The Project Gutenberg eBook of Hamewith This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Hamewith Author: Charles Murray Author of introduction, etc.: Andrew Lang Illustrator: R. Douglas Strachan Release date: March 9, 2016 [eBook #51412] Language: English *** START OF THE PROJECT GUTENBERG EBOOK HAMEWITH *** Produced by Al Haines. [Illustration: THIS IS THE ONLY FAULD: A GREEN YULE.] *HAMEWITH* BY CHARLES MURRAY With Introduction by ANDREW LANG and Two Illustrations by R. DOUGLAS STRACHAN LONDON CONSTABLE & COMPANY LTD. 1916 _Here on the Rand we freely grant_ _We’re blest wi’ sunny weather;_ _Fae cauld an’ snaw we’re weel awa,_ _But man, we miss the heather._ _JOHANNESBURG, S.A._ TO MY WIFE _*NOTE*_ _Some of these verses appeared originally in "The Scots Observer," "The National Observer," "Black and White," "The Outlook," "The Spectator," "Chambers’ Journal," and other papers; and a number of them were published in volume form in 1900 by Messrs. D. Wyllie and Son, Aberdeen. In the present collection many new poems appear for the first time._ *CONTENTS* Introduction Hamewith The Alien The Whistle Skeely Kirsty The Antiquary Jeames The Miller The Miller Explains The Packman The Lettergae Margaret Dods The Back o’ Beyont is Dry A Green Yule Hame Spring in the Howe o’ Alford The Hint o’ Hairst Winter R. L. S. Burns’ Centenary Fame The Ae Reward "My Lord" In the Gloamin’ The Maid o’ the Mill The Witch o’ the Golden Hair Arles Where Love was Nane The Deil an’ the Deevilock A Backcast The Lawin’ The Gypsy "Bydand" The Outlaw’s Lass Charon’s Song Virgil in Scots Horace in Scots. Car. I, 11 Horace in Scots. Car. I, 38 Horace in Scots. Car. II, 10 Horace in Scots. Car. III, 9 Horace in Scots. Car. III, 15 Horace in Scots. Car. III, 26 Horace in Scots. Epod. II The Remonstrance The Reply Scotland our Mither Glossary *INTRODUCTION* Whence arose the popular belief that some persons impart luck to the books of other persons? The answer, if it were not a question of books but of other projectiles, would be (in savage society) that one man has more _maya_ or _wakan_ or _orenda_ than another; has more of a subtle, imponderable, potent, innermost, all-pervading something than another, and that he can communicate this gift, by luck or otherwise, to others. Thus in Rutuya a medicine man communicated his _maya_ to Colonel Gudgeon, to Lieutenant Grant, and other gentlemen, who then walked barefoot but unsinged over a floor of red-hot stones. Obviously our civilized faith in prefaces by other hands than the author’s (usually the better man), is part of the _orenda_ or _maya_ superstition or belief. Were I conscious of possessing _maya_ or luck, I would gladly impart it to all men, if all men were equally virtuous, like the teacher of the art of flying in "Rasselas," by Dr. Samuel Johnson. But I am so far from being conscious of possessing _maya_ that I only wish, if there be indeed a quantity of this transcendental ether, that some one who had plenty of it would write introductions for my books, which stand greatly in need of a supernormal "send off." Still they are not in quite such evil case as they would be were I a poet, for many a man and most women most justly disesteem their own capacity for reading verses. Indeed that art is now almost lost, and it is strange to think that there are probably to-day more persons who write verse than who read it. Poetry, like Christmas cards, is bought, not to keep, but to give away at Christmas, on birthdays, and, by economical friends of the bride, at weddings. There is always plenty of poetry in small volumes, in flabby leather covers, among the array of wedding presents. This offering is a survival: the idea of love is still connected with the writings of Tennyson and Browning, though experience tells us that the poetry-reading days of the pair end at the altar. The child of an earlier generation, I was capable of reading verses in my youth, and even now can do so, retaining at least that faculty of a dead world, just as the last Pict held the secret of "brewing the ale from the heather bell." Mr. Charles Murray’s ale (which is excellent) is all brewed from the heather bell, is pure Scots; and he sings the songs of our national Zion on "a distant and a deadly shore," that of the Transvaal—though this is a mere figure of speech, the Transvaal, like Bohemia, possessing at present no sea-coast. To the patriotic Scot there is somewhat affecting in the echoes of very rich Scots which reach us across the African continent and "seas that row between." To speak for myself, I am never so happy as when I cross the Tweed at Berwick from the South, or go on the links at Wimbledon Common, and hear the accents (for there are several, including that peculiar to Gourock) of my native tongue. These observes are quite genuine, and come from a Scot whose critics in England banter him on his patriotism, while his critics in Scotland revile him as rather more unpatriotic than the infamous Sir John Menteith, who whummled the bannock. The Scots of Mr. Murray is so pure and so rich that it may puzzle some patriots whose sentiments are stronger than their linguistic acquirements. The imitations of Horace are among the best extant, and Mr. Murray might take Professor Blackie’s advice, trying how far the most rustic idylls of Theocritus, say the "Oaristus," can be converted into the Doric of the Lowlands. If one may have favourites, among these is "The Packman," "The Howe of Alford," "The Hint o’ Hairst," "The Antiquary," and "The Lettergae." Does any Lettergae survive in this age of guilt when the harmonium pervades the kirks which our fathers purified from the Romish organ? Indeed, the poems beget a certain melancholy. "I am never merry when I hear sweet music" from a world that is dead or dying, the world of Scott and Hogg, the world that knew not polluted streams, and railways, and motor cars, and, worst of abominations, the gramophone. In a far-off land Mr. Murray retains the sentiment of that forgotten time, and is haunted by the scent of peat and bog myrtle, the sound of old words that now are strange, the poverty that was not the mate of discontent. _Enfin_ he has the secret of the last of the Picts, if indeed _he_ was the last, if they do not dwell with "The Secret Commonwealth of Elves, Fauns, and Fairies" in the secret places of the hills. Poetry more truly Scots than that of Mr. Murray is no longer written—was not written even by Mr. Stevenson, about "a’ the bonny U. P. Kirks," for in his verses there was a faint twinkle of the spirit of mockery. ANDREW LANG. *HAMEWITH* Hot youth ever is a ranger, New scenes ever its desire; Cauld Eild, doubtfu’ o’ the stranger, Thinks but o’ haudin’ in the fire. Midway, the wanderer is weary, Fain he’d be turnin’ in his prime Hamewith—the road that’s never dreary, Back where his heart is a’ the time. *THE ALIEN* In Afric’s fabled fountains I have panned the golden sand— Caught crocodile with baviaan for bait— I’ve fished, with blasting gelatine for hook an’ gaff an’ wand, An’ lured the bearded barbel to his fate: But take your Southern rivers that meander to the sea, And set me where the Leochel joins the Don, With eighteen feet of greenheart an’ the tackle running free— _I want to have a clean fish on._ The eland an’ the tsessebe I’ve tracked from early dawn, I’ve heard the roar of lions shake the night, I’ve fed the lonely bush-veld camp on dik-kop an’ korhaan, An’ watched the soaring vulture in his flight; For horn an’ head I’ve hunted, yet the spoil of gun and spear, My trophies, I would freely give them all, To creep through mist an’ heather on the great red deer— _I want to hear the black cock call._ In hot December weather when the grass is caddie high I’ve driven clean an’ lost the ball an’ game, When winter veld is burned an’ bare I’ve cursed the cuppy lie— The language is the one thing still the same; For dongas, rocks, an’ scuffled greens give me the links up North, The whins, the broom, the thunder of the surf, The three old fellows waiting where I used to make a fourth— _I want to play a round on turf._ I’ve faced the fremt, its strain an’ toil, in market an’ in mine, Seen Fortune ebb an’ flow between the "Chains," Sat late o’er starlit banquets where the danger spiced the wine, But bitter are the lees the alien drains; For all the time the heather blooms on distant Benachie, An’ wrapt in peace the sheltered valley lies, I want to wade through bracken in a glen across the sea— _I want to see the peat reek rise._ [Illustration: The Whistle] *THE WHISTLE* He cut a sappy sucker from the muckle rodden-tree, He trimmed it, an’ he wet it, an’ he thumped it on his knee; He never heard the teuchat when the harrow broke her eggs, He missed the craggit heron nabbin’ puddocks in the seggs, He forgot to hound the collie at the cattle when they strayed, But you should hae seen the whistle that the wee herd made! He wheepled on’t at mornin’ an’ he tweetled on’t at nicht, He puffed his freckled cheeks until his nose sank oot o’ sicht, The kye were late for milkin’ when he piped them up the closs, The kitlins got his supper syne, an’ he was beddit boss; But he cared na doit nor docken what they did or thocht or said, There was comfort in the whistle that the wee herd made. For lyin’ lang o’ mornin’s he had clawed the caup for weeks, But noo he had his bonnet on afore the lave had breeks; He was whistlin’ to the porridge that were hott’rin’ on the fire, He was whistlin’ ower the travise to the baillie in the byre; Nae a blackbird nor a mavis, that hae pipin’ for their trade, Was a marrow for the whistle that the wee herd made. He played a march to battle, it cam’ dirlin’ through the mist, Till the halflin’ squared his shou’ders an’ made up his mind to ’list; He tried a spring for wooers, though he wistna what it meant, But the kitchen-lass was lauchin’ an’ he thocht she maybe kent; He got ream an’ buttered