## The Project Gutenberg eBook of Little Crumbs, and Other Stories

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Little Crumbs, and Other Stories

Author: Anonymous

Release date: March 7, 2014 [eBook #45064]
Most recently updated: October 24, 2024

Language: English

Credits: Produced by David Widger from page scans generously provided
by The Internet Archive

*** START OF THE PROJECT GUTENBERG EBOOK LITTLE CRUMBS, AND OTHER STORIES ***

# LITTLE CRUMBS AND OTHER STORIES

## By Anonymous

#### Fully Illustrated

##### Boston: D. Lothrop And Company
1885

#### enlarge

CONTENTS:

### A GRAVE CONSULTATION,—"I SHALL LEAVE THEM OUT OF MY CHERRY PARTY."

#### enlarge

Yes, the rob-in's nest had

been robbed—their own

rob-in's nest un-der the bush,

with its dar-ling lit-tle eggs of

the true robin's blue! The

nest was pulled out and tip-

ped on the ground, and the

love-ly eggs were gone.

"I know well e-nough," said

Beth, "that those were the

ver-y eggs that your broth-er

Jim-my was a-car-ry-ing a-bout

strung on a straw, Sat-ur-day

af-ter-noon."

"Yes," said Bes-sie, sad-ly,

"he and Dick must have found

our bush and looked un-der

it, and pulled out the nest. If

they weren't my broth-ers, I'd

nev-er speak to them in this

world any more, no, nev-er and

nev-er! I'm sor-ry they had

to come in-to the coun-try with

us, they do so much dam-age!"

"O, you'll have to speak to

them," said Beth; "but when

peo-ple do cru-el things I do

think it ought not to go as if

they had done on-ly right! I

think they ought to be left out

a while, an' I shall leave them

out of my cher-ry par-ty."

Jim-my and Dick were Bes-

sie's broth-ers; but she a-greed,

and the boys got no cards for

the cher-ry par-ty.

"It is be-cause you broke up

the rob-in's nest," said Bes-sie

se-vere-ly. "It is to make you

feel that girls don't like cru-el-

ty to birds!"

### AND JIM-MY'S AN-SWER.

Jim-my looked so-ber for a

min-ute. Then he kicked up

his heels on the car-pet. "Ho,

ho!" said he. "Such girls a-

set-ting up to pun-ish us!

Girls that wear whole birds on

their hats all win-ter!"

## SOME-THING SWEET.

enlarge

Christ-mas Day some-thing

sweet hap-pened to Ba-by

Ralph—some su-gar can-dy.

Ralph had nev-er tast-ed

can-dy be-fore, and you should

have seen his big blue eyes.

"Some mo' an' some mo'

an' some mo'!" he said.

"Some more next Christ-

mas," said mam-ma. And

now ev-er-y morn-ing Ralph

asks, "Kwis'-mas this day?"

enlarge

Oh, list-en while the chil-dren sing

(The first one's name is

Mol-ly),

So loud their mer-ry voi-ces ring—

(Th e sec-ond one is Dol-ly),

They sound like black-birds in

the spring

(The third is Oua-ker Pol-ly).

## A CHRIST-MAS CAROL, LIT-TLE ROS-A-BEL'S AD-VEN-TURE.

Lit-tle Ros-a-bel liked sto-ries

the best of any-thing in the

world; and she be-lieved that

all her lit-tle pict-ure books

were true, and O, how she did

wish she were a stor-y-book

girl her-self, and that such

things would hap-pen to her.

Dear lit-tle Ros-a-bel, she used

to go out in the green lanes

and grass-y dells and hunt for

fair-ies, and list-en for talk-ing

birds and talk-ing flow-ers.

And one day lit-tle Ros-a-

bel thought she would try one

of the sto-ries and see if it

would come true with her.

She chose the sto-ry of "Lit-tle

Red Rid-ing-hood," be-cause

she had a red hood and be-

cause she knew a poor old

wom-an who lived a-lone in an

old house. So she put a pat

of but-ter and a cust-ard-pie in

a lit-tle bask-et, tied on her red

hood, and started a-way. But

there were no woods to go

through, and so no wolf came

a-long. Ros-a-bel called "Wolf!

Wolf!" man-y times, but no

wolf came. When she came

to the old house she tried to

reach the big knock-er. But

she couldn't, so she knocked

with her lit-tle knuck-les. A

ver-y thin, low voice said, "Lift

the latch and come right in!"

Ros-a-bel did, and there was a

poor old grand-moth-er right in

bed, just like the stor-y!

