E-text prepared by Juliet Sutherland, David E. Brown, and the Online
Distributed Proofreading Team (http://www.pgdp.net)



Note: Project Gutenberg also has an HTML version of this
      file which includes the original illustrations.
      See 38654-h.htm or 38654-h.zip:
      (http://www.gutenberg.org/files/38654/38654-h/38654-h.htm)
      or
      (http://www.gutenberg.org/files/38654/38654-h.zip)


Transcriber's note:

      Text in italics is surrounded by underscores (_italics_).





[Illustration: THE MARKET PLACE IN NUREMBURG]


Everychild's Series

GREAT OPERA STORIES

Taken from Original Sources in Old German

by

MILLICENT S. BENDER

Illustrated







New York
The Macmillan Company
1935

All rights reserved

COPYRIGHT, 1912,
By the Macmillan Company.

Set up and electrotyped. Published September, 1912.
Reprinted March, 1913; June, 1915; January, September,
1916; November, 1917 July, 1931; November, 1935.

Printed in the United States of America




CONTENTS


                                        PAGE

  CHILDREN OF KINGS                        1

  HAENSEL AND GRETEL                      35

  THE MASTER SINGERS                      57

  LOHENGRIN, THE KNIGHT OF THE SWAN      101

  THE FLYING DUTCHMAN                    137

  TANNHÄUSER, THE MINSTREL KNIGHT        156




GREAT OPERA STORIES

[Illustration]




CHILDREN OF KINGS


I

Once upon a time, in a lonely glade between high mountains far, far
above the World of Men, there stood a hut. It was a miserable,
tumbledown, little hut, and the mosses of many summers clung to its
sloping roof. It had a bent stovepipe where its chimney should have
been, a slanting board in place of a doorstep, and just one, poor,
little, broken window.

Yet it was not its forlorn appearance alone that made the hut hide
behind the shadows of the grim forest, far away from the sight of man.
It had more, much more than that to be ashamed of. For a hideous Witch
lived there,--and with her, a Goosegirl.

They lived alone, those two,--the Goosegirl, with the joy of youth in
her heart; and the Witch, unmindful of joy or youth, thinking only of
magic and evil and hate. While the Goosegirl had been growing from
babyhood to girlhood, from girlhood to womanhood, dreaming and wondering
and wishing,--she knew not what,--the Witch had been trying to make her
as ugly and as wicked as herself. But try as she would, the heart of the
Goosegirl was so pure that evil could find no spot in it to lodge. As
for her face, each passing year left it lovelier than the last. The
sunshine was no brighter than her yellow hair, the sky no bluer than her
clear blue eyes. The lone lily before the hut envied the whiteness of
her skin, and the birch tree in the woods, the slenderness of her form.

Now it chanced upon a sunny afternoon in summer that the Goosegirl lay
on her back in the long grass before the hut. Now and then she tossed a
handful of corn to her quacking geese or played with a wreath of wild
daisies. But her thoughts were far away. Her eyes were full of the
wonder of things,--of the sun that shone, the brook that laughed, the
flowers that bloomed, the birds that sang, and the blue sky over all.
And her dreams were full of the World of Men, which she had never seen
and to which she longed to go. Something within her whispered that
happiness was to be found there, and the Goosegirl desired happiness
above all things. And she desired kindness and love, too, although she
had never heard of them, and did not know what they were.

As far back as she could remember, ever since she was a tiny little
child, the Goosegirl had lived in the wretched hut. And the hideous
Witch had been her only companion. The Goosegirl wondered whether all
the people in the World of Men had such gruesome bodies, such ugly
faces, such evil ways, as the Witch. She had never seen any one else, so
she could not tell. For fear of the Witch no one had ever come that way.
Winter and summer, summer and winter, it had always been the same.

The Goosegirl's dreams were suddenly interrupted by the hoarse voice of
the Witch.

"Where are you, good-for-naught?" came from the doorway. "Idle, I'll be
bound, when there's work to be done!"

The Goosegirl turned her eyes toward the figure of the Witch, and,
familiar as it was, for the thousandth time she shuddered with disgust.
The crooked back, the burning eyes peering out from under the tangled
hair, the rags, the ugliness,--oh, must she always stay? She arose
slowly and walked toward the door. With hands outstretched she begged
the hideous creature to set her free and to let her go down to the World
of Men to seek for happiness.

"I will never become a Witch," she implored. "Oh, please let me go."

The Witch's crooked mouth widened into a horrible smile. One yellow
tooth stuck out.

"Not make a Witch of you, indeed! Wait and see! I'll bend your proud
back!" Then brandishing her cane, she muttered savagely:

"Get to work. There's bread to knead!"

The frightened Goosegirl ran for bowl and flour, and set to work.
Meanwhile the Witch took out some dark powders. She mumbled strange
words over them, and while the Goosegirl, with busy hands but unseeing
eyes, kneaded and kneaded and kneaded, the Witch poured the powders into
the dough. Poor Goosegirl! Her bread was soon finished, but it was a
foul-smelling bread, and it contained enough poison to kill a dozen men.

Soon afterward the Witch, chuckling fiendishly, took up her basket and
hobbled away to the grim forest. But the Goosegirl, full of horror for
the deed she had been made to do, sat motionless, staring straight
ahead. Would her life never, never change? With a sigh she called to her
geese and wandered back to her place in the grass. Ah, that there should
be so much evil in such a beautiful world! She looked at the dancing
shadows of the fluttering leaves. They were beautiful. There was beauty
in the thin, blue line of smoke as it climbed lazily upward from the
broken chimney. Two turtledoves cooed above her head. The sunlight
shimmered upon the wings of the buzzing bumblebees and made them shine
like gold. All, all was beautiful. Were people the only ugly things? The
Goosegirl gazed toward the World of Men far, far below, and wondered.

Presently her fingers, wandering idly over the grass, found the wreath
of daisies. Idly she placed it upon her head.

"Look at me, geese!" she cried. "Look at me! Am I ugly, too?"

With the geese at her heels, she ran swiftly toward the pool and peered
earnestly into its clear depths. Her hair hung in long golden strands on
each side of her face, her eyes shone like stars, her cheeks were
flushed.

"Ah!" she exclaimed happily. "I am beautiful! Geese dear, I am
beautiful, very beautiful!" And she gazed and gazed again.

Suddenly a song broke the silence. The Goosegirl started. For it was a
song of youth and joy, the like of which she had never heard before in
all her life.

Then, down from the mountains, out of the woods, straight to that lonely
glade, came a youth, a ragged youth, but a noble youth, with a sword at
his side, a bundle on his back, and a smile on his lips. His bearing was
so proud, he looked so straight ahead, with eyes both fearless and true,
that the Goosegirl held her breath as he halted before her.

"Hey, pretty Queen of the Geese," he said. "How goes the world with you?
Have you no greeting for me?"

The Goosegirl continued to stare, saying nothing, her eyes wide with
wonder. Finally she found her voice, and in a whisper just loud enough
for him to hear, ventured timidly:

"Are you a man?"

"From top to toe!" exclaimed the youth, and laughed. How he laughed! He
threw back his head, his white teeth gleamed, and the distant hills rang
with the joyous sound. Even the Goosegirl was forced to smile at her own
ignorance.

Such merriment soon made them the best of friends, and before long,
seated side by side in the grass, the youth told the Goosegirl whence he
had come and whither he was roving.

A King's Son was he, of noble name and fortune. High up among the
mountains stood his father's castle, and there, amid the luxuries of the
court, he had been reared. But when he had grown old enough to wander,
the luxury had palled, the court life had fettered his free spirit. "Up
and away!" cried a summons from within his heart. And so, while no one
watched, he had stolen forth, with naught but a sword by his side, a
bundle on his back, and a song on his lips. And he had wandered over
the mountains, through the valleys, up and down, in and out, in search
of adventure.

The Goosegirl heard the marvelous tale to the end. Then in faltering
tones, but with shining eyes, she said slowly:

"Oh, that I might go with you!"

The youth smiled scornfully.

"King's Son and beggar maid!" exclaimed he, shaking his head. But as he
looked into her face he stopped short.

The nobility of her expression, her simple beauty, drew him nearer. Ah!
this was no beggar maid. There was something regal in the pose of that
golden head, the glance of those clear blue eyes. What a companion she
would make for now and forevermore! He forgot the rags, he forgot the
geese, he forgot the hut.

"Have you courage?" he asked, gazing at her searchingly.

In answer she placed her hand in his. So he took off her wreath of
white daisies and placed it within his jacket, close to his heart. And
he opened his bundle and drew forth a golden crown, which he placed upon
her head. Then crying:

"Up and away!" he led her to the edge of the grim wood.

At that instant, however, the sky began to darken with rushing clouds.
Broad flashes of lightning blazed forth, thunder rolled, and the wind
blew furiously through the trees. The geese flapped their wings in
terror and gathered about the Goosegirl. She stood still, staring before
her in fear. She was turned to stone. She could not move. Her feet were
fixed to the ground.

"What makes you stand so still and stare?" cried the King's Son.

"Oh, I am afraid!" answered the Goosegirl. "I cannot go! I am
bewitched!"

"Fear is but shame," declared the King's Son, angrily. "You have lied to
me. You are not fit to wander with a King's Son. You are only a beggar
maid, after all."

Then, overpowered by his wrath, he made ready to go, adding:

"Farewell. You shall never see me any more. No, never again, unless a
star from heaven falls into the lily yonder." And pointing to the lone
lily by the door of the hut, he rushed into the grim forest and was lost
to sight.


II

The Goosegirl, saddened, disheartened, hid her golden crown and dragged
herself wearily into the hut. The hideous Witch, returning with her
venomous load, soon followed. And evening came. All was still. But for
the thin column of smoke rising from the stovepipe one would not have
known that any life was there.

Just as the golden edge of the moon peeped over the eastern mountain a
loud song burst upon the air. And a moment later a Fiddler, clad in
leather jacket and boots, appeared, emerging from the grim wood. He
strode forth boldly as befitted an honest man who had nothing to fear.
Seeing the miserable, tumbledown hut with its smoking chimney, he
stopped.

"Ah, ha!" cried he. "Here's the journey's end." Then, looking back into
the woods and waving his cap, he shouted at the top of his voice:

"Come on, Master Wood-cutter. Come on, Master Broom-maker. Here's the
Witch's den. Come on!"

And Master Wood-cutter and Master Broom-maker came on. But how they
came! They slunk out of the woods in fear and trembling, teeth
chattering, knees shaking, eyes bulging. They took but one look at the
tumbledown hut and then made for the nearest tree, behind which they
cowered, shivering from head to toe.

"Not so loud! Not so loud! Master Fiddler, please. She may hear you,"
they protested.

"Ha-ha-ha! Ha-ha-ha!" laughed the Fiddler. "Don't you want her to hear
you? What did you come for, then, pray tell me?"

And so he half dragged, half pushed, the two cowardly braggarts toward
the Witch's door.

"You may knock first," said the polite Broom-maker through his
chattering teeth to the Wood-cutter.

"No, indeed. You may have the honor," responded the Wood-cutter, and his
knees knocked together as he bowed.

Since there was no way out of it, the Broom-maker moved toward the door.
He tapped once with the knuckle of his forefinger, gently, like a little
mouse. Then in a wee, small voice, he said:

"Good wife, won't you buy a broom?"

No answer came from within the hut.

Emboldened by the silence, Master Wood-cutter joined his comrade at the
door of the hut. Then he, too, rapped a little bit, just like a penny
hammer.

"Most honored wise-woman!" he whispered.

But no answer came. All was as still as before.

"There's no one at home," said both at once. And they strutted boldly to
and fro, grinning from ear to ear.

"Stand aside!" said the Fiddler.

He pushed them away and strode toward the door. With his clenched fist
he banged once, twice, thrice. And he lifted his voice. My, what a voice
it was! The very woods rang with the sound of it.

"Witch! Hag! Foul woman!" he shouted. "Open the door!"

There was a moment's silence. But presently the door creaked on its
rusty hinges, and there stood the Witch, in all her ugliness, leaning
upon a cane.

The Wood-cutter and the Broom-maker gave her one glance and then,
stricken with terror, they fled as fast as their legs could carry them
to the first tree. There they waited, trembling and quaking, to see what
the dread creature would do. They would not venture out, no, not they.
They had wives and children to care for, and it was no business for men
of their kind. No, indeed!

Meanwhile the Witch was croaking in her awful voice:

"Who comes here to my hut in the woods? Hey, fellows, what do you want?"

"What do I want?" mocked the Fiddler, who had bravely stood his ground.
Looking at her calmly, he dropped on one knee, with a comical smile:

"Ah, fair dame, those red, red eyes and that one yellow tooth of yours
have made me sick with love and longing. Listen to my suit, I pray."

The Witch looked at him in surprise as he rose to his feet. Could it be
that he was not afraid of her? He looked her straight in the eyes,
fearless and brave. So she scowled. He smiled. She shook her cane. He
laughed. Well! Well! Her magic was powerless against a man like that.
Let him tell his tale and be gone.

So it came to pass that the Fiddler called the Wood-cutter and the
Broom-maker and bade them state their business. But they bobbed and
scraped and hemmed and hawed and chattered and giggled so long that the
Fiddler had to come to the rescue.

The King of the World of Men had died, and since the King's Son had run
away and could not be found, there was no one to rule the town of
Hellabrun. So the people had sent the Wood-cutter and the Broom-maker to
ask the Wise-Witch what was to be done. They wanted a ruler straightway
and did not know where to find one.

The Witch pondered long, frowning savagely. Then she told the
Wood-cutter and the Broom-maker to go back and tell the people that the
first person who knocked at the town gate at noon on the morrow would be
worthy to wear the crown.

Pleased with this prophecy the Wood-cutter and the Broom-maker hurried
away through the grim forest toward the town of Hellabrun in the World
of Men.

But the Fiddler did not go. He had caught a glimpse of a golden head and
a pair of blue eyes at the window; and the sight of one so fair in such
a hut told him that there was work for him to do here.

"Why do you stay?" snarled the Witch. The Fiddler gave her a sharp
glance.

"I'm setting a snare for the little golden bird that you keep in the
hut."

The Witch started. She clenched her fist wrathfully, but her eyes fell
before his steady glance.

"Let out the golden bird," sang the Fiddler, cheerily, "or I will go in,
I will go in."

The Witch looked this way and that. She could not meet his eyes.
Muttering savagely, she hobbled toward the door. A moment later she
dragged forth the trembling Goosegirl.

The Fiddler was amazed. Such beauty! Such pride! She was fit to sit upon
a throne!

"Who are you, maiden?" he asked. "And how came you here?"

Slowly and sadly the words fell from the Goosegirl's lips. She knew not
who she was. The Witch had told her to call her "Grandmother." More than
that she could not say.

The Fiddler's eyes traveled from the Goosegirl to the hideous Witch and
back again. This fair maid kin to that foul creature! No, no, it was not
possible.

As if divining his thought, the Witch wagged her head maliciously and
sneered:

"No, she is no kin of mine. But worse, far worse. You may know all. A
hangman's daughter is she; that's it, a hangman's daughter."

"It is not true," shouted the Fiddler. Then turning to the weeping
Goosegirl, he cried:

"Believe her not. Look at your hands, girl, your white, white hands, and
your hair, your golden hair. There's nobility in your face. Believe in
yourself, and you will sit beside the King's Son on a throne. Be not
afraid. Pray, girl, pray!"

The Goosegirl fell upon her knees and lifted her eyes to heaven. Her
voice rose from the depths of her being and cried out to the mother and
father whom she had never seen. Her golden hair covered her like a
mantle, her face was radiant. Still kneeling, she held her crown of gold
toward heaven and prayed to God for help, for guidance, for strength.
And as she prayed, a shining star shot from heaven, downward, downward,
straight into the lone lily by the door of the hut.

The Goosegirl uttered a cry of joy. Putting the crown upon her head, she
arose, exclaiming:

"I'm free! I'm free! I'm free!"

Then, followed by her geese and the Fiddler, she rushed into the grim
wood toward the World of Men.


III

When morning dawned and the grim wood with all its terrors lay behind
the King's Son, he came at last to the town of Hellabrun in the World of
Men. Weary and footsore, faint from hunger and thirst, yet dauntless
still, he stopped before an inn near the town gate and begged for work.

"I would earn an honest penny," he said, "to buy my daily bread. Have
you any work for me?"

The innkeeper, who was a rough, ill-natured fellow, smiled with contempt
as he looked upon the white hands and noble face of the youth before
him. So he declared gruffly:

"All I need is a swineherd!"

"A swineherd!" The voice of the King's Son echoed the loathsome word,
while a look of disgust overspread his face. But only for a moment;
then, quick as thought, came the vision of the Goosegirl, so sweet and
fair despite her humble calling. "All work is noble to those that are of
noble mind," thought he. His hand stole to his heart and touched the
wreath of white daisies there.

"I will be your swineherd," he answered sturdily.

Then he seated himself beneath a tree to await the orders of the
innkeeper.

