The Project Gutenberg eBook of Coplas por la muerte de su padre, by Jorge Manrrique.

Nous avons utilisé, pour la présente édition des Coplas de Jorge Manrrique, les textes suivants:

A.—Cancionero de Iñigo de Mendoza, imprimé vers 1482 (cf. Haebler, Bibliografía ibérica, nº 421, pp. 200 et 362; Benigno Fernández, in La Ciudad de Dios, vol. LVI, pp. 64-65; Gallardo, Ensayo, nº 3043). Le seul exemplaire connu est à la Bibliothèque de l’Escorial, sous la cote ij-X-17.

B.—Cancionero de Iñigo de Mendoza, imprimé vers 1483 (cf. Haebler, op. cit., nº 422; Gallardo, op. cit., nᵒˢ 3044 et 3045, deux exemplaires de la même édition; Salvá, Catálogo, nº 182). Nous en avons vu deux exemplaires: British Museum, IB 52920, et Escorial 38-I-22.

D.—Cancionero de Ramón de Llabia, imprimé à Saragosse vers 1490 (cf. Haebler, nº 387; Salvá, nº 185; Heredia, nº 1641; Gallardo, nº 2859). Nous en avons vu deux exemplaires: Madrid, Biblioteca Nacional, I 2098, et British Museum, C. 63. c. 3.

E.—Cancionero de Castañeda, manuscrit du XVᵉ siècle. Appartient à M. le Marquis de Laurencín qui a eu l’amabilité de nous laisser copier le texte des Coplas (cf. Revista de Archivos, 1900, t. IV, pp. 321-338, 390-403 et 516-535).

F.—Glosa famosissima sobre las coplas de dõ Jorge marriq̄.[viii] [por el Licenciado Alonso de ceruantes]. Acabose la presente obra corregida y emendada por el mismo autor. E emprimida en la muy noble çybdad de Lisbona reyno de Portugal por Valentyn fernãdez de la prouincia de Morauia Año del naçimiento de nuestro señor Jhesu xp̄o de myl y quinjentos y vno año. A diez dias del mes de Abril. in-fol. British Museum, C. 20. e. 19.

Nous n’avons relevé ni les variantes purement orthographiques ni les fautes d’impression manifestes.

[1] BCDF. hizieron.

[2] D. ⁊.

[3] A. y sus.

[4] BCDF. hizieron.

[5] A. de amores.

[6] BCDF. hizo.

[7] C. tenian.

[8] BCDF. hizo.

[9] BC. y aquellas.

[10] A. japadas.

[11] E. vestian.

[1] D. E.

[2] BCF. (que).

[3] E. baxos.

[4] ABF. truxeron; E. trayeron.

[5] F. aquella gran.

[6] A. prosperidat.

[7] D. quen tan alto.

[8] E. sobida.

[9] BC. y enxalçada; D. ⁊ enzalzada; EF. y ensalçada.

[10] A. claridat.

[11] D. que quando.

[12] A. matada.

[1] D. Antoño.

[2] A. anthonio; F. fabio.

[3] A. egualdat.

[4] E. y buen senblante.

[5] D. en la.

[6] D. verdosio.

[7] A. humildat; BCDE. humanidad.

[8] AF. Aurelio y Alexandre; E. Aurelio liandre. Voir la note 3, p. 43.

[9] BCD. desciplina.

[10] A. Camillo; BC. Camelio; F. Tamiro.

[11] E. grande.

[12] F. en el querer.

[1] E. llego.

[2] D. muchas.

[3] BCF. hizo.

[4] E. gran guerra a (los).

[5] F. lugares.

[6] F. (y).

[7] D. quantos.

[8] BC. muchos caualleros.

[9] D. rendas.

Ordre des coplas dans E.: 30, 29.

[1] A. en.

[2] D. desmanparado.

[3] F. parientes.

[4] F. de.

[5] BCF. hechos.

[6] BC. hizo; F. que hizo.

[7] A. en la dicha; D. en esta misma; F. en esta (dicha).

[8] BCD. que hazia.

[9] BCF. hizo.

[10] AF. tractos.

[11] BC. muy.

[12] A. quel.

[1] A. ystorias.

[2] F. sus manos.

[3] E. gano.

[4] ABCEF. en la.

[5] BC. juuentud.

[6] BCE. vitorias.

[7] ABC. en la; F. en su.

[8] ABCE. senetud.

[9] BC. y por.

[10] EF. grande.

