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                           NOCTURNE

                      By FRANK SWINNERTON

                             1917




TO MARTIN SECKER

THIS "NOCTURNE"




INTRODUCTION BY H.G. WELLS

"'But do I see afore me, him as I ever sported with in his times of
happy infancy? And may I--_may_ I?'

"This May I, meant might he shake hands?"

--DICKENS, _Great Expectations_.

I do not know why I should be so overpoweringly reminded of the
immortal, if at times impossible, Uncle Pumblechook, when I sit down to
write a short preface to Mr. Swinnerton's _Nocturne_. Jests come at
times out of the backwoods of a writer's mind. It is part of the
literary quality that behind the writer there is a sub-writer, making a
commentary. This is a comment against which I may reasonably
expostulate, but which nevertheless I am indisposed to ignore.

The task of introducing a dissimilar writer to a new public has its own
peculiar difficulties for the elder hand. I suppose logically a writer
should have good words only for his own imitators. For surely he has
chosen what he considers to be the best ways. What justification has he
for praising attitudes he has never adopted and commending methods of
treatment from which he has abstained? The reader naturally receives his
commendations with suspicion. Is this man, he asks, stricken with
penitence in the flower of his middle-age? Has he but just discovered
how good are the results that the other game, the game he has never
played, can give? Or has he been disconcerted by the criticism of the
Young? The Fear of the Young is the beginning of his wisdom. Is he
taking this alien-spirited work by the hand simply to say defensively
and vainly: "I assure you, indeed, I am _not_ an old fogy; I _quite_
understand it." (There it is, I fancy, that the Pumblechook quotation
creeps in.) To all of which suspicions, enquiries and objections, I will
quote, tritely but conclusively: "In my Father's house are many
Mansions," or in the words of Mr. Kipling:

"There are five and forty ways
Of composing tribal lays
And every blessed one of them is right."

Indeed now that I come to think it over, I have never in all my life
read a writer of closely kindred method to my own that I have greatly
admired; the confessed imitators give me all the discomfort without the
relieving admission of caricature; the parallel instances I have always
wanted to rewrite; while, on the other hand, for many totally dissimilar
workers I have had quite involuntary admirations. It isn't merely that I
don't so clearly see how they are doing it, though that may certainly be
a help; it is far more a matter of taste. As a writer I belong to one
school and as a reader to another--as a man may like to make optical
instruments and collect old china. Swift, Sterne, Jane Austen, Thackeray
and the Dickens of _Bleak House_ were the idols of my youthful
imitation, but the contemporaries of my early praises were Joseph
Conrad, W.H. Hudson, and Stephen Crane, all utterly remote from that
English tradition. With such recent admirations of mine as James Joyce,
Mr. Swinnerton, Rebecca West, the earlier works of Mary Austen or Thomas
Burke, I have as little kindred as a tunny has with a cuttlefish. We
move in the same medium and that is about all we have in common.

This much may sound egotistical, and the impatient reader may ask when I
am coming to Mr. Swinnerton, to which the only possible answer is that I
am coming to Mr. Swinnerton as fast as I can and that all this leads as
straightly as possible to a definition of Mr. Swinnerton's position. The
science of criticism is still crude in its classification, there are a
multitude of different things being done that are all lumped together
heavily as novels, they are novels as distinguished from romances, so
long as they are dealing with something understood to be real. All that
they have in common beyond that is that they agree in exhibiting a sort
of story continuum. But some of us are trying to use that story
continuum to present ideas in action, others to produce powerful
excitements of this sort or that, as Burke and Mary Austen do, while
others again concentrate upon the giving of life as it is, seen only
more intensely. Personally I have no use at all for life as it is,
except as raw material. It bores me to look at things unless there is
also the idea of doing something with them. I should find a holiday,
doing nothing amidst beautiful scenery, not a holiday, but a torture.
The contemplative ecstacy of the saints would be hell to me. In the--I
forget exactly how many--books I have written, it is always about life
being altered I write, or about people developing schemes for altering
life. And I have never once "presented" life. My apparently most
objective books are criticisms and incitements to change. Such a writer
as Mr. Swinnerton, on the contrary, sees life and renders it with a
steadiness and detachment and patience quite foreign to my disposition.
He has no underlying motive. He sees and tells. His aim is the
attainment of that beauty which comes with exquisite presentation. Seen
through his art, life is seen as one sees things through a crystal lens,
more intensely, more completed, and with less turbidity. There the
business begins and ends for him. He does not want you or any one to do
anything.

Mr. Swinnerton is not alone among recent writers in this clear, detached
objectivity. We have in England a writer, Miss Dorothy Richardson, who
has probably carried impressionism in fiction to its furthest limit. I
do not know whether she will ever make large captures of the general
reader, but she is certainly a very interesting figure for the critic
and the amateur of fiction. In _Pointed Roofs_ and _Honeycomb_, for
example, her story is a series of dabs of intense superficial
impression; her heroine is not a mentality, but a mirror. She goes about
over her facts like those insects that run over water sustained by
surface tension. Her percepts never become concepts. Writing as I do at
the extremest distance possible from such work, I confess I find it
altogether too much--or shall I say altogether too little?--for me. But
Mr. Swinnerton, like Mr. James Joyce, does not repudiate the depths for
the sake of the surface. His people are not splashes of appearance, but
living minds. Jenny and Emmy in this book are realities inside and out;
they are imaginative creatures so complete that one can think with ease
of Jenny ten years hence or of Emmy as a baby. The fickle Alf is one of
the most perfect Cockneys--a type so easy to caricature and so hard to
get true--in fiction. If there exists a better writing of vulgar
lovemaking, so base, so honest, so touchingly mean and so touchingly
full of the craving for happiness than this that we have here in the
chapter called _After the Theatre_, I do not know of it. Only a
novelist who has had his troubles can understand fully what a dance
among china cups, what a skating over thin ice, what a tight-rope
performance is achieved in this astounding chapter. A false note, one
fatal line, would have ruined it all. On the one hand lay brutality; a
hundred imitative louts could have written a similar chapter brutally,
with the soul left out, we've loads of such "strong stuff" and it is
nothing; on the other side was the still more dreadful fall into
sentimentality, the tear of conscious tenderness, the redeeming glimpse
of "better things" in Alf or Emmy that would at one stroke have
converted their reality into a genteel masquerade. The perfection of Alf
and Emmy is that at no point does a "nature's gentleman" or a "nature's
lady" show through and demand our refined sympathy. It is only by
comparison with this supreme conversation that the affair of Keith and
Jenny seems to fall short of perfection. But that also is at last
perfected, I think, by Jenny's final, "Keith.... Oh, Keith!..."

Above these four figures again looms the majestic invention of "Pa."
Every reader can appreciate the truth and humour of Pa, but I doubt if
any one without technical experience can realise how the atmosphere is
made and completed and rounded off by Pa's beer, Pa's needs, and Pa's
accident, how he binds the bundle and makes the whole thing one, and
what an enviable triumph his achievement is.

But the book is before the reader and I will not enlarge upon its merits
further. Mr. Swinnerton has written four or five other novels before
this one, but none of them compare with it in quality. His earlier books
were strongly influenced by the work of George Gissing; they have
something of the same fatigued greyness of texture and little of the
artistic completeness and intense vision of _Nocturne_. He has also made
two admirable and very shrewd and thorough studies of the work and lives
of Robert Louis Stevenson and George Gissing. Like these two, he has had
great experience of illness. He is a young man of so slender a health,
so frequently ill, that even for the most sedentary purposes of this
war, his country will not take him. It was in connection with his
Gissing volume, for which I possessed some material he needed, that I
first made his acquaintance. He has had something of Gissing's
restricted and grey experiences, but he has nothing of Gissing's almost
perverse gloom and despondency. Indeed he is as gay a companion as he is
fragile. He is a twinkling addition to any Christmas party, and the
twinkle is here in the style. And having sported with him "in his times
of happy infancy," I add an intimate and personal satisfaction to my
pleasant task of saluting this fine work that ends a brilliant
apprenticeship and ranks Swinnerton as Master. This is a book that will
not die. It is perfect, authentic, and alive. Whether a large and
immediate popularity will fall to it I cannot say, but certainly the
discriminating will find it and keep it and keep it alive. If Mr.
Swinnerton were never to write another word I think he might count on
this much of his work living, as much of the work of Mary Austen, W.H.
Hudson, and Stephen Crane will live, when many of the more portentous
reputations of to-day may have served their purpose in the world and
become no more than fading names.

DECEMBER, 1917




CONTENTS


PART ONE: EVENING

CHAPTER

      I. SIX O'CLOCK

     II. THE TREAT

    III. ROWS

     IV. THE WISH


PART TWO: NIGHT

      V. THE ADVENTURE

     VI. THE YACHT

    VII. MORTALS

   VIII. PENALTIES

     IX. WHAT FOLLOWED

      X. CINDERELLA


PART THREE: MORNING

     XI. AFTER THE THEATRE

    XII. CONSEQUENCES




PART ONE

EVENING




CHAPTER I: SIX O'CLOCK


i

Six o'clock was striking. The darkness by Westminster Bridge was
intense; and as the tramcar turned the corner from the Embankment Jenny
craned to look at the thickly running water below. The glistening of
reflected lights which spotted the surface of the Thames gave its rapid
current an air of such mysterious and especially sinister power that she
was for an instant aware of almost uncontrollable terror. She could feel
her heart beating, yet she could not withdraw her gaze. It was nothing:
no danger threatened Jenny but the danger of uneventful life; and her
sense of sudden yielding to unknown force was the merest fancy, to be
quickly forgotten when the occasion had passed. None the less, for that
instant her dread was breathless. It was the fear of one who walks in a
wood, at an inexplicable rustle. The darkness and the sense of moving
water continued to fascinate her, and she slightly shuddered, not at a
thought, but at the sensation of the moment. At last she closed her
eyes, still, however, to see mirrored as in some visual memory the
picture she was trying to ignore. In a faint panic, hardly conscious to
her fear, she stared at her neighbour's newspaper, spelling out the
headings to some of the paragraphs, until the need of such protection
was past.

As the car proceeded over the bridge, grinding its way through the still
rolling echoes of the striking hour, it seemed part of an endless
succession of such cars, all alike crowded with homeward-bound
passengers, and all, to the curious mind, resembling ships that pass
very slowly at night from safe harbourage to the unfathomable elements
of the open sea. It was such a cold still night that the sliding windows
of the car were almost closed, and the atmosphere of the covered upper
deck was heavy with tobacco smoke. It was so dark that one could not see
beyond the fringes of the lamplight upon the bridge. The moon was in its
last quarter, and would not rise for several hours; and while the
glitter of the city lay behind, and the sky was greyed with light from
below, the surrounding blackness spread creeping fingers of night in
every shadow.

The man sitting beside Jenny continued to puff steadfastly at his pipe,
lost in the news, holding mechanically in his further hand the return
ticket which would presently be snatched by the hurrying tram-conductor.
He was a shabby middle-aged clerk with a thin beard, and so he had not
the least interest for Jenny, whose eye was caught by other beauties
than those of assiduous labour. She had not even to look at him to be
quite sure that he did not matter to her. Almost, Jenny did not care
whether he had glanced sideways at herself or not. She presently gave a
quiet sigh of relief as at length the river was left behind and the
curious nervous tension--no more lasting than she might have felt at
seeing a man balancing upon a high window-sill--was relaxed. She
breathed more deeply, perhaps, for a few instants; and then, quite
naturally, she looked at her reflection in the sliding glass. That hat,
as she could see in the first sure speedless survey, had got the droops.
"See about you!" she said silently and threateningly, jerking her head.
The hat trembled at the motion, and was thereafter ignored. Stealthily
Jenny went back to her own reflection in the window, catching the
clearly-chiselled profile of her face, bereft in the dark mirror of all
its colour. She could see her nose and chin quite white, and her lips as
part of the general colourless gloom. A little white brooch at her neck
stood boldly out; and that was all that could be seen with any
clearness, as the light was not directly overhead. Her eyes were quite
lost, apparently, in deep shadows. Yet she could not resist the delight
of continuing narrowly to examine herself. The face she saw was hardly
recognisable as her own; but it was bewitchingly pale, a study in black
and white, the kind of face which, in a man, would at once have drawn
her attention and stimulated her curiosity. She had longed to be pale,
but the pallor she was achieving by millinery work in a stuffy room was
not the marble whiteness which she had desired. Only in the sliding
window could she see her face ideally transfigured. There it had the
brooding dimness of strange poetic romance. You couldn't know about that
girl, she thought. You'd want to know about her. You'd wonder all the
time about her, as though she had a secret.... The reflection became
curiously distorted. Jenny was smiling to herself.

As soon as the tramcar had passed the bridge, lighted windows above the
shops broke the magic mirror and gave Jenny a new interest, until, as
they went onward, a shopping district, ablaze with colour, crowded with
loitering people, and alive with din, turned all thoughts from herself
into one absorbed contemplation of what was beneath her eyes. So
absorbed was she, indeed, that the conductor had to prod her shoulder
with his two fingers before he could recover her ticket and exchange it
for another. "'Arf asleep, some people!" he grumbled, shoving aside the
projecting arms and elbows which prevented his free passage between the
seats. "Feyuss please!" Jenny shrugged her shoulder, which seemed as
though it had been irritated at the conductor's touch. It felt quite
bruised. "Silly old fool!" she thought, with a brusque glance. Then she
went silently back to the contemplation of all the life that gathered
upon the muddy and glistening pavements below.


ii

In a few minutes they were past the shops and once again in darkness,
grinding along, pitching from end to end, the driver's bell clanging
every minute to warn carts and people off the tramlines. Once, with an
awful thunderous grating of the brakes, the car was pulled up, and
everybody tried to see what had provoked the sense of accident. There
was a little shouting, and Jenny, staring hard into the roadway, thought
she could see as its cause a small girl pushing a perambulator loaded
with bundles of washing. Her first impulse was pity--"Poor little
thing"; but the words were hardly in her mind before they were chased
away by a faint indignation at the child for getting in the tram's way.
Everybody ought to look where they were going. Ev-ry bo-dy ought to look
where they were go-ing, said the pitching tramcar. Ev-ry bo-dy.... Oh,
sickening! Jenny looked at her neighbour's paper--her refuge. "Striking
speech," she read. Whose? What did it matter? Talk, talk.... Why didn't
they do something? What were they to do? The tram pitched to the refrain
of a comic song: "Actions speak louder than words!" That kid who was
wheeling the perambulator full of washing.... Jenny's attention drifted
away like the speech of one who yawns, and she looked again at her
reflection. The girl in the sliding glass wouldn't say much. She'd think
the more. She'd say, when Sir Herbert pressed for his answer, "My
thoughts are my own, Sir Herbert Mainwaring." What was it the girl in
_One of the Best_ said? "You may command an army of soldiers; but you
cannot still the beating of a woman's heart!" Silly fool, she was. Jenny
had felt the tears in her eyes, burning, and her throat very dry, when
the words had been spoken in the play; but Jenny at the theatre and
Jenny here and now were different persons. Different? Why, there were
fifty Jennys. But the shrewd, romantic, honest, true Jenny was behind
them all, not stupid, not sentimental, bold as a lion, destructively
experienced in hardship and endurance, very quick indeed to single out
and wither humbug that was within her range of knowledge, but innocent
as a child before any other sort of humbug whatsoever. That was why she
could now sneer at the stage-heroine, and could play with the mysterious
beauties of her own reflection; but it was why she could also be led
into quick indignation by something read in a newspaper.

Tum-ty tum-ty tum-ty tum, said the tram. There were some more shops.
There were straggling shops and full-blazing rows of shops. There were
stalls along the side of the road, women dancing to an organ outside a
public-house. Shops, shops, houses, houses, houses ... light,
darkness.... Jenny gathered her skirt. This was where she got down. One
glance at the tragic lady of the mirror, one glance at the rising smoke
that went to join the general cloud; and she was upon the iron-shod
stairs of the car and into the greasy roadway. Then darkness, as she
turned along beside a big building into the side streets among rows and
rows of the small houses of Kennington Park.


iii

It was painfully dark in these side streets. The lamps drew beams such a
short distance that they were as useless as the hidden stars. Only down
each street one saw mild spots starting out of the gloom, fascinating in
their regularity, like shining beads set at prepared intervals in a body
of jet. The houses were all in darkness, because evening meals were laid
in the kitchens: the front rooms were all kept for Sunday use, excepting
when the Emeralds and Edwins and Geralds and Dorises were practising
upon their mothers' pianos. Then you could hear a din! But not now. Now
all was as quiet as night, and even doors were not slammed. Jenny
crossed the street and turned a corner. On the corner itself was a small
chandler's shop, with "Magnificent Tea, per 2/- lb."; "Excellent Tea, per
1/8d. lb"; "Good Tea, per 1/4d. lb." advertised in great bills upon its
windows above a huge collection of unlikely goods gathered together like
a happy family in its tarnished abode. Jenny passed the dully-lighted
shop, and turned in at her own gate. In a moment she was inside the
house, sniffing at the warm odour-laden air within doors. Her mouth drew
down at the corners. Stew to-night! An amused gleam, lost upon the dowdy
passage, fled across her bright eyes. Emmy wouldn't have thanked her for
that! Emmy--sick to death herself of the smell of cooking--would have
slammed down the pot in despairing rage.

In the kitchen a table was laid; and Emmy stretched her head back to
peer from the scullery, where she was busy at the gas stove. She did not
say a word. Jenny also was speechless; and went as if without thinking
to the kitchen cupboard. The table was only half-laid as usual; but that
fact did not make her action the more palatable to Emmy. Emmy, who was
older than Jenny by a mysterious period--diminished by herself, but kept
at its normal term of three years by Jenny, except in moments of some
heat, when it grew for purposes of retort,--was also less effective in
many ways, such as in appearance and in adroitness; and Jenny comprised
in herself, as it were, the good looks of the family. Emmy was the
housekeeper, who looked after Pa Blanchard; Jenny was the roving blade
who augmented Pa's pension by her own fluctuating wages. That was
another slight barrier between the sisters. Nevertheless, Emmy was quite
generous enough, and was long-suffering, so that her resentment took the
general form of silences and secret broodings upon their different
fortunes. There was a great deal to be said about this difference, and
the saying grew more and more remote from explicit utterance as thought
of it ground into Emmy's mind through long hours and days and weeks of
solitude. Pa could not hear anything besides the banging of pots, and he
was too used to sudden noises to take any notice of such a thing; but
the pots themselves, occasionally dented in savage dashes against each
other or against the taps, might have heard vicious apostrophes if they
had listened intently to Emmy's ejaculations. As it was, with the
endurance of pots, they mutely bore their scars and waited dumbly for
superannuation. And every bruise stood to Emmy when she renewed
acquaintance with it as mark of yet another grievance against Jenny. For
Jenny enjoyed the liberties of this life while Emmy stayed at home.
Jenny sported while Emmy was engaged upon the hideous routine of kitchen
affairs, and upon the nursing of a comparatively helpless old man who
could do hardly anything at all for himself.

Pa was in his bedroom,--the back room on the ground-floor, chosen
because he could not walk up the stairs, but must have as little trouble
in self-conveyance as possible,--staggeringly making his toilet for the
meal to come, sitting patiently in front of his dressing-table by the
light of a solitary candle. He would appear in due course, when he was
fetched. He had been a strong man, a runner and cricketer in his youth,
and rather obstreperously disposed; but that time was past, and his
strength for such pursuits was as dead as the wife who had suffered
because of its vagaries. He could no longer disappear on the Saturdays,
as he had been used to do in the old days. His chair in the kitchen, the
horse-hair sofa in the sitting-room, the bed in the bedroom, were the
only changes he now had from one day's end to another. Emmy and Jenny,
pledges of a real but not very delicate affection, were all that
remained to call up the sorrowful thoughts of his old love, and those
old times of virility, when Pa and his strength and his rough
boisterousness had been the delight of perhaps a dozen regular
companions. He sometimes looked at the two girls with a passionless
scrutiny, as though he were trying to remember something buried in
ancient neglect; and his eyes would thereafter, perhaps at the mere
sense of helplessness, fill slowly with tears, until Emmy, smothering
her own rough sympathy, would dab Pa's eyes with a harsh handkerchief
and would rebuke him for his decay. Those were hard moments in the
Blanchard home, for the two girls had grown almost manlike in abhorrence
of tears, and with this masculine distaste had arisen a corresponding
feeling of powerlessness in face of emotion which they could not share.
It was as though Pa had become something like an old and beloved dog,
unable to speak, pitied and despised, yet claiming by his very dumbness
something that they could only give by means of pats and half-bullying
kindness. At such times it was Jenny who left her place at the table and
popped a morsel of food into Pa's mouth; but it was Emmy who best
understood the bitterness of his soul. It was Emmy, therefore, who would
snap at her sister and bid her get on with her own food; while Pa
Blanchard made trembling scrapes with his knife and fork until the mood
passed. But then it was Emmy who was most with Pa; it was Emmy who hated
him in the middle of her love because he stood to her as the living
symbol of her daily inescapable servitude in this household. Jenny
could never have felt that she would like to kill Pa. Emmy sometimes
felt that. She at times, when he had been provoking or obtuse, so shook
with hysterical anger, born of the inevitable days in his society and in
the kitchen, that she could have thrown at him the battered pot which
she carried, or could have pushed him passionately against the
mantelpiece in her fierce hatred of his helplessness and his occasional
perverse stupidity. He was rarely stupid with Jenny, but giggled at her
teasing.

Jenny was taller than Emmy by several inches. She was tall and thin and
dark, with an air of something like impudent bravado that made her
expression sometimes a little wicked. Her nose was long and straight,
almost sharp-pointed; her face too thin to be a perfect oval. Her eyes
were wide open, and so full of power to show feeling that they seemed
constantly alive with changing and mocking lights and shadows. If she
had been stouter the excellent shape of her body, now almost too thick
in the waist, would have been emphasised. Happiness and comfort, a
decrease in physical as in mental restlessness, would have made her more
than ordinarily beautiful. As it was she drew the eye at once, as though
she challenged a conflict of will: and her movements were so swift and
eager, so little clumsy or jerking, that Jenny had a carriage to
command admiration. The resemblance between the sisters was ordinarily
not noticeable. It would have needed a photograph--because photographs,
besides flattening the features, also in some manner "compose" and
distinguish them--to reveal the likenesses in shape, in shadow, even in
outline, which were momentarily obscured by the natural differences of
colouring and expression. Emmy was less dark, more temperamentally
unadventurous, stouter, and possessed of more colour. She was
twenty-eight or possibly twenty-nine, and her mouth was rather too hard
for pleasantness. It was not peevish, but the lips were set as though
she had endured much. Her eyes, also, were hard; although if she cried
one saw her face soften remarkably into the semblance of that of a
little girl. From an involuntary defiance her expression changed to
something really pathetic. One could not help loving her then, not with
the free give and take of happy affection, but with a shamed hope that
nobody could read the conflict of sympathy and contempt which made one's
love frigid and self-conscious. Jenny rarely cried: her cheeks reddened
and her eyes grew full of tears; but she did not cry. Her tongue was too
ready and her brain too quick for that. Also, she kept her temper from
flooding over into the self-abandonment of angry weeping and
vituperation. Perhaps it was that she had too much pride--or that in
general she saw life with too much self-complacency, or that she was not
in the habit of yielding to disappointment. It may have been that Jenny
belonged to that class of persons who are called, self-sufficient. She
plunged through a crisis with her own zest, meeting attack with
counter-attack, keeping her head, surveying with the instinctive
irreverence and self-protective wariness of the London urchin the
possibilities and swaying fortunes of the fight. Emmy, so much slower,
so much less self-reliant, had no refuge but in scolding that grew
shriller and more shrill until it ended in violent weeping, a withdrawal
from the field entirely abject. She was not a born fighter. She was
harder on the surface, but weaker in powers below the surface. Her long
solitudes had made her build up grievances, and devastating thoughts,
had given her a thousand bitter things to fling into the conflict; but
they had not strengthened her character, and she could not stand the
strain of prolonged argument. Sooner or later she would abandon
everything, exhausted, and beaten into impotence. She could bear more,
endure more, than Jenny; she could bear much, so that the story of her
life might be read as one long scene of endurance of things which Jenny
would have struggled madly to overcome or to escape. But having borne
for so long, she could fight only like a cat, her head as it were
turned aside, her fur upon end, stealthily moving paw by paw, always
keeping her front to the foe, but seeking for escape--until the pride
perilously supporting her temper gave way and she dissolved into
incoherence and quivering sobs.

It might have been said roughly that Jenny more closely resembled her
father, whose temperament in her care-free, happy-go-lucky way she
understood very well (better than Emmy did), and that while she carried
into her affairs a necessarily more delicate refinement than his she had
still the dare-devil spirit that Pa's friends had so much admired. She
had more humour than Emmy--more power to laugh, to be detached, to be
indifferent. Emmy had no such power. She could laugh; but she could only
laugh seriously, or at obviously funny things. Otherwise, she felt
everything too much. As Jenny would have said, she "couldn't take a
joke." It made her angry, or puzzled, to be laughed at. Jenny laughed
back, and tried to score a point in return, not always scrupulously.
Emmy put a check on her tongue. She was sometimes virtuously silent.
Jenny rarely put a check on her tongue. She sometimes let it say
perfectly outrageous things, and was surprised at the consequences. For
her it was enough that she had not meant to hurt. She sometimes hurt
very much. She frequently hurt Emmy to the quick, darting in one of her
sure careless stabs that shattered Emmy's self-control. So while they
loved each other, Jenny also despised Emmy, while Emmy in return hated
and was jealous of Jenny, even to the point of actively wishing in
moments of furtive and shamefaced savageness to harm her. That was the
outward difference between the sisters in time of stress. Of their
inner, truer, selves it would be more rash to speak, for in times of
peace Jenny had innumerable insights and emotions that would be forever
unknown to the elder girl. The sense of rivalry, however, was acute: it
coloured every moment of their domestic life, unwinking and incessant.
When Emmy came from the scullery into the kitchen bearing her precious
dish of stew, and when Jenny, standing up, was measured against her,
this rivalry could have been seen by any skilled observer. It rayed and
forked about them as lightning might have done about two adjacent trees.
Emmy put down her dish.

"Fetch Pa, will you!" she said briefly. One could see who gave orders in
the kitchen.


iv

Jenny found her father in his bedroom, sitting before the dressing-table
upon which a tall candle stood in an equally tall candlestick. He was
looking intently at his reflection in the looking-glass, as one who
encounters and examines a stranger. In the glass his face looked red and
ugly, and the tossed grey hair and heavy beard were made to appear
startlingly unkempt. His mouth was open, and his eyes shaded by lowered
lids. In a rather trembling voice he addressed Jenny upon her entrance.

"Is supper ready?" he asked. "I heard you come in."

"Yes, Pa," said Jenny. "Aren't you going to brush your hair? Got a fancy
for it like that, have you? My! What a man! With his shirt unbuttoned
and his tie out. Come here! Let's have a look at you!" Although her
words were unkind, her tone was not, and as she rectified his omissions
and put her arm round him Jenny gave her father a light hug. "All right,
are you? Been a good boy?"

"Yes ... a good boy...." he feebly and waveringly responded. "What's the
noos to-night, Jenny?"

Jenny considered. It made her frown, so concentrated was her effort to
remember.

"Well, somebody's made a speech," she volunteered. "They can all do
that, can't they! And somebody's paid five hundred pounds transfer for
Jack Sutherdon ... is it Barnsley or Burnley?... And--oh, a fire at
Southwark.... Just the usual sort of news, Pa. No murders...."

"Ah, they don't have the murders they used to have," grumbled the old
man.

"That's the police, Pa." Jenny wanted to reassure him.

"I don't know how it is," he trembled, stiffening his body and rising
from the chair.

"Perhaps they hush 'em up!" That was a shock to him. He could not move
until the notion had sunk into his head. "Or perhaps people are more
careful.... Don't get leaving themselves about like they used to."

Pa Blanchard had no suggestion. Such perilous ideas, so frequently
started by Jenny for his mystification, joggled together in his brain
and made there the subject of a thousand ruminations. They tantalised
Pa's slowly revolving thoughts, and kept these moving through long hours
of silence. Such notions preserved his interest in the world, and his
senile belief in Magic, as nothing else could have done.

Together, their pace suited to his step, the two moved slowly to the
door. It took a long time to make the short journey, though Jenny
supported her father on the one side and he used a stick in his right
hand. In the passage he waited while she blew out his candle; and then
they went forward to the meal. At the approach Pa's eyes opened wider,
and luminously glowed.

"Is there dumplings?" he quivered, seeming to tremble with excitement.

"One for you, Pa!" cried Emmy from the kitchen. Pa gave a small chuckle
of joy. His progress was accelerated. They reached the table, and Emmy
took his right arm for the descent into a substantial chair. Upon Pa's
plate glistened a fair dumpling, a glorious mountain of paste amid the
wreckage of meat and gravy. "And now, perhaps," Emmy went on, smoothing
back from her forehead a little streamer of hair, "you'll close the
door, Jenny...."

It was closed with a bang that made Pa jump and Emmy look savagely up.

"Sorry!" cried Jenny. "How's that dumpling, Pa?" She sat recklessly at
the table.


v

To look at the three of them sitting there munching away was a sight not
altogether pleasing. Pa's veins stood out from his forehead, and the two
girls devoted themselves to the food as if they needed it. There was
none of the airy talk that goes on in the houses of the rich while maids
or menservants come respectfully to right or left of the diners with
decanters or dishes. Here the food was the thing, and there was no
speech. Sometimes Pa's eyes rolled, sometimes Emmy glanced up with
unconscious malevolence at Jenny, sometimes Jenny almost winked at the
lithograph portrait of Edward the Seventh (as Prince of Wales) which
hung over the mantelpiece above the one-and-tenpenny-ha'penny clock that
ticked away so busily there. Something had happened long ago to Edward
the Seventh, and he had a stain across his Field Marshal's uniform.
Something had happened also to the clock, which lay upon its side, as if
kicking in a death agony. Something had happened to almost everything in
the kitchen. Even the plates on the dresser, and the cups and saucers
that hung or stood upon the shelves, bore the noble scars of service.
Every time Emmy turned her glance upon a damaged plate, as sharp as a
stalactite, she had the thought: "Jenny's doing." Every time she looked
at the convulsive clock Emmy said to herself: "That was Miss Jenny's
cleverness when she chucked the cosy at Alf." And when Emmy said in this
reflective silence of animosity the name "Alf" she drew a deep breath
and looked straight up at Jenny with inscrutable eyes of pain.


vi

The stew being finished, Emmy collected the plates, and retired once
again to the scullery. Now did Jenny show afresh that curiosity whose
first flush had been so ill-satisfied by the meat course. When, however,
Emmy reappeared with that most domestic of sweets, a bread pudding,
Jenny's face fell once more; for of all dishes she most abominated bread
pudding. Under her breath she adversely commented.

"Oh lor!" she whispered. "Stew and b.p. What a life!"

Emmy, not hearing, but second sighted on such matters, shot a malevolent
glance from her place. In an awful voice, intended to be a trifle arch,
she addressed her father.

"Bready butter pudding, Pa?" she inquired. The old man whinnied with
delight, and Emmy was appeased. She had one satisfied client, at any
rate. She cut into the pudding with a knife, producing wedges with a
dexterous hand.

"Hey ho!" observed Jenny to herself, tastelessly beginning the work of
laborious demolition.

"Jenny thinks it's common. She ought to have the job of getting the
meals!" cried Emmy, bitterly, obliquely attacking her sister by talking
at her. "Something to talk about then!" she sneered with chagrin, up in
arms at a criticism.

"Well, the truth is," drawled Jenny.... "If you want it ... I don't like
bread pudding." Somehow she had never said that before, in all the
years; but it seemed to her that bread pudding was like ashes in the
mouth. It was like duty, or funerals, or ... stew.

"The stuff's _got_ to be finished up!" flared Emmy defiantly, with a
sense of being adjudged inferior because she had dutifully habituated
herself to the appreciation of bread pudding. "You might think of that!
What else am I to do?"

