Produced by Al Haines








  Argonaut and
  Juggernaut

  BY

  OSBERT SITWELL



  LONDON
  Chatto & Windus
  1919




_All rights reserved_




  TO
  THE MEMORY OF
  ROBERT ROSS




My thanks are due to Messrs. Blackwell for permission to reprint
certain poems which first appeared in the anthology "Wheels," and to
the editors of _The Times_, the _Nation_, _Art and Letters_, the
_Cambridge Magazine_, _Everyman_, _Colour_, _New Paths_, and _Poetry
and Drama_ (New Series), for allowing me to reprint various poems which
first appeared in their columns.  Several of the war verses at the end
of this volume first appeared in the _Nation_ under the signature
"Miles."




  "HOW SHALL WE RISE TO GREET THE DAWN?"

  How shall we rise to greet the dawn?
  Not timidly,
  With a hand above our eyes,
  But greet the strong light
  Joyfully;
  Nor will we mistake the dawn
  For the mid-day.

  We must create and fashion a new God--
  A God of power, of beauty, and of strength--
  Created painfully, cruelly,
  Labouring from the revulsion of men's minds.

  It is not that the money-changers
  Ply their trade
  Within the sacred places;
  But that the old God
  Has made the Stock Exchange his Temple.
  We must drive him from it.
  Why should we tinker with clay feet?
  We will fashion
  A perfect unity
  Of precious metals.

  Let us tear the paper moon
  From its empty dome.
  Let us see the world with young eyes.
  Let us harness the waves to make power,
  And in so doing,
  Seek not to spoil their rolling freedom,
  But to endow
  The soiled and straining cities
  With the same splendour of strength.

  We will not be afraid,
  Tho' the golden geese cackle in the Capitol,
  In fear
  That their eggs may be placed
  In an incubator.
  Continually they cackle thus--
  These venerable birds--
  Crying, "Those whom the Gods love
  Die young,"
  Or something of that sort.
  But we will see that they live
  And prosper.

  Let us prune the tree of language
  Of its dead fruit.
  Let us melt up the clichés
  Into molten metal;
  Fashion weapons that will scald and flay;
  Let us curb this eternal humour
  And become witty.

  Let us dig up the dragon's teeth
  From this fertile soil;
  Swiftly,
  Before they fructify;
  Let us give them as medicine
  To the writhing monster itself.

  We must create and fashion a new God--
  A God of power, of beauty, and of strength;
  Created painfully, cruelly,
  Labouring from the revulsion of men's minds.
  Cast down the idols of a thousand years,
  Crush them to dust
  Beneath the dancing rhythm of our feet.
  Oh! let us dance upon the weak and cruel:
  We must create and fashion a new God.

  _November_, 1918.




  CONTENTS

  PREFACE POEM

  "How shall We rise to Greet the Dawn?"


  BOOK I: THE PHOENIX-FEASTERS

  PART I

  Prelude
  The Silence of God
  Adventure
  Dusk
  Sailor-Song
  The Dance
  Why should a Sailor ride the Sea?

  PART II

  Cornucopia
  Song
  Prospect Road



  BOOK II: GREEN-FLY

  War Horses
  Church-Parade
  At the House of Mrs. Kinfoot
  Green-fly
  De Luxe



  BOOK III: PROMENADES

  Nocturne
  Lament of the Mole Catcher
  The Beginning
  The End
  Fountains
  Song of the Fauns
  "A Sculptor's Cruelty"
  Pierrot Old
  Night
  From Carcassonne
  Progress
  Return of the Prodigal
  London Squares
  Tears
  Clavichords
  Promenades
  Clown Pondi
  Lausiac Theme
  Metamorphosis
  The Gipsy Queen
  Black Mass
  Pierrot at the War
  Spring Hours



  BOOK IV: WAR POEMS

  "Therefore is the Name of it called Babel"
  Twentieth-Century Harlequinade
  This Generation
  Sheep-Song
  The Poet's Lament
  Judas and the Profiteer
  Rhapsode
  The Modern Abraham
  The Trap
  The Eternal Club
  Heaven
  The Blind Pedlar
  Hymn to Moloch
  Armchair
  Ragtime
  Peace Celebration
  The Next War




  BOOK I

  THE PHOENIX-FEASTERS




  _To_ EDITH


  THE PHOENIX-FEASTERS

  PART I

  PRELUDE

  We have wandered through the dim valleys of sleep
  --That lie so still and far--
  Have bathed in the lakes of silence,
  Where each star
  Shines brighter than its own reflection in the heavens;
  Where, diving deep,
  My soul has sought to catch and keep
  The silver feathers of the moon
  That float like down upon the waters,
  In whose pale rest
  We find
  Forgetfulness of death
  That comes so soon
  --Waters that lull the mind
  With some sweet breath
  Of wind, of flowers,
  With summer showers of rain,
  Or quicken it with recreative pain.

  We have fled further from this leaden cage,
  Seeking those rainbow forests,
  Where the light
  Thrills through you, shaking, fainting, with delight;
  Where sway tall luminous trees
  Wind-swept in one vast flashing harmony,
  That like a wave
  Splashes its seething sound
  And then envelops you.

  We have strayed to other places,
  Courts of fear,
  That stretch like echoes through the endless dusk
  Drenched with dead memories;
  Like musk
  They cling about you
  In a heavy cloud.
  Each shadow-sound we hear
  Clutches the heart.
  With fevered hands we tear
  The terror-pulsing walls
  --Fight our way out
  --Out
  Into other Courts
  As vague and full of fear.
  And we have found the proud and distant palaces of night.




  THE SILENCE OF GOD

  One night upon the southern sea
  In helpless calm we lay,
  Waiting for day,
        Waiting for day.

  As goldripe fruit fall from a tree
  A comet fell; no other sight,
  But in the ocean tracks of light
  Trembled--then passed away,
        Away.

  No sound broke on our waiting ears,
  Though instinct whispered wayward fears
  Of things we cannot tell--
        Of things the sea could tell.

  No wisp of wind, no watery sound
  Reached us; as if high on the ground
  We stayed.  A sense of fever fell
  Upon each mind,
        Each soul and mind.

  Until our eyes, that ever sought
  The cloying empty darkness, find
  Another shape--or is it wrought
  Of terror?--on the deep
        The endless deep.

  All dark it lay.  No light shone out;
  And though we cried across, no shout
  Came back to us.  As if in sleep
  The black bulk lay so still,
        So still.

  No sign came back; no answering cry
  Cleft the immense monotony
  That swathed us like a funeral pall,
  In folds of menace; almost shrill
  The silence seemed,
        And we so small.

  Swiftly a boat was lowered down;
  The rowlocks creaked; our track shone white
  Behind us like God's frown,
        God's frown.

  We clambered up that great ship's height;
  There was no light; there was no sound;
  Nor was there any being found
  Upon that ship,
        That ship.

  We groped our way along.  God knows
  How long the rats had been alone
  With dust and rust!  Yet flight was shown
  To have been instant, in the grip
  Of some force stronger than its foes
        --Its human foes.

  * * * * *

  Then sudden from the dark there thrilled
  The distant dying of a song
  That hung like haze upon the sea, and filled
  Each soul with joy and terror strong,
        With joy and terror strong.

  Upon the sombre air were spent
  These notes, as from a hidden place
  Where all time and all love lay pent
  In lingering embrace--
        In lingering embrace.

  Deep in our hearts we felt the call;
  We knew that if our fate should send
  That song again, we must leave all
  And follow to the end,
        The end.




  ADVENTURE

  Down through the torrid seas we swept,
  Sails curved like bows about to shoot.
  As an arrow speeds through the air
  Our ship parted the clinging waters.

  Then, out of the ocean
  Blossomed a distant land.

  * * * * *

  The air quivered,
  Dancing above it
  In a frenzy of passion.
  Waves of heat trembled towards us
  Across the cool lassitude of the ocean.
  They rolled new odours at us,
  Sounding the chords of hidden senses,
  Till we were alert
  With minds as sensitive and taut
  As resined strings.
  The sea itself
  Crouched down behind us,
  Urging us on,
  Driving us on,
  To unknown
  Perilous adventures.

  * * * * *

  Ships and sea were forgotten.
  We trampled
  And stumbled
  On, on,
  Through the burning sand
  To the hot shroud of the squat threatening forest,
  Where, as you walked,
  You tore apart
  A solid sheet of air.

  Brown satyrs grimaced at us,
  Swinging with long hairy arms
  From crooked branch to crooked branch.
  The sun
  Was at its height.
  Rays pierced the hot shade;
  White lines of light
  Shot through the shadows
  To where a point of green
  Shuddered with dangerous movement,
  Throbbed and hummed with the whirr of insects.
  Birds more bright than any streamers from the sun
  Cleft the air
  Like hammers;
  Scintillating wings
  Tossed patches of colour
  Into the dark shimmering air.
  Shrill calls
  Whistled like knives
  Hurled through the empty heat.

  Frantic chattering rose up.
  Through the honeycombed darkness
  Slim animals
  --Their hides splashed with false sunlight--
  Quivered away
  Into the hollow distance.
  Or clattered past us,
  Cloven hooves
  Kicking at the hard, bent trunks
  Of gnarled trees.
  Large hairy fruits of wood
  Were cast at us,
  Snarlingly,
  From the darkness.
  Faces
  --Faces peered down
  From the interwoven boughs.

  Hastily we stumbled on;
  Hurriedly we stumbled back,
  Bewildered.
  Small tracks
  Tripped through the blackness
  Hither and thither;
  Twigs crawled from under our feet,
  Hissing away
  In venom
  --And we were bewildered.

  Then suddenly
  We felt,
  Rumbling in curling patterns through the ground,
  The beating of drums.
  As winds bellow into caves,
  As waves swirl and curl into hollows,
  We heard the blowing of wooden trumpets
  And of pipes.

  Soon,
  Under the western canopy of the sun,
  Where the fevered hills lay huddled together,
  We saw great gourd-shaped palaces
  Loom up like mountains.
  Figures played on trumpets,
  Twisted like snakes,
  Or on the curved, carved horns of unknown beasts.
  In the sound was mirrored
  The panic seizures of the night,
  --The fear of things that walk in darkness.
  The drums were painted
  In hot colours
  That, even through the dusk,
  Glowed torture and writhing torment.
  Like a shower of molten lead
  The din fell down upon us
  From the Palaces.

  Bare yellow women
  Hurried
  To greet us;
  Their heels swayed inward
  As they walked.
  They offered fruits
  --Fruits that were strange to us;
  Mellow they were, and with a scent
  Of sun, of summer,
  And of woodland nights.
  We ate
  --And dreams closed round.

