The Project Gutenberg EBook of The Secret of the Sundial, by 
Mildred A. Wirt, AKA Ann Wirt

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Secret of the Sundial
       Madge Sterling Series, #3

Author: Mildred A. Wirt, AKA Ann Wirt

Release Date: June 19, 2012 [EBook #40041]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE SECRET OF THE SUNDIAL ***




Produced by Stephen Hutcheson and the Online Distributed
Proofreading Team at http://www.pgdp.net









                             The Secret of
                              The Sundial


                                   By
                                Ann Wirt


                       The Madge Sterling Series

                          The Missing Formula
                           The Deserted Yacht
                       The Secret of the Sundial


                    THE GOLDSMITH PUBLISHING COMPANY
                                CHICAGO


                            Copyright, 1932
                    The Goldsmith Publishing Company
                            Made in U. S. A.




                                CONTENTS


  CHAPTER                                                           PAGE
  I An Initiation                                                     11
  II Cara's Fright                                                    19
  III The Swenster Mansion                                            25
  IV The Swenster Pearls                                              32
  V Madge Turns Sleuth                                                42
  VI The Unknown Owner                                                48
  VII The Inside Story                                                55
  VIII A Face Dishonored                                              62
  IX The Mahogany Desk                                                69
  X The Secret Compartment                                            76
  XI The Torn Page                                                    83
  XII Uncle Ross' Hint                                                91
  XIII The Stranger                                                   96
  XIV An Unexpected Meeting                                          101
  XV The Secret in Stone                                             112




                        THE SECRET OF THE SUNDIAL




                               CHAPTER I
                             An Initiation


On a certain evening in early September--Friday the thirteenth--to be
exact, a stranger in Claymore, Michigan, might have been startled to
behold two figures, grotesque in long white sheets which draped them from
head to foot, scurrying along an alley leading to Summit Street. It was
an appropriate night for ghosts to be abroad. The moon was in the dark
and the wind whistled weirdly through the trees.

The two figures moved stealthily along the boxwood hedge which bordered
the rear of the George Brady property. Presently, coming to an opening
barely large enough to squeeze through, they paused, glancing hastily in
all directions.

"The coast is clear!" one murmured in a low tone.

"Surely you don't expect me to crawl through that tiny hole!" came the
indignant protest. "I'm not the bean-pole you are, Jane Allen. What's the
sense of all this secrecy anyhow? Why can't we go in the main entrance?"

"I suppose you want everyone to see you!" the other retorted. "What's the
use of having a secret society if it isn't secret?"

The second "ghost" silently acknowledged the weight of this argument and
permitted herself to be pushed toward the opening in the hedge. Half way
through, her sheet caught. In her efforts to free herself, it tore.

"Mother's best sheet!" she groaned. "Won't I catch it when I get home!"

"Hurry up!" the other urged with callous indifference to the fate which
might await her friend. "We mustn't be late for the initiation."

They moved swiftly across the lawn, noting that the large white house was
entirely dark. They paused at a side door and knocked three times.

Almost instantly the door opened and a third ghost confronted them.

"Everyone is here now except Cara Wayne," she informed, "and of course we
don't want her until we're all ready for the initiation. Aunt Maude and
Uncle George went to a bridge party tonight so we have the house to
ourselves."

She led them through darkened halls to an attic "clubroom" where an oil
lamp dimly burned.

"We may as well take off these hot sheets until Cara comes," she invited.
"We can slip them on again when we hear her at the door."

By way of example, she tossed off her own disguise and stood revealed as
Madge Sterling, president of the Skull and Crossbones, a most exclusive
secret society. She was an attractive girl, vivacious and distinctly a
leader. Her laughter was infectious; without half trying she had a way of
drawing friends to her. Older people said she had "tact" but girls her
own age liked her because she was known as a good sport. Madge's mother
was dead, and since the disappearance of her father, she had made her
home with her aunt and uncle, Mr. and Mrs. Brady.

The two newcomers were Jane Allen and Edna Raynard. Jane was homely and
very outspoken; she made enemies easily yet was a loyal friend. She did
not mind her straight black hair or somewhat muddy complexion. Her
slender figure was often ridiculed, but she took it all in good fun. Edna
was quite the opposite. She was pretty as a picture, plump, and had an
inclination toward taking life exactly as she found it.

The other girl, Enid Burnett, was Madge's special chum. Largely through
Madge's influence, she had been induced to come from another state to
attend the Everetts School for Girls at Claymore. Her mother also was
dead, and her father, a well-to-do collector and sportsman, permitted her
an unusual amount of freedom. Notwithstanding, she was a quiet, unspoiled
girl with a genuine liking for school and studies.

"Is everything all set for the initiation, Madge?" Jane inquired.

"Yes, Enid and I fixed up the basement this afternoon. We didn't dare let
Aunt Maude know what we were about for fear she'd put a stop to it. Wait
until Cara steps into the tub of water! We bought a nice big piece of
quivery liver too that--"

She broke off as three loud knocks sounded from below, and made a dive
for her sheet. The others scrambled into their costumes, preparing to
follow her downstairs.

"Remember, girls, don't speak a word until Cara is brought up here," she
warned in a whisper. "This initiation must be a very solemn affair."

"Have you thought up the main stunt?" Edna asked anxiously. "I tried to
think up something but couldn't."

"Don't worry, I have a hair raiser!" Madge chuckled.

She led the procession down the stairs. The girls lined up on either side
of the door and then Madge opened it to confront a very frightened little
girl who awaited admittance in fear and trembling. She giggled nervously
as Madge beckoned her to follow.

Cara Wayne was conducted by a devious route through the dark house to the
basement stairs. Madge signified that she was to go down alone. Cara
hesitated, sensing that some unpleasant ordeal awaited her below, but
there was no escape. She went boldly down. Suddenly, the girls heard a
little squeal of fright.

"She must have touched the liver," Enid whispered. "I hung it where she
couldn't miss it."

Next there was a loud crash as Cara stepped into an empty packing box.

"I hope she doesn't miss the tub of water," Madge murmured anxiously.

Cara did not disappoint them. A minute later they heard a great splash
and a howl of anguish. Since the water ordeal exhausted the possibilities
of the basement, Enid was sent down to bring up the unhappy victim. Cara
was drenched to the knees but she displayed a studied cheerfulness. They
led her to the attic clubroom, seating themselves in a semi-circle about
her.

"Cara Wayne, do you promise never to reveal anything which transpires
here this night?" Madge asked in a deep, sepulchre-like voice.

There was a long silence and then Cara's quavering: "I do."

"And will you obey any command given you during the next week by any
illustrious member of Skull and Crossbones?"

"I will," Cara promised, visions of many detested tasks passing before
her eyes.

"And now, one last test of your courage remains to be made," Madge
continued impressively. "It lacks twenty minutes of midnight. Exactly
upon the hour you must go to the old boarded-up Swenster mansion,
bringing back some token to prove that you have accomplished your
mission."

For a minute Cara looked as though she intended to refuse, and in truth,
the others could not have blamed her. The old Swenster mansion was
several doors away, adjoining a grove of pine trees which at night was
not the most pleasant place to pass. The Swenster grounds were surrounded
by a high fence and hedge which hid the house from view of the street.
The place had been closed for years.

"I don't know how I can get into the grounds," Cara protested.

"You can go in the back way," Madge informed, forgetting her pose and
speaking in a natural voice. "It will take you some time to reach there,
so you had better start now."

Cara looked very unhappy but she knew that to refuse might mean her
dismissal from the organization to which she aspired. Reluctantly, she
made her way down the dark stairs. The outside door closed behind her.

"That was an inspiration!" Enid praised after Cara had gone. "Madge, you
have such clever ideas! I didn't think she'd do it, did you?"

"Cara's game," Madge laughed. "I'd not enjoy going to the Swenster
mansion myself at this time of night."

"You couldn't hire me to go near there," Edna added feelingly. "I can
just see poor Cara shaking in her boots. I wonder if she'll be able to
get into the grounds."

"The gate at the rear is ajar," Madge returned. "I tested it this
afternoon to find out."

For some minutes the girls laughed over the evening's fun. Shortly after
midnight they began to expect Cara.

"I wish she'd hurry," Madge said. "Aunt Maude and Uncle George will be
coming home soon and that will put an end to the initiation. She's had
plenty of time to get back."

At fifteen minutes past midnight, the girls were a little alarmed. They
cast off their cumbersome robes and went downstairs to watch for her.

"What can have happened?" Madge worried. "Perhaps we shouldn't have sent
her alone."

"She's probably trying to worry us just to get even," Jane insisted.

"I think we'd better go to the Swenster mansion and see what is keeping
her," Madge returned quietly. "Or if you like, I'll go alone. It was my
idea in the first place--a bum one I'll admit."

"Wait!" Enid commanded. "I believe she's coming now."

They all turned to look and saw a figure fairly flying down the street
toward the house. She hurled herself through the gate and raced across
the yard. Before the girls could open the door, she flung herself against
it, crying: "Let me in! Let me in!"

As they hurriedly admitted her, she stumbled against Madge, gripping her
in a nervous embrace.

"Did you bring the token?" they asked her.

Cara laughed hysterically.

"No, I didn't bring it but I went to the Swenster mansion all right! And
I don't care what you say--I'll not go back! Not even if it means staying
out of the club. Nothing can make me go near that horrible place again!"




                               CHAPTER II
                             Cara's Fright


"It doesn't matter if you didn't bring a token," Madge comforted the
shaking Cara. "We'll not make you go back there again. But tell us, what
frightened you so?"

"I--I saw a ghost!"

"You must have dreamed it," Jane declared. "I guess you saw so many
ghosts during the initiation that you had them on your mind."

Cara shook her head stubbornly.

"No, I didn't dream this. I saw something white moving around in the
Swenster yard--I don't know what it could have been if it wasn't a
ghost!"

Madge switched on the living room lights and led Cara to a chair. The
girls were disturbed to see that she was pale. No one doubted that her
fright was genuine.

"Cara Wayne, you know very well that ghosts don't exist," Madge said
sternly. "Now tell us exactly what happened."

"Well, I went to the old mansion as I was told to do. I went around the
back way and found the gate ajar. Believe me, I wasn't very keen to go
inside, but I made myself do it. No sooner had I stepped inside than I
saw the thing--oh, it was awful!"

"What did it look like?" Edna demanded.

"I just saw something white and a face--it frightened me so I turned and
ran. I made it back here in about thirty seconds flat."

"What was your so called ghost doing in the Swenster yard?" Madge
questioned curiously.

"Digging with a shovel!"

Until now the girls had been impressed with Cara's story although they
took no stock in ghosts, but this announcement called forth gales of
laughter in which all joined save Madge. She had begun to think that
perhaps Cara's fright was based upon something more substantial than
imagination. She kept the thought to herself.

"You must have been seeing things!" Jane scoffed.

"Well, if you don't believe me, go there yourself and find out!" Cara
challenged.

Madge tactfully put an end to the argument by suggesting that
refreshments be served.

"We've all had enough initiation for one night," she said. "I vote that
without further ceremony we make Cara a full-fledged member of the club."

The others unanimously agreed. Cara breathed a deep sigh of relief as she
realized that it was all over. Madge and Enid went to the kitchen to dish
up ice cream and cake. Everyone was very sweet to Cara, trying to atone
for the unpleasant events of the evening. She bore no one a grudge and
soon was able to laugh at her own experience.

Before the girls had finished their ice cream, Mr. and Mrs. Brady
returned home from the bridge party.

"Remember, not a word about what happened," Jane warned as footsteps were
heard on the porch.

Mr. and Mrs. Brady greeted the girls cordially. Themselves youthful in
spirit, they enjoyed the society of young people and never objected when
Madge overran the house with her friends. If they noticed that Cara
looked pale and slightly ill at ease, they made no mention of it.

A few minutes later the girls departed, gratefully accepting Mr. Brady's
offer to drive them home in his car. Madge had hoped to speak alone with
Cara before she left, but the opportunity did not present itself.

"I'll see her tomorrow at school," she thought. "I mean to find out more
about what happened tonight at the Swenster mansion. Cara isn't the sort
to be frightened over nothing. I'm inclined to think something queer may
be going on there."

Madge had a certain instinct for adventure; her many thrilling
experiences were the envy of her friends. Each summer she was privileged
to spend many pleasant months at her uncle's fishing lodge at Loon Lake,
Canada. There she had met Jack French, a young forest ranger, who had
taken more than an ordinary interest in her. Her friendship for an
orphan, Anne Fairaday, had plunged her into a baffling search for a
valuable paper. The story of this interesting adventure is related in the
first volume of the Madge Sterling series, entitled "The Missing
Formula."

More recently, she had been involved in a strange kidnapping case.
Arriving at Cheltham Bay to visit her friend Enid, she had found the
Burnett yacht abandoned. In trying to discover what became of Mr. Burnett
she was brought into dangerous contact with a fanatical group of Zudi
Drum worshipers. This story is recounted in the volume "The Deserted
Yacht."

"I've often wondered why the Swenster mansion has been kept boarded up
all these years," Madge reflected as she undressed for bed. "It must have
been quite a show place at one time."

She was still thinking of the old estate when she tumbled into bed.
Perhaps Cara's tale of "ghosts" had disturbed her more than she knew for
her dreams were of the wildest sort. It seemed to her that she had slept
half the night when she was awakened by a loud cry from the basement.
Actually, she had been asleep only a few minutes.

