Produced by Greg Bergquist, Diane Monico, and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)










HERBS AND APPLES

[Illustration: "TO BE ALONE, TO WATCH THE DUSK AND WEEP"]




HERBS AND APPLES

BY

HELEN HAY WHITNEY

AUTHOR OF "SONGS AND SONNETS,"
"GYPSY VERSES," ETC.

[Illustration]

NEW YORK: JOHN LANE COMPANY
LONDON: JOHN LANE, THE BODLEY HEAD
MCMX

Copyright, 1910
BY JOHN LANE COMPANY

THE UNIVERSITY PRESS, CAMBRIDGE, U.S.A.

I give you this, the bitter and the sweet.
It holds my heart, can you not hear it beat?
So poor a gift to put within your hand--
Apples and Herbs!--but you will understand.




CONTENTS


                                      PAGE

TO NEIGHBOR LIFE                         1

THE UNBURIED                             2

UP A LITTLE ROAD                         3

ON CEDAR STREET, NEW YORK                4

CHE SARÀ SARÀ                            5

THE DEAD WANTON                          6

LEAVEN                                   7

QUAERITUR                                8

LOVE LAND                                9

BY THE WESTERN GATE                     10

FOR MUSIC                               11

THE LITTLE GHOST                        12

MADONNA EVE                             13

A CONVERSATION                          14

BE BRAVE                                15

FORFEITURE                              16

THE SEARCH                              17

DUST                                    18

NATURE'S CHILD                          19

VERITATIS                               20

THE PEACOCK                             21

ANTICIPATION                            22

THE WAYFARER                            23

RENUNCIATION                            24

ARABESQUE                               25

THE ARCHITECTS                          26

AMBUSH                                  27

THE SCALES                              28

THE OLD TRAGEDY                         29

TABOO                                   30

THE RIVALS                              31

ALONE                                   32

BENEATH THE MASK                        33

THOTH                                   34

LITTLE DANCER                           35

SIC ITUR AD ASTRA                       36

THE JUDGES                              37

THE SPRING PLANTING                     38

AN IMPRESSIONIST PICTURE                39

SUCH HELP FOR SINGING                   40

TEMPUS EDAX RERUM                       41

THE COWARD                              42

THE LOST ROMANY                         43

COMPENSATION                            44

UNTAMED                                 45

TO PERVANCHE                            46

THE BELLE                               47

RELEASE                                 48

THE THIEF                               49

I WILL WRITE LETTERS TO THE GRASS       50

ONLY THIS                               51

THE SURVIVOR                            52

MEGAERA                                 53

THE SONG OF MOKAI                       54

TO THE GYPSY MAN                        55

THERE IS NO DANGER IN DISDAIN           56

THE PLAYMATE                            57

AFTERWARDS                              58

THE OLD MAID                            59

MADNESS?                                60

THE SCHOLAR                             61

WISDOM'S SECRET                         62

CAGED                                   63

THE WIFE SPEAKS                         64

THE ALTAR                               65

      _Acknowledgment is made to Messrs. Harper & Bros., the
      Century Company, The Metropolitan Magazine, and Collier's
      Weekly, for courteous permission to reproduce certain of
      the verses included in this volume._




LIST OF ILLUSTRATIONS


                                                   PAGE

"TO BE ALONE, TO WATCH THE DUSK AND WEEP"            32
              _Frontispiece_

"SMILING SHE FLOUTS DEMOSTHENES"                      6

THE PEACOCK                                          21

LITTLE DANCER                                        35

THE ROMANY                                           43

PERVANCHE                                            46

"AND WRAP MY HEART CLOSE SHROUDED IN THE HOURS"      50




HERBS AND APPLES




TO NEIGHBOR LIFE


Neighbor Life, I love you well,
Have you any goods to sell?
Let me buy or let me borrow
Joy, to tide me o'er the morrow;
I will give you in exchange
Baskets full of thoughts that range,
Bright utensils of my brain;
Coins of feeling you shall gain.
All I ask in equal measure
Is your store of joy and pleasure.
Neighbor Life, I love you well,
Have you any joy to sell?




THE UNBURIED


In the wood the dead trees stand,
Dead and living, hand to hand,
Being Winter, who can tell
Which is sick and which is well?
Standing upright, day by day
Sullenly their hearts decay
Till a wise wind lays them low,
Prostrate, empty, then we know.

So thro' forests of the street,
Men stand dead upon their feet,
Corpses without epitaph;
God withholds his wind of wrath,
So we greet them, and they smile,
Dead and doomed a weary while,
Only sometimes thro' their eyes
We can see the worm that plies.




UP A LITTLE ROAD


Up a little road with the morning in my arms,
  Drenched with dew and tipsy with the madness of the May,
Leafy fingers on my face, I stop not for your charms!
  Love is waiting round the turn, to be my Love to-day.

Shouting as I ride on the springing ringing sod,
  Ah! my pony knows the goal to which his course is laid,
Galloping thro' dawn he knows he bears a little god
  Bacchus-mad with happiness who burns to meet his maid.




ON CEDAR STREET, NEW YORK


I, whose totem was a tree
  In the days when earth was new,
Joyous leafy ancestry
  Known of twilight and of dew,
Now within this iron wall
  Slave of tasks that irk the soul,
To my parents send one call--
  That they give me of their dole.

Thro' the roar of alien sound
  Grimy noise of work-a-day,
Secretly a voice, half drowned,
  Whispers thro' the evening's grey,
"Child, we know the path you tread,
  Ghost and manes, we are true;
Cedar spirits, long since dead,
  Calm and sweet abide with you."




CHE SARÀ SARÀ


Deep as the permanent earth is deep,
  Fierce as its central fire,
Man is his own conclusion,
  Woman her great desire.




THE DEAD WANTON


She was so light, so frail a thing,
  She had no wisdom but her face,
Which caught men's fancy like the Spring
  Yet held them but a moment's space.

