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                                  THE
                                 MILLER
                         in Eighteenth-Century
                               _VIRGINIA_


  An Account of Mills & the Craft of Milling, as well as a Description
           of the Windmill near the Palace in _Williamsburg_


                      _Williamsburg Craft Series_


                             _WILLIAMSBURG_
                  Published by _Colonial Williamsburg_
                               MCMLXXVIII




              _The Miller in Eighteenth-Century_ Virginia


    [Illustration: Decorative capital]

The reader of this account, being of open mind and charitable
disposition, as good men and women have ever been, will readily
recognize that whatever may appear in these pages to the discredit of
millers in times past cannot be taken to reflect in any fashion upon the
present master of Mr. Robertson's windmill. Indeed, the age-old repute
of the calling is as distasteful to him and his colleagues of today as
it would be inappropriate if applied to them.

Unhappily, it cannot be denied that millers of an earlier day--those of
Chaucer's generation, for example--left something to be desired in the
way of scruple. That gifted storyteller and honest reporter of the age
in which he lived gave prominent place in his _Canterbury Tales_ to two
millers. One of these was the villain and ultimate victim in the Reeve's
Tale: "A thief he was, forsooth, of corn and meal; And sly at that,
accustomed well to steal."

The other miller of the _Canterbury Tales_ was himself one of the
pilgrims, as merry and uncouth a rogue as one could find in any band of
cathedral-bound penitents: "He could steal corn and full thrice charge
his tolls; and yet he had a thumb of gold, begad." That last remark, an
allusion to the proverb that "every honest miller has a thumb of gold,"
cut a broad swath indeed. Only Chaucer's own regard for truth could have
moved him thus to dignify the popular belief that among millers
integrity was as rare as twenty-four-carat thumbs.

Similar distrust can be discerned in early feudal and manorial laws in
England, which prescribed certain methods of operation for grist millers
and established corresponding penalties for violation. The miller was
directed to charge specified tolls for his services, and no more. The
lord of the manor got his grain ground "hopper free," since he generally
owned the mill and held the local milling monopoly. Under the
thirteenth-century Statute of Bakers, chartered land-holders paid the
miller one-twentieth of the grain he ground for them, and
tenants-at-will gave one-sixteenth, while bondsmen and laborers had to
part with one-twelfth of what they brought to the mill.

The same law also required that the miller's "toll-fat" (or dish) and
"sceppum" (or scoop) used to measure grain be accurate. The manorial
seal on a measure testified that it had been compared with the standard
measure and found exact. But millers in all lands and times (the present
excepted, of course) have been adept at finding ways to outwit law and
customer at the same time.

A method popular among some millers was to build square housings for the
millstones, thus providing four innocent corners in which quite a bit of
meal could collect. The more artful members of the craft built a
concealed spout that carried a small proportion of the meal to a private
bin while the visible spout delivered the bulk of it to the customer's
container.

Other stratagems, too varied and too numerous to list here, testify to
the craftiness of many millers. The lengths to which the law went in
trying to keep up can be seen in an English statute of 1648. This law,
closing one loophole through which a miller could levy a hidden toll,
allowed him to keep no hogs, ducks, or geese in the neighborhood of the
mill, and no more than three hens and a cock.

All of this ingenuity, most of the popular suspicions of the milling
craft, and some of the legal restrictions consequent upon both, crossed
the Atlantic along with the millers and millwrights who came to the
colonies. More details of this in a moment; meantime, what of the mill
that belonged to the man that owned the name of rascal?

    [Illustration: _Some simple grist mills: (A) stone mortar and
    pestle; (B) saddlestone and metate; (C) sappling-and-stump type of
    mortar and pestle, often used by early colonists; (D) Roman quern._]




                    _THE OLD MILL STREAM OF HISTORY_


For uncounted generations in every pre-mechanical civilization grain has
been ground in a variety of one-woman-power devices. Pounding with
mortar and pestle was one of the earliest and is still the crudest of
these devices. The saddlestone-metate device, still to be seen in some
areas of Central and South America, substituted a rolling, sliding
motion to the upper stone that rubbed and sheared the grain. Finally,
the Roman quern, rotating continually in the same direction and shearing
the kernels between grooved faces of matched stones, opened the door to
the use of natural instead of muscle power.

History does not record the name of the man, probably a Greek, who first
harnessed natural power to grind grain between opposing stones. Possibly
it happened when his wife handed him the family quern with the command,
"Here, you do it!"--in Greek, of course. What he did, instead of earning
his bread by the sweat of his brow, was to apply brain power. He fixed a
water wheel to the lower end of a vertical shaft and attached the upper
end to the upper stone of his handmill. And then, no doubt, he went
fishing in the millstream while the flowing water did his work.

In the anonymous Greek's footsteps, a Roman named Vitruvius made the
arrangement more flexible by introducing wooden gearing to transmit the
power. Others made further improvements in the slow progress of time
until the watermill was a reasonably efficient and widely used machine.
The Domesday Book, or census of the year 1080, recorded 5,624 mills in
England alone, all operated either by animal or water power.

The identity of the man or men who invented the windmill is also lost in
the mists of antiquity--or at least of the Middle Ages. The earliest
authenticated reference to a windmill in western Europe refers to one
that stood in France about the year 1180. The next known reference dates
from 1191 and concerns a windmill in England. Both were post mills, more
or less like the reconstructed windmill of William Robertson in
Williamsburg. This is the simplest among several types of wind-operated
mills and was the type first adopted in Europe, in England generally,
and in the colonies.

