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THE COMPLETE POEMS

OF

FRANCIS LEDWIDGE


WITH INTRODUCTION

BY LORD DUNSANY


HERBERT JENKINS LIMITED

YORK STREET ST. JAMES'S

LONDON S.W.1

MCMXIX



TO

MY MOTHER

THE FIRST SINGER I KNEW




INTRODUCTION TO SONGS OF THE FIELDS


DUNSANY CASTLE,

_June,_ 1914.

If one who looked from a tower for a new star, watching for years the
same part of the sky, suddenly saw it (quite by chance while thinking
of other things), and knew it for the star for which he had hoped, how
many millions of men would never care?

And the star might blaze over deserts and forests and seas, cheering
lost wanderers in desolate lands, or guiding dangerous quests; millions
would never know it. And a poet is no more than a star. If one has
arisen where I have so long looked for one, amongst the Irish peasants,
it can be little more than a secret that I shall share with those who
read this book because they care for poetry.

I have looked for a poet amongst the Irish peasants because it seemed
to me that almost only amongst them there was in daily use a diction
worthy of poetry, as well a an imagination capable of dealing with the
great and simple things that are a poet's wares. Their thoughts are in
the spring-time, and all their metaphors fresh: in London no one makes
metaphors any more, but daily speech is strewn thickly with dead ones
that their users should write upon paper and give to their gardeners to
burn.

In this same London, two years ago, where I was wasting June, I
received a letter one day from Mr. Ledwidge and a very old copy-book.
The letter asked whether there was any good in the verses that filled
the copy-book, the produce apparently of four or five years. It began
with a play in verse that no manager would dream of, there were
mistakes in grammar, in spelling of course, and worse--there were such
phrases as "'thwart the rolling foam," "waiting for my true love on
the lea," etc., which are vulgarly considered to be the appurtenances
of poetry; but out of these and many similar errors there arose
continually, like a mountain sheer out of marshes, that easy fluency of
shapely lines which is now so noticeable in all that he writes; that
and sudden glimpses of the fields that he seems at times to bring so
near to one that one exclaims, "Why, that is how Meath looks," or "It
is just like that along the Boyne in April," quite taken by surprise by
familiar things: for none of us knows, till the poets point them out,
how many beautiful things are close about us.

Of pure poetry there are two kinds, that which mirrors the beauty of
the world in which our bodies are, and that which builds the more
mysterious kingdoms where geography ends and fairyland begins, with
gods and heroes at war, and the sirens singing still, and Alph going
down to the darkness from Xanadu. Mr. Ledwidge gives us the first
kind. When they have read through the profounder poets, and seen the
problem plays, and studied all the perplexities that puzzle man in the
cities, the small circle of readers that I predict for him will turn to
Ledwidge as to a mirror reflecting beautiful fields, as to a very still
lake rather on a very cloudless evening.

There is scarcely a smile of Spring or a sigh of Autumn that is not
reflected here, scarcely a phase of the large benedictions of Summer;
even of Winter he gives us clear glimpses sometimes, albeit mournfully,
remembering Spring.

    "In the red west the twisted moon is low,
    And on the bubbles there are half-lit stars,
    Music and twilight: and the deep blue flow
    Of water: and the watching fire of Mars.
    The deep fish slipping through the moonlit bars
    Make death a thing of sweet dreams,--"

What a Summer's evening is here.

And this is a Summer's night in a much longer poem that I have not
included in this selection, a summer's night seen by two lovers:

    "The large moon rose up queenly as a flower
    Charmed by some Indian pipes. A hare went by,
    A snipe above them circled in the sky."

And elsewhere he writes, giving us the mood and picture of Autumn in a
single line:

    "And somewhere all the wandering birds have flown."

With such simple scenes as this the book is full, giving nothing at all
to those that look for a "message," but bringing a feeling of quiet
from gleaming Irish evenings, a book to read between the Strand and
Piccadilly Circus amidst the thunder and hootings.

To every poet is given the revelation of some living thing so intimate
that he speaks, when he speaks of it, as an ambassador speaking for his
sovereign; with Homer it was the heroes, with Ledwidge it is the small
birds that sing, but in particular especially the blackbird, whose
cause he champions against all other birds almost with a vehemence
such as that with which men discuss whether Mr. ----, M. P., or his
friend the Right Honourable ---- is really the greater ruffian. This
is how he speaks of the blackbird in one of his earliest poems; he was
sixteen when he wrote it, in a grocer's shop in Dublin, dreaming of
Slane, where he was born; and his dreams turned out to be too strong
for the grocery business, for he walked home one night, a distance of
thirty miles:

    "Above me smokes the little town
    With its whitewashed walls and roofs of brown
    And its octagon spire toned smoothly down
      As the holy minds within.
    And wondrous, impudently sweet,
    Half of him passion, half conceit,
    The blackbird calls adown the street,
      Like the piper of Hamelin."

Let us not call him the Burns of Ireland, you who may like this book,
nor even the Irish John Clare, though he is more like him, for poets
are all incomparable (it is only the versifiers that resemble the great
ones), but let us know him by his own individual song: he is the poet
of the blackbird.

I hope that not too many will be attracted to this book on account
of the author being a peasant, lest he come to be praised by the
how-interesting! school; for know that neither in any class, nor in any
country, nor in any age, shall you predict the footfall of Pegasus, who
touches the earth where he pleaseth and is bridled by whom he will.

DUNSANY.

_June, 1914._



BASINGSTOKE CAMP.

I wrote this preface in such a different June, that if I sent it out
with no addition it would make the book appear to have dropped a long
while since out of another world, a world that none of us remembers
now, in which there used to be leisure.

Ledwidge came last October into the 5th Battalion of the Royal
Inniskilling Fusiliers, which is in one of the divisions of Kitchener's
first army, and soon earned a lance-corporal's stripe.

All his future books lie on the knees of the gods. May They not be the
only readers.

Any well-informed spy can probably tell you our movements, so of such
things I say nothing.

                                    DUNSANY, _Captain,_
                                    _5th R. Inniskilling Fusiliers._
_June, 1915._




INTRODUCTION TO SONGS OF PEACE


EBRINGTON BARRACKS,

_September,_ 1916.

In this selection that Corporal Ledwidge has asked me to make from his
poems I have included "A Dream of Artemis," though it was incomplete
and has been hurriedly finished Were it not included on that account
many lines of extraordinary beauty would remain unseen. He asked me if
I did not think that it ended too abruptly, but so many pleasant things
ended abruptly in the summer of 1914, when this poem was being written,
that the blame for that may rest on a meaner, though more, exalted,
head than that of the poet.

In this poem, as in the other one that has a classical theme, "The
Departure of Proserpine," those who remember their classics may find
faults, but I read the "Dream of Artemis" merely as an expression of
things that the poet has seen and dreamed in Meath, including a most
beautiful description of a fox-hunt in the north of the county, in
which he has probably taken part on foot; and in "The Departure of
Proserpine," whether conscious or not, a crystallization in verse of
an autumnal mood induced by falling leaves and exile and the possible
nearness of death.

The second poem in the book was written about a little boy who used
to drive cows for some farmer past the poet's door very early every
morning, whistling as he went, and who died just before the war. I
think that its beautiful and spontaneous simplicity would cost some of
our writers gallons of midnight oil.

Of the next, "To a Distant One," who will not hope that when "Fame and
other little things are won" its clear and confident prophecy will be
happily fulfilled?

Quite perfect, if my judgment is of any value, is the little poem on
page 175, "In the Mediterranean--Going to the War."

Another beautiful thing is "Homecoming" on page 192.

    "The sheep are coming home in Greece,
      Hark the bells on every hill,
    Flock by flock and fleece by fleece."

One feels that the Greeks are of some use, after all, to have
inspired--with the help of their sheep--so lovely a poem.

"The Shadow People" on page 205 seems to me another perfect poem.
Written in Serbia and Egypt, it shows the poet still looking
steadfastly at those fields, though so far distant then, of which he
was surely born to be the singer. And this devotion to the fields of
Meath that, in nearly all his songs, from such far places brings his
spirit home, like the instinct that has been given to the swallows,
seems to be the key-note of the book. For this reason I have named it
_Songs of Peace,_ in spite of the circumstances under which they were
written.

There follow poems at which some may wonder: "To Thomas McDonagh," "The
Blackbirds," "The Wedding Morning"; but rather than attribute curious
sympathies to this brave young Irish soldier I would ask his readers to
consider the irresistible attraction that a lost cause has for almost
any Irish-man.

Once the swallow instinct appears again--in the poem called "The
Lure"--and a longing for the South, and again in the poem called
"Song": and then the Irish fields content him again, and we find him
on the last page but one in the book making a poem for a little place
called Faughan, because he finds that its hills and woods and streams
are unsung. Surely for this if there be, as many believed, gods lesser
than Those whose business is with destiny, thunder and war, small gods
that haunt the groves, seen only at times by few, and then indistinctly
at evening, surely from gratitude they will give him peace.

                                                         DUNSANY




INTRODUCTION TO LAST SONGS


THE HINDENBERG LINE,

_October 9th,_ 1917.

Writing amidst rather too much noise and squalor to do justice at all
to the delicate rustic muse of Francis Ledwidge, I do not like to delay
his book any longer, nor to fail in a promise long ago made to him to
write this introduction. He has gone down in that vast maelstrom into
which poets do well to adventure and from which their country might
perhaps be wise to withhold them, but that is our Country's affair. He
has left behind him verses of great beauty, simple rural lyrics that
may be something of an anodyne for this stricken age. If ever an age
needed beautiful little songs our age needs them; and I know few songs
more peaceful and happy, or better suited to soothe the scars on the
mind of those who have looked on certain places, of which the prophecy
in the gospels seems no more than an ominous hint when it speaks of the
abomination of desolation.

He told me once that it was on one particular occasion, when walking
at evening through the village of Slane in summer, that he heard a
blackbird sing. The notes, he said, were very beautiful, and it is
this blackbird that he tells of in three wonderful lines in his early
poem called "Behind the Closed Eye," and it is this song perhaps more
than anything else that has been the inspiration of his brief life.
Dynasties shook and the earth shook; and the war, not yet described by
any man, revelled and wallowed in destruction around him; and Francis
Ledwidge stayed true to his inspiration, as his homeward songs will
show.

I had hoped he would have seen the fame he has well deserved; but it is
hard for a poet to live to see fame even in times of peace. In these
days it is harder than ever.

                                                            DUNSANY.



    CONTENTS


    SONGS OF THE FIELDS

    TO MY BEST FRIEND
    BEHIND THE CLOSED EYE
    BOUND TO THE MAST
    To A LINNET IN A CAGE
    A TWILIGHT IN MIDDLE MARCH
    SPRING
    DESIRE IN SPRING
    A RAINY DAY IN APRIL
    A SONG OF APRIL
    THE BROKEN TRYST
    THOUGHTS AT THE TRYSTING STILE
    EVENING IN MAY
    AN ATTEMPT AT A CITY SUNSET
    WAITING
    THE SINGER'S MUSE
    INAMORATA
    THE WIFE OF LLEW
    THE HILLS
    JUNE
    IN MANCHESTER
    Music ON WATER
    To M. McG.
    IN THE DUSK
    THE DEATH OF AILILL
    AUGUST
    THE VISITATION OF PEACE
    BEFORE THE TEARS
    GOD'S REMEMBRANCE
    AN OLD PAIN
    THE LOST ONES
    ALL-HALLOWS EVE
    A MEMORY
    A SONG
    A FEAR
    THE COMING POET
    THE VISION ON THE BRINK
    To LORD DUNSANY
    ON AN OATEN STRAW
    EVENING IN FEBRUARY
    THE SISTER
    BEFORE THE WAR OF COOLEY
    LOW-MOON LAND
    THE SORROW OF FINDEBAR
    ON DREAM WATER
    THE DEATH OF SUALTEM
    THE MAID IN LOW-MOON LAND
    THE DEATH OF LEAG, CUCHULAIN'S CHARIOTEER
    THE PASSING OF CAOILTE
    GROWING OLD
    AFTER MY LAST SONG

    SONGS OF PEACE

    AT HOME

    A DREAM OF ARTEMIS
    A LITTLE BOY IN THE MORNING

    IN BARRACKS

    TO A DISTANT ONE
    THE PLACE
    MAY
    TO ELLISH OF THE FAIR HAIR

    IN CAMP

    CREWBAWN
    EVENING IN ENGLAND

    AT SEA

    CROCKNAHARNA
    IN THE MEDITERRANEAN--GOING TO THE WAR
    THE GARDENER

    IN SERBIA

    AUTUMN EVENING IN SERBIA
    NOCTURNE
    SPRING AND AUTUMN

    IN GREECE

    THE DEPARTURE OF PROSERPINE
    THE HOME-COMING OF THE SHEEP
    WHEN LOVE AND BEAUTY WANDER AWAY

    IN HOSPITAL IN EGYPT

    MY MOTHER
    SONG
    To ONE DEAD
    THE RESURRECTION
    THE SHADOW PEOPLE

    IN BARRACKS

    AN OLD DESIRE
    THOMAS McDONAGH
    THE WEDDING MORNING
    THE BLACKBIRDS
    THE LURE
    THRO' BOGAC BAN
    FATE
    EVENING CLOUDS
    SONG
    THE HERONS
    IN THE SHADOWS
    THE SHIPS OF ARCADY
    AFTER
    To ONE WEEPING
    A DREAM DANCE
    BY FAUGHAN
    IN SEPTEMBER

    LAST SONGS

    To AN OLD QUILL OF LORD DUNSANY'S
    To A SPARROW
    OLD CLO'
    YOUTH
    THE LITTLE CHILDREN
    AUTUMN
    IRELAND
    LADY FAIR
    AT A POET'S GRAVE
    AFTER COURT MARTIAL
    A MOTHER'S SONG
    AT CURRABWEE
    SONG-TIME IS OVER
    UNA BAWN
    SPRING LOVE
    SOLILOQUY
    DAWN
    CEOL SIDHE
    THE RUSHES
    THE DEAD KINGS
    IN FRANCE
    HAD I A GOLDEN POUND
    FAIRIES
    IN A CAFÉ
    SPRING
    PAN
    WITH FLOWERS
    THE FIND
    A FAIRY HUNT
    TO ONE WHO COMES NOW AND THEN
    THE SYLPH
    HOME
    THE LANAWN SHEE




    SONGS OF THE FIELDS




    TO MY BEST FRIEND


    I love the wet-lipped wind that stirs the hedge
      And kisses the bent flowers that drooped for rain,
    That stirs the poppy on the sun-burned ledge
      And like a swan dies singing, without pain.
    The golden bees go buzzing down to stain
      The lilies' frills, and the blue harebell rings,
    And the sweet blackbird in the rainbow sings.

