The Project Gutenberg eBook of Catalogue of Works Literary Art and Music This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Catalogue of Works Literary Art and Music Creator: Reeves & Turner Release date: May 1, 2016 [eBook #51902] Language: English Credits: Produced by Judith Wirawan, deaurider and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) *** START OF THE PROJECT GUTENBERG EBOOK CATALOGUE OF WORKS LITERARY ART AND MUSIC *** Produced by Judith Wirawan, deaurider and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TRANSCRIBER NOTES Words surrounded by / are italicized. Words surrounded by = are bold. Words surrounded by _ are underlined. Small capitals are presented as all capitals in this e-text. Inconsistent spelling and apparent printer errors have been retained as printed in original book, except obvious punctuation errors have been repaired. Asterism (a symbol consisting of three asterisks arranged in a triangle) is presented as *** in this e-text. W. REEVES AND REEVES & TURNER'S Publications * * * * * CATALOGUE OF WORKS Literary Art and Music. ALSO ... Books on ... Freemasonry. [Illustration: Logo] London: 83, Charing Cross Rd. W.C. * * * * * HOW TO MEMORIZE MUSIC: With numerous Musical Examples. By C. F. Kenyon, cr. 8vo, 1s. * * * * * TREATISE ON THE TRAINING OF BOY'S VOICES: With Examples and Exercises and Chapters on Choir-Organization. Compiled for the Use of Choirmasters. By George T. Fleming, cr. 8vo, cloth, 2s. * * * * * GRADUATED COURSE OF EXERCISES FOR BOY CHORISTERS: With Pianoforte Accompaniment. For Use inconjunction with above. By G. T. Fleming, 1s. * * * * * INTERLUDES. Seven Lectures by H. C. Banister. Collected and Edited by Stewart Macpherson, with Portrait, cr. 8vo, cloth, 2s. (pub. at 5s.) * * * * * ORGAN MUSIC. (All with ped. obb.) (Prices Music-net). Chopin's Nocturne (Op. 9, No. 2) 1s. 6d. /E. H. Lemare/. Forward! Grand March 1s. 6d. /E. H. Sugg/. Lebanon March (Smallwood) 2s. /Dr. Westbrook/. Grand Festival March, "Illogan" 2s. /H. C. Tonking/. (also arr. for Piano solo; and Vn. & Pi.) Overture to William Tell (Rossini) 2s. 6d. /A. Whittingham/. Overture to Oberon (Weber) 2s. /A. Whittingham/. Overture to Freischütz (Weber) 2s. /A. Whittingham/. Six Pieces for Church Use (arr.) 1s. /W. Smallwood/. * * * * * 8vo cloth, 300 pp., 3s. 6d. =HONE (William), Ancient Mysteries described=, especially the English Miracle Plays founded on the Apocryphal New Testament Story, extant among the unpublished MSS. in the British Museum, including notices of Ecclesiastical Shows and Festivals of Fools and Asses, the English Boy Bishop, Descent into Hell, the Lord Mayor's Show, the Guildhall Giants, Christmas Carols, etc., with Engravings and Index. * * * * * 8vo, cloth, 3s. 6d. =HONE (William), The Apocryphal New Testament=, being all the Gospels, Epistles and other pieces now extant attributed in the first four centuries to Jesus Christ, his Apostles and their Companions and not included in the New Testament by its compilers. * * * * * In 4 Volumes, 8vo. Price £2 2s. Handsomely bound in designed buckram cloth. *** /_One Hundred Copies specially printed on hand-made paper supplied By Spalding & Hodge. Price £4 4s. net, bound in Vellum._/ Essays & Letters of MONTAIGNE. Edited by WILLIAM CAREW HAZLITT. _NEW AND ENLARGED INDEX_ AN ENTIRELY NEW EDITION formed from a Collation of the Foreign Quotations; a fresh English rendering and a careful revision of the text throughout. Some account of the Life of Montaigne, Notes to which are added, a Translation of all the Letters known to be extant. MR. HAZLITT'S MONTAIGNE,--An entirely new Edition text of Montaigne's Essays and Letters (founded on the now extremely scarce one published in 1877 in three volumes octavo) has now been brought to completion (Publisher, Messrs. Reeves and Turner) and will, partly by reason of enlarged introductory matter and partly by additional notes, extend to four volumes. The Edition of 1877 was superintended by Mr. Hazlitt's father, though bearing his own name on the title, and he merely contributed the Preface. The book has now at length been adapted to the last French /Variorum/ so far as possible, and innumerable errors of the former English versions have been rectified. The Biographical account of the essayist has been considerably amplified and =instead of the sixteen Letters= given in 1877 =there are thirty-five=, many of which are of interest and importance towards understanding the Life of the Author. A salient feature in the present undertaking is to have substituted for the English colloquial equivalents, or rather supposed equivalents of the great Frenchman's language, the words which he actually uses or the sense, which he actually intends to convey; and the difference is often curious and sometimes immense between him and his English renderers.--/The Athenæum./ * * * * * In the Press. Modern Orchestral Instruments Their Origin, Construction, and Use. /BEING A PRACTICAL ILLUSTRATED HANDBOOK/ /For the use of/ /AMATEURS OR STUDENTS./ With many additional Illustrations, Tables, an Appendix, and an Explanatory Index. BY K. SCHLESINGER. * * * * * Classical Works. Edited by Prof. Anthon. ANTHON'S HORACE, Edited by Rev. James Boyd, LL.D., thick post 8vo, 5s. 6d. ANTHON'S HOMER'S ILIAD, First Three Books, Edited by B. Davies, LL.D., thick post 8vo, 5s. 6d. ANTHON'S CÆSAR'S COMMENTARIES, Edited by Rev. G. B. Wheeler, thick post 8vo, 4s. 6d. ANTHON'S ECLOGUES AND GEORGICS OF VIRGIL, with English Notes, Critical and Explanatory, and a Metrical Index, post 8vo, price 4s. 6d. ANTHON'S SALLUST, Edited by Rev. J. Boyd, LL.D., post 8vo, 4s. 6d. ANTHON'S JUVENAL AND PERSIUS' SATIRES, Edited by J. T. Wheeler, post 8vo, 4s. 6d. ANTHON'S CICERO'S ORATIONS, with English Commentary and Historical, Geographical and Legal Indexes, Revised and Edited by Rev. G. B. Wheeler, post 8vo, 4s. 6d. * * * * * =Crown 8vo, Special Designed Cover. 5/-= MASTERSINGERS APPRECIATIONS OF MUSIC AND MUSICIANS WITH AN ESSAY ON By FILSON YOUNG HECTOR BERLIOZ.... CONTENTS.--The Pastoral Symphony--Tristan and Isolda--Bach's Organ Fugues--Mozart's Requiem--Tschiakowsky's Sixth Symphony--The Composer in England--Charles Hallé--Camille Saint-Saëns--An Irish Musician--Hector Berlioz. * * * * * /=Ready.=/ =roy. 8vo, boards, 1/6= "THUS SPAKE ZARATHUSTRA" BY F. NIETZSCHE, /A BOOK FOR ALL AND NONE/. TRANSLATED BY THOMAS COMMON, containing Zarathustra's Prefatory Discourse, with Critical and Bibliographical Notices, Part I. /"Nietzsche's Ethics, however are not the Ethics for boys, nor for old women, nor for dreamers either; _they are the Ethics for full grown men_, the noble, strong, wide-awake men, who shape the world's destiny."/ --EDITOR. * * * * * =crown 8vo, Limp Cloth, 2/-= THE ART OF MODULATING. /A SERIES OF PAPERS ON MODULATING AT THE PIANOFORTE. WITH 62 MUSICAL EXAMPLES./ BY HENRY C. BANISTER. /Not only at Examinations--viva voce--but in Actual Experience, is ability required to pass rapidly, with very little "process" from one key to another./ * * * * * /2nd Edition./ Thick Crown 8vo. Cloth, Price =7/6=. THE LIFE OF HENRY GEORGE. Author of "Progress and Poverty," /With Portraits./ By his Son, HENRY GEORGE, JUN. * * * * * =Thick Crown 8vo., Cloth 10s.= /Important Critical Contribution./ CHOPIN: THE MAN AND HIS MUSIC. BY JAMES HUNEKER, Author of "Mezzotints in Modern Music." "Mr Huneker is a Chopin enthusiast. He accords admiration to Brahms, to Wagner, to Tchaïkovsky: his worship is reserved for Chopin. Being gifted with clear insight and imagination which grasp many and diverse moods Mr. Huneker is a sane critic and a manly.... There is no pretence at new material in the book. Mr. Huneker has garnered all that has been written about the composer and he has threshed out the grain from the chaff. The result is, therefore, of value."