The Project Gutenberg eBook of Quinquepedalian This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Quinquepedalian Author: Piers Anthony Illustrator: Virgil Finlay Release date: December 16, 2023 [eBook #72430] Language: English Original publication: New York, NY: Ziff-Davis Publishing Company Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK QUINQUEPEDALIAN *** _The creature towered over Tinnerman--in more ways than one. Be introduced here to one of the strangest monsters ever to appear in sf. Meet the ..._ QUINQUEPEDALIAN By PIERS ANTHONY Illustrated by FINLAY [Transcriber's Note: This etext was produced from Amazing Stories November 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] It lay there, an indentation in the soil, two inches deep and nine feet in diameter. It was flat, it was smooth, and the sand and the dirt were twined with rotted leaves and stems in a marbled pattern. The edge, cut sharp and clean, exposed a miniature stratum leading up to the unpressed forest floor, and spoke of the weight that had stood on that spot, molding the earth into the shape of its fundament. It was the mark of a foot, or a hoof, or whatever it is that touched the ground when an animal ambulates. One print-- Charles Tinnerman shook his head somberly. A single print could have been a freak of nature. This was one of many: a definite trail. They were spaced twenty or thirty feet apart, huge and level; ridges of spadiceous earth narrowed toward the center of each, rounded and smooth, as though squirted liquidly up between half-yard toes. Some were broken, toppled worms lying skew, skuffed when the hoof moved on. Around the spoor rose the forest, in Gargantuan splendor; each trunk ascending gauntly into a mass of foliage so high and solid that the ground was cast into an almost nocturnal shadow. At dusk the three men halted. "We could set up an arc," Tinnerman said, reaching behind to pat his harness. Don Abel grunted negatively. "Use a light, and everything on the planet will know where we are. We don't want the thing that made that," he gestured toward the trail, "to start hunting us." The third man spoke impatiently. "It rains at night, remember? If we don't get close pretty soon, the water'll wash out the prints." Tinnerman looked up. "Too late," he said. There was no thunder, but abruptly it was raining, solidly, as it must to support a forest of this type. They could hear the steady deluge flaying the dense leaves far above. Not a drop reached the ground. "The trees won't hold it back forever," Abel remarked. "We'd better break out the pup tent in a hurry--" "Hey!" Fritz Slaker's voice sang out ahead. "There's a banyan or something up here. Shelter!" Columns of water hissed into the ground as the great leaves far above overflowed at last. The men galloped for cover, packs thumping as they dodged the sudden waterfalls. * * * * * They stripped their packs and broke out rations silently. The dry leaves and spongy loam made a comfortable seat, and after a day of hiking the relaxation was bliss. Tinnerman leaned back against the base of the nearest trunk, chewing and gazing up into the bole of the tree. It was dark; but he could make out a giant spherical opacity from which multiple stems projected downward, bending and swelling for a hundred feet until they touched the ground as trunks twelve feet in diameter. Don Abel's voice came out of the shadow. "The monster passed right under here. I'm sitting on the edge of a print. What if it comes back?" Slaker laughed, but not loudly. "Mebbe we're in its nest? We'd hear it. A critter like that--just the shaking of the ground would knock us all a foot into the air." There was a sustained rustle. "What are you doing?" Abel asked querulously. "Making a bed," Slaker snapped. "Do you think it's safe?" Abel asked, though his tone indicated that he suspected one place was as unsafe as another. After a moment, the rustle signified that he too was making a bed. Tinnerman smiled in the dark, amused. He really did not know the other men well; the three had organized an AWOL party on the spur of the moment, knowing that the survey ship would be planetbound for several days. The bark of the tree was thick and rubbery, and Tinnerman found it oddly comfortable. He put his ear against it, hearing a faint melodic humming that seemed to emanate from the interior. It was as though he was auditing the actual life-processes of the alien vegetation--although on this world, _he_ was the alien--and this fascinated him. The other two were soon asleep. Sitting there in silence, the absolute blackness of a strange world's umbra pressing against his eyeballs, Tinnerman realized that this outing, dangerous as it was, offered him a satisfaction he had seldom known. Slaker and Abel had accepted him for what he was not: one of the fellows. Those footprints. Obviously animal--yet so large. Would a pressure of a hundred pounds per square inch depress the earth that much? How much would the total creature weigh? Tinnerman found his pack in the dark and rummaged for his miniature slide rule. The tiny numbers fluoresced as he set up his problem: 144 times the square of 4.5 times pi divided by 20. It came to about 460 tons per print. And how many feet did it have, and