bannocks for the lovin’ lilt he played. Wasna that a cheery whistle that the wee herd made? He blew them rants sae lively, schottisches, reels, an’ jigs, The foalie flang his muckle legs an’ capered ower the rigs, The grey-tailed futt’rat bobbit oot to hear his ain strathspey, The bawd cam’ loupin’ through the corn to "Clean Pease Strae"; The feet o’ ilka man an’ beast gat youkie when he played— Hae ye ever heard o’ whistle like the wee herd made? But the snaw it stopped the herdin’ an’ the winter brocht him dool, When in spite o’ hacks an’ chilblains he was shod again for school; He couldna sough the catechis nor pipe the rule o’ three, He was keepit in an’ lickit when the ither loons got free; But he aften played the truant—’twas the only thing he played, For the maister brunt the whistle that the wee herd made! *SKEELY KIRSTY* A stane-cast fae the clachan heid An auld feal dyke enclosed a reed O’ garden grun’, where flower an’ weed In spring grew first aye; An’ there the humble hauddin’ steed O’ Skeely Kirsty. Upon the easin’ sods a fou Thick-leaved an’ sappy yearly grew, Which, for a scrat or scabbit mou’, Beat aught in "Buchan"; An’ draughts fae herbs she used to brew That drank like brochan. To heal a heid, or scob a bane, To ease a neebour’s grippit wean, Or thoom a thraw, there wasna ane Could e’er come near her; Nae income, fivver, hoast, nor nane Would ever steer her. She cured for pleasure, nae for fees; Healed man an’ beast wi’ equal ease: She gae a lotion for the grease To Spence the carrier, That cured his mear, when the disease Gaed ower the farrier. Was there a corp to streck or kist, She aye was foremost to assist; She grat to think "how he’d be miss’t, Sae good and gifted"! Syne handed roon’ anither taste Afore they lifted. Ae morn grim Death—that poacher fell— Gat Kirsty in his girn hersel’; Nae epitaph her virtues tell, It needs nae vreetin’: On ae thing maistly Fame will dwell— Her gift o’ greetin’. *THE ANTIQUARY* A little mannie, nae ower five feet three, Sae bent wi’ eild he lookit less than that, His cleadin’ fashioned wi’ his tastes to ’gree, Fae hose an’ cuitikins to plaid an’ hat. His cot stob-thackit, wi’ twa timmer lums, A box-bed closet ’tween the but an’ ben, A low peat fire, where bauldrins span her thrums, Wat dried his beets, an’ smoked, an’ read his lane. The horn-en’ fu’ o’ craggins, quaichs, an’ caups, Mulls, whorls, an’ cruisies left bare room to stir; Wi’ routh o’ swourds an’ dirks a’ nicks an’ slaps, An’ peer-men, used langsyne for haudin’ fir. He’d skulls in cases, lest the mouldy guff Should scunner frien’s, or gather muckle flees; He’d querns for grindin’ either meal or snuft, An’ flints an’ fleerishes to raise a bleeze, Rowed in a cloutie, to preserve the glint; He had a saxpence that had shot a witch, Sae stark, she hadna left her like ahint For killin’ kye or giein’ fouk the itch. He kent auld spells, could trail the rape an’ spae, He’d wallets fu’ o’ queer oonchancie leems, Could dress a mart, prob hoven nowt, an’ flay; Fell spavined horse, an’ deftly use the fleems. He lived till ninety, an’ this deein’ wiss He whispered, jist afore his spirit flew— "Gweed grant that even in the land o’ bliss I’ll get a bield whaur some things arena new." *JEAMES* It’s but a fortnight since we laid him doon, An’ cut the sods to hap his narrow lair— On Sunday still the grass was dry an’ broon; An’ noo they’re up again the kist is bare, For Bell this day we e’en maun lay aboon, An’ face in fun’ral blacks the drift ance mair. Twa Fiersdays back she seem’d baith swak an’ strang, A’ day her clogs were clankin’ roon’ the closs; An’ tho’ an income she’d complained o’ lang It never kept her yet fae kirk or moss. Wha would hae thocht she’d be the next to gang That never grieved a grain at Jeames’s loss? It seem’d richt unco—faith, ’twas hardly fair, Just when he thocht to slip awa’ at last An’ drap for aye the trams o’ wardly care— The muckle gates aboon were barely fast Ere she was pechin’ up the gowden stair, An’ fleechin’ Peter till he let her past. When Jeames—I’se warrant ye, wi’ tremblin’ shins— Stands forrit, an’ they tak’ the muckle beuk To reckon up his shortcomes, slips, an’ sins, She’ll check the tally fae some canny neuk, An’ prod his memory when he begins Should there be ony he would fain o’erleuk. That Scuttrie Market when he was the waur— He thocht the better—o’ a drap o’ yill, An’ fell at Muggart’s door amo’ the glaur, Forgot the shaltie ower the hindmost gill, Syne stoitered aff alane, he kent nae whaur, An’ sleepit wi’ the sheep on Baadin’s hill. That Fast-day when he cawed an early load, When craps were late an’ weather byous saft, Instead o’ daund’rin to the Hoose o’ God An’ noddin’ thro’ "fourteenthly" in the laft; Or how he banned the Laird upon the road— His bawds an’ birds that connached sae the craft. Nae chance for him to discount or excuse The wee’est bit, wi’ her there keen to tell How a’ was true; but yet, gin he should choose To bid them look the credit side as well— Ae conter claim they canna weel refuse— The mony patient years he bore wi’ Bell. *THE MILLER* When riven wicks o’ mou’s were rife, An’ bonnets clad the green, Aye in the thickest o’ the strife Auld Dusty Tam was seen. Nae Tarlan’ man daur flout his fame Had he a chance to hear; The Leochel men slid canny hame When he cam’ aff his mear. At Scuttrie or at Tumblin’ Fair Nane ordered in sae free, Or kent sae weel the way to share A mutchkin amo’ three. An’ when he took the road at nicht, His bonnet some ajee, Ye seldom saw a baulder wicht— Till Isie met his e’e. She waited whaur the muirlan’ track Strikes wi’ the hamewith turn; An’ ower him there her anger brak’ Like some spate-ridden burn. The ouzel, startled, left the saugh An’ skimmed alang the lade, The kitty-neddies fae the haugh Gaed pipin’ ower her head. But still she flate till Tammas, now Dismounted on the loan, Ran to the mill an’ pu’d the tow That set the water on; Syne busy banged the girnal lids, An’ tossed the sacks about, Or steered again the bleezin’ sids, While aye she raved without. She bann’d the moulter an’ the mill, The intak, lade, and dam, The reekit dryster in the kil’, Syne back again to Tam. Till dark—the minister himsel’ I’ll swear he couldna stap her— Her teethless mou’ was like a bell, Her tongue the clangin’ clapper. Neist mornin’ she laid doon the law— He’d gang nae mair to fairs; An’ sae he held the jaud in awe He kept it—till St. Sairs. *THE MILLER EXPLAINS* The byword "as sweer as the Miller" Disturbs me but little, for hech! Ye’ll find for ane willin’ to bishop A score sittin’ ready to pech. But come to the brose or the bottle, There’s few need less priggin’ than me; While they’re busy blessin’ the bannock, I’m raxin’ a han’ to fa’ tee. The neighbours clash lood o’ my drinkin’, An’ naething hits harder than truth; But tales micht be tempered, I’m thinkin’, Gin fouk would consider my drooth. Nae doot, at the Widow’s displenish Gey aften I emptied the stoup; But thrift is a thing we should cherish, An’ whisky’s aye free at a roup. Week in an’ week oot, when I’m millin’, The sids seem to stick in my throat; Nae wonder at markets I’m willin’ To spend wi’ a crony a groat. An’ if I’ve a shaltie to niffer, Or’t maybe some barley to sell, An oonslockened bargain’s aye stiffer— Ye ken that fu’ brawly yersel’. Fae forbears my thirst I inherit, As others get red hair or gout; The heirship’s expensive: mair merit To me that I never cry out. An’ sae, man, I canna help thinkin’ The neighbours unkindly; in truth, Afore they can judge o’ my drinkin’ They first maun consider my drooth. *THE PACKMAN* There was a couthy Packman, I kent him weel aneuch, The simmer he was quartered within the Howe o’ Tough; He sleepit in the barn end amo’ the barley strae But lang afore the milkers he was up at skreek o’ day, An’ furth upon the cheese stane set his reekin’ brose to queel While in the caller strype he gied his barkit face a sweel; Syne wi’ the ell-wan’ in his neive to haud the tykes awa’ He humpit roon’ the country side to clachan, craft an’ ha’. Upon the flaggit kitchen fleer he dumpit doon his pack, Fu’ keen to turn the penny ower, but itchin’ aye to crack; The ploomen gaithered fae the fur’, the millert fae the mill, The herd just gied his kye a turn an’ skirtit doon the hill, The smith cam’ sweatin’ fae the fire, the weaver left his leem, The lass forgot her comin’ kirn an’ connached a’ the ream, The cauper left his turnin’ lay, the sooter wasna slaw To fling his lapstane in the neuk, the elshin, birse an’ a’. The Packman spread his ferlies oot, an’ ilka maid an’ man Cam’ soon on something sairly nott, but never missed till than; He’d specs for peer auld granny when her sicht begood to fail, An’ thummles, needles, preens an’ tape for whip-the-cat to wale, He’d chanter reeds an’ fiddle strings, an’ trumps wi’ double stang, A dream beuk ’at the weeda wife had hankered after lang, He’d worsit for the samplers, an’ the bonniest valentines, An’ brooches were in great request wi’ a’ kirk-gangin’ queyns. He’d sheafs o’ rare auld ballants, an’ an antrin swatch he sang Fae "Mill o’ Tiftie’s Annie," or o’ "Johnnie More the Lang," He would lilt you "Hielan’ Hairry" till the tears ran doon his nose, Syne dicht them wi’ a doonward sleeve an’ into "James the Rose"; The birn that rowed his shou’ders tho’ sae panged wi’ things to sell Held little to the claik he kent, an’ wasna laith to tell,— A waucht o’ ale to slock his drooth, a pinch to clear his head, An’ the news cam’ fae the Packman like the water doon the lade. He kent wha got the bledder when the sooter killed his soo, An’ wha it was ’at threw the stane ’at crippled Geordie’s coo, He kent afore the term cam’ roon’ what flittin’s we would see, An’ wha’d be cried on Sunday neist, an’ wha would like to be, He kent wha kissed the sweetie wife the nicht o’ Dancie’s ball, An’ what ill-trickit nickum catched the troot in Betty’s