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                            FOR HIS COUNTRY
                                  AND
                        GRANDMOTHER AND THE CROW




                                Works of
                           Marshall Saunders

                             [Illustration]

  Beautiful Joe's Paradise          $1.50
  The Story of the Gravelys          1.50
  'Tilda Jane                        1.50
  Rose à Charlitte                   1.50
  Deficient Saints                   1.50
  Her Sailor                         1.25
  For His Country                     .50
  Nita: The Story of an Irish Setter  .50

                             [Illustration]

                         L. C. PAGE AND COMPANY
                  New England Building, Boston, Mass.




[Illustration:
(Courtesy of The Youth's Companion)
                "'MADEMOISELLE, YOU ARE AN AMERICAN?'"]




                            FOR HIS COUNTRY
                                  AND
                        GRANDMOTHER AND THE CROW

                                   BY
                           MARSHALL SAUNDERS
                               AUTHOR OF
                         "BEAUTIFUL JOE, ETC."

                             Illustrated by
                             LOUIS MEYNELL
                              _and others_

                             [Illustration]

                                 BOSTON
                          L. C. PAGE & COMPANY
                               PUBLISHERS




                           _Copyright, 1900_
                        BY PERRY MASON & COMPANY

                           _Copyright, 1900_
                        BY L. C. PAGE & COMPANY
                             (INCORPORATED)

                         _All rights reserved_

                          _Fourth Impression_

                            =Colonial Press=
          Electrotyped and Printed by C. H. Simonds & Co
                         Boston, Mass., U.S.A.




                        [Illustration: CONTENTS]

                                                                PAGE

    FOR HIS COUNTRY                                               13

    GRANDMOTHER AND THE CROW                                      41




                     [Illustration: ILLUSTRATIONS]

                                                                PAGE

    "'MADEMOISELLE, YOU ARE AN AMERICAN?'"
    (_Courtesy of the Youth's Companion_)             _Frontispiece_

    "SHE WENT ON GATHERING HER STICKS"                            18

    "'I AM FROM CALIFORNIA'"                                      21

    "'YOU, TOO, LOVE YOUR COUNTRY!'"                              27

    "'THERE IS NO HOPE'"                                          32

    "HE TRIED TO SING WITH THEM"                                  36

    "I SAW SECOND COUSIN GEORGE FOLLOWING
    HIM" (_Courtesy of the Youth's Companion_)                    45

    "HE WENT UP SOFTLY BEHIND HIM" (_Courtesy of the
    Youth's Companion_)                                           50

    "ROVER KNEW THIS CRY" (_Courtesy of the Youth's Companion_)   51

    "'I AIN'T FIT TO DIE,' CRIED OLD GEORGE"                      55




                            FOR HIS COUNTRY




                            FOR HIS COUNTRY.

    "My country! 'tis of thee,
    Sweet land of liberty,
        Of thee I sing!"

Here the singer's voice broke down, and I peered curiously around my
corner of the wall. He was pacing to and fro on the river-bank--a
weary-faced lad with pale cheeks and drooping shoulders. Beyond him a
fat French footman lay asleep on the grass, one hand loosely clutching a
novel. An elderly goat, grazing nearer and nearer the man, kept a wary
eye on the book, and finally seizing it, devoured it leaf by leaf. At
this the weary-faced boy did not smile, and then I knew there was
something the matter with him.

Partly because I wished to console him, partly because I was lonely, I
continued the song in notes rather more cheerful than his own:

    "Land where my fathers died,
    Land of the pilgrims' pride,
    From every mountainside
        Let freedom ring!"

The boy stood stock-still, only moving his head slightly after the
manner of a bird listening to a pleasant strain. When I finished he came
toward me, cap in hand.

"Mademoiselle, you are an American?"

"No, my boy. I am a Canadian."

"That's next best," he said, politely.

"It's better," I rejoined, smiling.

"Nothing is better than being an American."

"You are patriotic," I observed.

"If your ancestors fought with Indians, and English and rebels, and if
you expect to die for your country, you ought to be patriotic."

I surveyed him curiously. He was too grave and joyless for a boy in a
normal condition. "In youth one does not usually speak of dying," I
said.

His face flushed. "Ah, mademoiselle, I am homesick! I have not seen
America for a year."

"Indeed? Such a patriotic boy should stay at home."

"My mother wished me to finish my education abroad."

"A woman should educate her children in the country in which they are to
live," I said, irritably.

"I guess you're most old enough to be my mother, aren't you?" he
replied, gently, and with such tenderness of rebuke that I smiled
irrepressibly. He had delicately intimated that if I were his mother I
would not care to have him discuss me with a stranger.

"I've got to learn foreign languages," he said, doggedly. "We've been
here one year; we must stay one more and then go to Italy, then to
Germany. I'm thankful the English haven't a different language. If they
had, I'd have to go learn it."

