THE PRINCE AND THE PAUPER, By Mark Twain, Part 9.


The Project Gutenberg EBook of The Prince and The Pauper, Part 9.
by Mark Twain (Samuel Clemens)

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Prince and The Pauper, Part 9.

Author: Mark Twain (Samuel Clemens)

Release Date: July 4, 2004 [EBook #7162]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK THE PRINCE AND THE PAUPER, PART 9. ***




Produced by David Widger













THE PRINCE AND THE PAUPER



by Mark Twain



Part Nine





bookcover.jpg (148K)




frontispiece1.jpg (135K)




frontispiece2.jpg (123K)




titlepage.jpg (62K)




greatseal.jpg (68K)
The Great Seal




dedication.jpg (21K)




inscription.jpg (16K)






I will set down a tale as it was told to me by one who had it of his father, which latter had it of HIS father, this last having in like manner had it of HIS father—and so on, back and still back, three hundred years and more, the fathers transmitting it to the sons and so preserving it.  It may be history, it may be only a legend, a tradition. It may have happened, it may not have happened:  but it COULD have happened.  It may be that the wise and the learned believed it in the old days; it may be that only the unlearned and the simple loved it and credited it.




CONTENTS

XXXII. Coronation Day.
XXXIII. Edward as King.
Conclusion.  Justice and Retribution.
  Notes.




ILLUSTRATIONS

CORONATION DAY

"GATHERS UP THE LADY'S LONG TRAIN"

"TOM CANTY APPEARED"

"AND FELL ON HIS KNEES BEFORE HIM"

"THE GREAT SEAL—FETCH IT HITHER"

"SIRE, THE SEAL IS NOT THERE"

"BETHINK THEE, MY KING"

"LONG LIVE THE TRUE KING!"

"TO CRACK NUTS WITH"

EDWARD AS KING

"HE STRETCHED HIMSELF ON THE GROUND"

"ARRESTED AS A SUSPICIOUS CHARACTER"

"IT IS HIS RIGHT"

"STRIP THIS ROBBER"

"TOM ROSE AND KISSED THE KING'S HAND"

JUSTICE AND RETRIBUTION

NOTES









32-363.jpg (51K)




Chapter XXXII. Coronation Day.

Let us go backward a few hours, and place ourselves in Westminster Abbey, at four o'clock in the morning of this memorable Coronation Day.  We are not without company; for although it is still night, we find the torch-lighted galleries already filling up with people who are well content to sit still and wait seven or eight hours till the time shall come for them to see what they may not hope to see twice in their lives—the coronation of a King.  Yes, London and Westminster have been astir ever since the warning guns boomed at three o'clock, and already crowds of untitled rich folk who have bought the privilege of trying to find sitting-room in the galleries are flocking in at the entrances reserved for their sort.

The hours drag along tediously enough.  All stir has ceased for some time, for every gallery has long ago been packed.  We may sit, now, and look and think at our leisure.  We have glimpses, here and there and yonder, through the dim cathedral twilight, of portions of many galleries and balconies, wedged full with other people, the other portions of these galleries and balconies being cut off from sight by intervening pillars and architectural projections.  We have in view the whole of the great north transept—empty, and waiting for England's privileged ones.  We see also the ample area or platform, carpeted with rich stuffs, whereon the throne stands.  The throne occupies the centre of the platform, and is raised above it upon an elevation of four steps. Within the seat of the throne is enclosed a rough flat rock—the stone of Scone—which many generations of Scottish kings sat on to be crowned, and so it in time became holy enough to answer a like purpose for English monarchs.  Both the throne and its footstool are covered with cloth of gold.

Stillness reigns, the torches blink dully, the time drags heavily. But at last the lagging daylight asserts itself, the torches are extinguished, and a mellow radiance suffuses the great spaces. All features of the noble building are distinct now, but soft and dreamy, for the sun is lightly veiled with clouds.

At seven o'clock the first break in the drowsy monotony occurs; for on the stroke of this hour the first peeress enters the transept, clothed like Solomon for splendour, and is conducted to her appointed place by an official clad in satins and velvets, whilst a duplicate of him gathers up the lady's long train, follows after, and, when the lady is seated, arranges the train across her lap for her.  He then places her footstool according to her desire, after which he puts her coronet where it will be convenient to her hand when the time for the simultaneous coroneting of the nobles shall arrive.





32-366.jpg (53K)




By this time the peeresses are flowing in in a glittering stream, and the satin-clad officials are flitting and glinting everywhere, seating them and making them comfortable.  The scene is animated enough now.  There is stir and life, and shifting colour everywhere.  After a time, quiet reigns again; for the peeresses are all come and are all in their places, a solid acre or such a matter, of human flowers, resplendent in variegated colours, and frosted like a Milky Way with diamonds.  There are all ages here: brown, wrinkled, white-haired dowagers who are able to go back, and still back, down the stream of time, and recall the crowning of Richard III. and the troublous days of that old forgotten age; and there are handsome middle-aged dames; and lovely and gracious young matrons; and gentle and beautiful young girls, with beaming eyes and fresh complexions, who may possibly put on their jewelled coronets awkwardly when the great time comes; for the matter will be new to them, and their excitement will be a sore hindrance. Still, this may not happen, for the hair of all these ladies has been arranged with a special view to the swift and successful lodging of the crown in its place when the signal comes.

We have seen that this massed array of peeresses is sown thick with diamonds, and we also see that it is a marvellous spectacle—but now we are about to be astonished in earnest.  About nine, the clouds suddenly break away and a shaft of sunshine cleaves the mellow atmosphere, and drifts slowly along the ranks of ladies; and every rank it touches flames into a dazzling splendour of many-coloured fires, and we tingle to our finger-tips with the electric thrill that is shot through us by the surprise and the beauty of the spectacle!  Presently a special envoy from some distant corner of the Orient, marching with the general body of foreign ambassadors, crosses this bar of sunshine, and we catch our breath, the glory that streams and flashes and palpitates about him is so overpowering; for he is crusted from head to heel with gems, and his slightest movement showers a dancing radiance all around him.





