THE VISION OF HELL, Part 1.
By Dante Alighieri, Illustrated by Dore


The Project Gutenberg EBook of The Vision of Hell, Part 1, by Dante Alighieri

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Vision of Hell, Part 1
       The Inferno

Author: Dante Alighieri

Release Date: August 6, 2004 [EBook #8779]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK THE VISION OF HELL, PART 1 ***




Produced by David Widger













THE VISION


OF


HELL, PURGATORY, AND PARADISE


BY


DANTE ALIGHIERI




TRANSLATED BY


THE REV. H. F. CARY, M.A.





cover.jpg (96K)



frontispieceb.jpg (34K)



titlepageb.jpg (21K)





HELL

OR THE INFERNO



Part 1.





LIST OF CANTOS

Canto 1
Canto 2













CANTO I



01-002b.jpg (60K)



IN the midway of this our mortal life,
I found me in a gloomy wood, astray
Gone from the path direct: and e'en to tell
It were no easy task, how savage wild
That forest, how robust and rough its growth,
Which to remember only, my dismay
Renews, in bitterness not far from death.
Yet to discourse of what there good befell,
All else will I relate discover'd there.
How first I enter'd it I scarce can say,
Such sleepy dullness in that instant weigh'd
My senses down, when the true path I left,
But when a mountain's foot I reach'd, where clos'd
The valley, that had pierc'd my heart with dread,
I look'd aloft, and saw his shoulders broad
Already vested with that planet's beam,
Who leads all wanderers safe through every way.

Then was a little respite to the fear,
That in my heart's recesses deep had lain,
All of that night, so pitifully pass'd:
And as a man, with difficult short breath,
Forespent with toiling, 'scap'd from sea to shore,
Turns to the perilous wide waste, and stands
At gaze; e'en so my spirit, that yet fail'd
Struggling with terror, turn'd to view the straits,
That none hath pass'd and liv'd.  My weary frame
After short pause recomforted, again
I journey'd on over that lonely steep,




01-005b.jpg (56K)



The hinder foot still firmer.  Scarce the ascent
Began, when, lo! a panther, nimble, light,
And cover'd with a speckled skin, appear'd,
Nor, when it saw me, vanish'd, rather strove
To check my onward going; that ofttimes
With purpose to retrace my steps I turn'd.

The hour was morning's prime, and on his way
Aloft the sun ascended with those stars,
That with him rose, when Love divine first mov'd
Those its fair works: so that with joyous hope
All things conspir'd to fill me, the gay skin
Of that swift animal, the matin dawn
And the sweet season.  Soon that joy was chas'd,
And by new dread succeeded, when in view
A lion came, 'gainst me, as it appear'd,




01-007b.jpg (38K)



With his head held aloft and hunger-mad,
That e'en the air was fear-struck.  A she-wolf
Was at his heels, who in her leanness seem'd
Full of all wants, and many a land hath made
Disconsolate ere now.  She with such fear
O'erwhelmed me, at the sight of her appall'd,
That of the height all hope I lost.  As one,
Who with his gain elated, sees the time
When all unwares is gone, he inwardly
Mourns with heart-griping anguish; such was I,
Haunted by that fell beast, never at peace,
Who coming o'er against me, by degrees
Impell'd me where the sun in silence rests.

While to the lower space with backward step
I fell, my ken discern'd the form one of one,
Whose voice seem'd faint through long disuse of speech.
When him in that great desert I espied,
"Have mercy on me!"  cried I out aloud,
"Spirit! or living man! what e'er thou be!"

He answer'd: "Now not man, man once I was,
And born of Lombard parents, Mantuana both
By country, when the power of Julius yet
Was scarcely firm.  At Rome my life was past
Beneath the mild Augustus, in the time
Of fabled deities and false.  A bard
Was I, and made Anchises' upright son
The subject of my song, who came from Troy,
When the flames prey'd on Ilium's haughty towers.
But thou, say wherefore to such perils past
Return'st thou?  wherefore not this pleasant mount
Ascendest, cause and source of all delight?"
"And art thou then that Virgil, that well-spring,
From which such copious floods of eloquence
Have issued?"  I with front abash'd replied.
"Glory and light of all the tuneful train!
May it avail me that I long with zeal
Have sought thy volume, and with love immense
Have conn'd it o'er.  My master thou and guide!
Thou he from whom alone I have deriv'd
That style, which for its beauty into fame
Exalts me.  See the beast, from whom I fled.
O save me from her, thou illustrious sage!