"And after you leave Germany?"

"After Germany--home!"

He was not a particularly handsome lad, but he had beautiful eyes, and
at the word home they took on such a strange brilliance that I gathered
up my parasol and books in wondering silence.

"I suppose," he said, soberly, "that you will not be at the Protestant
church on Sunday?"

"Probably I shall."

"I don't see many people from America," he went on, turning his head so
far away that I could hardly hear what he said. "There isn't anybody
here who cares to talk about it. My mother, of course, is too busy," he
added, with dignity.

"_Au revoir_, then," I said, with a smile.

He stood looking quietly after me, and when I got far up the river-bank
I turned around. He was adjusting a slight difference between the
footman and the goat; then, followed by the man, he disappeared up one
of the quaint old streets leading into the heart of the city.

Close beside me a little old peasant woman, gathering sticks, uncurled
her stooping figure. "_Bon jour, mademoiselle!_ You have been talking to
the American boy."

"_Oui, madame._"

"It is very sad," she continued, in the excellent French spoken by the
peasants of the Loiret department. "He comes by the river and declaims.
He speaks of Linkum and Wash'ton. I watch from my cottage, for my
daughter Mathilde is housemaid at Madame Greyshield's, and I hear her
talk. _Monsieur le colonel_ Greyshield is a grand officer in America;
but his wife, she is proud. She brings her children to France to study.
She leaves the poor man lonely. This boy is most heartbroke. Mathilde
says he talks of his dear country in his sleep, then he rises early to
study the foreign languages, so he can more quickly go to his home. But
he is sick, his hand trembles. Mathilde thinks he is going to die. I
say, 'Mathilde, talk to madame,' but she is afraid, for madame has a
will as strong as this stout stick. It will never break. It must be
burnt. Perhaps mademoiselle will talk."

"I will, if I get a chance."

The old woman turned her brown, leathery face toward the blue waters of
the Loire. "Mademoiselle, do many French go to America for the accent?"

"No; they have too much sense!"

"It is droll," she went on, "how the families come here. The gentlemen
wander to and fro, the ladies occupy themselves with their _toilettes_.
Then they travel to other countries. They are like the leaves on that
current. They wander they know not whither. I am only a peasant, yet I
can think, and is not one language good enough to ask for bread and
soup?" And muttering and shaking her head, she went on gathering her
sticks.

[Illustration]

On Sunday I looked for my American boy. There he was, sitting beside a
handsomely dressed woman, who looked as if she might indeed have a will
like a stout stick. After the service he endeavoured to draw her toward
me, but she did not respond until she saw me speaking to a lady of
Huguenot descent, to whom I had had a letter of introduction. Then she
approached, and we all went down the street together.

When we reached the boulevard leading to my hotel, the boy asked his
mother's permission to escort me home. She hesitated, and then said,
"Yes; but do not bore her to death with your patriotic rigmaroles."

The boy, whose name was Gerald, gave her a peculiar glance, and did not
open his lips until we had walked a block. Then he asked, deliberately,
"Have you ever thought much of that idea of Abraham Lincoln's that no
man is good enough to govern another man without the other man's
consent?"

"Yes, a good deal; yet one must obey."

"Yes, one must obey," he said, quietly. "But sometimes it is puzzling,
especially when a fellow is growing up."

"How old are you?"

"Fourteen."

"Not older?"

"No; I am from California," and he drew himself up. "The boys and girls
there are large, you know. I have lost twenty pounds since we came here.
You have never been in California, I suppose?"

[Illustration: "'I AM FROM CALIFORNIA.'"]

"Yes. I like California."

"You do?" He flashed one swift glance at me, then dropped his eyes.

I politely averted my own, but not before I saw two tear-drops splash on
the hot, gray pavement.

"If I could see," he said, presently, "if I could see one of those brown
hills, just one,--this flat country makes me tired."

"Can you imagine," I said, "that I have been as homesick in California
as you are in France?"

"No! no!" he replied, breathlessly. "No, I could not imagine that."

"That I sailed into San Francisco Bay with a heartache because those
brown hills you speak of so lovingly were not my native hills?"

"But you are grown up; you do not need to leave your country."

"Our duty sometimes takes us to foreign lands. You will be a better
soldier some day for having had a time of trial and endurance."

"I know it," he said, under his breath. "But sometimes I think I must
break loose, especially at night, when the bugles blow."

I knew what he meant. At eight o'clock every evening, from the various
barracks in Orléans, the sweet, piercing notes of bugle answering bugle
could be heard; and the strain was the one played by the American bugles
in the school that I guessed he had attended.

"You think of the boys drawn up in line on the drill-ground, and the
echo behind the hill."

"Do you know Almoda?" he exclaimed, with a face as white as a sheet.

"I do."

