The Project Gutenberg eBook of Punch, or the London Charivari, Vol. 108, June 29, 1895 This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Punch, or the London Charivari, Vol. 108, June 29, 1895 Author: Various Editor: F. C. Burnand Release date: October 19, 2013 [eBook #43981] Language: English Credits: Produced by Malcolm Farmer, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 108, JUNE 29, 1895 *** Produced by Malcolm Farmer, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. VOL. 108. JUNE 29, 1895. _edited by Sir Francis Burnand_ OPERATIC NOTES. _Monday._--Tannhäuserites disappointed. Signor VIGNAS indisposed. _Tannhäuser's_ understudy _Faust_ put up. House good. Performance better. PLANÇON,--once _Jupiter_ now _Mephistopheles_, the extremes meeting in one singer,--excellent. MELBA quite the German Fräulein. BEVIGNANI, C. B., _i.e._, "Conducting Beautifully," in the chair. _Tuesday._--Many other attractions, yet heart is true to Opera. M. VICTOR MAUREL, as _Iago_, adds another leaf to his victor's wreath of Laurel. MAGGIE MACINTYRE makes distinct advance, and sings, "O Willow, we have missed you" most melodiously. TAM AGNO as _Misther O'Tello_, the Irish darky singer, uncommonly powerful. RICHARD GREEN, _Montano_, greener than ever: quite fresh. PERCY MORDY a good _Roderigo Randomo_. The highly Pole-ish'd OLITZKA a fair representative of _Emilia_. And this cast, with Merry MANCINELLI manipulating musicians, makes the Opera a delight to the _fine fleur_ of the Covent Gardenian Hot House. [Illustration: Pagliacci.] _Wednesday._--House crammed to see and hear ADELINA PATTI as _Rosina_ in the ever delightful _Barbiere di Siviglia_. ROSSINI for ever! "Whar's your WULLIE WAGNER noo?" PATTI'S acting worth a third of the money; her singing makes up t'other two-thirds. "Bonus" to audience in "_Home, Sweet Home_." Wrapt attention! Here we are all of us out for the night, so to speak, in silks and satins and jewels rare, and with feathers and diamonds and all our war paint on, off afterwards to routs, balls and supper-parties, and yet all hushed, conscience-stricken as it were, in the midst of our gaiety, by sweet voice warbling so distinctly "Home! Home! Home! Sweet Home! Wherever (including the Opera Covent Garden) we wander (and we can't wander when our attention is riveted on _la Diva_) there is no-oh-o-o place like Ho-ome!" And then, second verse finished, a storm of rapturous applause bursts over the singer! Yes! those are our sentiments. "Home! Home!" by all means. Only--excuse us--we "_won't_ go Home Sweet Home till morning, till daylight doth appear." But why, ADELINA _mia_, didst thou sing at the end of the Opera that remarkably anti-climaxious waltz of TI-TO-TUM MATTEI'S? TI-TO-TUM all very well in his way, but not a ROSSINI. And then you sang it from a paper in your hand as though doing penance in a music sheet? A mistake, ADELINA, don't do it again, spin your TI-TO-TUM at a concert, but not in ROSSINI'S _Barbiere_. BERTHA BAUERMEISTER obtained a rapturous encore, but shook her finger at the audience as who would say "too late! too late!" So BEVIGNANI bowed, and on we went again merrily. PINI-CORSI good as pantaloon _Bartolo_. ANCONA a capital _Figaro_, looking like one of _Cruikshank's_ comic characters. 'ABRY MUNDY, fine _Basilio_ done in Italian oils; M. BONNARD, light and airy French count, more of larker than lover. All Home-Sweet-Home-ing (or elsewhere) about midnight, many being detained by the singers at the Opera from getting to the SPEAKER'S "at Home," Sweet Home. _Thursday._--_Pagliacci_, with Miss PAULINE JORAN appearing as _Nedda_, and playing it in first-rate style. "Gee up! _Nedda!_" _Query._ PINI-CORSI good as _Tonio_? _Answer._ 'CORSI was. T'others not much, but Opera still charming. Yet this evening's programme too trying for emotional persons. _Pagliacci_, tragedy; _Cavalleria Rusticana_ tragedy also; tragedy from beginning to end; even the celebrated _mezzo_ very like a wail! Not kind of DRURIOLANUS to afflict us thus. Madame BELLINCIONI, "the original _Santuzza_," admirable. Honours easy between Madame CALVÉ and BELLINCIONI. The latter played it first abroad; but the former had the start of her _here_. In some of the action peculiarly characteristic of the type, BELLINCIONI wins, not by a neck, but by two hands. CALVÉ more striking (hands down) in her jealous agony. Signor VALENTINE FIGARO ANCONA excellent as _Alfio_; the situation when VIGNAS, going strong as _Turiddu_, catches _Alfio's_ ear, in order, as he says in Sicilian, "Tu-rid-u of his presence" by subsequently killing him, more dramatic than ever. GIULIA RAVOGLI admirable as quite the gay _Lola_ of the Sicilian Seven Dials. After _intermezzo_ Bowing BEVIGNANI declines _encore_. _Friday._--Child _Harold_ allowed to sit up late for another night. Composer COWEN ought to sing, "I love my ALBANI with an A, because she's Admirable." _Harold_ improveth on representation. _William Malet_ played by RICHARD GREEN. Nice of the librettist, Sir EDWARD MALET, to keep the memory of his ancestor Green. It must make singers rather nervous to have the composer _vis-à-vis_ conducting his own work; as WAGSTAFF observes, "in this instance it must have the effect of Cowin' them." 'Nother week gone. * * * * * A SIESTA. How sleepy I feel! It is this beastly influenza cold and headache. The best thing to do for a headache is to have a little doze and sleep it off. Not a very easy thing to do in a big Paris hotel in the afternoon. However, it is quiet enough in my room, looking on to the courtyard, away from the noises of the Boulevard. Just dropping off. Crash! Only someone shutting a door. That is not an unusual sound. In these big hotels no one closes a door, no one glides along a passage, no one speaks in a soft voice, but everyone bangs, and stamps, and shouts. If it is a woman, she screams. Another crash! The man in the next room just come in. That's the Frenchman with the awful cough. No one but a Frenchman could have a cough like that. Lie and listen to his cough for some time. Various other doors banged. But at last sink into unconsciousness. Good Heavens! What's happened now? Oh, it's the American trunks being dragged out of the room on the other side. Well, at any rate I shall not hear the American voices now through that miserable door of communication, which, locked and bolted ever so carefully, does not keep out sounds. But there is someone talking there now. Of course the new comers. It must be two people. No, twenty people. By Jove, they are Germans! And there's the Frenchman's cough again. I shall never get to sleep. Yet somehow the sounds get confused, I fancy the Germans are coughing and the Frenchman is saying "_Ja, ja, ja,_" and then---- There, now I am awake again. Why, there's someone knocking at the door. "_Pardon, monsieur, avez-vous reçu votre linge?_" "_Mais, oui, je l'ai reçu hier._" "_Pardon, monsieur, il y a des faux-cols._" "_Non, je les ai reçus tous._" "_Mais, monsieur----_" "_Mais qu'est-ce que vous me chantez là? Laissez-moi tranquille._" "_Mais, monsieur, le monsieur en face m'a dit que monsieur a reçu des faux-cols que monsieur----_" Confound the collars! Get up, let in the _garçon_, examine my collars and the collars of the _monsieur en face_, who is just packing up, rectify the mistake of the washerwoman, and am again alone. Now is it worth going to sleep or not? Will try once more. What's that? "MARIE!" It's someone shouting outside my door. How fond they are of shouting outside my door! "MARIE! _De l'eau chaude._" I hope she won't think it's for me, or she'll wake me up if at last I get a chance of dropping off. Then silence. Positively, absolute silence. The coughing Frenchman must have been suffocated; the Germans--no, nothing could stop the Germans from talking, only they have gone out of hearing. And the _femme de chambre_ has hurried off to fetch that hot water for somebody, and the _garçon_ is not banging his broom about in this _couloir_, and there is no baggage coming or going, and no door crashing; and, in the midst of profound peace, I think drowsily of quiet country afternoons, when one hears only the humming of the bees, and the whispering of the aspens, and then, and then----Hullo! What's up now? There's someone else knocking. My last chance gone. My head is aching more than ever. "_Eh bien?_" "_C'est l'eau chaude que vous avez commandée, Monsieur._" * * * * * THE ADVERTISEMENT FIEND. (_Written in the Train by an Irate Traveller._) ["The English landscape is being transformed into a dumping-ground for catchpenny eyesores."