PAUL KELVER

By Jerome K. Jerome

(Jerome Klapka), 1859-1927


Transcriber's Note: Items in [brackets] are editorial comments added
in proofing. Italicized text is delimited by _underscores_. The pound
(currency) symbol has been replaced by the word “pound”.




CONTENTS.

PROLOGUE

BOOK I

I. PAUL, ARRIVED IN A STRANGE LAND, LEARNS MANY THINGS, AND GOES TO MEET
THE MAN IN GREY

II. IN WHICH PAUL MAKES ACQUAINTANCE OF THE MAN WITH THE UGLY MOUTH

III. HOW GOOD LUCK KNOCKED AT THE DOOR OF THE MAN IN GREY

IV. PAUL, FALLING IN WITH A GOODLY COMPANY OF PILGRIMS, LEARNS OF THEM
THE ROAD THAT HE MUST TRAVEL, AND MEETS THE PRINCESS OF THE GOLDEN LOCKS

V. IN WHICH THERE COMES BY ONE BENT UPON PURSUING HIS OWN WAY

VI. OF THE SHADOW THAT CAME BETWEEN THE MAN IN GREY AND THE LADY OF THE
LOVE-LIT EYES

VII. OF THE PASSING OF THE SHADOW

VIII. HOW THE MAN IN GREY MADE READY FOR HIS GOING

IX. OF THE FASHIONING OF PAUL

X. IN WHICH PAUL IS SHIPWRECKED, AND CAST INTO DEEP WATERS




BOOK II.

I. DESCRIBES THE DESERT ISLAND TO WHICH PAUL WAS DRIFTED

II. PAUL, ESCAPING FROM HIS SOLITUDE, FALLS INTO STRANGE COMPANY, AND
BECOMES CAPTIVE TO ONE OF HAUGHTY MIEN

III. GOOD FRIENDS SHOW PAUL THE ROAD TO FREEDOM. BUT BEFORE SETTING OUT,
HE WILL GO A-VISITING

IV. LEADS TO A MEETING

V. HOW ON A SWEET GREY MORNING THE FUTURE CAME TO PAUL

VI. OF THE GLORY AND GOODNESS AND THE EVIL THAT GO TO THE MAKING OF LOVE

VII. HOW PAUL SET FORTH UPON A QUEST

VIII. AND HOW CAME BACK AGAIN

IX. THE PRINCESS OF THE GOLDEN LOCKS SENDS PAUL A RING

X. PAUL FINDS HIS WAY




PAUL KELVER




PROLOGUE.


IN WHICH THE AUTHOR SEEKS TO CAST THE RESPONSIBILITY OF THIS STORY UPON
ANOTHER.

At the corner of a long, straight, brick-built street in the far East
End of London--one of those lifeless streets, made of two drab walls
upon which the level lines, formed by the precisely even window-sills
and doorsteps, stretch in weary perspective from end to end, suggesting
petrified diagrams proving dead problems--stands a house that ever draws
me to it; so that often, when least conscious of my footsteps, I awake
to find myself hurrying through noisy, crowded thoroughfares, where
flaring naphtha lamps illumine fierce, patient, leaden-coloured faces;
through dim-lit, empty streets, where monstrous shadows come and go
upon the close-drawn blinds; through narrow, noisome streets, where the
gutters swarm with children, and each ever-open doorway vomits riot;
past reeking corners, and across waste places, till at last I reach the
dreary goal of my memory-driven desire, and, coming to a halt beside the
broken railings, find rest.

The house, larger than its fellows, built when the street was still
a country lane, edging the marshes, strikes a strange note of
individuality amid the surrounding harmony of hideousness. It is
encompassed on two sides by what was once a garden, though now but a
barren patch of stones and dust where clothes--it is odd any one should
have thought of washing--hang in perpetuity; while about the door
continue the remnants of a porch, which the stucco falling has left
exposed in all its naked insincerity.

Occasionally I drift hitherward in the day time, when slatternly women
gossip round the area gates, and the silence is broken by the
hoarse, wailing cry of “Coals--any coals--three and sixpence a
sack--co-o-o-als!” chanted in a tone that absence of response has
stamped with chronic melancholy; but then the street knows me not, and
my old friend of the corner, ashamed of its shabbiness in the unpitying
sunlight, turns its face away, and will not see me as I pass.

Not until the Night, merciful alone of all things to the ugly, draws her
veil across its sordid features will it, as some fond old nurse, sought
out in after years, open wide its arms to welcome me. Then the teeming
life it now shelters, hushed for a time within its walls, the flickering
flare from the “King of Prussia” opposite extinguished, will it talk
with me of the past, asking me many questions, reminding me of
many things I had forgotten. Then into the silent street come the
well-remembered footsteps; in and out the creaking gate pass, not seeing
me, the well-remembered faces; and we talk concerning them; as two
cronies, turning the torn leaves of some old album where the faded
portraits in forgotten fashions, speak together in low tones of those
now dead or scattered, with now a smile and now a sigh, and many an “Ah
me!” or “Dear, dear!”

This bent, worn man, coming towards us with quick impatient steps, which
yet cease every fifty yards or so, while he pauses, leaning heavily upon
his high Malacca cane: “It is a handsome face, is it not?” I ask, as I
gaze upon it, shadow framed.

“Aye, handsome enough,” answers the old House; “and handsomer still it
must have been before you and I knew it, before mean care had furrowed
it with fretful lines.”

“I never could make out,” continues the old House, musingly, “whom you
took after; for they were a handsome pair, your father and your mother,
though Lord! what a couple of children!”

“Children!” I say in surprise, for my father must have been past five
and thirty before the House could have known him, and my mother's face
is very close to mine, in the darkness, so that I see the many grey
hairs mingling with the bonny brown.

“Children,” repeats the old House, irritably, so it seems to me, not
liking, perhaps, its opinions questioned, a failing common to old folk;
“the most helpless pair of children I ever set eyes upon. Who but
a child, I should like to know, would have conceived the notion of
repairing his fortune by becoming a solicitor at thirty-eight, or,
having conceived such a notion, would have selected the outskirts of
Poplar as a likely centre in which to put up his door-plate?”

“It was considered to be a rising neighbourhood,” I reply, a little
resentful. No son cares to hear the family wisdom criticised, even
though at the bottom of his heart he may be in agreement with the
critic. “All sorts and conditions of men, whose affairs were in
connection with the sea would, it was thought, come to reside hereabout,
so as to be near to the new docks; and had they, it is not unreasonable
to suppose they would have quarrelled and disputed with one another,
much to the advantage of a cute solicitor, convenient to their hand.”

“Stuff and nonsense,” retorts the old House, shortly; “why, the mere
smell of the place would have been sufficient to keep a sensible man
away. And”--the grim brick face before me twists itself into a goblin
smile--“he, of all men in the world, as 'the cute solicitor,' giving
advice to shady clients, eager to get out of trouble by the shortest
way, can you fancy it! he who for two years starved himself, living on
five shillings a week--that was before you came to London, when he
was here alone. Even your mother knew nothing of it till years
afterwards--so that no man should be a penny the poorer for having
trusted his good name. Do you think the crew of chandlers and brokers,
dock hustlers and freight wreckers would have found him a useful man of
business, even had they come to settle here?”

I have no answer; nor does the old House wait for any, but talks on.

“And your mother! would any but a child have taken that soft-tongued
wanton to her bosom, and not have seen through acting so transparent?
Would any but the veriest child that never ought to have been let out
into the world by itself have thought to dree her weird in such folly?
Children! poor babies they were, both of them.”

“Tell me,” I say--for at such times all my stock of common sense is not
sufficient to convince me that the old House is but clay. From its walls
so full of voices, from its floors so thick with footsteps, surely it
has learned to live; as a violin, long played on, comes to learn at last
a music of its own. “Tell me, I was but a child to whom life speaks in a
strange tongue, was there any truth in the story?”

“Truth!” snaps out the old House; “just truth enough to plant a lie
upon; and Lord knows not much ground is needed for that weed. I saw
what I saw, and I know what I know. Your mother had a good man, and
your father a true wife, but it was the old story: a man's way is not a
woman's way, and a woman's way is not a man's way, so there lives ever
doubt between them.”

“But they came together in the end,” I say, remembering.

“Aye, in the end,” answers the House. “That is when you begin to
understand, you men and women, when you come to the end.”

The grave face of a not too recently washed angel peeps shyly at
me through the railings, then, as I turn my head, darts back and
disappears.

“What has become of her?” I ask.

“She? Oh, she is well enough,” replies the House. “She lives close here.
You must have passed the shop. You might have seen her had you looked
in. She weighs fourteen stone, about; and has nine children living. She
would be pleased to see you.”

“Thank you,” I say, with a laugh that is not wholly a laugh; “I do not
think I will call.” But I still hear the pit-pat of her tiny feet, dying
down the long street.

The faces thicken round me. A large looming, rubicund visage smiles
kindly on me, bringing back into my heart the old, odd mingling of
instinctive liking held in check by conscientious disapproval. I turn
from it, and see a massive, clean-shaven face, with the ugliest mouth
and the loveliest eyes I ever have known in a man.

“Was he as bad, do you think, as they said?” I ask of my ancient friend.

“Shouldn't wonder,” the old House answers. “I never knew a worse--nor a
better.”

The wind whisks it aside, leaving to view a little old woman, hobbling
nimbly by aid of a stick. Three corkscrew curls each side of her head
bob with each step she takes, and as she draws near to me, making the
most alarming grimaces, I hear her whisper, as though confiding to
herself some fascinating secret, “I'd like to skin 'em. I'd like to skin
'em all. I'd like to skin 'em all alive!”

It sounds a fiendish sentiment, yet I only laugh, and the little old
lady, with a final facial contortion surpassing all dreams, limps beyond
my ken.

Then, as though choosing contrasts, follows a fair, laughing face. I saw
it in the life only a few hours ago--at least, not it, but the poor daub
that Evil has painted over it, hating the sweetness underlying. And as
I stand gazing at it, wishing it were of the dead who change not, there
drifts back from the shadows that other face, the one of the wicked
mouth and the tender eyes, so that I stand again helpless between the
two I loved so well, he from whom I learned my first steps in manhood,
she from whom I caught my first glimpse of the beauty and the mystery of
woman. And again the cry rises from my heart, “Whose fault was it--yours
or hers?” And again I hear his mocking laugh as he answers, “Whose
fault? God made us.” And thinking of her and of the love I bore her,
which was as the love of a young pilgrim to a saint, it comes into my
blood to hate him. But when I look into his eyes and see the pain that
lives there, my pity grows stronger than my misery, and I can only echo
his words, “God made us.”

Merry faces and sad, fair faces and foul, they ride upon the wind; but
the centre round which they circle remains always the one: a little
lad with golden curls more suitable to a girl than to a boy, with shy,
awkward ways and a silent tongue, and a grave, old-fashioned face.

And, turning from him to my old brick friend, I ask: “Would he know me,
could he see me, do you think?”

“How should he,” answers the old House, “you are so different to what he
would expect. Would you recognise your own ghost, think you?”

“It is sad to think he would not recognise me,” I say.

“It might be sadder if he did,” grumbles the old House.

We both remained silent for awhile; but I know of what the old House is
thinking. Soon it speaks as I expected.

“You--writer of stories, why don't you write a book about him? There is
something that you know.”

It is the favourite theme of the old House. I never visit it but it
suggests to me this idea.

“But he has done nothing?” I say.

“He has lived,” answers the old House. “Is not that enough?”

“Aye, but only in London in these prosaic modern times,” I persist. “How
of such can one make a story that shall interest the people?”

The old House waxes impatient of me.

“'The people!'” it retorts, “what are you all but children in a dim-lit
room, waiting until one by one you are called out to sleep. And one
mounts upon a stool and tells a tale to the others who have gathered
round. Who shall say what will please them, what will not.”

Returning home with musing footsteps through the softly breathing
streets, I ponder the words of the old House. Is it but as some foolish
mother thinking all the world interested in her child, or may there lie
wisdom in its counsel? Then to my guidance or misguidance comes the
thought of a certain small section of the Public who often of an evening
commands of me a story; and who, when I have told her of the dreadful
giants and of the gallant youths who slay them, of the wood-cutter's
sons who rescue maidens from Ogre-guarded castles; of the Princesses the
most beautiful in all the world, of the Princes with magic swords, still
unsatisfied, creeps closer yet, saying: “Now tell me a real story,”
adding for my comprehending: “You know: about a little girl who lived in
a big house with her father and mother, and who was sometimes naughty,
you know.”

So perhaps among the many there may be some who for a moment will turn
aside from tales of haughty Heroes, ruffling it in Court and Camp, to
listen to the story of a very ordinary lad who lived with very ordinary
folk in a modern London street, and who grew up to be a very ordinary
sort of man, loving a little and grieving a little, helping a few and
harming a few, struggling and failing and hoping; and if any such there
be, let them come round me.

But let not those who come to me grow indignant as they listen, saying:
“This rascal tells us but a humdrum story, where nothing is as it should
be;” for I warn all beforehand that I tell but of things that I have
seen. My villains, I fear, are but poor sinners, not altogether bad;
and my good men but sorry saints. My princes do not always slay their
dragons; alas, sometimes, the dragon eats the prince. The wicked
fairies often prove more powerful than the good. The magic thread leads
sometimes wrong, and even the hero is not always brave and true.

So let those come round me only who will be content to hear but their
own story, told by another, saying as they listen, “So dreamt I. Ah,
yes, that is true, I remember.”




CHAPTER I

PAUL, ARRIVED IN A STRANGE LAND, LEARNS MANY THINGS, AND GOES TO MEET
THE MAN IN GREY.

Fate intended me for a singularly fortunate man. Properly, I ought to
have been born in June, which being, as is well known, the luckiest
month in all the year for such events, should, by thoughtful parents, be
more generally selected. How it was I came to be born in May, which is,
on the other hand, of all the twelve the most unlucky, as I have proved,
I leave to those more conversant with the subject to explain. An early
nurse, the first human being of whom I have any distinct recollection,
unhesitatingly attributed the unfortunate fact to my natural impatience;
which quality she at the same time predicted would lead me into even
greater trouble, a prophecy impressed by future events with the stamp of
prescience. It was from this same bony lady that I likewise learned the
manner of my coming. It seems that I arrived, quite unexpectedly, two
hours after news had reached the house of the ruin of my father's mines
through inundation; misfortunes, as it was expounded to me, never coming
singly in this world to any one. That all things might be of a piece,
my poor mother, attempting to reach the bell, fell against and broke the
cheval-glass, thus further saddening herself with the conviction--for
no amount of reasoning ever succeeded in purging her Welsh blood of
its natural superstition--that whatever might be the result of future
battles with my evil star, the first seven years of tiny existence had
been, by her act, doomed to disaster.

“And I must confess,” added the knobbly Mrs. Fursey, with a sigh, “it
does look as though there must be some truth in the saying, after all.”

“Then ain't I a lucky little boy?” I asked. For hitherto it had been
Mrs. Fursey's method to impress upon me my exceptional good fortune.
That I could and did, involuntarily, retire to bed at six, while less
happily placed children were deprived of their natural rest until eight
or nine o'clock, had always been held up to me as an astounding piece of
luck. Some little boys had not a bed at all; for the which, in my more
riotous moments, I envied them. Again, that at the first sign of a cold
it became my unavoidable privilege to lunch off linseed gruel and sup
off brimstone and treacle--a compound named with deliberate intent to
deceive the innocent, the treacle, so far as taste is concerned, being
wickedly subordinated to the brimstone--was another example of Fortune's
favouritism: other little boys were so astoundingly unlucky as to be
left alone when they felt ill. If further proof were needed to convince
that I had been signalled out by Providence as its especial protege,
there remained always the circumstance that I possessed Mrs. Fursey
for my nurse. The suggestion that I was not altogether the luckiest of
children was a new departure.

The good dame evidently perceived her error, and made haste to correct
it.

“Oh, you! You are lucky enough,” she replied; “I was thinking of your
poor mother.”

“Isn't mamma lucky?”

“Well, she hasn't been too lucky since you came.”

“Wasn't it lucky, her having me?”

“I can't say it was, at that particular time.”

“Didn't she want me?”

Mrs. Fursey was one of those well-meaning persons who are of opinion
that the only reasonable attitude of childhood should be that of
perpetual apology for its existence.

“Well, I daresay she could have done without you,” was the answer.

I can see the picture plainly still. I am sitting on a low chair before
the nursery fire, one knee supported in my locked hands, meanwhile Mrs.
Fursey's needle grated with monotonous regularity against her thimble.
At that moment knocked at my small soul for the first time the problem
of life.

Suddenly, without moving, I said:

“Then why did she take me in?”

The rasping click of the needle on the thimble ceased abruptly.

“Took you in! What's the child talking about? Who's took you in?”

“Why, mamma. If she didn't want me, why did she take me in?”

But even while, with heart full of dignified resentment, I propounded
this, as I proudly felt, logically unanswerable question, I was glad
that she had. The vision of my being refused at the bedroom window
presented itself to my imagination. I saw the stork, perplexed and
annoyed, looking as I had sometimes seen Tom Pinfold look when the fish
he had been holding out by the tail had been sniffed at by Anna, and
the kitchen door shut in his face. Would the stork also have gone away
thoughtfully scratching his head with one of those long, compass-like
legs of his, and muttering to himself. And here, incidentally, I fell
a-wondering how the stork had carried me. In the garden I had often
watched a blackbird carrying a worm, and the worm, though no doubt
really safe enough, had always appeared to me nervous and uncomfortable.
Had I wriggled and squirmed in like fashion? And where would the stork
have taken me to then? Possibly to Mrs. Fursey's: their cottage was the
nearest. But I felt sure Mrs. Fursey would not have taken me in; and
next to them, at the first house in the village, lived Mr. Chumdley,
the cobbler, who was lame, and who sat all day hammering boots with
very dirty hands, in a little cave half under the ground, his whole
appearance suggesting a poor-spirited ogre. I should have hated being
his little boy. Possibly nobody would have taken me in. I grew pensive,
thinking of myself as the rejected of all the village. What would the
stork have done with me, left on his hands, so to speak. The reflection
prompted a fresh question.

“Nurse, where did I come from?”

“Why, I've told you often. The stork brought you.”

“Yes, I know. But where did the stork get me from?” Mrs. Fursey paused
for quite a long while before replying. Possibly she was reflecting
whether such answer might not make me unduly conceited. Eventually she
must have decided to run that risk; other opportunities could be relied
upon for neutralising the effect.

“Oh, from Heaven.”

“But I thought Heaven was a place where you went to,” I answered; “not
where you comed from.” I know I said “comed,” for I remember that at
this period my irregular verbs were a bewildering anxiety to my poor
mother. “Comed” and “goned,” which I had worked out for myself, were
particular favourites of mine.

Mrs. Fursey passed over my grammar in dignified silence. She had
been pointedly requested not to trouble herself with that part of my
education, my mother holding that diverging opinions upon the same
subject only confused a child.

“You came from Heaven,” repeated Mrs. Fursey, “and you'll go to
Heaven--if you're good.”

“Do all little boys and girls come from Heaven?”

“So they say.” Mrs. Fursey's tone implied that she was stating what
might possibly be but a popular fallacy, for which she individually took
no responsibility.

“And did you come from Heaven, Mrs. Fursey?” Mrs. Fursey's reply to this
was decidedly more emphatic.

“Of course I did. Where do you think I came from?”

At once, I am ashamed to say, Heaven lost its exalted position in my
eyes. Even before this, it had puzzled me that everybody I knew should
be going there--for so I was always assured; now, connected as it
appeared to be with the origin of Mrs. Fursey, much of its charm
disappeared.

But this was not all. Mrs. Fursey's information had suggested to me a
fresh grief. I stopped not to console myself with the reflection that my
fate had been but the fate of all little boys and girls. With a child's
egoism I seized only upon my own particular case.

“Didn't they want me in Heaven then, either?” I asked. “Weren't they
fond of me up there?”

The misery in my voice must have penetrated even Mrs. Fursey's bosom,
for she answered more sympathetically than usual.

“Oh, they liked you well enough, I daresay. I like you, but I like to
get rid of you sometimes.” There could be no doubt as to this last. Even
at the time, I often doubted whether that six o'clock bedtime was not
occasionally half-past five.

The answer comforted me not. It remained clear that I was not wanted
either in Heaven nor upon the earth. God did not want me. He was glad
to get rid of me. My mother did not want me. She could have done without
me. Nobody wanted me. Why was I here?

And then, as the sudden opening and shutting of the door of a dark room,
came into my childish brain the feeling that Something, somewhere, must
have need of me, or I could not be, Something I felt I belonged to and
that belonged to me, Something that was as much a part of me as I of It.
The feeling came back to me more than once during my childhood, though I
could never put it into words. Years later the son of the Portuguese Jew
explained to me my thought. But all that I myself could have told was
that in that moment I knew for the first time that I lived, that I was
I.

The next instant all was dark again, and I once more a puzzled little
boy, sitting by a nursery fire, asking of a village dame questions
concerning life.

Suddenly a new thought came to me, or rather the recollection of an old.

“Nurse, why haven't we got a husband?”

Mrs. Fursey left off her sewing, and stared at me.

“What maggot has the child got into its head now?” was her observation;
“who hasn't got a husband?”

“Why, mamma.”

“Don't talk nonsense, Master Paul; you know your mamma has got a
husband.”

“No, she ain't.”

“And don't contradict. Your mamma's husband is your papa, who lives in
London.”

“What's the good of _him_!”

Mrs. Fursey's reply appeared to me to be unnecessarily vehement.

“You wicked child, you; where's your commandments? Your father is in
London working hard to earn money to keep you in idleness, and you sit
there and say 'What's the good of him!' I'd be ashamed to be such an
ungrateful little brat.”

I had not meant to be ungrateful. My words were but the repetition of
a conversation I had overheard the day before between my mother and my
aunt.

Had said my aunt: “There she goes, moping again. Drat me if ever I saw
such a thing to mope as a woman.”

My aunt was entitled to preach on the subject. She herself grumbled all
day about all things, but she did it cheerfully.

My mother was standing with her hands clasped behind her--a favourite
attitude of hers--gazing through the high French window into the garden
beyond. It must have been spring time, for I remember the white and
yellow crocuses decking the grass.

“I want a husband,” had answered my mother, in a tone so ludicrously
childish that at sound of it I had looked up from the fairy story I was
reading, half expectant to find her changed into a little girl; “I hate
not having a husband.”

“Help us and save us,” my aunt had retorted; “how many more does a girl
want? She's got one.”

“What's the good of him all that way off,” had pouted my mother; “I want
him here where I can get at him.”

I had often heard of this father of mine, who lived far away in
London, and to whom we owed all the blessings of life; but my childish
endeavours to square information with reflection had resulted in my
assigning to him an entirely spiritual existence. I agreed with my
mother that such an one, however to be revered, was no substitute for
the flesh and blood father possessed by luckier folk--the big, strong,
masculine thing that would carry a fellow pig-a-back round the garden,
or take a chap to sail in boats.

“You don't understand me, nurse,” I explained; “what I mean is a husband
you can get at.”

“Well, and you'll 'get at him,' poor gentleman, one of these days,”
 answered Mrs. Fursey. “When he's ready for you he'll send for you, and
then you'll go to him in London.”

I felt that still Mrs. Fursey didn't understand. But I foresaw that
further explanation would only shock her, so contented myself with a
simple, matter-of-fact question.

“How do you get to London; do you have to die first?”

“I do think,” said Mrs. Fursey, in the voice of resigned despair rather
than of surprise, “that, without exception, you are the silliest little
boy I ever came across. I've no patience with you.”

“I am very sorry, nurse,” I answered; “I thought--”

“Then,” interrupted Mrs. Fursey, in the voice of many generations, “you
shouldn't think. London,” continued the good dame, her experience no
doubt suggesting that the shortest road to peace would be through my
understanding of this matter, “is a big town, and you go there in a
train. Some time--soon now--your father will write to your mother that
everything is ready. Then you and your mother and your aunt will leave
this place and go to London, and I shall be rid of you.”

“And shan't we come back here ever any more?”

“Never again.”

“And I'll never play in the garden again, never go down to the
pebble-ridge to tea, or to Jacob's tower?”

“Never again.” I think Mrs. Fursey took a pleasure in the phrase. It
sounded, as she said it, like something out of the prayer-book.

“And I'll never see Anna, or Tom Pinfold, or old Yeo, or Pincher, or
you, ever any more?” In this moment of the crumbling from under me of
all my footholds I would have clung even to that dry tuft, Mrs. Fursey
herself.

“Never any more. You'll go away and begin an entirely new life. And I do
hope, Master Paul,” added Mrs. Fursey, piously, “it may be a better one.
That you will make up your mind to--”

But Mrs. Fursey's well-meant exhortations, whatever they may have been,
fell upon deaf ears. Here was I face to face with yet another problem.
This life into which I had fallen: it was understandable! One went away,
leaving the pleasant places that one knew, never to return to them.
One left one's labour and one's play to enter upon a new existence in a
strange land. One parted from the friends one had always known, one saw
them never again. Life was indeed a strange thing; and, would a body
comprehend it, then must a body sit staring into the fire, thinking very
hard, unheedful of all idle chatter.

That night, when my mother came to kiss me good-night, I turned my
face to the wall and pretended to be asleep, for children as well as
grown-ups have their foolish moods; but when I felt the soft curls brush
my cheek, my pride gave way, and clasping my arms about her neck, and
drawing her face still closer down to mine; I voiced the question that
all the evening had been knocking at my heart:

“I suppose you couldn't send me back now, could you? You see, you've had
me so long.”

“Send you back?”

“Yes. I'd be too big for the stork to carry now, wouldn't I?”

My mother knelt down beside the bed so that her face and mine were on
a level, and looking into her eyes, the fear that had been haunting me
fell from me.

“Who has been talking foolishly to a foolish little boy?” asked my
mother, keeping my arms still clasped about her neck.

“Oh, nurse and I were discussing things, you know,” I answered, “and she
said you could have done without me.” Somehow, I did not mind repeating
the words now; clearly it could have been but Mrs. Fursey's fun.

My mother drew me closer to her.

“And what made her think that?”

“Well, you see,” I replied, “I came at a very awkward time, didn't I;
when you had a lot of other troubles.”

My mother laughed, but the next moment looked grave again.

“I did not know you thought about such things,” she said; “we must be
more together, you and I, Paul, and you shall tell me all you think,
because nurse does not quite understand you. It is true what she said
about the trouble; it came just at that time. But I could not have done
without you. I was very unhappy, and you were sent to comfort me and
help me to bear it.” I liked this explanation better.

“Then it was lucky, your having me?” I said. Again my mother laughed,
and again there followed that graver look upon her childish face.

“Will you remember what I am going to say?” She spoke so earnestly that
I, wriggling into a sitting posture, became earnest also.

“I'll try,” I answered; “but I ain't got a very good memory, have I?”

“Not very,” smiled my mother; “but if you think about it a good deal it
will not leave you. When you are a good boy, and later on, when you are
a good man, then I am the luckiest little mother in all the world. And
every time you fail, that means bad luck for me. You will remember that
after I'm gone, when you are a big man, won't you, Paul?”

So, both of us quite serious, I promised; and though I smile now when
I remember, seeing before me those two earnest, childish faces, yet I
think, however little success it may be I have to boast of, it would
perhaps have been still less had I entirely forgotten.

From that day my mother waxes in my memory; Mrs. Fursey, of the many
promontories, waning. There were sunny mornings in the neglected garden,
where the leaves played round us while we worked and read; twilight
evenings in the window seat where, half hidden by the dark red curtains,
we would talk in whispers, why I know not, of good men and noble women,
ogres, fairies, saints and demons; they were pleasant days.

Possibly our curriculum lacked method; maybe it was too varied and
extensive for my age, in consequence of which chronology became confused
within my brain, and fact and fiction more confounded than has usually
been considered permissible, even in history. I saw Aphrodite, ready
armed and risen from the sea, move with stately grace to meet King
Canute, who, throned upon the sand, bade her come no further lest
she should wet his feet. In forest glade I saw King Rufus fall from a
poisoned arrow shot by Robin Hood; but thanks to sweet Queen Eleanor,
who sucked the poison from his wound, I knew he lived. Oliver Cromwell,
having killed King Charles, married his widow, and was in turn stabbed
by Hamlet. Ulysses, in the Argo, it was fixed upon my mind, had
discovered America. Romulus and Remus had slain the wolf and rescued
Little Red Riding Hood. Good King Arthur, for letting the cakes burn,
had been murdered by his uncle in the Tower of London. Prometheus, bound
to the Rock, had been saved by good St. George. Paris had given the
apple to William Tell. What matter! the information was there. It needed
rearranging, that was all.

Sometimes, of an afternoon, we would climb the steep winding pathway
through the woods, past awful precipices, spirit-haunted, by grassy
swards where fairies danced o' nights, by briar and bracken sheltered
Caves where fearsome creatures lurked, till high above the creeping sea
we would reach the open plateau where rose old Jacob's ruined tower.
“Jacob's Folly” it was more often called about the country side, and by
some “The Devil's Tower;” for legend had it that there old Jacob and his
master, the Devil, had often met in windy weather to wave false wrecking
lights to troubled ships. Who “old Jacob” was, I never, that I can
remember, learned, nor how nor why he built the Tower. Certain only it
is his memory was unpopular, and the fisher folk would swear that
still on stormy nights strange lights would gleam and flash from the
ivy-curtained windows of his Folly.

But in day time no spot was more inviting, the short moss-grass before
its shattered door, the lichen on its crumbling stones. From its topmost
platform one saw the distant mountains, faint like spectres, and the
silent ships that came and vanished; and about one's feet the pleasant
farm lands and the grave, sweet river.

Smaller and poorer the world has grown since then. Now, behind those
hills lie naught but smoky towns and dingy villages; but then they
screened a land of wonder where princesses dwelt in castles, where the
cities were of gold. Now the ocean is but six days' journey wide, ending
at the New York Custom House. Then, had one set one's sail upon it, one
would have travelled far and far, beyond the golden moonlight, beyond
the gate of clouds; to the magic land of the blood red shore, t'other
side o' the sun. I never dreamt in those days a world could be so small.

Upon the topmost platform a wooden seat ran round within the parapet,
and sitting there hand in hand, sheltered from the wind which ever blew
about the tower, my mother would people for me all the earth and air
with the forms of myth and legend--perhaps unwisely, yet I do not
know. I took no harm from it, good rather, I think. They were beautiful
fancies, most of them; or so my mother turned them, making for love and
pity, as do all the tales that live, whether poems or old wives fables.
But at that time of course they had no meaning for me other than the
literal; so that my mother, looking into my eyes, would often hasten
to add: “But that, you know, is only an old superstition, and of course
there are no such things nowadays.” Yet, forgetful sometimes of the
time, and overtaken homeward by the shadows, we would hasten swiftly
through the darkening path, holding each other tightly by the hand.

Spring had waxed to summer, summer waned to autumn. Then my aunt and I
one morning, waiting at the breakfast table, saw through the open window
my mother skipping, dancing, pirouetting up the garden path. She held
a letter open in her hand, which as she drew near she waved about her
head, singing:

“Saturday, Sunday, Monday, Tuesday, then comes Wednesday morning.”

She caught me to her and began dancing with me round the room.

Observed my aunt, who continued steadily to eat bread and butter:

“Just like 'em all. Goes mad with joy. What for? Because she's going to
leave a decent house, to live in a poky hole in the East End of London,
and keep one servant.”

To my aunt the second person ever remained a grammatical superfluity.
Invariably she spoke not to but of a person, throwing out her
conversation in the form of commentary. This had the advantage
of permitting the party intended to ignore it as mere impersonal
philosophy. Seeing it was generally uncomplimentary, most people
preferred so to regard it; but my mother had never succeeded in
schooling herself to indifference.

“It's not a poky hole,” she replied; “it's an old-fashioned house, near
the river.”

“Plaistow marshes!” ejaculated my aunt, “calls it the river!”

“So it is the river,” returned my mother; “the river is the other side
of the marshes.”

“Let's hope it will always stop there,” said my aunt.

“And it's got a garden,” continued my mother, ignoring my aunt's last
remark; “which is quite an unusual feature in a London house. And it
isn't the East End of London; it is a rising suburb. And you won't make
me miserable because I am too happy.”

“Drat the woman!” said my aunt, “why can't she sit down and give us our
tea before it's all cold?”

“You are a disagreeable thing!” said my mother.

“Not half milk,” said my aunt. My aunt was never in the least disturbed
by other people's opinion of her, which was perhaps well for her.

For three days my mother packed and sang; and a dozen times a day
unpacked and laughed, looking for things wanted that were always found
at the very bottom of the very last box looked into, so that Anna,
waiting for a certain undergarment of my aunt's which shall be nameless,
suggested a saving of time:

“If I were you, ma'am,” said Anna, “I'd look into the last box you're
going to look into first.”

But it was found eventually in the first box-the box, that is, my mother
had intended to search first, but which, acting on Anna's suggestion,
she had reserved till the last. This caused my mother to be quite short
with Anna, who she said had wasted her time. But by Tuesday afternoon
all stood ready: we were to start early Wednesday morning.

That evening, missing my mother in the house, I sought her in the garden
and found her, as I had expected, on her favourite seat under the great
lime tree; but to my surprise there were tears in her eyes.

“But I thought you were glad we were going,” I said.

“So I am,” answered my mother, drying her eyes only to make room for
fresh tears.

“Then why are you crying?”

“Because I'm sorry to leave here.”

Grown-up folks with their contradictory ways were a continual puzzle to
me in those days; I am not sure I quite understand them even now, myself
included.

We were up and off next day before the dawn. The sun rose as the wagon
reached the top of the hill; and there we paused and took our farewell
look at Old Jacob's Tower. My mother cried a little behind her veil; but
my aunt only said, “I never did care for earwigs in my tea;” and as
for myself I was too excited and expectant to feel much sentiment about
anything.

On the journey I sat next to an exceptionally large and heavy man, who
in his sleep--and he slept often--imagined me to be a piece of stuffing
out of place. Then, grunting and wriggling, he would endeavour to rub
me out, until the continued irritation of my head between the window
and his back would cause him to awake, when he would look down upon me
reprovingly but not unkindly, observing to the carriage generally: “It's
a funny thing, ain't it, nobody's ever made a boy yet that could keep
still for ten seconds.” After which he would pat me heartily on the
head, to show he was not vexed with me, and fall to sleep again upon me.
He was a good-tempered man.

My mother sat occupied chiefly with her own thoughts, and my aunt had
found a congenial companion in a lady who had had her cap basket sat
upon; so I was left mainly to my own resources. When I could get my head
free of the big man's back, I gazed out of the window, and watched the
flying fragments as we shed the world. Now a village would fall from us,
now the yellow corn-land would cling to us for awhile, or a wood catch
at our rushing feet, and sometimes a strong town would stop us, and hold
us, panting for a space. Or, my eyes weary, I would sit and listen to
the hoarse singing of the wheels beneath my feet. It was a monotonous
chaunt, ever the same two lines:

     “Here we suffer grief and pain,
     Here we meet to part again,”

followed by a low, rumbling laugh. Sometimes fortissimo, sometimes
pianissimo; now vivace, now largo; but ever those same two lines, and
ever followed by the same low, rumbling laugh; still to this day the
iron wheels sing to me that same song.

Later on I also must have slept, for I dreamt that as the result of my
having engaged in single combat with a dragon, the dragon, ignoring all
the rules of Fairyland, had swallowed me. It was hot and stuffy in the
dragon's stomach. He had, so it appeared to me, disgracefully overeaten
himself; there were hundreds of us there, entirely undigested, including
Mother Hubbard and a gentleman named Johnson, against whom, at that
period, I entertained a strong prejudice by reason of our divergent
views upon the subject of spelling. Even in this hour of our mutual
discomfort Johnson would not leave me alone, but persisted in asking me
how I spelt Jonah. Nobody was looking, so I kicked him. He sprang up
and came after me. I tried to run away, but became wedged between
Hop-o'-my-Thumb and Julius Caesar. I suppose our tearing about must
have hurt the dragon, for at that moment he gave vent to a most fearful
scream, and I awoke to find the fat man rubbing his left shin, while
we struggled slowly, with steps growing ever feebler, against a sea of
brick that every moment closed in closer round us.

We scrambled out of the carriage into a great echoing cave that
might have been the dragon's home, where, to my alarm, my mother was
immediately swooped down upon by a strange man in grey.

“Why's he do that?” I asked of my aunt.

“Because he's a fool,” answered my aunt; “they all are.”

He put my mother down and came towards us. He was a tall, thin man, with
eyes one felt one would never be afraid of; and instinctively even then
I associated him in my mind with windmills and a lank white horse.

“Why, how he's grown,” said the grey man, raising me in his arms until
my mother beside me appeared to me in a new light as quite a little
person; “and solid too.”

My mother whispered something. I think from her face, for I knew the
signs, it was praise of me.

“And he's going to be our new fortune,” she added aloud, as the grey man
lowered me.

“Then,” said my aunt, who had this while been sitting rigid upon a flat
black box, “don't drop him down a coal-mine. That's all I say.”

I wondered at the time why the grey man's pale face should flush so
crimson, and why my mother should whisper angrily:

“How can you be so wicked, Fanny? How dare you say such a thing?”

“I only said 'don't drop him down a coal-mine,'” returned my aunt,
apparently much surprised; “you don't want to drop him down a coal-mine,
do you?”

We passed through glittering, joyous streets, piled high each side with
all the good things of the earth; toys and baubles, jewels and gold,
things good to eat and good to drink, things good to wear and good to
see; through pleasant ways where fountains splashed and flowers bloomed.
The people wore bright clothes, had happy faces. They rode in beautiful
carriages, they strolled about, greeting one another with smiles. The
children ran and laughed. London, thought I to myself, is the city of
the fairies.

It passed, and we sank into a grim city of hoarse, roaring streets,
wherein the endless throngs swirled and surged as I had seen the yellow
waters curve and fret, contending, where the river pauses, rock-bound.
Here were no bright costumes, no bright faces, none stayed to greet
another; all was stern, and swift, and voiceless. London, then, said I
to myself, is the city of the giants. They must live in these towering
castles side by side, and these hurrying thousands are their driven
slaves.

But this passed also, and we sank lower yet until we reached a third
city, where a pale mist filled each sombre street. None of the beautiful
things of the world were to be seen here, but only the things coarse
and ugly. And wearily to and fro its sunless passages trudged with heavy
steps a weary people, coarse-clad, and with dull, listless faces. And
London, I knew, was the city of the gnomes who labour sadly all their
lives, imprisoned underground; and a terror seized me lest I, too,
should remain chained here, deep down below the fairy city that was
already but a dream.

We stopped at last in a long, unfinished street. I remember our pushing
our way through a group of dirty urchins, all of whom, my aunt remarked
in passing, ought to be skinned. It was my aunt's one prescription for
all to whom she took objection; but really in the present instance I
think it would have been of service; nothing else whatever could have
restored them to cleanliness. Then the door closed behind us with an
echoing clang, and the small, cold rooms came forward stiffly to greet
us.

The man in grey went to the one window and drew back the curtain; it
was growing dusk now. My aunt sat on a straight, hard chair and stared
fixedly at the three-armed gaselier. My mother stood in the centre of
the room with one small ungloved hand upon the table, and I noticed--for
I was very near--that the poor little one-legged thing was trembling.

“Of course it's not what you've been accustomed to, Maggie,” said the
man in grey; “but it's only for a little while.”

He spoke in a new, angry voice; but I could not see his face, his back
being to the light.

My mother drew his arms around us both.

“It is the best home in all the world,” she said; and thus we stayed for
awhile.

“Nonsense,” said my aunt, suddenly; and this aroused us; “it's a poky
hole, as I told her it would be. Let her thank the Lord she's got a
man clever enough to get her out of it. I know him; he never could rest
where he was put. Now he's at the bottom; he'll go up.”

It sounded to me a very disagreeable speech; but the grey man laughed--I
had not heard him laugh till then--and my mother ran to my aunt and
kissed her; and somehow the room seemed to become lighter.

For some reason I slept downstairs that night, on the floor, behind a
screen improvised out of a clothes horse and a blanket; and later in the
evening the clatter of knives and forks and the sound of subdued voices
awoke me. My aunt had apparently gone to bed; my mother and the man in
grey were talking together over their supper.

“We must buy land,” said the voice of the grey man; “London is coming
this way. The Somebodies” (I forget the name my father mentioned) “made
all their money by buying up land round New York for a mere song. Then,
as the city spread, they became worth millions.”

“But where will you get the money from, Luke?” asked the voice of my
mother.

The voice of the grey man answered airily:

“Oh, that's merely a matter of business. You grant a mortgage. The
property goes up in value. You borrow more. Then you buy more--and so
on.”

“I see,” said my mother.

“Being on the spot gives one such an advantage,” said the grey man. “I
shall know just when to buy. It's a great thing, being on the spot.”

“Of course, it must be,” said my mother.

I suppose I must have dozed, for the next words I heard the grey man say
were:

“Of course you have the park opposite, but then the house is small.”

“But shall we need a very large one?” asked my mother.

“One never knows,” said the grey man. “If I should go into Parliament--”

At this point a hissing sound arose from the neighbourhood of the fire.

“It _looks_,” said my mother, “as if it were done.”

“If you will hold the dish,” said the grey man, “I think I can pour it
in without spilling.”

Again I must have dozed.

“It depends,” said the grey man, “upon what he is going to be. For the
classics, of course, Oxford.”

“He's going to be very clever,” said my mother. She spoke as one who
knows.

“We'll hope so,” said the grey man.

“I shouldn't be surprised,” said my mother, “if he turned out a poet.”

The grey man said something in a low tone that I did not hear.

“I'm not so sure,” answered my mother, “it's in the blood. I've often
thought that you, Luke, ought to have been a poet.”

“I never had the time,” said the grey man. “There were one or two little
things--”

“They were very beautiful,” interrupted my mother. The clatter of the
knives and forks continued undisturbed for a few moments. Then continued
the grey man:

“There would be no harm, provided I made enough. It's the law of nature.
One generation earns, the next spends. We must see. In any case, I think
I should prefer Oxford for him.”

“It will be so hard parting from him,” said my mother.

“There will be the vacations,” said the grey man, “when we shall
travel.”




CHAPTER II.

IN WHICH PAUL MAKES ACQUAINTANCE OF THE MAN WITH THE UGLY MOUTH.

The case of my father and mother was not normal. You understand they
had been separated for some years, and though they were not young in
age--indeed, before my childish eyes they loomed quite ancient folk,
and in fact my father must have been nearly forty and my mother quit of
thirty--yet, as you will come to think yourself, no doubt, during the
course of my story, they were in all the essentials of life little more
than boy and girl. This I came to see later on, but at that time, had I
been consulted by enquiring maid or bachelor, I might unwittingly have
given wrong impressions concerning marriage in the general. I should
have described a husband as a man who could never rest quite content
unless his wife were by his side; who twenty times a day would call from
his office door: “Maggie, are you doing anything important? I want to
talk to you about a matter of business.” ... “Maggie, are you alone? Oh,
all right, I'll come down.” Of a wife I should have said she was a woman
whose eyes were ever love-lit when resting on her man; who was glad
where he was and troubled where he was not. But in every case this might
not have been correct.

Also, I should have had something to say concerning the alarms and
excursions attending residence with any married couple. I should have
recommended the holding up of feet under the table lest, mistaken for
other feet, they should be trodden on and pressed. Also, I should have
advised against entry into any room unpreceded by what in Stageland
is termed “noise without.” It is somewhat disconcerting to the nervous
incomer to be met, the door still in his hand, by a sound as of people
springing suddenly into the air, followed by a weird scuttling of feet,
and then to discover the occupants sitting stiffly in opposite corners,
deeply engaged in book or needlework. But, as I have said, with regard
to some households, such precautions might be needless.

Personally, I fear, I exercised little or no controlling influence upon
my parents in this respect, my intrusions coming soon to be greeted
with: “Oh, it's only Spud,” in a tone of relief, accompanied generally
by the sofa cushion; but of my aunt they stood more in awe. Not that she
ever said anything, and, indeed, to do her justice, in her efforts to
spare their feelings she erred, if at all, on the side of excess.
Never did she move a footstep about the house except to the music of
a sustained and penetrating cough. As my father once remarked,
ungratefully, I must confess, the volume of bark produced by my aunt in
a single day would have done credit to the dying efforts of a hospital
load of consumptives; to a robust and perfectly healthy lady the cost in
nervous force must have been prodigious. Also, that no fear should live
with them that her eyes had seen aught not intended for them, she would
invariably enter backwards any room in which they might be, closing the
door loudly and with difficulty before turning round: and through dark
passages she would walk singing. No woman alive could have done more;
yet--such is human nature!--neither my father nor my mother was grateful
to her, so far as I could judge.

Indeed, strange as it may appear, the more sympathetic towards them she
showed herself, the more irritated against her did they become.

“I believe, Fanny, you hate seeing Luke and me happy together,” said my
mother one day, coming up from the kitchen to find my aunt preparing
for entry into the drawing-room by dropping teaspoons at five-second
intervals outside the door: “Don't make yourself so ridiculous.” My
mother spoke really quite unkindly.

“Hate it!” replied my aunt. “Why should I? Why shouldn't a pair of
turtle doves bill and coo, when their united age is only a little over
seventy, the pretty dears?” The mildness of my aunt's answers often
surprised me.

As for my father, he grew positively vindictive. I remember the occasion
well. It was the first, though not the last time I knew him lose his
temper. What brought up the subject I forget, but my father stopped
suddenly; we were walking by the canal bank.

“Your aunt”--my father may not have intended it, but his tone and manner
when speaking of my aunt always conveyed to me the impression that he
regarded me as personally responsible for her existence. This used to
weigh upon me. “Your aunt is the most cantankerous, the most--” he broke
off, and shook his fist towards the setting sun. “I wish to God,” said
my father, “your aunt had a comfortable little income of her own, with
a freehold cottage in the country, by God I do!” But the next moment,
ashamed, I suppose, of his brutality: “Not but what sometimes, of
course, she can be very nice, you know,” he added; “don't tell your
mother what I said just now.”

Another who followed with sympathetic interest the domestic comedy was
Susan, our maid-of-all-work, the first of a long and varied series,
extending unto the advent of Amy, to whom the blessing of Heaven. Susan
was a stout and elderly female, liable to sudden fits of sleepiness, the
result, we were given to understand, of trouble; but her heart, it was
her own proud boast, was always in the right place. She could never look
at my father and mother sitting anywhere near each other but she must
flop down and weep awhile; the sight of connubial bliss always reminding
her, so she would explain, of the past glories of her own married state.

Though an earnest enquirer, I was never able myself to grasp the ins
and outs of this past married life of Susan's. Whether her answers were
purposely framed to elude curiosity, or whether they were the result of
a naturally incoherent mind, I cannot say. Their tendency was to convey
confusion.

On Monday I have seen Susan shed tears of regret into the Brussels
sprouts, that she had been debarred by the pressure of other duties from
lately watering “his” grave, which, I gathered, was at Manor Park.
While on Tuesday I have listened, blood chilled, to the recital of her
intentions should she ever again enjoy the luxury of getting her fingers
near the scruff of his neck.

“But, I thought, Susan, he was dead,” was my very natural comment upon
this outbreak.

“So did I, Master Paul,” was Susan's rejoinder; “that was his
artfulness.”

“Then he isn't buried in Manor Park Cemetery?”

“Not yet; but he'll wish he was, the half-baked monkey, when I get hold
of him.”

“Then he wasn't a good man?”

“Who?”

“Your husband.”

“Who says he ain't a good man?” It was Susan's flying leaps from tense
to tense that most bewildered me. “If anybody says he ain't I'll gouge
their eye out!”

I hastened to assure Susan that my observation had been intended in the
nature of enquiry, not of assertion.

“Brings me a bottle of gin--for my headaches--every time he comes home,”
 continued Susan, showing cause for opinion, “every blessed time.”

And at some such point as this I would retire to the clearer atmosphere
of German grammar or mixed fractions.

We suffered a good deal from Susan one way and another; for having
regard to the admirable position of her heart, we all felt it our duty
to overlook mere failings of the flesh--all but my aunt, that is, who
never made any pretence of being a sentimentalist.

“She's a lazy hussy,” was the opinion expressed of her one morning by my
aunt, who was rinsing; “a gulping, snorting, lazy hussy, that's what she
is.” There was some excuse for my aunt's indignation. It was then eleven
o'clock and Susan was still sleeping off an attack of what she called
“new-ralgy.”

“She has seen a good deal of trouble,” said my mother, who was wiping.

“And if she was my cook and housemaid,” replied my aunt, “she would see
more, the slut!”

“She's not a good servant in many respects,” admitted my mother, “but I
think she's good-hearted.”

“Oh, drat her heart,” was my aunt's retort. “The right place for that
heart of hers is on the doorstep. And that's where I'd put it, and her
and her box alongside it, if I had my way.”

The departure of Susan did take place not long afterwards. It occurred
one Saturday night. My mother came upstairs looking pale.

“Luke,” she said, “do please run for the doctor.”

“What's the matter?” asked my father.

“Susan,” gasped my mother, “she's lying on the kitchen floor breathing
in the strangest fashion and quite unable to speak.”

“I'll go for Washburn,” said my father; “if I am quick I shall catch him
at the dispensary.”

Five minutes later my father came back panting, followed by the doctor.
This was a big, black-bearded man; added to which he had the knack of
looking bigger than even he really was. He came down the kitchen stairs
two at a time, shaking the whole house. He brushed my mother aside, and
bent over the unconscious Susan, who was on her back with her mouth wide
open. Then he rose and looked at my father and mother, who were watching
him with troubled faces; and then he opened his mouth, and there came
from it a roar of laughter, the like of which sound I had never heard.

The next moment he had seized a pail half full of water and had flung it
over the woman. She opened her eyes and sat up.

“Feeling better?” said the doctor, with the pail still in his hand;
“have another dose?”

Susan began to gather herself together with the evident intention of
expressing her feelings; but before she could find the first word, he
had pushed the three of us outside and slammed the door behind us.

From the top of the stairs we could hear Susan's thick, rancorous voice
raging fiercer and fiercer, drowned every now and then by the man's
savage roar of laughter. And, when for want of breath she would flag for
a moment, he would yell out encouragement to her, shouting: “Bravo!
Go it, my beauty, give it tongue! Bark, bark! I love to hear you,”
 applauding her, clapping his hands and stamping his feet.

“What a beast of a man,” said my mother.

“He is really a most interesting man when you come to know him,”
 explained my father.

Replied my mother, stiffly: “I don't ever mean to know him.” But it is
only concerning the past that we possess knowledge.

The riot from below ceased at length, and was followed by a new voice,
speaking quietly and emphatically, and then we heard the doctor's step
again upon the stairs.

My mother held her purse open in her hand, and as the man entered the
room she went forward to meet him.

“How much do we owe you, Doctor?” said my mother. She spoke in a voice
trembling with severity.

He closed the purse and gently pushed it back towards her.

“A glass of beer and a chop, Mrs. Kelver,” he answered, “which I am
coming back in an hour to cook for myself. And as you will be without
any servant,” he continued, while my mother stood staring at him
incapable of utterance, “you had better let me cook some for you at the
same time. I am an expert at grilling chops.”

“But, really, Doctor--” my mother began. He laid his huge hand upon her
shoulder, and my mother sat down upon the nearest chair.

“My dear lady,” he said, “she's a person you never ought to have had
inside your house. She's promised me to be gone in half an hour, and
I'm coming back to see she keeps her word. Give her a month's wages, and
have a clear fire ready for me.” And before my mother could reply, he
had slammed the front door.

“What a very odd sort of a man,” said my mother, recovering herself.

“He's a character,” said my father; “you might not think it, but he's
worshipped about here.”

“I hardly know what to make of him,” said my mother; “I suppose I had
better go out and get some chops;” which she did.

Susan went, as sober as a judge on Friday, as the saying is, her great
anxiety being to get out of the house before the doctor returned. The
doctor himself arrived true to his time, and I lay awake--for no human
being ever slept or felt he wanted to sleep while Dr. Washburn was
anywhere near--and listened to the gusts of laughter that swept
continually through the house. Even my aunt laughed that supper time,
and when the doctor himself laughed it seemed to me that the bed shook
under me. Not liking to be out of it, I did what spoilt little boys
and even spoilt little girls sometimes will do under similar stress of
feeling, wrapped the blanket round my legs and pattered down, with
my face set to express the sudden desire of a sensitive and possibly
short-lived child for parents' love. My mother pretended to be angry,
but that I knew was only her company manners. Besides, I really had, if
not exactly a pain, an extremely uncomfortable sensation (one common to
me about that period) as of having swallowed the dome of St. Paul's. The
doctor said it was a frequent complaint with children, the result of too
early hours and too much study; and, taking me on his knee, wrote then
and there a diet chart for me, which included one tablespoonful of
golden syrup four times a day, and one ounce of sherbet to be placed
upon the tongue and taken neat ten minutes before each meal.

That evening will always live in my remembrance. My mother was brighter
than I had ever seen her. A flush was on her cheek and a sparkle in her
eye, and looking across at her as she sat holding a small painted screen
to shield her face from the fire, the sense of beauty became suddenly
born within me, and answering an impulse I could not have explained, I
slipped down, still with my blanket around me, from the doctor's knee,
and squatted on the edge of the fender, from where, when I thought no
one was noticing me, I could steal furtive glances up into her face.

So also my father seemed to me to have become all at once bigger and
more dignified, talking with a vigour and an enjoyment that sat newly on
him. Aunt Fan was quite witty and agreeable--for her; and even I asked
one or two questions, at which, for some reason or another, everybody
laughed; which determined me to remember and ask those same questions
again on some future occasion.

That was the great charm of the man, that by the magnetic spell of his
magnificent vitality he drew from everyone their best. In his company
clever people waxed intellectual giants, while the dull sat amazed at
their own originality. Conversing with him, Podsnap might have been
piquant, Dogberry incisive. But better than all else, I found it
listening to his own talk. Of what he spoke I could tell you no more
than could the children of Hamelin have told the tune the Pied Piper
played. I only know that at the tangled music of his strong voice
the walls of the mean room faded away, and that beyond I saw a brave,
laughing world that called to me; a world full of joyous fight, where
some won and some lost. But that mattered not a jot, because whatever
else came of it there was a right royal game for all; a world where
merry gentlemen feared neither life nor death, and Fate was but the
Master of the Revels.

Such was my first introduction to Dr. Washburn, or to give him the
name by which he was known in every slum and alley of that quarter, Dr.
Fighting Hal; and in a minor key that evening was an index to the whole
man. Often he would wrinkle his nose as a dog before it bites, and then
he was more brute than man--brutish in his instincts, in his appetites,
brutish in his pleasure, brutish in his fun. Or his deep blue eyes would
grow soft as a mother's, and then you might have thought him an angel
in a soft felt hat and a coat so loose-fitting as to suggest the
possibility of his wings being folded away underneath. Often have I
tried to make up my mind whether it has been better for me or worse that
I ever came to know him; but as easy would it be for the tree to
say whether the rushing winds and the wild rains have shaped it or
mis-shaped.

Susan's place remained vacant for some time. My mother would explain
to the few friends who occasionally came from afar to see us, that her
“housemaid” she had been compelled to suddenly discharge, and that
we were waiting for the arrival of a new and better specimen. But the
months passed and we still waited, and my father on the rare days when
a client would ring the office bell, would, after pausing a decent
interval, open the front door himself, and then call downstairs
indignantly and loudly, to know why “Jane” or “Mary” could not attend to
their work. And my mother, that the bread-boy or the milkman might not
put it about the neighbourhood that the Kelvers in the big corner house
kept no servant, would hide herself behind a thick veil and fetch all
things herself from streets a long way off.

For this family of whom I am writing were, I confess, weak and human.
Their poverty they were ashamed of as though it were a crime, and in
consequence their life was more full of paltry and useless subterfuge
than should be perhaps the life of brave men and women. The larder,
I fancy, was very often bare, but the port and sherry with the sweet
biscuits stood always on the sideboard; and the fire had often to be low
in the grate that my father's tall hat might shine resplendent and my
mother's black silk rustle on Sundays.

But I would not have you sneer at them, thinking all pretence must
spring from snobbishness and never from mistaken self-respect. Some fine
gentleman writers there be--men whose world is bounded on the east by
Bond Street--who see in the struggles of poverty to hide its darns only
matter for jest. But myself, I cannot laugh at them. I know the long
hopes and fears that centre round the hired waiter; the long cost of the
cream and the ice jelly ordered the week before from the confectioner's.
But to me it is pathetic, not ridiculous. Heroism is not all of one
pattern. Dr. Washburn, had the Prince of Wales come to see him, would
have put his bread and cheese and jug of beer upon the table, and helped
His Royal Highness to half. But my father and mother's tea was very weak
that Mr. Jones or Mr. Smith might have a glass of wine should they come
to dinner. I remember the one egg for breakfast, my mother arguing that
my father should have it because he had his business to attend to; my
father insisting that my mother should eat it, she having to go out
shopping, a compromise being effected by their dividing it between them,
each clamouring for the white as the most nourishing. And I know however
little the meal looked upon the table when we started I always rose well
satisfied. These are small things to speak of, but then you must bear in
mind this is a story moving in narrow ways.

To me this life came as a good time. That I was encouraged to eat
treacle in preference to butter seemed to me admirable. Personally, I
preferred sausages for dinner; and a supper of fried fish and potatoes,
brought in stealthily in a carpet bag, was infinitely more enjoyable
than the set meal where nothing was of interest till one came to the
dessert. What fun there was about it all! The cleaning of the doorstep
by night, when from the ill-lit street a gentleman with a piece
of sacking round his legs might very well pass for a somewhat tall
charwoman. I would keep watch at the gate to give warning should any
one looking like a possible late caller turn the corner of the street,
coming back now and then in answer to a low whistle to help my father
grope about in the dark for the hearthstone; he was always mislaying
the hearthstone. How much better, helping to clean the knives or running
errands than wasting all one's morning dwelling upon the shocking
irregularity of certain classes of French verbs; or making useless
calculations as to how long X, walking four and a quarter miles an hour,
would be overtaking Y, whose powers were limited to three and a half,
but who had started two and three quarter hours sooner; the whole
argument being reduced to sheer pedantry by reason of no information
being afforded to the student concerning the respective thirstiness of X
and Y.

Even my father and mother were able to take it lightly with plenty of
laughter and no groaning that I ever heard. For over all lay the morning
light of hope, and what prisoner, escaping from his dungeon, ever stayed
to think of his torn hands and knees when beyond the distant opening he
could see the sunlight glinting through the brambles?

“I had no idea,” said my mother, “there was so much to do in a house.
In future I shall arrange for the servants to have regular hours, and a
little time to themselves, for rest. Don't you think it right, Luke?”

“Quite right,” replied my father; “and I'll tell you another thing we'll
do. I shall insist on the landlord's putting a marble doorstep to the
next house we take; you pass a sponge over marble and it is always
clean.”

“Or tesselated,” suggested my mother.

“Or tesselated,” agreed my father; “but marble is more uncommon.”

Only once, can I recall a cloud. That was one Sunday when my mother,
speaking across the table in the middle of dinner, said to my father,
“We might save the rest of that stew, Luke; there's an omelette coming.”

My father laid down the spoon. “An omelette!”

“Yes,” said my mother. “I thought I would like to try again.”

My father stepped into the back kitchen--we dined in the kitchen, as a
rule, it saved much carriage--returning with the wood chopper.

“What ever are you going to do, Luke, with the chopper?” said my mother.

“Divide the omelette,” replied my father.

My mother began to cry.

“Why, Maggie--!” said my father.

“I know the other one was leathery,” said my mother, “but it was the
fault of the oven, you know it was, Luke.”

“My dear,” said my father, “I only meant it as a joke.”

“I don't like that sort of joke,” said my mother; “it isn't nice of you,
Luke.”

I don't think, to be candid, my mother liked much any joke that was
against herself. Indeed, when I come to think of it, I have never met a
woman who did, nor man, either.

There had soon grown up a comradeship between my father and myself for
he was the youngest thing I had met with as yet. Sometimes my mother
seemed very young, and later I met boys and girls nearer to my own age
in years; but they grew, while my father remained always the same. The
hair about his temples was turning grey, and when you looked close you
saw many crow's feet and lines, especially about the mouth. But his eyes
were the eyes of a boy, his laugh the laugh of a boy, and his heart the
heart of a boy. So we were very close to each other.

In a narrow strip of ground we called our garden we would play a cricket
of our own, encompassed about by many novel rules, rendered necessary by
the locality. For instance, all hitting to leg was forbidden, as tending
to endanger neighbouring windows, while hitting to off was likewise not
to be encouraged, as causing a temporary adjournment of the game, while
batter and bowler went through the house and out into the street to
recover the ball from some predatory crowd of urchins to whom it had
evidently appeared as a gift direct from Heaven. Sometimes rising very
early we would walk across the marshes to bathe in a small creek that
led down to the river, but this was muddy work, necessitating much
washing of legs on the return home. And on rare days we would, taking
the train to Hackney and walking to the bridge, row up the river Lea,
perhaps as far as Ponder's End.

But these sports being hedged around with difficulties, more commonly
for recreation we would take long walks. There were pleasant nooks even
in the neighbourhood of Plaistow marshes in those days. Here and there
a graceful elm still clung to the troubled soil. Surrounded on all sides
by hideousness, picturesque inns still remained hidden within green
walls where, if you were careful not to pry too curiously, you might
sit and sip your glass of beer beneath the oak and dream yourself where
reeking chimneys and mean streets were not. During such walks my father
would talk to me as he would talk to my mother, telling me all his wild,
hopeful plans, discussing with me how I was to lodge at Oxford, to what
particular branches of study and of sport I was to give my preference,
speaking always with such catching confidence that I came to regard my
sojourn in this brick and mortar prison as only a question of months.

One day, talking of this future, and laughing as we walked briskly,
through the shrill streets, I told him the words my mother had
said--long ago, as it seemed to me, for life is as a stone rolling
down-hill, and moves but slowly at first; she and I sitting on the moss
at the foot of old “Jacob's Folly”--that he was our Prince fighting
to deliver us from the grim castle called “Hard Times,” guarded by the
dragon Poverty.

My father laughed and his boyish face flushed with pleasure.

“And she was right, Paul,” he whispered, pressing my small hand in
his--it was necessary to whisper, for the street where we were was very
crowded, but I knew that he wanted to shout. “I will fight him and I
will slay him.” My father made passes in the air with his walking-stick,
and it was evident from the way they drew aside that the people round
about fancied he was mad. “I will batter down the iron gates and she
shall be free. I will, God help me, I will.”

The gallant gentleman! How long and how bravely he fought! But in the
end it was the Dragon triumphed, the Knight that lay upon the ground,
his great heart still. I have read how, with the sword of Honest
Industry, one may always conquer this grim Dragon. But such was in
foolish books. In truth, only with the sword of Chicanery and the stout
buckler of Unscrupulousness shall you be certain of victory over him. If
you care not to use these, pray to your Gods, and take what comes with a
stout heart.




CHAPTER III.

HOW GOOD LUCK KNOCKED AT THE DOOR OF THE MAN IN GREY.

“Louisa!” roared my father down the kitchen stairs, “are you all asleep?
Here have I had to answer the front door myself.” Then my father strode
into his office, and the door slammed. My father could be very angry
when nobody was by.

Quarter of an hour later his bell rang with a quick, authoritative
jangle. My mother, who was peeling potatoes with difficulty in
wash-leather gloves, looked at my aunt who was shelling peas. The bell
rang again louder still this time.

“Once for Louisa, twice for James, isn't it?” enquired my aunt.

“You go, Paul,” said my mother; “say that Louisa--” but with the words a
sudden flush overspread my mother's face, and before I could lay down
my slate she had drawn off her gloves and had passed me. “No, don't stop
your lessons, I'll go myself,” she said, and ran out.

A few minutes later the kitchen door opened softly, and my mother's
hand, appearing through the jar, beckoned to me mysteriously.

“Walk on your toes,” whispered my mother, setting the example as she
led the way up the stairs; which after the manner of stairs showed their
disapproval of deception by creaking louder and more often than under
any other circumstances; and in this manner we reached my parents'
bedroom, where, in the old-fashioned wardrobe, relic of better days,
reposed my best suit of clothes, or, to be strictly grammatical, my
better.

Never before had I worn these on a week-day morning, but all
conversation not germane to the question of getting into them quickly
my mother swept aside; and when I was complete, down even to the new
shoes--Bluchers, we called them in those days--took me by the hand, and
together we crept down as we had crept up, silent, stealthy and alert.
My mother led me to the street door and opened it.

“Shan't I want my cap?” I whispered. But my mother only shook her
head and closed the door with a bang; and then the explanation of the
pantomime came to me, for with such “business”--comic, shall I call
it, or tragic?--I was becoming familiar; and, my mother's hand upon my
shoulder, we entered my father's office.

Whether from the fact that so often of an evening--our drawing-room
being reserved always as a show-room in case of chance visitors;
Cowper's poems, open face-downwards on the wobbly loo table; the
half-finished crochet work, suggestive of elegant leisure, thrown
carelessly over the arm of the smaller easy-chair--this office would
become our sitting-room, its books and papers, as things of no account,
being huddled out of sight; or whether from the readiness with which my
father would come out of it at all times to play at something else--at
cricket in the back garden on dry days or ninepins in the passage on
wet, charging back into it again whenever a knock sounded at the front
door, I cannot say. But I know that as a child it never occurred to
me to regard my father's profession as a serious affair. To me he was
merely playing there, surrounded by big books and bundles of documents,
labelled profusely but consisting only of blank papers; by japanned
tin boxes, lettered imposingly, but for the most part empty. “Sutton
Hampden, Esq.,” I remember was practically my mother's work-box. The
“Drayton Estates” yielded apparently nothing but apples, a fruit of
which my father was fond; while “Mortgages” it was not until later in
life I discovered had no connection with poems in manuscript, some in
course of correction, others completed.

Now, as the door opened, he rose and came towards us. His hair stood up
from his head, for it was a habit of his to rumple it as he talked; and
this added to his evident efforts to compose his face into an expression
of businesslike gravity, added emphasis, if such were needed, to the
suggestion of the over long schoolboy making believe.

“This is the youngster,” said my father, taking me from my mother, and
passing me on. “Tall for his age, isn't he?”

With a twist of his thick lips, he rolled the evil-smelling cigar he was
smoking from the left corner of his mouth to the right; and held out a
fat and not too clean hand, which, as it closed round mine, brought to
my mind the picture of the walrus in my natural history book; with the
other he flapped me kindly on the head.

“Like 'is mother, wonderfully like 'is mother, ain't 'e?” he observed,
still holding my hand. “And that,” he added with a wink of one of his
small eyes towards my father, “is about the 'ighest compliment I can pay
'im, eh?”

His eyes were remarkably small, but marvellously bright and piercing; so
much so that when he turned them again upon me I tried to think quickly
of something nice about him, feeling sure that he could see right into
me.

“And where are you thinkin' of sendin' 'im?” he continued; “Eton or
'Arrow?”

“We haven't quite made up our minds as yet,” replied my father; “at
present we are educating him at home.”

“You take my tip,” said the fat man, “and learn all you can. Look at
me! If I'd 'ad the opportunity of being a schollard I wouldn't be here
offering your father an extravagant price for doin' my work; I'd be able
to do it myself.”

“You seem to have got on very well without it,” laughed my father;
and in truth his air of prosperity might have justified greater
self-complacency. Rings sparkled on his blunt fingers, and upon the
swelling billows of his waistcoat rose and sank a massive gold cable.

“I'd 'ave done better with it,” he grunted.

“But you look very clever,” I said; and though divining with a child's
cuteness that it was desired I should make a favourable impression upon
him, I hoped this would please him, the words were yet spontaneous.

He laughed heartily, his whole body shaking like some huge jelly.

“Well, old Noel Hasluck's not exactly a fool,” he assented, “but I'd
like myself better if I could talk about something else than business,
and didn't drop my aitches. And so would my little gell.”

“You have a daughter?” asked my mother, with whom a child, as a bond
of sympathy with the stranger took the place assigned by most women to
disrespectful cooks and incompetent housemaids.

“I won't tell you about 'er. But I'll just bring 'er to see you now and
then, ma'am, if you don't mind,” answered Mr. Hasluck. “She don't often
meet gentle-folks, an' it'll do 'er good.”

My mother glanced across at my father, but the man, intercepting her
question, replied to it himself.

“You needn't be afraid, ma'am, that she's anything like me,” he assured
her quite good-temperedly; “nobody ever believes she's my daughter,
except me and the old woman. She's a little lady, she is. Freak o'
nature, I call it.”

“We shall be delighted,” explained my mother.

“Well, you will when you see 'er,” replied Mr. Hasluck, quite
contentedly.

He pushed half-a-crown into my hand, overriding my parents'
susceptibilities with the easy good-temper of a man accustomed to have
his way in all things.

“No squanderin' it on the 'eathen,” was his parting injunction as I left
the room; “you spend that on a Christian tradesman.”

It was the first money I ever remember having to spend, that half-crown
of old Hasluck's; suggestions of the delights to be derived from a new
pair of gloves for Sunday, from a Latin grammar, which would then be all
my own, and so on, having hitherto displaced all less exalted visions
concerning the disposal of chance coins coming into my small hands. But
on this occasion I was left free to decide for myself.

The anxiety it gave me! the long tossing hours in bed! the tramping of
the bewildering streets! Even advice when asked for was denied me.

“You must learn to think for yourself,” said my father, who spoke
eloquently on the necessity of early acquiring sound judgment and what
he called “commercial aptitude.”

“No, dear,” said my mother, “Mr. Hasluck wanted you to spend it as you
like. If I told you, that would be spending it as I liked. Your father
and I want to see what you will do with it.”

The good little boys in the books bought presents or gave away to people
in distress. For this I hated them with the malignity the lower nature
ever feels towards the higher. I consulted my aunt Fan.

“If somebody gave you half-a-crown,” I put it to her, “what would you
buy with it?”

“Side-combs,” said my aunt; she was always losing or breaking her
side-combs.

“But I mean if you were me,” I explained.

“Drat the child!” said my aunt; “how do I know what he wants if he don't
know himself? Idiot!”

The shop windows into which I stared, my nose glued to the pane! The
things I asked the price of! The things I made up my mind to buy and
then decided that I wouldn't buy! Even my patient mother began to show
signs of irritation. It was rapidly assuming the dimensions of a family
curse, was old Hasluck's half-crown.

Then one day I made up my mind, and so ended the trouble. In the window
of a small plumber's shop in a back street near, stood on view among
brass taps, rolls of lead piping and cistern requisites, various squares
of coloured glass, the sort of thing chiefly used, I believe, for
lavatory doors and staircase windows. Some had stars in the centre,
and others, more elaborate, were enriched with designs, severe but
inoffensive. I purchased a dozen of these, the plumber, an affable
man who appeared glad to see me, throwing in two extra out of sheer
generosity.

Why I bought them I did not know at the time, and I do not know now.
My mother cried when she saw them. My father could get no further than:
“But what are you going to do with them?” to which I was unable to
reply. My aunt, alone, attempted comfort.

“If a person fancies coloured glass,” said my aunt, “then he's a fool
not to buy coloured glass when he gets the chance. We haven't all the
same tastes.”

In the end, I cut myself badly with them and consented to their being
thrown into the dust-bin. But looking back, I have come to regard myself
rather as the victim of Fate than of Folly. Many folks have I met since,
recipients of Hasluck's half-crowns--many a man who has slapped his
pocket and blessed the day he first met that “Napoleon of Finance,”
 as later he came to be known among his friends--but it ever ended so;
coloured glass and cut fingers. Is it fairy gold that he and his kind
fling round? It would seem to be.

Next time old Hasluck knocked at our front door a maid in cap and apron
opened it to him, and this was but the beginning of change. New oilcloth
glistened in the passage. Lace curtains, such as in that neighbourhood
were the hall-mark of the plutocrat, advertised our rising fortunes to
the street, and greatest marvel of all, at least to my awed eyes, my
father's Sunday clothes came into weekday wear, new ones taking their
place in the great wardrobe that hitherto had been the stronghold of
our gentility; to which we had ever turned for comfort when rendered
despondent by contemplation of the weakness of our outer walls. “Seeing
that everything was all right” is how my mother would explain it. She
would lay the lilac silk upon the bed, fondly soothing down its rustling
undulations, lingering lovingly over its deep frosted flounces of rich
Honiton. Maybe she had entered the room weary looking and depressed, but
soon there would proceed from her a gentle humming as from some small
winged thing when the sun first touches it and warms it, and sometimes
by the time the Indian shawl, which could go through a wedding ring, but
never would when it was wanted to, had been refolded and fastened again
with the great cameo brooch, and the poke bonnet, like some fractious
child, shaken and petted into good condition, she would be singing
softly to herself, nodding her head to the words: which were generally
to the effect that somebody was too old and somebody else too bold and
another too cold, “so he wouldn't do for me;” and stepping lightly as
though the burden of the years had fallen from her.

One evening--it was before the advent of this Hasluck--I remember
climbing out of bed, for trouble was within me. Creatures, indescribable
but heavy, had sat upon my chest, after which I had fallen downstairs,
slowly and reasonably for the first few hundred flights, then with haste
for the next million miles or so, until I found myself in the street
with nothing on but my nightshirt. Personally, I was shocked, but nobody
else seemed to mind, and I hailed a two-penny 'bus and climbed in. But
when I tried to pay I found I hadn't any pockets, so I jumped out and
ran away and the conductor came after me. My feet were like lead, and
with every step he gained on me, till with a scream I made one mighty
effort and awoke.

Feeling the need of comfort after these unpleasant but by no means
unfamiliar experiences, I wrapped some clothes round me and crept
downstairs. The “office” was dark, but to my surprise a light shone from
under the drawing-room door, and I opened it.

The candles in the silver candlesticks were lighted, and in state,
one in each easy-chair, sat my father and mother, both in their best
clothes; my father in the buckled shoes and the frilled shirt that I had
never seen him wear before, my mother with the Indian shawl about her
shoulders, and upon her head the cap of ceremony that reposed three
hundred and sixty days out of the year in its round wicker-work nest
lined with silk. They started guiltily as I pushed open the door, but I
congratulate myself that I had sense enough--or was it instinct--to ask
no questions.

The last time I had seen them, three hours ago, they had been engaged,
the lights carefully extinguished, cleaning the ground floor windows,
my father the outside, my mother within, and it astonished me the change
not only in their appearance, but in their manner and bearing, and even
in their very voices. My father brought over from the sideboard the
sherry and sweet biscuits and poured out and handed a glass to my
mother, and he and my mother drank to each other, while I between them
ate the biscuits, and the conversation was of Byron's poems and the
great glass palace in Hyde Park.

I wonder am I disloyal setting this down? Maybe to others it shows but
a foolish man and woman, and that is far from my intention. I dwell
upon such trifles because to me the memory of them is very tender. The
virtues of our loved ones we admire, yet after all 'tis but what we
expected of them: how could they do otherwise? Their failings we would
forget; no one of us is perfect. But over their follies we love to
linger, smiling.

To me personally, old Hasluck's coming and all that followed thereupon
made perhaps more difference than to any one else. My father now was
busy all the day; if not in his office, then away in the grim city of
the giants, as I still thought of it; while to my mother came every day
more social and domestic duties; so that for a time I was left much to
my own resources.

Rambling--“bummelling,” as the Germans term it--was my bent. This my
mother would have checked, but my father said:

“Don't molly-coddle him. Let him learn to be smart.”

“I don't think the smart people are always the nicest,” demurred my
mother. “I don't call you at all 'smart,' Luke.”

My father appeared surprised, but reflected.

“I should call myself smart--in a sense,” he explained, after
consideration.

“Perhaps you are right, dear,” replied my mother; “and of course boys
are different from girls.”

Sometimes I would wander Victoria Park way, which was then surrounded by
many small cottages in leafy gardens; or even reach as far as Clapton,
where old red brick Georgian houses still stood behind high palings, and
tall elms gave to the wide road on sunny afternoons an old-world air of
peace. But such excursions were the exception, for strange though it may
read, the narrow, squalid streets had greater hold on me. Not the few
main thoroughfares, filled ever with a dull, deep throbbing as of some
tireless iron machine; where the endless human files, streaming ever up
and down, crossing and recrossing, seemed mere rushing chains of flesh
and blood, working upon unseen wheels; but the dim, weary, lifeless
streets--the dark, tortuous roots, as I fancied them, of that grim
forest of entangled brick. Mystery lurked in their gloom. Fear whispered
from behind their silence. Dumb figures flitted swiftly to and fro,
never pausing, never glancing right nor left. Far-off footsteps, rising
swiftly into sound, as swiftly fading, echoed round their lonely comers.
Dreading, yet drawn on, I would creep along their pavements as through
some city of the dead, thinking of the eyes I saw not watching from the
thousand windows; starting at each muffled sound penetrating the long,
dreary walls, behind which that close-packed, writhing life lay hid.

One day there came a cry from behind a curtained window. I stood still
for a moment and then ran; but before I could get far enough away I
heard it again, a long, piercing cry, growing fiercer before it ceased;
so that I ran faster still, not heeding where I went, till I found
myself in a raw, unfinished street, ending in black waste land,
bordering the river. I stopped, panting, wondering how I should find
my way again. To recover myself and think I sat upon the doorstep of
an empty house, and there came dancing down the road with a curious,
half-running, half-hopping step--something like a water wagtail's--a
child, a boy about my own age, who, after eyeing me strangely sat down
beside me.

We watched each other for a few minutes; and I noticed that his mouth
kept opening and shutting, though he said nothing. Suddenly, edging
closer to me, he spoke in a thick whisper. It sounded as though his
mouth were full of wool.

“Wot 'appens to yer when yer dead?”

“If you're good you go to Heaven. If you're bad you go to Hell.”

“Long way off, both of 'em, ain't they?”

“Yes. Millions of miles.”

“They can't come after yer? Can't fetch yer back again?”

“No, never.”

The doorstep that we occupied was the last. A yard beyond began the
black waste of mud. From the other end of the street, now growing dark,
he never took his staring eyes for an instant.

“Ever seen a stiff 'un--a dead 'un?”

“No.”

“I 'ave--stuck a pin into 'im. 'E never felt it. Don't feel anything
when yer dead, do yer?”

All the while he kept swaying his body to and fro, twisting his arms
and legs, and making faces. Comical figures made of ginger-bread, with
quaintly curved limbs and grinning features, were to be bought then in
bakers' shops: he made me hungry, reminding me of such.

“Of course not. When you are dead you're not there, you know. Our bodies
are but senseless clay.” I was glad I remembered that line. I tried to
think of the next one, which was about food for worms; but it evaded me.

“I like you,” he said; and making a fist, he gave me a punch in
the chest. It was the token of palship among the youth of that
neighbourhood, and gravely I returned it, meaning it, for friendship
with children is an affair of the instant, or not at all, and I knew him
for my first chum.

He wormed himself up.

“Yer won't tell?” he said.

I had no notion what I was not to tell, but our compact demanded that I
should agree.

“Say 'I swear.'”

“I swear.”

The heroes of my favourite fiction bound themselves by such like secret
oaths. Here evidently was a comrade after my own heart.

“Good-bye, cockey.”

But he turned again, and taking from his pocket an old knife, thrust it
into my hand. Then with that extraordinary hopping movement of his ran
off across the mud.

I stood watching him, wondering where he could be going. He stumbled
a little further, where the mud began to get softer and deeper, but
struggling up again, went hopping on towards the river.

I shouted to him, but he never looked back. At every few yards he would
sink down almost to his knees in the black mud, but wrenching himself
free would flounder forward. Then, still some distance from the river,
he fell upon his face, and did not rise again. I saw his arms beating
feebler and feebler as he sank till at last the oily slime closed over
him, and I could detect nothing but a faint heaving underneath the mud.
And after a time even that ceased.

