Project Gutenberg's Fables for the Frivolous, by Guy Whitmore Carryl This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Fables for the Frivolous Author: Guy Whitmore Carryl Posting Date: January 27, 2009 [EBook #6438] Release Date: September, 2004 First posted: December 14, 2002 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FABLES FOR THE FRIVOLOUS *** Produced by Steve Schulze, Charles Franks and the Online Distributed Proofreading Team. The scans for this book are from the Michigan State University Online Digital Collection http://digital.lib.msu.edu/onlinecolls/collection.cfm?CID=3 FABLES FOR THE FRIVOLOUS _(With Apologies to La Fontaine)_ By GUY WETMORE CARRYL With Illustrations by Peter Newell 1898 FABLES FOR THE FRIVOLOUS TO MY FATHER NOTE: I have pleasure in acknowledging the courteous permission the editors to reprint in this form such of the following fables were originally published in Harper's periodicals, in _Life_, and _Munsey's Magazine_. G. W. C. CONTENTS THE AMBITIOUS FOX AND THE UNAPPROACHABLE GRAPES THE PERSEVERING TORTOISE AND THE PRETENTIOUS HARE THE PATRICIAN PEACOCKS AND THE OVERWEENING JAY THE ARROGANT FROG AND THE SUPERIOR BULL THE DOMINEERING EAGLE AND THE INVENTIVE BRATLING THE ICONOCLASTIC RUSTIC AND THE APROPOS ACORN THE UNUSUAL GOOSE AND THE IMBECILIC WOODCUTTER THE RUDE RAT AND THE UNOSTENTATIOUS OYSTER THE URBAN RAT AND THE SUBURBAN RAT THE IMPECUNIOUS CRICKET AND THE FRUGAL ANT THE PAMPERED LAPDOG AND THE MISGUIDED ASS THE VAINGLORIOUS OAK AND THE MODEST BULRUSH THE INHUMAN WOLF AND THE LAMB SANS GENE THE SYCOPHANTIC FOX AND THE GULLIBLE RAVEN THE MICROSCOPIC TROUT AND THE MACHIAVELIAN FISHERMAN THE CONFIDING PEASANT AND THE MALADROIT BEAR THE PRECIPITATE COCK AND THE UNAPPRECIATED PEARL THE ABBREVIATED FOX AND HIS SCEPTICAL COMRADES THE HOSPITABLE CALEDONIAN AND THE THANKLESS VIPER THE IMPETUOUS BREEZE AND THE DIPLOMATIC SUN ILLUSTRATIONS "THE FOX RETREATED OUT OF RANGE" "HE STROVE TO GROW ROTUNDER" "AN ACORN FELL ABRUPTLY" "SAID SHE, 'GET UP, YOU BRUTE YOU!'" "'_J'ADMIRE_,' SAID HE, '_TON BEAU PLUMAGE'_" "AND SO A WEIGHTY ROCK SHE AIMED" THE AMBITIOUS FOX AND THE UNAPPROACHABLE GRAPES A farmer built around his crop A wall, and crowned his labors By placing glass upon the top To lacerate his neighbors, Provided they at any time Should feel disposed the wall to climb. He also drove some iron pegs Securely in the coping, To tear the bare, defenceless legs Of brats who, upward groping, Might steal, despite the risk of fall, The grapes that grew upon the wall. One day a fox, on thieving bent, A crafty and an old one, Most shrewdly tracked the pungent scent That eloquently told one That grapes were ripe and grapes were good And likewise in the neighborhood. He threw some stones of divers shapes The luscious fruit to jar off: It made him ill to see the grapes So near and yet so far off. His throws were strong, his aim was fine, But "Never touched me!" said the vine. The farmer shouted, "Drat the boys!" And, mounting on a ladder, He sought the cause of all the noise; No farmer could be madder, Which was not hard to understand Because the glass had cut his hand. His passion he could not restrain, But shouted out, "You're thievish!" The fox replied, with fine disdain, "Come, country, don't be peevish." (Now "country" is an epithet One can't forgive, nor yet forget.) The farmer rudely answered back With compliments unvarnished, And downward hurled the _bric-a-brac_ With which the wall was garnished, In view of which demeanor strange, The fox retreated out of range. "I will not try the grapes to-day," He said. "My appetite is Fastidious, and, anyway, I fear appendicitis." (The fox was one of the _elite_ Who call it _site_ instead of _seet_.) The moral is that if your host Throws glass around his entry You know it isn't done by most Who claim to be the gentry, While if he hits you in the head You may be sure he's underbred. THE PERSEVERING TORTOISE AND THE PRETENTIOUS HARE Once a turtle, finding plenty In seclusion to bewitch, Lived a _dolce far niente_ Kind of life within a ditch; Rivers had no charm for him, As he told his wife and daughter, "Though my friends are in the swim, Mud is thicker far than