--_See the "Nineteenth Century" for June._] [Illustration] For Soap and Pill each English slope and hill Is now a background, and the cry is, "Still They come;" these public nuisances, that mar The fair earth's face, like some unsightly scar. Who possibly can care, I ask, to learn That Juno Soap Saves Washing, or to turn A gaze disgusted on some blatant board, By which the devious tourist is implored To try the Lightning Pill that never fails To spot the Spot, or cure whatever ails? JOHN BULL, his missus and the kids, I hope, Do not entirely live on pills and soap. And yet you'd surely think so, when you've scanned The nostrum-signs that so adorn our land! Oh! heavily I'd tax 'em, if I might! And keep the landscape clear. Am I not right? [_Terminus. Exit, fuming._ * * * * * SOCIETY'S NEXT CRAZE. (_As foreseen by Mr. Punch's Second-sighted Clairvoyant._) _It is the summer of 1896--or possibly '97. The scene is a road skirting Victoria Park, Bethnal Green, which Society's leaders have recently discovered and appointed as the_ rendez-vous _for the Season, and where it is now the correct thing for all really smart people to indulge, between certain prescribed hours, in sports and pastimes that have hitherto been more characteristic of the masses than the classes. The only permissible mount now is the donkey, which must be ridden close to the tail, and referred to as a "moke." A crowd of well-turned-out spectators arrives from the West End every morning about eleven to watch the brilliant parade of "Mokestrians" (as the Society journalist will already have decided to call them). Some drive slowly up and down on coster-barrows, attended by cockaded and disgusted grooms. About twelve, they break up into light luncheon parties; after which they play democratic games for half an hour or so, and drive home on drags._ [Illustration] _Mr. Woodby-Innett_ (_to the_ Donkey Proprietor). Kept a moke for me? I told you I should be wantin' one every mornin' now. _The Donkey Proprietor_ (_after consulting engagement-book_). I've not got it down on my list, Sir. Very sorry, but the Countess of CUMBERBACK has just booked the last for the 'ole of this week. Might let you 'ave one by-and-by, if Sir HASCOT GOODWOOD brings his in punctual, but I can't promise it. _Mr. Woodby-Inn._ That's no good; no point in ridin' after the right time. (_To himself, as he turns away._) Nuisance! Not that I'm so keen about a moke. Not a patch on a bike!--though it don't do to say so. Only if I'd known this, I'd have turned up in a tall hat and frock coat; and then I could have taken a turn on the steam-circus. Wonder if it would be any sort of form shyin' at cocoa-nuts in tweeds and a straw hat. Must ask some chap who knows. More puzzlin' what to put on this year than ever! _Lady Ranela Hurlingham_ (_breathlessly to_ Donkey Proprietor). That's mine, isn't it? Will you please put me up, and _promise_ me you'll keep close behind and make him run. (_Suppliantly._) You will, _won't_ you? _The Donkey Proprietor_ (_with a due sense of his own value_). Well, I dessay I can come along presently, Lady 'URLINGHAM, and fetch 'im a whack or two; jest now I can't, having engaged to come and 'old the Marshiness of 'AMMERCLOTH'S on _'er_ moke; but there, you orter be able to git along well enough by yourself now--_you_ ought! _Captain Sonbyrne_ (_just home on leave from India--to_ Mrs. CHESHAM-LOWNDES). Rather an odd sort of idea this--I mean, coming all the way out here to ride a lot of donkeys, eh? _Mrs. Chesham-Lowndes._ It used to be rather amusing a month ago, before they all got used to riding so near the tail; but now they're all so good at it, don't you know. _Capt. Sonb._ I went down to Battersea Park yesterday to see the bicyclists. Not a soul there, give you my word! _Mrs. C.-L._ No; there _wouldn't_ be _this_ season. You see, all sorts and conditions of people began to take it up, and it got too fearfully common. And now moke-riding has quite cut it out. _Capt. Sonb._ But why ride donkeys when you can get gees? _Mrs. C.-L._ Oh, well, they're democratic, and cheap, and all that, don't you know. And one really can't be _seen_ on a horse this year--in town, at least. In the country it don't matter so much. _First Mokestrian_ (_to second ditto_). Hullo, old chap, so _you_'ve taken to a moke at last, eh? How are you gettin' on? _Second Mokestrian._ Pretty well. I can sit on his tail all right now, but I can't get into the way of keepin' my heels off the ground yet, it's so beastly difficult. _Fragments from Spectators._ That's rather a smart barrow, Lady BARINRAYNE'S drivin' to-day.... Who's the fellow with her, with the paper feather in his pot-hat? Bad style, _I_ call it.... That's Lord FREDDY FUGLEMAN--best dressed man in London. You'll see everybody turnin' up in a paper feather in a day or two.... Lot of men seem to be using a short clay as a cigarette-holder now, don't they?... Yes, RODDIE RIPPINGILL introduced the idea last week, and it seems to have caught on. [_&c., &c._] AFTER LUNCHEON; AT THE STEAM-CIRCUS, AND OTHER SPORTS. _Scraps of Small-talk._ No end sorry, Lady GWENDOLIN; been tryin' to get you a scent-squirt everywhere; but they're all gone; such a run on 'em for Ascot, don't you know.... Thanks; it doesn't matter; only dear Lady BUCKRAM has just thrown some red ochre down the back of my neck, and ALGY VERE came and shot out a coloured paper thing right in my face, and I shouldn't like to seem uncivil.... Suppose I shall see you at Lady BRABAZON'S "Kiss in the Ring" at Bethnal Green to-morrow afternoon?... I believe she _did_ send us cards, but we promised to look in at a friendly lead the Duchess of DILLWATER is giving at such a dear little public she's discovered in Whitechapel, so we may be rather late.... You'll keep a handkerchief-throw for me if you _do_ come on, won't you?... It will have to be an _extra_, then, I'm afraid.... Are you goin' to Lord BALMISYDE'S eight o'clock breakfast to-morrow? _So_ glad; I hear he's engaged five coffee-stalls, and we're all to stand up and eat saveloys and trotters and thick bread and butter.... Oh, I wanted to ask you, my girls have got an invitation to a hoky-poky party the VAVASOURS are giving after the moke-ridin' next Thursday, and I'm told it's quite wrong to eat hoky-poky with a spoon--do you know how that is?... The only _correct_ way, CAROLINE, is to lick it out of the glass, which requires practice before it can be _attempted_ in public. But I hear there's quite a pleasant boy-professor somewhere in the Mile End Road who teaches it in a single lesson; he's _very_ moderate; his terms are only half a guinea, which includes the hoky-poky. I'll send you his address if I can find it.... Thanks _so_ much; the dear girls _will_ be so grateful to you.... I _do_ think it's _quite_ too bad of Lady GERALDINE GRABBER, she goes and sticks her card on the only decent wooden horse in the steam-circus and says she's engaged it for the whole time, though she hardly ever takes a round! And so many girls standing out who can ride without getting in the _least_ giddy!... Rathah a boundah, that fellow, if you ask me; I've _seen_ him pullin' a swing boat in brown boots and ridin'-breeches!... How wonderfully well your daughter throws the rings, dear Lady CORNELIA, I hear she's won three walking-sticks and five clasp knives.... You're very kind. She is quite clever at it; but then she's had some private coaching from a gipsy, don't you know.... What are you going to do with yourself this afternoon?... Oh, I'm going to the People's Palace to see the finals played off for the Skittles Championship; bound to be a closish thing; rather excitin', don't you know.... Ah, Duchess, you've been in form to-day, I see, five cocoa-nuts! Can I relieve you of some of them?... Thanks, they _are_ rather tiresome to carry; if you _could_ find my carriage and tell the footman to keep his eye on them. [_&c. &c._]. _Lady Rosehugh_ (_to_ Mr. LUKE WALMER, _on the way home_). You know I _do_ think it's _such_ a cheering sign of the times, Society getting simpler in its tastes, and sharing the pleasures of the Dear People, and all that; it must tend to bring all classes more _together_, don't you know! _Mr. Luke Walmer._ Perhaps. Only I was thinking, I don't remember seeing any of the Dear People _about_. _Lady Rosehugh._ No; somebody was telling me they had taken to playing Polo on bicycles in Hyde Park. So extraordinary of them--a place nobody ever goes _near_ now, you know! * * * * * THE LAST TOURNAMENT (OF TENNIS--IN THE NORTH). _By a Manchester Enthusiast of Tennis-onian Tastes and Hibernian Sympathies._ ["For once in a way the Northern Tournament, which has long boasted of being second only to Wimbledon, has not proved an unqualified success.... The withdrawal of Messrs. PIM and STOKER must for some time be severely felt by tournaments of first-class importance."--_Bradford Observer._] AIR--"_The Battle of the Baltic._" Of Tennis in the North, Sing the--more or less--renown! But--some champions of worth From the netted lists are flown; The Great Brethren from the verdant courts are gone! Once they mustered a brave band, LAWFORD long, and LEWIS grand, Whilst the RENSHAWS, hand o'er hand, Smashed--and won! Now the other--BADDELEY--twins Have it nearly their own way; And they score repeated wins, Though the ALLENS, too, can play, And can send a swift one down the centre line. When those twins are on the job It is little use to lob. Then there's BARLOW,--bet your bob _He_ is fine! But the might of England flush'd In those courts of emerald sheen. WILFRID flew, and H. B. rush'd.