--/Musical Standard./ * * * * * THE LARGE EDITION, over 1,000 pp., imp. 8vo. =CHAFFERS (Wm.), MARKS AND MONOGRAMS ON EUROPEAN AND ORIENTAL POTTERY AND PORCELAIN=, with Historical Notices of each Manufactory, preceded by an Introductory Essay on Ancient Pottery and on the Vasa Fictilia of England and Mediæval Earthenware Vessels, with over 3,500 Potters Marks and Illustrations, revised and edited by F. Litchfield, ornamental cloth, Ninth Edition, with Additional Information and Marks, 42s. * * * * * /New Edition/ (1904.) Entirely Revised and Enlarged by C. A. MARKHAM, =CHAFFERS (W.), HALL MARKS ON GOLD AND SILVER PLATE=, Illustrated with Revised Tables of Annual Date Letters employed in the Assay Offices of the United Kingdom, roy. 8vo, cloth, 16s. /net/. * * * * * THE COMPANION TO "HALL MARKS ON GOLD AND SILVER PLATE." =CHAFFERS (W.), A HISTORY OF ENGLISH GOLDSMITHS AND PLATEWORKERS= (Gilda Aurifa-brorum) and their Marks stamped on Plate, copied in preserved at Goldsmiths' Hall, London, with their names, addresses and dates of entry, 2,500 /Illustrations/; also Historical Account of the Goldsmiths' Company and their Hall Marks and Regalia; the Mint; Closing of the Exchequer; Goldsmith Bankers; Shop Signs, a Copious Index, etc., a New Edition, 267 pp., roy. 8vo, cloth, 12s. * * * * * =CHAFFERS (W.), COLLECTOR'S HANDBOOK OF MARKS AND MONOGRAMS ON POTTERY AND PORCELAIN OF THE RENAISSANCE AND MODERN PERIOD=, selected from his larger work, New Edition Revised and considerably Augmented by F. Litchfield, Twelfth Thousand, 234 pp., post 8vo, cloth, gilt, 6s. * * * * * =CHAFFERS (Wm.) HANDBOOK TO HALL MARKS ON GOLD AND SILVER PLATE=, with Revised Tables of Annual Date Letters Employed in the Assay Offices of England, Scotland and Ireland, Extended by C. A. Markham, /F.S.A./, cr. 8vo, cloth, 5s. 1902 * * * * * =MARKHAM (Chr. A.=, /F.S.A./) =HANDBOOK TO FOREIGN HALL MARKS ON GOLD AND SILVER PLATE= (except those on French Plate), containing 163 stamps, cr. 8vo, cloth, 5s. * * * * * =MARKHAM (C.), HANDBOOK TO FRENCH HALL MARKS ON GOLD AND SILVER PLATE.= Illustrated. Crown, 8vo, cloth, 5s. 1900 * * * * * =COBBETT (W.), RURAL RIDES= in the Counties of Surrey, Kent, Sussex, Hants., Wilts., Gloucestershire, etc., edited with Life, New Notes, and the addition of a copious Index, New Edition by PITT COBBETT, /map and portrait/, 2 vols, cr. 8vo (xlviii. and 806 pp.), cloth gilt, 12s. 6d. Cobbett's "Rural Rides" is to us a delightful book, but it is one which few people know. We are not sure that up to the present time it was impossible to get a nice edition of it. We are therefore glad to see that Messrs. Reeves & Turner's recently published edition is a very creditable production--two handy well-filled volumes.--/Gardening./ * * * * * =KEATS= (John), =THE POETICAL WORKS OF JOHN KEATS= (large type), given from his own Editions and other Authentic Sources, and collated with many Manuscripts, edited by H. Buxton Forman, /portrait/, SEVENTH EDITION, 8 pp., cr. 8vo, buckram, 7s. 6d. * * * * * =THE LETTERS OF JOHN KEATS= (Large type), Complete Revised Edition, with a Portrait not published in previous Editions and 24 Contemporary Views of Places visited by Keats, Edited by H. Duxton Forman, 519 pages, cr. 8vo. buckram. 8s. * * * * * =LORD CHESTERFIELD'S LETTERS TO HIS SON.=--Edited with Occasional Elucidatory Notes, Translations of all the Latin, French and Italian Quotations, and a Biographical Notice of the Author. By Chas. Stokes Carey, 2 vols, cr. 8vo, bevelled cloth, 10s. 6d. * * * * * =FLAGELLATION AND THE FLAGELLANTS=, A History of the Rod, in all Countries by the Rev. W. M. Cooper. /Plates and Cuts/, thick cr. 8vo, cloth, 7s. 6d. (pub. 12s. 6d.) * * * * * =THE AWAKENING OF WOMEN=: or Woman's Part in Evolution, by Frances Swiney, crown 8vo, cloth, 5s. /net/. "Strong and soul-stirring.... The Book of the age on the woman question."--/The Woman's Tribune./ It is most carefully thought out.... The authorities quoted all seem to point to the fact that woman is more highly evolved than man.--/Mrs. Ada Ballin, Editor of/ "WOMANHOOD." * * * * * =SHELLEY'S PRINCIPLES= has time refuted or confirmed them, a Retrospect and Forecast, by H. S. Salt, post 8vo, 1s. * * * * * =PERCY BYSSHE SHELLEY=, Poet and Pioneer, a Biographical Study by H. S. Salt, etched portrait, cr. 8vo, cloth, 3s. 6d. * * * * * =SHELLEY LIBRARY (The)=, An Essay in Bibliography, by H. Buxton Forman, Shelley's Books, Pamphlets and Broadsides, Posthumous Separate Issues, and Posthumous Books, wholly or mainly by him, 127 pp., 8vo, parts 1 and 2, wrappers, 3s. 6d. each. * * * * * =A SHELLEY PRIMER=, By H. S. Salt, cr. 8vo, bds 2s. 6d. * * * * * =SHELLEY (Percy Bysshe), THE POETICAL WORKS= (in large type), given from his own Editions and other Authentic Sources, collated with many MSS., and with all Editions of Authority, together with his Prefaces and Notes, his Poetical Translations and Fragments, and an Appendix of Juvenalia, Edited by H. Buxton Forman, with the Notes of Mary Wollstonecraft Shelley, /fine etched portrait/, 2 vols., cr. 8vo, cloth (with Design in Gold on cover by Rossetti), 12s. /Fourth Edition in the press/. * * * * * =SIDONIA THE SORCERESS=, by William Meinhold. Translated by Lady Wilde, with the Amber Witch, translated by Lady Duff Gordon, in 2 vols., crown 8vo, 8s. 6d. 1894 * * * * * =THOMSON (James, "B. V."), POETICAL WORKS=, The City of Dreadful Night, Vane's Story, Weddah and Om-el-Bonain, Voice from the Hell, and Poetical Remains, Edited by B. Dobell, with Memoir and Portrait, 2 vols, thick cr. 8vo, cloth, 12s. 6d. * * * * * =THOMSON (James, "B. V."), BIOGRAPHICAL AND CRITICAL STUDIES=, 483 pages, cr. 8vo, cloth. 6s. * * * * * =LIFE OF DAVID GARRICK=, by J. Smyth, post 8vo, boards, 1s. * * * * * =RUDIMENTS OF GREEK GRAMMAR=, by E. Wettenhall, D.D., translated by Rev. G. N. Wright, numerous annotations and Questions for Examination, by Rev. G. B. Wheeler, 3s. * * * * * COMTE (Auguste), A Discourse on the Positive Spirit, Explanatory Notes by E. S. Beesly, M.A., cr. 8vo. cloth, 2s. /net/. * * * * * OUTSPOKEN ESSAYS ON SOCIAL SUBJECTS: By Ernest Belfort Bax, cr. 8vo, cloth, 2s. 6d. * * * * * A CREED FOR CHRISTIAN SOCIALISTS, with Expositions by Charles William Stubbs, D.D. (The Dean of Ely). Cr. 8vo, cloth, 2s. (paper, 1s.) * * * * * COMTE (Auguste), General View of Positivism, translated by J. H. Bridges. 2nd Edition, cr. 8vo, cloth, 2s. 6d. * * * * * THE SOCIAL ASPECTS OF CHRISTIANITY, and other Essays by Richard T. Ely, Ph.D. Cr. 8vo, cloth, 2s. (paper, 1s.) * * * * * PROGRESS AND POVERTY, by Henry George. Cloth, 1s. 6d., (paper, 1s.) or Cabinet Edition, cloth, 2s. 6d. * * * * * KARL MARX'S THEORY OF VALUE (Complete), forming the First 9 Chapters of "Capital." Cr. 8vo, cloth, 2s. (paper, 1s.) * * * * * LOOKING BACKWARD, by Edward Bellamy, with copious Index and Portrait. Limp cloth, 1s. 6d., Cabinet Edition, Steel Portrait, 2s. 6d. (also cheap editions, paper covers, 6d. and 1s.) * * * * * CO-OPERATIVE COMMONWEALTH: Exposition of Modern Socialism, by L. Gronlund. English Edition. Third Edition. Edited by B. Shaw. Cr. 8vo, cloth, 2s. (paper, 1s.) * * * * * TENNYSON AS A THINKER, by Henry S. Salt, paper, 6d. (or large paper copies, 1s. 6d.) * * * * * PATRIOTISM AND CHRISTIANITY, by Count Leo Tolstoy. Cr. 8vo, cloth, 1s. (paper, 6d.) * * * * * LAWS OF ETERNAL LIFE: Being Studies in the Church Catechism by Rev. Stewart D. Headlam. Cr. 8vo, cloth, 2s. (paper, 1s.) * * * * * LONDON ROOKERIES AND COLLIER'S SLUMS.--A Plea for More Breathing Room. By Robert Williams, A.R.I.B.A., with numerous Diagrams, sm. sewed, 1s. * * * * * MORE LIGHT AND AIR FOR LONDONERS.