KING CANDAULES

By Théophile Gautier

Translated By Lafcadio Hearn

1908




CHAPTER I

Five hundred years before the Trojan war, and seventeen hundred and
fifteen years before our own era, there was a grand festival at Sardes.
King Candaules was going to marry. The people were affected with that
sort of pleasurable interest and aimless emotion wherewith any royal
event inspires the masses, even though it in no wise concerns them,
and transpires in superior spheres of life which they can never hope to
reach.

As soon as Phoebus-Apollo, standing in his quadriga, had gilded to
saffron the summits of fertile Mount Tmolus with his rays, the
good people of Sardes were all astir, going and coming, mounting or
descending the marble stairways leading from the city to the waters
of the Pactolus, that opulent river whose sands Midas filled with tiny
sparks of gold when he bathed in its stream. One would have supposed
that each one of these good citizens was himself about to marry, so
solemn and important was the demeanour of all.

Men were gathering in groups in the Agora, upon the steps of the
temples and along the porticoes. At every street corner one might have
encountered women leading by the hand little children, whose uneven walk
ill suited the maternal anxiety and impatience. Maidens were hastening
to the fountains, all with urns gracefully balanced upon their heads, or
sustained by their white arms as with natural handles, so as to procure
early the necessary water provision for the household, and thus obtain
leisure at the hour when the nuptial procession should pass. Washerwomen
hastily folded the still damp tunics and chlamidæ, and piled them upon
mule-wagons. Slaves turned the mill without any need of the overseer’s
whip to tickle their naked and scar-seamed shoulders. Sardes was
hurrying itself to finish with those necessary everyday cares which no
festival can wholly disregard.

The road along which the procession was to pass had been strewn with
fine yellow sand. Brazen tripods, disposed along the way at regular
intervals, sent up to heaven the odorous smoke of cinnamon and
spikenard. These vapours, moreover, alone clouded the purity of the
azure above. The clouds of a hymeneal day ought, indeed, to be formed
only by the burning of perfumes. Myrtle and rose-laurel branches were
strewn upon the ground, and from the walls of the palaces were suspended
by little rings of bronze rich tapestries, whereon the needles of
industrious captives--intermingling wool, silver, and gold--had
represented various scenes in the history of the gods and heroes:
Ixion embracing the cloud; Diana surprised in the bath by Actaeon; the
shepherd Paris as judge in the contest of beauty held upon Mount
Ida between Hera, the snowy-armed, Athena of the sea-green eyes, and
Aphrodite, girded with her magic cestus; the old men of Troy rising to
honour Helena as she passed through the Skaian gate, a subject taken
from one of the poems of the blind man of Meles. Others exhibited in
preference scenes taken from the life of Heracles, the Theban, through
flattery to Candaules, himself a Heracleid, being descended from the
hero through Alcaeus. Others contented themselves by decorating the
entrances of their dwellings with garlands and wreaths in token of
rejoicing.

Among the multitudes marshalled along the way from the royal house even
as far as the gates of the city, through which the young queen would
pass on her arrival, conversation naturally turned upon the beauty of
the bride, whereof the renown had spread throughout all Asia; and
upon the character of the bridegroom, who, although not altogether an
eccentric, seemed nevertheless one not readily appreciated from the
common standpoint of observation.

Nyssia, daughter of the Satrap Megabazus, was gifted with marvellous
purity of feature and perfection of form; at least such was the rumour
spread abroad by the female slaves who attended her, and a few female
friends who had accompanied her to the bath; for no man could boast
of knowing aught of Nyssia save the colour of her veil and the elegant
folds that she involuntarily impressed upon the soft materials which
robed her statuesque body.

The barbarians did not share the ideas of the Greeks in regard to
modesty. While the youths of Achaia made no scruples of allowing their
oil-anointed torsos to shine under the sun in the stadium, and while the
Spartan virgins danced ungarmented before the altar of Diana, those of
Persepolis, Ebactana, and Bactria, attaching more importance to chastity
of the body than to chastity of mind, considered those liberties
allowed to the pleasure of the eyes by Greek manner as impure and highly
reprehensible, and held no woman virtuous who permitted men to obtain
a glimpse of more than the tip of her foot in walking, as it slightly
deranged the discreet folds of a long tunic.

Despite all this mystery, or rather, perhaps, by very reason of this
mystery, the fame of Nyssia had not been slow to spread throughout all
Lydia, and become popular there to such a degree that it had reached
even Candaules, although kings are ordinarily the most illy informed
people in their kingdoms, and live like the gods in a kind of cloud
which conceals from them the knowledge of terrestrial things.

The Eupatridæ of Sardes, who hoped that the young king might, perchance,
choose a wife from their family, the hetairæ of Athens, of Samos, of
Miletus and of Cyprus, the beautiful slaves from the banks of the
Indus, the blond girls brought at a vast expense from the depths of
the Cimmerian fogs, were heedful never to utter in the presence of
Candaules, whether within hearing or beyond hearing, a single word
which bore any relation to Nyssia. The bravest, in a question of beauty,
recoil before the prospect of a contest in which they can anticipate
being outrivalled.

And nevertheless no person in Sardes, or even in Lydia, had beheld this
redoubtable adversary, no person save one solitary being, who from
the time of that encounter had kept his lips as firmly closed upon the
subject as though Harpocrates, the god of silence, had sealed them with
his finger, and that was Gyges, chief of the guards of Candaules. One
day Gyges, his mind filled with various projects and vague ambitions,
had been wandering among the Bactrian hills, whither his master had
sent him upon an important and secret mission. He was dreaming of the
intoxication of omnipotence, of treading upon purple with sandals of
gold, of placing the diadem upon the brows of the fairest of women.

These thoughts made his blood boil in his veins, and, as though to
pursue the flight of his dreams, he smote his sinewy heel upon the
foam-whitened flanks of his Numidian horse.

The weather, at first calm, had changed and waxed tempestuous like the
warrior’s soul; and Boreas, his locks bristling with Thracian frosts,
his cheeks puffed out, his arms folded upon his breast, smote the
rain-freighted clouds with the mighty beatings of his wings.

A bevy of young girls who had been gathering flowers in the meadow,
fearing the coming storm, were returning to the city in all haste, each
carrying her perfumed harvest in the lap of her tunic. Seeing a stranger
on horseback approaching in the distance, they had hidden their faces
in their mantles, after the custom of the barbarians; but at the very
moment that Gyges was passing by the one whose proud carriage and richer
habiliments seemed to designate her the mistress of the little band,
an unusually violent gust of wind carried away the veil of the fair
unknown, and, whirling it through the air like a feather, chased it to
such a distance that it could not be recovered. It was Nyssia, daughter
of Megabazus, who found herself thus with face unveiled in the presence
of Gyges, a humble captain of King Candaules’s guard. Was it only the
breath of Boreas which had brought about this accident, or had Eros, who
delights to vex the hearts of men, amused himself by severing the string
which had fastened the protecting tissue? However that may have been,
Gyges was stricken motionless at the sight of that Medusa of beauty, and
not till long after the folds of Nyssia’s robe had disappeared beyond
the gates of the city could he think of proceeding on his way. Although
there was nothing to justify such a conjecture, he cherished the belief
that he had seen the satrap’s daughter; and that meeting, which affected
him almost like an apparition, accorded so fully with the thoughts that
were occupying him at the moment of its occurrence, that he could not
help perceiving therein something fateful and ordained of the gods.
In truth it was upon that brow that he would have wished to place the
diadem. What other could be more worthy of it? But what probability was
there that Gyges would ever have a throne to share? He had not sought
to follow up this adventure, and assure himself that it was indeed the
daughter of Megabazus whose mysterious face had been revealed to him by
Chance, the great filcher. Nyssia had fled so swiftly that it would have
been impossible for him then to overtake her; and, moreover, he had been
dazzled, fascinated, thunder-stricken, as it were, rather than charmed
by that superhuman apparition, by that monster of beauty!

Nevertheless that image, although seen only in the glimpse of a moment,
had engraved itself upon his heart in lines deep as those which
the sculptors trace on ivory with tools reddened in the fire. He had
endeavoured, although vainly, to efface it, for the love which he felt
for Nyssia inspired him with a secret terror. Perfection in such a
degree is ever awe-inspiring, and women so like unto goddesses could
only work evil to feeble mortals; they are formed for divine adulteries,
and even the most courageous men never risk themselves in such amours
without trembling. Therefore no hope had blossomed in the soul of
Gyges, overwhelmed and discouraged in advance by the sentiment of the
impossible. Ere opening his lips to Nyssia he would have wished to
despoil the heaven of its robe of stars, to take from Phoebus his crown
of rays, forgetting that women only give themselves to those unworthy
of them, and that to win their love one must act as though he desired to
earn their hate.

From that day the roses of joy no longer bloomed upon his cheeks. By
day he was sad and mournful, and seemed to wander abroad in solitary
dreaming, like a mortal who has beheld a divinity. At night he was
haunted by dreams in which he beheld Nyssia seated by his side upon
cushions of purple between the golden griffins of the royal throne.

Therefore Gyges, the only one who could speak of his own knowledge
concerning Nyssia, having never spoken of her, the Sardians were left to
their own conjectures in her regard; and their conjectures, it must be
confessed, were fantastic and altogether fabulous. The beauty of Nyssia,
thanks to the veils which shrouded her, became a sort of myth, a canvas,
a poem to which each one added ornamentation as the fancy took him.

‘If report be not false,’ lisped a young debauchee from Athens, who
stood with one hand upon the shoulder of an Asiatic boy, ‘neither
Plangon, nor Archianassa, nor Thais can be compared with this marvellous
barbarian; yet I can scarce believe that she equals Theano of Colophon,
from whom I once bought a single night at the price of as much gold as
she could bear away, after having plunged both her white arms up to the
shoulder in my cedar-wood coffer.’

‘Beside her,’ added a Eupatrid, who pretended to be better informed than
any other person upon all manner of subjects, ‘beside her the daughter
of Coelus and the Sea would seem but a mere Ethiopian servant.’

‘Your words are blasphemy, and although Aphrodite be a kind and
indulgent goddess, beware of drawing down her anger upon you.’

‘By Hercules!--and that ought to be an oath of some weight in a city
ruled by one of his descendants--I cannot retract a word of it.’

‘You have seen her, then?’

‘No; but I have a slave in my service who once belonged to Nyssia, and
who has told me a hundred stories about her.’

‘Is it true,’ demanded in infantile tones an equivocal-looking woman
whose pale-rose tunic, painted cheeks, and locks shining with essences
betrayed wretched pretensions to a youth long passed away--’ is it true
that Nyssia has two pupils in each eye? It seems to me that must be very
ugly, and I cannot understand how Candaules could fall in love with such
a monstrosity, while there is no lack, at Sardes and in Lydia, of women
whose eyes are irreproachable.’

And uttering these words with all sorts of affected airs and simperings,
Lamia took a little significant peep in a small mirror of cast metal
which she drew from her bosom, and which enabled her to lead back to
duty certain wandering curls disarranged by the impertinence of the
wind.

‘As to the double pupil, that seems to me nothing more than an old
nurse’s tale,’ observed the well-informed patrician; ‘but it is a fact
that Nyssia’s eyes are so piercing that she can see through walls.
Lynxes are myopic compared with her.’

‘How can a sensible man coolly argue about such an absurdity?’
interrupted a citizen, whose bald skull, and the flood of snowy beard
into which he plunged his fingers while speaking, lent him an air of
preponderance and philosophical sagacity. ‘The truth is that the
daughter of Megabazus cannot naturally see through a wall any better
than you or I, but the Egyptian priest Thoutmosis, who knows so many
wondrous secrets, has given her the mysterious stone which is found in
the heads of dragons, and whose property, as every one knows, renders
all shadows and the most opaque bodies transparent to the eyes of those
who possess it. Nyssia always carries this stone in her girdle, or
else set into her bracelet, and in that may be found the secret of her
clairvoyance.’

The citizen’s explanation seemed the most natural one to those of the
group whose conversation we are endeavouring to reproduce, and the
opinions of Lamia and the patrician were abandoned as improbable.

‘At all events,’ returned the lover of Theano, ‘we are going to have an
opportunity of judging for ourselves, for it seems to me that I hear the
clarions sounding in the distance, and though Nyssia is still invisible,
I can see the herald yonder approaching with palm branches in his hands,
to announce the arrival of the nuptial _cortége_, and make the crowd
fall back.’