"What was that?" she asked herself nervously, sitting up in bed. "I hope
it isn't a burglar!"

The sound was not repeated but she could hear something banging about in
the basement. After a moment of indecision she decided to investigate.
Slipping into her bathrobe, she stole softly down the stairway. She could
hear someone coming up the basement steps and scarcely knew whether to
retreat or stand her ground.

Suddenly the cellar door was flung open and Uncle George stomped angrily
into the kitchen.

"Say, who left a tub of water at the foot of the stairs?" he demanded
crossly. "Look at me!"

The sight struck Madge as extremely funny and she made the mistake of
laughing.

"If this is your idea of a joke--" Mr. Brady began threateningly.

Madge hastily assured him that the tub of water had not been intended for
him, but it was some time before she could clear herself. She finally
coaxed him into a better humor and left him foraging contentedly in the
refrigerator.

The next day she did not forget her resolution to question Cara Wayne.
During algebra class, when the teacher's back was turned, she passed a
note, asking Cara to wait for her after school.

"I want you to tell me more about the Swenster ghost," Madge commanded as
they linked arms and started away from the building.

"Oh, dear, I suppose I'll never hear the last of it," Cara sighed. "I'm
willing to admit it couldn't have been a ghost, but there was somebody in
that yard!"

"I have a splendid idea!" Madge confided, watching her friend
mischievously. "Let's go to the old mansion now and see what we can
discover."

Cara shrank away.

"No, thanks. I don't care for the place."

"It's broad daylight," Madge insisted. "And remember, for a week you're
supposed to obey the commands of any member of Skull and Crossbones."

"Oh, all right," Cara submitted unwillingly, "but I don't see what you
expect to find there."

Madge did not respond. In truth, she could not have told what she hoped
to learn. It was pure intuition that had inspired the little adventure.
Turning down Summit Street, she urged Cara to a faster pace.

"Don't look so glum," she protested gayly. "It will be fun! Before we're
through, I'll warrant you'll be glad I brought you along!"




                              CHAPTER III
                          The Swenster Mansion


The Swenster mansion was a large, rambling affair, set back some distance
from the other modern dwellings on Summit Street. A high, untrimmed hedge
at the front and large evergreen trees hid the grounds from view. The
windows had been boarded up for years and most persons could not recall
when the house had been occupied. It had fast fallen into decay. Shutters
dangled loosely on rusty hinges, weeds choked the lawn, everything needed
paint. Yet, with the passing years, the old mansion had retained
something of its former elegance.

Madge and Cara paused briefly to survey the place from the front, then
walked swiftly around to the rear.

"We may get into trouble if we're caught trespassing," Cara ventured
timidly.

"No danger of that when the owner hasn't been heard from in years," Madge
returned, undisturbed. She rattled the back gate and was surprised to
find it locked. "That's queer. It was unfastened yesterday afternoon when
I stopped."

"It wasn't locked last night," Cara added with growing uneasiness. "Let's
not try to get in."

Madge was not to be so easily discouraged.

"We can climb over easy as scat!" she declared.

"But if someone should see us?"

"Let them. At the worst, we can only be run out. Come on."

She swung over the fence with an ease which her friend could not hope to
duplicate. Still protesting, Cara permitted herself to be helped over.

Madge looked about the grounds with keen interest. A winding walk led to
a tangled, overgrown rose garden. She saw a tiny cement pool, clogged
with old dead leaves and sticks. Beyond, a sundial of peculiar design and
construction, attracted her attention.

"Isn't it quaint!" she exclaimed admiringly. "Let's see if we can tell
what time it is."

"I know I can't," Cara insisted. "I never could make head nor tail of
them."

The dial rested upon a concrete pedestal which reached waist high when
the girls stood beside it. Upon the brass face appeared slightly raised
Roman numerals and the triangular gnomon cast its shadow across the four.

"It's just a little after four o'clock," Madge announced.

"That's a safe guess," Cara laughed. "You know school lets out at ten
till."

"You don't need to guess with a sundial such as this. Half of them won't
tell time accurately. That's because they're turned out at the factory
and sent all over the country. To be accurate a sundial must be made
especially for the section where it is used."

"This one does look home made," Cara acknowledged. "It's nice work
though."

Madge would have enjoyed wandering about in the garden but she could tell
that her friend was eager to get away. Reluctantly, she gave her
attention to the matter which had drawn her to the mansion.

"Tell me where it was that you saw your ghost," she commanded.

"It wasn't a dozen paces from where we're standing. Someone was digging
here in the garden."

For the first time Madge carefully studied the ground. She paused a short
distance from the sundial.

"There's loose earth here," she announced, stirring it with the toe of
her shoe. "I guess you were right about seeing someone."

"Certainly I was right. I hope you don't think I'm afraid of my shadow."

"Of course not, Cara. I wonder who could have been digging here and for
what purpose?"

"Maybe someone was burying a dead cat."

Madge shook her head and smiled.

"Folks don't go to other people's yards to bury their pets. Think of a
better reason."

"Gold!" Cara cried promptly. "Perhaps there's a treasure hidden here."

"I'd like to think so, but I'm afraid that only happens in story books.
Cara, what did your ghost do when he saw you?"

"I don't think he saw me at all. Anyway, I didn't wait long enough to
find out."

Madge examined the loose earth but as she had no implement with which to
dig, was unable to tell whether or not anything had been buried. Cara
displayed slight interest and moved away. Madge completely forgot her
until she came back dragging a spade.

"Here, if you must dig around in the dirt, use this."

Madge seized upon the tool, demanding to know where it had been
discovered.

Cara indicated a large lilac bush only a few feet away. "I found it
beneath the branches."

"This must be the shovel your ghost was using last night! See, there's a
little dirt still on it. If it had been lying there long, it would be
rusty. Cara, I'll wager a cent--a good Indian cent--that you frightened
someone away from here last evening."

"Then it was mutual."

"Perhaps the person who hid this shovel intends to come back again,"
Madge went on reflectively. "Now what I can't understand is why anyone
would come to a boarded-up mansion at midnight to dig up the garden."

Cara, who was not particularly imaginative, could not suggest a possible
explanation. She watched with hopeful interest as her friend began to
turn up the loose earth. After Madge had dug for fifteen minutes she
decided it was not worth the effort.

"Shucks! I'm convinced there's nothing hidden here. And if anyone should
find us digging up the yard it might be hard to explain."

She carefully repacked the soil in the hole, and then to Cara's
wonderment, returned the spade to the place where it had been found under
the lilac.

"Why take such pains?" she asked.

"Because I don't want your 'ghost' to know we've used his spade," Madge
explained. "I'm curious to learn what there is worth digging for in this
yard. I mean to find out too!"

"Just how do you propose to go about it?" Cara questioned skeptically.

"Oh, by keeping my eyes and ears open. You can tell that whoever was here
last night didn't care to be observed. It's my opinion he'll come back to
do some more digging."

"Well, if he does, the occasion will be conspicuous for my absence," Cara
declared feelingly.

She glanced at her wrist watch and flashed it before her friend's eyes.

"Do you see what time it is? I must be getting home."

Madge gazed regretfully toward the boarded-up house and wished that she
might at least peep inside to see what secrets it guarded. It would be
relatively simple to pry loose a board, but of course she had no
intention of ever doing that. As it was, she felt somewhat guilty because
she had trespassed.

She followed Cara to the gate and after looking about to see that the
alley was deserted, climbed over. They walked thoughtfully toward their
homes, parting at the Wayne residence.

"Better keep this little affair under your hat," Madge advised. "If you
do, we may be able to have some fun out of it."

"Trust me," Cara promised. "But if you're planning any midnight visits to
the mansion or anything of the kind, count me out."

Madge laughed and turned away. Already she was planning another trip to
the old mansion, but she thought it wise not to mention it just yet.

"It behooves me to learn a few facts about the Swensters before I jump to
hasty conclusions," she told herself, as she continued home. "Between now
and my next visit, I must unearth the family history."




                               CHAPTER IV
                          The Swenster Pearls


School did not keep the following day, and early afternoon found Madge
and Cara camped on the Brady front porch, comparing notes.

"I couldn't learn a thing about the Swenster mansion except that it's
owned by an old lady who hasn't been near the place in years," the latter
confessed regretfully.

"My luck wasn't a great deal better," Madge admitted. "However, I did
find out the name of a woman who may be able to tell us what we want to
know. Her name is Hilda Grandale."

"Haven't I heard of her before?"

"Probably. She's a real old lady--eighty or ninety. She is reputed to
know all the old residents of the town and their histories. In her day
she was considered quite a belle."

"Where does she live?"

"That's the catch. She moved to the country a few years ago. She's living
on a farm with her sister. It's in Cahoun County."

"Then we'll have to scratch her off our list."

"Oh, I don't know. Uncle George might be persuaded to loan us his coupe.
We could drive out there in a couple of hours."

The idea seemed an excellent one so the girls went to search for Mr.
Brady. They found him in the back yard washing the car. With shrewd
calculation they snatched up rags and aided him in polishing the nickel
work. Mr. Brady eyed them somewhat suspiciously and was not surprised
when Madge inquired: "By the way, Uncle George, will you need your old
hack for a few hours?"

"Just for that, I'll not let you have it," he told her sternly, but the
next minute he smiled and turned over the keys.

Madge backed the coupe out the driveway, missed a telephone pole by scant
inches, and sped down the street. She took a main highway out of the city
and soon was in open country. Having previously inquired the way, she
thought they would have no difficulty in finding the farmhouse where
Hilda Grandale lived. Soon after the speedometer registered thirty miles,
Cara spied the name for which they searched upon a roadside mailbox.

The gate was open and they drove into the barn yard. Squawking chickens
darted to safety and a flock of geese waddled off hissing their protest.
The commotion proclaimed their approach, and as the girls halted the car,
a woman peered out the kitchen door. She hastily straightened her hair
and came down the walk to meet them.

Madge stated their mission, saying that they wished to visit Mrs.
Grandale.

"I'm not sure Mother is awake," the woman returned doubtfully. "She
usually takes a nap about this time. But if she's up I know she'll be
glad to see you. She does enjoy company and so few people ever get out
this far."

She led the girls to the house, seating them in a prim, old fashioned
living room. They begged her not to disturb Mrs. Grandale, but she went
upstairs, returning to say that her mother was awake and would be down
shortly.

In a few minutes, the old lady came slowly down the stairs. She was
dressed in severe black, with a long full skirt which swept the floor,
and wore a white lace cap. Her face was wrinkled and sunken but her eyes
were as bright as those of a young girl. She beamed kindly upon Madge and
Cara as they arose to greet her. They did not offer to help her to a
chair for they guessed that she was proud of her ability to get around by
herself.

"Let me see, do I know your names?" she inquired, studying their faces
intently. "You're not the Sterling girl, are you?"

"Yes, I am," Madge acknowledged in astonishment. She never before had met
Mrs. Grandale. "How did you guess?"

"Didn't guess," the old lady cackled in delight. "I could tell those
features anywhere. I used to know your father, my dear, and you're the
picture of him."

Madge looked a trifle embarrassed at the reference to her father. His
name was seldom mentioned in the Brady household although no disgrace was
attached to his memory. He had simply disappeared when Madge was a child,
and no one had ever heard of him again. Some day she hoped to learn what
had taken him away from Claymore, but at the present she preferred that
Mrs. Grandale not dwell upon the subject.

She introduced Cara Wayne, and for a time it was next to impossible for
the girls to get a word in edgewise, as Mrs. Grandale immediately went
into a long monologue on the subject of the Wayne family history. By
concerted action they finally managed to switch the subject to the
Swenster mansion.

"In my day, it was the house of Claymore," Mrs. Grandale declared. "And
what a pity that it has fallen into decay! Not that folks didn't say the
Swensters would rue the day they built it--it was much too fine for the
city even in prosperous times."

"Tell us about the Swensters," Madge encouraged.

"They were a proud family," the old lady ruminated, obviously relishing
the tale. "At one time, old Mr. Swenster practically ran the town. His
daughters were in society and they thought the world depended upon the
swish of their skirts. At least Florence did."

"How many girls were there?" Cara asked.

"Two. Rose and Florence. Rose was the younger and the favorite with her
father. She was a pretty thing too. Far too handsome to suit Florence. I
think I have a picture somewhere."

"Oh, never mind," Madge said hastily. She was interested in the story
which she felt Mrs. Grandale was on the verge of telling, and did not
wish her to digress lest she forget.

"What was I saying? Oh, yes, Rose and Florence were rivals and they were
both anxious to get their hands on the Swenster pearls."

"I never heard about them," Madge remarked. "Were they valuable?"

"They were reputed to be worth a small fortune. The pearls had been
bought abroad generations before and were perfectly matched. They were to
be passed down to the eldest daughter."

"Then Florence was to have them," Cara observed.

"According to custom, yes. But that was what caused all the trouble.
During his lifetime, old Mr. Swenster permitted the girls to take turns
wearing the pearls. They were very jealous of their father's favor in
regard to the privilege, or so rumor had it. Florence thought the pearls
were hers and resented having her sister even wear them.

"Then Mr. Swenster died and when his will was read, the daughters had the
surprise of their lives. It was learned that he had left the pearls to
his favorite, Rose."

"That must have stirred up trouble," Madge smiled.

"Yes, Florence considered it a great injustice. She claimed she had been
cheated out of her rightful inheritance. For a time, there was a
disgraceful fuss."