  * * * * *




  DUSK

  Night like a hawk
  Swooped down
  On to the phoenix bird,
  --Tore out its flaming feathers.
  Solitary plumes
  Flared down into the darkness,
  Floating above the distant sea.
  Stillness and heat clung together;
  And the hawk
  Spread out her wings.

  Gigantic pinions
  Flutter the air above,
  Fanning our faces
  And
  We sing.....




  SAILOR-SONG

  On swinging seas our ship has flown
  --In sun and shadow lands alit.
  We saw the sack of Carthage Town
  (And Dido building it).

  Cassandra, direful prophetess,
  We heard foretell the fate of Troy,
  And through its streets helped wheel and press
  That wooden, painted toy.

  We've seen events aboard this hulk
  Of grave import and mystery
  --The serpent's writhing horrid bulk
  Go seething through the sea.

  Then once we left Atlantis Town.
  Behind us like a lily flower
  It blossomed; but then down, far down,
  Sank every vane and tower.

  Now you can hear the clanging beat
  Of bells beneath the furious foam.
  In coral palaces the great
  Sea monsters make their home.

  Their corridors with pearl are pav'd;
  Float down them in an endless flight
  Fierce finny beasts.  The walls are laved
  In irridescent light.

  We brought gifts--myrrh and frankincense--
  From Khubla to the Great Moghul;
  Espied the Juggernaut immense
  Pound over flesh and skull;

  Saw desert-men atone for ills
  With frenzied hands, with wounds that gape,
  --The hermits hidden in the hills
  --The Herod in his Tyrian Cape.

  From out our ship, held fast by gale,
  We watched Andromeda's release;
  Beheld the galleon in full sail
  That flew the Golden Fleece.

  Icarus, proud of his new power,
  We saw stretch out his wings to fly.
  We heard in that tremendous hour
  The cry from Calvary.

  Thus many things we understand
  That puzzle landsmen: we can tell
  Of perils in each time and land;
  But outside Heaven or Hell

  No fruit so strange we tasted save
  But one; none cast so strange a spell
  Except the fruit the first Eve gave
  To the first man who fell.




  THE DANCE

  The song ends.
  The rocking earth
  Plunges madly
  --Lunges like a man
  About to fight.
  Trees roll beckoning branches at us,
  Branches that swing and sway.
  From the forest
  The animals
  Howl
  Like laughter.
  With their burning scimiters
  Flames slice the night.

  Monotony,
  A life preserved in ocean salt,
  Scales off our limbs.
  Within our veins
  The liquor of this fruit-of-fire
  Mounts in splendour inexhaustible.
  The world itself
  Dances
  To make us dance
  In cosmic frenzy.




  WHY SHOULD A SAILOR RIDE THE SEA?

  Why should a sailor ride the sea,
  When he can drink and dance and sing,
  Or watch the stars out-blossoming
  Upon the tree of night?

  Why should he face the tear-salt waves,
  When he can sing, or feast on fruit,
  Dance to the silver-sobbing lute,
  And all men seem his slaves?

  No more to ship or sea we'll go,
  To watch the land sink out of sight
  Suffused by purple fumes of night,
  Each heart weighed down with woe.

  But under rustling fretted lace
  Of leaves, we'll dance and stamp our feet
  In frenzy, to the furious beat,
  --The rhythm of all space.

  Or watch each dappled fawn and elf
  Spring from the green lairs where they hide;
  Now every soul is multiplied
  And communes with itself.

  The softly sailing moon is now
  A pendulum, hung in a vast
  Blue bubble--so to mark our fast
  Lithe movements to and fro.

  Down from the sky the willing stars
  Fall round each brow a crown to form;
  Till feet and limbs, a rushing storm,
  Dance whirling on in ecstasy.


  The earth dances;
  The earth dances;
  Trees charge at us
  Like horsemen;
  Forests swoop
  Down the hill,
  Charging at us,
  But we are brave,
  Full of a fiery courage,
  And go onward
  Onward,
  Through the galloping trees.
  We shout
  Glowing phrases
  --Snatches of ineffable wit.

  The frenzy in our feet
  Must surely set the world afire.
  Yet still the stars
  Rain down their golden tremors of delight,
  And the moon
  Sweeps like a bird
  Through the arch of space.

  We, too,
  Float downward
  Gently
  To soft shipwreck.
  We, too,
  Are of the kindred of the Pleiades;
  Reel on our golden path
  Down,
  Down,
  Through the curved emptiness of the heavens.




  PART II



  CORNUCOPIA

  Now music fills the night with moving shades;
  Its velvet darkness, veined like a grape,
  Obscures and falls round many a subtle shape
  --Figures that steal through cool tall colonnades,
  Vast minotaurian corridors of sleep;
  Rhythmic they pass us, splashed by red cascades
  Of wine, fierce-flashing fountains whose proud waves
  Shimmer awhile; plunge foaming over steep
  Age-polished rocks, into the dim cold caves
  Of starlit dusk below--then merge with night,
  Softly as children sinking into sleep.

  But now more figures sway into our sight;
  Strong and bare-shouldered, pressed and laden down,
  Stagger across the terraces.  They bear
  Great Cornucopia of summer fruit
  And heavy roses scented with the noon
  --Piled up with fruit and blossoms, all full blown,
  Crimson, or golden as the harvest moon--
  Piled up and overflowing in a flood
  Of riches; brilliant-plumaged birds, that sing
  As the faint playing on a far sweet lute,
  Warble their tales of conquest and of love;
  Perch on each shoulder; sweep each rainbow wing
  Like light'ning through the breathless dark above.
  Heaped up in vases gems shine hard and bright;
  Sudden they flare out--gleaming red like blood--
  For now the darkness turns to swelling light,
  Great torches gild each shadow, tear the sky,
  As drums tear through the silence of the night;
  Breaking its crystal quiet--making us cry
  Or catch our sobbing breath in sudden fear.
  A shadow stumbles, and the jewels shower
  On to the pavers with a sharp sweet sound.
  They mingle with the fountain drops that flower
  Up in a scarlet bloom above the ground,
  A beauteous changing blossom; then they rain
  On to the broad mysterious terraces,
  Where sea-gods rise to watch in cold disdain
  Before those vast vermillion palaces,
  --Watch where the slumbering coral gods of noon,
  Drunk with the sudden golden light and flare
  Of flaming torches, try to pluck and tear
  That wan enchanted lotus flower, the moon,
  Down from its calm still waters; thus they fall,
  Like flowing plumes, the fountains of our festival.

  Slowly the torches die.  They echo long,
  These last notes of a Bacchanalian song,
  Of drifting drowsy beauty, born of sleep,
  --Vast as the sea, as changing and as deep.
  In thanksgiving for shelt'ring summer skies
  Still, far away, a fervent red light glows.
  Small winds brush past against our lips and eyes,
  Caress them like a laughing summer rose,
  And rainbow moths flit by, in circling flight.
  A harp sobs out its crystal syruppings;
  Faintly it sounds, as the poor petal-wings,
  Fragile yet radiant, of a butterfly
  Beating against the barriers of night.

  Then from the Ocean came the Syren song,
  Heavy with perfume, yet faint as a sigh,
  Kissing our minds, and changing right from wrong;
  Chaining our limbs; making our bodies seem
  Inert and spellbound, dead as in a dream.

  * * * * *

  Bound by the silver fetters of your voice
  To this new slavery of dreams,
  We, listening, rejoice.
  The magic strains
  Swell in this darkness star-devoid.
  The music streams
  Upon the world in patterns passionate yet clear,
  And stains
  Each soul.  The mind, decoyed
  By thoughts that grind and tear
  Away old values,
  Is sent down other thoughts
  So subtly swift,
  That in their fleeting passage
  They can cut adrift our souls
  Upon a sea of wonder and of fear.
  Within the arid minds of men
  This music sounds but once, for then
  They hear no other song.
  In it, tumultuous rush of wings,
  The glamour of old lovely things
  In deserts buried long,
  The grace of beasts that bound and leap
  With movements blithe and strong
  --Of those that creep
  Away in hissing-reptile rage--
  All these, all these are found.
  They hear
  The secrets, solved, of each dead age,
  Each mystery is clear.
  For in this music's flow, the din
  Of spheres that tear and speed and spin
  Through pulsing space is heard,
  And all things men have loved and feared
  Are mirror'd in each sound.




  SONG

  Our hidden voices, wreathed with love's soft flowers,
  Wind-toss'd thro' valleys, tremble across seas
  To turbann'd cities; touch tall lonely towers,
  Call to you thro' the sky, the wind, the trees.

  Misted and golden as the hanging moon,
  That like a summer fruit floats from the sky,
  Thrills out our distant age-enchanted tune,
  --Nor will it let you pass our beauty by.
  But if it should not reach to stir your mind,
  Then hold a summer rose against the ear,
  Till through its crimson sweetness you can hear
  The falling flow of rhythm--so designed
  That from this secret island, like a star
  Shining above a shrouded world, our song
  Cleaves through the darkest night and echoes long,
  Bidding you follow whether near or far.
  Come hither where the mermaids churn the foam,
  Lashing their tails across the calm, or dive
  To groves and gardens of bright flowers; then roam
  Beneath the shade of stone-branched trees, or drive
  Some slow sea-monster to its musselled home.
  Here, as a ladder, they climb up and down
  The rainbow's steep refracted steps of light,
  Till, when the dusk sends down its rippling frown,
  They quiver back to us in silver flight.
  The moon sails down once more; our mermaids bring
  Rich gifts of ocean fruit.  Again we sing.
  Enchantment, love, vague fear, and memories
  That cling about us like the fumes of wine
  With myriad love-enhancing mysteries
  We pour out in one song--intense--divine,
  Down the deep moonlit chasms of the waves
  Our song floats on the opiate breeze.  Why seek
  To goad your carven galleys, fast-bound slaves
  Who search each sweeping line of bay and creek,
  Only to stagger on a hidden rock, or find
  The limp dead sails swept off by sudden wind?
  Thus always you must search the cruel sea,
  For if you find us mankind shall be free!