"That's just it, old girl. Just why I don't like it. I just _hate_ to
feel I'm finishing it up. Same with stew. I know it's been something
else first. It's not _fresh_. Same old thing, week in, week out.
Finishing up the scraps!"

"Proud stomach!" A quick flush came into Emmy's cheeks; and tears
started to her eyes.

"Perhaps it is. Oh, but Em! Don't you feel like that
yourself.... Sometimes? O-o-h!..." She drawled the word wearily. "Oh
for a bit more money! Then we could give stew to the cat's-meat man
and bread to old Thompson's chickens. And then we could have nice things
to eat. Nice birds and pastry ... and trifle, and ices, and wine.... Not
all this muck!"

"Muck!" cried Emmy, her lips seeming to thicken. "When I'm so
hot.... And sick of it all! _You_ go out; you do just exactly what you
like.... And then you come home and...." She began to gulp. "What about
me?"

"Well, it's just as bad for both of us!" Jenny did not think so really;
but she said it. She thought Emmy had the bread and butter pudding
nature, and that she did not greatly care what she ate as long as it was
not too fattening. Jenny thought of Emmy as born for housework and
cooking--of stew and bread puddings. For herself she had dreamed a
nobler destiny, a destiny of romance, of delicious unknown things,
romantic and indescribably exciting. She was to have the adventures,
because she needed them. Emmy didn't need them. It was all very well for
Emmy to say "What about me!" It was no business of hers what happened to
Emmy. They were different. Still, she repeated more confidently because
there had been no immediate retort:

"Well, it's just as bad for both of us! _Just_ as bad!"

"'Tisn't! You're out all day--doing what you like!"

"Oh!" Jenny's eyes opened with theatrical wideness at such a perversion
of the facts. "Doing what I like! The millinery!"

"You are! You don't have to do all the scraping to make things go round,
like I have to. No, you don't! Here have I ... been in this ... place,
slaving! Hour after hour! I wish _you'd_ try and manage better. I bet
you'd be thankful to finish up the scraps some way--any old way! I'd
like to see _you_ do what I do!"

Momentarily Jenny's picture of Emmy's nature (drawn accommodatingly by
herself in order that her own might be differentiated and exalted by
any comparison) was shattered. Emmy's vehemence had thus the temporary
effect of creating a fresh reality out of a common idealisation of
circumstance. The legend would re-form later, perhaps, and would
continue so to re-form as persuasion flowed back upon Jenny's egotism,
until it crystallised hard and became unchallengeable; but at any rate
for this instant Jenny had had a glimmer of insight into that tamer
discontent and rebelliousness that encroached like a canker upon Emmy's
originally sweet nature. The shock of impact with unpleasant conviction
made Jenny hasten to dissemble her real belief in Emmy's born
inferiority. Her note was changed from one of complaint into one of
persuasive entreaty.

"It's not that. It's not that. Not at all. But wouldn't you like a
change from stew and bread pudding yourself? Sometimes, I mean. You
_seem_ to like it all right." At that ill-considered suggestion, made
with unintentional savageness, Jenny so worked upon herself that her own
colour rose high. Her temper became suddenly unmanageable. "You talk
about me being out!" she breathlessly exclaimed. "When do I go out?
When! Tell me!"

"O-o-h! I _like_ that! What about going to the pictures with Alf
Rylett?" Emmy's hands were, jerking upon the table in her anger. "You're
always out with him!"

"Me? Well I never! I'm not. When--"

They were interrupted unexpectedly by a feeble and jubilant voice.

"More bready butter pudding!" said Pa Blanchard, tipping his plate to
show that he had finished.

"Yes, Pa!" For the moment Emmy was distracted from her feud. In a
mechanical way, as mothers sometimes, deep in conversation, attend to
their children's needs, she put another wedge of pudding upon the plate.
"Well, I say you _are_," she resumed in the same strained voice. "And
tell me when _I_ go out! I go out shopping. That's all. But for that,
I'm in the house day and night. You don't care tuppence about Alf--you
wouldn't, not if he was walking the soles off his boots to come to you.
You never think about him. He's like dirt, to you. Yet you go out with
him time after time...." Her lips as she broke off were pursed into a
trembling unhappy pout, sure forerunner of tears. Her voice was weak
with feeling. The memory of lonely evenings surged into her mind,
evenings when Jenny was out with Alf, while she, the drudge, stayed at
home with Pa, until she was desperate with the sense of unutterable
wrong. "Time after time, you go."

"Sorry, I'm sure!" flung back Jenny, fairly in the fray, too quick not
to read the plain message of Emmy's tone and expression, too cruel to
relinquish the sudden advantage. "I never guessed you wanted him. I
wouldn't have done it for worlds. You never _said_, you know!"
Satirically, she concluded, with a studiously careful accent, which she
used when she wanted to indicate scorn or innuendo, "I'm sorry. I ought
to have asked if I might!" Then, with a dash into grimmer satire: "Why
doesn't he ask you to go with him? Funny his asking me, isn't it?"

Emmy grew violently crimson. Her voice had a roughness in it. She was
mortally wounded.

"Anybody'd know you were a lady!" she said warmly.

"They're welcome!" retorted Jenny. Her eyes flashed, glittering in the
paltry gaslight. "He's never ... Emmy, I didn't know you were such a
silly little fool. Fancy going on like that ... about a man like him. At
your age!"

Vehement glances flashed between them. All Emmy's jealousy was in her
face, clear as day. Jenny drew a sharp breath. Then, obstinately, she
closed her lips, looking for a moment like the girl in the sliding
window, inscrutable. Emmy, also recovering herself, spoke again, trying
to steady her voice.

"It's not what you think. But I can't bear to see you ... playing about
with him. It's not fair. He thinks you mean it. You don't!"

"Course I don't. I don't mean anything. A fellow like that!" Jenny
laughed a little, woundingly.

"What's the matter with him?" Savagely, Emmy betrayed herself again. She
was trembling from head to foot, her mind blundering hither and thither
for help against a quicker-witted foe. "It's only _you_ he's not good
enough for," she said passionately. "What's the matter with him?"

Jenny considered, her pale face now deadly white, all the heat gone from
her cheeks, though the hard glitter remained in her eyes, cruelly
indicating the hunger within her bosom.

"Oh, he's all right in his way," she drawlingly admitted. "He's clean.
That's in his favour. But he's quiet ... he's got no devil in him. Sort
of man who tells you what he likes for breakfast. I only go with
him ... well, you know why, as well as I do. He's all right enough, as
far as he goes. But he's never on for a bit of fun. That's it: he's got
no devil in him. I don't like that kind. Prefer the other sort."

During this speech Emmy had kept back bitter interruptions by an
unparalleled effort. It had seemed as though her fury had flickered,
blazing and dying away as thought and feeling struggled together for
mastery. At the end of it, however, and at Jenny's declared preference
for men of devil, Emmy's face hardened.

"You be careful, my girl," she prophesied with a warning glance of
anger. "If that's the kind you're after. Take care you're not left!"

"Oh, I can take care," Jenny said, with cold nonchalance. "Trust me!"


vii

Later, when they were both in the chilly scullery, washing up the supper
dishes, they were again constrained. Somehow when they were alone
together they could not quarrel: it needed the presence of Pa Blanchard
to stimulate them to retort. In his rambling silences they found the
spur for their unkind eloquence, and too often Pa was used as a
stalking-horse for their angers. He could hardly hear, and could not
follow the talk; but by directing a remark to him, so that it cannoned
off at the other, each obtained satisfaction for the rivalry that
endured from day to day between them. Their hungry hearts, all the
latent bitternesses in their natures, yearning for expression, found it
in his presence. But alone, whatever their angers, they were generally
silent. It may have been that their love was strong, or that their
courage failed, or that the energy required for conflict was not
aroused. That they deeply loved one another was sure; there was rivalry,
jealousy, irritation between them, but it did not affect their love.
The jealousy was a part of their general discontent--a jealousy that
would grow more intense as each remained frustrate and unhappy. Neither
understood the forces at work within herself; each saw these perversely
illustrated in the other's faults. In each case the cause of unhappiness
was unsatisfied love, unsatisfied craving for love. It was more acute in
Emmy's case, because she was older and because the love she needed was
under her eyes being wasted upon Jenny--if it were love, and not that
mixture of admiration and desire with self-esteem that goes to make the
common formula to which the name of love is generally attached. Jenny
could not be jealous of Emmy as Emmy was jealous of Jenny. She had no
cause; Emmy was not her rival. Jenny's rival was life itself, as will be
shown hereafter: she had her own pain.

It was thus only natural that the two girls, having pushed Pa's chair to
the side of the kitchen fire, and having loaded and set light to Pa's
pipe, should work together in silence for a few minutes, clearing the
table and washing the supper dishes. They were distant, both aggrieved;
Emmy with labouring breath and a sense of bitter animosity, Jenny with
the curled lip of one triumphant who does not need her triumph and would
abandon it at the first move of forgiveness. They could not speak. The
work was done, and Emmy was rinsing the washing basin, before Jenny
could bring herself to say awkwardly what she had in her mind.

"Em," she began. "I didn't know you ... you know." A silence. Emmy
continued to swirl the water round with the small washing-mop, her face
averted. Jenny's lip stiffened. She made another attempt, to be the
last, restraining her irritation with a great effort. "If you like I
won't ... I won't go out with him any more."

"Oh, you needn't worry," Emmy doggedly said, with her teeth almost
clenched. "I'm not worrying about it." She tried then to keep silent;
but the words were forced from her wounded heart. With uncontrollable
sarcasm she said: "It's very good of you, I'm sure!"

"Em!" It was coaxing. Jenny went nearer. Still there was no reply.
"Em ... don't be a silly cat. If he'd only ask _you_ to go once or twice.
He'd always want to. You needn't worry about me being ... See, I like
somebody else--another fellow. He's on a ship. Nowhere near here. I only
go with Alf because ... well, after all, he's a man; and they're scarce.
Suppose I leave off going with him...."

Both knew she had nothing but kind intention, as in fact the betrayal of
her own secret proved; but as Jenny could not keep out of her voice the
slightest tinge of complacent pity, so Emmy could not accept anything
so intolerable as pity.

"Thanks," she said in perfunctory refusal; "but you can do what you
like. Just what you like." She was implacable. She was drying the basin,
her face hidden. "I'm not going to take your leavings." At that her
voice quivered and had again that thread of roughness in it which had
been there earlier. "Not likely!"

"Well, I can't help it, can I!" cried Jenny, out of patience. "If he
likes me best. If he _won't_ come to you. I mean, if I say I won't go
out with him--will that put him on to you or send him off altogether?
Em, do be sensible. Really, I never knew. Never dreamt of it. I've never
wanted him. It's not as though he'd whistled and I'd gone trotting after
him. Em! You get so ratty about--"

"Superior!" cried Emmy, gaspingly. "Look down on me!" She was for an
instant hysterical, speaking loudly and weepingly. Then she was close
against Jenny; and they were holding each other tightly, while Emmy's
dreadful quiet sobs shook both of them to the heart. And Jenny, above
her sister's shoulder, could see through the window the darkness that
lay without; and her eyes grew tender at an unbidden thought, which made
her try to force herself to see through the darkness, as though she were
sending a speechless message to the unknown. Then, feeling Emmy still
sobbing in her arms, she looked down, laying her face against her
sister's face. A little contemptuous smile appeared in her eyes, and her
brow furrowed. Well, Emmy could cry. _She_ couldn't. She didn't want to
cry. She wanted to go out in the darkness that so pleasantly enwrapped
the earth, back to the stir and glitter of life somewhere beyond.
Abruptly Jenny sighed. Her vision had been far different from this
scene. It had carried her over land and sea right into an unexplored
realm where there was wild laughter and noise, where hearts broke
tragically and women in the hour of ruin turned triumphant eyes to the
glory of life, and where blinding streaming lights and scintillating
colours made everything seem different, made it seem romantic,
rapturous, indescribable. From that vision back to the cupboard-like
house in Kennington Park, and stodgy Alf Rylett, and supper of stew and
bread and butter pudding, and Pa, and this little sobbing figure in her
arms, was an incongruous flight. It made Jenny's mouth twist in a smile
so painful that it was almost a grimace.

"Oh lor!" she said again, under her breath, as she had said it earlier.
"_What_ a life!"




CHAPTER II: THE TREAT


i

Gradually Emmy's tearless sobs diminished; she began to murmur broken,
meaningless ejaculations of self-contempt; and to strain away from
Jenny. At last she pushed Jenny from her, feverishly freeing herself, so
that they stood apart, while Emmy blew her nose and wiped her eyes. All
this time they did not speak to each other, and when Emmy turned blindly
away Jenny mechanically took hold of the kettle, filled it, and set it
to boil upon the gas. Emmy watched her curiously, feeling that her nose
was cold and her eyes were burning. Little dry tremors seemed to shake
her throat; dreariness had settled upon her, pressing her down; making
her feel ashamed of such a display of the long secret so carefully
hoarded away from prying glances.

"What's that for?" she miserably asked, indicating the kettle.

"Going to steam my hat," Jenny said. "The brim's all floppy." There was
now only a practical note in her voice. She, too, was ashamed. "You'd
better go up and lie down for a bit. I'll stay with Pa, in case he falls
into the fire. Just the sort of thing he _would_ do on a night like
this. Just because you're upset."

"I shan't go up. It's too cold. I'll sit by the fire a bit."

They both went into the kitchen, where the old man was whistling under
his breath.

"Was there any noos on the play-cards?" he inquired after a moment,
becoming aware of their presence. "Emmy--Jenny."

"No, Pa. I told you. Have to wait till Sunday. Funny thing there's so
much more news in the Sunday papers: I suppose people are all extra
wicked on Saturdays. They get paid Friday night, I shouldn't wonder; and
it goes to their heads."

"Silly!" Emmy said under her breath. "It's the week's news."

"That's all right, old girl," admonished Jenny. "I was only giving him
something to think about. Poor old soul. Now, about this hat: the girls
all go on at me.... Say I dress like a broker's-man. I'm going to
smarten myself up. You never know what might happen. Why, I might get
off with a Duke!"

Emmy was overtaken by an impulse of gratitude.

"You can have mine, if you like," she said. "The one you gave me ... on
my birthday." Jenny solemnly shook her head. She did not thank her
sister. Thanks were never given in that household, because they were a
part of "peliteness," and were supposed to have no place in the domestic
arena.

"Not if I know it!" she humorously retorted. "I made it for you, and it
suits you. Not my style at all. I'll just get out my box of bits. You'll
see something that'll surprise you, my girl."

The box proved to contain a large number of "bits" of all sizes and
kinds--fragments of silk (plain and ribbed), of plush, of ribbon both
wide and narrow; small sprays of marguerites, a rose or two, some
poppies, and a bunch of violets; a few made bows in velvet and silk;
some elastic, some satin, some feathers, a wing here and there ... the
miscellaneous assortment of odds-and-ends always appropriated (or, in
the modern military slang, "won") by assistants in the millinery. Some
had been used, some were startlingly new. Jenny was more modest in such
acquirements than were most of her associates; but she was affected, as
all such must be, by the prevailing wind. Strangely enough, it was not
her habit to wear very smart hats, for business or at any other time.
She would have told you, in the event of any such remark, that when you
had been fiddling about with hats all day you had other things to do in
the evenings. Yet she had good taste and very nimble fingers when
occasion arose. In bringing her box from the bedroom she brought also
from the stand in the passage her drooping hat, against which she
proceeded to lay various materials, trying them with her sure eye,
seeking to compose a picture, with that instructive sense of cynosure
which marks the crafty expert. Fascinated, with her lips parted in an
expression of that stupidity which is so often the sequel to a fit of
crying, Emmy watched Jenny's proceedings, her eyes travelling from the
hat to the ever-growing heap of discarded ornaments. She was dully
impressed with the swift judgment of her sister in consulting the
secrets of her inner taste. It was a judgment unlike anything in her own
nature of which she was aware, excepting the measurement of ingredients
for a pudding.

So they sat, all engrossed, while the kettle began to sing and the
desired steam to pour from the spout, clouding the scullery. The only
sound that arose was the gurgling of Pa Blanchard's pipe (for he was
what is called in Kennington Park a wet smoker). He sat remembering
something or pondering the insufficiency of news. Nobody ever knew what
he thought about in his silences. It was a mystery over which the girls
did not puzzle, because they were themselves in the habit of sitting for
long periods without speech. Pa's broodings were as customary to them
as the absorbed contemplativeness of a baby. "Give him his pipe," as
Jenny said; "and he'll be quiet for hours--till it goes out. _Then_
there's a fuss! My word, what a racket! Talk about a fire alarm!" And on
such occasions she would mimic him ridiculingly, to diminish his
complaints, while Emmy roughly relighted the hubble-bubble and patted
her father once more into a contented silence. Pa was to them, although
they did not know it, their bond of union. Without him, they would have
fallen apart, like the outer pieces of a wooden boot-tree. For his sake,
with all the apparent lack of sympathy shown in their behaviour to him,
they endured a life which neither desired nor would have tolerated upon
her own account. So it was that Pa's presence acted as a check and
served them as company of a meagre kind, although he was less
interesting or expansive than a little dog might have been.

When Jenny went out to the scullery carrying her hat, after sweeping the
scraps she had declined back into the old draper's cardboard box which
amply contained such treasures and preserved them from dust, Emmy, now
quite quiet again, continued to sit by the fire, staring at the small
glowing strip that showed under the door of the kitchen grate. Every now
and then she would sigh, wearily closing her eyes; and her breast would
rise as if with a sob. And she would sometimes look slowly up at the
clock, with her head upon one side in order to see the hands in their
proper aspect, as if she were calculating.


ii

From the scullery came the sound of Jenny's whistle as she cheerily held
the hat over the steam. Pa heard it as something far away, like a
distant salvationists' band, and pricked up his ears; Emmy heard it, and
her brow was contracted. Her expression darkened. Jenny began to hum:

"'Oh Liza, sweet Liza,
If you die an old maid you'll have only yourself to blame ...'"

It was like a sudden noise in a forest at night, so poignant was the
contrast of the radiating silences that succeeded. Jenny's voice stopped
sharply. Perhaps it had occurred to her that her song would be
overheard. Perhaps she had herself become affected by the meaning of the
words she was so carelessly singing. There was once more an air of
oblivion over all things. The old man sank back in his chair, puffing
slowly, blue smoke from the bowl of the pipe, grey smoke from between
his lips. Emmy looked again at the clock. She had the listening air of
one who awaits a bewildering event. Once she shivered, and bent to the
fire, raking among the red tumbling small coal with the bent kitchen
poker. Jenny began to whistle again, and Emmy impatiently wriggled her
shoulders, jarred by the noise. Suddenly she could bear no longer the
whistle that pierced her thoughts and distracted her attention, but went
out to the scullery.

"How are you getting on?" she asked with an effort.

"Fine. This gas leaks. Can't you whiff it? Don't know which one it is.
Pa all right?"

"Yes, he's all right. Nearly finished?"

"Getting on. Tram nearly ran over a kid to-night. She was wheeling a pram
full of washing on the line. There wasn't half a row about it--shouting
and swearing. Anybody would have thought the kid had laid down on the
line. I expect she was frightened out of her wits--all those men
shouting at her. There, now I'll lay it on the plate rack over the gas
for a bit.... Look smart, shan't I! With a red rose in it and a red
ribbon...."

"Not going to have those streamers, or any lace, are you?"

"Not likely. You see the kids round here wearing them; but the kids
round here are always a season late. Same with their costumes. They
don't know any better. I do!"

Jenny was cheerfully contemptuous. She knew what was being worn along
Regent Street and in Bond Street, because she saw it with her own eyes.
Then she came home and saw the girls of her own district swanking about
like last year's patterns, as she said. She couldn't help laughing at
them. It made her think of the tales of savages wearing top hats with
strings of beads and thinking they were all in the latest European
fashion. That is the constant amusement of the expert as she regards the
amateur. She has all the satisfaction of knowing better, without the
turmoil of competition, a fact which distinguishes the superior spirit
from the struggling helot. Jenny took full advantage of her situation
and her knowledge.

"Yes, you know a lot," Emmy said dryly.

"Ah, you've noticed it?" Jenny was not to be gibed at without retort.
"I'm glad."

"So _you_ think," Emmy added, as though she had not heard the reply.

There came at this moment a knock at the front door. Emmy swayed, grew
pale, and then slowly reddened until the colour spread to the very edges
of her bodice. The two girls looked at one another, a deliberate
interchange of glances that was at the same time, upon both sides, an
intense scrutiny. Emmy was breathing heavily; Jenny's nostrils were
pinched.

"Well," at last said Jenny, drawlingly. "Didn't you hear the knock?
Aren't you going to answer it?" She reached as she spoke to the hat
lying upon the plate rack above the gas stove, looking fixedly away from
her sister. Her air of gravity was unchanged. Emmy, hesitating, made as
if to speak, to implore something; but, being repelled, she turned, and
went thoughtfully across the kitchen to the front door. Jenny carried
her hat into the kitchen and sat down at the table as before. The
half-contemptuous smile had reappeared in her eyes; but her mouth was
quite serious.


iii

Pa Blanchard had worked as a boy and man in a large iron foundry. He had
been a very capable workman, and had received as the years went on the
maximum amount (with overtime) to be earned by men doing his class of
work. He had not been abstemious, and so he had spent a good deal of his
earnings in what is in Kennington Park called "pleasure"; but he had
also possessed that common kind of sense which leads men to pay money
into sick and benefit clubs. Accordingly, his wife's illness and burial
had, as he had been in the habit of saying, "cost him nothing." They
were paid by his societies. Similarly, when he had himself been attacked
by the paralytic seizure which had wrecked his life, the societies had
paid; and now, in addition to the pension allowed by his old employers,
he received a weekly dole from the societies which brought his income up
to fifty shillings a week. The pension, of course, would cease upon his
death; but so long as life was kept burning within him nothing could
affect the amounts paid weekly into the Blanchard exchequer. Pa was
fifty-seven, and normally would have had a respectable number of years
before him; his wants were now few, and his days were carefully watched
over by his daughters. He would continue to draw his pensions for
several years yet, unless something unexpected happened to him.
Meanwhile, therefore, his pipe was regularly filled and his old pewter
tankard appeared at regular intervals, in order that Pa should feel as
little as possible the change in his condition.

Mrs. Blanchard had been dead ten years. She had been very much as Emmy
now was, but a great deal more cheerful. She had been plump and
fresh-coloured, and in spite of Pa Blanchard's ways she had led a happy
life. In the old days there had been friends and neighbours, now all
lost in course of removals from one part of London to another, so that
the girls were without friends and knew intimately no women older than
themselves. Mrs. Blanchard, perhaps in accord with her cheerfulness, had
been a complacent, selfish little woman, very neat and clean, and
disposed to keep her daughters in their place. Jenny had been her
favourite; and even so early had the rivalry between them been
established. Besides this, Emmy had received all the rebuffs needed to
check in her the same complacent selfishness that distinguished her
mother. She had been frustrated all along, first by her mother, then by
her mother's preference for Jenny, finally (after a period during which
she dominated the household after her mother's death) by Jenny herself.
It was thus not upon a pleasant record of personal success that Emmy
could look back, but rather upon a series of chagrins of which each was
the harder to bear because of the history of its precursors. Emmy,
between eighteen and nineteen at the time of her mother's death, had
grasped her opportunity, and had made the care of the household her lot.
She still bore, what was a very different reading of her ambition, the
cares of the household. Jenny, as she grew up, had proved unruly; Pa
Blanchard's illness had made home service compulsory; and so matters
were like to remain indefinitely. Is it any wonder that Emmy was restive
and unhappy as she saw her youth going and her horizons closing upon her
with the passing of each year? If she had been wholly selfish that fact
would have been enough to sour her temper. But another, emotionally
more potent, fact produced in Emmy feelings of still greater stress. To
that fact she had this evening given involuntary expression. Now, how
would she, how could she, handle her destiny? Jenny, shrewdly thinking
as she sat with her father in the kitchen and heard Emmy open the front
door, pondered deeply as to her sister's ability to turn to account her
own sacrifice.


iv

Within a moment Alf Rylett appeared in the doorway of the kitchen, Emmy
standing behind him until he moved forward, and then closing the door
and leaning back against it. His first glance was in the direction of
Jenny, who, however, did not rise as she would ordinarily have done. He
glanced quickly at her face and from her face to her hands, so busily
engaged in manipulating the materials from which she was to re-trim her
hat. Then he looked at Pa Blanchard, whom he touched lightly and
familiarly upon the shoulder. Alf was a rather squarely built young man
of thirty, well under six feet, but not ungainly. He had a florid,
reddish complexion, and his hair was of a common but unnamed colour,
between brown and grey, curly and crisp. He was clean-shaven. Alf was
obviously one who worked with his hands: in the little kitchen he
appeared to stand upon the tips of his toes, in order that his walk
might not be too noisy. That fact might have suggested either mere
nervousness or a greater liking for life out of doors. When he walked it
was as though he did it all of a piece, so that his shoulders moved as
well as his legs. The habit was shown as he lunged forward to grip
Jenny's hand. When he spoke he shouted, and he addressed Pa as a boy
might have done who was not quite completely at his ease, but who
thought it necessary to pretend that he was so.

"Good evening, Mr. Blanchard!" he cried boisterously. "Sitting by the
fire, I see!"

Pa looked at him rather vacantly, apparently straining his memory in
order to recognise the new-comer. It was plain that as a personal matter
he had no immediate use for Alf Rylett; but he presently nodded his
head.

"Sitting by the fire," he confirmed. "Getting a bit warm. It's cold
to-night. Is there any noos, Alf Rylett?"

"Lots of it!" roared Alf, speaking as if it had been to a deaf man or a
foreigner. "They say this fire at Southwark means ten thousand pounds
damage. Big factory there--gutted. Of course, no outside fire escapes.
_As_ usual. Fully insured, though. It'll cost them nothing. You can't
help wondering what causes these fires when they're heavily insured. Eh?
Blazing all night, it was. Twenty-five engines. Twenty-five, mind you!
That shows it was pretty big, eh? I saw the red in the sky, myself.
'Well,' I thought to myself, 'there's somebody stands to lose
something,' I thought. But the insurance companies are too wide to stand
all the risk themselves. They share it out, you know. It's a mere
flea-bite to them. And ... a ... well then there's a ... See, then
there's a bigamy case."

"Hey?" cried Pa sharply, brightening. "What's that about?"

"Nothing much. Only a couple of skivvies. About ten pound three and
fourpence between the pair of them. That was all he got." Pa's interest
visibly faded. He gurgled at his pipe and turned his face towards the
mantelpiece. "And ... a ... let's see, what else is there?" Alf racked
his brains, puffing a little and arching his brows at the two girls, who
seemed both to be listening, Emmy intently, as though she were repeating
his words to herself. He went on: "Tram smash in Newcastle. Car went off
the points. Eleven injured. Nobody killed...."

"I don't call _that_ much," said Jenny, critically, with a pin in her
mouth. "Not much more than I told him an hour ago. He wants a murder, or
a divorce. All these little tin-pot accidents aren't worth printing at
all. What he wants is the cross-examination of the man who found the
bones."

It was comical to notice the change on Alf at Jenny's interruption.
From the painful concentration upon memory which had brought his
eyebrows together there appeared in his expression the most delighted
ease, a sort of archness that made his face look healthy and honest.

"What's that you're doing?" he eagerly inquired, forsaking Pa, and
obviously thankful at having an opportunity to address Jenny directly.
He came over and stood by the table, in spite of the physical effort
which Emmy involuntarily made to will that he should not do so. Emmy's
eyes grew tragic at his intimate, possessive manner in speaking to
Jenny. "I say!" continued Alf, admiringly. "A new hat, is it? Smart!
Looks absolutely A1. Real West End style, isn't it? Going to have some
chiffong?"

"Sit down, Alf." It was Emmy who spoke, motioning him to a chair
opposite to Pa. He took it, his shoulder to Jenny, while Emmy sat by the
table, looking at him, her hands in her lap.

"How is he?" Alf asked, jerking his head at Pa. "Perked up when I said
'bigamy,' didn't he!"

"He's been very good, I will say," answered Emmy. "Been quiet all
day. And he ate his supper as good as gold." Jenny's smile and little
amused crouching of the shoulders caught her eye. "Well, so he did!"
she insisted. Jenny took no notice. "He's had his--mustn't say it,
because he _always_ hears that word, and it's not time for his
evening ... Eight o'clock he has it."

"What's that?" said Alf, incautiously. "Beer?"

"Beer!" cried Pa. "Beer!" It was the cry of one who had been malignantly
defrauded, a piteous wail.

"There!" said both the girls, simultaneously. Jenny added: "Now you've
done it!"

"All right, Pa! Not time yet!" But Emmy went to the kitchen cupboard as
Pa continued to express the yearning that filled his aged heart.

"Sorry!" whispered Alf. "Hold me hand out, naughty boy!"

"He's like a baby with his titty bottle," explained Emmy. "Now he'll be
quiet again."

Alf fidgeted a little. This contretemps had unnerved him. He was less
sure of himself.

"Well," he said at last, darkly. "What I came in about ... Quarter to
eight, is it? By Jove, I'm late. That's telling Mr. Blanchard all the
news. The fact is, I've got a couple of tickets for the theatre down the
road--for this evening, I thought ... erum ..."

"Oh, extravagance!" cried Jenny, gaily, dropping the pin from between
her lips and looking in an amused flurry at Emmy's anguished face
opposite. It was as though a chill had struck across the room, as though
both Emmy's heart and her own had given a sharp twist at the shock.

"Ah, that's where you're wrong. That's what cleverness does for you."
Alf nodded his head deeply and reprovingly. "Given to me, they were, by
a pal o' mine who works at the theatre. They're for to-night. I
thought--"

Jenny, with her heart beating, was stricken for an instant with panic.
She bent her head lower, holding the rose against the side of her hat,
watching it with a zealous eye, once again to test the effect. He
thought she was coquetting, and leaned a little towards her. He would
have been ready to touch her face teasingly with his forefinger.

"Oh," Jenny exclaimed, with a hurried assumption of matter of fact ease
suddenly ousting her panic. "That's very good. So you thought you'd take
_Emmy_! That was a very good boy!"

"I thought ..." heavily stammered Alf, his eyes opening in a surprised
way as he found himself thus headed off from his true intention. He
stared blankly at Jenny, until she thought he looked like the bull on
the hoardings who has "heard that they want more." Emmy stared at her
also, quite unguardedly, a concentrated stare of agonised doubt and
impatience. Emmy's face grew pinched and sallow at the unexpected strain
upon her nerves.

"That was what you thought, wasn't it?" Jenny went on impudently,
shooting a sideways glance at him that made Alf tame with helplessness.
"Poor old Em hasn't had a treat for ever so long. Do her good to go. You
did mean that, didn't you?"

"I ..." said Alf. "I ..." He was inclined for a moment to bluster. He
looked curiously at Jenny's profile, judicial in its severity. Then some
kind of tact got the better of his first impulse. "Well, I thought _one_
of you girls ..." he said. "Will you come, Em? Have to look sharp."

"Really?" Emmy jumped up, her face scarlet and tears of joy in her eyes.
She did not care how it had been arranged. Her pride was unaroused; the
other thought, the triumph of the delicious moment, was overwhelming.
Afterwards--ah, no no! She would not think. She was going. She was
actually going. In a blur she saw their faces, their kind eyes....

"Good boy!" cried Jenny. "Buck up, Em, if you're going to change your
dress. Seats! My word! How splendid!" She clapped her hands quickly,
immediately again taking up her work so as to continue it. Into her eyes
had come once more that strange expression of pitying contempt. Her
white hands flashed in the wan light as she quickly threaded her needle
and knotted the silk.




