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                           Ebony and Crystal

                       Poems in Verse and Prose

                                  BY

                          CLARK ASHTON SMITH

                               AUTHOR OF

                   The Star-Treader and Other Poems

                           Odes and Sonnets




                            Copyright 1922

                                  by

                          CLARK ASHTON SMITH


                            Printed by the

                            AUBURN JOURNAL

                            Auburn, Calif.




                              DEDICATION

                                  TO

                            SAMUEL LOVEMAN




                               CONTENTS


  PREFACE, by George Sterling.

  POEMS

  Arabesque         1

  Beyond the Great Wall         2

  To Omar Khayyam         3

  Strangeness         5

  The Infinite Quest         6

  Rosa Mystica         7

  The Nereid         8

  In Saturn         9

  Impression         10

  Triple Aspect        11

  Desolation         12

  The Orchid         13

  A Fragment         14

  Crepuscle         15

  Inferno         16

  Mirrors         17

  Belated Love         18

  The Absence of the Muse         19

  Dissonance         20

  To Nora May French        21

  In Lemuria         24

  Recompense         25

  Exotique         26

  Transcendence         27

  Satiety         28

  The Ministers of Law         29

  Coldness         30

  The Desert Garden         31

  The Crucifixion of Eros         32

  The Exile         33

  Ave Atque Vale         34

  Solution         35

  The Tears of Lilith         36

  A Precept         37

  Remembered Light         38

  Song                39

  Haunting         40

  The Hidden Paradise         41

  Cleopatra         42

  Ecstasy         43

  Union         44

  Psalm         45

  In November         47

  Symbols      48

  The Hashish-Eater; or, the Apocalypse of Evil      49

  The Sorrow of the Winds      65

  Artemis      66

  Love is Not Yours, Love is Not Mine      67

  The City in the Desert      68

  The Melancholy Pool      69

  The Mirrors of Beauty      70

  Winter Moonlight      71

  To the Beloved      72

  Requiescat      73

  Mirage      74

  Inheritance      75

  Autumnal      76

  Chant of Autumn      77

  Echo of Memnon      78

  Twilight on the Snow      79

  Image      80

  The Refuge of Beauty      81

  Nightmare      82

  The Mummy      83

  Forgetfulness      84

  Flamingoes      85

  The Chimaera      86

  Satan Unrepentant      87

  The Abyss Triumphant      90

  The Motes      91

  The Medusa of Despair      92

  Laus Mortis      93

  The Ghoul and the Seraph      94

  At Sunrise      99

  The Land of Evil Stars      100

  The Harlot of the World      102

  The Hope of the Infinite      103

  Love Malevolent      104

  Palms      105

  Memnon at Midnight      106

  Eidolon      107

  The Kingdom of Shadows      108

  Requiescat in Pace      110

  Alexandrines      112

  Ashes of Sunset      113

  November Twilight      114

  Sepulture      115

  Quest      116

  Beauty Implacable      117

  A Vision of Lucifer      118

  Desire of Vastness      119

  Anticipation      120

  A Psalm to the Best Beloved      121

  The Witch in the Graveyard      122


  POEMS IN PROSE

  The Traveler      127

  The Flower-Devil      129

  Images      130

  The Black Lake      131

  Vignettes      132

  A Dream of Lethe      134

  The Caravan      135

  The Princess Almeena      136

  Ennui      137

  The Statue of Silence      139

  Remoteness      140

  The Memnons of the Night      141

  The Garden and the Tomb      142

  In Cocaigne      143

  The Litany of the Seven Kisses      144

  From a Letter      145

  From the Crypts of Memory      146

  A Phantasy      148

  The Demon, the Angel, and Beauty      149

  The Shadows      151




PREFACE


Who of us care to be present at the accouchment of the immortal? I
think that we so attend who are first to take this book in our hands. A
bold assertion, truly, and one demonstrable only in years remote from
these; and—dust wages no war with dust. But it is one of those things
that I should most “like to come back and see.”

Because he has lent himself the more innocently to the whispers of his
subconscious daemon, and because he has set those murmurs to purer and
harder crystal than we others, by so much the longer will the poems of
Clark Ashton Smith endure. Here indeed is loot against the forays of
moth and rust. Here we shall find none or little of the sentimental fat
with which so much of our literature is larded. Rather shall one in
Imagination’s “misty mid-region,” see elfin rubies burn at his feet,
witch-fires glow in the nearer cypresses, and feel upon his brow a wind
from the unknown. The brave hunters of fly-specks on Art’s cathedral
windows will find little here for their trouble, and both the stupid
and the over-sophisticated would best stare owlishly and pass by: here
are neither kindergartens nor skyscrapers. But let him who is worthy by
reason of his clear eye and unjaded heart wander across these borders
of beauty and mystery and be glad.

  GEORGE STERLING.

  San Francisco, October 28, 1922.




[Illustration: Decoration]


ARABESQUE


    Like arabesques of ebony,
    The cypresses, in silhouette,
    Fantastically cleave and fret
    A moon of yellow ivory.

    The coldly colored rays illume
    A leafy pattern manifold,
    And all the field is overscrolled
    With curiously figured gloom.

    Like arabesques of ebony,
    Or like Arabian lattices,
    Forever seem the cypresses
    Before a moon of ivory.




BEYOND THE GREAT WALL


    Beyond the far Cathayan wall,
    A thousand leagues athwart the sky,
    The scarlet stars and mornings die,
    The gilded moons and sunsets fall.

    Across the sulphur-colored sands
    With bales of silk the camels fare,
    Harnessed with vermil and with vair,
    Into the blue and burning lands.

    And, ah, the song the drivers sing,
    To while the desert leagues away—
    A song they sang in old Cathay,
    Ere youth had left the eldest king,—

    Ere love and beauty both grew old,
    And wonder and romance were flown
    On fiery wings to worlds unknown,
    To stars of undiscovered gold.

    And I their alien words would know,
    And follow past the lonely Wall,
    Where gilded moons and sunsets fall,
    As in a song of long ago.




TO OMAR KHAYYAM


    Omar, within thy scented garden-close,
    When passed with eventide
    The starward incense of the waning rose—
    Too fair and dear and precious to abide
    After the glad and golden death of spring—
    Omar, thou heardest then,
    Above the world of men,
    The mournful rumour of an iron wing,
    The sough and sigh of desolating years,
    Whereof the wind is as the winds that blow
    Out of a lonesome land of night and snow,
    Where ancient winter weeps with frozen tears;
    And in thy bodeful ears,
    The brief and tiny lisp
    Of petals curled and crisp,
    Fallen at Eve in Persia’s mellow clime,
    Was mingled with the mighty sound of time.

    Omar, thou knewest well
    How the fair days are sorrowful and strange
    With time’s inexorable mystery
    And terror ineluctable of change:
    Upon thine eyes the bleak and bitter spell
    Of vision, thou didst see,
    As in a magic glass,
    The moulded mists and painted shadows pass—
    The ghostly pomps we name reality.
    And, lo, the level field,
    With broken fane and throne,
    And dust of old, unfabled cities sown,
    In unremembering years was made to yield,
    From out the shards of Pow’r,
    The pillars frail and small
    That lift for capital
    The blood-like bubble of the poppy-flow’r;
    And crowns were crumbled for the airy gold
    The crocus and the daffodil should hold
    As inalienable dow’r.
    Before thy gaze, the sad unvaried green
    The cypresses like robes funereal wear,
    Was woven on the gradual looms of air,
    From threadbare silk and tattered sendaline
    That clothed some ancient queen;
    And from the spoilt vermilion of her mouth,
    The myrtles rose, and from her ruined hair,
    And eyes that held the summer’s ardent drouth
    In blown, forgotten bow’rs;
    And amber limbs and breast,
    Through ancient nights by sleepless love oppressed,
    Or by the iron flight of loveless hours.

    Knowing the weary wisdom of the years,
    The empty truth of tears;
    The suns of June, that with some great excess
    Of ardour slay the unabiding rose,
    And grey-haired winter, wan and fervourless
    For whom no flower grows;
    Seeing the scarlet and the gold that pales,
    On Orient snows untrod,
    In magic morns that grant,
    Across a land of common green and gray,
    The disenchanted day;
    Knowing the iron veils
    And walls of adamant,
    That ward the flaming verities of God—
    Knowing these things, ah, surely thou wert wise,
    Beneath the warm and thunder-dreaming skies,
    To kiss on ardent breast and avid mouth,
    Some girl whose sultry eyes
    Were golden with the sun-beloved south—
    To pluck the rose and drain the rose-red wine,
    In gardens half-divine;
    Before the broken cup
    Be filled and covered up
    In dusty seas of everlasting drouth.




STRANGENESS


    O love, thy lips are bright and cold,
    Like jewels carven curiously
    To symbols of a mystery,
    A secret dim, forgotten, old.

    Like woven amber, finely spun,
    Thy hair, enwoofed with golden light,
    Remembers yet the flaming flight
    Of some unknown, archaic sun.

    Thine eyes are crystals green and chill,
    Wherein, as in a shifting sea,
    Wan fires and drowning splendours flee
    To stealthy deeps forever still.

    Fallen across thy dreaming face,
    The dawn is made a secret thing,
    Like flame of crimson lamps that swing
    At midnight, in a cavern-space.

    Thy smile is like the furtive gleam
    Of fleeing moons a traveller sees
    Through closing arms of cypress-trees,
    In secret realms of night and dream.

    Sphinx-like, unsolved eternally,
    Thy beauty’s riddle doth abide,
    And love hath come, and love hath died,
    Striving to read the mystery.




THE INFINITE QUEST


    In years no vision shall aver,
    In lands no dream may name,
    Tow’rd alien things what longings were,
    And thence what languors came!

    For each horizon straightly sought,
    With fealty to the stars,
    What death and weariness were bought,
    What bitterness, what bars!

           *       *       *       *       *

    I waken unto years afar,
    And find the quest made new
    In Earth, that was perchance a star
    Unto my former view.




ROSA MYSTICA


    The secret rose we vainly dream to find,
    Was blown in grey Atlantis long ago,
    Or in old summers of the realms of snow,
    Its attar lulled the pole-arisen wind;
    Or once its broad and breathless petals pined
    In gardens of Persepolis, aglow
    With desert sunlight, and the fiery, slow
    Red waves of sand, invincible and blind.

    On orient isles, or isles hesperian,
    Through mythic days ere mortal time began,
    It flowered above the ever-flowering foam;
    Or, legendless, in lands of yesteryear,
    It flamed among the violets—near, how near,
    To unenchanted fields and hills of home!




THE NEREID


    Her face the sinking stars desire.
    Unto her place the slow deeps bring
    Shadow of errant winds that wing
    O’er sterile gulfs of foam and fire.

    Her beauty is the light of pearls.
    All stars and dreams and sunsets die
    To make the fluctuant glooms that lie
    Around her, and low noonlight swirls

    Down ocean’s firmamental deep,
    To weave for her who glimmers there,
    Elusive visions, vague and fair;
    And night is as a dreamless sleep:

    She has not known the night’s unrest,
    Nor the white curse of clearer day;
    The tremors of the tempest play
    Like slow delight about her breast.

    Serene, an immanence of fire,
    She dwells forever, ocean-thralled,
    Soul of the sea’s vast emerald;
    Her face the sinking stars desire.




IN SATURN


    Upon the seas of Saturn I have sailed
    To isles of high, primeval amarant,
    Where the flame-tongued sonorous flow’rs enchant
    The hanging surf to silence: All engrailed

    With ruby-colored pearls, the golden shore
    Allured me; but as one whom spells restrain,
    For blind horizons of the sombre main,
    And harbors never known, my singing prore

    I set forthrightly: Formed of fire and brass,
    Immenser skies divided, deep on deep
    Before me,—till, above the darkling foam,

    With dome on cloudless adamantine dome,
    Black peaks no peering seraph deems to pass,
    Rose up from realms ineffable as Sleep!




IMPRESSION


    The silver silence of the moon
    Upon the sleeping garden lies;
    The wind of evening dies,
    As in forgetful dreams a ghostly tune.

    How white, how still, the flowers are,
    As carved of pearl and ivory!
    The pines are ebony,
    A sombre frieze on heavens pale and far.

    Like mirrors made of lucid stone,
    The pools lie calm, and bright, and cold,
    Where moon and stars behold,
    In some eternal trance, themselves alone.




TRIPLE ASPECT


    Lo, for Earth’s manifest monotony
    Of ordered aspect unto sun and star,
    And single moon, I turn to years afar,
    And ampler worlds ensphered in memory.

    There, to the zoned and iris-differing light
    Of three swift suns in heavens of vaster range,
    Transcendant Beauty knows a trinal change,
    And dawn and eve are in the place of night.

    There, long ago, in mornings ocean-green,
    I saw bright deserts dusky with the sky,
    Or under yellow noons, wide waters lie
    Like wrinkled bronze made hot with fires unseen.

    Strange flow’rs that bloom but to an azure sun,
    I saw; and all complexities of light
    That work fantastic magic on the sight,
    Wrought unimagined marvels one by one.

    There, swifter shadows suffer gorgeous dooms—
    Lost in an orange noon, an azure morn;
    At twofold eve, large, winged lights are born,
    Towering to meet the dawn, or briefest glooms

    Of chrysoberyl filled with wondering stars,
    Draw from an emerald east to skies of gold.
    Tow’rd jasper waters leaning to behold,
    Vague moons are lost amid great nenuphars.




DESOLATION


    It seems to me that I have lived alone—
    Alone, as one that liveth in a dream:
    As light on coldest marble, or the gleam
    Of moons eternal on a land of stone,
    The dawns have been to me. I have but known
    The silence of a frozen land extreme—
    A sole attending silence, all supreme
    As is the sea’s enormous monotone.

    Upon the icy desert of my days,
    No bright mirages are, but iron rays
    Of dawn relentless, and the bitter light
    Of all-revealing noon.**** Alone, I crave
    The friendly clasp of finite arms, to save
    My spirit from the ravening Infinite.




THE ORCHID


    Beauty, thou orchid of immortal bloom,
    Sprung from the fire and dust of perished spheres,
    How art thou tall in these autumnal years
    With the red rain of immemorial doom,
    And fragrant where but lesser suns illume,
    For sustenance of Life’s forgotten tears!
    Ever thy splendour and thy light appears
    Like dawn from out the midnight of the tomb.

    Colours, and gleams, and glamours unrecalled,
    Richly thy petals intricate revive:
    Blossom, whose roots are in Eternity,
    The faithful soul, the sentience darkly thralled,
    In dream and wonder evermore shall strive
    At Edens lost of time and memory.




A FRAGMENT


    Autumn far-off in memory,
    That saw the crisping myrtles fade!****
    Aeons agone, my tomb was made,
    Beside the moon-constrainèd sea.

    Ah, wonderful its portals were!
    With carven doors of chrysolite,
    And walls of sombre syenite,
    They wrought mine olden sepulchre!

    About the griffin-guarded plinth,
    White blossoms crowned the scarlet vine;
    And burning orchids opaline
    Illumed the palm and terebinth.

    On friezes of mine ancient fame,
    The cypress wrought its writhen shade;
    And through the boughs the ocean made
    Moresques of blue and fretted flame.

    Poet or prince, I may not know
    My perished name, nor bring to mind
    Years that are one with dust and wind,
    Nor songless love, and tongueless woe—:

    Only the tomb they made for me,
    With carven doors of chrysolite,
    And walls of sombre syenite,
    Beside the moon-constrainèd sea.




CREPUSCLE


    The sunset-gonfalons are furled
    On plains of evening, broad and pale,
    And, wov’n athwart the waning world,
    The air is like a silver veil.

    Into the thin and trembling gloom,
    That holds a hueless warp of light,
    The murmuring wind on a slow loom,
    Weaves the rich purples of the night.




INFERNO


    Grey hells, or hells aglow with hot and scarlet flow’rs;
    White hells of light and clamour; hells the abomination
    Of breathless, deep sepulchral desolation
    Oppresses ever—I have known them all, through hours
    Tedious as dead eternity; where timeless pow’rs,
    Leagued in malign, omnipotent persuasion—
    Wearing the guise of love, despair and aspiration,
    Forever drove, through ashen fields and burning bow’rs,

    My soul that found no sanctuary.**** For Lucifer,
    And all the weary, proud, imperious, baffled ones
    Made in his image, hell is anywhere: The ice
    Of hyperboreal deserts, or the blowing spice
    In winds from off Sumatra, for each wanderer
    Preserves the jealous flame of sad, infernal suns.




MIRRORS


    Mirrors of steel or silver, gold or glass antique!
    Whether in melancholy marble palaces
    In some long trance you drew the dreamy loveliness
    Of Roman queens, or queens barbarical, or Greek;
    Or, further than the bright and sun-pursuing beak
    Of argosy might fare, beheld the empresses
    Of lost Lemuria; or behind the lattices
    Alhambran, have returned forbidden smiles oblique

    Of wan, mysterious women!—Mirrors, mirrors old,
    Mirrors immutable, impassable as Fate,
    Your bosoms held the perished beauty of the past
    Nearer than straining love might ever hope to hold;
    And fleeing faces, lips too phantom-frail to last,
    Found in your magic depth a life re-duplicate.




BELATED LOVE


    Ah, woe is me, for Love hath lain asleep,
    Hath lain too long in some Morphean close,—
    Till on his dreaming wings the ruined rose
    Fell lightly, and the rose-red leaves were deep.

    Alas, alas, for Love is overlate!
    Far-wandering, alone, we know not where,
    He found the white and purple poppies fair,
    Nor heard the Summer pass importunate.

    Ah, Love, can we forgive thy loitering?
    The golden Summer, as a dream foregone
    Is changed—till in our eyes the ashen dawn
    Of Autumn kindles.**** We have heard thy wing
    But with a sound of sighing; heart on heart,
    In our own sighs we hear thy wing depart.




