The Project Gutenberg eBook of Historic Court Memoirs of France: An Index This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Historic Court Memoirs of France: An Index Author: Various Editor: David Widger Release date: June 25, 2009 [eBook #29250] Language: English Credits: Produced by David Widger *** START OF THE PROJECT GUTENBERG EBOOK HISTORIC COURT MEMOIRS OF FRANCE: AN INDEX *** Produced by David Widger THE COMPLETE PROJECT GUTENBERG HISTORIC COURT MEMOIRS OF FRANCE AN INDEX Various Authors Edited by David Widger Project Gutenberg Editions BOOKS ## MEMOIRS OF MARGUERITE DE VALOIS QUEEN OF NAVARRE ## MEMOIRS OF JEAN FRANCOIS PAUL de GONDI, CARDINAL DE RETZ ## MEMOIRS OF MADAME LA MARQUISE DE MONTESPAN ## MEMOIRS OF THE COURT OF LOUIS XIV.AND OF THE REGENCY, By the Duchess D'Orleans ## MEMOIRS OF LOUIS XIV AND HIS COURT AND OF THE REGENCY, By the Duke of Saint-Simon ## MEMOIRS OF LOUIS XV. AND XVI., By Madame du Hausett, Princess Lamballe, and an Unknown English Girl ## MEMOIRS OF THE COURT OF MARIE ANTOINETTE, QUEEN OF FRANCE, By Madam Camapn ## MEMOIRS COURT OF ST. CLOUD, By Lewis Goldsmith ## MEMOIRS OF COUNT GRAMMONT, By Anthony Hamilton CHAPTERS and ILLUSTRATIONS MEMOIRS OF MARGUERITE DE VALOIS QUEEN OF NAVARRE LIST OF ILLUSTRATIONS Marguerite de Valois--Etching by Mercier Bussi d' Amboise--Painting in the Versailles Gallery Duc de Guise--Painting in the Versailles Gallery Catherine de' Medici--Original Etching by Mercier Henri VI. and La Fosseuse--Painting by A. P. E. Morton A Scene at Henri's Court--Original Photogravure LETTERS LETTER I. Introduction.--Anecdotes of Marguerite's Infancy.--Endeavours Used to Convert Her to the New Religion.--She Is Confirmed in Catholicism.--The Court on a Progress.--A Grand Festivity Suddenly Interrupted.--The Confusion in Consequence. LETTER II. Message from the Duc d'Anjou, Afterwards Henri III., to King Charles His Brother and the Queen-mother.--Her Fondness for Her Children.--Their Interview.--Anjou's Eloquent Harangue.--The Queen-mother's Character. Discourse of the Duc d'Anjou with Marguerite.--She Discovers Her Own Importance.--Engages to Serve Her Brother Anjou.--Is in High Favour with the Queenmother. LETTER III. Le Guast.--His Character.--Anjou Affects to Be Jealous of the Guises.--Dissuades the Queen-mother from Reposing Confidence in Marguerite.--She Loses the Favour of the Queen-mother and Falls Sick.--Anjou's Hypocrisy.--He Introduces De Guise into Marguerite's Sick Chamber.--Marguerite Demanded in Marriage by the King of Portugal.--Made Uneasy on That Account.--Contrives to Relieve Herself.--The Match with Portugal Broken off. LETTER IV. Death of the Queen of Navarre--Marguerite's Marriage with Her Son, the King of Navarre, Afterwards Henri IV. of France.--The Preparations for That Solemnisation Described.--The Circumstances Which Led to the Massacre of the Huguenots on St. Bartholomew's Day. LETTER V. The Massacre of St. Bartholomew's Day. LETTER VI. Henri, Duc d'Anjou, Elected King of Poland, Leaves France.--Huguenot Plots to Withdraw the Duc d'Alencon and the King of Navarre from Court.--Discovered and Defeated by Marguerite's Vigilance.--She Draws Up an Eloquent Defence, Which Her Husband Delivers before a Committee from the Court of Parliament.--Alencon and Her Husband, under a Close Arrest, Regain Their Liberty by the Death of Charles IX. LETTER VII. Accession of Henri III.--A Journey to Lyons.