wall, He was at the feein’ market, an’ he kent a’ wha were fou, An’ he never spoiled a story by consid’rin’ gin ’twas true. Nae plisky ever yet was played but he could place the blame, An’ tell you a’ the story o’t, wi’ chapter, verse an’ name, He’d redd you up your kith an’ kin atween the Dee an’ Don, Your forbears wha were hanged or jiled fae auld Culloden on, Altho he saw your face get red he wouldna haud his tongue, An’ only leuch when threatened wi’ a reemish fae a rung; But a’ the time the trade gaed on, an’ notes were rankit oot Had lang been hod in lockit kists aneth the Sunday suit. An’ faith the ablach threeve upon’t, he never cried a halt Until he bocht fae Shou’der-win’ a hardy cleekit shalt, An’ syne a spring-cairt at the roup when cadger Willie broke, That held aneth the cannas a’ that he could sell or troke; He bocht your eggs an’ butter, an’ awat he wasna sweer To lift the poacher’s birds an’ bawds when keepers werna near; Twa sizzens wi’ the cairt an’ then—his boolie rowed sae fine— He took a roadside shoppie an’ put "Merchant" on the sign. An’ still he threeve an’ better threeve, sae fast his trade it grew That he thirled a cripple tailor an’ took in a queyn to shue, An’ when he got a stoot guidwife he didna get her bare, She brocht him siller o’ her ain ’at made his puckle mair, An’ he lent it oot sae wisely—deil kens at what per cent— That farmers fan’ the int’rest near as ill to pay’s the rent; An’ when the bank set up a branch, the wily boddies saw They beet to mak’ him Agent to hae ony chance ava’ Tho’ noo he wore a grauvit an’ a dicky thro’ the week There never was a bargain gaun ’at he was far to seek, He bocht the crafter’s stirks an’ caur, an’ when the girse was set He aye took on a park or twa, an’ never rued it yet; Till when a handy tack ran oot his offer was the best An’ he dreeve his gig to kirk an’ fair as canty as the rest, An’ when they made him Elder, wi’ the ladle it was gran’ To see him work the waster laft an’ never miss a man. He sent his sons to college, an’ the auldest o’ the three— Tho’ wi’ a tyauve—got Greek aneuch to warsle thro’s degree, An’ noo aneth the soundin’ box he wags a godly pow; The second loon took up the law, an’ better fit there’s fyou At chargin’ sax an’ auchtpence, or at keepin’ on a plea, An’ stirrin’ strife ’mang decent fouk wha left alane would ’gree; The youngest ane ’s a doctor wi’ a practice in the sooth, A clever couthy cowshus chiel some hampered wi’ a drooth. The dother—he had only ane—gaed hine awa’ to France To learn to sing an’ thoom the harp, to parley-voo an’ dance; It cost a protty penny but ’twas siller wisely wared For the lass made oot to marry on a strappin’ Deeside laird; She wasna just a beauty, but he didna swither lang, For he had to get her tocher or his timmer had to gang: Sae noo she sits "My Lady" an’ nae langer than the streen I saw her wi’ her carriage comin’ postin’ ower Culblean. But tho’ his bairns are sattled noo, he still can cast the coat An’ work as hard as ever to mak’ saxpence o’ a groat; He plans as keen for years to come as when he first began, Forgettin’ he’s on borrowed days an’ past the Bible span. See, yon’s his hoose, an’ there he sits; supposin’ cry in, It’s cheaper drinkin’ toddy there than payin’ at the Inn, You’ll find we’ll hae a shortsome nicht an’ baith be bidden back, But—in your lug—ye maunna say a word aboot the Pack. *THE LETTERGAE* Sundays see his saintly look— What grace he maun be feelin’, When stridin’ slawly ben the pass, Or to the lettrin speelin’! What unction in his varied tones, As aff the line he screeds us, Syne bites the fork, an’ bums the note, Ere to the tune he leads us! Plain paraphrase, or quirky hymn, Come a’ the same to Peter, He has a tune for ilka psalm Nae matter what the metre. "St. Paul’s" or "University" Wi’ equal ease is lifted; At "Martyrdom" he fair excels— Eh! keep’s sirs, but he’s gifted! But see him now, some workin’ day When aproned in his smiddy, An’ mark the thuds ’at shape the shoon, An’ dint the very studdy; Or when he cocks his elbuck up To work the muckle bellows, An’ tells the clachan’s latest joke To loud-lunged farmer fellows; Or hear him in the forenicht lilt, Wi’ sober face nae langer, Some sang, nae fae a Sunday book; A tune that isna "Bangor": To recognize him then, I’ll wad, A stranger it would baffle; On Sabbath he’s the Lettergae, The Smith at roup or raffle. *MARGARET DODS* LATE VINTER IN ST. RONAN’s Nae mair the sign aboon the door Wi’ passin’ winds is flappin’; Fish Nellie comes nae as afore Wi’ nervous chappin’. The Captain ’s followed Francie Tyrell— Mind ance he gaed to seek him, An’ felt your besom shaft play dirl Doon-by at Cleikum. Wi’ thrift as great as made you build To save the window taxin’, Death closed your e’en when greedy Eild Cam’ schedule raxin’. How gladly would we lea’ the Clubs, "Wildfire" or "Helter Skelter," Dicht fae our feet a’ earthly dubs, Had ye a shelter Whaur trauchled chiels—"an’ what for no?" Gin sae it pleased the gods— Could rest an’ fish a week or so At Marget Dods’. ’Twould hearten strangers gin they saw Across some caller loanin’ A wavin’ sign whaur crook an’ a’ Hung auld St. Ronan. Then haudin’ hard to new-won grace, Rejectin’ aucht ’at’s evil, Ye wouldna thole in sic a place Dick Tinto’s Deevil, But send him sornin’ doon the howe To some tamteen or hottle, Whaur birselt vratches fain, I trow, Wad dreep a bottle. An’ since you’re bye wi’ anger noo, Send wi’ him something caller— As muckle’s slock the gizzened mou’ O’ ae damned "Waller." *THE BACK O’ BEYONT IS DRY* Fae the Back o’ Beyont the carlie cam’, He fittit it a’ the wye; The hooses were few, an’ the road was lang, Nae winner the man was dry— He was covered wi’ stoor fae head to heel, He’d a drooth ’at ye couldna buy, But aye he sang as he leggit alang "The Back o’ Beyont is dry." He’d a score o’ heather-fed wethers to sell, An’ twa or three scrunts o’ kye, An unbroken cowt to niffer or coup, A peck o’ neep seed to buy; But never a price would the crater mak’, The dealers got "No" nor "Ay," Till they tittit the tow, he’d dae naething but sough "The Back o’ Beyont is dry." I’ the year o’ short corn he dee’d o’ drooth, But they waked him weel upbye, ’Twas a drink or a dram to the cronies that cam’, Or baith an they cared to try. When the wag-at-the-wa’ had the wee han’ at twa Ye shoulda jist heard the cry, As the corp in the bed gied a warsle an’ said "The Back o’ Beyont is dry." Fae Foggyloan to the Brig o’ Potarch, An’ sooth by the Glen o’ Dye, Fae the Buck o’ the Cabrach thro’ Midmar, Whaurever your tryst may lie; At ilka toll on the weary road There’s a piece an’ a dram forbye, Gin ye show them your groat, an’ say laich i’ your throat "The Back o’ Beyont is dry." "The Back o’ Beyont is dry, The Back o’ Beyont is dry, To slacken a drooth can never be wrang, Sae help yoursel’ an’ pass it alang, The Back o’ Beyont is dry" *A GREEN YULE* I’m weary, weary houkin’, in the cauld, weet, clorty clay, But this will be the deepest in the yaird; It’s nae a four fit dibble for a common man the day— Ilk bane I’m layin’ by is o’ a laird. Whaever slips the timmers, lippens me to mak’ his bed, For lairds maun just be happit like the lave; An’ kistit corps are lucky, for when a’thing’s deen an’ said, There’s lythe, save for the livin’, in a grave. Up on the watch-tower riggin’ there’s a draggled hoodie craw That hasna missed a funeral the year; He kens as weel’s anither this will fairly ding them a’, Nae tenant on the land but will be here. Sae up an’ doon the tablin’ wi’ a gloatin’ roupy hoast, He haps, wi’ twistit neck an’ greedy e’e, As if some deil rejoicin’ that anither sowl was lost An’ waitin’ for his share o’ the dregie. There’s sorrow in the mansion, an’ the Lady that tak’s on Is young to hae sae muckle on her ban’, Wi’ the haugh lands to excamb where the marches cross the Don, An’ factors aye hame-drauchted when they can. Come spring, we’ll a’ be readin’, when the kirk is latten oot, "Displenish" tackit up upon the yett; For hame-fairm, cairts an’ cattle, will be roupit up, I doot, The policies a’ pailined aff an’ set. Twa lairds afore I’ve happit, an’ this noo will mak’ the third, An’ tho’ they spak’ o’ him as bein’ auld, It seerly seemed unlikely I would see him in the yird, For lang ere he was beardit I was bald. It’s three year by the saxty, come the week o’ Hallow Fair, Since first I laid a divot on a grave; The Hairst o’ the Almighty I hae gathered late an’ ear’, An’ coont the sheaves I’ve stookit, by the thrave. I hae kent grief at Marti’mas would neither haud nor bin’— It was sair for even unco folk to see; Yet ere the muir was yellow wi’ the blossom on the whin, The tears were dry, the headstane a’ ajee. Nae bairns, nae wife, will sorrow, when at last I’m laid awa’, Nae oes will plant their daisies at my head; A’ gane, but I will follow soon, an’ weel content for a’ There’s nane but fremt to lay me in my bed. Earth to earth, an’ dust to dust, an’ the sowl gangs back to God: An’ few there be wha think their day is lang; Yet here I’m weary waitin’, till the Master gies the nod, To tak’ the gait I’ve seen sae mony gang. I fear whiles He’s forgotten on his eildit gard’ner here, But ae day He’ll remember me, an’ then My birn o’ sins afore Him I’ll spread on the Judgment fleer, Syne wait until the angel says "Come ben." There noo, the ill bird’s flaffin’ on the very riggin’ stane, He sees them, an’ could tell ye, did ye speer, The order they will come in, ay, an’ name them ilka ane, An’ lang afore the funeral is here. The feathers will be noddin’ as the hearse crawls past the Toll, As soon’s they tap the knowe they’ll be in sicht; The driver on the dickey knappin’ sadly on his mull, Syne raxin’ doon to pass it to the vricht. The factor in the carriage will be next, an’ ridin’ close The doctor, ruggin’ hard upon his grey; The farmers syne, an’ feuars speakin’ laich aboot their loss, Yet thankfu’ for the dram on sic a day. Ay, there at last they’re comin’, I maun haste an’ lowse the tow An’ ring the lang procession doon the brae; I’ve heard the bell sae aften, I ken weel its weary jow, The tale o’ weird it tries sae hard to say. _Bring them alang, the young, the strong,_ _The weary an’ the auld;_ _Feed as they will on haugh or hill,_ _This is the only fauld._ _Dibble them doon, the laird, the loon_ _King an’ the cadgin’ caird,_ _The lady fine beside the queyn,_ _A’ in the same kirkyaird._ _The warst, the best, they a’ get rest;_ _Ane ’neath a headstane braw,_ _Wi’ deep-cut text; while ower the next_ * The wavin’ grass is a’.