Now it happened to be a day of great excitement in Hellabrun, and as the
morning wore away, a chattering, restless crowd of people--men, women,
and even little children--assembled in the market place. With eager eyes
they scanned the two soldiers who, armed with long spears, stood on
guard before the closed and barred town gate.

There were lean men and fat men; men in rich clothes and men in rags.
There were tinkers and tailors, soldiers and sailors, and their wives
and their sweethearts. Here were wise doctors in black gowns, there
gray-bearded counselors leaning upon canes. Wee babes in arms crowed and
laughed, boys romped, girls danced. And all awaited the noontide hour
and the coming of their King.

"Will he ride upon a snow-white charger?" asked one.

"Nay, he will be carried aloft, seated upon a golden throne," replied
another.

"His robes will be of richest velvet," said a third.

"And a jeweled crown will be upon his head," said a fourth.

"Perhaps a beautiful queen with ropes of pearls about her neck will sit
upon the throne at his side," ventured a fifth.

"Tell us again what the Wise-Witch promised," called one from the crowd
to the Wood-cutter and the Broom-maker, who were strutting proudly to
and fro.

Nothing loath, Master Broom-maker and Master Wood-cutter pushed their
way to the front of the admiring crowd. Then they stood with heads high,
chests stuck out, feet wide apart and arms waving, and told their story
for the fiftieth time. And since with each telling the story had grown
and grown, it was a marvelous tale, indeed.

They told of the grim forest and the many dangers through which they had
passed before they arrived at the Witch's den.

"The woods were full of lions and tigers," said the Wood-cutter.

"But I felled every one with one mighty blow of my broom," said the
Broom-maker.

"And an ogre with fiery eyes sat behind each tree; and a dragon snorting
steam held guard before the den of the Witch. But we feared them not. We
slew them all. We went so boldly forward that the Witch quaked and hid
herself in fear when she saw us coming."

"'Tis not truth that you speak," cried out a young voice, and the crowd
fell back amazed at the sight of the King's Son. Who was this ragged
fellow who dared to interrupt the thrilling story? Down with him! And
they beat him with their sticks and pelted him with stones and called
him names. But just as they were about to drive him from the market
place the town clock struck the hour.

A sudden hush fell upon the crowd. The people stood still. With eager,
expectant faces turned toward the gate they waited, while the bell
pealed forth its twelve long notes. Ding-dong! Ding-dong! Ding-dong!

It was noon!

The guards pulled out the long bolts. An excited murmur came from the
crowd. Then all was still, as still as before. The guards turned the
huge knobs. The door swung on its hinges, and there stood--a Goosegirl
and her flock of geese. Her feet were bare. Her dress was tattered and
torn. But her shining hair covered her like a mantle, and a golden
crown was upon her head. Her cheeks were red. Her eyes, glowing as from
an inner light, sought among the sea of faces, and found that of the
King's Son alone. Then, with arms outstretched, she walked slowly toward
him, crying softly:

"I have come to be your Queen."

Queen! The breathless crowd stared in amazement one moment longer. Then
the amazement gave way to laughter, the laughter to anger, the anger to
fury.

"Ha-ha-ha! This is no queen!" they shouted angrily. "We have been
fooled. This is only a Goosegirl. Strike her! Beat her!"

The King's Son enfolded the Goosegirl in his arms.

"Stop!" he cried to the mob. "I am a King's Son, and she is my Queen."

"Listen to the ragged fellow!" shouted the people. "He says he is a
King's Son! Ha-ha-ha! Stone them! Hit them! A Swineherd! A Goosegirl!
Drive them out! Out! Out!"

And so the King's Son and the Goosegirl were driven away from the town
of Hellabrun, and the angry people returned in disappointment to their
homes. Only one little pure-hearted girl lingered at the town gate and
gazed with eyes of faith after the fleeing pair. When she could see them
no longer, she fell upon the ground and wept and wept.

"Why do you cry, little girl?" she was asked.

"Oh, that was the King," she sobbed--"the King and his bride."


IV

During all the long summer days the King's Son and the Goosegirl
wandered over hill and dale, through field and forest, far away from the
World of Men. And the King's Son shielded the Goosegirl with his love
and brought her berries to eat and the skins of wild animals to rest
upon, and was gentle, oh, very gentle! And the Goosegirl made the King's
Son glad with the sight of her beauty and the sound of her light-hearted
laughter. And they were happy with a happiness that surpassed all that
they had ever felt or dreamed.

But then autumn came. The wind moaned piteously through the trees,
driving brown leaves in whirling gusts before their eyes. Winter
followed, covering the grim woods with a mantle of shining white. Their
clothes were thin. Their feet were bare, and it was cold--bitter, bitter
cold. So they wandered on and on, day after day, until at last, faint
with hunger, sick with despair, they came, all unknowingly, to the
lonely glade between the high mountains where the Witch's hut stood.

The hideous Witch was no longer there. Because they believed she had
prophesied falsely, the infuriated people of Hellabrun had burned her at
the stake. Only the Broom-maker and the Wood-cutter were in the
miserable tumble-down hut; while out in the grim forest were the Fiddler
and the one pure-hearted little girl, seeking, ever seeking, with eyes
of faith for the rightful King and Queen.

With steps that faltered, and eyes half closed, the King's Son and the
Goosegirl crept into the glade. Tottering feebly, hand in hand, they
approached the door of the hut, and knocking, begged for shelter, for
food, for drink.

The face of the Wood-cutter appeared at the window for a brief moment.
Blinded by his distrust, he saw only two beggar children before the
door.

"Away with you! We have naught to give," he shouted as he slammed the
broken shutter.

Hopelessly, sadly, the King's Son bore the Goosegirl to the snow-covered
mound beneath the linden tree. Whither could he turn to get his loved
one food? Ah, foolish, foolish King's Son who would not rule, who could
not beg!

The Goosegirl, clinging to him tenderly, felt his despair, saw his eyes
fill with tears. Crying out that she was not ill, but was well and
strong, she rose to her feet. To cheer him, she tripped lightly to and
fro, singing a gay little song. Faster and faster twinkled her little
feet, brighter and brighter grew her smiles. But weaker and weaker
became her voice, paler and paler her face, until she fell, fainting,
into the snow.

Then the King's Son rushed to her and took her in his arms. He wrapped
his cloak about her and carried her back to the mound. She opened her
eyes and smiled.

"King! My King!" she whispered.

Like a flash the King's Son remembered his crown. He opened the bundle
and took it out.

"Do not sell your crown, O King!" murmured the Goosegirl.

"I will! I must!" replied the King's Son. "It will bring you bread."

He arose hastily, broke the shining crown into pieces, and ran toward
the hut.

Rap! Rap! Rap! "Let me in!" he cried impatiently.

"Do you want to break down the door?" replied the Broom-maker, appearing
at the window.

"I care not," answered the King's Son. "Here is gold. Now will you give
me bread?"

Gold? The greedy eyes of the Broom-maker gave the glittering fragments
one glance. Then he called the Wood-cutter. And they whispered, and they
searched all through the miserable hut until they found the poisoned
bread, the foul-smelling bread, which the Goosegirl had made as the
Witch had directed on that bright summer day long, long ago.

With it in their hands they ran to the window. They handed it to the
King's Son, and he gave them gold, his golden crown, in its stead.

The King's Son snatched the loaf and ran joyfully toward the mound and
fell at the Goosegirl's feet, crying:

"I'm bringing bread, dear one! bread! Take it! Eat it!"

"Not I alone," answered the Goosegirl. "You, too."

So they broke the bread in two, and, laughing happily, they ate it
eagerly. They ate it all to its bitter, bitter end. Then, clasped in
each other's arms, they lay down to sleep and dreamed of rosy clouds of
glory wafting them toward sunny lands of everlasting bliss; and
dreaming, slept and--knew no more. And the snowflakes fell softly,
silently, and covered them with a shining robe of fleeciest white.

A little later, the Fiddler and the little pure-hearted girl, followed
by a troop of children, entered the glade, all seeking, still seeking
with eyes of faith, for the rightful King and Queen. As they approached
the snow-covered mound the snow suddenly ceased falling; and the sunset
glow from the west shone down and revealed the Kingly Children asleep
forevermore.




[Illustration]




HAENSEL AND GRETEL


I

Long ago, in half-forgotten days, a little hut stood at the edge of a
great forest. It was rather a meek, shamefaced little hut, for the
forest was great and beautiful, and the hut was small and ugly. Still,
it had a glowing fireplace inside, and a brick chimney on top, and it
was somebody's home, which--after all--is the principal thing.

A broom-maker named Peter lived there with his wife Gertrude and their
two children, Haensel and Gretel. The broom-maker was poor, oh, very,
very poor, and that is why his home was not beautiful to see. But he was
an honest, upright man who loved his family, and had he been able, I am
sure, he would have housed them in a marble palace. Unfortunately,
however, the broom-making business had been unusually poor that year.

Indeed, on the very day that our story begins, Peter and his wife were
both away from home in quest of work, and only Haensel and Gretel were
to be seen inside the hut.

Lest you should not know, it might be well to mention that Haensel was
the boy. He was busily engaged--or, at least, he was supposed to be--in
making brooms, while Gretel, the girl, had her knitting in hand. But it
was extremely difficult to keep their thoughts or their eyes, either,
upon such stupid work. Each breeze that blew in through the open window
brought an invitation from the fascinatingly sunlit grassy spot before
the door. Even the trees in the forest beyond beckoned to them with
their tall branches.

Besides, there was another cause for rebellion on that particular
afternoon. To tell the truth, the children were hungry. Moreover, since
there seemed to be absolutely nothing in the house to eat, it was quite
likely that they would remain hungry, which was the worst part of all.

Haensel, after the manner of boys, threw his work into the farthest
corner of the room and fairly shouted:

"I just wish Mother would come home! I'm hungry, that's what I am. For a
week I've eaten nothing but bread, and little of that. Oh, Gret, it
would be such a treat if we had something good to eat!"

Now Gretel, as it happened, was every bit as hungry as he, but, after
the manner of girls, she sought to comfort him.

"Don't be an old crosspatch," she said. "If you'll stop complaining,
I'll tell you a secret. But you must smile first!"

Haensel smiled.

She went on:

"Do you see that jug over there on the table? Well--it's full of milk.
Somebody left it here. And if you're good, Mother will stew rice in it
when she comes home."

Haensel had heard such stories before.

"Don't believe it," said he. "It's too good to be true."

Nevertheless he went to see. And when his eyes assured him that what was
in the jug really looked like milk, he was overcome with the temptation
to find out whether it tasted like milk, also. First he gave a sly
glance at Gretel and then down went his forefinger into the jug!

"Haensel! aren't you ashamed, you greedy boy? Out with your finger!" For
Gretel had caught him in the act.

"Get back to your work in a hurry, for you know if Mother comes before
we've finished, there'll be trouble."

Haensel, however, was not inclined toward work that afternoon. In fact,
he was in a very rebellious mood, altogether.

"Don't let's work," suggested he. "Let's dance."

Now you must remember that Gretel was only a little girl with twinkling
feet that loved to dance and a merry voice that loved to sing. So do not
judge her too harshly, even though she quickly dropped her tiresome
knitting.

Their wooden shoes--for they were the style in those days--clattered
over the board floor; they clapped their hands, their childish voices
rang out, and they had, all in all, a most beautiful time. They forgot
their empty stomachs; they forgot their aching fingers. Gretel, who was
clever in such things, taught Haensel some new steps. And he, less
awkward than usual, learned them so quickly that Gretel praised him for
his aptness. Her words made him as proud as a peacock. He seized her
hands in both of his own. Round and round they whirled, faster and
faster, until suddenly, losing their balance, they fell, laughing
loudly, in one heap on the floor.

And then--the door opened.

"Gracious goodness!" they cried. "It's Mother!" And up they jumped in
double-quick time.

Yes, it was Mother, and an angry Mother at that.

"What does this mean?" she exclaimed, "all the noise and clatter? Where
is your work, you good-for-nothing children?"

The children, half penitent, wholly frightened, looked at each other.
Haensel blamed Gretel, Gretel blamed Haensel.

The Mother blamed them both. She scolded, she raged, she brandished a
stick, and I confess I am afraid to think of what her anger might have
led her to do next. But just at that moment, in her excitement, she gave
the milk jug a push, and down it went, breaking into a thousand pieces,
with the precious milk running in little streams all over the floor.
That was the last straw! What was there left to be cooked for supper?

The furious woman snatched a basket from a nail on the wall. She thrust
it into Gretel's hand.

"Off with you both to the wood!" she cried. "And hurry up, too! Pick
strawberries for supper! If the basket isn't full, you'll get a
whipping. Yes, that's what you'll get." She shook her fist to make the
admonition more impressive.

Scarcely had they gone, however, when the woman, completely exhausted,
sat down by the table and began to weep and moan. You see, she was
really not an ill-natured woman at all. Poverty had embittered her, and
the mere thought that her children might be starving, caused her to lose
entire control of her feelings. It had been a long, wearisome, and
disappointing day, and now, even at its end, her own irritability had
caused another calamity. Angry with herself, the world, and everything,
she rested her head on her arms and sobbed herself to sleep.

Do you know the old verse, "It is always darkest just before dawn"? Now,
if the mother had been patient only a little longer, all would have
been well. But then there would have been no story to tell.

The mother was still sleeping when the father came home. He was singing
joyfully, and he awoke her with a kiss.

"See," he cried happily, "my brooms are all sold. There was a festival
in the town to-day, and every one must needs be clean. Such a sweeping
and a dusting and a cleaning! I drove a roaring trade, I tell you. So,
here's butter and eggs and ham and sausage. And tea, too. Hurry up, good
wife, and get supper ready!"

The mother packed away the things. She lighted the fire. She hustled and
bustled about. Suddenly the father, missing the children, inquired:

"Where are Haensel and Gretel?" He went to the door to call.

"Don't call," answered the mother. "They were naughty, and I sent them
to the woods in disgrace."

"The woods!" exclaimed the father, and his voice was full of horror.

"It is growing dark," he said, "and my children are in those gloomy
woods without stars or moon to guide them! Don't you know that there is
enchantment in those woods? Don't you know that the Witch walks there?"
His voice sank to a whisper.

"Which witch?" asked the woman, thoroughly alarmed.

"The Crust Witch, the gobbling Witch! She who rides on a broomstick at
the midnight hour, when no one is abroad, over hill and vale, over moor
and dale!"

"Oh! Oh! Oh! but what does she gobble?"

"Have you never heard? All day long, she stalks around, with a
crinching, crunching, munching sound and lures little children with
gingerbread sweet. She lures little children, the poor little things,
into her oven, all red-hot; then she shuts the lid down, pop,
pop!--until they're done brown."

"Oh, horror!" cried the mother, wringing her hands. "Oh, what shall we
do?"

"Go seek them!" said the father.

And in another moment without hats, shawl, anything, they had run out of
the hut.


II

The sunset glow lighted the forest. It bathed the stately trees in rose
and gold. It shone on the cool carpet of leaves and wild flowers, and
played with the garlands of bright-colored vines.

But the purple mist of twilight that hung over the distant fir-colored
hill sent gray shadows down. They crept behind the hedges and bushes,
warning the birds, the bees, and the flowers that night was drawing
nigh.

One lingering ray of sunshine lit the mossy rock upon which Gretel sat.
She was weaving a wreath of wild flowers and singing a little song,
while Haensel ran hither and thither, filling his basket with red
strawberries.

So, if you have imagined that they were at all unhappy, you see you were
quite mistaken. Indeed, they were entirely, wonderfully, breathlessly
happy. I doubt if they gave their mother's scolding a single thought. As
for their home, they had quite forgotten all about it, which, for aught
I know, may have been part of the enchantment. At any rate, they had
never had a better time.

When Haensel's basket was full, Gretel's wreath was finished. So they
played at being king and queen of the wood, and Gretel wore the wreath,
and Haensel knelt in homage before her, presenting her with the basket
of berries. Whereupon, as a reward, she gave him some of the ripest ones
to taste. Soon tiring of this they went on to another game. A cuckoo
called from a tree near by, and they imitated his call, seeking each
other behind tall tree trunks. But saddest of all to tell, they ate the
strawberries while they played--yes, every single one.

When they attempted to find fresh ones, they discovered that it had
grown too dark. There were black shadows under the hedges and bushes
now. A gray blanket of clouds was spread over the sky.

Then fear came. For they could not find their way. Gretel saw strange
figures glimmering behind the birches. She saw strange faces grinning at
her from every mossy tree stump. Now it was Haensel who sought to
comfort her. A mist arose and shut them in. Advancing dimly through it,
they spied a lantern. Haensel said it was a will-o'-the-wisp. They heard
a call. He said it was the echo.

When Gretel began to whimper and cry, Haensel held her fast in his arms.
But the shadows of strange things continued to nod and beckon. One
shadow grew and grew and grew. It moved toward them, and both children
cowered down in fear. Their eyes never left it.

