## The Project Gutenberg eBook of Harper's Round Table, January 5, 1897

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Harper's Round Table, January 5, 1897

Author: Various

Release date: September 12, 2019 [eBook #60288]
Most recently updated: October 17, 2024

Language: English

Credits: Produced by Annie R. McGuire

*** START OF THE PROJECT GUTENBERG EBOOK HARPER'S ROUND TABLE, JANUARY 5, 1897 ***

THE LITTLE BISHOP.
TORTOISE-SHELLS.
CAPTAIN JACK'S CHRISTMAS GIFT.
VOLCANOES—THEIR MODE OF ACTION AND ORIGIN.
A LOYAL TRAITOR.
A FAIRY FÊTE.
THE NEW YEAR.
SAVING A TORPEDO-BOAT.
INTERSCHOLASTIC SPORT.
QUESTIONS FOR YOUNG MEN.
STAMPS.
THE CAMERA CLUB.

[Pg 233]

Copyright, 1897, by Harper & Brothers. All Rights Reserved.

published weekly. | NEW YORK, TUESDAY, JANUARY 5, 1897. | five cents a copy.
vol. xviii.—no. 897. |  | two dollars a year.

## THE LITTLE BISHOP.

### BY KATE DOUGLAS WIGGIN.

It was I who called him the Little Bishop. His name was Phillips Brooks Sanderson, but one seldom heard it at full length, since "Phil" was quite enough for an urchin just in his first trousers, and those assumed somewhat prematurely. He was "Phil," therefore, to the village, but always the dear lovable Little Bishop to me. His home was in Bonnie Eagle; it was only because of his mother's illness that he was spending the summer with his uncle and aunt in Pleasant River. I could see the little brown house from my window. The white road, with strips of tufted green between the wheel tracks, curled dustily up to the very door-step, and inside the wire screen-door was a wonderful drawn-in rug, shaped like half a pie, with "Welcome" in saffron letters on its gray surface. I liked the Bishop's aunt; I liked to see her shake the "Welcome" rug before breakfast, flinging the cheery word out into the summer sunshine like a bright greeting to the new day; I liked to see her go to the screen-door a dozen times a day; open it a crack, and chase an imaginary fly from the sacred precincts within; I liked to see her come[Pg 234] up the cellar steps into the side garden, appearing mysteriously as from the bowels of the earth, carrying a shining pan of milk in both hands, and disappearing through the beds of hollyhocks and sunflowers to the pig-pen or the hen-house.

I had not yet grown fond of the uncle, and neither had Phil, for that matter; in fact Uncle Abner was rather a difficult person to grow fond of, with his fiery red beard, his freckled skin, and his gruff way of speaking—for there were no children in the brown house to smooth the creases from his forehead or the roughness from his voice.

I was sitting under the shade of the great maple one morning early when I first saw the Little Bishop. A tiny figure came down the grass-grown road leading a cow by a rope. If it had been a small boy and a small cow, a middle-sized boy and an ordinary cow, or a grown man and a big cow, I might not have noticed them; but it was the combination of an infinitesimal boy and a huge cow that attracted my attention. I could not guess the child's years; I only knew that he was small for his age, whatever it was. The cow was a dark red beast with a crumpled horn, a white star on her forehead, and a large surprised sort of eye. She had, of course, two eyes, and both were surprised, but the left one had an added hint of amazement in it by virtue of a few white hairs lurking accidentally in the centre of the eyebrow.

The boy had a thin sensitive face and curly brown hair, short trousers patched on both knees, and a ragged straw hat on the back of his head. He pattered along behind the cow, sometimes holding the rope with both hands, and getting over the ground in a jerky way, as the animal left him no time to think of a smooth path for bare feet. The Sanderson pasture was a good half-mile distant, I knew, and the cow seemed in no hurry to reach it; accordingly she forsook the road now and then, and rambled in the hollows, where the grass was sweeter, to her way of thinking. She started on one of these exploring expeditions just as she passed the great maple, and gave me time to call out to the little fellow, "Is that your cow?"

He blushed and smiled, tried to speak modestly, but there was a quiver of pride in his voice as he answered, suggestively, "It's—nearly my cow."

"How is that?" I asked.

"Why, when I drive her twenty-nine more times to pasture 'thout her gettin' her foot over the rope or 'thout my bein' afraid, she's goin' to be my truly cow, Uncle Abner says. Are you 'fraid of cows?"

"Ye-e-es," I confessed, "I am, just a little. You see, I am nothing but a grown-up woman, and boys can't understand how we feel about cows."

"I can! They're awful big things, aren't they?"

"Perfectly enormous! I've always thought a cow coming towards you one of the biggest things in the world."

"Yes; me too. Don't let's think about it. Do they hook people so very often?"

"No, indeed; in fact one scarcely ever hears of such a case."

"If they stepped on your bare foot they'd scrunch it, wouldn't they?"

"Yes, but you are the driver, you mustn't let them do that; you are a free-will boy, and they are nothing but cows."

"I know; but p'r'aps there is free-will cows, and if they just would do it you can't help being scrunched, for you mustn't let go of the rope nor run, Uncle Abner says."

"No, of course that would never do."

"Does all the cows where you live go down into the boggy places when you're drivin' 'em to pasture, or does some stay in the road?"

"There aren't any cows or any pastures where I live; that's what makes me so foolish. Why does yours need a rope?"

"She don't like to go to pasture, Uncle Abner says. Sometimes she'd druther stay to home, and so when she gets part way there she turns round and comes backwards."

"Dear me!" I thought, "what becomes of this boy mite if she has a spell of going backwards? Do you like to drive her?" I asked.

"N—no, not erzackly; but, you see, it'll be my cow if I drive her twenty-nine more times 'thout her gettin' her foot over the rope and 'thout my bein' afraid," and a beaming smile gave a transient brightness to his harassed little face. "Will she feed in the ditch much longer?" he asked. "Shall I say 'Hurrap'? That's what Uncle Abner says—'Hurrap!' like that, and it means to hurry up."

It was rather a feeble warning that he sounded, and the cow fed on, peacefully. The little fellow looked up at me confidingly, and then glanced back at the farm to see if Uncle Abner were watching the progress of events.

"What shall we do next?" he asked.

I delighted in that warm, cozy little "we"; it took me into the firm so pleasantly. I am a weak prop indeed when it comes to cows, but all the manhood in my soul rose to arms when he said, "What shall we do next?" I became alert, courageous, ingenious, on the instant.

"What is her name?" I asked, sitting up straight in the hammock.

"Buttercup; but she don't seem to know it very well."

"Never mind; you must shout 'Buttercup!' at the top of your voice, and twitch the rope hard; then I'll call, 'Hurrap!' with all my might at the same moment."

We did this; it worked to a charm, and I looked affectionately after my Little Bishop as the cow pulled him down Aunt Betty's hill.

The lovely June days wore on. I saw Phil frequently, but the cow was seldom present at our interviews, as he now drove her to the pasture very early in the morning, the journey thither being one of considerable length and her method of reaching the goal being exceedingly round-about. Uncle Abner had pointed out the necessity of getting her into the pasture at least a few minutes before she had to be taken out again, and though I didn't like Uncle Abner, I saw the common-sense of this remark. I sometimes caught a glimpse of them at sundown as they returned from the pasture to the twilight milking, Buttercup chewing her peaceful cud, her soft white bag of milk hanging full, her surprised eye rolling in its accustomed "fine frenzy." The frenzied roll did not mean anything, the Bishop and I used to assure each other; but if it didn't, it was an awful pity she had to do it, the Bishop thought, and I agreed. To have an expression of eye that means murder, and yet to be a perfectly virtuous and well-meaning animal, this is a calamity which, if fully realized, would injure a cow's milk-producing activities seriously, I should think.

I was looking at the sun one evening as it dropped like a ball of red fire into Wilkins's Woods, when the Little Bishop passed.

"It's the twenty-ninth night," he called, joyously.

"I am so glad," I answered, for I had often feared some accident might prevent his claiming the promised reward. "Then to-morrow Buttercup will be your own cow?"

"I guess so. That's what Uncle Abner said. He's off to Bonnie Eagle now, but he'll be home to-night, and mother's going to send my new hat by him. When Buttercup's my own cow I wish I could change her name and call her Red Rover, but p'r'aps her mother wouldn't like it. When she b'longs to me, mebbe I won't be so 'fraid of gettin' hooked and scrunched, because she'll know she's mine, and she'll go better. I haven't let her get snarled up in the rope one single time, and I don't show I'm afraid, do I?"

"I should never suspect it for an instant," I said, encouragingly. "I've often envied you your bold, brave look!"

He appeared distinctly pleased. "I haven't cried, either, when she's dragged me over the pasture bars and peeled my legs. Bill Jones's little brother Charlie says he ain't afraid of anything, not even bears. He says he would walk right up close and cuff 'em if they dared to yip; but I ain't like that!"

I told Aunt Betty that it was the Bishop's twenty-ninth night, and that the big red cow was to be his on the morrow.

"Well, I hope it'll turn out that way," she said. "But I ain't a mite sure that Abner Sanderson will give up that cow when it comes to the point. It won't be the first time[Pg 235] he's tried to crawl out of a bargain with folks a good deal bigger than Phil, for he's close, Abner is! To be sure, Phil's father bought all his stock for him years ago, and set him up on the farm; perhaps that'll make some difference, now he's died, and left nothing to his widder. Abner has hired help in July and August, so he can get the cow to the pasture easy enough without Phil. I wish you'd go up there to-night, and ask Mis' Sanderson if she'll lend me half her yeast-cake, and I'll lend her half of mine a Saturday."

I was used to this errand, for the whole village of Pleasant River would sometimes be rocked to the very centre of its being by simultaneous desire for a yeast-cake. As the nearest repository was a mile and a half distant, as the yeast-cake was valued at two cents and wouldn't keep, as the demand was uncertain, being dependent entirely on a fluctuating desire for "riz bread," the Edgewood store-keeper refused to order more than three yeast-cakes a day at his own risk. Sometimes they remained on his hands a dead loss; sometimes eight or ten persons would "hitch up" and drive from distant farms for the coveted article, only to be met with the flat, "No, I'm all out o' yeast-cake; Mis' Simmons took the last; mebbe you can borry half o' hern, she hain't much of a bread-eater."

So I climbed the hill to Mrs. Sanderson's, knowing my daily bread depended on the successful issue of the call. As I passed by the corner of the barn, I paused behind a great clump of elderberry-bushes, for I heard the timid voice of the Little Bishop and Uncle Abner's gruff tone. I did not wish to interrupt nor overhear a family interview, and I thought they might walk on as they talked; but in a moment I heard Uncle Abner sit down on a stool by the grindstone as he said:

"Well, now, Phillips Brooks, we'll talk about the red cow. You say you've drove her a month, do ye? And the trade between us was that if you could drive her a month without her getting the rope over her foot and without bein' afraid, you was to have her. That's straight, ain't it?" The Bishop's face burned with excitement, his gingham shift rose and fell as if he were breathing hard, but he only nodded assent and said nothing. "Now," continued Uncle Abner, "have you made out to keep the rope from under her feet?"

"She 'ain't got t-t-tangled up one s-single time," said Phil, stuttering in his excitement, but looking up with some courage from his bare toes, with which he was assiduously ploughing the earth.

"So far, so good. Now 'bout bein' afraid. As you seem so certain of gettin' the cow, I suppose you hain't been a mite scared, hev you? Honor bright, now!"

"I—I—not but just a little mite. I—"

"Hold up a minute. Of course you didn't say you was afraid, and didn't show you was afraid, and nobody knew you was afraid, but that ain't the way we fixed it up. You was to call the cow yourn if you could drive her to the pasture for a month without bein' afraid. Own up square now, hev you ben afraid?"

A long pause, then a faint "Yes."

"Where's your manners?"

"I mean yes sir."

"How often? If it hain't ben too many times mebbe I'll let ye off, though you're a reg'lar girl-boy, and'll be runnin' away from the cat bimeby. Has it ben—twice?"

"Yes," and the Little Bishop's voice was very faint now, and had a decided tear in it.

"Yes what?"

"Yes, sir."

"Has it ben four times?"

"Y-es, sir." More heaving of the gingham shirt.

"Well, you air a coward! How many times? Speak up now."

More digging of the bare toes in the earth, and one premonitory tear stealing from under the downcast lids, then:

"A little most every day, and you can keep the cow," wailed the Bishop, as he turned abruptly and fled behind the barn, where he flung himself into the green depths of a tansy bed, and gave himself up to unmanly tears.

I had heard more than I wished, for I had been rooted to the spot, not so much because of my interest in Phil as that I did not like to vex Uncle Abner by making him aware of my unintentional presence. I did not dare seek and comfort my Little Bishop sobbing in the tansy bed, the brand of coward on his forehead, and, what was much worse, the fear in his heart that he deserved it. I hurried home across the fields, quite forgetting my errand, and told Aunt Betty, with tears in my eyes, that I would rather eat buttermilk bread for a week than have one of Uncle Abner's yeast-cakes in the house. I acknowledged that he had been true to his word and had held to his bargain, but I could not forgive his making so hard a bargain with my timid Little Bishop.

Aunt Betty finally heard from Mrs. Sanderson, through whom all information was sure to filter if you gave it time, that Uncle Abner despised a coward, that he considered Phil a regular mother's-apron-string boy, and that he was "learnin'" him to be brave.

Bill Jones, the hired man, now drove Buttercup to pasture, though whenever Uncle Abner went to Moderation of Bonnie Eagle, as he often did, I noticed that Phil took the hired man's place. I often joined him on these anxious expeditions, and a like terror in both our souls, we attempted to train the red cow and give her some idea of obedience.

"If she only wouldn't look at us that way we would get along real nicely with her, wouldn't we?" prattled the dear Bishop, straggling along by my side; "and she is a splendid cow; she gives twenty-one quarts a day, and Uncle Abner says it's more'n half cream."

I assented in all this, thinking that if Buttercup would give up her habit of turning completely round in the road to roll her eyes and elevate her white-tipped eyebrow, she might indeed be an enjoyable companion; but in her present state of development her society would not be agreeable to me even did she give sixty-one quarts of milk a day. Furthermore, when I found that she never did any of these reprehensible things with Bill Jones, I began to believe cows more intelligent creatures than I had supposed them to be, and I was indignant to think Buttercup could count so confidently on our weakness.

One evening, when she was more than usually exasperating, I said to the Bishop, who was bracing himself to keep from being pulled into a way-side brook where she loved to dabble, "Bishop, do you know anything about the superiority of mind over matter?" No, he didn't, though it was not a fair time to ask the question, for he had sat down in the road to get a better purchase on the rope.

"Well, it doesn't signify. What I mean is that we can die but once, and it is a glorious thing to die for a great principle. Give me that rope. I can pull like an ox in my present frame of mind. You run down on the opposite side of the brook, take that big stick, wade right in—you are barefooted—brandish the stick, and, if necessary, do more than brandish. I would go myself, but it is better she should recognize you as a master, and I am in as much danger as you are, anyway. She may try to hook you, of course, but you must keep waving the stick—die brandishing, Bishop, that's the idea! She may turn and run for me, in which case I shall run too; but I shall die running, and Aunt Betty can bury us under our favorite sweet-apple-tree!"

The Bishop's soul was fired by my eloquence. The blood mounted to our brains simultaneously, and we were flushed with a splendid courage in which death looked a mean and paltry thing compared with vanquishing that cow. She had already stepped into the pool, but the Bishop waded in towards her, moving the alder branch menacingly. She looked up with the familiar roll of the eye that had done her such good service all summer, but she quailed beneath the stern justice of the Bishop's gaze.

In that moment she felt ashamed, I know, of the misery she had caused that helpless mite. At any rate, actuated by fear, surprise, or remorse, she turned and walked back into the road without a sign of passion or indignation, leaving us rather disappointed at our easy victory. To be prepared for a violent death and receive not even a scratch makes one fear that one may possibly have overestimated the danger.

[Pg 236]

Well, we were better friends after that, all three of us, and understood one another better as the summer grew into autumn and the great maple hung a flaming bough of scarlet over the hammock. Uncle Abner found the Bishop very useful at picking up potatoes and gathering apples, but he was going to leave Pleasant River as soon as the harvesting was over.