32-368.jpg (158K)




Let us change the tense for convenience.  The time drifted along—one hour—two hours—two hours and a half; then the deep booming of artillery told that the King and his grand procession had arrived at last; so the waiting multitude rejoiced.  All knew that a further delay must follow, for the King must be prepared and robed for the solemn ceremony; but this delay would be pleasantly occupied by the assembling of the peers of the realm in their stately robes.  These were conducted ceremoniously to their seats, and their coronets placed conveniently at hand; and meanwhile the multitude in the galleries were alive with interest, for most of them were beholding for the first time, dukes, earls, and barons, whose names had been historical for five hundred years.  When all were finally seated, the spectacle from the galleries and all coigns of vantage was complete; a gorgeous one to look upon and to remember.

Now the robed and mitred great heads of the church, and their attendants, filed in upon the platform and took their appointed places; these were followed by the Lord Protector and other great officials, and these again by a steel-clad detachment of the Guard.

There was a waiting pause; then, at a signal, a triumphant peal of music burst forth, and Tom Canty, clothed in a long robe of cloth of gold, appeared at a door, and stepped upon the platform.  The entire multitude rose, and the ceremony of the Recognition ensued.

Then a noble anthem swept the Abbey with its rich waves of sound; and thus heralded and welcomed, Tom Canty was conducted to the throne.  The ancient ceremonies went on, with impressive solemnity, whilst the audience gazed; and as they drew nearer and nearer to completion, Tom Canty grew pale, and still paler, and a deep and steadily deepening woe and despondency settled down upon his spirits and upon his remorseful heart.

At last the final act was at hand.  The Archbishop of Canterbury lifted up the crown of England from its cushion and held it out over the trembling mock-King's head.  In the same instant a rainbow-radiance flashed along the spacious transept; for with one impulse every individual in the great concourse of nobles lifted a coronet and poised it over his or her head—and paused in that attitude.

A deep hush pervaded the Abbey.  At this impressive moment, a startling apparition intruded upon the scene—an apparition observed by none in the absorbed multitude, until it suddenly appeared, moving up the great central aisle.  It was a boy, bareheaded, ill shod, and clothed in coarse plebeian garments that were falling to rags.  He raised his hand with a solemnity which ill comported with his soiled and sorry aspect, and delivered this note of warning—

"I forbid you to set the crown of England upon that forfeited head.  I am the King!"

In an instant several indignant hands were laid upon the boy; but in the same instant Tom Canty, in his regal vestments, made a swift step forward, and cried out in a ringing voice—

"Loose him and forbear!  He IS the King!"

A sort of panic of astonishment swept the assemblage, and they partly rose in their places and stared in a bewildered way at one another and at the chief figures in this scene, like persons who wondered whether they were awake and in their senses, or asleep and dreaming.  The Lord Protector was as amazed as the rest, but quickly recovered himself, and exclaimed in a voice of authority—

"Mind not his Majesty, his malady is upon him again—seize the vagabond!"

He would have been obeyed, but the mock-King stamped his foot and cried out—

"On your peril!  Touch him not, he is the King!"

The hands were withheld; a paralysis fell upon the house; no one moved, no one spoke; indeed, no one knew how to act or what to say, in so strange and surprising an emergency.  While all minds were struggling to right themselves, the boy still moved steadily forward, with high port and confident mien; he had never halted from the beginning; and while the tangled minds still floundered helplessly, he stepped upon the platform, and the mock-King ran with a glad face to meet him; and fell on his knees before him and said—

"Oh, my lord the King, let poor Tom Canty be first to swear fealty to thee, and say, 'Put on thy crown and enter into thine own again!'"





32-370.jpg (121K)




The Lord Protector's eye fell sternly upon the new-comer's face; but straightway the sternness vanished away, and gave place to an expression of wondering surprise.  This thing happened also to the other great officers.  They glanced at each other, and retreated a step by a common and unconscious impulse.  The thought in each mind was the same:  "What a strange resemblance!"

The Lord Protector reflected a moment or two in perplexity, then he said, with grave respectfulness—

"By your favour, sir, I desire to ask certain questions which—"

"I will answer them, my lord."

The Duke asked him many questions about the Court, the late King, the prince, the princesses—the boy answered them correctly and without hesitating.  He described the rooms of state in the palace, the late King's apartments, and those of the Prince of Wales.

It was strange; it was wonderful; yes, it was unaccountable—so all said that heard it.  The tide was beginning to turn, and Tom Canty's hopes to run high, when the Lord Protector shook his head and said—

"It is true it is most wonderful—but it is no more than our lord the King likewise can do."  This remark, and this reference to himself as still the King, saddened Tom Canty, and he felt his hopes crumbling from under him.  "These are not PROOFS," added the Protector.

The tide was turning very fast now, very fast indeed—but in the wrong direction; it was leaving poor Tom Canty stranded on the throne, and sweeping the other out to sea.  The Lord Protector communed with himself—shook his head—the thought forced itself upon him, "It is perilous to the State and to us all, to entertain so fateful a riddle as this; it could divide the nation and undermine the throne."  He turned and said—

"Sir Thomas, arrest this—No, hold!"  His face lighted, and he confronted the ragged candidate with this question—

"Where lieth the Great Seal?  Answer me this truly, and the riddle is unriddled; for only he that was Prince of Wales CAN so answer! On so trivial a thing hang a throne and a dynasty!"

It was a lucky thought, a happy thought.  That it was so considered by the great officials was manifested by the silent applause that shot from eye to eye around their circle in the form of bright approving glances. Yes, none but the true prince could dissolve the stubborn mystery of the vanished Great Seal—this forlorn little impostor had been taught his lesson well, but here his teachings must fail, for his teacher himself could not answer THAT question—ah, very good, very good indeed; now we shall be rid of this troublesome and perilous business in short order! And so they nodded invisibly and smiled inwardly with satisfaction, and looked to see this foolish lad stricken with a palsy of guilty confusion. How surprised they were, then, to see nothing of the sort happen—how they marvelled to hear him answer up promptly, in a confident and untroubled voice, and say—





32-373.jpg (201K)




"There is nought in this riddle that is difficult."  Then, without so much as a by-your-leave to anybody, he turned and gave this command, with the easy manner of one accustomed to doing such things: "My Lord St. John, go you to my private cabinet in the palace—for none knoweth the place better than you—and, close down to the floor, in the left corner remotest from the door that opens from the ante-chamber, you shall find in the wall a brazen nail-head; press upon it and a little jewel-closet will fly open which not even you do know of—no, nor any soul else in all the world but me and the trusty artisan that did contrive it for me. The first thing that falleth under your eye will be the Great Seal—fetch it hither."