She is the youngest of the dead,
  And so the great lean round her feet;
They strive to learn from her fair head
  Why far-forgotten life was sweet.

For now she knows what Plato knows,
  And lapped in languor she agrees
With Kant, and as her soft hair blows,
  Smiling, she flouts Demosthenes.

[Illustration: "SMILING, SHE FLOUTS DEMOSTHENES"]




LEAVEN


Others furnish bread and meat,
Busy hucksters on the street,
They will give you what you need,
All the facts your life to feed.

Mine are not these wares of earth,
I can give my love but mirth;
Let, oh let this part be mine,
I would be your salt and wine.




QUAERITUR


What if to-day, when I have made so sure
  That love is utterly and wholly mine,
What if I found that faith should not endure
  And all my trust in you I should resign;

That when I send my thoughts like homing birds
  To your dear heart they find no resting place,
But all misunderstood, far, foreign words,
  They die away like strangers at your face.

Love, make me certain, make the circuit true,
  And when I wonder, give the faith I seek
Perfectly trusting, let me end in you
  Heart against heart, and cheek upon your cheek.




LOVE LAND


Where is El Dorado?
  Where is bright Cathay?
These are lands where we should go
  To live and love to-day.

Miles of glistening beaches
  Over all the sun,
Tropic, spicy-laden breeze
  To lull when day is done.

Gypsy lass and lover
  With the tides we'd rove;
We be natives of no land
  Save the land of love.




BY THE WESTERN GATE


You and you only!--By the Western gate
  That fronts the falling sun I shade my face
  And watch for you. As one who's lost the race
Tries to demand no further gift from Fate
Lest he be hurled more low, so I, who wait
  And want you, ask no pity of your grace
  On my defeat, I only long to trace
My lost heart; come to me, my need is great.

I see the young men with their crystal eyes,
  They stand about my door, their hearts, I know
    Are breaking in the poppies that they bring.
I cannot love them for I am not wise;
  Ah, come, or else forever let me go,
    I grow so tired with waiting in the Spring.




FOR MUSIC


The Indian Summer and Love have fled,
  Oh, red, red lips like a crimson rose,
Oh, slender hands with the tips of red,
  You are lost in the land of Nobody-knows.

The sweet breeze blows but it comes not back,
  The water flows in a silver stream,
But never returns on its moon-white track,
  They are gone, past recall, like a lovely dream.

Ah, crimson lips like a tilted flower,
  Where sweetest honey awaits the bee;
Come back, come back for a single hour,
  Dear Love, my Summer, come back to me.




THE LITTLE GHOST


The little one who loved the sun
  Who only lived for play,
Ah, why was she the one condemned
  To dark and dreams for aye!

The perfect perfume of her life
  Was as a rose's breath,
And now she treads eternally
  The gusty walks of Death.




MADONNA EVE


From what far spicery derives your hair
  The sweet faint fragrance that enslaves my sense?
What subtle love trick taught you to be fair
  With overt lure and covert reticence?

Madonna Eve, you bear upon your breast
  A hungry emerald like the desiring sea,
But warm upon your heart lie pearls of rest
  What man could exorcise such witchery?




A CONVERSATION


"Laddy, leave your pedant's task,
  Rove the world with me.
Fields and towns and pretty lands
  Together we would see.
There be workers everywhere,
  You would not be missed.
Come, ah come, and take for yours
  The mouth you never kissed!"

"Lady, I am fain for play,
  So I may not go.
Only those who hate to toil
  The true enjoyment know;
But could you love a larrikin
  Whose task he'd so resign?"
"Yes!--I'd love a larrikin
  If only he were mine."




BE BRAVE


Be brave about yourselves, you little ones,
  If in the crazy warp and woof you gleam
With the insistence of determined suns,
  Shine, being true and modest in your dream.

If to the peace of nature you respond
  Draw from her breast your milk, nor weep the high
Duties for lack of which you now despond,
  Made for historic planets thro' the sky.

Knowing yourself a gay and careless weed,
  Be you courageous in your light despair;
Sure that you fill a space of unknown need,
  Idle and green in the bright coat you wear.

Strive to the uttermost to find your worth,
  Jester or Gypsy, Body, Brain or Soul,
Filling with perfect cheer your place on earth,
  So shall the tapestry of Time be whole.




FORFEITURE


So I have lost you. When the utter ache
  Shall fade at length to mere despondency
  What will the answer to this problem be?
They say that nothing dies, that all we stake
Brings some unknown return; what then shall make
  An adequate exchange for love, to see
  Your hand held out in friendship?--as for me
The episode is ended, for life's sake.

You want me still for that small joy I gave,
  But now it ends for you. I am not brave
To love you seared; I have no happy days
  To brood upon at dusk, and so I claim,
As all the wager that good fortune pays,
  Complete obliteration of your name.




THE SEARCH


I tire of the struggle, the search for the ultimate I,
There hangs the chalice of sapphire, the infinite sky,
Why thro' the space of despair should my spirit be hurled
Seeking for truth, when beneath lies this pearl of a world?

Seers may direct us thro' pain to discover the soul,
Comforting joy may not give us the absolute whole,
But if the seers should be wrong, may the truth not be ours
Thanking dear Life for its light and its beautiful hours?




DUST


Motes of the city dust, could this thing be
That midst your myriad particles for me
Might come one atom out of Ispahan,
One spiced far memory of caravan.

Indrawn upon my breath I'd know an urge
To dissipate monotony, and purge
The spirit of its spleen; one with the man
Who takes the sun blue air of Ispahan.




NATURE'S CHILD


I had a friend whose soul was very fair,
  His word was wisdom and his strength was sure;
His courage in the ills he had to bear
  Made others strong and able to endure.
I asked no love, no tribute of the sense
For his companionship was recompense.

I thought I was beloved, but did not care,
  He smiled on me as he on others smiled,
But one grey day a chill was in the air
  And then to prove that I was Nature's child,
He spoke--"I do not love you very much--"
And all my friendship shattered at the touch.