One warm evening Aunt Betty and I were borrowing half a yeast-cake, and incidentally sitting on Mrs. Sanderson's steps at sunset. Buttercup was being milked on the grassy slope near the shed door. As she walked to the barn, after giving up her twelve quarts of yellow milk, she bent her neck and snatched a hasty bite from a pile of turnips lying temptingly near. In her haste she got more of a mouthful than would be considered good manners even among cows, and as she disappeared in the barn door I could see a forest of green tops hanging from her mouth, while she painfully attempted to grind up the mass of stolen material without allowing a single turnip to escape.

It grew dark soon after, and we went into the house, but as we closed the door I heard the cow coughing, and said to Mrs. Sanderson, "Buttercup was too greedy, and now she has indigestion."

The Bishop always went to bed at sundown, and Uncle Abner had gone to the doctor's to have his hand dressed, for he had hurt it in some way in the threshing-machine. Bill Jones came in presently and asked for him, saying that the cow coughed more and more, and it must be that something was wrong, but he could not get her to open her mouth wide enough for him to see anything.

When Uncle Abner had driven into the yard, he came in for a lantern, and went directly out to the barn. After an hour or more, in which we had forgotten the whole occurrence, he came in again. "I'm blamed if we ain't goin' to lose that cow," he said. "Come out, will ye, Hannah, and hold the lantern? I can't do anything with my right hand in a sling, and Bill is the stupidest critter in the country."

We all went out to the barn except Aunt Betty, who ran down the path to see if her son Moses had come home from Saco, and could come up to take a hand in the exercises.

Buttercup was in a bad way; there was no doubt of it. Something, one of the turnips, presumably, had lodged in her throat, and would move neither way, despite her attempts to dislodge it. Her breathing was labored, and her eyes bloodshot from straining and choking. Once or twice they succeeded in getting her mouth partly open, but before they could fairly discover the cause of trouble she had wrested her head away.

"I can see a little tuft of green sticking straight up in the middle," said Uncle Abner, while Bill Jones and Moses held a lantern on each side of Buttercup's head; "but, land! it's so far down, and such a mite of a thing, I couldn't git it even if I could use my right hand. S'pose you try, Bill."

Bill hemmed and hawed, and confessed he didn't care to try. Buttercup's teeth were of good size and excellent quality, and he had no fancy for leaving his hand within her jaws. He said he was no good at that kind of work, but that he would help Uncle Abner hold the cow's head; that was just as necessary, and considerable safer.

Moses was more inclined to the service of humanity, and did his best, wrapping his wrist in a cloth, and making desperate but ineffectual dabs at the slippery green turnip-tops in the reluctantly opened throat. But the cow tossed her head and stamped her feet and switched her tail and wriggled from under Bill's hands, so that it seemed altogether impossible to reach the seat of the trouble.

Uncle Abner was in despair, fuming and fretting the more because of his own uselessness. "Hitch up, Bill," he said, "and, Hannah, you drive over to Edgewood for the horse-doctor. I know we can get out that turnip if we can hit on the right tools and somebody to manage 'em right; but we've got to be quick about it or the critter'll choke to death, sure! Your hand's so clumsy, Mose, she thinks her time's come when she feels it in her mouth, and your fingers are so big you can't ketch holt o' that green stuff 'thout its slippin'!"

"Mine's little; let me try," said a timid voice, and turning round, we saw the Bishop, his trousers pulled on over his night-shirt, his curly hair ruffled, his eyes big with sleep.

Uncle Abner gave a laugh of good-humored derision. "You—that's afraid to drive a cow to pasture? No, sir; you hain't got sand enough for this job, I guess!"

Buttercup just then gave a worse cough than ever, and her eyes rolled in her head as if she were giving up the ghost.

"I'd rather do it than see her choke to death!" cried the Bishop in despair.

"Then, by ginger, you can try it, sonny!" said Uncle Abner. "Now this time we'll tie her head up. Take it slow, and make a good job of it."

Accordingly they pried poor Buttercup's jaws open to put a wooden gag between them, tied her head up, and kept her as still as they could, while we women held the lanterns.

"Now, sonny, strip up your sleeve and reach as fur down 's you can! Wind your little fingers in among that green stuff stickin' up there that ain't hardly big enough to call green stuff, give it a twist, and pull for all you're worth. Land! what a skinny little pipe stem!"

The Bishop had stripped up his sleeve. It was a slender thing, his arm; but he had driven the red cow all summer, borne her tantrums, protected her from the consequences of her own obstinacy, taking (as he thought) a future owner's pride in her splendid flow of milk—grown to love her, in a word—and now she was choking to death. Love can put a deal of strength into a skinny little pipe-stem at such a time, and it was only a slender arm and hand that could have done the work.

Phil trembled with nervousness, but he made a dexterous and dashing entrance into the awful cavern of Buttercup's mouth; descended upon the tiny clump of green spills or spikes, wound his little fingers in among them as firmly as he could, and then gave a long, steady determined pull with all the strength in his body. That was not so much in itself, to be sure, but he borrowed a good deal more from some reserve quarter, the location of which nobody knows anything about, but upon which everybody draws in time of need.

Such a valiant pull you would never have expected of the Little Bishop. Such a pull that, to his own utter amazement, he suddenly found himself lying flat on his back on the barn floor, with a very slippery something in his hand, and a fair-sized but rather dilapidated turnip on the end of it.

"That's the business!" cried Moses.

"I could 'a' done it as easy as nothin' if my arm had been a leetle mite smaller," said Bill Jones.

"You're a trump, sonny!" exclaimed Uncle Abner as he helped Moses untie Buttercup's head and took the gag out. "You're a trump, and, by ginger, the cow's yourn!"

The welcome air rushed into Buttercup's lungs and cooled her parched, torn throat. She was pretty nearly spent, poor thing! and bent her head gently over the Little Bishop's shoulder as he threw his arms joyfully about her neck, and whispered, "You're my truly cow now, ain't you, Buttercup?"

"Aunt Betty," I said, as we walked home under the harvest moon, "there are all sorts of cowards, aren't there, and I don't think the Little Bishop is the worst kind, do you?"

### TRYING TO SEE THE WIND.

Did you ever try to see the wind? It is a very pretty experiment, and one easily performed. In the first place choose a windy day, then secure a polished piece of metal. (A hand-saw will be the easiest to get.) Hold the metallic surface at right angles to the direction of the wind. For example, if the wind is in the north, hold the saw east and west inclined about forty-five degrees to the horizon. Now look carefully at the sharp edge, and you will shortly see the wind pouring over it like a waterfall. Do not try the experiment on a rainy or a murky day.

[Pg 237]

## TORTOISE-SHELLS.

### BY A. V. S. ANTHONY.

It was a bright winter morning, and the air outside was frosty and still. A young maid sat in her cozy chamber dressing her golden-brown curls, and as she drew her comb through them she heard a sharp crackling sound that caused her to put on her "thinking-cap," as was her habit when anything out of the common occurred, for she liked to reason out matters in her own quiet way. In her studies she had not as yet reached any allusion to that subtile power known as electricity, so she concluded that the sound must have come from the comb, which she thought was possibly made from the shell of a snapping-turtle. Having settled the affair comfortably in her mind, she finished her toilet hastily, that she might lose no time in announcing her discovery to the family at the breakfast table.

It was the fortunate lot of the head of the family to have been wrecked on a coral reef. I say fortunate, because "All's well that ends well," and inside the reef was a small island, on which he, the head of the family, had the rare experience of witnessing the catching of turtles and the removal of their shells by some native fishermen.

Stories of shipwrecked mariners have been so often told that the incidents of mine need not be repeated here. If, as the Irishman said, the tale of the lost could be told, it would be quite new and interesting; but mine was the very ordinary and commonplace.

After the morning meal was over I told the little maid about it, as I briefly tell you here.

I was on my way to Central America, and had almost reached my journey's end when our ship was wrecked. We struck the reef about nine o'clock at night. It was a very dark and thick night, and the waves dashed over us as we huddled together on the quarter-deck while waiting for daylight to determine in which direction lay possible safety. When the sun rose the next morning we saw approaching us a canoe containing four Indians, with whose assistance we got over the dangerous rocks, and were soon on the island, which was about ten miles distant from the mainland.

It was a beautiful morning, and after the Indians had made us some hot coffee and tortillas (an unleavened corn-cake, baked on hot stones), they went off with the Captain and crew to the wreck, to see if anything could be saved from it, while I lay under the cocoanut-trees enjoying the soft tropical air and congratulating myself on my escape.

When the Captain returned, he determined that he had been driven about twenty-five miles out of his course by a strong current that sets up northward along the eastern coast of Yucatan, for which he had not made proper allowance.

Day was the period of rest for the Indians, and as we all needed sleep, we closed our eyes on the lovely yellow light of the Caribbean Sea, and stretched ourselves under the shelter of the thatched hut.

Towards sunset the Indians awakened us, and gave us another meal of coffee and tortillas, with chile—an uncommonly hot little green pepper. The night promised to be fine, and the Indians predicted a good catch of turtles, as the egg-laying season was nearing its close. So, after an hour or two of chatting, we went down to the edge of the beach, and hid ourselves among the tall salt grasses that lined the shore above high-water mark, where we lay quietly watching the moon rising in its mysterious way out of the sea. Not a sound was heard, save the soft murmuring of the waves as they washed over the reef about half a mile away. We were as still as mice, as the Indians had cautioned us against talking, for the turtles were shy, and very quick to take alarm. After a long wait one of the men touched my arm, and pointed to some dark objects that were slowly crawling out of the water, which was as quiet as a mill-pond. Those dark objects were five big turtles that had come ashore to lay their eggs, which are from two to three inches in length, and sometimes as many as two hundred in number.

WATCHING THE TURTLES COMING OUT OF THE WATER.

This turtle has a small squat head covered with plates of shell, and has a jaw like the beak of a hawk. It has four limbs, or flippers—the hindermost being quite long and winglike—which are armed with a couple of strong nails, with which it digs holes in the sand when it comes ashore to lay its eggs, and it is very fierce at such times if disturbed. When the eggs are laid and carefully covered, Mrs. Turtle waddles off to the water, and gives no further thought of her two hundred or more children which she has left behind.

In the course of time the hot sun hatches out the little chelonians, who burst their shells, and digging their way out of the sand, toddle town the beach to the sea to begin their careers.

Their food consists of sea-weed, crabs, and fishes, and[Pg 238] when they grow to be about two hundred pounds in weight, and their shells become valuable, it behooves them to keep their "weather eyes" open for dark-skinned men when their maternal instincts prompt them to ramble on shelving beaches by the light of the moon.

When the turtles were well up on the shore, the natives rushed out with stout poles, and after a sharp tussle succeeded in turning them over on their backs—no easy task, as they were nearly four feet long, and weighed several hundred pounds.

Once on their backs they were helpless, as they were unable to regain their natural position. Long after midnight we added another to our catch, and then went to rest, leaving the turtles on the beach.

In the morning the natives rolled them over, and after fastening their flippers to stakes driven into the beach, built a light fire on their backs, which caused the plates to curl at the edges, under which a knife was passed and the plates removed, leaving underneath a solid body of bony substance, which is the real protecting shield.

The fire seemed to cause the turtles much pain, as they moaned in quite a human way, but the work was soon over, and on being released, the poor things crawled down the beach and disappeared into the sea. The natives are very careful not to fatally injure them, as they are not very numerous in these waters, and would soon be exterminated if indiscriminately slaughtered, and this is the only variety—the hawksbill, Erectmochelys imbricata, the zoologists call them—that yields the tortoise-shell of commerce. I was told that a second shell soon formed, but it grew as one solid mass, and had no commercial value.

There are thirteen of these plates, and the centre one, on a full-grown specimen, is oftentimes fully fifteen inches long, weighing over half a pound, and ranging from an eighth to a quarter of an inch in thickness.

The finest shell comes from the Eastern Archipelago, around the Celebes, and along the coast of New Guinea, and its value depends on its mottled color; that having a warm transparent yellow tone, with rich brown spots, is the most sought after, and brings the highest price. It is a horny substance, much harder, more brittle, and less fibrous than ordinary horn, and it is very tender, and should not be exposed to severe cold.

In preparing the plates for manufacturing purposes, they are first carefully scraped and washed, the rough edges filed off, and then treated to a bath of boiling water, after which they are subjected to pressure to flatten them. Great care must be used to avoid overheating them, as an excess of heat destroys the transparent and translucent portions, and turns them into a muddy, opaque mass, and thus impairs the market value, so only the most skilful workmen are intrusted with the finer grades, as long practice enables them to work the material at a moderately low temperature.

The shell has an extremely peculiar quality, and with the proper degree of heat can be fashioned into any desired form, which it retains on cooling. All the chips, scraps, and filings that come from working the shells are carefully saved, as they can be softened and pressed into moulds of various shapes.

When thickness is desired, two surfaces are roughened by rasping, and the pieces are then plunged into boiling water, which liquefies the superficial film, and transforms it into a sort of gluey paste, and when the two pieces are pressed together—sometimes between hot irons—a solid mass is obtained, without loss of the valuable qualities so much esteemed. Many cheap compositions and a large amount of stained horn are on the market, which are sold to the unwary as real tortoise-shell, but the fraud is easily detected.

The old Romans held the shell in high favor, and used it very freely to veneer furniture, etc.; and the modern French and German craftsmen decorate their buhl cabinets with it in connection with gold, silver, and copper. To-day it is made into many articles of jewelry, chains, sleeve-buttons, lorgnettes, combs, and other toilet articles. To-morrow it may be out of fashion, and be laid away with camel's-hair shawls.

## CAPTAIN JACK'S CHRISTMAS GIFT.

It was just in the holiday season when Bob and Tommie were delighted to receive a visit from their old friend Captain Hawkins from the sea-shore.

"Just thought I'd run up to town for a few minutes," he said, as if it were necessary for him to explain his presence in town. "You see, I've got a few nevews an' several thousand gran'children what likes to hear from me about Christmas-time, so I goes about Bemberton-by-the-Sea, and all I can find in the shops down thereabouts is the same old things they've had for the last forty year."

"My! Captain Hawkins," said Bob. "Forty years? Are your nephews and grandchildren as old as that?"

"Well, pretty nearly," said the Captain, with an uneasy laugh. "Pretty nearly; and when you get to be forty you get kind of tired o' tin pails and wooden spades and little red jumpin'-jacks an' doll babbies and lemon drops. You boys don't understand that, but wait till you get to be forty year old, and see if I ain't tellin' you the solemnest kind o' truth."

"I guess you're right," said Bob. "I gave my daddy a fine old Jack-in-the-box once, and he laughed like everything at first; but he didn't play with it much, and finally it came back to me again. Pop's pretty nearly forty."

"Yes, an' I guess he laughed like sixty when he saw that Bob-in-a-box."

"Jack-in-a-box," said Bob, with a smile.

"All the same," retorted the old Captain. "Jack-in-a-box, Tommie-in-a-box, or Bob-in-a-box! I never could see why they took the trouble to specify, and if I'd ever have had any children o' my own the Jack-in-a-box would ha' been named after 'em."

"But, Captain, you were just speaking of your grandchildren," said Tommie. "How can you have any grandchildren if you haven't had any children?"

"Oh, that's easy," replied the Captain. "I've adopted 'em. Whenever I see boy or a girl that strikes me as being grand I adopt 'em and call 'em my grandchildren. I guess I've got most a million of 'em scattered round."

"And you've come up to get a million Christmas presents for 'em?" cried Bob, in ecstasy.

"Yep—only there ain't more'n ten of 'em," said the Captain, "that expects anything. I'm goin' to spend ten cents apiece on 'em, but first I've got to get the other eight."

Bob looked at Tommie and Tommie looked at Bob. They were really puzzled to think what the Captain could mean.

"The other eight?" asked Bob.

"Yes," said Hawkins. "You boys ain't the only grandchildren I've got. I love you, but you ain't the only ones I love. There's at least eight more. And what do you suppose I'm goin' to give you all for Christmas?"

The boys gave it up.