-- Oh! the wearing of the Green!-- Where is Irish PIM, where STOKER, that great gun? Though they smashed and volley'd madly, The Hibernians murmured sadly, "Faix! Auld Erin's beaten--BADDELEY At this fun!" Then there's sweet Miss DOD again! Oh, how sad it seems, and odd. To survey the chalk-marged plain In the absence of Miss DOD, Who they say is wholly given up to GOLF!!! Shall the links then lick the Court? Tennis champions run short? And the slaves of the Scotch sport Jeer and scoff? True MAHONEY and Miss MARTIN Did their best our sport to save; And Miss COOPER took stout part In mixed doubles--which was brave: But where was Mrs. HILLYARD, "whom we knew?" (As Ulysses said of him In the Shades.) Oh, STOKER, PIM! E'en bright Manchester looked dim Missing you! Still, joy, Old England, raise! For the tidings of your might! Yet we hope that Golfing craze Will not come, like a big blight, And seduce our DODS and RENSHAWS any more. For to mar the sweet content Of our Northern Tournament, By much time on links misspent Were a Bore!!! * * * * * "THE SEELEY LECTURERS."--We have a wholesome dread of lecturers generally. Perhaps the more learned the lecturer, the greater the boredom to the listeners, specially if the latter be frivolously inclined. But in any case, if lectures must be, then we would rather hear a _Wise_ lecturer than a _Seeley_ one. On second thoughts, the only entertaining Seeley Lecturer that we know is the one at the Zoo, who discourses on, while exhibiting, the seal. * * * * * [Illustration: AT A FRENCH HOTEL. "TELL HIM TO CLEAN YOUR BOOTS, JOHN--AND MINE TOO." "ALL RIGHT. ER--GARÇONG, NETTOYEZ MAY BOT, SI VOO PLAY--ET AUSSEE MAH FAM!"] * * * * * SCRAPS FROM CHAPS. Mr. H. T. WADDY, the Liberal Candidate, has been telling the voters of the Truro-Helston division of Cornwall stories about those wicked publicans. At one of the bye elections they got out posters, which read, "If you vote for the Liquor Traffic Bill, this house will be closed," and displayed them in their premises. But the Radical humorist was on the warpath, and, having provided himself with copies of the poster, attached them to the respective doors of the prison, the lunatic asylum, and the workhouse. This was quite excellent. But Mr. WADDY might have carried the joke a little further, say as far as London. There, at all events, the Bill may possibly lead to the early closing of one public house, where business has for some time been in a very bad way. This would of course be a source of great satisfaction to Mr. WADDY--and his leaders. * * * * * In connection with the course of lectures given at Truro by Mrs. THWAITES, principal of the Liverpool School of Cookery, a large Company recently dined in the Concert Hall, at the invitation of the directors of the Truro Gas Company, when the advantages of cooking by gas were put to practical test. Truly there be epicures at Truro who know what's what. Cooking by G. A. S. must have been a great success, and Truro will look forward to a repetition of this cook's excursion. In any case, it will have added to the list of the good things it has seen and people it has known. * * * * * BUBBLES from the BALTIC. BLOWN FROM THE PIPE OF TOBY. M.P. [Illustration] _Off the Elbe, Wednesday Afternoon._--Got up steam, weighed anchor and laid our course East by North half South for Hamburg. Don CURRIE, whose knowledge of ocean life is extensive and peculiar, tells me no well regulated ship puts to sea without first ascertaining the weight of her anchor. Much interested at this peep into nautical life. But what has the weight of the anchor to do with the voyage of the _Tantallon Castle_, or even with the opening of the Baltic Canal? Well, the Don is not sure. Anyhow, it is an old custom. Sailors are superstitious, and if this preliminary to a voyage were omitted, they would turn rusty, and might even want to throw someone overboard. So, to prevent possible unpleasantness, the anchor is weighed--"To an ounce," Don CURRIE says severely. Suppose before we turn in we shall be told how much it weighs. Wish I knew what is the average weight of a really good anchor. So awkward if a man comes upon you suddenly, and says "The anchor weighs just over a ton"; or "What do you think? the anchor turns the scale at fifty-two lbs. ten dwt." Is one too much, and is the other surprisingly little? Haven't the slightest idea. Shall, in either case, say "Ha!" That is, at any rate, noncommittal. Mr. G. will know what an anchor ought to weigh in given circumstances. He knows everything. Shall try and find opportunity of asking him. _Hamburg, Friday_, 5 A.M.--"I am very fond of the German tongue," said the Member for SARK, paying me an early morning pyjama-call. "The language in which GOETHE wrote and HEINE sang is sacred. Still, when it is emitted from the throats of half a score of steam-whistles, one feels there are limits to passionate desire. Have often heard siren song of steam-whistle in and about the Thames. That's bad enough for the sensitive ear. But when it comes to steam-whistling in German, you begin to understand why people sometimes commit suicide." For my part, I like it. Few things more charming than to be wakened at daybreak by a steam-whistle spluttering in your larboard ear. Before you have quite drank in the fulness of the music, another shrieks in your starboard ear. Then, far and near, all round the harbour, they pop off in different keys. Some angry; some whining; some in anguishing pain; some mocking; some wailing; one ingenious contrivance, moved by a master-hand, managing to imitate a burst of maniacal laughter, in which, if you didn't bury your head in the pillow, you feel you must join. Then there's the effect on the man on deck. Don't know who he is; fancy he must be the Supercargo. At first shriek of the earliest whistle, he puts on the heaviest boots (those with the clump of steel at the toes, the wedges of iron at the heel, and fat-headed nails all over the sole). He gives preliminary stamp precisely over your head; all right; steam-whistle shrieks; others respond; Supercargo is off; stamps to and fro just the length of the deck immediately over your berth; leaps up height of two feet; drops exactly over your head; steam-whistles go faster; Supercargo clatters off; fetches from somewhere a plank, a rough-hewn plank studded with nails; this he dashes on the deck over your head; got the range to a nicety; never misses; steam-whistles go off simultaneously; maddening effect on Supercargo; he rages to and fro, charges over your berth, banging the plank with mad delight. You get out of your berth, dash to side; just going to plunge over; when Quartermaster seizes you and leads you back to cabin, locking you in. And SARK says he doesn't care for early morning effects in Hamburg harbour! _Saturday Morning._--Steaming down Elbe, meaning to anchor at its mouth. (Not at its elbow, as SARK told the pilot. Pilot didn't see joke. Stared at him, and said, "_Hein?_" which made SARK look foolish.) Last night citizens of Hamburg entertained us at dinner. Banquet spread in what they call the Zoologischer Garten. Odd how the way of pronouncing a familiar word grows upon some people after dinner. Feeding time seven. No extra charge to the public, who are kept outside. Excellent dinner; but general arrangement more suited to time of Methuselah than our shorter-lived day. Sat down at 7.30; finished by 11.30. Peculiarity of _menu_ was the interpolation of cold speeches among the hot dishes. As soon as we swallowed our _Klare Schildkrötensuppe_, and toyed with our _Forellen, blau mit Butter_, Chairman rose and proposed toast to Emperor. Next came on the table (sideways, of course) _Helgoländer hummer auf amerikanische Art_. Before the dish was removed, another gentleman on his legs proposing health of Mr. G. So on through the meal: first a bite and sup, then a speech. Practice interesting, though apt to induce a coolness on part of some of the dishes. Suppose cook calculates that gentlemen proposing particular toast will speak for ten minutes; he takes twenty, or, if of a fearless nature, half an hour. Where's your next dish? Why, cold or burnt. Nor can system be recommended on score of economy. Consequence of sitting through four hours dining off sort of speech-sandwich, is that you begin to get hungry again. The absent-minded man, offered an ice, says he usually begins his dinner with soup. If two hundred follow his example, and insist upon going all through the dinner again, it is not only embarrassing, but becomes costly. _Off Jutland, Sunday._--Don CURRIE last night gave return banquet on _Tantallon Castle_ to Hamburgers. Done in princely style. Over two hundred sat down in brilliantly lighted saloon. Had our speeches, as usual with _nous autres_, served with the