--Marguerite's Faith in Supernatural Intelligence. LETTER VIII. What Happened at Lyons. LETTER IX. Fresh Intrigues.--Marriage of Henri III.--Bussi Arrives at Court and Narrowly Escapes Assassination. LETTER X. Bussi Is Sent from Court.--Marguerite's Husband Attacked with a Fit of Epilepsy.--Her Great Care of Him.--Torigni Dismissed from Marguerite's Service.--The King of Navarre and the Duc d'Alencon Secretly Leave the Court. LETTER XI. Queen Marguerite under Arrest.--Attempt on Torigni's Life.--Her Fortunate Deliverance. LETTER XII. The Peace of Sens betwixt Henri III. and the Huguenots. LETTER XIII. The League.--War Declared against the Huguenots.--Queen Marguerite Sets out for Spa. LETTER XIV. Description of Queen Marguerite's Equipage.--Her Journey to Liege Described.--She Enters with Success upon Her Mission.--Striking Instance of Maternal Duty and Affection in a Great Lady.--Disasters near the Close of the Journey. LETTER XV. The City of Liege Described.--Affecting Story of Mademoiselle de Tournon.--Fatal Effects of Suppressed Anguish of Mind. LETTER XVI. Queen Marguerite, on Her Return from Liege, Is in Danger of Being Made a Prisoner.--She Arrives, after Some Narrow Escapes, at La Fere. LETTER XVII. Good Effects of Queen Marguerite's Negotiations in Flanders.--She Obtains Leave to Go to the King of Navarre Her Husband, but Her Journey Is Delayed.--Court Intrigues and Plots.--The Duc d'Alencon Again Put under Arrest. LETTER XVIII. The Brothers Reconciled.--Alencon Restored to His Liberty. LETTER XIX. The Duc d'Alencon Makes His Escape from Court.--Queen Marguerite's Fidelity Put to a Severe Trial. LETTER XX. Queen Marguerite Permitted to Go to the King Her Husband.--Is Accompanied by the Queenmother.--Marguerite Insulted by Her Husband's Secretary.--She Harbours Jealousy.--Her Attention to the King Her Husband during an Indisposition.--Their Reconciliation.--The War Breaks Out Afresh.--Affront Received from Marechal de Biron. LETTER XXI. Situation of Affairs in Flanders.--Peace Brought About by Duc d'Alencon's Negotiation.--Marechal de Biron Apologises for Firing on Nerac.--Henri Desperately in Love with Fosseuse.--Queen Marguerite Discovers Fosseuse to Be Pregnant, Which She Denies.--Fosseuse in Labour. Marguerite's Generous Behaviour to Her.--Marguerite's Return to Paris. MEMOIRS OF JEAN FRANCOIS PAUL de GONDI, CARDINAL DE RETZ BOOKS BOOK I. BOOK II. BOOK III. BOOK IV. BOOK V. ILLUSTRATIONS Cardinal de Retz----Photogravure from an Old Painting Turenne----Photogravure from an Old Painting Richelieu----Engraving by Lubin Anne of Austria----Original Etching by Mercier Louis XIII----Painting in the Louvre Conde'----Painting in Versailles Gallery MEMOIRS OF MADAME LA MARQUISE DE MONTESPAN LIST OF ILLUSTRATIONS Madame de Montespan----Etching by Mercier Hortense Mancini----Drawing in the Louvre Madame de la Valliere----Painting by Francois Moliere----Original Etching by Lalauze Boileau----Etching by Lalauze A French Courtier----Photogravure from a Painting Madame de Maintenon----Etching by Mercier from Painting by Hule Charles II.----Original Etching by Ben Damman Bosseut----Etching by Lalauze Louis XIV. Knighting a Subject----Photogravure from a Rare Print A French Actress----Painting by Leon Comerre Racine----Etching by Lalauze MEMOIRS OF THE COURT OF LOUIS XIV.AND OF THE REGENCY, By the Duchess D'Orleans BOOK 1. PREFACE. SECTION I. SECTION II.--LOUIS XIV. SECTION III.--MADEMOISELLE DE FONTANGE. SECTION IV.