
Libya where the deity Jupiter Ammon was worshipped. The old alchemists
too obtained it from the distillation of deer’s horns; hence one
preparation of it is still called spirit of hartshorn. There are many
other sources of ammonia, for its presence in nature is universal; but
all have sunk into insignificance since the gas-works have yielded such
plentiful supplies.

Coal-tar in its crude state is not of very great importance, its use
being confined to such rough work as the water-proofing of boats and
the painting of outhouses and the like. But in the hands of the chemist
its applications cannot be lightly regarded, in fact its distillation
is of sufficient importance to form a distinct branch of trade. In this
process coal-tar is separated into three different products—naphtha
(which in a rectified state is the benzol of commerce); heavy or
creosote oil, which is used almost exclusively for the preservation of
railway sleepers; and the residue pitch. The last is of great use to
shipbuilders, and has more recently found employment in the preparation
of asphalt roofing and paving. But naphtha is by far the most important
of the three substances, if it were only for its use as a solvent for
both india-rubber and gutta-percha. No doubt, failing this, other
solvents for caoutchouc would have been found; but naphtha is a
particularly cheap and effective menstruum for the purpose; and when we
consider the varied uses to which india-rubber and gutta-percha are now
applied—from elastic hosiery to submarine cables—we must acknowledge
that naphtha is a valuable addition to our manufacturing resources.
It is a significant circumstance that the date of the introduction
of manufactured india-rubber (by Mr Mackintosh) follows the general
adoption of gas-lighting by only a few years. Previous to this,
india-rubber was imported merely as a curiosity, its first use being to
obliterate pencil-marks, for which purpose it was once advertised in
London at the modest price of six shillings per square inch.

Besides its use as a solvent, benzol is of particular importance in
yielding, when treated with nitric acid, a substance called aniline.
The discovery of aniline is one of the most remarkable triumphs of
chemistry, as applied to the advancement of a manufacturing industry.
(Before the date of coal-tar it was obtained from indigo, and the
name it bears is the Portuguese for that colour.) The production of
aniline caused quite a revolution in the various trades which are
dependent in any way upon the colour-manufacturer; for lithographers,
paper-stainers, calico-printers, and especially dyers, owe their most
brilliant tints to its aid. The various dyes which are now commonly
retailed for household use are also derived from the same source.
Aniline is an almost colourless liquid, of a peculiar vinous odour,
which after exposure to the air, changes to a dark resinous matter.
The treatment which it undergoes in producing the various colours (and
nearly every colour of the rainbow can now be obtained from it), is of
too complicated a nature to be of any interest to the general reader.
Magenta, the advent of which some years back many of our readers
will remember, was the first aniline dye which appeared. The other
colours have followed in quick succession, nearly all of them being
the subjects of one or more patents. It is questionable whether all
these colours are strictly permanent; but it is a pleasing thought that
the hues which in one form or another existed at a period long before
mankind had a place in nature, are now reproduced for man’s delight and
benefit.

Another very important product of gas-tar is carbolic acid, which is
also largely employed for dyeing purposes. Its value as a disinfectant
is too well known to need recapitulation here; but we may mention
that its use as a preventive of disease was most abundantly proved
during the last epidemic among our cattle. It is in general use in
our hospitals, not only as a disinfectant, but also as an antiseptic
both in the dressing of wounds and in the treatment of various skin
diseases. Carbolic acid also yields a substance called picric acid,
which, on account of its explosive properties when combined with
potassium, has been proposed as a substitute for gunpowder. There are
many other substances derived from the distillation of coal-tar, but at
present they are only of interest to the experimental chemist.

A ton of coals will produce a chaldron of coke, twelve gallons of tar,
ten gallons of ammoniacal liquor, and nearly ten thousand feet of gas.
A consideration of these figures, with a due regard to what we have
said as to the value of the various chemical products obtained by
distillation, will enable our readers to understand why gas companies
can shew such good balance-sheets. Much has been written as to the
possible exhaustion, after one or two centuries, of the British
coal-fields. This is a question upon which it is next to impossible
to form any reliable opinion. Should the coal-supply actually fail,
it is more than probable that as science is extended, a new source of
light and heat may be developed. A cheap and ready means of producing
electricity, as we have in a former article endeavoured to shew, would
at once solve the problem, and it is within the bounds of reason that
to this agency the future races of the earth will look for the two most
common necessaries of existence.




MALAPROPOS.


Charles Dickens once wrote to a friend: ‘I have distinguished myself in
two respects lately. I took a young lady unknown down to dinner, and
talked to her about the Bishop of Durham’s nepotism in the matter of
Mr Cheese. I found she was Mrs Cheese. And I expatiated to the member
for Marylebone, Lord Fermoy—generally conceiving him to be an Irish
member—on the contemptible character of the Marylebone constituency
and Marylebone representatives.’ Two such mishaps in one evening were
enough to reduce the most brilliant talker to the condition of the
three ‘insides’ of the London-bound coach, who beguiled the tedium of
the journey from Southampton by discussing the demerits of William
Cobbett, until one of the party went so far as to assert that the
object of their denunciations was a domestic tyrant, given to beating
his wife; when, much to his dismay, the solitary lady passenger, who
had hitherto sat a silent listener, remarked: ‘Pardon me, sir; a kinder
husband and father never breathed; and I ought to know, for I am
William Cobbett’s wife!’