  But when you sleep we grasp you by the hand,
  And to the trickling honey of the flute
  We lead you to a distant shimmering land
  Where lotus-eaters munch their golden fruit,
  Then fall upon the fields of summer flowers
  In drunken sunlit slumber, while a fawn
  Prances and dances round them.
                              Oh, those hours
  When through the crystal valleys of the dawn
  Down from the haunted forests of the night
  There dash the dew-drenched centaurs on their way,
  Mad with the sudden rush of golden light
  --Affright the lotus-eaters, as they sway
  Towards the woodlands in a stumbling flight.
  In these deep groves we follow through the cool
  Shadow of high columnar trees, to find
  The fallen sky within a forest pool
  That's faintly veiled and fretted by a wind,
  Lest our white flashing limbs should turn you blind.

  * * * * *

  As the sweet sound of bells that fall and fade
  In watery circles on the verge of night,
  So rounded ripples spread beneath the shade
  Of flowing branches dripping with green light.

  Thus do we wander; but when day is spent
  We grope our way thro' vast tall palaces,
  Palaces sinister and somnolent,
  Where lurk dim fears and unknown menaces.

  These high pale walls and this pale shining floor
  Seem built of bones, by ages planed and ground
  To a white smoothness.
                On this rock-bound shore
  The bodies of dead sailors oft are found.

  These sombre arches pierce the sullen sky.

  These pillars are the pillars of the night.

  Of what avail your strife and agony?
  Why seek to search and struggle for the light?
  Our music chains you: binds your limbs from flight.




  PROSPECT ROAD

  Gigantic houses, tattered by all time,
  Raise their immense and ruined bulk and height
  In one unending universal street,
  Against a strange and sunken yellow sky
  --Like sunset trickling through into the sea,
  Down to the depths--yellow and grey and green.
  Blind windows face the interminable road;
  Innumerable those windows seem to stretch
  All smeared and stained and stamped with time and blood,
  --Stains that seem faces--horrid twitching masks
  Moving their lewd derisive lips and tongues,
  Spitting out treacheries with vampire lips--
  Or eyes that gaze from far blank-stretching walls
  --The tortured eyes of those who see their death
  Approaching æon-by-æon along this road.
  Behind the walls sound voices whispering
  Of dire and hidden, carefully hidden, thoughts--
  Cruel, wicked and unfathomable things
  That lie behind this infamy of stone.
  Then clamour, shrieking voices, or a pause
  That falls like lead through the suspended air;
  Broken by laughter--rending piercing sounds
  That seem to tear the fabric of our minds.
  Slinking along these wicked, stricken walls,
  I reached a shining distant point of light.
  And glory came--vast and unending light,
  Rays--flashing, writhing rays of light.
  And then the music sounded.  Ah, that sound!

  Cadences rose and fell unendingly--
  Quivering, shining waves of sound and sight--
  Sounds of the universe--the cries of space
  And planets tumbling wildly round our world
  --Showing the meaning of the meaningless.
  "God and eternity"--strange flashing sounds
  The whirl of time, "Melchisedec"--"Glory of God"
  And space--the universe--like framing words--
  "Gog and Magog"--"Infinity"--the rush of waters
  And the sky comes down.
                      Down with the splintering stars.

  1916-1919.




  BOOK II

  GREEN FLY




  WAR-HORSES

  How they come out
  --These Septuagenarian Butterflies--
  After resting
  For four years!

  Surely they are more spirited
  Than ever?
  Their enamelled wings
  Are rusty with waiting
  --Their eyelids
  Sag a little
  Like those of a bloodhound;
  But they swim gaily into the limelight.

  Oh, these war-horses!
  They have seen it through.
  Theirs has been a splendid part!
  The waiting--the weariness!
  For the Queens of Sheba
  Are used to courts and feasting;
  But for four years
  Platitudes have remained
  Uncoined,
  For there have been few parties
  And only
  Three stout meals
  A day.

  But now
  They have come out.
  They have preened
  And dried themselves
  After their blood-bath.
  Old men seem a little younger,
  And tortoise-shell combs
  Are longer than ever;
  Earrings weigh down aged ears;
  And Golconda has given them of its best.

  They have seen it through!
  Theirs is the triumph,
  And, beneath
  The carved smile of the Mona Lisa
  False teeth,
  Rattle
  Like machine guns,
  In anticipation
  Of food and platitudes.
  Les Veilles Dames Sans Merci!




  CHURCH-PARADE

  The flattened sea is harsh and blue--
  Lies stiff beneath--one tone, one hue,
  While concertina waves unfold
  The painted shimmering sands of gold.

  Each bird that whirls and wheels on high
  Must strangle, stifle in, its cry,

  For nothing that's of Nature born
  Should seem so on the Sabbath morn.

  The terrace glitters hard and white,
  Bedaubed and flecked with points of light

  That flicker at the passers-by--
  Reproachful as a curate's eye.

  And china flowers, in steel-bound beds,
  Flare out in blues and flaming reds;

  Each blossom, rich and opulent,
  Stands like a soldier; and its scent

  Is turned to camphor in the air.
  No breath of wind would ever dare

  To make the trees' plump branches sway,
  Whose thick green leaves hang down to pray.

  The stiff, tall churches vomit out
  Their rustling masses of devout,

  Tall churches whose stained Gothic night
  Refuses to receive the light!

  Watch how the stately walk along
  Toward the terrace, join the throng

  That paces carefully up and down
  Above a cut-out cardboard town!

  With prayer-book rigid in each hand,
  They look below at sea and sand.

  The round contentment in their eyes
  Betrays their favourite fond surmise,

  That all successful at a trade
  Shall tread an eternal Church-Parade,

  And every soul that's sleek and fat
  Shall gain a heavenly top-hat.

  From out the Church's Gothic night,
  Past beds of blossoms china-bright,
  Beneath the green trees' porous shade,
  We watch the sea-side Church-Parade.




  AT THE HOUSE OF MRS. KINFOOT

  At the house of Mrs. Kinfoot
  Are collected
  Men and women
  Of all ages.
  They are supposed
  To sing, paint, or to play the piano.
  In the drawing-room
  The fireplace is set
  With green tiles
  Of an acanthus pattern.
  The black curls of Mrs. Kinfoot
  Are symmetrical.
  --Descended, it is said,
  From the Kings of Ethiopia--
  But the British bourgeoisie has triumphed.
  Mr. Kinfoot is bald
  And talks
  In front of the fireplace
  With his head on one side,
  And his right hand
  In his pocket.
  The joy of catching tame elephants,
  And finding them to be white ones,
  Still gleams from the jungle-eyes
  Of Mrs. Kinfoot,
  But her mind is no jungle
  Of Ethiopia,
  But a sound British meadow.

  Listen then to the gospel of Mrs. Kinfoot:
  "The world was made for the British bourgeoisie,
  They are its Swiss Family Robinson;
  The world is not what it was.
  We cannot understand all this unrest!

  Adam and Eve were born to evening dress
  In the southern confines
  Of Belgravia.
  Eve was very artistic, and all that,
  And felt the fall
  Quite dreadfully.
  Cain was such a man of the world
  And belonged to every club in London;
  His father simply adored him,
  --But had never really liked Abel,
  Who was rather a milk-sop.
  Nothing exists which the British bourgeoisie
  Does not understand;
  Therefore there is no death
  --And, of course, no life.

  The British bourgeoisie
  Is not born,
  And does not die,
  But, if it is ill,
  It has a frightened look in its eyes.

  The War was splendid, wasn't it?
  Oh yes, splendid, splendid."

  Mrs. Kinfoot is a dear,
  And so artistic.




  GREEN-FLY

  I.

  Like ninepins houses stand up square
    In lines; their windows mouths to bite
  At servants, who lean out to stare
    At anything that moves in sight.

  Where once was green-limbed tree or ledge
    Of greener moss or flowery lane,
  Set back behind a private hedge
    Each house repeats itself again.

  Each house repeats itself again,
    But smaller still and yet more dry;
  For--just as those who live within--
    So have these houses progeny.

  Throughout each dusty endless year,
    Whose days seem merely wet or fine,
  These children constantly appear
    In an unending dusty line.

  As, on a rose that is ill-grown
    Nature, insulted and defied,
  Showers down a blight, so sends she down
    On houses, those who live inside.


  II.

  Within each high, well-papered room,
    Compressed, all darkness lay,
  Darkness of night, and crypt, and tomb,
    Nor ever entered day.

  But through the endless black there crept,
    With groping hand and groping thought,
  With eyes that blinked, but never wept,
    And minds that fell, but never fought,

  The wonderless, the hard, the nice,
    Who scurry at a ray of light,
  Then, like a flock of frightened mice,
    Career back into night.

  From out this damning dreadful dark
    (While history, thundering, rolls by)
  They wait for an anæmic lark
    To sing from weak blue sky.

  Or if a dog is hurt, why then
    They see the evil, and they cry.
  But yet they watch ten million men
    Go out to end in agony!

  Their own strange God they have set up,
    Of clay, of iron, and mothéd hide;
  Whose eyes, each convex as a cup,
    Reflect the herd endeified.

  Their twisted feet in boots He made
    To walk the narrow asphalt way,
  And gave each room a curtain's shade
    To muffle out the light of day.

  For this God understands their need;
    Created lids for each pale eye;
  He sculped each mouth to say "Agreed,"
    And gives them coffins if they die.

  When, if for punishment they go
    To other lands, why, it should be
  The judgment that, down there below,
    They see this world as they might see!

  A world of contrast, shade and light--
    Clashing romance and cruelty,
  But stricken with the dreadful blight
    Of fear to feel and fear to cry.

  Where for a moment lives are filled
    With love or hate--where born of pain
  The children grow up--to be killed!
    Where freedom--dead--is born again.

  Wherein life's pattern crude and shrill
    Is weft by neither foe nor friend,
  But by some rough colossal will
    Towards some vast invisible end.

  But in those houses dark there creep,
    With bodies wrapt in woollen dress,
  With eyes that blink but never weep,
    The sentimental wonderless!




  DE LUXE

  I.

  HYMN.

  Above from plaster-mountains,
    Wine-shadowed by the sea,
  Spurt white-wool clouds, as fountains
    Whirl from a rockery.

  These clouds were surely given
    To keep the hills from harm,
  For when a cloud is riven
    The fatted rain falls warm.

  Through porous leaves the sun drops
    Each dripping stalactite
  Of green.  The chiselled tree-tops
    Seem cut from malachite.

  Stiff leaves with ragged edges
    (Each one a wooden sword)
  Are carved to prickly hedges,
    On which, with one accord,

  Their clock-work songs of calf-love
    Stout birds stop to recite,
  From cages which the sun wove
    Of shade and latticed light.

  Each brittle booth and joy-store
    Shines brightly.  Below these
  The ocean at a toy shore
    Yaps like a Pekinese.


  II.

  NURSERY RHYME.

