The Project Gutenberg eBook of Index for Works of Holman Day This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Index for Works of Holman Day Author: Holman Day Editor: David Widger Release date: July 12, 2018 [eBook #57488] Language: English Credits: Produced by David Widger *** START OF THE PROJECT GUTENBERG EBOOK INDEX FOR WORKS OF HOLMAN DAY *** Produced by David Widger INDEX FOR WORKS OF HOLMAN DAY By Holman Day With hyperlinks to all Chapters of the Individual Ebooks Compiled by David Widger ## THE LANDLOPER ## BLOW THE MAN DOWN ## WHEN EGYPT WENT BROKE ## SQUIRE PHIN ## PINE TREE BALLADS ## WHERE YOUR TREASURE IS ## THE OWL TAXI ## THE RAINY DAY WAR ## JOAN OF ARC OF THE NORTH WOODS ## KING SPRUCE ## UP IN MAINE THE SKIPPER AND THE SKIPPED TABLES OF CONTENTS OF VOLUMES THE LANDLOPER * THE ROMANCE OF A MAN ON FOOT By Holman Day 1915 CONTENTS THE LANDLOPER I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII WHEN EGYPT WENT BROKE A NOVEL By Holman Day CONTENTS WHEN EGYPT WENT BROKE CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI THE RAINY DAY RAILROAD WAR By Holman Day 1906 CONTENTS THE RAINY DAY RAILROAD WAR CHAPTER ONE—THE TRYING-OUT OF ONE RODNEY PARKER, ASSISTANT ENGINEER CHAPTER TWO—THE WHIM THAT PROJECTED THE FAMOUS “POQUETTE CARRY RAILROAD” CHAPTER THREE—ENGINEER PARKER GETS FINAL ORDERS FOR “THE LAND OF THE GIDEONITES.” CHAPTER FOUR—IN WHICH THE DOUGHTY “SWAMP SWOGON” ASTONISHES SUNKHAZE SETTLEMENT CHAPTER FIVE—HOW COLONEL GIDEON WAS BACKED DOWN FOR THE FIRST TIME IN HIS LIFE CHAPTER SIX—IN WHICH “THE CAT-HERMIT OF MOXIE” CASTS HIS SHADOW LONG BEFORE HIM CHAPTER SEVEN—HOW “THE FRESH-WATER CORSAIRS” CAME TO SUNKHAZE CHAPTER EIGHT—THE LOCOMOTIVE THAT WENT SWIMMING AND THE ENGINEER WHO WAS STOLEN CHAPTER NINE—UP THE WINDING WAY TO THE “OGRE OF THE BIG WOODS.” CHAPTER TEN—THE WANGAN DUEL CHAPTER ELEVEN—THE BEAR THAT WALKED LIKE A MAN CHAPTER TWELVE—THE STRANGE “CAT-HERMIT OF MOXIE” CHAPTER THIRTEEN—THE BEAR OF THE BIG WOODS “BAITED” AFTER HIS OWN FASHION CHAPTER FOURTEEN—HOW RODNEY PARKER PAID AN HONEST DEBT CHAPTER FIFTEEN—THE DAY WHEN POQUETTE BURST WIDE OPEN CHAPTER SIXTEEN—THE PACT THAT OPENED RODNEY PARKER'S PROFESSIONAL FUTURE BLOW THE MAN DOWN A ROMANCE OF THE COAST By Holman Day CONTENTS BLOW THE MAN DOWN I ~ CAPTAIN BOYD MAYO GETS OUT OF SOUNDINGS II ~ THEN CAPTAIN MAYO SEES SHOALS III ~ THE TAVERN OF THE SEAS IV ~ OVER THE “POLLY'S” RAIL V ~ ON THE BRIDGE OF YACHT “OLENIA” VI ~ AND WE SAILED VII ~ INTO THE MESS FROM