All the company wondered at this speech, and wondered still more to see the little mendicant pick out this peer without hesitancy or apparent fear of mistake, and call him by name with such a placidly convincing air of having known him all his life.  The peer was almost surprised into obeying.  He even made a movement as if to go, but quickly recovered his tranquil attitude and confessed his blunder with a blush.  Tom Canty turned upon him and said, sharply—

"Why dost thou hesitate?  Hast not heard the King's command?  Go!"

The Lord St. John made a deep obeisance—and it was observed that it was a significantly cautious and non-committal one, it not being delivered at either of the kings, but at the neutral ground about half-way between the two—and took his leave.

Now began a movement of the gorgeous particles of that official group which was slow, scarcely perceptible, and yet steady and persistent—a movement such as is observed in a kaleidoscope that is turned slowly, whereby the components of one splendid cluster fall away and join themselves to another—a movement which, little by little, in the present case, dissolved the glittering crowd that stood about Tom Canty and clustered it together again in the neighbourhood of the new-comer.  Tom Canty stood almost alone. Now ensued a brief season of deep suspense and waiting—during which even the few faint hearts still remaining near Tom Canty gradually scraped together courage enough to glide, one by one, over to the majority.  So at last Tom Canty, in his royal robes and jewels, stood wholly alone and isolated from the world, a conspicuous figure, occupying an eloquent vacancy.

Now the Lord St. John was seen returning.  As he advanced up the mid-aisle the interest was so intense that the low murmur of conversation in the great assemblage died out and was succeeded by a profound hush, a breathless stillness, through which his footfalls pulsed with a dull and distant sound.  Every eye was fastened upon him as he moved along.  He reached the platform, paused a moment, then moved toward Tom Canty with a deep obeisance, and said—

"Sire, the Seal is not there!"





32-375.jpg (77K)




A mob does not melt away from the presence of a plague-patient with more haste than the band of pallid and terrified courtiers melted away from the presence of the shabby little claimant of the Crown.  In a moment he stood all alone, without friend or supporter, a target upon which was concentrated a bitter fire of scornful and angry looks.  The Lord Protector called out fiercely—

"Cast the beggar into the street, and scourge him through the town—the paltry knave is worth no more consideration!"

Officers of the guard sprang forward to obey, but Tom Canty waved them off and said—

"Back!  Whoso touches him perils his life!"

The Lord Protector was perplexed in the last degree.  He said to the Lord St. John—

"Searched you well?—but it boots not to ask that.  It doth seem passing strange.  Little things, trifles, slip out of one's ken, and one does not think it matter for surprise; but how so bulky a thing as the Seal of England can vanish away and no man be able to get track of it again—a massy golden disk—"

Tom Canty, with beaming eyes, sprang forward and shouted—

"Hold, that is enough!  Was it round?—and thick?—and had it letters and devices graved upon it?—yes?  Oh, NOW I know what this Great Seal is that there's been such worry and pother about. An' ye had described it to me, ye could have had it three weeks ago.  Right well I know where it lies; but it was not I that put it there—first."

"Who, then, my liege?" asked the Lord Protector.

"He that stands there—the rightful King of England.  And he shall tell you himself where it lies—then you will believe he knew it of his own knowledge.  Bethink thee, my King—spur thy memory—it was the last, the very LAST thing thou didst that day before thou didst rush forth from the palace, clothed in my rags, to punish the soldier that insulted me."





32-377.jpg (85K)




A silence ensued, undisturbed by a movement or a whisper, and all eyes were fixed upon the new-comer, who stood, with bent head and corrugated brow, groping in his memory among a thronging multitude of valueless recollections for one single little elusive fact, which, found, would seat him upon a throne—unfound, would leave him as he was, for good and all—a pauper and an outcast.  Moment after moment passed—the moments built themselves into minutes—still the boy struggled silently on, and gave no sign.  But at last he heaved a sigh, shook his head slowly, and said, with a trembling lip and in a despondent voice—

"I call the scene back—all of it—but the Seal hath no place in it."  He paused, then looked up, and said with gentle dignity, "My lords and gentlemen, if ye will rob your rightful sovereign of his own for lack of this evidence which he is not able to furnish, I may not stay ye, being powerless.  But—"

"Oh, folly, oh, madness, my King!" cried Tom Canty, in a panic, "wait!—think!  Do not give up!—the cause is not lost!  Nor SHALL be, neither! List to what I say—follow every word—I am going to bring that morning back again, every hap just as it happened.  We talked—I told you of my sisters, Nan and Bet—ah, yes, you remember that; and about mine old grandam—and the rough games of the lads of Offal Court—yes, you remember these things also; very well, follow me still, you shall recall everything.  You gave me food and drink, and did with princely courtesy send away the servants, so that my low breeding might not shame me before them—ah, yes, this also you remember."

As Tom checked off his details, and the other boy nodded his head in recognition of them, the great audience and the officials stared in puzzled wonderment; the tale sounded like true history, yet how could this impossible conjunction between a prince and a beggar-boy have come about?  Never was a company of people so perplexed, so interested, and so stupefied, before.

"For a jest, my prince, we did exchange garments.  Then we stood before a mirror; and so alike were we that both said it seemed as if there had been no change made—yes, you remember that.  Then you noticed that the soldier had hurt my hand—look! here it is, I cannot yet even write with it, the fingers are so stiff.  At this your Highness sprang up, vowing vengeance upon that soldier, and ran towards the door—you passed a table—that thing you call the Seal lay on that table—you snatched it up and looked eagerly about, as if for a place to hide it—your eye caught sight of—"

"There, 'tis sufficient!—and the good God be thanked!" exclaimed the ragged claimant, in a mighty excitement.  "Go, my good St. John—in an arm-piece of the Milanese armour that hangs on the wall, thou'lt find the Seal!"

"Right, my King! right!" cried Tom Canty; "NOW the sceptre of England is thine own; and it were better for him that would dispute it that he had been born dumb!  Go, my Lord St. John, give thy feet wings!"