VERITATIS


Seated among the shards of Potiphar
  I pondered. Shall we still strive on? forsooth
There is no better, that is good as Best,
  There is no truer that is true as Truth.

[Illustration: THE PEACOCK]




THE PEACOCK


She was more beautiful than tropic night,
  Luring, compelling as the smile of Fate;
Like a poor wastrel, I for her delight
  Squandered my soul and gained her idle hate.
Peacock and paroquet!--at last I know
The sorriest songsters make the bravest show.




ANTICIPATION


The joy is in the making. While we sow
  Our dream is wonderful with flowers, we name
  The purlieus of our garden and the aim
Is worth the effort, yet we cannot know
The garden will be just a garden, so
  The dream is heaven. This way mothers frame
  The child's high dedication to its fame,
Repaid for all reality may show.

God knows this, so He lets us have the best,
  The vast anticipation, rugged man
Joys in the struggle, triumphs over throes,
Vanquished a thousand times he still finds zest
  In hope and all his pleasure in a plan
To be fulfilled at length in Heaven?--who knows.




THE WAYFARER


Half way to happiness,
  The whole way back again,
Stumbling up the stubborn hill
  From the luring lane.

Little sunset House of Hearts
  Standing all alone,
I could come and sweep the leaves
  From your stepping stone.

I, and he, could light your fires
  Laughing at the rain
But O it's far to Happiness,
  A short way back again.




RENUNCIATION


Not what I ask, but what I do not ask,
  O my Beloved, proves my love for you.
And love can set to love no harder task
  Than wistful silence, reticence to sue.

I lock my lips, I force a wise content
  With all my being wailing for a sign.
Ah, if men knew what woman's smiling meant
  When fierce and hard the heart cries out "He's mine."

Mothers of men are we, we barren ones
  Who say "Be happy, dear, and play your part."
What matter how we yearn, you are our sons
  Whose every footfall breaks a woman's heart.




ARABESQUE


Gold fish, rose and red
  As lady Lillith's hair,
Mauve and blue as curling smoke
  And water-sapphires there.

At the fountain's brim
  I built a little dream,
As a goldsmith cunningly
  I made it flash and gleam.

I wrought a maiden shape,
  I colored it with love,
Scarlet mouth and breast of pearl
  And eyes of turtle dove.

Thro' hours of moony dark,
  I woo'd her for my bride
But ah! I could not build her soul,
  So with the dawn she died.




THE ARCHITECTS


How shall we build it curiously well,
  Our house to live and love in?--Shall it be
  Only significant to you and me,
Or shall it be a palace where may dwell
Those whom our spirits notice? May we tell
  An architect to loose his fancy free
  To toss up towers in soaring ecstasy
With Doric dignity or temple bell?
Or shall we build it with our hands, alone,
  Working together over wood and stone
To learn an art we never knew, and strive,
  Patient, to raise with faith and trust and love,
Fashioned so cunningly it must survive,
  A secret cottage in a silent grove?




AMBUSH


Crafty Chieftain, where you lie
You can see the clouds drift by,
Waiting in the dusky fern
For your enemy's return.

Does the beauty of that place
Never tell you of my face,
I, you left, to plot and plan
For the ending of a man?--

You had better sought my aid,
I have met him unafraid,
We have wandered all alone
Underneath a yellow moon.

We have found the end of strife
Is the waking up to life--
Therefore you, who forced my vow,
Take my all of wisdom now.

Love has taught me but one truth--
Love is merry, love is youth,
We be children, he and I.
Where is your sagacity?




THE SCALES


I wonder if the store of joy
  And love is limited,
And if because my heart is glad
  Some other heart has bled.

Believing this, a balance just
  Of recompense, I pray
That my beloved gained the joy
  I did not have to-day.




THE OLD TRAGEDY


Did I allure you?--I only meant to love you,
  I only meant to be so dear you could not let me go.
I held you close against my heart, bending down above you,
  As mothers brood above their babes, I loved you, loved you so.

'T was passion that moved you, called to you and caught you;
  You never felt my tenderness full launched on your desire.
You never knew the friendship and sympathy I brought you.
  Ah, Mary pity women when their veins are filled with fire.

And so I have lost you, I who never won you;
  You thought me but a siren by your crafty arts beguiled.
I hate myself and scorn you for the honor I have done you.
  I leave you, bitter woman, and I came to you a child.




TABOO


Now am I sacred, for that holy thing,
  Your touch, has made me as a god; to-day
I am magnificent, I am a king
  To whom my fellow men must cringe and pray.

Such is taboo; but when to-morrow comes
  I may look once upon the sun and you;
Then, thro' the dawn, with wailing and sad drums
  I pay the utter price.--Such is taboo!




THE RIVALS


Seated in my ingle nook
  With Duty by my side,
How I strove to see her charms
  And take her for my bride!

"Sweet," I said, "I love you so"--
  And suddenly I heard
The laughing call of Beauty's voice
  And all my soul was stirred.

Once again she cried my name
  And gone was every doubt,
For who could stay at Duty's side
  When Beauty calls without?




ALONE


I only wanted room to be alone.
  I saw the days like little silver moons
  Cool and restrained shine forth; there were no noons
To make me glad with glory, to atone.
I dreamed of solitude. When one has known
  Ardent and eager verity, the tunes
  Of semi-truths are sweet, as subtle runes
Attest the bud more dear than flower full blown.

To be alone, to watch the dusk and weep
  For beauty's face that is so veiled, to know
  How exquisite the earth breaths come and go,
To feel my life a silent, empty room
Where lovely thoughts might take new shape and bloom,--
This is the dream that is more dear than sleep.




BENEATH THE MASK


I said that men were cowards,
  I thought that men were brave,
I said that women gained no faith
  For all the love they gave.

Beneath a mask of scorning
  I wore a heart of trust,
But laughed in all my lovers' eyes
  And vowed their vows were dust.