EASTWARD VIII ~ LIKE BUGS UNDER A THIMBLE IX ~ A MAN'S JOB X ~ HOSPITALITY, PER JULIUS MARSTON XI ~ A VOICE FROM HUE AND CRY XII ~ NO PLACE POR THE SOLES OP THEIR FEET XIII ~ A CAPTAIN OP HUMAN FLOTSAM XIV ~ BEARINGS FOR A NEW COURSE XV ~ THE RULES OF THE ROAD XVI ~ MILLIONS AND A MITE XVII ~ “EXACTLY!” SAID MR. FOGG XVIII ~ HOW AN ANNUAL MEETING WAS HELD—ONCE! XIX ~ THE PRIZE PACKAGE FROM MR. FOGG XX ~ TESTING OUT A MAN XXI ~ BITTER PROOF BY MORNING LIGHT XXII ~ SPECIAL BUSINESS OF A PASSENGER XXIII ~ THE MONSTER THAT SLIPPED ITS LEASH XXIV ~ DOWN A GALLOPING SEA XXV ~ A GIRL AND HER DEBT OF HONOR XXVI ~ THE FANGS OF OLD RAZEE XXVII ~ THE TEMPEST TURNS ITS CARD XXVIII ~ GIRL'S HELP AND MAN'S WORK XXIX ~ THE TOILERS OF OLD RAZEE XXX ~ THE MATTER OP A MONOGRAM IN WAX XXXI ~ THE BIG FELLOW HIMSELF XXXII ~ A GIRL'S DEAR “BECAUSE!” PINE TREE BALLADS Rhymed Stories of Unplaned Human Natur’ Up in Maine By Holman F. Day CONTENTS FOREWORD PINE TREE BALLADS OUR HOME FOLKS FEEDIN’ THE STOCK JOHN W. JONES DEED OF THE OLD HOME PLACE OUR HOME FOLKS THANKSGIVIN’ JIM “OLD POSH” THE SUN-BROWNED DADS OF MAINE “HEAVENLY CROWN” RICH OLD “FIGGER-FOUR” PHEBE AND ICHABOD WHEN OUR HERO COMES TO MAINE UNCLE TASCUS AND THE DEED SONGS OF THE SEA AND SHORE TALE OF A SHAG-EYED SHARK THE GREAT JEEHOOKIBUS WHALE “AS BESEEMETH MEN” THE NIGHT OF THE WHITE REVIEW THE BALLAD OF ORASMUS NUTE THE DORYMAN’S SONG WE FELLERS DIGGIN’ CLAMS DAN’L AND DUNK THE AWFUL WAH-HOOH-WOW SKIPPER JASON ELLISON BALLADS OF DRIVE AND CAMP THE RAPO-GENUS CHRISTMAS BALL BALLADS OF DRIVE AND CAMP WHEN THE ALLEGASH DRIVE GOES THROUGH THE KNIGHT OF THE SPIKE-SOLE BOOTS ’BOARD FOR THE ALLEGASH” THE WANGAN CAMP PLUG TOBACCO AT SOURDNAHUNK O’CONNOR FROM THE DRIVE JUST HUMAN NATURE BALLAD OF OZY B. ORR THE BALLAD OF “OLD SCRATCH” WHEN ’LISH PLAYED OX OLD “TEN PER CENT” DIDN’T BUST HIS FORK MEAN SAM GREEN DICKERER JIM BALLAD OF BENJAMIN BRANN THE HEIRS A. B. APPLETON, “PIRUT” NEXT TO THE HEART WITH LOVE—FROM MOTHER THE QUAKER WEDDING THE MADAWASKA WOOING THE SONG OF THE MAN WHO DRIVES THE OLD PEWTER PITCHER OUR GOOD PREVARICATORS OUR LIARS HERE IN MAINE THE BALLAD OF DOC PLUFF THE BALLAD OF HUNNEMAN TWO ORADUDOLPH MOODY, REPRESENTATIVE-ELECT TRIBUTE TO MR. ATKINS’S BASS VOICE JIM’S TRANSLATION ELIPHALET JONES—INVENTOR THE PANTS JEMIMY MADE BALLADS OF “CAPERS AND ACTIONS” BALLAD OF ELKANAH B. ATKINSON BALLAD OF OBADI FRYE AT THE OLD FOLKS’ WHANG IN THE MIDDLE OF THE ROAD DRIVIN’ THE STAGE “DOC” ANOTHER “TEA REBELLION” “LIKE