water." One fine day, as was his habit, He was dozing in the sun, When a young and flippant rabbit Happened by the ditch to run: "Come and race me," he exclaimed, "Fat inhabitant of puddles. Sluggard! You should be ashamed. Such a life the brain befuddles." This, of course, was banter merely, But it stirred the torpid blood Of the turtle, and severely Forth he issued from the mud. "Done!" he cried. The race began, But the hare resumed his banter, Seeing how his rival ran In a most unlovely canter. Shouting, "Terrapin, you're bested! You'd be wiser, dear old chap, If you sat you down and rested When you reach the second lap." Quoth the turtle, "I refuse. As for you, with all your talking, Sit on any lap you choose. _I_ shall simply go on walking." Now this sporting proposition Was, upon its face, absurd; Yet the hare, with expedition, Took the tortoise at his word, Ran until the final lap, Then, supposing he'd outclassed him, Laid him down and took a nap And the patient turtle passed him! Plodding on, he shortly made the Line that marked the victor's goal; Paused, and found he'd won, and laid the Flattering unction to his soul. Then in fashion grandiose, Like an after-dinner speaker, Touched his flipper to his nose, And remarked, "Ahem! Eureka!" And THE MORAL (lest you miss one) Is: There's often time to spare, And that races are (like this one) Won not always by a hair. THE PATRICIAN PEACOCKS AND THE OVERWEENING JAY Once a flock of stately peacocks Promenaded on a green, There were twenty-two or three cocks, Each as proud as seventeen, And a glance, however hasty, Showed their plumage to be tasty; Wheresoever one was placed, he Was a credit to the scene. Now their owner had a daughter Who, when people came to call, Used to say, "You'd reelly oughter See them peacocks on the mall." Now this wasn't to her credit, And her callers came to dread it, For the way the lady said it Wasn't _recherche_ at all. But a jay that overheard it From his perch upon a fir Didn't take in how absurd it Was to every one but her; When they answered, "You don't tell us!" And to see the birds seemed zealous He became extremely jealous, Wishing, too, to make a stir. As the peacocks fed together He would join them at their lunch, Culling here and there a feather Till he'd gathered quite a bunch; Then this bird, of ways perfidious, Stuck them on him most fastidious Till he looked uncommon hideous, Like a Judy or a Punch. But the peacocks, when they saw him, One and all began to haul, And to harry and to claw him Till the creature couldn't crawl; While their owner's vulgar daughter, When her startled callers sought her, And to see the struggle brought her, Only said, "They're on the maul." It was really quite revolting When the tumult died away, One would think he had been moulting So dishevelled was the jay; He was more than merely slighted, He was more than disunited, He'd been simply dynamited In the fervor of the fray. And THE MORAL of the verses Is: That short men can't be tall. Nothing sillier or worse is Than a jay upon a mall. And the jay opiniative Who, because he's imitative, Thinks he's highly decorative Is the biggest jay of all. THE ARROGANT FROG AND THE SUPERIOR BULL Once, on a time and in a place Conducive to malaria, There lived a member of the race Of _Rana Temporaria_; Or, more concisely still, a frog Inhabited a certain bog. A bull of Brobdingnagian size, Too proud for condescension, One morning chanced to cast his eyes Upon the frog I mention; And, being to the manner born, Surveyed him with a lofty scorn. Perceiving this, the bactrian's frame With anger was inflated, Till, growing larger, he became Egregiously elated; For inspiration's sudden spell Had pointed out a way to swell. "Ha! ha!" he proudly cried, "a fig For this, your mammoth torso! Just watch me while I grow as big As you--or even more so!" To which magniloquential gush His bullship simply answered "Tush!" Alas! the frog's success was slight, Which really was a wonder, In view of how with main and might He strove to grow rotunder! And, standing patiently the while, The bull displayed a quiet smile. [Illustration: "HE STROVE TO GROW ROTUNDER"] But ah, the frog tried once too oft