The Project Gutenberg eBook of The Heptameron of Margaret, Queen of Navarre This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The Heptameron of Margaret, Queen of Navarre Author: King of Navarre consort of Henry II Queen Marguerite Contributor: Le Roux de Lincy Editor: David Widger Illustrator: Balthasar Anton Dunker Sigmund Freudenberger Translator: George Saintsbury Release date: May 17, 2009 [eBook #28858] Language: English Credits: Produced by David Widger *** START OF THE PROJECT GUTENBERG EBOOK THE HEPTAMERON OF MARGARET, QUEEN OF NAVARRE *** Produced by David Widger THE HEPTAMERON of Margaret Queen of Navarre AN INDEX Translated by George Saintsbury Illustrated HTML Edition Edited by David Widger Project Gutenberg Editions CONTENTS ## Volume 1. ## Volume 2. ## Volume 3. ## Volume 4. ## Volume 5. VOLUMES, CHAPTERS AND STORIES THE QUEEN OF NAVARRE, Volume 1. PREFACE. Explanation of the Initials appended to the Notes. MARGARET OF ANGOULÊME, QUEEN OF NAVARRE. I. II. III. IV. ON THE HEPTAMERON DEDICATIONS AND PREFACE, Peter Boaistuau, surnamed Launay, To the Reader THE HEPTAMERON PROLOGUE. FIRST DAY. TALE I. TALE II. TALE III. TALE IV. TALE V. TALE VI. TALE VII. APPENDIX. A. (Prologue, Page 31.) B. (Tale I., Page 50.) C. (Tale IV., Page 85.) List of Illustrations Frontispiece Titlepage 013a.jpg 039a.jpg Du Mesnil Learns his Mistress's Infidelity from Her Maid 039.jpg Page Image 056.jpg Tailpiece 057a.jpg the Muleteer's Servant Attacking his Mistress 057.jpg Page Image 064.jpg Tailpiece 065a.jpg the Stags Head 065.jpg Page Image 078.jpg Tailpiece 079a.jpg Hurrying to Her Mistress's Assistance 079.jpg Page Image 094.jpg Tailpiece 095a.jpg the Boatwoman of Coulon Outwitting The Friars 095.jpg Page Image 102.jpg Tailpiece 103a.jpg the Wife's Ruse to Secure The Escape of Her Lover 103.jpg Page Image 108.jpg Tailpiece 109.jpg the Merchant Transferring his Caresses from The Daughter to the Mother 110.jpg Page Image 113.jpg Tailpiece TALE CONTENTS FIRST DAY. Tale I. The pitiful history of a Proctor of Alençon, named St. Aignan, and of his wife, who caused her husband to assassinate her lover, the son of the Lieutenant-General Tale II. The fate of the wife of a muleteer of Amboise, who suffered herself to be killed by her servant rather than sacrifice her chastity Tale III. The revenge taken by the Queen of Naples, wife to King Alfonso, for her husband's infidelity with a gentleman's wife Tale IV. The ill success of a Flemish gentleman who was unable to obtain, either by persuasion or force, the love of a great Princess Tale V. How a boatwoman of Coulon, near Nyort, contrived to escape from the vicious designs of two Grey Friars Tale VI. How the wife of an old valet of the Duke of Alençon's succeeded in saving her lover from her husband, who was blind of one eye Tale VII. The craft of a Parisian merchant, who saved the reputation of the daughter by offering violence to the mother THE QUEEN OF NAVARRE, Volume 2. FIRST DAY, Continued. TALE VIII. TALE IX. TALE X. SECOND DAY. PROLOGUE. TALE XI. (A). TALE XI. (B). TALE XII. TALE XIII. TALE XIV. TALE XV. TALE XVI. TALE XVII. TALE XVIII. APPENDIX. A. (Tale VIII., Page i.) B (Tale XL (B.), Page 95.) C. (Tale XII., Page 101.) D. (Tale XVI., Page 183.) E. (Tale XVII., Page 195.) List of Illustrations Frontispiece Titlepage 001a.jpg Bornet's Concern on Discovering That his Wife Is Without Her Ring 001.jpg Page Image 012.jpg Tailpiece 013a.jpg the Dying Gentleman Receiving The Embraces Of His Sweetheart 013.jpg Page Image 024.jpg Tailpiece 025a.jpg the Countess Asking an Explanation from Amadour 025.jpg Page Image 083.jpg Tailpiece 089.jpg Page Image 093.jpg Tailpiece 095a.jpg the Grey Friar Telling his Tales 095.jpg Page Image 100.jpg Tailpiece 101a.jpg the Gentleman Killing The Duke 