The Project Gutenberg eBook of London Town This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: London Town Author: Felix Leigh Illustrator: Thomas Crane Ellen Elizabeth Houghton Release date: May 31, 2007 [eBook #21650] Most recently updated: January 2, 2021 Language: English Credits: Produced by Jason Isbell, Irma Spehar, Christine D. and the Online Distributed Proofreading Team at https://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK LONDON TOWN *** Produced by Jason Isbell, Irma Spehar, Christine D. and the Online Distributed Proofreading Team at https://www.pgdp.net ONE FOOT UP AND ONE FOOT DOWN AND THAT'S THE WAY TO-- [Illustration: London Town] LONDON TOWN COME CHILDREN ALL, BOTH GREAT AND SMALL, WITH EAGER EYE AND EAR, WHO DWELL AFAR OR NEAR IN HOPE THAT SOME DAY YOU'LL CONTRIVE TO VIEW GREAT LONDON'S BUSY HIVE, AND HEAR THE MIGHTY HUM OF BEES AT WORK ALIKE IN SUN OR SHOWER, WHILE BUTTERFLIES BENEATH THE TREES FLIT IDLY BY FROM FLOWER TO FLOWER IN PARKS AND GARDENS BRIGHT AND GAY: COME,--CLIMB SAINT PAUL'S WITH US TO-DAY, AND WITH THIS BOOK IN HAND, UPON THE DOME WE'LL STAND, AND THENCE LOOK DOWN O'ER LONDON TOWN. London Town Designed and Illustrated by Thos. Crane & Ellen Houghton LONDON BELFAST MARCUS WARD & CO NEW YORK [Illustration: PRINTED AND BOUND BY MARCUS WARD & CO. LONDON BELFAST] Verses by Felix Leigh CONTENTS THE HOUSES OF PARLIAMENT ST. PAUL'S CATHEDRAL Page THE TOWER OF LONDON 8, 9, 10, 11 THE OMNIBUS 12 THE PENNY-ICE MAN 13 COVENT GARDEN 14, 15 THE PENNY-TOY MAN 16 THE ORANGE GIRL 17 THE FIRST OF MAY 18 ST. JAMES' PARK 19, 20 WESTMINSTER ABBEY 21, 22, 23 CHARITY GIRLS 24 THE BRITISH MUSEUM 25, 26, 27 THE UNDERGROUND RAILWAY 28, 29 THE ZOOLOGICAL GARDENS 30, 31, 32 THE MILK WOMAN 33 THE MUFFIN MAN 34 THE SHOEBLACKS 35 CHRIST'S HOSPITAL 36, 37 GUILDHALL--GOG AND MAGOG 38, 39 THE CAT'S-MEAT MAN 40 THE NIGHT WATCH 41 THE FOUNDLING HOSPITAL 42, 43 THE FLOWER WOMAN 44 CLEOPATRA'S NEEDLE 45 THE CHESTNUT WOMAN 46 THE FIFTH OF NOVEMBER 47 THE CHILDREN'S HOSPITAL 48 THE HAPPY FAMILY 49 THE CROSSING SWEEPER 50 PUNCH AND JUDY 51 THE LOWTHER ARCADE 52, 53 THE DUSTMAN IS COMING 54, 55 GOOD BYE The Tower of London Among the sights of London Town Which little visitors wish to view, The Tower stands first, and its great renown Has, you will notice, attracted Prue. At a well-known spot, to Miss Prue's surprise, Some fine old ravens are strutting about. If upon the picture a glance you cast, You will know the ravens next time, no doubt. The red-coated guard who's watching here Is called a Beefeater--fancy that! And Prue discovers, as she draws near, A child by his side who is round and fat. "Father and Mother, pray come here," In tones so pleasant, laughs lively Prue: "You've shown _me_ things that are odd and queer, A Beefeater's baby I'll show _you_!" The Tower Prue has wandered high and wandered low Through Norman chapel and dungeon cell; The grand Crown Jewels that sparkle so, And the Traitor's Gate, she has seen as well. She has looked from the walls on the River, too, And spent in the Armouries nearly an hour: Ah! holiday folks like our Miss Prue Enjoy themselves when they come to the Tower! But the Tower was a prison, in days of old, And few who got into it ever came out, Though now we can visit the grim stronghold Any day of the week, without fear or doubt. The Omnibus Every day along the streets of mighty London Town Nine hundred omnibuses rumble up and down. When you're tired of walking, call "Hi! Conductor, stop!" And he'll give you such a jolly ride, for twopence, on the top. Sometimes by the 'bus's side small boys will run a mile, Turning round just like the wheels, and hungry all the while:-- "We've not had any breakfast,--won't you toss us down a brown?"