"Rose kept the pearls?" Madge questioned.

"So it was generally believed, but I doubt if anyone ever knew for
certain. The matter was suddenly hushed up."

Mrs. Grandale relapsed into a meditative silence, seeming to forget the
girls. Then she said, half to herself: "No one ever saw Rose wear the
pearls--that was the odd part of it."

"Were Rose and Florence friends after that?" Cara probed.

"They went about together but it was apparent things were not as should
be between two sisters. Everyone said the pearls brought them misfortune.
At any rate, Florence died the following year."

"Oh, how dreadful," Cara murmured. "How poor Rose must have felt."

"She dropped out of society after that," Mrs. Grandale returned. "For
years, she lived alone at the old mansion and then one day, she up and
married."

"She isn't living now, of course?" Madge inquired.

"Oh, no, she died young--shortly after her daughter was born. The little
girl was called Agatha. She's the last of the Swenster line now, and they
say the estate has dwindled to almost nothing."

"What became of Agatha Swenster?" Cara asked.

"Well, I can't exactly say," the old lady responded, frowning
thoughtfully. "She lived in Claymore until eight years ago and then
closed up the place because she couldn't afford to keep such a large
house open. She went to another town, but where, I can't say."

"You say she's the last of the Swenster line," Madge prompted as Mrs.
Grandale appeared to have ended her story. "She never married?"

"Not to my knowledge. She did have an adopted boy. Let me think--no, I
can't recall his name. He turned out badly. Agatha thought a lot of him
and folks said it most broke her heart when he got into trouble."

"What did he do?" Cara questioned curiously.

"I can't tell you that. The Swensters always kept their troubles to
themselves. I do know that it was something that turned Agatha against
him. They separated, and after that she closed up her house. It may have
been because of money or perhaps on account of the boy. At any rate,
she's having a hard time of it now like as not. She's getting on in years
and with no one to support her, it must be trying."

"What do you imagine became of the pearls?" Madge asked suddenly.

The old lady smiled.

"I imagine they were sold years ago."

The girls had learned all there was to know concerning the Swenster
mansion and its former occupants, but they lingered a half hour longer,
before saying goodbye to Mrs. Grandale. Before they left, her daughter
appeared from the kitchen with fresh-baked cake and a cool beverage.

"Delightful people," Cara observed as they drove away. "And did you ever
hear anyone more talkative than Mrs. Grandale? She's a walking
encyclopaedia of Claymore's history. Did you learn what you wanted to
know, Madge?"

"I learned enough to make me more interested than ever in the old
mansion. Strange about those pearls, wasn't it?"

"Yes, they turned out to be a sort of family hoodoo."

"I wonder if they were actually sold?"

Cara stared at her friend in astonishment.

"Why, Mrs. Grandale said they were."

"That was only her opinion," Madge corrected. "Of course, I have no
reason for thinking the pearls weren't sold. I was merely wondering."

She relapsed into moody silence and did not broach the subject again
during the ride back to Claymore. They had remained at the farmhouse
longer than they had planned and it was nearly supper time when they
reached the city. Cara requested Madge to drop her off at the Wayne home
which was not out of the way.

"Going to be busy tonight?" Madge inquired as she halted the car in front
of the Wayne residence.

"No--why?"

"I thought we might do a little sleuthing."

"Something in connection with the Swenster mansion?" Cara demanded
suspiciously.

"Yes, I have a notion to go there tonight and watch. It would be fun to
see if that man comes back."

"Fun!" Cara snorted. "I have other ideas of amusement. Count me out!"

"Well, if you won't come, I suppose I can get Jane or Enid," Madge said
shrewdly.

Cara visibly wavered. She had no desire to go near the Swenster mansion
again, but neither could she bear to have Enid or Jane sharing in an
adventure which was hers for the taking.

"All right," she gave in. "If I can get away, I'll come."

"Meet me at the pine grove at nine o'clock," Madge directed, as she
shifted gears. "And don't fail to come. Something exciting may break!"




                               CHAPTER V
                           Madge Turns Sleuth


Nine o'clock found Madge waiting at the pine grove which adjoined the
Swenster Mansion. She stationed herself near a street lamp where Cara
could not fail to see her. Ten minutes elapsed, then fifteen.

Glancing impatiently at her watch, Madge decided it was useless to wait
longer for her friend. Slowly she walked on toward the mansion.

Suddenly she heard a shout from behind, and turned to see Cara running
after her. She was out of breath by the time she caught up.

"Sorry to be so late," she apologized. "I was afraid I'd not get away at
all. Mother and Dad were going to an ice cream social and didn't see any
reason why I shouldn't go along. I'll not dare stay out later than
eleven."

"Neither will I. Let's hope something interesting happens before that."

"Just what do you expect?"

"I don't really expect anything, but I'd like very much to learn the
identity of your strange ghost."

The girls slipped into a side street leading to the rear of the mansion.
They found the gate locked and since they were unable to work the trick
catch, were forced to climb over again.

Under the soft, weird light of the moon, the Swenster mansion looked far
different than by daylight. Even Madge was willing to admit there was
something sinister about the place.

"I wonder if the spade is still here?" she thought aloud.

They found it under the lilac bush, but not in the exact place where they
had left it on the previous visit.

"Someone has used it again!" Madge exclaimed. "Oh, I wish we had watched
last night!"

"I'm glad we didn't," Cara said nervously. "I'm not keen on watching
tonight either."

Madge paid not the slightest attention to her friend's gentle hints that
they leave. She surveyed the garden, looking for a suitable hiding place.
A huge rhododendron bush offered a possibility and she went over to
examine it.

"This will serve nicely," she decided. "We'll be well hidden, and if
necessary we can probably slip out the front way without being seen by
anyone in the garden."

Cara allowed herself to be dragged under the rhododendron although
secretly she felt that it was a silly and undignified thing to do. She
sank down on the ground gingerly, fearing to soil her silk frock.

"Better make yourself comfortable," Madge advised cheerfully. "We're
likely to be here a long time."

The prediction came true with a vengeance. Minutes dragged like hours.
The girls talked for a time, but soon exhausted all topics of
conversation. Their limbs became cramped and they shifted from one
position to another. Cara yawned several times and once dozed off for a
few minutes.

"Isn't it most eleven?" she asked hopefully. "I must be home by that
time."

Madge looked at her watch which she could plainly see under the bright
moonlight.

"We've been here only a little more than an hour," she informed. "It's
too early to go home yet."

Cara sighed and shifted to a new position. The adventure had lost all its
original thrill and terror. It was deadly monotonous to lie there
watching for something which likely never would come. Madge cheered her
friend with good natured "kidding," but she too was beginning to wonder
if they had not wasted the evening.

"Let's go home," Cara said presently. "I don't care what time it is, I've
had about enough. Even the ice cream social would have been more fun than
this. I'll be surprised if I can walk in the morning--every muscle in my
poor body is lame."

"All right," Madge gave in reluctantly. "I suppose we may as well call it
a night. Not much chance--" she broke off, grasping Cara by the hand.
"Look!" she whispered tensely. "Someone is coming!"

Cara turned her head to gaze toward the rear gate. Cold chills raced down
her spine. A man was standing at the fence, and she was certain it was
the same person she had seen on the night of the initiation. He wore a
white sweater which evidently had been the one thing that had impressed
her before. At the time she had been so frightened that it had registered
upon her mind as "something white" and she had jumped to the conclusion
that a ghost was abroad.

The man looked quickly about in all directions, then unfastened the gate
and entered the yard.

"He's been here before all right," Cara whispered, "or he wouldn't know
how to get that gate open."

"Sh!" Madge warned.

She had not taken her eyes from the man. He walked directly to the lilac
bush and picked up the spade. He was still too far away for her to see
his face plainly.

The girls watched breathlessly as he walked slowly into the garden,
pausing a short distance from the sundial. They saw him gaze thoughtfully
about, and then he began to turn up the earth with his spade.

"He's not digging where he did before," Cara whispered. "I wish he would
turn this way so we could see his face."

Again Madge warned her friend to be silent, and they crouched motionless,
watching, for perhaps ten minutes the man spaded steadily. Then with an
exclamation of impatience, he refilled the hole.

"Is he crazy?" Cara whispered, forgetting the admonition to remain
silent.

Madge shook her head to show that the man's actions were a complete
mystery to her.

The man rested a few minutes, and with his back still toward the
rhododendron bush, then began to excavate another hole, only a few feet
from the first one.

"He's searching for something," Madge thought. "But what in the world
does he expect to find?"

She was very curious to learn the identity of the stranger and waited
patiently until he turned toward her. The light shone full on his face.
She had never seen him before.

Madge glanced questioningly at her chum. Cara shook her head in
bewilderment. The man was a stranger to her also.

It was growing late and in spite of their keen desire to learn all there
was to know, the girls dared remain no longer. They decided to wait until
the man's back was turned and attempt to slip around to the front of the
house.

"If we're caught, it may not be so nice," Cara whispered nervously.

They awaited their chance and softly crept from under the bush. Scarcely
had they emerged than the man straightened, dropping his spade. It was
too late to retreat. The girls could only freeze themselves against the
foliage, praying that they would not be seen. And at that moment, he
turned and looked directly toward the rhododendron bush!




                               CHAPTER VI
                           The Unknown Owner


Madge and Cara felt certain their presence in the garden had been noted,
but to their relief, the man looked away again. He rested briefly, then
picked up his spade and resumed digging.

"Now!" Madge whispered the instant his back had turned.

They moved noiselessly along the vine-covered wall until they were hidden
behind the house.

"I surely thought we were caught that time," Cara said nervously. "What
can he be after anyway?"

"I wish I knew. Just our luck to have to rush home at the exciting time!
He may not come here again."

The front gate had been locked with padlock and chain, but the girls
found a small opening in the side fence and slipped through. They
breathed easier as they emerged on the street. It was after eleven
o'clock so they ran nearly all the way to their homes.

Madge did not see her friend the following day which was Sunday. In spite
of her vigorous protest, she was herded into a neighbor's car and taken
on a picnic which Mr. and Mrs. Brady had promised to attend earlier in
the week. School opened as usual on Monday, but Cara failed to appear,
and upon calling at the Wayne home that evening, Madge found her ill in
bed with a cold.

"I must have caught it from sitting so long on the ground at the Swenster
Mansion," Cara declared. "I hope you're not going there again tonight."

Madge had thought that she might, but with Cara unable to accompany her,
it scarcely seemed fair. Then too, the old house at night was not the
most pleasant place to be alone. She readily promised her friend the
little adventure would be postponed.

Cara came to school the following day but her cold had left her in no
mood to expose herself to chilling night air. As several days elapsed,
Madge's own interest in the mansion waned.

And then on Saturday morning as she was walking to the store for a pound
of sugar which Mrs. Brady had forgotten to order, she was startled to
observe that the front gate of the Swenster Mansion stood ajar.

"That padlock didn't come off by itself," she thought alertly.

The temptation to investigate was too great to resist. She paused at the
gate and looked inside the grounds. To her further amazement, she saw the
front door open and a workman was removing boards from the downstairs
windows.

"Good morning!" said a pleasant voice.

Madge jumped. Turning, she saw a middle-aged, white-haired lady, standing
by a mock orange bush slightly to the left of the gate. She was regarding
Madge with a kindly smile.

"Oh, I beg your pardon," the latter apologized in embarrassment. "I
didn't know anyone was at home. I--"

"I don't wonder at your interest in the place," the lady came quickly to
her rescue. "The house has been closed for so many years that it must be
a town curiosity. Won't you come in?"

"Oh, I think not," Madge murmured, yet aching to do that very thing. "I
don't like to intrude."

"It will be no intrusion I assure you," the other responded warmly. "I
was wishing only a moment ago that someone would drop in to visit me. I
suppose all my old friends are gone by this time."

She sighed, and Madge saw an expression akin to sorrow cross her face.
Immediately she smiled again and opened the gate wider.

"Do come in. The house and grounds are in frightful condition but within
a few days I hope to have them in better shape. Perhaps you will help me
with suggestions?"

Madge could not resist such an appeal. Actually, she desired nothing more
than an opportunity to talk with the woman, perhaps learning what had
brought her to Claymore.

"I'd love to come in," she smiled, passing through the gate, "but I'm not
very good at suggestions about gardening. You're--you're the owner,
aren't you?"

"Yes, I am Agatha Swenster."

Madge introduced herself. Miss Swenster knew how to place her at ease,
and soon she lost all feeling of embarrassment. They wandered slowly
about the ruined garden. Mrs. Swenster pointed out various things which
she planned to have done.

"It must seem nice to be coming back to your old home," Madge commented
politely.

"Yes, in a way it does. A great many memories are associated with this
house--some very pleasant, others less so. Now that I am here again I
should like to remain. However, I fear it is impossible. I am merely
putting the place in order before I sell it."

Madge's face disclosed her disappointment. She could not imagine the old
mansion in the hands of a ruthless, modern owner who might tear down the
shutters, do away with the old-fashioned garden and relandscape the
grounds. It was definitely a house of the past, and Miss Swenster fitted
perfectly into the picture.

"I'm not anxious to sell," the owner confessed, "but I have no choice. I
plan to hold an auction sale in a few weeks. The house is furnished with
really lovely pieces of furniture. I should like to have you see my
dishes sometime before the sale."

"What a shame to auction off such valued possessions," Madge said with
honest regret. "Aren't you holding anything back?"