At this news, which spread rapidly through the crowd, the strong men
elbowed their way toward the front ranks; the agile boys, embracing the
shafts of the columns, sought to climb up to the capitals and there seat
themselves; others, not without having skinned their knees against the
bark, succeeded in perching themselves comfortably enough in the Y of
some tree-branch. The women lifted their little children upon their
shoulders, warning them to hold tightly to their necks. Those who had
the good fortune to dwell on the street along which Candaules and Nyssia
were about to pass, leaned over from the summit of their roofs, or,
rising on their elbows, abandoned for a time the cushions upon which
they had been reclining.

A murmur of satisfaction and gratified expectation ran through the
crowd, which had already been waiting many long hours, for the arrows of
the midday sun were commencing to sting.

The heavy-armed warriors, with cuirasses of bull’s-hide covered with
overlapping plates of metal, helmets adorned with plumes of horse-hair
dyed red, _knemides_ or greaves faced with tin, baldrics studded with
nails, emblazoned bucklers, and swords of brass, rode behind a line of
trumpeters who blew with might and main upon their long tubes, which
gleamed under the sunlight. The horses of these warriors were all white
as the feet of Thetis, and might have served, by reason of their noble
paces and purity of breeds, as models for those which Phidias at a later
day sculptured upon the metopes of the Parthenon.

At the head of this troop rode Gyges, the well-named, for his name
in the Lydian tongue signifies beautiful. His features, of the most
exquisite regularity, seemed chiselled in marble, owing to his intense
pallor, for he had just discovered in Nyssia, although she was veiled
with the veil of a young bride, the same woman whose face had been
betrayed to his gaze by the treachery of Boreas under the walls of
Bactria.

‘Handsome Gyges looks very sad,’ said the young maidens. ‘What proud
beauty could have secured his love, or what forsaken one has caused some
Thessalian witch to cast a spell on him? Has that cabalistic ring (which
he is said to have found hidden within the flanks of a brazen horse
in the midst of some forest) lost its virtue, and suddenly ceasing to
render its owner invisible, betrayed him to the astonished eyes of some
innocent husband, who had deemed himself alone in his conjugal chamber?’

‘Perhaps he has been wasting his talents and his drachmas at the game of
Palamedes, or else it may be that he is disappointed at not having
won the prize at the Olympian games. He had great faith in his horse
Hyperion.’

No one of these conjectures was true. A fact is never guessed.

After the battalion commanded by Gyges, there came young boys crowned
with myrtle-wreaths, and singing epithalamic hymns after the Lydian
manner, accompanying themselves upon lyres of ivory, which they played
with bows. All were clad in rose-coloured tunics ornamented with
a silver Greek border, and their long hair flowed down over their
shoulders in thick curls.

They preceded the gift-bearers, strong slaves whose half-nude bodies
exposed to view such interlacements of muscle as the stoutest athletes
might have envied.

Upon brancards, supported by two or four men or more, according to
the weight of the objects borne, were placed enormous brazen cratera,
chiselled by the most famous artists; vases of gold and silver whose
sides were adorned with bas-reliefs and whose hands were elegantly
worked into chimeras, foliage, and nude women; magnificent ewers to be
used in washing the feet of illustrious guests; flagons encrusted with
precious stones and containing the rarest perfumes; myrrh from Arabia,
cinnamon from the Indies, spikenard from Persia, essence of roses from
Smyrna; kamklins or perfuming pans, with perforated covers; cedar-wood
or ivory coffers of marvellous workmanship, which opened with a secret
spring that none save the inventor could find, and which contained
bracelets wrought from the gold of Ophir, necklaces of the most lustrous
pearls, mantle-brooches constellated with rubies and carbuncles;
toilet-boxes, containing blond sponges, curling-irons, sea-wolves’ teeth
to polish the nails, the green rouge of Egypt, which turns to a most
beautiful pink on touching the skin, powders to darken the eyelashes and
eyebrows, and all the refinements that feminine coquetry could invent.
Other litters were freighted with purple robes of the finest linen and
of all possible shades from the incarnadine hue of the rose to the deep
crimson of the blood of the grape; _calasires_ of the linen of Canopus,
which is thrown all white into the vat of the dyer, and comes forth
again, owing to the various astringents in which it had been steeped,
diapered with the most brilliant colours; tunics brought from the
fabulous land of Seres, made from the spun slime of a worm which feeds
upon leaves, and so fine that they might be drawn through a finger-ring.

Ethiopians, whose bodies shone like jet, and whose temples were tightly
bound with cords, lest they should burst the veins of their foreheads
in the effort to uphold their burden, carried in great pomp a statue of
Hercules, the ancestor of Candaules, of colossal size, wrought of ivory
and gold, with the club, the skin of the Nemean lion, the three apples
from the garden of the Hesperides, and all the traditional attributes of
the hero.

Statues of Venus Urania, and of Venus Genitrix, sculptured by the best
pupils of the Sicyon School. That marble of Paros whose gleaming
transparency seemed expressly created for the representation of the
ever-youthful flesh of the immortals, were borne after the statue of
Hercules, which admirably relieved the harmony and elegance of their
proportions by contrast with its massive outlines and rugged forms.

A painting by Bularchus, which Candaules had purchased for its weight in
gold, executed upon the wood of the female larch-tree, and representing
the defeat of the Magnesians, evoked universal admiration by the beauty
of its design, the truthfulness of the attitude of its figures, and the
harmony of its colouring, although the artist had only employed in
its production the four primitive colours: Attic ochre, white, Pontic
_sinopis_ and _atramentum_. The young king loved painting and sculpture
even more, perhaps, than well became a monarch, and he had not
unfrequently bought a picture at a price equal to the annual revenue of
a whole city.

Camels and dromedaries, splendidly caparisoned, with musicians seated
on their necks performing upon drums and cymbals, carried the gilded
stakes, the cords, and the material of the tent designed for the use of
the queen during voyages and hunting parties.

These spectacles of magnificence would upon any other occasion have
ravished the people of Sardes with delight, but their curiosity had been
enlisted in another direction, and it was not without a certain feeling
of impatience that they watched this portion of the procession file by.
The young maidens and the handsome boys, bearing flaming torches, and
strewing handfuls of crocus flowers along the way, hardly attracted any
attention. The idea of beholding Nyssia had preoccupied all minds.

At last Candaules appeared, riding in a chariot drawn by four horses,
as beautiful and spirited as those of the sun, all rolling their golden
bits in foam, shaking their purple-decked manes, and restrained
with great difficulty by the driver, who stood erect at the side of
Candaules, and was leaning back to gain more power on the reins.

Candaules was a young man full of vigour, and well worthy of his
Herculean origin. His head was joined to his shoulders by a neck massive
as a bull’s, and almost without a curve; his hair, black and lustrous,
twisted itself into rebellious little curls, here and there concealing
the circlet of his diadem; his ears, small and upright, were of a ruddy
hue; his forehead was broad and full, though a little low, like all
antique foreheads; his eyes full of gentle melancholy, his oval cheeks,
his chin with its gentle and regular curves, his mouth with its slightly
parted lips--all bespoke the nature of the poet rather than that of
the warrior. In fact, although he was brave, skilled in all bodily
exercises, could subdue a wild horse as well as any of the Lapithæ,
or swim across the current of rivers when they descended, swollen with
melted snow, from the mountains, although he might have bent the bow of
Odysseus or borne the shield of Achilles, he seemed little occupied with
dreams of conquest; and war usually so fascinating to young kings,
had little attraction for him. He contented himself with repelling the
attacks of his ambitious neighbours, and sought not to extend his own
dominions. He preferred building palaces, after plans suggested by
himself to the architects, who always found the king’s hints of no small
value, or to form collections of statues and paintings by artists of
the elder and later schools. He had the works of Telephanes of Sicyon,
Cleanthes, Ardices of Corinth, Hygiemon, Deinias, Charmides, Eumarus,
and Cimon, some being simple drawings, and others paintings in various
colours or monochromes. It was even said that Candaules had not
disdained to wield with his own royal hands--a thing hardly becoming
a prince--the chisel of the sculptor and the sponge of the encaustic
painter.

But why should we dwell upon Candaules? The reader undoubtedly feels
like the people of Sardes: and it is of Nyssia that he desires to hear.

The daughter of Megabazus was mounted upon an elephant, with wrinkled
skin and immense ears which seemed like flags, who advanced with a heavy
but rapid gait, like a vessel in the midst of the waves. His tusks and
his trunk were encircled with silver rings, and around the pillars of
his limbs were entwined necklaces of enormous pearls. Upon his back,
which was covered with a magnificent Persian carpet of striped
pattern, stood a sort of estrade overlaid with gold finely chased, and
constellated with onyx stones, carnelians, chrysolites, lapis-lazuli,
and girasols; upon this estrade sat the young queen, so covered with
precious stones as to dazzle the eyes of the beholders. A mitre, shaped
like a helmet, on which pearls formed flower designs and letters after
the Oriental manner, was placed upon her head; her ears, both the lobes
and rims of which had been pierced, were adorned with ornaments in the
form of little cups, crescents, and balls; necklaces of gold and silver
beads, which had been hollowed out and carved, thrice encircled her neck
and descended with a metallic tinkling upon her bosom; emerald serpents
with topaz or ruby eyes coiled themselves in many folds about her arms,
and clasped themselves by biting their own tails. These bracelets were
connected by chains of precious stones, and so great was their weight
that two attendants were required to kneel beside Nyssia and support
her elbows. She was clad in a robe embroidered by Syrian workmen with
shining designs of golden foliage and diamond fruits, and over this she
wore the short tunic of Persepolis, which hardly descended to the knee,
and of which the sleeves were slit and fastened by sapphire clasps.
Her waist was encircled from hip to loins by a girdle wrought of narrow
material, variegated with stripes and flowered designs, which formed
themselves into symmetrical patterns as they were brought together by
a certain arrangement of the folds which Indian girls alone know how to
make. Her trousers of byssus, which the Phoenicians called _syndon_ were
confined at the ankles by anklets adorned with gold and silver bells,
and completed this toilet so fantastically rich and wholly opposed to
Greek taste. But, alas! a saffron-coloured _flammeum_ pitilessly masked
the face of Nyssia, who seemed embarrassed, veiled though she was, at
finding so many eyes fixed upon her, and frequently signed to a slave
behind her to lower the parasol of ostrich plumes, and thus conceal her
yet more from the curious gaze of the crowd.

Candaules had vainly begged of her to lay aside her veil, even for that
solemn occasion. The young barbarian had refused to pay the welcome of
her beauty to his people. Great was the disappointment. Lamia declared
that Nyssia dared not uncover her face for fear of showing her double
pupil. The young libertine remained convinced that Theano of Colophon
was more beautiful than the queen of Sardes; and Gyges sighed when he
beheld Nyssia, after having made her elephant kneel down, descend upon
the inclined heads of Damascus slaves as upon a living ladder, to
the threshold of the royal dwelling, where the elegance of Greek
architecture was blended with the fantasies and enormities of Asiatic
taste.




CHAPTER II

In our character of poet we have the right to lift the saffron-coloured
_flammeum_ which concealed the young bride, being more fortunate in this
wise than the Sardians, who after a whole day’s waiting were obliged
to return to their houses, and were left, as before, to their own
conjectures.

Nyssia was really far superior to her reputation, great as it was. It
seemed as though Nature in creating her had resolved to exhaust her
utmost powers, and thus make atonement for all former experimental
attempts and fruitless essays. One would have said that, moved by
jealousy of the future marvels of the Greek sculptors, she also had
resolved to model a statue herself, and to prove that she was still
sovereign mistress in the plastic art.

The grain of snow, the micaceous brilliancy of Parian marble, the
sparkling pulp of balsamine flowers, would render but a feeble idea
of the ideal substance whereof. Nyssia had been formed. That flesh,
so fine, so delicate, permitted daylight to penetrate it, and modelled
itself in transparent contours, in lines as sweetly harmonious as music
itself. According to different surroundings, it took the colour of the
sunlight or of purple, like the aromal body of a divinity, and seemed
to radiate light and life. The world of perfections inclosed within the
nobly lengthened oval of her chaste face could have been rendered by no
earthly art--neither by the chisel of the sculptor, nor the brush of the
painter, nor the style of any poet--though it were Praxiteles,
Apelles, or Mimnernus; and on her smooth brow, bathed by waves of
hair amber-bright as molten electrum and sprinkled with gold filings,
according to the Babylonian custom, sat as upon a jasper throne the
unalterable serenity of perfect loveliness.