    Deep in the meadows I would sing a song,
      The shallow brook my tuning-fork, the birds
    My masters; and the boughs they hop along
      Shall mark my time: but there shall be no words
    For lurking Echo's mock; an angel herds
      Words that I may not know, within, for you,
    Words for the faithful meet, the good and true.




    BEHIND THE CLOSED EYE


    I walk the old frequented ways
      That wind around the tangled braes,
    I live again the sunny days
      Ere I the city knew.

    And scenes of old again are born,
      The woodbine lassoing the thorn,
    And drooping Ruth-like in the corn
      The poppies weep the dew.

    Above me in their hundred schools
      The magpies bend their young to rules,
    And like an apron full of jewels
      The dewy cobweb swings.

    And frisking in the stream below
      The troutlets make the circles flow,
    And the hungry crane doth watch them grow
      As a smoker does his rings.

    Above me smokes the little town,
      With its whitewashed walls and roofs of brown
    And its octagon spire toned smoothly down
      As the holy minds within.

    And wondrous impudently sweet,
      Half of him passion, half conceit,
    The blackbird calls adown the street
      Like the piper of Hamelin.

    I hear him, and I feel the lure
      Drawing me back to the homely moor,
    I'll go and close the mountains' door
      On the city's strife and din.




    BOUND TO THE MAST


    When mildly falls the deluge of the grass,
    And meads begin to rise like Noah's flood,
    And o'er the hedgerows flow, and onward pass,
        Dribbling thro' many a wood;
    When hawthorn trees their flags of truce unfurl,
    And dykes are spitting violets to the breeze;
    When meadow larks their jocund flight will curl
    From Earth's to Heaven's leas;

    Ah! then the poet's dreams are most sublime,
    A-sail on seas that know a heavenly calm,
    And in his song you hear the river's rhyme,
        And the first bleat of the lamb.
    Then when the summer evenings fall serene,
    Unto the country dance his songs repair,
    And you may meet some maids with angel mien,
        Bright eyes and twilight hair.

    When Autumn's crayon tones the green leaves sere,
    And breezes honed on icebergs hurry past;
    When meadow-tides have ebbed and woods grow drear,
        And bow before the blast;
    When briars make semicircles on the way;
    When blackbirds hide their flutes and cower and die;
    When swollen rivers lose themselves and stray
        Beneath a murky sky;

    Then doth the poet's voice like cuckoo's break,
    And round his verse the hungry lapwing grieves,
    And melancholy in his dreary wake
        The funeral of the leaves.
    Then when the Autumn dies upon the plain,
    Wound in the snow alike his right and wrong,
    The poet sings,--albeit a sad strain,--
        Bound to the Mast of Song.




    TO A LINNET IN A CAGE


    When Spring is in the fields that stained your wing,
      And the blue distance is alive with song,
    And finny quiets of the gabbling spring
      Rock lilies red and long,
    At dewy daybreak, I will set you free
      In ferny turnings of the woodbine lane,
    Where faint-voiced echoes leave and cross in glee
      The hilly swollen plain.

    In draughty houses you forget your tune,
      The modulator of the changing hours.
    You want the wide air of the moody noon.
      And the slanting evening showers.
    So I will loose you, and your song shall fall
      When morn is white upon the dewy pane,
    Across my eyelids, and my soul recall
      From worlds of sleeping pain.




    A TWILIGHT IN MIDDLE MARCH


    Within the oak a throb of pigeon wings
    Fell silent, and grey twilight hushed the fold,
    And spiders' hammocks swung on half-oped things
    That shook like foreigners upon our cold.
    A gipsy lit a fire and made a sound
    Of moving tins, and from an oblong moon
    The river seemed to gush across the ground
    To the cracked metre of a marching tune.

    And then three syllables of melody
    Dropped from a blackbird's flute, and died apart
    Far in the dewy dark. No more but three,
    Yet sweeter music never touched a heart
    Neath the blue domes of London. Flute and reed,
    Suggesting feelings of the solitude
    When will was all the Delphi I would heed,
    Lost like a wind within a summer wood
    From little knowledge where great sorrows brood.




    SPRING


    The dews drip roses on the meadows
    Where the meek daisies dot the sward.
    And Æolus whispers through the shadows,
    "Behold the handmaid of the Lord!"
    The golden news the skylark waketh
    And 'thwart the heavens his flight is curled;
    Attend ye as the first note breaketh
    And chrism droppeth on the world.

    The velvet dusk still haunts the stream
    Where Pan makes music light and gay.
    The mountain mist hath caught a beam
    And slowly weeps itself away.
    The young leaf bursts its chrysalis
    And gem-like hangs upon the bough,
    Where the mad throstle sings in bliss
    O'er earth's rejuvenated brow.

    ENVOI

    Slowly fall, O golden sands,
    Slowly fall and let me sing,
    Wrapt in the ecstasy of youth,
    The wild delights of Spring.




    DESIRE IN SPRING


    I love the cradle songs the mothers sing
    In lonely places when the twilight drops,
    The slow endearing melodies that bring
    Sleep to the weeping lids; and, when she stops,
    I love the roadside birds upon the tops
    Of dusty hedges in a world of Spring.

    And when the sunny rain drips from the edge
    Of midday wind, and meadows lean one way,
    And a long whisper passes thro' the sedge,
    Beside the broken water let me stay,
    While these old airs upon my memory play.
    And silent changes colour up the hedge.




    A RAINY DAY IN APRIL


    When the clouds shake their hyssops, and the rain
    Like holy water falls upon the plain,
    'Tis sweet to gaze upon the springing grain
    And see your harvest born.

    And sweet the little breeze of melody,
    The blackbird puffs upon the budding tree,
    While the wild poppy lights upon the lea
    And blazes 'mid the corn.

    The skylark soars the freshening shower to hail,
    And the meek daisy holds aloft her pail,
    And Spring all radiant by the wayside pale,
    Sets up her rock and reel.

    See how she weaves her mantle fold on fold,
    Hemming the woods and carpeting the wold.
    Her warp is of the green, her woof the gold,
    The spinning world her wheel.

    By'n by above the hills a pilgrim moon
    Will rise to light upon the midnight noon,
    But still she plieth to the lonesome tune
    Of the brown meadow rail.

    No heavy dreams upon her eyelids weigh,
    Nor do her busy fingers ever stay;
    She knows a fairy prince is on the way
    To wake a sleeping beauty.

    To deck the pathway that his feet must tread,
    To fringe the 'broidery of the roses' bed,
    To show the Summer she but sleeps,--not dead,
    This is her fixed duty.


    ENVOI

    To-day while leaving my dear home behind,
    My eyes with salty homesick teardrops blind,
    The rain fell on me sorrowful and kind
    Like angels' tears of pity.

    'Twas then I heard the small birds' melodies,
    And saw the poppies' bonfire on the leas,
    As Spring came whispering thro' the leafing trees
    Giving to me my ditty.




    A SONG OF APRIL


    The censer of the eglantine was moved
    By little lane winds, and the watching faces
    Of garden flowerets, which of old she loved,
    Peep shyly outward from their silent places.
    But when the sun arose the flowers grew bolder,
    And site will be in white, I thought, and she
    Will have a cuckoo on her either shoulder,
    And woodbine twines and fragrant wings of pea.

    And I will meet her on the hills of South,
    And I will lead her to a northern water,
    My wild one, the sweet beautiful uncouth,
    The eldest maiden of the Winter's daughter.
    And down the rainbows of her noon shall slide
    Lark music, and the little sunbeam people,
    And nomad wings shall fill the river side,
    And ground winds rocking in the lily's steeple.




    THE BROKEN TRYST


    The dropping words of larks, the sweetest tongue
    That sings between the dusks, tell all of you;
    The bursting white of Peace is all along
    Wing-ways, and pearly droppings of the dew
    Emberyl the cobwebs' greyness, and the blue
    Of hiding violets, watching for your face,
    Listen for you in every dusky place.

    You will not answer when I call your name,
    But in the fog of blossom do you hide
    To change my doubts into a red-faced shame
    By'n by when you are laughing by my side?
    Or will you never come, or have you died,
    And I in anguish have forgotten all?
    And shall the world now end and the heavens fall?




    THOUGHTS AT THE TRYSTING STILE


    Come, May, and hang a white flag on each thorn,
    Make truce with earth and heaven; the April child
    Now hides her sulky face deep in the morn
    Of your new flowers by the water wild
    And in the ripples of the rising grass,
    And rushes bent to let the south wind pass
    On with her tumult of swift nomad wings,
    And broken domes of downy dandelion.
    Only in spasms now the blackbird sings.
    The hour is all a-dream.
                              Nets of woodbine
    Throw woven shadows over dreaming flowers,
    And dreaming, a bee-luring lily bends
    Its tender bell where blue dyke-water cowers
    Thro' briars, and folded ferns, and gripping ends
    Of wild convolvulus.
                          The lark's sky-way
    Is desolate.
                   I watch an apple-spray
    Beckon across a wall as if it knew
    I wait the calling of the orchard maid.

    Inly I feel that she will come in blue,
    With yellow on her hair, and two curls strayed
    Out of her comb's loose stocks, and I shall steal
    Behind and lay my hands upon her eyes,
    "Look not, but be my Psyche!"
                                      And her peal
    Of laughter will ring far, and as she tries
    For freedom I will call her names of flowers
    That climb up walls; then thro' the twilight hours
    We'll talk about the loves of ancient queens,
    And kisses like wasp-honey, false and sweet,
    And how we are entangled in love's snares
    Like wind-looped flowers.




    EVENING IN MAY


    There is nought tragic here, tho' night uplifts
      A narrow curtain where the footlights burned,
    But one long act where Love each bold heart sifts
      And blushes in the dark, but has not spurned
    The strong resolve of noon. The maiden's head
      Is brown upon the shoulder of her youth,
    Hearts are exchanged, long pent up words are said,
      Blushes burn out at the long tale of truth.

    The blackbird blows his yellow flute so strong,
      And rolls away the notes in careless glee,
    It breaks the rhythm of the thrushes' song,
      And puts red shame upon his rivalry.
    The yellowhammers on the roof tiles beat
      Sweet little dulcimers to broken time,
    And here the robin with a heart replete
      Has all in one short plagiarised rhyme.




    AN ATTEMPT AT A CITY SUNSET

    (TO J. K. Q.)


    There was a quiet glory in the sky
    When thro' the gables sank the large red sun,
    And toppling mounts of rugged cloud went by
    Heavy with whiteness, and the moon had won
    Her way above the woods, with her small star
    Behind her like the cuckoo's little mother....
    It was the hour when visions from some far
    Strange Eastern dreams like twilight bats take wing
    Out of the ruin of memories.
                                  O brother
    Of high song, wand'ring where the Muses fling
    Rich gifts as prodigal as winter rain,
    Like stepping-stones within a swollen river
    The hidden words are sounding in my brain,
    Too wild for taming; and I must for ever
    Think of the hills upon the wilderness,
    And leave the city sunset to your song.
    For there I am a stranger like the trees
    That sigh upon the traffic all day long.




    WAITING


    A strange old woman on the wayside sate,
    Looked far away and shook her head and sighed.
    And when anon, close by, a rusty gate
    Loud on the warm winds cried,
    She lifted up her eyes and said, "You're late."
    Then shook her head and sighed.

    And evening found her thus, and night in state
    Walked thro' the starlight, and a heavy tide
    Followed the yellow moon around her wait,
    And morning walked in wide.
    She lifted up her eyes and said, "You're late."
    Then shook her head and sighed.




    THE SINGER'S MUSE


    I brought in these to make her kitchen sweet,
    Haw blossoms and the roses of the lane.
    Her heart seemed in her eyes so wild they beat
    With welcome for the boughs of Spring again.
    She never heard of Babylon or Troy,
    She read no book, but once saw Dublin town;
    Yet she made a poet of her servant boy
    And from Parnassus earned the laurel crown.

    If Fame, the Gorgon, turns me into stone
    Upon some city square, let someone place
    Thorn blossoms and lane roses newly blown
    Beside my feet, and underneath them trace:
    "His heart was like a bookful of girls' song,
    With little loves and mighty Care's alloy.
    These did he bring his muse, and suffered long,
    Her bashful singer and her servant boy."




    INAMORATA


    The bees were holding levees in the flowers,
    Do you remember how each puff of wind
    Made every wing a hum? My hand in yours
    Was listening to your heart, but now
    The glory is all faded, and I find
    No more the olden mystery of the hours
    When you were lovely and our hearts would bow
    Each to the will of each, but one bright day
    Is stretching like an isthmus in a bay
    From the glad years that I have left behind.

    I look across the edge of things that were
    And you are lovely in the April ways,
    Holy and mute, the sigh of my despair....
    I hear once more the linnets' April tune
    Beyond the rainbow's warp, as in the days
    You brought me facefuls of your smiles to share
    Some of your new-found wonders.... Oh when soon
    I'm wandering the wide seas for other lands,
    Sometimes remember me with folded hands,
    And keep me happy in your pious prayer.




    THE WIFE OF LLEW


    And Gwydion said to Math, when it was Spring:
    "Come now and let us make a wife for Llew."
    And so they broke broad boughs yet moist with dew,
    And in a shadow made a magic ring:
    They took the violet and the meadow-sweet
    To form her pretty face, and for her feet
    They built a mound of daisies on a wing,
    And for her voice they made a linnet sing
    In the wide poppy blowing for her mouth.
    And over all they chanted twenty hours.
    And Llew came singing from the azure south
    And bore away his wife of birds and flowers.