AN OLD COW’S TAIL” PASSING IT ALONG A SETTIN’ HEN BALLAD OF DEACON PEASLEE THE WORST TEACHER THE TUCKVILLE GRAND BALL THE ONE-RING SHOW THE SWITCH FOR HIRAM BROWN THE JUMPER ISHMAEL’S BREED WHERE YOUR TREASURE IS Being the Personal Narrative of Ross Sidney, Diver By Holman Day CONTENTS WHERE YOUR TREASURE IS I—BEING THE STRUGGLE OF AN AMATEUR AUTHOR TO GET A FAIR START II—ENDING WITH A MEETING ON PURGATORY HILL III—ON ACCOUNT OF A GIRL IV—THE TRAINING OF THE QUEEN OF “SHEBY” V—SHOOING AWAY A SCAPEGOAT VI—HAVING TO DO WITH JODREY VOSE’s MAKING OP A DIVER VII—THE PSYCHOLOGY OF A PLUG-HAT| VIII—“TAKING IT OUT” ON A SUIT OF CLOTHES IX—A GRISLY GAME OF BOWLS X—THE ART OF PUTTING ON A FRONT XI—THE FAILURE OF AN UNCLE-TAMER XII—STARTING SOMETHING IN LEVANT XIII—THE MAN WHO TALKED IN THE DARK XIV—THE KICK-BACKS IN THIS SAMARITAN BUSINESS XV—A TIP FROM MR. DAWLIN XVI—GRABBING A HUSBAND AND FATHER XVII—MONEY HAS LEGS XVIII—THE ECCENTRICITIES OF ROYAL CITY XIX—THE JOB Of AN ALTRUIST XX—ACROSS CALLAS XXI—THE SKIRMISH-LINE XXII—MONEY ON THE GALLOP XXIII—THE CLEAN-UP XXIV—HOW SWEET IS THE HOME-COMING, EH? XXV—GRATITUDE! XXVI—CAPTAIN HOLSTROM ET AL. XXVII—MR. BEASON HORNS IN XXVIII—SORTING THE CHECKER-BOARD CREW XXIX—THE TELLTALE RIBS XXX—THE LOCKS OF THE SAND XXXI—A TASTE OF BLOOD XXXII—PER MISTER MONKEY XXXIII—THE HEART OF THE MILLIONS XXXIV—AMONG THIEVES XXXV—SUBMARINE PICKPOCKETS XXXVI—THE TERROR FROM THE NORTH XXXVII—THE FRUIT OF THE TREE OF KNOWLEDGE THE OWL TAXI BY HULBERT FOOTNER CONTENTS CHAPTER I The Transfer II Greg's First Fare III Greg's Second Fare IV In the House on Ninth Street V The Taxi Yard VI Greg's Rival VII The Undertaker VIII The Hold-up IX The Flivver as a Post-Office X Amy's Story XI The Ride Home XII What the Little Black Book Contained XIII De Socotra Hires T7011 Again XIV Through the Streets XV Nina XVI The "Psychopathic Sanitarium" XVII The Young Man with the Little Black Moustache XVIII Blossom's Report XIX The Abduction XX Exit Senor Saunders XXI Up-stairs and Down XXII Nemesis XXIII Conclusion SQUIRE PHIN By Holman Day CONTENTS SQUIRE PHIN CHAPTER I—“HARD-TIMES” WHARFF COCKS HIS NOSE TO SNIFF TROUBLE CHAPTER II—“HIME” LOOK’S HOMECOMING WITH AN ELEPHANT CHAPTER III—FROM THE MOUTH OF MARRINER AMAZEEN CHAPTER IV—SQUIRE PHIN FINDS HYMEN’S TORCH BURNING HIS FINGERS CHAPTER V—HIRAM LOOK MEETS KLEBER WILLARD BRIEFLY AND BRISKLY CHAPTER VI—SQUIRE PHIN HAS A WORD OF BUSINESS WITH KING BRADISH CHAPTER VII—THE BUSINESS OF HUMAN HEARTS CHAPTER