01-011b.jpg (50K)



"For every vein and pulse throughout my frame
She hath made tremble."  He, soon as he saw
That I was weeping, answer'd, "Thou must needs
Another way pursue, if thou wouldst 'scape
From out that savage wilderness.  This beast,
At whom thou criest, her way will suffer none
To pass, and no less hindrance makes than death:
So bad and so accursed in her kind,
That never sated is her ravenous will,
Still after food more craving than before.
To many an animal in wedlock vile
She fastens, and shall yet to many more,
Until that greyhound come, who shall destroy
Her with sharp pain.  He will not life support
By earth nor its base metals, but by love,
Wisdom, and virtue, and his land shall be
The land 'twixt either Feltro.  In his might
Shall safety to Italia's plains arise,
For whose fair realm, Camilla, virgin pure,
Nisus, Euryalus, and Turnus fell.
He with incessant chase through every town
Shall worry, until he to hell at length
Restore her, thence by envy first let loose.
I for thy profit pond'ring now devise,
That thou mayst follow me, and I thy guide
Will lead thee hence through an eternal space,
Where thou shalt hear despairing shrieks, and see
Spirits of old tormented, who invoke
A second death; and those next view, who dwell
Content in fire, for that they hope to come,
Whene'er the time may be, among the blest,
Into whose regions if thou then desire
T' ascend, a spirit worthier then I
Must lead thee, in whose charge, when I depart,
Thou shalt be left: for that Almighty King,
Who reigns above, a rebel to his law,
Adjudges me, and therefore hath decreed,
That to his city none through me should come.
He in all parts hath sway; there rules, there holds
His citadel and throne.  O happy those,
Whom there he chooses!" I to him in few:
"Bard! by that God, whom thou didst not adore,
I do beseech thee (that this ill and worse
I may escape) to lead me, where thou saidst,
That I Saint Peter's gate may view, and those
Who as thou tell'st, are in such dismal plight."

Onward he mov'd, I close his steps pursu'd.





01-015b.jpg (54K)







CANTO II






02-017b.jpg (36K)



NOW was the day departing, and the air,
Imbrown'd with shadows, from their toils releas'd
All animals on earth; and I alone
Prepar'd myself the conflict to sustain,
Both of sad pity, and that perilous road,
Which my unerring memory shall retrace.

O Muses! O high genius! now vouchsafe
Your aid! O mind! that all I saw hast kept
Safe in a written record, here thy worth
And eminent endowments come to proof.

I thus began: "Bard! thou who art my guide,
Consider well, if virtue be in me
Sufficient, ere to this high enterprise
Thou trust me.  Thou hast told that Silvius' sire,
Yet cloth'd in corruptible flesh, among
Th' immortal tribes had entrance, and was there
Sensible present.  Yet if heaven's great Lord,
Almighty foe to ill, such favour shew'd,
In contemplation of the high effect,
Both what and who from him should issue forth,
It seems in reason's judgment well deserv'd:
Sith he of Rome, and of Rome's empire wide,
In heaven's empyreal height was chosen sire:
Both which, if truth be spoken, were ordain'd
And 'stablish'd for the holy place, where sits
Who to great Peter's sacred chair succeeds.
He from this journey, in thy song renown'd,
Learn'd things, that to his victory gave rise
And to the papal robe.  In after-times
The chosen vessel also travel'd there,
To bring us back assurance in that faith,
Which is the entrance to salvation's way.
But I, why should I there presume?  or who
Permits it?  not, Aeneas I nor Paul.
Myself I deem not worthy, and none else
Will deem me.  I, if on this voyage then
I venture, fear it will in folly end.
Thou, who art wise, better my meaning know'st,
Than I can speak."  As one, who unresolves
What he hath late resolv'd, and with new thoughts
Changes his purpose, from his first intent
Remov'd; e'en such was I on that dun coast,
Wasting in thought my enterprise, at first
So eagerly embrac'd.  "If right thy words
I scan," replied that shade magnanimous,
"Thy soul is by vile fear assail'd, which oft
So overcasts a man, that he recoils
From noblest resolution, like a beast
At some false semblance in the twilight gloom.
That from this terror thou mayst free thyself,
I will instruct thee why I came, and what
I heard in that same instant, when for thee
Grief touch'd me first.  I was among the tribe,
Who rest suspended, when a dame, so blest
And lovely, I besought her to command,
Call'd me; her eyes were brighter than the star
Of day; and she with gentle voice and soft
Angelically tun'd her speech address'd:
"O courteous shade of Mantua! thou whose fame
Yet lives, and shall live long as nature lasts!
A friend, not of my fortune but myself,
On the wide desert in his road has met
Hindrance so great, that he through fear has turn'd.
Now much I dread lest he past help have stray'd,
And I be ris'n too late for his relief,
From what in heaven of him I heard.  Speed now,
And by thy eloquent persuasive tongue,
And by all means for his deliverance meet,
Assist him.  So to me will comfort spring.
I who now bid thee on this errand forth
Am Beatrice; from a place I come.