And, doing so, he busted; Whereat the bull discreetly coughed And moved away, disgusted, As well he might, considering The wretched taste that marked the thing. THE MORAL: Everybody knows How ill a wind it is that blows. THE DOMINEERING EAGLE AND THE INVENTIVE BRATLING O'er a small suburban borough Once an eagle used to fly, Making observations thorough From his station in the sky, And presenting the appearance Of an animated V, Like the gulls that lend coherence Unto paintings of the sea. Looking downward at a church in This attractive little shire, He beheld a smallish urchin Shooting arrows at the spire; In a spirit of derision, "Look alive!" the eagle said; And, with infinite precision, Dropped a feather on his head. Then the boy, annoyed distinctly By the freedom of the bird, Voiced his anger quite succinctly In a single scathing word; And he sat him on a barrow, And he fashioned of this same Eagle's feather such an arrow As was worthy of the name. Then he tried his bow, and, stringing It with caution and with care, Sent that arrow singing, winging Towards the eagle in the air. Straight it went, without an error, And the target, bathed in blood, Lurched, and lunged, and fell to _terra Firma_, landing with a thud. "Bird of freedom," quoth the urchin, With an unrelenting frown, "You shall decorate a perch in The menagerie in town; But of feathers quite a cluster I shall first remove for Ma: Thanks to you, she'll have a duster For her precious _objets d'art_." And THE MORAL is that pride is The precursor of a fall. Those beneath you to deride is Not expedient at all. Howsoever meek and humble Your inferiors may be, They perchance may make you tumble, So respect them. Q. E. D. THE ICONOCLASTIC RUSTIC AND THE APROPOS ACORN Reposing 'neath some spreading trees, A populistic bumpkin Amused himself by offering these Reflections on a pumpkin: "I would not, if the choice were mine, Grow things like that upon a vine, For how imposing it would be If pumpkins grew upon a tree." Like other populists, you'll note, Of views enthusiastic, He'd learned by heart, and said by rote A creed iconoclastic; And in his dim, uncertain sight Whatever wasn't must be right, From which it follows he had strong Convictions that what was, was wrong. As thus he sat beneath an oak An acorn fell abruptly And smote his nose: whereat he spoke Of acorns most corruptly. "Great Scott!" he cried. "The Dickens!" too, And other authors whom he knew, And having duly mentioned those, He expeditiously arose. Then, though with pain he nearly swooned, He bathed his organ nasal With arnica, and soothed the wound With extract of witch hazel; And surely we may well excuse The victim if he changed his views: "If pumpkins fell from trees like that," He murmured, "Where would I be at?" Of course it's wholly clear to you That when these words he uttered He proved conclusively he knew Which side his bread was buttered; And, if this point you have not missed, You'll learn to love this populist, The only one of all his kind With sense enough to change his mind. THE MORAL: In the early spring A pumpkin-tree would be a thing Most gratifying to us all, But how about the early fall? THE UNUSUAL GOOSE AND THE IMBECILIC WOODCUTTER A woodcutter bought him a gander, Or at least that was what he supposed, As a matter of fact, 'twas a slander As a later occurrence disclosed; For they locked the bird up in the garret To fatten, the while it grew old, And it laid there a twenty-two carat Fine egg of the purest of gold! There was much unaffected rejoicing In the home of the woodcutter then, And his wife, her exuberance voicing, Proclaimed him most lucky of men. "'Tis an omen of fortune, this gold egg," She said, "and of practical use, For this fowl doesn't lay any old egg, She's a highly superior goose." Twas this creature's habitual custom, This laying of superfine eggs, And they made it their practice to dust 'em And pack them by dozens in kegs: But the woodcutter's mind being vapid And his foolishness more than profuse, In order to get them more rapid He slaughtered the innocent goose. He made her a gruel of acid Which she very obligingly ate, And at once with a touchingly placid Demeanor succumbed to