    THE HILLS


    The hills are crying from the fields to me,
    And calling me with music from a choir
    Of waters in their woods where I can see
    The bloom unfolded on the whins like fire.
    And, as the evening moon climbs ever higher
    And blots away the shadows from the slope,
    They cry to me like things devoid of hope.

    Pigeons are home. Day droops. The fields are cold.
    Now a slow wind comes labouring up the sky
    With a small cloud long steeped in sunset gold,
    Like Jason with the precious fleece anigh
    The harbour of Iolcos. Day's bright eye
    Is filmed with the twilight, and the rill
    Shines like a scimitar upon the hill.

    And moonbeams drooping thro' the coloured wood
    Are full of little people winged white.
    I'll wander thro' the moon-pale solitude
    That calls across the intervening night
    With river voices at their utmost height,
    Sweet as rain-water in the blackbird's flute
    That strikes the world in admiration mute.




    JUNE


    Broom out the floor now, lay the fender by,
    And plant this bee-sucked bough of woodbine there,
    And let the window down. The butterfly
    Floats in upon the sunbeam, and the fair
    Tanned face of June, the nomad gipsy, laughs
    Above her widespread wares, the while she tells
    The farmers' fortunes in the fields, and quaffs
    The water from the spider-peopled wells.

    The hedges are all drowned in green grass seas,
    And bobbing poppies flare like Elmor's light,
    While siren-like the pollen-stainéd bees
    Drone in the clover depths. And up the height
    The cuckoo's voice is hoarse and broke with joy.
    And on the lowland crops the crows make raid,
    Nor fear the clappers of the farmer's boy,
    Who sleeps, like drunken Noah, in the shade.

    And loop this red rose in that hazel ring
    That snares your little ear, for June is short
    And we must joy in it and dance and sing,
    And from her bounty draw her rosy worth.
    Ay! soon the swallows will be flying south,
    The wind wheel north to gather in the snow,
    Even the roses spilt on youth's red mouth
    Will soon blow down the road all roses go.




    IN MANCHESTER


    There is a noise of feet that move in sin
    Under the side-faced moon here where I stray,
    Want by me like a Nemesis. The din
    Of noon is in my ears, but far away
    My thoughts are, where Peace shuts the black-birds' wings
    And it is cherry time by all the springs.

    And this same moon floats like a trail of fire
    Down the long Boyne, and darts white arrows thro'
    The mill wood; her white skirt is on the weir,
    She walks thro' crystal mazes of the dew,
    And rests awhile upon the dewy slope
    Where I will hope again the old, old hope.

    With wandering we are worn my muse and I,
    And, if I sing, my song knows nought of mirth.
    I often think my soul is an old lie
    In sackcloth, it repents so much of birth.
    But I will build it yet a cloister home
    Near the peace of lakes when I have ceased to roam.




    MUSIC ON WATER


    Where does Remembrance weep when we forget?
    From whither brings she back an old delight?
    Why do we weep that once we laughed? and yet
    Why are we sad that once our hearts were light?
    I sometimes think the days that we made bright
    Are damned within us, and we hear them yell,
    Deep in the solitude of that wide hell,
    Because we welcome in some new regret.

    I will remember with sad heart next year
    This music and this water, but to-day
    Let me be part of all this joy. My ear
    Caught far-off music which I bid away,
    The light of one fair face that fain would stay
    Upon the heart's broad canvas, as the Face
    On Mary's towel, lighting up the place.
    Too sad for joy, too happy for a tear.

    Methinks I see the music like a light
    Low on the bobbing water, and the fields
    Yellow and brown alternate on the height,
    Hanging in silence there like battered shields,
    Lean forward heavy with their coloured yields
    As if they paid it homage; and the strains,
    Prisoners of Echo, up the sunburnt plains
    Fade on the cross-cut to a future night.

    In the red West the twisted moon is low,
    And on the bubbles there are half-lit stars:
    Music and twilight and the deep blue flow
    Of water: and the watching fire of Mars:
    The deep fish slipping thro' the moonlit bars
    Make Death a thing of sweet dreams, life a mock.
    And the soul patient by the heart's loud clock
    Watches the time, and thinks it wondrous slow.




    TO M. McG.


    (WHO CAME ONE DAY WHEN WE WERE ALL
    GLOOMY AND CHEERED US WITH SAD MUSIC)


    We were all sad and could not weep,
    Because our sorrow had not tears:
    You came a silent thing like Sleep,
      And stole away our fears.

    Old memories knocking at each heart
    Troubled us with the world's great lie:
    You sat a little way apart
      And made a fiddle cry,

    And April with her sunny showers
    Came laughing up the fields again:
    White wings went flashing thro' the hours
      So lately full of pain.

    And rivers full of little lights
    Came down the fields of waving green:
    Our immemorial delights
      Stole in on us unseen.

    For this may Good Luck let you loose
    Upon her treasures many years,
    And Peace unfurl her flag of truce
      To any threat'ning fears.




    IN THE DUSK


    Day hangs its light between two dusks, my heart,
    Always beyond the dark there is the blue.
    Sometime we'll leave the dark, myself and you,
    And revel in the light for evermore.
    But the deep pain of you is aching smart,
    And a long calling weighs upon you sore.

    Day hangs its light between two dusks, and song
    Is there at the beginning and the end.
    You, in the singing dusk, how could you wend
    The songless way Contentment fleetly wings?
    But in the dark your beauty shall be strong,
    Tho' only one should listen how it sings.




    THE DEATH OF AILILL


    When there was heard no more the war's loud sound,
    And only the rough corn-crake filled the hours,
    And hill winds in the furze and drowsy flowers,
    Maeve in her chamber with her white head bowed
    On Ailill's heart was sobbing: "I have found
    The way to love you now," she said, and he
    Winked an old tear away and said: "The proud
    Unyielding heart loves never." And then she:
    "I love you now, tho' once when we were young
    We walked apart like two who were estranged
    Because I loved you not, now all is changed."
    And he who loved her always called her name
    And said: "You do not love me, 'tis your tongue
    Talks in the dusk; you love the blazing gold
    Won in the battles, and the soldier's fame.
    You love the stories that are often told
    By poets in the hall." Then Maeve arose
    And sought her daughter Findebar: "O, child,
    Go tell your father that my love went wild
    With all my wars in youth, and say that now
    I love him stronger than I hate my foes...."
    And Findebar unto her father sped
    And touched him gently on the rugged brow,
    And knew by the cold touch that he was dead.




    AUGUST


    She'll come at dusky first of day,
    White over yellow harvest's song.
    Upon her dewy rainbow way
    She shall be beautiful and strong.
    The lidless eye of noon shall spray
    Tan on her ankles in the hay,
    Shall kiss her brown the whole day long.

    I'll know her in the windrows, tall
    Above the crickets of the hay.
    I'll know her when her odd eyes fall,
    One May-blue, one November-grey.
    I'll watch her from the red barn wall
    Take down her rusty scythe, and call,
    And I will follow her away.




    THE VISITATION OF PEACE


    I closed the book of verse where Sorrow wept
    Above Love's broken fane where Hope once prayed,
    And thought of old trysts broken and trysts kept
    Only to chide my fondness. Then I strayed
    Down a green coil of lanes where murmuring wings
    Moved up and down like lights upon the sea,
    Searching for calm amid untroubled things
    Of wood and water. The industrious bee
    Sang in his barn within the hollow beech,
    And in a distant haggard a loud mill
    Hummed like a war of hives. A whispered speech
    Of corn and wind was on the yellow hill,
    And tattered scarecrows nodded their assent
    And waved their arms like orators. The brown
    Nude beauty of the Autumn sweetly bent
    Over the woods, across the little town.

    I sat in a retreating shade beside
    The river, where it fell across a weir
    Like a white mane, and in a flourish wide
    Roars by an island field and thro' a tier
    Of leaning sallies, like an avenue
    When the moon's flambeau hunts the shadows out
    And strikes the borders white across the dew.
    Where little ringlets ended, the fleet trout
    Fed on the water moths. A marsh hen crossed
    On flying wings and swimming feet to where
    Her mate was in the rushes forest, tossed
    On the heaving dusk like swallows in the air.

    Beyond the river a walled rood of graves
    Hung dead with all its hemlock wan and sere,
    Save where the wall was broken and long waves
    Of yellow grass flowed outward like a weir,
    As if the dead were striving for more room
    And their old places in the scheme of things;
    For sometimes the thought comes that the brown tomb
    Is not the end of all our labourings,
    But we are born once more of wind and rain,
    To sow the world with harvest young and strong,
    That men may live by men 'til the stars wane,
    And still sweet music fill the blackbird's song.

    But O for truths about the soul denied.
    Shall I meet Keats in some wild isle of balm,
    Dreaming beside a tarn where green and wide
    Boughs of sweet cinnamon protect the calm
    Of the dark water? And together walk
    Thro' hills with dimples full of water where
    White angels rest, and all the dead years talk
    About the changes of the earth? Despair
    Sometimes takes hold of me but yet I hope
    To hope the old hope in the better times
    When I am free to cast aside the rope
    That binds me to all sadness 'till my rhymes
    Cry like lost birds. But O, if I should die
    Ere this millennium, and my hands be crossed
    Under the flowers I loved, the passers-by
    Shall scowl at me as one whose soul is lost.

    But a soft peace came to me when the West
    Shut its red door and a thin streak of moon
    Was twisted on the twilight's dusky breast.
    It wrapped me up as sometimes a sweet tune
    Heard for the first time wraps the scenes around,
    That we may have their memories when some hand
    Strikes it in other times and hopes unbound
    Rising see clear the everlasting land.




    BEFORE THE TEARS


    You looked as sad as an eclipséd moon
    Above the sheaves of harvest, and there lay
    A light lisp on your tongue, and very soon
    The petals of your deep blush fell away;
    White smiles that come with an uneasy grace
    From inner sorrow crossed your forehead fair,
    When the wind passing took your scattered hair
    And flung it like a brown shower in my face.

    Tear-fringéd winds that fill the heart's low sighs
    And never break upon the bosom's pain,
    But blow unto the windows of the eyes
    Their misty promises of silver rain,
    Around your loud heart ever rose and fell.
    I thought 'twere better that the tears should come
    And strike your every feeling wholly numb,
    So thrust my hand in yours and shook fare-well.




    GOD'S REMEMBRANCE


    There came a whisper from the night to me
    Like music of the sea, a mighty breath
    From out the valley's dewy mouth, and Death
    Shook his lean bones, and every coloured tree
    Wept in the fog of morning. From the town
    Of nests among the branches one old crow
    With gaps upon his wings flew far away.
    And, thinking of the golden summer glow,
    I heard a blackbird whistle half his lay
    Among the spinning leaves that slanted down.

    And I who am a thought of God's now long
    Forgotten in His Mind, and desolate
    With other dreams long over, as a gate
    Singing upon the wind the anvil song,
    Sang of the Spring when first He dreamt of me
    In that old town all hills and signs that creak:--
    And He remembered me as something far
    In old imaginations, something weak
    With distance, like a little sparking star
    Drowned in the lavender of evening sea.




    AN OLD PAIN


    What old, old pain is this that bleeds anew?
    What old and wandering dream forgotten long
    Hobbles back to my mind? With faces two,
    Like Janus of old Rome, I look about,
    And yet discover not what ancient wrong
    Lies unrequited still. No speck of doubt
    Upon to-morrow's promise. Yet a pain
    Of some dumb thing is on me, and I feel
    How men go mad, how faculties do reel
    When these old querns turn round within the brain.

    'Tis something to have known one day of joy,
    Now to remember when the heart is low,
    An antidote of thought that will destroy
    The asp bite of Regret. Deep will I drink
    By'n by the purple cups that overflow,
    And fill the shattered heart's urn to the brink.
    But some are dead who laughed! Some scattered are
    Around the sultry breadth of foreign zones.
    You, with the warm clay wrapt about your bones,
    Are nearer to me than the live afar.

    My heart has grown as dry as an old crust,
    Deep in book lumber and moth-eaten wood,
    So long it has forgot the old love lust,
    So long forgot the thing that made youth dear,
    Two blue love lamps, a heart exceeding good,
    And how, when first I heard that voice ring clear
    Among the sering hedges of the plain,
    I knew not which from which beyond the corn,
    The laughter by the callow twisted thorn,
    The jay-thrush whistling in the haws for rain.

    I hold the mind is the imprisoned soul,
    And all our aspirations are its own
    Struggles and strivings for a golden goal,
    That wear us out like snow men at the thaw.
    And we shall make our Heaven where we have sown
    Our purple longings. Oh! can the loved dead draw
    Anear us when we moan, or watching wait
    Our coming in the woods where first we met,
    The dead leaves falling on their wild hair wet,
    Their hands upon the fastenings of the gate?

    This is the old, old pain come home once more,
    Bent down with answers wild and very lame
    For all my delving in old dog-eared lore
    That drove the Sages mad. And boots the world
    Aught for their wisdom? I have asked them, tame,
    And watched the Earth by its own self be hurled
    Atom by atom into nothingness,
    Loll out of the deep canyons, drops of fixe,
    And kindle on the hills its funeral pyre,
    And all we learn but shows we know the less.




    THE LOST ONES


    Somewhere is music from the linnets, bills,
    And thro' the sunny flowers the bee-wings drone,
    And white bells of convolvulus on hills
    Of quiet May make silent ringing, blown
    Hither and thither by the wind of showers,
    And somewhere all the wandering birds have flown;
    And the brown breath of Autumn chills the flowers.

    But where are all the loves of long ago?
    Oh, little twilight ship blown up the tide,
    Where are the faces laughing in the glow
    Of morning years, the lost ones scattered wide?
    Give me your hand, Oh brother, let us go
    Crying about the dark for those who died.