This was too much for him. We had paused at the hotel entrance, and he
intended, I knew, to take a polite leave of me; but I had done a
dangerous thing in conjuring up the old familiar scenes, and mumbling
something in his throat, and giving one tug to his hat, he ran as nimbly
down the street as if he were a lean coyote from the hills of his native
State.

Four weeks later I asked myself why I was lingering in Orléans. I had
seen all the souvenirs of Joan of Arc; I had talked with the peasants
and shopkeepers till I was tired; I agreed thoroughly with my guide-book
that Orléans is a city sadly lacking in animation; and yet I stayed on;
I stayed on because I was engaged in a bit of character study, I told my
note-book; stayed on because my presence afforded some consolation to a
struggling, unhappy boy, I told my conscience.

The boy was dying of homesickness. He did not enter into the life of the
sleepy French city. "This is a good enough country," he said, wearily,
"but it isn't mine. I want America, and it seems to me all these priests
and soldiers and citizens are acting. I can't think they were born
speaking French."

However, it was only at rare intervals that he complained. Away in
America he had a father who had set the high standard of duty before
him,--a father who would not encourage him to flag.

On the Fourth of July, Mrs. Greyshield was giving a reception--not on
account of the day, for she had not a spark of patriotism, but because
she was shortly to leave Orléans for the seashore. Gerald was also
giving a reception, his a smaller one, prepared for in the face of
almost insurmountable difficulties, for he received no encouragement
from his mother in his patriotic schemes.

His only pleasure in life was in endeavouring to make his little brother
and sister as patriotic as himself, and with ill-concealed dismay he
confided to me the fear that they were forgetting their native land.

About the middle of the afternoon I joined him and the children in a
small, gaily decorated arbour at the foot of the garden. Shortly after I
arrived, Mrs. Greyshield, accompanied by a number of her guests, swept
down upon us. The French officers and their wives and a number of
English residents surrounded the arbour.

"Ah, the delicious cakes! But they are not _babas_ and _savarins_ and
_tartelettes_! They must be American! What do you call this kind?
Doughnuts! How peculiar! How effective the arrangement of the bunting,
and how many flags--but all of his own country!"

Mrs. Greyshield listened carelessly to the comments. "Oh, yes, he is
hopelessly provincial. I shall never teach him to be cosmopolitan. What
do you think of such narrowness, princess?" and in veiled admiration she
addressed her most distinguished guest, who was also her friend and
countrywoman.

As Mrs. Greyshield spoke, the American princess, who was the possessor
of an exceedingly bitter smile, touched one of the flags with caressing
fingers. "It is a long time since I have seen one. Your boy has several.
I should like to have one for a cushion, if he will permit."

The boy's nostrils dilated. "For a cushion!" he exclaimed.

His tone was almost disrespectful, and his mother gave him a warning
glance, and said, hastily, "Certainly, princess. Gerald, choose your
prettiest flag."

"Not for a cushion!" he said, firmly. "The flag should be up, never
down!"

The gay group gazed with concealed interest at mother and son.

Mrs. Greyshield seized a flag and offered it to her guest.

"Thank you--not from you," said the princess, putting up her lorgnette.
"Only from the boy."

[Illustration: "'YOU, TOO, LOVE YOUR COUNTRY!'"]

He would not give her one. His mother was in a repressed rage, and the
boy kept his eyes bent on the ground in suffering silence.

The titled lady put an end to the painful scene. "I have changed my
mind," she said, coolly. "I have too many cushions now."

The boy turned swiftly to her, and, lifting the white hand hanging by
her side, gently touched it with his lips.

"_Madame la Princesse_, you, too, love your country!"

His exclamation was so enthusiastic, so heartfelt, there was in it such
a world of commiseration for the titled lady before him, that there
immediately flashed before each one present the unhappy life of the poor
princess in exile. The boy had started a wave of sympathy flowing from
one to another of the group, and in some confusion they all moved away.

Gerald wiped the perspiration from his forehead, and went on with the
programme of patriotic selections that the impatient children were
obliged to go through before they could have the cakes and fireworks.

After the fizzing and bursting noises were over, I said, regretfully,
"Gerald, I must go to Paris to-morrow."

"I have been expecting this," he said, with dogged resignation. "When
you are gone, Miss Canada, I shall have no one to talk to me about
America."

I had grown to love the boy for his high qualities of mind and soul, and
my voice faltered as I murmured, "Do not give up,--fight the good
fight."

"Of faith," he added, gravely, "looking forward to what is to come."

It seemed to me that an old man stood pressing my hand--an old man with
life's experience behind him. My heart ached for the lad, and I hurried
into the house.

"Good-bye," I said, coldly, to my hostess.

"Good-bye, a pleasant journey," she responded, with equal coldness.

"If you do not take that boy of yours home, you will lose him," I
murmured.

I thought my voice was low, but it was not low enough to escape the ears
of the princess, who was standing beside her.

