E-text prepared by Robert Cicconetti, Melissa Er-Raqabi, and the Project
Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) from
page images generously made available by Early Canadiana Online
(http://www.canadiana.org/)



Note: Images of the original pages are available through Early
      Canadiana Online. See
      http://www.canadiana.org/ECO/ItemRecord/52346?id=14d852d8ab3fd2a8





AN UNPARDONABLE LIAR

by

GILBERT PARKER

Author of _Seats of the Mighty_, _The Battle of the Strong_, etc.

Chicago
Charles H. Sergel Company

1900






CHAPTER I.

AN ECHO.

    "O de worl am roun an de worl am wide--
      O Lord, remember your chillun in de mornin!
    It's a mighty long way up de mountain side,
    An day aint no place whar de sinners kin hide,
      When de Lord comes in de mornin."


With a plaintive quirk of the voice the singer paused, gayly flicked the
strings of the banjo, then put her hand flat upon them to stop the
vibration and smiled round on her admirers. The group were applauding
heartily. A chorus said, "Another verse, please, Mrs. Detlor."

"Oh, that's all I know, I'm afraid," was the reply. "I haven't sung it for
years and years, and I should have to think too hard--no, no, believe me,
I can't remember any more. I wish I could, really."

A murmur of protest rose, but there came through the window faintly yet
clearly a man's voice:

    "Look up an look aroun,
    Fro you burden on de groun"--

The brown eyes of the woman grew larger. There ran through her smile a
kind of frightened surprise, but she did not start nor act as if the
circumstance were singular.

One of the men in the room--Baron, an honest, blundering fellow--started
toward the window to see who the prompter was, but the host--of intuitive
perception--saw that this might not be agreeable to their entertainer and
said quietly: "Don't go to the window, Baron. See, Mrs. Detlor is going to
sing."

Baron sat down. There was an instant's pause, in which George Hagar, the
host, felt a strong thrill of excitement. To him Mrs. Detlor seemed in a
dream, though her lips still smiled and her eyes wandered pleasantly over
the heads of the company. She was looking at none of them, but her body
was bent slightly toward the window, listening with it, as the deaf and
dumb do.

Her fingers picked the strings lightly, then warmly, and her voice rose,
clear, quaint and high:

    "Look up an look aroun,
    Fro you burden on de groun,
    Reach up an git de crown,
    When de Lord comes in de mornin--
    When de Lord comes in de mornin!"

The voice had that strange pathos, veined with humor, which marks most
negro hymns and songs, so that even those present who had never heard an
Americanized negro sing were impressed and grew almost painfully quiet,
till the voice fainted away into silence.

With the last low impulsion, however, the voice from without began again
as if in reply. At the first note one of the young girls present made a
start for the window. Mrs. Detlor laid a hand upon her arm. "No," she
said, "you will spoil--the effect. Let us keep up the mystery."

There was a strange, puzzled look on her face, apparent most to George
Hagar. The others only saw the lacquer of amusement, summoned for the
moment's use.

"Sit down," she added, and she drew the young girl to her feet and passed
an arm round her shoulder. This was pleasant to the young girl. It singled
her out for a notice which would make her friends envious.

It was not a song coming to them from without--not a melody, but a kind of
chant, hummed first in a low sonorous tone, and then rising and falling in
weird undulations. The night was still, and the trees at the window gave
forth a sound like the monotonous s-sh of rain. The chant continued for
about a minute. While it lasted Mrs. Detlor sat motionless and her hands
lay lightly on the shoulders of the young girl. Hagar dropped his foot on
the floor at marching intervals--by instinct he had caught at the meaning
of the sounds. When the voice had finished, Mrs. Detlor raised her head
toward the window with a quick, pretty way she had, her eyes much shaded
by the long lashes. Her lips were parted in the smile which had made both
men and women call her merry, amiable and fascinating.

"You don't know what it is, of course," she said, looking round, as though
the occurrence had been ordinary. "It is a chant hummed by the negro
woodcutters of Louisiana as they tramp homeward in the evening. It is
pretty, isn't it?"

"It's a rum thing," said one they called the Prince, though Alpheus
Richmond was the name by which his godmother knew him. "But who's the
gentleman behind the scenes--in the greenroom?"

As he said this he looked--or tried to look--knowingly at Mrs. Detlor,
for, the Prince desired greatly to appear familiar with people and things
theatrical, and Mrs. Detlor knew many in the actor and artist world.

Mrs. Detlor smiled in his direction, but the smile was not reassuring. He
was, however, delighted. He almost asked her then and there to ride with
him on the morrow, but he remembered that he could drive much better than
he could ride, and, in the pause necessary to think the matter out, the
chance passed--he could not concentrate himself easily.

"Yes. Who is it?" said the young girl.

"Lord, I'll find out," said the flaring Alpheus, a jeweled hand at his
tie as he rose.

But their host had made up his mind. He did not know whether Mrs. Detlor
did or did not recognize the voice, but he felt that she did not wish the
matter to go farther. The thing was irregular if he was a stranger, and if
he were not a stranger it lay with Mrs. Detlor whether he should be
discovered.

There was a curious stillness in Mrs. Detlor's manner, as though she were
waiting further development of the incident. Her mind was in a whirl of
memories. There was a strange thumping sensation in her head. Yet who was
to know that from her manner?

She could not help flashing a look of thanks to Hagar when he stepped
quickly between the Prince and the window and said in what she called his
light comedy manner:

"No, no, Richmond. Let us keep up the illusion. The gentleman has done us
a service; otherwise we had lost the best half of Mrs. Detlor's song.
We'll not put him at disadvantage."

"Oh, but look here, Hagar," said the other protestingly as he laid his
hand upon the curtains.

Few men could resist the quiet decision of Hagar's manner, though he often
laughed that, having but a poor opinion of his will as he knew it, and
believing that he acted firmness without possessing it, save where he was
purely selfish. He put his hands in his pockets carelessly, and said in a
low, decisive tone, "Don't do it, if you please."

But he smiled, too, so that others, now gossiping, were unaware that the
words were not of as light comedy as the manner. Hagar immediately began a
general conversation and asked Baron to sing "The Banks o' Ben Lomond,"
feeling sure that Mrs. Detlor did not wish to sing again. Again she sent
him a quick look of thanks and waved her fingers in protest to those who
were urging her. She clapped her hands as she saw Baron rise, and the
others, for politeness sake, could not urge her more.

       *       *       *       *       *

For the stranger. Only the morning of that day he had arrived at the
pretty town of Herridon among the hills and moors, set apart for the idle
and ailing of this world. Of the world literally, for there might be seen
at the pump-room visitors from every point of the compass--Hindoo
gentlemen brought by sons who ate their legal dinners near Temple Bar;
invalided officers from Hongkong, Bombay, Aden, the Gold Coast and
otherwhere; Australian squatters and their daughters; attaches of foreign
embassies; a prince from the Straits Settlements; priests without number
from the northern counties; Scotch manufacturers; ladies wearied from the
London season; artists, actors and authors, expected to do at inopportune
times embarrassing things, and very many from Columbia, happy land, who
go to Herridon as to Westminster--to see the ruins.

It is difficult for Herridon to take its visitors seriously, and quite as
difficult for the visitors to take Herridon seriously. That is what the
stranger thought as he tramped back and forth from point to point through
the town. He had only been there twelve hours, yet he was familiar with
the place. He had the instincts and the methods of the true traveler. He
never was guilty of sightseeing in the usual sense. But it was his habit
to get general outlines fixed at once. In Paris, in London, he had taken a
map, had gone to some central spot, and had studied the cities from there;
had traveled in different directions merely to get his bearings. After
that he was quite at home. This was singular, too, for his life had been
of recent years much out of the beaten tracks of civilization. He got the
outlines of Herridon in an hour or two, and by evening he could have drawn
a pretty accurate chart of it, both as to detail and from the point of a
birdseye view at the top of the moor.

The moor had delighted him. He looked away to all quarters and saw hill
and valley wrapped in that green. He saw it under an almost cloudless sky,
and he took off his hat and threw his grizzled head back with a boyish
laugh.

"It's good--good enough!" he said. "I've seen so much country all on edge
that this is like getting a peep over the wall on the other side--the
other side of Jordan. And yet that was God's country with the sun on it,
as Gladney used to say--poor devil!"

He dropped his eyes from the prospect before him and pushed the sod and
ling with his foot musingly. "If I had been in Gladney's place, would I
have done as he did, and if he had been in my place would he have done as
I did? One thing is certain, there'd have been bad luck for both of us,
this way or that, with a woman in the equation. He was a fool--that's the
way it looked, and I was a liar--to all appearances, and there's no heaven
on earth for either. I've seen that all along the line. One thing is sure,
Gladney has reached, as in his engineering phrase he'd say, the line of
saturation, and I the line of liver, thanks be to London and its joys!
And now for sulphur water and--damnation!"

This last word was not the real end to the sentence. He had, while
lighting his cigar, suddenly remembered something. He puffed the cigar
fiercely and immediately drew out a letter. He stood looking at it for a
minute and presently let go a long breath.

"So much for London and getting out of my old tracks! Now, it can't go for
another three days, and he needing the dollars. * * * I'll read it over
again anyhow." He took it out and read:

"Cheer up, and get out of the hospital as soon as you can and come over
yourself. And remember in the future that you can't fool about the fire
escapes of a thirteen story flat as you can a straight foothill of the
Rockies or a Lake Superior silver mine. Here goes to you $1,000 (per
draft), and please to recall that what's mine is yours, and what's yours
is your own, and there's a good big sum that'll be yours, concerning which
later. But take care of yourself, Gladney. You can't drown a mountain with
the squirt of a rattlesnake's tooth; you can't flood a memory with cognac.
I've tried it. For God's sake don't drink any more. What's the use? Smile
in the seesaw of the knives. You can only be killed once, and, believe me,
there's twice the fun in taking bad luck naked, as it were. Do you
remember the time you and I and Ned Bassett, the H.B. company's man,
struck the camp of bloods on the Gray Goose river? How the squaw lied and
said he was the trader that dropped their messenger in a hot spring, and
they began to peel Ned before our eyes? How he said as they drew the first
chip from his shoulder, 'Tell the company, boys, that it's according to
the motto on their flag, Pro Pelle Cutem--Skin For Skin?' How the woman
backed down, and he got off with a strip of his pelt gone? How the
medicine man took little bits of us and the red niggers, too, and put them
on the raw place and fixed him up again? Well, that's the way to do it,
and if you come up smiling every time you get your pound of flesh one way
or another. Play the game with a clear head and a little insolence,
Gladney, and you won't find the world so bad at its worst.

"So much for so much. Now for the commission you gave me. I'd rather it
had been anything else, for I think I'm the last man in the world for duty
where women are concerned. That reads queer, but you know what I mean. I
mean that women puzzle me, and I'm apt to take them too literally. If I
found your wife, and she wasn't as straightforward as you are, Jack
Gladney, I'd as like as not get things in a tangle. You know I thought it
would be better to let things sleep--resurrections are uncomfortable
things mostly. However, here I am to do what's possible. What have I done?
Nothing. I haven't found her yet. You didn't want me to advertise, and I
haven't. She hasn't been acting for a long time, and no one seems to know
exactly where she is. She was traveling abroad with some people called
Branscombes, and I'm going to send a letter through their agent. We shall
see.

"Lastly, for business. I've floated the Aurora company with a capital of
$1,000,000, and that ought to carry the thing for all we want to do. So be
joyful. But you shall have full particulars next mail. I'm just off to
Herridon for the waters. Can you think it, Gladney--Mark Telford, late of
the H.B.C, coming down to that? But it's a fact. Luncheons and dinners in
London, E.C., fiery work, and so it's stand by the halyards for bad
weather! Once more, keep your nose up to the wind, and believe that I am
always," etc.

He read it through, dwelling here and there as if to reconsider, and, when
it was finished, put it back into his pocket, tore up the envelope and let
it fall to the ground. Presently he said: "I'll cable the money over and
send the letter on next mail. Strange that I didn't think of cabling
yesterday. However, it's all the same."