As for her eyes, though they did not justify what popular credulity said
of them, they were at least wonderfully strange eyes; brown eyebrows,
with extremities ending in points elegant as those of the arrows of
Eros, and which were joined to each other by a streak of henna after
the Asiatic fashion, and long fringes of silkily-shadowed eyelashes
contrasted strikingly with the twin sapphire stars rolling in the heaven
of dark silver which formed those eyes. The irises of those eyes,
whose pupils were blacker than atrament, varied singularly in shades of
shifting colour. From sapphire they changed to turquoise, from turquoise
to beryl, from beryl to yellow amber, and sometimes, like a limpid
lake whose bottom is strewn with jewels, they offered, through their
incalculable depths, glimpses of golden and diamond sands upon which
green fibrils vibrated and twisted themselves into emerald serpents. In
those orbs of phosphoric lightning the rays of suns extinguished, the
splendours of vanished worlds, the glories of Olympus eclipsed--all
seemed to have concentrated their reflections. When contemplating
them one thought of eternity, and felt himself seized with a mighty
giddiness, as though he were leaning over the verge of the Infinite.

The expression of those extraordinary eyes was not less variable than
their tint. At times their lids opened like the portals of celestial
dwellings; they invited you into elysiums of light, of azure, of
ineffable felicity; they promised you the realisation, tenfold, a
hundredfold, of all your dreams of happiness, as though they had divined
your soul’s most secret thoughts; again, impenetrable as sevenfold
plated shields of the hardest metals, they flung back your gaze like
blunted and broken arrows. With a simple inflexion of the brow, a
mere flash of the pupil, more terrible than the thunder of Zeus, they
precipitated you from the heights of your most ambitious escalades into
depths of nothingness so profound that it was impossible to rise again.
Typhon himself, who writhes under Ætna, could not have lifted the
mountains of disdain with which they overwhelmed you. One felt that
though he should live for a thousand Olympiads endowed with the beauty
of the fair son of Latona, the genius of Orpheus, the unbounded might
of Assyrian kings, the treasures of the Cabeirei, the Telchines, and
the Dactyli, gods of subterranean wealth, he could never change their
expression to mildness.

At other times their languishment was so liquidly persuasive, their
brilliancy and irradiation so penetrating, that the icy coldness of
Nestor and Priam would have melted under their gaze, like the wax of
the wings of Icarus when he approached the flaming zones. For one such
glance a man would have gladly steeped his hands in the blood of his
host, scattered the ashes of his father to the four winds, overthrown
the holy images of the gods, and stolen the fire of heaven itself, like
the sublime thief, Prometheus.

Nevertheless, their most ordinary expression, it must be confessed, was
of a chastity to make one desperate--a sublime coldness--an ignorance
of all possibilities of human passion, such as would have made the
moon-bright eyes of Phoebe or the sea-green eyes of Athena appear by
comparison more liquidly tempting than those of a young girl of Babylon
sacrificing to the goddess Mylitta within the cord-circled enclosure of
Succoth-Benohl. Their invincible virginity seemed to bid love defiance.

The cheeks of Nyssia, which no human gaze had ever profaned, save that
of Gyges on the day when the veil was blown away, possessed a youthful
bloom, a tender pallor, a delicacy of grain, and a downiness whereof
the faces of our women, perpetually exposed to sunlight and air, cannot
convey the most distant idea. Modesty created fleeting rosy clouds upon
them like those which a drop of crimson essence would form in a cup of
milk, and when uncoloured by any emotion they took a silvery sheen, a
warm light, like an alabaster vessel illumined by a lamp within. That
lamp was her charming soul, which exposed to view the transparency of
her flesh.

A bee would have been deceived by her mouth, whose form was so perfect,
whose corners were so purely dimpled, whose crimson was so rich and
warm that the gods would have descended from their Olympian dwellings
in order to touch it with lips humid with immortality, but that the
jealousy of the goddesses restrained their impetuosity. Happy the wind
which passed through that purple and pearl, which dilated those
pretty nostrils, so finely cut and shaded with rosy tints like the
mother-of-pearl of the shells thrown by the sea on the shore of Cyprus
at the feet of Venus Anadyomene! But are there not a multitude of
favours thus granted to things which cannot understand them? What lover
would not wish to be the tunic of his well-beloved or the water of her
bath?

Such was Nyssia, if we dare make use of the expression after so vague
a description of her face. If our foggy Northern idioms had the warm
liberty, the burning enthusiasm of the Sir Hasirim, we might, perhaps,
by comparisons--awakening in the mind of the reader memories of flowers
and perfumes, of music and sunlight, evoking, by the magic of words,
all the graceful and charming images that the universe can contain--have
been able to give some idea of Nyssia’s features; but it is permitted to
Solomon alone to compare the nose of a beautiful woman to the tower
of Lebanon which looketh toward Damascus. And yet what is there in the
world of more importance than the nose of a beautiful woman? Had Helen,
the white Tyndarid, been flat-nosed, would the Trojan War have taken
place? And if the profile of Semiramis had not been perfectly regular,
would she have bewitched the old monarch of Nineveh and encircled her
brow with the mitre of pearls, the symbol of supreme power?

Although Candaules had brought to his palace the most beautiful slaves
from the people of the Sorse, of Askalon, of Sogdiana, of the Sacse, of
Rhapta, the most celebrated courtesans from Ephesus, from Pergamus, from
Smyrna, and from Cyprus, he was completely fascinated by the charms of
Nyssia. Up to that time he had not even suspected the existence of such
perfection.

Privileged as a husband to enjoy fully the contemplation of this beauty,
he found himself dazzled, giddy, like one who leans over the edge of
an abyss, or fixes his eyes upon the sun; he felt himself seized, as it
were, with the dilirium of possession, like a priest drunk with the god
who fills and moves him. All other thoughts disappeared from his soul,
and the universe seemed to him only as a vague mist in the midst of
which beamed the shining phantom of Nyssia. His happiness transformed
itself into ecstasy, and his love into madness. At times his very
felicity terrified him. To be only a wretched king, only a remote
descendant of a hero who had become a god by mighty labours, only
a common man formed of flesh and bone, and without having in aught
rendered himself worthy of it--without having even, like his ancestor,
strangled some hydra, or torn some lion asunder--to enjoy a happiness
whereof Zeus of the ambrosial hair would scarce be worthy, though
lord of all Olympus! He felt, as it were, a shame to thus hoard up for
himself alone so rich a treasure, to steal this marvel from the world,
to be the dragon with scales and claws who guarded the living type of
the ideal of lovers, sculptors, and poets. All they had ever dreamed of
in their hope, their melancholy, and their despair, he possessed--he,
Candaules, poor tyrant of Sardes, who had only a few wretched coffers
filled with pearls, a few cisterns filled with gold pieces, and thirty
or forty thousand slaves, purchased or taken in war.

Candaules’s felicity was too great for him, and the strength which he
would doubtless have found at his command in time of misfortune was
wanting to him in time of happiness. His joy overflowed from his soul
like water from a vase placed upon the fire, and in the exasperation of
his enthusiasm for Nyssia he had reached the point of desiring that she
were less timid and less modest, for it cost him no little effort to
retain in his own breast the secret of such wondrous beauty.

‘Ah,’ he would murmur to himself during the deep reveries which absorbed
him at all hours that he did not spend at the queen’s side, ‘how strange
a lot is mine! I am wretched because of that which would make any other
husband happy. Nyssia will not leave the shadow of the gynaeceum, and
refuses, with barbarian modesty, to lift her veil in the presence of any
other than myself. Yet with what an intoxication of pride would my love
behold her, radiantly sublime, gaze down upon my kneeling people from
the summit of the royal steps, and, like the rising dawn, extinguish
all those pale stars who during the night thought themselves suns! Proud
Lydian women, who believe yourselves beautiful, but for Nyssia’s reserve
you would appear, even to your lovers, as ugly as the oblique-eyed and
thick-lipped slaves of Nahasi and Kush. Were she but once to pass along
the streets of Sardes with face unveiled, you might in vain pull your
adorers by the lappet of their tunic, for none of them would turn his
head, or, if he did, it would be to demand your name, so utterly would
he have forgotten you! They would rush to precipitate themselves beneath
the silver wheels of her chariot, that they might have even the pleasure
of being crushed by her, like those devotees of the Indus who pave the
pathway of their idol with their bodies.

‘And you, O goddesses, whom Paris-Alexander judged, had Nyssia appeared
among you, not one of you would have borne away the golden apple,
not even Aphrodite, despite her cestus and her promise to the
shepherd-arbiter that she would make him beloved by the most beautiful
woman in the world!...

‘Alas! to think that such beauty is not immortal, and that years will
alter those divine outlines, that admirable hymn of forms, that poem
whose strophes are contours, and which no one in the world has ever read
or may ever read save myself; to be the sole depositary of so splendid a
treasure! If I knew even by imitating the play of light and shadow with
the aid of lines and colours, how to fix upon wood a reflection of that
celestial face; if marble were not rebellious to my chisel, how well
would I fashion in the purest vein of Paros or Pentelicus an image of
that charming body, which would make the proud effigies of the goddesses
fall from their altars! And long after, when deep below the slime of
deluges, and beneath the dust of ruined cities, the men of future ages
should find a fragment of that petrified shadow of Nyssia, they would
cry: “Behold, how the women of this vanished world were formed!” And
they would erect a temple wherein to enshrine the divine fragment. But I
have naught save a senseless admiration and a love that is madness! Sole
adorer of an unknown divinity, I possess no power to spread her worship
through the world.’

Thus in Candaules had the enthusiasm of the artist extinguished the
jealousy of the lover. Admiration was mightier than love. If in place
of Nyssia, daughter of the Satrap Megabazus, all imbued with Oriental
ideas, he had espoused some Greek girl from Athens or Corinth, he
would certainly have invited to his court the most skilful painters
and sculptors, and have given them the queen for their model, as did
afterward Alexander his favourite Campaspe, who posed naked before
Apelles. Such a whim would have encountered no opposition from a
woman of the land where even the most chaste made a boast of having
contributed--some for the back, some for the bosom--to the perfection of
a famous statue. But hardly would the bashful Nyssia consent to unveil
herself in the discreet shadow of the thalamus, and the earnest prayers
of the king really shocked her rather than gave her pleasure. The
sentiment of duty and obedience alone induced her to yield at times to
what she styled the whims of Candaules.

Sometimes he besought her to allow the flood of her hair to flow over
her shoulders in a river of gold richer than the Pactolus, to encircle
her brow with a crown of ivy and linden leaves like a bacchante of Mount
Maenalus, to lie, hardly veiled by a cloud of tissue finer than woven
wind, upon a tiger-skin with silver claws and ruby eyes, or to stand
erect in a great shell of mother-of-pearl, with a dew of pearls falling
from her tresses in lieu of drops of sea-water.

When he had placed himself in the best position for observation,
he became absorbed in silent contemplation. His hand, tracing vague
contours in the air, seemed to be sketching the outlines for some
picture, and he would have remained thus for whole hours if Nyssia, soon
becoming weary of her rôle of model, had not reminded him in chill and
disdainful tones that such amusements were unworthy of royal majesty and
contrary to the holy laws of matrimony. ‘It is thus,’ she would exclaim,
as she withdrew, draped to her very eyes, into the most mysterious
recesses of her apartment, ‘that one treats a mistress, not a virtuous
woman of noble blood!’

These wise remonstrances did not cure Candaules, whose passion augmented
in inverse ratio to the coldness shown him by the queen. And it had at
last brought him to that point that he could no longer keep the secrets
of the nuptial couch. A confidant became as necessary to him as to the
prince of a modern tragedy. He did not proceed, you may feel assured,
to fix his choice upon some crabbed philosopher of frowning mien, with
a flood of gray-and-white beard rolling down over a mantle in proud
tatters; nor a warrior who could talk of nothing save ballista,
catapults, and scythed chariots; nor a sententious Eupatrid full of
councils and politic maxims; but Gyges, whose reputation for gallantry
caused him to be regarded as a connoisseur in regard to women.