how much weight did each carry when at rest? * * * * * He had heard that creatures substantially larger than the dinosaurs of ancient Earth could not exist on land. On an Earth type planet, which this one was with regard to gravity, atmosphere and climate, the limits were not so much biological as physical. A diminutive insect required many legs, not to support its weight, but to preserve balance. Brontosaurus, with legs many times as sturdy as those of an insect, even in proportion to its size, had to seek the swamp to ease the overbearing weight. A larger animal, in order to walk at all, would have to have disproportionately larger legs and feet. Mass cubed with increasing size while the cross section of the legs squared; to maintain a feasible ratio, most of the mass above a certain point would have to go to the feet. Four hundred and sixty tons? The weight on each foot exceeded that of a family of whales. Bones should shatter and flesh tear free with every step. The rain had ceased and the forest was quiet now. Tinnerman scraped up a belated bed of his own and lay down. But his mind refused to be pacified. Bright and clear and ominous the thoughts paraded, posing questions for which he had no answer. What thing had they blundered across? A jumping animal! Tinnerman sat up, too excited to sleep. Like an overgrown snowshoe rabbit, he thought--bounding high, hundreds of feet to nip the lofty greenery, then landing with terrific impact. It could be quite small--less than a ton, perhaps, with one grossly splayed balancing foot. At night it might sail into a selected roost ... or _onto_.... He turned his eyes up to the impenetrable canopy above. In the flattened upper reaches of the banyan ... a nest? Tinnerman stood, moving silently away from the bodies of his companions. Locating his pack a second time he dug out cleats and hand spikes, fitting them to his body by feel. He found his trunk, shaping its firm curvature with both hands; then he began to ascent. He climbed, digging the spikes into the heavy bark and gaining altitude in the blackness. The surface gradually became softer, more even, but remained firm; if it were to pull away from the inner wood the fall would kill him. He felt the curvature increase and knew that the diameter of the trunk was shrinking; but still there was no light at all. His muscles tensed as his body seemed to become heavier, more precariously exposed. Something was pulling him away from the trunk, weakening his purchase; but he could not yet circle any major portion of the column with his arms. Something was wrong; he would have to descend before being torn loose. Relief washed over him as he realized the nature of the problem. He was near the top; the stem was bending in to join the main body of the tree, and he was on the underside. He worked his way to the outside and the strain eased; now gravity was pulling him into the trunk, helping him instead of leaving him hanging. Quickly he completed the ascent and stood at last against the massive nexus where limb melded into bole. * * * * * Here there was light, a dim glow from overhead. He mounted the vast gnarled bulk, a globular shape thirty feet in diameter covered with swellings and scars. It was difficult to picture it as it was, a hundred feet above the ground, for nothing at all could be seen beyond its damp mound. Although it was part of a living or once-living thing, there was no evidence of foliage. There was no nest. The center of the crude sphere rose onto another trunk or stalk, a column about ten feet in diameter, pointing straight up as far as he could see. He was not at the top at all. The bark here was smooth and not very thick; it would be difficult to scale, even with the cleats. Tinnerman rested for about ten minutes, lying down and putting his ear to the wood. Again the melody of the interior came to him, gentle yet deep. It brought a vision of many layers, pulsing and interweaving; of tumescence and flow, rich sap in the fibers. There was life of a sort going on within, either of the tree or in it. He stood and mounted the central stalk. Quickly he climbed, spikes penetrating at fingers, knees and toes, bearing him ant-like up the sheer column without hesitation. The light above became brighter, though it was only the lesser gloom of a starless night on a moonless planet. Ahead the straight trunk went on and on, narrowing but never branching. Huge limbs from neighboring trees crossed nearby, bare and eerie, residual moisture shining dully; but his climb ignored them. Fifty feet; seventy-five; and now he was as high above the bole as it was above the ground. The stem to which he clung had diminished to a bare five foot diameter, but rose on toward the green upper forest. Tinnerman's muscles bunched once more with strain. A wind came up; or perhaps he had come up to it. At this height, even the slightest tug and sway was alarming. He reached his arms around the shaft and hung on. Below, the spokes of other trees were a forest of their own, a fairyland of brush and blackness, crossing and recrossing, concealing everything except the slender reed he held. Above, the first leaves appeared, flat and heavy in the night. He climbed. Suddenly it ended. The trunk, barely three