  The dusky king of Malabar
  Is chief of Eastern Potentates;
  Yet he wears no clothes except
  The jewels that decency dictates.

  A thousand Malabaric wives
  Roam beneath green-tufted palms;
  Revel in the vileness
  That Bishop Heber psalms.

  From honey-combs of light and shade
  They stop to watch black bodies dart
  Into the sea to search for pearls.
  By means of diabolic art

  Magicians keep the sharks away;
  Mutter, utter, each dark spell,
  So that if a thief should steal,
  One more black would go to Hell.

  But Mrs. Freudenthal, in furs,
  From brioche dreams to mild surprise
  Awakes; the music throbs and purrs.
  The cellist, with albino eyes,

  Rivets attention; is, in fact,
  The very climax; pink eyes flash
  Whenever nervous and pain-racked
  He hears the drums and cymbols clash.

  Mrs. Freudenthal day-dreams
  --Ice-spoon half-way to her nose--
  Till the girl in ochre screams,
  Hits out at the girl in rose.

  This is not at all the way
  To act in large and smart hotels;
  Angrily the couples sway,
  Eagerly the riot swells.

  Girls who cannot act with grace
  Should learn behaviour; stay at home;
  A convent is the proper place.
  Why not join the Church of Rome?

  A waiter nearly drops the tray
  --Twenty tea-cups in one hand.
  Now the band joins in the fray,
  Fighting for the Promised Land.

  Mrs. Freudenthal resents
  The scene; and slowly rustles out,
  But the orchestra relents,
  Waking from its fever bout.




  BOOK III

  PROMENADES




  NOCTURNE

  The valleys that were known in sunlit hours
  Are vast and vague as seas;
  Wan as the blackthorn flowers
  That quiver in the first spring-scented breeze:
  Far as the frosted hollows of the moon.
  The sighing woods are still--
  Wrapp'd in their age-long boon
  Of mystery and sleep.  A naked hill,
  Loud and discordant, looms against the sky,
  And little lights like stars
  Break the monotony
  Of blue and silver, black and grey.  Strange bars
  Of light resemble silver masks, and leer
  Across the forest lane.
  Tall nettles, rank from rain,
  Scent all the woods with some ancestral fear.

  Trees rustle by the water.  A voice sings
  Faintly, to ward off fright.

  The water breathes pale rings
  Of sad, wan light;
  Faintly they grow,
  Then merge into the night:
  The last poor twisted echo takes to flight.




  _To_ W. H. DAVIES.


  THE LAMENT OF THE MOLE-CATCHER

  An old, sad man who catches moles
    Went lonely down the lane--
  All lily-green were the lanes and knolls,
    But sorrow numbed his brain.
  He paid no heed to flower or weed
    As he went his lonely way.
  No note he heard from any bird
    That sang, that sad spring day.

  "I trap'd the moles for forty years
    Who could not see the sky,
  I reckoned not blind blood or tears,
    And the Lord has seen them die.
  For forty years I've sought to slay
    The small, the dumb, the blind,
  But now the Lord has made me pay,
    And I am like their kind.
  I cannot see or lane or hill,
    Or flower or bird or moon;
  Lest life shall lay me lower still,
    O Lord--come take it soon."




  THE BEGINNING

  Great spheres of fire, to which the sun is nought,
  Pass thund'ring round our world.  A golden mist--
  The margin to the universe--falls round
  The verges of our vision.  Rocks ablaze
  Leap upward to the sun, or fall beneath
  The rush of our rapidity, that seems
  Catastrophy, and not the joyous birth
  Of yet another star.  The air is full
  Of clashing colour, full of sights and sounds
  Too plain and loud for men to heed or hear,
  The cosmic cries of pain that follow birth:
  A multi-coloured world.
                          The scorching heat
  Surpasses all the equatorial days:
  Steam rises from the surface of the sea.
  Gigantic rainbow mists resemble forms
  That bring to mind strange elemental sprites
  Exulting in the chaos of creation.
  They glide above the tumult-ridden sea
  Which now is shaken as are autumn leaves;
  Great hollows open and reveal its depths--
  Devoid of any form of life or death.
  Till wave on wave it gathers strength again
  And shakes a mountain, splits it to the base
  (Still weak from struggle as a new-born babe).
  Then night comes on, and shows the flaming path
  Of all the rocks that vainly seek the sun.
  Broad as the arch of space, a myriad moons
  Sail slowly by the sea; the glowing world
  Shows up the pallor of their ivory.
  The din grows greater from the universe:
  There rises up the smell of fire and iron,--
  Not dreary like the smell of burnt-out things,
  But like the smell of some gigantic forge--
  Cheerful, of good intent, and full of life.

  Now all the joyous cries of sea and earth,
  The universal harmonies of birth,
  Rise up to haunt the slumber of their God.




  THE END

  Round the great ruins crawl those things of slime
  Green ruins lichenous and scarred by moss--
  An evil lichen that proclaims world doom,
  Like blood dried brown upon a dead man's face.
  And nothing moves save those monstrosities,
  Armoured and grey, and of a monster size.

  But now, a thing passed through the cloying air
  With flap and clatter of its scaly wings--
  As if the whole world echoed from some storm.
  One scarce could see it in the dim green light
  Till suddenly it swooped and made a dart
  And brushed away one of those things of slime,
  Just as a hawk might sweep upon its prey.

  It seems as if the light grows dimmer yet--
  No radiance from the dreadful green above,
  Only a lustrous light or iridescence
  As if from off a carrion-fly,--surrounds
  That vegetation which is never touched
  By any breeze.  The air is thick, and brings
  The tainted subtle sweetness of decay.
  Where, yonder, lies the noisome river-course,
  There shows a faintly phosphorescent glow.

  Long writhing bodies fall and twist and rise,
  And one can hear them playing in the mud.
  Upon the ruined walls there gleam and shine
  The track of those grey vast monstrosities--
  As some gigantic snail had crawled along.

  All round the shining bushes waver lines
  Suggesting shadows, slight and grey, but full
  Of that which makes one nigh to dead with fear.

  Watch how those awful shadows culminate
  And dance in one long wish to hurt the world.

  A world that now is past all agony!




  FOUNTAINS

  "The graven fountain-masks suffer and weep.
  Carved with a smile, the poor mouths clutch
  At a half-remembered song,
  Striving to forget the agony of ever laughing."
                              SACHEVERELL SITWELL.


  Some fountains sing of love
  In full and flute-like notes that charge the night
  With all the red-mouthed essence of the rose;
  Then turn to voices murmuring above,
  Among the trees,
  Of hidden sweet delight.

  Another fountain flows
  With the faint music of a first spring breeze;
  Each falling drop is jewelled by the moon
  To some fine luminous ecstasy of light.
  It sings of noon,
  Of sunlit blossoms on a first spring day
  And all things sweet and pleasant to the sight.

  Another fountain sings
  Of the cool pleasures of those moonlit hours
  When dappled sylvan things
  Trample through thickets and through secret bowers
  To prance and play,
  Or, squatting round in rings,
  To wreathe their horned heads with wan sweet flowers
  Till dawn comes grey and sweeps them to the wood.

  Another fountain sobs
  Its song of passions that have passed away.
  Then with a sound like threatening rolling drums, it throbs
  And bursts into a flood
  Of fierce wild music; and its savage spray
  Becomes the blood
  Renewed, of crimes long past.

  Another fountain sings its song of fear,
  Of rustics flying fast
  Before some foe--
  A deadly, unknown foe that comes so near
  They feel his panting breath,
  And run for many a lengthy, panic mile.

  Those graven fountain-masks are white with woe!
  Carved with a happy smile
  They strive to weep...
  End their eternal laughing--for awhile
  To lose themselves in sleep
  Or in the silver peacefulness of death.




  SONG OF THE FAUNS

  When the woods are white beneath the moon
  And grass is wet with crystal dew,
  When in the pool
  So clear and cool
  The moon reflects itself anew,
  We raise ourselves from daylight's swoon,
  We shake away
  The sleep of day,
  Out from our bosky homes we spring;
  Horns wreathed with flowers,
  Throughout the hours
  Of moonlight, worshipping we sing.
  Pale iv'ry goddess, whose wan light
  Looks down upon us worshipping--
  Each dappled faun
  Who shuns the dawn,
  Is here, and rarest gifts we bring--
  The feathers of the birds of night
  Wrought to a crown
  Of softest down
  We offer you, and crystal bright,
  The dew within a lily cup
  Reflecting stars
  In shining bars;
  All things most strange we offer up--
  Rich gifts of fruit and honeyed flowers
  To place within your secret bowers.
  We shake down apples from the trees,
  And pears, and plums with velvet skin;
  Up to the sky
  We cast these high
  And pray you'll stoop to net them in.
  We dance: then fall upon our knees
  And pray and sing--all this to show
  The love that all loyal fauns must owe
  To you, white goddess of the night.
  But no more play,
  We must away,
  The eastern sky is growing bright.




  "A SCULPTOR'S CRUELTY"

  The faun runs through the forest of the noon,
    Then leaps into some lovely shrouded glade
    Splashed with hot light.  He dances in the shade
  Of tower-like trees, whose branches sway and swoon
    Beneath their weight of green.  No breath of air
  Ruffles the vivid blossom or the moss
    On which he pirouettes, all is so fair!

  He leaps about; then, tired and at a loss
    For what to do, he roams the wood--espies
  A figure like himself--but stiff and grey!
    Lacking the hairy chest and dappled thighs
  That are his pride.  "But surely this can play
    And scamper, dance and snuffle through the day
  As well as me?"  So he comes near and eyes
    The lichened features of a faun of stone.

  Oh! it is sad to be so young--alone!




  PIERROT OLD

  The harvest moon is at its height,
  The evening primrose greets its light
  With grace and joy: then opens up
  The mimic moon within its cup.
  Tall trees, as high as Babel tower,
  Throw down their shadows to the flower--
  Shadows that shiver--seem to see
  An ending to infinity.

  The Pagan Pan has now unbent
  And stoops to sniff the night-stock scent
  That brings a memory sad and old,
  When he was young, and free, and bold,
  To play his pipe in forests black,
  Or follow in some goatherd's track
  Who, fill'd with panic fear, then flees
  Through all the terror-threatening trees.

  Huge silver moths, like ghosts of flowers,
  Hover about the warm dark bowers,
  And wait to breathe the lime-tree scent
  That perfum'd many a compliment
  Address'd to beauties young and gay,
  Their faces powdered by the ray
  Of that same moon that looks upon
  Their dreary lichen-cover'd tomb.
  The dryads throw their water wide
  And strive to stem the surging tide
  That dashes up the fountain base,
  Hoping to catch the moon's pale face--
  A game now played without a score
  For three good centuries or more.
  And all the earth smells warm and sweet
  --A fitting place for fairy feet.