VIII—SQUIRE PHIN ACTS AS PEACEMAKER CHAPTER IX—SUMNER BADGER MAKES A WILL AND, UNWITTINGLY, A DISCLOSURE CHAPTER X—HIRAM LOOK PULLS IN SIMON PEAK FROM THE FLOTSAM OF LIFE CHAPTER XI—THE COMBINATION THAT PROVED TOO MUCH CHAPTER XII—THE LIVELY FIRST APPEARANCE OF “THE LOOK BROTHERS CHAPTER XIII—THE “COME-UPPANCE” OF CAPTAIN NYMPHUS BODFISH CHAPTER XIV—THE PACT OF “ORPHAN HILL” CHAPTER XV—SOME OF THE POSSIBILITIES IN A “CORNET BRASS BAND” CHAPTER XVI—THE DISAPPOINTING “TEST CASE” OF SUMNER BADGER, CHAPTER XVII—WHAT DEVELOPED AT THE FORUM IN ASA BRICKETT’S STORE, CHAPTER XVIII—YANKEE DISPOSITION IS NOT EXACTLY UNDERSTOOD, CHAPTER XIX—SQUIRE PHIN SEES AND REPLEVINS WHAT BELONGS TO HIM CHAPTER XX—PALERMO’S “MARCH MEETIN’” CHAPTER XXI—WHY HIRAM LOOK WENT OUT OF THE CIRCUS BUSINESS CHAPTER XXII—HOW SYLVENA WILLARD “TRIED IT ON THE DOG,” CHAPTER XXIII—HIRAM LOOK’S TWO LIVELY BUSINESS ENGAGEMENTS CHAPTER XXIV—THE CREDIT SHEET, AFTER THE LOOK CHAPTER XXV—AQUARIUS WHARFF SEES SOMETHING BESIDES HARD TIMES JOAN OF ARC OF THE NORTH WOODS CONTENTS CHAPTER PAGE CHAPTER ONE 1 CHAPTER TWO 11 CHAPTER THREE 18 CHAPTER FOUR 25 CHAPTER FIVE 30 CHAPTER SIX 43 CHAPTER SEVEN 53 CHAPTER EIGHT 63 CHAPTER NINE 75 CHAPTER TEN 86 CHAPTER ELEVEN 96 CHAPTER TWELVE 109 CHAPTER THIRTEEN 129 CHAPTER FOURTEEN 139 CHAPTER FIFTEEN 151 CHAPTER SIXTEEN 167 CHAPTER SEVENTEEN 183 CHAPTER EIGHTEEN 200 CHAPTER NINETEEN 212 CHAPTER TWENTY 219 CHAPTER TWENTY-ONE 232 CHAPTER TWENTY-TWO 240 CHAPTER TWENTY-THREE 248 CHAPTER TWENTY-FOUR 261 CHAPTER TWENTY-FIVE 272 CHAPTER TWENTY-SIX 285 CHAPTER TWENTY-SEVEN 296 CHAPTER TWENTY-EIGHT 302 CHAPTER TWENTY-NINE 326 CHAPTER THIRTY 339 KING SPRUCE CONTENTS CHAP. PAGE I. Up in “Castle Cut ’Em” 1 II. The Heiress of “Oaklands” 17 III. The Making of a “Chaney Man” 27 IV. The Boss of the “Busters” 35 V. During the Pugwash Hang-up 55 VI. As Fought before the “It-’ll-git-ye Club” 62 VII. On Misery Gore 78 VIII. The Torch, and the Lighting of It 92 IX. By Order of Pulaski D. Britt 104 X. “Ladder” Lane’s Soirée 114 XI. In the Barony of “Stumpage John” 127 XII. The Code of Larrigan-land 142 XIII. The Red Throat of Pogey 153 XIV. The Message of “Prophet Eli” 164 XV. Between Two on Jerusalem 174 XVI. In the Path of the Big Wind 181 XVII. The Affair at Durfy’s Camp 198 XVIII. The Old Soubungo Trail 217 XIX. The Home-makers of Enchanted 230 XX. The Ha’nt of the Umcolcus 241 XXI. The Man Who Came from Nowhere 256 XXII. The Hostage of the Great White Silence 270 XXIII. In the Matter