It was late before I reached home, and fortunately my father and mother
were still out. I did not tell any one what I had seen, having sworn not
to; and as time went on the incident haunted me less and less until
it became subservient to my will. But of my fancy for those silent,
lifeless streets it cured me for the time. From behind their still walls
I would hear that long cry; down their narrow vistas see that writhing
figure, like some animated ginger-bread, hopping, springing, falling.

Yet in the more crowded streets another trouble awaited me, one more
tangible.

Have you ever noticed a pack of sparrows round some crumbs perchance
that you have thrown out from your window? Suddenly the rest of the
flock will set upon one. There is a tremendous Lilliputian hubbub,
a tossing of tiny wings and heads, a babel of shrill chirps. It is
comical.

“Spiteful little imps they are,” you say to yourself, much amused.

So I have heard good-tempered men and women calling out to one another
with a laugh.

“There go those young devils chivvying that poor little beggar again;
ought to be ashamed of theirselves.”

But, oh! the anguish of the poor little beggar! Can any one who has not
been through it imagine it! Reduced to its actualities, what was it?
Gibes and jeers that, after all, break no bones. A few pinches,
kicks and slaps; at worst a few hard knocks. But the dreading of it
beforehand! Terror lived in every street, hid, waiting for me, round
each corner. The half-dozen wrangling over their marbles--had they seen
me? The boy whistling as he stood staring into the print shop, would I
get past him without his noticing me; or would he, swinging round upon
his heel, raise the shrill whoop that brought them from every doorway to
hunt me?

The shame, when caught at last and cornered: the grinning face that
would stop to watch; the careless jokes of passers-by, regarding the
whole thing but as a sparrows' squabble: worst of all, perhaps, the rare
pity! The after humiliation when, finally released, I would dart away,
followed by shouted taunts and laughter; every eye turned to watch me,
shrinking by; my whole small carcass shaking with dry sobs of bitterness
and rage!

If only I could have turned and faced them! So far as the mere bearing
of pain was concerned, I knew myself brave. The physical suffering
resulting from any number of stand-up fights would have been trivial
compared with the mental agony I endured. That I, the comrade of a
hundred heroes--I, who nightly rode with Richard Coeur de Lion,
who against Sir Lancelot himself had couched a lance, and that not
altogether unsuccessful, I to whom all damsels in distress were wont to
look for succour--that I should run from varlets such as these!

My friend, my bosom friend, good Robin Hood! how would he have behaved
under similar circumstances? how Ivanhoe, my chosen companion in all
quests of knightly enterprise? how--to come to modern times--Jack
Harkaway, mere schoolboy though he might be? Would not one and all
have welcomed such incident with a joyous shout, and in a trice have
scattered to the winds the worthless herd?

But, alas! upon my pale lips the joyous shout sank into an unheard
whisper, and the thing that became scattered to the wind was myself, the
first opening that occurred.

Sometimes, the blood boiling in my veins, I would turn, thinking to go
back and at all risk defying my tormentors, prove to myself I was no
coward. But before I had retraced my steps a dozen paces, I would see
in imagination the whole scene again before me: the laughing crowd,
the halting passers-by, the spiteful, mocking little faces every way I
turned; and so instead would creep on home, and climbing stealthily up
into my own room, cry my heart out in the dark upon my bed.

Until one blessed day, when a blessed Fairy, in the form of a small
kitten, lifted the spell that bound me, and set free my limbs.

I have always had a passionate affection for the dumb world, if it be
dumb. My first playmate, I remember, was a water rat. A stream ran at
the bottom of our garden; and sometimes, escaping the vigilant eye of
Mrs. Fursey, I would steal out with my supper and join him on the banks.
There, hidden behind the osiers, we would play at banquets, he, it is
true, doing most of the banqueting, and I the make-believe. But it was
a good game; added to which it was the only game I could ever get him to
play, though I tried. He was a one-ideaed rat.

Later I came into the possession of a white specimen all my own. He
lived chiefly in the outside breast pocket of my jacket, in company with
my handkerchief, so that glancing down I could generally see his little
pink eyes gleaming up at me, except on very cold days, when it would be
only his tail that I could see; and when I felt miserable, somehow he
would know it, and, swarming up, push his little cold snout against
my ear. He died just so, clinging round my neck; and from many of my
fellow-men and women have I parted with less pain. It sounds callous to
say so; but, after all, our feelings are not under our own control; and
I have never been able to understand the use of pretending to emotions
one has not. All this, however, comes later. Let me return now to my
fairy kitten.

I heard its cry of pain from afar, and instinctively hastened my steps.
Three or four times I heard it again, and at each call I ran faster,
till, breathless, I arrived upon the scene, the opening of a narrow
court, leading out of a by-street. At first I saw nothing but the backs
of a small mob of urchins. Then from the centre of them came another
wailing appeal for help, and without waiting for any invitation, I
pushed my way into the group.

What I saw was Hecuba to me--gave me the motive and the cue for passion,
transformed me from the dull and muddy-mettled little John-a-dreams I
had been into a small, blind Fury. Pale Thought, that mental emetic,
banished from my system, I became the healthy, unreasoning animal, and
acted as such.

From my methods, I frankly admit, science was absent. In simple,
primitive fashion that would have charmed a Darwinian disciple to
observe, I “went for” the whole crowd. To employ the expressive idiom of
the neighbourhood, I was “all over it and inside.” Something clung about
my feet. By kicking myself free and then standing on it I gained the
advantage of quite an extra foot in height; I don't know what it was and
didn't care. I fought with my arms and I fought with my legs; where I
could get in with my head I did. I fought whatever came to hand in
a spirit of simple thankfulness, grateful for what I could reach and
indifferent to what was beyond me.

That the “show”--if again I may be permitted the local idiom--was not
entirely mine I was well aware. That not alone my person but my property
also was being damaged in the rear became dimly conveyed to me through
the sensation of draught. Already the world to the left of me was mere
picturesque perspective, while the growing importance of my nose was
threatening the absorption of all my other features. These things did
not trouble me. I merely noted them as phenomena and continued to punch
steadily.

Until I found that I was punching something soft and yet unyielding.
I looked up to see what this foreign matter that thus mysteriously had
entered into the mixture might be, and discovered it to be a policeman.
Still I did not care. The felon's dock! the prison cell! a fig for such
mere bogies. An impudent word, an insulting look, and I would have gone
for the Law itself. Pale Thought--it must have been a livid green by
this time--still trembled at respectful distance from me.

Fortunately for all of us, he was not impertinent, and though he spoke
the language of his order, his tone disarmed offence.

“Now, then. Now, then. What is all this about?”

There was no need for me to answer. A dozen voluble tongues were ready
to explain to him; and to explain wholly in my favour. This time the
crowd was with me. Let a man school himself to bear dispraise, for
thereby alone shall he call his soul his own. But let no man lie, saying
he is indifferent to popular opinion. That was my first taste of public
applause. The public was not select, and the applause might, by the
sticklers for English pure and undefiled, have been deemed ill-worded,
but to me it was the sweetest music I had ever heard, or have heard
since. I was called a “plucky little devil,” a “fair 'ot 'un,” not only
a “good 'un,” but a “good 'un” preceded by the adjective that in
the East bestows upon its principal every admirable quality that can
possibly apply. Under the circumstances it likewise fitted me literally;
but I knew it was intended rather in its complimentary sense.

Kind, if dirty, hands wiped my face. A neighbouring butcher presented me
with a choice morsel of steak, not to eat but to wear; and I found it,
if I may so express myself without infringing copyright, “grateful and
comforting.” My enemies had long since scooted, some of them, I had
rejoiced to notice, with lame and halting steps. The mutilated kitten
had been restored to its owner, a lady of ample bosom, who, carried
beyond judgment by emotion, publicly offered to adopt me on the spot.
The Law suggested, not for the first time, that everybody should now
move on; and slowly, followed by feminine commendation mingled with
masculine advice as to improved methods for the future, I was allowed to
drift away.

My bones ached, my flesh stung me, yet I walked as upon air. Gradually
I became conscious that I was not alone. A light, pattering step was
trying to keep pace with me. Graciously I slacked my speed, and the
pattering step settled down beside me. Every now and again she would run
ahead and then turn round to look up into my face, much as your small
dog does when he happens not to be misbehaving himself and desires you
to note the fact. Evidently she approved of me. I was not at my best,
as far as appearance was concerned, but women are kittle cattle, and
I think she preferred me so. Thus we walked for quite a long distance
without speaking, I drinking in the tribute of her worship and enjoying
it. Then gaining confidence, she shyly put her hand into mine, and
finding I did not repel her, promptly assumed possession of me,
according to woman's way.

For her age and station she must have been a person of means, for having
tried in vain various methods to make me more acceptable to followers
and such as having passed would turn their heads, she said:

“I know, gelatines;” and disappearing into a sweetstuff shop, returned
with quite a quantity. With these, first sucked till glutinous, we
joined my many tatters. I still attracted attention, but felt warmer.

She informed me that her name was Cissy, and that her father's shop was
in Three Colt Street. I informed her that my name was Paul, and that
my father was a lawyer. I also pointed out to her that a lawyer is much
superior in social position to a shopkeeper, which she acknowledged
cheerfully. We parted at the corner of the Stainsby Road, and I let her
kiss me once. It was understood that in the Stainsby Road we might meet
again.

I left Eliza gaping after me, the front door in her hand, and ran
straight up into my own room. Robinson Crusoe, King Arthur, The Last of
the Barons, Rob Roy! I looked them all in the face and was not ashamed.
I also was a gentleman.

My mother was much troubled when she saw me, but my father, hearing the
story, approved.

“But he looks so awful,” said my mother. “In this world,” said my
father, “one must occasionally be aggressive--if necessary, brutal.”

My father would at times be quite savage in his sentiments.




CHAPTER IV.

PAUL, FALLING IN WITH A GOODLY COMPANY OF PILGRIMS, LEARNS OF THEM THE
ROAD THAT HE MUST TRAVEL. AND MEETS THE PRINCESS OF THE GOLDEN LOCKS.

The East India Dock Road is nowadays a busy, crowded thoroughfare. The
jingle of the tram-bell and the rattle of the omnibus and cart mingle
continuously with the rain of many feet, beating ceaselessly upon its
pavements. But at the time of which I write it was an empty, voiceless
way, bounded on the one side by the long, echoing wall of the docks and
on the other by occasional small houses isolated amid market gardens,
drying grounds and rubbish heaps. Only one thing remains--or did remain
last time I passed along it, connecting it with its former self--and
that is the one-storeyed brick cottage at the commencement of the
bridge, and which was formerly the toll-house. I remember this
toll-house so well because it was there that my childhood fell from me,
and sad and frightened I saw the world beyond.

I cannot explain it better. I had been that afternoon to Plaistow on a
visit to the family dentist. It was an out-of-the-way place in which to
keep him, but there existed advantages of a counterbalancing nature.

“Have the half-crown in your hand,” my mother would direct me, while
making herself sure that the purse containing it was safe at the bottom
of my knickerbocker pocket; “but of course if he won't take it, why, you
must bring it home again.”

I am not sure, but I think he was some distant connection of ours; at
all events, I know he was a kind friend. I, seated in the velvet chair
of state, he would unroll his case of instruments before me, and ask me
to choose, recommending with affectionate eulogisms the most murderous
looking.

But on my opening my mouth to discuss the fearful topic, lo! a pair
would shoot from under his coat-sleeve, and almost before I knew what
had happened, the trouble would be over. After that we would have
tea together. He was an old bachelor, and his house stood in a great
garden--for Plaistow in those days was a picturesque village--and out of
the plentiful fruit thereof his housekeeper made the most wonderful
of jams and jellies. Oh, they were good, those teas! Generally our
conversation was of my mother who, it appeared, was once a little girl:
not at all the sort of little girl I should have imagined her; on the
contrary, a prankish, wilful little girl, though good company, I should
say, if all the tales he told of her were true. And I am inclined to
think they were, in spite of the fact that my mother, when I repeated
them to her, would laugh, saying she was sure she had no recollection of
anything of the kind, adding severely that it was a pity he and I could
not find something better to gossip about. Yet her next question would
be:

“And what else did he say, if you please?” explaining impatiently when
my answer was not of the kind expected: “No, no, I mean about me.”

The tea things cleared away, he would bring out his great microscope.
To me it was a peep-hole into a fairy world where dwelt strange dragons,
mighty monsters, so that I came to regard him as a sort of harmless
magician. It was his pet study, and looking back, I cannot help
associating his enthusiasm for all things microscopical with the fact
that he was an exceptionally little man himself, but one of the biggest
hearted that ever breathed.

On leaving I would formally hand him my half-crown, “with mamma's
compliments,” and he would formally accept it. But on putting my hand
into my jacket pocket when outside the gate I would invariably find
it there. The first time I took it back to him, but unblushingly he
repudiated all knowledge.

“Must be another half-crown,” he suggested; “such things do happen.
One puts change into a pocket and overlooks it. Slippery things,
half-crowns.”

Returning home on this particular day of days, I paused upon the bridge,
and watched for awhile the lazy barges manoeuvring their way between the
piers. It was one of those hushed summer evenings when the air even of
grim cities is full of whispering voices; and as, turning away from the
river, I passed through the white toll-gate, I had a sense of leaving
myself behind me on the bridge. So vivid was the impression, that I
looked back, half expecting to see myself still leaning over the iron
parapet, looking down into the sunlit water.

It sounds foolish, but I leave it standing, wondering if to others a
like experience has ever come. The little chap never came back to me.
He passed away from me as a man's body may possibly pass away from him,
leaving him only remembrance and regret. For a time I tried to play his
games, to dream his dreams, but the substance was wanting. I was only a
thin ghost, making believe.

It troubled me for quite a spell of time, even to the point of tears,
this feeling that my childhood lay behind me, this sudden realisation
that I was travelling swiftly the strange road called growing up. I did
not want to grow up; could nothing be done to stop it? Rather would I
be always as I had been, playing, dreaming. The dark way frightened me.
Must I go forward?

Then gradually, but very slowly, with the long months and years, came
to me the consciousness of a new being, new pulsations, sensories,
throbbings, rooted in but differing widely from the old; and little
Paul, the Paul of whom I have hitherto spoken, faded from my life.

So likewise must I let him fade with sorrow from this book. But before
I part with him entirely, let me recall what else I can remember of him.
Thus we shall be quit of him, and he will interfere with us no more.

Chief among the pictures that I see is that of my aunt Fan, crouching
over the kitchen fire; her skirt and crinoline rolled up round her
waist, leaving as sacrifice to custom only her petticoat. Up and down
her body sways in rhythmic motion, her hands stroking affectionately
her own knees; the while I, with paper knife for sword, or horse of
broomstick, stand opposite her, flourishing and declaiming. Sometimes I
am a knight and she a wicked ogre. She is slain, growling and swearing,
and at once becomes the beautiful princess that I secure and bear away
with me upon the prancing broomstick. So long as the princess is merely
holding sweet converse with me from her high-barred window, the scene
is realistic, at least, to sufficiency; but the bearing away has to be
make-believe; for my aunt cannot be persuaded to leave her chair before
the fire, and the everlasting rubbing of her knees.

At other times, with the assistance of the meat chopper, I am an Indian
brave, and then she is Laughing Water or Singing Sunshine, and we go out
scalping together; or in less bloodthirsty moods I am the Fairy Prince
and she the Sleeping Beauty. But in such parts she is not at her best.
Better, when seated in the centre of the up-turned table, I am Captain
Cook, and she the Cannibal Chief.

“I shall skin him and hang him in the larder till Sunday week,” says my
aunt, smacking her lips, “then he'll be just in right condition; not too
tough and not too high.” She was always strong in detail, was my aunt
Fan.

I do not wish to deprive my aunt of any credit due to her, but the more
I exercise my memory for evidence, the more I am convinced that her
compliance on these occasions was not conceived entirely in the spirit
of self-sacrifice. Often would she suggest the game and even the theme;
in such case, casting herself invariably for what, in old theatrical
parlance, would have been termed the heavy lead, the dragons and the
wicked uncles, the fussy necromancers and the uninvited fairies. As
authoress of a new cookery book for use in giant-land, my aunt, I am
sure, would have been successful. Most recipes that one reads are so
monotonously meagre: “Boil him,” “Put her on the spit and roast her for
supper,” “Cook 'em in a pie--with plenty of gravy;” but my aunt into the
domestic economy of Ogredom introduced variety and daintiness.

“I think, my dear,” my aunt would direct, “we'll have him stuffed with
chestnuts and served on toast. And don't forget the giblets. They make
such excellent sauce.”

With regard to the diet of imprisoned maidens she would advise:

“Not too much fish--it spoils the flesh for roasting.”

The things that she would turn people into--king's sons, rightful
princesses, such sort of people--people who after a time, one would
think, must have quite forgotten what they started as. To let her
have her way was a lesson to me in natural history both present and
pre-historic. The most beautiful damsel that ever lived she would
without a moment's hesitation turn into a Glyptodon or a Hippocrepian.
Afterwards, when I could guess at the spelling, I would look these
creatures up in the illustrated dictionary, and feel that under no
circumstances could I have loved the lady ever again. Warriors and kings
she would delight in transforming into plaice or prawns, and haughty
queens into Brussels sprouts.

With gusto would she plan a complicated slaughter, paying heed to every
detail: the sharpening of the knives, the having ready of mops and pails
of water for purposes of after cleaning up. As a writer she would have
followed the realistic school.

Her death, with which we invariably wound up the afternoon, was another
conscientious effort. Indeed, her groans and writhings would sometimes
frighten me. I always welcomed the last gurgle. That finished, but not a
moment before, my aunt would let down her skirt--in this way suggesting
the fall of the curtain upon our play--and set to work to get the tea.

Another frequently recurring picture that I see is of myself in
glazed-peaked cap explaining many things the while we walk through dingy
streets to yet a smaller figure curly haired and open eyed. Still every
now and then she runs ahead to turn and look admiringly into my face as
on the day she first became captive to the praise and fame of me.

I was glad of her company for more reasons than she knew of. For one,
she protected me against my baser self. With her beside me I should
not have dared to flee from sudden foes. Indeed, together we courted
adventure; for once you get used to it this standing hazard of attack
adds a charm to outdoor exercise that older folk in districts better
policed enjoy not. So possibly my dog feels when together we take the
air. To me it is a simple walk, maybe a little tiresome, suggested
rather by contemplation of my waistband than by desire for walking for
mere walking's sake; to him an expedition full of danger and surprises:
“The gentleman asleep with one eye open on The Chequer's doorstep!
will he greet me with a friendly sniff or try to bite my head off? This
cross-eyed, lop-eared loafer, lurching against the lamp-post! shall we
pass with a careless wag and a 'how-do,' or become locked in a life and
death struggle? Impossible to say. This coming corner, now, 'Ware! Is
anybody waiting round there to kill me, or not?”

But the trusting face beside me nerved me. As reward in lonely places I
would let her hold my hand.

A second advantage I derived from her company was that of being less
trampled on, less walked over, less swept aside into doorway or gutter
than when alone. A pretty, winsome face had this little maid, if Memory
plays me not kindly false; but also she had a vocabulary; and when the
blind idiot, male or female, instead of passing us by walking round us,
would, after the custom of the blind idiot, seek to gain the other side
of us by walking through us, she would use it.

“Now, then, where yer coming to, old glass-eye? We ain't sperrits. Can't
yer see us?”

And if they attempted reply, her child's treble, so strangely at
variance with her dainty appearance, would only rise more shrill.

“Garn! They'd run out of 'eads when they was making you. That's only a
turnip wot you've got stuck on top of yer!” I offer but specimens.

Nor was it of the slightest use attempting personal chastisement, as
sometimes an irate lady or gentleman would be foolish enough to do. As
well might an hippopotamus attempt to reprove a terrier. The only result
was to provide comedy for the entire street.

On these occasions our positions were reversed, I being the admiring
spectator of her prowess. Yet to me she was ever meek, almost
irritatingly submissive. She found out where I lived and would often
come and wait for me for hours, her little face pressed tight against
the iron railings, until either I came out or shook my head at her from
my bedroom window, when she would run off, the dying away into silence
of her pattering feet leaving me a little sad.

I think I cared for her in a way, yet she never entered into my
day-dreams, which means that she existed for me only in the outer world
of shadows that lay round about me and was not of my real life.

Also, I think she was unwise, introducing me to the shop, for children
and dogs--one seems unconsciously to bracket them in one's thoughts--are
snobbish little wretches. If only her father had been a dealer in
firewood I could have soothed myself by imagining mistakes. It was
a common occurrence, as I well knew, for children of quite the
best families to be brought up by wood choppers. Fairies, the best
intentioned in the world, but born muddlers, were generally responsible
for these mishaps, which, however, always became righted in time for the
wedding. Or even had he been a pork butcher, and there were many in the
neighbourhood, I could have thought of him as a swineherd, and so found
precedent for hope.

But a fishmonger--from six in the evening a fried fishmonger! I searched
history in vain. Fried fishmongers were without the pale.

So gradually our meetings became less frequent, though I knew that
every afternoon she waited in the quiet Stainsby Road, where dwelt in
semi-detached, six-roomed villas the aristocracy of Poplar, and that
after awhile, for arriving late at times I have been witness to the
sad fact, tears would trace pathetic patterns upon her dust-besprinkled
cheeks; and with the advent of the world-illuminating Barbara, to which
event I am drawing near, they ceased altogether.

So began and ended my first romance. One of these days--some quiet
summer's afternoon, when even the air of Pigott Street vibrates with
tenderness beneath the whispered sighs of Memory, I shall walk into the
little grocer's shop and boldly ask to see her. So far have I already
gone as to trace her, and often have I tried to catch sight of her
through the glass door, but hitherto in vain. I know she is the more
or less troubled mother of a numerous progeny. I am told she has grown
stout, and probable enough it is that her tongue has gained rather than
lost in sharpness. Yet under all the unrealities the clumsy-handed world
has built about her, I shall see, I know, the lithesome little maid with
fond, admiring eyes. What help they were to me I never knew till I had
lost them. How hard to gain such eyes I have learned since. Were we to
write the truth in our confession books, should we not admit the quality
we most admire in others is admiration of ourselves? And is it not a
wise selection? If you would have me admirable, my friend, admire me,
and speak your commendation without stint that in the sunshine of your
praises I may wax. For indifference maketh an indifferent man, and
contempt a contemptible man. Come, is it not true? Does not all that is
worthy in us grow best by honour?

Chief among the remaining figures on my childhood's stage were the many
servants of our house, the “generals,” as they were termed. So rapid,
as a rule, was their transit through our kitchen that only one or two,
conspicuous by reason of their lingering, remain upon my view. It was a
neighbourhood in which domestic servants were not much required. Those
intending to take up the calling seriously went westward. The local
ranks were recruited mainly from the discontented or the disappointed,
from those who, unappreciated at home, hoped from the stranger more
discernment; or from the love-lorn, the jilted and the jealous, who took
the cap and apron as in an earlier age their like would have taken the
veil. Maybe, to the comparative seclusion of our basement, as contrasted
with the alternative frivolity of shop or factory, they felt in such
mood more attuned. With the advent of the new or the recovery of the old
young man they would plunge again into the vain world, leaving my poor
mother to search afresh amid the legions of the cursed.

With these I made such comradeship as I could, for I had no child
friends. Kind creatures were most of them, at least so I found them.
They were poor at “making believe,” but would always squeeze ten minutes
from their work to romp with me, and that, perhaps, was healthier for
me. What, perhaps, was not so good for me was that, staggered at
the amount of “book-learning” implied by my conversation (for the
journalistic instinct, I am inclined to think, was early displayed in
me), they would listen open-mouthed to all my information, regarding me
as a precocious oracle. Sometimes they would obtain permission to take
me home with them to tea, generously eager that their friends should
also profit by me. Then, encouraged by admiring, grinning faces, I would
“hold forth,” keenly enjoying the sound of my own proud piping.

“As good as a book, ain't he?” was the tribute most often paid to me.

“As good as a play,” one enthusiastic listener, an old greengrocer, went
so far as to say.

Already I regarded myself as among the Immortals.

One girl, a dear, wholesome creature named Janet, stayed with us for
months and might have stayed years, but for her addiction to strong
language. The only and well-beloved child of the captain of the
barge “Nancy Jane,” trading between Purfleet and Ponder's End, her
conversation was at once my terror and delight.

“Janet,” my mother would exclaim in agony, her hands going up
instinctively to guard her ears, “how can you use such words?”

“What words, mum?”

“The things you have just called the gas man.”

“Him! Well, did you see what he did, mum? Walked straight into my clean
kitchen, without even wiping his boots, the--” And before my mother
could stop her, Janet had relieved her feelings by calling him it--or
rather them--again, without any idea that she had done aught else than
express in fitting phraseology a natural human emotion.

We were good friends, Janet and I, and therefore it was that I
personally undertook her reformation. It was not an occasion for mincing
one's words. The stake at issue was, I felt, too important. I told
her bluntly that if she persisted in using such language she would
inevitably go to hell.

“Then where's my father going?” demanded Janet.

“Does he use language?”

I gathered from Janet that no one who had enjoyed the privilege of
hearing her father could ever again take interest in the feeble efforts
of herself.

“I am afraid, Janet,” I explained, “that if he doesn't give it up--”

“But it's the only way he can talk,” interrupted Janet. “He don't mean
anything by it.”

I sighed, yet set my face against weakness. “You see, Janet, people who
swear do go there.”

But Janet would not believe.

“God send my dear, kind father to hell just because he can't talk like
the gentlefolks! Don't you believe it of Him, Master Paul. He's got more
sense.”

I hope I pain no one by quoting Janet's common sense. For that I should
be sorry. I remember her words because so often, when sinking in sloughs
of childish despond, they afforded me firm foothold. More often than
I can tell, when compelled to listen to the sententious voice of
immeasurable Folly glibly explaining the eternal mysteries, has it
comforted me to whisper to myself: “I don't believe it of Him. He's got
more sense.”

And about that period I had need of all the comfort I could get. As
we descend the road of life, the journey, demanding so much of our
attention, becomes of more importance than the journey's end; but to the
child, standing at the valley's gate, the terminating hills are
clearly visible. What lies beyond them is his constant wonder. I never
questioned my parents directly on the subject, shrinking as so strangely
we all do, both young and old, from discussion of the very matters
of most moment to us; and they, on their part, not guessing my need,
contented themselves with the vague generalities with which we seek
to hide even from ourselves the poverty of our beliefs. But there were
foolish voices about me less reticent; while the literature, illustrated
and otherwise, provided in those days for serious-minded youth, answered
all questionings with blunt brutality. If you did wrong you burnt in a
fiery furnace for ever and ever. Were your imagination weak you could
turn to the accompanying illustration, and see at a glance how you
yourself would writhe and shrink and scream, while cheerful devils, well
organised, were busy stoking. I had been burnt once, rather badly, in
consequence of live coals, in course of transit on a shovel, being let
fall upon me. I imagined these burning coals, not confined to a mere
part of my body, but pressing upon me everywhere, not snatched swiftly
off by loving hands, the pain assuaged by applications of soft soap and
the blue bag, but left there, eating into my flesh and veins. And this
continued for eternity. You suffered for an hour, a day, a thousand
years, and were no nearer to the end; ten thousand, a million years, and
yet, as at the very first, it was for ever, and for ever still it would
always be for ever! I suffered also from insomnia about this period.

“Then be good,” replied the foolish voices round me; “never do wrong,
and so avoid this endless agony.”

But it was so easy to do wrong. There were so many wrong things to do,
and the doing of them was so natural.

“Then repent,” said the voices, always ready.

But how did one repent? What was repentance? Did I “hate my sin,” as I
was instructed I must, or merely hate the idea of going to hell for
it? Because the latter, even my child's sense told me, was no true
repentance. Yet how could one know the difference?

Above all else there haunted me the fear of the “Unforgivable Sin.” What
this was I was never able to discover. I dreaded to enquire too closely,
lest I should find I had committed it. Day and night the terror of it
clung to me.

“Believe,” said the voices; “so only shall you be saved.” How believe?
How know you did believe? Hours would I kneel in the dark, repeating in
a whispered scream:

“I believe, I believe. Oh, I do believe!” and then rise with white
knuckles, wondering if I really did believe.

Another question rose to trouble me. In the course of my meanderings I
had made the acquaintance of an old sailor, one of the most disreputable
specimens possible to find; and had learned to love him. Our first
meeting had been outside a confectioner's window, in the Commercial
Road, where he had discovered me standing, my nose against the glass, a
mere palpitating Appetite on legs. He had seized me by the collar, and
hauled me into the shop. There, dropping me upon a stool, he bade me
eat. Pride of race prompted me politely to decline, but his language
became so awful that in fear and trembling I obeyed. So soon as I was
finished--it cost him two and fourpence, I remember--we walked down to
the docks together, and he told me stories of the sea and land that made
my blood run cold. Altogether, in the course of three weeks or a month,
we met about half a dozen times, when much the same programme was gone
through. I think I was a fairly frank child, but I said nothing about
him at home, feeling instinctively that if I did there would be an end
of our comradeship, which was dear to me: not merely by reason of
the pastry, though I admit that was a consideration, but also for his
wondrous tales. I believed them all implicitly, and so came to regard
him as one of the most interesting criminals as yet unhanged: and what
was sad about the case, as I felt myself, was that his recital of his
many iniquities, instead of repelling, attracted me to him. If ever
there existed a sinner, here was one. He chewed tobacco--one of the
hundred or so deadly sins, according to my theological library--and was
generally more or less drunk. Not that a stranger would have
noticed this; the only difference being that when sober he appeared
constrained--was less his natural, genial self. In a burst of confidence
he once admitted to me that he was the biggest blackguard in the
merchant service. Unacquainted with the merchant service, as at the time
I was, I saw no reason to doubt him.

One night in a state of intoxication he walked over a gangway and was
drowned. Our mutual friend, the confectioner, seeing me pass the window,
came out to tell me so; and having heard, I walked on, heavy of heart,
and pondering.

About his eternal destination there could be no question. The known
facts precluded the least ray of hope. How could I be happy in heaven,
supposing I eventually did succeed in slipping in, knowing that he, the
lovable old scamp, was burning for ever in hell?

How could Janet, taking it that she reformed and thus escaped damnation,
be contented, knowing the father she loved doomed to torment? The
heavenly hosts, so I argued, could be composed only of the callous and
indifferent.

I wondered how people could go about their business, eat, drink and
be merry, with tremendous fate hanging thus ever suspended over their
heads. When for a little space I myself forgot it, always it fell back
upon me with increased weight.

Nor was the contemplation of heaven itself particularly attractive to
me, for it was a foolish paradise these foolish voices had fashioned out
of their folly. You stood about and sang hymns--for ever! I was assured
that my fear of finding the programme monotonous was due only to my
state of original sin, that when I got there I should discover I liked
it. But I would have given much for the hope of avoiding both their
heaven and their hell.

Fortunately for my sanity I was not left long to brood unoccupied upon
such themes. Our worldly affairs, under the sunshine of old Hasluck's
round red face, prospered--for awhile; and one afternoon my father, who
had been away from home since breakfast time, calling me into his office
where also sat my mother, informed me that the long-talked-of school was
become at last a concrete thing.

“The term commences next week,” explained my father. “It is not exactly
what I had intended, but it will do--for the present. Later, of course,
you will go to one of the big public schools; your mother and I have not
yet quite decided which.”

“You will meet other boys there, good and bad,” said my mother, who
sat clasping and unclasping her hands. “Be very careful, dear, how you
choose your companions.”

“You will learn to take your own part,” said my father. “School is an
epitome of the world. One must assert oneself, or one is sat upon.”

I knew not what to reply, the vista thus opened out to me was so
unexpected. My blood rejoiced, but my heart sank.

“Take one of your long walks,” said my father, smiling, “and think it
over.”

“And if you are in any doubt, you know where to go for guidance, don't
you?” whispered my mother, who was very grave.

Yet I went to bed, dreaming of quite other things that night: of
Queens of Beauty bending down to crown my brows with laurel: of wronged
Princesses for whose cause I rode to death or victory. For on my
return home, being called into the drawing-room by my father, I stood
transfixed, my cap in hand, staring with all my eyes at the vision that
I saw.

No such wonder had I ever seen before, at all events, not to my
remembrance. The maidens that one meets in Poplar streets may be fair
enough in their way, but their millinery displays them not to advantage;
and the few lady visitors that came to us were of a staid and matronly
appearance. Only out of pictures hitherto had such witchery looked upon
me; and from these the spell faded as one gazed.

I heard old Hasluck's smoky voice saying, “My little gell, Barbara,” and
I went nearer to her, moving unconsciously.

“You can kiss 'er,” said the smoky voice again; “she won't bite.” But I
did not kiss her. Nor ever felt I wanted to, upon the mouth.

I suppose she must have been about fourteen, and I a little over ten,
though tall for my age. Later I came to know she had that rare gold
hair that holds the light, so that upon her face, which seemed of dainty
porcelain, there ever fell a softened radiance as from some shining
aureole; those blue eyes where dwell mysteries, shadow veiled. At the
time I knew nothing, but that it seemed to me as though the fairy-tales
had all come true.

She smiled, understanding and well pleased with my confusion. Child
though I was--little more than child though she was, it flattered her
vanity.

Fair and sweet, you had but that one fault. Would it had been another,
less cruel to you yourself.




CHAPTER V.

IN WHICH THERE COMES BY ONE BENT UPON PURSUING HIS OWN WAY.

“Correct” is, I think, the adjective by which I can best describe
Doctor Florret and all his attributes. He was a large man, but not
too large--just the size one would select for the head-master of an
important middle-class school; stout, not fat, suggesting comfort, not
grossness. His hands were white and well shaped. On the left he wore
a fine diamond ring, but it shone rather than sparkled. He spoke of
commonplace things in a voice that lent dignity even to the weather. His
face, which was clean-shaven, radiated benignity tempered by discretion.

So likewise all about him: his wife, the feminine counterpart of
himself. Seeing them side by side one felt tempted to believe that
for his special benefit original methods had been reverted to, and she
fashioned, as his particular helpmeet, out of one of his own ribs.
His furniture was solid, meant for use, not decoration. His pictures,
following the rule laid down for dress, graced without drawing attention
to his walls. He ever said the correct thing at the correct time in the
correct manner. Doubtful of the correct thing to do, one could always
learn it by waiting till he did it; when one at once felt that nothing
else could possibly have been correct. He held on all matters
the correct views. To differ from him was to discover oneself a
revolutionary.

In practice, as I learned at the cost of four more or less wasted
years, he of course followed the methods considered correct by English
schoolmen from the days of Edward VI. onwards.

Heaven knows I worked hard. I wanted to learn. Ambition--the all
containing ambition of a boy that “has its centre everywhere nor cares
to fix itself to form” stirred within me. Did I pass a speaker at some
corner, hatless, perspiring, pointing Utopias in the air to restless
hungry eyes, at once I saw myself, a Demosthenes swaying multitudes, a
statesman holding the House of Commons spellbound, the Prime Minister of
England, worshipped by the entire country. Even the Opposition papers,
had I known of them, I should have imagined forced to reluctant
admiration. Did the echo of a distant drum fall upon my ear, then before
me rose picturesque fields of carnage, one figure ever conspicuous:
Myself, well to the front, isolated. Promotion in the British army of
my dream being a matter purely of merit, I returned Commander-in-Chief.
Vast crowds thronged every flag-decked street. I saw white waving hands
from every roof and window. I heard the dull, deep roar of welcome, as
with superb seat upon my snow-white charger--or should it be coal-black?
The point cost me much consideration, so anxious was I that the day
should be without a flaw--I slowly paced at the head of my victorious
troops, between wild waves of upturned faces: walked into a lamp-post
or on to the toes of some irascible old gentleman, and awoke. A drunken
sailor stormed from between swing doors and tacked tumultuously down the
street: the factory chimney belching smoke became a swaying mast. The
costers round about me shouted “Ay, ay, sir. 'Ready, ay, ready.” I
was Christopher Columbus, Drake, Nelson, rolled into one. Spurning
the presumption of modern geographers, I discovered new continents.
I defeated the French--those useful French! I died in the moment of
victory. A nation mourned me and I was buried in Westminster Abbey.
Also I lived and was created a Duke. Either alternative had its charm:
personally I was indifferent. Boys who on November the ninth, as
explained by letters from their mothers, read by Doctor Florret with a
snort, were suffering from a severe toothache, told me on November
the tenth of the glories of Lord Mayor's Shows. I heard their chatter
fainter and fainter as from an ever-increasing distance. The bells of
Bow were ringing in my ears. I saw myself a merchant prince, though
still young. Nobles crowded my counting house. I lent them millions
and married their daughters. I listened, unobserved in a corner, to
discussion on some new book. Immediately I was a famous author. All men
praised me: for of reviewers and their density I, in those days, knew
nothing. Poetry, fiction, history, I wrote them all; and all men read,
and wondered. Only here was a crumpled rose leaf in the pillow on which
I laid my swelling head: penmanship was vexation to me, and spelling
puzzled me, so that I wrote with sorrow and many blots and scratchings
out. Almost I put aside the idea of becoming an author.

But along whichever road I might fight my way to the Elysian Fields
of fame, education, I dimly but most certainly comprehended, was a
necessary weapon to my hand. And so, with aching heart and aching head,
I pored over my many books. I see myself now in my small bedroom, my
elbows planted on the shaky, one-legged table, startled every now and
again by the frizzling of my hair coming in contact with the solitary
candle. On cold nights I wear my overcoat, turned up about the neck, a
blanket round my legs, and often I must sit with my fingers in my ears,
the better to shut out the sounds of life, rising importunately from
below. “A song, Of a song, To a song, A song, O! song!” “I love, Thou
lovest, He she or it loves. I should or would love” over and over again,
till my own voice seems some strange buzzing thing about me, while
my head grows smaller and smaller till I put my hands up frightened,
wondering if it still be entire upon my shoulders.

Was I more stupid than the average, or is a boy's brain physically
incapable of the work our educational system demands of it?

“Latin and Greek” I hear repeating the suave tones of Doctor Florret,
echoing as ever the solemn croak of Correctness, “are useful as mental
gymnastics.” My dear Doctor Florret and Co., cannot you, out of the vast
storehouse of really necessary knowledge, select apparatus better fitted
to strengthen and not overstrain the mental muscles of ten-to-fourteen?
You, gentle reader, with brain fully grown, trained by years of practice
to its subtlest uses, take me from your bookshelf, say, your Browning or
even your Shakespeare. Come, you know this language well. You have not
merely learned: it is your mother tongue. Construe for me this short
passage, these few verses: parse, analyse, resolve into component parts!
And now, will you maintain that it is good for Tommy, tear-stained,
ink-bespattered little brat, to be given AEsop's Fables, Ovid's
Metamorphoses to treat in like manner? Would it not be just as sensible
to insist upon his practising his skinny little arms with hundred pounds
dumb-bells?

We were the sons of City men, of not well-to-do professional men, of
minor officials, clerks, shopkeepers, our roads leading through the
workaday world. Yet quite half our time was taken up in studies utterly
useless to us. How I hated them, these youth-tormenting Shades. Homer!
how I wished the fishermen had asked him that absurd riddle earlier.
Horace! why could not that shipwreck have succeeded: it would have in
the case of any one but a classic.

Until one blessed day there fell into my hands a wondrous talisman.

Hearken unto me, ye heavy burdened little brethren of mine. Waste not
your substance upon tops and marbles, nor yet upon tuck (Do ye still
call it “tuck”?), but scrape and save. For in the neighbourhood of
Paternoster Row there dwells a good magician who for silver will provide
you with a “Key” that shall open wide for you the gates of Hades.

By its aid, the Frogs of Aristophanes became my merry friends. With
Ulysses I wandered eagerly through Wonderland. Doctor Florret was
charmed with my progress, which was real, for now, at last, I was
studying according to the laws of common sense, understanding first,
explaining afterwards. Let Youth, that the folly of Age would imprison
in ignorance, provide itself with “Keys.”

But let me not seem to claim credit due to another. Dan it was--Dan of
the strong arm and the soft smile, Dan the wise hater of all useless
labour, sharp-witted, easy-going Dan, who made this grand discovery.

Dan followed me a term later into the Lower Fourth, but before he had
been there a week was handling Latin verse with an ease and dexterity
suggestive of unholy dealings with the Devil. In a lonely corner of
Regent's Park, first making sure no one was within earshot, he revealed
to me his magic.

“Don't tell the others,” he commanded; “or it will get out, and then
nobody will be any the better.”

“But is it right?” I asked.

“Look here, young 'un,” said Dan; “what are you here for--what's
your father paying school fees for (it was the appeal to our
conscientiousness most often employed by Dr. Florret himself), for you
to play a silly game, or to learn something?

“Because if it's only a game--we boys against the masters,” continued
Dan, “then let's play according to rule. If we're here to learn--well,
you've been in the class four months and I've just come, and I bet I
know more Ovid than you do already.” Which was true.

So I thanked Dan and shared with him his key; and all the Latin I
remember, for whatever good it may be to me, I take it I owe to him.

And knowledge of yet greater value do I owe to the good fortune that
his sound mother wit was ever at my disposal to correct my dreamy
unfeasibility; for from first to last he was my friend; and to have
been the chosen friend of Dan, shrewd judge of man and boy, I deem no
unimportant feather in my cap. He “took to” me, he said, because I was
so “jolly green”--“such a rummy little mug.” No other reason would he
ever give me, save only a sweet smile and a tumbling of my hair with his
great hand; but I think I understood. And I loved him because he was
big and strong and handsome and kind; no one but a little boy knows
how brutal or how kind a big boy can be. I was still somewhat of an
effeminate little chap, nervous and shy, with a pink and white face, and
hair that no amount of wetting would make straight. I was growing too
fast, which took what strength I had, and my journey every day, added
to school work and home work, maybe was too much for my years. Every
morning I had to be up at six, leaving the house before seven to catch
the seven fifteen from Poplar station; and from Chalk Farm I had to walk
yet another couple of miles. But that I did not mind, for at Chalk Farm
station Dan was always waiting for me. In the afternoon we walked back
together also; and when I was tired and my back ached--just as if some
one had cut a piece out of it, I felt--he would put his arm round
me, for he always knew, and oh, how strong and restful it was to lean
against, so that one walked as in an easy-chair.

It seems to me, remembering how I would walk thus by his side, looking
up shyly into his face, thinking how strong and good he was, feeling so
glad he liked me, I can understand a little how a woman loves. He was so
solid. With his arm round me, it was good to feel weak.

At first we were in the same class, the Lower Third. He had no business
there. He was head and shoulders taller than any of us and years older.
It was a disgrace to him that he was not in the Upper Fourth. The Doctor
would tell him so before us all twenty times a week. Old Waterhouse
(I call him “Old Waterhouse” because “Mister Waterhouse, M.A.,”
 would convey no meaning to me, and I should not know about whom I
was speaking) who cordially liked him, was honestly grieved. We, his
friends, though it was pleasant to have him among us, suffered in our
pride of him. The only person quite contented was Dan himself. It was
his way in all things. Others had their opinion of what was good
for him. He had his own, and his own was the only opinion that ever
influenced him. The Lower Third suited him. For him personally the Upper
Fourth had no attraction.

And even in the Lower Third he was always at the bottom. He preferred
it. He selected the seat and kept it, in spite of all allurements, in
spite of all reproaches. It was nearest to the door. It enabled him
to be first out and last in. Also it afforded a certain sense of
retirement. Its occupant, to an extent screened from observation,
became in the course of time almost forgotten. To Dan's philosophical
temperament its practical advantages outweighed all sentimental
objection.

Only on one occasion do I remember his losing it. As a rule, tiresome
questions, concerning past participles, square roots, or meridians never
reached him, being snapped up in transit by arm-waving lovers of such
trifles. The few that by chance trickled so far he took no notice of.
They possessed no interest for him, and he never pretended that they
did. But one day, taken off his guard, he gave voice quite unconsciously
to a correct reply, with the immediate result of finding himself in an
exposed position on the front bench. I had never seen Dan out of
temper before, but that moment had any of us ventured upon a whispered
congratulation we would have had our head punched, I feel confident.

Old Waterhouse thought that here at last was reformation. “Come, Brian,”
he cried, rubbing his long thin hands together with delight, “after all,
you're not such a fool as you pretend.”

“Never said I was,” muttered Dan to himself, with a backward glance of
regret towards his lost seclusion; and before the day was out he had
worked his way back to it again.

As we were going out together, old Waterhouse passed us on the stairs:
“Haven't you any sense of shame, my boy?” he asked sorrowfully, laying
his hand kindly on Dan's shoulder.

“Yes, sir,” answered Dan, with his frank smile; “plenty. It isn't yours,
that's all.”

He was an excellent fighter. In the whole school of over two hundred
boys, not half a dozen, and those only Upper Sixth boys--fellows who
came in top hats with umbrellas, and who wouldn't out of regard to their
own dignity--could have challenged him with any chance of success. Yet
he fought very seldom, and then always in a bored, lazy fashion, as
though he were doing it purely to oblige the other fellow.

One afternoon, just as we were about to enter Regent's Park by the
wicket opposite Hanover Gate, a biggish boy, an errand boy carrying an
empty basket, and supported by two smaller boys, barred our way.

“Can't come in here,” said the boy with the basket.

“Why not?” inquired Dan.

“'Cos if you do I shall kick you,” was the simple explanation.

Without a word Dan turned away, prepared to walk on to the next opening.
The boy with the basket, evidently encouraged, followed us: “Now, I'm
going to give you your coward's blow,” he said, stepping in front of us;
“will you take it quietly?” It is a lonely way, the Outer Circle, on a
winter's afternoon.

“I'll tell you afterwards,” said Dan, stopping short.

The boy gave him a slight slap on the cheek. It could not have hurt, but
the indignity, of course, was great. No boy of honour, according to our
code, could have accepted it without retaliating.

“Is that all?” asked Dan.

“That's all--for the present,” replied the boy with the basket.

“Good-bye,” said Dan, and walked on.

“Glad he didn't insist on fighting,” remarked Dan, cheerfully, as we
proceeded; “I'm going to a party tonight.”

Yet on another occasion, in a street off Lisson Grove, he insisted
on fighting a young rough half again his own weight, who, brushing up
against him, had knocked his hat off into the mud.

“I wouldn't have said anything about his knocking it off,” explained
Dan afterwards, tenderly brushing the poor bruised thing with his coat
sleeve, “if he hadn't kicked it.”

On another occasion I remember, three or four of us, Dan among the
number, were on our way one broiling summer's afternoon to Hadley Woods.
As we turned off from the highroad just beyond Barnet and struck into
the fields, Dan drew from his pocket an enormous juicy-looking pear.

“Where did you get that from?” inquired one, Dudley.

“From that big greengrocer's opposite Barnet Church,” answered Dan.
“Have a bit?”

“You told me you hadn't any more money,” retorted Dudley, in reproachful
tones.

“No more I had,” replied Dan, holding out a tempting slice at the end of
his pocket-knife.

“You must have had some, or you couldn't have bought that pear,” argued
Dudley, accepting.

“Didn't buy it.”

“Do you mean to say you stole it?”

“Yes.”

“You're a thief,” denounced Dudley, wiping his mouth and throwing away a
pip.

“I know it. So are you.”

“No, I'm not.”

“What's the good of talking nonsense. You robbed an orchard only last
Wednesday at Mill Hill, and gave yourself the stomach-ache.”

“That isn't stealing.”

“What is it?”

“It isn't the same thing.”

“What's the difference?”

And nothing could make Dan comprehend the difference. “Stealing is
stealing,” he would have it, “whether you take it off a tree or out of a
basket. You're a thief, Dudley; so am I. Anybody else say a piece?”

The thermometer was at that point where morals become slack. We all had
a piece; but we were all of us shocked at Dan, and told him so. It did
not agitate him in the least.

To Dan I could speak my inmost thoughts, knowing he would understand me,
and sometimes from him I received assistance and sometimes confusion.
The yearly examination was approaching. My father and mother said
nothing, but I knew how anxiously each of them awaited the result; my
father, to see how much I had accomplished; my mother, how much I had
endeavoured. I had worked hard, but was doubtful, knowing that prizes
depend less upon what you know than upon what you can make others
believe you know; which applies to prizes beyond those of school.

“Are you going in for anything, Dan?” I asked him. We were discussing
the subject, crossing Primrose Hill, one bright June morning.

I knew the question absurd. I asked it of him because I wanted him to
ask it of me.

“They're not giving away anything I particularly want,” murmured Dan, in
his lazy drawl: looked at from that point of view, school prizes are, it
must be confessed, not worth their cost.

“You're sweating yourself, young 'un, of course?” he asked next, as I
expected.

“I mean to have a shot at the History,” I admitted. “Wish I was better
at dates.”

“It's always two-thirds dates,” Dan assured me, to my discouragement.
“Old Florret thinks you can't eat a potato until you know the date that
chap Raleigh was born.”

“I've prayed so hard that I may win the History prize,” I explained to
him. I never felt shy with Dan. He never laughed at me.

“You oughtn't to have done that,” he said. I stared. “It isn't fair to
the other fellows. That won't be your winning the prize; that will be
your getting it through favouritism.”

“But they can pray, too,” I reminded him.

“If you all pray for it,” answered Dan, “then it will go, not to the
fellow that knows most history, but to the fellow that's prayed the
hardest. That isn't old Florret's idea, I'm sure.”

“But we are told to pray for things we want,” I insisted.

“Beastly mean way of getting 'em,” retorted Dan. And no argument that
came to me, neither then nor at any future time, brought him to right
thinking on this point.

He would judge all matters for himself. In his opinion Achilles was a
coward, not a hero.

“He ought to have told the Trojans that they couldn't hurt any part of
him except his heel, and let them have a shot at that,” he argued;
“King Arthur and all the rest of them with their magic swords, it wasn't
playing the game. There's no pluck in fighting if you know you're bound
to win. Beastly cads, I call them all.”

I won no prize that year. Oddly enough, Dan did, for arithmetic; the
only subject studied in the Lower Fourth that interested him. He liked
to see things coming right, he explained.

My father shut himself up with me for half an hour and examined me
himself.

“It's very curious, Paul,” he said, “you seem to know a good deal.”

“They asked me all the things I didn't know. They seemed to do it on
purpose,” I blurted out, and laid my head upon my arm. My father crossed
the room and sat down beside me.

“Spud!” he said--it was a long time since he had called me by that
childish nickname--“perhaps you are going to be with me, one of the
unlucky ones.”

“Are you unlucky?” I asked.

“Invariably,” answered my father, rumpling his hair. “I don't know why.
I try hard--I do the right thing, but it turns out wrong. It always
does.”

“But I thought Mr. Hasluck was bringing us such good fortune,” I said,
looking up in surprise. “We're getting on, aren't we?”

“I have thought so before, so often,” said my father, “and it has always
ended in a--in a collapse.”

I put my arms round his neck, for I always felt to my father as to
another boy; bigger than myself and older, but not so very much.

“You see, when I married your mother,” he went on, “I was a rich man.
She had everything she wanted.”

“But you will get it all back,” I cried.

“I try to think so,” he answered. “I do think so--generally speaking.
But there are times--you would not understand--they come to you.”

“But she is happy,” I persisted; “we are all happy.”

He shook his head.

“I watch her,” he said. “Women suffer more than we do. They live more
in the present. I see my hopes, but she--she sees only me, and I have
always been a failure. She has lost faith in me.”

I could say nothing. I understood but dimly.

“That is why I want you to be an educated man, Paul,” he continued after
a silence. “You can't think what a help education is to a man. I don't
mean it helps you to get on in the world; I think for that it rather
hampers you. But it helps you to bear adversity. To a man with a
well-stored mind, life is interesting on a piece of bread and a cup
of tea. I know. If it were not for you and your mother I should not
trouble.”

And yet at that time our fortunes were at their brightest, so far as I
remember them; and when they were dark again he was full of fresh hope,
planning, scheming, dreaming again. It was never acting. A worse actor
never trod this stage on which we fret. His occasional attempts at a
cheerfulness he did not feel inevitably resulted in our all three crying
in one another's arms. No; it was only when things were going well
that experience came to his injury. Child of misfortune, he ever rose,
Antaeus-like, renewed in strength from contact with his mother.

Nor must it be understood that his despondent moods, even in time of
prosperity, were oft recurring. Generally speaking, as he himself said,
he was full of confidence. Already had he fixed upon our new house in
Guilford Street, then still a good residential quarter; while at the
same time, as he would explain to my mother, sufficiently central for
office purposes, close as it was to Lincoln and Grey's Inn and Bedford
Row, pavements long worn with the weary footsteps of the Law's sad
courtiers.

“Poplar,” said my father, “has disappointed me. It seemed a good idea--a
rapidly rising district, singularly destitute of solicitors. It ought to
have turned out well, and yet somehow it hasn't.”

“There have been a few come,” my mother reminded him.

“Of a sort,” admitted my father; “a criminal lawyer might gather
something of a practice here, I have no doubt. But for general work,
of course, you must be in a central position. Now, in Guilford Street
people will come to me.”

“It should certainly be a pleasanter neighbourhood to live in,” agreed
my mother.

“Later on,” said my father, “in case I want the whole house for offices,
we could live ourselves in Regent's Park. It is quite near to the Park.”

“Of course you have consulted Mr. Hasluck?” asked my mother, who of the
two was by far the more practical.

“For Hasluck,” replied my father, “it will be much more convenient. He
grumbles every time at the distance.”

“I have never been quite able to understand,” said my mother, “why Mr.
Hasluck should have come so far out of his way. There must surely be
plenty of solicitors in the City.”

“He had heard of me,” explained my father. “A curious old
fellow--likes his own way of doing things. It's not everyone who would
care for him as a client. But I seem able to manage him.”

Often we would go together, my father and I, to Guilford Street. It was
a large corner house that had taken his fancy, half creeper covered,
with a balcony, and pleasantly situated, overlooking the gardens of the
Foundling Hospital. The wizened old caretaker knew us well, and having
opened the door, would leave us to wander through the empty, echoing
rooms at our own will. We furnished them handsomely in later Queen
Anne style, of which my father was a connoisseur, sparing no necessary
expense; for, as my father observed, good furniture is always worth its
price, while to buy cheap is pure waste of money.

“This,” said my father, on the second floor, stepping from the bedroom
into the smaller room adjoining, “I shall make your mother's boudoir.
We will have the walls in lavender and maple green--she is fond of soft
tones--and the window looks out upon the gardens. There we will put her
writing-table.”

My own bedroom was on the third floor, a sunny little room.

“You will be quiet here,” said my father, “and we can shut out the bed
and the washstand with a screen.”

Later, I came to occupy it; though its rent--eight and sixpence a week,
including attendance--was somewhat more than at the time I ought to have
afforded. Nevertheless, I adventured it, taking the opportunity of being
an inmate of the house to refurnish it, unknown to my stout landlady, in
later Queen Anne style, putting a neat brass plate with my father's name
upon the door. “Luke Kelver, Solicitor. Office hours, 10 till 4.” A
medical student thought he occupied my mother's boudoir. He was a dull
dog, full of tiresome talk. But I made acquaintanceship with him; and
often of an evening would smoke my pipe there in silence while
pretending to be listening to his monotonous brag.

The poor thing! he had no idea that he was only a foolish ghost;
that his walls, seemingly covered with coarse-coloured prints
of wooden-looking horses, simpering ballet girls and petrified
prize-fighters, were in reality a delicate tone of lavender and maple
green; that at her writing-table in the sunlit window sat my mother, her
soft curls curtaining her quiet face.




CHAPTER VI.

OF THE SHADOW THAT CAME BETWEEN THE MAN IN GREY AND THE LADY OF THE
LOVE-LIT EYES.

“There's nothing missing,” said my mother, “so far as I can find out.
Depend upon it, that's the explanation: she has got frightened and has
run away.

“But what was there to frighten her?” said my father, pausing with a
decanter in one hand and the bottle in the other.

“It was the idea of the thing,” replied my mother. “She has never been
used to waiting at table. She was actually crying about it only last
night.”

“But what's to be done?” said my father. “They will be here in less than
an hour.”

“There will be no dinner for them,” said my mother, “unless I put on an
apron and bring it up myself.”

“Where does she live?” asked my father.

“At Ilford,” answered my mother.

“We must make a joke of it,” said my father.

My mother, sitting down, began to cry. It had been a trying week for my
mother. A party to dinner--to a real dinner, beginning with anchovies
and ending with ices from the confectioner's; if only they would remain
ices and not, giving way to unaccustomed influences, present themselves
as cold custard--was an extraordinary departure from the even tenor of
our narrow domestic way; indeed, I recollect none previous. First there
had been the house to clean and rearrange almost from top to bottom;
endless small purchases to be made of articles that Need never misses,
but which Ostentation, if ever you let her sneering nose inside the
door, at once demands. Then the kitchen range--it goes without saying:
one might imagine them all members of a stove union, controlled by some
agitating old boiler out of work--had taken the opportunity to strike,
refusing to bake another dish except under permanently improved
conditions, necessitating weary days with plumbers. Fat cookery books,
long neglected on their shelf, had been consulted, argued with and
abused; experiments made, failures sighed over, successes noted; cost
calculated anxiously; means and ways adjusted, hope finally achieved,
shadowed by fear.

And now with victory practically won, to have the reward thus dashed
from her hand at the last moment! Downstairs in the kitchen would be
the dinner, waiting for the guests; upstairs round the glittering table
would be the assembled guests, waiting for their dinner. But between the
two yawned an impassable gulf. The bridge, without a word of warning,
had bolted--was probably by this time well on its way to Ilford. There
was excuse for my mother's tears.

“Isn't it possible to get somebody else?” asked my father.

“Impossible, in the time,” said my mother. “I had been training her for
the whole week. We had rehearsed it perfectly.”

“Have it in the kitchen,” suggested my aunt, who was folding napkins to
look like ships, which they didn't in the least, “and call it a picnic.”
 Really it seemed the only practical solution.

There came a light knock at the front door.

“It can't be anybody yet, surely,” exclaimed my father in alarm, making
for his coat.

“It's Barbara, I expect,” explained my mother. “She promised to come
round and help me dress. But now, of course, I shan't want her.” My
mother's nature was pessimistic.

But with the words Barbara ran into the room, for I had taken it upon
myself to admit her, knowing that shadows slipped out through the window
when Barbara came in at the door--in those days, I mean.

She kissed them all three, though it seemed but one movement, she was so
quick. And at once they saw the humour of the thing.

“There's going to be no dinner,” laughed my father. “We are going to
look surprised and pretend that it was yesterday. It will be fun to see
their faces.”

“There will be a very nice dinner,” smiled my mother, “but it will be
in the kitchen, and there's no way of getting it upstairs.” And they
explained to her the situation.

She stood for an instant, her sweet face the gravest in the group. Then
a light broke upon it.

“I'll get you someone,” she said.

“My dear, you don't even know the neighbourhood,” began my mother. But
Barbara had snatched the latchkey from its nail and was gone.

With her disappearance, shadow fell again upon us. “If there were only
an hotel in this beastly neighbourhood,” said my father.

“You must entertain them by yourself, Luke,” said my mother; “and I must
wait--that's all.”

“Don't be absurd, Maggie,” cried my father, getting angry. “Can't cook
bring it in?”

“No one can cook a dinner and serve it, too,” answered my mother,
impatiently. “Besides, she's not presentable.”

“What about Fan?” whispered my father.

My mother merely looked. It was sufficient.

“Paul?” suggested my father.

“Thank you,” retorted my mother. “I don't choose to have my son turned
into a footman, if you do.”

“Well, hadn't you better go and dress?” was my father's next remark.

“It won't take me long to put on an apron,” was my mother's reply.

“I was looking forward to seeing you in that new frock,” said my father.
In the case of another, one might have attributed such a speech to tact;
in the case of my father, one felt it was a happy accident.

My mother confessed--speaking with a certain indulgence, as one does of
one's own follies when past--that she herself also had looked forward to
seeing herself therein. Threatening discord melted into mutual sympathy.

“I so wanted everything to be all right, for your sake, Luke,” said my
mother; “I know you were hoping it would help on the business.”

“I was only thinking of you, Maggie, dear,” answered my father. “You are
my business.”

“I know, dear,” said my mother. “It is hard.”

The key turned in the lock, and we all stood quiet to listen.

“She's come back alone,” said my mother. “I knew it was hopeless.”

The door opened.

“Please, ma'am,” said the new parlour-maid, “will I do?”

She stood there, framed by the lintel, in the daintiest of aprons, the
daintiest of caps upon her golden hair; and every objection she swept
aside with the wind of her merry wilfulness. No one ever had their way
with her, nor wanted it.

“You shall be footman,” she ordered, turning to me--but this time my
mother only laughed. “Wait here till I come down again.” Then to my
mother: “Now, ma'am, are you ready?”

It was the first time I had seen my mother, or, indeed, any other flesh
and blood woman, in evening dress, and to tell the truth I was a little
shocked. Nay, more than a little, and showed it, I suppose; for my
mother flushed and drew her shawl over the gleaming whiteness of her
shoulders, pleading coldness. But Barbara cried out against this, saying
it was a sin such beauty should be hid; and my father, filching a shawl
with a quick hand, so dextrously indeed as to suggest some previous
practice in the feat, dropped on one knee--as though the world were some
sweet picture book--and raised my mother's hand with grave reverence to
his lips; and Barbara, standing behind my mother's chair, insisted on
my following suit, saying the Queen was receiving. So I knelt also,
glancing up shyly as towards the gracious face of some fair lady
hitherto unknown, thus Catching my first glimpse of the philosophy of
clothes.

My memory lingers upon this scene by contrast with the sad, changed
days that swiftly followed, when my mother's eyes would flash towards
my father angry gleams, and her voice ring cruel and hard; though the
moment he was gone her lips would tremble and her eyes grow soft again
and fill with tears; when my father would sit with averted face and
sullen lips tight pressed, or worse, would open them only to pour forth
a rapid flood of savage speech; and fling out of the room, slamming the
door behind him, and I would find him hours afterwards, sitting alone in
the dark, with bowed head between his hands.

Wretched, I would lie awake, hearing through the flimsy walls their
passionate tones, now rising high, now fiercely forced into cold
whispers; and then their words to each other sounded even crueller.

In their estrangement from each other, so new to them, both clung closer
to me, though they would tell me nothing, nor should I have understood
if they had. When my mother was sobbing softly, her arms clasping me
tighter and tighter with each quivering throb, then I hated my father,
who I felt had inflicted this sorrow upon her. Yet when my father drew
me down upon his knee, and I looked into his kind eyes so full of pain,
then I felt angry with my mother, remembering her bitter tongue.

It seemed to me as though some cruel, unseen thing had crept into the
house to stand ever between them, so that they might never look into
each other's loving eyes but only into the eyes of this evil shadow. The
idea grew upon me until at times I could almost detect its outline in
the air, feel a chillness as it passed me. It trod silently through the
pokey rooms, always alert to thrust its grinning face before them.
Now beside my mother it would whisper in her ear; and the next moment,
stealing across to my father, answer for him with his voice, but
strangely different. I used to think I could hear it laughing to itself
as it stepped back into enfolding space.

To this day I seem to see it, ever following with noiseless footsteps
man and woman, waiting patiently its opportunity to thrust its face
between them. So that I can read no love tale, but, glancing round, I
see its mocking eyes behind my shoulder, reading also, with a silent
laugh. So that never can I meet with boy and girl, whispering in the
twilight, but I see it lurking amid the half lights, just behind them,
creeping after them with stealthy tread, as hand in hand they pass me in
quiet ways.

Shall any of us escape, or lies the road of all through this dark
valley of the shadow of dead love? Is it Love's ordeal? testing the
feeble-hearted from the strong in faith, who shall find each other yet
again, the darkness passed?

Of the dinner itself, until time of dessert, I can give no consecutive
account, for as footman, under the orders of this enthusiastic
parlour-maid, my place was no sinecure, and but few opportunities of
observation through the crack of the door were afforded me. All that
was clear to me was that the chief guest was a Mr. Teidelmann--or
Tiedelmann, I cannot now remember which--a snuffy, mumbling old frump,
with whose name then, however, I was familiar by reason of seeing it
so often in huge letters, though with a Co. added, on dreary long blank
walls, bordering the Limehouse reach. He sat at my mother's right hand;
and I wondered, noticing him so ugly and so foolish seeming, how she
could be so interested in him, shouting much and often to him; for added
to his other disattractions he was very deaf, which necessitated his
putting his hand up to his ear at every other observation made to
him, crying querulously: “Eh, what? What are you talking about? Say it
again,”--smiling upon him and paying close attention to his every want.
Even old Hasluck, opposite to him, and who, though pleasant enough
in his careless way, was far from being a slave to politeness, roared
himself purple, praising some new disinfectant of which this same
Teidelmann appeared to be the proprietor.

“My wife swears by it,” bellowed Hasluck, leaning across the table.

“Our drains!” chimed in Mrs. Hasluck, who was a homely soul; “well,
you'd hardly know there was any in the house since I've took to using
it.”

“What are they talking about?” asked Teidelmann, appealing to my mother.
“What's he say his wife does?”

“Your disinfectant,” explained my mother; “Mrs. Hasluck swears by it.”

“Who?”

“Mrs. Hasluck.”

“Does she? Delighted to hear it,” grunted the old gentleman, evidently
bored.

“Nothing like it for a sick-room,” persisted Hasluck; “might almost call
it a scent.”

“Makes one quite anxious to be ill,” remarked my aunt, addressing no one
in particular.

“Reminds me of cocoanuts,” continued Hasluck.

Its proprietor appeared not to hear, but Hasluck was determined his
flattery should not be lost.

“I say it reminds me of cocoanuts.” He screamed it this time.

“Oh, does it?” was the reply.

“Doesn't it you?”

“Can't say it does,” answered Teidelmann. “As a matter of fact, don't
know much about it myself. Never use it.”

Old Teidelmann went on with his dinner, but Hasluck was still full of
the subject.

“Take my advice,” he shouted, “and buy a bottle.”

“Buy a what?”

“A bottle,” roared the other, with an effort palpably beyond his
strength.

“What's he say? What's he talking about now?” asked Teidelmann, again
appealing to my mother.

“He says you ought to buy a bottle,” again explained my mother.

“What of?”

“Of your own disinfectant.”

“Silly fool!”

Whether he intended the remark to be heard and thus to close the topic
(which it did), or whether, as deaf people are apt to, merely misjudged
the audibility of an intended sotto vocalism, I cannot say. I only know
that outside in the passage I heard the words distinctly, and therefore
assume they reached round the table also.

A lull in the conversation followed, but Hasluck was not thin-skinned,
and the next thing I distinguished was his cheery laugh.

“He's quite right,” was Hasluck's comment; “that's what I am
undoubtedly. Because I can't talk about anything but shop myself, I
think everybody else is the same sort of fool.”

But he was doing himself an injustice, for on my next arrival in the
passage he was again shouting across the table, and this time Teidelmann
was evidently interested.

“Well, if you could spare the time, I'd be more obliged than I can tell
you,” Hasluck was saying. “I know absolutely nothing about pictures
myself, and Pearsall says you are one of the best judges in Europe.”

“He ought to know,” chuckled old Teidelmann. “He's tried often enough to
palm off rubbish onto me.”

“That last purchase of yours must have been a good thing for young--”
 Hasluck mentioned the name of a painter since world famous; “been the
making of him, I should say.”

“I gave him two thousand for the six,” replied Teidelmann, “and they'll
sell for twenty thousand.”

“But you'll never sell them?” exclaimed my father.

“No,” grunted old Teidelmann, “but my widow will.” There came a soft,
low laugh from a corner of the table I could not see.

“It's Anderson's great disappointment,” followed a languid, caressing
voice (the musical laugh translated into prose, it seemed), “that he has
never been able to educate me to a proper appreciation of art. He'll pay
thousands of pounds for a child in rags or a badly dressed Madonna. Such
a waste of money, it appears to me.”

“But you would pay thousands for a diamond to hang upon your neck,”
 argued my father's voice.

“It would enhance the beauty of my neck,” replied the musical voice.

“An even more absolute waste of money,” was my father's answer, spoken
low. And I heard again the musical, soft laugh.

“Who is she?” I asked Barbara.

“The second Mrs. Teidelmann,” whispered Barbara. “She is quite a swell.
Married him for his money--I don't like her myself, but she's very
beautiful.”

“As beautiful as you?” I asked incredulously. We were sitting on the
stairs, sharing a jelly.

“Oh, me!” answered Barbara. “I'm only a child. Nobody takes any notice
of me--except other kids, like you.” For some reason she appeared out of
conceit with herself, which was not her usual state of mind.

“But everybody thinks you beautiful,” I maintained.

“Who?” she asked quickly.

“Dr. Hal,” I answered.

We were with our backs to the light, so that I could not see her face.

“What did he say?” she asked, and her voice had more of contentment in
it.

I could not remember his exact words, but about the sense of them I was
positive.

“Ask him what he thinks of me, as if you wanted to know yourself,”
 Barbara instructed me, “and don't forget what he says this time. I'm
curious.” And though it seemed to me a foolish command--for what could
he say of her more than I myself could tell her--I never questioned
Barbara's wishes.

Yet if I am right in thinking that jealousy of Mrs. Teidelmann may have
clouded for a moment Barbara's sunny nature, surely there was no reason
for this, seeing that no one attracted greater attention throughout the
dinner than the parlour-maid.

“Where ever did you get her from?” asked Mrs. Florret, Barbara having
just descended the kitchen stairs.

“A neat-handed Phillis,” commented Dr. Florret with approval.

“I'll take good care she never waits at my table,” laughed the wife
of our minister, the Rev. Cottle, a broad-built, breezy-voiced woman,
mother of eleven, eight of them boys.

“To tell the truth,” said my mother, “she's only here temporarily.”

“As a matter of fact,” said my father, “we have to thank Mrs. Hasluck
for her.”

“Don't leave me out of it,” laughed Hasluck; “can't let the old girl
take all the credit.”

Later my father absent-mindedly addressed her as “My dear,” at which
Mrs. Cottle shot a swift glance towards my mother; and before that
incident could have been forgotten, Hasluck, when no one was
looking, pinched her elbow, which would not have mattered had not the
unexpectedness of it drawn from her an involuntary “augh,” upon which,
for the reputation of the house, and the dinner being then towards
its end; my mother deemed it better to take the whole company into
her confidence. Naturally the story gained for Barbara still greater
admiration, so that when with the dessert, discarding the apron but
still wearing the dainty cap, which showed wisdom, she and the footman
took their places among the guests, she was even more than before the
centre of attention and remark.

“It was very nice of you,” said Mrs. Cottle, thus completing the circle
of compliments, “and, as I always tell my girls, that is better than
being beautiful.”

“Kind hearts,” added Dr. Florret, summing up the case, “are more than
coronets.” Dr. Florret had ever ready for the occasion the correct
quotation, but from him, somehow, it never irritated; rather it fell
upon the ear as a necessary rounding and completing of the theme; like
the Amen in church.

Only to my aunt would further observations have occurred.

“When I was a girl,” said my aunt, breaking suddenly upon the passing
silence, “I used to look into the glass and say to myself: 'Fanny,
you've got to be amiable,' and I was amiable,” added my aunt,
challenging contradiction with a look; “nobody can say that I wasn't,
for years.”

“It didn't pay?” suggested Hasluck.

“It attracted,” replied my aunt, “no attention whatever.”

Hasluck had changed places with my mother, and having after many
experiments learned the correct pitch for conversation with old
Teidelmann, talked with him as much aside as the circumstances of the
case would permit. Hasluck never wasted time on anything else than
business. It was in his opera box on the first night of Verdi's Aida (I
am speaking of course of days then to come) that he arranged the details
of his celebrated deal in guano; and even his very religion, so I have
been told and can believe, he varied to suit the enterprise of the
moment, once during the protracted preliminaries of a cocoa scheme
becoming converted to Quakerism.

But for the most of us interest lay in a discussion between Washburn and
Florret concerning the superior advantages attaching to residence in the
East End.

As a rule, incorrect opinion found itself unable to exist in Dr.
Florret's presence. As no bird, it is said, can continue its song once
looked at by an owl, so all originality grew silent under the cold stare
of his disapproving eye. But Dr. “Fighting Hal” was no gentle warbler
of thought. Vehement, direct, indifferent, he swept through all polite
argument as a strong wind through a murmuring wood, carrying his
partisans with him further than they meant to go, and quite unable to
turn back; leaving his opponents clinging desperately--upside down,
anyhow--to their perches, angry, their feathers much ruffled.

“Life!” flung out Washburn--Dr. Florret had just laid down unimpeachable
rules for the conduct of all mankind on all occasions--“what do you
respectable folk know of life? You are not men and women, you are
marionettes. You don't move to your natural emotions implanted by God;
you dance according to the latest book of etiquette. You live and love,
laugh and weep and sin by rule. Only one moment do you come face to face
with life; that is in the moment when you die, leaving the other puppets
to be dressed in black and make believe to cry.”

It was a favourite subject of denunciation with him, the artificiality
of us all.

“Little doll,” he had once called me, and I had resented the term.

“That's all you are, little Paul,” he had persisted, “a good little
hard-working doll, that does what it's made to do, and thinks what
it's made to think. We are all dolls. Your father is a gallant-hearted,
soft-headed little doll; your mother the sweetest and primmest of dolls.
And I'm a silly, dissatisfied doll that longs to be a man, but hasn't
the pluck. We are only dolls, little Paul.”

“He's a trifle--a trifle whimsical on some subjects,” explained my
father, on my repeating this conversation.

“There are a certain class of men,” explained my mother--“you will meet
with them more as you grow up--who talk for talking's sake. They don't
know what they mean. And nobody else does either.”

“But what would you have?” argued Dr. Florret, “that every man should do
that which is right in his own eyes?”

“Far better than, like the old man in the fable, he should do what every
other fool thinks right,” retorted Washburn. “The other day I called
to see whether a patient of mine was still alive or not. His wife was
washing clothes in the front room. 'How's your husband?' I asked. 'I
think he's dead,' replied the woman. Then, without leaving off her work,
'Jim,' she shouted, 'are you there?' No answer came from the inner room.
'He's a goner,' she said, wringing out a stocking.”

“But surely,” said Dr. Florret, “you don't admire a woman for being
indifferent to the death of her husband?”

“I don't admire her for that,” replied Washburn, “and I don't blame her.
I didn't make the world and I'm not responsible for it. What I do admire
her for is not pretending a grief she didn't feel. In Berkeley Square
she'd have met me at the door with an agonised face and a handkerchief
to her eyes.

“Assume a virtue, if you have it not,” murmured Dr. Florret.

“Go on,” said Washburn. “How does it run? 'That monster, custom, who all
sense doth eat, of devil's habit, is angel yet in this, that to the use
of actions fair and good he gives a frock that aptly is put on.' So was
the lion's skin by the ass, but it showed him only the more an ass. Here
asses go about as asses, but there are lions also. I had a woman under
my hands only a little while ago. I could have cured her easily. Why she
got worse every day instead of better I could not understand. Then by
accident learned the truth: instead of helping me she was doing all
she could to kill herself. 'I must, Doctor,' she cried. 'I must. I have
promised. If I get well he will only leave me, and if I die now he has
sworn to be good to the children.' Here, I tell you, they live--think
their thoughts, work their will, kill those they hate, die for those
they love; savages if you like, but savage men and women, not bloodless
dolls.”

“I prefer the dolls,” concluded Dr. Florret.

“I admit they are pretty,” answered Washburn.

“I remember,” said my father, “the first masked ball I ever went to when
I was a student in Paris. It struck me just as you say, Hal; everybody
was so exactly alike. I was glad to get out into the street and see
faces.”

“But I thought they always unmasked at midnight,” said the second Mrs.
Teidelmann in her soft, languid tones.

“I did not wait,” explained my father.

“That was a pity,” she replied. “I should have been interested to see
what they were like, underneath.”

“I might have been disappointed,” answered my father. “I agree with Dr.
Florret that sometimes the mask is an improvement.”

Barbara was right. She was a beautiful woman, with a face that would
have been singularly winning if one could have avoided the hard cold
eyes ever restless behind the half-closed lids.

Always she was very kind to me. Moreover, since the disappearance of
Cissy she was the first to bestow again upon me a good opinion of my
small self. My mother praised me when I was good, which to her was the
one thing needful; but few of us, I fear, child or grown-up, take much
pride in our solid virtues, finding them generally hindrances to our
desires: like the oyster's pearl, of more comfort to the world than to
ourselves. If others there were who admired me, very guardedly must they
have kept the secret I would so gladly have shared with them. But this
new friend of ours--or had I not better at once say enemy--made me feel
when in her presence a person of importance. How it was accomplished
I cannot explain. No word of flattery nor even of mere approval ever
passed her lips. Her charm to me was not that she admired me, but that
she led me by some mysterious process to admire myself.

And yet in spite of this and many lesser kindnesses she showed to me,
I never really liked her; but rather feared her, dreading always the
sudden raising of those ever half-closed eyelids.

She sat next to my father at the corner of the table, her chin resting
on her long white hands, her sweet lips parted, and as often as his
eyes were turned away from her, her soft low voice would draw them back
again. Once she laid her hand on his, laughing the while at some light
jest of his, and I saw that he flushed; and following his quick glance,
saw that my mother's eyes were watching also.

I have spoken of my father only as he then appeared to me, a child--an
older chum with many lines about his mobile mouth, the tumbled hair
edged round with grey; but looking back with older eyes, I see him a
slightly stooping, yet still tall and graceful man, with the face of a
poet--the face I mean a poet ought to possess but rarely does, nature
apparently abhorring the obvious--with the shy eyes of a boy, and a
voice tender as a woman's. Never the dingiest little drab that entered
the kitchen but adored him, speaking always of “the master” in tones of
fond proprietorship, for to the most slatternly his “orders” had ever
the air of requests for favours. Women, I so often read, can care for
only masterful men. But may there not be variety in women as in other
species? Or perhaps--if the suggestion be not over-daring--the many
writers, deeming themselves authorities upon this subject of woman, may
in this one particular have erred? I only know my father spoke to
few women whose eyes did not brighten. Yet hardly should I call him a
masterful man.

“I think it's all right,” whispered Hasluck to my father in the
passage--they were the last to go. “What does she think of it, eh?”

“I think she'll be with us,” answered my father.

“Nothing like food for bringing people together,” said Hasluck.
“Good-night.”

The door closed, but Something had crept into the house. It stood
between my father and mother. It followed them silently up the narrow
creaking stairs.




CHAPTER VII.

OF THE PASSING OF THE SHADOW.

Better is little, than treasure and trouble therewith. Better a dinner
of herbs where love is, than a stalled ox and hatred therewith. None
but a great man would have dared to utter such a glaring commonplace as
that. Not only on Sundays now, but all the week, came the hot joint to
table, and on every day there was pudding, till a body grew indifferent
to pudding; thus a joy-giving luxury of life being lost and but another
item added to the long list of uninteresting needs. Now we could eat and
drink without stint. No need now to organise for the morrow's hash.
No need now to cut one's bread instead of breaking it, thinking of
Saturday's bread pudding. But there the saying fails, for never now were
we merry. A silent unseen guest sat with us at the board, so that no
longer we laughed and teased as over the half pound of sausages or the
two sweet-scented herrings; but talked constrainedly of empty things
that lay outside us.

Easy enough would it have been for us to move to Guilford Street.
Occasionally in the spiritless tones in which they now spoke on all
subjects save the one, my mother and father would discuss the project;
but always into the conversation would fall, sooner or later, some
loosened thought to stir it to anger, and so the aching months went by,
and the cloud grew.

Then one day the news came that old Teidelmann had died suddenly in his
counting house.

“You are going to her?” said my mother.

“I have been sent for,” said my father; “I must--it may mean business.”

My mother laughed bitterly; why, at the time, I could not understand;
and my father flung out of the house. During the many hours that he was
away my mother remained locked in her room, and, stealing sometimes to
the door, I was sure I heard her crying; and that she should grieve so
at old Teidelmann's death puzzled me.