Anyone who has read much poetry cannot fail to realize that a watermill
is by nature a more romantic machine than a windmill. Poets recognize
this as a fact, and perhaps non-poets who have spent some well
remembered moments down by the old mill stream will agree. But this is
not to say that windmills are lacking in emotional appeal and romantic
inspiration. Far from it. As Robert Louis Stevenson wrote:

  "There are few merrier spectacles than that of many windmills
  bickering together in a breeze over a woody country, their halting
  alacrity of movement, their pleasant business of making bread all day
  with uncouth gesticulations, their air gigantically human, as of a
  creature half alive, put a spirit of romance into the tame landscape."

    [Illustration: _One of the earliest medieval illustrations of a
    windmill in England is this brass plaque (here redrawn) in St.
    Margaret's Church, King's Lynn, Norfolk. It tells the ancient joke
    on the good farmer riding to the mill: To relieve his tired horse of
    the burden, he carried the sack of grain on his own back! Note that
    the mill was a post mill and that it was slightly head sick._]




                       _PUTTING THE WIND TO WORK_


A post mill, as its name suggests, perches somewhat like a
flagpole-sitter on the end of a sturdy post held upright by a timber
framework. The Laws of Oleron, a breezily worded maritime code adopted
in England about 1314, stated that "some windmills are altogether held
above ground, and have a high ladder; some have their foot in the
ground, being, as people say, well affixed." In the latter case the
substructure of timber bracing was not above ground, but was buried in a
mound of earth.

The comparison to a flagpole-sitter is perhaps misleading, for the post
does not end where the mill house begins. Rather, it enters the body of
the mill through a loose fitting collar beneath the lower floor and
extends about half-way up into the mill, where it ends in a pivot
bearing. The entire weight of the mill--sails, body, millstones, shafts,
gears, grain, meal, and miller (to say nothing of the mill cat, kittens,
and resident mice)--rests on this single bearing at the top of the great
post.

Keeping so much weight in stable balance was no great problem for the
millwright as long as the mill did not move. The collar or ring bearing
around the post kept the body from tipping far in any direction--or was
supposed to. Moreover, the millwright estimated the weights of the
various elements and positioned them appropriately about the pivot. Of
course, things sometimes came out wrong. A mill that tipped incurably
forward was called "head sick"; one that always tipped backward was
"tail sick."

When the mill was in motion the matter of stability became a good deal
more complicated. For various reasons, including aerodynamic and
gyroscopic effects that the early millwrights sensed but did not fully
understand, the balance of a windmill is different in operation than at
rest. The successful millwright, therefore, needed an accumulation of
trial-and-error knowledge that might go back for generations.

The result, even though most everything but the millstones was of wood,
was a surprisingly stable and exceedingly durable structure. A post mill
built in Lincolnshire, England, in 1509 was still in operation in 1909!
And although any storm might leave tragedy in its wake, post mills
toppled over less often than their precarious position and top-heavy
appearance would seem to promise. In this respect the Williamsburg mill
is doubly guarded, being equipped with removable metal braces and buried
ground anchors for use in the event a hurricane is predicted. This
adaptation, to be sure, is a twentieth-century safety measure, not an
eighteenth-century custom.

The problem of balance, and the related difficulty of maneuvering a post
mill to face the wind because its whole weight is focused on the one
bearing, generally limited such mills to one or two pairs of stones.
Some English post mills had three pairs and a few even four. But these
exceptions demonstrate the limitations of the post mill and the reasons
for development of its successor, the tower mill.

The purpose in this development was to transfer weight from the pivoted
upper portion of the mill to solid ground beneath it. In the tower mill,
almost the whole mill became a firm structure. Only the cap, holding the
sails and their axle, needed to be turned to face the wind. Turning this
cap was far easier than turning the whole body of a post mill. Small to
start with, tower mills became quite large when mechanical means were
developed to adjust sail area. The tallest English tower mills were more
than one hundred feet high at the hub of the sails, with sweeps that
reached out as much as forty feet.

The so-called "smock mill," common in Holland and brought to England
probably in the time of James I, is a tower mill whose structure is
framed and covered in wood rather than built up of masonry. Examples of
this variety of mill can still be seen on Nantucket Island, Cape Cod,
Long Island, in Rhode Island, and perhaps elsewhere. The eastern end of
Long Island contains more colonial windmills than any other part of the
United States today, and all without exception are smock mills.




                    _INDIAN CORN AND COLONIAL MILLS_


Both windmill and watermill have been intimately associated with the
development of the English colonies in America from their earliest days.
This, of course, is not a matter of wonderment since bread was the staff
of life then even more than it is today. No doubt all the early
settlements had mortars or small hand mills, and in many cases they also
employed larger ones powered by animals.

The first settlers at Jamestown in 1607 brought with them full and
detailed instructions drawn up in advance by the Virginia Company of
London. The 144 men and boys were to be divided into three working
groups: one to build a fort, storehouse, church, and dwellings; the
second to clear land and plant the wheat brought from home; and the
third to explore the surrounding countryside in search of the Northwest
Passage, mineral riches, or other resources that might return dividends
to the company's stockholders.

As it turned out, the planting of grain received less than prime
attention. Defense against the Indians was a more pressing demand, and
many of the gentlemen settlers were unwilling to soil their hands with
menial labor. An exploring party, however, reported that it had observed
at the falls of the James River five or six islands "very fitt for the
buylding of water milnes thereon."

    [Illustration: _From an etching by James D. Smillie entitled "Old
    Mills, Coast of Virginia." The original--now in the New York Public
    Library--was made in 1890, probably on Virginia's Eastern Shore._]

Several years seem to have passed before any mill was built in Virginia.
In 1620 the Company sent word that it considered the construction of
watermills of first importance. The next year it specifically instructed
the colonists to erect corn mills and bake houses in every borough.

