Transcriber’s Note: Click on [Listen] link to hear the music and on the [MusicXML] link to download the notation.

THE SLEEPING BEAUTY

A PLAY IN THREE ACTS

THEODORA DU BOIS

AS PRODUCED BY THE

WORKSHOP PLAYERS OF YONKERS

This play may be given with much PAGEANTRY,

if desired

AMATEURS ARE GIVEN PERMISSION TO PRESENT THIS PLAY, BUT

NO PROFESSIONAL PERFORMANCE MAY TAKE PLACE

WITHOUT CONSENT OF THE AUTHOR.

ADDRESS: 171 RAVINE AVENUE, YONKERS, N. Y.

THEODORA DU BOIS

(The First Act takes twenty-four minutes to play, the Second Act takes twenty-four minutes to play, and the Third Act takes fifteen minutes to play.)

The curtain rises, showing the Second Best Throne Room of the King and Queen. It may either be hung with softly draped curtains, or have walls, representing gray rock, hung with old tapestries behind the throne and on the side walls. There is one entrance at the right, near the rear wall. In the center rear is a dais, and upon it a divan. At the right of the dais, near the front of the stage, is a chest. Opposite, at the left, is a cradle, with a small stool near by.⁠[3]

The King is seated on the divan, which is the throne, half facing the right wall, working out a plan of battle with toy knights on a board. The Queen is seated on the chest, facing the audience. She is surrounded by half opened parchments, and is scribbling in a hurried, worried, manner, with a quill pen. Both she and the King are dressed for the christening, and are wearing crowns.

(The Fairy of the Golden Isles enters, beautifully dressed, carrying a golden ball on a cushion.)

(Page goes out as the Fairy of the Crystal Mountains enters, beautifully dressed, carrying the crystal globe of wisdom. She kneels in front of the King and Queen. They kiss her on the forehead.)

(The Fairy of the Silver Rivers enters immediately, beautifully dressed, bearing the mirror of beauty. She kneels before the King and Queen who kiss her on the forehead.)

(They pull the cradle to the center of the stage and begin a slow dance about it.)⁠[4]

(All listen in consternation to angry sounds without. The fairies huddle together. The Queen edges close to the King. The Page, trembling, scuttles to one side of the dais.)

(The Fairy of the Sable Caves rushes in the door like a whirlwind. All the others open their mouths [Pg 21]with astonishment and stand staring, in a semicircle. She stands looking at them in derision.)

(She laughs wildly and rushes out. The Queen flings herself sobbing upon the King. The others recover a bit.)

(The Page goes out bearing the cradle. The others follow in single file. Queen, King and Fairies.)

(The curtain rises upon the same room. The only change is that now a bench is in place of the cradle. The Princess, her Attendant, and the Courtier, who is the Page of the first act, grown up, are sitting on the dais steps. The Princess is in the middle. She is trying to play a mandolin, and is doing very badly. The Courtier is much bored. He and the Attendant have a little by-play behind the Princess’ back, as she plays.)

(Enter Princess with Courtier and Attendant. The two latter bow formally to King and Queen, then stand at attention at either corner of the dais. The Princess sits down on the divan beside the King, rubs her face against his, and puts one arm around his neck. He squirms.)

[Pg 37](The King and Queen start in consternation and horror and turn pale if possible.)

(Courtier enters with it, bows and places it on the dais in front of the Royal Group.)

[Pg 39](He raises his scepter and smashes the crystal globe. The Queen and Princess rise in horror and amazement.)

(The King mops his brow. As Princess, Attendant and Courtier are about to go out, the Queen sees [Pg 40]something sticking out from under the throne. She takes it out and sees the magic mirror, spoiled.)

(She rushes out with Attendant and Courtier anxious to escape. The King and Queen look at each other in horror.)

(The Attic near the tower room; a dim mysterious place; the fairy of the Sable Caves, disguised in a cap and apron, is spinning in one corner as the curtain rises.)

(The Princess steps in slowly, and wonderingly, the others following. They do not at first notice the Fairy of the Sable Caves who pays no attention to them but goes on spinning and winding her distaff in the corner.)

(The King is walking nervously up and down the room. The Queen is sitting on the bench, sewing on an embroidery frame.)

(All stand petrified with horror—a deep sigh escapes from the King and Queen.)

(He sinks down upon the floor, asleep, with his head in the lap of the Princess’ Attendant.)

(Outside the thorn hedge that separates the palace of the Sleeping Beauty from the world. A horn is heard off stage. Presently the Prince enters with horn and spear. He stands in front of the hedge and blows again, then calls.)

(The tableau is the same, except that great cobwebs are about. The King, Queen, Princess, and attendants are all sleeping quietly. It is growing dusk. A thin thread of light comes in the door. The Prince enters, carrying his candle. He comes slowly and quietly and looks about in wonder. At first he does not see the Princess who is in deep shadow. The Gentleman in Waiting follows him in fear.)

(The Gentleman in Waiting stops before the Princess’ Attendant in admiration. The Prince steps up on the dais, and holds his candle so that the light, but not the grease, falls upon her face. He stands silent a moment, gasps in wonder, then takes off his plumed hat reverently.)

(He kneels and kisses her—a long kiss. She slowly opens her eyes and gazes at him. The others begin to awaken slowly.)

(Gradually the people awaken. The Queen sneezes loudly and suddenly, and all but the Prince and Princess rise.)