Time showed my words were true ones,
  My thoughts have proved no test,
But still beneath my mask, I say
  I know my dreams were best.




THOTH


Hewn from basalt, black as sin,
  Blind eyes staring, hands on knees,--
This is Thoth, who shall survive
  All your fair divinities.

Mars and Venus, piping Pan,
  White Diana, Cupid sweet,--
All their beauty, all their pride,
  Lie like ashes round his feet.

Vast and calm and ultimate
  Ere this orb dissolves in space
Life's last glimpse to man shall be
  Thoth, with his impassive face.

[Illustration: LITTLE DANCER]




LITTLE DANCER


O little dancer, slim as a new moon,
A candle flame blown by the wind--how soon
Will all this be forgotten! Do you care
The pagan poppies dying in your hair;
Do you despair to think that even as they
Your lovely life will tarnish in a day?
How can we keep you, butterfly!--O must
Such lovely grace resolve itself in dust?
We must believe that some day when you lie
Hid from the lights, beneath the open sky
The trees will bend more perfectly above you,
The flowers dance gayer for they'll know and love you,
And we will mind a little less the cold,
Remembering your grace when we are old.




SIC ITUR AD ASTRA


If it be educational to breast
  Salt lipped the wave that is the woe of Earth,
Who could be called a fool? There is no rest
  From sorrow in this island of re-birth.

And yet, ringed 'round with shadow as we are,
  In the penumbra we may all discern
Glowing and gay the promise of a star
  For the adventurer with faith to yearn.




THE JUDGES


Watch me, eyes of the wind and rain,
  See if I come to the dusk with stain,
Search me, eyes of the soaring sun,
  See what mischief my hands have done.

If there be beauty of word or deed,
  If there be truth or a scorn of greed,
Give me the peace of your dark, sweet hours,
  Let me be still as your moon and flowers.

If there be harm to a heart that trusts,
  If there be pander to sordid lusts,
Curse and condemn me to wide-eyed pain,
  Judge, and pay me, eyes of the rain.




THE SPRING PLANTING


"What shall we plant for our Summer, my boy,--
  Seeds of enchantment and seedlings of joy?
Brave little cuttings of laughter and light?
  Then shall our Summer be flowery and bright."

"Nay!--You are wrong in your planting," said he,
  "Have we not grass and the weeds and a tree?
Why should we water and weary away
  For sake of a flower that lives but a day!"

So she made gardens which he would not dig,
  Tended her apricot, apple and fig.
Then, when one morning he chanced to appear,
  Sadly he noticed--"No trespassing here."




AN IMPRESSIONIST PICTURE


"How do you do," I said; the yellow coat
  She wore was like a golden serpent's skin.
  I took her white gloved hand, my voice grew thin
As tho' her hand were tight about my throat.
The air was green with heat, a flaccid note
  I did not fail to see, for heat might win
  My cause; her weary soul looked from within
And saw the white sails flapping on my boat.

"Coolness and rest" my eyes were whispering,
  In Isles where morn grows never afternoon,
  Where Passion buds forever with the Spring,
  Nor wanes with shifting tides of sea and moon,
But--"How are you?" she said, and that was all,
And tho' she smiled, she passed beyond recall.




SUCH HELP FOR SINGING


Such help I have for singing!
  The little winds a-stir
Touch gently on the lisping leaves
  Like dainty dulcimer.

The sights and scents of April--
  What dreams, what themes they bring--
While gaunt crows cry their gasconade
  Down all the ways of Spring.

Such happy help for singing!
  And round, below, above
The air is thrilling with my joy
  Of love, love, love.




TEMPUS EDAX RERUM


Upon the silence of my unconcern
  The little noise that was your name falls dead.
  I can remember how your mouth was red,
In the lost years, but tho' the senses yearn
For some unguessed desire, they never turn
  To that vitality, your face!--We sped
  So swiftly thro' our burning hour. We said
Drink deep, 't will never end; too late we learn
That lovely passion's face so soon is grey,
  That notes too often pressed upon grow dumb,
That after the high climax crowns a day
  The dusk seems long and empty. We who come
To taste again Life's feast, why must it be
We meet such ghosts to chill our revelry?




THE COWARD


Wishful of many honors,
  He was too lame to climb,
And so he sat to wait for Death,
  Forgetting to be brave.

He never saw the windfalls,
  From off the trees of Time,
Drop down in mellow chance to him
  The while he digged his grave.

[Illustration: THE ROMANY]




THE LOST ROMANY


The Romany has gone, he has taken all my kisses,
  I knew I could not keep him, so I laughed and let him go.
I do not know the road where his freedom and his bliss is,
  So take my sober spinning where no gypsy winds can blow.

I will find my life serene, I will wed a pleasant lover,
  I may think no more of perfume and the lingering in the lane;
I will rear me sturdy children, and my soul I will discover,
  For I will not love a Romany in all this world again.




COMPENSATION


If one grew blind thro' gazing
  Wide-eyed upon the sun,
What matter when such memoried light
  Would last till life were done.

If one should die of loving,
  Divinely wild, and brave,
What matter with such dreams to dream
  Within the quiet grave.




UNTAMED


Ah, we weary so with kisses,
  Weary so with your caresses,
As the hooded hawk returning
  To its tinkling bells and jesses,
So we flutter to the prison
  Of your arms, in meek surrender,
And we grieve when you are angry,
  And we smile when you are tender,
But our souls, untamed, are soaring
Where no blandishments can teach them,
  Free our hearts, and free our spirits,
Where your hands can never reach them.




TO PERVANCHE


If you were mine--(for all the little flowers
  That see you, weary of their innocence)--
  If prayers that have been pale with penitence
Grew purple with our passion, all the hours
  From sun to sun would be unique with bliss,
  Little red mouth that is not mine to kiss!

You are not mine and you will never be,
  And so I am magnanimous, I give
  My love and you to Time, and you shall live
Bride of his avid passion. I will see
  The moon of all this lure and beauty set,
  And I will turn from you and quite forget.