So saying, he came down the moor into the town and sent his cable, then
went to his hotel and had dinner. After dinner he again went for a walk.
He was thinking hard, and that did not render him less interesting. He
was tall and muscular, yet not heavy, with a lean dark face, keen, steady
eyes, and dignified walk. He wore a black soft felt hat and a red silk
sash which just peeped from beneath his waistcoat--in all, striking, yet
not bizarre, and notably of gentlemanlike manner. What arrested attention
most, however, was his voice. People who heard it invariably turned to
look or listened from sheer pleasure. It was of such penetrating clearness
that if he spoke in an ordinary tone it carried far. Among the Indians of
the Hudson Bay company, where he had been for six years or more, he had
been known as Man of the Gold Throat, and that long before he was called
by the negroes on his father's plantation in the southern states Little
Marse Gabriel, because Gabriel's horn, they thought, must be like his
voice--"only mo' so, an dat chile was bawn to ride on de golden mule."

You would not, from his manner or voice or dress have called him an
American. You might have said he was a gentleman planter from Cuba or Java
or Fiji, or a successful miner from Central America who had more than a
touch of Spanish blood in his veins. He was not at all the type from over
sea who are in evidence at wild west shows, or as poets from a western
Ilion, who ride in the Row with sombrero, cloak and Mexican saddle.
Indeed, a certain officer of Indian infantry, who had once picked up some
irregular French in Egypt and at dinner made remarks on Telford's
personal appearance to a pretty girl beside him, was confused when Telford
looked up and said to him in admirable French: "I'd rather not, but I
can't help hearing what you say, and I think it only fair to tell you so.
These grapes are good. Shall I pass them? Poole made my clothes, and
Lincoln is my hatter. Were you ever in Paris?"

The slow, distinct voice came floating across the little table, and ladies
who that day had been reading the last French novel and could interpret
every word and tone smiled slyly at each other or held themselves still to
hear the sequel; the ill-bred turned round and stared; the parvenu sitting
at the head of the table, who had been a foreign buyer of some London
firm, chuckled coarsely and winked at the waiter, and Baron, the
Afrikander trader, who sat next to Telford, ordered champagne on the
strength of it. The bronzed, weather worn face of Telford showed
imperturbable, but his eyes were struggling with a strong kind of humor.
The officer flushed to the hair, accepted the grapes, smiled foolishly,
and acknowledged--swallowing the reflection on his accent--that he had
been in Paris. Then he engaged in close conversation with the young lady
beside him, who, however, seemed occupied with Telford. This quiet, keen
young lady, Miss Mildred Margrave, had received an impression, not of the
kind which her sex confide to each other, but of a graver quality. She
was a girl of sympathies and parts.

The event increased the interest and respect felt in the hotel for this
stranger. That he knew French was not strange. He had been well educated
as a boy and had had his hour with the classics. His godmother, who had
been in the household of Prince Joseph Bonaparte, taught him French from
the time he could lisp, and, what was dangerous in his father's eyes,
filled him with bits of poetry and fine language, so that he knew Heine,
Racine and Beranger and many another. But this was made endurable to the
father by the fact that, by nature, the boy was a warrior and a
scapegrace, could use his fists as well as his tongue, and posed as a
Napoleon with the negro children in the plantation. He was leader of the
revels when the slaves gathered at night in front of the huts and made a
joy of captivity and sang hymns which sounded like profane music hall
songs, and songs with an unction now lost to the world, even as
Shakespeare's fools are lost--that gallant company who ran a thread of
tragedy through all their jesting.

Great things had been prophesied for this youth in the days when he sat
upon an empty treacle barrel with a long willow rod in his hand, a cocked
hat on his head, a sword at his side--a real sword once belonging to a
little Bonaparte--and fiddlers and banjoists beneath him. His father on
such occasions called him Young King Cole.

All had changed, and many things had happened, as we shall see. But one
thing was clear--this was no wild man from the west. He had claims to be
considered, and he was considered. People watched him as he went down over
the esplanade and into quiet streets. The little occurrence at the dinner
table had set him upon a train of thoughts which he had tried to avoid for
many years. On principle he would not dwell on the past. There was no
corrosion, he said to himself, like the memory of an ugly deed. But the
experiences of the last few days had tended to throw him into the past,
and for once he gave himself up to it.

Presently there came to him the sound of a banjo--not an unusual thing at
Herridon. It had its mock negro minstrels, whom, hearing, Telford was
anxious to offend. This banjo, he knew at once, was touched by fingers
which felt them as if born on them, and the chords were such as are only
brought forth by those who have learned them to melodies of the south. He
stopped before the house and leaned upon the fence. He heard the voice go
shivering through a negro hymn, which was among the first he had ever
known. He felt himself suddenly shiver--a thrill of nervous sympathy. His
face went hot and his hands closed on the palings tightly. He stole into
the garden quietly, came near the window and stood still. He held his
mouth in his palm. He had an inclination to cry out.

"Good God!" he said in a whisper. "To hear that off here after all these
years!" Suddenly the voice stopped. There was a murmur within. It came to
him indistinctly. "She has forgotten the rest," he said. Instantly and
almost involuntarily he sang:

    "Look up an look aroun,
    Fro you burden on de groun."

Then came the sequel as we described, and his low chanting of the negro
woodcutter's chant. He knew that any who answered it must have lived the
life he once lived in Louisiana, for he had never heard it since he had
left there, nor any there hum it except those who knew the negroes well.
Of an evening, in the hot, placid south, he had listened to it come
floating over the sugarcane and through the brake and go creeping weirdly
under the magnolia trees. He waited, hoping, almost wildly--he knew it was
a wild hope--that there would be a reply. There was none. But presently
there came to him Baron's crude, honest singing:

    "For you'll take the high road, and I'll take the low road,
    And I'll be in Scotland before you;
    But I and my true love will never meet again
    On the bonnie, bonnie banks o' Ben Lomond."

Telford drew in his breath sharply, caught his mustache between his teeth
savagely for a minute, then let it go with a run of ironical laughter. He
looked round him. He saw in the road two or three people who had been
attracted by the music. They seemed so curious merely, so apathetic--his
feelings were playing at full tide. To him they were the idle, intrusive
spectators of his trouble. All else was dark about him save where on the
hill the lights of the Tempe hotel showed, and a man and woman, his arm
round her, could be seen pacing among the trees. Telford turned away from
this, ground his heel into the turf and said: "I wish I could see who she
is. Her voice? It's impossible." He edged close to the window, where a
light showed at the edge of the curtains. Suddenly he pulled up.

"No. Whoever she is I shall know in time. Things come round. It's almost
uncanny as it stands, but then it was uncanny--it has all been so since
the start." He turned to the window again, raised his hat to it, walked
quickly out into the road and made his way to the View hotel. As he came
upon the veranda Mildred Margrave passed him. He saw the shy look of
interest in her face, and with simple courtesy he raised his hat. She
bowed and went on. He turned and looked after her; then, shaking his head
as if to dismiss an unreasonable thought, entered and went to his room.

About this time the party at Hagar's rooms was breaking up. There had been
more singing by Mrs. Detlor. She ransacked her memory for half remembered
melodies--whimsical, arcadian, sad--and Hagar sat watching her, outwardly
quiet and appreciative, inwardly under an influence like none he had ever
felt before. When his guests were ready, he went with them to their hotel.
He saw that Mrs. Detlor shrank from the attendance of the Prince, who
insisted on talking of the "stranger in the greenroom." When they arrived
at the hotel, he managed, simply enough, to send the lad on some mission
for Mrs. Detlor, which, he was determined, should be permanent so far as
that evening was concerned. He was soon walking alone with her on the
terrace. He did not force the conversation, nor try to lead it to the
event of the evening, which, he felt, was more important than others
guessed. He knew also that she did not care to talk just then. He had
never had any difficulty in conversation with her--they had a singular
rapport. He had traveled much, seen more, remembered everything, was shy
to austerity with people who did not interest him, spontaneous with those
that did, and yet was never--save to serve a necessary purpose--a hail
fellow with any one. He knew that he could be perfectly natural with this
woman--say anything that became a man. He was an artist without
affectations, a diplomatic man, having great enthusiasm and some outer
cynicism. He had started life terribly in earnest before the world. He had
changed all that. In society he was a nervous organism gone cold, a
deliberate, self-contained man. But insomuch as he was chastened of
enthusiasm outwardly he was boyishly earnest inwardly.

He was telling Mrs. Detlor of some incident he had seen in South Africa
when sketching there for a London weekly, telling it graphically,
incisively--he was not fluent. He etched in speech; he did not paint. She
looked up at him once or twice as if some thought was running parallel
with his story. He caught the look. He had just come to the close of his
narrative. Presently she put out her hand and touched his arm.

"You have great tact," she said, "and I am grateful."

"I will not question your judgment," he replied, smiling. "I am glad that
you think so, and humbled too."

"Why humbled?" she laughed softly. "I can't imagine that."

"There are good opinions which make us vain, others which make us anxious
to live up to them, while we are afraid we can't."

"Few men know that kind of fear. You are a vain race."

"You know best. Men show certain traits to women most."

"That is true. Of the most real things they seldom speak to each other,
but to women they often speak freely, and it makes one shudder--till one
knows the world, and gets used to it."

"Why shudder?" He guessed the answer, but he wanted, not from mere
curiosity, to hear her say it.

"The business of life they take seriously--money, position, chiefly
money. Life itself--home, happiness, the affections, friendship--is an
incident, a thing to juggle with."

"I do not know you in this satirical mood," he answered. "I need time to
get used to it before I can reply."

"I surprise you? People do not expect me ever to be either serious or--or
satirical, only look to me to be amiable and merry. 'Your only jig-maker,'
as Hamlet said--a sprightly Columbine. Am I rhetorical?"

"I don't believe you are really satirical, and please don't think me
impertinent if I say I do not like your irony. The other character suits
you, for, by nature, you are--are you not?--both merry and amiable. The
rest"--

"'The rest is silence.' * * * I can remember when mere living was
delightful. I didn't envy the birds. That sounds sentimental to a man,
doesn't it? But then that is the way a happy girl--a child--feels. I do
not envy the birds now, though I suppose it is silly for a worldly woman
to talk so."

"Whom, then, do you envy?"

There was a warm, frank light in her eyes. "I envy the girl I was then."

He looked down at her. She was turning a ring about on her finger
abstractedly. He hesitated to reply. He was afraid that he might say
something to press a confidence for which she would be sorry afterward.
She guessed what was passing in his mind.

She reached out as if to touch his arm again, but did not, and said: "I
am placing you in an awkward position. Pardon me. It seemed to me for a
moment that we were old friends--old and candid friends."

"I wish to be an old and candid friend," he replied firmly. "I honor your
frankness."

"I know," she added hastily. "One is safe--with some men."

"Not with a woman?"

"No woman is safe in any confidence to any other woman. All women are more
or less bad at heart."

"I do not believe that as you say it."

"Of course you do not--as I say it. But you know what I mean. Women are
creatures of impulse, except those who live mechanically and have lost
everything. They become like priests then."

"Like some priests. Yet, with all respect, it is not a confessional I
would choose, except the woman was my mother."

There was silence for a moment, and then she abruptly said: "I know you
wish to speak of that incident, and you hesitate. You need not. Yet this
is all I can tell you. Whoever the man was he came from Tellaire, the
place where I was born."

She paused. He did not look, but he felt that she was moved. He was
curious as to human emotions, but not where this woman was concerned.

"There were a few notes in that woodcutter's chant which were added to
the traditional form by one whom I knew," she continued.

"You did not recognize the voice?"

"I cannot tell. One fancies things, and it was all twelve years ago."

"It was all twelve years ago," he repeated musingly after her. He was
eager to know, yet he would not ask.

"You are a clever artist," she said presently. "You want a subject for a
picture. You have told me so. You are ambitious. If you were a dramatist,
I would give you three acts of a play--the fourth is yet to come; but you
shall have a scene to paint if you think it strong enough."

His eyes flashed. The artist's instinct was alive. In the eyes of the
woman was a fire which sent a glow over all her features. In herself she
was an inspiration to him, but he had not told her that. "Oh, yes," was
his reply, "I want it, if I may paint you in the scene."

"You may paint me in the scene," she said quietly. Then, as if it suddenly
came to her that she would be giving a secret into this man's hands, she
added, "That is, if you want me for a model merely."

"Mrs. Detlor," he said, "you may trust me, on my honor."

She looked at him, not searchingly, but with a clear, honest gaze such as
one sees oftenest in the eyes of children, yet she had seen the
duplicities of life backward and said calmly, "Yes, I can trust you."

"An artist's subject ought to be sacred to him," he said. "It becomes
himself, and then it isn't hard--to be silent."