  But now a figure white and frail
  Leaps out into the moonlight pale.
  From wakeful thoughts, old age and grief,
  He finds in this strange world relief.
  Yet all the shadow, scent and sound,
  Poor Pierrot's mind do sad confound.
  Watch how he dances to the moon
  While singing some faint fragrant tune!

  But Pierrot now is tired and sad
  --Remembers all the evenings mad
  He spent with that fantastic band
  So gaily wand'ring o'er the land.
  They all are dead--and at an end,
  And he is left without a friend.
  For tho' the hours can pass away,
  Poor Pierrot still must grieve and stay.

  Upon the dewy grass he lies:
  The perfumes stir strange memories.
  Once more he hears a laughing cry
  That brings great tear-drops to his eye.
  That step--that look--that voice--that smile.
  Ah! they've been buried a long while!
  And who's the man in pantaloons,
  And he who sings such festive tunes?
  Why, it's that laughing man of sin,
  That roguish rascal Harlequin!

  Forgiving Pierrot hides his head
  Deep in the grass and mourns the dead;
  Forgetting all the pranks they play'd,
  And how he was himself betray'd.

  The butterfly lives but one day,
  But Pierrot still seems doom'd to stay.

  He falls asleep there, tragic-white,
  And wakes to find the bleak daylight.




  NIGHT

  All the dim terrors dwelling far below,
  Interr'd by many thousand years of life,
  Arise to revel in this evil dark:
  The wail forlorn of dogs that mourn for men--
  A shuffling footfall on a creaking board,
  The handle of a door that shakes and turns--
  A door that opens slightly, not enough:
  The rustling sigh of silk along a floor,
  The knowledge of being watched by one long dead,
  By something that is outside Nature's pale.
  The unheard sounds that haunt an ancient house:
  The feel of one who listens in the dark,
  Listens to that which happened long ago,
  Or what will happen after we are dust.
  The awful waiting for a near event,
  Or for a crash to rend the silence deep
  Enveloping a house that always waits--
  A house that whispers to itself and weeps.
  The murmur of the yew, or woodland cries,
  A sombre note of music on the breeze;
  A shudder from the ivy that entwines
  The horror that is felt within its grip.
  The sound of prowling things that walk abroad,
  The nauseous flapping of Night's bat-like wings--
  These are the signs the gods have given us
  To know the limit of our days and powers.




  _To_ MARGARET GREVILLE


  FROM CARCASSONNE

  I

  Now night,
            The sighing night,
  Descends to hide and heal
  The crimson wounds
  Ripped in the sky,
  Where the high helmet-towers
  (With clouds as streaming feathers)
  Have torn the Heavens
  In their incessant sunset battle.

  Below,
        Upon the mound,
  Small golden flowers
  Release their daylight slowly
  At the Night's behest,
  Till they become pale discs
  That quiver
  When the evening wind
  Draws his thin fingers
  Down the dew-drenched grass
  --As an old harper,
  Who awakes
  From drunken sunlit slumber,
  Blindly plucks
  His silver-sounding strings,
  Making the sound
  That, further, darker down
  The trees make,
  When they draw back
  Their upturned leaves
  In fountain-foaming hurry.


  II

  The curling, hump-backed dolphins,
  Drunk with purple fumes
  Of wine-stained sunset,
  Plunge through the wider waters of the night--
  Waters that well down every narrow street
  In darkening billows,
  Till they become quiet, full--
  Canals that, mirror-like,
  Reflect each sound
  Of snarling song
  In all the town.

  And as the dolphins dive
  There splashes back
  Upon their goat-eared riders,
  Dislodged in sudden fury,
  The foaming froth of summer-cooling winds
  --Issuing from where the northern trees
  Bellow their resined breath
  Across the seas
  To ripple through far fields
  Of twilight flowers--
  Sweeping across
  To where these old high towers
  Of Carcassonne
  Still stand to break their flow.

  Neptune, from his high pedestal,
  Can watch the waters of the night
  Rise, further, further,
  And the faun-riders sink below
  The conquering, cool tide.




  PROGRESS

  The city's heat is like a leaden pall--
  Its lowered lamps glow in the midnight air
  Like mammoth orange-moths that flit and flare
  Through the dark tapestry of night.  The tall
  Black houses crush the creeping beggars down,
  Who walk beneath and think of breezes cool,
  Of silver bodies bathing in a pool,
  Or trees that whisper in some far, small town
  Whose quiet nursed them, when they thought that gold
  Was merely metal, not a grave of mould
  In which men bury all that's fine and fair.
  When they could chase the jewelled butterfly
  Through the green bracken-scented lanes, or sigh
  For all the future held so rich and rare;
  When, though they knew it not, their baby cries
  Were lovely as the jewelled butterflies.




  THE RETURN OF THE PRODIGAL

  I lay awake in that dim room of fear
  Which seemed to hold the essence of the night,
  Clutched in the grip of its tall sentient walls:
  Dark walls and high, that stretch for ever up--
  Up to the darkness, vague and menacing,
  As if no light could ever penetrate
  That mist of shadows, only cast a gloom
  More cavernous upon the atmosphere
  That seems to thicken into cloudy shapes,
  Substantiate--then disappear and die.
  And all the room is full of whisperings;
  Of moving things that hope I do not heed;
  And sudden gusts of wind blow cold upon
  My head, lifting the heavy mantle of the air,
  Revealing for an instant some vague thought
  Snatched from the haunting lumberland of dreams.
  Far in the distance, from the open night,
  Sounds an insistent hooting from the wood;
  The owl is calling to its kindred things.
  The bat emits its sinful piercing note--
  So high one cannot hear it, only feel
  The rhythm beat within the shrinking ear.
  A faint breeze blows in from the countryside,
  Rustling the curtains with the forest's breath,
  Stirring the grass of many an unknown tomb,
  Some new--some immemorably old,
  Whose dwellers never heard an owl at night,
  Only the reptile sounds and beating wings
  Of some forefather of that bird of night--
  Some flapping scaly monster with huge wings.
  Then, sudden, through the rustling of the room
  Silence shrills out its startling trumpet call
  Of terror, and the house is frozen still.
  Despair dropp'd down like rain upon my heart,
  Catching my breath and clutching at my throat.
  Fear magnified my senses, and my brain
  Could hear beyond the threshold of this world.
  Then through the threatening silence of the house,
  The silent waiting for the coming play--
  There came that halting well-remembered tread,
  The dreadful limp, and dragging of the feet,
  That cruel sin-white face looked through the door!
  And in my scream--that rent the trembling air,
  Reaching the woods and tainting them with death,
  Filling the fountain with strange ripplings
  That make the moon's reflection but a mask
  Like to that face of shame--my soul passed out--
  Out of my ashen lips, to find its end.




  LONDON SQUARES

  To-night this city seems delirious.  The air
  Is fever'd, hot and heavy--yet each street,
  Each tortuous lane and slumb'ring stone-bound square
  Smells of the open woods, so wild and sweet.
  Through the dim spaces, where each town-bred tree
  Sweeps out, mysterious and tall and still,
  The country's passionate spirit--old and free--
  Flings off the fetters of the calm and chill.

  There in the garden, fauns leap out and sing--
  Chant those strange sun-born songs from far away!
  With joyous ecstasy in this new spring,
  They cast the coats and top-hats of the day.

  There by the railings, where the women pace
  With painted faces, passionless and dead,
  Out of the dark, Pan shows his leering face,
  Mocks their large hats and faces painted red.
  Then as they walk away, he mocks their lives,
  Racking each wearied soul with lost desires,
  And--cruelty more subtle--he contrives
  With aching memories of love's first fires
  To tune their hearts up to a different key.

  So, when they sleep, the withered years unfold
  --Again, as children round a mother's knee
  They listen to their future as foretold
  --A future rich and innocent and gay.

  Then wake up to the agony of day!




  TEARS

  Silence o'erwhelms the melody of Night,
  Then slowly drips on to the woods that sigh
  For their past vivid vernal ecstasy.
  The branches and the leaves let in the light
  In patterns, woven 'gainst the paler sky
  --Create mysterious Gothic tracery
  Between those high dark pillars, that affright
  Poor weary mortals who are wand'ring by.

  Silence drips on the woods like sad faint rain
  Making each frail tired sigh a sob of pain;
  Each drop that falls, a hollow painted tear
  Such as are shed by Pierrots when they fear
  Black clouds may crush their silver lord to death.
  The world is waxen; and the wind's least breath
  Would make a hurricane of sound.  The earth
  Smells of the hoarded sunlight that gave birth
  To the gold-glowing radiance of that leaf
  Which falls to bury from our sight its grief.




  _To_ VIOLET GORDON-WOODHOUSE


  CLAVICHORDS

  Its pure and dulcet tone
  So clear and cool
  Rings out--tho' muffled by the centuries
  Passed by;
  Each note
  A distant sigh
  From some dead lovely throat.

  A sad cascade of sound
  Floods the dim room with faded memories
  Of beauty that has gone
  Like the reflected rhythm in some dusk blue pool,
  Of dancing figures (long laid in the ground)--
  Like moonlit skies
  Or some far song harmonious and sublime--
  Breaking the leaden slumber of the night.
  A perfume, faint yet fair
  As of an old press'd blossom that's reborn
  Seeming to flower alone
  Within the arid wilderness of Time.

  The music fills the air
  Soft as the outspread fluttering wings
  Of flower-bright butterflies
  That dive and float
  Through the sweet rose-flushed hours of summer dawn.
  The rippling sound of silver strings
  Break o'er our senses as small foaming waves
  Break over rocks,
  And into hidden caves
  Of silent waters--never to be found--
  Waters as clear and glistening as gems.

  And in this ancient pool of melodies,
  So soothing, deep,
  We search for strange lost images and diadems
  And old drowned pleasures,
  --Each one shining bright
  And rescued from the crystal depths of sleep.

  As the far sun-kissed sails of some full-rigged boat,
  Blown by a salt cool breeze,
  --Laden with age-old treasures
  And rich merchandise--
  Fade into evening on the foam-flecked seas--
  So this last glowing note
  Hovers awhile--then dies.