The whole assemblage was on its feet now, and well-nigh out of its mind with uneasiness, apprehension, and consuming excitement.  On the floor and on the platform a deafening buzz of frantic conversation burst forth, and for some time nobody knew anything or heard anything or was interested in anything but what his neighbour was shouting into his ear, or he was shouting into his neighbour's ear.  Time—nobody knew how much of it—swept by unheeded and unnoted.  At last a sudden hush fell upon the house, and in the same moment St. John appeared upon the platform, and held the Great Seal aloft in his hand.  Then such a shout went up—

"Long live the true King!"





32-379.jpg (169K)




For five minutes the air quaked with shouts and the crash of musical instruments, and was white with a storm of waving handkerchiefs; and through it all a ragged lad, the most conspicuous figure in England, stood, flushed and happy and proud, in the centre of the spacious platform, with the great vassals of the kingdom kneeling around him.

Then all rose, and Tom Canty cried out—

"Now, O my King, take these regal garments back, and give poor Tom, thy servant, his shreds and remnants again."

The Lord Protector spoke up—

"Let the small varlet be stripped and flung into the Tower."

But the new King, the true King, said—

"I will not have it so.  But for him I had not got my crown again—none shall lay a hand upon him to harm him.  And as for thee, my good uncle, my Lord Protector, this conduct of thine is not grateful toward this poor lad, for I hear he hath made thee a duke"—the Protector blushed—"yet he was not a king; wherefore what is thy fine title worth now?  To-morrow you shall sue to me, THROUGH HIM, for its confirmation, else no duke, but a simple earl, shalt thou remain."

Under this rebuke, his Grace the Duke of Somerset retired a little from the front for the moment.  The King turned to Tom, and said kindly—"My poor boy, how was it that you could remember where I hid the Seal when I could not remember it myself?"

"Ah, my King, that was easy, since I used it divers days."

"Used it—yet could not explain where it was?"

"I did not know it was THAT they wanted.  They did not describe it, your Majesty."

"Then how used you it?"

The red blood began to steal up into Tom's cheeks, and he dropped his eyes and was silent.

"Speak up, good lad, and fear nothing," said the King.  "How used you the Great Seal of England?"

Tom stammered a moment, in a pathetic confusion, then got it out—

"To crack nuts with!"





32-381.jpg (59K)




Poor child, the avalanche of laughter that greeted this nearly swept him off his feet.  But if a doubt remained in any mind that Tom Canty was not the King of England and familiar with the august appurtenances of royalty, this reply disposed of it utterly.

Meantime the sumptuous robe of state had been removed from Tom's shoulders to the King's, whose rags were effectually hidden from sight under it.  Then the coronation ceremonies were resumed; the true King was anointed and the crown set upon his head, whilst cannon thundered the news to the city, and all London seemed to rock with applause.









33-383.jpg (86K)




Chapter XXXIII. Edward as King.

Miles Hendon was picturesque enough before he got into the riot on London Bridge—he was more so when he got out of it.  He had but little money when he got in, none at all when he got out.  The pickpockets had stripped him of his last farthing.

But no matter, so he found his boy.  Being a soldier, he did not go at his task in a random way, but set to work, first of all, to arrange his campaign.

What would the boy naturally do?  Where would he naturally go? Well—argued Miles—he would naturally go to his former haunts, for that is the instinct of unsound minds, when homeless and forsaken, as well as of sound ones.  Whereabouts were his former haunts?  His rags, taken together with the low villain who seemed to know him and who even claimed to be his father, indicated that his home was in one or another of the poorest and meanest districts of London.  Would the search for him be difficult, or long?  No, it was likely to be easy and brief.  He would not hunt for the boy, he would hunt for a crowd; in the centre of a big crowd or a little one, sooner or later, he should find his poor little friend, sure; and the mangy mob would be entertaining itself with pestering and aggravating the boy, who would be proclaiming himself King, as usual.  Then Miles Hendon would cripple some of those people, and carry off his little ward, and comfort and cheer him with loving words, and the two would never be separated any more.

So Miles started on his quest.  Hour after hour he tramped through back alleys and squalid streets, seeking groups and crowds, and finding no end of them, but never any sign of the boy.  This greatly surprised him, but did not discourage him.  To his notion, there was nothing the matter with his plan of campaign; the only miscalculation about it was that the campaign was becoming a lengthy one, whereas he had expected it to be short.

When daylight arrived, at last, he had made many a mile, and canvassed many a crowd, but the only result was that he was tolerably tired, rather hungry and very sleepy.  He wanted some breakfast, but there was no way to get it.  To beg for it did not occur to him; as to pawning his sword, he would as soon have thought of parting with his honour; he could spare some of his clothes—yes, but one could as easily find a customer for a disease as for such clothes.

At noon he was still tramping—among the rabble which followed after the royal procession, now; for he argued that this regal display would attract his little lunatic powerfully.  He followed the pageant through all its devious windings about London, and all the way to Westminster and the Abbey.  He drifted here and there amongst the multitudes that were massed in the vicinity for a weary long time, baffled and perplexed, and finally wandered off, thinking, and trying to contrive some way to better his plan of campaign.  By-and-by, when he came to himself out of his musings, he discovered that the town was far behind him and that the day was growing old.  He was near the river, and in the country; it was a region of fine rural seats—not the sort of district to welcome clothes like his.





33-386.jpg (94K)




It was not at all cold; so he stretched himself on the ground in the lee of a hedge to rest and think.  Drowsiness presently began to settle upon his senses; the faint and far-off boom of cannon was wafted to his ear, and he said to himself, "The new King is crowned," and straightway fell asleep.  He had not slept or rested, before, for more than thirty hours. He did not wake again until near the middle of the next morning.

He got up, lame, stiff, and half famished, washed himself in the river, stayed his stomach with a pint or two of water, and trudged off toward Westminster, grumbling at himself for having wasted so much time.  Hunger helped him to a new plan, now; he would try to get speech with old Sir Humphrey Marlow and borrow a few marks, and—but that was enough of a plan for the present; it would be time enough to enlarge it when this first stage should be accomplished.

Toward eleven o'clock he approached the palace; and although a host of showy people were about him, moving in the same direction, he was not inconspicuous—his costume took care of that.  He watched these people's faces narrowly, hoping to find a charitable one whose possessor might be willing to carry his name to the old lieutenant—as to trying to get into the palace himself, that was simply out of the question.