Suddenly the shadow took shape, and there stood an odd little gray man.
He had a long white beard. He leaned on a staff, and he carried a sack
on his back. Strange to say, the moment that the children saw his calm
smile and his friendly gestures they were not afraid any more. He came
toward them, chanting a quiet song about restful sleep and happy dreams.
Before they knew what he was about, he had sprinkled sand into their
tired eyes. Then Haensel and Gretel folded their hands and sleepily
whispered their evening prayer. With their arms about each other's necks
they sank slowly into the soft moss and soon were fast asleep.

The little man disappeared as he had come, into the mist. But the mist
became roseate. It rolled itself into a fleecy cloud, which mounted
higher and higher until it touched the sky. What magic was this? It
changed again into a marvelous golden stairway! And down the stairway
floated beautiful guardian angels with dazzling wings and golden wands.
They grouped themselves about the sleeping children, at their heads, at
their feet, all about them. Waving their golden wands, they sent down
showers of wonderful dreams. Oh, such gleaming, glistening, unutterable
dreams!


III

Scarcely had the sun peeped over the eastern horizon than the Dew Fairy
came fluttering into the woodland. Her wings were tinged with the first
blush of dawn and her garments were tipped with rosy light. She carried
armfuls of bluebells, and as she flitted lightly about, sweet music
rippled on the air. How she smiled when she saw Haensel and Gretel
asleep under the tall fir tree!

"Up, ye sleepers! Awake! Awake!" she sang. Then, sprinkling dew from the
bluebells into their eyes, she vanished into the sunlit air.

Gretel rubbed her eyes sleepily and raised herself from the moss. Was
she still in the beautiful greenwood? Ah, yes, she must be there. For
birds were merrily chirping overhead. There were glimpses of bright blue
sky between the leaf-laden branches.

"Wake up, lazy bones!" she called to Haensel.

He jumped up with a start, stretched himself, yawned once or twice,
looked about. Oh, the wonderful, wonderful forest!

The sun had mounted higher in the sky. The woods were filled with a
mellow radiance. The morning mists had cleared away. And, most
astonishing of all, on the very hill so lately hidden by dark trees and
fleecy clouds, they beheld a most entrancing sight.

A house stood there. But such a house! It was as beautiful--as
beautiful,--in short, I am afraid to tell you how undescribably
beautiful it was. The walls were of sweetest sugar candy, glistening
like diamonds in the sun; the roof was of chocolate cake, all soft and
creamy; and the gables were ornamented with raisins, like little eyes.
On one side there was a strange-looking cage; on the other, a huge,
strange-looking oven; and both were joined to the house by a fence made
of the daintiest gingerbread figures imaginable.

"Oh," cried Haensel, "did you ever see anything so wonderful?"

"No, I never did," answered Gretel. "A princess must live in that."

They stared and stared, while their mouths watered and their fingers
itched prodigiously.

Haensel wished to go boldly inside, but the mere thought of doing
anything so rash frightened Gretel.

"Well, the angels led us here," reflected Haensel.

"Ye-es, that's true, they did," conceded Gretel.

"Come on. Let's just nibble a little bit," tempted Haensel.

And so, hand in hand, they hopped along, like two little mice, toward
the magic house. Then they stole cautiously forward on tiptoe, until,
at length, they were within reaching distance. Haensel's hand went out.
He broke off a bit.

Quick as lightning came a squeaking voice from the inside:

  "Nibble, nibble, mousekin,
  Who's nibbling at my housekin?"

Haensel started back in fear.

"'Twas only the wind," said Gretel. "Let's taste it."

They did. Since it tasted better than anything they had ever eaten
before, they feasted merrily for a while, never heeding the voice of the
Witch or her ugly form, either, which, a little later, appeared at the
door. I have no doubt that they would be feasting yet, if the Witch had
not then and there stealthily stolen upon them. With a deft movement she
threw a rope about Haensel's neck and held him fast.

The children's delight turned to terror. For she was a loathsome sight
to see. Bent, toothless, with unkempt hair and clawlike hands, she
looked the picture of a Witch indeed.

In spite of her appearance, however, she spoke to them in a very kindly
manner. She called them pretty names, told them that they were nice and
plump, and that they would make excellent gingerbread. She even caressed
Haensel, which made him very angry. Wriggling and squirming, he managed
to loosen the rope and seizing Gretel by the hand, ran--alas! only a
short distance. For the Witch, holding aloft a juniper branch, circled
it in the air, repeating these strange words:

  "Hocus, pocus, witch's charm,
  Move not, as you fear my arm!"

The children stood stock-still. They were stiff from head to toe.
Fortunately, by this time they had undergone so many strange adventures
that they had learned fairly well how to conduct themselves.

"Watch carefully all she does!" whispered Haensel, as the Witch led him
away to the cage and gave him nuts and raisins to fatten him.

"I will," said Gretel.

Therefore, when, a few moments later, the Witch disenchanted her in
order that she might prepare the table, Gretel listened attentively to
the words:

  "Hocus, pocus, elder bush,
  Rigid body, loosen hush!"

No sooner had Gretel run into the house than the Witch was seized with a
fit of wild joy. She thrust more fagots into the fire, laughing wickedly
when the flames flared higher and higher. She mounted her broomstick and
rode about, shouting a weird song.

Gretel watched her from the doorway. That broomstick ride gave her an
opportunity. She stole to the cage, and, whispering,

  "Hocus, pocus, elder bush,
  Rigid body, loosen hush!"

she set Haensel free. But he did not move. No, not yet.

For the Witch had come back. She was rubbing her hands with glee. Her
face wore an evil smile. Oh, the fine meal she would have! Haensel was
not plump enough. Gretel must be eaten first. So, opening the oven door,
she called Gretel and told her to look inside. But clever Gretel
pretended not to understand. Would not the Witch show her how? Angry,
impatient, muttering to herself, the Witch crept nearer to the oven, and
when she was about to bend over it, Haensel and Gretel gave her one
good, hard push from behind. She toppled over and fell in. Bang! bang!
went the door. She was safe inside.

How the fire crackled and roared. A moment later there was a great crash
and the oven fell to pieces. Haensel and Gretel, much terrified, started
to run away, but found themselves, to their great surprise, entirely
surrounded by a troop of little children.

"It's the fence," exclaimed Haensel, "the gingerbread fence!"

And so it was. The gingerbread had fallen off, and real children stood
there, motionless, with closed eyes, murmuring softly:

  "Oh, touch us, we pray,
  That we may all awake!"

"Pooh! if that's all they want!" said Gretel, proudly, and she repeated:

  "Hocus, pocus, elder bush,
  Rigid body, loosen hush!"

Instantly life came back to the whole troop. They hurried toward Haensel
and Gretel from all sides. They danced, they sang! Two boys ran to the
oven and dragged out the Witch in the form of a big gingerbread cake.
Then the merrymaking began in earnest. They made a big circle, and round
and round it they danced. Last but not least, they ate up the candy
house. At any rate, that is what they were doing when their mothers and
fathers found them there that afternoon.




[Illustration]




THE MASTER SINGERS


I

Across the wide sea, amid the green hop fields of southern Germany, is
the old, old city of Nuremberg. Shut off from the busy world outside by
its great wall of stone, it has stood unchanged through all the passing
centuries. There are the same narrow, crooked streets leading to the
public squares, where quaintly carved stone fountains stand. There are
the same many gabled, lofty houses, with oriole windows that open
outward. There are latticed doorways with plaster figures that beckon
and bless and welcome. And the gray castle, the grass-grown moat, the
dark, pillared church, all tell stories of the days of long ago.

In those days men dreamed dreams and sang songs as they sat on the bench
or in the market place. The cobbler at his last, the baker before the
oven, the silversmith by the fire, even the little apprentice, watching
and learning, looked out upon a fair world and found it good. So while
hands were busy, thoughts roved far and wide, and fancy wove many a song
to sing by the fireside on wintry nights.

But not only by the fireside were those songs sung in the days when
Nuremberg was young. The good people there prized the Art of Song too
highly for that alone.

"Though a man's lot be humble," they said, "his thoughts may be rich in
fancy; he may have a song to sing." So they formed a guild devoted to
the cultivation of poetry and music, and the members of this guild were
called Master Singers. Every man who wished to enter the guild was
obliged to write some verses,--according to the rules of the guild; and
to compose appropriate music for those verses,--according to the rules
of the guild; and, finally, to sing them both together,--according to
the rules of the guild. Then if the masters approved of his performance,
he became one of the Master Singers of Nuremberg. And great was the
honor conferred upon him when he reached this high estate! Many had
tried, but few had been chosen. Indeed, the entire guild was composed of
but twelve members. These were, for the most part, worthy men, devoted
to their trades and to music. And each one had a boy apprenticed to him,
to whom he taught cobbling or soap-making or baking or tailoring by day,
and the Art of Song by night.

Among the Master Singers of Nuremberg none is better remembered than
Hans Sachs. He was a cobbler by trade and a poet by nature, and his
songs and verses have outlived his boots by many a year. It is of his
part in a song festival of the Master Singers hundreds of years ago that
our story has to tell.


II

It began on the day before the feast of St. John in St. Catherine's
Church, which was really not the proper place for a love affair to begin
at all. But what did Eva Pogner or Sir Walter von Stolzing care for
that? The only thing that mattered to them was the joyous Springtime
which had stolen in through the open chancel window and had warmed their
hearts toward everything in the world,--but most of all toward each
other.

Sir Walter stood leaning against a great stone pillar at the back of the
church. He wore a blue velvet suit, his hat had a long white plume, and
he was as handsome a young knight as one could ever wish to see.

Pretty Eva sat in the last pew with her maid Magdalena by her side. Her
head was bent, and her eyes were upon her prayer book, as befitted a
modest maiden. Still she saw Sir Walter very plainly. In fact, somehow,
she caught every message that his dark eyes sent across the church. And
her cheeks turned rosy, and her heart grew warmer than ever the
Springtime had made it. Indeed, those glances so confused her that she
lost her place in the hymn book. Magdalena noticed it and nudged her
mistress sharply. So Eva sent one glance back to the fascinating young
knight, just a little frightened one; and then she joined in the closing
hymn. But when she lifted up her joyous young voice and made it ring
high above all the rest, Sir Walter stared harder than ever.

The young knight had loved this light-hearted maiden since he had first
seen her in her father's house. And his only wish was to win her for his
bride. But how? Suppose she were already promised to some one else!

While these mingled thoughts of joy and doubt possessed him, a ray of
sunshine crept into the dark church. It lingered on Eva's head, making a
halo of her golden hair. A moment later he saw two eyes, mirroring some
of the sky's own blue, dart him a shy glance. And he heard a voice so
sweet that he was sure the angels themselves stood still to listen. Come
what might, thought he, he would speak to her that very day.

The service was over. One by one the people filed slowly between the
dark pillars, and out of the church, into the bright sunshine. Only Eva
and Magdalena lingered, smiling and chatting with friends and neighbors
as they walked slowly along. As they approached the pillar behind which
Sir Walter stood, he stepped forward. The long, white plume of his hat
swept the floor as he bowed in greeting.

"One word, my fair maid, I entreat," he began.

Strange to say, the moment Eva heard his voice she discovered that she
had forgotten her handkerchief. Perhaps it was in the pew. Magdalena
must return for it.

Then, with the maid safely out of hearing, Eva turned her mischievous
face to Sir Walter. She was ready to listen, so he spoke. Did Eva look
upon him with favor? Might he hope? Scarcely were the words out of his
mouth, when Magdalena was back again, handkerchief in hand.

"Come, Eva," she said; "it is growing late."

But Eva was in no hurry, with this gallant cavalier close at hand.
Perhaps he wished to tell her a beautiful story. Had Magdalena seen her
scarfpin? It was gone. Was it there on the floor?

"Good Lena, go back and find it," said the artful Eva.

And Lena went back, grumbling, and searched here, there, and everywhere.

Meanwhile Sir Walter improved his opportunity. The words hurried to his
lips. He begged Eva to tell him whether light and happiness, or gloom
and doubt, were to be his portion.

The answering words were trembling on Eva's lips ready to be spoken. But
there stood the ubiquitous Magdalena again, with the scarfpin!

"We must go home," she said. "Come. Here's your kerchief and your pin.
But where's my prayer book? Oh, alackaday! I've left it in the pew!"

Back she bustled once more.

These interruptions served to make Sir Walter more impatient than ever.
Would he never be able to make love in peace? He took a long breath,
leaned forward, and whispered eagerly: "May I hope? Or are you promised
to some one else?"

And for answer, while Eva hid her eyes for fear they would tell of her
love too soon, there was Magdalena again!

"Yes, Sir Walter," said Magdalena, and she curtsied low, wishing to be
most polite to this handsome young man.

"Yes, Sir Walter," she repeated. "Our Eva is betrothed."

Betrothed? Sir Walter was stunned into silence; misery spread itself
like a black cloud over his face. Nor did the reply please Miss Eva,
either. She quickly interrupted, saying:

"But no one knows who the bridegroom will be. No, not until to-morrow."

Sir Walter knit his brows. That was amazing! Was it a puzzle? What did
it mean?

Eva and Magdalena hastened to explain. After all, it was very simple.

Out in the meadows near Nuremberg a song festival was to be held
to-morrow. It was to be a great singing match. And Eva's father had
promised part of his fortune, and his daughter besides, to the singer
who should win the prize. Eva herself was to crown the victor with a
wreath of laurel. "But," they continued, "he must be a Master Singer. No
one may even try for the prize who is not a member of the guild."

"Are you not a Master Singer, Sir Walter?" inquired Eva, timidly, and
it was plain that she wished with all her heart to hear him say yes.

Poor Sir Walter! Until that moment he had never heard of the Master
Singers. As for the song contest, he never even knew that there was to
be such a thing. What was to be done? Could no one help? Walter was in
despair, and Eva, who by this time knew the man she wished to marry, was
on the verge of tears.

A shaft of light streamed across the church. The door was opened, then
closed with a bang. A youth ran in hastily. He noticed no one. He wore a
businesslike air, as he hurried this way and that. He was David,
apprentice to Hans Sachs, the shoemaker.

From the expression on Magdalena's face when she saw David, it was easy
to see how matters stood! Her heart was affected, too, and David was the
cause. She looked at him admiringly a moment, then gave a little cough.
David started. He hastened toward her, smiling and holding out his
hands. Ah! it was his own true love, Lena! But she must not detain him.
He was busy. There was to be a trial meeting.

"A trial meeting!" exclaimed Magdalena, joyfully. "Just the thing!" Now
the handsome knight would have a chance. She beamed happily upon David.
"You must explain everything to him!" she cried, and whispered the
directions eagerly.

But Mr. David was stubborn. He had no time. There was the platform to be
set, the curtains to be hung, the chairs and the benches to be arranged.
And it was late.

"David, dear David," coaxed Lena, with her face close to his, "if you'll
help Sir Walter to become a Master Singer, I'll bring you a basket full
of the best things you ever ate."

And before David had time to refuse, the clever Lena had seized Eva's
hand and had hurried with her from the church.

Scarcely were they gone, than with a great shouting the jolly
apprentices danced into the church. They hopped and skipped about,
joking and laughing, as they made ready for the meeting. They pulled one
another's hair, they played leapfrog over the chairs, they pushed, they
shoved, but they worked, too, and in a twinkling the church was
transformed into a meeting place. There stood the marker's platform, for
all the world like a great box, with black curtains on all four sides.
To the right of it were the benches for the masters, and in plain view
of all was the great chair for the candidate.

Sir Walter had, all unconsciously, seated himself in the great chair.
His eyes stared moodily ahead. He heard nothing, saw nothing, of all the
fun about him. He was buried in deepest gloom. He had promised Eva that
he would become a poet, a singer, for her sake, and he wished to do so,
but where and how was he to begin? Her father would not allow her to
marry any one but a Master Singer. How could he become a Master Singer
in one day?

While these thoughts passed through the young knight's mind, young David
stood watching. Suddenly he shouted:

"Now begin!"

Walter gave a jump.

"Eh, what?" he stuttered.

"Begin the song," said David. "That's what the marker says, and then you
must sing up. Don't you know that?"

Sir Walter shook his head. He knew nothing.

"He's a stupid fellow for all his fine clothes," thought David. Then he
said aloud:

"Don't you know that the marker is the man who sits in the curtained box
and marks the mistakes?"

No. Sir Walter did not know that.

"Don't you know that the singer may have seven mistakes, seven,--and no
more?"

Sir Walter did not know that, either.

"Well, well! And you want to become a Master Singer in one day. I've
studied for years and years with Hans Sachs, my master, and I'm not a
Master Singer yet. You have a lot to learn," and David gave a great sigh
and scratched his head with his forefinger. Then, like the kind-hearted
fellow that he was, but with half a thought fixed upon Lena's cakes, he
began to explain. He explained the rules for high tones and low tones,
for standing and sitting, for breathing and ending, for grace notes and
middle notes, for rhyming and tuning; and the more he explained, the
more perplexed poor Sir Walter became. His spirits dropped, dropped,
down to his very boots. Indeed, his discouragement was so great that I
fear he would have been much inclined to run away if at that moment the
Master Singers had not come in.