They walked for a few moments, saying nothing. The terrace was filling
with people, so they went upon the veranda and sat down. There were no
chairs near them. They were quite at the end.

"Please light a cigar," she said with a little laugh. "We must not look
serious. Assume your light comedy manner as you listen, and I will wear
the true Columbine expression. We are under the eyes of the curious."

"Not too much light comedy for me," he said. "I shall look forbidding lest
your admirers bombard us."

They were quiet again.

"This is the story," she said at last, folding her hands before her. "No,
no," she added hastily, "I will not tell you the story, I will try and
picture one scene. And when I have finished, tell me if you don't think I
have a capital imagination." She drew herself up with a little gesture of
mockery. "It is comedy, you know.

"Her name was Marion Conquest. She was beautiful--they said that of her
then--and young, only sixteen. She had been very happy, for a man said
that he loved her, and she wore his ring on her finger. One day, while she
was visiting at a place far from her home, she was happier than usual. She
wished to be by herself to wonder how it was that one could be so happy.
You see, she was young and did not think often. She only lived. She took a
horse and rode far away into the woods. She came near a cottage among the
trees. She got off her horse and led it. Under a tree she saw a man and a
woman. The man's arm was round the woman. A child four or five years old
was playing at their feet--at the feet of its father and mother. * * * The
girl came forward and faced the man--the man she had sworn to marry. As I
said, his ring was on her finger."

She paused. People were passing near, and she smiled and bowed once or
twice, but Hagar saw that the fire in her eyes had deepened.

"Is it strong enough for your picture?" she said quietly.

"It is as strong as it is painful. Yet there is beauty in it, too, for I
see the girl's face."

"You see much in her face, of course, for you look at it as an artist.
You see shame, indignation, bitterness--what else?"

"I see that moment of awe when the girl suddenly became a woman--as the
serious day breaks all at once through the haze of morning."

"I know you can paint the picture," she said, "but you have no model for
the girl. How shall you imagine her?"

"I said that I would paint you in the scene," he answered slowly.

"But I am not young, as she was; am not--so good to look at."

"I said that I saw beauty in the girl's face. I can only see it through
yours."

Her hands clasped tightly before her. Her eyes turned full on him for an
instant, then looked away into the dusk. There was silence for a long time
now. His cigar burned brightly. People kept passing and repassing on the
terrace below them. Their serious silence was noticeable.

"A penny for your thoughts," she said gayly, yet with a kind of
wistfulness.

"You would be thrown away at the price."

These were things that she longed yet dreaded to hear. She was not free
(at least she dreaded so) to listen to such words.

"I am sorry for that girl, God knows!" he added.

"She lived to be always sorry for herself. She was selfish. She could
have thrived on happiness. She did not need suffering. She has been
merry, gay, but never happy."

"The sequel was sad?"

"Terribly sad."

"Will you tell me--the scene?"

"I will, but not to-night." She drew her hands across her eyes and
forehead. "You are not asking merely as the artist now?" She knew the
answer, but she wanted to hear it.

"A man who is an artist asks, and he wishes to be a friend to that woman,
to do her any service possible."

"Who can tell when she might need befriending?"

He would not question further. She had said all she could until she knew
who the stranger was.

"I must go in," she said. "It is late."

"Tell me one thing. I want it for my picture--as a key to the mind of the
girl. What did she say at that painful meeting in the woods--to the man?"

Mrs. Detlor looked at him as if she would read him through and through.
Presently she drew a ring from her finger slowly and gave it to him,
smiling bitterly.

"Read inside. That is what she said."

By the burning end of his cigar he read, "You told a lie."

At another hotel a man sat in a window looking out on the esplanade. He
spoke aloud.

"'You told a lie,' was all she said, and as God's in heaven I've never
forgotten I was a liar from that day to this."




CHAPTER II.

THE MEETING.


The next morning George Hagar was early at the pump-room. He found it
amusing to watch the crowds coming and going--earnest invalids and that
most numerous body of middle aged, middle class people who have no
particular reason for drinking the waters, and whose only regimen is
getting even with their appetites. He could pick out every order at a
glance--he did not need to wait until he saw the tumblers at their lips.
Now and then a dashing girl came gliding in, and, though the draft was
noxious to her, drank the stuff off with a neutral look and well bred
indifference to the distress about her. Or in strode the private
secretary of some distinguished being in London, S.W. He invariably
carried his glass to the door, drank it off in languid sips as he leaned
indolently against the masonry, and capped the event by purchasing a rose
for his buttonhole, so making a ceremony which smacked of federating the
world at a common public drinking trough into a little fete. Or there were
the good priests from a turbulent larruping island, who with cheeks
blushing with health and plump waistcoats came ambling, smiling, to their
thirty ounces of noisome liquor. Then, there was Baron, the bronzed,
idling, comfortable trader from Zanzibar, who, after fifteen years of hide
and seek with fever and Arabs and sudden death--wherewith were all manner
of accident and sundry profane dealings not intended for The Times or
Exeter hall, comes back to sojourn in quiet "Christom" places, a lamb in
temper, a lion at heart, an honest soul who minds his own business, is
enemy to none but the malicious, and lives in daily wonder that the wine
he drank the night before gets into trouble with the waters drunk in the
morning. And the days, weeks and months go on, but Baron remains, having
seen population after population of water drinkers come and go. He was
there years ago. He is there still, coming every year, and he does not
know that George Hagar has hung him at Burlington House more than once,
and he remembers very well the pretty girl he did not marry, who also, on
one occasion, joined the aristocratic company "on the line."

This young and pretty girl--Miss Mildred Margrave--came and went this
morning, and a peculiar, meditative look on her face, suggesting some
recent experience, caused the artist to transfer her to his notebook. Her
step was sprightly, her face warm and cheerful in hue, her figure
excellent, her walk the most admirable thing about her--swaying, graceful,
lissom--like perfect dancing with the whole body. Her walk was immediately
merged into somebody else's--merged melodiously, if one may say so. A man
came from the pump-room looking after the girl, and Hagar remarked a
similar swaying impulsion in the walk of both. He walked as far as the
gate of the pump-room, then sauntered back, unfolded a newspaper, closed
it up again, lit a cigar, and, like Hagar, stood watching the crowd
abstractedly. He was an outstanding figure. Ladies, as they waited,
occasionally looked at him through their glasses, and the Duchess of
Brevoort thought he would make a picturesque figure for a reception--she
was not less sure because his manner was neither savage nor suburban.
George Hagar was known to some people as "the fellow who looks back of
you." Mark Telford might have been spoken of as "the man who looks through
you," for, when he did glance at a man or woman, it was with keen
directness, affecting the person looked at like a flash of light to the
eye. It is easy to write such things, not so easy to verify them, but any
one that has seen the sleuthlike eyes of men accustomed to dealing with
danger in the shape of wild beasts or treacherous tribes or still more
treacherous companions, and whose lives depend upon their feeling for
peril and their unerring vigilance can see what George Hagar saw in Mark
Telford's looks.

Telford's glance went round the crowd, appearing to rest for an instant on
every person, and for a longer time on Hagar. The eyes of the two men met.
Both were immediately puzzled, for each had a sensation of some
subterranean origin. Telford immediately afterward passed out of the gate
and went toward the St. Cloud gardens, where the band was playing. For a
time Hagar did not stir, but idled with his pencil and notebook. Suddenly
he started, and hurried out in the direction Telford had gone.

"I was an ass," he said to himself, "not to think of that at first."

He entered the St. Cloud gardens and walked round the promenade a few
times, but without finding him. Presently, however, Alpheus Richmond,
whose beautiful and brilliant waistcoat and brass buttons with monogram
adorned showed advantageously in the morning sunshine, said to him: "I
say, Hagar, who's that chap up there filling the door of the summer house?
Lord, rather!"

It was Telford. Hagar wished for the slightest pretext to go up the
unfrequented side path and speak to him, but his mind was too excited to
do the thing naturally without a stout pretext. Besides, though he admired
the man's proportions and his uses from an artistic standpoint, he did not
like him personally, and he said that he never could. He had instinctive
likes and dislikes. What had startled him at the pump-room and had made
him come to the gardens was the conviction that this was the man to play
the part in the scene which, described by Mrs. Detlor, had been arranging
itself in a hundred ways in his brain during the night--the central
figures always the same, the details, light, tone, coloring, expression,
fusing, resolving. Then came another and still more significant thought.
On this he had acted.

When he had got rid of Richmond, who begged that he would teach him how to
arrange a tie as he did--for which an hour was appointed--he determined,
at all hazards, to speak. He had a cigar in his pocket, and though to
smoke in the morning was pain and grief to him, he determined to ask for a
match, and started. He was stopped by Baron, whose thoughts being much
with the little vices of man, anticipated his wishes and offered him a
light. In despair Hagar took it, and asked if he chanced to know who the
stranger was. Baron did know, assuring Hagar that he sat on the
gentleman's right at the same table in his hotel, and was qualified to
introduce him. Before they started he told the artist of the occurrence of
the evening before, and further assured him of the graces of Miss Mildred
Margrave. "A pearl," he said, "not to be reckoned by loads of ivory, nor
jolly bricks of gold, nor caravans of Arab steeds, nor--come and have
dinner with me to-night, and you shall see. There, what do you say?"

Hagar, who loved the man's unique and spontaneous character as only an
artist can love a subject in which he sees royal possibilities, consented
gladly, and dropped a cordial hand on the other's shoulder. The hand was
dragged down and wrenched back and forth with a sturdy clasp, in time to a
roll of round, unctuous laughter. Then Baron took him up hurriedly, and
introduced him to Telford with the words: "You two ought to know each
other. Telford, traveler, officer of the Hudson's Bay company, et cetera;
Hagar, artist, good fellow, et cetera."

Then he drew back and smiled as the two men, not shaking hands as he
expected, bowed, and said they were happy to meet. The talk began with the
remark by Hagar on the panorama below them, "that the thing was amusing if
not seen too often, but the eternal paddling round the band stand was too
much like marionettes."

"You prefer a Punch and Judy to marionettes?" asked Telford.

"Yes, you get a human element in a Punch and Judy tragedy. Besides, it
has surprises, according to the idiosyncrasy of the man in the greenroom."
He smiled immediately, remembering that his last words plagiarized Mr.
Alpheus Richmond.

"I never miss a Punch and Judy if I'm near it," said Telford. "I enjoy the
sardonic humor with which Punch hustles off his victims. His
light-heartedness when doing bloody deeds is the true temper."

"That is, if it must be done, to do it with a grin is--"

"Is the most absolute tragedy."

Hagar was astonished, for even the trader's information that Telford spoke
excellent French, and had certainly been a deal on red carpet in his time,
did not prepare him for the sharply incisive words just uttered. Yet it
was not incongruous with. Telford's appearance--not even with the red sash
peeping at the edge of his waistcoat.

They came down among the promenaders, and Baron being accosted by some
one, he left the two together, exacting anew the promise from Hagar
regarding dinner.

Presently Hagar looked up, and said abruptly, "You were singing outside my
window last night."

Telford's face was turned away from him when he began. It came slowly
toward him. The eyes closed steadily with his, there was no excitement,
only cold alertness.

"Indeed? What was I singing?"

"For one thing, the chant of the negro woodcutters of Louisiana."

"What part of Louisiana?"

"The county of Tellavie chiefly."

Telford drew a long breath, as though some suspense was over, and then
said, "How did you know it was I?"

"I could scarcely tell you. I got the impression--besides, you are the
only man I've seen in Herridon who looks likely to know it and the song
which you prompted."

"Do I look like a southerner--still? You see I've been in an arctic
country five years."

"It is not quite that. I confess I cannot explain it."

"I hope you did not think the thing too boorish to be pardoned. On the
face of it it was rude to you--and the lady also."

"The circumstance--the coincidence--was so unusual that I did not stop to
think of manners."

"The coincidence--what coincidence?" said Telford, watching intently.

But Hagar had himself well in hand. He showed nothing of his suspicions.
"That you should be there listening, and that the song should be one which
no two people, meeting casually, were likely to know."

"We did not meet," said Telford dryly.

They watched the crowd for a minute. Presently he added, "May I ask the
name of the lady who was singing?"

There was a slight pause, then, "Certainly--Mrs. Fairfax Detlor."

Though Telford did not stir a muscle the bronze of his face went grayish,
and he looked straight before him without speaking. At last he said in a
clear, steady voice, "I knew her once, I think."