feet through, expanded into a second bole shaped like an upsidedown pear with a five foot thickness, and stopped. Tinnerman clambered onto the top and stood there, letting his weary arms relax, balancing against the sway. There was nothing else--just a vegetable knob two hundred feet above the ground. All around, the dark verdure rustled in the breeze, and the gloom below was a quiet sea. No branches approached within twenty feet of the knob, though the leaves closed in above, diffusing the glow of the sky. Tinnerman studied the hollow around him, wondering what kept the growth away. Was this a takeoff point for the hidden quarry? Then it came to him, unnerving him completely. Fear hammered inside him like a bottled demon; he dared not let it out. Shaking, he began the descent. * * * * * Morning came, dim and unwilling; but it was not the wan light filtering down like sediment that woke the explorers. Nor was it the warmth of day, soaking into the tops and running down the trunks in the fashion of the night water. They woke to sound: a distant din, as of a large animal tearing branches and crunching leaves. It was the first purposeful noise they had heard since entering the forest; as such, it was unnatural, and brought all three to their feet in alarm. The evening deluge had eradicated all trace of the prints leading up to the giant structure under which they had taken shelter. Beneath it the spoor remained, as deep and fresh as before; one print near the edge was half gone. Slaker sized up the situation immediately. "Guarantees the trail was fresh," he said. "We don't know whether it was coming or going, but it was made between rains. Let's get over and spot that noise." He suited action to word and set off, pack dangling from one hand, half eaten space-ration in the other. Abel was not so confident. "Fresh, yes--but we still don't know where the thing went. You don't look as though you got much sleep, Tinny." Tinnerman didn't answer. They picked up their packs and followed Slaker, who was already almost out of sight. They came up to him as he stood at the edge of an open space in the forest. Several mighty trees had fallen, and around their massive corpses myriad little shoots were reaching up. The sunlight streamed down here, intolerably bright after the obscurity underneath. The noise had stopped. There was a motion in the bush ahead. A large body was moving through the thicket, just out of sight, coming toward them. A serpentine neck poked out of the copse, bearing a cactuslike head a foot in diameter. The head swung toward them, circularly machairodont, a ring of six-inch eye stalks extended. The men froze, watching the creature. The head moved away, apparently losing its orientation in the silence. The neck was smooth and flexible, about ten feet in length; the body remained out of sight. "Look at those teeth!" Slaker whispered fiercely. "That's our monster." Immediately the head reacted, demonstrating acute hearing. It came forward rapidly, twenty feet above the ground; and in a moment the rest of the creature came into sight. The body was a globular mass about four feet across, mounted on a number of spindly legs. The creature walked with a peculiar caterpillar ripple, one ten-foot leg swinging around the body in a clockwise direction while the others were stationary, reminding Tinnerman of the problems of a wounded daddy-long-legs. The body spun, rotating with the legs; but the feet managed to make a kind of precessional progress. The spin did not appear to interfere with balance or orientation; the ring of eye-stalks kept all horizons covered. Slaker whipped out his sidearm. "No!" Tinnerman cried, too late. Slaker's shot smacked into the central body, making a small but visible puncture. * * * * * The creature halted as if non-plussed, legs rising and falling rhythmically in place. It did not fall. Slaker's second bullet tore into it, and his third, before Tinnerman wrested away the gun. "It wasn't attacking," he said, not knowing how to explain what he knew. They watched while the monster's motion gradually slowed, huge drops of ichor welling from its wounds. It shuddered; then the legs began pounding the ground in short, violent steps, several at a time. Coordination was gone; slowly the body over-balanced and toppled. The great mouth opened like a flower, like a horn, and emitted an earshattering blast of sound, a tormented cry of pain and confusion; then the body fell heavily on its side. For a moment the three men stood in silence, watching the death throes. The creature's legs writhed as though independently alive, and the head twisted savagely on the ground, knocking off the oddly brittle eye-stalks. Tinnerman's heart sank, for the killing had been pointless. If he had told the others his nighttime revelation-- From the forest came a blast of incredible volume. Tinnerman clapped both hands over his ears as the siren stridence deafened them with a power of twelve to fifteen bels. It ended, leaving a wake of silence. It had been a call, similar to that of the creature just shot, but deeper and much louder. There was a larger monster in the forest, answering the call for help. "Its mate?" Abel wondered out loud, his voice sounding thin. "Its mother!" Tinnerman