Veit Pogner, the rich silversmith, came first. And tagging behind him,
talking excitedly, and gesticulating while he talked, was the Marker of
the guild, the town clerk, Sixtus Beckmesser. The rest came after. But
their voices could not be heard. The town clerk was so busy telling
Master Pogner that he hoped to win his daughter on the morrow, and that
he would serenade her that very night, that no one else had a chance to
say anything.

Imagine a short man, a fat man, a man with thin, crooked legs, a mincing
gait, a head too bald, a face too red; in short, a clown of a man. That
was Sixtus Beckmesser. Then think of two squinting eyes fastened upon
Master Pogner's money. That was the secret of the town clerk's love for
pretty Eva. He was as different from Sir Walter as night is from day, as
sorrow is from joy, as falsehood is from truth. But he was determined to
win in the song contest. And he had many powers, good and evil, to help
him, as you shall see.

Sir Walter stepped forward, and Veit Pogner greeted him kindly. Surely
so handsome a knight should be favored. Hans Sachs came forward, also.
And all agreed that Sir Walter should be given an opportunity. Only
Beckmesser snarled with rage, for the young knight was a formidable
rival.

"Ha! ha!" croaked he to himself. "Just wait. Let him try to sing! I'll
show him what singing is."

Sir Walter was bidden to seat himself in the candidate's chair. And,
with a smile that was far from friendly, Sixtus Beckmesser, slate and
chalk in hand, entered the Marker's box and pulled the curtains together
behind him.

Then in a harsh tone he called out:--

"Now begin!"

Walter mused a moment and then began his song. The words, the music,
flowed forth unbidden from his full heart. He sang of the Springtime
which came into the sleeping forest, and, with thousands of heavenly
voices, awakened the birds, the bees, the flowers. He sang of murmuring
brooks, of rustling leaves, and of winter all forlorn, lurking in the
woodlands, loath to depart.

And as he sang, groans of discouragement came from within the Marker's
box. There was the sound of chalk scratches, once, twice, and again.

Walter hesitated a moment. Then he went on. He sang of the awakening of
the woods to life, to happiness. His voice rose high in joyous refrain.

But a loud groan came from the Marker's box. Another scratch--another.

Walter took a long breath. He did not care. With thoughts of his fair
Eva in mind, he sang on. He sang of love, which, like Springtime in the
woodland, had awakened his heart. He sang of the thrill of life it
brought, the happiness, the all-surpassing joy.

Suddenly the curtains were roughly pushed apart, and Beckmesser rushed
out, slate in hand. It was covered on both sides with marks!

"Can no one stop him?" he cried as he jumped frantically about. "The
slate is full," and he laughed exultingly.

The Masters joined in the laughter, for, it was true, Sir Walter had
sung according to no rule of the guild. Only Hans Sachs and Veit Pogner,
realizing the beauty and poetry of the song, tried to argue for the
young knight. But their opinions were overruled. The Master Singers
decreed that Sir Walter had lost his chance. He must be silent and sing
no more. Sixtus Beckmesser remained triumphant, and Walter left the
church while the Masters pronounced the decree,--

"Outdone and outsung."


III

The day of toil was over. Twilight came, and then the cool and quiet
evening. A bright moon rode on high. It peeped in and out, between the
gables, behind the church spire, and promised fair weather for the
morrow.

  "Midsummer Day, Midsummer Day,
  And the song festival so gay,--"

sang the jolly 'prentice boys, as they appeared at their masters' house
doors to close the shutters for the night.

David stood on the little grass plot before his master's cottage, also.
But he was not in so merry a mood. He was a serious young man with a
sweetheart of his own, and he had no time for frivolity or nonsense. Let
silly boys caper as they wished. So he pulled down the shutters and
never noticed Magdalena, who had slipped out of Veit Pogner's great
house across the street and was hastening toward him. The boys snickered
and beckoned to one another in great glee. A well-laden basket was on
Magdalena's arm, and even her voice had an inviting sound.

"David, dear, turn around!" she called. David hastened eagerly to her
side. The boys, too, with broad grins overspreading their faces, crept
forward on tiptoes to listen.

"See, David," they heard Lena say, "here's something nice for you. Take
a peep inside. Doesn't that make your mouth water? But tell me first,
what of Sir Walter?"

"There's nothing much to tell," answered David, quite unconcerned. "He
was outsung and outdone!"

"Outsung and outdone!" gasped Magdalena. "Take your hands off of my
basket. No, sir! None of my goodies for you!" and she flounced off,
murmuring: "What's to be done? Oh, what's to be done?"

David stared after her. He was dumfounded. But the boys jeered and
pointed their fingers at him. They had heard it all. Laughing and
singing, they formed a ring, and capered about David, who became very
angry, and struck out blindly right and left. But the more he raved and
raged, the more they teased and tormented, until, all of a sudden, a
tall figure stood before them. It was Hans Sachs, the cobbler. Annoyance
was written all over his good-humored face. His honest blue eyes sent
out sparks of anger. The boys hung their heads.

"What does this mean?" he cried. "To bed! To bed!" The apprentices stole
shamefacedly away.

"And you"--he continued, taking the crest-fallen David by the ear, "put
the new shoes on the lasts and get into the house. No song to-night,
sir!" They entered the workshop.

All was still on the narrow street for a little while. Eva and her
father sauntered homeward from their evening walk. They lingered for a
few moments beneath the linden tree before the door, enjoying the
evening air. Then they entered the house for supper. Lights glimmered in
the windows. A dog barked in the distance. Peace pervaded the quiet
town.

Hans Sachs appeared again at his workshop door. He flung it open and
peered down the street, then he looked up at the sky. The gentle evening
breeze fanned his cheeks. How refreshing it was! How pleasant it would
be to work out of doors to-night! And, calling David, he ordered him to
place his bench, his stool, the light, the tools outside, beneath the
tree.

"You will not work in this light, Master?" queried David.

"Be quiet," retorted Hans Sachs, shortly. "Go to bed!"

"Sleep well, Master."

"Good night," answered Hans Sachs, as he sat down by the bench and took
up his tools. But he did not work. The silvery moonlight cast a glamor
over the town. It softened the outlines of all that he looked upon and
made them vague, uncertain, beautiful. The evening breeze wafted down
the sweet scent of the elder blossoms, and a delicious languor overcame
him. The soul of the poet arose in the body of the cobbler, and, as if
under a spell, he sat motionless, oblivious to shoes, lasts, tools,
everything. The Song of Spring that the young knight had sung that
afternoon began to haunt him. Faintly, elusively, it came to his mind,
like the distant echo of a melody heard in a dream. Musing upon Sir
Walter, who, like the birds in the woodland, had sung the song his heart
had told him to sing, he did not see Eva trip lightly from her father's
house. She paused before him. Hans Sachs looked up. The sweet girl,
swaying back and forth like a bird on a bough, looked more like a happy
thought than a physical reality.

Eva broke the silence shyly.

"Good evening, Master," she said. "Still working?"

Instantly Hans Sachs' face wore a genial smile of welcome.

"Ah, little Eva," he answered, "you have come to speak about those new
shoes for to-morrow, I'll be bound."

Now, as you no doubt have already guessed, artful Miss Eva had come for
no such purpose at all. To tell the truth, she had feared to ask her
father aught concerning the trial meeting of the Master Singers that
afternoon. For she knew it would be far easier to wheedle the story from
her old friend Hans Sachs.

With a fine affectation of unconcern she began her questioning. But
little did she know Hans Sachs. He, as it happened, was quite clever
enough to divine her plan. He suspected that she must have some hidden
reason for this sudden interest in the trial meeting. At least, he
thought, it would do no harm to find out. So he spoke harshly of Sir
Walter, and pretended that he had sung abominably at the trial meeting.
Indeed, the Masters were quite right in rejecting him! And all the time
he watched Eva's expression and laughed, oh, how he laughed, in his
sleeve!

Eva flushed crimson. She flew into a temper.

"A nice lot of Masters, indeed!" She flung the words at Hans Sachs.
"Little do they know of fine singing, or you either, for that matter."
Then she rushed angrily away, and crossed the street to her own home.

Hans Sachs smiled tenderly. He nodded his head wisely as he gazed after
her.

"Ah!" he said to himself, "that's just what I thought! That's just what
I thought!"

And still shaking his head, he gathered up his tools and entered the
workshop. He closed the door behind him; that is, he nearly closed the
door,--nearly, not entirely, which was most fortunate, as you shall see.

Not long afterward Sir Walter von Stolzing came hastening down the
street. His face was full of sorrow. All his hopes of winning Eva were
gone. He would see her once more, and then bid her farewell forever.

Eva saw him coming. Running toward him, she greeted him gladly and led
him to the garden seat, beneath the shade of the linden tree. And there
the young knight told her of his failure. As he spoke of the
narrow-minded Masters who had spurned his song, his voice grew bitter.
"Ah," he continued, "all hope is gone unless you will marry me
to-night." Eva assented eagerly. And so, in excited whispers, just loud
enough for Hans Sachs to hear, the two lovers planned to run away.

Losing no time, Eva ran into the house and donned Magdalena's cloak.
Then, bidding the maid seat herself by the window in her stead, she
hurried to join Sir Walter.

Just as the two lovers made ready under cover of the darkness to dive
down the narrow street, clever Hans Sachs threw his workshop door wide
open, and the broad stream of bright light from his lamp flooded their
path. Eva and Sir Walter fell back. They could not pass that way. The
cobbler would be sure to see them. They looked in the opposite
direction. No. There was the watchman, and skulking in his wake was
still another figure. Who could that be? He was coming that way. Oh,
this would never do. In despair the lovers rushed back to the friendly
shadows beneath the linden tree.

Meanwhile Hans Sachs, who had no objection to their marriage, but who
felt a great distaste for elopements, had brought out his tools, and had
seated himself at his workbench once more. He, too, spied a strange
figure slinking down the street toward Pogner's house. Well he knew
those thin legs, that fat body, the too bald head, the too red face. It
was Beckmesser, the town clerk, the Marker of the guild. He had come to
serenade the fair Eva. He would show her what fine singing was. And he
looked up at her window expectantly, as he tuned his lute.

At the same moment Hans Sachs, chuckling softly to himself, broke out
in a loud song accompanied by an outrageous hammering upon a pair of
shoes. His big voice rang out so lustily that it completely drowned the
tinkle, tinkle of the town clerk's lute. Beckmesser became frantic with
rage. Suppose Miss Eva should hear! Suppose she should think he was
singing in that atrocious manner. A slim chance he would have to win her
to-morrow! He gazed at the closed shutters Then he ran to Hans Sachs,
scolding and pleading with him to be silent. What did Master Beckmesser
want? And Master Sachs was most indignant. Those were his shoes that he
was working upon. A man must keep at his trade. And the jolly cobbler
went on hammering and singing as loudly as before.

The panic of Master Beckmesser increased. He paced angrily to and fro.
He put his fingers to his ears. And if Hans Sachs had not been so big
and strong, it is not hard to imagine what he would have done next.

At last when the window in Pogner's house opened wide and revealed a
maiden seated there, Hans Sachs ceased. He had a plan. He consented to
listen to Beckmesser's serenade if he might be permitted to mark each
error by tapping on his lapstone. For there were shoes to be finished,
and that was the only way.

The plan did not please Beckmesser at all, but, since he had no choice,
he was forced to agree. So, by way of beginning, he strummed a prelude
on his lute, and looked for favor at the figure in the window. But
before he had time to get his breath Hans Sachs had struck the shoe a
mighty blow and had shouted,--

"Now begin!"

Beckmesser started. Then he began to sing. But a sorry performance it
was. The nervousness, the anger, the malice, had entered his voice and
had made it harsh and squeaky by turns. He sang a line. It was out of
tune. Down went the hammer. He scowled and began another line. It did
not rhyme. The hammer fell again. And so, becoming more and more
enraged, Beckmesser sang more and more falsely, so that Hans Sachs was
kept busy beating a veritable tattoo upon his lapstone. Beckmesser
squeaked, he bawled, he howled, and all the time Hans Sachs hammered and
hammered, until both shoes were done.

This howling and hammering awakened the people in the houses all about.
Shutters were pushed back, windows were opened, nightcaps appeared and
sleepy voices ordered them to be silent.

David, hearing the tumult, peered out. When he saw a strange man before
the window serenading a lady whom he at once perceived to be his Lena,
he rushed out, cudgel in hand. He fell upon the unfortunate musician,
who yelled so loudly that the whole neighborhood was aroused. The
apprentices rushed out and fell upon David, and the Masters rushed out
and fell upon the apprentices, and before any one knew what it was all
about, everybody was hitting everybody else. The clamor and commotion
grew and grew apace. People came running from all sides, and joined in
the general hubbub and confusion.

Only Hans Sachs kept a cool head. Seeing that Eva and her knight were
about to make use of the excitement to run away, he intercepted them.
First he pushed Eva into her father's house. Then, grasping Walter by
the arm, he thrust him into his own workshop and, following him, closed
the door.

The street fight continued. Suddenly the sound of the watchman's horn
was heard in the distance. The crowd was seized with a panic of fear. As
if by magic, it dispersed. The people suddenly disappeared into the
houses, down the alleys, behind doors, anywhere. The lights were
extinguished. All was still.

When the sleepy watchman came to that street, he rubbed his eyes, stared
about him in surprise, and then shook his head. Could he have been
dreaming? He thought that he had heard a noise. Holding his torch aloft,
he blew his horn and cried out:

  "To my words, ye people, hearken:
  All your houses straight way darken!
  'Tis ten o'clock, all fires put out!
  Let naught of evil lurk about.
  Praised be the Lord!"

Then he went his way. And the moon shone down upon the peaceful streets
of Nuremberg.


IV

Midsummer Day dawned. Long before the town was awake, while Sir Walter
still slumbered in an inner room of the cottage, Hans Sachs sat in the
great armchair by the open window. The morning sunshine fell upon his
head as he bent over the thick and musty volume he held in his hands.
But who shall say he was reading as he turned the time-worn leaves over
and over? His mind wandered far afield,--to the early days of his
beloved Nuremberg, to the trades, to himself, the humble cause of last
night's brawl. And the thought of the two young lovers came to him. He
would like so much to help them, if he could only find a way. So
absorbed was he that he scarcely noticed the youth David who came to
offer him the basket of goodies, which Magdalena had given him as a
token of forgiveness.

And so the moments passed. Hans Sachs resumed his reading, until at
length the chamber door was opened and Sir Walter stood upon the
threshold. Bidding his host good morning, he walked slowly toward him.

"Ah, good morning, Sir Knight," replied Hans Sachs, forgetful of the
great book, which slid to the floor as he arose. "I hope you rested
well."

"Thank you. The sleep that I had was restful," answered Sir Walter, in a
dreamy and preoccupied tone. Then he exclaimed rapturously,--

"But I had a most beautiful dream!"

"A dream?" Hans Sachs was all attention. "Tell it to me!"

"I dare not. I fear it will fade away," said Sir Walter.

"Nay. It is of such dreams that poetry is made,"--and the eyes of the
cobbler gleamed with an inner radiance. "Poems are but dreams made
real."

Thus urged and encouraged, the young knight sang the story of his dream.
And Hans Sachs was moved by the rare beauty of the poetry and music.
Hastily procuring pen and ink, he bade Sir Walter sing it over again
while he transcribed the words to paper. Then, as the song continued,
the kind-hearted master added bits of advice in a low tone. He showed
the young knight how he could keep the words and melody as beautiful as
his dream, and still obey the rules of correct singing. Charging him
not to forget the tune, Hans Sachs insisted that Sir Walter array
himself in his richest garments and accompany him to the Song Festival.

"For," concluded he, "something may happen. Who can tell?" And so the
two men entered the inner room together.

Hans Sachs was right. Something did happen, and very soon, too. Scarcely
was that door closed than the one leading to the street was cautiously
pushed open. And a too bald head, a too red face, and two squinting,
crafty eyes peeped in. Then, assured that no one was about, a wretched
figure limped after. It was Beckmesser, the town clerk, but a sore and
aching Beckmesser; a Beckmesser who could neither sit, nor stand,--a
miserable Beckmesser, whose disposition had not been at all improved by
the cudgeling that he had received. Slowly and painfully he came
forward. And since there was no one at hand, he shook his fist and
scowled savagely at the bright sunshine and the soft air.

As he hopped and limped about the room, he came, by chance, to the table
whereon lay the paper upon which Hans Sachs had written. He took it up,
inquisitively sniffing, as he ran his eye over it. What was this? A
trial song, and a love song at that? And, hearing the chamber door open,
he, then and there, stuck the paper into his pocket. How Hans Sachs
smiled when he saw what the crafty creature had been about!

"Very well, Master Beckmesser," said he. "Since you've already pocketed
the song, and since I do not wish you to be known as a thief, I gladly
give it to you."

"And you'll never tell any one that you composed it?" squeaked
Beckmesser.