She came oftener to our house after that. Her mourning added, I think,
to her beauty, softening--or seeming to soften--the hardness of her
eyes. Always she was very sweet to my mother, who by contrast beside her
appeared witless and ungracious; and to me, whatever her motive, she was
kindness itself; hardly ever arriving without some trifling gift or plan
for affording me some childish treat. By instinct she understood exactly
what I desired and liked, the books that would appeal to me as those my
mother gave me never did, the pleasures that did please me as opposed to
the pleasures that should have pleased me. Often my mother, talking
to me, would chill me with the vista of the life that lay before me:
a narrow, viewless way between twin endless walls of “Must” and “Must
not.” This soft-voiced lady set me dreaming of life as of sunny fields
through which one wandered laughing, along the winding path of Will; so
that, although as I have said, there lurked at the bottom of my thoughts
a fear of her; yet something within me I seemed unable to control went
out to her, drawn by her subtle sympathy and understanding of it.

“Has he ever seen a pantomime?” she asked of my father one morning,
looking at me the while with a whimsical screwing of her mouth.

My heart leaped within me. My father raised his eyebrows: “What would
your mother say, do you think?” he asked. My heart sank.

“She thinks,” I replied, “that theatres are very wicked places.” It
was the first time that any doubt as to the correctness of my mother's
judgments had ever crossed my mind.

Mrs. Teidelmann's smile strengthened my doubt. “Dear me,” she said, “I
am afraid I must be very wicked. I have always regarded a pantomime as
quite a moral entertainment. All the bad people go down so very straight
to--well, to the fit and proper place for them. And we could promise to
leave before the Clown stole the sausages, couldn't we, Paul?”

My mother was called and came; and I could not help thinking how
insignificant she looked with her pale face and plain dark frock,
standing stiffly beside this shining lady in her rustling clothes.

“You will let him come, Mrs. Kelver,” she pleaded in her soft caressing
tones; “it's Dick Whittington, you know--such an excellent moral.”

My mother had stood silent, clasping and unclasping her hands, a
childish trick she had when troubled; and her lips were trembling.
Important as the matter loomed before my own eyes, I wondered at her
agitation.

“I am very sorry,” said my mother, “it is very kind of you. But I would
rather he did not go.”

“Just this once,” persisted Mrs. Teidelmann. “It is holiday time.”

A ray of sunlight fell into the room, lighting upon her coaxing face,
making where my mother stood seem shadow.

“I would rather he did not go,” repeated my mother, and her voice
sounded harsh and grating. “When he is older others must judge for him,
but for the present he must be guided by me--alone.”

“I really don't think there could be any harm, Maggie,” urged my father.
“Things have changed since we were young.”

“That may be,” answered my mother, still in the same harsh voice; “it is
long ago since then.”

“I didn't intend it that way,” said my father with a short laugh.

“I merely meant that I may be wrong,” answered my mother. “I seem so old
among you all--so out of place. I have tried to change, but I cannot.”

“We will say no more about it,” said Mrs. Teidelmann, sweetly. “I merely
thought it would give him pleasure; and he has worked so hard this last
term, his father tells me.”

She laid her hand caressingly on my shoulder, drawing me a little closer
to her; and it remained there.

“It was very kind of you,” said my mother, “I would do anything to give
him pleasure, anything--I could. He knows that. He understands.”

My mother's hand, I knew, was seeking mine, but I was angry and would
not see; and without another word she left the room.

My mother did not allude again to the subject; but the very next
afternoon she took me herself to a hall in the neighbourhood, where we
saw a magic-lantern, followed by a conjurer. She had dressed herself in
a prettier frock than she had worn for many a long day, and was brighter
and gayer in herself than had lately been her wont, laughing and talking
merrily. But I, nursing my wrongs, remained moody and sulky. At any
other time such rare amusement would have overjoyed me; but the wonders
of the great theatre that from other boys I had heard so much of, that
from gaudy-coloured posters I had built up for myself, were floating
vague and undefined before me in the air; and neither the open-mouthed
sleeper, swallowing his endless chain of rats; nor even the live rabbit
found in the stout old gentleman's hat--the last sort of person in whose
hat one would have expected to find such a thing--could draw away my
mind from the joy I had caught a glimpse of only to lose.

So we walked home through the muddy, darkening streets, speaking but
little; and that night, waking--or rather half waking, as children do--I
thought I saw a figure in white crouching at the foot of my bed. I must
have gone to sleep again; and later, though I cannot say whether the
intervening time was short or long, I opened my eyes to see it still
there; and frightened, I cried out; and my mother rose from her knees.

She laughed, a curious broken laugh, in answer to my questions. “It was
a silly dream I had,” she explained “I must have been thinking of the
conjurer we saw. I dreamt that a wicked Magician had spirited you away
from me. I could not find you and was all alone in the world.”

She put her arms around me, so tight as almost to hurt me. And thus we
remained until again I must have fallen asleep.

It was towards the close of these same holidays that my mother and I
called upon Mrs. Teidelmann in her great stone-built house at Clapton.
She had sent a note round that morning, saying she was suffering from
terrible headaches that quite took her senses away, so that she was
unable to come out. She would be leaving England in a few days to
travel. Would my mother come and see her, she would like to say good-bye
to her before she went. My mother handed the letter across the table to
my father.

“Of course you will go,” said my father. “Poor girl, I wonder what the
cause can be. She used to be so free from everything of the kind.”

“Do you think it well for me to go?” said my mother. “What can she have
to say to me?”

“Oh, just to say good-bye,” answered my father. “It would look so
pointed not to go.”

It was a dull, sombre house without, but one entered through its
commonplace door as through the weed-grown rock into Aladdin's cave. Old
Teidelmann had been a great collector all his life, and his treasures,
now scattered through a dozen galleries, were then heaped there in
curious confusion. Pictures filled every inch of wall, stood propped
against the wonderful old furniture, were even stretched unframed across
the ceilings. Statues gleamed from every corner (a few of the statues
were, I remember, the only things out of the entire collection that Mrs.
Teidelmann kept for herself), carvings, embroideries, priceless china,
miniatures framed in gems, illuminated missals and gorgeously bound
books crowded the room. The ugly little thick-lipped man had surrounded
himself with the beauty of every age, brought from every land. He
himself must have been the only thing cheap and uninteresting to be
found within his own walls; and now he lay shrivelled up in his coffin,
under a monument by means of which an unknown cemetery became quite
famous.

Instructions had been given that my mother was to be shown up into Mrs.
Teidelmann's boudoir. She was lying on a sofa near the fire when we
entered, asleep, dressed in a loose lace robe that fell away, showing
her thin but snow-white arms, her rich dark hair falling loose about
her. In sleep she looked less beautiful: harder and with a suggestion of
coarseness about the face, of which at other times it showed no trace.
My mother said she would wait, perhaps Mrs. Teidelmann would awake; and
the servant, closing the door softly, left us alone with her.

An old French clock standing on the mantelpiece, a heart supported by
Cupids, ticked with a muffled, soothing sound. My mother, choosing a
chair by the window, sat with her eyes fixed on the sleeping woman's
face, and it seemed to me--though this may have been but my fancy born
of after-thought--that a faint smile relaxed for a moment the sleeping
woman's pained, pressed lips. Neither I nor my mother spoke, the only
sound in the room being the hushed ticking of the great gilt clock.
Until the other woman after a few slight movements of unrest began to
talk in her sleep.

Only confused murmurs escaped her at first, and then I heard her whisper
my father's name. Very low--hardly more than breathed--were the words,
but upon the silence each syllable struck clear and distinct: “Ah no, we
must not. Luke, my darling.”

My mother rose swiftly from her chair, but she spoke in quite
matter-of-fact tones.

“Go, Paul,” she said, “wait for me downstairs;” and noiselessly opening
the door, she pushed me gently out, and closed it again behind me.

It was half an hour or more before she came down, and at once we left
the house, letting ourselves out. All the way home my mother never once
spoke, but walked as one in a dream with eyes that saw not. With her
hand upon the lock of our gate she came back to life.

“You must say nothing, Paul, do you understand?” she said. “When people
are delirious they use strange words that have no meaning. Do you
understand, Paul; you must never breathe a word--never.”

I promised, and we entered the house; and from that day my mother's
whole manner changed. Not another angry word ever again escaped her
lips, never an angry flash lighted up again her eyes. Mrs. Teidelmann
remained away three months. My father, of course, wrote to her often,
for he was managing all her affairs. But my mother wrote to her
also--though this my father, I do not think, knew--long letters that she
would go away by herself to pen, writing them always in the twilight,
close to the window.

“Why do you choose this time, just when it's getting dark, to write your
letters,” my father would expostulate, when by chance he happened to
look into the room. “Let me ring for the lamp, you will strain your
eyes.” But my mother would always excuse herself, saying she had only a
few lines to finish.

“I can think better in this light,” she would explain.

And when Mrs. Teidelmann returned, it was my mother who was the first
to call upon her; before even my father knew that she was back. And from
thence onward one might have thought them the closest of friends, my
mother visiting her often, speaking of her to all in terms of praise and
liking.

In this way peace returned unto the house, and my father was tender
again in all his words and actions towards my mother, and my mother
thoughtful as before of all his wants and whims, her voice soft and low,
the sweet smile ever lurking around her lips as in the old days before
this evil thing had come to dwell among us; and I might have forgotten
it had ever cast its blight upon our life but that every day my mother
grew feebler, the little ways that had seemed a part of her gone from
her.

The summer came and went--that time in towns of panting days and
stifling nights, when through the open window crawls to one's face the
hot foul air, heavy with reeking odours drawn from a thousand streets;
when lying awake one seems to hear the fitful breathing of the myriad
mass around, as of some over-laboured beast too tired to even rest; and
my mother moved about the house ever more listlessly.

“There's nothing really the matter with her,” said Dr. Hal, “only
weakness. It is the place. Cannot you get her away from it?”

“I cannot leave myself,” said my father, “just yet; but there is no
reason why you and the boy should not take a holiday. This year I can
afford it, and later I might possibly join you.”

My mother consented, as she did to all things now, and so it came about
that again of afternoons we climbed--though more slowly and with many
pauses--the steep path to the ruined tower old Jacob in his happy
foolishness had built upon the headland, rested once again upon its
topmost platform, sheltered from the wind that ever blew about its
crumbling walls, saw once more the distant mountains, faint like
spectres, and the silent ships that came and vanished, and about our
feet the pleasant farm lands, and the grave, sweet river.

We had taken lodgings in the village: smaller now it seemed than
previously; but wonderful its sunny calm, after the turmoil of the
fierce dark streets. Mrs. Fursey was there still, but quite another than
the Mrs. Fursey of my remembrance, a still angular but cheery dame,
bent no longer on suppressing me, but rather on drawing me out before
admiring neighbours, as one saying: “The material was unpromising, as
you know. There were times when I almost despaired. But with
patience, and--may I say, a natural gift that way--you see what can
be accomplished!” And Anna, now a buxom wife and mother, with an
uncontrollable desire to fall upon and kiss me at most unexpected
moments, necessitating a never sleeping watchfulness on my part, and
a choosing of positions affording means of ready retreat. And old
Chumbley, still cobbling shoes in his tiny cave. On the bench before
him in a row they sat and watched him while he tapped and tapped and
hammered: pert little shoes piping “Be quick, be quick, we want to be
toddling. You seem to have no idea, my good man, how much toddling there
is to be done.” Dapper boots, sighing: “Oh, please make haste, we are
waiting to dance and to strut. Jack walks in the lane, Jill waits by
the gate. Oh, deary, how slowly he taps.” Stout sober boots, saying: “As
soon as you can, old friend. Remember we've work to do.” Flat-footed old
boots, rusty and limp, mumbling: “We haven't much time, Mr. Chumbley.
Just a patch, that is all, we haven't much further to go.” And old Joe,
still peddling his pack, with the help of the same old jokes. And Tom
Pinfold, still puzzled and scratching his head, the rejected fish still
hanging by its tail from his expostulating hand; one might almost have
imagined it the same fish. Grown-up folks had changed but little. Only
the foolish children had been playing tricks; parties I had left mere
sucking babes now swaggering in pinafore or knickerbocker; children I
had known now mincing it as men and women; such affectation annoyed me.

One afternoon--it was towards the close of the last week of our stay--my
mother and I had climbed, as was so often our wont, to the upper
platform of old Jacob's tower. My mother leant upon the parapet, her
eyes fixed dreamingly upon the distant mountains, and a smile crept to
her lips.

“What are you thinking of?” I asked.

“Oh, only of things that happened over there”--she nodded her head
towards the distant hills as to some old crony with whom she shares
secrets--“when I was a girl.”

“You lived there, long ago, didn't you, when you were young?” I asked.
Boys do not always stop to consider whether their questions might or
might not be better expressed.

“You're very rude,” said my mother--it was long since a tone of her old
self had rung from her in answer to any touch; “it was a very little
while ago.”

Suddenly she raised her head and listened. Perhaps some twenty seconds
she remained so with her lips parted, and then from the woods came a
faint, long-drawn “Coo-ee.” We ran to the side of the tower commanding
the pathway from the village, and waited until from among the dark pines
my father emerged into the sunlight.

Seeing us, he shouted again and waved his stick, and from the light of
his eyes and his gallant bearing, and the spring of his step across the
heathery turf, we knew instinctively that trouble had come upon him.
He always rose to meet it with that look and air. It was the old Norse
blood in his veins, I suppose. So, one imagines, must those godless old
Pirates have sprung to their feet when the North wind, loosed as a hawk
from the leash, struck at the beaked prow.

We heard his quick step on the rickety stair, and the next moment he was
between us, breathing a little hard, but laughing.

He stood for awhile beside my mother without speaking, both of them
gazing at the distant hills among which, as my mother had explained,
things had happened long ago. And maybe, “over there,” their memories
met and looked upon each other with kind eyes.

“Do you remember,” said my father, “we climbed up here--it was the first
walk we took together after coming here. We discussed our plans for the
future, how we would retrieve our fortunes.”

“And the future,” answered my mother, “has a way of making plans for us
instead.”

“It would seem so,” replied my father, with a laugh. “I am an unlucky
beggar, Maggie. I dropped all your money as well as my own down that
wretched mine.”

“It was the will--it was Fate, or whatever you call it,” said my mother.
“You could not help that, Luke.”

“If only that damned pump hadn't jambed,” said my father.

“Do you remember that Mrs. Tharand?” asked my mother.

“Yes, what of her?”

“A worldly woman, I always thought her. She called on me the morning we
were leaving; I don't think you saw her. 'I've been through more worries
than you would think, to look at me,' she said to me, laughing. I've
always remembered her words: 'and of all the troubles that come to us in
this world, believe me, Mrs. Kelver, money troubles are the easiest to
bear.'”

“I wish I could think so,” said my father.

“She rather irritated me at the time,” continued my mother. “I thought
it one of those commonplaces with which we console ourselves for other
people's misfortunes. But now I know she spoke the truth.”

There was silence between them for awhile. Then said my father in a
cheery tone:

“I've broken with old Hasluck.”

“I thought you would be compelled to sooner or later,” answered my
mother.

“Hasluck,” exclaimed my father, with sudden vehemence, “is little better
than a thief; I told him so.”

“What did he say?” asked my mother.

“Laughed, and said that was better than some people.”

My father laughed himself.

I wish to do the memory of Noel Hasluck no injustice. Ever was he a kind
friend to me; not only then, but in later years, when, having come to
learn that kindness is rarer in the world than I had dreamt, I was glad
of it. Added to which, if only for Barbara's sake, I would prefer
to write of him throughout in terms of praise. Yet even were his
good-tempered, thick-skinned ghost (and unless it were good-tempered
and thick-skinned it would be no true ghost of old Noel Hasluck) to
be reading over my shoulder the words as I write them down, I think it
would agree with me--I do not think it would be offended with me (for
ever in his life he was an admirer and a lover of the Truth, being one
of those good fighters capable of respecting even his foe, his enemy,
against whom from ten to four, occasionally a little later, he fought
right valiantly) for saying that of all the men who go down into the
City each day in a cab or 'bus or train, he was perhaps one of the most
unprincipled: and whether that be saying much or little I leave to those
with more knowledge to decide.

To do others, as it was his conviction, right or wrong, that they would
do him if ever he gave them half a chance, was his notion of “business;”
 and in most of his transactions he was successful. “I play a game,”
 he would argue, “where cheating is the rule. Nine out of every ten men
round the table are sharpers like myself, and the tenth man is a fool
who has no business to be there. We prey upon each other, and the cutest
of us is the winner.”

“But the innocent people, lured by your fine promises,” I ventured once
to suggest to him, “the widows and the orphans?”

“My dear lad,” he said, with a laugh, laying his fat hand upon my
shoulder, “I remember one of your widows writing me a pathetic letter
about some shares she had taken in a Silver Company of mine. Lord knows
where the mine is now--somewhere in Spain, I think. It looked as though
all her savings were gone. She had an only son, and it was nearly all
they possessed in the world, etc., etc.--you know the sort of thing.
Well, I did what I've often been numskull enough to do in similar cases,
wrote and offered to buy her out at par. A week later she answered,
thanking me, but saying it did not matter. There had occurred
a momentary rise, and she had sold out at a profit--to her own
brother-in-law, as I discovered, happening to come across the transfers.
You can find widows and orphans round the Monte Carlo card tables, if
you like to look for them; they are no more deserving of consideration
than the rest of the crowd. Besides, if it comes to that, I'm an orphan
myself;” and he laughed again, one of his deep, hearty, honest laughs.
No one ever possessed a laugh more suggestive in its every cadence
of simple, transparent honesty. He used to say himself it was worth
thousands to him.

Better from the Moralists' point of view had such a man been an
out-and-out rogue. Then might one have pointed, crying: “Behold:
Dishonesty, as you will observe in the person of our awful example, to
be hated, needs but to be seen.” But the duty of the Chronicler is to
bear witness to what he knows, leaving Truth with the whole case before
her to sum up and direct the verdict. In the City, old Hasluck had a
bad reputation and deserved it; in Stoke-Newington--then a green suburb,
containing many fine old houses, standing in great wooded gardens--he
was loved and respected. In his business, he was a man void of all moral
sense, without bowels of compassion for any living thing; in retirement,
a man with a strong sense of duty and a fine regard for the rights and
feelings of others, never happier than when planning to help or give
pleasure. In his office, he would have robbed his own mother. At home,
he would have spent his last penny to add to her happiness or comfort. I
make no attempt to explain. I only know that such men do exist, and that
Hasluck was one of them. One avoids difficulties by dismissing them as a
product of our curiously complex civilisation--a convenient phrase; let
us hope the recording angel may be equally impressed by it.

Casting about for some reason of excuse to myself for my liking of him,
I hit upon the expedient of regarding him as a modern Robin Hood, whom
we are taught to admire without shame, a Robin Hood up to date, adapted
to the changed conditions of modern environment; making his living
relieving the rich; taking pleasure relieving the poor.

“What will you do?” asked my mother.

“I shall have to give up the office,” answered my father. “Without him
there's not enough to keep it going. He was quite good-tempered
about the matter--offered to divide the work, letting me retain
the straightforward portion for whatever that might be worth. But I
declined. Now I know, I feel I would rather have nothing more to do with
him.”

“I think you were quite right,” agreed my mother.

“What I blame myself for,” said my father, “is that I didn't see through
him before. Of course he has been making a mere tool of me from the
beginning. I ought to have seen through him. Why didn't I?”

They discussed the future, or, rather, my father discussed, my mother
listening in silence, stealing a puzzled look at him from time to time,
as though there were something she could not understand.

He would take a situation in the City. One had been offered him. It
might sound poor, but it would be a steady income on which we must
contrive to live. The little money he had saved must be kept for
investments--nothing speculative--judicious “dealings,” by means of
which a cool, clear-headed man could soon accumulate capital. Here the
training acquired by working for old Hasluck would serve him well. One
man my father knew--quite a dull, commonplace man--starting a few years
ago with only a few hundreds, was now worth tens of thousands. Foresight
was the necessary qualification. You watched the “tendency” of things.
So often had my father said to himself: “This is going to be a
big thing. That other, it is no good,” and in every instance his
prognostications had been verified. He had “felt it;” some men had that
gift. Now was the time to use it for practical purposes.

“Here,” said my father, breaking off, and casting an approving eye upon
the surrounding scenery, “would be a pleasant place to end one's days.
The house you had was very pretty and you liked it. We might enlarge it,
the drawing-room might be thrown out--perhaps another wing.” I felt that
our good fortune as from this day was at last established.

But my mother had been listening with growing impatience, her puzzled
glances giving place gradually to flashes of anger; and now she turned
her face full upon him, her question written plainly thereon, demanding
answer.

Some idea of it I had even then, watching her; and since I have come to
read it word for word: “But that woman--that woman that loves you, that
you love. Ah, I know--why do you play with me? She is rich. With her
your life will be smooth. And the boy--it will be better far for him.
Cannot you three wait a little longer? What more can I do? Cannot you
see that I am surely dying--dying as quickly as I can--dying as that
poor creature your friend once told us of; knowing it was the only thing
she could do for those she loved. Be honest with me: I am no longer
jealous. All that is past: a man is ever younger than a woman, and a man
changes. I do not blame you. It is for the best. She and I have talked;
it is far better so. Only be honest with me, or at least silent. Will
you not honour me enough for even that?”

My father did not answer, having that to speak of that put my mother's
question out of her mind for all time; so that until the end no word
concerning that other woman passed again between them. Twenty years
later, nearly, I myself happened to meet her, and then long physical
suffering had chased the wantonness away for ever from the pain-worn
mouth; but in that hour of waning voices, as some trouble of the fretful
day when evening falls, so she faded from their life; and if even the
remembrance of her returned at times to either of them, I think it must
have been in those moments when, for no seeming reason, shyly their
hands sought one another.

So the truth of the sad ado--how far my mother's suspicions wronged my
father; for the eye of jealousy (and what loving woman ever lived that
was not jealous?) has its optic nerve terminating not in the brain
but in the heart, which was not constructed for the reception of true
vision--I never knew. Later, long after the curtain of green earth
had been rolled down upon the players, I spoke once on the matter with
Doctor Hal, who must have seen something of the play and with more
understanding eyes than mine, and who thereupon delivered to me a short
lecture on life in general, a performance at which he excelled.

“Flee from temptation and pray that you may be delivered from evil,”
 shouted the Doctor--(his was not the Socratic method)--“but remember
this: that as sure as the sparks fly upward there will come a time when,
however fast you run, you will be overtaken--cornered--no one to deliver
you but yourself--the gods sitting round interested. It is a grim fight,
for the Thing, you may be sure, has chosen its right moment. And every
woman in the world will sympathise with you and be just to you, not even
despising you should you be overcome; for however they may talk, every
woman in the world knows that male and female cannot be judged by the
same standard. To woman, Nature and the Law speak with one voice: 'Sin
not, lest you be cursed of your sex!' It is no law of man: it is the
law of creation. When the woman sins, she sins not only against her
conscience, but against her every instinct. But to the man Nature
whispers: 'Yield.' It is the Law alone that holds him back. Therefore
every woman in the world, knowing this, will be just to you--every woman
in the world but one--the woman that loves you. From her, hope for no
sympathy, hope for no justice.”

“Then you think--” I began.

“I think,” said the Doctor, “that your father loved your mother
devotedly; but he was one of those fighters that for the first
half-dozen rounds or so cause their backers much anxiety. It is a
dangerous method.”

“Then you think my mother--”

“I think your mother was a good woman, Paul; and the good woman will
never be satisfied with man till the Lord lets her take him to pieces
and put him together herself.”

My father had been pacing to and fro the tiny platform. Now he came to a
halt opposite my mother, placing his hands upon her shoulders.

“I want you to help me, Maggie--help me to be brave. I have only a year
or two longer to live, and there's a lot to be done in that time.”

Slowly the anger died out of my mother's face.

“You remember that fall I had when the cage broke,” my father went on.
“Andrews, as you know, feared from the first it might lead to that. But
I always laughed at him.”

“How long have you known?” my mother asked.

“Oh, about six months. I felt it at the beginning of the year, but I
didn't say anything to Washburn till a month later. I thought it might
be only fancy.”

“And he is sure?”

My father nodded.

“But why have you never told me?”

“Because,” replied my father, with a laugh, “I didn't want you to know.
If I could have done without you, I should not have told you now.”

And at this there came a light into my mother's face that never
altogether left it until the end.

She drew him down beside her on the seat. I had come nearer; and my
father, stretching out his hand, would have had me with them. But my
mother, putting her arms about him, held him close to her, as though in
that moment she would have had him to herself alone.




CHAPTER VIII.

HOW THE MAN IN GREY MADE READY FOR HIS GOING.

The eighteen months that followed--for the end came sooner than we had
expected--were, I think, the happiest days my father and mother had ever
known; or if happy be not altogether the right word, let me say the most
beautiful, and most nearly perfect. To them it was as though God in
His sweet thoughtfulness had sent death to knock lightly at the door,
saying: “Not yet. You have still a little longer to be together. In a
little while.” In those last days all things false and meaningless they
laid aside. Nothing was of real importance to them but that they should
love each other, comforting each other, learning to understand each
other. Again we lived poorly; but there was now no pitiful straining
to keep up appearances, no haunting terror of what the neighbours
might think. The petty cares and worries concerning matters not worth
a moment's thought, the mean desires and fears with which we disfigure
ourselves, fell from them. There came to them broader thought, a wider
charity, a deeper pity. Their love grew greater even than their needs,
overflowing towards all things. Sometimes, recalling these months, it
has seemed to me that we make a mistake seeking to keep Death, God's
go-between, ever from our thoughts. Is it not closing the door to a
friend who would help us would we let him (for who knows life so well),
whispering to us: “In a little while. Only a little longer that you have
to be together. Is it worth taking so much thought for self? Is it worth
while being unkind?”

From them a graciousness emanated pervading all around. Even my aunt Fan
decided for the second time in her career to give amiability a trial.
This intention she announced publicly to my mother and myself one
afternoon soon after our return from Devonshire.

“I'm a beast of an old woman,” said my aunt, suddenly.

“Don't say that, Fan,” urged my mother.

“What's the good of saying 'Don't say it' when I've just said it,”
 snapped back my aunt.

“It's your manner,” explained my mother; “people sometimes think you
disagreeable.”

“They'd be daft if they didn't,” interrupted my aunt. “Of course you
don't really mean it,” continued my mother.

“Stuff and nonsense,” snorted my aunt; “does she think I'm a fool? I
like being disagreeable. I like to see 'em squirming.”

My mother laughed.

“I can be agreeable,” continued my aunt, “if I choose. Nobody more so.”

“Then why not choose?” suggested my mother. “I tried it once,” said my
aunt, “and it fell flat. Nothing could have fallen flatter.”

“It may not have attracted much attention,” replied my mother, with a
smile, “but one should not be agreeable merely to attract attention.”

“It wasn't only that,” returned my aunt, “it was that it gave no
satisfaction to anybody. It didn't suit me. A disagreeable person is at
their best when they are disagreeable.”

“I can hardly agree with you there,” answered my mother.

“I could do it again,” communed my aunt to herself. There was a
suggestion of vindictiveness in her tones. “It's easy enough. Look at
the sort of fools that are agreeable.”

“I'm sure you could be if you tried,” urged my mother.

“Let 'em have it,” continued my aunt, still to herself; “that's the way
to teach 'em sense. Let 'em have it.”

And strange though it may seem, my aunt was right and my mother
altogether wrong. My father was the first to notice the change.

“Nothing the matter with poor old Fan, is there?” he asked. It was one
evening a day or two after my aunt had carried her threat into effect.
“Nothing happened, has there?”

“No,” answered my mother, “nothing that I know of.”

“Her manner is so strange,” explained my father, “so--so weird.”

My mother smiled. “Don't say anything to her. She's trying to be
agreeable.”

My father laughed and then looked wistful. “I almost wish she wouldn't,”
 he remarked; “we were used to it, and she was rather amusing.”

But my aunt, being a woman of will, kept her way; and about the same
time that occurred tending to confirm her in her new departure. This
was the introduction into our small circle of James Wellington Gadley.
Properly speaking, it should have been Wellington James, that being the
order in which he had been christened in the year 1815. But in course
of time, and particularly during his school career, it had been borne in
upon him that Wellington is a burdensome name for a commonplace mortal
to bear, and very wisely he had reversed the arrangement. He was a
slightly pompous but simpleminded little old gentleman, very proud of
his position as head clerk to Mr. Stillwood, the solicitor to whom my
father was now assistant. Stillwood, Waterhead and Royal dated back
to the Georges, and was a firm bound up with the history--occasionally
shady--of aristocratic England. True, in these later years its glory
was dwindling. Old Mr. Stillwood, its sole surviving representative,
declined to be troubled with new partners, explaining frankly, in
answer to all applications, that the business was a dying one, and
that attempting to work it up again would be but putting new wine
into worn-out skins. But though its clientele was a yearly diminishing
quantity, much business yet remained to it, and that of a good class,
its name being still a synonym for solid respectability; and my father
had deemed himself fortunate indeed in securing such an appointment.
James Gadley had entered the firm as office boy in the days of its
pride, and had never awakened to the fact that it was not still the most
important legal firm within the half mile radius from Lombard Street.
Nothing delighted him more than to discuss over and over again the
many strange affairs in which Stillwood, Waterhead and Royal had been
concerned, all of which he had at his tongue's tip. Could he find a
hearer, these he would reargue interminably, but with professional
reticence, personages becoming Mr. Y. and Lady X.; and places, “the
capital of, let us say, a foreign country,” or “a certain town not
a thousand miles from where we are now sitting.” The majority of his
friends, his methods being somewhat forensic, would seek to discourage
him, but my aunt was a never wearied listener, especially if the case
were one involving suspicion of mystery and crime. When, during their
very first conversation, he exclaimed: “Now why--why, after keeping away
from his wife for nearly eighteen years, never even letting her know
whether he was alive or dead, why this sudden resolve to return to her?
That is what I want explained to me!” he paused, as was his wont, for
sympathetic comment, my aunt, instead of answering as others, with a
yawn: “Oh, I'm sure I don't know. Felt he wanted to see her, I suppose,”
 replied with prompt intelligence:

“To murder her--by slow poison.”

“To murder her! But why?”

“In order to marry the other woman.”

“What other woman?”

“The woman he had just met and fallen in love with. Before that it was
immaterial to him what had become of his wife. This woman had said to
him: 'Come back to me a free man or never see my face again.'”

“Dear me! Now that's very curious.”

“Nothing of the sort. Plain common sense.”

“I mean, it's curious because, as a matter of fact, his wife did die a
little later, and he did marry again.”

“Told you so,” remarked my aunt.

In this way every case in the Stillwood annals was reviewed, and light
thrown upon it by my aunt's insight into the hidden springs of human
action. Fortunate that the actors remained mere Mr. X. and Lady Y., for
into the most innocent seeming behaviour my aunt read ever dark criminal
intent.

“I think you are a little too severe,” Mr. Gadley would now and then
plead.

“We're all of us miserable sinners,” my aunt would cheerfully affirm;
“only we don't all get the same chances.”

An elderly maiden lady, a Miss Z., residing in “a western town once
famous as the resort of fashion, but which we will not name,” my aunt
was convinced had burnt down a house containing a will, and forged
another under which her children--should she ever marry and be blessed
with such--would inherit among them on coming of age a fortune of seven
hundred pounds.

The freshness of her views on this, his favourite topic, always
fascinated Mr. Gadley.

“I have to thank you, ma'am,” he would remark on rising, “for a
most delightful conversation. I may not be able to agree with your
conclusions, but they afford food for reflection.”

To which my aunt would reply, “I hate talking to any one who agrees with
me. It's like taking a walk to see one's own looking-glass. I'd rather
talk to somebody who didn't, even if he were a fool,” which for her was
gracious.

He was a stout little gentleman with a stomach that protruded about a
foot in front of him, and of this he appeared to be quite unaware. Nor
would it have mattered had it not been for his desire when talking to
approach as close to his listener as possible. Gradually in the course
of conversation, his stomach acting as a gentle battering ram, he would
in this way drive you backwards round the room, sometimes, unless
you were artful, pinning you hopelessly into a corner, when it would
surprise him that in spite of all his efforts he never succeeded in
getting any nearer to you. His first evening at our house he was talking
to my aunt from the corner of his chair. As he grew more interested so
he drew his chair nearer and nearer, till at length, having withdrawn
inch by inch to avoid his encroachments, my aunt was sitting on the
extreme edge of her own. His next move sent her on to the floor. She
said nothing, which surprised me; but on the occasion of his next
visit she was busy darning stockings, an unusual occupation for her.
He approached nearer and nearer as before; but this time she sat
her ground, and it was he who in course of time sprang back with an
exclamation foreign to the subject under discussion.

Ever afterwards my aunt met him with stockings in her hand, and they
talked with a space between their chairs.

Nothing further came of it, though his being a widower added to their
intercourse that spice of possibility no woman is ever too old to
relish; but that he admired her intellectually was evident. Once he
even went so far as to exclaim: “Miss Davies, you should have been a
solicitor's wife!” to his thinking the crown of feminine ambition. To
which my aunt had replied: “Chances are I should have been if one had
ever asked me.” And warmed by appreciation, my aunt's amiability took
root and flourished, though assuming, as all growth developed late is
apt to, fantastic shape.

There came to her the idea, by no means ill-founded, that by flattery
one can most readily render oneself agreeable; so conscientiously she
set to work to flatter in season and out. I am sure she meant to give
pleasure, but the effect produced was that of thinly veiled sarcasm.

My father would relate to us some trifling story, some incident noticed
during the day that had seemed to him amusing. At once she would break
out into enthusiasm, holding up her hands in astonishment.

“What a funny man he is! And to think that it comes to him naturally
without an effort. What a gift it is!”

On my mother appearing in a new bonnet, or an old one retrimmed, an
event not unfrequent; for in these days my mother took more thought than
ever formerly for her appearance (you will understand, you women who
have loved), she would step back in simulated amazement.

“Don't tell me it's a married woman with a boy getting on for fourteen.
It's a girl. A saucy, tripping girl. That's what it is.”

Persons have been known, I believe, whose vanity, not checked in time,
has grown into a hopeless disease. But I am inclined to think that a
dose of my aunt, about this period, would have cured the most obstinate
case.

So also, and solely for our benefit, she assumed a vivacity and
spriteliness that ill suited her, that having regard to her age and
tendency towards rheumatism must have cost her no small effort. From
these experiences there remains to me the perhaps immoral opinion that
Virtue, in common with all other things, is at her best when unassuming.

Occasionally the old Adam--or should one say Eve--would assert itself in
my aunt, and then, still thoughtful for others, she would descend into
the kitchen and be disagreeable to Amy, our new servitor, who never
minded it. Amy was a philosopher who reconciled herself to all things
by the reflection that there were only twenty-four hours in a day.
It sounds a dismal theory, but from it Amy succeeded in extracting
perpetual cheerfulness. My mother would apologise to her for my aunt's
interference.

“Lord bless you, mum, it don't matter. If I wasn't listening to her
something else worse might be happening. Everything's all the same when
it's over.”

Amy had come to us merely as a stop gap, explaining to my mother that
she was about to be married and desired only a temporary engagement to
bridge over the few weeks between then and the ceremony.

“It's rather unsatisfactory,” had said my mother. “I dislike changes.”

“I can quite understand it, mum,” had replied Amy; “I dislike 'em
myself. Only I heard you were in a hurry, and I thought maybe that while
you were on the lookout for somebody permanent--”

So on that understanding she came. A month later my mother asked her
when she thought the marriage would actually take place.

“Don't think I'm wishing you to go,” explained my mother, “indeed I'd
like you to stop. I only want to know in time to make my arrangements.”

“Oh, some time in the spring, I expect,” was Amy's answer.

“Oh!” said my mother, “I understood it was coming off almost
immediately.”

Amy appeared shocked.

“I must know a little bit more about him before I go as far as that,”
 she said.

“But I don't understand,” said my mother; “you told me when you came to
me that you were going to be married in a few weeks.”

“Oh, that one!” Her tone suggested that an unfair strain was being put
upon her memory. “I didn't feel I wanted him as much as I thought I did
when it came to the point.”

“You had meantime met the other one?” suggested my mother, with a smile.

“Well, we can't help our feelings, can we, mum?” admitted Amy, frankly,
“and what I always say is”--she spoke as one with experience even
then--“better change your mind before it's too late afterwards.”

Amiable, sweet-faced, broad-hearted Amy! most faithful of friends, but
oh! most faithless of lovers. Age has not withered nor custom staled her
liking for infinite variety. Butchers, bakers, soldiers, sailors, Jacks
of all trades! Does the sighing procession never pass before you, Amy,
pointing ghostly fingers of reproach! Still Amy is engaged. To whom at
the particular moment I cannot say, but I fancy to an early one who has
lately become a widower. After more exact knowledge I do not care to
enquire; for to confess ignorance on the subject, implying that one has
treated as a triviality and has forgotten the most important detail of
a matter that to her is of vital importance, is to hurt her feelings;
while to angle for information is but to entangle oneself. To speak of
Him as “Tom,” when Tom has belonged for weeks to the dead and buried
past, to hastily correct oneself to “Dick” when there hasn't been a Dick
for years, clearly not to know that he is now Harry, annoys her even
more. In my mother's time we always referred to him as “Dearest.” It was
the title with which she herself distinguished them all, and it avoided
confusion.

“Well, and how's Dearest?” my mother would enquire, opening the door to
Amy on the Sunday evening.

“Oh, very well indeed, mum, thank you, and he sends you his respects,”
 or, “Well, not so nicely as I could wish. I'm a little anxious about
him, poor dear!”

“When you are married you will be able to take good care of him.”

“That's really what he wants--some one to take care of him. It's what
they all want, the poor dears.”

“And when is it coming off?”

“In the spring, mum.” She always chose the spring when possible.

Amy was nice to all men, and to Amy all men were nice. Could she have
married a dozen, she might have settled down, with only occasional
regrets concerning those left without in the cold. But to ask her to
select only one out of so many “poor dears” was to suggest shameful
waste of affection.

We had meant to keep our grim secret to ourselves; but to hide one's
troubles long from Amy was like keeping cold hands from the fire. Very
soon she knew everything that was to be known, drawing it all from my
mother as from some overburdened child. Then she put my mother down into
a chair and stood over her.

“Now you leave the house and everything connected with it to me, mum,”
 commanded Amy; “you've got something else to do.”

And from that day we were in the hands of Amy, and had nothing else to
do but praise the Lord for His goodness.

Barbara also found out (from Washburn, I expect), though she said
nothing, but came often. Old Hasluck would have come himself, I am
sure, had he thought he would be welcome. As it was, he always sent
kind messages and presents of fruit and flowers by Barbara, and always
welcomed me most heartily whenever she allowed me to see her home.

She brought, as ever, sunshine with her, making all trouble seem far off
and shadowy. My mother tended to the fire of love, but Barbara lit the
cheerful lamp of laughter.

And with the lessening days my father seemed to grow younger, life lying
lighter on him.

One summer's night he and I were walking with Barbara to Poplar station,
for sometimes, when he was not looking tired, she would order him to
fetch his hat and stick, explaining to him with a caress, “I like them
tall and slight and full grown. The young ones, they don't know how to
flirt! We will take the boy with us as gooseberry;” and he, pretending
to be anxious that my mother did not see, would kiss her hand, and slip
out quietly with her arm linked under his. It was admirable the way he
would enter into the spirit of the thing.

The last cloud faded from before the moon as we turned the corner, and
even the East India Dock Road lay restful in front of us.

“I have always regarded myself,” said my father, “as a failure in life,
and it has troubled me.” I felt him pulled the slightest little bit
away from me, as though Barbara, who held his other arm, had drawn him
towards her with a swift pressure. “But do you know the idea that has
come to me within the last few months? That on the whole I have been
successful. I am like a man,” continued my father, “who in some deep
wood has been frightened, thinking he has lost his way, and suddenly
coming to the end of it, finds that by some lucky chance he has been
guided to the right point after all. I cannot tell you what a comfort it
is to me.

“What is the right point?” asked Barbara.

“Ah, that I cannot tell you,” answered my father, with a laugh. “I only
know that for me it is here where I am. All the time I thought I was
wandering away from it I was drawing nearer to it. It is very wonderful.
I am just where I ought to be. If I had only known I never need have
worried.”

Whether it would have troubled either him or my mother very much even
had it been otherwise I cannot say, for Life, so small a thing when
looked at beside Death, seemed to have lost all terror for them; but be
that as it may, I like to remember that Fortune at the last was kind
to my father, prospering his adventures, not to the extent his sanguine
nature had dreamt, but sufficiently: so that no fear for our future
marred the peaceful passing of his tender spirit.

Or should I award thanks not to Fate, but rather to sweet Barbara,
and behind her do I not detect shameless old Hasluck, grinning
good-naturedly in the background?

“Now, Uncle Luke, I want your advice. Dad's given me this cheque as a
birthday present. I don't want to spend it. How shall I invest it?”

“My dear, why not consult your father?”

“Now, Uncle Luke, dad's a dear, especially after dinner, but you and
I know him. Giving me a present is one thing, doing business for me
is another. He'd unload on me. He'd never be able to resist the
temptation.”

My father would suggest, and Barbara would thank him. But a minute later
would murmur: “You don't know anything about Argentinos.”

My father did not, but Barbara did; to quite a remarkable extent for a
young girl.

“That child has insisted on leaving this cheque with me and I have
advised her to buy Argentinos,” my father would observe after she was
gone. “I am going to put a few hundreds into them myself. I hope they
will turn out all right, if only for her sake. I have a presentiment
somehow that they will.”

A month later Barbara would greet him with: “Isn't it lucky we bought
Argentinos!”

“Yes; they haven't turned out badly, have they? I had a feeling, you
know, for Argentinos.”

“You're a genius, Uncle Luke. And now we will sell out and buy
Calcuttas, won't we?”

“Sell out? But why?”

“You said so. You said, 'We will sell out in about a month and be quite
safe.'”

“My dear, I've no recollection of it.”

But Barbara had, and before she had done with him, so had he. And the
next day Argentinos would be sold--not any too soon--and Calcuttas
bought.

Could money so gained bring a blessing with it? The question would
plague my father.

“It's very much like gambling,” he would mutter uneasily to himself at
each success, “uncommonly like gambling.”

“It is for your mother,” he would impress upon me. “When she is gone,
Paul, put it aside, Keep it for doing good; that may make it clean.
Start your own life without any help from it.”

He need not have troubled. It went the road that all luck derived
however indirectly from old Hasluck ever went. Yet it served good
purpose on its way.

But the most marvellous feat, to my thinking, ever accomplished by
Barbara was the bearing off of my father and mother to witness “A Voice
from the Grave, or the Power of Love, New and Original Drama in five
acts and thirteen tableaux.”

They had been bred in a narrow creed, both my father and my mother. That
Puritan blood flowed in their veins that throughout our land has drowned
much harmless joyousness; yet those who know of it only from hearsay
do foolishly to speak but ill of it. If ever earnest times should
come again, not how to enjoy but how to live being the question, Fate
demanding of us to show not what we have but what we are, we may regret
that they are fewer among us than formerly, those who trained themselves
to despise all pleasure, because in pleasure they saw the subtlest foe
to principle and duty. No graceful growth, this Puritanism, for its
roots are in the hard, stern facts of life; but it is strong, and from
it has sprung all that is worth preserving in the Anglo-Saxon character.
Its men feared and its women loved God, and if their words were harsh
their hearts were tender. If they shut out the sunshine from their lives
it was that their eyes might see better the glory lying beyond; and if
their view be correct, that earth's threescore years and ten are but
as preparation for eternity, then who shall call them even foolish for
turning away their thoughts from its allurements.

“Still, I think I should like to have a look at one, just to see what it
is like,” argued my father; “one cannot judge of a thing that one knows
nothing about.”

I imagine it was his first argument rather than his second that
convinced my mother.

“That is true,” she answered. “I remember how shocked my poor father
was when he found me one night at the bedroom window reading Sir Walter
Scott by the light of the moon.”

“What about the boy?” said my father, for I had been included in the
invitation.

“We will all be wicked together,” said my mother.

So an evening or two later the four of us stood at the corner of Pigott
Street waiting for the 'bus.

“It is a close evening,” said my father; “let's go the whole hog and
ride outside.”

In those days for a lady to ride outside a 'bus was as in these days for
a lady to smoke in public. Surely my mother's guardian angel must have
betaken himself off in a huff.

“Will you keep close behind and see to my skirt?” answered my mother,
commencing preparations. If you will remember that these were the days
of crinolines, that the “knife-boards” of omnibuses were then approached
by a perpendicular ladder, the rungs two feet apart, you will understand
the necessity for such precaution.

Which of us was the most excited throughout that long ride it would be
difficult to say. Barbara, feeling keenly her responsibility as prompter
and leader of the dread enterprise, sat anxious, as she explained to us
afterwards, hoping there would be nothing shocking in the play, nothing
to belie its innocent title; pleased with her success so far, yet
still fearful of failure, doubtful till the last moment lest we should
suddenly repent, and stopping the 'bus, flee from the wrath to come.
My father was the youngest of us all. Compared with him I was sober and
contained. He fidgeted: people remarked upon it. He hummed. But for
the stern eye of a thin young man sitting next to him trying to read
a paper, I believe he would have broken out into song. Every minute he
would lean across to enquire of my mother: “How are you feeling--all
right?” To which my mother would reply with a nod and a smile, She sat
very silent herself, clasping and unclasping her hands. As for myself,
I remember feeling so sorry for the crowds that passed us on their way
home. It was sad to think of the long dull evening that lay before them.
I wondered how they could face it.

Our seats were in the front row of the upper circle. The lights were low
and the house only half full when we reached them.

“It seems very orderly and--and respectable,” whispered my mother. There
seemed a touch of disappointment in her tone.

“We are rather early,” replied Barbara; “it will be livelier when the
band comes in and they turn up the gas.”

But even when this happened my mother was not content. “There is so
little room for the actors,” she complained.

It was explained to her that the green curtain would go up, that the
stage lay behind.

So we waited, my mother sitting stiffly on the extreme edge of her
seat, holding me tightly by the hand; I believe with some vague idea of
flight, should out of that vault-scented gloom the devil suddenly appear
to claim us for his own. But before the curtain was quite up she had
forgotten him.

You poor folk that go to the theatre a dozen times a year, perhaps
oftener, what do you know of plays? You see no drama, you see but
middle-aged Mr. Brown, churchwarden, payer of taxes, foolishly
pretending to be a brigand; Miss Jones, daughter of old Jones the
Chemist, making believe to be a haughty Princess. How can you, a grown
man, waste money on a seat to witness such tomfoolery! What we saw was
something very different. A young and beautiful girl--true, not a lady
by birth, being merely the daughter of an honest yeoman, but one equal
in all the essentials of womanhood to the noblest in the land--suffered
before our very eyes an amount of misfortune that, had one not seen it
for oneself, one would never have believed Fate could have accumulated
upon the head of any single individual. Beside her woes our own poor
troubles sank into insignificance. We had used to grieve, as my mother
in a whisper reminded my father, if now and again we had not been able
to afford meat for dinner. This poor creature, driven even from her
wretched attic, compelled to wander through the snow without so much as
an umbrella to protect her, had not even a crust to eat; and yet never
lost her faith in Providence. It was a lesson, as my mother remarked
afterwards, that she should never forget. And virtue had been
triumphant, let shallow cynics say what they will. Had we not proved it
with our own senses? The villain--I think his Christian name, if one
can apply the word “Christian” in connection with such a fiend, was
Jasper--had never really loved the heroine. He was incapable of love. My
mother had felt this before he had been on the stage five minutes, and
my father--in spite of protests from callous people behind who appeared
to be utterly indifferent to what was going on under their very
noses--had agreed with her. What he was in love with was her
fortune--the fortune that had been left to her by her uncle in
Australia, but about which nobody but the villain knew anything. Had
she swerved a hair's breadth from the course of almost supernatural
rectitude, had her love for the hero ever weakened, her belief in
him--in spite of damning evidence to the contrary--for a moment wavered,
then wickedness might have triumphed. How at times, knowing all the
facts but helpless to interfere, we trembled, lest deceived by the
cruel lies the villain told her; she should yield to importunity. How
we thrilled when, in language eloquent though rude, she flung his false
love back into his teeth. Yet still we feared. We knew well that it was
not the hero who had done the murder. “Poor dear,” as Amy would have
called him, he was quite incapable of doing anything requiring one-half
as much smartness. We knew that it was not he, poor innocent lamb! who
had betrayed the lady with the French accent; we had heard her on the
subject and had formed a very shrewd conjecture. But appearances,
we could not help admitting, were terribly to his disfavour. The
circumstantial evidence against him would have hanged an Archbishop.
Could she in face of it still retain her faith? There were moments when
my mother restrained with difficulty her desire to rise and explain.

Between the acts Barbara would whisper to her that she was not to mind,
because it was only a play, and that everything would be sure to come
right in the end.

“I know, my dear,” my mother would answer, laughing, “it is very foolish
of me; I forget. Paul, when you see me getting excited, you must remind
me.”

But of what use was I in such case! I, who only by holding on to the
arms of my seat could keep myself from swarming down on to the stage
to fling myself between this noble damsel and her persecutor--this
fair-haired, creamy angel in whose presence for the time being I had
forgotten even Barbara.

The end came at last. The uncle from Australia was not dead. The
villain--bungler as well as knave--had killed the wrong man, somebody of
no importance whatever. As a matter of fact, the comic man himself was
the uncle from Australia--had been so all along. My mother had had a
suspicion of this from the very first. She told us so three times, to
make up, I suppose, for not having mentioned it before. How we cheered
and laughed, in spite of the tears in our eyes.

By pure accident it happened to be the first night of the piece, and
the author, in response to much shouting and whistling, came before the
curtain. He was fat and looked commonplace; but I deemed him a genius,
and my mother said he had a good face, and waved her handkerchief
wildly; while my father shouted “Bravo!” long after everybody else had
finished; and people round about muttered “packed house,” which I didn't
understand at the time, but came to later.

And stranger still, it happened to be before that very same curtain
that many years later I myself stepped forth to make my first bow as a
playwright. I saw the house but dimly, for on such occasion one's vision
is apt to be clouded. All that I saw clearly was in the front row of the
second circle--a sweet face laughing though the tears were in her eyes;
and she waved to me a handkerchief. And on one side of her stood a
gallant gentleman with merry eyes who shouted “Bravo!” and on the other
a dreamy-looking lad; but he appeared disappointed, having expected
better work from me. And the fourth face I could not see, for it was
turned away from me.

Barbara, determined on completeness, insisted upon supper. In those
days respectability fed at home; but one resort possible there was, an
eating-house with some pretence to gaiety behind St. Clement Danes,
and to that she led us. It was a long, narrow room, divided into wooden
compartments, after the old coffee-house plan, a gangway down the
centre. Now we should call it a dismal hole, and closing the door hasten
away. But to Adam, Eve in her Sunday fig-leaves was a stylishly dressed
woman; and to my eyes, with its gilded mirrors and its flaring gas, the
place seemed a palace.

Barbara ordered oysters, a fish that familiarity with its empty shell
had made me curious concerning. Truly no spot on the globe is so rich in
oyster shells as the East End of London. A stranger might be led to the
impression (erroneous) that the customary lunch of the East End labourer
consists of oysters. How they collect there in such quantities is a
mystery, though Washburn, to whom I once presented the problem, found no
difficulty in solving it to his own satisfaction: “To the rich man the
oyster; to the poor man the shell; thus are the Creator's gifts divided
among all His creatures; none being sent empty away.” For drink the
others had stout and I had ginger beer. The waiter, who called me “Sir,”
 advised against this mixture; but among us all the dominating sentiment
by this time was that nothing really mattered very much. Afterwards my
father called for a cigar and boldly lighted it, though my mother looked
anxious; and fortunately perhaps it would not draw. And then it came out
that he himself had once written a play.

“You never told me of that,” complained my mother.

“It was a long while ago,” replied my father; “nothing came of it.”

“It might have been a success,” said my mother; “you always had a gift
for writing.”

“I must look it over again,” said my father; “I had quite forgotten it.
I have an impression it wasn't at all bad.”

“It can be of much help,” said my mother, “a good play. It makes one
think.”

We put Barbara into a cab and rode home ourselves inside a 'bus. My
mother was tired, so my father slipped his arm round her, telling her
to lean against him, and soon she fell asleep with her head upon his
shoulder. A coarse-looking wench sat opposite, her man's arm round her
likewise, and she also fell asleep, her powdered face against his coat.

“They can do with a bit of nursing, can't they?” said the man with a
grin to the conductor.

“Ah, they're just kids,” agreed the conductor, sympathetically, “that's
what they are, all of 'em, just kids.”

So the day ended. But oh, the emptiness of the morrow! Life without
a crime, without a single noble sentiment to brighten it!--no comic
uncles, no creamy angels! Oh, the barrenness and dreariness of life!
Even my mother at moments was quite irritable.

We were much together again, my father and I, about this time. Often,
making my way from school into the City, I would walk home with him, he
leaning on each occasion a little heavier upon my arm. To this day I can
always meet and walk with him down the Commercial Road. And on Saturday
afternoons, crossing the river to Greenwich, we would climb the hill and
sit there talking, or sometimes merely thinking together, watching the
dim vast city so strangely still and silent at our feet.

At first I did not grasp the fact that he was dying. The “year to two”
 of life that Washburn had allowed to him had somehow become converted in
my mind to vague years, a fate with no immediate meaning; the meanwhile
he himself appeared to grow from day to day in buoyancy. How could I
know it was his great heart rising to his need.

The comprehension came to me suddenly. It was one afternoon in early
spring. I was on my way to the City to meet him. The Holborn Viaduct was
then in building, and the traffic round about was in consequence always
much disorganised. The 'bus on which I was riding became entangled in a
block at the corner of Snow Hill, and for ten minutes we had been merely
crawling, one joint of a long, sinuous serpent moving by short, painful
jerks. It came to me while I was sitting there with a sharp spasm of
physical pain. I jumped from the 'bus and began to run, and the terror
and the hurt of it grew with every step. I ran as if I feared he might
be dead before I could reach the office. He was waiting for me with a
smile as usual, and I flung myself sobbing into his arms.

I think he understood, though I could explain nothing, but that I had
had a fear something had happened to him, for from that time forward
he dropped all reserve with me, and talked openly of our approaching
parting.

“It might have come to us earlier, my dear boy,” he would say with his
arm round me, “or it might have been a little later. A year or so one
way or the other, what does it matter? And it is only for a little
while, Paul. We shall meet again.”

But I could not answer him, for clutch them to me as I would, all my
beliefs--the beliefs in which I had been bred, the beliefs that until
then I had never doubted, in that hour of their first trial, were
falling from me. I could not even pray. If I could have prayed for
anything, it would have been for my father's life. But if prayer were
all powerful, as they said, would our loved ones ever die? Man has not
faith enough, they would explain; if he had there would be no parting.
So the Lord jests with His creatures, offering with the one hand to
snatch back with the other. I flung the mockery from me. There was no
firm foothold anywhere. What were all the religions of the word but
narcotics with which Humanity seeks to dull its pain, drugs in which it
drowns its terrors, faith but a bubble that death pricks.

I do not mean my thoughts took this form. I was little more than a lad,
and to the young all thought is dumb, speaking only with a cry. But they
were there, vague, inarticulate. Thoughts do not come to us as we grow
older. They are with us all our lives. We learn their language, that is
all.

One fair still evening it burst from me. We had lingered in the Park
longer than usual, slowly pacing the broad avenue leading from the
Observatory to the Heath. I poured forth all my doubts and fears--that
he was leaving me for ever, that I should never see him again, I could
not believe. What could I do to believe?

“I am glad you have spoken, Paul,” he said, “it would have been sad had
we parted not understanding each other. It has been my fault. I did not
know you had these doubts. They come to all of us sooner or later. But
we hide them from one another. It is foolish.”

“But tell me,” I cried, “what can I do? How can I make myself believe?”

“My dear lad,” answered my father, “how can it matter what we believe or
disbelieve? It will not alter God's facts. Would you liken Him to some
irritable schoolmaster, angry because you cannot understand him?”

“What do you believe,” I asked, “father, really I mean.”

The night had fallen. My father put his arm round me and drew me to him.

“That we are God's children, little brother,” he answered, “that what He
wills for us is best. It may be life, it may be sleep; it will be best.
I cannot think that He will let us die: that were to think of Him as
without purpose. But His uses may not be our desires. We must trust Him.
'Though He slay me yet will I trust in Him.'”

We walked awhile in silence before my father spoke again.

“'Now abideth these three, Faith, Hope and Charity'--you remember
the verse--Faith in God's goodness to us, Hope that our dreams may
be fulfiled. But these concern but ourselves--the greatest of all is
Charity.”

Out of the night-shrouded human hive beneath our feet shone here and
there a point of light.

“Be kind, that is all it means,” continued my father. “Often we do what
we think right, and evil comes of it, and out of evil comes good. We
cannot understand--maybe the old laws we have misread. But the new Law,
that we love one another--all creatures He has made; that is so clear.
And if it be that we are here together only for a little while, Paul,
the future dark, how much the greater need have we of one another.”

I looked up into my father's face, and the peace that shone from it slid
into my soul and gave me strength.




CHAPTER IX.

OF THE FASHIONING OF PAUL.

Loves of my youth, whither are ye vanished? Tubby of the golden locks;
Langley of the dented nose; Shamus stout of heart but faint of limb,
easy enough to “down,” but utterly impossible to make to cry: “I give
you best;” Neal the thin; and Dicky, “dicky Dick” the fat; Ballett of
the weeping eye; Beau Bunnie lord of many ties, who always fought in
black kid gloves; all ye others, ye whose names I cannot recollect,
though I well remember ye were very dear to me, whither are ye vanished,
where haunt your creeping ghosts? Had one told me then there would come
a day I should never see again your merry faces, never hear your wild,
shrill whoop of greeting, never feel again the warm clasp of your inky
fingers, never fight again nor quarrel with you, never hate you, never
love you, could I then have borne the thought, I wonder?

Once, methinks, not long ago, I saw you, Tubby, you with whom so often
I discovered the North Pole, probed the problem of the sources of the
Nile, (Have you forgotten, Tubby, our secret camping ground beside the
lonely waters of the Regent's Park canal, where discussing our frugal
meal of toasted elephant's tongue--by the uninitiated mistakable for
jumbles--there would break upon our trained hunters' ear the hungry
lion or tiger's distant roar, mingled with the melancholy, long-drawn
growling of the Polar Bear, growing ever in volume and impatience until
half-past four precisely; and we would snatch our rifles, and
with stealthy tread and every sense alert make our way through the
jungle--until stopped by the spiked fencing round the Zoological
Gardens?) I feel sure it was you, in spite of your side whiskers and the
greyness and the thinness of your once clustering golden locks. You were
hurrying down Throgmorton Street chained to a small black bag. I should
have stopped you, but that I had no time to spare, having to catch a
train at Liverpool Street and to get shaved on the way. I wonder if
you recognised me: you looked at me a little hard, I thought. Gallant,
kindly hearted Shamus, you who fought once for half an hour to save
a frog from being skinned; they tell me you are now an Income Tax
assessor; a man, it is reported, with power of disbelief unusual among
even Inland Revenue circles; of little faith, lacking in the charity
that thinketh no evil. May Providence direct you to other districts than
to mine.

So Time, Nature's handy-man, bustles to and fro about the many rooms,
making all things tidy, covers with sweet earth the burnt volcanoes,
turns to use the debris of the ages, smoothes again the ground above the
dead, heals again the beech bark marred by lovers.

In the beginning I was far from being a favourite with my schoolmates,
and this was the first time trouble came to dwell with me. Later, we men
and women generally succeed in convincing ourselves that whatever else
we may have missed in life, popularity in a greater or less degree
we have at all events secured, for without it altogether few of us, I
think, would care to face existence. But where the child suffers keener
than the man is in finding himself exposed to the cold truth without the
protecting clothes of self-deception. My ostracism was painfully plain
to me, and, as was my nature, I brooded upon it in silence.

“Can you run?” asked of me one day a most important personage whose name
I have forgotten. He was head of the Lower Fourth, a tall youth with a
nose like a beak, and the manner of one born to authority. He was the
son of a draper in the Edgware Road, and his father failing, he had
to be content for a niche in life with a lower clerkship in the Civil
Service. But to us youngsters he always appeared a Duke of Wellington in
embryo, and under other circumstances might, perhaps, have become one.

“Yes,” I answered. As a matter of fact it was my one accomplishment, and
rumour of it maybe had reached him.

“Run round the playground twice at your fastest,” he commanded; “let me
see you.”

I clinched my fists and charged off. How grateful I was to him for
having spoken to me, the outcast of the class, thus publicly, I could
only show by my exertions to please him. When I drew up before him I was
panting hard, but I could see that he was satisfied.

“Why don't the fellows like you?” he asked bluntly.

If only I could have stepped out of my shyness, spoken my real thoughts!
“O Lord of the Lower Fourth! You upon whom success--the only success in
life worth having--has fallen as from the laps of the gods! You to whom
all Lower Fourth hearts turn! tell me the secret of this popularity. How
may I acquire it? No price can be too great for me to pay for it. Vain
little egoist that I am, it is the sum of my desires, and will be till
the long years have taught me wisdom. The want of it embitters all my
days. Why does silence fall upon their chattering groups when I draw
near? Why do they drive me from their games? What is it shuts me out
from them, repels them from me? I creep into the corners and shed
scalding tears of shame. I watch with envious eyes and ears all you
to whom the wondrous gift is given. What is your secret? Is it Tommy's
swagger? Then I will swagger, too, with anxious heart, with mingled fear
and hope. But why--why, seeing that in Tommy they admire it, do they
wait for me with imitations of cock-a-doodle-do, strut beside me
mimicking a pouter pigeon? Is it Dicky's playfulness?--Dicky, who runs
away with their balls, snatches their caps from off their heads, springs
upon their backs when they are least expecting it?

“Why should Dicky's reward be laughter, and mine a bloody nose and a
widened, deepened circle of dislike? I am no heavier than Dicky; if
anything a pound or two lighter. Is it Billy's friendliness? I too
would fling my arms about their necks; but from me they angrily wrench
themselves free. Is indifference the best plan? I walk apart with step I
try so hard to render careless; but none follows, no little friendly
arm is slipped through mine. Should one seek to win one's way by kind
offices? Ah, if one could! How I would fag for them. I could do their
sums for them--I am good at sums--write their impositions for them,
gladly take upon myself their punishments, would they but return
my service with a little love and--more important still--a little
admiration.”

But all I could find to say was, sulkily: “They do like me, some of
them.” I dared not, aloud, acknowledge the truth.

“Don't tell lies,” he answered; “you know they don't--none of them.” And
I hung my head.

“I'll tell you what I'll do,” he continued in his lordly way; “I'll give
you a chance. We're starting hare and hounds next Saturday; you can be a
hare. You needn't tell anybody. Just turn up on Saturday and I'll see to
it. Mind, you'll have to run like the devil.”

He walked away without waiting for my answer, leaving me to meet Joy
running towards me with outstretched hands. The great moment comes
to all of us; to the politician, when the Party whip slips from
confabulation with the Front Bench to congratulate him, smiling, on his
really admirable little speech; to the youthful dramatist, reading in
his bed-sitting-room the managerial note asking him to call that morning
at eleven; to the subaltern, beckoned to the stirrup of his chief--the
moment when the sun breaks through the morning mists, and the world lies
stretched before us, our way clear.

Obeying orders, I gave no hint in school of the great fortune that had
come to me; but hurrying home, I exploded in the passage before the
front door could be closed behind me.

“I am to be a hare because I run so fast. Anybody can be a hound, but
there's only two hares, and they all want me. And can I have a jersey?
We begin next Saturday. He saw me run. I ran twice round the playground.
He said I was splendid! Of course, it's a great honour to be a hare. We
start from Hampstead Heath. And may I have a pair of shoes?”

The jersey and the shoes my mother and I purchased that very day, for
the fear was upon me that unless we hastened, the last blue and white
striped jersey in London might be sold, and the market be empty of
running shoes. That evening, before getting into bed, I dressed myself
in full costume to admire myself before the glass; and from then till
the end of the week, to the terror of my mother, I practised leaping
over chairs, and my method of descending stairs was perilous and
roundabout. But, as I explained to them, the credit of the Lower
Fourth was at stake, and banisters and legs equally of small account
as compared with fame and honour; and my father, nodding his head,
supported me with manly argument; but my mother added to her prayers
another line.

Saturday came. The members of the hunt were mostly boys who lived in the
neighbourhood; so the arrangement was that at half-past two we should
meet at the turnpike gate outside the Spaniards. I brought my lunch with
me and ate it in Regent's Park, and then took the 'bus to the Heath. One
by one the others came up. Beyond mere glances, none of them took any
notice of me. I was wearing my ordinary clothes over my jersey. I knew
they thought I had come merely to see them start, and I hugged to myself
the dream of the surprise that was in store for them, and of which I
should be the hero. He came, one of the last, our leader and chief, and
I sidled up behind him and waited, while he busied himself organising
and constructing.

“But we've only got one hare,” cried one of them. “We ought to have two,
you know, in case one gets blown.”

“We've got two,” answered the Duke. “Think I don't know what I'm about?
Young Kelver's going to be the other one.”

Silence fell upon the meet.

“Oh, I say, we don't want him,” at last broke in a voice. “He's a muff.”

“He can run,” explained the Duke.

“Let him run home,” came another voice, which was greeted with laughter.

“You'll run home in a minute yourself,” threatened the Duke, “if I have
any of your cheek. Who's captain here--you or me? Now, young 'un, are
you ready?”

I had commenced unbuttoning my jacket, but my hands fell to my side. “I
don't want to come,” I answered, “if they don't want me.”

“He'll get his feet wet,” suggested the boy who had spoken first. “Don't
spoil him, he's his mother's pet.”

“Are you coming or are you not?” shouted the Duke, seeing me still
motionless. But the tears were coming into my eyes and would not go
back. I turned my face away without speaking.

“All right, stop then,” cried the Duke, who, like all authoritative
people, was impatient above all things of hesitation. “Here, Keefe, you
take the bag and be off. It'll be dark before we start.”

My substitute snatched eagerly at the chance, and away went the hares,
while I, still keeping my face hid, moved slowly off.

“Cry-baby!” shouted a sharp-eyed youngster.

“Let him alone,” growled the Duke; and I went on to where the cedars
grew.

I heard them start off a few minutes later with a whoop. How could I go
home, confess my disappointment, my shame? My father would be expecting
me with many questions, my mother waiting for me with hot water and
blankets. What explanation could I give that would not betray my
miserable secret?

It was a chill, dismal afternoon, the Heath deserted, a thin rain
commencing. I slipped off my shirt and jacket, and rolling them under my
arm, trotted off alone, hare and hounds combined in one small carcass,
to chase myself sadly by myself.

I see it still, that pathetically ridiculous little figure, jogging
doggedly over the dank fields. Mile after mile it runs, the little
idiot; jumping--sometimes falling into the muddy ditches: it seems
anxious rather than otherwise to get itself into a mess; scrambling
through the dripping hedges; swarming over tarry fence and slimy paling.
On, on it pants--through Bishop's Wood, by tangled Churchyard Bottom,
where now the railway shrieks; down sloppy lanes, bordering Muswell
Hill, where now stand rows of jerry-built, prim villas. At intervals
it stops an instant to dab its eyes with its dingy little rag of a
handkerchief, to rearrange the bundle under its arm, its chief anxiety
to keep well out of sight of chance wanderers, to dodge farmhouses, to
dart across highroads when nobody is looking. And so tear-smeared and
mud-bespattered up the long rise of darkening Crouch End Lane, where
to-night the electric light blazes from a hundred shops, and dead
beat into the Seven Sisters Road station, there to tear off its soaked
jersey; and then home to Poplar, with shameless account of the jolly
afternoon that it has spent, of the admiration and the praise that it
has won.

You poor, pitiful little brat! Popularity? it is a shadow. Turn your
eyes towards it, and it shall ever run before you, escaping you. Turn
your back upon it, walk joyously towards the living sun, and it shall
follow you. Am I not right? Why, then, do you look at me, your little
face twisted into that quizzical grin?

When one takes service with Deceit, one signs a contract that one may
not break but under penalty. Maybe it was good for my health, those
lonely runs; but oh, they were dreary! By a process of argument not
uncommon I persuaded myself that truth was a matter of mere words, that
so long as I had actually gone over the ground I described I was not
lying. To further satisfy my conscience, I bought a big satchel and
scattered from it torn-up paper as I ran.

“And they never catch you?” asked my mother.

“Oh, no, never; they never even get within sight of me.”

“Be careful, dear,” would advise my mother; “don't overstrain yourself.”
 But I could see that she was proud of me.

And after awhile imagination came to my help, so that often I could hear
behind me the sound of pursuing feet, catch through gaps in the trees a
sight of a merry, host upon my trail, and would redouble my speed.

Thus, but for Dan, my loneliness would have been unbearable. His
friendship was always there for me to creep to, the shadow of a great
rock in a weary land. To this day one may always know Dan's politics:
they are those of the Party out of power. Always without question one
may know the cause that he will champion, the unpopular cause; the man
he will defend, the man who is down.

“You are such an un-understandable chap,” complained a fellow Clubman to
him once in my hearing. “I sometimes ask myself if you have any opinions
at all.”

“I hate a crowd,” was Dan's only confession of faith.

He never claimed anything from me in return for his affection; he was
there for me to hold to when I wanted him. When, baffled in all my
attempts to win the affections of others, I returned to him for comfort,
he gave it me, without even relieving himself of friendly advice. When
at length childish success came to me and I needed him less, he was
neither hurt nor surprised. Other people--their thoughts, their actions,
even when these concerned himself--never troubled him. He loved to
bestow, but as to response was strangely indifferent; indeed, if
anything, it bored him. His nature appeared to be that of the fountain,
which fulfils itself by giving, but is unable to receive.

My popularity came to me unexpectedly after I had given up hoping for
it; surprising me, annoying me. Gradually it dawned upon me that my
company was being sought.

“Come along, Kelver,” would say the spokesman of one group; “we're going
part of your way home. You can walk with us.”

Maybe I would go with them, but more often, before we reached the gate,
the delight of my society would be claimed by a rival troop.

“He's coming with us this afternoon. He promised.”

“No, he didn't.”

“Yes, he did.”

“Well, he ain't, anyhow. See?”

“Oh, isn't he? Who says he isn't?”

“I do.”

“Punch his head, Dick!”

“Yes, you do, Jimmy Blake, and I'll punch yours. Come, Kelver.”

I might have been some Queen of Beauty offered as prize for knightly
contest. Indeed, more than once the argument concluded thus primitively,
I being carried off in triumph by the victorious party.

For a period it remained a mystery to me, until I asked explanation of
Norval--we called him “Norval,” he being one George Grampian: it was our
wit. From taking joy in teasing me, Norval had suddenly become one of my
greatest admirers. This by itself was difficult enough to understand.
He was in the second eleven, and after Dan the best fighter in the lower
school. If I could understand Norval's change of attitude all would be
plain to me; so when next time, bounding upon me in the cloakroom and
slipping his arm into mine, he clamoured for my company to Camden Town,
I put the question to him bluntly.

“Why should I walk home with you? Why do you want me?”

“Because we like you.”

“But why do you like me?”

“Why! Why, because you're such a funny chap. You say such funny things.”

It struck me like a slap in the face. I had thought to reach popularity
upon the ladder of heroic qualities. In all the school books I had read,
Leonard or Marmaduke (we had a Marmaduke in the Lower Fifth--they
called him Marmalade: in the school books these disasters are not
contemplated), won love and admiration by reason of integrity of
character, nobility of sentiment, goodness of heart, brilliance of
intellect; combined maybe with a certain amount of agility, instinct in
the direction of bowling, or aptitude for jumping; but such only by the
way. Not one of them had ever said a funny thing, either consciously or
unconsciously.

“Don't be disagreeable, Kelver. Come with us and we will let you into
the team as an extra. I'll teach you batting.”

So I was to be their Fool--I, dreamer of knightly dreams, aspirant to
hero's fame! I craved their wonder; I had won their laughter. I had
prayed for popularity; it had been granted to me--in this guise. Were
the gods still the heartless practical jokers poor Midas had found them?

Had my vanity been less I should have flung their gift back in their
faces. But my thirst for approbation was too intense. I had to choose:
Cut capers and be followed, or walk in dignity, ignored. I chose to cut
the capers. As time wore on I found myself striving to cut them quicker,
quainter, thinking out funny stories, preparing ingenuous impromptus,
twisting all ideas into odd expression.

I had my reward. Before long my company was desired by all the school.
But I was never content. I would rather have been the Captain of their
football club, even his deputy Vice; would have given all my meed of
laughter for stuttering Jerry's one round of applause when in our match
against Highbury he knocked up his century, and so won the victory for
us by just three.

Till the end I never quite abandoned hope of exchanging my vine leaves
for the laurels. I would rise an hour earlier in the morning to practise
throwing at broomsticks set up in waste places. At another time, the
sport coming into temporary fashion, I wearied body and mind for weeks
in vain attempts to acquire skill on stilts. That even fat Tubby could
out-distance me upon them saddened my life for months.

A lad there was, a Sixth Form boy, one Wakeham by name, if I remember
rightly, who greatly envied me my gift of being able to amuse. He was of
the age when the other sex begins to be of importance to a fellow, and
the desire had come to him to be regarded as a star of wit among
the social circles of Gospel Oak. Need I say that by nature he was a
ponderously dull boy.

One afternoon I happened to be the centre of a small group in the
playground. I had been holding forth and they had been laughing. Whether
I had delivered myself of anything really entertaining or not I cannot
say. It made no difference; they had got into the habit of laughing when
I talked. Sometimes I would say quite serious things on purpose; they
would laugh just the same. Wakeham was among them, his eyes fixed on me,
watching me as boys watch a conjurer in the hope of finding out “how he
does it.” Later in the afternoon he slipped his arm through mine, and
drew me away into an empty corner of the ground.

“I say, Kelver,” he broke out, the moment we were beyond hearing, “you
really are funny!”

It gave me no pleasure. If he had told me that he admired my bowling I
might not have believed him, but should have loved him for it.

“So are you,” I answered savagely, “only you don't know it.”

“No, I'm not,” he replied. “Wish I was. I say, Kelver”--he glanced round
to see that no one was within earshot--“do you think you could teach me
to be funny?”

I was about to reply with conviction in the negative when an idea
occurred to me. Wakeham was famous among us for one thing; he could,
inserting two fingers in his mouth, produce a whistle capable of
confusing dogs a quarter of a mile off, and of causing people near at
hand to jump from six to eighteen inches into the air.

This accomplishment of his I envied him as keenly as he envied me mine.
I did not admire it; I could not see the use of it. Generally speaking,
it called forth irritation rather than affection. A purple-faced old
gentleman, close to whose ear he once performed, promptly cuffed his
head for it; and for so doing was commended by the whole street as a
public benefactor. Drivers of vehicles would respond by flicking at him,
occasionally with success. Even youth, from whom sympathy might have
been expected, appeared impelled, if anything happened to be at all
handy, to take it up and throw it at him. My own social circle would,
I knew, regard it as a vulgar accomplishment, and even Wakeham himself
dared not perform it in the hearing of his own classmates. That any
human being should have desired to acquire it seems incomprehensible.
Yet for weeks in secret I had wrestled to produce the hideous sound.
Why? For three reasons, so far as I can analyse this youngster of whom I
am writing:

Firstly, here was a means of attracting attention; secondly, it was
something that somebody else could do and that he couldn't; thirdly, it
was a thing for which he evidently had no natural aptitude whatever, and
therefore a thing to acquire which his soul yearned the more. Had a boy
come across his path, clever at walking on his hands with his heels in
the air, Master Paul Kelver would in all probability have broken his
neck in attempts to copy and excel. I make no apologies for the brat:
I merely present him as a study for the amusement of a world of wiser
boys--and men.

I struck a bargain with young Wakeham; I undertook to teach him to be
funny in return for his teaching me this costermonger's whistle.

Each of us strove conscientiously to impart knowledge. Neither of us
succeeded. Wakeham tried hard to be funny; I tried hard to whistle. He
did all I told him; I followed his instructions implicitly. The result
was the feeblest of wit and the feeblest of whistles.

“Do you think anybody would laugh at that?” Wakeham would pathetically
enquire at the termination of his supremest effort. And honestly I would
have to confess I did not think any living being would.

“How far off do you think any one could hear that?” I would demand
anxiously, on recovering sufficient breath to speak at all.

“Well, it would depend upon whether you knew it was coming,” Wakeham
would reply kindly, not wishing to discourage me.

We abandoned the scheme by mutual consent at about the end of a
fortnight.

“I suppose it's something that you've got to have inside you,” I
suggested to Wakeham in consolation.

“I don't think the roof of your mouth can be quite the right shape for
it,” concluded Wakeham.

My success as story-teller, commentator, critic, jester, revived
my childish ambition towards authorship. My first stirrings in this
direction I cannot rightly place. I remember when very small falling
into a sunk dust-bin--a deep hole, rather, into which the gardener shot
his rubbish. The fall twisted my ankle so that I could not move; and
the time being evening and my prison some distance from the house, my
predicament loomed large before me. Yet one consolation remained with
me: the incident would be of value to me in the autobiography upon which
I was then engaged. I can distinctly recollect lying on my back among
decaying leaves and broken glass, framing my account. “On this day a
strange adventure befell me. Walking in the garden, all unheeding, I
suddenly”--I did not want to add the truth--“tumbled into a dust-hole,
six feet square, that any one but a moon calf might have seen.” I
puzzled to evolve a more dignified situation. The dust-bin became a
cavern, the entrance to which had been artfully concealed; the six or
seven feet I had really fallen, “an endless descent, terminating in a
vast and gloomy chamber.” I was divided between opposing desires: One,
for rescue followed by sympathy and supper; the other, for the alarming
experience of a night of terror where I lay. Nature conquering Art,
I yelled; and the episode terminated prosaically with a warm bath and
arnica. But from it I judge that desire for the woes and perils of
authorship was with me somewhat early.

Of my many other dreams I would speak freely, discussing them at length
with sympathetic souls, but concerning this one ambition I was curiously
reticent. Only to two--my mother and a grey-bearded Stranger--did I
ever breathe a word of it. Even from my father I kept it a secret, close
comrades in all else though we were. He would have talked of it much and
freely, dragged it into the light of day; and from this I shrank.

My talk with the Stranger came about in this wise. One evening I had
taken a walk to Victoria Park--a favourite haunt of mine at summer time.
It was a fair and peaceful evening, and I fell a-wandering there in
pleasant reverie, until the waning light hinted to me the question of
time. I looked about me. Only one human being was in sight, a man with
his back towards me, seated upon a bench overlooking the ornamental
water.

I drew nearer. He took no notice of me, and interested--though why, I
could not say--I seated myself beside him at the other end of the bench.
He was a handsome, distinguished-looking man, with wonderfully bright,
clear eyes and iron-grey hair and beard. I might have thought him a sea
captain, of whom many were always to be met with in that neighbourhood,
but for his hands, which were crossed upon his stick, and which were
white and delicate as a woman's. He turned his face and glanced at me.
I fancied that his lips beneath the grey moustache smiled; and
instinctively I edged a little nearer to him.

“Please, sir,” I said, after awhile, “could you tell me the right time?”

“Twenty minutes to eight,” he answered, looking at his watch. And his
voice drew me towards him even more than had his beautiful strong face.
I thanked him, and we fell back into silence.

“Where do you live?” he turned and suddenly asked me.

“Oh, only over there,” I answered, with a wave of my arm towards the
chimney-fringed horizon behind us. “I needn't be in till half-past
eight. I like this Park so much,” I added, “I often come and sit here of
an evening.'