said succinctly. "And I think we'd better hide." Slaker shrugged. "Bullets will stop it," he said. Tinnerman and Abel forged into the brush without comment. Slaker stood his ground confidently, aiming his weapon in the general direction of the approaching footfalls. Once more the fog-horn voice sounded, impossibly loud, forcing all three to cover their ears before drums shattered and brains turned to jelly. Slaker could be seen ahead, one arm wrapped around his head to protect both ears, the other waving the gun. The ground shook. High foliage burst open and large trees swayed aside, their branches crashing to the ground. A shape vast beyond imagination thundered into the clearing. For a moment it paused, a four legged monster a hundred feet high. Its low head was twelve feet thick, with a flat shiny snout. A broad eye opened, several feet across, casting about myopically. A ring of fibers sprouted, each pencil-thick, flexing slightly as the head moved. Slaker fired. The head shot forward, thudding into the ground thirty feet in front of him. The body moved, rotating grandly, as another member lifted and swung forward. They were not heads, but feet! Five feet with eyes. The monster was a hugely sophisticated adult of the quinquepedalian species Slaker had killed. * * * * * The man finally saw the futility of his stand, and ran. The towering giant followed, feet jarring the ground with rhythmic impacts, hoofs leaving nine-foot indents. It spun majestically, a dance of terrible gravity, pounding the brush and trees and dirt beneath it into nothingness. As each foot lifted, the heavy skin rolled back, uncovering the eye, and the sensory fibrils shot out. As each foot fell, the hide wrinkled closed, protecting the organs from the shock of impact. The creature was slow, but its feet were fast. The fifth fall came down on the running figure, and Slaker was gone. The quinquepedalian hesitated, one foot raised, searching. It was aware of them; it would not allow the killers of its child to escape. The eye roved, socketless, its glassy stare directed by a slow twisting of the foot. The circle of filaments combed the air, feeling for a sound or smell, or whatever trace of the fugitives they were adapted to detect. After a few minutes the eye closed and the fibrils withdrew. The foot went high; plummeted. The earth rocked with the force of the blow. It lifted again, to smash down a few feet over, leaving a tangent print. After a dozen such stomps the creature reversed course and came back, making a second row ahead of the first. This, Tinnerman realized, was carpet-bombing; and the two men were directly in the swath. If they ran, the five-footed nemesis would cut them down easily. If they stayed, it would get them anyway, unless one or both of them happened to be fortunate enough to fit into the diamond between four prints. The odds were negative. And quite possibly it would sense a near miss, and rectify the error with a small extra tap. They waited, motionless, while it laid down another barrage, and another. Now it was within fifty feet, mechanically covering the area. Behind it a flat highway was developing. Saturation stomping, Tinnerman thought, and found the concept insanely funny. Man discovers a unique five-footed monster--the Quink--and it steps on him. Would the history books record the irony? He saw the answer. He gave a cry and lurched to his feet, flinging his pack aside and plunging directly at the monster. The foot halted, quite fast on the uptake, and rotated its eye to cover him. It gathered itself, crashed down, an irresistible juggernaut. The earth jumped with its fury; but Tinnerman, running in an unexpected direction, had passed its arc. He halted directly under the main body of the quinquepedalian. If his guess were correct, it would be unable to reach him there. It would have to move--and he would move with it. Far above, the main body hovered, a black boulder suspended on toothpicks. Above that, he knew, the neck and head extended on into the sky. A head shaped like a pear--when its mouth was closed. The first foot turned inward, its eye bearing on him. It hung there, several feet above the ground, studying him with disquieting intelligence. It did not try to pin him. Balance, Tinnerman judged, was after all of paramount importance to a creature two hundred feet tall. If it lost its footing, the fall of its body would destroy it. So long as it kept three or four feet correctly positioned and firmly planted, it could not fall; but if it were to pull its members into too small a circle it could get into serious trouble. Several hundred tons are not lightly tossed about. * * * * * The quinquepedalian moved. The feet swung clockwise, one at a time, striking the ground with an elephantine touch. The bars of Tinnerman's cage lifted and fell, crushing the terrain with an almost musical beat; the body turned, gaining momentum. The feet on one side seemed to retreat; on the other they advanced, forcing him to walk rapidly to keep himself centered. The pace increased. Now the feet landed just seconds apart, spinning the vast body forward. Tinnerman had to break into a run. Small trees impeded his progress; every time he dodged around an obstruction, the hind feet