Presently our whipping-boy passed him, then wheeled about and scanned his figure well, saying to himself, "An' that is not the very vagabond his Majesty is in such a worry about, then am I an ass—though belike I was that before.  He answereth the description to a rag—that God should make two such would be to cheapen miracles by wasteful repetition.  I would I could contrive an excuse to speak with him."

Miles Hendon saved him the trouble; for he turned about, then, as a man generally will when somebody mesmerises him by gazing hard at him from behind; and observing a strong interest in the boy's eyes, he stepped toward him and said—

"You have just come out from the palace; do you belong there?"

"Yes, your worship."

"Know you Sir Humphrey Marlow?"

The boy started, and said to himself, "Lord! mine old departed father!" Then he answered aloud, "Right well, your worship."

"Good—is he within?"

"Yes," said the boy; and added, to himself, "within his grave."

"Might I crave your favour to carry my name to him, and say I beg to say a word in his ear?"

"I will despatch the business right willingly, fair sir."

"Then say Miles Hendon, son of Sir Richard, is here without—I shall be greatly bounden to you, my good lad."

The boy looked disappointed.  "The King did not name him so," he said to himself; "but it mattereth not, this is his twin brother, and can give his Majesty news of t'other Sir-Odds-and-Ends, I warrant."  So he said to Miles, "Step in there a moment, good sir, and wait till I bring you word."

Hendon retired to the place indicated—it was a recess sunk in the palace wall, with a stone bench in it—a shelter for sentinels in bad weather. He had hardly seated himself when some halberdiers, in charge of an officer, passed by.  The officer saw him, halted his men, and commanded Hendon to come forth.  He obeyed, and was promptly arrested as a suspicious character prowling within the precincts of the palace.  Things began to look ugly.  Poor Miles was going to explain, but the officer roughly silenced him, and ordered his men to disarm him and search him.





33-389.jpg (117K)




"God of his mercy grant that they find somewhat," said poor Miles; "I have searched enow, and failed, yet is my need greater than theirs."

Nothing was found but a document.  The officer tore it open, and Hendon smiled when he recognised the 'pot-hooks' made by his lost little friend that black day at Hendon Hall.  The officer's face grew dark as he read the English paragraph, and Miles blenched to the opposite colour as he listened.

"Another new claimant of the Crown!" cried the officer.  "Verily they breed like rabbits, to-day.  Seize the rascal, men, and see ye keep him fast whilst I convey this precious paper within and send it to the King."

He hurried away, leaving the prisoner in the grip of the halberdiers.

"Now is my evil luck ended at last," muttered Hendon, "for I shall dangle at a rope's end for a certainty, by reason of that bit of writing.  And what will become of my poor lad!—ah, only the good God knoweth."

By-and-by he saw the officer coming again, in a great hurry; so he plucked his courage together, purposing to meet his trouble as became a man.  The officer ordered the men to loose the prisoner and return his sword to him; then bowed respectfully, and said—

"Please you, sir, to follow me."

Hendon followed, saying to himself, "An' I were not travelling to death and judgment, and so must needs economise in sin, I would throttle this knave for his mock courtesy."

The two traversed a populous court, and arrived at the grand entrance of the palace, where the officer, with another bow, delivered Hendon into the hands of a gorgeous official, who received him with profound respect and led him forward through a great hall, lined on both sides with rows of splendid flunkeys (who made reverential obeisance as the two passed along, but fell into death-throes of silent laughter at our stately scarecrow the moment his back was turned), and up a broad staircase, among flocks of fine folk, and finally conducted him into a vast room, clove a passage for him through the assembled nobility of England, then made a bow, reminded him to take his hat off, and left him standing in the middle of the room, a mark for all eyes, for plenty of indignant frowns, and for a sufficiency of amused and derisive smiles.

Miles Hendon was entirely bewildered.  There sat the young King, under a canopy of state, five steps away, with his head bent down and aside, speaking with a sort of human bird of paradise—a duke, maybe.  Hendon observed to himself that it was hard enough to be sentenced to death in the full vigour of life, without having this peculiarly public humiliation added.  He wished the King would hurry about it—some of the gaudy people near by were becoming pretty offensive.  At this moment the King raised his head slightly, and Hendon caught a good view of his face. The sight nearly took his breath away!—He stood gazing at the fair young face like one transfixed; then presently ejaculated—

"Lo, the Lord of the Kingdom of Dreams and Shadows on his throne!"

He muttered some broken sentences, still gazing and marvelling; then turned his eyes around and about, scanning the gorgeous throng and the splendid saloon, murmuring, "But these are REAL—verily these are REAL—surely it is not a dream."

He stared at the King again—and thought, "IS it a dream . . . or IS he the veritable Sovereign of England, and not the friendless poor Tom o' Bedlam I took him for—who shall solve me this riddle?"

A sudden idea flashed in his eye, and he strode to the wall, gathered up a chair, brought it back, planted it on the floor, and sat down in it!





33-392.jpg (184K)




A buzz of indignation broke out, a rough hand was laid upon him and a voice exclaimed—

"Up, thou mannerless clown! would'st sit in the presence of the King?"

The disturbance attracted his Majesty's attention, who stretched forth his hand and cried out—

"Touch him not, it is his right!"

The throng fell back, stupefied.  The King went on—

"Learn ye all, ladies, lords, and gentlemen, that this is my trusty and well-beloved servant, Miles Hendon, who interposed his good sword and saved his prince from bodily harm and possible death—and for this he is a knight, by the King's voice.  Also learn, that for a higher service, in that he saved his sovereign stripes and shame, taking these upon himself, he is a peer of England, Earl of Kent, and shall have gold and lands meet for the dignity.  More—the privilege which he hath just exercised is his by royal grant; for we have ordained that the chiefs of his line shall have and hold the right to sit in the presence of the Majesty of England henceforth, age after age, so long as the crown shall endure.  Molest him not."

Two persons, who, through delay, had only arrived from the country during this morning, and had now been in this room only five minutes, stood listening to these words and looking at the King, then at the scarecrow, then at the King again, in a sort of torpid bewilderment.  These were Sir Hugh and the Lady Edith.  But the new Earl did not see them.  He was still staring at the monarch, in a dazed way, and muttering—

"Oh, body o' me!  THIS my pauper!  This my lunatic!  This is he whom _I_ would show what grandeur was, in my house of seventy rooms and seven-and-twenty servants!  This is he who had never known aught but rags for raiment, kicks for comfort, and offal for diet!  This is he whom _I_ adopted and would make respectable! Would God I had a bag to hide my head in!"