Mr Giles of Virginia and Judge Duval of Maryland, members of Congress
during Washington’s administration, boarded at the house of a Mrs
Gibbon, whose daughters were well on in years, and remarkable for
talkativeness. When Jefferson became President, Duval was Comptroller
of the Treasury, and Giles a senator. Meeting one day in Washington,
they fell to chatting over old times, and the senator asked the
Comptroller if he knew what had become of ‘that cackling old maid,
Jenny Gibbon.’ ‘She is Mrs Duval, sir,’ was the unexpected reply.
Giles did not attempt to mend matters, as a certain Mr Tuberville
unwisely did. This unhappy blunderer resembled the Irish gentleman who
complained that he could not open his mouth without putting his foot
in it. Happening to observe to a fellow-guest at Dunraven Castle, that
the lady who had sat at his right hand at dinner was the ugliest woman
he had ever beheld; the person addressed expressed his regret that he
should think his wife so ill-looking. ‘I have made a mistake,’ said the
horrified Tuberville; ‘I meant the lady who sat on my left.’ ‘Well,
sir, she is my sister,’ was the response to the well-intentioned fib;
bringing from the desperate connoisseur of beauty the frank avowal: ‘It
can’t be helped, sir, then; for if what you say be true, I confess I
never saw such an ugly family in the course of my life!’

An honest expression of opinion perhaps not so easily forgiven by the
individual concerned, as that wrung from Mark Twain, who, standing
right before a young lady in a Parisian public garden, cried out to
his friend: ‘Dan, just look at this girl; how beautiful she is!’ to
be rebuked by ‘this girl’ saying in excellent English: ‘I thank you
more for the evident sincerity of the compliment, sir, than for the
extraordinary publicity you have given it!’ Mark took a walk, but did
not feel just comfortable for some time afterward.

One of the humorist’s countrymen made a much more serious blunder.
He was a married man. Going into the kitchen one day, a pair of soft
hands were thrown over his eyes, a kiss was imprinted on his cheek.
He returned the salute with interest, and as he gently disengaged
the hands of his fair assailant, asked: ‘Mary, darling, where is the
mistress?’ and found his answer in an indignant wife’s face. ‘Mary
darling’ had gone out for the day, and the lady of the house intended
by her affectionate greeting to give her lord a pleasant surprise.
He got his surprise; whether he thought it a pleasant one he never
divulged, but that kitchen knew Mary no more.

A stout hearty-looking gentleman one day made his way from the
dock-side at Plymouth to the deck of a man-of-war newly arrived from
abroad, and desired to be shewn over the ship. Most of the officers
were on shore, and the duty of playing cicerone devolved upon a young
midshipman. He made the most of his opportunity, and to have a lark
at the expense of the elderly gentleman as he shewed him round, he
told him how the capstan was used to grind the ship’s coffee, the
eighteen-ton guns for cooling the officers’ champagne, the main-yards
for drying the Admiral’s Sunday shirts, and many other things not
generally known. When the gentleman had seen all he wanted to see, he
handed a card to his kind instructor, saying: ‘Young gentleman, you
are a very smart youth indeed, and full of very curious information;
and I trust that you will see there is no mistake in this card of mine
finding its way to your captain.’ The middy glanced at the bit of
pasteboard and read thereon the name ‘Ward Hunt;’ but before he could
thoroughly realise the situation, the First Lord of the Admiralty, with
a parting nod and pleasant smile, had gone.

Another story, illustrating the awkward results that come of letting
the tongue wag freely under a misapprehension regarding other folk’s
identity, is told of a London tailor. An aristocratic customer noted
for dressing in anything but aristocratic fashion, called to pay his
bill. The tailor’s new manager, after receipting the account, handed
it back with a sovereign, saying: ‘There’s a sovereign for yourself,
and it’s your own fault it isn’t two. You don’t wear out your master’s
clothes half quick enough. He ought to have had double the amount in
the time; it would be worth your while to use a harder brush.’

‘Well, I don’t know,’ said his lordship, smiling; ‘I think my brush is
a pretty hard one too; his lordship complains of it anyhow.’

‘Pooh! Hard! Not a bit of it! Now I’ll put you up to a dodge that’ll
put many a pound in your pocket. You see this piece of wood—now that’s
roughened on purpose. You take that, and give your master’s coat a good
scrubbing with it about the elbows and shoulders every day; and give
the trousers a touch about the knees, and it will be a good five pounds
a year in your pocket. We shan’t forget you.’

‘You are very kind,’ quoth the enlightened gentleman. ‘I will impart
your instructions to my valet, though I fear while he remains in my
service he will not be able to profit by them, as I shall not trouble
you with my custom. I wish you good-day.’