"No, I'll never tell any one that I composed it," and Hans Sachs turned
away to hide his laughter, for he knew full well that no Master
Beckmesser could learn and sing that song that day.

But the miserable Beckmesser was beside himself with joy. Such a song,
composed by a master like Hans Sachs and sung by a singer like Sixtus
Beckmesser, could not fail to win the prize! Rubbing his hands with
glee, he hobbled and stumbled from the room.

The time for the Song Festival came at last. The worthy people of
Nuremberg,--the bakers, the cobblers, the tailors, the tinkers, with
their wives and their sweethearts, all clad in the brightest of holiday
clothes, journeyed to the open meadow at some distance behind the town.
And there a scene of jollity and merriment awaited them. Gayly decorated
boats sailed to and fro, bringing more burghers from near and far. Under
tents of colored bunting merry people were eating and drinking. Flags
flew, bands played; there was dancing and singing, laughter and joy. And
the 'prentices in all the glory of floating ribbons and many-colored
flowers ran this way and that, ordering the tradespeople to the benches
one moment and dancing with the prettiest girls the next.

Suddenly a shout was heard: "The Master Singers! The Master Singers!"
And a hush fell over the company, as the 'prentices marched solemnly
forward and cleared the way. The standard bearer came first, and
following him, Veit Pogner, leading the fair Eva by the hand. She was
richly dressed, and looked radiant as the morning itself. Attending her
were other splendidly gowned maidens, among whom was the one that David
thought the most lovely of all. Then came the Master Singers. And when
the people saw their beloved Hans Sachs among the rest, they shouted and
waved their hats in loyal greeting.

The Master Singers took their seats on the platform, a place of honor in
their midst having been assigned to Eva and her maidens. Several
'prentices ran forward and heaped up a little mound of turf, which they
beat solid and then strewed with flowers. The time for the prize
singing was at hand.

  "Unmarried masters, forward to win!
  Friend Beckmesser, it is time. Begin!"

The 'prentices conducted Beckmesser to the mound. He put up one aching
leg, then the other. He stood wavering uncertainly a moment, then
toppled over.

"The thing is rickety," he snarled. "Make it secure."

The boys set hastily to work, slyly snickering, while they beat the turf
with their spades. And the people near at hand giggled and whispered:

"What a lover!"--"I wouldn't care for him if I were the lady."--"He's
too fat."--"Look at his red face."--"Where's his hair?"

With the help of the 'prentices Beckmesser again hobbled up on the
mound. Striving to set his feet securely, he looked right and left. Then
he made a grand bow.

The standard bearer called out,--

"Now, begin."

And he began. He sang such a song as Nuremberg had never heard before
and hoped never to hear again. Mixed with the tune of the new song was
the miserable serenade he had sung the night before. As for the new
words that he had tried to learn, they were gone completely. His mind
was blank. So he ducked his head and took a peep at the paper, and
instead of the words,

  "Morning was gleaming with roseate light,
  The air was filled
  With scent distilled,"--

Beckmesser sang,--

  "Yawning and steaming with roseate light,
  My hair was filled
  With scent distilled,"--

and much more besides that was far worse. The people muttered to each
other. They could not understand what it was all about. The Masters
stared in perplexity. Finally, as the singer became more and more
confused, and sang a jumble of ridiculous and meaningless words, they
all burst into a loud peal of laughter.

The sound of laughter stung Beckmesser to fury. He stumbled angrily from
the mound and, shaking his fist at Hans Sachs, declared that if the song
was poor, it was not his fault. Hans Sachs was to blame. He had written
it. Then he threw the paper on the platform and, rushing madly through
the crowd, disappeared.

The people were in confusion, the Masters were amazed. They all turned
to Hans Sachs for an explanation. He picked up the paper, smoothed it
out, handed it to the Masters, and said:

"No, the song is not mine. I could not hope to compose anything so
beautiful."

Beautiful? The Masters were incredulous. Hans Sachs must be joking. But
he went on.

"Yes, beautiful. Master Beckmesser has sung it incorrectly. The one who
wrote it could render it in a manner that would prove its beauty beyond
a doubt." Raising his voice, he called:

"Let the one who can sing the song step forward."

And to the great surprise of all, Sir Walter von Stolzing, clad in
glittering knightly apparel, came from the crowd. He bowed courteously
to the Masters, and won the hearts of all by his noble looks and his
manly bearing. He stepped lightly upon the mound, mused a moment, and
then began his song of the dream. And, as before, the words, the music,
gushed forth from his full heart. He put all his love, all his yearning,
into the melody he sang. His voice swelled upward like the rising tide.
And when it reached the full, the rapture of it touched the hearts of
all who listened. The song was finished. A hush fell upon the Masters
and people alike. But only for a moment; soon a glad shout arose:

"Master Singer! Master Singer!"

And Sir Walter von Stolzing knew that the victory was his.

They led him to the fair Eva and placed her hand in his. While the
people waved and sang, she placed a wreath of laurel upon his head. It
was his beautiful dream coming true. Then the Masters hung a chain of
gold around his neck, which showed that he was a member of the guild.
Sir Walter thought of the treatment that he had received the day before
at the trial meeting, and he was about to refuse. But Hans Sachs arose
and spoke gravely of the reverence due to the Art of Song. And Walter
forgot his bitterness, and thought only of his love and future happiness
with Eva by his side.

And so with the people singing,

  "Hail, all hail
  Nuremberg's beloved Hans Sachs,"

Midsummer Day and the Song Festival came to an end.




[Illustration]




LOHENGRIN, THE KNIGHT OF THE SWAN


I

Long years ago a maiden, fair as the morning itself, wandered through a
lonely greenwood in the Duchy of Brabant. She was Elsa, only daughter of
the late Duke of Brabant, who had died but a short time before this
story begins.

Although Elsa was the rightful owner of all the wooded lands and fertile
fields for miles and miles around, she was far from happy. Although
summer lay warm and fragrant over those lands, and flowers blossomed
along her pathway, yet Elsa's heart was heavy within her. She was full
of sorrow. For, not long before, while walking in those self-same woods,
her brother Godfrey had suddenly and unaccountably disappeared from her
side. Elsa had searched and searched. She had wept, she had prayed,
but all in vain. No trace of him had she found anywhere. Spent with
grief and anxiety, she had run to her guardian, Frederick of Telramund,
and told him the story. But Frederick had repulsed her with unkind
glances and cruel words. He had even accused her of doing away with her
poor brother, that she might claim the entire Duchy of Brabant for
herself.

This guardian, Frederick of Telramund, knew well enough that Elsa was
incapable of so foul a deed. He knew that she had loved her brother
Godfrey far too well to do him harm. But Frederick had coveted the rich
lands and vast possessions of Brabant for many a year. And he was
determined to get them now by fair means or foul. Moreover, he had
married the pagan princess Ortrud, who was every whit as evil-minded and
ambitious as he. Ortrud's father, a heathen prince, had once owned part
of Brabant, and they were confident that, with Godfrey and Elsa out of
the way, they could lay claim to the whole Duchy. How they plotted and
schemed together against poor Elsa!

Do you wonder, then, that Elsa walked through the forest on that morning
long ago, with downcast eyes, oblivious to all save her own sad
thoughts? Her father was dead, her brother was gone, her guardian had
proved false. To whom should she turn for guidance? Weary and perplexed,
she sank down beneath the sheltering branches of a friendly tree near
by. All was calm and still. Her tired eyes rested upon the deep blue
dome of the sky, and thoughts of God, the All-Father, filled her mind.
Ah, she could put her trust in Him. And a prayer for help arose from her
heart. Perhaps it was the answer to her prayer, perhaps it was only a
dream, but then and there Elsa saw a marvelous vision. The heavens
opened, and disclosed a noble knight. Enveloped in heavenly light, this
knight descended to earth, and stood before Elsa. He smiled upon her,
and, like a miracle, she became tranquil and unafraid. He was so strong,
so stalwart, so brave! His shining white armor glittered in the
sunlight. A glistening sword hung by his side, a golden horn from his
shoulder. His eyes were kind. There was comfort in his voice.

"Arise!" spoke he, "and go your way. Be of good cheer, and fear not, for
when your need is sorest, I will come to defend you."

Then he vanished. Elsa was alone in the greenwood.


II

Just at this time the King of all Germany came down to Brabant. With
pomp and ceremony he came, bringing rough knights from Saxony and brave
nobles from Thuringia, all good men and true, to bear him company.

Henry the First was he, a wise king and a just. People called him Henry
the Fowler because he was so fond of hunting. It may be, however, that
it was not the hunt that he loved so much as the great out-of-doors, the
wide plains, the wild forests, the winding rivers. Whenever he summoned
his faithful subjects to discuss affairs of peace or war, he chose some
meeting place under the blue sky, in God's temple, where men breathe
deeply, think clearly, and judge rightly.

So, when at Brabant King Henry found no duke to greet him; when,
instead, he heard of strife, of discord, and of strange whispers, he sat
himself down beneath a giant oak on the bank of the winding river
Scheldt. And the trumpeters blew a great blast, the herald proclaimed
the King's presence, the trusty men who had come to bear him company
stood at arms, while the Brabantians gathered from north and south, from
east and west, of the Duchy to hearken to the King's word.

"I had come here, my good people," began the King, "to ask the aid of
your forces in subduing the wild Hungarian foe. Full well do I know
that as loyal German subjects you are ready to answer your country's
call. But I find discord in your midst, strife and confusion. Therefore
have I called you together to learn the causes thereof and to deal
justly with the offenders, be it possible."

The people of Brabant were pleased with the King's words and looked to
Frederick of Telramund to make answer. Frederick arose. Behind him stood
his wife, the dark-haired princess Ortrud, ready to prompt him should he
hesitate.

But false Frederick did not hesitate. His voice did not tremble,
although he spoke with much show of grief. He made a low obeisance to
the King and besought sympathy for the sad tale he was about to tell. He
told how the dying Duke had intrusted Elsa and Godfrey to his care, how
tenderly he had reared them, how devotedly he had loved them, and how
sorely the mysterious disappearance of Godfrey had grieved him. And
then, he continued, he had been forced to believe that Elsa had murdered
her brother in order to claim the whole Duchy for herself--or
mayhap--for some secret lover. Therefore he, Frederick of Telramund, and
his wife Ortrud, by right of inheritance, besought the King to make them
Duke and Duchess of Brabant.

"An astounding story indeed!" The free-men muttered to each other. The
nobles looked at Frederick and shook their heads. "The man must be sure
of his proof to make such an accusation," said they, as they turned
toward the King.

King Henry sat with bowed head, in deep thought. He ran his hand over
his forehead, pondered a moment, and then murmured:

"So foul a deed!"

Aloud he said:

"I would see this maid. I would look upon her face. I would hear her
tale. And may God guide my judgment aright."

Hanging his shield on the giant oak behind him, King Henry swore never
to wear it again until justice had been done. And all the German nobles
drew their swords and thrust them, points down, into the ground,
swearing never to wear them again until justice had been done. And the
men of Brabant laid their swords at their feet, swearing the same. Then
the herald summoned Elsa.

She came, the fair-haired Elsa, clad all in white, with her train of
ladies, all in white, behind her. They paused, and she, with hands
clasped and eyes cast down, advanced timidly, slowly, alone, until she
stood before the King. Her golden hair, unbound, hung a cloud of glory
about her. How young she was! How lovely! The rough knights gazed upon
her, and their eyes filled with tears. Surely no maiden with such a face
could be guilty of such a crime.

The King spoke very gently. Was she Elsa of Brabant? She bowed her
head. Did she know the heavy charge that had been brought against her?
She bowed again. Was she willing that he, King Henry, should judge her?
Once more her head was bowed in assent. And it was only when the King
asked whether she was guilty of this murder that Elsa found voice. She
wrung her hands piteously, and exclaimed, "Oh, my poor, poor brother!"

A dreamy look was upon Elsa's face as she told her story. Her voice
trembled, and her eyes strayed over the distant hills. It was as though
she saw it all again.

She told of that day in the woods, her sad walk alone, her deep grief,
her utter weariness. She told of her rest beneath the friendly tree and
of the blue heaven overhead. But when she told of her prayer to God for
guidance in her distress, her faltering voice grew stronger, braver.
Rapturously, she told of her dream, and of the noble knight whose white
armor had glittered in the sunlight, of his sword, his horn, and,
last, of his promise.

"Him will I trust!" she cried. "He shall my Champion be!"

The knights, the nobles, the King, were startled. But Frederick of
Telramund cried out.

"Such words do not mislead me. See! does she not speak of a secret
lover? What further proof do you need? Here stand I, and here's my
sword, both ready to fight for my honor."

Now since King Henry believed that God in His wisdom would surely give
might to the hands that fought for Right, he asked Frederick if he were
ready to fight for life or death to uphold this charge that he had
brought.

Frederick answered, "Yes."

Then the King turned to Elsa, and asked her if she were willing to have
her champion fight for life or death to prove her blameless.

Elsa answered, "Yes," and, to the great astonishment of all, named her
unknown knight as her champion.

"None other will I have," she said. "He will come to defend me, and upon
him will I bestow my father's lands. Aye, should he deign to wed me, I
will be his bride."

"Then cry out the summons," ordered the King.

The herald stepped forth with his trumpeters four. Placing one to the
east and one to the west, one to the north, and one to the south, he
bade them blow a great blast.

"Let him who dares to fight for Elsa of Brabant come forth!"

The trumpet's call, the herald's words, fell on the clear air. The echo
sounded and resounded. There was a long pause. All was still.

The dark-haired Ortrud curled her lips scornfully, and an evil smile lit
the face of Frederick of Telramund.

"Once more, O King!" implored Elsa, "once more let the summons be
sounded!" and she fell upon her knees at his feet.

The King nodded. The trumpeters blew another blast. Again the herald
cried out:

"Let him who dares to fight for Elsa of Brabant come forth!"

Again the notes died away on the clear air. Again the echo sounded,
resounded. Another long pause. All was as still as before. Only the
voice of Elsa in prayer was heard. Oh, how she prayed! Her need was
great. Surely the noble knight of her dream would not fail her. God had
sent him to her in the greenwood. He would send him now. She would put
her trust in Him. And she bowed her head in her hands.

Suddenly the men on the river bank were seen peering eagerly into the
distance. They beckoned, they waved, they whispered. Others ran to join
them. And they, too, gazed, then pointed excitedly down the river. What
strange sight was there? What was it that glittered, glistened from
afar? Its brightness dazzled the eyes. Ah! it was lost to view behind
the curving shore. No, it appeared again. Behold a wonder! A swan, a
snow-white swan was gliding gracefully toward them. It drew a boat, a
silver boat. And in the boat, erect, his bright armor glittering in the
sun, stood a knight. He leaned upon his sword. A helmet was on his head,
a shield on his shoulder, a horn by his side. The swan drew him nearer.
He approached the very bank. Oh, wondrous sight! A gallant knight had
been sent by Heaven to defend the fair-haired maiden. Might had come to
fight for Right.

The men were awestruck. In silence, entranced, they gazed at the swan,
the boat, the Heaven-appointed knight. The King, from his seat beneath
the giant oak, surveyed the scene in bewilderment. Elsa felt the
excitement, heard the murmurs, still dared not lift her head. But the
face of Frederick was dark and gloomy to see, and Ortrud cowered down
in terror and shuddered strangely when she beheld the snow-white swan.

The noble knight had stepped to the shore. Casting a loving look at his
dear swan, he bade it a tender farewell, and watched it sadly as it
glided away, over the water, around the curve, out of sight.

Then he turned. Elsa, rising, uttered a cry of joy when she saw his
face. It was he! The noble knight of her dream! So strong, so stalwart,
so brave! He had come. There Was naught to fear.

Solemnly, with long strides, armor glistening, sword clanking, helmet in
hand, the Swan Knight advanced and stood before the King. He made a low
obeisance, then announced that he had come to champion a guiltless maid
who had been falsely accused of a woeful crime. He looked at Elsa.

"Elsa," he said, "do you choose me as your defender?"

"Yes," she cried.

"And if I prove victorious, will you be my bride?"

"Yes."

Surely there was little that she would not promise this noble knight who
had come from afar to defend her. And Elsa threw herself at his feet,
vowing to give him all she had, even her life, if need be. But the Swan
Knight raised her and, looking into her eyes, asked but one promise, a
strange one. If he was to defend her, if he was to be her husband, she
must trust him utterly. She must never ask his name. No, she must not
even think of it, or who he was, or from whence he came.

At that moment it seemed very easy for Elsa to promise so simple a
thing. But the Swan Knight was very solemn, and he repeated the words
slowly, saying,--

  "Mark this well, Elsa.
  These questions ask me never,
  Nor think upon them ever,
  From whence I hither came,
  What is my rank or name."

She listened carefully, then promised gladly never to doubt him, always
to obey him. It was such a little thing, and was he not her shield, her
angel, her preserver?

So the King arranged the fight. Three Saxons advanced for the Swan
Knight, three men of Brabant for Frederick of Telramund. With three
solemn paces they measured the ground. The King struck his sword three
times against his shield, and the battle was on.

