The Project Gutenberg eBook of The Automatic Toy Works This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The Automatic Toy Works Author: New York Automatic Toy Works Release date: January 7, 2018 [eBook #56336] Language: English Credits: Produced by MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) *** START OF THE PROJECT GUTENBERG EBOOK THE AUTOMATIC TOY WORKS *** Produced by MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber’s Note: A warning to the reader. The toys depicted in this catalogue are, for the most part, outdated and offensive racial stereotypes. THE AUTOMATIC TOY WORKS MANUFACTURERS OF THE BEST NOVELTIES IN Mechanical and other Toys UNDER LETTERS PATENT. No. 20 College Place, (CORNER PARK PLACE,) NEW YORK CITY, U. S. A. Lockwood & Crawford, Stationers, 59 Pine Street, New York. TO THE TRADE. SPRING, 1882. We present this revised and enlarged edition of our Illustrated Catalogue to the Trade, confidently believing that it will be of service in the selection of MECHANICAL TOYS and NOVELTIES which have gained so great favor and are now so popular in this country and abroad. In style, finish and dress of our figures, we have made very many improvements and have added several new kinds to our list. In the partiality which has been universally shown in favor of our Toys, and the constantly increasing demand for them, we find an incentive to more than sustain their reputation in the future. The Toys represented in this Catalogue are all mechanical and are set in motion, on being wound up, by patent movements. Each Toy is packed in a substantial wooden box, and will be sent, postpaid, to any address on receipt of price, where our goods are not found with dealers. Discount rates sent to the trade on application. AUTOMATIC TOY WORKS, 20 College Place, NEW YORK CITY, U. S. A. The Mechanical Bear. [Illustration] This wonderful toy imitates the movements of a bear, by means of clock-work, in the most life-like manner. The bear rises up on its hind legs, turns its head from side to side, growls, moves its paws, and snaps its jaws together. At intervals it gets down on its fore-paws and goes through similar motions. It runs a long time, and while going it is difficult to believe it is not alive. It is elegantly made, and covered with fine fur. The mechanism is so strong and perfect, that only the greatest abuse can put it out of order. It amuses old as well as young, and is exceedingly attractive for a show window. It is conceded to be one of the most ingenious toys ever invented, on account of its variety of motion and resemblance to nature. Made in black and white fur. _Price, $4.25._ THE Mechanical Sewing-Machine Girl THE DELIGHT OF ALL GIRLS.—A CHARMING TOY, AND BEAUTIFULLY FINISHED [Illustration] A little girl is seated at a cabinet sewing-machine. On winding up the mechanism her feet begin to work the treadle, and the sewing-machine begins to sew rapidly; she leans forward, puts the work in position, watches it, occasionally rising up and bringing the work up to examine it. These movements are repeated for a long time. The little figure is elegantly dressed in the latest fashion. It combines the attractiveness of a beautiful French doll with the interest of life-like motion. _Price, $3.50._ Old Uncle Tom, THE COLORED FIDDLER. [Illustration] We consider this toy one of the most comically quaint of anything yet made. When seen in motion, laughter is irresistible. The old fellow commences the performance by slowly rocking backward and forward, as if debating what he should play, then suddenly he strikes his “favorite,” and rolling his head from side to side, fiddles in an ecstacy of enjoyment. Funny as it is, there is something almost pathetic in it, too. This toy is well and carefully made, and with ordinary care will last for years. _Price, $2.50._ The Celebrated Negro Preacher. [Illustration] He stands behind a desk, and slowly straightening himself up, turns his head from side to side and gestures vigorously with his arm. As he warms to his work, he leans forward over the pulpit, and shakes his head and hand at the audience, and vigorously thumps the desk. The motions are so life-like and comical that one almost believes that he is actually speaking. The face and dress alone provoke irresistible laughter. He preaches as long as any preacher ought to, and stops when he gets through. _Price, $2.50._ Our New Clergyman. BRUDDER GARDNER. [Illustration] The description on the opposite page applies to this brudder also. _Price, $2.50._ Old Aunt Chloe, THE NEGRO WASHERWOMAN. [Illustration] Old Aunt Chloe demonstrates that happiness may be found in a wash tub as well as in a palace. She is faithful at her toil, and we commend her to our young ladies as an artist of no mean