* _Mighty o’ name, unknown to fame_ _Slipptt aneth the sod;_ _Greatest an’ least alike face_ _Waitin’ the trump o’ God._ *HAME* There’s a wee, wee glen in the Hielan’s, Where I fain, fain would be; There’s an auld kirk there on the hillside I weary sair to see. In a low lythe nook in the graveyard Drearily stands alane, Marking the last lair of a’ I lo’ed, A wee moss-covered stane. There’s an auld hoose sits in a hollow Half happit by a tree; At the door the untended lilac Still blossoms for the bee; But the auld roof is sairly seggit, There’s nane now left to care; And the thatch ance sae neatly stobbit Has lang been scant and bare. Aft as I lie ’neath a foreign sky In dreams I see them a’— The auld dear kirk, the dear auld hame, The glen sae far awa’. Dreams flee at dawn, and the tropic sun Nae ray o’ hope can gie; I wander on o’er the desert lone, There’s nae mair hame for me. *SPRING IN THE HOWE O’ ALFORD* There’s burstin’ buds on the larick now A’ the birds are paired an’ biggin’; Saft soughin’ win’s dry the dubby howe, An’ the eildit puir are thiggin’. The whip-the-cat ’s aff fae hoose to hoose, Wi’ his oxtered lap-buird lampin’, An’ hard ahint, wi’ the shears an’ goose, His wee, pechin’ ’prentice trampin’. The laird’s approach gets a coat o’ san’, When the grieve can spare a yokin’; On the market stance there’s a tinker clan, An’ the guidwife’s hens are clockin’. The mason’s harp is set up on en’, He’s harlin’ the fire-hoose gable; The sheep are aff to the hills again As hard as the lambs are able. There’s spots o’ white on the lang brown park, Where the sacks o’ seed are sittin’; An’ wily craws fae the dawn to dark At the harrow tail are flittin’. The liftward lark lea’s the dewy seggs, In the hedge the yeldrin ’s singin’; The teuchat cries for her harried eggs, In the bothy window hingin’. Nae snaw-bree now in the Leochel Burn, Nae a water baillie goupin’— But hear the whirr o’ the miller’s pirn, The plash where the trouts are loupin’. *THE HINT O’ HAIRST* O for a day at the Hint o’ Hairst, With the craps weel in an’ stackit, When the farmer steps thro’ the corn-yard, An’ counts a’ the rucks he’s thackit: When the smith stirs up his fire again, To sharpen the ploughman’s coulter; When the miller sets a new picked stane, An’ dreams o’ a muckle moulter: When cottars’ kail get a touch o’ frost, That male’s them but taste the better; An’ thro’ the neeps strides the leggined laird, Wi’ ’s gun an’ a draggled setter: When the forester wi’ axe an’ keel Is markin’ the wind-blawn timmer, An’ there ’s truffs aneuch at the barn gale To reist a’ the fires till simmer. Syne O for a nicht, ae lang forenicht, Ower the dambrod spent or cairtin’, Or keepin’ tryst wi’ a neebour’s lass—- An’ a mou’ held up at pairtin’. *WINTER* Now Winter rides wi’ angry skirl On sleety winds that rive an’ whirl, An’ gaberlunzie-like plays tirl At sneck an’ lozen. The bairns can barely bide the dirl O’ feet gane dozin. The ingle’s heaped wi’ bleezin’ peats An’ bits o’ splutt’rin’ firry reets Which shortly thow the ploughmen’s beets; An’ peels appear That trickle oot aneth their seats A’ ower the fleer. The auld wife’s eident wheel gaes birr, The thrifty lasses shank wi’ virr; Till stents are finished nane will stir Lest Yule should come, When chiels fae wires the wark mith tirr To sweep the lum. The shepherd newly fae the hill Sits thinkin’ on his wethers still; He kens this frost is sure to kill A’ dwinin’ sheep: His collie, tired, curls in its tail An’ fa’s asleep. Now Granny strips the bairns for bed: Ower soon the extra quarter fled For which sae sairly they had pled: But there, it chappit; An’ sleepy "gweed words" soon are said, An’ cauld backs happit. The milkers tak’ their cogues at last, Draw moggins on, tie mutches fast, Syne hap their lantrens fae the blast Maun noo be met; An’ soon the day’s last jot is past, Milk sey’d an’ set. Syne Sandy, gantin’, raxes doon His fiddle fae the skelf aboon, Throws by the bag, an’ souffs a tune, Screws up a string, Tries antics on the shift, but soon Starts some auld spring. Swith to the fleer ilk eager chiel Bangs wi’ his lass to start the reel, Cries "Kissin’ time"; the coy teds squeal, An’ struggle vainly: The sappier smacks whiles love reveal, But practice mainly. An opening chord wi’ lang upbow The fiddler strikes, syne gently now Glides into some Strathspey by Gow, Or Marshall’t may be; The dancers lichtly needle thro’; Rab sets to Leebie. Wi’ crackin’ thooms "Hooch! Hooch!" they reel. The winceys, spreadin’ as they wheel, Gie stolen glints o’ souple heel An’ shapely queet. The guidman claps his hands, sae weel He’s pleased to see’t. The wrinkles leave the shepherd’s broo, For see the sonsy mistress too Shows what the aulder fouks can do, An’, licht’s a bird, Some sober country dance trips thro’ Wi’ Jock the herd. Syne lads wha noo can dance nae mair To cauldrife chaumers laith repair; An’ lasses, lauchin’, speel the stair, Happy an’ warm. For liftin’ hearts an’ killin’ care Music’s the charm! _When frost is keen an’ winter bauld,_ _An’ deep the drift on muir an’ fauld;_ _When mornin’s dark an’ snell an’ cauld_ _Bite to the bane;_ _We turn in thocht, as to a hauld,_ _To some sic e’en._ *R. L. S.* He hears nae mair the Sabbath bells Borne on the breeze amang Lowden’s dells, Nor waukens when the bugle tells The dawn o’ day. Fate was the flute the Ganger played, Cheerin’ him on wi’ its hopes ahead; Now "O’er the hills" the master’s laid "An’ far away." Tho’ frail the bark, O he was brave, Nor heedit the stormy winds that drave; But lanely now the sailor’s grave Across the faem. The deer unhunted roam at will, The whaup cries sair on the dreary hill, The chase is o’er, the horn is still: The hunter’s hame. *BURNS’ CENTENARY* "I’ll be more respected a hundred years after I am dead than I am at present."—R. B., 1796. "My fame is sure; when I am dead A century," the Poet said, "They’ll heap the honours on my head They grudge me noo"; To-day the hundred years hae sped That prove it true. Whiles as the feathered ages flee, Time sets the sand-glass on his knee, An’ ilka name baith great an’ wee Shak’s thro’ his sieve; Syne sadly wags his pow to see The few that live. An’ still the quickest o’ the lot Is his wha made the lowly cot A shrine, whaur ilka rev’rent Scot Bareheadit turns. Our mither’s psalms may be forgot, But never Burns. This nicht, auld Scotland, dry your tears, An’ let nae sough o’ grief come near’s; We’ll speak o’ Rab’s gin he could hear’s; Life’s but a fivver, And he’s been healed this hundred years To live for ever. *FAME* _I saw a truant schoolboy chalk his name_ _Upon the Temple door; then with a shout_ _Run off; that night a weary beggar came,_ _Leant there his ragged back and rubbed it out._ Dry-lipped she stands an’ casts her glance afar, Ae hand across her brows to shield her een, Her horn flung careless on the tapmost scaur, Where names deep chiselled in the rocks are seen. An’ far below, on ilka ridge an’ knowe, A warslin’ thrang o’ mortals still she spies, Wha strive an’ fecht an’ spurn the grassy howe— Thro’ whins an’ heather ettlin’ aye to rise. Ane whiles she sees, wha, perched upon a stane, Proclaims that he at least the goal has won, But shortly finds he ’s shiverin’ there his lane Wi’ scores aboon, between him an’ the sun. Another, sair forfochen wi’ the braes, Enjoys the view while he has strength to see; "Weel ’s better aye than waur," content, he says, "Thus far is far an’ far aneuch for me." Some wise, or lazy, never quit the glen, But stretched at easedom watch the hill aboon, Glad whiles to see ane gettin’ up they ken, But aft’ner pleased to see him rumblin’ doon. Ane, better shod or stronger than the lave, Gets near aneuch to grip her skirts at last; She lifts her horn an’ o’er a new-made grave Awakes the echoes wi’ a fun’ral blast. *THE AE REWARD* Gae wauken up the Muses nine; Tho’ we’ve nae plaited bays Aroon’ their curly pows to twine, We winna stent them praise. Gin music tak’ her chanter doon, Her sister start a sang, The other saeven join the tune An’ lift it lood an’ lang. First set the tune to suit the time When we were loons at school, The sang can be a careless rhyme Nae measured aff by rule. We stole our pleasures then, prepared Wi’ hands held out to pay; Were aulder sins as easy squared, Oor slates were clean the day. Syne twa three bars in safter key For days o’ youthfu’ love, When lasses a’ to you an’ me Were angels fae above. Lang-leggit Time, but he was fleet When we’d a lass the piece, When bondage aye o’er a’ was sweet, An’ freedom nae release. Noo stamp an’ blaw a skirl o’ war— The times that noo we hae, An’ gin the need be near or far We’re ready for the day. The tykes are roon’ the lion’s lair, We’ve seen the like before, An’ seldom hae they wanted mair When ance they heard him roar. Syne choke the drones—ae reed’s enew To play the days to come, When auld Age stachers into view An’ adds up a’ the sum. We’ve loved an’ focht an’ sell’t an’ bocht Until we’re short o’ breath; The auld kirkyard the ae reward, An’ that we get fae Death. *"MY LORD"* Nakit tho’ we’re born an’ equal, Lucky anes are made Police; An’ if civil life’s the sequel, Honours but wi’ age increase, Till a Baillie, syne selected Ruler ower the Council Board, An’ tho’ never re-elected, "Ance a Provost, aye ’My Lord.’" Credit’s got by advertisin’ Ye hae siller still to lend; Get the word o’ early risin’, Ye can sleep a week on end. Gie a man a name for fightin’— Never need he wear a sword; Men will flee afore his flytin’— "Ance a Provost, aye ’My Lord.’" But for mischief name a body, He can never win aboon ’t, Folk wad swear he chate the wuddy In the lint-pot gin he droon’t; For unless ye start wi’ thrivin’, A’ your virtues are ignored, Vain a’ future toil an’ strivin’— "Ance a Provost, aye ’My Lord.’" *IN THE GLOAMIN’* Why sinks the sun sae slowly doon Behind the Hill o’ Fare? What restless cantrip’s ta’en the moon?