THE ABSENCE OF THE MUSE


    O, Muse, where lingerest thou? In any land
    Of Saturn, lit with moons and nenuphars?
    Or in what high metropolis of Mars—
    Hearing the gongs of dire, occult command,
    And bugles blown from strand to unknown strand
    Of continents embattled in old wars
    That primal kings began? Or on the bars
    Of ebbing seas in Venus, from the sand
    Of shattered nacre with a thousand hues,
    Dost pluck the blossoms of the purple wrack
    And roses of blue coral for thy hair?
    Or, flown beyond the roaring Zodiac,
    Translatest thou the tale of earthly news
    And earthly songs to singers of Altair?




DISSONANCE


    The harsh, brief sob of broken horns; the sound
    Of hammers, on some echoing sepulchre;
    Lutes in a thunderstorm; a dulcimer
    By sudden drums and clamouring bugles drowned;
    Crackle of pearls, and gritting rubies, ground
    Beneath an iron heel; the heavy whirr
    Of battle wheels; a hungry leopard’s purr,
    And sigh of swords withdrawing from the wound—:

    All, all are in thy dreadful fugue, O Life,
    Thy dark, malign and monstrous music, spun
    In hell, from a delirious Satan’s dream!***
    O! dissonance primordial and supreme—
    The moan, the thunder, evermore at strife,
    Beneath the unheeding silence of the sun!




TO NORA MAY FRENCH


    Importunate, the lion-throated sea,
    Blind with the mounting foam of winter, mourns
    To cliffs where cling the wrenched and laboured roots
    Of cypresses, and blossoms granite-grown
    Lose in the gale their tattered petals, cast
    On bleak, tumultuous cauldrons of the tide,
    Where fell thy molten ashes.**** Past the bay,
    The morning dunes a dust of marble seem—
    Wrought from primeval fanes to Beauty reared,
    And shattered by some vandal Titan’s mace
    To more than Time’s own ruin. Woods of pine,
    Above the dunes in Gothic gloom recede,
    And climb the ridge that arches to the north
    Long as a lolling dragon’s chine. The gulls,
    Like ashen leaves far-off upon the wind,
    Flutter above the broad and smouldering sea,
    That lightens with the fire-white foam: But thou,
    Of whom the sea is urn and sepulcher,
    Who hast thereof a blown, tumultuous sleep,
    And stormy peace in gulfs impacable—
    What carest thou if Beauty loiter there,
    Clad with the crystal noon? What carest thou
    If sharp and sudden balsams of the pine
    Mingle for her in the air’s bright thurible
    With keener fragrance proffered by the deep
    From riven gulfs resounding?*** Knowest thou
    What solemn shores of crocus-colored light,
    Reared by the sunset in its realm of change,
    Will mock the dream-lost isles that sirens ward,
    And charm the icy emerald of the seas
    To unabiding iris? Knowest thou
    The waxing of the wan December foam—
    A thunder-cloven veil that climbs and falls
    Upon the cliffs forever?

                          Thou art still
    As they that sleep in the eldest pyramid—
    Or mounded with Mesopotamia
    And immemorial deserts! Thou hast part
    In the wordless, dumb conspiracy of death—
    Silence wherein the warrior kings accord,
    And all the wrangling sages! If thy voice
    In any wise return, and word of thee,
    It is a lost, incognizable sigh,
    Upon the wind’s oblivious woe, or blown,
    Antiphonal, from wave to plangent wave
    In the vast, unhuman sorrow of the main,
    On tides that lave the city-laden shores
    Of lands wherein the eternal vanities
    Are served at many altars; tides that wash
    Lemuria’s unfathomable walls,
    And idly sway the weed-involvèd oars
    At wharves of lost Atlantis; tides that rise
    From coral-coffered bones of all the drowned,
    And sunless tombs of pearl that krakens guard.


                                  II.

    As none shall roam the sad Leucadian rock,
    Above the sea’s immitigable moan,
    But in his heart a song that Sappho sang,
    And flame-like murmur of the muted lyres
    That time hath not extinguished, and the cry
    Of nightingales two thousand years ago,
    Shall mix with those remorseful chords that break
    To endless foam and thunder; and he learn
    The unsleeping woe that lives in Mytelene
    Till wave and deep are dumb with ice, and rime
    Hath paled the rose forever—even thus,
    Daughter of Sappho, passion-souled and fair,
    Whose face the lutes of Lesbos would have sung,
    And white Errina followed—even thus,
    The western wave is eloquent of thee,
    And half the wine-like fragrance of the foam
    Is attar of thy spirit, and the pines
    From breasts of mournful, melancholy green,
    Release remembered echoes of thy song
    To airs importunate. No wraith of fog,
    Twice-ghostly with the Hecatean moon,
    Nor rack of blown, fantasmal spume shall rise,
    But I will dream thy spirit walks the sea,
    Unpacified with Lethe. Thou art grown
    A part of all sad beauty, and my soul
    Hath found thy buried sorrow in its own,
    Inseparable forever. Moons that pass,
    Immaculate, to solemn pyres of snow,
    And meres whereon the broken lotus dies,
    Are kin to thee, as wine-lipped autumn is,
    With suns of swift, irreparable change,
    And lucid evenings eager-starred. Of thee,
    The pearlèd fountains tell, and winds that take
    In one white swirl the petals of the plum,
    And leave the branches lonely. Royal blooms
    Of the magnolia, pale as Beauty’s brow,
    And foam-white myrtles, and the fiery, bright
    Pome-granate flow’rs, will subtly speak of thee
    While spring hath speech and meaning. Music hath
    Her fugitive and uncommanded chords,
    That thrill with tremors of thy mystery,
    Or turn the void thy fleeing soul hath left
    To murmurs inenarrable, that hold
    Epiphanies of blind, conceiveless vision,
    And things we dare not know, and dare not dream.

Note: Nora May French, the most gifted poet of her sex that America has
produced, died by her own hand at Carmel in 1907. Her ashes were strewn
into the sea from Point Lobos.




IN LEMURIA


    Rememberest thou? Enormous gongs of stone
    Were stricken, and the storming trumpeteers
    Acclaimed my deed to answering tides of spears,
    And spoke the names of monsters overthrown—
    Griffins whose angry gold, and fervid store
    Of sapphires wrenched from marble-plungèd mines—
    Carnelians, opals, agates, almandines,
    I brought to thee some scarlet eve of yore.

    In the wide fane that shrined thee, Venus-wise,
    The fallen clamours died.**** I heard the tune
    Of tiny bells of pearl and melanite,
    Hung at thy knees, and arms of dreamt delight;
    And placed my wealth before thy fabled eyes,
    Pallid and pure as jaspers from the moon.




RECOMPENSE


    Ah, more to me than many days and many dreams
    And more than every hope, or any memory,
    This moment, when thy lips are laid immortally
    On mine, and death and time are shadows of old dreams.

    Now all the crownless, ruined years have recompense:
    In one supreme, undying hour of light and fire,
    The many moons and suns have found their one desire—
    When in the hour of love, all life has recompense.




EXOTIQUE


    Thy mouth is like a crimson orchid-flow’r,
    Whence perfume and whence poison rise unseen
    To moons aswim in iris or in green,
    Or mix with morning in an eastern bow’r.

    Thou shouldst have known, in amaranthine isles,
    The sunsets hued like fire of frankincense,
    Or the long noons enfraught with redolence,
    The mingled spicery of purple miles.

    Thy breasts, where blood and molten marble flow,
    Thy warm white limbs, thy loins of tropic snow—
    These, these, by which desire is grown divine,

    Were made for dreams in mystic palaces,
    For love, and sleep, and slow voluptuousness,
    And summer seas a-foam like foaming wine.




TRANSCENDENCE


    To look on love with disenamoured eyes;
    To see with gaze relentless, rendered clear
    Of hope or hatred, of desire and fear,
    The insuperable nullity that lies
    Behind the veils of various disguise
    Which life or death may haply weave; to hear
    Forevermore in flute and harp the mere
    And all-resolving silence; recognize
    The gules of autumn in the greening leaf,
    And in the poppy-pod the poppy-flow’r—
    This is to be the lord of love and grief,
    O’er Time’s illusion and thyself supreme,
    As, half-aroused in some nocturnal hour,
    The dreamer knows and dominates his dream.




SATIETY


    Dear you were as is the tree of Being
    To the happy dead in heaven’s bow’rs.****
    Whence and what, this evil spell that flings me
    Forth from love with loveless eyes unseeing?

    Fair you were as nymph or queen of vision—
    Bosomed like the succubi of dreams.****
    All your beauty turns to sad, ironic
    Weariness, and sorrowful derision.

    Lo, of what avail our spent caresses,—
    Kisses that set the summer night aflame?****
    Mute, enormous languor without cause—
    What is this my autumn heart confesses?

    All your breast was fragrant like the flowers
    Of the grape on hills toward the south.****
    Love is acrid now like staling asters,
    Sodden with the rain of autumn hours.




THE MINISTERS OF LAW


    The glories and the perils of thy day
    Are one, O Man! Thou goest to thine end
    With Pow’rs, and for a little thou dost wend
    With marshalled Majesties upon their way:
    But thee the dread Necessities betray
    That nurse, and fearful Splendours that befriend;
    And thee shall alien Dominations rend.****
    Deemest the triumph of the worlds to stay,
    Or step by step eternal, unsurpassed,
    Stride with the suns upon their road of awe?
    Thou travelest brief ways that end and sink—
    Urged by the hurrying planets; and the vast,
    Prone-rushing constellations of the Law,
    Thunder and press behind thee at the brink.




COLDNESS


    Thy heart will not believe in love:
    Therefore is love become to me
    A dream, an empty mockery,
    And death and life are less than love.

    O, bright and beautiful as flame
    Thy hair, and pale thy lips, and eyes
    Like seas wherein the waning skies
    Of autumn lie in paler flame.

    Forevermore thy heart abides,
    A dreaming crystal, pure and cold,
    Amid whose visions manifold
    No shape nor any shade abides.

    Thy days are void and vain as death:
    The moons and morrows weave for thee
    A sleep of light eternally,
    Where life is as a dream of death.

    Chill as white jewels, or the moon,
    And virginal as ice or fire,
    Thou knowest life and life’s desire
    As a bright mirror knows the moon.

    Lo, if thy heart believed in love,
    It were not more nor less to me:
    I know THY love a mockery,
    And all my dreams less vain than love.




THE DESERT GARDEN


    Dreaming, I said,  “When she is come,
    This desert garden that is me,
    For her shall offer mellowly
    Its myrrh and its olibanum—
    When she is come.

    “The flowers of the moon for her,
    With blossoms of the sun shall bloom,
    The fading roses breathe perfume,
    The lightly fallen petals stir,
    And sigh to her.

      “Her presence, like a living wind
    Each little leaf makes visible,
    Shall enter there, or like the spell
    (Upon the lulling leaves divined)
    Of silent wind.”

           *       *       *       *       *

    Alas! for she is come and gone,
    And in the garden, green for her,
    The flowers fall, the flowers stir
    Only to winds of night and dawn:
    For she is gone.




THE CRUCIFIXION OF EROS


    Because of thee, immortal Love hath died:
    Because thy wilful heart will not believe,
    Thy hands and mine a thorny crown must weave,
    A thorny crown for Love the crucified.

    Behold, how beautiful the limbs that bleed—
    The limbs that bleed, O stubborn heart, for us!
    Still are the lids so softly tremulous,
    And mute the mouth of our eternal need.

           *       *       *       *       *

    Though this thy fearful lips would now deny,
    Love is divine, and cannot wholly die:
    Draw forth the nails thy tender hands have driven—

    And we will know the mercy infinite,
    Will find redemption in our own delight,
    And in each other’s heart the only heaven.




THE EXILE


    Against my heart your heart is closed; you bid me go:
    What ways are left in all the world for Love to know?
    Desolate oceans, and the light of lonely plains,
    Dead moons that wander in the wastes of ice and snow—

    These, these I fain would see, and find the splendid bourne
    Of sunset, or the brazen deserts of the morn,
    That I might lose this ever-aching loneliness
    In vaster solitude; and love be less forlorn,

    Faring to seek with alien sun and alien star
    The strange, the veiled horizons infinite and far;
    Spaces of fire and night, the skies of steel and gold,
    Or sunset-haunted seas where foamless islands are.




AVE ATQUE VALE


    Black dreams; the pale and sorrowful desire
    Whose eyes have looked on Lethe, and have seen,
    Deep in the sliding ebon tide serene,
    Their own vain light inverted; ashen fire,
    With wasted lilies, late and languishing;
    Autumnal roses blind with rain; slow foam
    From desert-sinking seas, with honeycomb
    Of aconite and poppy—these I bring
    With this my bitter, barren love to thee;
    And from the grievous springs of memory,
    Far in the great Maremma of my heart,
    I proffer thee to drink; and on thy mouth,
    With the one kiss wherein we meet and part,
    Leave fire and dust from quenchless leagues of drouth.




SOLUTION


    The ghostly fire that walks the fen,
    Tonight thine only light shall be;
    On lethal ways thy soul shall pass,
    And prove the stealthy, coiled morass,
    With mocking mists for company.

    On roads thou goest not again,
    To shores where thou hast never gone,—
    Fare onward, though the shuddering queach
    And serpent-rippled waters reach
    Like seepage-pools of Acheron,

    Beside thee; and the twisten reeds,
    Close-raddled as a witch’s net,
    Enwind thy knees, and cling and clutch
    Like wreathing adders; though the touch
    Of the blind air be dank and wet,

    As from a wounded Thing that bleeds
    In cloud and darkness overhead—
    Fare onward, where thy dreams of yore
    In splendour drape the fetid shore
    And pestilential waters dead.

    And though the toads’ irrision rise,
    As grinding of Satanic racks,
    And spectral willows, gaunt and grey,
    Gibber along thy shrouded way,
    Where vipers lie with livid backs,

    And watch thee with their sulphurous eyes,—
    Fare onward, till thy feet shall slip
    Deep in the sudden pool ordained,
    And all the noisome draught be drained,
    That turns to Lethe on the lip.




THE TEARS OF LILITH


    O lovely demon, half-divine!
    Hemlock, and hydromel, and gall,
    Honey, and aconite, and wine,
    Mingle to make that mouth of thine—

    Thy mouth I love: But most of all,
    It is thy tears that I desire—
    Thy tears, like fountain-drops that fall
    In gardens red, Satanical;

    Or like the tears of mist and fire,
    Wept by the moon, that wizards use
    To secret runes, when they require
    Some silver philtre, sweet and dire.




A PRECEPT


    With words of ivory,
    Of bronze, of ebony,
    Of alabaster, marble, steel, and gold,
    The beauty of the visible is told.

    But how with these express
    The unseen Loveliness—
    Splendour and light, and harmony, and sound,
    The heart hath felt, the sense hath never found?

    No shining words of stone—
    Shadow and cloud alone—
    These shall the poet seek eternally,
    Whose lines would carve the mask of Mystery.




REMEMBERED LIGHT


    The years are a falling of snow,
    Slow, but without cessation,
    On hills, and mountains, and flowers and worlds that were;
    But snow, and the crawling night wherein it fell,
    May be washed away in one swifter hour of flame:
    Thus it was that some slant of sunset
    In the chasms of pilèd cloud—
    Transient mountains that made a new horizon,
    Uplifting the west to fantastic pinnacles—
    Smote warm in a buried realm of the spirit,
    Till the snows of forgetfulness were gone.
    Clear in the vistas of memory,
    The peaks of a world long unremembered,
    Soared further than clouds but fell not,
    Based on hills that shook not nor melted
    With that burden enormous, hardly to be believed.

    Rent with stupendous chasms,
    Full of an umber twilight,
    I beheld that larger world;
    Bright was the twilight, sharp like ethereal wine
    Above, but low in the clefts it thickened,
    Dull as with duskier tincture.
    Like whimsical wings outspread but unstirring,
    Flowers that seemed spirits of the twilight
    That must pass with its passing—
    Too fragile for day or for darkness,
    Fed the dusk with more delicate hues than its own;
    Stars that were nearer, more radiant than ours,
    Quivered and pulsed in the clear thin gold of the sky.

    These things I beheld
    Till the gold was shaken with flight
    Of fantastical wings like broken shadows,
    Forerunning the darkness;
    Till the twilight shivered with outcry of eldritch voices
    Like pain’s last cry ere oblivion.




SONG


    I bring my weariness to thee,
    My bitter dreams I bring;
    Love with a wounded wing,
    And life consumed of memory,
    I bring to thee.

    The haven of thy happy breast—
    Of this my dreams are fain:
    For all my weary pain,
    In all the world there is no rest,
    But on thy breast.




HAUNTING


    There is no peace amid the moonlight and the pines;
    Deep in the windless gloom the lamplike thought of you
    Abides; and ah, what burning memories pursue
    My heart among the pallid marbles!*** Night assigns

    Your silver face for wardress of the doors of Sleep;
    Beyond the wild, last bourn of dreamland, lo, your eyes
    Are on the lonesome, ultimate, undiscovered skies;
    Moonlike and dim, you wander ever in the deep

    Which is the secret, innermost, unknown abyss
    Of my own soul, and in its night your spirit lives.****
    Shall I not find the very draught that Lethe gives,
    Sweet with your tears, and warm with savour of your kiss?




THE HIDDEN PARADISE


    Our passion is a secret Paradise—
    Eden of lotos and the fruitful date,
    With silence walled and held undesecrate
    By man or prying seraph: We are wise

    As any god and goddess, who have wrung
    From roseal fruitage of a bough forbidden,
    The happy wine we drink, we drink unchidden,
    Deep in the vales where vernal leaves are young,

    And the first poppies loiter.**** Though the breath
    Of all the gods a bolted storm prepare,
    And blood-red gloom of thunders blind the sun,

    Shall we not turn, with clinging kisses there,
    And, laughing, quaff some dreamless wine of death—
    Triumphant still, in mere oblivion?