-- That's what they call a penny in the streets of London Town. The Penny-Ice Man In summer when the sun is high, And children's lips are parched and dry, An ice is just the thing to try. So this young man who comes, 'tis plain, From Saffron Hill or Leather Lane, A store of pence will quickly gain. "A lemon ice for me," says Fred; Cries Sue, "No, have a cream instead." "A raspberry!" shouts Newsboy Ned. "What fun! Although we're now in June, It feels"--says Ned--"this afternoon, Like eating winter with a spoon!" COVENT GARDEN This is Covent Garden, What a lively scene! Here are flowers so pretty, There are leaves so green. These are busy buyers, Busy sellers those, Selling, buying, selling, Everything that grows. Fruits and lovely blossoms Hither come each day, Fresh from _other_ gardens Many miles away. Cabbages potatoes, Pears and apples too, Grapes, and pines, and peaches, All are here on view. So the air is scented With the pleasant fruits, With the bright-hued nosegays, And the springing roots. For the little street-boys, Walking up and down, It's almost like the country Brought to London Town. The Penny-Toy Man "Toys! toys! Penny Toys! Toys for girls, and toys for boys! Toys for dots who scarce can crawl, Toys for youngsters stout and tall, Toys for prince and peasant too, Toys, my dears, for all of you! Toys for girls and toys for boys! Toys! toys! Penny Toys!" That is how the toyman talks, As through London Town he walks; Bawling out his toyman's song, While he slowly moves along, On the pavement with a tray Which is filled, from day to day, With new toys to catch the eye Of the youthful passer-by. Sometimes it's a great big spider, Like that Miss Muffet had beside her; Sometimes it's a bat that flies, Or a baby doll that cries; Sometimes it's a frog that leaps, Or a crocodile that creeps: But whatever toy is shown, For a penny it's your own. The Orange Girl Orange-girl Kitty Here you may see. That she is pretty All will agree. "Three for a penny!" That is her cry; No wonder many Hasten to buy. Orange-girl Kitty's Mother, we're told, Everyone pities-- So feeble and old. Poor mother's living Kitty obtains, Cheerfully giving Her all that she gains. Orange-girl Kitty Roams to and fro; All through the city She's known high and low. When the sun's shining, When the rain falls, Never repining,-- "Fine fruit!" Kitty calls. The First of May Chimney Sweeps' Day, Blackbird is gay, Here he is singing, you see, in the "May." He has feathers as black as a chimney sweep's coat, So on Chimney Sweeps' Day he must pipe a glad note. [Illustration: Jack in the Green] Jack-in-the-Green from door to door Capers along with his followers four. As May Day mummers are seldom seen, Let us all give a copper to Jack-in-the-Green. St. James's Park What a countrified scene we have here! Who would think London Town was so near, That its murmur comes borne on the breeze To the listener under the trees? To this spot, to buy biscuits or buns, Each city child joyously runs. But the Park's greatest treat, they all vow, Is a glass of new milk from the cow. Cried the drake to the ducks, "Here's a boy with a bun, Come, make haste! we shall have quite a feast!" "Would you mind," said a swan, "if we shared in the fun?" "O dear no!" said he; "not in the least!" It was surely through fear, not politeness at all, That the drake made so civil a speech, For that one penny bun, after all, was so small, There was hardly a mouthful for each! From the ducks and the swans on the lake, to next page-- A much quieter scene--you may pass: Though Westminster Cloisters are hoary with age, Yet green is their velvety grass, And cheerily bright are their gables and peaks, As they glow in the westering sun: 'Tis some house in the Cloisters yon schoolboy seeks-- Don't you wonder, now, which is the one? [Illustration: The Inner Cloisters Westminster] Westminster Abbey In all the land A pile so grand Is scarcely found As this. Around Its old grey walls The shadow falls Of bygone years, And so one fears To raise one's tone, When one is shown Some ancient tomb, Half hid in gloom. Beneath such stones There rest the bones Of monarchs bold, Whose story's told For you and me In history. From kings of men We wander; then We're quickly brought To kings of thought, For poets lie Interred hard by. Here, too, repose The bones of those Who fought the foe Long, long ago. Brave knights were they; And in the fray They kept from shame The English name, And proved in fight Great Britain's might. Where they are laid Their rest is made As sweet as prayer By music rare: Over their head The sleeping dead Can daily hear The anthem clear Floating along Like angel's song, Until it dies Like angel's sighs. On the way to the British Museum Not far from the British Museum there stands An apple