[11] E. ançania.

[12] E. dinidad; A. (la) diuinidad.

[13] BC. de la.

[1] A. dexat.

[2] BC. al.

[3] BF. con halago; C. con su halago; E. y su falago.

[4] F. (y).

[5] A. salut.

[6] A. yzisteys; BC. hezistes.

[7] F. tan poca cuenta hezistes.

[8] F. esfuerçeos.

[9] E. esforçad vuestra.

[10] E. a sofrir aquesta.

[11] F. afrenta.

[12] BC. os.

[1] D. vos.

[2] BCDF. haga.

[3] D. de la fama (tan).

[4] BC. vida esta.

[5] A. y.

[6] B. (es).

[7] BCF. (ni).

[8] A. que la corona.

[9] F. corporal.

[10] BC. padescera.

Le f. (ccccxxv) où se trouvaient les six dernières coplas manque dans E.

[1] BC. oluidados.

[2] A. y de fijos y de; BC. y de hijos y de; D. ⁊ de sus hijos ⁊.

[3] D. la dio.

[4] BC. y en.

[5] D. que; F. (y).

[6] D. perdio.

[7] D. dexonos.

[8] Voir la note 4, p. 43.

Titre: A. Torna el actor y faze fin; BCF. Cabo; D. Fin.

Entre les coplas 24 et 25, F en intercale deux dont Jorge Manrrique ne semble pas être l’auteur. Le texte de la première (qui devrait en réalité suivre l’autre au lieu de la précéder) est assez fautif, mais peut être rétabli en recourant à la Glosa de Diego Barahona (1541) qui contient, elle aussi, ces deux coplas[1]; nous désignons ces variantes par G. La Glosa de Barahona ne nous est parvenue que par un exemplaire unique dont M. Archer M. Huntington, qui le possède, vient de publier un très beau fac-similé [2].

[1] Le texte de Manrrique donné par Barahona procède, directement ou non, de celui donné par Alonso de Cervantes (F.)

[2] Glosa a la obra de don Jorge Manrrique. Hecha por Diego Barahona: dirigida al muy yllustre señor don Gaspar destuñiga de auellaneda abad de castro. ⁊c. M. D. xlj. (Fac-similé publié par Archer M. Huntington. New-York, 1902).

[3] G. el.

[4] G. la.

[5] G. el que ha.

[6] G. sufre.

[7] G. con sudar son adqueridos (dans la Glosa: con sudor son adquiridos).

[8] G. vienen los mas (sic).

[9] G. de ya.

[10] G. y de males y (de).

[11] G. y tan (dans la Glosa: tan).

«... Fuit... gladii exserendi cupidus. Nam cum essent in exercitu duo Aureliani tribuni hic et alius, qui cum Valeriano captus est, huic signum exercitus adposuerat «manu ad ferrum» ut si forte quaereretur quis Aurelianus aliquid uel fecisset uel gessisset, suggereretur «Aurelianus manu ad ferrum» atque cognosceretur.» (Vopiscus, Vita Aureliani, c. 6, in Scriptores Historiae Augustae, éd. Jordan et Eyssenhardt. Berolini, 1864, t. II, p. 139).

Imp. Caesar M[arcus] Aurelius Severus Alexander Pius Felix Augustus (Corpus Inscriptionum Latinarun, passim).

Notas del transcriptor:

La puntuación en las notas al pie ha sido normalizada.

Página 10, se ha insertado la referencia de la nota al pie número 8, que faltaba en el original.

Página 20, “cortetan” cambiado a “corte tan” (“que corte tan exçelente”).

El carácter “et”, conforme a la notación de Marco Tulio Tirón, aparece en las siguientes ubicaciones:

Copla 3, nota al pie 3.
Copla 14, nota al pie 8.
Copla 17, nota al pie 2.
Copla 22, nota al pie 9.
Copla 40, nota al pie 2.
Nota final a la copla 24, nota al pie 2.

Este carácter puede no ser visible en algunos dispositivos, que lo reemplazarán por un cuadrado en blanco o un signo de interrogación. En las imágenes originales de este libro, dicho carácter aparece representado de la siguiente manera:

El carácter Unicode moderno correspondiente (U+204A) se visualiza como sigue:

Imágenes originales de este libro se pueden encontrar aquí.

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The Project Gutenberg eBook of Coplas por la muerte de su padre

Coplas por la muerte de su padre

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Coplas
por la muerte de su padre