"Very little. You see, I must raise money and this house is all I have
left."

Apparently realizing that she had paraded her personal affairs, Miss
Swenster quickly changed the subject. They continued their tour of the
garden, pausing near the sundial. Madge ventured to ask if it had been
manufactured special for the Swenster Mansion.

"No, we made it ourselves," she explained. "Father worked out the plans
before his death, and an old Negro servant did the actual work later."

She moved hurriedly on, as though not wishing to dwell upon a subject
which brought back unhappy associations.

It had occurred to Madge to speak of the recent excavations which had
been going on in the garden but after a moment's consideration she
decided to allow the matter to go unmentioned.

She was eager to learn if the man Miss Swenster had engaged to assist
with the outside work was the same person she and Cara had observed
during their prior visit to the mansion. As Miss Swenster paused to issue
orders in regard to trimming the hedge, she had ample opportunity to
study the workman's face. She was certain he was not the man she had seen
digging in the garden.

"The plot thickens," she thought with quickening interest. "I'll wager
Miss Swenster doesn't know any more about that digging than I do. Perhaps
if I get a little better acquainted, I'll ask her about it."

Madge readily accepted an invitation to view the inside of the house.
Nothing was in order and dust was everywhere. Miss Swenster lifted
several white sheets to disclose that they protected really fine mahogany
and oak pieces. She did not offer to show Madge the upstairs.

"You see, I have my work cut out for me," she smiled. "I must go over
everything, sort out the pieces I mean to keep, and get things generally
in order before the auction."

"If you need a woman to help you, I know of an excellent one," Madge
offered. "She did work for Aunt Maude."

She noticed Miss Swenster's embarrassed face and realized that she had
been tactless.

"I'd like to hire help but I'm afraid I can't afford it," Miss Swenster
said quietly. "I am quite strong and will be able to manage alone."

Madge thought Miss Swenster looked frail and scarcely able to do heavy
housework. She was tempted to offer her own services gratis but realized
that unless she were very diplomatic, Miss Swenster would be certain to
refuse.

"I'll find some way to help her with the work," she told herself as she
departed a few minutes later. "I know Cara will be glad to do what she
can too. And if we should happen to learn something pertaining to the
lost Swenster pearls--well, there's no harm in killing two birds with one
stone!"




                              CHAPTER VII
                            The Inside Story


In the end Madge decided that the easiest way to help Miss Swenster would
be to disregard propriety and descend boldly upon her. Accordingly, the
next morning, which was a school holiday, she and Cara Wayne dressed in
their old clothes and armed with brooms and dust cloths, presented
themselves at the back door of the mansion.

"We're here to help," they announced blithely. "Please say we may, for we
want an excuse to see your dishes and the lovely heirlooms."

They were not certain how this blunt approach would be received, but
after the first look of astonishment, Miss Swenster smiled.

"Why, how very thoughtful of you both. I'll be delighted to have you
help. Goodness knows there is enough to be done."

They followed her inside. Miss Swenster had straightened the living room
but had made no attempt to put other rooms to rights. The girls attacked
the work with vigor. It progressed slowly for there was a great deal to
be done and they frequently stopped to examine some object which struck
their fancy.

"It's a shame this house has to be sold," Cara declared to her chum.
"Miss Swenster doesn't say much about it but you can tell it makes her
fairly sick to think of it."

"I know," Madge agreed in an undertone. "I wish we could really do
something for her, but I'm afraid we can't."

It was impossible for the girls to work side by side with Miss Swenster
and not learn more of her fine character and interesting history. Soon
they caught themselves telling her about Skull and Crossbones and Cara's
weird experience in connection with the midnight initiation. Miss
Swenster expressed an interest in the secret society and did not appear
in the least annoyed because they had trespassed. Nor did she seem
disturbed to learn of the stranger who prowled about the garden.

"I have no idea who it could have been," she declared. "Perhaps it was
only a tramp."

"He was much too well dressed for that," Madge returned. "We thought
possibly he might be digging for some treasure that had been hidden on
the estate."

Miss Swenster studied the girls quizzically. Her eyes twinkled.

"Dear me, I only wish there were a lost treasure! I am afraid you girls
have been listening to wild stories. The Swensters were never as wealthy
as townfolks thought."

"Then it wasn't true about the pearl necklace?" Cara asked in
disappointment.

"I'm not sure. I never saw the pearls myself, but according to the family
legend, they did exist. I suppose you know the story?"

The girls shook their heads, waiting eagerly. At last they were to hear
the true account of what became of the famous pearls!

"I'm not sure that I believe this myself," Miss Swenster warned, "but at
least the story was handed down to me. As you may know, the pearls were
willed to my mother, Rose Swenster. That was her maiden name, of course.
She married young and was divorced soon after my birth. She took back her
maiden name and I always used it too.

"But to return to the pearls. My mother never had them. Her sister,
Florence, felt that she had been cheated in the will. She was so beside
herself that she actually hid the pearls, saying that if she could not
have them, they should never be worn by my mother."

"How mean!" Cara exclaimed.

"Perhaps the story isn't true," Miss Swenster smiled. "My mother never
mentioned the pearls to me. I learned the tale from the nursemaid who
cared for me after Mother's death."

"And Florence never told where she hid the pearls?" Madge probed.

"No, a short time later she fell ill. When she realized she could not get
well, she tried to tell what she had done with the pearls, but failed."

"No one had the slightest hint what became of them?" Cara questioned.

"According to the story, I believe an old Negro caretaker was supposed to
know something about it. His name was George Andrew Jackson. He must have
been seventy at the time Florence died. At any rate he was very forgetful
and either would not or could not tell what became of the pearls."

"Was a search never made?" Madge inquired.

"Oh, dear me, yes. Every inch of the house was gone over and the grounds
were carefully searched. As a child, I used to think perhaps I could
restore the Swenster fortunes. 'Hunt the pearls' was our favorite game."

It struck Madge and Cara that their interest in the lost necklace was not
very original. They harbored secret hopes of locating the pearls and had
even been guilty of trying to connect Miss Swenster's loss with the
mysterious excavations of the midnight prowler. They were unwilling to
believe that the story was pure legend. And the fact that two generations
of Swensters had failed to recover the pearls, could not entirely daunt
them.

"I had forgotten the matter until you girls reminded me of it," Miss
Swenster remarked. "Years ago, when my John was a little boy--"

She broke off, coloring. Then, apparently thinking that some explanation
was expected, she finished lamely:

"John was my adopted son. As a boy, he was interested in the pearls too."

It was the first time she had mentioned the name of her son. The girls
realized that Miss Swenster had not intended to speak of him. The words
had slipped out unbidden. Even to think of him seemed to distress her,
for she quickly changed the subject.

The girls remained for luncheon, helping Miss Swenster prepare it. They
worked through to four o'clock and as they left for their homes, asked if
they might come again.

"Of course," she assured them, "although I can't see what fun you get out
of working. If I could pay you--"

The girls hastily explained that they did not want pay. They really had
enjoyed the day for it was fun to browse about the old mansion.

"And do you mind if we look around for those pearls?" Madge inquired. "In
sorting out things we might stumble upon them."

Miss Swenster smiled at her enthusiasm.

"Search anywhere you wish, but don't be too disappointed if you fail."

The girls had a great deal to talk over as they walked slowly toward
their homes. They were very tired but the day had been a highly
satisfactory one. The prospect of roaming over the old mansion at will
was very alluring. Already Madge had several places in mind where she
thought possibly they might find the missing pearls.

"How fine it would be if we could find the necklace before the mansion is
sold," Cara mused. "Then Miss Swenster could go on living there."

"Perhaps she wouldn't care to. When she left here eight years ago, she
must have had a reason other than financial for closing up the house. I
suppose it was on account of her adopted son."

"What do you imagine he did that turned her against him?"

"I have no idea. He must have done something disgraceful. I'd like to
know what it was, but of course, we must never ask."

The girls had every intention of returning to the old mansion the next
night after school. In planning their search for the missing pearls, they
did not overlook the garden.

"I feel there's something valuable buried near the fountain, or the
sundial," Madge declared. "It may not be the pearls but at least it's
worth investigating. So tomorrow bring your father's spade and we'll do a
little digging of our own!"




                              CHAPTER VIII
                           A Face Dishonored


It was only natural that Madge and Cara, sharing their delightful secret,
should seek each other's company, somewhat to the exclusion of other
friends. They did not mean to be aloof, but always there were many
private matters which they wished to discuss. In school they passed a
great many notes and one of these, which read: "Did you get the spade?"
was accidentally intercepted by Enid Burnett who thought it intended for
her. The message caused her considerable wonderment. At recess she
managed to corner Madge.

"What on earth are you two up to?" she demanded suspiciously. "Have you
gone in for gardening?"

"Oh, in a way," Madge evaded.

Until they had a real story to relate, she and Cara preferred to keep the
other members of Skull and Crossbones in the dark concerning their
activities. To tell their friends immediately might subject them to an
unmerciful teasing. Nevertheless, Enid and Jane were not to be hoodwinked
so easily. They guessed that they were being excluded from some secret,
and as school was dismissed, stationed themselves at the front door ready
to waylay their friends.

Madge and Cara had been anticipating such a move, and quietly slipped out
the back way.

"A secret isn't a secret if too many are in on it," Madge defended their
action. "We can tell them later on, but for a few days let's keep it to
ourselves."

Cara had hidden the spade in the high weeds of a vacant lot not far from
the Swenster mansion. They rescued it and proceeded to their destination,
not at all disturbed by the curious stares focused upon them by persons
they met on the street.

After securing permission from Miss Swenster, they went immediately to
the garden. They took turns digging, investigating all the filled holes
near the fountain and sundial. Finding nothing, they carefully replaced
all soil turned up.

"Well, you can't make me think that man was digging just for the
exercise," Madge fretted.

"Perhaps he found what he was after," Cara suggested pessimistically. "In
that case we're only wasting our time."

Miss Swenster presently came out to watch the girls.

"Such ambition!" she marveled. "When you have finished, I want you to
come inside and have some of the chocolate cake I baked this afternoon."

After another fifteen minutes had elapsed, the girls decided they were
doing entirely too much damage to the garden, and abandoned their project
for the day. After such backbreaking work it was pleasant to sit in the
comfortable living room, sipping hot chocolate and nibbling at Miss
Swenster's delicious cake.

"Nearly all the work is done now except that I must pack small articles
in boxes," their hostess told them. "The dishes must be sorted too." She
sighed. "It hurts to see everything go but I do hope the auction will be
well attended."

Madge and Cara eagerly offered to help with the packing, and after a
polite protest, Miss Swenster agreed that they might. It was too late to
work that afternoon but they promised to appear early Saturday morning.

The two intervening days passed slowly. At nine o'clock on the morning of
the third, the girls presented themselves again at the mansion. They
found Miss Swenster sorting out old photographs.

"It's very trying to decide which ones I must throw away," she told them.
"I'd like to save them all but I can't."

The girls expressed interest in the photographs and Miss Swenster showed
them the picture of her mother, and of Florence Swenster. In looking at
the youthful, sweet faces of the two sisters, it was difficult for Madge
and Cara to realize that they could ever have been jealous rivals. They
rapidly ran through the other photos, laughing at ridiculous poses or
dresses that were amazingly old fashioned.

After they had finished looking at pictures, they set to work packing
dishes. It gave them a genuine thrill to handle the choice pieces of
porcelain and china.

"I haven't done anything to the study yet," Miss Swenster told them a
little later. "I must get at that room as soon as we finish the dishes."

Presently she went upstairs on an errand. Before she returned, the girls
packed the last dish. The study door was open and after waiting a few
minutes they decided to see what must be done there.

They saw that the walls were lined with books which required packing.
Coverings had not been removed from the furniture.

"Look!" Madge exclaimed suddenly.

Cara turned to see her chum regarding an object above the old secretary.
It was a picture, and most strangely, its face was turned toward the
wall!

"What do you make of that?" Madge whispered. "The other pictures aren't
this way."

"Let's see what it is!"

"Perhaps we shouldn't."

However, the temptation was too great. Cara turned the picture over. A
handsome young boy with round, full cheeks, twinkling eyes and a cropped
head of golden curly hair, gazed down from the frame.

"Who can it be?" Cara murmured.

Before Madge could reply, they heard footsteps on the stairway. A moment
later, Miss Swenster entered the study.

"All through with the dishes?" she asked cheerfully. "My, but you are
fast--" Her voice trailed off and her entire body seemed to stiffen. She
had noticed the picture on the wall.

She murmured something which the girls did not catch. Crossing the room,
she removed the picture from its hook, and carried it from the study. The
girls heard her mounting the stairs.

For a moment they were too dumbfounded to speak. Then Madge exclaimed:

"That's what we get for our ill bred curiosity! We've offended her
terribly. It must have been her son."

Cara nodded miserably.

"The only thing we can do is to apologize."

They spent an unhappy fifteen minutes waiting for Miss Swenster to
return. Madge was on the verge of suggesting that it might be better for
them to leave, when she appeared. She smiled brightly as if nothing had
happened, but they could see she had been crying.

"We're terribly sorry," Madge began contritely. "We didn't mean to be
prying. It was simply inexcusable of us to touch the picture."

"I understand. It was nothing you did that affected me. Please, if you
don't mind, let's not mention it again."