her fate. With affection that passed the platonic They buried her under the moss, And her epitaph wasn't ironic In stating, "We mourn for our loss." And THE MORAL: It isn't much use, As the woodcutter found to be true, To lay for an innocent goose Just because she is laying for you. THE RUDE RAT AND THE UNOSTENTATIOUS OYSTER Upon the shore, a mile or more From traffic and confusion, An oyster dwelt, because he felt A longing for seclusion; Said he: "I love the stillness of This spot. It's like a cloister." (These words I quote because, you note, They rhyme so well with oyster.) A prying rat, believing that She needed change of diet, In search of such disturbed this much- To-be-desired quiet. To say the least, this tactless beast Was apt to rudely roister: She tapped his shell, and called him--well, A name that hurt the oyster. "I see," she cried, "you're open wide, And, searching for a reason, September's here, and so it's clear That oysters are in season." She smiled a smile that showed this style Of badinage rejoiced her, Advanced a pace with easy grace, And _sniffed_ the silent oyster. The latter's pride was sorely tried, He thought of what he _could _say, Reflected what the common lot Of vulgar molluscs _would_ say; Then caught his breath, grew pale as death, And, as his brow turned moister, Began to close, and nipped her nose! Superb, dramatic oyster! We note with joy that oi polloi, Whom maidens bite the thumb at, Are apt to try some weak reply To things they should be dumb at. THE MORAL, then, for crafty men Is: When a maid has voiced her Contemptuous heart, don't think you're smart, But shut up--like the oyster. THE URBAN RAT AND THE SUBURBAN RAT A metropolitan rat invited His country cousin in town to dine: The country cousin replied, "Delighted." And signed himself, "Sincerely thine." The town rat treated the country cousin To half a dozen Kinds of wine. He served him terrapin, kidneys devilled, And roasted partridge, and candied fruit; In Little Neck Clams at first they revelled, And then in Pommery, _sec_ and _brut_; The country cousin exclaimed: "Such feeding Proclaims your breeding Beyond dispute!" But just as, another bottle broaching, They came to chicken _en casserole_ A ravenous cat was heard approaching, And, passing his guest a finger-bowl, The town rat murmured, "The feast is ended." And then descended The nearest hole. His cousin followed him, helter-skelter, And, pausing beneath the pantry floor, He glanced around at their dusty shelter And muttered, "This is a beastly bore. My place as an epicure resigning, I'll try this dining In town no more. "You must dine some night at my rustic cottage; I'll warn you now that it's simple fare: A radish or two, a bowl of pottage, And the wine that's known as _ordinaire_, But for holes I haven't to make a bee-line, No prowling feline Molests me there. "You smile at the lot of a mere commuter, You think that my life is hard, mayhap, But I'm sure than you I am far acuter: I ain't afraid of no cat nor trap." The city rat could but meekly stammer, "Don't use such grammar, My worthy chap." He dined next night with his poor relation, And caught dyspepsia, and lost his train, He waited an hour in the lonely station, And said some things that were quite profane. "I'll never," he cried, in tones complaining, "Try entertaining That rat again." It's easy to make a memorandum About THE MORAL these verses teach: _De gustibus non est disputandum;_ The meaning of which Etruscan speech Is wheresoever you're hunger quelling Pray keep your dwelling In easy reach. THE IMPECUNIOUS CRICKET AND THE FRUGAL ANT There was an ant, a spinster ant, Whose virtues were so many That she became intolerant Of those who hadn't any: She had a small and frugal mind And lived a life ascetic, Nor was her temperament the kind That's known as sympathetic. I skip details. Suffice to say That, knocking at her wicket, There chanced to come one autumn day A common garden cricket So ragged, poor, and needy that, Without elucidation, One saw the symptoms of a bat Of several months' duration. He paused beside her door-step, and, With one pathetic gesture, He called attention with his hand To both his shoes and vesture. "I