  PROMENADES

  Long promenades against the sea
  Kaleidoscopic, chattering!
  Pavilions rising from the sea,
  On which a fawning, flattering,
  Hot crush of orientals move,
  And sell their cheap and tawdry wares,
  To other Jews, and aldermen,
  And rich, retired, provincial mayors.
  Oh! many colours in the sun;
  Copper and gold predominate!
  Parasols, held 'gainst the sun
  Throw down their shadows incohate
  On leering faces looking sly--
  All shining with the heat of June.
  The shifting masses move and talk
  And whistle tunes all out of tune.

  Long promenades against the sea,
  And oranges and mandolines!
  Pavilions rising from the sea
  And penny-in-the-slot machines!




  CLOWN PONDI

  When youth and strength had changed my blood to fire
    And every day passed long and glorious,
  Another link in the eternal chain
    Of life, I turned my love of luring and my sense
  For all the unfathomable ways of God,
    My burning sense for laughter and my joy
  In crowds, in tumult, and in blazing lights,
    To make my fellows see these qualities.
  Thus I became "Clown Pondi," and my fame
    Grew high in every theatre in the land.

  I seem'd to draw fresh vigour from the crowds--
    Loving the sea of faces, eyes with tears,
  And gaping mouths wide open--loosely hung;
    The acrid, opalescent haze of smoke,
  Hanging above the auditorium.
    And over it the crowded galleries
  That float far up, like painted prows of ships--
    All overweighted and alive with men.
  I loved the limelight, hard and white and strong,
    The throbbing music and the theatre's scent,
  That artificial, paper, printed scent
    That sweeps across the footlights to the stalls.

  Then was I pleased to strut about the stage,
    With face dead white, and strangely purple nose--
  Flamboyant in the garb of foolery--
    To run about too quickly--and fall down;
  To make queer noises--inarticulate
    Strange sounds and oaths, the signal for my share
  Of cackling laughter.
                        Thus the years pass'd by
  And--all unheeding--swept away my youth,
    Till, one sad night, I heard a voice near-by:
  "Ah!  Poor old man!  It's shocking they should laugh;
    Mock his bent legs, and poor old toothless jaws!"

  And then old-age rush'd down upon my head,
    Each sombre year roll'd past in solemn time;
  In true perspective--to the jingling tune
    That was my exit; and so near came death,
  Holding a mirror to my ridicule,
    That show'd each line beneath the smearing paint,
  Each wrinkle underneath the dab of rouge,

  That in my sudden hopelessness I wept.
    But as I left the stage with dragging feet,
  With body bent with age, and crouching low,
    I heard the applauding people pause and say,
    "Who but Clown Pondi could amuse us so?"




  LAUSIAC THEME

  SERAPION-THE-SINDONITE
  Wore a cloth about his loins.
  This Christian Recondite
  Never carried coins.

  Never did he ask for bread;
  Revelled in his own distress.
  High of spirit, low of head,
  With no other dress

  Than a loin-cloth, Serapion
  Was free from greed and gluttony
  Progressed in the direction
  Of impassivity.

  Serapion, though ascetic,
  Could not keep within his cell--
  Spiritual athletic,
  Who wrestled with Hell--

  This Sindonitic holy man
  Converted, overcome by pity,
  Thais, the famous courtesan,
  To Christianity.

  Thais was not thin or frail
  But full of figure.  Flesh and blood
  Rose up in riot--made her rail
  At a selfless God.

  From Theban windows, far above,
  She plays and sings to a guitar
  With low voice: the light of love
  Beckons like a star.

  Eagerly she welcomed in
  The unexpected Sindonite;
  But he spoke to her of sin--
  Set her soul alight.

  So they went together out
  To the crowded, garish street,
  Where he taught her how to flout
  Fumes of wine and meat.

  To the Thebaid they go--
  Where she stands each Christian test,
  Plaiting palm-leaves to and fro,
  Sure of heaven's rest.

  In the desert they both died,
  Thais and the holy man.
  They were buried side by side,
  Ascetic and courtesan.




  METAMORPHOSIS

  The woods that ever love the moon, rest calm and white
  Beneath a mist-wrapp'd hill:
  An owl, horned wizard of the night,
  Flaps through the air so soft and still;
  Moaning, it wings its flight
  Far from the forest cool,
  To find the star-entangled surface of a pool,
  Where it may drink its fill
  Of stars; a blossom-laden breeze
  Scatters its treasures--each a fallen moon
  Among the waiting trees--
  Bears back the faded shadow-scents of noon.

  The whispering wood is full of dim, vague fears.
  The rustling branches sway
  And listen for some sound from far away--
  A silver piping down the Pagan years
  Since Time's first joyous birth--
  The listening trees all sigh,
  The moment of their hornèd king is nigh.
  Then, peal on peal, there sounds the fierce wild mirth
  Of Pan their master, lord and king,
  And round him in a moonlit ring
  His court, so wan and sly!

  But then the trees closed round and hid from sight
  Their deeds--the voices seemed to die.

  An owl, horned wizard of the night,
  Flaps through the air so soft and still.
  Moans, as it wings its flight
  Toward the mist-wrapp'd hill.




  THE GIPSY QUEEN

  A ragged Gipsy walked the road,
  Her eyes blazed fierce and strong,
  But she gazed at me as on she strode,
  She fiercely gazed, and long.

  "Give me a penny, sir," she said,
  "To buy me drink and buy me bread,
  For I've nothing had to eat or drink,
  And at night I never sleep a wink.
  Cold is the snow and wet the rain,
  But my soul died when my love was slain!"

  "Fair Gipsy, in some southern clime,
  I've seen your face before
  In some far other distant time,
  But whom are you weeping for?"

  "'Twas Antony I loved," she said,
  "For him, in vain, I shed these tears,
  But my loved Antony is dead--
  Is dead these long two thousand years;

  Then I was mighty Egypt's pride,
  Fear'd both by friend and foe--

  Yet they believe Cleopatra died
  Two thousand years ago!"




  BLACK MASS

  The atmosphere is charged with hidden things
  --Thoughts that are waiting--wanting to revive
  Primeval terrors from their present graves
  --Those half-thoughts hidden from the mind of man.

  The fear of those bright, countless stars that shine
  Celestially serene on summer nights,
  --And those, too far for human eye to see--
  That make men feel as small and ill at ease
  As do the thoughts of immortality;
  The fear of seas that stretch beyond our sight
  Unspoilt by any memory of a ship--
  Strange, silent seas that lap the unknown shores
  Of some far-distant, undiscovered land;
  The curious fear of caves and horrid depths
  Where lurk those monsters that we hide away
  And bury in our self-complacency.
  The dread of all that waits unseen, yet heard;
  The fear of moonlight falling on a face;
  The sound of sobs at night, the fear of laughter;
  The misty terror lurking in a wood
  Which night has wrapped in her soft robe of sighs.

  The horror that is felt where man is not,
  In lonely lands all dotted with squat trees
  That seem to move in the grey twilight breeze
  --Or sit and watch you like malicious cripples,
  Intent on every movement, every thought--
  Where stones, like evil fungi, raise their bulk
  Cover'd with lichen older than the hills--
  A warning for the ages yet to come;
  Stones that have seen the sun, and moon, and stars,
  Deflect their course for very weariness.
  These fears are gathered, press'd into a room
  Vibrating with the wish to damage man;
  To put a seal upon his mind and soul--
  These fears are fused into a living flame.

  The room is filled with men of evil thoughts,
  And some poor timid ones, on evil bent.
  They stand in anxious, ghastly expectation.

  The guttering light is low, and follows them
  With subtle shadows tall beyond belief:
  Vast elemental shapes that make men feel
  Like dusty atoms blown by wayward winds
  About the world: shadows that sway and swing.
  And sigh and talk, as if themselves alive.
  Small shadows cringe about the room incredibly,
  Grotesque and dwarf-like in their attitudes;
  Malignant, mocking things that caper round--
  Triumphant heralds of an evil reign.

  Secret and swift they flit about the wall;
  Noiseless, they drag their feet about the floor,
  And murmur subtle infamies of love,
  Sweet-sounding threats, and bribes, and baleful thoughts.

  Yet all are waiting, evilly alert...
  Yet all are waiting--watching for events.

  Silence has ceased to be a negative,
  Becomes a thing of substance--fills the room
  And clings like ivy to the listening walls.
  The flickering light flares up--then gutters out.
  The shadows seem to shiver and expand
  To active, evil things that breathe and live.

  But now they whirl and dance in ecstasy.
  The highest moment of their mass is near.
  We only feel the swaying of the shades,
  --Rhythm of wicked music that escapes
  Our consciousness, tho' we have known it long--
  The music of the evil things of Night
  Scarcely remembered from some dim, vast world--
  The things that haunted us when we were young
  And nearer to our past realities.
  Like scaly snakes, the hymn to evil writhes
  Through the sub-conscious basis of our mind.
  Eddies of icy breath, or hot as flame,
  Twist into all the corners of the room,
  Filling our veins with fire like red-hot iron,
  And wicked as the Prince of Evil Things.

  Faintly his glowing presence is revealed to us
  Amid the chorus of his satellites.
  The consummation of our awful hopes.




  PIERROT AT THE WAR

  The leaden years have dragged themselves away;
    The blossoms of the world lie all dash'd down
  And flattened by the hurricane of death:
  The roses fallen, and their fragrant breath
    Has passed beyond our senses--and we drown
  Our tragic thoughts: confine them to the day.

  Pierrot was happy here two years ago,
    Singing through all the summer-scented hours,
  Dancing throughout the warm moon-haunted night.
  Swan-like his floating sleeves, so long and white,
    Sailed the blue waters of the dusk.  Wan flowers,
  Like moons, perfumed the crystal valley far below.

  But now these moonlit sleeves lie on the ground,
    Trampled and torn from many a deadly fight.
  With fingers clenched, and face a mask of stone,
  He gazes at the sky--left all alone--
    Grimacing under every rising light:
  His body waits the peace his soul has found.

  _April_, 1917.




  SPRING HOURS

  The air is silken--soft and dark--
  Calm as the waters of some blue, far sea;
    Sweet as a youthful dream,
  The trees stand cold and stark,
  Yet full of the new life which makes each tree
  To tremble with delight; sets free
    The summer rapture of the stream.

  But now the clouds disperse and drift away,
    Splashing the woods with patches of pale light,
  Sail off like silver ships, and then display
    The dazzling myriad blossoms of the night.

  Ah!  It is worth full many a sun-gilt hour
  To see the heavens bursting into flower.




  BOOK IV

  WAR POEMS




  "THEREFORE IS THE NAME OF IT CALLED BABEL"

  And still we stood and stared far down
  Into that ember-glowing town,
  Which every shaft and shock of fate
  Had shorn unto its base.  Too late
    Came carelessly Serenity.