dessert instead of as _entrées_. Few, short, pithy, and one historical. Don CURRIE proposed toasts to his fellow Sovereigns, the Queen of ENGLAND and Emperor of GERMANY. Burgomaster of Hamburg toasted Mr. G., who responded in speech, lofty in sentiment, eloquently simple, admirable in delivery. Dog and pup, I have, during the last twenty years, heard nearly every one of his great speeches in the House and out. Declare that in all the qualities that go to make a perfect oration, it would be hard for even his record to beat this impromptu speech, delivered amid such strange surroundings. After dinner, a dance on deck. The waltzing and polkaing commonplace enough. But pretty to see JOHN LENG, M.P., and the LORD OF THE ISLES do a sword dance, whilst RAMSAY, M.P., like them, clad in national garb, played the bagpipes. This struck the German guests more than anything. Their papers full of it. * * * * * [Illustration: _Mr. Punch_ regrets to hear (from a thoroughly [un]reliable source) that some confusion has been caused at Keil owing to the great physical resemblance between his representative on the _Tantallon Castle_ and His Imperial Majesty the GERMAN EMPEROR!! In fact, some doubts are expressed as to which of the two it was who opened the Baltic Canal!] * * * * * _Copenhagen, Tuesday._--King and Queen of DENMARK, with rest of Royal Family, had day out to-day. Came aboard _Tantallon Castle_ for luncheon. "You talk about your Roshervilles, _cher_ TOBEE," his Majesty said, as we smoked cigars with our coffee; "but to my mind, the place to spend a happy day is the _Tantallon Castle_." "There is," I said, "the drawback of the absence of shrimps. But then even kings cannot have everything." "True, TOBEE," said the grandfather of our kings-to-be and of other people's. And for a moment the royal brow was "sicklied o'er with pale cast of thought." It cleared as he caught sight of our two rival Kodakesses, who had simultaneously got him in focus. Pretty to see King arrange his hair, give little twist to moustache, and assume look of abstraction, just as common people do when they suspect someone is taking a snap-shot at them. As SARK says, "One snap of the Kodak makes the whole world kin." Oddly enough, there were speeches at the luncheon. Mr. G. having got his hand (or rather his voice) in at mouth of the Elbe, delivered two charming addresses. One in proposing health of King and Queen of DENMARK, the other in responding to toast to his own health, given by King. A new thing this for Old Parliamentary Hand to serve as after-dinner speaker. Listening to his graceful, gracious phrases, one almost regrets he should have given up so much time to Irish Land Bills, Home Rule, and the like. After luncheon a stroll on deck, and, incidentally, a memorable scene. In addition to the Kodakesses, who have taken everyone on board, except each other, we have a regular artist with a camera. Don CURRIE, having a moment to spare, thought he would have his likeness taken. Got into position; operator's head under the cloth fixing him; in another moment it would have been done. As SHAKSPEARE wrote long ago, "Nothing escapes the eye of royal Denmark." The King, seeing what was going on, quietly led up the Queen, and stood by her in focus; the rest of the Royal Family, as our toast lists have it, closed in, forming a group near the Don; and when the astonished operator removed the cap and exposed the plate he found upon it the Royal Family of Denmark and one simple Highland gentleman distinguished in such company by his plain estate. In afternoon, Don CURRIE having entertained Kings and Queens and Crown Princes, threw open all the gangways of the ship to the people of Copenhagen. They flocked in by hundreds, increasing to thousands. In endless streams they passed along the decks peering and poking their noses into every nook and cranny. On upper deck they had a great find. Sitting in his state cabin, with door open, was Mr. G. reading about the Vikings in their own tongue, which he has lately added to his list of acquired foreign languages. The Danes, men, women, and children, stood there at gaze. Mr. G., with his back turned to door, read on, unnoticing. Crowd growing unmanageable with ever-increasing numbers, a handy quartermaster rigged out ropes, and made sort of handrail, guarding either side of cabin, keeping back crowd. But it filled the deck all through the afternoon, ever changing, but ever one in its passionate, yet patient desire to catch a glimpse of that figure in the cabin, that went on reading as if the world outside were a mere wilderness. [Illustration: An admirable spot for a little quiet reading, although perhaps the firing does make it a leetle difficult to concentrate one's thoughts wholly upon the matter in hand.] _Wednesday._--At Kiel. Harbour and approaches filled with fleets of all nations, every ship bristling with guns, and longing to be at somebody. For the closing years of the nineteenth century of the Christian Era, this is, as SARK says, most encouraging. It is the completest achievement, the proudest thing civilisation has to show us. * * * * * From the _Manchester Guardian:_-- SIR CHARLES HALLE'S CHOIR PICNIC. FINAL REHEARSAL and for TICKETS at Messrs. &c. How is a picnic rehearsed? * * * * * [Illustration: HIS IDEA OF IT. _Native._ "IS'T NO A DAFT-LIKE PLACE THIS TAE BE TAKIN' A VIEW? THERE'S NO NAETHING TAE BE SEEN FOR THE TREES. NOO, IF YE WAS TAE GANG TAE THE TAP O' KNOCKCREGGAN, THAT WAD SET YE FINE! YE CAN SEE _FIVE COONTIES_ FRAE THERE!"] * * * * * THE LEADING MOTIVE OF THE "W. O.," WITH VARIATIONS. _The General Idea_ (_supplied at Pall Mall_). That, although the British Army costs (exclusive of extras) £57 per man, the War Office is the best _bureau_ in the world. The establishments over which the Secretary of State and the Commander-in-Chief preside, are necessarily incapable of improvement, as they are absolutely perfect. This being so, nothing more need, can, and should be said. _Commentary No. 1_ (_supplied by Printing House Square_). That the General Idea of the War Office is ridiculous. That were Pall Mall to be occupied by the staff of a merchant's office, the nation would be saved millions, and the £57 (exclusive of extras) per man arrangement would soon be regarded as an extravagant product of the wasteful past. _Commentary No. 2_ (_supplied by a military writer_). That civilians cannot possibly know anything about the working of a Government Office. As Pall Mall says it is perfect, it is to be presumed that it is. Why not leave well alone? And as for £57 (exclusive of extras) per man, why, is not that arrangement less than £60? _Commentary No. 3_ (_supplied anonymously_). Opinion of military writer not worth the paper containing it. Look abroad. Does the foreign service cost £57 per man, exclusive of extras? Not at all. Then what can be done on the Continent, can, and should be done in England. _Commentary No. 4_ (_supplied by the working-classes_). What! pay, £57 (exclusive of extras) for a soldier? Much better abolish the Army, and reduce the price of beer! _Commentary No. 5 and last_ (_supplied by_ Private THOMAS ATKINS). What, I cost £57 a year, exclusive of extras! Well, all I can say is, that precious little of the money or the perquisites gets into _my_ pockets! Worse luck to it! * * * * * MRS. R. ON THE POLITICAL SITUATION.--"What's this I hear about Mr. G.?" inquired Mrs. R. "That he is returning to the House in town, and giving up his Villiers in the country?" * * * * * [Illustration: UNLUCKY SPEECHES. "MANY HAPPY RETURNS OF THE DAY!" SAYS THE BASHFUL JONES TO FAIR BRIDE ON THE OCCASION OF HER THIRD MARRIAGE.] * * * * * ARS EST CELARE NATURAM. The German EMPEROR having expressed a wish to visit a non-existing island at Hamburg, the tasteful citizens have constructed one by means of wirework, canvas, plaster, and cement. It is stated that the SULTAN is bored by the Bosphorus. The whole surface of the water will therefore be covered with planks, painted green, to represent meadows. The KING of the BELGIANS is said to have remarked that Brussels would be improved by a distant view of the sea. The municipal authorities propose to cover the high ground, seen from the palace windows, with tin-foil. It is hoped that this will give the effect of the sea gleaming in the sunshine. The PRESIDENT of the French Republic having thought that it would be a pleasing compliment to Russia if some specimens of Russian architecture could be erected in Paris, it is believed that the _Commission des Monuments Historiques_ will cover the Louvre with laths and canvas, painted to represent the Kremlin, and by similar means will transform the Champs Elysées into the Nevsky Prospect, and will give to Notre Dame the appearance of the forts at Cronstadt. The KHEDIVE has expressed an opinion that the Pyramids look old and shabby. If the English and French government will authorise the expenditure, the whole surface of the stone will be made perfectly smooth, will