  "Oh, let the arm of Right be strong,
  And feeble be the arm of Wrong,"

sang the men.

And it was so. God gave Might to the arm of the Knight. But a few passes
and falsehood and deceit were vanquished. Frederick the Traitor lay
prostrate on the ground with the sword of the Swan Knight pointed at his
throat. Still the Knight spared his life. He bade him go his way and
sin no more.

Justice had been done. King Henry took his shield from the tree behind
him. The Saxons, the Thuringians, the Brabantians, resumed their swords.
God had been with them that day under the blue sky, and so amid great
rejoicing they bore Elsa and her Swan Knight from the field.


III

Night hung over the palace. Sounds of revelry, a trumpet's blast, burst
from the gayly illuminated abode of the knights. But within the
apartments of the Duchess Elsa all was dark and still.

Opposite stood the cathedral wherein, on the morrow, Elsa would become
the Swan Knight's bride. Though the delicate spires of the cathedral
pointed to a starry sky, dark shadows lurked about the portico. And in
the gloom of these shadows, two figures sat, two abject, miserable
figures,--Frederick of Telramund and Ortrud his wife. Despoiled of their
rich garments and shunned by all, they knew not which way to turn. Since
the Stranger Knight was now Guardian of Brabant, banishment was their
fate, poverty their portion.

After the manner of evildoers, each charged the other with their
misfortune. False Frederick, who had been willing enough to listen to
the promptings of his witch-wife, now upraided her for having used
sorcery to accomplish her wicked ends. It was she who had urged him to
falsehood, he said; she who had induced him to turn traitor; she who had
blackened his ancient name and besmirched his honor. Stung to fury by
the recital of his woes, he called her evil names. He even wished for
his sword in order to strike her dead.

But Ortrud was not a sorceress for nothing. She knew how to cool his
wrath. She taunted him, in turn, for showing cowardice in the fight.
She called him weak of heart and feeble of purpose. She spoke thus: "Who
is this Swan Knight who has vanquished the once powerful Frederick? From
whence has he come? And what is his power? Only witchcraft has brought
him, witchcraft and magic. And magic will take him away. If but one
small point of his body can be injured, he will be helpless and at our
mercy."

Frederick took heart when he heard these words. Perhaps all was not over
yet. Perhaps Ortrud's black magic and his strength could be used to some
purpose before the marriage day dawned. If doubt could be instilled into
the mind of Elsa, if she could be made to forget her promise, the spell
would be broken. Or, if the Swan Knight could be weakened, they would
regain their lost power over Brabant. So they plotted and planned, heads
close together, as the night wore away.

Toward morning a light glimmered in the apartments of the lovely Elsa.
Soon she appeared on the balcony singing a little song.

Ortrud crept near and called to her. She called in a piteous tone, her
voice full of misery. She wept loudly and begged meekly for forgiveness.
She pretended a repentance for all her former misdeeds that she was far
from feeling.

Elsa looked down and listened. When she beheld the once haughty Ortrud
clad in rags, on her knees, her heart melted. She held out her hands in
pity. That was just what the wicked Ortrud was waiting for. The rest was
easy. A few more tears, a little more make-believe penitence, and she
knew she would be forgiven. And sad to tell, it was so. Elsa, full of
love and new-found happiness, took Ortrud into her abode. She gave her a
splendid gown and allowed her to assist in the marriage preparations.
And the wicked Ortrud improved her opportunities. Artfully, she turned
the conversation to the approaching wedding, to the Stranger Knight who
had come by magic. Was not Elsa afraid that he would just as magically
disappear? But Elsa need not fear. Ortrud would always be her friend.

Elsa tried to shake off the disquiet that Ortrud's words caused. But the
seed of suspicion was planted in her mind, and it grew, just as the
wicked Ortrud meant that it should.

Meanwhile from his place behind the dark pillars of the cathedral,
Frederick had seen the first rosy streaks of dawn appear in the East. He
had heard the watchman in the tower give the signal of the new day, and
he had seen the answer flash from the distant turret. Rage overwhelmed
him. For he knew that Elsa's marriage morn had come.

The sleeping palace awoke to life and activity. Servants hurried to and
fro preparing for the festival. The herald stepped forth followed by his
trumpeters four. They summoned the people, who came in gala array from
all sides. Groups of richly clad nobles walked proudly down the palace
steps and stood before the cathedral, waiting. All eyes were fixed upon
the balcony before the abode of the Duchess Elsa.

All at once, a number of pages appeared there. They descended, two by
two, clearing the way to the cathedral steps and crying aloud:

  "Make way, make way,
  Our Lady Elsa comes!"

The crowd, hushed and expectant, fell back. Then, down the stairway,
across the balcony, came a long train of fair ladies. Their satin
dresses swept the ground. Bright jewels sparkled and flashed as they
advanced slowly toward the cathedral steps. There they halted, ranging
themselves on each side to allow the Duchess Elsa to pass between them.
She, the fairest of them all, walked alone.

Her dress of richest brocade trailed its heavy folds behind her. Ropes
of pearls were about her neck, and bound her golden hair. Her head was
held high, and her face was more beautiful than anything else in the
world. For joy illumined it and made it shine like a star. Was she not
going to meet her Knight, him whom God had sent to defend her?

Her foot was upon the lowest step. She was about to ascend to the
cathedral when she was rudely pushed aside. Ortrud had sprung forward,
crying,--

"Get back! I'll go first. My rank is higher than yours, and I shall not
walk behind you!"

Elsa turned in astonishment. Was this the meek Ortrud who had come to
her begging forgiveness, pleading repentance?

The people cried out in anger. But Ortrud, unheeding, went on:

"My husband may be in disgrace, but he is greater than you all. He will
rule you yet. As for the husband you are to marry,--" and she looked at
the frightened Elsa,--"who is he? What is his rank? You dare not even
ask his name!"

Poor Elsa protested. She tried to say that she did not care to know her
Swan Knight's name. Heaven had sent him, and she was content. His face
bore the stamp of noble birth, and she would always trust him. But her
voice faltered as she spoke. The seed of suspicion had taken root, and
dark doubts arose to torment her.

At that moment, when the consternation was greatest, the King appeared
on the palace steps. With him, in proud array, were the good men and
true who had come to bear him company. And following them all was the
Swan Knight. His bearing seemed nobler than ever, as he trod proudly
forward to claim his bride.

But when he saw the wicked Ortrud and the false Frederick, who by this
time had joined in denouncing him and questioning his name, his face
clouded. King Henry, also, seeing the strife, pressed forward through
the crowd, giving orders to push aside the wicked couple.

The Swan Knight took Elsa tenderly into his arms for a moment, looking
deep into her eyes. Then, led by the King, the marriage procession
proceeded into the cathedral.


IV

The wedding festival was over. With flaming torches held aloft and
joyous voices raised in song, the procession of ladies and nobles led
the bride and bridegroom to their flower-bedecked chamber. Then,
showering blessings upon them, they departed. The torchlights faded in
the distance; the sound of march and song grew faint. It died away. Elsa
and her Swan Knight were alone.

There was a brief silence while they gazed at each other in rapture.
She, so lovely, was his inmost heart's desire. He, so brave, was the
beloved Knight of her dream. Their voices grew soft with happiness, and
on their faces was the glow of a deep joy.

Too soon, however, at the sound of her name on her lover's lips, a shade
stole over Elsa's bright face. "Ah!" thought she, "I can never call him
by his name, for I shall never know what it is." Then, like a flash, all
of Ortrud's taunts came to her mind. And following them, all the dark
doubts, the vague suspicions, arose again to torment her.

First she sat in moody silence. But soon a strange curiosity showed
itself in her speech. Would the fetters that bound the Swan Knight's
lips ne'er be loosened? Must she, his wife, always remain in ignorance?
If he loved her truly, he would surely whisper his secret ever so softly
into her ear. No one should ever know. She would guard the secret well,
locking it within her very heart.

Thus she pleaded and begged, but the Swan Knight pretended not to hear
her. He spoke of other things, striving to distract her mind.

But Elsa would not be put off. Her eyes were fixed upon the Knight, and
her face, but lately aglow with wonder and delight, was clouded with
unbelief and suspicion.

The Knight was distressed by this sudden change. He reminded her gently
of the confidence that he had placed in her promise. He warned her
tenderly of the sorrows that would befall if she did not cease her
questioning. He had given up so much honor, yes, and glory besides, to
stay by her side. Would she not trust him utterly?

Scarcely had Elsa heard the words "glory and honor" than a horrible fear
seized her. "He had come by magic," Ortrud had said, "and by magic he
would go." Now she knew how it would befall. Soon he would tire of her
and would return to the honor and glory from which he had come. Stricken
with terror, she fancied that she already heard the Swan coming to carry
him away. It was too much to bear! Cost what it might, she must learn
who he was.

"Where do you come from?" she cried "Who are you?"

"Ah, Elsa!" answered the Knight, sadly, "what have you done?"

But before he could utter another word, Frederick of Telramund burst
into the room with drawn sword in hand.

Elsa saw him first. She forgot her doubt. She forgot her question. She
thought only that the Swan Knight, her lover, was in danger.

"Save yourself!" she shrieked. "Your sword, your sword!" She thrust it
into his hand.

He drew it quickly. There was a short parry, one blow; and base
Frederick lay dead at the Swan Knight's feet.

Then the Swan Knight turned to Elsa. His eyes were tender, but, oh, how
pitying! Their glance pierced Elsa's heart, and filled her with despair
for what she had done. His voice was sad as he bade her clothe herself
in bridal raiment and go before the King. There, on the morrow, he
would make fitting answer and tell her the rank he bore. And so saying,
he walked sorrowfully out of the flower-bedecked room.

The next day dawned bright and clear. As was his wont, King Henry the
Fowler sat beneath the giant oak on the bank of the winding river
Scheldt. By his side stood the nobles from Saxony and Thuringia who had
come to bear him company. And before him were assembled the men of
Brabant, from north and south, from east and west, of the Duchy.

Slowly, with measured strides, four men walked into their midst. They
bore the body of Frederick of Telramund on a bier, which they placed
before the King.

The nobles looked anxiously at one another. What strange happening was
this? For, closely following, tottering feebly, came the Duchess Elsa
and her train of ladies. Solemnly they marched with eyes downcast,
while she, who but lately had been radiant with happiness, was sad and
pale. Her eyes, unseeing, stared in anguish straight ahead!

The King stepped quickly forward. He looked inquiringly into her face as
he led her to a seat beside him. Elsa could not meet his eyes. She
moistened her lips twice, thrice, but no sound came.

Just then a shout arose from the men:

  "Hail, all hail,
  The hero of Brabant!"

they cried.

The Swan Knight entered. His armor glittered in the sunlight. A sword
hung at his side, a horn from his shoulder. How strong he was! How
brave! But how strangely sad was his face. He advanced, helmet in hand,
and stood before the King. Making a low obeisance, he strode toward the
bier of the dead Frederick. He uncovered the body, and then solemnly
asked the King's pardon for having killed this man who had stolen by
stealth upon him.

"Nay, ask not our pardon!" spoke the just King. "We approve your deed!"

And all the men of Brabant nodded in assent.

But that was not all the Swan Knight had to tell. His wife, Elsa of
Brabant, had broken her promise. She had asked his name. And since it
was a law of the Order to which he belonged, he would make public answer
to her question. But then he must depart to the distant land from which
he had come.

Astonishment spread like wildfire among the people. As for Elsa, she sat
like a creature of stone. Only Ortrud, who had crept near to listen,
smiled in ill-concealed triumph.

The Swan Knight's face was suffused with holy light. The eyes of his
soul seemed to be peering far, far away into the distance beyond the
winding river, beyond the gray hills, perhaps to the very gates of
heaven itself.

He told the tale of a marvelous Temple rising from the heights of
Mount Salvat, wherein, upon a mystic shrine, rested the sacred chalice
called the Holy Grail. He told of the few chosen knights who guarded the
wondrous Grail, and who, by its Heaven-given powers, were protected from
baneful harm and endowed with supernatural might. Whenever an innocent
cause needed a champion, whenever a grievous wrong had been done, one of
the knights sallied forth and defended the one who had been falsely
accused. But it was a law that no one might know from whence he came or
by what name he was called. For if once the truth were revealed, his
power was gone; the knight must hasten back to the Temple of the Grail.

The Swan Knight's voice rose higher. Like some rare, sweet strain of
music, it fell upon the air:

  "The Grail obeying, here to you I came;
  My father Parsifal, a crown he weareth,
  His Knight am I and Lohengrin my name!"

The shadow of a great awe crept into the eyes of all who heard. They
stared at Lohengrin in silence.

Only Elsa sank moaning to the ground. Lohengrin caught her in his arms.

"Oh, Elsa, dear one," he cried, "why did you strive to learn my secret?
Now I must leave you forever. Had you but remained faithful to your
promise for one year, even your brother Godfrey would have come back to
you. Here is my sword, my horn, my ring. Should he ever return, give
them to him. The sword will help him in battle, the horn will give him
aid in an hour of need, and the ring will remind him of Lohengrin, who
defended you. Now farewell! The Grail calls me. My swan is here."

While he had been speaking, the snow-white swan, drawing the empty boat,
had glided quietly up the winding river. It stood at the shore. The
people gazed at it mournfully. Even Lohengrin greeted it in sadness.

Suddenly the dark-haired Ortrud, who had been watching, approached the
shore. She leaned over the snow-white swan, and when she saw the golden
circlet about its neck, she laughed fiendishly.

"It is he!" she cried. "It is Godfrey! My magic changed him into a swan,
and a swan he shall remain!" and she grinned exultingly at Elsa.

Lohengrin, about to enter the boat, stopped at the sound of Ortrud's
voice. He listened a moment. Then he fell upon his knees and prayed,
while all the people waited breathlessly.

His prayer was lifted up in silence and borne, who shall say where--to
what High and Holy presence? For as he prayed a white dove descended and
hovered over the boat.

Seeing that his prayer was answered, Lohengrin rose to his feet
enraptured. He took the chain from the neck of the swan. The swan sank
into the water. And where it had been stood Godfrey, the rightful Duke
of Brabant.

Elsa fell into her brother's arms with a glad cry. Then together they
watched Lohengrin enter his boat which, drawn by the dove, glided slowly
down the winding river, and out of mortal sight forevermore.




[Illustration]




THE FLYING DUTCHMAN


I

A storm on the ocean is a fearful thing to see. It roars, it flashes, it
races huge waves mountain-high one after the other, it dashes them
furiously against the sharp rocks, it howls, it blows, and it tosses
great ships about as though they were tiny toys.

Once, long, long ago there was just such a storm as this off the Cape of
Good Hope, that most southern point of Africa. For the Evil Spirit who
ruled the seas in those days, and who had many servants to do his
bidding, had ordered one of them, the Wind Storm, to sweep over the
waters far and wide. Perhaps the Evil Spirit wanted to add to the
treasures that he had gathered from all the ships he had
wrecked--treasures that he kept far beneath the water.

At any rate, the Wind Storm did as he was told. He lashed the mighty
waves into anger so that they crashed against the jagged rocks of the
Cape, and all the ships that were abroad scudded swiftly along before
him in fear.

"Go home," whistled the Wind Storm through the sails. "Go back to your
safe harbors. There is no room for you on this sea. I need it
all--all--all."

And the ships scurried into their harbors--all but one. The captain of
that ship was not afraid of the Wind Storm nor of the Evil Spirit,
either, for that matter. His ship was strong, and so was his will. He
was determined to go around the Cape. He stood at the prow while the
ship rocked violently to and fro. The salt spray dashed over him, but
still he defied the Wind Storm.

"I will not go back," he cried, and he swore a mighty oath. "I'll sail
on and round that Cape if I sail forever."

Now the Evil Spirit happened to be lurking beneath the angry waters,
and he heard the oath.

"Very well," cried he. "Sail on forever and ever, then! Sail on until
you find a maiden fair who will be willing to die for love of you!"

And so it came to pass. Through all the long years that followed, the
ship sailed on and on. In fair or foul weather, over smooth or stormy
seas, under blue or gray skies, the strange voyage continued year after
year.

Sometimes the captain in his despair would steer straight for the craggy
rocks, hoping to be dashed to pieces, but the rocks would not harm his
ship. He steered in the path of terrible pirates, but when the pirates
saw the ship, they crossed themselves and hurried away. The blustering
tempest would not harm it, nor the eddying whirlpool. It just sailed on
and on.

The sailors, who had been young and lively, grew old and silent. Their
hearts were as gray as their heads, for though the days grew into
weeks, the weeks into years, the years into centuries, still there was
no rest for them. Their faces became as white as ghosts, and some say
that the blood left their bodies and crept into the sails. At any rate,
the strong, white ship turned black and weather-beaten, and the strong,
white sails, red, red as blood.