CLEOPATRA


    Thy beauty is the warmth and languor and passion of a tropic autumn,
    Caressing all the senses,—
    With light from skies of heavy azure,
    With perfume from hidden orchids many-hued
    That burn in the berylline dusk of palms;
    With the balmy kiss of tropic wind and wave,
    And the songs of exotic birds that pass
    In vermilion-flashing flight from isle to isle on a cobalt sea.***
    O, sweetness in the inmost sense,
    As of golden fruits that have grown by the waters of Lethe,
    Or fragrance of purple lilies, crushed by the limbs of lovers,
    In the shadow of a wood of cypress!***
    Thou pervadest me with thy love,
    As the dawn pervadeth a valley among mountains,
    Or as opaline sunset filleth the amaranth-coloured sea;
    The desire of thy heart is upon me,
    As a myrtle-scented wind from the isle of Cythera,
    Where Aphrodite waits for Adonis,
    Lying naked among the flag lilies by a pool of chrysolite;
    I inhale thy love
    As the breath of hidden gardens of purple and scarlet,
    Where Circe wanders,
    Clad in a trailing gown whose colours are the gold of flame,
    And the azure of the skies of autumn.




ECSTASY


    Blind with your softly fallen hair,
    I turn me from the twilight air;
    And, ah, the wordless tale of love
    My lips upon your lips declare!

    High stars are on the shadowy south—
    Unseen, unknown: The urgent drouth
    Of desert years in one deep kiss,
    Would drain the sweetness of your mouth.

    Our straining arms that clasp and close,
    Ache with an ecstasy that grows;
    And passion in our secret veins,
    Like burning amber, glows and glows.

    This love is sweet to have and hold,
    Better than sandalwood or gold,
    After the barren, bitter loves,
    The mad and mournful loves of old.

    This love is fortunate and fair,
    Behind its veil of fallen hair;
    This love hath soft and clinging arms,
    And a kind bosom, warm and bare.




UNION


    As the fumes of myrrh that mix with the odour of sandalwood
    In a temple sacred to the goddess Lakme;
    As moonlight mingled with starlight
    In the lucent azure of an autumn lake;
    As the sunset-rays of gold and crimson
    That interlace on a couch of purple cloud—
    Even so, Beloved,
    Hath my love mingled with thine—
    Even so, our souls are one,
    Like two winds that meet in a valley of rose and lotus,
    And fall to rest, uniting
    As the still and fragrant air that lingers
    On a bed of falling petals.




PSALM


    My beloved is a well of clear waters,
    To which I have come at noontide,
    From the land of the Abomination of Desolation,
    From the lion-dreaded waste,
    Where nothing dwelleth but the inconsolable crying of an evil wind,
    And the wandering realms and cities of the wide mirage;
    Where no one passeth except the sun,
    Who walked like a terrible god through the hell of the brazen skies;
    And the dreadful cohorts of the constellations,
    Who pass remote in alien years,
    And clad with icy azures of unattainable distance.

    My beloved is a singing fountain,
    Set in a wide oasis,
    Between the frondage of the fruitful palm,
    And the branches of the flowering myrtle:
    The wind that bloweth thereon,
    Hath lain in a vale of cassia and myrrh,
    And caressed the vermilion blossoms of the pomegranate,
    Whose red is the red of the lips of Astarte;
    A thousand nightingales are gathered there,
    From all the gardens of lost romance;
    And plots of purple and silver lillies,
    More beautiful than the meadows of mirage,
    Revive the flowers of Sabean queens,
    And the blossoms worn by all the princesses of legend.***
    Ah, suffer me to dwell
    Thereby, and forget the gilded cities of desire,
    The domes of spectral gold,
    That fled from horizon to horizon
    Before me, and left my feet in the sinking vales and shifting
        plains of the desert,
    Whose waters are green with corruption,
    And bitter with the dust and ashes of death.
    Ah, suffer me to sleep
    In the balsam-laden shadows of the palm and myrtle,
    By the ever-springing fountain!




IN NOVEMBER


    With autumn and the flaring leaves our love must end—
    Ere flauntful spring shall mock thy tears and my despair
    With blossoms red or pale, some April bride may wear:
    Now, while the weary, grey, forgetful heavens bend

    Above the grief and languor of the dying lands,
    In one last kiss shall meet and mingle and expire
    The muted, last, remembering sighs of our desire;
    And on my face the flower-like burden of thy hands

    Shall rest a little, and be taken tenderly,
    And, ah, how lightly hence! And in thy golden eyes,
    Thy love, and all the ashen glory of the skies,
    Shall mingle, and as in a mirror lie for me.




SYMBOLS


    No more of gold and marble, nor of snow,
    And sunlight, and vermilion, would I make
    My vision and my symbols, nor would take
    The auroral flame of some prismatic floe,
    Nor iris of the frail and lunar bow,
    Flung on the shafted waterfalls that wake
    The night’s blue slumber in a shadowy lake.***
    To body forth my fantasies, and show
    Communicable mystery, I would find,
    In adamantine darkness of the earth,
    Metals untouched of any sun; and bring
    Black azures of the nether sea to birth—
    Or fetch the secret, splendid leaves, and blind,
    Blue lilies of an Atlantean spring.




THE HASHISH-EATER; or, THE APOCALYPSE OF EVIL


    Bow down: I am the emperor of dreams;
    I crown me with the million-coloured sun
    Of secret worlds incredible, and take
    Their trailing skies for vestment, when I soar,
    Throned on the mounting zenith, and illume
    The spaceward-flown horizons infinite.
    Like rampant monsters roaring for their glut,
    The fiery-crested oceans rise and rise,
    By jealous moons maleficently urged
    To follow me forever; mountains horned
    With peaks of sharpest adamant, and mawed
    With sulphur-lit volcanoes lava-langued,
    Usurp the skies with thunder, but in vain;
    And continents of serpent-shapen trees,
    With slimy trunks that lengthen league by league,
    Pursue my flight through ages spurned to fire
    By that supreme ascendance. Sorcerers
    And evil kings predominantly armed
    With scrolls of fulvous dragon-skin, whereon
    Are worm-like runes of ever-twisting flame,
    Would stay me; and the sirens of the stars,
    With foam-light songs from silver fragrance wrought,
    Would lure me to their crystal reefs; and moons
    Where viper-eyed, senescent devils dwell,
    With antic gnomes abominably wise,
    Heave up their icy horns across my way:
    But naught deters me from the goal ordained
    By suns, and aeons, and immortal wars,
    And sung by moons and motes; the goal whose name
    Is all the secret of forgotten glyphs,
    By sinful gods in torrid rubies writ
    For ending of a brazen book; the goal
    Whereat my soaring ecstacy may stand,
    In amplest heavens multiplied to hold
    My hordes of thunder-vested avatars,
    And Promethèan armies of my thought,
    That brandish claspèd levins. There I call
    My memories, intolerably clad
    In light the peaks of paradise may wear,
    And lead the Armageddon of my dreams,
    Whose instant shout of triumph is become
    Immensity’s own music: For their feet
    Are founded on innumerable worlds,
    Remote in alien epochs, and their arms
    Upraised, are columns potent to exalt
    With ease ineffable the countless thrones
    Of all the gods that are and gods to be,
    Or bear the seats of Asmadai and Set
    Above the seventh paradise.

                                Supreme
    In culminant omniscience manifold,
    And served by senses multitudinous,
    Far-posted on the shifting walls of time,
    With eyes that roam the star-unwinnowed fields
    Of utter night and chaos, I convoke
    The Babel of their visions, and attend
    At once their myriad witness: I behold,
    In Ombos, where the fallen Titans dwell,
    With mountain-builded walls, and gulfs for moat,
    The secret cleft that cunning dwarves have dug
    Beneath an alp-like buttress; and I list,
    Too late, the clang of adamantine gongs,
    Dinned by their drowsy guardians, whose feet
    Have felt the wasp-like sting of little knives,
    Embrued with slobber of the basilisk,
    Or juice of wounded upas. And I see,
    In gardens of a crimson-litten world
    The sacred flow’r with lips of purple flesh,
    And silver-lashed, vermilion-lidded eyes
    Of torpid azure; whom his furtive priests
    At moonless eve in terror seek to slay,
    With bubbling grails of sacrificial blood
    That hide a hueless poison. And I read,
    Upon the tongue of a forgotten sphinx,
    The annuling word a spiteful demon wrote
    With gall of slain chimeras; and I know
    What pentacles the lunar wizards use,
    That once allured the gulf-returning roc,
    With ten great wings of furlèd storm, to pause
    Midmost an alabaster mount; and there,
    With boulder-weighted webs of dragons’-gut,
    Uplift by cranes a captive giant built,
    They wound the monstrous, moonquake-throbbing bird,
    And plucked, from off his sabre-taloned feet,
    Uranian sapphires fast in frozen blood,
    With amethysts from Mars. I lean to read,
    With slant-lipped mages, in an evil star,
    The monstrous archives of a war that ran
    Through wasted aeons, and the prophecy
    Of wars renewed, that shall commemorate
    Some enmity of wivern-headed kings,
    Even to the brink of time. I know the blooms
    Of bluish fungus, freaked with mercury,
    That bloat within the craters of the moon,
    And in one still, selenic hour have shrunk
    To pools of slime and fetor; and I know
    What clammy blossoms, blanched and cavern-grown,
    Are proffered in Uranus to their gods
    By mole-eyed peoples; and the livid seed
    Of some black fruit a king in Saturn ate,
    Which, cast upon his tinkling palace-floor,
    Took root between the burnished flags, and now
    Hath mounted, and become a hellish tree,
    Whose lithe and hairy branches, lined with mouths,
    Net like a hundred ropes his lurching throne,
    And strain at starting pillars. I behold
    The slowly-thronging corals, that usurp
    Some harbour of a million-masted sea,
    And sun them on the league-long wharves of gold—
    Bulks of enormous crimson, kraken-limbed
    And kraken-headed, lifting up as crowns
    The octiremes of perished emperors,
    And galleys fraught with royal gems, that sailed
    From a sea-deserted haven.
                                Swifter grow
    The visions: Now a mighty city looms,
    Hewn from a hill of purest cinnabar,
    To domes and turrets like a sunrise thronged
    With tier on tier of captive moons, half-drowned
    In shifting erubescence. But whose hands
    Were sculptors of its doors, and columns wrought
    To semblance of prodigious blooms of old,
    No eremite hath lingered there to say,
    And no man comes to learn: For long ago
    A prophet came, warning its timid king
    Against the plague of lichens that had crept
    Across subverted empires, and the sand
    Of wastes that Cyclopean mountains ward;
    Which, slow and ineluctable, would come,
    To take his fiery bastions and his fanes,
    And quench his domes with greenish tetter. Now
    I see a host of naked giants, armed
    With horns of behemoth and unicorn,
    Who wander, blinded by the clinging spells
    Of hostile wizardry, and stagger on
    To forests where the very leaves have eyes,
    And ebonies like wrathful dragons roar
    To teaks a-chuckle in the loathly gloom;
    Where coiled lianas lean, with serried fangs,
    From writhing palms with swollen boles that moan;
    Where leeches of a scarlet moss have sucked
    The eyes of some dead monster, and have crawled
    To bask upon his azure-spotted spine;
    Where hydra-throated blossoms hiss and sing,
    Or yawn with mouths that drip a sluggish dew,
    Whose touch is death and slow corrosion. Then,
    I watch a war of pigmies, met by night,
    With pitter of their drums of parrot’s hide,
    On plains with no horizon, where a god
    Might lose his way for centuries; and there,
    In wreathèd light, and fulgors all convolved,
    A rout of green, enormous moons ascend,
    With rays that like a shivering venom run
    On inch-long swords of lizard-fang.
                                    Surveyed
    From this my throne, as from a central sun,
    The pageantries of worlds and cycles pass;
    Forgotten splendours, dream by dream unfold,
    Like tapestry, and vanish; violet suns,
    Or suns of changeful iridescence, bring
    Their rays about me, like the coloured lights
    Imploring priests might lift to glorify
    The face of some averted god; the songs
    Of mystic poets in a purple world,
    Ascend to me in music that is made
    From unconceivèd perfumes, and the pulse
    Of love ineffable; the lute-players
    Whose lutes are strung with gold of the utmost moon,
    Call forth delicious languors, never known
    Save to their golden kings; the sorcerers
    Of hooded stars inscrutable to God,
    Surrender me their demon-wrested scrolls,
    Inscribed with lore of monstrous alchemies,
    And awful transformations.*** If I will,
    I am at once the vision and the seer,
    And mingle with my ever-streaming pomps,
    And still abide their suzerain: I am
    The neophyte who serves a nameless god,
    Within whose fane the fanes of Hecatompylos
    Were arks the Titan worshippers might bear,
    Or flags to pave the threshold; or I am
    The god himself, who calls the fleeing clouds
    Into the nave where suns might congregate,
    And veils the darkling mountain of his face
    With fold on solemn fold; for whom the priests
    Amass their monthly hecatomb of gems—
    Opals that are a camel-cumbering load,
    And monstrous alabraundines, won from war
    With realms of hostile serpents; which arise,
    Combustible, in vapours many-hued,
    And myrrh-excelling perfumes. It is I,
    The king, who holds with scepter-dropping hand
    The helm of some great barge of chrysolite,
    Sailing upon an amethystine sea
    To isles of timeless summer: For the snows
    Of hyperborean winter, and their winds,
    Sleep in his jewel-builded capital,
    Nor any charm of flame-wrought wizardry,
    Nor conjured suns may rout them; so he flees,
    With captive kings to urge his serried oars,
    Hopeful of dales where amaranthine dawn
    Hath never left the faintly sighing lote
    And fields of lisping moly. Or I fare,
    Impanoplied with azure diamond,
    As hero of a quest Achernar lights,
    To deserts filled with ever-wandering flames,
    That feed upon the sullen marl, and soar
    To wrap the slopes of mountains, and to leap,
    With tongues intolerably lengthening,
    That lick the blenchèd heavens. But there lives
    (Secure as in a garden walled from wind)
    A lonely flower by a placid well,
    Midmost the flaring tumult of the flames,
    That roar as roars the storm-possessèd sea,
    Implacable forever: And within
    That simple grail the blossom lifts, there lies
    One drop of an incomparable dew,
    Which heals the parchèd weariness of kings,
    And cures the wound of wisdom. I am page
    To an emperor who reigns ten thousand years,
    And through his labyrinthine palace-rooms,
    Through courts and colonnades and balconies
    Wherein immensity itself is mazed,
    I seek the golden gorget he hath lost,
    On which the names of his conniving stars
    Are writ in little sapphires; and I roam
    For centuries, and hear the brazen clocks
    Innumerably clang with such a sound
    As brazen hammers make, by devils dinned
    On tombs of all the dead; and nevermore
    I find the gorget, but at length I find
    A sealèd room whose nameless prisoner
    Moans with a nameless torture, and would turn
    To hell’s red rack as to a lilied couch
    From that whereon they stretched him; and I find,
    Prostrate upon a lotus-painted floor,
    The loveliest of all beloved slaves
    My emperor hath, and from her pulseless side
    A serpent rises, whiter than the root
    Of some venefic bloom in darkness grown,
    And gazes up with green-lit eyes that seem
    Like drops of cold, congealing poison.***

                                Hark!
    What word was whispered in a tongue unknown,
    In crypts of some impenetrable world?
    Whose is the dark, dethroning secrecy
    I cannot share, though I am king of suns
    And king therewith of strong eternity,
    Whose gnomons with their swords of shadow guard
    My gates, and slay the intruder? Silence loads
    The wind of ether, and the worlds are still
    To hear the word that flees me. All my dreams
    Fall like a rack of fuming vapours raised
    To semblance by a necromant, and leave
    Spirit and sense unthinkably alone,
    Above a universe of shrouded stars,
    And suns that wander, cowled with sullen gloom,
    Like witches to a Sabbath.*** Fear is born
    In crypts below the nadir, and hath crawled
    Reaching the floor of space and waits for wings
    To lift it upward, like a hellish worm
    Fain for the flesh of seraphs. Eyes that gleam,
    But are not eyes of suns or galaxies,
    Gather and throng to the base of darkness; flame
    Behind some black, abysmal curtain burns,
    Implacable, and fanned to whitest wrath
    By raisèd wings that flail the whiffled gloom,
    And make a brief and broken wind that moans,
    As one who rides a throbbing rack. There is
    A Thing that crouches, worlds and years remote,
    Whose horns a demon sharpens, rasping forth
    A note to shatter the donjon-keeps of time,
    And crack the sphere of crystal.*** All is dark
    For ages, and my tolling heart suspends
    Its clamour, as within the clutch of death,
    Tightening with tense, hermetic rigours. Then,
    In one enormous, million-flashing flame,
    The stars unveil, the suns remove their cowls,
    And beam to their responding planets; time
    Is mine once more, and armies of its dreams
    Rally to that insuperable throne,
    Firmed on the central zenith.