We read in Lord Eldon’s Journal: ‘The most awkward thing that ever
occurred to me was this. Immediately after I was married I was
appointed Deputy Professor of Law at Oxford, and the Law Professor sent
me the first lecture, which I had to read immediately to the students,
and which I began without knowing a single word that was in it. It was
upon the statute applying to young men running away with maidens. Fancy
me reading with about one hundred and fifty boys and young men all
giggling at the Professor! Such a tittering audience no one ever had.’
The comical coincidence may have been an accidental one; but as the Law
Professor must, like the students, have known that his deputy ran away
with his Bessie, the chances are against it. The great lawyer was fated
to be reminded of the romantic episode of his life. A client whose
daughter had been stolen from him, insisted upon the jury being told
that a man who could run away with another man’s daughter was a rascal
and a villain, and deserved to be hanged. ‘I cannot say that,’ said
Scott. ‘And why not, Lawyer Scott—why not?’ inquired the irate father.
‘Because I did it myself!’ was the unanswerable reply.

After doing his office for a young couple, a clergyman was inveigled
into proposing the health of bride and bridegroom at the wedding
breakfast. He wound up a neat little speech by expressing the hope
that the result of the union of the happy pair might prove strictly
analogous to that of the bride’s honoured parents. The groom looked
angry, the bride went into hysterics, the bridesmaids blushed and
became interested in the pattern of the carpet, the master of the
house blew his nose with extraordinary violence, and the speaker sat
down wondering at the effect he had created; till his better-informed
neighbour whispered that the lady was not the daughter of the host and
hostess, but a niece who came to live with them when her mother and
father were divorced.

During Mr Gladstone’s Premiership, Sir George Pollock called one
morning in Downing Street to thank the Prime-minister for making him
governor of the Tower. A cabinet council had just assembled; but
rather than keep the veteran waiting, Mr Gladstone invited him into
the council-chamber and introduced him to his colleagues. Sir George
entertained his new acquaintances with a tedious story about a nobleman
who had been detected cheating at cards, ending his narration with:
‘They turned him out of all the clubs he belonged to; even the Reform
would have nothing more to say to him!’ A way of proving the enormity
of the card-player’s offence that must have pleased his hearers
amazingly, since all or nearly all of them were members of that famous
Liberal club.

The old governor sincerely meant what his words implied. Such is not
always the case with utterers of malapropos things. When a note was
handed to Dr Fletcher in his pulpit intimating that the presence of a
medical gentleman, supposed to be in the church, was urgently required
elsewhere, the preacher read the letter out, and as the doctor was
making for the door, fervently ejaculated: ‘May the Lord have mercy
on his patient!’ A Scotch minister exchanging pulpits with a friend
one Sunday, was accosted after service by an old woman anxious to know
what had become of her ‘ain minister.’ ‘Oh,’ said he, ‘he is with my
people to-day.’ ‘Indeed, indeed,’ said the dame; ‘they’ll be getting
a treat the day!’ As flattering a remark as that of the wife of a
popular lecturer, who on her lord telling her he was going to lecture
at Sheffield, exclaimed: ‘I’m so glad; I always hated those Sheffield
people.’

Epitaph writers sometimes display a talent for this kind of
_double-entendre_. A couple of specimens will suffice. The first
from Arbroath, running: ‘Here lie the bodies of John, William,
Robert, and David Matthews, who all died in the hope of a glorious
resurrection—excepting David.’ The other from an American
burying-ground:

    Here lies the mother of children five;
    Two are dead and three are alive;
    The two that are dead preferring rather
    To die with their mother than live with their father.

Although a high authority insists that the lunatic and the lover are of
imagination all compact, it would not enter an ordinary lover’s head
to tell his mistress that loving her was synonymous with madness, as
Steele did when he wrote to his dear lovely Prue: ‘It is the hardest
thing in the world to be in love and yet attend business. As for me,
all who speak to me found me out, and I must lock myself up, or other
people will do it for me;’ but fair Mistress Scurlock doubtless took
the dubious flattery in as good part as the great animal painter took
the king of Portugal’s odd greeting: ‘Ah, Sir Edwin, I am glad to see
you; I’m so fond of beasts.’ An unpleasant way of putting the thing was
innocently adopted by the New York car-driver, who, blissfully ignorant
that his interlocutor was Mr Beecher, replied to that gentleman’s query
whether he did not think it possible to dispense with running the cars
all day on Sunday: ‘Yes, sir, I do; but there’s no hope for it so long
as they keep that Beecher theatre open in Brooklyn; the cars have to
run to accommodate that.’

An American newspaper says: ‘The enthusiastic choir-master who adopted
_Hold the Fort_ as a processional hymn, has been dismissed by the
minister, who considered it personal when the choir burst forth:

    See the mighty host advancing,
      Satan leading on!