“Why do you like to come and sit here?” he asked. “Tell me.”

“Oh, I don't know,” I answered. “I think.”

I marvelled at myself. With strangers generally I was shy and silent;
but the magic of his bright eyes seemed to have loosened my tongue.

I told him my name; that we lived in a street always full of ugly
sounds, so that a gentleman could not think, not even in the evening
time, when Thought goes a-visiting.

“Mamma does not like the twilight time,” I confided to him. “It always
makes her cry. But then mamma is--not very young, you know, and has had
a deal of trouble; and that makes a difference, I suppose.”

He laid his hand upon mine. We were sitting nearer to each other now.
“God made women weak to teach us men to be tender,” he said. “But you,
Paul, like this 'twilight time'?”

“Yes,” I answered, “very much. Don't you?”

“And why do you like it?” he asked.

“Oh,” I answered, “things come to you.”

“What things?”

“Oh, fancies,” I explained to him. “I am going to be an author when I
grow up, and write books.”

He took my hand in his and shook it gravely, and then returned it to me.
“I, too, am a writer of books,” he said.

And then I knew what had drawn me to him.

So for the first time I understood the joy of talking “shop” with a
fellow craftsman. I told him my favourite authors--Scott, and Dumas,
and Victor Hugo; and to my delight found they were his also; he agreeing
with me that real stories were the best, stories in which people did
things.

“I used to read silly stuff once,” I confessed, “Indian tales and that
sort of thing, you know. But mamma said I'd never be able to write if I
read that rubbish.”

“You will find it so all through life, Paul,” he replied. “The things
that are nice are rarely good for us. And what do you read now?”

“I am reading Marlowe's Plays and De Quincey's Confessions just now,” I
confided to him.

“And do you understand them?”

“Fairly well,” I answered. “Mamma says I'll like them better as I go
on. I want to learn to write very, very well indeed,” I admitted to him;
“then I'll be able to earn heaps of money.”

He smiled. “So you don't believe in Art for Art's sake, Paul?”

I was puzzled. “What does that mean?” I asked.

“It means in our case, Paul,” he answered, “writing books for the
pleasure of writing books, without thinking of any reward, without
desiring either money or fame.”

It was a new idea to me. “Do many authors do that?” I asked.

He laughed outright this time. It was a delightful laugh. It rang
through the quiet Park, awaking echoes; and caught by it, I laughed with
him.

“Hush!” he said; and he glanced round with a whimsical expression of
fear, lest we might have been overheard. “Between ourselves, Paul,” he
continued, drawing me more closely towards him and whispering, “I don't
think any of us do. We talk about it. But I'll tell you this, Paul; it
is a trade secret and you must remember it: No man ever made money or
fame but by writing his very best. It may not be as good as somebody
else's best, but it is his best. Remember that, Paul.”

I promised I would.

“And you must not think merely of the money and the fame, Paul,” he
added the next moment, speaking more seriously. “Money and fame are very
good things, and only hypocrites pretend to despise them. But if you
write books thinking only of money, you will be disappointed. It is
earned easier in other ways. Tell me, that is not your only idea?”

I pondered. “Mamma says it is a very noble calling, authorship,” I
remembered, “and that any one ought to be very proud and glad to be able
to write books, because they give people happiness and make them forget
things; and that one ought to be very good if one is going to be an
author, so as to be worthy to help and teach others.”

“And do you try to be good, Paul?” he enquired.

“Yes,” I answered; “but it's very hard to be quite good--until of course
you're grown up.”

He smiled, but more to himself than to me. “Yes,” he said, “I suppose it
is difficult to be good until you are grown up. Perhaps we shall all of
us be good when we're quite grown up.” Which, from a gentleman with a
grey beard, appeared to me a puzzling observation.

“And what else does mamma say about literature?” he asked. “Can you
remember?”

Again I pondered, and her words came back to me. “That he who can write
a great book is greater than a king; that the gift of being able to
write is given to anybody in trust; that an author should never forget
he is God's servant.”

He sat for awhile without speaking, his chin resting on his folded hands
supported by his gold-topped cane. Then he turned and laid a hand upon
my shoulder, and his clear, bright eyes were close to mine.

“Your mother is a wise lady, Paul,” he said. “Remember her words always.
In later life let them come back to you; they will guide you better than
the chatter of the Clubs.”

“And what modern authors do you read?” he asked after a silence: “any of
them--Thackeray, Bulwer Lytton, Dickens?”

“I have read 'The Last of the Barons,'” I told him; “I like that. And
I've been to Barnet and seen the church. And some of Mr. Dickens'.”

“And what do you think of Mr. Dickens?” he asked. But he did not seem
very interested in the subject. He had picked up a few small stones, and
was throwing them carefully into the water.

“I like him very much,” I answered; “he makes you laugh.”

“Not always?” he asked. He stopped his stone-throwing, and turned
sharply towards me.

“Oh, no, not always,” I admitted; “but I like the funny bits best. I
like so much where Mr. Pickwick--”

“Oh, damn Mr. Pickwick!” he said.

“Don't you like him?” I asked.

“Oh, yes, I like him well enough, or used to,” he replied; “I'm a bit
tired of him, that's all. Does your mamma like Mr.--Mr. Dickens?”

“Not the funny parts,” I explained to him. “She thinks he is
occasionally--”

“I know,” he interrupted, rather irritably, I thought; “a trifle
vulgar.”

It surprised me that he should have guessed her exact words. “I don't
think mamma has much sense of humour,” I explained to him. “Sometimes
she doesn't even see papa's jokes.”

At that he laughed again. “But she likes the other parts?” he enquired,
“the parts where Mr. Dickens isn't--vulgar?”

“Oh, yes,” I answered. “She says he can be so beautiful and tender, when
he likes.”

Twilight was deepening. It occurred to me to enquire of him again the
time.

“Just over the quarter,” he answered, looking at his watch.

“I'm so sorry,” I said. “I must go now.”

“So am I sorry, Paul,” he answered. “Perhaps we shall meet again.
Good-bye.” Then as our hands touched: “You have never asked me my name,
Paul,” he reminded me.

“Oh, haven't I?” I answered.

“No, Paul,” he replied, “and that makes me think of your future with
hope. You are an egotist, Paul; and that is the beginning of all art.”

And after that he would not tell me his name. “Perhaps next time we
meet,” he said. “Good-bye, Paul. Good luck to you!”

So I went my way. Where the path winds out of sight I turned. He was
still seated upon the bench, but his face was towards me, and he waved
his hand to me. I answered with a wave of mine. And then the intervening
boughs and bushes gradually closed in around me. And across the rising
mist there rose the hoarse, harsh cry:

“All out! All out!”




CHAPTER X.

IN WHICH PAUL IS SHIPWRECKED, AND CAST INTO DEEP WATERS.

My father died, curiously enough, on the morning of his birthday. We had
not expected the end to arrive for some time, and at first did not know
that it had come.

“I have left him sleeping,” said my mother, who had slipped out very
quietly in her dressing-gown. “Washburn gave him a draught last night.
We won't disturb him.”

So we sat round the breakfast table, speaking in low tones, for the
house was small and flimsy, all sound easily heard through its thin
partitions. Afterwards my mother crept upstairs, I following, and
cautiously opened the door a little way.

The blinds were still down, and the room dark. It seemed a long time
that my mother stood there listening, her ear against the jar. The
first costermonger--a girl's voice, it sounded--passed, crying shrilly:
“Watercreases, fine fresh watercreases with your breakfast-a'penny
a bundle watercreases;” and further off a hoarse youth was wailing:
“Mee-ilk-mee-ilk-oi.”

Inch by inch my mother opened the door wider and we stole in. He was
lying with his eyes still closed, the lips just slightly parted. I had
never seen death before, and could not realise it. All that I could see
was that he looked even younger than I had ever seen him look before.
By slow degrees only, it came home to me, the knowledge that he was gone
away from us. For days--for weeks, I would hear his step behind me in
the street, his voice calling to me, see his face among the crowds,
and hastening to meet him, stand bewildered because it had mysteriously
disappeared. But at first I felt no pain whatever.

To my mother it was but a short parting. Into her placid faith had never
fallen fear nor doubt. He was waiting for her. In God's good time they
would meet again. What need of sorrow! Without him the days passed
slowly: the house must ever be a little dull when the good man's away.
But that was all. So my mother would speak of him always--of his dear,
kind ways, of his oddities and follies we loved so to recall, not
through tears, but smiles, thinking of him not as of one belonging to
the past, but as of one beckoning to her from the future.

We lived on still in the old house though ever planning to move, for
the great brick monster had crept closer round about us year by year,
devouring in his progress all things fair. Field and garden, tree and
cottage, time-mellowed house suggesting story, kind hedgerow hiding
hideousness beyond--the few spots yet in that doomed land lingering to
remind one of the sunshine, one by one had he scrunched them between his
ugly teeth. A world apart, this east end of London, this ghetto of the
poor for ever growing, dreariness added year by year to dreariness,
hopelessness stretching ever farther its long, shrivelled arms, these
endless rows of reeking cells where London herds her slaves. Often of a
misty afternoon when we knew that without this city of the dead life was
stirring in the sunshine, we would fare forth to house-hunt in
pleasant suburbs, now themselves added to the weary catacomb of narrow
streets--to Highgate, then a tiny town connected by a coach with leafy
Holloway; to Hampstead with its rows of ancient red-brick houses, from
whose wind-blown heath one saw beyond the woods and farms, far London's
domes and spires, to Wood Green among the pastures, where smock-coated
labourers discussed their politics and ale beneath wide-spreading elms;
to Hornsey, then a village consisting of an ivy-covered church and one
grass-bordered way. But though we often saw “the very thing for us” and
would discuss its possibilities from every point of view and find them
good, we yet delayed.

“We must think it over,” would say my mother; “there is no hurry; for
some reasons I shall be sorry to leave Poplar.”

“For what reasons, mother?”

“Oh, well, no particular reason, Paul. Only we have lived there so long,
you know. It will be a wrench leaving the old house.”

To the making of man go all things, even to the instincts of the
clinging vine. We fling our tendrils round what is the nearest
castle-keep or pig-stye wall, rain and sunshine fastening them but
firmer. Dying Sir Walter Scott--do you remember?--hastening home from
Italy, fearful lest he might not be in time to breathe again the damp
mists of the barren hills. An ancient dame I knew, they had carried her
from her attic in slumland that she might be fanned by the sea breezes,
and the poor old soul lay pining for what she called her “home.” Wife,
mother, widow, she had lived there till the alley's reek smelt good
to her nostrils, till its riot was the voices of her people. Who shall
understand us save He who fashioned us?

So the old house held us to its dismal bosom; and not until within its
homely but unlovely arms, first my aunt, and later on my mother had
died, and I had said good-bye to Amy, crying in the midst of littered
emptiness, did I leave it.

My aunt died as she had lived, grumbling.

“You will be glad to get rid of me, all of you!” she said, dropping for
the first and last time I can recollect into the retort direct; “and I
can't say I shall be very sorry to go myself. It hasn't been my idea of
life.”

Poor old lady! That was only a couple of weeks before the end. I do not
suppose she guessed it was so certain or perhaps she might have been
more sentimental.

“Don't be foolish,” said my mother, “you're not going to die!”

“What's the use of talking like an idiot,” retorted my aunt, “I've got
to do it some time. Why not now, when everything's all ready for it. It
isn't as if I was enjoying myself.”

“I am sure we do all we can for you,” said my mother. “I know you do,”
 replied my aunt. “I'm a burden to you. I always have been.”

“Not a burden,” corrected my mother.

“What does the woman call it then,” snapped back my aunt. “Does she
reckon I've been a sunbeam in the house? I've been a trial to everybody.
That's what I was born for; it's my metier.”

My mother put her arms about the poor old soul and kissed her. “We
should miss you very much,” she said.

“I'm sure I hope they all will!” answered my aunt. “It's the only thing
I've got to leave 'em, worth having.”

My mother laughed.

“Maybe it's been a good thing for you, Maggie,” grumbled my aunt; “if
it wasn't for cantankerous, disagreeable people like me, gentle, patient
people like you wouldn't get any practice. Perhaps, after all, I've been
a blessing to you in disguise.”

I cannot honestly say we ever wished her back; though we certainly
did miss her--missed many a joke at her oddities, many a laugh at her
cornery ways. It takes all sorts, as the saying goes, to make a world.
Possibly enough if only we perfect folk were left in it we would find it
uncomfortably monotonous.

As for Amy, I believe she really regretted her.

“One never knows what's good for one till one's lost it,” sighed Amy.

“I'm glad to think you liked her,” said my mother.

“You see, mum,” explained Amy, “I was one of a large family; and a bit
of a row now and again cheers one up, I always think. I'll be losing the
power of my tongue if something doesn't come along soon.”

“Well, you are going to be married in a few weeks now,” my mother
reminded her.

But Amy remained despondent. “They're poor things, the men, at a few
words, the best of them,” she replied. “As likely as not just when
you're getting interested you turn round to find that they've put on
their hat and gone out.”

My mother and I were very much alone after my aunt's death. Barbara had
gone abroad to put the finishing touches to her education--to learn the
tricks of the Nobs' trade, as old Hasluck phrased it; and I had left
school and taken employment with Mr. Stillwood, without salary, the idea
being that I should study for the law.

“You are in luck's way, my boy, in luck's way,” old Mr. Gadley had
assured me. “To have commenced your career in the office of Stillwood,
Waterhead and Royal will be a passport for you anywhere. It will stamp
you, my boy.”

Mr. Stillwood himself was an extremely old and feeble gentleman--so old
and feeble it seemed strange that he, a wealthy man, had not long ago
retired.

“I am always meaning to,” he explained to me one day soon after my
advent in his office. “When your poor father came to me he told me very
frankly the sad fact--that he had only a few more years to live. 'Mr.
Kelver,' I answered him, 'do not let that trouble you, so far as I am
concerned. There are one or two matters in the office I should like to
see cleared up, and in these you can help me. When they are completed I
shall retire! Yet, you see, I linger on. I am like the old hackney coach
horse, Mr. Weller--or is it Mr. Jingle--tells us of; if the shafts were
drawn away I should probably collapse. So I jog on, I jog on.'”

He had married late in life a common woman much younger than himself,
who had brought to him a horde of needy and greedy relatives, and no
doubt, as a refuge from her noisy neighbourhood, the daily peace of
Lombard Street was welcome to him. We saw her occasionally. She was
one of those blustering, “managing” women who go through life under
the impression that making a disturbance is somehow “putting things to
rights.” Ridiculously ashamed of her origin, she sought to hide it under
what her friends assured her was the air of a duchess, but which, as
a matter of fact, resembled rather the Sunday manners of an elderly
barmaid. Mr. Gadley alone was not afraid of her; but, on the contrary,
kept her always very much in fear of him, often speaking to her with
refreshing candour. He had known her in the days it was her desire
should be buried in oblivion, and had always resented as a personal
insult her entry into the old established aristocratic firm of Stillwood
& Co.

Her history was peculiar. Mr. Stillwood, when a blase man about
town, verging on forty, had first seen her, then a fair-haired,
ethereal-looking child, in spite of her dirt, playing in the gutter. To
his lasting self-reproach it was young Gadley himself, accompanying his
employer home from Westminster, who had drawn Mr. Stillwood's attention
to the girl by boxing her ears for having, as he passed, slapped his
face with a convenient sprat. Stillwood, acting on the impulse of the
moment, had taken the child by the hand and dragged her, unwilling,
to her father's place of business--a small coal shed in the Horseferry
Road. The arrangement he there made amounted practically to the purchase
of the child. She was sent abroad to school and the coal shed closed.
On her return, ten years later, a big, handsome young woman, he married
her, and learned at leisure the truth of the old saying, “what's bred in
the bone will come out in the flesh,” scrub it and paint it and hide it
away under fine clothes as you will.

Her constant complaint against her husband was that he was only a
solicitor, a profession she considered vulgar; and nothing “riled” old
Gadley more than hearing her views upon this point.

“It's not fair to the gals,” I once heard her say to him. I was working
in the next room, with the door not quite closed, added to which she
talked at the top of her voice on all subjects. “What real gentleman, I
should like to know, is going to marry the daughter of a City attorney?
As I told him years ago, he ought to have retired and gone into the
House.”

“The very thing your poor father used to talk of doing whenever things
were going a bit queer in the retail coal and potato business,” grunted
old Gadley.

Mrs. Stillwood called him a “low beast” in her most aristocratic tones,
and swept out of the room.

Not that old Stillwood himself ever expressed fondness for the law.

“I am not at all sure, Kelver,” I remember his saying to me on one
occasion, “that you have done wisely in choosing the law. It makes
one regard humanity morally as the medical profession regards it
physically:--as universally unsound. You suspect everybody of being a
rogue. When people are behaving themselves, we lawyers hear nothing of
them. All we hear of is roguery, trickery and hypocrisy. It
deteriorates the character, Kelver. We live in a perpetual atmosphere of
transgression. I sometimes fancy it may be infectious.”

“It does not seem to have infected you, sir,” I replied; for, as I think
I have already mentioned, the firm of Stillwood, Waterhead and Royal
was held in legal circles as the synonym for rectitude of dealing quite
old-fashioned.

“I hope not, Kelver, I hope not,” the old gentleman replied; “and yet,
do you know, I sometimes suspect myself--wonder if I may not perhaps
be a scamp without realising it. A rogue, you know, Kelver, can always
explain himself into an honest man to his own satisfaction. A scamp is
never a scamp to himself.”

His words for the moment alarmed me, for, acting on old Gadley's
advice, I had persuaded my mother to put all her small capital into Mr.
Stillwood's hands for re-investment, a transaction that had resulted in
substantial increase of our small income. But, looking into his smiling
eyes, my momentary fear vanished.

Laughing, he laid his hand upon my shoulder. “One person always be
suspicious of, Kelver--yourself. Nobody can do you so much harm as
yourself.”

Of Washburn we saw more and more. “Hal” we both called him now, for
removing with his gentle, masterful hands my mother's shyness from about
her, he had established himself almost as one of the family, my mother
regarding him as she might some absurdly bearded boy entrusted to her
care without his knowing it, I looking up to him as to some wonderful
elder brother.

“You rest me, Mrs. Kelver,” he would say, lighting his pipe and sinking
down into the deep leathern chair that always waited for him in our
parlour. “Your even voice, your soft eyes, your quiet hands, they soothe
me.”

“It is good for a man,” he would say, looking from one to the other of
us through the hanging smoke, “to test his wisdom by two things:
the face of a good woman, and the ear of a child--I beg your pardon,
Paul--of a young man. A good woman's face is the white sunlight. Under
the gas-lamps who shall tell diamond from paste? Bring it into the
sunlight: does it stand that test? Then it is good. And the children!
they are the waiting earth on which we fling our store. Is it chaff and
dust or living seed? Wait and watch. I shower my thoughts over our Paul,
Mrs. Kelver. They seem to me brilliant, deep, original. The young beggar
swallows them, forgets them. They were rubbish. Then I say something
that dwells with him, that grows. Ah, that was alive, that was a seed.
The waiting earth, it can make use only of what is true.”

“You should marry, Hal,” my mother would say. It was her panacea for all
mankind.

“I would, Mrs. Kelver,” he answered her on one occasion, “I would
to-morrow if I could marry half a dozen women. I should make an ideal
husband for half a dozen wives. One I should neglect for five days, and
be a burden to upon the sixth.”

From any other than Hal my mother would have taken such a remark, made
even in jest, as an insult to her sex. But Hal's smile was a coating
that could sugar any pill.

“I am not one man, Mrs. Kelver, I am half a dozen. If I were to marry
one wife she would be married to six husbands. It is too many for any
woman to manage.”

“Have you never fallen in love?” asked my mother.

“Three of me have, but on each occasion the other five of me out-voted
him.”

“You're sure six would be sufficient?” queried my mother, smiling.

“Just the right number, Mrs. Kelver. There is one of me must worship,
adore a woman madly, abjectly; grovel before her like the Troubadour
before his Queen of Song, eat her slipper, drink the water she has
washed in, scourge himself before her window, die for a kiss of her
glove flung down with a laugh. She must be scornful, contemptuous,
cruel. There is another I would cherish, a tender, yielding creature,
one whose face would light at my coming, cloud at my going; one to whom
I should be a god. There is a third I, a child of Pan--an ugly little
beast, Mrs. Kelver; horns on head and hoofs on feet, leering through the
wood, seeking its fit mate. And a fourth would wed a wholesome, homely
wench, deep of bosom, broad of hip; fit mother of a sturdy brood. A
fifth could only be content with a true friend, a comrade wise and
witty, a sharer and understander of all joys and thoughts and feelings.
And a last, Mrs. Kelver, yearns for a woman pure and sweet, clothed in
love and crowned with holiness. Shouldn't we be a handful, Mrs. Kelver,
for any one woman in an eight-roomed house?”

But my mother was not to be discouraged. “You will find the woman one
day, Hal, who will be all of them to you--all of them that are worth
having, that is. And your eight-roomed house will be a kingdom!”

“A man is many, and a woman but one,” answered Hal.

“That is what men say who are too blind to see more than one side of a
woman,” retorted my mother, a little sharply; for the honour and credit
of her own sex in all things was very dear to my mother. And indeed this
I have learned, that the flag of Womanhood you shall ever find upheld by
all true women, flouted only by the false. For a judge in petticoats is
ever but a witness in a wig.

Hal laid aside his pipe and leant forward in his chair. “Now tell us,
Mrs. Kelver, for our guidance, we two young bachelors, what must the
lover of a young girl be?”

Always very serious on this subject of love, my mother answered gravely:
“She asks for the whole of a man, Hal, not merely for a sixth, nor any
other part of him. She is a child asking for a lover to whom she can
look up, who will teach her, guide her, protect her. She is a queen
demanding homage, and yet he is her king whom it is her joy to serve.
She asks to be his partner, his fellow-worker, his playmate, and at the
same time she loves to think of him as her child, her big baby she must
take care of. Whatever he has to give she has also to respond with. You
need not marry six wives, Hal; you will find your six in one.

“'As the water to the vessel, woman shapes herself to man;' an old
heathen said that three thousand years ago, and others have repeated
him; that is what you mean.”

“I don't like that way of putting it,” answered my mother. “I mean that
as you say of man, so in every true woman is contained all women. But to
know her completely you must love her with all love.”

Sometimes the talk would be of religion, for my mother's faith was
no dead thing that must be kept ever sheltered from the air, lest it
crumble.

One evening “Who are we that we should live?” cried Hal. “The spider
is less cruel; the very pig less greedy, gluttonous and foul; the tiger
less tigerish; our cousin ape less monkeyish. What are we but savages,
clothed and ashamed, nine-tenths of us?”

“But Sodom and Gomorrah,” reminded him my mother, “would have been
spared for the sake of ten just men.”

“Much more sensible to have hurried the ten men out, leaving the
remainder to be buried with all their abominations under their own
ashes,” growled Hal.

“And we shall be purified,” continued my mother, “the evil in us washed
away.”

“Why have made us ill merely to mend us? If the Almighty were so anxious
for our company, why not have made us decent in the beginning?” He had
just come away from a meeting of Poor Law Guardians, and was in a state
of dissatisfaction with human nature generally.

“It is His way,” answered my mother. “The precious stone lies hid in
clay. He has His purpose.”

“Is the stone so very precious?”

“Would He have taken so much pains to fashion it if it were not? You see
it all around you, Hal, in your daily practice--heroism, self-sacrifice,
love stronger than death. Can you think He will waste it, He who uses
again even the dead leaf?”

“Shall the new leaf remember the new flower?”

“Yes, if it ever knew it. Shall memory be the only thing to die?”

Often of an evening I would accompany Hal upon his rounds. By the savage
tribe he both served and ruled he had come to be regarded as medicine
man and priest combined. He was both their tyrant and their slave,
working for them early and late, yet bullying them unmercifully,
enforcing his commands sometimes with vehement tongue, and where that
would not suffice with quick fists; the counsellor, helper, ruler,
literally of thousands. Of income he could have made barely enough to
live upon; but few men could have enjoyed more sense of power; and that
I think it was that held him to the neighbourhood.

“Nature laid me by and forgot me for a couple of thousand years,” was
his own explanation of himself. “Born in my proper period, I should have
climbed to chieftainship upon uplifted shields. I might have been an
Attila, an Alaric. Among the civilised one can only climb by crawling,
and I am too impatient to crawl. Here I am king at once by force of
brain and muscle.” So in Poplar he remained, poor in fees but rich in
honour.

The love of justice was a passion with him. The oppressors of the poor
knew and feared him well. Injustice once proved before him, vengeance
followed sure. If the law would not help, he never hesitated to employ
lawlessness, of which he could always command a satisfactory supply.
Bumble might have the Board of Guardians at his back, Shylock legal
support for his pound of flesh; but sooner or later the dark night
brought punishment, a ducking in dock basin or canal, “Brutal Assault
Upon a Respected Resident” (according to the local papers), the
“miscreants” always making and keeping good their escape, for he was an
admirable organiser.

One night it seemed to him necessary that a child should go at once into
the Infirmary.

“It ain't no use my taking her now,” explained the mother, “I'll only
get bullyragged for disturbing 'em. My old man was carried there three
months ago when he broke his leg, but they wouldn't take him in till the
morning.”

“Oho! oho! oho!” sang Hal, taking the child up in his arms and putting
on his hat. “You follow me; we'll have some sport. Tally ho! tally
ho!” And away we went, Hal heading our procession through the streets,
shouting a rollicking song, the baby staring at him openmouthed.

“Now ring,” cried Hal to the mother on our reaching the Workhouse gate.
“Ring modestly, as becomes the poor ringing at the gate of Charity.” And
the bell tinkled faintly.

“Ring again!” cried Hal, drawing back into the shadow; and at last the
wicket opened.

“Oh, if you please, sir, my baby--”

“Blast your baby!” answered a husky voice, “what d'ye mean by coming
here this time of night?”

“Please, sir, I'm afraid it's dying, and the Doctor--”

The man was no sentimentalist, and to do him justice made no
hypocritical pretence of being one. He consigned the baby and its mother
and the doctor to Hell, and the wicket would have closed but for the
point of Hal's stick.

“Open the gate!” roared Hal. It was idle pretending not to hear Hal
anywhere within half a mile of him when he filled his lungs for a cry.
“Open it quick, you blackguard! You gross vat-load of potato spirit,
you--”

That the Governor should speak a language familiar to the governed was
held by the Romans, born rulers of men, essential to authority. This
theory Hal also maintained. His command of idiom understanded by his
people was one of his rods of power. In less time than it took the
trembling porter to loosen the bolts, Hal had presented him with a
word picture of himself, as seen by others, that must have lessened his
self-esteem.

“I didn't know as it was you, Doctor,” explained the man.

“No, you thought you had only to deal with some helpless creature you
could bully. Stir your fat carcass, you ugly cur! I'm in a hurry.”

The House Surgeon was away, but an attendant or two were lounging about,
unfortunately for themselves, for Hal, being there, took it upon himself
to go round the ward setting crooked things straight; and a busy and
alarming time they had of it. Not till a couple of hours later did he
fling himself forth again, having enjoyed himself greatly.

A gentleman came to reside in the district, a firm believer in the
wisdom of the couplet: “A woman, a spaniel and a walnut tree, The more
you beat them the better they be.” The spaniel and the walnut tree he
did not possess, so his wife had the benefit of his undivided energies.
Whether his treatment had improved her morally, one cannot say; her
evident desire to do her best may have been natural or may have been
assisted; but physically it was injuring her. He used to beat her about
the head with his strap, his argument being that she always seemed half
asleep, and that this, for the time being, woke her up. Sympathisers
brought complaint to Hal, for the police in that neighbourhood are to
keep the streets respectable. With the life in the little cells that
line them they are no more concerned than are the scavengers of the
sewers with the domestic arrangements of the rats.

“What's he like?” asked Hal.

“He's a big 'un,” answered the woman who had come with the tale, “and
he's good with his fists--I've seen him. But there's no getting at him.
He's the sort to have the law on you if you interfere with him, and
she's the sort to help him.”

“Any likely time to catch him at it?” asked Hal.

“Saturdays it's as regular as early closing,” answered the woman, “but
you might have to wait a bit.”

“I'll wait in your room, granny, next Saturday,” suggested Hal.

“All right,” agreed the woman, “I'll risk it, even if I do get a bloody
head for it.”

So that week end we sat very still on two rickety chairs listening to a
long succession of sharp, cracking sounds that, had one not known,
one might have imagined produced by some child monotonously exploding
percussion caps, each one followed by an answering groan. Hal never
moved, but sat smoking his pipe, an ugly smile about his mouth. Only
once he opened his lips, and then it was to murmur to himself: “And God
blessed them and said unto them, Be fruitful and multiply.”

The horror ceased at last, and later we heard the door unlock and a
man's foot upon the landing above. Hal beckoned to me, and swiftly we
slipped out and down the creaking stairs. He opened the front door, and
we waited in the evil-smelling little passage. The man came towards
us whistling. He was a powerfully built fellow, rather good-looking,
I remember. He stopped abruptly upon catching sight of Hal, who stood
crouching in the shadow of the door.

“What are you doing here?” he demanded.

“Waiting to pull your nose!” answered Hal, suiting the action to the
word. And then laughing he ran down the street, I following.

The man gave chase, calling to us with a string of imprecations to stop.
But Hal only ran the faster, though after a street or two he slackened,
and the man gained on us a little.

So we continued, the distance between us and our pursuer now a little
more, now a little less. People turned and stared at us. A few boys,
scenting grim fun, followed shouting for awhile; but these we soon
out-paced, till at last in deserted streets, winding among warehouses
bordering the river, we three ran alone, between long, lifeless walls. I
looked into Hal's face from time to time, and he was laughing; but every
now and then he would look over his shoulder at the man behind him still
following doggedly, and then his face would be twisted into a comically
terrified grimace. Turning into a narrow cul-de-sac, Hal suddenly ducked
behind a wide brick buttress, and the man, still running, passed us.
And then Hal stood up and called to him, and the man turned, looked into
Hal's eyes, and understood.

He was not a coward. Besides, even a rat when cornered will fight for
its life. He made a rush at Hal, and Hal made no attempt to defend
himself. He stood there laughing, and the man struck him full in the
face, and the blood spurted out and flowed down into his mouth. The
man came on again, though terror was in every line of his face, all his
desire being to escape. But this time Hal drove him back again. They
fought for awhile, if one can call it fighting, till the man, mad for
air, reeled against the wall, stood there quivering convulsively, his
mouth wide open, resembling more than anything else some huge dying
fish. And Hal drew away and waited.

I have no desire to see again the sight I saw that quiet, still evening,
framed by those high, windowless walls, from behind which sounded with
ceaseless regularity the gentle swish of the incoming tide. All sense of
retribution was drowned in the sight of Hal's evident enjoyment of his
sport. The judge had disappeared, leaving the work to be accomplished by
a savage animal loosened for the purpose.

The wretched creature flung itself again towards its only door of
escape, fought with the vehemence of despair, to be flung back again, a
hideous, bleeding mass of broken flesh. I tried to cling to Hal's arm,
but one jerk of his steel muscles flung me ten feet away.

“Keep off, you fool!” he cried. “I won't kill him. I'm keeping my head.
I shall know when to stop.” And I crept away and waited.

Hal joined me a little later, wiping the blood from his face. We made
our way to a small public-house near the river, and from there Hal sent
a couple of men on whom he could rely with instructions how to act. I
never heard any more of the matter. It was a subject on which I did not
care to speak to Hal. I can only hope that good came of it.

There was a spot--it has been cleared away since to make room for the
approach to Greenwich Tunnel--it was then the entrance to a grain depot
in connection with the Milwall Docks. A curious brick well it resembled,
in the centre of which a roadway wound downward, corkscrew fashion,
disappearing at the bottom into darkness under a yawning arch. The place
possessed the curious property of being ever filled with a ceaseless
murmur, as though it were some aerial maelstrom, drawing into its
silent vacuum all wandering waves of sound from the restless human ocean
flowing round it. No single tone could one ever distinguish: it was
a mingling of all voices, heard there like the murmur of a sea-soaked
shell.

We passed through it on our return. Its work for the day was finished,
its strange, weary song uninterrupted by the mighty waggons thundering
up and down its spiral way. Hal paused, leaning against the railings
that encircled its centre, and listened.

“Hark, do you not hear it, Paul?” he asked. “It is the music of
Humanity. All human notes are needful to its making: the faint wail of
the new-born, the cry of the dying thief; the beating of the hammers,
the merry trip of dancers; the clatter of the teacups, the roaring of
the streets; the crooning of the mother to her babe, the scream of the
tortured child; the meeting kiss of lovers, the sob of those that part.
Listen! prayers and curses, sighs and laughter; the soft breathing of
the sleeping, the fretful feet of pain; voices of pity, voices of hate;
the glad song of the strong, the foolish complaining of the weak. Listen
to it, Paul! Right and wrong, good and evil, hope and despair, it is but
one voice--a single note, drawn by the sweep of the Player's hand across
the quivering strings of man. What is the meaning of it, Paul? Can you
read it? Sometimes it seems to me a note of joy, so full, so endless,
so complete, that I cry: 'Blessed be the Lord whose hammers have beaten
upon us, whose fires have shaped us to His ends!' And sometimes it
sounds to me a dying note, so that I could curse Him who in wantonness
has wrung it from the anguish of His creatures--till I would that
I could fling myself, Prometheus like, between Him and His victims,
calling: 'My darkness, but their light; my agony, O God; their hope!'”

The faint light from a neighbouring gas-lamp fell upon his face that
an hour before I had seen the face of a wild beast. The ugly mouth was
quivering, tears stood in his great, tender eyes. Could his prayer in
that moment have been granted, could he have pressed against his bosom
all the pain of the world, he would have rejoiced.

He shook himself together with a laugh. “Come, Paul, we have had a busy
afternoon, and I'm thirsty. Let us drink some beer, my boy, good sound
beer, and plenty of it.”

My mother fell ill that winter. Mountain born and mountain bred, the
close streets had never agreed with her, and scolded by all of us, she
promised, “come the fine weather,” to put sentiment behind her, and go
away from them.

“I'm thinking she will,” said Hal, gripping my shoulder with his strong
hand, “but it'll be by herself that she'll go, lad. My wonder is,” he
continued, “that she has held out so long. If anything, it is you that
have kept her alive. Now that you are off her mind to a certain extent,
she is worrying about your father, I expect. These women, they never
will believe a man can take care of himself, even in Heaven. She's never
quite trusted the Lord with him, and never will till she's there to give
an eye to things herself.”

Hal's prophecy fell true. She left “come the fine weather,” as she had
promised: I remember it was the first day primroses were hawked in the
street. But another death had occurred just before; which, concerning me
closely as it does, I had better here dispose of; and that was the death
of old Mr. Stillwood, who passed away rich in honour and regret, and was
buried with much ostentation and much sincere sorrow; for he had been to
many of his clients, mostly old folk, rather a friend than a mere man
of business, and had gained from all with whom he had come in contact,
respect, and from many real affection.

In conformity with the old legal fashions that in his life he had so
fondly clung to, his will was read aloud by Mr. Gadley after the return
from the funeral, and many were the tears its recital called forth.
Written years ago by himself and never altered, its quaint phraseology
was full of kindly thought and expression. No one had been forgotten.
Clerks, servants, poor relations, all had been treated with even-handed
justice, while for those with claim upon him, ample provision had
been made. Few wills, I think, could ever have been read less open to
criticism.

Old Gadley slipped his arm into mine as we left the house. “If you've
nothing to do, young 'un,” he said, “I'll get you to come with me to the
office. I have got all the keys in my pocket, and we shall be quiet.
It will be sad work for me, and I had rather we were alone. A couple of
hours will show us everything.”

We lighted the wax candles--old Stillwood could never tolerate gas in
his own room--and opening the safe took out the heavy ledgers one by
one, and from them Gadley dictated figures which I wrote down and added
up.

“Thirty years I have kept these books for him,” said old Gadley, as we
laid by the last of them, “thirty years come Christmas next, he and I
together. No other hands but ours have ever touched them, and now people
to whom they mean nothing but so much business will fling them about,
drop greasy crumbs upon them--I know their ways, the brutes!--scribble
all over them. And he who always would have everything so neat and
orderly!”

We came to the end of them in less than the time old Gadley had thought
needful: in such perfect order had everything been maintained. I was
preparing to go, but old Gadley had drawn a couple of small keys from
his pocket, and was shuffling again towards the safe.

“Only one more,” he explained in answer to my look, “his own private
ledger. It will merely be in the nature of a summary, but we'll just
glance through it.”

He opened an inner drawer and took from it a small thick volume bound
in green leather and closed with two brass locks. An ancient volume, it
appeared, its strong binding faded and stained. Old Gadley sat down
with it at the dead man's own desk, and snuffing the two shaded candles,
unlocked and opened it. I was standing opposite, so that the book to me
was upside down, but the date on the first page, “1841,” caught my eye,
as also the small neat writing now brown with age.

“So neat, so orderly he always was,” murmured old Gadley again,
smoothing the page affectionately with his hand, and I waited for his
dictation.

But no glib flow of figures fell from him. His eyebrows suddenly
contracted, his body stiffened itself. Then for the next quarter of an
hour nothing sounded in the quiet room but his turning of the creakling
pages. Once or twice he glanced round swiftly over his shoulder, as
though haunted by the idea of some one behind him; then back to the
neat, closely written folios, his little eyes, now exhibiting a comical
look of horror, starting out of his round red face. First slowly, then
quickly with trembling hands he turned the pages, till the continual
ratling of the leaves sounded like strange, mocking laughter through
the silent, empty room; almost one could imagine it coming from some
watching creature hidden in the shadows.

The end reached, he sat staring before him, his whole body quivering,
great beads of sweat upon his shiny bald head.

“Am I mad?” was all he could find to say. “Kelver, am I mad?”

He handed me the book. It was a cynically truthful record of fraud,
extending over thirty years. Every client, every friend, every relative
that had fallen into his net he had robbed: the fortunate ones of a
part, the majority of their all. Its very first entry debited him
with the proceeds of his own partner's estate. Its last ran--“Re
Kelver--various sales of stock.” To his credit were his payments year
after year of imaginary interests on imaginary securities, the surplus
accounted for with simple brevity: “Transferred to own account.” No
record could have been more clear, more frank. Beneath each transaction
was written its true history; the actual investments, sometimes
necessary, carefully distinguished from the false. In neat red ink would
occur here and there a note for his own guidance: “Eldest child comes of
age August, '73. Be prepared for trustees desiring production.” Turning
to “August, '73,” one found that genuine investment had been made, to
be sold again a few months later on. From beginning to end not a single
false step had he committed. Suspicious clients had been ear-marked:
the trusting discriminated with gratitude, and milked again and again to
meet emergency.

As a piece of organisation it was magnificent. No one but a financial
genius could have picked a dozen steps through such a network of
chicanery. For half a lifetime he had moved among it, dignified,
respected and secure.

Whether even he could have maintained his position for another month was
doubtful. Suicide, though hinted at, was proved to have been impossible.
It seemed as though with his amazing audacity he had tricked even Death
into becoming his accomplice.

“But it is impossible, Kelver!” cried Gadley, “this must be some dream.
Stillwood, Waterhead and Royal! What is the meaning of it?”

He took the book into his hands again, then burst into tears. “You never
knew him,” wailed the poor little man. “Stillwood, Waterhead and Royal!
I came here as office boy fifty years ago. He was more like a friend to
me than--” and again the sobs shook his little fat body.

I locked the books away and put him into his hat and coat. But I had
much difficulty in getting him out of the office.

“I daren't, young 'un,” he cried, drawing back. “Fifty years I have
walked out of this office, proud of it, proud of being connected with
it. I daren't face the street!”

All the way home his only idea was: Could it not be hidden? Honest,
kindly little man that he was, he seemed to have no thought for the
unfortunate victims. The good name of his master, of his friend, gone!
Stillwood, Waterhead and Royal, a by-word! To have avoided that I
believe he would have been willing for yet another hundred clients to be
ruined.

I saw him to his door, then turned homeward; and to my surprise in
a dark by-street heard myself laughing heartily. I checked myself
instantly, feeling ashamed of my callousness, of my seeming indifference
to the trouble even of myself and my mother. Yet as there passed before
me the remembrance of that imposing and expensive funeral with its
mournful following of tearful faces; the hushed reading of the will with
its accompaniment of rustling approval; the picture of the admirably
sympathetic clergyman consoling with white hands Mrs. Stillwood,
inclined to hysteria, but anxious concerning her two hundred pounds'
worth of crape which by no possibility of means could now be paid
for--recurred to me the obituary notice in “The Chelsea Weekly
Chronicle”: the humour of the thing swept all else before it, and I
laughed again--I could not help it--loud and long. It was my first
introduction to the comedy of life, which is apt to be more brutal than
the comedy of fiction.

But nearing home, the serious side of the matter forced itself
uppermost. Fortunately, our supposed dividends had been paid to us
by Mr. Stillwood only the month before. Could I keep the thing from
troubling my mother's last days? It would be hard work. I should have to
do it alone, for a perhaps foolish pride prevented my taking Hal into my
confidence, even made his friendship a dread to me, lest he should come
to learn and offer help. There is a higher generosity, it is said, that
can receive with pleasure as well as bestow favour; but I have never
felt it. Could I be sure of acting my part, of not betraying myself to
her sharp eyes, of keeping newspapers and chance gossip away from her?
Good shrewd Amy I cautioned, but I shrank from even speaking on the
subject to Hal, and my fear was lest he should blunder into the subject,
which for the usual nine days occupied much public attention. But
fortunately he appeared not even to have heard of the scandal.

Possibly had the need lasted longer I might have failed, but as it was,
a few weeks saw the end.

“Don't leave me to-day, Paul,” whispered my mother to me one morning. So
I stayed, and in the evening my mother put her arms around my neck and I
lay beside her, my head upon her breast, as I used to when a little boy.
And when the morning came I was alone.




BOOK II.

CHAPTER I

DESCRIBES THE DESERT ISLAND TO WHICH PAUL WAS DRIFTED.

“Room to let for a single gentleman.” Sometimes in an idle hour,
impelled by foolishness, I will knock at the door. It is opened after a
longer or shorter interval by the “slavey”--in the morning, slatternly,
her arms concealed beneath her apron; in the afternoon, smart in dirty
cap and apron. How well I know her! Unchanged, not grown an inch--her
round bewildered eyes, her open mouth, her touzled hair, her scored red
hands. With an effort I refrain from muttering: “So sorry, forgot
my key,” from pushing past her and mounting two at a time the narrow
stairs, carpeted to the first floor, but bare beyond. Instead, I say,
“Oh, what rooms have you to let?” when, scuttling to the top of the
kitchen stairs, she will call over the banisters: “A gentleman to see
the rooms.” There comes up, panting, a harassed-looking, elderly
female, but genteel in black. She crushes past the little “slavey,” and
approaching, eyes me critically.

“I have a very nice room on the first floor,” she informs me, “and one
behind on the third.”

I agree to see them, explaining that I am seeking them for a young
friend of mine. We squeeze past the hat and umbrella stand: there is
just room, but one must keep close to the wall. The first floor is
rather an imposing apartment, with a marble-topped sideboard measuring
quite three feet by two, the doors of which will remain closed if you
introduce a wad of paper between them. A green table-cloth, matching the
curtains, covers the loo-table. The lamp is perfectly safe so long as
it stands in the exact centre of the table, but should not be shifted.
A paper fire-stove ornament in some mysterious way bestows upon the room
an air of chastity. Above the mantelpiece is a fly-blown mirror, between
the once gilt frame and glass of which can be inserted invitation
cards; indeed, one or two so remain, proving that the tenants even of
“bed-sitting-rooms” are not excluded from social delights. The wall
opposite is adorned by an oleograph of the kind Cheap Jacks sell
by auction on Saturday nights in the Pimlico Road, and warrant as
“hand-made.” Generally speaking, it is a Swiss landscape. There appears
to be more “body” in a Swiss landscape than in scenes from less favoured
localities. A dilapidated mill, a foaming torrent, a mountain, a maiden
and a cow can at the least be relied upon. An easy chair (I disclaim
all responsibility for the adjective), stuffed with many coils of steel
wire, each possessing a “business end” in admirable working order, and
covered with horsehair, highly glazed, awaits the uninitiated. There is
one way of sitting upon it, and only one: by using the extreme edge, and
planting your feet firmly on the floor. If you attempt to lean back in
it you inevitably slide out of it. When so treated it seems to say to
you: “Excuse me, you are very heavy, and you would really be much more
comfortable upon the floor. Thank you so much.” The bed is behind the
door, and the washstand behind the bed. If you sit facing the window you
can forget the bed. On the other hand, if more than one friend come
to call on you, you are glad of it. As a matter of fact, experienced
visitors prefer it--make straight for it, refusing with firmness to
exchange it for the easy chair.

“And this room is?”

“Eight shillings a week, sir--with attendance, of course.”

“Any extras?”

“The lamp, sir, is eighteenpence a week; and the kitchen fire, if the
gentleman wishes to dine at home, two shillings.”

“And fire?”

“Sixpence a scuttle, sir, I charge for coals.”

“It's rather a small scuttle.”

The landlady bridles a little. “The usual size, I think, sir.” One
presumes there is a special size in coal-scuttles made exclusively for
lodging-house keepers.

I agree that while I am about it I may as well see the other room,
the third floor back. The landlady opens the door for me, but remains
herself on the landing. She is a stout lady, and does not wish to dwarf
the apartment by comparison. The arrangement here does not allow of your
ignoring the bed. It is the life and soul of the room, and it
declines to efface itself. Its only possible rival is the washstand,
straw-coloured; with staring white basin and jug, together with other
appurtenances. It glares defiantly from its corner. “I know I'm small,”
 it seems to say; “but I'm very useful; and I won't be ignored.”
 The remaining furniture consists of a couple of chairs--there is no
hypocrisy about them: they are not easy and they do not pretend to be
easy; a small chest of light-painted drawers before the window, with
white china handles, upon which is a tiny looking-glass; and, occupying
the entire remaining space, after allowing three square feet for the
tenant, when he arrives, an attenuated four-legged table apparently
home-made. The only ornament in the room is, suspended above the
fireplace, a funeral card, framed in beer corks. As the corpse
introduced by the ancient Egyptians into their banquets, it is hung
there perhaps to remind the occupant of the apartment that the luxuries
and allurements of life have their end; or maybe it consoles him in
despondent moments with the reflection that after all he might be worse
off.

The rent of this room is three-and-sixpence a week, also including
attendance; lamp, as for the first floor, eighteen-pence; but kitchen
fire a shilling.

“But why should kitchen fire for the first floor be two shillings, and
for this only one?”

“Well, as a rule, sir, the first floor wants more cooking done.”

You are quite right, my dear lady, I was forgetting. The gentleman
in the third floor back! cooking for him is not a great tax upon the
kitchen fire. His breakfast, it is what, madam, we call plain, I think.
His lunch he takes out. You may see him, walking round the quiet square,
up and down the narrow street that, leading to nowhere in particular, is
between twelve and two somewhat deserted. He carries a paper bag,
into which at intervals, when he is sure nobody is looking, his mouth
disappears. From studying the neighbourhood one can guess what it
contains. Saveloys hereabouts are plentiful and only twopence each.
There are pie shops, where meat pies are twopence and fruit pies a
penny. The lady behind the counter, using deftly a broad, flat knife,
lifts the little dainty with one twist clean from its tiny dish: it is
marvellous, having regard to the thinness of the pastry, that she never
breaks one. Roley-poley pudding, sweet and wonderfully satisfying, more
especially when cold, is but a penny a slice. Peas pudding, though this
is an awkward thing to eat out of a bag, is comforting upon cold days.
Then with his tea he takes two eggs or a haddock, the fourpenny size;
maybe on rare occasions, a chop or steak; and you fry it for him, madam,
though every time he urges on you how much he would prefer it grilled,
for fried in your one frying-pan its flavour becomes somewhat confused.
But maybe this is the better for him, for, shutting his eyes and
trusting only to smell and flavour, he can imagine himself enjoying
variety. He can begin with herrings, pass on to liver and bacon, opening
his eyes again for a moment perceive that he has now arrived at the
joint, and closing them again, wind up with distinct suggestion of
toasted cheese, thus avoiding monotony. For dinner he goes out again.
Maybe he is not hungry, late meals are a mistake; or, maybe, putting
his hand into his pocket and making calculations beneath a lamp-post,
appetite may come to him. Then there are places cheerful with the sound
of frizzling fat, where fried plaice brown and odorous may be had for
three halfpence, and a handful of sliced potatoes for a penny; where for
fourpence succulent stewed eels may be discussed; vinegar ad lib.; or
for sevenpence--but these are red-letter evenings--half a sheep's head
may be indulged in, which is a supper fit for any king, who happened to
be hungry.

I explain that I will discuss the matter with my young friend when he
arrives. The landlady says, “Certainly, sir:” she is used to what she
calls the “wandering Christian;” and easing my conscience by slipping a
shilling into the “slavey's” astonished, lukewarm hand, I pass out
again into the long, dreary street, now echoing maybe to the sad cry of
“Muffins!”

Or sometimes of an evening, the lamp lighted, the remnants of the meat
tea cleared away, the flickering firelight cosifying the dingy rooms,
I go a-visiting. There is no need for me to ring the bell, to mount the
stairs. Through the thin transparent walls I can see you plainly,
old friends of mine, fashions a little changed, that is all. We wore
bell-shaped trousers; eight-and-six to measure, seven-and-six if from
stock; fastened our neckties in dashing style with a horseshoe pin. I
think in the matter of waistcoats we had the advantage of you; ours were
gayer, braver. Our cuffs and collars were of paper: sixpence-halfpenny
the dozen, three-halfpence the pair. On Sunday they were white and
glistening; on Monday less aggressively obvious; on Tuesday morning
decidedly dappled. But on Tuesday evening, when with natty cane, or
umbrella neatly rolled in patent leather case, we took our promenade
down Oxford Street--fashionable hour nine to ten p.m.--we could shoot
our arms and cock our chins with the best. Your india-rubber linen has
its advantages. Storm does not wither it; it braves better the heat and
turmoil of the day. The passing of a sponge! and your “Dicky” is itself
again. We had to use bread-crumbs, and so sacrifice the glaze. Yet I
cannot help thinking that for the first few hours, at all events, our
paper was more dazzling.

For the rest I see no change in you, old friends. I wave you greeting
from the misty street. God rest you, gallant gentlemen, lonely and
friendless and despised; making the best of joyless lives; keeping
yourselves genteel on twelve, fifteen, or eighteen (ah, but you are
plutocrats!) shillings a week; saving something even of that, maybe, to
help the old mother in the country, so proud of her “gentleman” son who
has book learning and who is “something in the City.” May nothing you
dismay. Bullied, and badgered, and baited from nine to six though you
may be, from then till bedtime you are rorty young dogs. The half-guinea
topper, “as worn by the Prince of Wales” (ah, how many a meal has it not
cost!), warmed before the fire, brushed and polished and coaxed, shines
resplendent. The second pair of trousers are drawn from beneath the bed;
in the gaslight, with well-marked crease from top to toe, they will pass
for new. A pleasant evening to you! May your cheap necktie make all the
impression your soul can desire! May your penny cigar be mistaken for
Havana! May the barmaid charm your simple heart by addressing you as
“Baby!” May some sweet shop-girl throw a kindly glance at you, inviting
you to walk with her! May she snigger at your humour; may other dogs
cast envious looks at you, and may no harm come of it!

You dreamers of dreams, you who while your companions play and sleep
will toil upward in the night! You have read Mr. Smiles' “Self-Help,”
Longfellow's “Psalm of Life,” and so strengthened attack with confidence
“French Without a Master,” “Bookkeeping in Six Lessons.” With a sigh to
yourselves you turn aside from the alluring streets, from the bright,
bewitching eyes, into the stuffy air of Birkbeck Institutions,
Polytechnic Schools. May success compensate you for your youth devoid of
pleasure! May the partner's chair you seen in visions be yours before
the end! May you live one day in Clapham in a twelve-roomed house!

And, after all, we have our moments, have we not? The Saturday night at
the play. The hours of waiting, they are short. We converse with kindred
souls of the British Drama, its past and future: we have our views. We
dream of Florence This, Kate That; in a little while we shall see
her. Ah, could she but know how we loved her! Her photo is on our
mantelpiece, transforming the dismal little room into a shrine. The poem
we have so often commenced! when it is finished we will post it to her.
At least she will acknowledge its receipt; we can kiss the paper her
hand has rested on. The great doors groan, then quiver. Ah, the wild
thrill of that moment! Now push for all you are worth: charge, wriggle,
squirm! It is an epitome of life. We are through--collarless, panting,
pummelled from top to toe: but what of that? Upward, still upward; then
downward with leaps at risk of our neck, from bench to bench through the
gloom. We have gained the front row! Would we exchange sensations with
the stallite, strolling languidly to his seat? The extravagant dinner
once a week! We banquet _a la Francais_, in Soho, for one-and-six,
including wine. Does Tortoni ever give his customers a repast they enjoy
more? I trow not.

My first lodging was an attic in a square the other side of Blackfriars
Bridge. The rent of the room, if I remember rightly, was three shillings
a week with cooking, half-a-crown without. I purchased a methylated
spirit stove with kettle and frying-pan, and took it without.

Old Hasluck would have helped me willingly, and there were others to
whom I might have appealed, but a boy's pride held me back. I would make
my way alone, win my place in the world by myself. To Hal, knowing he
would sympathise with me, I confided the truth.

“Had your mother lived,” he told me, “I should have had something to say
on the subject. Of course, I knew what had happened, but as it is--well,
you need not be afraid, I shall not offer you help; indeed, I should
refuse it were you to ask. Put your Carlyle in your pocket: he is not
all voices, but he is the best maker of men I know. The great thing to
learn of life is not to be afraid of it.”

“Look me up now and then,” he added, “and we'll talk about the stars,
the future of Socialism, and the Woman Question--anything you like
except about yourself and your twopenny-half-penny affairs.”

From another it would have sounded brutal, but I understood him. And
so we shook hands and parted for longer than either of us at the time
expected. The Franco-German War broke out a few weeks later on, and
Hal, the love of adventure always strong within him, volunteered his
services, which were accepted. It was some years before we met again.

On the door-post of a house in Farringdon Street, not far from the
Circus, stood in those days a small brass plate, announcing that the
“Ludgate News Rooms” occupied the third and fourth floors, and that the
admission to the same was one penny. We were a seedy company that every
morning crowded into these rooms: clerks, shopmen, superior artisans,
travellers, warehousemen--all of us out of work. Most of us were young,
but with us was mingled a sprinkling of elder men, and these latter were
always the saddest and most silent of this little whispering army of
the down-at-heel. Roughly speaking, we were divided into two groups:
the newcomers, cheery, confident. These would flit from newspaper to
newspaper with buzz of pleasant anticipation, select their advertisement
as one choosing some dainty out of a rich and varied menu card, and
replying to it as one conferring favour.

“Dear Sir,--in reply to your advertisement in to-day's _Standard_, I
shall be pleased to accept the post vacant in your office. I am of good
appearance and address. I am an excellent--” It was really marvellous
the quality and number of our attainments. French! we wrote and spoke it
fluently, _a la Ahn_. German! of this we possessed a slighter knowledge,
it was true, but sufficient for mere purposes of commerce. Bookkeeping!
arithmetic! geometry! we played with them. The love of work! it was a
passion with us. Our moral character! it would have adorned a Free Kirk
Elder. “I could call on you to-morrow or Friday between eleven and one,
or on Saturday any time up till two. Salary required, two guineas a
week. An early answer will oblige. Yours truly.”

The old stagers did not buzz. Hour after hour they sat writing,
steadily, methodically, with day by day less hope and heavier fears:

“Sir,--Your advt. in to-day's _D. T._ I am--” of such and such an age.
List of qualifications less lengthy, set forth with more modesty; object
desired being air of verisimilitude.--“If you decide to engage me I will
endeavour to give you every satisfaction. Any time you like to appoint
I will call on you. I should not ask a high salary to start with. Yours
obediently.”

Dozens of the first letter, hundreds of the second, I wrote with painful
care, pen carefully chosen, the one-inch margin down the left hand side
of the paper first portioned off with dots. To three or four I received
a curt reply, instructing me to call. But the shyness that had stood so
in my way during the earlier half of my school days had now, I know not
why, returned upon me, hampering me at every turn. A shy child grown-up
folks at all events can understand and forgive; but a shy young man
is not unnaturally regarded as a fool. I gave the impression of being
awkward, stupid, sulky. The more I strove against my temperament
the worse I became. My attempts to be at my ease, to assert myself,
resulted--I could see it myself--only in rudeness.

“Well, I have got to see one or two others. We will write and let you
know,” was the conclusion of each interview, and the end, as far as I
was concerned, of the enterprise.

My few pounds, guard them how I would, were dwindling rapidly. Looking
back, it is easy enough to regard one's early struggles from a humorous
point of view. One knows the story, it all ended happily. But at the
time there is no means of telling whether one's biography is going to be
comedy or tragedy. There were moments when I felt confident it was going
to be the latter. Occasionally, when one is feeling well, it is not
unpleasant to contemplate with pathetic sympathy one's own death-bed.
One thinks of the friends and relations who at last will understand and
regret one, be sorry they had not behaved themselves better. But myself,
there was no one to regret. I felt very small, very helpless. The world
was big. I feared it might walk over me, trample me down, never seeing
me. I seemed unable to attract its attention.

One morning I found waiting for me at the Reading Room another of the
usual missives. It ran: “Will Mr. P. Kelver call at the above address
to-morrow morning between ten-thirty and eleven.” The paper was headed:
“Lott and Co., Indian Commission Agents, Aldersgate Street.” Without
much hope I returned to my lodgings, changed my clothes, donned my
silk hat, took my one pair of gloves, drew its silk case over my holey
umbrella; and so equipped for fight with Fate made my way to Aldersgate
Street. For a quarter of an hour or so, being too soon, I walked up and
down the pavement outside the house, gazing at the second-floor windows,
behind which, so the door-plate had informed me, were the offices of
Lott & Co. I could not recall their advertisement, nor my reply to it.
The firm was evidently not in a very flourishing condition. I wondered
idly what salary they would offer. For a moment I dreamt of a Cheeryble
Brother asking me kindly if I thought I could do with thirty shillings
a week as a beginning; but the next I recalled my usual fate, and
considered whether it was even worth while to climb the stairs, go
through what to me was a painful ordeal, merely to be impressed again
with the sense of my own worthlessness.

A fine rain began to fall. I did not wish to unroll my umbrella,
yet felt nervous for my hat. It was five minutes to the half hour.
Listlessly I crossed the road and mounted the bare stairs to the second
floor. Two doors faced me, one marked “Private.” I tapped lightly at the
second. Not hearing any response, after a second or two I tapped again.
A sound reached me, but it was unintelligible. I knocked yet again,
still louder. This time I heard a reply in a shrill, plaintive tone:

“Oh, do come in.”

The tone was one of pathetic entreaty. I turned the handle and entered.
It was a small room, dimly lighted by a dirty window, the bottom half of
which was rendered opaque by tissue paper pasted to its panes. The place
suggested a village shop rather than an office. Pots of jam, jars of
pickles, bottles of wine, biscuit tins, parcels of drapery, boxes of
candles, bars of soap, boots, packets of stationery, boxes of cigars,
tinned provisions, guns, cartridges--things sufficient to furnish a
desert island littered every available corner. At a small desk under the
window sat a youth with a remarkably small body and a remarkably
large head; so disproportionate were the two I should hardly have been
surprised had he put up his hands and taken it off. Half in the room and
half out, I paused.

“Is this Lott & Co.?” I enquired.

“No,” he answered; “it's a room.” One eye was fixed upon me, dull and
glassy; it never blinked, it never wavered. With the help of the other
he continued his writing.

“I mean,” I explained, coming entirely into the room, “are these the
offices of Lott & Co.?”

“It's one of them,” he replied; “the back one. If you're really anxious
for a job, you can shut the door.”

I complied with his suggestion, and then announced that I was Mr.
Kelver--Mr. Paul Kelver.

“Minikin's my name,” he returned, “Sylvanus Minikin. You don't happen by
any chance to know what you've come for, I suppose?”

Looking at his body, my inclination was to pick my way among the goods
that covered the floor and pull his ears for him. From his grave and
massive face, he might, for all I knew, be the head clerk.

“I have called to see Mr. Lott,” I replied, with dignity; “I have an
appointment.” I produced the letter from my pocket, and leaning across
a sewing-machine, I handed it to him for his inspection. Having read it,
he suddenly took from its socket the eye with which he had been hitherto
regarding me, and proceeding to polish it upon his pocket handkerchief,
turned upon me his other. Having satisfied himself, he handed me back my
letter.

“Want my advice?” he asked.

I thought it might be useful to me, so replied in the affirmative.

“Hook it,” was his curt counsel.

“Why?” I asked. “Isn't he a good employer?”

Replacing his glass eye, he turned again to his work. “If employment is
what you want,” answered Mr. Minikin, “you'll get it. Best employer in
London. He'll keep you going for twenty-four hours a day, and then offer
you overtime at half salary.”

“I must get something to do,” I confessed.

“Sit down then,” suggested Mr. Minikin. “Rest while you can.”

I took the chair; it was the only chair in the room, with the exception
of the one Minikin was sitting on.

“Apart from his being a bit of a driver,” I asked, “what sort of a man
is he? Is he pleasant?”

“Never saw him put out but once,” answered Minikin.

It sounded well. “When was that?” I asked.

“All the time I've known him.”

My spirits continued to sink. Had I been left alone with Minikin much
longer, I might have ended by following his advice, “hooking it” before
Mr. Lott arrived. But the next moment I heard the other door open, and
some one entered the private office. Then the bell rang, and Minikin
disappeared, leaving the communicating door ajar behind him. The
conversation that I overheard was as follows:

“Why isn't Mr. Skeat here?”

“Because he hasn't come.”

“Where are the letters?”

“Under your nose.”

“How dare you answer me like that?”

“Well, it's the truth. They are under your nose.”

“Did you give Thorneycroft's man my message?”

“Yes.”

“What did he answer?”

“Said you were a liar.”

“Oh, he did, did he! What did you reply?”

“Asked him to tell me something I didn't know.”

“Thought that clever, didn't you?”

“Not bad.”

Whatever faults might be laid to Mr. Lott's door, he at least, I
concluded, possesssed the virtue of self-control.

“Anybody been here?”

“Yes.”

“Who?”

“Mr. Kelver--Mr. Paul Kelver.”

“Kelver, Kelver. Who's Kelver?”

“Know what he is--a fool.”

“What do you mean?”

“He's come after the place.”

“Is he there?”

“Yes.”

“What's he like?”

“Not bad looking; fair--”

“Idiot! I mean is he smart?”

“Just at present--got all his Sunday clothes on.”

“Send him in to me. Don't go, don't go.”

“How can I send him in to you if I don't go?”

“Take these. Have you finished those bills of lading?”

“No.”

“Good God! when will you have finished them?”

“Half an hour after I have begun them.”

“Get out, get out! Has that door been open all the time?”

“Well, I don't suppose it's opened itself.”

Minikin re-entered with papers in his hand. “In you go,” he said.
“Heaven help you!” And I passed in and closed the door behind me.

The room was a replica of the one I had just left. If possible, it was
more crowded, more packed with miscellaneous articles. I picked my
way through these and approached the desk. Mr. Lott was a small,
dingy-looking man, with very dirty hands, and small, restless eyes. I
was glad that he was not imposing, or my shyness might have descended
upon me; as it was, I felt better able to do myself justice. At once he
plunged into the business by seizing and waving in front of my eyes a
bulky bundle of letters tied together with red tape.

“One hundred and seventeen answers to an advertisement,” he cried with
evident satisfaction, “in one day! That shows you the state of the
labour market!”

I agreed it was appalling.

“Poor devils, poor devils!” murmured Mr. Lott “what will become of them?
Some of them will starve. Terrible death, starvation, Kelver; takes such
a long time--especially when you're young.”

Here also I found myself in accord with him.

“Living with your parents?”

I explained to him my situation.

“Any friends?”

I informed him I was entirely dependent upon my own efforts.

“Any money? Anything coming in?”

I told him I had a few pounds still remaining to me, but that after that
was gone I should be penniless.

“And to think, Kelver, that there are hundreds, thousands of young
fellows precisely in your position! How sad, how very sad! How long have
you been looking for a berth?”

“A month,” I answered him.

“I thought as much. Do you know why I selected your letter out of the
whole batch?”

I replied I hoped it was because he judged from it I should prove
satisfactory.

“Because it's the worst written of them all.” He pushed it across to me.
“Look at it. Awful, isn't it?”

I admitted that handwriting was not my strong point.

“Nor spelling either,” he added, and with truth. “Who do you think will
engage you if I don't?”

“Nobody,” he continued, without waiting for me to reply. “A month hence
you will still be looking for a berth, and a month after that. Now, I'm
going to do you a good turn; save you from destitution; give you a start
in life.”

I expressed my gratitude.

He waived it aside. “That is my notion of philanthropy: help those that
nobody else will help. That young fellow in the other room--he isn't a
bad worker, he's smart, but he's impertinent.”

I murmured that I had gathered so much.

“Doesn't mean to be, can't help it. Noticed his trick of looking at you
with his glass eye, keeping the other turned away from you?”

I replied that I had.

“Always does it. Used to irritate his last employer to madness. Said to
him one day: 'Do turn that signal lamp of yours off, Minikin, and look
at me with your real eye.' What do you think he answered? That it was
the only one he'd got, and that he didn't want to expose it to shocks.
Wouldn't have mattered so much if it hadn't been one of the ugliest men
in London.”

I murmured my indignation.

“I put up with him. Nobody else would. The poor fellow must live.”

I expressed admiration at Mr. Lott's humanity.

“You don't mind work? You're not one of those good-for-nothings who
sleep all day and wake up when it's time to go home?”

I assured him that in whatever else I might fail I could promise him
industry.

“With some of them,” complained Mr. Lott, in a tone of bitterness, “it's
nothing but play, girls, gadding about the streets. Work, business--oh,
no. I may go bankrupt; my wife and children may go into the workhouse.
No thought for me, the man that keeps them, feeds them, clothes them.
How much salary do you want?”

I hesitated. I gathered this was not a Cheeryble Brother; it would be
necessary to be moderate in one's demands. “Five-and-twenty shillings a
week,” I suggested.

He repeated the figure in a scream. “Five-and-twenty shillings for
writing like that! And can't spell commission! Don't know anything about
the business. Five-and-twenty!--Tell you what I'll do: I'll give you
twelve.”

“But I can't live on twelve,” I explained.

“Can't live on twelve! Do you know why? Because you don't know how to
live. I know you all. One veal and ham pie, one roley-poley, one Dutch
cheese and a pint of bitter.”

His recital made my mouth water.

“You overload your stomachs, then you can't work. Half the diseases you
young fellows suffer from are brought about by overeating.”

“Now, you take my advice,” continued Mr. Lott; “try vegetarianism. In
the morning, a little oatmeal. Wonderfully strengthening stuff, oatmeal:
look at the Scotch. For dinner, beans. Why, do you know there's
more nourishment in half a pint of lentil beans than in a pound of
beefsteak--more gluten. That's what you want, more gluten; no corpses,
no dead bodies. Why, I've known young fellows, vegetarians, who have
lived like fighting cocks on sevenpence a day. Seven times seven are
forty-nine. How much do you pay for your room?”

I told him.

“Four-and-a-penny and two-and-six makes six-and-seven. That leaves you
five and fivepence for mere foolery. Good God! what more do you want?”

“I'll take eighteen, sir,” I answered. “I can't really manage on less.”

“Very well, I won't beat you down,” he answered. “Fifteen shillings a
week.”

“I said eighteen,” I persisted.

“Well, and I said fifteen,” he retorted, somewhat indignant at the
quibbling. “That's splitting the difference, isn't it? I can't be fairer
than that.”

I dared not throw away the one opportunity that had occurred. Anything
was better than return to the Reading Rooms, and the empty days full of
despair. I accepted, and it was agreed that I should come the following
Monday morning.

“Nabbed?” was Minikin's enquiry on my return to the back office for my
hat.

I nodded.

“What's he wasting on you?”

“Fifteen shillings a week,” I whispered.

“Felt sure somehow that he'd take a liking to you,” answered Minikin.
“Don't be ungrateful and look thin on it.”

Outside the door I heard Mr. Lott's shrill voice demanding to know where
postage stamps were to be found.

“At the Post-office,” was Minikin's reply.

The hours were long--in fact, we had no office hours; we got away
when we could, which was rarely before seven or eight--but my work was
interesting. It consisted of buying for unfortunate clients in India or
the Colonies anything they might happen to want, from a stage coach to
a pot of marmalade; packing it and shipping it across to them. Our
“commission” was anything they could be persuaded to pay over and above
the value of the article. I was not much interfered with. There was that
to be said for Lott & Co., so long as the work was done he was quite
content to leave one to one's own way of doing it. And hastening through
the busy streets, bargaining in shop or warehouse, bustling important in
and out the swarming docks, I often thanked my stars that I was not as
some poor two-pound-a-week clerk chained to a dreary desk.

The fifteen shillings a week was a tight fit; but that was not my
trouble. Reduce your denominator--you know the quotation. I found it no
philosophical cant, but a practical solution of life. My food cost me
on the average a shilling a day. If more of us limited our commissariat
bill to the same figure, there would be less dyspepsia abroad. Generally
I cooked my own meals in my own frying-pan; but occasionally I would
indulge myself with a more orthodox dinner at a cook shop, or tea with
hot buttered toast at a coffee-shop; and but for the greasy table-cloth
and the dirty-handed waiter, such would have been even greater
delights. The shilling a week for amusements afforded me at least one,
occasionally two, visits to the theatre, for in those days there were
Paradises where for sixpence one could be a god. Fourpence a week on
tobacco gave me half-a-dozen cigarettes a day; I have spent more on
smoke and derived less satisfaction. Dress was my greatest difficulty.
One anxiety in life the poor man is saved: he knows not the haunting
sense of debt. My tailor never dunned me. His principle was half-a-crown
down on receipt of order, the balance on the handing over of the goods.
No system is perfect; the method avoided friction, it is true; yet
on the other hand it was annoying to be compelled to promenade, come
Sundays, in shiny elbows and frayed trousers, knowing all the while
that finished, waiting, was a suit in which one might have made one's
mark--had only one shut one's eyes passing that pastry-cook's window on
pay-day. Surely there should be a sumptuary law compelling pastry-cooks
to deal in cellars or behind drawn blinds.

Were it because of its mere material hardships that to this day I think
of that period of my life with a shudder, I should not here confess to
it. I was alone. I knew not a living soul to whom I dared to speak, who
cared to speak to me. For those first twelve months after my mother's
death I lived alone, thought alone, felt alone. In the morning, during
the busy day, it was possible to bear; but in the evenings the sense
of desolation gripped me like a physical pain. The summer evenings
came again, bringing with them the long, lingering light so laden with
melancholy. I would walk into the Parks and, sitting there, watch with
hungry eyes the men and women, boys and girls, moving all around me,
talking, laughing, interested in one another; feeling myself some
speechless ghost, seeing but not seen, crying to the living with a voice
they heard not. Sometimes a solitary figure would pass by and glance
back at me; some lonely creature like myself longing for human sympathy.
In the teeming city must have been thousands such--young men and women
to whom a friendly ear, a kindly voice, would have been as the water of
life. Each imprisoned in his solitary cell of shyness, we looked at one
another through the grating with condoling eyes; further than that
was forbidden to us. Once, in Kensington Gardens, a woman turned, then
slowly retracing her steps, sat down beside me on the bench. Neither of
us spoke; had I done so she would have risen and moved away; yet there
was understanding between us. To each of us it was some comfort to sit
thus for a little while beside the other. Had she poured out her heart
to me, she could have told me nothing more than I knew: “I, too, am
lonely, friendless; I, too, long for the sound of a voice, the touch of
a hand. It is hard for you, it is harder still for me, a girl; shut out
from the bright world that laughs around me; denied the right of
youth to joy and pleasure; denied the right of womanhood to love and
tenderness.”

The footsteps to and fro grew fewer. She moved to rise. Stirred by an
impulse, I stretched out my hand, then seeing the flush upon her face,
drew it back hastily. But the next moment, changing her mind, she held
hers out to me, and I took it. It was the first clasp of a hand I had
felt since six months before I had said good-bye to Hal. She turned and
walked quickly away. I stood watching her; she never looked round, and I
never saw her again.

I take no credit to myself for keeping straight, as it is termed, during
these days. For good or evil, my shyness prevented my taking part in the
flirtations of the streets. Whether inviting eyes were ever thrown to me
as to others, I cannot say. Sometimes, fancying so--hoping so, I would
follow. Yet never could I summon up sufficient resolution to face the
possible rebuff before some less timid swain would swoop down upon the
quarry. Then I would hurry on, cursing myself for the poorness of my
spirit, fancying mocking contempt in the laughter that followed me.

On a Sunday I would rise early and take long solitary walks into the
country. One winter's day--I remember it was on the road between Edgware
and Stanmore--there issued from a by-road a little ahead of me a party
of boys and girls, young people about my own age, bound evidently on
a skating expedition. I could hear the musical ring of their blades,
clattering as they walked, and the sound of their merry laughter so
clear and bell-like through the frosty air. And an aching anguish fell
upon me. I felt a mad desire to run after them, to plead with them to
let me walk with them a little way, to let me laugh and talk with them.
Every now and then they would pirouette to cry some jest to one another.
I could see their faces: the girls' so sweetly alluring, framed by their
dainty hats and furs, the bright colour in their cheeks, the light
in their teasing eyes. A little further on they turned aside into a
by-lane, and I stood at the corner listening till the last echo of their
joyous voices died away, and on a stone that still remains standing
there I sat down and sobbed.

I would walk about the streets always till very late. I dreaded the
echoing clang of the little front door when I closed it behind me, the
climbing of the silent stairs, the solitude that waited for me in my
empty room. It would rise and come towards me like some living thing,
kissing me with cold lips. Often, unable to bear the closeness of its
presence, I would creep out into the streets. There, even though it
followed me, I was not alone with it. Sometimes I would pace them the
whole night, sharing them with the other outcasts while the city slept.

Occasionally, during these nightly wanderings would come to me moments
of exaltation when fear fell from me and my blood would leap with joy at
prospect of the fierce struggle opening out before me. Then it was the
ghostly city sighing round me that seemed dead, I the only living thing
real among a world of shadows. In long, echoing streets I would laugh
and shout. Misunderstanding policemen would turn their bull's-eyes on
me, gruffly give me practical advice: they knew not who I was! I stood
the centre of a vast galanty-show: the phantom houses came and went;
from some there shone bright lights; the doors were open, and little
figures flitted in and out, the tiny coaches glided to and fro, manikins
grotesque but pitiful crept across the star-lit curtain.

Then the mood would change. The city, grim and vast, stretched round
me endless. I crawled, a mere atom, within its folds, helpless,
insignificant, absurd. The houseless forms that shared my vigil were
my fellows. What were we? Animalcule upon its bosom, that it saw not,
heeded not. For company I would mingle with them: ragged men, frowsy
women, ageless youths, gathered round the red glow of some coffee stall.

Rarely would we speak to one another. More like animals we browsed
there, sipping the halfpenny cup of hot water coloured with coffee
grounds (at least it was warm), munching the moist slab of coarse cake;
looking with dull, indifferent eyes each upon the wretchedness of
the others. Perhaps some two would whisper to each other in listless,
monotonous tone, broken here and there by a short, mirthless laugh; some
shivering creature, not yet case-hardened to despair, seek, perhaps,
the relief of curses that none heeded. Later, a faint chill breeze would
shake the shadows loose, a thin, wan light streak the dark air with
shade, and silently, stealthily, we would fade away and disappear.




CHAPTER II.

PAUL, ESCAPING FROM HIS SOLITUDE, FALLS INTO STRANGE COMPANY. AND
BECOMES CAPTIVE TO ONE OF HAUGHTY MIEN.

All things pass, even the self-inflicted sufferings of shy young men,
condemned by temperament to solitude. Came the winter evenings, I took
to work: in it one may drown much sorrow for oneself. With its handful
of fire, its two candles lighted, my “apartment” was more inviting.
I bought myself paper, pens and ink. Great or small, what more can a
writer do? He is but the would-be medium: will the spirit voices employ
him or reject him?

London, with its million characters, grave and gay; its ten thousand
romances, its mysteries, its pathos, and its humour, lay to my hand. It
stretched before me, asking only intelligent observation, more or less
truthful report. But that I could make a story out of the things I
really knew never occurred to me. My tales were of cottage maidens, of
bucolic yeomen. My scenes were laid in windmills, among mountains, or in
moated granges. I fancy this phase of folly is common to most youthful
fictionists.

A trail of gentle melancholy lay over them. Sentiment was more popular
then than it is now, and, as do all beginners, I scrupulously followed
fashion. Generally speaking, to be a heroine of mine was fatal. However
naturally her hair might curl--and curly hair, I believe, is the
hall-mark of vitality; whatever other indications of vigorous health she
might exhibit in the first chapter, such as “dancing eyes,” “colour
that came and went,” “ringing laughter,” “fawn-like agility,” she was
tolerably certain, poor girl, to end in an untimely grave. Snowdrops and
early primroses (my botany I worked up from a useful little volume, “Our
Garden Favourites, Illustrated”) grew there as in a forcing house; and
if in the neighbourhood of the coast, the sea-breezes would choose
that particular churchyard, somewhat irreverently, for their favourite
playground. Years later a white-haired man would come there leading
little children by the hand, and to them he would tell the tale anew,
which must have been a dismal entertainment for them.

Now and then, by way of change, it would be the gentleman who would
fall a victim of the deadly atmosphere of my literature. It was of
no particular consequence, so he himself would conclude in his last
soliloquy; “it was better so.” Snowdrops and primroses, for whatever
consolation they might have been to him, it was hopeless for him to
expect; his grave, marked by a rude cross, being as a rule situate in an
exceptionally unfrequented portion of the African veldt or amid burning
sands. For description of final scenery on these occasions a visit to
the British Museum reading-room would be necessary.

Dismal little fledgelings! And again and again would I drive them from
the nest; again and again they fluttered back to me, soiled, crumpled,
physically damaged. Yet one person had admired them, cried over
them--myself.

All methods I tried. Sometimes I would send them forth accompanied by
a curt business note of the take-it-or-leave-it order. At other times I
would attach to it pathetic appeals for its consideration. Sometimes
I would give value to it, stating that the price was five guineas and
requesting that the cheque should be crossed; at other times seek to
tickle editorial cupidity by offering this, my first contribution to
their pages, for nothing--my sample packet, so to speak, sent gratis,
one trial surely sufficient. Now I would write sarcastically, enclosing
together with the stamped envelope for return a brutally penned note of
rejection. Or I would write frankly, explaining elaborately that I was a
beginner, and asking to be told my faults--if any.

Not one found a resting place for its feet. A month, a week, a couple of
days, they would remain away from me, then return. I never lost a single
one. I wished I had. It would have varied the monotony.

I hated the poor little slavey who, bursting joyously into the room,
would hold them out to me from between her apron-hidden thumb and
finger; her chronic sniff I translated into contempt. If flying down the
stairs at the sound of the postman's knock I secured it from his hands,
it seemed to me he smiled. Tearing them from their envelopes, I would
curse them, abuse them, fling them into the fire sometimes; but before
they were more than scorched I would snatch them out, smooth them,
reread them. The editor himself could never have seen them; it was
impossible; some jealous underling had done this thing. I had sent them
to the wrong paper. They had arrived at the inopportune moment. Their
triumph would come. Rewriting the first and last sheets, I would send
them forth again with fresh hope.