[Illustration: PERVANCHE]




THE BELLE


She spread her atlas petticoat
  So rare, so fine to see.
Her bonnet was of Tuscan straw,
  Her shawl was Turkey red.
She peacocked gay before men's eyes,
  This lady of degree,
On slippered tiny feet, and ah!
  She wished that she were dead.

At every ball, at every rout
  She was the toast of town;
But no one knew who called her cold
  What cruel wound had she.
The laughing gallant that she loved
  Had scorned her high renown,
And now another bore his babe,
  And held it on her knee.




RELEASE


How may we be released from memories?
  One dreads each green renewal of the grain,
  Reviving ancient life. If but the brain
Might be made clean of last year's withered lies,
Blown like brown leaves across the April skies
  In hateful resurrection, and retain
  Only the springs of promise, fine and sane,
And a kind, leading hand to make us wise.

If with the running sap a royal birth
  Each year might be accomplished, strong and free
With the sweet prescience of virginity,
  Then were we true inheritors of earth,
And the large lonely stars no more should see
  The age worn phoenix-lives that make our dearth.




THE THIEF


Did you see the rascal with the rain-grey eyes?
  He robbed me of my happiness before I knew its worth.
He stole into my garden and took it by surprise,
  When midnight hid his wicked ways upon the sleeping earth.

How shall I arrest him, for he took away my Spring,
  Took away my April 'neath his cloak of steaming rain.
Tho' he left his Summer and a choir of birds that sing,
  Nothing will content me for I want my Spring again.




I WILL WRITE LETTERS TO
THE GRASS


I will write letters to my friend the grass,
  I will sing all my songs to lilac flowers
Gather the spices in the airs that pass,
  And wrap my heart close shrouded in the hours.

I dread man's huge impertinence; he creeps
  Thro' the inviolate silences of Spring
Like a marauder, waking that which sleeps
  To gather strength for lyric blossoming.

I will write all my letters to the grass.
  The world shall be resolved into a cry
Faint as a little voice that cries Alas!
  And I will laugh alone beneath the sky.

[Illustration: "AND WRAP MY HEART CLOSE SHROUDED IN THE HOURS"]




ONLY THIS


We need demand no further gift from Heaven,
  We might dispense with documents and creeds,
If but this one great grace to us were given--
  The strength to follow where our reason leads.




THE SURVIVOR


Beauty will crumble with tasking,
  Love rarely lasts for a year,
Virtue is sold for the asking,
  Bravery fades before fear.

Youth never lives till the morrow,
  One thing of all is alive,
Joy cannot quench it, or sorrow,
  Folly alone shall survive.

Folly, from cradle to burning,
  Toys for the great and the small,
None shall escape her by learning--
  Folly has rattles for all!




MEGAERA


Always to suffer so, to want and weep
With woe that groweth every day more deep;
To don the green robe of tormented scorn,
And ever curse the hour that love was born!
Furies, my Sisters! have you no surcease
For me to whom no death shall bring release?

They name me Jealous One. They hate my name,
The ages hold me high to endless shame;
How, if I suffer so, does no one care
And pity, for the wrath that I must bear?
Gods! let me go, your service wrecks and sears,
The vase must break that holds so many tears.




THE SONG OF MOKAI


He's dead, I watched him die.
  He cast a spell on my mate,
They loved, and the moon whirled 'round the sky,
  They mocked at my rage and hate.

Blood red from the burning sea
  The sun rose, and I knew!
My soul whined wild little songs to me,
  I did what I had to do.

I have taken the bone of his thigh,
  I have fashioned it into a horn;
And I sing my soul's song, shrill and high,
  And curse the day he was born.




TO THE GYPSY MAN


Is there no room in your gypsy heart
  Where a woman's love might lie
Warm and sheltered, your prize and song,
  As you wander beneath the sky?

No, for you say, "I'll carry no weight,
  I must be free, be free;
I'll carry no love in my gypsy heart
  To make a drag for me."

Little you know, then, love is the cloak
  That shelters you from the storm;
Love makes the shoes for your gypsy feet,
  Love is your coat so warm.

Though you take no purse and you take no staff
  You cannot escape the load
Of a woman's longing and woman's love
  That follows you down the road.




THERE IS NO DANGER IN
DISDAIN


There is no danger in disdain,
  No grief in perfidy;
The meek they are who taste of pain
  And matchless misery.

The hearts who give, and giving, die,
  Could they but learn the way
To take, and laugh and then deny,
  They still might live their day.




THE PLAYMATE


Brown boy running on a wide wet beach,
  Free as the water and the wind are free;
Eyes of an odalisque and skin of a peach,
  O for such a playmate to play with me!--

Drenched with the sunshine of the long brave hours,
  How we would tumble in the white wild spray;
Then, drowsy children, fall asleep like the flowers,
  And wake keen and merry to a new clean day.




AFTERWARDS


You know how I came to you,
  World beaten, tossed aside;
Ready for death at a hangman's hand,
  Stript of all hope or pride.

Leaning, you gathered me up
  Close to your great sweet heart,
Lulled me and told me to be a man,
  Taught me your wonderful art.

Now I am very wise,
  Proud with your love's true vow;
Glorious with power,--I am more than a man,
  What will you do with me now!




THE OLD MAID


Ah, Heaven! How soon my body will be old!
  I powder and I perfume and I tire
  With the long wasting of my one desire.
I choose fair colors, furs, and antique gold
To draw men's eyes and hands, and yet how cold,
  How careless are their eyes. I see the fire
Flame from my neighbor, and I can aspire
To only friendship. I have tried the bold,
The luring attitude, the timid mien,
  The boyish, wise, or simple, all in vain.
I know the women laugh at me, but oh,
How can I let my dreamed perfection go?
  I am a woman, I must have a man
  Only to ratify my nature's plan.




MADNESS?


They say I'm mad because I stare
And look as tho' they were not there,
Because I only speak when aught
Occurs to me by way of thought.