"Well," said the Captain, in a whisper, "as I was a-comin' up Broadway a-lookin' into the windows, all of a sudden I see a hoss-car goin' along without a hoss, and I says goodness gracious that's funny. A hoss-car without a hoss, an' what was queerest of all, no trolley! Boys, it scaret me. Me who was never scaret before was scaret then. So I says to a policeman, 'Great scott! Mr. Constable, say, what makes that car go so fast?' 'It's the cable,' says he. My goodness thinks I, I'm sorry for the man that has to pull it, but I jumps aboard one of 'em, pays my five cents, and I have the finest sail from Forty-second Street to the Battery you ever see. No wind, no steam, nothin' in sight to move you, but movin' just the same, just as if you was on a sled slidin' down a hill. It was fine. Goin' around by Fourteenth Street you got lurched like as if you was at sea, an' then with a clear track and no squalls we just bounded down past Canal and Wall streets to Bowlin' Green, and back as slick as anything. And I says to myself, Cap'n Hawkins you've struck it. Don't give the boys no pails, no Jims-in-the-boxes, no spades, no nothin', but get the whole ten of 'em together and give 'em a ride on the cable-car whether you're sorry for the feller that pulls the rope or not. So I'm goin' back to Bemberton for the other eight, and when you boys are free I want you to join us for a sail from Central Park down and back, eh?"

[Pg 239]

## VOLCANOES—THEIR MODE OF ACTION AND ORIGIN.

### BY NATHANIEL S. SHALER,

#### Professor of Geology at Harvard University.

In endeavoring to set before the reader an account of volcanoes, I find a difficulty arising from the fact that very few people have had a chance to see these curious features in the machinery of the earth. In the United States, except in the far-away island district of Alaska, there is not one that has been seen by white men in a state of activity. Many, it is true, exist in the Cordilleran district, between the Canadian and Mexican line, but these are for the most part inaccessible, or, if conveniently placed for the tourists' convenience, are not well suited to show the most important facts of these structures. In writing about the sea, rivers, mountains, glaciers, or any other class of natural objects, our country affords admirable means of illustration, which may serve to convey clear impressions; but the story of volcanoes has to be told without this help.

It is otherwise in the Old World. In Europe, Ætna and Vesuvius have had their activity associated with that of the most cultivated people of the world for about twenty-five centuries; and at many points, as in the valley of the Po or in central France, there are groups of volcanoes which are, though no longer active, in a very perfect state of preservation, within sight of the ways which are traversed by all sight-seeing travellers.

Its convenient position, immediately neighboring to the most beautiful scenery and the greatest treasures of antiquity, has made Vesuvius the volcano of all others which people are likely to see. Probably a hundred climb it for one who ascends any other cone. This is true of our own countrymen who travel as well as those of Europe. This choice of Vesuvius as the volcano of pilgrimage is fortunate, for the reason that though by no means a great specimen of its kind, it is perhaps the most useful to the student of all the thousands that have been examined and described by observers of volcanic phenomena. Therefore, as we should begin our inquiry by seeing what occurs in a volcanic outbreak, and the consequences of these explosions, we will make our study on this beautiful cone.

It is characteristic of this most amiable of volcanoes that of late years it has been in many frequent slight eruptions. The greater number of craters lie sleeping for hundreds or perhaps thousands of years, until they break forth with a fury that sends desolation to the country for miles from the point where the discharge takes place. But Vesuvius, which in its early years was given to furious storms, such as that which overwhelmed Herculaneum and Pompeii eighteen centuries ago, has now become so mild-mannered that men till their vineyards in a fearless way on the slopes which lead up to the crater.

It was my good fortune, about fifteen years ago, on one of several visits to Vesuvius, to find it in an excellent state for an inquiry, which showed me more of what goes on in an eruption, and led to a better insight into the nature of the work than has often been seen by the geologist. There was a slight eruption in progress during the night; from the windows of my lodging in Naples I could see the successive puffs of fire from the crater coming regularly, several each minute. On the following morning there was a strong northerly wind blowing, which made me hope it would be possible to approach the edge of the opening without danger from the falling stones.

Climbing the long way which leads from the railway station on the shores of the bay, through the gardens, villages, and vineyards, I came at length to the observatory which has been established on the border of the area which is reasonably safe in times of trouble. Here I learned that the instruments which show the tremblings of the earth, the small earthquakes which are not perceived by our bodies, indicated that the cone was in a state of constant trembling. The observers who watch this apparatus thought it likely that some time during the day the cone would be blown away in a violent eruption, such as now and then sends the upper part of this and many other volcanoes flying into bits before the fierce blast of the escaping vapors.

My way lay across a wide field of lava and cinders to the place where the steep slope of the upper cone rose to the level where the crater was bombarding the sky with the rapidity of a well-served cannon. The climb up this cone, composed of the bits of lava which had been blown into the air and had fallen down again to the earth, was very laborious. The slope was as steep as a house roof. It took three steps to gain each foot in height. Now and then a stronger blast from the crater would shake the heap, so that it was hard to keep the ground that had been gained. It took a long hour to win the height of four or five hundred feet.

"CREEPING TO THE SHARP EDGE OF THE CRATER, I SAW INTO THE VERY MOUTH OF THE VOLCANO."

Creeping to the sharp edge of the crater, and peering cautiously into the cavity, I saw into the very mouth of the volcano. The cup-shaped depression was about three hundred feet in diameter, and perhaps half that depth; it passed downward into a well-like pipe, perhaps sixty feet across. The lower part of the pit was, even in the bright sunlight, evidently red-hot. The sides of the pipe were white-hot. On this lower part of the pit, which shone like the eye of a furnace, a mass of very fluid lava was lashing up and down, now rising until it filled the bottom of the basin with its fiery tide, again sinking until it was out of sight.

Each time the lava rose up into the basin it swelled quickly in its middle part, and in the twinkling of an eye it was broken by an explosion of such violence that a quantity of the fluid rock was tossed in fragments high into the air. As this sped upward and downward, it had a chance partly to cool, so that as it fell on the edge of the cone opposite to where I was the roar of its striking was very suggestive of what would happen if the wind should die away.

Although the circumstances were such as made it hard to observe closely, I had no difficulty in seeing that the vapor which blew out at each explosion was steam. As it came forth, it was of the steel-blue color which we see just where the steam comes from the safety-valve of a very hot boiler. As it rose in the crater it soon became white, and as it whirled around me it had the well-known odor of steam, mingled with that of sulphur. In a word, it was evident that it was the vapor of water which was the cause of the explosions.

After I had watched this fascinating scene for about half an hour, with much inconvenience from the heat of the earth and from the shaking of the ground on which I lay, the explosions, which were at first at the rate of three or four each minute, became more and more frequent and violent, and the strong wind began to die away, so that a speedy retreat was necessary to escape the bits of lava, which were now falling heavily. Looking back from the base of the cone, I noted that the explosions came faster and faster, so that it sounded as a continuous roar. It was just as when a locomotive starts on its journey. At the outset we can count the puffs; as the cylinders move faster and faster the escape sounds perfectly continuous.

From the base of the cinder cone there flowed out a small lava stream. This lava was evidently full of steam, which poured forth from all parts of the surface. This is seen in all eruptions. Clouds of steam hung over the streams of lava. They are often visible ten miles or more away from the current of molten rock. In a great eruption the steam given forth from the crater often forms, as it condenses, into rains, that fall in fearful torrents about the cone. It is evident, in a word, that the explosions of volcanoes are formed by the escape of the vapor of water. They are, indeed, like the explosions of boilers.

The question now arises as to the way in which this steam gets into the lava. This we can decide by a simple bit of study of the facts. Taking a map which shows the positions of several hundred active volcanoes, we find at once that they are all situated on the sea floor, from which they rise to form islands on its surface; or, when they are on the continents, they are never more than two hundred and fifty miles from the ocean. This shows that the activity of a volcano is, in some way, related to the sea-water. The only way in which we have been able to[Pg 240] reasonably conceive of the sea bringing about volcanic explosions will now be described.

On the sea floor there is a constant laying down of sediments—limestones, sandstones, etc. We know by the parts of the old sea floor that have been uplifted into dry lands that such beds have been formed, to the thickness in all of one or two hundred thousand feet. These beds are made of small bits of rocky matter and fragments of dead animals and plants. These bits do not fit closely together, and the interspaces are filled with sea water, so that as much as one-twelfth of the rock is usually made up of the fluid in which it was formed. As the ages go on, these beds, with the water which they hold, are buried deeper and deeper by the newer rocks which are laid down upon them, until it may be that they are thus brought to lie twenty miles or more below the surface of the solid earth.

Next let us see as to the heat to which these rocks, with their imprisoned water, are exposed. We know, from a great number of studies which have been made in mines that for each mile we go downward in the earth there is an increase in heat, differing a good deal in different places, but on the average amounting to about one hundred degrees. Therefore, at the depth of twenty miles the imprisoned water would have a temperature of about two thousand degrees. In other words, it would be about as hot as the melted iron that comes from the blast-furnace. Thus heated, the water of the tiny cells of the rock would tend to explode with something like the intensity of gun-powder when it was fired; but as it is sealed in by the great thickness of the rock above, it cannot burst into vapor—just as in the steam-boiler the water stays as a fluid even when it is heated twice as hot as it needs be to become steam when it is not confined.

Let us now suppose that a rift, or, as geologists call it, a fault, is formed in the rocks leading from the surface downward to the level where this very explosive water lies. We can readily fancy that at once the fluid would flash into steam; and as this occurred in the myriads of little cavities in the rocks, which were so heated that they tended to become melted, great quantities of the beds would be forced along with the escaping steam in the form of lava. We see also that this would account for the fact that when the lava comes to the surface of the earth it is commonly filled with steam. When it rises quickly to the air, it is blown to fine dust by the expanding vapor; or if it does not fly to pieces, the little bits of water expand into bubbles, forming pumice or lava, so full of little cavities that it will float on the water like cork.

This view as to the origin of volcanoes, although it would not be accepted by all the students of these strange features of the earth, seems most probable, for the reason that it accounts for the fact that all the seats of present volcanic activity are on the floor of the seas or near their borders, and that the extinct volcanoes which we have had a chance to study lost their activity at a time when, by the changes in the shape of the land, the sea was moved away from the region where they were found. We easily perceive that it is only where, as in the sea, beds are being laid down, one on top of another, that the heat is rising in the rocks, and the water in their crevices becoming hotter; beneath the land the rocks are always becoming less heated, so that the water which they contain is constantly cooling down.

I have spoken of the water contained in the very heated rocks as if it remained in the state of fluid. It is likely that, when in its very hot state, it may be changed into its gases, oxygen and hydrogen, of which it is composed, and that these gases would again become the vapor of water as they rose toward the surface and were somewhat cooled. This and other matters of chemical detail which go on in the wonderful laboratory of the under-earth do not hinder our believing that volcanoes are due to the escape of the water which is constantly being buried in the rocks as they are built. So large is the amount of this water which lies thus buried that probably it amounts to somewhere near as much as is held in all the seas. Were it not for the return of the buried fluid through the volcanoes, the oceans would doubtless be much smaller than they are. They might, indeed, have long since disappeared in the crevices of the earth.

[Pg 241]

## A LOYAL TRAITOR.

#### A STORY OF THE WAR OF 1812 BETWEEN AMERICA AND ENGLAND.

### BY JAMES BARNES.

### CHAPTER XI.

### THE SWORD-FISH AND THE WHALE.

Now again we had changed our course, and were going before the wind directly to the westward. The breeze was light, and better for a small vessel than for a heavy, deep-laden man-of-war, and we might have run away in safety if we chose. That something was up, however, that meant adventure no one could help seeing.

Orders were given, without any bawling or shouting, to get down the top-gallant masts on deck. The crew worked like ants. (I loved them for the way they went about it.) The yards were lowered to the deck as quickly as if they were clothes-poles in a drying-yard. I had never seen anything done so neatly and with such despatch. Our headway decreased, of course, as we lost the use of our upper sails.

Mr. Spencer, who was aloft, reported to the deck: "We're hidden now, Captain Temple," he said. "She might pass within a quarter of a mile of us and never see us."

Purposely I had stepped close to him as he spoke to the Captain, and the latter's reply was as astonishing to me as it apparently startled the officer. Temple was eagerness in every line of his face. He struck his right fist into the palm of his left.

"The closer the better," he exclaimed. Then he turned. "What are the soundings?" he inquired of the bow-legged man who had hastened up. (I have forgotten to state that we had been heaving the lead for the last half-hour.)

"Six fathoms, sir, and shoaling; here it is, sir."

"Prepare to lower away the long-boat, Mr. Bullard," the skipper ordered, after a glance at the lead. "Mount the forward swivel in her, pick a crew, take a boat's compass, and make off due west. Mr. Spencer, you will take command of her. A word with you."

Every one looked at the Captain in astonishment, but no one asked a question or put in a word. As I was one of the crew of the long boat, I helped to get her ready and swing her overboard. The swivel was lashed on the forward gratings, and half a dozen muskets were handed down to her, and we shoved off. Mr. Spencer was pale and nervous. As we left the brig's side we saw that her helm had been put hard down, and that she once more was headed north. There was just enough wind to move her slowly through the water. In three minutes she was lost to sight.

We had been resting on our oars, and now Mr. Spencer spoke for the first time.

"Make no noise," he said. "Pull slowly, straight ahead."

We gave way, trying our best to silence the thumping in the row-locks. So light was the breeze that we could have kept apace of a vessel's sailing. For ten minutes we rowed on, and then we stopped again, and Spencer spoke.'

"Load that swivel and get ready with those muskets," he ordered.

I heard him mutter something in which I caught the words "tomfoolery" and "nonsense," and I looked back over my shoulder. A half-dozen perplexed-looking marines were grouped in the bow, and three sailors were ramming home a charge in the swivel.

[Pg 242]

"Lads," said Mr. Spencer, "it's Captain Temple's orders to fire into that frigate and get away, if we can. It all depends upon yourselves and the way this boat is handled whether we are blown out of the water, or cut to pieces, or escape with whole skins. I want no talking in the boat."

The man beside me on the thwart pulled his shirt over his head, and several others did likewise. They sat there bare from the waist up, and their torsos looked like those of the men in some of the old engravings in the handsome books I had read at Marshwood.

We were pulling slowly ahead now, and for fully a quarter of an hour we rowed without a break. Then Mr. Spencer called for oars, and we drifted a long time.

"Listen!" said one of the men in the bow, suddenly. He was bending over, with his hand making a hollow back of his ear. Half of the crew did likewise. For a minute I could hear nothing. Then I detected a groaning sound and a ripple of the water. It was the noise of a vessel's sailing.

"I can see her, sir," the bowman said in a hoarse whisper. "She's not five cable-lengths away."

The Lieutenant rose to his feet, and I could see that his hand was trembling as he fumbled in the breast of his jacket. He pulled a boatswain's whistle out and put it to his lips. But before he blew he spoke calmly.

"Bring that gun to bear on her," he said.

"Blow her out of water," spoke up the man beside me, with a chuckle.

What utter foolishness it seemed to me even then (and of a truth it probably was that anyhow) to attack a frigate in a long-boat armed with six muskets and a broadside that you could carry in the crown of your hat! But no one seemed to flinch.

"Give way softly," whispered Mr. Spencer, taking the tiller himself from the cockswain. Then, without warning, the silver pipe shrilled out, and he bawled at the top of his voice, as if he were commanding a ship's crew, instead of a handful of mystified seamen in a cockle-shell: "All hands on deck there, and lively! There's a vessel here astern of us! Port your helm!" He answered this order himself with an, "Ay, ay, sir," and leaning forward shouted, "Fire!"

Close to the water a great shape could be seen. The little gun slap-banged, and almost jumped overboard with the recoil. The six muskets rang; and, animated more by the gesture of Mr. Spencer's hand than the word, we laid back on the oars. We took perhaps some forty strokes or more, when the Lieutenant called for us to cease, with a sound of a hiss betwixt his teeth. The huge shape was now astern of us on the port hand close too. We had rowed across her bow! Now so tense was every nerve, and at such a tension was my mind, that I remembered everything I heard and saw so that I can repeat it to a dot.

The shot and volley had been followed by a confused cry and a great to-do from the direction of the frigate. Now we could hear a confused jumble of accents, and above it the cries of a man's voice in agony, "Oh, oh, I'm killed!" it said distinctly. Then a voice commanded silence, and we could make out every word that passed.

"Can you see anything ahead there, you men forward?" asked a voice so close that it appeared to be directed towards us.

"No, sir; not a thing, sir!" was the answer. If anything, it sounded closer than the first.

Then cool and distinct we caught the following orders, as we sat there holding our breaths, and our hearts beating so loudly that we nearly rocked the boat.

"Ready about! Ready! Ready! Put your helm down, quartermaster."

"Helm's alee, sir."

"Haul taut! Mainsail, haul!" (An anxious waiting pause.) "Head braces! Haul well taut! Let go, and haul!"

So firmly were these words impressed upon me that I never had to learn afterwards the orders for tacking ship.