"O, have you any-thing to eat

in that bask-et?" said the voice.

"I have sprained my an-kle

and I can't walk, and there has

no-bod-y been here for two

days, and I am al-most starved,

and I want some-bod-y to go

for a doc-tor. Can you go?"

#### enlarge

Yes, Ros-a-bel could. A-way

she ran to mam-ma, and mam-

ma and the doc-tor both came,

So Ros-a-bel was not on-ly in a

real sto-ry, her-self, but she al-so

did a great deal of good.

## MORN-ING AT OUR HOUSE.

enlarge

When the first gray light

creeps in through the cur-tains

there is gen-er-al-ly a sud-den

nest-ling to be heard in the crib

that stands at one side of the

bed. Soon Ar-thur's curl-y

yel-low head pops up out of

the pil-lows.

"Are you waked up, Dol-ly-

ba-by?" calls a mer-ry voice.

"Coo-ah-goo-coo" an-swers

Dol-ly-ba-by.

"Mam-ma, I want to see

her," says Ar-thur, sit-ting up

to look o-ver.

enlarge

Then mam-ma parts the lace.

cur-tains of Dol-ly-ba-by's crib,

and dis-clos-es the lit-tle sis-ter,

all sweet and ro-sy with sleep,

smil-ing on her pil-low.

"Loves Dol-ly-ba-by," says

Ar-thur, throw-ing a kiss.

Dol-ly makes fun-ny eyes at

her broth-er, and throws up

her fat lit-tle hands. "Ah-

goo-goo!" she says.

"Let me have her, please,

mam-ma," says Ar-thur.

Then Dol-ly-ba-by is lift-ed

o-ver in-to the big crib; and

there is rock-ing and sing-ing

and smil-ing and coo-ing un-til

nurse comes to car-ry both

rogues a-way to be dressed.

## MOON FOLKS.

enlarge

See how quiet it is at e-ven-

ing in the house of the Man in

the Moon. The Moon moth-

er sits down to knit baby

stock-ings like the mam-mas

here; and the Moon fa-ther

wears a smok-ing cap as oth-er

pa-pas do—and on-ly just see

what the sweet lit-tle Moon

ba-by has got for a ham-

mock!

"By-lo-by!" the Moon ba-by

sings. "How bright the earth

shines to-night! I like to

swing in the ham-mock by

earth-light!"

"I won-der if an-y-bod-y

lives in the earth," says the

Moon moth-er.

"That is some-thing I sup-

pose we nev-er shall know,"

says the Moon fa-ther.

#### enlarge

## LIT-TLE CRUMBS, AND LIT-TLE DROPS.

"Crumbs of Crack-ers" and

"Drops of Milk" were, the

names of two lit-tle girls.

Would you like to know how

they got these fun-ny names?

It was this way: Lit-tle

"Crumbs" was al-ways nib-

bling crack-ers, and lit-tle

"Drops" lived up-on noth-

ing but milk.

They met for the first

time one day by the fence

be-tween their gar-dens. Lit-

tle Drops was sip-ping from

her sil-ver cup and lit-tle

Crumbs was munch-ing her

crack-er. The big sun-flower

thought there must be a dog

and a kit-ty in the gar-den.

"I've seen you out here

twice," said Crumbs bold-ly,

"and both times you was a-

drink-ing milk."

"An' I's seen you two times,

and bofe times you was a-eat-

ing cwack-ers!" said Drops.

Then the lit-tle girls looked

at each oth-er through the

fence. Bold lit-tle Crumbs

spoke first: "I don't like milk."

"I does," said Drops.

"My mam-ma says I was

brought up on one cow."

"Was you once a tru-ly

lit-tle bos-sy calf?" asked

Crumbs.

But Drops did not like that

ques-tion. "You isn't ber-ry

nice to me," she said.

Then Crumbs was sor-ry.

She held out her crack-er.

"Here!" she said. And

while Drops nib-bled, Crumbs,

to show that she was tru-ly

sor-ry, took a sip from the cup.

And this was tru-ly sor-row

in-deed, for Crumbs don't like

milk to this day.

## IN THE DOVE COT—TWO KIND LIT-TLE GIRLS.

enlarge

Whith-er a-way,

Lit-tle la-dies so gay?

"O, o-ver the hill

To Grand-moth-er Dill!"

And what have you there

In your bas-ket square?

"O, pud-dings and pies,

A lit-tle sur-prise!"

Why such good-will

To Grand-moth-er Dill?