  Now torn and broken houses gaze
  On to the rat-infested maze
  That once sent up rose-silver haze
    To mingle through eternity.

  The outlines once so strongly wrought,
  Of city walls, are now a thought
  Or jest unto the dead who fought...
    Foundation for futurity.

  The shimmering sands where once there played
  Children with painted pail and spade
  Are dreary desolate--afraid
    To meet night's dark humanity,

  Whose silver cool remakes the dead,
  And lays no blame on any head
  For all the havoc, fire, and lead,
    That fell upon us suddenly,

  When all we came to know as good
  Gave way to Evil's fiery flood,
  And monstrous myths of iron and blood
    Seem to obscure God's clarity.

  Deep sunk in sin, this tragic star
  Sinks deeper still, and wages war
  Against itself; strewn all the seas
  With victims of a world disease
  --And we are left to drink the lees
  Of Babel's direful prophecy.

  _January_, 1916.




  TWENTIETH-CENTURY HARLEQUINADE

  Fate, malign dotard, weary from his days,
  Too old for memory, yet craving pleasure,
  Now finds the night too long and bitter cold
  --Reminding him of death--the sun too hot.
  The beauty of the universe he hates,
  Yet stands regarding earthly carnivals:
  The clatter and the clang of car and train,
  The hurrying throng of homeward-going men,
  The cries of children, colour of the streets,
  Their whistling and their shouting and their joy,
  The lights, the trees, the fanes and towers of churches,
  Thanksgiving for the sun, the moon, the earth,
  The labour, love, and laughter of our lives.

  He thinks they mock his age with ribaldry.

  From far within his æon-battered brain
  Well up those wanton wistful images
  That first beguiled the folk of Bergamo.
  Now like himself, degraded and distress'd,
  They sink to ignominy; but the clown
  Remains, reminder of their former state,
  And still earns hurricanes of hoarse applause.

  This dotard now decides to end the earth
  (Wrecked by its own and his futility).
  Recalls the formula of world-broad mirth
  --A senseless hitting of those unaware,
  Unnecessary breaking of their chattels.

  The pantomime of life is near its close:
  The stage is strewn with ends and bits of things,
  With mortals maim'd or crucified, and left
  To gape at endless horror through eternity.

  The face of Fate is wet with other paint
  Than that incarnadines the human clown:
  Yet still he waves a bladder, red as gold,
  And still he gaily hits about with it,
  And still the dread revealing limelight plays
  Till the whole sicken'd scene becomes afire.
  Antic himself falls on the funeral pyre
  Of twisted, tortured, mortifying men.

  _March_, 1916.




  _To_ HELEN


  THIS GENERATION

  Their youth was fevered--passionate, quick to drain
    The last few pleasures from the cup of life
  Before they turn'd to suck the dregs of pain
    And end their young-old lives in mortal strife.
  They paid the debts of many a hundred year
    Of foolishness and riches in alloy.
  They went to death; nor did they shed a tear
    For all they sacrificed of love and joy.
  Their tears ran dry when they were in the womb,
  For, entering life--they found it was their tomb.

  1917.




  _To_ FRANCIS MEYNELL


  SHEEP-SONG

  From within our pens,
  Stout built,
  We watch the sorrows of the world.
  Imperturbably
  We see the blood
  Drip and ooze on to the walls.
  Without a sigh
  We watch our lambs
  Stuffed and fattened for the slaughter....

  In our liquid eyes lie hidden
  The mystery of empty spaces
  All the secrets of the vacuum.

  Yet we can be moved;
  When the head-sheep bleats,
  We bleat with him;
  When he stampedes
  --Heavy with foot-rot--
  We gallop after him
  Until
  In our frenzy
  We trip him up
  --And a new sheep leads us.

  We are the greatest sheep in the world;
  There are no sheep like us.
  We come of an imperial bleat;
  Our voices,
  Trembling with music,
  Call to our lambs oversea.
  With us they crash across continents.

  We will not heed the herdsmen,
  For they warned us,
  "Do not stampede";
  Yet we were forced to do so.
  Never will we trust a herdsman again.

  Then the black lamb asked,
  Saying, "Why did we start this glorious Gadarene descent?"
  And the herd bleated angrily,
  "We went in with clean feet,
  And we will come out with empty heads.
  We gain nothing by it,
  Therefore
  It is a noble thing to do.
  We are stampeding to end stampedes.
  We are fighting for lambs
  Who are never likely to be born.

  When once a sheep gets its blood up
  The goats will remember...."

  But the herdsman swooped down
  Shouting,
  "Get back to your pens there."

  _September_, 1918.




  THE POET'S LAMENT.

  Before the dawning of the death-day
  My mind was a confusion of beauty.
  Thoughts fell from it in riot
  Of colour,
  In wreaths and garlands of flowers and fruit...

  Then the red dawn came
  --And no thought came to me
  Except anger
  And bitter reproach.
  God filled my mouth
  With the burning pebbles of hatred,
  And choked my soul
  With a whirl-wind of fury.
  He made my tongue
  A flaming sword
  To cut and wither
  The white soft edges
  Of their anæmic souls.
  I ridiculed them,
  I despised them,
  I loathed them
  ... But they had stolen my soul away.

  Yes, they had stolen my soul from me.
  My heart jumps up into my mouth
  In fury;
  They have stolen my soul away.

  But we will wait,
  And later words will come
  --Words that in their burning flight
  Shall scorch and flay,
  Or flare like fireworks
  Above their heads.
  In those days my soul shall be restored to me
  And they shall remember,
  They shall remember!




  JUDAS AND THE PROFITEER

  Judas descended to this lower Hell
    To meet his only friend--the profiteer--
  Who, looking fat and rubicund and well,
    Regarded him, and then said with a sneer,
  "Iscariot, they did you!  Fool! to sell
    For silver pence the body of God's Son,
  Whereas for maiming men with sword and shell
    I gain at least a golden million."

  But Judas answered: "You deserve your gold;
  It's not His body but His soul you've sold!"




  _To_ H. W. MASSINGHAM


  RHAPSODE

  Why should we sing to you of little things--
  You who lack all imagination?
  Why should we sing to you of your poor joys,
  That you may see beauty through a poet's mind--
  Beauty where there was none before?
  Why should we heed your miserable opinions,
  And your paltry fears?
  Why listen to your tales and narratives--
  Long lanes of boredom along which you
  Amble amiably all the dull days
  Of your unnecessary lives?
  We know you now--and what you wish to be told:
  That the larks are singing in the trenches,
  That the fruit trees will again blossom in the spring,
  That Youth is always happy;
  But you know the misery that lies
  Under the surface--
  And we will dig it up for you!
  We shall sing to you
  Of the men who have been trampled
  To death in the circus of Flanders;
  Of the skeletons that gather the fruit
  From the ruined orchards of France;
  And of those left to rot under an Eastern sun--
  Whose dust mingles with the sand
  Of distant, strange deserts,
  And whose bones are crushed against
  The rocks of unknown seas;
  All dead--dead,
  Defending you and what you stand for.

  You hope that we shall tell you that they found their
        happiness in fighting,
  Or that they died with a song on their lips,
  Or that we shall use the old familiar phrases
  With which your paid servants please you in the Press:
  But we are poets,
  And shall tell the truth.

  You, my dear sir,
  You are so upset
  At being talked to in this way
  That when night
  Has coffin'd this great city
  Beneath the folds of the sun's funeral pall,
  You will have to drink a little more champagne,
  And visit a theatre or perhaps a music-hall.
  What you need (as you rightly say, my dear sir) is CHEERING-UP.
  There you will see vastly funny sketches
  Of your fighting countrymen;
  And they will be represented
  As those of whom you may be proud.
  For they cannot talk English properly,
  Or express themselves but by swearing;
  Or perhaps they may be shown as drunk.
  But they will all appear cheerful,
  And you will be pleased;
  And as you lurch amiably home, you will laugh,
  And at each laugh
  Another countryman will be dead!

  When Christ was slowly dying on that tree--
  Hanging in agony upon that hideous Cross--
  Tortured, betrayed, and spat upon,
  Loud through the thunder and the earthquake's roar
  Rang out
  Those blessed humble human words of doubt:
  "My God!  My God! why hast Thou forsaken Me?"
  But near by was a cheerfully chattering group
  Of sects,
  Of Pharisees and Sadducees,
  And all were shocked--
  Pained beyond measure.
  And they said:
  "At least he might have died like a hero
  With an oath on his lips,
  Or the refrain from a comic song--
  Or a cheerful comment of some kind.
  It was very unpleasant for all of us--
      But we had to see it through.
  I hope people will not think we have gone too far--
  Or behaved badly in any way."

  There in the street below a drunken man reels home,
  And as he goes
  He sings with sentiment:
  "Keep the home fires burning!"
  And the constable helps him on his way.
      But we--
      We should be thrown into prison,
  Or cast into an asylum,
  For we want--
              PEACE!

  _September_, 1917.




  _To_ SIEGFRIED SASSOON



  THE MODERN ABRAHAM

  His purple fingers clutch a large cigar--
    Plump, mottled fingers, with a ring or two.
  He rests back in his fat armchair.  The war
    Has made this change in him.  As he looks through
  His cheque-book with a tragic look he sighs:
    "Disabled Soldiers' Fund" he reads afresh,
  And through his meat-red face peer angry eyes--
    The spirit piercing through its mound of flesh.

  They should not ask me to subscribe again!
    Consider me and all that I have done--
  I've fought for Britain with my might and main;
    I make explosives--and I gave a son.
  My factory, converted for the fight
    (I do not like to boast of what I've spent),
  Now manufactures gas and dynamite,
    Which only pays me seventy per cent.
  And if I had ten other sons to send
  I'd make them serve my country to the end,
  So all the neighbours should flock round and say:
    "Oh! look what Mr. Abraham has done.
  He loves his country in the elder way;
    Poor gentleman, he's lost another son!"

  1917.




  THE TRAP

  The world is young and green.
  Its woods are golden beneath the May-time sun;
  But within its trap of steel the rabbit plunges
  Madly to and fro.
  It will bleed to death
  Slowly,
        Slowly,
  Unless there is some escape.
  Why will not someone release it?