"I guessed so."

"Indeed? May I ask if Mrs. Detlor recognized my voice?"

"That I do not know, but the chances are she did not; if you failed to
recognize hers."

There was an almost malicious desire on Hagar's part to play upon this
man--this scoundrel, as he believed him to be--and make him wince still
more. A score of things to say or do flashed through his mind, but he gave
them up instantly, remembering that it was his duty to consider Mrs.
Detlor before all. But he did say, "If you were old friends, you will wish
to meet her, of course."

"Yes. I have not seen her in many years. Where is she staying?"

"At the Tempe hotel. I do not know whether you intend to call, but I would
suggest your not doing so to-day--that is, if you wish to see her and not
merely leave your card--because she has an engagement this morning, and
this afternoon she is going on an excursion."

"Thank you for the generous information." There was cool irony in the
tone. "You are tolerably well posted as to Mrs. Detlor's movements."

"Oh, yes," was the equally cool reply. "In this case I happen to know,
because Mrs. Detlor sits for a picture at my studio this morning, and I
am one of the party for the excursion."

"Just so. Then will you please say nothing to Mrs. Detlor about having met
me? I should prefer surprising her."

"I'm afraid I can make no promise. The reason is not sufficient.
Surprises, as you remarked about Punch and Judy, are amusing, but they may
also be tragical."

Telford flashed a dark, inquiring look at his companion, and then said:
"Excuse me, I did not say that, though it was said. However, it is no
matter. We meet at dinner, I I suppose, this evening. Till then!"

He raised his hat with a slight sweeping motion--a little mocking excess
in the courtesy--and walked away.

As he went Hagar said after him between his teeth, "By Heaven, you are
that man!"

These two hated each other at this moment, and they were men of might
after their kind. The hatred of the better man was the greater. Not from a
sense of personal wrong, but--

Three hours later Hagar was hard at work in his studio. Only those who
knew him intimately could understand him in his present mood. His pale,
brooding, yet masculine face was flushed, the blue of his eyes was almost
black, his hair, usually in a Roman regularity about his strong brow, was
disorderly. He did not know the passage of time. He had had no breakfast.
He had read none of his letters--they lay in a little heap on his
mantelpiece--he was sketching upon the canvas the scene which had
possessed him for the past ten or eleven hours. An idea was being born,
and it was giving him the distress of bringing forth. Paper after paper he
had thrown away, but at last he had shaped the idea to please his severe
critical instinct, and was now sketching in the expression of the girl's
face. His brain was hot, his face looked tired, but his hand was steady,
accurate and cool--a shapely hand which the sun never browned, and he was
a man who loved the sun.

He drew back at last. "Yes, that's it," he said. "It's right, right. His
face shall come in later. But the heart of the thing is there."

The last sentence was spoken in a louder tone, so that some one behind him
heard. It was Mrs. Detlor. She had, with the young girl who had sat at her
feet the evening before, been shown into the outer room, had playfully
parted the curtains between the rooms and entered. She stood for a moment
looking at the sketch, fascinated, thrilled. Her yes filled with tears,
then went dry and hot, as she said in a loud whisper, "Yes, the heart of
the thing is there."

Hagar turned on her quickly, astonished, eager, his face shining with a
look superadded to his artistic excitement.

She put her finger to her lip, and nodded backward to the other room. He
understood. "Yes, I know," he said, "the light comedy manner." He waved
his hand toward the drawing. "But is it not in the right vein?"

"It is painfully, horribly true," she said. She looked from him to the
canvas, from the canvas to him, and then made a little pathetic gesture
with her hands. "What a jest life is!"

"A game--a wonderful game," he replied, "and a wicked one, when there is
gambling with human hearts."

Then he turned with her toward the other room. As he passed her to draw
aside the curtain she touched his arm with the tips of her fingers so
lightly--as she intended--that he did not feel it. There was a mute,
confiding tenderness in the action more telling than any speech. The
woman had had a brilliant, varied, but lonely life. It must still be
lonely, though now the pleasant vista of a new career kept opening and
closing before her, rendering her days fascinating yet troubled, her
nights full of joyful but uneasy hours. The game thus far had gone against
her. Yet she was popular, merry and amiable!

She passed composedly into the other room. Hagar greeted the young girl,
gave her books and papers, opened the piano, called for some refreshments
and presented both with a rose from a bunch upon the table. The young girl
was perfectly happy to be allowed to sit in the courts without and amuse
herself while the artist and his model should have their hour with pencil
and canvas.

The two then went to the studio again, and, leaving the curtain drawn
back, Hagar arranged Mrs. Detlor in position and began his task. He stood
looking at the canvas for a time, as though to enter into the spirit of it
again; then turned to his model. She was no longer Mrs. Detlor, but his
subject, near to him as his canvas and the creatures of his imagination,
but as a mere woman in whom he was profoundly interested (that at least)
an immeasurable distance from him. He was the artist only now.

It was strange. There grew upon the canvas Mrs. Detlor's face, all the
woman of it, just breaking through sweet, awesomely beautiful, girlish
features; and though the work was but begun there was already that
luminous tone which artists labor so hard to get, giving to the face a
weird, yet charming expression.

For an hour he worked, then he paused. "Would you like to see it?" he
said.

She rose eagerly, and a little pale. He had now sketched in more
distinctly the figure of the man, changed it purposely to look more like
Telford. She saw her own face first. It shone out of the canvas. She gave
a gasp of pain and admiration. Then she caught sight of Telford's figure,
with the face blurred and indistinct.

"Oh!" she said with a shudder. That--that is like him. How could you
know?"

"If that is the man," he said, "I saw him this morning. Is his name Mark
Telford?"

"Yes," she said, and sank into a chair. Presently she sprang to her feet,
caught up a brush and put it into his hand. "Paint in his face. Quick!
Paint in his face. Put all his wickedness there."

Hagar came close to her. "You hate him?" he said, and took the brush.

She did not answer by word, but shook her head wearily, as to some one far
off, expressing neither yes nor no.

"Why?" he said quietly--all their words had been in low tones, that they
might not be heard--"why, do you wear that ring, then?"

She looked at her hand with a bitter, pitiful smile. "I wear it in memory
of that girl who died very young"--she pointed to the picture--"and to
remind me not to care for anything too much lest it should prove to be a
lie." She nodded softly to the picture. "He and she are both dead; other
people wear their faces now."

"Poor woman!" he said in a whisper. Then he turned to the canvas and,
after a moment, filled in from memory the face of Mark Telford, she
watching him breathlessly, yet sitting very still.

After some minutes he drew back and looked at it.

She rose and said: "Yes, he was like that; only you have added what I saw
at another time. Will you hear the sequel now?"

He turned and motioned her to a seat, then sat down opposite to her.

She spoke sadly. "Why should I tell you? I do not know, except that it
seemed to me you would understand. Yet I hope men like you forget what is
best forgotten; and I feel--oh, do you really care to hear it?"

"I love to listen to you."

"That girl was fatherless, brotherless. There was no man with any right to
stand her friend at the time--to avenge her--though, God knows, she wished
for no revenge--except a distant cousin who had come from England to see
her mother and herself; to marry her if he could. She did not know his
motives; she believed that he really cared for her; she was young, and
she was sorry for his disappointment. When that thing happened"--her eyes
were on the picture, dry and hard--"he came forward, determined--so he
said--to make the deceiver pay for his deceit with his life. It seemed
brave, and what a man would do, what a southerner would do. He was an
Englishman, and so it looked still more brave in him. He went to the man's
rooms and offered him a chance for his life by a duel. He had brought
revolvers. He turned the key in the door and then laid the pistols he had
brought on the table. Without warning the other snatched up a small sword
and stabbed him with it. He managed to get one of the revolvers, fired,
and brought the man down. The man was not killed, but it was a long time
before he--Mark Telford there--was well again. When he got up, the girl"--

"Poor girl!"

"When he got up the girl was married to the cousin who had periled his
life for her. It was madness, but it was so."

Here she paused. The silence seemed oppressive. Hagar, divining her
thought, got up, went to the archway between the rooms and asked the young
girl to play something. It helped him, he said, when he was thinking how
to paint. He went back.

Mrs. Detlor continued. "But it was a terrible mistake. There was a
valuable property in England which the cousin knew she could get by
proving certain things. The marriage was to him a speculation. When she
waked to that--it was a dreadful awakening--she refused to move in the
matter. Is there anything more shameful than speculation in flesh and
blood--the heart and life of a child?--he was so much older than she! Life
to her was an hourly pain--you see she was wild with indignation and
shame, and alive with a kind of gratitude and reaction when she married
him. And her life? Maternity was to her an agony such as comes to few
women who suffer and live. If her child--her beautiful, noble child--had
lived, she would, perhaps, one day have claimed the property for its
sake. This child was her second love and it died--it died."

She drew from her breast a miniature. He reached out and, first
hesitating, she presently gave it into his hand. It was warm--it had lain
on her bosom. His hand, generally so steady, trembled. He raised the
miniature to his own lips. She reached out her hand, flushing greatly.

"Oh, please, you must not!" she said.

"Go on, tell me all," he urged, but still held the miniature in his hand
for a moment.

"There is little more to tell. He played a part. She came to know how
coarse and brutal he was, how utterly depraved.

"At last he went away to Africa--that was three years ago. Word came that
he was drowned off the coast of Madagascar, but there is nothing sure, and
the woman would not believe that he was dead unless she saw him so or some
one she could trust had seen him buried. Yet people call her a widow--who
wears no mourning" (she smiled bitterly) "nor can until"--

Hagar came to his feet. "You have trusted me," he said, "and I will honor
your confidence. To the world the story I tell on this canvas shall be my
own."

"I like to try and believe," she said, "that there are good men in the
world. But I have not done so these many years. Who would think that of
me?--I who sing merry songs, and have danced and am gay--how well we wear
the mask, some of us!"

"I am sure," he said, "that there are better days coming for you. On my
soul I think it."

"But he is here," she said. "What for? I cannot think there will be
anything but misery when he crosses my path."

"That duel," he rejoined, the instinct of fairness natural to an honorable
man roused in him; "did you ever hear more than one side of it?"

"No; yet sometimes I have thought there might be more than one side.
Fairfax Detlor was a coward; and whatever that other was,"--she nodded to
the picture--"he feared no man."

"A minute!" he said "Let me make a sketch of it."

He got to work immediately. After the first strong outlines she rose, came
to him and said, "You know as much of it as I do--I will not stay any
longer."

He caught her fingers in his and held them for an instant. "It is brutal
of me. I did not stop to think what all this might cost you."

"If you paint a notable picture and gain honor by it, that is enough," she
said. "It may make you famous." She smiled a little wistfully. "You are
very ambitious. You needed, you said to me once, a simple but powerful
subject which you could paint in with some one's life' blood--that sounds
more dreadful than it is * * * well? * * * You said you had been
successful, but had never had an inspiration"--

"I have one!"

She shook her head. "Never an inspiration which had possessed you as you
ought to be to move the public * * * well? * * * do you think I have
helped you at all? I wanted so much to do something for you."

To Hagar's mind there came the remembrance of the pure woman who, to help
an artist, as poverty stricken as he was talented, engaged on the "Capture
of Cassandra," came into his presence as Lady Godiva passed through the
streets of Coventry, as hushed and as solemn. A sob shook in his
throat--he was of few but strong emotions; he reached out, took her
wrists in his hands, and held them hard. "I have my inspiration now," he
said; "I know that I can paint my one great picture. I shall owe all to
you. And for my gratitude, it seems little to say that I love you--I love
you, Marion."

She drew her hands away, turned her head aside, her face both white and
red. "Oh, hush, you must not say it!" she said. "You forget; do not make
me fear you and hate myself. * * * I wanted to be your friend--from the
first, to help you, as I said; be, then, a friend to me, that I may
forgive myself."

"Forgive yourself--for what? I wish to God I had the right to proclaim my
love--if you would have it, dear--to all the world. * * * And I will know
the truth, for I will find your husband, or his grave."

She looked up at him gravely, a great confidence in her eyes. "I wish you
knew how much in earnest I am--in wishing to help you. Believe me, that is
the first thought. For the rest I am--shall I say it?--the derelict of a
life; and I can only drift. You are young, as young almost as I in years,
much younger every other way, for I began with tragedy too soon."