    ALL-HALLOWS EVE


    The dreadful hour is sighing for a moon
      To light old lovers to the place of tryst,
    And old footsteps from blessed acres soon
      On old known pathways will be lightly prest;
    And winds that went to eavesdrop since the noon,
      Kinking[1] at some old tale told sweetly brief,
      Will give a cowslick[2] to the yarrow leaf,[3]
    And sling the round nut from the hazel down.

    And there will be old yarn balls,[4] and old spells
      In broken lime-kilns, and old eyes will peer
    For constant lovers in old spidery wells,[5]
      And old embraces will grow newly dear.
    And some may meet old lovers in old dells,
      And some in doors ajar in towns light-lorn;--
    But two will meet beneath a gnarly thorn
    Deep in the bosom of the windy fells.

    Then when the night slopes home and white-faced day
      Yawns in the east there will be sad farewells;
    And many feet will tap a lonely way
      Back to the comfort of their chilly cells,
    And eyes will backward turn and long to stay
      Where love first found them in the clover bloom--
      But one will never seek the lonely tomb,
    And two will linger at the tryst alway.


[Footnote 1: Provincially a kind of laughter.]

[Footnote 2: A curl of hair thrown back from the forehead: used
metaphorically here, and itself a metaphor taken from the curl of a
cow's tongue.]

[Footnote 3: Maidens on Hallows Eve pull leaves of yarrow, and, saying
over them certain words, put them under their pillows and so dream of
their true-loves.]

[Footnote 4: They also throw balls of yarn (which must be black) over
their left shoulders into old lime-kilns, holding one end and then
winding it in till they feel it somehow caught, and expect to see in
the darkness the face of their lover.]

[Footnote 5: Also they look for his face in old wells.]




    A MEMORY


    Low sounds of night that drip upon the ear,
    The plumed lapwing's cry, the curlew's call,
    Clear in the far dark heard, a sound as drear
    As raindrops pelted from a nodding rush
    To give a white wink once and broken fall
    Into a deep dark pool: they pain the hush,
    As if the fiery meteor's slanting lance
    Had found their empty craws: they fill with sound
    The silence, with the merry round,
    The sounding mazes of a last year's dancer

    I thought to watch the stars come spark by spark
    Out on the muffled night, and watch the moon
    Go round the full, and turn upon the dark,
    And sharpen towards the new, and waiting watch
    The grand Kaleidoscope of midnight noon
    Change colours on the dew, where high hills notch
    The low and moony sky. But who dare cast
    One brief hour's horoscope, whose tunéd ear
    Makes every sound the music of last year?
    Whose hopes are built up in the door of Past?

    No, not more silent does the spider stitch
    A cobweb on the fern, nor fogdrops fall
    On sheaves of harvest when the night is rich
    With moonbeams, than the spirits of delight
    Walk the dark passages of Memory's hall.
    We feel them not, but in the wastes of night
    We hear their low-voiced mediums, and we rise
    To wrestle old Regrets, to see old faces,
    To meet and part in old tryst-trodden places
    With breaking heart, and emptying of eyes.

    I feel the warm hand on my shoulder light,
    I hear the music of a voice that words
    The slow time of the feet, I see the white
    Arms slanting, and the dimples fold and fill....
    I hear wing-flutters of the early birds,
    I see the tide of morning landward spill,
    The cloaking maidens, hear the voice that tells
    "You'd never know" and "Soon perhaps again,"
    With white teeth biting down the inly pain,
    Then sounds of going away and sad farewells

    A year ago! It seems but yesterday.
    Yesterday! And a hundred years! All one.
    'Tis laid a something finished, dark, away,
    To gather mould upon the shelves of Time.
    What matters hours or æons when 'tis gone?
    And yet the heart will dust it of its grime,
    And hover round it in a silver spell,
    Be lost in it and cry aloud in fear;
    And like a lost soul in a pious ear,
    Hammer in mine a never easy bell.




    A SONG


    My heart has flown on wings to you, away
    In the lonely places where your footsteps lie
    Full up of stars when the short showers of day
    Have passed like ancient sorrows. I would fly
    To your green solitude of woods to hear
    You singing in the sounds of leaves and birds;
    But I am sad below the depth of words
    That nevermore we two shall draw anear.

    Had I but wealth of land and bleating flocks
    And barnfuls of the yellow harvest yield,
    And a large house with climbing hollyhocks
    And servant maidens singing in the field,
    You'd love me; but I own no roaming herds,
    My only wealth is songs of love for you,
    And now that you are lost I may pursue
    A sad life deep below the depth of words.




    A FEAR


    I roamed the woods to-day and seemed to hear,
    As Dante heard, the voice of suffering trees.
    The twisted roots seemed bare contorted knees,
    The bark was full of faces strange with fear.

    I hurried home still wrapt in that dark spell,
    And all the night upon the world's great lie
    I pondered, and a voice seemed whisp'ring nigh,
    "You died long since, and all this thing is hell!"




    THE COMING POET


    "Is it far to the town?" said the poet,
    As he stood 'neath the groaning vane,
    And the warm lights shimmered silver
    On the skirts of the windy rain.
    "There are those who call me," he pleaded,
    "And I'm wet and travel sore."
    But nobody spoke from the shelter.
    And he turned from the bolted door.

    And they wait in the town for the poet
    With stones at the gates, and jeers,
    But away on the wolds of distance
    In the blue of a thousand years
    He sleeps with the age that knows him,
    In the clay of the unborn, dead,
    Rest at his weary insteps,
    Fame at his crumbled head.




    THE VISION ON THE BRINK


    To-night when you sit in the deep hours alone,
      And from the sleeps you snatch wake quick and feel
    You hear my step upon the threshold-stone,
      My hand upon the doorway latchward steal,
    Be sure 'tis but the white winds of the snow,
    For I shall come no more

    And when the candle in the pane is wore,
      And moonbeams down the hill long shadows throw,
    When night's white eyes are in the chinky door,
      Think of a long road in a valley low,
    Think of a wanderer in the distance far,
      Lost like a voice among the scattered hills.

    And when the moon has gone and ocean spills
      Its waters backward from the trysting bar,
    And in dark furrows of the night there tills
      A jewelled plough, and many a falling star
    Moves you to prayer, then will you think of me
      On the long road that will not ever end.

    Jonah is hoarse in Nineveh--I'd lend
      My voice to save the town--and hurriedly
    Goes Abraham with murdering knife, and Ruth
      Is weary in the corn.... Yet will I stay,
    For one flower blooms upon the rocks of truth,
      God is in all our hurry and delay.




    TO LORD DUNSANY

    (ON HIS RETURN FROM EAST AFRICA)


    For you I knit these lines, and on their ends
    Hang little tossing bells to ring you home.
    The music is all cracked, and Poesy tends
    To richer blooms than mine; but you who roam
    Thro' coloured gardens of the highest muse,
    And leave the door ajar sometimes that we
    May steal small breathing things of reds and blues
    And things of white sucked empty by the bee,
    Will listen to this bunch of bells from me.

    My cowslips ring you welcome to the land
    Your muse brings honour to in many a tongue,
    Not only that I long to clasp your hand,
    But that you're missed by poets who have sung
    And viewed with doubt the music of their verse
    All the long winter, for you love to bring
    The true note in and say the wise thing terse,
    And show what birds go lame upon a wing,
    And where the weeds among the flowers do spring.




    ON AN OATEN STRAW


    My harp is out of tune, and so I take
    An oaten straw some shepherd dropped of old.
    It is the hour when Beauty doth awake
    With trembling limbs upon the dewy cold.
    And shapes of green show where the woolly fold
    Slept in the winding shelter of the brake.

    This I will pipe for you, how all the year
    The one I love like Beauty takes her way.
    Wrapped in the wind of winter she doth cheer
    The loud woods like a sunbeam of the May.
    This I will pipe for you the whole blue day
    Seated with Pan upon the mossy weir.




    EVENING IN FEBRUARY


    The windy evening drops a grey
    Old eyelid down across the sun,
    The last crow leaves the ploughman's way
    And happy lambs make no more fun.

    Wild parsley buds beside my feet,
    A doubtful thrush makes hurried tune,
    The steeple in the village street
    Doth seem to pierce the twilight moon.

    I hear and see those changing charms,
    For all--my thoughts are fixed upon
    The hurry and the loud alarms
    Before the fall of Babylon.




    THE SISTER


    I saw the little quiet town,
    And the whitewashed gables on the hill,
    And laughing children coming down
    The laneway to the mill.

    Wind-blushes up their faces glowed,
    And they were happy as could be,
    The wobbling water never flowed
    So merry and so free.

    One little maid withdrew aside
    To pick a pebble from the sands.
    Her golden hair was long and wide,
    And there were dimples on her hands.

    And when I saw her large blue eyes,
    What was the pain that went thro' me?
    Why did I think on Southern skies
    And ships upon the sea?




    BEFORE THE WAR OF COOLEY

    At daybreak Maeve rose up from where she prayed
    And took her prophetess across her door
    To gaze upon her hosts. Tall spear and blade
    Burnished for early battle dimly shook
    The morning's colours, and then Maeve said:
                                           "Look
    And tell me how you see them now."
                                         And then
    The woman that was lean with knowledge said:
    "There's crimson on them, and there's dripping red."
    And a tall soldier galloped up the glen
    With foam upon his boot, and halted there
    Beside old Maeve. She said, "Not yet," and turned
    Into her blazing dun, and knelt in prayer
    One solemn hour, and once again she came
    And sought her prophetess. With voice that mourned,
    "How do you see them now?" she asked.
                                    "All lame
    And broken in the noon." And once again
    The soldier stood before her.
                                "No, not yet."
    Maeve answered his inquiring look and turned
    Once more unto her prayer, and yet once more
    "How do you see them now?" she asked.
                                      "All wet
    With storm rains, and all broken, and all tore
    With midnight wolves." And when the soldier came
    Maeve said, "It is the hour." There was a flash
    Of trumpets in the dim, a silver flame
    Of rising shields, loud words passed down the ranks,
    And twenty feet they saw the lances leap.
    They passed the dun with one short noisy dash.
    And turning proud Maeve gave the wise one thanks,
    And sought her chamber in the dun to weep.




    LOW-MOON LAND


    I often look when the moon is low
    Thro' that other window on the wall,
    At a land all beautiful under snow,
    Blotted with shadows that come and go
    When the winds rise up and fall.
    And the form of a beautiful maid
    In the white silence stands,
    And beckons me with her hands.

    And when the cares of the day are laid,
    Like sacred things, in the mart away,
    I dream of the low-moon land and the maid
    Who will not weary of waiting, or jade
    Of calling to me for aye.
    And I would go if I knew the sea
    That lips the shore where the moon is low,
    For a longing is on me that will not go.




    THE SORROW OF FINDEBAR


    "Why do you sorrow, child? There is loud cheer
    In the wide halls, and poets red with wine
    Tell of your eyebrows and your tresses long,
    And pause to let your royal mother hear
    The brown bull low amid her silken kine.
    And you who are the harpstring and the song
    Weep like a memory born of some old pain."

    And Findebar made answer, "I have slain
    More than Cuculain's sword, for I have been
    The promised meed of every warrior brave
    In Tain Bo Cualigne wars, and I am sad
    As is the red banshee that goes to keen
    Above the wet dark of the deep brown grave,
    For the warm loves that made my memory glad."

    And her old nurse bent down and took a wild
    Curl from her eye and hung it on her ear,
    And said, "The woman at the heavy quern,
    Who weeps that she will never bring a child,
    And sees her sadness in the coming year,
    Will roll up all her beauty like a fern;
    Not you, whose years stretch purple to the end."

    And Findebar, "Beside the broad blue bend
    Of the slow river where the dark banks slope
    Wide to the woods sleeps Ferdia apart.
    I loved him, and then drove him for pride's sake
    To early death, and now I have no hope,
    For mine is Maeve's proud heart, Ailill's kind heart,
    And that is why it pines and will not break."




    ON DREAM WATER


    And so, o'er many a league of sea
    We sang of those we left behind.
    Our ship split thro' the phosphor free,
    Her white sails pregnant with the wind,
    And I was wondering in my mind
    How many would remember me.

    Then red-edged dawn expanded wide,
    A stony foreland stretched away,
    And bowed capes gathering round the tide
    Kept many a little homely bay.
    O joy of living there for aye,
    O Soul so often tried!




    THE DEATH OF SUALTEM


    After the brown bull passed from Cooley's fields
    And all Muirevne was a wail of pain,
    Sualtem came at evening thro' the slain
    And heard a noise like water rushing loud,
    A thunder like the noise of mighty shields.
    And in his dread he shouted: "Earth is bowed,
    The heavens are split and stars make war with stars
    And the sea runs in fear!"
                                For all his scars
    He hastened to Dun Dealgan, and there found
    It was his son, Cuculain, making moan.
    His hair was red with blood, and he was wound
    In wicker full of grass, and a cold stone
    Was on his head.
                      "Cuculain, is it so?"
    Sualtem said, and then, "My hair is snow,
    My strength leaks thro' my wounds, but I will die
    Avenging you."
                     And then Cuculain said:
    "Not so, old father, but take horse and ride
    To Emain Macha, and tell Connor this."
    Sualtem from his red lips took a kiss,
    And turned the stone upon Cuculain's head.
    The Lia-Macha with a heavy sigh
    Ran up and halted by his wounded side.
    In Emain Macha to low lights and song
    Connor was dreaming of the beauteous Maeve.
    He saw her as at first, by Shannon's wave,
    Her insteps in the water, mounds of white.
    It was in Spring, and music loud and strong
    Rocked all the coloured woods, and the blue height
    Of heaven was round the lark, and in his heart
    There was a pain of love.
                               Then with a start
    He wakened as a loud voice from below
    Shouted, "The land is robbed, the women shamed,
    The children stolen, and Cuculain low!"
    Then Connor rose, his war-worn soul inflamed,
    And shouted down for Cathbad; then to greet
    The messenger he hurried to the street.
    And there he saw Sualtem shouting still
    The message of Muirevne 'mid the sound
    Of hurried Ducklings and uneasy horse.
    At sight of him the Lia-Macha wheeled,
    So that Sualtem fell upon his shield,
    And his grey head came shouting to the ground.
    They buried him by moonlight on the hill,
    And all about him waves the heavy gorse.