Only the captain remained forever young and handsome, and each seven
years as the ship sailed into some harbor, he was allowed to go on shore
to seek the maiden fair who would deliver him and his crew from their
fate and set them at rest. But alas! no such maiden had he ever found.
Many maidens had he met and loved, and many had loved him, too, but to
be true to him forever and to die for him,--that was quite another
matter.

And so each time "The Flying Dutchman" had gone on again, until once at
the end of a seven years' period he came to the coast of Norway.


II

Heigho, heigho! sang the sailors of a gay Norwegian bark as they cast
anchor in a sheltered bay on the coast of Norway to escape the tempest,
which had been tossing them about on the open sea. What though the south
wind had driven them a few miles out of their course? The sunrise of
another day would find them safe at home after their long voyage. In
fancy, they could already see the dear ones on the shore, waving,
smiling, welcoming! So "heigho, heigho for to-morrow!" sang they.

Only Daland, the captain, was full of gloom. Impatient was he, also, for
had he not expected to spend that very night by his own fireside with
his daughter Senta? And now to wait here, so near and yet so far, with a
raging sea between him and his peaceful home, was an ordeal, indeed. To
battle with those angry waves had been no easy task, either. A little
sleep would not harm him, thought he.

Now you must know that in those days the seas were full of dread pirates
and bold robbers who prowled about seeking plunder, and so, before
Daland lay down to sleep, he called his steersman and bade him keep
sharp watch. The steersman did--for a little while. But he, too, was
tired. First he sang right lustily a merry song about the distant climes
where he had traveled, and of the kind winds that would send him back to
his sweetheart. Soon, however, his voice faltered; it grew fainter and
fainter. His head nodded once, twice. He, too, was asleep.

Then, while no one watched, slowly, quietly, out of the west, came an
old weather-beaten vessel with red, red sails, straight into that very
bay. Only you and I know whence it came, and how endless had been its
wanderings. So silently did it sail, so ghostly were its movements, that
no one on all Daland's boat heard a single sound. No one heard the
noiseless dropping of the anchor, the lowering of those red, red sails.
Nor did any one hear the sigh of relief with which the worn sailors
crept away to their berths, nor see the hope and longing that lit their
pale faces as they saw their captain spring eagerly to the shore.

Perhaps the captain stamped too heavily up and down on the wet sand,
glad to feel the solid earth under his feet once more. Perhaps he raised
his arms to heaven and cried aloud to God to help him now find the
maiden fair who would love him truly forever. Why, I do not know, but
just then Daland awoke with a start.

A strange vessel alongside! How he chided the drowsy steersman! A
strange captain on the shore! Quickly he leaped to the sand to greet
him!

"Whence come you?" asked Daland, "and whither are you going?"

The Dutchman replied but little. "Holland," he said, "and a wanderer
seeking shelter for his vessel from the storm." Home he had none, nor
wife, nor child, and gladly would he pay of his treasures for one night
at somebody's hospitable hearth.

And while Daland was marveling at this strange tale, and had begun to
tell of his own home so near and yet so far away, the stranger, at a
sign, had received a huge chest from his ship and was opening it before
Daland's eyes.

If "all the wild flowers of the forest, all the lilies of the prairie,"
all the glorious colors of sunrise and sunset, if the rainbow itself,
had been packed away in a chest to be suddenly opened before you,
perhaps you would have been surprised, too. Gold was there, and silver
was there, and the white sheen of pearls, and the bright sparkle of
diamonds, and the deep glow of rubies, all there dancing, glittering, in
Daland's astonished eyes. Was this some marvelous dream? When he found
that the treasure was real, he remembered Senta, and offered the
Dutchman his home for the night, telling him that his daughter ...

The Dutchman caught the word "daughter." Had Daland a daughter? Would he
give her to him for a wife? And Daland, who had been thinking what a
fine husband such a man, with a ship full of treasures, would be for his
daughter, lost no time, and said yes.

Then hope came again to the heart of the Dutchman. He was impatient to
see this maiden who, he silently prayed, might be the one to deliver him
from his fate. And while he prayed, the wind changed, the clouds broke,
a ray of sunshine peeped through, the sea became smooth as glass.

"You'll see her this day," said Daland.

And so, bidding the sailors raise anchor, Daland went aboard his boat,
the Dutchman aboard his, and with a heigho, heigho, they sailed out of
the bay.


III

Daland's home stood, as a sailor's home should, near the sea. Through
its white-curtained windows one could see far out over the blue water,
to the broad horizon, where ships hovered like white birds against the
sky.

Inside the house all was as sweet and clean as the willing hands of old
Marie, the house-keeper, could make it. The walls, rough and unpainted,
were almost covered with flat blue maps and sailor's charts, save where,
over the wide doorway, a single picture hung.

It was the picture of a man; a man with a pale face, a long, black
beard, and strange, foreign-looking clothes. But I do not need to tell
you who he was. You know the story behind those melancholy eyes that
looked out so sadly from the picture. You have heard it this very day.

Had you entered that sunny room on a certain afternoon long, long ago,
you would have seen a group of happy girls, under the direction of
Marie, all diligently spinning. And, had you stopped to listen, you
would have heard merry chatter and light-hearted snatches of song
mingled with the whir-r, whir-r, whir-r-r of those quick-turning wheels.
How they joked, and laughed, and sang, those girls of long ago!

Did I say all? No, not all. For there was one who sat quite apart, her
idle hands in her lap, her young face uplifted, and her dreaming eyes
fixed on the portrait over the door. She was Senta, the daughter of
Daland.

Once, when Senta was very young, old Marie had told her the history of
that pale man in the picture, and the sadness of his fate, and that of
his unhappy crew, had touched her tender heart. And, because she was an
imaginative girl, who fancied strange things, the picture of the Flying
Dutchman, wandering over unknown seas, came back to her mind again and
again. She thought of him by day; she dreamed of him by night. She even
began to imagine that God had destined her to be that maiden fair whose
love would deliver him from his mournful roaming. But certainly she
never breathed such a strange thought to a single soul.

Until that day! Then, as all the busy girls laughingly teased her for
her idleness, and twitted her for being in love with a mere shadow
instead of with the real, strong, young hunter Eric, who wanted to marry
her, she grew impatient. To still their chatter, she cried out
fretfully:

"Oh, girls, cease your foolish songs and your spinning! I am tired of
all the humming and buzzing. Do you want me to join you? Listen, and
I'll sing the ballad of the Flying Dutchman. Then you'll know why his
sad fate touches my heart."

Senta began her singing. The girls stopped their wheels to listen, and
as they listened, their eyes grew round with wonder. They, too, pitied
the poor captain and his unhappy crew. But when Senta described these
aimless wanderings that nothing could change except that maiden fair who
would be willing to die for love, the girls interrupted her.

"Oh!" cried they. "Where in all the world is there such a maiden?"

"Here!" answered Senta, and she sang:

  "Angel above, oh! bring to me
  The pale man sailing o'er the sea!"

Do you wonder that all the girls, even Marie, started up in alarm when
they heard that strange prayer? No doubt they thought Senta had gone out
of her mind. Loudly they called, until Eric the hunter came running into
the room. He reasoned, he pleaded with Senta, but all in vain. She could
think of nothing but the story of the man whose picture hung on the
wall.

Just when the excitement was greatest, a cry from without told of the
approach of Daland's boat. There was no time for foolish thoughts, then.
A meal must be prepared, the table set, the glasses filled! Away hurried
the girls and old Marie.

In a moment Daland was at the door. Who was that pale visitor, so
strangely like the picture above his head, entering behind him? Senta
stared from one to the other. She could scarcely greet her father. She
knew at once who this stranger was, just as you know and as I know. But
Daland knew not.

He, proud and happy, thinking of that ship full of treasures, lost no
time in telling Senta that this was the man he had chosen to be her
husband on the morrow, if she were willing.

Senta was quite willing, for had she not loved this stranger for a long,
long time? As for the Flying Dutchman, he gazed into those trusting
eyes, and was filled with a great joy and a greater hope. Often when
tossed about on the cruel waves had he dreamed of a maiden just as
fair, just as pure as this one who now stood before him. If she would
but be constant, all would be well, thought he. And, as he gazed, he
heard her sweet voice saying,

  "Whoever thou art, whatever thy fate,
  I will be thy love, I will be thy mate."


IV

The marriage feast was quickly prepared. The jolly sailor boys, the
pretty peasant girls, all lent helping hands, and soon the merrymaking
on board the gayly lighted ship began. Only on the black ship with the
red sails was there darkness and silence.

Suddenly a young girl walked hastily down to the shore. It was Senta,
the daughter of Daland, and closely following her, came Eric the hunter.
He begged her to hearken to his wooing once more. He pleaded with her to
give up that mysterious stranger who had come between them. Had she
forgotten all her promises? Must her father's rash command be obeyed?

Because Eric was an old friend, and because Senta was a kind-hearted
girl, she listened patiently to all that he had to say. Not that a
single word could have altered her determination to live and to die, if
need be, for the Flying Dutchman. She loved him too well for that.

Even while she listened to Eric, she thought tenderly of her new lover
and of how good God had been to allow her to be the maiden fair who
would relieve his endless suffering.

Perhaps it was just that tender thought showing in her face that the
Dutchman mistook for regret. For, at that very moment, when Eric was
pleading so earnestly, and Senta was listening so patiently, the
Dutchman came down to the shore.

He looked first at Eric, then at Senta, and like a flash came the
thought that here was another girl who would not keep her promise.
There had been so many like that. He did not stop to ask or to reason.
Frantic with disappointment and despair, he rushed blindly over the
rocks toward his ship.

"To sea! To sea forevermore!" cried he.

Now, you know Senta had not ceased loving him at all. So, although Eric
tried to detain her, she ran swiftly after the Dutchman. She clung to
him, crying out her love, and vowing eternal faithfulness again and
again. So loudly did she cry, that Daland and Marie came hurrying, too.

The Dutchman managed to loosen her arms, to free himself. He waved her
back, and a great change came over his face. Gone were all thoughts of
himself and of his sad fate. He thought only of this pure maiden who was
willing to die for his sake. He knew now that he loved her too well to
let her pay such an awful price. Rather would he sail on and on
forever.

Warning her not to come nearer, he leaped into his boat. Then, as the
gray sailors unfurled the red, red sails and the black ship plunged
forward, he stretched out his arms and told who he was. "The Flying
Dutchman am I, the Scourge of the Sea," he shouted.

Daland, Marie, Eric, crossed themselves and looked after him in horror.
Not so, Senta. She had always known who he was. She would save him. She
would be faithful until death. With a glad cry, she leaped forward and
cast herself into the seething sea.

The waves closed over her. And as they closed a strange thing happened.
At the very same moment, the black ship, the red sails, the sailors, all
disappeared. Only a rosy light lay over the water where they had been.
And in that rosy light, which ascended from the blue water to the blue
sky, were seen, in close embrace, the angel forms of the Flying Dutchman
and his maiden fair, floating onward and upward, toward their eternal
rest.




[Illustration: THE WARTBURG]




TANNHÄUSER, THE MINSTREL KNIGHT


I

This is a tale of long ago. It is a tale of the days of knighthood and
minstrelsy; of the days when field and forest rang with the clash of
arms, and baronial halls echoed with the sound of harp and voice; when
brave knights vied with one another not only in jousts and tourneys at
arms, but in tournaments of song as well.

In those strange days a majestic castle, called the Wartburg, stood on a
lofty peak overlooking the green and peaceful valleys of Thuringia. The
Landgrave Herman and his niece, the beautiful Princess Elizabeth, lived
there, and they were attended by a splendid court of nobles, knights,
and fair ladies.

The Wartburg was the scene of many gay festivals. Time and again the
good people of Thuringia would gather from near and far to watch
gallant, armor-clad knights ride out with lance and spear to mimic
warfare. But more often they would gather within the great castle hall
to listen to the melodies of well-tuned harps and sweet-voiced singers
in tournaments of song.

The white hand of the beautiful Princess placed the laurel wreath of
victory most often upon the brow of one bold young Minstrel Knight,
Tannhäuser by name. His was the rarest gift of poetry, his the sweetest
voice. Nor was any one more beloved than he. His prowess in battle, his
skill with lance and spear, his fearless eye, had made him a favorite of
the Landgrave; while his noble bearing, the light touch of his fingers
upon the harp strings, and his clear young voice had won the heart of
the proud Princess.

But Tannhäuser, unmindful of these great gifts of fortune, had, in a
rash moment, quarreled with his companions. Angry beyond reason,
forgetful of both friendship and love, he had cast himself away from the
Wartburg, and had sought the solace of solitude.

Opposite the Wartburg, black and foreboding against the blue of the sky,
like a giant of old, towered a mountain, the Horselburg. And thither,
sad to relate, the footsteps of the errant Minstrel Knight led the way.

Now, it seems that when Venus, the Goddess of Love, was banished from
the earth, she hid herself away from the eyes of all righteous men, deep
within the heart of that very mountain, the Horselburg. Brooding over
her fancied wrongs, she lived there and plotted evil against mankind.
Her domain was a wonderful cave, all shadows and mystery; and her
subjects were strange creatures of the underworld. And, the story went,
from a couch of gold where she sat arrayed in richest garments, she
lured guileless wanderers through an unseen portal in the mountain
side, straight into her kingdom. And while her siren voice cast its
spell, while her fatal beauty wove its charm, the poor wanderer was
powerless. He followed, and followed, forever and a day, and knew not
where. But the face of the earth saw him no more.

Do you wonder, with such a story abroad, that the Horselburg was shunned
by old and young? But what cared the bold Minstrel Knight for strange
goddesses or their powers? Tannhäuser was clad in all the trappings of
knighthood; he had his armor, his lance; the harp of his minstrelsy hung
by his side. So he came to the foot of the Horselburg, dreamily,
heedlessly, but unafraid.

Still, as he paused to rest beneath an over-hanging rock at the mouth of
a cave, he fancied that he heard the sound of rushing water. He started,
looking both to the right and to the left. There was no water to be
seen. A moment later the faint tinkle of bells fell upon his ear; then
the echo of a distant melody followed. He arose and peered into the
cave. His venturesome spirit prompted him to take one step
forward,--then another. Through the shadows he detected the glimmer of
many lights, now red, now violet, now blue. What was the rosy haze that
enveloped him? And the faint music that drew him on and on? A delicate
odor assailed his nostrils. A delicious languor overcame him. "Where am
I?" he called. But the only answer was the clang as of a closing door,
and the sound of a rippling laugh. A moment later, led by unseen magic,
blinded by light and overpowered by sound, he stumbled into a region of
enchantment, into the presence of Venus herself.

A fascinating, bewitching goddess was Venus, and Tannhäuser lingered at
her feet for a long time. Her magic drew a veil before his eyes, which
blinded and enthralled him. And he mistook the mocking cruelty of her
face for beauty and the lure of her glance for kindness and love. So he
played upon his harp and sang marvelous new songs to her and knelt
before her to pay her homage. He forgot all about the past, his
knighthood, his minstrelsy, his home, his friends. He even forgot his
God.

Nymphs danced before him, elfin creatures made music for him, strange
flowers delighted his eyes, and all was an unceasing round of pleasure
day after day. There was no sun to shine, no moon, no stars. Spring
never came, nor winter. It was all as though the world had never been.

Still there came a day at last when Tannhäuser awoke. He awoke as if
from a dream. For a sound had pierced the very rocks and reached his
ears. It was the chime of distant church bells.

Tannhäuser ran his hand across his forehead and staggered to his feet.
He remembered.

With the remembrance came a loathing and a longing that were pain. He
hated the perfume-laden mists about him, the strange flowers, and the
nymphs with their songs and endless whirling dances. He longed for a
breath of pure woodland air, for the sight of rain-freshened grass, for
the sound of the lark's song at dawn.

So he seized his harp and sang to Venus and begged her to let him go
back to earth.

"Oh, goddess," he implored, "let me go."

But Venus only smiled a dreamy smile and spoke in soft whispers of the
charm of her domain. And the dancers circled about in a maddening whirl,
ever faster and faster. The odor of the strange flowers became still
heavier. Sparkling points of light gleamed among the shadows. A
mysterious blue lake appeared in the hazy distance, and misty clouds of
rose and gold floated in the air.

But Tannhäuser still remembered. He loathed the never-ending delights;
the ceaseless ease and rest; the songs, the odors, the mist. Ah! for
but a sight of Heaven's clear blue, its clouds and sun of noonday, its
moon and stars of night; the changing round of seasons, seed time and
harvest; the mingled joys and pains; and work, thrice-blessed work!

Tannhäuser took up his harp and sang to Venus once more. The strings
rang with the vigor of his touch; his voice soared high in
heart-stirring refrain. He promised that as long as he had life he would
sing the praises of Venus. Wherever he might roam, her name--and hers
alone--would bring a song to his lips. As her champion would he fare
forth upon the earth again. All this he promised, if she would only set
him free.

Anger overwhelmed the goddess--but she hesitated no longer. Let him
spread her fame and name through the upper world that had banished her!
With one sweep of her arms she broke the chains of enchantment that
bound Tannhäuser fast. Crying,--

"If all hope is lost, return to me!" she bade him depart.