Actually by 1621 the first mill had been put up by Governor Yeardley on
his own plantation near the falls of the James River. But it was a
windmill, not a watermill, and for at least four years seems to have
been the sole facility of its kind in the whole coastal wilderness of
North America.

The first mill in the Massachusetts Bay colony, where waterfalls were
considerably more frequent and closer to the coast than in tidewater
Virginia, was also a windmill, built in 1631. In New Amsterdam the first
mill, again a windmill, was erected in 1632. In Virginia by 1649 there
were nine mills in operation, four windmills and five watermills, and
the number had grown as fast or faster in other areas.

Exposed coastal areas on Cape Cod, around Newport, Rhode Island, and on
the eastern end of Long Island, as well as on the Eastern Shore of
Maryland, the Carolinas, and Virginia were found especially well adapted
to windmills. Massachusetts in particular saw a rapid rise in milling.
It was there, under the aegis of John Pearson, "the father of the
milling industry," that commercial milling got its early start in
America.

At somewhat later stages a similar boom in milling activity took place
in New Netherland, New Sweden, and their successor English colonies. For
several decades New York held the crown as the wheat-growing,
grist-milling, and flour-exporting capital of the New World, only to be
superseded about 1700 by Pennsylvania.




                        _WHERE TOBACCO WAS KING_


In Maryland and Virginia, where tobacco was the king-sized money crop,
grist-milling developed along a somewhat different path. Throughout the
seventeenth and well into the eighteenth century the tobacco colonists
grew wheat and corn for home consumption only. And "home consumption" in
most instances meant literally that. The typical plantation, an almost
self-sufficient community in many ways, raised wheat enough for the
owner's family and sufficient corn to feed the slaves and animals.

In his report of 1724, called _The Present State of Virginia_, Hugh
Jones avowed that:

  As for grinding Corn, &c. they have good mills upon the Runs and
  Creeks; besides Hand-Mills, Wind-Mills, and the Indian invention of
  pounding Hommony in Mortars burnt in the Stump of a Tree, with a Log,
  for a Pestle, hanging at the End of a Pole, fixed like the Pole of a
  Lave.

Often the planter owned and operated a grist mill for his own use and
that of the neighboring small farmers. William Fitzhugh, for example,
described his fully equipped layout as including, in 1686, "a good water
Grist miln, whose tole I find sufficient to find my own family with
wheat & Indian corn for our necessitys and occasions." Fitzhugh thus
needed to grow no grain of his own to feed his "family," an expression
that to him included not only the white indentured servants who lived
and worked on the plantation, but also his twenty-nine slaves.

Such a mill represented a considerable investment of capital, and it was
this initial cost as much as any other factor that determined the
pattern of mill ownership in Virginia. So far as records survive to tell
the story, all of the colony's early mills were built on plantations,
either by well-to-do colonial officials or by syndicates of neighboring
planters. Most of these early mills, if not all of them, were built
primarily to grind the owner's produce. Since few but the very largest
plantations could keep a mill busy at grinding home-grown grain, most
plantation mills also did custom grinding for nearby farmers. A mill
formerly owned by John Robinson, speaker of the House of Burgesses,
collected enough toll in this fashion to feed a "family" of nearly sixty
persons, plus several horses.

    [Illustration: _Two tower mills and three post mills can be seen on
    this map, redrawn from a "Sketch of the East end of the Peninsula
    Where on is Hampton." On the same peninsula, thirty miles to the
    northwest, lies Williamsburg. The original map is at the University
    of Michigan among the papers of Sir Henry Clinton,
    commander-in-chief of British forces during part of the American
    Revolution._]

It was out of this combination plantation-custom type of mill that the
merchant mill finally developed in Virginia. The first William Byrd was
well ahead of his fellow planters in developing milling as a business,
although he lagged far behind John Pearson of Massachusetts. In 1685
Byrd had erected two water grist mills at the falls of the James
River--the very power site of which Captain Newport's exploring party had
remarked. He asked a friend in London to hunt up and send over one or
two honest millers to run the mills and sent inquiries to the West
Indies about selling the flour he expected to make.

Despite Byrd's example, commercial or "merchant" milling, as it was
known, gained little headway in the colony until the next century was
two-thirds over. Then, when wheat became important to the tobacco
growers as a second export crop, quite a few planters added a second
pair of stones to their mills and began shipping barrels of flour along
with hogsheads of tobacco. The additions were usually buhr or "burr"
stones from France, preferred for high-quality grinding because their
structure included sharp-edged quartz cavities.

In 1769, for instance, George Washington rebuilt his mill on Dogue Run
near Mount Vernon, and imported French stones to grind export flour.
Robert Carter, probably Virginia's wealthiest planter-businessman at the
time, had been experimenting with other crops on his tobacco-exhausted
acres and had fixed on wheat as the best substitute for the "Imperial
weed." By 1772 Carter was buying wheat in 8,000 and 10,000 bushel lots
to grind in his mill near Nomini Hall.

The merchant mill was not a business venture in itself, but a facility
in the business of exporting flour or supplying ship's bread. The
merchant miller did not make his profit through the provision of a
milling service; he actually bought the grain and processed it on his
own account, making a profit or loss on the sale of the product. In many
instances the merchant miller not only ground wheat into flour, but also
baked the flour into bread for export--particularly in the form of ship's
biscuit.

The owner of a custom mill, on the other hand, did not buy and sell
grain at all, but found his income as a portion or toll of the grain he
milled. The pure custom mill was a rarity in Virginia, however, being
limited to a few establishments in and around the towns of Manchester,
Petersburg, Norfolk, Alexandria, and Williamsburg.