gained. On an open plain he might have been able to outrun the monster; but now it had maneuvered him onto rough ground. If it didn't tire soon, it would have him. In time it could force him over a cliff that its own legs could straddle, or into a bog. Or it might forget him and go after Abel--and he would have to stay under it, not daring to place himself outside its circle. His respect for it mounted; he was in the eye of a hurricane, and would soon have to find some other place of safety. Tinnerman studied the pattern of motion. At this velocity, the individual feet did not have time for more than peremptory adjustments; the maintenance of forward motion dictated an involved but predictable pattern. One foot had to vacate the spot for the next; he was not sure whether two feet ever left the ground at the same time, but could see sharp limitations. If he were to cross a print just vacated-- He timed his approach and took off to the side, almost touching the ascending foot. It twisted in flight, its eye spotting him quickly; but it was unable to act immediately. It struck the ground far ahead, casting up debris with the force of its braking action, and the following member lifted in pursuit. Tinnerman ran straight out at breakneck speed. He had underestimated Quink's versatility; the second foot went after him much more alertly than an ordinary nervous system should have permitted. In a creature of this size, many seconds should have elapsed before the brain assimilated the new information and decided upon a course of action; yet the feet seemed to react promptly with individual intelligence. This thing was far too large and far-flung for the operation of any effective nervous system--yet it operated most effectively. The shadow of a leg passed over him, and Tinnerman thought for a detached moment that he had been caught. But the impact was twenty feet to his rear. The next one would get him, unless-- He cut sharply toward a medium large tree at the edge of the clearing. He dared not look; but he was sure the creature behind was milling in temporary confusion. It could not dodge as fast as he--he hoped. He reached the tree and ducked behind its fifteen foot diameter, feeling safe for the moment. * * * * * Quink brought up before the tree. One foot quested around the side, searching for him. He could see its enormously thick hoof, completely flat on the underside: polished steel, with a reddish tinge in the center. Probably natural coloration; but he thought of Slaker, and shuddered. The wooden skin drew back, uncovering the eye. The ankle above the hoof widened, the skin bunching in a great roll. He knew now that it settled when the foot rested, coming down to make contact with the ground. He had rested against that swelling last night; he had climbed that leg.... As though satisfied that it could not reach him so long as he hid behind the tree, the quinquepedalian paused for an odd shuffle. Tinnerman peeked around the trunk and saw the legs bunch together in a fashion that destroyed some previous theories, then spread out in a trapezoidal formation. One foot hung near the tree, supporting no weight, and seemingly over-balancing the body somewhat. Then the near foot hefted itself high, swinging like a pendulum, and threw itself against the tree with resounding force. The entire trunk reverberated with the blow, and a shower of twigs and leaves fluttered down from the upper reaches. The foot struck again, higher; again the tree quaked and loosed a larger fall of detritus. Tinnerman kept a cautious eye on it; he could be laid low by a comparatively small branch. The single foot continued its attack, striking the tree regularly about fifty feet above the ground. At that height the foot was about the same diameter as the tree, and the weight behind it was formidable. Yet such action seemed pointless, because damage to the tree would not affect the man behind it. Or was he underestimating Quink again? The pounding ceased, and he poked his head cautiously around once more. Was the thing retreating? Somehow he did not expect it to give up easily; it had demonstrated too much savvy and determination for that. It was a remarkable animal, not only for its size. Three legs stood in a tripod, while two came up simultaneously. Tinnerman's brow wrinkled; it did not seem possible for it to maintain its balance that way. But it was acting with assurance; it had something in mind. The two feet rose, together, one held just above the other. In awe, Tinnerman watched the lofty body topple forward, unable to stand upright in such a position. Suddenly the two feet thrust forward with staggering power; the entire body rocked backward as they smashed into the tree. And this time the timber felt it. A gunshot explosion rent the air as the fibers of the trunk split and severed, wood splaying; and the large roots broke the ground like sea monsters as the entire tree hinged on its roots. Now Tinnerman could see how the clearing had been formed. The parent opened a hole in the forest, so that the baby could feed on the little saplings. As the vegetation grew, so did the child, until tall enough to reach the foliage of full sized trees. A few more blows would fell this one. Tinnerman waited for the next