At that moment a terrific crash rent the air. It seemed as though the
earth had been burst asunder. The mists, the gleaming figures, the cave,
disappeared; and--

Tannhäuser found himself lying on a grassy knoll in a sunlit valley. On
one side was the black and gloomy Horselburg; on the other a lofty peak
crowned by the Wartburg, stately, grand, majestic, as of yore.

Flowers bloomed all about; the sky was serene and beautiful; birds sang;
a gentle breeze swayed the trees.

From the cliff above came the sound of a pipe. A young shepherd was
watching his flock there, and he sang a tender little song, all
sweetness and melody. The simple beauty of it, the purity, touched
Tannhäuser's heart, and as he listened his eyes filled with tears.

Suddenly the sonorous tones of men's voices filled the air. Then down
the winding pathway and through the valley came the tramp, tramp,
tramp, of many feet. And to the solemn strains of a song of prayer a
band of pilgrims passed slowly by on the way to Rome to seek pardon for
their sins. The little shepherd bared his head until the last pilgrim
had passed him by. Then, waving his cap, he shouted:

"God speed, God speed! Say one prayer for me!"

But Tannhäuser sat as one spellbound, until all at once, deeply
overcome, he fell upon his knees. Ah, where could _he_ look for pardon
for _his_ sins? The memory of all that ill-spent time in the Venusburg
rushed upon him. Could he pray to the God whom he had forgotten? Tears
choked his voice, and although a prayer arose from his heart it found no
utterance. He lay prone upon the ground, weeping bitterly.

The song of the pilgrims, the measured tread of their feet, grew faint
and still fainter. It died away in the distance. Quiet ruled the
peaceful valley again, for even the shepherd boy had gathered his flock
and gone silently away.

Soon, however, the cheery sound of hunters' horns and the answering bay
of dogs broke the silence. A moment later, a pack of dogs ran down the
forest path from the Wartburg, followed by the Landgrave Herman and his
Knights, all clad in hunting dress.

Seeing the figure of a knight lying upon the ground, their curiosity was
at once aroused. One of the party, Sir Wolfram, ran hastily forward. A
single glance was enough.

"Tannhäuser!" he cried. "Is it you?"

Tannhäuser arose hastily, striving to control his emotion and bowed
mutely to the Landgrave.

At first the Knights were uncertain whether he had come back as friend
or foe. But his humble, downcast looks soon spoke for him. So they
welcomed him gladly into their midst.

But Tannhäuser was loath to stay. He knew that if once the Knights
learned where he had been, they would shrink from him in horror. Looking
into their friendly faces, he was overwhelmed with disgust for all that
wicked time in the Venusburg. He longed to fly from their sight.

Since he would not listen to the entreaties of the Landgrave and his
Knights, Sir Wolfram, Tannhäuser's old friend, added his plea:

"Have you forgotten Elizabeth?" he asked.

"Elizabeth!" Tannhäuser exclaimed in a tone of awe,--Elizabeth, the
beautiful Princess, whose name he had forgotten--what of her?

Then Wolfram, speaking softly,--for he loved the beautiful princess
also,--told Tannhäuser all. He told of that rare prize--the Princess's
love--which had remained constant during Tannhäuser's long absence. Many
Knights had striven to win her, but she had remained true to the one who
had gone away. While Tannhäuser had strayed in distant lands, she had
stayed in her bower saddened and alone, never gracing the tournaments
with her presence, never coming forth to witness joust or tourney. Would
he forsake a love like that?

Deeply touched, Tannhäuser listened until the end. Then the light of a
great joy and a great hope illumined his face. If Elizabeth, the proud
Princess, had not forgotten him, perhaps he might still continue as a
Minstrel Knight in the Wartburg.

"Lead me to her," he cried,--"to her."

So the Landgrave sounded his horn, and to the lively baying of the dogs
and the joyous song of the Knights the whole party proceeded to the
Wartburg.


II

When the news of Tannhäuser's return spread through the Wartburg, there
was great rejoicing. Smiles of gladness appeared on every face. Tall
knights held out hands of welcome; small pages hastened to do him honor.
Him whom they should have loathed, they greeted as a comrade, hailed as
a hero. For they knew not where he had been.

And the joy of the Princess Elizabeth surpassed that of all the rest.
Misery vanished from her face. Delight took its place. All her years of
sadness were forgotten, and as she entered the Hall of the Minstrels, a
song of joy sprang unbidden from her lips. Had not the knight to whom
she had given her heart returned from his wanderings in foreign lands?
And would he not take his place among the minstrels as of old in a
Tournament of Song on that very day? His melodious harp and his rich
voice would ring out once again, and hers would be the hand to crown him
with the wreath of victory.

The Princess smiled happily as she walked through the great hall and
joined her uncle, the Landgrave, upon the throne. The Landgrave watched
her approach, and his face beamed with pride. Was there ever a more
beautiful Princess? Her lovely face was aglow. Her eyes shone with a
luster as deep as that of the jewels about her neck. Her skin was fairer
than the lilies that she held in her hand. From the shining tresses of
her hair where a little golden crown sent out glittering sparks of light
to the last heavy fold of silvery satin that trailed behind her, she was
a creature to be honored, to be reverenced, to be loved.

"How glad I am to have you at my side once more!" whispered the
Landgrave as they made ready to receive the nobles and fair ladies who
had been bidden to the contest. For already the measured tread of many
feet was heard in the distance.

Presently through the pillared doorway, to the sound of martial music
and the fluttering of flags, the guests entered the hall, and in stately
procession approached the throne. Then, after a bow from the Landgrave
and a word of greeting from the Princess, the pages led each to a place
in the huge semicircle of seats that half filled the hall.

When all had arrived, the Landgrave arose, and, turning first to his
guests and then to the Minstrels who were seated on low benches facing
them all, made his address of greeting. He told of the many song
festivals that had been held within the ancient hall, and how
each had added to the fair fame of the nation. Many deeds, many
emotions, had been celebrated in song, said he, but the sweetest of
all--Love--remained--and would be the theme of that day's contest.

The minstrel who could sing most worthily about love would receive
love's prize as a reward--the hand of Elizabeth, the Princess.

"Up then, arouse ye! sing, O gallant minstrels! attune your harps to
love! Great is the prize."

A great shout of approval marked the end of the Landgrave's speech.

"Hail, all hail, Lord of Thuringia!" cried hundreds of voices.

When all was still, two little pages carried a golden cup containing the
names of the singers to the Princess. She drew one folded paper and
handed it to the pages. They read the name and then advanced to the
middle of the hall. In high, clear voices they called out,--

"Sir Wolfram von Eschenbach, begin!"

There was a short pause while Sir Wolfram rose to his feet. Tannhäuser
sat, as if in a dream, leaning upon his harp. His eyes strayed through
the open doorway far across the peaceful valley to the dark and gloomy
mountain beyond. And though an inner voice whispered: "Turn away your
eyes, Sir Knight! 'Tis the abode of evil to which your thoughts are
wandering. Have a care, or magic power will rule you again!" he heeded
it not.

But the eyes of Wolfram sought the pure face of the Princess on the
throne. His hands evoked a tender, rippling strain from the harp--and he
began to sing.

He sang a quiet song of unselfish love, pure love, which doubts not and
trusts ever; which gives more than it seeks.

He sang of a love, half sacrifice, wholly devotion--which asks nothing,
wants nothing, but gives, always gives. His song fell like a gentle
prayer upon the ears of his listeners.

"Bravo!" they cried, when he had finished. "You have done well, Sir
Wolfram. Bravo!"

And they clapped their hands and nodded in approval, whispering and
smiling at one another. All but Tannhäuser. His face had changed. It had
become angry, impatient, defiant. This gentle strain that spoke of
endless devotion and sacrifice; was that love? No, no. He arose
abruptly. He seemed to be looking beyond the familiar hall and the
well-known faces, to some unseen vision of delight. An uncanny smile
played about his lips. He touched the harp strings, and they jangled
with strange harmonies. The people were startled, alarmed. They half
rose from their seats. Was it madness that inspired the knight? Ah! if
they but knew.

Tannhäuser, heeding naught, lifted his voice and sang. And while he
sang, the spell of enchantment enmeshed him again. Rose-colored mists
swam before his eyes and blinded him. He heard the far-off strains of
music, he saw the dancing figures, and a siren voice urged him on. He
thought of endless pleasure, ceaseless delight. Again he forgot work,
thrice-blessed work. He forgot the ancient hall; he forgot the pure
presence of Elizabeth; he forgot his God. He sang a wicked song, an evil
song, a song of sinful pleasure, a song of Venus. He had vowed that he
would sing her praises forevermore. Now he would keep his word. His
voice soared high in a wild hymn of praise.

"Would you know love?" he cried, flinging aside his harp and stretching
out his arms:

"Fly to Venus. She can teach you!"

His words struck the people like a thunder-bolt and left them stunned,
horrified. Suddenly, like a wave of anger, arose the tumult of cries.

"Listen! Hear him! Oh! Most horrible! He has been in the Venusburg."

The ladies hurried in consternation and affright from the hall. Only
Elizabeth stood, pale and trembling, leaning against the throne. All her
delight was turned to misery once more.

The Landgrave, the minstrels, the nobles, gathered together and gazed
with horror upon Tannhäuser, who, oblivious of all save the evil vision,
gazed enraptured, straight ahead.

The horror of the men soon gave way to indignation, the indignation in
turn to fury and hatred. As from one throat, a mighty shout went up,--

"Kill him!"

And with one accord they drew their swords and pressed upon Tannhäuser
to slay him. But at that instant a white figure with trailing draperies
rushed toward them. She threw herself before Tannhäuser, shielding him
with her body. It was Elizabeth, the Princess.

"Stop," she cried. "Stay your hands!"

The men fell back in amazement as she fell upon her knees before them.
She, the proud Princess, most cruelly wronged, would she shield one who
had fallen so low?

Yes, she would shield him, even with her life. He had sinned. Ah, how he
had sinned! But he had sinned against God, and God must be his judge.
Who were they to judge him and deny him the opportunity to repent? Would
they rob his soul of its eternal peace? Thus she pleaded and begged for
Tannhäuser's life, while tears rained down her white cheeks.

The men were touched. Anger slowly gave way to calm. One by one they
sheathed their swords and turned toward the Landgrave.

Meanwhile Tannhäuser, at the sound of Elizabeth's pleading voice, turned
his head. As though just awakened from an evil dream, he stared at her
kneeling figure, the drawn swords, the horror-stricken faces. Suddenly
he remembered all that he had said, all that he had done. The enormity
of his sin rushed upon him. He realized how he had outraged friendship,
love, religion, all that was holy, pure, and good. In fearful contrition
he fell upon the floor, sobbing and crying out in his misery and
distress. Where could he look for pardon now?

Suddenly, through the open doorway, there came the sound of the song of
the pilgrim band on its way to Rome. It was a song of prayer and praise,
a song of repentance and confession, a song of peace with God. It
brought hope and a promise of comfort.

Silence filled the great hall as the notes died away in the distance.
Only Elizabeth's face, white and pleading, was lifted toward the
Landgrave's in silent prayer.

The Landgrave gazed at Tannhäuser's bent figure, and feelings of pity
mingled with the loathing he felt. Advancing solemnly toward Tannhäuser,
he bade him arise and join the band of pilgrims now on its way to Rome.
No other way was open to one who had sinned as he had sinned. And, if
after confession, he was pardoned for his grievous wrong, he might
return to the Wartburg. Otherwise they never wished to see him again.

At these words Tannhäuser sprang to his feet. The echo of the pilgrim's
voice still lingered in the air. He listened a moment while a ray of
hope illumined his anguish-stricken face. Then with a cry "To Rome! To
Rome!" he hastened from the room.

[Illustration: TANNHÄUSER AT THE BIER OF ELIZABETH
(After a painting by Von Kaulbach)]


III

The road to Rome was rough and thorny, beset with hardship, fraught with
suffering. But Tannhäuser, full of new-found hope, wholly repentant,
longing for pardon, pushed eagerly onward. No pilgrim was of humbler
mien, nor was any of more contrite spirit. The thought of Elizabeth's
devotion and her prayers dispelled all his former pride of sin, and made
the hardships of the journey seem all too light for his remorseful soul.
When other pilgrims sought smooth pathways through meadow and valley, he
trod unshod amid rocks and thorns. When they refreshed their lips at
cool mountain springs, he continued hungry and thirsty on his way. Snow
and ice did not daunt him, nor the scorching rays of the sun, nor the
tempest's roar. He gave of his life blood freely and faltered not. The
other pilgrims found shelter and rest in hospices high up among the
mountains. He made his bed in the drifting snow, the ice, the cold. Lest
the beauty of Italy delight his eyes, he went blindfolded over its
vine-clad hills, through its blooming meadows. For his heart burned with
penitence, and his soul ached for pardon.

Thus the weeks lengthened into months, and a long year went by. At last
the chime of bells was heard in the distance; the white towers of Rome
were outlined against the blue Italian sky.

Weary and footsore, the pilgrims crept one by one to the holy shrine,
and, one by one, each was told that his sins would be forgiven and was
bidden to go rejoicing on his way and sin no more.

Finally Tannhäuser's time came. With a cry of relief he prostrated
himself before the throne and confessed his awful sin, his wasted years,
his deep repentance. He had dwelt in an unholy place, he had been the
slave of sinful pleasure, he had blasphemed his God,--but awakening had
come at last. Was there pardon for such as he?

The first solemn words of answer with their accents of horror brought
Tannhäuser to his feet in terror. As in a dream he listened. No. There
could be no pardon for such a sin. He was pronounced accursed
forevermore.

The judgment continued:

    "As this barren staff I hold
  Ne'er will put forth a flower or a leaf
    Thus shalt thou never more behold
  Salvation or thy sins relief."

Tannhäuser heard no more. Hopeless and despairing, he staggered wildly
from the room and away into the darkness. What mattered it which way he
wandered--now, since he was an outcast and accursed forever? Ah, to find
a path that would lead to forgetfulness!

The pilgrims had already gone on their way homeward to Thuringia. From
out of the distance, their joyous song of praise fell upon the air.
Tannhäuser took up his staff and followed in their wake, hopeless and
alone.

Meanwhile throughout the long year the Princess Elizabeth had waited and
prayed day after day. And Sir Wolfram, watching her devotion from afar,
had grieved to see her body become weak with pain, and her face white
and drawn with sorrow and suffering.

At last there came a day when, kneeling at her shrine on the forest
path, the sound of the pilgrims' return broke in upon her prayers.

"They have come back!" she whispered as she rose to her feet.

The song, the steady tramp of feet, grew louder and louder. On and on
came the pilgrims. And, singing of God's goodness and His divine grace,
they passed Elizabeth and Wolfram, one by one. But he for whom she had
prayed was not among them. He had not returned. He had not been
forgiven. Her prayers had been in vain. All her strength was gone. With
a last look at the valley lying peaceful, in the glow of early eventide,
and with a farewell glance at Sir Wolfram, she passed wearily upward
toward the castle.

Night fell. The sky grew dark with clouds save where, over the Wartburg,
a single star hung. Suddenly, through the gloom, a dejected and footsore
wanderer made his way. It was Tannhäuser.

As his eyes fell upon the familiar scene, and upon Sir Wolfram, in
knightly array, all his misery rushed upon him anew. Oh, if he could but
find the path that led to forgetfulness, the path of pleasure, the path
to Venus! In the days of his care-free youth, it had been but a step,
but now, laden with sin, weighted with the knowledge of evil, bowed with
repentance and suffering, his feet would not lead him there. With a loud
cry he stretched forth his arms and called,--

"Venus, goddess, do you hear my call?"

Suddenly the roseate light, the same alluring sounds of music, the same
sweet odors, enthralled him again. Venus, reclining upon her couch,
appeared amid the rosy clouds.

"Take me!" cried Tannhäuser, rushing forward to throw himself beside
her.

At that moment, the slow and solemn chant of a funeral dirge sounded
from afar. Tannhäuser started. His arms fell by his side. He turned his
head. Down the path from the Wartburg, the Knights were bearing a bier.
Lighted torches were at the head, the foot. A bell was tolling. Voices
were singing in praise of Elizabeth, the beautiful Princess, who had
gone to join the angel band, the fairest angel of all the host.

"Ah! Elizabeth!" exclaimed Tannhäuser. With a despairing cry, he
staggered toward the bier. Ah, yes, it was she, she who had prayed for
him, she who had loved him more than he knew. Better death beside her
than life in sin! Bending over Elizabeth's body, he sank slowly to the
ground, and God took him home.

For it is said that not long afterward the barren staff of the head of
the church blossomed and put forth leaves of green. And thus the Lord in
His mercy forgave Tannhäuser, the sinner, and entered him into the
Kingdom of Heaven.


Printed in the United States of America.




      *      *      *      *      *      *




Transcriber's note:

  In the Table of Contents, Page 155 has been changed to the correct
    page, 156.

  Inconsistencies in spelling and hyphenation have been retained from
    the original.