Meanwhile, understanding that the would-be happy warrior must shine in
camp as well as field, I sought to fit myself also for the social side
of life. Smoking and drinking were the twin sins I found most difficulty
in acquiring. I am not claiming a mental excellence so much as
confessing a bodily infirmity. The spirit had always been willing, but
my flesh was weak. Fired by emulation, I had at school occasionally
essayed a cigarette. The result had been distinctly unsatisfactory, and
after some two or three attempts, I had abandoned, for the time being,
all further endeavour; excusing my faint-heartedness by telling myself
with sanctimonious air that smoking was bad for growing boys; attempting
to delude myself by assuming, in presence of contemporaries of stronger
stomach, fine pose of disapproval; yet in my heart knowing myself a
young hypocrite, disguising physical cowardice in the robes of moral
courage: a self-deception to which human nature is prone.

So likewise now and again I had tasted the wine that was red, and that
stood year in, year out, decanted on our sideboard. The true
inwardness of St. Paul's prescription had been revealed to me; the
attitude--sometimes sneered at--of those who drink it under doctor's
orders, regarding it purely as a medicine, appeared to me reasonable.
I had noticed also that others, some of them grown men even, making wry
faces, when drinking my mother's claret, and had concluded therefrom
that taste for strong liquor was an accomplishment less easily acquired
than is generally supposed. The lack of it in a young man could be no
disgrace, and accordingly effort in that direction also had I weakly
postponed.

But now, a gentleman at large, my education could no longer be delayed.
To the artist in particular was training--and severe training--an
absolute necessity. Recently fashion has changed somewhat, but a quarter
of a century ago a genius who did not smoke and drink--and that more
than was good for him--would have been dismissed without further
evidence as an impostor. About the genius I was hopeful, but at no time
positively certain. As regarded the smoking and drinking, so much at
least I could make sure of. I set to work methodically, conscientiously.
Smoking, experience taught me, was better practised on Saturday nights,
Sunday affording me the opportunity of walking off the effects. Patience
and determination were eventually crowned with success: I learned to
smoke a cigarette to all appearance as though I were enjoying it. Young
men of less character might here have rested content, but attainment
of the highest has always been with me a motive force. The cigarette
conquered, I next proceeded to attack the cigar. My first one I remember
well: most men do. It was at a smoking concert held in the Islington
Drill Hall, to which Minikin had invited me. Not feeling sure whether my
growing dizziness were due solely to the cigar, or in part to the hot,
over-crowded room, I made my excuses and slipped out. I found myself in
a small courtyard, divided from a neighbouring garden by a low wall. The
cause of my trouble was clearly the cigar. My inclination was to take it
from my mouth and see how far I could throw it. Conscience, on the other
hand, urged me to persevere. It occurred to me that if climbing on to
the wall I could walk along it from end to end, there would be no excuse
for my not heeding the counsels of perfection. If, on the contrary, try
as I might, the wall proved not wide enough for my footsteps, then I
should be entitled to lose the beastly thing, and, as best I could,
make my way home to bed. I attained the wall with some difficulty and
commenced my self-inflicted ordeal. Two yards further I found
myself lying across the wall, my legs hanging down one side, my head
overhanging the other. The position proving suitable to my requirements,
I maintained it. Inclination, again seizing its opportunity, urged me
then and there to take a solemn vow never to smoke again. I am proud
to write that through that hour of temptation I remained firm;
strengthening myself by whispering to myself: “Never despair. What
others can do, so can you. Is not all victory won through suffering?”

A liking for drink I had found, if possible, even yet more difficult of
achievement. Spirits I almost despaired of. Once, confusing bottles, I
drank some hair oil in mistake for whiskey, and found it decidedly less
nauseous. But twice a week I would force myself to swallow a glass of
beer, standing over myself insisting on my draining it to the bitter
dregs. As reward afterwards, to take the taste out of my mouth, I
would treat myself to chocolates; at the same time comforting myself
by assuring myself that it was for my good, that there would come a day
when I should really like it, and be grateful to myself for having been
severe with myself.

In other and more sensible directions I sought also to progress.
Gradually I was overcoming my shyness. It was a slow process. I found
the best plan was not to mind being shy, to accept it as part of my
temperament, and with others laugh at it. The coldness of an indifferent
world is of service in hardening a too sensitive skin. The gradual
rubbings of existence were rounding off my many corners. I became
possible to my fellow creatures, and they to me. I began to take
pleasure in their company.

By directing me to this particular house in Nelson Square, Fate had
done to me a kindness. I flatter myself we were an interesting menagerie
gathered together under its leaky roof. Mrs. Peedles, our landlady, who
slept in the basement with the slavey, had been an actress in Charles
Keane's company at the old Princess's. There, it is true, she had played
only insignificant parts. London, as she would explain to us was even
then but a poor judge of art, with prejudices. Besides an actor-manager,
hampered by a wife--we understood. But previously in the Provinces there
had been a career of glory: Juliet, Amy Robsart, Mrs. Haller in “The
Stranger”--almost the entire roll of the “Legitimates”. Showed we any
signs of disbelief, proof was forthcoming: handbills a yard long, rich
in notes of exclamation: “On Tuesday Evening! By Special Desire!!!
Blessington's Theatre! In the Meadow, adjoining the Falcon Arms!”--“On
Saturday! Under the Patronage of Col. Sir William and the Officers of
the 74th!!!! In the Corn Exchange!” Maybe it would convince us further
were she to run through a passage here and there, say Lady Macbeth's
sleep-walking scene, or from Ophelia's entrance in the fourth act? It
would be no trouble; her memory was excellent. We would hasten to assure
her of our perfect faith.

Listening to her, it was difficult, as she herself would frankly admit,
to imagine her the once “arch Miss Lucretia Barry;” looking at her, to
remember there had been an evening when she had been “the cynosure of
every eye.” One found it necessary to fortify oneself with perusal of
underlined extracts from ancient journals, much thumbed and creased,
thoughtfully lent to one for the purpose. Since those days Fate had
woven round her a mantle of depression. She was now a faded, watery-eyed
little woman, prone on the slightest provocation to sit down suddenly on
the nearest chair and at once commence a history of her troubles. Quite
unconscious of this failing, it was an idea of hers that she was an
exceptionally cheerful person.

“But there, fretting's no good. We must grin and bear things in this
world,” she would conclude, wiping her eyes upon her apron. “It's better
to laugh than to cry, I always say.” And to prove that this was no mere
idle sentiment, she would laugh then and there upon the spot.

Much stair-climbing had bestowed upon her a shortness of breath, which
no amount of panting in her resting moments was able to make good.

“You don't know 'ow to breathe,” explained our second floor front to
her on one occasion, a kindly young man; “you don't swallow it, you
only gargle with it. Take a good draught and shut your mouth; don't
be frightened of it; don't let it out again till it's done something:
that's what it's 'ere for.”

He stood over her with his handkerchief pressed against her mouth to
assist her; but it was of no use.

“There don't seem any room for it inside me,” she explained.

Bells had become to her the business of life; she lived listening
for them. Converse to her was a filling in of time while waiting for
interruptions.

A bottle of whiskey fell into my hands that Christmas time, a present
from a commercial traveller in the way of business. Not liking whiskey
myself, it was no sacrifice for me to reserve it for the occasional
comfort of Mrs. Peedles, when, breathless, with her hands to her side,
she would sink upon the chair nearest to my door. Her poor, washed-out
face would lighten at the suggestion.

“Ah, well,” she would reply, “I don't mind if I do. It's a poor heart
that never rejoices.”

And then, her tongue unloosened, she would sit there and tell me stories
of my predecessors, young men lodgers who like myself had taken her
bed-sitting-rooms, and of the woes and misfortunes that had overtaken
them. I gathered that a more unlucky house I could not have selected.
A former tenant of my own room, of whom I strangely reminded her, had
written poetry on my very table. He was now in Portland doing five years
for forgery. Mrs. Peedles appeared to regard the two accomplishments as
merely different expressions of the same art. Another of her young men,
as she affectionately called us, had been of studious ambition. His
career up to a point appeared to have been brilliant. “What he mightn't
have been,” according to Mrs. Peedles, there was practically no saying;
what he happened to be at the moment of conversation was an unpromising
inmate of the Hanwell lunatic asylum.

“I've always noticed it,” Mrs. Peedles would explain; “it's always the
most deserving, those that try hardest, to whom trouble comes. I'm sure
I don't know why.”

I was glad on the whole when that bottle of whiskey was finished. A
second might have driven me to suicide.

There was no Mr. Peedles--at least, not for Mrs. Peedles, though as an
individual he continued to exist. He had been “general utility” at
the Princess's--the old terms were still in vogue at that time--a fine
figure of a man in his day, so I was given to understand, but one easily
led away, especially by minxes. Mrs. Peedles spoke bitterly of general
utilities as people of not much use.

For working days Mrs. Peedles had one dress and one cap, both black
and void of ostentation; but on Sundays and holidays she would appear
metamorphosed. She had carefully preserved the bulk of her stage
wardrobe, even to the paste-decked shoes and tinsel jewelry. Shapeless
in classic garb as Hermia, or bulgy in brocade and velvet as Lady
Teazle, she would receive her few visitors on Sunday evenings, discarded
puppets like herself, with whom the conversation was of gayer nights
before their wires had been cut; or, her glory hid from the ribald
street beneath a mackintosh, pay her few calls. Maybe it was the unusual
excitement that then brought colour into her furrowed cheeks, that
straightened and darkened her eyebrows, at other times so singularly
unobtrusive. Be this how it may, the change was remarkable, only
the thin grey hair and the work-worn hands remaining for purposes of
identification. Nor was the transformation merely one of surface.
Mrs. Peedles hung on her hook behind the kitchen door, dingy, limp,
discarded; out of the wardrobe with the silks and satins was lifted down
to be put on as an undergarment Miss Lucretia Barry, like her costumes
somewhat aged, somewhat withered, but still distinctly “arch.”

In the room next to me lived a law-writer and his wife. They were very
old and miserably poor. The fault was none of theirs. Despite copy-books
maxims, there is in this world such a thing as ill-luck-persistent,
monotonous, that gradually wears away all power of resistance. I
learned from them their history: it was hopelessly simple, hopelessly
uninstructive. He had been a schoolmaster, she a pupil teacher; they had
married young, and for a while the world had smiled upon them. Then came
illness, attacking them both: nothing out of which any moral could be
deduced, a mere case of bad drains resulting in typhoid fever. They had
started again, saddled by debt, and after years of effort had succeeded
in clearing themselves, only to fall again, this time in helping a
friend. Nor was it even a case of folly: a poor man who had helped them
in their trouble, hardly could they have done otherwise without proving
themselves ungrateful. And so on, a tedious tale, commonplace, trivial.
Now listless, patient, hard working, they had arrived at an animal-like
indifference to their fate, content so long as they could obtain the
bare necessities of existence, passive when these were not forthcoming,
their interest in life limited to the one luxury of the poor--an
occasional glass of beer or spirits. Often days would go by without
his obtaining any work, and then they would more or less starve. Law
documents are generally given out to such men in the evening, to be
returned finished the next morning. Waking in the night, I would hear
through the thin wooden partition that divided our rooms the even
scratching of his pen.

Thus cheek by jowl we worked, I my side of the screen, he his: youth and
age, hope and realisation.

Out of him my fears fashioned a vision of the future. Past his door I
would slink on tiptoe, dread meeting him upon the stairs. Once had not
he said to himself: “The world's mine oyster?” May not the voices of the
night have proclaimed him also king? Might I not be but an idle dreamer,
mistaking desire for power? Would not the world prove stronger than I?
At such times I would see my life before me: the clerkship at thirty
shillings a week rising by slow instalments, it may be, to one hundred
and fifty a year; the four-roomed house at Brixton; the girl wife,
pretty, perhaps, but sinking so soon into the slatternly woman; the
squalling children. How could I, unaided, expect to raise myself from
the ruck? Was not this the more likely picture?

Our second floor front was a young fellow in the commercial line. Jarman
was Young London personified--blatant yet kind-hearted; aggressively
self-assertive, generous to a fault; cunning, yet at the same time
frank; shrewd, cheery, and full of pluck. “Never say die” was his motto,
and anything less dead it would be difficult to imagine. All day long
he was noisy, and all night long he snored. He woke with a start, bathed
like a porpoise, sang while dressing, roared for his boots, and
whistled during his breakfast. His entrance and exit were always to an
orchestration of banging doors, directions concerning his meals shouted
at the top of his voice as he plunged up or down the stairs, the
clattering and rattling of brooms and pails flying before his feet. His
departure always left behind it the suggestion that the house was now to
let; it came almost as a shock to meet a human being on the landing. He
would have conveyed an atmosphere of bustle to the Egyptian pyramids.

Sometimes carrying his own supper-tray, arranged for two, he would march
into my room. At first, resenting his familiarity, I would hint at my
desire to be alone, would explain that I was busy.

“You fire away, Shakespeare Redivivus,” he would reply. “Don't delay the
tragedy. Why should London wait? I'll keep quiet.”

But his notion of keeping quiet was to retire into a corner and there
amuse himself by enacting a tragedy of his own in a hoarse whisper,
accompanied by appropriate gesture.

“Ah, ah!” I would hear him muttering to himself, “I 'ave killed 'er good
old father; I 'ave falsely accused 'er young man of all the crimes that
I 'ave myself committed; I 'ave robbed 'er of 'er ancestral estates. Yet
she loves me not! It is streeange!” Then changing his bass to a shrill
falsetto: “It is a cold and dismal night: the snow falls fast. I will
leave me 'at and umbrella be'ind the door and go out for a walk with the
chee-ild. Aha! who is this? 'E also 'as forgotten 'is umbrella. Ah, now
I know 'im in the pitch dark by 'is cigarette! Villain, murderer, silly
josser! it is you!” Then with lightning change of voice and gesture:
“Mary, I love yer!” “Sir Jasper Murgatroyd, let me avail myself of this
opportunity to tell you what I think of you--” “No, no; the 'ouses close
in 'alf an hour; there is not tee-ime. Fly with me instead!” “Never!
Un'and me!” “'Ear me! Ah, what 'ave I done? I 'ave slipped upon a piece
of orange peel and broke me 'ead! If you will kindly ask them to turn
off the snow and give me a little moonlight, I will confess all.”

Finding it (much to Jarman's surprise) impossible to renew the thread of
my work, I would abandon my attempts at literature, and instead listen
to his talk, which was always interesting. His conversation was, it is
true, generally about himself, but it was none the less attractive on
that account. His love affairs, which appeared to be numerous, formed
his chief topic. There was no reserve about Jarman: his life contained
no secret chambers. What he “told her straight,” what she “up and said
to him” in reply was for all the world that cared to hear. So far his
search after the ideal had met with but ill success.

“Girls,” he would say, “they're all alike, till you know 'em. So long as
they're trying to palm themselves off on yer, they'll persuade you
there isn't such another article in all the market. When they've got yer
order--ah, then yer find out what they're really made of. And you take
it from me, 'Omer Junior, most of 'em are put together cheap. Bah!
it sickens me sometimes to read the way you paper-stainers talk about 'em
--angels, goddesses, fairies! They've just been getting at yer. You're
giving 'em just the price they're asking without examining the article.
Girls ain't a special make, like what you seem to think 'em. We're all
turned out of the same old slop shop.”

“Not that I say, mind yer,” he would continue, “that there are none of
the right sort. They're to be 'ad--real good 'uns. All I say is, taking
'em at their own valuation ain't the way to do business with 'em.”

What he was on the look out for--to quote his own description--was a
really first class article, not something from which the paint would
come off almost before you got it home.

“They're to be found,” he would cheerfully affirm, “but you've got to
look for 'em. They're not the sort that advertises.”

Behind Jarman in the second floor back resided one whom Jarman had
nicknamed “The Lady 'Ortensia.” I believe before my arrival there had
been love passages between the two; but neither of them, so I gathered,
had upon closer inspection satisfied the other's standard. Their present
attitude towards each other was that of insult thinly veiled under
exaggerated politeness. Miss Rosina Sellars was, in her own language,
a “lady assistant,” in common parlance, a barmaid at the Ludgate Hill
Station refreshment room. She was a large, flabby young woman. With less
powder, her complexion might by admirers have been termed creamy; as it
was, it presented the appearance rather of underdone pastry. To be on
all occasions “quite the lady” was her pride. There were those who held
the angle of her dignity to be exaggerated. Jarman would beg her for her
own sake to be more careful lest one day she should fall down backwards
and hurt herself. On the other hand, her bearing was certainly
calculated to check familiarity. Even stockbrokers' clerks--young men
as a class with the bump of reverence but poorly developed--would in her
presence falter and grow hesitating. She had cultivated the art of
not noticing to something approaching perfection. She could draw the
noisiest customer a glass of beer, which he had never ordered; exchange
it for three of whiskey, which he had; take his money and return him his
change without ever seeing him, hearing him, or knowing he was there. It
shattered the self-assertion of the youngest of commercial travellers.
Her tone and manner, outside rare moments of excitement, were suggestive
of an offended but forgiving iceberg. Jarman invariably passed her with
his coat collar turned up to his ears, and even thus protected might
have been observed to shiver. Her stare, in conjunction with her “I beg
your pardon!” was a moral douche that would have rendered apologetic and
explanatory Don Juan himself.

To me she was always gracious, which by contrast to her general attitude
towards my sex of studied disdain, I confess flattered me. She was good
enough to observe to Mrs. Peedles, who repeated it to me, that I was the
only gentleman in the house who knew how to behave himself.

The entire first floor was occupied by an Irishman and--they never
minced the matter themselves, so hardly is there need for me to do so.
She was a charming little dark-eyed woman, an ex-tight-rope dancer, and
always greatly offended Mrs. Peedles by claiming Miss Lucretia Barry as
a sister artiste.

“Of course I don't know how it may be now,” would reply Mrs. Peedles,
with some slight asperity; “but in my time we ladies of the legitimate
stage used to look down upon dancers and such sort. Of course, no
offence to you, Mrs. O'Kelly.”

Neither of them was in the least offended.

“Sure, Mrs. Peedles, ye could never have looked down upon the Signora,”
 the O'Kelly would answer laughing. “Ye had to lie back and look up to
her. Why, I've got the crick in me neck to this day!”

“Ah! my dear, and you don't know how nervous I was when glancing down
I'd see his handsome face just underneath me, thinking that with one
false step I might spoil it for ever,” would reply the Signora.

“Me darling! I'd have died happy, just smothered in loveliness!” would
return the O'Kelly; and he and the Signora would rush into each other's
arms, and the sound of their kisses would quite excite the little slavey
sweeping down the stairs outside.

He was a barrister attached in theory to the Western Circuit; in
practice, somewhat indifferent to it, much more attached to the lower
strata of Bohemia and the Signora. At the present he was earning all
sufficient for the simple needs of himself and the Signora as a teacher
of music and singing. His method was simple and suited admirably the
locality. Unless specially requested, he never troubled his pupils with
such tiresome things as scales and exercises. His plan was to discover
the song the young man fancied himself singing, the particular jingle
the young lady yearned to knock out of the piano, and to teach it to
them. Was it “Tom Bowling?” Well and good. Come on; follow your leader.
The O'Kelly would sing the first line.

“Now then, try that. Don't be afraid. Just open yer mouth and gave it
tongue. That's all right. Everything has a beginning. Sure, later on,
we'll get the time and tune, maybe a little expression.”

Whether the system had any merit in it, I cannot answer. Certain it was
that as often as not it achieved success. Gradually--say, by the end
of twelve eighteen-penny lessons--out of storm and chaos “Tom Bowling”
 would emerge, recognisable for all men to hear. Had the pupil any voice
to start with, the O'Kelly improved it; had he none, the O'Kelly would
help him to disguise the fact.

“Take it easy, now; take it easy,” the O'Kelly would counsel. “Sure,
it's a delicate organ, yer voice. Don't ye strain it now. Ye're at yer
best when ye're just low and sweet.”

So also with the blushing pianiste. At the end of a month a tune was
distinctly discernible; she could hear it herself, and was happy. His
repute spread.

Twice already had he eloped with the Signora (and twice again was he
to repeat the operation, before I finally lost sight of him: to break
oneself of habit is always difficult) and once by well-meaning friends
had he been induced to return to home, if not to beauty. His wife, who
was considerably older than himself, possessed, so he would inform
me with tears in his eyes, every moral excellence that should attract
mankind. Upon her goodness and virtue, her piety and conscientiousness
he would descant to me by the half hour. His sincerity it was impossible
to question. It was beyond doubt that he respected her, admired her,
honoured her. She was a saint, an angel--a wretch, a villain such as he,
was not fit to breathe the same pure air. To do him justice, it must
be admitted he showed no particular desire to do so. As an aunt or
grandmother, I believe he would have suffered her gladly. He had nothing
to say against her, except that he found himself unable to live with
her.

That she must have been a lady of exceptional merit one felt convinced.
The Signora, who had met her only once, and then under somewhat trying
conditions, spoke her praises with equal enthusiasm. Had she, the
Signora, enjoyed the advantage of meeting such a model earlier, she,
the Signora, might have been a better woman. It seemed a pity the
introduction could not have taken place sooner and under different
circumstances. Could they both have adopted her as a sort of mutual
mother-in-law, it would have given them, I am positive, the greatest
satisfaction. On her occasional visits they would have vied with each
other in showing her affectionate attention. For the deserted lady I
tried to feel sorry, but could not avoid the reflection that it
would have been better for all parties had she been less patient and
forgiving. Her husband was evidently much more suited to the Signora.

Indeed, the relationship between these two was more a true marriage than
one generally meets with. No pair of love-birds could have been more
snug together. In their virtues and failings alike they fitted each
other. When sober the immorality of their behaviour never troubled them;
in fact, when sober nothing ever troubled them. They laughed, joked,
played through life, two happy children. To be shocked at them was
impossible. I tried it and failed.

But now and again there came an evening when they were not sober. It
happened when funds were high. On such occasion the O'Kelly would return
laden with bottles of a certain sweet champagne, of which they were both
extremely fond; and a friend or two would be invited to share in the
festivity. Whether any exceptional quality resided in this particular
brand of champagne I am not prepared to argue; my own personal
experience of it has prompted me to avoid it for the rest of my life.
Its effect upon them was certainly unique. Instead of intoxicating them,
it sobered them: there is no other way of explaining it. With the third
or fourth glass they began to take serious views of life. Before the end
of the second bottle they would be staring at each other, appalled
at contemplation of their own transgression. The Signora, the tears
streaming down her pretty face, would declare herself a wicked, wicked
woman; she had dragged down into shame the most blameless, the most
virtuous of men. Emptying her glass, she would bury her face in her
hands, and with her elbows on her knees, in an agony of remorse, sit
rocking to and fro. The O'Kelly, throwing himself at her feet, would
passionately abjure her to “look up.” She had, it appeared, got hold of
the thing at the wrong end; it was he who had dragged her down.

At this point metaphor would become confused. Each had been dragged
down by the other one and ruined; also each one was the other one's good
angel. All that was commendable in the Signora, she owed to the O'Kelly.
Whatever was not discreditable about the O'Kelly was in the nature of a
loan from the Signora. With the help of more champagne the right course
would grow plain to them. She would go back broken-hearted but repentant
to the tight-rope; he would return a better but a blighted man to
Mrs. O'Kelly and the Western Circuit. This would be their last evening
together on earth. A fresh bottle would be broached, and the guest or
guests called upon to assist in the ceremony of renunciation; glasses
full to the brim this time.

So much tragedy did they continue to instil into the scene that on the
first occasion of my witnessing it I was unable to refrain from mingling
my tears with theirs. As, however, the next morning they had forgotten
all about it, and as nothing came of it, nor of several subsequent
repetitions, I should have believed a separation between them impossible
but that even while I was an inmate of the house the thing actually
happened.

It came about in this wise. His friends, having discovered him, had
pointed out to him again his duty. The Signora--a really excellent
little woman so far as intention was concerned--had seconded their
endeavours, with the result that on a certain evening in autumn we of
the house assembled all of us on the first floor to support them on the
occasion of their final--so we all deemed it then--leave-taking. For
eleven o'clock two four-wheeled cabs had been ordered, one to transport
the O'Kelly with his belongings to Hampstead and respectability; in the
other the Signora would journey sorrowfully to the Tower Basin, there to
join a circus company sailing for the Continent.

I knocked at the door some quarter of an hour before the appointed hour
of the party. I fancy the idea had originated with the Signora.

“Dear Willie has something to say to you,” she had informed me that
morning on the stairs. “He has taken a sincere liking to you, and it is
something very important.”

They were sitting one each side the fireplace, looking very serious; a
bottle of the sobering champagne stood upon the table. The Signora rose
and kissed me gravely on the brow; the O'Kelly laid both hands upon my
shoulders, and sat me down on a chair between them.

“Mr. Kelver,” said the Signora, “you are very young.”

I hinted--it was one of those rare occasions upon which gallantry can be
combined with truth--that I found myself in company.

The Signora smiled sadly, and shook her head.

“Age,” said the O'Kelly, “is a matter of feeling. Kelver, may ye never
be as old as I am feeling now.”

“As _we_ are feeling,” corrected the Signora. “Kelver,” said the
O'Kelly, pouring out a third glass of champagne, “we want ye to promise
us something.”

“It will make us both happier,” added the Signora.

“That ye will take warning,” continued the O'Kelly, “by our wretched
example. Paul, in this world there is only one path to possible
happiness. The path of strict--” he paused.

“Propriety,” suggested the Signora.

“Of strict propriety,” agreed the O'Kelly. “Deviate from it,” continued
the O'Kelly, impressively, “and what is the result?”

“Unutterable misery,” supplied the Signora.

“Ye think we two have been happy here together,” said the O'Kelly.

I replied that such was the conclusion to which observation had directed
me.

“We tried to appear so,” explained the Signora; “it was merely on the
outside. In reality all the time we hated each other. Tell him, Willie,
dear, how we have hated each other.”

“It is impossible,” said the O'Kelly, finishing and putting down his
glass, “to give ye any idea, Kelver, how we have hated each other.”

“How we have quarrelled!” said the Signora. “Tell him, dear, how we have
quarrelled.”

“All day long and half the night,” concluded the O'Kelly.

“Fought,” added the Signora. “You see, Mr. Kelver, people in--in our
position always do. If it had been otherwise, if--if everything had been
proper, then of course we should have loved each other. As it is, it has
been a cat and dog existence. Hasn't it been a cat and dog existence,
Willie?”

“It's been just hell upon earth,” murmured the O'Kelly, with his eyes
fixed gloomily upon the fire-stove ornament. Deadly in earnest though
they both were, I could not repress a laugh, their excellent intention
was so obvious. The Signora burst into tears.

“He doesn't believe us,” she wailed.

“Me dear,” replied the O'Kelly, throwing up his part with promptness and
satisfaction, “how could ye expect it? How could he believe that any man
could look at ye and hate ye?”

“It's all my fault,” cried the little woman; “I am such a wicked
creature. I cannot even be miserable when I am doing wrong. A decent
woman in my place would have been wretched and unhappy, and made
everybody about her wretched and unhappy, and so have set a good example
and have been a warning. I don't seem to have any conscience, and I do
try.” The poor little lady was sobbing her heart out.

When not shy I could be sensible, and of the O'Kelly and the Signora one
could be no more shy than of a pair of robin redbreasts. Besides, I was
really fond of them; they had been very good to me.

“Dear Miss Beltoni,” I answered, “I am going to take warning by you
both.”

She pressed my hand. “Oh, do, please do,” she murmured. “We really have
been miserable--now and then.”

“I am never going to be content,” I assured her, “until I find a lady
as charming and as amiable as you, and if ever I get her I'll take good
care never to run any risk of losing her.”

It sounded well and pleased us all. The O'Kelly shook me warmly by the
hand, and this time spoke his real feelings.

“Me boy,” he said, “all women are good--for somebody. But the woman that
is good for yerself is better for ye than a better woman who's the best
for somebody else. Ye understand?”

I said I did.

At eight o'clock precisely Mrs. Peedles arrived--as Flora MacDonald, in
green velvet jacket and twelve to fifteen inches of plaid stocking. As
a topic fitting the occasion we discussed the absent Mr. Peedles and the
subject of deserted wives in general.

“A fine-looking man,” allowed Mrs. Peedles, “but weak--weak as water.”

The Signora agreed that unfortunately there did exist such men: 'twas
pitiful but true.

“My dear,” continued Mrs. Peedles, “she wasn't even a lady.”

The Signora expressed astonishment at the deterioration in Mr. Peedles'
taste thus implied.

“I won't go so far as to say we never had a difference,” continued Mrs.
Peedles, whose object appeared to be an impartial statement of the whole
case. “There may have been incompatability of temperament, as they say.
Myself, I have always been of a playful disposition--frivolous, some
might call me.”

The Signora protested; the O'Kelly declined to listen to such aspersion
on her character even from Mrs. Peedles herself.

Mrs. Peedles, thus corrected, allowed that maybe frivolous was too
sweeping an accusation: say sportive.

“But a good wife to him I always was,” asserted Mrs. Peedles, with a
fine sense of justice; “never flighty, like some of them. I challenge
any one to accuse me of having been flighty.”

We felt we should not believe any one who did, and told her so.

Mrs. Peedles, drawing her chair closer to the Signora, assumed a
confidential attitude. “If they want to go, let 'em go, I always say,”
 she whispered loudly into the Signora's ear. “Ten to one they'll find
they've only jumped out of the frying-pan into the fire. One can always
comfort oneself with that.”

There seemed to be confusion in the mind of Mrs. Peedles. Her virtuous
sympathies, I gathered, were with the Signora. Mr. O'Kelly's return
to Mrs. O'Kelly evidently manifested itself in the light of a shameful
desertion. Having regard to the fact, patent to all who knew him, that
the poor fellow was sacrificing every inclination to stern sense of
duty, such view of the matter was rough on him. But philosophers from
all ages have agreed that our good deeds are the whips with which Fate
punishes us for our bad.

“My dear,” continued Mrs. Peedles, “when Mr. Peedles left me I thought
that I should never smile again. Yet here you see me laughing away
through life, just as ever. You'll get over it all right.” And Mrs.
Peedles wiped away her tears and smiled upon the Signora; upon which the
Signora commenced to cry again.

Happily, timely diversion was made at this point by the bursting into
the room of Jarman, who upon perceiving Mrs. Peedles, at once gave vent
to a hoot, supposed to be expressive of Scottish joy, and without a
moment's hesitation commenced to dance a reel.

My neighbours of the first floor knocked at the door a little while
afterwards; and genteelly late arrived Miss Rosina Sellars, coldly
gleaming in a decollete but awe-inspiring costume of mingled black
and scarlet, out of which her fair, if fleshy, neck and arms shone
luxuriant.

We did not go into supper; instead, supper came into us from the
restaurant at the corner of the Blackfriars Road. I cannot say that at
first it was a festive meal. The O'Kelly and the Signora made effort,
as in duty bound, to be cheerful, but for awhile were somewhat
unsuccessful. The third floor front wasted no time in speech, but ate
and drank copiously. Miss Sellars, retaining her gloves--which was
perhaps wise, her hands being her weak point--signalled me out, much to
my embarrassment, as the recipient of her most polite conversation. Mrs.
Peedles became reminiscent of parties generally. Seeing that most of
Mrs. Peedles' former friends and acquaintances were either dead or in
more or less trouble, her efforts did not tend to enliven the table. One
gathering, of which the present strangely reminded her, was a funeral,
chiefly remarkable from discovery of the romantic fact, late in the
proceedings, that the gentleman in whose honour the whole affair had
been organised was not dead at all; but instead, having taken advantage
of an error arising out of a railway accident, was at the moment eloping
with the wife of his own chief mourner. As Mrs. Peedles explained,
and as one could well credit, it had been an awkward position for all
present. Nobody had quite known whether to feel glad or sorry--with the
exception of the chief mourner, upon whose personal undertaking that the
company might regard the ceremony as merely postponed, festivities came
to an end.

Our prop and stay from a convivial point of view was Jarman. As
a delicate attention to Mrs. Peedles and her costume he sunk
his nationality and became for the evening, according to his own
declaration, “a braw laddie.” With her--his “sonsie lassie,” so he
termed her--he flirted in the broadest, if not purest, Scotch. The
O'Kelly for him became “the Laird;” the third floor “Jamie o' the Ilk;”
 Miss Sellars, “the bonnie wee rose;” myself, “the chiel.” Periods of
silence were dispersed by suggestions that we should “hoot awa',” Jarman
himself setting us the example.

With the clearance away of the eatables, making room for the production
of a more varied supply of bottles, matters began to mend. Mrs. Peedles
became more arch, Jarman's Scotch more striking and extensive, the
Lady 'Ortensia's remarks less depressingly genteel, her aitches less
accentuated.

Jarman rose to propose the health of the O'Kelly, coupled with that of
the Signora. To the O'Kelly, in a burst of generosity, Jarman promised
our united patronage. To Jarman it appeared that by employing the
O'Kelly to defend us whenever we got into trouble with the police, and
by recommending him to our friends, a steady income should be assured to
him.

The O'Kelly replied feelingly to the effect that Nelson Square,
Blackfriars, would ever remain engraved upon his memory as the fairest
and brightest spot on earth. Personally, nothing would have given him
greater pleasure than to die among the dear friends who now surrounded
him. But there was such a thing as duty, and he and the Signora had come
to the conclusion that true happiness could only be obtained by acting
according to one's conscience, even if it made one miserable.

Jarman, warming to his work, then proposed the health of Mrs. Peedles,
as true-hearted and hard-breathing a lady as ever it had been his
privilege to know. Her talent for cheery conversation was familiar to us
all, upon it he need not enlarge; all he would say was that personally
never did she go out of his room without leaving him more cheerful than
when she entered it.

After that--I forget in what--we drank the health of the Lady 'Ortensia.
Persons there were--Jarman would not attempt to disguise the fact--who
complained that the Lady 'Ortensia was too distant, “too stand-offish.”
 With such complaint he himself had no sympathy; but tastes differed. If
the Lady 'Ortensia were inclined to be exclusive, who should blame her?
Everybody knew their own business best. For use in a second floor front
he could not honestly recommend the Lady 'Ortensia; it would not be
giving her a fair chance, and it would not be giving the second floor a
fair chance. But for any gentleman fitting up marble halls, for any one
on the lookout for a really “toney article,” Jarman would say: Inquire
for Miss Rosina Sellars, and see that you get her.

There followed my turn. There had been literary chaps in the past,
Jarman admitted so much. Against them he had nothing to say. They had no
doubt done their best. But the gentleman whose health Jarman wished the
company now to drink had this advantage over them: that they were
dead, and he wasn't. Some of this gentleman's work Jarman had read--in
manuscript; but that was a distinction purely temporary. He, Jarman,
claimed to be no judge of literature, but this he could and would say,
it took a good deal to make him miserable, yet this the literary efforts
of Mr. Kelver invariably accomplished.

Mrs. Peedles, speaking without rising, from personal observation in the
daytime--which she hoped would not be deemed a liberty; literature, even
in manuscript, being, so to speak, public property--found herself in a
position to confirm all that Mr. Jarman had remarked. Speaking as one
not entirely without authority on the subject of literature and the
drama, Mrs. Peedles could say that passages she had read had struck her
as distinctly not half bad. Some of the love-scenes, in particular, had
made her to feel quite a girl again. How he had acquired such knowledge
was not for her to say. Cries of “Naughty!” from Jarman, and “Oh, Mr.
Kelver, I shall be quite afraid of you,” roguishly from Miss Sellars.

The O'Kelly, who, having abandoned his favourite champagne for less
sobering liquor, had since supper-time become rapidly more cheerful,
felt sure there was a future before me. That he had not seen any of my
work, so he assured me, in no way lessened his opinion of it. One thing
only would he impress upon me: that the best work was the result of
strict attention to virtue. His advice to me was to marry young and be
happy.

My persevering efforts of the last few months towards the acquisition of
convivial habits appeared this evening to be receiving their reward. The
O'Kelly's sweet champagne I had drunk with less dislike than hitherto; a
white, syrupy sort of stuff, out of a fat and artistic-looking bottle,
I had found distinctly grateful to the palate. Dimly the quotation about
taking things at the flood, and so getting on quickly, floated through
my brain, coupled with another one about fortune favouring the bold. It
had seemed to me a good occasion to try for the second time in my life
a full flavoured cigar. I had selected with the caution of a connoisseur
one of mottled green complexion from the O'Kelly's largest box. And so
far all had gone well. An easy self-confidence, delightful by reason of
its novelty, had replaced my customary shyness; a sense of lightness--of
positive airiness, emanating from myself, pervaded all things. Tossing
off another glass of the champagne, I rose to reply.

Modesty in my present mood would have been affectation. To such dear and
well-beloved friends I had no hesitation in admitting the truth, that I
was a clever fellow--a damned clever fellow. I knew it, they knew it, in
a short time everybody would know it. But they need not fear that in
the hour of my pride, when it arrived, I should prove ungrateful. Never
should I forget their kindness to me, a lonely young man, alone in a
lonely--Here the pathos of my own situation overcame me; words seemed
weak. “Jarman--” I meant, putting my hand upon his head, to have blessed
him for his goodness to me; but he being not exactly where he looked to
be, I just missed him, and sat down on the edge of my chair, which was a
hard one. I had not intended this to be the end of my speech, by a long
one; but Jarman, whispering to me: “Ended at exactly the right moment;
shows the born orator,” strong inclination to remain seated, now that I
was down seconding his counsel, and the company being clearly satisfied,
I decided to leave things where they were.

A delightful dreaminess was stealing over me. Everything and everybody
appeared to be a long way off, but, whether because of this or in
spite of it, exceedingly attractive. Never had I noticed the Signora
so bewitching; in a motherly sort of way even the third floor front was
good to look upon; Mrs. Peedles I could almost have believed to be the
real Flora MacDonald sitting in front of me. But the vision of Miss
Rosina Sellars made literally my head to swim. Never before had I dared
to cast upon female loveliness the satisfying gaze with which I now
boldly regarded her every movement. Evidently she noticed it, for she
turned away her eyes. I had heard that exceptionally strong-minded
people merely by concentrating their will could make other, ordinary
people, do just whatever they, the exceptionally strong-minded people,
wished. I willed that Miss Rosina Sellars should turn her eyes again
towards me. Victory crowned my efforts. Evidently I was one of these
exceptionally strong-minded persons. Slowly her eyes came round and met
mine with a smile--a helpless, pathetic smile that said, so I read it:
“You know no woman can resist you: be merciful!”

Inflamed by the brutal lust of conquest, I suppose I must have willed
still further, for the next thing I remember is sitting with Miss
Sellars on the sofa, holding her hand, the while the O'Kelly sang a
sentimental ballad, only one line of which comes back to me: “For the
angels must have told him, and he knows I love him now,” much stress
upon the “now.” The others had their backs towards us. Miss Sellars,
with a look that pierced my heart, dropped her somewhat large head upon
my shoulder, leaving, as I observed the next day, a patch of powder on
my coat.

Miss Sellars observed that one of the saddest things in the world was
unrequited love.

I replied gallantly, “Whateryou know about it?”

“Ah, you men, you men,” murmured Miss Sellars; “you're all alike.”

This suggested a personal aspersion on my character. “Not allus,” I
murmured.

“You don't know what love is,” said Miss Sellars. “You're not old
enough.”

The O'Kelly had passed on to Sullivan's “Sweethearts,” then in its first
popularity.

     “Oh, love for a year--a week--a day!
     But oh for the love that loves al-wa-ays!”

Miss Sellars' languishing eyes were fixed upon me; Miss Sellars' red
lips pouted and twitched; Miss Sellars' white bosom rose and fell.
Never, so it seemed to me, had so large an amount of beauty been
concentrated in one being.

“Yeserdo,” I said. “I love you.”

I stooped to kiss the red lips, but something was in my way. It turned
out to be a cold cigar. Miss Sellars thoughtfully removed it, and threw
it away. Our lips met. Her large arms closed about my neck and held me
tight.

“Well, I'm sure!” came the voice of Mrs. Peedles, as from afar. “Nice
goings on!”

I have vague remembrance of a somewhat heated discussion, in which
everybody but myself appeared to be taking extreme interest--of Miss
Sellars in her most ladylike and chilling tones defending me against the
charge of “being no gentleman,” which Mrs. Peedles was explaining nobody
had said I wasn't. The argument seemed to be of the circular order. No
gentleman had ever kissed Miss Sellars who had not every right to do so,
nor ever would. To kiss Miss Sellars without such right was to declare
oneself no gentleman. Miss Sellars appealed to me to clear my character
from the aspersion of being no gentleman. I was trying to understand
the situation, when Jarman, seizing me somewhat roughly by the arm,
suggested my going to bed. Miss Sellars, seizing my other arm, suggested
my refusing to go to bed. So far I was with Miss Sellars. I didn't want
to go to bed, and said so. My desire to sit up longer was proof positive
to Miss Sellars that I was a gentleman, but to no one else. The argument
shifted, the question being now as to whether Miss Sellars were a lady.
To prove the point it was, according to Miss Sellars, necessary that
I should repeat I loved her. I did repeat it, adding, with faint
remembrance of my own fiction, that if a life's devotion was likely to
be of the slightest further proof, my heart's blood was at her
service. This cleared the air, Mrs. Peedles observing that under such
circumstances it only remained for her to withdraw everything she had
said; to which Miss Sellars replied graciously that she had always known
Mrs. Peedles to be a good sort at the bottom.

Nevertheless, gaiety was gone from among us, and for this, in some way
I could not understand, I appeared to be responsible. Jarman was
distinctly sulky. The O'Kelly, suddenly thinking of the time, went to
the door and discovered that the two cabs were waiting. The third floor
recollected that work had to be finished. I myself felt sleepy.

Our host and hostess departed; Jarman again suggested bed, and this
time I agreed with him. After a slight misunderstanding with the door, I
found myself upon the stairs. I had never noticed before that they
were quite perpendicular. Adapting myself to the changed conditions, I
climbed them with the help of my hands. I accomplished the last flight
somewhat quickly, and feeling tired, sat down the moment I was within
my own room. Jarman knocked at the door. I told him to come in; but he
didn't. It occurred to me that the reason was I was sitting on the floor
with my back against the door. The discovery amused me exceedingly and
I laughed; and Jarman, baffled, descended to his own floor. I found
getting into bed a difficulty, owing to the strange behaviour of the
room. It spun round and round. Now the bed was just in front of me, now
it was behind me. I managed at last to catch it before it could get past
me, and holding on by the ironwork, frustrated its efforts to throw me
out again on to the floor.

But it was some time before I went to sleep, and over my intervening
experiences I draw a veil.




CHAPTER III.

GOOD FRIENDS SHOW PAUL THE ROAD TO FREEDOM. BUT BEFORE SETTING OUT, HE
WILL GO A-VISITING.

The sun was streaming into my window when I woke in the morning. I sat
up and listened. The roar of the streets told me plainly that the day
had begun without me. I reached out my hand for my watch; it was not in
its usual place upon the rickety dressing-table. I raised myself still
higher and looked about me. My clothes lay scattered on the floor. One
boot, in solitary state, occupied the chair by the fireplace; the other
I could not see anywhere.

During the night my head appeared to have grown considerably. I
wondered idly for the moment whether I had not made a mistake and put
on Minikin's; if so, I should be glad to exchange back for my own.
This thing I had got was a top-heavy affair, and was aching most
confoundedly.

Suddenly the recollection of the previous night rushed at me and shook
me awake. From a neighbouring steeple rang chimes: I counted with care.
Eleven o'clock. I sprang out of bed, and at once sat down upon the
floor.

I remembered how, holding on to the bed, I had felt the room waltzing
wildly round and round. It had not quite steadied itself even yet. It
was still rotating, not whirling now, but staggering feebly, as
though worn out by its all-night orgie. Creeping to the wash-stand, I
succeeded, after one or two false plunges, in getting my head inside
the basin. Then, drawing on my trousers with difficulty and reaching
the easy-chair, I sat down and reviewed matters so far as I was able,
commencing from the present and working back towards the past.

I was feeling very ill. That was quite clear. Something had disagreed
with me.

“That strong cigar,” I whispered feebly to myself; “I ought never to
have ventured upon it. And then the little room with all those people
in it. Besides, I have been working very hard. I must really take more
exercise.”

It gave me some satisfaction to observe that, shuffling and cowardly
though I might be, I was not a person easily bamboozled.

“Nonsense,” I told myself brutally; “don't try to deceive me. You were
drunk.”

“Not drunk,” I pleaded; “don't say drunk; it is such a coarse
expression. Some people cannot stand sweet champagne, so I have heard.
It affected my liver. Do please make it a question of liver.”

“Drunk,” I persisted unrelentingly, “hopelessly, vulgarly drunk--drunk
as any 'Arry after a Bank Holiday.”

“It is the first time,” I murmured.

“It was your first opportunity,” I replied.

“Never again,” I promised.

“The stock phrase,” I returned.

“How old are you?”

“Nineteen.”

“So you have not even the excuse of youth. How do you know that it will
not grow upon you; that, having thus commenced a downward career, you
will not sink lower and lower, and so end by becoming a confirmed sot?”

My heavy head dropped into my hands, and I groaned. Many a temperance
tale perused on Sunday afternoons came back to me. Imaginative in all
directions, I watched myself hastening toward a drunkard's grave, now
heroically struggling against temptation, now weakly yielding, the
craving growing upon me. In the misty air about me I saw my father's
white face, my mother's sad eyes. I thought of Barbara, of the scorn
that could quiver round that bewitching mouth; of Hal, with his
tremendous contempt for all forms of weakness. Shame of the present and
terror of the future between them racked my mind.

“It shall be never again!” I cried aloud. “By God, it shall!” (At
nineteen one is apt to be vehement.) “I will leave this house at once,”
 I continued to myself aloud; “I will get away from its unwholesome
atmosphere. I will wipe it out of my mind, and all connected with it. I
will make a fresh start. I will--”

Something I had been dimly conscious of at the back of my brain came
forward and stood before me: the flabby figure of Miss Rosina Sellars.
What was she doing here? What right had she to step between me and my
regeneration?

“The right of your affianced bride,” my other half explained, with a
grim smile to myself.

“Did I really go so far as that?”

“We will not go into details,” I replied; “I do not wish to dwell upon
them. That was the result.”

“I was--I was not quite myself at the time. I did not know what I was
doing.”

“As a rule, we don't when we do foolish things; but we have to abide by
the consequences, all the same. Unfortunately, it happened to be in the
presence of witnesses, and she is not the sort of lady to be easily got
rid of. You will marry her and settle down with her in two small rooms.
Her people will be your people. You will come to know them better before
many days are passed. Among them she is regarded as 'the lady,' from
which you can judge of them. A nice commencement of your career, is it
not, my ambitious young friend? A nice mess you have made of it!”

“What am I to do?” I asked.

“Upon my word, I don't know,” I answered.

I passed a wretched day. Ashamed to face Mrs. Peedles or even the
slavey, I kept to my room, with the door locked. At dusk, feeling a
little better--or, rather, less bad, I stole out and indulged in a
simple meal, consisting of tea without sugar and a kippered herring, at
a neighbouring coffee-house. Another gentleman, taking his seat opposite
to me and ordering hot buttered toast, I left hastily.

At eight o'clock in the evening Minikin called round from the office to
know what had happened. Seeking help from shame, I confessed to him the
truth.

“Thought as much,” he answered. “Seems to have been an A1 from the look
of you.”

“I am glad it has happened, now it is over,” I said to him. “It will be
a lesson I shall never forget.”

“I know,” said Minikin. “Nothing like a fair and square drunk for making
you feel real good; better than a sermon.”

In my trouble I felt the need of advice; and Minikin, though my junior,
was, I knew, far more experienced in worldly affairs than I was.

“That's not the worst,” I confided to him. “What do you think I've
done?”

“Killed a policeman?” suggested Minikin.

“Got myself engaged.”

“No one like you quiet fellows for going it when you do begin,”
 commented Minikin. “Nice girl?”

“I don't know,” I answered. “I only know I don't want her. How can I get
out of it?”

Minikin removed his left eye and commenced to polish it upon his
handkerchief, a habit he had when in doubt. From looking into it he
appeared to derive inspiration.

“Take-her-own-part sort of a girl?”

I intimated that he had diagnosed Miss Rosina Sellars correctly.

“Know how much you're earning?”

“She knows I live up here in this attic and do my own cooking,” I
answered.

Minikin glanced round the room. “Must be fond of you.”

“She thinks I'm clever,” I explained, “and that I shall make my way.

“And she's willing to wait?”

I nodded.

“Well, I should let her wait,” replied Minikin, replacing his eye.
“There's plenty of time before you.”

“But she's a barmaid, and she'll expect me to walk with her, to take her
out on Sundays, to go and see her friends. I can't do it. Besides, she's
right: I mean to get on. Then she'll stick to me. It's awful!”

“How did it happen?” asked Minikin.

“I don't know,” I replied. “I didn't know I had done it till it was
over.”

“Anybody present?”

“Half-a-dozen of them,” I groaned.

The door opened, and Jarman entered; he never troubled to knock
anywhere. In place of his usual noisy greeting, he crossed in silence
and shook me gravely by the hand.

“Friend of yours?” he asked, indicating Minikin.

I introduced them to each other.

“Proud to meet you,” said Jarman.

“Glad to hear it,” said Minikin. “Don't look as if you'd got much else
to be stuck up about.”

“Don't mind him,” I explained to Jarman. “He was born like it.”

“Wonderful gift” replied Jarman. “D'ye know what I should do if I 'ad
it?” He did not wait for Minikin's reply. “'Ire myself out to break up
evening parties. Ever thought of it seriously?”

Minikin replied that he would give the idea consideration.

“Make your fortune going round the suburbs,” assured him Jarman. “Pity
you weren't 'ere last night,” he continued; “might 'ave saved our young
friend 'ere a deal of trouble. Has 'e told you the news?”

I explained that I had already put Minikin in possession of all the
facts.

“Now you've got a good, steady eye,” said Jarman, upon whom Minikin,
according to his manner, had fixed his glass orb; “'ow d'ye think 'e is
looking?”

“As well as can be expected under the circumstances, don't you think?”
 answered Minikin.

“Does 'e know the circumstances? Has 'e seen the girl?” asked Jarman.

I replied he had not as yet enjoyed that privilege. “Then 'e don't know
the worst,” said Jarman. “A hundred and sixty pounds of 'er, and still
growing! Bit of a load for 'im, ain't it?”

“Some of 'em do have luck,” was Minikin's rejoinder. Jarman
leant forward and took further stock for a few seconds of his new
acquaintance.

“That's a fine 'ead of yours,” he remarked; “all your own? No offence,”
 continued Jarman, without giving Minikin time for repartee. “I was
merely thinking there must be room for a lot of sense in it. Now, what
do you, as a practical man, advise 'im: dose of poison, or Waterloo
Bridge and a brick?”

“I suppose there's no doubt,” I interjected, “that we are actually
engaged?”

“Not a blooming shadow,” assured me Jarman, cheerfully, “so far as she's
concerned.”

“I shall tell her plainly,” I explained, “that I was drunk at the time.”

“And 'ow are you going to convince 'er of it?” asked Jarman. “You think
your telling 'er you loved 'er proves it. So it would to anybody else,
but not to 'er. You can't expect it. Besides, if every girl is going to
give up 'er catch just because the fellow 'adn't all 'is wits about 'im
at the time--well, what do you think?” He appealed to Minikin.

To Minikin it appeared that if such contention were allowed girls might
as well shut up shop.

Jarman, who now that he had “got even” with Minikin, was more friendly
disposed towards that young man, drew his chair closer to him and
entered upon a private and confidential argument, from which I appeared
to be entirely excluded.

“You see,” explained Jarman, “this ain't an ordinary case. This chap's
going to be the future Poet Laureate. Now, when the Prince of Wales
invites him to dine at Marlborough 'ouse, 'e don't want to go there
tacked on to a girl that carries aitches with her in a bag, and don't
know which end of the spoon out of which to drink 'er soup.”

“It makes a difference, of course,” agreed Minikin.

“What we've got to do,” said Jarman, “is to get 'im out of it. And upon
my sivvy, blessed if I see 'ow to do it!”

“She fancies him?” asked Minikin.

“What she fancies,” explained Jarman, “is that nature intended 'er to be
a lady. And it's no good pointing out to 'er the mistake she's making,
because she ain't got sense enough to see it.”

“No good talking straight to her,” suggested Minikin, “telling her that
it can never be?”

“That's our difficulty,” replied Jarman; “it can be. This chap”--I
listened as might a prisoner in the dock to the argument of counsel,
interested but impotent--“don't know enough to come in out of the rain,
as the saying is. 'E's just the sort of chap this sort of thing does
'appen to.”

“But he don't want her,” urged Minikin. “He says he don't want her.”

“Yes, to you and me,” answered Jarman; “and of course 'e don't. I'm
not saying 'e's a natural born idiot. But let 'er come along and do
a snivel--tell 'im that 'e's breaking 'er 'eart, and appeal to 'im to
be'ave as a gentleman, and all that sort of thing, and what do you think
will be the result?”

Minikin agreed that the problem presented difficulties.

“Of course, if 'twas you or me, we should just tell 'er to put 'erself
away somewhere where the moth couldn't get at 'er and wait till we sent
round for 'er; and there'd be an end of the matter. But with 'im it's
different.”

“He is a bit of a soft,” agreed Minikin.

“'Tain't 'is fault,” explained Jarman; “'twas the way 'e was brought up.
'E fancies girls are the sort of things one sees in plays, going about
saying 'Un'and me!' 'Let me pass!' Maybe some of 'em are, but this ain't
one of 'em.”

“How did it happen?” asked Minikin.

“'Ow does it 'appen nine times out of ten?” returned Jarman. “'E was a
bit misty, and she was wide awake. 'E gets a bit spoony, and--well, you
know.”

“Artful things, girls,” commented Minikin.

“Can't blame 'em,” returned Jarman, with generosity; “it's their
business. Got to dispose of themselves somehow. Oughtn't to be binding
without a written order dated the next morning; that'd make it all
right.”

“Couldn't prove a prior engagement?” suggested Minikin.

“She'd want to see the girl first before she'd believe it--only
natural,” returned Jarman.

“Couldn't get a girl?” urged Minikin.

“Who could you trust?” asked the cautious Jarman. “Besides, there ain't
time. She's letting 'im rest to-day; to-morrow evening she'll be down on
'im.”

“Don't see anything for it,” said Minikin, “but for him to do a bunk.”

“Not a bad idea that,” mused Jarman; “only where's 'e to bunk to?”

“Needn't go far,” said Minikin.

“She'd find 'im out and follow 'im,” said Jarman. “She can look after
herself, mind you. Don't you go doing 'er any injustice.”

“He could change his name,” suggested Minikin.

“'Ow could 'e get a crib?” asked Jarman; “no character, no references.”

“I've got it,” cried Jarman, starting up; “the stage!”

“Can he act?” asked Minikin.

“Can do anything,” retorted my supporter, “that don't want too much
sense. That's 'is sanctuary, the stage. No questions asked, no character
wanted. Lord! why didn't I think of it before?”

“Wants a bit of getting on to, doesn't it?” suggested Minikin.

“Depends upon where you want to get,” replied Jarman. For the first
time since the commencement of the discussion he turned to me. “Can you
sing?” he asked me.

I replied that I could a little, though I had never done so in public.

“Sing something now,” demanded Jarman; “let's 'ear you. Wait a minute!”
 he cried.

He slipped out of the room. I heard him pause upon the landing below
and knock at the door of the fair Rosina's room. The next minute he
returned.

“It's all right,” he explained; “she's not in yet. Now, sing for all
you're worth. Remember, it's for life and freedom.”

I sang “Sally in Our Alley,” not with much spirit, I am inclined to
think. With every mention of the lady's name there rose before me the
abundant form and features of my _fiancee_, which checked the feeling
that should have trembled through my voice. But Jarman, though not
enthusiastic, was content.

“It isn't what I call a grand opera voice,” he commented, “but it ought
to do all right for a chorus where economy is the chief point to be
considered. Now, I'll tell you what to do. You go to-morrow straight to
the O'Kelly, and put the whole thing before 'im. 'E's a good sort; 'e'll
touch you up a bit, and maybe give you a few introductions. Lucky for
you, this is just the right time. There's one or two things comin'
on, and if Fate ain't dead against you, you'll lose your amorita, or
whatever it's called, and not find 'er again till it's too late.”

I was not in the mood that evening to feel hopeful about anything; but I
thanked both of them for their kind intentions and promised to think
the suggestion over on the morrow, when, as it was generally agreed, I
should be in a more fitting state to bring cool judgment to bear upon
the subject; and they rose to take their departure.

Leaving Minikin to descend alone, Jarman returned the next minute.
“Consols are down a bit this week,” he whispered, with the door in his
hand. “If you want a little of the ready to carry you through, don't
go sellin' out. I can manage a few pounds. Suck a couple of lemons and
you'll be all right in the morning. So long.”

I followed his advice regarding the lemons, and finding it correct, went
to the office next morning as usual. Lott & Co., in consideration of my
agreeing to a deduction of two shillings on the week's salary, allowed
himself to overlook the matter. I had intended acting on Jarman's
advice, to call upon the O'Kelly at his address of respectability in
Hampstead that evening, and had posted him a note saying I was coming.
Before leaving the office, however, I received a reply to the effect
that he would be out that evening, and asking me to make it the
following Friday instead. Disappointed, I returned to my lodgings in a
depressed state of mind. Jarman 's scheme, which had appeared hopeful
and even attractive during the daytime, now loomed shadowy and
impossible before me. The emptiness of the first floor parlour as
I passed its open door struck a chill upon me, reminding me of the
disappearance of a friend to whom, in spite of moral disapproval, I had
during these last few months become attached. Unable to work, the old
pain of loneliness returned upon me. I sat for awhile in the darkness,
listening to the scratching of the pen of my neighbour, the old
law-writer, and the sense of despair that its sound always communicated
to me encompassed me about this evening with heavier weight than usual.

After all, was not the sympathy of the Lady 'Ortensia, stimulated for
personal purposes though it might be, better than nothing? At least,
here was some living creature to whom I belonged, to whom my existence
or nonexistence was of interest, who, if only for her own sake, was
bound to share my hopes, my fears.

It was in this mood that I heard a slight tap at the door. In the dim
passage stood the small slavey, holding out a note. I took it, and
returning, lighted my candle. The envelope was pink and scented. It was
addressed, in handwriting not so bad as I had expected, to “Paul Kelver,
Esquire.” I opened it and read:

“Dr mr. Paul--I herd as how you was took hill hafter the party. I feer
you are not strong. You must not work so hard or you will be hill and
then I shall be very cros with you. I hop you are well now. If so I am
going for a wark and you may come with me if you are good. With much
love. From your affechonat ROSIE.”

In spite of the spelling, a curious, tingling sensation stole over me
as I read this my first love-letter. A faint mist swam before my eyes.
Through it, glorified and softened, I saw the face of my betrothed,
pasty yet alluring, her large white fleshy arms stretched out invitingly
toward me. Moved by a sudden hot haste that seized me, I dressed myself
with trembling hands; I appeared to be anxious to act without giving
myself time for thought. Complete, with a colour in my cheeks unusual to
them, and a burning in my eyes, I descended and knocked with a nervous
hand at the door of the second floor back.

“Who's that?” came in answer Miss Sellars' sharp tones.

“It is I--Paul.”

“Oh, wait a minute, dear.” The tone was sweeter. There followed the
sound of scurried footsteps, a rustling of clothes, a banging of
drawers, a few moments' dead silence, and then:

“You can come in now, dear.”

I entered. It was a small, untidy room, smelling of smoky lamp; but all
I saw distinctly at the moment was Miss Sellars with her arms above her
head, pinning her hat upon her straw-coloured hair.

With the sight of her before me in the flesh, my feelings underwent a
sudden revulsion. During the few minutes she had kept me waiting outside
the door I had suffered from an almost uncontrollable desire to turn the
handle and rush in. Now, had I acted on impulse, I should have run out.
Not that she was an unpleasant-looking girl by any means; it was the
atmosphere of coarseness, of commonness, around her that repelled me.
The fastidiousness--finikinness; if you will--that would so often spoil
my rare chop, put before me by a waitress with dirty finger-nails,
forced me to disregard the ample charms she no doubt did possess, to
fasten my eyes exclusively upon her red, rough hands and the one or two
warts that grew thereon.

“You're a very naughty boy,” told me Miss Sellars, finishing the
fastening of her hat. “Why didn't you come in and see me in the
dinner-_h_our? I've a great mind not to kiss you.”

The powder she had evidently dabbed on hastily was plainly visible upon
her face; the round, soft arms were hidden beneath ill-fitting sleeves
of some crapey material, the thought of which put my teeth on edge. I
wished her intention had been stronger. Instead, relenting, she
offered me her flowery cheek, which I saluted gingerly, the taste of it
reminding me of certain pale, thin dough-cakes manufactured by the wife
of our school porter and sold to us in playtime at four a penny, and
which, having regard to their satisfying quality, had been popular with
me in those days.

At the top of the kitchen stairs Miss Sellars paused and called down
shrilly to Mrs. Peedles, who in course of time appeared, panting.

“Oh, me and Mr. Kelver are going out for a short walk, Mrs. Peedles. I
shan't want any supper. Good night.”

“Oh, good night, my dear,” replied Mrs. Peedles. “Hope you'll enjoy
yourselves. Is Mr. Kelver there?”

“He's round the corner,” I heard Miss Sellars explain in a lower voice;
and there followed a snigger.

“He's a bit shy, ain't he?” suggested Mrs. Peedles in a whisper.

“I've had enough of the other sort,” was Miss Sellars' answer in low
tones.

“Ah, well; it's the shy ones that come out the strongest after a
bit--leastways, that's been my experience.”

“He'll do all right. So long.”

Miss Sellars, buttoning a burst glove, rejoined me.

“I suppose you've never had a sweetheart before?” asked Miss Sellars, as
we turned into the Blackfriars Road.

I admitted that this was my first experience.

“I can't a-bear a flirty man,” explained Miss Sellars. “That's why I
took to you from the beginning. You was so quiet.”

I began to wish that nature had bestowed upon me a noisier temperament.

“Anybody could see you was a gentleman,” continued Miss Sellars. “Heaps
and heaps of hoffers I've had--_h_undreds you might almost say. But what
I've always told 'em is, 'I like you very much indeed as a friend, but
I'm not going to marry any one but a gentleman.' Don't you think I was
right?”

I murmured it was only what I should have expected of her.

“You may take my harm, if you like,” suggested Miss Sellars, as we
crossed St. George's Circus; and linked, we pursued our way along the
Kennington Park Road.

Fortunately, there was not much need for me to talk. Miss Sellars was
content to supply most of the conversation herself, and all of it was
about herself.

I learned that her instincts since childhood had been toward gentility.
Nor was this to be wondered at, seeing that her family--on her mother's
side, at all events,--were connected distinctly with “the _h_ighest in
the land.” _Mesalliances_, however, are common in all communities, and
one of them, a particularly flagrant specimen--her “Mar” had, alas!
contracted, having married--what did I think? I should never guess--a
waiter! Miss Sellars, stopping in the act of crossing Newington Butts to
shudder at the recollection of her female parent's shame, was nearly run
down by a tramcar.

Mr. and Mrs. Sellars did not appear to have “hit it off” together. Could
one wonder: Mrs. Sellars with an uncle on the Stock Exchange, and Mr.
Sellars with one on Peckham Rye? I gathered his calling to have been,
chiefly, “three shies a penny.” Mrs. Sellars was now, however, happily
dead; and if no other good thing had come out of the catastrophe, it had
determined Miss Sellars to take warning by her mother's error and avoid
connection with the lowly born. She it was who, with my help, would lift
the family back again to its proper position in society.

“It used to be a joke against me,” explained Miss Sellars, “heven when
I was quite a child. I never could tolerate anything low. Why, one day
when I was only seven years old, what do you think happened?”

I confessed my inability to guess.

“Well, I'll tell you,” said Miss Sellars; “it'll just show you. Uncle
Joseph--that was father's uncle, you understand?”

I assured Miss Sellars that the point was fixed in my mind.

“Well, one day when he came to see us he takes a cocoanut out of his
pocket and offers it to me. 'Thank you,' I says; 'I don't heat cocoanuts
that have been shied at by just anybody and missed!' It made him so
wild. After that,” explained Miss Sellars, “they used to call me at home
the Princess of Wales.”

I murmured it was a pretty fancy.

“Some people,” replied Miss Sellars, with a giggle, “says it fits me;
but, of course, that's only their nonsense.”

Not knowing what to reply, I remained silent, which appeared to somewhat
disappoint Miss Sellars.

Out of the Clapham Road we turned into a by-street of two-storeyed
houses.

“You'll come in and have a bit of supper?” suggested Miss Sellars.
“Mar's quite hanxious to see you.”

I found sufficient courage to say I was not feeling well, and would much
rather return home.

“Oh, but you must just come in for five minutes, dear. It'll look so
funny if you don't. I told 'em we was coming.”

“I would really rather not,” I urged; “some other evening.” I felt
a presentiment, I confided to her, that on this particular evening I
should not shine to advantage.

“Oh, you mustn't be so shy,” said Miss Sellars. “I don't like shy
fellows--not too shy. That's silly.” And Miss Sellars took my arm with
a decided grip, making it clear to me that escape could be obtained only
by an unseemly struggle in the street; not being prepared for which, I
meekly yielded.

We knocked at the door of one of the small houses, Miss Sellars
retaining her hold upon me until it had been opened to us by a lank
young man in his shirt-sleeves and closed behind us.

“Don't gentlemen wear coats of a hevening nowadays?” asked Miss Sellars,
tartly, of the lank young man. “New fashion just come in?”

“I don't know what gentlemen wear in the evening or what they don't,”
 retorted the lank young man, who appeared to be in an aggressive mood.
“If I can find one in this street, I'll ast him and let you know.”

“Mother in the droaring-room?” enquired Miss Sellars, ignoring the
retort.

“They're all of 'em in the parlour, if that's what you mean,” returned
the lank young man, “the whole blooming shoot. If you stand up against
the wall and don't breathe, there'll just be room for you.”

Sweeping by the lank young man, Miss Sellars opened the parlour door,
and towing me in behind her, shut it.

“Well, Mar, here we are,” announced Miss Sellars. An enormously stout
lady, ornamented with a cap that appeared to have been made out of a
bandanna handkerchief, rose to greet us, thus revealing the fact
that she had been sitting upon an extremely small horsehair-covered
easy-chair, the disproportion between the lady and her support being
quite pathetic.

“I am charmed, Mr.--”

“Kelver,” supplied Miss Sellars.

“Kelver, to make your ac-quain-tance,” recited Mrs. Sellars in the tone
of one repeating a lesson.

I bowed, and murmured that the honour was entirely mine.

“Don't mention it,” replied Mrs. Sellars. “Pray be seated.”

Mrs. Sellars herself set the example by suddenly giving way and dropping
down into her chair, which thus again became invisible. It received her
with an agonised groan.

Indeed, the insistence with which this article of furniture throughout
the evening called attention to its sufferings was really quite
distracting. With every breath that Mrs. Sellars took it moaned wearily.
There were moments when it literally shrieked. I could not have accepted
Mrs. Sellars' offer had I wished, there being no chair vacant and no
room for another. A young man with watery eyes, sitting just behind me
between a fat young lady and a lean one, rose and suggested my taking
his place. Miss Sellars introduced me to him as her cousin Joseph
something or other, and we shook hands.

The watery-eyed Joseph remarked that it had been a fine day between
the showers, and hoped that the morrow would be either wet or dry; upon
which the lean young lady, having slapped him, asked admiringly of the
fat young lady if he wasn't a “silly fool;” to which the fat young lady
replied, with somewhat unnecessary severity, I thought, that no one
could help being what they were born. To this the lean young lady
retorted that it was with precisely similar reflection that she herself
controlled her own feelings when tempted to resent the fat young lady's
“nasty jealous temper.”

The threatened quarrel was nipped in the bud by the discretion of Miss
Sellars, who took the opportunity of the fat young lady's momentary
speechlessness to introduce me promptly to both of them. They also,
I learned, were cousins. The lean girl said she had “erd on me,” and
immediately fell into an uncontrollable fit of giggles; of which the
watery-eyed Joseph requested me to take no notice, explaining that she
always went off like that at exactly three-quarters to the half-hour
every evening, Sundays and holidays excepted; that she had taken
everything possible for it without effect, and that what he himself
advised was that she should have it off.

The fat girl, seizing the chance afforded her, remarked genteelly that
she too had “heard hof me,” with emphasis upon the “hof.” She also
remarked it was a long walk from Blackfriars Bridge.

“All depends upon the company, eh? Bet they didn't find it too long.”

This came from a loud-voiced, red-faced man sitting on the sofa beside a
somewhat melancholy-looking female dressed in bright green. These twain
I discovered to be Uncle and Aunt Gutton. From an observation dropped
later in the evening concerning government restrictions on the sale of
methylated spirit, and hastily smothered, I gathered that their line was
oil and colour.

Mr. Gutton's forte appeared to be badinage. He it was who, on my
explaining my heightened colour as due to the closeness of the evening,
congratulated his niece on having secured so warm a partner.

“Will be jolly handy,” shouted Uncle Gutton, “for Rosina, seeing she's
always complaining of her cold feet.”

Here the lank young man attempted to squeeze himself into the room, but
found his entrance barred by the square, squat figure of the watery-eyed
young man.

“Don't push,” advised the watery-eyed young man. “Walk over me quietly.”

“Well, why don't yer get out of the way,” growled the lank young man,
now coated, but still aggressive.

“Where am I to get to?” asked the watery-eyed young man, with some
reason. “Say the word and I'll 'ang myself up to the gas bracket.”

“In my courting days,” roared Uncle Gutton, “the girls used to be able
to find seats, even if there wasn't enough chairs to go all round.”

The sentiment was received with varying degrees of approbation. The
watery-eyed young man, sitting down, put the lean young lady on his
knee, and in spite of her struggles and sounding slaps, heroically
retained her there.

“Now, then, Rosie,” shouted Uncle Gutton, who appeared to have
constituted himself master of the ceremonies, “don't stand about, my
girl; you'll get tired.”

Left to herself, I am inclined to think my _fiancee_ would have spared
me; but Uncle Gutton, having been invited to a love comedy, was not
to be cheated of any part of the performance, and the audience clearly
being with him, there was nothing for it but compliance. I seated
myself, and amid plaudits accommodated the ample and heavy Rosina upon
my knee.

“Good-bye,” called out to me the watery-eyed young man, as behind the
fair Rosina I disappeared from his view. “See you again later on.”

“I used to be a plump girl myself before I married,” observed Aunt
Gutton. “Plump as butter I was at one time.”

“It isn't what one eats,” said the maternal Sellars. “I myself don't eat
enough to keep a fly, and my legs--”

“That'll do, Mar,” interrupted the filial Sellars, tartly.

“I was only going to say, my dear--”

“We all know what you was going to say, Mar,” retorted Miss Sellars.
“We've heard it before, and it isn't interesting.”

Mrs. Sellars relapsed into silence.

“'Ard work and plenty of it keeps you thin enough, I notice,” remarked
the lank young man, with bitterness. To him I was now introduced, he
being Mr. George Sellars. “Seen 'im before,” was his curt greeting.

At supper--referred to by Mrs. Sellars again in the tone of one
remembering a lesson, as a cold col-la-tion, with the accent on the
“tion”--I sat between Miss Sellars and the lean young lady, with Aunt
and Uncle Gutton opposite to us. It was remarked with approval that I
did not appear to be hungry.

“Had too many kisses afore he started,” suggested Uncle Gutton, with
his mouth full of cold roast pork and pickles. “Wonderfully nourishing
thing, kisses, eh? Look at mother and me. That's all we live on.”

Aunt Gutton sighed, and observed that she had always been a poor feeder.

The watery-eyed young man, observing he had never tasted them
himself--at which sally there was much laughter--said he would not mind
trying a sample if the lean young lady would kindly pass him one.

The lean young lady opined that, not being used to high living, it might
disagree with him.

“Just one,” pleaded the watery-eyed young man, “to go with this bit of
cracklin'.”

The lean young lady, amid renewed applause, first thoughtfully wiping
her mouth, acceded to his request.

The watery-eyed young man turned it over with the air of a gourmet.

“Not bad,” was his verdict. “Reminds me of onions.” At this there was
another burst of laughter.

“Now then, ain't Paul goin' to have one?” shouted Uncle Gutton, when the
laughter had subsided.

Amid silence, feeling as wretched as perhaps I have ever felt in my life
before or since, I received one from the gracious Miss Sellars, wet and
sounding.

“Looks better for it already,” commented the delighted Uncle Gutton.
“He'll soon get fat on 'em.”

“Not too many at first,” advised the watery-eyed young man. “Looks to me
as if he's got a weak stomach.”

I think, had the meal lasted much longer, I should have made a dash for
the street; the contemplation of such step was forming in my mind. But
Miss Sellars, looking at her watch, declared we must be getting home at
once, for the which I could have kissed her voluntarily; and, being a
young lady of decision, at once rose and commenced leave-taking. Polite
protests were attempted, but these, with enthusiastic assistance from
myself, she swept aside.

“Don't want any one to walk home with you?” suggested Uncle Gutton.
“Sure you won't feel lonely by yourselves, eh?”

“We shan't come to no harm,” assured him Miss Sellars.

“P'raps you're right,” agreed Uncle Gutton. “There don't seem to be much
of the fiery and untamed about him, so far as I can see.”

“'Slow waters run deep,'” reminded us Aunt Gutton, with a waggish shake
of her head.

“No question about the slow,” assented Uncle Gutton. “If you don't like
him--” observed Miss Sellars, speaking with dignity.

“To be quite candid with you, my girl, I don't,” answered Uncle Gutton,
whose temper, maybe as the result of too much cold pork and whiskey,
seemed to have suddenly changed.

“Well, he happens to be good enough for me,” recommenced Miss Sellars.

“I'm sorry to hear a niece of mine say so,” interrupted Uncle Gutton.
“If you want my opinion of him--”

“If ever I do I'll call round some time when you're sober and ast you
for it,” returned Miss Sellars. “And as for being your niece, you was
here when I came, and I don't see very well as how I could have got out
of it. You needn't throw that in my teeth.”

The gust was dispersed by the practical remark of brother George to the
effect that the last tram for Walworth left the Oval at eleven-thirty;
to which he further added the suggestion that the Clapham Road was wide
and well adapted to a row.

“There ain't going to be no rows,” replied Uncle Gutton, returning to
amiability as suddenly as he had departed from it. “We understand each
other, don't we, my girl?”

“That's all right, uncle. I know what you mean,” returned Miss Sellars,
with equal handsomeness.

“Bring him round again when he's feeling better,” added Uncle Gutton,
“and we'll have another look at him.”

“What you want,” advised the watery-eyed young man on shaking hands with
me, “is complete rest and a tombstone.”

I wished at the time I could have followed his prescription.

The maternal Sellars waddled after us into the passage, which she
completely blocked. She told me she was delight-ted to have met me, and
that she was always at home on Sundays.

I said I would remember it, and thanked her warmly for a pleasant
evening, at Miss Sellars' request calling her Ma.

Outside, Miss Sellars agreed that my presentiment had proved
correct--that I had not shone to advantage. Our journey home on a
tramcar was a somewhat silent proceeding. At the door of her room she
forgave me, and kissed me good night. Had I been frank with her, I
should have thanked her for that evening's experience. It had made my
course plain to me.

The next day, which was Thursday, I wandered about the streets till two
o'clock in the morning, when I slipped in quietly, passing Miss Sellars'
door with my boots in my hand.

After Mr. Lott's departure on Friday, which, fortunately, was pay-day,
I set my desk in order and confided to Minikin written instructions
concerning all matters unfinished.

“I shall not be here to-morrow,” I told him. “Going to follow your
advice.”

“Found anything to do?” he asked.

“Not yet,” I answered.

“Suppose you can't get anything?”

“If the worst comes to the worst,” I replied, “I can hang myself.”

“Well, you know the girl. Maybe you are right,” he agreed.

“Hope it won't throw much extra work on you,” I said.

“Well, I shan't be catching it if it does,” was his answer. “That's all
right.”

He walked with me to the “Angel,” and there we parted.

“If you do get on to the stage,” he said, “and it's anything worth
seeing, and you send me an order, and I can find the time, maybe I'll
come and see you.”

I thanked him for his promised support and jumped upon the tram.

The O'Kelly's address was in Belsize Square. I was about to ring and
knock, as requested by a highly-polished brass plate, when I became
aware of pieces of small coal falling about me on the doorstep. Looking
up, I perceived the O'Kelly leaning out of an attic window. From signs
I gathered I was to retire from the doorstep and wait. In a few minutes
the door opened and his hand beckoned me to enter.

“Walk quietly,” he whispered; and on tip-toe we climbed up to the attic
from where had fallen the coal. “I've been waiting for ye,” explained
the O'Kelly, speaking low. “Me wife--a good woman, Paul; sure, a better
woman never lived; ye'll like her when ye know her, later on--she might
not care about ye're calling. She'd want to know where I met ye, and--ye
understand? Besides,” added the O'Kelly, “we can smoke up here;” and
seating himself where he could keep an eye upon the door, near to a
small cupboard out of which he produced a pipe still alight, the O'Kelly
prepared himself to listen.

I told him briefly the reason of my visit.

“It was my fault, Paul,” he was good enough to say; “my fault entirely.
Between ourselves, it was a damned silly idea, that party, the whole
thing altogether. Don't ye think so?”

I replied that I was naturally prejudiced against it myself.

“Most unfortunate for me,” continued the O'Kelly; “I know that. Me
cabman took me to Hammersmith instead of Hampstead; said I told him
Hammersmith. Didn't get home here till three o'clock in the morning.
Most unfortunate--under the circumstances.”

I could quite imagine it.

“But I'm glad ye've come,” said the O'Kelly. “I had a notion ye did
something foolish that evening, but I couldn't remember precisely what.
It's been worrying me.”

“It's been worrying me also, I can assure you,” I told him; and I gave
him an account of my Wednesday evening's experience.

“I'll go round to-morrow morning,” he said, “and see one or two people.
It's not a bad idea, that of Jarman's. I think I may be able to arrange
something for ye.”

He fixed a time for me to call again upon him the next day, when Mrs.
O'Kelly would be away from home. He instructed me to walk quietly up and
down on the opposite side of the road with my eye on the attic window,
and not to come across unless he waved a handkerchief.

Rising to go, I thanked him for his kindness. “Don't put it that way, me
dear Paul,” he answered. “If I don't get ye out of this scrape I shall
never forgive meself. If we damned silly fools don't help one another,”
 he added, with his pleasant laugh, “who is to help us?”

We crept downstairs as we had crept up. As we reached the first floor,
the drawing-room door suddenly opened.

“William!” cried a sharp voice.

“Me dear,” answered the O'Kelly, snatching his pipe from his mouth and
thrusting it, still alight, into his trousers pocket. I made the rest
of the descent by myself, and slipping out, closed the door behind me as
noiselessly as possible.

Again I did not return to Nelson Square until the early hours, and the
next morning did not venture out until I had heard Miss Sellars, who
appeared to be in a bad temper, leave the house. Then running to the top
of the kitchen stairs, I called for Mrs. Peedles. I told her I was going
to leave her, and, judging the truth to be the simplest explanation, I
told her the reason why.

“My dear,” said Mrs. Peedles, “I am only too glad to hear it. It wasn't
for me to interfere, but I couldn't help seeing you were making a fool
of yourself. I only hope you'll get clear off, and you may depend upon
me to do all I can to help you.”

“You don't think I'm acting dishonourably, do you, Mrs. Peedles?” I
asked.

“My dear,” replied Mrs. Peedles, “it's a difficult world to live
in--leastways, that's been my experience of it.”