be painted and grained in imitation of oak, and will finally be varnished. The face of the Sphinx will be washed, and will then be used for an advertisement of an English soap. The enormous rent paid for this will be added to the KHEDIVE'S pocket money. The Queen of HOLLAND is dissatisfied with the flat surroundings of the Hague. It has been pointed out to HER MAJESTY that the city contains a hill, called, we believe, the Vijverberg, which rises at least three feet above the level of the sea, but she has replied that this is not enough. It is therefore proposed to surround the whole city with a gigantic panorama of the Bernese Oberland. The other day the King of SPAIN perceived a reflection of the moon in a pond, and was much annoyed when his attendants failed to bring it to him. It has now been arranged that all the ponds in the neighbourhood shall contain an aluminium moon, which can be pulled out by a specially appointed Grandee of Spain, if commanded by HIS MAJESTY. * * * * * "B-O-M-B--BOMB!" FRIDAY, June 21. The Duke of CAMBRIDGE resigned his Commander-in-Chieftaincy, and the Government was suddenly scattered by a "_Brodrick Patent Cordite Exploder_," which reduced the Secretary of War's salary by a hundred pounds. "A hundred pounds! Ha! Thou hast touched me nearly." _The Critic._ * * * * * The Witness Protection Society and General Legal Reform Union has been holding its Annual General Meeting. Among the numerous objects of this estimable body the chief appears to be to protect witnesses in law courts from insult by counsel. Captain PARKIS, having expressed himself as willing, was voted to the chair, and the members settled down to have a good time. "Heated discussion," "further disturbance," and a well-sustained fire of "protests," lent an air of gaiety to the proceedings, which culminated in "various gentlemen abusing one another across the table." With such excellent practice, the members of the W. P. S. G. L. R. U. should be able to hold their own in court. The Bar trembles. Even the Bench feels a little uneasy. L-CKW-D, no longer drawing, will be drawn, Even the piercing eye of CL-RKE will quail, C-RS-N be "spacheless," G-LL will almost fawn, And sturdy W-BST-R falter and turn pale, Because the witness, taking heart of grace, Will "go for him" with candour strangely new, And brandish, cross-examined, in his face The W. P. S. G. L. R. U.! * * * * * "MEMORABLE SAYINGS AND HISTORICAL EVENTS."--There must now be added to the long list Sir WILLIAM HARCOURT'S languidly jocose remark on Friday night last. "Thank Heaven," he is reported to have said, "there is one night on which we need not fear a crisis." And while yet the laugh was on their lips, the bells rang, and subsequently the Four Tellers announced what could not have been Fore-told. And who laughs last? * * * * * [Illustration: "WILLIAM! AHOY!" OPEN-MINDED WILLIAM (_having come ashore from "The Stormy Petrel"_). "AVAST THERE, MESSMATES! THE STATESMAN WHO WOULD LAY HIS HANDS ON A STEEPLE-HATTED FEMALE IN DISTRESS,--_SAVE IN THE WAY OF KE-INDNESS_," &c., &c. [_The "Messmates" "avast" accordingly._ *** "Mr. G." withdrew his pair with Mr. VILLIERS in order to keep "an open mind" on the Welsh Disestablishment Question.] * * * * * ROUNDABOUT READINGS. Messrs. ARKWRIGHT, CUNLIFFE, and WARNER have received their blues from the Captain of the Oxford University Eleven. In other words, these gentlemen will help to represent their University in the cricket match against Cambridge. My congratulations, though they come late, are none the less hearty and sincere. Can any years of success in after life efface the memory or outrival the delight of that crowded moment of glorious life which comes to a young man when his Captain tells him he may get his blue? Thenceforward he is made one with the great company of old blues, who year by year meet and exchange reminiscences, the honour of his University is in his hands, his father becomes less rigorous in his financial views, and his mother is confirmed in her opinion that her darling is the brightest and best and handsomest of created beings. These keen joys come but once in a lifetime, and only to a few. [Illustration] * * * * * That man's a good bat who can time, judge, and mark right The ball as it flies from the right hand of ARKWRIGHT. And the Oxford men cheer as they see the stumps fall When the Magdalen bowler delivers the ball. "My team," said G. MORDAUNT, "requires only one lift; If I get it the Cantabs may go and be Cunliffed." And I think he was wise in awarding, don't you, To this tricky left-handed young bowler his blue. And lastly the Captain, he put in his thumb, For he very much wanted to pull out a plum: "I have it," he cried, like a modern Jack Horner, And he promptly scored one as he pulled out Plum WARNER. * * * * * When I was a freshman at Cambridge (_eheu fugaces!_) I remember being both impressed and terrified at having pointed out to me a tutor of a certain College who was said to be the hero of a Bacchanalian incident. The story went that the tutor, returning from some feast with a party of friends, fell, by mischance, into one of the narrow streams of water that flow at the side of the Cambridge streets. Striking out vigorously, he shouted, "Save the rest, I can swim." No doubt the story is still told, for the supposed hero of it is still alive. Indeed, when a caricature of him was published some years ago in _Vanity Fair_, the biography by JEHU JUNIOR closed with the words, "He can swim." Yet the story, as affecting Mr. DASH, of Blank College, is manifestly false, for it is older than the century. The curious may find it in its original form in the lately published volume of S. T. COLERIDGE'S letters. The poet relates it of an undergraduate of his day who had taken part in a drunken revel. * * * * * But the ways of stories are at all times inscrutable. I have myself--I confess it without a blush--deliberately invented and spread abroad a story about a semi-public dinner. I did so merely because it struck me as containing elements of humour. Besides, it not only might have happened, but ought to have happened. A year or two later six gentlemen, who had been present when the incident did not occur, related it back to me, each one with a little special embellishment of his own. Some of them were magistrates, most of them were fathers of families, and all were honourable men. Yet they were all prepared to stake their reputations on the absolute veracity of this myth; and, what is even more curious, they retailed it to its inventor and disseminator. * * * * * Lytham is troubled. I read that "the musical attractions at the Pier Pavilion have been fairly patronised, and dancing on the pier is to be resumed." This latter attraction, it appears, has not met with the entire approval of the Lytham people, who contend that it will bring Lytham into disrepute. "The Ratepayers' Association have had the matter under consideration, and have disclaimed any connection with the innovation. The directors, however, have had the question under discussion, and have decided to continue the dancing." * * * * * Said the pier-man to the tourist, "Lo, the tide is flowing free; Won't you come and join the dancers in our Temple by the sea? See how mazily the Harries and the Harriets advance, Will you won't you, will you won't you, won't you join the dance? "We have cornets, flutes and fiddles, and we always play in time, And the triangles at intervals triangularly chime. Hark, the bold bassoon is booming, every dancer gets a chance, Come and trip it, pretty tourist, in our gay Pavilion dance." But the tourist paused a moment; then addressed the pier-man, "Brute, Such proceedings bring poor Lytham into awful disrepute, Besides, I'm here for pleasure, and I do not want to prance. As the rest of them are doing, in your gay _al fresco_ dance." And the ratepayers considered it, and angrily replied, "There is another shore, you know, upon the other side: Take your dancers far from England, take them bodily to France; We disclaim the least connection, and we will not join your dance." * * * * * I note from a correspondence in _The Scotsman_ that a considerable amount of feeling has been aroused by the erection of the new North British Railway Hotel in Princes Street. Lord WEMYSS, apparently, has declared not only that it will spoil the view, but also that it will "pierce the vault of heaven." Another correspondent adds that it will have "a Jennerised, unreposeful front." That ought to settle the matter at once. Someone else complains of "those terrible advertisements of drugs and fluid beef which extend in gigantic letters along the side of the lower part of the Carlton Hill, and which catch the unwilling eye of anyone looking from the Bridges, from the Mound, and indeed from any part of the Old Town." What with advertisements of drugs and fluid beef, and a new hotel possessing a Jennerised, unreposeful front, obviously Edinburgh is in a bad way. * * * * * Mr. C. J. WALTON, of