stall, painted bright green, Whence a penny may buy from the stall-keeper's hands Three apples, all rosy and clean. Now the girls of St. George's great Charity School Very often are passing that way, For their governors wise make this very good rule-- They must go for a walk every day. How wistful the glances they cast as they pass, How they long for an apple to eat; But their pockets are quite without pennies, alas! To purchase so dainty a treat. These maidens have cheeks that are rosy and sweet As the choicest of fruit on the stall, And the very next time that we meet in this street, I'll buy apples enough for them all. Goodness gracious! What a noise Baby Bunting's bent on making; It is quite enough to set All the heads around him aching. Still we're sure that Baby has Many griefs if we could see 'em, For with other babes he's come Miles and miles to the Museum. Baby Bunting thought, of course, When he said good bye to mother, That he'd pass in through the gates With big sister and big brother. But poor Baby finds, alas, That his little hopes have flitted, For the nasty notice says "Babes in arms are not admitted." [Illustration: In the British Museum NORTH WEST EDIFICE NIMROUD] In the British Museum If you want to see all sorts of wonderful things, Stuffed crocodiles, mammoths, and sloths, Hairy ducks with four feet, and fishes with wings, Fat beetles, and strange spotted moths; And enormous winged bulls with long beards, carved in stone, Dug up from Assyria's sand, And old blackened mummies as dry as a bone, Discovered in Egypt's lone land, And beautiful statues from Greece and from Rome, And other fine things without end,-- You will find you can see half the world here at home, If a day in this place you will spend. The Underground Railway Who is this in the Weighing Chair? Why, little Dot, I do declare! Three stone five! "So much as that?" Calls out Miss Dot; "then I _must_ be fat!" On this and the opposite page you see Dot's mother, and brother, and sisters three. They wait for an underground train to come And carry them swiftly back to their home. Wonderful trains! From morn till night, Clattering through tunnels without daylight, Hither and thither they run, up and down, Beneath the streets of London Town. Many prefer these trains instead Of the cabs and "Busses" overhead, For they run much faster than horses can. Miss Dot's papa is a busy man, And goes to the City every day By the "Underground,"--the quickest way: And One Hundred Millions of people, 'tis found, Are carried each year by the "Underground." The Zoological Gardens Away we go to the famous Zoo' With Bertie, and Nellie, and Dick, and Sue. And we feel quite ready to jump for glee When the wonderful birds and beasts we see. The pelican solemn with monster beak, And the plump little penguin round and sleek, Have set us laughing--Ha, ha! Ho! ho! And you'll laugh too, if you look below. To the monkey-house then we make our way, Where the monkeys chatter, and climb, and play; At the snakes we peep, then onward stroll, To talk to the parrots, and "scratch a poll," And after all that, there will still be time On the patient elephant's back to climb. The Bear & the Buns Don't forget at the Zoo' To take a good view Of the funny old bear, Who climbs out of his lair Up a pole--Look, he's here, With his figure so queer, And his thick clumsy paws, And his bun-seeking jaws. On the end of a stick Place a bun--"Now quick, Master Bertie"--and, snap!-- What an awful red trap!-- The bun's out of sight, But one more will delight Father Bruin up there, For his appetite's rare, And he never says "No" To a dozen or so. The Milk Woman "Milk o! Milk o!" Each morn she cries, And little sleepers Ope their eyes, And wonder if pure milk is sold By Betty here, for they've been told That London milk (How people talk!) Is only water Mixed with chalk! The Muffin Man You've heard about the muffin man, the muffin man, the muffin man, You've heard about the muffin man who lives in Drury Lane? Well, here you see that muffin man-- that celebrated muffin man, And if you try his muffins, you'll be sure to buy again. The Shoeblack Brigade If you wanted a boy to polish your shoes, Which of these two, do you think, you would choose? They were once "Street Arabs," hungry, ill-clad, And in very sore danger of going to the bad; But now!