— She’s up an hour an’ mair. I doubt they’re in a plot the twa To cheat me o’ the gloamin’; Yestreen they saw me slip awa’, An’ ken where I gang roamin’. The trees bent low their list’nin’ heads A’ round the Loch o’ Skene; The saft winds whispered ’mang the reeds As we gaed by yestreen. The bee, brushed fae the heather bell, Hummed loudly at our roamin’, Syne hurried hame in haste to tell The way we spent the gloamin’. The mavis told his mate to hush An’ hearken fae the tree; The robin keekit fae a bush Fu’ pawkily an’ slee. An’ now they sing o’ what they saw Whenever we gang roamin’; They pipe the very words an’ a’ We whispered in the gloamin’. The wintry winds may tirr the trees, Clouds hide baith sun an’ moon, An early frost the loch may freeze, An’ still the birdies’ tune. The bee a harried bike may mourn, An’ mirk o’ertak’ the gloamin’, But aye to thee my thochts will turn, Wherever I gang roamin’. *THE MAID O’ THE MILL* The cushie doos are cooin’ in the birk, The pee-weets are cryin’ on the lea, The starlings in the belfry o’ the kirk Are layin’ plans as merry as can be. The mavis in the plantin’ has a mate, The blackbird is busy wi’ his nest, Then why until the summer should we wait When spring could see us happy as the rest? There’s leaves upon the bourtree on the haugh, The blossom is drappin’ fae the gean, There’s buds upon the rantree an’ the saugh, The ferns about the Lady’s Well are green. A’ day the herd is liltin’ on the hill, The o’ercome o’ ilka sang ’s the same: "There are ower mony maidens at the Mill, It’s time the ane I trysted wi’ cam’ hame!" *THE WITCH O’ THE GOLDEN HAIR* Auld carlins ride on their brooms astride Awa’ thro’ the midnight air, But they cast nae spell on a man sae fell As the Witch o’ the Golden Hair. Nae a fairy free ’neath the hazel tree That dances upon the green Ever kent a charm that could heal or harm Like the glint o’ her twa blue een. Fae the earth she’s reived, fae the Heav’n she’s thieved, For her cauldron’s deadly brew; She laughs at the stounds o’ the hearts she wounds, For what recks the Witch o’ rue? Lang, lang may the vine in its envy twine To compass a bower sae rare, As will peer, I trow, wi’ her broad low brow An’ her wavin’ golden hair. The bloom fae the peach that we ne’er could reach The red that the apple missed, You’ll find if you seek on the Witch’s cheek, Left there when the summer kissed. The blue drappit doon fae the lift aboon To shine in her dancin’ een; An’ the honey-bee sips fae her red, red lips, Syne brags o’ the sweets between. Wi’ a magic wile she has won the smile That the mornin’ used to wear, An’ the gold the sun in his splendour spun Lies tangled amang her hair. The saft south wind cam’ to her to find A haven to sink an’ die, An’ the breath o’ myrrh it bequeathed to her You’ll find in the Witch’s sigh. The dimples three that you still can see Are a’ she can claim her ain, For in Nature fair naught can compare With them; they are hers alane. *ARLES* For arles he gae me a kiss, An’ twa ilka day was my fee; A bargain nae surely amiss, If paid where naebody could see. But scarce was the compact complete Ere I would hae broken’t again, The arles he gae were sae sweet, For mair o’ them, Sirs, I was fain. It’s braw wi’ the tweezlock to twine Lang rapes in the barn sae lythe, Yet better by far when it’s fine, An’ I gaither after his scythe. O busy’s the banster at e’en Till bedtime he sits an’ he glooms, An’ aye he cries "Lassie, a preen" An’ worries the stobs in his thooms. The laddie is tired wi’ the rake, Sleep soon puts a steek in his e’e, An’ I slip awa’ to the break An’ cannily gather my fee. *WHERE LOVE WAS NANE* At farmers’ faugh lairds still may laugh, An’ the tinker sing as he clouts the pan; But what will cheer my bairnie dear When he kens his father’s a witless man? Bought by a ring, puir silly thing, An’ bent by the wind o’ my kinsfolk’s breath, Wha would gang braw, if that were ’t a’?— O! a loveless life it is waur than death! Will land or hoose seem good excuse For a mither married where love was nane? It’s hard for me, this weird to dree, But it’s waur that I canna bear’t my lane. My puir wee bairn, ye’ll live to learn How heavy the burden ye hae to bear. What’s gold or name when born to shame, An’ o’ sic a twasome to be the heir? *THE DEIL AN’ THE DEEVILOCK* The muckle Deil lay at the mirk pit mou’, An’ hard at his heel lay a Deevilock; While the brimstane reek wi’ an upward spew Swirled roon’ baith the Deil an’ the Deevilock As their tails like flails were fannin’ the air, Said the big ane then to the wee ane there: "In colour an’ scouk we are sib as sins, Wi’ a half ell mair we would pass for twins." ("A wee toad spits," quo’ the Deevilock.) "Since the warl’ was made"—’twas the auld Deil spak’— ("That’s a far cry noo," quo’ the Deevilock.) "I hae wandered far but I’ve aye come back." ("To a het hame too," quo’ the Deevilock.) "Since first I set oot wi’ a teem new creel, Haena mortals changed an’ their ways as weel! For then I was thin an’ had wark enew, Noo I’m fat as creesh, an’ the furnace fu’." ("Improve the draught," quo’ the Deevilock.) "Then aften I swore at the cloven hoof," ("It’s gey ill to shee," quo’ the Deevilock.) "An’ the horns an’ tail scared mony a coof." ("Faith they hamper me," quo’ the Deevilock.) "Gin’ I taul’ ye noo ye would scarce believe The bother I had wi’ that besom Eve; But forbid her noo, ye would find, I ween, She would eat the crap while it yet was green." ("Syne lift the tree," quo’ the Deevilock.) "In the early days I would aften fail," ("Syne sae lood God leuch," quo’ the Deevilock.) "To wile them awa’ to my henchman Baal." ("Wasna auld Job teuch?" quo’ the Deevilock.) "The brawest an’ best o’ my weel waled flock Struggled lang an’ sair wi’ a reeshlin’ pock; I nickit him tho’, at the hinder-end, Wi’ the thirty croons that he couldna spend. ("He’d lots o’ heirs," quo’ the Deevilock.) "But willin’ an’ keen they come half roads noo," ("Saul! in fair big croods," quo’ the Deevilock.) "An’ the backward anes are baith far an’ few." ("Curse your platitudes," quo’ the Deevilock.) "They crack roon’ the fire, an’ are nae mair blate Than a bonnet laird wi’ a new estate; Their hands playin’ smack on their birslin’ shins As they lauch an’ brag o’ their former sins." ("Hame ’s aye hame-like," quo’ the Deevilock.) "An’ you, ye’re the warst o’ my horny crew"; ("I’m sorry I spak’," quo’ the Deevilock.) "Nae an’ antrin jot leavin’ me to do." ("An’ I aye blush black," quo’ the Deevilock.) "For a hungry chiel ye’ve an open gate, Help the elder pooch fae his ain kirk plate; Nae a leein’ man nor a faithless dame But is coontin’ kin, when they hear your name." ("I’m ’Canny-chance,’" quo’ the Deevilock.) "Wi’ the ministers ye are mair than thrang," ("Took a Sunday twice," quo’ the Deevilock.) "Aye giein’ them texts to support a wrang." ("Guid halesome advice," quo’ the Deevilock.) "When in Auchterless ye suggest the prayer— ’Show my duty, Lord, lies in Auchtermair’; An’ when stipens shrink wi’ the fa’ in fiars, Siccan sizzons ban as ye mix your tears." ("We’re a’ ae claith," quo’ the Deevilock.) "Ye hae even dealt amo’ stocks an’ shares," ("Selled some to arrive," quo’ the Deevilock.) "An’ made likely men into millionaires." ("Hoot, our bairns maun thrive," quo’ the Deevilock.) "Ye startit a war, an’ to raise a loan Showed a spen’thrift king how to wadset ’s throne; An’ raikit them in fae the bench an’ cell, Till the Fact’ry Act is in bits in Hell." ("Nae half-time there," quo’ the Deevilock.) "Nae a pleasant thing hae ye left aneth," ("There ’s the company," quo’ the Deevilock.) "An’ a weary Deil canna look for death." ("Here ’s lang life to me," quo’ the Deevilock.) "It’s Hell to hae naething to do but sit An’ curse at the creak o’ the birlin’ spit; I’m red, red wi’ rust, save the jinglin’ keys, I’d swap wi’ a god wha is fond o’ ease." ("Ha! ha!—ha! ha!" quo’ the Deevilock.) *A BACKCAST* How lanely the nichts by the auld ingle cheek, _Ohone, but a mither is nae like a wife,_ Regret on the creepie sits watchin’ the reek, _An’ whaur are the dainties to comfort my life?