Miss Swenster was especially nice to the girls after that but the
incident could not be forgotten in an instant. She made no further
mention of cleaning the study and Madge and Cara carefully avoided the
subject. They could tell that Miss Swenster was still upset. A half hour
later they made an excuse for leaving.

"Do come again," she urged. "I know I've been very inhospitable. If you
don't come back I'll feel that I've driven you away."

The girls were rather silent as they walked thoughtfully along the
street. It was as if a measure of Miss Swenster's unhappiness had fallen
upon their shoulders.

"I feel so sorry for her," Madge said after a time. "She's made an idol
of that boy. And he's brought her nothing but unhappiness."

Cara glanced quickly at her friend.

"Do you know that for sure?"

Madge nodded.

"Yes, I intended to tell you the first thing today, but it slipped my
mind. I found out through Uncle George what her son had done to disgrace
the family. And when you hear the story, you'll not blame Miss Swenster
for turning his face to the wall!"




                               CHAPTER IX
                           The Mahogany Desk


The girls had reached the Wayne home. It was nearly supper time but Cara
would not allow Madge to escape without relating all there was to know
concerning Miss Swenster's adopted son. They sat down on the front steps.

"Last night I asked Uncle George if he knew why John Swenster left town,"
Madge explained. "Of course, it was a wild shot in the dark, for I never
dreamed he could tell me. Well, it seems he was one of the few persons in
Claymore who really knew the inside story."

"What luck! Tell me what he said."

"It seems that the boy never did amount to a great deal. He must have had
bad heredity. Anyway, Miss Swenster took him from an orphan's home. She
gave him every advantage, sending him away to school and later trying to
establish him in business."

"That's probably where a lot of her money went," Cara observed sagely.

"Yes, she wasted plenty on him. He never appreciated it. He was always
getting into one scrape or another. Then one day he up and forged a check
for over a thousand dollars! Uncle George was a director in the First
National bank where the matter came up. That's how he happened to know
all about it."

Cara looked aghast at the news.

"And did they send him to prison?"

"No, Miss Swenster offered to pay the amount of the forged check, and the
person whose name had been used, agreed not to prosecute. Her son left
town and soon after that Miss Swenster closed up the old mansion."

"I suppose it broke her heart to have him turn out so badly," Cara mused.
"And when she was having financial troubles of her own it must have been
hard for her to raise the money."

"Yes, it was unfortunate all around," Madge agreed, getting up from the
steps. "I must dash home now or I'll be late for supper. See you
tomorrow."

The girls did not go to the Swenster mansion the following day or the
next. Their evenings were spent cramming for month-end examinations which
always were a trial, even to Madge who stood high in her classes.

Then one day, the girls noticed a brief advertisement in the daily paper,
announcing that on the tenth of October, the Swenster mansion and all its
furniture would be sold at public auction. It reminded them that if they
intended to make another search for the missing pearls, they must be
about it.

Saturday morning found them on their way to the mansion. It was a crisp,
fall day, the first really cold one of the season. Madge's eyes were very
bright and she was so gay that she fairly skipped along the street.

"What ails you?" Cara demanded. Then as she noticed a white envelope
protruding from her friend's sweater pocket: "Ha! I'll bet a cent it's
from that ranger of yours up at Loon Lake! He writes you twice a week,
doesn't he?"

"He does not!" Madge denied, blushing furiously. "Jack has more important
things to do than write letters."

"Oh, you needn't pretend, Madge Sterling. You know you like him. That's
why you'll not even look at any of the boys here in Claymore."

"Certainly I like Jack. Why shouldn't I? He's a good friend and--"

She looked somewhat nettled as Cara burst forth in a gale of exaggerated
laughter.

"All right, laugh! But unless I'm most horribly mistaken I saw you in
Rexall's Drug Store last night lapping up a soda and listening moon-eyed
while Fred King gave a running report of last week's football game.
You--who can't be dragged near the stadium!"

"I only try to be a polite listener," Cara said cheerfully. "Let's call
it quits."

They smiled, and linking arms, hurried on to the mansion. Miss Swenster
was delighted to see them again for she had begun to fear that she had
offended them during their last visit.

"I'm so glad you came," she greeted them. "After today, everything will
be turned topsy-turvy since the furniture must be arranged for the sale."

Miss Swenster spoke cheerfully of the approaching auction, but the girls
realized that she was hiding her real feelings. In little ways, more by
look and gesture than by words, she had disclosed that she disliked to
see her old home sold.

There really was no immediate work to be done save dusting, which Miss
Swenster declared unnecessary. However, the girls armed themselves with
dust cloths and roamed about over the house.

"We'll do more looking than dusting," Madge assured Miss Swenster. "This
may be our last chance to search for the pearls. Wouldn't it be grand if
we found them?"

"It would be marvelous! But I really have no faith that you'll locate
them. As I said before, I fear you're searching for something that never
existed."

"There's one place we haven't looked," Madge said, "and that's the attic.
May we go up there?"

"Of course. I was cleaning out some of the rubbish today, but the old
furniture is still there. The pieces are really worthless and I doubt if
I'll even put them up at the sale."

The girls were moving up the stairway, when Miss Swenster called them
back.

"Oh, one thing more. Your prowler has returned. Last night I heard a
noise in the garden. I went to the window just in time to see a man
hurrying out the back gate."

"Weren't you afraid?" Cara asked.

Miss Swenster shook her head. "No, only curious. I can't imagine what he
can be after. If I see him again, I shall call the police."

After asking a few questions, the girls went on upstairs to the attic. It
was a large, roomy affair with only one small window high above their
heads.

"Ug!" Cara emitted as she brushed against a cobweb. "I don't care for
this place."

She became more enthusiastic as she noted an interesting array of boxes,
old chests, and discarded furniture. It was fun to dig into things. Madge
discovered a Paisley shawl which she insisted was a treasure and Cara
found a beautiful woven coverlet stored away with old clothing. But there
was not so much as a clue to the whereabouts of the Swenster pearls.

At last, grimy and tired, the girls returned to the living room, bearing
their plunder.

"I had even forgotten I owned such things," Miss Swenster declared when
they showed her the shawl and the coverlet. "My grandmother wove that
spread herself. And the shawl was brought over to this country so many
years back that I've forgotten the exact date. Dear me, how I shall hate
to dispose of them."

"Must you?" Madge asked.

"I can't very well keep them. I have saved out so many treasures now that
I'll not have places to store them. I know! You girls must accept them as
gifts! I'll give Madge the shawl and Cara the coverlet."

Miss Swenster refused to listen to their protests. In the end they
thanked her profusely for the generous gifts, promising they would take
good care of them. Both were proud to own such treasures. They were eager
to return home to display their prizes, but first they insisted upon
doing the dusting which they had started hours before.

Miss Swenster again assured them it was unnecessary. Nevertheless, they
went about it in business-like fashion, working vigorously. Soon only the
study remained.

"Shall we dust in there?" Madge inquired, not wishing to repeat the
mistake previously made.

"Why, yes, if you like," Miss Swenster returned with only the slightest
hesitation.

Entering the study, the girls looked with one accord toward the place
where John Swenster's picture had hung. A bright square of wallpaper
marked the former spot. Miss Swenster had not replaced the picture.

"I wonder what she did with it?" Cara whispered.

Madge shook her head, raising a finger to her lips in mute warning that
Miss Swenster could easily hear from the next room.

They silently went about the dusting, bent upon getting it done as
quickly as possible. Cara directed her attention to the bookcases while
Madge made an attack upon the paneled mahogany desk. She dusted the top
and polished off the curved legs. Then her cloth swept across one of the
panels.

Madge heard a sharp click. To her amazement, the panel dropped down,
revealing a small opening!




                               CHAPTER X
                         The Secret Compartment


"Well, blow me down!" Madge exclaimed, relapsing into comic-strip slang
as she always did when greatly excited. "A spring panel!"

Cara had rushed to her side and was staring wide-eyed at the secret
compartment revealed in the desk.

"There's something inside!" she cried. "Oh, I hope it's the pearls!"

Madge thrust her hand into the dark opening. Her face brightened as she
felt something not unlike a leather jewel case. She brought it to light,
holding it up.

"Oh!" Cara exclaimed in disappointment. "It's nothing but an old book."

"A diary," Madge corrected. "Well, I guess it was too much to expect that
we'd find the pearls. I suppose Miss Swenster knows about this
compartment but let's ask her."

They stepped to the door and called. Miss Swenster answered from the
kitchen, and later entered the study, wiping her hands on her apron.

"Look what we found in the desk," Madge said, handing her the diary. "I
must have touched a hidden spring when I was dusting. The panel fell down
to reveal this."

Miss Swenster moved quickly to the desk, her face showing that the
information astonished her.

"I never dreamed there was a secret compartment," she said. "This desk
belonged to Florence Swenster, you know."

"Then the diary may have been hers too," Madge observed.

Miss Swenster opened the little book and quickly ran through the yellowed
pages. The writing was cramped and difficult to read.

"Yes, this is Florence's diary, I am sure of it. I have seen her writing
on a number of old letters."

"I wonder why she hid her diary in such a strange place?" Cara mused.

"Oh, I imagine it was just a girl's desire for privacy," Miss Swenster
returned. "Florence was a queer one in a good many ways though. I'm sure
she never told anyone about this secret compartment."

She bent to examine it again. She closed the panel, hearing it click as
it went firmly into place. But try as she would, she could not open it
again.

"I think I can," Madge offered. "I know about where my hand was when it
touched the spring."

Miss Swenster stepped aside and Madge moved her hand over the panel
exploring its surface. At first she had no better success, then her
fingers pressed the spring in just the right manner and the panel popped
open.

"It takes a sideways pressure," she explained.

Cara and Miss Swenster both experimented until they had learned the
secret. In the meantime, Madge had picked up the diary and was studying
it curiously.

"I wonder--could Florence have written anything in here about the
pearls?"

Miss Swenster regarded Madge with frank admiration and approval. At first
she had thought the search for the pearls only a useless, amusing whim of
the girls. Now she recognized that a sound idea lay behind Madge's
investigation.

"Why not read the diary?" she asked. "If Florence had any secrets to
hide, it's time they were aired."

This suggestion suited the girls admirably. Immediately forgetting their
intention to return home early, they dropped down on the black plush
settee and were soon lost to the world. Miss Swenster went quietly back
to the kitchen.

It was almost impossible at first to make out the cramped, fine writing.
The girls laboriously studied out several paragraphs which were
disappointingly trite. Florence had recorded in detail her trips to the
dressmakers, visits with relatives and parties attended.

Madge and Cara were becoming discouraged when they happened upon the
first notation concerning the necklace. It read:

"I attracted unusual attention tonight when I wore the pearls to the
Alstone's ball. How Rose envied me!"

Cara gave a little squeal of delight and hugged her chum.

"There's our proof that the pearls really did exist. The necklace wasn't
a myth as so many folks thought!"

"I hope she tells what became of it. Read on!"

For another half hour they delved into the diary, finding little of
interest to reward their patience. Then they turned a page and read a
brief item disclosing that Florence's jealousy of her sister was growing
more bitter.

"Rose is very sly," she had written. "She is ingratiating herself with
father, hoping that he will will her the pearls."

"She must have had a distorted view of things," Cara observed. "From all
that we've heard, Rose wasn't a bit designing."

Madge had turned on ahead in the diary; She gazed at her chum with
startled eyes.

"Why, that's almost the last notation. See all these blank pages."

"Just when it became interesting," Cara wailed.

"We're not quite through. There are a few more paragraphs scattered
through the diary."

She swiftly turned the pages. Cara leaned closer as they came to one
brief sentence. It read:

"Father died today."

For a full minute, the girls stared at the notation, trying to make more
of it. Then Cara burst out:

"Wouldn't you think she'd have written more about a thing like that? Not
a word of his sickness or anything. While she'd fill page after page with
drivel."

"Perhaps she was too moved about his death."

"Maybe," Cara acknowledged doubtfully. "I'd quicker think she was
worrying about the pearls."

Before they could read on, Miss Swenster came into the study to say that
luncheon was ready. The girls sprang guiltily to their feet, declaring
that they could not stay.

"It's all right," their hostess assured them, smiling. "I've already
telephoned to your homes. And everything is on the table."

Miss Swenster was an excellent cook, and Madge and Cara who had healthy,
growing appetites, did justice to her fine luncheon. However, they were
so excited over the diary that had they eaten bread and milk, they would
not have noticed. All during the meal they chattered gaily, telling Miss
Swenster everything they had discovered.

"We scarcely can wait until we read the rest," Cara laughed. "Oh, I'm
just sure Florence will tell what she did with the pearls."

Miss Swenster had tried hard not to allow the enthusiasm of her young
friends to carry her away, but her cheeks were flushed and her eyes
brighter than the girls had even seen them. She fairly beamed as she
urged them to second helpings.

"I'll not count on the pearls until I see them," she said. "But, oh! What
wouldn't I do if they should turn up!"

Cara and Madge glanced at her with curious interest.

"Just what would you do?" Madge asked.

"First, I'd reward you girls for finding them! Then I'd call off that
sale. I'd get a gardener again and have this place restored to its former
condition. Oh, I would do so many things."

It was the tone of Miss Swenster's voice that told Madge and Cara exactly
how deep was her feeling for the old mansion. She had arranged her sale
with business-like indifference to sentiment, but underneath, it hurt.

Madge made a silent resolution that she would never give up until the
pearls were found. Surely, the old diary would furnish the clue she
needed!