One evening he laid his hand upon his shoulder in a more than ordinarily
familiar and cordial manner, and after giving him a look of peculiar
significance, he suddenly strode away from the group of courtiers,
saying in a loud voice:

‘Gyges, come and give me your opinion in regard to my effigy, which
the Sicyon sculptors have just finished chiselling on the genealogical
bas-relief where the deeds of my ancestors are celebrated.’

‘O king, your knowledge is greater than that of your humble subject,
and I know not how to express my gratitude for the honour you do me in
deigning to consult me,’ replied Gyges, with a sign of assent.

Candaules and his favourite traversed several halls ornamented in the
Hellenic style, where the Corinthian acanthus and the Ionic volute
bloomed or curled in the capitals of the columns, where the friezes
were peopled with little figures in polychromatic plastique representing
processions and sacrifices, and they finally arrived at a remote portion
of the ancient palace whose walls were built with stones of irregular
form, put together without cement in the cyclopean manner. This
ancient architecture was colossally proportioned and weirdly grim. The
immeasurable genius of the elder civilisations of the Orient was there
legibly written, and recalled the granite and brick debauches of Egypt
and Assyria. Something of the spirit of the ancient architects of
the tower of Lylax survived in those thick-set pillars with their
deep-fluted trunks, whose capitals were formed by four heads of bulls,
placed forehead to forehead, and bound together by knots of serpents
that seemed striving to devour them, an obscure cosmogonie symbol
whereof the meaning was no longer intelligible, and had descended into
the tomb with the hierophants of preceding ages. The gates were neither
of a square nor rounded form. They described a sort of ogive much
resembling the mitre of the Magi, and by their fantastic character gave
still more intensity to the character of the building.

This portion of the palace formed a sort of court surrounded by
a portico whose architecture was ornamented with the genealogical
bas-relief to which Can-daules had alluded.

In the midst thereof sat Heracles upon a throne, with the upper part of
his body uncovered, and his feet resting upon a stool, according to
the rite for the representation of divine personages. His colossal
proportions would otherwise have left no doubt as to his apotheosis, and
the archaic rudeness and hugeness of the work, wrought by the chisel
of some primitive artist, imparted to his figure an air of barbaric
majesty, a savage grandeur more appropriate, perhaps, to the character
of this monster-slaying hero than would have been the work of a sculptor
consummate in his art.

On the right of the throne were Alcseus, son of the hero and of
Omphale; Ninus, Belus, Argon, the earlier kings of the dynasty of the
Heracleidae, then all the line of intermediate kings, terminating with
Ardys, Alyattes, Meles or Myrsus, father of Candaules, and finally
Candaules himself.

All these personages, with their hair braided into little strings, their
beards spirally twisted, their oblique eyes, angular attitudes, cramped
and stiff gestures, seemed to own a sort of factitious life, due to the
rays of the setting sun, and the ruddy hue which time lends to marble
in warm climates. The inscriptions in antique characters, graven beside
them after the manner of legends, enhanced still more the mysterious
weirdness of the long procession of figures in strange barbarian garb.

By a singular chance, which Gyges could not help observing, the statue
of Candaules occupied the last available place at the right hand of
Heracles; the dynastic cycle was closed, and in order to find a place
for the descendants of Candaules it would be absolutely necessary to
build a new portico and commence the formation of a new bas-relief.

Candaules, whose arm still rested on the shoulder of Gyges, walked
slowly round the portico in silence. He seemed to hesitate to enter into
the subject, and had altogether forgotten the pretext under which he had
led the captain of his guards into that solitary place.

‘What would you do, Gyges,’ said Candaules, at last breaking the silence
which had been growing painful to both, ‘if you were a diver, and should
bring up from the green bosom of the ocean a pearl of incomparable
purity and lustre, and of worth so vast as to exhaust the richest
treasures of the earth?’

‘I would inclose it,’ answered Gyges, a little surprised at this brusque
question, ‘in a cedar box overlaid with plates of brass, and I would
bury it under a detached rock in some desert place; and from time to
time, when I should feel assured that none could see me, I would go
thither to contemplate my precious jewel and admire the colours of the
sky mingling with its nacreous tints.’

‘And I,’ replied Candaules, his eye illuminated with enthusiasm, ‘if I
possessed so rich a gem, I would enshrine it in my diadem, that I might
exhibit it freely to the eyes of all men, in the pure light of the sun,
that I might adorn myself with its splendour and smile with pride when
I should hear it said: “Never did king of Assyria or Babylon, never did
Greek or Trinacrian tyrant possess so lustrous a pearl as Candaules,
son of Myrsus and descendant of Heracles, King of Sardes and of Lydia!
Compared with Candaules, Midas, who changed all things to gold, were
only a mendicant as poor as Irus.”’

Gyges listened with astonishment to this discourse of Candaules, and
sought to penetrate the hidden sense of these lyric divagations. The
king appeared to be in a state of extraordinary excitement: his eyes
sparkled with enthusiasm; a feverish rosiness tinted his cheeks; his
dilated nostrils inhaled the air with unusual effort.

‘Well, Gyges,’ continued Candaules, without appearing to notice the
uneasiness of his favourite, ‘I am that diver. Amid this dark ocean of
humanity, wherein confusedly move so many defective or misshapen beings,
so many forms incomplete or degraded, so many types of bestial ugliness,
wretched outlines of nature’s experimental essays, I have found beauty,
pure, radiant, without spot, without flaw, the ideal made real, the
dream accomplished, a form which no painter or sculptor has ever been
able to translate upon canvas or into marble--I have found Nyssia!’

‘Although the queen has the timid modesty of the women of the Orient,
and that no man save her husband has ever beheld her features, Fame,
hundred-tongued and hundred-eared, has celebrated her praise throughout
the world,’ answered Gyges, respectfully inclining his head as he spoke.

‘Mere vague, insignificant rumours. They say of her, as of all women not
actually ugly, that she is more beautiful than Aphrodite or Helen; but
no person could form even the most remote idea of such perfection. In
vain have I besought Nyssia to appear unveiled at some public festival,
some solemn sacrifice, or to show herself for an instant leaning over
the royal terrace, bestowing upon her people the immense favour of
one look, the prodigality of one profile view, more generous than the
goddesses who permit their worshippers to behold only pale simulacra of
ivory or alabaster. She would never consent to that. Now there is one
strange thing which I blush to acknowledge even to you, dear Gyges.
Formerly I was jealous; I wished to conceal my amours from all eyes, no
shadow was thick enough, no mystery sufficiently impenetrable. Now I can
no longer recognise myself. I have the feelings neither of a lover nor
a husband; my love has melted in adoration like thin wax in a fiery
brazier. All petty feelings of jealousy or possession have vanished. No,
the most finished work that heaven has ever given to earth, since the
day that Prometheus held the flame under the right breast of the
statue of clay, cannot thus be kept hidden in the chill shadow of the
gynaeceum. Were I to die, then the secret of this beauty would for ever
remain shrouded beneath the sombre draperies of widowhood! I feel myself
culpable in its concealment, as though I had the sun in my house, and
prevented it from illuminating the world. And when I think of those
harmonious lines, those divine contours which I dare scarcely touch with
a timid kiss, I feel my heart ready to burst; I wish that some friendly
eye could share my happiness and, like a severe judge to whom a picture
is shown, recognise after careful examination that it is irreproachable,
and that the possessor has not been deceived by his enthusiasm. Yes,
often do I feel myself tempted to tear off with rash hand those odious
tissues, but Nyssia, in her fierce chastity, would never forgive me. And
still I cannot alone endure such felicity. I must have a confidant for
my ecstasies, an echo which will answer my cries of admiration, and it
shall be none other than you.’

Having uttered these words, Candaules brusquely turned and disappeared
through a secret passage. Gyges, left thus alone, could not avoid
noticing the peculiar concourse of events which seemed to place him
always in Nyssia’s path. A chance had enabled him to behold her beauty,
though walled up from all other eyes. Among many princes and satraps she
had chosen to espouse Candaules, the very king he served; and through
some strange caprice, which he could only regard as fateful, this king
had just made him, Gyges, his confidant in regard to the mysterious
creature whom none else had approached, and absolutely sought to
complete the work of Boreas on the plain of Bactria! Was not the hand
of the gods visible in all these circumstances? That spectre of beauty,
whose veil seemed to be lifted slowly, a little at a time, as though to
enkindle a flame within him, was it not leading him, without his having
suspected it, toward the accomplishment of some mighty destiny? Such
were the questions which Gyges asked himself, but being unable to
penetrate the obscurity of the future, he resolved to await the course
of events, and left the Court of Images, where the twilight darkness
was commencing to pile itself up in all the angles, and to render
the effigies of the ancestors of Candaules yet more and more weirdly
menacing.

Was it a mere effort of light, or was it rather an illusion produced by
that vague uneasiness with which the boldest hearts are filled by the
approach of night amid ancient monuments? As he stepped across the
threshold Gyges fancied that he heard deep groans issue from the stone
lips of the bas-reliefs, and it seemed to him that Heracles was making
enormous efforts to loosen his granite club.




CHAPTER III

On the following day Candaules again took Gyges aside and continued the
conversation begun under the portico of the Heracleidæ. Having freed
himself from the embarrassment of broaching the subject, he freely
unbosomed himself to his confidant; and had Nyssia been able to
overhear him she might perhaps have been willing to pardon his conjugal
indiscretions for the sake of his passionate eulogies of her charms.

Gyges listened to all these bursts of praise with the slightly
constrained air of one who is yet uncertain whether his interlocutor is
not feigning an enthusiasm more ardent than he actually feels, in order
to provoke a confidence naturally cautious to utter itself. Can-daules
at last said to him in a tone of disappointment: ‘I see, Gyges, that you
do not believe me. You think I am boasting, or have allowed myself to be
fascinated like some clumsy labourer by a robust country girl on whose
cheeks Hygeia has crushed the gross hues of health. No, by all the gods!
I have collected within my home, like a living bouquet, the fairest
flowers of Asia and of Greece. I know all that the art of sculptors and
painters has produced since the time of Daedalus, whose statues walked
and spoke. Linus, Orpheus, Homer, have taught me harmony and rhythm. I
do not look about me with Love’s bandage blindfolding my eyes. I
judge of all things coolly. The passions of youth never influence my
admiration, and when I am as withered, decrepit, wrinkled, as Tithonus
in his swaddling bands, my opinion will be still the same. But I forgive
your incredulity and want of sympathy. In order to understand me fully,
it is necessary that you should see Nyssia in the radiant brilliancy of
her shining whiteness, free from jealous drapery, even as Nature with
her own hands moulded her in a lost moment of inspiration which never
can return. This evening I will hide you in a corner of the bridal
chamber... you shall see her!’

‘Sire, what do you ask of me?’ returned the young warrior with
respectful firmness. ‘How shall I, from the depths of my dust, from
the abyss of my nothingness, dare to raise my eyes to this sun of
perfections, at the risk of remaining blind for the rest of my life,
or being able to see naught but a dazzling spectre in the midst of
darkness? Have pity on your humble slave, and do not compel him to an
action so contrary to the maxims of virtue. No man should look upon what
does not belong to him. We know that the immortals always punish those
who through imprudence or audacity surprise them in their divine nudity.
Nyssia is the loveliest of all women; you are the happiest of lovers and
husbands. Heracles, your ancestor, never found in the course of his many
conquests aught to compare with your queen. If you, the prince of whom
even the most skilful artists seek judgment and counsel--if you find her
incomparable, of what consequence can the opinion of an obscure soldier
like me be to you? Abandon, therefore, this fantasy, which I presume to
say is unworthy of your royal majesty, and of which you would repent so
soon as it had been satisfied.’

‘Listen, Gyges,’ returned Candaules; ‘I perceive that you suspect me;
you think that I seek to put you to some proof, but by the ashes of that
funeral pyre whence my ancestor arose a god, I swear to you that I speak
frankly and without any after-purpose.’

‘O Candaules, I doubt not of your good faith; your passion is sincere,
but perchance, after I should have obeyed you, you would conceive a deep
aversion to me, and learn to hate me for not having more firmly resisted
your will. You would seek to take back from these eyes, indiscreet
through compulsion, the image which you allowed them to glance upon in a
moment of delirium; and who knows but that you would condemn them to the
eternal night of the tomb to punish them for remaining open at a moment
when they ought to have been closed.’