At that moment there came a loud knock at the outer door, then a ring,
followed by a cheerful voice calling through the window--"I say, Hagar,
are you there? Shall I come in or wait on the mat till the slavey arrives.
* * * Oh, here she is--Salaam! Talofa! Aloha!--which is heathen for How
do you do, God bless you, and All hail!"

These remarks were made in the passage from the door through the hallway
into the room. As Baron entered, Hagar and Mrs. Detlor were just coming
from the studio. Both had ruled their features into stillness.

Baron stopped short, open mouthed, confused, when he saw Mrs. Detlor.
Hagar, for an instant, attributed this to a reason not in Baron's mind,
and was immediately angry. For the man to show embarrassment was an ill
compliment to Mrs. Detlor. However, he carried off the situation, and
welcomed the Afrikander genially, determining to have the matter out with
him in some sarcastic moment later. Baron's hesitation, however,
continued. He stammered, and was evidently trying to account for his call
by giving some other reason than the real one, which was undoubtedly held
back because of Mrs. Detlor's presence. Presently he brightened up and
said, with an attempt to be convincing, "You know that excursion this
afternoon, Hagar? Well, don't you think we might ask the chap we met this
morning--first rate fellow--no pleb--picturesque for the box seat--go down
with the ladies--all like him--eh?"

"I don't see how we can," replied Hagar coolly. Mrs. Detlor turned to the
mantelpiece. "We are full up; every seat is occupied--unless I give up my
seat to him."

Mrs. Detlor half turned toward them again, listening acutely. She caught
Hagar's eyes in the mirror and saw, to her relief, that he had no
intention of giving up his seat to Mark Telford. She knew that she must
meet this man whom she had not seen for twelve years. She felt that he
would seek her, though why she could not tell; but this day she wanted to
forget her past, all things but one, though she might have to put it away
from her ever after. Women have been known to live a lifetime on the joy
of one day. Her eyes fell again on the mantelpiece, on Hagar's unopened
letters. At first her eyes wandered over the writing on the uppermost
envelope mechanically, then a painful recognition came into them. She had
seen that writing before, that slow sliding scrawl unlike any other,
never to be mistaken. It turned her sick. Her fingers ran up to the
envelope, then drew back. She felt for an instant that she must take it
and open it as she stood there. What had the writer of that letter to do
with George Hagar? She glanced at the postmark. It was South Hampstead.
She knew that he lived in South Hampstead. The voices behind her grew
indistinct; she forgot where she was. She did not know how long she stood
there so, nor that Baron, feeling, without reason, the necessity for
making conversation, had suddenly turned the talk upon a collision, just
reported, between two vessels in the Channel. He had forgotten their names
and where they hailed from--he had only heard of it, hadn't read it; but
there was great loss of life. She raised her eyes from the letter to the
mirror and caught sight of her own face. It was deadly pale. It suddenly
began to waver before her and to grow black. She felt herself swaying, and
reached out to save herself. One hand caught the side of the mirror. It
was lightly hung. It loosened from the wall, and came away upon her as she
wavered. Hagar had seen the action. He sprang forward, caught her, and
pushed the mirror back. Her head dropped on his arm.

The young girl ran forward with some water as Hagar placed Mrs. Detlor on
the sofa. It was only a sudden faintness. The water revived her. Baron
stood dumbfounded, a picture of helpless anxiety.

"I oughtn't to have driveled about that accident," he said. "I always was
a fool."

Mrs. Detlor sat up, pale, but smiling in a wan fashion. "I am all right
now," she said. "It was silly of me--let us go, dear," she added to the
young girl; "I shall be better for the open air--I have had a headache all
morning. * * * No, please, don't accuse yourself, Mr. Baron, you are not
at all to blame."

"I wish that was all the bad news I have," said Baron to himself as Hagar
showed Mrs. Detlor to a landau. Mrs. Detlor asked to be driven to her
hotel.

"I shall see you this afternoon at the excursion if you are well enough
to go," Hagar said to her.

"Perhaps," she said with a strange smile. Then, as she drove away, "You
have not read your letters this morning." He looked after her for a
moment, puzzled by what she said and by the expression on her face.

He went back to the house abstractedly. Baron was sitting in a chair,
smoking hard. Neither men spoke at first. Hagar went over to the mantel
and adjusted the mirror, thinking the while of Mrs. Detlor's last words.
"You haven't read your letters this morning," he repeated to himself. He
glanced down and saw the letter which had so startled Mrs. Detlor.

"From Mrs. Gladney!" he said to himself. He glanced at the other letters.
They were obviously business letters. He was certain Mrs. Detlor had not
touched them and had, therefore, only seen this one which lay on top.
"Could she have meant anything to do with this?" He tapped it upward with
his thumb. "But why, in the name of heaven, should this affect her? What
had she to do with Mrs. Gladney, or Mrs. Gladney with her?"

With this inquiry showing in his eyes he turned round and looked at Baron
meditatively but unconsciously. Baron, understanding the look, said, "Oh,
don't mind me. Read your letters. My business'll keep."

Hagar nodded, was about to open the letter, but paused, went over to the
archway and drew the curtains. Then he opened the letter. The body of it
ran:

    DEAR MR. HAGAR--I have just learned on my return from the Continent
    with the Branscombes that you are at Herridon. My daughter Mildred,
    whom you have never seen--and that is strange, we having known each
    other so long--is staying at the View House there with the Margraves,
    whom, also, I think, you do not know. I am going down to-morrow, and
    will introduce you all to each other. May I ask you to call on me
    there? Once or twice you have done me a great service, and I may prove
    my gratitude by asking you to do another. Will this frighten you out
    of Herridon before I come? I hope not, indeed. Always gratefully
    yours,

    IDA GLADNEY.


He thoughtfully folded the letter up, and put it in his pocket. Then he
said to Baron, "What did you say was the name of the pretty girl at the
View House?"

"Mildred, Mildred Margrave--lovely, 'cometh up as a flower,' and all that.
You'll see her to-night."

Hagar looked at him debatingly, then said, "You are in love with her,
Baron. Isn't it--forgive me--isn't it a pretty mad handicap?"

Baron ran his hand over his face in an embarrassed fashion, then got up,
laughed nervously, but with a brave effort, and replied: "Handicap, my
son, handicap? Of course, it's all handicap. But what difference does that
make when it strikes you? You can't help it, can you? It's like loading
yourself with gold, crossing an ugly river, but you do it. Yes, you do it
just the same."

He spoke with an affected cheerfulness, and dropped a hand on Hagar's
shoulder. It was now Hagar's turn. He drew down the hand and wrung it as
Baron had wrung his in the morning. "You're a brick, Baron," he said.

"I tell you what, Hagar. I'd like to talk the thing over once with Mrs.
Detlor. She's a wise woman, I believe, if ever there was one; sound as the
angels, or I'm a Zulu. I fancy she'd give a fellow good advice, eh?--a
woman like her, eh?"

To hear Mrs. Detlor praised was as wine and milk to Hagar. He was about to
speak, but Baron, whose foible was hurriedly changing from one subject to
another, pulled a letter out of his pocket and said: "But maybe this is of
more importance to Mrs. Detlor than my foolishness. I won't ask you to
read it. I'll tell you what's in it. But, first, it's supposed, isn't it,
that her husband was drowned?"

"Yes, off the coast of Madagascar. But it was never known beyond doubt.
The vessel was wrecked and it was said all hands but two sailors were
lost."

"Exactly. But my old friend Meneely writes me from Zanzibar telling me of
a man who got into trouble with Arabs in the interior--there was a woman
in it--and was shot but not killed. Meneely brought him to the coast, and
put him into a hospital, and said he was going to ship him to England
right away, though he thinks he can't live. Meneely further remarks that
the man is a bounder. And his name is Fairfax Detlor. Was that her
husband's name?"

Hagar had had a blow. Everything seemed to come at once--happiness and
defeat all in a moment. There was grim irony in it. "Yes, that was the
name," he said. "Will you leave the telling to me?"

"That's what I came for. You'll do it as it ought to be done; I couldn't."

"All right, Baron."

Hagar leaned against the mantel, outwardly unmoved, save for a numb kind
of expression. Baron came awkwardly to him and spoke with a stumbling kind
of friendliness. "Hagar, I wish the Arabs had got him, so help me!"

"For God's sake think of what you are saying."

"Of course it doesn't sound right to you, and it wouldn't sound right
from you; but I'm a rowdy colonial and I'm damned if I take it back!--and
I like you, Hagar!" and, turning, he hurried out of the house.

Mrs. Detlor had not staid at the hotel long; but, as soon as she had
recovered, went out for a walk. She made her way to the moor. She wandered
about for a half hour or so and at last came to a quiet place where she
had been accustomed to sit. As she neared it she saw pieces of an envelope
lying on the ground. Something in the writing caught her eye. She stopped,
picked up the pieces and put them together. "Oh," she said with misery in
her voice, "What does it all mean? Letters everywhere, like the writing on
the wall!"

She recognized the writing as that of Mark Telford. His initials were in
the corner. The envelope was addressed to John Earl Gladney at Trinity
hospital, New York. She saw a strange tangle of events. John Earl Gladney
was the name of the man who had married an actress called Ida Folger, and
Ida Folger was the mother of Mark Telford's child! She had seen the mother
in London; she had also seen the child with the Margraves, who did not
know her origin, but who had taken her once when her mother was ill and
had afterward educated her with their own daughter. What had Ida Folger to
do with George Hagar, the man who (it was a joy and yet an agony to her)
was more to her than she dared to think? Was this woman for the second
time to play a part--and what kind of part--in her life? What was Mark
Telford to John Gladney? The thing was not pleasant to consider. The lines
were crossing and recrossing. Trouble must occur somewhere. She sat down
quiet and cold. No one could have guessed her mind. She was disciplining
herself for shocks. She fought back everything but her courage. She had
always had that, but it was easier to exercise it when she lived her life
alone--with an empty heart. Now something had come into her life--but she
dared not think of it!

And the people of the hotel at her table, a half hour later, remarked how
cheerful and amiable Mrs. Detlor was. But George Hagar saw that through
the pretty masquerade there played a curious restlessness.

That afternoon they went on the excursion to Rivers abbey--Mrs. Detlor,
Hagar, Baron, Richmond and many others. They were to return by moonlight.
Baron did not tell them that a coach from the View hotel had also gone
there earlier, and that Mark Telford and Mildred Margrave with her friends
were with it. There was no particular reason why he should.

Mark Telford had gone because he hoped to see Mrs. Detlor without (if he
should think it best) being seen by her. Mildred Margrave sat in the seat
behind him--he was on the box seat--and so far gained the confidence of
the driver as to induce him to resign the reins into his hands. There was
nothing in the way of horses unfamiliar to Telford. As a child he had
ridden like a circus rider and with the fearlessness of an Arab; and his
skill had increased with years. This six in hand was, as he said, "nuts to
Jacko." Mildred was delighted. From the first moment she had seen this man
she had been attracted to him, but in a fashion as to gray headed Mr.
Margrave, who sang her praises to everybody--not infrequently to the wide
open ears of Baron. At last she hinted very faintly to the military
officer who sat on the box seat that she envied him, and he gave her his
place. Mark Telford would hardly have driven so coolly that afternoon if
he had known that his own child was beside him. He told her, however,
amusing stories as they went along. Once or twice he turned to look at
her. Something familiar in her laugh caught his attention. He could not
trace it. He could not tell that it was like a faint echo of his own.

When they reached the park where the old abbey was, Telford detached
himself from the rest of the party and wandered alone through the paths
with their many beautiful surprises of water and wood, pretty grottoes,
rustic bridges and incomparable turf. He followed the windings of a
stream, till, suddenly, he came out into a straight open valley, at the
end of which were the massive ruins of the old abbey, with its stern
Norman tower. He came on slowly thinking how strange it was that he, who
had spent years in the remotest corners of the world, having for his
companions men adventurous as himself, and barbarous tribes, should be
here. His life, since the day he left his home in the south, had been
sometimes as useless as creditable. However, he was not of such stuff as
to spend an hour in useless remorse. He had made his bed, and he had lain
on it without grumbling, but he was a man who counted his life
backward--he had no hope for the future. The thought of what he might have
been came on him here in spite of himself, associated with the woman--to
him always the girl--whose happiness he had wrecked. For the other woman,
the mother of his child, was nothing to him at the time of the discovery.
She had accepted the position and was going away forever, even as she did
go after all was over.