CHAPTER III: ROWS


i

After Emmy had hurried out of the room to change her dress, Alf stood,
still apparently stupefied at the unscrupulous rush of Jenny's feminine
tactics, rubbing his hand against the back of his head. He looked
cautiously at Pa Blanchard, and from him back to the mysterious unknown
who had so recently defeated his object. Alf may or may not have
prepared some kind of set speech of invitation on his way to the house.
Obviously it is a very difficult thing, where there are two girls in a
family, to invite one of them and not the other to an evening's orgy. If
it had not previously occurred to Alf to think of the difficulty quite
as clearly as he was now being made to do, that must have been because
he thought of Emmy as imbedded in domestic affairs. After all, damn it,
as he was thinking; if you want one girl it is rotten luck to be fobbed
off with another. Alf knew quite well the devastating phrase, at one
time freely used as an irresistible quip (like "There's hair" or "That's
all right, tell your mother; it'll be ninepence") by which one suggested
disaster--"And that spoilt his evening." The phrase was in his mind,
horrible to feel. Yet what could he have done in face of the direct
assault? "_Must_ be a gentleman." He could hardly have said, before
Emmy: "No, it's _you_ I want!" He began to think about Emmy. She was all
right--a quiet little piece, and all that. But she hadn't got Jenny's
cheek! That was it! Jenny had got the devil's own cheek, and this was an
example of it. But this was an unwelcome example of it. He ruminated
still further; until he found he was standing on one foot and rubbing
the back of his head, just like any stage booby.

"Oh, damn!" he cried, putting his raised foot firmly on the ground and
bringing his wandering fist down hard into the open palm of his other
hand.

"Here, here!" protested Jenny, pretending to be scandalised. "That's not
the sort of language to use before Pa! He's not used to it. We're
_awfully_ careful what we say when Pa's here!"

"You're making a fool of me!" spluttered Alf, glaring at her. "That's
about the size of it!"

"What about your pa and ma!" she inquired, gibing at him. "I've done
nothing. Why don't you sit down. Of course you feel a fool, standing. I
always do, when the manager sends for me. Think I'm going to get the
sack." She thought he was going to bellow at her: "I hear they want
more!" The mere notion of it made her smile, and Alf imagined that she
was still laughing at her own manoeuvre or at her impertinent jest.

"What did you do it for?" he asked, coming to the table.

"Cause it was all floppy. What did you think? Why, the girls all talk
about me wearing it so long."

"I'm not talking about that," he said, in a new voice of exasperated
determination. "You know what I'm talking about. Oh, yes, you do! I'm
talking about those tickets. And me. And you!"

Jenny's eyes contracted. She looked fixedly at her work. Her hands
continued busy.

"Well, you're going to take Emmy, aren't you!" she prevaricated. "You
asked her to go."

"No!" he said. "I'm going with her, because she's said she'll go. But it
was you that asked her."

"Did I? How could I? They weren't mine. You're a man. You brought the
tickets. You asked her yourself." Jenny shook her head. "Oh, no, Alf
Rylett. You mustn't blame me. Take my advice, my boy. You be very glad
Emmy's going. If you mean me, I should have said 'No,' because I've got
to do this hat. Emmy's going to-night. You'll enjoy yourself far more."

"Oh ----!" He did not use an oath, but it was implied. "What did you do
it for? Didn't you want to come yourself? No, look here, Jenny: I want
to know what's going on. You've always come with me before." He glared
at her in perplexity, puzzled to the depths of his intelligence by a
problem beyond its range. Women had always been reported to him as a
mystery; but he had never heeded.

"It's Emmy's turn, then," Jenny went on. She could not resist the
display of a sisterly magnanimity, although it was not the true
magnanimity, and in fact had no relation to the truth. "Poor old Em gets
stuck in here day after day," she pleaded. "She's always with Pa till he
thinks she's a fixture. Well, why shouldn't she have a little pleasure?
You get her some chocs ... at that shop. ... _You_ know. It'll be the
treat of her life. She'll be as grateful to you for it. ... Oh, I'm very
glad she's got the chance of going. It'll keep her happy for days!"
Jenny, trying with all her might to set the affair straight and satisfy
everybody, was appealing to his vanity to salve his vanity. Alf saw
himself recorded as a public benefactor. He perceived the true sublimity
of altruism.

"Yes," he said, doggedly, recovering himself and becoming a man,
becoming Alf Rylett, once again. "That's all bally fine. Sounds well as
you put it; but you knew as well as I did that I came to take _you_. I
say nothing against Em. She's a good sort; but--"

Jenny suddenly kindled. He had never seen her so fine.

"She's the best sort!" she said, with animation. "And don't you forget
it, Alf. Me--why, I'm as selfish as ... as _dirt_ beside her. Look a
little closer, my lad. You'll see Em's worth two of me. Any day! You
think yourself jolly lucky she's going with you. That's all I've got to
say to you!"

She had pushed her work back, and was looking up at him with an air of
excitement. She had really been moved by a generous impulse. Her
indifference to Alf no longer counted. It was swept away by a feeling of
loyalty to Emmy. The tale she had told, the plea she had advanced upon
Emmy's behalf, if it had not influenced him, had sent a warm thrill of
conviction through her own heart. When she came thus to feel deeply she
knew as if by instinct that Emmy, irritable unsatisfied Emmy, was as
much superior to Alf as she herself was superior to him. A wave of
arrogance swept her. Because he was a man, and therefore so delectable
in the lives of two lonely girls, he was basely sure of his power to
choose from among them at will. He had no such power at that moment, in
Jenny's mind. He was the clay, for Emmy or herself to mould to their own
advantage.

"You can think yourself _jolly_ lucky; my lad!" she repeated. "I can
tell you that much!"


ii

Jenny leant back in her chair exhausted by her excitement. Alf reached
round for the chair he had left, and brought it to the table. He sat
down, his elbows on the table and his hands clasped; and he looked
directly at Jenny as though he were determined to explode this false
bubble of misunderstanding which she was sedulously creating. As he
looked at her, with his face made keen by the strength of his resolve,
Jenny felt her heart turn to water. She was physically afraid of him,
not because he had any power to move her, but because in sheer
bullock-like strength he was too much for her, as in tenacity he had
equally an advantage. As a skirmisher, or in guerrilla warfare, in which
he might always retire to a hidden fastness, baffling pursuers by
innumerable ruses and doublings, Jenny could hold her own. On the plain,
in face of superior strength, she had not the solid force needed to
resist strong will and clear issues. Alf looked steadily at her, his
reddish cheeks more red, his obstinate mouth more obstinate, so that she
could imagine the bones of his jaws cracking with his determination.

"It won't do, Jen," he said. "And you know it."

Jenny wavered. Her eyes flinched from the necessary task of facing him
down. Where women of more breeding have immeasurable resources of
tradition behind them, to quell any such inquisition, she was by
training defenceless. She had plenty of pluck, plenty of adroitness; but
she could only play the sex game with Alf very crudely because he was
not fine enough to be diverted by such finesse as she could employ. All
Jenny could do was to play for safety in the passage of time. If she
could beat him off until Emmy returned she could be safe for to-night;
and if she were safe now--anything might happen another day to bring
about her liberation.

"Bullying won't do. I grant that," she retorted defiantly. "You needn't
think it will." She jerked her head.

"We're going to have this out," Alf went on. Jenny darted a look of
entreaty at the kicking clock which lay so helplessly upon its side. If
only the clock would come to her aid, forgetting the episode of the
tea-cosy!

"Take you all your time," she said swiftly. "Why, the theatre's all full
by now. The people are all in. They're tuning up for the overture. Look
at it!" She pointed a wavering finger at the clock.

"We're going to have this out--now!" repeated Alf. "You know why I
brought the tickets here. It was because I wanted to take _you_. It's no
good denying it. That's enough. Somehow--I don't know why--you don't
want to go; and while I'm not looking you shove old Em on to me."

"That's what you say," Jenny protested. Alf took no notice of her
interruption. He doggedly proceeded.

"As I say, Em's all right enough. No fault to find with her. But she's
not you. And it's you I wanted. Now, if I take her--"

"You'll enjoy it very much," she weakly asserted. "Ever so much.
Besides, Alf,"--she began to appeal to him, in an attempt to
wheedle--"Em's a real good sort.... You don't know half the things ..."

"I know all about Em. I don't need you to tell me what she is. I can see
for myself." Alf rocked a little with an ominous obstinacy. His eyes
were fixed upon her with an unwinking stare. It was as though, having
delivered a blow with the full weight of party bias, he were desiring
her to take a common-sense view of a vehement political issue.

"What can you see?" With a feeble dash of spirit, Jenny had attempted
tactical flight. The sense of it made her feel as she had done, as a
little girl, in playing touch; when, with a swerve, she had striven to
elude the pursuer. So tense were her nerves on such occasions that she
turned what is called "goosey" with the feel of the evaded fingers.

Alf rolled his head again, slightly losing his temper at the
inconvenient question, which, if he had tried to answer it, might have
diverted him from the stern chase upon which he was engaged. The sense
of that made him doubly resolved upon sticking to the point.

"Oh, never you mind," he said, stubbornly. "Quite enough of that. Now
the question is--and it's a fair one,--why did you shove Em on to me!"

"I didn't! You did it yourself!"

"Well, that's a flat lie!" he cried, slapping the table in a sudden
fury, and glaring at her. "That's what that is."

Jenny crimsoned. It made the words no better that Alf had spoken truly.
She was deeply offended. They were both now sparkling with temper,
restless with it, and Jenny's teeth showing.

"I'm a liar, am I!" she exclaimed. "Well, you can just lump it, then.
I shan't say another word. Not if you call me a liar. You've come
here ..." Her breath caught, and for a second she could not speak.
"You've come here _kindly_ to let us lick your boots, I suppose. Is that
it? Well, we're not going to do it. We never have, and we never will.
Never! It's a drop for you, you think, to take Emmy out. A bit of
kindness on your part. She's not up to West End style. That it? But you
needn't think you're too good for her. There's no reason, I'm sure.
You're not!... All because you're a man. Auch! I'm sick of the men! You
think you've only got to whistle. Yes, you do! You think if you crook
your little finger.... Oh no, my lad. That's where you're wrong. You're
making a big mistake there. We can look after ourselves, thank you! No
chasing after the men! Pa's taught us that. We're not quite alone. We
haven't got to take--we've neither of us got to take--whatever's offered
to us ... as you think. We've got Pa still!"

Her voice had risen. An unexpected interruption stopped the argument for
the merest fraction of time.

"Aye," said Pa. "They've got their old Pa!" He had taken his pipe out of
his mouth and was looking towards the combatants with an eye that for
one instant seemed the eye of perfect comprehension. It frightened Jenny
as much as it disconcerted Alf. It was to both of them, but especially
to Alf, like the shock of a cold sponge laid upon a heated brow.

"I never said you hadn't!" he sulkily said, and turned round to look
amazedly at Pa. But Pa had subsided once more, and was drinking with
mournful avidity from his tankard. Occupied with the tankard, Pa had
neither eye nor thought for anything else. Alf resumed after the baffled
pause. "Yes. You've got him all right enough...." Then: "You're trying
to turn it off with your monkey tricks!" he said suddenly. "But I see
what it is. I was a fool not to spot it at once. You've got some other
fellow in tow. I'm not good enough for you any longer. Got no use for me
yourself; but you don't mind turning me over to old Em...." He shook his
head. "Well, I don't understand it," he concluded miserably. "I used to
think you was straight, Jen."

"I am!" It was a desperate cry, from her heart. Alf sighed.

"You're not playing the game, Jen old girl," he said, more kindly, more
thoughtfully. "That's what's the matter. I don't know what it is, or
what you're driving at; but that's what's wrong. What's the matter with
me? Anything? I know I'm not much of a one to shout the odds about. I
don't expect you to do that. Never did. But I never played you a trick
like this. What is it? What's the game you think you're playing?" When
she did not answer his urgent and humble appeal he went on in another
tone: "I shall find out, mind you. It's not going to stop here. I shall
ask Emmy. I can trust her."

"You _can't_ ask her!" Jenny cried. It was wrung from her. "You just
dare to ask her. If she knew you hadn't meant to take her to-night, it
ud break her heart. It would. There!" Her voice had now the ring of
intense sincerity. She was not afraid, not defiant. She was a woman,
defending another woman's pride.

Alf groaned. His cheeks became less ruddy. He looked quickly at the
door, losing confidence.

"No: I don't know what it is," he said again. "I don't understand it."
He sat, biting his under lip, miserably undetermined. His grim front had
disappeared. He was, from the conquering hero, become a crestfallen
young man. He could not be passionate with Pa there. He felt that if
only she were in his arms she could not be untruthful, could not resist
him at all; but with the table between them she was safe from any
attack. He was powerless. And he could not say he loved her. He would
never be able to bring himself to say that to any woman. A woman might
ask him if he loved her, and he would awkwardly answer that of course he
did; but it was not in his nature to proclaim the fact in so many words.
He had not the fluency, the dramatic sense, the imaginative power to
sink and to forget his own self-consciousness. And so Jenny had won that
battle--not gloriously, but through the sheer mischance of
circumstances. Alf was beaten, and Jenny understood it.

"Don't _think_ about me," she whispered, in a quick pity. Alf still
shook his head, reproachfully eyeing her with the old bull-like concern.
"I'm not worth thinking about. I'm only a beast. And you say you can
trust Emmy.... She's ever so ..."

"Ah, but she can't make me mad like you do!" he said simply. "Jen, will
you come another night ... Do!" He was beseeching her, his hands
stretched towards her across the table, as near to making love as he
would ever be. It was his last faint hope for the changing of her heart
towards him. But Jenny slowly shook her head from side to side, a judge
refusing the prisoner's final desperate entreaties.

"No," she said. "It's no good, Alf. It'll never be any good as long as I
live."


iii

Alf put out his hand and covered Jenny's hand with it; and the hand he
held, after a swift movement, remained closely imprisoned. And just at
that moment, when the two were striving for mastery, the door opened and
Emmy came back into the room. She was fully dressed for going out, her
face charmingly set off by the hat she had offered earlier to Jenny, her
eyes alight with happiness, her whole bearing unutterably changed.

"_Now_ who's waiting!" she demanded; and at the extraordinary sight
before her she drew a quick breath, paling. It did not matter that the
clinging hands were instantly apart, or that Alf rose hurriedly to meet
her. "What's that?" she asked, in a trembling tone. "What are you
doing?" As though she felt sick and faint, she sat sharply down upon her
old chair near the door. Jenny rallied.

"Only a kid's game," she said. "Nothing at all." Alf said nothing,
looking at neither girl. Emmy tried to speak again; but at first the
words would not come. Finally she went on, with dreadful understanding.

"Didn't you want to take me, Alf? Did you want her to go?"

It was as though her short absence, perhaps even the change of costume,
had worked a curious and cognate change in her mind. Perhaps it was that
in her flushed happiness she had forgotten to be suspicious, or had
blindly misread the meanings of the earlier colloquy, as a result of
which the invitation had been given.

"Don't be so silly!" quickly cried Jenny. "Of course he wanted you to
go!"

"Alf!" Emmy's eyes were fixed upon him with a look of urgent entreaty.
She looked at Alf with all the love, all the extraordinary intimate
confidence with which women of her class do so generally regard the men
they love, ready to yield judgment itself to his decision. When he did
not answer, but stood still before them like a red-faced boy, staring
down at the floor, she seemed to shudder, and began despairingly to
unfasten the buttons of her thick coat. Jenny darted up and ran to check
the process.

"Don't be a fool!" she breathed. "Like that! You've got no time for a
scene." Turning to Alf, she motioned him with a swift gesture to the
door. "Look sharp!" she cried.

"I'm not going!" Emmy struggled with Jenny's restraining hands. "It's no
good fussing me, Jenny.... I'm not going. He can take who he likes. But
it's not me."

Alf and Jenny exchanged angry glances, each bitterly blaming the other.

"Em!" Jenny shouted. "You're mad!"

"No, I'm not. Let me go! Let me go! He didn't want me to go. He wanted
you. Oh, I knew it. I was a fool to think he wanted me." Then, looking
with a sort of crazed disdain at Jenny, she said coolly, "Well, how is
it you're not ready? Don't you see your _substitute's_ waiting! Your
_land_ lover!"

"Land!" cried Alf. "Land! A sailor!" He flushed deeply, raising his arms
a little as if to ward off some further revelation. Jenny, desperate,
had her hands higher than her head, protestingly quelling the scene. In
a loud voice she checked them.

"Do ... not ... be ... fools!" she cried. "What's all the fuss about?
Simply because Alf's a born booby, standing there like a fool! I can't
go. I wouldn't go--even if he wanted me. But he wants you!" She again
seized Emmy, delaying once more Emmy's mechanical unfastening of the big
buttons of her coat. "Alf! Get your coat. Get her out of the house! I
never heard such rubbish! Alf, say ... tell her you meant her to go! Say
it wasn't me!"

"I shouldn't believe him," Emmy said, clearly. "I know I saw him holding
your hand."

Jenny laughed hysterically.

"What a fuss!" she exclaimed. "He's been doing palmistry--reading it.
All about ... what's going to happen to me. Wasn't it, Alf!"

Emmy disregarded her, watching Alf's too-transparent uneasiness.

"You always _were_ a little lying beast," she said, venomously. "A
trickster."

"You see?" Jenny said, defiantly to Alf. "What my own sister says?"

"So you were. With your _sailor_.... And playing the fool with Alf!"
Emmy's voice rose. "You always were.... I wonder Alf's never seen it
long ago...."

At this moment, with electrifying suddenness, Pa put down his tankard.

"What, ain't you gone yet?" he trembled. "I thought you was going out!"

"How did he know!" They all looked sharply at one another, sobered. So,
for one instant, they stood, incapable of giving any explanation to the
meekly inquiring old man who had disturbed their quarrel. Alf, so
helpless before the girls, was steeled by the interruption. He took two
steps towards Emmy.

"We'll have this out later on," he said. "Meanwhile ... Come on, Em!
It's just on eight. Come along, there's a good girl!" He stooped, took
her hands, and drew her to her feet. Then, with uncommon tenderness, he
re-buttoned her coat, and, with one arm about her, led Emmy to the door.
She pressed back, but it was against him, within the magic circle of his
arm, suddenly deliriously happy.

Jenny, still panting, stood as she had stood for the last few minutes,
and watched their departure. She heard the front door close as they left
the house; and with shaky steps went and slammed the door of the
kitchen. Trembling violently, she leant against the door, as Emmy had
done earlier. For a moment she could not speak, could not think or feel;
and only as a clock in the neighbourhood solemnly recorded the eighth
hour did she choke down a little sob, and say with the ghost of her
bereaved irony:

"That's _done_ it!"




CHAPTER IV: THE WISH


i

Waiting until she had a little recovered her self-control, Jenny
presently moved from the door to the fireplace, and proceeded
methodically to put coals on the fire. She was still shaking slightly,
and the corners of her mouth were uncontrollably twitching with
alternate smiles and other raiding emotions; so that she did not yet
feel in a fit state to meet Pa's scrutiny. He might be the old fool he
sometimes appeared to be, and, inconveniently, he might not. Just
because she did not want him to be particularly bright it was quite
probable that he would have a flourish of brilliance. That is as it
occasionally happens, in the dullest of mortals. So Jenny was some time
in attending to the fire, until she supposed that any undue redness of
cheek might be imagined to have been occasioned by her strenuous
activities. She then straightened herself and looked down at Pa with a
curious mixture of protectiveness and anxiety.

"Pleased with yourself, aren't you?" she inquired, more to make
conversation which might engage the ancient mind in ruminant pastime
than to begin any series of inquiries into Pa's mental states.

"Eh, Jenny?" said Pa, staring back at her. "Ain't you gone out? Is it
Emmy that's gone out? What did that fool Alf Rylett want? He was
shouting.... I heard him."

"Yes, Pa; but you shouldn't have listened," rebuked Jenny, with a fine
colour.

Pa shook his shaggy head. He felt cunningly for his empty tankard,
hoping that it had been refilled by his benevolent genius. It was not
until the full measure of his disappointment had been revealed that he
answered her.

"I wasn't listening," he quavered. "I didn't hear what he said.... Did
Emmy go out with him?"

"Yes, Pa. To the theatre. Alf brought tickets. Tickets! Tickets for
seats.... Oh, dear! _Why_ can't you understand! Didn't have to pay at
the door...."

Pa suddenly understood.

"Oh ah!" he said. "Didn't have to pay...." There was a pause. "That's
like Alf Rylett," presently added Pa. Jenny sat looking at him in
consternation at such an uncharitable remark.

"It's not!" she cried. "I never _knew_ you were such a wicked old man!"

Pa gave an antediluvian chuckle that sounded like a magical and
appalling rattle from the inner recesses of his person. He was getting
brighter and brighter, as the stars appear to do when the darkness
deepens.

"See," he proceeded. "Did Alf say there was any noos?" He admitted an
uncertainty. Furtively he looked at her, suspecting all the time that
memory had betrayed him; but in his ancient way continuing to trust to
Magic.

"Well, you didn't seem to think much of what he _did_ bring. But I'll
tell you a bit of news, Pa. And that is, that you've got a pair of the
rummiest daughters I ever struck!"

Pa looked out from beneath his bushy grey eyebrows, resembling a worn
and dilapidated perversion of Whistler's portrait of Carlyle. His
eyelids seemed to work as he brooded upon her announcement. It was as
though, together, these two explored the Blanchard archives for
confirmation of Jenny's sweeping statement. The Blanchards of several
generations might have been imagined as flitting across a fantastic
horizon, keening for their withered laurels, thrown into the shades by
these more brighter eccentrics. It was, or it might have been, a
fascinating speculation. But Pa did not indulge this antique vein for
very long. The moment and its concrete images beguiled him back to the
daughter before him and the daughter who was engaged in an unexpected
emotional treat. He said:

"I know," and gave a wide grin that showed the gaps in his teeth as
nothing else could have done--not even the profoundest yawn. Jenny was
stunned by this evidence of brightness in her parent.

"Well, you're a caution!" she cried. "And to think of you sitting there
saying it! And I reckon they've got a pretty rummy old Pa--if the truth
was only known."

Pa's grin, if possible, stretched wider. Again that terrible chuckle,
which suggested a derangement of his internal parts, or the running-down
of an overwound clock, wheezed across the startled air.

"Maybe," Pa said, with some unpardonable complacency. "Maybe."

"Bless my soul!" exclaimed Jenny. She could not be sure, when his manner
returned to one of vacancy, and when the kitchen was silent, whether Pa
and she had really talked thus, or whether she had dreamed their talk.
To her dying day she was never sure, for Pa certainly added nothing to
the conversation thereafter. Was it real? Or had her too excited brain
played her a trick? Jenny pinched herself. It was like a fairy tale, in
which cats talk and little birds humanly sing, or the tiniest of fairies
appear from behind clocks or from within flower-pots. She looked at Pa
with fresh awe. There was no knowing where you had him! He had the
interest, for her, of one returned by miracle from other regions,
gifted with preposterous knowledges.... He became at this instant
fabulous, like Rip Van Winkle, or the Sleeping Beauty ... or the White
Cat....

In her perplexity Jenny fell once more into a kind of dream, an
argumentative dream. She went back over the earlier rows, re-living
them, exaggerating unconsciously the noble unselfishness of her own acts
and the pointed effectiveness of her speeches, until the scenes were
transformed. They now appeared in other hues, in other fashionings. This
is what volatile minds are able to do with all recent happenings
whatsoever, re-casting them in form altogether more exquisite than the
crude realities. The chiaroscuro of their experiences is thus so
constantly changing and recomposing that--whatever the apparent result
of the scene in fact--the dreamer is in retrospect always victor, in the
heroic limelight. With Jenny this was a mood, not a preoccupation; but
when she had been moved or excited beyond the ordinary she often did
tend to put matters in a fresh aspect, more palatable to her self-love,
and more picturesque in detail than the actual happening. That is one of
the advantages of the rapidly-working brain, that its power of
improvisation is, in solitude, very constant and reassuring. It is as
though such a grain, upon this more strictly personal side, were a
commonwealth of little cell-building microbes. The chief microbe comes,
like the engineer, to estimate the damage to one's _amour propre_ and to
devise means of repair. He then summons all his necessary workmen, who
are tiny self-loves and ancient praises and habitual complacencies and
the staircase words of which one thinks too late for use in the scene
itself; and with their help he restores that proportion without which
the human being cannot maintain his self-respect. Jenny was like the
British type as recorded in legend; being beaten, she never admitted it;
but even, five minutes later, through the adroitness of her special
engineer and his handymen, would be able quite seriously to demonstrate
a victory to herself.

Defeat? Never! How Alf and Emmy shrank now before her increasing skill
in argument. How were they shattered! How inept were their feebleness!
How splendid Jenny had been, in act, in motive, in speech, in
performance!

"Er, yes!" Jenny said, beginning to ridicule her own highly coloured
picture. "Well, it was _something_ like that!" She had too much sense of
the ridiculous to maintain for long unquestioned the heroic vein as
natural to her own actions. More justly, she resumed her consideration
of the scenes, pondering over them in their nakedness and their
meanings, trying to see how all these stupid little feelings had burst
their way from overcharged hearts, and how each word counted as part of
the mosaic of misunderstanding that had been composed.

"Oh, blow!" Jenny impatiently ejaculated, with a sinking heart at the
thought of any sequel. A sequel there was bound to be--however muffled.
It did not rest with her. There were Emmy and Alf, both alike burning
with the wish to avenge themselves--upon her! If only she could
disappear--just drop out altogether, like a man overboard at night in a
storm; and leave Emmy and Alf to settle together their own trouble. She
couldn't drop out; nobody could, without dying, though they might often
wish to do so; and even then their bodies were the only things that were
gone, because for a long time they stubbornly survived in memory. No:
she couldn't drop out. There was no chance of it. She was caught in the
web of life; not alone, but a single small thing caught in the general
mix-up of actions and inter-actions. She had just to go on as she was
doing, waking up each morning after the events and taking her old place
in the world; and in this instance she would have, somehow, to smooth
matters over when the excitements and agitations of the evening were
past. It would be terribly difficult. She could not yet see a clear
course. If only Emmy didn't live in the same house! If only, by throwing
Alf over as far as concerned herself, she could at the same time throw
him into Emmy's waiting arms. Why couldn't everybody be sensible? If
only they could all be sensible for half-an-hour everything could be
arranged and happiness could be made real for each of them. No:
misunderstandings were bound to come, angers and jealousies, conflicting
desires, stupid suspicions.... Jenny fidgeted in her chair and eyed Pa
with a sort of vicarious hostility. Why, even that old man was a
complication! Nay, he was the worst thing of all! But for him, she
_could_ drop out! There was no getting away from him! He was as much
permanently there as the chair upon which he was drowsing. She saw him
as an incubus. And then Emmy being so fussy! Standing on her dignity
when she'd give her soul for happiness! And then Alf being so ... What
was Alf? Well, Alf was stupid. That was the word for Alf. He was stupid.
As stupid as any stupid member of his immeasurably stupid sex could be!

"Great booby!" muttered Jenny. Why, look at the way he had behaved when
Emmy had come into the room. It wasn't honesty, mind you; because he
could tell any old lie when he wanted to. It was just funk. He hadn't
known where to look, or what to say. Too slow, he was, to think of
anything. What could you do with a man like that? Oh, what stupids men
were! She expected that Alf would feel very fine and noble as he walked
old Em along to the theatre--and afterwards, when the evening was over
and he had gone off in a cloud of glory. He would think it all over and
come solemnly to the conclusion that the reason for his mumbling
stupidity, his toeing and heeling, and all that idiotic speechlessness
that set Emmy on her hind legs, was sheer love of the truth. He couldn't
tell a lie--to a woman. That would be it. He would pretend that Jenny
had chivvied him into taking Em, that he was too noble to refuse to take
Em, or to let Em really see point-blank that he didn't want to take her;
but when it came to the pinch he hadn't been able to screw himself into
the truly noble attitude needed for such an act of self-sacrifice. He
had been speechless when a prompt lie, added to the promptitude and
exactitude of Jenny's lie, would have saved the situation. Not Alf!

"I cannot tell a lie," sneered Jenny. "To a woman. George Washington. I
_don't_ think!"

Yes; but then, said her secret complacency, preening itself, and
suggesting that possibly a moment or two of satisfied pity might be at
this point in place, he'd really wanted to take Jenny. He had taken the
tickets because he had wanted to be in Jenny's company for the evening.
Not Emmy's. There was all the difference. If you wanted a cream bun and
got fobbed off with a scone! There was something in that. Jenny was
rather flattered by her happy figure. She even excitedly giggled at the
comparison of Emmy with a scone. Jenny did not like scones. She thought
them stodgy. She had also that astounding feminine love of cream buns
which no true man could ever acknowledge or understand. So Emmy became a
scone, with not too many currents in it. Jenny's fluent fancy was
inclined to dwell upon this notion. She a little lost sight of Alf's
grievance in her pleasure at the figures she had drawn. Her mind was
recalled with a jerk. Now: what was it? Alf had wanted to take
her--Jenny. Right! He had taken Emmy. Because he had taken Emmy, he had
a grievance. Right! But against whom? Against Emmy? Certainly not.
Against himself? By no means. Against Jenny? A horribly exulting and yet
nervously penitent little giggle shook Jenny at her inability to answer
this point as she had answered the others. For Alf _had_ a grievance
against Jenny, and she knew it. No amount of ingenious thought could
hoodwink her sense of honesty for more than a debater's five minutes. No
Alf had a grievance. Jenny could not, in strict privacy, deny the fact.
She took refuge in a shameless piece of bluster.

"Well, after all!" she cried, "he had the tickets given to him. It's not
as though they _cost_ him anything! So what's all the row about?"


ii

Thereafter she began to think of Alf. He had taken her out several
times--not as many times as Emmy imagined, because Emmy had thought
about these excursions a great deal and not only magnified but
multiplied them. Nevertheless, Alf had taken Jenny out several times. To
a music hall once or twice; to the pictures, where they had sat and
thrilled in cushioned darkness while acrobatic humans and grey-faced
tragic creatures jerked and darted at top speed in and out of the most
amazingly telescoped accidents and difficulties. And Alf had paid more
than once, for all Pa said. It is true that Jenny had paid on her
birthday for both of them; and that she had occasionally paid for
herself upon an impulse of sheer independence. But there had been other
times when Alf had really paid for both of them. He had been very decent
about it. He had not tried any nonsense, because he was not a
flirtatious fellow. Well, it had been very nice; and now it was all
spoilt. It was spoilt because of Emmy. Emmy had spoilt it by wanting Alf
for herself. Ugh! thought Jenny. Em had always been a jealous cat: if
she had just seen Alf somewhere she wouldn't have wanted him. That was
it! Em saw that Alf preferred Jenny; she saw that Jenny went out with
him. And because she always wanted to do what Jenny did, and always
wanted what Jenny had got, Em wanted to be taken out by Alf. Jenny, with
the cruel unerringness of an exasperated woman, was piercing to Emmy's
heart with fierce lambent flashes of insight. And if Alf had taken Em
once or twice, and Jenny once or twice, not wanting either one or the
other, or not wanting one of them more than the other, Em would have
been satisfied. It would have gone no further. It would still have been
sensible, without nonsense. But it wouldn't do for Em. So long as Jenny
was going out Emmy stayed at home. She had said to herself: "Why should
Jenny go, and not me ... having all this pleasure?" That had been the
first stage--Jenny worked it all out. First of all, it had been envy of
Jenny's going out. Then had come stage number two: "Why should Alf
Rylett always take Jenny, and not me?" That had been the first stage of
jealousy of Alf. And the next time Alf took Jenny, Em had stayed at
home, and thought herself sick about it, supposing that Alf and Jenny
were happy and that she was unhappy, supposing they had all the fun,
envying them the fun, hating them for having what she had not got,
hating Jenny for monopolising Alf, hating Alf had monopolising Jenny;
then, as she was a woman, hating Jenny for being a more pleasing woman
than herself, and having her wounded jealousy moved into a strong
craving for Alf, driven deeper and deeper into her heart by
long-continued thought and frustrated desire. And so she had come to
look upon herself as one defrauded by Jenny of pleasure--of
happiness--of love--of Alf Rylett.