of John Barrett’s Daughter 278 XXIV. The Cheese Rind that Needed Sharp Teeth 293 XXV. Sharpening Teeth on Pulaski Britt’s Whetstone 303 XXVI. The Devil of the Hempen Strands 312 XXVII. The “Canned Thunder” of Castonia 324 XXVIII. “’Twas Done by Tommy Thunder” 341 XXIX. The Parade Past Rodburd Ide’s Platform 352 XXX. The Pact with King Spruce 361 ILLUSTRATIONS “‘I KNOW YOUR HEART’” Frontispiece “WADE STOOD ABOVE THE FALLEN FOE” Facing p. 70 “WRITHING AT HIS BONDS, HIS CONTORTED FACE TOWARDS THE RED FLAMES GALLOPING UP THE VALLEY” 172 “‘WHAT I SAY ON THIS RIVER GOES!’” 334 UP IN MAINE CONTENTS PREFACE 'ROUND HOME AUNT SHAW’S PET JUG OLD BOGGS’S SLARNT CY NYE, PREVARICATOR UNCLE BENJY AND OLD CRANE “PLUG” THE SONG OF THE HARROW AND PLOW HOORAY FOR THE SEASON OF FAIRS HAD A SET OF DOUBLE TEETH GRAMPY’S LULLABY HOSKINS’S COW AN OLD STUN’ WALL THE STOCK IN THE TIE-UP EPHRUM WADE’S STAND-BY IN HAYING RESURRECTION OF EPHRUM WAY LOOK OUT FOR YOUR THUMB THE TRIUMPH OF MODEST MARIA SON HAS GOT THE DEED AN IDYL OF COLD WEATHER BUSTED THE “TEST YOUR STRENGTH” “WHEN A MAN GETS OLD” I’VE GOT THEM CALVES TO VEAL THE OFF SIDE OF THE COW THE LYRIC OF THE BUCK-SAW MISTER KEAZLE’S EPITAPH PLAIN OLD KITCHEN CHAP TAKIN’ COMFORT EPHRUM KEPT THREE DOGS LAY OF DRIED-APPLE PIE GRAMPY SINGS A SONG UNCLE MICAJAH STROUT THE TRUE STORY OF A KICKER MORAL. ZEK’L PRATT’S HARRYCANE THOSE PICKLES OF MARM’S “THE MAN I KNEW I KILLED” ’LONG SHORE CRUISE OF THE “NANCY P.” TALE OF THE SEA-FARING MAN CAP’N NUTTER OF THE “PUDDENTAME” GOOD-BY, LOBSTER CURE FOR HOMESICKNESS ON THE OLD COAST TUB TALE OF THE KENNEBEC MARINER DRIVE, CAMP, AND WANGAN THE LAW ’GAINST SPIKE-SOLE BOOTS THE CHAP THAT SWINGS THE AXE THE SONG OF THE WOODS’ DOG-WATCH FIDDLER CURED THE CAMP THE SONG OF THE SAW DOWN THE TRAIL WITH GUM PACKS REAR O’ THE DRIVE MATIN SONG OF PETE LONG’S COOK OFF FOR THE LUMBER WOODS HERE’S TO THE STOUT ASH POLE MISTER WHAT’S-HIS-NAME OF SEBOOMOOK HA’NTS OF THE KINGDOM OF SPRUCE THE HERO OF THE COONSKIN CAP UP IN MAINE A HAIL TO THE HUNTER HOSSES THEM OLD RAZOOS AT TOPSHAM TRACK TO HIM WHO DRIV THE STAGE HE BACKED A BLAMED OLD HORSE B. BROWN—HOSS ORATOR “JEST A LIFT” BART OF BRIGHTON GOIN’ T’ SCHOOL THE PAIL I LUGGED TO SCHOOL THE PADDYWHACKS THAT MAYBASKET FOR MABEL FRY THE MYSTIC BAND AT THE OLD “GOOL” End of Project Gutenberg's Index for Works of Holman Day, by Holman Day *** END OF THE PROJECT GUTENBERG EBOOK INDEX FOR WORKS OF HOLMAN DAY *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.