                              Now I seek
    The meads of shining moly I had found
    In some remoter vision, by a stream
    No cloud hath ever tarnished; where the sun,
    A gold Narcissus, loiters evermore
    Above his golden image: But I find
    A corpse the ebbing water will not keep,
    With eyes like sapphires that have lain in hell,
    And felt the hissing embers; and the flow’rs
    About me turn to hooded serpents, swayed
    By flutes of devils in a hellish dance,
    Meet for the nod of Satan, when he reigns
    Above the raging Sabbath, and is wooed
    By sarabands of witches. But I turn
    To mountains guarding with their horns of snow
    The source of that befoulèd rill, and seek
    A pinnacle where none but eagles climb,
    And they with failing pennons. But in vain
    I flee, for on that pylon of the sky,
    Some curse hath turned the unprinted snow to flame—
    Red fires that curl and cluster to my tread,
    Trying the summit’s narrow cirque. And now,
    I see a silver python far beneath—
    Vast as a river that a fiend hath witched,
    And forced to flow remèant in its course
    To fountains whence it issued. Rapidly
    It winds from slope to crumbling slope, and fills
    Ravines and chasmal gorges, till the crags
    Totter with coil on coil incumbent. Soon
    It hath entwined the pinnacle I keep,
    And gapes with a fanged, unfathomable maw,
    Wherein great Typhon, and Enceladus,
    Were orts of daily glut. But I am gone,
    For at my call a hippogriff hath come,
    And firm between his thunder-beating wings,
    I mount the sheer cerulean walls of noon,
    And see the earth, a spurnèd pebble, fall
    Lost in the fields of nether stars—and seek
    A planet where the outwearied wings of time
    Might pause and furl for respite, or the plumes
    Of death be stayed, and loiter in reprieve
    Above some deathless lily: For therein,
    Beauty hath found an avatar of flow’rs—
    Blossoms that clothe it as a coloured flame,
    From peak to peak, from pole to sullen pole,
    And turn the skies to perfume. There I find
    A lonely castle, calm and unbeset,
    Save by the purple spears of amaranth,
    And tender-sworded iris. Walls upbuilt
    Of flushèd marble, wonderful with rose,
    And domes like golden bubbles, and minarets
    That take the clouds as coronal—these are mine,
    For voiceless looms the peaceful barbican,
    And the heavy-teethed portcullis hangs aloft
    As if to smile a welcome. So I leave
    My hippogriff to crop the magic meads,
    And pass into a court the lilies hold,
    And tread them to a fragrance that pursues
    To win the portico, whose columns, carved
    Of lazuli and amber, mock the palms
    Of bright, Aidennic forests—capitalled
    With fronds of stone fretted to airy lace,
    Enfolding drupes that seem as tawny clusters
    Of breasts of unknown houris; and convolved
    With vines of shut and shadowy-leavèd flow’rs,
    Like the dropt lids of women that endure
    Some loin-dissolving rapture. Through a door
    Enlaid with lilies twined luxuriously,
    I enter, dazed and blinded with the sun,
    And hear, in gloom that changing colours cloud,
    A chuckle sharp as crepitating ice,
    Upheaved and cloven by shoulders of the damned
    Who strive in Antenora. When my eyes
    Undazzle, and the cloud of colour fades,
    I find me in a monster-guarded room,
    Where marble apes with wings of griffins crowd
    On walls an evil sculptor wrought, and beasts
    Wherein the sloth and vampire-bat unite,
    Pendulous by their toes of tarnished bronze,
    Usurp the shadowy interval of lamps
    That hang from ebon arches. Like a ripple,
    Borne by the wind from pool to sluggish pool
    In fields where wide Cocytus flows his bound,
    A crackling smile around that circle runs,
    And all the stone-wrought gibbons stare at me
    With eyes that turn to glowing coals. A fear
    That found no name in Babel, flings me on,
    Breathless and faint with horror, to a hall
    Within whose weary, self-reverting round,
    The languid curtains, heavier than palls,
    Unnumerably depict a weary king,
    Who fain would cool his jewel-crusted hands
    In lakes of emerald evening, or the fields
    Of dreamless poppies pure with rain. I flee
    Onward, and all the shadowy curtains shake
    With tremors of a silken-sighing mirth,
    And whispers of the innumerable king,
    Breathing a tale of ancient pestilence,
    Whose very words are vile contagion. Then
    I reach a room where caryatids,
    Carved in the form of tall, voluptuous Titan women,
    Surround a throne of flowering ebony
    Where creeps a vine of crystal. On the throne,
    There lolls a wan, enormous Worm, whose bulk,
    Tumid with all the rottenness of kings,
    O’erflows its arms with fold on creasèd fold
    Of fat obscenely bloating. Open-mouthed
    He leans, and from his throat a score of tongues,
    Depending like to wreaths of torpid vipers,
    Drivel with phosphorescent slime, that runs
    Down all his length of soft and monstrous folds,
    And creeping among the flow’rs of ebony,
    Lends them the life of tiny serpents. Now,
    Ere the Horror ope those red and lashless slits
    Of eyes that draw the gnat and midge, I turn,
    And follow down a dusty hall, whose gloom,
    Lined by the statues with their mighty limbs,
    Ends in a golden-roofed balcony
    Sphering the flowered horizon.
                                Ere my heart
    Hath hushed the panic tumult of its pulses,
    I listen, from beyond the horizon’s rim,
    A mutter faint as when the far simoon,
    Mounting from unknown deserts, opens forth,
    Wide as the waste, those wings of torrid night
    That fling the doom of cities from their folds,
    And musters in its van a thousand winds,
    That with disrooted palms for besoms, rise
    And sweep the sands to fury. As the storm,
    Approaching, mounts and loudens to the ears
    Of them that toil in fields of sesame,
    So grows the mutter, and a shadow creeps
    Above the gold horizon, like a dawn
    Of darkness climbing sunward. Now they come,
    A Sabbath of abominable shapes,
    Led by the fiends and lamiae of worlds
    That owned my sway aforetime! Cockatrice,
    Python, tragelaphus, leviathan,
    Chimera, martichoras, behemoth,
    Geryon and sphinx, and hydra, on my ken
    Arise as might some Afrite-builded city,
    Consummate in the lifting of a lash,
    With thundrous domes and sounding obelisks,
    And towers of night and fire alternate! Wings
    Of white-hot stone along the hissing wind,
    Bear up the huge and furnace-hearted beasts
    Of hells beyond Rutilicus; and things
    Whose lightless length would mete the gyre of moons—
    Born from the caverns of a dying sun,
    Uncoil to the very zenith, half disclosed
    From gulfs below the horizon; octopi
    Like blazing moons with countless arms of fire,
    Climb from the seas of ever-surging flame
    That roll and roar through planets unconsumed,
    Beating on coasts of unknown metals; beasts
    That range the mighty worlds of Alioth, rise,
    Aforesting the heavens with multitudinous horns,
    Within whose maze the winds are lost; and borne
    On cliff-like brows of plunging scolopendras,
    The shell-wrought tow’rs of ocean-witches loom,
    And griffin-mounted gods, and demons throned
    On sable dragons, and the cockodrills
    That bear the spleenful pygmies on their backs;
    And blue-faced wizards from the worlds of Saiph,
    On whom Titanic scorpions fawn; and armies
    That move with fronts reverted from the foe,
    And strike athwart their shoulders at the shapes
    Their shields reflect in crystal; and eidola
    Fashioned within unfathomable caves
    By hands of eyeless peoples; and the blind
    And worm-shaped monsters of a sunless world,
    With krakens from the ultimate abyss,
    And Demogorgons of the outer dark,
    Arising, shout with multitudinous thunders,
    And threatening me with dooms ineffable
    In words whereat the heavens leap to flame,
    Advance on the magic palace! Thrown before,
    For league on league, their blasting shadows blight
    And eat like fire the amaranthine meads,
    Leaving an ashen desert! In the palace,
    I hear the apes of marble shriek and howl.
    And all the women-shapen columns moan,
    Babbling with unknown terror. In my fear,
    A monstrous dread unnamed in any hell,
    I rise, and flee with the fleeing wind for wings,
    And in a trice the magic palace reels,
    And spiring to a single tow’r of flame,
    Goes out, and leaves nor shard nor ember! Flown
    Beyond the world, upon that fleeing wind,
    I reach the gulf’s irrespirable verge,
    Where fails the strongest storm for breath and fall,
    Supportless, through the nadir-plunged gloom,
    Beyond the scope and vision of the sun,
    To other skies and systems. In a world
    Deep-wooded with the multi-coloured fungi,
    That soar to semblance of fantastic palms,
    I fall as falls the meteor-stone, and break
    A score of trunks to powder. All unhurt,
    I rise, and through the illimitable woods,
    Among the trees of flimsy opal, roam,
    And see their tops that clamber, hour by hour,
    To touch the suns of iris. Things unseen,
    Whose charnel breath informs the tideless air
    With spreading pools of fetor, follow me
    Elusive past the ever-changing palms;
    And pittering moths, with wide and ashen wings,
    Flit on before, and insects ember-hued,
    Descending, hurtle through the gorgeous gloom,
    And quench themselves in crumbling thickets. Heard
    Far-off, the gong-like roar of beasts unknown
    Resounds at measured intervals of time,
    Shaking the riper trees to dust, that falls
    In clouds of acrid perfume, stifling me
    Beneath a pall of iris.
                              Now the palms
    Grow far apart and lessen momently
    To shrubs a dwarf might topple. Over them
    I see an empty desert, all ablaze
    With amethysts and rubies, and the dust
    Of garnets or carnelians. On I roam,
    Treading the gorgeous grit, that dazzles me
    With leaping waves of endless rutilance,
    Whereby the air is turned to a crimson gloom,
    Through which I wander, blind as any Kobold;
    Till underfoot the griding sands give place
    To stone or metal, with a massive ring
    More welcome to mine ears than golden bells,
    Or tinkle of silver fountains. When the gloom
    Of crimson lifts, I stand upon the edge
    Of a broad black plain of adamant, that reaches,
    Level as a windless water, to the verge
    Of all the world; and through the sable plain,
    A hundred streams of shattered marble run,
    And streams of broken steel, and streams of bronze,
    Like to the ruin of all the wars of time,
    To plunge, with clangour of timeless cataracts,
    Adown the gulfs eternal.
                                    So I follow,
    Between a river of steel and a river of bronze,
    With ripples loud and tuneless as the clash
    Of a million lutes; and come to the precipice
    From which they fall, and make the mighty sound
    Of a million swords that meet a million shields,
    Or din of spears and armour in the wars
    Of all the worlds and aeons: Far beneath,
    They fall, through gulfs and cycles of the void,
    And vanish like a stream of broken stars,
    Into the nether darkness; nor the gods
    Of any sun, nor demons of the gulf,
    Will dare to know what everlasting sea
    Is fed thereby, and mounts forevermore
    With mighty tides unebbing.
                                Lo, what cloud,
    Or night of sudden and supreme eclipse,
    Is on the suns of opal? At my side,
    The rivers rail with a wan and ghostly gleam,
    Through darkness falling as the night that falls
    From mighty spheres extinguished! Turning now,
    I see, betwixt the desert and the suns,
    The poised wings of all the dragon-rout,
    Far-flown in black occlusion thousand-fold
    Through stars, and deeps, and devastated worlds,
    Upon my trail of terror! Griffins, rocs,
    And sluggish, dark chimeras, heavy-winged
    After the ravin of dispeopled lands,
    With harpies, and the vulture-birds of hell—
    Hot from abominable feasts and fain
    To cool their beaks and talons in my blood—
    All, all have gathered, and the wingless rear,
    With rank on rank of foul, colossal Worms,
    Like pillars of embattled night and flame,
    Looms on the wide horizon! From the van,
    I hear the shriek of wyvers, loud and shrill
    As tempests in a broken fane, and roar
    Of sphinxes, like the unrelenting toll
    Of bells from tow’rs infernal. Cloud on cloud,
    They arch the zenith, and a dreadful wind
    Falls from them like the wind before the storm.
    And in the wind my cloven garment streams,
    And flutters in the face of all the void,
    Even as flows a flaffing spirit, lost
    On the Pit’s undying tempest! Louder grows
    The thunder of the streams of stone and bronze.—
    Redoubled with the roar of torrent wings,
    Inseparably mingled. Scarce I keep
    My footing, in the gulfward winds of fear,
    And mighty thunders, beating to the void
    In sea-like waves incessant; and would flee
    With them, and prove the nadir-founded night
    Where fall the streams of ruin; but when I reach
    The verge, and seek through sun-defeating gloom,
    To measure with my gaze the dread descent,
    I see a tiny star within the depths—
    A light that stays me, while the wings of doom
    Convene their thickening thousands: For the star
    Increases, taking to its hueless orb,
    With all the speed of horror-changèd dreams
    The light as of a million million moons;
    And floating up through gulfs and glooms eclipsed,
    It grows and grows, a huge white eyeless Face,
    That fills the void and fills the universe,
    And bloats against the limits of the world
    With lips of flame that open.****




THE SORROW OF THE WINDS


    O winds that pass uncomforted
    Through all the peacefulness of spring,
    And tell the trees your sorrowing,
    That they must mourn till ye are fled!

    Think ye the Tyrian distance holds
    The crystal of unquestioned sleep?
    That those forgetful purples keep
    No veiled, contentious greens and golds?

    Half with communicated grief,
    Half that they are not free to pass
    With you across the flickering grass,
    Mourns each inclined bough and leaf.

    And I, with soul disquieted,
    Shall find within the haunted spring
    No peace, till your strange sorrowing
    Is down the Tyrian distance fled.




ARTEMIS


    In the green and flowerless garden I have dreamt,
    Lying beneath perennial moons apart,
    Whose cypress-builded bowr’s
    And ivy-plighted myrtles none shall part;

    In the funereal maze of larch and laurel,
    Across white lawns, athwart the spectral mountains,
    Seen through the sighing haze
    Of all the high and moon-suspended fountains;

    With feet enshaded by the fruitless green
    Of summer trees that bear no summer blossom;
    With wintry lusters laid
    Upon the mounded marble of thy bosom,

    Thou dost await, O mournful, enigmatic
    Image of love-bewildered Artemis,
    Whose tender lips too late,
    Or all too soon, have sought the wounding kiss.




LOVE IS NOT YOURS, LOVE IS NOT MINE


    Love is not yours, love is not mine:
    It is the tranquil twilight heaven
    Through which our pauseless feet are driven
    Into the vast and desert noon.

    Love is not mine, love is not yours:
    It is a flying fire that passes,
    Perishing on the blind morasses,
    After the frail and perished moon.




THE CITY IN THE DESERT


    In a lost land, that only dreams have known,
    Where flaming suns walk naked and alone;
    Among horizons bright as molten brass,
    And glowing heavens like furnaces of glass,
    It rears, with dome and tower manifold,
    Rich as a dawn of amarant and gold,
    Or gorgeous as the Phoenix, born of fire,
    And soaring from an opalescent pyre,
    Sheer to the zenith. Like some anademe
    Of Titan jewels turned to flame and dream,
    The city crowns the far horizon-light,
    Over the flowered meads of damassin.***
    A desert isle of madreperl! wherein
    The thurifer and opal-fruited palm,
    And heaven-thronging minarets becalm
    The seas of azure wind.****

NOTE: These lines were remembered out of a dream, and are given
verbatim.




THE MELANCHOLY POOL


    Marked by that priesthood of the Night’s misrule,
    The shadow-cowled, imprecatory trees—
    Cypress that guarded woodland secrecies
    And graves that waited the delaying ghoul,
    Nathless I neared the melancholy pool,
    Chief care of all, but closelier sentinelled
    By those whose roots were deepest in dead Eld.
    Where the thwart-woven boughs were wet and cool,
    As with a mist of poison, I drew near,
    To mark the tired stars peer dimly down
    Through riven branches from the height of space,
    And shudder in those waters with quick fear,
    Where in black deeps the pale moon seemed to drown—
    A haggard girl, with dead, despairing face.




THE MIRRORS OF BEAUTY


    Beauty hath many mirrors: multifold
    In ocean, or the foam, the gem, the dew,
    Or well and rivulet, her eyes renew
    With moon or sun their glories bright or cold,—
    Whether in nights the ruby planets hold,
    Or with the sombre light and icy hue
    Of skies Decembral, or the autumn’s blue,
    Or dawn or evening of the vernal gold.

    Often, upon the solitary sea,
    She lieth, ere the wind shall gather breath—
    One with the reflex of infinity.
    In pools profounder for the twilight sky,
    Her vision dwells, or in the poet’s eye,
    Or the black crystal of the eyes of Death.




WINTER MOONLIGHT


    The silence of the silver night
    Lies visibly upon the pines;
    In marble flame the moon declines
    Where spectral mountains dream in light.

    And pale as with eternal sleep,
    The enchanted valleys, far and strange,
    Extend forever without change
    Beneath the veiling splendours deep.

    Carven of steel or fretted stone,
    One stark and leafless autumn tree
    With shadows made of ebony,
    Leans on the moon-ward field alone.




TO THE BELOVED


    Green suns, and suns of garnet I have known—
    Turning, with suns that mock the sapphire-gem,
    The constellated moons that mirror them
    To ever-changing opals. On the flown
    Horizons I have followed, all alone,
    To meadows of mirage the deserts hem,
    And sought to break the ghostly, golden stem
    Of roses of illusion, briefly blown
    By evanescent waters. One by one,
    The outward ways of wonder I have trod
    Through alien lives ineffable. But none
    Hath held the troublous marvel and surprise
    That gleams and trembles in thy slightest nod,
    Or sleeps between thy eyelids and thine eyes.




REQUIESCAT


    What was Love’s worth,
    Who lived with the roses?—
    Love that is earth,
    And with earth reposes!

    What was Love’s wonder?—
    Scent of the flow’rs
    After the thunder,
    Thunder, and show’rs!

    What were the breathless
    Words that he said?—
    Love that was deathless,
    Love that is dead!

           *       *       *       *       *

    Echo hath taken
    The song, and flown;
    None shall awaken
    Music and moan.

    Buds and the flower,
    All that Love found,
    Last but an hour
    Strewn on his mound.




MIRAGE


    Deem ye the veiling vision will abide—
    The marvel, and the glamour, and the dream,
    Which lies in light upon the barren world?

           *       *       *       *       *

    The wings of Phoenix towering to the sun,
    Nor opals, nor the morning foam, may hold
    The hueful flame that as from faery moons
    Is mirrored on the sand; where many a time,
    From fields that hem with golden asphodel
    A river like a dragon coiled in light,
    Rise to the noon the hovering minarets
    And soaring walls of cities Ilion-like,
    Till the dim winds are hung with palaces
    Of orient madreperl.
                              Forever lost—
    Like sunset on a land of old romance,—
    The splendour fails, and leaves the traveller
    In endless deserts flaming to the day.




INHERITANCE


    On all the sovereignty thine eyes obtain,
    Thy grant of vision from the royal sun,
    And all thine appanage of lordly dream,
    The Dust, wherewith the worm is parcener,
    Waits with perennial claim, nor will resign
    Its right in thee: All glories and all gleams,
    The seven splendours that inform the light,
    And beauties immemorial as the moon,
    Robing the barren world—all which thine eyes
    Hold for inheritance, at length shall fill
    The blindness and oblivion of the grave,
    And leave it dark.****

                    With dustiness and night
    Upon thy mouth of starry proud desire,
    With slumber for thy dreams, thou wilt repose,
    Nor startle when the lazy, loitering Worm
    Is slow to leave the tavern of thy brain.