‘Fear nothing; I pledge my royal word that no evil shall befall you.’

‘Pardon your slave if he still dares to offer some objection, even after
such a promise. Have you reflected that what you propose to me is a
violation of the sanctity of marriage, a species of visual adultery? A
woman often lays aside her modesty with her garments; and once violated
by a look, without having actually ceased to be virtuous, she might deem
that she had lost her flower of purity. You promise, indeed, to feel
no resentment against me; but who can ensure me against the wrath of
Nyssia, she who is so reserved and chaste, so apprehensive, fierce, and
virginal in her modesty that she might be deemed still ignorant of the
laws of Hymen? Should she ever learn of the sacrilege which I am about
to render myself guilty of in deferring to my master’s wishes, what
punishment would she condemn me to suffer in expiation of such a crime?
Who could place me beyond the reach of her avenging anger?’

‘I did not know you were so wise and prudent,’ said Candaules, with
a slightly ironical smile; ‘but such dangers are all imaginary, and I
shall hide you in such a way that Nyssia will never know she has been
seen by any one except her royal husband.’

Being unable to offer any further defence, Gyges made a sign of assent
in token of complete submission to the king’s will. He had made all the
resistance in his power, and thenceforward his conscience could feel
at ease in regard to whatever might happen; besides, by any further
opposition to the will of Candaules, he would have feared to oppose
destiny itself, which seemed striving to bring him still nearer to
Nyssia for some grim ulterior purpose into which it was not given to him
to see further.

Without actually being able to foresee any result, he beheld a thousand
vague and shadowy images passing before his eyes. That subterranean
love, so long crouched at the foot of his soul’s stairway, had climbed
a few steps higher, guided by some fitful glimmer of hope. The weight of
the impossible no longer pressed so heavily upon his breast, now that
he believed himself aided by the gods. In truth, who would have dreamed
that the much-boasted charms of the daughter of Megabazus would ere long
cease to own any mystery for Gyges?

‘Come, Gyges,’ said Candaules, taking him by the hand, ‘let us make
profit of the time. Nyssia is walking in the garden with her women; let
us look at the place, and plan our stratagems for this evening.’

The king took his confidant by the hand and led him along the winding
ways which conducted to the nuptial apartment. The doors of the
sleeping-room were made of cedar planks so perfectly put together that
it was impossible to discover the joints. By dint of rubbing them with
wool steeped in oil, the slaves had rendered the wood as polished as
marble. The brazen nails, with heads cut in facets, which studded them,
had all the brilliancy of the purest gold. A complicated system of
straps and metallic rings, whereof Candaules and his wife alone knew
the combination, served to secure them, for in those heroic ages the
locksmith’s art was yet in its infancy.

Candaules unloosed the knots, made the rings slide back upon the thongs,
raised with a handle which fitted into a mortise the bar that fastened
the door from within, and bidding Gyges place himself against the wall,
turned back one of the folding-doors upon him in such a way as to hide
him completely; yet the door did not fit so perfectly to its frame of
oaken beams, all carefully polished and put up according to line by a
skilful workman, that the young warrior could not obtain a distinct view
of the chamber interior through the interstices contrived to give room
for the free play of the hinges.

Facing the entrance, the royal bed stood upon an estrade of several
steps, covered with purple drapery. Columns of chased silver supported
the entablature, all ornamented with foliage wrought in relief, amid
which Loves were sporting with dolphins, and heavy curtains embroidered
with gold surrounded it like the folds of a tent.

Upon the altar of the household gods were placed vases of precious
metal, paterae enamelled with flowers, double-handled cups, and all
things needful for libations.

Along the walls, which were faced with planks of cedar-wood,
marvellously worked, at regular intervals stood tall statues of black
basalt in the constrained attitudes of Egyptian art, each sustaining in
its hand a bronze torch into which a splinter of resinous wood had been
fitted.

An onyx lamp, suspended by a chain of silver, hung from that beam of the
ceiling which is called the black beam, because more exposed than the
others to the embrowning smoke. Every evening a slave carefully filled
this lamp with odoriferous oil.

Near the head of the bed, on a little column, hung a trophy of arms,
consisting of a visored helmet, a twofold buckler made of four bulls’
hides and covered with plates of brass and tin, a two-edged sword, and
several ashen javelins with brazen heads.

The tunics and mantles of Candaules were hung upon wooden pegs. They
comprised garments both simple and double; that is, capable of going
twice around the body. A mantle of thrice-dyed purple, ornamented with
embroidery representing a hunting scene wherein Laconian hounds were
pursuing and tearing deer, and a tunic whereof the material, fine and
delicate as the skin which envelops an onion had all the sheen of woven
sunbeams, were especially noticeable. Opposite to the trophy stood
an armchair inlaid with silver and ivory upon which Nyssia hung her
garments. Its seat was covered with a leopard skin more eye-spotted than
the body of Argus, and its foot-support was richly adorned with openwork
carving.

‘I am generally the first to retire,’ observed Candaules to Gyges, ‘and
I always leave this door open as it is now. Nyssia, who has invariably
some tapestry flower to finish, or some order to give her women, usually
delays a little in joining me; but at last she comes, and slowly takes
off, one by one, as though the effort cost her dearly, and lays upon
that ivory chair, all those draperies and tunics which by day envelop
her like mummy bandages. From your hiding-place you will be able to
follow all her graceful movements, admire her unrivalled charms, and
judge for yourself whether Candaules be a young fool prone to vain
boasting, or whether he does not really possess the richest pearl of
beauty that ever adorned a diadem.’

‘O King, I can well believe your words without such a proof as this,’
replied Gyges, stepping forth from his hiding-place. ‘When she has
laid aside her garments,’ continued Candaules, without heeding the
exclamation of his confidant, ‘she will come to lie down with me. You
must take advantage of the moment to steal away, for in passing from the
chair to the bed she turns her back to the door. Step lightly as though
you were treading upon ears of ripe wheat; take heed that no grain
of sand squeaks under your sandals; hold your breath, and retire as
stealthily as possible. The vestibule is all in darkness, and the feeble
rays of the only lamp which remains burning do not penetrate beyond the
threshold of the chamber. It is, therefore, certain that Nyssia cannot
possibly see you; and to-morrow there will be some one in the world who
can comprehend my ecstasies, and will feel no longer astonished at my
bursts of admiration. But see, the day is almost spent; the Sun will
soon water his steeds in the Hesperian waves at the further end of the
world, and beyond the Pillars erected by my ancestors. Return to your
hiding-place, Gyges, and though the hours of waiting may seem long, I
can swear by Eros of the Golden Arrows that you will not regret having
waited.’

After this assurance Candaules left Gyges again hidden behind the door.
‘The compulsory quiet which the king’s young confidant found himself
obliged to maintain left him ample leisure for thought. His situation
was certainly a most extraordinary one. He had loved Nyssia as one loves
a star. Convinced of the hopelessness of the undertaking, he had made
no effort to approach her. And, nevertheless, by a succession of
extraordinary events he was about to obtain a knowledge of treasures
reserved for lovers and husbands only. Not a word, not a glance had
been exchanged between himself and Nyssia, who probably ignored the very
existence of the one being for whom her beauty would so soon cease to be
a mystery. Unknown to her whose modesty would have naught to sacrifice
for you, how strange a situation! To love a woman in secret and find
oneself led by her husband to the threshold of the nuptial chamber, to
have for guide to that treasure the very dragon who should defend all
approach to it, was there not in all this ample food for astonishment
and wonder at the combination of events wrought by destiny?

In the midst of these reflections, he suddenly heard the sound of
footsteps on the pavement. It was only the slaves coming to replenish
the oil in the lamp, throw fresh perfumes upon the coals of the
kamklins, and arrange the purple and saffron-tinted sheepskins which
formed the royal bed.

The hour approached, and Gyges felt his heart beat faster, and the
pulsation of his arteries quicken. He even felt a strong impulse
to steal away before the arrival of the queen, and, after averring
subsequently to Candaules that he had remained, abandon himself
confidently to the most extravagant eulogiums. He felt a strong
repugnance (for, despite his somewhat free life, Gyges was not without
delicacy) to take by stealth a favour for the free granting of which he
would gladly have paid with his life. The husband’s complicity rendered
this theft more odious in a certain sense, and he would have preferred
to owe to any other circumstance the happiness of beholding the marvel
of Asia in her nocturnal toilet. Perhaps, indeed, the approach of
danger, let us acknowledge as veracious historians, had no little to
do with his virtuous scruples. Undoubtedly Gyges did not lack courage.
Mounted upon his war-chariot, with quiver rattling upon his shoulder,
and bow in hand, he would have defied the most valiant warriors; in the
chase he would have attacked without fear the Calydon boar or the Nemean
lion; but--explain the enigma as you will--he trembled at the idea of
looking at a beautiful woman through a chink in a door. No one possesses
every kind of courage. He felt likewise that he could not behold Nyssia
with impunity. It would be a decisive epoch in his life. Through having
obtained but a momentary glimpse of her he had lost all peace of mind;
what, then, would be the result of that which was about to take place?
Could life itself continue for him when to that divine head which fired
his dreams should be added a charming body formed for the kisses of
the immortals? What would become of him should he find himself unable
thereafter to contain his passion in darkness and silence as he had done
till that time? Would he exhibit to the court of Lydia the ridiculous
spectacle of an insane love, or would he strive by some extravagant
action to bring down upon himself the disdainful pity of the queen? Such
a result was strongly probable, since the reason of Candaules himself,
the legitimate possessor of Nyssia, had been unable to resist the
vertigo caused by that superhuman beauty--he, the thoughtless young king
who till then had laughed at love, and preferred pictures and statues
before all things. These arguments were very rational but wholly
useless, for at the same moment Candaules entered the chamber, and
exclaimed in a low but distinct voice as he passed the door:

‘Patience, my poor Gyges, Nyssia will soon come.’ When he saw that
he could no longer retreat, Gyges, who was but a young man after all,
forgot every other consideration, and no longer thought of aught save
the happiness of feasting his eyes upon the charming spectacle which
Candaules was about to offer him. One cannot demand from a captain of
twenty-five the austerity of a hoary philosopher.

At last a low whispering of raiment sweeping and trailing over marble,
distinctly audible in the deep silence of the night, announced the
approach of the queen. In effect it was she. With a step as cadenced and
rhythmic as an ode, she crossed the threshold of the thalamus, and the
wind of her veil with its floating folds almost touched the burning
cheek of Gyges, who felt wellnigh on the point of fainting, and found
himself compelled to seek the support of the wall; but soon recovering
from the violence of his emotions, he approached the chink of the door,
and took the most favourable position for enabling him to lose nothing
of the scene whereof he was about to be an invisible witness.

Nyssia advanced to the ivory chair and commenced to detach the pins,
terminated by hollow balls of gold, which fastened her veil upon her
head; and Gyges from the depths of the shadow-filled angle where he
stood concealed could examine at his ease the proud and charming face of
which he had before obtained only a hurried glimpse; that rounded neck,
at once delicate and powerful, whereon Aphrodite had traced with the
nail of her little finger those three faint lines which are still at
this very day known as the ‘necklace of Venus’; that white nape on
whose alabaster surface little wild rebellious curls were disporting
and entwining themselves; those silver shoulders, half rising from the
opening of the chlamys, like the moon’s disc emerging from an opaque
cloud. Candaules, half reclining upon his cushions, gazed with fondness
upon his wife, and thought to himself: ‘Now Gyges, who is so cold, so
difficult to please, and so sceptical, must be already half convinced.’

Opening a little coffer which stood on a table supported by one leg
terminating in carven lion’s paws, the queen freed her beautiful arms
from the weight of the bracelets and jewellery wherewith they had been
overburdened during the day--arms whose form and whiteness might well
have enabled them to compare with those of Hera, sister and wife of
Zeus, the lord of Olympus. Precious as were her jewels, they were
assuredly not worth the spots which they concealed, and had Nyssia been
a coquette, one might have well supposed that she only donned them
in order that she should be entreated to take them off. The rings and
chased work had left upon her skin, fine and tender as the interior pulp
of a lily, light rosy imprints, which she soon dissipated by rubbing
them with her little taper-fingered hand, all rounded and slender at its
extremities.