--By Robert Williams, A.R.I.B.A., with numerous Diagrams, sm. 4to, sewed, 1s. * * * * * RUSKIN'S NOTES OF THE PICTURES OF MR. HOLMAN HUNT, Exhibited at the Rooms of the Fine Art Society, 1886, With Criticisms by John Ruskin and other Comments, sewed, 8vo, 1s. RUSKIN'S NOTES ON SOME OF THE PRINCIPAL PICTURES OF SIR JOHN EVERETT MILLAIS, Exhibited at the Grosvenor Gallery, 1886, with a Preface and Original and Selected Criticisms by John Ruskin and other Comments, 8vo, sewed, 1s. WHAT IS PROPERTY? An Inquiry into the Principle of Right and of Government, by P. J. PROUDHON, Translated by B. R. TUCKER, crown 8vo, cloth, 3s. 6d. DISCOURSES ON POSITIVE RELIGION: By J. H. Bridges, M.B., Second Edition Revised and Enlarged, 8vo, boards, 1s. RENT, INTEREST AND WAGES, or the Real Bearings of the Land Question. By Michael Flürscheim. Third Edition, Revised, cr. 8vo, paper 1s. (cloth 2s.) * * * * * HISTORICAL, BIOGRAPHICAL WORKS, ETC. MUSICAL HISTORY AND BIOGRAPHY (Revised Edition to 1903). By F. J. Crowest, post 8vo, sewed 1s. (cloth, 2s.) MAKERS OF MUSIC, Biographical Sketches of the Great Composers, With Chronological Summaries of their Works, and Facsimiles from Musical MSS. of Bach, Handel, Purcell, Dr. Arne, Gluck, Haydn, Mozart, Beethoven, Weber, Schubert, Berlioz, Mendelssohn, Chopin, Schumann, Wagner, Verdi, Gounod, Brahms and Greig, with General Chronological Table. By R. Farquharson Sharp, Portrait of Purcell, /Second Edition/, cr. 8vo, cloth, 5s. HOW TO MANAGE A CHORAL SOCIETY. By N. Kilburn, 2nd Edition, post 8vo., 6d. WAGNER'S PARSIFAL and the Bayreuth Fest-Spielhaus. By N. Kilburn, cr. 8vo., 6d. WAGNER, A Sketch of his Life and Works, by N. Kilburn, 6d. WOMAN AS A MUSICIAN, an art Historical Study by F. R. Ritter, 8vo., 1s. SIXTY YEARS OF MUSIC: A Record of the Art in England during the Victorian Era, containing 70 Portrait of the most Eminent Musicians, oblong quarto, boards, cloth back, 2s. 6d. CHERUBINI, Memorials illustrative of his Life, by E. Bellasis, thick cr. 8vo, cloth, 6s. THE BACH LETTERS. Letters of Samuel Wesley, relating to the Introduction into England of the Works of Bach. Ed. by E. Wesley. 2nd Edition, 8vo, cl., 2s. 6d. MEZZOTINTS IN MODERN MUSIC, Brahms, Tchaïkovsky, Chopin, Strauss, Liszt, and Wagner, By Jas. Huneker, cr. 8vo, cloth, gilt top, 7s. 6d. SKETCHES OF ENGLISH GLEE COMPOSERS, Historical, Biographical and Critical (From about 1735-1866), by D. Baptie, post 8vo, cloth, 5s. HISTORY OF HUNGARIAN MUSIC, by J. Kaldy (/Director of the Royal Hungarian Opera/), cr. 8vo, bevelled cloth, 2s. 6d. /net/. FRANZ LISZT, by T. Carlaw Martin, 6d. HALF A CENTURY OF MUSIC IN ENGLAND, 1837-1887, By F. Hueffer, 8vo, cloth, 3s. 6d. (pub. 8s. 6d.) TEMPLETON AND MALIBRAN: Reminiscences of these Renowned Singers, with Original Letters and Anecdotes, 3 Authentic Portraits by Mayall, 8vo, cloth, 2s. 6d. BALFE, His Life and Works, by W. A. Barrett, cr. 8vo, bevelled cloth, 3s. 6d. (pub. 7s. 6d.) STATHAM (H. H.), Form and Design in Music, a Brief Outline of the Æsthetic conditions of the Art, addressed to general Readers (in a readable Literary form ... in everyday language), 8vo, cloth, 2s (pub. 5s.) BEETHOVEN, by Richard Wagner, with a Supplement from the Philosophical Works of Arthur Schopenhauer, trans. by Edward Dannreuther, 2nd Ed., cr. 8vo, cl., 6s. CHOPIN, LIFE OF, by Franz Liszt, new and very much Enlarged Edition, Englished in full now for the first time by John Broadhouse, cr. 8vo, cloth, 6s. WAGNER, Der Ring des Nibelungen, being the story concisely told of Das Rhinegold, Die Walküre, Siegfried and Götterdämmerung, by N. Kilburn, post 8vo, 9d. BOX (C.), Church Music in the Metropolis, its Past and present Condition, with Notes Critical and Explanatory, post 8vo, cloth, 3s. THE PAST AND THE FUTURE, INAUGURAL LECTURE AT GRESHAM COLLEGE, Nov. 1890, by J. Frederick Bridge Mus. Doc., cr. 8vo, sewed, 6d. ENGLISH HYMN TUNES from the 16th Century to the Present Time, by the Rev. A. W. Malim, containing 21 Musical Illustrations, 8vo, sewed, 1s. BEETHOVEN, Life of, by Louis Nohl, translated by John J. Lalor, 2nd Edition, cr. 8vo, bevelled cloth, gilt edges, 3s. 6d. ENGLISH GLEE AND MADRIGAL WRITERS, by W. A. Barrett, 8vo, cloth, 2s. 6d. LIFE AND WORKS OF HANDEL. By A. Whittingham. 1s. (cloth, 1s. 6d.) LIFE AND WORKS OF MOZART. By A. Whittingham. 1s. (cloth, 1s. 6d.) BEETHOVEN DEPICTED BY HIS CONTEMPORARIES, by Ludwig Nohl, translated by E. Hill, 2nd Edition, thick cr. 8vo, cloth, 7s. 6d. * * * * * EDUCATIONAL. DICTIONARY OF MUSICIANS, (Cocks') New and Enlarged Edition brought completely up to date, post 8vo, sewed, 1s., cloth, 1s. 6d. MUSIC, A First Book for Beginners embodying the most recent English and Continental Teaching by a Professor [Alfred Whittingham], post 8vo, 4d. The two principal objects kept in view in writing this little book were Thoroughness of Definition and Regular Order in the arrangement of Subjects. =It differs from all other similar Works in that all the Technical Terms in Music are introduced in the Answers not in the Questions.= COUNTERPOINT: A Simple and Intelligible Treatise, Containing the most Important Rules of all Text Books, in Catechetical Form; (Forming an Answer to the Question "What is Counterpoint?") Intended for Beginners. By A. Livingstone Hirst, cr. 8vo, sewed, 9d. DICTIONARY OF 2500 BRITISH MUSICIANS, from the Earliest Times, by F. J. Crowest, cr. 8vo, stiff cover, 1s. MANUAL OF MUSICAL HISTORY, from the Epoch of Ancient Greece to our present time by Dr. F. L. Ritter, 2nd Edition, cr. 8vo, cl., 2s. 6d. ON CONDUCTING, by Richard Wagner, translated by E. Dannreuther, Second Edition, cr. 8vo, cloth, 5s. =DUDLEY BUCK'S Complete Pronouncing Dictionary of Musical Terms. By Dr. Dudley Buck.= /Third Edition with the Pronunciation of each Term accurately given/, =cr. 8vo, paper cover 6d., (cloth 1s.)= THE STUDENT'S HELMHOLTZ, Musical Acoustics or the Phenomena of Sound as connected with Music, by John Broadhouse, with more than 100 Illustrations, 3rd Edition, cr. 8vo, cloth, 7s. 6d. THE STUDENT'S HISTORY OF MUSIC. History of Music, from the Christian Era to the present time by Dr. F. L. Ritter. 3rd Edition, thick cr. 8vo., cloth, 7s. 6d. HARMONY AND THE CLASSIFICATION OF CHORDS, with Questions and Exercises, by Dr. J. H. Lewis, Vol. 1, 8vo, boards, cloth back, 5s. MUSICAL ANALYSIS. A Handbook for Students, with Musical Illustrations, by H. C. Banister, crown 8vo, folio, cloth, 2s. ELEMENTARY MUSIC. A book for Beginners, by Dr. Westbrook, with Questions and Vocal Exercises, Thirteenth Edition, 1s., (cloth, 1s. 6d.) PURITY IN MUSIC, by A. F. Thibaut. Translated by J. Broadhouse. Schumann says: "A fine book about music, read it frequently." Crown 8vo., cloth, 2s. 6d. EXERCISES ON GENERAL ELEMENTARY MUSIC. A Book for Beginners, by K. Paige, 4th Edition, Part I. price 9d., Part II. price 1s. (2 parts complete in cloth, 2/4) The /Musical Times/ speaks in the highest terms of above work. DR. AHN'S FIRST FRENCH COURSE. Edited by S. Bartlett (Head Master Mercers' and Stationers' School), Post 8vo., cloth, 1s. 6d. HARMONISING OF MELODIES, A Text-Book for Students and Beginners, by H. C. Banister, cr. 8vo, cloth, 2s. MUSICAL SHORTHAND for Composers, Students of Harmony, Counterpoint, etc., can be written very rapidly and is more legible than printed music, with Specimens from Bach, Handel, Chopin, Wagner, Mendelssohn, Spohr, Mozart, etc., by Francis Taylor, 14 pages, 12mo, 6d. "Composers and Students of Music expend a vast amount of time in mere painful mechanism." We have only six totally unlike signs. These from their simplicity can be written with great rapidity, one dip of the pen sufficing for an entire page, and the writing being as legible as possible.