A similar objection might have been raised to the Maine county
commissioners quoting Watts’s lines:

    Ye sinners round, come view the ground
      Where you will shortly lie,

when inviting certain lawyers to inspect the new court-house; although
they had less reason to complain than Lord Kenyon and Justice Rooke,
who while on circuit, came one Sunday to a little village just as the
good folks were going to church; an example the two judges followed.
Anxious to shew his appreciation of the unexpected honour, the parish
clerk searched for a suitable psalm to sing before the service; and
at the proper time gave out the first two verses of the fifty-eighth
psalm, and the congregation sang:

    Speak, O ye judges of the earth,
      If just your sentence be;
    Or must not innocence appeal
      To heaven from your decree.
    Your wicked hearts and judgments are
      Alike by malice swayed;
    Your griping hands, by mighty bribes,
      To violence betrayed.

Here the congregation awoke to the meaning of what they were singing,
and left the clerk and the children to offend the ears of the legal
dignitaries with:

    To virtue, strangers from the womb,
      Their infant steps went wrong;
    They prattled slander, and in lies
      Employed their lisping tongue.
    No serpent of parched Afric’s breed
      Does ranker poison bear;
    The drowsy adder will as soon
      Unlock his sullen ear.

The performance unlocked the tongues of the astonished judges at any
rate; and the churchwardens had some difficulty in convincing them that
the apparent insult arose out of the stupidity of the well-meaning
clerk.




THEODOR MINTROP.


‘The poor world is almost six thousand years old, and in all this time
there was not any man died in his own person, namely, in a love-cause.’

I cannot help recalling Rosalind’s words as I look at the photograph
before me; the history of its original so completely disproves her
saucy speech. In my hand I hold the likeness of a man of forty or
thereabouts, with a noble square forehead arching above deep thoughtful
eyes, a large beardless face surrounded by a heavy growth of long hair,
and a thickset form denoting great personal strength. A superficial
observer might call the homely portrait commonplace, and turn to
gaze on the more aristocratic faces of his fellow-artists in the
photographic album; but a careful scrutiny of the coarse irregular
features and the broad brow impresses one with the feeling that this
was no ordinary man; that a spirit dwelt within these steady eyes
purer and mightier than usually falls to the lot of mortal man. But
the closest inspection would still leave much untold. The indomitable
energy, the heaven-sent genius, may be traced in his strong features
and deep eyes; but the exquisite sensibility, the single-heartedness,
the uncomplaining patience, would never be guessed.

But a short time has elapsed since he was one of us, and his story is
still ringing in the hearts of his countrymen—a story so pathetic in
its poverty and its triumph, so touching in its untimely close.

Theodor Mintrop, the original of the photograph, was born near
the village of Werden in Westphalia. From his childhood he had an
uncontrollable desire to draw, which brought nothing but censure from
his elders, substantial _bauers_ and petty farmers, who considered
drawing an unpardonable waste of time. But the talent was not to be
crushed out. In spite of opposition and discouragement, in spite
of his daily hard work on his father’s farm, he practised his art
whenever he had an opportunity; at first sketching rough outlines on
whitewashed walls, and when he could afford it, buying pencils and
paper. In time his fame as an artist spread among the simple peasantry,
and even beyond his own limited circle. ‘The country Raphael,’ he was
popularly called; and made a little money occasionally by painting
signs for country inns, and pictures of the Virgin and Child for the
Catholics. All this time he wrought in the fields at a labourer’s usual
avocations; and it was a hard horny hand that in his leisure moments
wielded the pencil with such surprising genius. He was waiting—waiting
patiently till the tide would turn—waiting till the time would come
when he could study his art and devote himself wholly to it. And thus
he might have spent his entire life, his genius, like an imprisoned
bird, hemmed in by sordid cares and toils, if one of these strange
coincidences that so often bring the unexpected, had not occurred.

A celebrated artist, seeing some of Mintrop’s drawings, was so struck
by their merit, that he immediately set out for Werden, found Mintrop
at the plough, and carried him back to his house in Düsseldorf,
offering him every facility for studying thoroughly his beloved art.

The opportunity had come; but how long the country Raphael had waited
for it! Thirty years had he repressed his ambition, and performed
the duties of farm-labourer for his father and brother. No wonder a
sad weariness can be traced on his features. In Düsseldorf, Mintrop
went through the regular course of instruction, beginning at the very
lowest class, where he, a man of thirty, sat on the same bench with
young lads; but his great genius and intense application soon carried
him through the class-rooms. His art had an amount of originality
and freshness that seemed to breathe of his free country life at
Werden. From his boyhood a great lover of fairy tales, there was a
strain of grotesqueness in his works. His father, a man of an original
turn of mind, had fostered his passion for the weird homely legends
of the German peasantry; and to Theodor, in his imaginative youth,
_kobolds_ had peeped out of the earth, _nixies_ had sung in the
rivers. The fame of the country Raphael soon spread in Düsseldorf;
art critics acknowledged his wonderful genius, and vied with one
another in pointing out the grand simplicity and admirable power of
his compositions. How did the untrained peasant, fresh from his rural
life, bear all this homage? Simply and meekly. With reverence he
regarded the wonderful new life around him, so much more polished,
so much pleasanter than his old one; but the dignity of his art and
his own self-respect saved him from being overborne by it. But no one
guessed that under his homely and somewhat uncouth exterior such an
appreciation for all that was fair and good in life existed, as the
sequel of his life proved.