pretentions, after whom they may pattern if they choose to revive and become proficient in one of the lost accomplishments. _Price, $2.50._ The Old Nurse. [Illustration] This mechanical toy is made to imitate an old negro nurse with a child. Her motions are as natural as life. She holds the child in her hands and when the mechanism is started, (by being wound) she leans backward and forward tossing the child up and down in a most surprising manner. This is a very pleasing toy for children and is very popular. _Price, $2.50._ Fing Wing, A MELICAN MAN. [Illustration] This image, with its shaven head, long queue and quaint looking dress, gives a striking and life-like picture of a Chinese Laundryman. When at work, he bends over the tub, and rubs the garment which he holds in his hands with a naturalness so perfect he might easily be mistaken for a real Celestial. _Price, $2.50._ Ah-Sin. “THE HEATHEN CHINESE.” [Illustration] This piece is similar to the Laundryman represented on the opposite page. It shows Ah-Sin with a smoothing iron, putting the polish upon a gentleman’s linen. The mechanism of these novelties is so perfectly made, that only the greatest abuse can put them out of order. _Price, $2.50._ The Coaster. [Illustration] A simple and attractive toy for small boys. Represents a colored boy on his sled, which, by means of a mechanical movement, when wound up, goes skimming along in a direct line, or in circles, according to the setting of a steering apparatus, attached to the rear of the sled. Nicely packed in a neat wooden box. _Price, $1.00._ The Drummer Boy. [Illustration] This is also an attractive piece for small boys. It consists of a three-wheeled carriage, which supports the figure of a little man with cymbals and drum, which are alternately struck and beaten as the wheels revolve by propulsion. _Price, $1.00._ The Scissors Grinder. [Illustration] A QUAINT AND AMUSING TOY. A man grinding scissors. When wound up he holds his scissors against the rapidly revolving stone, at the same time working the treadle with his leg. He stoops over his work, at intervals straightens up, and examines the scissors. It is very entertaining. _Price, $2.00._ The Woman’s Rights Advocate. [Illustration] In presenting this advocate to the public, and remembering with satisfaction the cordial reception our sterner suffragists and preachers have received, and believing in every respect she is their equal, we shall hope to receive as many calls for her. This woman will not insist upon the last word. Societies supplied with advocates on short notice. _Price, $2.50._ The Artist at his Work. [Illustration] This figure represents an artist in his studio in an effort to surpass Raphael. He is dressed in his morning gown and smoking cap, and appears to be very much engaged with his painting. He surveys, in different lights, his incompleted work of art, which rests on a small easel, and then commences to paint with all the confidence of one of the old masters. This is a deservedly popular toy. _Price, $3.00._ Grandmother Rocking Cradle. [Illustration] This domestic picture is perfect in miniature. No grandmother, with all her experience, ever rocked a cradle more naturally or with more tranquilizing effect. While she rocks the cradle with her foot, with one hand she fans the infant sleeper, and with the other hand wipes her face with the handkerchief, and occasionally turns her head and views the situation with approval. This is a combination of the toys most coveted by little girls. _Price, $3.50._ The Italian Organ Grinder. [Illustration] This devotee of classical music discourses several popular airs, in perfect imitation of his larger brethren. While turning the crank he occasionally shakes his head at the monkey which dances upon the organ, and frequently passes his little cap for contributions. The musical instrument is of the best Swiss manufacture. _Price, $6.00._ A Wonderful Creeping Baby. THE BEST DOLL EVER MADE. [Illustration] This unique toy, when wound up, creeps and imitates the movements of a baby in the most natural manner, moving its hands and feet alternately as it passes along, and as it occasionally turns its face towards the spectator, the resemblance to life is almost startling. Delights and pleases both old and young. Durably and elegantly made. Each doll is carefully packed in a substantial wooden box. Parents and friends of little girls send for one of these delightful dolls. _Price, $5.00._ It is the aim of the AUTOMATIC TOY WORKS to excel all other manufacturers in Artistic Designs, Strength and Durability of Construction and Elegance of Finish. Foremost in the field with new novelties. *** END OF THE PROJECT GUTENBERG EBOOK THE AUTOMATIC TOY WORKS *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.