    THE MAID IN LOW-MOON LAND


    I know not where she be, and yet
    I see her waiting white and tall.
    Her eyes are blue, her lips are wet,
    And move as tho' they'd love to call.
    I see her shadow on the wall
    Before the changing moon has set.

    She stands there lovely and alone
    And up her porch blue creepers swing.
    The world she moves in is her own,
    To sun and shade and hasty wing.
    And I would wed her in the Spring,
    But only I sit here and moan.




    THE DEATH OF LEAG. CUCHULAIN'S CHARIOTEER


    CONALL

    "I only heard the loud ebb on the sand,
    The high ducks talking in the chilly sky.
    The voices that you fancied floated by
    Were wind notes, or the whisper on the trees.
    But you are still so full of war's red din,
    You hear impatient hoof-beats up the land
    When the sea's changing, or a lisping breeze
    Is playing on the waters of the linn."

    LEAG

    "I hear Cuchulain's voice, and Emer's voice,
    The Lia Macha's neigh, the chariot's wheels,
    Farther away a bell bough's drowsy peals;
    And sleep lays heavy thumbs upon my eyes.
    I hear Cuchulain sing above the chime
    Of One Who comes to make the world rejoice,
    And comes again to blot away the skies,
    To wipe away the world and roll up Time."

    CONALL

    "In the dark ground forever mouth to mouth
    They kiss thro' all the changes of the world,
    The grey sea fogs above them are unfurled
    At evening when the sea walks with the moon,
    And peace is with them in the long cairn shut.
    You loved him as the swallow loves the South,
    And Love speaks with you since the evening put
    Mist and white dews upon short shadowed noon."

    LEAG

    "Sleep lays his heavy thumbs upon my eyes,
    Shuts out all sounds and shakes me at the wrists.
    By Nanny water where the salty mists
    Weep o'er Riangabra let me stand deep
    Beside my father. Sleep lays heavy thumbs
    Upon my eyebrows, and I hear the sighs
    Of far loud waters, and a troop that comes
    With boughs of bells----"

    CONALL

                  "They come to you with sleep."




    THE PASSING OF CAOILTE


    'Twas just before the truce sang thro' the din
    Caoilte, the thin man, at the war's red end
    Leaned from the crooked ranks and saw his friend
    Fall in the farther fury; so when truce
    Halted advancing spears the thin man came
    And bending by pale Oscar called his name;
    And then he knew of all who followed Finn,
    He only felt the cool of Gavra's dews.

    And Caoilte, the thin man, went down the field
    To where slow water moved among the whins,
    And sat above a pool of twinkling fins
    To court old memories of the Fenian men,
    Of how Finn's laugh at Conan's tale of glee
    Brought down the rowan's boughs on Knoc-naree,
    And how he made swift comets with his shield
    At moonlight in the Fomar's rivered glen.

    And Caoilte, the thin man, was weary now,
    And nodding in short sleeps of half a dream:
    There came a golden barge down middle stream,
    And a tall maiden coloured like a bird
    Pulled noiseless oars, but not a word she said.
    And Caoilte, the thin man, raised up his head
    And took her kiss upon his throbbing brow,
    And where they went away what man has heard?




    GROWING OLD


    We'll fill a Provence bowl and pledge us deep
    The memory of the far ones, and between
    The soothing pipes, in heavy-lidded sleep,
    Perhaps we'll dream the things that once have been.
    'Tis only noon and still too soon to die,
    Yet we are growing old, my heart and I.

    A hundred books are ready in my head
    To open out where Beauty bent a leaf.
    What do we want with Beauty? We are wed
    Like ancient Proserpine to dismal grief.
    And we are changing with the hours that fly,
    And growing odd and old, my heart and I.

    Across a bed of bells the river flows,
    And roses dawn, but not for us; we want
    The new thing ever as the old thing grows
    Spectral and weary on the hills we haunt.
    And that is why we feast, and that is why
    We're growing odd and old, my heart and I.




    AFTER MY LAST SONG


    Where I shall rest when my last song is over
    The air is smelling like a feast of wine;
    And purple breakers of the windy clover
    Shall roll to cool this burning brow of mine;
    And there shall come to me, when day is told
    The peace of sleep when I am grey and old.

    I'm wild for wandering to the far-off places
    Since one forsook me whom I held most dear.
    I want to see new wonders and new faces
    Beyond East seas; but I will win back here
    When my last song is sung, and veins are cold
    As thawing snow, and I am grey and old.

    Oh paining eyes, but not with salty weeping,
    My heart is like a sod in winter rain;
    Ere you will see those baying waters leaping
    Like hungry hounds once more, how many a pain
    Shall heal; but when my last short song is trolled
    You'll sleep here on wan cheeks grown thin and old.




    SONGS OF PEACE AT HOME


    A DREAM OF ARTEMIS


    There was soft beauty on the linnet's tongue
    To see the rainbow's coloured bands arch wide.
    The thunder darted his red fangs among
    South mountains, but the East was like a bride
    Drest for the altar at her mother's door
    Weeping between two loves. The fields were pied
    With May's munificence of flowers, that wore
    The fashion of the days when Eve was young,
    God's kirtles, ere the first sweet summer died.
    The blackbird in a thorn of waving white
    Sang bouquets of small tunes that bid me turn
    From twilight wanderings thro' some old delight
    I heard in my far memory making mourn.
    Such music fills me with a joy half pain,
    And beats a track across my life I spurn
    In sober moments. Ah, this wandering brain
    Could play its hurdy-gurdy all the night
    To vagrant joys of days beyond the bourn.

    I heard the river warble sweetly nigh
    To meet the warm salt tide below the weir,
    And saw a coloured line of cows pass by,--
    And then a voice said quickly, "Iris here!"
    "What message now hath Hera?" then I woke,
    An exile in Arcadia, and a spear
    Flashed by me, and ten nymphs fleet-footed broke
    Out of the coppice with a silver cry,
    Into the bow of lights to disappear.

    For one blue minute then there was no sound
    Save water-noise, slow round a rushy bend,
    And bird-delight, and ripples on the ground
    Of windy flowers that swelling would ascend
    The coloured hill and break all beautiful
    And, falling backwards, to the woods would send
    The full tide of their love. What soft moons pull
    Their moving fragrance? did I ask, and found
    Sad Io in far Egypt met a friend.--
    It was my body thought so, far away
    In the grey future, not the wild bird tied
    That is the wandering soul. Behind the day
    We may behold thee, soft one, hunted wide
    By the loud gadfly; but the truant soul
    Knows thee before thou lay by night's dark side,
    Wed to the dimness; long before its dole
    Was meted it, to be thus pound in clay--
    That daubs its whiteness and offends its pride.

    There were loud questions in the rainbow's end,
    And hurried answers, and a sound of spears.
    And through the yellow blaze I saw one bend
    Down on a trembling white knee, and her tears
    Fell down in globes of light, and her small mouth
    Was filled up with a name unspoken. Years
    Of waiting love, and all their long, long drought
    Of kisses parched her lips, and did she spend
    Her eyes blue candles searching thro' her fears.
    "She hath loved Ganymede, the stolen boy."
    Said one, and then another, "Let us sing
    To Zeus that he may give her living joy
    Above Olympus, where the cool hill-spring
    Of Lethe bubbles up to bathe the heart
    Sorrow's lean fingers bruised. There eagles wing
    To eyries in the stars, and when they part
    Their broad dark wings a wind is born to buoy
    The bee home heavy in the far evening."



    HYMN TO ZEUS


    "God, whose kindly hand doth sow
    The rainbow showers on hill and lawn,
    To make the young sweet grasses grow
    And fill the udder of the fawn.
    Whose light is life of leaf and flower,
    And all the colours of the birds.
    Whose song goes on from hour to hour
    Upon the river's liquid words.
    Reach out a golden beam of thine
    And touch her pain. Your finger-tips
    Do make the violets' blue eclipse
    Like milk upon a daisy shine.

    God, who lights the little stars,
    And over night the white dew spills.
    Whose hand doth move the season's cars
    And clouds that mock our pointed hills.
    Whose bounty fills the cow-trod wold,
    And fills with bread the warm brown sod.
    Who brings us sleep, where we grow old
    'Til sleep and age together nod.

    Reach out a beam and touch the pain
    A heart has oozed thro' all the years.
    Your pity dries the morning's tears
    And fills the world with joy again!"
    The rainbow's lights were shut, and all the maids
    Stood round the sad nymph in a snow-white ring,
    She rising spoke, "A blue and soft light bathes
    Me to the fingers. Lo, I upward swing!"
    And round her fell a mantle of blue light.
    "Watch for me on the forehead of evening."
    And lifting beautiful went out of sight.
    And all the flowers flowed backward from the glades,
    An ebb of colours redolent of Spring.

    Beauty and Love are sisters of the heart,
    Love has no voice, and Beauty whispered song.
    Now in my own, drawn silently apart
    Love looked, and Beauty sang. I felt a strong
    Pulse on my wrist, a feeling like a pain
    In my quick heart, for Love with gazes long
    Was worshipping at Artemis, now lain
    Among the heaving flowers ... I longed to dart
    And fold her to my breast, nor saw the wrong.
    She lay there, a tall beauty by her spear,
    Her kirtle falling to her soft round knee.
    Her hair was like the day when evening's near,
    And her moist mouth might tempt the golden bee.
    Smile's creases ran from dimples pink and deep,
    And when she raised her arms I loved to see
    The white mounds of her muscles. Gentle sleep
    Threatened her far blue looks. The noisy weir
    Fell into a low murmuring lullaby.
    And then the flowers came back behind the heel
    Of hunted Io: she, poor maid, had fear
    Wide in her eyes looking half back to steal
    A glimpse of the loud gadfly fiercely near.
    In her right hand she held Planting light,
    And in her left her train. Artemis here
    Raised herself on her palms, and took a white
    Horn from her side and blew a silver peal
    Til three hounds from the coppice did appear.

    The white nine left the spaces of flowers, and now
    Went calling thro' the wood the hunter's call.
    Young echoes sleeping in the hollow bough
    Took up the shouts and handed them to all
    Their sisters of the crags, 'til all the day
    Was filled with voices loud and musical.
    I followed them across a tangled way
    'Til the red deer broke out and took the brow
    Of a wide hill in bounces like a ball.
    Beside swift Artemis I joined the chase;
    We roused up kine and scattered fleecy flocks;
    Crossed at a mill a swift and bubbly race;
    Scaled in a wood of pine the knotty rocks;
    Past a grey vision of a valley town;
    Past swains at labour in their coloured frocks;
    Once saw a boar upon a windy down;
    Once heard a cradle in a lonely place,
    And saw the red flash of a frightened fox.

    We passed a garden where three maids in blue
    Were talking of a queen a long time dead.
    We caught a green glimpse of the sea: then thro'
    A town all hills; now round a wood we sped
    And killed our quarry in his native lair.
    Then Artemis spun round to me and said,
    "Whence come you?" and I took her long damp hair
    And made a ball of it, and said, "Where you
    Are midnight's dreams of love." She dropped her head,
    No word she spoke, but, panting in her side,
    I heard her heart. The trees were all at peace,
    And lifting slowly on the grey evetide
    A large and lovely star. Then to release
    Her hair, my hand dropped to her girded waist
    And lay there shyly. "O my love, the lease
    Of your existence is for ever: taste
    No less with me the love of earth," I cried.
    "Though for so short a while on lands and seas
    Our mortal hearts know beauty, and overblow,
    And we are dust upon some passing wind,
    Dust and a memory. But for you the snow
    That so long cloaks the mountains to the knees
    Is no more than a morning. It doth go
    And summer comes, and leaf upon the trees:
    Still you are fair and young, and nothing find
    In all man's story that seems long ago.
    I have not loved on Earth the strife for gold,
    Nor the great name that makes immortal man,
    But all that struggle upward to behold
    What still is left of Beauty undisgraced,
    The snowdrop at the heel of winter cold
    And shivering, and the wayward cuckoo chased
    By lingering March, and, in the thunder's van
    The poor lambs merry on the meagre wold,
    By-ways and cast-off things that lie therein,
    Old boots that trod the highways of the world,
    The schoolboy's broken hoop, the battered bin
    That heard the ragman's story, blackened places
    Where gipsies camped and circuses made din,
    Fast water and the melancholy traces
    Of sea tides, and poor people madly whirled
    Up, down, and through the black retreats of sin.
    These things a god might love, and stooping bless
    With benedictions of eternal song.--
    But I have not loved Artemis the less
    For loving these, but deem it noble love
    To sing of live or dead things in distress
    And wake memorial memories above.

    Such is the soul that comes to plead with you
    Oh, Artemis, to tend you in your needs.
    At mornings I will bring you bells of dew
    From honey places, and wild fish from, streams
    Flowing in secret places. I will brew
    Sweet wine of alder for your evening dreams,
    And pipe you music in the dusky reeds
    When the four distances give up their blue.

    And when the white procession of the stars
    Crosses the night, and on their tattered wings,
    Above the forest, cry the loud night-jars,
    We'll hunt the stag upon the mountain-side,
    Slipping like light between the shadow bars
    'Til burst of dawn makes every distance wide.
    Oh, Artemis--what grief the silence brings!
    I hear the rolling chariot of Mars!"




    A LITTLE BOY IN THE MORNING

    He will not come, and still I wait.
    He whistles at another gate
    Where angels listen. Ah, I know
    He will not come, yet if I go
    How shall I know he did not pass
    Barefooted in the flowery grass?

    The moon leans on one silver horn
    Above the silhouettes of morn,
    And from their nest sills finches whistle
    Or stooping pluck the downy thistle.
    How is the morn so gay and fair
    Without his whistling in its air?
    The world is calling, I must go.
    How shall I know he did not pass
    Barefooted in the shining grass?