02-021b.jpg (45K)



(Note: Beatrice.  I use this word, as it is
pronounced in the Italian, as consisting of four
syllables, of which the third is a long one.)

Revisited with joy.  Love brought me thence,
Who prompts my speech.  When in my Master's sight
I stand, thy praise to him I oft will tell."

She then was silent, and I thus began:
"O Lady! by whose influence alone,
Mankind excels whatever is contain'd
Within that heaven which hath the smallest orb,
So thy command delights me, that to obey,
If it were done already, would seem late.
No need hast thou farther to speak thy will;
Yet tell the reason, why thou art not loth
To leave that ample space, where to return
Thou burnest, for this centre here beneath."

She then: "Since thou so deeply wouldst inquire,
I will instruct thee briefly, why no dread
Hinders my entrance here.  Those things alone
Are to be fear'd, whence evil may proceed,
None else, for none are terrible beside.
I am so fram'd by God, thanks to his grace!
That any suff'rance of your misery
Touches me not, nor flame of that fierce fire
Assails me.  In high heaven a blessed dame
Besides, who mourns with such effectual grief
That hindrance, which I send thee to remove,
That God's stern judgment to her will inclines."
To Lucia calling, her she thus bespake:
"Now doth thy faithful servant need thy aid
And I commend him to thee."  At her word
Sped Lucia, of all cruelty the foe,
And coming to the place, where I abode
Seated with Rachel, her of ancient days,
She thus address'd me: "Thou true praise of God!
Beatrice! why is not thy succour lent
To him, who so much lov'd thee, as to leave
For thy sake all the multitude admires?
Dost thou not hear how pitiful his wail,
Nor mark the death, which in the torrent flood,
Swoln mightier than a sea, him struggling holds?"
Ne'er among men did any with such speed
Haste to their profit, flee from their annoy,
As when these words were spoken, I came here,
Down from my blessed seat, trusting the force
Of thy pure eloquence, which thee, and all
Who well have mark'd it, into honour brings."

"When she had ended, her bright beaming eyes
Tearful she turn'd aside; whereat I felt
Redoubled zeal to serve thee.  As she will'd,
Thus am I come: I sav'd thee from the beast,
Who thy near way across the goodly mount
Prevented.  What is this comes o'er thee then?
Why, why dost thou hang back?  why in thy breast
Harbour vile fear?  why hast not courage there
And noble daring?  Since three maids so blest
Thy safety plan, e'en in the court of heaven;
And so much certain good my words forebode."

As florets, by the frosty air of night
Bent down and clos'd, when day has blanch'd their leaves,
Rise all unfolded on their spiry stems;
So was my fainting vigour new restor'd,
And to my heart such kindly courage ran,
That I as one undaunted soon replied:
"O full of pity she, who undertook
My succour! and thou kind who didst perform
So soon her true behest! With such desire
Thou hast dispos'd me to renew my voyage,
That my first purpose fully is resum'd.
Lead on: one only will is in us both.
Thou art my guide, my master thou, and lord."

So spake I; and when he had onward mov'd,
I enter'd on the deep and woody way.










End of Project Gutenberg's The Vision of Hell, Part 1, by Dante Alighieri

*** END OF THIS PROJECT GUTENBERG EBOOK THE VISION OF HELL, PART 1 ***

***** This file should be named 8779-h.htm or 8779-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/8/7/7/8779/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.