_ The backcast is dreary o’er years that are spent, _The rowan is withered, an’ leafless the gean,_ They’re gane noo for ever, but, eh! had I kent, _Grim winter is reignin’ where summer was queen_ I dammed for the lade that had never a wheel, _The chickens were bonnie but noo they’re awa’,_ The castles I biggit gie other folk biel’. _O wae tak’ the gled that gaed aff wi’ them a’._ A lassie proved fickle, unfaithfu’ a frien’, _Tho’ soorocks an’ tansies grow green in the ha’,_ An’ a mither is a’ I hae left o’ my ain, _The ivy sae kindly aye covers the wa’._ *THE LAWIN’* The way o’ transgressors is hard; There cometh a day The Wicked will get their reward, The Devil his pay. Cauld Death is the wages o’ Sin: Stents finished, we rue: The thread, tho’ sae pleasant to spin, Has connached the woo’. As soon as we’ve emptied the caup The lawin’s to clear; Tho’ thistles be only the crap The sawer maun shear. Sae let us consider it weel Ere joinin’ the fling, The dancer when tired o’ the reel Maun pay for the spring. _Then coont on the Lawin’, the Lawin’, the Lawin’,_ _Keep mind o’ the Lawin’, forget na the score;_ _We pay what we’re awin’, we’re awin’, we’re awin’,_ _We pay a’ we’re awin’ when Death’s at the door._ *THE GYPSY* O wasna he bauld for a tinker loon,— Sim leant on his rake an’ swore— To fling a’ his wallets an’ bawd-skins doon, An’ rap at the castle door. Wi’ my Lord awa’ at the Corbie’s linn There was man nor dog at hame, Save a toothless bitch ’at was auld an’ blin’, An’ the gard’ner auld an’ lame. When my Lady heard she cam’ doon the stair, An’ ben thro’ the antlered ha’, Whaur, bonnet in hand, stood the gypsy there As raggit as she was braw. "O I hinna kettles to clout," she said, "An’ my spoons an’ stoups are hale, But gin ye gang roon’ to the kitchen maid She’ll gie ye a waucht o’ ale." "It’s never the way o’ the gentry, na, When visitin’ ’mang their frien’s, To drink wi’ the maids in the servants’ ha’ Or speak about stoups an’ speens. "An’ we are mair sib than ye think," quo’ he, "For his Lordship’s father’s mine; Tho’ the second wife was o’ high degree, His first was a gypsy queyn. "An’ the younger son got the lands an’ a’, But the gypsies bettered me; He is only laird o’ a fairm or twa, I’m king o’ the covin-tree. "Sae I am guid-brither to you, my lass, An’ head o’ the auncient name; An’ it wouldna be richt for me to pass Withoot cryin’ in by hame." O a hantle then did the twasome say, An’ muckle passed them between; But at last ’twas "Sister, a fair good day," "Guid-brither, a fair good e’en." _"My Lord comes hame fae the hunttn’ soon,_ _An’ he’s big, weel-faured, an’ braw,_ _But he isna a man like the tinker loon,_ _Wi’ wallets an’ rags an’ a’."_ _"Gin she were as free as the maids I ken,_ _Dancin’ bar’fit on the green;_ _As I am the King o’ the gypsy men,_ _This nicht she would be my Queen."_ _But the bluid ran thin in the gard’ner Sim,_ _He’d heard o’ the cairds afore,_ _An’ the auld romance had nae charms for him,_ _He lockit the hen-hoose door._ *"BYDAND"* There’s a yellow thread in the Gordon plaid, But it binds na my love an’ me; And the ivy leaf has brought dool and grief Where there never but love should be. For my lad would ’list: when a Duchess kiss’t He forgot a’ the vows he made; And he turned and took but ae lang, last look, When the "Cock o’ the North" was played. O, her een were bright, an’ her teeth were white As the silver they held between; But the lips he pree’d, were they half as sweet As he vow’d ’at mine were yestreen? A poor country lass, ’mang the dewy grass, May hae whiles to kilt up her goon; But a lady hie sae to show her knee, And to dance in a boro’ toon! Gin I were the Duke, I could nae mair look Wi’ love on my high-born dame; At a kilt or plaid I would hang my head, And think aye on my lady’s shame. By my leefu’ lane I sit morn an’ e’en, Prayin’ aye for him back to me; For now he’s awa’ I forgie him a’ Save the kiss he was ’listed wi’. *THE OUTLAW’S LASS* _Duncan’s lyin’ on the cauld hillside,_ _Donal’s swingin’ on the hangman’s yew:_ _Black be the fa’ o’ the sergeant’s bride_ _Wha broke twa troths to keep ae tryst true._ The red-coats march at the skreek o’ day, An’ we maun lie on the brae the night; Then here’s to them safely on their way, Speed to the mirk brings the mornin’s fight. Here’s luck to me if you chance to fa’, An’ here’s to luck if it favours you; For she’s but ane, an’ o’ us there’s twa, To him that’s left may she yet prove true. In days to come, when the reivers ride, They’ll miss ae sword that was swift an’ keen, An’ you or I, as the Fates decide, Will curse the glint o’ a woman’s een. A parting cup, we will drink it noo, Syne break the quaich to a shattered faith; Here’s happiness to the lass we lo’e, The lying lass wha deceived us baith. _The soldiers drink in the change-house freet_ _The tinker’s clinkin’ a crackit quaich;_ _But cuddlin’ there on the sergeant’s knee_ _Wha is the lass that is lauchin’ laich?_ *CHARON’S SONG* Another boat-load for the Further Shore, Heap them up high in the stern; Nae ane o’ them ever has crossed before An’ never a ane’ll return. Heavy it rides sae full, sae full, Deep, deep is the River, But light, light is the backward pull, The River flows silently on. A cargo o’ corps that are cauld I trow— They’re grippy that grudge the fare— An’ the antrin quick wi’ his golden bough That’s swappin’ the Here for There. Heavy it rides sae full, sae full, Slow, slow is the River, But light, light is the backward pull, The River flows silently on. In vain will they look wha seek for a ford, Where the reeds grow lank an’ lang: This is the ferry, an’ I am the lord An’ king o’ the boat an’ stang. Heavy it rides sae full, sae full, Black, black is the River, But light, light is the backward pull. The River, my River, flows on. *VIRGIL IN SCOTS* ÆNEID, BOOK III, 588-640 Neist mornin’ at the skreek o’ day The mist had newlins lifted; The sky, a whylock syne sae grey, To fleckit red had shifted: When suddenly our herts gaed thud To see a fremt chiel stalkin’, Wi’ timorous steps fae out the wud, As fleyed-like as a mawkin. Lod! sic a sicht, half hid in glaur, It made us a’ feel wae, man; His hams were thin, his kyte was waur, It hung sae toom that day, man. His mattit beard was lang an’ roch ’s Gin it had ne’er been shorn; His kilt could barely fend his houghs Fae stobs, it was sae torn. A Greek was he, wha short afore At Troy was in the brulzie, An’ tho’ a halflin then, he bore A man’s pairt in the tulzie. As soon’s he spied our Trojan graith He nearhan’ swarfed wi’ fear; But maisterin’ his dread o’ skaith At last he ventured near. "I charge you by the stars," he cried, "And by the powers on high, To snatch me hence, nor lat me bide At Cyclops’ hands to die. I’ll no deny that I’m a Greek, Or that I was at Troy; Nor yet to hide the part, I’ll seek, That I took in the ploy. Sae gin ye judge my fau’t sae sair That grace ye daurna gie, Tear me to bits, fient haet I care, And sink me in the sea. I’ll meet my death without a wird, If dealt by men like these," He said: syne flang him on the yirds An’ glammoched at our knees, Wi’ kindly mint we stilled his fear, Enquired his name an’ clan, An’ what fell bluffert blew him here Wi’ sic a hertless flan. To set him further at his ease Anchises gae him ’s han’, An’ heartened by our kindliness The chiel at last began: "My name is Achaemenides, An’ Ithaca my land; An’ some ooks syne I crossed the seas Wi’ poor Ulysses’ band. Oh, why left ever I my hame? I’d troubles there enew; My comrades left me, to their shame, When fae Cyclops they flew. Cyclops himsel’, wha can describe? The stars are ells below him; Gude send we ne’er may hae to bide Within a parish o’ him. His dungeon large, a hauddin’ fit For sic an awsome gleed; There at his fae’s dregies he’ll sit And spairge aboot their bleed. Wi’ horrid scouk he frowns on a’ An’ heedless o’ their skraichs, He sweels their monyfaulds awa’ Wi’ wauchts fae gory quaichs. I saw him, sirs, as sure’s I live, Ance as he lay at easedom, Twa buirdly chiels tak’ in his neive, Syne careless fae him heeze them. They fell wi’ sic a dreadfu’ thud, Whaur stanes lay roun’ in cairns; The causey ran wi’ thickened blood Like stoorum made wi’ harns. I watched him tak’ their limbs an’ cram Them ower his weel-raxed thrapple; The life scarce left the quivering ham That shivered in his grapple. But never was Ulysses slack To pay where he was awin’, An’ starkly did he gie him ’t back, An’ bravely cleared the lawin’. For while the hoven monster snored, An’ rifted in his dreams, We first the great God’s help implored An’ blessing on our schemes; The kavils cuist: a feerious thrang Syne gaithered roond aboot, An’ wi’ a sturdy pointed stang We bored his ae e’e oot." *HORACE IN SCOTS* Ye needna speer, Catriona, nae spaewife yet could tell Hoo short or lang for you an’ me the tack o’ life will rin, We’ll better jist dree oot the span as we hae dane the ell, Content gin mony towmonds still we’re left to store the kin, Or this the last we’ll see the rocks tashed wi’ the weary seas; Hae sense an’ set the greybeard oot; wi’ life sae short for a’ They’re daft that plan ae ook ahead; Time keeks asklent an’ flees E’en as we crack; the nicht is oors, the morn may never daw. *HORACE IN SCOTS* _Persicos odi_ Foreign fashions, lad, allure you Hamespun happit I would be; Bring nae mair, for I assure you Ferlies only scunner me. Fancy tartans, clanless, gaudy, Mention them nae mair, I say; Best it suits your service, laddie, An’ my drinkin’, hodden-grey. *HORACE IN SCOTS* Tempt not the far oonchancie main, Nor fearin’ blufferts, frien’, Creep roon’ fause headlan’s; haud your ain Tack fair atween. The gowden mids, wha aims at it Will shun the tinker’s lair, Nor gantin’ in a castle sit Whaur flunkeys stare. The heichest fir storms aft’nest bow; Lums fa’ wi’ sairest dunt; When lightnings rive, bauld Morven’s pow Drees aye the brunt. Come weel, come wae, wi’ hope or fear Prepare your heart for a’; The same Power sends the rain will clear The cloods awa’. Tho’ here the day ye’ve waes galore The morn may see them gone; Fate whiles lays by the dour claymore An’ tunes the drone. In trouble bauldly bear yoursel’; When thrivin’, mind the fret— "Tho’ lang the pig gangs to the well, Its ae day’s set." *HORACE IN SCOTS* HAIRRY "When Leebie lo’ed me ower them a’, An’ deil a dearer daured to fling An airm aboot her neck o’ snaw, I struttit crouser than the king." LEEBIE "When I was Hairry’s only care, Afore he lo’ed me less than Jean, Wha spak’ o’ love at kirk or fail— Set Leebie aye aboon the queen." HAIRRY "Noo Hielan’ Jean has witched me sae, She harps an’ sings wi’ siccan skill, Cauld Death can streek me on the strae Gin he but spare my marrow still." LEEBIE "For Colin dear, my heart’s alowe As his for me, Glen Nochty’s heir, Fate twice at me may shak’ his pow Gin he will still my laddie spare." HAIRRY "Gin tinker Love wi’ clinks o’ brass Bind baith oor hearts, an’ I forget Red-headit Jean, an’ you my lass— Lang left—again see wide the yett?" LEEBIE "Tho’ steady as a starn is he, An’ you’re like bobbin’ cork, it’s