Behold him now at perhaps the zenith of his career; having attained the
object of his desires, an artistic education; having in a few short
years established a fame that many academical pupils of many years’
standing had failed to win; surrounded by many friends, living in the
home-circle of his first patron and dearest friend in that pleasant
city on the Rhine. His future lay fair and unclouded before him,
leading him on from triumph to still greater triumph. But inscrutable
are the ways of Providence; God’s ways are not man’s ways; and the tree
that promised such glorious fruit was never to reach maturity.

To the house of Geselschap (the name of the artist who had befriended
Mintrop, and in whose house he lived) came one fine summer a young
lady-friend. In the free unrestrained home society, Mintrop had much
opportunity of becoming intimately acquainted with this young girl.
He had been learning much of life as well as art since he came to
Düsseldorf; but women in a higher rank than the peasants he had for
thirty years been familiar with, were ever an object of peculiar
interest and intense admiration to him; and the grace and amiability
of this stranger soon made a powerful impression on him. For a whole
long happy summer this fair young creature lived under the same
roof with him, and treated the grave shy man with the playfulness
and friendliness of a sister, wholly unaware of the passion she had
unwittingly kindled. In short he, the hard-working country Raphael,
engrossed in his art, which he pursued for itself, not for money
(about which he was one of the most careless of mortals)—he, the rough
Westphalian peasant, with hard hands and uncouth figure, had learned
to love this gentle maiden, with all the strength of his noble patient
heart.

That long happy summer passed, and the young lady returned to her
friends. Shortly after, the announcement of her engagement to be
married reached Düsseldorf, piercing the true heart that loved her so
well. To commemorate her marriage, Mintrop composed a wonderful series
of pictures, that will always link her name to his.

The ‘Love of King Heinzelmann’ they were called; seventy scenes in all,
in which he, in the guise of King Heinzelmann, following his beloved
Johanna through every incident in daily life, protects and helps her
as he would fain have done in reality. True to the traditions of his
youth, numbers of quaint dwarfs with long beards, pointed caps, and
trunk-hose, attend on the commands of their king; who is himself a
strange weird vision with a wizened face, pointed cap, and magic wand,
tipped by a burning eye. In a burgher household, these droll figures
sweep and wash, bake and brew, throwing themselves into many strange
contortions, in the service of Anna; the king ever with them, looking
sadder and sadder; for as time goes on, a stranger from America falls
in love with Johanna and carries her away across the sea. The poor
gnome-king loves in vain; and when the day comes that Johanna and her
lover sail away, he and his dwarfs stand sadly on the shore (for they
may not cross the sea) watching the vessel till it fades from sight.

The fantastic legend is imbued with a strange humanity; and the ugly
figure of the gnome-king touches our inmost sensibility with a thrill
of pathos. Such was the love of Mintrop—intense, undying, and hopeless!
Some things are almost too sad to bear speaking of, and the waste of
affection that goes on in this world is one of them. Doubtless there
were many girls in Düsseldorf equal to Johanna in every respect; but
for Mintrop she was the only one, and yet she was another’s.

Three years had passed since Mintrop worked his love into his
art—throwing but a thin veil of grotesqueness over his real feelings;
and Johanna returned from afar with her husband. They settled in
Westphalia; and Johanna, moved by the memories of old days, proposed
that Mintrop should be godfather to their infant daughter. Three years
were gone, and Mintrop thought he had conquered his hopeless love; but
yet the request startles him, and he requires to struggle for composure
before he can determine whether he shall agree to it or not. He goes,
finds the comfortable home where his lost love resides, meets her and
her husband and the various guests present at the ceremony. The priest
comes, and the little soft baby is placed in his arms. He looks at his
sleeping god-daughter as he somewhat awkwardly receives her, and the
child slowly opens her large eyes, so like her mother’s. A thrill runs
through Mintrop’s veins; all the old feelings, the old hopes and fears,
rush through his mind with a force too cruel to be borne. He hastily
places the child in its mother’s arms, and hurries away from the scene.

Not long after, and Mintrop is dying. Some physical cause, the doctor
assigns; but his friends know well what it is. His patient loving heart
has borne too much. The intensity of his feelings has snapped the cord
of life. As his breath leaves him, he thinks of his other love, his
Art, and he sighs: ‘Would I might live long enough to finish my work;
otherwise, I am ready to die!’ And thus the brave gentle spirit went
forth to meet its Maker, regretting only that the promise of its youth
was not fulfilled—the work not yet completed. Alas, alas, for human
love, for human hopes and wishes! My eyes are wet as I trace these
concluding lines; and the face in the photograph is hallowed by a
strange sad interest.

Theodor Mintrop died at Düsseldorf in July 1870; and his sad story,
as given above, speedily found its way into the German newspapers. In
autumn 1871, a bronze bust erected to his memory was unveiled in the
presence of thousands of spectators; and the poet Emil Rittershaus
composed and recited a beautiful poem—a requiem to one who died of a
broken heart.