A mill in Yorktown, too, was presumably of this sort. In 1711 the owners
of land on the York River just below Yorktown Creek deeded a parcel to
William Buckner for a windmill, on condition that he "grind for the
donors 12 bbls. of Indian corn without toll." A view of Yorktown drawn
about 1850 shows an abandoned smock mill--very likely the original
one--standing lonely and forlorn on the hill in question.




                     _HOW WAS IT IN WILLIAMSBURG?_


Very little information about milling in Williamsburg has survived from
colonial days--or at any rate has been unearthed by diligent research. We
do know that Williamsburg was considered to offer many choice locations,
and that several mills were erected in the town or in its immediate
vicinity before the Revolution. As far back as 1699, when the burgesses
were thinking of moving the capital from Jamestown to Middle Plantation
(as Williamsburg was then named), a student of the College of William
and Mary extolled the proposed site in a formal speech, one of several
made to an audience that included the governor and his council as well
as the burgesses.

The college itself was already located at Middle Plantation, on the
ridge between the James and York rivers and with creeks flowing to each.
In the words of the student orator, "The neighbourhood of these two
brave creeks gives an Opportunity of making as many water mills as a
good Town can have occasion for, and the highness of the land affords
great conveniency for as many Wind mills as can ever be wanting."

All the known watermills lay outside the corporate limits of the city.
The nearest, apparently, was a paper mill built by William Parks,
founder of the _Virginia Gazette_, and described by him as "The first
Mill of the Kind, that ever was erected in this Colony." It stood about
a half-mile south of town on a stream that is known to this day as
"Paper Mill Creek."

When he married the rich Widow Custis, George Washington became the
owner of two plantations close to Williamsburg and a water grist mill
not three miles from the town. Samuel Coke, the Williamsburg
silversmith, owned a grist mill, also water powered, less than one mile
away.

What information we have concerning Williamsburg windmills is limited to
three fragmentary items. First, in 1723 William Robertson, clerk of the
General Assembly, holder of a number of other government offices,
lawyer, and land speculator, deeded to John Holloway four lots in
Williamsburg, "being the lots whereon the said William Robertson's wind
mill stands."

    [Illustration: _Post mill symbol, redrawn and enlarged, from the
    "Frenchman's Map" of Williamsburg, 1782._]

Second, during the Revolution an American soldier who kept a diary of
his experiences mentioned being "near the windmill, in Williamsburgh"
one night before the siege of Yorktown.

Finally, an unknown French mapmaker, presumed to be in the service of
Rochambeau, drew a very careful and complete billeting map of
Williamsburg and the buildings in it. On this map appears a
representation of a post mill just on the southern edge of the town.

Beyond these three items the story of milling in Williamsburg has to
rest on careful deduction, the cross checking of every pertinent fact,
the following of every lead, the consultation of every source--in sum, on
a mass of research.

For example, evidence as to how the Williamsburg windmills functioned
has long since disappeared. Because Robertson's mill was within the
city, however, it can be said with reasonable certainty that it operated
as a custom mill, not a plantation mill.




                  _MILLING AND THE VIRGINIA PLANTERS_


If not much is now known about milling within the confines of
Williamsburg itself, a great deal can be related of milling in the
larger expanse of the Virginia colony. For despite the late start of
merchant milling in the tobacco colonies, the grinding of grain for
export had become big business by the time of the Revolution. In 1766
Governor Fauquier noted in a report to the Board of Trade (albeit almost
as an afterthought) that the Virginians "daily set up mills to grind
their wheat into flour for exportation."

Such merchant mills, as advertisements in the _Virginia Gazette_ attest,
were usually connected with a plantation. Advertisements for the lease
or sale of other farm property repeatedly contained the phrase
"convenient to church and mills." A mill scheduled to be built near
Robert Carter's on Nomini Creek--too near, he thought--would be the
twenty-fourth within twelve miles on the Virginia side of the Potomac,
an area that included no towns.

Carter's "new mill," completed in 1773, had a capacity of 25,000 bushels
a year and cost him £1,450 in materials and wages. Carter also built in
connection with the mill a bake house, the two ovens of which would bake
one hundred pounds of flour at each heating. And he hired a cooper to
"get up 10 good flower caskes per day" at an annual salary of £30.

Carter estimated his total outlay to keep the mill running at £5,000 per
year, but the return was correspondingly great. The mill was a success
from the start, and the Revolution soon added to its importance and its
business. For several months in 1780 the mill worked eighteen hours a
day grinding for the state, and Carter received six bushels of corn a
day in toll. After 1785, however, Carter found it unprofitable to work
the mill himself, and leased it to other operators.

Although on a smaller scale, George Washington also engaged in merchant
milling. His Dogue Run mill, formerly a plantation mill only, was
rebuilt in 1769 as a merchant mill. He installed a pair of French burr
stones to grind the export flour, while a pair of Cologne stones did the
country work and ground Washington's own crops. Washington also provided
a nearby dwelling house and garden for the miller and his family, who
could raise chickens for their own table but never for sale.

"The whole of my Force," Washington wrote in 1774, "is in a manner
confind to the growth of Wheat and Manufacturing of it into Flour." Some
of the wheat he proposed to sell in London if the price were right, if
the freight and commission charges were not too high, and "if our
Commerce with Great Britain is kept open (which seems to be a matter of
great doubt at present)." He did ship some flour directly to the West
Indies but disposed of most of his "superfine flour of the first
quality" through merchants in Norfolk and Alexandria.