Now followed a rumbling sound and some shouts and orders, and then a crash and an explosion that ripped the fog and cut great gashes of red flame through the gray opaque wall.

"Gee!" said the man next to me, with a shiver, "if that had caught us, eh!"

"Good-by, Mary Ann!" said the man in front, looking back over his shoulder.

Mr. Spencer was leaning forward. "They think we're off there," he whispered, jerking his thumb over his shoulder. "Lads, you did well."

Now all was silence again, and the frigate gathered headway to the north. We staid where we were.

But now, if I shall live to be a hundred, I can never get one sound from my ears. To the eastward, and beyond the English vessel, sounded the shrilling of a fife. The first bars of "Yankee Doodle" was the tune it played. I almost leaped up to my feet, but the music was soon ended, for a rattling swingeing crash followed a burst of blurred red flame. I could smell the smoke from the frigate's broadside that reached us now. But it was not she that spoke the second time.

"Kill-Devil's got the weather-gauge of her, by Moses!" said the sailor next to me, putting his arm about my neck and giving me a hug.

"Silence in the boat there," ordered Mr. Spencer, angrily.

A roaring crash and confusion of explosions followed. The men in the bow began to laugh hysterically, and even Mr. Spencer joined them.

"The Young Eagle's got under her quarter. She'll rip her hide," he laughed. "Hark! did you hear that? It's the long twelve. Don't cheer, you fools!"

It was well he had given this order, for the men were about to burst into a shout. One of them dropped his oar, and was roundly reprimanded for it. But now a multitude of sounds came from the direction of the fighting-vessels. Groans and orders, cries and firing, and above them all the comments from close about me, that in my ignorance I did not exactly understand.

"Old Johnny Bull's missed stays," roared Mr. Spencer, laughing. "It's the sword-fish and the whale. Stab her again, Captain Temple, stab her again!"

A distinct broadside was heard, and then a cheer, followed by a confused roaring, with high treble shrieks, like a countertenor's note in a chorus.

"Bleed, bleed, bleed," muttered the man next to me.

"That was our cheer," gurgled the cockswain, sawing to and fro in his narrow little box; but no sooner had he spoken than a crash louder and brighter colored than any of the rest ripped out.

"The frigate's broadside!" gasped Mr. Spencer.

All was silence now.

"Heaven help us, they've sunk her!" the Lieutenant said, hoarsely.

No sound for full five minutes.

Three or four shots now, and then silence again. It appeared to me that the fog had lessened. A fine drizzle was falling; and we could see the outlines of a vessel not a quarter of a mile away from us.

"Pull for your lives!" cried Mr. Spencer. "Pull for your lives!"

We gave way together, and the heavy boat was soon hitting up a good pace and burying her nose as she rose and fell on the seas. The Lieutenant took a glance at the small compass, and headed us toward the northwest.

"We're close to Long Island," he said. "I can't make out the Young Eagle at all. That ship's the Britisher."

We had rowed but a few minutes longer when, as if by a miracle, the mist cleared away and the sun shone out. Clear and distinct a big vessel lay off to the eastward. The hated emblem of St. George flew at her peak.

"I thought as much," remarked Mr. Spencer to the cockswain. "She's grounded on the sand bank. That's what Temple counted on."

But hurrah! to the windward of the British vessel was a sight that gave us joy. There was the Young Eagle, eating up into the wind, with her jib-boom hanging, and one of her yards aslant. Somehow Temple had found time to get up his top-gallant masts again, for they were both in place. But now those on board the frigate had espied us; that was plain enough. She was not so large a vessel as[Pg 243] she had first seemed, being of the smaller class, carrying probably not over thirty-two guns at the most. She was badly cut up from the effects of her encounter with the brig, however. Her foretopmast was gone, her mainyard was over the side, and all her running-gear in great confusion. If Captain Temple had been an officer of the regular navy he might have deserved cashiering for such a foolhardy bit of business as attacking a powerful vessel when he might have escaped. He was the only one on board the privateer, however, who had reckoned her at less than forty-four guns, and besides this, after his glance at the lead he knew where he was, and could have pricked his position to a certainty on the map. I know that now.

As Mr. Spencer had said, he surely must have counted on the proximity of the sand bar. If the frigate had been taking careful soundings, she would never have got on to it.

The fresh wind that had spoiled the fog was coming from the northward (I can recall no day in my seafaring life when it blew from so many different points as it had in the last ten hours). But I am wandering from the recital of what occurred, and now to pick it up again.

As I have stated, the frigate had seen us, and proof positive was not wanting, for a puff of smoke from one of the guns of her forward division leaped from her side, and the ball came spattering along toward us.

"Oh, shoot the shot!" laughed one of the bowmen. We were missed by fully a cable's length.

But the wind was against us, and with a good light to observe our progress I noticed that we were making slow headway. The long-boat was intended to be rowed by six oars of a side. Now, owing to the extra men that we carried, there was only room for ten men to do the pulling; and by some mistake the oars that we were wielding were not all of the same length, some of the cutter's having been put in by mistake. The weight of the swivel caused us to be well down by the head, moreover, and the cockswain had to mind his eye to keep headed straight. All idea, of course, of our getting back to the brig that day at least was done for, and to save ourselves we were making for the shore of Long Island, distant about three miles. But we were not out of range of the guns on the frigate, and consequently we were yet in danger.

"Come aft here, you men in the bow!" ordered Mr. Spencer. "She'll row better. Here, stir a foot!"

He looked back, and just as he did so there came another puff of smoke. I saw the ball smash into the top of a wave, strike the water again, and then, slightly deflected, it came right for us. I saw this first, and backed water, giving a shout of fear. The men in the bow gave a leap forward and tumbled in among us, sprawling over our heads and shoulders, and bruising shins and elbows.

If the shot had struck four inches lower we would have been sunk then and there. It caught the gunwale forward, just abreast of the grating on which the swivel was lashed. The poor fellow pulling the bow oar on that side gave a shriek and dropped his oar, clasping both hands about his head. I looked back and saw the blood trickling over his shoulders and through his fingers. A splinter had almost scalped him. We yawed about and shipped the top of a sea, and it looked like the end of matters, for we were out away to within eight inches of the water, and the bow badly stove and broken.

"Cast loose that gun and heave it overboard, two of you," roared Mr. Spencer. "The rest all aft. No! Steady! Debrin, you and Jones keep your place, and pull, do ye hear, pull."

I laid back with all my might, and so did the man next to me. The brave lad in the bow had recovered from the shock of his flesh-wound, and with another fellow cast off the lashings of the swivel and dumped it over the side. I can never forget the sight of that gory man working there with his broad naked back red from his head to his waist. As soon as it was finished he tumbled weakly across the thwart. The men in the stern-sheets were baling with their hands, and one was using Mr. Spencer's cocked hat with great effect, while Jones and I were giving way at top strength and keeping with a great effort the seas from broaching us. As the weight was now in the stern, we could ride, bar accidents, in half safety. And the oars were taken up again. The bowman bent over and tied up his wounded comrade's head with his neckerchief, and for this the other thanked him as he might for some slight courtesy. But a new terror threatened us.

Two successive shots that had been fired at us during the confusion went wide, but now we saw that they were lowering away a great barge over the Englishman's side, and that the men were sliding down into her.

"Heigh! Look there! The Young Eagle's coming down to pick us up, lads," cried Mr. Spencer, turning about in response to a touch on his elbow from the cockswain. "Pull now, and get down to it!"

He headed the long-boat more to the westward, and we could see that the Young Eagle had repaired some of her damage, and had tacked in the direction we were going. She would have passed almost within range of the frigate, but all at once the latter vessel gained sternway (her top-sails had been aback for some few minutes), and she worked off the bar. Our hopes of rescue fell. Turning on her heel, she made out to meet our brig. Now we perceived that the frigate's sides were gashed, and two or three of her ports astern had been knocked into one big opening. But the barge was after us! Every man rowing in our boat could count her strokes. There was no use of making light of it! She was gaining at every jump, lifting high above the top of a sea, and now and again almost disappearing.

There were twelve good men behind those long white sweeps, and they rowed a light boat with speed in her. We were making for the shore now, and grunting with the weight we put into every backward swing. Mr. Spencer was talking to us after the fashion of a cockswain to a racing crew, calling out continually:

"Lift her, boys! That's the ticket! Pull altogether," and so forth.

My mouth grew so dry that I could not swallow, and I could feel my head roll backward and forward. Presently I began to row with my eyes shut, for it seemed an effort to keep my lids from falling. One of the men in the stern began to spatter us with water to refresh us, for the sun was blistering hot by this time. The Lieutenant stopped his cackling.

The stroke oars were being helped at their work by two men pushing as the rowers pulled. I caught a dim sight of this, and wished that some one could lay hold of my sweep with me, for my forearms pained, and I felt gone in the pit of my stomach. How long we rowed that way I do not know, but suddenly I was awakened, as it were, by hearing Mr. Spencer say:

"Lads, you have held your own. Keep at it!" Then in a lower tone he added, "Get ready with those muskets."

This speech had called me to my senses, and it was almost with a shock of surprise that I found myself keeping up the stroke. My eyes had been closed so long that the light dazzled me, and at first I could see nothing, but I felt better than I had before I closed them. And now to say something that is of interest. A refreshment often comes to a man whose muscles have apparently expended all their strength, and thus it was with me. I was working on my heart and nerves alone, on the very life of me, as it were, and to keep this up too long means ruin; that is its limitation. When my eyes could focus, what little breath I had almost checked.

There was the English barge not three hundred yards astern! A despairing look behind me, and I saw that the shore was yet a half-mile off. The sea was breaking in little rolls of white on every hand, and we were in shoal water that had a peculiar yellowish look. I noticed Mr. Spencer kicking off his boots.

I closed my eyes again, for the sweat stung them, and I felt a blackness coming over me. But just then the crack of a musket sounded in front of me. It was followed by another, and a little action began, for the English boat was answering. I was wide-awake once more now, but in a dream apparently. The marines would stand up and fire, and then squat down and load again. I could hear the English bullets sing past.

[Pg 244]

"Ouch!" exclaimed the cockswain, all at once, as if he had dropped something on his toe.

A ball had struck him on the fleshy part of the thigh, and he sat there rubbing it and talking in such a comical way that the man on the thwart next to me laughed outright in a hoarse, jarring fashion.

A BREAKING WAVE CATCHING US UNDER THE QUARTER WE ROLLED OVER FAIRLY.

We were in the surf by this time, and the British barge was half-pistol-shot away, when No. 5 on the starboard hand fell over in a faint; the cockswain got another ball, this time in the wrist, that caused him to let go the tiller, and a breaking wave catching us under the quarter, we rolled over fairly end for end with a clatter. When I came up, there was a tremendous seething and bubbling in my ears, and putting out my arm I managed to catch hold of the tiller-hooks of the overturned boat, and hung on with all my might.

"Help me!" cried a voice. I looked about, and saw the wounded seaman weakly swimming alongside. I extended my hand to him, and observed that eight or ten others were holding fast with straining fingers to the long-boat.

The English barge was backing in carefully and with skill. We were not a cable's length from shore, and making for it hand over hand, swimming with the ease of a porpoise, was Mr. Spencer. I knew it was he by the gleam of gold lace on his high collar. But the seaman had grasped me so tightly that I lost my hold, and there came to me the sense that I was drowning, and did not care at all.

#### [to be continued.]

## A FAIRY FÊTE.

### BY EMMA J. GRAY.

"I'm to be a fairy god-mother to-night," were Mabel's words, as, sitting in the large Indian chair, her eyes glistened with anticipation.

"What will you wear?"

"Oh, one of Millie's old costumes. You may remember that three years ago she took part in the fairies' dream!"

"Yes, I remember."

"Well, by a little alteration the same frock and wings will do for me."

"Are you to have anything to say?"

"I'm to have everything to say. And I'm to wear a crown with a big star in the centre," and up went her hand to indicate the place. "And my wings are showered with diamond dust, and my dress—oh-h, it dazzles my eyes under gas-light! You ought to see the silver spangles!"

"What's the entertainment for, Mabel?"

"Oh, just to amuse people. It is to be given in Mrs. R's—— parlor. Lots of folks will be there. It will be simply gorgeous! You know it's the fad now to have a magician or something to entertain one's friends, and I'm to be sacrificed to-night."

And then up the merry girl jumped to practise a violin solo.

Every reader of Harper's Round Table is familiar with the tales of Hans Andersen and the Brothers Grimm, but it is possible that every one does not appreciate what delightful entertainment they would make. Therefore when Ralph and Margaret wonder what their league could give to replenish the treasury, select an appropriate fairy-tale, and while your committee are making the business arrangements, the persons who are to take part should be busy with rehearsals, so that when the night of entertainment arrives, and the house is packed to overflowing, no one will be covered with shame and confusion of face.

Among many wonderful tales worthy of particular mention is "Little Ida's Flowers," because it is capable of charming representation and necessitates many characters. It may be given at any time of the year.

#### Characters:

Little Ida, a short girl.
Student, a tall boy.
First Fairy.
Second Fairy.
Privy Councillor, a boy representing a middle-aged man.
The Reader, a girl.
Yellow Lily, a girl.
Blue Crocus, a boy.
Flowers, girls and boys.
Butterflies, girls and boys.

Scene First.—A library, showing a table, lamp, easy-chairs, sofa, one very high chair representing a throne. Ida, costumed as a little girl, walks toward the Student, who is seated on the sofa, and holds towards him a bunch of flowers.

Ida. "My poor flowers are quite dead. They were so pretty yesterday, and now all the leaves are withered. Why do the flowers look so faded to-day?"

Student. "Do you know what's the matter? The flowers have been at a ball last night, and that's why they hang their heads."

Ida. "But flowers cannot dance!"

Student. "Oh yes! When it grows dark and we are asleep they jump about merrily. Almost every night they have a ball."

Ida. "Can children go to this ball?"

Student. "Yes, quite little daisies and lilies-of-the-valley."

Ida. "Where do the beautiful flowers dance?"

Student. "Have you not often been outside of the town gate, by the great castle where the King lives in summer, and where the beautiful garden is with all the flowers? You have seen the swans which swim up to you when you want to give them bread crumbs. There are capital balls there, believe me!"

Ida. "I was out there in the garden yesterday with my[Pg 245] mother, but all the leaves were off the trees, and there was not one flower left. Where are they?"

Student. "They are within the castle. As soon as the King and all the court go to town, the flowers run out of the garden into the castle and are merry. You should see that. The two most beautiful roses seat themselves on the throne, and then they are King and Queen; all the red coxcombs arrange themselves on either side, and stand and bow; they are the chamberlains. Then all the pretty flowers come, and there is a great ball. The blue violets represent little naval cadets; they dance with hyacinths and crocuses, which they call young ladies; the tulips and the great tiger-lilies are old ladies who keep watch that the dancing is well done and everything goes on with propriety."

No sooner is this last word uttered than a sound of music is heard. Enter two Fairies, who stand one on either side of little Ida, and waving their wands over her, sing:

"Oh, listen, listen! your eyes shall glisten
With pleasure and love and jubilee."

First Fairy. "She looks surprised."

Second Fairy. "She has dropped her flowers."

First Fairy. "She would better sit down."

Second Fairy. "Follow me."

Whereupon Ida follows the Second Fairy's lead, who waves her to a seat by the Student's side, and immediately the fairies walk to the opposite end of the room. As they walk gay music is heard louder and yet louder, and in run the Flowers, as the Student has described, the two most beautiful roses seating themselves on the tall chair which represents the throne.

This scene will allow for a large number of girls and boys, and each should be costumed so that no one can make mistake as to what flower they are exhibiting. When all are in the room dancing begins, and continues for half an hour; as the Flowers retire they make obeisance to the King and Queen. And all having now gone but the Fairies, the King asks the First Fairy to dance with him, and the Queen the Second Fairy to dance with her, and after a short dance they also retire, and Ida and the Student are again alone.

Ida. "But is nobody there who hurts the flowers for dancing in the King's castle?"

Student. "There is nobody who really knows about it."

Ida. "Can the flowers out of the botanical garden get there? Can they go a long distance?"

Student. "Yes, certainly. If they like they can fly. Have you not seen the beautiful butterflies—red, yellow, and white? They almost look like flowers, and that is what they have been."