Mrs. Greyshield turned away, and the princess's lips moved almost
imperceptibly in the words, "What is the use?"

"The boy is dying by inches!" I said, indignantly.

"Better dead than like those--" she said, with her bitter smile, nodding
toward the chattering cosmopolitan crowd beyond us.

I echoed the boy's words: "You, too, are a patriot!"

"I was," she said, gravely, and sauntered away.

I went unhappily to Paris. Would that another stranger could chance
along, to whom the boy might unburden his heart,--his noble heart,
filled not only with dreams of military glory, but of plans for the
protection of the weak and helpless among his countrymen!

A week later a telegram from the princess summoned me to Orléans. To my
surprise, she met me on the staircase of Mrs. Greyshield's house.

"You are right!" she whispered. "Mrs. Greyshield is to lose her boy!"

My first feeling was one of anger. "Do not speak of such a thing!" I
said, harshly.

"Come and see," and she led the way to a room where the weary-faced lad
lay on a huge, canopied bed, a nursing sister on either side of him.

"The doctors are in consultation below," she murmured; "but there is no
hope."

                             [Illustration]

"Where is his mother?"

"In her room. She sees no one. It is a foreign fashion, you know. She is
suffering deeply--at last."

"Oh, this is horrible!" I said. "Can nothing be done?"

"Do you observe what a perfect accent he has?" she said, meditatively.
"There must be excellent teachers at the _lycée_!"

From the bed came occasionally muttered scraps of French prose or
poetry, and I shuddered as I listened.

"Sacrificed for an accent!" she went on to herself. "It is a favourite
amusement of American mothers. This boy was torn from a father whom he
worshipped. I wonder what he will say when his wife returns to America
with two living children and one--" She turned to me. "I could have told
her that growing children should not be hurried from one country to
another. Yet it is better this way than the other."

"The other?" I repeated, stupidly.

"Yes, the other,--after years of residence abroad, no home, no country,
no attachments, a weary traveller till one dies. I thought you might
like to see him, as you were so attracted by him. He fainted the day you
left, and has been this way ever since. It cannot last much longer."

We had been speaking in a low tone, yet our voices must have been heard
by the sleeper, for suddenly he turned his head on the pillow and looked
at us.

The princess approached him, and murmured his name in an exquisitely
soft and gentle voice. The boy recognised her.

"Ah, the princess!" he said, collectedly. "May I trouble you with a
message?"

"Certainly."

"It is for papa," he said, dreamily. "Will you tell him for me,
please--" Here his voice died away, and his dark, beseeching eyes rolled
from one to another of the people in the room.

"Shall I send them away?" asked the princess.

"No, thank you. It is only the pain. Will you--will you be good enough
to tell papa not to think me a coward? I promised him to hold out,
but--"

"I will tell him."

"And tell him I'm sorry we couldn't build that home and live together,
but I think if he prepared it mamma and the children might go. Tell him
I think they would be happier. America is so lovely! Mamma would get
used to it."

He stopped, panting for breath, and one of the nurses put something on
his lips, while the other wiped away the drops of moisture that the
effort of speaking had brought to his spectral face. Then he closed his
eyes, and his pallid figure seemed to be sinking away from us; but
presently he roused himself, and this time his glance fell on me.

"Miss Canada," he said, drowsily, "the salute to the flag--Dottie and
Howard."

The princess motioned to one of the nurses, who slipped from the room
and presently returned with the children. A wan, evanescent flush
overspread his face at sight of the flag, and he tried to raise himself
on his elbow. One of the nurses supported him, and he fixed his glazing
but still beautiful eyes on the children. "Are you ready?"

The small boy and girl were far from realising their brother's
condition, but they knew what he wished, and in a warbling voice little
Dottie began:

    "This is my country's flag, and I am my country's child,
    To love and serve her well will ever be my joy."

A little farther on her tiny brother took up the formula which it had
been Gerald's pleasure to teach them.

                             [Illustration]

The consultation below had broken up, and several of the doctors had
crept to the door of the room, but the boy did not seem to notice them.
His attention was riveted on the children, to the exclusion of all
others.

"Give brother the flag!" he murmured, when they finished.

They handed him the Stars and Stripes, but he could not retain it, and
the princess, quietly moving to the bedside, steadied it between his
trembling fingers.

"Now sing with brother."

The two children lifted up their little quavering voices, and turning
his own face to the ceiling, a face illumined by a joy not of this
world, he tried to sing with them:

        "My country! 'tis of thee,
    Sweet land of liberty,
        Of thee I sing!"

Here his voice faltered, his radiant face drooped, and his darkening
eyes turned beseechingly in my direction.

In a choking voice I finished the verse, as I had once before finished
it for him:

    "Land where my fathers died,
    Land of the pilgrims' pride,
    From every mountainside
      Let freedom ring!"

His head was on the pillow when I finished, but his fingers still
grasped the flag.