Washington, like Carter and other Virginia merchant millers, felt the
loss of West Indian markets after the Revolution. But he continued his
interest in milling into the better times that followed the
establishment of a stable national government. Washington, in fact,
received one of the first licenses to use the milling improvements
invented by the Delaware millwright, Oliver Evans. As late as 1799, the
year of his death, he wrote that "as a farmer, Wheat and Flour
constitute my principal Concerns."

As a millowner, one of Washington's chief worries seems to have been
very much the same as that of William Byrd a century earlier, namely, to
obtain the services of an honest and diligent miller to operate his
mill. The problem had faced Robert Carter, too, who sent inquiries as
far as New Jersey. That other Virginia planter-entrepreneurs faced the
same challenge is apparent in many advertisements in the _Virginia
Gazette_ of the time.

When Washington rebuilt the Dogue Run mill, he was fortunate in hiring
William Roberts as miller. Not only was Roberts an honest man in his
employer's opinion, but also a highly capable miller. Washington gave
him full credit for the fact that flour from Dogue Run commanded top
prices in Alexandria and the West Indies markets.

For several years the arrangement was ideal. Then Roberts grew more and
more interested in a wheat product other than flour. By 1783 he had
become such a drunken sot that the squire of Mount Vernon began seeking
a replacement, only to relent when the miller promised to reform his
ways. However, this pledge, like its predecessors, soon dissolved in
alcohol, and Washington finally fired Roberts.

A substitute, Joseph Davenport by name, was lured from Pennsylvania but
turned out to be an inferior miller and as slothful as Roberts had been
unreliable. Even so, Washington tolerated him until Davenport's death in
1796. His successor, Callahan, was a competent miller but again far from
industrious, and demanded higher wages than the mill could support. In
desperation, Washington hunted up Roberts and offered to rehire him on
condition of "a solemn and fixed determination to refrain from liquor."
This arrangement fell through--perhaps Roberts celebrated too
heartily--and the President finally leased the mill to his overseer,
James Anderson.




                       _ALL THAT THE LAW ALLOWS_


It was said earlier that legal restrictions on milling crossed the
Atlantic along with the jolly practitioners of that craft. Indeed, the
history of milling in the colonies is fully punctuated by the regular
passage or amendment of laws to "rectifie the great abuse of millers,"
as the first such law in Virginia put it. This first Virginia law
appeared as early as 1645 and fixed the allowable toll at a generous
one-sixth. Such a law had been passed ten years earlier in the
Massachusetts Bay colony.

In neither colony, however, did the law seem to be effective without
frequent amendment. The Massachusetts General Court repassed and
strengthened its regulation five separate times in thirty years; the
Virginia burgesses acted the same number of times in an even shorter
period. A prohibition against taking excessive toll and the setting of
penalties and fines for violation figured in every revision of the
Virginia law throughout the seventeenth and eighteenth centuries. The
basic regulation, passed in 1705, provided:

  That all millers shall grind according to turn; and shall well and
  sufficiently grind the grain brought to their mills; and shall take no
  more for toll or grinding, than one eighth part of wheat, and one
  sixth part of Indian corn.

Other phases of governmental interest in grist milling involved the
exercise of the right of eminent domain to provide watermill sites; the
requirement that roads be established and maintained leading to mills;
that mill dams be wide enough at the top for a carriage way, include
locks for navigation and fish slopes if necessary, and not be built
above or too close below an existing dam; the inspection of flour to
assure uniformly high quality, free from impurities; the requirement
that millers have and use measures tested for accuracy; and so on. From
such legislation it will be seen that milling, ostensibly a purely
private venture, partook strongly of the nature of a public utility.

In view of the mill's vital importance to the community, as revealed in
this legislative history, it is no surprise to learn that the miller was
considered essential too. Along with certain officials of the colony,
clergymen, plantation overseers, the gaoler, schoolmasters, and some
other groups deemed necessary to orderly civil life, millers were exempt
from service in the militia. Furthermore, since militia musters were
often occasions of prolonged revelry, any miller who "shall presume to
appear at any muster" was to be fined one hundred pounds of tobacco or
be "tied Neck and Heels" for up to twenty minutes. Only when the need
for foot soldiers became all-consuming in 1780 was the militia exemption
lifted. Until then the miller was expected, and obliged, to keep his
nose to the millstone.

    [Illustration: _"Militia musters were often occasions of prolonged
    revelry." Adapted from an engraving by the English painter and
    caricaturist of the eighteenth century, William Hogarth._]

The miller, thus, seems to have had a split personality--at least in the
public mind. On the one hand he possessed an ancient reputation for
dishonesty that called for repeated legislative curbs and punishments.
On the other hand, he was so indispensable to community welfare that the
law got after him if he took a day off for public carousing as other men
did.

At least since Greek and Roman times the miller, who performed a task
once relegated to women and slaves, was traditionally held in low esteem
by reason of his calling. Yet some colonial millers were respected and
influential men, and sometimes men of substance. John Jenny built the
windmill in Plymouth, Massachusetts, in 1636 and was chosen by his
fellow townsmen to represent them in the General Court. Two years later
he was indicted for failing to grind his neighbor's grain well and
seasonably. The nearby town of Rehoboth similarly elected its miller to
the General Court. But he refused to leave his mill in order to serve as
deputy and was fined!

In colonial Virginia the social position of the miller was less subject
to violent fluctuation than would seem to have been the case in New
England. In fact, the Virginia miller was uniformly a man of low estate,
far inferior to the owner-operator of a mill in a New England town, and
outranked also by the sturdy bourgeois millers of the middle colonies.
Those who worked for wages enjoyed few privileges, while the many
Virginia millers who were either Negro slaves or white indentured
servants had little social standing. The records contain a goodly number
of references to runaway millers who were indentured servants, convict
servants, or slaves; if any Virginia miller in colonial times rose to a
position of importance, no record has yet been found.