THE MONTH:

SCIENCE AND ARTS.


The rumour mentioned in our last _Month_ has been verified, and we
now know that hydrogen and nitrogen have yielded to the power of the
physicist, and that there is no longer, in our part of the universe,
any such thing as a permanent gas. After Pictet in Geneva had led
the way by liquefying oxygen, Cailletet followed in Paris with the
other two; but Pictet has since gone farther, and has obtained liquid
hydrogen in considerable quantity, and has produced solid particles of
oxygen. In communicating these facts to a scientific body in Paris,
Mr Dumas, the eminent chemist, stated to his hearers they might take
it for granted that in swallowing a glass of water they were really
drinking a metallic oxide.

Dr Angus Smith says in a paper ‘On the Examination of Air,’ read before
the Royal Society, that there ought to be observatories for Chemical
Climatology and Meteorology, in which the air should be systematically
examined, ‘so as to obtain decidedly those bodies which have from the
earliest times been supposed to exist in it, bringing with them, on
certain occasions, the worst results.’ But the process of examination,
as at present carried on, is slow and troublesome; when a sure and easy
way is found, then its adoption may become general. Dr Angus Smith is
perhaps the first who has taken the subject in hand from this point of
view. ‘It is the more interesting,’ he remarks, ‘as he has sufficiently
shewn that in the places examined, the organic ammonia has been in
intimate relation with the gross death-rate.... It may be true that
oxygen is the prime mover—producing in man animal life—a favourite
idea for a chemist; but it may also be true that minute organisms
cause a peculiar class of decomposition connected with mental or other
activity, diseased or otherwise.’

Before the telephone has ceased to be a scientific novelty, America
sends us news of another novelty called a phonograph. This instrument,
the invention of Mr T. A. Edison, makes sound visible, and records it
in a permanent form. You speak into a tube, and while doing so you
work a handle which causes a cylinder to revolve; the sound of the
voice causes a thin disk or diaphragm of metal to vibrate, as in the
telephone; the vibrations actuate a steel point which, as it advances
and recedes, makes impressions more or less deep in a band of tinfoil
wound round the cylinder, and this band of tinfoil becomes the record
of what has been spoken. Now comes the wonderful part of the process;
for we are told that if the tinfoil so indented be applied to another
instrument, called the ‘transmitter,’ consisting of a hollow tube with
a paper diaphragm, then the original sounds will be reproduced, though
with somewhat of a metallic tone. Turn the handle of the cylinder and
you may have repetitions of the discourse until, in fact, the tinfoil
is quite worn out. Casts of the indented tinfoil may, it is said, be
taken in plaster of Paris, so that copies of spoken words could be sent
to as many persons as may be desired.

This invention seems too questionable to allow of any one, even the
inventor, forming an opinion as to its practical value. Fanciful
conjectures may of course be made. A fugitive swindler, for example,
may be arrested in a foreign city, and held fast until a foil of
evidence spoken by one of his confederates might be sent out to convict
him. Or a hardy young sheep-farmer in Australia might sing into his
tube, puncturing his song on the sheet of foil, fold it neatly up, and
send the graven song home to the girl he left behind him; and she, by
applying the sheet to her own phonograph might, by proper manipulation,
hear the tender ditty as often as she pleased.

While waiting for further developments, we venture to suggest that what
is wanted by numbers of intellectual people who find the mechanical
action of writing slow and irksome, is, some kind of ‘graphy’ which
will enable them at once to print their thoughts on paper without aid
from pen or fingers.

Some months ago we mentioned the little torpedo boat _Lightning_, and
her swift steaming, nineteen knots an hour. Her length is eighty-four
feet, her width ten feet ten inches: and now we hear that fifteen
similar vessels are to be built, and that the builders promise a speed
of twenty-five knots. Experiments have been made which prove that
swiftness is an element of safety, for on firing a rifle-bullet through
the bottom it was found that the water did not enter. In future it is
thought that torpedoes will play an important part in naval warfare;
and as has already been mentioned in recent papers in this _Journal_, a
School has been established at Portsmouth in which their use is taught
theoretically and practically. A further improvement is whispered in
certain quarters—a torpedo boat which shall carry on her evolutions
under water, and hook on torpedoes to the bottom of an enemy’s ship
without being discovered. Are we about to see in this a realisation
of what has long been a dream among speculative inventors? Is naval
warfare, from its hopelessly fatal nature to those engaged, to become
an impossibility?