101.jpg Page Image 117.jpg Tailpiece 119a.jpg the Sea-captain Talking to The Lady 119.jpg Page Image 140.jpg Tailpiece 141a.jpg Bonnivet and the Lady of Milan 141.jpg Page Image 155.jpg Tailpiece 157a.jpg the Lady Taking Oath As to Her Conduct 157.jpg Page Image 182.jpg Tailpiece 183a.jpg the Gentleman Discovering The Trick 183.jpg Page Image 193.jpg Tailpiece 195a.jpg the King Showing his Sword 195.jpg Page Image 203.jpg Tailpiece 205a.jpg the Student Escaping The Temptation 205.jpg Page Image 216.jpg Tailpiece DETAILED CONTENTS OF VOLUME II. FIRST DAY—Continued. Tale VIII. The misadventure of Bornet, who, planning with a friend of his that both should lie with a serving-woman, discovers too late that they have had to do with his own wife. Tale IX. The evil fortune of a gentleman of Dauphiné, who dies of despair because he cannot marry a damsel nobler and richer than himself. Tale X. The Spanish story of Florida, who, after withstanding the love of a gentleman named Amadour for many years, eventually becomes a nun. SECOND DAY. Prologue Tale XI. (A). Mishap of the Lady de Roncex in the Grey Friars' Convent at Thouars. Tale XI. (B). Facetious discourse of a Friar of Touraine. Tale XII. Story of Alexander de' Medici, Duke of Florence, whom his cousin, Lorenzino de' Medici, slew in order to save his sister's honour. Tale XIII. Praiseworthy artifice of a lady to whom a sea Captain sent a letter and diamond ring, and who, by forwarding them to the Captain's wife as though they had been intended for her, united husband and wife once more in all affection. Tale XIV. The Lord of Bonnivet, after furthering the love entertained by an Italian gentleman for a lady of Milan, finds means to take the other's place and so supplant him with the lady who had formerly rejected himself. Tale XV. The troubles and evil fortune of a virtuous lady who, after being long neglected by her husband, becomes the object of his jealousy. Tale XVI. Story of a Milanese Countess, who, after long rejecting the love of a French gentleman, rewards him at last for his faithfulness, but not until she has put his courage to the proof. Tale XVII. The noble manner in which King Francis the First shows Count William of Furstemberg that he knows of the plans laid by him against his life, and so compels him to do justice upon himself and to leave France. Tale XVIII. A young gentleman scholar at last wins a lady's love, after enduring successfully two trials that she had made of him. Appendix to Vol. II THE QUEEN OF NAVARRE, Volume 3. SECOND DAY. TALE XIX. TALE XX. THIRD DAY. PROLOGUE. TALE XXI. TALE XXII. TALE XXIII. TALE XXIV. TALE XXV. TALE XXVI. TALE XXVII. TALE XXVIII. TALE XXIX. TALE XXX. APPENDIX. A. (Tale XX., Page 21.) B. (Tale XXV., Page 131.) C. (Tale XXVI., Page 143.) D. (Tale XXX., Page 191). List of Illustrations Frontispiece Titlepage 001a.jpg the Parting Between Pauline and The Gentlemen 001.jpg Page Image 020.jpg Tailpiece 021a.jpg the Lord de Riant Finding The Widow With Her Groom 021.jpg Page Image 029.jpg Tailpiece 035a.jpg Rolandine Conversing With Her Husband 035.jpg Page Image 071.jpg Tailpiece 073a.jpg Sister Marie and the Prior 073.jpg Page Image 095.jpg Tailpiece 097a.jpg the Grey Friar Deceiving The Gentleman of Périgord 097.jpg Page Image 112.jpg Tailpiece 113a.jpg Elisor Showing the Queen Her Own Image 113.jpg Page Image 130.jpg Tailpiece 131a.jpg the Advocate's Wife Attending on The Prince 131.jpg Page Image 142.jpg Tailpiece 143a.jpg the Lord of Avannes Paying his Court in Disguise 143.jpg Page Image 170.jpg Tailpiece 171a.jpg the Secretary Imploring The Lady Not to Tell of his Wickedness 171.jpg Page Image 175.jpg Tailpiece 177a.jpg the Secretary Opening The Pasty 177.jpg Page Image 183.jpg Tailpiece 185a.jpg the Husbandman Surprised by The