joined," said he, "an opera troupe. They suddenly disbanded, And left me on the hostel stoop, Lugubriously stranded. "I therefore lay aside my pride And frankly ask for clothing." "Begone!" the frugal ant replied. "I look on you with loathing. Your muddy shoes have spoiled the lawn, Your hands have soiled the fence, too. If you need money, go and pawn Your watch--if you have sense to." THE MORAL is: Albeit lots Of people follow Dr. Watts, The sluggard, when his means are scant, Should seek an uncle, not an ant! THE PAMPERED LAPDOG AND THE MISGUIDED ASS A woolly little terrier pup Gave vent to yelps distressing, Whereat his mistress took him up And soothed him with caressing, And yet he was not in the least What one would call a handsome beast. He might have been a Javanese, He might have been a Jap dog, And also neither one of these, But just a common lapdog, The kind that people send, you know, Done up in cotton, to the Show. At all events, whate'er his race, The pretty girl who owned him Caressed his unattractive face And petted and cologned him, While, watching her with mournful eye, A patient ass stood silent by. "If thus," he mused, "the feminine And fascinating gender Is led to love, I, too, can win Her protestations tender." And then the poor, misguided chap Sat down upon the lady's lap. Then, as her head with terror swam, "This method seems to suit you," Observed the ass, "so here I am." Said she, "Get up, you brute you!" And promptly screamed aloud for aid: No ass was ever more dismayed. [Illustration: "SAID SHE, 'GET UP, YOU BRUTE YOU!'"] They took the ass into the yard And there, with whip and truncheon, They beat him, and they beat him hard, From breakfast-time till luncheon. He only gave a tearful gulp, Though almost pounded to a pulp. THE MORAL is (or seems, at least, To be): In etiquette you Will find that while enough's a feast A surplus will upset you. _Toujours, toujours la politesse_, if The quantity be not excessive. THE VAINGLORIOUS OAK AND THE MODEST BULRUSH A bulrush stood on a river's rim, And an oak that grew near by Looked down with cold _hauteur_ on him, And addressed him this way: "Hi!" The rush was a proud patrician, and He retorted, "Don't you know, What the veriest boor should understand, That 'Hi' is low?" This cutting rebuke the oak ignored. He returned, "My slender friend, I will frankly state that I'm somewhat bored With the way you bow and bend." "But you quite forget," the rush replied, "It's an art these bows to do, An art I wouldn't attempt if I'd Such boughs as you." "Of course," said the oak, "in my sapling days My habit it was to bow, But the wildest storm that the winds could raise Would never disturb me now. I challenge the breeze to make me bend, And the blast to make me sway." The shrewd little bulrush answered, "Friend, Don't get so gay." And the words had barely left his mouth When he saw the oak turn pale, For, racing along south-east-by-south, Came ripping a raging gale. And the rush bent low as the storm went past, But stiffly stood the oak, Though not for long, for he found the blast No idle joke. * * * * * * * * Imagine the lightning's gleaming bars, Imagine the thunder's roar, For that is exactly what eight stars Are set in a row here for! The oak lay prone when the storm was done, While the rush, still quite erect, Remarked aside, "What under the sun Could one expect?" And THE MORAL, I'd have you understand, Would have made La Fontaine blush, For it's this: Some storms come early, and Avoid the rush! THE INHUMAN WOLF AND THE LAMB SANS GENE A gaunt and relentless wolf, possessed Of a quite insatiable thirst, Once paused at a stream to drink and rest, And found that, bound on a similar quest, A lamb had arrived there first. The lamb was a lamb of a garrulous mind And frivolity most extreme: In the fashion common to all his kind, He cantered in front and galloped behind. And troubled the limpid stream. "My friend," said the wolf, with a winsome air, "Your capers I can't admire." "Go to!" quoth the lamb. (Though he said not where, He showed what he meant by his brazen stare And the way that he gambolled higher.) "My capers," he cried, "are the kind that are Invariably served with