              _THE SAID WILLIAM ROBERTSON'S WIND MILL ..._


Most windmills belonged to one or other of the two basic categories:
post mill or tower mill. The truth of this general rule is easily proved
by the exception--the composite mill that belonged to neither group, but
was in effect a post mill set on top of a tower. Another truism--perhaps
without any exception--states that since every mill was custom designed
and made by hand, no two were exactly alike.

Every English and colonial millwright had his favorite tricks of design
and construction, and often the mills of a region showed a family
resemblance that distinguished them from the mills of the neighboring
shire or colony. In addition, improvements and refinements were
developed from time to time and gradually put into use. Many of them,
like the grain elevating machinery invented by Oliver Evans of Delaware
and the adjustable lattice sails of the English inventor Sir William
Cubbitt, came long after 1716-1723, the years during which Robertson's
original mill was built.

Clearly, this is not the place in which to describe the almost infinite
variety in structure and operation of windmills in different places and
at succeeding stages in the perfection of the mill as a machine. A list
of a few easily procured books appears on page 32 for those who wish to
pursue the subject further. This little pamphlet must be limited to a
description of the reconstructed mill in Williamsburg and how it
operates.

First, a word needs to be said about the men behind the mill, Edward P.
Hamilton, former director of historic Fort Ticonderoga, New York, and
Rex Wailes, then of London, who were Colonial Williamsburg's consultants
in the careful process of design and construction. Mr. Wailes, a world
authority on mills and milling machinery, furnished information on all
phases of the use of windmills in England, and in particular provided
measured drawings of a seventeenth-century mill still standing at Bourn
in Cambridgeshire. Mr. Hamilton carried on from there. By vocation an
investment counselor (retired) and by avocation a collector of watch and
clock mechanisms, an authority on windmills in America, and a skilled
model builder, he transformed the drawings into miniature reality,
creating a perfect working model in which every part performs the
function assigned to its larger counterpart in the mill itself.

William Robertson, who sold to John Holloway in 1723 four lots near the
Palace "whereon the said William Robertson's wind mill stands," was not
a miller. Neither was Holloway. The records left by both men provide no
clue as to the exact appearance of the mill in question. In fact, the
deed to the land itself did not give any more precise location for the
mill.

Reconstruction of the mill, therefore, had to depend on answers to two
questions: Just where did Robertson's windmill originally stand? and
What kind of a mill was it?

    [Illustration: _Robertson's Windmill, a faithfully authenticated
    post mill, stands in Williamsburg today on a spot near the
    Governor's Palace where its predecessor is believed to have stood
    about 1720._]

By eliminating every other possibility, the site of the lots was
established with certainty at the corner of North England and Scotland
streets. By elimination again, the spot where the mill must have stood
was placed at or near the present site--simply because other buildings
were known to occupy various other locations in the tract. Thorough
archeological excavation of the whole area, however, disclosed no
corroborative evidence to show the precise location of the mill.

At the same time, the absence of such evidence was itself almost
conclusive evidence that the mill was a post mill such as were common in
tidewater Virginia at that time. A tower mill, which was the second
variety often built hereabouts in colonial days, would have had
foundations in the ground. Traces of these would have been revealed by
digging at the site. Since none of the foundations excavated in the four
lots was suitable to the underpinning of a tower mill--ergo the mill must
have been supported above ground on a wooden post.

And so it was rebuilt: a small post mill, simple in design and
operation, with but a single pair of millstones. The tail pole,
extending to the rear, ends in a wagon-wheel support that eases the
miller's task of turning the mill by hand to face the wind. Other
millers sometimes had shoulder yokes attached to the tail pole, or
pulled it around with the help of a small winch anchored to one of a
circle of posts.

The stairway from the ground up to the body of the mill, called the
"ladder," is hinged at the upper end so that when the mill is to be
turned, a lever raises the foot of the ladder off the ground. When the
mill has been positioned to face the wind, the end of the ladder is
lowered to the ground again where it helps hold the mill against further
turning.

Beneath the body of the mill are the heavy timbers on which it rests:
the horizontal "crosstrees," the sloping "quarterbars," and the great
post, all hand hewn of well-seasoned oak. The tree from which the post
is hewn was itself young when Williamsburg first became the colonial
capital. A count of its annual rings shows it to have been a sapling in
1675, which makes it one of the town's oldest "antiques."

    [Illustration: _An eighteenth-century cutaway drawing, from
    Diderot's great French encyclopedia, showing the structure and
    mechanism of a post mill. The artist has "lifted" the body of the
    mill a few feet off the post to reveal the pivot bearing on which
    the massive crowntree would in fact rest. Note also the power
    takeoff from the brake wheel for the sack hoist._]

Mounting the ladder and looking into the mill's lower or "meal floor,"
we see that the post ends in a wrought-iron bearing set into another
beam of impressive size that "crosses" the post like the top of a giant
"T." This beam is the "crowntree," on which the framework of the mill
body is built. Below the lower floor is another bearing or loose collar
around the post to keep the body steady on its perch.

The primary machinery of the mill consists of sails, stones, and the
necessary shafts and gearwheels to transmit power from the sails to the
stones. In addition, there are devices for braking the sails, for
hoisting bags of grain from the ground to the upper or "stone floor,"
for feeding grain at the proper speed to the stones, for warning the
miller when the supply of grain in the hopper is getting low, for
adjusting the distance between stones, and for separating the meal from
the bran.