He expected to see the girl he had loved and wronged this day. He had
anticipated it with a kind of fierceness, for, if he had wronged her, he
felt that he too had been wronged, though he could never, and would never,
justify himself. He came down from the pathway and wandered through the
long silent cloisters.

There were no visitors about; it was past the usual hour. He came into the
old refectory, and the kitchen with its immense chimney, passed in and out
of the little chapels, exploring almost mechanically, yet remembering what
he saw, and everything was mingled almost grotesquely with three scenes
in his life--two of which we know; the other, when his aged father turned
from him dying and would not speak to him. The ancient peace of this place
mocked these other scenes and places. He came into the long, unroofed
aisle, with its battered sides and floor of soft turf, broken only by some
memorial brasses over graves. He looked up and saw upon the walls the
carved figures of little grinning demons between complacent angels. The
association of these with his own thoughts stirred him to laughter--a low,
cold laugh, which shone on his white teeth.

Outside a few people were coming toward the abbey from both parties of
excursionists. Hagar and Mrs. Detlor were walking by themselves. Mrs.
Detlor was speaking almost breathlessly. "Yes, I recognized the writing.
She is nothing, then, to you, nor has ever been?"

"Nothing, on my honor. I did her a service once. She asks me to do
another, of which I am as yet ignorant. That is all. Here is her letter."




CHAPTER III.

NO OTHER WAY.


George Hagar was the first to move. He turned and looked at Mrs. Detlor.
His mind was full of the strangeness of the situation--this man and woman
meeting under such circumstances after twelve years, in which no lines of
their lives had ever crossed. But he saw, almost unconsciously, that she
had dropped his rose. He stooped, picked it up and gave it to her. With a
singular coolness--for, though pale, she showed no excitement--she quietly
arranged the flower at her throat, still looking at the figure on the
platform. A close observer would occasionally have found something
cynical--even sinister--in Mark Telford's clear cut, smoothly chiseled
face, but at the moment when he wheeled slowly and faced these two there
was in it nothing but what was strong, refined and even noble. His eyes,
dark and full, were set deep under well hung brows, and a duskiness in the
flesh round them gave them softness as well as power. Withal there was a
melancholy as striking as it was unusual in him.

In spite of herself Mrs. Detlor felt her heart come romping to her throat,
for, whatever this man was to her now, he once was her lover. She grew hot
to her fingers. As she looked, the air seemed to palpitate round her, and
Mark Telford to be standing in its shining hot surf tall and grand. But,
on the instant, there came into this lens the picture she had seen in
George Hagar's studio that morning. At that moment Mildred Margrave and
Baron were entering at the other end of the long, lonely nave. The girl
stopped all at once and pointed toward Telford as he stood motionless,
uncovered. "See," she said, "how fine, how noble he looks!"

Mrs. Detlor turned for an instant and saw her.

Telford had gazed calmly, seriously, at Mrs. Detlor, wondering at nothing,
possessed by a strange, quieting feeling. There was, for the moment, no
thought of right or wrong, misery or disaster, past or future, only--this
is she! In the wild whistle of arctic winds he had sworn that he would
cease to remember, but her voice ran laughing through them as it did
through the blossoms of the locust trees at Tellavie, and he could not
forget. When the mists rose from the blue lake on a summer plain, the rosy
breath of the sun bearing them up and scattering them like thistledown, he
said that he would think no more of her; but, stooping to drink, he saw
her face in the water, as in the hill spring at Tellavie, and he could not
forget. When he rode swiftly through the long prairie grass, each pulse
afire, a keen, joyful wind playing on him as he tracked the buffalo, he
said he had forgotten, but he felt her riding beside him as she had done
on the wide savannas of the south, and he knew that he could not forget.
When he sat before some lodge in a pleasant village and was waited on by
soft voiced Indian maidens and saw around him the solitary content of the
north, he believed that he had ceased to think; but, as the maidens danced
with slow monotony and grave, unmelodious voices, there came in among them
an airy, sprightly figure, singing as the streams do over the pebbles, and
he could not forget. When in those places where women are beautiful,
gracious and soulless, he saw that life can be made into mere convention
and be governed by a code, he said that he had learned how to forget; but
a pale young figure rose before him with the simple reproach of falsehood,
and he knew that he should always remember.

She stood before him now. Maybe some premonition--some such smother at
the heart as Hamlet knew--came to him then, made him almost statue-like in
his quiet and filled his face with a kind of tragical beauty. Hagar saw it
and was struck by it. If he had known Jack Gladney and how he worshiped
this man, he would have understood the cause of the inspiration. It was
all the matter of a moment. Then Mark Telford stepped down, still
uncovered, and came to them. He did not offer his hand, but bowed gravely
and said, "I hardly expected to meet you here, Mrs. Detlor, but I am very
glad."

He then bowed to Hagar.

Mrs. Detlor bowed as gravely and replied in an enigmatical tone, "One is
usually glad to meet one's countrymen in a strange land."

"Quite so," he said, "and it is far from Tellavie."'

"It is not so far as it was yesterday," she added.

At that they began to walk toward the garden leading to the cloisters.
Hagar wondered whether Mrs. Detlor wished to be left alone with Telford.
As if divining his thoughts, she looked up at him and answered his mute
question, following it with another of incalculable gentleness.

Raising his hat, he said conventionally enough: "Old friends should have
much to say to each other. Will you excuse me?"

Mrs. Detlor instantly replied in as conventional a tone: "But you will
not desert me? I shall be hereabout, and you will take me back to the
coach?"

The assurance was given, and the men bowed to each other. Hagar saw a
smile play ironically on Telford's face--saw it followed by a steellike
fierceness in the eye. He replied to both in like fashion, but one would
have said the advantage was with Telford--he had the more remarkable
personality.

The two were left alone. They passed through the cloisters without a word.
Hagar saw the two figures disappear down the long vista of groined arches.
"I wish to heaven I could see how this will all end," he muttered. Then he
joined Baron and Mildred Margrave.

Telford and Mrs. Detlor passed out upon a little bridge spanning the
stream, still not speaking. As if by mutual consent, they made their way
up the bank and the hillside to the top of a pretty terrace, where was a
rustic seat among the trees. When they reached it, he motioned to her to
sit. She shook her head, however, and remained standing close to a tree.

"What you wish to say--for I suppose you do wish to say something--will be
brief, of course?"

He looked at her almost curiously.

"Have you nothing kind to say to me, after all these years?" he asked
quietly.

"What is there to say now more than--then?"

"I cannot prompt you if you have no impulse. Have you none?"

"None at all. You know of what blood we are, we southerners. We do not
change."

"You changed." He knew he ought not to have said that, for he understood
what she meant.

"No, I did not change. Is it possible you do not understand? Or did you
cease to be a southerner when you became"--

"When I became a villain?" He smiled ironically. "Excuse me. Go on,
please."

"I was a girl, a happy girl. You killed me. I did not change. Death is
different. * * * But why have you come to speak of this to me? It was ages
ago. Resurrections are a mistake, believe me." She was composed and
deliberate now. Her nerve had all come back. There had been one swift wave
of the feeling that once flooded her girl's heart. It had passed and left
her with the remembrance of her wrongs and the thought of unhappy
years--through all which she had smiled, at what cost, before the world!
Come what would, he should never know that, even now, the man he once was
remained as the memory of a beautiful dead thing--not this man come to her
like a ghost.

"I always believed you," he answered quietly, "and I see no reason to
change."

"In that case we need say no more," she said, opening her red parasol and
stepping slightly forward into the sunshine as if to go.

There ran into his face a sudden flush. She was harder, more cruel, than
he had thought were possible to any woman. "Wait," he said angrily, and
put out his hand as if to stop her. "By heaven, you shall!"

"You are sudden and fierce," she rejoined coldly. "What do you wish me to
say? What I did not finish--that southerners love altogether or--hate
altogether?"

His face became like stone. At last, scarce above a whisper, he said: "Am
I to understand that you hate me, that nothing can wipe it out--no
repentance and no remorse? You never gave me a chance for a word of
explanation or excuse. You refused to see me. You returned my letter
unopened. But had you asked her--the woman--the whole truth"--

"If it could make any difference, I will ask her to-morrow."

He did not understand. He thought she was speaking ironically.

"You are harder than you know," he said heavily. "But I will speak. It is
for the last time. Will you hear me?"

"I do not wish to, but I will not go."

"I had met her five years before there was anything between you and me.
She accepted the situation when she understood that I would not marry her.
The child was born. Time went on. I loved you. I told her. She agreed to
go away to England: I gave her money. The day you found us together was
to have been the last that I should see of her. The luck was against me.
It always has been in things that I cared for. You sent a man to kill
me"--

"No, no. I did not send any one. I might have killed you--or her--had I
been anything more than a child, but I sent no one. You believe that, do
you not?"

For the first time since they had begun to speak she showed a little
excitement, but immediately was cold and reserved again.

"I have always believed you," he said again. "The man who is your husband
came to kill me"--

"He went to fight you," she said, looking at him more intently than she
had yet done.

A sardonic smile played for a moment at his lips. He seemed about to
speak through it. Presently, however, his eyes half closed as with a
sudden thought he did not return her gaze, but looked down to where the
graves of monks and abbots, and sinners maybe, were as steps upon the
river bank.

"What does it matter?" he thought. "She hates me." But he said aloud:
"Then, as you say, he came to fight me. I hear that he is dead," he added
in a tone still more softened. He had not the heart to meet her scorn with
scorn. As he said, it didn't matter if she hated him. It would be worth
while remembering, when he had gone, that he had been gentle with her and
had spared her the shame of knowing that she had married not only a
selfish brute, but a coward and a would be assassin as well. He had only
heard rumors of her life since he had last seen her, twelve years before,
but he knew enough to be sure that she was aware of Fairfax Detlor's true
character. She had known less still of his life, for since her marriage
she had never set foot in Louisiana, and her mother, while she lived,
never mentioned his name or told her more than that the Telford plantation
had been sold for a song. When Hagar had told him that Detlor was dead, a
wild kind of hope had leaped up in him that perhaps she might care for him
still and forgive him when he had told all. These last few minutes had
robbed him of that hope. He did not quarrel with the act The game was
lost long ago, and it was foolish to have dreamed for an instant that the
record could be reversed.

Her answer came quickly: "I do not know that my husband is dead. It has
never been verified."

He was tempted again, but only for an instant. "It is an unfortunate
position for you," he replied.

He had intended saying it in a tone of sympathy, but at the moment he saw
Hagar looking up toward them from the abbey, and an involuntary but
ulterior meaning crept into the words. He loved, and he could detect love,
as he thought. He knew by the look that she swept from Hagar to him that
she loved the artist. She was agitated now, and in her agitation began to
pull off her glove. For the moment the situation was his.

"I can understand your being wicked," she said keenly, "but not your being
cowardly. That is and was unpardonable."

"That is and was," he repeated after her. "When was I cowardly?" He was
composed, though there was a low fire in his eyes.

"Then and now."

He understood well. "I, too, was a coward once," he said, looking her
steadily in the eyes, "and that was when I hid from a young girl a
miserable sin of mine. To have spoken would have been better, for I could
but have lost her, as I've lost her now forever."

She was moved, but whether it was with pity or remembrance or reproach he
did not know and never asked, for, looking at her ungloved hand as she
passed it over her eyes wearily, he saw the ring he had given her twelve
years before. He stepped forward quickly with a half smothered cry and
caught her fingers. "You wear my ring!" he said. "Marion, you wear my
ring! You do care for me still?"

She drew her hand away. "No," she said firmly. "No, Mark Telford, I do not
care for you. I have worn this ring as a warning to me--my daily
crucifixion. Read what is inside it."

She drew it off and handed it to him. He took it and read the words,
"You--told--a--lie." This was the bitterest moment in his life. He was
only to know one more bitter, and it would come soon. He weighed the ring
up and down in his palm and laughed a dry, crackling laugh.

"Yes," he said, "you have kept the faith--that you hadn't in me--tolerably
well. A liar, a coward, and one who strikes from behind--that is it, isn't
it? You kept the faith, and I didn't fight the good fight, eh? Well, let
it stand so. Will you permit me to keep this ring? The saint needed it to
remind her to punish the sinner. The sinner would like to keep it now, for
then he would have a hope that the saint would forgive him some day."

The bitterness of his tone was merged at last into a strange tenderness
and hopelessness.