Then with the movement of a dove trembling in the snow of its feathers,
she shook her hair, which being no longer held by the golden pins,
rolled down in languid spirals like hyacinth flowers over her back
and bosom. Thus she remained for a few moments ere reassembling the
scattered curls and finally re-uniting them into one mass. It was
marvellous to watch the blond ringlets streaming like jets of liquid
gold between the silver of her fingers; and her arms undulating like
swans’ necks as they were arched above her head in the act of twisting
and confining the natural bullion. If you have ever by chance examined
one of those beautiful Etruscan vases with red figures on a black
ground, and decorated with one of those subjects which are designated
under the title of ‘Greek Toilette,’ then you will have some idea of the
grace of Nyssia in that attitude which, from the age of antiquity to our
own era, has furnished such a multitude of happy designs for painters
and statuaries.

Having thus arranged her coiffure, she seated herself upon the edge
of the ivory footstool and commenced to untie the little bands which
fastened her buskins. We moderns, owing to our horrible system of
footgear, which is hardly less absurd than the Chinese shoe, no longer
know what a foot is. That of Nyssia was of a perfection rare even in
Greece and antique Asia. The great toe, a little apart like the thumb
of a bird, the other toes, slightly long, and all ranged in charming
symmetry, the nails well shaped and brilliant as agates, the ankles well
rounded and supple, the heel slightly tinted with a rosy hue--nothing
was wanting to the perfection of the little member. The leg attached to
this foot, and which gleamed like polished marble under the lamp-light,
was irreproachable in the purity of its outlines and the grace of its
curves.

Gyges, lost in contemplation, though all the while fully comprehending
the madness of Candaules, said to himself that had the gods bestowed
such a treasure upon him he would have known how to keep it to himself.

‘Well, Nyssia, are you not coming to sleep with me?’ exclaimed
Candaules, seeing that the queen was not hurrying herself in the least,
and feeling desirous to abridge the watch of Gyges.

‘Yes, my dear lord, I will soon be ready,’ answered Nyssia.

And she detached the cameo which fastened the peplum upon her shoulder.
There remained only the tunic to let fall. Gyges, behind the door, felt
his veins hiss through his temples; his heart beat so violently that
he feared it must make itself heard in the chamber, and to repress its
fierce pulsations he pressed his hand upon his bosom; and when Nyssia,
with a movement of careless grace, unfastened the girdle of her tunic,
he thought his knees would give way beneath him.

Nyssia--was it an instinctive presentiment, or was her skin, virginally
pure from profane looks, so delicately magnetic in its susceptibility
that it could feel the rays of a passionate eye though that eye was
invisible?--Nyssia hesitated to strip herself of that tunic, the last
rampart of her modesty. Twice or thrice her shoulders, her bosom,
and bare arms shuddered with a nervous chill, as though they had been
suddenly grazed by the wings of a nocturnal butterfly, or as though an
insolent lip had dared to touch them in the darkness.

At last, seeming to nerve herself for a sudden resolve she doffed
the tunic in its turn; and the white poem of her divine body suddenly
appeared in all its splendour, like the statue of a goddess unveiled on
the day of a temple’s inauguration. Shuddering with pleasure the light
glided and gloated over those exquisite forms, and covered them with
timid kisses, profiting by an occasion, alas, rare indeed! The rays
scattered through the chamber, disdaining to illuminate golden arms,
jewelled clasps, or brazen tripods, all concentrated themselves upon
Nyssia, and left all other objects in obscurity. Were we Greeks of the
age of Pericles we might at our ease eulogise those beautiful serpentine
lines, those polished flanks, those elegant curves, those breasts which
might have served as moulds for the cup of Hebe; but modern prudery
forbids such descriptions, for the pen cannot find pardon for what is
permitted to the chisel; and besides, there are some things which can be
written of only in marble.

Candaules smiled in proud satisfaction. With a rapid step, as though
ashamed of being so beautiful, for she was only the daughter of a man
and a woman, Nyssia approached the bed, her arms folded upon her bosom;
but with a sudden movement she turned round ere taking her place upon
the couch beside her royal spouse, and beheld through the aperture of
the door a gleaming eye flaming like the carbuncle of Oriental legend;
for if it were false that she had a double pupil, and that she possessed
the stone which is found in the heads of dragons, it was at least true
that her green glance penetrated darkness like the glaucous eye of the
cat and tiger.

A cry, like that of a fawn who receives an arrow in her flank while
tranquilly dreaming among the leafy shadows, was on the point of
bursting from her lips, yet she found strength to control herself, and
lay down beside Candaules, cold as a serpent, with the violets of death
upon her cheeks and lips. Not a muscle of her limbs quivered, not a
fibre of her body palpitated, and soon her slow, regular breathing
seemed to indicate that Morpheus had distilled his poppy juice upon her
eyelids.

She had divined and comprehended all.




CHAPTER IV

Gyges, trembling and distracted with passion, had retired, following
exactly the instructions of Candaules; and if Nyssia, through some
unfortunate chance, had not turned her head ere taking her place upon
the couch, and perceived him in the act of taking flight, doubtless
she would have remained for ever unconscious of the outrage done to her
charms by a husband more passionate than scrupulous.

Accustomed to the winding corridors of the palace, the young warrior had
no difficulty in finding his way out. He passed through the city at a
reckless pace like a madman escaped from Anticyra, and by making himself
known to the sentinels who guarded the ramparts, he had the gates opened
for him and gained the fields beyond. His brain burned, his cheeks
flamed as with the fires of fever; his breath came hotly panting through
his lips; he flung himself down upon the meadow-sod humid with the tears
of the night; and at last hearing in the darkness, through the thick
grass and water-plants, the silvery respiration of a Naiad, he dragged
himself to the spring, plunged his hands and arms into the crystal
flood, bathed his face, and drank several mouthfuls of the water in the
hope to cool the ardour which was devouring him. Any one who could have
seen him thus hopelessly bending over the spring in the feeble starlight
would have taken him for Narcissus pursuing his own shadow; but it was
not of himself assuredly that Gyges was enamoured.

The rapid apparition of Nyssia had dazzled his eyes like the keen zigzag
of a lightning flash. He beheld her floating before him in a luminous
whirlwind, and felt that never through all his life could he banish that
image from his vision. His love had grown to vastness; its flower had
suddenly burst, like those plants which open their blossoms with a clap
of thunder. To master his passion were henceforth a thing impossible: as
well counsel the empurpled waves which Poseidon lifts with his trident
to lie tranquilly in their bed of sand and cease to foam upon the rocks
of the shore. Gyges was no longer master of himself, and he felt a
miserable despair, as of a man riding in a chariot, who finds his
terrified and uncontrollable horses rushing with all the speed of a
furious gallop toward some rock-bristling precipice. A hundred thousand
projects, each wilder than the last, whirled confusedly through his
brain. He blasphemed Destiny, he cursed his mother for having given him
life, and the gods that they had not caused him to be born to a throne,
for then he might have been able to espouse the daughter of the satrap.

A frightful agony gnawed at his heart; he was jealous of the king. From
the moment of the tunic’s fall at the feet of Nyssia, like the flight
of a white dove alighting upon a meadow, it had seemed to him that she
belonged to him; he deemed himself despoiled of his wealth by Candaules.
In all his amorous reveries he had never until then thought of the
husband; he had thought of the queen only as of a pure abstraction,
without representing to himself in fancy all those intimate details of
conjugal familiarity, so poignant, so bitter for those who love a woman
in the power of another. Now he had beheld Nyssia’s blond head bending
like a blossom beside the dark head of Candaules. The very thought of
it had inflamed his anger to the highest degree, although a moment’s
reflection should have convinced him that things could not have come
to pass otherwise, and he felt growing within him a most unjust hatred
against his master. The act of having compelled his presence at the
queen’s dishabille seemed to him a barbarous irony, an odious refinement
of cruelty, for he did not remember that his love for her could not have
been known by the king, who had sought in him only a confidant of easy
morals and a connoisseur in beauty. That which he ought to have regarded
as a great favour affected him like a mortal injury for which he was
meditating vengeance. While thinking that to-morrow the same scene of
which he had been a mute and invisible witness would infallibly renew
itself, his tongue clove to his palate, his forehead became imbeaded
with drops of cold sweat, and his hand convulsively grasped the hilt of
his great double-edged sword.

Nevertheless, thanks to the freshness of the night, that excellent
counsellor, he became a little calmer, and returned to Sardes before
the morning light had become bright enough to enable a few early rising
citizens and slaves to notice the pallor of his brow and the disorder of
his apparel. He betook himself to his regular post at the palace, well
suspecting that Can-daules would shortly send for him; and, however
violent the agitation of his feelings, he felt he was not powerful
enough to brave the anger of the king, and could in no way escape
submitting again to this rôle of confidant, which could thenceforth only
inspire him with horror. Having arrived at the palace, he seated himself
upon the steps of the cypress-panelled vestibule, leaned his back
against a column, and, under the pretext of being fatigued by the long
vigil under arms, he covered his head with his mantle and feigned sleep,
to avoid answering the questions of the other guards.

If the night had been terrible to Gyges, it had not been less so to
Nyssia, as she never for an instant doubted that he had been purposely
hidden there by Candaules. The king’s persistency in begging her not to
veil so austerely a face which the gods had made for the admiration of
men, his evident vexation upon her refusal to appear in Greek costume at
the sacrifices and public solemnities, his unsparing raillery at what he
termed her barbarian shyness, all tended to convince her that the young
Heracleid had sought to admit some one into those mysteries which should
remain secret to all, for without his encouragement no man could have
dared to risk himself in an undertaking the discovery of which would
have resulted in the punishment of a speedy death.

How slowly did the black hours seem to her to pass! How anxiously did
she await the coming of dawn to mingle its bluish tints with the yellow
gleams of the almost exhausted lamp! It seemed to her that Apollo
would never mount his chariot again, and that some invisible hand was
sustaining the sand of the hourglass in air. Though brief as any other,
that night seemed to her like the Cimmerian nights, six long months of
darkness.

While it lasted she lay motionless and rigid at full length on the very
edge of her couch in dread of being touched by Candaules. If she had not
up to that night felt a very strong love for the son of Myrsus, she had,
at least, ever exhibited toward him that grave and serene tenderness
which every virtuous woman entertains for her husband, although the
altogether Greek freedom of his morals frequently displeased her,
and though he entertained ideas at variance with her own in regard to
modesty; but after such an affront she could only feel the chilliest
hatred and most icy contempt for him; she would have preferred even
death to one of his caresses. Such an outrage it was impossible to
forgive, for among the barbarians, and above all among the Persians and
Bactrians, it was held a great disgrace, not for women only, but even
for men, to be seen without their garments.

At length Candaules arose, and Nyssia, awaking from her simulated sleep,
hurried from that chamber now profaned in her eyes as though it had
served for the nocturnal orgies of Bacchantes and courtesans. It was
agony for her to breathe that impure air any longer, and that she
might freely give herself up to her grief she took refuge in the upper
apartments reserved for the women, summoned her slaves by clapping her
hands, and poured ewers of water over her shoulders, her bosom, and
her whole body, as though hoping by this species of lustral ablution
to efface the soil imprinted by the eyes of Gyges. She would have
voluntarily torn, as it were, from her body that skin upon which the
rays shot from a burning pupil seemed to have left their traces. Taking
from the hands of her waiting-women the thick downy materials which
served to drink up the last pearls of the bath, she wiped herself with
such violence that a slight purple cloud rose to the spots she had
rubbed.