--one might think that their fortunes were made, They're so proud to belong to the Shoeblack Brigade. The Blue-Coat Boys If you should pass through Newgate Street, Bareheaded boys with coats of blue, Among the crowd you're sure to meet-- And all with yellow stockings too. Their coats are long as well as blue, And when at football they do play, They find them rather heavy too, So tuck them up out of the way. In Christchurch passage will be found The entrance to the School; and though It looks so quiet, all around We hear the crowd go to and fro. Above the doorway there you see The Boy King's statue:--Would you know Who founded this great school? 'Twas he, More than three hundred years ago. Gog and Magog in the Guildhall In the famous Guildhall Mayor and Alderman all Meet to banquet and feast, And it's whispered that they Aren't inclined in the least From the table to stray: For they're fond of good cheer, And they meet with it here, Where the wine Is so fine, And still better than that, Where the turtle's rich fat Tempts the guests when they dine. Turtle soup's very good, And a favourite food, With the banqueters all Who frequent the Guildhall. Two giants so tall Guard the famous Guildhall. (Gog is one, and the other Is Magog his brother.) Well, these giants so tall Watch the feast, but can't call For a crumb, As they're dumb, And not living at all! Else 'twould seem scarcely fair, That when good things were by, Gog and Magog should stare From their pedestals high, For if placed at a table At least they'd look able, To dine there and then Like two live Aldermen! The Cat's-Meat Man He calls "Meat, meat!" All down the street; And dogs "bow-wow," And cats "mi-ow," While kittens sly Come purring by, As if to say-- "Do serve us, pray, The first of all, For we're so small." The man throws bits Of meat to kits, And cats, and dogs; Then on he jogs, And down the street Still cries "Meat, meat!" The Night Watch Policeman A, Policeman B, Likewise Policemen C and D-- All in a row, sedate and slow, Away to their beats, tramp! tramp! they go. Now the first is beloved by Ann the cook, And his manly face has a bashful look, As he thinks, with a sigh, of the beer and the pie He has had from those area steps close by. And here are three housemaids trim and slim; Mr. B. knows Betty is fond of him; But Policeman C loves Cicely, And Dolly's engaged to Policeman D. CHAPEL OF THE FOUNDLING HOSPITAL In Guildford Street, great London Town, Is a Nursery, bigger than ever has been: When each child grows up and leaves its walls, Another new baby that day is seen In the Foundling cots. Each little babe Has no baby sister or baby brother, And never shall know the anxious care And tender touch of a loving mother. But "Our Father," who gives their "daily bread" To all of His creatures, caused kindly men To build this home for famishing babes From many a poverty-stricken den: And here they are fed, and clothed, and taught, And lift their voices in prayer and praise; And here every Sunday the people flock To hear the Anthem the Foundlings raise. AFTER CHAPEL, See them all Assembled in The DINING HALL. The bugle sounds E'er grace is sung,-- Then fork and spoon And lip and tongue Clatter, chatter,-- Such a noise! Oh! such happy Girls and boys. The Flower Woman "Flowers sweet and fair, Sir, Flowers that any Princess might wear, Sir-- A bunch for a penny!" Many a bunch Must the flower-woman sell, To buy food for herself, And her children as well. Cleopatra's Needle Upon the broad Embankment You'll find a curious sight,-- The children play around it From morning until night; And crowds of grown-up people Come here to see it too, 'Tis Cleopatra's Needle Folks gather thus to view. In Mother's pretty work-box There's no such needle shown; This needle, brought from Egypt, Is nothing but a stone. How silently it watches Old Thames go gliding by! "You're very old," the River says, "But not so old as I." Think you it longs for Egypt, This wondrous solemn stone, That stands and gazes at us Each day so sad and lone? Ah yes! when London's sleeping, If monuments can dream, It longs for Egypt's palm-trees, And Nile's slow murmuring stream. [Illustration: Cleopatra's Needle] The Chestnut Woman "All hot! all hot! come buy! Ten a penny is the price, And if you my chestnuts try, You'll declare they're very nice. See how brightly burns my fire! Hear the chestnuts hiss and crack! Better nuts you can't desire Than these beauties, big and black. "All hot!