lamb. Remember, this is a public bar, And I'll do as I please. If your drink I mar, I don't give a tinker's ----." He paused and glanced at the rivulet, And that pause than speech was worse, For his roving eye a saw-mill met, And, near it, the word which should be set At the end of the previous verse. Said the wolf: "You are tough and may bring remorse, But of such is the world well rid. I've swallowed your capers, I've swallowed your sauce, And it's plain to be seen that my only course Is swallowing you." He did. THE MORAL: The wisest lambs they are Who, when they're assailed by thirst, Keep well away from a public bar; For of all black sheep, or near, or far, The public bar-lamb's worst! THE SYCOPHANTIC FOX AND THE GULLIBLE RAVEN A raven sat upon a tree, And not a word he spoke, for His beak contained a piece of Brie, Or, maybe, it was Roquefort: We'll make it any kind you please-- At all events, it was a cheese. Beneath the tree's umbrageous limb A hungry fox sat smiling; He saw the raven watching him, And spoke in words beguiling. "_J'admire_," said he, "_ton beau plumage_." (The which was simply persiflage.) Two things there are, no doubt you know, To which a fox is used: A rooster that is bound to crow, A crow that's bound to roost, And whichsoever he espies He tells the most unblushing lies. "Sweet fowl," he said, "I understand You're more than merely natty, I hear you sing to beat the band And Adelina Patti. Pray render with your liquid tongue A bit from 'Gotterdammerung.'" This subtle speech was aimed to please The crow, and it succeeded: He thought no bird in all the trees Could sing as well as he did. In flattery completely doused, He gave the "Jewel Song" from "Faust." [Illustration: "'_J'ADMIRE_,' SAID HE, '_TON BEAU PLUMAGE_'"] But gravitation's law, of course, As Isaac Newton showed it, Exerted on the cheese its force, And elsewhere soon bestowed it. In fact, there is no need to tell What happened when to earth it fell. I blush to add that when the bird Took in the situation He said one brief, emphatic word, Unfit for publication. The fox was greatly startled, but He only sighed and answered "Tut." THE MORAL is: A fox is bound To be a shameless sinner. And also: When the cheese comes round You know it's after dinner. But (what is only known to few) The fox is after dinner, too. THE MICROSCOPIC TROUT AND THE MACHIAVELIAN FISHERMAN A fisher was casting his flies in a brook, According to laws of such sciences, With a patented reel and a patented hook And a number of other appliances; And the thirty-fifth cast, which he vowed was the last (It was figured as close as a decimal), Brought suddenly out of the water a trout Of measurements infinitesimal. This fish had a way that would win him a place In the best and most polished society, And he looked at the fisherman full in the face With a visible air of anxiety: He murmered "Alas!" from his place in the grass, And then, when he'd twisted and wriggled, he Remarked in a pet that his heart was upset And digestion all higgledy-piggledy. "I request," he observed, "to be instantly flung Once again in the pool I've been living in." The fisherman said, "You will tire out your tongue. Do you see any signs of my giving in? Put you back in the pool? Why, you fatuous fool, I have eaten much smaller and thinner fish. You're not salmon or sole, but I think, on the whole, You're a fairly respectable dinner-fish." The fisherman's cook tried her hand on the trout And with various herbs she embellished him; He was lovely to see, and there isn't a doubt That the fisherman's family relished him, And, to prove that they did, both his wife and his kid Devoured the trout with much eagerness, Avowing no dish could compare with that fish, Notwithstanding his singular meagreness. And THE MORAL, you'll find, is although it is kind To grant favors that people are wishing for, Still a dinner you'll lack if you chance to throw back In the pool little trout that you're fishing for; If their pleading you spurn you will certainly learn That herbs will deliciously vary 'em: It is needless to state that a trout on a plate Beats several in the aquarium. THE CONFIDING PEASANT AND THE MALADROIT BEAR A peasant had a docile