"Gerald," said the princess, tenderly, "do you understand?"

"Yes, I understand," fluttered from his pale lips.

"And are you contented?"

He pressed her hand slightly.

"Would you rather die, or live to grow up and forget your country, as
you surely would do if you lived all your young life among strangers?"

"I would rather die!" and here his voice was so firm that all in the
room heard it.

"Dottie and Howard!" he murmured, presently, and the princess drew back.
After all, she was only a stranger.

He died, with their little faces pressed close to his own. "Give my love
to mamma, dear mamma!" were his last words. Shortly after the nurses
drew the children away. The boy had had his wish. He had died for his
country as truly as if he had fallen in battle.




                        GRANDMOTHER AND THE CROW




                       GRANDMOTHER AND THE CROW.


When I was a little girl I lived with my grandmother, and a gay, lively
little grandmother she was. Away back in the family was French blood,
and I am sure that she resembled French old people, who are usually
vivacious and cheerful. On my twelfth birthday I was driving with her
through a thick wood, when we heard in front of us the loud shouting and
laughing of boys.

"Drive on, George," said my grandmother; "let us see what this is all
about."

As soon as he stopped, she sprang nimbly from the phaeton among
half-a-dozen flushed and excited boys who had stones in their hands. Up
in the tall trees above them were dozens of crows, which were cawing in
a loud and distressed manner, and flying restlessly from branch to
branch. A stone thrown by some boy with too true an aim had brought a
fine young crow to the ground.

"Ha--I've got him. Thought I'd bring him down!" yelled a lad,
triumphantly. "Now give it to him, boys."

The stones flew thick and fast at the poor crow. My grandmother screamed
and waved her hands, but the boys would not listen to her until she
rushed to the phaeton, seized the whip, and began smartly slashing those
bad boys about the legs.

"Hi--stop that--you hurt! Here, some of you fellows take the whip from
her!" cried the boys, dancing like wild Indians around my grandmother.

"Cowards!" she said; "if you must fight, why don't you attack something
your own size?"

The boys slunk away, and she picked up the crow. One of its wings was
broken, and its body was badly bruised. She wrapped the poor bleeding
thing in our lap-robe, and told George to drive home.

"Another pet, grandmother?" I asked.

"Yes, Elizabeth," she returned, "if it lives." She had already eight
canaries, some tame snakes, a pair of doves, an old dog, white mice and
rats, and a tortoise.

When we got home, she examined the crow's injuries, then sponged his
body with water, and decided that his wing was so badly broken that it
would have to be amputated. I held his head and feet while she performed
the surgical operation, and he squawked most dismally. When it was over,
she offered him bread and milk, which he did not seem able to eat until
she pushed the food down his throat with her slim little fingers. Then
he opened and closed his beak repeatedly, like a person smacking his
lips.

"He may recover," she said, with delight; "now, where is he to sleep?
Come into the garden, Elizabeth."

Our garden was walled in. There was a large kennel on a grass-plot under
my grandmother's bedroom window, and she stopped in front of it.

"This can be fitted up for the crow, Elizabeth."

"But what about Rover?" I said. "Where will he sleep?"

"Down in the cellar, by the furnace," she said. "He is getting to be
rheumatic, and I owe him a better shelter than this in his old age. I
shall have a window put in at the back, so that the sun can shine in."

For several days the crow sat in the kennel, his wings raised,--the
stump of the broken one was left,--making him look like a person
shrugging his shoulders, and the blood thickening and healing over his
wounds. Three times a day my grandmother dragged him out and pushed some
bread and milk down his throat; and three times a day he kicked and
struggled and clawed at her hands. But it soon became plain that he was
recovering.

One day my grandmother found him trying to feed himself, and she was as
much pleased as a child would have been. The next day he stepped out on
the grass-plot. There he found a fine porcelain bath, that my
grandmother had bought for him. It was full of warm water, and he
stepped into it, flapped his wing with pleasure, and threw the water
over his body.

"He is coming on!" cried my grandmother; "he will be the joy of my life
yet."

[Illustration: "I SAW SECOND COUSIN GEORGE FOLLOWING HIM."]

"What about Second Cousin George?" I asked.

Second Cousin George--we had to call him that to distinguish him from
old George, the coachman--was a relative that lived with us. He was old,
cranky, poor, and a little weak-minded, and if it had not been for my
grandmother he would have been obliged to go to an almshouse. He hated
everything in the world except himself,--pets especially,--and if he had
not been closely watched, I think he would have put an end to some of
the creatures that my grandmother loved.

One day after the crow was able to walk about the garden, I saw Second
Cousin George following him. I could not help laughing, for they were so
much alike. They both were fat and short, and dressed in black. Both put
their feet down in an awkward manner, carried their heads on one side,
and held themselves back as they walked. They had about an equal amount
of sense.