"O, ev-er-y one should

On Christ-mas do good!"

Lit-tle maids, good day!

Flow-ers strew your way!

enlarge

"Coo, coo,"

said Pur-ple-

neck, "it is

break- fast

time."

"Y es," said

G r a y-wing,

"I was think-

ing of the cit-y doves. There

was a snow-storm last night."

"Yes," said Pur-ple-neck,

"but they will not suf-fer. I

am told that many a fine gen-

tle-man buys a loaf of bread

to crum-ble up for the cit-y

doves on a win-ter's day."

"H ea-ven bless 'em," said

Gray-wing.

## I-DA'S DOLL.

#### enlarge

Once there was a lit-tle

girl named I-da, who nev-er

had had a dol-ly. She nev-er

had e-ven seen one, but there

was a pic-ture in a lit-tle red

sto-ry-book

of a girl

hold-ing a

doll, and

I-da used to

look at this pic-ture ev-er-y day

and wish and wish she could

have one.

But her home

was a long

way from

an-y store, and

be-side, her

fath-er and

moth-er had

no mon-ey to

spend for

play-things.

Poor lit-tle

I-da felt worse

and worse

a-bout it, and

one night she

cried af-ter she went to bed, and

when her moth-er came and

asked what was the mat-ter she

said:

"I'm so mizh-a-ble for a

dol-ly, mam-ma!"

Mam-ma sat up long af-ter

her lit-tle girl was a-sleep and

thought a-bout it; and the next

morn-ing, when I-da woke,

there sat a dol-ly on the bu-

reau star-ing at her, a queer,

queer thing, but I-da knew

it was sure-ly a doll.

It was a great rag ba-by,

made of an old sheet, and

dressed in one of I-da's pink

cal-i-co a-prons, and it had black

thread hair, and blue but-ton

eyes, a rag nose, and red ink

lips—but oh! how de-li-cious

it was to hold, and hug, and

love! All the sweet names

I-da could think of were giv-en

her: "Pret-ty," and "Dar-

ling," and "Fair-y," and "Sun-

shine." And lit-tle I-da was

not "mizh-a-ble" an-y more.

#### enlarge

## THE FAM-I-LY ROGUE IS CAUGHT AT LAST.

#### enlarge

## HOW DAN-NY SAID HE WAS SOR-RY.

Dan-ny was a hand-some lit-

tle boy, but not al-ways a

good lit-tle boy. Some-times

he was so naught-y that you

could see sparks of fire in

his soft black eyes, and he

would dou-ble his chub-by lit-

tle hands up in-to fists, and

stamp his feet, and look ex-

actly as though he were go-

ing to strike some-bod-y.

One day when mam-ma

was sick with head-ache he

had one of these bad times

with his tem-per.

"I don't wish to walk with

El-len," he cried, "an' I won't!

I want a play-walk with you,

mam-ma! El-len don't talk

with me, an' she won't let

me drive her at all! I want

a play-walk with my mam-ma,

I say! Do you hear, mam-ma!

Mam-ma heard. She felt

as though the naught-y lit-tle

boots had come down with

a stamp right on her head.

She knew ver-y well it was

nicer for a lit-tle boy to walk

with a mam-ma who would

a-muse him and take part in

his lit-tle plays, than with a

nurse, but she could not go,

and when Dan-ny stamped

and roared, he had to be sent

out of the room quick-ly, and

with-out e-ven a kiss.

It was a much-a-shamed

lit-tle boy that went stub-bing

a-long in the dust right in

the mid-dle of the road a

half-hour aft-er. His lit-tle

heart was strug-gling to find

some way to say how sor-ry

he was. There were no flow-

ers to pick for a nose-gay, and

it was too late for e-ven a

stray black-ber-ry.

But just be-fore din-ner

mam-ma woke, and there was

a great cloud of col-or, red

and gold, right be-fore her,

and shin-ing o-ver it, a pair

of silk-en-fringed black eyes,

so soft and lov-ing and sor-ry

that mam-ma gath-ered her

lit-tle boy, and the great arm-

ful of au-tumn leaves right

in-to her arms, and in one

lit-tle min-ute all the naugh-

ti-ness was loved a-way.

#### enlarge

## MISS ROSE-BUD,

#### enlarge

Bring the black horse, bring the red sleigh

Miss Rose-bud her-self goes rid-ing to-day!