I had just completed my packing--it had not taken me long--when I
heard upon the stairs the heavy panting that always announced to me the
up-coming of Mrs. Peedles. She entered with a bundle of old manuscripts
under her arm, torn and tumbled booklets of various shapes and sizes.
These she plumped down upon the rickety table, and herself upon the
nearest chair.

“Put them in your box, my dear,” said Mrs. Peedles. “They'll come in
useful to you later on.”

I glanced at the bundle. I saw it was a collection of old plays in
manuscript-prompt copies, scored, cut and interlined. The top one I
noticed was “The Bloodspot: Or the Maiden, the Miser and the Murderer;”
 the second, “The Female Highwayman.”

“Everybody's forgotten 'em,” explained Mrs. Peedles, “but there's some
good stuff in all of them.”

“But what am I to do with them?” I enquired.

“Just whatever you like, my dear,” explained Mrs. Peedles. “It's quite
safe. They're all of 'em dead, the authors of 'em. I've picked 'em out
most carefully. You just take a scene from one and a scene from the
other. With judgment and your talent you'll make a dozen good plays out
of that little lot when your time comes.”

“But they wouldn't be my plays, Mrs. Peedles,” I suggested.

“They will if I give them to you,” answered Mrs. Peedles. “You put 'em
in your box. And never mind the bit of rent,” added Mrs. Peedles; “you
can pay me that later on.”

I kissed the kind old soul good-bye and took her gift with me to my new
lodgings in Camden Town. Many a time have I been hard put to it for
plot or scene, and more than once in weak mood have I turned with guilty
intent the torn and crumpled pages of Mrs. Peedles's donation to my
literary equipment. It is pleasant to be able to put my hand upon my
heart and reflect that never yet have I yielded to the temptation.
Always have I laid them back within their drawer, saying to myself, with
stern reproof:

“No, no, Paul. Stand or fall by your own merits. Never plagiarise--in
any case, not from this 'little lot.'”




CHAPTER IV.

LEADS TO A MEETING.

“Don't be nervous,” said the O'Kelly, “and don't try to do too much. You
have a very fair voice, but it's not powerful. Keep cool and open your
mouth.”

It was eleven o'clock in the morning. We were standing at the entrance
of the narrow court leading to the stage door. For a fortnight past the
O'Kelly had been coaching me. It had been nervous work for both of us,
but especially for the O'Kelly. Mrs. O'Kelly, a thin, acid-looking lady,
of whom I once or twice had caught a glimpse while promenading Belsize
Square awaiting the O'Kelly's signal, was a serious-minded lady, with a
conscientious objection to all music not of a sacred character. With the
hope of winning the O'Kelly from one at least of his sinful tendencies,
the piano had been got rid of, and its place in the drawing-room filled
by an American organ of exceptionally lugubrious tone. With this we
had had to make shift, and though the O'Kelly--a veritable musical
genius--had succeeded in evolving from it an accompaniment to “Sally in
Our Alley” less misleading and confusing than might otherwise have been
the case, the result had not been to lighten our labours. My rendering
of the famous ballad had, in consequence, acquired a dolefulness not
intended by the composer. Sung as I sang it, the theme became, to employ
a definition since grown hackneyed as applied to Art, a problem ballad.
Involuntarily one wondered whether the marriage would turn out as
satisfactorily as the young man appeared to anticipate. Was there not,
when one came to think of it, a melancholy, a pessimism ingrained within
the temperament of the complainful hero that would ill assort with
those instincts toward frivolity the careful observer could not avoid
discerning in the charming yet nevertheless somewhat shallow character
of Sally.

“Lighter, lighter. Not so soulful,” would demand the O'Kelly, as the
solemn notes rolled jerkily from the groaning instrument beneath his
hands.

Once we were nearly caught, Mrs. O'Kelly returning from a district
visitors' committee meeting earlier than was expected. Hastily I was
hidden in a small conservatory adjutting from the first floor landing,
where, crouching behind flower-pots, I listened in fear and trembling to
the severe cross-examination of the O'Kelly.

“William, do not prevaricate. It was not a hymn.”

“Me dear, so much depends upon the time. Let me give ye an example of
what I mean.”

“William, pray in my presence not to play tricks with sacred melodies.
If you have no respect for religion, please remember that I have.
Besides, why should you be playing hymns in any time at ten o'clock
in the morning? It is not like you, William, and I do not credit your
explanation. And you were singing. I distinctly heard the word 'Sally'
as I opened the door.”

“Salvation, me dear,” corrected the O'Kelly.

“Your enunciation, William, is not usually so much at fault.”

“A little hoarseness, me dear,” explained the O'Kelly.

“Your voice did not sound hoarse. Perhaps it will be better if we do not
pursue the subject further.”

With this the O'Kelly appeared to agree.

“A lady a little difficult to get on with when ye're feeling well and
strong,” so the O'Kelly would explain her; “but if ye happen to be ill,
one of the kindest, most devoted of women. When I was down with typhoid
three years ago, a tenderer nurse no man could have had. I shall never
forget it. And so she would be again to-morrow, if there was anything
serious the matter with me.”

I murmured the well-known quotation.

“Mrs. O'Kelly to a T,” concurred the O'Kelly. “I sometimes wonder if
Lady Scott may not have been the same sort of woman.”

“The unfortunate part of it is,” continued the O'Kelly, “that I'm such
a healthy beggar; it don't give her a chance. If I were only a chronic
invalid, now, there's nothing that woman would not do to make me happy.
As it is--” The O'Kelly struck a chord. We resumed our studies.

But to return to our conversation at the stage door.

“Meet me at the Cheshire Cheese at one o'clock,” said the O'Kelly,
shaking hands. “If ye don't get on here, we'll try something else; but
I've spoken to Hodgson, and I think ye will. Good luck to ye!”

He went his way and I mine. In a glass box just behind the door a
curved-nose, round-eyed little man, looking like an angry bird in a
cage, demanded of me my business. I showed him my letter of appointment.

“Up the passage, across the stage, along the corridor, first floor,
second door on the right,” he instructed me in one breath, and shut the
window with a snap.

I proceeded up the passage. It somewhat surprised me to discover that
I was not in the least excited at the thought of this, my first
introduction to “behind the scenes.”

I recall my father's asking a young soldier on his return from the
Crimea what had been his sensations at the commencement of his first
charge.

“Well,” replied the young fellow, “I was worrying all the time,
remembering I had rushed out leaving the beer tap running in the
canteen, and I could not forget it.”

So far as the stage I found my way in safety. Pausing for a moment and
glancing round, my impression was not so much disillusionment concerning
all things theatrical as realisation of my worst forebodings. In that
one moment all glamour connected with the stage fell from me, nor has it
since ever returned to me. From the tawdry decorations of the auditorium
to the childish make-belief littered around on the stage, I saw the
Theatre a painted thing of shreds and patches--the grown child's
doll's-house. The Drama may improve us, elevate us, interest and teach
us. I am sure it does; long may it flourish! But so likewise does the
dressing and undressing of dolls, the opening of the front of the house,
and the tenderly putting of them away to bed in rooms they completely
fill, train our little dears to the duties and the joys of motherhood.
Toys! what wise child despises them? Art, fiction, the musical glasses:
are they not preparing us for the time, however distant, when we shall
at last be grown up?

In a maze of ways beyond the stage I lost myself, but eventually, guided
by voices, came to a large room furnished barely with many chairs
and worn settees, and here I found some twenty to thirty ladies
and gentlemen already seated. They were of varying ages, sizes
and appearance, but all of them alike in having about them that
impossible-to-define but impossible-to-mistake suggestion of
theatricality. The men were chiefly remarkable for having no hair on
their faces, but a good deal upon their heads; the ladies, one and
all, were blessed with remarkably pink and white complexions and
exceptionally bright eyes. The conversation, carried on in subdued but
penetrating voices, was chiefly of “him” and “her.” Everybody appeared
to be on an affectionate footing with everybody else, the terms of
address being “My dear,” “My love,” “Old girl,” “Old chappie,” Christian
names--when name of any sort was needful--alone being employed. I
hesitated for a minute with the door in my hand, fearing I had stumbled
upon a family gathering. As, however, nobody seemed disconcerted at my
entry, I ventured to take a vacant seat next to an extremely small and
boyish-looking gentleman and to ask him if this was the room in which I,
an applicant for a place in the chorus of the forthcoming comic opera,
ought to be waiting.

He had large, fishy eyes, with which he looked me up and down. For such
a length of time he remained thus regarding me in silence that a massive
gentleman sitting near, who had overheard, took it upon himself to reply
in the affirmative, adding that from what he knew of Butterworth we
would all of us be waiting here a damned sight longer than any gentleman
should keep other ladies and gentlemen waiting for no reason at all.

“I think it exceedingly bad form,” observed the fishy-eyed gentleman,
in deep contralto tones, “for any gentleman to take it upon himself to
reply to a remark addressed to quite another gentleman.”

“I beg your pardon,” retorted the large gentleman. “I thought you were
asleep.”

“I think it very ill manners,” remarked the small gentlemen in the same
slow and impressive tones, “for any gentleman to tell another gentleman,
who happens to be wide awake, that he thought he was asleep.”

“Sir,” returned the massive gentleman, assuming with the help of a large
umbrella a quite Johnsonian attitude, “I decline to alter my manners to
suit your taste.”

“If you are satisfied with them,” replied the small gentleman, “I cannot
help it. But I think you are making a mistake.”

“Does anybody know what the opera is about?” asked a bright little woman
at the other end of the room.

“Does anybody ever know what a comic opera is about?” asked another
lady, whose appearance suggested experience.

“I once asked the author,” observed a weary-looking gentleman, speaking
from a corner. “His reply was: 'Well, if you had asked me at the
beginning of the rehearsals I might have been able to tell you, but
damned if I could now!'”

“It wouldn't surprise me,” observed a good-looking gentleman in a velvet
coat, “if there occurred somewhere in the proceedings a drinking chorus
for male voices.”

“Possibly, if we are good,” added a thin lady with golden hair, “the
heroine will confide to us her love troubles, which will interest us and
excite us.”

The door at the further end of the room opened and a name was called.
An elderly lady rose and went out.

“Poor old Gertie!” remarked sympathetically the thin lady with the
golden hair. “I'm told that she really had a voice once.”

“When poor young Bond first came to London,” said the massive gentleman
who was sitting on my left, “I remember his telling me he applied to
Lord Barrymore's 'tiger,' Alexander Lee, I mean, of course, who was then
running the Strand Theatre, for a place in the chorus. Lee heard him
sing two lines, and then jumped up. 'Thanks, that'll do; good morning,'
says Lee. Bond knew he had got a good voice, so he asked Lee what was
wrong. 'What's wrong?' shouts Lee. 'Do you think I hire a chorus to show
up my principals?'”

“Having regard to the company present,” commented the fishy-eyed
gentleman, “I consider that anecdote as distinctly lacking in tact.”

The feeling of the company appeared to be with the fish-eyed young man.

For the next half hour the door at the further end of the room continued
to open and close, devouring, ogre-fashion, each time some dainty human
morsel, now chorus gentleman, now chorus lady. Conversation among our
thinning ranks became more fitful, a growing anxiety making for silence.

At length, “Mr. Horace Moncrieff” called the voice of the unseen Charon.
In common with the rest, I glanced round languidly to see what sort of
man “Mr. Horace Moncrieff” might be. The door was pushed open further.
Charon, now revealed as a pale-faced young man with a drooping
moustache, put his head into the room and repeated impatiently his
invitation to the apparently coy Moncrieff. It suddenly occurred to me
that I was Mr. Horace Moncrieff.

“So glad you've found yourself,” said the pale-faced young man, as I
joined him at the door. “Please don't lose yourself again; we're rather
pressed for time.”

I crossed with him through a deserted refreshment bar--one of the
saddest of sights--into a room beyond. A melancholy-looking gentleman
was seated at the piano. Beside him stood a tall, handsome man, who
was opening and reading rapidly from a bundle of letters he held in his
hand. A big, burly, bored-looking gentleman was making desperate
efforts to be amused at the staccato conversation of a sharp-faced,
restless-eyed gentleman, whose peculiarity was that he never by any
chance looked at the person to whom he was talking, but always at
something or somebody else.

“Moncrieff?” enquired the tall, handsome man--whom I later discovered to
be Mr. Hodgson, the manager--without raising his eyes from his letters.

The pale-faced gentleman responded for me.

“Fire away,” said Mr. Hodgson.

“What is it?” asked of me wearily the melancholy gentleman at the piano.

“'Sally in Our Alley,'” I replied.

“What are you?” interrupted Mr. Hodgson. He had never once looked at me,
and did not now.

“A tenor,” I replied. “Not a full tenor,” I added, remembering the
O'Kelly's instructions.

“Utterly impossible to fill a tenor,” remarked the restless-eyed
gentleman, looking at me and speaking to the worried-looking gentleman.
“Ever tried?”

Everybody laughed, with the exception of the melancholy gentleman at the
piano, Mr. Hodgson throwing in his contribution without raising his eyes
from his letters. Throughout the proceedings the restless-eyed gentleman
continued to make humorous observations of this nature, at which
everybody laughed, excepting always the melancholy pianist--a short,
sharp, mechanical laugh, devoid of the least suggestion of amusement.
The restless-eyed gentleman, it appeared, was the leading low comedian
of the theatre.

“Go on,” said the melancholy gentleman, and commenced the accompaniment.

“Tell me when he's going to begin,” remarked Mr. Hodgson at the
conclusion of the first verse.

“He has a fair voice,” said my accompanist. “He's evidently nervous.”

“There is a prejudice throughout theatrical audiences,” observed Mr.
Hodgson, “in favour of a voice they can hear. That is all I am trying to
impress upon him.”

The second verse, so I imagined, I sang in the voice of a trumpet. The
burly gentleman--the translator of the French libretto, as he turned
out to be; the author of the English version, as he preferred to
be called--acknowledged to having distinctly detected a sound. The
restless-eyed comedian suggested an announcement from the stage
requesting strict silence during my part of the performance.

The sickness of fear was stealing over me. My voice, so it seemed to me,
disappointed at the effect it had produced, had retired, sulky, into my
boots, whence it refused to emerge.

“Your voice is all right--very good,” whispered the musical conductor.
“They want to hear the best you can do, that's all.”

At this my voice ran up my legs and out of my mouth. “Thirty shillings
a week, half salary for rehearsals. If that's all right, Mr. Catchpole
will give you your agreement. If not, very much obliged. Good morning,”
 said Mr. Hodgson, still absorbed in his correspondence.

With the pale-faced young man I retired to a desk in the corner, where
a few seconds sufficed for the completion of the business. Leaving, I
sought to catch the eye of my melancholy friend, but he appeared too
sunk in dejection to notice anything. The restless-eyed comedian,
looking at the author of the English version and addressing me as
Boanerges, wished me good morning, at which the everybody laughed; and,
informed as to the way out by the pale-faced Mr. Catchpole, I left.

The first “call” was for the following Monday at two o'clock. I found
the theatre full of life and bustle. The principals, who had just
finished their own rehearsal, were talking together in a group. We
ladies and gentlemen of the chorus filled the centre of the stage. I
noticed the lady I had heard referred to as Gertie; as also the thin
lady with the golden hair. The massive gentleman and the fishy-eyed
young man were again in close proximity; so long as I knew them they
always were together, possessed, apparently, of a sympathetic antipathy
for each other. The fishy-eyed young gentleman was explaining the age at
which he thought decayed chorus singers ought, in justice to themselves
and the public, to retire from the profession; the massive gentleman,
the age and size at which he thought parcels of boys ought to be
learning manners across their mother's knee.

Mr. Hodgson, still reading letters exactly as I had left him four days
ago, stood close to the footlights. My friend, the musical director,
armed with a violin and supported by about a dozen other musicians,
occupied the orchestra. The adapter and the stage manager--a Frenchman
whom I found it good policy to mistake for a born Englishman--sat
deep in confabulation at a small table underneath a temporary gas jet.
Quarter of an hour or so passed by, and then the stage manager, becoming
suddenly in a hurry, rang a small bell furiously.

“Clear, please; all clear,” shouted a small boy, with important air
suggestive of a fox terrier; and, following the others, I retreated to
the wings.

The comedian and the leading lady--whom I knew well from the front,
but whom I should never have recognised--severed themselves from their
companions and joined Mr. Hodgson by the footlights. As a preliminary we
were sorted out, according to our sizes, into loving couples.

“Ah,” said the stage manager, casting an admiring gaze upon the
fishy-eyed young man, whose height might have been a little over five
feet two, “I have the very girl for you--a beauty!” Darting into the
group of ladies, he returned with quite the biggest specimen, a lady
of magnificent proportions, whom, with the air of the virtuous uncle
of melodrama, he bestowed upon the fishy-eyed young man. To the massive
gentleman was given a sharp-faced little lady, who at a distance
appeared quite girlish. Myself I found mated to the thin lady with the
golden hair.

At last complete, we took our places in the then approved semi-circle,
and the attenuated orchestra struck up the opening chorus. My music,
which had been sent me by post, I had gone over with the O'Kelly, and
about that I felt confident; but for the rest, ill at ease.

“I am afraid,” said the thin lady, “I must ask you to put your arm round
my waist. It's very shocking, I know, but, you see, our salary depends
upon it. Do you think you could manage it?”

I glanced into her face. A whimsical expression of fun replied to me and
drove away my shyness. I carried out her instructions to the best of my
ability.

The indefatigable stage manager ran in and out among us while we sang,
driving this couple back a foot or so, this other forward, herding this
group closer together, throughout another making space, suggesting the
idea of a sheep-dog at work.

“Very good, very good indeed,” commented Mr. Hodgson at the conclusion.
“We will go over it once more, and this time in tune.”

“And we will make love,” added the stage manager; “not like marionettes,
but like ladies and gentlemen all alive.” Seizing the lady nearest to
him, he explained to us by object lesson how the real peasant invariably
behaves when under influence of the grand passion, standing gracefully
with hands clasped upon heart, head inclined at an angle of forty-five,
his whole countenance eloquent with tender adoration.

“If he expects” remarked the massive gentleman _sotto voce_ to an
experienced-looking young lady, “a performance of Romeo thrown in, I,
for one, shall want an extra ten shillings a week.”

Casting the lady aside and seizing upon a gentleman, our stage manager
then proceeded to show the ladies how a village maiden should receive
affectionate advances: one shoulder a trifle higher than the other, body
from the waist upward gently waggling, roguish expression in left eye.

“Ah, he's a bit new to it,” replied the experienced young lady. “He'll
get over all that.”

Again we started. Whether others attempted to follow the stage manager's
directions I cannot say, my whole attention being centred upon the
fishy-eyed young man, who did, implicitly. Soon it became apparent that
the whole of us were watching the fishy-eyed young man to the utter
neglect of our own business. Mr. Hodgson even looked up from his
letters; the orchestra was playing out of time; the author of the
English version and the leading lady exchanged glances. Three people
only appeared not to be enjoying themselves: the chief comedian, the
stage manager and the fishy-eyed young gentleman himself, who pursued
his labours methodically and conscientiously. There was a whispered
confabulation between the leading low comedian, Mr. Hodgson and the
stage manager. As a result, the music ceased and the fishy-eyed young
gentleman was requested to explain what he was doing.

“Only making love,” replied the fishy-eyed young gentleman.

“You were playing the fool, sir,” retorted the leading low comedian,
severely.

“That is a very unkind remark,” replied the fishy-eyed young gentleman,
evidently hurt, “to make to a gentleman who is doing his best.”

Mr. Hodgson behind his letters was laughing. “Poor fellow,” he murmured;
“I suppose he can't help it. Go on.”

“We are not producing a pantomime, you know,” urged our comedian.

“I want to give him a chance, poor devil,” explained Mr. Hodgson in a
lower voice. “Only support of a widowed mother.”

Our comedian appeared inclined to argue; but at this point Mr. Hodgson's
correspondence became absorbing.

For the chorus the second act was a busy one. We opened as soldiers
and vivandieres, every warrior in this way possessing his own private
travelling bar. Our stage manager again explained to us by example how
a soldier behaves, first under stress of patriotic emotion, and secondly
under stress of cheap cognac, the difference being somewhat subtle:
patriotism displaying itself by slaps upon the chest, and cheap cognac
by slaps upon the forehead. A little later we were conspirators; our
stage manager, with the help of a tablecloth, showed us how to conspire.
Next we were a mob, led by the sentimental baritone; our stage manager,
ruffling his hair, expounded to us how a mob led by a sentimental
baritone would naturally behave itself. The act wound up with a fight.
Our stage manager, minus his coat, demonstrated to us how to fight and
die, the dying being a painful and dusty performance, necessitating, as
it did, much rolling about on the stage. The fishy-eyed young gentleman
throughout the whole of it was again the centre of attraction. Whether
he were solemnly slapping his chest and singing about glory, or solemnly
patting his head and singing about grapes, was immaterial: he was the
soldier for us. What the plot was about did not matter, so long as he
was in it. Who led the mob one did not care; one's desire was to see
him lead. How others fought and died was matter of no moment; to see him
slaughtered was sufficient. Whether his unconsciousness was assumed or
natural I cannot say; in either case it was admirable. An earnest young
man, over-anxious, if anything, to do his duty by his employers, was
the extent of the charge that could be brought against him. Our chief
comedian frowned and fumed; our stage manager was in despair. Mr.
Hodgson and the author of the English version, on the contrary, appeared
kindly disposed towards the gentleman. In addition to the widowed
mother, Mr. Hodgson had invented for him five younger brothers and
sisters utterly destitute but for his earnings. To deprive so exemplary
a son and brother of the means of earning a livelihood for dear ones
dependent upon him was not in Mr. Hodgson's heart. Our chief comedian
dissociated himself from all uncharitable feelings--would subscribe
towards the subsistence of the young man out of his own pocket, his
only concern being the success of the opera. The author of the English
version was convinced the young man would not accept a charity; had
known him for years--was a most sensitive creature.

The rehearsal proceeded. In the last act it became necessary for me to
kiss the thin lady.

“I am very sorry,” said the thin lady, “but duty is duty. It has to be
done.”

Again I followed directions. The thin lady was good enough to
congratulate me on my performance.

The last three or four rehearsals we performed in company with the
principals. Divided counsels rendered them decidedly harassing. Our
chief comedian had his views, and they were decided; the leading lady
had hers, and was generous with them. The author of the English version
possessed his also, but of these nobody took much notice. Once every
twenty minutes the stage manager washed his hands of the whole affair
and left the theatre in despair, and anybody's hat that happened to
be handy, to return a few minutes later full of renewed hope. The
sentimental baritone was sarcastic, the tenor distinctly rude to
everybody. Mr. Hodgson's method was to agree with all and listen to
none. The smaller fry of the company, together with the more pushing of
the chorus, supported each in turn, when the others were not looking. Up
to the dress rehearsal it was anybody's opera.

About one thing, and about one thing, only, had the principals fallen
into perfect agreement, and that was that the fishy-eyed young gentleman
was out of place in a romantic opera. The tenor would be making
impassioned love to the leading lady. Perception would come to both of
them that, though they might be occupying geographically the centre of
the stage, dramatically they were not. Without a shred of evidence,
yet with perfect justice, they would unhesitatingly blame for this the
fishy-eyed young man.

“I wasn't doing anything,” he would explain meekly. “I was only
looking.” It was perfectly true; that was all he was doing.

“Then don't look,” would comment the tenor.

The fishy-eyed young gentleman obediently would turn his face away from
them; and in some mysterious manner the situation would thereupon become
even yet more hopelessly ridiculous.

“My scene, I think, sir!” would thunder our chief comedian, a little
later on.

“I am only doing what I was told to do,” answered the fishy-eyed young
gentleman; and nobody could say that he was not.

“Take a circus, and run him as a side-show,” counselled our comedian.

“I am afraid he would never be any good as a side-show,” replied Mr.
Hodgson, who was reading letters.

On the first night, passing the gallery entrance on my way to the stage
door, the sight of the huge crowd assembled there waiting gave me my
first taste of artistic joy. I was a part of what they had come to see,
to praise or to condemn, to listen to, to watch. Within the theatre
there was an atmosphere of suppressed excitement, amounting almost to
hysteria. The bird-like gentleman in his glass cage was fluttering,
agitated. The hands of the stage carpenters putting the finishing
touches to the scenery were trembling, their voices passionate
with anxiety; the fox-terrier-like call-boy was pale with sense of
responsibility.

I made my way to the dressing-room--a long, low, wooden corridor,
furnished from end to end with a wide shelf that served as common
dressing-table, lighted by a dozen flaring gas-jets, wire-shielded. Here
awaited us gentlemen of the chorus the wigmaker's assistant, whose duty
it was to make us up. From one to another he ran, armed with his hare's
foot, his box of paints and his bundle of crepe hair. My turn arriving,
he seized me by the head, jabbed a wig upon me, and in less than a
couple of minutes I left his hands the orthodox peasant of the stage,
white of forehead and pink of cheek, with curly moustache and lips of
coral. Glancing into the glass, I could not help feeling pleased with
myself; a moustache, without doubt, suited me.

The chorus ladies, when I met them on the stage, were a revelation
to me. Paint and powder though I knew their appearance to consist
of chiefly, yet in that hot atmosphere of the theatre, under that
artificial glare, it seemed fit and fascinating. The close approximation
to so much bare flesh, its curious, subtle odour was almost
intoxicating. Dr. Johnson's excuse to Garrick for the rarity of his
visits to the theatre recurred to me with understanding.

“How do you like my costume?” asked the thin lady with the golden hair.

“I think you--” We were standing apart behind a piece of projecting
scenery. She laid her hand upon my mouth, laughing.

“How old are you?” she asked me.

“Isn't that a rude question?” I answered. “I don't ask your age.

“Mine,” she replied, “entitles me to talk to you as I should to a boy of
my own--I had one once. Get out of this life if you can. It's bad for
a woman; it's worse still for a man. To you especially it will be
harmful.”

“Why to me in particular?”

“Because you are an exceedingly foolish little boy,” she answered, with
another laugh, “and are rather nice.”

She slipped away and joined the others. The chorus was now entirely
assembled on the stage. The sound of the rapidly-filling house reached
us, softened through the thick baize curtain, a dull, continuous
droning, as of water pouring into some huge cistern. Suddenly there fell
upon our ears a startling crash; the overture had commenced. The stage
manager--more suggestive of a sheep-dog than ever, but lacking the calm
dignity, the self-possession born of conscious capability distinctive of
his prototype; a fussy, argumentative sheep-dog--rushed into the midst
of us and worried us into our positions, where the more experienced
continued to converse in whispers, the rest of us waiting nervously,
trying to remember our words. The chorus master, taking his stand with
his back to the proscenium, held his white-gloved hand in readiness. The
curtain rushed up, the house, a nightmare of white faces, appearing to
run towards us. The chorus-master's white-gloved hand flung upward. A
roar of voices struck upon my ear, but whether my own were of them
I could not say; if I were singing at all it was unconsciously,
mechanically. Later, I found myself standing in the wings beside the
thin lady; the stage was in the occupation of the principals. On my next
entrance my senses were more with me; I was able to look about me. Here
and there a strongly-marked face among the audience stood out, but the
majority were as indistinguishable as so many blades of grass. Looked at
from the stage, the house seemed no more real than from the front do the
painted faces upon a black cloth.

The curtain fell amid the usual applause, sounding to us behind it like
the rattle of tiny stones against a window-pane. Three times it rose
and fell, like the opening and shutting of a door; and then followed a
scamper for the dressing-rooms, the long corridors being filled with the
rustling of skirts and the scurrying of feet.

It was in the second act that the fishy-eyed young gentleman came into
his own. The chorus had lingered till it was quite apparent that the
tenor and the leading lady were in love with each other; then, with the
exquisite delicacy so characteristic of a chorus, foreseeing that its
further presence might be embarrassing, it turned to go, half to the
east, the other half to the west. The fishy-eyed young man, starting
from the centre, was the last to leave the stage. In another moment he
would have disappeared from view. There came a voice from the gallery,
clear, distinct, pathetic with entreaty:

“Don't go. Get behind a tree.”

The request was instantly seconded by a roar of applause from every part
of the house, followed by laughter. From that point onward the house was
chiefly concerned with the fortunes of the fishy-eyed young gentleman.
At his next entrance, disguised as a conspirator, he was welcomed
with enthusiasm, his passing away regretted loudly. At the fall of the
curtain, the tenor, furious, rushed up to him, and, shaking a fist in
his face, demanded what he meant by it.

“I wasn't doing anything,” explained the fishy-eyed young man.

“You went off sideways!” roared the tenor.

“Well, you told me not to look at you,” explained meekly the fishy-eyed
young gentleman. “I must go off somehow. I regard you as a very
difficult man to please.”

At the final fall of the curtain the house appeared divided as regarded
the merits of the opera; but for “Goggles” there was a unanimous and
enthusiastic call, and the while we were dressing a message came for
“Goggles” that Mr. Hodgson wished to see him in his private room.

“He can make a funny face, no doubt about it,” commented one gentleman,
as “Goggles” left the room.

“I defy him to make a funnier one than God Almighty's made for him,”
 responded the massive gentleman.

“There's a deal in luck,” observed, with a sigh, another, a tall,
handsome young gentleman possessed of a rich bass voice.

Leaving the stage door, I encountered a group of gentlemen waiting upon
the pavement outside. Not interested in them myself, I was hurrying
past, when one laid a hand upon my shoulder. I turned. He was a big,
broad-shouldered fellow, with a dark Vandyke beard and soft, dreamy
eyes.

“Dan!” I cried.

“I thought it was you, young 'un, in the first act,” he answered. “In
the second, when you came on without a moustache, I knew it. Are you in
a hurry?”

“Not at all,” I answered. “Are you?”

“No,” he replied; “we don't go to press till Thursday, so I can write my
notice to-morrow. Come and have supper with me at the Albion and we will
talk. You look tired, young 'un.”

“No,” I assured him, “only excited--partly at meeting you.”

He laughed, and drew my arm through his.




CHAPTER V.

HOW ON A SWEET GREY MORNING THE FUTURE CAME TO PAUL.

Over our supper Dan and I exchanged histories. They revealed points of
similarity. Leaving school some considerable time earlier than myself,
Dan had gone to Cambridge; but two years later, in consequence of the
death of his father, of a wound contracted in the Indian Mutiny and
never cured, had been compelled to bring his college career to an
untimely termination.

“You might not have expected that to grieve me,” said Dan, with a smile,
“but, as a matter of fact, it was a severe blow to me. At Cambridge I
discovered that I was by temperament a scholar. The reason why at school
I took no interest in learning was because learning was, of set purpose,
made as uninteresting as possible. Like a Cook's tourist party through a
picture gallery, we were rushed through education; the object being not
that we should see and understand, but that we should be able to say
that we had done it. At college I chose my own subjects, studied them
in my own way. I fed on knowledge, was not stuffed with it like a
Strassburg goose.”

Returning to London, he had taken a situation in a bank, the chairman of
which had been an old friend of his father. The advantage was that while
earning a small income he had time to continue his studies; but the
deadly monotony of the work had appalled him, and upon the death of his
mother he had shaken the cloying dust of the City from his brain and
joined a small “fit-up” theatrical company. On the stage he had remained
for another eighteen months; had played all roles, from “Romeo” to “Paul
Pry,” had helped to paint the scenery, had assisted in the bill-posting.
The latter, so he told me, he had found one of the most difficult of
accomplishments, the paste-laden poster having an innate tendency to
recoil upon the amateur's own head, and to stick there. Wearying of the
stage proper, he had joined a circus company, had been “Signor Ricardo,
the daring bare-back rider,” also one of the “Brothers Roscius in their
marvellous trapeze act;” inclining again towards respectability, had
been a waiter for three months at Ostend; from that, a footman.

“One never knows,” remarked Dan. “I may come to be a society novelist;
if so, inside knowledge of the aristocracy will give me decided
advantage over the majority of my competitors.”

Other callings he had sampled: had tramped through Ireland with a
fiddle; through Scotland with a lecture on Palestine, assisted by
dissolving views; had been a billiard-marker; next a schoolmaster. For
the last three months he had been a journalist, dramatic and musical
critic to a Sunday newspaper. Often had I dreamt of such a position for
myself.

“How did you obtain it?” I asked.

“The idea occurred to me,” replied Dan, “late one afternoon, sauntering
down the Strand, wondering what I should do next. I was on my beam ends,
with only a few shillings in my pocket; but luck has always been with
me. I entered the first newspaper office I came to, walked upstairs to
the first floor, and opening the first door without knocking, passed
through a small, empty room into a larger one, littered with books and
papers. It was growing dark. A gentleman of extremely youthful figure
was running round and round, cursing to himself because of three things:
he had upset the ink, could not find the matches, and had broken the
bell-pull. In the gloom, assuming him to be the office boy, I thought
it would be fun to mistake him for the editor. As a matter of fact,
he turned out to be the editor. I lit the gas for him, and found him
another ink-pot. He was a slim young man with the voice and manner of a
schoolboy. I don't suppose he is any more than five or six-and-twenty.
He owes his position to the fact of his aunt's being the proprietress.
He asked me if he knew me. Before I could tell him that he didn't, he
went on talking. He appeared to be labouring under a general sense of
injury.

“'People come into this office,' he said; 'they seem to look upon it as
a shelter from the rain--people I don't know from Adam. And that damned
fool downstairs lets them march straight up--anybody, men with articles
on safety valves, people who have merely come to kick up a row about
something or another. Half my work I have to do on the stairs.

“I recommended to him that he should insist upon strangers writing their
business upon a slip of paper. He thought it a good idea.

“'For the last three-quarters of an hour,' he said, 'have I been trying
to finish this one column, and four times have I been interrupted.'

“At that precise moment there came another knock at the door.

“'I won't see him!' he cried. 'I don't care who he is; I won't see him.
Send him away! Send everybody away!'

“I went to the door. He was an elderly gentleman. He made to sweep by
me; but I barred his way, and closed the editorial door behind me. He
seemed surprised; but I told him it was impossible for him to see the
editor that afternoon, and suggested his writing his business on a sheet
of paper, which I handed to him for the purpose. I remained in that
ante-room for half an hour, and during that time I suppose I must have
sent away about ten or a dozen people. I don't think their business
could have been important, or I should have heard about it afterwards.
The last to come was a tired-looking gentleman, smoking a cigarette. I
asked him his name.

“He looked at me in surprise, and then answered, 'Idiot!'

“I remained firm, however, and refused to let him pass.

“'It's a bit awkward,' he retorted. 'Don't you think you could make an
exception in favour of the sub-editor on press night?'

“I replied that such would be contrary to my instructions.

“'Oh, all right,' he answered. 'I'd like to know who's going to the
Royalty to-night, that's all. It's seven o'clock already.'

“An idea occurred to me. If the sub-editor of a paper doesn't know whom
to send to a theatre, it must mean that the post of dramatic critic on
that paper is for some reason or another vacant.

“'Oh, that's all right,' I told him. 'I shall be in time enough.'

“He appeared neither pleased nor displeased. 'Have you arranged with the
Guv'nor?' he asked me.

“'I'm just waiting to see him again for a few minutes,' I returned.
'It'll be all right. Have you got the ticket?'

“'Haven't seen it,' he replied.

“'About a column?' I suggested.

“'Three-quarters,' he preferred, and went.

“The moment he was gone, I slipped downstairs and met a printer's boy
coming up.

“'What's the name of your sub?' I asked him. 'Tall man with a black
moustache, looks tired.'

“'Oh, you mean Penton,' explained the boy.

“'That's the name,' I answered; 'couldn't think of it.'

“I walked straight into the editor; he was still irritable. 'What is it?
What is it now?' he snapped out.

“'I only want the ticket for the Royalty Theatre,' I answered. 'Penton
says you've got it.'

“'I don't know where it is,' he growled.

“I found it after some little search upon his desk.

“'Who's going?' he asked.

“'I am,' I said. And I went.

“They have never discovered to this day that I appointed myself. Penton
thinks I am some relation of the proprietress, and in consequence
everybody treats me with marked respect. Mrs. Wallace herself, the
proprietress, thinks I am the discovery of Penton, in whose judgment
she has great faith; and with her I get on admirably. The paper I
don't think is doing too well, and the salary is small, but sufficient.
Journalism suits my temperament, and I dare say I shall keep to it.”

“You've been somewhat of a rolling stone hitherto,” I commented.

He laughed. “From the stone's point of view,” he answered, “I never
could see the advantage of being smothered in moss. I should always
prefer remaining the stone, unhidden, able to move and see about me. But
now, to speak of other matters, what are your plans for the immediate
future? Your opera, thanks to the gentlemen, the gods have dubbed
'Goggles,' will, I fancy, run through the winter. Are you getting any
salary?”

“Thirty shillings a week,” I explained to him, “with full salary for
matinees.”

“Say two pounds,” he replied. “With my three we could set up an
establishment of our own. I have an idea that is original. Shall we work
it out together?”

I assured him with fervour that nothing would please me better.

“There are four delightful rooms in Queen's Square,” he continued. “They
are charmingly furnished: a fine sitting-room in the front, with
two bedrooms and a kitchen behind. Their last tenant was a Polish
Revolutionary, who, three months ago, poor fellow, was foolish enough to
venture back to Russia, and who is now living rent free. The landlord of
the house is an original old fellow, Deleglise the engraver. He occupies
the rest of the house himself. He has told me I can have the rooms for
anything I like to offer, and I should suggest thirty shillings a week,
though under ordinary circumstances they would be worth three or four
pounds. But he will only let us have them on the understanding that
we 'do for' ourselves. He is quite an oddity. He hates petticoats,
especially elderly petticoats. He has one servant, an old Frenchwoman,
who, I believe, was housekeeper to his mother, and he and she do the
housework together, most of their time quarrelling over it. Nothing else
of the genus domestic female will he allow inside the door; not even an
occasional charwoman would be permitted to us. On the other hand, it
is a beautiful old Georgian house, with Adams mantelpieces, a stone
staircase, and oak-panelled rooms; and our portion would be the entire
second floor: no pianos and no landlady. He is a widower with one child,
a girl of about fourteen or maybe a little older. Now, what do you say?
I am a very fair cook; will you be house-and-parlour-maid?”

I needed no pressing. A week later we were installed there, and for
nearly two years we lived there. At the risk of offending an adorable
but somewhat touchy sex, convinced that man, left to himself, is
capable of little more than putting himself to bed, and that only in
a rough-and-ready fashion, truth compels me to record the fact that
without female assistance or supervision of any kind we passed through
those two years, and yet exist to tell the tale. Dan had not idly
boasted. Better plain cooking I never want to taste; so good a cup of
coffee, omelette, or devilled kidney I rarely have tasted. Had he always
confined his efforts within the boundaries of his abilities, there
would be little to record beyond continuous and monotonous success.
But stirred into dangerous ambition at the call of an occasional tea or
supper party, lured out of his depths by the example of old Deleglise,
our landlord--a man who for twenty years had made cooking his hobby--Dan
would at intervals venture upon experiment. Pastry, it became evident,
was a thing he should never have touched: his hand was heavy and
his temperament too serious. There was a thing called lemon sponge,
necessitating much beating of eggs. In the cookery-book--a remarkably
fat volume, luscious with illustrations of highly-coloured food--it
appeared an airy and graceful structure of dazzling whiteness. Served as
Dan sent it to table, it suggested rather in form and colour a miniature
earthquake. Spongy it undoubtedly was. One forced it apart with the
assistance of one's spoon and fork; it yielded with a gentle tearing
sound. Another favourite dainty of his was manna-cake. Concerning it
I would merely remark that if it in any way resembled anything the
Children of Israel were compelled to eat, then there is explanation
for that fretfulness and discontent for which they have been, perhaps,
unjustly blamed--some excuse even for their backward-flung desires in
the direction of the Egyptian fleshpots. Moses himself may have been
blessed with exceptional digestion. It was substantial, one must say
that for it. One slice of it--solid, firm, crusty on the outside,
towards the centre marshy--satisfied most people to a sense of
repletion. For supper parties Dan would essay trifles--by no means open
to the criticism of being light as air--souffle's that guests, in spite
of my admonishing kicks, would persist in alluding to as pudding; and in
winter-time, pancakes. Later, as regards these latter, he acquired some
skill; but at first the difficulty was the tossing. I think myself a
safer plan would have been to turn them by the aid of a knife and fork;
it is less showy, but more sure. At least, you avoid all danger of
catching the half-baked thing upon your head instead of in the pan,
of dropping it into the fire, or among the cinders. But “Thorough” was
always Dan's motto; and after all, small particles of coal or a few
hairs can always be detected by the careful feeder, and removed.

A more even-tempered man than Dan for twenty-three hours out of every
twenty-four surely never breathed. It was a revelation to me to discover
that for the other he could be uncertain, irritable, even ungrateful.
At first, in a spirit of pure good nature, I would offer him counsel and
advice; explain to him why, as it seemed to me, the custard was pimply,
the mayonnaise sauce suggestive of hair oil. What was my return? Sneers,
insult and abuse, followed, if I did not clear out quickly, by spoilt
tomatoes, cold coffee grounds--anything that happened to be handy.
Pained, saddened, I would withdraw, he would kick the door to after me.
His greatest enemy appeared to be the oven. The oven it was that set
itself to thwart his best wrought schemes. Always it was the oven's
fault that the snowy bun appeared to have been made of red sandstone,
the macaroni cheese of Cambrian clay. One might have sympathised with
him more had his language been more restrained. As it was, the virulence
of his reproaches almost inclined one to take the part of the oven.

Concerning our house-maid, I can speak in terms of unqualified praise.
There are, alas, fussy house-maids--who has not known and suffered
them?--who overdo the thing, have no repose, no instinct telling
them when to ease up and let the place alone. I have always held the
perpetual stirring up of dust a scientific error; left to itself, it is
harmless, may even be regarded as a delicate domestic bloom, bestowing
a touch of homeliness upon objects that without it gleam cold and
unsympathetic. Let sleeping dogs lie. Why be continually waking up the
stuff, filling the air with all manner of unhealthy germs? Nature in her
infinite wisdom has ordained that upon table, floor, or picture frame it
shall sink and settle. There it remains, quiet and inoffensive; there it
will continue to remain so long as nobody interferes with it: why worry
it? So also with crumbs, odd bits of string, particles of egg-shell,
stumps of matches, ends of cigarettes: what fitter place for such than
under the nearest mat? To sweep them up is tiresome work. They cling to
the carpet, you get cross with them, curse them for their obstinacy,
and feel ashamed of yourself for your childishness. For every one you
do persuade into the dust-pan, two jump out again. You lose your temper,
feel bitter towards the man that dropped them. Your whole character
becomes deteriorated. Under the mat they are always willing to go.
Compromise is true statesmanship. There will come a day when you will
be glad of an excuse for not doing something else that you ought to
be doing. Then you can take up the mats and feel quite industrious,
contemplating the amount of work that really must be done--some time or
another.

To differentiate between the essential and the non-essential, that
is where woman fails. In the name of common sense, what is the use of
washing a cup that half an hour later is going to be made dirty again?
If the cat be willing and able to so clean a plate that not one speck of
grease remain upon it, why deprive her of pleasure to inflict toil upon
yourself? If a bed looks made and feels made, then for all practical
purposes it is made; why upset it merely to put it straight again? It
would surprise most women the amount of labour that can be avoided in a
house.

For needlework, I confess, I never acquired skill. Dan had learnt to
handle a thimble, but my own second finger was ever reluctant to come
forward when wanted. It had to be found, all other fingers removed out
of its way. Then, feebly, nervously, it would push, slip, get itself
pricked badly with the head of the needle, and, thoroughly frightened,
remain incapable of further action. More practical I found it to push
the needle through by help of the door or table.

The opera, as Dan had predicted, ran far into the following year. When
it was done with, another--in which “Goggles” appeared as one of the
principals--took its place, and was even more successful. After the
experience of Nelson Square, my present salary of thirty-five shillings,
occasionally forty shillings, a week seemed to me princely. There
floated before my eyes the possibility of my becoming a great opera
singer. On six hundred pounds a week, I felt I could be content. But the
O'Kelly set himself to dispel this dream.

“Ye'd be making a mistake, me boy,” explained the O'Kelly. “Ye'd be just
wasting ye're time. I wouldn't tell ye so if I weren't convinced of it.”

“I know it is not powerful,” I admitted.

“Ye might almost call it thin,” added the O'Kelly.

“It might be good enough for comic opera,” I argued. “People appear to
succeed in comic opera without much voice.

“Sure, there ye're right,” agreed the O'Kelly, with a sigh. “An' of
course if ye had an exceptionally fine presence and were strikingly
handsome--”

“One can do a good deal with make-up,” I suggested.

The O'Kelly shook his head. “It's never quite the same thing. It would
depend upon your acting.”

I dreamt of becoming a second Kean, of taking Macready's place. It need
not interfere with my literary ambition. I could combine the two: fill
Drury Lane in the evening, turn out epoch-making novels in the morning,
write my own plays.

Every day I studied in the reading-room of the British Museum. Wearying
of success in Art, I might eventually go into Parliament: a Prime
Minister with a thorough knowledge of history: why not? With Ollendorf
for guide, I continued French and German. It might be the diplomatic
service that would appeal to me in my old age. An ambassadorship! It
would be a pleasant termination to a brilliant career.

There was excuse for my optimistic mood about this period. All things
were going well with me. A story of mine had been accepted. I forget for
the moment the name of the journal: it is dead now. Most of the papers
in which my early efforts appeared are dead. My contributions might
be likened to their swan songs. Proofs had been sent me, which I had
corrected and returned. But proofs are not facts. This had happened to
me once before, and I had been lifted to the skies only to fall the more
heavily. The paper had collapsed before my story had appeared. (Ah, why
had they delayed? It might have saved them!) This time I remembered the
proverb, and kept my own counsel, slipping out early each morning on the
day of publication to buy the paper, to scan eagerly its columns. For
weeks I suffered hope deferred. But at last, one bright winter's day in
January, walking down the Harrow Road, I found myself standing still,
suddenly stunned, before a bill outside a small news-vendor's shop. It
was the first time I had seen my real name in print: “The Witch of Moel
Sarbod: a legend of Mona, by Paul Kelver.” (For this I had even risked
discovery by the Lady 'Ortensia.) My legs trembling under me, I entered
the shop. A ruffianly-looking man in dirty shirt-sleeves, who appeared
astonished that any one should want a copy, found one at length on
the floor underneath the counter. With it in my pocket, I retraced my
footsteps as in a dream. On a seat in Paddington Green I sat down and
read it. The hundred best books! I have waded through them all; they
have never charmed me as charmed me that one short story in that now
forgotten journal. Need I add it was a sad and sentimental composition.
Once upon a time there lived a mighty King; one--but with the names I
will not bore you; they are somewhat unpronounceable. Their selection
had cost me many hours of study in the British Museum reading-rooms,
surrounded by lexicons of the Welsh language, gazetteers, translations
from the early Celtic poets--with footnotes. He loved and was beloved by
a beautiful Princess, whose name, being translated, was Purity. One
day the King, hunting, lost his way, and being weary, lay down and fell
asleep. And by chance the spot whereon he lay was near to a place which
by infinite pains, with the aid of a magnifying glass, I had discovered
upon the map, and which means in English the Cave of the Waters, where
dwelt a wicked Sorceress, who, while he slept, cast her spells upon him,
so that he awoke to forget his kingly honour and the good of all his
people, his only desire being towards the Witch of Moel Sarbod.

Now, there lived in this Kingdom by the sea a great Magician; and
Purity, who loved the King far better than herself, bethought her of
him, and of all she had heard concerning his power and wisdom; and went
to him and besought his aid that she might save the King. There was but
one way to accomplish this: with bare feet Purity must climb the rocky
path leading to the Witch's dwelling, go boldly up to her, not fearing
her sharp claws nor her strong teeth, and kiss her upon the mouth. In
this way the spirit of Purity would pass into the Witch's soul, and she
would become a woman. But the form and spirit of the Witch would pass
into Purity, transforming her, and in the Cave of the Waters she must
forever abide. Thus Purity gave herself that the King might live. With
bleeding feet she climbed the rocky path, clasped the Witch's form
within her arms, kissed her on the mouth. And the Witch became a woman
and reigned with the King over his people, wisely and helpfully. But
Purity became a hideous witch, and to this day abides on Moel Sarbod,
where is the Cave of the Waters. And they who climb the mountain's side
still hear above the roaring of the cataract the sobbing of Purity,
the King's betrothed. But many liken it rather to a joyous song of love
triumphant.

No writer worth his salt was ever satisfied with anything he ever wrote,
so I have been told, and so I try to believe. Evidently I am not worth
my salt. Candid friends, and others, to whom in my salad days I used
to show my work, asking for a frank opinion, meaning, of course, though
never would they understand me, their unadulterated praise, would assure
me for my good, that this, my first to whom the gods gave life, was but
a feeble, ill-shaped child: its attempted early English a cross between
“The Pilgrim's Progress” and “Old Moore's Almanac;” its scenery--which
had cost me weeks of research--an apparent attempt to sum up in the
language of a local guide book the leading characteristics of the Garden
of Eden combined with Dante's Inferno; its pathos of the penny-plain
and two-penny-coloured order. Maybe they were right. Much have I written
since that at the time appeared to me good, that I have read later
with regret, with burning cheek, with frowning brow. But of this, my
first-born, the harbinger of all my hopes, I am no judge. Touching the
yellowing, badly-printed pages, I feel again the deep thrill of joy with
which I first unfolded them and read. Again I am a youngster, and life
opens out before me--inmeasurable, no goal too high. This child of my
brain, my work: it shall spread my name throughout the world. It shall
be a household world in lands that I shall never see. Friends whose
voices I shall never hear will speak of me. I shall die, but it shall
live, yield fresh seed, bear fruit I know not of. Generations yet unborn
shall read it and remember me. My thoughts, my words, my spirit: in it I
shall live again; it shall keep my memory green.

The long, long thoughts of boyhood! We elders smile at them. The
little world spins round; the little voices of an hour sink hushed. The
crawling generations come and go. The solar system drops from space. The
eternal mechanism reforms and shapes itself anew. Time, turning, ploughs
another furrow. So, growing sleepy, we murmur with a yawn. Is it that
we see clearer, or that our eyes are growing dim? Let the young men
see their visions, dream their dreams, hug to themselves their hopes of
enduring fame; so shall they serve the world better.

I brushed the tears from my eyes and looked up. Half-a-dozen urchins,
male and female, were gaping at me open-mouthed. They scattered
shouting, whether compliment or insult I know not: probably the latter.
I flung them a handful of coppers, which for the moment silenced them;
and went upon my way. How bright, how fair the bustling streets, golden
in the winter sunshine, thronged with life, with effort! Laughter rang
around me. Sweet music rolled from barrel-organs. The strenuous voices
of the costermongers called invitation to the fruitful earth. Errand
boys passed me whistling shrilly joyous melodies. Perspiring tradesmen
shouted generous offers to the needy. Men and women hurried by with
smiling faces. Sleek cats purred in sheltered nooks, till merry dogs
invited them to sport. The sparrows, feasting in the roadway, chirped
their hymn of praise.

At the Marble Arch I jumped upon a 'bus. I mentioned to the conductor
in mounting that it was a fine day. He replied that he had noticed it
himself. The retort struck me as a brilliant repartee. Our coachman, all
but run into by a hansom cab driven by a surly old fellow of patriarchal
appearance, remarked upon the danger of allowing horses out in charge of
bits of boys. How full the world of wit and humour!

Almost without knowing it, I found myself in earnest conversation with
a young man sitting next to me. We conversed of life, of love. Not until
afterwards, reflecting upon the matter, did it surprise me that to a
mere chance acquaintance of the moment he had spoken of the one thing
dearest to his heart: a sweet but clearly wayward maiden, the Hebe of
a small, old-fashioned coffee-shop the 'bus was at that moment passing.
Hitherto I had not been the recipient of confidences. It occurred to me
that as a rule not even my friends spoke much to me concerning their
own affairs; generally it was I who spoke to them of mine. I sympathised
with him, advised him--how, I do not recollect. He said, however, he
thought that I was right; and at Regent Street he left me, expressing
his determination to follow my counsel, whatever it may have been.

Between Berners Street and the Circus I lent a shilling to a couple of
young ladies who had just discovered with amusement, quickly swallowed
by despair, that they neither of them had any money with them. (They
returned it next day in postage stamps, with a charming note.) The
assurance with which I tendered the slight service astonished me myself.
At any other time I should have hesitated, argued with my fears, offered
it with an appearance of sulky constraint, and been declined. For
a moment they were doubtful, then, looking at me, accepted with a
delightful smile. They consulted me as to the way to Paternoster Row.
I instructed them, adding a literary anecdote, which seemed to interest
them. I even ventured on a compliment, neatly phrased, I am inclined to
think. Evidently it pleased--a result hitherto unusual in the case of
my compliments. At the corner of Southampton Row I parted from them with
regret. Why had I never noticed before how full of pleasant people this
sweet and smiling London?

At the corner of Queen's Square a decent-looking woman stopped me to ask
the way to the Children's Hospital at Chelsea, explaining she had made a
mistake, thinking it was the one in Great Ormond Street where her child
lay. I directed her, then glancing into her face, noticed how tired
she looked, and a vista of the weary pavements she would have to tramp
flashed before me. I slipped some money into her hand and told her to
take a 'bus. She flushed, then thanked me. I turned a few yards further
on; she was starting after me, amazement on her face. I laughed and
waved my hand to her. She smiled back in return, and went her way.

A rain began to fall. I paused upon the doorstep for a minute, enjoying
the cool drops upon by upturned face, the tonic sharpness of the keen
east wind; then slipped my key into the lock and entered.

The door of old Deleglise's studio on the first floor happened to be
open. Hitherto, beyond the usual formal salutations, when by chance we
met upon the stairs, I had exchanged but few words with my eccentric
landlord; but remembering his kindly face, the desire came upon me
to tell him my good fortune. I felt sure his eyes would lighten with
delight. By instinct I knew him for a young man's man.

I tapped lightly; no answer came. Someone was talking; it sounded like a
girl's voice. I pushed the door further open and walked in; such was the
custom of the house. It was a large room, built over the yard, lighted
by one high window, before which was the engraving desk, shaded under
a screen of tissue paper. At the further end of the room stood a large
cheval-glass, and in front of this, its back towards me, was a figure
that excited my curiosity; so that remaining where I was, partly hidden
behind a large easel, I watched it for awhile in silence. Above a
heavily flounced blue skirt, which fell in creases on the floor
and trailed a couple of yards or so behind, it wore a black low-cut
sleeveless bodice--much too big for it--of the fashion early Victorian.
A good deal of dark-brown hair, fastened up by hair-pins that stuck out
in all directions like quills upon a porcupine, suggesting collapse with
every movement, was ornamented by three enormous green feathers, one
of which hung limply over the lady's left ear. Three times, while I
watched, unnoticed, the lady propped it into a more befitting attitude,
and three times, limp and intoxicated-looking, it fell back into its
former foolish position. Her long, thin arms, displaying a pair of
brilliantly red elbows, pointed to quite a dangerous degree, terminated
in hands so very sunburnt as to convey the impression of a pair of
remarkably well-fitting gloves. Her right hand grasped and waved with
determination a large lace fan, her left clutched fiercely the front of
her skirt. With a sweeping curtsey to herself in the glass, which would
have been more effective could she have avoided tying her legs together
with her skirt--a _contretemps_ necessitating the use of both hands and
a succession of jumps before she could disentangle herself--she remarked
so soon as she had recovered her balance:

“So sorry I am late. My carriage was unfortunately delayed.”

The excuse, I gathered, was accepted, for with a gracious smile and
a vigorous bow, by help of which every hairpin made distinct further
advance towards freedom, she turned, and with much dignity and head
over the right shoulder took a short walk to the left. At the end of six
short steps she stopped and began kicking. For what reason, I, at first,
could not comprehend. It dawned upon me after awhile that her object
was the adjustment of her train. Finding the manoeuvre too difficult of
accomplishment by feet alone, she stooped, and, taking the stuff up in
her hands, threw it behind her. Then, facing north, she retraced
her steps to the glass, talking to herself, as she walked, in the
high-pitched drawl, distinctive, as my stage knowledge told me, of
aristocratic society.

“Oh, do you think so--really? Ah, yes; you say that. Certainly not! I
shouldn't think of it.” There followed what I am inclined to believe was
intended for a laugh, musical but tantalising. If so, want of practice
marred the effort. The performance failed to satisfy even herself. She
tried again; it was still only a giggle.

Before the glass she paused, and with a haughty inclination of her head
succeeded for the third time in displacing the intoxicated feather.

“Oh, bother the silly thing!” she said in a voice so natural as to be,
by contrast with her previous tone, quite startling.

She fixed it again with difficulty, muttering something inarticulate.
Then, her left hand resting on an imaginary coat-sleeve, her right
holding her skirt sufficiently high to enable her to move, she commenced
to majestically gyrate.

Whether, hampered as she was by excess of skirt, handicapped by the
natural clumsiness of her age, catastrophe in any case would not sooner
or later have overtaken her, I have my doubts. I have since learnt her
own view to be that but for catching sight, in turning, of my face,
staring at her through the bars of the easel, all would have gone well
and gracefully. Avoiding controversy on this point, the facts to be
recorded are, that, seeing me, she uttered a sudden exclamation of
surprise, dropped her skirt, trod on her train, felt her hair coming
down, tried to do two things at once, and sat upon the floor. I ran to
her assistance. With flaming face and flashing eyes she sprang to her
feet. There was a sound as of the rushing down of avalanches. The blue
flounced skirt lay round her on the floor. She stood above its billowy
folds, reminiscent of Venus rising from the waves--a gawky, angular
Venus in a short serge frock, reaching a little below her knees, black
stockings and a pair of prunella boots of a size suggesting she had yet
some inches to grow before reaching her full height.

“I hope you haven't hurt yourself,” I said.

The next moment I didn't care whether she had or whether she hadn't.
She did not reply to my kindly meant enquiry. Instead, her hand swept
through the air in the form of an ample semi-circle. It terminated on
my ear. It was not a small hand; it was not a soft hand; it was not
that sort of hand. The sound of the contact rang through the room like a
pistol shot; I heard it with my other ear. I sprang at her, and catching
her before she had recovered her equilibrium, kissed her. I did not kiss
her because I wanted to. I kissed her because I could not box her ears
back in return, which I should have preferred doing. I kissed her,
hoping it would make her mad. It did. If a look could have killed me,
such would have been the tragic ending of this story. It did not kill
me; it did me good.

“You horrid boy!” she cried. “You horrid, horrid boy!”

There, I admit, she scored. I did not in the least object to her
thinking me horrid, but at nineteen one does object to being mistaken
for a boy.

“I am not a boy,” I explained.

“Yes, you are,” she retorted; “a beast of a boy!”

“If you do it again,” I warned her--a sudden movement on her part
hinting to me the possibility--“I'll kiss you again! I mean it.”

“Leave the room!” she commanded, pointing with her angular arm towards
the door.

I did not wish to remain. I was about to retire with as much dignity as
circumstances permitted.

“Boy!” she added.

At that I turned. “Now I won't go!” I replied. “See if I do.”

We stood glaring at each other.

“What right have you in here?” she demanded.

“I came to see Mr. Deleglise,” I answered. “I suppose you are Miss
Deleglise. It doesn't seem to me that you know how to treat a visitor.”

“Who are you?” she asked.

“Mr. Horace Moncrieff,” I replied. I was using at the period both my
names indiscriminately, but for this occasion Horace Moncrieff I judged
the more awe-inspiring.

She snorted. “I know. You're the house-maid. You sweep all the crumbs
under the mats.”

Now this was a subject about which at the time I was feeling somewhat
sore. “Needs must when the Devil drives;” but as matters were, Dan and I
could well have afforded domestic assistance. It rankled in my mind that
to fit in with the foolish fad of old Deleglise, I the future Dickens,
Thackeray and George Eliot, Kean, Macready and Phelps rolled into one,
should be compelled to the performance of menial duties. On this morning
of all others, my brilliant literary career just commenced, the anomaly
of the thing appeared naturally more glaring.

Besides, how came she to know I swept the crumbs under the mat--that it
was my method? Had she and Dan been discussing me, ridiculing me behind
my back? What right had Dan to reveal the secrets of our menage to this
chit of a school-girl? Had he done so? or had she been prying, poking
her tilted nose into matters that did not concern her? Pity it was she
had no mother to occasionally spank her, teach her proper behaviour.

“Where I sweep our crumbs is nothing to do with you,” I replied with
some spirit. “That I have to sweep them at all is the fault of your
father. A sensible girl--”

“How dare you speak against my father!” she interrupted me with blazing
eyes.

“We will not discuss the question further,” I answered, with sense and
dignity.

“I think you had better not!” she retorted.

Turning her back on me, she commenced to gather up her hairpins--there
must have been about a hundred of them. I assisted her to the extent of
picking up about twenty, which I handed to her with a bow: it may have
been a little stiff, but that was only to be expected. I wished to show
her that her bad example had not affected my own manners.

“I am sorry my presence should have annoyed you,” I said. “It was quite
an accident. I entered the room thinking your father was here.”

“When you saw he wasn't, you might have gone out again,” she replied,
“instead of hiding yourself behind a picture.”

“I didn't hide myself,” I explained. “The easel happened to be in the
way.”

“And you stopped there and watched me.”

“I couldn't help it.”

She looked round and our eyes met. They were frank, grey eyes. An
expression of merriment shot into them. I laughed.

Then she laughed: it was a delightful laugh, the laugh one would have
expected from her.

“You might at least have coughed,” she suggested.

“It was so amusing,” I pleaded.

“I suppose it was,” she agreed, and held out her hand. “Did I hurt you?”
 she asked.

“Yes, you did,” I answered, taking it.

“Well, it was enough to annoy me, wasn't it?” she suggested.

“Evidently,” I agreed.

“I am going to a ball next week,” she explained, “a grown-up ball, and
I've got to wear a skirt. I wanted to see if I could manage a train.”

“Well, to be candid, you can't,” I assured her.

“It does seem difficult.”

“Shall I show you?” I asked.

“What do you know about it?”

“Well, I see it done every night.”

“Oh, yes; of course, you're on the stage. Yes, do.”

We readjusted the torn skirt, accommodating it better to her figure by
the help of hairpins. I showed her how to hold the train, and, I humming
a tune, we commenced to waltz.

“I shouldn't count my steps,” I suggested to her. “It takes your mind
away from the music.”

“I don't waltz well,” she admitted meekly. “I know I don't do anything
well--except play hockey.”

“And try not to tread on your partner's feet. That's a very bad fault.”

“I do try not to,” she explained.

“It comes with practice,” I assured her.

“I'll get Tom to give me half an hour every evening,” she said. “He
dances beautifully.”

“Who's Tom?”

“Oh, father.”

“Why do you call your father Tom? It doesn't sound respectful.”

“Oh, he likes it; and it suits him so much better than father. Besides,
he isn't like a real father. He does everything I want him to.”

“Is that good for you?”

“No; it's very bad for me--everybody says so. When you come to think of
it, of course it isn't the way to bring up a girl. I tell him, but he
merely laughs--says it's the only way he knows. I do hope I turn out all
right. Am I doing it better now?”

“A little. Don't be too anxious about it. Don't look at your feet.”

“But if I don't they go all wrong. It was you who trod on mine that
time.”

“I know. I'm sorry. It's a little difficult not to.”

“Am I holding my train all right?”

“Well, there's no need to grip it as if you were afraid it would run
away. It will follow all right. Hold it gracefully.”

“I wish I wasn't a girl.”

“Oh, you'll get used to it.” We concluded our dance.

“What do I do--say 'Thank you'?”

“Yes, prettily.”

“What does he do?”

“Oh, he takes you back to your chaperon, or suggests refreshment, or you
sit and talk.”

“I hate talking. I never know what to say.”

“Oh, that's his duty. He'll try and amuse you, then you must laugh. You
have a nice laugh.”

“But I never know when to laugh. If I laugh when I want to it always
offends people. What do you do if somebody asks you to dance and you
don't want to dance with them?”

“Oh, you say your programme is full.”

“But if it isn't?”

“Well, you tell a lie.”

“Couldn't I say I don't dance well, and that I'm sure they'd get on
better with somebody else?”

“It would be the truth, but they might not believe it.”

“I hope nobody asks me that I don't want.”

“Well, he won't a second time, anyhow.”

“You are rude.”

“You are only a school-girl.”

“I look a woman in my new frock, I really do.”

“I should doubt it.”

“You shall see me, then you'll be polite. It is because you are a boy
you are rude. Men are much nicer.”

“Oh, are they?”

“Yes. You will be, when you are a man.”

The sound of voices rose suddenly in the hall.

“Tom!” cried Miss Deleglise; and collecting her skirt in both hands,
bolted down the corkscrew staircase leading to the kitchen, leaving me
standing in the centre of the studio.

The door opened and old Deleglise entered, accompanied by a small,
slight man with red hair and beard and somewhat watery eyes.

Deleglise himself was a handsome old fellow, then a man of about
fifty-five. His massive, mobile face, illuminated by bright, restless
eyes, was crowned with a lion-like mane of iron-grey hair. Till a few
years ago he had been a painter of considerable note. But in questions
of art his temper was short. Pre-Raphaelism had gone out of fashion for
the time being; the tendency of the new age was towards impressionism,
and in disgust old Deleglise had broken his palette across his knee, and
swore never to paint again. Artistic work of some sort being necessary
to his temperament, he contented himself now with engraving. At the
moment he was engaged upon the reproduction of Memlinc's Shrine of St.
Ursula, with photographs of which he had just returned from Bruges.

At sight of me his face lighted with a smile, and he advanced with
outstretched hand.

“Ah; my lad, so you have got over your shyness and come to visit the old
bear in his den. Good boy. I like young faces.”

He had a clear, musical voice, ever with the suggestion of a laugh
behind it. He laid his hand upon my shoulder.

“Why, you are looking as if you had come into a fortune,” he added, “and
didn't know what a piece of bad luck that can be to a young fellow like
yourself.”

“How could it be bad luck?” I asked, laughing.

“Takes all the sauce out of life, young man,” answered Deleglise. “What
interest is there in running a race with the prize already in your
possession, tell me that?”

“It is not that kind of fortune,” I answered, “it is another. I have had
my first story accepted. It is in print. Look.”

I handed him the paper. He spread it out upon the engraving board before
him.

“Ah, that's better,” he said, “that's better. Charlie,” he turned to the
red-headed man, who had seated himself listlessly in the one easy-chair
the room contained, “come here.”

The red-headed man rose and wandered towards us. “Let me introduce you
to Mr. Paul Kelver, our new fellow servant. Our lady has accepted him.
He has just been elected; his first story is in print.”

The red-haired man stretched out his long thin hand. “I have thirty
years of fame,” said the red-haired man--“could I say world-wide?”

He turned for confirmation to old Deleglise, who laughed. “I think you
can.”

“If I could give it you would you exchange with me--at this moment?”

“You would be a fool if you did,” he went on. “One's first success,
one's first victory! It is the lover's first kiss. Fortune grows old and
wrinkled, frowns more often than she smiles. We become indifferent to
her, quarrel with her, make it up again. But the joy of her first kiss
after the long wooing! Burn it into your memory, my young friend, that
it may live with you always!”

He strolled away. Old Deleglise took up the parable.

“Ah, yes; one's first success, Paul! Laugh, my boy, cry! Shut yourself
up in your room, shout, dance! Throw your hat into the air and cry
hurrah! Make the most of it, Paul. Hug it to your heart, think of it,
dream of it. This is the finest hour of your life, my boy. There will
never come another like it--never!”

He crossed the studio, and taking from its nail a small oil painting,
brought it over and laid it on the board beside my paper. It was a
fascinating little picture, painted with that exquisite minutiae and
development of detail that a newer school was then ridiculing: as though
Art had but one note to her voice. The dead figure of an old man lay
upon a bed. A child had crept into the darkened room, and supporting
itself by clutching tightly at the sheet, was gazing with solemn
curiosity upon the white, still face.

“That was mine,” said old Deleglise. “It was hung in the Academy
thirty-six years ago, and bought for ten guineas by a dentist at Bury
St. Edmunds. He went mad a few years later and died in a lunatic asylum.
I had never lost sight of it, and the executors were quite agreeable
to my having it back again for the same ten guineas. I used to go every
morning to the Academy to look at it. I thought it the cleverest bit of
work in the whole gallery, and I'm not at all sure that it wasn't. I
saw myself a second Teniers, another Millet. Look how that light coming
through the open door is treated; isn't it good? Somebody will pay a
thousand guineas for it before I have been dead a dozen years, and it
is worth it. But I wouldn't sell it myself now for five thousand. One's
first success; it is worth all the rest of life!”

“All?” queried the red-haired man from his easy-chair. We looked round.
The lady of the skirt had entered, now her own proper self: a young girl
of about fifteen, angular, awkward-looking, but bringing into the room
with her that atmosphere of life, of hope, that is the eternal message
of youth. She was not beautiful, not then--plain one might almost have
called her but for her frank, grey eyes, her mass of dark-brown hair
now gathered into a long thick plait. A light came into old Deleglise's
eyes.

“You are right, not all,” he murmured to the red-haired man.

She came forward shyly. I found it difficult to recognise in her the
flaming Fury that a few minutes before had sprung at me from the billows
of her torn blue skirt. She shook hands with the red-haired man and
kissed her father.

“My daughter,” said old Deleglise, introducing me to her. “Mr. Paul
Kelver, a literary gent.”

“Mr. Kelver and I have met already,” she explained. “He has been waiting
for you here in the studio.”

“And have you been entertaining him?” asked Deleglise. “Oh, yes,
I entertained him,” she replied. Her voice was singularly like her
father's, with just the same suggestion of ever a laugh behind it.

“We entertained each other,” I said.

“That's all right,” said old Deleglise. “Stop and lunch with us. We will
make ourselves a curry.”




CHAPTER VI.

OF THE GLORY AND GOODNESS AND THE EVIL THAT GO TO THE MAKING OF LOVE.

During my time of struggle I had avoided all communication with old
Hasluck. He was not a man to sympathise with feelings he did not
understand. With boisterous good humour he would have insisted upon
helping me. Why I preferred half starving with Lott and Co. to selling
my labour for a fair wage to good-natured old Hasluck, merely because
I knew him, I cannot explain. Though the profits may not have been so
large, Lott and Co.'s dealings were not one whit more honest: I do not
believe it was that which decided me. Nor do I think it was because he
was Barbara's father. I never connected him, nor that good old soul,
his vulgar, homely wife, in any way with Barbara. To me she was a being
apart from all the world. Her true Parents! I should have sought them
rather amid the sacred groves of vanished lands, within the sky-domed
shrines of banished gods. There are instincts in us not easily
analysed, not to be explained by reason. I have always preferred the
finding--sometimes the losing--of my way according to the map, to the
surer and simpler method of vocal enquiry; working out a complicated
journey, and running the risk of never arriving at my destination,
by aid of a Continental Bradshaw, to putting myself into the hands
of courteous officials maintained and paid to assist the perplexed
traveller. Possibly a far-off progenitor of mine may have been some
morose “rogue” savage with untribal inclinations, living in his
cave apart, fashioning his own stone hammer, shaping his own flint
arrow-heads, shunning the merry war-dance, preferring to caper by
himself.

But now, having gained my own foothold, I could stretch out my hand
without fear of the movement being mistaken for appeal. I wrote to old
Hasluck; and almost by the next post received from him the friendliest
of notes. He told me Barbara had just returned from abroad, took it upon
himself to add that she also would be delighted to see me, and, as I
knew he would, threw his doors open to me.

Of my boyish passion for Barbara never had I spoken to a living soul,
nor do I think, excepting Barbara herself, had any ever guessed it. To
my mother, though she was very fond of her, Barbara was only a girl,
with charms but also with faults, concerning which my mother would
speak freely; hurting me, as one unwittingly might hurt a neophyte by
philosophical discussion of his newly embraced religion. Often, choosing
by preference late evening or the night, I would wander round and round
the huge red-brick house standing in its ancient garden on the top
of Stamford Hill; descending again into the noisome streets as one
returning to the world from praying at a shrine, purified, filled with
peace, all noble endeavour, all unselfish aims seeming within my grasp.

During Barbara's four years' absence my adoration had grown and
strengthened. Out of my memory of her my desire had evolved its ideal; a
being of my imagination, but by reason of that, to me the more real,
the more present. I looked forward to seeing her again, but with no
impatience, revelling rather in the anticipation than eager for the
realisation. As a creature of flesh and blood, the child I had played
with, talked with, touched, she had faded further and further into the
distance; as the vision of my dreams she stood out clearer day by day. I
knew that when next I saw her there would be a gulf between us I had
no wish to bridge. To worship her from afar was a sweeter thought to me
than would have been the hope of a passionate embrace. To live with her,
sit opposite to her while she ate and drank, see her, perhaps, with her
hair in curl-papers, know possibly that she had a corn upon her foot,
hear her speak maybe of a decayed tooth, or of a chilblain, would have
been torture to me. Into such abyss of the commonplace there was no fear
of my dragging her, and for this I was glad. In the future she would be
yet more removed from me. She was older than I was; she must be now a
woman. Instinctively I felt that in spite of years I was not yet a man.
She would marry. The thought gave me no pain, my feeling for her was
utterly devoid of appetite. No one but myself could close the temple
I had built about her, none deny to me the right of entry there. No
jealous priest could hide her from my eyes, her altar I had reared too
high. Since I have come to know myself better, I perceive that she stood
to me not as a living woman, but as a symbol; not a fellow human being
to be walked with through life, helping and to be helped, but that
impalpable religion of sex to which we raise up idols of poor human
clay, alas, not always to our satisfaction, so that foolishly we fall
into anger against them, forgetting they were but the work of our own
hands; not the body, but the spirit of love.

I allowed a week to elapse after receiving old Hasluck's letter before
presenting myself at Stamford Hill. It was late one afternoon in early
summer. Hasluck had not returned from the City, Mrs. Hasluck was out
visiting, Miss Hasluck was in the garden. I told the supercilious
footman not to trouble, I would seek her there myself. I guessed where
she would be; her favourite spot had always been a sunny corner, bright
with flowers, surrounded by a thick yew hedge, cut, after the Dutch
fashion, into quaint shapes of animals and birds. She was walking there,
as I had expected, reading a book. And again, as I saw her, came back
to me the feeling that had swept across me as a boy, when first outlined
against the dusty books and papers of my father's office she had flashed
upon my eyes: that all the fairy tales had suddenly come true, only
now, instead of the Princess, she was the Queen. Taller she was, with
a dignity that formerly had been the only charm she lacked. She did not
hear my coming, my way being across the soft, short grass, and for a
little while I stood there in the shadow of the yews, drinking in the
beauty of her clear-cut profile, bent down towards her book, the curving
lines of her long neck, the wonder of the exquisite white hand against
the lilac of her dress.

I did not speak; rather would I have remained so watching; but turning
at the end of the path, she saw me, and as she came towards me held out
her hand. I knelt upon the path, and raised it to my lips. The action
was spontaneous, till afterwards I was not aware of having done it. Her
lips were smiling as I raised my eyes to them, the faintest suggestion
of contempt mingling with amusement. Yet she seemed pleased, and her
contempt, even if I were not mistaken, would not have wounded me.

“So you are still in love with me? I wondered if you would be.”

“Did you know that I was in love with you?”

“I should have been blind if I had not.”

“But I was only a boy.”

“You were not the usual type of boy. You are not going to be the usual
type of man.”

“You do not mind my loving you?”

“I cannot help it, can I? Nor can you.”

She seated herself on a stone bench facing a sun-dial, and leaning hack,
her hands clasped behind her head, looked at me and laughed.

“I shall always love you,” I answered, “but it is with a curious sort of
love. I do not understand it myself.”

“Tell me,” she commanded, still with a smile about her lips, “describe
it to me.”

I was standing over against her, my arm resting upon the dial's stone
column. The sun was sinking, casting long shadows on the velvety grass,
illuminating with a golden light her upturned face.

“I would you were some great queen of olden days, and that I might be
always near you, serving you, doing your bidding. Your love in return
would spoil all; I shall never ask it, never desire it. That I might
look upon you, touch now and then at rare intervals with my lips your
hand, kiss in secret the glove you had let fall, the shoe you had flung
off, know that you knew of my love, that I was yours to do with as you
would, to live or die according to your wish. Or that you were priestess
in some temple of forgotten gods, where I might steal at daybreak and at
dusk to gaze upon your beauty; kneel with clasped hands, watching your
sandalled feet coming and going about the altar steps; lie with pressed
lips upon the stones your trailing robes had touched.”

She laughed a light mocking laugh. “I should prefer to be the queen.
The role of priestess would not suit me. Temples are so cold.” A slight
shiver passed through her. She made a movement with her hand, beckoning
me to her feet. “That is how you shall love me, Paul,” she said,
“adoring me, worshipping me--blindly. I will be your queen and treat
you--as it chooses me. All I think, all I do, I will tell you, and you
shall tell me it is right. The queen can do no wrong.”

She took my face between her hands, and bending over me, looked long
and steadfastly into my eyes. “You understand, Paul, the queen can do
no wrong--never, never.” There had crept into her voice a note of
vehemence, in her face was a look almost of appeal.

“My queen can do no wrong,” I repeated. And she laughed and let her
hands fall back upon her lap.

“Now you may sit beside me. So much honour, Paul, shall you have to-day,
but it will have to last you long. And you may tell me all you have been
doing, maybe it will amuse me; and afterwards you shall hear what I have
done, and shall say that it was right and good of me.”

I obeyed, sketching my story briefly, yet leaving nothing untold, not
even the transit of the Lady 'Ortensia, ashamed of the episode though I
was. At that she looked a little grave.

“You must do nothing again, Paul,” she commanded, “to make me feel
ashamed of you, or I shall dismiss you from my presence for ever. I must
be proud of you, or you shall not serve me. In dishonouring yourself you
are dishonouring me. I am angry with you, Paul. Do not let me be angry
with you again.”

And so that passed; and although my love for her--as I know well she
wished and sought it should--failed to save me at all times from the
apish voices whispering ever to the beast within us, I know the desire
to be worthy of her, to honour her with all my being, helped my life as
only love can. The glory of the morning fades, the magic veil is rent;
we see all things with cold, clear eyes. My love was a woman. She lies
dead. They have mocked her white sweet limbs with rags and tatters, but
they cannot cheat love's eyes. God knows I loved her in all purity! Only
with false love we love the false. Beneath the unclean clinging garments
she sleeps fair.

My tale finished, “Now I will tell you mine,” she said. “I am going to
be married soon. I shall be a Countess, Paul, the Countess Huescar--I
will teach you how to pronounce it--and I shall have a real castle in
Spain. You need not look so frightened, Paul; we shall not live there.
It is a half-ruined, gloomy place, among the mountains, and he loves it
even less than I do. Paris and London will be my courts, so you will
see me often. You shall know the great world, Paul, the world I mean to
conquer, where I mean to rule.”

“Is he very rich?” I asked.

“As poor,” she laughed, “as poor as a Spanish nobleman. The money I
shall have to provide, or, rather, poor dear Dad will. He gives me
title, position. Of course I do not love him, handsome though he is.
Don't look so solemn, Paul. We shall get on together well enough.
Queens, Paul, do not make love matches, they contract alliances. I have
done well, Paul; congratulate me. Do you hear, Paul? Say that I have
acted rightly.”

“Does he love you?” I asked.

“He tells me so,” she answered, with a laugh. “How uncourtier-like you
are, Paul! Do you suggest that any man could see me and not love me?”

She sprang to her feet. “I do not want his love,” she cried; “it would
bore me. Women hate love they cannot return. I don't mean love like
yours, devout little Paul,” she added, with a laugh. “That is sweet
incense wafted round us that we like to scent with our noses in the air.
Give me that, Paul; I want it, I ask for it. But the love of a hand, the
love of a husband that one does not care for--it would be horrible!”

I felt myself growing older. For the moment my goddess became a child
needing help.