In some respects, though, the crow was a little ahead of Second Cousin
George, and in some respects he was not, for on this occasion Second
Cousin George was making a kind of death-noose for him, and the crow
walked quietly behind the currant-bushes, never suspecting it. I ran for
grandmother, and she slipped quickly out into the garden.

"Second Cousin George, what are you doing?" she said, quietly.

He always looked up at the sky when he didn't know what to say, and as
she spoke, he eyed very earnestly some white clouds that were floating
overhead, and said never a word.

"Were you playing with this cord?" said grandmother, taking it from him.
"What a fine loop you have in it!" She threw it dexterously over his
head. "Oh, I have caught you!" she said, with a little laugh, and began
pulling on the string.

Second Cousin George still stood with his face turned up to the sky, his
cheeks growing redder and redder.

"Why, I am choking you!" said grandmother, before she had really hurt
him; "do let me unfasten it." Then she took the string off his neck and
put it in her pocket. "Crows can feel pain just as men do, Second Cousin
George," she said, and walked away.

Second Cousin George never molested the crow again.

After a few weeks the crow became very tame, and took possession of the
garden. He dug worms from our choicest flower-beds, nipped off the tops
of growing plants, and did them far more damage than Rover the dog. But
my grandmother would not have him checked in anything.

"Poor creature!" she said, sympathetically, "he can never fly again; let
him get what pleasure he can out of life."

I was often sorry for him when the pigeons passed overhead. He would
flap his one long, beautiful wing, and his other poor stump of a thing,
and try to raise himself from the ground, crying, longingly, "Caw! Caw!"

Not being able to fly, he would go quite over the garden in a series of
long hops,--that is, after he learned to guide himself. At first when he
spread his wings to help his jumps, the big wing would swing him around
so that his tail would be where he had expected to find his head.

Many a time have I stood laughing at his awkward attempts to get across
the garden to grandmother, when she went out with some bits of raw meat
for him. She was his favourite, the only one that he would allow to come
near him or to stroke his head.

                             [Illustration]

He cawed with pleasure whenever he saw her at any of the windows, and
she was the only one that he would answer at all times. I often vainly
called to him, "Hallo, Jim Crow,--hallo!" but the instant grandmother
said, "Good Jim Crow--good Jim!" he screamed in recognition.

He had many skirmishes with the dog over bones. Rover was old and partly
blind, and whenever Jim saw him with a bone he went up softly behind him
and nipped his tail. As Rover always turned and snapped at him, Jim
would seize the bone and run away with it, and Rover would go nosing
blindly about the garden trying to find him. They were very good
friends, however, apart from the bones, and Rover often did good service
in guarding the crow.

                             [Illustration]

The cats in the neighbourhood of course learned that there was an
injured bird in our garden, and I have seen as many as six at a time
sitting on the top of the wall looking down at him. The instant Jim saw
one he would give a peculiar cry of alarm that he kept for the cats
alone. Rover knew this cry, and springing up would rush toward the wall,
barking angrily, and frightening the cats away, though he never could
have seen them well enough to catch them.

Jim detested not cats alone, but every strange face, every strange
noise, and every strange creature,--boys most of all. If one of them
came into the garden he would run to his kennel in a great fright. Now
this dislike of Jim's for strange noises saved some of my grandmother's
property, and also two people who might otherwise have gone completely
to the bad.

About midnight, one dark November night, my grandmother and I were
sleeping quietly,--she in her big bed, and I in my little one beside
her. The room was a very large one, and our beds were opposite a French
window, which stood partly open, for my grandmother liked to have plenty
of fresh air at night. Under this window was Jim's kennel.

I was having a very pleasant dream, when in the midst of it I heard a
loud, "Caw! Caw!" I woke, and found that my grandmother was turning over
sleepily in bed.

"That's the crow's cat call," she murmured; "but cats could never get
into that kennel."

"Let me get up and see," I said.

"No, child," she replied. Then she reached out her hand, scratched a
match, and lighted the big lamp that stood on the table by her bed.

I winked my eyes,--the room was almost as bright as day, and there,
half-way through the window, was George, our old coachman. His head was
in the room; his feet must have been resting on the kennel, his
expression was confused, and he did not seem to know whether to retreat
or advance.

"Come in, George," said my grandmother, gravely.

He finished crawling through the window, and stood looking dejectedly
down at his stocking feet.

"What does this mean, George?" said my grandmother, ironically. "Are you
having nightmare, and did you think we might wish to go for a drive?"

Old George never liked to be laughed at. He drew himself up. "I'm a
burglar, missus," he said, with dignity.

My grandmother's bright, black eyes twinkled under the lace frills of
her nightcap. "Oho, are you indeed? Then you belong to a dangerous
class,--one to which actions speak louder than words," she said, calmly;
and putting one hand under her pillow, she drew out something that I had
never known she kept there.