The girls helped with the dishes. The instant they had stacked them away,
they hurried back to the study, burying themselves again in the diary.

"We're nearly at the end," Madge warned. "Hold your breath and hope."

She turned several blank pages, and then in an awed voice read aloud:

"'It was unfair of my father to will the pearls to Rose, though the
action did not surprise me greatly. I am determined she never shall wear
them! If I cannot have them myself, then I shall hide them where they
never will be found.'"

"Oh!" Cara breathed. "How mean!"

"Listen!" Madge commanded, reading on: "'I have taken only old Uncle
George into my confidence and he has sworn that he will never tell. Last
night, when everyone was abed we hid the pearls in the--'"

"Go on! Go on!"

"That's the end of the page."

In her eagerness, Madge fumbled the sheets. At last she managed to get
the page turned over, but as she stared down, she uttered a startled
gasp.

"It's missing! The page that told about the pearls has been torn out!"




                               CHAPTER XI
                             The Torn Page


"If that isn't the last straw!" Cara exclaimed indignantly. She permitted
herself one glance at the place where the page had been torn from the
diary and sank limply back against the settee. "After keying myself up to
hear the grand solution, the whole thing falls flat!"

"I feel like wilted spinach myself," Madge admitted. She closed the diary
with an impatient snap, placing it on the table. "Well, we're at the end.
The page that was torn out, was the last one."

"It would be," Cara groaned. "Our chance of helping Miss Swenster has
gone glimmering."

"What do you guess became of the missing page?"

"Probably Florence tore it out herself and burned it up."

Madge agreed that the theory was a likely one. However, she suggested
that some other person might have taken the page. The thought left her
even more depressed, for in that case, it was likely that whoever had
learned the hiding place, had long ago taken the pearls.

The girls were so thoroughly disheartened that it was some time before
they summoned courage to report their failure to Miss Swenster. Her face
fell at the news but she tried not to show how keen was her
disappointment.

"At any rate, I owe you both a great deal for your interest in the
matter."

Before leaving the mansion, Madge asked permission to take the diary home
for a few days. In their haste to reach the end, the girls had not read
every paragraph but had skipped those that looked uninteresting. Madge
had little hope that she would find any new material, but at least
thought it would do no harm to reread the diary at her leisure.

"You never admit defeat, do you?" Cara asked as they walked home
together. "As far as I'm concerned, I consider the adventure washed-up."

"I haven't completely given up," Madge returned. "But I must confess I
haven't a tangible clue."

She did not have time to reread the diary that night, and in truth, she
rather dreaded the ordeal. It was a long tedious task, one that offered
slight hope of success. Nevertheless, Madge continued to think of the
Swenster pearls and to wonder if she had not overlooked some hitherto
unimportant clue.

"In the diary Florence said that she had taken old Uncle George Jackson
into her confidence. Why didn't I think to ask Miss Swenster who she
meant?"

This seemed such an oversight that Sunday afternoon she dropped around at
the mansion.

"Uncle George?" Miss Swenster repeated, in response to her question.
"Why, he was the old Negro caretaker I told you about. You can't hope to
learn anything from him for he has been dead years and years. In fact,
his son is an old man now. Or was the last time I heard. He too may be
dead by this time."

Madge came to life at this scrap of information. Instantly it flashed
through her mind that possibly Uncle George Jackson's son might know
something of the pearls.

"Can you tell me his name?" she questioned eagerly.

"Uncle George's son? Why, it must have been Ross. Yes, that was it. Ross
Jackson."

Miss Swenster knew very little concerning either the old caretaker or his
son. When she had left Claymore eight years before, Ross Jackson had been
living in a shack down by the railroad tracks but she did not know what
had become of him.

"I should have looked after him," she said regretfully. "I always
intended to, but I have had very little ready money. Now that he is an
old man it must be difficult for him to find work. I wish I could afford
to employ him."

Madge went away with the avowed intention of discovering what had become
of old Uncle Ross Jackson. His name was not in the telephone or city
directories. She inquired of any number of persons without success.

Then Jane Allen came to the rescue. Among others, Madge had asked her if
she had ever heard of the old Negro. At the time, Jane could not help
her, but she had inquired of their negress wash woman and had learned the
location of Uncle Ross' cabin.

"You're welcome to the information, but I'd not advise you to be going
down there by the tracks alone," Jane warned. "I can't imagine what's
gotten into you lately. You're so quiet and secretive. Always wanting to
know such odd things too!"

Madge did not enlighten her as to what had caused the change, though she
was tempted to disclose everything. She knew that Jane and Enid both were
somewhat hurt because they felt they were being excluded from something.
She must make it up to them later.

Madge had no intention of venturing alone down into the slum district of
Claymore. She broached the subject of the trip with Cara who was willing
to accompany her when she comprehended that the visit might have an
important bearing on the missing pearls.

Monday night after school, Madge borrowed her uncle's car and they set
forth upon their quest. The house they sought was set well back from the
road. They parked the car and walked toward a dilapidated shack with a
caved-in roof. The place seemed deserted save for a Plymouth Rock hen
which fussed busily over her downy brood and a lank, hungry-looking hound
that lay on the door-step with eyes half closed as if he were dreaming of
some exciting coon hunt of a long departed day when both he and his
master were younger.

Cara was afraid of the hound and though he scarcely looked in her
direction, held timidly back. Madge went boldly to the door and knocked.
There were stirrings within and presently Uncle Ross came to the door,
knuckling his eyes as if he had been aroused from a nap, which indeed he
had.

"Howdy, Miss, howdy," he said to Madge and smiled at Cara. "Won't you
step right in--dat is, if you can find a groove to walk in with all this
dishevelment."

The girls returned the greeting, suggesting that they all sit under a
tree in the front yard where Uncle Ross had provided a bench for smoking
and resting purposes.

"Uncle," Madge began when they were seated, "I have been told that your
father was a caretaker at the old Swenster place years ago."

"'Deed he was, chile. He's tole me dat many a time. 'Sides dat, I used to
live dere myself when I was a boy."

"Do you remember that your father ever mentioned anything about the
family pearls?" Madge inquired, watching him closely. "I mean the ones
that were lost."

"Oh, dem pearls! I used to hear heaps about 'em but dey just faded out
wid de years. Sometimes I thinks dey neveh was any pearls--just ghost
pearls dat went up in smoke if dey eveh was any such-like jewels in de
family."

"But can't you recall anything your father ever said about where he
thought they had been hidden?" Madge persisted.

Uncle Ross scratched his white wool, assuming a pose of deep reflection.

"Mah ole memory is full o' holes now, Miss. It was so long ago dat de ole
haid has lost its grip."

"But try and think, Uncle! What were your father's duties about the
place. He was a gardener for one thing, wasn't he?"

"Yes, Miss. De ole man was one of de expertest gardeners in dis town. Dey
wasn't anotheh family in dis whole town dat had a garden like dem
Swenster folks--roses a ramblin' around over de walls and honeysuckles
loaded down wid hummin' birds. Dey don't have no more quality white folks
dese days, no suh!"

"But Uncle," Madge insisted, smiling at the implication of her own social
status. "Surely you remember something your father said about the pearls.
Maybe just a few words or even one word."

Uncle Ross reflected deeply again and then replied:

"I does remembeh dat de ole man was powerful wurrit 'bout what happened
to dem pearls. Fust place, he was 'fraid folks would say he stole 'em and
he was de honestest culled man in dis town. Yes, suh! Why, de ole man was
a Deacon in de church and de ministeh used to say--"

Madge saw he was going off on a new tangent so tried to draw him up.

"Yes, yes, Uncle. No one ever thought your father took the pearls. All we
want to know is if you recall anything he ever said about where he
thought they might have been hidden."

The old Negro reflected deeply.

"Well, Miss, I does remembeh dat when de ole man was in dis here very
same house a passin' on to de otheh shore and sort of talkin' wild-like
jest before he died, he said somethin' about de pearls. And den he said
another word. Let me think. What was it he said?"

While the girls waited patiently, hoping that he would be able to furnish
the clue they needed, Uncle Ross seemed to lose control of his briefly
gathered memories. Madge could almost see them slipping away.

"Think hard, Uncle," she urged. "What was the word?"

Uncle Ross made one last grand effort to remember. He closed his eyes,
shaking his head in a baffled sort of way.

Then speaking very slowly, as though probing his memory almost beyond its
powers, he said:

"Seems to me, Miss, he said somethin' about de sun. No, dat wasn't it
neither. It was sun--"

"Not sundial," Madge supplied eagerly.

Uncle Ross' dark face brightened and he slapped his thigh a resounding
whack.

"Dat was it! De word de ole man said was sundial!"




                              CHAPTER XII
                            Uncle Ross' Hint


Cara and Madge questioned Uncle Ross further, trying ineffectually to
bring out additional information. The old Negro had scraped his memory
bare and could recall nothing more concerning the pearls. The girls
presently thanked him and in turning to leave, Madge handed him a dollar
bill.

"Thank you, Miss, thank you," he beamed and bowed.

The girls walked back to the parked car, only moderately pleased at the
outcome of the interview.

"Do you think there really is a connection between the pearls and the
sundial?" Cara asked somewhat skeptically as they drove away.

"Yes I do," Madge returned. "Unless Uncle Ross' memory played him false.
It's a pretty vague hint, but perhaps we can make something of it."

"Perhaps you can," Cara corrected. "I'm no good at puzzles and this one
takes the prize."

Madge soon reached the edge of darktown, taking a main street which led
to the better section of Claymore. She drove like an expert automaton,
her eyes glued on the road but her thoughts many miles away. She came to
life with a start as the car wheels struck a hole in the pavement.

"Cara, I was just thinking--"

"Please don't or we may end up in a ditch," Cara laughed. "What were you
saying?"

Madge scarcely knew how to tell what was in her mind. It seemed
reasonable to her that the Swenster pearls might have been hidden in the
garden near the sundial. In digging about, the girls had not paid
particular attention to the old sundial, but had confined themselves to
the general locality disturbed by the prowler. Madge was convinced too
that the man they had seen was after the same thing--the Swenster pearls.
How he had learned of them she could not imagine.

"Of course, we did do some of our digging near the sundial," she said to
Cara, "but at the time we never dreamed there was any connection. Now my
idea is to go back there and look over the situation again. It may be
that at a certain hour the gnomon casts a shadow at the designated place.
I've read of such things in story books."

"But this isn't a story book," Cara protested in a matter-of-fact tone.
"It's my personal opinion that the pearls are gone. If they were ever
hidden in the garden, that prowler has them by this time! Otherwise, why
hasn't he been back?"

"Perhaps he's been afraid. And he did return one night, for Miss Swenster
heard him. I wish we could catch him at it and turn him over to the
police for questioning."

Although Cara was reluctant to resume excavation activities, she agreed
to make one more attempt when Madge promised to do most of the digging.
It was too late to go to the Swenster mansion that evening but the
following afternoon they went there directly after school.

They set to work with high hopes and soon had excavated a complete circle
around the sundial. Dusk found them still digging. Finally, with an
exclamation of disgust, Madge threw down her spade.

"I've had enough. As far as I'm concerned, the pearls may stay hidden
until the end of time!"

"Amen," Cara added fervently. "Just look at the blisters on my hands. And
my shoulder muscles are sore already. What will they be like tomorrow?"

"If the way I feel is any indication, we'll both be in the hospital. The
next time I get one of my so-called brilliant ideas, I hope you choke
me."

"I will," Cara promised gravely.

They filled in the earth they had disturbed and went home in a very ill
temper. A hot bath and a warm supper cheered Madge considerably, causing
her to forget her resolution to think no more of the pearls. That very
evening she settled herself in an easy chair, determined to reread
Florence Swenster's diary.

It was a tiresome ordeal now that the material was no longer novel.
Several times Madge yawned wearily and was tempted to switch to a popular
magazine.

"This is absolutely our last hope," she told herself, gazing thoughtfully
at the little leather book in her hand. "Miss Swenster's auction sale
will be held in a few days now, and after the place is sold, it will be
too late to help her. I suppose I'm crazy to keep kidding myself we may
find the pearls--especially, after our experience today. Just the same I
can't help feeling that I've overlooked some important clue."

She yawned again and went back to her reading.

"This will never do!" she chided herself. "My mind isn't on it at all."

She turned another page, read a few paragraphs which she remembered
perfectly. Then, unexpectedly, her eye fastened upon a notation which she
and Cara had skipped during the first reading of the diary. It was not
particularly startling, merely reading:

"Uncle George is to mix cement for the new sundial tomorrow."

Madge stared at it long and thoughtfully. She felt it must have more
significance than was apparent. She began to recall scraps of
information, previously gleaned. Why had Florence Swenster taken Uncle
George into her confidence in regard to the hiding of the pearls? It was
unlikely that she would trust such knowledge to him unless she had need
of his help.

She looked at the date of the notation to compare it with the day
Florence had recorded that she had hidden the pearls.

"According to this diary, Uncle George must have been making the sundial
on the very day that the pearls were disposed of!" she thought, with
growing excitement. "And Uncle Ross said his father mentioned the
sundial. Oh, there's a very significant connection!"

Madge knew that she was on the verge of making an important deduction,
but try as she would she could not solve the enigma. For fifteen minutes
she sat staring thoughtfully into space, trying to work her way through
the maze.

Then like a flash, the answer came. She sprang to her feet, her face
jubilant.