Fall of The Winnowing Fan 185.jpg Page Image 190.jpg Tailpiece 191a.jpg the Young Gentleman Embracing his Mother 191.jpg Page Image 204.jpg Tailpiece DETAILED CONTENTS OF VOLUME III. SECOND DAY—Continued. Tale XIX. The honourable love of a gentleman, who, when his sweetheart is forbidden to speak with him, in despair becomes a monk of the Observance, while the lady, following in his footsteps, becomes a nun of St. Clara Tale XX. How the Lord of Riant is cured of his love fora beautiful widow through surprising her in the arms of a groom THIRD DAY. Prologue Tale XXI. The affecting history of Rolandine, who, debarred from marriage by her father's greed, betrothes herself to a gentleman to whom, despite his faithlessness, she keeps her plighted word, and does not marry until after his death Tale XXII. How Sister Marie Heroet virtuously escapes the attempts of the Prior of St. Martin in-the-Fields Tale XXIII. The undeserved confidence which a gentleman of Perigord places in the monks of the Order of St. Francis, causes the death of himself, his wife and their little child Tale XXIV. Concerning the unavailing love borne to the Queen of Castile by a gentleman named Elisor, who in the end becomes a hermit Tale XXV. How a young Prince found means to conceal his intrigue with the wife of a lawyer of Paris Tale XXVI. How the counsels of a discreet lady happily withdrew the young Lord of Avannes from the perils of his foolish love for a lady of Pampeluna Tale XXVII. How the wife of a man who was valet to a Princess rid herself of the solicitations of one who was among the same Princess's servants, and at the same time her husband's guest Tale XXVIII. How a Gascon merchant, named Bernard du Ha, while sojourning at Paris, deceived a Secretary to the Queen of Navarre who had thought to obtain a pasty from him Tale XXIX. How the Priest of Carrelles, in Maine, when surprised with the wife of an old husbandman, gets out of the difficulty by pretending to return him a winnowing fan Tale XXX. How a gentleman marries his own daughter and sister unawares THE QUEEN OF NAVARRE, Volume 4. FOURTH DAY. PROLOGUE. TALE XXXI. TALE XXXII. TALE XXXIII. TALE XXXIV. TALE XXXV. TALE XXXVI. TALE XXXVII. TALE XXXVIII. TALE XXXIX. TALE XL. FIFTH DAY. PROLOGUE. TALE XLI. TALE XLII. TALE XLIII. TALE XLIV.(A). TALE XLIV. (B). TALE XLV. TALE XLVI. (A). TALE XLVI.(B). TALE XLVII. TALE XLVIII. TALE XLIX. TALE L. APPENDIX. A. (Tale XXXVI., Page 63.) List of Illustrations Frontispiece Titlepage 007a.jpg the Wicked Friar Captured 007.jpg Page Image 0016.jpg Tailpiece 017a.jpg Bernage Observing the German Lady's Strange Penance 017.jpg Page Image 028.jpg Tailpiece 029a.jpg the Execution of The Wicked Priest and his Sister 029.jpg Page Image 037.jpg Tailpiece 039a.jpg the Grey Friar Imploring The Butcher to Spare his Life 039.jpg Page Image 047.jpg Tailpiece 049a.jpg the Lady Embracing The Supposed Friar 049.jpg Page Image 062.jpg Tailpiece 063a.jpg the Clerk Entreating Forgiveness of The President 063.jpg Page Image 072.jpg Tailpiece 073a.jpg the Lady of Loué Bringing Her Husband The Basin Of Water 073.jpg Page Image 081.jpg Tailpiece 083a.jpg the Lady of Tours Questioning Her Husband's Mistress 083.jpg Page Image 088.jpg Tailpiece 089a.jpg the Lord of Grignaulx Catching The Pretended Ghost 089.jpg Page Image 094.jpg Tailpiece 095a.jpg the Count of Jossebelin Murdering his Sister's Husband 095.jpg Page Image 109.jpg Tailpiece 115a.jpg the Beating of The Wicked Grey Friar 115.jpg Page Image 122.jpg Tailpiece 123a.jpg the Girl Refusing The Gift of The Young Prince 123.jpg Page Image 142.jpg Tailpiece 143a.jpg Jambicque Repudiating Her Lover 143.jpg Page Image 155.jpg Tailpiece 157.jpg Page Image 162.jpg Tailpiece 163a.jpg the Lovers Returning from Their Meeting in The Garden 