Once on a time—the story-

book time when an-i-mals wore

clothes and could talk—there

were three mod-el mice. Their

names were Gray Cloak, Fine

Ear and Sat-in Slip-per.

enlarge

Sat-in Slip-per had a spoon of

her own, Fine Ear had a knife,

and Gray Cloak owned a fork.

One day they thought they

would club the knife and the

fork and the spoon to-geth-er,

and keep house. As they

were mod-el mice, they eas-i-ly

a-greed where to live. They

chose Farm-er Jones' cel-lar,

be-cause there were bar-rels of

ap-ples, bas-kets of eggs, and

shelves loaded with good-ies,

and an egg, or an ap-ple, or a

stray cake would not be missed.

"I lived once," said Gray

Cloak, "in the cel-lar of a

wom-an who bought by the

doz-en or the dime's worth,

and she missed the least lit-

tle thing at once, so that fi-

nal-ly I left in dis-gust."

Such good times as those

three mice had! The cel-lar

had a smooth, wa-ter-limed

floor, a beau-ti-ful place to play

mar-bles, blind-man's-buff and,

Kit-ty-kit-ty-cor-ner. They al-

ways ate from the same egg,

and as Farm-er Jones kept his

cats at the barn, there was

noth-ing to spoil their com-

fort for many years.

#### enlarge

## WHAT PA-PA AND MAM-MA SAW.

One time when pa-pa and

mam-ma were gone, Ann staid

out at the gate and talked

with oth-er cooks, and left

Ba-by Joe and Sue, and Flake

and Fleece all a-lone, and

Ba-by Joe want-ed to "go

bed." So, like a lit-tle wom-

an, Sue took off her own

lit-tle clothes and un-dressed

Ba-by Broth-er, and then Ba-

by Broth-er would-n't have on

his night-gown and cried, and

Ann did-n't come in to help,

though Fleece and Flake

barked to her loud, very loud.

What did pa-pa and mam-ma

see when they came? Four

lit-tle white crea-tures, nest-ed

in two big chairs; Ba-by Joe

and Sue a-sleep in one, Flake

and Fleece in an-oth-er.

#### enlarge

## A FIN-GER SONG.—LIT-TLE KATE.

A FIN-GER SONG.

{To be said on Ba-by s Fin-gers.)

I. Shall have an ap-ple;

II. Shall have a pear;

III. Shall have a lit-tle kid, of which he'll take good care;

IV. Shall have some can-dy;

V. Shall have a ride;

VI. Shall have a lit-tle sword, all buck-led on his side;

VII. Shall have a po-ny;

VIII. Shall have a sled;

IX. Shall have a dream-ing cap, and

X. Shall go to bed,

## KATE FEEDS THE FISH-ES.

enlarge

The birds in the grove

know lit-tle farm-house Kate.

The fish-es in the brook know

lit-tle farm-house Kate. She

is the girl that walks a-bout

with her a-pron full of nice

crumbs.

The first morn-ing this win-

ter that the brook froze o-ver,

Kate went down to the bank

and broke the ice with a stick,

and fed the fish-es with bread'

crumbs.

## MEAS-UR-ING TOM-MY.

#### enlarge

Tom-my goes ev-er-y day to

look at a board in the gar-den

fence. There are four lit-tle

hacks in that board, one a-bove

an-oth-er, made with a knife,

the first hack shows how tall

Tom-my was when he was one

year old; the sec-ond how tall

when he was two; the third

how tall when he was three;

and yes-ter-day Nel-ly made a

hack for the fourth birth-day.

#### enlarge

## A LIT-TLE MAS-TER.

enlarge

Floss and Fluff were the

hap-pi-est dogs in the world.

Floss knew how to snap, and

Fluff knew how to whine,

and if they had been let to

go hun-gry, or cold, or had

been scold-ed, they'd have

been cross, naught-y dogs.

But Floss and Fluff had

good mas-ter. He was a

lit-tle boy on-ly six years

old, but he was a first-rate

mas-ter. His pa-pa said when

he brought Floss and Fluff

home:

"Now, Fred-dy, just as

long as these lit-tle fel-lows

are hap-py, just so long they

are yours!"

Fred-dy knew what that

meant. He fed his beau-ti-ful

pets at reg-u-lar hours ev-er-y

day, and e-ver-y day he combed

and brushed them, and ev-er-y

day he took them out for a

a frol-ic, and they had their

baths at the right time, and

he nev-er held up a bone and

did not give it to them. Be-

cause he was so prompt and

true and kind, Fred-dy was

hap-py, and so were Fluff

and Floss.