Once again gay music is heard, and in come the fairies dancing, followed by a train of dancing butterflies, costumed in red, yellow, and white. After dancing for ten minutes the butterflies retire, and the fairies wave their wands to Ida and the Student, and sing,

"We be fairies of the wood,
And spend our time, on doing good."

Then they immediately touch their wands to the floor, and the First Fairy draws a ring at the feet of Ida, and the Second Fairy at the feet of the Student, and then they retire.

Ida. "How can one flower talk to another? For you know flowers cannot speak."

Student. "That they cannot, certainly; but then they can make signs. Have you not noticed that when the wind blows a little the flowers nod at one another, and move all their green leaves? They can understand that just as well as we when we speak together."

Ida. "That is funny." And she laughs.

Enter the Privy Councillor, who has come to pay a visit, and sits down on the sofa by the Student's side.

Privy Councillor. "How can any one put such notions into a child's head? They are stupid fancies!"

Ida. "What the Student told about the flowers seemed very droll." And picking up her nosegay, which had been scattered over the floor, she looks tenderly on it while saying, "The flowers are tired because they have danced all night." And then walking to a table on which stands a doll's bed, she lays them in and puts the coverlet over them. The whole evening through she can not help but think of what the Student has told her.

Scene Second.—Ida's bedroom. Ida in bed. The night-lamp burning on the table.

Ida. "I wonder if my flowers are still lying in the doll's bed? How I should like to know!" She raises herself a little, and looks at the door, which stands ajar. Within lie the flowers. Ida puts her head down on her pillow.

Enter two Fairies. They walk directly to her bed, and stand one on either side of Ida's head, slowly waving their wands over her. Piano music is softly played, and Ida goes to sleep.

An unseen person now reads the following dream, which may be acted as far as is deemed advisable:

"Ida listened, and then it seemed to her as if she heard some one playing in the next room. Now all the flowers are certainly dancing in there! 'Oh, how glad I should be to see it!' But she dared not get up.

"'If they would only come in,' thought she. But the flowers did not come, and the music continued to play beautifully. Then she could not bear it any longer, for it[Pg 246] was too pretty. She crept out of her little bed, and went quietly to the door and looked into the room. Oh, how splendid it was!

"There was no night-lamp burning, but still it was quite light; the moon shone through the window in the middle of the floor. All the hyacinths and tulips stood in two long rows. On the floor all the flowers were dancing very gracefully round one another, making perfect turns, and holding one another by the long green leaves as they swung round. But at the piano sat a great yellow lily, which little Ida had certainly seen in summer, for she remembered its manners in playing, sometimes holding its long yellow face to one side, sometimes to the other, and nodding in tune to the music. (Enter a tall girl, representing a yellow lily.)

"No one noticed little Ida. Then she saw a great blue crocus hop into the middle of the table where the doll's bed stood. (Enter a boy, costumed to represent a blue crocus.)

"There lay the sick flowers, but they got up directly and nodded to the others to say that they wanted to dance too.

"Then it seemed as if something fell down from the table. Ida looked that way. It was the birch rod which was jumping down! And a wax doll, with just such a broad hat as the Councillor wore, sat upon it. The birch rod hopped about among the flowers, for it was dancing the mazourka; and the other flowers could not manage that dance because they were too light and unable to stamp like that.

"The wax doll on the birch rod all at once became quite great and long, and said: 'How can one put such things in a child's head? Those are stupid fancies.' And then the wax doll was exactly like the Councillor in the broad hat, and looked just as yellow and cross as he. But the flowers hit him, and then he shrank up again and became quite a little wax doll. That was very amusing to see, and Ida could not restrain her laughter. The birch rod went on dancing, and the Councillor was obliged to dance too; it was no use, he might make himself great and long, or remain the little yellow wax doll with the big black hat. Then the other flowers put in a good word for him, and the birch rod gave over.

"Then the door opened and a great number of splendid flowers came dancing in. (Enter roses of all sorts and Butterflies, dancing.)

"Ida could not imagine whence they had come; these must certainly be all the flowers from the King's castle. First of all came two glorious roses, and they had little gold crowns on; they were a King and a Queen. Then came the prettiest coronations, and they bowed in all directions. Great poppies and peonies blew upon pea-pods till they were quite red in the face. The blue hyacinths and the little white snowdrops rang just as if they had bells. All danced together, and all the flowers kissed one another. It was beautiful to look at.

"At last the flowers wished one another good-night."

No sooner is good-night uttered than the Fairies motion to the flowers to keep perfectly still, and point their wands at Ida.

First Fairy. "She sleeps, her breathings are not heard."

Second Fairy. "Her fragrant tresses are not stirred."

First Fairy. "Hasten hither, King and Queen."

Second Fairy. "Roses, sweet that we employ."

And immediately the quartette step to the front of the stage and sing a good-night song.

At the close of which all dance—even Ida, who wakens by the jollity.

Exeunt.

### A GOOD TIMEPIECE.

Here is a fish story, for the truth of which we cannot vouch, but which all fishermen young or old will enjoy. It comes from an English journal, the Northampton Daily Reporter.

Last spring, while a party of tourists were fishing "up North," a well-known lawyer lost his gold watch from the boat in which he was sitting. Last week he made another visit to the lakes, and during the first day's sport caught an eight-pound trout. His astonishment can be imagined, when he found his watch lodged in the throat of the trout. The watch was running, and the time correct. It being a "stem-winder," the supposition is that in masticating his food the fish wound up the watch daily.

## THE NEW YEAR.

The clock struck twelve in the tall church tower,
And the old year slipped away,
To be lost in the crowd of phantom years
In the House of Dreams that stay
All wrapped in their cloaks of gray.
Then swift and sweet o'er the door's worn sill
Came the youngest child of Time,
With a gay little bow and a merry laugh,
And a voice like bells achime,
Challenging frost and rime.
He found there was plenty for him to do,
The strong and the weak were here,
And both held out their hands to him
And gave him greetings dear,
The beautiful young new year.
"You must bring us better days," they said,
"The old year was a cheat."
Which I think was mean when the year was dead;
Such fate do dead years meet,
To be spurned by scornful feet!
"I bring you the best a year can bring,"
The new-comer stoutly spake,
"The chance of work, the gift of trust,
And the bread of love to break,
If but my gifts you'll take!"
The noblest thing a year can lay
In the lap of you or me,
The brave new year has brought this day,
It is Opportunity,
Which the wise are quick to see.
Margaret E. Sangster.

## SAVING A TORPEDO-BOAT.

### ONE OF THE OLD SAILOR'S YARNS.

### BY W. J. HENDERSON.

It was a day of southwesterly weather, one of those days on which shower follows shower across the murky and writhing sky, and the air feels like water atomized. The boys had grown tired of sitting in the house, and having donned oil-skins and rubber boots, they had gone down to the pier in hope of seeing some interesting sight at sea. They found the Old Sailor in his favorite position, and sat down beside him. He too was clad in oil-skins, and was shaking his head in solemn discontent because he could not get a good view of the ocean. The sea-water was quite cold and the rain was much warmer; consequently the surface of the great deep was covered with a wavering veil of light gray mist, through which the eye could not penetrate more than two hundred and fifty yards.

A few minutes after the boys sat down another thunder-storm broke, and rain fell in torrents. The lightning flashed fiercely and the thunder bellowed mightily. Suddenly, in the very height of the tumult, out of the curtain of the gray mist came a wild, unearthly shriek, rising in[Pg 247] pitch and intensity each second. The boys started to their feet, pale to the lips, and gazing at the Old Sailor with appealing eyes. The next instant a long, low, lean, olive-colored hull shot out of the mist. From two funnels, one forward and one aft, great streamers of oily black smoke went swirling away over the stern, while under the bows a snowy jet of gleaming spray spurted high along the craft's sides. From her crouching stern the water sprang outward and upward in a boiling wave, lashed into silver and emerald by the whizzing screws. She shot past the end of the pier, not a hundred yards away, with her whistle shrieking wildly as she went. The boys had barely time to catch the outline of her and to see the crouching figure of the seaman who tried to peer into the mist ahead of her, before she had hissed out of sight, and left only the troubled wake to tell the story of her passage.

"What was that?" gasped Henry, when he could catch his breath.

"That, my son," said the Old Sailor, solemnly, "were the United States torpedo-boat Cushing, bound fur Sandy Hook, an' no time to spare."

"But I should think she'd be in danger of running into some vessel."

"Oh, they can stop her an' back her in twice her own length," said the Old Sailor.

"But why does she go so fast?" asked George. "Do they wish to get out of the rain?"

"No, I reckon they ain't afraid o' rain," said the Old Sailor, with a grave sidewise movement of his head. "But mebbe she are in the same fix as the torpedo-boat Hop-lo were at the battle o' Yalu, w'ich the same I were her bosun's mate, an' also, moreover, kep' her from sinkin'."

"Oh, tell us about that!" exclaimed George.

"W'ich are the werry identical thing wot I'm agoin' fur to come fur to do. It so happened as how I were in Hong-kong w'en that misfortinate disagreeability atwixt China and Japan come to a head. Pussonally I 'ain't never had no werry high respeck fur a Chinaman, but w'en I l'arned as how my friend Li Hung-Chang were a-offerin' double wages an' double prize-money fur American sailors to ship in the Chinese navy, w'y, sez I to myself, sez I, 'Ef I don't get killed, a Chinaman's money are as good as a Jap's, an' there's twicet as much on 't; an' ef I do get killed, w'y, I reckon as how I won't be no deader under one flag than under t'other.' An' with that I ups an' I ships. An' they orders me to a bloomin' torpedo-boat.

"I won't say as the Hop-lo weren't a werry good boat, though she'd orter been called the Hop-hi, seein' as she were a thirty-knot boat, one o' the best ever built by old Thorneycroft in England. She looked a good deal like this 'ere Cushing wot jes scooted past, 'ceptin' as how she were higher in the bows an' used to get more down by the stern w'en she were goin' fast, w'ich the same it were owin' to that I saved her. As I said afore, it were at the battle o' Yalu wot it happened. I ain't agoin' far to make no circumstigious attempt fur to tell the story o' that battle; 'cos w'y, w'en you're into a battle you don't know nothin' 'bout it. All I knowed was that the torpedo-boats in gineral was a-cruisin' around outside o' the battle-ships, like so many porpoises in the wake o' whales. The Admiral, w'ich the same I could see him without glasses, were a-prancin' around on one leg an' sendin' up signals every minute. Waal, the fight was on putty soon, an' ye couldn't see a thing 'ceptin' smoke. The noise o' them big guns was enough to skeer ye blue, but that are not wot I started out fur to tell ye. We got orders fur to launch a torpedo at one o' the Japanese battle-ships, an' we went an' done it. Wot that there torpedo hit I never rightly knowed—but it didn't hit that battle-ship. But she hit us with one o' her five-inch guns right under the starboard bow an' blowed a bloomin' big hole below our water-line.

"WEI! WEI! WE GO DLOWNEE NOW ALLEE SAMEE STONEE!"

"'Wei! Wei!' yells the Cap'n, a pug-faced Chinaman with one eye. 'We go dlownee now allee samee stonee! Wei! Wei!'

"An' with that the hull crew took to catterwaulin' an' squealin' like a lot o' pigs at feedin'-time.

"'Avast there, ye leather-faced slobs!' sez I to them, sez I. 'Run the bloomin' boat on the beach!'

"'Melican man biggee foolee!' screamed the Cap'n. 'Beachee allee samee twently mile.'

"'Waal, go ahead, anyhow!' sez I to he, sez I, 'an' don't be layin' still here. They'll shoot your bloomin' boat full o' holes an' make a marine sponge out o' her,' sez I, jes like that, him bein' Cap'n with epaulets on, an' me a bosun's mate with nothin' finer 'n a quid o' 'baccy. Werry good. I rings the bell myself an' the engineer starts her ahead full speed. It weren't two minutes afore we was out o' the wust o' the fight, but them there Chinks was still scared blue. Nex' minute they was scared bluer than ever, fur up comes a feller yellin' like a Bowery boy at a four-story fire:

"'We sinkee! Sinkee!'

"'Wei! Wei!' screamed the Cap'n; 'we sinkee; allee samee sharkee eat us! Wei! Wei!'

"'Shut up, ye doughnut-headed son of a sea-cook!' sez I to he, sez I. 'What makes ye think we'll sink?'

"'Watee comee in chop-chop; allee samee whole ocean come! Welly bad! U-u-u-gh!'

"'Wei! Wei!' begin the Cap'n agin, jumpin' up an' down like he thought he was a jig-dancer in a variety show.

"'Stow yer jaw-tackle there, ye moon-eyed monkey!' sez I, to he, sez I, me havin' lost my respeck for him, though he were a Cap'n an' wore a sword, w'ich the same it didn't cut no ice. 'Man the pumps, ye batherin' screechers!'

"Waal, o' course that weren't edzackly the right kind o' order to give; 'cos w'y, she were a modern torpedo-boat an' her pumps was run by steam; but anyhow it started 'em goin'. Chunk-chunk! chunk-chunk! chunk-chunk! they pounded along fur a little while, and then one on 'em stopped all on a suddent, with a big crack.

"'Wei! Wei!' squeals the Cap'n.

"'Shut up, ye molasses-colored parrot!' sez I to he, sez I, 'or I'll stick ye into one o' yer own torpedo-tubes an' pull the string.'

"'Melican man welly wicked,' he muttered, as he walked forward.

"'Wot are the matter below there?' sez I.

"'Pumpee brokee!' hollered the engineer.

"'Both on 'em?'

"'No, only onee. He heap much brokee. No go any moree.'

"'Keep the other one at it,' sez I.

"Then I goes down below myself fur to see where the bloomin' trouble were. Waal, it were not no cheerin' sight wot I seed down there. The water sartainly were a-pourin' into the blessed old pot at a werry discouragin' gait, and the one pump were not able for to gain any ground on it. So sez I to myself, sez I, 'I got to git this 'ere water out o' her somehow, or else I'm agoin' to git more water 'n I want myself.' So sez I, 'How are I going fur to persuade this 'ere water fur to run out o' this 'ere weasel?' An' the werry minute I sez it, I seed how 'twere to be done. I jumps on deck an' I sings out fur the crew o' the three-pounder rapid-fire gun.

"'Stan' by here, ye clay-colored scaramouches, an' git the gun below!'

"'Wei! Wei!' begins the Cap'n, and with that I ups an' grabs him by the pigtail. I hauled him forrad an' I made him fast by that pigtail to the ring o' the starboard anchor.

"'Now,' sez I, 'ye howlin' son o' darkness, if I hear another sound out o' ye, I'll heave to an' let go the anchor.'

"'Melican man welly wicked,' he moaned.

"I got the gun down into the hold of her, an' I run it away aft. Then I loaded it an' p'inted it at the lowest part of her starn. The haythen set up a werry commojious amount o' weepin' an' whoopin' w'en they seed wot I were a-doin'; 'cos w'y, they thort it would make two holes an' sink the boat jes that much faster. But I pulled the trigger an' blowed a bloomin' big hole into her starn right alongside o' the rudder-post an' underwater. The water did come in right off, an' the Chinks broke fur the deck an' commenced to cast off the boat falls. I stood at the door o' the fire-room, an' sez I to the engineers an' firemen, sez I:

"'Turn her up to her hottest gait, an' mind that I'll shoot the first man that leaves his post.'

[Pg 248]

"W'ich the same I would 'a' done it; 'cos w'y, they might as well 'a' ben shot as drownded.

"'Now, ye gallopin' haythen,' sez I to they, sez I, 'shovel coal fur yer lives. Hop, now, hop! Fill the furnaces full; put a ton o' lead on the safety-valve; turn on the forced draught, an' turn up the screws till they make the water hot astarn on us.'

"Waal, my sons, ye never in all yer born days seed any such hustlin'. It warn't fifteen minutes afore they had the furnaces red-hot, an' the screws was agoin' round at the rate o' a hundred an' thirty-seven turns a minute. It took the wessel a little while to git agoin', but in ten minutes she were a-vibratin' like a fiddle-string, so that she jes actooally hummed like one. An' go! Waal, ye 'ain't never seed nothin' like it in water. W'y, the waves goin' past her looked like the tracks o' one o' Farmer Hulick's harrows. Then my scheme beginned fur to work. I told ye that the Hop-lo always went down by the starn when she got to goin' fast, didn't I?"

"Yes," answered both boys.