"How stupid of me not to think of it before! We've had the clue all the
time and didn't know it! Tomorrow, if I can convince Miss Swenster to my
way of reasoning, I'll lead her to the pearls!"




                              CHAPTER XIII
                              The Stranger


Madge waylaid Cara the following evening after school, fairly dragging
her down the street, so great was her hurry to get away from the
building.

"We're going straight to the mansion," she announced impressively.

Cara threw up her hands in a gesture of hopeless despair and stopped dead
in her tracks.

"Another brilliant idea! I see it coming on. Remember, you told me to
choke you if you ever had one again!"

Madge laughed.

"This idea is different and it doesn't involve any digging. It's worse
than that. I'm afraid Miss Swenster won't consent. You must help me
convince her."

In spite of herself, Cara's curiosity was aroused.

"Convince her of what?"

"Come on," Madge ordered, catching her by the hand and pulling her along.
"There isn't time to explain now. You'll hear everything when we reach
the mansion."

Miss Swenster received them with her usual cordiality. Madge was so
excited that as she plumped herself down on the sofa, it was difficult
for her to begin. Briefly, she reviewed the facts already known to Miss
Swenster and Cara, then disclosed the new notation she had found in the
diary. She was a little disappointed to observe that neither appeared
greatly impressed.

"I don't see just what you have in mind," Miss Swenster confessed.

"Simply this! Uncle George Jackson had a hand in hiding the pearls. We
know the sundial had something to do with it too. Now, since the pearls
were hidden on the very day that the old Negro was mixing cement for the
sundial, it's my contention that the necklace was hidden inside it,
probably in the pedestal!"

For a full minute, Miss Swenster digested this in silence. Then she said
quietly:

"It's an interesting theory at least."

Madge cast a glance of despair at Cara. Everything depended upon Miss
Swenster's enthusiastic acceptance of the idea. She was even more
discouraged to see that her chum regarded her somewhat skeptically.

"Oh, I can tell you both think it's another silly idea. But you must
admit it's logical. If only we could have the sundial opened, I know we'd
find the pearls!" She arose, feeling that it was useless to add more.
Although Miss Swenster had said little, Madge could tell that she did not
care to have the sundial broken. Nor could she really blame her for the
dial was a beautiful piece of work.

"Wait!" Miss Swenster said firmly. "There may be something in what you
say. At least, we'll find out."

"You mean we may have the sundial cracked open?" Madge demanded eagerly.

Miss Swenster nodded.

"Yes, shall we go to the garden now and see what must be done to remove
the pedestal?"

She slipped a shawl over her shoulders as a protection against the fall
winds and the girls followed her outside.

"It's my opinion the pearls are hidden in the base," Madge declared as
they surveyed the sundial speculatively. "But it's a shame to ruin the
pedestal unless we're sure. Perhaps if we move it a trifle, we may hear
something rattling about inside."

The three placed their shoulders to the pedestal, trying to lift it. The
sundial seemed rooted to the ground, so little would it give.

"It's too heavy for us," Miss Swenster said, wiping the dust from her
hands. "We must have it cracked open."

"I know a man who is very reasonable in his charges," Madge informed
quickly. "Occasionally, he does work for Uncle George."

"Then go for him now if you wish. It grows dark very early these fall
days. If we are to accomplish anything today, we must lose no time."

Madge was only too eager to take herself upon the errand. Since Cara, who
never enjoyed long walks, preferred to remain at the mansion with Miss
Swenster, she started off alone.

Silas Davies was the man she had in mind for the work. He was always glad
to pick up odd jobs, and in case the pearls were not found, she thought
she could trust him to maintain a discreet silence.

She had forgotten where he lived so stopped at a corner drug store to
consult a telephone directory. Finding that the house was only a short
distance away, she decided to go there instead of calling.

A few minutes later she knocked at the door of a neat, modest little
house on Bancroft Street. A woman answered, and Madge inquired if Mr.
Davies was home.

"He's working for Mr. Ruggles today," his wife returned regretfully. "But
I'm expecting him home in three quarters of an hour."

"If he's been working all day, I suppose it's too late to get him to come
to the Swenster mansion," Madge murmured in discouragement. "Miss
Swenster had a little job for him--it won't take long but it's dreadfully
important that it be done tonight."

"Well, I can't say how tired Mr. Davies will be. He makes a point of not
working after five but if it's real urgent he may accommodate you. He'll
be at the Ruggles place for another half hour. Why don't you stop there
and see what he says?"

Madge thanked Mrs. Davies, deciding to follow the suggestion. It really
was urgent that the sundial be investigated that very afternoon. With
strangers prowling about the mansion at night, it was not safe to leave
anything to chance. If necessary, she was willing to pay Mr. Davies out
of her own pocket for the extra service.

She walked hurriedly toward the Ruggles residence, anxiously studying the
western horizon where the sun was sinking lower and lower. So absorbed
was she in her own thoughts that she failed to observe the approach of a
man who walked swiftly, with head low and chin thrust deeply in his coat
collar. Inevitably, they collided.

For a brief instant they were face to face. Involuntarily, Madge started,
and an exclamation scarcely above a whisper, escaped her.

It was the man she had seen many nights before prowling about in Miss
Swenster's garden!




                              CHAPTER XIV
                         An Unexpected Meeting


"Better watch where you're going!" the man said gruffly.

"I--I beg your pardon," Madge stammered, unable to remove her eyes from
his face.

For a moment they continued to stare, then the man moved on. Madge looked
after him, trying to gather her scattered thoughts.

"I've seen him before," she told herself tensely. "In Miss Swenster's
garden."

Watching the retreating figure, she was convinced she had not been
mistaken in her first hasty conclusion. The man was none other than the
mysterious prowler. His build was the same; he had a similar way of
walking: everything tallied.

"And that's not the only place I've seen him," she thought. "Let me
think--"

Before her eyes flashed a mental picture of the photograph she had seen
hanging in Miss Swenster's study. She recalled the youthful face, the
regular, almost classical features, a head of curly, golden hair.

"He's changed some with the years," she told herself, "but I'll bet a
cookie it's John Swenster. I wonder if Miss Swenster knows he's in
Claymore?"

Such a possibility seemed remote. Madge knew that Miss Swenster was still
so distressed by the memory of her adopted son that his presence in the
city was almost certain to disturb her usual calm manner. And during the
past few days she had seemed no different than usual.

She wondered what had brought the man to Claymore. It was unlikely he had
come to attend the auction sale or to see his mother. His secret trips to
the garden suggested a deeper, more selfish purpose.

Madge was inclined to hurry back to the mansion to tell Miss Swenster the
startling news. A minute's thought convinced her that such a course would
be unwise.

"There's just one chance in a hundred that I'm mistaken," she reasoned.
"And if I should tell Miss Swenster her son is here when it's some other
person, she might never get over the shock. No, I must be absolutely sure
before I say a word to her."

She looked after the retreating figure. He was far up the street, walking
swiftly, but she thought she could overtake him.

"I'll follow and see where he goes," she decided.

She soon saw that he was heading toward the business section of Claymore.
Rapidly cutting down the distance between them, she then kept just far
enough behind to avoid suspicion.

As they reached the downtown section, the stranger walked faster, moving
in and out to pass pedestrians hurrying home from work. Madge found it
increasingly difficult to keep him in sight.

Then she lost him entirely.

"I don't see where he went unless he dodged in somewhere," she thought.

She gazed in through the window of a drug store but could not locate him.
The only other possibility was the Grand Hotel. She went in.

The lobby was crowded. Madge looked carefully about, observing no one who
resembled the man she sought.

"I'll see if his name is on the register," she decided.

Before she could transfer the thought to action, an elevator discharged
passengers. Several of the men walked toward the main desk. And one of
them was the stranger Madge had followed. He did not glance in her
direction but moved directly to where the clerk was standing.

Madge slipped behind a pillar and waited.

"I'm checking out early this evening," she heard him say tersely. "I left
my baggage upstairs but I'll not be using the room after six. Please
charge me accordingly."

He passed within a few feet of where Madge was standing, and walked out
the front entrance.

"At least he'll not be snooping around the mansion any more," she told
herself with satisfaction. "And judging from the crabby way he acts, he
hasn't been very successful in his mission--whatever it is."

After the man's back had vanished through the revolving doors, she moved
over to the desk, asking to see the register. She glanced over the first
page of names and turned back. At last she came to it: "John Swenster,
Chicago."

"Well, that proves I was right," Madge commented inwardly. "And now the
problem is whether or not to tell Miss Swenster."

Emerging from the hotel she was astonished to see how dark it had grown.
Consulting her watch, she realized it was too late to find Silas Davies
at the Ruggles'. Regretfully, she decided that she must let the work on
the sundial go for that night.

"It's supper time now and Miss Swenster and Cara will be wondering what
became of me," she thought uncomfortably. "Aunt Maude will be in my wool
too if I don't scamper home."

A few minutes later, breathless from hurrying so fast, she let herself in
the front gate of the mansion and rushed up the walk. Cara, who had been
watching at a window for the past half hour, flung open the door.

"Where have you been all this time?" she demanded. "Didn't you bring the
workman after all?"

"Sorry," Madge apologized, flashing her a significant look which Cara did
not understand. "Other matters came up. Anyway, Mr. Davies was working at
the Ruggles'. I imagine we can get him tomorrow."

Cara was disappointed and disclosed it. She brightened when Miss Swenster
suggested that both girls remain for supper. It was not difficult to
persuade Madge, for she felt that she should tell Miss Swenster what she
had discovered, and she preferred time to lead up to the matter
gradually.

The girls telephoned to their homes, receiving permission to remain. They
helped Miss Swenster with the supper, setting the table, and taking great
pains with the salad which was their own concoction.

It was nearly seven-thirty when they sat down to dine. For some reason,
conversation lagged. Miss Swenster appeared unusually constrained though
she made a studied attempt at cheerfulness. No one ate very much. It was
in the minds of all that this likely would be their last supper together.
In a few days the mansion would be sold.

"I wish you weren't going away, Miss Swenster," Cara said presently. "It
won't seem right for any other person to live in this lovely house."

Miss Swenster smiled, but tears shone in her eyes. She brushed them
impatiently away.

"What a sentimental old fool I am! Here I've not lived in this house for
eight years but now that I know I'm to lose it, I feel so desolate. It's
almost as though I'm losing my last friend."

"You have a great many friends here in Claymore," Madge assured her,
"only they're timid about coming to see you. I've heard folks say so."

"I suppose you're right," Miss Swenster agreed slowly. "There was a time
when I didn't care to see people. I couldn't bear their sympathy. I drove
them away."

She relapsed into a moody silence which neither of the girls ventured to
break. Presently, she looked up and smiled apologetically.

"I shouldn't impose my troubles on you. I'm sure that at times my actions
must have seemed very queer. I feel I owe you an explanation for certain
things which likely are not clear."

"Your past is your own," Madge said kindly.

"Don't tell us anything that you dislike to bring up."

"I feel I must speak of my--my son. It was his picture you saw in the
study. I turned it to the wall on the day I closed up the mansion."

Madge and Cara nodded, not wishing to interrupt. They already had guessed
this much.

"I found John in an orphan's home. He was nine when I adopted him, and
the sweetest boy in the world! Oh, I adored him! But even as a boy he was
inclined to get into trouble. He'd take things that didn't belong to him.
I couldn't seem to teach him the difference between right and wrong. Oh,
I dislike to admit it, but he was willful and he repaid my kindness with
indifference.

"I sent him away to school, thinking he might benefit by a change in
environment. Once away from my watchful eye, he went from bad to worse.
He fell in with the wrong sort of companions. He spent far more money
than I could afford to give him. Several times he forged my name to
checks.

"Finally, I told him that if he did not straighten up I should disown
him. For a time he seemed to do better. I was encouraged. Then he forged
another check--this time using the name of a prominent Claymore man. I'll
not bore you with the details. It was the end. I sent him away and I've
never seen him to this day."

"But you've forgiven him?" Madge asked softly.

Miss Swenster did not reply at once. Then she said:

"I loved John more than any other person in the world, but it was a
wasted love. I realize that should I take him back he would only make me
unhappy. If he were to step into this house this very night, I'd tell him
to go!"

Madge gazed at her queerly.

"You really mean that?"

"Yes, it may sound hard, but I gave twenty years of my life to John. For
the first time I am commencing to see him in his true colors, ungilded by
my ideals. I can never hope to forget him entirely, but at least his
memory becomes more bearable."

Madge was sorely troubled. She had fully intended to tell Miss Swenster
that her son was in Claymore. Now it seemed a cruel thing to do. By her
own admission, the old lady was gradually casting off unhappy memories
which had held her enslaved for so many years. She felt herself
sufficiently strong to confront her son, yet Madge wondered. Might not it
be better to say nothing? By tomorrow John Swenster would be far away
with no one the wiser, providing she kept her own counsel.

She was still turning the matter over in her mind when they left the
supper table. The girls cleared the table and wiped dishes. Madge dropped
a plate which fortunately did not break.

"What ails you tonight?" Cara asked. "Are you worrying about that French
quiz we had today?"

Madge laughed.

"No, but it might be better if I would worry a little. I flunked it flat
I know."

"You always say that, but at the end of the month I notice you manage to
squeeze through pretty well at the head of the list!"

They finished drying the dishes and stacked them in the cupboard. Madge
was putting away the last plate when she suddenly straightened.

"What was that?"

"I didn't hear anything," Cara returned.

"I thought I heard something fall to the ground. It sounded like it came
from the garden."