AUTUMNAL


    In all the pleasances where Love was lord,
    Blossom the mournful immortelles alone;
    The fallen roses crumble, and are blown,
    A snow of red, about the barren sward.

    The misty sun is grown a dimmer gold:
    Only the leaves, the leaves forever seem
    To tell and treasure, in a gorgeous dream,
    The aureate fervour of the dawns of old.

    Only for us remains the memory
    Of sultry moons and summer suns that were;
    And we have found, where fallen roses stir,
    The immortelles that flower mournfully.




CHANT OF AUTUMN


    Like the voice of a golden star,
    Heard from afar,
    Perishing beauty calls
    Out of the mist and rain;
    Like the song of a silver wind,
    When the night is blind,
    Murmuring music falls,
    Never to rise again.

    Voice of the leaves that die,
    Whisper and sigh
    Of ruinous gardens waning
    Rose by ungathered rose!
    Dolour of pines immortal,
    That guard the portal
    Of a lonely mead retaining
    Blossoms that no man knows!

    Voices of love and the autumn sun—
    In my heart ye are one!
    Fairer the petals that fall,
    Dearer the beauty that dies,
    And the pyres of autumn burning,
    Than a thousand springs returning.***
    O, perishing loves that call
    In my heart and the hollow skies!




ECHO OF MEMNON


    I wandered ere the dream was done
    Where over Nilus’ nenuphars,
    With all its ears of quivering stars,
    The darkness listened for the sun.

    Ere shadows were, ere night was gone,
    I found the one whom suns had sought,
    And waiting at his feet, methought
    Had speech with Memnon in the dawn.****

    Sad as the last, lamenting star,
    He sang, and clear as morning’s gold:
    Unto his voice I saw unfold
    The hesitant, pale nenuphar.

    But dolorous like the peal of dooms,
    And proclamation of the night,
    The waste returned that voice of light
    With echo from its hollow tombs!




TWILIGHT ON THE SNOW


    Before the hill’s high altar bowed
    The trees are Druids, weird and white,
    Facing the vision of the light
    With ancient lips to silence vowed.

    No certain sound the woods aver,
    Nor motion save of formless wings—
    Filled with faint twilight flutterings,
    With thronging gloom, and shadow-stir.

    And hidden in a hollow dell,
    Lie all the winds that magic trees
    Have lulled with crystal wizardries,
    And bound about with Merlin-spell.




IMAGE


    Calm as a long-forgotten marble god who smiles,
    Colossal, in the grim serenity of stone,
    Upon the broken pillars lying all alone,
    Athwart the horizon’s infinite and yellow miles;

    Whom neither desert darkness nor the desert noon,
    Nor dawns that render terrible the bare dead land,
    Nor winds that wrap his mighty form in palls of sand,
    Nor the Medusa of the dumb and stony moon,

    Shall evermore dismay, nor lion, nor the lynx,
    With silken-sheathèd claws, and eyes of golden glede;
    Nor any griffin, from the gates of treasure freed
    To roam the gulf, nor any wild and wandering sphinx:—

    Even thus, amid the waste of all fair things that were,
    Of high marmoreal dreams immense and overthrown,
    I wait forever, and about my face is blown
    The sand of crumbling cenotaph and sepulcher.




THE REFUGE OF BEAUTY


    From regions of the sun’s half-dreamt decay,
    All day the cruel rain strikes darkly down;
    And from the night thy fatal stars shall frown—
    Beauty, wilt thou abide this night and day?

    Roofless, at portals dark and desperate,
    Wilt thou a shelter unrefused implore,
    And past the tomb’s too-hospitable door,
    Evade thy lover, in eluding Hate?

           *       *       *       *       *

    Alas, for what have I to offer thee?—
    Chill halls of mind, dark rooms of memory
    Where thou shalt dwell with woes and thoughts infirm;

    This rumour-throngèd citadel of Sense,
    Trembling before some nameless Imminence;
    And fellow-guestship with the glutless Worm.




NIGHTMARE


    As though a thousand vampires, from the day
    Fleeing unseen, oppressed that nightly deep,
    The straitening and darkened skies of sleep
    Closed on the dreamland dale in which I lay.

    Eternal tensions numbed the wings of Time,
    While through the unending narrow ways I sought
    Awakening; up precipitous gloom I thought
    To reach the dawn, far-pinnacled sublime.

    Rejected at the closen gates of light
    I turned, and down new dreams and shadows fled,
    Where beetling Shapes of veiled, colossal dread
    With Gothic wings enormous arched the night.




THE MUMMY


    From out the light of many a mightier day,
    From Pharaonic splendour, Memphian gloom,
    And from the night aeonian of the tomb
    They brought him forth, to meet the modern ray,—
    Upon his brow the unbroken seal of clay,
    While gods have gone to a forgotten doom,
    And desolation and the dust assume
    Temple and cot immingling in decay.

    From out the everlasting womb sublime
    Of cyclopean death, within a land
    Of tombs and cities rotting in the sun,
    He is reborn to mock the might of time,
    While kings have built against Oblivion
    With walls and columns of the windy sand.




FORGETFULNESS


    My life is less than any broken glass.****
    My long and weary love, thy lips unwon—
    All, all is turned to mere oblivion,
    With the grey flowers and the fallen grass
    Of yesteryear. And on the winds that pass,
    Thy music and thy memory are one;
    For thy wan face, desired above the sun,
    Only some languid echo saith Alas.***

    Love is no more, immemorably flown
    As any leaf or petal.***But to me,
    The very fields are still, and strange, and lone:
    The forest and the garden fail for breath,
    Where the dumb heavens hold implacably
    An autumn like the marble sleep of death.




FLAMINGOES


    On skies of tropic evening, broad and beryl-green,
    Above a tranquil sea of molten malachite,
    With flare of scarlet wings, in long and level flight,
    The soundless, fleet flamingoes pass to isles unseen.

    They pass and disappear, where darkening palms indent
    The horizon, underneath some high and tawny star—
    Lost in the sunset gulfs of glowing cinnabar,
    Where sinks the painted moon, with prows of orpiment.




THE CHIMAERA


    O, who will slay the last chimaera, Time?
    Though Love and Death have many a cunning dart—
    Despite of these, and close-wrought webs of Art,
    And Slumber, with a slow Lethean lime—

    Still, still, he lives; and though thy feet attain
    The lunar peaks of ice and crystal, he,
    Some night of agonized eternity
    With brazen teeth shall gnaw thy fretted brain.

    Gorged with the dust of thrones and fanes destroyed—
    With lidless eyes like moons of adamant,
    And vaulted mouth emportalling the void,

    He crouches like a passive sphinx before
    Some temple gate, or, grinning, moves to grant
    Thine entrance at the monarch’s golden door.




SATAN UNREPENTANT


    Lost from those archangelic thrones that star,
    Fadeless and fixed, heaven’s light of azure bliss;
    Rejected of His splendour and depressed
    Beyond the birth of the first sun, and lower
    Than the last star’s decline, I here endure,
    Abased, majestic, fallen, beautiful,
    And unregretful in the doubted dark,
    Throneless, that greatens chaos-ward, albeit
    From chanting stars that throng the nave of night
    Lost echoes wander here, and of his praise,
    With ringing moons for cymbals dinned afar,
    And shouted from the flaming mouths of suns.

    The shadows of impalpable blank deeps—
    Deep upon deep accumulate—close down,
    Around my head concentered, while above,
    In the lit, loftier blue, star after star
    Spins endless orbits betwixt me and heaven;
    And at my feet mysterious Chaos breaks,
    Abrupt, immeasurable. Round His throne
    Now throbs the rhythmic resonance of suns,
    Incessant, perfect, music infinite:
    I, throneless, hear the discords of the dark,
    And roar of ruin uncreate, than which
    Some vast cacophony of dragons, heard
    In wasted worlds, were purer melody.

    The universe His tyranny constrains
    Turns on: In old and consummated gulfs
    The stars that wield His judgment wait at hand,
    And in new deeps Apocalyptic suns
    Prepare His coming: Lo, His mighty whim
    To rear and mar, goes forth enormously
    In nights and constellations! Darkness hears
    Enragèd suns that bellow down the deep
    God’s ravenous and insatiable will;
    And He is strong with change, and rideth forth
    In whirlwind clothed, with thunders and with doom,
    To the red stars: God’s throne is reared of change;
    Its myriad and successive hands support
    Like music His omnipotence, that fails
    If mercy or if justice interrupt
    The sequence of that tyranny, begun
    Upon injustice, and doomed evermore
    To stand thereby.

                          I, who with will not less
    Than His, but lesser strength, opposed to Him
    This unsubmissive brow and lifted mind,
    He holds remote, in nullity and night
    Doubtful between old Chaos and the deeps
    Betrayed by Time to vassalage. Methinks
    All tyrants fear whom they may not destroy,
    And I, that am of essence one with His,
    Though less in measure, He may not destroy,
    And but withstands in gulfs of dark suspense,
    A secret dread forever: For God knows
    This quiet will irrevocably set
    Against His own, and this mine old revolt
    Yet stubborn, and confirmed eternally.
    And with the hatred born of fear, and fed
    Ever thereby, God hates me, and His gaze
    Sees the bright menace of mine eyes afar,
    Through midnight, and the innumerable blaze
    Of servile suns: Lo, strong in tyranny,
    The despot trembles that I stand opposed!
    For fain am I to hush the anguished cries
    Of Substance, broken on the racks of change,
    Of Matter tortured into life; and God,
    Knowing this, dreads evermore some huge mishap—
    That in the vigils of Omnipotence,
    Once careless, I shall enter heaven, or He,
    Himself, with weight of some unwonted act,
    Thoughtless perturb His balanced tyranny,
    To mine advance of watchful aspiration.

    With rumored thunder and enormous groan—
    (Burden of sound that heavens overborne
    Let slip from deep to deep, even to this,
    Where climb the huge cacophonies of Chaos)
    God’s universe moves on. Confirmed in pride,
    In patient majesty serene and strong,
    I wait the dreamt, inevitable hour,
    Fulfilled of orbits ultimate, when God,
    Whether through His mischance or mine own deed,
    Or rise of other and extremer Strength,
    Shall vanish, and the lightened universe
    No more remember Him than Silence does
    An ancient thunder. I know not if these,
    Mine all-indomitable eyes, shall see
    A maimed and dwindled Godhead cast among
    The stars of His creating, and beneath
    The unnumbered rush of swift and shining feet,
    Trodden into night; or mark the fiery breath
    Of His infuriate suns blaze forth upon
    And scorch that coarsened Essence; or His flame,
    Drawn through the windy halls of nothingness,
    A mightier comet, roar and redden down,
    Portentous unto Chaos. I but wait,
    In strong majestic patience equable,
    That hour of consummation and of doom,
    Of justice, and rebellion justified.




THE ABYSS TRIUMPHANT


    The force of suns had waned beyond recall.
    Chaos was re-established over all,
    Where lifeless atoms through forgetful deeps
    Fled unrelated, cold, immusical.

    Above the tumult heaven alone endured;
    Long since the bursting walls of hell had poured
    Demon and damned to peace erstwhile denied,
    Within the Abyss God’s might had not immured.

    (He could but thwart it with creative mace.***)
    And now it rose above the heavenly base,
    Mordant at pillars rotten through and through
    Of Matter’s last, most firm abiding-place.

    Bastion and minaret began to nod,
    Till all the pile, unmindful of His rod,
    Dissolved in thunder, and the void Abyss
    Caught like a quicksand at the feet of God!




THE MOTES


    I saw a universe to-day:
    Through a disclosing bar of light
    The motes were whirled in gleaming flight
    That briefly dawned and sank away.

    Each had its swift and tiny noon;
    In orbit-streams I marked them flit,
    Successively revealed and lit.
    The sunlight paled and shifted soon.




THE MEDUSA OF DESPAIR


    I may not mask forever with the grace
    Of woven flow’rs thine eyes of staring stone:
    Ere fatally I front thee, fully known
    The guarded horror of thy haggard face,
    Thy visage carven from the heart long dead
    Of some white, frozen star; ere thou astound
    My life to thine own likeness, and confound—
    Depart, and curse more kindred things instead:

    Triumphant, through what realms of elder doom
    Where even the swart vans of Time are stunned,
    Seek thou some fit, Cimmerian citadel,
    And mighty cities, desolate, unsunned,
    Whose walls of horrent and enormous gloom
    Make sharp the horizon of the light of hell!




LAUS MORTIS


    The imperishable phantoms, Love and Fame,
    Nor Beauty, burning on the mist and mire
    A fugitive uncapturable fire,
    Nor God, that is a darkness and a name—
    Not these, not these my choric dreams acclaim,
    But Death, the last and ultimate desire,
    Great Death I praise with litany and lyre,
    And sombre pray’r implacably the same.

    O, incommunicable hope that lies
    Deep in despair, as tapers that illume
    Some fearful fane’s arcanic, sacred gloom!
    O, solace of all weary hearts and wise!—
    The dream which Satan hath for anodyne,
    Which is to God a sweet and secret wine.




THE GHOUL AND THE SERAPH


Scene: A cemetery, by moonlight. The Ghoul emerges from the shade of a
cypress, and sings.

    THE SONG
    Ho, ho, the Pest is on the wing!
    Ha, ha, the sweet and crimson foam
    Upon the lips of churl and king!
    No worm but hath a feastful home:
    Ha, ha, the Pest is on the wing!

    Ho, ho, his kiss incarnadines
    The brows of maiden, queen and whore!
    The nun to him her cheek resigns;
    Wan lips were never kissed before
    His ancient kiss incarnadines.

    Good cheer to thee, white worm of death!
    The priest within the brothel dies,
    The bawd hath sickened from his breath!
    In grave half-dug the digger lies:
    Good cheer to thee, white worm of death!

The Seraph appears from among the trees, half-walking, half-flying with
wings whose iris the moonlight has rendered faint, and pauses abruptly
at sight of the Ghoul.

    THE SERAPH
    What gardener in crudded fields of hell,
    Or scullion of the Devil’s house, art thou—
    To whom the filth of Malebolge clings,
    And reek of horrid refuse? Thou art gnurled
    And black as any Kobold from the mines
    Where demons delve for orichalch and steel
    To forge the racks of Satan! On thy face,
    Detestable and evil as might haunt
    The last delirium of a dying hag,
    Or necromancer’s madness, fall thy locks,
    Like sodden reeds that trail in Acheron
    From shores of night and horror! And thy hands,
    Like roots of cypresses uptorn in storm
    That still retain their grisly provender,
    Make the glad wine and manna of the skies
    Turn to a qualmish sickness in my veins!

    THE GHOUL
    And who art thou?—Some white-faced fool of God,
    With wings that emulate the giddy bird,
    And bloodless mouth forever filled with psalms
    In lieu of honest victuals!*** Askest thou
    My name? I am the Ghoul Necromalor:
    In new-made graves I delve for sustenance,
    As Man within his turnip-fields: I take
    For table the uprooted slab, that bears
    The words, “In Pace;” black and curdled blood
    Of cadavers is all my cupless wine—
    Slow-drunken, as the dainty vampire drinks
    From pulses oped in never-ending sleep.

    THE SERAPH
    O! foulness born as of the ninefold curse
    Of dragon-mouthed Apollyon, plumed with darts,
    And armed with horns of incandescent bronze!
    O, dark as Satan’s nightmare, or the fruit
    Of Belial’s rape on hell’s black hippogriff!***
    What knowest THOU of Paradise, where grow
    The gardens of the manna-laden myrrh,
    And lotos never known to Ulysses,
    Whose fruit provides our long and sateless banquet?
    Where boundless fields, unfurrowed and unsown,
    Supply for God’s own appanage their foison
    Of amber-hearted grain, and sesame
    Sweeter than nard the Persian air compounds
    With frankincense from isles of India?
    Where flame-leaved forests infinitely teem
    With palms of tremulous opal, from whose top
    Ambrosial honeys fall forevermore
    In rains of nacred light! Where rise and rise
    Terrace on hyacinthine terrace, hills
    Hung with the grapes that drip cerulean wine,
    One draught whereof dissolves eternity
    In bliss oblivious and supernal dream!

    THE GHOUL
    To all, the meat their bellies most commend,
    To all, the according wine: For me, I wot,
    The cates whereof thou braggest were as wind
    In halls where men had feasted yesterday,
    Or furbished bones the full hyena leaves:
    Tiger and pig have their apportioned glut,
    Nor lacks the shark his provender; the bird
    Is nourished with the worm of charnels; man,
    Or the grey wolf, will slay and eat the bird,
    Till wolf and man be carrion for the worm.
    What wouldst thou? As the elfin lily does,
    Or as the Paphian myrtle, pink with love,
    I draw me from the unreluctant dead
    The rightful meat my belly’s law demands.***
    Eaters of death are all: Life shall not live,
    Save that its food be death; No atomy
    In any star, or heaven’s remotest moon,
    But hath a billion billion times been made
    The food of insatiable life, and food
    Of death insatiate: For all is change—
    Change, that hath wrought the chancre and the rose,
    And wrought the star, and wrought the sapphire-stone,
    And lit great altars, and the eyes of lions—
    Change, that hath made the very gods from slime
    Drawn from the pits of Python, and will fling
    Gods and their builded heavens back again
    To slime. The fruits of archangelic light
    Thou braggest of, and grapes of azure wine,
    Have been the dung of dragons, and the blood
    Of toads in Phlegethon; each particle
    That is their splendour, clomb in separate ways,
    Through suns, and worlds, and cycles infinite—
    Through burning brume of systems unbegun,
    Or manes of long-haired comets, that have lashed
    The night of space to fury and to fire;
    And in the core of cold and lightless stars,
    And in immalleable metals deep.
    Each atomy hath slept, or known the slime
    Of Cyclopean oceans turned to air
    Before the suns of Ophinchus rose;
    And they have known the interstellar night,
    And they have lain at root of sightless flowr’s
    In worlds without a sun, or at the heart
    Of monstrous-eyed and panting flow’rs of flesh,
    Or aeon-blooming amaranths of stone:
    And they have ministered within the brains
    Of sages and magicians, and have served
    To swell the pulse of kings or conquerors,
    And have been privy to the hearts of queens.