-MADAME DE LA VALLIERE. SECTION V.--MADAME DE MONTESPAN SECTION VI.--MADAME DE MAINTENON. SECTION VII.--THE QUEEN--CONSORT OF LOUIS XIV. BOOK 2. SECTION VIII.--PHILIPPE I., DUC D'ORLEANS. SECTION IX.--PHILIPPE II., DUC D' ORLEANS, REGENT OF FRANCE. SECTION X.--THE AFFAIRS OF THE REGENCY. SECTION XI.--THE DUCHESSE D'ORLEANS, WIFE OF THE REGENT. SECTION XII.--MARIE-ANNE CHRISTINE VICTOIRE OF BAVARIA, THE FIRST DAUPHINE. SECTION XIII.--ADELAIDE OF SAVOY, THE SECOND DAUPHINE. SECTION XIV.--THE FIRST DAUPHIN. SECTION XV.--THE DUKE OF BURGUNDY, THE SECOND DAUPHIN. SECTION XVI.--PETITE MADAME. BOOK 3. SECTION XVII.--HENRIETTA OF ENGLAND, THE FIRST WIFE OF MONSIEUR, BROTHER OF LOUIS XIV. SECTION XVIII.--THE DUC DE BERRI. SECTION XIX.--THE DUCHESSE DE BERRI. SECTION XX.--MADEMOISELLE D'ORLEANS, LOUISE-ADELAIDE DE CHARTRES. SECTION XXI.--MADEMOISELLE DE VALOIS, CHARLOTTE-AGLAE, CONSORT OF THE PRINCE OF MODENA. SECTION XXII.--THE ILLEGITIMATE CHILDREN OF THE REGENT, DUC D'ORLEANS. SECTION XXIII.--THE CHEVALIER DE LORRAINE. SECTION XXIV.--PHILIP V., KING OF SPAIN. SECTION XXV.--THE DUCHESSE LOUISE-FRANCISQUE, CONSORT OF LOUIS III., DUC DE BOURBON. SECTION XXVI.--THE YOUNGER DUCHESS. SECTION XXVII.--LOUIS III., DUC DE BOURBON. SECTION XXVIII.--FRANCOIS-LOUIS, PRINCE DE CONTI. SECTION XXIX.--THE GREAT PRINCESSE DE CONTI, DAUGHTER OF LA VALLIERE. SECTION XXX.--THE PRINCESS PALATINE, MARIE-THERESE DE BOURBON, WIFE OF FRANCOIS-LOUIS, SECTION XXXI.--LOUISE-ELIZABETH, PRINCESSE DE CONTI, CONSORT OF LOUIE- ARMAND DE CONTI. SECTION XXXII.--LOUIE-ARMAND, PRINCE DE CONTI. SECTION XXXIII.--THE ABBE DUBOIS. SECTION XXXIV.--MR. LAW. BOOK 4. SECTION XXXV.--VICTOR AMADEUS, KING OF SICILY. SECTION XXXVI.--THE GRAND DUCHESS, WIFE OF COSMO II. OF FLORENCE. SECTION XXXVII.--THE DUCHESSE DE LORRAINE, ELIZABETH-CHARLOTTE PHILIPPINE D'ORLEANS, CONSORT OF LEOPOLD JOSEPH-CHARLES DE LORRAINE. SECTION XXXVIII.--THE DUC DU MAINE, LOUIS-AUGUSTUS. SECTION XXXIX.--THE DUCHESSE DU MAINE, LOUISE-BENOITE, DAUGHTER OF HENRI- JULES DE CONDE. SECTION XL.--LOUVOIS SECTION XLI.--LOUIS XV. SECTION XLII.--ANECDOTES AND HISTORICAL PARTICULARS RELATING TO VARIOUS PERSONS. ILLUSTRATIONS Bookcover Titlepage Duchesse D'orleans and Her Children Louis XIV. The Regent and his Mother Princesse de Conti Overturn Here, You Blockhead Duchesse Du Maine MEMOIRS OF LOUIS XIV AND HIS COURT AND OF THE REGENCY, By the Duke of Saint-Simon INTRODUCTION VOLUME 1. CHAPTER I CHAPTER II. CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII VOLUME 2. CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII VOLUME 3. CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV VOLUME 4. CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII VOLUME 5. CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII VOLUME 6. CHAPTER XXXIX CHAPTER XL CHAPTER XLI CHAPTER XLII CHAPTER XLIII CHAPTER XLIV. CHAPTER XLV CHAPTER XLVI. VOLUME 7. CHAPTER XLVII CHAPTER XLVIII. CHAPTER XLIX CHAPTER L CHAPTER LI CHAPTER LII CHAPTER LIII CHAPTER LIV VOLUME 8. CHAPTER LV CHAPTER LVI CHAPTER LVII CHAPTER LVIII CHAPTER LIX CHAPTER LX VOLUME 9. CHAPTER LXI CHAPTER LXII. CHAPTER LXIII CHAPTER LXIV CHAPTER LXV CHAPTER LVI CHAPTER LXVII. CHAPTER LXVIII CHAPTER LXIX VOLUME 10. CHAPTER LXX CHAPTER LXXI CHAPTER LXXII CHAPTER LXXIII CHAPTER LXXIV CHAPTER LXXV CHAPTER LXXVI CHAPTER LXXVII VOLUME 11. CHAPTER LXXVIII CHAPTER LXXIX CHAPTER LXXX CHAPTER LXXXI CHAPTER LXXXII CHAPTER LXXXIII CHAPTER LXXXIV CHAPTER LXXXV CHAPTER