163.jpg Page Image 176.jpg Tailpiece 177a.jpg the Man of Tours and his Serving-maid in The Snow 177.jpg Page Image 186.jpg Tailpiece 187.jpg Page Image 193.jpg Tailpiece 195a.jpg the Young Man Beating his Wife 195.jpg Page Image 201.jpg Tailpiece 203a.jpg the Gentleman Reproaching his Friend for His Jealousy 203.jpg Page Image 211.jpg Tailpiece 213a.jpg the Grey Friars Caught and Punished 213.jpg Page Image 218.jpg Tailpiece 219a.jpg the Countess Facing Her Lovers 219.jpg Page Image 232.jpg Tailpiece 233a.jpg the Lady Killing Herself on The Death of Her Lover 233.jpg Page Image 240.jpg Tailpiece DETAILED CONTENTS OF VOLUME IV. FOURTH DAY. Prologue Tale XXXI. Punishment of the wickedness of a Friar who sought to lie with a gentleman's wife. Tale XXXII. How an ambassador of Charles VIII., moved by the repentance of a German lady, whom her husband compelled to drink out of her lover's skull, reconciled husband and wife together. Tale XXXIII. The hypocrisy of a priest who, under the cloak of sanctity, had lain with his own sister, is discovered and punished by the wisdom of the Count of Angoulême. Tale XXXIV. The terror of two Friars who believed that a butcher intended to murder them, whereas the poor man was only speaking of his Pigs. Tale XXXV. How a husband's prudence saves his wife from the risks she incurred while thinking to yield to merely a spiritual love. Tale XXXVI. The story of the President of Grenoble, who saves the honour of his house by poisoning his wife with a salad. Tale XXXVII. How the Lady of Loué regained her husband's affection. Tale XXXVIII. The kindness of a townswoman of Tours to a poor farm-woman who is mistress to her husband, makes the latter so ashamed of his faithlessness that he returns to his wife. Tale XXXIX. How the Lord of Grignaulx rid one of his houses of a pretended ghost. Tale XL. The unhappy history of the Count de Jossebelin's sister, who shut herself up in a hermitage because her brother caused her husband to be slain. FIFTH DAY. Prologue Tale XLI. Just punishment of a Grey Friar for the unwonted penance that he would have laid upon a maiden. Tale XLII. The virtuous resistance made by a young woman of Touraine causes a young Prince that is in love with her, to change his desire to respect, and to bestow her honourably in marriage. Tale XLIII. How a little chalk-mark revealed the hypocrisy of a lady called Jambicque, who was wont to hide the pleasures she indulged in, beneath the semblance of austerity. Tale XLIV. (A). Through telling the truth, a Grey Friar receives as alms from the Lord of Sedan two pigs instead of one. Tale XLIV. (B). Honourable conduct of a young citizen of Paris, who, after suddenly enjoying his sweetheart, at last happily marries. Tale XLV. Cleverness of an upholsterer of Touraine, who, to hide that he has given the Innocents to his serving-maid, contrives to give them afterwards to his wife. Tale XLVI. (A). Wicked acts of a Grey Friar of Angoulême called De Vale, who fails in his purpose with the wife of the Judge of the Exempts, but to whom a mother in blind confidence foolishly abandons her daughter. Tale XLVI. (B). Sermons of the Grey Friar De Vallès, at first against and afterwards on behalf of husbands that beat their wives. Tale XLVII. The undeserved jealousy of a gentleman of Le Perche towards another gentleman, his friend, leads the latter to deceive him. Tale XLVIII. Wicked act of a Grey Friar of Perigord, who, while a husband was dancing at his wedding, went and took his place with the bride. Tale XLIX. Story of a foreign Countess, who, not content with having King Charles as her lover, added to him three lords, to wit, Astillon, Durassier and Valnebon. Tale L. Melancholy fortune of Messire John Peter, a gentleman of Cremona, who dies just when he is winning