"And she calls it love!" thought Jenny bitterly. "If that's love, I've
got no use for it. Love's giving, not getting. I know that much. Love's
giving yourself; wanting to give all you've got. It's got nothing at all
to do with envy, or hating people, or being jealous...." Then a swift
feeling of pity darted through her, changing her thoughts, changing
every shade of the portrait of Emmy which she had been etching with her
quick corrosive strokes of insight. "Poor old Em!" she murmured. "She's
had a rotten time. I know she has. Let her have Alf if she wants. I
don't want him. I don't want anybody ... except ..." She closed her eyes
in the most fleeting vision. "Nobody except just Keith...."

Slowly Jenny raised her hand and pressed the back of her wrist to her
lips, not kissing the wrist, but holding it against her lips so that
they were forced hard back upon her teeth. She drew, presently, a deep
breath, releasing her arm again and clasping her hands over her knees as
she bent lower, staring at the glowing heart of the fire. Her lips were
closely, seriously, set now; her eyes sorrowful. Alf and Emmy had
receded from her attention as if they had been fantastic shadows. Pa,
sitting holding his exhausted hubble-bubble, was as though he had no
existence at all. Jenny was lost in memory and the painful aspirations
of her own heart.


iii

How the moments passed during her reverie she did not know. For her it
seemed that time stood still while she recalled days that were
beautified by distance, and imagined days that should be still to come,
made to compensate for that long interval of dullness that pressed her
each morning into acquiescence. She bent nearer to the fire, smiling to
herself. The fire showing under the little door of the kitchener was a
bright red glowing ash, the redness that came into her imagination when
the words "fire" or "heat" were used--the red heart, burning and
consuming itself in its passionate immolation. She loved the fire. It
was to her the symbol of rapturous surrender, that feminine ideal that
lay still deeper than her pride, locked in the most secret chamber of
her nature.

And then, as the seconds ticked away, Jenny awoke from her dream and saw
that the clock upon the mantelpiece said half-past eight. Half-past
eight was what, in the Blanchard home, was called "time." When Pa was
recalcitrant Jenny occasionally shouted very loud, with what might have
appeared to some people an undesirable knowledge of customs, "Act of
Parliament, gentlemen, please"--which is a phrase sometimes used in
clearing a public-house. To-night there was no need for her to do that.
She had only to look at Pa, to take from his hand the almost empty pipe,
to knock out the ashes, and to say:

"Time, Pa!" Obediently Pa held out his right hand and clutched in the
other his sturdy walking-stick. Together they tottered into the bedroom,
stood a moment while Jenny lighted the peep of gas which was Pa's
guardian angel during the night, and then made their way to the bed. Pa
sat upon the bed, like a child. Jenny took off Pa's collar and tie, and
his coat and waistcoat; she took off his boots and his socks; she laid
beside him the extraordinary faded scarlet nightgown in which Pa slept
away the darkness. Then she left him to struggle out of his clothes as
well as he could, which Pa did with a skill worthy of his best days. The
cunning which replaces competence had shown him how the braces may be
made to do their own work, how the shirt may with one hand be so
manipulated as to be drawn swiftly over the head... Pa was adept at
undressing. He was in bed within five minutes, after a panting,
exhausted interval during which he sat in a kind of trance, and was then
proudly as usual knocking upon the floor with his walking-stick for
Jenny to come and tuck him in for the night.

Jenny came, gave him a big kiss, and went back to the kitchen, where she
resumed work upon her hat. It had lost its interest for her. She
stitched quickly and roughly, not as one interested in needlework or
careful for its own sake of the regularity of the stitch. Ordinarily she
was accurate: to-night her attention was elsewhere. It had come back to
the rows, because there is nothing either good or bad but thinking makes
it ever so much more important than it really is. Loneliness with happy
thoughts is perhaps an ideal state; but no torment could be greater than
loneliness with thoughts that wound. Jenny's thoughts wounded her. The
mood of complacency was gone: that of shame and discontent was upon her.
Distress was uppermost in her mind--not the petulant wriggling of a
spoilt child, but the sober consciousness of pain in herself and in
others. In vain did Jenny give little gasps of annoyance, intended by
her humour to disperse the clouds. The gasps and exclamations were
unavailing. She was angry, chagrined, miserable. ...At last she could
bear the tension no longer, but threw down her work, rose, and walked
impatiently about the kitchen.

"Oh, _do_ shut up!" she cried to her insistent thoughts. "Enough to
drive anybody off their nut. And they're not worth it, either of them.
Em's as stupid as she can be, thinking about herself.... And as for
Alf--anybody'd think I'd tricked him. I haven't. I've gone out with him;
but what's that? Lots of girls go out with fellows for months, and
nobody expects them to marry. The girls may want it; but the fellows
don't. They don't want to get settled down. And I don't blame them. Why
is Alf different? I suppose it's me that's different. I'm not like other
girls...." That notion cheered her. "No: I'm not like other girls. I
want my bit of fun. I've never had any. And just because I don't want to
settle down and have a lot of kids that mess the place to bits, of
course I get hold of Alf! It's too bad! Why can't he choose the right
sort of girl? Why can't he choose old Em? She's the sort that _does_
want to get settled. She knows she'll have to buck up about it, too. She
said I should get left. That's what she's afraid of, herself; only she's
afraid of getting left on the shelf.... I wonder why it is the marrying
men don't get hold of the marrying girls! They do, sometimes, I
suppose...." Jenny shrugged restlessly and stood looking at nothing.
"Oh, it's sickening! You can't do anything you like in this world.
Nothing at all! You've always got to do what you _don't_ like. They say
it's good for you. It's your 'duty.' Who to? And who are 'they,' to say
such a thing? What are they after? Just to keep people like me in their
place--do as you're told. Well, I'm not going to do as I'm told. They
can lump it! That's what they can do. What does it matter--what happens
to me? I'm me, aren't I? Got a right to live, haven't I? Why should I be
somebody's servant all my life? I _won't!_ If Alf doesn't want to marry
Emmy, he can go and whistle somewhere else. There's plenty of girls
who'd jump at him. But just because I don't, he'll worry me to death. If
I was to be all over him--see Alf sheer off! He'd think there was
something funny about me. Well, there is! I'm Jenny Blanchard; and I'm
going to keep Jenny Blanchard. If I've got no right to live, then
nobody's got any right to keep me from living. If there's no rights,
other people haven't got any more than I have. They can't make me do
anything--by any right they've got. People--managing people--think that
because there isn't a corner of the earth they haven't collared they can
tell you what you've got to do. Give you a ticket and a number, get up
at six, eat so much a day, have six children, do what you're told. That
may do for some people; but it's slavery. And I'm not going to do it.
See!" She began to shout in her excited indignation. "See!" she cried
again. "Just because I'm poor, I'm to do what I'm told. They seem to
think that because they like to do what they're told, everybody ought to
be the same. They're afraid. They're afraid of themselves--afraid of
being left alone in the dark. They think everybody ought to be
afraid--in case anybody should find out that they're cowards! But I'm
not afraid, and I'm not going to do what I'm told.... I won't!"

In a frenzy she walked about the room, her eyes glittering, her face
flushed with tumultuous anger. This was her defiance to life. She had
been made into a rebel through long years in which she had unconsciously
measured herself with others. Because she was a human being, Jenny
thought she had a right to govern her own actions. With a whole
priesthood against her, Jenny was a rebel against the world as it
appeared to her--a crushing, numerically overwhelming pressure that
would rob her of her one spiritual reality--the sense of personal
freedom.

"Oh, I can't stand it!" she said bitterly. "I shall go mad! And Em
taking it all in, and ready to have Alf's foot on her neck for life. And
Alf ready to have Em chained to his foot for life. The fools! Why, I
wouldn't ... not even to Keith.... No, I wouldn't.... Fancy being boxed
up and pretending I liked it--just because other people say they like
it. Do as you're told. Do like other people. All be the same--a sticky
mass of silly fools doing as they're told! All for a bit of bread,
because somebody's bagged the flour for ever! And what's the good of it?
If it was any good--but it's no good at all! And they go on doing it
because they're cowards! Cowards, that's what they all are. Well, I'm
not like that!"

Exhausted, Jenny sat down again; but she could not keep still. Her feet
would not remain quietly in the place she, as the governing
intelligence, commanded. They too were rebels, nervous rebels,
controlled by forces still stronger than the governing intelligence. She
felt trapped, impotent, as though her hands were tied; as though only
her whirling thoughts were unfettered. Again she took up the hat, but
her hands so trembled that she could not hold the needle steady. It made
fierce jabs into the hat. Stormily unhappy, she once more threw the work
down. Her lips trembled. She burst into bitter tears, sobbing as though
her heart were breaking. Her whole body was shaken with the deep and
passionate sobs that echoed her despair.


iv

Presently, when she grew calmer, Jenny wiped her eyes, her face quite
pale and her hands still convulsively trembling. She was worn out by
the stress of the evening, by the vehemence of her rebellious feelings.
When she again spoke to herself it was in a shamed, giggling way that
nobody but Emmy had heard from her since the days of childhood. She gave
a long sigh, looking through the blur at that clear glow from beneath
the iron door of the kitchen grate. Miserably she refused to think
again. She was half sick of thoughts that tore at her nerves and
lacerated her heart. To herself Jenny felt that it was no good--crying
was no good, thinking was no good, loving and sympathising and giving
kindness--all these things were in this mood as useless as one another.
There was nothing in life but the endless sacrifice of human spirit.

"Oh!" she groaned passionately. "If only something would happen. I don't
care _what!_ But something ... something new ... exciting. Something
with a bite in it!"

She stared at the kicking clock, which every now and again seemed to
have a spasm of distaste for its steady record of the fleeting seconds.
"Wound up to go all day!" she thought, comparing the clock with herself
in an angry impatience.

And then, as if it came in answer to her poignant wish for some untoward
happening, there was a quick double knock at the front door of the
Blanchard's dwelling, and a sharp whirring ring at the push-bell below
the knocker. The sounds seemed to go violently through and through the
little house in rapid waves of vibrant noise.




PART TWO

NIGHT




CHAPTER V: THE ADVENTURE


i

So unexpected was this interruption of her loneliness that Jenny was for
an instant stupefied. She took one step, and then paused, dread firmly
in her mind, paralysing her. What could it be? She could not have been
more frightened if the sound had been the turning of a key in the lock.
Were they back already? Had her hope been spoiled by some accident?
Surely not. It was twenty minutes to nine. They were safe in the theatre
by now. Oh, she was afraid! She was alone in the house--worse than
alone! Jenny cowered. She felt she could not answer the summons.
Tick-tick-tick said the clock, striking across the silences. Again Jenny
made a step forward. Then, terrifying her, the noise began once
more--the thunderous knock, the ping-ping-ping-whir of the bell....

Wrenching her mind away from apprehensiveness she moved quickly to the
kitchen door and into the dimly-lighted dowdy passage-way. Somewhere
beyond the gas flicker and the hat-stand lay--what? With all her
determination she pushed forward, almost running to the door. Her hand
hovered over the little knob of the lock: only horror of a renewal of
that dreadful sound prompted her to open the door quickly. She peered
into the darkness, faintly silhouetted against the wavering light of the
gas. A man stood there.

"Evening, miss," said the man. "Miss Jenny Blanchard?"

She could see there something white. He was holding it out to her. A
letter!

"For me," she asked, her voice still unsteady. She took the letter, a
large square envelope. Mechanically she thanked the man, puzzling at the
letter. From whom could a letter be brought to her?

"There's an answer," she heard. It came from ever so far away, in the
dim distance beyond her vague wonderings. Jenny was lost, submerged in
the sensations through which she had passed during the evening. She was
quite unlike herself, timid and fearful, a frightened girl alone in an
unhappy house.

"Wait a bit!" she said. "Will you wait there?"

"Yes," answered the man, startlingly enough. "I've got the car here."

The car! What did it mean? She caught now, as her eyes were more used to
the darkness, the sheen of light upon a peaked cap such as would be worn
by a chauffeur. It filled her mind that this man was in uniform. But if
so, why? From whom should the letter come? He had said "Miss Jenny
Blanchard."

"You _did_ say it was for me? I'll take it inside. ..." She left the
door unfastened, but the man pulled it right to, so that the catch
clicked. Then Jenny held the letter up under the flame of the passage
gas. She read there by this meagre light her own name, the address,
written in a large hand, very bold, with a sharp, sweeping stroke under
all, such as a man of impetuous strength might make. There was a blue
seal fastening the flap--a great pool of solid wax. Trembling so that
she was hardly able to tear the envelope, Jenny returned to the kitchen,
again scanning the address, the writing, the blue seal with its Minerva
head. Still, in her perplexity, it seemed as though her task was first
to guess the identity of the sender. Who could have written to her? It
was unheard of, a think for wondering jest, if only her lips had been
steady and her heart beating with normal pulsation. With a shrug, she
turned back from the seal to the address. She felt that some curious
mistake had been made, that the letter was not for her at all, but for
some other Jenny Blanchard, of whom she had never until now heard. Then,
casting such a fantastic thought aside with another impatient effort,
she tore the envelope, past the seal, in a ragged dash. Her first
glance was at the signature. "Yours always, KEITH."

Keith! Jenny gave a sob and moved swiftly to the light. Her eyes were
quite blurred with shining mist. She could not read the words. Keith!
She could only murmur his name, holding the letter close against her.


ii

"MY DEAR JENNY," said the letter. "Do you remember? I said I should
write to you when I got back. Well, here I am. I can't come to you
myself. I'm tied here by the leg, and mustn't leave for a moment. But
you said you'd come to me. Will you? Do! If you can come, you'll be a
most awful dear, and I shall be out of my wits with joy. Not really out
of my wits. _Do_ come, there's a dear good girl. It's my only chance, as
I'm off again in the morning. The man who brings this note will bring
you safely to me in the car, and will bring you quite safely home again.
_Do_ come! I'm longing to see you. I trust you to come. I will explain
everything when we meet. Yours always, KEITH."

A long sigh broke from Jenny's lips as she finished reading. She
was transfigured. Gone was the defiant look, gone were the sharpnesses
that earlier had appeared upon her face. A soft colour flooded her
cheeks; her eyes shone. Come to him! She would go to the end of the
world.... Keith! She said it aloud, in a voice that was rich with her
deep feeling, magically transformed.

"Come to you, my dear!" said Jenny. "As if you need ask!"

Then she remembered that Emmy was out, that she was left at home to look
after her father, that to desert him would be a breach of trust. Quickly
her face paled, and her eyes became horror-laden. She was shaken by the
conflict of love and love, love that was pity and love that was the
overwhelming call of her nature. The letter fluttered from her fingers,
swooping like a wounded bird to the ground, and lay unheeded at her
feet.


iii

"What _shall_ I do?" Nobody to turn to; no help from any hand. To stay
was to give up the chance of happiness. To go--oh, she couldn't go! If
Keith was tied, so was Jenny. Half demented, she left the letter where
it had fallen, a white square upon the shabby rug. In a frenzy she wrung
her hands. What could she do? It was a cry of despair that broke from
her heart. She couldn't go, and Keith was waiting. That it should have
happened upon this evening of all others! It was bitter! To send back a
message, even though it be written with all her love, which still she
must not express to Keith in case he should think her lightly won, would
be to lose him for ever. He would never stand it. She saw his quick
irritation, the imperious glance. ... He was a king among men. She must
go! Whatever the failure in trust, whatever the consequences, she must
go. She couldn't go! Whatever the loss to herself, her place was here.
Emmy would not have gone to the theatre if she had not known that Jenny
would stay loyally there. It was too hard! The months, the long months
during which Keith had not written, were upon her mind like a weariness.
She had had no word from him, and the little photograph that he had
laughingly offered had been her only consolation. Yes, well, why hadn't
he written? Quickly her love urged his excuse. She might accuse him of
having forgotten her, but to herself she explained and pardoned all.
That was not for this moment. Keith was not in fault. It was this
dreadful difficulty of occasion, binding her here when her heart was
with him. To sit moping here by the fire when Keith called to her!
Duty--the word was a mockery. "They" would say she ought to stay. Hidden
voices throbbed the same message into her consciousness. But every eager
impulse, winged with love, bade her go. To whom was her heart given? To
Pa? Pity ... pity. ... She pitied him, helpless at home. If anything
happened to him! Nothing would happen. What could happen? Supposing she
had gone to the chandler's shop: in those few minutes all might happen
that could happen in all the hours she was away. Yet Emmy often ran out,
leaving Pa alone. He was in bed, asleep; he would not awaken, and would
continue to lie there at rest until morning. Supposing she had gone to
bed--she would still be in the house; but in no position to look after
Pa. He might die any night while they slept. It was only the idea of
leaving him, the superstitious idea that just _because_ she was not
there something would happen. Suppose she didn't go; but sat in the
kitchen for two hours and then went to bed. Would she ever forgive
herself for letting slip the chance of happiness that had come direct
from the clouds'? Never! But if she went, and something _did_ happen,
would she ever in that event know self-content again in all the days of
her life? Roughly she shouldered away her conscience, those throbbing
urgencies that told her to stay. She was to give up everything for a
fear? She was to let Keith go for ever? Jenny wrung her hands, drawing
sobbing breaths in her distress.

Something made her pick the letter swiftly up and read it through a
second time. So wild was the desire to go that she began to whimper,
kissing the letter again and again, holding it softly to her cold
cheek. Keith! What did it matter? What did anything matter but her love?
Was she never to know any happiness? Where, then, was her reward? A
heavenly crown of martyrdom? What was the good of that? Who was the
better for it? Passionately Jenny sobbed at such a mockery of her
overwhelming impulse. "They" hadn't such a problem to solve. "They"
didn't know what it was to have your whole nature craving for the thing
denied. "They" were cowards, enemies to freedom because they liked the
music of their manacles! They could not understand what it was to love
so that one adored the beloved. Not blood, but water ran in their veins!
They didn't know. ... They couldn't feel. Jenny knew, Jenny felt; Jenny
was racked with the sweet passion that blinds the eyes to consequences.
She _must_ go! Wickedness might be her nature: what then? It was a sweet
wickedness. It was her choice!

Jenny's glance fell upon the trimmed hat which lay upon the table.
Nothing but a cry from her father could have prevented her from taking
it up and setting it upon her head. The act was her defiance. She was
determined. As one deaf and blind, she went out of the kitchen, and to
the hall-stand, fumbling there for her hatpins. She pinned her hat as
deliberately as she might have done in leaving the house any morning.
Her pale face was set. She had flung the gage. There remained only the
acts consequential. And of those, since they lay behind the veil of
night, who could now speak? Not Jenny!


iv

There was still Pa. He was there like a secret, lying snug in his warm
bed, drowsily coaxing sleep while Jenny planned a desertion. Even when
she was in the room, her chin grimly set and her lips quivering, a
shudder seemed to still her heart. She was afraid. She could not forget
him. He lay there so quiet in the semi-darkness, a long mound under the
bedclothes; and she was almost terrified at speaking to him because her
imagination was heightened by the sight of his dim outline. He was so
helpless! Ah, if there had only been two Jennies, one to go, one to
stay. The force of uncontrollable desire grappled with her pity. She
still argued within herself, a weary echo of her earlier struggle. He
would need nothing, she was sure. It would be for such a short time that
she left him. He would hardly know she was not there. He would think she
was in the kitchen. But if he needed her? If he called, if he knocked
with his stick, and she did not come, he might be alarmed, or stubborn,
and might try to find his way through the passage to the kitchen. If he
fell! Her flesh crept as she imagined him helpless upon the floor,
feebly struggling to rise.... It was of no use. She was bound to tell
him....

Jenny moved swiftly from the room, and returned with his nightly glass
and jug of water. There could be nothing else that he would want during
the night. It was all he ever had, and he would sleep so until morning.
She approached the bed upon tiptoe.

"Pa," she whispered. "Are you awake?" He stirred, and looked out from
the bedclothes, and she was fain to bend over him and kiss the tumbled
hair. "Pa, dear ... I want to go out. I've got to go out. Will you be
all right if I leave you? Sure? You'll be a good boy, and not move! I
shall be back before Emmy, and you won't be lonely, or frightened--will
you!" She exhorted him. "See, I've _got_ to go out; and if I can't leave
you.... You _are_ awake, Pa?"

"Yes," breathed Pa, half asleep. "A good boy. Night, Jenny, my dearie
girl."

She drew back from the bed, deeply breathing, and stole to the door. One
last glance she took, at the room and at the bed, closed the door and
stood irresolute for a moment in the passage. Then she whipped her coat
from the peg and put it on. She took her key and opened the front door.
Everything was black, except that upon the roofs opposite the rising
moon cast a glittering surface of light, and the chimney pots made
slanting broad markings upon the silvered slates. The road was quite
quiet but for the purring of a motor, and she could now, as her eyes
were clearer, observe the outline of a large car drawn to the left of
the door. As the lock clicked behind her and as she went forward the
side lights of the motor blazed across her vision, blinding her again.

"Are you there?" she softly called.

"Yes, miss." The man's deep voice came sharply out of the darkness, and
he jumped down from his seat to open the door of the car. The action
startled Jenny. Why had the man done that?

"Did you know I was coming?" she suddenly asked, drawing back with a
sort of chill.

"Yes, miss," said the man. Jenny caught her breath. She half turned
away, like a shy horse that fears the friendly hand. He had been sure of
her, then. Oh, that was a wretched thought! She was shaken to the heart
by such confidence. He had been sure of her! There was a flash of time
in which she determined not to go; but it passed with dreadful speed.
Too late, now, to draw back. Keith was waiting: he expected her! The
tears were in her eyes. She was more unhappy than she had been yet, and
her heart was like water.

The man still held open the door of the car. The inside was warm and
inviting. His hand was upon her elbow; she was lost in the soft
cushions, and drowned in the sweet scent of the great nosegay of flowers
which hung before her in a shining holder. And the car was purring more
loudly, and moving, moving as a ship moves when it glides so gently from
the quay. Jenny covered her face with her hands, which cooled her
burning cheeks as if they had been ice. Slowly the car nosed out of the
road into the wider thoroughfare. Her adventure had begun in earnest.
There was no drawing back now.




CHAPTER VI: THE YACHT


i

To lie deep among cushions, and gently to ride out along streets and
roads that she had so often tramped in every kind of weather, was enough
to intoxicate Jenny. She heard the soft humming of the engine, and saw
lamps and other vehicles flashing by, with a sense of effortless speed
that was to her incomparable. If only she had been mentally at ease, and
free from distraction, she would have enjoyed every instant of her
journey. Even as it was, she could not restrain her eagerness as they
overtook a tramcar, and the chauffeur honked his horn, and they glided
nearer and nearer, and passed, and seemed to leave the tram standing.
Each time this was in process of happening Jenny gave a small excited
chuckle, thinking of the speed, and the ease, and of how the people in
the tram must feel at being defeated in the race. Every such encounter
became a race, in which she pressed physically forward as if to urge her
steed to the final effort. Never had Jenny teen so eager for victory, so
elated when its certainty was confirmed. It was worth while to live for
such experience. How she envied her driver! With his steady hands upon
the steering wheel.... Ah, he was like a sailor, like the sailor of
romance, with the wind beating upon his face and his eyes ever-watchful.
And under his hand the car rode splendidly to Keith.

Jenny closed her eyes. She could feel her heart beating fast, and the
blood heating her cheeks, reddening them. The blood hurt her, and her
mouth seemed to hurt, too, because she had smiled so much. She lay back,
thinking of Keith and of their meetings--so few, so long ago, so
indescribably happy and beautiful. She always remembered him as he had
been when first he had caught her eye, when he had stood so erect among
other men who lounged by the sea, smoking and lolling at ease. He was
different, as she was different. And she was going to him. How happy she
was! And why did her breath come quickly and her heart sink? She could
not bother to decide that question. She was too excited to do so. In all
her life she had never known a moment of such breathless anticipation,
of excitement which she believed was all happiness.

There was one other thought that Jenny shirked, and that went on
nevertheless in spite of her inattention, plying and moulding somewhere
deep below her thrilling joy. The thought was, that she must not show
Keith that she loved him, because while she knew--she felt sure--that He
loved her, she must not be the smallest fraction of time before him in
confession. She was too proud for that. He would tell her that he loved
her; and the spell would be broken. Her shyness would be gone; her
bravado immediately unnecessary. But until then she must beware. It was
as necessary to Keith's pride as to her own that he should win her. The
Keith she loved would not care for a love too easily won. The
consciousness of this whole issue was at work below her thoughts; and
her thoughts, from joy and dread, to the discomfort of doubt, raced
faster than the car, speedless and headlong. Among them were two that
bitterly corroded. They were of Pa and of Keith's confidence that she
would come. Both were as poison in her mind.


ii

And then there came a curious sense that something had happened. The car
stopped in darkness, and through the air there came in the huge tones of
Big Ben the sound of a striking hour. It was nine o'clock. They were
back at Westminster. Before her was the bridge, and above was the
lighted face of the clock, like some faded sun. And the strokes rolled
out in swelling waves that made the whole atmosphere feel soundladen.
The chauffeur had opened the door of the car, and was offering his free
hand to help Jenny to step down to the ground.

"Are we _there?_" she asked in a bewildered way, as if she had been
dreaming. "How quick we've been!"

"Yes, miss. Mr. Redington's down the steps. You see them steps. Mr.
Redington's down there in the dinghy. Mind how you go, miss. Hold tight
to the rail...." He closed the door of the car and pointed to the steps.

The dinghy! Those stone steps to the black water! Jenny was shaken by a
shudder. The horror of the water which had come upon her earlier in the
evening returned more intensely. The strokes of the clock were the same,
the darkness, the feeling of the sinister water rolling there beneath
the bridge, resistlessly carrying its burdens to the sea. If Keith had
not been there she would have turned and run swiftly away, overcome by
her fear. She timidly reached the steps, and stopped, peering down
through the dimness. She put her foot forward so that it hung dubiously
beyond the edge of the pavement.

"What a coward!" she thought, violently, with self-contempt. It drove
her forward. And at that moment she could see below, at the edge of the
lapping water, the outline of a small boat and of a man who sat in it
using the oars against the force of the current so as to keep the boat
always near the steps. She heard a dear familiar voice call out with a
perfect shout of welcome:

"Jenny! Good girl! How are you! Come along; be careful how you come.
That's it.... Six more, and then stop!" Jenny obeyed him--she desired
nothing else, and her doubtings were driven away in a breath. She went
quickly down. The back water lapped and wattled against the stone and
the boat, and she saw Keith stand up, drawing the dinghy against the
steps and offering her his hand. He had previously been holding up a
small lantern that gilded the brown mud with a feeble colour and made
the water look like oil. "Now!" he cried quickly. "Step!" The boat
rocked, and Jenny crouched down upon the narrow seat, aflame with
rapture, but terrified of the water. It was so near, so inescapably
near. The sense of its smooth softness, its yieldingness, and the danger
lurking beneath the flowing surface was acute. She tried more
desperately to sit exactly in the middle of the boat, so that she should
not overbalance it. She closed her eyes, sitting very still, and heard
the water saying plup-plup-plup all round her, and she was afraid. It
meant soft death: she could not forget that. Jenny could not swim. She
was stricken between terror and joy that overwhelmed her. Then:

"That's my boat," Keith said, pointing. "I say, you _are_ a sport to
come!" Jenny saw lights shining from the middle of the river, and could
imagine that a yacht lay there stubbornly resisting the current of the
flowing Thames.


iii

Crouching still, she watched Keith bend to his oars, driving the boat's
nose beyond the shadowy yacht because he knew that he must allow for the
current. Her eyes devoured him, and her heart sang. Plup-plup-plup-plup
said the water. The oars plashed gently. Jenny saw the blackness gliding
beside her, thick and swift. They might go down, down, down in that
black nothingness, and nobody would know of it.... The oars ground
against the edge of the dinghy--wood against wood, grumbling and echoing
upon the water. Behind everything she heard the roaring of London, and
was aware of lights, moving and stationary, high above them. How low
upon the water they were! It seemed to be on a level with the boat's
edges. And how much alone they were, moving there in the darkness while
the life of the city went on so far above. If the boat sank! Jenny
shivered, for she knew that she would be drowned. She could imagine a
white face under the river's surface, lanterns flashing, and
then--nothing. It would be all another secret happening, a mystery, the
work of a tragic instant; and Jenny Blanchard would be forgotten for
ever, as if she had never been. It was a horrid sensation to her as she
sat there, so near death.

And all the time that Jenny was mutely enduring these terrors they were
slowly nearing the yacht, which grew taller as they approached, and more
clearly outlined against the sky. The moon was beginning to catch all
the buildings and to lighten the heavens. Far above, and very pale, were
stars; but the sky was still murky, so that the river remained in
darkness. They came alongside the yacht. Keith shipped his oars, caught
hold of something which Jenny could not see; and the dinghy was borne
round, away from the yacht's side. He half rose, catching with both his
hands at an object projecting from the yacht, and hastily knotting a
rope. Jenny saw a short ladder hanging over the side, and a lantern
shining.

"There you are!" Keith cried. "Up you go! It's quite steady. Hold the
brass rail...."

After a second in which her knees were too weak to allow of her moving,
Jenny conquered her tremors, rose unsteadily in the boat, and cast
herself at the brass rail that Keith had indicated. To the hands that
had been so tightly clasped together, steeling her, the rail was
startlingly cold; but the touch of it nerved her, because it was firm.
She felt the dinghy yield as she stepped from it, and she seemed for one
instant to be hanging precariously in space above the terrifying
waters. Then she was at the top of the ladder, ready for Keith's
warning shout about the descent to the deck. She jumped down. She was
aboard the yacht; and as she glanced around Keith was upon the deck
beside her, catching her arm. Jenny's triumphant complacency was so
great that she gave a tiny nervous laugh. She had not spoken at all
until this moment: Keith had not heard her voice.

"Well!" said Jenny. "_That's_ over!" And she gave an audible sigh of
relief. "Thank goodness!"

"And here you are!" Keith cried. "Aboard the _Minerva_."


iv

He led her to a door, and down three steps. And then it seemed to Jenny
as if Paradise burst upon her. She had never before seen such a room as
this cabin. It was a room such as she had dreamed about in those
ambitious imaginings of a wondrous future which had always been so
vaguely irritating to Emmy. It seemed, partly because the ceiling was
low, to be very spacious; the walls and ceiling were of a kind of dusky
amber hue; a golden brown was everywhere the prevailing tint. The tiny
curtains, the long settees into which one sank, the chairs, the shades
of the mellow lights--all were of some variety of this delicate golden
brown. In the middle of the cabin stood a square table; and on the
table, arrayed in an exquisitely white tablecloth, was laid a wondrous
meal. The table was laid for two: candles with amber shades made silver
shine and glasses glitter. Upon a fruit stand were peaches and
nectarines; upon a tray she saw decanters; little dishes crowding the
table bore mysterious things to eat such as Jenny had never before seen.
Upon a side table stood other dishes, a tray bearing coffee cups and
ingredients for the provision of coffee, curious silver boxes.
Everywhere she saw flowers similar to those which had been in the motor
car. Under her feet was a carpet so thick that she felt her shoes must
be hidden in its pile. And over all was this air of quiet expectancy
which suggested that everything awaited her coming. Jenny gave a deep
sigh, glanced quickly at Keith, who was watching her, and turned away,
her breath catching. The contrast was too great: it made her unhappy.
She looked down at her skirt, at her hands; she thought of her hat and
her hidden shoes. She thought of Emmy, the bread and butter pudding, of
Alf Rylett ... of Pa lying at home in bed, alone in the house.


v

Keith drew her forward slightly, until she came within the soft radiance
of the cabin lights.

"I say, it _is_ sporting of you to come!" he said. "Let's have a look at
you--do!"

They stood facing one another. Keith saw Jenny, tall and pale, looking
thin in her shabby dress, but indescribably attractive and beautiful
even in her new shyness. And Jenny saw the man she loved: her eyes were
veiled, but they were unfathomably those of one deeply in love. She did
not know how to hide the emotions with which she was so painfully
struggling. Pride and joy in him; shyness and a sort of dread; hunger
and reserve--Keith might have read them all, so plainly were they
written. Yet her first words were wounded and defiant.