Wolverhampton, writes to the _Birmingham Daily Gazette_ with reference to a recent appeal on behalf of the victims of the "Liberator" frauds. "I fail entirely to see," he says, "how a member of the Church of England can be expected to make the slightest sacrifice (except on the principle of Christian charity), seeing that the whole idea of the 'Liberator' scheme was to find funds for the agitators whose sole aim was the robbery and destruction of the Church of England as a national institution, and to get hold of its funds for secular and non-religious purposes." Dear me, dear me, how strange, how terrible, how muddle-headed. This poor politician has evidently got mixed up between the Liberator and the "Liberation Society." Let him take the hint, and send in his subscription. * * * * * OUR BOOKING-OFFICE. _The Convict Ship_, CLARK RUSSEL'S latest novel (CHATTO AND WINDUS), is redolent of the sea. There is no writer, not forgetting MARRYAT, who has such close companionship with the sea in its multiple forms and its many moods. The temptation to transfer some of the ever-varying pictures of the sea which sparkle in these pages is great but must be resisted. Here is a glimpse of night at sea, chosen not because it is best, but because it is shortest:-- "The mighty shadow of the ocean night was majestic and awful, with the wild, flashful colouring of lightning in the south, and the dustlike multitude of stars over the three glooming spires of our ship." [Illustration] One would suppose that, sitting down to write, CLARK RUSSELL had just come home from a long trip foreign, or at least lived his life somewhere within sight and sound of the sea. The pity of it is, my Baronite tells me, that this incomparable student of the sea, of ships that go down upon the waters, and of those who people them, lies at anchor on his sofa in an inland town. He has not looked upon the sea for a dozen years, nor smelt its brine, nor watched a ship coming or going. This makes the more marvellous the power of description of sea life in all its forms here displayed. Beyond this special gift, fascinating to some people, Mr. RUSSELL has a story to tell, a good stout sea story, full of life and adventure, through the devious movements of which we meet real men and one woman. Remembering that CLARK RUSSELL now ranks as a veteran novelist, it is pleasant to bear testimony to the fact that he seems to have saved his best wine to the last. _The Convict Ship_ is, take it from stem to stern, the best work he has yet turned out. THE B. DE B.-W. * * * * * "N.B."--Glasgow will have to look after its parks. Here is the Town Council actually dreaming of "feuing" some of "the recently-acquired Camphill grounds" for building purposes! These grounds belong to the people, and adjoin the South Side Park, and "the amenity of that park would be destroyed" by building operations. One protester says South Side Park is the prettiest in Glasgow, and "more like the London parks, which I regard as the finest in the kingdom." Thanks, worthy Scot! The view of it, "as seen through the railings in the Pollokshaws Road," reminds him of "the fine view of Hyde Park which is to be had through the railing in that busy and lovely thoroughfare--Oxford Street." Thanks again, thrice worthy Pict! But Oxford Street a "lovely thoroughfare"--well! At any rate, the Glasgow Bailies when next they are disposed to "feu," should think of the "Many" instead. * * * * * RHYME FOR RECORD-MAKERS. Rattle-it, rattle-it, "Biking" man; Make us a "record" as fast as you can; Score it, and print it as large as life, And someone will "cut" it ere you can say knife! * * * * * GERMANY AND FRANCE AT THE THEATRES.--Capital fun at DRURIOLANUS'S Drury Lane, by the Ducal Court Company. Farcical Comedy, HASEMANN'S _Töchter_, played by the Ducal Creatures. How we have been going it in the theatrical world! SARA in French! DUSE in Italian! and now the clever people of Saxe-Coburg-and-Gotha ("You'll Go-tha and see 'em!") to finish with. By the way, SARA not to be beaten by anybody as _La Tosca_. Fascinating and terrible as ever. In the knife, corpse, and candle scene, awful. Fine play, but--"Horrible! Most horrible!" Quite comforting, when curtain descends on that Act, to remember that "it's only purtendin'." * * * * * A singular entry was on Tuesday, June 18, made in Mr. INGLEFIELD'S visitors' (House of Commons) book. "Mr. DISRAELI--Mr. GLADSTONE." It was Mr. C. DISRAELI introducing as a visitor _a_ Mr. GLADSTONE of Liverpool. A very "singular entry" indeed, had it been the ghost of Big Ben himself! * * * * * DR. W. GRACE'S FAVOURITE DISH.--"Batter pudding." * * * * * [Illustration: "A LITTLE KNOWLEDGE," &c. _Sissy._ "MAMMA, DOES _DEMI-TOILETTE_ MEAN _HALF-DRESSED_, LIKE MRS. ROBINS IS WHEN SHE COMES HERE TO DINNER?"] * * * * * MERRY MAY OUR KIEL GROW! (BY A WEE GERMAN LADDIE). AIR--"_The Keel Row!_" As I sailed through the Baltic, The Baltic, the Baltic, As I sailed through the Baltic, I heard a German sing, O! "Merry may our Kiel grow, Our Kiel grow, our Kiel grow, With ships from sea to sea, O! "The Vaterland reposes, As though on beds of roses, Whilst we hold up our noses, Among the Naval Powers, O! Merry may our Kiel grow, &c. "The Frank desires to mizzle, His Panama's a fizzle. BULL, in his land of drizzle, Is jealous as cm be, O! But merry may our Kiel grow, &c." * * * * * Mr. F. J. HORNIMAN, F.R.G.S., tea-merchant, has accepted the invitation to oppose Mr. CAVENDISH BENTINCK, Conservative M.P., for the united borough of Penryn, Flushing, and Falmouth. It is anticipated, says the _Western Daily Mercury_, that he will make a good candidate. Certainly he ought to be able to suit the constituency to a T, unless it continues faithful to its CAVENDISH, in which case his candidature will end in smoke. Mr. HORNIMAN, no doubt, hopes for an early general election, because the longer he stands the greater prospect of his getting what schoolboys call a "tannin'." * * * * * NEW SONG.--"_Goodness' Nose_," By the author of _"Beauty's Eyes"!!_ * * * * * CHATS WITH THE CHILDREN. A COMIC RAILWAY JOURNEY. _Miss Prunes-Prism._ And now, my dear charges, I trust you have utilised the hour that has been hypothecated to enjoyment profitably. _Emily._ Indeed we have, dear governess. I have read to my brother and sister a most amusing account of a railway traveller who wished to get from Bangor to Euston in five hours, and was baffled in the well-intentioned attempt by the clever ingenuity of the railway companies! _Miss Prunes-Prism._ You refer, no doubt, to the gentleman who, having left Bangor at 7.55, reached Llandudno at 8.5, Colwyn Bay at 8.41, Abergele at 8.52, Rhyl at 9.2, and Chester at 9.56. _Margaret._ Yes, dear Miss PRUNES-PRISM; and it is at that point the fun of the railway companies came in. Having arrived at 9.56 he found that the train for London had already left. It was timed to depart for the metropolis exactly one minute before the arrival of his train at 9.55! _Emily._ Indeed, dear governess, the story is vastly entertaining. Then there is a similar arrangement at Crewe Junction. At that centre of popularity a train arrives from a provincial source at 10.48, just one minute later than the advertised time for the departure of the London train. Those who have the framing of these traffic arrangements must be wags of the first water! _Miss Prunes-Prism._ No doubt they are. And now, my dear CHARLES, supposing your dear papa wished to get from Bangor to Euston, what would you advise him to do? _Charles._ I should recommend him to walk. _Miss Prunes-Prism._ I think, my dear child, that your counsel would be sound. And now, my dear charges, having enjoyed our chat, let us return with renewed energy to the consideration of the principal incidents of _Magna Charta_. * * * * * SERIES TO SUCCEED "THE PENNY POETS."--"The Tuppenny-Ha'penny Poetasters." To include the lays of the Logrollerites, and the leading aspirants to the Laureateship. * * * * * ENCORE VERSE. (_See Song, "The Two Graces," in last week's "Punch."