Instead of serving Fashion's creeds,
I cut my coat to fit my needs.
I laugh at grief and only weep
When noisy life disturbs my sleep.

My dreams are delicate and wild;
Was ever wise man so beguiled?--
Mad, am I mad!--then pray that you
May some day hope for madness too!




THE SCHOLAR


From what sweet masters have I fathomed doubt,
  What love and laughter taught me to be blind;
How patient did they point the letters out
  Latin and Greek to my bewildered mind.

Now I am very wise, I know the 'a'
  The little 'a' of doubt's first faint distress
Then, letter perfect, I recall the way
  Thro' all the alphabet of bitterness.




WISDOM'S SECRET


Coerced by Furies who persuaded me
  That life was imminent with idleness,
Their jibes made mad, their lashes aided me
  To grasp the accident of bitterness.

Come storm! I cried, come passion and despair,
  For calm inhibits growth!--I called on fire
To sear my comfortable days, and wear
  The nights to wastes of torment and desire.

Then pausing breathless, in a little wood
  I met with Wisdom laughing in the sun;
She said, "Lie still, for idleness is good,
  And grow in peace as I myself have done."




CAGED


Once I had wings--I had no heart to fly,
They put me in a cage, I did not die.
They tamed me, taught me tricks and bade me sing;
I waited, bore it patiently; one thing
I knew, that some day it might be
The cage would open and I should be free.
I waited endlessly,--at last the day!
Faint with delight I thought to fly away,
Ah, but the mockery of that open door!--
My wings were powerless, I could fly no more.




THE WIFE SPEAKS


Not all those women you have loved and left,
  O my Beloved, can stir my jealousy;
  Not the light loves which you forgot for me,
For my heart's fingers made by life most deft
Have mended all the rents their arrows cleft
  And from their old enchantments set you free.
  But one is my despair, and only she,
The one who loved you, hopeless and bereft.

How can I give as much, who hold your heart
  As she, unloved who gave with scorn of gain?
So do the angels; at her name I smart
And feel a sordid bargainer who gives
  For fair exchange; I cannot heal the pain,
I am defeated by her while she lives.




THE ALTAR


Some take comfort from a star,
  Thro' the slow grey surge of Time,
Some take joy from ruddy war,
  Lust of conflict, heat of crime.

In these days of codes and creeds,
  Gods may wander newly born,
Every day for each man's needs
  Bringing blessings thro' the morn.

I will take a happy word,
  Open heart and hand for play,
And a song which none have heard
  For my altar of the day.

[Illustration]

       *       *       *       *       *




RECENT POETRY

THE COMPLETE WORKS OF
WILLIAM WATSON

      UNIFORM EDITION. 3 vols. Cloth. 12 mo. $4.00 net per set.
      Postage 25 cents. Half Morocco. $12.00 net. Postage 25
      cents.

_Sold separately as follows_


POEMS. 2 vols. $2.50 net. Half Morocco, $7.50 net. Photogravure
Portrait. Postage and packing 20 cents.

      The lover of poetry cannot fail to rejoice in this handsome
      edition.--_Philadelphia Press._

      A glow of inspiration that merits better than that of any
      living poet the high adjective, Vergilian.--_New York
      Evening Post._

      Work which will live, one may venture to say, as long as
      the language.--_Philadelphia Public Ledger._


NEW POEMS. $1.50 net. Half Morocco, $5.00 net. Postage and packing 12
cents.

Contains "On Hearing Samaroff Play," "Vivisection," "Leopold of
Belgium," "To Richard Watson Gilder," "To the Invincible Republic,"
"Sonnets to Miranda," and "The Woman With the Serpent's Tongue."

      "To the Invincible Republic" is full of a generous and
      admiring appreciation. All of these poems are explicit,
      strong, and interesting.--_New York Sun._

      _Times_--William Watson is, above all things, an artist who
      is proud of his calling and conscientious in every syllable
      that he writes. To appreciate his work you must take it as
      a whole, for he is in line with the high priests of poetry,
      reared, like Ion, in the shadow of the Delphic presences
      and memories, and weighing every word of his utterance
      before it is given to the world.

      _Athenæum_--His poetry is a "criticism of life," and,
      viewed as such, it is magnificent in its lucidity, its
      elegance, its dignity.... We revere and admire Mr. Watson's
      pursuit of a splendid ideal; and we are sure that his
      artistic self-mastery will be rewarded by a secure place in
      the ranks of our poets.... We may express our belief that
      Mr. Watson will keep his high and honorable station when
      many showier but shallower reputations have withered away,
      and must figure in any representative anthology of English
      poetry.... "Wordsworth's Grave" is, in our judgment, Mr.
      Watson's masterpiece ... its music is graver and deeper,
      its language is purer and clearer, than the frigid
      droning and fugitive beauties of the "Elegy in a Country
      Churchyard."


SABLE AND PURPLE. $1.25 net. Postage 10 cents.

      _Boston Transcript_--Still the poet whose inspirational
      fantasy gives distinction to modern English Literature.

      _Spectator_--A great artist, "Sable and Purple" is of a
      high excellence.




THE WORKS OF LAURENCE HOPE


      INDIA'S LOVE LYRICS, including "The Garden of Kama."

      12mo. $1.50 net. Postage 10 cents. Half morocco, $4.00 net.


      STARS OF THE DESERT: POEMS.

      12mo. $1.50 net. Postage 10 cents. Half morocco, $4.00 net.

      LAST POEMS.

      Translations from the "Book of Indian Love." 12mo. $1.50
      net. Postage 10 cents. Half morocco, $4.00 net.


      COMPLETE WORKS.

      Uniform Edition. 3 volumes. In box.

INDIA'S LOVE LYRICS.
STARS OF THE DESERT.
LAST POEMS.

      Cloth, $4.50 net. Postage 35 cents. Half morocco, $12.00
      net. Postage 50 cents.