"The man ... that man.... He _knew_ I was coming," she said, in a voice
of reproach. "You were pretty sure I should come, you know."

Keith said quietly:

"I _hoped_ you would." And then he lowered his eyes. She was disarmed,
and they both knew.

Keith Redington was nearly six feet in height. He was thin, and even
bony; but he was very toughly and strongly built, and his face was as
clean and brown as that of any healthy man who travels far by sea. He
was less dark than Jenny, and his hair was almost auburn, so rich a
chestnut was it. His eyes were blue and heavily lashed; his hands were
long and brown, with small freckles between the knuckles. He stood with
incomparable ease, his hands and arms always ready, but in perfect
repose. His lips, for he was clean-shaven, were keen and firm. His
glance was fearless. As the phrase is, he looked every inch a sailor,
born to challenge the winds and the waters. To Jenny, who knew only
those men who show at once what they think or feel, his greater breeding
made Keith appear inscrutable, as if he had belonged to a superior race.
She could only smile at him, with parted lips, not at all the baffling
lady of the mirror, or the contemptuous younger sister, or the daring
franctireur of her little home at Kennington Park. Jenny Blanchard she
remained, but the simple, eager Jenny to whom these other Jennies were
but imperious moods.

"Well, I've come," she said. "But you needn't have been so sure."

Keith gave an irrepressible grin. He motioned her to the table, shaking
his head at her tone.

"Come and have some grub," he said cheerfully. "I was about as sure as
you were. You needn't worry about that, old sport. There's so little
time. Come and sit down; there's a good girl. And presently I'll tell
you all about it." He looked so charming as he spoke that Jenny
obediently smiled in return, and the light came rushing into her eyes,
chasing away the shadows, so that she felt for that time immeasurably
happy and unsuspicious. She sat down at the laden table, smiling again
at the marvels which it carried.

"My word, what a feast!" she said helplessly. "Talk about the Ritz!"

Keith busied himself with the dishes. The softly glowing cabin threw
over Jenny its spell; the comfort, the faint slow rocking of the yacht,
the sense of enclosed solitude, lulled her. Every small detail of ease,
which might have made her nervous, merged with the others in a
marvellous contentment because she was with Keith, cut off from the
world, happy and at peace. If she sighed, it was because her heart was
full. But she had forgotten the rest of the evening, her shabbiness,
every care that troubled her normal days. She had cast these things off
for the time and was in a glow of pleasure. She smiled at Keith with a
sudden mischievousness. They both smiled, without guilt, and without
guile, like two children at a reconciliation.


vi

"Soup?" said Keith, and laid before her a steaming plate. "All done by
kindness."

"Have you been cooking?" Some impulse made Jenny motherly. It seemed a
strange reversal of the true order that he should cook for her. "It's
like _The White Cat_ to have it...."

"It's a secret," Keith laughed. "Tell you later. Fire away!" He tasted
the soup, while Jenny looked at five little letter biscuits in her own
plate. She spelt them out E T K I H--KEITH. He watched her, enjoying the
spectacle of the naïve mind in action as the light darted into her face.
"I've got JENNY," he said, embarrassed. She craned, and read the letters
with open eyes of marvel. They both beamed afresh at the primitive
fancy.

"How did you do it?" Jenny asked inquisitively. "But it's nice." They
supped the soup. Followed, whitebait: thousands of little fish.... Jenny
hardly liked to crunch them. Keith whipped away the plates, and dived
back into the cabin with a huge pie that made her gasp. "My gracious!"
said Jenny. "I can never eat it!"

"Not _all_ of it," Keith admitted. "Just a bit, eh?" He carved.

"Oh, thank goodness it's not stew and bread and butter pudding!" cried
Jenny, as the first mouthful of the pie made her shut her eyes tightly.
"It's like heaven!"

"If they have pies there." Jenny had not meant that: she had meant only
that her sensations were those of supreme contentment. "Give me the old
earth; and supper with Jenny!"

"Really?" Jenny was all brimming with delight.

"What will you have to drink? Claret? Burgundy?" Keith was again upon
his feet. He poured out a large glass of red wine and laid it before
her. Jenny saw with marvel the reflections of light on the wine and of
the wine upon the tablecloth. She took a timid sip, and the wine ran
tingling into her being.

"High life," she murmured. "Don't make me tipsy!" They exchanged
overjoyed and intimate glances, laughing.

There followed trifle. Trifle had always been Jenny's dream; and this
trifle was her dream come true. It melted in the mouth; its flavours
were those of innumerable spices. She was transported with happiness at
the mere thought of such trifle. As her palate vainly tried to unravel
the secrets of the dish, Keith, who was closely observant, saw that she
was lost in a kind of fanatical adoration of trifle.

"You like it?" he asked.

"I shall never forget it!" cried Jenny. "Never as long as I live. When
I'm an old ... great-aunt...." She had hesitated at her destiny. "I
shall bore all the kids with tales about it. I shall say 'That night on
the yacht ... when I first knew what trifle meant....' They won't half
get sick of it. But I shan't."

"You'll like to think about it?" asked Keith. "Like to remember
to-night?"

"Will _you_?" parried Jenny. "The night you had Jenny Blanchard to
supper?" Their eyes met, in a long and searching glance, in which
candour was not unmixed with a kind of measuring distrust.


vii

Keith's face might have been carven for all the truth that Jenny got
from it then. There darted across her mind the chauffeur's certainty
that she was to be his passenger. She took another sip of wine.

"Yes," she said again, very slowly. "You _were_ sure I was coming. You
got it all ready. Been a bit of a sell if I hadn't come. You'd have had
to set to and eat it yourself.... Or get somebody else to help you."

She meant "another girl," but she did not know she meant that until the
words were spoken. Her own meaning stabbed her heart. That icy knowledge
that Keith was sure of her was bitterest of all. It made her happiness
defiant rather than secure. He was the only man for her. How did she
know there were not other women for Keith! How could she ever know that?
Rather, it sank into her consciousness that there must be other women.
His very ease showed her that. The equanimity of his laughing expression
brought her the unwelcome knowledge.

"I should have looked pretty small if I'd made no preparations,
shouldn't I?" Keith inquired in a dry voice. "If you'd come here and
found the place cold and nothing to eat you'd have made a bit of a
shindy."

A reserve had fallen between them. Jenny knew she had been unwise. It
pressed down upon her heart the feeling that he was somehow still a
stranger to her. And all the time they had been apart he had not seemed
a stranger, but one to whom her most fleeting and intimate thoughts
might freely have been given. That had been the wonderful thought to
her--that they had met so seldom and understood each other so well. She
had made a thousand speeches to him in her dreams. Together, in these
same dreams, they had seen and done innumerable things together, always
in perfect confidence, in perfect understanding. Yet now, when she saw
him afresh, all was different. Keith was different. He was browner,
thinner, less warm in manner; and more familiar, too, as though he were
sure of her. His clothes were different, and his carriage. He was not
the same man. It was still Keith, still the man Jenny loved; but as
though he were also somebody else whom she was meeting for the first
time. Her love, the love intensified by long broodings, was as strong;
but he was a stranger. All that intimacy which seemed to have been
established between them once and for ever was broken by the new contact
in unfamiliar surroundings. She was shy, uncertain, hesitating; and in
her shyness she had blundered. She had been unwise, and he was offended
when she could least afford to have him so offended. It took much
resolution upon Jenny's part to essay the recovery of lost ground. But
the tension was the worse for this mistake, and she suffered the more
because of her anxious emotions.

"Oh, well," she said at last, as calmly as she could. "I daresay we
should have managed. I mightn't have come. But I've come, and you had
all these beautiful things ready; and...." Her courage to be severe
abruptly failed; and lamely she concluded: "And it's simply like
fairyland.... I'm ever so happy."

Keith grinned again, showing perfect white teeth. For a moment he
looked, Jenny thought, quite eager. Or was that only her fancy because
she so desired to see it? She shook her head; and that drew Keith's eye.

"More trifle?" he suggested, with an arch glance. Jenny noticed he wore
a gold ring upon the little finger of his right hand. It gleamed in the
faint glow of the cabin. So, also, did the fascinating golden hairs upon
the back of his hand. Gently the cabin rose and fell, rocking so slowly
that she could only occasionally be sure that the movement was true. She
shook her head in reply.

"I've had one solid meal to-night," she explained. "Wish I hadn't! If
I'd known I was coming out I'd have starved myself all day. Then you'd
have been shocked at me!"

Keith demurely answered, as if to reassure her:

"Takes a lot to shock me. Have a peach?"

"I must!" she breathed. "I can't let the chance slip. O-oh, what a
scent!" She reached the peach towards him. "Grand, isn't it!" Jenny
discovered for Keith's quizzical gaze an unexpected dimple in each pale
cheek. He might have been Adam, and she the original temptress.

"Shall I peel it?"

"Seems a shame to take it off!" Jenny watched his deft fingers as he
stripped the peach. The glowing skin of the fruit fell in lifeless
peelings upon his plate, dying as it were under her eyes, Keith had
poured wine for her in another, smaller, glass. She shook her head.

"I shall be drunk!" she protested. "Then I should sing! Horrible, it
would be!"

"Not with a little port ... I'm not pressing you to a lot. Am I?" He
brought coffee to the table, and she began to admire first of all the
pattern of the silver tray. Jenny had never seen such a tray before,
outside a shop, nor so delicately porcelain a coffee-service. It helped
to give her the sense of strange, unforgettable experience.

"You didn't say if you'd remember this evening," she slowly reflected.
Keith looked sharply up from the coffee, which he was pouring, she saw,
from a thermos flask.

"Didn't I?" he said. "Of course I shall remember it. I've done better.
I've looked forward to it. That's something you've not done. I've looked
forward to it for weeks. You don't think of that. We've been in the
Mediterranean, coasting about. I've been planning what I'd do when we
got back. Then Templecombe said he'd be coming right up to London; and I
planned to see you."

"Templecombe?" Jenny queried. "Who's he?"

"He's the lord who owns this yacht. Did you think it was my yacht?"

"No.... I hoped it wasn't...." Jenny said slowly.


viii

Keith's eyes were upon her; but she looked at her peach stone, her hand
still lightly holding the fruit knife, and her fingers half caught by
the beam of a candle which stood beside her. He persisted:

"Well, Templecombe took his valet, who does the cooking; and my
hand--my sailorman--wanted to go and visit his wife ... and that left me
to see after the yacht. D'you see? I had the choice of keeping Tomkins
aboard, or staying aboard myself."

"You might almost have given me longer notice," urged Jenny. "It seems
to me."

"No. I'm under instructions. I'm not a free man," said Keith soberly. "I
was once; but I'm not now. I'm captain of a yacht. I do what I'm told."

Jenny fingered her port-wine glass, and in looking at the light upon the
wine her eyes became fixed.

"Will you ever do anything else?" she asked. Keith shrugged slightly.

"You want to know a lot," he said.

"I don't know very much, do I?" Jenny answered, in a little dead voice.
"Just somewhere about nothing at all. I have to pretend the rest."

"D'you want to know it?"

Jenny gave a quick look at his hands which lay upon the table. She could
not raise her eyes further. She was afraid to do so. Her heart seemed to
be beating in her throat.

"It's funny me having to ask for it, isn't it!" she said, suddenly
haggard.




CHAPTER VII: MORTALS


i

Keith did not answer. That was the one certainty she had; and her heart
sank. He did not answer. That meant that really she was nothing to him,
that he neither wanted nor trusted her. And yet she had thought a moment
before--only a moment before--that he was as moved as herself. They had
seemed to be upon the brink of confidences; and now he had drawn back.
Each instant deepened her sense of failure. When Jenny stealthily looked
sideways, Keith sat staring before him, his expression unchanged. She
had failed.

"You don't trust me," she said, with her voice trembling. There was
another silence. Then:

"Don't I?" Keith asked, indifferently. He reached his hand out and
patted hers, even holding it lightly for an instant. "I think I do. You
don't think so?"

"No." She merely framed the word, sighing.

"You're wrong, Jenny." Keith's voice changed. He deliberately looked
round the table at the little dishes that still lay there untouched.
"Have some of these sweets, will you.... No?" Jenny could only draw her
breath sharply, shaking her head. "Almonds, then?" She moved
impatiently, her face distorted with wretched exasperation. As if he
could see that, and as if fear of the outcome hampered his resolution,
Keith hurried on. "Well, look here: we'll clear the table together, if
you like. Take the things through the other cabin--_that_ one--to the
galley; root up the table by its old legs--I'll show you how its'
done;--and then we can have a talk. I'll ... I'll tell you as much as I
can about everything you want to know. That do?"

"I can't stay long. I've left Pa in bed." She could not keep the note of
roughness from her pleading voice, although shame at being petulant was
struggling with her deeper feeling.

"Well, he won't want to get up again yet, will he?" Keith answered
composedly. Oh, he had nerves of steel! thought Jenny. "I mean, this
_is_ his bedtime, I suppose?" There was no answer. Jenny looked at the
tablecloth, numbed by her sensations. "Do you have to look after him all
the time? That's a bit rough..."

"No," was forced from Jenny. "No, I don't ... not generally. But
to-night--but that's a long story, too. With rows in it." Which made
Keith laugh. He laughed not quite naturally, forcing the last several
jerks of his laughter, so that she shuddered at the thought of his
possible contempt. It was as if everything she said was lost before
ever it reached his heart--as if the words were like weak blows against
an overwhelming strength. Discouragement followed and deepened after
every blow--every useless and baffled word. There was again silence,
while Jenny set her teeth, forcing back her bitterness and her chagrin,
trying to behave as usual, and to check the throbbing within her breast.
He was trying to charm her, teasingly to wheedle her back into kindness,
altogether misunderstanding her mood. He was guarded and considerate
when she wanted only passionate and abject abandonment of disguise.

"We'll toss up who shall begin first," Keith said in a jocular way.
"How's that for an idea?"

Jenny felt her lips tremble. Frantically she shook her head, compressing
the unruly lips. Only by keeping in the same position, by making herself
remain still, could she keep back the tears. Her thought went on, that
Keith was cruelly playing with her, mercilessly watching the effect of
his own coldness upon her too sensitive heart. Eh, but it was a lesson
to her! What brutes men could be, at this game! And that thought gave
her, presently, an unnatural composure. If he were cruel, she would
never show her wounds. She would sooner die. But her eyes, invisible to
him, were dark with reproach, and her face drawn with agony.

"Well, we'd better do _something_," she said, in a sharp voice; and rose
to her feet. "Where is it the things go?" Keith also rose, and Jenny
felt suddenly sick and faint at the relaxation of her self-control.


ii

"Hullo, hullo!" Keith cried, and was at once by her side. "Here; have a
drink of water." Jenny, steadying herself by the table, sipped a little
of the water.

"Is it the wine that's made me stupid?" she asked. "I feel as if my
teeth were swollen, and my skin was too tight for my bones. Beastly!"

"How horrid!" Keith said lightly, taking from her hand the glass of
water. "If it's the wine you won't feel the effects long. Go on deck if
you like. You'll feel all right in the air. I'll clear away." Jenny
would not leave him. She shook her head decidedly. "Wait a minute, then.
I'll come too!"

They moved quickly about, leaving the fruit and little sweets and
almonds upon the sidetable, but carrying everything else through a
sleeping-cabin into the galley. It was this other cabin that still
further deepened Jenny's sense of pain--of inferiority. That was the
feeling now most painful. She had just realised it. She was a common
girl; and Keith--ah, Keith was secure enough, she thought.

In that moment Jenny deliberately gave him up. She felt it was
impossible that he should love her. When she looked around it was with a
sorrowfulness as of farewell. These things were the things that Keith
knew and had known--that she would never again see but in the bitter
memories of this night. The night would pass, but her sadness would
remain. She would think of him here. She gave him up, quite humble in
her perception of the disparity between them. And yet her own love would
stay, and she must store her memory full of all that she would want to
know when she thought of his every moment. Jenny ceased to desire him.
She somehow--it may have been by mere exhausted cessation of
feeling--wished only to understand his life and then never to see him
again. It was a kind of numbness that seized her. Then she awoke once
again, stirred by the bright light and by the luxury of her
surroundings.

"This where you sleep?" With passionate interest in everything that
concerned him, Jenny looked eagerly about the cabin. She now indicated a
broad bunk, with a beautifully white counterpane and such an eiderdown
quilt as she might optimistically have dreamed about. The tiny cabin was
so compact, and so marvellously furnished with beautiful things that it
seemed to Jenny a kind of suite in tabloid form. She did not understand
how she had done without all these luxurious necessities for
five-and-twenty years.

"Sometimes," Keith answered, having followed her marvelling eye from
beauty to beauty. "When there's company I sleep forward with the
others." He had been hurrying by with a cruet and the bread dish when
her exclamation checked him.

"Is this lord a friend of yours, then?" Jenny asked.

"Sometimes," Keith dryly answered. "Understand?" Jenny frowned again at
his tone.

"No," she said. Keith passed on.

Jenny stood surveying the sleeping-cabin. A whole nest of drawers
attracted her eye, deep drawers that would hold innumerable things. Then
she saw a hand-basin with taps for hot and cold water. Impulsively she
tried the hot-water tap, and was both relieved and disappointed when it
gasped and offered her cold water. There were monogramed toilet
appointments beautiful to see; a leather-cased carriage clock, a shelf
full of books that looked fascinating; towels; tiny rugs; a light above
the hand-basin, and another to switch on above the bunk.... It was
wonderful! And there was a looking-glass before her in which she could
see her own reflection as clear as day--too clearly for her pleasure!

The face she irresistibly saw in this genuine mirror looked pale and
tired, although upon each white cheek there was a hard scarlet flush.
Her eyes were liquid, the pupils dilated; her whole appearance was one
of suppressed excitement. She had chagrin, not only because she felt
that her appearance was unattractive, but because it seemed to her that
her face kept no secrets. Had she seen it as that of another, Jenny
would unerringly have read its painful message.

"Eh, dear," she said aloud. "You give yourself away, old sport! Don't
you, now!" The mirrored head shook in disparaging admission of its own
shortcoming. Jenny bent nearer, meeting the eyes with a clear stare.
There were wretched lines about her mouth. For the first time in her
life she had a horrified fear of growing older. It was as though, when
she shut her eyes, she saw herself as an old woman. She felt a curious
stab at her heart.

Keith, returning, found Jenny still before the mirror, engaged in this
unsparing scrutiny; and, laughing gently, he caught her elbow with his
fingers. In the mirror their glances met. At his touch Jenny thrilled,
and unconsciously leaned towards him. From the mirrored glance she
turned questioningly, to meet upon his face a beaming expression of
tranquil enjoyment that stimulated her to candid remark. Somehow it
restored some of her lost ease to be able to speak so.

"I look funny, don't I?" She appealed to his judgment. Keith bent
nearer, as for more detailed examination, retaining hold upon her elbow.
His face was tantalisingly close to hers, and Jenny involuntarily turned
her head away, not coquettishly, but through embarrassment at a mingling
of desire and timidity.

"Is that the word?" he asked. "You look all right, my dear."

My dear! She knew that the words meant more to her than they did to him,
so carelessly were they uttered; but they sent a shock through her. How
Jenny wished that she might indeed be dear to Keith! He released her,
and she followed him, laden, backwards and forwards until the table was
cleared. Then he unscrewed the table legs, and the whole thing came
gently away in his hands. There appeared four small brass sockets
imbedded in the carpet's deep pile; and the centre of the room was
clear. By the same dexterous use of his acquaintance with the cabin's
mechanism, Keith unfastened one of the settees, and wheeled it forward
so that it stood under the light, and in great comfort for the time when
they should sit to hear his story.

"Now!" he said. "We'll have a breather on deck to clear your old head."


iii

By this time the moon was silvering the river, riding high above the
earth, serenely a thing of eternal mystery to her beholders. With the
passing of clouds and the deepening of the night, those stars not
eclipsed by the moon shone like swarmed throbbing points of silver. They
seemed more remote, as though the clearer air had driven them farther
off. Jenny, her own face and throat illumined, stared up at the moon,
marvelling; and then she turned, without speaking, to the black shadows
and the gliding, silent water. Upon every hand was the chequer of
contrast, beautiful to the eye, and haunting to the spirit. A soft wind
stirred her hair and made her bare her teeth in pleasure at the sweet
contact.

Keith led her to the wide wooden seat which ran by the side of the deck,
and they sat together there. The noise of the city was dimmer; the lamps
were yellowed in the moon's whiter light; there were occasional
movements upon the face of the river. A long way away they heard a sharp
panting as a motor boat rushed through the water, sending out a great
surging wave that made all other craft rise and fall and sway as the
river's agitation subsided. The boat came nearer, a coloured light
showing; and presently it hastened past, a moving thing with a muffled
figure at its helm; and the _Minerva_ rocked gently almost until the
sound of the motor boat's tuff-tuff had been lost in the general noise
of London. Nearer at hand, above them, Jenny could hear the clanging of
tram-gongs and the clatter and slow boom of motor omnibuses; but these
sounds were mellowed by the evening, and although they were near enough
to be comforting they were too far away to interrupt this pleasant
solitude with Keith. The two of them sat in the shadow, and Jenny craned
to hear the chuckle of the water against the yacht's sides. It was a
beautiful moment in her life.... She gave a little moan, and swayed
against Keith, her delight succeeded by deadly languor.


iv

So for a moment they sat, Keith's arm around her shoulders; and then
Jenny moved so as to free herself. She was restless and unhappy again,
her nerves on edge. The moon and the water, which had soothed her, were
now an irritation. Keith heard her breath come and go, quickly, heavily.

"Sorry, Jenny," he said, in a tone of puzzled apology. She caught his
fallen hand, pressing it eagerly.

"It's nothing. Only that minute. Like somebody walking on my grave."

"You're cold. We'll go down to the cabin again." He was again cool and
unembarrassed. Together they stood upon the deck in the moonlight, while
the water flowed rapidly beneath them and the night's mystery emphasised
their remoteness from the rest of the world. They had no part, at this
moment, in the general life; but were solitary, living only to
themselves....

Keith's arm was about her as they descended; but he let it drop as they
stood once more in the golden-brown cabin. "Sit here!" He plumped a
cushion for her, and Jenny sank into an enveloping softness that rose
about her as water might have done, so that she might have been alarmed
if Keith had not been there looking down with such an expression of
concern.

"I'm really all right," she told him, reassuringly. "Miserable for a
tick--that's all!"

"Sure?" He seemed genuinely alarmed, scanning her face. She had again
turned sick and faint, so that her knees were without strength. Was he
sincere? If only she could have been sure of him. It meant everything in
the world to her. If only Keith would say he loved her: if only he would
kiss her! He had never done that. The few short days of their earlier
comradeship had been full of delight; he had taken her arm, he had even
had her in his arms during a wild bluster of wind; but always the
inevitable kiss had been delayed, had been averted; and only her eager
afterthoughts had made romance of their meagre acquaintance. Yet now,
when they were alone, together, when every nerve in her body seemed
tense with desire for him, he was somehow aloof--not constrained (for
then she would have been happy, at the profoundly affecting knowledge
that she had carried the day), but unsympathetically and unlovingly at
ease. She could not read his face: in his manner she read only a barren
kindness that took all and gave nothing. If he didn't love her she need
not have come. It would have been better to go on as she had been doing,
dreaming of him until--until what? Jenny sighed at the grey vision. Only
hunger had driven her to his side on this evening--the imperative hunger
of her nature upon which Keith had counted. He had been sure she would
come--that was unforgivable. He had welcomed her as he might have
welcomed a man; but as he might also have welcomed any man or woman who
would have relieved his loneliness upon the yacht. Not a loved friend.
Jenny, with her brain restored by the gentle breeze to its normal
quickness of action, seemed dartingly to seek in every direction for
reassurance! and she found in everything no single tone or touch to feed
her insatiable greed for tokens of his love. Oh, but she was miserable
indeed--disappointed in her dearest and most secret aspirations. He was
perhaps afraid that she wanted to attach herself to him? If that were
so, why couldn't he be honest, and tell her so? That was all she wanted
from him. She wanted only the truth. She felt she could bear anything
but this kindness, this charming detached thought for her. He was giving
her courtesy when all she needed was that his passion should approach
her own. And when she should have been strong, mistress of herself, she
was weak as water. Her strength was turned, her self-confidence mocked
by his bearing. She trembled with the recurring vehemence of her love,
that had been fed upon solitude, upon the dreariness in which she spent
her mere calendared days. Her eyes were sombrely glowing, dark with
pain; and Keith was leaning towards her as he might have leant towards
any girl who was half fainting. She could have cried, but that she was
too proud to cry. She was not Emmy, who cried. She was Jenny Blanchard,
who had come upon this fool's trip because a force stronger than her
pride had bidden her to forsake all but the impulse of her love. And
Keith, secure and confident, was coolly, as it were, disentangling
himself from the claim she had upon him by virtue of her love. It seemed
to Jenny that he was holding her at a distance. Nothing could have hurt
her more. It shamed her to think that Keith might suspect her honesty
and her unselfishness. When she had thought of nothing but her love and
the possibility of his own.

She read now, in this moment of descent into misery, a dreadful blunder
made by her own overweening eagerness. She saw Keith, alone, thinking
that he would be at a loss to fill his time, suddenly remembering her,
thinking in a rather contemptuous way of their days together, and
supposing that she would do as well as another for an hour's talk to
keep him from a stagnant evening. If that were so, good-bye to her
dreams. If she were no more to him than that there was no hope left in
her life. For Keith might ply from port to port, seeing in her only one
girl for his amusement; but he had spoilt her for another man. No other
man could escape the withering comparison with Keith. To Jenny he was a
king among men, incomparable; and if he did not love her, then the proud
Jenny Blanchard, who unhesitatingly saw life and character with an
immovable reserve, was the merest trivial legend of Kennington Park. She
was like every other girl, secure in her complacent belief that she
could win love--until the years crept by, and no love came, and she must
eagerly seek to accept whatever travesty of love sidled within the
radius of her attractiveness.

Suddenly Jenny looked at Keith.

"Better now," she said harshly. "You'll have to buck up with your
tale--won't you! If you're going to get it out before I have to toddle
home again."

"Oh," said Keith, in a confident tone. "You're here now. You'll stay
until I've quite finished."

"What do you mean?" asked Jenny sharply. "Don't talk rubbish!"

Keith held up a warning forefinger. He stretched his legs and drew from
his pocket a stout pipe.

"I mean what I say." He looked sideways at her. "Don't be a fool,
Jenny."

Her heart was chilled at the menace of his words no less than by the
hardness of his voice.


v

"I don't know what you're talking about, Keith; but you'll take me back
to the steps when I say," she said. Keith filled his pipe. "I suppose
you think it's funny to talk like that." Jenny looked straight in front
of her, and her heart was fluttering. It was not her first tremor; but
she was deeply agitated. Keith, with a look that was almost a smile,
finished loading the pipe and struck a match. He then settled himself
comfortably at her side.

"Don't be a juggins, Jenny," he remarked, in a dispassionate way that
made her feel helpless.

"Sorry," she said quickly. "I've got the jumps. I've had awful rows
to-night ... before coming out."

"Tell me about them," Keith urged. "Get 'em off your chest." She shook
her head. Oh no, she wanted something from him very different from such
kindly sympathy.

"Only make it worse," she claimed. "Drives it in more. Besides, I don't
want to. I want to hear about you."

"Oh, me!" he made a laughing noise. "There's nothing to tell."

"You said you would." Jenny was alarmed at his perverseness; but they
were not estranged now.

Keith was smiling rather bitterly at his own thoughts, it seemed.

"I wonder why it is women want to know such a lot," he said, drowsily.

"All of them?" she sharply countered. "I suppose you ought to know."

"You look seedy still.... Are you really feeling better?" Jenny took no
notice. "Well, yes: I suppose all of them. They all want to take
possession of you. They're never satisfied with what they've got."

"Perhaps they haven't got anything," Jenny said. And after a painful
pause: "Oh, well: I shall have to be going home." She wearily moved, in
absolute despair, perhaps even with the notion of rising, though her
mind was in turmoil.

"Jenny!" He held her wrist, preventing any further movement. He was
looking at her with an urgent gaze. Then, violently, with a rapid
motion, he came nearer, and forced his arm behind Jenny's waist, drawing
her close against his breast, her face averted until their cheeks
touched, when the life seemed to go out of Jenny's body and she moved
her head quickly in resting it on his shoulder, Keith's face against her
hair, and their two hearts beating quickly. It was done in a second, and
they sat so, closely embraced, without speech. Still Jenny's hands were
free, as if they had been lifeless. Time seemed to stand still, and
every noise to stop, during that long moment. And in her heart Jenny was
saying over and over, utterly hopeless, "It's no good; it's no good;
it's no good...." Wretchedly she attempted to press herself free, her
elbow against Keith's breast. She could not get away; but each flying
instant deepened her sense of bitter failure.

"It's no use," she said at last, in a dreadful murmur. "You don't want
me a bit. Far better let me go."

Keith loosed his hold, and she sat away from him with a little sigh that
was almost a shudder. Her hands went as if by instinct to her hair,
smoothing it. Another instinct, perhaps, made her turn to him with the
ghost of a reassuring smile.

"Silly, we've been," she said, huskily. "I've been thinking about you
all this time; and this is the end of it. Well, I was a fool to
come...." She sat up straight, away from the back of the settee; but she
did not look at Keith. She was looking at nothing. Only in her mind was
going on the tumult of merciless self-judgment. Suddenly her composure
gave way and she was again in his arms, not crying, but straining him to
her. And Keith was kissing her, blessed kisses upon her soft lips, as if
he truly loved her as she had all this time hoped. She clung to him in a
stupor.




CHAPTER VIII: PENALTIES


i

"Poor old Jenny," Keith was saying, stroking her arm and holding his
cheek against hers.

"You don't want me ..." groaned Jenny.

"Yes."

"I can tell you don't. You don't mean it. D'you think I can't tell!"

Keith raised a finger and lightly touched her hair. He rubbed her cheek
with his own, so that she could feel the soft bristles of his shaven
beard. And he held her more closely within the circle of his arm.

"Because I'm clumsy?" he breathed. "You know too much, Jenny."

"No: I can tell.... It's all the difference in the world."

"Well, then; how many others have kissed you?... Eh?"

"Keith!" Jenny struggled a little. "Let me go now."

"How many?" Keith kissed her cheek. "Tell the whole dreadful truth."

"If I asked you how many girls ... what would you say then?" Jenny's
sombre eyes were steadily watching him, prying into the secrets of his
own. He gave a flashing smile, that lighted up his brown face.

"We're both jealous," he told her. "Isn't that what's the matter?"

"You don't trust me. You don't want me. You're only teasing." With a
vehement effort she recovered some of her self-control. Pride was again
active, the dominant emotion. "So am I only teasing," she concluded.
"You're too jolly pleased with yourself."

"How did you know I was clumsy?" Keith asked. "I shall bite your old
face. I shall nibble it ... as if I was a horse ... and you were a bit
of sugar. Fancy Jenny going home with half a face!" He laughed excitedly
at his forced pleasantry, and the sound of his laugh was music to
Jenny's ears. He was excited. He was moved. Quickly the melancholy
pressed back upon her after this momentary surcease. He was excited
because she was in his arms--not because he loved her.

"Why did you send for me?" she suddenly said. "In your letter you said
you'd explain everything. Then you said you'd tell me about yourself.
You've done nothing but tease all the time.... Are you afraid, or what?
Keith, dear: you don't know what it means to me. If you don't want
me--let me go. I oughtn't to have come. I was silly to come; but I had
to. But if you only wanted somebody to tease ... one of the others would
have done quite as well."

Again the smile spread across Keith's face, brightening his eyes and
making his teeth glisten.

"I said you were jealous," he murmured in her ear. "One of the others,
indeed! Jenny, there's no other--nobody like you, my sweet. There
couldn't be. Do you think there could be?"