The sails of the Williamsburg mill are of the early pattern in which the
backbone of each sail frame extends along the centerline of the sail.
That is, the area of sail ahead of the backbone--in the direction of
turning--is the same as the area following it. Incidentally, windmill
sails usually turn counterclockwise (viewed from in front of the mill).

The sailcloths themselves are handmade, of imported Scottish linen. To
meet changes of weather they are furled by hand, each arm in turn being
stopped at the lowest position while the miller unties the outward
corners and twists the long strip into a more or less tight roll. For
this purpose he can set and release the brake from the ground, using the
rope that hangs out the side of the mill.

Whereas each sailcloth of Robertson's windmill must be wholly furled or
not trimmed at all, the sails of many early mills could be partially
reefed. The four degrees of reefing were known as full sail, first reef,
dagger point, and sword point. Trimming the sails was a difficult and
sometimes dangerous task, for a sudden storm with sleet and shifting
gusts of wind could make the job almost impossible at the very moment
that it had to be accomplished quickly. A miller caught with his sails
up in such a storm might suffer what was known as "tail winding" if the
wind veered faster than he could work. In this event he might be lucky
to get off with nothing worse than having the sailcloth stripped from
the frame.

A hurricane could do more serious damage--and might overturn the whole
mill--no matter which way it faced. For the wind was the miller's master
as well as his servant, an evil genius that he feared as well as a
heavenly blessing for which he prayed. Without wind the mill stood idle
and the miller earned nothing. When the wind arose the miller must heed
its call to work, whether in the middle of a meal or in the middle of
the night. And always, he must keep a weather eye on the horizon for
signs of too much wind.

Fire and lightning were other great perils to every windmill. If the
hopper ran empty of grain, the friction of the stones rubbing against
one another could generate enough heat for combustion. So could the
friction of the brake if it were used continuously in a strong wind. In
either event, a building made entirely of wood and open to every breeze
burned readily, and more windmills probably fell victim to fire and
storm than to old age. Similarly, its height and exposed position made
the windmill an attractive target for lightning.

The sail wheel of the Williamsburg mill has a diameter of fifty-two
feet--about average for a small post mill of this type. In a wind of
about twenty miles an hour, which seems to be generally best for
windmill operations, it will turn at about twenty revolutions per
minute. This apparently slow and majestic rate is deceptive; for at
twenty rpm the tips of the sails travel at a linear speed of 3,266 feet
a minute or about thirty-seven miles an hour! An operating windmill is
something to stay well clear of, as Don Quixote and uncounted innocently
grazing cows and sheep have discovered to their sorrow.

The four arms are fixed into the hub of the massive "windshaft." This is
the main horizontal axle that brings the power of the turning sails into
the mill. Actually, it is not exactly horizontal but slants at a
ten-degree angle. Since the wind has always been thought to descend from
heaven, this ancient arrangement may at one time have been intended to
let the sail wheel "look up" a bit into the wind. It has, in any case,
both structural and aerodynamic advantages.

Just inside the front wall of the mill the windshaft rests in a metal
bearing, and next to it is the large gear wheel, known as the "brake
wheel," that can be seen when one looks up through the trap door from
the mill's little back platform. The platform, incidentally, was not
unusual in post mills, although it was often a convenience added after
the mill was built and on which the miller could enjoy a pipe and a
moment of repose while the mill ground merrily away.

The brake wheel, a little more than seven feet in diameter, is firmly
fixed to the windshaft and turns at the same speed as the sails. Its
fifty-one hickory gear teeth and eighteen other major pieces, plus at
least as many wooden pegs to hold the pieces together, were all
carefully shaped and fitted together by hand. Around its outer edge is
the brake band--of bent hickory--that can stop the sails and hold them at
any position when the long, heavy brake lever is lowered. As an
emergency aid in slowing down the sails in a strong wind, the stones can
be choked with grain, thus making them harder to turn. The mill can also
be operated with partially furled sails.

The stones themselves consist of the lower or "bed stone," which does
not move, and the upper or "runner stone," which turns at a little more
than five times the rate of the sails. Its normal speed for best results
is 108 revolutions per minute, at which speed it produces five to ten
pounds of meal per minute.

    [Illustration: _Another engraving from Diderot's encyclopedia
    showing the passage of grain from hopper to millstones, and its
    reappearance as meal. Notice the arrangement to set the bell ringing
    when the hopper is about empty and the weighted lever at the left by
    which the miller can control the distance between the millstones._]

The cogs of the brake wheel stay in constant mesh with the staves of a
sort of wooden-bird-cage gear called a "wallower." This is fixed to the
upper end of the wrought-iron vertical drive shaft, whose lower end
stands in the center or "eye" of the runner stone and turns it.

This simple drive mechanism is complicated by the fact that the runner
stone must be held suspended above the bed stone. Ideally, the faces of
the two stones--however close together--should never touch. To accomplish
this, the runner stone is balanced to turn freely on the point of a
spindle that comes up from below through the eye of the bed stone. The
spindle, in turn, rests at its lower end in a pivot bearing that can be
raised or lowered very slightly by a series of levers.

By this means the miller can adjust the distance between stones
according to the kind of grain he is grinding and also according to the
speed at which his mill is operating. In a variable wind, for instance,
he may have to make the adjustment continuously as the feel of the meal
coming from the stone indicates.

The faces of both stones must be "dressed" periodically--perhaps once
every ten days when the mill is in constant operation. For this the
runner stone must be removed and turned over so that the stone dresser,
with his pickaxe-like "millbill," can operate on both faces. The dresser
deepens the furrows, if necessary, and roughens the "lands" between the
furrows toward the outer edges of the stones.