impact, then fled, hidden from view, he hoped, by the tilting trunk. The creature continued its attack, unaware that the real quarry had gone. * * * * * Tinnerman picked up the trail, human prints this time. Abel should have escaped during the distraction, and would be heading for the ship. The mighty forest was quiet now, except for a slight rustle ahead. That would be Abel. Tinnerman moved without noise instinctively, disinclined to interrupt the medication of the great trees' eternal beauty. And knew that he was a fool, for the forest hardly cared, and the quinquepedalian, with all its decibels, would not worry about the distant patter of Human feet. "Don," he called, not loudly. Abel turned at once, a smile on his face. "Tinny! I'm glad you got away." He too was careful of his volume; probably the monster could not hear, but it was pointless to ask for trouble. "You seemed to know what you were doing. But I was afraid you had not made it. I would have waited for you if--" "I know, Don." Abel was no coward; if there had been any way to help, he would have done so. When dealing with the quinquepedalian, loitering was futile and dangerous; the person involved either got away or he did not. The most practical recourse was to trek immediately for the ship, so that at least one person would live to tell the story. "Ship takes off in twelve hours," Abel said, shaking his pack into greater comfort. "If we move right along, we can make it in six hours. Can't be more than twenty miles." "Going to make a full report, Don?" Tinnerman was uneasy, without being certain why. "Fritz was killed," Abel said simply. Tinnerman put out a hand and brought him to a stop. "We can't do it, Don." Abel studied him with concern. "I'll give you a hand, if you got clipped. I thought you were O.K." "I'm all right. Don, we killed that thing's baby. It did what any parent would do. If we report it, the captain will lift ship and fry it with the main jet." "Code of space, Tinny. Anything that attacks a man--" "It didn't attack. It came to the defense of its child. We don't have the right to sentence it." Abel's eyes grew cold. "Fritz was my friend. I thought he was yours too. If I could have killed that monster myself, I'd have done it. You coming along?" "Sorry, Don. I have no quarrel with you. But I can't let you report Quink to the captain." Abel sized him up, then took off his pack. He didn't ask questions. "If that's the way it has to be," he said evenly. * * * * * Don Abel was a slow man, cautious in his language and conservative in action. But he had never been mistaken for a weakling. His fists were like lightning. Tinnerman was knocked back by two blows to the chin and a roundhouse on the ear. He held back, parrying with his forearm; Abel landed a solid punch to the midriff, bringing down his guard, and followed that with a bruising smack directly on the mouth. Tinnerman feinted with his left, but got knocked off his feet with a body check before getting a chance to connect with his right. He rolled over, grasping for the feet, and got lifted by a blinding knee to the chin. His head reeled with a red haze; and still the blows fell, pounding his head and neck, while Abel's foot stunned the large muscle of the thigh, aiming for the groin. Tinnerman's reticence fell aside, and he began to fight. He bulled upward, ignoring the punishment, and flung his arms around the other man's waist. Abel retaliated with a double handed judo chop to the back of the neck; but he held on, linking his forearms in a bearhug, pulling forward. Abel took a fistful of hair, jerking Tinnerman's head from side to side; but slowly the hug lifted him off his feet. Abel was free suddenly, using a body motion Tinnerman hadn't met before, and once again fists flew. It took about fifteen minutes. Abel finally lay panting on the ground, exhausted but conscious, while Tinnerman rummaged in the pack for first aid. "I knew you could take me," Abel said. "It had to be fast, or that damn endurance of yours would figure in. You ever been tired in your life, Tinny?" Tinnerman handed him the sponge, to clean up the blood. "Last night I climbed the Quink," he said. "I stood on its head--and it never made a motion." "Quink? Oh, you mean the monster." Abel sat up suddenly. "Are you trying to tell me--" A look of awe came over his face. "That thing with the legs, the big one--you mean we slept under--" He paused for more reflection. "Those tracks--it does figure. If it hadn't been so dark, we would have seen that the monster was still standing in them! That's why there were leaves under there, and a couple of prints from the front feet. It must have been asleep...." His mind came belatedly to grips with the second problem. "You _climbed_ it?" Tinnerman nodded soberly. "It couldn't have slept through that. I used the spikes.... I didn't catch on until I saw the way the leaves had been eaten around the head. All it had to do was open its mouth--but it let me go. Live and let live." Abel came to his feet. "O.K., Charlie--we'll wait six hours before heading for the ship. That'll give us time to look this thing over. Don't get me wrong--I haven't made up my mind. I may still tell the captain ... but not right away." Tinnerman relaxed. "Let's see