Communications addressed to the Société d’Encouragement pour
l’Industrie Nationale, Paris, describe a method for preventing the
deposit of soot in chimneys; but as yet no details are published: also
an apparatus for stopping runaway horses (in harness), by completely
closing the winkers; and a way to deaden the blows of a hammer moved
by machinery. In this case, the anvil is supported on a float in
a reservoir of water. Another subject is a tramway car in which
compressed air is the motive-power, as proved during some months on
the line between Courbevoie and Puteaux, and the Round Point in the
Champs-Elysées. This car has room for thirty passengers, is served by
a conductor, and a mechanician who has entire charge of the machinery,
which with a number of iron tubes is all placed between the wheels,
under the floor, where it occasions no inconvenience to any one. A
powerful air-pump at the starting station, forces air enough into the
iron tubes for the journey to and fro, and the car travels smoothly and
without noise or smoke, and can be stopped and started more readily
than a horse-car. Mr Mékarski, the inventor of this car, has been
thanked by the Société for having solved the problem of a locomotive
which can be used with safety in crowded streets. Of course there are
appliances for regulating the pressure of the air, and for preventing
the deposit of hoar-frost in the tubes, consequent on rapid expansion
of air; but for a description of these and other particulars we must
refer to the _Bulletin_ published by the Society.

Mr Coret has invented what he calls a self-acting thermo-signal which
by ringing a bell makes known to all within hearing when an axle or any
other part of an engine is over-heated. It is a small brass cylinder,
containing a system of flexible metal disks, and a dilatable liquid,
which is to be fixed to the part liable to over-heating. While all
goes well the instrument makes no sign; but as the temperature rises
the liquid dilates, forces out a small metal pin at the end of the
cylinder, which, as the wheel revolves, strikes a bell, and thereby
warns the attendants. Thus the necessity for constantly watching an
indicator is avoided.

Other subjects brought before the same Society are—A description of
a chimney which does not occasion loss of heat, by Mr Toulet, 38
Avenue de l’Observatoire, Paris—Specimens of harmless colours which
may be used with varnish, oil, or water, and are described as durable
and remarkably brilliant. They are available for many purposes of
decoration, but are specially intended, as they contain no poisonous
element, for the colouring of children’s toys. These new colours
are derived from the substances known to chemists as eosin and
fluorescin—And certain manufacturers who have carefully studied the
material give an account of the capabilities of jute, from which we
gather that by proper preparation of the yarns, remarkable effects of
colour, of mottling, of light and shade, and also a velvety appearance
can be produced. The process is described as very simple and moderate
in cost; so that applications of jute to decorative purposes hitherto
not thought of may ere long become available.

It has been found by experiment that aniline black can be made to yield
different colours: treated in one way it is a light violet, in another
way it is a bluish pink, and in a third way it becomes blue.

Pure butter, as is stated in the _Journal_ of the Chemical Society,
contains from ninety to ninety-eight per cent. of pure butter fat and
a small quantity of water. Its colour should be from yellowish white
to reddish yellow, but this depends on the kind of fodder given to
the cows, and may be produced by means of beetroot or other plants
possessed of colouring properties. The colouring matter may be detected
by treating the butter with strong alcohol. The melting-point of pure
butter is from thirty to thirty-seven degrees, while artificial butter
melts at from twenty-seven to thirty-one degrees. Substances used to
increase the bulk and weight of butter are chalk, gypsum, oxide of
zinc, starch, and so forth. These neither improve its flavour nor
its wholesomeness. The agreeable smell of pure butter, with a slight
suggestion of milk, is not easy to imitate by artificial means.

Now that chemists can avail themselves of the spectroscope in their
researches, falsifications have but little chance of escaping
detection. We learn from the same _Journal_ that the colouring
matters generally used in the adulteration of wine are—fuchsine, the
preparations termed caramels, ammoniacal cochineal, sulphindigotic
acid, logwood, the lichen reds, rosaniline, bilberries, cherries,
mallows, and the berries of the privet. Most if not all of these
matters can be precipitated by chemical treatment, or they may be
detected by dialysis. If a cube of gelatine less than an inch square
be placed in the wine under experiment, it will be found, after
twenty-four or forty-eight hours, stained all through, if artificial
colouring matters are present; but if the wine is quite pure, then
the natural colouring matter will not have penetrated deeper into
the gelatine than one-eighth of an inch. It is worth notice that the
natural colour soaks in slowly; the artificial colour quickly.

The _Comptes Rendus_ of the Académie des Sciences, Paris, give an
account of a patient who, through entire closure of the esophagus or
gullet, could get neither food nor liquid into his stomach, and had
to undergo the operation of gastrotomy. Through the opening thus made
the operator passed different substances and took note of the time
they remained in the stomach. Starch, fat, and flesh disappear in
from three to four hours; milk is digested in an hour and a half or
two hours, and alcohol and water are absorbed in from thirty-five to
forty-five minutes. One day a small quantity of pure gastric juice was
taken from the stomach for experiment: it is described as colourless,
viscid, yet easily filterable, having little odour, and not putrefying
spontaneously. The acidity of the gastric juice varies but slightly
whether mixed with food or not, the mean being 1.7 gram of hydrochloric
acid to one thousand grams of liquid. ‘The quantity of liquid,’ we
are informed, ‘found in the stomach has no influence on its acidity;
the latter is almost invariable whether the stomach be nearly empty
or very full. Wine and alcohol increase the acidity, while cane-sugar
diminishes it. If acid or alkaline liquids are injected into the
stomach, the gastric juice reassumes its normal acidity in about one
hour. It is more acid during digestion than when digestion is not going
on, and the acidity increases towards the end of the process. Since the
stomach is generally empty at the end of four hours, and hunger does
not supervene till about six hours after a meal, it would seem that
hunger does not result solely from emptiness of the stomach.’ This last
remark is not in accordance with the opinions of other physiologists;
but we venture to suggest that in common with the limbs, the stomach
needs rest, and finds it in the two hours of quiet above mentioned. We
would further remark, that the theory that sugar does not create acid
in the stomach is contrary to all ordinary medical teaching, and even
of daily experience.