“But have you thought--” I commenced.

“Yes, yes,” she interrupted me quickly, “I have thought and thought till
I can think no more. There must be some sacrifice; it must be as little
as need be, that is all. He does not love me; he is marrying me for my
money--I know that, and I am glad of it. You do not know me, Paul. I
must have rank, position. What am I? The daughter of rich old Hasluck,
who began life as a butcher in the Mile End Road. As the Princess
Huescar, society will forget, as Mrs.”--it seemed to me she checked
herself abruptly--“Jones or Brown it would remember, however rich
I might be. I am vain, Paul, caring for power--ambition. I have my
father's blood in me. All his nights and days he has spent in gaining
wealth; he can do no more. We upstarts have our pride of race. He has
done his share, I must do mine.”

“But you need not be mere Mrs. anybody commonplace,” I argued. “Why not
wait? You will meet someone who can give you position and whom at the
same time you can love. Would that not be better?”

“He will never come, the man I could love,” she answered. “Because,
my little Paul, he has come already. Hush, Paul, the queen can do no
wrong.”

“Who is he?” I asked. “May I not know?”

“Yes, Paul,” she answered, “you shall know; I want you to know, then you
shall tell me that I have acted rightly. Do you hear me, Paul?--quite
rightly--that you still respect me and honour me. He could not help me.
As his wife, I should be less even than I am, a mere rich nobody, giving
long dinner-parties to other rich nobodies, living amongst City men,
retired trades-people; envied only by their fat, vulgarly dressed wives,
courted by seedy Bohemians for the sake of my cook; with perhaps an
opera singer or an impecunious nobleman or two out of Dad's City list
for my show-guests. Is that the court, Paul, where you would have your
queen reign?”

“Is he so commonplace a man,” I answered, “the man you love? I cannot
believe it.”

“He is not commonplace,” she answered. “It is I who am commonplace. The
things I desire, they are beneath him; he will never trouble himself to
secure them.”

“Not even for love of you?”

“I would not have him do so even were he willing. He is great, with a
greatness I cannot even understand. He is not the man for these times.
In old days, I should have married him, knowing he would climb to
greatness by sheer strength of manhood. But now men do not climb; they
crawl to greatness. He could not do that. I have done right, Paul.”

“What does he say?” I asked.

“Shall I tell you?” She laughed a little bitterly. “I can give you his
exact words, 'You are half a woman and half a fool, so woman-like you
will follow your folly. But let your folly see to it that your woman
makes no fool of herself.'”

The words were what I could imagine his saying. I heard the strong ring
of his voice through her mocking mimicry.

“Hal!” I cried. “It is he.”

“So you never guessed even that, Paul. I thought at times it would be
sweet to cry it out aloud, that it could have made no difference, that
everyone who knew me must have read it in my eyes.”

“But he never seemed to take much notice of you,” I said.

She laughed. “You needn't be so unkind, Paul. What did I ever do for
you much more than snub you? We boys and girls; there is not so much
difference between us: we love our masters. Yet you must not think so
poorly of me. I was only a child to him then, but we were locked up in
Paris together during the entire siege. Have not you heard? He did take
a little notice of me there, Paul, I assure you.”

Would it have been better, I wonder, had she followed the woman and not
the fool? It sounds an easy question to answer; but I am thinking of
years later, one winter's night at Tiefenkasten in the Julier Pass. I
was on my way from San Moritz to Chur. The sole passenger, I had just
climbed, half frozen, from the sledge, and was thawing myself before the
stove in the common room of the hotel when the waiter put a pencilled
note into my hand:

“Come up and see me. I am a prisoner in this damned hole till the
weather breaks. Hal.”

I hardly recognised him at first. Only the poor ghost he seemed of the
Hal I had known as a boy. His long privations endured during the Paris
siege, added to the superhuman work he had there put upon himself, had
commenced the ruin of even his magnificent physique--a ruin the wild,
loose life he was now leading was soon to complete. It was a gloomy,
vaulted room that once had been a chapel, lighted dimly by a cheap,
evil-smelling lamp, heated to suffocation by one of those great
green-tiled German ovens now only to be met with in rare out-of-the-way
world corners. He was sitting propped up by pillows on the bed, placed
close to one of the high windows, his deep eyes flaring like two
gleaming caverns out of his drawn, haggard face.

“I saw you from the window,” he explained. “It is the only excitement
I get, twice a day when the sledges come in. I broke down coming across
the Pass a fortnight ago, on my way from Davos. We were stuck in a drift
for eighteen hours; it nearly finished my last lung. And I haven't even
a book to read. By God! lad, I was glad to see your frosted face ten
minutes ago in the light of the lantern.”

He grasped me with his long bony hand. “Sit down, and let me hear
my voice using again its mother tongue--you were always a good
listener--for the last eight years I have hardly spoken it. Can you
stand the room? The windows ought to be open, but what does it matter? I
may as well get accustomed to the heat before I die.”

I drew my chair close to the bed, and for awhile, between his fits
of coughing, we talked of things that were outside our thoughts, or,
rather, Hal talked, continuously, boisterously, meeting my remonstrances
with shouts of laughter, ending in wild struggles for breath, so that I
deemed it better to let him work his mad mood out.

Then suddenly: “What is she doing?” he asked. “Do you ever see her?”

“She is playing in--” I mentioned the name of a comic opera then running
in Paris. “No; I have not seen her for some time.”

He laid his white, wasted hand on mine. “What a pity you and I could not
have rolled ourselves into one, Paul--you, the saint, and I, the satyr.
Together we should have made her perfect lover.”

There came back to me the memory of those long nights when I had lain
awake listening to the angry voices of my father and mother soaking
through the flimsy wall. It seemed my fate to stand thus helpless
between those I loved, watching them hurting one another against their
will.

“Tell me,” I asked--“I loved her, knowing her: I was not blind. Whose
fault was it? Yours or hers?”

He laughed. “Whose fault, Paul? God made us.”

Thinking of her fair, sweet face, I hated him for his mocking laugh. But
the next moment, looking into his deep eyes, seeing the pain that dwelt
there, my pity was for him. A smile came to his ugly mouth.

“You have been on the stage, Paul; you must have heard the saying often:
'Ah, well, the curtain must come down, however badly things are going.'
It is only a play, Paul. We do not choose our parts. I did not even
know I was the villain, till I heard the booing of the gallery. I even
thought I was the hero, full of noble sentiment, sacrificing myself for
the happiness of the heroine. She would have married me in the beginning
had I plagued her sufficiently.”

I made to speak, but he interrupted me, continuing: “Ah, yes, it might
have been better. That is easy to say, not knowing. So, too, it might
have been worse--in all probability much the same. All roads lead to
the end. You know I was always a fatalist, Paul. We tried both ways. She
loved me well enough, but she loved the world also. I thought she
loved it better, so I kissed her on her brow, mumbled a prayer for her
happiness and made my exit to a choking sob. So ended the first act.
Wasn't I the hero throughout that, Paul? I thought so; slapped myself
upon the back, told myself what a fine fellow I had been. Then--you know
what followed. She was finer clay than she had fancied. Love is woman's
kingdom, not the world. Even then I thought more of her than of myself.
I could have borne my share of the burden had I not seen her fainting
under hers, shamed, degraded. So we dared to think for ourselves,
injuring nobody but ourselves, played the man and woman, lost the world
for love. Wasn't it brave, Paul? Were we not hero and heroine? They had
printed the playbill wrong, Paul, that was all. I was really the hero,
but the printing devil had made a slip, so instead of applauding you
booed. How could you know, any of you? It was not your fault.”

“But that was not the end,” I reminded him. “If the curtain had fallen
then, I could have forgiven you.”

He grinned. “That fatal last act. Even yours don't always come right, so
the critics tell me.”

The grin faded from his face. “We may never see each other again, Paul,”
 he went on; “don't think too badly of me. I found I had made a second
mistake--or thought I had. She was no happier with me after a time than
she had been with him. If all our longings were one, life would be easy;
but they are not. What is to be done but toss for it? And if it come
down head we wish it had been tail, and if tail we think of what we have
lost through its not coming down head. Love is no more the whole of a
woman's life than it is of a man's. He did not apply for a divorce: that
was smart of him. We were shunned, ignored. To some women it might not
have mattered; but she had been used to being sought, courted, feted.
She made no complaint--did worse: made desperate effort to appear
cheerful, to pretend that our humdrum life was not boring her to death.
I watched her growing more listless, more depressed; grew angry with
her, angrier with myself. There was no bond between us except our
passion; that was real enough--'grand,' I believe, is the approved
literary adjective. It is good enough for what nature intended it, a
summer season in a cave. It makes but a poor marriage settlement in
these more complicated days. We fell to mutual recriminations, vulgar
scenes. Ah, most of us look better at a little distance from one
another. The sordid, contemptible side of life became important to us. I
was never rich; by contrast with all that she had known, miserably poor.
The mere sight of the food our twelve-pound-a-year cook put upon the
table would take away her appetite. Love does not change the palate,
give you a taste for cheap claret when you have been accustomed to dry
champagne. We have bodies to think of as well as souls; we are apt to
forget that in moments of excitement.

“She fell ill, and it seemed to me that I had dragged her from the soil
where she had grown only to watch her die. And then he came, precisely
at the right moment. I cannot help admiring him. Most men take their
revenge clumsily, hurting themselves; he was so neat, had been so
patient. I am not even ashamed of having fallen into his trap; it was
admirably baited. Maybe I had despised him for having seemed to submit
meekly to the blow. What cared he for me and my opinion? It was she was
all he cared for. He knew her better than I, knew that sooner or later
she would tire, not of love but of the cottage; look back with longing
eyes towards all that she had lost. Fool! Cuckold! What was it to him
that the world would laugh at him, despise him? Love such as his made
fools of men. Would I not give her back to him?

“By God! It was fine acting; half into the night we talked, I leaving
him every now and again to creep to the top of the stairs and listen to
her breathing. He asked me my advice, I being the hard-headed partner of
cool judgment. What would be the best way of approaching her after I was
gone? Where should he take her? How should they live till the nine days'
talk had died away? And I sat opposite to him--how he must have longed
to laugh in my silly face--advising him! We could not quite agree as
to details of a possible yachting cruise, and I remember hunting up an
atlas, and we pored over it, our heads close together. By God! I envy
him that night!”

He sank back on his pillows and laughed and coughed, and laughed and
coughed again, till I feared that wild, long, broken laugh would be his
last. But it ceased at length, and for awhile, exhausted, he lay silent
before continuing.

“Then came the question: how was I to go? She loved me still. He was
sure of it, and, for the matter of that, so was I. So long as she
thought that I loved her, she would never leave me. Only from her
despair could fresh hope arise for her. Would I not make some sacrifice
for her sake, persuade her that I had tired of her? Only by one means
could she be convinced. My going off alone would not suffice; my reason
for that she might suspect--she might follow. It would be for her sake.
Again it was the hero that I played, the dear old chuckle-headed hero,
Paul, that you ought to have cheered, not hooted. I loved her as much as
I ever loved her in my life, that night I left her. I took my boots
off in the passage and crept up in my stockinged feet. I told him I
was merely going to change my coat and put a few things into a bag. He
gripped my hand, and tears were standing in his eyes. It is odd that
suppressed laughter and expressed grief should both display the same
token, is it not? I stole into her room. I dared not kiss her for fear
of waking her; but a stray lock of her hair--you remember how long it
was--fell over the pillow, nearly reaching to the floor. I pressed my
lips against it, where it trailed over the bedstead, till they bled. I
have it still upon my lips, the mingling of the cold iron and the warm,
soft silken hair. He told me, when I came down again, that I had been
gone three-quarters of an hour. And we went out of the house together,
he and I. That is the last time I ever saw her.”

I leant across and put my arms around him; I suppose it was un-English;
there are times when one forgets these points. “I did not know! I did
not know,” I cried.

He pressed me to him with his feeble arms. “What a cad you must have
thought me, Paul,” he said. “But you might have given me credit for
better taste. I was always rather a gourmet than a gourmand where women
were concerned.”

“You have never seen him either again?” I asked.

“No,” he answered; “I swore to kill him when I learnt the trick he had
played me. He commenced the divorce proceedings against her the very
morning after I had left her. Possibly, had I succeeded in finding
him within the next six months, I should have done so. A few newspaper
proprietors would have been the only people really benefited. Time is
the cheapest Bravo; a little patience is all he charges. All roads lead
to the end, Paul.”

But I tell my tale badly, marring effects of sunlight with the memory
of shadows. At the time all promised fair. He was a handsome,
distinguished-looking man. Not every aristocrat, if without disrespect
to one's betters a humble observer may say so, suggests his title; this
man would have suggested his title, had he not possessed it. I suppose
he must have been about fifty at the time; but most men of thirty would
have been glad to exchange with him both figure and complexion. His
behaviour to his _fiancee_ was the essence of good taste, affectionate
devotion, carried to the exact point beyond which, having regard to the
disparity of their years, it would have appeared ridiculous. That he
sincerely admired her, was fully content with her, there could be no
doubt. I am even inclined to think he was fonder of her than, divining
her feelings towards himself, he cared to show. Knowledge of the world
must have told him that men of fifty find it easier to be the lovers of
women young enough to be their daughters, than girls find it to desire
the affection of men old enough to be their fathers; and he was not the
man to allow impulse to lead him into absurdity.

From my own peculiar point of view he appeared the ideal prince consort.
It was difficult for me to imagine my queen in love with any mere man.
This was one beside whom she could live, losing in my eyes nothing of
her dignity. My feelings for her he guessed at our first interview. Most
men in his position would have been amused, and many would have shown
it. For what reason I cannot say, but with a tact and courtesy that left
me only complimented, he drew from me, before I had met him half-a-dozen
times, more frank confession than a month previously I should have
dreamt of my yielding to anything than my own pillow. He laid his hand
upon my shoulder.

“I wonder if you know, my friend, how wise you are,” he said. “We all of
us at your age love an image of our own carving. Ah, if only we could be
content to worship the white, changeless statute! But we are fools. We
pray the gods to give her life, and under our hot kisses she becomes a
woman. I also loved when I was your age, Paul. Your countrymen, they
are so practical, they know only one kind of love. It is business-like,
rich--how puts it your poet? 'rich in saving common sense.' But there
are many kinds, you understand that, my friend. You are wise, do not
confuse them. She was a child of the mountains. I used to walk three
leagues to Mass each day to worship her. Had I been wise--had I so left
it, the memory of her would have coloured all my life with glory. But
I was a fool, my friend; I turned her into a woman. Ah!”--he made a
gesture of disgust--“such a fat, ugly woman, Paul, I turned her into. I
had much difficulty in getting rid of her. We should never touch things
in life that are beautiful; we have such clumsy hands, we spoil whatever
we touch.”

Hal did not return to England till the end of the year, by which time
the Count and Countess Huescar--though I had her permission still to
call her Barbara, I never availed myself of it; the “Countess” fitted my
mood better--had taken up residence in the grand Paris house old Hasluck
had bought for them.

It was the high-water mark of old Hasluck's career, and, if anything,
he was a little disappointed that with the dowry he had promised her
Barbara had not done even better for herself.

“Foreign Counts,” he grumbled to me laughingly, one day, “well, I hope
they're worth more in Society than they are in the City. A hundred
guineas is their price there, and they're not worth that. Who was that
American girl that married a Russian Prince only last week? A million
dollars was all she gave for him, and she a wholesale boot-maker's
daughter into the bargain! Our girls are not half as smart.”

But that was before he had seen his future son-in-law. After, he was
content enough, and up to the day of the wedding, childishly elated.
Under the Count's tuition he studied with reverential awe the Huescar
history. Princes, statesmen, warriors, glittered, golden apples, from
the spreading branches of its genealogical tree. Why not again! its
attenuated blue sap strengthened with the rich, red blood, brewed
by toil and effort in the grim laboratories of the under world. In
imagination, old Hasluck saw himself the grandfather of Chancellors, the
great-grandfather of Kings.

“I have laid the foundation, you shall raise the edifice,” so he told
her one evening I was spending with them, caressing her golden hair with
his blunt, fat fingers. “I am glad you were not a boy. A boy, in all
probability, would have squandered the money, let the name sink back
again into the gutter. And even had he been the other sort, he could
only have been another business man, keeping where I had left him.
You will call your first boy Hasluck, won't you? It must always be
the first-born's name. It shall be famous in the world yet, and for
something else than mere money.”

I began to understand the influences that had gone towards the
making--or marring--of Barbara's character. I had never guessed he had
cared for anything beyond money and the making of money.

It was, of course, a wedding as ostentatious as possible. Old Hasluck
knew how to advertise, and spared neither expense nor labour, with the
result that it was the event of the season, at least according to the
Society papers. Mrs. Hasluck was the type of woman to have escaped
observation, even had the wedding been her own; that she was present at
her daughter's, “becomingly dressed in grey veiling spotted white, with
an encrustation of mousseline de soie,” I learnt the next day from the
_Morning Post_. Old Hasluck himself had to be fetched every time he
was wanted. At the conclusion of the ceremony, seeking him, I found him
sitting on the stairs leading to the crypt.

“Is it over?” he asked. He was mopping his face on a huge handkerchief,
and had a small looking-glass in his hand.

“All over,” I answered, “they are waiting for you to start.”

“I always perspire so when I'm excited,” he explained. “Keep me out of
it as much as possible.”

But the next time I saw him, which was two or three days later, the
reaction had set in. He was sitting in his great library, surrounded
by books he would no more have thought of disturbing than he would of
strumming on the gorgeous grand piano inlaid with silver that ornamented
his drawing-room. A change had passed over him. His swelling rotundity,
suggestive generally of a bladder inflated to its extremest limits by
excess of self-importance, appeared to be shrinking. I put the idea
aside as mere fancy at the time, but it was fact; he became a mere bag
of bones before he died. He was wearing an old pair of carpet slippers
and smoking a short clay pipe.

“Well,” I said, “everything went off all right.”

“Everybody's gone off all right, so far,” he grunted. He was crouching
over the fire, though the weather was still warm, one hand spread
out towards the blaze. “Now I've got to go off, that's the only thing
they're waiting for. Then everything will be in order.”

“I don't think they are wanting you to go off,” I answered, with a
laugh.

“You mean,” he answered, “I'm the goose that lays the golden eggs. Ah,
but you see, so many of the eggs break, and so many of them are bad.”

“Some of them hatch all right,” I replied. The simile was becoming
somewhat confused: in conversation similes are apt to.

“If I were to die this week,” he said--he paused, completing mental
calculations, “I should be worth, roughly speaking, a couple of million.
This time next year I may be owing a million.”

I sat down opposite to him. “Why run risks?” I suggested. “Surely you
have enough. Why not give it up--retire?”

He laughed. “Do you think I haven't said that to myself, lad--sworn
I would a dozen times a year? I can't do it; I'm a gambler. It's the
earliest thing I can recollect doing, gambling with brace buttons. There
are men, Paul, now dying in the workhouse--men I once knew well; I think
of them sometimes, and wish I didn't--who any time during half their
life might have retired on twenty thousand a year. If I were to go to
any one of them, and settle an annuity of a hundred a year upon him, the
moment my back was turned he'd sell it out and totter up to Threadneedle
Street with the proceeds. It's in our blood. I shall gamble on my
death-bed, die with the tape in my hand.”

He kicked the fire into a blaze. A roaring flame made the room light
again.

“But that won't be just yet awhile,” he laughed, “and before it does,
I'll be the richest man in Europe. I keep my head cool--that's the
great secret.” Leaning over towards me, he sunk his voice to a whisper,
“Drink, Paul--so many of them drink. They get worried; fifty things
dancing round and round at the same time in their heads. Fifty questions
to be answered in five minutes. Tick, tick, tick, taps the little devil
at their elbow. This going down, that going up. Rumor of this, report
of that. A fortune to be lost here, a fortune to be snatched there.
Everything in a whirl! Tick, tick, tick, like nails into a coffin. God!
for five minutes' peace to think. Shut the door, turn the key. Out comes
the bottle. That's the end. All right so long as you keep away from
that. Cool, quick brain, clear judgment--that's the secret.”

“But is it worth it all?” I suggested. “Surely you have enough?”

“It means power, Paul.” He slapped his trousers pocket, making the
handful of gold and silver he always carried there jingle musically. “It
is this that rules the world. My children shall be big pots, hobnob
with kings and princes, slap them on the back and call them by their
Christian names, be kings themselves--why not? It's happened before.
My children, the children of old Noel Hasluck, son of a Whitechapel
butcher! Here's my pedigree!” Again be slapped his tuneful pocket.
“It's an older one than theirs! It's coming into its own at last! It's
money--we men of money--that are the true kings now. It's our family
that rules the world--the great money family; I mean to be its head.”

The blaze died out, leaving the room almost in darkness, and for awhile
we sat in silence.

“Quiet, isn't it?” said old Hasluck, raising his head.

The settling of the falling embers was the only sound about us.

“Guess we'll always be like this, now,” continued old Hasluck. “Old
woman goes to bed, you see, immediately after dinner. It used to be
different when _she_ was about. Somehow, the house and the lackeys and
all the rest of it seemed to be a more natural sort of thing when _she_
was the centre of it. It frightens the old woman now she's gone. She
likes to get away from it. Poor old Susan! A little country inn with
herself as landlady and me fussing about behind the bar; that was always
her ambition, poor old girl!”

“You will be visiting them,” I suggested, “and they will be coming to
stop with you.”

He shook his head. “They won't want me, and it isn't my game to hamper
them. I never mix out of my class. I've always had sense enough for
that.”

I laughed, wishing to cheer him, though I knew he was right. “Surely
your daughter belongs to your own class,” I replied.

“Do you think so?” he asked, with a grin. “That's not a pretty
compliment to her. She was my child when she used to cling round my
neck, while I made the sausages, calling me her dear old pig. It didn't
trouble her then that I dropped my aitches and had a greasy skin. I was
a Whitechapel butcher, and she was a Whitechapel brat. I could have kept
her if I'd liked, but I was set upon making a lady of her, and I did it.
But I lost my child. Every time she came back from school I could see
she despised me a little more. I'm not blaming her; how could she help
it? I was making a lady of her, teaching her to do it; though there were
moments when I almost hated her, felt tempted to snatch her back to me,
drag her down again to my level, make her my child again, before it was
too late. Oh, it wasn't all unselfishness; I could have done it. She
would have remained my class then, would have married my class, and her
children would have been my class. I didn't want that. Everything's got
to be paid for. I got what I asked for; I'm not grumbling at the price.
But it ain't cheap.”

He rose and knocked the ashes from his pipe. “Ring the bell, Paul, will
you?” he said. “Let's have some light and something to drink. Don't take
any notice of me. I've got the hump to-night.”

It was a minute or two before the lamp came. He put his arm upon my
shoulder, leaning upon me somewhat heavily.

“I used to fancy sometimes, Paul,” he said, “that you and she might have
made a match of it. I should have been disappointed for some things. But
you'd have been a bit nearer to me, you two. It never occurred to you,
that, I suppose?”




CHAPTER VII.

HOW PAUL SET FORTH UPON A QUEST.

Of old Deleglise's Sunday suppers, which, costumed from head to foot
in spotless linen, he cooked himself in his great kitchen, moving with
flushed, earnest face about the gleaming stove, while behind him his
guests waited, ranged round the massive oaken table glittering with cut
glass and silver, among which fluttered the deft hands of Madeline, his
ancient whitecapped Bonne, much has been already recorded, and by those
possessed of greater knowledge. They who sat there talking in whispers
until such time as old Deleglise turned towards them again, radiant
with consciousness of success, the savoury triumph steaming between his
hands, when, like the sudden swell of the Moonlight Sonata, the talk
would rush once more into a roar, were men whose names were
then--and some are still--more or less household words throughout the
English-speaking world. Artists, musicians, actors, writers, scholars,
droles, their wit and wisdom, their sayings and their doings must be
tolerably familiar to readers of memoir and biography; and if to such
their epigrams appear less brilliant, their jests less laughable than to
us who heard them spoken, that is merely because fashion in humour and
in understanding changes as in all else.

You, gentle reader of my book, I shall not trouble with second-hand
record of that which you can read elsewhere. For me it will be but
to write briefly of my own brief glimpse into that charmed circle.
Concerning this story more are the afternoon At Homes held by Dan and
myself upon the second floor of the old Georgian house in pleasant,
quiet Queen Square. For cook and house-maid on these days it would be a
busy morning. Failing other supervision, Dan and I agreed that to secure
success on these important occasions each of us should criticise the
work of the other. I passed judgment on Dan's cooking, he upon my
house-work.

“Too much soda,” I would declare, sampling the cake.

“You silly Juggins! It's meant to taste of soda--it's a soda cake.”

“I know that. It isn't meant to taste of nothing but soda. There
wants to be some cake about it also. This thing, so far as flavour
is concerned, is nothing but a Seidlitz powder. You can't give people
solidified Seidlitz powders for tea!”

Dan would fume, but I would remain firm. The soda cake would be laid
aside, and something else attempted. His cookery was the one thing Dan
was obstinate about. He would never admit that anything could possibly
be wrong with it. His most ghastly failures he would devour himself
later on with pretended enjoyment. I have known him finish a sponge
cake, the centre of which had to be eaten with a teaspoon, declaring it
was delicious; that eating a dry sponge cake was like eating dust; that
a sponge cake ought to be a trifle syrupy towards the centre. Afterwards
he would be strangely silent and drink brandy out of a wine-glass.

“Call these knives clean?” It would be Dan's turn.

“Yes, I do.”

Dan would draw his finger across one, producing chiaro-oscuro.

“Not if you go fingering them. Why don't you leave them alone and go on
with your own work?”

“You've just wiped them, that's all.”

“Well, there isn't any knife-powder.”

“Yes, there is.”

“Besides, it ruins knives, over-cleaning them--takes all the edge off.
We shall want them pretty sharp to cut those lemon buns of yours.”

“Over-cleaning them! You don't take any pride in the place.”

“Good Lord! Don't I work from morning to night?”

“You lazy young devil!”

“Makes one lazy, your cooking. How can a man work when he is suffering
all day long from indigestion?”

But Dan would not be content until I had found the board and cleaned the
knives to his complete satisfaction. Perhaps it was as well that in this
way all things once a week were set in order. After lunch house-maid and
cook would vanish, two carefully dressed gentlemen being left alone to
receive their guests.

These would be gathered generally from among Dan's journalistic
acquaintances and my companions of the theatre. Occasionally, Minikin
and Jarman would be of the number, Mrs. Peedles even once or twice
arriving breathless on our landing. Left to myself, I perhaps should not
have invited them, deeming them hardly fitting company to mingle with
our other visitors; but Dan, having once been introduced to them,
overrode such objection.

“My dear Lord Chamberlain,” Dan would reply, “an ounce of originality is
worth a ton of convention. Little tin ladies and gentlemen all made
to pattern! One can find them everywhere. Your friends would be an
acquisition to any society.”

“But are they quite good form?” I hinted.

“I'll tell you what we will do,” replied Dan. “We'll forget that Mrs.
Peedles keeps a lodging-house in Blackfriars. We will speak of her as
our friend, 'that dear, quaint old creature, Lady P.' A title that is
an oddity, whose costume always suggests the wardrobe of a provincial
actress! My dear Paul, your society novelist would make a fortune out
of such a character. The personages of her amusing anecdotes, instead of
being third-rate theatrical folk, shall be Earl Blank and the Baroness
de Dash. The editors of society journals shall pay me a shilling a
line for them. Jarman--yes, Jarman shall be the son of a South American
millionaire. Vulgar? Nonsense! you mean racy. Minikin--he looks much
more like forty than twenty--he shall be an eminent scientist. His
head will then appear the natural size; his glass eye, the result of
a chemical experiment, a touch of distinction; his uncompromising
rudeness, a lovable characteristic. We will make him buy a yard of
red ribbon and wear it across his shirt-front, and address him as Herr
Professor. It will explain slight errors of English grammar and all
peculiarities of accent. They shall be our lions. You leave it to me. We
will invite commonplace, middle-class folk to meet them.”

And this, to my terror and alarm, Dan persisted in doing. Jarman entered
into the spirit of the joke with gusto. So far as he was concerned, our
guests, from the beginning to the end, were one and all, I am confident,
deceived. The more he swaggered, the more he boasted, the more he talked
about himself--and it was a failing he was prone to--the greater was
his success. At the persistent endeavours of Dan's journalistic
acquaintances to excite his cupidity by visions of new journals, to be
started with a mere couple of thousand pounds and by the inherent
merit of their ideas to command at once a circulation of hundreds of
thousands, I could afford to laugh. But watching the tremendous efforts
of my actress friends to fascinate him--luring him into corners, gazing
at him with languishing eyes, trotting out all their little tricks
for his exclusive benefit, quarrelling about him among themselves--my
conscience would prick me, lest our jest should end in a contretemps.
Fortunately, Jarman himself, was a gentleman of uncommon sense, or my
fears might have been realised. I should have been sorry myself to have
been asked to remain stone under the blandishments of girls young and
old, of women handsome and once, no doubt, good looking, showered upon
him during that winter. But Jarman, as I think I have explained, was no
slave to female charms. He enjoyed his good time while it lasted, and
eventually married the eldest daughter of a small blacking factory. She
was a plain girl, but pleasant, and later brought to Jarman possession
of the factory. When I meet him--he is now stout and rubicund--he gives
me the idea of a man who has attained to his ideals.

With Minikin we had more trouble. People turned up possessed of
scientific smattering. We had to explain that the Professor never talked
shop. Others were owners of unexpected knowledge of German, which they
insisted upon airing. We had to explain that the Herr Professor was
in London to learn English, and had taken a vow during his residence
neither to speak nor listen to his native tongue. It was remarked that
his acquaintance with colloquial English slang, for a foreigner, was
quite unusual. Occasionally he was too rude, even for a scientist,
informing ladies, clamouring to know how he liked English women, that he
didn't like them silly; telling one gentleman, a friend of Dan, a rather
important man who once asked him, referring to his yard of ribbon, what
he got it for, that he got it for fourpence. We had to explain him as
a gentleman who had been soured by a love disappointment. The ladies
forgave him; the gentlemen said it was a damned lucky thing for the
girl. Altogether, Minikin took a good deal of explaining.

Lady Peedles, our guests decided among themselves, must be the widow of
some one in the City who had been knighted in a crowd. They made fun of
her behind her back, but to her face were most effusive. “My dear Lady
Peedles” was the phrase most often heard in our rooms whenever she was
present. At the theatre “my friend Lady Peedles” became a person much
spoken of--generally in loud tones. My own social position I found
decidedly improved by reason of her ladyship's evident liking for
myself. It went abroad that I was her presumptive heir. I was courted as
a gentleman of expectations.

The fishy-eyed young man became one of our regular guests. Dan won his
heart by never laughing at him.

“I like talking to you,” said the fishy-eyed young man one afternoon to
Dan. “You don't go into fits of laughter when I remark that it has been
a fine day; most people do. Of course, on the stage I don't mind. I
know I am a funny little devil. I get my living by being a funny little
devil. There is a photograph of me hanging in the theatre lobby. I saw
a workman stop and look at it the other day as he passed; I was just
behind him. He burst into a roar of laughter. 'Little--! He makes me
laugh to look at him!' he cluttered to himself. Well, that's all right;
I want the man in the gallery to think me funny, but it annoys me when
people laugh at me off the stage. If I am out to dinner anywhere and ask
somebody to pass the mustard, I never get it; instead, they burst out
laughing. I don't want people to laugh at me when I am having my dinner.
I want my dinner. It makes me very angry sometimes.”

“I know,” agreed Dan, sympathetically. “The world never grasps the fact
that man is a collection, not a single exhibit. I remember being at a
house once where the chief guest happened to be a great Hebrew scholar.
One tea time, a Miss Henman, passing the butter to some one in a hurry,
let it slip out of her hand. 'Why is Miss Henman like a caterpillar?'
asked our learned guest in a sepulchral voice. Nobody appeared to know.
'Because she makes the butter fly.' It never occurred to any one of us
that the Doctor could possibly joke. There was dead silence for about
a minute. Then our hostess, looking grave, remarked: 'Oh, do you really
think so?'”

“If I were to enter a room full of people,” said the fishy-eyed young
man, “and tell them that my mother had been run over by an omnibus, they
would think it the funniest story they had heard in years.”

He was playing a principal part now in the opera, and it was he
undoubtedly who was drawing the house. But he was not happy.

“I am not a comic actor, really,” he explained. “I could play Romeo, so
far as feeling is concerned, and play it damned well. There is a fine
vein of poetry in me. But of course it's no good to me with this face of
mine.”

“But are you not sinning your mercies, you fellows?” Dan replied. “There
is young Kelver here. At school it was always his trouble that he could
give us a good time and make us laugh, which nobody else in the whole
school could do. His ambition was to kick a ball as well as a hundred
other fellows could kick it. He could tell us a good story now if he
would only write what the Almighty intended him to write, instead of
gloomy rigmaroles about suffering Princesses in Welsh caves. I don't
say it's bad, but a hundred others could write the same sort of thing
better.”

“Can't you understand,” answered the little man; “the poorest tragedian
that ever lived never wished himself the best of low comedians. The
court fool had an excellent salary, no doubt; and, likely enough, had
got two-thirds of all the brain there was in the palace. But not a
wooden-headed man-at-arms but looked down upon him. Every gallery boy
who pays a shilling to laugh at me regards himself as my intellectual
superior; while to a fourth-rate spouter of blank verse he looks up in
admiration.”

“Does it so very much matter,” suggested Dan, “how the wooden-headed
man-at-arms or the shilling gallery boy happens to regard you?”

“Yes, it does,” retorted Goggles, “because we happen to agree with them.
If I could earn five pounds a week as juvenile lead, I would never play
a comic part again.”

“There I cannot follow you,” returned Dan. “I can understand the artist
who would rather be the man of action, the poet who would rather be the
statesman or the warrior; though personally my sympathies are precisely
the other way--with Wolfe who thought it a more glorious work, the
writing of a great poem, than the burning of so many cities and the
killing of so many men. We all serve the community. It is difficult,
looking at the matter from the inside, to say who serves it best. Some
feed it, some clothe it. The churchman and the policeman between them
look after its morals, keep it in order. The doctor mends it when it
injures itself; the lawyer helps it to quarrel, the soldier teaches it
to fight. We Bohemians amuse it, instruct it. We can argue that we are
the most important. The others cater for its body, we for its mind. But
their work is more showy than ours and attracts more attention; and to
attract attention is the aim and object of most of us. But for Bohemians
to worry among themselves which is the greatest, is utterly without
reason. The story-teller, the musician, the artist, the clown, we are
members of a sharing troupe; one, with the ambition of the fat boy in
Pickwick, makes the people's flesh creep; another makes them hold their
sides with laughter. The tragedian, soliloquising on his crimes, shows
us how wicked we are; you, looking at a pair of lovers from under a
scratch wig, show us how ridiculous we are. Both lessons are necessary:
who shall say which is the superior teacher?”

“Ah, I am not a philosopher,” replied the little man, with a sigh.

“Ah,” returned Dan, with another, “and I am not a comic actor on my
way to a salary of a hundred a week. We all of us want the other boy's
cake.”

The O'Kelly was another frequent visitor of ours. The attic in Belsize
Square had been closed. In vain had the O'Kelly wafted incense, burned
pastilles and sprinkled eau-de-Cologne. In vain had he talked of rats,
hinted at drains.

“A wonderful woman,” groaned the O'Kelly in tones of sorrowful
admiration. “There's no deceiving her.”

“But why submit?” was our natural argument. “Why not say you are going
to smoke, and do it?”

“It's her theory, me boy,” explained the O'Kelly, “that the home should
be kept pure--a sort of a temple, ye know. She's convinced that in time
it is bound to exercise an influence upon me. It's a beautiful idea,
when ye come to think of it.”

Meanwhile, in the rooms of half-a-dozen sinful men the O'Kelly kept his
own particular pipe, together with his own particular smoking mixture;
and one such pipe and one such tobacco jar stood always on our
mantelpiece.

In the spring the forces of temptation raged round that feeble but most
excellently intentioned citadel, the O'Kelly's conscience. The Signora
had returned to England, was performing then at Ashley's Theatre. The
O'Kelly would remain under long spells of silence, puffing vigorously
at his pipe. Or would fortify himself with paeans in praise of Mrs.
O'Kelly.

“If anything could ever make a model man of me”--he spoke in the tones
of one whose doubts are stronger than his hopes--“it would be the
example of that woman.”

It was one Saturday afternoon. I had just returned from the matinee.

“I don't believe,” continued the O'Kelly, “I don't really believe she
has ever done one single thing she oughtn't to, or left undone one
single thing she ought, in the whole course of her life.”

“Maybe she has, and you don't know of it,” I suggested, perceiving the
idea might comfort him.

“I wish I could think so,” returned the O'Kelly. “I don't mean anything
really wrong,” he corrected himself quickly, “but something just a
little wrong. I feel--I really feel I should like her better if she
had.”

“Not that I mean I don't like her as it is, ye understand,” corrected
himself the O'Kelly a second time. “I respect that woman--I cannot tell
ye, me boy, how much I respect her. Ye don't know her. There was one
morning, about a month ago. That woman--she's down at six every morning,
summer and winter; we have prayers at half-past. I was a trifle late
meself: it was never me strong point, as ye know, early rising. Seven
o'clock struck; she didn't appear, and I thought she had overslept
herself. I won't say I didn't feel pleased for the moment; it was an
unworthy sentiment, but I almost wished she had. I ran up to her room.
The door was open, the bedclothes folded down as she always leaves them.
She came in five minutes later. She had got up at four that morning
to welcome a troupe of native missionaries from East Africa on their
arrival at Waterloo Station. She's a saint, that woman; I am not worthy
of her.”

“I shouldn't dwell too much on that phase of the subject,” I suggested.

“I can't help it, me boy,” replied the O'Kelly. “I feel I am not.”

“I don't for a moment say you are,” I returned; “but I shouldn't harp
upon the idea. I don't think it good for you.”

“I never will be,” he persisted gloomily, “never!”

Evidently he was started on a dangerous train of reflection. With the
idea of luring him away from it, I led the conversation to the subject
of champagne.

“Most people like it dry,” admitted the O'Kelly. “Meself, I have always
preferred it with just a suggestion of fruitiness.”

“There was a champagne,” I said, “you used to be rather fond of when
we--years ago.”

“I think I know the one ye mean,” said the O'Kelly. “It wasn't at all
bad, considering the price.”

“You don't happen to remember where you got it?” I asked.

“It was in Bridge Street,” remembered the O'Kelly, “not so very far from
the Circus.”

“It is a pleasant evening,” I remarked; “let us take a walk.”

We found the place, half wine-shop, half office.

“Just the same,” commented the O'Kelly as we pushed open the door and
entered. “Not altered a bit.”

As in all probability barely twelve months had elapsed since his last
visit, the fact in itself was not surprising. Clearly the O'Kelly had
been calculating time rather by sensation. I ordered a bottle; and we
sat down. Myself, being prejudiced against the brand, I called for a
glass of claret. The O'Kelly finished the bottle. I was glad to notice
my ruse had been successful. The virtue of that wine had not departed
from it. With every glass the O'Kelly became morally more elevated.
He left the place, determined that he would be worthy of Mrs. O'Kelly.
Walking down the Embankment, he asserted his determination of buying an
alarm-clock that very evening. At the corner of Westminster Bridge he
became suddenly absorbed in his own thoughts. Looking to discover the
cause of his silence, I saw that his eyes were resting on a poster
representing a charming lady standing on one leg upon a wire; below
her--at some distance--appeared the peaks of mountains; the artist
had even caught the likeness. I cursed the luck that had directed our
footsteps, but the next moment, lacking experience, was inclined to be
reassured.

“Me dear Paul,” said the O'Kelly--he laid a fatherly hand upon my
shoulder--“there are fair-faced, laughing women--sweet creatures,
that ye want to put yer arm around and dance with.” He shook his head
disapprovingly. “There are the sainted women, who lead us up, Paul--up,
always up.”

A look, such as the young man with the banner might have borne with him
to the fields of snow and ice, suffused the O'Kelly's handsome face.
Without another word he crossed the road and entered an American store,
where for six-and-elevenpence he purchased an alarm-clock the man
assured us would awake an Egyptian mummy. With this in his hand he waved
me a good-bye, and jumped upon a Hampstead 'bus, and alone I strolled on
to the theatre.

Hal returned a little after Christmas and started himself in chambers
in the City. It was the nearest he dared venture, so he said, to
civilisation.

“I'd be no good in the West End,” he explained. “For a season I might
attract as an eccentricity, but your swells would never stand me for
longer--no more would any respectable folk, anywhere: we don't get on
together. I commenced at Richmond. It was a fashionable suburb then,
and I thought I was going to do wonders. I had everything in my favour,
except myself. I do know my work, nobody can deny that of me. My
father spent every penny he had, poor gentleman, in buying me an
old-established practice: fine house, carriage and pair, white-haired
butler--everything correct, except myself. It was of no use. I can hold
myself in for a month or two; then I break out, the old original savage
that I am under my frock coat. I feel I must run amuck, stabbing,
hacking at the prim, smiling Lies mincing round about me. I can fool a
silly woman for half-a-dozen visits; bow and rub my hands, purr round
her sympathetically. All the while I am longing to tell her the truth:

“'Go home. Wash your face; don't block up the pores of your skin with
paint. Let out your corsets. You are thirty-three round the abdomen if
you are an inch: how can you expect your digestion to do its work when
you're squeezing it into twenty-one? Give up gadding about half your day
and most of your night; you are old enough to have done with that sort
of thing. Let the children come, and suckle them yourself. You'll be all
the better for them. Don't loll in bed all the morning. Get up like a
decent animal and do something for your living. Use your brain, what
there is of it, and your body. At that price you can have health
to-morrow, and at no other. I can do nothing for you.'

“And sooner or later I blurt it out.” He laughed his great roar. “Lord!
you should see the real face coming out of the simpering mask.

“Pompous old fools, strutting into me like turkey-cocks! By Jove, it was
worth it! They would dribble out, looking half their proper size after I
had done telling them what was the matter with them.

“'Do you want to know what you are really suffering from?' I would shout
at them, when I could contain myself no longer. 'Gluttony, my dear sir;
gluttony and drunkenness, and over-indulgence in other vices that shall
be nameless. Live like a man; get a little self-respect from somewhere;
give up being an ape. Treat your body properly and it will treat you
properly. That's the only prescription that will do you any good.'”

He laughed again. “'Tell the truth, you shame the Devil.' But the Devil
replies by starving you. It's a fairly effective retort. I am not the
stuff successful family physicians are made of. In the City I may manage
to rub along. One doesn't see so much of one's patients; they come and
go. Clerks and warehousemen my practice will be among chiefly. The poor
man does not so much mind being told the truth about himself; it is a
blessing to which he is accustomed.”

We spoke but once of Barbara. A photograph of her in her bride's
dress stood upon my desk. Occasionally, first fitting the room for
the ceremony, sweeping away all impurity even from under the mats, and
dressing myself with care, I would centre it amid flowers, and kneeling,
kiss her hand where it rested on the back of the top-heavy looking chair
without which no photographic studio is complete.

One day he took it up, and looked at it long and hard.

“The forehead denotes intellectuality; the eyes tenderness and courage.
The lower part of the face, on the other hand, suggests a good deal
of animalism: the finely cut nostrils show egotism--another word for
selfishness; the nose itself, vanity; the lips, sensuousness and love
of luxury. I wonder what sort of woman she really is.” He laid the
photograph back upon the desk.

“I did not know you were so firm a believer in Lavater,” I said.

“Only when he agrees with what I know,” he answered. “Have I not
described her rightly?”

“I do not care to discuss her in that vein,” I replied, feeling the
blood mounting to my cheeks.

“Too sacred a subject?” he laughed. “It is the one ingredient of manhood
I lack, ideality--an unfortunate deficiency for me. I must probe,
analyse, dissect, see the thing as it really is, know it for what it
is.”

“Well, she is the Countess Huescar now,” I said. “For God's sake, leave
her alone.”

He turned to me with the snarl of a beast. “How do you know she is the
Countess Huescar? Is it a special breed of woman made on purpose? How do
you know she isn't my wife--brain and heart, flesh and blood, mine? If
she was, do you think I should give her up because some fool has stuck
his label on her?”

I felt the anger burning in my eyes. “Yours, his! She is no man's
property. She is herself,” I cried.

The wrinkles round his nose and mouth smoothed themselves out. “You need
not be afraid,” he sneered. “As you say, she is the Countess Huescar.
Can you imagine her as Mrs. Doctor Washburn? I can't.” He took her
photograph in his hand again. “The lower part of the face is the true
index to the character. It shows the animal, and it is the animal that
rules. The soul, the intellect, it comes and goes; the animal remains
always. Sensuousness, love of luxury, vanity, those are the strings to
which she dances. To be a Countess is of more importance to her than to
be a woman. She is his, not mine. Let him keep her.”

“You do not know her,” I answered; “you never have. You listen to what
she says. She does not know herself.”

He looked at me queerly. “What do you think her to be?” he asked me. “A
true woman, not the shallow thing she seems?”

“A true woman,” I persisted stoutly, “that you have not eyes enough to
see.”

“You little fool!” he muttered, with the same queer look--“you little
fool. But let us hope you are wrong, Paul. Let us hope, for her sake,
you are wrong.”

It was at one of Deleglise's Sunday suppers that I first met Urban Vane.
The position, nor even the character, I fear it must be confessed, of
his guests was never enquired into by old Deleglise. A simple-minded,
kindly old fellow himself, it was his fate to be occasionally surprised
and grieved at the discovery that even the most entertaining of supper
companions could fall short of the highest standard of conventional
morality.

“Dear, dear me!” he would complain, pacing up and down his studio
with puzzled visage. “The last man in the world of whom I should have
expected to hear it. So original in all his ideas. Are you quite sure?”

“I am afraid there can be no doubt about it.”

“I can't believe it! I really can't believe it! One of the most amusing
men I ever met!”

I remember a well-known artist one evening telling us with much sense of
humour how he had just completed the sale of an old Spanish cabinet to
two distinct and separate purchasers.

“I sold it first,” recounted the little gentleman with glee, “to old
Jong, the dealer. He has been worrying me about it for the last three
months, and on Saturday afternoon, hearing that I was clearing out
and going abroad, he came round again. 'Well, I am not sure I am in a
position to sell it,' I told him. 'Who'll know?' he asked. 'They are not
in, are they?' 'Not yet,' I answered, 'but I expect they will be some
time on Monday.' 'Tell your man to open the door to me at eight o'clock
on Monday morning,' he replied, 'we'll have it away without any fuss.
There needn't be any receipt. I'm lending you a hundred pounds, in
cash.' I worked him up to a hundred and twenty, and he paid me. Upon my
word, I should never have thought of it, if he hadn't put the idea into
my head. But turning round at the door: 'You won't go and sell it to
some one else,' he suggested, 'between now and Monday?' It serves him
right for his damned impertinence. 'Send and take it away to-day if you
are at all nervous,' I told him. He looked at the thing, it is about
twelve feet high altogether. 'I would if I could get a cart,' he
muttered. Then an idea struck him. 'Does the top come off?' 'See for
yourself,' I answered; 'it's your cabinet, not mine.' I was feeling
rather annoyed with him. He examined it. 'That's all right,' he said;
'merely a couple of screws. I'll take the top with me now on my cab.'
He got a man in, and they took the upper cupboard away, leaving me the
bottom. Two hours later old Sir George called to see me about his wife's
portrait. The first thing he set eyes on was the remains of the cabinet:
he had always admired it. 'Hallo,' he asked, 'are you breaking up the
studio literally? What have you done with the other half?' 'I've sent
it round to Jong's--' He didn't give me time to finish. 'Save Jong's
commission and sell it to me direct,' he said. 'We won't argue about the
price and I'll pay you in cash.'

“Well, if Providence comes forward and insists on taking charge of
a man, it is hardly good manners to flout her. Besides, his wife's
portrait is worth twice as much as he is paying for it. He handed me
over the money in notes. 'Things not going quite smoothly with you just
at the moment?' he asked me. 'Oh, about the same as usual,' I told him.
'You won't be offended at my taking it away with me this evening?' he
asked. 'Not in the least,' I answered; 'you'll get it on the top of a
four-wheeled cab.' We called in a couple of men, and I helped them down
with it, and confoundedly heavy it was. 'I shall send round to Jong's
for the other half on Monday morning,' he said, speaking with his head
through the cab window, 'and explain it to him.' 'Do,' I answered;
'he'll understand.'

“I'm sorry I'm going away so early in the morning,” concluded the little
gentleman. “I'd give back Jong ten per cent. of his money to see his
face when he enters the studio.”

Everybody laughed; but after the little gentleman was gone, the subject
cropped up again.

“If I wake sufficiently early,” remarked one, “I shall find an excuse
to look in myself at eight o'clock. Jong's face will certainly be worth
seeing.”

“Rather rough both on him and Sir George,” observed another.

“Oh, he hasn't really done anything of the kind,” chimed in old
Deleglise in his rich, sweet voice. “He made that all up. It's just his
fun; he's full of humour.”

“I am inclined to think that would be his idea of a joke,” asserted the
first speaker.

Old Deleglise would not hear of it; but a week or two later I noticed an
addition to old Deleglise's studio furniture in the shape of a handsome
old carved cabinet twelve feet high.

“He really had done it,” explained old Deleglise, speaking in a whisper,
though only he and I were present. “Of course, it was only his fun; but
it might have been misunderstood. I thought it better to put the thing
straight. I shall get the money back from him when he returns. A most
amusing little man!”

Old Deleglise possessed a house in Gower Street which fell vacant. One
of his guests, a writer of poetical drama, was a man who three months
after he had earned a thousand pounds never had a penny with which
to bless himself. They are dying out, these careless, good-natured,
conscienceless Bohemians; but quarter of a century ago they still
lingered in Alsatian London. Turned out of his lodgings by a Philistine
landlord, his sole possession in the wide world, two acts of a drama,
for which he had already been paid, the problem of his future, though
it troubled him but little, became acute to his friends. Old Deleglise,
treating the matter as a joke, pretending not to know who was the
landlord, suggested he should apply to the agents for position as
caretaker. Some furniture was found for him, and the empty house in
Gower Street became his shelter. The immediate present thus provided
for, kindly old Deleglise worried himself a good deal concerning what
would become of his friend when the house was let. There appeared to be
no need for worry. Weeks, months went by. Applications were received
by the agents in fair number, view cards signed by the dozen; but
prospective tenants were never seen again. One Sunday evening our poet,
warmed by old Deleglise's Burgundy, forgetful whose recommendation
had secured him the lowly but timely appointment, himself revealed the
secret.

“Most convenient place I've got,” so he told old Deleglise. “Whole house
to myself. I wander about; it just suits me.”

“I'm glad to hear that,” murmured old Deleglise.

“Come and see me, and I'll cook you a chop,” continued the other. “I've
had the kitchen range brought up into the back drawing-room; saves going
up and down stairs.”

“The devil you have!” growled old Deleglise. “What do you think the
owner of the house will say?”

“Haven't the least idea who the poor old duffer is myself. They've put
me in as caretaker--an excellent arrangement: avoids all argument about
rent.”

“Afraid it will soon come to an end, that excellent arrangement;”
 remarked old Deleglise, drily.

“Why? Why should it?”

“A house in Gower Street oughtn't to remain vacant long.”

“This one will.”

“You might tell me,” asked old Deleglise, with a grim smile; “how do you
manage it? What happens when people come to look over the house--don't
you let them in?”

“I tried that at first,” explained the poet, “but they would go on
knocking, and boys and policemen passing would stop and help them. It
got to be a nuisance; so now I have them in, and get the thing over.
I show them the room where the murder was committed. If it's a
nervous-looking party, I let them off with a brief summary. If that
doesn't do, I go into details and show them the blood-spots on the
floor. It's an interesting story of the gruesome order. Come round one
morning and I'll tell it to you. I'm rather proud of it. With the blinds
down and a clock in the next room that ticks loudly, it goes well.”

Yet this was a man who, were the merest acquaintance to call upon him
and ask for his assistance, would at once take him by the arm and lead
him upstairs. All notes and cheques that came into his hands he changed
at once into gold. Into some attic half filled with lumber he would
fling it by the handful; then, locking the door, leave it there. On
their hands and knees he and his friends, when they wanted any, would
grovel for it, poking into corners, hunting under boxes, groping among
broken furniture, feeling between cracks and crevices. Nothing gave him
greater delight than an expedition of this nature to what he termed his
gold-field; it had for him, as he would explain, all the excitements
of mining without the inconvenience and the distance. He never knew how
much was there. For a certain period a pocketful could be picked up in
five minutes. Then he would entertain a dozen men at one of the best
restaurants in London, tip cabmen and waiters with half-sovereigns,
shower half-crowns as he walked through the streets, lend or give to
anybody for the asking. Later, half-an-hour's dusty search would be
rewarded with a single coin. It made no difference to him; he would dine
in Soho for eighteenpence, smoke shag, and run into debt.

The red-haired man, to whom Deleglise had introduced me on the day of
my first meeting with the Lady of the train, was another of his most
constant visitors. It flattered my vanity that the red-haired man, whose
name was famous throughout Europe and America, should condescend to
confide to me--as he did and at some length--the deepest secrets of his
bosom. Awed--at all events at first--I would sit and listen while by
the hour he would talk to me in corners, telling me of the women he had
loved. They formed a somewhat large collection. Julias, Marias, Janets,
even Janes--he had madly worshipped, deliriously adored so many it grew
bewildering. With a far-away look in his eyes, pain trembling through
each note of his musical, soft voice, he would with bitter jest, with
passionate outburst, recount how he had sobbed beneath the stars for
love of Isabel, bitten his own flesh in frenzied yearning for Lenore. He
appeared from his own account--if in connection with a theme so poetical
I may be allowed a commonplace expression--to have had no luck with
any of them. Of the remainder, an appreciable percentage had been mere
passing visions, seen at a distance in the dawn, at twilight--generally
speaking, when the light must have been uncertain. Never again, though
he had wandered in the neighbourhood for months, had he succeeded in
meeting them. It would occur to me that enquiries among the neighbours,
applications to the local police, might possibly have been efficacious;
but to have broken in upon his exalted mood with such suggestions would
have demanded more nerve than at the time I possessed. In consequence,
my thoughts I kept to myself.

“My God, boy!” he would conclude, “may you never love as I loved that
woman Miriam”--or Henrietta, or Irene, as the case might be.

For my sympathetic attitude towards the red-haired man I received one
evening commendation from old Deleglise.

“Good boy,” said old Deleglise, laying his hand on my shoulder. We were
standing in the passage. We had just shaken hands with the red-haired
man, who, as usual, had been the last to leave. “None of the others will
listen to him. He used to stop and confide it all to me after everybody
else had gone. Sometimes I have dropped asleep, to wake an hour later
and find him still talking. He gets it over early now. Good boy!”

Soon I learnt it was characteristic of the artist to be willing--nay,
anxious, to confide his private affairs to any one and every one who
would only listen. Another characteristic appeared to be determination
not to listen to anybody else's. As attentive recipient of other
people's troubles and emotions I was subjected to practically no
competition whatever. One gentleman, a leading actor of that day, I
remember, immediately took me aside on my being introduced to him, and
consulted me as to his best course of procedure under the extremely
painful conditions that had lately arisen between himself and his wife.
We discussed the unfortunate position at some length, and I did my best
to counsel fairly and impartially.

“I wish you would lunch with me at White's to-morrow,” he said. “We can
talk it over quietly. Say half-past one. By the bye, I didn't catch your
name.”

I spelt it to him: he wrote the appointment down on his shirt-cuff. I
went to White's the next day and waited an hour, but he did not turn
up. I met him three weeks later at a garden-party with his wife. But he
appeared to have forgotten me.

Observing old Deleglise's guests, comparing them with their names, it
surprised me the disconnection between the worker and the work. Writers
of noble sentiment, of elevated ideality, I found contained in men of
commonplace appearance, of gross appetites, of conventional ideas.
It seemed doubtful whether they fully comprehended their own work;
certainly it had no effect upon their own lives. On the other hand, an
innocent, boyish young man, who lived the most correct of lives with
a girlish-looking wife in an ivy-covered cottage near Barnes Common,
I discovered to be the writer of decadent stories at which the Empress
Theodora might have blushed. The men whose names were widest known were
not the men who shone the brightest in Deleglise's kitchen; more
often they appeared the dull dogs, listening enviously, or failing
pathetically when they tried to compete with others who to the public
were comparatively unknown. After a time I ceased to confound the artist
with the man, thought no more of judging the one by the other than of
evolving a tenant from the house to which circumstances or carelessness
might have directed him. Clearly they were two creations originally
independent of each other, settling down into a working partnership
for purposes merely of mutual accommodation; the spirit evidently
indifferent as to the particular body into which he crept, anxious only
for a place to work in, easily contented.

Varied were these guests that gathered round old Deleglise's oak.
Cabinet Ministers reported to be in Homburg; Russian Nihilists escaped
from Siberia; Italian revolutionaries; high church dignitaries disguised
in grey suitings; ex-errand boys, who had discovered that with six
strokes of the pen they could set half London laughing at whom they
would; raw laddies with the burr yet clinging to their tongues, but
who we knew would one day have the people dancing to the music of their
words. Neither wealth, nor birth, nor age, nor position counted. Was a
man interesting, amusing; had he ideas and thoughts of his own? Then he
was welcome. Men who had come, men who were coming, met there on equal
footing. Among them, as years ago among my schoolmates, I found my
place--somewhat to my dissatisfaction. I amused. Much rather would I
have shocked them by the originality of my views, impressed them with
the depth of my judgments. They declined to be startled, refused to
be impressed; instead, they laughed. Nor from these men could I obtain
sympathy in my disappointment.

“What do you mean, you villain!” roared Deleglise's caretaker at me one
evening on entering the kitchen. “How dare you waste your time writing
this sort of stuff?”

He had a copy of the paper containing my “Witch of Moel Sarbod” in his
hand--then some months old. He screwed it up into a ball and flung it in
my face. “I've only just read it. What did you get for it?”

“Nothing,” I answered.

“Nothing!” he screamed. “You got off for nothing? You ought to have been
whipped at the cart's tail!”

“Oh, come, it's not as bad as that,” suggested old Deleglise.

“Not bad! There isn't a laugh in it from beginning to end.”

“There wasn't intended to be,” I interrupted.

“Why not, you swindler? What were you sent into the world to do? To make
it laugh.”

“I want to make it think,” I told him.

“Make it think! Hasn't it got enough to think about? Aren't there ten
thousand penny-a-liners, poets, tragedians, tub-thumpers, long-eared
philosophers, boring it to death? Who are you to turn up your nose at
your work and tell the Almighty His own business? You are here to make
us laugh. Get on with your work, you confounded young idiot!”

Urban Vane was the only one among them who understood me, who agreed
with me that I was fitted for higher things than merely to minister
to the world's need of laughter. He alone it was who would listen
with approval to my dreams of becoming a famous tragedian, a writer of
soul-searching books, of passion-analysing plays. I never saw him laugh
himself, certainly not at anything funny. “Humour!” he would explain
in his languid drawl, “personally it doesn't amuse me.” One felt its
introduction into the scheme of life had been an error. He was a large,
fleshy man, with a dreamy, caressing voice and strangely impassive face.
Where he came from, who he was, nobody knew. Without ever passing a
remark himself that was worth listening to, he, nevertheless, by some
mysterious trick of manner I am unable to explain, soon established
himself, even throughout that company, where as a rule men found their
proper level, as a silent authority in all contests of wit or argument.
Stories at which he listened, bored, fell flat. The _bon mot_ at which
some faint suggestion of a smile quivered round his clean-shaven lips
was felt to be the crown of the discussion. I can only conclude his
secret to have been his magnificent assumption of superiority, added to
a sphinx-like impenetrability behind which he could always retire from
any danger of exposure. Subjects about which he knew nothing--and I
have come to the conclusion they were more numerous than was
suspected--became in his presence topics outside the radius of
cultivated consideration: one felt ashamed of having introduced them.
His own subjects--they were few but exclusive--he had the knack of
elevating into intellectual tests: one felt ashamed, reflecting how
little one knew about them. Whether he really did possess a charm of
manner, or whether the sense of his superiority with which he had imbued
me it was that made any condescension he paid me a thing to grasp at, I
am unable to say. Certain it is that when he suggested I should throw
up chorus singing and accompany him into the provinces as manager of a
theatrical company he was then engaging to run a wonderful drama that
was going to revolutionise the English stage and educate the English
public, I allowed myself not a moment for consideration, but accepted
his proposal with grateful delight.

“Who is he?” asked Dan. Somehow he had never impressed Dan; but then Dan
was a fellow to impress whom was slow work. As he himself confessed, he
had no instinct for character. “I judge,” he would explain, “purely by
observation.”

“What does that matter?” was my reply.

“What does he know about the business?”

“That's why he wants me.”

“What do you know about it?”

“There's not much to know. I can find out.”

“Take care you don't find out that there's more to know than you think.
What is this wonderful play of his?”

“I haven't seen it yet; I don't think it's finished. It's something from
the Spanish or the Russian, I'm not sure. I'm to put it into shape
when he's done the translation. He wants me to put my name to it as the
adaptor.”

“Wonder he hasn't asked you to wear his clothes. Has he got any money?”

“Of course he has money. How can you run a theatrical company without
money?”

“Have you seen the money?”

“He doesn't carry it about with him in a bag.”

“I should have thought your ambition to be to act, not to manage.
Managers are to be had cheap enough. Why should he want some one who
knows nothing about it?”

“I'm going to act. I'm going to play a leading part.”

“Great Scott!”

“He'll do the management really himself; I shall simply advise him. But
he doesn't want his own name to appear.

“Why not?”

“His people might object.”

“Who are his people?”

“How do I know? What a suspicious chap you are.”

Dan shrugged his shoulders. “You are not an actor, you never will be;
you are not a business man. You've made a start at writing, that's your
proper work. Why not go on with it?”

“I can't get on with it. That one thing was accepted, and never paid
for; everything else comes back regularly, just as before. Besides, I
can go on writing wherever I am.”

“You've got friends here to help you.”

“They don't believe I can do anything but write nonsense.”

“Well, clever nonsense is worth writing. It's better than stodgy sense:
literature is blocked up with that. Why not follow their advice?”

“Because I don't believe they are right. I'm not a clown; I don't mean
to be. Because a man has a sense of humour it doesn't follow he has
nothing else. That is only one of my gifts, and by no means the highest.
I have knowledge of human nature, poetry, dramatic instinct. I mean to
prove it to you all. Vane's the only man that understands me.”

Dan lit his pipe. “Have you made up your mind to go?”

“Of course I have. It's an opportunity that doesn't occur twice.
'There's a tide in the affairs--”

“Thanks,” interrupted Dan; “I've heard it before. Well, if you've made
up your mind, there's an end of the matter. Good luck to you! You are
young, and it's easier to learn things then than later.”

“You talk,” I answered, “as if you were old enough to be my
grandfather.”

He smiled and laid both hands upon my shoulders. “So I am,” he said,
“quite old enough, little boy Paul. Don't be angry; you'll always be
little Paul to me.” He put his hands in his pockets and strolled to the
window.

“What'll you do?” I enquired. “Will you keep on these rooms?”

“No,” he replied. “I shall accept an offer that has been made to me to
take the sub-editorship of a big Yorkshire paper. It is an important
position and will give me experience.”

“You'll never be happy mewed up in a provincial town,” I told him. “I
shall want a London address, and I can easily afford it. Let's keep them
on together.”

He shook his head. “It wouldn't be the same thing,” he said.

So there came a morning when we said good-bye. Before Dan returned from
the office I should be gone. They had been pleasant months that we had
spent together in these pretty rooms. Though my life was calling to
me full of hope, I felt the pain of leaving them. Two years is a long
period in a young man's life, when the sap is running swiftly. My
affections had already taken root there. The green leaves in summer, in
winter the bare branches of the square, the sparrows that chirped about
the window-sills, the quiet peace of the great house, Dan, kindly old
Deleglise: around them my fibres clung, closer than I had known. The
Lady of the train: she managed it now less clumsily. Her hands and
feet had grown smaller, her elbows rounder. I found myself smiling as
I thought of her--one always did smile when one thought of Norah,
everybody did;--of her tomboy ways, her ringing laugh--there were those
who termed it noisy; her irrepressible frankness--there were times when
it was inconvenient. Would she ever become lady-like, sedate, proper?
One doubted it. I tried to picture her a wife, the mistress of a house.
I found the smile deepening round my mouth. What a jolly wife she would
make! I could see her bustling, full of importance; flying into tempers,
lasting possibly for thirty seconds; then calling herself names, saving
all argument by undertaking her own scolding, and doing it well. I
followed her to motherhood. What a joke it would be! What would she do
with them? She would just let them do what they liked with her. She and
they would be a parcel of children together, she the most excited of
them all. No; on second thoughts I could detect in her a strong vein of
common sense. They would have to mind their p's and q's. I could see her
romping with them, helping them to tear their clothes; but likewise I
could see her flying after them, bringing back an armful struggling,
bathing it, physicking it. Perhaps she would grow stout, grow grey; but
she would still laugh more often than sigh, speak her mind, be quick,
good-tempered Norah to the end. Her character precluded all hope of
surprise. That, as I told myself, was its defect. About her were none of
those glorious possibilities that make of some girls charming mysteries.
A woman, said I to myself, should be a wondrous jewel, hiding unknown
lights and shadows. You, my dear Norah--I spoke my thoughts aloud, as
had become a habit with me: those who live much alone fall into this
way--you are merely a crystal, not shallow--no, I should not call you
shallow by any mans, but transparent.

What would he be, her lover? Some plain, matter-of-fact, business-like
young fellow, a good player of cricket and football, fond of his dinner.
What a very uninteresting affair the love-making would be! If she liked
him--well, she would probably tell him so; if she didn't, he would know
it in five minutes.

As for inducing her to change her mind, wooing her, cajoling her--I
heard myself laughing at the idea.

There came a quick rap at the door. “Come in,” I cried; and she entered.

“I came to say good-bye to you,” she explained. “I'm just going out.
What were you laughing at?”

“Oh, at an idea that occurred to me.”

“A funny one?”

“Yes.”

“Tell it me.”

“Well, it was something in connection with yourself. It might offend
you.”

“It wouldn't trouble you much if it did, would it?”

“No, I don't suppose it would.”

“Then why not tell me?”

“I was thinking of your lover.”

It did offend her; I thought it would. But she looked really interesting
when she was cross. Her grey eyes would flash, and her whole body
quiver. There was a charming spice of danger always about making her
cross.

“I suppose you think I shall never have one.”

“On the contrary, I think you will have a good many.” I had not thought
so before then. I formed the idea for the first time in that moment,
while looking straight into her angry face. It was still a childish
face.

The anger died out of it as it always did within the minute, and she
laughed. “It would be fun, wouldn't it. I wonder what I should do with
him? It makes you feel very serious being in love, doesn't it?”

“Very.”

“Have you ever been in love?”

I hesitated for a moment. Then the delight of talking about it overcame
my fear of being chaffed. Besides, when she felt it, nobody could be
more delightfully sympathetic. I determined to adventure it.

“Yes,” I answered, “ever since I was a boy. If you are going to be
foolish,” I added, for I saw the laugh before it came, “I shan't talk to
you about it.”

“I'm not--I won't, really,” she pleaded, making her face serious again.
“What is she like?”

I took from my breast pocket Barbara's photograph, and handed it to her
in silence.

“Is she really as beautiful as that?” she asked, gazing at it evidently
fascinated.

“More so,” I assured her. “Her expression is the most beautiful part of
her. Those are only her features.”

She sighed. “I wish I was beautiful.”

“You are at an awkward age,” I told her. “It is impossible to say what
you are going to be like.”

“Mamma was a lovely woman, everybody says so; and Tom I call awfully
handsome. Perhaps I'll be better when I'm filled out a bit more.” A
small Venetian mirror hung between the two windows; she glanced up into
it. “It's my nose that irritates me,” she said. She rubbed it viciously,
as if she would rub it out.

“Some people admire snub noses,” I explained to her.

“No, really?”

“Tennyson speaks of them as 'tip-tilted like the petals of a rose.'”

“How nice of him! Do you think he meant my sort?” She rubbed it again,
but in a kinder fashion; then looked again at Barbara's photograph. “Who
is she?”

“She was Miss Hasluck,” I answered; “she is the Countess Huescar now.
She was married last summer.”

“Oh, yes, I remember; you told us about her. You were children together.
But what's the good of your being in love with her if she's married?”

“It makes my whole life beautiful.”

“Wanting somebody you can't have?”

“I don't want her.”

“You said you were in love with her.”

“So I am.”

She handed me back the photograph, and I replaced it in my pocket.

“I don't understand that sort of love,” she said. “If I loved anybody I
should want to have them with me always.

“She is with me always,” I answered, “in my thoughts.” She looked at me
with her clear grey eyes. I found myself blinking. Something seemed
to be slipping from me, something I did not want to lose. I remember a
similar sensation once at the moment of waking from a strange, delicious
dream to find the sunlight pouring in upon me through an open window.

“That isn't being in love,” she said. “That's being in love with the
idea of being in love. That's the way I used to go to balls”--she
laughed--“in front of the glass. You caught me once, do you remember?”

“And was it not sweeter,” I argued, “the imagination? You were the belle
of the evening; you danced divinely every dance, were taken in to supper
by the Lion. In reality you trod upon your partner's toes, bumped and
were bumped, were left a wallflower more than half the time, had a
headache the next day. Were not the dream balls the more delightful?”

“No, they weren't,” she answered without the slightest hesitation. “One
real dance, when at last it came, was worth the whole of them. Oh, I
know, I've heard you talking, all of you--of the faces that you see in
dreams and that are ever so much more beautiful than the faces that you
see when you're awake; of the wonderful songs that nobody ever sings,
the wonderful pictures that nobody ever paints, and all the rest of it.
I don't believe a word of it. It's tommyrot!”

“I wish you wouldn't use slang.”

“Well, you know what I mean. What is the proper word? Give it me.”

“I suppose you mean cant,” I suggested.

“No, I don't. Cant is something that you don't believe in yourself. It's
tommyrot: there isn't any other word. When I'm in love it will be with
something that is real.”

I was feeling angry with her. “I know just what he will be like. He will
be a good-natured, commonplace--”

“Whatever he is,” she interrupted, “he'll be alive, and he'll want me
and I shall want him. Dreams are silly. I prefer being up.” She
clapped her hands. “That's it.” Then, silent, she looked at me with an
expression of new interest. “I've been wondering and wondering what it
was: you are not really awake yet. You've never got up.”

I laughed at her whimsical way of putting it; but at the back of my
brain was a troubled idea that perhaps she was revealing to me the
truth. And if so, what would “waking up,” as she termed it, be like? A
flash of memory recalled to me that summer evening upon Barking Bridge,
when, as it had seemed to me, the little childish Paul had slipped away
from me, leaving me lonely and bewildered to find another Self. Was my
boyhood in like manner now falling from me? I found myself clinging to
it with vague terror. Its thoughts, its feelings--dreams: they had grown
sweet to me; must I lose them? This cold, unknown, new Self, waiting to
receive me: I shrank away from it with fear.

“Do you know, I think you will be rather nice when you wake up.”

Her words recalled me to myself. “Perhaps I never shall wake up,” I
said. “I don't want to wake up.”

“Oh, but one can't go on dreaming all one's life,” she laughed. “You'll
wake up, and fall in love with somebody real.” She came across to me,
and taking the lapels of my coat in both her hands, gave me a vigorous
shake. “I hope she'll be somebody nice. I am rather afraid.”

“You seem to think me a fool!” I was still angry with her, without quite
knowing why.

She shook me again. “You know I don't. But it isn't the nice people that
take best care of themselves. Tom can't. I have to take care of him.”

I laughed.

“I do, really. You should hear me scold him. I like taking care of
people. Good-bye.”

She held out her hand. It was white now and shapely, but one could not
have called it small. Strong it felt and firm as it gripped mine.




CHAPTER VIII.

AND HOW CAME BACK AGAIN.

I left London, the drums beating in my heart, the flags waving in my
brain. Somewhat more than a year later, one foggy wet December evening,
I sneaked back to it defeated--ah, that is a small thing, capable of
redress--disgraced. I returned to it as to a hiding-place where, lost
in the crowd, I might waste my days unnoticed until such time as I could
summon up sufficient resolution to put an end to my dead life. I had
been ambitious--dwelling again amid the bitterness of the months that
followed my return, I write in the past tense. I had been eager to make
a name, a position for myself. But were I to claim no higher aim, I
should be doing injustice to my blood--to the great-souled gentleman
whose whole life had been an ode to honour, to her of simple faith who
had known no other prayer to teach me than the childish cry, “God help
me to be good!” I had wished to be a great man, but it was to have
been a great good man. The world was to have admired me, but to have
respected me also. I was to have been the knight without fear, but,
rarer yet, without reproach--Galahad, not Launcelot. I had learnt myself
to be a feeble, backboneless fighter, conquered by the first serious
assault of evil, a creature of mean fears, slave to every crack of the
devil's whip, a feeder with swine.

Urban Vane I had discovered to be a common swindler. His play he had
stolen from the desk of a well-known dramatist whose acquaintance he had
made in Deleglise's kitchen. The man had fallen ill, and Vane had been
constant in his visits. Partly recovering, the man had gone abroad to
Italy. Had he died there, as at the time was expected, the robbery might
never have come to light. News reached us in a small northern town that
he had taken a fresh lease of life and was on his way back to England.
Then it was that Vane with calm indifference, smoking his cigar over
a bottle of wine to which he had invited me, told me the bald truth,
adorning it with some touches of wit. Had the recital come upon me
sooner, I might have acted differently; but six months' companionship
with Urban Vane, if it had not, by grace of the Lord, destroyed the
roots of whatever flower of manhood might have been implanted in me, had
most certainly withered its leaves.

The man was clever. That he was not clever enough to perceive from the
beginning what he has learnt since: that honesty is the best policy--at
least, for men with brains--remains somewhat of a mystery to me. Where
once he made his hundreds among shady ways, he now, I suppose, makes his
thousands in the broad daylight of legitimate enterprise. Chicanery in
the blood, one might imagine, has to be worked out. Urban Vanes are to
be found in all callings. They commence as scamps; years later, to one's
astonishment, one finds them ornaments to their profession. Wild oats
are of various quality, according to the soil from which they are
preserved. We sow them in our various ways.

At first I stormed. Vane sat with an amused smile upon his lips and
listened.

“Your language, my dear Kelver,” he replied, my vocabulary exhausted,
“might wound me were I able to accept you as an authority upon this
vexed question of morals. With the rest of the world you preach one
thing and practise another. I have noticed it so often. It is perhaps
sad, but the preaching has ceased to interest me. You profess to be
very indignant with me for making use of another man's ideas. It is done
every day. You yourself were quite ready to take credit not due to you.
For months we have been travelling with this play: 'Drama, in five acts,
by Mr. Horace Moncrieff.' Not more than two hundred lines of it are your
own--excellent lines, I admit, but they do not constitute the play.”

This aspect of the affair had not occurred to me. “But you asked me to
put my name to it,” I stammered. “You said you did not want your own to
appear--for private reasons. You made a point of it.”

He waved away the smoke from his cigar. “The man you are posing as would
never have put his name to work not his own. You never hesitated; on the
contrary, you jumped at the chance of so easy an opening to your career
as playwright. My need, as you imagined it, was your opportunity.”

“But you said it was from the French,” I argued; “you had merely
translated it, I adapted it. I don't defend the custom, but it is the
custom: the man who adapts a play calls himself the author. They all do
it.”

“I know,” he answered. “It has always amused me. Our sick friend
himself, whom I am sure we are both delighted to welcome back to
life, has done it more than once, and made a very fair profit on the
transaction. Indeed, from internal evidence, I am strongly of opinion
that this present play is a case in point. Well, chickens come home to
roost: I adapt from him. What is the difference?”

“Simply this,” he continued, pouring himself out another glass of wine,
“that whereas, owing to the anomalous state of the copyright laws,
stealing from the foreign author is legal and commendable, against
stealing from the living English author there is a certain prejudice.”

“And the consequences, I am afraid, you will find somewhat unpleasant,”
 I suggested.

He laughed: it was not a frivolity to which he was prone. “You mean, my
dear Kelver that you will.”

“Don't look so dumbfounded,” he went on. “You cannot be so stupid as you
are pretending to be. The original manuscript at the Lord Chamberlain's
office is in your handwriting. You knew our friend as well as I did,
and visited him. Why, the whole tour has been under your management.
You have arranged everything--most excellently; I have been quite
surprised.”

My anger came later. For the moment, the sudden light blinded me to
everything but fear.

“But you told me,” I cried, “it was only a matter of form, that you
wanted to keep your name out of it because--”

He was looking at me with an expression of genuine astonishment. My
words began to appear humorous even to myself. I found it difficult to
believe I had been the fool I was now seeing myself to have been.

“I am sorry,” he said, “I am really sorry. I took you for a man of the
world. I thought you merely did not wish to know anything.”

Still, to my shame, fear was the thing uppermost in my heart. “You are
not going to put it all on to me?” I pleaded.

He had risen. He laid his hand upon my shoulder. Instead of flinging it
off, I was glad of its kindly pressure. He was the only man to whom I
could look for help.

“Don't take it so seriously,” he said. “He will merely think the
manuscript has been lost. As likely as not, he will be unable to
remember whether he wrote it or merely thought of writing it. No one in
the company will say anything: it isn't their business. We must set to
work. I had altered it a good deal before you saw it, and changed all
the names of the characters. We will retain the third act: it is the
only thing of real value in the play. The situation is not original; you
have as much right to dish it up as he had. In a fortnight we will have
the whole thing so different that if he saw it himself he would only
imagine we had got hold of the idea and had forestalled him.”

There were moments during the next few weeks when I listened to the
voice of my good angel, when I saw clearly that even from the lowest
point of view he was giving me sound advice. I would go to the man, tell
him frankly the whole truth.

But Vane never left my elbow. Suspecting, I suppose, he gave me clearly
to understand that if I did so, I must expect no mercy from him. My
story, denounced by him as an outrageous lie, would be regarded as the
funk-inspired subterfuge of a young rogue. At the best I should handicap
myself with suspicion that would last me throughout my career. On the
other hand, what harm had we done? Presented in some twenty or so small
towns, where it would soon be forgotten, a play something like. Most
plays were something like. Our friend would produce his version and
reap a rich harvest; ours would disappear. If by any unlikely chance
discussion should arise, the advertisement would be to his advantage. So
soon as possible we would replace it by a new piece altogether. A young
man of my genius could surely write something better than hotch-potch
such as this; experience was all that I had lacked. As regarded
one's own conscience, was not the world's honesty a mere question of
convention? Had he been a young man, and had we diddled him out of his
play for a ten-pound note, we should have been applauded as sharp men of
business. The one commandment of the world was: Don't get found out. The
whole trouble, left alone, would sink and fade. Later, we should tell it
as a good joke--and be laughed with.

So I fell from mine own esteem. Vane helping me--and he had brains--I
set feverishly to work. I am glad to remember that every line I wrote
was born in misery. I tried to persuade Vane to let me make a new
play altogether, which I offered to give him for nothing. He expressed
himself as grateful, but his frequently declared belief in my dramatic
talent failed to induce his acceptance.

“Later on, my dear Kelver,” was his reply. “For the present this is
doing very well. Going on as we are, we shall soon improve it out of all
recognition, while at the same time losing nothing that is essential.
All your ideas are excellent.”