  And presently a kindly passer-by
  Stoops down.
  The rabbit's eye glints at him--
  Gleaming from the impenetrable obscurity of its prison.
  He stoops and lifts the catch
  (He cannot hold it long, for the spring is heavy).
  The rabbit could now be free,
  But it does not move;
  For from the darkness of its death-hutch
  The world looks like another brightly baited trap.
  So, remaining within its steel prison,
  It argues thus:
  "Perhaps I may bleed to death,
  But it will probably take a long time,
  And, at any rate,
  I am secure
  From the clever people outside.
  Besides, if I did come out now
  All the people who thought I was a lion
  Would see, by the trap-mark on my leg,
  That I am only an unfortunate rabbit,
  And this might promote disloyalty among the children.
  When the clamp closed on my leg
  It was a ruse
  To kill me.
  Probably the lifting of it betrays the same purpose!
  If I come out now
  They will think they can trap rabbits
  Whenever they like.
  How do I know they will not snare me
  Again next year?
  Besides, it looks to me from here..."

  But the catch drops down,
  For the stranger is weary.
  From within the hutch
  A thin stream of blood
  Trickles on to the grass
  Outside,
  And leaves a brown stain on its brightness.
  But the dying rabbit is happy,
  Saying:
  "I knew it was only a trap!"

  _April_, 1918.




  _To_ RODERICK MEIKLEJOHN


  THE ETERNAL CLUB

  Warming their withered hands, the dotards say:
    "In our youth men were happy till they died.
  What is it ails the young men of to-day--
    To make them bitter and dissatisfied?"

  Two thousand years ago it was the same:
    "Poor Joseph!  How he'll feel about his son!
  I knew him as a child--his head aflame
    With gold.  He seemed so full of life and fun.
  And even as a young man he was fine,
  Converting tasteless water into wine.
  Then something altered him.  He tried to chase
    The money-changers from the Temple door.
    White ringlets swung and tears shone in their poor
    Aged eyes.  He grew so bitter and found men
  For friends as discontented--lost all count
    Of caste--denied his father, faith, and then
  He preached that dreadful Sermon on the Mount!
    But even then he would not let things be;
    For when they nailed him high up on the tree,
    And gave him vinegar and pierced his side,
    He asked God to forgive them--still dissatisfied!"




  HEAVEN

  A theatre rises dark and mute and drear
    Among those houses that stand clustering round.
  Passing this pleasure-house, I seem'd to hear
    The distant rhythm of some lauding sound,
  The hot applause that greeted every night
  The favourite song, or girl, or joke, or fight.
    The laughter of the young and strong and gay
    Who greeted life--then laid their lives away.

  Do they, then, watch the same old blatant show,
    Forgetting all death's wrench and all its pain
  And all their courage shown against the foe?
    Is this the heaven that they died to gain?




  THE BLIND PEDLAR

  I stand alone through each long day
  Upon these pavers; cannot see
  The wares spread out upon this tray
  --For God has taken sight from me!

  Many a time I've cursed the night
  When I was born.  My peering eyes
  Have sought for but one ray of light
  To pierce the darkness.  When the skies

  Rain down their first sweet April showers
  On budding branches; when the morn
  Is sweet with breath of spring and flowers,
  I've cursed the night when I was born.

  But now I thank God, and am glad
  For what I cannot see this day
  --The young men crippled, old, and sad,
  With faces burnt and torn away;

  Or those who, rich and old,
  Have battened on the slaughter,
  Whose faces, gorged with blood and gold,
  Are creased in purple laughter!

  _January_, 1919.




  WORLD-HYMN TO MOLOCH

  Holy Moloch, blessed lord,
  Hatred to our souls impart.
  Put the heathen to the sword,
  Wound and pierce each contrite heart.
  Never more shall darkness fall
  But it seems a funeral pall;
  Never shall the red sun rise
  But to red and swollen eyes.
  In the centuries that roll,
  Slowly grinding out our tears,
  Often thou hast taken toll;
  Never till these latter years
  Have all nations lost the fray;
  Lead not thou our feet astray.
  Never till the present time
  Have we offered all we hold,
  With one gesture, mad, sublime,
  Sons and lovers, lands and gold.
  Must we then still pray to thee,
  Moloch, for a victory?

  Eternal Moloch, strong to slay,
  Do not seek to heal or save.
  Lord, it is the better way
  Swift to send them to the grave.
  Those of us too old to go
  Send our sons to face the foe,
  But, O lord! we must remain
  Here, to pray and sort the slain.
  In every land the widows weep,
  In every land the children cry.
  Other gods are lulled to sleep,
  All the starving peoples die.
  What is left to offer you?
  Thou, O Sacred King of Death!
  God of Blood and Lord of Guile,
  Do not let us waste our breath,
  Cast on us thy crimson smile.
  Moloch, lord, we pray to thee,
  Send at least one victory.

  All the men in every land
  Pray to thee through battle's din,
  Swiftly now to show thy hand,
  Pray that soon one side may win.
  Under sea and in the sky,
  Everywhere our children die;
  Laughter, happiness and light
  Perished in a single night.
  In every land the heaving tides
  Wash the sands a dreadful red,
  In every land the tired sun hides
  Under heaps and hills of dead.
  In spite of all we've offered up
  Must we drink and drain the cup?
  Everywhere the dark floods rise,
  Everywhere our hearts are torn.
  Every day a new Christ dies,
  Every day a devil's born.
  Moloch, lord, we pray to thee,
  Send at least one victory.

  1917.




  ARMCHAIR

  If I were still of handsome middle-age
  I should not govern yet, but still should hope
  To help the prosecution of this war.
  I'd talk and eat (though not eat wheaten bread),
  I'd send my sons, if old enough, to France,
  Or help to do my share in other ways.
  All through the long spring evenings, when the sun
  Pursues its primrose path towards the hills,
  If fine, I'd plant potatoes on the lawn;
  If wet, write anxious letters to the Press.
  I'd give up wine and spirits, and with pride
  Refuse to eat meat more than once a day,
  And seek to rob the workers of their beer.
  The only way to win a hard-fought war
  Is to annoy the people in small ways,
  Bully or patronise them, as you will!
  I'd teach poor mothers, who have seven sons
  --All fighting men of clean and sober life--
  How to look after babies and to cook;
  Teach them to save their money and invest;
  Not to bring children up in luxury
  --But do without a nursemaid in the house!

  If I were old, or only seventy,
  Then should I be a great man in his prime.
  I should rule army corps; at my command
  Men would rise up, salute me, and attack
  --And die.  Or I might also govern men
  By making speeches with my toothless jaws,
  Chattering constantly; and men should say,
  "One grand old man is still worth half his pay!"
  That day I'd send my grandsons out to France
  --And wish I'd got ten other ones to send
  (One cannot sacrifice too much, I'd say).
  Then would I make a noble toothless speech,
  And all the listening Parliament would cheer.
  "Gentlemen, we will never end this war
  Till all the younger men with martial mien
  Have entered capitals; never make peace
  Till they are cripples, on one leg, or dead!"
  Then would the Bishops all go mad with joy,
  Cantuar, Ebor, and the other ones,
  Be overwhelmed with pious ecstasy.
  In thanking Him we'd got a Christian--
  An Englishman--still worth his salt--to talk,
  In every pulpit they would preach and prance;
  And our great Church would work, as heretofore,
  To bring this poor old nation to its knees.
  Then we'd forbid all liberty, and make
  Free speech a relic of our impious past;
  And when this war is finished, when the world
  Is torn and bleeding, cut and bruised to death,
  Then I'd pronounce my peace terms--to the poor!
  But as it is, I am not ninety yet,
  And so must pay my reverence to these men--
  These grand old men, who still can see and talk,
  Who sacrifice each other's sons each day.
  O Lord! let me be ninety yet, I pray.
  Methuselah was quite a youngster when
  He died.  Now, vainly weeping, we should say:
  "Another great man perished in his prime!"
  O let me govern, Lord, at ninety-nine!"

  _August_, 1917.




  RAGTIME

  The lamps glow here and there, then echo down
  The vast deserted vistas of the town--
  Each light the echo'd note of some refrain
  Repeated in the city's fevered brain.
  Yet all is still, save when there wanders past
  --Finding the silence of the night too long--
  Some tattered wretch, who, from the night outcast,
  Sings, with an aching heart, a comic song.
  The vapid parrot-words flaunt through the night--
  Silly and gay, yet terrible.  We know
  Men sang these words in many a deadly fight,
  And threw them--laughing--to a solemn foe;
  Sang them where tattered houses stand up tall and stark,
  And bullets whistle through the ruined street,
  Where live men tread on dead men in the dark,
  And skulls are sown in fields once sown with wheat.
  Across the sea, where night is dark with blood
  And rockets flash, and guns roar hoarse and deep,
  They struggle through entanglements and mud,
  They suffer wounds--and die--
                              But here they sleep.
  From far away the outcast's vacuous song
  Re-echoes like the singing of a throng;
  His dragging footfalls echo down the street,
  And turn into a myriad marching feet.

  _December_, 1916.




  PEACE CELEBRATION

  Now we can say of those who died unsung,
  Unwept for, torn, "Thank God they were not blind
  Or mad!  They've perished strong and young,
  Missing the misery we elders find
  In missing them."  With such a platitude
  We try to cheer ourselves.  And for each life
  Laid down for us, with duty well-imbued,
  With song-on-lip, in splendid soldier strife--
  For sailors, too, who willingly were sunk--
  We'll shout "Hooray!"--
                      And get a little drunk.




  _To_ SACHEVERELL


  THE NEXT WAR

  The long war had ended.
  Its miseries had grown faded.
  Deaf men became difficult to talk to.
  Heroes became bores.

  Those alchemists
  Who had converted blood into gold,
  Had grown elderly.
  But they held a meeting,
  Saying,
  "We think perhaps we ought
  To put up tombs
  Or erect altars
  To those brave lads
  Who were so willingly burnt,
  Or blinded,
  Or maimed,
  Who lost all likeness to a living thing,
  Or were blown to bleeding patches of flesh
  For our sakes.
  It would look well.
  Or we might even educate the children."

  But the richest of these wizards
  Coughed gently;
  And he said,
  "I have always been to the front
  --In private enterprise--
  I yield in public spirit
  To no man.
  I think yours is a very good idea
  --A capital idea--
  And not too costly.
  But it seems to me
  That the cause for which we fought
  Is again endangered.
  What more fitting memorial for the fallen
  Than that their children
  Should fall for the same cause?"
  Rushing eagerly into the street,
  The kindly old gentlemen cried
  To the young:
      "Will you sacrifice
      Through your lethargy
      What your fathers died to gain?
      Our cause is in peril.
  The world must be made safe for the young!"
  And the children
  Went....




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End of Project Gutenberg's Argonaut and Juggernaut, by Osbert Sitwell