--/Preface/. * * * * * WORKS ON THE PIANOFORTE, &c. PIANO TEACHING. Advice to Pupils and Young Teachers, by F. Le Couppey (Prof. in the Conservatory of Paris, etc.), Translated from the 3rd French Edition by M. A. Bierstadt, post 8vo, cloth, 2s. GREATER WORKS OF CHOPIN, (Polonaises, Mazurkas, Nocturnes, etc.), and how they should be played, by J. Kleczynski, translated by Miss N. Janotha and edited by Sutherland Edwards, with Portrait, Facsimile, etc., cr. 8vo, cloth, 5s. PIANOFORTE TEACHER'S GUIDE, by L. Plaidy, translated by Fanny Raymond Ritter, cr. 8vo, boards, 1s. MUSIC AND MUSICIANS, Essays and Criticisms, by Robert Schumann, translated, edited and annotated by F. R. Ritter, Portrait of Robert Schumann, photographed from a Crayon by Bendemann, First Series, /Sixth Edition/, thick cr. 8vo, cloth, 8s. 6d. /Ditto/, 2nd Series, 2nd Edition, thick cr. 8vo, cloth, 10s. 6d. EHRENFECHTER (C. A.), Technical Study in the art of Pianoforte Playing (Deppe's principles), with numerous illustrations, fourth edition, cr. 8vo, bevelled cl., 2s. 6d. AN ESSAY ON THE THEORY AND PRACTICE OF TUNING IN GENERAL, and on Schiebler's Invention of Tuning Pianofortes and Organs by the Metronome in Particular. Trans. by A. Wehrhan, sewed, 1s. THE ART OF MODULATION, A Hand-book Showing at a Glance the Modulations from one Key to any other on the Octave, etc., Edited by Carli Zoeller, 2nd Edition, roy. 8vo, paper, 2s. 6d. or (cloth, 4s.) EHRENFECHTER (C. A.), Delivery in the Art of Pianoforte Playing, on Rhythm, Measure, Phrasing, Tempo, cr. 8vo, cloth, 2s. BEETHOVEN'S PIANOFORTE SONATAS Explained by Ernst von Elterlein trans. by E. Hill, with Preface by Ernst Pauer, entirely new and revised edition (the Fifth), with Portrait, Facsimile and View of House, cr. 8vo, cloth, 3s. 6d. BEETHOVEN'S SYMPHONIES in their Ideal Significance, explained by Ernst von Elterlein, translated by Francis Weber, with an account of the facts relating to Beethoven's 10th Symphony, by L. Nohl, /Second Edition/, with Portrait, cr. 8vo, cloth, 3s. 6d. PIANOFORTE SCALES in Thirds and Sixths for Each Hand in all the Major and Minor Keys, Fingered and Arranged by M. Rock, folio, 2s. BEETHOVEN'S SYMPHONIES Critically discussed by A. T. Teetgen. /Second Edition/, cloth, 3s. 6d. THE DEPPE FINGER EXERCISES for rapidly developing an Artistic Touch in Pianoforte Playing, carefully arranged, classified and explained by Amy Fay, English Fingering, folio, 1s. 6d. (Continental Fingering, 1s. 6d.) HOW TO PLAY CHOPIN. The Works of Chopin and their proper Interpretation. By KLECZYNSKI, translated by A. WHITTINGHAM, 5th. Ed., /Woodcut and Music Illus/. Post 8vo, cloth, 3s. 6d. SCHUMANN'S RULES MAXIMS for young Musicians, 4d. PRACTICE REGISTER for Pupil's Daily Practice. A specimen, 1d., or 1s. 4d. per 100. REEVES' VAMPING TUTOR, Art of Extemporaneous Accompaniment or Playing by ear on the Pianoforte, rapidly enabling anyone having an ear for music (with or without any knowledge of musical notation) to accompany Waltzes, Polkas, Songs, and with equal facility in any key, with practical examples, including Ma Normandi (in C), Lilla's a Lady, The Swiss Boy, Home Sweet Home, Blue Bells of Scotland, Nancy Dawson, Ma Normandi (in A), The Miller of the Dee by Francis Taylor, folio, 2s. MOZART'S Don Giovanni, a Commentary, from the 3rd French Edition of Charles Gounod, by W. Clark and J. T. Hutchinson, cr. 8vo, cloth, 3s. 6d. TUNING THE PIANOFORTE.--SMITH (Hermann), The Art of Tuning the Pianoforte, a New and Comprehensive Treatise to enable the musician to Tune his Pf. upon the system founded on the Theory of Equal Temperament, cr. 8vo, limp cloth, /New Edition Thoroughly Revised/, 2s. A HISTORY OF PIANOFORTE MUSIC, With Critical Estimates of its Greatest Masters and Sketches of their Lives by John C. Fillmore, cr. 8vo, cloth, 3s. 6d. TRANSPOSITION AT SIGHT, For Students of the Organ and Pianoforte, by H. Ernst Nichol, 2nd Edition, cr. 8vo, sewed, 1s. cloth, 1s. 6d. * * * * * THE VIOLIN. HOW TO REPAIR VIOLINS AND OTHER MUSICAL INSTRUMENTS With Diagrams, by Alfred F. Common, cr. 8vo, boards, 1s. INFORMATION FOR PLAYERS, OWNERS, DEALERS AND MAKERS OF BOW INSTRUMENTS, ALSO FOR STRING MANUFACTURERS, taken from Personal Experiences, Studies and Observations by William Hepworth, with Illustrations of Stainer and Guarnerius Violins, etc., cr. 8vo, cloth, 2s. 6d. NOTICE OF ANTHONY STRADIVARI, the celebrated Violin Maker known by the name of Stradivarius, preceded by Historical and Critical Researches on the origin and Transformations of Bow Instruments, and followed by a Theoretical Analysis of the Bow etc., by F. J. Fetis, translated by J. Bishop, Facsimile, 8vo, cloth, 5s. BIOGRAPHICAL DICTIONARY OF FIDDLERS, including Performers on the Violoncello and Double Bass, Past and Present, containing a Sketch of their Artistic Career, together with Notes of their Compositions, by A. Mason Clarke, 9 /Portraits/, post 8vo, cloth, 5s. HOW TO MAKE A VIOLIN, Practically Treated, 2 Folding Plates and many Illustrations, by J. Broadhouse, cr. 8vo, bevelled cloth, 3s. 6d. VIOLIN MANUFACTURE IN ITALY AND ITS GERMAN ORIGIN, by Dr. E. Schebek, translated by W. E. Lawson, 8vo., sewed, 1s. SKETCHES OF GREAT VIOLINISTS AND GREAT PIANISTS. Biographical and Anecdotal, with Account of the Violin and Early Violinists (Viotti, Spohr, Paganini, De Beriot, Ole Bull, Clementi, Moscheles, Schumann (Robert and Clara), Chopin, Thalberg, Gottschalk, Liszt), by G. T. Ferris; /Second Edition/, cr. 8vo, bevelled cloth, 3s. 6d. (or gilt edges, 4s. 6d.) FACTS ABOUT FIDDLES, Violins Old and New. By J. Broadhouse, 3rd Edition, 6d. TECHNICS OF VIOLIN PLAYING. BY KARL COURVOISIER. /With Illustrations/, 8th Edition, paper 1s. (or cloth, thick paper, 2s. 6d.) /Highly commended by Joachim./ HOW TO PLAY THE FIDDLE, for Beginners on the Violin. By H. W. and G. Gresswell. 7th edition, 1s. (cloth, 2s.) AUTOBIOGRAPHY OF LOUIS SPOHR. 2 vols in 1, thick 8vo, cloth, 7s. 6d. (pub. 15s.) TREATISE ON THE STRUCTURE AND PRESERVATION OF THE VIOLIN AND ALL OTHER BOW INSTRUMENTS, together with an account of the most celebrated makers and of the genuine characteristics of their Instruments, by J. A. Otto, with additions by J. Bishop, cr. 8vo, cloth, 3s. * * * * * ORGAN WORKS. MODERN ORGAN TUNING, the How and Why, clearly explaining the Nature of the Organ Pipe and the System of Equal Temperament together with an Historic Record of the Evolution of the Diatonic Scale from the Greek Tetrachord by Hermann Smith, crown 8vo, cloth, 3s. 6d. ANALYSIS OF MENDELSSOHN'S ORGAN WORKS, a Study of their Structural Features, for the use of Students, 127 Musical Examples, portrait and facsimiles, cr. 8vo, bevelled cloth, 4s. 6d. ORGANIST'S QUARTERLY JOURNAL of Original Compositions. Edited by Dr. W. Spark, 5s. per part. /For Contents see end of Catalogue./ New Series Volume, 160 large pages, oblong folio, bound in cloth, 18s. RINK'S PRACTICAL ORGAN SCHOOL: A New Edition, Carefully Revised. The Pedal Part printed on a separate Staff, and the Preface, Remarks and Technical Terms translated from the German, expressly for this edition by John Hiles. The Six Books Complete, handsomely bound in red cloth, gilt edges, ob. folio, 10s. 6d. (issued at 20s.), or the six parts 7s. 6d. (issued at 6s. each.) ORGANS AND ORGANISTS IN PARISH CHURCHES, A Handbook of the Law relating to the Custody, Control and Use of Organs, and to the Position, Lights, and Disabilities of Organists, to which is Added a Chapter on the Hiring of Pianos, and on "The Three Years System," by William C. A. Blow, M.A., Oxon., of the Inner Temple, Esq., Barrister-at-Law, cr. 8vo, cloth, 2s. 6d. A SHORT HISTORY OF THE ORGAN, Organists, and Services of the Chapel of Alleyn's College, Dulwich, with Extracts from the Diary of the Founder, by W. H. Stocks, cr. 8vo, sewed, 1s. THE INFLUENCE OF THE ORGAN IN HISTORY. By Dudley Buck, 1s. HENRY SMART'S ORGAN COMPOSITIONS Analysed. By J. Broadhouse, cr. 8vo, cloth, 2s. 6d. REFORM IN ORGAN BUILDING, by Thomas Casson, 6d. THE ORGAN, Its Compass, Tablature, and Short and Incomplete Octaves, by John W. Warman, A.C.O., imp. 8vo, sewed, 3s. 6d. or boards, cloth back, 4s. 6d. CATECHISM for the Harmonium and American Organ, by John Hiles, post 8vo, sewed, 1s. RIMBAULT (Dr. E. F.), The Early English Organ Builders and their Works, from the 15th Century to the Period of the Great Rebellion, an unwritten chapter on the History