Then his manners suddenly came back to him, and he dropped upon his knees, with his hands between the King's, and swore allegiance and did homage for his lands and titles.  Then he rose and stood respectfully aside, a mark still for all eyes—and much envy, too.

Now the King discovered Sir Hugh, and spoke out with wrathful voice and kindling eye—

"Strip this robber of his false show and stolen estates, and put him under lock and key till I have need of him."

The late Sir Hugh was led away.





33-394.jpg (165K)




There was a stir at the other end of the room, now; the assemblage fell apart, and Tom Canty, quaintly but richly clothed, marched down, between these living walls, preceded by an usher.  He knelt before the King, who said—

"I have learned the story of these past few weeks, and am well pleased with thee.  Thou hast governed the realm with right royal gentleness and mercy.  Thou hast found thy mother and thy sisters again?  Good; they shall be cared for—and thy father shall hang, if thou desire it and the law consent.  Know, all ye that hear my voice, that from this day, they that abide in the shelter of Christ's Hospital and share the King's bounty shall have their minds and hearts fed, as well as their baser parts; and this boy shall dwell there, and hold the chief place in its honourable body of governors, during life.  And for that he hath been a king, it is meet that other than common observance shall be his due; wherefore note this his dress of state, for by it he shall be known, and none shall copy it; and wheresoever he shall come, it shall remind the people that he hath been royal, in his time, and none shall deny him his due of reverence or fail to give him salutation.  He hath the throne's protection, he hath the crown's support, he shall be known and called by the honourable title of the King's Ward."





33-395.jpg (145K)




The proud and happy Tom Canty rose and kissed the King's hand, and was conducted from the presence.  He did not waste any time, but flew to his mother, to tell her and Nan and Bet all about it and get them to help him enjoy the great news. {1}









34-397.jpg (58K)




Conclusion. Justice and retribution.

When the mysteries were all cleared up, it came out, by confession of Hugh Hendon, that his wife had repudiated Miles by his command, that day at Hendon Hall—a command assisted and supported by the perfectly trustworthy promise that if she did not deny that he was Miles Hendon, and stand firmly to it, he would have her life; whereupon she said, "Take it!"—she did not value it—and she would not repudiate Miles; then the husband said he would spare her life but have Miles assassinated!  This was a different matter; so she gave her word and kept it.

Hugh was not prosecuted for his threats or for stealing his brother's estates and title, because the wife and brother would not testify against him—and the former would not have been allowed to do it, even if she had wanted to.  Hugh deserted his wife and went over to the continent, where he presently died; and by-and-by the Earl of Kent married his relict. There were grand times and rejoicings at Hendon village when the couple paid their first visit to the Hall.

Tom Canty's father was never heard of again.

The King sought out the farmer who had been branded and sold as a slave, and reclaimed him from his evil life with the Ruffler's gang, and put him in the way of a comfortable livelihood.

He also took that old lawyer out of prison and remitted his fine. He provided good homes for the daughters of the two Baptist women whom he saw burned at the stake, and roundly punished the official who laid the undeserved stripes upon Miles Hendon's back.

He saved from the gallows the boy who had captured the stray falcon, and also the woman who had stolen a remnant of cloth from a weaver; but he was too late to save the man who had been convicted of killing a deer in the royal forest.

He showed favour to the justice who had pitied him when he was supposed to have stolen a pig, and he had the gratification of seeing him grow in the public esteem and become a great and honoured man.

As long as the King lived he was fond of telling the story of his adventures, all through, from the hour that the sentinel cuffed him away from the palace gate till the final midnight when he deftly mixed himself into a gang of hurrying workmen and so slipped into the Abbey and climbed up and hid himself in the Confessor's tomb, and then slept so long, next day, that he came within one of missing the Coronation altogether.  He said that the frequent rehearsing of the precious lesson kept him strong in his purpose to make its teachings yield benefits to his people; and so, whilst his life was spared he should continue to tell the story, and thus keep its sorrowful spectacles fresh in his memory and the springs of pity replenished in his heart.

Miles Hendon and Tom Canty were favourites of the King, all through his brief reign, and his sincere mourners when he died. The good Earl of Kent had too much sense to abuse his peculiar privilege; but he exercised it twice after the instance we have seen of it before he was called from this world—once at the accession of Queen Mary, and once at the accession of Queen Elizabeth.  A descendant of his exercised it at the accession of James I.  Before this one's son chose to use the privilege, near a quarter of a century had elapsed, and the 'privilege of the Kents' had faded out of most people's memories; so, when the Kent of that day appeared before Charles I. and his court and sat down in the sovereign's presence to assert and perpetuate the right of his house, there was a fine stir indeed!  But the matter was soon explained, and the right confirmed.  The last Earl of the line fell in the wars of the Commonwealth fighting for the King, and the odd privilege ended with him.

Tom Canty lived to be a very old man, a handsome, white-haired old fellow, of grave and benignant aspect.  As long as he lasted he was honoured; and he was also reverenced, for his striking and peculiar costume kept the people reminded that 'in his time he had been royal;' so, wherever he appeared the crowd fell apart, making way for him, and whispering, one to another, "Doff thy hat, it is the King's Ward!"—and so they saluted, and got his kindly smile in return—and they valued it, too, for his was an honourable history.

Yes, King Edward VI. lived only a few years, poor boy, but he lived them worthily.  More than once, when some great dignitary, some gilded vassal of the crown, made argument against his leniency, and urged that some law which he was bent upon amending was gentle enough for its purpose, and wrought no suffering or oppression which any one need mightily mind, the young King turned the mournful eloquence of his great compassionate eyes upon him and answered—

"What dost THOU know of suffering and oppression?  I and my people know, but not thou."

The reign of Edward VI. was a singularly merciful one for those harsh times.  Now that we are taking leave of him, let us try to keep this in our minds, to his credit.









35-403.jpg (46K)




FOOTNOTES AND TWAIN'S NOTES

{1}  For Mark Twain's note see below under the relevant chapter heading.