what we can learn," he said. He reassembled Abel's pack, then glanced up. * * * * * The foot was there, poised with Damoclesian ponderosity fifteen feet above their heads. The eye was open, fibrils extended. The quinquepedalian had come upon them silently. "Split!" Tinnerman yelled. The two men dived in opposite directions. Once more the ground bounced with concussion, as he raced for the nearest tree. He slid around it, safe for the moment. A glance back showed the monster hauling its foot back into the air. Only half of Don Abel had made it to safety. Then the huge hoof hovered and dropped, and the grisly sight was gone. There was only another flat print in the earth. Abel might have been fast enough, if he hadn't been weakened by the fight. Just as Slaker would have been more careful, had he been warned. The quinquepedalian was the agent; but Tinnerman knew that he was the cause of the two deaths. Now Quink approached the tree, spinning in her stately dance, hoofs kissing the shadowed ground without a sound. She stood. Why hadn't she crushed them both as they fought, oblivious to the danger above? She must have been there for several minutes, watching, listening. One gentle stomp, and vengeance would have been complete. Why had she waited? Fair play? Was this thing really intelligent? Did it have ethics of its own--her own? The familiar foot came around the trunk, perceptors out. He stood calmly, knowing that he was safe from immediate harm. He stooped to pick up a handful of dirt, tossing it at the light sensitive area. The eye folded shut immediately, letting the earth rattle over the bare hide. Fast reflexes. Too fast. An animal of this size had to be handicapped by the distance between brain and appendages. It was manifestly impossible to have an instantaneous reflex at the end of a limb one hundred feet long. No neural track could provide anything like the speed he had witnessed. Tinnerman moved to the other side of the trunk, as though getting ready for a dash to another tree. The foot swung around at once, intercepting him from the other direction, there was no doubt that it learned from experience, and could act on it immediately. But how could that impulse travel from eye to brain and back again so quickly? Usually, an animal's eye was situated quite close to the brain, to cut down neural delay. Unless Quink had a brain in her foot-- The answer struck him stunningly. There _was_ a brain in the foot. There had to be. How else could the pedal members be placed so accurately, while maintaining perfect balance? There would be a coordinating ganglia in the central body, issuing general orders concerning overall motion and order of precedence for the lifting of the feet; there could be another small brain in the head, to handle ingestion and vocalization. And each foot would make its own decisions as to exact placement and manner of descent. Seven brains in all--organized into a mighty whole. The foot-brains could sleep when not on duty, firmly planted in the ground and covered by a thick overlap of impervious skin. They were probably not too bright as individuals--their job was specialized--but with the far more powerful central brain to back them up, any part of Quink was intelligent. "Creature of the forest," Tinnerman said to it in wonder. "Quinquepedalian, septecerebrian--you are probably smarter than I." And certainly stronger. He thought about that, discovering a weird pleasure in the contemplation of it. All his life he had remained aloof from his fellows, searching for something he could honestly look up to. Now he had found it. * * * * * Eleven hours later, on schedule, the ship took off. It would be three, four, five years before a squat colony ship came to set up frontier operations. Quink was stalking him with ageless determination and rapidly increasing sagacity. Already she had learned to anticipate the geometric patterns he traced. He had led her through a simple square, triangle and star, giving up each figure when she solved it and set her body to intercept him ahead. Soon she would come to the conclusion that the prey was something more than a vicious rodent. Once she realized that she was dealing with intelligence, communication could begin. Perhaps in time she would forgive him for the death of her child, and know that vengeance had been doubly extracted already. The time might come when he could walk in the open once more and not be afraid of a foot. At night, while she slept, he was safe; but by day-- Perhaps, when the colonists came, they would be greeted by a man riding the mightiest steed of all time. Or by the quinquepedalian, carrying its pet. It did not matter who was ascendant, so long as the liaison was established. "Creature of the forest," he said again, doubling back as he perceived her bulk in wait at an intersection of the triquetra pattern. For a moment he stood and looked at her, so vast and beautiful, spinning in the dance of his destruction. "Creature of the forest," he said, "Thou art mighty. "Thou art mightier than I." There was an answering blast bels in magnitude, like a goddess awakening beyond the horizon. THE END *** END OF THE PROJECT GUTENBERG EBOOK QUINQUEPEDALIAN *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.