of the Organ, Well printed, with woodcuts, post 8vo, cloth, 3s. 6d. * * * * * VOICE AND SINGING. TWELVE LESSONS ON BREATHING AND BREATH CONTROL, for Singers, Speakers and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s. TWENTY LESSONS ON THE DEVELOPMENT OF THE VOICE, or Singers, Speakers and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s. 50 MUSICAL HINTS TO CLERGYMEN, Management of Breath, Classification of Male Voices, Management of the Voice, The Service, with twenty specially written Exercises by Geo. F. Grover, 1s. CATECHISM OF PART SINGING AND THE CHORAL SERVICES. By John Hiles, 3rd Edition, thick post 8vo, price 1s. /Advice to Singers on every point of interest in reference to the Vocal Organs/. HOW TO SING AN ENGLISH BALLAD. By E. Philp, 7th Edition, 6d. VOCAL EXERCISES FOR CHOIRS AND SCHOOLS. By Dr. Westbrook, 2d. RUDIMENTS OF VOCAL MUSIC. With 42 Preparatory Exercises, Rounds and Songs in the Treble Clef, by T. Mee Pattison, 2nd Ed., 4d. SOME FAMOUS SONGS, an Art Historical Sketch. By F. R. Ritter, 1s. VOICE PRODUCTION AND VOWEL ENUNCIATION, by F. F. Mewburn Levien, Diagrams by Arthur C. Behrend, post 8vo, 6d. POSITION AND ACTION IN SINGING, a Study of the True Conditions of Tone, a Solution of Automatic (Artistic) Breath Control, by Edmund J. Myer, cr. 8vo, 4s. 6d. NATIONAL SCHOOL OF OPERA IN ENGLAND; being The Substance of a Paper read before the Licentiates of Trinity College, March, 1882, by Frank Austin, post 8vo, sewed, 6d. HOW TO UNDERSTAND WAGNER'S "RING OF THE NIBELUNG," being the Story and a Descriptive Analysis of the "Rheingold," the "Valkyr," "Siegfried" and the "Dusk of the Gods," with a number of Musical Examples by Gustave Kobbé, Sixth Edition, post 8vo, cloth, 3s. 6d. "To be appreciated in the smallest way Wagner must be studied in advance."--/Illustrated London News./ RATIONAL ACCOMPANIMENT TO THE PSALMS by F. Gilbert Webb, post 8vo, 6d. HOW TO PLAY FROM SCORE.--Treatise on Accompaniment from Score on the Organ or Pianoforte by F. Fetis, trans. by A. Whittingham, cr. 8vo, cloth, 3s. 6d. * * * * * CHOIR LISTS FOR SUNDAY SERVICES. No. 1. Morning and Evening, printed in red, 1s. 4d. per 100. No. 2. Morning, Afternoon, and Evening, printed in red, 1s. 6d. per 100. No. 3. Morning and Evening, printed in red and black, 1s. 8d. per 100. No. 4. Morning and Even., printed in red, 1s. 6d. per 100. No. 5. Quarto Size, Matins, Litany, Holy Communion, First Evensong, Second Evensong, Gothic Letter, printed in red, 6d. per dozen, 3s. per 100. * * * * * CHOIR ATTENDANCE REGISTER, 8vo, cloth. No. 1. Ruled for a Choir of 20 or less, for one year, beginning at any date, 1s. 6d. No. 2. Ruled for a Choir of 40 or less, for one year, beginning at any date, 2s. No. 3. Ruled for a choir of 60 or less, for one year, beginning at any date, 2s. 6d. * * * * * /Performing Edition./ THE CREATION, A Sacred Oratorio composed by Joseph Haydn, Vocal Score, The Pianoforte Accompaniment arranged and the whole edited by G. A. Macfarren, 8vo, paper covers, 2s., boards, 2s. 6d., scarlet cloth, 4s. * * * * * FROM LYRE TO MUSE, A History of the Aboriginal Union of Music and Poetry, By J. Donovan, cr. 8vo, cloth, 2s. 6d. * * * * * POPULAR PART SONGS. 1. Merrily goes the Mill, by T. B. Southgate, 1d. 2. Take, O Take those Lips away, Part Song for S.A.T.B. by Claude E. Cover, A.R.C.O., 1-1/2d. 3. Pack Clouds Away, for S.A.T.B., by Claude E. Cover, A.R.C.O., 2d. 4. Summer Roses, for S.A.T.B., by G. Rayleigh Vicars, 2d. 5. Erin, Dear Erin, for T.A.T.B., by Churchill Sibley, 2d. 6. Caledonia! Land o' the Rocky Dell, for S.A.T.B., by Churchill Sibley, 3d. * * * * * =_TO ALL MUSICIANS._= --Here is something worth reading and when you =[Special price see below.]= have read it send for a copy without delay. The Publisher of The Musical Standard has secured the whole of the copies left unsold at =14=/-net by Messrs. S. Low, Marston and Company, Ltd., of the work entitled THE NATIONAL PORTRAIT GALLERY OF BRITISH MUSICIANS. BY JOHN WARRINER, MUS.D., TRINITY COLLEGE, DUBLIN. INTRODUCTION BY JOSEPH BENNETT. =Over 500 Photo Portraits= Of well-known and eminent living Musicians of Great Britain and Ireland, with short Biographical notice of each. The Whole Bound in One Handsome oblong folio Volume, cloth lettered. Offered for 7/6 post free (or 8/-post free abroad). * * * * * KING'S ROYAL ALBUMS, Nos. 1 and 2. NATIONAL AND PATRIOTIC SONG ALBUM. With Pianoforte Accompaniment. In 2 Bks., 1s. each. BOOK 1. BOOK 2. God Save the King Hearts of Oak God Bless the Prince of Wales Stand United There's a Land (Dear England) The Cause of England's Greatness Victoria The Last Rose of Summer God Bless our Sailor Prince The Leather Bottle Here's a Health unto His Majesty Home, Sweet Home Lord of the Sea Three Cheers for the Red, White Roast Beef of Old England and Blue The Blue Bells of Scotland The Minstrel Boy Tom Bowling The British Grenadiers Come Lassies and Lads Auld Lang Syne Ye Mariners of England Rule Britannia The Bay of Biscay * * * * * King's Royal Albums, No. 3. Price 1/- 10 MARCHES FOR THE PIANO. BY J. P. SOUSA. 1. The Washington Post. 6. The Corcoran Cadets. 2. Manhatton Beach. 7. Our Flirtation. 3. The Liberty Bell. 8. March past of the Rifle Regiment. 4. High School Cadets. 9. March past of the National Fencibles. 5. The Belle of Chicago. 10. Semper Fidelis. * * * * * King's Royal Album, No. 4. Price 1/- SIX ORGAN PIECES FOR CHURCH USE. EDITED BY WILLIAM SMALLWOOD. With Ped. Obb., Selections from rarely known works. 1. Moderato con moto 4. Andante Religioso 2. Adagio Expressivo 5. Andante con moto 3. Andante Moderato 6. Lento Cantabile * * * * * King's Royal Album, No. 5. Price 1/- SMALLWOOD'S ESMERALDA ALBUM FOR PIANO. Belgium (Galop). Esmeralda (Transcription on Belle of Madrid (Tempi di Polka). Levey's Popular Song). Emmeline (Galop). Placid Stream (Morceau). The Seasons (Galop). * * * * * King's Royal Album, No. 6. Price 6d. BALFE'S ROSE OF CASTILLE, 6 FAVOURITE MELODIES, easily arranged for the Pianoforte by E. F. Rimbault. 1. Convent Cell (The). 2. 'Twas Rank and Fame. 3. Tho' fortune darkly o'er me frown. 4. I am a simple Muleteer. 5. I'm not the Queen. 6. List to the Gay Castanet. * * * * * King's Royal Album, No. 7. Price 1s. 10 MARCHES. By J. P. SOUSA. Arranged for Mandoline and Piano. 1. The Washington Post. 6. The Corcoran Cadets. 2. Manhatton Beach. 7. Our Flirtation. 3. The Liberty Bell. 8. March past of the Rifle Regiment. 4. High School Cadets. 9. March past of the National Fencibles. 5. The Bell of Chicago. 10. Semper Fidelis. * * * * * King's Royal Album, No. 8. Price 1s. 10 MARCHES. By J. P. SOUSA. Arranged for Banjo and Piano. (Contents as No. 7.) * * * * * King's Royal Album, No. 9. Price 1s. 10 MARCHES. By J. P. SOUSA. Arranged for Violin and Piano. (Contents as No. 7.) * * * * * King's Royal Album, No. 10. Price 1s. 10 MARCHES. By J. P. SOUSA. Arranged for American Organ. (Contents as No. 7.) * * * * * King's Royal Album, No. XI. GRIEG'S "PEER GYNT" SUITE. 1. Dance of the Gnomes. 4. Amitrass' Dance. 2. Ases Death. 5. Solvejags Song. 3. Morning. * * * * * King's Royal Album, No. 12. GRIEG'S LYRISCHE STUCKE AND NORWEGIAN BRIDAL PROCESSION. 1. Arietta. 5. Popular Melody. 2. Waltzer. 6. Norwegian Melody. 3. Watchman's Song. 7. National Song. 4. Fairy Dance. 8. Norwegian Bridal March. * * * * * King's Royal Album, No. 13. GRIEG'S FOUR HUMOURESKES, MINUETS AND FUNERAL MARCH. * * * * * King's Royal Album, No. 14. HIAWATHA MANDOLINE ALBUM. ARRANGED BY SYDNEY OSBORNE. 1. Hiawatha Cake Walk 5. Over the Waves Waltz 2. Minnehaha Cake Walk 6. Donau Wellen Waltz 3. Alice Where Art Thou 7. Blue Danube Waltz 4. Kathleen Mavourneen * * * * * King's Royal Album, No. 15. ORIGINAL VOLUNTARIES FOR AMERICAN ORGAN OR HARMONIUM. BY EDWIN M. FLAVELL. 1. Andante con Moto 6. Prayer 2. Evensong 7. Canzonetta 3. March in F 8. A Call to Battle 4. Chorale 9. Souvenir 5. A Plaintive Song 10. Allegro * * * * * King's Royal Album, No. 16. 