LXXXVI CHAPTER LXXXVII VOLUME 12. CHAPTER LXXXVIII CHAPTER LXXXIX CHAPTER XC CHAPTER XCI CHAPTER XCII CHAPTER XCIII CHAPTER XCIV. CHAPTER XCV CHAPTER XCVI VOLUME 13. CHAPTER XCVII CHAPTER XCVII. CHAPTER XCIX CHAPTER C CHAPTER CI CHAPTER CII CHAPTER CIII CHAPTER CIV VOLUME 14 CHAPTER CV CHAPTER CVI CHAPTER CVII CHAPTER CVIII CHAPTER CIX CHAPTER CX CHAPTER CXI. CHAPTER CXII VOLUME 15. CHAPTER CXIII CHAPTER CXIV CHAPTER CXV CHAPTER CXVI CHAPTER CXVII CHAPTER CXVIII CHAPTER CXIX ILLUSTRATIONS Madame Maintenon in Conferance--painted by Sir John Gilbert After the Battle of Blenheim--painted by R. Canton Woodville Marlborough at Ramillies--painted by R. Canton Woodville The King's Walk at Versailles--painted by J. L. Jerome Marlborough at Malplaquet--painted by R. Canton Woodville The Edict of Nantes--painted by Jules Girardet Search of the Spanish Ambassador--painted by Maurice Leloir Mississippi Colonization--painted by C. E. Delort Jacobites Drinking to the Pretender--painted by F. Willems MEMOIRS OF LOUIS XV. AND XVI., By Madame du Hausett, Princess Lamballe, and an Unknown English Girl LIST OF ILLUSTRATIONS Louis the Fifteenth "It Was an Indigestion Madame du Hausset Madame de Pompadour Madame Adelaide Madame Sophie Madame Elizabeth Mirabeau and the Queen Princess de Lamballe Marie Antoinette in the Temple Interviewing Little Louis Marie Antoinette to the Guillotine MEMOIRS OF THE COURT OF MARIE ANTOINETTE, QUEEN OF FRANCE, By Madam Camapn Book I. Book II. LIST OF ILLUSTRATIONS Duchesse du Barry Princesse de Lamballe The Parisian Bonne Louis XVI. and Marie Antoinette Beaumarchais The Reveille Madame Adelaide as Diana The Bastille Opening of The States General Louis XVI. Marie Antoinette on the way to the Guillotine Madame Campan MEMOIRS COURT OF ST. CLOUD, By Lewis Goldsmith LIST OF ILLUSTRATIONS At Cardinal Caprara's Cardinal Fesch Episode at Mme. Miot's Napoleon's Guard A Grand Dinner Chaptal Turreaux Carrier Barrere Cambaceres Pauline Bonaparte MEMOIRS OF COUNT GRAMMONT, By Anthony Hamilton BIOGRAPHICAL SKETCH OF ANTHONY HAMILTON. CHAPTER FIRST. INTRODUCTION CHAPTER SECOND. ARRIVAL OF THE CHEVALIER GRAMMONT AT THE SIEGE OF TRINO, AND THE LIFE HE LED THERE CHAPTER THIRD. EDUCATION AND ADVENTURES OF THE CHEVALIER GRAMMONT BEFORE HIS COMING TO THE SIEGE OF TRINO CHAPTER FOURTH. HIS ARRIVAL AT THE COURT OF TURIN, AND HOW HE SPENT HIS TIME THERE CHAPTER FIFTH. HE RETURNS TO THE COURT OF FRANCE--HIS ADVENTURES AT THE SIEGE OF ARRAS--HIS REPLY TO CARDINAL MAZARIN--HE IS BANISHED THE COURT CHAPTER SIXTH. HIS ARRIVAL AT THE ENGLISH COURT--THE VARIOUS PERSONAGES OF THIS COURT CHAPTER SEVENTH. HE FALLS IN LOVE WITH MISS HAMILTON--VARIOUS ADVENTURES AT THE BALL IN THE QUEEN'S DRAWING-ROOM--CURIOUS VOYAGE OF HIS VALET-DE- CHAMBRE TO AND FROM PARIS CHAPTER EIGHTH. FUNNY ADVENTURE OF THE CHAPLAIN POUSSATIN--THE STORY OF THE SIEGE OF LERIDA--MARRIAGE OF THE DUKE OF YORK, AND OTHER DETAILS ABOUT THE ENGLISH COURT CHAPTER NINTH. VARIOUS LOVE INTRIGUES AT THE ENGLISH COURT CHAPTER TENTH. OTHER LOVE INTRIGUES AT THE ENGLISH COURT CHAPTER ELEVENTH. RETURN OF THE CHEVALIER GRAMMONT TO FRANCE--HE IS SENT BACK TO ENGLAND--VARIOUS LOVE INTRIGUES AT THIS COURT, AND MARRIAGE OF MOST OF THE HEROES OF THESE MEMOIRS End of Project Gutenberg's Historic Court Memoirs of France, by Various *** END OF THE PROJECT GUTENBERG EBOOK HISTORIC COURT MEMOIRS OF FRANCE: AN INDEX *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.