--if you are cold, Have a pennyworth of heat, Something nice and warm to hold, Something nice and warm to eat. Munch your chestnuts up, and then, If your toes want warming too, Say, 'I'll have another ten, Just to warm me through and through." So the cheerful chestnut dame To each chilly passer calls, As she roasts above the flame Fine round nuts like floury balls. Hungry children soon draw near, If a penny they have got, And with warmth and food to cheer, _They_ become "all hot! all hot!" The 5th of November The fifth of November they bid you remember, These bright little boys with the funny old Guy. In his chair up and down he'll be borne through the town, Then burned in a bonfire he'll be by-and-by. All those who remember the fifth of November Some money will give to the boys with the Guy. If all gave a penny, I wonder how many Wheels, crackers, and squibs they'd be able to buy? Guy Fawkes Day In the Children's Hospital Little sick Tommy, What trouble he's had-- Medicine and blisters! His cough was _so_ bad! Now he is better: He soon will be well, And go back to Mother, With stories to tell, Of softly reclining On pillows of down,-- Of Mary his nurse In her pretty blue gown, Of the doctor so gentle, The other sick boys, And oh! a whole shopful Of beautiful toys! The Happy Family Here's my Happy Family, Little folks, as you may see: Cats who fight, but just in fun, Mice who up the flag-staff run, Paroquet, canaries too,-- Now, my dears, 'twixt me and you, Girls and boys who scold and tease, Might a lesson learn from these Birds and beasts who all agree In my Happy Family. The Crossing Sweeper He is weak and old, and he feels the cold, But a nice clean path he keeps, For passengers all, both great and small, As the mud to each side he sweeps. The people stare, in London Town, At his turban rare, and his face so brown, But the poor old Hindoo does not mind, So long as a coin for him they find. And he nods and smiles, as he sweeps away, As if to the passer-by he'd say,-- "Think of your shining boots and shoes, And a copper to me you can't refuse. For each penny I get I sweep the faster-- Ah! thank you, Thank you, Kind young master!" PUNCH AND JUDY Have you a penny? well then, stay! Haven't you any? don't go away! Punch holds receptions all through the day, Squeaking aloud to gather a crowd, Scolding at Toby, beating his Wife, Frightening the Constable out of his life, And making jokes in a terrible passion, As is Mr. Punch's peculiar fashion; For this is his old, delightful plan Of getting as many pence as he can. Then away he'll jog, With his Wife and his Dog, New folks to meet In the very next street. The Lowther Arcade Tell me, rosy little boy, Listen, little maiden, too, Do you love a fine new toy? Yes, you say, of course you do. Then your thought to Mother tell, And she'll take her little maid, And her little boy as well, To this wonderful Arcade. Active apes that climb up sticks, Swords and guns and trumpets bright, Wooden horses, wooden bricks, Big fat lambs with fleeces white, Dolls that smile and dolls that cry, Soldiers ready for parade, All are here for you to buy, In this wonderful Arcade. Toys are hanging up on strings, Toys are laid in tempting rows, And each shop with pretty things Is so crammed it overflows. Little girls and little boys Oft are puzzled, we're afraid, Which to choose of all the toys In this wonderful Arcade. The Dustman is coming Off to bed the pets must flock. Look! it's nearly eight o'clock. Baby's sleepy, so is Claire-- "Ah!" says Mother on the stair, To little folks that yawn and blink, "The dustman's coming, I should think." Mother's right, for sure enough Here's the dustman, strong and bluff. "Dust ho! dust ho!" hear his cry, As the dust-cart rumbles by. The dustman home is going soon, For there you see the rising moon. And sleepy Claire, in cot so white, Thinks that his cry must mean "Good Night." GOOD-BYE *** END OF THE PROJECT GUTENBERG EBOOK LONDON TOWN *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.