I thought at the time it was a tiny, shining revolver, but it really was
a bit of polished water-pipe with a faucet attached; for my grandmother
did not approve of the use of firearms.

"Oh, missus, don't shoot--don't shoot! I ain't fit to die," cried old
George, dropping on his knees.

"I quite agree with you," she said, coolly, laying down her pretended
revolver, "and I am glad you have some rag of a conscience left. Now
tell me who put you up to this. Some woman, I'll warrant you!"

"Yes, missus, it was," he said, shamefacedly, "'twas Polly Jones,--she
that you discharged for impudence. She said that she'd get even with
you, and if I'd take your watch and chain and diamond ring, and some of
your silver, that we'd go to Boston, and she'd--she'd--"

"Well," said grandmother, tranquilly, "she would do what?"

"She said she'd marry me," sheepishly whispered the old man, hanging his
head.

"Marry you indeed, old simpleton!" said my grandmother, dryly. "She'd
get you to Boston, fleece you well, and that's the last you'd see of
her. Where is Miss Polly?"

[Illustration: "'I AIN'T FIT TO DIE,' CRIED OLD GEORGE."]

"In--in the stable," whimpered the old man.

"H'm," said grandmother, "waiting for the plunder, eh? Well, make haste.
My purse is in the upper drawer, my watch you see before you; here is my
diamond ring, and my spoons you have in your pocket."

Old George began to cry, and counted every spoon he had in his pocket
out on the bureau before him, saying one, two, three, four, and so on,
through his tears.

"Stop!" said my grandmother. "Put them back."

The old man looked at her in astonishment. She made him return every
spoon to his pocket. Then she ordered him to hang the watch round his
neck, put the ring on his finger, and the purse in his pocket.

"Take them out to the stable," she said, sternly; "sit and look at them
for the rest of the night. If you want to keep them by eight o'clock in
the morning, do so,--if not, bring them to me. And as for Miss Polly,
send her home the instant you set foot outside there, and tell her from
me that if she doesn't come to see me to-morrow afternoon she may expect
to have the town's officers after her as an accomplice in a burglary.
Now be off, or that crow will alarm the household. Not by the door, old
George, that's the way honest people go out. Oh, George, George, that a
carrion crow should be more faithful to me than you!"

My grandmother lay for some time wide-awake, and I could hear the bed
shaking with her suppressed laughter. Then she would sigh, and murmur,
"Poor, deluded creatures!"

Finally she dropped off to sleep, but I lay awake for the rest of the
night, thinking over what had taken place, and wondering whether Polly
Jones would obey my grandmother.

I was with her the next day when Polly was announced. Grandmother had
been having callers, and was sitting in the drawing-room looking very
quaint and pretty in her black velvet dress and tiny lace cap.

Polly, a bouncing country-girl, came in hanging her head. Grandmother
sat up very straight on the sofa and asked, "Would you like to go to the
penitentiary, Polly Jones?"

"Oh, no, ma'am!" gasped Polly.

"Would you like to come and live with me for awhile?" said my
grandmother.

Now Polly did not want to do this, but she knew that she must fall in
with my grandmother's plans; so she hung her head a little lower and
whispered, "Yes, ma'am."

"Very well, then," my grandmother said, "go and get your things."

The next day my grandmother called to her the cook, the housemaid, and
the small boy that ran errands.

"You have all worked faithfully," she said, "and I am going to give you
a holiday. Here is some money for you, and do not let me see you again
for a month. Polly Jones is going to stay with me."

Polly stayed with us, and worked hard for a month.

"You are a wicked girl," said my grandmother to her, "and you want
discipline. You have been idle, and idleness is the cause of half the
mischief in the world. But I will cure you."

Polly took her lesson very meekly, and when the other maids came home,
grandmother took her on a trip to Boston. There she got a policeman to
take them about and show them how some of the wicked people of the city
lived. Among other places visited was a prison, and when Polly saw young
women like herself behind the bars, she broke down and begged
grandmother to take her home. And that reformed Polly effectually.

As for old George, after that one miserable night in the stable, and his
utter contrition in the morning, he lived only for grandmother, and died
looking lovingly in her face.

Jim the crow ruled the house as well as the garden after his exploit in
waking grandmother that eventful night.

All this happened some years ago. My dear grandmother is dead now, and I
live in her house. Jim missed her terribly when she died, but I tried so
earnestly to cultivate his affections, and to make up his loss to him,
that I think he is really getting to be fond of me.


                                THE END.




                           COSY CORNER SERIES


    It is the intention of the publishers that this series shall
    contain only the very highest and purest literature,--stories
    that shall not only appeal to the children themselves, but be
    appreciated by all those who feel with them in their joys and
    sorrows.

    The numerous illustrations in each book are by well-known
    artists, and each volume has a separate attractive cover design.