    IN BARRACKS




    TO A DISTANT ONE


    Through wild by-ways I come to you, my love,
    Nor ask of those I meet the surest way,
    What way I turn I cannot go astray
    And miss you in my life. Though Fate may prove
    A tardy guide she will not make delay
    Leading me through strange seas and distant lands,
    I'm coming still, though slowly, to your hands.
            We'll meet one day.

    There is so much to do, so little done,
    In my life's space that I perforce did leave
    Love at the moonlit trysting-place to grieve
    Till fame and other little things were won.
    I have missed much that I shall not retrieve,
    Far will I wander yet with much to do.
    Much will I spurn before I yet meet you,
            So fair I can't deceive.

    Your name is in the whisper of the woods
    Like Beauty calling for a poet's song
    To one whose harp had suffered many a wrong
    In the lean hands of Pain. And when the broods
    Of flower eyes waken all the streams along
    In tender whiles, I feel most near to you:--
    Oh, when we meet there shall be sun and blue
            Strong as the spring is strong.




    THE PLACE


    Blossoms as old as May I scatter here,
    And a blue wave I lifted from the stream.
    It shall not know when winter days are drear
    Or March is hoarse with blowing. But a-dream
    The laurel boughs shall hold a canopy
    Peacefully over it the winter long,
    Till all the birds are back from oversea,
    And April rainbows win a blackbird's song.

    And when the war is over I shall take
    My lute a-down to it and sing again
    Songs of the whispering things amongst the brake,
    And those I love shall know them by their strain.
    Their airs shall be the blackbird's twilight song,
    Their words shall be all flowers with fresh dews hoar.--
    But it is lonely now in winter long,
    And, God! to hear the blackbird sing once more.




    MAY


    She leans across an orchard gate somewhere,
    Bending from out the shadows to the light,
    A dappled spray of blossom in her hair
    Studded with dew-drops lovely from the night
    She smiles to think how many hearts she'll smite
    With beauty ere her robes fade from the lawn.
    She hears the robin's cymbals with delight,
    The skylark in the rosebush of the dawn.

    For her the cowslip rings its yellow bell,
    For her the violets watch with wide blue eyes.
    The wandering cuckoo doth its clear name tell
    Thro' the white mist of blossoms where she lies
    Painting a sunset for the western skies.
    You'd know her by her smile and by her tear
    And by the way the swift and martin flies,
    Where she is south of these wild days and drear.




    TO EILISH OF THE FAIR HAIR


    I'd make my heart a harp to play for you
    Love songs within the evening dim of day,
    Were it not dumb with ache and with mildew
    Of sorrow withered like a flower away.
    It hears so many calls from homeland places,
    So many sighs from all it will remember,
    From the pale roads and woodlands where your face is
    Like laughing sunlight running thro' December.

    But this it singeth loud above its pain,
    To bring the greater ache: whate'er befall
    The love that oft-times woke the sweeter strain
    Shall turn to you always. And should you call
    To pity it some day in those old places
    Angels will covet the loud joy that fills it.
    But thinking of the by-ways where your face is
    Sunlight on other hearts--Ah! how it kills it.




    IN CAMP




    CREWBAWN


    White clouds that change and pass,
    And stars that shine awhile,
    Dew water on the grass,
    A fox upon a stile.

    A river broad and deep,
    A slow boat on the waves,
    My sad thoughts on the sleep
    That hollows out the graves.




    EVENING IN ENGLAND


    From its blue vase the rose of evening drops.
    Upon the streams its petals float away.
    The hills all blue with distance hide their tops
    In the dim silence falling on the grey.
    A little wind said "Hush!" and shook a spray
    Heavy with May's white crop of opening bloom,
    A silent bat went dipping up the gloom.

    Night tells her rosary of stars full soon,
    They drop from out her dark hand to her knees.
    Upon a silhouette of woods the moon
    Leans on one horn as if beseeching ease
    From all her changes which have stirred the seas.
    Across the ears of Toil Rest throws her veil,
    I and a marsh bird only make a wail.




    AT SEA




    CROCKNAHARNA


    On the heights of Crocknaharna,
    (Oh, the lure of Crocknaharna)
    On a morning fair and early
    Of a dear remembered May,
    There I heard a colleen singing
    In the brown rocks and the grey.
    She, the pearl of Crocknaharna,
    Crocknaharna, Crocknaharna,
    Wild with girls is Crocknaharna
    Twenty hundred miles away.

    On the heights of Crocknaharna,
    (Oh, thy sorrow Crocknaharna)
    On an evening dim and misty
    Of a cold November day,
    There I heard a woman weeping
    In the brown rocks and the grey.
    Oh, the pearl of Crocknaharna
    (Crocknaharna, Crocknaharna),
    Black with grief is Crocknaharna
    Twenty hundred miles away.




    IN THE MEDITERRANEAN--GOING TO THE WAR


    Lovely wings of gold and green
    Flit about the sounds I hear,
    On my window when I lean
    To the shadows cool and clear.

        *   *   *   *   *

    Roaming, I am listening still,
    Bending, listening overlong,
    In my soul a steadier will,
    In my heart a newer song.




    THE GARDENER


    Among the flowers, like flowers, her slow hands move
    Easing a muffled bell or stooping low
    To help sweet roses climb the stakes above,
    Where pansies stare and seem to whisper "Lo!"
    Like gaudy butterflies her sweet peas blow
    Filling the garden with dim rustlings. Clear
    On the sweet Book she reads how long ago
    There was a garden to a woman dear.

    She makes her life one grand beatitude
    Of Love and Peace, and with contented eyes
    She sees not in the whole world mean or rude,
    And her small lot she trebly multiplies.
    And when the darkness muffles up the skies
    Still to be happy is her sole desire,
    She sings sweet songs about a great emprise,
    And sees a garden blowing in the fire.




    IN SERBIA




    AUTUMN EVENING IN SERBIA


    All the thin shadows
    Have closed on the grass,
    With the drone on their dark wings
    The night beetles pass.
    Folded her eyelids,
    A maiden asleep,
    Day sees in her chamber
    The pallid moon peep.

    From the bend of the briar
    The roses are torn,
    And the folds of the wood tops
    Are faded and worn.
    A strange bird is singing
    Sweet notes of the sun,
    Tho' song time is over
    And Autumn begun.




    NOCTURNE


    The rim of the moon
    Is over the corn.
    The beetle's drone
    Is above the thorn.
    Grey days come soon
    And I am alone;
    Can you hear my moan
    Where you rest, Aroon?

    When the wild tree bore
    The deep blue cherry,
    In night's deep hall
    Our love kissed merry.
    But you come no more
    Where its woodlands call,
    And the grey days fall
    On my grief, Astore!




    SPRING AND AUTUMN


    Green ripples singing down the corn,
    With blossoms dumb the path I tread,
    And in the music of the morn
    One with wild roses on her head.

    Now the green ripples turn to gold
    And all the paths are loud with rain,
    I with desire am growing old
    And full of winter pain.




    IN GREECE




    THE DEPARTURE OF PROSERPINE


    Old mother Earth for me already grieves,
    Her morns wake weeping and her noons are dim,
    Silence has left her woods, and all the leaves
    Dance in the windy shadows on the rim
    Of the dull lake thro' which I soon shall pass
            To my dark bridal bed
    Down in the hollow chambers of the dead.
    Will not the thunder hide me if I call,
    Wrapt in the corner of some distant star
    The gods have never known?
            Alas! alas!
    My voice has left with the last wing, my fall
    Shall crush the flowery fields with gloom, as far
            As swallows fly.
            Would I might die
    And in a solitude of roses lie
    As the last bud's outblown.
    Then nevermore Demeter would be heard
    Wail in the blowing rain, but every shower
    Would come bound up with rainbows to the birds
    Wrapt in a dusty wing, and the dry flower
            Hanging a shrivelled lip.
    This weary change from light to darkness fills
    My heart with twilight, and my brightest day
    Dawns over thunder and in thunder spills
            Its urn of gladness
            With a sadness
    Through which the slow dews drip
    And the bat goes over on a thorny wing.
    Is it a dream that once I used to sing
    From Ægean shores across her rocky isles,
    Making the bells of Babylon to ring
            Over the wiles
    That lifted me from darkness to the Spring
            And the King
    Seeing his wine in blossom on the tree
    Danced with the queen a merry roundelay,
    And all the blue circumference of the day
    Was loud with flying song.----
    --But let me pass along:
    What brooks it the unfree to thus delay?
    No secret turning leads from the gods' way.




    THE HOMECOMING OF THE SHEEP


    The sheep are coming home in Greece,
    Hark the bells on every hill!
    Flock by flock, and fleece by fleece,
    Wandering wide a little piece
    Thro' the evening red and still,
    Stopping where the pathways cease,
    Cropping with a hurried will.

    Thro' the cotton-bushes low
    Merry boys with shouldered crooks
    Close them in a single row,
    Shout among them as they go
    With one bell-ring o'er the brooks.
    Such delight you never know
    Reading it from gilded books.

    Before the early stars are bright
    Cormorants and sea-gulls call,
    And the moon comes large and white
    Filling with a lovely light
    The ferny curtained waterfall.
    Then sleep wraps every bell up tight
    And the climbing moon grows small.




    WHEN LOVE AND BEAUTY WANDER AWAY


    When Love and Beauty wander away,
    And there's no more hearts to be sought and won,
    When the old earth limps thro' the dreary day,
    And the work of the Seasons cry undone:
    Ah! what shall we do for a song to sing,
    Who have known Beauty, and Love, and Spring?

    When Love and Beauty wander away,
    And a pale fear lies on the cheeks of youth,
    When there's no more goal to strive for and pray,
    And we live at the end of the world's untruth:
    Ah! what shall we do for a heart to prove,
    Who have known Beauty, and Spring, and Love?




    IN HOSPITAL IN EGYPT




    MY MOTHER


    God made my mother on an April day,
    From sorrow and the mist along the sea,
    Lost birds' and wanderers' songs and ocean spray
    And the moon loved her wandering jealously.

    Beside the ocean's din she combed her hair,
    Singing the nocturne of the passing ships,
    Before her earthly lover found her there
    And kissed away the music from her lips.

    She came unto the hills and saw the change
    That brings the swallow and the geese in turns.
    But there was not a grief she deeméd strange,
    For there is that in her which always mourns.

    Kind heart she has for all on hill or wave
    Whose hopes grew wings like ants to fly away.
    I bless the God Who such a mother gave
    This poor bird-hearted singer of a day.




    SONG


    Nothing but sweet music wakes
      My Beloved, my Beloved.
    Sleeping by the blue lakes,
      My own Beloved!

    Song of lark and song of thrush,
      My Beloved! my Beloved!
    Sing in morning's rosy bush,
      My own Beloved!

    When your eyes dawn blue and clear,
      My Beloved! my Beloved!
    You will find me waiting here,
      My own Beloved!




    TO ONE DEAD


    A blackbird singing
    On a moss upholstered stone,
    Bluebells swinging,
    Shadows wildly blown,
    A song in the wood,
    A ship on the sea.
    The song was for you
    And the ship was for me.

    A blackbird singing
    I hear in my troubled mind,
    Bluebells swinging
    I see in a distant wind.
    But sorrow and silence
    Are the wood's threnody,
    The silence for you
    And the sorrow for me.




    THE RESURRECTION


    My true love still is all that's fair,
    She is flower and blossom blowing free,
    For all her silence lying there
    She sings a spirit song to me.

    New lovers seek her in her bower,
    The rain, the dew, the flying wind,
    And tempt her out to be a flower,
    Which throws a shadow on my mind.




    THE SHADOW PEOPLE


    Old lame Bridget doesn't hear
    Fairy music in the grass
    When the gloaming's on the mere
    And the shadow people pass:
    Never hears their slow grey feet
    Coming from the village street
    Just beyond the parson's wall,
    Where the clover globes are sweet
    And the mushroom's parasol
    Opens in the moonlit rain.
    Every night I hear them call
    From their long and merry train.
    Old lame Bridget says to me,
    "It is just your fancy, child,"
    She cannot believe I see
    Laughing faces in the wild,
    Hands that twinkle in the sedge
    Bowing at the water's edge
    Where the finny minnows quiver,
    Shaping on a blue wave's ledge
    Bubble foam to sail the river.
    And the sunny hands to me
    Beckon ever, beckon ever.
    Oh! I would be wild and free
    And with the shadow people be.




    IN BARRACKS




    AN OLD DESIRE


    I searched thro' memory's lumber-room
    And there I found an old desire,
    I took it gently from the gloom
    To cherish by my scanty tire.

    And all the night a sweet-voiced one,
    Sang of the place my loves abide,
    Til Earth leaned over from the dawn
    And hid the last star in her side.

    And often since, when most alone,
    I ponder on my old desire,
    But never hear the sweet-voiced one,
    And there are ruins in my fire.




    THOMAS McDONAGH


    He shall not hear the bittern cry
    In the wild sky, where he is lain,
    Nor voices of the sweeter birds
    Above the wailing of the rain.

    Nor shall he know when loud March blows
    Thro' slanting snows her fanfare shrill,
    Blowing to flame the golden cup
    Of many an upset daffodil.

    But when the Dark Cow leaves the moor,
    And pastures poor with greedy weeds,
    Perhaps he'll hear her low at morn
    Lifting her horn in pleasant meads.




    THE WEDDING MORNING


    Spread the feast, and let there be
    Such music heard as best beseems
    A king's son coming from the sea
    To wed a maiden of the streams.

    Poets, pale for long ago,
    Bring sweet sounds from rock and flood,
    You by echo's accent know
    Where the water is and wood.

    Harpers whom the moths of Time
    Bent and wrinkled dusty brown,
    Her chains are falling with a chime,
    Sweet as bells in Heaven town.

    But, harpers, leave your harps aside,
    And, poets, leave awhile your dreams.
    The storm has come upon the tide
    And Cathleen weeps among her streams.




    THE BLACKBIRDS


    I heard the Poor Old Woman say:
    "At break of day the fowler came,
    And took my blackbirds from their songs
    Who loved me well thro shame and blame.

    No more from lovely distances
    Their songs shall bless me mile by mile,
    Nor to white Ashbourne call me down
    To wear my crown another while.