{2}  He refers to the order of baronets, or baronettes; the barones minores, as distinct from the parliamentary barons—not, it need hardly be said, to the baronets of later creation.

{3}  The lords of Kingsale, descendants of De Courcy, still enjoy this curious privilege.

{4}  Hume.

{5}  Ib.

{6}  Leigh Hunt's 'The Town,' p.408, quotation from an early tourist.

{7}  Canting terms for various kinds of thieves, beggars and vagabonds, and their female companions.

{8}  From 'The English Rogue.'  London, 1665.

{9}  Hume's England.

{10}  See Dr. J. Hammond Trumbull's Blue Laws, True and False, p. 11.




NOTE 1, Chapter IV. Christ's Hospital Costume.

It is most reasonable to regard the dress as copied from the costume of the citizens of London of that period, when long blue coats were the common habit of apprentices and serving-men, and yellow stockings were generally worn; the coat fits closely to the body, but has loose sleeves, and beneath is worn a sleeveless yellow under-coat; around the waist is a red leathern girdle; a clerical band around the neck, and a small flat black cap, about the size of a saucer, completes the costume.—Timbs' Curiosities of London.




NOTE 2, Chapter IV.

It appears that Christ's Hospital was not originally founded as a SCHOOL; its object was to rescue children from the streets, to shelter, feed, clothe them.—Timbs' Curiosities of London.




NOTE 3, Chapter V. The Duke of Norfolk's Condemnation commanded.

The King was now approaching fast towards his end; and fearing lest Norfolk should escape him, he sent a message to the Commons, by which he desired them to hasten the Bill, on pretence that Norfolk enjoyed the dignity of Earl Marshal, and it was necessary to appoint another, who might officiate at the ensuing ceremony of installing his son Prince of Wales.—Hume's History of England, vol. iii. p. 307.




NOTE 4, Chapter VII.

It was not till the end of this reign (Henry VIII.) that any salads, carrots, turnips, or other edible roots were produced in England.  The little of these vegetables that was used was formerly imported from Holland and Flanders.  Queen Catherine, when she wanted a salad, was obliged to despatch a messenger thither on purpose.—Hume's History of England, vol. iii. p. 314.




NOTE 5, Chapter VIII. Attainder of Norfolk.

The House of Peers, without examining the prisoner, without trial or evidence, passed a Bill of Attainder against him and sent it down to the Commons . . . The obsequious Commons obeyed his (the King's) directions; and the King, having affixed the Royal assent to the Bill by commissioners, issued orders for the execution of Norfolk on the morning of January 29 (the next day).—Hume's History of England, vol iii. p 306.




NOTE 6, Chapter X. The Loving-cup.

The loving-cup, and the peculiar ceremonies observed in drinking from it, are older than English history.  It is thought that both are Danish importations.  As far back as knowledge goes, the loving-cup has always been drunk at English banquets.  Tradition explains the ceremonies in this way.  In the rude ancient times it was deemed a wise precaution to have both hands of both drinkers employed, lest while the pledger pledged his love and fidelity to the pledgee, the pledgee take that opportunity to slip a dirk into him!




NOTE 7, Chapter XI. The Duke of Norfolk's narrow Escape.

Had Henry VIII. survived a few hours longer, his order for the duke's execution would have been carried into effect. 'But news being carried to the Tower that the King himself had expired that night, the lieutenant deferred obeying the warrant; and it was not thought advisable by the Council to begin a new reign by the death of the greatest nobleman in the kingdom, who had been condemned by a sentence so unjust and tyrannical.'—Hume's History of England, vol. iii, p. 307.




NOTE 8, Chapter XIV. The Whipping-boy.

James I. and Charles II. had whipping-boys, when they were little fellows, to take their punishment for them when they fell short in their lessons; so I have ventured to furnish my small prince with one, for my own purposes.




NOTES to Chapter XV.

Character of Hertford.

The young King discovered an extreme attachment to his uncle, who was, in the main, a man of moderation and probity.—Hume's History of England, vol. iii, p324.

But if he (the Protector) gave offence by assuming too much state, he deserves great praise on account of the laws passed this session, by which the rigour of former statutes was much mitigated, and some security given to the freedom of the constitution.  All laws were repealed which extended the crime of treason beyond the statute of the twenty-fifth of Edward III.; all laws enacted during the late reign extending the crime of felony; all the former laws against Lollardy or heresy, together with the statute of the Six Articles.  None were to be accused for words, but within a month after they were spoken.  By these repeals several of the most rigorous laws that ever had passed in England were annulled; and some dawn, both of civil and religious liberty, began to appear to the people.  A repeal also passed of that law, the destruction of all laws, by which the King's proclamation was made of equal force with a statute. —Ibid. vol. iii. p. 339.

Boiling to Death.

In the reign of Henry VIII. poisoners were, by Act of Parliament, condemned to be BOILED TO DEATH.  This Act was repealed in the following reign.

In Germany, even in the seventeenth century, this horrible punishment was inflicted on coiners and counterfeiters.  Taylor, the Water Poet, describes an execution he witnessed in Hamburg in 1616.  The judgment pronounced against a coiner of false money was that he should 'BE BOILED TO DEATH IN OIL; not thrown into the vessel at once, but with a pulley or rope to be hanged under the armpits, and then let down into the oil BY DEGREES; first the feet, and next the legs, and so to boil his flesh from his bones alive.'—Dr. J. Hammond Trumbull's Blue Laws, True and False, p. 13.

The Famous Stocking Case.

A woman and her daughter, NINE YEARS OLD, were hanged in Huntingdon for selling their souls to the devil, and raising a storm by pulling off their stockings!—Dr. J. Hammond Trumbull's Blue Laws, True and False, p. 20.




NOTE 10, Chapter XVII. Enslaving.

So young a King and so ignorant a peasant were likely to make mistakes; and this is an instance in point.  This peasant was suffering from this law BY ANTICIPATION; the King was venting his indignation against a law which was not yet in existence; for this hideous statute was to have birth in this little King's OWN REIGN. However, we know, from the humanity of his character, that it could never have been suggested by him.




NOTES to Chapter XXIII. Death for Trifling Larcenies.

When Connecticut and New Haven were framing their first codes, larceny above the value of twelve pence was a capital crime in England—as it had been since the time of Henry I.—Dr. J. Hammond Trumbull's Blue Laws, True and False, p. 17.