‘In vain,’ she exclaimed, letting the damp tissues fall, and dismissing
her attendants--‘in vain would I pour over myself all the waters of all
the springs and the rivers; the ocean with all its bitter gulfs could
not purify me. Such a stain may be washed out only with blood. Oh, that
look, that look! It has incrusted itself upon me; it clasps me, covers
me, burns me like the tunic dipped in the blood of Nessus; I feel it
beneath my draperies, like an envenomed tissue which nothing can detach
from my body! Now, indeed, would I vainly pile garments upon garments,
select materials the least transparent, and the thickest of mantles. I
would none the less bear upon my naked flesh this infamous robe woven
by one adulterous and lascivious glance. Vainly, since the hour when
I issued from the chaste womb of my mother, have I been brought up in
private, enveloped, like Isis, the Egyptian goddess, with a veil of
which none might have lifted the hem without paying for his audacity
with his life. In vain have I remained guarded from all evil desires,
from all profane imaginings, unknown of men, virgin as the snow on which
the eagle himself could not imprint the seal of his talons, so loftily
does the mountain which it covers lift its head in the pure and icy air.
The depraved caprice of a Lydian Greek has sufficed to make me lose in
a single instant, without any guilt of mine, all the fruit of long years
of precaution and reserve. Innocent and dishonoured, hidden from all yet
made public to all... this is the lot to which Candaules has condemned
me. Who can assure me that, at this very moment, Gyges is not in the act
of discoursing upon my charms with some soldiers at the very threshold
of the palace? Oh shame! Oh infamy! Two men have beheld me naked and yet
at this instant enjoy the sweet light of the sun! In what does
Nyssia now differ from the most shameless hetaira, from the vilest of
courtesans? This body which I have striven to render worthy of being the
habitation of a pure and noble soul, serves for a theme of conversation;
it is talked of like some lascivious idol brought from Sicyon or from
Corinth; it is commended or found fault with. The shoulder is perfect,
the arm is charming, perhaps a little thin--what know I? All the blood
of my heart leaps to my cheeks at such a thought. Oh beauty, fatal gift
of the gods! why am I not the wife of some poor mountain goatherd of
innocent and simple habits? He would not have suborned a goatherd like
himself at the threshold of his cabin to profane his humble happiness!
My lean figure, my unkempt hair, my complexion faded by the burning
sun, would then have saved me from so gross an insult, and my honest
homeliness would not have been compelled to blush. How shall I dare,
after the scene of this night, to pass before those men, proudly erect
under the folds of a tunic which has no longer aught to hide from either
of them. I should drop dead with shame upon the pavement. Candaules,
Candaules, I was at least entitled to more respect from you, and there
was nothing in my conduct which could have provoked such an outrage.
Was I one of those ones whose arms for ever cling like ivy to their
husbands’ necks, and who seem more like slaves bought with money for a
master’s pleasure than free-born women of noble blood? Have I ever after
a repast sung amorous hymns accompanying myself upon the lyre, with
wine-moist lips, naked shoulders, and a wreath of roses about my hair,
or given you cause, by any immodest action, to treat me like a mistress
whom one shows after a banquet to his companions in debauch?’ While
Nyssia was thus buried in her grief, great tears overflowed from her
eyes like rain-drops from the azure chalice of a lotus-flower after
some storm, and rolling down her pale cheeks fell upon her fair forlorn
hands, languishingly open, like roses whose leaves are half-shed, for no
order came from the brain to give them activity. The attitude of Niobe,
beholding her fourteenth child succumb beneath the arrows of Apollo and
Diana, was not more sadly despairing, but soon starting from this state
of prostration, she rolled herself upon the floor, rent her garments,
covered her beautiful dishevelled hair with ashes, tore her bosom and
cheeks with her nails amid convulsive sobs, and abandoned herself to
all the excesses of Oriental grief, the more violently that she had
been forced so long to contain her indignation, shame, pangs of wounded
dignity, and all the agony that convulsed her soul, for the pride of her
whole life had been broken, and the idea that she had nothing wherewith
to reproach herself afforded her no consolation. As a poet has said,
only the innocent know remorse. She was repenting of the crime which
another had committed.

Nevertheless she made an effort to recover herself, ordered the baskets
filled with wools of different colours, and the spindles wrapped with
flax, to be brought to her, and distributed the work to her women as she
had been accustomed to do; but she thought she noticed that the slaves
looked at her in a very peculiar way, and had ceased to entertain the
same timid respect for her as before. Her voice no longer rang with the
same assurance; there was something humble and furtive in her demeanour;
she felt herself interiorly fallen.

Doubtless her scruples were exaggerated, and her virtue had received
no stain from the folly of Candaules; but ideas imbibed with a mother’s
milk obtain irresistible sway, and the modesty of the body is carried
by Oriental nations to an extent almost incomprehensible to Occidental
races. When a man desired to speak to Nyssia in the palace of Megabazus
at Bactria, he was obliged to do so keeping his eyes fixed upon the
ground, and two eunuchs stood beside him, poniard in hand, ready to
plunge their keen blades through his heart should he dare lift his head
to look at the princess, notwithstanding that her face was veiled. You
may readily conceive, therefore, how deadly an injury the action of
Candaules would seem to a woman thus brought up, while any other would
doubtless have considered it only a culpable frivolity. Thus the idea
of vengeance had instantly presented itself to Nyssia, and had given her
sufficient self-control to strangle the cry of her offended modesty ere
it reached her lips, at the moment when, turning her head, she beheld
the burning eyes of Gyges flaming through the darkness. She must have
possessed the courage of the warrior in ambush, who, wounded by a random
dart, utters no syllable of pain through fear of betraying himself
behind his shelter of foliage or river-reeds, and in silence permits his
blood to stripe his flesh with long red lines. Had she not withheld that
first impulse to cry aloud, Candaules, alarmed and forewarned, would
have kept upon his guard, which must have rendered it more difficult, if
not impossible, to carry out her purpose.

Nevertheless, as yet she had conceived no definite plan, but she had
resolved that the insult done to her honour should be fully expiated. At
first she had thought of killing Candaules herself while he slept, with
the sword hung at the bedside. But she recoiled from the thought of
dipping her beautiful hands in blood; she feared lest she might miss her
blow; and, with all her bitter anger, she hesitated at so violent and
unwomanly an act.

Suddenly she appeared to have decided upon some project. She summoned
Statira, one of the waiting-women who had come with her from Bactria,
and in whom she placed much confidence, and whispered a few words close
to her ear in a very low voice, although there were no other persons in
the room, as if she feared that even the walls might hear her.

Statira bowed low, and immediately left the apartment.

Like all persons who are actually menaced by some great peril, Candaules
presumed himself perfectly secure. He was certain that Gyges had stolen
away unperceived, and he thought only upon the delight of conversing
with him about the unrivalled attractions of his wife.

So he caused him to be summoned, and conducted him to the Court of the
Heracleidæ.

‘Well, Gyges,’ he said to him with laughing mien, ‘I did not deceive you
when I assured you that you would not regret having passed a few hours
behind that blessed door. Am I right? Do you know of any living woman
more beautiful than the queen? If you know of any superior to her, tell
me so frankly, and go bear her in my name this string of pearls, the
symbol of power.’

‘Sire,’ replied Gyges in a voice trembling with emotion, ‘no human
creature is worthy to compare with Nyssia. It is not the pearl fillet
of queens which should adorn her brows, but only the starry crown of the
immortals.’

‘I well knew that your ice must melt at last in the fires of that sun.
Now can you comprehend my passion, my delirium, my mad desires? Is it
not true, Gyges, that the heart of a man is not great enough to contain
such a love? It must overflow and diffuse itself.’

A hot blush overspread the cheeks of Gyges, who now but too well
comprehended the admiration of Candaules.

The king noticed it, and said, with a manner half smiling, half serious:

‘My poor friend, do not commit the folly of becoming enamoured of
Nyssia; you would lose your pains. It is a statue which I have enabled
you to see, not a woman. I have allowed you to read some stanzas of a
beautiful poem, whereof I alone possess the manuscript, merely for the
purpose of having your opinion; that is all.’

‘You have no need, sire, to remind me of my nothingness. Sometimes the
humblest slave is visited in his slumbers by some radiant and lovely
vision, with ideal forms, nacreous flesh, ambrosial hair. I--I have
dreamed with open eyes; you are the god who sent me that dream.’

‘Now,’ continued the king, ‘it will scarcely be necessary for me to
enjoin silence upon you. If you do not keep a seal upon your lips
you might learn to your cost that Nyssia is not as good as she is
beautiful.’

The king waved his hand in token of farewell to his confidant, and
retired for the purpose of inspecting an antique bed sculptured by
Ikmalius, a celebrated artisan, which had been offered him for purchase.

Candaules had scarcely disappeared when a woman, wrapped in a long
mantle so as to leave but one of her eyes exposed, after the fashion of
the barbarians, came forth from the shadow of a column behind which
she had kept herself hidden during the conversation of the king and
his favourite, walked straight to Gyges, placed her finger upon his
shoulder, and made a sign to him to follow her.




CHAPTER V

Statira, followed by Gyges, paused before a little door, of which she
raised the latch by pulling a silver ring attached to a leathern strap,
and commenced to ascend a stairway with rather high steps contrived
in the thickness of the wall. At the head of the stairway was a second
door, which she opened with a key wrought of ivory and brass. As soon as
Gyges entered she disappeared without any further explanation in regard
to what was expected of him.

The curiosity of Gyges was mingled with uneasiness. He could form no
idea as to the significance of this mysterious message. He had a vague
fancy that he could recognise in the silent Iris one of Nyssia’s women;
and the way by which she had made him follow her led to the queen’s
apartments. He asked himself in terror whether he had been perceived in
his hiding-place or betrayed by Candaules, for both suppositions seemed
probable.

At the idea that Nyssia knew all, he felt his face bedewed with a sweat
alternately burning and icy. He sought to fly, but the door had been
fastened upon him by Statira, and all escape was cut off; then he
advanced into the chamber, which was shadowed by heavy purple hangings,
and found himself face to face with Nyssia. He thought he beheld a
statue rise before him, such was her pallor. The hues of life had
abandoned her face; a feeble rose tint alone animated her lips; on her
tender temples a few almost imperceptible veins intercrossed their azure
network; tears had swollen her eyelids, and left shining furrows upon
the down of her cheeks; the chrysoprase tints of her eyes had lost their
intensity. She was even more beautiful and touching thus. Sorrow had
given soul to her marmorean beauty.

Her disordered robe, scarcely fastened to her shoulders, left visible
her beautiful bare arms, her throat, and the commencement of her
death-white bosom. Like a warrior vanquished in his first conflict, her
beauty had laid down its arms. Of what use to her would have been the
draperies which conceal form, the tunics with their carefully fastened
folds? Did not Gyges know her? Wherefore defend what has been lost in
advance?

She walked straight to Gyges, and fixing upon him an imperial look,
clear and commanding, said to him in a quick, abrupt voice:

‘Do not lie; seek no vain subterfuges; have at least the dignity and
courage of your crime. I know all; I saw you! Not a word of excuse. I
would not listen to it. Candaules himself concealed you behind the door.
Is it not so the thing happened? And you fancy, doubtless, that it
is all over? Unhappily I am not a Greek woman, pliant to the whims of
artists and voluptuaries. Nyssia will not serve for any one’s toy. There
are now two men, one of whom is a man too much upon the earth. He must
disappear from it! Unless he dies, I cannot live. It will be either you
or Candaules. I leave you master of the choice. Kill him, avenge me, and
win by that murder both my hand and the throne of Lydia, or else shall
a prompt death henceforth prevent you from beholding, through a cowardly
complaisance, what you have not the right to look upon. He who commanded
is more culpable than he who has only obeyed; and, moreover, should
you become my husband, no one will have ever seen me without having the
right to do so. But make your decision at once, for two of those four
eyes in which my nudity has reflected itself must before this very
evening be for ever extinguished.’

This strange alternative, proposed with a terrible coolness, with an
immutable resolution, so utterly surprised Gyges, who was expecting
reproaches, menaces, and a violent scene, that he remained for several
minutes without colour and without voice, livid as a shade on the shores
of the black rivers of hell.

‘I! to dip my hands in the blood of my master! Is it indeed you, O
queen, who demand of me so great a penalty? I comprehend all your anger,
I feel it to be just, and it was not my fault that this outrage took
place; but you know that kings are mighty, they descend from a divine
race. Our destinies repose on their august knees; and it is not
we, feeble mortals, who may hesitate at their commands. Their will
overthrows our refusal, as a dyke is swept away by a torrent By your
feet that I kiss, by the hem of your robe which I touch as a suppliant,
be clement! Forget this injury, which is known to none, and which shall
remain eternally buried in darkness and silence! Candaules worships you,
admires you, and his fault springs only from an excess of love.’

‘Were you addressing a sphinx of granite in the arid sands of Egypt,
you would have more chance of melting her. The winged words might fly
uninterruptedly from your lips for a whole Olympiad; you could not move
my resolution in the slightest. A heart of brass dwells in this marble
breast of mine. Die or kill! When the sunbeam which has passed through
the curtains shall touch the foot of this table let your choice have
been made. I wait.’

And Nyssia crossed her arms upon her breast in an attitude replete with
sombre majesty.