bear, A bear of manners pleasant, And all the love she had to spare She lavished on the peasant: She proved her deep affection plainly (The method was a bit ungainly). The peasant had to dig and delve, And, as his class are apt to, When all the whistles blew at twelve He ate his lunch, and napped, too, The bear a careful outlook keeping The while her master lay a-sleeping. As thus the peasant slept one day, The weather being torrid, A gnat beheld him where he lay And lit upon his forehead, And thence, like all such winged creatures, Proceeded over all his features. The watchful bear, perceiving that The gnat lit on her master, Resolved to light upon the gnat And plunge him in disaster; She saw no sense in being lenient When stones lay round her, most convenient. And so a weighty rock she aimed With much enthusiasm: "Oh, lor'!" the startled gnat exclaimed, And promptly had a spasm: A natural proceeding this was, Considering how close the miss was. [Illustration: AND SO A WEIGHTY ROCK SHE AIMED] Now by his dumb companion's pluck, Which caused the gnat to squall so, The sleeping man was greatly struck (And by the bowlder, also). In fact, his friends who idolized him Remarked they hardly recognized him. Of course the bear was greatly grieved, But, being just a dumb thing, She only thought: "I was deceived, But still, I did hit _something!_" Which showed this masculine achievement Had somewhat soothed her deep bereavement. THE MORAL: If you prize your bones Beware of females throwing stones. THE PRECIPITATE COCK AND THE UNAPPRECIATED PEARL A rooster once pursued a worm That lingered not to brave him, To see his wretched victim squirm A pleasant thrill it gave him; He summoned all his kith and kin, They hastened up by legions, With quaint, expressive gurgles in Their oesophageal regions. Just then a kind of glimmering Attracting his attention, The worm became too small a thing For more than passing mention: The throng of hungry hens and rude He skilfully evaded. Said he, "I' faith, if this be food, I saw the prize ere they did." It was a large and costly pearl, Belonging in a necklace, And dropped by some neglectful girl: Some people are so reckless! The cock assumed an air forlorn, And cried, "It's really cruel. I thought it was a grain of corn: It's nothing but a jewel." He turned again to where his clan In one astounding tangle With eager haste together ran To slay the helpless angle, And sighed, "He was of massive size. I should have used discretion. Too late! Around the toothsome prize A bargain-sale's in session." The worm's remarks upon his plight Have never been recorded, But any one may know how slight Diversion it afforded; For worms and human beings are Unanimous that, when pecked, To be the prey of men they far Prefer to being hen-pecked. THE MORAL: When your dinner comes Don't leave it for your neighbors, Because you hear the sound of drums And see the gleam of sabres; Or, like the cock, you'll find too late That ornaments external Do not for certain indicate A bona fide kernel. THE ABBREVIATED FOX AND HIS SCEPTICAL COMRADES A certain fox had a Grecian nose And a beautiful tail. His friends Were wont to say in a jesting way A divinity shaped his ends. The fact is sad, but his foxship had A fault we should all eschew: He was so deceived that he quite believed What he heard from friends was true. One day he found in a sheltered spot A trap with stalwart springs That was cunningly planned to supply the demand For some of those tippet things. The fox drew nigh, and resolved to try The way that the trap was set: (When the trap was through with this interview There was one less tippet to get!) The fox returned to his doting friends And said, with an awkward smile, "My tail I know was _comme il faut_, And served me well for a while." When his comrades laughed at his shortage aft He added, with scornful bow, "Pray check your mirth, for I hear from Worth They're wearing them shorter now." But one of his friends, a bookish chap, Replied, with a thoughtful frown, "You know to-day the publishers say That the short tale won't go down; And, upon my soul, I think on the whole, That the publishers' words are true. I should hate, good sir, to