"Waal, that were what I were countin' on partly—that an' her speed. The water inside o' her commenced fur to run out o' the hole wot I'd blowed in her starn. More come in the hole forrad an' flowed aft, so w'en she got to goin' at a twenty-five-knot gait, wot come in forrad couldn't stop; but jes ran right through her an' out the hole in the starn. The faster she went the faster the water went through her, but it couldn't stop inside, an' so it didn't get no deeper. Say, ye ort to seed the faces o' them Chinamen w'en they seed how my scheme were a-workin'! W'y, them fellers mos' killed theirselves a-heavin' coal on an' keepin' her goin' faster an' faster. The Cap'll he come down below, looked at the water a-runnin' through her, an' sez he to me, sez he,

"'Melican man biggee head.'

"'Werry good,' sez I to he, sez I; 'but wot I want o' you is silence, an' that o' the werry quietest sort.'

"'Allee lightee,' sez he.

"'Now,' sez I, 'you stay down here an' keep these bloomin' engineers an' firemen at work, an' I'll go an' do the navigatin'.'

"So I left him there, an' I went up an' headed the boat fur the port o' Yu-hi, where I knowed there were a ship-yard an' we could git hauled out an' repaired. An' in an hour the bloomin' harbor were right over our bow. An' now I were puzzled agin; 'cos w'y, ef I stopped her she'd sink, an' ef I run her onto the beach the way she were agoin', I'd smash her all to splinters no bigger'n rope-yarns. While I were a-walkin' around on the deck an' a-worryin', I tuk a look ahead through the marine-glass, an' blow me fur a pickled oyster ef I didn't see the werry way out o' my trouble."

"What was it?" asked Henry, excitedly.

"A marine railway wot they hauls out wessels on fur to repair 'em. There wasn't nothin' on to it, an' there was the rails runnin' with a nice slant right down into the water. Waal, I headed her right fur it, an' I opened up the whistle an' let out a yell that would wake the town. People came out runnin' like they was crazy, an' wavin' their hands fur me to stop her; but I didn't pay no 'tention. I hadn't time fur to stop. I put my head down the hatchway an' yelled,

"'All hands on deck!'

"Up come the blatherin' chinks a-fallin' all over each other, an' w'en they seed how we was headin', they squealed dreadful.

"'Wei! Wei!' sez the Cap'n.

"An' bein' tired o' that, I jes ketched him by the pigtail an' swung him overboard an' let him swim ashore. The next minute we struck the marine railway head on, going square atween the rails, jes as I counted to do. An' o' course we skated our whole length right up the tracks.

"'Over all hands?' I yelled.

"The Chinamen came to life an' seemed to understan', fur over they went, an' had chocks under her quicker'n ye could say 'ahoy'; an' there she were, comf'able an' snug as an old woman in bed, with all the water run out o' her, an' nothin' to do but to plug up the holes an' get to sea agin. But d'ye s'pose them bloomin' beggars was grateful to me, fur wot I done fur 'em? Not a bit. They court-martialled me fur firin' on my own wessel."

[Pg 249]

The All-Boston Interscholastic Football Team for 1896 is as follows:

J. W. Hallowell, Hopkinson's | end.
F. Gillispee, Brookline High | tackle.
F. W. Lowe, Boston Latin | guard.
F. R. Hutchins, Brookline High | centre.
O. Talbot, Brookline High | guard.
W. D. Eaton, English High | tackle.
E. W. Manahan, English High | end.
G. A. Sawin, Cambridge Manual | quarter-back.
W. B. Boyce, Brookline High | half-back.
Cato Thompson, Cambridge Manual | half-back.
A. Stillman, Hopkinson's | full-back.

E. W. MANAHAN, End.
F. W. LOWE, Guard.

W. B. BOYCE, Half-back.
F. GILLESPIE, Tackle.

OLIN TALBOT, Guard.
G. A. SAWIN, Quarter-back and Captain.

W. D. EATON, Tackle.
J. W. HALLOWELL, End.

A. STILLMAN, Full-back.
C. M. THOMPSON, Half-back.

F. R. HUTCHINS, Centre.

The substitutes are W. Murphy, English High, end; C. W. Jaynes, Hopkinson's, tackle; C. Shea, Hopkinson's, guard; R. Hazen, Cambridge Manual, centre; E. F. Sherlock, English High, quarter-back; G. L. Huntress, Hopkinson's, half-back; T. F. Teevens, Boston Latin, full-back.

In picking a representative All-Boston Team the first consideration given to the individual has been his ability to play his position as near perfection as it is proper to expect. The player who has displayed the most talent in this direction has earned the title to become a member of this team. To reach a standard above the average an All-Boston player must necessarily have the essential qualities that define a football expert—namely, courage, pluck, reliance, and a true conception of collective strength.

For quarter-back, that most important position so difficult to fill satisfactorily, there is only one choice, and that is George A. Sawin, of Cambridge Manual. He has exemplified the execution of accurate passing and the propagation of complicated trick plays, born of natural aptitude and experience. Cambridge Manual was reputed to have the most intricate formation plays of any team in the league, and their ultimate successful completion depended entirely on Sawin's steadiness. That he never slipped up was proved by the prosperity that attended the team. Sawin's station on the defence is directly behind the centre, where he can close up holes at either side of the pivot of the line. As a tackler his real value is felt, for he backs up the line and makes it impregnable. Sawin has done all the punting for his team, and whenever a kick was wanted he exchanged places with a half-back to receive the ball. His long punts were constantly commented on, and no one in the league excelled him.

The command of the team should also be assumed by Sawin, not alone because of his point of vantage in the field, but for his excellence as a strategist, and as a leader who inspires confidence in his players, and exacts their respect.

[Pg 250]

The centre of the line can well be taken care of by Hutchins of Brookline, who, for a centre, has been unusually active throughout the season. He has outclassed every centre that faced him, though outweighed in many cases. His football personality lies in his strength to make a pathway for a rusher and his conspicuousness in tackling back of the line.

No one guard has given evidence of having star abilities, and there are several ranking on about the same plane. Talbot of Brookline High, who was substitute on last year's All-Boston team, is inferior to nobody now, and easily takes a permanent place. He has had excellent coaching from an old Harvard guard all the season, and it is no wonder that he exhibits all the capabilities of a finished guardsman. For the other guard the competition is much closer, but should go to Captain Fred Lowe, of Boston Latin, who has had three years' experience, and in that time has always stood at the front.

There is no disputing the fact that the tackle positions belong to Eaton of English High and Gillispee of Brookline High. Eaton was a member of the All-Boston team a year ago as guard, but exigencies arising, he was moved to tackle, and his all-round proclivities cropped out there, where he has played the same aggressive, straight-forward game that characterized him in '95. As a rushing linesman he can claim superiority over any man who stood on the scholastic gridiron this fall.

Gillispee of Brookline High has proved his worth as a tackle as the season advanced. He has earned his position by hard, untiring effort, and in every game he has been prominent in smashing interference and making his position invulnerable.

With Hallowell, of Hopkinson's, and Manahan on the ends, the team would have an almost perfect line. Hallowell occupied a similar position last year, and has sustained his reputation this season. He was the most difficult end in the league to circle, for he can wade through the most compact interference and nail the runner.

Manahan has played tackle all the year, but this was because he found a better end player than a tackle. His position is end, where he demonstrated last season his talents, and where he should have been this fall. As it was, he played an excellent game at tackle, although generally handicapped by the weight of his opponent. The players in this team to whom the burden of rushing the ball would fall are Cato Thompson, Cambridge Manual, Walter B. Boyce, Brookline, and A. Stillman, Hopkinson's.

Thompson and Boyce, the half-backs, are good at line-breaking or end plays. The former is especially clever at sprinting around the extremities of the line, and has exceptional speed. Boyce is the best individual back in the association, and his bucking the line has been Brookline's chief mode of gaining ground. Both players are fine defensive workers, and would aid Sawin on the line. Stillman gets placed not so much for his rushing game as his fearless punting. He can always be relied upon to follow his interference closely, and goes into a hole like a shot. Teevens of Boston Latin pushes Stillman for the position, as he is the surer at gaining through the line.

The following tables complete the records of the New York, Connecticut, and Cook County football leagues:

#### N.Y.I.S.A.A. FOOTBALL CHAMPIONSHIP.

SECTION I.
| Games | Games | Games | Points | Points
| won. | lost. | tied. | won. | lost.
De La Salle | 2 | 1 | 1 | 26 | 16
Berkeley | 1 | 1 | 1 | 30 | 14
Barnard | 1 | 2 | 0 | 12 | 32
SECTION II.
Trinity | 2 | 0 | 0 | 50 | 0
Dwight | 1[1] | 2 | 0 | 8 | 42
Cutler | 1 | 2 | 0 | 10 | 8

#### FINAL CHAMPIONSHIP GAME.

De La Salle | 2 | Trinity | 0

#### SCORES OF GAMES PLAYED.

De La Salle | 4 | Barnard | 6
De La Salle | 6 | Berkeley | 6
De La Salle | 6 | Berkeley | 0
De La Salle | 10 | Barnard | 4[2]
De La Salle | 2 | Trinity | 0
Trinity | 32 | Dwight | 0
Trinity | 18 | Cutler | 0
Berkeley | 24 | Barnard | 2
Cutler | 10 | Dwight | 8
Cutler | 0 | Dwight | 6[3]

#### COOK COUNTY FOOTBALL LEAGUE.

|  | T
|  | o
|  | u
| G | c
| o | h | S
| a | - | a
| l | d | f
| s | o | e
|  | w | t
| f | n | i
| r | s | e
| o |  | s
| m | f
|  | a | B
| T | i | y |  | P
| o | l |  | P | o |  | G
| u | i | O | o | i | G | a
| c | n | p | i | n | a | m
| h | g | p | n | t | m | e
| - |  | o | t | s | e | s
| d | G | n | s |  | s
| o | o | e |  | l |  | l
| w | a | n | W | o | w | o
| n | l | t | o | s | o | s
| s | s | s | n | t | n | t
Englewood | 12 | 3 | .. | 118 | 12 | 9 | 0
Hyde Park | 14 | 11 | .. | 128 | 54 | 8 | 1
Lake View | 11 | 4 | .. | 40 | 16 | 6 | 2
Evanston | 11 | 4 | .. | 82 | 50 | 5 | 3
North Division | 17 | 6 | .. | 126 | 72 | 5 | 4
English High | 3 | 1 | .. | 22 | 24 | 4 | 5
Northwest Division | 3 | 1 | .. | 22 | 86 | 3 | 6
Manual-Training | 1 | 1 | .. | 10 | 78 | 2 | 7
Oak Park | 6 | 3 | .. | 48 | 142 | 1 | 8
West Division | 0 | 2 | .. | 8 | 84 | 1 | 8

[Pg 251]

### CONNECTICUT I.S.F.B.A.

#### NORTHERN DIVISION.

October 31—New Britain H.-S., 42; Hartford H.-S., 6.
November 7—New Britain H.-S., 50; Norwich[4] F. A., 0.

#### SOUTHERN DIVISION.

October 31—Meriden H.-S., 54; Hillhouse H.-S., 12.
October 31—Bridgeport H.-S., 12; Waterbury H.-S., 8.
November 7—Meriden H.-S., 20; Bridgeport H.-S., 12.

#### CHAMPIONSHIP GAME.

November 14—New Britain H.-S., 30; Meriden H.-S., 6.

TRINITY SCHOOL FOOTBALL TEAM, OF NEW YORK.

The Trinity School Football Team this year was the strongest that that school has ever put into the field; and although it did not win the New York championship, it made an enviable record for itself during the season. Thirteen games in all were played as follows:

Trinity | 10 | Yonkers High-School | 0
Trinity | 28 | St. Austin's School | 0
Trinity | 4 | Montclair High-School | 2
Trinity | 44 | Packard Business College | 4
Trinity | 0 | St. Paul's School | 30
Trinity | 6 | Rutger Prep. School | 0
Trinity | 10 | Staten Island C. C., 2d team | 6
Trinity | 0 | Princeton Prep. School | 10
Trinity | *32 | Dwight School | 0
Trinity | *18 | Cutler School | 0
Trinity | *0 | De La Salle School | 2
Trinity | 10 | Columbia Freshmen | 0

The contests marked with a star were games played in the New York Interscholastic championship series.

For the first time in several years the Trinity players this season had a regular coach, to whom much of the credit of their success is due. The '95 team knew nothing of systematic interference, whereas this year's eleven was well trained in that branch of the sport, and developed a special strength on end plays. Only four of the '95 team returned to school this fall. These were Page, centre; Brown, left guard; Stromeyer, left half-back, and O'Rourke, full-back. Page and Brown were moved to tackles, and proved efficient in those positions.

On looking over the new material at the beginning of the season Captain O'Rourke found that he had an abundance of men capable of playing end and back, but there were not many heavy players for the centre of the line. Consequently in the early games Trinity's opponents made most of their advances through the centre; but this weakness was finally remedied, and the eleven developed a strong defence. With the experience acquired this season next year's eleven should prove particularly strong.

With the great development of football among all the schools, it has now come to be an important matter with the colleges to keep track of the scholastic players, and to depend upon them for material for the university elevens. In connection with this it is interesting to look over a list of the graduating football-players which has been recently compiled.

Beginning with the New York League we find that of the seven members of the Berkeley team who graduate next spring, Bien, Gilson, and Rice will go to Yale, Walker and Hasbrouck will go to Columbia, Wiley will enter Princeton, and Pell will not go to college at all. From the Cutler team Yale will get Kimball, Kip, and Lee, Harvard will get Hoffman and Sands, and McElroy will go to Columbia. Columbia will get four men from Drisler's eleven—Agate, Ballin, Furnald, and Wolff. Columbia also gets Brooks from Hamilton Institute; and from the same school Carey will go to Princeton, and Foster to Technology, Boston. Of the Dwight football-players, Bogart, Cameron, McCord, and Vinton go to Yale, Adler to Pennsylvania, Slawson to Princeton, and Eickemeyer to Columbia. From the champion team of De La Salle only two go to college—Tilford to Yale, and Bennett to Manhattan College.

Not so many men go to college from the Long Island League. Pratt Institute will send Bowie and Warner to Cornell, and Nevins to Columbia. Brooklyn Latin will send three men to Harvard—Lawrence, E. Motley, and J. L. Motley; Auchincloss, Brown, and Hoppin will go to Yale. From the championship team of St. Paul's, Garden City, Loraine, Symonds, and White will enter Harvard; and Cluett will go to Yale.

The Connecticut League will naturally send more football-players to Yale than to any other college. From Hotchkiss School six men will go down to New Haven—Hixon, Hoysradt, Montague, Noyes, Reynolds, and Savage. Two of the substitutes of the team, Coy, also a tennis-player, and Robertson, will likewise go to Yale. Fincke, football man and tennis champion, will go to Harvard. From the Hartford High-School Wood goes to Cornell; and Cutter, Gibb, Hanford, and Lockwood go to Yale. From Meriden Hubbard will go to Yale, and also possibly Gibson and Lane; Collins will enter Tufts College. From the champion New Britain team Yale will get Buckley, Corbin, and Flannery.

From other schools not in any of the large interscholastic leagues the larger colleges will also get a number of good men. From Andover, Yale will get Holladay, Swift, Wheeler, and White, and also one or more substitutes. Exeter will probably send three players to Harvard. From Lawrenceville, Cadwalader, Dudley, and Richards go to Yale; Loy and Mattis to Princeton. From the football team of St. Paul's, Concord, Henderson and Hollingsworth will enter Harvard; Vredenburg will go to Princeton; and Yale will get Campbell, Phipps, and Richardson, besides three or four substitutes of the team. Groton will send six football-players to Yale—Allen, Gillett, Smith, Strong, Twichell, and Whaples. Sturtevant will go to Trinity.

From St. Mark's, Southboro', Harvard will receive Wittemore; Technology of Boston will get Adams; while Hare and Nash will go to Yale. Westminster School will probably send six of the players of its team to Yale—Fabbri, Knapp, McLean, Nisbet, Scott, and Wells. From the Hill School only two of the first football team graduate—Keifer, who will go to Yale, and Fincke, who is undecided. Taft's School will send seven of its football men to New Haven—Bell, Barnett, Lear, Merriman, Townshend, Welch, and White.

#### "FOOTBALL FACTS AND FIGURES."—By Walter Camp.—Post 8vo, Paper, 75 Cents.

The Graduate.

## ADVERTISEMENTS.

If you wish

the lightest,

sweetest, finest

cake, biscuit and bread,

## ROYAL

### BAKING POWDER

is indispensable

in their preparation.