## MA-DAME MOB-CAP.

### MA-RY E. BRAD-LEY.

This is lit-tle Ro-sa-belle—

No! I beg her par-don,

This is Ma-dame Mob-cap,

Walk-ing in her gar-den.

What a fine cap it is!

What a wide bor-der!

Spec-ta-cles and walk-ing-stick,

And ev-er-y-thing in or-der.

Hop, toads, clear the way!

Bees, hush your hum-ming!

La-dy-birds and but-ter-flies,

Grand folks are com-ing!

Nev-er think she'll look at you,

Vi-o-lets and dai-sies!

You're quite too in-sig-nif-i-cant

For such a la-dy's prais-es.

She must have a king-cup,

And a prince's feath-er,

With a crown-im-pe-ri-al,

Tied up to-geth-er.

That will suit your Maj-es-ty,

Ma-dame Ro-sa-bel-la!

And here's a gold-en sun-flow-er

To make you an um-brel-la.

"Pooh!" says lit-tle Ro-sa-belle,

Pluck-ing some car-na-tions;

"You may keep your sun-flow-ers,

And all their rich re-la-tions.

"Give me a bunch of vi-o-lets,

And one of those white ros-es,

And take your crown-im-pe-ri-al

To folks that have no nos-es."

## UN-DER THE EAVES.

#### enlarge

The ba-by in the house and

the ba-by in the barn, are

great friends. The barn ba-

by is not per-mit-ted to come

in-to the house, but the house

ba-by vis-its the barn ev-er-y

day.

The house ba-by is a year

old, and the barn ba-by is

just a year old too; but the

house ba-by can on-ly take

lit-tle trem-bling steps, hold-

ing fast by moth-er's hand,

while the barn ba-by, if he

can on-ly get out of doors,

throws up his heels and runs

a-cross the fields, and no-bod-y

can catch him. The house

ba-by laughs to see him go, and

dear-ly likes his red hair, and

feel his two stout lit-tle horns,

And I think the barn ba-by likes to

feel the soft hand of

his lit-tle

friend

from the

house, for

some-times

there is salt, and

some-times there

is su-gar on the

lit-tle pink palm,

and the barn ba-

by licks it off

with his rough

tongue. Once the barn ba-by

tried to say, "Thank you."

He tried this way: He reached

his head up and licked the

house ba-by's rose-pink cheek. The

house ba-by was scared, and so was the

house ba-by's moth-er—and she ran in-to

the house with him just as fast as she could; and

then pa-pa laughed at them both, and the barn ba-by

stood and looked over the fence for half an hour.

#### enlarge

## BO-PEEP'S STOCK-ING.

Bo-peep was Jack Hor-ner's

lit-tle sis-ter. When he had

his Christ-mas pie she was a

wee ba-by. But the next

Christ-mas, mam-ma hung up

her own lit-tle red-and-white

speck-led stock-ing for her.

Christ-mas morning there

was a great time. Bo-peep

sat on the bed, and shouted

"Goo! goo!" and pulled the

things out her-self from the

gay lit-tle stuffed stock-ing.

A lit-tle white rab-bit peeped

out at the top. His eyes were

made of pink beads. He had

a clov-er leaf in his mouth.

Then came a chi-na pus-sy,

black and yel-low and white.

Then a brown mouse and a

white one. The brown mouse

was choc-o-late. The white

one was su-gar: and Bo-peep

bit off the choc-o-late tail

and a su-gar ear at once.

There was a knit dol-ly, in

a bright blue dress and blue

shoes.

And a-way down in the toe

of the stock-ing, there was a

lit-tle chi-na hen. She sat in

her nest. The nest was chi-na

too. Bo-peep took her off, and

what do you think she had for

eggs? Pink-and-white car-a-

way seeds!

When Bo-peep went to bed

that night, the lit-tle red stock-

ing was left on the car-pet. In

the morn-ing mam-ma heard a

rus-tle in the stock-ing, and

shook it. Out ran a gray

mous-ie, a real, live mous-ie!

Two or three of Bo-peep's

lit-tle pink-and-white car-a-way

eggs had stayed in the toe of

the stock-ino-. Mous-ie had

smelt them in the night, and had

crept in to get his share of Christ-mas

So Bo-peep thinks she had

two Christ-mas morn-ings.

Wasn't that fun-ny?

#### enlarge

*** END OF THE PROJECT GUTENBERG EBOOK LITTLE CRUMBS, AND OTHER STORIES ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE

## THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

> This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.
Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.gutenberg.org.
This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.