(All exit joyously. The Prince and Princess lead. The King and Queen follow. Then come the Courtier and the Princess’s Attendant, and the others.)

FOOTNOTES:

[1] (See note 1 at end of play.)

[2] (See note 2 at end of play.)

[3] (See note 3 at end of play.)

[4] (See note 4 at end of play.)

[5] (See note 5. at end of play.)

[6] (See note 6. at end of play.)

[7] (See note 7.)

Note 1. The Sleeping Beauty is a story especially suitable for Spring presentation, since for many centuries and by many races its meaning has been symbolic of the reawakening of nature. Winter, personified by the Wicked Fairy, lays a spell upon Nature, causing her to fall into a deep sleep. This may be dispelled only by the kiss of Spring, the Prince of the fairy tale.

Note 2. The play as it stands may easily be expanded into a pageant by the addition of more characters, and the interpolation of dances.

Note 3. If the play is presented as a pageant with many additional characters, it is suggested that the action take place in the Best, instead of the Second Best Throne Room of the King and Queen. The Second Best Throne Room was rather small and therefore more appropriate for the few characters of the original cast.

Note 4. The first dance may take place in the First Act, when the three Fairies present their gifts to the baby Princess. As many fairies as are desired may be used for this dance. See note 10 for all music.

Note 5. The second dance may be a dance of Imps and Goblins, also in the First Act. They enter with a screaming rush at the words of the Fairy of the Sable Caves:

Then they join in a wild sinister dance. The Fairy of the Sable Caves stops speaking until they finish the dance, then she continues with:

Note 6. The third dance may be in the Second Act when the Princess brings in the Golden Ball. Ladies and Gentlemen in Waiting follow her as she enters. They toss the ball back and forth slowly to music. The extra dancers make their exit after the words, “It’s rolling toward the fountain, stop it, quick!”

Note 7. The last dance takes place at the end of the play. Its participants are the additional Pages, Minstrels, Jesters, Ladies and Gentlemen in Waiting, Men at Arms, Castle Attendants, Cooks, etc.

If this dance is desired it will be necessary to insert a few lines after the King’s speech ending:

Note 8. If the play is too long with the suggested additions it is possible to omit Scene 2, Act II., and Scene 1, Act III.

Note 9. The most important properties are tapestries, the cradle, crowns, headdresses, parchments, the Fairies’ gifts, swords, spears, scepter—armor, if there are men at arms, the spinning wheel and distaff.

The tapestries may be made by painting with house paints upon burlap. Crowns, headdresses and armor may be made out of heavy buckram painted with silver paint; the parchments, of strips of ordinary brown wrapping paper, painted with white house paint, then roughly illuminated with lines of gold paint, touches of green and red water colors added, and then hand [Pg 65]printed in heavy ink. The white paint must be put on thinly, with a rotary movement of the brush.... The Crystal Globe of Wisdom may be a crystal colored Christmas tree ornament.

For the last scene in the last act, an excellent effect is gained by fastening great cobwebs of woven string across the front of the stage, and by putting smaller ones over the sleeping figures. There is a spider web pattern used in linen hand drawn work, which may be made many times larger.

Play first part only, slow movement—stopping before portion is reached where old National Anthem is used.

Transcriber’s Notes

Obvious typographical errors and punctuation errors have been silently corrected after careful comparison with other occurrences within the text and consultation of external sources. Some hyphens in words have been silently removed and some silently added when a predominant preference was found in the original book. Some stage directions have been reformatted to improve consistency.

Except for those changes noted below, all misspellings and inconsistent spellings have been retained.

Page 16: replaced “turning his moustach” with “turning his moustache”.

Page 25: replaced “it musn’t spoil” with “it mustn’t spoil”.

Page 26: replaced “ACT II.” with “ACT II. SCENE 1.”.

Second illustration: replaced “LETS LOOK AHEAD” with “LET’S LOOK AHEAD”.

Page 48: replaced “the Princess’s Attendant” with “the Princess’ Attendant”.

Page 50: replaced “if your hungry” with “if you’re hungry”.

Page 50: replaced “it to attendant” with “it to Gentleman”.

Page 52: replaced two instances of “ATTENDANT” with “GENTLEMAN”.

Page 56: replaced “flys in dreams” with “flies in dreams”.

Page 65–66: replaced all variants of “Minuett” or “Minuette” with “Minuet”.

The music file (“The Prince’s Song”) is the music transcriber’s interpretation of the printed notation and is in the public domain.

*** END OF THE PROJECT GUTENBERG EBOOK THE SLEEPING BEAUTY ***

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The King.
The Queen.
The Princess.
The Prince.
Fairy of the Golden Isles.
Fairy of the Crystal Mountains.
Fairy of the Silver Rivers.
Fairy of the Sable Caves.
The Page.	} Same person.
The Courtier.
Attendant to Princess.
Gentlemen In Waiting to Prince.

The Project Gutenberg eBook of The sleeping beauty

THE SLEEPING BEAUTY

Act I.

[Pg 26]Act II. Scene 1. (Same as Act I. Sixteen years later.)

[Pg 41] Act II. Scene 2.

Act II. Scene 3. Same as Scene 1.

[Pg 49] Act III. Scene 1.

Act III. Scene 2.[Pg 55]

FOOTNOTES:

Transcriber’s Notes

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