    With bended flowers the angels mark
    For the skylark the place they lie,
    From there its little family
    Shall dip their wings first in the sky.

    And when the first surprise of flight
    Sweet songs excite, from the far dawn
    Shall there come blackbirds loud with love,
    Sweet echoes of the singers gone.

    But in the lonely hush of eve
    Weeping I grieve the silent bills."
    I heard the Poor Old Woman say
    In Derry of the little hills.




    THE LURE


    I saw night leave her halos down
    On Mitylene's dark mountain isle,
    The silhouette of one fair town
    Like broken shadows in a pile.
    And in the farther dawn I heard
    The music of a foreign bird.

    In fields of shady angles now
    I stand and dream in the half dark:
    The thrush is on the blossomed bough,
    Above the echoes sings the lark,
    And little rivers drop between
    Hills fairer than dark Mitylene.

    Yet something calls me with no voice
    And wakes sweet echoes in my mind;
    In the fair country of my choice
    Nor Peace nor Love again I find,
    Nor anything of rest I know
    When south-east winds are blowing low.




    THRO' BOGAC BAN


    I met the Silent Wandering Man,
    Thro' Bogac Ban he made his way,
    Humming a slow old Irish tune,
    On Joseph Plunkett's wedding day.

    And all the little whispering things
    That love the springs of Bogac Ban,
    Spread some new rumour round the dark
    And turned their faces from the dawn.


        *    *    *    *    *

    My hand upon my harp I lay,
    I cannot say what things I know;
    To meet the Silent Wandering Man
    Of Bogac Ban once more I go.




    FATE


    Lugh made a stir in the air
    With his sword of cries,
    And fairies thro' hidden ways
    Came from the skies,
    And their spells withered up the fair
    And vanquished the wise.

    And old lame Balor came down
    With his gorgon eye
    Hidden behind its lid,
    Old, withered and dry.
    He looked on the wattle town,
    And the town passed by.

    These things I know in my dreams,
    The crying sword of Lugh,
    And Balor's ancient eye
    Searching me through,
    Withering up my songs
    And my pipe yet new.




    EVENING CLOUDS


    A little flock of clouds go down to rest
    In some blue corner off the moon's highway,
    With shepherd winds that shook them in the West
    To borrowed shapes of earth, in bright array,
    Perhaps to weave a rainbow's gay festoons
    Around the lonesome isle which Brooke has made
    A little England full of lovely noons,
    Or dot it with his country's mountain shade.

    Ah, little wanderers, when you reach that isle
    Tell him, with dripping dew, they have not failed,
    What he loved most; for late I roamed awhile
    Thro' English fields and down her rivers sailed;
    And they remember him with beauty caught
    From old desires of Oriental Spring
    Heard in his heart with singing overwrought;
    And still on Purley Common gooseboys sing.




    SONG


    The winds are scented with woods after rain,
    And a raindrop shines in the daisy's eye.
    Shall we follow the swallow again, again,
    Ah! little yearning thing, you and I?

    You and I to the South again,
    And heart! Oh, heart, how you shall sigh,
    For the kind soft wind that follows the rain,
    And the raindrop shed from the daisy's eye.




    THE HERONS


    As I was climbing Ardan Mor
    From the shore of Sheelan lake,
    I met the herons coming down
    Before the water's wake.

    And they were talking in their flight
    Of dreamy ways the herons go
    When all the hills are withered up
    Nor any waters flow.




    IN THE SHADOWS


    The silent music of the flowers
      Wind-mingled shall not fail to cheer
    The lonely hours
      When I no more am here.

    Then in some shady willow place
      Take up the book my heart has made,
    And hide your face
      Against my name which was a shade.




    THE SHIPS OF ARCADY


    Thro' the faintest filigree
    Over the dim waters go
    Little ships of Arcady
    When the morning moon is low.

    I can hear the sailors' song
    From the blue edge of the sea,
    Passing like the lights along
    Thro' the dusky filigree.

    Then where moon and waters meet
    Sail by sail they pass away,
    With little friendly winds replete
    Blowing from the breaking day.

    And when the little ships have flown,
    Dreaming still of Arcady
    I look across the waves, alone
    In the misty filigree.




    AFTER


    And in the after silences
    Of flower-lit distances I'll be,
    And who would find me travels far
    In lands unsung of minstrelsy.
    Strong winds shall cross my secret way,
    And planet mountains hide my goal,
    I shall go on from pass to pass,
    By monstrous rocks, a lonely soul.




    TO ONE WEEPING


    Maiden, these are sacred tears,
    Let me not disturb your grief!
    Had I but your bosom's fears
    I should weep, nor seek relief.

    My woe is a silent woe
    'Til I give it measured rhyme,
    When the blackbird's flute is low
    In my heart at singing time.




    A DREAM DANCE


    Maeve held a ball on the dún,
    Cuculain and Eimer were there,
    In the light of an old broken moon
    I was dancing with Deirdre the fair.

    How loud was the laughter of Finn
    As he blundered about thro' a reel,
    Tripping up Caoilte the thin,
    Or jostling the dreamy Aleel.

    And when the dance ceased for a song,
    How sweet was the singing of Fand,
    We could hear her far, wandering along,
    My hand in that beautiful hand.




    BY FAUGHAN


    For hills and woods and streams unsung
    I pipe above a rippled cove.
    And here the weaver autumn hung
    Between the hills a wind she wove
    From sounds the hills remember yet
    Of purple days and violet.

    The hills stand up to trip the sky,
    Sea-misted, and along the tops
    Wing after wing goes summer by,
    And many a little roadway stops
    And starts, and struggles to the sea,
    Cutting them up in filigree.

    Twixt wind and silence Faughan flows,
    In music broken over rocks,
    Like mingled bells the poet knows
    Ring in the fields of Eastern flocks.
    And here this song for you I find
    Between the silence and the wind.




    IN SEPTEMBER


    Still are the meadowlands, and still
    Ripens the upland corn,
    And over the brown gradual hill
    The moon has dipped a horn.

    The voices of the dear unknown
    With silent hearts now call,
    My rose of youth is overblown
    And trembles to the fall.

    My song forsakes me like the birds
    That leave the rain and grey,
    I hear the music of the words
    My lute can never say.




    LAST SONGS




    TO AN OLD QUILL OF LORD DUNSANY'S


    Before you leave my hands' abuses
    To lie where many odd things meet you,
    Neglected darkling of the Muses,
    I, the last of singers, greet you.

    Snug in some white wing they found you,
    On the Common bleak and muddy,
    Noisy goslings gobbling round you
    In the pools of sunset, ruddy.

    Have you sighed in wings untravelled
    For the heights where others view the
    Bluer widths of heaven, and marvelled
    At the utmost top of Beauty?

    No! it cannot be; the soul you
    Sigh with craves nor begs of us.
    From such heights a poet stole you
    From a wing of Pegasus.

    You have been where gods were sleeping
    In the dawn of new creations,
    Ere they woke to woman's weeping
    At the broken thrones of nations.

    You have seen this old world shattered
    By old gods it disappointed,
    Lying up in darkness, battered
    By wild comets, unanointed.

    But for Beauty unmolested
    Have you still the sighing olden?
    I know mountains heather-crested,
    Waters white, and waters golden.

    There I'd keep you, in the lowly
    Beauty-haunts of bird and poet,
    Sailing in a wing, the holy
    Silences of lakes below it.

    But I leave you by where no man
    Finds you, when I too be gone
    From the puddles on this common
    Over the dark Rubicon.

    _Londonderry,_

    _September 18th, 1916._




    TO A SPARROW


    Because you have no fear to mingle
    Wings with those of greater part,
    So like me, with song I single
    Your sweet impudence of heart.

    And when prouder feathers go where
    Summer holds her leafy show,
    You still come to us from nowhere
    Like grey leaves across the snow.

    In back ways where odd and end go
    To your meals you drop down sure,
    Knowing every broken window
    Of the hospitable poor.

    There is no bird half so harmless,
    None so sweetly rude as you,
    None so common and so charmless,
    None of virtues nude as you.

    But for all your faults I love you,
    For you linger with us still,
    Though the wintry winds reprove you
    And the snow is on the hill.

    _Londonderry,_

    _September 20th, 1916._




    OLD CLO'


    I was just coming in from the garden,
    Or about to go fishing for eels,
    And, smiling, I asked you to pardon
    My boots very low at the heels.
    And I thought that you never would go,
    As you stood in the doorway ajar,
    For my heart would keep saying, "Old Clo',
    You're found out at last as you are."

    I was almost ashamed to acknowledge
    That I was the quarry you sought,
    For was I not bred in a college
    And reared in a mansion, you thought.
    And now in the latest style cut
    With fortune more kinder I go
    To welcome you half-ways. Ah! but
    I was nearer the gods when "Old Clo'."




    YOUTH


    She paved the way with perfume sweet
    Of flowers that moved like winds alight,
    And never weary grew my feet
    Wandering through the spring's delight.

    She dropped her sweet fife to her lips
    And lured me with her melodies,
    To where the great big wandering ships
    Put out into the peaceful seas.

    But when the year grew chill and brown,
    And all the wings of Summer flown,
    Within the tumult of a town
    She left me to grow old alone.




    THE LITTLE CHILDREN


    Hunger points a bony finger
    To the workhouse on the hill,
    But the little children linger
    While there's flowers to gather still
    For my sunny window sill.

    In my hands I take their faces,
    Smiling to my smiles they run.
    Would that I could take their places
    Where the murky bye-ways shun
    The benedictions of the sun.

    How they laugh and sing returning
    Lightly on their secret way.
    While I listen in my yearning
    Their laughter fills the windy day
    With gladness, youth and May.




    AUTUMN


    Now leafy winds are blowing cold,
    And South by West the sun goes down,
    A quiet huddles up the fold
    In sheltered corners of the brown.

    Like scattered fire the wild fruit strews
    The ground beneath the blowing tree,
    And there the busy squirrel hews
    His deep and secret granary.

    And when the night comes starry clear,
    The lonely quail complains beside
    The glistening waters on the mere
    Where widowed Beauties yet abide.

    And I, too, make my own complaint
    Upon a reed I plucked in June,
    And love to hear it echoed faint
    Upon another heart in tune.

    _Londonderry,_

    _September 29th, 1916._




    IRELAND


    I called you by sweet names by wood and linn,
    You answered not because my voice was new,
    And you were listening for the hounds of Finn
        And the long hosts of Lugh.

    And so, I came unto a windy height
    And cried my sorrow, but you heard no wind,
    For you were listening to small ships in flight,
        And the wail on hills behind.

    And then I left you, wandering the war
    Armed with will, from distant goal to goal,
    To find you at the last free as of yore,
        Or die to save your soul.

    And then you called to us from far and near
    To bring your crown from out the deeps of time,
    It is my grief your voice I couldn't hear
        In such a distant clime.




    LADY FAIR


    Lady fair, have we not met
    In our lives elsewhere?
    Darkling in my mind to-night
    Faint fair faces dare
    Memory's old unfaithfulness
    To what was true and fair.
    Long of memory is Regret,
    But what Regret has taken flight
    Through my memory's silences?
    Lo! I turn it to the light.
    'Twas but a pleasure in distress,
    Too faint and far off for redress.
    But some light glancing in your hair
    And in the liquid of your eyes
    Seem to murmur old good-byes
    In our lives elsewhere.
    Have we not met, Lady fair?

    _Londonderry,_

    _October 27th, 1916._




    AT A POET'S GRAVE


    When I leave down this pipe my friend
    And sleep with flowers I loved, apart,
    My songs shall rise in wilding things
    Whose roots are in my heart.

    And here where that sweet poet sleeps
    I hear the songs he left unsung,
    When winds are fluttering the flowers
    And summer-bells are rung.

    _November, 1916._




    AFTER COURT MARTIAL


    My mind is not my mind, therefore
    I take no heed of what men say,
    I lived ten thousand years before
    God cursed the town of Nineveh.

    The Present is a dream I see
    Of horror and loud sufferings,
    At dawn a bird will waken me
    Unto my place among the kings.

    And though men called me a vile name,
    And all my dream companions gone,
    'Tis I the soldier bears the shame.
    Not I the king of Babylon.




    A MOTHER'S SONG


    Little ships of whitest pearl
    With sailors who were ancient kings,
    Come over the sea when my little girl
    Sings.

    And if my little girl should weep,
    Little ships with torn sails
    Go headlong down among the deep
    Whales.

    _November, 1916._




    AT CURRABWEE


    Every night at Currabwee
    Little men with leather hats
    Mend the boots of Faery
    From the tough wings of the bats.
    So my mother told to me,
    And she is wise you will agree.

    Louder than a cricket's wing
    All night long their hammer's glee
    Times the merry songs they sing
    Of Ireland glorious and free.
    So I heard Joseph Plunkett say,
    You know he heard them but last May.

    And when the night is very cold
    They warm their hands against the light
    Of stars that make the waters gold
    Where they are labouring all the night.
    So Pearse said, and he knew the truth,
    Among the stars he spent his youth.

    And I, myself, have often heard
    Their singing as the stars went by,
    For am I not of those who reared
    The banner of old Ireland high,
    From Dublin town to Turkey's shores,
    And where the Vardar loudly roars?

    _December, 1916._




    SONG-TIME IS OVER


    I will come no more awhile,
      O Song-time is over.
    A fire is burning in my heart,
      I was ever a rover.

    You will hear me no more awhile,
      The birds are dumb,
    And a voice in the distance calls
      "Come," and "Come,"

    _December 13th, 1916._




    UNA BAWN


    Una Bawn, the days are long,
    And the seas I cross are wide,
    I must go when Ireland needs,
    And you must bide.

    And should I not return to you
    When the sails are on the tide,
    'Tis you will find the days so long,
    Una Bawn, and I must bide.

    _December 13th, 1916._




    SPRING LOVE


    I saw her coming through the flowery grass,
    Round her swift ankles butterfly and bee
    Blent loud and silent wings; I saw her pass
    Where foam-bows shivered on the sunny sea.

