Junjo shishu, by Haruo Sato.

　われ幼少より詩歌を愛誦し、自ら始めてこれが作を試みしは十六歲の時なりしと覺ゆ。いま早くも十五年の昔とはなりぬ。爾來、公おほやけにするを得たるわが試作おほよそ百章はありぬべし。その一半は抒情詩にして、一半は當時のわが一面を表はして社會問題に對する傾向詩なりき。今ことごとく散佚さんいつす。自らの記憶にあるものすら數へて僅に十指に足らず。然も、些の憾なし。寧ろこれを喜ぶ。後、志を詩歌に斷てりとは非ざりしも、われは無才むざえにして且つは精進の念にさへ乏しく、自ら省みて深くこれを愧づるのあまり遂には人に示さずなりぬ。但、殉情の人は歌ふことにこそ纔わづかに慰めはあれ、譬へば、かの病劇しき者の呻くことによりて僅にその病苦を洩すが如し。されば哀傷の到るものある每にわれは恒に私ひそかに歌うて身をなぐさめぬ。又譬へば獵矢さつやを負へる獸の森深く逃れ來りて、世を惡み人を厭ひて然も己が命を愛するの念はいや募り、己が口もて己が創痍を舐め癒さんと努むるが如し。

　世には强記にして好事かうずの士もあるものなり。面榮おもはゆくもわがかの詩作を今更に語り出でて、時にはこれを編みて册子とせよなど勸むる友さへあり。されど誰かは、未熟にして早く地に墜ちたる果實を拾ひて客の爲めに饗宴の卓上に盛らんや。乃ち篤くこれを謝するのみなりき。この機にのぞみてわれは改めてかかる人人に乞はん。わが舊き詩歌は悉くこれを忘れたまへ。少しく言葉を弄ばんか、今日のものとても同じく然したまへ。然らば今この集を敢て世に問ふの故は如何。曰く米鹽に代へんとす。曰く春服を求めんとす。否、われは口籠ることなくして言ふべし。聽き給へ、われ今日人生の途なかばにして愛戀の小暗き森かげに到り、わが思ひは轉うたた落莫たり。わが胸は輞おほわの下もとに碎かれたる薔薇さうびの如く呻く。心中の事、眼中の淚、意中の人。兒女の情われに極まりては偶成の詩歌乃ちまた多少あり。げに事に依りてわが身には切なくもあるかな、わがこの歌。然れども旣に世に問はん心なければ、わが息吹いぶきなるわが調べはいつしかに世の好尙と相去れるをいかにせん。われは古風なる笛をとり出でていま路のべに來り哀歌かなしみうたす。節古びて心をさなくただに笑止なるわが笛の音に慌しき行路の人いかで泣くべしやは。たとひわが目には水流るるとも、知らず、幾人いくひとかありて之に耳を假し、しばしそが步みを停とどむるやいかに。