The curious old book called The English Rogue makes the limit thirteen pence ha'penny:  death being the portion of any who steal a thing 'above the value of thirteen pence ha'penny.'




NOTES to Chapter XXVII.

From many descriptions of larceny the law expressly took away the benefit of clergy:  to steal a horse, or a HAWK, or woollen cloth from the weaver, was a hanging matter.  So it was to kill a deer from the King's forest, or to export sheep from the kingdom.—Dr. J. Hammond Trumbull's Blue Laws, True and False, p.13.

William Prynne, a learned barrister, was sentenced (long after Edward VI.'s time) to lose both his ears in the pillory, to degradation from the bar, a fine of 3,000 pounds, and imprisonment for life.  Three years afterwards he gave new offence to Laud by publishing a pamphlet against the hierarchy.  He was again prosecuted, and was sentenced to lose WHAT REMAINED OF HIS EARS, to pay a fine of 5,000 pounds, to be BRANDED ON BOTH HIS CHEEKS with the letters S. L. (for Seditious Libeller), and to remain in prison for life.  The severity of this sentence was equalled by the savage rigour of its execution.—Ibid. p. 12.




NOTES to Chapter XXXIII.

Christ's Hospital, or Bluecoat School, 'the noblest institution in the world.'

The ground on which the Priory of the Grey Friars stood was conferred by Henry VIII. on the Corporation of London (who caused the institution there of a home for poor boys and girls). Subsequently, Edward VI. caused the old Priory to be properly repaired, and founded within it that noble establishment called the Bluecoat School, or Christ's Hospital, for the EDUCATION and maintenance of orphans and the children of indigent persons . . . Edward would not let him (Bishop Ridley) depart till the letter was written (to the Lord Mayor), and then charged him to deliver it himself, and signify his special request and commandment that no time might be lost in proposing what was convenient, and apprising him of the proceedings.  The work was zealously undertaken, Ridley himself engaging in it; and the result was the founding of Christ's Hospital for the education of poor children. (The King endowed several other charities at the same time.) "Lord God," said he, "I yield Thee most hearty thanks that Thou hast given me life thus long to finish this work to the glory of Thy name!"  That innocent and most exemplary life was drawing rapidly to its close, and in a few days he rendered up his spirit to his Creator, praying God to defend the realm from Papistry.—J. Heneage Jesse's London:  its Celebrated Characters and Places.

In the Great Hall hangs a large picture of King Edward VI. seated on his throne, in a scarlet and ermined robe, holding the sceptre in his left hand, and presenting with the other the Charter to the kneeling Lord Mayor.  By his side stands the Chancellor, holding the seals, and next to him are other officers of state.  Bishop Ridley kneels before him with uplifted hands, as if supplicating a blessing on the event; whilst the Aldermen, etc., with the Lord Mayor, kneel on both sides, occupying the middle ground of the picture; and lastly, in front, are a double row of boys on one side and girls on the other, from the master and matron down to the boy and girl who have stepped forward from their respective rows, and kneel with raised hands before the King.—Timbs' Curiosities of London, p. 98.

Christ's Hospital, by ancient custom, possesses the privilege of addressing the Sovereign on the occasion of his or her coming into the City to partake of the hospitality of the Corporation of London.—Ibid.

The Dining Hall, with its lobby and organ-gallery, occupies the entire storey, which is 187 feet long, 51 feet wide, and 47 feet high; it is lit by nine large windows, filled with stained glass on the south side; and is, next to Westminster Hall, the noblest room in the metropolis.  Here the boys, now about 800 in number, dine; and here are held the 'Suppings in Public,' to which visitors are admitted by tickets issued by the Treasurer and by the Governors of Christ's Hospital.  The tables are laid with cheese in wooden bowls, beer in wooden piggins, poured from leathern jacks, and bread brought in large baskets.  The official company enter; the Lord Mayor, or President, takes his seat in a state chair made of oak from St. Catherine's Church, by the Tower; a hymn is sung, accompanied by the organ; a 'Grecian,' or head boy, reads the prayers from the pulpit, silence being enforced by three drops of a wooden hammer.  After prayer the supper commences, and the visitors walk between the tables.  At its close the 'trade-boys' take up the baskets, bowls, jacks, piggins, and candlesticks, and pass in procession, the bowing to the Governors being curiously formal.  This spectacle was witnessed by Queen Victoria and Prince Albert in 1845.

Among the more eminent Bluecoat boys are Joshua Barnes, editor of Anacreon and Euripides; Jeremiah Markland, the eminent critic, particularly in Greek Literature; Camden, the antiquary; Bishop Stillingfleet; Samuel Richardson, the novelist; Thomas Mitchell, the translator of Aristophanes; Thomas Barnes, many years editor of the London Times; Coleridge, Charles Lamb, and Leigh Hunt.

No boy is admitted before he is seven years old, or after he is nine; and no boy can remain in the school after he is fifteen, King's boys and 'Grecians' alone excepted.  There are about 500 Governors, at the head of whom are the Sovereign and the Prince of Wales.  The qualification for a Governor is payment of 500 pounds.—Ibid.




GENERAL NOTE.

One hears much about the 'hideous Blue Laws of Connecticut,' and is accustomed to shudder piously when they are mentioned.  There are people in America—and even in England!—who imagine that they were a very monument of malignity, pitilessness, and inhumanity; whereas in reality they were about the first SWEEPING DEPARTURE FROM JUDICIAL ATROCITY which the 'civilised' world had seen.  This humane and kindly Blue Law Code, of two hundred and forty years ago, stands all by itself, with ages of bloody law on the further side of it, and a century and three-quarters of bloody English law on THIS side of it.

There has never been a time—under the Blue Laws or any other—when above FOURTEEN crimes were punishable by death in Connecticut.  But in England, within the memory of men who are still hale in body and mind, TWO HUNDRED AND TWENTY-THREE crimes were punishable by death! {10}  These facts are worth knowing—and worth thinking about, too.








End of the Project Gutenberg EBook of The Prince and The Pauper, Part 9.
by Mark Twain (Samuel Clemens)

*** END OF THIS PROJECT GUTENBERG EBOOK THE PRINCE AND THE PAUPER, PART 9. ***

***** This file should be named 7162-h.htm or 7162-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/7/1/6/7162/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.