She did not look at him. She did not wish him to see the tears spring
suddenly to her eyes. She brought her voice to a firm quietness. She
thought of the woman, Mrs. Gladney, who was coming; of his child, whom he
did not recognize. She looked down toward the abbey. The girl was walking
there between old Mr. Margrave and Baron. She had once hated both the
woman and the child. She knew that to be true to her blood she ought to
hate them always, but there crept into her heart now a strange feeling of
pity for both. Perhaps the new interest in her life was driving out
hatred. There was something more. The envelope she had found that day on
the moor was addressed to that woman's husband, from whom she had been
separated--no one knew why--for years. What complication and fresh misery
might be here?

"You may keep the ring," she said.

"Thank you," was his reply, and he put it on his finger, looking down at
it with an enigmatical expression. "And is there nothing more?"

She willfully misconstrued his question. She took the torn pieces of
envelope from her pocket and handed them to him. "These are yours," she
said.

He raised his eyebrows. "Thank you again. But I do not see their value.
One could almost think you were a detective, you are so armed."

"Who is he? What is he to you?" she asked.

"He is an unlucky man, like myself, and my best friend. He helped me out
of battle, murder and sudden death more than once, and we shared the same
blanket times without number."

"Where is he now?" she said in a whisper, not daring to look at him lest
she should show how disturbed she was.

"He is in a hospital in New York."

"Has he no friends?"

"Do I count as nothing at all?"

"I mean no others--no wife or family?"

"He has a wife, and she has a daughter. That is all I know. They have been
parted through some cause. Why do you ask? Do you know him?"

"No, I do not know him."

Do you know the wife? Please tell me, for at his request I am trying to
find her, and I have failed."

"Yes, I know her," she said painfully and slowly. "You need search no
longer. She will be at your hotel to-night."

He started. Then he said: "I'm glad of that. How did you come to know? Are
you friends?"

Though her face was turned from him resolutely, he saw a flush creep up
her neck to her hair.

"We are not friends," she said vaguely. "But I know that she is coming to
see her daughter."

"Who is her daughter?"

She raised her parasol toward the spot where Mildred Margrave stood and
said, "That is her daughter."

"Miss Margrave? Why has she a different name?"

"Let Mrs. Gladney explain that to you. Do not make yourself known to the
daughter till you see her mother. Believe me, it will be better for the
daughter's sake."

She now turned and looked at him with a pity through which trembled
something like a troubled fear. "You asked me to forgive you," she said.
"Good-bye. Mark Telford, I do forgive you." She held out her hand. He took
it, shaking his head a little over it, but said no word.

"We had better part here and meet no more," she added.

"Pardon, but banishment," he said as he let her hand go.

"There is nothing else possible in this world," she rejoined in a muffled
voice.

"Nothing in this world," he replied. "Good-bye till we meet
again--somewhere."

So saying, he turned and walked rapidly away. Her eyes followed him, a
look of misery, horror and sorrow upon her. When he had disappeared in the
trees, she sat down on the bench. "It is dreadful," she whispered,
awestricken. "His friend her husband! His daughter there, and he does not
know her! What will the end of it be?"

She was glad she had forgiven him and glad he had the ring. She had
something in her life now that helped to wipe out the past--still, a
something of which she dared not think freely. The night before she had
sat in her room thinking of the man who was giving her what she had lost
many years past, and, as she thought, she felt his arm steal round her and
his lips on her cheek, but at that a mocking voice said in her ear: "You
are my wife. I am not dead." And her happy dream was gone.

George Hagar, looking up from below, saw her sitting alone and slowly made
his way toward her. The result of the meeting between these two seemed
evident. The man had gone. Never in his life had Hagar suffered more than
in the past half hour. That this woman whom he loved--the only woman he
had ever loved as a mature man loves--should be alone with the man who had
made shipwreck of her best days set his veins on fire. She had once loved
Mark Telford. Was it impossible that she should love him again? He tried
to put the thought from him as ungenerous, unmanly, but there is a maggot
which gets into men's brains at times, and it works its will in spite of
them. He reasoned with himself. He recalled the look of perfect confidence
and honesty with which she regarded him before they parted just now. He
talked gayly to Baron and Mildred Margrave, told them to what different
periods of architecture the ruins belonged, and by sheer force of will
drove away a suspicion--a fear--as unreasonable as it was foolish. Yet, as
he talked, the remembrance of the news he had to tell Mrs. Detlor, which
might--probably would--be shipwreck to his hopes of marriage, came upon
him, and presently made him silent, so that he wandered away from the
others. He was concerned as to whether he should tell Mrs. Detlor at once
what Baron had told him or hold it till next day, when she might, perhaps,
be better prepared to hear it, though he could not help a smile at this,
for would not any woman--ought not any woman to--be glad that her husband
was alive? He would wait. He would see how she had borne the interview
with Telford.

Presently he saw that Telford was gone. When he reached her, she was
sitting, as he had often seen her, perfectly still, her hands folded in
her lap upon her parasol, her features held in control, save that in her
eyes was a bright, hot flame which so many have desired to see in the eyes
of those they love and have not seen. The hunger of these is like the
thirst of the people who waited for Moses to strike the rock.

He sat down without speaking. "He is gone," he said at last.

"Yes. Look at me and tell me if, from my face, you would think I had been
seeing dreadful things." She smiled sadly at him.

"No, I could not think it. I see nothing more than a kind of sadness. The
rest is all beauty."

"Oh, hush!" she replied solemnly. "Do not say those things now."

"I will not if you do not wish to hear them. What dreadful things have
you seen?"

"You know so much you should know everything," she said, "at least all of
what may happen."

Then she told him who Mildred Margrave was; how years before, when the
girl's mother was very ill and it was thought she would die, the Margraves
had taken the child and promised that she should be as their own and a
companion to their own child; that their own child had died, and Mildred
still remained with them. All this she knew from one who was aware of the
circumstances. Then she went on to tell him who Mildred's mother and
father were, what were Telford's relations to John Gladney and of his
search for Gladney's wife.

"Now," she said, "you understand all. They must meet."

"He does not know who she is?"

"He does not. He only knows as yet that she is the daughter of Mrs.
Gladney, who, he thinks, is a stranger to him."

"You know his nature. What will he do?"

"I cannot tell. What can he do? Nothing, nothing!"

"You are sorry for him? You"--

"Do not speak of that," she said in a choking whisper. "God gave women
pity to keep men from becoming demons. You can pity the executioner when,
killing you, he must kill himself next."

"I do not understand you quite, but all you say is wise."

"Do not try to understand it or me. I am not worth it."

"You are worth, God knows, a better, happier fate."

The words came from him unexpectedly, impulsively. Indirect as they were,
she caught a hidden meaning. She put out her hand.

"You have something to tell me. Speak it. Say it quickly. Let me know it
now. One more shock more or less cannot matter."

She had an intuition as to what it was. "I warn you, dear," he said, "that
it will make a difference, a painful difference, between us."

"No, George"--it was the first time she had called him that--"nothing can
make any difference with that."

He told her simply, bravely--she was herself so brave--what there was to
tell, that two weeks ago her husband was alive, and that he was now on his
way to England--perhaps in England itself. She took it with an unnatural
quietness. She grew distressingly pale, but that was all. Her hand lay
clinched tightly on the seat beside her. He reached out, took it, and
pressed it, but she shook her head.

"Please do not sympathize with me," she said. "I cannot bear it. I am not
adamant. You are very good--so good to me that no unhappiness can be all
unhappiness. But let us look not one step farther into the future."

"What you wish I shall do always."

"Not what I wish, but what you and I ought to do is plain."

"I ask one thing only. I have said that I love you, said it as I shall
never say it to another woman, as I never said it before. Say to me once
here, before we know what the future will be, that you love me. Then I can
bear all."

She turned and looked him full in the eyes, that infinite flame in her own
which burns all passions into one. "I cannot, dear," she said.

Then she hurriedly rose, her features quivering. Without a word they went
down the quiet path to the river and on toward the gates of the park
where the coach was waiting to take them back to Herridon.

They did not see Mark Telford before their coach left. But, standing back
in the shadow of the trees, he saw them. An hour before he had hated Hagar
and had wished that they were in some remote spot alone with pistols in
their hands. Now he could watch the two together without anger, almost
without bitterness. He had lost in the game, and he was so much the true
gamester that he could take his defeat when he knew it was defeat quietly.
Yet the new defeat was even harder on him than the old. All through the
years since he had seen her there had been the vague conviction, under all
his determination to forget, that they would meet again, and that all
might come right. That was gone, he knew, irrevocably.

"That's over," he said as he stood looking at them. "The king is dead.
Long live the king!"

He lit a cigar and watched the coach drive away, then saw the coach in
which he had come drive up also and its passengers mount. He did not stir,
but smoked on. The driver waited for some time, and when he did not come
drove away without him, to the regret of the passengers and to the
indignation of Miss Mildred Margrave, who talked much of him during the
drive back.

When they had gone, Telford rose and walked back to the ruined abbey. He
went to the spot where he had first seen Mrs. Detlor that day, then took
the path up the hillside to the place where they had stood. He took from
his pocket the ring she had given back to him, read the words inside it
slowly, and, looking at the spot where she had stood, said aloud:

"I met a man once who imagined he was married to the spirit of a woman
living at the north pole. Well, I will marry myself to the ghost of Marion
Conquest."

So saying, he slipped the ring on his little finger. The thing was
fantastic, but he did it reverently; nor did it appear in the least as
weakness, for his face was, strong and cold. "Till death us do part, so
help me God!" he added.

He turned and wandered once more through the abbey, strayed in the
grounds, and at last came to the park gates. Then he walked to the town a
couple of miles away, went to the railway station and took a train for
Herridon. He arrived there some time before the coach did. He went
straight to the View House, proceeded to his room and sat down to write
some letters. Presently he got up, went down to the office and asked the
porter if Mrs. John Gladney had arrived from London. The porter said she
had. He then felt in his pocket for a card, but changed his mind, saying
to himself that his name would have no meaning for her. He took a piece of
letter paper and wrote on it, "A friend of your husband brings a message
to you." He put it in an envelope, and, addressing it, sent it up to her.
The servant returned, saying that Mrs. Gladney had taken a sitting room
in a house adjacent to the hotel and was probably there. He took the note
and went to the place indicated, sent in the note and waited.

When Mrs. Gladney received the note, she was arranging the few
knick-knacks she had brought. She read the note hurriedly and clinched it
in her hand. "It is his writing--his, Mark Telford! He, my husband's
friend! Good God!"

For a moment she trembled violently and ran her fingers through her golden
hair distractedly, but she partly regained her composure, came forward and
told the servant to show him into the room. She was a woman of instant
determination. She drew the curtains closer, so that the room would be
almost dark to one entering from the sunlight. Then she stood with her
back to the light of the window. He saw a figure standing in the shadow,
came forward and bowed, not at first looking closely at the face.

"I have come from your husband," he said. "My name is Mark Telford"--

"Yes, I know," she interrupted.

He started, came a little nearer and looked curiously at her. "Ida--Ida
Royal!" he exclaimed. "Are you--you--John Gladney's wife?"

"He is my husband."

Telford folded his arms, and, though pale and haggard, held himself
firmly. "I could not have wished this for my worst enemy," he said at last
"Gladney and I have been more than brothers."

"In return for having"--

"Hush!" he interrupted. "Do you think anything you may say can make me
feel worse than I do? I tell you we have lain under the same blankets
month in, month out, and he saved my life."

"What is the message you bring?" she asked.

"He begs you to live with him again, you and your child. The property he
settled on you for your lifetime he will settle on your child. Until this
past few days he was himself poor. To-day he is rich--money got honestly,
as you may guess."

"And if I am not willing to be reconciled?"

"There was no condition."

"Do you know all the circumstances? Did he tell you?"

"No, he did not tell me. He said that he left you suddenly for a reason,
and when he wished to return you would not have him. That was all. He
never spoke but kindly of you."

"He was a good man."

"He is a good man."

"I will tell you why he left me. He learned, no matter how, that I had not
been married, as I said I had."

She looked up, as if expecting him to speak. He said nothing, but stood
with eyes fixed on the floor.

"I admitted, too, that I kept alive the memory of a man who had played an
evil part in my life; that I believed I cared for him still, more than for
my husband."

"Ida, for God's sake, you do not mean"--

"Yes, I meant you then. But when he went away, when he proved himself so
noble, I changed. I learned to hate the memory of the other man. But he
came back too soon. I said things madly--things I did not mean. He went
again. And then afterward I knew that I loved him."