_) [In the first innings of the Jubilee Match, "I Zingari _versus_ Gentlemen of England," W. G. GRACE, Sen., scored 34, and W. G. GRACE, Jun., 79]. Says the young W. G. to the old W. G., "Seventy-nine, my potent pater, Seventy-nine!" Says the old W. G. to the young W. G., "That beats mine, sonny WILLIAM, that beats mine! A. G. STEEL does little cricket, but he made hay of my wicket; _How_ we used to run the score up, he and I, long ago! But I told you you would do it, if you only dared stick _to_ it; And we _know_, we old 'uns, WILLIAM; yes, _we_ know!" * * * * * There has been much excitement in Sheffield about the School Board. The unsectarian party had a chance of converting a minority of one into a majority of the same extent, owing to the retirement of one Church member, and the serious illness of another, Father BURKE, who was thereby prevented from attending the Board meeting for the election of a new member. Mr. CHARLES HOBSON, however, refused to take advantage of an accident to reverse for the next two years and a half the policy of the Board laid down by a majority of the ratepayers, and chose what he considered the better part of pairing with Father BURKE. Therefore was the chairman enabled to give a casting vote in favour of the Church candidate. But "Hobson's Choice" has not pleased his candid friends, who think, and say, that it is "not war," nor even magnificent. The blades must needs keep up the credit of their native place by making cutting remarks. They come from Sheffield. * * * * * Who Threw It? Joy in the Church, confusion in the chapel, And contradictory clamour everywhere! It may be questioned if the Eris-apple Gendered more strife than "Mr. GLADSTONE'S Pair." * * * * * [Illustration] "À bas the Club Sweep," 253 A-dress by Mr. Speaker, 232 Advantage of being Consistent (The), 121 Advertisement Extraordinary, 113 Advertisement Fiend (The), 301 Advisability of not being brought up in a Handbag (The), 107 After the Play, 161 After Whitsuntide, 274 "Alas, poor Yorick!" 155 All the Difference, 101, 189, 219 Anacreontics for All, 178 April Foolosophy, 157 A. R. at the R. A., 220 Architect to his Wife (The), 109 'Arry and the Battersea Park Lady Cyclists, 285 'Arry and the New Woman, 230 'Arry on Derby Day, 258 'Arry on the Season, 298 Ars est Celare Naturam, 306 "Art is Long----," 69 Artistic "Frost" (An), 87 As Broad as Long, 269 Ascent of Man (The), 277 Ascot, 289 "As Simple as Italian," 288 At a Yeomanry Review, 280 At the Banquet, Saturday, May 4, 221 At the Old Masters, 59 Awful Revelations, 143 Baby's Diary, 209 Bail Up! 129 Ballad of the Unsurprised Judge, 167 Bar None! 97 Battle of Eastbourne (The), 216 Battle of Evesham (The), 53 "Better late than never," 183 Between the Lines, 244 Bismarck's Birthday, 159 Black Magic, 48 Blind Allegories, 184, 196, 208, 225 Bold J. H. Taylor, 298 "Bon jour, Philippine!" 18 Bonnie W. G., 29 Bookmakers on the Beach, 256 Boot-bills of Narcissus (The), 101 Bould Soger Boys at Islington (The), 255 Boys and Girls come out to--Pantomime, 35 "Brains for Cash," 217 Bubbles from the Baltic, 304 Bye-Election Lay (A), 154 Cabinet Council Record (A), 105 Cabinet Secret (A), 35 Carmencita, 204 Century of Centuries (A), 241 Chats with the Children, 310 Check! 141 Chino-Japanese Calendar (A), 181 Chronicles of a Rural Parish, 5, 24, 34 Circling the Square, 133 Cock and Bull Story (A), 165 Coming Charge (A), 238 Comyns and the Goin's of Arthur (The), 37 Concerning a Misused Term, 177 Courtly Quadrupeds, 137 Coy Clients, 57 Dandy Afghan Khan (The), 27 Daudet! 270 Death in the Cup, 24 Decadent Lover of Fiction (The), 66 Derby and Joan, 53 Derby Dialogue (A), 255 Discovery of London (The), 257 Disturbed! 114 "Divided Duty" (A), 30 Doing a Cathedral, 160 Dramatic Common Senser-ship (The), 136 Dramatic Family Likeness, 205 Dream of the New Woman (A), 17 Drink Question (The), 217 Easter 'Oliday (An), 186 Easy Chair (The), 138 Ecuador Bondholder's Song (The), 101 Election Address (An), 145 Encore Verse, 310 Essence of Parliament, 71, 83, 95, 107, 119, 131, 155, 167, 179, 191, 215, 227, 239, 251, 263, 275, 300 Expectedness, 232 Fair Children in Grafton Street, 231 Farming of the Future (The), 117 Feeling Protest (A), 59 Filia pulchra, Mater pulchrior, 209 Fine Summer Day's Outing (A), 297 First Step (A), 208, 225 Flirtgirl's Reply (The), 153 "For this relief, much thanks!" 208 French Amnesty (The), 63 Friend at a Pinch (A), 215 From Corinto to Herne Bay, 226 From the Queer and Yellow Book, 58 "Full Speed ahead!" 135 Game of Draughts (The), 149 Glad New Year (A), 5 Goose and the Eagle (The), 287 Graceful Tribute (The), 294 Hard Frost (The), 78 Hard Lines, 85 Hard to (L. C.) C., 90 Hexameters to Date, 193 Higher Criticism (The), 136 Hints to Skaters on Etiquette and Deportment, 73 His Favourite Subject, 207 History repeats itself, 171 Hopeless Case (A), 113 How (of course) it is not done, 250 How to control and rectify Public Opinion, 177 How to Write an Extra Number, 9 In Praise of the Triangle, 169 Interesting Invalid (The), 51 Interviewer's Vade Mecum (The), 112 In the Cause of Charity, 88 In the Court of Common Sense, 124 "In the Name of Profit--Togs!" 274 Introspective Bard (The), 154 Irish Astronomy, 109 Jap in the China Shop (The), 195 John stands Aloof, 210 John Stuart Blackie, 123 "'Key-note'-orius Mrs. Ebbsmith," 148 Kind Inquiry (A), 287 Knight of the Willow (A), 274 La Diva at Daly's, 267 Lament (A), 285 Last Tournament (The), 303 Latest Craze (The), 193 Latest from Sol (The), 167 Laureate Society (The), 47 Law in Blank, 232 Lay of the Bimetallist (The), 129 Lay of the Little Minority (The), 189 Learned Welsh Goat (The), 90 Leeds Leads! 245 Letters from the Shades, 142 Letter to a Débutante, 46 "Light Fantastic" (The), 78 Lines in Pleasant Places, 57, 191 "Literature and Art," 118 Literary "Food and Feeding," 180 Little Change (A), 237 Little Mopsemann, 52, 64, 76 "London and Liverpool--little and good," 253 Lord Randolph Churchill, 59 Loss of Richmond Hill (The), 263 Loss of the Gallery (The), 217 Man and the Maid, 291 March Thought, 112 May Day, 205 May Meeting (A), 238 "Meat! Meat!" 54 Meeting a very Old Friend, 161 Menu à la Mode (The), 133 Merry may our Kiel grow! 310 Minor Poetry in the Sere and Yellow Leaf, 178 Mismanaged Accident (A), 181 Missed Chance (A), 299 Moan in Maytime (A), 251 Model Remodelled (A), 273 Modern Buyer (The), 213 Modern Eclogue (A), 61 Modern Theatre Laugh (The), 4 Modes and Metals, 238 Mr. Punch at a Picture Show, 189 Mr. Punch Welcomes the New Year, 1 Mrs. A.'s at Home, 77 Mrs. Bloomer, 36 "Music hath Charms," 147 My Influenza, 137 My Partner, 135 My Petty Jayne! 29 My Pipe, 201 Naval Architecture, 299 Neuralgia, 237 New Chivalry (The), 168 New Conductor (The), 198 New English Art Club (The), 186 New Gallery Queries, 227 New Hen (The), 133 New Year, 4 New Year Notions, 4 New Year's Day Dream (The), 15 Ninety Year! 219 Nocturne in Noodledom (A), 287 Non-Capitalist's Vade Mecum (The), 73 Not done yet, 174 Notes from a Patient's Diary, 267 Notices to Correspondents, 23 Now we're Furnished! 299 Ode to a (London) "Lark," 229 Ode to an Overcoat, 250 Odyllic Force, 17 Of the Art of Tobogganing, 100 "Oh, my prophetic Soul, my Punchius!" 269 Old Ferryman's New Fare (The), 6 "Old Master's" Growl (An), 9 On the New Statue, 238 Operatic Notes, 245, 257, 269, 281, 293, 301 Original Aryan to the Professor (The), 136 Ostrich Feathers, 203 Our Booking-Office, 21, 29, 48, 60, 61, 77, 93, 105, 112, 129, 154, 165, 173, 185, 193, 207, 269, 281, 293, 309 Our Next little Battle, 189 "Over!" 123 Overheard Fragment of a Dialogue, 24 O. W. Vade Mecum (The), 85 Party Politics, 198 "Penny plain--but Oscar coloured," 36 Philistine Pæan (A), 222 "Pity the Poor Artist!" 66 Plea for the Ghosts (A), 73 Pleasures of Travel (The), 113 Poet and his Interviewers (The), 244 Polite Guide to the Civil Service (The), 10 Premier's Cruise (The), 246 Presented at Court, 205 "Pride and Prejudice," 174 Privilege of the Press (The), 231 Proposed Rules for the Ladies Universal Athletic Association, 167 Protest from the Playground, 1 Proverbs by an Illustrious Foreigner on Tour, 297 Psalm of (Holiday) Life (A), 34 Quarter-Day; or, Demand and No Supply, 150 Queer Queries, 47, 60, 61, 132, 204 Quiet Rubbers, 96 "Quousque Tandem?" or, One at a Time, 162 Rad to Chancellor of the Exchequer, 226 Railway Ballads, 197 Rather "Bold Advertisement," 229 Real New Woman (The), 36 Reflections of a Statesman, 204 Re-gilding the Golden Eagle, 99 Regrets, 275 Remarkable Instance of Sagacity in Grouse, 213 Rencontre (A), 47 Retribution, 65 Revised Code (A), 49 "Richard himself again!" 12 "Rivals" at the A. D. C., 106 Robert and the County Counsells, 197 Robert on County Counsellors, 57 Robert on the Tems, 265 "Rouge Gagne"? 75 Roundabout Readings, 245, 253, 265, 277, 289, 309 Rus in Urbe, 292 "Sale! a Sale!" (A), 297 Saturday Night in the Edgware Road, 172 Scarlet Parasol (The), 249, 261, 268 Scraps from Chaps, 281, 291, 303 Second Mount (The), 111 Siesta (A), 301 Sitting Out, 69 Severe Weather (The), 75 Sexomania, 203 Shakspeare revised by an Alderman, 133 Shazada on the Thames (The), 282 "Should Christmas be abolished?" 5 Signs of the Times, 106 Silent! 126 Sir John Franklin, 253 Sly Oyster (The), 78 Society's Next Craze, 302 Song of Spring (A), 203 Song of the Sluggard (The), 136 Sonnet of Sonnets (A), 105 Sport in Court, 3 Sport, Speculation, and Counsel's Opinion, 269 "Strange Disappearances," 195 Streets of London (The), 217 Strikes à la Mode de Paris, 205 Studio-Seeker's Vade Mecum (The), 157 Study in Ethnology (A), 192 Sun and Song, 279 Sword Excalibur (The), 39 Tall Order (A), 15 Tall Tales of Sport and Adventure, 13, 25, 45, 49, 72, 81, 97, 109, 125 Tartarin sur la Tamise, 275 Tenification, 118 Ten Little Measures (The), 83 That Precious Donkey! 