the affection of the lady he loves. Appendix to Vol. IV. THE QUEEN OF NAVARRE, Volume 5. SIXTH DAY. PROLOGUE. TALE LI. TALE LII. TALE LIII. TALE LIV. TALE LV. TALE LVI. TALE LVII. TALE LVIII. TALE LIX. TALE LX. SEVENTH DAY. PROLOGUE. TALE LXI. TALE LXII. TALE LXIII. TALE LXIV. TALE LXV. TALE LXVI. TALE LXVII. TALE LXVIII. TALE LXIX. TALE LXX. EIGHTH DAY. PROLOGUE. TALE LXXI. TALE LXXII. APPENDIX. THE SUPPOSED NARRATORS OF THE HEPTAMERON TALES. BIBLIOGRAPHY. List of Illustrations Frontispiece Titlepage 005a.jpg the Duke of Urbino Sending The Maiden to Prison for Carrying Messages 005.jpg Page Image 014.jpg Tailpiece 015a.jpg the Gentleman and his Friend Annoyed by The Smell of Sugar 015.jpg Page Image 022.jpg Tailpiece 023a.jpg the Lord Des Cheriots Flying from The Prince's Servant 023.jpg Page Image 036.jpg Tailpiece 037a.jpg the Lady Watching The Shadow Faces Kissing 037.jpg Page Image 042.jpg Tailpiece 043a.jpg the Servant Selling The Horse With The Cat 043.jpg Page Image 049.jpg Tailpiece 051a.jpg the Grey Friar Introducing his Comrade to The Lady and Her Daughter 051.jpg Page Image 061.jpg Tailpiece 063a.jpg the English Lord Seizing The Lady's Glove 063.jpg Page Image 070.jpg Tailpiece 071a. The Gentleman Mocked by The Ladies when Returning from The False Tryst 071.jpg Page Image 078.jpg Tailpiece 079a. The Lady Discovering Her Husband With The Waiting-woman 079.jpg Page Image 090.jpg Tailpiece 091a. The Chanter of Blois Delivering his Mistress from The Grave 091.jpg Page Image 099.jpg Tailpiece 105a. The Lady Returning to Her Lover, The Canon of Autun 105.jpg Page Image 117.jpg Tailpiece 119a. The Gentleman's Spur Catching in The Sheet 119.jpg Page Image 124.jpg Tailpiece 125a. The King Asking The Young Lord to Join his Banquet 125.jpg Page Image 132.jpg Tailpiece 133a. The Lady Swooning in The Arms of The Gentleman Of Valencia Who Had Become a Monk 133.jpg Page Image 141.jpg Tailpiece 143a. The Old Woman Startled by The Waking of The Soldier 143.jpg Page Image 147.jpg Tailpiece 149a. The Old Serving-woman Explaining Her Mistake To The Duke and Duchess of Vendôme 149.jpg Page Image 154.jpg Tailpiece 155a. The Wife Reading to Her Husband on The Desert Island 155.jpg Page Image 161.jpg Tailpiece 163a. The Apothecary's Wife Giving The Dose of Cantharides To Her Husband 163.jpg Page Image 168.jpg Tailpiece 169a. The Wife Discovering Her Husband in The Hood Of Their Serving-maid 169.jpg Page Image 174.jpg Tailpiece 175a. The Gentleman Killing Himself on The Death of his Mistress 175.jpg Page Image 213.jpg Tailpiece 219a. The Saddler's Wife Cured by The Sight of Her Husband Caressing the Serving-maid 219.jpg Page Image 224.jpg Tailpiece 225a. The Monk Conversing With The Nun While Shrouding A Dead Body 225.jpg Page Image 232.jpg Tailpiece DETAILED CONTENTS OF VOLUME V. SIXTH DAY. Prologue Tale LI. Cruelty of the Duke of Urbino, who, contrary to the promise he had given to the Duchess, hanged a poor lady that had consented to convey letters to his son's sweetheart, the sister of the Abbot of Farse. Tale LII. Merry trick played by the varlet of an apothecary at Alençon on the Lord de la Tirelière and the lawyer Anthony Bacheré, who, thinking to breakfast at his expense, find that they have stolen from him something very different to a loaf of sugar. Tale LIII. Story of the Lady of Neufchâtel, a widow at the Court of Francis I., who, through not admitting that she has plighted her troth to the Lord des Cheriots, plays him an evil trick through the means of the Prince of Belhoste. Tale LIV. Merry adventure of a serving-woman and a gentleman named Thogas, whereof his wife has no suspicion. Tale LV. The widow of a merchant of Saragossa, not wishing to lose the value of a horse, the price of which her husband had ordered to be given