"I am glad of that, upon my soul!" said Telford, letting go a long breath.

She smiled strangely and with a kind of hardness. "A few days ago I had
determined to find him if I could, and to that end I intended to ask a man
who had proved himself a friend, to learn, if possible, where he was in
America. I came here to see him and my daughter."

"Who is the man?"

"Mr. George Hagar."

A strange light shot from Telford's eyes. "Hagar is a fortunate man," he
said. Then dreamily: "You have a daughter. I wish to God that--that ours
had lived."

"You did not seem to care when I wrote and told you that she was dead."

"I do not think that I cared then. Besides"--

"Besides you loved that other woman, and my child was nothing to you," she
said with low scorn. "I have seen her in London. I am glad--glad that she
hates you. I know she does," she added. "She would never forgive you. She
was too good for you, and you ruined her life."

He was very quiet and spoke in a clear, meditative voice. "You are right.
I think she hates me. But you are wrong, too, for she has forgiven me."

"You have seen her?" She eyed him sharply.

"Yes, to-day." His look wandered to a table whereon was a photograph of
her daughter. He glanced at it keenly. A look of singular excitement
sprang to his eyes. "That is your daughter?"

She inclined her head.

"How old is she?" He picked up the photograph and held it, scrutinizing
it.

"She is seventeen," was the reply in a cold voice.

He turned a worn face from the picture to the woman. "She is my child.
You lied to me."

"It made no difference to you then. Why should it make any difference now?
Why should you take it so tragically?"

"I do not know, but now"--His head moved, his lips trembled.

"But now she is the daughter of John Gladney's wife. She is loved and
cared for by people who are better, infinitely better, than her father and
mother were or could be. She believes her father is dead. And he is dead!"

"My child! My child!" he whispered brokenly over the photograph. "You will
tell her that her father is not dead. You"--

She interrupted. "Where is that philosophy which you preached to me, Mark
Telford, when you said you were going to marry another woman and told me
that we must part? Your child has no father. You shall not tell her. You
will go away and never speak to her. Think of the situation. Spare her, if
you do not spare me or your friend John Gladney."

He sat down in a chair, his clinched hands resting on his knees. He did
not speak. She could see his shoulder shaking a little, and presently a
tear dropped on his cheek.

But she did not stir. She was thinking of her child. "Had you not better
go?" she said at last. "My daughter may come at any moment."

He rose and stood before her. "I had it all, and I have lost it all," he
said. "Good-bye." He did not offer his hand.

"Good-bye. Where are you going?"

"Far enough away to forget," he replied in a shaking voice. He picked up
the photograph, moved his hand over it softly as though he were caressing
the girl herself, lifted it to his lips, put it down, and then silently
left the room, not looking back.

He went to his rooms and sat writing for a long time steadily. He did not
seem excited or nervous. Once or twice he got up and walked back and
forth, his eyes bent on the floor. He was making calculations regarding
the company he had floated in London and certain other matters. When he
had finished writing, three letters lay sealed and stamped upon the
table. One was addressed to John Gladney, one to the Hudson Bay company
and one to a solicitor in London. There was another unsealed. This he put
in his pocket. He took the other letters up, went downstairs and posted
them. Then he asked the hall porter to order a horse for riding--the best
mount in the stables--to be ready at the door in an hour. He again went to
his room, put on a riding suit, came down and walked out across the
esplanade and into the street where Hagar's rooms were. They were lighted.
He went to the hall door, opened it quietly and entered the hall. He
tapped at the door of Hagar's sitting room. As he did so a servant came
out, and, in reply to a question, said that Mr. Hagar had gone to the
Tempe hotel and would be back directly. He went in and sat down. The
curtains were drawn back between the two rooms. He saw the easels, with
their backs to the archway. He rose, went in and looked at the sketches in
the dim light.

He started, flushed, and his lips drew back over his teeth with an
animallike fierceness, but immediately he was composed again. He got two
candles, brought them and set them on a stand between the easels. Then he
sat down and studied the paintings attentively. He laughed once with a dry
recklessness. "This tells her story admirably. He is equal to his subject.
To be hung in the academy. Well, well!"

He heard the outer door open, then immediately Hagar entered the room and
came forward to where he sat. The artist was astonished, and for the
instant embarrassed. Telford rose. "I took the liberty of waiting for you,
and, seeing the pictures, was interested."

Hagar bowed coldly. He waved his hand toward the pictures. "I hope you
find them truthful."

"I find them, as I said, interesting. They will make a sensation. And is
there anything more necessary? You are a lucky man, and you have the
ability to take advantage of it. Yes, I greatly admire your ability. I can
do that, at least, though we are enemies, I suppose."

His words were utterly without offense. A melancholy smile played on his
lips. Again Hagar bowed, but did not speak.

Telford went on. "We are enemies, and yet I have done you no harm. You
have injured me, have insulted me, and yet I do not resent it, which is
strange, as my friends in a wilder country would tell you."

Hagar was impressed, affected. "How have I injured you? By painting
these?"

"The injury is this: I loved a woman and wronged her, but not beyond
reparation. Years passed. I saw her and loved her still. She might still
have loved me, but another man came in. It was you. That was one injury.
Then"--He took up a candle and held it to the sketch of the discovery.
"This is perfect in its art and chivalry. It glorifies the girl. That is
right." He held the candle above the second sketch. "This," he said, "is
admirable as art and fiction. But it is fiction. I have no hope that you
will change it. I think you would make a mistake to do so. You could not
have the situation, if the truth were painted. Your audience will not have
the villain as the injured man."

"Were you the injured man?"

Telford put the candle in Hagar's hand. Then he quickly took off his coat,
waistcoat and collar and threw back his shirt from his neck behind.

"The bullet wound I received on that occasion was in the back," he said.
"The other man tried to play the assassin. Here is the scar. He posed as
the avenger, the hero, and the gentleman. I was called the coward and the
vagabond! He married the girl."

He started to put on his waistcoat again. Hagar caught his arm and held
it. The clasp was emotional and friendly. "Will you stand so for a
moment?" he said. "Just so, that I may"--

"That you may paint in the truth? No. You are talking as the man. As an
artist you were wise to stick to your first conception. It had the heat of
inspiration. But I think you can paint me better than you have done, in
these sketches. Come, I will give you a sitting. Get your brushes. No, no,
I'll sit for nothing else than for these scenes as you have painted them.
Don't miss your chance for fame."

Without a word Hagar went to work and sketched into the second sketch
Telford's face as it now was in the candlelight--worn, strong, and with
those watchful eyes sunk deep under the powerful brows. The artist in him
became greater than the man. He painted in a cruel, sinister expression
also. At last he paused. His hand trembled. "I can paint no more," he
said.

Telford looked at the sketch with a cold smile. "Yes, that's right," he
said. "You've painted in a good bit of the devil too. You owe me something
for this. I have helped you to a picture and have given you a sitting.
There is no reason why you should paint the truth to the world. But I ask
you this: When you know that her husband is dead and she becomes your
wife, tell her the truth about that, will you? How the scoundrel tried to
kill me--from behind. I'd like to be cleared of cowardice some time. You
can afford to do it. She loves you. You will have everything, I
nothing--nothing at all."

There was a note so thrilling, a golden timbre to the voice, an
indescribable melancholy so affecting that Hagar grasped the other's hand
and said, "So help me God, I will!"

"All right."

He prepared to go. At the door Hagar said to him, "Shall I see you again?"

"Probably in the morning. Good-night."

Telford went back to the hotel and found the horse he had ordered at the
door. He got up at once. People looked at him curiously, it was peculiar
to see a man riding at night for pleasure, and, of course, it could be for
no other purpose. "When will you be back, sir?" said the groom.

"I do not know." He slipped a coin into the groom's hand. "Sit up for me.
The beast is a good one?"

"The best we have. Been a hunter, sir."

Telford nodded, stroked the horse's neck and started. He rode down toward
the gate. He saw Mildred Margrave coming toward him.

"Oh, Mr. Telford!" she said. "You forsook us to-day, which was unkind.
Mamma says--she has seen you, she tells me--that you are a friend of my
stepfather, Mr. Gladney. That's nice, for I like you ever so much, you
know." She raised her warm, intelligent eyes to his. "I've felt since you
came yesterday that I'd seen you before, but mamma says that's impossible.
You don't remember me?"

"I didn't remember you," he said.

"I wish I were going for a ride, too, in the moonlight. I mean mamma and I
and you. You ride as well as you drive, of course."

"I wish you were going with me," he replied.--He suddenly reached down his
hand. "Good-night" Her hand was swallowed in his firm clasp for a moment
"God bless you, dear!" he added, then raised his hat quickly and was gone.

"I must have reminded him of some one," the girl said to herself. "He
said, 'God bless you, dear!'"

About that time Mrs. Detlor received a telegram from the doctor of a
London hospital. It ran:

    Your husband here. Was badly injured in a channel collision last
    night. Wishes to see you.

There was a train leaving for London a half hour later. She made ready
hastily, inclosed the telegram in an envelope addressed to George Hagar,
and, when she was starting, sent it over to his rooms. When he received
it, he caught up a time table, saw that a train would leave in a few
minutes, ran out, but could not get a cab quickly, and arrived at the
station only to see the train drawing away. "Perhaps it is better so," he
said, "for her sake."

That night the solitary roads about Herridon were traveled by a solitary
horseman, riding hard. Mark Telford's first ambition when a child was to
ride a horse. As a man he liked horses almost better than men. The cool,
stirring rush of wind on his face as he rode was the keenest of delights.
He was enjoying the ride with an iron kind of humor, for there was in his
thoughts a picture. "The sequel's sequel for Hagar's brush to-morrow," he
said as he paused on the top of a hill to which he had come from the
highroad and looked round upon the verdant valleys almost spectrally quiet
in the moonlight. He got off his horse and took out a revolver. It clicked
in his hand.

"No," he said, putting it up again, "not here. It would be too damned
rough on the horse, after riding so hard, to leave him out all night."

He mounted again. He saw before him a fine stretch of moor at an easy
ascent. He pushed the horse on, taking a hedge or two as he went. The
animal came over the highest point of the hill at full speed. Its blood
was up, like its master's. The hill below this point suddenly ended in a
quarry. Neither horse nor man knew it until the yielding air cried over
their heads like water over a drowning man as they fell to the rocky bed
far beneath.

An hour after Telford became conscious. The horse was breathing painfully
and groaning beside him. With his unbroken arm he felt for his revolver.
It took him a long time.

"Poor beast!" he said, and pushed the hand out toward the horse's head.
In an instant the animal was dead.

He then drew the revolver to his own temple, but paused. "No, it wasn't to
be," he said. "I'm a dead man anyway," and fell back.

Day was breaking when the agony ceased. He felt the gray damp light on his
eyes, though he could not see He half raised his head. "God--bless--you,
dear!" he said. And that ended it.

He was found by the workers at the quarry. In Herridon to this day--it all
happened years ago--they speak of the Hudson Bay company's man who made
that terrible leap, and, broken all to pieces himself, had heart enough to
put his horse out of misery. The story went about so quickly, and so much
interest was excited because the Hudson Bay company sent an officer down
to bury him, and the new formed Aurora company was represented by two or
three titled directors, that Mark Telford's body was followed to its grave
by hundreds of people. It was never known to the public that he had
contemplated suicide. Only John Gladney and the Hudson Bay company knew
that for certain.

The will, found in his pocket, left everything he owned to Mildred
Margrave--that is, his interest in the Aurora mines of Lake Superior,
which pays a gallant dividend. The girl did not understand why this was,
but supposed it was because he was a friend of John Gladney, her
stepfather, and perhaps (but this she never said) because she reminded
him of some one. Both she and John Gladney when they are in England go
once a year to Herridon, and they are constantly sending flowers there.

Alpheus Richmond showed respect for him by wearing a silk sash under his
waistcoat, and Baron by purchasing shares in the Aurora company.

When Mark Telford lay dead, George Hagar tried to take from his finger the
ring which carried the tale of his life and death inside it, but the hand
was clinched so that it could not be opened. Two years afterward, when he
had won his fame through two pictures called "The Discovery" and "The
Sequel," he told his newly married wife of this. And he also cleared Mark
Telford's name of cowardice in her sight, for which she was grateful.

It is possible that John Gladney and George Hagar understood Mark Telford
better than the woman who once loved him. At least they think so.