part my fur In the middle, as done by you." And another added these truthful words In the midst of the eager hush, "We can part our hair 'most anywhere So long as we keep the brush." THE MORAL is this: It is never amiss To treasure the things you've penned: Preserve your tales, for, when all else fails, They'll be useful things--in the end. THE HOSPITABLE CALEDONIAN AND THE THANKLESS VIPER A Caledonian piper Who was walking on the wold Nearly stepped upon a viper Rendered torpid by the cold; By the sight of her admonished, He forbore to plant his boot, But he showed he was astonished By the way he muttered "Hoot!" Now this simple-minded piper Such a kindly nature had That he lifted up the viper And bestowed her in his plaid. "Though the Scot is stern, at least he No unhappy creature spurns, 'Sleekit, cowrin, tim'rous beastie,'" Quoth the piper (quoting Burns). This was unaffected kindness, But there was, to state the fact, Just a slight _soupcon_ of blindness In his charitable act. If you'd watched the piper, shortly You'd have seen him leap aloft, As this snake, of ways uncourtly, Bit him suddenly and oft. There was really no excuse for This, the viper's cruel work, And the piper found a use for Words he'd never learned at kirk; But the biting was so thorough That although the doctors tried, Not the best in Edinburgh Could assist him, and he died. And THE MORAL is: The piper Of the matter made a botch; One can hardly blame the viper If she took a nip of Scotch, For she only did what he did, And _his_ nippie wasn't small, Otherwise, you see, he needed Not have seen the snake at all. THE IMPETUOUS BREEZE AND THE DIPLOMATIC SUN A Boston man an ulster had, An ulster with a cape that fluttered: It smacked his face, and made him mad, And polyglot remarks he uttered: "I bought it at a bargain," said he, "I'm tired of the thing already." The wind that chanced to blow that day Was easterly, and rather strong, too: It loved to see the galling way That clothes vex those whom they belong to: "Now watch me," cried this spell of weather, "I'll rid him of it altogether." It whirled the man across the street, It banged him up against a railing, It twined the ulster round his feet, But all of this was unavailing: For not without resource it found him: He drew the ulster closer round him. "My word!" the man was heard to say, "Although I like not such abuse, it's Not strange the wind is strong to-day, It always is in Massachusetts. Such weather threatens much the health of Inhabitants this Commonwealth of." The sun, emerging from a rift Between the clouds, observed the victim, And how the wind beset and biffed, Belabored, buffeted, and kicked him. Said he, "This wind is doubtless new here: 'Tis quite the freshest ever blew here." And then he put forth all his strength, His warmth with might and main exerted, Till upward in its tube at length The mercury most nimbly spurted. Phenomenal the curious sight was, So swift the rise in Fahrenheit was. The man supposed himself at first The prey of some new mode of smelting: His pulses were about to burst, His every limb seemed slowly melting, And, as the heat began to numb him, He cast the ulster wildly from him. "Impulsive breeze, the use of force," Observed the sun, "a foolish act is, Perceiving which, you see, of course. How highly efficacious tact is." The wondering wind replied, "Good gracious! You're right about the efficacious." THE MORAL deals, as morals do, With tact, and all its virtues boasted, But still I can't forget, can you, That wretched man, first chilled, then roasted? Bronchitis seized him shortly after, And that's no cause for vulgar laughter. THE END End of Project Gutenberg's Fables for the Frivolous, by Guy Whitmore Carryl *** END OF THIS PROJECT GUTENBERG EBOOK FABLES FOR THE FRIVOLOUS *** ***** This file should be named 6438.txt or 6438.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/6/4/3/6438/ Produced by Steve Schulze, Charles Franks and the Online Distributed Proofreading Team. The scans for this book are from the Michigan State University Online Digital Collection http://digital.lib.msu.edu/onlinecolls/collection.cfm?CID=3 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.