to the poor, devises the plan of selling the horse for one ducat only, adding, however, to the bargain a cat at ninety-nine. Tale LVI. Notable deception practised by an old Grey Friar of Padua, who, being charged by a widow to find a husband for her daughter, did, for the sake of getting the dowry, cause her to marry a young Grey Friar, his comrade, whose condition, however, was before long discovered. Tale LVII. Singular behaviour of an English lord, who is content merely to keep and wear upon his doublet the glove of a lady whom he loves. Tale LVIII. A lady at the Court of Francis I., wishing to prove that she has no commerce with a certain gentleman who loves her, gives him a pretended tryst and causes him to pass for a thief. Tale LIX. Story of the same lady, who, learning that her husband is in love with her waiting-woman, contrives to surprise him and impose her own terms upon him. Tale LX. A man of Paris, thinking his wife to be well and duly deceased, marries again, but at the end of fifteen years is forced to take his first wife back, although she has been living meantime with one of the chanters of Louis XII. SEVENTH DAY. Prologue Tale LXI. Great kindness of a husband, who consents to take back his wife twice over, spite of her wanton love for a Canon of Autun. Tale LXII. How a lady, while telling a story as of another, let her tongue trip in such a way as to show that what she related had happened to herself. Tale LXIII. How the honourable behaviour of a young lord, who feigns sickness in order to be faithful to his wife, spoils a party in which he was to have made one with the King, and in this way saves the honour of three maidens of Paris. Tale LXIV. Story of a gentleman of Valencia in Spain, whom a lady drove to such despair that he became a monk, and whom afterwards she strove in vain to win back to herself. Tale LXV. Merry mistake of a worthy woman, who in the church of St. John of Lyons mistakes a sleeping soldier for one of the statues on a tomb, and sets a lighted candle on his forehead. Tale LXVI. How an old serving-woman, thinking to surprise a Prothonotary with a lady, finds herself insulting Anthony de Bourbon and his wife Jane d'Albret. Tale LXVII. How the Sire de Robertval, granting a traitor his life at the prayers of the man's wife, set them both down on a desert island, and how, after the husband's death, the wife was rescued and brought back to La Rochelle. Tale LXVIII. The wife of an apothecary at Pau, hearing her husband give some powder of cantharides to a woman who was godmother with himself, secretly administered to him such a dose of the same drug that he nearly died. Tale LXIX. How the wife of one of the King's Equerries surprised her husband muffled in the hood of their servant-maid, and bolting meal in her stead. Tale LXX. Of the love of a Duchess of Burgundy for a gentleman who rejects her advances, for which reason she accuses him to the Duke her husband, and the latter does not believe his oaths till assured by him that he loves the Lady du Vergier. Then the Duchess, having drawn knowledge of this amour from her husband, addresses to the Lady du Vergier in public, an allusion that causes the death of both lovers; and the Duke, in despair at his own lack of discretion, stabs the Duchess himself. EIGHTH DAY. Prologue Tale LXXI. The wife of a saddler of Amboise is saved on her deathbed through a fit of anger at seeing her husband fondle a servant-maid. Tale LXXII. Kindness of the Duchess of Alençon to a poor nun whom she meets at Lyons, on her way to Rome, there to confess to the Pope how a monk had wronged her, and to obtain his Holiness's pardon. *** END OF THE PROJECT GUTENBERG EBOOK THE HEPTAMERON OF MARGARET, QUEEN OF NAVARRE *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.