"Nobody such a fool," Jenny said, miserably.

"Who's a fool? You?" He seemed to think for a moment; and then went on:
"Well, I've told you I planned the supper.... That was true."

"Let me go. I'm getting cramped." Jenny drew away; but he followed,
holding her less vigorously, but in no way releasing her. "No: really
let me go." Keith shook his head.

"I shan't let you go," he said. "Make yourself comfortable."

"I only make myself miserable." Jenny felt her hair, which was loosened.
Her cheeks were hot.

"Are you sorry you came?"

"Yes." Keith pressed closer to her, stifling her breath. She saw his
brown cheeks for an instant before she was again enveloped in his strong
embrace; and then she heard a single word breathed in her ear.

"Liar!" said Keith. In a moment he added: "Sorry be pole-axed."


ii

It was the second time in that evening that Jenny had been accused of
lying; and when the charge had been brought by Alf she had flamed with
anger. Now, however, she felt no anger. She felt through her unhappiness
a dim motion of exulting joy. Half suffocated, she was yet thrilled with
delight in Keith's strength, with belief in his love because it was
ardently shown. Strength was her god. She worshipped strength as nearly
all women worship it. And to Jenny strength, determination, manhood,
were Keith's attributes. She loved him for being strong; she found in
her own weakness the triumph of powerlessness, of humiliation.

"You're suffocating me," she warned him, panting.

"D'you love me a little?"

"Yes. A little."

"A lot! Say you love me a lot! And you're glad you came ..."

Jenny held his face to hers, and kissed him passionately.

"Dear!" she fiercely whispered.

Keith slowly released her, and they both laughed breathlessly, with
brimming, glowing eyes. He took her hand, still smiling and watching her
face.

"Old silly," Keith murmured. "Aren't you an old silly! Eh?"

"So you say. You ought to know.... I suppose I am ..."

"But a nice old silly.... And a good old girl to come to-night."

"But then you _knew_ I should come," urged Jenny, drily, frowningly
regarding him.

"You can't forgive that, can you! You think I ought to have come
grovelling to you. It's not proper to ask you to come to me ... to
believe you might come ... to have everything ready in _case_ you might
come. Prude, Jenny! That's what you are."

"A prude wouldn't have come."

"That's all you know," said Keith, teasingly. "She'd have come--out of
curiosity; but she'd have made a fuss. That's what prudes are. That's
what they do."

"Well, I expect you know," Jenny admitted, sarcastically. The words
wounded her more than they wounded him. Where Keith laughed, Jenny
quivered. "You don't know what it means to me--" she began again, and
checked her too unguarded tongue.

"To come?" He bent towards her. "Of course, it's marvellous to me! Was
that what you meant?"

"No. To think ... other girls ..." She could not speak distinctly.

"Other girls?" Keith appeared astonished. "Do you really believe ..." He
too paused. "No other girls come on this yacht to see me. I've known
other girls. I've made love to other girls--what man hasn't? You don't
get to my age without ..."

"Without what?" Jenny asked coolly.

"I'm not pretending anything to you. I'm thirty and a bit over. A man
doesn't get to my age...No man does, without having been made a fool
of."

"Oh, I don't mind that," Jenny said sharply. "It's the girls you've
fooled."

"Don't you believe it, Jenny. They've always been wiser than me. Say
they've known a bit more. You're different ..." Jenny shook her head,
sighing.

"I bet they've all been that," she slowly said. "Till the next one." The
old unhappiness had returned, gripping her heart. She no longer looked
at him, but stared away, straight in front of her.

"Well, what if they had all been different?" Keith persisted. "Supposing
I were to tell you about them, each one.... There's no time for it,
Jenny. You'll have to take my word for it. You'll do that if you want
to. If you want to believe in me. Do you?"

"Of course I do!" Jenny blazed. "I can't! Be different if I was at home.
But I'm here, and you knew I'd come. D'you see what I mean?"

"You're not in a trap, old girl," said Keith. "You can go home this
minute if you think you are." His colour also rose. "You make too much
fuss. You want me to tell you good fat lies to save your face. Don't be
a juggins, Jenny! Show your spirit! Jenny!"

Keith still held her hand. He drew it towards him, and Jenny was made to
lean by his sudden movement. He slipped his arm again round her. Jenny
did not yield herself. He was conscious of rebuff, although she did not
struggle.

"You want me to trust you blindfold," she said in a dreary voice. "It's
not good enough, Keith. Really it isn't! When you don't trust me. You
sent for me, and I came. As soon as I was here you ... you were as
beastly as you could be ..." Her voice trembled.

"Not really beastly ..." Keith urged, and his coaxing tone and concerned
expression shook her. "Nice beastly, eh?"

"You weren't nice. You weren't ..." Jenny hesitated. "You didn't ... you
weren't nice."

"I didn't want to frighten you."

Jenny drew herself up, frantically angry.

"_Now_ who's lying!" she savagely cried, and put her hands to disengage
herself. "Oh Keith, I'm so sick of it!" He held her more tightly. All
her efforts were unavailing against that slowly increased pressure from
his strong arms.

"Listen, Jenny," Keith said. "I love you. That's that. I wanted to see
you more than anything on earth. I wanted to kiss you. Good God,
Jen.... D'you think you're the easiest person in the world to manage?"


iii

The bewilderment that succeeded clove the silence. Jenny gasped against
her will.

"What do you mean?" she demanded.

"You think I'm looking on you as cheap ... when I'm in an absolute funk
of you!" Keith cried.

"O-oh!" Her exclamation was incredulity itself. Keith persisted warmly:

"I'm not lying. It's all true. And you're a termagant, Jenny. That's
what you are. You want it all your own way! Anything that goes wrong is
my fault--not yours! You don't think there's anything that's your fault.
It's all mine. But, my good girl, that's ridiculous. What d'you think I
know about _you?_ Eh? Nothing whatever! Absolutely nothing! You think
you're as clear as day! You're not. You're a dark horse. I'm afraid of
you--afraid of your temper ... your pride. You won't see that. You think
it's my fault that ..." Keith's excitement almost convinced Jenny.

"Shouting won't do any good," she said, deeply curious and overwhelmed
by her bewilderment.

"Pull yourself together, Jenny!" he urged. "Look at it from my side if
you can. Try! Imagine I've got a side, that is. And now I'll tell you
something about myself ... no lies; and you'll have to make the best of
the truth. The Truth!" Laughing, he kissed her; and Jenny, puzzled but
intrigued, withheld her indignation in order to listen to the promised
account. Keith began. "Well, Jenny: I told you I was thirty. I'm
thirty-one in a couple of months. I'll tell you the date, and you can
work me a sampler. And I was born in a place you've never set eyes
on--and I hope you never will set eyes on it. I was born in Glasgow. And
there's a smelly old river there, called the Clyde, where they launch
big ships ... a bit bigger than the _Minerva_. The _Minerva_ was built
in Holland. Well, my old father was a tough old chap--not a Scotchman,
though my mother was Scotch--with a big business in Glasgow. He was as
rich as--well, richer than anybody you ever met. Work that out! And he
was as tough as a Glasgow business man. They're a special kind. And I
was his little boy. He had no other little boys. You interested?"

Jenny nodded sharply, her breast against his, so that she felt every
breath he drew.

"Yes: well, my father was so keen that I should grow up into a Glasgow
business man that he nearly killed me. He hated me. Simply because when
I did anything it was always something away from the pattern--the plan.
D'you see? And he'd nearly beat my head in each time.... Yes, wasn't
it!... Well, when I was ten he and I had got into such a way that we
were sworn enemies. He'd got a strong will; but so had I, even though I
was such a kid. And I wouldn't--I couldn't--do what he told me to. And
when I was thirteen, I ran away. I'd always loved the river, and boats,
and so on; and I ran away from my old father. And he nearly went off his
head...and he brought me back. Didn't take him long to find me! That was
when I began to hate _him_. I'd only been afraid of him before; but I
was growing up. Well, he put me to a school where they watched me all
the time. I sulked, I worked, I did every blessed thing; and I grew
older still, and more afraid of my father, and somehow less afraid of
him, too. I got a sort of horror of him. I hated him. And when he said
I'd got to go into the business I just told him I'd see him damned
first. That was when he first saw that you can't make any man a
slave--not even your own son--as long as he's got enough to eat. He
couldn't starve me. It's starved men who are made slaves, Jenny. They've
got no guts. Well, he threw me over. He thought I should starve myself
and then go back to him, fawning. I didn't go. I was eighteen, and I
went on a ship. I had two years of it; and my father died. I got
nothing. All went to a cousin. I was nobody; but I was free. Freedom's
the only thing that's worth while in this life. And I was twenty or so.
It was then that I picked up a girl in London and tried to keep her--not
honest, but straight to me. I looked after her for a year, working down
by the river. But it was no good. She went off with other men because I
got tired of her. I threw her over when I found that out. I mean, I told
her she could stick to me or let me go. She wanted both. I went to sea
again. It was then I met Templecombe. I met him in South America, and we
got very pally. Then I came back to England. I got engaged to a
girl--got married to her when I was twenty-three ..."

"Married!" cried Jenny, pulling herself away. She had flushed deeply.
Her heart was like lead.

"I'm not lying. You're hearing it all. And she's dead."

"What was her name?"

"Adela.... She was little and fair; and she was a little sport. But I
only married her because I was curious. I didn't care for her. In a
couple of months I knew I'd made a mistake. She told me herself. She
knew much more than I did. She was older than I was; and she knew a lot
for her age--about men. She'd been engaged to one and another since she
was fifteen; and in ten years you get to know a good deal. I think she
knew everything about men--and I was a boy. She died two years ago.
Well, after I'd been with her for a year I broke away. She only wanted
me to fetch and carry.... She 'took possession' of me, as they say. I
went into partnership with a man who let me in badly; and Adela went
back to her work and I went back to sea. And a year later I went to
prison because a woman I was living with was a jealous cat and got the
blame thrown on to me for something I knew nothing about. D'you see?
Prison. Never mind the details. When I came out of prison I was going
downhill as fast as a barrel; and then I saw an advertisement of
Templecombe's for a skipper. I saw him, and told him all about myself;
and he agreed to overlook my little time in prison if I signed on with
him to look after this yacht. Now you see I haven't got a very good
record. I've been in prison; and I've lived with three women; and I've
got no prospects except that I'm a good sailor and know my job. But I
never did what I was sent to prison for; and, as I told you, the three
women all knew more than I did. I've never done a girl any harm
intentionally; and the last of them belongs to six years ago. Since then
I've met other girls, and some of them have run after me because I was a
sailorman. They do, you know. You're the girl I love; and I want you to
remember that I was a kid when I got married. That's the tale, Jenny;
and every word of it's true. And now what d'you think of it? Are you
afraid of me now? Don't you think I'm a bit of a fool? Or d'you think
I'm the sort of fellow that fools the girls?"

There was no reply to his question for a long time; until Keith urged
her afresh.

"What I'm wondering," said Jenny, in a slow and rather puzzled way, "is,
what you'd think of me if I'd lived with three different men. Because
I'm twenty-five, you know."


iv

It might have checked Keith in mid-career. His tone had certainly not
been one of apology. But along with a natural complacency he had the
honesty that sometimes accompanies success in affairs.

"Well," he said frankly, "I shouldn't like it, Jen."

"How d'you think I like it?"

"D'you love me? Jenny, dear!"

"I don't know. I don't see why you should be different."

"Nor do I. I am, though. I wish I wasn't. Can you see that? Have you
ever wished you weren't yourself! Of course you have. So have I. Have
you had men running after you all the time? Have you been free night and
day, with time on your hands, and temptations going. You haven't. You
don't know what it is. You've been at home. And what's more, you've been
tied up because...because people think girls are safer if they're tied
up."

"_Men_ do!" flashed Jenny. "They like to have it all to themselves."

"Well, if you'd ever been on your own for days together, and thinking as
much about women as all young men do ..."

"I wonder if I should boast of it," Jenny said drily. "To a girl I was
pretending to love."

Keith let his arm drop from her waist. He withdrew it, and sighed. Then
he moved forward upon the settee, half rising, with his hands upon his
knees.

"Ah well, Jenny: perhaps I'd better be taking you ashore," he said in a
constrained, exasperated tone.

"You don't care if you break my heart," Jenny whispered. "It's all one
to you."

"That's simply not true.... But it's no good discussing it." He had lost
his temper, and was full of impatience. He sat frowning, disliking her,
with resentment and momentary aversion plainly to be seen in his
bearing.

"Just because I don't agree that it's mighty kind of you
to ... condescend!" Jenny was choking. "You thought I should jump
for joy because other women had had you. I don't know what sort of
girl you thought I was."

"Well, I thought ... I thought you were fond of me," Keith slowly said,
making an effort to speak coldly. "That was what I thought."

"Thought I'd stand anything!" she corrected. "And fall on your neck into
the bargain."

"Jenny, old girl.... That's not true. But I thought you'd understand
better than you've done. I thought you'd understand _why_ I told you.
You think I thought I was so sure of you.... I wish you'd try to see a
bit further." He leaned back again, not touching her, but dejectedly
frowning; his face pale beneath the tan. His anger had passed in a
deeper feeling. "I told you because you wanted to know about me. If I'd
been the sort of chap you're thinking I should have told a long George
Washington yarn, pretending to be an innocent hero. Well, I didn't. I'm
not an innocent hero. I'm a man who's knocked about for fifteen years.
You've got the truth. Women don't like the truth. They want a yarn. A
yappy, long, sugar-coated yarn, and lots of protestations. This is all
because I haven't asked you to forgive me--because I haven't sworn not
to do it again if only you'll forgive me. You want to see yourself
forgiving me. On a pinnacle.... Graciously forgiving me--"

"Oh, you're a beast!" cried Jenny. "Let me go home." She rose to her
feet, and stood in deep thought. For a moment Keith remained seated:
then he too rose. They did not look at one another, but with bent heads
continued to reconsider all that had been said.


v

"I've all the time been trying to show you I'm not a beast," Keith urged
at last. "But a human being. It takes a woman to be something above a
human being." He was sneering, and the sneer chilled her.

"If you'd been thinking of somebody for months," she began in a
trembling tone. "Thinking about them all the time, living on it day
after day ... just thinking about them and loving them with all your
heart.... You don't know the way a woman does it. There's nothing else
for them to think about. I've been thinking every minute of the
day--about how you looked, and what you said; and telling myself--though
I didn't believe it--that you were thinking about me just the same. And
I've been planning how you'd look when I saw you again, and what we'd
say and do.... You don't know what it's meant to me. You've never
dreamed of it. And now to come to-night--when I ought to be at home
looking after my dad. And to hear you talk about ... about a lot of
other girls as if I was to take them for granted. Why, how do I know
there haven't been lots of others since you saw me?"

"Because I tell you it's not so," he interposed. "Because I've been
thinking of you all the time."

"How many days at the seaside was it? Three?"

"It was enough for me. It was enough for you."

"And now one evening's enough for both of us," Jenny cried sharply. "Too
much!"

"You'll cry your eyes out to-morrow," he warned.

"Oh, to-night!" she assured him recklessly.

"Because you don't love me. You throw all the blame on me; but it's your
own pride that's the real trouble, Jenny. You want to come round
gradually; and time's too short for it. Remember, I'm away again
to-morrow. Did you forget that?"

Jenny shivered. She had forgotten everything but her grievance.

"How long will you be away?" she asked.

"Three months at least. Does it matter?" She reproached his bitterness
by a glance. "Jenny, dear," he went on; "when time's so short, is it
worth while to quarrel? You see what it is: if you don't try and love me
you'll go home unhappy, and we shall both be unhappy. I told you I'm not
a free man. I'm not. I want to be free. I want to be free all the time;
and I'm tied ..."

"You're still talking about yourself," said Jenny, scornfully, on the
verge of tears.


vi

Well, they had both made their unwilling attempts at reconciliation; and
they were still further estranged. They were not loving one another;
they were just quarrelsome and unhappy at being able to find no safe
road of compromise. Jenny had received a bitter shock; Keith, with the
sense that she was judging him harshly, was sullen with his deeply
wounded heart. They both felt bruised and wretched, and deeply ashamed
and offended. And then they looked at each other, and Jenny gave a
smothered sob. It was all that was needed; for Keith was beside her in
an instant, holding her unyielding body, but murmuring gentle coaxing
words into her ear. In an instant more Jenny was crying in real earnest,
buried against him; and her tears were tears of relief as much as of
pain.




CHAPTER IX: WHAT FOLLOWED


i

The _Minerva_ slowly and gently rocked with the motion of the current.
The stars grew brighter. The sounds diminished. Upon the face of the
river lights continued to twinkle, catching and mottling the wavelets.
The cold air played with the water, and flickered upon the _Minerva's_
deck; strong enough only to appear mischievous, too soft and wayward to
make its presence known to those within. And in the _Minerva's_ cabin,
set as it were in that softly rayed room of old gold and golden brown,
Jenny was clinging to Keith, snatching once again at precarious
happiness. Far off, in her aspirations, love was desired as synonymous
with peace and contentment; but in her heart Jenny had no such pretence.
She knew that it was otherwise. She knew that passive domestic enjoyment
would not bring her nature peace, and that such was not the love she
needed. Keith alone could give her true love. And she was in Keith's
arms, puzzled and lethargic with something that was only not despair
because she could not fathom her own feelings.

"Keith," she said, presently. "I'm sorry to be a fool."

"You're _not_ a fool, old dear," he assured her. "But I'm a beast."

"Yes, I think you are," Jenny acknowledged. There was a long pause. She
tried to wipe her eyes, and at last permitted Keith to do that for her,
flinching at contact with the handkerchief, but aware all the time of
some secret joy. When she could speak more calmly, she went on: "Suppose
we don't talk any more about being...what we are...and forgiving, and
all that. We don't mean it. We only say it..."

"Well, I mean it--about being a beast," Keith said humbly. "That's
because I made you cry."

"Well," said Jenny, agreeingly, "you can be a beast--I mean, think you
are one. And if I'm miserable I shall think I've been a fool. But we'll
cut out about forgiving. Because I shall never really forgive you. I
couldn't. It'll always be there, till I'm an old woman--"

"Only till you're happy, dear," Keith told her. "That's all that means."

"I can't think like that. I feel it's in my bones. But you're going
away. Where are you going? D'you know? Is it far?"

"We're going back to the South. Otherwise it's too cold for yachting.
And Templecombe wants to keep out of England at the moment. He's safe on
the yacht. He can't be got at. There's some wretched predatory woman of
title pursuing him...."

"Here ... here!" cried Jenny. "I can't understand if you talk
pidgin-English, Keith."

"Well ... you know what ravenous means? Hungry. And a woman of
title--you know what a lord is.... Well, and she's chasing about,
dropping little scented notes at every street corner for him."

"Oh they are _awful_!" cried Jenny. "Countesses! Always in the divorce
court, or something. Somebody ought to stop them. They don't have
countesses in America, do they? Why don't we have a republic, and get
rid of them all? If they'd got the floor to scrub they wouldn't have
time to do anything wrong."

"True," said Keith. "True. D'you like scrubbing floors?"

"No. But I do it. And keep my hands nice, too." The hands were inspected
and approved.

"But then you're more free than most people," Keith presently remarked,
in a tone of envy.

"Free!" exclaimed Jenny. "Me! In the millinery! When I've got to be
there every morning at nine sharp or get the sack, and often, busy
times, stick at it till eight or later, for a few bob a week. And never
have any time to myself except when I'm tired out! Who gets the fun?
Why, it's _all_ work, for people like me; all work for somebody else.
What d'you call being free? Aren't they free?"

"Not one. They're all tied up. Templecombe's hawk couldn't come on this
yacht without a troop of friends. They can't go anywhere they like
unless it's 'the thing' to be done. They do everything because it's the
right thing--because if they do something else people will think it's
odd--think they're odd. And they can't stand that!"

"Well, but Keith! Who is it that's free?"

"Nobody," he said.

"I thought perhaps it was only poor people ... just _because_ they were
poor."

"Well, Jenny.... That's so. But when people needn't do what they're told
they invent a system that turns them into slaves. They have a religion,
or they run like the Gadarine swine into a fine old lather and pretend
that everybody's got to do the same for some reason or other. They call
it the herd instinct, and all sorts of names. But there's nobody who's
really free. Most of them don't want to be. If they were free they
wouldn't know what to do. If their chains were off they'd fall down and
die. They wouldn't be happy if there wasn't a system grinding them as
much like each other as it can."

"But why not? What's the good of being alive at all if you've got to do
everything whether you want to do it or not? It's not sense!"

"It's fact, though. From the king to the miner--all a part of a big
complicated machine that's grinding us slowly to bits, making us all
more and more wretched."

"But who makes it like that, Keith?" cried Jenny. "Who says it's to be
so?"

Keith laughed grimly.

"Don't let's talk about it," he urged. "No good talking about it. The
only thing to do is to fight it--get out of the machine ..."

"But there's nowhere to go, is there?" asked Jenny. "I was thinking
about it this evening. 'They've' got every bit of the earth. Wherever
you go 'they're' there ... with laws and police and things all ready for
you. You've _got_ to give in."

"I'm not going to," said Keith. "I'll tell you that, Jenny."

"But Keith! Who is it that makes it so? There _must_ be somebody to
start it. Is it God?"

Keith laughed again, still more drily and grimly.


ii

Jenny was not yet satisfied. She still continued to revolve the matter
in her mind.

"You said nobody was free, Keith. But then you said you were free--when
you got married."

_"Till_ I got married. Then I wasn't. I fell into the machine and got
badly chawed then."

"Don't you want to get married?" Jenny asked. "Ever again?"

"Not that way." Keith's jaw was set. "I've been there; and to me that's
what hell is."

How Jenny wished she could understand! She did not want to get married
herself--that way. But she wanted to serve. She wanted Keith to be her
husband; she wanted to make him happy, and to make his home comfortable.
She felt that to work for the man she loved was the way to be truly
happy. Did he not think that he could be happy in working for her? She
_couldn't_ understand. It was all so hard that she sometimes felt that
her brain was clamped with iron bolts and chains.

"What way d'you want to get married?" Jenny asked.

"I want to marry _you_. Any old way. And I want to take you to the other
end of the world--where there aren't any laws and neighbours and rates
and duties and politicians and imitations of life.... And I want to set
you down on virgin soil and make a real life for you. In Labrador or
Alaska ..." He glowed with enthusiasm. Jenny glowed too, infected by his
enthusiasm.

"Sounds fine!" she said. Keith exclaimed eagerly. He was alive with joy
at her welcome.

"Would you come?" he cried. "Really?"

"To the end of the world?" Jenny said. "Rather!"

They kissed passionately, carried away by their excitement, brimming
with joy at their agreement in feeling and desire. The cabin seemed to
expand into the virgin forest and the open plain. A new vision of life
was opened to Jenny. Exultingly she pictured the future, bright, active,
occupied--away from all the old cramping things. It was the life she had
dreamed, away from men, away from stuffy rooms and endless millinery,
away from regular hours and tedious meals, away from all that now made
up her daily dullness. It was splendid! Her quick mind was at work,
seeing, arranging, imagining as warm as life the changed days that would
come in such a terrestrial Paradise. And then Keith, watching with
triumph the mounting joy in her expression, saw the joy subside, the
brilliance fade, the eagerness give place to doubt and then to dismay.

"What is it?" he begged. "Jenny, dear!"

"It's Pa!" Jenny said. "I couldn't leave him ... not for anything!"

"Is that all? We'll take him with us!" cried Keith. Jenny sorrowfully
shook her head.

"No. He's paralysed," she explained, and sighed deeply at the faded
vision.


iii

"Well, I'm not going to give up the idea for that," Keith resumed, after
a moment. Jenny shook her head, and a wry smile stole into her face,
making it appear thinner than before.

"I didn't expect you would," she said quietly. "It's me that has to give
it up."

"Jenny!" He was astonished by her tone. "D'you think I meant that?
Never! We'll manage something. Something can be done. When I come
back ..."

"Ah, you're going away!" Jenny cried in agony. "I shan't see you. I
shall have every day to think of ... day after day. And you won't write.
And I shan't see you...." She held him to her, her breast against his,
desperate with the dread of being separated from him. "It's easy for
you, at sea, with the wind and the sun; and something fresh to see, and
something happening all the time. But me--in a dark room, poring over
bits of straw and velvet to make hats for soppy women, and then going
home to old Em and stew for dinner. There's not much fun in it,
Keith.... No, I didn't mean to worry you by grizzling. It's too bad of
me! But seeing you, and hearing that plan, it's made me remember how
beastly I felt before your letter came this evening. I was nearly mad
with it. I'd been mad before; but never as bad as this was. And then
your letter came--and I wanted to come to you; and I came, and we've
wasted such a lot of time not understanding each other. Even now, I
can't be sure you love me--not _sure!_ I think you do; but you only say
so. How's anyone ever to be sure, unless they know it in their bones?
And I've been thinking about you every minute since we met. Because I
never met anybody like you, or loved anybody before..."

She broke off, her voice trembling, her face against his, breathless and
exhausted.


iv

"Now listen, Jenny," said Keith. "This is this. I love you, and you love
me. That's right, isn't it? Well. I don't care about marriage--I mean, a
ceremony; but you do. So we'll be married when I come back in three
months. That's all right, isn't it? And when we're married, we'll either
take your father with us, whatever his health's like; or we'll do
something with him that'll do as well. I should be ready to put him in
somebody's care; but you wouldn't like that..."

"I love him," Jenny said. "I couldn't leave him to somebody else for
ever."

"Yes. Well, you see there's nothing to be miserable about. It's all
straightforward now. Nothing--except that we're going to be apart for
three months. Now, Jen: don't let's waste any more time being miserable;
but let's sit down and be happy for a bit...How's that?"

Jenny smiled, and allowed him to bring her once again to the settee and
to begin once more to describe their future life.

"It's cold there, Jenny. Not warm at all. Snow and ice. And you won't
see anybody for weeks and months--anybody but just me. And we shall have
to do everything for ourselves--clothes, house-building, food catching
and killing... Trim your own hats... Like the Swiss Family Robinson;
only you won't have everything growing outside as they did. And we'll go
out in canoes if we go on the water at all; and see Indians--'Heap big
man bacca' sort of business--and perhaps hear wolves (I'm not quite sure
of that); and go about on sledges... with dogs to draw them. But with
all that we shall be free. There won't be any bureaucrats to tyrannise
over us; no fashions, no regulations, no homemade laws to make dull boys
of us. Just fancy, Jenny: nobody to _make_ us do anything. Nothing but
our own needs and wishes..."

"I expect we shall tyrannise--as you call it--over each other," Jenny
said shrewdly. "It seems to me that's what people do."

"Little wretch!" cried Keith. "To interrupt with such a thing. When I
was just getting busy and eloquent. I tell you: there'll be
inconveniences. You'll find you'll want somebody besides me to talk to
and look after. But then perhaps you'll have somebody!"

"Who?" asked Jenny, unsuspiciously. "Not Pa, I'm sure."

Keith held her away from him, and looked into her eyes. Then he crushed
her against him, laughing. It took Jenny quite a minute to understand
what he meant.

"Very dull, aren't you!" cried Keith. "Can't see beyond the end of your
nose."

"I shouldn't think it was hardly the sort of place for babies," Jenny
sighed. "From what you say."


v

Keith roared with laughter, so that the _Minerva_ seemed to shake in
sympathy with his mirth.

"You're priceless!" he said. "My bonny Jenny. I shouldn't think there
was ever anybody like you in the world!"

"Lots of girls," Jenny reluctantly suggested, shaking a dolorous head at
the ghost of a faded vanity. "I'm afraid." She revived even as she
spoke; and encouragingly added: "Perhaps not exactly like."

"I don't believe it! You're unique. The one and only Jenny Redington!"

"Red--!" Jenny's colour flamed. "Sounds nice," she said; and was then
silent.

"When we're married," went on Keith, watching her; "where shall we go
for our honeymoon? I say!... how would you like it if I borrowed the
yacht from Templecombe and ran you off somewhere in it? I expect he'd
let me have the old _Minerva._ Not a bad idea, eh what!"

"_When_ we're married," Jenny said breathlessly, very pale.

"What d'you mean?" Keith's eyes were so close to her own that she was
forced to lower her lids. "When I come back from this trip. Templecombe
says three months. It may be less."

"It may be more." Jenny had hardly the will to murmur her warning--her
distrust.

"Very unlikely; unless the weather's bad. I'm reckoning on a mild
winter. If it's cold and stormy then of course yachting's out of the
question. But we'll be back before the winter, any way. And
then--darling Jenny--we'll be married as soon as I can get the licence.
There's something for you to look forward to, my sweet. Will you like to
look forward to it?"

Jenny could feel his breath upon her face; but she could not move or
speak. Her breast was rising to quickened breathing; her eyes were
burning; her mouth was dry. When she moistened her lips she seemed to
hear a cracking in her mouth. It was as though fever were upon her, so
moved was she by the expression in Keith's eyes. She was neither happy
nor unhappy; but she was watching his face as if fascinated. She could
feel his arm so gently about her shoulder, and his breast against hers;
and she loved him with all her heart. She had at this time no thought of
home; only the thought that they loved each other and that Keith would
be away for three months; facing dangers indeed, but all the time loving
her. She thought of the future, of that time when they both would be
free, when they should no longer be checked and bounded by the fear of
not having enough food. That was the thing, Jenny felt, that kept poor
people in dread of the consequences of their own acts. And Jenny felt
that if they might live apart from the busy world, enduring together
whatever ills might come to them from their unsophisticated mode of
life, they would be able to be happy. She thought that Keith would have
no temptations that she did not share; no other men drawing him by
imitativeness this way and that, out of the true order of his own
character; no employer exacting in return for the weekly wage a
servitude that was far from the blessed ideal of service. Jenny thought
these things very simply--impulsively--and not in a form to be
intelligible if set down as they occurred to her; but the notions swam
in her head along with her love for Keith and her joy in the love which
he returned. She saw his dear face so close to her own, and heard her
own heart thumping vehemently, quicker and quicker, so that it sounded
thunderously in her ears. She could see Keith's eyes, so easily to be
read, showing out the impulses that crossed and possessed his mind. Love
for her she was sure she read, love and kindness for her, and
mystification, and curiosity, and the hot slumbering desire for her that
made his breathing short and heavy. In a dream she thought of these
things, and in a dream she felt her own love for Keith rising and
stifling her, so that she could not speak, but could only rest there in
his arms, watching that beloved face and storing her memory with its
precious betrayals.

Keith gently kissed her, and Jenny trembled. A thousand temptations were
whirling in her mind--thoughts of his absence, their marriage, memory,
her love... With an effort she raised her lips again to his, kissing him
in passion, so that when he as passionately responded it seemed as
though she fainted in his arms and lost all consciousness but that of
her love and confidence in him and the eager desire of her nature to
yield itself where love was given.




CHAPTER X: CINDERELLA


i

Through the darkness, and into the brightness of the moon's light, the
rolling notes of Big Ben were echoing and re-echoing, as each stroke
followed and drove away the lingering waves of its predecessor and was
in turn dispersed by the one that came after. The sounds made the street
noises sharper, a mere rattle against the richness of the striking
clock. It was an hour that struck; and the quarters were followed by
twelve single notes. Midnight. And Jenny Blanchard was still upon the
_Minerva;_ and Emmy and Alf had left the theatre; and Pa Blanchard was
alone in the little house in Kennington Park.

The silvered blackness of the _Minerva_ was disturbed. A long streak of
yellow light showed from the door leading into the cabin while yet the
sounds of the clock hung above the river. It became ghostly against the
moonlight that bleached the deck, a long grey-yellow finger pointing the
way to the yacht's side.

Jenny and Keith made their way up the steps and to the deck, and Jenny
shivered a little in the strong light. Her face was in shadow. She
hurried, restored to sanity by the sounds and the thought of her
father. Horror and self-blame were active in her mind--not from the fear
of discovery; but from shame at having for so long deserted him.