When the stones are in good condition, the grain kernels are opened out
near the eye of the stones, gradually reduced in the middle area, and
the bran scraped and cleaned in the outer one-third of the face. The
condition of the bran is the best index of the stone dressing, while the
feel of the meal tells the miller whether his mill is running at the
best speed and if the stones are set at the proper distance apart.

French burr stones produced the best quality flour in colonial mills,
and most Virginia mills that ground for export seem to have had a pair
of them. Cologne, or "cullin," stones from the Rhine were somewhat less
choice, and the same mills often had a pair of these for country work,
especially for grinding corn. Stones quarried in Virginia, Pennsylvania,
New York, and elsewhere were also used. The pair in the Williamsburg
mill are of quartz-bearing granite quarried in Rowan County, North
Carolina. They are four and one-half feet in diameter. The bed stone is
seven inches thick and the runner stone ten inches. Together they weigh
more than two tons.

Although colonial millers ground all varieties of grain between the same
set of stones--making only the necessary adjustment in distance between
the stones--Robertson's windmill today processes only corn. But whatever
the grain, the difference of a newspaper's thickness makes the
difference between a good grind and a poor one. So for all its
clumsiness in appearance and lumbering clatter in operation, the
windmill is an extremely precise mechanism at the point where precision
counts.

    [Illustration: _The stone dresser often steadied his forearm on a
    sack of meal as he worked. His hands were constantly bombarded with
    bits of stone and slivers of metal from the point of his pick or
    "millbill." Some of these slivers became imbedded under the skin,
    and an itinerant stone dresser looking for work could prove his
    experience by "showing his metal," i.e., the backs of his hands._]

The grain, raised bag by bag through trapdoors on a rope sack hoist, is
poured into a hopper above the stones, which are themselves entirely
enclosed in an octagonal wooden box called the "stone casing" or "vat."
Suspended from the bottom of the hopper, an inclined trough or "shoe"
carries the grain to the central opening of the runner stone. The
turning of the drive shaft constantly joggles the shoe, and by raising
or lowering one end of it the miller can regulate the flow of grain to
the stones.

The grain is ground as it works its way outward between the stones. At
the outer edge of the bed stone the meal falls into the narrow space
between the stone and the casing. There, air currents moving with the
turning stone continually sweep the meal around to an opening in the
floor of the casing.

From this opening a chute leads downward to the sifting device on the
lower floor. The sifter, on the left side of the mill as you look in
from the platform, separates the bran from the meal. The miller can bag
each product almost automatically, since the sifter, too, is constantly
shaken by an ingenious connection to the mill's driving mechanism.

The entire mill, thus, is about as simple a machine as one could devise.
The moving parts are few and could be called primitively clumsy in
comparison to some of the sleek masterpieces of modern industrial
design. The miller can make only three operating adjustments: in the
sail area presented to the wind, in the rate of grain fed to the stones,
and in the distance between the stones. He has no control over wind
speed, cannot shift the gear ratio of the mill--or even shift the stones
out of gear--and, finally, cannot determine his own hours of work and
rest.

Perhaps the reader will be inclined to marvel a bit that the product of
such a mill is so good. And perhaps he will look with some compassion on
a man who is so completely a slave to the elements. If some of the
miller's fellows have been disposed--on occasion--to take just a trifle
more toll than law and custom allow, well, let him who is without fault
cast the first stone. Millstone, that is.




                   _SUGGESTIONS FOR FURTHER READING_


Greville Bathe and Dorothy Bathe, _Oliver Evans: A Chronicle of Early
      American Engineering_. Philadelphia: Historical Society of
      Pennsylvania, 1935.

Richard Bennett and John Elton, _History of Corn Milling_. 4 vols.
      London: Simpkin, Marshall & Co., 1897-1904.

Carl Bridenbaugh, _Cities in the Wilderness: The First Century of Urban
      Life in America, 1625-1742_. New York: Ronald Press Co., 1938.

----. _The Colonial Craftsman_. New York: New York University Press, 1950.

Philip Alexander Bruce, _Economic History of Virginia in the Seventeenth
      Century_. 2 vols. reprint ed. New York: Peter Smith, 1935.

William Coles Finch, _Watermills & Windmills: A Historical Survey of
      Their Rise, Decline and Fall as Portrayed by Those of Kent_.
      London: C. W. Daniel Co., 1933.

Douglas Southall Freeman, _George Washington: A Biography_. 6 vols. New
      York: Charles Scribner's Sons, 1948-1954.

Stanley Freese, _Windmills and Millwrighting_. Cambridge: Cambridge
      University Press, 1957.

Louis Morton, _Robert Carter of Nomini Hall: A Virginia Tobacco Planter
      of the Eighteenth Century_. Williamsburg, Va.: Colonial
      Williamsburg, 1945.

John Storck and Walter Dorwin Teague, _Flour for Man's Bread: A History
      of Milling_. Minneapolis: University of Minnesota Press, 1952.

Rex Wailes, _The English Windmill_. London: Routledge and Kegan Paul,
      1954.

----. _Windmills in England: A Study of Their Origin, Development and
      Future_. London: Architectural Press, 1948.


_The Miller in Eighteenth-Century Virginia_ was first published in 1958
and was reprinted in 1966 and 1973. Written by Thomas K. Ford, editor of
Colonial Williamsburg publications until 1976, it is based largely on an
unpublished monograph by Horace J. Sheely, formerly of the Department of
Research.




                          Transcriber's Notes


--Retained publication information from the printed edition: this eBook
  is public-domain in the country of publication.

--Silently corrected a few palpable typos.

--In the text versions only, text in italics is delimited by
  _underscores_.