16, 28, 40 That Telegram, 262 That Wedding Present, 33 Three Modes of Spending a Bank Holiday, 173 Thrift, 93 To a Bad Shilling, 133 To a Bantling, 203 To a Country Host, 250 To a Flirtgirl, 141 To a Grand Old Manns, 226 To a Greek at "The Orient," 161 To a Lady-Journalist, 281 To Althea, 11 To a Picture, 209 To a Pretty Girl, 191 To a Young Actress, 192 Toby to H. R. H., 81 To Circe, 209 To Corinna, 121 To Isista, 155 To Julia's Pocket, 23 To Lucenda, 61 To Mrs. Keeley, 129 To my Doctor in Bed, 93 Toning it Down, 85 "To Paris and Back for Nothing," 179 To the Griffin, 169 Toys' Talk, 82 Trade Betrayed, 201 Trancemogrification, 99 Travels in Taffyland, 21 Truth about the Cold Tubber (The), 120 Two Graces (The), 293 Two Ways of doing it, 228 Unemployed (The), 87, 114 Untamed Shrew (The), 42 Up-to-date Ducklings (The), 222 Vade Mecum for a certain Court Official, 137 Valediction to St. Valentine (A), 95 Valentyne (A), 81 Very Catching, 185 Vestryman (The), 21 Viewing a Hare, 48 Vive le Tailleur du Roi! 35 "Voici le Sabre de mon Père!" 63 Wail of the Walworth Woter (The), 241 Waiting for Nasrulla, 243 Warm Lament (A), 132 Wars of the Roses (The), 282 "Waters, waters everywhere!" 274 "When Arthur first at Court," 145 Which is the Correct Card? 179 "Whitaker," 250 Whitewashing the Statue of Cromwell, 299 "Whittington Redivivus," 102 "Who said--'Atrocities'?" 18 Why dost thou Sing? 12 Winter Academy of 1995 (The), 6 Winter Wedding (A), 69 With what Porpoise? 153 Woman who wouldn't do (The), 153 Won't Wash! 181 Would-be Soldier's Vade Mecum (The), 196 "You came to Tea!" 10 LARGE ENGRAVINGS. Birmingham Benedick (The), 223 "Deeds--not Words!" 283 Disturbed! 115 "Divided Duty" (A), 31 Doubtful "Stayer" (A), 259 Easter 'Oliday (An), 187 "Flying Visit" (A), 295 "Great Cry and little Wo(o)lmer!" 247 Harcourt the Headsman, 271 John Stands Aloof, 211 Learned Welsh Goat (The), 91 "Light Fantastic" (The), 79 "Meat! Meat!" 55 New Conductor (The), 199 New Passenger (The), 7 Not done yet, 175 Old Crusaders (The), 234, 235 "Pity the Poor Artist!" 67 Quarter-Day; or, Demand and No Supply, 151 "Quousque Tandem?" or, One at a Time, 163 Retirement; or, The Easy Chair, 139 Silent! 127 "Whittington Redivivus," 103 "Who said--'Atrocities'?" 19 "William! Ahoy!" 307 Untamed Shrew; or, Wanted a Petruchio (The), 43 SMALL ENGRAVINGS. Academy Pictures, 220 Actress who Laugh at Actor, 33 Admirer very much Cast Down, 251 Advice to Lady riding in Park, 267 Animals after Bank Holiday, 183 Animals after the Influenza, 142 Animal Spirits on Derby Day, 262 Anticipating Events in his New Diary, 179 Archie's Seat in Auntie's Lap, 291 'Arry prefers riding a "Bike," 118 'Arry's Ale in the Highlands, 228 Artist's Unsold Pictures (An), 197 Aunty's Fancy Ball Reminiscences, 222 Authoress and her Publisher, 138 Barmaid and Mr. Boozy, 149 Baron's Indelicate Wife (The), 162 Benevolent Gent and Tipsy Protégé, 16 Best Claret he'd got (The), 54 Billee and the Mushrooms, 161 Blushing to the Roots of his Eyebrows, 114 Bobbie and the Two Soldiers, 102 Boy at a Fruiterer's, 255 Britannia and Nasrulla Kahn, 254 Bull regilding the Golden Eagle, 98 'Bus Driver and Ugly Policeman, 174 Butler's Opinion of Russian Prince, 275 Butler who Overlaid himself, 85 Cabby and Stout Lady Fare, 46 Cab Strike at Athens, 137 Clever Lady, but Ugly (A), 90 Common's Real Ice Rink (The), 94 Comparative and Superlative of "Bad," 181 Coster's Barrow in New Hands, 201 Country Girls at a London Crossing, 61 Country Hosier and White Ties, 106 Countryman chaffing Amateur Jockey, 195 Cover for "Le Yellow Book," 178 Crumbs in Jack's Bed, 270 Curate tutoring Parish Choir, 294 Cycling and Horse-riding, 207 Cyclist's Surprise (A), 279 Dentist who uses Gas (A), 47 Devonshire Lady's Remark on Golf, 18 Different Reasons for talking to Women, 59 Dining with a Woman with a Past, 41 Doctor's Opinion of the New Woman, 227 Doing Penance by Dining Out, 150 Dr. Lobster and the Sick Oyster, 50 Druriolanus and the Operatic Pie, 225 Duke of Cambridge as Drum-Major, 146 Earl's Daughter and Old Housekeeper, 299 Elephants on the Ice, 60 Emperor of Germany's Picture, 206 Emperor's Present to Bismarck (The), 158 England v. Australia Cricket Captains, 122 English and American Divorce Laws, 165 English Couple at French Hotel, 303 English-dressed Afghan Khan, 26 Fair Horsewoman and May Meetings, 185 Father's and Son's Clothing, 205 Female Inebriate ejected, 297 Fishes' Boat-race (A), 157 Fowls' Barn Dance (The), 72 Frozen Out at the Zoo, 131 Garrick and Sir Henry Irving, 266 Girls discussing Jack's Dancing, 231 Glacial Period. Hyde Park, 1895, 83 Gladstone bound for the Baltic, 278 Guiding the Course of the Hounds, 132 Hairdresser's Subscriber (A), 243 Harcourt's Second Mount, 110 Harcourt's Sword of Leadership, 38 Harlequin Harcourt and Sleeping Trade, 14 Having a Pain in the Proper Place, 73 Hercules Bismarck and Omphale, 242 Herr Maestro and Lady Amateur, 78 Herr Schmidt's Pleasant Evening, 198 Holiday Tutor and Pupils, 10 Hopping Prospects, 229 Hospital Patient thanks his Nurse, 123 Hunters' First Open Day, 99 Hunting Man's Spade for Snow, 124 Huntsman's Introduction to Lady, 39 Inebriate refuses to go Home, 82 Innocent Gent and "Dark" Horse, 159 Is Billee Moving? 129 Jack seeks Female Society elsewhere, 282 Jap and Chinaman's Keys, 194 Jockey Club before Mr. Punch, 2 John Bull and Oracle of Ammon, 170 Jones and Waiter at Restaurant, 258 Judge and General after Influenza, 167 Knight and Dey, 4 Ladies discussing Plays, 6 Ladies discussing the Browns' Dance, 263 Lady meeting her Doctor, 237 Lady Non-Buyer Shopping, 28 L. C. C. Election and Influenza, 125 Libellous Editor and Wrathful Colonel, 112 Lion Plays and Sings to Goat, 169 Lions _v._ Kangaroos' Cricket Match, 111 Little Boy and the Black Page, 66 Little Boy pulling Gentleman's Beard, 30 Loafers and their Breakfast, 95 Lord H. practises for Smoking Concert, 35 Loving Mamma best, 133 Mahogany Piano (A), 215 Mark Tapley Redivivus in Snowstorm, 17 Mary and the Judge's Dictionary, 287 Master Jack and the Huntswomen, 15 Minister and Attendant in Vestry, 154 Miss Mary on Foot at the Meet, 143 Model's Remarks on Burne-Jones, 105 Mother boxing Boy's Ears, 244 Mourning for the Dead Ostrich, 217 Mr. Gooldenheim and an American, 113 Mr. Punch decorating Henry Irving, 238 Mr. Punch welcomes Miss Springtime, 182 Mr. Smith's Charwoman, 69 Musical Guest and his 'Cello, 186 Name to Travel under (The), 155 Nervous Youth and Riding Lady, 226 Never Dull while his Host is asleep, 126 New Baby (A), 36 No Dressmakers in Cornwall, 210 Nurse and Children's Pudding Slides, 203 Our Architect and Old Buildings, 250 Parish Clerk and the Curate, 21 Parliamentary Fancy Dress Party, 70 Parliamentary Indian Exhibition, 286 Parliamentary "Liberty Men" going aboard, 202 Playing Wagner during a Tête-à-tête, 119 Plumber Joe and the Pipes, 86 Poodle's Christmas Box (The), 5 Prehistoric Holiday Enjoyments, 190 Prehistoric Law Courts, 166 Preparing for the Parliamentary Pantomime, 22 Ragged Urchin finds a "Fag," 285 Reciter at a Penny Reading, 4 Rochfort at Monte Carlo, 74 Royal Academy Field-day, 214 Russian Bear and Chinese Honey, 290 Russian Emperor and Autocracy, 62 Scotch Minister playing Golf, 34 Scotch Native and Lady Artist, 305 Scotch Terriers playing Golf, 97 Sculptor and Successful Artist, 221 Sending a Hunter to the Dogs, 75 Sheep outside Exeter Hall, 209 Sir George Lewis, 189 Sissy's Notion of Demi-toilette, 310 Sleeping "like a Top," 219 Sleepwalking Scene in New Play, 141 Smith's Cold amuses Baby, 121 Smithson exercising his Horses, 27 Snobbington snubbed at the Club, 230 Snow-Sweepers' Rate of Pay, 101 Sportsman and "Seasonable Weather," 65 Sportsman's Superfluous Horse, 51 Stonebreaker's Calling (The), 173 Sweep in Hansom on May Day, 213 Sunday Visitor during Lent, 135 Testy Gent and Street-Boy, 93 Thirsty Workman (A), 193 Three Boys and One Apple, 191 Throgmorton Street Bulls and Bears, 145 Tibbins's Wife asked to resign, 11 Tommy proposing his Parent's Healths, 42 Tommy riding in a Sleigh, 87 Tory Gent and Professional Cadger, 77 Tourist and Foreign Hotel-keeper, 63 Tourist and Scotch Innkeeper, 89 Triton Spencer and Britannia, 134 Two Costers and their Wives, 177 Two Military Commanders (The), 218 Two Tramps (The), 40 Turf Cuttings, 253 Turncock (The), 100 Uncle Toby and Widow Wadman, 241 Unlucky Speech to a Bride, 306 Verger and Gratuities, 136 Wax Members in the Commons, 130 Whipper-in and Country Lad, 3 Why he didn't Back the Winner, 273 Why Jessie wears a Bicycle Suit, 23 Why Mummie has a Bare Neck, 246 Why she thought he Cared for her, 274 Woman-hater flirting (A), 288 Workman who tells Wife everything, 107 Yorkshire Gossip about a Funeral, 232 Young Ladies making a Snow Woman, 120 Young Lady wishing to "Cycle," 239 Young Splinter driving Nervous Old Party, 147 Youth eating Cheap Tarts, 171 Zambesi Animal Footballers, 48 [Illustration: FINIS] LONDON: BRADBURY, AGNEW, & CO., LD., PRINTERS, WHITEFRIARS. *** END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 108, JUNE 29, 1895 *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.