12 VOLUNTARIES FOR THE AMERICAN ORGAN OR HARMONIUM. BY J. E. NEWELL. 1. Postludium 7. Offertoire 2. Communion 8. Andante Piacevole 3. Andante con Moto 9. Morning Prayer 4. Prelude 10. Loud Voluntary 5. Diapason Movement 11. Sketch 6. Faith "Melody" 12. Recessional March * * * * * MODERN CHURCH MUSIC. 1. Easter Anthem, "Jesus Lives!" by Rev. T. Herbert Spinney, price 2d. 2. Anthem for Whitsuntide and General Use, "Come Holy Ghost our Souls Inspire," by Thomas Adams, F.R.C.O., price 2d. 3. Story of the Ascension, by Rev. John Napleton, price 1-1/2d. 4. Anthem, "God so Loved the World," by J. Jamouneau, price 2d. 5. Magnificat in B flat, by Thomas Adams, F.R.C.O., Price 3d. 6. Nunc Dimittis in B flat, by Thomas Adams, F.R.C.O., Price 2d. 7. Four Kyries, by Charles Steggall, Berthold Tours, E. J. Hopkins, J. M. W. Young, price 1-1/2d. 8. Te Deum, by T. E. Spinney, 1-1/2d. 9. Anthem, "I am the Good Shepherd," by G. Rayleigh Vicars, 2d. 10. Story of the Cross, Music by H. Clifton Bowker, 2d. 12. Story of the Cross, Music by Dr. Geo. Prior, 2d. 13. The Lord's Prayer, Music by Ernest Austin, 2d. * * * * * AMERICAN ORGAN, Folio, Edited by Alfred Whittingham, in Six Books, 1s. each, complete paper covers, 3s., cloth bound, 5s. * * * * * PIANOFORTE (SOLO). Coon Band Contest, Cake Walk, by Arthur Pryor, 2s. Lefebure-Wely's St. Sulpice. Reminiscence by W. SMALLWOOD, 1s. 6d. Album Leaves: Pianoforte Sketches, without Octaves, by F. W. Davenport, 1s. 6d. each Number. No. 1. Waltz in F Dance in G No. 2. A Little Fugue in F minor Caprice in C No. 3. Prelude in G Melody in G No. 4. Sonatina in C Tschaikowsky's 1812 Overture, arr. by E. Evans, 2s. Amarylliss, Morceaux de Salon, by Leonard Gautier, 1s. 6d. Tschaikowsky's Casse Noisette Suite, arr. by E. Evans, 2s. Grand Festival March, "Illogan," by H. C. Tonking, 2s. * * * * * PIANOFORTE (4 HANDS.) Tschaikowsky's 1812 Overture, arr. from the Full Score by E. Evans, 3s. Tschaikovsky's Casse Noisette Suite, arr. by E. Evans, 3s. * * * * * VIOLIN. A Selection of Favourite Airs arranged for the Violin by Henry Farmer, complete 1s. 6d., Piano Acc. /ad lib./ 2s. 6d. CONTENTS. 1. Theme. Variations (Mozart). 2. With Verdure Clad (Haydn). 3. German Shepherd's Song and Rataplain (Figlia del Reggimento). 4. Da Qual di (Anna Bolena), Souave Immagine (Mercadante). 5. Mecco tu Vieni (La Straniera). * * * * * VIOLIN AND PIANO. Grand Festival March, "Illogan," by H. C. Tonking, 2s. * * * * * MANUSCRIPT MUSIC PAPER. /(a)/ 12 Staves, roy. 8vo (10 by 6-1/2) ruled plain in quires (120 sheets), the lot 2/6. This is pre-eminently the Musical Students' Paper, as it is light, portable, smooth and easy to write upon; each sheet, too, will hold a large quantity of matter. There is no paper better suited for Exercises on Counterpoint and Harmony. /(b)/ 12 Staves, oblong, folio (14 by 10), ruled in groups of 3 staves or Organ Music, 5 quires (120 sheets), the lot, 5/- The paper is of the same size as ordianry oblong folio, Organ Music, /e.g./, English Organ Music, Best's Arrangements, etc. /(c)/ 12 Staves, folio, music size (10 by 14), 5 quires (120 sheets), the lot 5/- Exactly the same in size as ordinary folio printed music so that upon it Songs of Organ Pieces may be written just as they are to be printed. It is a very useful paper, as Manuscript music written on it can be bound with Printed Music. /(d)/ 12 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), the lot 3/6. /(e)/ 12 Staves, oblong quarto (9-1/4 by 11-3/4), 5 quires (120 sheets), the lot 3/6. /(f)/ 12 Staves, folio music size (10 by 14), 5 quires (120 sheets), the lot 5/- /(g)/ 12 Staves, folio music size (ruled even), 10 by 14, 5 quires (120 sheets), the lot 5/- /(h)/ 14 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), the lot 3/6. * * * * * THE ORGANIST'S QUARTERLY JOURNAL. Of Original Compositions. Founded by DR. Wm. SPARK, Late Organist, Town Hall, Leeds. Price 5/-each, or Subscription, 10/6 for 4 issues. New Series, Volume, containing 160 large pages, all with /ped. obb./, bound in cloth, 18/s./ =Part 12, New Series.= 1. IN MEMORIAM REV. GEOF. C. RYLY, M.A., Mus. Bac. Oxon. 2. TOCCATA G. B. POLLERI. 3. OVERTURE from Epiphany ALFRED KING, M.D. =Part XI., New Series.= 1. PRELUDE AND FUGUE WITH POSTLUDE E. A. CHAMBERLAYNE. 2. PRELUDE AND FUGUE F. YOUNG. 3. FUGUE ARCHIBALD DONALD. 4. FUGUE WILLIAM HOPE. =Part 10, New Series.= 1. FUGUE ARCHIBALD DONALD. 2. PRELUDE AND FUGUE WITH POSTLUDE E. A. CHAMBERLAYNE. 3. PRELUDE AND FUGUE F. YOUNG. =Part 9, New Series.= 1. ANDANTE CON MOTO W. A. MONTGOMERY, L.T.C.L. 2. FANTASIA in E minor CUTHBERT HARRIS, Mus. B. 3. POSTLUDE at Ephes. V. v. 19. Si tibi placeat, Mihi con displicet W. CONRADI,(Y. of B. 1816), Paul's Org. St. Church, Schwerin i/m Germany. 4. HARVEST MARCH HENRY J. POOLE. =Part 8, New Series.= 1. SCHERZO MINUET W. MULLINEUX, Organist of the Town Hall, Bolton. 2. INTRODUCTION to the Hymn on the Passion, "O Haupt Voll Blut und Wunden" W. CONRADI. Organist Paul's Church, Schwerin, Germany. 3. THESIS AND ANTITHESIS, or DISPUTE, APPEASEMENT, CONCILIATION. W. CONRADI, Organist Paul's Church, Schwerin, Germany. 4. CARILLON in E CUTHBERT HARRIS, Mus.B., F.R.C.O., &c. 5. ANDANTE "Hope" INGLIS BERVON. 6. ORCHESTRAL MARCH in C JAMES CRAPPER, L.Mus., Organist of the Parish Ch., Kirkcudbright. =Part 7, New Series.= 1. ANDANTE GRAZIOSO in G CHAS. E. MELVILLE, F.R.C.O. 2. POLISH SONG, Arranged for the organ by PERCIVAL GARRETT. CHOPIN. 3. INTRODUCTION, VARIATIONS, AND FINALE on the Hymn Tune "Rockingham." CH. R. FISHER, Mus. B. 4. TWO SOFT MOVEMENTS W. C. FILEY, I.S.M. 1. "Espérance." 2. "Tendrerse." 5. ANDANTE in A flat W. GRIFFITHS, Mus. B., Org. of St. Sepulchre Church, Northampton. 6. FUGUE, 4 Voice, 3 Subjects DR. J. C. TILLY. =Part 6, New Series.= 1. CON MOTO MODERATO IN C ORLANDO A. MANSFIELD, Mus.B., F.R.C.O. 2. TEMPO DI MENUETTO GEO. H. ELY. 3. DIRGE IN MEMORIAM, REGINALD ADKINS J. E. ADKINS, F.R.C.O. 4. ANDANTE in F R. H. HEATH. 5. ABERYSTWYTH OFFERTOIRE J. G. MOUNTFORD. 6. ANDANTE in D (Prière) E. Evelyn BARRON, M.A. =Part 5, New Series.= 1. ALLEGRETTO SCHERZANDO in A flat W. E. ASHMALL. 2. ANDANTE RELIGIOSO in G DR. J. BRADFORD. 3. MARCH POMPOSO in E flat CHARLES DARNTON. 4. ANDANTE CON MOTO "Twilight" CH. R. FISHER, Mus.B. 5. MINUET In F W. E. BELCHER, F.R.C.O. =Part 4, New Series.= 1. ANDANTE MODERATO F. READ. 2. PRELUDE AND FUGUE in D minor E. A. CHAMBERLAYNE. 3. SKETCH ARTHUR GEO. COLBORN. 4. FUGUE JAMES TURPIN. 5. ALLEGRO CHARLES H. FISHER. 6. MARCHE MYSTIQUE THEME BY ROLAND, DE LASSUS.--A Relic of Ancient Times. =Part 3, New Series.= 1. MINUET AND TRIO in F ED. J. BELLERBY, Mus. B., Oxon. 2. "DUNDEE" ("or French") JOHN P. ATTWATER. 3. ADAGIO. An Elegy in G minor CHAS. R. FISHER, Mus. B. 4. ANDANTE, A major F. HONE. 5. ALLEGRO, D minor GEO. MINNS (Ely). =Part 2, New Series.= 1. TOCCATA FANTASIA (/Study in C minor/) E. T. DRIFFIEL. 2. ANDANTE GRAZIOSO W. FAULKES. 3. MARCHE FUNEBRE ARTHUR WANDERER. 4. ANDANTE SEMPLICE E. A. CHAMBERLAYNE. 5. FESTAL MARCH A. W. KETELBEY. =Part 1, New Series.= 1. OFFERTOIRE in A minor FRED. W. DAL (Leipzig). 2. SECOND FANTASIA on SCOTCH AIRS WILLIAM SPARK. 3. ADESTE FIDELES (with Variations and Fugue) CHARLES HUNT. 4. INTERMEZZO G. TOWNSHEND DRIFFIELD. =Part 103 (Old Series).= 1. POSTLUDE in G FREDERICK W. HOLLOWAY, F.C.O. 2. SUITE: NO. 1, PRELUDE; NO. 2, BERCEUSE; NO. 3, TOCCATA LAURENT PARODI (Genoa). 3. NOCTURNE WILLIAM LOCKETT. 4. ANDANTE PASTORALE in B minor JACOB BRADFORD, Mus. D., Oxon. 5. INTRODUCTORY VOLUNTARY ALBERT W. KETELBEY. 6. FUGUE R. J. ROWE, L.R.A.M. LONDON: WILLIAM REEVES, 83, CHARING CROSS ROAD, W. * * * * * Note the Price, PENCE not SHILLINGS. POPULAR AND COPYRIGHT MUSIC. Full Music Size, Well Printed and Critically Correct. ISSUED BY WILLIAM REEVES. 2^D (Postage 1/2d. each.) (Postage 1/2d. each.) 2^D VOCAL. 