        Each, 1 vol., 16mo, cloth      $0.50


_By ANNIE FELLOWS JOHNSTON_


=The Little Colonel. (Trade Mark.)=

The scene of this story is laid in Kentucky. Its heroine is a small
girl, who is known as the Little Colonel, on account of her fancied
resemblance to an old-school Southern gentleman, whose fine estate and
old family are famous in the region. This old Colonel proves to be the
grandfather of the child.


=The Giant Scissors.=

This is the story of Joyce and of her adventures in France,--the
wonderful house with the gate of The Giant Scissors, Jules, her little
playmate, Sister Denisa, the cruel Brossard, and her dear Aunt Kate.
Joyce is a great friend of the Little Colonel, and in later volumes
shares with her the delightful experiences of the "House Party" and the
"Holidays."


=Two Little Knights of Kentucky.=

                WHO WERE THE LITTLE COLONEL'S NEIGHBORS.

In this volume the Little Colonel returns to us like an old friend, but
with added grace and charm. She is not, however, the central figure of
the story, that place being taken by the "two little knights."


=Cicely and Other Stories for Girls.=

The readers of Mrs. Johnston's charming juveniles will be glad to learn
of the issue of this volume for young people.


=Aunt 'Liza's Hero and Other Stories.=

A collection of six bright little stories, which will appeal to all boys
and most girls.


=Big Brother.=

A story of two boys. The devotion and care of Steven, himself a small
boy, for his baby brother, is the theme of the simple tale.


=Ole Mammy's Torment.=

"Ole Mammy's Torment" has been fitly called "a classic of Southern
life." It relates the haps and mishaps of a small negro lad, and tells
how he was led by love and kindness to a knowledge of the right.


=The Story of Dago.=

In this story Mrs. Johnston relates the story of Dago, a pet monkey,
owned jointly by two brothers. Dago tells his own story, and the account
of his haps and mishaps is both interesting and amusing.


=The Quilt That Jack Built.=

A pleasant little story of a boy's labor of love, and how it changed the
course of his life many years after it was accomplished.


=Flip's Islands of Providence.=

A story of a boy's life battle, his early defeat, and his final triumph,
well worth the reading.


_By EDITH ROBINSON_


=A Little Puritan's First Christmas.=

A story of Colonial times in Boston, telling how Christmas was invented
by Betty Sewall, a typical child of the Puritans, aided by her brother
Sam.


=A Little Daughter of Liberty.=

The author's motive for this story is well indicated by a quotation from
her introduction, as follows:

"One ride is memorable in the early history of the American Revolution,
the well-known ride of Paul Revere. Equally deserving of commendation is
another ride,--the ride of Anthony Severn,--which was no less historic
in its action or memorable in its consequences."


=A Loyal Little Maid.=

A delightful and interesting story of Revolutionary days, in which the
child heroine, Betsey Schuyler, renders important services to George
Washington.


=A Little Puritan Rebel.=

This is an historical tale of a real girl, during the time when the
gallant Sir Harry Vane was governor of Massachusetts.


=A Little Puritan Pioneer.=

The scene of this story is laid in the Puritan settlement at
Charlestown. The little girl heroine adds another to the list of
favorites so well known to the young people.


=A Little Puritan Bound Girl.=

A story of Boston in Puritan days, which is of great interest to
youthful readers.


=A Little Puritan Cavalier.=

The story of a "Little Puritan Cavalier" who tried with all his boyish
enthusiasm to emulate the spirit and ideals of the dead Crusaders.


_By MISS MULOCK_


=The Little Lame Prince.=

A delightful story of a little boy who has many adventures by means of
the magic gifts of his fairy godmother.


=Adventures of a Brownie.=

The story of a household elf who torments the cook and gardener, but is
a constant joy and delight to the children who love and trust him.


=His Little Mother.=

Miss Mulock's short stories for children are a constant source of
delight to them, and "His Little Mother," in this new and attractive
dress, will be welcomed by hosts of youthful readers.


=Little Sunshine's Holiday.=

An attractive story of a summer outing. "Little Sunshine" is another of
those beautiful child-characters for which Miss Mulock is so justly
famous.


_By JULIANA HORATIA EWING_


=Jackanapes.=

A new edition, with new illustrations, of this exquisite and touching
story, dear alike to young and old.


=Story of a Short Life.=

This beautiful and pathetic story will never grow old. It is a part of
the world's literature, and will never die.


=A Great Emergency.=

How a family of children prepared for a great emergency, and how they
acted when the emergency came.




                           Transcriber Notes:

Passages in italics were indicated by _underscores_.

Passages in bold were indicated by =equal signs=.

Small caps were replaced with ALL CAPS.

Throughout the dialogues, there were words used to mimic accents of
the speakers. Those words were retained as-is.

The illustrations have been moved so that they do not break up
paragraphs and so that they are next to the text they illustrate.

Errors in punctuations and inconsistent hyphenation were not corrected
unless otherwise noted.