#### ROYAL BAKING POWDER CO., NEW YORK.

[Pg 252]

## QUESTIONS FOR YOUNG MEN.

### ON DRESS.

There is a certain professor in a certain university of the United States who once, at the beginning of one of his lectures on fine arts, got on the subject of the kind of pins worn in the neck-ties of young college men. He was a good lecturer, and was always interesting, but this lecture was the most interesting of his course to the three hundred boys who heard him, and the whole hour was spent on neck-tie pins, their use and misuse, and what they suggested. The gist of what he said was that there was no more reason why a boy should wear a horseshoe with a whip across it all in gold than that houses should have sieves for roofs. And that as it was extremely foolish to put a big sieve on your house for a roof, so it was quite as foolish to wear horseshoes on your neck-ties. The principle of this is that you should have a reason in what you wear as well as in other things, and that senseless decorations, like horseshoes on neck-ties or neck-ties on horseshoes, are silly and unbecoming to a self-respecting person. This particular example was only one to illustrate a principle, which is that nothing unusual, queer, out of the ordinary, is in itself a good thing; that, in fact, most things that are queer and out of the ordinary are likely, in the question of dress, to be in bad taste. A man's dress ought to be quiet, but it must be clean and well taken care of in every instance. The best dressed man is the man who, in whatever company he finds himself, is inconspicuous; who, you realize in an indefinite way, is well appointed, though you cannot well tell why. If you appear at a dinner in overalls, people say you are badly dressed, and they would repeat that wise observation if you went out in the field in a swallow-tail-coat. In the same way a man who has a flaring neck-tie or a purple handkerchief, or very long coat or very short trousers, is at once conspicuous, and therefore badly dressed.

This is not a question which involves the expenditure of money. A young man's clothing may be worn threadbare, but it can always be clean, and it costs no more to buy a quiet-colored cloth than to buy a big check of black and green or brown and yellow. If you study the matter a little you will find that you can tell the general character of any person by his clothes. Some men are sure to always wear slouchy clothes, half-soiled linen, a bright green neck-tie; others wear highly colored waistcoats; others again are always in the height of fashion—that is, a little in the extreme year after year; and still others make a point of being badly dressed and out of the prevalent style to show that they are not swayed by such silly laws as style. It is easy enough to place all these men in their proper places. And then, finally, you see some young chap whose clothes are clean, who is neither out of the style of the day nor in the height of it, whose clothes may be showing distinct signs of wear, but who seems to fit them pretty well, and to be noticeable in no particular way so far as they are concerned, and in all probability you put him down, if you think of the matter at all, as a man of common-sense, of decency, of self-respect, and good manners.

Then, again, some men sit in their shirt sleeves at home. There is no reason for this. It is merely a queer idea that you are more comfortable in that style of dress. But such men do not realize that their sisters, wives, mothers, naturally lose some of their respect for them, and that they unconsciously lose a good deal of respect for themselves. Certainly these sisters and wives and mothers are the girls and women we think most of, and why do we treat them with a disrespect that we would never think of subjecting strangers to in our own or in their homes? That disrespect to them is a boomerang, a reflector on us ourselves. If you dress quietly and decently and as well as you can, if you keep yourself and your clothes clean, you are more likely to keep morally clean, to think and act in a dignified way, and to treat others with proper respect. Of course there are great men who are slovenly, but they are never great because they are slovenly, and it would not dull their greatness if they kept themselves clean and orderly. It is because they grow careless, and carelessness is never excusable in any one. Think about your clothes, then, and avoid anything that will make you noticeable. That does not mean that one should always be thinking of what to wear, that one should be a dandy and a fop. It simply means that he should be a self-respecting man who tries to be decent.

Postmen sometimes have very lively experiences in the course of their daily rounds. It has often happened that on lonely roads they have had to fight their way against tramps and others who lie in wait to see what they can get that doesn't belong to them, and may be worth having. The most novel experience that has come to notice, however, was in the work of an English postman. It appears that on a recent Sunday a swarm of bees took possession of the village letter-box at Haunton, six miles from Tamworth. There is no collection on Sunday, and on Monday night, when the rural postman essayed to take out the letters, he was compelled to beat a speedy retreat, and no one could approach within twenty yards of the box. The postman avers that that was the liveliest mail he has had to do with in a long while.

### BLÜCHER'S PIPE-BEARER.

There is a story told somewhere of an old Indian-fighter, one of the kind that trailed the war parties of the redskins far back in the last century. This veteran loved his pipe, and as the story goes, during one of his exploits the Indians followed his trail by the smell of the tobacco smoke, and finally a well-aimed bullet knocked the glowing bowl from his mouth. Thus warned, he made his escape.

This pipe story does not equal that told of Christian Hennemann, a countryman from Rostock, who fought with Field-Marshal Blücher at Waterloo. Those who are familiar with Blücher's life know of his partiality for a pipe, and even in the heat of battle he never neglected his smoke. As day broke the morning of the memorable battle of Waterloo, Blücher called the hussar Christian Hennemann, and placed him in charge of a box of clay pipes, with the instruction to keep one always ready to hand to him, that he might enjoy a few whiffs during the engagement.

As the morning wore on, Blücher sat on his white charger gravely puffing away. He had reached out his hand for the second time to take the refilled pipe, when an ungenerous cannon-ball dug up the ground near at hand, causing his horse to shy. Blücher hastily handed the pipe to Christian, saying, "Just keep that lighted for a few moments while I drive those rascally Frenchmen back."

The chase was a long one, as history relates, and through the hot summer day the battle waged and men fought and died. When the battle was over, Blücher and Wellington, who were riding over the scene together, happened to pass near where Blücher had first started to chase the enemy. Outlined against the sky a lonely man sat perched on a rock. A bloody rag was bound around his head, and one arm hung in a sling. He was calmly smoking a clay pipe.

With an exclamation of surprise Blücher pulled up.

"Why, it's my Hennemann! How you look, boy! What are you doing here alone?"

"Waiting for you, as ordered," was the grumbled reply. "Been waiting ever since you left. The French have shot away every pipe in the box. They ripped the flesh from my head and shattered my arm with their bullets. It's well there is an end to the battle, or you would have been too late even for this last pipe."

Wellington, turning to Blücher, remarked:

"You have admired the unflinching loyalty and bravery of my Highlanders. What shall I say of this brave soul?"

"But your Highlanders had no pipes to regale themselves with," Blücher replied.

[Pg 253]

> This Department is conducted in the interest of stamp and coin collectors, and the Editor will be pleased to answer any question on these subjects so far as possible. Correspondents should address Editor Stamp Department.

The prices of great rarities are not declining, and the common stamps are worth as much to-day as ever; but the middle-class U. S. stamps have had a serious decline during the past three months. However, the stock is not large, it cannot be increased, and the good stamps are constantly being spoiled by carelessness or destroyed by accident, hence the eventual return to higher values is inevitable.

A rumor has gone abroad that the Bureau of Engraving and Printing in Washington contemplates making an entirely new set of postage-stamps, or keeping the present dies and changing all the colors. In either case there will be a great demand for Plate Nos. The present prices of Plate Nos. are quite low, and collectors should make up their albums as soon as possible. If a new set of stamps is issued, almost every one will be able to get all the new Nos. at a slight advance on face values.

One of the New York dealers has adopted a new method of selling scarce stamps. For instance, a U. S. Revenue was placed in the window marked $20, the catalogue price, with a notice that the price would be reduced $1 each day until sold. Quite a number of collectors kept tally, and determined to buy the stamp when it had come down to $12 or $13. They are still waiting, as the stamp was sold at $14. Other dealers intend to do the same thing with other stamps, and in many instances they expect the stamp to be sold the second day.

> S. P. Kenna.—There is no accounting for fashion, but the wise collector is one of those who set the fashion. Those who come in later must pay highest prices. Australians were the most sought after three or four years ago, then came West-Indians. U. S. stamps, of course, are, and probably will be, more sought after in this country than abroad.

> J. Shackheim.—A fine unused 90c. U. S. 1860 issue, sold at one auction for $11 a few days ago, and the next day a poor copy of the same stamp brought $13.50 at another auction. The first was very cheap, the second very dear. Unused high values U. S. will always be very scarce, and in some cases rare.

> J. Urban.—You have a very interesting lot of coins, but none of them is of such rarity as to be worth sending to a dealer. You will doubtless be able to get many others in time at nominal prices, and thus make up a good collection.

> W. Hammond, 8 High St., Peabody, Mass., wishes to exchange stamps.

> J. O. Hall.—To get the new stamps as issued I would advise you to join the American Philatelic Association. Address J. F. Beard, secretary, Muscatine, Iowa.

> F. X. Schmidt.—The first coins struck for an American English-speaking country were the Sommer Island III., VI., XII. pence in 1616. These are now called the Bermuda Islands. The next coins were the New England III., VI., XII. in 1652, and the Pine-Tree pieces struck in the same year.

> J. Kleinschmidt.—There are two varieties of the 1869 15c. stamp. 1. The ordinary, in the frame of which, under the letter T of the word POSTAGE, is a diamond. This variety is worth $1.25 used. 2. The other has the diamond cut out, and this variety is worth $3 used.

> A. A. Davis.—Brazil stamps, both used and unused, had been very low in price for all issues from 1850 to 1893. Daring the past two years they have gone up in price quite remarkably, as the dealers and collectors find that certain varieties are quite scarce. If you have the complete sets unused hold on to them, as prices are bound to advance.

Philatus.

## You Should Have

### "Harper's Round Table" for 1896

Volume XVII. With 1276 Pages and about 1200 Illustrations. 4to, Cloth, Ornamental, $3.50.

> It is doubtful if any other book issued at this holiday season contains so many stories for young readers as this volume.—San Francisco Chronicle.

> The book is one which is sure to delight all the children.—Detroit Free Press.

> A pronounced success as an educational means of great value.—Pittsburg Chronicle-Telegraph.

> One of the best periodicals for children ever published.—Philadelphia Ledger.

### Naval Actions of the War of 1812

By James Barnes. With 21 Full-page Illustrations by Carlton T. Chapman, printed in color, and 12 Reproductions of Medals. 8vo, Cloth, Ornamental, Deckel Edges and Gilt Top, $4.50.

> Unquestionably both the most lifelike and the most artistic renderings of these encounters ever attempted.—Boston Journal.

> Brimful of adventure, hardihood, and patriotism.—Philadelphia Ledger.

### The Dwarfs' Tailor

And Other Fairy Tales. Collected by Zoe Dana Underhill. With 12 Illustrations. Post 8vo, Cloth, Ornamental, $1.75.

> The twenty-two tales form a cosmopolitan array that cannot fail to delight young readers.—Chicago Tribune.

> Fascinating for old and young.—Boston Traveller.

### A Virginia Cavalier

A Story of the Youth of George Washington. By Molly Elliot Seawell. Illustrated. Post 8vo, Cloth, Ornamental, $1.50.

> Warmly commended to all young American readers.—Chicago Inter-Ocean.

> An absorbing tale.—Philadelphia Bulletin.

### Rick Dale

A Story of the Northwest Coast. By Kirk Munroe. Illustrated by W. A. Rogers. Post 8vo, Cloth, Ornamental, $1.25.

> Lively and exciting, and has, incidentally, much first-hand information about the far Northwest.—Outlook, N. Y.

> Capital story of adventure.—Philadelphia Evening Bulletin.

#### HARPER & BROTHERS, Publishers, New York

[Pg 254]

### What All Ought to Read.

A member living in the South asks for a list of books that persons of all ages ought to read in order to begin further reading—books that ought to be read, no matter in what direction a later taste might lead.

Here is a list prepared last year to fit this very question. It was prepared by some one well qualified for the task:

Tales from Shakespeare, by Charles and Mary Lamb.
Sir Walter Scott's Ivanhoe, Lady of the Lake, and Marmion.
Tennyson's Idyls of the King.
Macaulay's History of England.
Higginson's Young Folks' History of the United States.
Thackeray's The Virginians.
Walter Besant's For Faith and Freedom.
Dickens's Tale of Two Cities.
Brave Little Holland, and what She taught Us, by W. E. Griffis.
Lew. Wallace's Ben-Hur.
Bible Characters, by Charles Reade.
Recreations in Botany, by Caroline A. Creevey.
The History of a Mouthful of Bread, by Jean Macé.
Laboulaye's Fairy-Tales.
Life and Letters of Louisa M. Alcott.
John Halifax, Gentleman, by Mrs. Craik.
Longfellow's Evangeline.
Irving's Life of Washington.
Whittier's Snow-Bound.
Hawthorne's House of Seven Gables and Tanglewood Tales.
Fenimore Cooper's Leatherstocking Tales and Last of the Mohicans.
Amelia E. Barr's Bow of Orange Ribbon.
Alexander Johnston's American Politics.

How many of these have you read? And why may not a Chapter take up this list?

### A Call for Charity.

> The storm of September 29 caused such disaster at Fort White that I have decided to write to you, through the columns of Harper's Round Table, and ask you to send ten cents to Mrs. E. G. Persons, Fort White, Florida. It will be distributed among the storm sufferers of that place, which was almost totally wrecked. Only three dwelling-houses were left standing. The turpentine-men were ruined, as nearly all the turpentine-trees were blown down. I hope that you will all respond liberally and quickly, for what is a very small sum to one person will mean a great deal to the storm sufferers.

Albert H. Roberts, K.R.T.
Anita, Fla.

### Working a Turpentine Orchard.

Our national Department of Agriculture gathers facts in relation to forestry as well as to farming, and publishes them for the use of any one who wishes them. It has just issued some interesting facts about pine-trees, of the variety from which turpentine is obtained.

"Work in a turpentine orchard is started in the early part of the winter, with the cutting of the boxes. Trees of full growth, according to their circumference, receive from two to four boxes.

"The boxes are cut from eight to twelve inches above the base of the tree, seven inches deep and slanting from the outside to the interior. In the adult trees they are fourteen inches in the greatest diameter, and four inches in the greatest width, with a capacity of about three pints. In the mean time the ground is laid bare around the tree for a breadth of two and a half to three feet, and all combustible material loose on the ground is raked into heaps to be burned, in order to protect the trees from the danger of catching fire during the conflagrations, which are frequently started in the pine forests by design or carelessness. The employment of fire for the protection of turpentine orchards against the same element necessarily involves the total destruction of the smaller tree growth, and if allowed to spread without control beyond the proper limit often carries ruin to the adjoining forests.

"During the early days of spring the turpentine begins to flow, and chipping is begun, as the work of washing the trees is called, by which the surface of the trees above the box is laid bare beyond the youngest layers of the wood to a depth of about an inch from the outside of the bark. The removal of the bark and of the outermost layers of the wood—the "chipping" or "hacking"—is done with a peculiar tool, the "hacker," a strong knife with a curved edge fastened to the end of a handle bearing on its lower end an iron ball of about four pounds in weight, to give increased force to the stroke inflicted upon the tree, and thus to lighten the labor of chipping. As soon as the scarified surface ceases to discharge turpentine freely, fresh incisions are made with the hacker. The chipping is repeated every week from March to October or November, extending generally through a period of thirty-two weeks, and the weight of the chip is increased about one and one-half to two inches every month. The rosin which accumulates in the boxes is dipped into a pail with a flat trowel-shaped dipper, and is then transferred to a barrel for transportation to the still."

### Queer Complication of Territory.

Kings and presidents send ambassadors to the capitals of other countries, as you know. The residence of these ambassadors is, in law, not a part of the country in whose capital they are located, but a part of the country from which comes the ambassador residing there at the moment. For instance, the residence of the American Ambassador to France is in Paris, but at law it is not French but United States territory. A novel incident grew out of this legal fiction recently.

The Japanese Embassy in Berlin is not German, but Japan territory, of course. The embassy owns a parrot. The parrot got out of its cage and took lodgement in a neighboring tree—a tree in Germany, not in Japan. A Japanese servant remaining in Japan levelled a hose at the parrot, with the aim of dislodging him. It chanced that beneath the tree there sat, at the time, a German resident of wealth. The water that dislodged the parrot drenched him and ruined his clothes. He sued for damages, and got $4—a compromise sum, because the inflictor of the damage was a resident of Japan, had not left his own country, and could not be dragged into a German police court.