273. Alice where art thou? /J. Ascher/ 396. Always do as I do /Tinney/ 174. Angels at the Casement, A flat /W. M. Hutchison/ 105. Banner of the King /H. Fortesque/ 172. Barney O'Hea /S. Lover/ 224. Bay of Biscay /J. Davey/ 181. Border Lands (Sacred) /Miss Lindsay/ 180. Borderer's Challenge /H. J. Stark/ 390. Cat in the Chimney /L. Kingsmill/ 392. Child's Good Morning /O. Barri/ 391. Child's Good Night /O. Barri/ 383. Come into the Garden Maud /Balfe/ 184. Crossing the Brook /Edith Cooke/ 389. Dawn of Heaven /Buonetti/ 188. Diver, The /E. J. Loder/ 384. God Save the King /Dr. Jno. Bull/ 226. Hearts of Oak /Dr. W. Boyce/ 100. Honey Are You True to Me (Coon Song) /Lindsay Lennox/ 266. Kathleen Mavourneen /Crouch/ 213. Lady Clara Vere de Vere /Miss Lindsay/ 404. Last Good Bye to Mother /C. Dargan/ 227. Last Rose of Summer /Thos. Moore/ 215. Listen /A. H. Behrend/ 249. Maggie's Promise /W. Gordon/ 115. Sharing the Burden /J. E. Webster/ 225. Tom Bowling /C. Dibdin/ 236. When other Lips (Then you'll remember me) /Balfe/ VOCAL DUETS. 190. Flow on thou Shining River /Sir J. Stevenson/ 116. Gipsy Countess /Glover/ PIANOFORTE. 118. A la Valse /Roeckel/ 275. Alice where art thou? (easily arr. by) /Percy E. Douglas/ 278. Army and Navy March /Henzell/ 457. Au Village /Tschaikowsky/ 268. Battle March (Delhi) /Pridham/ 373. Belgium Galop /Smallwood/ 437. Belle of Chicago March /J. P. Sousa/ 122. Berceuse /Roeckel/ 376. Blumenlied /Gustav Lange/ 379. Bridal Chorus and Wedding March /Wagner/ 453. Cadet Two Step (easily arranged) /Alard/ 142. Charming Mazurka /Gungl/ 456. Chanson Triste /Tschaikowsky/ 456. Chant sans Paroles /Tschaikowsky/ 393. Chinese Patrol March /D. Pecorini/ 243. Cloches du Monastere /Lefebure-Wely/ 458. Coon Band Contest /A. Pryor/ 438. Corcoran Cadets March /J. P. Sousa/ 125. Corricolo Galop (Easily arranged) /L. Mullen/ 377. Edelweiss /Gustav Lange/ 374. Emmeline Galop /Smallwood/ 308. Fille du Regiment /Oesten/ 167. Flying Dutchman (La Vaisseau Fantome) /Wagner/ 244. Forward March /E. H. Sugg/ Four Humoresques: 206. Valse in D, No. 1 /Grieg/ 207. Minuetto in A minor, No. 2 /Grieg/ 208. Allegretto, No. 3 /Grieg/ 209. Allegro Alla Burla, No. 4 /Grieg/ 210. Funeral March /Grieg/ 305. French Air (Marseillaise) /Eric Stapleton/ 306. German Air (Watch on Rhine) /Eric Stapleton/ 264. Gipsies' March /C. Heins/ 252. Grand March (arr. by P. E. Douglas) /Blake/ 151. Grand March of the Warriors /H. V. Lewis/ 276. Hiawatha Cake Walk, (arr. by P. E. Douglas) /Moret/ 436. High School Cadets March /J. P. Sousa/ 304. Irish Air (Last Rose of Summer) /Eric Stapleton/ 303. Italian Air (Ah che la Morte) /Eric Stapleton/ 288. Japanese National Hymn, Harmonized by Sydney Osborne. 133. Kassala Gavotte /H. Wilcock/ 270. Kathleen Mavourneen /P. E. Douglas/ 171. Khartoum Quick March /F. P. Rabottini/ 286. King's Own March /Warwick Williams/ 246. Liberty Bell March /Sousa/ 135. Little Dear Gavotte /F. Astrella/ 162. Lohengrin /Wagner/ 136. Maiden's Prayer /Badarazewska/ 435. Manhattan Beach March /J. P. Sousa/ 137. March in E flat /J. B. Mallett/ 441. March Past of the National Fencibles /J. P. Sousa/ 440. March Past of the Rifle Regiment /J. P. Sousa/ 140. May-Day Galopade /J. Gungl/ 141. Mazurka /Badarazewska/ 143. Melodie /Roeckel/ 247. Melody in F /Rubinstein/ 211. Minuetto (from E minor Sonata) /Grieg/ 163. Mountain Echo March /G. Gariboldi/ 385. Narcissus /Nevin/ 439. Our Flirtation March /J. P. Sousa/ 147. Placid Stream /Smallwood/ 103. Queenie (Intermezzo) /P. D'Orsay/ 165. Rienzi /Wagner/ 253. Robin's Return (arr. by P. E. Douglas) /Fischer/ 148. Scherzino /Roeckel/ 301. Scotch Air (Blue Bells of Scotland) /Eric Stapleton/ 375. Seasons Galop /Smallwood/ 442. Semper Fidelis /J. P. Sousa/ 196. Silvery Echoes /Blake/ 394. Soldiers' Chorus (Faust) /Gounod/ 381. Sonatina in F /Beethoven/ 380. Sonatina in G /Beethoven/ 302. Spanish Air (Dance) /Eric Stapleton/ 378. Stephanie Gavotte /A. Czibulka/ 166. Tannhauser /Wagner/ 150. Tarantella /L. B. Mallett/ 290. Washington Post March (easy) /J. P. Sousa/ 454. White Wings (Transcription) /Smallwood/ 291. Woodland Echoes /Wyman/ PIANO DUETS. 367. Come o'er the Stream Charlie /A. Mullen/ 371. From Greenland's Icy Mountains /A. Mullen/ 372. I'd Choose to be a Daisy /A. Mullen/ 154. Maiden's Prayer /Badarazewka/ 156. March of the Cameron Men /A. Mullen/ 155. Marche des Croates /A. Mullen/ 159. Minnie, or Lilly Dale /A. Mullen/ 353. Silvery Waves (Wyman) /Andre/ DANCE. 388. Amorosa Mazurka /A. H. Oswald/ 387. Blue Bells Schottische /S. Leslie/ 262. Blue Danube Waltz /Strauss/ 382. British Army Polka /Alec Carlton/ 285. City Polka /J. D. Wimpenny/ 161. Cosmopolitan Quadrille /L. Gautier/ 127. Cyprus Polka /Scotson Clark/ 402. Donau Wellen Waltz (Easily arr. by) /Percy E. Douglas/ 101. Electric Waltz /H. Klein/ 397. Esmeralda Waltz (easily arranged) /S. Osborne/ 395. Fancy Dress Ball Quadrille /Rosenberg/ 413. Faust Waltz (arr. by P. E. Douglas) /Gouno/ 250. Flora Waltz /W. Gordon/ 386. Horse Guards Schottische /S. Leslie/ 102. Lucifer Polka /H. Klein/ 251. Niagara Waltz /Vorzanger/ 144. Munich Polka /Jos. Gungl/ 403. Olympia Schottische /Sydney J. Smith/ 254. Over the Waves (Sobra las Olas) /Rosas/ 366. Roseland Waltz /Marietta Lena/ 415. Sweetheart Polka /Gounod/ 265. Vinolia Schottische /P. Lester/ 268. Woodland Whispers Waltz /Stanley/ VIOLIN AND PIANO. 256. Campbells are Coming /A. Mullen/ 257. British Grenadiers /A. Mullen/ 258. A Life on the Ocean Wave /A. Mullen/ 259. Hearts of Oak /A. Mullen/ 260. Ivy Green /A. Mullen/ 261. Red, White and Blue /A. Mullen/ 317. Ben Bolt /A. Mullen/ 312. Low Back'd Car /A. Mullen/ 313. Sprig of Shillelagh /A. Mullen/ 314. March from Norma /A. Mullen/ 315. March, Guillaume Tell /A. Mullen/ 316. Lass O'Gowrie /A. Mullen/ 284. Réverie (E min.) /W. Vinnicombe/ VIOLIN. 170. March St. Olave /F. James/ MANDOLINE AND PIANO. 274. Alice where art Thou? 407. Belle of Chicago March /J. P. Sousa/ 406. Blue Danube Waltz /Strauss/ 416. Cadet Two Step (arranged) /Alard/ 408. Corcoran Cadets March /J. P. Sousa/ 272. Donau Wellen Waltz /Ivanovici/ 414. Faust Waltz and Flower Song /Gounod/ 277. Hiawatha Popular Cake Walk /Neil Moret/ 401. High School Cadets March /J. P. Sousa/ 289. Honey are you true /Sydney Osborne/ 267. Kathleen Mavourneen /Crouch/ 399. Liberty Bell March /J. P. Sousa/ 400. Manhattan Beach March /J. P. Sousa/ 411. March Past of the National Fencibles /J. P. Sousa/ 410. March Past of the Rifle Regiment /J. P. Sousa/ 255. Oceana Schottische /W. H. Stevens/ 279. Over the Waves /Rosas/ 409. Our Flirtation March /J. P. Sousa/ 412. Semper Fidelis March /J. P. Sousa/ 398. Washington Post March /J. P. Sousa/ BANJO AND PIANO. 429. Belle of Chicago March /J. P. Sousa/ 406. Cadet Two Step (arranged) /Alard/ 430. Corcoran Cadets March /J. P. Sousa/ 428. High School Cadets March /J. P. Sousa/ 419. Liberty Belle March /J. P. Sousa/ 418. Manhattan Beach March /J. P. Sousa/ 433. March Past of the National Fencibles /J. P. Sousa/ 432. March Past of the Rifle Regiment /J. P. Sousa/ 431. Our Flirtation March /J. P. Sousa/ 434. Semper Fidelis March /J. P. Sousa/ 417. Washington Post March /J. P. Sousa/ * * * * * THE VIOLIN TIMES, Monthly, 2d., (by post 2-1/2d,) /Edited by E. POLONASKI/. /=Abroad, 3s.