"Oh, hurry!" Jenny whispered, as Keith slipped over the side of the
yacht into the waiting dinghy. There was a silence, and presently the
heavy cludder of oars against the boat's side.

"Jenny! Come along!" called Keith from the water.

Not now did Jenny shrink from the running tide. Her one thought was to
get home; and she had no inclination to think of what lay between her
and Kennington Park. She hardly understood what Keith said as he rowed
to the steps. She saw the bridge looming, its black shadow cutting the
water that sparkled so dully in the moonlight; and then she saw the
steps leading from the bridge to the river's edge. They were alongside;
she was ashore; and Keith was pressing her hand in parting. Still she
could not look at him until she was at the top of the steps, when she
turned and raised her hand in farewell.


ii

She knew she had to walk for a little way down the road in the direction
of her home, and then up a side street, where she had been told that
she would find the motor car awaiting her. And for some seconds she
could not bear the idea of speaking to the chauffeur, from the sense
that he must know exactly how long she had been on board the yacht. The
hesitation caused her to linger, as the cold air had caused her to
think. It was as though she feared that when he was found the man would
be impudent to her, and leer, behaving familiarly as he might have done
to a common woman. Because she was alone and unprotected. It was
terrible. Her secret filled her with the sense of irremediable guilt.
Already she was staled with the evening's excitement. She stopped and
wavered, her shadow, so black and small, hesitating as she did. Could
she walk home? She looked at the black houses, and listened to the
terrifying sinister roar that continued faintly to fill the air. Could
she go by tram? If she did--whatever she did--the man might wait for her
all night, and Keith would know how cowardly she had been. It might even
come to the ears of Lord Templecombe, and disgrace Keith before him. To
go or to stay was equally to bring acute distress upon herself, the
breathless shame of being thought disgraced for ever. Already it seemed
to her that the shadows were peopled with observers ready to spy upon
her, to seize her, to bear her away into hidden places...

At last, her mind resolved by her fears, which crowded upon her in a
tumult, Jenny stepped fearfully forward. The car was there, dimly
outlined, a single light visible to her eye. It was drawn upon at the
side of the street; and the chauffeur was fast asleep, his head upon his
arms, and his arms spread upon the steering-wheel.

"I say!" cried Jenny in a panic, her glance quickly over her shoulder at
unseen dangers. "Wake up! Wake up!"

She stepped into the car, and it began to quiver with life as the engine
was started. Then, as if drowned in the now familiar scent of the
hanging bouquet, Jenny lay back once more in the soft cushions; bound
for home, for Emmy and Alf and Pa; her evening's excursion at an end,
and only its sequel to endure.




PART THREE

MORNING




CHAPTER XI: AFTER THE THEATRE


i

After leaving the house Emmy and Alf pressed along in the darkness,
Alf's arm still surrounding and supporting Emmy, Emmy still half
jubilantly and half sorrowfully continuing to recognise her happiness
and the smothered chagrin of her emotions. She was not able to feel
either happy or miserable; but happiness was uppermost. Dislike of Jenny
had its place, also; for she could account for every weakness of Alf's
by reference to Jenny's baseness. But indeed Emmy could not think, and
could only passively and excitedly endure the conflicting emotions of
the moment. And Alf did not speak, but hurried her along as fast as his
strong arm could secure her compliance with his own pace; and they
walked through the night-ridden streets and full into the blaze of the
theatre entrance without any words at all. Then, when the staring
vehemence of the electric lights whitened and shadowed her face, Emmy
drew away, casting down her eyes, alarmed at the disclosures which the
brilliance might devastatingly make. She slipped from his arm, and stood
rather forlornly while Alf fished in his pockets for the tickets. With
docility she followed him, thrilled when he stepped aside in passing the
commissionaire and took her arm. Together they went up the stairs, the
heavy carpets with their drugget covers silencing every step, the gilded
mirrors throwing their reflections backwards and forwards until the
stairs seemed peopled with hosts of Emmys and Alfs. As they drew near
the closed doors of the circle the hush filling the staircases and
vestibules of the theatre was intensified. An aproned attendant seemed
to Emmy's sensitiveness to look them up and down and superciliously to
disapprove them. She moved with indignation. A dull murmur, as of single
voices, disturbed the air somewhere behind the rustling attendant: and
when the doors were quickly opened Emmy saw beyond the darkness and the
intrusive flash of light caused by the opening doors a square of
brilliance and a dashing figure upon the stage talking staccato. Those
of the audience who were sitting near the doors turned angrily and with
curiosity to view the new-comers; and the voice that Emmy had
distinguished went more stridently on, with a strong American accent. In
a flurry she found and crept into her seat, trying to understand the
play, to touch Alf, to remove her hat, to discipline her excitements.
And the staccato voice went on and on, detailing a plan of some sort
which she could not understand because they had missed the first five
minutes of the play. Emmy could not tell that the actor was only
pretending to be an American; she could not understand why, having
spoken twenty words, he must take six paces farther from the footlights
until he had spoken thirteen more; but she could and did feel most
overwhelmingly exuberant at being as it were alone in that half-silent
multitude, sitting beside Alf, their arms touching, her head whirling,
her heart beating, and a wholly exquisite warmth flushing her cheeks.


ii

The first interval found the play well advanced. A robbery had been
planned--for it was a "crook" play--and the heroine had already received
wild-eyed the advances of a fur-coated millionaire. When the lights of
the theatre popped up, and members of the orchestra began once more
unmercifully to tune their instruments, it was possible to look round at
the not especially large audience. But in whichever direction Emmy
looked she was always brought back as by a magnet to Alf, who sat
ruminantly beside her. To Alf's sidelong eye Emmy was looking
surprisingly lovely. The tired air and the slightly peevish mouth to
which he was accustomed had given place to the flush and sparkle of an
excited girl. Alf was aware of surprise. He blinked. He saw the lines
smoothed away from round her mouth--the lines of weariness and
dissatisfaction,--and was tempted by the softness of her cheek. As he
looked quickly off again he thought how full Jenny would have been of
comment upon the play, how he would have sat grinning with precious
enjoyment at her merciless gibes during the whole of the interval. He
had the sense of Jenny as all movement, as flashing and drawing him into
quagmires of sensation, like a will-o'-the-wisp. Emmy was not like that.
She sat tremulously smiling, humble before him, diffident, flattering.
She was intelligent: that was it. Intelligent was the word. Not lively,
but restful. Critically he regarded her. Rather a nice girl, Emmy....

Alf roused himself, and looked around.

"Here, miss!" he called; and "S-s-s-s" when she did not hear him. It was
his way of summoning an attendant or a waitress. "S-s-s-s." The
attendant brought chocolates, which Alf handed rather magnificently to
his companion. He plunged into his pockets--in his rough-and-ready,
muscular way--for the money, leaning far over the next seat, which was
unoccupied. "Like some lemon?" he said to Emmy. Together they inspected
the box of chocolates, which contained much imitation-lace paper and a
few sweets. "Not half a sell," grumbled Alf to himself, thinking of the
shilling he had paid; but he looked with gratification at Emmy's face
as she enjoyingly ate the chocolates. As her excitement a little
strained her nervous endurance Emmy began to pale under the eyes; her
eyes seemed to grow larger; she lost the first air of sparkle, but she
became more pathetic. "Poor little thing," thought Alf, feeling
masculine. "Poor little thing: she's tired. Poor little thing."


iii

In the middle of this hot, excitedly-talking audience, they seemed to
bask as in a warm pool of brilliant light. The brilliants in the dome of
the theatre intensified all the shadows, heightened all the smiles,
illumined all the silken blouses and silver bangles, the flashing eyes,
the general air of fête.

"All right?" Alf inquired protectively. Emmy looked in gratitude towards
him.

"Lovely," she said. "Have another?"

"I meant _you_," he persisted. "Yourself, I mean." Emmy smiled, so
happily that nobody could have been unmoved at the knowledge of having
given such pleasure.

"Oh, grand!" Emmy said. Then her eyes contracted. Memory came to her.
The angry scene that had passed earlier returned to her mind, hurting
her, and injuring her happiness. Alf hurried to engage her attention, to
distract her from thoughts that had in them such discomfort as she so
quickly showed.

"Like the play? I didn't quite follow what it was this old general had
done to him. Did you?"

"Hadn't he kept him from marrying ..." Emmy looked conscious for a
moment. "Marrying the right girl? I didn't understand it either. It's
only a play."

"Of course," Alf agreed. "See how that girl's eyes shone when old
fur-coat went after her? Fair shone, they did. Like lamps. They'd got
the limes on her... You couldn't see them. My--er--my friend's the
electrician here. He says it drives him nearly crazy, the way he has to
follow her about in the third act. She... she's got some pluck, he says;
the way she fights three of them single-handed. They've all got
revolvers. She's got one; but it's not loaded. Lights a cigarette, too,
with them all watching her, ready to rush at her."

"There!" said Emmy, admiringly. She was thinking: "It's only a play."

"She gets hold of his fur coat, and puts it on.... Imitates his
voice.... You can see it's her all the time, you know. So could they, if
they looked a bit nearer. However, they don't.... I suppose there
wouldn't be any play if they did...."

Emmy was not listening to him: she was dreaming. She was as gauche and
simple in his company as a young girl would have been; but her mind was
different. It was practical in its dreams, and they had their disturbing
unhappiness, as well, from the greater poignancy of her desire. She was
not a young girl, to be agreeably fluttered and to pass on to the next
admirer without a qualm. She loved him, blindly but painfully; without
the ease of young love, but with all the sickness of first love. And she
had jealousy, the feeling that she was not his first object, to poison
her feelings. She could not think of Jenny without tremors of anger. And
still, for pain, her thoughts went throbbing on about Jenny whenever, in
happiness, she had seen a home and Alf and a baby and the other plain
clear consequences of earning his love--of taking him from Jenny.

And then the curtain rose, the darkness fell, and the orchestra's tune
slithered into nothing. The play went on, about the crook and the
general and the millionaire and the heroine and all their curiously
simple-minded friends. And every moment something happened upon the
stage, from fights to thefts, from kisses (which those in the gallery,
not wholly absorbed by the play, generously augmented) to telephone
calls, plots, speeches (many speeches, of irreproachable moral tone),
shoutings, and sudden wild appeals to the delighted occupants of the
gallery. And Emmy sat through it hardly heeding the uncommon events,
aware of them as she would have been aware of distant shouting. Her
attention was preoccupied with other matters. She had her own thoughts,
serious enough in themselves. Above all, she was enjoying the thought
that she was with Alf, and that their arms were touching; and she was
wondering if he knew that.


iv

Through another interval they sat with silent embarrassment, the
irreplaceable chocolates, which had earlier been consumed, having served
their turn as a means of devouring attention. Alf was tempted to fly to
the bar for a drink and composure, but he did not like to leave Emmy;
and he could not think of anything which could safely be said to her in
the middle of this gathering of hot and radiant persons. "To speak" in
such uproar meant "to shout." He felt that every word he uttered would
go echoing in rolls and rolls of sound out among the multitude. They
were not familiar enough to make that a matter of indifference to him.
He was in the stage of secretiveness. And Emmy, after trying once or
twice to open various small topics, had fallen back upon her own
thoughts, and could invent nothing to talk about until the difficulties
that lay between them had been removed. Her brow contracted. She moved
her shoulders, or sat pressed reservedly against the back of her seat.
Her voice, whenever she did not immediately hear some word fall from
Alf, became sharp and self-conscious--almost "managing."

It was a relief to both of them, and in both the tension of sincere
feeling had perceptibly slackened, when the ignored orchestra gave way
before the rising curtain. Again the two drew together in the darkness,
as all other couples were doing, comforted by proximity, and even by the
unacknowledged mutual pleasure of it; again they watched the
extraordinary happenings upon the stage. The fur coat was much used,
cigarettes were lighted and flung away with prodigal recklessness,
pistols were revealed--one of them was even fired into the air;--and
jumping, trickling music heightened the effects of a number of strong
speeches about love, and incorruptibility, and womanhood.... The climax
was reached. In the middle of the climax, while yet the lover wooed and
the villain died, the audience began to rustle, preparatory to going
home. Even Emmy was influenced to the extent of discovering and
beginning to adjust her hat. It was while she was pinning it, with her
elbows raised, that the curtain fell. Both Emmy and Alf rose in the
immediately successive re-illumination of the theatre; and Emmy looked
so pretty with her arms up, and with the new hat so coquettishly askew
upon her head, and with a long hatpin between her teeth, that Alf could
not resist the impulse to put his arm affectionately round her in
leading the way out.


v

And then, once in the street, he made no scruple about taking Emmy's arm
within the crook of his as they moved from the staring whiteness of the
theatre lamps out into the calmer moonshine. It was eleven o'clock. The
night was fine, and the moon rode high above amid the twinkling stars.
When Alf looked at Emmy's face it was transfigured in this beautiful
light, and he drew her gently from the direct way back to the little
house.

"Don't let's go straight back," he said. "Stroll u'll do us good."

Very readily Emmy obeyed his guidance. Her heart was throbbing; but her
brain was clear. He wanted to be with her; and the knowledge of that
made Emmy happier than she had been since early childhood.

"It's been lovely," she said, with real warmth of gratitude, looking
away from him with shyness.

"Hm," growled Alf, in a voice of some confusion. "Er...you don't go much
to the theatre, do you?"

"Not much," Emmy agreed. "See, there's Pa. He always looks to me..."

"Yes." Alf could not add anything to that for a long time. "Fine night,"
he presently recorded. "D'you like a walk? I mean ... I'm very fond of
it, a night like this. Mr. Blanchard's all right, I suppose?"

"Oh, yes. _She's_ there." Emmy could not bring herself to name Jenny to
him. Yet her mind was busy thinking of the earlier jar, recomposing the
details, recalling the words that had passed. Memory brought tears into
her eyes; but she would not allow Alf to see them, and soon she
recovered her self-control. It had to be spoken of: the evening could
not pass without reference to it; or it would spoil everything. Alf
would think of her--he was bound to think of her--as a crying, petulant,
jealous woman, to whom he had been merely kind. Patronising, even!
Perhaps, even, the remembrance of it would prevent him from coming again
to the house. Men like Alf were so funny in that respect. It took so
little to displease them, to drive them away altogether. At last she
ventured: "It was nice of you to take me."

Alf fidgeted, jerking his head, and looking recklessly about him.

"Not at all," he grumbled. "Not tired, are you?" Emmy reassured him.
"What I mean, I'm very glad.... Now, look here, Em. May as well have
it out...." Emmy's heart gave a bound: she walked mechanically beside
him, her head as stiffly held as though the muscles of her neck had
been paralysed. "May as well, er...have it out," repeated Alf. "That's
how I am--I like to be all shipshape from the start. When I came along
this evening I _did_ mean to ask young Jen to go with me. That was
quite as you thought. I never thought you'd, you know, _care_ to come
with me. I don't know why; but there it is. I never meant to put it like
I did ... in that way... to have a fuss and upset anybody. I've ... I
mean, she's been out with me half-a-dozen times; and so I sort of
naturally thought of her."

"Of course," agreed Emmy. "Of course."

"But I 'm glad you came," Alf said. Something in his honesty, and the
brusqueness of his rejoicing, touched Emmy, and healed her first
wound--the thought that she might have been unwelcome to him. They went
on a little way, more at ease; both ready for the next step in intimacy
which was bound to be taken by one of them.

"I thought she might have said something to you--about me not _wanting_
to come," Emmy proceeded, tentatively. "Made you think I never wanted
to go out."

Alf shook his head. Emmy had there no opening for her resentment.

"No," he said, with stubborn loyalty. "She's always talked very nice
about you."

"What does she say?" swiftly demanded Emmy.

"I forget.... Saying you had a rough time at home. Saying it was rough
on you. That you're one of the best...."

_"She_ said that?" gasped Emmy. "It's not like her to say that. Did she
really? She's so touchy about me, generally. Sometimes, the way she goes
on, anybody'd think I was the miserablest creature in the world, and
always on at her about something. I'm not, you know; only she thinks it.
Well, I can't help it, can I? If you knew how I have to work in that
house, you'd be... surprised. I'm always at it. The way the dirt comes
in--you'd wonder where it all came from! And see, there's Pa and all.
She doesn't take that into account. She gets on all right with him; but
she isn't there all day, like I am. That makes a difference, you know.
He's used to me. She's more of a change for him."

Alf was cordial in agreement. He was seeing all the difference between
the sisters. In his heart there still lingered a sort of cherished
enjoyment of Jenny's greater spirit. Secretly it delighted him, like a
forbidden joke. He felt that Jenny--for all that he must not, at this
moment, mention her name--kept him on the alert all the time, so that he
was ever in hazardous pursuit. There was something fascinating in such
excitement as she caused him. He never knew what she would do or say
next; and while that disturbed and distressed him it also lacerated his
vanity and provoked his admiration. He admired Jenny more than he could
ever admire Emmy. But he also saw Emmy as different from his old idea of
her. He had seen her trembling defiance early in the evening, and that
had moved him and made him a little afraid of her; he had also seen her
flushed cheeks at the theatre, and Emmy had grown in his eyes suddenly
younger. He could not have imagined her so cordial, so youthful, so
interested in everything that met her gaze. Finally, he found her
quieter, more amenable, more truly wifely than her sister. It was an
important point in Alf's eyes. You had to take into account--if you were
a man of common sense--relative circumstances. Devil was all very well
in courtship; but mischief in a girl became contrariness in a domestic
termagant. That was an idea that was very much in Alf's thoughts during
this walk, and it lingered there like acquired wisdom.

"Say she's going with a sailor!" he suddenly demanded.

"So she told me. I've never seen him. She doesn't tell lies, though."

"I thought you said she did!"

Emmy flinched: she had forgotten the words spoken in her wild anger, and
would have been ashamed to account for them in a moment of greater
coolness.

"I mean, if she says he's a sailor, that's true. She told me he was on a
ship. I suppose she met him when she was away that time. She's been very
funny ever since. Not funny--restless. Anything I've done for her she's
made a fuss. I give her a thorough good meal; and oh! there's such a
fuss about it. 'Why don't we have ice creams, and merangs, and wine, and
grouse, and sturgeon--'"

"Ph! Silly talk!" said Alf, in contemptuous wonder. "I mean to say..."

"Oh, well: you know what flighty girls are. He's probably a swank-pot. A
steward, or something of that sort. I expect he has what's left over,
and talks big about it. But she's got ideas like that in her head, and
she thinks she's too good for the likes of us. It's too much trouble to
her to be pelite these days. I've got the fair sick of it, I can tell
you. And then she's always out..._Somebody's_ got to be at home, just to
look after Pa and keep the fire in. But Jenny--oh dear no! She's no
sooner home than she's out again. Can't rest. Says it's stuffy indoors,
and off she goes. I don't see her for hours. Well, I don't know ... but
if she doesn't quiet down a bit she'll only be making trouble for
herself later on. She can't keep house, you know! She can scrub; but she
can't cook so very well, or keep the place nice. She hasn't got the
patience. You think she's doing the dusting; and you find her groaning
about what she'd do if she was rich. 'Yes,' I tell her; 'it's all very
well to do that; but you'd far better be doing something _useful_,' I
say. 'Instead of wasting your time on idle fancies.'"

"Very sensible," agreed Alf, completely absorbed in such a discourse.

"She's trying, you know. You can't leave her for a minute. She says I'm
stodgy; but I say it's better to be practical than flighty. Don't you
think so, Alf?"

"Exackly!" said Alf, in a tone of the gravest assent. "Exackly."


vi

"I mean," pursued Emmy, "you must have a _little_ common-sense. But
she's been spoilt--she's the youngest. I'm a little older than she
is ... _wiser_, I say; but she won't have it.... And Pa's always made a
fuss of her. Really, sometimes, you'd have thought she was a boy.
Racing about! My word, such a commotion! And then going out to the
millinery, and getting among a lot of other girls. You don't know _who_
they are--if they're ladies or not. It's not a good influence for
her...."

"She ought to get out of it," Alf said. To Emmy it was a ghastly moment.

"She'll never give it up," she hurriedly said. "You know, it's in her
blood. Off she goes! And they make a fuss of her. She mimics everybody,
and they laugh at it--they think it's funny to mimic people who can't
help themselves--if they _are_ a bit comic. So she goes; and when she
does come home Pa's so glad to see a fresh face that he makes a fuss of
her, too. And she stuffs him up with all sorts of tales--things that
never happened--to keep him quiet. She says it gives him something to
think about.... Well, I suppose it does. I expect you think I'm very
unkind to say such things about my own sister; but really I can't help
seeing what's under my nose; and I sometimes get so--you know, worked
up, that I don't know how to hold myself. She doesn't understand what it
is to be cooped up indoors all day long, like I am; and it never occurs
to her to say 'Go along, Em; you run out for a bit.' I have to say to
her: 'You be in for a bit, Jen?' and then she p'tends she's always in.
And then there's a rumpus...."

Alf was altogether subdued by this account: it had that degree of
intimacy which, when one is in a sentimental mood, will always be
absorbing. He felt that he really was getting to the bottom of the
mystery known to him as Jenny Blanchard. The picture had verisimilitude.
He could see Jenny as he listened. He was seeing her with the close and
searching eye of a sister, as nearly true, he thought, as any vision
could be. Once the thought, "I expect there's another story" came
sidling into his head; but it was quickly drowned in further
reminiscence from Emmy, so that it was clearly a dying desire that he
left for Jenny. Had Jenny been there, to fling her gage into the field,
Alf might gapingly have followed her, lost again in admiration of her
more sparkling tongue and equipments. But in such circumstances the
arraigned party is never present. If Jenny had been there the tale could
not have been told. Emmy's virtuous and destructive monologue would not
merely have been interrupted: it would have been impossible. Jenny would
have done all the talking. The others, all amaze, would have listened
with feelings appropriate to each, though with feelings in common
unpleasant to be borne.

"I bet there's a rumpus," Alf agreed. "Old Jen's not one to take a blow.
She ups and gets in the first one." He couldn't help admiring Jenny,
even yet. So he hastened to pretend that he did not admire her; out of a
kind of tact. "But of course ... that's all very well for a bit of
sport, but it gets a bit wearisome after a time. I know what you
mean...."

"Don't think I've been complaining about her," Emmy said. "I wouldn't.
Really, I wouldn't. Only I do think sometimes it's not quite fair that
she should have all the fun, and me none of it. I don't want a lot. My
tastes are very simple. But when it comes to none at all--well, Alf,
what do _you_ think?"

"It's a bit thick," admitted Alf. "And that's a fact."

"See, she's always having her own way. Does just what she likes. There's
no holding her."

"Wants a man to do that," ruminated Alf, with a half chuckle. "Eh?"

"Well," said Emmy, a little brusquely. "I pity the man who tries it on."


vii

Emmy was not deliberately trying to secure from Alf a proposal of
marriage. She was trying to show him the contrast between Jenny and
herself, and to readjust the balances as he appeared to have been
holding them. She wanted to impress him. She was as innocent of any
other intention as any girl could have been. It was jealousy that
spoke; not scheme. And she was perfectly sincere in her depreciation of
Jenny. She could not understand what it was that made the admiring look
come into the faces of those who spoke to Jenny, nor why the unwilling
admiration that started into her own heart should ever find a place
there. She was baffled by character, and she was engaged in the common
task of rearranging life to suit her own temperament.

They had been walking for some little distance now along deserted
streets, the moon shining upon them, their steps softly echoing, and
Emmy's arm as warm as toast. It was like a real lover's walk, she could
not help thinking, half in the shadow and wholly in the stillness of the
quiet streets. She felt very contented; and with her long account of
Jenny already uttered, and her tough body already reanimated by the
walk, Emmy was at leisure to let her mind wander among sweeter things.
There was love, for example, to think about; and when she glanced
sideways Alf's shoulder seemed such a little distance from her cheek.
And his hand was lightly clasping her wrist. A strong hand, was Alf's,
with a broad thumb and big capable fingers. She could see it in the
moonlight, and she had suddenly an extraordinary longing to press her
cheek against the back of Alf's hand. She did not want any silly
nonsense, she told herself; and the tears came into her eyes, and her
nose seemed pinched and tickling with the cold at the mere idea of any
nonsense; but she could not help longing with the most intense longing
to press her cheek against the back of Alf's hand. That was all. She
wanted nothing more. But that desire thrilled her. She felt that if it
might be granted she would be content, altogether happy. She wanted so
little!

And as if Alf too had been thinking of somebody nearer to him than
Jenny, he began:

"I don't know if you've ever thought at all about me, Em. But your
saying what you've done ... about yourself ... it's made me think a bit.
I'm all on my own now--have been for years; but the way I live isn't
good for anyone. It's a fact it's not. I mean to say, my rooms that I've
got ... they're not big enough to swing a cat in; and the way the old
girl at my place serves up the meals is a fair knock-out, if you notice
things like I do. If I think of her, and then about the way you do
things, it gives me the hump. Everything you do's so nice. But with
her--the plates have still got bits of yesterday's mustard on them, and
all fluffy from the dishcloth...."

"Not washed prop'ly." Emmy interestedly remarked; "that's what that is."

"Exackly. And the meat's raw inside. Cooks it too quickly. And when I
have a bloater for my breakfast--I'm partial to a bloater--it's black
outside, as if it was done in the cinders; and then inside--well, I like
them done all through, like any other man. Then I can't get her to get
me gammon rashers. She will get these little tiddy rashers, with little
white bones in them. Why, while you're cutting them out the bacon gets
cold. You may think I'm fussy ... fiddly with my food. I'm not, really;
only I like it...."

"Of course you do," Emmy said. "She's not interested, that's what it is.
She thinks anything's food; and some people don't mind at all what they
eat. They don't notice."

"No. I _do_. If you go to a restaurant you get it different. You get
more of it, too. Well, what with one thing and another I've got very
fed up with Madame Bucks. It's all dirty and half baked. There's great
holes in the carpet of my sitting-room--holes you could put your foot
through. And I've done that, as a matter of fact. Put my foot through
and nearly gone over. _Should_ have done, only for the table. Well, I
mean to say ... you can't help being fed up with it. But she knows where
I work, and I know she's hard up; so I don't like to go anywhere else,
because if anybody asked me if he should go there, I couldn't honestly
recommend him to; and yet, you see how it is, I shouldn't like to leave
her in the lurch, if she knew I was just gone somewhere else down the
street."

"No," sympathetically agreed Emmy. "I quite see. It's very awkward for
you. Though it's no use being too kind-hearted with these people;
because they _don't_ appreciate it; and if you don't say anything they
just go on in the same way, never troubling themselves about you. They
think, as long as you don't say anything you're all right; and it's not
their place to make any alteration. They're quite satisfied. Look at
Jenny and me."

"Is she satisfied!" asked Alf.

"With herself, she is. She's never satisfied with me. She never tries to
see it from my point of view."

"No," Alf nodded his head wisely. "That's what it is. They don't." He
nodded again.

"Isn't it a lovely night," ventured Emmy. "See the moon over there."

They looked up at the moon and the stars and the unfathomable sky. It
took them at once away from the streets and the subject of their talk.
Both sighed as they stared upwards, lost in the beauty before them. And
when at last their eyes dropped, the street lamps had become so yellow
and tawdry that they were like stupid spangles in contrast with the
stars. Alf still held Emmy's arm so snugly within his own, and her wrist
was within the clasp of his fingers. It was so little a thing to slide
his fingers into a firm clasp of her hand, and they drew closer.

"Lovely, eh!" Alf ejaculated, with a further upward lift of his eyes.
Emmy sighed again.

"Not like down here," she soberly said.

"No, it's different. Down here's all right, though," Alf assured her.
"Don't you think it is?" He gave a rather nervous little half laugh.
"Don't you think it is?"

"Grand!" Emmy agreed, with the slightest hint of dryness.

"I say, it was awfully good of you to come to-night," said Alf.
"I've ... you've enjoyed it, haven't you?" He was looking sharply at her,
and Emmy's face was illumined. He saw her soft cheeks, her thin, soft
little neck; he felt her warm gloved hand within his own. "D'you mind?"
he asked, and bent abruptly so that their faces were close together. For
a moment, feeling so daring that his breath caught, Alf could not carry
out his threat. Then, roughly, he pushed his face against hers, kissing
her. Quickly he released Emmy's arm, so that his own might be more
protectingly employed; and they stood embraced in the moonlight.


viii

It was only for a minute, for Emmy, with instinctive secrecy, drew away
into the shadow. At first Alf did not understand, and thought himself
repelled; but Emmy's hands were invitingly raised. The first delight was
broken. One more sensitive might have found it hard to recapture; but
Alf stepped quickly to her side in the shadow, and they kissed again. He
was surprised at her passion. He had not expected it, and the flattery
was welcome. He grinned a little in the safe darkness, consciously and
even sheepishly, but with eagerness. They were both clumsy and a little
trembling, not very practised lovers, but curious and excited. Emmy felt
her hat knocked a little sideways upon her head.

It was Emmy who moved first, drawing herself away from him, she knew not
why.

"Where you going?" asked Alf, detaining her. "What is it? Too rough, am
I?" He could not see Emmy's shaken head, and was for a moment puzzled at
the ways of woman--so far from his grasp.

"No," Emmy said. "It's wonderful."

Peering closely, Alf could see her eyes shining.

"D'you think you're fond enough of me, Emmy?" She demurred.

"That's a nice thing to say! As if it was for me to tell you!" she
whispered archly back.

"What ought I to say? I'm not ... mean to say, I don't know how to say
things, Emmy. You'll have to put up with my rough ways. Give us a kiss,
old sport."

"How many more! You _are_ a one!" Emmy was not pliant enough. In her
voice there was the faintest touch of--something that was not
self-consciousness, that was perhaps a sense of failure. Perhaps she was
back again suddenly into her maturity, finding it somehow ridiculous to
be kissed and to kiss with such abandon. Alf was not baffled, however.
As she withdrew he advanced, so that his knuckle rubbed against the
brick wall to which Emmy had retreated.

"I say," he cried sharply. "Here's the wall."

"Hurt yourself?" Emmy quickly caught his hand and raised it, examining
the knuckle. The skin might have been roughened; but no blood was drawn.
Painfully, exultingly, her dream realised, she pressed her cheek against
the back of his hand.


ix

"What's that for?" demanded Alf.

"Nothing. Never you mind. I wanted to do it." Emmy's cheeks were hot as
she spoke; but Alf marvelled at the action, and at her confession of
such an impulse.

"How long had you ... wanted to do it?"

"Mind your own business. The idea! Don't you know better than that?"
Emmy asked. It made him chuckle delightedly to have such a retort from
her. And it stimulated his curiosity.

"I believe you're a bit fond of me," he said. "I don't see why. There's
nothing about me to write home about, I shouldn't think. But there it
is: love's a wonderful thing."

"Is it?" asked Emma, distantly. Why couldn't he say he loved her? Too
proud, was he? Or was he shy? He had only used the word "love" once, and
that was in this general sense--as though there _was_ such a thing. Emmy
was shy of the word, too; but not as shy as that. She was for a moment
anxious, because she wanted him to say the word, or some equivalent. If
it was not said, she was dependent upon his charity later, and would cry
sleeplessly at night for want of sureness of him.

"D'you love me?" she suddenly said. Alf whistled. He seemed for that
instant to be quite taken aback by her inquiry. "There's no harm in me
asking, I suppose." Into Emmy's voice there came a thread of roughness.

"No harm at all," Alf politely said. "Not at all." He continued to
hesitate.

"Well?" Emmy waited, still in his arms, her ears alert.

"We're engaged, aren't we?" Alf muttered shamefacedly. "Erum ... what
sort of ring would you like? I don't say you'll get it ... and it's too
late to go and choose one to-night."

Emmy flushed again: he felt her tremble.

"You _are_ in a hurry," she said, too much moved for her archness to
take effect.

"Yes, I am." Alf's quick answer was reassuring enough. Emmy's heart was
eased. She drew him nearer with her arms about his neck, and they kissed
again.

"I wish you'd say you love me," she whispered. "Mean such a lot to me."

"No!" cried Alf incredulously. "Really?"

"Do you?"

"I'll think about it. Do you--me?"