A surgeon in a provincial town in Scotland has achieved a remarkable
operation. He cut out from the neck of a patient a diseased portion of
the larynx, and inserted an artificial larynx through which the man can
speak articulately. This is one of the triumphs of surgery.

We mentioned some time ago that certain practitioners in the United
States had succeeded in removing tumours by the application of a
current of electricity. Recently the same method has been employed,
and with the same success, for the removal of those blemishes from the
skin popularly described as ‘port-wine stains,’ and other excrescences.
Care is required in regulating the strength and duration of the current
according to the nature of the case; if this be insured, the operation
can hardly fail of a successful result. Particulars of cases and their
treatment are published in the _New York Medical Journal_.

Pursuing his contributions to meteorology, Professor Loomis of Yale
College, Newhaven, U.S., finds that the areas of rainfall in the
United States generally assume an oval form, and the oval is not
unfrequently a thousand miles long and five hundred broad. He finds
too that falls of rain often have great influence in checking the
progress of a storm; and that they appear to be subject to some law
of duration. For example, some rains last eight hours, some sixteen,
some twenty-four; but beyond twenty-four hours the instances are very
rare. ‘This fact,’ he remarks, ‘seems to indicate that the causes which
produce rain, instead of deriving increased force from the rainfall,
rapidly expend themselves and become exhausted. It cannot be explained
by supposing that the vapour of the air has all been precipitated,
because these cases chiefly occur near the Atlantic coast, where the
supply of vapour is inexhaustible. Is there not here an indication that
the forces which impart that movement to the air which is requisite
to a precipitation of its vapour, become exhausted after a few hours’
exercise?’ By further research it is found that during the six months
from November to April, violent winds are more than five times as
frequent as during the other six months of the year; and that they come
from a northern quarter two-and-a-half times more frequently than from
a southern quarter. Though Professor Loomis’ observations apply to the
climate of America, they may be considered with advantage by our own
meteorologists.

The President of the Institution of Civil Engineers in his inaugural
address took occasion to say, as evidence of the advantages which
accrue to a country through the labours of the civil engineer, that the
sum authorised to be expended on British railways up to the end of 1876
amounted to seven hundred and forty-two millions; a sum pretty nearly
as large as our huge national debt. And from this Mr J. F. Bateman
argued, that as in engineering special qualifications, and some of a
high order, were required, it would be well if advantage were taken of
the numerous public schools in which instruction bearing on engineering
is given, whereby young men would have at least some qualification on
entering the profession. At the same time it would be a mistake to
regard that training as other than preparatory and incomplete. It is
by actual outdoor work only, that a man can become an engineer; and
engineering work is not to be found at school or college.

Mr Bateman—who by the way will long be remembered for his water-supply
of Glasgow—instead of travelling over many topics, confined himself
to the great and important question of rainfall and water-supply for
the whole kingdom, with a view to proper economy. It is a question
which becomes more and more important with the increase of population
and consequent multiplication of machinery. When the Metropolitan
Board of Works are about to ask parliament for leave to undertake the
water-supply of London, the proportions of the question may be assumed
to be at their largest; and storage of rainfall and of flood-waters,
prevention of pollution, and the best way of obtaining absolutely pure
water, together with other topics, will have to be treated with serious
consideration.




SPRING.


    Oft let me wander hand in hand with Thought
    In woodland paths and lone sequestered shades,
    What time the sunny banks and mossy glades
    With dewy wreaths of early violets wrought,
    Into the air their fragrant incense fling,
    To greet the triumph of the youthful Spring.
    Lo! where she comes! ’scaped from the icy lair
    Of hoary Winter; wanton free and fair!
    Now smile the heavens again upon the earth,
    Bright hill and bosky dell resound with mirth,
    And voices full of laughter and wild glee
    Shout through the air, pregnant with harmony,
    And wake poor sobbing Echo, who replies
    With sleeping voice that softly, slowly dies.




ERRATUM.


[The verses which appeared in last month’s issue, entitled _The
Well-known Spot_, were signed by mistake ASTLEY H. BALDWIN instead of
F. G. ELLIOTT. We take this opportunity of rectifying the error.]

       *       *       *       *       *

Printed and Published by W. & R. CHAMBERS, 47 Paternoster Row, LONDON,
and 339 High Street, EDINBURGH.

       *       *       *       *       *

_All Rights Reserved._







*** END OF THE PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL OF POPULAR LITERATURE, SCIENCE, AND ART, NO. 739, FEBRUARY 23, 1878 ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.