true, Wi’ temper grumlie as the sea, I’d love an’ live an’ dee wi’ you." *HORACE IN SCOTS* Kirsty, ye besom! auld an’ grey, Peer Sandy’s wrunkled kimmer, Death’s at your elbuck, cease to play Baith hame an’ furth the limmer. Ongauns like yours lads weel may fleg Fae lasses a’ thegither; Tibbie may fling a wanton leg Would ill set you her mither. She Anra’s bothy sneck may tirl An’ loup like ony filly; Love stirs her as the pipers’ skirl Some kiltit Hielan’ billie. Nane pledge or bring you posies noo; Auld wives nae trumps set strummin’, For runts like you the Cabrach woo’— It’s time your wheel was bummin’. *HORACE IN SCOTS* Life an’ love I’m by wi’ a’, Tho’ I’ve had cause o’ baith to brag; Hang dirk an’ chanter on the wa’, Nae mair I’ll reive or squeeze the bag. Whaur on the left my lantren gleams Weel gairdit by the sea-born queen, I lay my love an’ war worn leems, Hae mony a midnicht tulzie seen. O Venus, fae your island fair Wi’ snawless mountains, hear an’ help, Rax back your rung, an’ ance—nae mair— Gie saucy Meg a canny skelp. *HORACE IN SCOTS* Happy is he, far fae the toon’s alairm Wha wons contentit on his forbears’ fairm; Whistlin’ ahint his owsen at the ploo, Oonfashed wi’ siller lent or int’rest due. Nae sodger he, that’s piped to wark an’ meat, Nae bar’fit sailor, fleyed at wind an’ weet, Schoolboard nor Session tempt him fae his hame, Provost or Baillie never heard his name; His business ’tis to sned the larick trees For lichened hag to stake his early peas, Or on his plaid amang the braes to lie Herdin’ his sleekit stots an’ hummel kye, Here wi’ his whittle nick a sooker saft, There mark a stooter shank for future graft; Whiles fae a skep a dreepin’ comb he steals, Or clips the doddit yowes for winter wheels. When ower the crafts blythe Autumn lifts her head Buskit wi’ aipples ripe an’ roddens red, He speels the trees the hazel nits to pu’, An’ rasps an’ aivrins fill his bonnet fu’,— Fit gifts awat, for gods o’ wood an’ yaird To show the gratefu’ husbandman’s regaird. Ah, then ’tis pleasant on saft mossy banks ’Neath auncient aiks to ease his wearied shanks, Whaur hidden burnies rumblin’ onwards row, An’ liltin’ linties cheer the peacefu’ howe, An’ babblin’ springs, as thro’ the ferns they creep Wi’ ceaseless croonin’ lull to gentle sleep. When stormy winter comes an’ in its train Brings drivin’ drift an’ spates o’ plashin’ rain, Wi’ dog an’ ferret then he’s roon’ the parks Whaur rabbits in the snaw hae left their marks; Or brings wi’ smorin’ sulphur thuddin’ doon The roostin’ pheasant fae the boughs aboon, Or daunders furth wi’ girn an’ gun to kill White hares an’ ptarmigan upon the hill. Wha mid sic joys would ever stop to fash Wi’ trystin’ queyns, their valinteens an’ trash? But gin a sonsy wife be his, she’ll help Wi’ household jots, the weans she’ll dead an’ skelp, An’—Buchan kimmers ken the way fu’ weel Or Hielan’ hizzies—tenty toom the creel O’ lang hained heath’ry truffs to reist the fire Against her man’s return, fair dead wi’ tire, An’ byre-ward clatter in her creeshie brogues To fill wi’ foamin’ milk the scrubbit cogues, Syne fae the press the cakes an’ kebbuck draw An’ hame-brewed drink nae gauger ever saw— Plain simple fare; could partans better please Or skate or turbot fae the furthest seas, Brocht to the market by the trawler’s airt Hawkit fae barrows or the cadger’s cairt? Nae frozen dainties, nae importit meat, Nae foreign galshochs, taste they e’er sae sweet, But I will match them fast as ye can name Wi’ simple berries that we grow at hame— Wi’ burnside soorocks that ye pu’ yoursel’, Wi’ buttered brose, an’ chappit curly kail, Wi’ mealy puddins fae the new killed Mart, Or hill-fed braxy that the tod has spar’d. What happier life than this for young or auld? To see the blackfaced wethers seek the fauld, The reekin’ owsen fae the fur’ set free Wear slowly hamewith ower the gowan’d lea, An’ gabbin’ servants fae the field an’ byre Scorchin’ their moleskins at the kitchen fire. _The banker swore ’mid siccan scenes to die,_ _"Back to the land" was daily his refrain;_ _A fortnicht syne he laid his ledgers by,_ _The nicht he’s castin’ his accoonts again!_ *THE REMONSTRANCE* Noo man, hoo can ye think it richt To waste your time, nicht after nicht, An’ hunker in the failin’ licht Wi’ moody broo, Like some puir dwinin’ thewless wicht Wi’ death in view? I’ve taul’ ye aft aneuch it’s nae As if ye’d aught ’at’s new to say, Or said auld things some better way, Or like some callants Gat fouk to praise your sangs an’ pay Ye for your ballants. Instead o’ vreetin’ like a clerk Till bed-time brings alang the dark, Ye should be sportin’ in the park An’ hear the clamour Wad greet ye, should ye pass my mark Wi’ stane or hammer. Or tak’ a daunder roon’ the braes An’ hear the blackies pipe their lays, The liftward laverock’s sang o’ praise, An’ syne, my billie, Mak’ nae mair verses a’ your days— Shut doon your millie. *THE REPLY* Tho’ loud the mavis whistles now An’ blackbirds pipe fae ilka bough An’ laverocks set the heart alowe— Mid a’ the plenty You’d miss upon the wayside cowe The twitt’rin’ lintie. An’ think you, when the simmer’s gane, When sleet blaws thro’ the leafless plane, An’ bieldless birds sit mute an’ lane, The woods a’ cheerless, The namely robin on the stane Sings sweet an’ fearless. So tho’ my sangs be as you say Nae marrow for the blackbird’s lay, They may hae cheered somebody’s way Wha wanted better, An’ sent him happier up the brae My welcome debtor. Nae care hae I, nor wish to speel Parnassus’ knowe, for mony a chiel Has tint his time, his life as weel, To claim a bit o’t: I only crave a wee bit biel’ Near han’ the fit o’t. *SCOTLAND OUR MITHER* Scotland our Mither—this from your sons abroad, Leavin’ tracks on virgin veld that never kent a road, Trekkin’ on wi’ weary feet, an’ faces turned fae hame, But lovin’ aye the auld wife across the seas the same. Scotland our Mither—we left your bieldy bents To hunt wi’ hairy Esau, while Jacob kept the tents. We’ve pree’d the pangs o’ hunger, mair sorrow seen than mirth, But never niffer’d, auld wife, our rightfu’ pride o’ birth. Scotland our Mither—we sow, we plant, we till, But plagues that passed o’er Egypt light here an’ work their will. They’ve harried barn an’ basket till ruin claims us sure; We’d better kept the auld craft an’ herdit on the muir. Scotland our Mither—we weary whiles and tire; When Bad Luck helps to outspan, Regret biggs up the fire; But still the hope uphaulds us, tho’ bitter now the blast, That we’ll win to the auld hame across the seas at last. Scotland our Mither—we’ve bairns you’ve never seen— Wee things that turn them northward when they kneel down at e’en; They plead in childish whispers the Lord on high will be A comfort to the auld wife—their granny o’er the sea. Scotland our Mither—since first we left your side, From Quilimane to Cape Town we’ve wandered far an’ wide; Yet aye from mining camp an’ town, from koppie an’ karoo, Your sons richt kindly, auld wife, send hame their love to you. *GLOSSARY* _Ablach_—insignificant person. _Aivrins_—cloudberry. _Ajee_—to one side. _Antrin_—occasional. _Arles_—earnest given in striking a bargain. _Asklent_—askance. _Awat_—I wot. _Awin’_—owing. _Baillie_—alderman; _baillie_ (_water_)—bailiff; _baillie_ (_in the byre_)—cattle-man. _Ballants_—ballads. _Bane_—bone. _Banster_—one who binds the sheaves. _Barkit_—encrusted with dirt. _Bauldrins_—cat. _Bawd_—hare. _Beet to_—had to. _Beets_—boots. _Begood_—began. _Bents_—hilly ground on which coarse grass grows. _Besom shaft_—broom handle. _Bield_—shelter. _Biggin’_—building. _Bike_—hive. _Birk_—birch. _Birlin’_—whirring. _Birn_—burden. _Birr_—whirr. _Birse_—bristles. _Birselt, birslin’_—scorched, scorching. _Bishop_—to beat down earth or stones. _Blate_—bashful. _Bluffert_—blast of wind. _Bonnet-laird_—yeoman. _Bool_—bowl, marble. _Boss_—hollow. _Bothy_—cottage where farm servants are lodged. _Bourtree_—elder. _Braxy_—sheep that has died a natural death. _Break_—hollow in a hill. _Breet_—brute. _Brochan_—oatmeal boiled thicker than gruel. _Brulzie_—brawl. _"Buchan"_—Buchan’s "Domestic Medicine." _Buirdly_—stalwart. _But-an’-ben_—cottage divided into two apartments. _Byous_—exceedingly, out of the common. _Cadger_—hawker. _Caird_—travelling tinker. _Cairtin’_—playing cards. _Caller_—cool, refreshing. _Cannas_—-canvas. _Canny_—safe, prudent, judicious. _Cantrip_—mischievous trick. _Carlie_—little old man. _Cauldrife_—causing the sensation of cold. _Caup_—turned wooden bowl. _Cauper_—maker of caups, wood-turner. _Caur_—calves. _Causey_—causeway. _Caw_—to drive. _Chappin’_—knocking. _Chappit_—struck (the clock "chappit"); _chappit kail_—mashed or bruised colewort. _Chaumers_—chambers. _Clachan_—hamlet. _Claik_—gossip. _Clash_—gossip. _Clawed the caup_—cleaned the dish. As a punishment the person last to get up in the morning had to clean the common bowl. _Cleadin’_—clothing. _Cleekit shalt_—pony suffering from string-halt. _Clinkin’_—mending by rivetting. _Clockin’_—brooding. _Clorty_—dirty, sticky. _Closs_—enclosure, passage. _Cloutie_—small cloth. _Clouts_—mends, patches. _Cogue_—wooden milking pail. _Connached_—abused, wasted, destroyed. _Coof_—coward. _Core_—company, corps. _Corp_—corpse. _Coup_—to exchange. _Couthy_—affable, kindly. _Covin-tree_—trysting-tree, large tree in front of the mansion house where visitors were received. _Cowe_—twig of a shrub or bush. _Cowshus_—cautious. _Cowt_—colt. _Crack_—to chat. _Craft_—small farm. _Craggins_—jars. _Creel_—basket. _Creepie_—low stool. _Creesh_—fat, grease. _Crouse_—brisk, lively, bold. _Crowdy_—meal and water mixed cold. _Cruisie_—ancient oil lamp. _Cuisy_—cast, threw. _Cuitikins_—gaiters. _Cushie doo_—wood pigeon. _Dambrod_—draught board. _Daundrin’_—strolling. _Daw_—dawn. _Dibble_—to plant in a small hole. _Dicht_—to clean, to wipe up. _Ding_—to overcome, to excel. _Dirl_—tingle. _Dirlin’_—vibrating. _Displenish_—to