### A Lake without Water.

Central Australia is only now becoming known, as is Central Africa. An explorer tells the following about a wonderful "lake":

"We came, just at dusk, to the top of a sand hill, and saw Lake Amadeus lying at our feet. It was a strange sight. The bed of the lake was here only some three-quarters of a mile wide, but east and west it stretched away to the horizon, widening out, especially westwards, into a vast sheet many miles across. There was not a speck of water, only a dead level surface of white salt standing out against the rich after-glow on the west and the dull sky to the east, whilst north and south it was hemmed in by low hills covered with dark scrub."

### To Amateur Paper Publishers.

Will publishers of amateur newspapers send sample copies to A. R. Abbott, 38 Franklin Street, Northampton, Massachusetts?

### A Query in Natural History.

> Some time ago, under the above heading, a caterpillar was described which is commonly called saddle-back or slug caterpillar. Naturalists know it by the euphonious title of Sibine stimulea, which tells us that the tufts of bristles have nettlelike powers of irritation. The name slug caterpillar is given it because, the abdominal legs being absent, it moves with a smooth, gliding, snail-like motion. It feeds on many plants and trees, such as corn, rose, cherry, pear, and apple. After spending some weeks feeding on the leaves, it spins a brown cocoon, nearly spherical, surrounded by a loose silken web, and about July 1 a small moth emerges.

> It resembles those small moths commonly designated as "millers." The wings, which spread about one and one-half inches, are of a beautiful rich brown color, with a dark streak on the fore wings, near which are three whitish spots. Although nature has furnished the caterpillar with a protective armor of poisonous bristles, yet it does not seem to me to merit the epithet "hideous creature."

C. W. B.
East Orange, N. J.

### Questions and Answers.

Henry Osborn asks what causes Indian-summer weather, and why it is so called. Neither is quite clear, dear Sir Henry. In Canada it is known as St. Martin's summer. Why we call it Indian summer we have been unable to find out. Can any one tell us? By early American colonists it was thought that the haze was real smoke wafted from fires started by the Indians in anticipation of winter.—A Pennsylvania member asks how commercial pop-corn is made so excellent, when he has so much difficulty in getting his corn to pop well. The reasons are several. One is practice, which makes perfect. Another is good tools. Coal is poor stuff to pop corn over. Get coke. That is better because it stays hot, and does not die down as coal does. For popping corn in large quantities regular furnaces lined with fire-brick are provided, and there are huge wire baskets that are handled crane fashion. Some hold a bushel of corn when popped. Pop-corn parties are said to be more common than usual this autumn.

Gardner W. Millet asks when rifles were invented, and when metallic ammunition, all ready for use, was first used. He also asks about breech-loading guns and magazine-rifles. The earliest breech-loaders were used in 1537, but during the seventeenth and eighteenth centuries they were common. They were also crude. At Kuisyingen, in 1636, only seven shots were fired by soldiers in eight hours. The flintlock was of Spanish origin, and came in about 1630. William, Prince of Orange, brought it to England in 1688. Rifles are quite old, having been used in Germany in the eighteenth century—early part. The Furguson, a breech loading rifle, was used by American patriots during the Revolution. The civil war brought into use the metallic ammunition, all ready for loading on the instant, though there were many breech-loading rifles in use before that day. The magazine-guns were invented in 1835, but not much used till thirty years later. The rifle used by the United States weighs eight pounds and twelve ounces, has a 0.3 calibre, and five rounds of ammunition.

"C. G. A." is informed that Mrs. Augusta J. Evans, the author, is still living, we believe, in Mobile, Alabama. A granddaughter is also a resident of Mobile, named Mrs. Gaillard, formerly Miss Wilson.—Jay F. Hammond asks if a barrel is used for a post-office at Cape of Good Hope, as is said to be used at the Strait of Magellan. We think not. The extremity of Africa is quite unlike the extremity of South America. Perhaps some South African reader can tell us more.—Edwy L. Taylor: The Camera Club Competitions close February 15. The reference to an earlier closing was an error.—Edward C. Wood: Your game may be copyrighted, but unless it be a mechanical contrivance, or a part of such, and that new, it cannot be patented. The cost of a copyright is fifty cents, with a further fifty cents for a transcript, while a patent costs upwards of $100. We can find no record of the firm you mention. To copyright your game mail two copies addressed to the Librarian of Congress, Washington, D. C., give your full name and address, state the purpose of sending, and enclose $1. Nothing else is required. To make the copyright effective you must conspicuously place on every copy the words "Copyright, 1896, by Edward C. Wood, Philadelphia."—C. B. M.: Apply to Samuel French & Son, Dramatic Publishers, New York, and state just what you want. They will reply at once, giving list, if you mention the Round Table.

[Pg 255]

> Any questions in regard to photograph matters will be willingly answered by the Editor of this column, and we should be glad to hear from any of our club who can make helpful suggestions.

### HINTS ON RETOUCHING.

### II.—SPOTS AND SCRATCHES.

It often happens that there are spots on a negative—caused by specks of dust on the plate, air-bubbles in the developer, or unlucky scratches in the handling—which if not covered in some way make a black spot on the silver paper, and mar the beauty of what would otherwise be a fine picture. With a little practice one can learn to fill up these defects so that they will be scarcely noticeable in the print.

Take a drop or two of the retouching varnish on the end of the finger, and rub it lightly and evenly over the places which are to be retouched. Put to dry in a place free from dust; it will be dry enough in three or four hours. Place the retouching-frame on a table by a window with a good strong light, close the blind or lower the shade over the upper part of the window, and place a sheet of white paper under the frame on the table. Place the negative in the frame, and over it put a piece of opaque paper with a hole an inch or two in diameter opening over the place to be retouched. This also protects the film and shuts off all light except from the points to be treated. Now if the hole is a large one, take the brush and moisten it, and rub a little of the lampblack from the cake of water-color on it. Then with the greatest care touch the spot directly in the centre with a bit of the paint. Rinse the brush, and turning it till a fine point is obtained, work the paint carefully toward the edges of the spot, taking care that it does not touch the film but comes close to it. Let the paint dry, and if the first application has not made the spot of an equal density with the surrounding film, repeat the process. If the operation is not successful, the paint can be removed by applying a little turpentine on a soft cloth.

If the spot to be retouched is very small, or if there is a scratch on the film, take a soft pencil sharpened according to directions given in the first paper on retouching, and with very minute strokes go over the places until the required density is obtained. Sometimes it is necessary to go over the places several times before the spots appear like the film.

If a negative has sharp, harsh contrasts, they can be softened by going over them carefully with the pencil, using the softest one for this purpose, and then blending the pencil strokes with a crayon stump.

Freckles, heavy shadows under the eyes and nose, are easily removed or softened by using a needle-pointed pencil of very soft lead.

Undesirable backgrounds, or objects which have been unavoidably included in the picture, may be blocked out by using a thin solution of lampblack, and applying it to the back of the plate. A light coat obscures the background, and a thick coat blocks it out entirely.

In beginning the practice of retouching, it is wise to experiment on poor negatives, as first attempts are not always successful. Do not be discouraged if the first trial prove a failure. Remember your early experience in making negatives, and try again; for perseverance, no matter in what direction, is sure to bring its reward—success.

> Sir Knight William Merritt sends a print which shows no detail at the corners, and says that all his plates have the same fault, and asks what is the matter. The lens does not cover the plate—that is, the lens is too small for the size plate used. It may be that the diaphragm is too large, and by using a smaller diaphragm the blur showing on the edges of the picture would be corrected. The smaller the opening the more extended the sharp field of the lens; but the smaller the opening the longer must be the exposure.

> Sir Knight Charles M. Todd asks if hypo is always used for the fixing-bath without regard to the kind of developer; if a ferrotype-plate will impart a gloss to all kinds of prints except blue prints; if the whole roll of films in a pocket kodak would have to be exposed before one could develop any of the exposures; if developing solution may be used the second time if only one or two negatives have been developed in it. Hypo is always used for the fixing-bath, as it is the cheapest and safest chemical for the dissolving of the unused or unacted upon silver salts. Ferrotype-plate will not impart a gloss to a platinum, bromide, or any of the soft-tinted papers. The films in a pocket kodak should all be used before developing. There are only twelve films in a roll, and if part were taken out, one film would have to be spoiled in order to put the unused films back on the empty spool. Developer may be used the second and even the third time. Most amateurs have a bottle for old developer, and use it for starting development, as it is safer unless one knows the exact time of the exposure of the plate.

> Sir Knight F. Elton Morse, 11 and 13 Market St., Lynn, Mass., wishes to exchange landscape views with other members of the Camera Club.

## ADVERTISEMENTS.

## Postage Stamps, &c.

ALBUM AND LIST FREE! Also 100 all diff. Venezuela, Bolivia, etc., only 10c. Agts. wanted at 50% Com. C. A. Stegmann, 5941 Cote Brilliant Ave., St. Louis, Mo.

500 Mixed, Australian, etc., 10c.; 105 var. Zululand, etc., and album, 10c.; 12 Africa, 10c.; 15 Asia,10c. Bargain list free. F. P. VINCENT, Chatham, N.Y.

U.S. Postage and Rev. Fine approval sheets. Agts. wanted.

#### P. S. CHAPMAN, Box 151, Bridgeport, Ct.

## U. S.

25 diff U.S. stamps 10c., 100 diff. foreign 10c. Agts w'td @ 50%. List free! L. B. Dover & Co. 5958 Theodosia, St. Louis, Mo.

## To Show

### Your

## Heels

To other skaters wear the

### Barney & Berry Skates.

## Highest Award World's Fair.

Catalogue Free.

#### BARNEY & BERRY, Springfield, Mass.

#### "A perfect type of the highest order

#### of excellence in manufacture."

### Absolutely Pure.

### Delicious.

### Nutritious.

### COSTS LESS THAN ONE CENT A CUP.

Be sure that you get the

genuine article, made at

### DORCHESTER, MASS.,

### By WALTER BAKER & CO., Ltd.

Established 1780.

## EARN A TRICYCLE.

We wish to introduce our Teas. Sell 30 lbs. and we will give you a Fairy Tricycle; sell 25 lbs. for a Solid Silver Watch and Chain; 50 lbs. for a Gold Watch and Chain; 75 lbs. for a Bicycle; 10 lbs. for a Gold Ring. Write for catalog and order sheet Dept. I

#### W. G. BAKER,

#### Springfield, Mass.

## LAUGHING CAMERA. 10C.

MY! OH MY!!

The latest invention in Cameras. You look through the lens and your stout friends will look like living skeletons, your thin friends like Dime Museum fat men, horses like giraffes and in fact everything appears as though you were living in another world. Each camera contains two strong lenses in neatly finished leatherette case. The latest mirth-maker on the market; creates bushels of sport. Catalogue of 1,000 novelties and sample camera 10c., 3 for 25c., 12 for 90c. mailed postpaid. Agents wanted.

#### ROBT. H. INGERSOLL & BRO.,

#### Dept. No. 62, 65 Cortlandt St., N. Y.

## HOOPING-COUGH

## CROUP.

### Roche's Herbal Embrocation.

The celebrated and effectual English Cure without internal medicine. Proprietors, W. Edward & Son, Queen Victoria St., London, England. All Druggists.

#### E. Fougera & Co., 30 North William St., N. Y.

## PLAYS

#### —SPEAKERS—

For Home and School.

New Catalogues FREE.

De Witt, Rose St., N.Y.

#### —DIALOGUES—

## HOME STUDY

Success in Business Life is within the reach of all who take a thorough Business College course at Home, by Mail. It will pay to Investigate. Cat. free. Trial lesson 10c.

#### BRYANT& STRATTON, 85 College Bldg., Buffalo, N.Y.

## BOYS and GIRLS

can earn money by working half an hour daily distributing free samples of Headache Powders. For full particulars address, CAPITAL DRUG CO., Box 880, Augusta, Me.

## PLAYS

Dialogues, Speakers for School, Club and Parlor. Catalogue free.

#### T. S. DENISON, Publisher, Chicago, Ill.

[Pg 256]

### THE SONG OF THE MUSES.

What is that melody weird and wild
That throbs and sobs like the wail of a child
Through the quiet night so still and mild?
Behold, it is a choir feline,
With tenors, altos—all told, nine;
Those are the Mewses, I opine.

### A PRACTICAL LITTLE GIRL.

"Oh, for the wings of a dove!" sang Mollie.

"What do you want with the wings of a dove, my dear?" asked her mother.

"To put on my new hat," said Mollie.

### HIS EXPLANATION.

"See here, Tommie," observed Tommie's teacher, "you ought to be able to spell your own name."

"I can," said Tommie.

"Then why don't you? You've written it Tomie instead of Tommie."

"Oh, as for that," said Tommie, "you told us not to waste anything, and that extra m is just a waste of ink."

### GOING INTO A NEW LINE.

"What'll you swap off a three-cent Nicaragua '95 for, Jack?" asked Jack's uncle of the young stamp-collector.

"I won't swap it off for anything, Uncle George, but I tell you what I will do. I'll swap off my whole collection for a goat. Stamps are always the same, but goats—my—they're never the same!"

### NOTHING WONDERFUL.

"So you don't think much of Jack the Giant-killer, eh, Bobbie?"

"NO. He was smart. But not particularly wonderful. Why, look at me! I can tire my Pa out in five minutes, and I guess he could lick any giant Jack ever saw."

During the winter months the farmers' boys and girls have lots of fun with their parties, taffy pulls, and such enjoyments, and considerable humor can be found in their happy repartee. At one of these candy parties a guest not altogether liked by some of the girls, unfortunately sat in a saucer of maple sugar left on a chair to cool off, and his unceremonious departure was the wonder of the evening. It was rather hard on the young man, and it is doubtful whether he found anything to end his embarrassment in the note he received the next day from the daughter, saying that if the "Mr. D—— who sat in the saucer of maple sugar last night will kindly return the saucer, he will save himself further trouble."

### AN OBJECTION.

"I hate dancing-school," said Jack. "It's lots of fun dancing, but every time I want to waltz I have to load myself up with some girl or other. Why can't they let a feller dance by himself?"

### A SURGEON OF THE BICYCLE.

There are enterprising bicycle people in England as well as in this country. A year or more ago London was flooded with the following circular by a bicycle-repairer, which is ingenious enough in its wording to have been the product of a Yankee:

"Bicycle surgery.

"Acute and chronic cases treated with assurance of success.

"Languid tires restored to health and vigor.

"Tires blown up without pain. Wind free. No cure, no pay asked.

"We understand the anatomy, physiology, and hygiene of wheels, and homœopathic or allopathic treatment, as individual cases require. Sure cure guaranteed.

"Testimonials:

"'My wheel had three ribs fractured, and you cured it in one treatment.'

"'My tires were suffering with a case of acute aneurism, which had been pronounced fatal by other bicycle-doctors, but you cured the disorder, and I did not lose a day of my tour.'

"Thousands of testimonials like the above sent on application.

"Dr. Blank, B.S. (Bicycle Surgeon.)
No. — Tottenham Court Road."

### FORCE OF HABIT.

He was thoroughly a business man, and he judged everything from the point of view of weight—as was natural, since he dealt in things which were sold according to their avoirdupois. One day somebody asked him if he had any children.

"Yes," he said. "I've got 453 pounds of boys, and 236 pounds of girls."

### A SMALL BOY'S FEET.

"If it wasn't for me my class in school wouldn't have any standing at all," said Hubert.

"Nonsense!" said his aunt. "Your mother says you are the foot of it."

"I am," said Hubert. "How could it stand if it didn't have a foot?"

### NOT REPEATED.

"When you stepped on that gentleman's foot, Tommie, I hope you apologized?"

"Oh, yes, indeed I did," said Tommie, "and he gave me ten cents for being such a good boy."

"Did he? And what did you do then?"

"Stepped on the other and apologized again, but it didn't work."

### A JOKE UNDER THE SEA.

"Let's get up a minstrel show," said the Shad to the Shark.

"All right," said the Shark. "I've got a splendid mouth for tambo."

"And think of my capacity for the bones, eh?" said the Shad.

And the minnows in the school that was swimming by laughed so heartily that they swam down the Shark's throat without knowing it.

### FOOTNOTES:

[1] This game was won by default from Cutler.

[2] An all-round tie in Section I. necessitated a play-off, but as Berkeley forfeited, this was the only game played.

[3] Won by Dwight by default.

[4] On October 31 Connecticut Lit. Inst. forfeited to Norwich F. A.

*** END OF THE PROJECT GUTENBERG EBOOK HARPER'S ROUND TABLE, JANUARY 5, 1897 ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE

## THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

> This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.
Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.gutenberg.org.
This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.