      SONGS FROM THE GARDEN OF KAMA.

      Illustrated from photographs by Mrs. Eardsley Wilmot.
      Cloth. 4to. $3.00 net. Postage 15 cents.


INDIA'S LOVE LYRICS

BY LAURENCE HOPE

_The New York Commercial_:

Its colors are elemental, silver and gold and red. It is heavy with
the breath of citron groves, cool with the tinkling of temple bells,
and the air of night, and the cries of wild peacocks and parrots....
In many ways this volume of translation is the most important
contribution to poetry that the season has as yet brought forth.

_The Baltimore Sun_:

There is nothing stale or hackneyed in this book; newness, freshness,
and variety are found on every page. These poems are true lyrics, for
they give us true glimpses into the hearts of men.

_The Chicago Tribune_:

A volume of passionate love poems written by a true poet.

_The Chicago Inter-Ocean_:

They are in several metres, handled always with graceful ease, and
often with intensity. The coloring is vivid and the music subtle. The
book is redolent with the atmosphere of the Arabian Nights.

_The Boston Evening Transcript_:

Mr. Hope is a thorough artist to his fingertips, and his choice of
words and images is as keen and exact as his ability to adapt Indian
literature to the more prosaic mood and tongue of the Anglo-Saxon.

_The Athenæum_:

Mr. Hope has caught admirably the dominant notes of this Indian love
poetry, its delirious absorption in the instant, its out-of-door air,
its melancholy.


STARS OF THE DESERT

BY LAURENCE HOPE

_The Washington Mirror_:

The author has so completely infused the charm of the Orient into this
volume that one is transported for the time and lost in the poetic
beauty of his surroundings, finds no jarring chord nor is disposed to
shrink from the frankness of this translation of oriental verse.

_The Chicago Tribune_:

It is still a question whether these are direct translations or
whether they are written in the Hindu style by Laurence Hope. Perhaps
she has done for the Hindu poets what FitzGerald did for Omar.

_The Conservator_:

He seems to exhale an oriental atmosphere. He sings musically. I can
follow the delicate strain by which Hope saves himself from stepping
beyond the bounds of a vital reserve.

_The New York Star_:

The author is imbued with the glowing passion of Eastern romance.

_The New York Globe_:

The theme, in almost every instance love, is treated with feverish
abandon.




KING ALFRED'S JEWEL

_THIRD EDITION_

BY KATRINA TRASK. Author of "Night and Morning," "Mors et
Victoria," etc. Cloth, 12mo. $1.25 net. Postage 10 cents. With Colored
Frontispiece reproducing the Jewel now at Oxford.

The English speaking world has waited a thousand years for a worthy
dramatic impersonation of King Alfred. And here it is.... The play
will stand not alone upon the grateful response it wins from the
English national heart, but as a work of art.... The author is
supremely a poet, the master of metaphor not less than of melody....
It is a play not only to be read but to be acted.... This vivid drama
is not cast in the conventional classic mould. It is distinctly and
wholly English in spirit and form, and intensely modern--but breathing
the air of morning, of springtime, of fresh adventure.--HENRY
MILLS ALDEN, _The New York Times Saturday Review_.

King Alfred's noble and vigorous character is limned with great skill,
while Elfreda, a graceful and innocent maiden, flits through the play
like a woodland fairy.--_The Glasgow Evening News_, Scotland.

The living Alfred lives in this gracious play, for the author has
fashioned his great spirit out of the mist of time.--JAMES
DOUGLAS, _The Star_, London.




ARTHUR SYMONS


POEMS

A Collected Edition of the Poet's work, issued in two volumes, with a
Photogravure Portrait as Frontispiece. 8vo. $3.00 _net_. Postage 24
cents. Half morocco, $10.00 _net_.


THE FOOL OF THE WORLD AND OTHER POEMS

12mo. $1.50 _net_. Postage 15 cents. Half morocco, $5.00 _net_.

Stands at the head of all British poets of his generation.--_New York
Evening Post._

One of the truest poets that modern England owns.--_Bookman._


THE POEMS OF ERNEST DOWSON

Illustrations and a Cover-design by Aubrey Beardsley. An Introductory
Memoir by Arthur Symons, and a Portrait. 12mo. $1.50 _net_. Half
morocco, $4.00. Postage 10 cents.

      Belongs to the class that Rossetti does, with a touch
      of Herrick, and something which is Dowson, and Dowson
      alone.--DR. TALCOTT WILLIAMS in _Book News_.


      POEMS OF ARTHUR CHRISTOPHER BENSON.

Cloth. 12mo. $1.50 _net_. Postage 12 cents.

      In this volume we have a welcome gathering together of the
      principal poems issued by Mr. Arthur Christopher Benson
      during the past sixteen years.... In this new form his
      poems should make new friends.--_London Daily Telegraph._


CARMINA. BY THOMAS A. DALY.

Cloth. 12mo. $1.00 _net_. Postage 10 cents.

      A collection of poems by this well-known author of Italian,
      Irish and American verse. The volume contains all of the
      most popular verses from "Canzoni," in addition to many new
      ones of equal appeal.


NEW POEMS. BY RICHARD LE GALLIENNE.

Cloth. 12mo. $1.50.


THE WIND AMONG THE REEDS. POEMS

By W. B. YEATS. 12mo. $1.25 _net_. Half morocco, $4.00.
Postage 10 cents.

      The genuine spirit of Irish antiquity and Irish
      folk lore--the very spirit of the myth-makers is in
      him.--MR. WILLIAM ARCHER.


THE RUBAIYAT OF OMAR KHAYYAM

Cloth, 50 cents _net_; Leather, 75 cents _net_. Postage 4 cents.

Rendered into English verse by EDWARD FITZGERALD. With 9
illustrations.


THE ROSARY AND OTHER POEMS

By ROBERT CAMERON ROGERS. 12mo. $1.25 _net_. Half morocco,
$4.00. Postage 10 cents.