    Then came the swallow crowding up the dawn,
    And cuckoo-echoes filled the dewy South.
    I left my love upon the hill, alone,
    My last kiss burning on her lovely mouth.

    B.E.F.--_December 26th, 1916._




    SOLILOQUY


    When I was young I had a care
    Lest I should cheat me of my share
    Of that which makes it sweet to strive
    For life, and dying still survive,
    A name in sunshine written higher
    Than lark or poet dare aspire.

    But I grew weary doing well,
    Besides, 'twas sweeter in that hell,
    Down with the loud banditti people
    Who robbed the orchards, climbed the steeple
    For jackdaws' eggs and made the cock
    Crow ere 'twas daylight on the clock.
    I was so very bad the neighbours
    Spoke of me at their daily labours.

    And now I'm drinking wine in France,
    The helpless child of circumstance.
    To-morrow will be loud with war,
    How will I be accounted for?

    It is too late now to retrieve
    A fallen dream, too late to grieve
    A name unmade, but not too late
    To thank the gods for what is great;
    A keen-edged sword, a soldier's heart,
    Is greater than a poet's art.
    And greater than a poet's fame
    A little grave that has no name.




    DAWN


    Quiet miles of golden sky,
    And in my heart a sudden flower.
    I want to clap my hands and cry
    For Beauty in her secret bower.

    Quiet golden miles of dawn--Smiling
    all the East along;
    And in my heart nigh fully blown
    A little rose-bud of a song.




    CEOL SIDHE[1]


    When May is here, and every morn
    Is dappled with pied bells,
    And dewdrops glance along the thorn
    And wings flash in the dells,
    I take my pipe and play a tune
    Of dreams, a whispered melody,
    For feet that dance beneath the moon
    In fairy jollity.

    And when the pastoral hills are grey
    And the dim stars are spread,
    A scamper fills the grass like play
    Of feet where fairies tread.
    And many a little whispering thing
    Is calling to the Shee.
    The dewy bells of evening ring,
    And all is melody.

    _France,_

    _December 29th, 1916._

[Footnote 1: Fairy music.]




    THE RUSHES


    The rushes nod by the river
    As the winds on the loud waves go,
    And the things they nod of are many,
    For it's many the secret they know.

    And I think they are wise as the fairies
    Who lived ere the hills were high,
    They nod so grave by the river
    To everyone passing by.

    If they would tell me their secrets
    I would go by a hidden way,
    To the rath when the moon retiring
    Dips dim horns into the gray.

    And a fairy-girl out of Leinster
    In a long dance I should meet,
    My heart to her heart beating,
    My feet in rhyme with her feet.

    _France,_
    _January 6th, 1917._




    THE DEAD KINGS


    All the dead kings came to me
    At Rosnaree, where I was dreaming.
    A few stars glimmered through the morn,
    And down the thorn the dews were streaming.

    And every dead king had a story
    Of ancient glory, sweetly told.
    It was too early for the lark,
    But the starry dark had tints of gold.

    I listened to the sorrows three
    Of that Eirë passed into song.
    A cock crowed near a hazel croft,
    And up aloft dim larks winged strong.

    And I, too, told the kings a story
    Of later glory, her fourth sorrow:
    There was a sound like moving shields
    In high green fields and the lowland furrow.

    And one said: "We who yet are kings
    Have heard these things lamenting inly."
    Sweet music flowed from many a bill
    And on the hill the morn stood queenly.

    And one said: "Over is the singing,
    And bell bough ringing, whence we come;
    With heavy hearts we'll tread the shadows,
    In honey meadows birds are dumb."

    And one said: "Since the poets perished
    And all they cherished in the way,
    Their thoughts unsung, like petal showers
    Inflame the hours of blue and gray."

    And one said: "A loud tramp of men
    We'll hear again at Rosnaree."
    A bomb burst near me where I lay.
    I woke, 'twas day in Picardy.

    _France,_
    _January 7th, 1917._




    IN FRANCE


    The silence of maternal hills
    Is round me in my evening dreams;
    And round me music-making bills
    And mingling waves of pastoral streams.

    Whatever way I turn I find
    The path is old unto me still.
    The hills of home are in my mind,
    And there I wander as I will.

    _February 3rd, 1917._




    HAD I A GOLDEN POUND

    (AFTER THE IRISH)


    Had I a golden pound to spend,
    My love should mend and sew no more.
    And I would buy her a little quern,
    Easy to turn on the kitchen floor.

    And for her windows curtains white,
    With birds in flight and flowers in bloom,
    To face with pride the road to town,
    And mellow down her sunlit room.

    And with the silver change we'd prove
    The truth of Love to life's own end,
    With hearts the years could but embolden,
    Had I a golden pound to spend.

    _February 5th, 1917._




    FAIRIES


    Maiden-poet, come with me
    To the heaped up cairn of Maeve,
    And there we'll dance a fairy dance
    Upon a fairy's grave.

    In and out among the trees,
    Filling all the night with sound,
    The morning, strung upon her star,
    Shall chase us round and round.

    What are we but fairies too,
    Living but in dreams alone,
    Or, at the most, but children still,
    Innocent and overgrown?

    _February 6th,_ 1917.




    IN A CAFÉ


    Kiss the maid and pass her round,
    Lips like hers were made for many.
    Our loves are far from us to-night,
    But these red lips are sweet as any.

    Let no empty glass be seen
    Aloof from our good table's sparkle,
    At the acme of our cheer
    Here are francs to keep the circle.

    They are far who miss us most--Sip
    and kiss--how well we love them,
    Battling through the world to keep
    Their hearts at peace, their God above them.

    _February 11th, 1917._




    SPRING


    Once more the lark with song and speed
    Cleaves through the dawn, his hurried bars
    Fall, like the flute of Ganymede
    Twirling and whistling from the stars.

    The primrose and the daffodil
    Surprise the valleys, and wild thyme
    Is sweet on every little hill,
    When lambs come down at folding time.

    In every wild place now is heard
    The magpie's noisy house, and through
    The mingled tunes of many a bird
    The ruffled wood-dove's gentle coo.

    Sweet by the river's noisy brink
    The water-lily bursts her crown,
    The kingfisher comes down to drink
    Like rainbow jewels falling down.

    And when the blue and grey entwine
    The daisy shuts her golden eye,
    And peaces-wraps all those hills of mine
    Safe in my dearest memory.

    _France,_
    _March 8th, 1917._




    PAN


    He knows the safe ways and unsafe
    And he will lead the lambs to fold,
    Gathering them with his merry pipe,
    The gentle and the overbold.

    He counts them over one by one,
    And leads them back by cliff and steep,
    To grassy hills where dawn is wide,
    And they may run and skip and leap.

    And just because he loves the lambs
    He settles them for rest at noon,
    And plays them on his oaten pipe
    The very wonder of a tune.

    _France,_
    _March 11th, 1917._




    WITH FLOWERS


    These have more language than my song,
    Take them and let them speak for me.
    I whispered them a secret thing
    Down the green lanes of Allary.

    You shall remember quiet ways
    Watching them fade, and quiet eyes,
    And two hearts given up to love,
    A foolish and an overwise.

    _France,_
    _April, 1917._




    THE FIND


    I took a reed and blew a tune,
    And sweet it was and very clear
    To be about a little thing
    That only few hold dear.

    Three times the cuckoo named himself,
    But nothing heard him on the hill,
    Where I was piping like an elf
    The air was very still.

    'Tw'as all about a little thing
    I made a mystery of sound,
    I found it in a fairy ring
    Upon a fairy mound.

    _June 2nd, 1917._




    A FAIRY HUNT


    Who would hear the fairy horn
    Calling all the hounds of Finn
    Must be in a lark's nest born
    When the moon is very thin.

    I who have the gift can hear
    Hounds and horn and tally ho,
    And the tongue of Bran as clear
    As Christmas bells across the snow.

    And beside my secret place
    Hurries by the fairy fox,
    With the moonrise on his face,
    Up and down the mossy rocks.

    Then the music of a horn
    And the flash of scarlet men,
    Thick as poppies in the corn
    All across the dusky glen.

    Oh! the mad delight of chase!
    Oh! the shouting and the cheer!
    Many an owl doth leave his place
    In the dusty tree to hear.




    TO ONE WHO COMES NOW AND THEN


    When you come in, it seems a brighter fire
    Crackles upon the hearth invitingly,
    The household routine which was wont to tire
    Grows full of novelty.

    You sit upon our home-upholstered chair
    And talk of matters wonderful and strange,
    Of books, and travel, customs old which dare
    The gods of Time and Change.

    Till we with inner word our care refute
    Laughing that this our bosoms yet assails,
    While there are maidens dancing to a flute
    In Andalusian vales.

    And sometimes from my shelf of poems you take
    And secret meanings to our hearts disclose,
    As when the winds of June the mid bush shake
    We see the hidden rose.

    And when the shadows muster, and each tree
    A moment flutters, full of shutting wings,
    You take the fiddle and mysteriously
    Wake wonders on the strings.

    And in my garden, grey with misty flowers,
    Low echoes fainter than a beetle's horn
    Fill all the corners with it, like sweet showers
    Of bells, in the owl's morn.

    Come often, friend, with welcome and surprise
    We'll greet you from the sea or from the town;
    Come when you like and from whatever skies
    Above you smile or frown.

    _Belgium,_
    _July 22nd, 1917_.




    THE SYLPH


    I saw you and I named a flower
    That lights with blue a woodland space,
    I named a bird of the red hour
    And a hidden fairy place.

    And then I saw you not, and knew
    Dead leaves were whirling down the mist,
    And something lost was crying through
    An evening of amethyst.




    HOME


    A burst of sudden wings at dawn,
    Faint voices in a dreamy noon,
    Evenings of mist and murmurings,
    And nights with rainbows of the moon.

    And through these things a wood-way dim,
    And waters dim, and slow sheep seen
    On uphill paths that wind away
    Through summer sounds and harvest green.

    This is a song a robin sang
    This morning on a broken tree,
    It was about the little fields
    That call across the world to me.

    _Belgium,_
    _July, 1917._




    THE LANAWN SHEE


    Powdered and perfumed the full bee
    Winged heavily across the clover,
    And where the hills were dim with dew,
    Purple and blue the west leaned over.

    A willow spray dipped in the stream,
    Moving a gleam of silver ringing,
    And by a finny creek a maid
    Filled all the shade with softest singing.

    Listening, my heart and soul at strife,
    On the edge of life I seemed to hover,
    For I knew my love had come at last,
    That my joy was past and my gladness over.

    I tiptoed gently tip and stooped
    Above her looped and shining tresses,
    And asked her of her kin and name,
    And why she came from fairy places.

    She told me of a sunny coast
    Beyond the most adventurous sailor,
    Where she had spent a thousand years
    Out of the fears that now assail her.

    And there, she told me, honey drops
    Out of the tops of ash and willow,
    And in the mellow shadow Sleep
    Doth sweetly keep her poppy pillow.

    Nor Autumn with her brown line marks
    The time of larks, the length of roses,
    But song-time there is over never
    Nor flower-time ever, ever closes.

    And wildly through uncurling ferns
    Fast water turns down valleys singing,
    Filling with scented winds the dales,
    Setting the bells of sleep a-ringing.

    And when the thin moon lowly sinks,
    Through cloudy chinks a silver glory
    Lingers upon the left of night
    Till dawn delights the meadows hoary.

    And by the lakes the skies are white,
    (Oh, the delight!) when swans are coming,
    Among the flowers sweet joy-bells peal,
    And quick bees wheel in drowsy humming.

    The squirrel leaves her dusty house
    And in the boughs makes fearless gambol,
    And, falling down in fire-drops, red,
    The fruit is shed from every bramble.

    Then, gathered all about the trees
    Glad galaxies of youth are dancing,
    Treading the perfume of the flowers,
    Filling the hours with mazy glancing.

    And when the dance is done, the trees
    Are left to Peace and the brown woodpecker,
    And on the western slopes of sky
    The day's blue eye begins to flicker.

    But at the sighing of the leaves,
    When all earth grieves for lights departed
    An ancient and a sad desire
    Steals in to tire the human-hearted.

    No fairy aid can save them now
    Nor turn their prow upon the ocean,
    The hundred years that missed each heart
    Above them start their wheels in motion.

    And so our loves are lost, she sighed,
    And far and wide we seek new treasure,
    For who on Time or Timeless hills
    Can live the ills of loveless leisure?

    ("Fairer than Usna's youngest son,
    O, my poor one, what flower-bed holds you?
    Or, wrecked upon the shores of home,
    What wave of foam with white enfolds you?

    "You rode with kings on hills of green,
    And lovely queens have served you banquet,
    Sweet wine from berries bruised they brought
    And shyly sought the lips which drank it.

    "But in your dim grave of the sea
    There shall not be a friend to love you.
    And ever heedless of your loss
    The earth ships cross the storms above you.

    "And still the chase goes on, and still
    The wine shall spill, and vacant places
    Be given over to the new
    As love untrue keeps changing faces.

    "And I must wander with my song
    Far from the young till Love returning,
    Brings me the beautiful reward
    Of some heart stirred by my long yearning.")

    Friend, have you heard a bird lament
    When sleet is sent for April weather?
    As beautiful she told her grief,
    As down through leaf and flower I led her.

    And friend, could I remain unstirred
    Without a word for such a sorrow?
    Say, can the lark forget the cloud
    When poppies shroud the seeded furrow?

    Like a poor widow whose late grief
    Seeks for relief in lonely byeways,
    The moon, companionless and dim,
    Took her dull rim through starless highways.

    I was too weak with dreams to feel
    Enchantment steal with guilt upon me,
    She slipped, a flower upon the wind,
    And laughed to find how she had won me.

    From hill to hill, from land to land,
    Her lovely hand is beckoning for me,
    I follow on through dangerous zones,
    Cross dead men's bones and oceans stormy.

    Some day I know she'll wait at last
    And lock me fast in white embraces,
    And down mysterious ways of love
    We two shall move to fairy places.

    _Belgium,_
    _July, 1917._