disfurnish, sale of furniture of any sort. _Divot_—turf. _Doddit_—without horns. _Doit_—a small copper coin. _Dool_—woe. _Dozin_—in a benumbed state. _Dreep_—drip, empty to the last drop. _Dregie_—refreshment given at a funeral. _Drift_—driving or driven snow. _Drooth_—drought, thirst. _Dryster_—man who dries the grain before grinding. _Dubs, dubby_—mud, muddy. _Dunt_—bang, sound caused by the fall of a hard body. _Dwinin’_—pining. _Easin’_—eaves. _Eident_—diligent. _Eild_—old age. _Elbuck_—elbow. _Ell-wan’_—yardstick. _Elshin_—shoemaker’s awl. _Ettlin’_—aiming. _Excamb_—to exchange one piece of ground for another. _Fa’_—fall, fate (black be his fa’). _Fae_—from. _Faes_—foes. _Faugh_—fallow land, "Farmers faugh gars lairds lauch"—old Scottish proverb. _Fauld_—fold. _Faured_—favoured. _Feal dyke_—wall built of sods. _Fell_—kill, deadly. _Ferlie_—oddity, wonder. _Fiars_—prices of grain legally fixed for the year. _Fient, fient haet_—not a bit, the Devil a bit. _Fiersday_—Thursday. _Firehoose_—dwelling house. _Firry_—resinous. _Fittit_—footed. _Flaffin’_—flapping. _Flan_—gust of wind. _Flate_—scolded. _Fleech_—flatter. _Fleems_—fleam, lancet. _Fleerish, flint and_—flint and steel. _Fleg_—frighten. _Fleyed_—frightened. _Flyte_—scold. _Forenicht_—interval between twilight and bedtime. _Forfochen_—exhausted. _Fou_—stone crop, saxifrage. _Fremt_—strange, foreign. _Fret_—superstition. _Futt’rat_—weasel. _Fyou_—few. _Gaberlunzie_—beggar. _Gale_—gable. _Galshochs_—kickshaws. _Gangrel_—wanderer. _Gantin’_—yawning. _Gean_—cherry. _Gey, gey often_—considerably, pretty often. _Girn_—snare. _Girnal_—meal chest. _Girse_—grass. _Gizzened_—parched. _Glammoch_—eager grasp. _Glaur_—mire. _Gled, gleed_—kite. _Goupin’_—staring. _Graith_—accoutrements, harness. _Grat, greetin’_—cried, crying. _Grauvit_—cravat. _Grease_—disease affecting horses’ legs. _Greybeard_—earthenware bottle. _Grieve_—farm overseer. _Grippy_—stingy. _Grumlie_—grumbling. _Guff_—smell. _"Gweed words"_—prayers. _Hacks_—chaps, the effect of severe cold. _Hag_—lesser branches of trees. _Hained_—saved, not wasted. _Halflin_—half-grown man. _Hame-drauchted_—selfish, greedy. _Hamewith_—homewards. _Hanks_—skeins. _Hantle_—much. _Happit_—covered. _Harlin’_—rough casting. _Harns_—brains. _Harp_ (_a mason’s_)—wire screen for cleaning sand or gravel. _Hauddin’_—holding, house. _Haugh_—alluvial ground beside a river. _Hauld_—stronghold. _Heeze_—heave. _Hine awa’_—far away. _Hingin’_—hanging. _Hint o’ Hairst_—end of harvest. _Hoast_—cough. _Hod_—hid. _Hodden grey_—cloth the natural colour of the wool. _Horn-en’_—best room in a two-roomed cottage. _Houkin’_—digging. _Hoven_—swollen, blown out. _Howe_—hollow, valley. _Hummel_—without horns. _Hunker_—to squat down. _Income_—ailment the cause of which is unknown. _Jaud_—jade. _Jot_—job, occasional work. _Jow_—toll of a bell. _Kail_—colewort. _Kavils_—lots. _Kebbuck_—cheese. _Keel_—ruddle, chalk. _Kimmer_—wife. _Kintra_—country. _Kirn_—churn. _Kist_—box, coffin. _Kittyneddie_—sandpiper. _Kye_—cows. _Kyte_—belly. _Lade_—mill race. _Laich_—low. _Lair_—burying plot, bed. _Laith_—loth. _Lampin’_—taking long steps. _Lane_—alone; _his lane_, by himself. _Lapbuird_—lapboard. _Lapstane_—stone on which a shoe-maker beats his leather. _Larick_—larch. _Lave_—the rest, the remainder. _Lay_ (_turning_)—lathe. _Leefu’ lane_—all alone. _Leems_—implements. _Lettergae_—one who gives out the line, the precentor. _Lettrin_—precentor’s desk. _Leuch_—laughed. _Liftward_—skywards. _Limmer_—worthless woman. _Lint-pot_—pool where lint is washed. _Lippens_—entrusts. _Loan, loanin’_—piece of uncultivated land about a homestead. _Loupin’_—leaping. _Lowse_—make loose. _Lozen_—pane of glass. _Lum_—chimney. _Lythe_—-shelter, lea side. _Marrow_—match, equal. _Mart_—ox killed at Martinmas for winter use. _Mawkin_—hare. _Mear_—mare. _Mint_—aim, intention. _Mirk_—darkness. _Mith_—might. _Muggins_—boot hose. _Monyfaulds_—entrails, the part which consists of many folds. _Moss_—moor where peats are dug. _Mou’_—mouth. _Moulter_—multure. _Mouter_—multure, miller’s fee. _Mull, snuff mull_—box, snuff box. _Mutch_—head-dress for a woman. _Mutchkin_—liquid measure. _Nearhan’_—nearly. _Neeps_—turnips. _Neive_—fist. _Newlins_—newly. _Nick_—notch. _Nickum_—mischievous boy. _Niffer_—to barter. _Nott_—needed, required. _Nowt_—nolt, neat cattle. _O’ercome_—burden. _Oes_—grand-children. _Ongauns_—goings-on. _Ooks, ouks_—weeks. _Oonchancie_—uncanny. _Oonfashed_—untroubled, _Oxter_—arm-pit. _Panged_—crammed. _Partan_—common sea crab. _Pass_—passage. _Pech_—to pant, to labour in breathing. _Peer_—match, equal. _Peerman_—holder for fir candle. _Pig_—pitcher. _Pirn_—reel. _Plisky_—mischievous trick. _Ploy_—frolic. _Pock_—bag. _Pooch_—to pocket. _Pow_—poll, head. _Pree’d_—tasted. _Preen_—pin. _Prob_—to pierce. _Puckle_—small quantity. _Quaich_—drinking cup with two handles. _Queel_—to cool. _Queet_—ankle. _Quern_—stone hand-mill. _Queyn_—quean, young woman. _Quirky_—tricky. _Rant_—quick lively tune. _Rantree_—rowan tree, mountain ash. _Rape_—rope, especially one made of straw. _Rax_—to stretch. _Ream_—cream. _Redd up_—to clear up. _Reed_—rood by measurement, _Reek_—smoke. _Reemish_—weighty stroke or blow. _Reeshlin’_—rustling. _Reets_—roots. _Reist_—to bank up a fire. _Rifted_—belched. _Riggin’_—ridge, roof. _Roch_—rough. _Rockins_—evening gatherings for work and gossip. _Roddens_—rowans. _Roup_—sale by auction. _Roupy_—hoarse. _Routh_—plenty. _Rotund_—rolled, wrapped, _Ruck_—rick, stack. _Ruggin’_—pulling. _Rung_—heavy staff. _Runt_—withered hag. _St. Sairs_—market in Aberdeenshire. _Sappy_—moist, full of juice. _Saugh_—willow. _Scob_—to put in splints. _Scouk_—evil look. _Scrat_—scratch. _Scrunt_—stunted in growth. _Scunner_—loathing, to disgust. _Seggit_—sagged, sunk down. _Seggs_—yellow flower-de-luce or iris. _Set_—rented. _Seyed_—put through a sieve. _Shaltie_—pony. _Shank_—to knit, knitting. _Shee_—shoe. _Shoon_—shoes. _Shortsome_—amusing, causing the time to seem short. _Shue_—sew. _Siccan_—such. _Sids_—corn husks. _Simmer_—summer. _Sizzons_—seasons. _Skaith_—hurt, injury. _Skeely_—skilful. _Skelp_—stroke, blow. _Skep_—bee hive. _Skirtit_—ran quickly. _Skraich_—screech. _Skreek of day_—dawn. _Slap_—opening, piece broken out. _Slee_—sly. _Slips the timmers_—(metaphor for) dies. _Slock_—to quench thirst. _Smorin’_—smothering. _Snaw-bree_—melted snow. _Sneck_—latch. _Sned_—to cut, to prune. _Snell_—keen, sharp, severe. _Sonsy_—plump. _Sooker_—sucker. _Soorocks_—sorrel. _Sooter_—cobbler. _Sornin’_—obtruding on another for bed and board. _Souff_—to whistle or con over a tune in a low tone. _Soughin’_—sighing, making a low whistling noise. _Souple_—supple. _Spae_—to tell fortunes. _Spairge_—to bespatter by dashing a liquid. _Spate_—flood. _Speel_—to climb. _Speer_—to enquire. _Spring_—tune. _Stachers_—staggers. _Stance_—place, station. _Stang_—long pole; (of a trump), tongue of a Jew’s harp. _Starkly_—strongly, bravely. _Starn_—star. _Steed_—stood. _Steek_—stitch. _Steer_—stir, disturb. _Stent_—extent of task. _Stirk_—young bullock. _Stob_—thorn. _Stobbit_—thatched by means of a stob or stake. _Stoitered_—staggered, tottered. _Stookit_—put into shocks. _Stoor_—dust. _Stoorum_—gruel. _Store the kin_—live, keep up the stock. _Stot_—bullock older than a stirk. _Stounds_—aches, acute pains. _Streek_—stretch. _Streen_—yesterday. _Strype_—small rill. _Studdy_—anvil. _Swak_—supple. _Swarfed_—fainted. _Swatch_—sample piece. _Sweel_—swill, to wash away. _Sweer_—lazy. _Swith_—swiftly. _Swither_—hesitate. _Syne_—then, since. _Tablin’_—top stones on a gable, _Tack_—lease. _Tansies_—ragweed, _Tap_—top. _Tashed_—fatigued. _Ted_—toad, applied to children or young women as a term of endearment. _Teem, toom_—empty. _Tenty_—careful, attentive. _Teuch_—tough. _Teuchat_—lapwing. _Thackit_—thatched. _Thewless_—feeble. _Thiggin’_—to go about receiving supply not in the way of common mendicants, but rather giving others an opportunity of showing their liberality. _Thirled_—bound or enthralled. _Thoom_—thumb, to massage with the thumbs. _Thrang_—throng. _Thrapple_—throat. _Thrave_—two stocks or sheaves. _Thraw_—twist, sprain. _Thrawcruik_—implement for twisting straw ropes. _Threeve_—throve. _Thrums_—ends of yarn; _span her thrums_—purred. _Timmer_—timber. _Tint_—lost. _Tirl_—act of vibrating. _Tirl the sneck_—twirl the handle of the latch. _Tirr_—to strip forcibly. _Tittit the tow_—pulled the bell-rope. _Toom_—empty. _Tocher_—dowry. _Tod_—fox. _Towmond_—twelvemonth. _Trail the rape_—Hallowe’en spell which consisted in dragging a straw rope of peculiar make round the house. _Trams_—shafts, as of a cart. _Trauchled_—draggled. _Travise_—division between stalls. _Troke_—barter. _Truff_—turf. _Trump_—Jew’s harp. _Tulzie_—quarrel. _Tweezlock_—another name for thrawcruik. _Tyauve_ (_wi’ a_)—with great difficulty. _Unco_—strange, uncommon. _Virr_—force, impetuosity. _Vratches_—wretches. _Vreetin’_—writing. _Vricht_—wright. _Wadset_—to mortgage. _Waled_—chosen. _Waller_—weller, frequenter of St. Ronan’s well. _Wardly_—worldly. _Wared_—expended. _Warslin’_—struggling. _Waucht_—large draught _Weet_—wet. _Weird_—fate, destiny. _Whaup_—curlew. _Wheeple_—shrill intermitting note with little variation of tone. _Whip-the-cat_—tailor with no fixed place of business, who goes from house to house. _Whorl_—flywheel of a spindle made of wood or stone. _Whylock_—little while. _Wicks o’ mou’s_—corners of the mouth. _Winceys_—petticoats made of wincey. _Wiss_—wish. _Wuddy_—gallows. _Wye_—way. _Yeldrin_—yellow-hammer. _Yett_—gate. _Yill_—ale. _Yird_—earth. _Yokin’_—working period during which horses are in harness. _Youkie_—itchy. _Yowes_—ewes. PRINTED IN GREAT BRITAIN BY RICHARD CLAY AND SONS, LIMITED, BRUNSWICK STREET, STAMFORD STREET, S.E., AND BUNGAY, SUFFOLK. *** END OF THE PROJECT GUTENBERG EBOOK HAMEWITH *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.