=/ /=Subscription, 2s, 6d., per Year=/ Covers for binding 2s. each. VOLS. 1 TO 8, BOUND, PRICE 6/-EACH. Index 2d. each. /Illustrated Supplements have appeared Including the following/ (/2-1/2d. each./) PORTRAITS. VOL. 8. Prof. and Mrs. Holloway and Family Eugene Polonaski Hugo Kupferschmidt Dr. Joachim Anton Schumacher William Christ Basle M. Coward-Klee Dettmar Dressel The Joachim Quartet Kubelik C. M. Hawcroft VOL. 7. W. A. Mozart Miss Kate Lee R. Peckotsch Gordon Tanner Eugene Meier W. V. Fisher Paganini T. B. Parsons Joseph Guarnerius del Gesu Violin, 1733 VOL. 6. Pierre Baillot C. A. de Beriot J. R. Bingley Ole Bull Arcangelo Corelli Ferdinand David Elderhorst Quartette H. Wilhelm Ernst Miss Muriel Handley Miska Hauser M. Paganini Louis Spohr A. Stradivarius H. Vieuxtemps G. Viotti VOL. 5. T. G. Briggs Cologne Gurzenich Quartette Wm. Henley Miss Leonora Jackson J. Koh-Alblas A. Oppenheim (violinist) A. Oppenheim (pianist) Mdlle. Jeanette Orloff Dr. H. Pudor C. L. Walger W. E. Whitehouse Miss Gladys May Hooley J. Harold Henry Adolphe Pollitzer Mdlle. Edith Smith John Dunn Heinrich Maria Hain Edina Bligh I. B. Poznanski Rene Ortmans A. Simonetti W. Ten Have Mdlle. Wietrowitz Miss Hildegard Werner Fred Furnace Miss Kathleen Thomas M. Césare Thomson F. Whiteley H. Lyell Tayler Stanley W. G. Barfoot G. de Angelis Marcello Rossi FACSIMILES AND PICTURES. Paganini on his Death-bed Letter of Ch. de Bériot Letter of Camillo Sivori Defeasance of a bond by Roger Wade Crowder Viola di Gamba by Carlo Bergonzi, 1713 Facsimile Labels in Nos. 32, 34, 35, 37, 505, 58 Lira da Gamba, by Linarolo, reproduction of Painting by Tintoretto David Techler's Viola Stradivari's Scroll Jacob Stainer's House * * * * * Books on Freemasonry Published by W. REEVES, 83, Charing Cross Road, W.C. 12mo, red cloth, gilt, 323 pp., 3/6. =Carlile (R.), Manual of Freemasonry=, containing the First Three Degrees, The Royal Arch and Knights' Templar Druids, The Degrees of Mark Man, Mark Master, Architect, Grand Architect., etc., etc. * * * * * 12mo, blue cloth, gilt, 374 pp., 3/6. =Fellows (J.), Mysteries of Freemasonry=; or, An Exposition of the Religious Dogmas and Customs of the Ancient Egyptians; showing, from the origin, nature and objects of the rites and ceremonies of remote antiquity, their identity with the Order of Modern Masonry, with some remarks on the Metamorphosis of Apuleius, /with numerous woodcuts/. * * * * * 12mo, green cloth, gilt, 254 pp., 3/6. =Ritual and Illustrations of Freemasonry=, /accompanied by very numerous engravings/, and a Key to the Phi Beta Kappa. * * * * * 8vo, sewed, 26 pp., 1/- =Investigation into the Cause of the Hostility of the Church of Rome to Freemasonry=, and an Inquiry into Freemasonry as it Was, and Is: with Criticism as to how far the Order fulfils its Functions, by Author of "Text Book of Freemasonry." * * * * * Post 8vo, sewed, 48 pp., 1/- =Joachin and Boaz=; or, an Authentic Key to the Door of Freemasonry, both Ancient and Modern. * * * * * Post 8vo, sewed, 50 pp., 1/- =Three Distinct Knocks at the Door of the Most Ancient Freemasonry.= * * * * * 8vo, sewed, 1/- =The Origin of Freemasonry=, or the 1717 Theory Exploded by C. J. Paton. * * * * * 8vo, paper, 2/6 (post free 3/-) =Weisse (John A.), The Obelisk of Freemasonry=, according to the Discoveries of Belzoni and Commander Gorringe: also Egyptian Symbols compared with those discovered in American Mounds. * * * * * Fifth thousand, 12mo, cloth 1/-/net/. =Pocket Lexicon of Freemasonry=, by W. J. Morris 18^o P.D.D.G.M., St. Lawrence, District and Past Inspector Gen. Royal and Select Masters. * * * * * 12mo, cloth, 62 pp., 2/- =Fox (T. L.), Freemasonry=; An Account of the Early History of Freemasonry in England, with Illustrations of the Principles and Precepts advocated by that Institution. /The above/ POST FREE /on receipt of remittance for price named/. * * * * * 12mo, blue cloth, red edges, 270 pp., 5/- =Text Book of Freemasonry=; a Complete Handbook of Instruction to all the Workings in the Various Mysteries and Ceremonies of CRAFT MASONRY, containing the Entered Apprentice, Fellow-craft, and Master Mason's degrees; the Ceremony of Installation of the W. Master and Officers of the Lodge, together with the whole of the Three Lectures; also the Ceremony of Exhaltation in the Supreme Order of the Holy Royal Arch, a Selection of Masonic Songs, etc., /illustrated with four engravings of the/ =TRACING BOARDS=, by "A Member of the Craft," new and revised edition. =Ditto, Ditto=, on thin paper, bound in leather pocket-book style, 5s. =The Three Tracing Boards=, in 12mo, cloth line, 1s. 6d. * * * * * Post 8vo, cloth, 10/-(or crimson calf limp, gilt edges, 15/-net.) =Text Book of Advanced Freemasonry=, containing for the self-Instruction of Candidates, the COMPLETE RITUALS of the HIGHER DEGREES, viz., Royal Ark Mariners, Mark Master, Royal Arch, Red Cross of Rome and Constantinople, Knights' Templar and Rose Croix de Heredom; also Monitorial Instructions on the 30th to the 33rd and last degree of Freemasonry, to which are added Historical Introductions and Explanatory remarks by the Author of the "Text Book." * * * * * MASONIC SONGS AND POEMS BY BARDS CHIEFLY OF THE 19th AND 20th CENTURIES COMPILED BY A. C. STEPHEN. * * * * * Third Edition, 8vo. boards, cloth back, =6/-net= (by post 6/4.) THE INTERNATIONAL DIRECTORY OF PATENT AGENTS. NEW AND ENLARGED EDITION (/the third/), Contains over =4000= Patent Agents, practising in all parts of the world. Arranged Alphabetically, and, also Geographically. London: W. Reeves, 83, Charing Cross Road, W.C. * * * * * The Set of 15 Numbers 2/6 post free. Or 2d. each (Post free 2-1/2) PARISH CHURCH MUSIC. A Collection of Original, Practical, Modern Compositions--Tunes, Canticles, Chants, etc., for use in "Choirs and Places where they Sing.":-- No. 1.--Ten Tunes to the Hymn, "=ABIDE WITH ME=," including Three Prize Tunes. No. 2.--Ferial Confession, "=STORY OF THE CROSS=," Choir Prayers with Antiphon, by G. E. Lake. No. 3.--Five Tunes to the Hymn, "=ROCK OF AGES=," including Three Prize Tunes. No. 4.--Six Quadruple Chants for the "=TE DEUM=," including the Three Prize Tunes. No. 5.--Ten Tunes to the Hymn, "=SUN OF MY SOUL=," including Three Prize Tunes. No. 6.--Ten Tunes to "=JERUSALEM THE GOLDEN=," including Three Prize Tunes. No. 7.--Six Tunes to the Hymn "=NEARER MY GOD TO THEE=," including the Three Prize Tunes. No. 8.--Eleven Tunes to the Hymn, "=HARK, HARK, MY SOUL=," including Three Prize Tunes. No. 9.--Six Tunes to the Hymn "=LEAD KINDLY LIGHT=," including the Three Prize Tunes. No. 10.--Four Tunes to the Hymn, "=JESUS, LOVER OF MY SOUL=," including the Three Prize Tunes. No. 11.--Five Tunes to the Hymn, "=LO! HE COMES WITH CLOUDS DESCENDING=," including the Three Prize Tunes. No. 12.--Five Tunes to the Hymn, "=I HEARD THE VOICE OF JESUS SAY=," including the Three Prize Tunes. No. 13.--Six Tunes to the Hymn, "=FOR THEE, O DEAR, DEAR COUNTRY=," including the Three Prize Tunes. No. 14.--Four Tunes to the Hymn, "=O LOVE WHO FORMEDST ME TO WEAR=." No. 15.--Six Tunes to the Hymn, "=THE KING OF LOVE=," including Three Prize Tunes. * * * * * /Price _One Shilling_./ (/Cloth 1/6/) /Notes/ /on/ _CONDUCTORS_ AND _CONDUCTING._ /New and Enlarged Edition/ BY T. R. CROGER, F.R.G.S., F.Z.S., /With three Full-page Illustrations of the various "Beats," and Plan of an Orchestra/. "A mine of good things."--/Musical Opinion./ "One of the best guides to conducting."--/P. and M. T. Review./ * * * * * Weekly, with Supplement, 2d. THE "MUSICAL STANDARD," A NEWSPAPER FOR MUSICIANS, ... PROFESSIONAL AND AMATEUR. Gives Supplements of Illustrations of British and Foreign Organs, Portraits of Eminent Musicians, Organ Music, Violin Music, Anthems, Part Songs, Songs, Piano Pieces, SUBSCRIPTION, one year, 10s. 10d., six months, 5s. 5d. Abroad, one year, 13s., six months, 6s. 6d. /Illustrated Series/, Vols. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 & onward, bound in brown cloth, 5s. each. Handsome Covers for Binding, 1s. 6d. each, (by post 1s. 9d). Publishing and Advertising Offices: 83, CHARING CROSS ROAD, LONDON, W.C. * * * * * 1902-3 Edition. Paper, 2s. net: or Cloth, 3s. 6d. net. MUSICAL DIRECTORY /FOR GREAT BRITAIN AND IRELAND/. THE TRADES, PROFESSORS AND OTHERS CONNECTED WITH MUSIC, CHORAL SOCIETIES, STAFF OF CATHEDRALS, COLLEGES AND ABBEY CHURCHES, ETC. W. REEVES, 83, CHARING CROSS RD., LONDON, W.C. *** END OF THE PROJECT GUTENBERG EBOOK CATALOGUE OF WORKS LITERARY ART AND MUSIC *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.