"You're imagining things," Cara laughed. "Did you hear anything, Miss
Swenster?"

"No, I didn't. It might have been a ladder that fell. The man who was
working on the house yesterday, left one standing against the eaves."

Madge did not look completely convinced.

"I might just run out and see."

"Don't be a goose!" Cara remonstrated. "I think it was your imagination.
We're too far away from the garden to hear any noise from there. It was
probably the ladder."

Madge allowed her chum to drag her into the living room. She went to the
window and looked out. It was a black night but had there been a moon she
could not have seen the garden for a wing of the house obstructed the
view. The wind howled plaintively outside. Miss Swenster thought the room
was cold and went to the kitchen for fire-wood.

They built a cheerful little blaze in the fireplace. Madge and Cara sat
on the floor, watching the embers. Presently, Miss Swenster brought in
marshmallows which they toasted above the coals.

"Look out!" Cara warned. "Yours is burning, Madge."

Madge flung the charred marshmallow into the fire and abruptly arose. She
slipped on her coat.

"Where are you going?" Cara demanded.

"Oh, just out to the garden. I want to satisfy my curiosity. I've had an
uneasy feeling all evening."

Cara laughed scoffingly but when she saw her friend was not to be
dissuaded, she too arose. Miss Swenster reached for her shawl.

"We may as well all go," she said. "I feel that fresh air would do me
good too."

They filed out the front way, Madge leading. She was the first to reach
the garden. Uttering a cry of surprise and alarm, she ran to the sundial.

It lay upon its side and the pedestal had been split from the dial!




                               CHAPTER XV
                          The Secret in Stone


"I knew it! I knew it!" Madge exclaimed, gazing in dismay at the
wreckage. "All evening I felt something like this was about to happen."

"Perhaps the wind blew it over," Miss Swenster said, though her voice
disclosed that she had no faith in her own words.

"It would have taken a cyclone to move that heavy sundial," Madge
declared. "Someone deliberately cracked it open. See, here's the
sledge-hammer he used. I knew I heard some such sound."

"And like as not the pearls are gone!" Cara wailed.

"That's a foregone conclusion," Madge responded. "But we may as well get
a light and make a thorough search."

Miss Swenster already had started for the house. She returned a minute
later with a flashlight. They turned it upon the dark interior of the
broken pedestal and Madge felt around with her hand.

"If the pearls were ever here they're gone now," she announced.

The significance of the discovery was gradually dawning upon her. She
knew that it was John Swenster who had been prowling about the garden and
now she was convinced that he had broken open the sundial in an attempt
to locate the pearls. At the risk of shocking Miss Swenster, she
determined to withhold her information no longer.

"Miss Swenster, I should have told you this before," she said quietly.
"Your son is in Claymore--has been for days. I learned this afternoon
that he had registered at the Grand Hotel."

Miss Swenster's face was hidden by the darkness but the girls saw her
figure straighten. She spoke no word and Madge rushed recklessly on:

"Perhaps I ought not to say this, but I discovered that it was he who
came here at night."

"The prowler you saw digging here in the garden?" Miss Swenster asked in
a tense, unnatural voice.

"Yes."

"Then I think we know what became of the pearls. You should have told me
before, Madge."

"I did intend to--but----"

"I understand," Miss Swenster interrupted, "you hoped to spare my
feelings. We must try to reach my son at once!"

"He's registered at the hotel, but I'm afraid he may be gone by this
time. I heard him say he was checking out early."

"We can't let him get away with the pearls! Come, we'll call a taxi."

They rushed to the house. While Madge and Cara struggled into their
wraps, Miss Swenster telephoned the nearest cab agency. In five minutes
the taxi was at the door.

"To the Grand Hotel," Miss Swenster directed, "and hurry!"

In the dim light of the cab she looked very pale but determined. She
listened quietly as Madge related in detail her experience of the
afternoon.

The cab halted in front of the hotel and the doorman assisted them to
alight. Telling the driver to wait, the three hurried inside, going
directly to the desk.

"We should like to see Mr. Swenster," Madge said. "Is he here?"

The clerk shook his head regretfully.

"Sorry. He checked out some time ago. He went at least a half hour ago,
I'd say."

"You don't know where he was going?" Madge demanded eagerly. "It's very
important."

"You might inquire of the starter," the clerk suggested. "I believe Mr.
Swenster called a taxi."

The three hurried outside again, asking the same question of the doorman.
He did not know Mr. Swenster by name but recalled him from Madge's
accurate description.

"If I remember rightly, he went to the Union depot," he informed.

They sprang into the waiting cab, directing the driver to take them to
the station.

"Step on it!" Madge ordered.

She glanced at her wrist watch. It was exactly nine-thirty and she knew
that an express train left for New York at nine-forty.

"Oh, we'll never make it!" she breathed.

Miss Swenster's lips drew down into a tighter line. Her fingers nervously
tapped the car window.

They had three minutes to spare as the cab pulled up to the station.
Tumbling out, they started off at a run, unaware of the curious stares
directed at them.

Entering the waiting room, they swiftly surveyed it. John Swenster was no
where to be seen.

"He's probably on the train by this time!" Cara cried. "And it pulls out
in two minutes."

Miss Swenster and Madge dragged her toward the gate. "Tickets!" the
gateman said sternly. "You can't go in without--"

The three brushed past him so quickly that he was taken completely by
surprise, and could only stare after their retreating backs.

They ran down the platform.

"Look!" Madge cried, pointing to a man ahead. "Isn't that he?"

"Yes, it's John," Miss Swenster murmured.

They touched him on the shoulder just as he was boarding the train. He
wheeled and the color drained from his face as he beheld Miss Swenster.

"John--" her voice quavered, then took on a sterner tone. "You must come
with me."

He laughed unpleasantly.

"Sorry, but I'm taking this train." He tried to board it but Cara
deliberately blocked his way.

"You can't go until you explain a number of things," Miss Swenster said
quietly. "And you must give me the pearls!"

"Well, of all the idiotic things! Say, are you trying to create a scene?"

With increasing uneasiness, he surveyed a little group of persons who had
gathered on the platform to see what the argument was about. Passengers
had thrust their heads curiously from the train windows.

"All aboard!" the conductor called.

"Get out of my way!" John Swenster said harshly, thrusting Cara aside.

Madge darted forward, snatching his suitcase from his hand.

"All right, if you go, you go without your suitcase! And what's more,
we'll have you arrested at the first stop!"

The man faced Madge with smoldering eyes. He saw that he could not
retrieve his suitcase without a struggle and the conductor was not in
sufficient sympathy to hold the train a minute. Even now it was slowly
pulling from the station.

Frantically, he watched the cars moving by. He seemed undecided what to
do. Then with a gesture of angry submission, he abandoned all intention
of boarding the train.

"Well, now that you've made me miss my train, just what do you want?" he
asked unpleasantly, moving toward Madge as if to recover his suitcase.

She backed away.

"Now, John," Miss Swenster said firmly, "unless you wish me to call the
police, you must come without making any fuss."

"Where do you expect me to go?" he demanded sullenly.

"To my home. We'll talk matters over there."

"All right," he said suddenly. "I'll check my suitcase and go with you."

"We'll take the suitcase along," Miss Swenster told him.

He looked as though he intended to refuse, but the sight of a policeman
moving through the train gate, caused him to change his mind. Madge and
Cara carried the suitcase to a taxi cab, not trusting it in his hands.

"This is an outrage!" John Swenster protested as they drove toward the
mansion.

His foster-mother paid scant attention. Not until they were all in the
living room of the mansion did she speak her mind.

"John," she said calmly, "I've stood entirely too much at your hands.
I've protected you for the last time. Now either give up the pearls or
I'll turn you over to the authorities."

"Pearls!" he scoffed. "I don't know anything about your pearls."

"Madge, will you search the suitcase?"

The girls had been waiting for this opportunity. Quickly, while John
Swenster looked on furiously, they unstrapped the case and opened it.
They lifted out several layers of clothing. In the very bottom, lay an
old candy box. Madge shook it. Something rattled. She opened the box.

Inside lay a string of pearls, perfect in shape, skillfully matched--the
most beautiful necklace the girls had ever seen.

"The famous old Swenster pearls that were willed to my mother!" Miss
Swenster exclaimed. She turned coldly to her adopted son, "And you would
have stolen them from me!"

A sudden change had come over the man. At sight of the pearls which
plainly established his guilt, his arrogance departed. He gazed
contritely upon his foster mother. Madge instantly divined that he hoped
to appeal to her sympathies.

"I would never have touched your pearls only I'm in such desperate need,"
he whined. "I can't find work. Why, I haven't had a decent meal in weeks.
I'm down and out while you have this fine home--everything."

He made a rather appealing figure as he stood there pleading his case.
Madge and Cara exchanged uneasy glances. Would Miss Swenster give in to
him as she had in the past?

The old lady seemed to waver. Her face softened, then tightened again.

"Don't try your old tactics," she said sternly. "I notice that you have
good clothing and you had money enough to stay at the Grand Hotel.
However, I'll be generous. If you care to make your home here you are
free to do so."

He laughed bitterly.

"You think I'd stay in this one-horse town? Not on your life! You must
furnish me with money to live in Chicago or New York."

"You'll not get another cent from me--ever!"

John Swenster shrugged his shoulders.

"O.K. Then I'll be ambling along."

"One minute!" Miss Swenster halted him. "I am letting you off easier than
you deserve. By rights I should turn you over to the police."

"Oh, you're being very generous!" he mocked.

"Unless you tell me exactly what motivated your return to Claymore--and a
truthful story, mind you--I may change my mind about being so generous!"

John Swenster recognized that she meant what she said. He realized too
that her feeling toward him had undergone a change, that he could no
longer bend her to his will.

"There's little to tell," he said gruffly. "I was out of money and I
thought the pearls might tide me over. I'd have had 'em too if it hadn't
been for these girls!"

"How did you learn of the pearls?" Miss Swenster questioned.

"Knew about them when I was a boy. Remember that old desk of yours? Well,
it has a secret panel. There's a diary inside that told about the pearls.
I tore out one of the pages years ago and then forgot about it."

"Just what did that page say about the pearls?" Madge inquired curiously.
"Did it say they were hidden in the sundial?"

"No, it didn't. If it had, I'd have made off with them weeks ago. The
only hint I had was that they were hidden somewhere near the sundial.
Like a fool I wasted a lot of time digging up the garden!"

"We saw you," Madge admitted. "But tell us, what brought you here just at
this time?"

"It was years ago I learned about the pearls. I tried to locate them at
the time but failed. Then I forgot all about it until I learned that Miss
Swenster was coming back here to open up the house. I thought I'd get
here first and make one more try. I didn't have any luck until it
occurred to me that the pearls might have been hidden inside the dial.
Tonight I came here, chancing detection, and cracked open the pedestal. I
found the necklace inside."

Miss Swenster asked a few more questions before telling her son that he
might feel free to go. After he had left, she stood for some minutes at
the window, watching his retreating figure. Then she turned back to the
girls, and with tears in her eyes thanked them for their aid.

"You have saved my house!" she said. "Finding the pearls means more to me
than you'll ever know."

It was so late that Cara and Madge dared linger no longer. However, the
following day they were back at the mansion to learn from Miss Swenster
that she had called off her auction sale. Already she was making plans to
restore the estate to its former elegance and she had engaged old Uncle
Ross as gardener. She told them too, that she had turned over the
necklace to a jeweler for an appraisal.

"I don't know its value yet," she declared, "but it will bring more than
enough to keep me in my old age. I intend to reward you girls too!"

Madge and Cara demurred and Miss Swenster finally dropped the subject
after warning them she would have something more to say when their
birthdays arrived. Nevertheless, the girls did have one favor to
ask--that they might hold a meeting of Skull and Crossbones at the old
mansion.

The very next Saturday Madge and Cara introduced their friends to the
delightful estate. They pointed out the broken sundial which Miss
Swenster planned to repair, the desk with the secret panel, and told a
story which held their friends spellbound.

"You lucky thing," Jane Allen said enviously to Madge. "How do you manage
to run into all these entrancing adventures?"

"They seem to run into me," she laughed.

"It's not fair for you to have a corner on all the fun," Enid Burnett
complained good naturedly. "We'll not forgive you unless you promise to
take us in on your next secret."

"Oh, I shall," Madge returned, "though I can't say when I'll have
another. If only you'd all go North with me next summer, I know I could
guarantee real fun and perhaps an adventure."

"Let's take her up on it!" Enid cried.

The girls all laughed for as they sat in the cozy drawing room before the
crackling fire, summer seemed a long way off and Canada too far distant
to even imagine. Yet, the germ had taken root, and the next year was to
see them all in the North Woods with Madge fulfilling her pledge.


                                THE END




                          Transcriber's Notes


--Silently corrected several palpable typos in spelling and punctuation

--Added a list of the books in the series to the title page

--Left the original copyright notice unchanged, although the book is
  public domain in the U.S. (author date of death is 2002).

--As the original book jacket was unavailable, provided an image of the
  title page instead.







End of the Project Gutenberg EBook of The Secret of the Sundial, by 
Mildred A. Wirt, AKA Ann Wirt

*** END OF THIS PROJECT GUTENBERG EBOOK THE SECRET OF THE SUNDIAL ***

***** This file should be named 40041.txt or 40041.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/0/0/4/40041/

Produced by Stephen Hutcheson and the Online Distributed
Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.