By the end of about three weeks we had got together a concoction that,
so far as dialogue and characters were concerned, might be said to
be our own. There was good work in it, here and there. Under other
conditions I might have been proud of much that I had written. As it
was, I experienced only the terror of the thief dodging the constable:
my cleverness might save me; it afforded me no further satisfaction.
My humour, when I heard the people laughing at it, I remembered I had
forged listening in vague fear to every creak upon the stairs, wondering
in what form discovery might come upon me. There was one speech,
addressed by the hero to the villain: “Yes, I admit it; I do love her.
But there is that which I love better--my self-respect!” Stepping down
to the footlights and slapping his chest (which according to stage
convention would appear to be a sort of moral jewel-box bursting with
assorted virtues), our juvenile lead--a gentleman who led a somewhat
rabbit-like existence, perpetually diving down openings to avoid service
of writs, at the instance of his wife, for alimony--would invariably
bring down the house upon this sentiment. Every night, listening to the
applause, I would shudder, recalling how I had written it with burning
cheeks.

There was a character in the piece, a vicious old man, that from the
beginning Vane had wanted me to play. I had disliked the part and
had refused, choosing instead to act a high-souled countryman, in the
portrayal of whose irreproachable emotions I had taken pleasure. Vane
now renewed his arguments, and my power of resistance seeming to have
departed from me, I accepted the exchange. Certainly the old gentleman's
scenes went with more snap, but at a cost of further degradation to
myself. Upon an older actor the effect might have been harmless, but the
growing tree springs back less surely; I found myself taking pleasure
in the coarse laughter that rewarded my suggestive leers, calling up all
the evil in my nature to help me in the development of fresh “business.”
 Vane was enthusiastic in his praises, generous with his assistance.
Under his tuition I succeeded in making the part as unpleasant as we
dared. I had genius, so Vane told me; I understood so much of human
nature. One proof of the moral deterioration creeping over me was that I
was beginning to like Vane.

Looking back at the man as I see him plainly now, a very ordinary scamp,
his pretension not even amusing, I find it difficult to present him as
he appeared to my boyish eyes. He was well educated and well read. He
gave himself the airs of a superior being by freak of fate compelled to
abide in a world of inferior creatures. To live among them in comfort it
was necessary for him to outwardly conform to their conventions but to
respect their reasoning would have been beneath him. To accept
their laws as binding on one's own conscience was, using the common
expression, to give oneself away, to confess oneself commonplace. Every
decent instinct a man might own to was proof in Vane's eyes of his being
“suburban,” “bourgeois”--everything that was unintellectual. It was the
first time I had heard this sort of talk. Vane was one of the pioneers
of the movement, which has since become somewhat tiresome. To laugh at
it is easy to a man of the world; boys are impressed by it. From him
I first heard the now familiar advocacy of pure Hedonism. Pan, enticed
from his dark groves, was to sit upon Olympus.

My lower nature rose within me to proclaim the foolish chatterer as
a prophet. So life was not as I had been taught--a painful struggle
between good and evil. There was no such thing as evil; the senseless
epithet was a libel upon Nature. Not through wearisome repression, but
rather through joyous expression of the animal lay advancement.

Villains--workers in wrong for aesthetic pleasure of the art--are useful
characters in fiction; in real life they do not exist. I am convinced
the man believed most of the rubbish he talked. Since the time of which
I write he has done some service to the world. I understand he is an
excellent husband and father, a considerate master, a delightful
host. He intended, I have no doubt, to improve me, to enlarge my
understanding, to free me from soul-stifling bondage of convention. Not
to credit him with this well-meaning intention would be to assume
him something quite inhuman, to bestow upon him a dignity beyond his
deserts. I find it easier to regard him merely as a fool.

Our leading lady was a handsome but coarse woman, somewhat
over-developed. Starting life as a music-hall singer, she had married
a small tradesman in the south of London. Some three or four years
previous, her Juno-like charms had turned the head of a youthful
novelist--a refined, sensitive man, of whom great things in literature
had been expected, and, judging from his earlier work, not unreasonably.
He had run away with her, and eventually married her; the scandal was
still fresh. Already she had repented of her bargain. These women regard
their infatuated lovers merely as steps in the social ladder, and he
had failed to appreciably advance her. Under her demoralising spell his
ambition had died in him. He no longer wrote, no longer took interest
in anything beyond his own debasement. He was with us in the company,
playing small parts, and playing them badly; he would have remained with
us as bill-poster rather than have been sent away.

Vane planned to bring this woman and myself together. To her he pictured
me a young gentleman of means, a coming author, who would soon be
earning an income sufficient to keep her in every luxury. To me he
hinted that she had fallen in love with me. I was never attracted to
her by any feeling stronger than the admiration with which one views a
handsome animal. It was my vanity upon which he worked. He envied me;
any man would envy me; experience of life was what I needed to complete
my genius. The great intellects of this earth must learn all lessons,
even at the cost of suffering to themselves and others.

As years before I had laboured to acquire a liking for cigars and
whiskey, deeming it an accomplishment necessary to a literary career, so
painstakingly I now applied myself to the cultivation of a pretty taste
in passion. According to the literature, fictional and historical, Vane
was kind enough to supply me with, men of note were invariably sad dogs.
That my temperament was not that of the sad dog, that I lacked instinct
and inclination for the part, appeared to this young idiot of whom I am
writing in the light of a defect. That her languishing glances irritated
rather than maddened me, that the occasional covert pressure of her hot,
thick hand left me cold, I felt a reproach to my manhood. I would fall
in love with her. Surely my blood was red like other men's. Besides, was
I not an artist, and was not profligacy the hall-mark of the artist?

But one grows tired of the confessional. Fate saved me from playing
the part Vane had assigned me in this vulgar comedy, dragged me from my
entanglement, flung me on my feet again. She was a little brusque in the
process; but I do not feel inclined to blame the kind lady for that. The
mud was creeping upward fast, and a quick hand must needs be rough.

Our dramatic friend produced his play sooner than we had expected. It
crept out that something very like it had been seen in the Provinces.
Argument followed, enquiries were set on foot. “It will blow over,” said
Vane. But it seemed to be blowing our way.

The salaries, as a rule, were paid by me on Friday night. Vane, in the
course of the evening, would bring me the money for me to distribute
after the performance. We were playing in the north of Ireland. I had
not seen Vane all that day. So soon as I had changed my clothes I left
my dressing-room to seek him. The box-office keeper, meeting me, put a
note into my hand. It was short and to the point. Vane had pocketed the
evening's takings, and had left by the seven-fifty train! He regretted
causing inconvenience, but life was replete with small comedies; the
wise man attached no seriousness to them. We should probably meet again
and enjoy a laugh over our experiences.

Some rumour had got about. I looked up from the letter to find myself
surrounded by suspicious faces. With dry lips I told them the truth.
Only they happened not to regard it as the truth. Vane throughout
had contrived cleverly to them I was the manager, the sole
person responsible. My wearily spoken explanations were to them
incomprehensible lies. The quarter of an hour might have been worse for
me had I been sufficiently alive to understand or care what they were
saying. A dull, listless apathy had come over me. I felt the scene only
stupid, ridiculous, tiresome. There was some talk of giving me “a damned
good hiding.” I doubt whether I should have known till the next morning
whether the suggestion had been carried out or not. I gathered that the
true history of the play, the reason for the sudden alterations, had
been known to them all along. They appeared to have reserved their
virtuous indignation till this evening. As explanation of my apparent
sleepiness, somebody, whether in kindness to me or not I cannot say,
suggested I was drunk. Fortunately, it carried conviction. No further
trains left the town that night; I was allowed to depart. A deputation
promised to be round at my lodgings early in the morning.

Our leading lady had left the theatre immediately on the fall of the
curtain; it was not necessary for her to wait, her husband acting as her
business man. On reaching my rooms, I found her sitting by the fire.
It reminded me that our agent in advance having fallen ill, her husband
had, at her suggestion, been appointed in his place, and had left us on
the Wednesday to make the necessary preparations in the next town on our
list. I thought that perhaps she had come round for her money, and the
idea amused me.

“Well?” she said, with her one smile. I had been doing my best for some
months to regard it as soul-consuming, but without any real success.

“Well,” I answered. It bored me, her being there. I wanted to be alone.

“You don't seem overjoyed to see me. What's the matter with you? What's
happened?”

I laughed. “Vane's bolted and taken the week's money with him.”

“The beast!” she said. “I knew he was that sort. What ever made you take
up with him? Will it make much difference to you?”

“It makes a difference all round,” I replied. “There's no money to pay
any of you. There's nothing to pay your fares back to London.”

She had risen. “Here, let me understand this,” she said. “Are you the
rich mug Vane's been representing you to be, or only his accomplice?”

“The mug and the accomplice both,” I answered, “without the rich.
It's his tour. He put my name to it because he didn't want his own to
appear--for family reasons. It's his play; he stole it--”

She interrupted me with a whistle. “I thought it looked a bit fishy, all
those alterations. But such funny things do happen in this profession!
Stole it, did he?”

“The whole thing in manuscript. I put my name to it for the same
reason--he didn't want his own to appear.”

She dropped into her chair and laughed--a good-tempered laugh, loud and
long. “Well, I'm damned!” she said. “The first man who has ever taken me
in. I should never have signed if I had thought it was his show. I could
see the sort he was with half an eye.” She jumped up from the chair.
“Here, let me get out of this,” she said. “I just looked in to know what
time to-morrow; I'd forgotten. You needn't say I came.”

Her hand upon the door, laughter seized her again, so that for support
she had to lean against the wall.

“Do you know why I really did come?” she said. “You'll guess when you
come to think it over, so I may as well tell you. It's a bit of a
joke. I came to say 'yes' to what you asked me last night. Have you
forgotten?”

I stared at her. Last night! It seemed a long while ago--so very
unimportant what I might have said.

She laughed again. “So help me! if you haven't. Well, you asked me to
run away with you--that's all, to let our two souls unite. Damned lucky
I took a day to think it over! Good-night.”

“Good-night,” I answered, without moving. I was gripping a chair to
prevent myself from rushing at her, pushing her out of the room, and
locking the door. I wanted to be alone.

I heard her turn the handle. “Got a pound or two to carry you over?” It
was a woman's voice.

I put my hand into my pocket. “One pound seventeen,” I answered,
counting it. “It will pay my fare to London--or buy me a dinner and a
second-hand revolver. I haven't quite decided yet.”

“Oh, you get back and pull yourself together,” she said. “You're only a
kid. Good-night.”

I put a few things into a small bag and walked thirty miles that night
into Belfast. Arrived in London, I took a lodging in Deptford, where
I was least likely to come in contact with any face I had ever seen
before. I maintained myself by giving singing lessons at sixpence the
half-hour, evening lessons in French and German (the Lord forgive me!)
to ambitious shop-boys at eighteen pence a week, making up tradesmen's
books. A few articles of jewellery I had retained enabled me to tide
over bad periods. For some four months I existed there, never going
outside the neighbourhood. Occasionally, wandering listlessly about
the streets, some object, some vista, would strike me by reason of its
familiarity. Then I would turn and hasten back into my grave of dim,
weltering streets.

Of thoughts, emotions, during these dead days I was unconscious.
Somewhere in my brain they may have been stirring, contending; but
myself I lived as in a long, dull dream. I ate, and drank, and woke,
and slept, and walked and walked, and lounged by corners; staring by the
hour together, seeing nothing.

It has surprised me since to find the scenes I must then have witnessed
photographed so clearly on my mind. Tragedies, dramas, farces, played
before me in that teeming underworld--the scenes present themselves to
me distinct, complete; yet I have no recollection of ever having seen
them.

I fell ill. It must have been some time in April, but I kept no count of
days. Nobody came near me, nobody knew of me. I occupied a room at
the top of a huge block of workmen's dwellings. A woman who kept a
second-hand store had lent me for a shilling a week a few articles of
furniture. Lying upon my chair-bedstead, I listened to the shrill sounds
around me, that through the light and darkness never ceased. A pint of
milk, left each morning on the stone landing, kept me alive. I would
wait for the man's descending footsteps, then crawl to the door. I hoped
I was going to die, regretting my returning strength, the desire for
food that drove me out into the streets again.

One night, a week or two after my partial recovery, I had wandered on
and on for hour after hour. The breaking dawn recalled me to myself. I
was outside the palings of a park. In the faint shadowy light it looked
strange and unfamiliar. I was too tired to walk further. I scrambled
over the low wooden fencing, and reaching a seat, dropped down and fell
asleep.

I was sitting in a sunny avenue; birds were singing joyously, bright
flowers were all around me. Norah was beside me, her frank, sweet eyes
were looking into mine; they were full of tenderness, mingled with
wonder. It was a delightful dream: I felt myself smiling.

Suddenly I started to my feet. Norah's strong hand drew me down again.

I was in the broad walk, Regent's Park, where, I remembered, Norah often
walked before breakfast. A park-keeper, the only other human creature
within sight, was eyeing me suspiciously. I saw myself--without a
looking-glass--unkempt, ragged. My intention was to run, but Norah was
holding me by the arm. Savagely I tried to shake her off. I was weak
from my recent illness, and, I suppose, half starved; it angered me
to learn she was the stronger of the two. In spite of my efforts, she
dragged me back.

Ashamed of my weakness, ashamed of everything about me, I burst into
tears; and that of course made me still more ashamed. To add to my
discomfort, I had no handkerchief. Holding me with one hand--it was
quite sufficient--Norah produced her own, and wiped my eyes. The
park-keeper, satisfied, I suppose, that at all events I was not
dangerous, with a grin passed on.

“Where have you been, and what have you been doing?” asked Norah.
She still retained her grip upon me, and in her grey eyes was quiet
determination.

So, with my face turned away from her, I told her the whole miserable
story, taking strange satisfaction in exaggerating, if anything, my own
share of the disgrace. My recital ended, I sat staring down the long,
shadow-freckled way, and for awhile there was no sound but the chirping
of the sparrows.

Then behind me I heard a smothered laugh. It was impossible to imagine
it could come from Norah. I turned quickly to see who had stolen upon
us. It was Norah who was laughing; though to do her justice she was
trying to suppress it, holding her handkerchief to her face. It was of
no use, it would out; she abandoned the struggle, and gave way to it. It
astonished the sparrows into silence; they stood in a row upon the low
iron border and looked at one another.

“I am glad you think it funny,” I said.

“But it is funny,” she persisted. “Don't say you have lost your sense
of humour, Paul; it was the one real thing you possessed. You were so
cocky--you don't know how cocky you were! Everybody was a fool but
Vane; nobody else but he appreciated you at your true worth. You and he
between you were going to reform the stage, to educate the public,
to put everything and everybody to rights. I am awfully sorry for all
you've gone through; but now that it is over, can't you see yourself
that it is funny?”

Faintly, dimly, this aspect of the case, for the very first time, began
to present itself to me; but I should have preferred Norah to have been
impressed by its tragedy.

“That is not all,” I said. “I nearly ran away with another man's wife.”

I was glad to notice that sobered her somewhat. “Nearly? Why not quite?”
 she asked more seriously.

“She thought I was some young idiot with money,” I replied bitterly,
pleased with the effect I had produced. “Vane had told her a pack of
lies. When she found out I was only a poor devil, ruined, disgraced,
without a sixpence---” I made a gesture expressive of eloquent contempt
for female nature generally.

“I am sorry,” said Norah; “I told you you would fall in love with
something real.”

Her words irritated me, unreasonably, I confess. “In love!” I replied;
“good God, I was never in love with her!”

“Then why did you nearly run away with her?”

I was wishing now I had not mentioned the matter; it promised to be
difficult of explanation. “I don't know,” I replied irritably. “I
thought she was in love with me. She was very beautiful--at least, other
people seemed to think she was. Artists are not like ordinary men. You
must live--understand life, before you can teach it to others. When a
beautiful woman is in love with you--or pretends to be, you--you must
say something. You can't stand like a fool and--”

Again her laughter interrupted me; this time she made no attempt to
hide it. The sparrows chirped angrily, and flew off to continue their
conversation somewhere where there would be less noise.

“You are the biggest baby, Paul,” she said, so soon as she could speak,
“I ever heard of.” She seized me by the shoulders, and turned me round.
“If you weren't looking so ill and miserable, I would shake you, Paul,
till there wasn't a bit of breath left in your body.”

“How much money do you owe?” she asked--“to the people in the company
and anybody else, I mean--roughly?”

“About a hundred and fifty pounds,” I answered.

“Then if you rest day or night, Paul, till you have paid that hundred
and fifty--every penny of it--I'll think you the meanest cad in London!”

Her grey eyes were flashing quite alarmingly. I felt almost afraid of
her. She could be so vehement at times.

“But how can I?” I asked.

“Go straight home,” she commanded, “and write something funny: an
article, story--anything you like; only mind that it is funny. Post it
to me to-morrow, at the latest. Dan is in London, editing a new weekly.
I'll have it copied out and sent to him. I shan't say who it is from. I
shall merely ask him to read it and reply, at once. If you've a grain
of grit left in you, you'll write something that he will be glad to have
and to pay for. Pawn that ring on your finger and get yourself a
good breakfast”--it was my mother's wedding-ring, the only piece of
dispensable property I had not parted with--“_she_ won't mind helping
you. But nobody else is going to--except yourself.”

She looked at her watch. “I must be off.” She turned again. “There
is something I was forgetting. B--“--she mentioned the name of the
dramatist whose play Vane had stolen--“has been looking for you for
the last three months. If you hadn't been an idiot you might have saved
yourself a good deal of trouble. He is quite certain it was Vane stole
the manuscript. He asked the nurse to bring it to him an hour after
Vane had left the house, and it couldn't be found. Besides, the man's
character is well known. And so is yours. I won't tell it you,” she
laughed; “anyhow, it isn't that of a knave.”

She made a step towards me, then changed her mind. “No,” she said, “I
shan't shake hands with you till you have paid the last penny that you
owe. Then I shall know that you are a man.”

She did not look back. I watched her, till the sunlight, streaming in my
eyes, raised a golden mist between us.

Then I went to my work.




CHAPTER IX.

THE PRINCESS OF THE GOLDEN LOCKS SENDS PAUL A RING.

It took me three years to win that handshake. For the first six months I
remained in Deptford. There was excellent material to be found there
for humorous articles, essays, stories; likewise for stories tragic
and pathetic. But I owed a hundred and fifty pounds--a little over
two hundred it reached to, I found, when I came to add up the actual
figures. So I paid strict attention to business, left the tears to be
garnered by others--better fitted maybe for the task; kept to my own
patch, reaped and took to market only the laughter.

At the beginning I sent each manuscript to Norah; she had it copied out,
debited me with the cost received payment, and sent me the balance. At
first my earnings were small; but Norah was an excellent agent; rapidly
they increased. Dan grew quite cross with her, wrote in pained surprise
at her greed. The “matter” was fair, but in no way remarkable. Any
friend of hers, of course, he was anxious to assist; but business was
business. In justice to his proprietors, he could not and would not pay
more than the market value. Miss Deleglise, replying curtly in the third
person, found herself in perfect accord with Mr. Brian as to business
being business. If Mr. Brian could not afford to pay her price for
material so excellent, other editors with whom Miss Deleglise was
equally well acquainted could and would. Answer by return would greatly
oblige, pending which the manuscript then in her hands she retained. Mr.
Brian, understanding he had found his match, grumbled but paid. Whether
he had any suspicion who “Jack Homer” might be, he never confessed; but
he would have played the game, pulled his end of the rope, in either
case. Nor was he allowed to decide the question for himself. Competition
was introduced into the argument. Of purpose a certain proportion of
my work my agent sent elsewhere. “Jack Homer” grew to be a commodity
in demand. For, seated at my rickety table, I laughed as I wrote, the
fourth wall of the dismal room fading before my eyes revealing vistas
beyond.

Still, it was slow work. Humour is not an industrious maid; declines to
be bustled, will work only when she feels inclined--does not often feel
inclined; gives herself a good many unnecessary airs; if worried, packs
up and goes off, Heaven knows where! comes back when she thinks she
will: a somewhat unreliable young person. To my literary labours I found
it necessary to add journalism. I lacked Dan's magnificent assurance.
Fate never befriends the nervous. Had I burst into the editorial
sanctum, the editor most surely would have been out; if in, would have
been a man of short ways, would have seen to it that I went out quickly.
But the idea was not to be thought of; Robert Macaire himself in my one
coat would have been diffident, apologetic. I joined the ranks of the
penny-a-liners--to be literally exact, three halfpence a liners. In
company with half a dozen other shabby outsiders--some of them young men
like myself seeking to climb; others, older men who had sunk--I attended
inquests, police courts; flew after fire engines; rejoiced in street
accidents; yearned for murders. Somewhat vulture-like we lived
precariously upon the misfortunes of others. We made occasional half
crowns by providing the public with scandal, occasional crowns by
keeping our information to ourselves.

“I think, gentlemen,” would explain our spokesman in a hoarse whisper,
on returning to the table, “I think the corpse's brother-in-law is
anxious that the affair, if possible, should be kept out of the papers.”

The closeness and attention with which we would follow that particular
case, the fulness and completeness of our notes, would be quite
remarkable. Our spokesman would rise, drift carelessly away, to return
five minutes later, wiping his mouth.

“Not a very interesting case, gentlemen, I don't think. Shall we say
five shillings apiece?” Sometimes a sense of the dignity of our calling
would induce us to stand out for ten.

And here also my sense of humour came to my aid; gave me perhaps an
undue advantage over my competitors. Twelve good men and true had been
asked to say how a Lascar sailor had met his death. It was perfectly
clear how he had met his death. A plumber, working on the roof of a
small two-storeyed house, had slipped and fallen on him. The plumber had
escaped with a few bruises; the unfortunate sailor had been picked
up dead. Some blame attached to the plumber. His mate, an excellent
witness, told us the whole story.

“I was fixing a gas-pipe on the first floor,” said the man. “The
prisoner was on the roof.”

“We won't call him 'the prisoner,'” interrupted the coroner, “at least,
not yet. Refer to him, if you please, as the 'last witness.'”

“The last witness,” corrected himself the man. “He shouts down the
chimney to know if I was ready for him.”

“'Ready and waiting,' I says.

“'Right,' he says; 'I'm coming in through the window.'

“'Wait a bit,' I says; 'I'll go down and move the ladder for you.

“'It's all right,' he says; 'I can reach it.'

“'No, you can't,' I says. 'It's the other side of the chimney.'

“'I can get round,' he says.

“Well, before I knew what had happened, I hears him go, smack! I rushes
to the window and looks out: I see him on the pavement, sitting up like.

“'Hullo, Jim,' I says. 'Have you hurt yourself?'

“'I think I'm all right,' he says, 'as far as I can tell. But I wish
you'd come down. This bloke I've fallen on looks a bit sick.'”

The others headed their flimsy “Sad Accident,” a title truthful but not
alluring. I altered mine to “Plumber in a Hurry--Fatal Result.” Saying
as little as possible about the unfortunate sailor, I called the
attention of plumbers generally to the coroner's very just remarks upon
the folly of undue haste; pointed out to them, as a body, the trouble
that would arise if somehow they could not cure themselves of this
tendency to rush through their work without a moment's loss of time.

It established for me a useful reputation. The sub-editor of one evening
paper condescended so far as to come out in his shirt-sleeves and shake
hands with me.

“That's the sort of thing we want,” he told me; “a light touch, a bit of
humour.”

I snatched fun from fires (I sincerely trust the insurance premiums were
not overdue); culled quaintness from street rows; extracted merriment
from catastrophes the most painful, and prospered.

Though often within a stone's throw of the street, I unremittingly
avoided the old house at Poplar. I was suffering inconvenience at this
period by reason of finding myself two distinct individuals, contending
with each other. My object was to encourage the new Paul--the sensible,
practical, pushful Paul, whose career began to look promising; to
drive away from interfering with me his strangely unlike twin--the old
childish Paul of the sad, far-seeing eyes. Sometimes out of the cracked
looking-glass his wistful, yearning face would plead to me; but I would
sternly shake my head. I knew well his cunning. Had I let him have his
way, he would have led me through the maze of streets he knew so well,
past the broken railings (outside which he would have left my body
standing), along the weedy pathway, through the cracked and dented door,
up the creaking staircase to the dismal little chamber where we once--he
and I together--had sat dreaming foolish dreams.

“Come,” he would whisper; “it is so near. Let us push aside the chest
of drawers very quietly, softly raise the broken sash, prop it open with
the Latin dictionary, lean our elbows on the sill, listen to the voices
of the weary city, voices calling to us from the darkness.”

But I was too wary to be caught. “Later on,” I would reply to him; “when
I have made my way, when I am stronger to withstand your wheedling. Then
I will go with you, if you are still in existence, my sentimental little
friend. We will dream again the old impractical, foolish dreams--and
laugh at them.”

So he would fade away, and in his place would nod to me approvingly a
businesslike-looking, wide-awake young fellow.

But to one sentimental temptation I succumbed. My position was by
now assured; there was no longer any reason for my hiding myself. I
determined to move westward. I had not intended to soar so high, but
passing through Guildford Street one day, the creeper-covered corner
house that my father had once thought of taking recalled itself to me.
A card was in the fanlight. I knocked and made enquiries. A
bed-sitting-room upon the third floor was vacant. I remembered it well
the moment the loquacious landlady opened its door.

“This shall be your room, Paul,” said my father. So clearly his voice
sounded behind me that I turned, forgetting for the moment it was but
a memory. “You will be quiet here, and we can shut out the bed and
washstand with a screen.”

So my father had his way. It was a pleasant, sunny little room,
overlooking the gardens of the hospital. I followed my father's
suggestion, shut out the bed and washstand with a screen. And sometimes
of an evening it would amuse me to hear my father turn the handle of the
door.

“How are you getting on--all right?”

“Famously.”

Often there came back to me the words he had once used. “You must be the
practical man, Paul, and get on. Myself, I have always been somewhat of
a dreamer. I meant to do such great things in the world, and somehow I
suppose I aimed too high. I wasn't--practical.”

“But ought not one to aim high?” I had asked.

My father had fidgeted in his chair. “It is very difficult to say. It
is all so--so very ununderstandable. You aim high and you don't hit
anything--at least, it seems as if you didn't. Perhaps, after all, it
is better to aim at something low, and--and hit it. Yet it seems a
pity--one's ideals, all the best part of one--I don't know why it is.
Perhaps we do not understand.”

For some months I had been writing over my own name. One day a letter
was forwarded to me by an editor to whose care it had been addressed. It
was a short, formal note from the maternal Sellars, inviting me to
the wedding of her daughter with a Mr. Reginald Clapper. I had
almost forgotten the incident of the Lady 'Ortensia, but it was not
unsatisfactory to learn that it had terminated pleasantly. Also, I
judged from an invitation having been sent me, that the lady wished
me to be witness of the fact that my desertion had not left her
disconsolate. So much gratification I felt I owed her, and accordingly,
purchasing a present as expensive as my means would permit, I made
my way on the following Thursday, clad in frock coat and light grey
trousers, to Kennington Church.

The ceremony was already in progress. Creeping on tiptoe up the aisle,
I was about to slip into an empty pew, when a hand was laid upon my
sleeve.

“We're all here,” whispered the O'Kelly; “just room for ye.”

Squeezing his hand as I passed, I sat down between the Signora and Mrs.
Peedles. Both ladies were weeping; the Signora silently, one tear at a
time clinging fondly to her pretty face as though loath to fall from
it; Mrs. Peedles copiously, with explosive gurgles, as of water from a
bottle.

“It is such a beautiful service,” murmured the Signora, pressing my hand
as I settled myself down. “I should so--so love to be married.”

“Me darling,” whispered the O'Kelly, seizing her other hand and kissing
it covertly behind his open Prayer Book, “perhaps ye will be--one day.”

The Signora through her tears smiled at him, but with a sigh shook her
head.

Mrs. Peedles, clad, so far as the dim November light enabled me to
judge, in the costume of Queen Elizabeth--nothing regal; the sort of
thing one might assume to have been Her Majesty's second best, say third
best, frock--explained that weddings always reminded her how fleeting a
thing was love.

“The poor dears!” she sobbed. “But there, there's no telling. Perhaps
they'll be happy. I'm sure I hope they may be. He looks harmless.”

Jarman, stretching out a hand to me from the other side of Mrs. Peedles,
urged me to cheer up. “Don't wear your 'eart upon your sleeve,” he
advised. “Try and smile.”

In the vestry I met old friends. The maternal Sellars, stouter than
ever, had been accommodated with a chair--at least, I assumed so, she
being in a sitting posture; the chair itself was not in evidence. She
greeted me with more graciousness than I had expected, enquiring after
my health with pointedness and an amount of tender solicitude that,
until the explanation broke upon me, somewhat puzzled me.

Mr. Reginald Clapper was a small but energetic gentleman, much
impressed, I was glad to notice, with a conviction of his own good
fortune. He expressed the greatest delight at being introduced to me,
shook me heartily by the hand, and hoped we should always be friends.

“Won't be my fault if we're not,” he added. “Come and see us whenever
you like.” He repeated this three times. I gathered the general
sentiment to be that he was acting, if anything, with excess of
generosity.

Mrs. Reginald Clapper, as I was relieved to know she now was, received
my salute to a subdued murmur of applause. She looked to my eyes
handsomer than when I had last seen her, or maybe my taste was growing
less exacting. She also trusted she might always regard me as a friend.
I replied that it would be my hope to deserve the honour; whereupon she
kissed me of her own accord, and embracing her mother, shed some tears,
explaining the reason to be that everybody was so good to her.

Brother George, less lank than formerly, hampered by a pair of enormous
white kid gloves, superintended my signing of the register, whispering
to me sympathetically: “Better luck next time, old cock.”

The fat young lady--or, maybe, the lean young lady, grown stouter,
I cannot say for certain--who feared I had forgotten her, a thing I
assured her utterly impossible, was good enough to say that, in her
opinion, I was worth all the others put together.

“And so I told her,” added the fat young lady--or the lean one grown
stouter, “a dozen times if I told her once. But there!”

I murmured my obligations.

Cousin Joseph, 'whom I found no difficulty in recognising by reason of
his watery eyes, appeared not so chirpy as of yore.

“You take my tip,” advised Cousin Joseph, drawing me aside, “and keep
out of it.”

“You speak from experience?” I suggested.

“I'm as fond of a joke,” said the watery-eyed Joseph, “as any man. But
when it comes to buckets of water--”

A reminder from the maternal Sellars that breakfast had been ordered
for eleven o'clock caused a general movement and arrested Joseph's
revelations.

“See you again, perhaps,” he murmured, and pushed past me.

What Mrs. Sellars, I suppose, would have alluded to as a cold
col-la-shon had been arranged for at a restaurant near by. I walked
there in company with Uncle and Aunt Gutton; not because I particularly
desired their companionship, but because Uncle Gutton, seizing me by the
arm, left me no alternative.

“Now then, young man,” commenced Uncle Gutton kindly, but boisterously
so soon as we were in the street, at some little distance behind the
others, “if you want to pitch into me, you pitch away. I shan't mind,
and maybe it'll do you good.”

I informed him that nothing was further from my desire.

“Oh, all right,” returned Uncle Gutton, seemingly disappointed. “If
you're willing to forgive and forget, so am I. I never liked you, as
I daresay you saw, and so I told Rosie. 'He may be cleverer than he
looks,' I says, 'or he may be a bigger fool than I think him, though
that's hardly likely. You take my advice and get a full-grown article,
then you'll know what you're doing.'”

I told him I thought his advice had been admirable.

“I'm glad you think so,” he returned, somewhat puzzled; “though if you
wanted to call me names I shouldn't have blamed you. Anyhow, you've took
it like a sensible chap. You've got over it, as I always told her you
would. Young men out of story-books don't die of broken hearts, even
if for a month or two they do feel like standing on their head in the
water-butt.”

“Why, I was in love myself three times,” explained Uncle Gutton, “before
I married the old woman.”

Aunt Gutton sighed and said she was afraid gentlemen didn't feel these
things as much as they ought to.

“They've got their living to earn,” retorted Uncle Gutton.

I agreed with Uncle Gutton that life could not be wasted in vain regret.

“As for the rest,” admitted Uncle Gutton, handsomely, “I was wrong.
You've turned out better than I expected you would.”

I thanked him for his improved opinion, and as we entered the restaurant
we shook hands.

Minikin we found there waiting for us. He explained that having been
able to obtain only limited leave of absence from business, he had
concluded the time would be better employed at the restaurant than at
the church. Others were there also with whom I was unacquainted, young
sparks, admirers, I presume, of the Lady 'Ortensia in her professional
capacity, fellow-clerks of Mr. Clapper, who was something in the City.
Altogether we must have numbered a score.

Breakfast was laid in a large room on the first floor. The wedding
presents stood displayed upon a side-table. My own, with my card
attached, had not been seen by Mrs. Clapper till that moment. She and
her mother lingered, examining it.

“Real silver!” I heard the maternal Sellars whisper, “Must have paid a
ten pound note for it.”

“I hope you'll find it useful,” I said.

The maternal Sellars, drifting away, joined the others gathered together
at the opposite end of the room.

“I suppose you think I set my cap at you merely because you were a
gentleman,” said the Lady 'Ortensia.

“Don't let's talk about it,” I answered. “We were both foolish.”

“I don't want you to think it was merely that,” continued the Lady
'Ortensia. “I did like you. And I wouldn't have disgraced you--at least,
I'd have tried not to. We women are quick to learn. You never gave me
time.”

“Believe me, things are much better as they are,” I said.

“I suppose so,” she answered. “I was a fool.” She glanced round; we
still had the corner to ourselves. “I told a rare pack of lies,” she
said; “I didn't seem able to help it; I was feeling sore all over. But
I have always been ashamed of myself. I'll tell them the truth, if you
like.”

I thought I saw a way of making her mind easy. “My dear girl,” I said,
“you have taken the blame upon yourself, and let me go scot-free. It was
generous of you.”

“You mean that?” she asked.

“The truth,” I answered, “would shift all the shame on to me. It was I
who broke my word, acted shabbily from beginning to end.”

“I hadn't looked at it in that light,” she replied. “Very well, I'll
hold my tongue.”

My place at breakfast was to the left of the maternal Sellars, the
Signora next to me, and the O'Kelly opposite. Uncle Gutton faced the
bride and bridegroom. The disillusioned Joseph was hidden from me by
flowers, so that his voice, raised from time to time, fell upon my ears,
embellished with the mysterious significance of the unseen oracle.

For the first quarter of an hour or so the meal proceeded almost in
silence. The maternal Sellars when not engaged in whispered argument
with the perspiring waiter, was furtively occupied in working sums upon
the table-cloth by aid of a blunt pencil. The Signora, strangely unlike
her usual self, was not in talkative mood.

“It was so kind of them to invite me,” said the Signora, speaking low.
“But I feel I ought not to have come.

“Why not?” I asked

“I'm not fit to be here,” murmured the Signora in a broken voice. “What
right have I at wedding breakfasts? Of course, for dear Willie it is
different. He has been married.”

The O'Kelly, who never when the Signora was present seemed to care much
for conversation in which she was unable to participate, took advantage
of his neighbour's being somewhat deaf to lapse into abstraction. Jarman
essayed a few witticisms of a general character, of which nobody took
any notice. The professional admirers of the Lady 'Ortensia, seated
together at a corner of the table, appeared to be enjoying a small
joke among themselves. Occasionally, one or another of them would laugh
nervously. But for the most part the only sounds to be heard were the
clatter of the knives and forks, the energetic shuffling of the waiter,
and a curious hissing noise as of escaping gas, caused by Uncle Gutton
drinking champagne.

With the cutting, or, rather, the smashing into a hundred fragments,
of the wedding cake--a work that taxed the united strength of bride
and bridegroom to the utmost--the atmosphere lost something of its
sombreness. The company, warmed by food, displaying indications of being
nearly done, commenced to simmer. The maternal Sellars, putting away
with her blunt pencil considerations of material nature, embraced the
table with a smile.

“But it is a sad thing,” sighed the maternal Sellars the next moment,
with a shake of her huge head, “when your daughter marries, and goes
away and leaves you.”

“Damned sight sadder,” commented Uncle Gutton, “when she don't go off,
but hangs on at home year after year and expects you to keep her.”

I credit Uncle Gutton with intending this as an aside for the exclusive
benefit of the maternal Sellars; but his voice was not of the timbre
that lends itself to secrecy. One of the bridesmaids, a plain, elderly
girl, bending over her plate, flushed scarlet. I concluded her to be
Miss Gutton.

“It doesn't seem to me,” said Aunt Gutton from the other end of the
table, “that gentlemen are as keen on marrying nowadays as they used to
be.”

“Got to know a bit about it, I expect,” sounded the small, shrill voice
of the unseen Joseph.

“To my thinking,” exclaimed a hatchet-faced gentleman, “one of the evils
crying most loudly for redress at the present moment is the utterly
needless and monstrous expense of legal proceedings.” He spoke rapidly
and with warmth. “Take divorce. At present, what is it? The rich man's
luxury.”

Conversation appeared to be drifting in a direction unsuitable to the
occasion; but Jarman was fortunately there to seize the helm.

“The plain fact of the matter is,” said Jarman, “girls have gone up in
value. Time was, so I've heard, when they used to be given away with
a useful bit of household linen, maybe a chair or two. Nowadays--well,
it's only chaps wallowing in wealth like Clapper there as can afford a
really first-class article.”

Mr. Clapper, not a gentleman in other respects of exceptional
brilliancy, possessed one quality that popularity-seekers might have
envied him: the ability to explode on the slightest provocation into a
laugh instinct with all the characteristics of genuine delight.

“Give and take,” observed the maternal Sellars, so soon as Mr. Clapper's
roar had died away; “that's what you've got to do when you're married.”

“Give a deal more than you bargained for and take what you don't
want--that sums it up,” came the bitter voice of the unseen.

“Oh, do be quiet, Joe,” advised the stout young lady, from which I
concluded she had once been the lean young lady. “You talk enough for a
man.”

“Can't I open my mouth?” demanded the indignant oracle.

“You look less foolish when you keep it shut,” returned the stout young
lady.

“We'll show them how to get on,” observed the Lady 'Ortensia to her
bridegroom, with a smile.

Mr. Clapper responded with a gurgle.

“When me and the old girl there fixed things up,” said Uncle Gutton, “we
didn't talk no nonsense, and we didn't start with no misunderstandings.
'I'm not a duke,' I says--”

“Had she been mistaking you for one?” enquired Minikin.

Mr. Clapper commented, not tactfully, but with appreciative laugh. I
feared for a moment lest Uncle Gutton's little eyes should leave his
head.

“Not being a natural-born, one-eyed fool,” replied Uncle Gutton, glaring
at the unabashed Minikin, “she did not. 'I'm not a duke,' I says, and
_she_ had sense enough to know as I was talking sarcastic like. 'I'm not
offering you a life of luxury and ease. I'm offering you myself, just
what you see, and nothing more.'

“She took it?” asked Minikin, who was mopping up his gravy with his
bread.

“She accepted me, sir,” returned Uncle Gutton, in a voice that would
have awed any one but Minikin. “Can you give me any good reason for her
not doing so?”

“No need to get mad with me,” explained Minikin. “I'm not blaming the
poor woman. We all have our moments of despair.”

The unfortunate Clapper again exploded. Uncle Gutton rose to his feet.
The ready Jarman saved the situation.

“'Ear! 'ear!” cried Jarman, banging the table with the handles of two
knives. “Silence for Uncle Gutton! 'E's going to propose a toast. 'Ear,
'ear!”

Mrs. Clapper, seconding his efforts, the whole table broke into
applause.

“What, as a matter of fact, I did get up to say--” began Uncle Gutton.

“Good old Uncle Gutton!” persisted the determined Jarman. “Bride and
bridegroom--long life to 'em!”

Uncle Sutton, evidently pleased, allowed his indignation against Minikin
to evaporate.

“Well,” said Uncle Gutton, “if you think I'm the one to do it--”

The response was unmistakable. In our enthusiasm we broke two glasses
and upset a cruet; a small, thin lady was unfortunate enough to shed her
chignon. Thus encouraged, Uncle Sutton launched himself upon his task.
Personally, I should have been better pleased had Fate not interposed to
assign to him the duty.

Starting with a somewhat uninstructive history of his own career, he
suddenly, and for no reason at all obvious, branched off into fierce
censure of the Adulteration Act. Reminded of the time by the maternal
Sellars, he got in his first sensible remark by observing that with
such questions, he took it, the present company was not particularly
interested, and directed himself to the main argument. To his, Uncle
Gutton's, foresight, wisdom and instinctive understanding of humanity,
Mr. Clapper, it appeared, owed his present happiness. Uncle Gutton it
was who had divined from the outset the sort of husband the fair
Rosina would come eventually to desire--a plain, simple, hard-working,
level-headed sort of chap, with no hity-tity nonsense about him: such
an one, in short, as Mr. Clapper himself--(at this Mr. Clapper expressed
approval by a lengthy laugh)--a gentleman who, so far as Uncle Gutton's
knowledge went, had but one fault: a silly habit of laughing when there
was nothing whatever to laugh at; of which, it was to be hoped, the
cares and responsibilities of married life would cure him. (To the
rest of the discourse Mr. Clapper listened with a gravity painfully
maintained.) There had been moments, Uncle Gutton was compelled to
admit, when the fair Rosina had shown inclination to make a fool of
herself--to desire in place of honest worth mere painted baubles. He
used the term in no offensive sense. Speaking for himself, what a man
wanted beyond his weekly newspaper, he, Uncle Gutton, was unable to
understand; but if there were fools in the world who wanted to read
rubbish written by other fools, then the other fools would of course
write it; Uncle Gutton did not blame them. He mentioned no names, but
what he would say was: a plain man for a sensible girl, and no painted
baubles.

The waiter here entering with a message from the cabman to the effect
that if he was to catch the twelve-forty-five from Charing Cross, it
was about full time he started, Uncle Gutton was compelled to bring his
speech to a premature conclusion. The bride and bridegroom were hustled
into their clothes. There followed much female embracing and male
hand-shaking. The rice having been forgotten, the waiter was almost
thrown downstairs, with directions to at once procure some. There
appearing danger of his not returning in time, the resourceful Jarman
suggested cold semolina pudding as a substitute. But the idea was
discouraged by the bride. A slipper of remarkable antiquity, discovered
on the floor and regarded as a gift from Providence, was flung from the
window by brother George, with admirable aim, and alighted on the roof
of the cab. The waiter, on his return, not being able to find it, seemed
surprised.


I walked back as far as the Obelisk with the O'Kelly and the Signora,
who were then living together in Lambeth. Till that morning I had
not seen the O'Kelly since my departure from London, nearly two years
before, so that we had much to tell each other. For the third time now
had the O'Kelly proved his utter unworthiness to be the husband of the
lady to whom he still referred as his “dear good wife.”

“But, under the circumstances, would it not be better,” I suggested,
“for her to obtain a divorce? Then you and the Signora could marry and
there would be an end to the whole trouble.”

“From a strictly worldly point of view,” replied the O'Kelly, “it
certainly would be; but Mrs. O'Kelly”--his voice took to itself
unconsciously a tone of reverence--“is not an ordinary woman. You can
have no conception, my dear Kelver, of her goodness. I had a letter from
her only two months ago, a few weeks after the--the last occurrence. Not
one word of reproach, only that if I trespassed against her even unto
seven times seven she would still consider it her duty to forgive me;
that the 'home' would always be there for me to return to and repent.”

A tear stood in the O'Kelly's eye. “A beautiful nature,” he commented.
“There are not many women like her.”

“Not one in a million!” added the Signora, with enthusiasm.

“Well, to me it seems like pure obstinacy,” I said.

The O'Kelly spoke quite angrily. “Don't ye say a word against her! I
won't listen to it. Ye don't understand her. She never will despair of
reforming me.”

“You see, Mr. Kelver,” explained the Signora, “the whole difficulty
arises from my unfortunate profession. It is impossible for me to keep
out of dear Willie's way. If I could earn my living by any other means,
I would; but I can't. And when he sees my name upon the posters, it's
all over with him.”

“I do wish, Willie, dear,” added the Signora in tones of gentle reproof,
“that you were not quite so weak.”

“Me dear,” replied the O'Kelly, “ye don't know how attractive ye are or
ye wouldn't blame me.”

I laughed. “Why don't you be firm,” I suggested to the Signora, “send
him packing about his business?”

“I ought to,” admitted the Signora. “I always mean to, until I see him.
Then I don't seem able to say anything--not anything I ought to.”

“Ye do say it,” contradicted the O'Kelly. “Ye're an angel, only I won't
listen to ye.”

“I don't say it as if I meant it,” persisted the Signora. “It's evident
I don't.”

“I still think it a pity,” I said, “someone does not explain to Mrs.
O'Kelly that a divorce would be the truer kindness.”

“It is difficult to decide,” argued the Signora. “If ever you should
want to leave me--”

“Me darling!” exclaimed the O'Kelly.

“But you may,” insisted the Signora. “Something may happen to help you,
to show you how wicked it all is. I shall be glad then to think that you
will go back to her. Because she is a good woman, Willie, you know she
is.”

“She's a saint,” agreed Willie.

At the Obelisk I shook hands with them, and alone pursued my way towards
Fleet Street.

The next friend whose acquaintance I renewed was Dan. He occupied
chambers in the Temple, and one evening a week or two after the
'Ortensia marriage, I called upon him. Nothing in his manner of greeting
me suggested the necessity of explanation. Dan never demanded anything
of his friends beyond their need of him. Shaking hands with me, he
pushed me down into the easy-chair, and standing with his back to the
fire, filled and lighted his pipe.

“I left you alone,” he said. “You had to go through it, your slough of
despond. It lies across every path--that leads to anywhere. Clear of
it?”

“I think so,” I replied, smiling.

“You are on the high road,” he continued. “You have only to walk
steadily. Sure you have left nothing behind you--in the slough?”

“Nothing worth bringing out of it,” I said. “Why do you ask so
seriously?”

He laid his hand upon my head, rumpling my hair, as in the old days.

“Don't leave him behind you,” he said; “the little boy Paul--Paul the
dreamer.”

I laughed. “Oh, he! He was only in my way.”

“Yes, here,” answered Dan. “This is not his world. He is of no use to
you here; won't help you to bread and cheese--no, nor kisses either. But
keep him near you. Later, you will find, perhaps, that all along he has
been the real Paul--the living, growing Paul; the other--the active,
worldly, pushful Paul, only the stuff that dreams are made of, his
fretful life a troubled night rounded by a sleep.”

“I have been driving him away,” I said. “He is so--so impracticable.”

Dan shook his head gravely. “It is not his world,” he repeated. “We must
eat, drink--be husbands, fathers. He does not understand. Here he is the
child. Take care of him.”

We sat in silence for a little while--for longer, perhaps, than it
seemed to us--Dan in the chair opposite to me, each of us occupied with
his own thoughts.

“You have an excellent agent,” said Dan; “retain her services as long as
you can. She possesses the great advantage of having no conscience, as
regards your affairs. Women never have where they--”

He broke off to stir the fire.

“You like her?” I asked. The words sounded feeble. It is only the writer
who fits the language to the emotion; the living man more often selects
by contrast.

“She is my ideal woman,” returned Dan; “true and strong and tender;
clear as crystal, pure as dawn. Like her!”

He knocked the ashes from his pipe. “We do not marry our ideals,” he
went on. “We love with our hearts, not with our souls. The woman I shall
marry”--he sat gazing into the fire, a smile upon his face--“she will be
some sweet, clinging, childish woman, David Copperfield's Dora. Only
I am not Doady, who always seems to me to have been somewhat of a--He
reminds me of you, Paul, a little. Dickens was right; her helplessness,
as time went on, would have bored him more and more instead of appealing
to him.”

“And the women,” I suggested, “do they marry their ideals?”

He laughed. “Ask them.”

“The difference between men and women,” he continued, “is very slight;
we exaggerate it for purposes of art. What sort of man do you suppose he
is, Norah's ideal? Can't you imagine him?--But I can tell you the type
of man she will marry, ay, and love with all her heart.”

He looked at me from under his strong brows drawn down, a twinkle in his
eye.

“A nice enough fellow--clever, perhaps, but someone--well, someone who
will want looking after, taking care of, managing; someone who will
appeal to the mother side of her--not her ideal man, but the man for
whom nature intended her.”

“Perhaps with her help,” I said, “he may in time become her ideal.”

“There's a long road before him,” growled Dan.

It was Norah herself who broke to me the news of Barbara's elopement
with Hal. I had seen neither of them since my return to London. Old
Hasluck a month or so before I had met in the City one day by chance,
and he had insisted on my lunching with him. I had found him greatly
changed. His buoyant self-assurance had deserted him; in its place a
fretful eagerness had become his motive force. At first he had talked
boastingly: Had I seen the _Post_ for last Monday, the _Court Circular_
for the week before? Had I read that Barbara had danced with the Crown
Prince, that the Count and Countess Huescar had been entertaining a
Grand Duke? What did I think of that! and such like. Was not money
master of the world? Ay, and the nobs should be made to acknowledge it!

But as he had gulped down glass after glass the brag had died away.

“No children,” he had whispered to me across the table; “that's what I
can't understand. Nearly four years and no children! What'll be the
good of it all? Where do I come in? What do I get? Damn these rotten
popinjays! What do they think we buy them for?”

It was in the studio on a Monday morning that Norah told me. It was
the talk of the town for the next day--and the following eight. She had
heard it the evening before at supper, and had written to me to come and
see her.

“I thought you would rather hear it quietly,” said Norah, “than learn it
from a newspaper paragraph. Besides, I wanted to tell you this. She did
wrong when she married, putting aside love for position. Now she has
done right. She has put aside her shame with all the advantages she
derived from it. She has proved herself a woman: I respect her.”

Norah would not have said that to please me had she not really thought
it. I could see it from that light; but it brought me no comfort. My
goddess had a heart, passions, was a mere human creature like myself.
From her cold throne she had stepped down to mingle with the world. So
some youthful page of Arthur's court may have felt, learning the Great
Queen was but a woman.

I never spoke with her again but once. That was an evening three years
later in Brussels. Strolling idly after dinner the bright lights of a
theatre invited me to enter. It was somewhat late; the second act had
commenced. I slipped quietly into my seat, the only one vacant at the
extreme end of the front row of the first range; then, looking down upon
the stage, met her eyes. A little later an attendant whispered to me
that Madame G---- would like to see me; so at the fall of the curtain I
went round. Two men were in the dressing-room smoking, and on the table
were some bottles of champagne. She was standing before her glass, a
loose shawl about her shoulders.

“Excuse my shaking hands,” she said. “This damned hole is like a
furnace; I have to make up fresh after each act.”

She held them up for my inspection with a laugh; they were smeared with
grease.

“D'you know my husband?” she continued. “Baron G--; Mr. Paul Kelver.”

The Baron rose. He was a red-faced, pot-bellied little man. “Delighted
to meet Mr. Kelver,” he said, speaking in excellent English. “Any friend
of my wife's is always a friend of mine.”

He held out his fat, perspiring hand. I was not in the mood to attach
much importance to ceremony. I bowed and turned away, careless whether
he was offended or not.

“I am glad I saw you,” she continued. “Do you remember a girl called
Barbara? You and she were rather chums, years ago.

“Yes,” I answered, “I remember her.”

“Well, she died, poor girl, three years ago.” She was rubbing paint into
her cheeks as she spoke. “She asked me if ever I saw you to give you
this. I have been carrying it about with me ever since.”

She took a ring from her finger. It was the one ring Barbara had worn
as a girl, a chrysolite set plainly in a band of gold. I had noticed
it upon her hand the first time I had seen her, sitting in my father's
office framed by the dusty books and papers. She dropped it into my
outstretched palm.

“Quite a pretty little romance,” laughed the Baron.

“That's all,” added the woman at the glass. “She said you would
understand.”

From under her painted lashes she flashed a glance at me. I hope never
to see again that look upon a woman's face.

“Thank you,” I said. “Yes, I understand. It was very kind of you. I
shall always wear it.”

Placing the ring upon my finger, I left the room.




CHAPTER X.

PAUL FINDS HIS WAY.

Slowly, surely, steadily I climbed, putting aside all dreams, paying
strict attention to business. Often my other self, little Paul of
the sad eyes, would seek to lure me from my work. But for my vehement
determination never to rest for a moment till I had purchased back my
honesty, my desire--growing day by day, till it became almost a physical
hunger--to feel again the pressure of Norah's strong white hand in mine,
he might possibly have succeeded. Heaven only knows what then he might
have made of me: politician, minor poet, more or less able editor,
hampered by convictions--something most surely of but little service to
myself. Now and again, with a week to spare--my humour making holiday,
nothing to be done but await patiently its return--I would write stories
for my own pleasure. They made no mark; but success in purposeful work
is of slower growth. Had I persisted--but there was money to be earned.
And by the time my debts were paid, I had established a reputation.

“Madness!” argued practical friends. “You would be throwing away a
certain fortune for, at the best, a doubtful competence. The one you
know you can do, the other--it would be beginning your career all over
again.”

“You would find it almost impossible now,” explained those who spoke, I
knew, words of wisdom, of experience. “The world would never listen to
you. Once a humourist always a humourist. As well might a comic actor
insist upon playing Hamlet. It might be the best Hamlet ever seen upon
the stage; the audience would only laugh--or stop away.”

Drawn by our mutual need of sympathy, “Goggles” and I, seeking some
quiet corner in the Club, would pour out our souls to each other.
He would lay before me, at some length, his conception of Romeo--an
excellent conception, I have no doubt, though I confess it failed to
interest me. Somehow I could not picture him to myself as Romeo. But I
listened with every sign of encouragement. It was the price I paid
him for, in turn, listening to me while I unfolded to him my ideas how
monumental literature, helpful to mankind, should be imagined and built
up.

“Perhaps in a future existence,” laughed Goggles, one evening, rising as
the clock struck seven, “I shall be a great tragedian, and you a famous
poet. Meanwhile, I suppose, as your friend Brian puts it, we are both
sinning our mercies. After all, to live is the most important thing in
life.”

I had strolled with him so far as the cloak-room and was helping him to
get into his coat.

“Take my advice”--tapping me on the chest, he fixed his funny, fishy
eyes upon me. Had I not known his intention to be serious, I should have
laughed, his expression was so comical. “Marry some dear little woman”
 (he was married himself to a placid lady of about twice his own weight);
“one never understands life properly till the babies come to explain it
to one.”

I returned to my easy-chair before the fire. Wife, children, home!
After all, was not that the true work of man--of the live man, not the
dreamer? I saw them round me, giving to my life dignity, responsibility.
The fair, sweet woman, helper, comrade, comforter, the little faces
fashioned in our image, their questioning voices teaching us the answers
to life's riddles. All other hopes, ambitions, dreams, what were they?
Phantoms of the morning mist fading in the sunlight.

Hodgson came to me one evening. “I want you to write me a comic opera,”
 he said. He had an open letter in his hand which he was reading. “The
public seem to be getting tired of these eternal translations from the
French. I want something English, something new and original.”

“The English is easy enough,” I replied; “but I shouldn't clamour for
anything new and original if I were you.”

“Why not?” he asked, looking up from his letter.

“You might get it,” I answered. “Then you would be disappointed.”

He laughed. “Well, you know what I mean--something we could refer to as
'new and original' on the programme. What do you say? It will be a big
chance for you, and I'm willing to risk it. I'm sure you can do it.
People are beginning to talk about you.”

I had written a few farces, comediettas, and they had been successful.
But the chief piece of the evening is a serious responsibility. A young
man may be excused for hesitating. It can make, but also it can mar him.
A comic opera above all other forms of art--if I may be forgiven
for using the sacred word in connection with such a subject--demands
experience.

I explained my fears. I did not explain that in my desk lay a four-act
drama throbbing with humanity, with life, with which it had been my
hope--growing each day fainter--to take the theatrical public by storm,
to establish myself as a serious playwright.

“It's very simple,” urged Hodgson. “Provide Atherton plenty of comic
business; you ought to be able to do that all right. Give Gleeson
something pretty in waltz time, and Duncan a part in which she can
change her frock every quarter of an hour or so, and the thing is done.”

“I'll tell you what,” continued Hodgson, “I'll take the whole crowd
down to Richmond on Sunday. We'll have a coach, and leave the theatre at
half-past ten. It will be an opportunity for you to study them. You'll
be able to have a talk with them and get to know just what they can do.
Atherton has ideas in his head; he'll explain them to you. Then, next
week, we'll draw up a contract and set to work.”

It was too good an opportunity to let slip, though I knew that if
successful I should find myself pinned down firmer than ever to my role
of jester. But it is remunerative, the writing of comic opera.

A small crowd had gathered in the Strand to see us start.

“Nothing wrong, is there?” enquired the leading lady, in a tone of some
anxiety, alighting a quarter of an hour late from her cab. “It isn't a
fire, is it?”

“Merely assembled to see you,” explained Mr. Hodgson, without raising
his eyes from his letters.

“Oh, good gracious!” cried the leading lady, “do let us get away
quickly.”

“Box seat, my dear,” returned Mr. Hodgson.

The leading lady, accepting the proffered assistance of myself and three
other gentlemen, mounted the ladder with charming hesitation. Some delay
in getting off was caused by our low comedian, who twice, making
believe to miss his footing, slid down again into the arms of the
stolid door-keeper. The crowd, composed for the most part of small boys
approving the endeavour to amuse them, laughed and applauded. Our low
comedian thus encouraged, made a third attempt upon his hands and knees,
and, gaining the roof, sat down upon the tenor, who smiled somewhat
mechanically.

The first dozen or so 'busses we passed our low comedian greeted by
rising to his feet and bowing profoundly, afterwards falling back
upon either the tenor or myself. Except by the tenor and myself his
performance appeared to be much appreciated. Charing Cross passed, and
nobody seeming to be interested in our progress, to the relief of the
tenor and myself, he settled down.

“People sometimes ask me,” said the low comedian, brushing the dust off
his knees, “why I do this sort of thing off the stage. It amuses me.”

“I was coming up to London the other day from Birmingham,” he continued.
“At Willesden, when the ticket collector opened the door, I sprang out
of the carriage and ran off down the platform. Of course, he ran after
me, shouting to all the others to stop me. I dodged them for about
a minute. You wouldn't believe the excitement there was. Quite fifty
people left their seats to see what it was all about. I explained
to them when they caught me that I had been travelling second with a
first-class ticket, which was the fact. People think I do it to attract
attention. I do it for my own pleasure.”

“It must be a troublesome way of amusing oneself,” I suggested.

“Exactly what my wife says,” he replied; “she can never understand the
desire that comes over us all, I suppose, at times, to play the fool. As
a rule, when she is with me I don't do it.”

“She's not here today?” I asked, glancing round.

“She suffers so from headaches,” he answered, “she hardly ever goes
anywhere.”

“I'm sorry.” I spoke not out of mere politeness; I really did feel
sorry.

During the drive to Richmond this irrepressible desire to amuse himself
got the better of him more than once or twice. Through Kensington he
attracted a certain amount of attention by balancing the horn upon his
nose. At Kew he stopped the coach to request of a young ladies' boarding
school change for sixpence. At the foot of Richmond Hill he caused a
crowd to assemble while trying to persuade a deaf old gentleman in a
Bath-chair to allow his man to race us up the hill for a shilling.

At these antics and such like our party laughed uproariously, with the
exception of Hodgson, who had his correspondence to attend to, and an
elegant young lady of some social standing who had lately emerged from
the Divorce Court with a reputation worth to her in cash a hundred
pounds a week.

Arriving at the hotel quarter of an hour or so before lunch time,
we strolled into the garden. Our low comedian, observing an elderly
gentleman of dignified appearance sipping a glass of Vermouth at a small
table, stood for a moment rooted to the earth with astonishment, then,
making a bee-line for the stranger, seized and shook him warmly by the
hand. We exchanged admiring glances with one another.

“Charlie is in good form to-day,” we told one another, and followed at
his heels.

The elderly gentleman had risen; he looked puzzled. “And how's Aunt
Martha?” asked him our low comedian. “Dear old Aunt Martha! Well, I am
glad! You do look bonny! How is she?”

“I'm afraid--” commenced the elderly gentleman. Our low comedian started
back. Other visitors had gathered round.

“Don't tell me anything has happened to her! Not dead? Don't tell me
that!”

He seized the bewildered gentleman by the shoulders and presented to him
a face distorted by terror.

“I really have not the faintest notion what you are talking about,”
 returned the gentleman, who seemed annoyed. “I don't know you.”

“Not know me? Do you mean to tell me you've forgotten--? Isn't your name
Steggles?”

“No, it isn't,” returned the stranger, somewhat shortly.

“My mistake,” replied our low comedian. He tossed off at one gulp what
remained of the stranger's Vermouth and walked away rapidly.

The elderly gentleman, not seeing the humour of the joke, one of
our party to soothe him explained to him that it was Atherton, _the_
Atherton--Charlie Atherton.

“Oh, is it,” growled the elderly gentleman. “Then will you tell him from
me that when I want his damned tomfoolery I'll come to the theatre and
pay for it.”

“What a disagreeable man,” we said, as, following our low comedian, we
made our way into the hotel.

During lunch he continued in excellent spirits; kissed the bald back of
the waiter's head, pretending to mistake it for a face, called for
hot mustard and water, made believe to steal the silver, and when the
finger-bowls arrived, took off his coat and requested the ladies to look
the other way.

After lunch he became suddenly serious, and slipping his arm through
mine, led me by unfrequented paths.

“Now, about this new opera,” he said; “we don't want any of the old
stale business. Give us something new.”

I suggested that to do so might be difficult.

“Not at all,” he answered. “Now, my idea is this. I am a young fellow,
and I'm in love with a girl.”

I promised to make a note of it.

“Her father, apoplectic old idiot--make him comic: 'Damme, sir! By gad!'
all that sort of thing.”

By persuading him that I understood what he meant, I rose in his
estimation.

“He won't have anything to say to me--thinks I'm an ass. I'm a simple
sort of fellow--on the outside. But I'm not such a fool as I look.”

“You don't think we are getting too much out of the groove?” I enquired.

His opinion was that the more so the better.

“Very well. Then, in the second act I disguise myself. I'll come on as
an organ-grinder, sing a song in broken English, then as a policeman,
or a young swell about town. Give me plenty of opportunity, that's the
great thing--opportunity to be really funny, I mean. We don't want any
of the old stale tricks.”

I promised him my support.

“Put a little pathos in it,” he added, “give me a scene where I can show
them I've something else in me besides merely humour. We don't want to
make them howl, but just to feel a little. Let's send them out of the
theatre saying: 'Well, Charlie's often made me laugh, but I'm damned if
I knew he could make me cry before!' See what I mean?”

I told him I thought I did.

The leading lady, meeting us on our return, requested, with pretty tone
of authority, everybody else to go away and leave us. There were cries
of “Naughty!” The leading lady, laughing girlishly, took me by the hand
and ran away with me.

“I want to talk to you,” said the leading lady, as soon as we had
reached a secluded seat overlooking the river, “about my part in the new
opera. Now, can't you give me something original? Do.”

Her pleading was so pretty, there was nothing for it but to pledge
compliance.

“I am so tired of being the simple village maiden,” said the leading
lady; “what I want is a part with some opportunity in it--a coquettish
part. I can flirt,” assured me the leading lady, archly. “Try me.”

I satisfied her of my perfect faith.

“You might,” said the leading lady, “see your way to making the plot
depend upon me. It always seems to me that the woman's part is never
made enough of in comic opera. I am sure a comic opera built round a
woman would be a really great success. Don't you agree with me, Mr.
Kelver,” pouted the leading lady, laying her pretty hand on mine. “We
are much more interesting than the men--now, aren't we?”

Personally, as I told her, I agreed with her.

The tenor, sipping tea with me on the balcony, beckoned me aside.

“About this new opera,” said the tenor; “doesn't it seem to you the
time has come to make more of the story--that the public might prefer a
little more human interest and a little less clowning?”

I admitted that a good plot was essential.

“It seems to me,” said the tenor, “that if you could write an opera
round an interesting love story, you would score a success. Of course,
let there be plenty of humour, but reduce it to its proper place. As a
support, it is excellent; when it is made the entire structure, it is
apt to be tiresome--at least, that is my view.”

I replied with sincerity that there seemed to me much truth in what he
said.

“Of course, so far as I am personally concerned,” went on the tenor,
“it is immaterial. I draw the same salary whether I'm on the stage five
minutes or an hour. But when you have a man of my position in the cast,
and give him next to nothing to do--well, the public are disappointed.”

“Most naturally,” I commented.

“The lover,” whispered the tenor, noticing the careless approach towards
us of the low comedian, “that's the character they are thinking about
all the time--men and women both. It's human nature. Make your lover
interesting--that's the secret.”

Waiting for the horses to be put to, I became aware of the fact that I
was standing some distance from the others in company with a tall, thin,
somewhat oldish-looking man. He spoke in low, hurried tones, fearful
evidently of being overheard and interrupted.

“You'll forgive me, Mr. Kelver,” he said--“Trevor, Marmaduke Trevor. I
play the Duke of Bayswater in the second act.”

I was unable to recall him for the moment; there were quite a number of
small parts in the second act. But glancing into his sensitive face, I
shrank from wounding him.

“A capital performance,” I lied. “It has always amused me.”

He flushed with pleasure. “I made a great success some years ago,” he
said, “in America with a soda-water syphon, and it occurred to me that
if you could, Mr. Kelver, in a natural sort of way, drop in a small part
leading up to a little business with a soda-water syphon, it might help
the piece.”

I wrote him his soda-water scene, I am glad to remember, and insisted
upon it, in spite of a good deal of opposition. Some of the critics
found fault with the incident, as lacking in originality. But Marmaduke
Trevor was quite right, it did help a little.

Our return journey was an exaggerated repetition of our morning drive.
Our low comedian produced hideous noises from the horn, and entered into
contests of running wit with 'bus drivers--a decided mistake from his
point of view, the score generally remaining with the 'bus driver.
At Hammersmith, seizing the opportunity of a block in the traffic,
he assumed the role of Cheap Jack, and, standing up on the back seat,
offered all our hats for sale at temptingly low prices.

“Got any ideas out of them?” asked Hodgson, when the time came for us to
say good-night.

“I'm thinking, if you don't mind,” I answered, “of going down into the
country and writing the piece quietly, away from everybody.”

“Perhaps you are right,” agreed Hodgson. “Too many cooks--Be sure and
have it ready for the autumn.”

I wrote it with some pleasure to myself amid the Yorkshire Wolds, and
was able to read it to the whole company assembled before the close of
the season. My turning of the last page was followed by a dead silence.
The leading lady was the first to speak. She asked if the clock upon the
mantelpiece could be relied upon; because, if so, by leaving at once,
she could just catch her train. Hodgson, consulting his watch, thought,
if anything, it was a little fast. The leading lady said she hoped it
was, and went. The only comforting words were spoken by the tenor. He
recalled to our mind a successful comic opera produced some years before
at the Philharmonic. He distinctly remembered that up to five minutes
before the raising of the curtain everybody had regarded it as rubbish.
He also had a train to catch. Marmaduke Trevor, with a covert shake of
the hand, urged me not to despair. The low comedian, the last to go,
told Hodgson he thought he might be able to do something with parts
of it, if given a free hand. Hodgson and I left alone, looked at each
other.

“It's no good,” said Hodgson, “from a box-office point of view. Very
clever.”

“How do you know it is no good from a box-office point of view?” I
ventured to enquire.

“I never made a mistake in my life,” replied Hodgson.

“You have produced one or two failures,” I reminded him.

“And shall again,” he laughed. “The right thing isn't easy to get.”

“Cheer up,” he added kindly, “this is only your first attempt. We must
try and knock it into shape at rehearsal.”

Their notion of “knocking it into shape” was knocking it to pieces.

“I'll tell you what we'll do,” would say the low comedian; “we'll cut
that scene out altogether.” Joyously he would draw his pencil through
some four or five pages of my manuscript.

“But it is essential to the story,” I would argue.

“Not at all.”

“But it is. It is the scene in which Roderick escapes from prison and
falls in love with the gipsy.”

“My dear boy, half-a-dozen words will do all that. I meet Roderick at
the ball. 'Hallo, what are you doing here?' 'Oh, I have escaped from
prison.' 'Good business. And how's Miriam?' 'Well and happy--she is
going to be my wife!' What more do you want?”

“I have been speaking to Mr. Hodgson,” would observe the leading lady,
“and he agrees with me, that if instead of falling in love with Peter, I
fell in love with John--”

“But John is in love with Arabella.”

“Oh, we've cut out Arabella. I can sing all her songs.”

The tenor would lead me into a corner. “I want you to write in a little
scene for myself and Miss Duncan at the beginning of the first act. I'll
talk to her about it. I think it will be rather pretty. I want her--the
second time I see her--to have come out of her room on to a balcony, and
to be standing there bathed in moonlight.”

“But the first act takes place in the early morning.”

“I've thought of that. We must alter it to the evening.”

“But the opera opens with a hunting scene. People don't go hunting by
moonlight.”

“It will be a novelty. That's what's wanted for comic opera. The
ordinary hunting scene! My dear boy, it has been done to death.”

I stood this sort of thing for a week. “They are people of experience,”
 I argued to myself; “they must know more about it than I do.” By the
end of the week I had arrived at the conclusion that anyhow they didn't.
Added to which I lost my temper. It is a thing I should advise any lady
or gentleman thinking of entering the ranks or dramatic authorship to
lose as soon as possible. I took both manuscripts with me, and, entering
Mr. Hodgson's private room, closed the door behind me. One parcel
was the opera as I had originally written it, a neat, intelligible
manuscript, whatever its other merits. The second, scored, interlined,
altered, cut, interleaved, rewritten, reversed, turned inside out and
topsy-turvy--one long, hopeless confusion from beginning to end--was the
opera, as, everybody helping, we had “knocked it into shape.”

“That's your opera,” I said, pushing across to him the bulkier bundle.
“If you can understand it, if you can make head or tail of it, if you
care to produce it, it is yours, and you are welcome to it. This is
mine!” I laid it on the table beside the other. “It may be good, it may
be bad. If it is played at all it is played as it is written. Regard the
contract as cancelled, and make up your mind.”

He argued with force, and he argued with eloquence. He appealed to my
self-interest, he appealed to my better nature. It occupied him forty
minutes by the clock. Then he called me an obstinate young fool, flung
the opera as “knocked into shape” into the waste-paper basket--which
was the only proper place for it, and, striding into the middle of the
company, gave curt directions that the damned opera was to be played as
it was written, and be damned to it!

The company shrugged its shoulders, and for the next month kept them
shrugged. For awhile Hodgson remained away from the rehearsals, then
returning, developed by degrees a melancholy interest in the somewhat
gloomy proceedings.

So far I had won, but my difficulty was to maintain the position. The
low comedian, reciting his lines with meaningless monotony, would pause
occasionally to ask of me politely, whether this or that passage was
intended to be serious or funny.

“You think,” the leading lady would enquire, more in sorrow than in
anger, “that any girl would behave in this way--any real girl, I mean?”

“Perhaps the audience will understand it,” would console himself
hopefully the tenor. “Myself, I confess I don't.”

With a sinking heart concealed beneath an aggressively disagreeable
manner, I remained firm in my “pigheaded conceit,” as it was regarded,
Hodgson generously supporting me against his own judgment.

“It's bound to be a failure,” he told me. “I am spending some twelve to
fifteen hundred pounds to teach you a lesson. When you have learnt it
we'll square accounts by your writing me an opera that will pay.”

“And if it does succeed?” I suggested.

“My dear boy,” replied Hodgson, “I never make mistakes.”

From all which a dramatic author of more experience would have gathered
cheerfulness and hope, knowing that the time to be depressed is when the
manager and company unanimously and unhesitatingly predict a six months'
run. But new to the business, I regarded my literary career as already
at an end. Belief in oneself is merely the match with which one lights
oneself. The oil is supplied by the belief in one of others; if that
be not forthcoming, one goes out. Later on I might try to light myself
again, but for the present I felt myself dark and dismal. My desire was
to get away from my own smoke and smell. The final dress rehearsal
over, I took my leave of all concerned. The next morning I would pack
a knapsack and start upon a walking tour through Holland. The English
papers would not reach me. No human being should know my address. In a
month or so I would return, the piece would have disappeared--would be
forgotten. With courage, I might be able to forget it myself.

“I shall run it for three weeks,” said Hodgson, “then we'll withdraw it
quietly, 'owing to previous arrangements'; or Duncan can suddenly fall
ill--she's done it often enough to suit herself; she can do it this
once to suit me. Don't be upset. There's nothing to be ashamed of in the
piece; indeed, there is a good deal that will be praised. The idea is
distinctly original. As a matter of fact, that's the fault with it,”
 added Hodgson, “it's too original.”

“You said you wanted it original,” I reminded him.

He laughed. “Yes, but original for the stage, I meant--the old dolls in
new frocks.”

I thanked him for all his kindness, and went home and packed my
knapsack.

For two months I wandered, avoiding beaten tracks, my only comrades a
few books, belonging to no age, no country. My worries fell from me, the
personal affairs of Paul Kelver ceasing to appear the be all and the
end all of the universe. But for a chance meeting with Wellbourne,
Deleglise's amateur caretaker of Gower Street fame, I should have
delayed yet longer my return. It was in one of the dead cities of the
Zuyder Zee. I was sitting under the lindens on the grass-grown quay,
awaiting a slow, crawling boat that, four miles off, I watched a moving
speck across the level pastures. I heard his footsteps in the empty
market-place behind me, and turned my head. I did not rise, felt even no
astonishment; anything might come to pass in that still land of dreams.
He seated himself beside me with a nod, and for awhile we smoked in
silence.

“All well with you?” I asked.

“I am afraid not,” he answered; “the poor fellow is in great trouble.”

“I'm not Wellbourne himself,” he went on, in answer to my look; “I am
only his spirit. Have you ever tested that belief the Hindoos hold:
that a man may leave his body, wander at will for a certain period,
remembering only to return ere the thread connecting him with flesh and
blood be stretched to breaking point? It is quite correct. I often lock
the door of my lodging, leave myself behind, wander a free Spirit.”

He pulled from his pocket a handful of loose coins and looked at them.
“The thread that connects us, I am sorrow to say, is wearing somewhat
thin,” he sighed; “I shall have to be getting back to him before
long--concern myself again with his troubles, follies. It is somewhat
vexing. Life is really beautiful, when one is dead.”

“What was the trouble?” I enquired.

“Haven't you heard?” he replied. “Tom died five weeks ago, quite
suddenly, of syncope. We had none of us any idea.”

So Norah was alone in the world. I rose to my feet. The slowly moving
speck had grown into a thin, dark streak; minute by minute it took shape
and form.

“By the way, I have to congratulate you,” said Wellbourne. “Your opera
looked like being a big thing when I left London. You didn't sell
outright, I hope?”

“No,” I answered. “Hodgson never expressed any desire to buy.”

“Lucky for you,” said Wellbourne.

I reached London the next evening. Passing the theatre on my way to
Queen's Square, it occurred to me to stop my cab for a few minutes and
look in.

I met the low comedian on his way to his dressing-room. He shook me
warmly by the hand.

“Well,” he said, “we're pulling them in. I was right, you see, 'Give me
plenty of opportunity.' That's what I told you, didn't I? Come and see
the piece. I think you will agree with me that I have done you justice.”

I thanked him.

“Not at all,” he returned; “it's a pleasure to work, when you've got
something good to work on.”

I paid my respects to the leading lady.

“I am so grateful to you,” said the leading lady. “It is so delightful
to play a real live woman, for a change.”

The tenor was quite fatherly.

“It is what I have been telling Hodgson for years,” he said, “give them
a simple human story.”

Crossing the stage, I ran against Marmaduke Trevor.

“You will stay for my scene,” he urged.

“Another night,” I answered. “I have only just returned.”

He sank his voice to a whisper. “I want to talk to you on business, when
you have the time. I am thinking of taking a theatre myself--not just
now, but later on. Of course, I don't want it to get about.”

I assured him of my secrecy.

“If it comes off, I want you to write for me. You understand the public.
We will talk it over.”

He passed onward with stealthy tread.

I found Hodgson in the front of the house.

“Two stalls not sold and six seats in the upper circle,” he informed me;
“not bad for a Thursday night.”

I expressed my gratification.

“I knew you could do it,” said Hodgson, “I felt sure of it merely from
seeing that comedietta of yours at the Queen's. I never make a mistake.”

Correction under the circumstances would have been unkind. Promising to
see him again in the morning, I left him with his customary good conceit
of himself unimpaired, and went on to the Square. I rang twice, but
there was no response. I was about to sound a third and final summons,
when Norah joined me on the step. She had been out shopping and was
laden with parcels.

“We must wait to shake hands,” she laughed, as she opened the door. “I
hope you have not been kept long. Poor Annette grows deafer every day.”

“Have you nobody in the house with you but Annette?” I asked.

“No one. You know it was a whim of his. I used to get quite cross with
him at times. But I should not like to go against his wishes--now.”

“Was there any reason for it?” I asked.

“No,” she answered; “if there had been I could have argued him out of
it.” She paused at the door of the studio. “I'll just get rid of these,”
 she said, “and then I will be with you.”

A wood fire was burning on the open hearth, flashing alternate beams of
light and shadow down the long bare room. The high oak stool stood
in its usual place beside the engraving desk, upon which lay old
Deleglise's last unfinished plate, emitting a dull red glow. I paced the
creaking boards with halting steps, as through some ghostly gallery
hung with dim portraits of the dead and living. In a little while Norah
entered and came to me with outstretched hand.

“We will not light the lamp,” she said, “the firelight is so pleasant.”

“But I want to see you,” I replied.

She had seated herself upon the broad stone kerb. With her hand she
stirred the logs; they shot into a clear white flame. Thus, the light
upon her face, she raised it gravely towards mine. It spoke to me with
fuller voice. The clear grey eyes were frank and steadfast as ever, but
shadow had passed into them, deepening them, illuminating them.

For a space we talked of our two selves, our trivial plans and doings.

“Tom left something to you,” said Norah, rising, “not in his will, that
was only a few lines. He told me to give it to you, with his love.”

She brought it to me. It was the picture he had always treasured, his
first success; a child looking on death; “The Riddle” he had named it.

We spoke of him, of his work, which since had come to be appraised at
truer value, for it was out of fashion while he lived.

“Was he a disappointed man, do you think?” I asked.

“No,” answered Norah. “I am sure not. He was too fond of his work.”

“But he dreamt of becoming a second Millet. He confessed it to me once.
And he died an engraver.”

“But they were good engravings,” smiled Norah.

“I remember a favourite saying of his,” continued Norah, after a pause;
“I do not know whether it was original or not. 'The stars guide us. They
are not our goal.'”

“Ah, yes, we aim at the moon and--hit the currant bush.”

“It is necessary always to allow for deflection,” laughed Norah.
“Apparently it takes a would-be poet to write a successful comic opera.”

“Ah, you do not understand!” I cried. “It was not mere ambition; cap
and bells or laurel wreath! that is small matter. I wanted to help. The
world's cry of pain, I used to hear it as a boy. I hear it yet. I meant
to help. They that are heavy laden. I hear their cry. They cry from dawn
to dawn and none heed them: we pass upon the other side. Man and woman,
child and beast. I hear their dumb cry in the night. The child's sob
in the silence, the man's fierce curse of wrong. The dog beneath the
vivisector's knife, the overdriven brute, the creature tortured for an
hour that a gourmet may enjoy an instant's pleasure; they cried to me.
The wrong and the sorrow and the pain, the long, low, endless moan God's
ears are weary of; I hear it day and night. I thought to help.”

I had risen. She took my face between her quiet, cool hands.

“What do we know? We see but a corner of the scheme. This fortress
of laughter that a few of you have been set apart to guard--this
rallying-point for all the forces of joy and gladness! how do you know
it may not be the key to the whole battle! It is far removed from the
grand charges and you think yourself forgotten. Trust your leader, be
true to your post.”

I looked into her sweet grey eyes.

“You always help me,” I said.

“Do I?” she answered. “I am so glad.”

She put her firm white hand in mine.





End of Project Gutenberg's Paul Kelver, by Jerome Klapka, AKA Jerome K.
Jerome