The Ghoul turns his back on the Seraph, and moves away singing.

    THE SONG
    O condor, keep thy mountain-ways,
    Above the long Andean lands!
    Gier-eagle, guard the eastern sands
    Where the forsaken camel strays!
    Beetle and worm and I will ward
    The feastful graves of lout and lord.

    O, warm and bright the blood that lies
    Upon the wounded lion’s trail!
    Hyena, laugh, and jackal, wail
    And ring him round, who turns and dies!
    Beetle and worm and I will ward
    The feastful graves of lout and lord.

    Raven and kestrel, kite and crow,
    The swart patrol of northern lands,
    Gather your noisy, bickering bands—
    The reindeer bleeds upon the snow!
    Beetle and worm and I will ward
    The feastful graves of lout and lord.

    Arms of a wanton girl are good,
    Or hands of harp-player and knight!
    Breasts of the nun be sweet and white,
    Sweet is the festive friar’s blood!
    Beetle and worm and I will ward
    The feastful graves of lout and lord.




AT SUNRISE


    The moon declines in lonely gold
    Among the stars of ashen-grey—
    Veiling the pallors of decay
    With clouds and glories, fold on fold.

    Within a crystal interlude,
    Stillness and twilight rest awhile
    Ere the bright snows, illumined, smile,
    From peaks where sullen purples brood;

    And from the low Favonian bourn,
    A light wind blows so dulcetly
    It seems the futile silver sigh
    Breathed by the lingering moon forlorn.




THE LAND OF EVIL STARS


    ’Neath blue days, and gold, and green,
    Blooms the glorious land serene,—
    Flaming shields of dawns between;
    And the rapt white flowers suffice
    To illume
    With their bright eyes
    Fluctuant ecstatic gloom
    ’Twixt the fallen emerald sun,
    And the unrisen azure one.

    But the season of the night
    Comes in all the suns’ despite;
    And, ah, gorgeous then their sorrows,
    At departure into morrows
    Of far, other lands forgot—
    Until now remembered not,
    For the lovelier flow’rs of this,
    And each lake’s pure lucency;
    And recalled regretfully,
    Regretfully, for leaving THIS.

    In the star-possessèd night
    The land knows another light—
    All the small and evil rays
    Of the sorcerous orbs ablaze
    With ecstatical, intense
    Hate and still malevolence—
    Dwelling on the fields below
    From the ascendancy of even,
    Till the suns, re-entering heaven,
    Glorify with triple glow
    The dim flowers smitten low.

    Ah, not cold, or kind, as ours,
    The stars of those remotest hours!
    Peace and pallor of the flow’rs
    They have fevered, they have marred,
    With the poison of their light,
    With distillèd bale and blight
    Of a red, accursed regard:
    All the toil of sunlight hours
    They undo
    With their wild eyes—
    Eldritch and ecstatic eyes,
    Stooping timeward from the skies,
    Burning redly in the dew.




THE HARLOT OF THE WORLD


    O Life, thou harlot who beguilest all!
    Beautiful in thy house, the gorgeous world,
    Abidest thou, where Powers pinion-furled
    And flying Splendours follow to thy call.

    Innumerous like the stars or like the dust,
    Nations and monarchs were thy thralls of yore:
    Unto the grave’s old womb forevermore
    Hast thou betrayed the passion and the lust.

    Fair as the moon of summer is thy face,
    And mystical with cloudiness of hair.***
    Only an eye, subornless by delight,

    Shall find within thy phosphorescent gaze
    Those caverns of corruption and despair,
    Where the Worm toileth in the charnel night.




THE HOPE OF THE INFINITE


    My hope is in the unharvestable deep,
    That shows with eve the treasure of the stars
    To mournful kings behind their palace-bars,
    And wanderers outworn, and boys who weep
    A shattered bauble—or above the sleep
    Of headsmen, and of men condemned to die,
    Pours out the moon’s white mercy from on high,
    Or hides with clement gloom the hours that creep
    Like death-worms to the grave.*** And I have ta’en
    From storming seas by sunset glorified,
    Or from the dawn of ashen wastes and wide,
    Some light re-gathered from the lamps that wane,
    And promise of a translunary Spain,
    Where loves forgone and forfeit dreams abide.




LOVE MALEVOLENT


    I fain would love thee, but thy lips are fed
    With poison-honey, hivèd in a skull;
    They seem like scarlet poppies, beautiful
    For delving roots, deep-clenchèd in the dead.

    Thine eyes are coloured like the nightshade-flow’r.***
    Blent in the opiate perfume of thy breath
    Are dreams, and purple sleep, and scented death
    For him that is thy lover for an hour.

    Mandragora, within the graveyard grown,
    Hath given thee its carnal root to eat,
    And vipers, born and nurstled in a tomb,

    From fawning mouths drip venom at thy feet;
    Yet from thy lethal lips and thine alone,
    Love would I drink, as dew from poison-bloom.




PALMS


    Palms in the sunset of a languid summer land!
    Sculpture of living green, on dreamy scarlet light
    Dividing as a wall the twilight from the night!
    How magically still and luminous they stand,

    Inclining fretted leaves above some red lagoon—
    Careless alike, in mystic and immense repose,
    Of the flamingo-coloured, flying sun that goes,
    Or the slow coming of the lion-coloured moon.




MEMNON AT MIDNIGHT

(Dedicated to Albert M. Bender)


    Methought upon the tomb-encumbered shore
    I stood, of Egypt’s lone, monarchal stream,
    And saw immortal Memnon, throned supreme
    In gloom as of that Memphian night of yore:
    Fold upon fold purpureal he wore,
    Beneath the star-borne canopy extreme—
    Carven of silence and colossal dream,
    Where waters flowed like sleep forevermore.

    Lo, in the darkness, thick with dust of years,
    How many a ghostly god around his throne,
    With thronging winds that were forgotten Fames,
    Stood, ere the dawn restore to ancient ears
    The long-withholden thunder of their names,
    And music stilled to monumental stone.




EIDOLON


    Chryselephantine, clear as carven flame,
    Before my gaze, thy soul’s eidolon stands,
    As on the threshold of the frozen lands
    A frozen sun forevermore the same.

    All passion that the passive marbles make
    Imperishable in their shining sleep,
    Is thine; and all the wan despairs that weep
    With tears of ice and crystal, cannot break

    The heart, which, like a ruby white and rare,
    In thy deep breast impenetrably gleams.***
    More beautiful than any sphynx, and fair

    As Aphrodite dead, thine image seems—
    Guarding forever, in its golden eyes,
    The treasure of intagliate memories.




THE KINGDOM OF SHADOWS


    A crownless king who reigns alone,
    I live within this ashen land,
    Where winds rebuild from wandering sand
    My columns and my crumbled throne.

    My sway is on the men that were,
    And wan sweet women, dear and dead;
    Beside a marble queen, my bed
    Is made within the sepulchre.

    In gardens desolate to the sun,
    Faring alone, I sigh to find
    The dusty closes, dim and blind,
    Where winter and the spring are one.

    My shadowy visage, grey with grief,
    In sunken waters walled with sand,
    I see,—where all mine ancient land
    Lies yellow like an autumn leaf.

    My silver lutes of subtle string
    Are rust,—but on the grievous breeze,
    I hear what sobbing memories.
    And muted sorrows murmuring!

    Across the broken monuments,
    Memorial of the dreams of old,
    The sunset flings a ghostly gold
    To mock mine ancient affluence.

    About the tombs of stone and brass
    The silver lights of evening flee;
    And slowly now, and solemnly,
    I see the pomp of shadows pass.
    Often, beneath some fervid moon,
    With splendid spells I vainly strive
    Dead loves imperial to revive,
    And speak a heart-remembered rune:—

    But, ah, the lovely phantoms fail,
    The faces fade to mist and light,
    The vermeil lips of my delight
    Are dim, the eyes are ashen-pale.

    A crownless king who reigns alone,
    I live within this ashen land,
    Where winds rebuild from wandering sand
    My columns and my crumbled throne.




REQUIESCAT IN PACE


    White iris on thy bier,
    With the white rose, we strew,
    And lotus pale or blue
    As moonlight on the orient mountain-snows.

    Slumber, as they that sleep
    In the slow sands unknown,
    Or under seas that zone
    With lulling foam the sealed, extremer lands.

    Slumber, with songless birds
    That sang, and sang to death,
    Giving their gladder breath
    To lonely winds in one melodious pang.

    Sleep, with the golden queens
    Of planets long forgot,
    Whose fire-soft lips are not
    Recalled by any sorcery of song.

    Sleep, with the flowers that were,
    And any leaf that fell
    On field or flowerless dell
    In autumns lost of memory and grief.

    Pass, with the music flown
    From ivory lyre, and lute
    Of mellow string left mute
    In cities desolate ere the dream of Tyre.

    Pass, with the clouds that sank
    In sunset turned to grey
    On some Edenic day
    For which the exiled years have ever yearned.


    White iris on thy bier,
    With the white rose, we strew,
    And lotus pale or blue
    As moonlight on the orient mountain-snows.




ALEXANDRINES


    Knowing the weariness of dreams, and days, and nights,
    The great and grievous vanity of joy and pain;
    Frail loves that pass, where languors infinite remain;
    Fervours, and long despairs, and desperate, brief delights;

    Knowing how in the witless brains of them that were,
    The drowsy, wiving worm hath prospered and hath died;
    Knowing that, evermore, by moon and sun abide
    The standing glooms made stagnant in the sepulchre;

    Knowing the vacillant leaves that tremble, flame, and fall,
    The sweetly wasting rose, the dawns and stars that wane—
    Knowing these things, the desolate heart and soul are fain
    Of the one perfect sleep which filleth, foldeth all.




ASHES OF SUNSET


    Who fares to find the sunset ere it fly,
    Turning to light and fire the further west,
    Shall have the veils of twilight for his quest,
    And all the falling of an ashen sky.

    On lands he shall not know, the splendour lies—
    A pharos on some alienated shore,
    In foam and purple lost forevermore,
    Where dreams are kindled in remoter eyes.




NOVEMBER TWILIGHT


    November’s winy sunset leaves,
    Deep in the silver heavens far,
    One ruby-hearted star
    That lit the summer’s moon-forsaken eves.

    Under its ray, remote, alone,
    Ascends upon the ashen gloom
    The ghostly, faint perfume
    From autumn’s grey, forgotten roses flown.




SEPULTURE


    Deep in my heart, as in the hollow stone
    And silence of some olden sepulchre,
    Thy silver beauty lies, and shall not stir—
    Forgotten, incorruptible, alone:
    Though altars darken, and a wind be blown
    From starless seas on beacon-fires that were—
    Within thy tomb, with oils of balm and myrrh,
    Forever burn the onyx lamps unknown.

    And though the bleak, Novembral gardens yield
    Rose-dust and ivy-leaf, nor any flow’r
    Be found through vermeil forest or wan field—
    Still, still the asphodel and lotos lie
    Around thy bed, and hour by silent hour,
    Exhale immortal fragrance like a sigh.




QUEST


    All beneath a wintering sky
    Follow the wastrel butterfly;
    With vermilion leaf or bronze—
    Tatters of gorgeous gonfalons—
    With the winds that always hold
    Echo of clarions lost and old,—
    We must hasten, hasten on
    Tow’rd the azure world withdrawn,
    We must wander, wander so
    Where the ruining roses go;
    Where the poplar’s pallid leaves
    Drift among the gathered sheaves
    In that harvest none shall glean;
    Where the twisted willows lean
    In their strange, tormented woe,
    Seeing, on the streamlet’s flow
    Half their fragile leaves depart;
    Where the secret pines at heart,
    High, funereal, vespertine,
    Guard eternal sorrows green:—
    We shall follow, we shall find,
    Haply, ere the light is blind,
    The moulded place where Beauty lay,
    Moon-beheld until the day,
    In the woven windlestrae;
    Or the pool of tourmaline,
    Rimmed with golden reeds, that was
    In the dawn a tiring-glass
    For her undelaying mien.

    Ever wander, wander so,
    Where the ruining roses go;
    All beneath a wintering sky,
    Follow the wastrel butterfly.




BEAUTY IMPLACABLE


    White Beauty, bending from a throne sublime,
    Hath claimed my lips with kisses keen as snow:
    Now through my harp the tremors come and go
    Of things not stirred with urgencies of Time.
    Now from the lunar mountains, old and lone,
    In dream I watch the neighboring world remote;
    Or on the dim Uranian waters float
    After a star-like sun from zone to zone.

    Lo! in her praise, the stern, the fearful one,
    Whose love is as the light of snows afar,
    Whose ways are difficult, what word shall be?
    I, desolate with Beauty, and undone,
    Say Death is not so strong to change or mar,
    And Love and Life not so desired as she.




A VISION OF LUCIFER


    I saw a shape with human form and face,
    If such in apotheosis might stand:
    Deep in the shadows of a desolate land
    His burning feet obtained colossal base,
    And spheral on the lonely arc of space,
    His head, a menace unto heavens unspanned,
    Arose with towered eyes that might command
    The sunless, blank horizon of that place

    And straight I knew him for the mystic one
    That is the brother, born of human dream,
    Of man rebellious at an unknown rod;
    The mind’s ideal, and the spirit’s sun;
    A column of clear flame in lands extreme,
    Set opposite the darkness that is God.




DESIRE OF VASTNESS


    Supreme with night, what high mysteriarch—
    The undreamt-of god beyond the trinal noon
    Of elder suns empyreal—past the moon
    Circling some wild world outmost in the dark—
    Lays on me this unfathomed wish to hark
    What central sea with plume-plucked midnight strewn,
    Plangent to what enormous plenilune
    That lifts in silence, hinderless and stark?

    The brazen comprehension of the waste,
    The waste inclusion of the brazen sky—
    These I desire, and all things wide and deep;
    And, lifted past the level years, would taste
    The cup of an Olympian ecstasy,
    Titanic dream, and Cyclopean sleep.




ANTICIPATION


    The thought of death to me
    Is like a well of waters, deep and dim—
    Cool-gleaming, hushed, and hidden gratefully
    Among the palms asleep
    At silver evening on the desert’s rim.

    Or as a couch of stone,
    Whereon by moonlight, in a marble room,
    Some fevered king reposes all alone—
    So is the hope of sleep,
    The inalienable surety of the tomb.




A PSALM TO THE BEST BELOVED


    Thou comfortest me with the manna of thy love,
    And the kisses of thy mouth are wine and sustenance;
    Thy lips are grateful as fruit
    In lonely orchards by the wayside of a ruinous land;
    They are sweet as the purple grapes
    On parching hills that confront the autumnal desert,
    Or apples that the mad simoon hath spared
    In a garden with walls of syenite.
    Thy loosened hair is a veil
    For the weariness of mine eyes and eyelids,
    Which have known the redoubled sun
    In a desert valley with slopes of the dust of white marble,
    And have gazed on the mounded salt
    In the marshes of a lake of dead waters.
    Thy body is a secret Eden
    Fed with lethean springs,
    And the touch of thy flesh is like to the savour of lotos.
    In thy hair is a perfume of ecstasy,
    And a perfume of sleep,
    Between thy thighs is a valley of delight,
    And between thy breasts is a valley of peace.




THE WITCH IN THE GRAVEYARD


Scene: A forsaken graveyard, by moonlight. Enter two witches.

    FIRST WITCH:
    Sit, sister, now that haggish Hecate
    Appropriate and ghastly favour sheds,
    And with wild light forwards our enterprise;
    And watch the weighted eyelids of each grave
    As never mother watched her babe, to mark,
    At zenith of the necromantic moon
    The stir of that disquiet, when the dead,
    From suckling nightmares of the charnel dark
    Or long insomnia on a mouldy couch,
    Impelled like wan somnambulists, arise—
    Constrained to emerge and walk, or seated each
    On his own tombstone, shrouded council hold,
    Or commerce with the sooty wings of Hell.
    All omens of this influential hour
    When all dark powers, thronging to the dark,
    Promote enchantry with their wavèd wings,
    And brim the wind with potency malign—
    A dew of dread to aid our cauldron—these
    Observe thou closely, while I seek afield
    All requisite swart herbs of venefice,
    And evil roots unto our usance ripe.

(The first witch departs, leaving the other among the tombs, and
returns after a time, in the course of her search.)

    FIRST WITCH:
    Sister, what seest or what hearest thou?

    SECOND WITCH:
    I see
    The moonlight, and the slowly moving gleam
    That westers hour by hour on tomb and stone;
    And shrivelled lilies, tossed i’ the winter’s breath,
    With their attenuate shadows, as might dance
    Phantom with flaffing phantom; at my side,
    The white and shuddering grasses of the grave,
    With nettles, and the parching fumitory,
    Whose leaves, root-trellised on the bones of death,
    Will rasp and bristle to the lightest wind.

(The first witch moves on, and approaches again, after a long interval.)

    FIRST WITCH:
    Sister, what seest or what hearest thou?

    SECOND WITCH:
    I see
    The mound-stretched gossamers, cradles to the dew;
    Moon-wefted briers, and the cypress-trees
    With shadow swathed, or cerements of the moon;
    And corpse-lights borne from aisle to secret aisle
    Within the footless forest.***
                                    Now I hear
    The lich-owl, shrieking lethal prophecy;
    And whimpering winds, the children of the air,
    Lost in the glades of mystery and gloom.

(The first witch disappears and passes again shortly.)

    FIRST WITCH:
    Sister, what seest or what hearest thou?

    SECOND WITCH:
    I see
    The ghost-white owl, with huge sulphureous eyes,
    That veers in prone, unwhispered flight, and hear
    The small shriek of the moon-adventuring mole,
    Gripped in mid-graveyard.*** And I see
    Where some wild shadow shakes, though the pale wind
    Of moonlight stirs far off***and hear
    Curst mandragores that gibber to the moon,
    Though no man treads anigh.***

(After an interval)

    Some predal hand doth halt the wandering air;
    Now dies the throttled wind with rattling breath,
    And round about a breathing Silence prowls.