      A Landorian touch of divine simplicity.--_The Dial._


THE WORKS OF FRANCIS THOMPSON

POEMS. Square 12mo. $1.75 net. Postage 10 cents.

      SISTER SONGS: An Offering to Two Sisters. With Frontispiece
      by LAURENCE HOUSMAN. Square 12mo. $1.75 net.
      Postage 10 cents.

NEW POEMS. Cloth. Square 12mo. $1.75 net. Postage 10 cents.

      THE HOUND OF HEAVEN. Special Edition. 16mo. 50 cents net.
      Postage 5 cents. (Also included in "Poems.")

SELECTED POEMS. Cloth, 16mo. $1.50 net. Postage 10 cents.


SAMUEL TAYLOR COLERIDGE

      THE POEMS OF. Edited with an Introduction by ERNEST
      HARTLEY COLERIDGE, and numerous Illustrations by
      GERALD METCALFE. 8vo. $3.50 net. Postage extra.
      The only complete, definitive, illustrated edition of the
      poems of the author of "Christabel," "The Ancient Mariner,"
      etc. Several hitherto unpublished poems are included in
      this edition.


A. E. HOUSMAN

      A SHROPSHIRE LAD. New Edition. Cloth, 16mo. $1.00 net.
      Postage 4 cents. Half morocco, $3.00 net; postage 5 cents.


SAPPHO

      Memoir, Text, Selected Renderings, and a Literal
      Translation by HENRY THORNTON WHARTON. Illustrated
      in Photogravure. New Edition. $2.00 net. Postage 10 cents.





THE POETRY OF STEPHEN PHILLIPS


      PAOLO AND FRANCESCA: A Tragedy in Four Acts. By STEPHEN
      PHILLIPS. New Edition with Photogravure Frontispiece
      after the painting by G. F. WATTS, R. A.

12mo      Twelfth Edition      $1.25 net

      _New York Times_--Nothing finer has come to us from an
      English pen in the way of a poetic and literary play since
      the appearance of Taylor's "Philip van Artevelde."

      _Brooklyn Daily Eagle_--It is not too much to say that
      "Paolo and Francesca" is the most important example of
      English dramatic poetry that has appeared since Browning
      died.

      _Philadelphia Press_--"Paolo and Francesca" has beauty,
      passion, and power.... The poem deserves a wide reading on
      account of its intrinsic merit and interest.


HEROD: A Tragedy. By STEPHEN PHILLIPS.

12mo      Twenty-First Thousand      $1.25 net

      _Times_--Here, then, is a noble work of dramatic
      imagination dealing greatly with great passions;
      multicolored and exquisitely musical. Mr. Stephen Phillips
      is not only a poet, but that still rarer thing, a dramatic
      poet.

      MR. WILLIAM ARCHER (in _The World_)--The elder
      Dumas speaking with the voice of Milton.

      _Athenæum_--Not unworthy of the author of "The Duchess of
      Malfi."


      POEMS. By STEPHEN PHILLIPS. Including "Marpessa"
      and "Christ in Hades."

12mo      Thirteenth Edition      $1.25 net

      _Times_--Mr. Phillips is a poet, one of the half dozen
      men of the younger generation, whose writings contain the
      indefinable quality which makes for permanence.

      _Spectator_--In his new volume Mr. Stephen Phillips more
      than sustains the promise made by his "Christ in Hades";
      here is real poetic achievement--the veritable gold of song.

      _Literature_--No such remarkable book of verse as this has
      appeared for several years.


      MARPESSA. By STEPHEN PHILLIPS. With Illustrations
      by PHILIP CONNARD.

Cloth, 50 cents net      Leather, 75 cents net

      WILLIAM DEAN HOWELLS--Tennyson at his age had not
      done better.


      NEW POEMS. Including "Iole: A Tragedy in One Act";
      "Launcelot and Guinevere," "Endymion," and many other
      hitherto unpublished poems.

12mo. Cloth, $1.25 net. Half mor., $4.00 net. Postage 10 cts.




RECENT POETRY


SELECTED POEMS OF JOHN DAVIDSON

12mo

Leather, $1.50 net      Cloth, $1.25 net

_The Nation_--An uncommonly masculine volume.

_Chicago Record-Herald_--What every admirer of this virile poet
desires, a brief summary of his important work from which an adequate
conception of his style and versatility can be obtained.

_Athenæum_--There is urgent need for a collected edition of Mr.
Davidson's poems and plays. The volume and variety of his poetry ought
to win for it wider acceptance. It is indeed curious that poetry so
splendid as Mr. Davidson's should fail to get fuller recognition.
There are many aspects of his genius which ought to make his work
popular in the best sense of the word. He has almost invented the
modern ballad.... He handles the metre with masterly skill, filling it
with imaginative life and power.

_Times_--There are not more than two or three living writers of
English verse out of whose poems so good a selection could be made.
The poems in the selection are not only positive--they are visible.

_Literary World_--We count ourselves among those to whom Mr. Davidson
has made himself indispensable.

_Daily Mail_--Mr. Davidson is our most individual singer. His variety
is as surprising as his virility of diction and thought.

_St. James's Gazette_--This volume may serve as an introduction to a
poet of noble and distinctive utterance.

_New Age_--The book contains much that Mr. Davidson's warmest admirers
would best wish to remember him by. There is a subtle charm about
these poems which eludes definition, which defies analysis.

_T. P.'s Weekly_--Mr. Davidson is one of the most individual of living
poets; he has a rare lyrical faculty.

_Morning Post_--Mr. Davidson is as true a poet as we have now among us
... he has included nothing that we do not admire.

_Daily Graphic_--This delightful volume.

_Dundee Advertiser_--Its poetry gives out a masterful note.... Mr.
Davidson's poem pictures.




Transcriber's Notes

In _The Chicago Tribune_ review for STARS OF THE DESERT by
Laurence Hope, "she" may be a typo for "he."
  (Perhaps she has done for the Hindu poets what FitzGerald did)