"Yes. I don't mind saying it if you will."

Alf gave a little whistle to himself, half under his breath. He looked
carefully to right and left, and up at the house-wall against which they
were standing. Nobody seemed to be in danger of making him feel an
abject fool by overhearing such a confession as he was invited to make;
and yet it was such a terrible matter. He was confronted with a
difficulty of difficulties. He looked at Emmy, and knew that she was
waiting, entreating him with her shining eyes.

"Er," said Alf, reluctantly and with misgiving. "Er ... well,
I ... a ... suppose I do...."

Emmy gave a little cry, that was half a smothered laugh of happiness at
her triumph. It was not bad! She had made him admit it on the first
evening. Later, when she was more at ease, he should be more explicit.


x

"Well," said Alf, instantly regretting his admission, and inclined to
bluster. "Now I suppose you're satisfied?"

"Awfully!" breathed Emmy. "You're a dear good soul. You're splendid,
Alf!"

For a few minutes more they remained in that benign, unforgettable
shadow; and then, very slowly, with Alf's arm about Emmy's waist, and
Emmy's shoulder so confidingly against his breast, they began to return
homewards. Both spoke very subduedly, and tried to keep their shoes from
too loudly striking the pavement as they walked; and the wandering wind
came upon them in glee round every corner and rustled like a busybody
among all the consumptive bushes in the front gardens they passed.
Sounds carried far. A long way away they heard the tramcars grinding
along the main road. But here all was hush, and the beating of two
hearts in unison; and to both of them happiness lay ahead. Their aims
were similar, in no point jarring or divergent. Both wanted a home, and
loving labour, and quiet evenings of pleasant occupation. To both the
daily work came with regularity, not as an intrusion or a wrong to
manhood and womanhood; it was inevitable, and was regarded as
inevitable. Neither Emmy nor Alf ever wondered why they should be
working hard when the sun shone and the day was fine. Neither compared
the lot accorded by station with an ideal fortune of blessed ease. They
were not temperamentally restless. They both thought, with a practical
sense that is as convenient as it is generally accepted, "somebody must
do the work: may as well be me." No discontent would be theirs. And Alf
was a good worker at the bench, a sober and honest man; and Emmy could
make a pound go as far as any other woman in Kennington Park. They had
before them a faithful future of work in common, of ideals (workaday
ideals) in common; and at this instant they were both marvellously
content with the immediate outlook. Not for them to change the order of
the world.

"I feel it's so suitable," Emmy startlingly said, in a hushed tone, as
they walked. "Your ... you know ... 'supposing you do' ... me; and
me ... doing the same for you."

Alf looked solemnly round at her. His Emmy skittish? It was not what he
had thought. Still, it diverted him; and he ambled in pursuit.

"Yes," he darkly said. "What do you 'suppose you do' for me?"

"Why, love you," Emmy hurried to explain, trapping herself by speed into
the use of the tabooed word. "Didn't you know? Though it seems funny to
say it like that. It's so new. I've never dared to ... you know ... say
it. I mean, we're both of us quiet, and reliable ... we're not either of
us flighty, I mean. That's why I think we suit each other--better than
if we'd been different. Not like we are."

"I'm sure we do," Alf said.

"Not like some people. You can't help wondering to yourself however they
came to get married. They seem so unlike. Don't they! It's funny. Ah
well, love's a wonderful thing--as you say!" She turned archly to him,
encouragingly.

"You seem happy," remarked Alf, in a critical tone. But he was not
offended; only tingled into desire for her by the strange gleam of
merriment crossing her natural seriousness, the jubilant note of happy
consciousness that the evening's lovemaking had bred. Alf drew her more
closely to his side, increasingly sure that he had done well. She was
beginning to intrigue him. With an emotion that startled himself as
much as it delighted Emmy, he said thickly in her ear, "D'you love
me ... like this?"


xi

They neared the road in which the Blanchards lived: Emmy began to press
forward as Alf seemed inclined to loiter. In the neighbourhood the
church that had struck eight as they left the house began once again to
record an hour.

"By George!" cried Alf. "Twelve ... Midnight!" They could feel the day
pass.

They were at the corner, beside the little chandler's shop which
advertised to the moon its varieties of tea; and Alf paused once again.

"Half a tick," he said. "No hurry, is there?"

"You'll come in for a bit of supper," Emmy urged. Then, plumbing his
hesitation, she went on, in a voice that had steel somewhere in its
depths. "They'll both be gone to bed. She won't be there."

"Oh, I wasn't thinking of that," Alf declared, with unconvincing
nonchalance.

"I'll give you a drop of Pa's beer," Emmy said drily.

She took out a key, and held it up for his inspection.

"I say!" Alf pretended to be surprised at the sight of a key.

"Quite a big girl, aren't I! Well, you see: there are two, and Pa never
goes out. So we have one each. Saves a lot of bother." As she spoke Emmy
was unlocking the door and entering the house. "See, you can have supper
with me, and then it won't seem so far to walk home. And you can throw
Madame Buck's rinds at the back of the fire. You'll like that; and so
will she."

Alf, now perfectly docile, and even thrilled with pleasure at the idea
of being with her for a little while longer, followed Emmy into the
passage, where the flickering gas showed too feeble a light to be of any
service to them. Between the two walls they felt their way into the
house, and Alf softly closed the door.

"Hang your hat and coat on the stand," whispered Emmy, and went
tiptoeing forward to the kitchen. It was in darkness. "Oo, she is a
monkey! She's let the fire out," Emmy continued, in the same whisper.
"Have you got a match? The gas is out." She opened the kitchen door
wide, and stood there taking off her hat, while Alf fumbled his way
along the passage. "Be quick," she said.

Alf pretended not to be able to find the matches, so that he might give
her a hearty kiss in the darkness. He was laughing to himself because he
had only succeeded, in his random venture, in kissing her chin; and
then, when she broke away with a smothered protest and a half laugh, he
put his hand in his pocket again for the match-box. The first match
fizzed along the box as it was struck, and immediately went out.

"Oh, _do_ hurry up!" cried Emmy in a whisper, thinking he was still
sporting with her. "Don't keep on larking about, Alf!"

"I'm not!" indignantly answered the delinquent. "It wouldn't strike.
Half a tick!"

He moved forward in the darkness, to be nearer the gas; and as he took
the step his foot caught against something upon the floor. He exclaimed.

"Now what is it?" demanded Emmy. For answer Alf struck his match, and
they both looked at the floor by Alf's feet. Emmy gave a startled cry
and dropped to her knees.

"Hul-lo!" said Alf; and with his lighted match raised he moved to the
gas, stepping, as he did so, over the body of Pa Blanchard, which was
lying at full length across the kitchen floor.




CHAPTER XII: CONSEQUENCES


i

In the succeeding quietness, Emmy fumbled at the old man's hands; then
quickly at his breast, near the heart. Trembling violently, she looked
up at Alf, as if beseeching his aid. He too knelt, and Emmy took Pa's
lolling head into her lap, as though by her caress she thought to
restore colour and life to the features. The two discoverers did not
speak nor reason: they were wholly occupied with the moment's horror. At
last Alf said, almost in a whisper:

"I think it's all right. He's hit his head. Feel his head, and see if
it's bleeding."

Emmy withdrew one hand. A finger was faintly smeared with blood. She
shuddered, looking in horror at the colour against her hand; and Alf
nodded sharply at seeing his supposition verified. His eye wandered from
the insensible body, to a chair, to the open cupboard, to the topmost
shelf of the cupboard. Emmy followed his glance point by point, and in
conclusion they looked straight into each other's eyes, with perfect
understanding. Alf's brows arched.

"Get some water--quick!" Emmy cried sharply. She drew her handkerchief
from her breast as Alf returned with a jugful of water; and, having
folded it, she dangled the kerchief in the jug.

"Slap it on!" urged Alf. "He can't feel it, you know."

So instructed, Emmy first of all turned Pa's head to discover the wound,
and saw that her skirt was already slightly stained by the oozing blood.
With her wetted handkerchief she gently wiped the blood from Pa's hair.
It was still quite moist, and more blood flowed at the touch. That fact
made her realise instinctively that the accident, the stages of which
had been indicated by Alf's wandering glances, had happened within a few
minutes of their arrival. When Alf took the jug and threw some of its
contents upon the old man's grey face, splashing her, she made an
impatient gesture of protest.

"No, no!" she cried. "It's all over _me!_" "Been after his beer, he
has," Alf unnecessarily explained. "That's what it is. Got up on the
chair, and fell off it, trying to get at it. Bad boy!"

As she did not answer, from the irritation caused by nervous
apprehensiveness, he soaked his own handkerchief and began to slap it
across Pa's face, until the jug was empty. Alf thoughtfully sprinkled
the last drops from it so that they fell cascading about Pa. He was
turning away to refill the jug, when a notion occurred to him.

"Any brandy in the house?" he asked. "Ought to have thought of it
before. Pubs are all closed now."

"See if there's any ... up there." Emmy pointed vaguely upwards. She was
bent over Pa, gently wiping the trickles of water from his ghastly face,
caressing with her wet handkerchief the closed eyes and the furrowed
brow.

Alf climbed upon the chair from which Pa had fallen, and reached his
hand round to the back of the high shelf, feeling for whatever was
there. With her face upturned, Emmy watched and listened. She heard a
very faint clink, as if two small bottles had been knocked together, and
then a little dump, as if one of them had fallen over.

"Glory!" said Alf, still in the low voice that he had used earlier.
"Believe I've got it!"

"Got it? Is there any in it?" Emmy at the same instant was asking.

Alf was sniffing at the little bottle which he had withdrawn from the
cupboard. He then descended carefully from the chair, and held the
uncorked bottle under her nose, for a corroborative sniff. It was about
half full of brandy. Satisfied, he knelt as before, now trying, however,
to force Pa's teeth apart, and rubbing some of the brandy upon the
parted lips.

"This'll do it!" Alf cheerfully and reassuringly cried. "Half a tick.
I'll get some water to wet his head again." He stumbled once more out
into the scullery, and the careful Emmy unconsciously flinched as she
heard the jug struck hard in the darkness against the tap. Her eye was
fixed upon the jug as it was borne brimming and splashing back to her
side. She could not help feeling such housewifely anxiety even amid the
tremors of her other acute concern. As Alf knelt he lavishly sprinkled
some more water upon Pa's face, and set the jug ready to Emmy's hand,
working with a quiet deftness that aroused her watchful admiration. He
was here neither clumsy nor rough: if his methods were as primitive as
the means at hand his gentle treatment of the senseless body showed him
to be adaptable to an emergency. How she loved him! Pride gleamed in
Emmy's eyes. She could see in him the eternal handy-man of her delight,
made for husbandhood and as clearly without nonsense as any working wife
could have wished.

Pa's nightshirt was blackened with great splashes of water, and the
soaked parts clung tightly to his breast. At the neck it was already
open, and they both thought they could see at this moment a quick
contraction of the throat. An additional augury was found in the fact
that Alf simultaneously had succeeded in dribbling some of the brandy
between Pa's teeth, and although some of it ran out at the corners of
his mouth and out on to his cheeks, some also was retained and would
help to revive him. Alf gave another quick nod, this time one of
satisfaction.

"Feel his heart!" Emmy whispered. He did so. "Can you feel it?"

"It's all right. Famous!"

Pa gave a little groan. He seemed to stir. Emmy felt his shoulders move
against her knees; and she looked quickly up, a faint relieved smile
crossing her anxious face. Then, as Alf returned her glance, his eyes
became fixed, and he looked beyond her and up over her head. Jenny stood
in the doorway, fully dressed, but without either hat or coat, her face
blanched at the picture before her.


ii

To Jenny, coming with every precautionary quietness into the house, the
sight came as the greatest shock. She found the kitchen door ajar, heard
voices, and then burst upon the three feebly illumined figures. Emmy,
still in her out-of-doors coat, knelt beside Alf upon the floor; and
between them, with a face terribly grey, lay Pa, still in his old red
nightshirt, with one of his bare feet showing. The stained shirt, upon
which the marks of water, looking in this light perfectly black, might
have been those of blood, filled Jenny with horror. It was only when she
saw both Emmy and Alf staring mutely at her that she struggled against
the deadly faintness that was thickening a veil of darkness before her
eyes. It was a dreadful moment.

"Hullo Jen!" Alf said. "Look here!"

"I thought you must be in bed," Emmy murmured. "Isn't it awful!"

Not a suspicion! Her heart felt as if somebody had sharply pinched it.
They did not know she had been out! It made her tremble in a sudden
flurry of excited relief. She quickly came forward, bending over Pa.
Into his cheeks there had come the faintest wash of colour. His eyelids
fluttered. Jenny stooped and took his hand, quite mechanically, pressing
it between hers and against her heart. And at that moment Pa's eyes
opened wide, and he stared up at her. With Alf at his side and Emmy
behind him, supporting his head upon her lap, Pa could see only Jenny,
and a twitching grin fled across his face--a grin of loving recognition.
It was succeeded by another sign of recovery, a peculiar fumbling
suggestion of remembered cunning.

"Jenny, my dearie," whispered Pa, gaspingly. "A good ... boy!" His eyes
closed again.

Emmy looked in quick challenge at Alf, as if to say "You see how it is!
She comes in last, and it's her luck that he should see her.... _Always_
the same!" And Jenny was saying, very low:

"It looks to me as if you'd been a bad boy!"

"Can't be with him _all_ the time!" Emmy put in, having reached a point
of general self-defence in the course of her mental explorations. She
was recovering from her shock and her first horrible fears.

"Shall we get him to bed? Carry him back in there?" Jenny asked. "The
floor's soaking wet." She had not to receive any rebuke: Emmy, although
shaken, was reviving in happiness and in graciousness with each second's
diminution of her dread. She now agreed to Pa's removal; and they all
stumbled into his bedroom and laid him upon his own bed. Alf went
quickly back again to the kitchen for the brandy; and presently a good
dose of this was sending its thrilling and reviving fire through Pa's
person. Emmy had busied herself in making a bandage for his wounded
head; and Jenny had arranged him more comfortably, drying his chest and
laying a little towel between his body and the night-short lest he
should take cold. Pa was very complacently aware of these ministrations,
and by the time they were in full order completed he was fast asleep,
having expressed no sort of contrition for his naughtiness or for the
alarm he had given them all.

Reassured, the party returned to the kitchen.


iii

Alf could not now wait to sit down to supper; but he drank a glass of
beer, after getting it down for himself and rather humorously
illustrating how Pa's designs must have been frustrated. He then, with a
quick handshake with Jenny, hurried away.

"I'll let you out," Emmy said. There were quick exchanged glances. Jenny
was left alone in the kitchen for two or three minutes until Emmy
returned, humming a little self-consciously, and no longer pale.

"Quite a commotion," said Emmy, with assumed ease.

Jenny was looking at her, and Jenny's heart felt as though it were
bursting. She had never in her life known such a sensation of
guilt--guilt at the suppression of a vital fact. Yet above that sense of
guilt, which throbbed within all her consciousness, was a more
superficial concern with the happenings of the moment.

"Yes," Jenny said. "And.... Had you been in long?" she asked quickly.

"Only a minute. We found him like that. We didn't come straight home."

"Oh," said Jenny, significantly, though her heart was thudding. "You
didn't come straight home." Emmy's colour rose still higher. She
faltered slightly, and tears appeared in her eyes. She could not
explain. Some return of her jealousy, some feeling of what Jenny would
"think," checked her. The communication must be made by other means than
words. The two sisters eyed each other. They were very near, and Emmy's
lids were the first to fall. Jenny stepped forward, and put a protective
arm round her; and as if Emmy had been waiting for that she began
smiling and crying at one and the same moment.

"Looks to me as if...." Jenny went on after this exchange.

"I'm sorry I was a beast," Emmy said. "I'm as different as anything
now."

"You're a dear!" Jenny assured her. "Never mind about what you said."

It was an expansive moment. Their hearts were charged. To both the
evening had been the one poignant moment of their lives, an evening to
provide reflections for a thousand other evenings. And Emmy was happy,
for the first time for many days, with the thought of happy life before
her. She described in detail the events of the theatre and the walk. She
did not give an exactly true story. It was not to be expected that she
would do so. Jenny did not expect it. She gave indications of her
happiness, which was her main object; and she gave further indications,
less intentional, of her character, as no author can avoid doing. And
Jenny, immediately discounting, and in the light of her own temperament
re-shaping and re-proportioning the form of Emmy's narrative, was like
the eternal critic--apprehending only what she could personally
recognise. But both took pleasure in the tale, and both saw forward into
the future a very satisfactory ending to Emmy's romance.

"And we got back just as twelve was striking," Emmy concluded.

A deep flush overspread Jenny's face. She turned away quickly in order
that it might not be seen. Emmy still continued busy with her thoughts.
It occurred to her to be surprised that Jenny should be fully dressed.
The surprise pressed her further onward with the narrative.

"And then, of course, we found Pa. Wasn't it strange of him to do it? He
couldn't have been there long.... He must have waited for you to go up.
He must have listened. I must find another place to keep it, though he's
never done such a thing before in his life. He must have listened for
you going up, and then come creeping out here.... Why, there's his
candle on the floor! Fancy that! Might have set fire to the whole house!
See, you couldn't have been upstairs long.... I thought you must have
been, seeing the fire was black out. Did you go to sleep in front of
it? I thought you might have laid a bit of supper for us. I thought you
_would_ have. But if you were asleep, I don't wonder. I thought you'd
have been in bed hours. Did you hear anything? He must have made a
racket falling off the chair. What made you come down again? Pa must
have listened like anything."

"I didn't come down," Jenny said, in a slow, passionless voice. "I
hadn't gone to bed. I was out. I'd been out all the evening ... since
quarter-to-nine."


iv

At first Emmy could not understand. She stood, puzzled, unable to
collect her thoughts.

"Jenny!" at last she said, unbelievingly. Accusing impulses showed in
her face. The softer mood, just passing, was replaced by one of anger.
"Well, I must say it's like you," Emmy concluded. "I'm not to have a
_moment_ out of the house. I can't even leave you...."

"Half-an-hour after you'd gone," urged Jenny, "I got a note from Keith."

"Keith!" It was Emmy's sign that she had noted the name.

"I told you.... He'd only got the one evening in London."

"Couldn't he have come here?"

"He mustn't leave his ship. I didn't know what to do. At first I thought
I _couldn't_ go. But the man was waiting--"

"Man!" cried Emmy. "What man?"

"The chauffeur."

Emmy's face changed. Her whole manner changed. She was outraged.

"Jenny! Is he _that_ sort! Oh, I warned you.... There's never any good
in it. He'll do you no good."

"He's a captain of a little yacht. He's not what you think," Jenny
protested, very pale, her heart sinking under such a rebuke, under such
knowledge as she alone possessed.

"Still, to go to him!" Emmy was returned to that aspect of the affair.
"And leave Pa!"

"I know. I know," Jenny cried. She was no longer protective. She was
herself in need of comfort. "But I _had_ to go. You'd have gone
yourself!" She met Emmy's gaze steadily, but without defiance.

"No I shouldn't!" It was Emmy who became defiant. Emmy's jealousy was
again awake. "However much I wanted to go. I should have stayed."

"And lost him!" Jenny cried.

"Are you sure of him now?" asked Emmy swiftly. "If he's gone again."

With her cheeks crimson, Jenny turned upon her sister.

"Yes, I'm sure of him. And I love him. I love him as much as you love
Alf." She had the impulse, almost irresistible, to add "More!" but she
restrained her tongue just in time. That was a possibility Emmy could
never admit. It was only that they were different.

"But to leave Pa!" Emmy's bewildered mind went back to what was the real
difficulty. Jenny protested.

"He was in bed. I thought he'd be safe. He was tucked up. Supposing I
hadn't gone. Supposing I'd gone up to bed an hour ago. Still he'd have
done the same."

"You know he wouldn't," Emmy said, very quietly. Jenny felt a wave of
hysteria pass through her. It died down. She held herself very firmly.
It was true. She knew that she was only defending herself.

"I don't know," she said, in a false, aggrieved voice. "How do I know?"

"You do. He knew you were out. He very likely woke up and felt
frightened."

"Felt thirsty, more like it!" Jenny exclaimed.

"Well, you did wrong," Emmy said. "However you like to put it to
yourself, you did wrong."

"I always manage to. Don't I!" Jenny's speech still was without
defiance. She was humble. "It's a funny thing; but it's true...."

"You always want to go your own way," Emmy reproved.

"Oh, I don't think _that's_ wrong!" hastily said Jenny. "Why should you
go anybody else's way?"

"I don't know," admitted Emmy. "But it's safer."

"Whose way do you go?" Jenny had stumbled upon a question so
unanswerable that she was at liberty to answer it for herself. "I don't
know whose way you go now; but I do know whose way you'll go soon.
You'll go Alf's way."

"Well?" demanded Emmy. "If it's a good way?"

"Well, I go Keith's way!" Jenny answered, in a fine glow. "And he goes
mine."

Emmy looked at her, shaking her head in a kind of narrow wisdom.

"Not if he sends a chauffeur," she said slowly. "Not that sort of man."


v

For a moment Jenny's heart burned with indignation. Then it turned cold.
If Emmy were right! Supposing--just supposing.... Savagely she thrust
doubt of Keith from her: her trust in him was forced by dread into still
warmer and louder proclamation.

"You don't understand!" she cried. "You _couldn't_. You've never seen
him. Wait a minute!" She went quickly out of the kitchen and up to her
bedroom. There, secretly kept from every eye, was the little photograph
of Keith. She brought it down. In anxious triumph she showed it to Emmy.
Emmy's three years' seniority had never been of so much account.
"There," Jenny said. "That's Keith. Look at him!"

Emmy held the photograph under the meagre light. She was astonished,
although she kept outwardly calm; because Keith--besides being obviously
what is called a gentleman--looked honest and candid. She could not find
fault with the face.

"He's very good-looking," she admitted, in a critical tone. "Very."

"Not the sort of man you thought," emphasised Jenny, keenly elated at
Emmy's dilemma.

"Is he ... has he got any money?"

"Never asked him. No--I don't think he has. It wasn't _his_ chauffeur. A
lord's."

"There! He knows lords.... Oh, Jenny!" Emmy's tone was still one of
warning. "He won't marry you. I'm sure he won't."

"Yes he will," Jenny said confidently. But the excitement had shaken
her, and she was not the firm Jenny of custom. She looked imploringly at
Emmy. "_Say_ you believe it!" she begged. Emmy returned her urgent
gaze, and felt Jenny's arm round her. Their two faces were very close.
"You'd have done the same," Jenny urged.

Something in her tone awakened a suspicion in Emmy's mind. She tried to
see what lay behind those glowing mysteries that were so close to hers.
Her own eyes were shining as if from an inner brightness. The sisters,
so unlike, so inexpressibly contrary in every phase of their outlook, in
every small detail of their history, had this in common--that each, in
her own manner, and with the consequences drawn from differences of
character and aim, had spent happy hours with the man she loved. What
was to follow remained undetermined. But Emmy's heart was warmed with
happiness: she was for the first time filled only with impulses of
kindness and love for Jenny. She would blame no more for Jenny's
desertion. It was just enough, since the consequences of that desertion
had been remedied, to enhance Emmy's sense of her own superiority. There
remained only the journey taken by Jenny. She again took from her
sister's hand the little photograph. Alf's face seemed to come between
the photograph and her careful, poring scrutiny, more the jealous
scrutiny of a mother than that of a sister.

"He's rather _thin"_, Emmy ventured, dubiously. "What colour are his
eyes?"

"Blue. And his hair's brown.... He's lovely."

"He _looks_ nice," Emmy said, relenting.

"He _is_ nice. Em, dear.... Say you'd have done the same!"

Emmy gave Jenny a great hug, kissing her as if Jenny had been her little
girl. To Emmy the moment was without alloy. Her own future assured, all
else fell into the orderly picture which made up her view of life. But
she was not quite calm, and it even surprised her to feel so much warmth
of love for Jenny. Still holding her sister, she was conscious of a
quick impulse that was both exulting and pathetically shy.

"It's funny us both being happy at once. Isn't it!" she whispered, all
sparkling.


vi

To herself Jenny groaned a sufficient retort.

"I don't know that I'm feeling so tremendously happy my own self," she
thought. For the reaction had set in. She was glad enough to bring about
by various movements their long-delayed bedward journey. She was
beginning to feel that her head and her heart were both aching, and that
any more confidences from Emmy would be unbearable. And where Emmy had
grown communicative--since Emmy had nothing to conceal--Jenny had felt
more and more that her happiness was staled as thought corroded it. By
the time they turned out the kitchen gas the clock pointed to twenty
minutes past two, and the darkest hour was already recorded. In three
more hours the sun would rise, and Jenny knew that long before then she
would see the sky greying as though the successive veils of the
transformation were to reveal the crystal grotto. She preceded Emmy up
the stairs, carrying a candle and lighting the way. At the top of the
staircase Emmy would find her own candle, and they would part. They were
now equally eager for the separation, Emmy because she wanted to think
over and over again the details of her happiness, and to make plans for
a kind of life that was to open afresh in days that lay ahead. Arrived
at the landing the sisters did not pause or kiss, but each looked and
smiled seriously as she entered her bedroom. With the closing of the
doors noise seemed to depart from the little house, though Jenny heard
Emmy moving in her room. The house was in darkness. Emmy was gone; Pa
lay asleep in the dim light, his head bandaged and the water slowly
soaking into the towel protectively laid upon his chest; in the kitchen
the ailing clock ticked away the night. Everything seemed at peace but
Jenny, who, when she had closed the door and set her candle down, went
quickly to the bed, sitting upon its edge and looking straight before
her with dark and sober eyes.

She had much to think of. She would never forgive herself now for
leaving Pa. It might have been a more serious accident that had happened
during her absence; she could even plead, to Emmy, that the accident
might have happened if she had not left the house at all; but nothing
her quick brain could urge had really satisfied Jenny. The stark fact
remained that she had been there under promise to tend Pa; and that she
had failed in her acknowledged trust. He might have died. If he had
died, she would have been to blame. Not Pa! He couldn't help himself! He
was driven by inner necessity to do things which he must not be allowed
to do. Jenny might have pleaded the same justification. She had done so
before this. It had been a necessity to her to go to Keith. As far as
that went she did not question the paramount power of impulse. Not will,
but the strongest craving, had led her. Jenny could perhaps hardly
discourse learnedly upon such things: she must follow the dictates of
her nature. But she never accused Pa of responsibility. He was an
irresponsible. She had been left to look after him. She had not stayed;
and ill had befallen. A bitter smile curved Jenny's lips.

"I suppose they'd say it was a punishment," she whispered. "They'd like
to think it was."

After that she stayed a long time silent, swaying gently while her
candle flickered, her head full of a kind of formless musing. Then she
rose from the bed and took her candle so that she could see her face in
the small mirror upon the dressing-table. The candle flickered still
more in the draught from the open window; and Jenny saw her breath hang
like a cloud before her. In the mirror her face looked deadly pale; and
her lips were slightly drawn as if she were about to cry. Dark shadows
were upon her face, whether real or the work of the feeble light she did
not think to question. She was looking straight at her own eyes, black
with the dilation of pupil, and somehow struck with the horror which was
her deepest emotion. Jenny was speaking to the girl in the glass.

"I shouldn't have thought it of you," she was saying. "You come out
of a respectable home and you do things like this. Silly little fool,
you are. Silly little fool. Because you can't stand his not loving
you ... you go and do that." For a moment she stopped, turning away,
her lip bitten, her eyes veiled. "Oh, but he does love me!" she
breathed. "_Quite_ as much ... quite as much ... nearly ... nearly as
much...." She sighed deeply, standing lone in the centre of the room,
her long, thin shadow thrown upon the wall in front of her. "And to leave
Pa!" she was thinking, and shaking her head. "_That_ was wrong, when I'd
promised. I shall always know it was wrong. I shall never be able to
forget it as long as I live. Not as long as I live. And if I hadn't
gone, I'd never have seen Keith again--never! He'd have gone off; and my
heart would have broken. I should have got older and older, and hated
everybody. Hated Pa, most likely. And now I just hate myself.... Oh,
it's so difficult!" She moved impatiently, and at last went back to the
mirror, not to look into it but to remove the candle, to blow it out,
and to leave the room in darkness. This done, Jenny drew up the blind,
so that she could see the outlines of the roofs opposite. It seemed to
her that for a long distance there was no sound at all: only there, all
the time, far behind all houses, somewhere buried in the heart of
London, there was the same unintermittent low growl. It was always in
her ears, even at night, like a sleepless pulse, beating steadily
through the silences.

Jenny was not happy. Her heart was cold. She continued to look from the
window, her face full of gravity. She was hearing again Keith's voice as
he planned their future; but she was not sanguine now. It all seemed too
far away, and so much had happened. So much had happened that seemed as
though it could never be realised, never be a part of memory at all, so
blank and sheer did it now stand, pressing upon her like overwhelming
darkness. She thought again of the bridge, and the striking hours; the
knock, the letter, the hurried ride; she remembered her supper and the
argument with Emmy; the argument with Alf; and her fleeting moods, so
many, so painful, during her time with Keith. To love, to be loved: that
was her sole commandment of life--how learned she knew not. To love and
to work she knew was the theory of Emmy. But how different they were,
how altogether unlike! Emmy with Alf; Jenny with Keith....

"Yes, but she's got what she wants," Jenny whispered in the darkness.
"That's what she wants. It wouldn't do for me. Only in this world you've
all got to have one pattern, whether it suits you or not. Else you're
not 'right.' 'They' don't like it. And I'm outside ... I'm a misfit. Eh,
well: it's no good whimpering about it. What must be, must; as they
say!"

Soberly she moved from the window and began to undress in the darkness,
stopping every now and then as if she were listening to that low humming
far beyond the houses, when the thought of unresting life made her heart
beat more quickly. Away there upon the black running current of the
river was Keith, on that tiny yacht so open upon the treacherous sea to
every kind of danger. And nothing between Keith and sudden, horrible
death but that wooden hulk and his own seamanship. She was Keith's: she
belonged to him; but he did not belong to her. To Keith she might, she
would give all, as she had done; but he would still be apart from her.
He might give his love, his care: but she knew that her pride and her
love must be the love and pride to submit--not Keith's. Away from him,
released from the spell, Jenny knew that she had yielded to him the
freedom she so cherished as her inalienable right. She had given him her
freedom. It was in his power. For her real freedom was her innocence and
her desire to do right. It was not that she wanted to defy, so much as
that she could bear no shackles, and that she had no respect for the
belief that things should be done only because they were always done,
and for no other reason but that of tradition. And she feared nothing
but her own merciless judgment.

It was not now that she dreaded Emmy's powerlessness to forgive her, or
the opinion of anybody else in the world. It was that she could not
forgive herself. Those who are strong enough to live alone in the world,
so long as they are young and vigorous, have this rare faculty of
self-judgment. It is only when they are exhausted that they turn
elsewhere for judgment and pardon.

Jenny sat once again upon the bed.

"Oh Keith, my dearest...." she began. "My Keith...." Her thoughts flew
swiftly to the yacht, to Keith. With unforgettable pain she heard his
voice ringing in her ears, saw his clear eyes, as honest as the day,
looking straight into her own. Pain mingled with love and pride; and
battled there within her heart, making a fine tumult of sensation; and
Jenny felt herself smiling in the darkness at such a conflict. She even
began very softly to laugh. But as if the sound checked her and awoke
the secret sadness that the tumultuous sensations were trying to hide,
her courage suddenly gave way.

"Keith!" she gently called, her voice barely audible. Only silence was
there. Keith was far away--unreachable. Jenny pressed her hands to her
lips, that were trembling uncontrollably. She rose, struggling for
composure, struggling to get back to the old way of looking at
everything. It seemed imperative that she should do so. In a forlorn,
quivering voice she ventured:

"What a life! Golly, what a life!"

But the effort to pretend that she could still make fun of the events of
the evening was too great for Jenny. She threw herself upon the bed,
burying her face in the pillow.

"Keith ... oh Keith!..."

THE END