(After another interval)

    I hear the cheeping of the bat-lipped ghouls,
    Aroused beneath the vaulted cypresses
    Far-off; and lipless muttering of tombs,
    With clash of bones bestirred in ancient charnels
    Beneath their shroud of unclean light that crawls.***
    Earth shudders, and rank odours ’gin to rise
    From tombs a-crack; and shaken out all at once
    From mid-air, and directly neath the moon,
    Meseems what hanging wing divides the light,
    Like a black film of gloom, or thickest shadow;
    But on the tombs there is no shadow!

    FIRST WITCH:
    Enough! ’Twill be a prosperous night, methinks,
    For commerce of the demons with the dead;
    And for us, too, when every omen’s good,
    And fraught with, promise of a potent brew.




POEMS IN PROSE




THE TRAVELLER

(Dedicated to V.  H.)


“Stranger, where goest thou, in the sad raiment of a pilgrim, with
shattered sandals retaining the dust and mire of so many devious ways!
With thy brow that alien suns have darkened, and thy hair made white
from the cold rime of alien moons? Wanderest thou in search of the
cities greater than Rome, with walls of opal and crystal, and fanes
more white than the summer clouds, or the foam of hyperboreal seas?
Or farest thou to the lands unpeopled and unexplored, to the sunless
deserts lit by the baleful and calamitous beacons of volcanoes? Or
seekest thou an extremer shore, where the red and monstrous lilies are
like a royal pageant, pausing with innumerable flambeaux held aloft on
the verge of the waveless waters?”

“Nay, it is none of these that I seek, but forevermore I seek the city
and the land of my former home: In the quest thereof I have wandered
from the first immemorable years of my youth till now, and have mingled
the dust of many realms, of many highways, in my garments’ hem. I have
seen the cities greater than Rome, and the fanes more white than the
clouds of summer; the lands unpeopled and unexplored, and the land that
is thronged by the red and monstrous lilies. Even the far, aerial walls
of the cities of mirage, and the saffron meadows of sunset I have seen,
but nevermore the city and land of my former home.”

“Where lieth the land of thine home? and by what name shall we know it,
and distinguish the rumour thereof, among the rumours of many lands?”

“Alas! I know not where it lieth; nor in the broad, black scrolls of
geographers, and the charts of old seamen who have sailed to the marge
of the seventh sea, is the place thereof recorded. And its name I
have never learned, howbeit I have learned the name of empires lying
beneath stars to us invisible. In many languages have I spoken, in
barbarous tongues unknown to Babel; and I have heard the speech of many
men, even of them that inhabit the strange isles of the sea of fire
and the sea of snow. Thunder, and lutes, and battle-drums, the fine
unceasing querulousness of gnats, and the stupendous moaning of the
simoon; lyres of ebony, damascened with crystal, bells of malachite
with golden clappers; the song of exotic birds that sigh like women or
sob like fountains; whispers and shoutings of fire, the multitudinous
mutter of cities asleep, the manifold tumult of cities at dawn, and
the slow and weary murmur of desert-wandering streams—all, all have I
heard, but never, in any place, from any tongue, a sound or syllable
that resembled in the least the name I would learn.”




THE FLOWER-DEVIL


In a basin of porphyry, at the summit of a pillar of serpentine, the
thing has existed from primeval time, in the garden of the kings that
rule an equatorial realm of the planet Saturn. With black foliage, fine
and intricate as the web of some enormous spider; with petals of livid
rose, and purple like the purple of putrefying flesh; and a stem rising
like a swart and hairy wrist from a bulb so old, so encrusted with the
growth of centuries that it resembles an urn of stone, the monstrous
flower holds dominion over all the garden. In this flower, from the
years of the oldest legend, an evil demon has dwelt—a demon whose name
and whose nativity are known to the superior magicians and mysteriarchs
of the kingdom, but to none other. Over the half-animate flowers, the
ophidian orchids that coil and sting, the bat-like lilies that open
their ribbèd petals by night, and fasten with tiny yellow teeth on
the bodies of sleeping dragonflies; the carnivorous cacti that yawn
with green lips beneath their beards of poisonous yellow prickles; the
plants that palpitate like hearts, the blossoms that pant with a breath
of venomous perfume—over all these, the Flower-Devil is supreme, in
its malign immortality, and evil, perverse intelligence—inciting them
to strange maleficence, fantastic mischief, even to acts of rebellion
against the gardeners, who proceed about their duties with wariness and
trepidation, since more than one of them has been bitten, even unto
death, by some vicious and venefic flower. In places, the garden has
run wild from lack of care on the part of the fearful gardeners, and
has become a monstrous tangle of serpentine creepers, and hydra-headed
plants, convolved and inter-writhing in lethal hate or venomous love,
and horrible as a rout of wrangling vipers and pythons.

And, like his innumerable ancestors before him, the king dares
not destroy the Flower, for fear that the devil, driven from its
habitation, might seek a new home, and enter into the brain or body
of one of the king’s subjects—or even the heart of his fairest and
gentlest, and most beloved queen!




IMAGES


TEARS

Thy tears are not as mine: Thou weepest as a green fountain among palms
and roses, with lightly falling drops that bedew the flowery turf. My
tears are like a rain of marah in the desert, leaving a bitter pool
whose waters are fire and poison.

THE SECRET ROSE

My soul hath dreamt of a rose, whose marvellous and secret flower,
fraught with an unimaginable perfume, hath never grown in any garden.
Only in valleys of the shifting cloud, only among the palms and
fountains of a land of mirage, only in isles beyond the seas of
sunset, it blooms for a moment, and is gone. But ever the ghost of its
fragrance haunts the hall of slumber; and the women whom I meet in
dreams wear always its blossom for coronal.

THE WIND AND THE GARDEN

To thee my love is something strange and fantastical, and far away,
like the vast and desolate sighing of the desert wind to one who dwells
in a garden of palm and rose and lotus, filled by no louder sound
than the mellow lisp of a breeze of perfume, or the sigh of silvering
fountains.

OFFERINGS

Before thee, O goddess of my dreams, idol of my desires, I have burnt
amber and myrrh, frankincense, and all the strange and rich perfumes of
lands a thousand leagues beyond Araby or Taprobane. Strange and rich
offerings have I brought thee, the gems of unknown regions, and the
spoil of cities remoter than Caydon or Samarkand. But these delight
thee not, only the simple-scented flowers of spring, and the diamonds
and opals of dew, strung on the threads of the spider.

A CORONAL

The pale and flowerless poppies of Proserpine, the cold, blind lotus
of Lethe, and the strange, white sea-blooms that grow from the lips of
drowned men in the blue darkness of the nether sea,—these have I woven
as a coronal for my dead love.




THE BLACK LAKE


In a land where weirdness and mystery had strongly leagued themselves
with eternal desolation, the lake was out-poured at an undiscoverable
date of elder aeons, to fill some fathomless gulf far down amid the
shadows of snowless, volcanic mountains. No eye, not even the sun’s,
when he stared vertically upon it for a few hours at midday, seemed
able to divine its depths of sullen blackness and unrippled silence. It
was for this reason that I found a so singular pleasure in frequently
contemplating the strange lake. Sitting for I knew not how long on
its bleak basaltic shores, where grew but a few fleshly red orchids,
bent above the waters like open and thirsty mouths, I would peer with
countless fantastic conjectures and shadowy imaginings, into the
alluring mystery of its unknown and inexplorable gulf.

It was at an hour of morning before the sun had surmounted the rough
and broken rim of the summits, when I first came, and clomb down
through the shadows which filled like some subtler fluid the volcanic
basin. Seen at the bottom of that stirless tincture of air and
twilight, the lake seemed as dregs of darkness.

Peering for the first time, after the deep and difficult descent, into
the so dull and leaden waters, I was at length aware of certain small
and scattered gleams of silver, apparently far beneath the surface.
And fancying them the metal in some mysterious ledge, or the glints
of long-sunken treasure, I bent closer in my eagerness, and finally
perceived that what I saw was but the reflection of the stars, which,
tho the day was full upon the mountains and the lands without, were yet
visible in the depth and darkness of that enshadowed place.




VIGNETTES


BEYOND THE MOUNTAINS

Surely, beyond the mountains there is peace—beyond the mountains that
lie so blue and still at the world’s extreme. Such ancient calm, such
infinite quietude is upon them, that surely, no toiling cities, no sea
whose foam a ship has ever cloven, can lie beyond, but valleys of azure
silence, where amaranthine flowers sleep and dream, untroubled of any
wind, by the hyalescense of tranquilly flowing streams unbroken as the
surface of a mirror.


THE BROKEN LUTE

Because you are silent to my lyric prayers, deaf to the melodies I have
made from the sighs and murmurs of a wounded love, I have broken my
golden lute, and cast it away, tarnished and unstrung, among the red
leaves and faded roses of the September garden. Silence, the silver
dust of lilies, the mournful muted wind of autumn, and the fitfully
drifting leaves, have claimed it for their own. Seeing it there, as
you pass on your queenly way amid the crumbling roses, will you not
echo in your heart one sigh of the many sighs, which, as a music for
your pleasure, were breathed from its chords, during the summer’s
half-forgotten days?


NOSTALGIA OF THE UNKNOWN

The nostalgia of things unknown, of lands forgotten or unfound, is
upon me at times. Often I long for the gleam of yellow suns upon
terraces of translucent azure marble, mocking the windless waters of
lakes unfathomably calm; for lost, legendary palaces of serpentine,
silver and ebony, whose columns are green stalactites; for the pillars
of fallen temples, standing in the vast purpureal sunset of a land
of lost and marvellous romance. I sigh for the dark-green depths of
cedar forests, through whose fantastically woven boughs, one sees at
intervals an unknown tropic ocean, like gleams of blue diamond; for
isles of palm and coral, that fret an amber morning, somewhere beyond
Cathay or Taprobana; for the strange and hidden cities of the desert,
with burning brazen domes and slender pinnacles of gold and copper,
that pierce a heaven of heated lazuli.


GREY SORROW

Ofttimes, in the golden, sad, November days, I meet among the dead
roses of the garden the ghost of an old sorrow—a sorrow grey and dim as
the mist of autumn—as a wandering mist that was once a rain of tears.
There, through the long decline of afternoon, I walk among the roses
with the ghost of my sorrow, whose half-forgotten, half-invisible form
becomes dimmer and more indistinct, till I know its face no longer from
the twilight, nor its voice from the vesper wind.


THE HAIR OF CIRCE

I am afraid of thy hair: Lustrous, heavily curled, it suggests the
coils of a golden snake; and half the fascination of thy painted lips,
of thy still and purple-lidded eyes, is due to the fear that it may
awake beneath my caresses.


THE EYES OF CIRCE

Thine eyes are green and still as the lakes of the desert. They awake
in me the thirst for strange and bitter mysteries, the desire of
secrets that are deadly and sterile.




A DREAM OF LETHE


In the quest of her whom I had lost, I came at length to the shores
of Lethe, under the vault of an immense, empty, ebon sky, from which
all the stars had vanished one by one. Proceeding I knew not whence,
a pale, elusive light as of the waning moon, or the phantasmal
phosphorescence of a dead sun, lay dimly and without lustre on the
sable stream, and on the black, flowerless meadows. By this light, I
saw many wandering souls of men and women, who came, hesitantly or in
haste, to drink of the slow unmurmuring waters. But among all these,
there were none who departed in haste, and many who stayed to watch,
with unseeing eyes, the calm and waveless movement of the stream. At
length in the lily-tall and gracile form, and the still, uplifted face
of a woman who stood apart from the rest, I saw the one whom I had
sought; and, hastening to her side, with a heart wherein old memories
sang like a nest of nightingales, was fain to take her by the hand. But
in the pale, immutable eyes, and wan, unmoving lips that were raised
to mine, I saw no light of memory, nor any tremor of recognition. And
knowing now that she had forgotten, I turned away despairingly, and
finding the river at my side, was suddenly aware of my ancient thirst
for its waters, a thirst I had once thought to satisfy at many diverse
springs, but in vain. Stooping hastily, I drank, and rising again,
perceived that the light had died or disappeared, and that all the land
was like the land of a dreamless slumber, wherein I could no longer
distinguish the faces of my companions. Nor was I able to remember any
longer why I had wished to drink of the waters of oblivion.




THE CARAVAN


My dreams are like a caravan that departed long ago, with tumult of
intrepid banners and spears, and the clamour of bugles and brave
adventurous songs, to seek the horizons of perilous untried barbaric
lands, and kingdoms immense and vaguely rumoured, with cities beautiful
and opulent as the cities of paradise, and deep Edenic vales of palm
and cinnamon and myrrh, lying beneath skies of primeval azure silence.
For traffic in the realms of mystery and wonder, in the marts of
scarce-imaginable cities and metropoli a million leagues away, on the
last horizon of romance, my dreams departed, as a caravan with its
laden camels. Since then, the years are many, the days have flown as
the flocks of southering swallows; unnumbered moons have multiplied in
fugitive silver, uncounted suns in irretainable gold. But, alas, my
dreams have not returned. Have the swirling sands engulfed them, on a
noon of storm when the desert rose like a sea, and rolled its tawny
billows on the walled gardens of the green and fragrant lands? Or
perished they, devoured by the crimson demons of thirst, and the ghouls
and vultures? Or live they still, as captives in alien dungeons not to
be ascertained, or held by a wizard spell in palaces demon-built, and
cities baroque and splendid as the cities in a tale from the Thousand
and One Nights?




THE PRINCESS ALMEENA


From her balcony of pearl the princess Almeena, clad in a gown of
irisated silk, with her long and sable locks unbound, gazes toward
the sunset-flooded sea beyond a terrace of green marble that peacocks
guard. Below, in the tinted light, fantastic trees whose boles are
serpentine, train a fine and hair-like foliage, mingling with the
moon-shaped leaves of enormous lilies. Rainbow-coloured reeds cluster
about the pools and fountains of black water, that are rimmed with
carven malachite. But these the princess does not heed, but gazes upon
the far-off seas, where the golden ichors of the sun have gathered in
a vast lake overflowing the horizon. Ere long, a wind from the west,
from islands where palm trees blossom above the purple foam, brings
in its breath the odour of unknown flowers to mingle with the balms
of the garden, and the sweet suspiration of the princess—the princess
who dreams, listening to the wind, that her lover, the captain of the
emperor’s most redoubtable trireme of war, sailing the sky-blue seas
beyond the horizon and the sunset, has remembered her wild and royal
loveliness, and has breathed in his heart a secret sigh.




ENNUI


In the alcove whose curtains are cloth-of-gold, and whose pillars are
fluted sapphire, reclines the emperor Chan, on his couch of ebony set
with opals and rubies, and cushioned with the furs of unknown and
gorgeous beasts. With implacable and weary gaze, from beneath unmoving
lids that seem carven of purple-veined onyx, he stares at the crystal
windows, giving upon the infinite fiery azures of a tropic sky and sea.
Oppressive as nightmare, a formless, nameless fatigue, heavier than any
burden the slaves of the mines must bear, lies forever at his heart:
All deliriums of love and wine, the agonizing ecstasy of drugs, even
the deepest and the faintest pulse of delight or pain—all are proven,
all are futile, for the outworn but insatiate emperor. Even for a new
grief, or a subtler pang than any felt before, he thinks, lying on
his bed of ebony, that he would give the silver and vermilion of all
his mines, with the crowded caskets, the carcanets and crowns that
lie in his most immemorial treasure-vault. Vainly, with the verse of
the most inventive poets, the fanciful purple-threaded fabrics of the
subtlest looms, the unfamiliar gems and minerals from the uttermost
land, the pallid leaves and blood-like petals of a rare and venomous
blossom—vainly, with all these, and many stranger devices, wilder, more
wonderful diversions, the slaves and sultanas have sought to alleviate
the iron hours. One by one he has dismissed them with a weary gesture.
And now, in the silence of the heavily curtained alcove, he lies alone,
with the canker of ennui at his heart, like the undying mordant worm at
the heart of the dead.

Anon, from between the curtains at the head of his couch, a dark
and slender hand is slowly extended, clasping a dagger whose blade
reflects the gold of the curtain in a thin and stealthily wavering
gleam: Slowly, in silence, the dagger is poised, then rises and falls
like a splinter of lightning. The emperor cries out, as the blade,
piercing his loosely folded robe, wounds him slightly in the side. In
a moment the alcove is filled with armed attendants, who seize and drag
forth the would-be assassin—a slave girl, the princess of a conquered
people, who has often, but vainly, implored her freedom from the
emperor. Pale and panting with terror and rage, she faces Chan and the
guardsmen, while stories of unimaginable monstrous tortures, of dooms
unnameable, crowd upon her memory. But Chan, aroused and startled only
for the instant, feels again the insuperable weariness, more strong
than anger or fear, and delays to give the expected signal. And then,
momentarily moved, perchance, by some ironical emotion, half-akin to
gratitude—gratitude for the brief but diverting danger, which has
served to alleviate his ennui for a little, he bids them free the
princess; and, with a regal courtesy, places about her throat his own
necklace of pearls and emeralds, each of which is the cost of an army.




THE STATUE OF SILENCE


I saw a statue, carven I knew not from what substance, nor with what
form or feature, because of the manifold drapery of black which fell
about it as a veil or a pall. Turning to Psyche, who was with me, I
said, “O thou who knowest by name and form the eidola of all things,
pray tell me what thing is this.” And she answered, “The name of it is
Silence, but neither god nor man nor demon knoweth the form thereof,
nor its entity. The seraphim pause often before it, waiting the day
when the shape shall be unveiled; and the gods and demons of the
universe are mute in its presence, half-hoping, half-fearing the time
when these lips shall speak, and deliver forth one dreameth not what,
of oracle, or query or judgment, or doom.”