To behold her standing erect, motionless and pale, her eyes fixed, her
brows contracted, her hair in disorder, her foot firmly placed upon
the pavement, one would have taken her for Nemesis descended from her
griffin, and awaiting the hour to smite a guilty one.

‘The shadowy depths of Hades are visited by none with pleasure,’
answered Gyges. ‘It is sweet to enjoy the pure light of day; and the
heroes themselves who dwell in the Fortunate Isles would gladly return
to their native land. Each man has the instinct of self-preservation,
and since blood must flow, let it be rather from the veins of another
than from mine.’

To these sentiments, avowed by Gyges with antique frankness, were added
others more noble whereof he did not speak. He was desperately in love
with Nyssia and jealous of Candaules. It was not, therefore, the fear
of death alone that had induced him to undertake this bloody task.
The thought of leaving Candaules in free possession of Nyssia was
insupportable to him: and, moreover, the vertigo of fatality had seized
him. By a succession of irregular and terrible events he beheld himself
hurried toward the realisation of his dreams; a mighty wave had lifted
him and borne him on in despite of his efforts; Nyssia herself was
extending her hand to him, to help him to ascend the steps of the royal
throne. All this had caused him to forget that Candaules was his master
and his benefactor; for none can flee from Fate, and Necessity walks on
with nails in one hand and whip in the other, to stop your advance or to
urge you forward.

‘It is well,’ replied Nyssia; ‘here is the means of execution.’ And she
drew from her bosom a Bactrian poniard, with a jade handle enriched with
inlaid circles of white gold. ‘This blade is not made of brass, but with
iron difficult to work, tempered in flame and water, so that Hephaistos
himself could not forge one more keenly pointed or finely edged.
It would pierce, like thin papyrus, metal cuirasses and bucklers of
dragon’s skin.

‘The time,’ she continued, with the same icy coolness, ‘shall be while
he slumbers. Let him sleep and wake no more!’

Her accomplice, Gyges, hearkened to her words with stupefaction, for he
had never thought he could find such resolution in a woman who could not
bring herself to lift her veil.

‘The ambuscade shall be laid in the very same place where the infamous
one concealed you in order to expose me to your gaze. At the approach
of night I shall turn back one of the folding-doors upon you, undress
myself, lie down, and when he shall be asleep I will give you a signal.
Above all things, let there be no hesitancy, no feebleness; and take
heed that your hand does not tremble when the moment shall have come!
And now, for fear lest you might change your mind, I propose to make
sure of your person until the fatal hour. You might attempt to escape,
to forewarn your master. Do not think to do so.’

Nyssia whistled in a peculiar way, and immediately from behind a
Persian tapestry embroidered with flowers, there appeared four monsters,
swarthy, clad in robes diagonally striped, which left visible arms
muscled and gnarled as trunks of oaks. Their thick pouting lips, the
gold rings which they wore through the partition of their nostrils,
their great teeth sharp as the fangs of wolves, the expression of stupid
servility on their faces, rendered them hideous to behold.

The queen pronounced some words in a language unknown to Gyges,
doubtless in Bactrian, and the four slaves rushed upon the young man,
seized him, and carried him away, even as a nurse might carry off a
child in the fold of her robe.

Now, what were Nyssia’s real thoughts? Had she, indeed, noticed Gyges at
the time of her meeting with him near Bactria, and preserved some memory
of the young captain in one of those secret recesses of the heart where
even the most virtuous women always have something buried? Was the
desire to avenge her modesty goaded by some other unacknowledged desire?
And if Gyges had not been the handsomest young man in all Asia would she
have evinced the same ardour in punishing Candaules for having outraged
the sanctity of marriage? That is a delicate question to resolve,
especially after a lapse of three thousand years; and although we have
consulted Herodotus, Hephæstion, Plato, Dositheus, Archilochus of Paros,
Hesychius of Miletus, Ptolomæus, Euphorion, and all who have spoken
either at length or in only a few words concerning Candaules, Nyssia,
and Gyges, we have been unable to arrive at any definite conclusion. To
pursue so fleeting a shadow through so many centuries, under the ruins
of so many crumpled empires, under the dust of departed nations, is a
work of extreme difficulty, not to say impossibility.

At all events, Nyssia’s resolution was implacably taken; this murder
appeared to her in the light of the accomplishment of a sacred duty.
Among the barbarian nations every man who has surprised a woman in her
nakedness is put to death. The queen believed herself exercising her
right; only inasmuch as the injury had been secret, she was doing
herself justice as best she could. The passive accomplice would become
the executioner of the other, and the punishment would thus spring from
the crime itself. The hand would chastise the head.

The olive-tinted monsters shut Gyges up in an obscure portion of the
palace, whence it was impossible that he could escape, or that his cries
could be heard.

He passed the remainder of the day there in a state of cruel anxiety,
accusing the hours of being lame, and again of walking too speedily. The
crime which he was about to commit, although he was only, in some sort,
the instrument of it, and though he was only yielding to an irresistible
influence, presented itself to his mind in the most sombre colours. If
the blow should miss through one of those circumstances which none could
foresee? If the people of Sardes should revolt and seek to avenge
the death of the king? Such were the very sensible though useless
reflections which Gyges made while waiting to be taken from his prison
and led to the place whence he could only depart to strike his master.

At last the night unfolded her starry robe in the sky, and its shadow
fell upon the city and the palace. A light footstep became audible,
a veiled woman entered the room and conducted him through the obscure
corridors and multiplied mazes of the royal edifice with as much
confidence as though she had been preceded by a slave bearing a lamp or
a torch.

The hand which held that of Gyges was cold, soft, and small;
nevertheless those slender fingers clasped it with a bruising force,
as the fingers of some statue of brass animated by a prodigy would
have done. The rigidity of an inflexible will betrayed itself in that
ever-equal pressure as of a vice--a pressure which no hesitation of head
or heart came to vary. Gyges, conquered, subjugated, crushed, yielded to
that imperious traction, as though he were borne along by the mighty arm
of Fate.

Alas! it was not thus he had wished to touch for the first time that
fair royal hand, which had presented the poniard to him, and was leading
him to murder, for it was Nyssia herself who had come for Gyges, to
conceal him in the place of ambuscade.

No word was exchanged between the sinister couple on the way from the
prison to the nuptial chamber.

The queen unfastened the thongs, raised the bar of the entrance, and
placed Gyges behind the folding-door as Candaules had done the evening
previous. This repetition of the same acts, with so different a purpose,
had something of a lugubrious and fatal character. Vengeance, this
time, had placed her foot upon every track left by the insult. The
chastisement and the crime alike followed the same path. Yesterday it
was the turn of Candaules, to-day it was that of Nyssia; and Gyges,
accomplice in the injury, was also accomplice in the penalty. He had
served the king to dishonour the queen; he would serve the queen to kill
the king, equally exposed by the vices of the one and the virtues of the
other.

The daughter of Megabazus seemed to feel a savage joy, a ferocious
pleasure, in employing only the same means chosen by the Lydian king,
and turning to account for the murder those very precautions which had
been adopted for voluptuous fantasy.

‘You will again this evening see me take off these garments which are
so displeasing to Candaules. This spectacle should become wearisome to
you,’ said the queen in accents of bitter irony, as she stood on the
threshold of the chamber; ‘you will end by finding me ugly.’ And
a sardonic, forced laugh momentarily curled her pale mouth; then,
regaining her impassible severity of mien, she continued: ‘Do not
imagine you will be able to steal away this time as you did before;
you know my sight is piercing. At the slightest movement on your part I
shall awake Candaules; and you know that it will not be easy for you to
explain what you are doing in the king’s apartments, behind a door, with
a poniard in your hand. Further, my Bactrian slaves, the copper-coloured
mutes who imprisoned you a short time ago, guard all the issues of
the palace, with orders to massacre you should you attempt to go out.
Therefore let no vain scruples of fidelity cause you to hesitate. Think
that I will make you King of Sardes, and that... I will love you if you
avenge me. The blood of Candaules will be your purple, and his death
will make for you a place in that bed.’

The slaves came according to their custom to change the fuel in the
tripod, renew the oil in the lamps, spread tapestry and the skins of
animals upon the royal couch; and Nyssia hurried into the chamber as
soon as she heard their footsteps resounding in the distance.

In a short time Candaules arrived all joyous. He had purchased the bed
of Ikmalius and proposed to substitute it for the bed wrought after the
Oriental fashion, which he declared had never been much to his taste.
He seemed pleased to find that Nyssia had already retired to the nuptial
chamber.

‘The trade of embroidery, and spindles, and needles seems not to have
the same attraction for you to-day as usual. In fact, it is a monotonous
labour to perpetually pass one thread between other threads, and I
wonder at the pleasure which you seem ordinarily to take in it. To tell
the truth, I am afraid that some fine day Pallas-Athene, on finding you
so skilful, will break her shuttle over your head as she once did to
poor Arachne.’

‘My lord, I felt somewhat tired this evening, and so came downstairs
sooner than usual. Would you not like before going to sleep to drink
a cup of black Samian wine mixed with the honey of Hymettus?’ And
she poured from a golden urn, into a cup of the same metal, the
sombre-coloured beverage which she had mingled with the soporiferous
juice of the nepenthe.

Candaules took the cup by both handles and drained it to the last drop;
but the young Heracleid had a strong head, and sinking his elbow into
the cushions of his couch he watched Nyssia undressing without any sign
that the dust of sleep was commencing to gather upon his eyes.

As on the evening before, Nyssia unfastened her hair and permitted its
rich blond waves to ripple over her shoulders. From his hiding-place
Gyges fancied that he saw those locks slowly becoming suffused with
tawny tints, illuminated with reflections of blood and flame; and their
heavy curls seemed to lengthen with vipérine undulations, like the hair
of the Gorgons and Medusas.

All simple and graceful as that action was in itself, it took from the
terrible events about to transpire a frightful and ominous character,
which caused the hidden assassin to shudder with terror.

Nyssia then unfastened her bracelets, but agitated as her hands had been
by nervous straining, they ill served her will. She broke the string
of a bracelet of beads of amber inlaid with gold, which rolled over
the floor with a loud noise, causing Candaules to reopen his gradually
closing eyes.

Each one of those beads fell upon the heart of Gyges as a drop of molten
lead falls upon water.

Having unlaced her buskins, the queen threw her upper tunic over the
back of an ivory chair. This drapery, thus arranged, produced upon Gyges
the effect of one of those sinister-folding winding-sheets wherein the
dead were wrapped ere being borne to the funeral pyre. Every object
in that room, which had the evening before seemed to him one scene of
smiling splendour, now appeared to him livid, dim, and menacing. The
statues of basalt rolled their eyes and smiled hideously. The lamp
flickered weirdly, and its flame dishevelled itself in red and sanguine
rays like the crest of a comet. Far back in the dimly lighted corners
loomed the monstrous forms of the Lares and Lémures. The mantles hanging
from their hooks seemed animated by a factitious life, and assumed a
human aspect of vitality; and when Nyssia stripped of her last garment,
approached the bed, all white and naked as a shade, he thought that
Death herself had broken the diamond fetters wherewith Hercules of old
enchained her at the gates of hell when he delivered Alcestes, and had
come in person to take possession of Candaules.

Overcome by the power of the nepenthe-juice, the king at last slumbered.
Nyssia made a sign for Gyges to come forth from his retreat; and
laying her finger upon the breast of the victim, she directed upon her
accomplice a look so humid, so lustrous, so weighty with languishment,
so replete with intoxicating promise, that Gyges, maddened and
fascinated, sprang from his hiding-place like the tiger from the summit
of the rock where it has been couching, traversed the chamber at a
bound, and plunged the Bactrian poniard up to the very hilt in the heart
of the descendant of Hercules. The chastity of Nyssia was avenged, and
the dream of Gyges accomplished.

Thus ended the dynasty of the Heracleidæ, after having endured for
five hundred and five years, and commenced that of the Mermnades in the
person of Gyges, son of Dascylus. The Sardians, indignant at the
death of Candaules, threatened revolt; but the oracle of Delphi having
declared in favour of Gyges, who had sent thither a vast number of
silver vases and six golden cratera of the value of thirty talents, the
new king maintained his seat on the throne of Lydia, which he occupied
for many long years, lived happily, and never showed his wife to any
one, knowing too well what it cost.