　嗟吁ああ、わが嗚咽は洩れて人の爲めに聞かれぬ。われは情癡じやうちの徒と呼ばるるとも今はた是非なし。

同心草

　水邊月夜の歌

　或るとき人に與へて

　また或るとき人に與へて

　海邊の戀

　斷章

　琴うた

　後の日に

　よきひとよ

　こころ通はざる日に

　なみだ

　感傷肖像

　感傷風景

戀人こいびとの目よそれはまあ何といふ美しい宇宙だらう。

幸福は卓上につと消えた鳥かげよりも淡あはく儚はかなく、

歎なげきは永く心に建てられた。あの新築の山荘さんさうのやうに。

晝の月

　ためいき

　少年の日

　二つの小唄

ひとりものかや二十日月はつかづき、海うみの夜よあけにのこりたる。

かがみくもらすわがといき、夕ゆふべは月つきの暈かさとなる。

むかし、いかなる人のいか
なるをりにやのこしたりけ
む、かかる戀慕の祕曲ひと
ふしあり。

　晝の月

心の廢墟

　斷片

　わが溜息

とほくかすかに通かよひ來きたりてわが唇くちびるの上うへに消きゆ。

その一息ひといきごとに陰府よみの近ちかさを測はかり知しる。

げにそは屍しかばねのにほひを帶おびて暗くらく冷つめたく

　メフィストフェレス登場

　君きみは近ちかごろ立派りつぱなお城しろを建たてましたね、

　靑あをざめた亡靈ぼうれいによく奉仕ほうしして御座ござる。

　一いつたい私わたしはその道みちのくろうと﹅﹅﹅﹅だが――

メフィスト雙手もろてをひろげて風かぜと波なみとの身みぶりよろしく闊步くわつぽす。

　これや一いつそう中空なかぞらへ建たてた方はうがましだつた。

　幽靈いうれいと心中しんぢゆうなさるお心掛こころがけですかい。

　私わたしは他人たにんの意志いしは尊重そんちようしますからね。

　たまにはしんみりひとりを知しるのも身みの爲ためです。

　泣なきながら唇くちびるを吸すひ合あつて靈たましひとやらの傷きずを甜なめあつてゐるのだからな……」

突然とつぜん、騎士きしは立上たちあがり、長劍ちやうけんを拔ぬきてメフィストを刺ささんとす。

この時とき櫓やぐらはおもむろに少すこしづつ傾かたむく事こと。

見みえざるところよりメフィストの哄笑こうせう聞きこゆ。

騎士きしはよろめき倒たふれんとして僅わづかに劍けんによりて身みを支ささふ。

　夜深くして歌へる
　　　　わが歎きの歌

　　　　　　　　　　　　　　　　　燈暗無人說斷腸　陸放翁

なんぢに依よりてなんぢの母ははが面おもかげを忍しのばしめよ。

われは今いま、母ははなきなんぢをかく强つよく抱いだく。

なんぢが母ははの亡靈ばうれいは今宵こよひもまた來きたりて

われとなんぢとの傍かたはらにやさしくも添寢そひねしたり……

　聖地パレスチナ

たとひ異端いたんの寺てら立たち並ならび、異端いたんの都みやことなり

異端いたんの弓櫓ゆみやぐらの上うへに異端いたんの星ほし集つどひ輝かがやき

パレスチナの水みづは異端いたんの噴井ふんせいよりふき溢あふれ

異端いたんの徒とは異端いたんの怪あやしき花はなを蒔まき

荊とげある異端いたんの花はなを花はなざかりにするとも、

歎なげく勿なかれ、そのかみの聖地せいち、今日けふの聖地せいち、後のちの日ひの聖地せいち、

吾わがパレスチナぞ何時いつまでも吾わが聖地せいちなる。

Transcriber's Notes

本テキストは昭和五十四年筑摩書房刊「近代日本文学26　佐藤春夫集」を底本にした。

*** END OF THE PROJECT GUTENBERG EBOOK 殉情詩集 ***

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The Project Gutenberg eBook of 殉情詩集

殉情詩集

同心草

水邊月夜の歌

或るとき人に與へて

また或るとき人に與へて

海邊の戀

斷章

琴うた

後の日に

よきひとよ

こころ通はざる日に

なみだ

感傷肖像

感傷風景

晝の月

ためいき

少年の日

二つの小唄

むかし、いかなる人のいか
なるをりにやのこしたりけ
む、かかる戀慕の祕曲ひと
ふしあり。

晝の月

心の廢墟

心の廢墟

斷片

わが溜息

メフィストフェレス登場

夜深くして歌へる
　　　　わが歎きの歌

聖地パレスチナ

Transcriber's Notes

THE FULL PROJECT GUTENBERG LICENSE

The Project Gutenberg eBook of 殉情詩集

殉情詩集

同心草

水邊月夜の歌

或るとき人に與へて

また或るとき人に與へて

海邊の戀

斷章

琴うた

後の日に

よきひとよ

こころ通はざる日に

なみだ

感傷肖像

感傷風景

晝の月

ためいき

少年の日

二つの小唄

むかし、いかなる人のいかなるをりにやのこしたりけむ、かかる戀慕の祕曲ひとふしあり。

晝の月

心の廢墟

心の廢墟

斷片

わが溜息

メフィストフェレス登場

夜深くして歌へる わが歎きの歌

聖地パレスチナ

Transcriber's Notes

THE FULL PROJECT GUTENBERG LICENSE

　水邊月夜の歌

　或るとき人に與へて

　また或るとき人に與へて

　海邊の戀

　斷章

　琴うた

　後の日に

　よきひとよ

　こころ通はざる日に

　なみだ

　感傷肖像

　感傷風景

　ためいき

　少年の日

　二つの小唄

むかし、いかなる人のいか
なるをりにやのこしたりけ
む、かかる戀慕の祕曲ひと
ふしあり。

　晝の月

　心の廢墟

　斷片

　わが溜息

　メフィストフェレス登場

　夜深くして歌へる
　　　　わが歎きの歌

　聖地パレスチナ