REMOTENESS


There are days when all the beauty of the world is dim and strange;
when the sunlight about me seems to fall on a land remoter than the
poles of the moon. The roses in the garden surprise me, like the
monstrous orchids of unknown colour, blossoming in planets beyond
Aldebaran. And I am startled by the yellow and purple leaves of
October, as if the veil of some tremendous and awful mystery were
half-withdrawn for a moment. In such hours as these, O heart of my
heart, I fear to touch thee, I avoid thy caresses, dreading that thou
wilt vanish as a dream at dawn; or that I shall find thee a phantom,
the spectre of one who died and was forgotten many thousand years ago,
in a far-off land on which the sun no longer shines.




THE MEMNONS OF THE NIGHT


Ringed with a bronze horizon, which, at a point immensely remote, seems
welded with the blue brilliance of a sky of steel, they oppose the
black splendour of their porphyritic forms to the sun’s insuperable
gaze. Reared in the morning twilight of primeval time, by a race whose
towering tombs and cities are one with the dust of their builders in
the slow lapse of the desert, they abide to face the terrible latter
dawns, that move abroad in a starkness of fire, consuming the veils of
night on the vast and Sphinx-like desolations. Level with the light,
their tenebrific brows preserve a pride as of Titan kings. In their
lidless implacable eyes of staring stone, is the petrified despair of
those who have gazed too long on the infinite.

Mute as the mountains from whose iron matrix they were hewn, their
mouths have never acknowledged the sovereignty of the suns, that
pass in triumphal flame from horizon unto horizon of the prostrate
land. Only at eve, when the west is like a brazen furnace, and the
far-off mountains smoulder like ruddy gold in the depth of the heated
heavens—only at eve, when the east grows infinite and vague, and the
shadows of the waste are one with the increasing shadow of night—then,
and then only, from the sullen throats of stone, a music rings to the
bronze horizon—a strong, a sombre music, strange and sonorous, like the
singing of black stars, or a litany of gods that invoke oblivion; a
music that thrills the desert to its heart of adamant, and trembles in
the granite of forgotten tombs, till the last echoes of its jubilation,
terrible as the trumpets of doom, are one with the black silence of
infinity.




THE GARDEN AND THE TOMB


I know a garden of flowers—flowers lovely and multiform as the orchids
of far, exotic worlds—as the flowers of manifold petal, whose colours
change as if by enchantment in the alter nation of the triple suns;
flowers like tiger lilies from the garden of Satan; like the paler
lilies of paradise, or the amaranths on whose perfect and immortal
beauty the seraphim so often ponder; flowers fierce and splendid like
the crimson or golden flowers of fire; flowers bright and cold as the
crystal flowers of snow; flowers whereof there is no likeness in any
world of any sun; which have no symbol in heaven or in hell.

Alas! in the heart of the garden is a tomb—a tomb so trellised and
embowered with vine and blossom, that the sunlight reveals the ghastly
gleam of its marble to no careless or incurious scrutiny. But in the
night, when all the flowers are still, and their perfumes are faint as
the breathing of children in slumber—then, and then only, the serpents
bred of corruption crawl from the tomb, and trail the fetor and
phosphorescence of their abiding-place from end to end of the garden.




IN COCAIGNE


It was a windless afternoon of April, beneath skies that were tender as
the smile of love, when we went forth, you and I, to seek the fabulous
and fortunate realm of Cocaigne. Past leafing oaks with foliage of
bronze and chrysolite, through zones of yellow and white and red and
purple flowers, like a landscape seen through a prism, we fared with
hopeful and tremulous hearts, forgetting all save the dream we had
cherished.*** At last we came to the lonely woods, the pines with their
depth of balmy, cool, compassionate shadow, which are sacred to the
genius of that land. There, for the first time I was bold to take your
hand in mine, and led you to a slope where the woodland lilies, with
petals of white and yellow ivory, gleamed among the fallen needles. As
in a dream, I found that my arms were about you, as in a dream I kissed
your yielding lips, and the ardent pallor of your cheeks and throat.
Motionless, you clung to me, and a flush arose beneath my kisses like a
delicate stain, and lingered softly. Your eyes deepened to my gaze like
the brown pools of the forest at evening, and far within them, as in
immensity itself, trembled and shone the steadfast stars of your love.
As a ship that has wandered beneath stormy suns and disastrous moons,
but comes at last to the arms of the shielding harbour, my head lay on
the gentle heaving of your delicious breast, and I knew that we had
found Cocaigne.




THE LITANY OF THE SEVEN KISSES


                                   I

I kiss thy hands—thy hands, whose fingers are delicate and pale as the
petals of the white lotus.


                                  II

I kiss thy hair, which has the lustre of black jewels, and is darker
than Lethe, flowing by midnight through the moonless slumber of
poppy-scented lands.


                                  III

I kiss thy brow, which resembles the rising moon in a valley of cedars.


                                  IV

I kiss thy cheeks, where lingers a faint flush, like the reflection of
a rose upheld to an urn of alabaster.


                                   V

I kiss thine eyelids, and liken them to the purple-veinèd flowers that
close beneath the oppression of a tropic evening, in a land where the
sunsets are bright as the flames of burning amber.


                                  VI

I kiss thy throat, whose ardent pallor is the pallor of marble warmed
by the autumn sun.


                                  VII

I kiss thy mouth, which has the savour and perfume of fruits agleam
with spray from a magic fountain, in the secret Paradise that we alone
shall find; a Paradise whence they that come shall nevermore depart,
for the waters thereof are Lethe, and the fruit is the fruit of the
tree of Life.




FROM A LETTER


****Will you not join me in Atlantis, where we will go down through
streets of blue and yellow marble to the wharves of orichalch, and
choose us a galley with a golden Eros for figurehead, and sails
of Tyrian sendal? With mariners that knew Odysseus, and beautiful
amber-breasted slaves from the mountain-vales of Lemuria, we will
lift anchor for the unknown fortunate isles of the outer sea; and,
sailing in the wake of an opal sunset, will lose that ancient land in
the glaucous twilight, and see from our couch of ivory and satin the
rising of unknown stars and perished planets.*** Perhaps we will not
return, but will follow the tropic summer from isle to halcyon isle,
across the amaranthine seas of myth and fable: We will eat the lotos,
and the fruit of lands whereof Odysseus never dreamt; and drink the
pallid wines of faery, grown in a vale of perpetual moonlight. I will
find for you a necklace of rosy-tinted pearls, and a necklace of yellow
rubies, and crown you with precious corals that have the semblance of
sanguine-coloured blossoms. We will roam in the marts of forgotten
cities of jasper, and carnelian-builded ports beyond Cathay; and I will
buy you a gown of peacock azure damascened with copper and gold and
vermilion; and a gown of black samite with runes of orange, woven by
fantastic sorcery without the touch of hands, in a dim land of spells
and philtres.




FROM THE CRYPTS OF MEMORY


Aeons of aeons ago, in an epoch whose marvelous worlds have crumbled,
and whose mighty suns are less than shadow, I dwelt in a star whose
course, decadent from the high, irremeable heavens of the past, was
even then verging upon the abyss in which, said astronomers, its
immemorial cycle should find a dark and disastrous close.

Ah, strange was that gulf-forgotten star—how stranger than any dream
of dreamers in the spheres of to-day, or than any vision that hath
soared upon visionaries, in their retrospection of the sidereal past!
There, through cycles of a history whose piled and bronze-writ records
were hopeless of tabulation, the dead had come to outnumber infinitely
the living. And built of a stone that was indestructible save in the
furnace of suns, their cities rose beside those of the living like the
prodigious metropli of Titans, with walls that overgloom the vicinal
villages. And over all was the black funereal vault of the cryptic
heavens—a dome of infinite shadows, where the dismal sun, suspended
like a sole, enormous lamp, failed to illumine, and drawing back its
fires from the face of the irresolvable ether, threw a baffled and
despairing beam on the vague remote horizons, and shrouded vistas
illimitable of the visionary land.

We were a sombre, secret, many-sorrowed people—we who dwelt beneath
that sky of eternal twilight, pierced by the towering tombs and
obelisks of the past. In our blood was the chill of the ancient night
of time; and our pulses flagged with a creeping prescience of the
lentor of Lethe. Over our courts and fields, like invisible sluggish
vampires born of mausoleums, rose and hovered the black hours, with
wings that distilled a malefic languor made from the shadowy woe
and despair of perished cycles. The very skies were fraught with
oppression, and we breathed beneath them as in a sepulcher, forever
sealed with all its stagnancies of corruption and slow decay, and
darkness impenetrable save to the fretting worm.

Vaguely we lived, and loved as in dreams—the dim and mystic dreams
that hover upon the verge of fathomless sleep. We felt for our women,
with their pale and spectral beauty, the same desire that the dead may
feel for the phantom lilies of Hadean meads. Our days were spent in
roaming through the ruins of lone and immemorial cities, whose palaces
of fretted copper, and streets that ran between lines of carven golden
obelisks, lay dim and ghastly with the dead light, or were drowned
forever in seas of stagnant shadow; cities whose vast and iron-builded
fanes preserved their gloom of primordial mystery and awe, from which
the simulacra of century-forgotten gods looked forth with unalterable
eyes to the hopeless heavens, and saw the ulterior night, the ultimate
oblivion. Languidly we kept our gardens, whose grey lilies concealed
a necromantic perfume, that had power to evoke for us the dead and
spectral dreams of the past. Or, wandering through ashen fields of
perennial autumn, we sought the rare and mystic immorteles, with sombre
leaves and pallid petals, that bloomed beneath willows of wan and
veil like foliage: or wept with a sweet and nepenthe-laden dew by the
flowing silence of Acherontic waters.

And one by one we died and were lost in the dust of accumulated time.
We knew the years as a passing of shadows, and death itself as the
yielding of twilight unto night.




A PHANTASY


I have dreamt of an unknown land—a land remote in ulterior time, and
alien space not ascertainable: the desert of a long-completed past,
upon which has settled the bleak, irrevocable silence of infinitude;
where all is ruined save the stone of tombs and cenotaphs; and where
the sole peoples are the kingless, uncounted tribes of the subterranean
dead.

Above this land of my dream, citied with tombs and cenotaphs, a red and
smouldering sun maintains a spectral day, in alternation with an ashen
moon through the black ether where the stars have long since perished.
And through the hush of the consummation of time, above the riven
monuments and crumbled records of alien history, flit in the final
twilight the mysterious wings of seraphim, sent to fulfill ineffable
errands, or confer with demons of the abyss; and black, gigantic
angels, newly returned from missions of destruction, pause amid the
sepulchers to sift from their gloomy and tremendous vans the pale ashes
of annihilated stars.




THE DEMON, THE ANGEL, AND BEAUTY


Of the Demon who standeth or walketh always with me at my left hand,
I asked: “Hast thou seen Beauty? Her that me-seemeth was the mistress
of my soul in Eternity? Her that is now beyond question set over me in
Time; even though I behold her not, and, it may be, have never beheld,
nor ever shall; her of whose aspect I am ignorant as noon is concerning
any star; her of whom as witness and testimony, I have found only the
hem of her shadow, or at most, her reflection in a dim and troubled
water. Answer, if thou canst, and tell me, is she like pearls, or like
stars? Does she resemble most the sunlight that is transparent and
unbroken, or the sunlight divided into splendour and iris? Is she the
heart of the day, or the soul of the night?”

To which the Demon answered, after, as I thought, a brief space of
meditation:

“Concerning this Beauty, I can tell thee but little beyond that which
thou knowest. Albeit, in those orbs to which the demons of my rank have
admission, there be greater adumbrations of some transcendent Mystery
than here, yet have I never seen that Mystery itself, and know not
if it be male or female. Aeons ago, when I was young and incautious,
when the world was new and bright, and there were more stars than
now, I, too was attracted by this Mystery, and sought after it in all
accessible spheres. But failing to find the thing itself, I soon grew
weary of embracing its shadows, and took to the pursuit of illusions
less insubstantial. Now I am become grey and ashen without, and red
like old fire within, who was fiery and flame-coloured all through,
back in the star-thronged aeons of which I speak: Heed me, for I am
as wise, and wary and ancient as the far-travelled and comet-scarred
sun; and I am become of the opinion that the thing Beauty itself does
not exist. Doubtless the semblance thereof is but a web of shadow and
delusion, woven by the crafty hand of God, that He may snare demons and
men therewith, for His mirth, and the laughter of His archangels.”

The Demon ceased, and took to watching me as usual—obliquely, and with
one eye—an eye that is more red than Aldebaran, and inscrutable as the
gulfs beyond the Hyades.

Then of the Angel, who walketh or standeth always with me at my right
hand, I asked, “Hast thou seen Beauty? Or hast thou heard any assured
rumour concerning Beauty?”

To which the Angel answered, after, as I thought, a moment of
hesitation:

“As to this Beauty, I can tell thee but little beyond that which thou
knowest. Albeit in all the heavens, this Mystery is a topic of the most
frequent and sublime speculation among the archangels, and a perennial
theme for the more inspired singers and harpists of the cherubim—yea,
despite all this, we are greatly ignorant as to its true nature, and
substance, and attributes. But sometimes there are mighty adumbrations
which cover even the superior seraphim from above their wing-tips, and
make unfamiliar twilight in heaven. And sometimes there is an echo
which fills the empyrean, and hushes the archangelic harps in the midst
of their praising of God. This is not often, and these visitations of
echo and shadow spread an awe over the assembled Thrones and Splendours
and Dominations, which at other times accompanies only the emanence or
appearance of God Himself. Thus are we assured as to the reality of
this Beauty. And because it remains a mystery to us, to whom naught
else is mysterious except God, we conjecture that it is the thing upon
which God meditateth, self-obscured and centred, and because of which
He hath held himself immanifest to us for so many aeons; that this is
the secret which God keepeth even from the seraphim.”




THE SHADOWS


There were many shadows in the palace of Augusthes. About the silver
throne that had blackened beneath the invisible passing of ages, they
fell from pillar and broken roof and fretted window in ever-shifting
multiformity. Seeming the black, fantastic spectres of doom and
desolation, they moved through the palace in a gradual, grave, and
imperceptible dance, whose music was the change and motion of suns and
moons. They were long and slender, like all other shadows before the
early light, and behind the declining sun; squat and intense beneath
the desert noontide, and faint with the withered moon; and in the
interlunar darkness, they were as myriad tongues hidden behind the shut
and silent lips of night.

One came daily to that place of shadows and desolation, and sate upon
the silver throne, watching the shadows that were of desolation. King
nor slave disputed him there, in the palace whose kings and whose
slaves were powerless alike in the intangible dungeon of centuries. The
tombs of unnumbered and forgotten monarchs were white upon the yellow
desert roundabout. Some had partly rotted away, and showed like the
sunken eye-sockets of a skull—blank and lidless beneath the staring
heavens; others still retained the undesecrated seal of death, and were
as the closed eyes of one lately dead. But he who watched the shadows
from the silver throne, heeded not these, nor the fleet wind that dipt
to the broken tombs, and emerged shrilly, its unseen hands dark with
the dust of kings.

He was a philosopher, from what land there was none to know or ask.
Nor was there any to ask what knowledge or delight he sought in the
ruined palace, with eyes alway upon the moving shadows; nor what were
the thoughts that moved through his mind in ghostly unison with them.
His eyes were old and sad with meditation and wisdom; and his beard was
long and white upon his long white robe.

For many days he came with the dawn and departed with sunset; and his
shadow leaned from the shadow of the throne and moved with the others.
But one eve he departed not; and thereafter his shadow was one with the
shadow of the silver throne. Death found and left him there, where he
dwindled into dust that was as the dust of slaves or kings.

But the ebb and refluence of shadows went on, in the days that were
before the end; ere the aged world, astray with the sun in strange
heavens, should be lost in the cosmic darkness, or, under the influence
of other and conflicting gravitations, should crumble apart and bare
its granite bones to the light of strange suns, and the granite, too,
should dissolve, and be as of the dust of slaves and kings. Noon was
encircled with darkness, and the depths of palace-dusk were chasmed
with sunlight. Change there was none, other than this, for the earth
was dead, and stirred not to the tottering feet of time. And in the
expectant silence before the twilight of the sun, the moving shadows
seemed but a mockery of change; a meaningless antic phantasmagoria of
things that were; an afterfiguring of forgotten time.

And now the sun was darkened slowly in mid-heaven, as by some vast
and invisible bulk. And twilight hushed the shadows in the palace of
Augusthes, as the world itself swung down toward the long and single
shadow of irretrievable oblivion.

[Illustration]




    500 copies of Ebony and Crystal have been printed.

    This is No. 283

    [Illustration: Signature of Clark Ashton Smith]


       *       *       *       *       *


Transcriber’s Notes


Obvious typographical errors have been silently corrected. All other
spelling and punctuation remains unchanged.

This book was prepared from the author’s own copy which contained a
number of corrections in the author’s hand. These have been implemented
and the changes are (the original word is in brackets after):

  TO OMAR KHAYYAM
  The cypresses like robes funereal (funeral) wear,

  THE MINISTERS OF LAW
  And thee shall alien (aliend) Dominations rend.****

  REMEMBERED LIGHT
  Till the twilight shivered with (the deleted) outcry of eldritch
    (eldrich) voices

  THE HASHISH-EATER;
  Whose lightless length would mete (meet) the gyre of moons—

  Beyond the world, upon (beyond) that fleeing wind,

  SATAN UNREPENTANT
  Lost from those (lost deleted) archangelic thrones that star,

  In wasted worlds, were purer (pure) melody.

  And in (in added) new deeps Apocalyptic suns

  ALEXANDRINES
  Knowing the vacillant leaves that tremble, flame, (no comma) and fall,

  IN COCAIGNE
  shone (shown) the steadfast stars of your love. As a ship that has
    wandered

  THE LITANY OF THE SEVEN KISSES
  I kiss thine eyelids, and liken them to the purple-veinèd (veined)
    flowers

  A PHANTASY
  mysterious wings of seraphim, sent to fulfill (fill) ineffable errands,

  THE SHADOWS
  There were many shadows in the palace of Augusthes (Agusthes). About